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Speaker 1: Hey guys, We're on a four whole city tour.

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Speaker 2: Love that word tour, don't you?

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Speaker 1: Four whole cities?

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Speaker 2: Four whole city? Well three New York doesn't count.

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Speaker 3: That's home.

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Speaker 1: I mean we're going there though where were living. We

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Speaker 1: will be in Toronto on October twelfth, Los Angeles on

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Speaker 1: November fifth, London November seventeenth, and back in New York

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Speaker 1: City December one. Merch is available right now in New

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Speaker 1: roymaul dot com as well. Subscribe to our Patreon, subscribe

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Speaker 1: to everything man like comment. Smash that that subscribe button.

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Speaker 1: What do the kids say?

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Speaker 2: I think this?

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Speaker 1: Smash the like button.

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Speaker 2: Smash the like button.

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Speaker 1: If you smash your laptop when you subscribe.

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Speaker 4: To one to smash the subscribe button. If you're not hating,

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Speaker 4: that's a new one.

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Speaker 3: That's a new one. Understand I must be hating. Damn.

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Speaker 3: Yeah I never smashed the.

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Speaker 2: Big hate, big hate.

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Speaker 1: All right, bye guys, no Worrian now.

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Speaker 5: Yeah? Yeah?

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Speaker 6: Pay shame.

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Speaker 1: Will chair Jamille. I was so mad I didn't come

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Speaker 1: up with that.

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Speaker 2: Yeah, that was a good one.

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Speaker 1: Who whoever commented on Instagram and called Maul wheel chair Jamilly?

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Speaker 1: I thank you because I had a great laugh at that,

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Speaker 1: did you? I did? I also had a lot of

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Speaker 1: fun shooting you Paul's.

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Speaker 3: Hey hey backshots.

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Speaker 2: All right, So look he did he did all that.

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Speaker 1: For those that have not seen on Instagram, we put

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Speaker 1: out a tour trailer for Toronto October Elf Elf twelfth

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Speaker 1: tickets available now.

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Speaker 2: Feeling like a Elf. Look at you Christmas spirit already,

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Speaker 2: big Elf.

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Speaker 1: Listen If those girls that TikTok can wear the elf

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Speaker 1: ears can't.

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Speaker 2: I I don't know who you're talking about.

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Speaker 6: Hello, christ I'm about to sit it again.

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Speaker 1: They smoke that shit.

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Speaker 2: Is that like a new thing going on?

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Speaker 1: It's a it's a really big Is it a song?

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Speaker 6: It's a song?

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Speaker 1: Yeah, I guess it's a song.

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Speaker 2: Whose song is that?

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Speaker 6: Uh? They're lie Flying a Boss.

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Speaker 2: They're both dope, fly in a Boss.

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Speaker 1: They're two young girls that literally dead sprint while they're

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Speaker 1: rapping in a bunch of different locations and it's hilarious.

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Speaker 2: I've seen that.

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Speaker 1: Yeah, it's one of the biggest.

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Speaker 2: Yeah, I've seen that.

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Speaker 1: I like them. I hope that they like make music

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Speaker 1: for real. Maybe they do and I'm just out of toa.

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Speaker 6: They do, and they're pretty good too.

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Speaker 1: Their raps are good in that that song.

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Speaker 2: A lot of people think they're plants. I mean, everybody's

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Speaker 2: a plant. Yeah, but like this big plant.

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Speaker 1: I don't mind that type of planting though. It's like

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Speaker 1: if it's catchy and fun cool.

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Speaker 4: If the plant is done right, yeah, as long as water.

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Speaker 4: Like we know you can see the plants now, like

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Speaker 4: you see the push behind them.

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Speaker 2: But if it's done, it's some real talent there. I

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Speaker 2: appreciate the soil, Yeah, get it from the soil, you

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Speaker 2: know what I mean, Da.

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Speaker 1: That's crazy. You turn your mud into soil. That's how

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Speaker 1: you grew.

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Speaker 4: I saw y'all was doing some things this weekend. Y'all

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Speaker 4: was out in the soil, putting your feet to the soil.

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Speaker 1: That's true. I went outside.

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Speaker 3: We were boots on the ground.

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Speaker 2: Yeah, I'll y'all all week and running around.

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Speaker 1: I was a little nervous to go outside, to be honest. Uh,

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Speaker 1: Julie invited me to I'm sorry, what's the name of

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Speaker 1: the party?

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Speaker 3: Pang shout?

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Speaker 1: That was the first thing that I Yeah, great party,

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Speaker 1: great crew, but I was nervous. He and Omar I

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Speaker 1: went to d C for the day. So it was

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Speaker 1: like I had twit.

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Speaker 2: Your daughter went to a d C Day party. Yeah,

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Speaker 2: she was with John All okay, I mean listen, he's

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Speaker 2: gonna show you she.

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Speaker 3: Called him dad whoa.

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Speaker 2: Okay, I mean only because you made it a jake.

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Speaker 1: What They went to a baby shower okay for the day,

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Speaker 1: all right.

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Speaker 4: So that's like a thing like once you have a baby,

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Speaker 4: you're obligated to bring your baby to baby showers.

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Speaker 1: It's actually helpful.

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Speaker 2: It's like when girls do with burking bags. Once they

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Speaker 2: get a burking like they gotta like.

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Speaker 1: They have to only hang out with girls.

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Speaker 2: We only have to hang out with girls that have

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Speaker 2: burking out there.

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Speaker 1: Well, it's helpful, like when everyone there has children because

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Speaker 1: you can kind of just like let them. It's like

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Speaker 1: almost like a break because everyone's watching all the kids.

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Speaker 4: Well you just let your kids play to see where

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Speaker 4: your kid is on the kid meter, Like my is

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Speaker 4: my kid? Like is he is she performing at a

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Speaker 4: certain level? Is she a cry baby? Is she a tattletale?

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Speaker 4: A lot of us forgot about that tattletale thing game old.

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Speaker 2: Yeah, everybody's a tattletale now, I mean it's remember that it's.

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Speaker 1: Pretty pretty popular.

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Speaker 3: And you could tattle and then south the Barclays. That's cool.

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Speaker 1: You can do a song with Kodak Black after titling.

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Speaker 2: You can do anything.

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Speaker 4: Now looks like they almost embrace you more when you

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Speaker 4: tell they literally do what everything.

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Speaker 1: Guys tell your friends that the sky is.

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Speaker 4: I don't know if that's progressive or not. Like, look

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Speaker 4: how much the world has changed when you're a tattletale.

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Speaker 4: Now people embrace you more. Before they used to like

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Speaker 4: completely just do away with you and treat you like

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Speaker 4: the hunchback of Notre Dame.

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Speaker 1: Yeah, I mean that's not where I was gonna go

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Speaker 1: with it, but yeah, I mean they treat you like that,

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Speaker 1: like you can't come out if it was a tattle.

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Speaker 1: Treat you like Rudy.

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Speaker 2: Now it's like, yo, give me give me a sixteen.

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Speaker 1: Give me give me since you talked so much, like

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Speaker 1: give me a sixteen, you're just telling your former loved

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Speaker 1: ones exactly.

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Speaker 2: Give me a sixteen. I was outside.

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Speaker 1: Uh yeah, I was nervous because I hadn't been like

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Speaker 1: out out in a while, and I talked myself into it.

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Speaker 1: I even tried to come up with excuses.

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Speaker 3: I bullied Rory into coming outside.

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Speaker 1: I was like, Julian, it's like an hour away, like

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Speaker 1: it's gonna rain. Yeah, yeah, I looked at the weather

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Speaker 1: trying to find any that dad.

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Speaker 2: Now, it was like an indoor cat It did rain, though,

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Speaker 2: it did.

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Speaker 1: Right, But it was an outdoor party, so I was

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Speaker 1: a little concerned while I was getting dressed.

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Speaker 2: Like, no, that makes sense if it's an outdoor party

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Speaker 2: and it's rain and we.

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Speaker 3: Had we were on the stage and we had a cover.

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Speaker 2: I don't care about that now.

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Speaker 3: But I'm saying, like I told Rory, I was like,

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Speaker 3: you'll be fine.

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Speaker 2: There was also mappy, it will be dry, everybody else

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Speaker 2: will be trying.

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Speaker 7: But it was that didn't That's why I loved about

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Speaker 7: New York. That didn't kill the party going crazy.

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Speaker 2: That's what killed Rory. New York's sick.

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Speaker 1: And then I started melting. Yeah, like the Wicked, which

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Speaker 1: the West.

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Speaker 2: New Yorkers don't give a fuck about it.

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Speaker 4: We don't care about whether, we don't care about traffic,

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Speaker 4: we don't care about.

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Speaker 2: COVID, we don't care that ship.

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Speaker 3: We shouldn't.

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Speaker 2: We just gonna park.

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Speaker 3: We FaceTime in Merits while we were there. She had fun.

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Speaker 2: That was hilarious.

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Speaker 6: I was so fucking annoying, and I was caught because

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Speaker 6: I had just told Rory I was getting dressed in

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Speaker 6: on my way and y'all like caught me.

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Speaker 1: And I was like, fuck, yeah, we shamed you.

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Speaker 3: Boom boom.

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Speaker 1: So when I was parking, our good friend Weezy texted

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Speaker 1: me and said, hey, do you want to go to elsewhere?

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Speaker 1: I said, hey, I'm actually about to walk in. Then

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Speaker 1: she told me she was on mushrooms, so nice. Naturally,

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Speaker 1: when she got there, I took some too, m M

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Speaker 1: as did edit and I we all did, and boy

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Speaker 1: did they kick my fucking ass. I had to sit

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Speaker 1: in my car for a while, a while, like a

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Speaker 1: long time.

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Speaker 2: You got a choke hold on you? Yes, yeah, I had,

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Speaker 2: like I had started panicking.

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Speaker 1: No, I just had trouble like moving and like doing anything.

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Speaker 1: Oh okay, it was a weird, trim experience. He quite honest,

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Speaker 1: I've never felt that way on shroms like they hit me.

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Speaker 2: You didn't even have a big piece.

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Speaker 1: No, my tolerance has just gotten shitty with everything at

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Speaker 1: this point.

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Speaker 2: But I called right there, what you just said.

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Speaker 6: Caught it.

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Speaker 1: I was gonna both are one this early into the.

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Speaker 2: Yes, that was enough for that.

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Speaker 4: You had a big the big pieces it's a bit

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Speaker 4: of a reach, but anything crazy. The police after that said,

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Speaker 4: so since here, like you had a big piece.

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Speaker 1: And like the way your tone was like I'm used

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Speaker 1: to taking big pieces like no.

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Speaker 2: You Yeah, I didn't like that last.

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Speaker 1: The piece wasn't even that big.

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Speaker 4: I was m all right, So I took shrooms. You

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Speaker 4: started panicking a little bit.

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Speaker 1: I didn't panic. I did have the hard out pause.

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Speaker 3: Damn that piece put you through the rings.

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Speaker 1: Like once it hit when I was standing on stage,

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Speaker 1: I immediately left, like I did an Irish exit, very abruptly.

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Speaker 3: You didn't wore an all red shirt too. I was

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Speaker 3: that was She looked like a power Ranger.

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Speaker 1: Red Ranger was always my favorite too. I was texting

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Speaker 1: Weezy all the way out because I could not sit

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Speaker 1: there any longer.

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Speaker 2: Where was the party at elsewhere?

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Speaker 3: The elsewhere roof top?

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Speaker 2: Yeah, okay, it was dope.

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Speaker 6: I called Rory. I facetimed him because I was like, hey,

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Speaker 6: you know, I'm out, let's go, like go get drinks

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Speaker 6: or whatever, and he was like slurring. He was like,

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Speaker 6: I'm sitting in my car and I'm just I'm I

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Speaker 6: was like, are you drunk? He was like, no, I

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Speaker 6: took shrooms and I'm just like, okay, all different.

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Speaker 1: What's so funny is when demeris like, you're slurring your words.

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Speaker 1: I thought I was in perfect English. I thought everything

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Speaker 1: I said about like I took a second. I thought

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Speaker 1: about what I had to say, and I thought I

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Speaker 1: delivered it, and all that came out was like I'm

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Speaker 1: in the car.

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Speaker 2: The Dicapriolf of Wall Street had the heavy tongue. Oh

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Speaker 2: my god, yeah, I feel you.

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Speaker 1: But it was fun. We had a good time. I

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Speaker 1: can't take that bpm for that long.

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Speaker 2: You can't take one hundred and twenty six ppm for

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Speaker 2: too long? Oh was it that? It was it? That's all.

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Speaker 7: There's a good bounds, but it's like on my piano,

228
00:09:06,120 --> 00:09:08,959
Speaker 7: afrobeats and like a lot of lit like Dominican.

229
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Speaker 3: They're they're all.

230
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Speaker 6: They called me and Deli was playing, but it was

231
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Speaker 6: Deli like it was like.

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Speaker 2: With Deli.

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Speaker 6: Yes it was in the video.

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Speaker 4: I can't, I can't, I can't do it's not.

235
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Speaker 1: Redoing Black Eyed Peas that's already. Et M was the craziest, like,

236
00:09:28,880 --> 00:09:30,160
Speaker 1: how'd you extra e d M?

237
00:09:30,240 --> 00:09:31,400
Speaker 3: Something they don't eat.

238
00:09:31,480 --> 00:09:35,560
Speaker 2: It's it's not what is it.

239
00:09:34,960 --> 00:09:36,920
Speaker 3: It's like it's world music. These guys like.

240
00:09:38,600 --> 00:09:41,000
Speaker 2: That, what's world music and not NBA music?

241
00:09:41,080 --> 00:09:44,120
Speaker 3: Right? How does that even?

242
00:09:45,000 --> 00:09:46,280
Speaker 1: The party like that?

243
00:09:46,320 --> 00:09:47,719
Speaker 2: Who allows you?

244
00:09:47,800 --> 00:09:48,040
Speaker 3: Got it?

245
00:09:48,400 --> 00:09:51,040
Speaker 2: Allows the stems of what you play. He'll figure it out.

246
00:09:51,160 --> 00:09:52,720
Speaker 2: He'll let you know if it's world music or not.

247
00:09:53,080 --> 00:09:54,800
Speaker 7: But it was fun, it was It was nice to

248
00:09:54,800 --> 00:09:57,600
Speaker 7: see Rory outside. I feel like that was long overdue.

249
00:09:57,640 --> 00:09:59,840
Speaker 1: And the DJs were great, don't get me wrong, just

250
00:10:00,320 --> 00:10:02,960
Speaker 1: I like that type of music for a set, like

251
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Speaker 1: you give me like forty five minutes of that, like

252
00:10:06,160 --> 00:10:09,439
Speaker 1: I'm cool. Five hours of it is a lot.

253
00:10:09,600 --> 00:10:11,400
Speaker 2: No, that's crazy. I can't do five hours of that

254
00:10:11,400 --> 00:10:11,680
Speaker 2: type of.

255
00:10:11,720 --> 00:10:14,319
Speaker 1: Music because y'all old it was the first party in

256
00:10:14,360 --> 00:10:15,280
Speaker 1: New York Old.

257
00:10:15,280 --> 00:10:16,560
Speaker 2: I can't do five hours of that type.

258
00:10:16,760 --> 00:10:19,320
Speaker 1: I couldn't do any play. I really mean it for a second, please, yeah,

259
00:10:19,600 --> 00:10:20,120
Speaker 1: like give me that.

260
00:10:21,480 --> 00:10:26,080
Speaker 3: He's like, you think they'll play the locks or it's yeah,

261
00:10:26,200 --> 00:10:27,679
Speaker 3: like I'm on piano drums? Right?

262
00:10:27,960 --> 00:10:29,720
Speaker 2: What type of crowd was mixed?

263
00:10:29,720 --> 00:10:30,720
Speaker 3: The world super mixed?

264
00:10:31,320 --> 00:10:32,320
Speaker 2: It was a worldly No.

265
00:10:32,360 --> 00:10:34,160
Speaker 3: Look I'm not exaggerated, but.

266
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Speaker 6: Like the Games, it was mostly white people was like.

267
00:10:38,880 --> 00:10:39,200
Speaker 2: Mixed.

268
00:10:39,200 --> 00:10:41,240
Speaker 7: There was hardly any white people we're not doing that.

269
00:10:41,440 --> 00:10:43,880
Speaker 7: This isn't going to be any white plug. I do

270
00:10:43,920 --> 00:10:46,079
Speaker 7: funk with them, but like they got to pay to

271
00:10:46,120 --> 00:10:49,360
Speaker 7: bring them out. They were out there, Yeah, they had.

272
00:10:49,400 --> 00:10:51,840
Speaker 7: They had the women that can shout out to a

273
00:10:51,840 --> 00:10:54,439
Speaker 7: lot of cannons, a lot of calcium cannons. There them all,

274
00:10:54,520 --> 00:10:56,240
Speaker 7: a lot of them, and it was raining.

275
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Speaker 2: It was a whole pirate ship. It was nothing like,

276
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Speaker 2: nothing better than their work.

277
00:11:00,400 --> 00:11:04,599
Speaker 1: But as a sorry, as a unit, I was disappointed

278
00:11:04,640 --> 00:11:08,280
Speaker 1: in us. Why well, I'm take me out of the equation.

279
00:11:09,400 --> 00:11:11,680
Speaker 1: But you two didn't speak to one of those. We

280
00:11:11,880 --> 00:11:12,600
Speaker 1: sat like creeps.

281
00:11:12,640 --> 00:11:14,199
Speaker 3: It was like, oh, she's so hot. Oh no. When

282
00:11:14,200 --> 00:11:16,360
Speaker 3: the shrooms hit, I went up. You guys didn't see it.

283
00:11:17,320 --> 00:11:19,840
Speaker 1: No one talked to the beautiful women were surrounding us,

284
00:11:19,880 --> 00:11:21,680
Speaker 1: and you get too high.

285
00:11:21,880 --> 00:11:23,160
Speaker 3: I went up.

286
00:11:23,280 --> 00:11:26,520
Speaker 7: So we were again raining. At this point on stage,

287
00:11:26,600 --> 00:11:29,520
Speaker 7: we're dry. Then there's like people dancing in the front

288
00:11:29,559 --> 00:11:31,240
Speaker 7: that just don't give a fuck, and then there's a

289
00:11:31,280 --> 00:11:33,640
Speaker 7: little like rain coverage, but it's in the back so

290
00:11:33,679 --> 00:11:35,720
Speaker 7: you're kind of further away. But in the middle there's

291
00:11:35,720 --> 00:11:38,719
Speaker 7: like an open gap. So I get off stage, go

292
00:11:38,920 --> 00:11:40,040
Speaker 7: through the gap.

293
00:11:39,800 --> 00:11:40,960
Speaker 2: And she talked to type beat.

294
00:11:41,000 --> 00:11:45,760
Speaker 3: I approached the type beat. Oh, I approached her and her.

295
00:11:45,720 --> 00:11:46,920
Speaker 2: Friend type B.

296
00:11:47,160 --> 00:11:49,160
Speaker 1: Would you we don't have to we don't have to beat?

297
00:11:49,240 --> 00:11:49,800
Speaker 3: Could we believe?

298
00:11:50,120 --> 00:11:52,479
Speaker 1: No, we don't need to believe it out we're saying disrespectful.

299
00:11:52,600 --> 00:11:54,720
Speaker 1: We all think Joyce Rice is very pretty.

300
00:11:56,240 --> 00:11:56,520
Speaker 3: Joyce.

301
00:11:57,480 --> 00:11:59,160
Speaker 7: So I looked up and and the shrooms were kicking

302
00:11:59,160 --> 00:12:01,160
Speaker 7: my eyes. I was like, damn, the Joyce Rice type beat.

303
00:12:01,520 --> 00:12:03,439
Speaker 1: Yeah, and I immediately knew what he meant.

304
00:12:03,760 --> 00:12:07,440
Speaker 3: Yeah, you're right. Yeah, So I went, this is why

305
00:12:07,480 --> 00:12:09,760
Speaker 3: this is I want.

306
00:12:10,880 --> 00:12:15,400
Speaker 4: Probably this is why we can't go out together. It

307
00:12:15,600 --> 00:12:17,480
Speaker 4: just doesn't it's not it's not a good night.

308
00:12:17,600 --> 00:12:21,559
Speaker 7: Maybe probably in the way Roy thought he was smoking

309
00:12:21,559 --> 00:12:23,200
Speaker 7: it on the phone, and the maras o went up

310
00:12:23,200 --> 00:12:29,080
Speaker 7: and I was like yo, I was like in my mind,

311
00:12:29,160 --> 00:12:31,120
Speaker 7: I was like, yo, it's wet, it's rainy as fun

312
00:12:31,280 --> 00:12:31,920
Speaker 7: over here, but you.

313
00:12:31,880 --> 00:12:33,079
Speaker 3: Want to come on stage?

314
00:12:34,559 --> 00:12:34,760
Speaker 2: Home?

315
00:12:34,800 --> 00:12:35,840
Speaker 3: Girl was like yeah.

316
00:12:35,960 --> 00:12:37,640
Speaker 7: And then they had the third friend, which is I

317
00:12:37,640 --> 00:12:40,679
Speaker 7: don't want to it's the third friend, and I was like.

318
00:12:40,640 --> 00:12:43,280
Speaker 1: There was face on that empty stage.

319
00:12:42,960 --> 00:12:45,720
Speaker 7: For she liked she come to and I was like, yeah, sure,

320
00:12:45,720 --> 00:12:47,600
Speaker 7: I don't care. And then of course the third friend

321
00:12:47,640 --> 00:12:50,040
Speaker 7: was like she was like being that person.

322
00:12:50,040 --> 00:12:51,240
Speaker 3: I was like, why are you doing this?

323
00:12:51,360 --> 00:12:54,880
Speaker 1: Only Julian would get frustrated at someone He made that request. Yeah,

324
00:12:55,040 --> 00:12:57,959
Speaker 1: he asked him, and now he's upset and they weren't

325
00:12:57,960 --> 00:12:58,200
Speaker 1: going to.

326
00:12:58,200 --> 00:12:58,720
Speaker 2: Go on stage.

327
00:12:58,840 --> 00:13:01,480
Speaker 7: Rice type beat and her friend that edon liked she

328
00:13:01,559 --> 00:13:03,319
Speaker 7: was also bad wanted to come.

329
00:13:03,360 --> 00:13:06,160
Speaker 3: They both like, oh yeah sure, and then they tapped.

330
00:13:05,920 --> 00:13:08,200
Speaker 7: Their friend who is the third wheel, and she was

331
00:13:08,240 --> 00:13:11,680
Speaker 7: like no, no bitch. So then I was tight so

332
00:13:11,720 --> 00:13:12,960
Speaker 7: that I just stood in the range for like three

333
00:13:12,960 --> 00:13:14,440
Speaker 7: minutes and the one back on stage and didn't tell

334
00:13:14,440 --> 00:13:16,160
Speaker 7: anyone that I said high to them, and that.

335
00:13:16,200 --> 00:13:18,400
Speaker 2: Means that's cool. That is why I wait, so wait, wait,

336
00:13:18,520 --> 00:13:20,800
Speaker 2: so you just said hi, you get the number I

337
00:13:20,840 --> 00:13:24,880
Speaker 2: should have. I was just so high. That's my point.

338
00:13:25,400 --> 00:13:27,760
Speaker 4: That's my point with Gate, like you're hot, Like if

339
00:13:27,800 --> 00:13:29,480
Speaker 4: you told me you scored and got the number, like

340
00:13:29,520 --> 00:13:31,280
Speaker 4: then I didn't even cross.

341
00:13:31,040 --> 00:13:34,680
Speaker 1: My mind after you're high, Well, definite age, this is

342
00:13:34,679 --> 00:13:35,720
Speaker 1: why you scored the number.

343
00:13:35,920 --> 00:13:39,920
Speaker 2: I mean I gave her a napkin that's lit. That

344
00:13:39,960 --> 00:13:41,119
Speaker 2: is pret that's actually.

345
00:13:42,360 --> 00:13:44,000
Speaker 1: Work now but in the rain though, that's toff And

346
00:13:44,000 --> 00:13:44,679
Speaker 1: who carries a pen?

347
00:13:47,120 --> 00:13:51,120
Speaker 2: That's more importantly. You know I'm not gonna lie. If

348
00:13:51,120 --> 00:13:54,480
Speaker 2: you pull a pin out right now, I might look at.

349
00:13:54,360 --> 00:13:56,440
Speaker 3: You like I carry a flare sharpie pen a.

350
00:13:58,320 --> 00:14:00,120
Speaker 2: You walk around with a pin on you, Yeah, you

351
00:14:00,200 --> 00:14:01,320
Speaker 2: are a flair sharp people.

352
00:14:01,480 --> 00:14:03,360
Speaker 3: Yeah, you don't get you guys don't with these ones.

353
00:14:03,440 --> 00:14:08,160
Speaker 4: No, no, no, no, that's not I'm just not you.

354
00:14:08,160 --> 00:14:10,080
Speaker 2: You focus on the wrong thing. You walk around with

355
00:14:10,120 --> 00:14:10,440
Speaker 2: a pin.

356
00:14:10,400 --> 00:14:12,920
Speaker 3: On you because they're convenient. I wish I should have

357
00:14:12,960 --> 00:14:14,840
Speaker 3: had one. What are you writing on numbers?

358
00:14:15,679 --> 00:14:16,360
Speaker 2: What are you writing?

359
00:14:17,000 --> 00:14:17,160
Speaker 3: Oh?

360
00:14:20,480 --> 00:14:22,120
Speaker 7: Yeah, it would have been a napkin, or like I

361
00:14:22,120 --> 00:14:23,760
Speaker 7: would have asked the guy for a receipt.

362
00:14:23,800 --> 00:14:24,840
Speaker 2: It's wet, panga?

363
00:14:24,880 --> 00:14:25,200
Speaker 3: Is that?

364
00:14:25,560 --> 00:14:25,680
Speaker 8: Like?

365
00:14:25,720 --> 00:14:28,720
Speaker 3: I could have wrote it on stage and then brought it.

366
00:14:29,000 --> 00:14:30,640
Speaker 4: Yeah, but then she's got wet and she used a

367
00:14:30,680 --> 00:14:32,640
Speaker 4: knapkin in her pocket to wipe like her face.

368
00:14:32,400 --> 00:14:32,800
Speaker 2: Her arm.

369
00:14:32,920 --> 00:14:38,000
Speaker 1: Yeah, or she maybe just didn't want it.

370
00:14:38,000 --> 00:14:39,520
Speaker 2: If it's raining out, you got to go straight to

371
00:14:39,560 --> 00:14:40,000
Speaker 2: the phone.

372
00:14:40,080 --> 00:14:41,200
Speaker 3: Yeah you're not, but you can't.

373
00:14:41,200 --> 00:14:42,120
Speaker 2: You can't use a napkin.

374
00:14:42,720 --> 00:14:45,360
Speaker 1: I did wish Demarus was there because they were out of.

375
00:14:45,280 --> 00:14:46,680
Speaker 2: This with amics. You didn't show up at all.

376
00:14:47,880 --> 00:14:48,640
Speaker 3: She would have scored.

377
00:14:48,720 --> 00:14:49,680
Speaker 2: They would have fun.

378
00:14:50,040 --> 00:14:52,720
Speaker 1: But I need Demerius there because out of the whole crew,

379
00:14:52,840 --> 00:14:58,080
Speaker 1: well not including all, she also loves beautiful brown skinned women. Yeah,

380
00:14:58,120 --> 00:14:59,760
Speaker 1: so I had no one to like, really like talk

381
00:14:59,800 --> 00:15:00,320
Speaker 1: to about.

382
00:15:00,360 --> 00:15:01,760
Speaker 2: I don't like Joyce was brown?

383
00:15:01,880 --> 00:15:02,680
Speaker 1: God from you, you do?

384
00:15:03,960 --> 00:15:04,440
Speaker 3: She was not.

385
00:15:04,640 --> 00:15:07,480
Speaker 1: She was not She was not brown skin. She was

386
00:15:07,560 --> 00:15:08,320
Speaker 1: not brown at all.

387
00:15:08,440 --> 00:15:11,320
Speaker 2: Every good she was to you.

388
00:15:11,480 --> 00:15:14,920
Speaker 1: She was lighter than you and your brown girl Like,

389
00:15:15,080 --> 00:15:21,800
Speaker 1: she's got brown skin. No, not's not. Wait so if

390
00:15:21,800 --> 00:15:24,160
Speaker 1: you're not white, that means you're brown. She's literally brown,

391
00:15:24,520 --> 00:15:26,920
Speaker 1: Joys she's a light skined girl.

392
00:15:26,960 --> 00:15:27,560
Speaker 2: What's wrong with you?

393
00:15:27,680 --> 00:15:31,440
Speaker 3: That's brown? My skin isn't a color? What the fuck

394
00:15:31,560 --> 00:15:34,440
Speaker 3: is light skin? What is light skin? Bro?

395
00:15:34,560 --> 00:15:38,520
Speaker 2: Joyce is not light skin? You said Joyce is brown skin.

396
00:15:38,880 --> 00:15:41,120
Speaker 3: She's not brown. You're brown?

