1 00:00:10,800 --> 00:00:15,200 Speaker 1: All right, this is the I Am Rappaport Stereo podcast 2 00:00:15,400 --> 00:00:20,560 Speaker 1: in prime time prime time podcasting from the Iron Rappaport 3 00:00:20,600 --> 00:00:24,040 Speaker 1: Stereo Podcast. My name is Michael Rappaport. You can call 4 00:00:24,120 --> 00:00:28,600 Speaker 1: me Michael Pacino because today is al Pacino, the Great, 5 00:00:29,640 --> 00:00:34,559 Speaker 1: the Icon. Al Pacino turned seventy eight today and we 6 00:00:34,600 --> 00:00:37,000 Speaker 1: are going to celebrate him. We are going to discuss 7 00:00:37,120 --> 00:00:42,320 Speaker 1: him smash mouth podcasting in prime time. I'm going solo 8 00:00:42,800 --> 00:00:46,080 Speaker 1: on that ask. We're gonna talk about Al Pacino, hip hop, 9 00:00:46,360 --> 00:00:51,680 Speaker 1: al Pacino as an actor. NBA playoffs are underway, and 10 00:00:51,760 --> 00:00:55,279 Speaker 1: the NFL Draft is Thursday. Okay, and I'm gonna give 11 00:00:55,280 --> 00:01:00,240 Speaker 1: you my senior Fantasy football analyst picks all that and 12 00:01:00,320 --> 00:01:03,440 Speaker 1: more on a brand new Iron rapp Reports Stereo podcast. 13 00:01:03,520 --> 00:01:07,440 Speaker 1: Oh and I forgot my main man, fifty grand. You've 14 00:01:07,480 --> 00:01:11,000 Speaker 1: seen him in so many goddamn movies, my man, Kevin Corrigan. 15 00:01:11,640 --> 00:01:14,200 Speaker 1: You'll recognize his voice, you recognize the face. He was 16 00:01:14,240 --> 00:01:17,080 Speaker 1: in Good Fellas, he was in The Departed, he was 17 00:01:17,120 --> 00:01:20,399 Speaker 1: in Pineapple Express, he was with Me in True Romance. 18 00:01:20,440 --> 00:01:22,320 Speaker 1: He's been in Yo. He might have been up to 19 00:01:22,360 --> 00:01:24,520 Speaker 1: a hundred of films. One of the best actors one 20 00:01:24,520 --> 00:01:30,080 Speaker 1: of the most unique actors doing it television shows, films. 21 00:01:30,440 --> 00:01:32,520 Speaker 1: He was on the show to get down. My main man, 22 00:01:32,680 --> 00:01:36,000 Speaker 1: Kevin Corrigan is going to break down the great al 23 00:01:36,040 --> 00:01:38,440 Speaker 1: Pacino with me. We're gonna talk about Al, We're gonna 24 00:01:38,480 --> 00:01:41,680 Speaker 1: tell some true romance stories. All that and more prime 25 00:01:41,800 --> 00:01:46,160 Speaker 1: time podcasting coming up next Miles Jordan's let me get 26 00:01:46,200 --> 00:01:48,600 Speaker 1: some funk. I'm gonna do the damn thing and I'm 27 00:01:48,600 --> 00:01:51,080 Speaker 1: gonna pass it off from a main man, Kevin Corrigan 28 00:01:51,280 --> 00:01:57,200 Speaker 1: from the Boogie Down Bronx, Let's go. You want to 29 00:01:57,240 --> 00:02:00,800 Speaker 1: have a good time, you gotta have a good shirt, Okay, 30 00:02:00,800 --> 00:02:05,559 Speaker 1: and untucked is a fantastic shirt nine point nine percent 31 00:02:05,600 --> 00:02:08,079 Speaker 1: of the time. When you see me the Gringo man 32 00:02:08,200 --> 00:02:13,040 Speaker 1: Dingo in public on television, on the sidelines for the 33 00:02:13,120 --> 00:02:18,440 Speaker 1: Big Three, I am wearing a beautiful, fantastic Untucket shirt. 34 00:02:18,520 --> 00:02:21,959 Speaker 1: It's never a good look when you untuck a long, 35 00:02:22,440 --> 00:02:26,359 Speaker 1: bulky dress shirt. It's not the early nineties. You may 36 00:02:26,400 --> 00:02:28,720 Speaker 1: think it's a good look, but it's not. Okay, you 37 00:02:28,800 --> 00:02:31,560 Speaker 1: might think it it looks cute, but trust me, it 38 00:02:31,639 --> 00:02:35,960 Speaker 1: looks sloppy. You look ridiculous. That's why Untucket makes shirts 39 00:02:36,040 --> 00:02:40,840 Speaker 1: specifically designed to be worn untucked. That's right, dress shirts 40 00:02:40,919 --> 00:02:43,600 Speaker 1: casual shirts. And I'm telling you, not only do they 41 00:02:43,639 --> 00:02:46,120 Speaker 1: look good, they feel great. If you are a woman 42 00:02:46,200 --> 00:02:49,120 Speaker 1: wishing you can have one of these well, Untucked now 43 00:02:49,200 --> 00:02:53,760 Speaker 1: make shirts for women. Also log onto untucked dot com 44 00:02:53,800 --> 00:02:57,040 Speaker 1: and check out all the new arrivals. Use the promo 45 00:02:57,120 --> 00:03:00,359 Speaker 1: code champ. That's because I'm the champ for and off 46 00:03:00,520 --> 00:03:04,119 Speaker 1: your entire purchase. You can also visit one of untuckets 47 00:03:04,160 --> 00:03:09,280 Speaker 1: over twenty five retail locations across the country. Stop hiding 48 00:03:09,320 --> 00:03:12,080 Speaker 1: your shirt with your pants and your pants with your shirt. 49 00:03:12,240 --> 00:03:15,760 Speaker 1: It looks crazy. It's two eighteen. You gotta look lean, 50 00:03:16,080 --> 00:03:19,600 Speaker 1: you gotta look mean, you gotta look clean, okay, and 51 00:03:19,639 --> 00:03:21,760 Speaker 1: you gotta look correct. And the best way to wear 52 00:03:21,800 --> 00:03:26,200 Speaker 1: a dress shirt is an untucket shirt. Go to untucked 53 00:03:26,200 --> 00:03:30,200 Speaker 1: dot com your solution to perfecting casual Use the promo 54 00:03:30,280 --> 00:03:34,480 Speaker 1: code champ for twenty percent savings. Go to untucket dot 55 00:03:34,480 --> 00:03:37,920 Speaker 1: com and trust me, you're gonna look like a million bucks, 56 00:03:38,040 --> 00:04:00,240 Speaker 1: but you're gonna spend next to nothing untucket dot com. 57 00:04:00,280 --> 00:04:02,960 Speaker 1: All right, my name is Michael Rappaport. As I told 58 00:04:02,960 --> 00:04:05,320 Speaker 1: you a K the Jacob out of podcasting, a K. 59 00:04:05,520 --> 00:04:08,480 Speaker 1: The Jeff Rulin of podcasting today. You could call me 60 00:04:08,520 --> 00:04:17,279 Speaker 1: Mike Pacino, the great al Pacino. What an influence? What? Uh, 61 00:04:17,480 --> 00:04:22,159 Speaker 1: what an incredible influence turned seventy eight today. I woke 62 00:04:22,279 --> 00:04:25,000 Speaker 1: up this morning and saw it on social media that 63 00:04:25,040 --> 00:04:28,320 Speaker 1: al Pacino turned seventy eight, and I said, no, no, whatever, 64 00:04:28,400 --> 00:04:32,960 Speaker 1: whatever plans we had for today's prime time podcast, we're 65 00:04:33,040 --> 00:04:35,880 Speaker 1: changing it. We have to articulate and celebrate this man 66 00:04:35,960 --> 00:04:38,680 Speaker 1: while he's here, while he's alive. You know, this guy 67 00:04:38,760 --> 00:04:41,720 Speaker 1: means so much any any actor. First, I'm talking about 68 00:04:41,720 --> 00:04:44,120 Speaker 1: the actors because the fans have a whole other point 69 00:04:44,120 --> 00:04:49,440 Speaker 1: of view on it. Any actor will fawn, We'll stutter, 70 00:04:49,560 --> 00:04:55,400 Speaker 1: will stammer, will we'll get flustered, will blush, um their heart, will, 71 00:04:55,400 --> 00:05:00,799 Speaker 1: will will skip a beat literally, actor or actress? Uh 72 00:05:00,960 --> 00:05:04,240 Speaker 1: talking about al Pacino? Um, he he means that much. 73 00:05:04,279 --> 00:05:07,279 Speaker 1: I mean there there's a bunch of great ones. Um, 74 00:05:07,320 --> 00:05:11,040 Speaker 1: but al Pacino. You know, whether you equate him to 75 00:05:11,680 --> 00:05:18,120 Speaker 1: to Michael Jordan's to Babe Ruth, to Van go to 76 00:05:18,640 --> 00:05:23,000 Speaker 1: the Beatles, to run DMC two too, whatever you you 77 00:05:23,000 --> 00:05:26,320 Speaker 1: want to equate it, al Paccino is that he's a 78 00:05:26,520 --> 00:05:34,160 Speaker 1: game changing actor. He and obviously Marlon Brando, Dustin Hoffman, 79 00:05:34,680 --> 00:05:40,360 Speaker 1: Robert duval Um and a handful of other actors. Um, 80 00:05:40,400 --> 00:05:43,599 Speaker 1: they changed the game. They changed the game. They brought 81 00:05:43,680 --> 00:05:49,840 Speaker 1: that method acting into the fold, that reality, uh, that 82 00:05:49,920 --> 00:05:52,520 Speaker 1: you could you could touch. It went from the guys 83 00:05:52,600 --> 00:05:56,760 Speaker 1: before them, the Humphrey Bogar's, the Henry Fondez and you 84 00:05:56,800 --> 00:05:59,039 Speaker 1: know that all those guys, they were all great, that 85 00:05:59,080 --> 00:06:04,920 Speaker 1: whole era of acting in the sixties, early sixties, fifties, forties, Uh, 86 00:06:05,040 --> 00:06:07,839 Speaker 1: you know, Cagney, they were all excellent. But when the 87 00:06:07,920 --> 00:06:12,800 Speaker 1: method style of acting came in, it became like acting 88 00:06:13,200 --> 00:06:16,960 Speaker 1: in film, became tangible. You felt like they were alive. 89 00:06:17,480 --> 00:06:20,240 Speaker 1: It was no more, no more cardboard cutouts. And today 90 00:06:20,560 --> 00:06:22,359 Speaker 1: one of the best to ever do it, continue to 91 00:06:22,360 --> 00:06:25,440 Speaker 1: do it. He just kicked ass. In the Joe Paternal 92 00:06:25,480 --> 00:06:31,080 Speaker 1: film that was on HBO, directed by uh Barry Levinson. Um. 93 00:06:31,080 --> 00:06:34,080 Speaker 1: It portrayed probably like the last two and a half 94 00:06:34,160 --> 00:06:38,840 Speaker 1: weeks of Joe Paternal's life, and Um Pacino killed it. 95 00:06:39,400 --> 00:06:41,400 Speaker 1: He's he's if he doesn't win the Emmy, he's getting 96 00:06:41,440 --> 00:06:45,800 Speaker 1: nominated or for the Emmy. Uh, he just his body 97 00:06:45,839 --> 00:06:50,440 Speaker 1: of work and what he's done. Um for the longevity 98 00:06:50,480 --> 00:06:53,839 Speaker 1: of time and the uniqueness and the iconist whatever the 99 00:06:53,839 --> 00:06:57,359 Speaker 1: fucking word is. The iconic nature of his performance and 100 00:06:57,400 --> 00:07:00,599 Speaker 1: the films that he's been in speaks for itself. We're 101 00:07:00,600 --> 00:07:07,680 Speaker 1: talking about The Godfather, Godfather Part two, Scarface of course, 102 00:07:08,040 --> 00:07:14,920 Speaker 1: Panic and Needle Park, Carlito's Way, Donnie Brasco, Cerproco, Dog 103 00:07:15,000 --> 00:07:22,160 Speaker 1: Day Afternoon, Carly. It just goes on in the heat. Um, 104 00:07:21,960 --> 00:07:25,040 Speaker 1: I'm just going off the dome here, Glen Garry, Glenn 105 00:07:25,120 --> 00:07:30,400 Speaker 1: Ross killed It and Justice for All, Sea of Love, Um, 106 00:07:30,560 --> 00:07:35,680 Speaker 1: so many, so many damn films, so many performances, Dick Tracy, Uh, 107 00:07:35,680 --> 00:07:39,120 Speaker 1: that Jack Cavorkian film that was made for HBO a 108 00:07:39,160 --> 00:07:43,080 Speaker 1: couple of years ago. Um. And Justice for All, so 109 00:07:43,680 --> 00:07:47,400 Speaker 1: many films for such a long period of time. Um. 110 00:07:47,560 --> 00:07:51,640 Speaker 1: And and just just a game change of revolution. Um. 111 00:07:51,680 --> 00:07:53,840 Speaker 1: Just there's just it just went on and on and on. 112 00:07:53,880 --> 00:07:56,120 Speaker 1: It continues to go on and on and on later 113 00:07:56,160 --> 00:07:58,440 Speaker 1: on in the show, Like I said, Kevin Corrigan, who 114 00:07:58,520 --> 00:08:01,000 Speaker 1: you're gonna be like? Who can Van Gorgan as an actor? 115 00:08:01,040 --> 00:08:03,640 Speaker 1: If you look up his name right now? Why are 116 00:08:03,640 --> 00:08:07,120 Speaker 1: you listening to this prime time podcast? Uh, you'll you'll 117 00:08:07,120 --> 00:08:10,000 Speaker 1: recognize his face spinning. I think probably a hundred of films. 118 00:08:10,520 --> 00:08:13,000 Speaker 1: I met him when we did zebra Head together. Um, 119 00:08:13,080 --> 00:08:15,160 Speaker 1: he had already been in Good Fellas. He placed Henry 120 00:08:15,240 --> 00:08:18,640 Speaker 1: Hill's brother, Uh, stop her in the sauce who put 121 00:08:18,680 --> 00:08:21,200 Speaker 1: their finger? Who he was Henry hills brother who was 122 00:08:21,240 --> 00:08:25,520 Speaker 1: in a wheelchair ray Leota's brother. Um, he's been in 123 00:08:25,560 --> 00:08:28,560 Speaker 1: The Departed. He's worked with so many different people over 124 00:08:28,560 --> 00:08:31,400 Speaker 1: the years. He's just he's just such a good actor, 125 00:08:31,520 --> 00:08:34,000 Speaker 1: such a one of a kind actor, such a unique actor. 