WEBVTT - Northern Lights

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<v Speaker 1>So I'm not going to start this the way I

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<v Speaker 1>wanted to start this, which was I was going to

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<v Speaker 1>ask you if you've ever dropped acid, which I think

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<v Speaker 1>is probably in keeping a little bit with the movie

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<v Speaker 1>we have to talk about today. So I won't ask

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<v Speaker 1>you that question because I kind of know the answer

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<v Speaker 1>to that.

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<v Speaker 2>Al Right, Yeah, I think pretty much.

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<v Speaker 3>I think I can.

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<v Speaker 2>What would you do if I was like.

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<v Speaker 1>Yeah, I would be I would be like, great. Then

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<v Speaker 1>we have a frame of reference to start with this film.

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<v Speaker 1>I think that's all we need to say. I think

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<v Speaker 1>we jump right into it. First of all, Welcome to

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<v Speaker 1>Magical Rewind, the show that makes you want to grab

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<v Speaker 1>your friends, your PJS, and your popcorn and go back

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<v Speaker 1>to your time and all the houses were smart, the Waves,

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<v Speaker 1>Tsunamis and the high School's musical. I'm Wilfordelle and I'm

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<v Speaker 1>Sabrina Brian. It is a controversial week here on Magical

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<v Speaker 1>Rewind as we deal with what may or may not

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<v Speaker 1>be the first dcom ever produced. And I will explain

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<v Speaker 1>what I'm talking about this. So this is nineteen ninety

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<v Speaker 1>seven's drama inspired by death and cigarettes, Northern Lights, with

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<v Speaker 1>the legendary actress Diane Keaton. Now you might be wondering

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<v Speaker 1>how has a harmless Disney Channel movie from the nineties

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<v Speaker 1>caused so much controversy. Well you have twenty sixteen celebration

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<v Speaker 1>of hitting one hundred dcoms to thank for this controversy. Yes,

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<v Speaker 1>you see, back when Disney decided to create an event

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<v Speaker 1>out of the production milestone and air every entry into

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<v Speaker 1>the series back to back, followed by the debut of

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<v Speaker 1>The Swap, which we saw, it didn't take long for

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<v Speaker 1>historians to see a very glaring problem. The marathon began

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<v Speaker 1>with what was being heralded as the first decom ever,

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<v Speaker 1>but the truth is it wasn't the first. They aired

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<v Speaker 1>under wraps, but it's this movie, Northern Lights that first

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<v Speaker 1>checked all the boxes and was originally considered the debut

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<v Speaker 1>of the d coom. Now why would they do that,

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<v Speaker 1>No one really knows, but to make sure the total

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<v Speaker 1>was still one hundred to adjust for Northern Lights erasure,

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<v Speaker 1>they inexplicably added the high school musical spin off Sharpay's

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<v Speaker 1>Fabulous Adventure as a DCOM, even though it went straight

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<v Speaker 1>to DVD and did not premiere on the channel. We

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<v Speaker 1>see you, Disney, we see what You're doing there, Disney.

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<v Speaker 1>Don't think you could just thank you. You're not just

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<v Speaker 1>gonna slide it by. You can't just oh wow, sharpay

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<v Speaker 1>that Northern Lights never happened.

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<v Speaker 4>Nuh uh.

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<v Speaker 1>You aren't counting on producers. We mind to hop in

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<v Speaker 1>not with the producers we have. So there are two

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<v Speaker 1>very popular theories online why this happened. Number one is

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<v Speaker 1>that formulaically it does not follow any of the rules

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<v Speaker 1>or tropes seen in dcoms, so much so that even

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<v Speaker 1>it starred. Diane Keaton admitted her confusion with the strategy

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<v Speaker 1>in the press during the launch, reminding everyone it is

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<v Speaker 1>quote unquote an adult film, which is a strange thing

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<v Speaker 1>to call it because to me, that means porn. Sh

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<v Speaker 1>that's what an adult film is. People. I think she

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<v Speaker 1>meant a film for adults, which is a different thing

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<v Speaker 1>than an adult film. Diane, I know exactly. She just

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<v Speaker 1>thought it didn't fit and figured the theme was a

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<v Speaker 1>little too elevated for kids. And number two, the other

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<v Speaker 1>theory is she's a chainsmoker in this film, and that

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<v Speaker 1>doesn't fit the channel even back in the late nineties,

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<v Speaker 1>but now it's even more forbidden, making it even easier

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<v Speaker 1>to ignore. When they're rewriting the history.