397
00:15:41,240 --> 00:15:42,360
Speaker 6: You have a brown hat on.

398
00:15:43,200 --> 00:15:44,800
Speaker 3: Let you know, there's shades of brown. What are we

399
00:15:44,840 --> 00:15:45,360
Speaker 3: talking about?

400
00:15:45,360 --> 00:15:46,040
Speaker 6: Okay, what shade?

401
00:15:46,480 --> 00:15:48,280
Speaker 1: But we all speak the same like we know what

402
00:15:48,280 --> 00:15:48,720
Speaker 1: it's shade.

403
00:15:48,960 --> 00:15:52,120
Speaker 2: Its shades of colorism too and racism.

404
00:15:52,440 --> 00:15:54,720
Speaker 1: Do you think do you think Eden is a brown boy?

405
00:15:55,280 --> 00:15:57,000
Speaker 3: I am he is brown.

406
00:15:57,120 --> 00:15:57,680
Speaker 2: I am brown.

407
00:15:57,760 --> 00:16:02,000
Speaker 8: He's what objectively bron to Joyce Rice type beat. That's

408
00:16:02,040 --> 00:16:02,880
Speaker 8: crazy to say I love you.

409
00:16:02,920 --> 00:16:04,600
Speaker 6: You enjoyed. Sorry about the same skink.

410
00:16:04,680 --> 00:16:05,760
Speaker 1: Tamerius is a brown skin.

411
00:16:05,880 --> 00:16:06,520
Speaker 6: I'm a brown skin.

412
00:16:06,600 --> 00:16:12,680
Speaker 1: Girl are brown, and there's the brown I understand that.

413
00:16:13,840 --> 00:16:17,320
Speaker 4: Everyone to excuse me, I'm mocha sure it's a different,

414
00:16:17,320 --> 00:16:18,280
Speaker 4: beautiful shade of brown.

415
00:16:18,800 --> 00:16:19,840
Speaker 1: Which fency number are you?

416
00:16:20,320 --> 00:16:20,720
Speaker 3: I don't know.

417
00:16:21,440 --> 00:16:23,880
Speaker 2: Somebody told me. The girl told me a few years ago.

418
00:16:23,880 --> 00:16:24,280
Speaker 2: I forgot that.

419
00:16:24,400 --> 00:16:27,560
Speaker 7: That's like the new horoscope like scorpio ship whatever they

420
00:16:27,560 --> 00:16:29,440
Speaker 7: call this astrology signal.

421
00:16:29,480 --> 00:16:32,040
Speaker 1: Yes, T is gonna make the remix signs of love making.

422
00:16:32,040 --> 00:16:34,360
Speaker 2: Well, I'm glad y'all went out and had a high time.

423
00:16:35,000 --> 00:16:36,280
Speaker 3: Marius was lit on Friday?

424
00:16:37,280 --> 00:16:39,960
Speaker 2: Was the marriage? What did the oh? Yeah you holiday?

425
00:16:39,680 --> 00:16:42,640
Speaker 2: Where you was at on Saturday?

426
00:16:43,040 --> 00:16:46,040
Speaker 6: Me, Julian and I okay together.

427
00:16:47,360 --> 00:16:49,880
Speaker 1: Wow, we had that ship ready and we put this

428
00:16:49,960 --> 00:16:50,800
Speaker 1: on the YouTube video.

429
00:16:50,840 --> 00:16:55,120
Speaker 2: It's on the video. Okay, great, if you're listening audio, go.

430
00:16:55,160 --> 00:16:55,920
Speaker 1: To YouTube as well.

431
00:16:56,080 --> 00:16:57,120
Speaker 3: I didn't know Demerous was there.

432
00:16:57,200 --> 00:16:58,640
Speaker 7: She just threw ass on me and I was like,

433
00:16:58,640 --> 00:17:00,600
Speaker 7: who the fuck is throwing their ass in my chest?

434
00:17:00,680 --> 00:17:02,400
Speaker 3: And I look up and it was the mariage.

435
00:17:02,360 --> 00:17:04,560
Speaker 1: And at the ratio of the weight that she's holding,

436
00:17:04,560 --> 00:17:09,640
Speaker 1: that bottle that definitely overflowed, that ended.

437
00:17:09,480 --> 00:17:12,440
Speaker 2: Up on your jeans. The marriage. She used to be

438
00:17:12,480 --> 00:17:13,720
Speaker 2: a bartender. She knows she could.

439
00:17:13,600 --> 00:17:14,640
Speaker 6: Feel I could.

440
00:17:14,720 --> 00:17:16,439
Speaker 3: She did that whole thing with her eyes closed.

441
00:17:16,480 --> 00:17:17,480
Speaker 1: I can blind tell her.

442
00:17:19,680 --> 00:17:21,199
Speaker 4: Her eyes was closing, her tongue was out though.

443
00:17:21,240 --> 00:17:22,480
Speaker 1: The short a bartender.

444
00:17:22,560 --> 00:17:24,160
Speaker 2: Yeah, absolutely, that's how Barton is giving.

445
00:17:24,359 --> 00:17:24,399
Speaker 9: No.

446
00:17:24,440 --> 00:17:27,879
Speaker 6: We were at web starting. Jay Murphy is doing a

447
00:17:27,960 --> 00:17:28,960
Speaker 6: residency there.

448
00:17:29,000 --> 00:17:33,440
Speaker 1: Love Murphy to j Murphy. You like those malls, Those

449
00:17:33,760 --> 00:17:34,879
Speaker 1: those glasses are nasty.

450
00:17:36,640 --> 00:17:37,840
Speaker 3: In the glasses phase.

451
00:17:37,760 --> 00:17:40,040
Speaker 2: Enhanced the image crazy, I'm in the glasses.

452
00:17:40,080 --> 00:17:43,000
Speaker 3: In the club phase, well, they were his friends.

453
00:17:43,080 --> 00:17:44,960
Speaker 6: They were my friend Alexis's glasses.

454
00:17:45,240 --> 00:17:46,360
Speaker 1: That was your way flirting with her.

455
00:17:46,680 --> 00:17:48,119
Speaker 3: She was very nice, She was pretty makeup.

456
00:17:48,520 --> 00:17:49,480
Speaker 6: She thinks that you're cute too.

457
00:17:49,520 --> 00:17:51,439
Speaker 3: By the way, she's brown, I mean.

458
00:17:51,320 --> 00:17:51,640
Speaker 2: Too bad.

459
00:17:51,640 --> 00:17:52,480
Speaker 1: You don't think she's cute.

460
00:17:52,520 --> 00:17:56,920
Speaker 3: I do. We were all right. We watched the Colorado

461
00:17:56,960 --> 00:17:57,360
Speaker 3: too bad.

462
00:17:57,440 --> 00:18:00,240
Speaker 6: You know they were in the club watching the Colorado game,

463
00:18:00,440 --> 00:18:02,080
Speaker 6: as they should game.

464
00:18:02,119 --> 00:18:02,520
Speaker 2: That's the way.

465
00:18:02,560 --> 00:18:04,320
Speaker 4: That's the way Julian flirt like I can run a

466
00:18:04,359 --> 00:18:07,040
Speaker 4: four four flat.

467
00:18:07,280 --> 00:18:11,360
Speaker 3: Flat flat foot adding flat after that stretching.

468
00:18:11,760 --> 00:18:13,479
Speaker 1: Oh my god, wait, this was Saturday.

469
00:18:13,480 --> 00:18:16,960
Speaker 7: This was after No, No, no, this was Friday night before. Yeah,

470
00:18:16,960 --> 00:18:17,640
Speaker 7: it's a good time.

471
00:18:17,800 --> 00:18:21,399
Speaker 6: Yeah, no I called I called you on on Saturday. No,

472
00:18:21,480 --> 00:18:23,560
Speaker 6: that was Sunday. So no, it was Saturday.

473
00:18:23,560 --> 00:18:24,400
Speaker 3: We wentesday.

474
00:18:24,480 --> 00:18:27,080
Speaker 6: Yeah, god, Friday we were recording here all day.

475
00:18:27,200 --> 00:18:28,280
Speaker 1: We was out here anything.

476
00:18:28,359 --> 00:18:29,399
Speaker 3: Yeah, Friday was geez.

477
00:18:29,840 --> 00:18:32,560
Speaker 1: Well, I mean we could have done the Kai twenty

478
00:18:32,560 --> 00:18:35,040
Speaker 1: four hour stream started the weekend. We should have streamed.

479
00:18:35,119 --> 00:18:37,320
Speaker 6: Sure, we should start streaming.

480
00:18:37,119 --> 00:18:39,960
Speaker 1: Twenty four hour streams. I give it to ca. That's like,

481
00:18:40,160 --> 00:18:40,720
Speaker 1: that's a lot.

482
00:18:40,880 --> 00:18:42,880
Speaker 2: That's kind of easy compared to a lot of people.

483
00:18:42,920 --> 00:18:45,000
Speaker 1: Do Now I know people on twitch for a week.

484
00:18:45,320 --> 00:18:46,679
Speaker 2: Yeah, that's why did they sleep?

485
00:18:47,520 --> 00:18:48,080
Speaker 6: They slept?

486
00:18:48,160 --> 00:18:49,959
Speaker 3: They could like do they stay rolling?

487
00:18:50,600 --> 00:18:50,760
Speaker 2: Yeah?

488
00:18:50,960 --> 00:18:51,440
Speaker 6: Days rolling?

489
00:18:51,520 --> 00:18:53,960
Speaker 2: Yeah, it's twenty fours that's just what I mean, Like

490
00:18:54,119 --> 00:18:54,600
Speaker 2: you just work.

491
00:18:54,760 --> 00:18:57,040
Speaker 3: So now we're just watching offset like catch some z's,

492
00:18:57,119 --> 00:18:57,600
Speaker 3: Like what's.

493
00:18:57,440 --> 00:18:59,480
Speaker 2: The something active happens throughout the time.

494
00:18:59,800 --> 00:19:01,840
Speaker 1: I will say this this was the clips I saw.

495
00:19:01,800 --> 00:19:03,679
Speaker 1: It was cool to watch because it did remind me

496
00:19:04,400 --> 00:19:06,720
Speaker 1: like this is an adult sleepover. Yeah, Like the joy

497
00:19:06,720 --> 00:19:08,640
Speaker 1: in all their faces made me feel like when you're

498
00:19:08,720 --> 00:19:09,640
Speaker 1: kids and you have a sleepover.

499
00:19:10,800 --> 00:19:14,199
Speaker 7: They said, that's the old older version of Kai like,

500
00:19:14,400 --> 00:19:15,440
Speaker 7: which is great the.

501
00:19:15,359 --> 00:19:19,440
Speaker 2: Way that could definitely because like, yeah, he's a big kid.

502
00:19:19,800 --> 00:19:23,760
Speaker 6: They I saw somewhere on Twitter that they said men

503
00:19:23,840 --> 00:19:26,000
Speaker 6: doing the gritty and like dancing and ship like that.

504
00:19:26,040 --> 00:19:28,440
Speaker 6: It's like straight men. That's like they're vogue.

505
00:19:28,840 --> 00:19:31,800
Speaker 2: Like yeah, they.

506
00:19:31,640 --> 00:19:36,679
Speaker 4: Said that's the straight man's This is exactly when like

507
00:19:36,680 --> 00:19:39,360
Speaker 4: like this, this is God's sleepover ship. Like I think

508
00:19:39,359 --> 00:19:40,920
Speaker 4: it's a bunch of like bitches running around like a

509
00:19:41,000 --> 00:19:44,760
Speaker 4: Hype Williams video. No, it's not like it's just guys

510
00:19:44,760 --> 00:19:47,399
Speaker 4: doing stupid shit. Who fell asleep first? Now you're a

511
00:19:47,440 --> 00:19:49,520
Speaker 4: victim of whoa.

512
00:19:49,600 --> 00:19:53,639
Speaker 1: You know, that's a little that's a little second wall.

513
00:19:54,520 --> 00:19:56,240
Speaker 4: Where I'm from. That's how you get killed. You don't

514
00:19:56,280 --> 00:19:57,840
Speaker 4: play like that. You don't put dix on somebody.

515
00:19:57,880 --> 00:20:00,880
Speaker 1: Yeah I've seen someone draw dow going to fix That's

516
00:20:00,880 --> 00:20:03,399
Speaker 1: what I'm trying to say. But putting a dick once.

517
00:20:02,880 --> 00:20:05,639
Speaker 3: Putting a literal dick, fucking crazy.

518
00:20:05,800 --> 00:20:07,400
Speaker 1: Now you see those are prison games.

519
00:20:08,640 --> 00:20:11,040
Speaker 2: That's exactly how will come to death.

520
00:20:11,080 --> 00:20:14,200
Speaker 4: Like that's how fast depth into the room Like I'm sleeping,

521
00:20:14,280 --> 00:20:17,439
Speaker 4: y'all playing y'all put a dick on my face now,

522
00:20:17,520 --> 00:20:19,320
Speaker 4: We just went from having a great twenty four hour

523
00:20:19,400 --> 00:20:21,200
Speaker 4: stream to somebody's dying on this stream.

524
00:20:21,359 --> 00:20:24,480
Speaker 1: Yeah all right, what what would be weirder if they

525
00:20:24,840 --> 00:20:26,680
Speaker 1: did that and told you, or did that and never.

526
00:20:26,560 --> 00:20:29,560
Speaker 2: Told you they wouldn't have to if we were streaming.

527
00:20:30,840 --> 00:20:33,200
Speaker 1: Would probably come down like you think that would break

528
00:20:33,359 --> 00:20:33,800
Speaker 1: a code?

529
00:20:34,160 --> 00:20:35,760
Speaker 2: Are you a heavy sleeper? No?

530
00:20:35,960 --> 00:20:42,040
Speaker 3: Well, how much girth is the dick? Yeah? Face wake up?

531
00:20:43,240 --> 00:20:46,560
Speaker 1: You know those days of like fighting sleep at sleepovers

532
00:20:46,600 --> 00:20:48,280
Speaker 1: to not be the first person to go to sleep.

533
00:20:48,040 --> 00:20:49,560
Speaker 2: For that's real. That's a talent.

534
00:20:49,640 --> 00:20:51,280
Speaker 4: A lot of people don't understand, Like that's a real

535
00:20:51,320 --> 00:20:53,320
Speaker 4: talent to stay up with a house full of your

536
00:20:53,320 --> 00:20:55,600
Speaker 4: friends and you know, like I can't go to sleep

537
00:20:55,600 --> 00:20:57,280
Speaker 4: first because if I do, I'm gonna be a victim

538
00:20:57,320 --> 00:20:58,480
Speaker 4: of some type of stupid game.

539
00:20:59,119 --> 00:21:02,159
Speaker 7: Got that great bit about sleeping falling asleep with a

540
00:21:02,240 --> 00:21:05,880
Speaker 7: white people's house. He's like, fell asleep at Steve's or whatever.

541
00:21:05,960 --> 00:21:08,920
Speaker 7: He's like he stuck a carrot in his ass. It's

542
00:21:09,000 --> 00:21:11,439
Speaker 7: like the black friend wakes up. He's like, man, just

543
00:21:11,480 --> 00:21:14,440
Speaker 7: know when I see steep man, just man fuck him.

544
00:21:14,480 --> 00:21:15,679
Speaker 7: Just know it's over When I see him.

545
00:21:15,680 --> 00:21:18,120
Speaker 3: It's like it's so funny and he.

546
00:21:18,080 --> 00:21:20,760
Speaker 2: Can't play them type of games. I'm over them. Don't play,

547
00:21:20,840 --> 00:21:22,080
Speaker 2: don't just let me sleep.

548
00:21:22,119 --> 00:21:24,480
Speaker 4: But this this was you can take pictures, record a video,

549
00:21:24,480 --> 00:21:25,359
Speaker 4: but just let me sleep.

550
00:21:26,359 --> 00:21:27,480
Speaker 3: Yeah, I feel you the.

551
00:21:27,440 --> 00:21:30,320
Speaker 1: Way the way Offset came into Kay's room with his

552
00:21:30,400 --> 00:21:33,359
Speaker 1: bag with that face, looked like he just called his

553
00:21:33,400 --> 00:21:36,240
Speaker 1: mom and he asked if he could stay over, and

554
00:21:36,320 --> 00:21:39,120
Speaker 1: he surprised his friend's like mom said, I could stay.

555
00:21:40,359 --> 00:21:42,760
Speaker 1: It was so cool to just see grown adult men

556
00:21:43,280 --> 00:21:45,600
Speaker 1: have fun, have fun, right, like just have a smile

557
00:21:45,640 --> 00:21:46,440
Speaker 1: on their fucking face.

558
00:21:46,520 --> 00:21:48,280
Speaker 4: Off Set looks so happy he was away from Cardi

559
00:21:48,359 --> 00:21:49,240
Speaker 4: just for twenty four hours.

560
00:21:49,359 --> 00:21:50,639
Speaker 6: See, we ain't gonna do that.

561
00:21:50,680 --> 00:21:52,800
Speaker 4: I mean, Cardi is probably Cardis. She could be like

562
00:21:52,840 --> 00:21:54,080
Speaker 4: one of the homies in the Crip. You could tell

563
00:21:54,119 --> 00:21:56,040
Speaker 4: she got that personality, like she's probably a lot of

564
00:21:56,040 --> 00:21:58,160
Speaker 4: fun in the house. But off Set looked like he

565
00:21:58,280 --> 00:21:59,920
Speaker 4: was very happy to he was so ad.

566
00:22:00,480 --> 00:22:03,560
Speaker 1: Yeah, for sure, Like Kyle definitely pitched that to him,

567
00:22:03,600 --> 00:22:06,040
Speaker 1: an off Set, you know, kids and a wife, sometimes

568
00:22:06,040 --> 00:22:07,200
Speaker 1: you need to get the fuck out of the house

569
00:22:07,240 --> 00:22:09,919
Speaker 1: and it's tough. Yeah, I'm sure Ky pitched that, like

570
00:22:10,400 --> 00:22:13,080
Speaker 1: you sure, alfso, like it's a twenty four hours even better. Yeah,

571
00:22:13,320 --> 00:22:14,640
Speaker 1: let's let's do forty eight hours.

572
00:22:14,720 --> 00:22:15,720
Speaker 2: Yeah, what's the direct?

573
00:22:15,800 --> 00:22:17,359
Speaker 1: And because the only way he can get out is

574
00:22:17,400 --> 00:22:19,240
Speaker 1: if he has to work. Yeah, this and this is work.

575
00:22:19,359 --> 00:22:21,959
Speaker 7: Yeah, this is like a full proof thing for Cardi too,

576
00:22:21,960 --> 00:22:23,960
Speaker 7: because he's gonna be on camera the whole time, so

577
00:22:24,040 --> 00:22:25,160
Speaker 7: you know he's not acting up.

578
00:22:25,280 --> 00:22:26,960
Speaker 3: This could be every rapper's way to.

579
00:22:26,880 --> 00:22:29,720
Speaker 7: Get away from their girl. I'm live, I'm not. You

580
00:22:29,760 --> 00:22:32,280
Speaker 7: can see who I'm with. It's just all dudes. Yeah,

581
00:22:33,000 --> 00:22:34,679
Speaker 7: there's a good escape, Like you should do this.

582
00:22:34,800 --> 00:22:35,960
Speaker 2: Shut out the car, shut out.

583
00:22:36,160 --> 00:22:39,679
Speaker 1: Wow, look like they did. I not kind of do

584
00:22:39,680 --> 00:22:40,480
Speaker 1: that on Saturday.

585
00:22:41,320 --> 00:22:44,159
Speaker 3: Yeah, I guess I.

586
00:22:43,640 --> 00:22:46,000
Speaker 1: Brought a mark to the studio just to watch football.

587
00:22:46,320 --> 00:22:48,000
Speaker 1: I was like, I'll take her. That's I got it.

588
00:22:48,040 --> 00:22:48,800
Speaker 2: Just to get out the house.

589
00:22:48,920 --> 00:22:51,320
Speaker 1: Yeah yeah, I've done that too.

590
00:22:51,359 --> 00:22:53,080
Speaker 4: Sometimes you got to do that, man, Sometimes you just

591
00:22:53,119 --> 00:22:54,280
Speaker 4: got to get out of your house.

592
00:22:54,960 --> 00:22:55,800
Speaker 2: Like it's good to be.

593
00:22:55,800 --> 00:22:58,760
Speaker 4: Home, Like everybody loves the comforted at home, but especially

594
00:22:58,760 --> 00:23:00,480
Speaker 4: if you're like you have kids or you have like

595
00:23:00,520 --> 00:23:02,560
Speaker 4: you know, relationship, you live with your partner.

596
00:23:02,680 --> 00:23:05,240
Speaker 2: Sometimes you just need let me just not see you

597
00:23:05,320 --> 00:23:06,320
Speaker 2: for a few hours.

598
00:23:06,400 --> 00:23:10,480
Speaker 1: Well, huge aspect I think for successful successful partnerships is

599
00:23:10,600 --> 00:23:12,879
Speaker 1: not taking that personal. Yeah, Like, I need to get

600
00:23:13,040 --> 00:23:15,720
Speaker 1: away from you for a second. There's nothing wrong, nothing wrong,

601
00:23:16,280 --> 00:23:16,439
Speaker 1: you know.

602
00:23:16,520 --> 00:23:19,240
Speaker 4: I just hear you face, hear you and just kind

603
00:23:19,240 --> 00:23:21,639
Speaker 4: of get my own thoughts in my own little world

604
00:23:21,680 --> 00:23:23,960
Speaker 4: and come back and then realize how much I missed

605
00:23:23,960 --> 00:23:24,320
Speaker 4: your face.

606
00:23:24,320 --> 00:23:27,760
Speaker 2: And let's have great sex now. Yeah, pretty much need that.

607
00:23:28,640 --> 00:23:31,400
Speaker 1: Hours apart, Julian invited his white friends.

608
00:23:31,440 --> 00:23:31,880
Speaker 3: It was great.

609
00:23:32,280 --> 00:23:35,080
Speaker 2: Sorry, what time so his friends?

610
00:23:35,520 --> 00:23:39,199
Speaker 6: Yeah, all right, separation. He has one black friend, the

611
00:23:39,240 --> 00:23:39,760
Speaker 6: token one.

612
00:23:39,840 --> 00:23:40,440
Speaker 2: Oh that's it.

613
00:23:40,760 --> 00:23:42,680
Speaker 3: That's the quota, more than one black friend.

614
00:23:42,840 --> 00:23:43,879
Speaker 1: You're the black friend.

615
00:23:43,960 --> 00:23:46,200
Speaker 3: You are the most most of my life, I've been

616
00:23:46,240 --> 00:23:46,879
Speaker 3: the black friend.

617
00:23:47,280 --> 00:23:48,879
Speaker 2: It's okay. We love you. We love you.

618
00:23:48,920 --> 00:23:51,680
Speaker 3: Nonetheless, I'm the black friend in this group too.

619
00:23:52,000 --> 00:23:53,879
Speaker 2: Well, that's sick.

620
00:23:56,280 --> 00:23:59,160
Speaker 1: I also love that it seemed like Nicki Minaj's husband

621
00:23:59,200 --> 00:24:02,040
Speaker 1: had to sleep over with his friends different types of

622
00:24:04,880 --> 00:24:06,200
Speaker 1: the battle of the sleepovers.

623
00:24:06,880 --> 00:24:07,480
Speaker 9: This is what you know.

624
00:24:07,640 --> 00:24:10,920
Speaker 4: This is what sleepovers differ like. It's like they slept outside.

625
00:24:11,000 --> 00:24:13,159
Speaker 4: This is a they had a homeless this was a

626
00:24:13,280 --> 00:24:15,360
Speaker 4: this was the type of sleepover when you live like

627
00:24:15,480 --> 00:24:17,960
Speaker 4: in the hood, versus when you had that friend that

628
00:24:18,000 --> 00:24:18,920
Speaker 4: live in the suburbs, got.

629
00:24:18,840 --> 00:24:19,960
Speaker 2: The house, backyard.

630
00:24:20,400 --> 00:24:22,720
Speaker 4: Different sleepovers because we might be outside all night the

631
00:24:22,960 --> 00:24:25,680
Speaker 4: break night, you know, stand by the bouday all night

632
00:24:25,840 --> 00:24:27,600
Speaker 4: waiting for some girls to come to the store talk

633
00:24:27,680 --> 00:24:30,240
Speaker 4: to them. Different type of sleepover they had. This is

634
00:24:30,400 --> 00:24:31,479
Speaker 4: that's a perfect metaphor.

635
00:24:31,560 --> 00:24:32,479
Speaker 2: Yeah, it's a different sleep over.

636
00:24:32,560 --> 00:24:32,800
Speaker 3: Different.

637
00:24:33,280 --> 00:24:34,960
Speaker 4: This is the friend that lives in the hood yep,

638
00:24:34,960 --> 00:24:37,040
Speaker 4: near the train station. And then Kai is the friend

639
00:24:37,080 --> 00:24:39,480
Speaker 4: that lives in the suburbs, has a nice house. Yeah,

640
00:24:39,640 --> 00:24:41,200
Speaker 4: that's just just a different type of sleep over.

641
00:24:41,280 --> 00:24:43,639
Speaker 1: Kai and all set one was like the cool mom

642
00:24:43,720 --> 00:24:46,119
Speaker 1: that says, do whatever you want, but just do it

643
00:24:46,200 --> 00:24:48,640
Speaker 1: under my roof. Like they have the finished basement if.

644
00:24:48,640 --> 00:24:51,320
Speaker 2: Y'all going to smoke smoke weed smoking in the basement.

645
00:24:51,440 --> 00:24:54,280
Speaker 1: Meanwhile, Nikki and not his husband is a guy that

646
00:24:54,359 --> 00:24:55,399
Speaker 1: doesn't have parents.

647
00:24:55,480 --> 00:24:55,560
Speaker 8: And.

648
00:24:57,600 --> 00:24:59,920
Speaker 2: These are the friends that the parents work oversight.

649
00:25:00,800 --> 00:25:05,040
Speaker 4: Yeah, the kids, this is this is the friends that

650
00:25:05,080 --> 00:25:06,800
Speaker 4: your parents are, Like, yo, are their parents gonna be there?

651
00:25:07,080 --> 00:25:07,560
Speaker 1: Exactly?

652
00:25:07,840 --> 00:25:09,240
Speaker 4: You had to make sure the parents are gonna be

653
00:25:09,240 --> 00:25:10,680
Speaker 4: There's no way you're going over there to spend the

654
00:25:10,760 --> 00:25:12,240
Speaker 4: night if if the parents are not there.

655
00:25:17,280 --> 00:25:19,400
Speaker 1: We got what we thought was gonna be the track

656
00:25:19,440 --> 00:25:19,919
Speaker 1: of the century.

657
00:25:19,960 --> 00:25:22,080
Speaker 2: I'm here for some more flowers. I knew it was

658
00:25:22,080 --> 00:25:25,600
Speaker 2: gonna be asked why.

659
00:25:25,160 --> 00:25:26,760
Speaker 1: Drake and Scissor Slam You Out?

660
00:25:27,000 --> 00:25:29,239
Speaker 4: Well, okay, so listen, let's talk about that. Let's talk

661
00:25:29,240 --> 00:25:31,080
Speaker 4: about the song first. Let's talk about the song. So

662
00:25:31,160 --> 00:25:35,560
Speaker 4: Drake and Scissor, Well, Drake dropped his record featuring Scissor

663
00:25:35,600 --> 00:25:40,800
Speaker 4: Slam You Out. I think it's a good song, bad single,

664
00:25:41,720 --> 00:25:43,560
Speaker 4: and not that Drake needs a singer as an artist

665
00:25:43,560 --> 00:25:46,280
Speaker 4: that doesn't need a single, but this song has replay value.

666
00:25:46,320 --> 00:25:47,600
Speaker 4: Is a song that you're gonna play on the album,

667
00:25:47,600 --> 00:25:49,840
Speaker 4: gonna listen to. But I don't think you lead with

668
00:25:49,880 --> 00:25:53,359
Speaker 4: this type of song. Just that bpm is kind of slow.

669
00:25:53,400 --> 00:25:56,200
Speaker 4: It's kind of I'm kind of trying to guess where

670
00:25:56,200 --> 00:25:58,359
Speaker 4: he's going with the album. I do think it'll be

671
00:25:58,440 --> 00:25:59,320
Speaker 4: more songs like.

672
00:25:59,240 --> 00:26:02,320
Speaker 2: That, where it will be R and B vibe.

673
00:26:02,000 --> 00:26:05,920
Speaker 4: But it will be from a perspective of I'm doing

674
00:26:05,960 --> 00:26:06,920
Speaker 4: some dog ass shit.

675
00:26:07,320 --> 00:26:08,520
Speaker 2: Yeah, I think it'll be.

