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Speaker 1: And That's what you Really missed with Jenna.

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Speaker 2: And Kevin An iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You Really miss podcast Today.

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Speaker 1: I'm extra hungry and it's season four, episode twenty one Wonderful.

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Speaker 1: This aired on May second, twenty thirteen. What are you

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Speaker 1: craving a lot of things that I'm hungry? It hasn't

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Speaker 1: happened in a while. I haven't been very hungry at all,

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Speaker 1: and so today I was like, Oh, everything sounds good.

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Speaker 1: I'm start for myself.

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Speaker 2: Delicious, Well, happy to bring you something and recording this, Well, let's.

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Speaker 1: Get the sun so I can eat no because I'm

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Speaker 1: just kidding. Okay. This is a Stevie wonder tribute episode,

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Speaker 1: which I forgot we did a tribute episode.

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Speaker 2: To see under I feel like there should be like

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Speaker 2: an asterisk next to this because when we were talking

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Speaker 2: about this episode coming up, we discussed how it is

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Speaker 2: a tribute episode in music, but it doesn't feel much

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Speaker 2: like a tribute episode in artistry or storyline.

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Speaker 1: Right when it's not a Madonna asque one where we're

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Speaker 1: talking about her, we're emulating her. This is just solely music.

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Speaker 2: Yeah, and like a couple of fun facts about him,

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Speaker 2: totally totally different. But also I think his music fits

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Speaker 2: so well with the show, Oh for sure.

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Speaker 1: I actually appreciated this tribute so much because the music

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Speaker 1: fit in with the storylines and it wasn't the forced

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Speaker 1: kind of let's have to talk about it all and

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Speaker 1: make it work. Like there was so much good story

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Speaker 1: in this episode, was so much good in the script

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Speaker 1: that I was like, oh, I love both parts of this.

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Speaker 2: It helps when you have songs for every moment of life. Yes,

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Speaker 2: Like he had like songs for everything, and they're all.

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Speaker 1: Good exactly, and we get amber on a lot of them,

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Speaker 1: which is, oh god.

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Speaker 3: Yeah.

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Speaker 1: I was like, thank goodness. Okay, so the song is new,

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Speaker 1: just give me a Reason by Pink. Great song.

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Speaker 2: You would sound great on that? Should we cover that?

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Speaker 1: This is part of our list of covers for Kevin

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Speaker 1: and Jen I E P Yeah, okay great. What was

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Speaker 1: the number one movie? Different movie?

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Speaker 2: Pain and Gain Classic?

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Speaker 1: I didn't see it? Didn't see it?

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Speaker 2: Did I? Starring Mark Wahlberg and The Rock and Anthony Mackie.

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Speaker 1: I mean, I don't know, Okay.

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Speaker 2: I vaguely remember this existing the Glee News this week

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Speaker 2: on May sixth, the first Monday of May, Darren and

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Speaker 2: Matt attended the MET Gala at the Metropolitan Museum of

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Speaker 2: Art and NYC. The theme was Punk Chaos two Quoture.

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Speaker 1: I love how these themes have evolved over the years.

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Speaker 2: And so has the dress. Like they look up the

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Speaker 2: photos of Darren and Matt at this, it's very tame.

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Speaker 1: It's it's safe, it's tame.

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Speaker 2: What year did it switch?

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Speaker 1: You know what? I don't know.

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Speaker 2: Where people just really went for and what was the switch?

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Speaker 2: Why did it.

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Speaker 1: Switch more recently, like in the teens, right, like in

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Speaker 1: the later teens, maybe early twenties. Yeah, yeah, in the

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Speaker 1: past few years, i'd say, But yeah, yeah.

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Speaker 2: A couple of years after this, I feel like we're

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Speaker 2: getting towards the end of plane It's safe.

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Speaker 1: Totally, which is kind of boring anyway, so let's bring it.

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Speaker 2: Yeah.

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Speaker 1: This was directed by Wendy Stanceler.

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Speaker 2: She I don't think had the easiest of episodes following this,

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Speaker 2: looking back now, she does. I think a couple of

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Speaker 2: episodes in season five, yes, which were god interesting.

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Speaker 1: Including that unhinged Christmas one where we were shooting on

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Speaker 1: a Saturday and I just I'll never forget it. She

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Speaker 1: had some really off off ones, but she made it

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Speaker 1: work and this one was great. So we'll start start

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Speaker 1: off strong.

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Speaker 2: And she's talented and so nice and her there's my

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Speaker 2: public apology to Wendy Chandler for how I behaved in

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Speaker 2: the Christmas episode of season five because I was I

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Speaker 2: don't think she knowed it, No, she did. It was

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Speaker 2: not my best and it's really embarrassing.

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Speaker 1: I get that. Keep you up a night.

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Speaker 2: Yeah, my behavior was not okay, but this episode she smashed.

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Speaker 1: She smashed. Yeah, there's a bunch of fun facts. So

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Speaker 1: this is the third time Mercedes and Mike have come

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Speaker 1: back to help the Glee Club. They are our official mentors.

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Speaker 1: The first was in the Role You Were Born to

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Speaker 1: Play and to help with school mus school, and then

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Speaker 1: the second being Thanksgiving to help with sectionals.

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Speaker 2: This is the first time kurtis come back to help

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Speaker 2: New Directions as a mentor.

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Speaker 1: Based on Kurt's calendar, this episode takes place in the

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Speaker 1: middle of April, which tracks.

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Speaker 2: Does it because nationals would normally be towards the end

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Speaker 2: of the school year, correct, and so we're only doing

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Speaker 2: regionals regionals and it's broken up like the end of

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Speaker 2: the season's regionals, So.

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Speaker 1: You're right, based on the next season the competitions.

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Speaker 2: You're yeah, but I guess we graduate halfway through next season,

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Speaker 2: don't we.

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Speaker 1: Yeah, the shooting schedule, like the airing was somewhere in

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Speaker 1: tandem with this.

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Speaker 2: That's probably why correct, But okay, this is the first

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Speaker 2: time we hear Cassandra mentioned Rachel's real name rather than

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Speaker 2: Swimmer or other names.

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Speaker 1: Melanie Moore, the winner of the eighth season of So

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Speaker 1: You Think You Can Dance, appears as one of the

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Speaker 1: dance students in the uptight Everything's all Right. She would

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Speaker 1: later join the original cast of the musical Finding Neverland

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Speaker 1: alongside Matthew Morrison in twenty fifteen, which I saw. She

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Speaker 1: also goes on to further on the Roof in the

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Speaker 1: Bible as well. She said, a wonderful, plentiful career. I've

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Speaker 1: been a big fan of hers since the show you

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Speaker 1: swatch show all the time. She was one of the

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Speaker 1: best I think, so I was starstruck when she joined this.

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Speaker 2: You you took me to So You Think You Can

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Speaker 2: Dance a couple of times, did Yeah, we went to

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Speaker 2: like go watch it, Bete. I loved that show, loved it,

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Speaker 2: and so many of the dancers ended up on our show.

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Speaker 1: Yes exactly. We had so so many friends and we

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Speaker 1: got to be friends with all of them, and it's

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Speaker 1: just such a good show. And Kat Dealey was so wonderful,

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Speaker 1: and Anna Shanklin was a judge on it, and so

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Speaker 1: we knew we knew a lot of people.

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Speaker 2: Kat Deally is the best.

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Speaker 1: My god, what a dream?

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Speaker 2: What didream?

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Speaker 1: Literally a dream?

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Speaker 2: And dancers are the greatest I think. Have this conversation

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Speaker 2: with so many people who have worked with dancers or

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Speaker 2: are new to working with dancers in all the aspects

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Speaker 2: of their entertainment business. And we've probably talked about this before,

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Speaker 2: but they sometimes get treated like they are the bottom

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Speaker 2: rung of the totem pole, which is whale boy, extremely unfortunate.

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Speaker 2: But they show up and are so talented and like

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Speaker 2: do their shit without works so hard, no, and it's

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Speaker 2: something across the board. I have seen that from all

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Speaker 2: facets of dance and in different countries, and it's always

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Speaker 2: just remarkable. And they're always the coolest people.

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Speaker 1: They have so much humility and yet they're so talented.

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Speaker 2: Always in awe of them.

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Speaker 1: Yes exactly.

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Speaker 2: This is the last twenty first episode of a season

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Speaker 2: in the entire series. What Season five ended on the

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Speaker 2: twentieth episode. In season six ended on the thirteenth episode.

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Speaker 1: That's sad.

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Speaker 2: That's crazy. I didn't realize.

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Speaker 1: That makes sense, but it's sad.

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Speaker 2: Do we still get paid for twenty two? We must have? Yeah,

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Speaker 2: that's crazy.

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Speaker 1: Not in the sixth season though, and also maybe not

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Speaker 1: with it for me because I want to or recur

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Speaker 1: at some point halfway through. Maybe I don't know how

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Speaker 1: that worked. I don't remember, but maybe it was recurring

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Speaker 1: six season six. That's when I swapped.

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Speaker 2: Let's talk about the mental state of us at this

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Speaker 2: point in terms of like work and job security, because

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Speaker 2: there is a shift and you feel it, and we

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Speaker 2: felt it at work where the first season we did

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Speaker 2: the pilot, it gets picked up for thirteen episodes, like,

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Speaker 2: oh my god, this is crazy, and then Ryan Murphy

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Speaker 2: renegotiates this deal with Fox and the show gets picked

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Speaker 2: up not only for the back nine, but for a

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Speaker 2: full second season, so we knew like, oh, we have

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Speaker 2: job security now for the next year and a half, right,

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Speaker 2: which is crazy, And then I leave. We also got

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Speaker 2: picked up for seasons maybe three and four. At the

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Speaker 2: same time, I think.

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Speaker 1: You're right and we're renegotiated for three and four at

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Speaker 1: the same time.

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Speaker 2: Yes, and so like when you have that security, like

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Speaker 2: we're not worried about it, we're showing up, you're doing

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Speaker 2: the work, yes, and so you can sort of like

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Speaker 2: plan for your future.

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Speaker 1: Yeah.