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<v Speaker 3>Now.

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<v Speaker 1>Some people consider Northern Lights to be a very rare category,

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<v Speaker 1>which is the quote Disney Channel premiere film unquote. But

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<v Speaker 1>the true requirements for that are quite muddy because the

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<v Speaker 1>rollout and strategy were not really much different than movies

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<v Speaker 1>like High School Musical, Alley Cats, Strike Up, Up and Away,

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<v Speaker 1>all the movies for the first one hundred it really

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<v Speaker 1>wasn't that different. So this kind of just fell by

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<v Speaker 1>the way. It was weird. Now, Sabrina, I know this

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<v Speaker 1>is the first you're hearing of. Obviously this extremely heated debate, right,

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<v Speaker 1>and we don't like getting political on this podcast, but

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<v Speaker 1>what are your thoughts on this amazing controversy.

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<v Speaker 4>I need them to one hundred percent get this as

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<v Speaker 4>far away from the DCOM world as possible.

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<v Speaker 2>That's what I need to happen. This cannot and and

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<v Speaker 2>I will obviously talk about it more.

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<v Speaker 4>But no, nope, nope, nope, nope, not a DCM, not anyway.

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<v Speaker 4>So whatever they need to do, get it by whoever

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<v Speaker 4>will take your word for it.

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<v Speaker 2>Not a DCM.

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<v Speaker 1>Okay, all right, so you heard it here from the

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<v Speaker 1>one of the DCOM queens. This is not a DCOM

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<v Speaker 1>Northern Lights is also unique because it's based on a

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<v Speaker 1>nineteen eighty eight one man stage play of the same

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<v Speaker 1>name by John Hoffman, who is a writer producer with

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<v Speaker 1>credits on shows like HBO's Looking Grayson, Frankly, and most recently,

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<v Speaker 1>he co created the Who Smashed It Only Murders of

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<v Speaker 1>the Building Legit. He also appears in this movie, and

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<v Speaker 1>Frankly does a great job. He's a total renaissance man.

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<v Speaker 1>And there were even more very recognizable names in the

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<v Speaker 1>production crew. Actress and one time America's sweetheart, Meg Ryan

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<v Speaker 1>was an executive producer, as well as Bill Bojangles Robinson,

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<v Speaker 1>a tap dancer and actor once known as one of

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<v Speaker 1>the biggest stars in the first half of the twentieth century.

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<v Speaker 1>He's a serious pioneer in Hollywood, working with Shirley Temple

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<v Speaker 1>as the first interracial dance partners ever in the history

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<v Speaker 1>of Hollywood. Crazy. He started his career in the highly

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<v Speaker 1>problematic minstrel shows and created a career that spanned from

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<v Speaker 1>vaudeville to radio, to movies to TV, eventually becoming the

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<v Speaker 1>highest paid black actor in America. Now what any of

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<v Speaker 1>this has to do with Northern Lights, We don't know,

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<v Speaker 1>but it's all really cool Hollywood history.

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<v Speaker 4>There is not a lick of dancing out there, no

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<v Speaker 4>nothing but the shoes because Meg Ryan.

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<v Speaker 1>And bo Jangles together as producers. I mean, geez. The

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<v Speaker 1>Disney Channel produced Northern Lights debuted on August twenty third,

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<v Speaker 1>nineteen ninety seven, and was not a big hit in

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<v Speaker 1>the ratings or critical response, making pretending it never existed

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<v Speaker 1>kind of second nature, which Disney did very well. It

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<v Speaker 1>should also come as no surprise that Northern Lights is

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<v Speaker 1>not on Disney Plus it's not even really part of

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<v Speaker 1>Disney cannon. But you can find it free to stream

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<v Speaker 1>on YouTube, so you can go there and watch it

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<v Speaker 1>now before we attempt to recap it, or you can

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<v Speaker 1>just listen and then after you decide if we did

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<v Speaker 1>a good job or not. But if you think we sucked, well,

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<v Speaker 1>that sounds like a you problem there, negative Nancy Sabrina,

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<v Speaker 1>considering employees of the channel don't even know this exists

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<v Speaker 1>these days. I'm gonna guess you didn't know anything about

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<v Speaker 1>Northern Lights before the podcast.