676
00:26:08,600 --> 00:26:13,159
Speaker 1: That he's alluded to for the dogs has like the

677
00:26:13,240 --> 00:26:15,600
Speaker 1: old Drake. You know when people in comments like I

678
00:26:15,640 --> 00:26:18,399
Speaker 1: like the older Drake that. Yeah, So this does remind

679
00:26:18,400 --> 00:26:22,679
Speaker 1: me of like those SoundCloud Lucy's that he was like

680
00:26:22,760 --> 00:26:25,200
Speaker 1: Days in the East. It's not to the caliber of

681
00:26:25,240 --> 00:26:27,160
Speaker 1: Days in the East. Please don't get me wrong there,

682
00:26:27,400 --> 00:26:31,119
Speaker 1: but that sound in bpm reminds me of those like

683
00:26:31,240 --> 00:26:37,320
Speaker 1: take Care Lucy, m hmm, Era. It just was underwhelming,

684
00:26:38,240 --> 00:26:39,320
Speaker 1: like it's it's cool.

685
00:26:39,400 --> 00:26:42,520
Speaker 2: The song was, yeah, and the moment.

686
00:26:42,520 --> 00:26:45,240
Speaker 1: I think Scissor smoked it. I like Drake's last verse,

687
00:26:45,440 --> 00:26:47,800
Speaker 1: even even the month scheme. I know there's a lot

688
00:26:47,800 --> 00:26:49,679
Speaker 1: of jokes in there, like in July U lied like

689
00:26:49,800 --> 00:26:52,760
Speaker 1: lazy Bar, but I like that last verse a lot.

690
00:26:52,800 --> 00:26:54,560
Speaker 1: I think it's I think it's great. I think it's

691
00:26:54,720 --> 00:26:56,399
Speaker 1: that Days in the East type Drake that we like.

692
00:26:57,480 --> 00:27:03,720
Speaker 1: But for this moment of single, sizza underwhelming to me. Yeah,

693
00:27:03,760 --> 00:27:05,720
Speaker 1: and I figured you guys would get mad at my

694
00:27:05,800 --> 00:27:09,280
Speaker 1: take when I was driving here because it sounds so industry.

695
00:27:10,080 --> 00:27:12,399
Speaker 1: I think I'll like this song when I hear it

696
00:27:12,400 --> 00:27:13,080
Speaker 1: in the album.

697
00:27:13,320 --> 00:27:15,800
Speaker 4: That's what I just said. It's a good song, bad single.

698
00:27:15,880 --> 00:27:17,359
Speaker 2: Yeah, I think you should have led with this.

699
00:27:17,480 --> 00:27:20,159
Speaker 1: I like it more. I think in the full project,

700
00:27:20,480 --> 00:27:23,880
Speaker 1: which is such a safe and like always giving Drake bail,

701
00:27:24,040 --> 00:27:26,200
Speaker 1: but I don't know cool.

702
00:27:26,240 --> 00:27:29,320
Speaker 2: What about it for it being a Drake and Scissa clap?

703
00:27:29,800 --> 00:27:32,200
Speaker 2: What's your rating on that? I like the song.

704
00:27:32,240 --> 00:27:34,359
Speaker 4: I just don't think that it should have been a single.

705
00:27:34,880 --> 00:27:35,480
Speaker 2: I like the song.

706
00:27:35,520 --> 00:27:37,240
Speaker 4: Like, if I heard this on the floor of the album,

707
00:27:37,280 --> 00:27:39,000
Speaker 4: I'm sure I would like it. It has everything that

708
00:27:39,000 --> 00:27:40,920
Speaker 4: we love from Drake in it, and it has everything

709
00:27:40,920 --> 00:27:42,480
Speaker 4: we love from Sis in it. It has a bunch

710
00:27:42,560 --> 00:27:45,720
Speaker 4: of captions. It's just caption heavy. Yeah, Like this is

711
00:27:45,840 --> 00:27:47,840
Speaker 4: enough captions for a girl to have for at least

712
00:27:47,840 --> 00:27:49,159
Speaker 4: a year, just one record.

713
00:27:49,240 --> 00:27:51,360
Speaker 3: I mean there's a calendar year's worth of lines in here.

714
00:27:51,400 --> 00:27:52,160
Speaker 2: This is what I'm saying.

715
00:27:52,240 --> 00:27:55,080
Speaker 4: So it's like, you got captions, you got, you got

716
00:27:55,080 --> 00:27:57,240
Speaker 4: you know, the slick talking and Sissa come in and

717
00:27:57,280 --> 00:27:59,119
Speaker 4: she talking her shit from the girl's perspective.

718
00:27:59,240 --> 00:28:00,600
Speaker 2: Like it's a good record.

719
00:28:00,680 --> 00:28:02,600
Speaker 4: It's just not the record that I thought was gonna

720
00:28:02,680 --> 00:28:04,920
Speaker 4: I didn't think it was gonna sound like this, and

721
00:28:05,359 --> 00:28:08,080
Speaker 4: I was kind of surprised when Drake led with this

722
00:28:08,080 --> 00:28:08,639
Speaker 4: as a single.

723
00:28:08,800 --> 00:28:09,480
Speaker 2: Drake is the artist.

724
00:28:09,520 --> 00:28:11,120
Speaker 4: He doesn't need a single. Drake can just put out

725
00:28:11,119 --> 00:28:13,040
Speaker 4: his album and it's gonna do what it's gonna do.

726
00:28:13,440 --> 00:28:14,440
Speaker 2: I just think that this was.

727
00:28:14,359 --> 00:28:16,640
Speaker 4: Something that he probably was playing a lot in the studio.

728
00:28:17,160 --> 00:28:19,040
Speaker 4: He liked it and was like, I'm putting this shit out.

729
00:28:19,080 --> 00:28:21,160
Speaker 7: I'm not mad at him for doing the leaning into

730
00:28:21,160 --> 00:28:23,399
Speaker 7: a traditional role out again, because to your point, he

731
00:28:23,480 --> 00:28:26,320
Speaker 7: has done the surprise drop a few times and it'll

732
00:28:26,359 --> 00:28:28,000
Speaker 7: always work for an artist like him. But it is

733
00:28:28,080 --> 00:28:31,679
Speaker 7: cool to see him in his camp and whoever's the

734
00:28:31,760 --> 00:28:34,119
Speaker 7: you know, at the helm pick singles and like go

735
00:28:34,200 --> 00:28:35,399
Speaker 7: through those things.

736
00:28:35,480 --> 00:28:37,240
Speaker 3: I just it's interesting for me at least just.

737
00:28:37,119 --> 00:28:40,240
Speaker 6: To see are we jacking that he couldn't get the

738
00:28:40,280 --> 00:28:42,640
Speaker 6: album finished because he's on tour, so he's moving in.

739
00:28:43,240 --> 00:28:44,800
Speaker 4: No Drake is and that's what I want to fly

740
00:28:44,960 --> 00:28:46,680
Speaker 4: about because I told people, I was like, listen this.

741
00:28:47,320 --> 00:28:49,000
Speaker 4: I don't think this album is coming out before this

742
00:28:49,040 --> 00:28:51,680
Speaker 4: tour is over. It doesn't make sense. People are gonna

743
00:28:51,720 --> 00:28:53,680
Speaker 4: want to hear you perform some of the new records,

744
00:28:53,880 --> 00:28:55,720
Speaker 4: and if you perform some of the new records, people

745
00:28:55,720 --> 00:28:57,800
Speaker 4: that came to the shows in July and August are

746
00:28:57,800 --> 00:28:59,320
Speaker 4: gonna be pissed off because like, why he need put

747
00:28:59,320 --> 00:29:00,520
Speaker 4: the albumut before the too started.

748
00:29:00,600 --> 00:29:04,000
Speaker 1: Well, why don't you guys believe that he needs more time?

749
00:29:04,040 --> 00:29:06,560
Speaker 1: Because he's on tour. You think he moved because of Doja, But.

750
00:29:06,480 --> 00:29:09,400
Speaker 6: Then what I mean, I move because of reception from this.

751
00:29:10,040 --> 00:29:13,040
Speaker 1: Also we'll get to puff in a second. But since

752
00:29:13,040 --> 00:29:16,600
Speaker 1: it's tied into this record, look at the power of Diddy.

753
00:29:16,960 --> 00:29:19,080
Speaker 1: Drake didn't even drop this at midnight midnight like he

754
00:29:19,120 --> 00:29:19,640
Speaker 1: was supposed to.

755
00:29:20,000 --> 00:29:20,880
Speaker 3: That's out of respect.

756
00:29:21,360 --> 00:29:22,320
Speaker 1: He waited till noon.

757
00:29:23,360 --> 00:29:24,120
Speaker 2: Yeah, that was weird.

758
00:29:24,160 --> 00:29:28,080
Speaker 3: I think that. Yeah, you think it was because of did.

759
00:29:27,720 --> 00:29:30,440
Speaker 1: The last time he did he did something to Diddy

760
00:29:30,880 --> 00:29:32,160
Speaker 1: didn't go well stop.

761
00:29:33,720 --> 00:29:34,719
Speaker 2: Well, that's that's different.

762
00:29:35,000 --> 00:29:36,640
Speaker 4: That was That was a song that he was supposed

763
00:29:36,680 --> 00:29:39,160
Speaker 4: to be a part of and it was his beat originally.

764
00:29:39,440 --> 00:29:41,160
Speaker 2: Yeah, that was different.

765
00:29:41,840 --> 00:29:44,080
Speaker 1: I don't know why Drake any more time he's on tour.

766
00:29:44,200 --> 00:29:46,400
Speaker 4: Drake doesn't need more time. I think, I think album.

767
00:29:46,440 --> 00:29:48,640
Speaker 4: I think this album is last minute.

768
00:29:48,800 --> 00:29:51,360
Speaker 2: He's on tour. That's what it is. He's on tour.

769
00:29:52,040 --> 00:29:54,040
Speaker 4: It just doesn't make sense to put out a new

770
00:29:54,120 --> 00:29:56,120
Speaker 4: album while you're still actively on the road.

771
00:29:56,120 --> 00:29:57,160
Speaker 2: Why you even announce it? Then?

772
00:29:57,800 --> 00:30:00,600
Speaker 4: Well, now that's a whole other thing. I I asked myself.

773
00:30:00,600 --> 00:30:02,880
Speaker 4: I was like, well, why would you announce a date? Like,

774
00:30:02,880 --> 00:30:05,000
Speaker 4: why would you say a date if you're not gonna

775
00:30:05,000 --> 00:30:05,600
Speaker 4: stick to it.

776
00:30:05,960 --> 00:30:09,040
Speaker 7: But sometimes that's been a move, that's a roll Aubu move.

777
00:30:09,120 --> 00:30:10,560
Speaker 7: Now like that's been a thing.

778
00:30:10,840 --> 00:30:13,000
Speaker 1: Yeah, but especially while you're on tour and can like

779
00:30:13,040 --> 00:30:14,560
Speaker 1: address it in between songs.

780
00:30:14,760 --> 00:30:17,720
Speaker 2: He's done this before, though. I don't think Drake pretty

781
00:30:17,760 --> 00:30:19,600
Speaker 2: much every feel like.

782
00:30:18,320 --> 00:30:22,080
Speaker 4: He pushed Yeah, no, no, pushing the release is different. I'm

783
00:30:22,080 --> 00:30:24,200
Speaker 4: talking about being on tour. Drake has never been on

784
00:30:24,280 --> 00:30:26,520
Speaker 4: tour and was getting ready to put another album out.

785
00:30:26,920 --> 00:30:28,560
Speaker 2: That That's what I'm saying.

786
00:30:28,600 --> 00:30:31,040
Speaker 4: Like, so to me, that's why from the beginning when

787
00:30:31,040 --> 00:30:33,320
Speaker 4: he announced the date, I was like, Okay, the twenty

788
00:30:33,400 --> 00:30:35,680
Speaker 4: second okay, cool. I didn't understand, like why you would

789
00:30:35,680 --> 00:30:38,440
Speaker 4: do that if you're on the road. But you're Drake,

790
00:30:38,480 --> 00:30:39,720
Speaker 4: you can do whatever the fuck you want to do.

791
00:30:40,400 --> 00:30:42,160
Speaker 4: But to me, it just makes sense to put this

792
00:30:42,200 --> 00:30:44,400
Speaker 4: album out once the tour is done and then you

793
00:30:44,440 --> 00:30:46,560
Speaker 4: can focus on, you know, just this this new.

794
00:30:46,440 --> 00:30:47,480
Speaker 2: Project that you have out.

795
00:30:48,240 --> 00:30:51,720
Speaker 4: I'm pretty sure he's gonna do something, uh, some type

796
00:30:51,760 --> 00:30:53,360
Speaker 4: of show, whether it's not a tour of something, I'm

797
00:30:53,400 --> 00:30:54,920
Speaker 4: pretty sure he's gonna do some type of show for

798
00:30:54,760 --> 00:30:56,760
Speaker 4: the for the album. But I just see it makes

799
00:30:56,800 --> 00:30:59,200
Speaker 4: more sense to just drop it after you're off the road.

800
00:30:59,240 --> 00:30:59,640
Speaker 2: You're done.

801
00:30:59,760 --> 00:31:02,080
Speaker 4: The fans don't have to you know, guess if you're

802
00:31:02,080 --> 00:31:04,000
Speaker 4: going to perform a new record from the album at

803
00:31:04,000 --> 00:31:06,560
Speaker 4: the show, it just leaves a lot of things like,

804
00:31:06,600 --> 00:31:08,920
Speaker 4: you know, just clear and this is what it is

805
00:31:08,960 --> 00:31:11,480
Speaker 4: now for all the dogs is what we're focused on.

806
00:31:12,120 --> 00:31:17,200
Speaker 1: Scissor I think has the best part of the record.

807
00:31:17,520 --> 00:31:20,360
Speaker 1: But that's the funny thing about double standards. You could

808
00:31:20,680 --> 00:31:26,280
Speaker 1: reply to Scissors entire verse by just saying, still beat, though, Yeah,

809
00:31:26,280 --> 00:31:28,480
Speaker 1: but the tripper when that dick is barely third place,

810
00:31:28,600 --> 00:31:31,680
Speaker 1: fucked out of pity, it's cute that you laying dip

811
00:31:31,720 --> 00:31:33,720
Speaker 1: because it's mid I can't fake like it's saying, and

812
00:31:34,360 --> 00:31:37,000
Speaker 1: just to reply after that, I mean, I still beat.

813
00:31:37,200 --> 00:31:39,680
Speaker 2: A girl tells me to be your dick's third place.

814
00:31:41,160 --> 00:31:44,280
Speaker 1: Like, how do you see that third place?

815
00:31:44,320 --> 00:31:45,360
Speaker 2: I'm not bad on.

816
00:31:45,640 --> 00:31:48,680
Speaker 1: I don't mind third place, less pressure with reason.

817
00:31:48,880 --> 00:31:51,280
Speaker 4: God, y'all missing it, y'all missing it. I'm not saying

818
00:31:51,440 --> 00:31:54,960
Speaker 4: I care about being third. It's just like what E

819
00:31:55,080 --> 00:31:57,800
Speaker 4: says it. It's like, so it's like, how many other

820
00:31:57,840 --> 00:31:58,480
Speaker 4: niggas is beaten?

821
00:31:58,600 --> 00:32:01,600
Speaker 2: Right now? That third of all time.

822
00:32:01,640 --> 00:32:04,680
Speaker 1: Oh, I thought she's currently all times in her rotation.

823
00:32:04,840 --> 00:32:06,640
Speaker 2: Well all times, that's how that does sound better.

824
00:32:06,840 --> 00:32:08,600
Speaker 6: I thought it was like third, like you got the best,

825
00:32:08,680 --> 00:32:10,800
Speaker 6: the third best dick of all time. That's why I

826
00:32:10,800 --> 00:32:11,680
Speaker 6: thought it was a slight.

827
00:32:13,520 --> 00:32:17,040
Speaker 2: Like you have how crazy that sounds like that's all time?

828
00:32:17,120 --> 00:32:19,320
Speaker 1: Like I get a plaque like every dude that.

829
00:32:19,240 --> 00:32:21,000
Speaker 4: You had said to it, I'm the third best of

830
00:32:21,080 --> 00:32:22,880
Speaker 4: all time, Like that's why I saw that.

831
00:32:23,160 --> 00:32:26,080
Speaker 1: I was kind of like, I was like, not when

832
00:32:26,520 --> 00:32:28,360
Speaker 1: all women of only Fox five men, So that's why

833
00:32:28,400 --> 00:32:31,520
Speaker 1: it's kind of tough. Yeah, you only all of you only.

834
00:32:32,640 --> 00:32:33,000
Speaker 3: In the middle.

835
00:32:33,000 --> 00:32:34,000
Speaker 6: I definitely have five bodies.

836
00:32:34,360 --> 00:32:35,560
Speaker 2: Yeah, but I'm not see, I'm not.

837
00:32:35,560 --> 00:32:36,840
Speaker 1: Jacking three out of five. I don't know if I

838
00:32:36,840 --> 00:32:37,360
Speaker 1: feel that great.

839
00:32:37,880 --> 00:32:40,240
Speaker 4: I'm not jacking that from Scissor though. To me, that's

840
00:32:40,240 --> 00:32:42,440
Speaker 4: what That's what all girls say when they're like upset

841
00:32:42,440 --> 00:32:45,120
Speaker 4: and hurt. It's like, yo, yeah that ship the dick

842
00:32:45,240 --> 00:32:45,800
Speaker 4: was was whack.

843
00:32:45,880 --> 00:32:48,160
Speaker 1: It's like, yeah, it's a great verse though, you.

844
00:32:48,200 --> 00:32:50,120
Speaker 4: Know the verse is great, but it's just like when

845
00:32:50,120 --> 00:32:52,160
Speaker 4: you hear that in real time, like if a girl ever.

846
00:32:52,080 --> 00:32:54,120
Speaker 6: Told you some ship like sometimes the dick do be whack.

847
00:32:54,760 --> 00:32:56,040
Speaker 2: Yeah, but why you still here?

848
00:32:56,480 --> 00:33:00,640
Speaker 6: Because I like you? I like that because I lost.

849
00:33:00,520 --> 00:33:03,000
Speaker 2: Sting around with the pussys. W men ain't doing that.

850
00:33:03,120 --> 00:33:06,000
Speaker 6: We know y'all are awful people, but we care about that.

851
00:33:07,600 --> 00:33:08,280
Speaker 2: Awful people.

852
00:33:08,520 --> 00:33:11,760
Speaker 1: Yeah, you she Hi out of pity and they knew

853
00:33:11,800 --> 00:33:13,880
Speaker 1: he was lame. No, why are you fucking me at

854
00:33:13,920 --> 00:33:14,200
Speaker 1: a pity?

855
00:33:14,640 --> 00:33:16,560
Speaker 2: I don't want to be you.

856
00:33:16,640 --> 00:33:17,560
Speaker 3: Staying with whack dick.

857
00:33:17,920 --> 00:33:24,000
Speaker 4: Yeah, girl, girls stayed with wa dick if he got

858
00:33:24,120 --> 00:33:26,880
Speaker 4: like other things going on, if he got you know, he'd.

859
00:33:26,640 --> 00:33:28,480
Speaker 3: Things going on like that. I loved him.

860
00:33:28,600 --> 00:33:31,360
Speaker 1: I can I cant test. I can test that women

861
00:33:31,440 --> 00:33:35,080
Speaker 1: will stay, women will stay. Yes, I'm letting you guys know.

862
00:33:35,320 --> 00:33:40,200
Speaker 6: Yes, y'all be thinking about y'all be thinking it's good.

863
00:33:40,320 --> 00:33:47,560
Speaker 1: No, I gotta test to this. I've been stayed with him.

864
00:33:51,520 --> 00:33:55,360
Speaker 6: Having wack dick impregnant you was crazy And that's where

865
00:33:55,400 --> 00:33:55,760
Speaker 6: you take.

866
00:33:55,680 --> 00:33:57,040
Speaker 1: It too far, beautiful child.

867
00:33:57,080 --> 00:33:59,240
Speaker 4: Though I could say it the same way, and pregnant

868
00:33:59,320 --> 00:34:03,320
Speaker 4: whack pussies crazy, that's true, that would whack ass.

869
00:34:03,680 --> 00:34:08,840
Speaker 2: Thats a whack kid and everything and everything's gonna be

870
00:34:08,840 --> 00:34:09,839
Speaker 2: good at sports.

871
00:34:09,480 --> 00:34:12,960
Speaker 1: And our sexual work. Kid, Yes, but it balances it

872
00:34:13,000 --> 00:34:14,719
Speaker 1: out like she is great pussy. I whacked dick like

873
00:34:14,760 --> 00:34:16,520
Speaker 1: it's the balances out.

874
00:34:16,880 --> 00:34:18,239
Speaker 2: I don't know if that's how that works. I don't

875
00:34:18,239 --> 00:34:20,120
Speaker 2: think that's how I don't know what to say science.

876
00:34:20,239 --> 00:34:21,440
Speaker 4: Yeah, I don't know if we can say ying and

877
00:34:21,480 --> 00:34:23,719
Speaker 4: yang in that though. If you got whack, she got

878
00:34:23,760 --> 00:34:25,000
Speaker 4: good pussy, I don't know if that's ying.

879
00:34:25,080 --> 00:34:27,000
Speaker 3: If you have twins, is one cool, one whack?

880
00:34:27,320 --> 00:34:29,960
Speaker 7: Probably if it's some whack sex like like if the

881
00:34:30,000 --> 00:34:33,800
Speaker 7: dick's whack but pussy's fire with all sisters wag and

882
00:34:33,920 --> 00:34:34,560
Speaker 7: one kid come.

883
00:34:34,480 --> 00:34:37,399
Speaker 2: Out, that's I feel like you told my my mother

884
00:34:37,480 --> 00:34:37,759
Speaker 2: right there.

885
00:34:37,840 --> 00:34:41,200
Speaker 1: Yeah, I was saying. All I was saying was all

886
00:34:41,320 --> 00:34:43,759
Speaker 1: sisters really cool. Yeah, like that's all I was saying.

887
00:34:45,520 --> 00:34:47,160
Speaker 1: I heard what you said, but the context.

888
00:34:48,120 --> 00:34:50,320
Speaker 2: But in the context we're talking about, it's.

889
00:34:50,160 --> 00:34:53,880
Speaker 1: Either you're my mother, but you're the only twin in

890
00:34:54,000 --> 00:34:54,279
Speaker 1: the rod.

891
00:34:54,320 --> 00:34:55,960
Speaker 2: Just you can sit on my pops. You can't shit

892
00:34:56,040 --> 00:34:58,680
Speaker 2: on my mother my dad. Niggas can say what they

893
00:34:58,680 --> 00:35:00,560
Speaker 2: want about my dad, but Nita White so crazy.

894
00:35:00,840 --> 00:35:03,520
Speaker 1: I don't know the way he walked in that restaurant, met.

895
00:35:03,480 --> 00:35:06,320
Speaker 4: Him old Tom Gates, but he looked like he was

896
00:35:06,400 --> 00:35:11,920
Speaker 4: he was he was slaying no, no, yeah, yeah, no,

897
00:35:12,000 --> 00:35:13,320
Speaker 4: we needmore whatever else you have.

898
00:35:15,000 --> 00:35:19,080
Speaker 1: Yeah, he had that walk that's crazy at the gate.

899
00:35:19,440 --> 00:35:21,440
Speaker 4: Yeah, but that's just funny though, like saying I got

900
00:35:21,719 --> 00:35:23,840
Speaker 4: saying that, saying a dude has like wax sex is

901
00:35:23,920 --> 00:35:26,359
Speaker 4: like it hurts for a second, but when you think

902
00:35:26,400 --> 00:35:27,759
Speaker 4: about it, like, but she's still here.

903
00:35:27,840 --> 00:35:30,040
Speaker 3: Will still beat is bulletproof?

904
00:35:30,480 --> 00:35:32,600
Speaker 1: Yeah, because Sizzle went crazy on that verse. But you

905
00:35:32,640 --> 00:35:34,840
Speaker 1: can literally end it with a few words, I still be.

906
00:35:34,960 --> 00:35:38,719
Speaker 4: And I mean, these two obviously have history with each other, allegedly,

907
00:35:39,040 --> 00:35:43,640
Speaker 4: allegedly you think he beat? Y'all niggas sat here for

908
00:35:43,760 --> 00:35:45,839
Speaker 4: thirty seven minutes and tried to tell me how Drake

909
00:35:45,960 --> 00:35:48,759
Speaker 4: tried to holler at that Bobby All talk girl, But

910
00:35:48,840 --> 00:35:50,120
Speaker 4: you're gonna try to tell me that, y'all.

911
00:35:50,120 --> 00:35:52,280
Speaker 2: Don't think Drake hollered at don't.

912
00:35:53,360 --> 00:35:57,160
Speaker 1: Have admitted they dated, but David doesn't mean slept together.

913
00:35:57,600 --> 00:36:02,239
Speaker 4: She definitely Oh my got, I'm alright, So now, oh no, no,

914
00:36:02,400 --> 00:36:03,080
Speaker 4: let's talk about it.

915
00:36:03,160 --> 00:36:05,359
Speaker 2: You got Drake, Let's talk about it. Let's we're here,

916
00:36:05,440 --> 00:36:06,040
Speaker 2: let's talk about it.

917
00:36:06,320 --> 00:36:08,279
Speaker 1: Do you think so you're the stub so Drake the

918
00:36:08,320 --> 00:36:10,760
Speaker 1: whole verse, so y'all telling me, y'all tell everyone Cannabis

919
00:36:10,760 --> 00:36:12,560
Speaker 1: is just ll on his own record something like that.

920
00:36:12,680 --> 00:36:14,400
Speaker 1: You think Scissor did that on that when you put it,

921
00:36:14,920 --> 00:36:15,839
Speaker 1: you think he's third place.

922
00:36:16,280 --> 00:36:18,080
Speaker 4: I think Drake, I think if he I think if

923
00:36:18,120 --> 00:36:19,680
Speaker 4: it is, and Drake still put the album out, he's

924
00:36:19,760 --> 00:36:20,320
Speaker 4: gangster for that.

925
00:36:20,480 --> 00:36:20,880
Speaker 2: I agree.

926
00:36:21,000 --> 00:36:24,080
Speaker 4: I'm not putting Yeah, but don't know that if you

927
00:36:24,200 --> 00:36:26,000
Speaker 4: can't send me a verse and you're talking about my

928
00:36:26,120 --> 00:36:28,440
Speaker 4: dick was third on your list and think that, I'm

929
00:36:28,440 --> 00:36:30,920
Speaker 4: still gonna let that fly out like I'm yo forty

930
00:36:31,000 --> 00:36:35,920
Speaker 4: delete that. We're not doing that. No, we're not doing that.

931
00:36:36,000 --> 00:36:38,120
Speaker 4: You ain't gonna say my dick was third and that's

932
00:36:38,120 --> 00:36:38,520
Speaker 4: a single.

933
00:36:40,239 --> 00:36:42,840
Speaker 2: It's not happening. But y'all think that Drake dated a

934
00:36:42,920 --> 00:36:44,000
Speaker 2: girl that he never had sex with.

935
00:36:44,239 --> 00:36:47,400
Speaker 3: No, thank you, that's all I'm ready to argue with y'all. Well,

936
00:36:47,400 --> 00:36:48,359
Speaker 3: that's just I don't think.

937
00:36:48,560 --> 00:36:51,120
Speaker 1: I don't want to get into scissors sex partners. It's

938
00:36:51,120 --> 00:36:51,760
Speaker 1: none of my business.

939
00:36:51,840 --> 00:36:54,560
Speaker 2: No, let's not what we're talking about about. Dra partners.

940
00:36:54,640 --> 00:36:58,200
Speaker 1: Yeah, Drake's sex partners are also none of others WHOA

941
00:37:00,080 --> 00:37:02,320
Speaker 1: when when it was he started to hate me? What

942
00:37:04,200 --> 00:37:05,640
Speaker 1: y'all are joking, joking.

943
00:37:05,920 --> 00:37:10,040
Speaker 2: I'm not listen, man, I just want you all to

944
00:37:10,080 --> 00:37:11,880
Speaker 2: do a favorite. These kickers run down to y'all. Just

945
00:37:11,920 --> 00:37:12,759
Speaker 2: don't call it my phone.

946
00:37:13,560 --> 00:37:14,560
Speaker 1: I'm saying, I love Drake.

947
00:37:14,640 --> 00:37:15,279
Speaker 2: No, I know me too.

948
00:37:15,360 --> 00:37:18,040
Speaker 1: You're scared of the six yes, six six six six

949
00:37:18,080 --> 00:37:20,239
Speaker 1: six A little bit, A little bit, can't lie.

950
00:37:20,360 --> 00:37:22,719
Speaker 6: No, we asked them all all you scared of me.

951
00:37:24,040 --> 00:37:27,239
Speaker 1: Everyone can clown Drake. His boxing videos look better than

952
00:37:27,320 --> 00:37:29,360
Speaker 1: all you other rappers boxing videos.

953
00:37:29,920 --> 00:37:31,120
Speaker 3: Now, where's coleaficn box?

954
00:37:31,520 --> 00:37:31,600
Speaker 9: Oh?