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Speaker 2: And this was the first time where there was a

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Speaker 2: lot of weird things going on. Obviously Corey was in rehab,

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Speaker 2: so that was like a big personal thing going on

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Speaker 2: amongst us privately. And then the ratings are not what

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Speaker 2: they used to be, and we see that, you feel it,

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Speaker 2: and then you can I think that's also reflected maybe

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Speaker 2: in some of the episodes of like what they're trying

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Speaker 2: to do and so then for the first time since

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Speaker 2: the very beginning of the show, or like what's our future?

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Speaker 1: Yeah, for sure.

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Speaker 2: And when you don't know the future of your job,

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Speaker 2: the job security or lack thereof, that has some sort

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Speaker 2: of like mental strain on you.

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Speaker 1: And look, we were still pretty young, so we were

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Speaker 1: very lucky that we were like the one percent. Still,

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Speaker 1: you know, we're the one time in our lives, like

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Speaker 1: you know, and I think as kids, it's different than

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Speaker 1: like if I were doing a show now, I literally

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Speaker 1: would be checking the ratings every day, and I literally

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Speaker 1: be like, please let there be another season, because like,

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Speaker 1: you know, I didn't have a family to feed, and

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Speaker 1: like I was a mortgage to pay for it. Well,

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Speaker 1: I guess we did have mortgages at that point. We

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Speaker 1: were we're beginning to but we were still able to

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Speaker 1: save money and so hopefully people didn't blow all our money.

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Speaker 1: But I don't remember feeling like I actually remember feeling like, oh,

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Speaker 1: are we going to be picked up? Because like, are

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Speaker 1: we going to continue working? Is our show going to

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Speaker 1: go down the pooper? What does that look like for us?

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Speaker 1: Optic whise like acting wise, actor wise, career wise, but

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Speaker 1: not as much financially wise. Now, that's that's how I

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Speaker 1: would see it, as like an adult versus a twenty

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Speaker 1: How old were we at this point in twenty eight.

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Speaker 2: I think you're correct. It wasn't about the money, because

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Speaker 2: that was the most money any of us had ever

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Speaker 2: made at that point in our lives, and so we

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Speaker 2: were like, okay, we're fine. None of us had been irresponsible.

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Speaker 1: Yeah, yeah, yeah, although some of the newscasts were probably like,

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Speaker 1: oh man, we just got here and we're not regulars,

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Speaker 1: so like we're.

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Speaker 2: Getting pennies and I think like we all sort of

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Speaker 2: grew up doing it or trying to do this, and

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Speaker 2: to be able to get a job and have it

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Speaker 2: last for four years is really rare. Yeah, and especially

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Speaker 2: twenty two episodes a season, And so I think we

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Speaker 2: all knew in the back of our heads, like even

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Speaker 2: with that much success, it's like we're not the leads

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Speaker 2: of a show. We're part of an ensemble, and like,

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Speaker 2: what does the future of work right employment look like?

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Speaker 2: Because it's so hard just to get this one job.

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Speaker 2: How many years, how many hundreds or thousands of auditions

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Speaker 2: did we all do to get there? If you Becca,

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Speaker 2: you have one audition and you get to.

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Speaker 1: Nail it right. Jacob too, I feel like the fear

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Speaker 1: was like we were risen to the top of the

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Speaker 1: cream of the crop, and then all of a sudden,

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Speaker 1: the storyline started to kind of waiver. Our characters were new,

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Speaker 1: we didn't know how people were attaching. People stopped watching.

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Speaker 1: Like if you talk to a lot of people, they'd say, like,

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Speaker 1: I stopped watching after season three.

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Speaker 2: Yeah.

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Speaker 1: I think that's generalization because that's who some people we meet,

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Speaker 1: But I don't think it's fully true, especially for the

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Speaker 1: people listening to this podcast were like, stuck it out

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Speaker 1: with you till the end, but to be risen to

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Speaker 1: the top and then to say your show is kind

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Speaker 1: of wavering creatively and then you are like, oh, you

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Speaker 1: get canceled. Nobody wants us to get canceled.

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Speaker 2: I thank the good news is I think to an extent,

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Speaker 2: like Ryan did, sort of hold her hands and prepare

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Speaker 2: us for that from the very beginning those conversations. If

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Speaker 2: the show may work, it may not work, and it

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Speaker 2: does work, they're going to build us up to take

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Speaker 2: us down, and we would have those check ins. Yes,

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Speaker 2: But as it's like any sort of lesson in life,

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Speaker 2: as much as you are told what will probably happen

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Speaker 2: and what you will probably feel, unless you actually experience it,

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Speaker 2: you are cool. Thanks for that, And it was yeah,

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Speaker 2: very much. And I feel like if you talk to anybody,

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Speaker 2: you can feel the difference. You can absolutely feel the

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Speaker 2: crew feels the difference. Us as actors feel the difference.

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Speaker 2: I'm sure in all stages of production and executive they

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Speaker 2: feel that difference. And it's a weird thing. It's a

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Speaker 2: weird thing to like not let it get to you,

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Speaker 2: get into your head, like we still have a job.

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Speaker 2: We don't control who watches the show or how many

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Speaker 2: people watch the show exactly. But I mean that's when

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Speaker 2: I had that conversation with Darren and he was like,

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Speaker 2: I've always wondered what it would feel like to be

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Speaker 2: on a show that was sort of going downhill ratings wise. Yeah. Yeah,

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Speaker 2: he was like, it just sort of feels like the

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Speaker 2: cat was trying to cross the road and got hit

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Speaker 2: by a car, but it's still and it's still trying to.

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Speaker 1: Like cross clause across.

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Speaker 4: Yeah.

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Speaker 2: I was like, yeah, it did sort of feel like that,

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Speaker 2: not necessarily four, no, but heading into five because obviously

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Speaker 2: there's a lot of personal, behind the scenes stuff that

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Speaker 2: starts season five. Yeah.

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Speaker 1: Yeah, things unforeseen circumstances, yes.

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Speaker 2: And then besides that, the work business side of it

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Speaker 2: just feels yep, sort of shitty. Not the work environment.

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Speaker 2: Nothing changed in terms of us having no no, no,

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Speaker 2: but it's related in some ways. We'll get there.

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Speaker 1: I'm already we're close to it, So I'm really curious

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Speaker 1: to watch these episodes and and see how the where

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Speaker 1: the decline happens and why.

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Speaker 2: Yeah, because we had finished this was like the first hiatus,

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Speaker 2: We're like, Okay, what is the contract pick up going

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Speaker 2: to be what is what?

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Speaker 4: We didn't sure we didn't know. Okay, we haven't talked

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Speaker 4: about the songs in this episode. Well we must because

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Speaker 4: there's so many. So we have sign Sealed Delivered. I'm

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Speaker 4: Yours performed by Kitty in the new.

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Speaker 1: Directions, Superstition performed by Blaine Marley Mercedes in the new directions.

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Speaker 2: You Were in My Life performed by Kurt, Kitty Marley

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Speaker 2: and Tina. I Wish perform My Chake and for Once

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Speaker 2: in My Life performed by Artie.

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Speaker 1: So cute. Okay, just a reminder. Signed Sealed Delivered was

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Speaker 1: the song there was the Glee. This was the episode

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Speaker 1: I was playing on the plane when we were coming

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Speaker 1: back from Hawaii and you and I were sitting in

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Speaker 1: first class and Becka was sitting in economy and this

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Speaker 1: came on and we went back to economy. We went

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Speaker 1: back with the peasants and we sat there and let

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Speaker 1: me tell you, we didn't buy these seats. Kevin and

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Speaker 1: I got upgraded from three because we would not have

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Speaker 1: paid for that.

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Speaker 2: I paid, No, you upgraded for free. I paid for

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Speaker 2: my upgrade.

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Speaker 1: You paid for it. Okay.

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Speaker 2: My boyfriend at the time loves an upgrade and convinced me,

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Speaker 2: and I was like, sure, we're going to Hawaii, let's

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Speaker 2: do it.

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Speaker 1: Well, our lives weren't quite mean in the mouth, clearally okay,

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Speaker 1: tell me the episode summary.

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Speaker 2: The members of the New Directions take on the greatest

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Speaker 2: hits of musical icon Stevie Wonder. Meanwhile, already receives news

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Speaker 2: I could affect his future and his mom. And in

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Speaker 2: New York, Rachel prepares for her Funny Girl callback.

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Speaker 1: All right, this is all really cute. There's a lot happening.

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Speaker 1: This is very exciting.

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Speaker 2: Why don't we start with New York this time? I

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Speaker 2: feel like we always save it to the end. I think,

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Speaker 2: why don't we jump.

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Speaker 1: Into New York? So Rachel calls Will. She opens it

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Speaker 1: opened the hell. Episode opens with like her calling Will

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Speaker 1: and telling him that she's in the final callbacks for

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Speaker 1: Funny Girls between her and two other girls, and she's

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Speaker 1: basically thanking him for everything that he's done and saying

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Speaker 1: that it's because of him. And she told him that

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Speaker 1: she's saying, don't stop believing.

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Speaker 2: It was very still freaking me out to see Will

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Speaker 2: having like friendships with the students outside of it, it

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Speaker 2: feels like when you see your teacher outside of school.

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Speaker 1: It's funny because I had a mentor who was like

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Speaker 1: mister Shoe. It wasn't quite like this where we were

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Speaker 1: in his wedding or anything, you know what I mean.

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Speaker 1: You're like saying it is like events and stuff. But

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Speaker 1: we were very tight a specially after school, like especially

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Speaker 1: after graduation. High school ended, yes, and we were and

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Speaker 1: then it was more appropriate to I mean, we were very,

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Speaker 1: very very close because my my brother knew him too,

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Speaker 1: so like I've known him since I was talking literally,

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Speaker 1: but so the family friends. But also I would have

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Speaker 1: called him and texted him after like I graduated too,

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Speaker 1: So this doesn't seem quite as like a man of honor.

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Speaker 1: It doesn't make sense. Yeah, yeah, okay, fair enough, fair enough,

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Speaker 1: especially when he cries and Will tells the glee club

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Speaker 1: obviously that that she's got some news. So he ends

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Speaker 1: up doing that whole assignment based off of that, which

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Speaker 1: is off the cuff again and once again not surprised.