126 00:08:34,000 --> 00:08:36,880 Speaker 1: You see him in Pineapple Express. Um he's worked with 127 00:08:36,880 --> 00:08:39,760 Speaker 1: Scorsese two times, two fucking times. He got invited back 128 00:08:39,760 --> 00:08:43,440 Speaker 1: to the party. Um. So I always when I first 129 00:08:43,440 --> 00:08:46,920 Speaker 1: saw him act, when we were doing zebra Head, Honest 130 00:08:46,960 --> 00:08:49,520 Speaker 1: to god, I remember it clear as day. We had 131 00:08:49,520 --> 00:08:52,040 Speaker 1: this scene and he comes out and he starts screaming 132 00:08:52,040 --> 00:08:53,720 Speaker 1: at me, and I literally was like, oh, Ship, this 133 00:08:53,760 --> 00:08:56,520 Speaker 1: guy is like a young Alpuccino. Uh. Then we became 134 00:08:56,559 --> 00:08:59,800 Speaker 1: friends and we worked together again on True Romance and 135 00:09:00,400 --> 00:09:02,360 Speaker 1: a movie called Kicked in the Head, And I mean 136 00:09:02,480 --> 00:09:05,360 Speaker 1: different television shows. You worked together on Dice, worked together 137 00:09:05,400 --> 00:09:09,160 Speaker 1: on Public Morals. Um, just a bunch of ship. He's 138 00:09:09,160 --> 00:09:11,600 Speaker 1: a good friend. Of mine. And and he's such an articulate, 139 00:09:11,800 --> 00:09:15,200 Speaker 1: passionate actor and a fan of acting, and and and 140 00:09:15,240 --> 00:09:19,640 Speaker 1: probably his favorite guy uh is al Pacino. Um so 141 00:09:19,880 --> 00:09:23,160 Speaker 1: I'm gonna talk to him about al Uh. He's met 142 00:09:23,200 --> 00:09:26,160 Speaker 1: al Uh, he's been around Pacino. He's just got great 143 00:09:26,200 --> 00:09:29,960 Speaker 1: insight to a plus true romance. The twenty five anniversary 144 00:09:29,960 --> 00:09:32,600 Speaker 1: of the film True Romance, We're gonna tell some true 145 00:09:32,679 --> 00:09:37,520 Speaker 1: romance stories. Um, and and Pacino. What can I say? Man, 146 00:09:38,160 --> 00:09:44,320 Speaker 1: Pacino's influence and and on hip hop is something that's 147 00:09:44,400 --> 00:09:51,240 Speaker 1: that's crazy. He's probably the most quoted name dropped actor 148 00:09:52,559 --> 00:09:57,400 Speaker 1: in all of hip hop. Obviously the great Scarface uh 149 00:09:57,600 --> 00:10:00,880 Speaker 1: Face mob from Houston, the ghetto boy he was. He 150 00:10:00,960 --> 00:10:06,280 Speaker 1: named his his hip hop persona after the character that 151 00:10:06,320 --> 00:10:09,960 Speaker 1: al Pacino plays in the movie Scarface Tony Montana. Um, 152 00:10:10,360 --> 00:10:16,720 Speaker 1: everybody who's anybody has mentioned in al Pacino character. Um 153 00:10:17,320 --> 00:10:20,840 Speaker 1: remember jay Z said, Okay, we reloaded. It wasn't him, 154 00:10:20,840 --> 00:10:22,560 Speaker 1: but it was the other Uh it was it was 155 00:10:22,559 --> 00:10:24,000 Speaker 1: the dude who's to do all the skits on the 156 00:10:24,080 --> 00:10:28,440 Speaker 1: jay Z records. Um, jay Z's quoted him said his name. 157 00:10:29,040 --> 00:10:33,839 Speaker 1: I remember that one song bringing On he said his name, Uh, 158 00:10:33,880 --> 00:10:37,960 Speaker 1: I mean the game mentioned his name a few times. 159 00:10:37,960 --> 00:10:40,040 Speaker 1: It's just off the top of my head. Ray kuon 160 00:10:40,120 --> 00:10:44,920 Speaker 1: the chef, he says Alpaccino's name, all my al Capone, Alpaccino, 161 00:10:45,080 --> 00:10:49,280 Speaker 1: and words, uh the game has that one song, uh 162 00:10:49,440 --> 00:10:53,040 Speaker 1: breakfast with Alpaccino. Nas has mentioned his name Helter Skelter 163 00:10:53,120 --> 00:10:55,920 Speaker 1: shout out to showing price in La Fleur La fla 164 00:10:56,600 --> 00:11:00,280 Speaker 1: lafle um, they mentioned the apportinit I think Alpacino. If 165 00:11:00,320 --> 00:11:02,240 Speaker 1: if any rapper who's had a body of work, I 166 00:11:02,280 --> 00:11:06,080 Speaker 1: guarantee you they've mentioned Alpacino. And of course the culmination 167 00:11:06,240 --> 00:11:09,360 Speaker 1: is the great Scarface Face Mob from the Ghetto Boys, 168 00:11:09,400 --> 00:11:11,720 Speaker 1: and of course the the solo icon, which I need 169 00:11:11,800 --> 00:11:14,560 Speaker 1: to get him on the podcast. We've been talking about it. 170 00:11:14,600 --> 00:11:16,520 Speaker 1: He lives down in Houston, so it's hard to get him. 171 00:11:16,600 --> 00:11:18,439 Speaker 1: I can't do scar face on the phone. I need 172 00:11:18,480 --> 00:11:21,360 Speaker 1: to do scarface in person um and we we've talked 173 00:11:21,360 --> 00:11:22,520 Speaker 1: about it a few times, so I need to get 174 00:11:22,600 --> 00:11:24,319 Speaker 1: him on it. So anyway, we're gonna talk about Appocino 175 00:11:24,520 --> 00:11:27,760 Speaker 1: later on in the Iron Rap Coors Stereo podcast with 176 00:11:27,840 --> 00:11:29,880 Speaker 1: my man Kevin Cornergan. And trust me, if you're a 177 00:11:29,880 --> 00:11:32,959 Speaker 1: fan of films. You don't want to miss this conversation. 178 00:11:33,200 --> 00:11:34,520 Speaker 1: Even though you might be like, who the fund is 179 00:11:34,600 --> 00:11:36,800 Speaker 1: Kevin Corrigan, trust me, you do not want to miss 180 00:11:36,800 --> 00:11:42,160 Speaker 1: this conversation. So listen. This is a prime time podcast, okay, 181 00:11:42,320 --> 00:11:44,439 Speaker 1: and if you listen to the Iron Wrap Pors Stereo Pockets, 182 00:11:44,440 --> 00:11:46,400 Speaker 1: you know we've had some some wild ship go down 183 00:11:46,880 --> 00:11:50,559 Speaker 1: go down this year. Excuse me a business wise, which 184 00:11:50,559 --> 00:11:53,400 Speaker 1: you're not gonna get into, um, but we're taking the 185 00:11:53,440 --> 00:11:58,880 Speaker 1: fucking the fucking bull by the horns. Okay. We're gonna 186 00:11:58,880 --> 00:12:03,000 Speaker 1: start betting on ourselves. We're not depending on any fucking 187 00:12:03,040 --> 00:12:08,320 Speaker 1: asshole bleachers, We're not depending on anybody. Okay, So we're 188 00:12:08,360 --> 00:12:11,520 Speaker 1: gonna do something ballsy coming up. We're gonna do something big. 189 00:12:11,640 --> 00:12:15,040 Speaker 1: We're gonna do something fantastic for the fans, okay, and 190 00:12:15,080 --> 00:12:19,040 Speaker 1: it's gonna be cheap, cheap, cheap, cheap. Okay, but it's 191 00:12:19,040 --> 00:12:22,439 Speaker 1: gonna be a little different, Okay, but it's for the hardcore, 192 00:12:22,640 --> 00:12:26,440 Speaker 1: hard body fans and anybody else that rocks with the 193 00:12:26,480 --> 00:12:30,720 Speaker 1: best Okay. On the next episode, I'm gonna get direct information. 194 00:12:31,120 --> 00:12:34,280 Speaker 1: Trust me, it's gonna be worth it. It's gonna be fantastic. 195 00:12:34,360 --> 00:12:36,720 Speaker 1: I'm hyped up about it. G Moody, whose last name 196 00:12:36,760 --> 00:12:38,920 Speaker 1: rhymes with duty, is hyped up about enough. Of course, 197 00:12:39,080 --> 00:12:42,800 Speaker 1: the Dust Brothers are hyped up about it. But let's 198 00:12:42,840 --> 00:12:47,880 Speaker 1: get down to business. The NFL Draft is coming up Thursday. 199 00:12:48,120 --> 00:12:51,360 Speaker 1: The NFL Draft is coming up. And listen, the NFL 200 00:12:51,480 --> 00:12:54,880 Speaker 1: draft happens, the NBA playoffs are in full swing, and 201 00:12:54,920 --> 00:12:57,120 Speaker 1: the next thing you know, we got a little break boom, 202 00:12:57,320 --> 00:13:01,640 Speaker 1: we're at NFL training camp. Okay, I've been very clear. 203 00:13:01,679 --> 00:13:06,520 Speaker 1: My favorite player in the NFL draft is sa Kwan Barkley, 204 00:13:06,640 --> 00:13:10,080 Speaker 1: the Penn State running back, the beast. He's a fucking beast. 205 00:13:10,200 --> 00:13:12,920 Speaker 1: He's an ass kicker, say Kwan Barkley. I do not 206 00:13:13,080 --> 00:13:16,320 Speaker 1: want him getting drafted by the Cleveland Cavaliers. Why the 207 00:13:16,360 --> 00:13:19,600 Speaker 1: funk would anybody when you dream of playing football, unless 208 00:13:19,600 --> 00:13:22,480 Speaker 1: you're born and raised in Cleveland, and even then you 209 00:13:22,600 --> 00:13:26,160 Speaker 1: probably have wandering eyes. Even if you're born and raised 210 00:13:26,160 --> 00:13:28,680 Speaker 1: in Cleveland and you have a potential to be a 211 00:13:28,720 --> 00:13:31,240 Speaker 1: first round pick. Of course, these guys are gonna say, 212 00:13:31,280 --> 00:13:33,920 Speaker 1: I'm just happy to be in the draft, I'm blessed 213 00:13:33,920 --> 00:13:37,800 Speaker 1: for the opportunity. Bullshit. Nobody wants to be drafted by 214 00:13:37,800 --> 00:13:42,599 Speaker 1: the Cleveland Browns. No fucking body, it's a godsend, Okay, 215 00:13:43,040 --> 00:13:46,560 Speaker 1: that the chosen one, the self anointed King Lebron James 216 00:13:46,760 --> 00:13:52,720 Speaker 1: was somehow, some way born in Akron, Akron, Ohio, and 217 00:13:52,720 --> 00:13:55,920 Speaker 1: and even had to the humility and and I don't 218 00:13:55,920 --> 00:13:57,920 Speaker 1: know what the fuck. I don't know what the funk 219 00:13:57,960 --> 00:13:59,640 Speaker 1: they were feeding him out there that he had the 220 00:13:59,679 --> 00:14:03,200 Speaker 1: wish and the want to play for the Cleveland Cavaliers. 221 00:14:03,400 --> 00:14:07,160 Speaker 1: He played for them. He left because he's smart, he 222 00:14:07,240 --> 00:14:12,120 Speaker 1: went back because he's fucking dumb, kidding, and he won 223 00:14:12,200 --> 00:14:14,720 Speaker 1: them a championship. But if you are growing up in 224 00:14:14,760 --> 00:14:17,520 Speaker 1: the state of Ohio, and Ohio is a big time 225 00:14:17,600 --> 00:14:20,600 Speaker 1: sports state, if you're growing up as a football player 226 00:14:21,040 --> 00:14:24,040 Speaker 1: in Ohio, there's no way in hell you're like I, 227 00:14:24,040 --> 00:14:25,600 Speaker 1: I just I just want to grow up and be 228 00:14:25,640 --> 00:14:28,000 Speaker 1: a Cleveland Brown Get the funk out of here. The 229 00:14:28,040 --> 00:14:31,280 Speaker 1: team was oh in sixteen last year, and those motherfucking 230 00:14:31,320 --> 00:14:36,800 Speaker 1: fans celebrated. They could call it a protest. No, No, 231 00:14:36,880 --> 00:14:39,120 Speaker 1: that ain't a fucking protest. That was a celebration. They 232 00:14:39,120 --> 00:14:41,800 Speaker 1: were all in sixteen. We know the history of the 233 00:14:41,840 --> 00:14:45,600 Speaker 1: Cleveland Browns. They suck. You're not taking my guy, s 234 00:14:45,840 --> 00:14:51,000 Speaker 1: Kwan Barkley born in New York in the Boogey down Bronx. 235 00:14:51,400 --> 00:14:54,480 Speaker 1: He is meant to be a New York Giant. Look 236 00:14:54,520 --> 00:14:56,680 Speaker 1: at him right now. I'm gonna give you my top 237 00:14:56,760 --> 00:14:59,160 Speaker 1: ten picks. These are the people I am telling you 238 00:14:59,240 --> 00:15:04,720 Speaker 1: right now, senior fantasy football analysts like I'm waiting. Okay, 239 00:15:04,800 --> 00:15:08,920 Speaker 1: here it comes, Okay, this is what's going down. Two 240 00:15:08,960 --> 00:15:13,200 Speaker 1: thousand eighteen NFL Draft players to watch for fantasy football 241 00:15:13,600 --> 00:15:17,560 Speaker 1: next season. Are you ready? Okay? I am not a 242 00:15:17,600 --> 00:15:21,840 Speaker 1: senior fantasy football analysts for nothing. Okay, I got that 243 00:15:21,880 --> 00:15:25,760 Speaker 1: title the right way. I earned it. Sam Donald, He's 244 00:15:25,800 --> 00:15:30,320 Speaker 1: the real fucking deal, you, Sammy d. You can enjoy 245 00:15:30,440 --> 00:15:34,120 Speaker 1: Cleveland because no one else does. You'll learn buying Tyrod 246 00:15:34,200 --> 00:15:38,680 Speaker 1: Taylor in the bitter, freezing cold, and they will throw 247 00:15:38,720 --> 00:15:43,840 Speaker 1: you in when the Cleveland Browns are down, probably three 248 00:15:43,920 --> 00:15:48,040 Speaker 1: and five, Week eight. Number two, my main man, say 249 00:15:48,160 --> 00:15:53,480 Speaker 1: Kwan Barkley, uncle, former middleweight champion I Ran Barkley. Say 250 00:15:53,600 --> 00:15:57,080 Speaker 1: Kwan Barkley will be going number two to the New 251 00:15:57,160 --> 00:16:01,360 Speaker 1: York Change. These are my predictions. Marcom own number three, 252 00:16:01,360 --> 00:16:08,360 Speaker 1: the chosen one fucking Jewish quarterback. I can't believe it's happening, 253 00:16:08,360 --> 00:16:11,480 Speaker 1: but a Jewish quarterback will be coming to New York. 254 00:16:12,360 --> 00:16:16,080 Speaker 1: The chosen one, Josh Rosen will be picked number three 255 00:16:16,240 --> 00:16:20,760 Speaker 1: to the New York Jets. The big bold jew is 256 00:16:20,800 --> 00:16:24,680 Speaker 1: ready for the opportunity. New York is the place that 257 00:16:24,840 --> 00:16:29,480 Speaker 1: is gonna go fucking abe ship for a Jewish quarterback. 