955
00:37:31,680 --> 00:37:34,719
Speaker 1: Yeah, kicking his ship, be slingk But if everyone does

956
00:37:34,800 --> 00:37:37,279
Speaker 1: want to clown Drake when it comes to hands, I've

957
00:37:37,280 --> 00:37:39,839
Speaker 1: seen a lot of y'all's boxing. I've seen y'all spar

958
00:37:40,320 --> 00:37:41,799
Speaker 1: Drake looks way better at fighting than y'all.

959
00:37:41,840 --> 00:37:43,360
Speaker 6: But that don't mean in the heat at a moment.

960
00:37:43,480 --> 00:37:44,680
Speaker 6: I'm not saying that he come in.

961
00:37:45,239 --> 00:37:45,920
Speaker 2: Because I'm scared.

962
00:37:46,040 --> 00:37:48,000
Speaker 1: I'm scared Drake might punch me when we get to Toronto.

963
00:37:48,760 --> 00:37:50,600
Speaker 6: Oh it's over for y'all. Y'all not crossing the border.

964
00:37:51,160 --> 00:37:52,040
Speaker 1: That's true, my stuff.

965
00:37:53,040 --> 00:37:53,839
Speaker 2: He just crossed the border.

966
00:37:54,080 --> 00:37:55,279
Speaker 6: Nare talking this ship.

967
00:37:55,360 --> 00:37:57,480
Speaker 1: This mom through she got you.

968
00:37:57,600 --> 00:37:59,040
Speaker 2: This is the second time we're talking about your mom like.

969
00:37:59,080 --> 00:38:02,040
Speaker 1: That my bath I'm good is a lovely lady.

970
00:38:02,160 --> 00:38:05,080
Speaker 2: Okay, thanks, great, I appreciate that. Oh yeah, but this

971
00:38:05,239 --> 00:38:06,719
Speaker 2: was a good song. I wouldn't have let with this

972
00:38:06,800 --> 00:38:07,320
Speaker 2: as a single.

973
00:38:07,440 --> 00:38:10,520
Speaker 4: But again it has everything you want captions and fucking

974
00:38:11,320 --> 00:38:13,000
Speaker 4: bars and throwing shots and.

975
00:38:13,840 --> 00:38:14,640
Speaker 2: The beat is cool.

976
00:38:14,800 --> 00:38:16,160
Speaker 4: Like I mean, it's a good song. I just didn't

977
00:38:16,160 --> 00:38:18,120
Speaker 4: think it would be with the first single sounded like.

978
00:38:18,560 --> 00:38:20,120
Speaker 1: But it's a good record now that I'm thinking that,

979
00:38:20,480 --> 00:38:24,040
Speaker 1: you guys interpreted Dick is barely third places all time

980
00:38:24,120 --> 00:38:27,480
Speaker 1: and not current rotation I'm doing, how you know its

981
00:38:27,560 --> 00:38:31,680
Speaker 1: third place? So I'm saying, girls, just that's why, like

982
00:38:31,760 --> 00:38:34,440
Speaker 1: we all know who is number one in our head,

983
00:38:34,480 --> 00:38:36,800
Speaker 1: like the head Monster, like we know her, we always

984
00:38:36,840 --> 00:38:38,759
Speaker 1: have that in our head. Like but after that, like

985
00:38:39,040 --> 00:38:39,720
Speaker 1: I've never read.

986
00:38:39,760 --> 00:38:40,480
Speaker 2: So there's the Headmond.

987
00:38:40,600 --> 00:38:42,440
Speaker 3: It's a gray area. He's right, because usually there's just

988
00:38:42,480 --> 00:38:45,120
Speaker 3: the outlier. There's that, and then it's just like, yeah,

989
00:38:45,160 --> 00:38:45,640
Speaker 3: you're you're.

990
00:38:45,600 --> 00:38:46,880
Speaker 1: Doing third place is crazy?

991
00:38:47,360 --> 00:38:47,480
Speaker 6: Now?

992
00:38:47,760 --> 00:38:48,800
Speaker 1: How do you know that?

993
00:38:49,400 --> 00:38:49,960
Speaker 3: Sasha Gray?

994
00:38:50,040 --> 00:38:52,560
Speaker 2: And then you're like, what I gotta do to get

995
00:38:52,640 --> 00:38:54,880
Speaker 2: out of the third seed? Like how I get out

996
00:38:54,920 --> 00:38:55,560
Speaker 2: of the third seed?

997
00:38:55,719 --> 00:38:57,560
Speaker 6: Well, Sometimes you just can't get out of the third

998
00:38:57,560 --> 00:38:59,960
Speaker 6: seed because you don't have the equipment. Sometimes you don't

999
00:39:00,080 --> 00:39:02,840
Speaker 6: have the rhythm. Sometimes you don't have the stamina.

1000
00:39:02,600 --> 00:39:03,960
Speaker 1: And insert blueto as.

1001
00:39:05,000 --> 00:39:08,120
Speaker 6: Sometimes you don't have like you know, somebody might be

1002
00:39:08,120 --> 00:39:09,320
Speaker 6: a little bit more vainy than you.

1003
00:39:11,239 --> 00:39:13,279
Speaker 3: Still, dude, you want a vascular dick.

1004
00:39:14,160 --> 00:39:15,480
Speaker 6: I'm just saying it's different.

1005
00:39:15,680 --> 00:39:17,680
Speaker 1: But give him all right, asking that question is not

1006
00:39:17,880 --> 00:39:18,520
Speaker 1: a pause that.

1007
00:39:20,200 --> 00:39:22,040
Speaker 2: It's an anatomy question, but it's the.

1008
00:39:22,080 --> 00:39:24,680
Speaker 1: Tone of his voice like he was kind of like.

1009
00:39:24,880 --> 00:39:26,520
Speaker 2: What does that mean? It's an anatomy? What is that?

1010
00:39:26,960 --> 00:39:31,000
Speaker 2: Because it's an anatomy question, It's not like you know, crazy.

1011
00:39:31,680 --> 00:39:33,360
Speaker 1: How you asked that? Wild?

1012
00:39:33,560 --> 00:39:37,640
Speaker 2: How I didn't know? Basket you like you're almost upset

1013
00:39:37,680 --> 00:39:40,160
Speaker 2: at her, Like what do you mean you want?

1014
00:39:40,160 --> 00:39:40,879
Speaker 1: If anyone here?

1015
00:39:40,920 --> 00:39:42,880
Speaker 2: That's that's the same as saying you like girth, Like.

1016
00:39:44,360 --> 00:39:47,719
Speaker 6: Yeah, sometimes sometimes you can't grow certain aspects of your dick.

1017
00:39:47,800 --> 00:39:50,520
Speaker 6: Sometimes you can't make it curve. Sometimes you can't increase

1018
00:39:50,560 --> 00:39:52,160
Speaker 6: how long you least it does not curve.

1019
00:39:52,440 --> 00:39:54,080
Speaker 2: Yeah, but if he but thank you.

1020
00:39:54,520 --> 00:39:56,640
Speaker 4: But if he has but what if he makes up

1021
00:39:56,640 --> 00:39:58,359
Speaker 4: for it in other areas and it's still he's still

1022
00:39:58,440 --> 00:40:00,520
Speaker 4: third in the dicks, Yes, Like what.

1023
00:40:00,560 --> 00:40:02,319
Speaker 1: If he's also one of the greatest rappers of all time?

1024
00:40:03,719 --> 00:40:05,240
Speaker 3: What if no keep it in the bedroom?

1025
00:40:05,280 --> 00:40:07,440
Speaker 6: Like how does that get me off? What if he's

1026
00:40:07,480 --> 00:40:09,239
Speaker 6: like a rap to my clip?

1027
00:40:09,360 --> 00:40:11,320
Speaker 3: What if he's like the one on four play like

1028
00:40:11,400 --> 00:40:11,919
Speaker 3: he's the guy?

1029
00:40:12,160 --> 00:40:14,279
Speaker 2: But the dick is like nobody staring at me and

1030
00:40:14,400 --> 00:40:15,000
Speaker 2: male asking them.

1031
00:40:16,280 --> 00:40:18,040
Speaker 6: So you warming up the car to take me nowhere

1032
00:40:18,880 --> 00:40:20,879
Speaker 6: you can call that's sick.

1033
00:40:21,080 --> 00:40:23,600
Speaker 2: You get up the car to take me nowhere to

1034
00:40:23,640 --> 00:40:31,799
Speaker 2: get Actually, what if the trigger trigger? Somebody gotta warm

1035
00:40:31,840 --> 00:40:32,319
Speaker 2: you up? Right?

1036
00:40:33,239 --> 00:40:33,399
Speaker 9: See?

1037
00:40:33,520 --> 00:40:34,080
Speaker 2: Is he? Women?

1038
00:40:34,160 --> 00:40:36,080
Speaker 4: Y'all know what to say to just like attack? That's

1039
00:40:36,080 --> 00:40:37,960
Speaker 4: how y'all attest. That's good though, y'all go straight for

1040
00:40:38,040 --> 00:40:40,560
Speaker 4: the ego for sure? You women got the ego is

1041
00:40:40,640 --> 00:40:42,719
Speaker 4: like the Achilles of like every man like you go

1042
00:40:42,840 --> 00:40:44,839
Speaker 4: straight to the ego because I could be in there

1043
00:40:44,920 --> 00:40:46,800
Speaker 4: ten that puss you up for two years.

1044
00:40:46,880 --> 00:40:48,759
Speaker 2: And in the one moment we have an argument, you'd

1045
00:40:48,760 --> 00:40:50,440
Speaker 2: be like, Yo, the dick is third.

1046
00:40:51,680 --> 00:40:52,240
Speaker 3: Is hilarious.

1047
00:40:53,360 --> 00:40:54,080
Speaker 2: Now who's second?

1048
00:40:54,120 --> 00:40:55,600
Speaker 3: I want to know who's second more than I want

1049
00:40:55,600 --> 00:40:56,200
Speaker 3: to know who's.

1050
00:40:56,440 --> 00:40:58,600
Speaker 2: That's sick, But I want to know who's second and

1051
00:40:58,640 --> 00:41:00,319
Speaker 2: who's Yeah?

1052
00:41:00,320 --> 00:41:01,719
Speaker 1: I want to know what I'm saying, which between you

1053
00:41:03,120 --> 00:41:03,759
Speaker 1: that's yes?

1054
00:41:03,840 --> 00:41:06,279
Speaker 6: Would y be mad if she told you? Would y'all

1055
00:41:06,320 --> 00:41:06,520
Speaker 6: be mad?

1056
00:41:06,560 --> 00:41:08,200
Speaker 2: If she told you absolutely who second was?

1057
00:41:08,280 --> 00:41:09,120
Speaker 1: Yes, I wouldn't ask.

1058
00:41:10,960 --> 00:41:13,080
Speaker 3: No man wants to She just volunteers that information.

1059
00:41:13,280 --> 00:41:13,400
Speaker 8: Now.

1060
00:41:13,760 --> 00:41:14,600
Speaker 2: No man wants to know that.

1061
00:41:14,719 --> 00:41:16,120
Speaker 1: He may think he wants to know, he doesn't want to.

1062
00:41:16,239 --> 00:41:17,040
Speaker 2: No man wants to know that.

1063
00:41:17,239 --> 00:41:19,480
Speaker 4: No man wants to know who your girl like, who

1064
00:41:19,560 --> 00:41:21,680
Speaker 4: she thinks is better than you sexually? Like, no man

1065
00:41:21,760 --> 00:41:24,680
Speaker 4: wants to know her to know that, because every time

1066
00:41:24,719 --> 00:41:28,240
Speaker 4: you see this nigga, you gotta shoot at him. Hey shoot,

1067
00:41:28,440 --> 00:41:29,160
Speaker 4: how is that ao?

1068
00:41:29,160 --> 00:41:30,160
Speaker 2: Shooting? I'm talk about a gun.

1069
00:41:30,400 --> 00:41:34,080
Speaker 1: You're talking about murdering that you want to violence?

1070
00:41:34,200 --> 00:41:36,640
Speaker 4: Yeah, Like I'm talking about like maximum violence here. I'm

1071
00:41:36,640 --> 00:41:37,960
Speaker 4: not talking about no charge.

1072
00:41:39,400 --> 00:41:41,200
Speaker 2: Like any any man that's gonna be like, all right,

1073
00:41:41,200 --> 00:41:43,120
Speaker 2: we got to shoot his car now, Like this is

1074
00:41:43,160 --> 00:41:43,360
Speaker 2: how I.

1075
00:41:43,360 --> 00:41:44,799
Speaker 1: Go talking about what if I'm in it? You don't

1076
00:41:44,800 --> 00:41:45,919
Speaker 1: want to kill me your friends?

1077
00:41:45,960 --> 00:41:50,120
Speaker 7: If you in the car, for sure, Yeah, if you

1078
00:41:50,160 --> 00:41:52,080
Speaker 7: were in the car with number one magic bullet with

1079
00:41:52,239 --> 00:41:54,600
Speaker 7: number one shooting in the car, Yeah.

1080
00:41:54,600 --> 00:41:57,920
Speaker 2: Yo, your fan slow down right here were spraying this

1081
00:41:58,000 --> 00:41:59,399
Speaker 2: ship ship.

1082
00:42:00,360 --> 00:42:02,560
Speaker 1: Can you imagine being number three and one and two

1083
00:42:02,600 --> 00:42:06,399
Speaker 1: are homies. They're in the car together. That's number one

1084
00:42:06,480 --> 00:42:07,640
Speaker 1: and number two are friends.

1085
00:42:07,840 --> 00:42:08,480
Speaker 6: That's crazy.

1086
00:42:08,640 --> 00:42:10,840
Speaker 2: Damn we gotta shoot that. We got we gotta kill abody?

1087
00:42:11,600 --> 00:42:12,600
Speaker 1: Did they fuck you together?

1088
00:42:13,680 --> 00:42:15,319
Speaker 2: See one and two?

1089
00:42:15,680 --> 00:42:18,160
Speaker 6: See now see if you kill number one and two

1090
00:42:18,320 --> 00:42:19,960
Speaker 6: and you think that just moved you to one and

1091
00:42:20,080 --> 00:42:20,560
Speaker 6: then it.

1092
00:42:20,640 --> 00:42:21,359
Speaker 2: Does, it doesn't.

1093
00:42:21,400 --> 00:42:21,880
Speaker 3: No, it doesn't.

1094
00:42:22,000 --> 00:42:22,719
Speaker 2: By law, it does.

1095
00:42:22,880 --> 00:42:25,759
Speaker 1: That guy, that guy under the ground is still number one.

1096
00:42:27,160 --> 00:42:30,560
Speaker 1: You can't unfund because he God doesn't mean she can,

1097
00:42:31,880 --> 00:42:32,719
Speaker 1: and she's gonna.

1098
00:42:32,480 --> 00:42:33,040
Speaker 2: Go to the funeral.

1099
00:42:33,160 --> 00:42:34,480
Speaker 3: His tombstone says, still be.

1100
00:42:36,560 --> 00:42:38,399
Speaker 2: That mine on your tombstos. Grazy number one?

1101
00:42:38,640 --> 00:42:40,680
Speaker 1: Yea Nelly number one plays every time you walk to

1102
00:42:40,760 --> 00:42:41,879
Speaker 1: the sevenary on your toobs.

1103
00:42:41,880 --> 00:42:44,359
Speaker 2: So you gotta put you gotta pay him number one

1104
00:42:44,840 --> 00:42:46,720
Speaker 2: who was hard to me and this tombstone.

1105
00:42:46,880 --> 00:42:47,560
Speaker 1: He was much of it.

1106
00:42:49,719 --> 00:42:51,759
Speaker 6: But you say, Michael Jackson the greatest of all time.

1107
00:42:51,800 --> 00:42:53,839
Speaker 6: Every single day he in the ground. You can't take

1108
00:42:53,840 --> 00:42:56,839
Speaker 6: away pretty great point. Actually can't take away.

1109
00:42:57,480 --> 00:43:01,080
Speaker 4: I'm just saying, yeah, but it's different completely, Yeah, that's different.

1110
00:43:01,160 --> 00:43:03,640
Speaker 4: Mike was neither kiing the dude that I just killed

1111
00:43:03,640 --> 00:43:04,520
Speaker 4: because he was number one on.

1112
00:43:04,560 --> 00:43:05,320
Speaker 2: Your list exactly.

1113
00:43:05,360 --> 00:43:06,440
Speaker 6: They both still number one.

1114
00:43:07,200 --> 00:43:09,879
Speaker 4: They're still dead though, Yeah, like I'm cool if number

1115
00:43:09,920 --> 00:43:11,040
Speaker 4: one is dead, I'm like, I'm cool.

1116
00:43:11,120 --> 00:43:14,960
Speaker 1: Yeah, But Thriller didn't disappear once he died, and that

1117
00:43:15,080 --> 00:43:16,719
Speaker 1: memory of that dick will never disappear for.

1118
00:43:16,760 --> 00:43:20,279
Speaker 2: Her man, why did the kick of pop have to

1119
00:43:20,320 --> 00:43:20,759
Speaker 2: come into this?

1120
00:43:21,120 --> 00:43:22,360
Speaker 1: Death doesn't change anything.

1121
00:43:22,800 --> 00:43:24,919
Speaker 2: Women are so y'all are so evil. They're the worst.

1122
00:43:25,040 --> 00:43:27,600
Speaker 1: We're evil, they're so ef they're the worst. They're the

1123
00:43:27,680 --> 00:43:28,360
Speaker 1: worst creatures.

1124
00:43:29,520 --> 00:43:31,719
Speaker 6: Literally a song about a man, dog and a woman

1125
00:43:31,760 --> 00:43:33,560
Speaker 6: out and somehow y'all still make women.

1126
00:43:34,880 --> 00:43:38,560
Speaker 1: But he made he made He made q p ms

1127
00:43:39,800 --> 00:43:41,680
Speaker 1: like past noon, that was hard.

1128
00:43:41,719 --> 00:43:42,080
Speaker 2: Don't do that.

1129
00:43:42,520 --> 00:43:43,880
Speaker 3: That was a see I like that.

1130
00:43:44,200 --> 00:43:44,360
Speaker 1: I like.

1131
00:43:44,760 --> 00:43:45,319
Speaker 6: I like it too.

1132
00:43:45,800 --> 00:43:48,400
Speaker 2: I'm not. You just tried to break that. You butchered that.

1133
00:43:48,480 --> 00:43:48,880
Speaker 2: Don't do that.

1134
00:43:49,440 --> 00:43:50,160
Speaker 1: It was a hard bar.

1135
00:43:50,320 --> 00:43:51,680
Speaker 2: That was a bar. That was a bar.

1136
00:43:51,840 --> 00:43:52,480
Speaker 1: It was random.

1137
00:43:52,840 --> 00:43:54,879
Speaker 2: It was a bar as it was in the middle

1138
00:43:54,880 --> 00:43:55,319
Speaker 2: of that scene.

1139
00:43:55,520 --> 00:43:58,160
Speaker 3: Pretty sure. I made p ms like it's past noon,

1140
00:43:58,400 --> 00:43:59,839
Speaker 3: good bar, bar, good bar.

1141
00:44:00,480 --> 00:44:02,200
Speaker 6: I promise I'm a scale of one that saying it's

1142
00:44:02,239 --> 00:44:04,520
Speaker 6: about a seven that's not a good ball.

1143
00:44:04,800 --> 00:44:07,560
Speaker 2: That's seven. That's good that you made.

1144
00:44:07,760 --> 00:44:08,680
Speaker 1: That's like being number three.

1145
00:44:08,719 --> 00:44:13,480
Speaker 2: That's it's not bad. It's like a cool you know

1146
00:44:13,520 --> 00:44:15,640
Speaker 2: what I'm saying. That was landed cool. That was dope.

1147
00:44:15,680 --> 00:44:17,319
Speaker 2: It wasn't the greatest bar, but it was a bar.

1148
00:44:17,520 --> 00:44:19,160
Speaker 1: Also, you can date people and that fuck him.

1149
00:44:19,960 --> 00:44:23,560
Speaker 2: That that was we were to believe that. But again

1150
00:44:23,600 --> 00:44:26,000
Speaker 2: you think Drake. That's again you think.

1151
00:44:25,920 --> 00:44:27,959
Speaker 6: Drake fucked every single girl that he's ever dated.

1152
00:44:28,160 --> 00:44:32,359
Speaker 2: Yes, and I think every dated one of the fuck true?

1153
00:44:33,160 --> 00:44:36,680
Speaker 1: All right, but even like no beard just mildly TV

1154
00:44:36,880 --> 00:44:39,920
Speaker 1: actor famous, yes, yeah, oh please.

1155
00:44:39,719 --> 00:44:40,440
Speaker 2: Being for real?

1156
00:44:40,920 --> 00:44:42,480
Speaker 1: Yeah yeah, a little bit.

1157
00:44:42,560 --> 00:44:42,960
Speaker 2: I mean he was.

1158
00:44:44,000 --> 00:44:46,279
Speaker 4: It's the level of woman that he gets now. Back

1159
00:44:46,320 --> 00:44:48,600
Speaker 4: then it was a little different, but he was of course,

1160
00:44:48,719 --> 00:44:51,480
Speaker 4: like if you bro, if you're wherever, you're from, your neighborhood,

1161
00:44:51,480 --> 00:44:54,520
Speaker 4: if you're actively like on a TV show, like like,

1162
00:44:54,600 --> 00:44:55,320
Speaker 4: that's just what it is.

1163
00:44:56,000 --> 00:44:58,160
Speaker 2: Now, I like cow he's on TV. Of course the

1164
00:44:58,239 --> 00:45:00,759
Speaker 2: caliber has changed as he who he.

1165
00:45:00,920 --> 00:45:03,160
Speaker 3: Is, but he was getting thesbian pusy at that time.

1166
00:45:03,280 --> 00:45:04,280
Speaker 2: Yeah, it's just a little.

1167
00:45:04,360 --> 00:45:06,319
Speaker 1: Levels, which is why I'm kind of mad at Mall

1168
00:45:06,400 --> 00:45:08,200
Speaker 1: for not being a method actor and showing up here

1169
00:45:08,239 --> 00:45:11,160
Speaker 1: in a wheelchair. I thought, for like the rest of podcasting,

1170
00:45:11,239 --> 00:45:11,879
Speaker 1: you would have to stay.

1171
00:45:11,960 --> 00:45:13,440
Speaker 7: We should have had them bus this episode in the

1172
00:45:13,480 --> 00:45:16,880
Speaker 7: wheelchair because because I shot you wheelchair him me, you're paralyzed.

1173
00:45:16,520 --> 00:45:18,359
Speaker 2: Now you shot me. It was a water gun.

1174
00:45:18,440 --> 00:45:18,800
Speaker 3: No, it was it.

1175
00:45:20,440 --> 00:45:22,040
Speaker 2: You can see it, but in your mind whatever, it

1176
00:45:22,239 --> 00:45:23,560
Speaker 2: was like, all right, cool, I'm just telling it was

1177
00:45:23,600 --> 00:45:24,640
Speaker 2: a water gug. It's all good.

1178
00:45:25,680 --> 00:45:27,480
Speaker 4: But we did get a lot of good music this weekend.

1179
00:45:28,960 --> 00:45:30,840
Speaker 4: I guess we could say, oh, wait, wait before we

1180
00:45:30,920 --> 00:45:33,160
Speaker 4: do that. Halle Berry had some things to say about

1181
00:45:33,160 --> 00:45:36,000
Speaker 4: the cover art for the for the Corny for the

1182
00:45:36,080 --> 00:45:38,000
Speaker 4: single who.

1183
00:45:37,920 --> 00:45:39,960
Speaker 3: Is calling her corny? Yes? Wow?

1184
00:45:40,200 --> 00:45:41,520
Speaker 1: How she doesn't even own that photo.

1185
00:45:42,239 --> 00:45:42,880
Speaker 2: She doesn't own them.

1186
00:45:44,160 --> 00:45:46,080
Speaker 6: There's mad photos of you that you don't own that

1187
00:45:46,160 --> 00:45:46,680
Speaker 6: you don't.

1188
00:45:46,600 --> 00:45:49,680
Speaker 1: Like, of course, but it's unfortunately I've agreed that I

1189
00:45:49,760 --> 00:45:54,960
Speaker 1: don't own that photo. So no, Nickelodeon should be mad

1190
00:45:55,000 --> 00:45:56,040
Speaker 1: at Drake for using something.

1191
00:45:56,440 --> 00:45:58,520
Speaker 3: On the photo. He reached out to her, so that

1192
00:45:58,719 --> 00:45:59,360
Speaker 3: that's what makes it.

1193
00:45:59,480 --> 00:46:01,920
Speaker 6: He reached out to ask and she said no, and

1194
00:46:02,040 --> 00:46:03,480
Speaker 6: he still put it out swag.

1195
00:46:03,600 --> 00:46:03,840
Speaker 7: So what.

1196
00:46:05,719 --> 00:46:07,640
Speaker 2: He was like for all the dogs put it out

1197
00:46:08,320 --> 00:46:09,040
Speaker 2: it's a dog move.

1198
00:46:10,040 --> 00:46:12,239
Speaker 6: He's staying character and she said that was a fuck

1199
00:46:12,280 --> 00:46:13,839
Speaker 6: you to me, and I agree if you just put

1200
00:46:14,320 --> 00:46:15,200
Speaker 6: never asked.

1201
00:46:15,680 --> 00:46:17,480
Speaker 1: Yeah, all right, that changes thing. I thought she was

1202
00:46:17,560 --> 00:46:19,759
Speaker 1: just mad that he used the photo, Like you don't

1203
00:46:19,800 --> 00:46:20,800
Speaker 1: even know your photo.

1204
00:46:20,920 --> 00:46:22,520
Speaker 4: You know how you know how crazy it is to

1205
00:46:22,560 --> 00:46:25,440
Speaker 4: wake up and know that you pissed Halle Burrial, Like

1206
00:46:25,480 --> 00:46:26,719
Speaker 4: you know where you got to be in life with

1207
00:46:27,040 --> 00:46:29,760
Speaker 4: Halle Berry is actively on the Internet responding to people

1208
00:46:30,400 --> 00:46:31,800
Speaker 4: saying how much like you like?

1209
00:46:31,960 --> 00:46:34,080
Speaker 2: Hurt her and disappointed her after she told.

1210
00:46:33,920 --> 00:46:34,680
Speaker 3: You like you.

1211
00:46:35,040 --> 00:46:38,080
Speaker 2: That's just a different level of yo. I'm on a

1212
00:46:38,120 --> 00:46:40,479
Speaker 2: whole another like halle Berry is upset at me right.

1213
00:46:40,400 --> 00:46:43,360
Speaker 6: Now and she's literally the sweetest. Like halle Berry's like

1214
00:46:43,440 --> 00:46:45,680
Speaker 6: second coming of like her joining Twitter and her just

1215
00:46:45,719 --> 00:46:46,719
Speaker 6: showing her personality.

1216
00:46:46,840 --> 00:46:48,759
Speaker 2: Everybody loves halle now here's weird.

1217
00:46:48,800 --> 00:46:50,839
Speaker 1: Now, you guys know how Eric benetels every day his life.

1218
00:46:50,920 --> 00:46:52,960
Speaker 4: Now here's where Here's where the real ball comes in that.

1219
00:46:53,160 --> 00:46:55,360
Speaker 4: Do we think that Drake gets Halle Berry for a

1220
00:46:55,440 --> 00:46:56,000
Speaker 4: video after this?

1221
00:46:56,200 --> 00:46:56,560
Speaker 1: Probably?

1222
00:46:56,800 --> 00:46:57,439
Speaker 2: Probably hope.

1223
00:46:58,200 --> 00:47:00,920
Speaker 1: I think you'll make a man because like everyone has

1224
00:47:00,960 --> 00:47:04,439
Speaker 1: their own preferences. But what's wrong with this photo fam.

1225
00:47:05,040 --> 00:47:05,719
Speaker 2: No, nothing is wrong.

1226
00:47:06,360 --> 00:47:09,279
Speaker 1: I mean, but the song wasn't eluding that slimed with

1227
00:47:09,360 --> 00:47:10,600
Speaker 1: something else, slim you out, I know.

1228
00:47:10,640 --> 00:47:12,279
Speaker 4: But it's just a weird well that was her, that

1229
00:47:12,360 --> 00:47:15,120
Speaker 4: was halle Berry's thing. She said that she wasn't sure

1230
00:47:15,520 --> 00:47:17,600
Speaker 4: what slam you out was. She was like, well, what

1231
00:47:17,760 --> 00:47:18,480
Speaker 4: is slim you out?

1232
00:47:18,560 --> 00:47:18,600
Speaker 10: Me?

1233
00:47:19,000 --> 00:47:20,759
Speaker 1: Is this is this a porn hub thing?

1234
00:47:21,160 --> 00:47:22,919
Speaker 2: Like yeah, she just was like making sure, like what, okay,

1235
00:47:22,960 --> 00:47:24,640
Speaker 2: what is my image being attached to?

1236
00:47:24,760 --> 00:47:25,120
Speaker 3: That's all?

1237
00:47:25,440 --> 00:47:26,360
Speaker 2: And I canna understand that.

1238
00:47:26,600 --> 00:47:27,440
Speaker 1: I get that too.