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Speaker 1: But back to New York's Cassandra, this is very out

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Speaker 1: of character. I'm curious to hear what you think about

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Speaker 1: this whole switch. But Cassandra finds out about it. And

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Speaker 1: she Rachel has to tell her because she needs her

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Speaker 1: to sign off. And this scene with the three of

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Speaker 1: them in the hallway of them telling Rachel that she

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Speaker 1: needs to get a teacher to side, and this is

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Speaker 1: so funny. The gays are really just so many jokes

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Speaker 1: and puns.

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Speaker 2: I mean, it was like a Caddie Petty one two three.

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Speaker 2: I loved it. I did love that sort of that

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Speaker 2: trope of what was happening. And they run back to

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Speaker 2: Cassandra to be like because they were basically baiting her

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Speaker 2: to see if if she would reveal that she is

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Speaker 2: actually down to the final three of a Funny Girl,

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Speaker 2: and then she is. He reveals it, and they go

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Speaker 2: to Cassandra and tell her, thinking that Cassandra is going

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Speaker 2: to be pissed about it, and she does seem pissed

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Speaker 2: about it at first. In that moment, I was like,

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Speaker 2: I just missed Cassandra. Why isn't she that How are

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Speaker 2: they going to have this storyline with her and involved?

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Speaker 2: And then she's there.

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Speaker 1: Does her hair look longer in this episode?

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Speaker 2: It looks so good? It is it longer?

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Speaker 1: It definitely looks longer, it looks a little wilder. I

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Speaker 1: loved she looks good. Yeah, no, she doesn't look good

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Speaker 1: all the time, but she looks really good. And Cassandra

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Speaker 1: like intimidates Rachel by rescheduling her midterm to the next morning.

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Speaker 1: She has to do balancine. Is that right? Is that who?

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Speaker 1: She says, I can't remember who it is, but she

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Speaker 1: has to do this crazy solo dance and it's all

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Speaker 1: a ruse, a ruse thank you to actually surprising her

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Speaker 1: with like a dance number to like wish her luck

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Speaker 1: and like help her get through it with you know,

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Speaker 1: as like an ensemble together or a group, and like

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Speaker 1: they come out with signs and then there's a band

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Speaker 1: and they perform, and I was like, what's up her sleeve?

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Speaker 1: What is she doing here? What's coming? And you realize

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Speaker 1: it's nothing. It's actually that they are just resolving their

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Speaker 1: whole thing because we think, what do we think Rachel's

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Speaker 1: gonna get funny girl and then they're going to go

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Speaker 1: and she's never going to see me out it again.

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Speaker 1: That's what I thought, as of you are. I loved

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Speaker 1: them getting along though, because they're so honest about why

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Speaker 1: they were the way they were to each other. Like

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Speaker 1: I didn't hate it. I wasn't like, oh, this feels

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Speaker 1: stupid and like, you know, a bait and switch kind

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Speaker 1: of thing, like it was really it's real.

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Speaker 2: It's like a classic mentor mentee in like theater musical

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Speaker 2: theater storyline.

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Speaker 1: Tough and tough love kind of thing. Saw the best

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Speaker 1: and you know, I saw something in you going to

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Speaker 1: bring out the best of you. Let let me just

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Speaker 1: like tough love you.

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Speaker 2: I do wish there was I love the scene, like

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Speaker 2: the reveal of the Stevie song, the performance, all that

400
00:22:01,560 --> 00:22:05,240
Speaker 2: was really great. And I felt like this about several

401
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Speaker 2: conversations in this episode, not just with them, but there

402
00:22:08,520 --> 00:22:10,239
Speaker 2: was a lot to cover in this episode, and there

403
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Speaker 2: was a lot of music, so it felt like one

404
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Speaker 2: of those things where they were jamming in a lot

405
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Speaker 2: and like a lot of story and.

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Speaker 1: Just a sentence and a lot of music.

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Speaker 2: And so it felt like their resolution. It's like, oh, well, yeah,

408
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Speaker 2: I pushed you so hard because I saw something in

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Speaker 2: you from the first day. I was like, well, I

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Speaker 2: don't know if that's true.

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Speaker 1: Right, seems like you were jelling, you know.

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Speaker 2: You were actually just being mean, and at some point

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Speaker 2: you started to respect her because she didn't back down.

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Speaker 2: And that's what you liked that, So I do wish

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Speaker 2: there was like because their relationship always was so like

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Speaker 2: blunt and honest and hard and it was I just

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Speaker 2: wish there was a little more of that even with

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Speaker 2: coming around in that screen.

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Speaker 1: It could have been a little bit more justified and

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Speaker 1: like given a little bit more time. But like is

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Speaker 1: what you're saying, But it just but it was.

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Speaker 2: Like she had two sentences to get her point across,

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Speaker 2: basically to like resolve the entire storyline.

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Speaker 1: I'll say, though I love the number.

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Speaker 2: I love all of it. These I know are just

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Speaker 2: like nitpicky.

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Speaker 1: Totally no, no, totally, but I love the number. I

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Speaker 1: really enjoyed it. I think I always enjoy a Cassandra

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Speaker 1: Rachel number, but like this one was like even better

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Speaker 1: because they weren't dueling. They were like actually celebrating. So

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Speaker 1: I thought that was really fun. It just makes me

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Speaker 1: want more of Cassandra, oh totally. And I want to

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Speaker 1: see like her as shape p interact, love them, love them.

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Speaker 1: I wanted more of that too. Yeah, really enjoy that

435
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Speaker 1: these storylines with these big stars just bringing it.

436
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Speaker 2: And I will say I think this goes to Ryan

437
00:23:59,760 --> 00:24:03,840
Speaker 2: said up in the very beginning with Bert where when

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00:24:03,920 --> 00:24:06,560
Speaker 2: you have it's sort of aspirational because obviously you're not

439
00:24:06,600 --> 00:24:09,720
Speaker 2: always going to in real life have these figures in

440
00:24:09,760 --> 00:24:12,520
Speaker 2: your life that will push you and challenge you to

441
00:24:12,640 --> 00:24:18,600
Speaker 2: be better and care to make you better. Yep. And

442
00:24:18,800 --> 00:24:22,560
Speaker 2: Bert was like the dad everybody wants growing up, and

443
00:24:22,840 --> 00:24:26,560
Speaker 2: Cassandra and s JP are these even though Cassandra didn't

444
00:24:26,600 --> 00:24:30,840
Speaker 2: necessarily handle it all the best way, but in the

445
00:24:30,960 --> 00:24:34,280
Speaker 2: end it worked out. And being able to have these

446
00:24:34,320 --> 00:24:37,360
Speaker 2: people in your life to push you, like Kurt, having

447
00:24:37,960 --> 00:24:42,840
Speaker 2: someone at Vogue dot Com to mentor and I say,

448
00:24:43,160 --> 00:24:45,640
Speaker 2: like spread your wings, also go to school and do this,

449
00:24:46,240 --> 00:24:49,560
Speaker 2: those are really huge things for a young person's or any.

450
00:24:49,400 --> 00:24:51,760
Speaker 1: State here, like you can do it all or you

451
00:24:51,760 --> 00:24:53,920
Speaker 1: can do yeah, you can do whatever you wan want.

452
00:24:54,000 --> 00:24:56,800
Speaker 2: Yeah, and I do like that that has continued throughout

453
00:24:57,520 --> 00:24:58,960
Speaker 2: the life of this show.

454
00:24:59,280 --> 00:25:01,600
Speaker 1: Yeah, I agree. It's like a lot of guidance and

455
00:25:02,640 --> 00:25:04,080
Speaker 1: leadership in that way.

456
00:25:04,359 --> 00:25:04,560
Speaker 3: Yeah.

457
00:25:04,560 --> 00:25:08,440
Speaker 2: That sets Rachel up for her second callback next episode.

458
00:25:08,520 --> 00:25:11,399
Speaker 2: Down to three people, what did you think about the

459
00:25:11,400 --> 00:25:14,880
Speaker 2: final three? It was her and Mamie Gummer.

460
00:25:15,200 --> 00:25:21,080
Speaker 1: And Sutton And which is ironic because John Groff is

461
00:25:21,119 --> 00:25:24,520
Speaker 1: a huge Sutton Foster fan. Was a huge Setton Foster fan,

462
00:25:25,240 --> 00:25:29,080
Speaker 1: like big, big fan of other friends. But of course,

463
00:25:29,680 --> 00:25:32,439
Speaker 1: but I thought that was really funny. Also, sudden is

464
00:25:32,520 --> 00:25:34,680
Speaker 1: not Funny Girl. Rachel was totally right.

465
00:25:36,320 --> 00:25:38,359
Speaker 2: I love that she's like, she's in Bunheads. And do

466
00:25:38,400 --> 00:25:41,280
Speaker 2: you remember Kelly, who by this point is in the

467
00:25:41,280 --> 00:25:45,200
Speaker 2: writer's office and Jess Meyer. Everyone would talk about bunheads,

468
00:25:45,240 --> 00:25:46,600
Speaker 2: We'd make jokes about bunheads.

469
00:25:46,680 --> 00:25:47,920
Speaker 1: Obsessed with bunheads.

470
00:25:48,080 --> 00:25:51,120
Speaker 2: Yes, and so it was sort of like an internal

471
00:25:51,280 --> 00:26:01,919
Speaker 2: no to like all of the internal Bunhead fans.

472
00:26:03,720 --> 00:26:05,520
Speaker 1: Everything else is happening? Is in?

473
00:26:06,800 --> 00:26:06,920
Speaker 2: Is it?

474
00:26:07,119 --> 00:26:11,399
Speaker 1: McKinley? And basically, like I said, mister Shud decides to

475
00:26:11,400 --> 00:26:13,800
Speaker 1: celebrate Rachel's you know, big win of being in the

476
00:26:13,840 --> 00:26:18,600
Speaker 1: finals for Funny Girl is going to be Stevie Wonder Week.