258 00:16:29,840 --> 00:16:32,040 Speaker 1: I gotta be honest, I didn't think I would ever 259 00:16:32,080 --> 00:16:34,800 Speaker 1: see the day. But the New York Jet fans and 260 00:16:34,840 --> 00:16:37,800 Speaker 1: the New York City area in generally you can even 261 00:16:37,800 --> 00:16:40,800 Speaker 1: be a Giants fan, They're gonna go fucking crazy for 262 00:16:40,920 --> 00:16:44,240 Speaker 1: Josh Rosen. You, my friend, are going to be drafted 263 00:16:44,280 --> 00:16:48,040 Speaker 1: by the New York Jets. Baker Mayfield and Lamar Jackson 264 00:16:48,400 --> 00:16:52,240 Speaker 1: will be problems if they land in Miami and Buffalo, 265 00:16:52,480 --> 00:16:57,760 Speaker 1: Arizona or New England for the future. Okay, Baker Mayfield 266 00:16:57,880 --> 00:17:00,360 Speaker 1: and Lamar Jackson, they are going to be problem ms. 267 00:17:00,520 --> 00:17:05,120 Speaker 1: Hopefully they land in Miami, Buffalo, Arizona or New England. 268 00:17:05,800 --> 00:17:10,360 Speaker 1: I'm gonna be honest, I'm not on the Josh Alan train. Okay. 269 00:17:10,400 --> 00:17:12,080 Speaker 1: A lot of people are saying to take him. For 270 00:17:12,160 --> 00:17:14,160 Speaker 1: anyone's saying to take him doesn't know what the fuck 271 00:17:14,400 --> 00:17:19,120 Speaker 1: they're talking about Okay, my man Courtland Sutton, wide receiver 272 00:17:19,920 --> 00:17:24,560 Speaker 1: s m U six foot four, monster to guard and 273 00:17:24,720 --> 00:17:28,600 Speaker 1: friend of the Iron rapp Reports Stereo podcast. He's gonna 274 00:17:28,600 --> 00:17:31,200 Speaker 1: be coming to the Iron Rapports thee Old Podcast real soon. 275 00:17:31,680 --> 00:17:34,720 Speaker 1: He's a fucking beast. I guarantee you he could do 276 00:17:34,760 --> 00:17:37,240 Speaker 1: all kind of fancy dunks, but he's taken his talents 277 00:17:37,400 --> 00:17:41,159 Speaker 1: to the NFL. Calvin Ridley of Alabama and d J. 278 00:17:41,320 --> 00:17:46,200 Speaker 1: Moore of Maryland can make immediate fantasy football impacts. Darius Geiss, 279 00:17:46,640 --> 00:17:49,400 Speaker 1: running back from l s U, five ft eleven speed 280 00:17:49,560 --> 00:17:52,560 Speaker 1: stir overcame a terrible tragedy. His father was murdered when 281 00:17:52,600 --> 00:17:55,960 Speaker 1: he was five. I'm rooting for this kid. Remember the 282 00:17:56,080 --> 00:17:59,960 Speaker 1: name Darius Guys from l s U and Rashad Penn 283 00:18:00,119 --> 00:18:03,720 Speaker 1: from San Diego State. He put that school on his back. 284 00:18:03,920 --> 00:18:08,040 Speaker 1: He could do it all. Finally, Bow Scarborough, Okay, anybody 285 00:18:08,119 --> 00:18:12,280 Speaker 1: named bow is good with me. Alabama running back six 286 00:18:12,320 --> 00:18:16,520 Speaker 1: ft two bruiser, who's Legarrett Blunt esque? Okay? These are 287 00:18:16,560 --> 00:18:21,919 Speaker 1: my top ten maybe I said eleven. These are my 288 00:18:21,920 --> 00:18:25,320 Speaker 1: players who are gonna make an immediate impact in the 289 00:18:25,359 --> 00:18:28,960 Speaker 1: fantasy football world. Coming up in the two thousand eighteen 290 00:18:29,160 --> 00:18:31,720 Speaker 1: two thousand nineteen season. But I want to say it 291 00:18:31,800 --> 00:18:34,760 Speaker 1: one more time, Cleveland, you Fox, you do not fucking 292 00:18:34,800 --> 00:18:38,920 Speaker 1: make any don't do it. Leave fucking Sae Kwon Barkley 293 00:18:39,080 --> 00:18:42,240 Speaker 1: in New York. He deserves to be a giant, Sam Donald, 294 00:18:43,119 --> 00:18:46,560 Speaker 1: take him, take him. He's got that big jaw. He 295 00:18:46,600 --> 00:18:49,719 Speaker 1: looks like could be just fine out in Cleveland, Okay. 296 00:18:50,000 --> 00:18:53,439 Speaker 1: Two eighteen NFL Draft players to watch out for in 297 00:18:53,480 --> 00:18:58,080 Speaker 1: fantasy football. Those are my guys, um. Obviously, this terrible 298 00:18:58,119 --> 00:19:00,840 Speaker 1: situation we we all heard about out it in Tennessee. 299 00:19:01,920 --> 00:19:05,080 Speaker 1: Uh sick fuck who doesn't make the sick Funk of 300 00:19:05,119 --> 00:19:07,560 Speaker 1: the Week list because when you when you, when you 301 00:19:07,600 --> 00:19:09,800 Speaker 1: do what he did, killing there's nothing funny. There's no 302 00:19:09,880 --> 00:19:12,560 Speaker 1: jokes to be made about it. But a true blue 303 00:19:12,600 --> 00:19:17,920 Speaker 1: sick fuck um came into a waffle house at four 304 00:19:17,920 --> 00:19:22,600 Speaker 1: in the morning a few days ago with an assault rifle. Again, 305 00:19:22,680 --> 00:19:25,080 Speaker 1: I said it once, I'll say it many many times. 306 00:19:25,440 --> 00:19:31,199 Speaker 1: You never hear any good stories about assault rifles. You 307 00:19:31,280 --> 00:19:34,240 Speaker 1: never hear any on today's news. We have a good story, 308 00:19:34,440 --> 00:19:37,720 Speaker 1: a happy ending to a story of a guy holding 309 00:19:37,880 --> 00:19:42,840 Speaker 1: an assault rifle. That never happens. It's always tragedy. Unfortunately, 310 00:19:42,920 --> 00:19:48,119 Speaker 1: four people were killed. A hero, a hero who was 311 00:19:48,320 --> 00:19:53,040 Speaker 1: in the waffle house after he killed four people, somehow, 312 00:19:53,160 --> 00:19:58,120 Speaker 1: some way had the grit and the wherewithal to fight 313 00:19:58,160 --> 00:20:01,119 Speaker 1: off the guy who was Nick. Imagine you're in a 314 00:20:01,200 --> 00:20:04,000 Speaker 1: fucking a diner at four in the morning and a 315 00:20:04,200 --> 00:20:09,800 Speaker 1: naked motherfucker comes in there. Period. Okay, let alone with 316 00:20:09,840 --> 00:20:12,600 Speaker 1: an assault right for, let's start shooting people. How frightening, 317 00:20:12,880 --> 00:20:18,200 Speaker 1: how terrifying, how scary, how life changing? Something that would 318 00:20:18,200 --> 00:20:22,160 Speaker 1: like that would be I can't even I can't even imagine. Um, 319 00:20:22,160 --> 00:20:24,680 Speaker 1: but this this kid in there was able to get 320 00:20:24,680 --> 00:20:30,200 Speaker 1: the weapon away from him. The naked sick fuck flee 321 00:20:30,200 --> 00:20:34,000 Speaker 1: the scene. Um. He was on the lamb running in 322 00:20:34,080 --> 00:20:38,880 Speaker 1: Tennessee for for about twelve twelve hours, twenty four hours approximately, 323 00:20:38,920 --> 00:20:40,439 Speaker 1: something like that. You know, we don't fact check at 324 00:20:40,440 --> 00:20:43,359 Speaker 1: the Iron Wrapped or Stereo podcast. Finally, he was caught 325 00:20:44,640 --> 00:20:48,840 Speaker 1: charge with four counts of murder, amongst other things, and 326 00:20:48,840 --> 00:20:54,040 Speaker 1: and somehow, some way a judge granted him a two 327 00:20:54,080 --> 00:20:58,399 Speaker 1: million dollar bail. There's no bail. How the fund can 328 00:20:58,440 --> 00:21:00,840 Speaker 1: there be bail for a guy that killed four people? 329 00:21:01,040 --> 00:21:04,440 Speaker 1: There's no hundred million dollar bail. No twenty million dollar 330 00:21:04,920 --> 00:21:08,600 Speaker 1: you the judge that granted this motherfucking piece of ship, 331 00:21:08,960 --> 00:21:14,720 Speaker 1: who should be locked underneath a prison in the cement block. Okay, 332 00:21:14,760 --> 00:21:17,400 Speaker 1: there's no bail. What if he came from a wealthy 333 00:21:17,480 --> 00:21:19,840 Speaker 1: family and somebody was able to bail him out. You 334 00:21:19,840 --> 00:21:23,960 Speaker 1: could kill four people and then get bailed out. That 335 00:21:24,080 --> 00:21:28,960 Speaker 1: judge who did that is should be disbarred. They should 336 00:21:29,000 --> 00:21:31,359 Speaker 1: no longer allowed to be a judge who there's no 337 00:21:31,400 --> 00:21:33,960 Speaker 1: bail for you. You killed four people within the soul 338 00:21:34,080 --> 00:21:37,160 Speaker 1: rifle in the WAFF files and four and more. That's terrorizing. 339 00:21:38,160 --> 00:21:40,800 Speaker 1: There's no fucking bail. I'm not doing any sick funs 340 00:21:40,800 --> 00:21:42,960 Speaker 1: of the week. That judge who granted this piece of 341 00:21:43,000 --> 00:21:46,800 Speaker 1: ship bail is the only sick fuck of the week 342 00:21:46,920 --> 00:21:52,160 Speaker 1: that we need to discuss. Crazy. Um, I'm not I'm 343 00:21:52,200 --> 00:21:56,840 Speaker 1: going freestyle. I can't remember the kid's name. He's been 344 00:21:56,880 --> 00:21:58,960 Speaker 1: all over the news. But God bless you for having 345 00:21:58,960 --> 00:22:02,760 Speaker 1: the bulls and heart to to save your own life 346 00:22:03,040 --> 00:22:06,720 Speaker 1: and and consequently save more people's lives by by fighting 347 00:22:06,720 --> 00:22:10,200 Speaker 1: this sick fuck. Uh the gunna getting the gun away 348 00:22:10,200 --> 00:22:13,200 Speaker 1: from him. Um, we have a lot of fans in Toronto. 349 00:22:13,480 --> 00:22:19,400 Speaker 1: Tragedy up there. Terrible, terrible tragedy. Uh. Person drove into 350 00:22:19,400 --> 00:22:23,600 Speaker 1: a crowd, killing massive amount of people. Um, my heart 351 00:22:23,600 --> 00:22:27,160 Speaker 1: goes out to those people. Um the city of Toronto. Uh, 352 00:22:27,200 --> 00:22:28,640 Speaker 1: you know, we have a lot of fans up there. 353 00:22:28,680 --> 00:22:32,520 Speaker 1: I haven't spent that much time up there, but good people, 354 00:22:33,040 --> 00:22:39,000 Speaker 1: beautiful city, very very uh just a unique place. I'm 355 00:22:39,000 --> 00:22:41,840 Speaker 1: looking forward to going up there this summer. Um. So 356 00:22:41,960 --> 00:22:45,240 Speaker 1: my uh, you know what, can I say? My thoughts, 357 00:22:45,840 --> 00:22:48,480 Speaker 1: prayers or everything from the Iron Wrap or Stereo podcast 358 00:22:48,560 --> 00:22:52,920 Speaker 1: goes out to those guys. Who else is going on? Oh? 359 00:22:53,440 --> 00:22:59,439 Speaker 1: As predicted, as predicted? I predicted it. I predicted it. 360 00:23:02,640 --> 00:23:04,159 Speaker 1: I don't even I could get the date, but I 361 00:23:04,200 --> 00:23:07,800 Speaker 1: don't fact check. Um, but it was somewhere along the 362 00:23:07,880 --> 00:23:14,440 Speaker 1: lines of March March, I want to say, March twentye. 363 00:23:14,520 --> 00:23:16,520 Speaker 1: I'm pretty good with dates when I put my mind 364 00:23:16,560 --> 00:23:22,320 Speaker 1: to it. Remember when uh, Johnny cluckhead, Johnny fuck up. 365 00:23:22,600 --> 00:23:27,159 Speaker 1: Remember when Johnny Manzel was popping shipped to me the 366 00:23:27,200 --> 00:23:29,760 Speaker 1: Gringo man Dingo and he had he had the honor 367 00:23:30,640 --> 00:23:33,840 Speaker 1: of being dragged and Willie Hutched not only on Twitter 368 00:23:34,240 --> 00:23:36,679 Speaker 1: but on this year I am Rapp Reports Stereo podcast. 