1239
00:47:27,480 --> 00:47:28,799
Speaker 4: I don't know what the song is. What a slim

1240
00:47:28,920 --> 00:47:30,480
Speaker 4: y'all mean. I'm not sure what that term means.

1241
00:47:30,520 --> 00:47:31,279
Speaker 3: What does that mean?

1242
00:47:32,360 --> 00:47:33,200
Speaker 2: Slim you out mean?

1243
00:47:33,800 --> 00:47:33,960
Speaker 9: Yeah?

1244
00:47:34,040 --> 00:47:34,640
Speaker 2: Doing you dirty?

1245
00:47:34,680 --> 00:47:35,719
Speaker 3: Basically what she did?

1246
00:47:35,920 --> 00:47:37,040
Speaker 2: He did that to halle Berry.

1247
00:47:37,680 --> 00:47:38,279
Speaker 3: Ah, he did.

1248
00:47:38,360 --> 00:47:40,240
Speaker 2: He kept kept you to the title.

1249
00:47:40,320 --> 00:47:43,800
Speaker 1: Go genius. Drake criticized grown ups who have childish tendencies

1250
00:47:43,840 --> 00:47:49,279
Speaker 1: because the slime was children. Oh wow, yikes, go Drake

1251
00:47:49,320 --> 00:47:49,800
Speaker 1: and genius.

1252
00:47:49,960 --> 00:47:51,919
Speaker 3: Oh and the opposite person.

1253
00:47:52,400 --> 00:47:54,920
Speaker 2: She feels like she's being slimmed out, done wrong, my partner.

1254
00:47:55,000 --> 00:47:58,400
Speaker 7: This is very this is Shakespearean. Now, this song might

1255
00:47:58,480 --> 00:47:59,879
Speaker 7: be the best Drake song of all time.

1256
00:48:00,080 --> 00:48:02,799
Speaker 8: So he didn't use it for the official single album artwork,

1257
00:48:02,840 --> 00:48:05,520
Speaker 8: by the way, on all these pieces not there, but

1258
00:48:05,719 --> 00:48:06,480
Speaker 8: he did post it.

1259
00:48:06,560 --> 00:48:08,960
Speaker 2: All night social media socially. Yes, so I understand it's

1260
00:48:08,960 --> 00:48:09,600
Speaker 2: still a problem.

1261
00:48:09,680 --> 00:48:12,320
Speaker 4: But I think that he I think he makes a

1262
00:48:12,440 --> 00:48:14,880
Speaker 4: men's and Hallie forgives all and she does it.

1263
00:48:15,040 --> 00:48:17,719
Speaker 1: He slims her out, he did, He did slim her out.

1264
00:48:17,800 --> 00:48:18,759
Speaker 6: You got slammed out?

1265
00:48:19,480 --> 00:48:24,640
Speaker 1: Yes, yes, before, Yes, I've been I've been slammed out,

1266
00:48:25,280 --> 00:48:26,440
Speaker 1: not even being at number three.

1267
00:48:27,360 --> 00:48:28,719
Speaker 2: Yeah, we've all We've all been there.

1268
00:48:28,880 --> 00:48:31,800
Speaker 1: Slimming out number like fifteen is evil.

1269
00:48:32,440 --> 00:48:32,759
Speaker 2: M m.

1270
00:48:33,120 --> 00:48:36,319
Speaker 1: That's probably they like, I'm not even not even up there,

1271
00:48:36,360 --> 00:48:37,600
Speaker 1: because why would I slim out one.

1272
00:48:37,600 --> 00:48:39,319
Speaker 6: I want to keep him around exactly what I'm gonna

1273
00:48:39,320 --> 00:48:40,040
Speaker 6: slim out fifteen?

1274
00:48:40,440 --> 00:48:42,200
Speaker 1: Yeah, but like, why would you even have that much

1275
00:48:42,239 --> 00:48:45,360
Speaker 1: feelings to slim fifteen? Women don't have feelings To do

1276
00:48:45,480 --> 00:48:48,200
Speaker 1: someone dirty, you have to have some Well that's yeah,

1277
00:48:48,239 --> 00:48:51,000
Speaker 1: you're right, I take it back answered my question. Yeah,

1278
00:48:51,040 --> 00:48:51,880
Speaker 1: women have no feelings.

1279
00:48:52,480 --> 00:48:53,960
Speaker 6: I feel like more over there, think about the girt

1280
00:48:54,000 --> 00:48:54,759
Speaker 6: I slimmed him out.

1281
00:48:55,640 --> 00:48:57,680
Speaker 2: He was quiet her name. No, I mean when you

1282
00:48:57,719 --> 00:48:59,719
Speaker 2: asked the question, was Michelle, wasn't it thought about her.

1283
00:49:00,239 --> 00:49:01,239
Speaker 1: You look like a Michelle Hurt.

1284
00:49:01,280 --> 00:49:08,320
Speaker 6: You not Brandy Mmmmry.

1285
00:49:06,400 --> 00:49:07,720
Speaker 2: Kelly mm hmmm.

1286
00:49:07,920 --> 00:49:12,160
Speaker 3: I don't think I've ever even dated a Kelly Cadet Kelly. Yeah,

1287
00:49:12,560 --> 00:49:17,719
Speaker 3: reference Disney Channel show listen, keep you. It's not a gay,

1288
00:49:17,800 --> 00:49:20,000
Speaker 3: it's nothing, It's just a okay.

1289
00:49:22,120 --> 00:49:24,120
Speaker 4: But more good music, more great music came out over

1290
00:49:24,160 --> 00:49:27,239
Speaker 4: the weekend. Uh, this Puff album. Now, Rory, I will

1291
00:49:27,280 --> 00:49:30,279
Speaker 4: say this, before this album came out, you may have

1292
00:49:30,360 --> 00:49:33,360
Speaker 4: had the best ARMB album this year. You made a

1293
00:49:34,680 --> 00:49:38,320
Speaker 4: Jossy had a great album this year Victory Money.

1294
00:49:38,120 --> 00:49:39,719
Speaker 1: Clail Soul that came out as well. We'll get to

1295
00:49:39,800 --> 00:49:44,560
Speaker 1: that incredible album. This love album though, it's fucking incredible.

1296
00:49:46,200 --> 00:49:46,319
Speaker 10: Uh.

1297
00:49:46,440 --> 00:49:48,319
Speaker 2: Puff. First of all, just.

1298
00:49:48,400 --> 00:49:52,560
Speaker 4: Thank you to still being somebody that pays attention to

1299
00:49:52,760 --> 00:49:55,960
Speaker 4: what the art of album making is. Puff has literally

1300
00:49:56,000 --> 00:49:59,400
Speaker 4: because we obviously know people industry. He literally took years to.

1301
00:49:59,440 --> 00:50:03,520
Speaker 2: Make this album. Mmmm. Took his time with it, lived it.

1302
00:50:05,000 --> 00:50:05,120
Speaker 9: Mean.

1303
00:50:05,160 --> 00:50:07,480
Speaker 4: When he had that yacht off the coast in Italy

1304
00:50:07,760 --> 00:50:09,839
Speaker 4: for a month or two, I saw some some girls

1305
00:50:09,880 --> 00:50:10,320
Speaker 4: I know in I G.

1306
00:50:10,520 --> 00:50:11,880
Speaker 2: I was like, hey, I know that pool for.

1307
00:50:12,200 --> 00:50:15,040
Speaker 1: The school for the long time pod fans. When I

1308
00:50:15,080 --> 00:50:20,399
Speaker 1: talked about London pressing me about mal four years ago,

1309
00:50:20,960 --> 00:50:23,880
Speaker 1: five years ago. That was at a love session that

1310
00:50:24,000 --> 00:50:26,239
Speaker 1: was for this album. Yeah, he took his time and

1311
00:50:26,360 --> 00:50:29,279
Speaker 1: it showed it would just be my fucking luck though

1312
00:50:29,360 --> 00:50:33,200
Speaker 1: that Puff Puff puts out an R and B compilation

1313
00:50:33,520 --> 00:50:36,080
Speaker 1: album the year I do when was the last R

1314
00:50:36,080 --> 00:50:39,279
Speaker 1: and B compilation? This is of course in twenty twenty three.

1315
00:50:39,320 --> 00:50:41,080
Speaker 1: Puff has to make the best fucking album ever.

1316
00:50:41,400 --> 00:50:45,040
Speaker 4: This is ah Listen, and you put together, you put

1317
00:50:45,080 --> 00:50:46,560
Speaker 4: together a really really good album.

1318
00:50:46,560 --> 00:50:49,200
Speaker 1: Thank you for making a really good album. But it's

1319
00:50:49,360 --> 00:50:53,240
Speaker 1: just it's another Well there's like a five million dollar budget.

1320
00:50:53,360 --> 00:50:54,560
Speaker 2: Yeah, yes, that's so.

1321
00:50:54,760 --> 00:50:56,800
Speaker 1: It's just a I funded my project myself.

1322
00:50:56,840 --> 00:50:57,279
Speaker 2: Yeah yeah no.

1323
00:50:57,480 --> 00:50:59,279
Speaker 1: And you did a great job, and I owe a

1324
00:50:59,320 --> 00:50:59,960
Speaker 1: lot of backtack.

1325
00:51:00,120 --> 00:51:02,799
Speaker 2: Listen, you did a great fucking job.

1326
00:51:02,880 --> 00:51:05,600
Speaker 3: You're the three in this situation. You did a great job.

1327
00:51:05,760 --> 00:51:07,920
Speaker 1: You know, I'll be able to recoup my album by

1328
00:51:07,960 --> 00:51:11,719
Speaker 1: probably next week. Really great, that's a big Like I'm

1329
00:51:11,880 --> 00:51:14,279
Speaker 1: applauding myself. I know that was a side tangent, but

1330
00:51:14,320 --> 00:51:15,920
Speaker 1: I got that call. That's rare.

1331
00:51:16,239 --> 00:51:18,640
Speaker 2: That's great like that that blew me away.

1332
00:51:19,120 --> 00:51:20,919
Speaker 1: You're about to recoup I was like, get the fuck

1333
00:51:20,960 --> 00:51:22,400
Speaker 1: out of here and less. I thought I was going

1334
00:51:22,440 --> 00:51:23,439
Speaker 1: to recoup in like two years.

1335
00:51:23,840 --> 00:51:27,279
Speaker 2: No, No, listen, the album is amazing, the project isn't.

1336
00:51:27,280 --> 00:51:28,960
Speaker 1: That's my own. But I just want to talk shit.

1337
00:51:29,040 --> 00:51:30,200
Speaker 1: That's the first stat I'm bringing up.

1338
00:51:30,560 --> 00:51:32,560
Speaker 2: This is cushion. This is cushion fall right.

1339
00:51:32,760 --> 00:51:35,360
Speaker 4: I'm just laying out some cushion. Great album, Thank you

1340
00:51:35,560 --> 00:51:36,080
Speaker 4: did your thing.

1341
00:51:36,520 --> 00:51:39,000
Speaker 1: But but I don't have the best Justice ever song.

1342
00:51:39,880 --> 00:51:43,319
Speaker 2: But this love album it's so good.

1343
00:51:44,160 --> 00:51:48,440
Speaker 4: Uh, this is it's just a complete, a complete, just

1344
00:51:49,680 --> 00:51:52,239
Speaker 4: to me, a classic project. This is to me, this

1345
00:51:52,400 --> 00:51:56,719
Speaker 4: may be puffs we love Last Train to Paris, but

1346
00:51:56,840 --> 00:51:58,560
Speaker 4: this to me may be Puff's best bet.

1347
00:51:58,840 --> 00:52:00,680
Speaker 1: So what you're saying initially is that me and Puff

1348
00:52:00,719 --> 00:52:01,640
Speaker 1: saved R and B this year.

1349
00:52:03,320 --> 00:52:07,000
Speaker 2: Victoria is there, made us there. You definitely are there.

1350
00:52:07,440 --> 00:52:09,239
Speaker 4: It's been some really good rm B this shit. And

1351
00:52:09,320 --> 00:52:11,200
Speaker 4: I know people, you know when Puff was saying R

1352
00:52:11,200 --> 00:52:13,040
Speaker 4: and B is dead, you know that was disrespectful. The

1353
00:52:13,080 --> 00:52:17,440
Speaker 4: guys like Brent and Bryce. Yeah, you know Eric Bellinger.

1354
00:52:17,560 --> 00:52:18,799
Speaker 4: It's a lot of good RMB out there.

1355
00:52:18,920 --> 00:52:20,719
Speaker 3: But knowing he had this in the talk, I kind

1356
00:52:20,760 --> 00:52:21,759
Speaker 3: of like that strategy.

1357
00:52:22,360 --> 00:52:25,080
Speaker 2: No, it's great because he delivered a great project.

1358
00:52:25,200 --> 00:52:25,399
Speaker 3: Yeah.

1359
00:52:25,560 --> 00:52:27,120
Speaker 4: Now, if he did all of that and the album

1360
00:52:27,320 --> 00:52:30,319
Speaker 4: was terrible, then it's like, all right, you did all

1361
00:52:30,360 --> 00:52:31,920
Speaker 4: of that and then you put out a bullshit R

1362
00:52:31,920 --> 00:52:35,320
Speaker 4: and B album. But this album from the from the

1363
00:52:35,440 --> 00:52:38,640
Speaker 4: first track, you hear the dream, Uh, you just know

1364
00:52:38,880 --> 00:52:42,919
Speaker 4: what you're in for. This is a complete, complete masterpiece,

1365
00:52:43,000 --> 00:52:47,520
Speaker 4: a complete fucking great R and B sound, R and

1366
00:52:47,640 --> 00:52:52,080
Speaker 4: B features Like Rory said that Justin Bieber record is amazing,

1367
00:52:52,160 --> 00:52:54,960
Speaker 4: the record with Jacq Queeze, and he got sway Lee Bah,

1368
00:52:55,320 --> 00:52:56,839
Speaker 4: the Swaye record sounds great.

1369
00:52:57,560 --> 00:53:01,640
Speaker 1: Jasmine Sullivan sounds fucking incredible hearing her on that sound too. Like,

1370
00:53:01,719 --> 00:53:05,080
Speaker 1: I'm so happy Puff didn't go an obvious route with

1371
00:53:05,239 --> 00:53:07,560
Speaker 1: so many of these artists on the sound.

1372
00:53:07,640 --> 00:53:09,480
Speaker 2: The Kliney Todd Dollar record.

1373
00:53:09,560 --> 00:53:11,960
Speaker 1: Because typically, like with this, and I'm not even saying

1374
00:53:12,160 --> 00:53:13,840
Speaker 1: a callid way, but in general, when you have a

1375
00:53:13,880 --> 00:53:16,239
Speaker 1: shit ton of money and access to features, you put

1376
00:53:16,280 --> 00:53:18,960
Speaker 1: people on what's obvious and what's worked already.

1377
00:53:19,200 --> 00:53:20,560
Speaker 2: Yeah, I'm happy he.

1378
00:53:20,600 --> 00:53:23,560
Speaker 1: Didn't give Jazmine an obvious Jasmine Sullivan b Yeah.

1379
00:53:23,800 --> 00:53:26,239
Speaker 6: Yeah, I don't think I had ever heard Jasmine's false

1380
00:53:26,239 --> 00:53:27,200
Speaker 6: setup before it was.

1381
00:53:27,239 --> 00:53:29,839
Speaker 4: Beautiful song is so fucking no this is I mean,

1382
00:53:29,920 --> 00:53:32,480
Speaker 4: but we we give Puffins flowers all the time. Easily

1383
00:53:32,600 --> 00:53:34,480
Speaker 4: one of the greatest is is that we've ever had

1384
00:53:34,520 --> 00:53:37,120
Speaker 4: in music, one of the greatest producers we've ever had

1385
00:53:37,160 --> 00:53:41,479
Speaker 4: in music. But I just think that he really really

1386
00:53:41,600 --> 00:53:46,520
Speaker 4: lived this project, like he really lived it. You know,

1387
00:53:46,600 --> 00:53:50,399
Speaker 4: he took his time with every single record, and yeah,

1388
00:53:50,440 --> 00:53:52,239
Speaker 4: this is a great a great album. And I listened

1389
00:53:52,280 --> 00:53:54,960
Speaker 4: to this all weekend saying and I was just like

1390
00:53:55,080 --> 00:53:58,160
Speaker 4: amazed that, you know, he was still able to produce

1391
00:53:58,239 --> 00:54:00,480
Speaker 4: this type of R and B and you know, because

1392
00:54:01,440 --> 00:54:03,719
Speaker 4: you kind of fell victim to the times you're in.

1393
00:54:04,400 --> 00:54:06,160
Speaker 2: When you're creating, you try.

1394
00:54:06,080 --> 00:54:08,480
Speaker 4: To you know, please the people and what seems to

1395
00:54:08,520 --> 00:54:10,799
Speaker 4: be popular at the moment where people seem to want

1396
00:54:10,800 --> 00:54:11,320
Speaker 4: at the moment.

1397
00:54:13,000 --> 00:54:14,800
Speaker 2: I think puff did a great job and filling a

1398
00:54:14,880 --> 00:54:16,240
Speaker 2: void as far.

1399
00:54:16,120 --> 00:54:17,719
Speaker 1: As like just with R and B R and B

1400
00:54:17,800 --> 00:54:18,839
Speaker 1: compilation albums.

1401
00:54:18,640 --> 00:54:21,640
Speaker 4: Yeah, like he just kind of feel well, yeah, not

1402
00:54:21,760 --> 00:54:24,360
Speaker 4: the void, but like this was like this was like

1403
00:54:24,760 --> 00:54:27,640
Speaker 4: this felt like an old R and B album. Yeah,

1404
00:54:27,920 --> 00:54:30,040
Speaker 4: this felt like an album that came out in the

1405
00:54:30,120 --> 00:54:34,279
Speaker 4: late nineties. And again, man, I just I'm just this

1406
00:54:34,440 --> 00:54:36,239
Speaker 4: is what every artist should look at and when they're

1407
00:54:36,440 --> 00:54:39,840
Speaker 4: talking about creating an album. This is the epitome and

1408
00:54:39,880 --> 00:54:43,799
Speaker 4: the definition of an album. Now he has one one

1409
00:54:43,800 --> 00:54:45,719
Speaker 4: little skit near that he had that kind of was like,

1410
00:54:46,000 --> 00:54:50,080
Speaker 4: I said, Puff, I think he asked her something like

1411
00:54:51,120 --> 00:54:52,680
Speaker 4: like he actually, did you have.

1412
00:54:52,680 --> 00:54:53,319
Speaker 2: A man or something?

1413
00:54:53,640 --> 00:54:55,839
Speaker 4: Yeah, And he was like and she said, I don't

1414
00:54:55,880 --> 00:54:57,959
Speaker 4: know what she said, but she answered, He's like, good

1415
00:54:58,239 --> 00:54:59,680
Speaker 4: because things will go left real quick.

1416
00:55:00,239 --> 00:55:02,800
Speaker 2: Like I was like, wait, Buff, I like what she

1417
00:55:02,960 --> 00:55:04,960
Speaker 2: was which I thought it was hilarious.

1418
00:55:05,040 --> 00:55:07,560
Speaker 4: That wasn't her answer, Like, I was like, I don't

1419
00:55:07,560 --> 00:55:09,160
Speaker 4: know if Puff thought this shit was recording when he

1420
00:55:09,239 --> 00:55:11,200
Speaker 4: said that, Like he said, yeah, that's good.

1421
00:55:11,280 --> 00:55:13,200
Speaker 2: That's good because she could go left real quick. I

1422
00:55:13,320 --> 00:55:16,200
Speaker 2: was like, where is it gonna go? Like that was

1423
00:55:16,280 --> 00:55:17,200
Speaker 2: my only thing on the album.

1424
00:55:17,239 --> 00:55:19,360
Speaker 4: I was like, Okay, that was a little a little crazy,

1425
00:55:19,400 --> 00:55:22,920
Speaker 4: But overall, the Love album, great.

1426
00:55:22,719 --> 00:55:25,000
Speaker 2: Fucking album, great R and B, great songs.

1427
00:55:25,600 --> 00:55:27,480
Speaker 4: I'm pretty sure he's gonna do a great job with

1428
00:55:27,560 --> 00:55:30,080
Speaker 4: the visuals for some of these records as well.

1429
00:55:30,400 --> 00:55:33,319
Speaker 1: I was already a huge Jossi fan.

1430
00:55:34,120 --> 00:55:35,280
Speaker 2: She's the best kept secret.

1431
00:55:35,840 --> 00:55:36,200
Speaker 3: I think.

1432
00:55:36,719 --> 00:55:39,560
Speaker 1: I think Joszi has potential to be one of those ones.

1433
00:55:40,160 --> 00:55:44,800
Speaker 1: Oh no, she is right now. Her album my favorite

1434
00:55:44,880 --> 00:55:47,000
Speaker 1: new Like, I just want to see where her career

1435
00:55:47,080 --> 00:55:51,360
Speaker 1: goes because I think she's so talented. She shined on

1436
00:55:51,480 --> 00:55:54,719
Speaker 1: an album with a bunch of legends. Yeah, like that's

1437
00:55:54,800 --> 00:55:55,640
Speaker 1: hard her.

1438
00:55:55,800 --> 00:55:59,719
Speaker 4: I mean, her album, her pen She's she's incredible, She's

1439
00:56:00,080 --> 00:56:04,880
Speaker 4: JAZZI is just amazing and amazing talent. And I know Puff,

1440
00:56:05,920 --> 00:56:08,560
Speaker 4: she may be the reason why Puff got that that

1441
00:56:08,800 --> 00:56:12,399
Speaker 4: that you know, that love of really creating this type

1442
00:56:12,440 --> 00:56:13,920
Speaker 4: of R and B album. Again, I know Puff heard

1443
00:56:13,960 --> 00:56:16,799
Speaker 4: some of the ship she was writing and was like, damn,

1444
00:56:16,960 --> 00:56:19,600
Speaker 4: like you are an artist I would have had in

1445
00:56:19,680 --> 00:56:23,000
Speaker 4: the nineties for sure. So shout out to the Puff,

1446
00:56:23,000 --> 00:56:24,759
Speaker 4: Shout out to anybody that worked on the project, and

1447
00:56:24,840 --> 00:56:25,920
Speaker 4: there was a lot of people that did.

1448
00:56:26,320 --> 00:56:27,280
Speaker 1: Can I get my flowers?

1449
00:56:27,320 --> 00:56:27,480
Speaker 2: Though?

1450
00:56:27,520 --> 00:56:29,040
Speaker 1: On on my Weekend prediction.

1451
00:56:30,360 --> 00:56:33,480
Speaker 2: On the song with the Weekend, Oh my god.

1452
00:56:33,960 --> 00:56:35,680
Speaker 1: Fucking I told you the Weekend would just be on

1453
00:56:35,840 --> 00:56:38,520
Speaker 1: some sample that sucks they put for I don't mind

1454
00:56:38,560 --> 00:56:40,879
Speaker 1: Weekend if you're gonna put Weekend on a sample. Phil

1455
00:56:40,920 --> 00:56:43,000
Speaker 1: Collins drumms makes a lot of sense, especially with the sound.

1456
00:56:43,200 --> 00:56:45,400
Speaker 1: I just like, you know, I love French and I

1457
00:56:45,440 --> 00:56:47,160
Speaker 1: love twenty one, but you know.

1458
00:56:47,280 --> 00:56:49,080
Speaker 2: They should have just I didn't need I didn't need

1459
00:56:49,120 --> 00:56:49,400
Speaker 2: that was.

1460
00:56:49,440 --> 00:56:51,520
Speaker 1: That's that was literally my only critique of that entire album.

1461
00:56:51,560 --> 00:56:51,640
Speaker 10: Ya.

1462
00:56:51,680 --> 00:56:54,160
Speaker 2: I didn't need everything else on that song. I don't

1463
00:56:54,160 --> 00:56:56,840
Speaker 2: need the person on that. But the song is, the

1464
00:56:56,920 --> 00:56:57,400
Speaker 2: song is good.

1465
00:56:57,440 --> 00:56:59,839
Speaker 3: Though the weekend was good. The song can't listen through

1466
00:56:59,880 --> 00:57:00,439
Speaker 3: that a verse.

1467
00:57:01,080 --> 00:57:03,239
Speaker 4: Yeah, it was just it just it just sonically just

1468
00:57:03,280 --> 00:57:06,359
Speaker 4: didn't mesh well to me. And I'm nobody, but that's

1469
00:57:06,400 --> 00:57:08,879
Speaker 4: just my I'm a consumer, so that's just my point

1470
00:57:08,920 --> 00:57:12,080
Speaker 4: of view on it. But overall, great fucking album. Man,

1471
00:57:12,200 --> 00:57:13,920
Speaker 4: this is a really really great album. So shout out

1472
00:57:13,960 --> 00:57:18,160
Speaker 4: to Puff for creating another another masterpiece to his his legacy.

1473
00:57:19,320 --> 00:57:21,320
Speaker 1: And I do want to get back to R and

1474
00:57:21,400 --> 00:57:24,920
Speaker 1: B in a second with the Chris Brown, Tanase Tobacco,

1475
00:57:25,600 --> 00:57:28,439
Speaker 1: but I want to give a congrats and a thank

1476
00:57:28,480 --> 00:57:31,160
Speaker 1: you to hit Boy and NAS for giving us six

1477
00:57:31,240 --> 00:57:36,640
Speaker 1: albums in fucking like two years. Its Magic three my

1478
00:57:36,720 --> 00:57:37,960
Speaker 1: favorite out of all the Magics.

1479
00:57:40,280 --> 00:57:42,320
Speaker 2: I'm gonna go step further. I think this is the

1480
00:57:42,360 --> 00:57:43,160
Speaker 2: best album they did.

1481
00:57:44,120 --> 00:57:47,520
Speaker 1: King's Really two is probably my favorite as of now,

1482
00:57:49,120 --> 00:57:51,520
Speaker 1: but I don't know, Man, this Magic threeh is is

1483
00:57:51,640 --> 00:57:53,439
Speaker 1: different This Magic three.

1484
00:57:53,880 --> 00:57:56,280
Speaker 4: Uh, first of all, happy birthday Nas because this is

1485
00:57:56,320 --> 00:58:01,360
Speaker 4: what this album represents half a half a century. That's cool,

1486
00:58:02,200 --> 00:58:05,440
Speaker 4: And I just it's just dope to watch somebody that

1487
00:58:05,600 --> 00:58:09,120
Speaker 4: you grew up with that's now like fifty years old

1488
00:58:09,200 --> 00:58:12,320
Speaker 4: and still look as cool, still be as on top

1489
00:58:12,360 --> 00:58:13,880
Speaker 4: of his game as nase is. I think it's a

1490
00:58:14,040 --> 00:58:16,040
Speaker 4: It's a great example to all of us that getting

1491
00:58:16,120 --> 00:58:17,600
Speaker 4: older is cool and.

1492
00:58:17,760 --> 00:58:19,919
Speaker 1: A perfect example of how hip hop and age as well.

1493
00:58:19,960 --> 00:58:22,080
Speaker 4: How hip hop and age and you can still not

1494
00:58:22,280 --> 00:58:24,640
Speaker 4: lose your relevancy, you can still not lose your edge,

1495
00:58:24,640 --> 00:58:26,920
Speaker 4: you can still not lose your your craft.

1496
00:58:27,960 --> 00:58:29,480
Speaker 1: Some of the this is saying a lot of some

1497
00:58:29,560 --> 00:58:30,880
Speaker 1: of the best beats I've heard from Hip Hooy two

1498
00:58:30,960 --> 00:58:33,040
Speaker 1: or Magic three. No, this is he went this, He's

1499
00:58:33,040 --> 00:58:33,720
Speaker 1: getting better.

1500
00:58:33,760 --> 00:58:37,240
Speaker 4: This is this is my favorite album from them, The

1501
00:58:37,280 --> 00:58:39,680
Speaker 4: sixth that they did. To me, Magic three is the

1502
00:58:39,760 --> 00:58:43,960
Speaker 4: best album. It's just dope to see that just the

1503
00:58:44,040 --> 00:58:47,960
Speaker 4: bridge of, you know, the younger producer versus the legacy

1504
00:58:48,120 --> 00:58:50,800
Speaker 4: act of a rapper. What they were able to produce

1505
00:58:50,880 --> 00:58:54,240
Speaker 4: with these these six albums, and how the time period

1506
00:58:54,280 --> 00:58:57,840
Speaker 4: that they did it. None of these projects sound alike

1507
00:58:58,800 --> 00:59:01,640
Speaker 4: and it's literally the same two people you know, working

1508
00:59:01,680 --> 00:59:03,080
Speaker 4: the same producer, same artists.

1509
00:59:03,400 --> 00:59:05,680
Speaker 2: Yeah, it's just amazing what they can do. And this

1510
00:59:05,800 --> 00:59:10,200
Speaker 2: is why people Wayne sounds incredible, another great Wayne. Wayne.

1511
00:59:10,280 --> 00:59:11,880
Speaker 1: Verse's crazy that Wayne is still this good.