477
00:26:18,640 --> 00:26:21,800
Speaker 1: And then he also announces in the choir room again

478
00:26:21,960 --> 00:26:25,959
Speaker 1: kind of like in one sentence, us like all celebrating

479
00:26:26,000 --> 00:26:28,160
Speaker 1: these wins, but like we just had to get them out,

480
00:26:28,240 --> 00:26:31,240
Speaker 1: so we did it. In the choir room, he announces

481
00:26:31,320 --> 00:26:35,359
Speaker 1: him and Emma getting married again. Yeah, and then Tina

482
00:26:35,480 --> 00:26:40,760
Speaker 1: is also randomly waitlisted at the Columbus College of Veterinary Medicine.

483
00:26:41,400 --> 00:26:46,600
Speaker 1: I don't remember that at all. It was like, where

484
00:26:46,640 --> 00:26:48,960
Speaker 1: does she if? We listed and then I said it

485
00:26:49,000 --> 00:26:54,280
Speaker 1: and was like, oh, okay, A lot of my memory

486
00:26:54,320 --> 00:26:57,800
Speaker 1: is gone from this episode. I will say that it.

487
00:26:57,800 --> 00:26:59,480
Speaker 2: All came back to me watching it. I remember a

488
00:26:59,480 --> 00:26:59,800
Speaker 2: lot of.

489
00:26:59,720 --> 00:27:02,840
Speaker 1: It didn't actually for me. I I'm in numbers that

490
00:27:02,880 --> 00:27:06,240
Speaker 1: I'm watching myself with zero recollection of ever doing them.

491
00:27:06,760 --> 00:27:08,280
Speaker 1: This one must have been a weird one for me

492
00:27:08,359 --> 00:27:11,880
Speaker 1: because I I was there. Yeah, I wasn't there.

493
00:27:12,080 --> 00:27:13,679
Speaker 2: It's towards the end and if you don't have a

494
00:27:13,680 --> 00:27:15,160
Speaker 2: lot to do in it, I will say.

495
00:27:15,160 --> 00:27:18,520
Speaker 1: We were also shooting this one and our finale in

496
00:27:18,520 --> 00:27:21,760
Speaker 1: Tanna at the same time. So I think the finale

497
00:27:21,840 --> 00:27:23,760
Speaker 1: is going to stick out more to me because that

498
00:27:23,920 --> 00:27:25,440
Speaker 1: is very clear in my mind.

499
00:27:25,640 --> 00:27:28,359
Speaker 2: Also, where's Heather pregnant?

500
00:27:28,880 --> 00:27:31,680
Speaker 1: Yeah? Did they give her an episode off before the final? Now?

501
00:27:31,760 --> 00:27:33,960
Speaker 2: I think so? They talk about it. Yeah, I mean

502
00:27:34,000 --> 00:27:37,280
Speaker 2: the reference that she's visiting in my t for early acceptance.

503
00:27:37,400 --> 00:27:39,320
Speaker 1: Oh that's what they say. Okay, okay, got it. Yeah,

504
00:27:39,359 --> 00:27:40,919
Speaker 1: I think they you've read an episode off because she

505
00:27:40,960 --> 00:27:42,399
Speaker 1: was losing her marbles and.

506
00:27:42,520 --> 00:27:44,680
Speaker 2: Very she needs. Yeah, she was pregnant, she needs.

507
00:27:45,000 --> 00:27:48,080
Speaker 1: Kudos to her. I don't know how she's yeah, and

508
00:27:48,119 --> 00:27:51,640
Speaker 1: then obviously Mercedes, Mike, Curtain are all back in down

509
00:27:51,680 --> 00:27:54,320
Speaker 1: to help us get ready for regionals.

510
00:27:53,960 --> 00:27:56,320
Speaker 2: And Tina feels some sort of way about it because

511
00:27:57,600 --> 00:28:07,160
Speaker 2: Becca performs a number and Mercedes, which is great, but yeah.

512
00:28:06,960 --> 00:28:11,240
Speaker 1: Okay, first of all, that whole issue is like She's like, Okay,

513
00:28:11,280 --> 00:28:13,040
Speaker 1: that was good, but like we need to be great,

514
00:28:13,040 --> 00:28:15,240
Speaker 1: And I was like, what are what else are you

515
00:28:15,359 --> 00:28:16,120
Speaker 1: expecting from?

516
00:28:16,160 --> 00:28:20,600
Speaker 2: They're not lining up? Because Becca, that was smash her

517
00:28:20,640 --> 00:28:21,399
Speaker 2: best performance.

518
00:28:21,480 --> 00:28:22,200
Speaker 1: No, totally.

519
00:28:22,320 --> 00:28:27,320
Speaker 2: I was like, wow, yeah, it was absolutely insane. She's dancing,

520
00:28:27,760 --> 00:28:31,800
Speaker 2: she's giving us choreography, she's giving us vocals.

521
00:28:31,160 --> 00:28:36,280
Speaker 1: Such a charisma and literally like backup dancers. And then

522
00:28:36,600 --> 00:28:42,560
Speaker 1: Mercedes gets up and I was like what that was

523
00:28:42,600 --> 00:28:44,440
Speaker 1: my very visceral reaction to that.

524
00:28:45,000 --> 00:28:48,800
Speaker 2: But I loved the comedy when you say like, we

525
00:28:48,840 --> 00:28:50,600
Speaker 2: don't need Mike, we don't need a man teaching us

526
00:28:50,600 --> 00:28:52,240
Speaker 2: how to dance, We don't need Mercedes and teach us

527
00:28:52,240 --> 00:28:54,200
Speaker 2: how to sing. And Kurt, what are you here for

528
00:28:54,320 --> 00:28:56,600
Speaker 2: to teach to critique our wardrobe?

529
00:28:56,920 --> 00:29:00,040
Speaker 1: And he's like, my dad has cancer and Tina's like, great.

530
00:29:00,280 --> 00:29:02,520
Speaker 2: Your reaction is flaw us.

531
00:29:02,920 --> 00:29:05,920
Speaker 1: It is just it's so typical Tina to do that.

532
00:29:06,160 --> 00:29:10,160
Speaker 1: She speaks out when she's really not it's not warranted,

533
00:29:10,800 --> 00:29:15,120
Speaker 1: like sometimes she is warranted. This one is one of

534
00:29:15,160 --> 00:29:18,680
Speaker 1: those moments you really shut up, Tina.

535
00:29:19,640 --> 00:29:25,440
Speaker 2: I thought you had something and you were wrong. Let's

536
00:29:25,480 --> 00:29:26,880
Speaker 2: talk about Kurt.

537
00:29:27,480 --> 00:29:28,600
Speaker 1: Stuck about Kurt.

538
00:29:28,880 --> 00:29:32,720
Speaker 2: So he's back. He's back because they are awaiting Bert's

539
00:29:33,080 --> 00:29:37,600
Speaker 2: results of his cancer treatment and we find out he's

540
00:29:37,600 --> 00:29:45,000
Speaker 2: gotten a little OCD. He's yeah, he's really stressed, and

541
00:29:45,760 --> 00:29:47,920
Speaker 2: he's doing all these things that he thinks are going

542
00:29:47,960 --> 00:29:50,640
Speaker 2: to make him have good luck or Bert have good luck,

543
00:29:51,000 --> 00:29:54,280
Speaker 2: wearing light blue socks, making sure everybody's wearing light blue,

544
00:29:54,520 --> 00:29:58,680
Speaker 2: and it was really Yeah, it was really sad and

545
00:29:58,720 --> 00:30:00,840
Speaker 2: like hard to watch him go through that.

546
00:30:01,200 --> 00:30:05,880
Speaker 1: And Blaine, like from Blaine's perspective to watching it, noticing it.

547
00:30:06,400 --> 00:30:10,160
Speaker 1: But again it's like it's it makes sense. His dad

548
00:30:10,280 --> 00:30:17,480
Speaker 1: is one and only is potentially getting a cancer diagnosis. Yes,

549
00:30:18,200 --> 00:30:19,760
Speaker 1: and you know, we know how.

550
00:30:19,640 --> 00:30:20,600
Speaker 2: That could go.

551
00:30:20,920 --> 00:30:28,280
Speaker 1: And so I appreciated seeing Kirt's journey along with Bert

552
00:30:28,720 --> 00:30:33,560
Speaker 1: Bert's journey of this. I was like, oh wow, it

553
00:30:33,600 --> 00:30:37,680
Speaker 1: was that easy. He's in remission. That's cool. But I'm

554
00:30:37,720 --> 00:30:39,880
Speaker 1: glad that it turned out that way, and glad to

555
00:30:39,920 --> 00:30:42,920
Speaker 1: have Michael Malley and and Kurt.

556
00:30:43,320 --> 00:30:44,680
Speaker 2: A little sneak peak of romy.

557
00:30:45,360 --> 00:30:48,720
Speaker 1: Yeah, Hi, Romy. It gave it a little bit more

558
00:30:48,880 --> 00:30:50,160
Speaker 1: and I appreciated that.

559
00:30:50,400 --> 00:30:52,880
Speaker 2: Yeah. What I thought was really interesting in relation to

560
00:30:53,160 --> 00:30:55,720
Speaker 2: like the state of the world was Blaine brings up

561
00:30:57,480 --> 00:31:00,280
Speaker 2: that gay marriage was legalized I think in you but

562
00:31:00,400 --> 00:31:02,160
Speaker 2: that was that was weird because I think that was

563
00:31:02,520 --> 00:31:06,040
Speaker 2: a year or two prior like that. But at the time,

564
00:31:06,160 --> 00:31:10,440
Speaker 2: there was all this stuff going on in California in

565
00:31:10,560 --> 00:31:13,960
Speaker 2: several states around the country where propositions were on the

566
00:31:14,000 --> 00:31:18,440
Speaker 2: ballot and either being legalized and then sometimes like in California,

567
00:31:18,520 --> 00:31:22,040
Speaker 2: it then being sort of challenged and removed. And then

568
00:31:22,160 --> 00:31:26,400
Speaker 2: it's not until another two years after this that gay

569
00:31:26,400 --> 00:31:30,160
Speaker 2: marriage is legalized in all of America, right, And so

570
00:31:30,280 --> 00:31:32,600
Speaker 2: it is so crazy to me that it's only been

571
00:31:32,680 --> 00:31:37,640
Speaker 2: legal for this long. I know now in twenty four

572
00:31:37,640 --> 00:31:40,960
Speaker 2: watching Glee, like we're living in a post like twenty fifteen,

573
00:31:41,200 --> 00:31:44,640
Speaker 2: marriage equality for everyone, and so like the show makes

574
00:31:44,640 --> 00:31:46,800
Speaker 2: a lot of sense because it's just a very gay show.