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<v Speaker 2>I didn't.

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<v Speaker 4>I had a very different thing of what I was

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<v Speaker 4>thinking in my head of what it would be, and

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<v Speaker 4>it became nothing of the sort so disappointment washed over

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<v Speaker 4>me time and time again throughout watching this movie.

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<v Speaker 1>My guess is you thought it was having to do

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<v Speaker 1>with the famous strain of marijuana from the eighties and

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<v Speaker 1>nine Northern Lights? Is that what I'm guessing. I know

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<v Speaker 1>what you thought it was, wasn't it.

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<v Speaker 4>No, I don't even know what you're referencing. No, I

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<v Speaker 4>thought it was going to be a love story.

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<v Speaker 1>Did you really think Northern Lights was gonna be a

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<v Speaker 1>love story?

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<v Speaker 3>Yes?

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<v Speaker 4>And you'll hear in my Superta season the reason gotcha?

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<v Speaker 1>Were you a Diane Keaton fan?

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<v Speaker 2>I'm a huge Diane Keaton fan.

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<v Speaker 1>What's your favorite Diane Keaton movie? Is it Northern Lights?

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<v Speaker 3>Oh?

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<v Speaker 2>God, I can't even think of what a favorite one

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<v Speaker 2>would be. I can't.

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<v Speaker 1>Okay, I think Annie Hall has got to be my favorite.

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<v Speaker 1>But First Wives Club, our second First Wives Club is great? Yeah,

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<v Speaker 1>First Wives, but Annie Hall is just so good it's

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<v Speaker 1>it's crazy good. Anyway, Well, let's get to Alaska asap.

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<v Speaker 1>Here comes the synopsis. And I don't think producer Jensen

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<v Speaker 1>got this synopsis right if I'm at if and I

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<v Speaker 1>never say that, And I wasn't gonna call him a

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<v Speaker 1>write him because he has. A disillusioned journal returns to

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<v Speaker 1>her small Alaskan hometown to uncover the truth about a

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<v Speaker 1>mysterious plane crash. Along the way, she reconnects with the roots,

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<v Speaker 1>rekindles old relationships, and confronts secrets from her past. Now

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<v Speaker 1>here's the thing. She's not a journalist, and there was

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<v Speaker 1>no plane crash. So I'm thinking the synopsis either. I

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<v Speaker 1>don't think it was producer Jensen's fault. I think they

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<v Speaker 1>have the wrong synopsis up online because I don't think

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<v Speaker 1>that's the synopsis. So it is worth noting, by the way,

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<v Speaker 1>that though the movie is set in Alaska, they did

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<v Speaker 1>not shoot there. They shot in British Columbia, Canada, so

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<v Speaker 1>a perfect stand in because it looks like snowy landscapes.

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<v Speaker 1>But also, if this ain't a dcom, they've started shooting

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<v Speaker 1>them where the dcom shoots. So already we got one

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<v Speaker 1>click in the dcom box. I know you said not

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<v Speaker 1>a dcom, but we got.

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<v Speaker 3>One in the one box one hey will, Yes, I

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<v Speaker 3>do want to alert you. You will find out later

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<v Speaker 3>why that synopsis. It was not on purpose. I'm not

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<v Speaker 3>going to pretend it was on purpose. Okay, we'll find

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<v Speaker 3>out later, or why that synopsis was put in okay perfect.

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<v Speaker 1>Oh, I can't wait.

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<v Speaker 3>A mystery in line with this film.

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<v Speaker 1>Okay perfect, because I was I was reading, and I

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<v Speaker 1>was like, there's no plane crash.

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<v Speaker 3>Okay, it's impened.

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<v Speaker 1>I can't wait. Early thoughts, Sabrina taken away, What did

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<v Speaker 1>you think of Northern Lives?

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<v Speaker 4>I mean, if we're going to do early thoughts, I'm

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<v Speaker 4>going to tell you that I was confused from as

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<v Speaker 4>early as seconds number four and five. I was confused

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<v Speaker 4>on the entire intro. I didn't understand. I to the

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<v Speaker 4>point where I rewatched it a few times to see

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<v Speaker 4>if I'm just missing where they're explaining what these weird

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<v Speaker 4>little mini monologues.