369 00:23:36,720 --> 00:23:39,600 Speaker 1: Remember that podcast where I dragged this motherfucker and his 370 00:23:39,680 --> 00:23:43,200 Speaker 1: crew and we put them on the shame game. One 371 00:23:43,240 --> 00:23:48,040 Speaker 1: of the things I said to Johnny fucking Cluckhead was 372 00:23:48,080 --> 00:23:51,800 Speaker 1: when you're out of work, when you're not playing in 373 00:23:51,840 --> 00:23:56,680 Speaker 1: the NFL, reach out to the boys at Barstool Sports 374 00:23:56,920 --> 00:23:59,920 Speaker 1: and tell them to get that podcast ready for you. 375 00:24:00,000 --> 00:24:05,760 Speaker 1: You you're gonna need employment. Lo and behold, motherfucker. I 376 00:24:05,880 --> 00:24:10,200 Speaker 1: was right. Tomorrow night, if you have nothing fucking better 377 00:24:10,280 --> 00:24:14,119 Speaker 1: to do with yourself during the NFL Draft and after 378 00:24:14,920 --> 00:24:20,600 Speaker 1: Johnny Clarkhead, Johnny fuck up, We'll be doing a special 379 00:24:21,080 --> 00:24:24,560 Speaker 1: podcast with Barstool Sports. If you've got nothing better to do, 380 00:24:25,480 --> 00:24:28,960 Speaker 1: listen to the analysis of a guy who fucked up 381 00:24:29,040 --> 00:24:31,679 Speaker 1: all of his opportunities. That's the guy you want to 382 00:24:31,720 --> 00:24:35,600 Speaker 1: hear talking about football. That's the fucking guy you want 383 00:24:35,600 --> 00:24:38,359 Speaker 1: to hear talking about football. I predicted it. I was right. 384 00:24:38,440 --> 00:24:42,560 Speaker 1: My next prediction said it once. I'm saying it again. 385 00:24:42,840 --> 00:24:47,440 Speaker 1: Richie Incognito. Remember the lineman from the Miami Dolphins and 386 00:24:47,480 --> 00:24:50,600 Speaker 1: Buffalo Bills. He's the one who has got into the 387 00:24:50,720 --> 00:24:53,720 Speaker 1: racial beef with the other offensive lineman calling him in 388 00:24:53,800 --> 00:24:55,680 Speaker 1: word this, and we're dad and all kind of other 389 00:24:55,720 --> 00:24:58,640 Speaker 1: wild ship. He will be on Barstool Sports too. That's 390 00:24:58,680 --> 00:25:02,360 Speaker 1: the kind of scumbags that they go to Richie Incognito 391 00:25:02,720 --> 00:25:05,560 Speaker 1: and Johnny Clark. It I predicted it. I was right. 392 00:25:05,640 --> 00:25:10,120 Speaker 1: Gee Moody, you fuck you. I'm I'm, I'm the hostradamis 393 00:25:10,280 --> 00:25:14,159 Speaker 1: my predictions come true? You fuck you. G Moody is 394 00:25:14,280 --> 00:25:16,879 Speaker 1: nursing a pulled hamstring. That's why he cannot be with 395 00:25:16,960 --> 00:25:21,160 Speaker 1: me or today's I Am Rapp reports stereo podcast. Okay, 396 00:25:22,200 --> 00:25:27,480 Speaker 1: the NBA Playoffs are in full swing. Um this sort 397 00:25:27,520 --> 00:25:31,040 Speaker 1: of underdog, the sleeper team of the pot of the 398 00:25:31,040 --> 00:25:34,800 Speaker 1: playoffs thus far, the New Orleans Pelicans who play in 399 00:25:34,920 --> 00:25:39,520 Speaker 1: Smoothie King Arena. Despite being named the Pelicans and despite 400 00:25:39,520 --> 00:25:44,320 Speaker 1: playing in the Smoothie King Arena. Uh. They they beat 401 00:25:44,359 --> 00:25:47,920 Speaker 1: the ship out of my guys, the Trailblazers, Hevan Turner, C. J. McCullum, 402 00:25:48,280 --> 00:25:52,399 Speaker 1: Dame Dollar four games. Sweet. Nobody saw that coming. No 403 00:25:52,920 --> 00:25:57,399 Speaker 1: body saw that coming, but they won and up next 404 00:25:57,840 --> 00:26:00,000 Speaker 1: one of these second round matchups, one of the only 405 00:26:00,160 --> 00:26:03,720 Speaker 1: second round matchups that is set and ready to rock 406 00:26:05,000 --> 00:26:08,800 Speaker 1: is the Golden State Warriors, who beat the San Antonio Spurs. 407 00:26:09,240 --> 00:26:12,840 Speaker 1: Remember G Moody, whose last name rhymes with duty, predicted 408 00:26:13,480 --> 00:26:15,600 Speaker 1: that the San Antonio Spurs were gonna beat the Golden 409 00:26:15,600 --> 00:26:19,080 Speaker 1: State Warriors. What the funk are you smoking, Duke? They 410 00:26:19,119 --> 00:26:24,640 Speaker 1: got their asses kicked Listen. They played gallantly under duress. 411 00:26:24,960 --> 00:26:28,440 Speaker 1: Um with the tragedy Gregg Popovich, their coach, their leader, 412 00:26:28,440 --> 00:26:31,560 Speaker 1: one of the great voices in all of sports, his 413 00:26:31,600 --> 00:26:36,200 Speaker 1: wife passed away seemingly suddenly. Um uh. But they they 414 00:26:36,200 --> 00:26:38,760 Speaker 1: still wouldn't have beat them without Kauai. They just were 415 00:26:38,840 --> 00:26:43,640 Speaker 1: under man and man who genobli Uh played great during 416 00:26:43,640 --> 00:26:47,880 Speaker 1: the series. The big question now, um the Miami Heat 417 00:26:47,880 --> 00:26:50,560 Speaker 1: who also got bumped by the Philadelphia seventy s, who 418 00:26:50,560 --> 00:26:54,240 Speaker 1: are going to be a problem. Cleveland is still tangling 419 00:26:54,280 --> 00:26:59,960 Speaker 1: it up, uh with Victor Oladipo, Miles Turner and those 420 00:27:00,000 --> 00:27:04,080 Speaker 1: guys out in Indiana. But if Cleveland does in fact 421 00:27:04,240 --> 00:27:07,919 Speaker 1: beat Indiana and it ain't over, the series is tied. 422 00:27:08,320 --> 00:27:10,880 Speaker 1: As of the recording of this iron wrappor stereo podcast, 423 00:27:11,440 --> 00:27:15,520 Speaker 1: Cleveland versus Philly, I think it's over. I think it's 424 00:27:15,520 --> 00:27:19,280 Speaker 1: sucking up whatever. Okay, But Manu Genoble the big talk 425 00:27:19,280 --> 00:27:22,840 Speaker 1: of the NBA's will Manu genobli Uh and Dwyane Wade 426 00:27:23,119 --> 00:27:27,240 Speaker 1: UM who's officially uh bumped out of the playoffs with 427 00:27:27,280 --> 00:27:31,000 Speaker 1: the Miami Heat. Uh. These guys are icons Hall of 428 00:27:31,000 --> 00:27:35,120 Speaker 1: Famer's first ballot a s a pte totally earned it. Uh, 429 00:27:35,160 --> 00:27:39,200 Speaker 1: nothing was given. Um. Will these guys be playing next season? Um? 430 00:27:39,320 --> 00:27:44,639 Speaker 1: My inclination is that d Wade will be playing next year. UM. 431 00:27:44,880 --> 00:27:47,200 Speaker 1: And I think Manu Genobli will come back for one more. 432 00:27:47,240 --> 00:27:49,840 Speaker 1: I don't think they're gonna retire. Neither one of them 433 00:27:49,880 --> 00:27:55,040 Speaker 1: has announced it, but the NBA is it's cooking right now. Uh, 434 00:27:55,080 --> 00:27:58,600 Speaker 1: it's looking like the Rockets are playing. Uh the Jazz. 435 00:27:58,680 --> 00:28:02,360 Speaker 1: If the Jazz continue to kick Oklahoma City Thunders asked 436 00:28:03,200 --> 00:28:05,080 Speaker 1: they beat the ship out of them the other day, 437 00:28:05,280 --> 00:28:10,080 Speaker 1: Jonas Jerebko, Ricky Rubio, smoking, Joe Ingles and of course 438 00:28:10,640 --> 00:28:14,240 Speaker 1: Rookie of the Year Donovan Mitchell and their coach Quinn 439 00:28:14,240 --> 00:28:17,720 Speaker 1: Snyder a K Duke Snyder Coach of the Year Yo. 440 00:28:17,960 --> 00:28:20,480 Speaker 1: They had okay see ready to like they look like 441 00:28:20,480 --> 00:28:24,359 Speaker 1: they wanted to quit. The Oklahoma City Thunder looked like 442 00:28:24,400 --> 00:28:29,359 Speaker 1: they wanted to quit. And the question is after this season, 443 00:28:29,480 --> 00:28:32,000 Speaker 1: is is what's Russell Westbrook gonna do? Because Paul George 444 00:28:32,040 --> 00:28:35,239 Speaker 1: is leaving as he should. I think Carmelo's contract has 445 00:28:35,320 --> 00:28:37,760 Speaker 1: him staying there. But what's gonna happen with the Oklahoma 446 00:28:37,800 --> 00:28:41,840 Speaker 1: City Thunder? Because unless some miracle happens and and Utah 447 00:28:41,960 --> 00:28:45,680 Speaker 1: totally folds and and they get injury struck and quick, 448 00:28:45,760 --> 00:28:49,520 Speaker 1: that series is over. And the Rockets versus the Jazz 449 00:28:49,600 --> 00:28:52,120 Speaker 1: is gonna be a great series. Anyway. The NBA Playoffs 450 00:28:52,320 --> 00:28:55,280 Speaker 1: are under underway. Uh, this is my time of year. 451 00:28:55,320 --> 00:28:59,880 Speaker 1: We're gonna be doing emergency podcast UM, in game reactions, PO, 452 00:29:00,080 --> 00:29:03,480 Speaker 1: scheme reactions, UM, and I'm gonna break down that more. 453 00:29:04,080 --> 00:29:05,600 Speaker 1: All right, well more, can I say? I can tell 454 00:29:05,640 --> 00:29:08,920 Speaker 1: you this? 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Buttersoft t shirts are available at district lines 483 00:31:07,720 --> 00:31:11,720 Speaker 1: dot com. Okay, it's al pacino seventy eight birthday. Kevin 484 00:31:11,760 --> 00:31:16,400 Speaker 1: Corrigan character actor. You know his face if you don't 485 00:31:16,400 --> 00:31:19,000 Speaker 1: know his name, We are going to break down what 486 00:31:19,120 --> 00:31:23,480 Speaker 1: al Pacino means to us. Okay, the greatness of al Pacino. 487 00:31:24,320 --> 00:31:28,400 Speaker 1: It's the anniversary of the iconic film that we both 488 00:31:28,520 --> 00:31:30,560 Speaker 1: happened to be in True Romance. We're gonna tell some 489 00:31:30,640 --> 00:31:34,480 Speaker 1: stories on the set of True Romance, meeting Christopher Walking, 490 00:31:34,960 --> 00:31:38,280 Speaker 1: Gary Oldman, the whole deal. Coming up next on the 491 00:31:38,320 --> 00:31:42,160 Speaker 1: Iron Rapports Stereo podcast. Stay with me, trust me. We 492 00:31:42,240 --> 00:31:46,560 Speaker 1: are celebrating al Pacino with my man special guest, Kevin Corrigan, 493 00:31:46,680 --> 00:31:56,680 Speaker 1: Keviy keV keV Core from the Boogee Down Bronx Mike 494 00:31:57,040 --> 00:32:02,160 Speaker 1: ha ha ha ha keV Corp. What's up? How much 495 00:32:02,160 --> 00:32:06,040 Speaker 1: time you got? I got it? I got some time. 496 00:32:06,400 --> 00:32:08,560 Speaker 1: Let's jump into it because I'm over here, I'm working 497 00:32:09,320 --> 00:32:15,840 Speaker 1: and it's al Pacino's seventy eight birthday and I'm gonna 498 00:32:15,880 --> 00:32:18,960 Speaker 1: just flatter you. I've told you this before, but the 499 00:32:18,960 --> 00:32:26,200 Speaker 1: first time we worked together on zebra Head, long, long, long, long, long, long, long, 500 00:32:26,280 --> 00:32:31,600 Speaker 1: last time, ago, long ago, when you came screaming at 501 00:32:31,640 --> 00:32:34,680 Speaker 1: me on the lawn. It was my first movie. I 502 00:32:34,720 --> 00:32:37,040 Speaker 1: didn't know what the funk I was doing. You barely 503 00:32:37,080 --> 00:32:38,840 Speaker 1: knew what the funk you were doing, but you definitely 504 00:32:38,880 --> 00:32:43,800 Speaker 1: knew more than what I did. I remember thinking, this 505 00:32:43,920 --> 00:32:47,400 Speaker 1: dude reminds me of al Pacino, and I know you 506 00:32:47,520 --> 00:32:50,800 Speaker 1: just got to see him in New York. So on 507 00:32:50,840 --> 00:32:55,400 Speaker 1: al Pacino seventy eight birthday. Because I always equate, and 508 00:32:55,440 --> 00:32:57,080 Speaker 1: when I think of al Pacino and I think of 509 00:32:57,080 --> 00:33:02,240 Speaker 1: the people who articulate what he means to them. That's 510 00:33:02,240 --> 00:33:03,760 Speaker 1: why I wanted to call you and talk to you 511 00:33:03,760 --> 00:33:06,400 Speaker 1: about al on his birthday. So on al Pacino seventy 512 00:33:06,480 --> 00:33:09,360 Speaker 1: eight birthday, I'll just pose the question like this, and 513 00:33:09,400 --> 00:33:11,800 Speaker 1: then you could just you could just speak on it. 514 00:33:12,440 --> 00:33:16,760 Speaker 1: What does al Pacino mean to you? First of all, 515 00:33:17,040 --> 00:33:21,800 Speaker 1: I remember watching it like like al Pacino. The name 516 00:33:21,880 --> 00:33:26,640 Speaker 1: al Pacino has been in my my consciousness since I 517 00:33:26,720 --> 00:33:31,600 Speaker 1: was ten years old, Like it was just I didn't 518 00:33:31,600 --> 00:33:37,280 Speaker 1: even know who he was. The name was just in 519 00:33:37,320 --> 00:33:41,800 Speaker 1: the air, like like Elvis or something, Paccino, al Pacino. 