1512
00:59:12,040 --> 00:59:15,760
Speaker 4: But this is why people say the artists of today,

1513
00:59:17,400 --> 00:59:19,040
Speaker 4: you know, I know, the people like say, oh, they

1514
00:59:19,120 --> 00:59:20,200
Speaker 4: just hating on a younger generation.

1515
00:59:20,320 --> 00:59:20,520
Speaker 3: It's that.

1516
00:59:21,360 --> 00:59:22,439
Speaker 2: But here's here's an artist.

1517
00:59:22,440 --> 00:59:25,360
Speaker 4: Here's a rapper who's been in the game thirty years,

1518
00:59:27,120 --> 00:59:33,160
Speaker 4: maybe maybe a little longer than thirty years. He's still

1519
00:59:33,200 --> 00:59:37,320
Speaker 4: able to make an album that is better than any

1520
00:59:37,400 --> 00:59:39,200
Speaker 4: album any of these new guys have put out.

1521
00:59:40,560 --> 00:59:43,160
Speaker 1: I'm gonna sound like that that old guy now, but

1522
00:59:43,360 --> 00:59:46,200
Speaker 1: it's fucking proof. Look what Puff and Nas put out.

1523
00:59:46,720 --> 00:59:48,160
Speaker 2: Yeah I don't.

1524
00:59:48,360 --> 00:59:50,480
Speaker 1: I'm not the old guy that says, get off my lung.

1525
00:59:50,640 --> 00:59:54,680
Speaker 1: But like, look at the example of the difference between

1526
00:59:54,720 --> 00:59:58,840
Speaker 1: people that really take a craft seriously versus people that

1527
00:59:58,960 --> 01:00:02,040
Speaker 1: take it as a lick. Is most artists now, most

1528
01:00:02,160 --> 01:00:03,080
Speaker 1: artists now hustlings.

1529
01:00:03,520 --> 01:00:05,760
Speaker 2: They just but I'm not a.

1530
01:00:05,880 --> 01:00:09,400
Speaker 1: Fucking difference of Puff and Nads that are both fifty plus.

1531
01:00:10,840 --> 01:00:12,560
Speaker 2: And what they're able to produce and.

1532
01:00:12,640 --> 01:00:15,640
Speaker 1: Still make it sound relevant to this time with actual

1533
01:00:15,720 --> 01:00:19,720
Speaker 1: care and putting out actual music. Yeah, so I get it.

1534
01:00:19,760 --> 01:00:21,480
Speaker 1: I'll sound like the old hater, but I think this

1535
01:00:21,600 --> 01:00:24,720
Speaker 1: weekend was a perfect example of why some of us

1536
01:00:24,840 --> 01:00:25,760
Speaker 1: are old haters.

1537
01:00:25,960 --> 01:00:26,479
Speaker 3: Have a point.

1538
01:00:26,600 --> 01:00:29,280
Speaker 4: It's just a different level of taste and a different

1539
01:00:29,360 --> 01:00:32,520
Speaker 4: level of skill and care and care, pay attention to

1540
01:00:32,640 --> 01:00:35,680
Speaker 4: detail everything. Nas is one of those artists that you know,

1541
01:00:35,840 --> 01:00:38,000
Speaker 4: you could tell who pays attention to detail. You can

1542
01:00:38,040 --> 01:00:40,720
Speaker 4: tell which produces, pay attention to detail, which produces love

1543
01:00:40,760 --> 01:00:44,040
Speaker 4: what they're doing and have always dreamt of doing, Like

1544
01:00:44,160 --> 01:00:46,520
Speaker 4: you know that hit Boy has always dreamt of working

1545
01:00:46,560 --> 01:00:49,840
Speaker 4: with NOAs He's always had beats that he created where

1546
01:00:49,840 --> 01:00:51,560
Speaker 4: he was like, damn if I could get Nas on this,

1547
01:00:52,080 --> 01:00:54,920
Speaker 4: Because for them to produce this volume of work, not

1548
01:00:55,080 --> 01:00:58,440
Speaker 4: just the valume, but the quality at this level tells

1549
01:00:58,480 --> 01:01:00,520
Speaker 4: you that hit Boy has been waiting for this moment.

1550
01:01:00,760 --> 01:01:03,120
Speaker 4: He's been waiting for this moment to sit down and

1551
01:01:03,240 --> 01:01:06,320
Speaker 4: and and work on the album with a rapper like

1552
01:01:06,600 --> 01:01:07,680
Speaker 4: an artist like Nas and.

1553
01:01:07,760 --> 01:01:10,520
Speaker 1: Puff being able to put someone like a young Jazzi

1554
01:01:10,680 --> 01:01:13,800
Speaker 1: on this album. It's just you can just see who

1555
01:01:14,000 --> 01:01:16,840
Speaker 1: cares and who doesn't like it's just I was like,

1556
01:01:16,960 --> 01:01:20,080
Speaker 1: these aren't coming and going, No, this is music that's staying. Yeah,

1557
01:01:20,160 --> 01:01:22,480
Speaker 1: I can't say that about most of the new artists

1558
01:01:22,520 --> 01:01:24,040
Speaker 1: when they just put albums.

1559
01:01:24,320 --> 01:01:26,960
Speaker 4: It doesn't, it doesn't, it doesn't. You don't have no

1560
01:01:27,120 --> 01:01:29,760
Speaker 4: real attachment to the music. It's like, Okay, you listen

1561
01:01:29,800 --> 01:01:31,160
Speaker 4: to it just because you want to hear what's going on.

1562
01:01:31,280 --> 01:01:33,200
Speaker 2: But it doesn't. A lot of this stuff now doesn't

1563
01:01:33,240 --> 01:01:35,160
Speaker 2: sit with you. It doesn't stay with you. It's for

1564
01:01:35,280 --> 01:01:36,600
Speaker 2: the moment. It's like okay, cool.

1565
01:01:37,120 --> 01:01:38,800
Speaker 4: But that's just the difference, which, like you said, the

1566
01:01:38,880 --> 01:01:41,400
Speaker 4: artists like Puff and Nas, both of these gentlemen being

1567
01:01:41,480 --> 01:01:43,960
Speaker 4: fifty plus years old being in the game as long

1568
01:01:44,000 --> 01:01:45,640
Speaker 4: as they have been and still able to produce at

1569
01:01:45,680 --> 01:01:47,600
Speaker 4: this level is just amazing. And it's a it's a

1570
01:01:47,680 --> 01:01:49,720
Speaker 4: nod to just the culture of hip hop that we

1571
01:01:49,800 --> 01:01:52,760
Speaker 4: can't age gracefully and still be relevant and still be

1572
01:01:53,280 --> 01:01:54,160
Speaker 4: excellent in what we do.

1573
01:01:54,440 --> 01:02:03,160
Speaker 2: Yeah. No, for sure, some other shit happened with Chris Brown.

1574
01:02:03,480 --> 01:02:05,640
Speaker 4: I saw people, you know whenever you see Chris Brown

1575
01:02:05,680 --> 01:02:08,160
Speaker 4: trending and I'm like, oh shit, like what happened now?

1576
01:02:08,840 --> 01:02:11,920
Speaker 4: And I see Tanache had she did an interview somewhere

1577
01:02:12,000 --> 01:02:15,240
Speaker 4: and she spoke about regretting having songs with.

1578
01:02:17,400 --> 01:02:17,440
Speaker 9: R.

1579
01:02:17,560 --> 01:02:19,760
Speaker 2: Kelly and Chris Brown. Yeah.

1580
01:02:20,680 --> 01:02:25,840
Speaker 4: Now I've spoken on Chris Brown on here before. I've

1581
01:02:25,920 --> 01:02:29,560
Speaker 4: praised him for being a amazing talent and amazing artist.

1582
01:02:30,480 --> 01:02:32,400
Speaker 4: I've also said, you know, he's made mistakes when he

1583
01:02:32,520 --> 01:02:35,800
Speaker 4: was younger that you know, no man should make. Any

1584
01:02:35,840 --> 01:02:38,240
Speaker 4: man that puts his hands on women is a sucker.

1585
01:02:38,440 --> 01:02:41,000
Speaker 2: You're weak. There's no way, there's no two ways about that.

1586
01:02:41,120 --> 01:02:41,760
Speaker 2: That's just what it is.

1587
01:02:42,240 --> 01:02:45,120
Speaker 4: Now, when you're nineteen twenty years old and you make

1588
01:02:45,160 --> 01:02:48,640
Speaker 4: a mistake, is it fair to hold that person to

1589
01:02:48,800 --> 01:02:50,520
Speaker 4: that mistake for the rest of their lives?

1590
01:02:50,600 --> 01:02:52,439
Speaker 2: I guess depending on what the mistake.

1591
01:02:52,200 --> 01:02:55,480
Speaker 4: Is, how severe the mistake, what the behavior was after that,

1592
01:02:55,720 --> 01:02:58,800
Speaker 4: you pay attention to conduct and maturity and things like that.

1593
01:03:01,160 --> 01:03:04,040
Speaker 4: I know, aside from you know, the whole young situation,

1594
01:03:04,120 --> 01:03:07,000
Speaker 4: I think the marriage did put me onto He had

1595
01:03:07,000 --> 01:03:08,440
Speaker 4: a situation with Caruci as well.

1596
01:03:09,400 --> 01:03:11,360
Speaker 2: I didn't even think about that until the Mason too.

1597
01:03:12,560 --> 01:03:15,160
Speaker 4: So clearly this is somebody who has a history that

1598
01:03:15,320 --> 01:03:20,320
Speaker 4: has had some moments whereas moments of weakness, moments of immaturity,

1599
01:03:20,400 --> 01:03:23,640
Speaker 4: moments of you know, things that no man should ever do.

1600
01:03:25,800 --> 01:03:28,520
Speaker 4: But is it fair to keep holding that to his

1601
01:03:29,400 --> 01:03:31,040
Speaker 4: his name every time his name comes up?

1602
01:03:31,240 --> 01:03:34,280
Speaker 6: But nobody even brought that up. Though nobody said that

1603
01:03:34,520 --> 01:03:36,479
Speaker 6: outside of the like the fans to now, she didn't

1604
01:03:36,520 --> 01:03:39,680
Speaker 6: say that, say what. She didn't say that she was

1605
01:03:39,800 --> 01:03:41,920
Speaker 6: embarrassed to have done a song with Chris Brown. She

1606
01:03:41,920 --> 01:03:43,640
Speaker 6: said she was embarrassed to have done a song with R.

1607
01:03:43,760 --> 01:03:43,960
Speaker 3: Kelly.

1608
01:03:44,360 --> 01:03:47,720
Speaker 6: Her direct quote about the Chris song was, Chris was

1609
01:03:47,760 --> 01:03:50,240
Speaker 6: their biggest artist that they had on rhythmic radio at

1610
01:03:50,280 --> 01:03:51,920
Speaker 6: the time, and to me, I was like, well, this

1611
01:03:52,040 --> 01:03:53,600
Speaker 6: is a pop song, so I really don't feel like

1612
01:03:53,680 --> 01:03:55,840
Speaker 6: we should put Chris on it. That doesn't compute to me.

1613
01:03:56,520 --> 01:03:57,320
Speaker 6: That's what she said.

1614
01:03:57,720 --> 01:04:01,240
Speaker 7: Oh well, then fuck the headlines because then no, but

1615
01:04:01,360 --> 01:04:05,880
Speaker 7: she's saying she did. She was saying she didn't like

1616
01:04:06,040 --> 01:04:08,520
Speaker 7: she wasn't she's not happy that she worked with Chris.

1617
01:04:09,240 --> 01:04:10,880
Speaker 6: Yeah, because it didn't make sense her at the time.

1618
01:04:10,960 --> 01:04:12,880
Speaker 6: She never said because of any other reason for R.

1619
01:04:13,000 --> 01:04:15,760
Speaker 2: Kelly. Well okay, well, and maybe it got caught up

1620
01:04:15,800 --> 01:04:15,960
Speaker 2: in that.

1621
01:04:16,160 --> 01:04:18,080
Speaker 4: Maybe that was her reason and why she didn't work

1622
01:04:18,120 --> 01:04:19,960
Speaker 4: with him, but it got caught up like, oh I

1623
01:04:20,000 --> 01:04:22,880
Speaker 4: didn't work with I regret working with him because of

1624
01:04:23,040 --> 01:04:24,640
Speaker 4: his his past.

1625
01:04:24,800 --> 01:04:26,400
Speaker 2: I thought that's what that whole thing was.

1626
01:04:26,600 --> 01:04:30,479
Speaker 6: No, Chris Brown watched the headline and that a side

1627
01:04:30,760 --> 01:04:32,040
Speaker 6: because of a headline.

1628
01:04:31,720 --> 01:04:34,720
Speaker 4: That aside, how long how long do we crucify Chris

1629
01:04:34,800 --> 01:04:37,520
Speaker 4: Brown for the incident with Rihanna when he was I

1630
01:04:37,560 --> 01:04:40,800
Speaker 4: believe nineteen to twenty Nobody I don't know what I'm saying.

1631
01:04:40,840 --> 01:04:42,280
Speaker 2: If they are like, how long do we how long

1632
01:04:42,320 --> 01:04:42,960
Speaker 2: do we crucify?

1633
01:04:43,000 --> 01:04:43,280
Speaker 3: And for that?

1634
01:04:43,360 --> 01:04:46,520
Speaker 2: I don't think that goes away. Yeah, it's that.

1635
01:04:49,520 --> 01:04:52,280
Speaker 1: It shouldn't. I'm not saying people can't be forgiven or

1636
01:04:52,280 --> 01:04:54,600
Speaker 1: people can't change. I'm not saying that by any means.

1637
01:04:54,840 --> 01:04:55,919
Speaker 1: But it is always there.

1638
01:04:56,360 --> 01:04:59,080
Speaker 2: Yeah, that's one of those that's one there.

1639
01:04:59,160 --> 01:05:01,400
Speaker 4: It's just it's that's one of those things that no

1640
01:05:01,560 --> 01:05:04,800
Speaker 4: matter what happens, when you walk in the room, people

1641
01:05:04,800 --> 01:05:05,560
Speaker 4: are gonna think about that.

1642
01:05:05,680 --> 01:05:05,800
Speaker 10: Now.

1643
01:05:05,920 --> 01:05:10,520
Speaker 1: I do think because joy Or Lucas defended his guy

1644
01:05:10,760 --> 01:05:12,640
Speaker 1: and went on long rans and put himself into it,

1645
01:05:12,760 --> 01:05:15,560
Speaker 1: I don't even really particularly care to talk about that.

1646
01:05:15,760 --> 01:05:18,040
Speaker 1: But a point that he was saying I do kind

1647
01:05:18,080 --> 01:05:21,000
Speaker 1: of agree with, and I've been guilty on this podcast

1648
01:05:21,080 --> 01:05:24,479
Speaker 1: of doing it, like just bringing negativity to Chris Brown

1649
01:05:24,560 --> 01:05:26,840
Speaker 1: for no reason when he does pretty much just mind

1650
01:05:26,840 --> 01:05:29,960
Speaker 1: his fucking business. At this point, Chris rarely throws himself

1651
01:05:30,000 --> 01:05:32,560
Speaker 1: into stuff, yeah, that I'm aware of. I'm sure you

1652
01:05:32,560 --> 01:05:34,040
Speaker 1: guys will be on Twitter. You'll show me a bunch

1653
01:05:34,040 --> 01:05:37,760
Speaker 1: of stuff that I'm not aware of. But people do

1654
01:05:37,960 --> 01:05:39,600
Speaker 1: just kind of put a lot of negativity on Chris

1655
01:05:39,640 --> 01:05:41,040
Speaker 1: Brown when he does mind his business.

1656
01:05:41,960 --> 01:05:46,840
Speaker 4: It's interesting only because like Adam Nowhere, like, we know

1657
01:05:46,960 --> 01:05:50,760
Speaker 4: what happened, and just like we know, everybody else knows,

1658
01:05:51,120 --> 01:05:52,960
Speaker 4: and it's amazing to see an artist like Chris Brown

1659
01:05:53,000 --> 01:05:55,160
Speaker 4: still continue to tour and sell out these arenas where

1660
01:05:55,160 --> 01:05:56,960
Speaker 4: people feel to them that they all know what happened

1661
01:05:56,960 --> 01:05:57,280
Speaker 4: as well.

1662
01:05:57,840 --> 01:05:59,760
Speaker 2: So is it a thing like when people are like, Okay,

1663
01:06:00,400 --> 01:06:03,880
Speaker 2: we know what happened, but he was young.

1664
01:06:04,960 --> 01:06:07,800
Speaker 4: We forget we forgave him for that, because obviously we're

1665
01:06:07,800 --> 01:06:09,800
Speaker 4: still supporting them if we're in the arena buying tickets

1666
01:06:09,840 --> 01:06:11,920
Speaker 4: to his show, which means we still support him. We

1667
01:06:12,040 --> 01:06:14,800
Speaker 4: remember what he did, we didn't forget about that. But

1668
01:06:14,920 --> 01:06:17,360
Speaker 4: it does get to a point where it's like this

1669
01:06:17,520 --> 01:06:20,840
Speaker 4: person made a mistake when they were a teenager, in

1670
01:06:20,920 --> 01:06:26,200
Speaker 4: nineteen twenty whatever, and we'll never forget it, but can we.

1671
01:06:26,280 --> 01:06:26,880
Speaker 2: Move past it?

1672
01:06:27,080 --> 01:06:29,080
Speaker 1: I can see separating music from a person. It's that

1673
01:06:29,200 --> 01:06:33,040
Speaker 1: it's not your business. You could just like entertainment working

1674
01:06:33,080 --> 01:06:35,040
Speaker 1: with someone. Now you're working with them, it's different.

1675
01:06:35,120 --> 01:06:36,720
Speaker 2: Let me tell you, I don't know if anybody's ever

1676
01:06:36,800 --> 01:06:38,960
Speaker 2: doing that when I was after this. Don't all of them.

1677
01:06:39,040 --> 01:06:42,160
Speaker 6: Let me tell you how many the Black Aunties baby

1678
01:06:43,040 --> 01:06:45,520
Speaker 6: still fuck with R Kelly. They blame the girls, they

1679
01:06:45,600 --> 01:06:48,360
Speaker 6: blame the parents. I know so many. My little sister

1680
01:06:48,440 --> 01:06:50,040
Speaker 6: blasts R Kelly every day. It is that I'm never

1681
01:06:50,080 --> 01:06:52,400
Speaker 6: stopped playing R Kelly like the dead ass.

1682
01:06:52,640 --> 01:06:54,600
Speaker 2: Well we know that, we know that, but we know

1683
01:06:54,680 --> 01:06:57,000
Speaker 2: that selective politician is a thing.

1684
01:06:57,120 --> 01:06:58,640
Speaker 4: People are going to feel a way about who they

1685
01:06:58,640 --> 01:07:00,520
Speaker 4: feel a way about, depending on how to feel about

1686
01:07:00,520 --> 01:07:01,440
Speaker 4: that person exactly.

1687
01:07:01,520 --> 01:07:02,280
Speaker 3: So that's what you think.

1688
01:07:02,400 --> 01:07:04,400
Speaker 6: I don't think people could separate the artists him, Yes,

1689
01:07:04,520 --> 01:07:05,280
Speaker 6: the fun they can't.

1690
01:07:05,360 --> 01:07:07,520
Speaker 2: I just think all Kelly would have a different type

1691
01:07:07,560 --> 01:07:07,920
Speaker 2: of time.

1692
01:07:08,000 --> 01:07:10,520
Speaker 1: Did you watch the Survivingal R Kelly dot Did you

1693
01:07:10,520 --> 01:07:12,320
Speaker 1: see the footage of when he was going into court.

1694
01:07:12,560 --> 01:07:14,920
Speaker 1: All those people that were outside were not protesting. They

1695
01:07:14,960 --> 01:07:18,760
Speaker 1: were supporting. Yeah, they were there to support Robert Kelly.

1696
01:07:19,360 --> 01:07:21,560
Speaker 2: Listen, I understand.

1697
01:07:21,720 --> 01:07:24,600
Speaker 4: I know that there's people that you know, they will

1698
01:07:24,720 --> 01:07:27,680
Speaker 4: actively support people that have been found guilty of doing

1699
01:07:27,760 --> 01:07:31,000
Speaker 4: some crazy I mean the fucking Ted Mundy thing. Women

1700
01:07:31,000 --> 01:07:34,160
Speaker 4: would actively writing him letters but Ted so handies and

1701
01:07:34,200 --> 01:07:35,800
Speaker 4: shit like that. It's like, okay, you know he killed.

1702
01:07:35,760 --> 01:07:36,360
Speaker 3: A lady killer.

1703
01:07:36,560 --> 01:07:39,720
Speaker 4: Yeah, like he's like, you're still sitting him panties and

1704
01:07:39,800 --> 01:07:42,400
Speaker 4: and pictures. So we know that people will, you know,

1705
01:07:43,280 --> 01:07:46,440
Speaker 4: they'll stand on the side depending on how much they

1706
01:07:46,600 --> 01:07:49,200
Speaker 4: like a person or you know, how they feel about it.

1707
01:07:49,400 --> 01:07:52,640
Speaker 4: I just me personally, I think that all Kelly would

1708
01:07:53,360 --> 01:07:55,320
Speaker 4: They would never he would never be performing on any

1709
01:07:55,360 --> 01:07:56,560
Speaker 4: award show again, no.

1710
01:07:56,640 --> 01:07:58,920
Speaker 3: Of course, not no, not those levels of things. But

1711
01:07:59,000 --> 01:07:59,400
Speaker 3: he could do.

1712
01:07:59,760 --> 01:08:00,440
Speaker 6: And here's the thing.

1713
01:08:00,640 --> 01:08:02,680
Speaker 1: I can see a world imagine r Kelly gets out,

1714
01:08:02,720 --> 01:08:04,600
Speaker 1: which is never gonna happen, and he wanted to do

1715
01:08:04,680 --> 01:08:07,320
Speaker 1: it to her. I can see the garden being like no,

1716
01:08:07,960 --> 01:08:11,360
Speaker 1: but he could sell out the garden if the Garden

1717
01:08:11,440 --> 01:08:15,960
Speaker 1: allowed him to perform there for sure, like without a question,

1718
01:08:17,320 --> 01:08:18,400
Speaker 1: he could do a couple of nights.

1719
01:08:18,520 --> 01:08:20,240
Speaker 2: This is a sick world we live in, ain't it.

1720
01:08:21,360 --> 01:08:23,400
Speaker 4: Like because he should really be thrown away to the

1721
01:08:23,479 --> 01:08:24,200
Speaker 4: fucking lions.

1722
01:08:24,240 --> 01:08:26,120
Speaker 2: But I gree he never heard from him again.

1723
01:08:26,760 --> 01:08:28,320
Speaker 4: The fact that we could sit here and say, yo,

1724
01:08:28,880 --> 01:08:30,479
Speaker 4: he could still sell out the Garden if the Garden

1725
01:08:30,479 --> 01:08:31,400
Speaker 4: would let him have the date.

1726
01:08:32,120 --> 01:08:33,240
Speaker 2: Yeah, that's insane.

1727
01:08:33,760 --> 01:08:35,679
Speaker 1: People are selling out a couple insane.

1728
01:08:36,040 --> 01:08:36,839
Speaker 2: That's insane.

1729
01:08:36,880 --> 01:08:40,880
Speaker 1: He could do the Barclays MSG shit Barclays for one week,

1730
01:08:41,080 --> 01:08:41,760
Speaker 1: MSG the other.

1731
01:08:43,280 --> 01:08:44,639
Speaker 2: He got the catalog for it, for sure.

1732
01:08:45,320 --> 01:08:48,799
Speaker 1: Fat they are showing up in a bundle for fucking

1733
01:08:49,040 --> 01:08:50,280
Speaker 1: r Kelly, Like so yeah.

1734
01:08:50,160 --> 01:08:53,000
Speaker 4: So this whole Chris Brown thing, obviously we we know

1735
01:08:53,120 --> 01:08:55,840
Speaker 4: that people will select and choose who they support and

1736
01:08:55,880 --> 01:08:58,080
Speaker 4: who they don't support, no matter what they do.

1737
01:08:58,439 --> 01:09:01,479
Speaker 1: He was on stage into ten thousand people who wants

1738
01:09:01,520 --> 01:09:03,439
Speaker 1: to come back to America with Robert and they all

1739
01:09:03,479 --> 01:09:09,400
Speaker 1: said me recently, right before he went to jail, they

1740
01:09:09,479 --> 01:09:10,719
Speaker 1: all said, I want to come back.

1741
01:09:10,560 --> 01:09:13,920
Speaker 4: With Now You're right, it's you know, and that's where

1742
01:09:13,920 --> 01:09:15,519
Speaker 4: it's fucked up for people like me that are so

1743
01:09:15,720 --> 01:09:17,720
Speaker 4: like hard ass stand on shit like where it's like

1744
01:09:18,320 --> 01:09:23,000
Speaker 4: I'm not fucking with that, because you'll find yourself standing

1745
01:09:23,080 --> 01:09:25,960
Speaker 4: on something like what he did not fuck him and

1746
01:09:26,040 --> 01:09:27,799
Speaker 4: then you be the only one at the fuck him party.

1747
01:09:28,800 --> 01:09:30,000
Speaker 2: And then you're like, Yo, do y'all know what this

1748
01:09:30,120 --> 01:09:32,439
Speaker 2: dude like? Now I'm the hater.

1749
01:09:33,280 --> 01:09:35,599
Speaker 4: Now I'm a nigga that's still trying to rehash old shit,

1750
01:09:35,680 --> 01:09:38,200
Speaker 4: bringsh it up. It's like, yo, but this person did

1751
01:09:38,280 --> 01:09:41,599
Speaker 4: something that if anybody did that to one of our relatives,

1752
01:09:41,600 --> 01:09:43,439
Speaker 4: it'll be like, yo, we might kill him when you see.

1753
01:09:43,320 --> 01:09:46,560
Speaker 1: Him, and you know what's fucked up. And I know

1754
01:09:46,640 --> 01:09:48,720
Speaker 1: a lot of people would be scared in the music

1755
01:09:48,760 --> 01:09:52,960
Speaker 1: industry to have this conversation that Chris Brown stain. When

1756
01:09:52,960 --> 01:09:55,519
Speaker 1: people have that stance, it's only because we know about it.

1757
01:09:56,080 --> 01:09:58,600
Speaker 1: Behind the scenes. There are plenty of fucking rappers and

1758
01:09:58,640 --> 01:10:01,040
Speaker 1: singers that we know, oh yeah, not saying I hang

1759
01:10:01,040 --> 01:10:02,800
Speaker 1: out or fun with him, that we know that have

1760
01:10:02,880 --> 01:10:05,280
Speaker 1: beat women and mad people fuck with them because no

1761
01:10:05,360 --> 01:10:08,240
Speaker 1: one knows, because the public doesn't know. There's also and

1762
01:10:08,479 --> 01:10:10,160
Speaker 1: they will they will say like, Okay, I can't fuck

1763
01:10:10,160 --> 01:10:12,519
Speaker 1: with Chris Brown, but bro, you know your man's has

1764
01:10:12,600 --> 01:10:15,000
Speaker 1: hit that girl. But because the world doesn't know.

1765
01:10:15,040 --> 01:10:17,320
Speaker 2: It's selective.

1766
01:10:17,960 --> 01:10:20,639
Speaker 7: But not only that, like there is obviously the bigger

1767
01:10:20,720 --> 01:10:24,120
Speaker 7: the artists, the more successful you are the people want

1768
01:10:24,160 --> 01:10:26,680
Speaker 7: to target those people like it's if we find out

1769
01:10:26,720 --> 01:10:28,920
Speaker 7: about this that you do that, let's get them. It's

1770
01:10:28,960 --> 01:10:31,439
Speaker 7: like the hard mentality and not to say he's a

1771
01:10:31,479 --> 01:10:35,320
Speaker 7: smaller artist, but Uzi it is girl, And that was

1772
01:10:35,400 --> 01:10:36,400
Speaker 7: like a weak topic.

1773
01:10:36,479 --> 01:10:37,880
Speaker 3: People are like was it a week?

1774
01:10:37,920 --> 01:10:39,280
Speaker 7: It was a day, you know what I'm saying, Like

1775
01:10:39,360 --> 01:10:42,439
Speaker 7: there was like but I'm but if Uzi was, say

1776
01:10:42,680 --> 01:10:45,840
Speaker 7: an artist to the level of Chris, I think, well.

1777
01:10:45,760 --> 01:10:47,920
Speaker 1: You said that, that was that was the first name

1778
01:10:47,960 --> 01:10:48,800
Speaker 1: that was in my head that.

1779
01:10:49,200 --> 01:10:51,160
Speaker 3: Yeah, like first, all these dudes.

1780
01:10:53,560 --> 01:10:56,439
Speaker 7: Fucking like, there's so many, all these dudes, and but yeah,

1781
01:10:56,439 --> 01:10:58,599
Speaker 7: you're right behind closed doors, are beating the ship out

1782
01:10:58,600 --> 01:10:59,040
Speaker 7: of these women.