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<v Speaker 2>Are and what's going on.

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<v Speaker 4>And then I had no idea what Diane Keaton's like.

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<v Speaker 2>Character was doing at her job.

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<v Speaker 4>I have no idea what kind of job she had,

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<v Speaker 4>just that she was clearly bad at it and her

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<v Speaker 4>boss hated her. And then I checked out when they

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<v Speaker 4>went into a room filled with nicotine smoke. I said,

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<v Speaker 4>oh my god, Oh my god, we're in a room

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<v Speaker 4>filled with just smoke, like a smoking room in a

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<v Speaker 4>Disney Channel movie.

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<v Speaker 1>No, nope, So you did not like this film. No, okay,

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<v Speaker 1>fair enough.

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<v Speaker 2>I was just really confused in the beginning.

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<v Speaker 1>Yeah, I wasn't. I was kind of confusing. I strangely

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<v Speaker 1>loved this movie. That's not even a joke. I strangely

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<v Speaker 1>loved this movie. Was so weird and so Lynchian and

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<v Speaker 1>bizarre that it leaned into the weirdness of every character

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<v Speaker 1>to where I halfway through was like, I absolutely loved

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<v Speaker 1>this movie. I really did. Now whether it's a dcom

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<v Speaker 1>or not a dcom, whole different conversation. Yeah, really fun, weird,

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<v Speaker 1>totally bizarre. I liked this movie. Yeah, it was.

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<v Speaker 4>I think I have you and I have switched minds

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<v Speaker 4>because I'm thinking of our quote unquote rules that we

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<v Speaker 4>like on Magical Rewind.

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<v Speaker 2>And there were no rules.

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<v Speaker 4>No, there were no guidelines. No, there was no one

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<v Speaker 4>knew what the hell was going on.

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<v Speaker 2>Oh my gosh. It was crazy.

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<v Speaker 1>It was. It was so strange, and I kind of

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<v Speaker 1>I was there for it.

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<v Speaker 4>This movie felt like it was improv That's how it was.

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<v Speaker 4>It seemed like no one knew what was going It.

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<v Speaker 1>Was weird on top of weird, on top of weird,

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<v Speaker 1>and I was there for it. I don't know why.

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<v Speaker 1>It just I had a smile on my face the

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<v Speaker 1>character or.

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<v Speaker 4>You watched it was one of those situations.

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<v Speaker 1>I did not have any brownies because I can't eat weed.

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<v Speaker 1>Northern Lights is directed by Linda Yellen, a director whose

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<v Speaker 1>career began in the nineteen seventies in New York, were

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<v Speaker 1>her first film, a ten minute short from college, got

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<v Speaker 1>her the third prize in the New York Film Festival,

0:12:04.600 --> 0:12:08.439
<v Speaker 1>behind two other directors, Martin Scorsese and George lucas You

0:12:08.520 --> 0:12:12.240
<v Speaker 1>Might Be. She's since won two Peabodies and Emmy as

0:12:12.280 --> 0:12:14.720
<v Speaker 1>a producer of the TV movie Playing for Time, and

0:12:14.800 --> 0:12:18.240
<v Speaker 1>she's still working today as a heralded creative behind independent film,

0:12:18.280 --> 0:12:21.480
<v Speaker 1>most recently directing and co writing movie called One Stupid

0:12:21.480 --> 0:12:25.440
<v Speaker 1>Thing starring my friend Corey Fogelmanis of Girl Meets World

0:12:25.640 --> 0:12:28.960
<v Speaker 1>and sky Katz from Ravenshome. As I mentioned, this movie

0:12:28.960 --> 0:12:31.920
<v Speaker 1>stars one of Hollywood's most celebrated actresses of all time,

0:12:32.000 --> 0:12:34.960
<v Speaker 1>Diane Keaton. Her most iconic role was as Annie Hall

0:12:35.000 --> 0:12:37.000
<v Speaker 1>in the Woody Allen movie the same name, but she

0:12:37.160 --> 0:12:41.320
<v Speaker 1>also has starred Something's Got to Give, Red's Godfather Too

0:12:41.720 --> 0:12:45.200
<v Speaker 1>Looking for Mister Goodbar father of the Bride, Baby Boom,

0:12:45.360 --> 0:12:48.520
<v Speaker 1>The Family Stone, and First Wives Club. I mean yikes.