520 00:33:42,840 --> 00:33:46,920 Speaker 1: In fact, I remember watching The Deer Hunter once it 521 00:33:47,080 --> 00:33:51,680 Speaker 1: was on Channel nyme and and and looking at it 522 00:33:51,760 --> 00:33:55,680 Speaker 1: and thinking al Pacino, I was off. You know, obviously 523 00:33:55,720 --> 00:34:00,840 Speaker 1: he wasn't in that movie. But I just saw you know, 524 00:34:01,560 --> 00:34:04,800 Speaker 1: a bunch of Italian guys on TV, you know, cursing 525 00:34:05,280 --> 00:34:10,560 Speaker 1: and and something was like speaking to me about that 526 00:34:11,200 --> 00:34:16,239 Speaker 1: New York, these New York voices. He's so New York. 527 00:34:17,880 --> 00:34:21,319 Speaker 1: But then it's he started to come into focus for 528 00:34:21,400 --> 00:34:27,759 Speaker 1: me in the early eighties. And Uh, I started going 529 00:34:27,840 --> 00:34:33,040 Speaker 1: to the Lee Strasburg Theater Institute in around eighty four, 530 00:34:35,120 --> 00:34:37,560 Speaker 1: and and there was his picture on the hall. You know, 531 00:34:38,360 --> 00:34:41,879 Speaker 1: I got to see him speak at at the Strasburg 532 00:34:42,440 --> 00:34:46,520 Speaker 1: School October that year, eighty four. He talked to the 533 00:34:46,719 --> 00:34:51,920 Speaker 1: to the students for like four hours, and he he 534 00:34:52,000 --> 00:34:57,879 Speaker 1: was just so generous. You know. Ana Strasburg, Uh Lee 535 00:34:57,880 --> 00:35:02,840 Speaker 1: Strasburg's widow in introduced him or she she sort of 536 00:35:03,120 --> 00:35:06,960 Speaker 1: primed the audience. You know, he wasn't in the room 537 00:35:07,000 --> 00:35:09,920 Speaker 1: at the moment she was. It was very hush hush. 538 00:35:09,960 --> 00:35:13,000 Speaker 1: When when she finally walked in, the place was packed. 539 00:35:13,800 --> 00:35:16,879 Speaker 1: Everyone wanted to see him, and she said, look, he's 540 00:35:16,920 --> 00:35:20,879 Speaker 1: just an actor like everyone else here. There will be 541 00:35:21,239 --> 00:35:26,920 Speaker 1: no applause. Everybody just you know, uh, he you know, 542 00:35:27,520 --> 00:35:29,879 Speaker 1: he's gonna come in here, He's gonna talk with you. 543 00:35:30,000 --> 00:35:33,600 Speaker 1: Just remember that clearly, like those don't don't don't give 544 00:35:33,640 --> 00:35:36,839 Speaker 1: him any applause. And he walked in and you could 545 00:35:36,880 --> 00:35:42,080 Speaker 1: feel everybody just suppressing their impulse to to to scream 546 00:35:42,239 --> 00:35:45,799 Speaker 1: or or clap or anything. And he just kind of 547 00:35:45,880 --> 00:35:49,719 Speaker 1: lumbered in. You felt like you were in the presence 548 00:35:49,800 --> 00:35:56,319 Speaker 1: of greatness. Of course, Uh, you felt humbled, but no 549 00:35:56,360 --> 00:36:01,840 Speaker 1: one was more humble than him. You could see it 550 00:36:01,880 --> 00:36:04,680 Speaker 1: in his body language. His shoulders were all hunched. He 551 00:36:04,719 --> 00:36:08,239 Speaker 1: had this real luck or shucks kind of like you know, 552 00:36:08,400 --> 00:36:11,520 Speaker 1: I'm not that you know. Uh, And and he's still 553 00:36:11,600 --> 00:36:13,600 Speaker 1: that way. I went to see him, As I said, 554 00:36:13,680 --> 00:36:17,000 Speaker 1: like a couple of weeks ago, there was a Pacino 555 00:36:17,120 --> 00:36:21,759 Speaker 1: retrospective at the Quad Cinema, and Uh, I went to 556 00:36:21,840 --> 00:36:27,560 Speaker 1: see I got tickets to see Revolution, which is not 557 00:36:27,719 --> 00:36:32,719 Speaker 1: everybody's favorite Al Pacino movie. I went to see it 558 00:36:32,760 --> 00:36:36,560 Speaker 1: because it was directed by Hugh Hudson, the English director 559 00:36:36,640 --> 00:36:42,080 Speaker 1: who was the first person to hire me, and they 560 00:36:42,120 --> 00:36:46,000 Speaker 1: were go both gonna be there in person, and it 561 00:36:46,120 --> 00:36:50,360 Speaker 1: was a nine o'clock screening. Uh, and they had the 562 00:36:50,480 --> 00:36:53,000 Speaker 1: Q and A that the in person part of the 563 00:36:53,080 --> 00:36:58,840 Speaker 1: event before the movie. I thought I might have the 564 00:36:58,920 --> 00:37:02,880 Speaker 1: chance to to say so, to approach him after the movie. 565 00:37:02,960 --> 00:37:05,120 Speaker 1: But you know, he wasn't gonna be there at at 566 00:37:05,160 --> 00:37:08,000 Speaker 1: one o'clock in the morning. I should have known that. 567 00:37:08,520 --> 00:37:12,600 Speaker 1: But he he came in, he sat down with Hugh Hudson, 568 00:37:13,320 --> 00:37:18,120 Speaker 1: and uh, you know, it was like the moderator was 569 00:37:18,480 --> 00:37:20,799 Speaker 1: kept looking at his wrist watch and saying, you know, 570 00:37:20,880 --> 00:37:24,920 Speaker 1: it's about nine fifteen now, I really don't think we're 571 00:37:24,920 --> 00:37:28,799 Speaker 1: going to have time for any question. Someone raises their 572 00:37:28,840 --> 00:37:34,200 Speaker 1: hand and al Pacino goes yes, and uh, you know, 573 00:37:34,280 --> 00:37:37,560 Speaker 1: he just totally went over the moderator's head with that. 574 00:37:37,840 --> 00:37:42,840 Speaker 1: You know, he opened up the the room like, uh, 575 00:37:42,880 --> 00:37:46,120 Speaker 1: he wasn't gonna let anyone go away disappointed. You know, 576 00:37:47,320 --> 00:37:51,919 Speaker 1: he just started taking questions and and making jokes. He's 577 00:37:51,960 --> 00:37:56,799 Speaker 1: just like, you know, he has like a humility about him, 578 00:37:57,040 --> 00:38:01,080 Speaker 1: and uh something a quality of out him, a very 579 00:38:01,160 --> 00:38:07,600 Speaker 1: New York quality, like an approachable quality, you know, like 580 00:38:07,640 --> 00:38:10,760 Speaker 1: a guy on the street. That's what's always come across 581 00:38:10,880 --> 00:38:17,040 Speaker 1: to me with Alfaccino. I remember, like, uh, when I 582 00:38:17,120 --> 00:38:19,880 Speaker 1: was going to the Strasbergainst. There were a lot of 583 00:38:20,120 --> 00:38:26,320 Speaker 1: actors there who took classes UH with Charlie Lawton. Charlie 584 00:38:26,480 --> 00:38:33,600 Speaker 1: Lawton was famously alvi best friend and mentor, and he 585 00:38:33,680 --> 00:38:37,160 Speaker 1: taught a class at Strasburg. I took a makeup class 586 00:38:37,200 --> 00:38:41,680 Speaker 1: with Charlie one summer. You know, everybody in the class, 587 00:38:41,800 --> 00:38:44,799 Speaker 1: you know, like, there was a group of actors in 588 00:38:44,840 --> 00:38:49,880 Speaker 1: that class who were doing a play and UH and 589 00:38:50,280 --> 00:38:56,600 Speaker 1: Alfaccino came to see the play UM one night. And 590 00:38:56,640 --> 00:38:58,719 Speaker 1: I was hanging around this group all the time. They 591 00:38:58,719 --> 00:39:00,759 Speaker 1: were all older than me, but they all they all 592 00:39:00,800 --> 00:39:04,520 Speaker 1: look like al Pacino that everybody. They wanted to be 593 00:39:04,560 --> 00:39:06,920 Speaker 1: in that group. Really, I wanted to be accepted by 594 00:39:06,960 --> 00:39:10,040 Speaker 1: that group, and I just hung out with them all 595 00:39:10,080 --> 00:39:12,960 Speaker 1: the time. I went to see that play like a 596 00:39:13,040 --> 00:39:16,520 Speaker 1: bunch of times. And one night al came to see 597 00:39:16,560 --> 00:39:22,839 Speaker 1: the play UH in this little thirty theater. He ended 598 00:39:22,880 --> 00:39:24,440 Speaker 1: up sitting right and you know, I remember that the 599 00:39:24,480 --> 00:39:27,000 Speaker 1: stage managers telling me I was coming tonight. I was like, 600 00:39:27,040 --> 00:39:29,440 Speaker 1: I don't believe it, because well you'll see if you 601 00:39:29,520 --> 00:39:32,279 Speaker 1: hang around, you'll see he sat right in front of me. 602 00:39:32,640 --> 00:39:36,359 Speaker 1: Were you like, oh yeah, I couldn't believe it, you know, 603 00:39:37,440 --> 00:39:45,720 Speaker 1: there he was, uh. And afterwards he took everybody down 604 00:39:46,360 --> 00:39:52,640 Speaker 1: to a diner called the Astor Rivieria, which is now 605 00:39:52,680 --> 00:39:58,120 Speaker 1: a Starbucks in in Astor place. You and I have 606 00:39:58,200 --> 00:40:01,319 Speaker 1: been there. Uh, I remember when when when it was 607 00:40:01,360 --> 00:40:07,280 Speaker 1: a diner, when it was the Astor Riviera, and uh, 608 00:40:07,440 --> 00:40:11,239 Speaker 1: you know, it was like it was like a a 609 00:40:11,360 --> 00:40:15,560 Speaker 1: Wednesday or something. Um, there were on a lot of 610 00:40:15,600 --> 00:40:19,960 Speaker 1: people in the place. It was, you know, ten thirty 611 00:40:20,000 --> 00:40:23,239 Speaker 1: at night. We got like a table for for ten 612 00:40:23,400 --> 00:40:29,840 Speaker 1: people and it was al and his driver, and Charlie 613 00:40:29,960 --> 00:40:33,920 Speaker 1: Lawton and the director of the play and the cast, 614 00:40:34,120 --> 00:40:39,279 Speaker 1: and and me just sitting there. I was like seventeen 615 00:40:39,400 --> 00:40:42,719 Speaker 1: years old. He was sitting one person away from me. 616 00:40:42,800 --> 00:40:45,640 Speaker 1: There was one person you know between me and al 617 00:40:45,880 --> 00:40:49,400 Speaker 1: g You know, I kept like just looking at him sideways, 618 00:40:49,440 --> 00:40:51,759 Speaker 1: you know, just like leaning over to just to to 619 00:40:51,880 --> 00:40:55,480 Speaker 1: try and get as much of a look at him 620 00:40:55,520 --> 00:40:58,839 Speaker 1: as possible. And he was just like everyone else there. 621 00:40:58,920 --> 00:41:02,440 Speaker 1: He really was just like a like another the spian, 622 00:41:02,600 --> 00:41:05,040 Speaker 1: you know. And we were we were talking about he 623 00:41:05,120 --> 00:41:10,080 Speaker 1: was talking about the play and talking about acting, and 624 00:41:10,320 --> 00:41:13,520 Speaker 1: I just remember him saying one thing in response to somebody, 625 00:41:13,520 --> 00:41:20,080 Speaker 1: I don't know what, Uh, the original statement was that 626 00:41:20,120 --> 00:41:23,480 Speaker 1: he was responding to, but I just remember him saying, Oh, 627 00:41:23,600 --> 00:41:26,040 Speaker 1: that's it, man, you know, all the world's the stage 628 00:41:26,400 --> 00:41:32,239 Speaker 1: and the stages your world. Al said that, and he 629 00:41:32,640 --> 00:41:36,520 Speaker 1: was just like really supportive of the people in that 630 00:41:36,600 --> 00:41:40,120 Speaker 1: group who were doing that that you know, little play 631 00:41:39,880 --> 00:41:44,640 Speaker 1: at the Strasbourg Institute. And when you think of like, 632 00:41:44,800 --> 00:41:47,560 Speaker 1: you know, when you look back, you know, obviously you 633 00:41:47,600 --> 00:41:49,759 Speaker 1: know people know you you've done a bunch of ship 634 00:41:50,800 --> 00:41:52,880 Speaker 1: and but but you know, I mean, we we we 635 00:41:53,000 --> 00:41:55,520 Speaker 1: share this, you know, like our love of these actors, 636 00:41:55,560 --> 00:41:57,520 Speaker 1: and there's like a handful of guys that you know, 637 00:41:57,600 --> 00:42:00,279 Speaker 1: like there's there's new guys that come along that love 638 00:42:00,320 --> 00:42:03,600 Speaker 1: and respect, but there's like a handful of guys you 639 00:42:03,640 --> 00:42:06,040 Speaker 1: know that me and you have talked about over the years, 640 00:42:06,080 --> 00:42:08,800 Speaker 1: over over and over and over and over and over endlessly, 641 00:42:09,040 --> 00:42:15,720 Speaker 1: Al Pacino de Niro, Dustin Hoffman, Marlon Brando, John Casal. Uh, 642 00:42:15,800 --> 00:42:20,200 Speaker 1: you know that whole crew specifically, Al, when you know 643 00:42:20,239 --> 00:42:22,520 Speaker 1: now that you know you're an actor, you're an accomplish actor. 