575
00:31:47,520 --> 00:31:50,560
Speaker 2: There's always a lot of queer characters. It just makes sense.

576
00:31:50,960 --> 00:31:52,400
Speaker 2: And so the fact that the show had been on

577
00:31:52,440 --> 00:31:56,800
Speaker 2: the air for this long and marriage equality had not

578
00:31:56,840 --> 00:31:59,440
Speaker 2: been passed by the Supreme Court yet is crazy.

579
00:32:00,000 --> 00:32:02,680
Speaker 1: It wasn't that long ago too, but it feels like

580
00:32:03,400 --> 00:32:06,120
Speaker 1: that was forever ago, because it feels like it always

581
00:32:06,120 --> 00:32:08,440
Speaker 1: should have been that. Yeah, exactly, but I just thought

582
00:32:08,480 --> 00:32:09,000
Speaker 1: that and it's like.

583
00:32:09,000 --> 00:32:12,200
Speaker 2: A little thing. It happens like really quickly. He mentions

584
00:32:12,240 --> 00:32:15,360
Speaker 2: it and like, oh, yeah, it caused all of us

585
00:32:15,360 --> 00:32:19,160
Speaker 2: to be like, thirteen, what's going on in the world. Interesting?

586
00:32:19,520 --> 00:32:24,800
Speaker 2: And then because of that, Blaine wants to Mary Kurt

587
00:32:25,880 --> 00:32:28,520
Speaker 2: he's going to propose to him and Carol, their kids

588
00:32:28,560 --> 00:32:30,280
Speaker 2: always just trying to get married so young.

589
00:32:30,600 --> 00:32:35,880
Speaker 1: No, well, this one's gonna stick. But he's like, look,

590
00:32:36,920 --> 00:32:38,800
Speaker 1: we'll just give it a sack. You guys will work

591
00:32:38,840 --> 00:32:40,360
Speaker 1: it out, but like you're really young.

592
00:32:41,400 --> 00:32:43,840
Speaker 2: Probably. These were some more scenes that I was like,

593
00:32:44,440 --> 00:32:47,960
Speaker 2: I love Bert. Bert always handles things with such like.

594
00:32:48,320 --> 00:32:52,560
Speaker 5: Class, maturity and anxiety, and it was sort of like

595
00:32:53,280 --> 00:32:57,080
Speaker 5: the way he was written in this episode just didn't

596
00:32:57,160 --> 00:33:00,280
Speaker 5: quite for me the way it normally does.

597
00:33:00,320 --> 00:33:04,080
Speaker 2: With Kurt, I agree, it felt like summarized. I felt like,

598
00:33:04,160 --> 00:33:06,640
Speaker 2: this is the spark Notes version.

599
00:33:06,440 --> 00:33:08,400
Speaker 1: Of well, that's the problem with this whole episode, I

600
00:33:08,400 --> 00:33:09,880
Speaker 1: think is we were trying to stuff in all of

601
00:33:09,880 --> 00:33:14,480
Speaker 1: the Stevie wonderful Stevie Stevie wonder and then also a

602
00:33:14,520 --> 00:33:17,160
Speaker 1: ton of storylines, not just Kurt, because like a lot

603
00:33:17,200 --> 00:33:18,960
Speaker 1: of the time, we'll have a curtain Bert storyline that

604
00:33:18,960 --> 00:33:21,760
Speaker 1: will be an a storyline, right, and this one is

605
00:33:21,840 --> 00:33:25,640
Speaker 1: like a but there's you know, a through p.

606
00:33:26,240 --> 00:33:29,960
Speaker 2: You know so well, it's a by association of like

607
00:33:30,000 --> 00:33:33,520
Speaker 2: how the storyline normally is, but it's actually not one

608
00:33:33,520 --> 00:33:35,200
Speaker 2: of the main storylines truncated.

609
00:33:35,560 --> 00:33:39,560
Speaker 1: Yeah, but anyway, Bert actually is in remission, which is great,

610
00:33:40,240 --> 00:33:43,280
Speaker 1: and Kurt sings a number to him in the choir

611
00:33:43,440 --> 00:33:47,000
Speaker 1: room with the help of all of us. It was cute,

612
00:33:47,960 --> 00:33:51,080
Speaker 1: You were cute. It was fine. Did you have fun

613
00:33:51,160 --> 00:33:57,160
Speaker 1: doing that? I don't remember it, sadly. This was one

614
00:33:57,240 --> 00:34:00,760
Speaker 1: of those numbers though that also we learned that day.

615
00:34:01,120 --> 00:34:05,080
Speaker 2: That makes sense, you know, it is one of those too.

616
00:34:05,200 --> 00:34:07,000
Speaker 2: But it doesn't look like that's all.

617
00:34:07,480 --> 00:34:09,440
Speaker 1: But he kind of feels like it a little bit

618
00:34:09,560 --> 00:34:11,239
Speaker 1: like when I watch it back, I'm like, oh, this

619
00:34:11,280 --> 00:34:14,600
Speaker 1: is cute. It totally works for what it is. Yes,

620
00:34:14,880 --> 00:34:17,000
Speaker 1: you know, we didn't need a rehearsal for it. We

621
00:34:17,000 --> 00:34:21,200
Speaker 1: were also rasing for three numbers for regional regionals.

622
00:34:21,520 --> 00:34:24,840
Speaker 2: It's also nice to get to this point where every

623
00:34:25,040 --> 00:34:28,680
Speaker 2: department just trusts one another and that like Brooke and

624
00:34:28,760 --> 00:34:31,600
Speaker 2: Peacock at the time, could just show up and be like,

625
00:34:31,800 --> 00:34:33,960
Speaker 2: do this. We're just going to learn this, and they

626
00:34:34,000 --> 00:34:36,160
Speaker 2: know you can pick it up, and they know how

627
00:34:36,200 --> 00:34:37,960
Speaker 2: your body's move. You know how they teach.

628
00:34:38,200 --> 00:34:38,640
Speaker 1: That's right.

629
00:34:38,800 --> 00:34:42,320
Speaker 2: Peacock, by the way, who was an assistant choreographer. Was

630
00:34:42,360 --> 00:34:46,160
Speaker 2: it the season? I think yes. Peacock has gone on

631
00:34:46,800 --> 00:34:51,120
Speaker 2: to become like a massive music video director. He's done

632
00:34:51,280 --> 00:34:55,360
Speaker 2: everything with Billie Eilish, amazing with all these different artists

633
00:34:55,360 --> 00:34:58,960
Speaker 2: he's with nineteen seventy five. He's just incredibly talented in

634
00:34:59,000 --> 00:35:03,440
Speaker 2: the sweetest human and credible dancer. And yeah, he loved him,

635
00:35:03,480 --> 00:35:05,480
Speaker 2: Matthew Peacott, look him up.

636
00:35:05,800 --> 00:35:09,280
Speaker 1: Mercedes is also helping to coach everybody in the New Direction.

637
00:35:09,440 --> 00:35:11,480
Speaker 1: She becomes the vocal coach. She's one of our best

638
00:35:11,920 --> 00:35:17,080
Speaker 1: obviously vocalists. She is the best vocalist New Directions ever had,

639
00:35:18,120 --> 00:35:21,360
Speaker 1: and she's having trouble making her album in Los Angeles.

640
00:35:21,440 --> 00:35:23,560
Speaker 1: They really want to paint this picture of her and

641
00:35:23,880 --> 00:35:26,960
Speaker 1: kind of sexualize her and make get her to sell records,

642
00:35:27,000 --> 00:35:33,759
Speaker 1: and you know, she's having trouble kind of figuring out

643
00:35:33,800 --> 00:35:35,839
Speaker 1: who she wants to be versus who they want her

644
00:35:35,880 --> 00:35:39,080
Speaker 1: to be, and so they're dropping her from the album

645
00:35:39,120 --> 00:35:46,480
Speaker 1: from their like lineup, and she sings a couple of

646
00:35:46,600 --> 00:35:50,880
Speaker 1: really great songs God some of them, which is the

647
00:35:50,880 --> 00:35:53,040
Speaker 1: one it was superstition that she sings and tells us

648
00:35:53,040 --> 00:35:57,040
Speaker 1: about the album.

649
00:35:55,640 --> 00:35:59,759
Speaker 2: Well, at the end, it's higher ground. High Superstition is

650
00:35:59,800 --> 00:36:04,560
Speaker 2: when she's challenging Marley to have more presence in her

651
00:36:04,680 --> 00:36:08,840
Speaker 2: voice and do more runs and things and Melissa. I know,

652
00:36:08,880 --> 00:36:11,560
Speaker 2: we keep talking about how great Melissa has been the season,

653
00:36:11,640 --> 00:36:16,160
Speaker 2: but she shows up like they sound so good together.

654
00:36:16,320 --> 00:36:17,960
Speaker 2: They both sound crazy.

655
00:36:18,320 --> 00:36:20,080
Speaker 1: They really do. They really brought it.

656
00:36:20,040 --> 00:36:23,640
Speaker 2: A great way. I remember doing this just sort of

657
00:36:23,680 --> 00:36:26,640
Speaker 2: being an awe. We had basically nothing to do. Yeah,

658
00:36:27,000 --> 00:36:31,200
Speaker 2: And obviously when we're doing these numbers, we haven't really

659
00:36:31,400 --> 00:36:33,440
Speaker 2: when there isn't a full dance that we've had to

660
00:36:33,440 --> 00:36:35,879
Speaker 2: rehearse to ye, like this was also something we learned

661
00:36:35,880 --> 00:36:38,319
Speaker 2: on the day. This is the first time we're hearing

662
00:36:38,320 --> 00:36:43,280
Speaker 2: the song yeah, and oh my god, I just remember

663
00:36:43,360 --> 00:36:46,960
Speaker 2: hearing it being like, Amber, you're just an insane human.