0:12:48.840 --> 0:12:51.480
<v Speaker 1>Her career started on stage in the original production of

0:12:51.559 --> 0:12:54.359
<v Speaker 1>Hair in nineteen sixty eight and led to a legendary

0:12:54.400 --> 0:12:57.680
<v Speaker 1>career with an oscar, two Golden Globes, and nominations for

0:12:57.760 --> 0:13:02.120
<v Speaker 1>Tony's and Emmy's. This was a big, big get for Disney.

0:13:02.240 --> 0:13:06.360
<v Speaker 1>This was also pretty close to prime Diane Keaton in

0:13:06.440 --> 0:13:10.160
<v Speaker 1>nineteen ninety seven. Yes, Yes, Maury Chaikin plays Ben, the

0:13:10.240 --> 0:13:13.439
<v Speaker 1>Canadian character actor who unfortunate passed away in twenty ten.

0:13:13.920 --> 0:13:17.040
<v Speaker 1>Was in just a ton of big movies like My Cousin, Vinnie,

0:13:17.240 --> 0:13:20.959
<v Speaker 1>Dances with Wolves, Twins, War Games, and mouse Hunt. I

0:13:21.040 --> 0:13:23.720
<v Speaker 1>mean oh, some of my favorites of all time. He

0:13:23.840 --> 0:13:26.400
<v Speaker 1>was a real quote hey look at that guy unquote

0:13:26.400 --> 0:13:29.560
<v Speaker 1>type of actor he can Also some of his more

0:13:29.640 --> 0:13:33.280
<v Speaker 1>recent roles were in two very big TV shows, Big

0:13:33.320 --> 0:13:36.240
<v Speaker 1>Little Lies and Mind Hunter. Joseph Cross is the young Man.

0:13:36.400 --> 0:13:38.880
<v Speaker 1>Jack Cross was a child actor who starred in two

0:13:38.880 --> 0:13:41.760
<v Speaker 1>Michael Keaton movies, Desperate Measures and in nineteen ninety eight's

0:13:41.840 --> 0:13:44.960
<v Speaker 1>Christmas fantasy movie Jack Frost. He later played a young

0:13:45.040 --> 0:13:49.040
<v Speaker 1>Augustine Burrows in the Running with Scissors, adaptation and appeared

0:13:49.040 --> 0:13:51.920
<v Speaker 1>in movies like Flags of Our Fathers, Untraceable and twenty

0:13:51.960 --> 0:13:55.600
<v Speaker 1>twenty one's Licorice Pizza. This movie also featured a lot

0:13:55.600 --> 0:13:58.400
<v Speaker 1>of prominent Canadian talent, and as I like to mention earlier,

0:13:58.400 --> 0:14:01.200
<v Speaker 1>the writer who's play the movie is based on John

0:14:01.280 --> 0:14:04.720
<v Speaker 1>Robert Hoffman does some very heavy lifting as Joe scar

0:14:04.840 --> 0:14:07.440
<v Speaker 1>Lotti or Carlotti is what he says, because he has

0:14:07.520 --> 0:14:09.480
<v Speaker 1>the hair lip and can't pronounce the ess. I mean,

0:14:09.520 --> 0:14:12.080
<v Speaker 1>just one of those weird Lynchian kind of characters. The

0:14:12.120 --> 0:14:15.880
<v Speaker 1>movie is one hundred and eleven minutes. It might as

0:14:15.880 --> 0:14:18.160
<v Speaker 1>well be a flight to Tokyo, No wonder. It is

0:14:18.200 --> 0:14:20.120
<v Speaker 1>shunned as a dcom. As you know, this means this

0:14:20.200 --> 0:14:25.640
<v Speaker 1>movie is TI long, too long. Get a grip Northern Lights.