644 00:42:22,560 --> 00:42:25,919 Speaker 1: You've done your thing, you have you know, uh, your 645 00:42:25,960 --> 00:42:29,600 Speaker 1: own style. Christopher Walking is another one who's in my 646 00:42:29,719 --> 00:42:31,239 Speaker 1: kid like, if if I was gonna do something like 647 00:42:31,320 --> 00:42:33,880 Speaker 1: Christopher Walking, you would be the absolute first person I 648 00:42:33,880 --> 00:42:37,600 Speaker 1: would call. But specifically Alt on his seventy eighth birthday 649 00:42:37,600 --> 00:42:42,600 Speaker 1: when when I say, describe what his acting style is, 650 00:42:42,719 --> 00:42:45,799 Speaker 1: describe what it is about his acting going back to 651 00:42:45,840 --> 00:42:48,720 Speaker 1: the early stuff, because it's evolved and it's changed and 652 00:42:48,719 --> 00:42:51,719 Speaker 1: and and it's turned into a different thing, and it's 653 00:42:51,760 --> 00:42:53,960 Speaker 1: still great. Like I just saw him in this HBO 654 00:42:54,040 --> 00:42:56,719 Speaker 1: paternal thing. He was fucking as good as he's ever been. 655 00:42:57,320 --> 00:43:00,720 Speaker 1: But that early stuff of panic and needle Park obviously 656 00:43:00,760 --> 00:43:05,560 Speaker 1: Godfather Cerproico, Uh dog day, Uh, that energy that he 657 00:43:05,640 --> 00:43:09,359 Speaker 1: had talked to me about what you like, what it 658 00:43:09,440 --> 00:43:13,800 Speaker 1: is about his acting, his style, his energy, his uniqueness 659 00:43:13,840 --> 00:43:16,880 Speaker 1: that separates him from all those other great dudes that 660 00:43:16,920 --> 00:43:23,320 Speaker 1: I just mentioned he has. He has this this reality 661 00:43:23,520 --> 00:43:32,520 Speaker 1: about him that is so intense and so intensely uh visceral. Uh. 662 00:43:32,560 --> 00:43:37,040 Speaker 1: You know when when he's having an emotion, it's it's 663 00:43:37,080 --> 00:43:40,759 Speaker 1: so obvious that he's having it for real that it 664 00:43:40,840 --> 00:43:43,880 Speaker 1: jumps off the screen or off the stage, you know, 665 00:43:44,080 --> 00:43:49,439 Speaker 1: from him onto you. Like I always think about Pechino 666 00:43:50,200 --> 00:43:54,080 Speaker 1: kind of flicking his lips, and there's always something like 667 00:43:54,160 --> 00:43:57,640 Speaker 1: his His lower lip is always wet, and his eyes 668 00:43:57,680 --> 00:44:01,760 Speaker 1: are always moist. You know, he's he's his eyes are shining, 669 00:44:02,840 --> 00:44:08,360 Speaker 1: you know, with this eagerness. You know he's got and 670 00:44:08,360 --> 00:44:13,040 Speaker 1: and he has these nervous eyes, these very dark eyes. Uh, 671 00:44:13,080 --> 00:44:16,120 Speaker 1: and they're jumping around like uh, not that not that 672 00:44:16,160 --> 00:44:19,520 Speaker 1: they're unfocused. It's just like he's always got his eye 673 00:44:20,080 --> 00:44:25,359 Speaker 1: definitely on something like a hawk's. He's uh, you know, 674 00:44:26,400 --> 00:44:30,880 Speaker 1: a very such an intensely focused actor. He's so eager 675 00:44:30,960 --> 00:44:36,200 Speaker 1: to to achieve his his objective, whatever he decides it is. 676 00:44:37,840 --> 00:44:40,240 Speaker 1: And it's coming out of his heart, you know, his 677 00:44:40,239 --> 00:44:43,000 Speaker 1: his heart is almost coming up out of his mouth. 678 00:44:43,239 --> 00:44:47,480 Speaker 1: You know, he's so uh, he's got this eagerness and 679 00:44:47,680 --> 00:44:50,640 Speaker 1: you know he can see his his you know, when 680 00:44:50,680 --> 00:44:53,360 Speaker 1: he's really getting into it, his lips pulled back over 681 00:44:53,400 --> 00:44:57,239 Speaker 1: his chief and he's just intense and he's just like 682 00:44:57,520 --> 00:45:00,719 Speaker 1: he means what he says. You know, it's like this 683 00:45:00,880 --> 00:45:03,960 Speaker 1: this thing about him like pick me, don't look over there, 684 00:45:03,960 --> 00:45:07,920 Speaker 1: don't look over look at me, at me, put your 685 00:45:08,080 --> 00:45:12,800 Speaker 1: attention on me, you know, uh, And he just looks 686 00:45:12,800 --> 00:45:16,719 Speaker 1: like he's ready to pounce. He's you can see it 687 00:45:16,719 --> 00:45:21,319 Speaker 1: in He's got these jaguar like shoulders. He's just like 688 00:45:21,360 --> 00:45:32,880 Speaker 1: an animal, like a jungle cat. He's just the spiral, uh, instinctual, live, quick, 689 00:45:33,400 --> 00:45:38,360 Speaker 1: you know, furtive, like a tone poet. You know, he's like, 690 00:45:38,480 --> 00:45:40,920 Speaker 1: I think if val Paccino is like, he's like the 691 00:45:41,719 --> 00:45:45,600 Speaker 1: Bob Dylan of of the acting world, you know, in 692 00:45:45,640 --> 00:45:50,919 Speaker 1: the sense that he uh is so steeped in the 693 00:45:50,920 --> 00:45:55,160 Speaker 1: craft and of acting, and not just as acting, but 694 00:45:55,280 --> 00:46:01,640 Speaker 1: of but of writing too. Is absolutely like a Shakespeare scholar, 695 00:46:02,840 --> 00:46:07,279 Speaker 1: which you know, Oh, you know, you could call him 696 00:46:07,320 --> 00:46:10,160 Speaker 1: at three in the morning to talk about Shakespeare. I'm 697 00:46:10,200 --> 00:46:13,400 Speaker 1: I'm sure, I don't know. I don't know him, but 698 00:46:14,120 --> 00:46:17,240 Speaker 1: I think that is probably a conversation that you could 699 00:46:17,360 --> 00:46:22,600 Speaker 1: always have with him. He is an institution out Pasino. 700 00:46:22,800 --> 00:46:26,319 Speaker 1: He's like, you know, we can never lose that man, 701 00:46:26,560 --> 00:46:31,080 Speaker 1: because he is a font of of information of the 702 00:46:31,200 --> 00:46:35,920 Speaker 1: rarest kind. You know, he's he is a connection to 703 00:46:36,239 --> 00:46:42,719 Speaker 1: uh to uh, you know, culture and the culture of 704 00:46:42,719 --> 00:46:46,600 Speaker 1: of the theater, the culture of New York City. You know, 705 00:46:46,760 --> 00:46:51,200 Speaker 1: he's he's like, uh kind of im I'm it's crazy 706 00:46:51,239 --> 00:46:55,719 Speaker 1: that it's taken this long for Pacino and Scorsese to 707 00:46:55,880 --> 00:47:01,359 Speaker 1: work together. Given, how how important and each of them, 708 00:47:01,800 --> 00:47:05,760 Speaker 1: those men are respectively to New York, New York City. 709 00:47:06,000 --> 00:47:08,040 Speaker 1: Are you are you in that film? Are you in there? 710 00:47:08,080 --> 00:47:14,000 Speaker 1: Are you in the Irishman? No Ah? You fuck yeah, 711 00:47:14,239 --> 00:47:19,799 Speaker 1: God damn it. I didn't make the team. And now 712 00:47:19,840 --> 00:47:22,640 Speaker 1: I know, I know. It's it's it's it's trust me. 713 00:47:23,120 --> 00:47:25,200 Speaker 1: I didn't make the fucking team either. You you you 714 00:47:25,360 --> 00:47:27,880 Speaker 1: made the team. You made the team twice. But I 715 00:47:27,920 --> 00:47:29,680 Speaker 1: mean that would have been a good fucking team to me. 716 00:47:29,920 --> 00:47:34,239 Speaker 1: Trust me, I feel the same fucking way. Um, what 717 00:47:34,400 --> 00:47:37,040 Speaker 1: about you? You know? And then the hunger to be 718 00:47:37,200 --> 00:47:40,800 Speaker 1: on that team? You know what it what it brings 719 00:47:40,920 --> 00:47:46,880 Speaker 1: up and an aspiring act at a certain age, you know, 720 00:47:47,400 --> 00:47:51,040 Speaker 1: like that that that quality, that like salivating quality that 721 00:47:51,120 --> 00:47:56,200 Speaker 1: I associate with the hero that please fucking gives this, 722 00:47:56,200 --> 00:47:59,959 Speaker 1: This is mine? This is mine? You know, Like he's uh, 723 00:48:00,239 --> 00:48:03,759 Speaker 1: you know al Pacino makes you know, like acting, you know, 724 00:48:03,800 --> 00:48:12,520 Speaker 1: acting as he's like this delicious thing. He's uh. Um 725 00:48:12,640 --> 00:48:15,480 Speaker 1: he's such a great act is such a great uh 726 00:48:15,680 --> 00:48:20,840 Speaker 1: drama person in the theater. Um he's uh he's a 727 00:48:20,920 --> 00:48:23,719 Speaker 1: real artist. And like that word is thrown around a lot, 728 00:48:24,480 --> 00:48:26,839 Speaker 1: and I don't even like I've just sort of come 729 00:48:26,880 --> 00:48:29,719 Speaker 1: to terms to even I don't even know if I 730 00:48:29,760 --> 00:48:33,040 Speaker 1: say it publicly, but like to understand what that is, 731 00:48:33,600 --> 00:48:37,520 Speaker 1: like what an artist is. But that motherfucker is a 732 00:48:37,560 --> 00:48:41,640 Speaker 1: true blue artist, like straight up, like you could see 733 00:48:41,680 --> 00:48:43,920 Speaker 1: it in him even when he's not acting. Like when 734 00:48:43,960 --> 00:48:45,520 Speaker 1: you see that guy walking down the street, if you 735 00:48:45,520 --> 00:48:47,160 Speaker 1: didn't know, who's opportunity be like, oh, that guy is 736 00:48:47,200 --> 00:48:53,320 Speaker 1: some crazy artist, right if you didn't know, if you 737 00:48:53,360 --> 00:48:55,759 Speaker 1: look at how that guy dresses, he look at his hair, 738 00:48:55,960 --> 00:49:01,319 Speaker 1: he's he's an eccentric. He's a weirdo. You know. Uh, 739 00:49:02,239 --> 00:49:06,560 Speaker 1: he's like uh, like you said in artist, like a 740 00:49:07,120 --> 00:49:12,120 Speaker 1: you know, his shirts untucked. He's got this untucked quality 741 00:49:12,160 --> 00:49:15,920 Speaker 1: about him. When he was at the screening of Revolution, 742 00:49:15,960 --> 00:49:18,200 Speaker 1: did you get to say anything to him? I sat. 743 00:49:18,480 --> 00:49:21,960 Speaker 1: I was all the way in the back of the room, 744 00:49:22,000 --> 00:49:23,600 Speaker 1: you know, I was at the end of the line. 745 00:49:23,840 --> 00:49:26,239 Speaker 1: I thought my tickets on San Dango, and then they 746 00:49:26,280 --> 00:49:30,040 Speaker 1: couldn't find the ticket, so I was like, um, one 747 00:49:30,080 --> 00:49:33,000 Speaker 1: of the last ones in. Therefore I sat in the 748 00:49:33,080 --> 00:49:36,919 Speaker 1: second or third to last row and uh. And then 749 00:49:37,239 --> 00:49:40,920 Speaker 1: they brought Hugh Hudson and owl in In into the 750 00:49:40,920 --> 00:49:46,279 Speaker 1: theater and I wasn't even I wasn't thinking of saying anything, uh, 751 00:49:47,080 --> 00:49:51,680 Speaker 1: because I couldn't think of anything to say. Uh. And 752 00:49:51,760 --> 00:49:55,439 Speaker 1: it really wasn't that important to me to to say 753 00:49:55,520 --> 00:49:59,560 Speaker 1: anything at that point until I heard, you know, people 754 00:49:59,680 --> 00:50:04,360 Speaker 1: ask in questions, and I thought I could think of 755 00:50:04,360 --> 00:50:07,440 Speaker 1: a better question to ask. And then, you know, and 756 00:50:07,520 --> 00:50:10,279 Speaker 1: once I started to consider that the Q. Hudson was 757 00:50:10,320 --> 00:50:12,640 Speaker 1: sitting up there, like I've you know, I've had dinner 758 00:50:12,680 --> 00:50:17,880 Speaker 1: with Q. Hudson once or twice over the past thirty years. 