664
00:36:47,160 --> 00:36:47,520
Speaker 3: I know.

665
00:36:47,920 --> 00:36:51,120
Speaker 1: And Melissa do I remember like that first one that

666
00:36:51,160 --> 00:36:52,799
Speaker 1: they try to get her to run and she's like,

667
00:36:52,960 --> 00:36:55,280
Speaker 1: use more breath control and blah blah blah. I remember

668
00:36:55,320 --> 00:36:57,319
Speaker 1: shooting that. That's like one of the main things I

669
00:36:57,360 --> 00:36:59,160
Speaker 1: remember shooting this episode.

670
00:37:00,000 --> 00:37:02,239
Speaker 2: Cause it' also mostly just really good. So like, how

671
00:37:02,239 --> 00:37:04,200
Speaker 2: are you going to try to make her not sound

672
00:37:04,239 --> 00:37:07,759
Speaker 2: as good as she tried? She tried, but it still

673
00:37:07,800 --> 00:37:11,360
Speaker 2: sounded good. They sound great together. I loved the vocals

674
00:37:11,360 --> 00:37:14,759
Speaker 2: on this number. But then Mercedes does reveal that she's

675
00:37:15,200 --> 00:37:18,920
Speaker 2: you know, gonna, you know, leave the leave the label

676
00:37:18,960 --> 00:37:23,759
Speaker 2: and felt focused on us and herself, and I don't

677
00:37:23,800 --> 00:37:26,960
Speaker 2: remember what she says, but it's a it's basically that

678
00:37:27,040 --> 00:37:33,040
Speaker 2: she's choosing herself and her integrity over the art and

679
00:37:33,160 --> 00:37:36,920
Speaker 2: the and the album sales. And I love like nothing

680
00:37:37,000 --> 00:37:42,200
Speaker 2: dates a show more than technology. And when Kurt is

681
00:37:42,239 --> 00:37:45,480
Speaker 2: like talking about your CD and then Mercedes talks about

682
00:37:45,520 --> 00:37:50,160
Speaker 2: here's my CDs, Like, yeah, even.

683
00:37:50,040 --> 00:37:53,360
Speaker 1: Then, it was like a little outdated, even you know,

684
00:37:54,280 --> 00:37:56,200
Speaker 1: I feel like you still had CDs and a few

685
00:37:56,200 --> 00:37:57,880
Speaker 1: other people but like not.

686
00:37:57,920 --> 00:37:59,839
Speaker 2: Really that was the thing.

687
00:38:00,200 --> 00:38:02,120
Speaker 1: No, it was like the iPod life.

688
00:38:02,280 --> 00:38:07,000
Speaker 2: That just made me yeah, yeah, yeah a surez. Music

689
00:38:07,040 --> 00:38:09,959
Speaker 2: business stuff always irks me in TV, in film because

690
00:38:09,960 --> 00:38:13,560
Speaker 2: it's always just it's always just cliches. It's never right

691
00:38:13,920 --> 00:38:17,160
Speaker 2: right exactly. But I mean because of that, we get

692
00:38:17,200 --> 00:38:22,400
Speaker 2: another Amber singing Stevie song. Oh so like thankful for that,

693
00:38:22,840 --> 00:38:25,520
Speaker 2: grateful for it, and like if we ever did another tour,

694
00:38:25,760 --> 00:38:28,120
Speaker 2: that would Higher Ground would have to end. I mean

695
00:38:28,160 --> 00:38:29,799
Speaker 2: a lot of these songs I think would end up

696
00:38:29,800 --> 00:38:30,200
Speaker 2: on the tour.

697
00:38:30,440 --> 00:38:33,280
Speaker 1: You think so, I think so, yeah, because they're bops

698
00:38:33,320 --> 00:38:37,000
Speaker 1: and they're they're the feel good they're obviously great not

699
00:38:37,080 --> 00:38:41,200
Speaker 1: as songs, and then yeah, they're all pretty upbeat too.

700
00:38:41,880 --> 00:38:45,840
Speaker 2: I would also like to point out that they put

701
00:38:46,560 --> 00:38:50,360
Speaker 2: some effect on the vocals on every single song on

702
00:38:50,520 --> 00:38:54,759
Speaker 2: here that made it have a more vintage sound, like

703
00:38:54,800 --> 00:38:59,120
Speaker 2: a seventies ish sound, and it sounds so good. They

704
00:38:59,200 --> 00:39:01,560
Speaker 2: just did a hint of it. It's just like a

705
00:39:01,680 --> 00:39:04,880
Speaker 2: light dusting of it, and I forgot about it. And

706
00:39:04,920 --> 00:39:08,040
Speaker 2: then once Becka started singing, sign Sealed delivers like, oh yeah,

707
00:39:08,080 --> 00:39:09,319
Speaker 2: it's like this little.

708
00:39:09,320 --> 00:39:12,920
Speaker 1: Yeah, I agree, yeah, I'm saying it.

709
00:39:12,200 --> 00:39:15,720
Speaker 2: Makes it just makes everything sound so much better. Everyone sounds.

710
00:39:15,719 --> 00:39:18,440
Speaker 2: So everyone sounds good no matter what, but this is

711
00:39:18,560 --> 00:39:21,480
Speaker 2: especially good. Yeah. I love that they did that, just

712
00:39:21,520 --> 00:39:24,839
Speaker 2: a little nod to the era that we're referencing. It's

713
00:39:24,880 --> 00:39:26,759
Speaker 2: a really cool, subtle thing that I think makes a

714
00:39:26,800 --> 00:39:31,879
Speaker 2: really big impact.

715
00:39:36,080 --> 00:39:38,480
Speaker 1: Let's talk about Katy and Artie because this is one

716
00:39:38,480 --> 00:39:42,880
Speaker 1: of my favorite storylines of the episode. So Kitty's like

717
00:39:43,320 --> 00:39:46,520
Speaker 1: approaches Artie about being depressed and then you know, you're like,

718
00:39:46,560 --> 00:39:48,680
Speaker 1: I'm not depressed, but then you like that makes me

719
00:39:48,719 --> 00:39:52,000
Speaker 1: more depressed, so you are depressed and she confirms it.

720
00:39:52,040 --> 00:39:53,920
Speaker 2: But it was also funny because like when was he

721
00:39:53,960 --> 00:39:54,719
Speaker 2: ever depressed?

722
00:39:55,640 --> 00:39:58,080
Speaker 1: Well we don't know behind the scenes, you don't know

723
00:39:58,120 --> 00:40:02,719
Speaker 1: what people happens at home. But but but we find out

724
00:40:02,760 --> 00:40:06,719
Speaker 1: that Artie was accepted to the Brooklyn Film Academy in

725
00:40:06,840 --> 00:40:09,520
Speaker 1: New York and he blames on his mom about being

726
00:40:09,520 --> 00:40:13,560
Speaker 1: in the city alone. I love this. This is the

727
00:40:13,640 --> 00:40:15,840
Speaker 1: beginning of the Kitty Arty right.

728
00:40:16,400 --> 00:40:19,600
Speaker 2: Yeah, and fun fact, Kelly named the Brooklyn Film Academy.

729
00:40:20,239 --> 00:40:25,000
Speaker 2: He did because they couldn't technically use to be like

730
00:40:25,040 --> 00:40:28,440
Speaker 2: Columbia got it and they couldn't for some reason, you

731
00:40:28,560 --> 00:40:29,360
Speaker 2: get it approved.

732
00:40:29,680 --> 00:40:33,640
Speaker 1: Yeah, this is a great storyline. I'm not quite sure

733
00:40:33,640 --> 00:40:37,200
Speaker 1: why Katy gets so involved, but I love it and

734
00:40:37,239 --> 00:40:41,799
Speaker 1: I don't care. This was really great. What did you

735
00:40:41,840 --> 00:40:44,040
Speaker 1: think when you read this? And also when you found

736
00:40:44,040 --> 00:40:45,759
Speaker 1: out that Katie's is going to be your mom?

737
00:40:46,640 --> 00:40:52,839
Speaker 2: So I met Katie Segal at some Fox party because

738
00:40:52,840 --> 00:40:56,560
Speaker 2: she was on Sons of Anarchy that her husband created.

739
00:40:56,719 --> 00:41:01,080
Speaker 1: Dream and Paris was a big Yes, it was very.

740
00:41:00,960 --> 00:41:04,400
Speaker 2: Much weirdly in the Glee family. There was crossover like that,

741
00:41:04,880 --> 00:41:11,040
Speaker 2: and she, obviously, Katie Sigal is like a legend in

742
00:41:11,080 --> 00:41:15,640
Speaker 2: an icon and I knew who she was. She stopped

743
00:41:15,680 --> 00:41:18,920
Speaker 2: me at a Fox party and was like, I can sing.

744
00:41:19,400 --> 00:41:21,239
Speaker 2: Tell Ryan, I can sing, I want to come on

745
00:41:21,280 --> 00:41:25,279
Speaker 2: the show. I can play your mom. She told me

746
00:41:25,719 --> 00:41:27,799
Speaker 2: very early on. That might have been towards the end

747
00:41:27,840 --> 00:41:29,919
Speaker 2: of the first season or second season. Did you tell

748
00:41:30,000 --> 00:41:35,200
Speaker 2: Ryan yes and so? And I think and I think

749
00:41:35,280 --> 00:41:38,600
Speaker 2: they her people must have also conveyed that on their end,

750
00:41:39,320 --> 00:41:41,880
Speaker 2: and so when it came time, and I don't know

751
00:41:41,920 --> 00:41:45,840
Speaker 2: if I brought it up several times, but it's like

752
00:41:45,880 --> 00:41:48,000
Speaker 2: one of those things, you know, when you say something

753
00:41:48,040 --> 00:41:50,120
Speaker 2: to Ryan, he doesn't necessarily be like, oh, yeah, it's

754
00:41:50,160 --> 00:41:54,200
Speaker 2: a great ideas. Yes, you can see him absorbing it

755
00:41:54,239 --> 00:41:56,640
Speaker 2: and processing it, and then it's like, Okay, here we

756
00:41:56,680 --> 00:42:00,920
Speaker 2: are at the end of season four and watching it.