0:14:26.240 --> 0:14:28.360
<v Speaker 1>The screenplay credit went to both Hoffman and a man

0:14:28.440 --> 0:14:31.200
<v Speaker 1>named Kevin Kine, and this is his only writing credit,

0:14:31.240 --> 0:14:33.320
<v Speaker 1>but he has been an actor in things like Crazy,

0:14:33.320 --> 0:14:44.920
<v Speaker 1>Beautiful Er and Yes, Dear, Okay, Let's get into this crazy,

0:14:45.200 --> 0:14:48.800
<v Speaker 1>crazy film. We open with some CPA cam quarter footage,

0:14:48.800 --> 0:14:51.480
<v Speaker 1>some testimonials from people in costume. It appears to be

0:14:51.520 --> 0:14:54.360
<v Speaker 1>a party and everyone is sharing memories of someone who

0:14:54.400 --> 0:14:57.000
<v Speaker 1>has passed away, at least that's what we think. A

0:14:57.040 --> 0:14:59.680
<v Speaker 1>young can Can girl, a man dressed in a bunny

0:14:59.680 --> 0:15:02.320
<v Speaker 1>suit and a statue of liberty all praise his generous

0:15:02.320 --> 0:15:05.360
<v Speaker 1>spirit and his supportive heart. A young boy dressed as

0:15:05.360 --> 0:15:08.080
<v Speaker 1>a bat says Jack's dad once taught them how to fish.

0:15:08.200 --> 0:15:10.800
<v Speaker 1>And another couple, just as Dorothy and the Scarecrow, talk

0:15:10.840 --> 0:15:12.960
<v Speaker 1>about when Jack's dad saw the Northern lights for the

0:15:13.000 --> 0:15:15.960
<v Speaker 1>first time, he absolutely loved them. The only time he

0:15:16.040 --> 0:15:18.680
<v Speaker 1>was happier was the night Jack was bold. And with

0:15:18.760 --> 0:15:21.000
<v Speaker 1>that we pull out to reveal a spinning globe. A

0:15:21.040 --> 0:15:22.880
<v Speaker 1>man's hand stops this movement right in front of a

0:15:22.880 --> 0:15:25.240
<v Speaker 1>young boy. It's a flashback to Jack and his dad.

0:15:25.400 --> 0:15:27.760
<v Speaker 1>He explains that Jack won't see the northern lights here.

0:15:27.960 --> 0:15:30.800
<v Speaker 1>They're a phenomenon. They show up when they want. Jack

0:15:30.840 --> 0:15:32.440
<v Speaker 1>tells his dad he hopes he gets to see it

0:15:32.480 --> 0:15:35.120
<v Speaker 1>one day, and his dad replies, just keep looking up,

0:15:35.200 --> 0:15:38.160
<v Speaker 1>and we fade into the spinning globe. We should also

0:15:38.200 --> 0:15:42.160
<v Speaker 1>point out that Tom Kavanaugh played his father in all

0:15:42.200 --> 0:15:45.240
<v Speaker 1>the flashbacks, and he of course went on to be

0:15:45.360 --> 0:15:47.920
<v Speaker 1>in that big show Not my Name is there All?

0:15:48.000 --> 0:15:48.200
<v Speaker 3>Whatever?

0:15:48.240 --> 0:15:50.360
<v Speaker 1>The one, the Bowling one, where he's the Bowling Lawyer ed,

0:15:50.600 --> 0:15:53.120
<v Speaker 1>which was a fun show. We are now from there

0:15:53.320 --> 0:15:57.240
<v Speaker 1>thrown into a large, busy telemarketing office, which Sabrina was

0:15:57.240 --> 0:15:59.200
<v Speaker 1>talking about how she checked out by this point because

0:15:59.240 --> 0:16:01.960
<v Speaker 1>she had no idea what dian Keate was doing. They're

0:16:02.000 --> 0:16:05.440
<v Speaker 1>selling Broadway tickets and Roberta, a blond woman, is pitching

0:16:05.440 --> 0:16:08.040
<v Speaker 1>a musical about aids.

0:16:09.440 --> 0:16:09.720
<v Speaker 2>Yep.

0:16:10.160 --> 0:16:12.560
<v Speaker 1>She puts her call on hold to try to convince

0:16:12.600 --> 0:16:15.200
<v Speaker 1>a coworker to take a ciggie break, but before she

0:16:15.200 --> 0:16:17.920
<v Speaker 1>can get an answer, her boss hovers over her, unhappy

0:16:18.000 --> 0:16:20.400
<v Speaker 1>with her output. We jumped to a costco with its

0:16:20.480 --> 0:16:23.800
<v Speaker 1>manager Ben answering a question about the insane quantities they sell.