1783
01:10:59,439 --> 01:11:02,639
Speaker 1: Just and matter of fact that all the the label

1784
01:11:02,680 --> 01:11:05,799
Speaker 1: people that post black squares and that they're all amazing,

1785
01:11:05,880 --> 01:11:08,360
Speaker 1: they're the ones behind the scenes trying to make sure

1786
01:11:08,400 --> 01:11:09,880
Speaker 1: we forget that those things happen.

1787
01:11:09,960 --> 01:11:12,080
Speaker 3: They throw away all those court cases.

1788
01:11:12,160 --> 01:11:15,880
Speaker 4: Yeah, but again it's fucked up because on one hand,

1789
01:11:15,920 --> 01:11:18,760
Speaker 4: you got people that don't play that shit at all.

1790
01:11:19,200 --> 01:11:21,280
Speaker 2: That's like, I'm not fucking with this person, you know

1791
01:11:21,320 --> 01:11:21,720
Speaker 2: what I'm saying.

1792
01:11:21,760 --> 01:11:23,759
Speaker 4: And then it's like, but when you are that person,

1793
01:11:24,680 --> 01:11:27,240
Speaker 4: people basically isolate themselves from you now and you like

1794
01:11:27,320 --> 01:11:31,080
Speaker 4: the outcast. Yeah, everybody's continuously fucking with this dude that

1795
01:11:31,160 --> 01:11:34,639
Speaker 4: there's some crazy, horrendous shit to somebody, and you're looking

1796
01:11:34,680 --> 01:11:37,880
Speaker 4: at anybody like yo, wait, so y'all everybody's fucking with him.

1797
01:11:37,920 --> 01:11:40,280
Speaker 4: So now again, it's just it's just crazy how things

1798
01:11:40,400 --> 01:11:41,880
Speaker 4: just turn and then now all of a sudden you

1799
01:11:41,960 --> 01:11:43,200
Speaker 4: looked at as the fucking ah.

1800
01:11:43,640 --> 01:11:47,679
Speaker 1: I'll go a step further. It's it's tough to even

1801
01:11:48,520 --> 01:11:51,800
Speaker 1: be in the music industry with morals and standards. I'm

1802
01:11:51,800 --> 01:11:55,919
Speaker 1: not even talking business wise, talking just straight morals because

1803
01:11:56,200 --> 01:11:59,040
Speaker 1: artists are very difficult people. I'm not excusing their mistakes,

1804
01:11:59,080 --> 01:12:06,160
Speaker 1: but drugs and artist's brain tends to lend itself for

1805
01:12:06,560 --> 01:12:11,320
Speaker 1: violence against women, insane mistakes. And to work in the

1806
01:12:11,400 --> 01:12:14,000
Speaker 1: music industry, you have to deal with artists. So you

1807
01:12:14,160 --> 01:12:16,599
Speaker 1: have to how do you even work in it if

1808
01:12:16,680 --> 01:12:19,519
Speaker 1: you have that extreme stand If I have a roster

1809
01:12:20,360 --> 01:12:24,120
Speaker 1: of artists, there's a high percentage just based off history,

1810
01:12:24,920 --> 01:12:28,080
Speaker 1: that eighty five percent of these people will make a

1811
01:12:28,200 --> 01:12:30,080
Speaker 1: mistake that is kind of unforgivable.

1812
01:12:30,439 --> 01:12:32,439
Speaker 2: M Yeah, I try.

1813
01:12:32,479 --> 01:12:34,800
Speaker 1: So you can't like you can't like you can't work

1814
01:12:34,840 --> 01:12:38,600
Speaker 1: in the music And that's when I watch some of

1815
01:12:38,720 --> 01:12:41,280
Speaker 1: these like label execs and people like try to act

1816
01:12:41,360 --> 01:12:44,519
Speaker 1: like they're these high morals. I'm like, how you can't

1817
01:12:44,560 --> 01:12:45,559
Speaker 1: you work in the music industry.

1818
01:12:45,640 --> 01:12:46,200
Speaker 2: That's what I said.

1819
01:12:46,240 --> 01:12:49,599
Speaker 4: It all depends on the person. It depends on people

1820
01:12:49,640 --> 01:12:52,560
Speaker 4: will select and choose, and then some people just have like, no,

1821
01:12:52,680 --> 01:12:54,400
Speaker 4: this applies to any and everybody.

1822
01:12:54,800 --> 01:12:56,760
Speaker 2: I don't fuck with this. I'm not cool with that.

1823
01:12:57,439 --> 01:12:59,760
Speaker 4: So if anybody else is on any any side of

1824
01:12:59,760 --> 01:13:01,439
Speaker 4: the fen with that, I'm not one of those people.

1825
01:13:01,479 --> 01:13:03,400
Speaker 4: I'm not gonna pick and choose because oh, he or

1826
01:13:03,479 --> 01:13:05,840
Speaker 4: she is successful and they have money, so yeah, fuck it.

1827
01:13:05,920 --> 01:13:07,320
Speaker 2: I know they did that, but fuck it, I'm still

1828
01:13:07,360 --> 01:13:09,840
Speaker 2: cool with them. No wrong is wrong all the way.

1829
01:13:09,760 --> 01:13:10,439
Speaker 3: Across the board.

1830
01:13:11,120 --> 01:13:14,400
Speaker 1: And I mean, I'm not gonna shoot bail to record

1831
01:13:14,439 --> 01:13:17,800
Speaker 1: execs and people that work in the music industry based

1832
01:13:17,800 --> 01:13:21,240
Speaker 1: off what I said. But it also sucks that some

1833
01:13:21,360 --> 01:13:23,919
Speaker 1: guy that works a regular job also probably has coworkers

1834
01:13:24,000 --> 01:13:26,360
Speaker 1: that have done heinous and disgusting things and has to

1835
01:13:26,400 --> 01:13:29,120
Speaker 1: work with them. It just sucks that music gets the

1836
01:13:29,200 --> 01:13:31,600
Speaker 1: most attention and the most fame, and you have to

1837
01:13:31,760 --> 01:13:34,840
Speaker 1: have a more public moral standing when you're in the light.

1838
01:13:35,520 --> 01:13:38,680
Speaker 1: But every day somebody goes to a fucking factory to

1839
01:13:38,760 --> 01:13:41,639
Speaker 1: work and it works with seven people that probably beat

1840
01:13:41,680 --> 01:13:44,400
Speaker 1: up their wife, But we don't look at them as

1841
01:13:44,479 --> 01:13:47,000
Speaker 1: like a terrible human being because they're working with them.

1842
01:13:47,000 --> 01:13:49,439
Speaker 1: They have a fucking job to do and it is

1843
01:13:49,479 --> 01:13:53,120
Speaker 1: what it is. But we just expect more from the

1844
01:13:53,320 --> 01:13:58,280
Speaker 1: entertainment world, not excusing anyone of anything, but that also

1845
01:13:58,439 --> 01:14:01,519
Speaker 1: sucks that the record exect has to feel like they

1846
01:14:01,600 --> 01:14:05,160
Speaker 1: have some moral high ground when the guy that works

1847
01:14:05,200 --> 01:14:07,839
Speaker 1: at a fucking ad agency probably works with a coked

1848
01:14:07,920 --> 01:14:09,120
Speaker 1: that that just hit a woman.

1849
01:14:09,600 --> 01:14:12,000
Speaker 7: Yeah, but when you assume the role of a public

1850
01:14:12,280 --> 01:14:15,439
Speaker 7: persona in the music space, that is like, as an artist,

1851
01:14:15,640 --> 01:14:21,400
Speaker 7: you're assuming a personality that's reflective and can influence people.

1852
01:14:21,680 --> 01:14:22,720
Speaker 3: I'm not saying. I'm not saying.

1853
01:14:22,760 --> 01:14:24,160
Speaker 7: It's like if you're hitting a girl, if you're doing

1854
01:14:24,160 --> 01:14:25,960
Speaker 7: all the drugs, all that shit, it's all bad across

1855
01:14:26,000 --> 01:14:28,200
Speaker 7: the board. But the guy that's doing that on Wall

1856
01:14:28,240 --> 01:14:32,040
Speaker 7: Street isn't also touring the country and yeah, crowd facing,

1857
01:14:32,200 --> 01:14:36,000
Speaker 7: he's doing the office shit, going home behind yeah, the

1858
01:14:36,040 --> 01:14:37,320
Speaker 7: behind closed doors kind of shit.

1859
01:14:37,560 --> 01:14:41,320
Speaker 1: But we're the only ones that in hip hop and

1860
01:14:41,520 --> 01:14:45,240
Speaker 1: R and B that have think that the label guys

1861
01:14:45,400 --> 01:14:49,840
Speaker 1: should should be forward facing. They're behind the scenes. We

1862
01:14:50,080 --> 01:14:52,160
Speaker 1: just some for some reason I don't know is when

1863
01:14:52,800 --> 01:14:55,280
Speaker 1: Puff started dancing all in the videos. But like that's

1864
01:14:55,520 --> 01:14:58,320
Speaker 1: just strictly a hip hop thing. Nowhere else in the

1865
01:14:58,360 --> 01:15:03,000
Speaker 1: world does the executives and the workers behind the scene

1866
01:15:03,479 --> 01:15:06,920
Speaker 1: have any notoriety or even want to be heard from

1867
01:15:07,120 --> 01:15:12,320
Speaker 1: from the public. Like one of the biggest rock execs

1868
01:15:13,320 --> 01:15:15,640
Speaker 1: is now the biggest hip hopic, Jimmy Iveen. Like, I

1869
01:15:15,760 --> 01:15:20,360
Speaker 1: can't really think outside of a few names, who like

1870
01:15:20,640 --> 01:15:22,519
Speaker 1: who's the A and R at a rock label that's

1871
01:15:22,560 --> 01:15:28,320
Speaker 1: like famous, that doesn't happen. So we did that. So no,

1872
01:15:28,479 --> 01:15:30,960
Speaker 1: they didn't sign up to be forward facing.

1873
01:15:31,360 --> 01:15:32,080
Speaker 3: We just but there.

1874
01:15:32,320 --> 01:15:32,920
Speaker 1: We just made that.

1875
01:15:33,320 --> 01:15:35,160
Speaker 7: Yeah, but there's value in that. I don't think it's

1876
01:15:35,439 --> 01:15:38,000
Speaker 7: I think it. Yeah, I get it, you're not the artist.

1877
01:15:38,080 --> 01:15:43,520
Speaker 7: But I think there's value in people becoming personalities independent

1878
01:15:43,600 --> 01:15:44,439
Speaker 7: of the art.

1879
01:15:44,560 --> 01:15:47,600
Speaker 1: Like Strength much as a great example of someone that

1880
01:15:47,800 --> 01:15:49,879
Speaker 1: I think should be forward facing. I love his opinions,

1881
01:15:50,200 --> 01:15:53,439
Speaker 1: an extremely intelligent guy that can offer a lot to

1882
01:15:53,560 --> 01:15:56,439
Speaker 1: the public as far as what the industry is doing.

1883
01:15:56,960 --> 01:16:00,599
Speaker 1: I cannot name a punch in any other genre of music,

1884
01:16:00,920 --> 01:16:04,840
Speaker 1: any other genre of entertainment that just doesn't exist. I

1885
01:16:04,880 --> 01:16:06,640
Speaker 1: don't know who the K pop punches.

1886
01:16:09,360 --> 01:16:10,559
Speaker 2: With Sean K pop man.

1887
01:16:11,200 --> 01:16:14,120
Speaker 7: Scooter Braun, but not for reasons that he wants to

1888
01:16:14,240 --> 01:16:16,320
Speaker 7: be Like, I feel like every time his name gets

1889
01:16:16,360 --> 01:16:18,680
Speaker 7: brought up, it's obviously for a negative thing.

1890
01:16:19,160 --> 01:16:22,040
Speaker 1: But that was because Justin Bieber bled so far into

1891
01:16:22,080 --> 01:16:25,519
Speaker 1: the hip hop world and he started with j D

1892
01:16:25,600 --> 01:16:29,320
Speaker 1: as a party promoter. I mean, yeah, I mean, I guess,

1893
01:16:29,400 --> 01:16:31,120
Speaker 1: but like Scooter Bron, whether we like it or not,

1894
01:16:31,160 --> 01:16:33,800
Speaker 1: is hip hop. But I'm yeah, but with the Taylor

1895
01:16:33,800 --> 01:16:35,680
Speaker 1: Swift and Arianna side of things as well. I'm just

1896
01:16:35,680 --> 01:16:37,400
Speaker 1: saying his name only gets brought up when it's on

1897
01:16:37,439 --> 01:16:42,880
Speaker 1: some negative shit, like the way even I mean since yeah,

1898
01:16:42,920 --> 01:16:44,519
Speaker 1: I guess, there was like that period where he was

1899
01:16:44,560 --> 01:16:46,479
Speaker 1: looked at as like the guy yeah cool for a

1900
01:16:46,520 --> 01:16:46,920
Speaker 1: long time.

1901
01:16:47,040 --> 01:16:48,639
Speaker 3: Yeah, Scooter, Yeah, yeah, you're right.

1902
01:16:49,080 --> 01:16:50,920
Speaker 1: I don't even think Scooters looked at that bad right now.

1903
01:16:51,160 --> 01:16:52,160
Speaker 3: He's not. He's not.

1904
01:16:52,280 --> 01:16:54,559
Speaker 2: I mean when people see him, they kind of know, like, oh,

1905
01:16:55,160 --> 01:16:57,639
Speaker 2: this tailor, tailor thinks you're a piece of shit.

1906
01:16:57,720 --> 01:16:59,840
Speaker 4: Yeah, like just because she's one of the biggest artists

1907
01:16:59,840 --> 01:17:02,360
Speaker 4: in world, and they know how she feels about them.

1908
01:17:02,360 --> 01:17:05,280
Speaker 2: But other than that, I think it's still the same.

1909
01:17:05,439 --> 01:17:05,599
Speaker 3: Yeah.

1910
01:17:05,600 --> 01:17:07,960
Speaker 1: I don't know how we got on that long tangent,

1911
01:17:08,040 --> 01:17:10,840
Speaker 1: but I enjoyed the conversation. Speaking of music before we

1912
01:17:10,840 --> 01:17:13,960
Speaker 1: get to Voicemails, one of my favorite new music Fridays.

1913
01:17:14,720 --> 01:17:17,040
Speaker 1: I was overwhelmed and so happy that I was overwhelmed

1914
01:17:17,080 --> 01:17:18,080
Speaker 1: that I didn't know what to listen to.

1915
01:17:18,840 --> 01:17:19,120
Speaker 3: First.

1916
01:17:19,479 --> 01:17:23,320
Speaker 1: Kleio Soul's album Heaven is incredible, Terrace Martin Alex Eisley

1917
01:17:23,320 --> 01:17:25,880
Speaker 1: put out a single that's incredible. Onm Brey put out

1918
01:17:25,920 --> 01:17:29,400
Speaker 1: a great record. Butgit Jordan's back like Dojah Cat did

1919
01:17:29,439 --> 01:17:32,000
Speaker 1: her Westside Gun song that I think is great. It

1920
01:17:32,520 --> 01:17:33,960
Speaker 1: was just a great new music Friday.

1921
01:17:34,200 --> 01:17:35,479
Speaker 2: A lot of good music come out. Is that like

1922
01:17:35,520 --> 01:17:40,360
Speaker 2: a quarter thing? M saved the best for the fourth quarter.

1923
01:17:40,800 --> 01:17:42,760
Speaker 1: It used to be remember like when everyone to wait

1924
01:17:42,800 --> 01:17:43,200
Speaker 1: for Christmas.

1925
01:17:43,280 --> 01:17:44,320
Speaker 2: Yeah, what I'm saying is it is it?

1926
01:17:44,560 --> 01:17:44,920
Speaker 1: Is it back?

1927
01:17:45,120 --> 01:17:46,000
Speaker 2: Yeah? Is it back?

1928
01:17:46,280 --> 01:17:46,639
Speaker 1: Probably?

1929
01:17:46,800 --> 01:17:48,799
Speaker 6: It's technically not the fourth quarter yet though.

1930
01:17:48,880 --> 01:17:51,720
Speaker 1: But these releases that were all the people that put

1931
01:17:51,720 --> 01:17:54,439
Speaker 1: out singles are pretty much gonna come out in the

1932
01:17:54,439 --> 01:17:57,439
Speaker 1: fourth quarter. I consider October the fourth quarter.

1933
01:17:57,439 --> 01:18:02,400
Speaker 2: I no, absolutely it is. Yeah, yeah, September's the fourth quarter.

1934
01:18:02,760 --> 01:18:06,720
Speaker 7: The calendar, the label calendars aren't traditional, like yeah, they're

1935
01:18:06,800 --> 01:18:08,360
Speaker 7: they're they're a little staggered.

1936
01:18:08,400 --> 01:18:08,760
Speaker 3: It's weird.

1937
01:18:08,840 --> 01:18:10,800
Speaker 2: It is the fourth quarter, and this is the fourth quarter.

1938
01:18:11,040 --> 01:18:13,120
Speaker 4: A lot of good music, a lot of good singles, uh,

1939
01:18:13,320 --> 01:18:18,559
Speaker 4: a lot of good artists dropping right now. And Jonathan

1940
01:18:18,600 --> 01:18:20,120
Speaker 4: Majors is doing his best.

1941
01:18:20,360 --> 01:18:23,639
Speaker 2: Cleaning up the streets, cleaning, cleaning up the streets, cleaning

1942
01:18:23,720 --> 01:18:24,479
Speaker 2: up his rap sheet.

1943
01:18:24,600 --> 01:18:28,760
Speaker 1: Only Jonathan Majors can dead the offset in Kenny Beef.

1944
01:18:30,080 --> 01:18:33,720
Speaker 4: Yeah, this was like the most random. We thought that

1945
01:18:33,960 --> 01:18:37,240
Speaker 4: uh years ago, remember when a chance to rap and

1946
01:18:37,320 --> 01:18:40,160
Speaker 4: saved that guy from a burning car. Yes, we thought

1947
01:18:40,200 --> 01:18:43,680
Speaker 4: that was random, seeing Jonathan Majors, who is you know,

1948
01:18:44,000 --> 01:18:47,240
Speaker 4: the villain and Creed three just pop out of nowhere

1949
01:18:47,479 --> 01:18:50,320
Speaker 4: and just break up a fight between.

1950
01:18:50,040 --> 01:18:50,720
Speaker 1: Wearing that hat.

1951
01:18:51,400 --> 01:18:53,479
Speaker 6: Wearing that hat, they said the kids thought he was

1952
01:18:53,520 --> 01:18:54,320
Speaker 6: a time traveler.

1953
01:18:55,600 --> 01:18:56,639
Speaker 3: He dressed like a paper boy.

1954
01:18:57,080 --> 01:18:59,880
Speaker 2: The kids thought he was a time traveler. He just came,

1955
01:19:00,000 --> 01:19:00,960
Speaker 2: I don't know it, yeah.

1956
01:19:01,360 --> 01:19:03,120
Speaker 7: To break up the fact that this kid's still trying

1957
01:19:03,160 --> 01:19:04,960
Speaker 7: to go through Jonathan to get to the other kids.

1958
01:19:05,040 --> 01:19:07,000
Speaker 4: Hilarious is that his car parked right there with the

1959
01:19:07,080 --> 01:19:09,400
Speaker 4: doorman that white gee, Like, did he jump out of

1960
01:19:09,439 --> 01:19:11,080
Speaker 4: that car and run across the street to break.

1961
01:19:10,960 --> 01:19:11,320
Speaker 2: Up this fight?

1962
01:19:12,080 --> 01:19:13,640
Speaker 1: I mean the streets and have asleep, I think so

1963
01:19:14,000 --> 01:19:17,240
Speaker 1: to be on your toes, Jonathan, I hear you man,

1964
01:19:17,439 --> 01:19:18,559
Speaker 1: some real life batman shit.

1965
01:19:19,200 --> 01:19:22,200
Speaker 3: Do you like this as like a rollout breaking up

1966
01:19:22,240 --> 01:19:23,599
Speaker 3: kid fights? Yeah?

1967
01:19:23,760 --> 01:19:25,280
Speaker 4: I mean, what if one of those girls was like,

1968
01:19:25,320 --> 01:19:30,400
Speaker 4: creed kicked your ass? Like nobody knew that was Jonathan

1969
01:19:30,439 --> 01:19:32,439
Speaker 4: Mage's probably not.

1970
01:19:32,640 --> 01:19:34,960
Speaker 3: Also, shout out to the person filming on the laptop.

1971
01:19:36,240 --> 01:19:36,880
Speaker 2: That is wild.

1972
01:19:37,640 --> 01:19:38,040
Speaker 3: Look at that.

1973
01:19:38,880 --> 01:19:42,160
Speaker 1: Yeah, well this was good though, a nice little scrap

1974
01:19:42,200 --> 01:19:42,960
Speaker 1: and then it got broken up.

1975
01:19:42,960 --> 01:19:44,040
Speaker 3: The kid was getting washed.

1976
01:19:45,400 --> 01:19:46,400
Speaker 2: Are these girls fighting?

1977
01:19:47,800 --> 01:19:48,320
Speaker 1: I'm not sure.

1978
01:19:48,680 --> 01:19:49,320
Speaker 3: I don't think so.

1979
01:19:49,520 --> 01:19:49,840
Speaker 6: Girls.

1980
01:19:49,880 --> 01:19:53,000
Speaker 2: They better be girls throwing punches like that? Yeah those

1981
01:19:53,000 --> 01:19:53,400
Speaker 2: are girls.

1982
01:19:53,439 --> 01:19:54,639
Speaker 1: Oh yeah, yeah that was a girl.

1983
01:19:54,760 --> 01:19:59,120
Speaker 3: That was a girl punch. Yeah, all right, this is.

1984
01:19:59,120 --> 01:20:02,840
Speaker 4: A sick especially somebody should yo and cut John Like,

1985
01:20:02,880 --> 01:20:04,240
Speaker 4: all right, that was great, let's do that again.

1986
01:20:04,520 --> 01:20:05,719
Speaker 6: Yeah. They said it was staged.

1987
01:20:06,000 --> 01:20:06,640
Speaker 2: It looks like it.

1988
01:20:08,200 --> 01:20:09,880
Speaker 1: If that was staged, I feel for the girl that

1989
01:20:10,000 --> 01:20:11,920
Speaker 1: was on the ground. That's a method actor.

1990
01:20:12,040 --> 01:20:16,120
Speaker 2: You got to ask what she has a future? You've

1991
01:20:16,200 --> 01:20:17,960
Speaker 2: got male, all right, voicemails.

1992
01:20:18,000 --> 01:20:20,519
Speaker 4: Listen, Julie, you've been trying to do a decent job

1993
01:20:20,560 --> 01:20:25,560
Speaker 4: and these things, man, and you know, hopefully we have

1994
01:20:25,720 --> 01:20:26,240
Speaker 4: something good.

1995
01:20:26,280 --> 01:20:27,720
Speaker 2: We have. No, we had a decent one last week.

1996
01:20:27,800 --> 01:20:30,960
Speaker 7: Okay, I don't want to bring the mood down. This

1997
01:20:31,080 --> 01:20:38,280
Speaker 7: one's really sad, but it's it's touching. Pause, it's you'll

1998
01:20:38,280 --> 01:20:39,400
Speaker 7: see hope they weren't touched.

1999
01:20:39,640 --> 01:20:39,760
Speaker 2: Yo.

2000
01:20:40,080 --> 01:20:42,840
Speaker 10: It's your boy, Cliff out of Texas, East Texas. To

2001
01:20:42,920 --> 01:20:44,720
Speaker 10: be specific, I wouldn't be a text and if I

2002
01:20:44,760 --> 01:20:47,400
Speaker 10: didn't shut out my region. But no, shout out to

2003
01:20:47,479 --> 01:20:52,320
Speaker 10: y'all boys, man, Rory, ma Jamarus Ed and Julian Yomi,

2004
01:20:53,479 --> 01:20:55,400
Speaker 10: the whole crew. Man been a big fan of the

2005
01:20:55,479 --> 01:20:59,559
Speaker 10: pod for a long time. But I really don't need

2006
01:20:59,600 --> 01:21:01,519
Speaker 10: any I just kind of want to give a shout

2007
01:21:01,560 --> 01:21:05,639
Speaker 10: out if I can. It's gonna take a hard left

2008
01:21:05,720 --> 01:21:07,360
Speaker 10: right here, y'all, But y'all just hang on with me,

2009
01:21:07,600 --> 01:21:09,920
Speaker 10: just you know, hang tight with me. But me and

2010
01:21:10,040 --> 01:21:12,240
Speaker 10: my wife we just lost our first kid at thirty

2011
01:21:12,320 --> 01:21:17,400
Speaker 10: weeks and man, it's been the craziest experience in my life.

2012
01:21:17,479 --> 01:21:21,680
Speaker 10: You know, I've experienced, you know, loss before, but it's

2013
01:21:21,680 --> 01:21:23,680
Speaker 10: a different feeling. It's a different loss, you know. And

2014
01:21:25,400 --> 01:21:27,200
Speaker 10: you know we got we got you know, we stand

2015
01:21:27,280 --> 01:21:28,519
Speaker 10: strong and and.

2016
01:21:28,600 --> 01:21:30,000
Speaker 3: What we believe and we know that.

2017
01:21:30,479 --> 01:21:32,400
Speaker 10: You know, she's dancing in the clouds right now and

2018
01:21:32,600 --> 01:21:35,760
Speaker 10: we're at peace with with what's going on. But I

2019
01:21:35,800 --> 01:21:38,800
Speaker 10: just want to shout out my wife, man, just her

2020
01:21:38,920 --> 01:21:41,360
Speaker 10: strength and her just you know, just her strength of

2021
01:21:41,439 --> 01:21:44,360
Speaker 10: this whole process. I can't wrap my head around it.

2022
01:21:44,560 --> 01:21:47,280
Speaker 10: I'm just like blown away and astonished by it. And

2023
01:21:47,720 --> 01:21:49,040
Speaker 10: I just wanted to figure out a way to just

2024
01:21:49,360 --> 01:21:51,080
Speaker 10: shout her out. She's a big fan of the Poe,

2025
01:21:51,240 --> 01:21:54,080
Speaker 10: she loves the Marriss But I just want to figure

2026
01:21:54,080 --> 01:21:55,600
Speaker 10: out a dope way to just kind of just like

2027
01:21:55,720 --> 01:21:58,800
Speaker 10: shout her out and tell her how much I love

2028
01:21:58,800 --> 01:22:02,280
Speaker 10: her and how much I her strengths. So yeah, man,

2029
01:22:02,400 --> 01:22:03,280
Speaker 10: shout out to Aaron.

2030
01:22:03,439 --> 01:22:03,920
Speaker 3: I love you.

2031
01:22:05,840 --> 01:22:08,760
Speaker 2: All right, Aaron, shout Aaron Cliff, Thank you for that.

2032
01:22:09,280 --> 01:22:11,719
Speaker 4: No, that took a lot to do, so yeah, continue

2033
01:22:11,760 --> 01:22:13,840
Speaker 4: prayers and condolences to you and your family and the

2034
01:22:13,920 --> 01:22:18,680
Speaker 4: loss of your your daughter. That's never something, you know,

2035
01:22:18,960 --> 01:22:23,400
Speaker 4: losing kids and losing a baby is there's always some

2036
01:22:23,520 --> 01:22:26,320
Speaker 4: of the toughest things that parents. You know, your parents

2037
01:22:26,320 --> 01:22:28,040
Speaker 4: always say I don't want to bury my children. I

2038
01:22:28,160 --> 01:22:30,560
Speaker 4: want my children to bury me. So for you to

2039
01:22:30,600 --> 01:22:33,320
Speaker 4: have to bury your baby, it's a different level of

2040
01:22:33,400 --> 01:22:37,400
Speaker 4: pain that I can't even imagine. So just continue prayers

2041
01:22:37,439 --> 01:22:40,920
Speaker 4: and strength to you and your family, and shout out

2042
01:22:40,960 --> 01:22:43,960
Speaker 4: to your wife for being strong and you know being

2043
01:22:44,040 --> 01:22:48,479
Speaker 4: with a woman a great woman is. And yeah, thank

2044
01:22:48,520 --> 01:22:50,839
Speaker 4: you all for supporting the part. And and again, continue

2045
01:22:50,880 --> 01:22:51,439
Speaker 4: prayers to y'all.

2046
01:22:51,600 --> 01:22:55,640
Speaker 1: Yeah, love, love to Cliff and Aaron. Hopefully one day

2047
01:22:55,680 --> 01:22:57,680
Speaker 1: we see you guys on the road and we can

2048
01:22:58,760 --> 01:22:59,320
Speaker 1: have some fun.

2049
01:23:00,720 --> 01:23:01,320
Speaker 2: What kind of fun?

2050
01:23:01,360 --> 01:23:01,720
Speaker 3: I don't know.