759 00:50:17,960 --> 00:50:24,560 Speaker 1: You know, we have mutual friends, you know. Uh, and uh, 760 00:50:24,800 --> 00:50:29,600 Speaker 1: you know, Hugh Hudson would certainly know what it meant 761 00:50:31,160 --> 00:50:34,279 Speaker 1: if if I raised my hand. It's a view, it's me, 762 00:50:35,200 --> 00:50:39,880 Speaker 1: It's Kevin Corrigan. Kevin Corrigan. That's exactly what happened, you know. 763 00:50:40,040 --> 00:50:43,120 Speaker 1: I I finally but like they couldn't see me raising 764 00:50:43,160 --> 00:50:45,880 Speaker 1: my hand. I was sending S O S signals after 765 00:50:45,920 --> 00:50:53,719 Speaker 1: a while. Yeah, and then the moderator, Uh, Gavin, Uh, 766 00:50:55,160 --> 00:50:57,880 Speaker 1: so I don't think we're gonna wrap this up. We 767 00:50:58,000 --> 00:51:02,000 Speaker 1: have time for one more question. I was practically standing 768 00:51:02,040 --> 00:51:06,640 Speaker 1: on my chair and and really shaking at that point 769 00:51:06,760 --> 00:51:09,759 Speaker 1: because I thought, if I don't say something now, this 770 00:51:09,880 --> 00:51:14,480 Speaker 1: opportunity will never This is it, this is it, this 771 00:51:14,680 --> 00:51:19,000 Speaker 1: is close to them. I'm going to get um And 772 00:51:19,680 --> 00:51:24,200 Speaker 1: I was like really nervous. You know. Uh um Al 773 00:51:24,600 --> 00:51:29,920 Speaker 1: himself you know, saw me and pointed at me and 774 00:51:30,000 --> 00:51:32,600 Speaker 1: I said I and I had to raise my voice, 775 00:51:32,640 --> 00:51:34,400 Speaker 1: you know, because I was all the way in the back. 776 00:51:34,520 --> 00:51:38,680 Speaker 1: I said that man, you you you Al Pacino changed 777 00:51:39,000 --> 00:51:42,960 Speaker 1: my life. You know, I'm from the Bronx like you, 778 00:51:43,040 --> 00:51:45,120 Speaker 1: because he talked about I think that's what made me 779 00:51:45,200 --> 00:51:48,319 Speaker 1: want to ask the question was that it was Hugh 780 00:51:48,440 --> 00:51:52,399 Speaker 1: Hudson said, they were trying to remember how did Al 781 00:51:52,480 --> 00:51:57,040 Speaker 1: get the job, and revolution that was the question, and 782 00:51:57,200 --> 00:52:02,520 Speaker 1: uh Al Al couldn't remember. You couldn't remember why he 783 00:52:02,680 --> 00:52:06,440 Speaker 1: did the movie except that he liked you and he 784 00:52:06,520 --> 00:52:08,839 Speaker 1: liked his films, and he was like, well, I've only 785 00:52:08,880 --> 00:52:11,880 Speaker 1: made two up to that point, and uh yeah, but 786 00:52:11,920 --> 00:52:14,440 Speaker 1: you're a great filmmaker, and I don't know why did 787 00:52:14,440 --> 00:52:18,840 Speaker 1: you cast me? And uh and you said, you know, 788 00:52:18,920 --> 00:52:21,719 Speaker 1: we wanted to make this movie about takes place in 789 00:52:21,800 --> 00:52:27,440 Speaker 1: New York City in seventeen, you know, seventy four or whatever, 790 00:52:29,000 --> 00:52:31,280 Speaker 1: but it's still a New York story and you needed 791 00:52:31,320 --> 00:52:33,799 Speaker 1: someone who's from New York, like a New York native 792 00:52:33,880 --> 00:52:35,719 Speaker 1: like this character, and that's what you are, You're from 793 00:52:35,760 --> 00:52:39,600 Speaker 1: the Bronx. And I stagged, my heart started beating. I 794 00:52:39,640 --> 00:52:42,080 Speaker 1: was like, I'm from the Bronx. He's talking about me, 795 00:52:42,800 --> 00:52:46,239 Speaker 1: see and I and I thought, you know, this is uh, 796 00:52:46,520 --> 00:52:49,239 Speaker 1: I have to say something. No one else in this 797 00:52:49,360 --> 00:52:54,840 Speaker 1: room has to say. What I have to say very personal, 798 00:52:55,680 --> 00:52:59,720 Speaker 1: you know, connection to to both these men in one case, 799 00:53:00,320 --> 00:53:03,879 Speaker 1: very very directly you know, uh, well both of them 800 00:53:03,880 --> 00:53:07,239 Speaker 1: pretty uh and if you know, it's kind of been 801 00:53:07,239 --> 00:53:09,239 Speaker 1: in my life, you know, for more than half my 802 00:53:09,320 --> 00:53:13,360 Speaker 1: life all the most at this point. So anyway, I 803 00:53:13,960 --> 00:53:17,120 Speaker 1: said that, and I said, you you inspired me. I 804 00:53:17,160 --> 00:53:21,520 Speaker 1: was from from the Bronx. He made me want to 805 00:53:21,560 --> 00:53:25,360 Speaker 1: be an actor, not not I mean obviously not just 806 00:53:25,640 --> 00:53:29,040 Speaker 1: him de Niro, of course, but you know, I'm in 807 00:53:29,040 --> 00:53:31,920 Speaker 1: the room without I'm just talking to him. And and 808 00:53:32,040 --> 00:53:35,040 Speaker 1: that's that's pretty on them on on the money enough, 809 00:53:35,239 --> 00:53:40,319 Speaker 1: you know. Uh, he's uh, you know someone I've I've 810 00:53:40,360 --> 00:53:43,240 Speaker 1: been wanting to tell this too for a long time, 811 00:53:43,280 --> 00:53:45,600 Speaker 1: and I told it to him. You know what he 812 00:53:47,800 --> 00:53:52,719 Speaker 1: says it uh ah, Oh, all right, did you see 813 00:53:52,719 --> 00:53:56,759 Speaker 1: the movie? Did you see the film meaning revolution, I 814 00:53:56,800 --> 00:54:00,600 Speaker 1: said no, I I well, yes, I I've seen it, 815 00:54:01,560 --> 00:54:06,360 Speaker 1: but I haven't seen it since you added the narration. 816 00:54:06,520 --> 00:54:09,920 Speaker 1: And I'm looking forward to seeing it. And I sat 817 00:54:09,960 --> 00:54:14,880 Speaker 1: down and that was it. Uh yeah, you know, I said, 818 00:54:14,880 --> 00:54:17,800 Speaker 1: you you changed, You made me want to be an actor, 819 00:54:19,000 --> 00:54:22,960 Speaker 1: and I started going to school at the Strasbourg Institute. 820 00:54:23,000 --> 00:54:25,480 Speaker 1: And then the guy sitting next to you gave me 821 00:54:25,600 --> 00:54:29,160 Speaker 1: my first job in the movie in films, she wasn't 822 00:54:30,640 --> 00:54:33,480 Speaker 1: and uh and and you you saw me and he 823 00:54:34,040 --> 00:54:39,719 Speaker 1: you know, waived and it was you know, people were 824 00:54:39,760 --> 00:54:45,800 Speaker 1: turning around to look for the fun what was it revolution? No? No, 825 00:54:46,239 --> 00:54:49,560 Speaker 1: the film that he cast you in, oh, the film 826 00:54:49,640 --> 00:54:51,760 Speaker 1: that you had he cast me in. It was called 827 00:54:52,400 --> 00:54:58,799 Speaker 1: Lost Angels and uh it was. It was cast by 828 00:54:59,080 --> 00:55:05,640 Speaker 1: Nancy foll And. It starred Adam Harvit's from the Beastie Boys. 829 00:55:06,280 --> 00:55:15,319 Speaker 1: This is like pre Paul, before Paul's boutique. Uh, he 830 00:55:15,440 --> 00:55:20,200 Speaker 1: was gonna, you know, have an acting career. She's she's 831 00:55:20,239 --> 00:55:24,360 Speaker 1: she was in a film of cloy seven years this year. Yeah. Yeah, yeah, 832 00:55:24,440 --> 00:55:26,840 Speaker 1: he's always dabbled in acting. He should. He got a 833 00:55:26,840 --> 00:55:30,120 Speaker 1: good personality's yeah, yeah, you know, and you know that 834 00:55:30,239 --> 00:55:36,040 Speaker 1: He has a very a pretty direct, like uh no 835 00:55:36,200 --> 00:55:41,200 Speaker 1: degrees of separation connection to al Pacino because his father, 836 00:55:41,880 --> 00:55:48,879 Speaker 1: Israel Harvets, wrote one of Alic's first theatrical triumphs that 837 00:55:48,960 --> 00:55:54,560 Speaker 1: the Indian wants to bronch and uh. And so there 838 00:55:54,640 --> 00:56:00,640 Speaker 1: was you know, Adam Harvit's and me and uh a 839 00:56:00,680 --> 00:56:04,040 Speaker 1: bunch of other kids. And you know, everybody wanted to 840 00:56:04,040 --> 00:56:06,400 Speaker 1: be in that movie at that time because it was 841 00:56:06,719 --> 00:56:12,960 Speaker 1: it was it was Hugh Hudson's first film since Revolution. 842 00:56:14,680 --> 00:56:19,080 Speaker 1: He both he and al had taken four years or 843 00:56:19,200 --> 00:56:25,239 Speaker 1: five years off after that movie. Uh. It was like 844 00:56:25,520 --> 00:56:35,279 Speaker 1: a notorious failure in and uh. Um. Someone asked me, 845 00:56:35,600 --> 00:56:37,359 Speaker 1: did you stay to watch the whole thing? I said, 846 00:56:37,400 --> 00:56:40,600 Speaker 1: of course, I did. You know, I had outed myself 847 00:56:40,680 --> 00:56:44,560 Speaker 1: in the first place. I couldn't leave, you know, but 848 00:56:44,680 --> 00:56:47,200 Speaker 1: I wanted to see it, you know. And I thought 849 00:56:47,200 --> 00:56:52,160 Speaker 1: it was awesome. I thought Alfacina was fantastic in the 850 00:56:52,200 --> 00:56:56,000 Speaker 1: movie Revolution. There it was a great movie. It was 851 00:56:56,120 --> 00:57:00,440 Speaker 1: kind of reminded me of Gangs of New York. But um, 852 00:57:00,920 --> 00:57:04,879 Speaker 1: and uh, but he gives a really hard felt performance 853 00:57:04,920 --> 00:57:07,000 Speaker 1: and and it's uh and then they and he and 854 00:57:07,040 --> 00:57:09,880 Speaker 1: it's great to hear his voice in the narration that 855 00:57:10,000 --> 00:57:12,400 Speaker 1: they put over the over the movie. In the past 856 00:57:12,480 --> 00:57:15,520 Speaker 1: five years, they've been tinkering with it and you know, 857 00:57:15,600 --> 00:57:19,320 Speaker 1: trying to you know, I've been not expecting it to 858 00:57:19,720 --> 00:57:23,600 Speaker 1: come out and you know, be the box office uh 859 00:57:23,800 --> 00:57:28,520 Speaker 1: success that it never was. They just wanted to They 860 00:57:28,600 --> 00:57:33,520 Speaker 1: liked the movie. It was a labor of love for them, 861 00:57:33,560 --> 00:57:35,920 Speaker 1: you know, and they didn't they didn't abandon it. You know, 862 00:57:35,920 --> 00:57:38,880 Speaker 1: all these years later, they still like by thinking of 863 00:57:39,080 --> 00:57:42,920 Speaker 1: lays to make the film better. I loved it. I 864 00:57:43,600 --> 00:57:46,080 Speaker 1: thought it was a great movie. Now all right, before 865 00:57:46,120 --> 00:57:48,520 Speaker 1: I let you go, because I'm over here doing my ship. 866 00:57:49,480 --> 00:57:53,520 Speaker 1: I've been reminded. Me and you've worked together a bunch 867 00:57:53,560 --> 00:57:56,560 Speaker 1: of times. But I've been reminded and been it's been 868 00:57:56,600 --> 00:58:01,720 Speaker 1: brought to my attention twenty five fucking yar since we 869 00:58:01,800 --> 00:58:07,600 Speaker 1: did True Romance twenty five years ago, twenty five years ago. 870 00:58:07,640 --> 00:58:13,280 Speaker 1: Could you believe that ship years ago? It came out, Yo, 871 00:58:15,080 --> 00:58:18,880 Speaker 1: twenty five years ago, And I mean so with me, 872 00:58:18,880 --> 00:58:21,520 Speaker 1: me and you met we were doing zebra Head. Everybody 873 00:58:21,600 --> 00:58:24,800 Speaker 1: was hyped up about True Romance. The script was being 874 00:58:25,000 --> 00:58:28,000 Speaker 1: uh you know, talked about. There was no email you 875 00:58:28,120 --> 00:58:31,600 Speaker 1: read the script. People had the script. Uh, you know 876 00:58:31,720 --> 00:58:35,680 Speaker 1: you physically read the script. Um. We had a good 877 00:58:35,720 --> 00:58:38,320 Speaker 1: time on that set. We were like two kids in 878 00:58:38,360 --> 00:58:43,040 Speaker 1: a candy store. I specifically remember driving to set, either 879 00:58:43,120 --> 00:58:48,600 Speaker 1: together or being in a van together. And I don't 880 00:58:48,640 --> 00:58:51,120 Speaker 1: think they put me up. But I didn't. I didn't. 881 00:58:51,120 --> 00:58:52,760 Speaker 1: You know, most a lot of times you stay in 882 00:58:52,760 --> 00:58:54,760 Speaker 1: a hotel, would you work on the movie, and they 883 00:58:54,760 --> 00:58:59,960 Speaker 1: slow you to l A. I stayed with you, I remember, 884 00:59:00,960 --> 00:59:04,920 Speaker 1: and I remember going to the set one day. We 885 00:59:04,920 --> 00:59:08,680 Speaker 1: were like kids in the candy store. And I remember 886 00:59:08,960 --> 00:59:11,960 Speaker 1: either we were in a van or we were physically driving, 887 00:59:12,000 --> 00:59:14,200 Speaker 1: like I drove us to set. I think I might 888 00:59:14,200 --> 00:59:17,840 Speaker 1: have been driving. And we were driving to set and 889 00:59:18,040 --> 00:59:20,880 Speaker 1: Christopher walking while we were in a car. We saw 890 00:59:21,000 --> 00:59:23,520 Speaker 1: him in a black trench coat walking over to the 891 00:59:23,840 --> 00:59:28,280 Speaker 1: the the food truck. And you saw him. You were like, oh, ship, 892 00:59:28,320 --> 00:59:30,680 Speaker 1: there's Christopher walking. And I was like, you gotta go 893 00:59:30,720 --> 00:59:32,600 Speaker 1: talk to him. You gotta go talk to him. And 894 00:59:32,640 --> 00:59:35,080 Speaker 1: I don't remember if you did or you didn't. I know, 895 00:59:35,120 --> 00:59:36,400 Speaker 1: it was like I thought, or maybe you did. It 896 00:59:36,440 --> 00:59:39,440 Speaker 1: was a brief sort of you know, encounter. But what 897 00:59:39,520 --> 00:59:42,280 Speaker 1: do you like? You have such a good memory. What 898 00:59:42,360 --> 00:59:45,560 Speaker 1: do you remember about the making of True Romance, Because 899 00:59:45,640 --> 00:59:49,520 Speaker 1: that's a film that that fortunately you know, has stood 900 00:59:49,520 --> 00:59:52,800 Speaker 1: the test of time. People love that fucking movie. Um, 901 00:59:52,880 --> 00:59:55,560 Speaker 1: we loved making it, we loved being in it. We 902 00:59:55,560 --> 00:59:57,440 Speaker 1: were both so excited to be a part of it 903 00:59:57,480 --> 01:00:00,800 Speaker 1: in any way, shape or form. So twenty five years later, 904 01:00:00,840 --> 01:00:04,400 Speaker 1: what do you remember about that set? What's your best 905 01:00:04,400 --> 01:00:10,720 Speaker 1: True Romance story? Uh? Well, first of all, I just 906 01:00:10,760 --> 01:00:16,440 Speaker 1: want to say about what I remember. I definitely remember 907 01:00:16,560 --> 01:00:20,640 Speaker 1: us like driving around with you driving because I didn't 908 01:00:20,760 --> 01:00:23,919 Speaker 1: drive at the time. Ship. I didn't know how to drive. 