757
00:42:00,920 --> 00:42:03,879
Speaker 2: It was just so surreal because you know, when you're

758
00:42:03,880 --> 00:42:05,680
Speaker 2: doing it, we're used to it. Like we said, we

759
00:42:06,040 --> 00:42:09,120
Speaker 2: get a little desensitized to these things. Yeah, that being said,

760
00:42:09,160 --> 00:42:12,920
Speaker 2: I didn't get I knew the gravity of the situation,

761
00:42:12,960 --> 00:42:16,280
Speaker 2: where like Katie sekaal is a big deal in TV,

762
00:42:17,320 --> 00:42:19,879
Speaker 2: Like we grew up. She was always on TV.

763
00:42:20,360 --> 00:42:21,919
Speaker 1: She's a TV star.

764
00:42:22,239 --> 00:42:26,240
Speaker 2: And I was very nervous, and I love their scene

765
00:42:26,280 --> 00:42:30,120
Speaker 2: together and I just had it kept reminding myself like

766
00:42:30,800 --> 00:42:34,600
Speaker 2: just be present, like just be with her. She knows

767
00:42:34,640 --> 00:42:39,399
Speaker 2: what to do. Just hang out yea. And I thought

768
00:42:39,400 --> 00:42:41,480
Speaker 2: it was really cool because you don't really ever get

769
00:42:41,480 --> 00:42:45,000
Speaker 2: to see any already home life. And so we're meeting

770
00:42:45,160 --> 00:42:47,400
Speaker 2: his mom, you're seeing his house. Apparently he's got money,

771
00:42:47,960 --> 00:42:50,000
Speaker 2: which I don't know why they kept having to raise

772
00:42:50,040 --> 00:42:52,960
Speaker 2: money to get a bus because he's got money.

773
00:42:53,120 --> 00:42:55,600
Speaker 1: But that house could have been inherited. I don't know.

774
00:42:55,680 --> 00:42:56,919
Speaker 1: It's a great house, It's true.

775
00:42:56,960 --> 00:42:59,040
Speaker 2: We talked about that. I remember all of us like

776
00:42:59,160 --> 00:43:01,160
Speaker 2: being we I think we're in Hancock Park in La

777
00:43:01,680 --> 00:43:07,000
Speaker 2: this beautiful home and very beautiful neighborhood, very expensive neighborhood,

778
00:43:07,560 --> 00:43:12,840
Speaker 2: and we're like, okay, maybe it's inherited. I remember Becca

779
00:43:12,880 --> 00:43:16,520
Speaker 2: and Katie Sagal like we were all discussing it. It was.

780
00:43:16,600 --> 00:43:19,920
Speaker 2: It was very surreal. And she's so lovely. She's obviously

781
00:43:20,080 --> 00:43:25,440
Speaker 2: just so gifted, and I wish we got more. I

782
00:43:25,480 --> 00:43:28,560
Speaker 2: know she wanted more. I know she wanted to sing

783
00:43:28,560 --> 00:43:30,480
Speaker 2: because she's a great singer, and so that would have

784
00:43:30,480 --> 00:43:31,520
Speaker 2: been great to have her back.

785
00:43:31,520 --> 00:43:34,400
Speaker 1: And I love to see more of you. Guys have

786
00:43:34,480 --> 00:43:38,240
Speaker 1: great chemistry and storyline, and I love the scene.

787
00:43:38,440 --> 00:43:41,120
Speaker 2: Like Becca obviously is one of our favorite people on

788
00:43:41,160 --> 00:43:45,200
Speaker 2: the planet, and she's so good, and she also makes

789
00:43:45,239 --> 00:43:49,120
Speaker 2: it so easy being a scene partner with her because

790
00:43:49,160 --> 00:43:52,600
Speaker 2: it is fully let me just react to Kitty yeah yeah,

791
00:43:52,640 --> 00:43:56,279
Speaker 2: yeah sure, and like you are suspicious, like all those

792
00:43:56,280 --> 00:43:58,839
Speaker 2: things are just natural. When you're acting with somebody who

793
00:43:59,000 --> 00:44:01,960
Speaker 2: just knows their care so well, it makes it so

794
00:44:02,080 --> 00:44:02,759
Speaker 2: easy for you.

795
00:44:03,040 --> 00:44:04,360
Speaker 1: Yeah, she's very smart.

796
00:44:04,880 --> 00:44:06,840
Speaker 2: Yeah, And I just love that we got to spend

797
00:44:06,920 --> 00:44:09,680
Speaker 2: more time like you when whenever you got to do

798
00:44:09,719 --> 00:44:11,719
Speaker 2: one on one scenes with characters you didn't normally get

799
00:44:11,719 --> 00:44:13,880
Speaker 2: to do that with Yeah, it was so much.

800
00:44:13,719 --> 00:44:16,800
Speaker 1: Fun, so much fun. It's very noble of Kitty to

801
00:44:16,840 --> 00:44:17,960
Speaker 1: do that for Artie.

802
00:44:18,239 --> 00:44:21,320
Speaker 2: But like I mean walking the line of she told

803
00:44:21,320 --> 00:44:23,480
Speaker 2: the class when he's like, don't do it, and then

804
00:44:23,560 --> 00:44:28,240
Speaker 2: showed up and told her very Santana had that snake sense.

805
00:44:28,960 --> 00:44:31,160
Speaker 2: It's like, I don't think you're telling me the truth.

806
00:44:30,920 --> 00:44:32,359
Speaker 1: But he got it out of you because I don't

807
00:44:32,360 --> 00:44:33,920
Speaker 1: think Ardy would have done it. And so I'm so

808
00:44:34,040 --> 00:44:36,960
Speaker 1: glad that she's gotten Arty to communicate.

809
00:44:37,000 --> 00:44:38,919
Speaker 2: And I guess sets me up to go to New York.

810
00:44:39,160 --> 00:44:41,800
Speaker 1: It's so great. It's a really sweet scene. It's really really.

811
00:44:41,680 --> 00:44:44,319
Speaker 2: Sweet referencing what we talked about the beginning of this

812
00:44:44,600 --> 00:44:47,799
Speaker 2: episode of like we didn't know what our futures were. Yeah,

813
00:44:47,840 --> 00:44:51,200
Speaker 2: reading this in the script of like okay, like we're

814
00:44:51,239 --> 00:44:54,080
Speaker 2: all playing those games behind the scenes, ye like where

815
00:44:54,120 --> 00:44:56,400
Speaker 2: are we all going to end up? And I was

816
00:44:56,480 --> 00:44:58,600
Speaker 2: hearing that I might get to go to New York

817
00:44:59,040 --> 00:45:01,000
Speaker 2: and so then when you see so now.

818
00:45:01,160 --> 00:45:03,520
Speaker 1: Or you're like thinking like, oh wow, I'm going to

819
00:45:03,560 --> 00:45:05,200
Speaker 1: be going to New York in school and I'm going

820
00:45:05,280 --> 00:45:07,440
Speaker 1: to join like the Niata storyline.

821
00:45:08,040 --> 00:45:09,920
Speaker 2: I just didn't know how much I was going to

822
00:45:09,920 --> 00:45:13,760
Speaker 2: be involved, but I felt like, yeah, if they're sending

823
00:45:13,760 --> 00:45:15,520
Speaker 2: me to New York, I still have some sort of

824
00:45:15,840 --> 00:45:16,719
Speaker 2: future here.

825
00:45:17,160 --> 00:45:20,480
Speaker 1: Totally so funny, that's so interesting.

826
00:45:20,960 --> 00:45:22,839
Speaker 2: And then we get to do for once in my life.

827
00:45:23,040 --> 00:45:25,160
Speaker 1: Oh and you sounds so good and it's really cute,

828
00:45:25,200 --> 00:45:29,360
Speaker 1: and then the lighting and the collars and everybody loves green.

829
00:45:30,360 --> 00:45:33,000
Speaker 1: I watched this and I started it and was like,

830
00:45:33,239 --> 00:45:37,320
Speaker 1: I remember Kevin singing this song, but I don't remember

831
00:45:37,400 --> 00:45:37,959
Speaker 1: being there.

832
00:45:38,239 --> 00:45:40,640
Speaker 2: You guys also learned this really last minute. I remember

833
00:45:40,680 --> 00:45:44,200
Speaker 2: that I had. I remember. I think maybe I had.

834
00:45:46,360 --> 00:45:49,840
Speaker 2: I think like you might have had one dance rehearsal,

835
00:45:49,960 --> 00:45:51,960
Speaker 2: or you might have learned this like on the stage

836
00:45:52,000 --> 00:45:53,319
Speaker 2: that day. I think.

837
00:45:53,360 --> 00:45:56,200
Speaker 1: Feels right. That's why I don't remember, because it was

838
00:45:56,239 --> 00:45:59,399
Speaker 1: short term memory. It was like in and yeah, that's what.

839
00:45:59,360 --> 00:46:01,640
Speaker 2: This whole episode was. But I love that number and

840
00:46:01,800 --> 00:46:02,359
Speaker 2: I loved it.

841
00:46:02,360 --> 00:46:05,880
Speaker 1: You sounded great, it was adorable, you and Kitty giving looks.

842
00:46:05,920 --> 00:46:08,720
Speaker 1: It was really great. Whend you got all the pieces together,

843
00:46:08,880 --> 00:46:11,320
Speaker 1: it was really sweet, really really sweet. It was really

844
00:46:11,360 --> 00:46:12,840
Speaker 1: sweet number to finish on.

845
00:46:13,400 --> 00:46:16,279
Speaker 2: Yeah, I felt very privileged. It was one of those

846
00:46:16,280 --> 00:46:18,239
Speaker 2: moments on the show where're like when you get to

847
00:46:18,320 --> 00:46:21,520
Speaker 2: lead a number and like, the set looks great, the

848
00:46:21,560 --> 00:46:26,640
Speaker 2: costumes are great, everyone dancing together, Like this choreography is great.