2051
01:23:03,640 --> 01:23:07,160
Speaker 1: That fucks me up, man, I'm sorry, I know, I'm

2052
01:23:07,439 --> 01:23:11,200
Speaker 1: I'm glad you played it because I'm happy that Cliff

2053
01:23:11,720 --> 01:23:14,320
Speaker 1: if he sucks with the pod and felt comfortable sharing

2054
01:23:14,400 --> 01:23:16,360
Speaker 1: that with us, I think that shows an extreme amount

2055
01:23:16,360 --> 01:23:18,760
Speaker 1: of strength. I love how selfless, why he was doing

2056
01:23:18,800 --> 01:23:21,040
Speaker 1: it was for his wife, like it was beautiful.

2057
01:23:21,760 --> 01:23:23,599
Speaker 2: I'm just fucking me up. I'm just fucking with Rory

2058
01:23:23,600 --> 01:23:24,920
Speaker 2: because I know he didn't know what to say. I

2059
01:23:24,920 --> 01:23:26,080
Speaker 2: didn't know he was so fed up.

2060
01:23:26,080 --> 01:23:28,040
Speaker 1: He's like trying to think, how do we cheer them up.

2061
01:23:28,080 --> 01:23:29,200
Speaker 2: I don't know, no, I mean you.

2062
01:23:29,200 --> 01:23:31,479
Speaker 4: Don't you just you just pray for pray for them. Man,

2063
01:23:31,800 --> 01:23:32,960
Speaker 4: that's all you can do, you know what I mean.

2064
01:23:33,040 --> 01:23:35,920
Speaker 4: Life is, life happens, life is going, you know, do

2065
01:23:36,040 --> 01:23:38,040
Speaker 4: what it's going to do. And they sound like they've

2066
01:23:38,080 --> 01:23:40,439
Speaker 4: accepted it, and you know, they sound he sounds like

2067
01:23:40,520 --> 01:23:43,240
Speaker 4: he has a strong woman and they have a strong

2068
01:23:43,600 --> 01:23:46,880
Speaker 4: faith in God and the decisions that you know God makes.

2069
01:23:46,920 --> 01:23:50,160
Speaker 4: So just continue prayers and blessings and strength to to

2070
01:23:50,240 --> 01:23:50,920
Speaker 4: Cliff and Aaron.

2071
01:23:51,160 --> 01:23:55,080
Speaker 1: And Aaron, you have an amazing partner. First thing he's

2072
01:23:55,280 --> 01:23:59,000
Speaker 1: thinking about in a situation he's also grieving with, is

2073
01:23:59,080 --> 01:24:01,800
Speaker 1: you making sure you feel better? So I think that's

2074
01:24:02,080 --> 01:24:04,680
Speaker 1: that was the beauty in that sad call.

2075
01:24:05,240 --> 01:24:08,120
Speaker 6: Well, Aaron, thank you for listening. Thank you Eron and

2076
01:24:08,160 --> 01:24:10,000
Speaker 6: Cliff for me and supporters. We love you and we're

2077
01:24:10,040 --> 01:24:12,439
Speaker 6: praying for you. So keep your heads up because things

2078
01:24:12,479 --> 01:24:14,640
Speaker 6: do get better. It may not seem like it, but

2079
01:24:14,720 --> 01:24:15,040
Speaker 6: they will.

2080
01:24:16,200 --> 01:24:17,200
Speaker 1: And I don't know if you want to take that

2081
01:24:17,280 --> 01:24:20,360
Speaker 1: I love you from Demarus that heavy because she said

2082
01:24:20,400 --> 01:24:20,960
Speaker 1: she loves everyone.

2083
01:24:21,200 --> 01:24:22,880
Speaker 3: Yeah, it's true, did say that.

2084
01:24:23,560 --> 01:24:25,920
Speaker 6: It's well, I love Erin specifically i'd be lying to

2085
01:24:26,000 --> 01:24:26,960
Speaker 6: other people, but I mean it.

2086
01:24:27,000 --> 01:24:29,880
Speaker 2: With Okay, you should you love Aaron. Don't even know her.

2087
01:24:31,600 --> 01:24:32,160
Speaker 1: We've been through this.

2088
01:24:32,240 --> 01:24:34,120
Speaker 2: Don't lie to Aaron like that. I don't lie of

2089
01:24:34,160 --> 01:24:34,599
Speaker 2: her right now.

2090
01:24:34,720 --> 01:24:35,800
Speaker 6: I do have love for her.

2091
01:24:36,880 --> 01:24:40,000
Speaker 2: Fam Aaron walked in here right now. You wouldn't even

2092
01:24:40,000 --> 01:24:40,519
Speaker 2: know who she was.

2093
01:24:40,760 --> 01:24:42,639
Speaker 6: But Aaron just said that she he said that Aaron

2094
01:24:42,680 --> 01:24:44,360
Speaker 6: loves me. I can't love her back. I love my

2095
01:24:44,400 --> 01:24:46,639
Speaker 6: supporters and people who support me. I don't have many

2096
01:24:46,720 --> 01:24:49,880
Speaker 6: with this fucking podcast, so I appreciate.

2097
01:24:49,439 --> 01:24:49,880
Speaker 1: For all women.

2098
01:24:50,120 --> 01:24:52,200
Speaker 3: Yeah, yeah, read it it hates women.

2099
01:24:52,880 --> 01:24:55,120
Speaker 1: Yeah, you haven't noticed that it's not just ours.

2100
01:24:55,479 --> 01:24:56,880
Speaker 2: Read it in general hates You want to know why

2101
01:24:56,880 --> 01:24:57,919
Speaker 2: I read it hates women.

2102
01:24:58,160 --> 01:25:01,120
Speaker 3: To get no pussy. I'm sure I'll get flag for that.

2103
01:25:02,680 --> 01:25:05,840
Speaker 2: Yeah, but I mean that's why, that's why.

2104
01:25:05,680 --> 01:25:11,519
Speaker 3: I'm not reading.

2105
01:25:12,960 --> 01:25:13,960
Speaker 1: We have another voicemail.

2106
01:25:14,000 --> 01:25:16,519
Speaker 3: Yeah, let's end on a lighter note. This is a

2107
01:25:16,600 --> 01:25:17,080
Speaker 3: two parter.

2108
01:25:17,320 --> 01:25:22,240
Speaker 9: So great, Hey everyone, So basically I didn't get into

2109
01:25:22,320 --> 01:25:25,400
Speaker 9: dental school on my first try. I just replied with

2110
01:25:25,520 --> 01:25:29,720
Speaker 9: a stronger application. But the application process is lengthy. It's

2111
01:25:29,720 --> 01:25:32,840
Speaker 9: about a year, and only eighty students get in. I

2112
01:25:32,920 --> 01:25:34,960
Speaker 9: know a majority of the students that got in last

2113
01:25:35,040 --> 01:25:38,600
Speaker 9: year and even the year before. So I have to

2114
01:25:38,680 --> 01:25:41,639
Speaker 9: say that I get spurts of fomo every now and then,

2115
01:25:42,160 --> 01:25:44,439
Speaker 9: and I am confident with my life. I wouldn't switch

2116
01:25:44,520 --> 01:25:48,760
Speaker 9: it for anyone else's. And I guess I was just

2117
01:25:48,880 --> 01:25:50,720
Speaker 9: wondering how you guys deal with the fear of missing now?

2118
01:25:52,080 --> 01:25:54,760
Speaker 9: And another contrasting question that I had in mind was

2119
01:25:55,680 --> 01:25:57,559
Speaker 9: if if you had a snake bite on.

2120
01:25:57,680 --> 01:26:00,280
Speaker 2: Your neck, would you would you let use me?

2121
01:26:00,320 --> 01:26:01,880
Speaker 3: Would you let anyone in the room?

2122
01:26:02,560 --> 01:26:02,680
Speaker 7: Uh?

2123
01:26:03,400 --> 01:26:06,439
Speaker 2: Suck the amount? And pause?

2124
01:26:06,560 --> 01:26:08,719
Speaker 3: By the way, peace, thank you for the pause.

2125
01:26:08,800 --> 01:26:10,960
Speaker 2: S say pause before you ask the question. But it's.

2126
01:26:12,720 --> 01:26:13,519
Speaker 1: That was the two parter.

2127
01:26:13,840 --> 01:26:16,600
Speaker 2: Yeah, how do you guys deal with and would you SUCKO?

2128
01:26:16,760 --> 01:26:17,560
Speaker 2: Is not a real thing for me?

2129
01:26:18,520 --> 01:26:19,760
Speaker 3: For you, it's real out for you.

2130
01:26:20,080 --> 01:26:22,240
Speaker 4: I don't give because you know what, every time I

2131
01:26:22,560 --> 01:26:24,880
Speaker 4: feel like I miss something, the next time I go

2132
01:26:24,960 --> 01:26:26,559
Speaker 4: to that same type of event, I'm like, this.

2133
01:26:26,600 --> 01:26:27,840
Speaker 2: Is why I don't come in this type of ship.

2134
01:26:28,200 --> 01:26:29,840
Speaker 1: Well, his POMO is a little different because it's a

2135
01:26:29,880 --> 01:26:32,040
Speaker 1: career that he was really pursuing and watching all his

2136
01:26:32,280 --> 01:26:34,320
Speaker 1: like dentist friends start their career.

2137
01:26:34,439 --> 01:26:35,080
Speaker 3: This is wholesome.

2138
01:26:35,520 --> 01:26:36,639
Speaker 2: Yeah, he's gonna teeth.

2139
01:26:36,680 --> 01:26:38,439
Speaker 4: Yeah, but I mean he's gonna he's gonna go on

2140
01:26:38,520 --> 01:26:40,439
Speaker 4: to become a dentist and he's gonna start cleaning the

2141
01:26:40,520 --> 01:26:42,240
Speaker 4: mouths and be like, this is what I really wanted

2142
01:26:42,280 --> 01:26:42,559
Speaker 4: to Like.

2143
01:26:42,800 --> 01:26:44,600
Speaker 2: Yes, that's what he wants to do.

2144
01:26:44,800 --> 01:26:46,479
Speaker 1: I don't want to sound corny and cliche, but I

2145
01:26:46,560 --> 01:26:48,040
Speaker 1: do believe in timing, like.

2146
01:26:49,280 --> 01:26:51,920
Speaker 3: It may just stars aligne you don't though.

2147
01:26:52,000 --> 01:26:55,519
Speaker 1: Like sometimes you're not meant to. Yes, you're not meant

2148
01:26:55,600 --> 01:26:58,000
Speaker 1: to have certain things because you're not ready for them.

2149
01:26:58,040 --> 01:27:02,120
Speaker 1: And I think there's a world where this was the purpose,

2150
01:27:03,120 --> 01:27:04,840
Speaker 1: Like he'll get into dental school and he'll be a

2151
01:27:04,880 --> 01:27:08,320
Speaker 1: great dentist, but at that time, it's just not ready

2152
01:27:08,360 --> 01:27:08,519
Speaker 1: for it.

2153
01:27:08,600 --> 01:27:11,360
Speaker 3: Now, Yeah, I'm with him though, like as someone that

2154
01:27:11,680 --> 01:27:12,160
Speaker 3: would suck.

2155
01:27:12,400 --> 01:27:14,160
Speaker 1: Don't get me wrong, but that's a way to view it,

2156
01:27:15,240 --> 01:27:17,800
Speaker 1: that that perspective, like all right, just wasn't for me.

2157
01:27:17,920 --> 01:27:20,840
Speaker 1: Now let me put my head down, focus and it happen.

2158
01:27:20,920 --> 01:27:22,599
Speaker 1: Now I have more time to figure out exactly maybe

2159
01:27:22,600 --> 01:27:24,120
Speaker 1: maybe I don't want to be a dentist. Maybe maybe

2160
01:27:24,120 --> 01:27:26,880
Speaker 1: there's other things that you can go through with the

2161
01:27:27,000 --> 01:27:29,560
Speaker 1: time that you have now that you're not going to

2162
01:27:29,640 --> 01:27:30,439
Speaker 1: school with your peers.

2163
01:27:30,600 --> 01:27:32,160
Speaker 2: He'll be a dentist in due time.

2164
01:27:32,200 --> 01:27:32,599
Speaker 1: I agree.

2165
01:27:32,720 --> 01:27:34,880
Speaker 2: I went through that want to be a dentist.

2166
01:27:35,200 --> 01:27:36,400
Speaker 1: I wouldn't want to be.

2167
01:27:36,400 --> 01:27:39,519
Speaker 6: An I wanted to be a psychiatrist, and I was

2168
01:27:39,600 --> 01:27:41,720
Speaker 6: in school and because something, I fucking hate you.

2169
01:27:41,760 --> 01:27:43,559
Speaker 3: That that was wholesome.

2170
01:27:43,800 --> 01:27:48,160
Speaker 2: Yeah, going to be a psychiatrist. You wanted to be

2171
01:27:48,200 --> 01:27:48,840
Speaker 2: a psychiatrist.

2172
01:27:49,000 --> 01:27:54,759
Speaker 6: Want to I wanted to be a psych It's funny, it's.

2173
01:27:55,479 --> 01:27:59,360
Speaker 1: I'm running psychiatry. You wanted to write here. You want

2174
01:27:59,400 --> 01:28:00,880
Speaker 1: to be able to write descriptions.

2175
01:28:01,160 --> 01:28:03,200
Speaker 3: Again, imagine Demerius writing prescriptions.

2176
01:28:04,280 --> 01:28:06,479
Speaker 4: Yeah, imagine you going to a therapist. Demerius walks in

2177
01:28:06,520 --> 01:28:07,519
Speaker 4: the office and sits down.

2178
01:28:09,360 --> 01:28:11,559
Speaker 1: I'd be addicted to add all to Amar's Ye.

2179
01:28:16,280 --> 01:28:18,080
Speaker 2: Well you're saying, I'm sorry you dressed like a bluetoe.

2180
01:28:20,040 --> 01:28:22,920
Speaker 6: Anyway, I wanted to be a psychiatrist, and because of

2181
01:28:23,000 --> 01:28:25,120
Speaker 6: some family stuff, I had to drop out of school

2182
01:28:25,640 --> 01:28:28,080
Speaker 6: and I ended up going. When I eventually went back

2183
01:28:28,080 --> 01:28:29,519
Speaker 6: to I was so upset, and I watched all my

2184
01:28:29,600 --> 01:28:33,000
Speaker 6: friends graduate earlier than me, and I was so heartbroken.

2185
01:28:33,040 --> 01:28:34,599
Speaker 6: I felt like a failure and all of these things,

2186
01:28:34,880 --> 01:28:36,240
Speaker 6: and then it comes to turned out, I don't even

2187
01:28:36,240 --> 01:28:38,559
Speaker 6: want to be a psychiatrist. I ended up in media,

2188
01:28:38,600 --> 01:28:41,280
Speaker 6: get a degree in media communications, and here I am

2189
01:28:41,439 --> 01:28:43,439
Speaker 6: in my career. Wouldn't have gone that way and I

2190
01:28:43,439 --> 01:28:46,960
Speaker 6: wouldn't be sitting here with you fucks unfortunately, had I

2191
01:28:47,080 --> 01:28:49,200
Speaker 6: just stayed in psychiatry school. Actually, you know what, sir,

2192
01:28:49,400 --> 01:28:50,240
Speaker 6: fight harder to get in.

2193
01:28:50,479 --> 01:28:52,360
Speaker 2: This is the greatest job you've ever had in your life.

2194
01:28:52,560 --> 01:28:54,600
Speaker 2: Don't lie to yourself you think so this is the

2195
01:28:54,640 --> 01:28:55,160
Speaker 2: greatest job.

2196
01:28:55,920 --> 01:28:59,840
Speaker 1: Okay, listen to Zamars's point too. Like pain when I

2197
01:29:00,160 --> 01:29:02,760
Speaker 1: was at def jam with shot money and he moved

2198
01:29:02,800 --> 01:29:05,000
Speaker 1: to la and I wasn't able to move to l

2199
01:29:05,040 --> 01:29:07,360
Speaker 1: A at that point for finances. Family just wasn't that.

2200
01:29:07,600 --> 01:29:11,760
Speaker 1: I was fucking devastated. And I think had I done that,

2201
01:29:12,280 --> 01:29:15,920
Speaker 1: I may have ended up staggering my own growth and

2202
01:29:15,960 --> 01:29:17,400
Speaker 1: would have been like a label guy.

2203
01:29:17,640 --> 01:29:19,680
Speaker 2: Or you'd have been a sixty crypt that I mean,

2204
01:29:19,760 --> 01:29:23,599
Speaker 2: well that's too Yeah. Well he has red hair, so yeah, oh.

2205
01:29:23,640 --> 01:29:24,439
Speaker 3: Yeah, you might need to go.

2206
01:29:24,560 --> 01:29:26,880
Speaker 1: Yeah, I would die of blue. That would be cool.

2207
01:29:26,920 --> 01:29:27,479
Speaker 3: It'd be nice.

2208
01:29:28,240 --> 01:29:29,680
Speaker 1: Yeah, sometimes who you wit?

2209
01:29:31,840 --> 01:29:33,000
Speaker 3: You'd be Chet Hanks out there.

2210
01:29:35,200 --> 01:29:38,400
Speaker 1: Yes, I would be that would be chet haanks go ahead, yes,

2211
01:29:39,040 --> 01:29:41,400
Speaker 1: so yeah, And I'm so happy that I never made

2212
01:29:41,400 --> 01:29:44,240
Speaker 1: that move because I think I probably would have been

2213
01:29:44,400 --> 01:29:47,400
Speaker 1: successful in a bad way, Like I think I would

2214
01:29:47,439 --> 01:29:50,639
Speaker 1: have been great at that, like real label shit, especially

2215
01:29:50,680 --> 01:29:53,280
Speaker 1: with Shot at the time. I'm happy it didn't happen

2216
01:29:53,280 --> 01:29:56,680
Speaker 1: because I found other passions in other ways in the

2217
01:29:56,800 --> 01:29:59,600
Speaker 1: music industry that fit better for me. I would have

2218
01:29:59,640 --> 01:30:02,080
Speaker 1: went to l A and Ben fucking amazing A and R,

2219
01:30:02,760 --> 01:30:04,320
Speaker 1: But I don't think that's what I would have wanted

2220
01:30:04,560 --> 01:30:05,520
Speaker 1: in retrospect.

2221
01:30:05,560 --> 01:30:07,880
Speaker 2: Now, listen all that you think it for a snake

2222
01:30:07,920 --> 01:30:09,000
Speaker 2: bites on your neck, I would suck.

2223
01:30:09,120 --> 01:30:10,720
Speaker 1: Well, that's what I really wanted to get. Shot money

2224
01:30:10,760 --> 01:30:13,080
Speaker 1: would Yes, he can suck the venom out of my neck.

2225
01:30:13,240 --> 01:30:17,240
Speaker 7: You I call Yomi if we all go, if you

2226
01:30:17,280 --> 01:30:20,400
Speaker 7: want to date, if you kill me, would suck you,

2227
01:30:20,760 --> 01:30:23,439
Speaker 7: I'm saying I if Yomi got bit, I'm saying, if

2228
01:30:23,600 --> 01:30:25,479
Speaker 7: if you want to suck. He's asking us in the

2229
01:30:25,600 --> 01:30:29,080
Speaker 7: room who we would help venom out. I'm stuck in

2230
01:30:29,280 --> 01:30:30,160
Speaker 7: the venom out of Yoma.

2231
01:30:30,400 --> 01:30:32,000
Speaker 2: Listen, you can't Yomi works.

2232
01:30:32,160 --> 01:30:34,800
Speaker 3: That's not hr that's like that, that's love.

2233
01:30:35,040 --> 01:30:37,880
Speaker 2: No, that's that's you speaking from your loins, call your loins.

2234
01:30:37,920 --> 01:30:40,200
Speaker 3: Relax, all right, Dan would suck it out of you.

2235
01:30:41,840 --> 01:30:42,800
Speaker 3: No no, no, no, no, no no no.

2236
01:30:43,320 --> 01:30:45,200
Speaker 2: If he could say that ship, give him the pause?

2237
01:30:45,600 --> 01:30:46,519
Speaker 3: Would you not know?

2238
01:30:47,080 --> 01:30:50,000
Speaker 2: Give him the pause? Probably?

2239
01:30:50,600 --> 01:30:50,760
Speaker 3: Yea.

2240
01:30:51,160 --> 01:30:51,960
Speaker 6: My next one is good.

2241
01:30:51,960 --> 01:30:52,320
Speaker 3: He knows that.

2242
01:30:52,920 --> 01:30:55,559
Speaker 1: Listen. If I get bit by a snake and any

2243
01:30:55,640 --> 01:30:57,640
Speaker 1: of y'all know how to get venom out, do what

2244
01:30:57,760 --> 01:30:58,200
Speaker 1: you need to do.

2245
01:30:58,479 --> 01:31:01,200
Speaker 2: Any of you. If I get bit bus, it's just

2246
01:31:01,280 --> 01:31:01,639
Speaker 2: my time.

2247
01:31:01,720 --> 01:31:06,599
Speaker 1: What did he get that brought a snake into the studio?

2248
01:31:08,920 --> 01:31:09,600
Speaker 3: Probably let it go.

2249
01:31:09,720 --> 01:31:11,599
Speaker 2: I thought it was a fucking past. It's my time, y'all.

2250
01:31:11,600 --> 01:31:15,120
Speaker 2: Can't stand in the way in the ass, all right,

2251
01:31:15,120 --> 01:31:15,800
Speaker 2: I might have to go on.

2252
01:31:16,200 --> 01:31:18,519
Speaker 6: People were saying that we needed an HR department after

2253
01:31:18,560 --> 01:31:19,320
Speaker 6: our last TikTok.

2254
01:31:19,439 --> 01:31:20,519
Speaker 2: You're not tell me I'm HR.

2255
01:31:21,680 --> 01:31:23,280
Speaker 7: We're gonna do a part two to that TikTok. By

2256
01:31:23,280 --> 01:31:24,800
Speaker 7: the way, we're gonna get some crazy ship off.

2257
01:31:24,840 --> 01:31:26,679
Speaker 6: If you haven't seen our past the phone TikTok, please

2258
01:31:26,720 --> 01:31:29,200
Speaker 6: go on our Instagram and in TikTok and watch it.

2259
01:31:29,240 --> 01:31:30,240
Speaker 2: Please please don't.

2260
01:31:30,560 --> 01:31:33,040
Speaker 7: While we're talking about socialist Drake commented on the de

2261
01:31:33,120 --> 01:31:35,480
Speaker 7: Grassies kick guys, Oh did he really congrats?

2262
01:31:36,360 --> 01:31:37,200
Speaker 1: He said congrats?

2263
01:31:37,520 --> 01:31:40,320
Speaker 3: No, like he left like sixteen like laughing emojis?

2264
01:31:40,880 --> 01:31:41,639
Speaker 2: What the fuck?

2265
01:31:41,840 --> 01:31:44,519
Speaker 3: Great us not sixteen? Sorry? Seven? Six?

2266
01:31:44,920 --> 01:31:45,240
Speaker 2: Damn it?

2267
01:31:45,600 --> 01:31:48,559
Speaker 3: Six? Damn I wish you wasn't six In the comment.

2268
01:31:48,520 --> 01:31:50,240
Speaker 2: He's not staying true to true to brand.

2269
01:31:50,280 --> 01:31:50,880
Speaker 3: He gotta he got.

2270
01:31:51,040 --> 01:31:51,599
Speaker 2: Gotta be six.

2271
01:31:52,120 --> 01:31:54,600
Speaker 1: I get for like social media reasons, you do need

2272
01:31:54,680 --> 01:31:55,320
Speaker 1: to pin that comment.

2273
01:31:55,360 --> 01:31:56,160
Speaker 3: I'm definitely pinning it.

2274
01:31:56,240 --> 01:31:57,360
Speaker 1: Your that's so corny.

2275
01:31:58,040 --> 01:31:59,479
Speaker 3: You have to do it because you posted it.

2276
01:31:59,600 --> 01:32:04,800
Speaker 1: That's guess it's never gonna happen now, Yes, it's never

2277
01:32:04,840 --> 01:32:05,360
Speaker 1: happening now.

2278
01:32:05,439 --> 01:32:07,000
Speaker 2: Yeah, pinned Drake comment.

2279
01:32:07,439 --> 01:32:09,080
Speaker 3: What's wrong with roll out?

2280
01:32:09,600 --> 01:32:11,120
Speaker 1: If that was on the new roy Mall page, I

2281
01:32:11,200 --> 01:32:13,479
Speaker 1: get it. We should pin that. If you think I'm

2282
01:32:13,600 --> 01:32:16,720
Speaker 1: pinning taking your break's comment on my Instagram, you have

2283
01:32:16,920 --> 01:32:17,960
Speaker 1: me all the way for the Better?

2284
01:32:17,960 --> 01:32:19,400
Speaker 6: Would take that to commit it?

2285
01:32:19,479 --> 01:32:20,559
Speaker 1: You think I would ever.

2286
01:32:21,960 --> 01:32:22,439
Speaker 2: Get better?

2287
01:32:22,520 --> 01:32:27,080
Speaker 3: Say Rory, why are you doing this? To come in?

2288
01:32:28,280 --> 01:32:30,920
Speaker 1: Do two more Toronto dates forty pay.

2289
01:32:33,400 --> 01:32:33,880
Speaker 6: Go kick?

2290
01:32:33,960 --> 01:32:38,559
Speaker 1: All right, yeah, we can talk about better. Better doesn't listen,

2291
01:32:38,840 --> 01:32:40,120
Speaker 1: especially in the editing episode.

2292
01:32:40,280 --> 01:32:43,080
Speaker 2: Y'all for listening. We appreciate y'all. Man, We're about to

2293
01:32:43,120 --> 01:32:46,360
Speaker 2: get the fuck on out of here again. We're on

2294
01:32:46,880 --> 01:32:47,479
Speaker 2: we have shows.

2295
01:32:47,479 --> 01:32:51,080
Speaker 4: We're in Toronto October twelfth. Yes, we're in La November fifth,

2296
01:32:51,400 --> 01:32:54,519
Speaker 4: We're in London November seventeenth. Then we're back home in

2297
01:32:54,640 --> 01:32:57,960
Speaker 4: New York City December first. So get your tickets. Merch

2298
01:32:58,000 --> 01:33:02,160
Speaker 4: available now new roryenmaul dot com. Subscribe if you're not hating.

2299
01:33:02,960 --> 01:33:05,519
Speaker 4: Thank you to all the Patreon members for your subscription

2300
01:33:05,640 --> 01:33:08,160
Speaker 4: every month. We appreciate y'all. Speaking of Patreon, I think

2301
01:33:08,160 --> 01:33:09,479
Speaker 4: we're gonna head over with the Patreon now.

2302
01:33:10,040 --> 01:33:15,679
Speaker 2: Nah, no, okay, then, y'all, I'm not seriously thank y'all.

2303
01:33:15,760 --> 01:33:17,599
Speaker 4: Thank y'all for working with us. Thank y'all for listening,

2304
01:33:17,680 --> 01:33:19,720
Speaker 4: Thank y'all for subscribing, Thank y'all for tuning in. Thank

2305
01:33:19,800 --> 01:33:21,639
Speaker 4: y'all for everything that y'all do to support this movement

2306
01:33:21,720 --> 01:33:23,519
Speaker 4: in this journey. We appreciate y'all.

2307
01:33:23,720 --> 01:33:25,360
Speaker 2: We love y'all. We thank y'all.

2308
01:33:25,479 --> 01:33:27,639
Speaker 6: Dang peace, Well, you're gonna help me move.

2309
01:33:29,120 --> 01:33:30,880
Speaker 2: As growing up.

2310
01:33:30,880 --> 01:33:34,240
Speaker 8: We're gonna help her move and he's people from pizza

2311
01:33:34,320 --> 01:33:36,200
Speaker 8: and beer like help you move with pizza.

2312
01:33:36,320 --> 01:33:41,640
Speaker 2: I look like who I was born here? She flew here.

2313
01:33:41,720 --> 01:33:42,240
Speaker 3: You grew here.

2314
01:33:45,439 --> 01:33:46,439
Speaker 2: Pizza and beer.

2315
01:33:48,920 --> 01:33:49,160
Speaker 3: Beer.

2316
01:33:50,120 --> 01:33:52,719
Speaker 6: I offer you pizza and beer. I offered these niggas pizza.

2317
01:33:52,960 --> 01:33:54,880
Speaker 2: What would you offer him? What would you off for me?

2318
01:33:54,920 --> 01:33:55,840
Speaker 3: If I came to help you move?

2319
01:33:55,840 --> 01:33:57,439
Speaker 2: What would you offer me? Some pussy?

2320
01:34:00,040 --> 01:34:02,080
Speaker 4: Like you just got pussy walking around like that, just

2321
01:34:02,120 --> 01:34:04,400
Speaker 4: available for like a yo. If you want something like

2322
01:34:05,200 --> 01:34:05,360
Speaker 4: you know.

2323
01:34:05,360 --> 01:34:06,599
Speaker 1: There's it's a pussy in the French.

2324
01:34:06,640 --> 01:34:10,640
Speaker 2: You wanted some pussy upstairs, So some pussy upstairs? What

2325
01:34:11,040 --> 01:34:13,160
Speaker 2: like we con man, I'm

2326
01:34:15,040 --> 01:34:16,479
Speaker 6: No worrying now