909 01:00:23,960 --> 01:00:29,200 Speaker 1: I didn't have any interesting driving And can you drive now? Yes? 910 01:00:29,840 --> 01:00:33,000 Speaker 1: Oh yeah. I don't think I've ever been driven by you, 911 01:00:33,040 --> 01:00:34,640 Speaker 1: And I think I want to keep it that way, 912 01:00:34,640 --> 01:00:40,920 Speaker 1: but go ahead. Uh you were like you were you 913 01:00:41,040 --> 01:00:43,360 Speaker 1: the one who went up to walking at that moment. 914 01:00:43,560 --> 01:00:46,680 Speaker 1: You know, I was the way I usually am, which 915 01:00:46,800 --> 01:00:49,320 Speaker 1: was like I say, I'm not bothered, I'm not going 916 01:00:49,560 --> 01:00:53,800 Speaker 1: I'm like that, and you like, let's forget that man, 917 01:00:53,920 --> 01:00:59,040 Speaker 1: let's go talk to him. And you just and and 918 01:00:59,040 --> 01:01:01,640 Speaker 1: and he was like even he lit up. You know 919 01:01:01,680 --> 01:01:03,840 Speaker 1: when we were I think this was in the I 920 01:01:03,880 --> 01:01:06,840 Speaker 1: remember it being a makeup trailer, and then we just 921 01:01:06,920 --> 01:01:09,080 Speaker 1: walked in on him while he was getting his hair 922 01:01:09,160 --> 01:01:11,960 Speaker 1: doneer or I just no one. He doesn't let anybody 923 01:01:11,960 --> 01:01:15,880 Speaker 1: touches there. Well whatever whatever he was doing, you just 924 01:01:15,920 --> 01:01:20,960 Speaker 1: sort of went right up right over to him, and uh, 925 01:01:21,040 --> 01:01:27,560 Speaker 1: he seemed delighted. But you have that effect on you know, 926 01:01:27,680 --> 01:01:31,120 Speaker 1: you see I probably thought, see, this is a guy 927 01:01:31,160 --> 01:01:34,040 Speaker 1: who knows what al Paccino's talking about when he says 928 01:01:34,080 --> 01:01:37,360 Speaker 1: all the world the stage at the stage is but 929 01:01:37,640 --> 01:01:41,800 Speaker 1: especially the part about the stage being your world. It's 930 01:01:41,920 --> 01:01:46,160 Speaker 1: it's a stage, but it's your stage, it's your world. 931 01:01:47,560 --> 01:01:51,040 Speaker 1: And you do that, you know you were doing that then, 932 01:01:51,280 --> 01:01:55,640 Speaker 1: you know, and that was like a set full of 933 01:01:55,840 --> 01:02:01,240 Speaker 1: you know people who uh who walked the world like 934 01:02:01,320 --> 01:02:07,960 Speaker 1: at the stage, you know, Gary Oldman, Tom Sizemore. Uh. Uh, 935 01:02:09,200 --> 01:02:11,200 Speaker 1: I don't need to go down the list of of 936 01:02:12,040 --> 01:02:14,160 Speaker 1: you know, of all the fucking scene shoe was in 937 01:02:14,240 --> 01:02:23,960 Speaker 1: that film. Uh and um, but I remember a lot 938 01:02:24,000 --> 01:02:27,520 Speaker 1: of stuff. I remember Tony Scott quite a bit, you know, 939 01:02:27,800 --> 01:02:34,360 Speaker 1: Like I remember when me vic Argo, Old Paul ben 940 01:02:34,520 --> 01:02:39,600 Speaker 1: Victor and Frank Adonis and myself we were like the 941 01:02:39,840 --> 01:02:47,360 Speaker 1: four for five wise guys, the Mafia crew that was 942 01:02:47,480 --> 01:02:56,400 Speaker 1: looking for Clarence I guess and Christians Slater's character. But 943 01:02:56,800 --> 01:03:02,360 Speaker 1: you know, uh, we all got fitted for our costumes 944 01:03:02,440 --> 01:03:07,040 Speaker 1: and and then Tony Scott wanted to see see us together. 945 01:03:07,720 --> 01:03:11,160 Speaker 1: We were all you know, makeup in our wardrobe was 946 01:03:11,200 --> 01:03:16,760 Speaker 1: all finalized. We with the guys now the crew, and 947 01:03:17,160 --> 01:03:21,120 Speaker 1: Tony wanted to check us out and he was like, uh, 948 01:03:21,200 --> 01:03:24,200 Speaker 1: I remember him just like lighting up when he saw us. 949 01:03:24,320 --> 01:03:27,600 Speaker 1: You know, you're like, oh shit, this is great, you 950 01:03:27,600 --> 01:03:30,920 Speaker 1: know look. Uh he was like he remember Tony Scott 951 01:03:31,000 --> 01:03:33,360 Speaker 1: just he was like a kid in a kinging store. 952 01:03:33,600 --> 01:03:37,080 Speaker 1: Never mind us. He was like, you know, watching him 953 01:03:37,200 --> 01:03:40,320 Speaker 1: just like watching the kid on you know, Christmas Day 954 01:03:40,360 --> 01:03:44,360 Speaker 1: opening presents, Like we look at this, check this out, 955 01:03:44,400 --> 01:03:46,600 Speaker 1: look at you know what we're gonna get to do. 956 01:03:47,600 --> 01:03:49,720 Speaker 1: Look where we're gonna get to shook at this lens here, 957 01:03:49,720 --> 01:03:51,360 Speaker 1: look at all this stuff, look at this gime. We're 958 01:03:51,360 --> 01:03:53,840 Speaker 1: gonna have like a great time on this thing. And 959 01:03:53,920 --> 01:03:57,000 Speaker 1: he did. It was just like every moment of you know, 960 01:03:57,040 --> 01:04:01,360 Speaker 1: the way people enjoy watching that movie is how I 961 01:04:01,400 --> 01:04:06,760 Speaker 1: mean we enjoyed being there for the making of it, uh, 962 01:04:06,880 --> 01:04:09,440 Speaker 1: and and just being around all those people I remember 963 01:04:09,600 --> 01:04:14,000 Speaker 1: Telly Savalis visiting the set even in the in the movie. 964 01:04:14,800 --> 01:04:19,880 Speaker 1: But part of my uh true romance experience was that 965 01:04:19,920 --> 01:04:22,160 Speaker 1: one day when he came to the set. I don't 966 01:04:22,160 --> 01:04:28,640 Speaker 1: know what he was doing there, but yeah, he should 967 01:04:28,680 --> 01:04:33,120 Speaker 1: ask somebody, because he definitely came came through with a 968 01:04:33,160 --> 01:04:40,080 Speaker 1: little like entourage that um and we were like, yeah, 969 01:04:40,120 --> 01:04:43,240 Speaker 1: we were show him inside the Ambassador was the Ambassador Hotel. 970 01:04:43,400 --> 01:04:50,000 Speaker 1: The flood to Kennedy and everybody was going down to 971 01:04:50,080 --> 01:04:53,800 Speaker 1: the basement where you know, the spot was marked, I think, 972 01:04:53,840 --> 01:04:56,120 Speaker 1: and I remember we took that tour together. I remember 973 01:04:56,160 --> 01:05:00,240 Speaker 1: seeing it. We was like in that kitchen. Yes, yes, yeah, 974 01:05:00,280 --> 01:05:04,280 Speaker 1: that was all right. Listen, Kevin, let me let me 975 01:05:04,360 --> 01:05:07,600 Speaker 1: let you go. You know this is an impromptu Iron 976 01:05:07,600 --> 01:05:11,400 Speaker 1: Wrapp Reports stereo podcast because when I realized it was 977 01:05:11,480 --> 01:05:17,040 Speaker 1: al al Pacino Al Al's birthday, I said, I got 978 01:05:17,160 --> 01:05:20,200 Speaker 1: you were the first person I thought about. Um, I'm 979 01:05:20,200 --> 01:05:23,640 Speaker 1: glady yea, yeah, this is I knew it was coming up. 980 01:05:24,240 --> 01:05:27,600 Speaker 1: Uh and I didn't I thought he was. I didn't 981 01:05:27,640 --> 01:05:33,960 Speaker 1: know it was like seventy seventy seven, seventy six. Yeah, man, uh, 982 01:05:34,160 --> 01:05:36,760 Speaker 1: thanks for calling, of course. Man. You know what we 983 01:05:36,800 --> 01:05:42,840 Speaker 1: didn't talk about is Tony Manero on Saturday Night Fever 984 01:05:43,520 --> 01:05:48,080 Speaker 1: staring at himself in the mirror in his black bikini underwear, 985 01:05:49,280 --> 01:05:56,320 Speaker 1: noticing his characters Cerproco poster in the background, and then 986 01:05:56,440 --> 01:06:01,600 Speaker 1: taunting his grandmother quoting not her Pico but Dog Day 987 01:06:01,640 --> 01:06:07,320 Speaker 1: Afternoon and saying at itu at itu at it because 988 01:06:07,760 --> 01:06:12,720 Speaker 1: John Travolta's character, and Saturday Night Fever being a Brooklyn boy, Uh, 989 01:06:12,880 --> 01:06:16,560 Speaker 1: we're Italian Brooklyn boy. Obviously at the time in the seventies, 990 01:06:16,560 --> 01:06:20,280 Speaker 1: al Pacino was everything. Um. And then you know in 991 01:06:20,400 --> 01:06:24,840 Speaker 1: Saturday Night Fever also, uh, the girls kisses John Travolta's 992 01:06:24,880 --> 01:06:29,680 Speaker 1: character Tony Manero while he's dancing, and she says, I 993 01:06:29,800 --> 01:06:33,480 Speaker 1: just kissed Alpaccino. I never thought about that, Honestly, I 994 01:06:33,560 --> 01:06:38,680 Speaker 1: never had. I never such an overlooked detail for me. 995 01:06:39,040 --> 01:06:44,560 Speaker 1: That that that he was referenced twice twice that movie twice, 996 01:06:44,760 --> 01:06:49,840 Speaker 1: two fucking times twice. He that was his idol. That 997 01:06:49,920 --> 01:06:53,560 Speaker 1: was like it made perfect sense. Um. But you know, 998 01:06:53,800 --> 01:06:56,320 Speaker 1: I appreciate you. You rocking with me, uh, you know, 999 01:06:56,400 --> 01:06:58,800 Speaker 1: real quick on the fly, and uh, you know I've 1000 01:06:58,840 --> 01:07:00,200 Speaker 1: been wanting to have you all I need to do 1001 01:07:00,280 --> 01:07:04,320 Speaker 1: the full, Kevin Corrigan, because you've done so much, and 1002 01:07:04,360 --> 01:07:06,160 Speaker 1: you've got so many fans, and you're, you know, like 1003 01:07:06,800 --> 01:07:09,880 Speaker 1: all all you're good Fellas stuff, you're departed stuff. I mean, 1004 01:07:09,920 --> 01:07:12,160 Speaker 1: you got fucking stories up to wazoo. So so when 1005 01:07:12,160 --> 01:07:14,439 Speaker 1: I come to New York, we got to do the full, 1006 01:07:14,800 --> 01:07:20,400 Speaker 1: the full Kevin core Alright, Mine, all right. I want 1007 01:07:20,400 --> 01:07:22,640 Speaker 1: to thank my man, Kevin Corrigan. I told you it 1008 01:07:22,720 --> 01:07:26,200 Speaker 1: was gonna be good. Um for Rocca with me on 1009 01:07:26,240 --> 01:07:29,240 Speaker 1: the Iron Rap Pors Stereo podcast. I knew he was 1010 01:07:29,280 --> 01:07:34,240 Speaker 1: the guy to to get uh impromptu podcasting in prime 1011 01:07:34,280 --> 01:07:39,080 Speaker 1: time to talk about the greatness and the influence of 1012 01:07:39,120 --> 01:07:42,160 Speaker 1: the artist Al Paccino. On the next episode of the 1013 01:07:42,200 --> 01:07:44,600 Speaker 1: Iron Wrap Pors Stereo podcast, Moved, whose last name rhymes 1014 01:07:44,600 --> 01:07:48,000 Speaker 1: to duty, will be back. What can I say? Miles 1015 01:07:48,080 --> 01:07:51,080 Speaker 1: Jordan's take Us out of Here was smacker, Take us 1016 01:07:51,080 --> 01:07:59,480 Speaker 1: out of here with something real, real, nice, real funky. 1017 01:08:00,160 --> 01:08:17,280 Speaker 1: Che up che che up cha cha cha cha cha 1018 01:08:18,320 --> 01:08:30,880 Speaker 1: cha cha che up, che che up.