849
00:46:26,640 --> 00:46:29,400
Speaker 2: It just I felt really, really really lucky. And one

850
00:46:29,640 --> 00:46:31,719
Speaker 2: I think is one of the best tevie songs. Yeah,

851
00:46:31,840 --> 00:46:33,799
Speaker 2: I just felt like, ah, yes, I love that I

852
00:46:33,800 --> 00:46:34,319
Speaker 2: got to do that.

853
00:46:34,600 --> 00:46:38,480
Speaker 1: Yeah, that was a good one. That's pretty much the episode,

854
00:46:38,520 --> 00:46:45,360
Speaker 1: and that is that is the one before the finelle.

855
00:46:46,600 --> 00:46:49,960
Speaker 1: It was a solid, very good episode. I will say

856
00:46:50,120 --> 00:46:50,520
Speaker 1: I was.

857
00:46:50,480 --> 00:46:53,120
Speaker 2: A little suspicious. I was like, why are we doing

858
00:46:53,200 --> 00:46:58,080
Speaker 2: like a tribute episode the episode before the finale? I

859
00:46:58,120 --> 00:46:58,840
Speaker 2: think it worked.

860
00:46:59,400 --> 00:47:03,959
Speaker 1: Yeah, I agree, we'll get it in. Yeah, Okay, let's

861
00:47:03,960 --> 00:47:09,719
Speaker 1: read some performances. Signs delivered A A superstition.

862
00:47:11,960 --> 00:47:19,200
Speaker 2: I give the version an A plus, the performance A minus.

863
00:47:19,320 --> 00:47:23,440
Speaker 1: Okay, I'll give it a Soliday minus. Altogether, you have

864
00:47:23,560 --> 00:47:30,360
Speaker 1: some train in my life B plus. Yeah, B plus.

865
00:47:30,960 --> 00:47:31,400
Speaker 2: Yeah.

866
00:47:31,520 --> 00:47:34,239
Speaker 1: I wish we haven't talked about I wish. I'm sorry

867
00:47:34,320 --> 00:47:37,799
Speaker 1: we like skipped over that. Jacob Artist Jacob Artists was

868
00:47:38,000 --> 00:47:43,440
Speaker 1: or Jake was encouraged by Mercedes and Kurt and Mike

869
00:47:43,520 --> 00:47:47,320
Speaker 1: Chain to like use his Dan's abilities to like become

870
00:47:47,360 --> 00:47:51,520
Speaker 1: a leading player basically and they're right, and then he

871
00:47:51,600 --> 00:47:58,360
Speaker 1: does I wish and it's literally like wow once again.

872
00:47:58,960 --> 00:48:02,640
Speaker 2: Also, like so many storylines this episode, exactly right.

873
00:48:02,760 --> 00:48:06,920
Speaker 1: You're like, let's just throw this one into a A

874
00:48:06,920 --> 00:48:13,120
Speaker 1: also A yeah, I've tied. Everything's all right. A plus Okay,

875
00:48:13,239 --> 00:48:17,960
Speaker 1: higher ground A A plus for once in my Life

876
00:48:18,040 --> 00:48:25,759
Speaker 1: A plus plus, A plus plus. Let's do some tarty takes,

877
00:48:25,760 --> 00:48:27,759
Speaker 1: cringe moments, cringe moments.

878
00:48:29,600 --> 00:48:34,080
Speaker 2: I just put to suggestions for what she thinks. For

879
00:48:34,200 --> 00:48:37,319
Speaker 2: cringe moments. She said everything Kitty said in the first

880
00:48:37,360 --> 00:48:46,160
Speaker 2: half of the episode. You're not wrong, No, it's not wrong. Wrong. Yeah,

881
00:48:46,200 --> 00:48:51,360
Speaker 2: she makes some very appropriate jokes about everyone, including Artie.

882
00:48:51,400 --> 00:48:53,040
Speaker 2: So yeah, I think just Kitty.

883
00:48:53,840 --> 00:48:58,279
Speaker 1: Leave it to Kitty. Best dance move, there's a lot

884
00:48:58,280 --> 00:49:01,800
Speaker 1: of dancing. I have to say. I think I wish

885
00:49:01,800 --> 00:49:09,120
Speaker 1: absolutely well, Jacob. Yeah, best song for once in my Life? Sure,

886
00:49:09,680 --> 00:49:13,640
Speaker 1: I'll second, Yeah, take it. Best performance by a prop.

887
00:49:15,480 --> 00:49:20,000
Speaker 3: Shout out to Ambers monaka the Morocco when she hits

888
00:49:20,120 --> 00:49:24,800
Speaker 3: Marley in the stomach for breath I was Deceased's so funny,

889
00:49:25,680 --> 00:49:26,520
Speaker 3: so so funny.

890
00:49:27,160 --> 00:49:33,960
Speaker 1: I was like, oh, best line. I think we have

891
00:49:34,040 --> 00:49:39,839
Speaker 1: to give honorable mention to Tina and her very inappropriate shoutouts.

892
00:49:40,200 --> 00:49:42,120
Speaker 2: I think I think that's my favorite.

893
00:49:42,320 --> 00:49:47,360
Speaker 1: Yeah, she said hashtag wee hates girls. What does she

894
00:49:47,360 --> 00:49:51,600
Speaker 1: always hashtag? She always hashtags? And where do you hear

895
00:49:51,800 --> 00:49:56,279
Speaker 1: to lectures about Kurt are horrible? Jason clothing, Kurt, my

896
00:49:56,360 --> 00:50:07,400
Speaker 1: dad has cancer. Performance MVP Kevin and Katie Segal. Yes, definitely.

897
00:50:08,520 --> 00:50:11,360
Speaker 2: Fine, definitely, I'll accept your nomination.

898
00:50:11,560 --> 00:50:15,200
Speaker 1: Take it, you take it, and you run with it.

899
00:50:15,200 --> 00:50:17,759
Speaker 2: It's so crazy, isn't it crazy? Like it's so crazy

900
00:50:17,800 --> 00:50:19,000
Speaker 2: when you get parents on a show.

901
00:50:19,560 --> 00:50:20,680
Speaker 1: Oh, I love it.

902
00:50:20,160 --> 00:50:22,240
Speaker 2: It's very exciting, so surreal.

903
00:50:23,719 --> 00:50:24,319
Speaker 3: I love it.

904
00:50:24,560 --> 00:50:27,640
Speaker 2: Okay, So for ship we found on TikTok, we're back

905
00:50:27,880 --> 00:50:36,799
Speaker 2: with our favorite Olympian Yep and Alan from Dancing with

906
00:50:36,840 --> 00:50:40,200
Speaker 2: the Stars, who we also love. So she's going to

907
00:50:40,200 --> 00:50:43,440
Speaker 2: be on Dancing with the Stars. Alan is her dance partner.

908
00:50:44,200 --> 00:50:47,680
Speaker 2: And they do a little more Glee reference.

909
00:50:48,200 --> 00:50:49,960
Speaker 1: A Sylvester Glee reference.

910
00:50:50,480 --> 00:50:52,480
Speaker 2: Sylvester that scene where there's only one person in this

911
00:50:52,520 --> 00:50:56,080
Speaker 2: world we can tell you who you are. All that

912
00:50:56,160 --> 00:51:00,399
Speaker 2: they did that. I love her. Trend totally took off,

913
00:51:00,719 --> 00:51:01,520
Speaker 2: and I took off.

914
00:51:01,719 --> 00:51:04,080
Speaker 1: She's really hot on the talk.

915
00:51:05,239 --> 00:51:10,719
Speaker 2: She is she is to talk. I mean brilliant at

916
00:51:10,880 --> 00:51:14,880
Speaker 2: the Olympics and also brilliant on social media around the Olympics.

917
00:51:15,120 --> 00:51:16,600
Speaker 1: Definitely, she's goine.

918
00:51:16,360 --> 00:51:19,480
Speaker 2: And she's just she's great. She seems like a great,

919
00:51:19,520 --> 00:51:24,160
Speaker 2: well rounded yeah athlete, No notes and good luck on

920
00:51:24,280 --> 00:51:25,280
Speaker 2: Dancing with the Stars.

921
00:51:25,440 --> 00:51:28,160
Speaker 1: Oh yeah, I think she's going to do well. Okay,

922
00:51:30,040 --> 00:51:33,200
Speaker 1: thank you for joining us. That is episode twenty one,

923
00:51:33,320 --> 00:51:39,839
Speaker 1: and don't miss next week for season four finale. Can

924
00:51:39,880 --> 00:51:42,799
Speaker 1: you believe that happened? Already?

925
00:51:43,320 --> 00:51:47,200
Speaker 2: All or nothing? It is regionals. Yeah, I love a competition.

926
00:51:47,600 --> 00:51:49,600
Speaker 1: I love a competition. I forgot what this one was

927
00:51:49,680 --> 00:51:51,640
Speaker 1: until I was in the I saw the purple dress

928
00:51:51,640 --> 00:51:54,520
Speaker 1: and was like, I remember this one. I got this

929
00:51:54,680 --> 00:51:56,480
Speaker 1: feeling on the summer day when.

930
00:51:56,640 --> 00:51:58,520
Speaker 2: Ka, I'm so excited. Let's see.

931
00:51:58,800 --> 00:51:59,720
Speaker 1: Oh it's crazy.

932
00:52:00,000 --> 00:52:02,560
Speaker 2: Come back check it out with us as we rediscover

933
00:52:02,960 --> 00:52:06,760
Speaker 2: the finale of season four. And that's what you really missed.

934
00:52:07,320 --> 00:52:10,480
Speaker 2: Thanks for listening and follow us on Instagram at and

935
00:52:10,560 --> 00:52:12,799
Speaker 2: that's what you really miss pod. Make sure to write

936
00:52:12,840 --> 00:52:15,080
Speaker 2: us a review and leave us five stars. See you

937
00:52:15,160 --> 00:52:15,560
Speaker 2: next time.