0:16:25.320 --> 0:16:27.520
<v Speaker 1>How could this have ever been a one man show

0:16:28.200 --> 0:16:30.880
<v Speaker 1>on Broadway? Like, I don't on stage, I don't understand

0:16:30.920 --> 0:16:33.880
<v Speaker 1>how with all the character changes and the everything going on,

0:16:33.920 --> 0:16:36.560
<v Speaker 1>how is this ever a one man show?

0:16:36.960 --> 0:16:37.800
<v Speaker 2>Yeah?

0:16:38.920 --> 0:16:43.640
<v Speaker 1>Yeah, yeah, I mean he probably just told the story

0:16:43.760 --> 0:16:45.800
<v Speaker 1>of everyone. He couldn't have played all the roles.

0:16:45.840 --> 0:16:47.480
<v Speaker 2>I mean, it's like the narrator of it.

0:16:47.720 --> 0:16:49.960
<v Speaker 1>I guess. I don't know, but we've already seen so

0:16:49.960 --> 0:16:52.800
<v Speaker 1>many characters it's crazy, right. We then cut to a

0:16:52.840 --> 0:16:55.400
<v Speaker 1>man in a raincoat climbing a very tall ladder to

0:16:55.440 --> 0:16:58.520
<v Speaker 1>save a cat on a power line. The latter wobbles

0:16:58.520 --> 0:17:00.440
<v Speaker 1>and we hear storm clouds moving in. He grabs a

0:17:00.520 --> 0:17:02.840
<v Speaker 1>cat and promises he'll be home to Jack soon. As

0:17:02.880 --> 0:17:06.360
<v Speaker 1>the cat climbs down, we hear volts of electricity and

0:17:06.400 --> 0:17:11.040
<v Speaker 1>then the thud of a body. So maybe it's okay.

0:17:11.080 --> 0:17:13.320
<v Speaker 1>So we're starting to see why through the heavy smoking

0:17:13.480 --> 0:17:15.199
<v Speaker 1>and the thud of the body. Why Maybe it's not

0:17:15.240 --> 0:17:18.439
<v Speaker 1>a dcom, but it was anyway. Roberta is now on

0:17:18.480 --> 0:17:24.080
<v Speaker 1>a personal call. She mishears Kitty as Titty another d com. Yep,

0:17:24.119 --> 0:17:26.840
<v Speaker 1>we know why Disney This isn't Hey, it's on Disney Plus.

0:17:27.359 --> 0:17:30.160
<v Speaker 1>She told uh, she's told about the man who fell

0:17:30.160 --> 0:17:31.760
<v Speaker 1>from the pole. She doesn't know how to react. It

0:17:31.880 --> 0:17:35.000
<v Speaker 1>was her brother and he is dead. She tells the coworker,

0:17:35.040 --> 0:17:37.240
<v Speaker 1>and the coworker essentially says, I had no idea you

0:17:37.320 --> 0:17:39.440
<v Speaker 1>had a brother, But we find out she hasn't talked

0:17:39.440 --> 0:17:41.480
<v Speaker 1>to him in ten years. They didn't have very much

0:17:41.480 --> 0:17:44.320
<v Speaker 1>in common. Her brother was the quote crunchy hippie type

0:17:44.359 --> 0:17:47.600
<v Speaker 1>and she is cityfolk. She then lights up her first

0:17:47.600 --> 0:17:49.679
<v Speaker 1>cigarette of the movie in a break room that is

0:17:50.080 --> 0:17:53.720
<v Speaker 1>completely filled and crowded with smoke. There's like a filter

0:17:53.840 --> 0:17:56.560
<v Speaker 1>on the lens. Her sadness, though nestled down deep, is

0:17:56.680 --> 0:17:58.680
<v Speaker 1>just kicking in. I would like to point out, as

0:17:58.720 --> 0:18:02.960
<v Speaker 1>a reform smoker myself who smoked for twenty five some

0:18:03.000 --> 0:18:06.720
<v Speaker 1>odd years, rooms like this were common. This was not

0:18:07.000 --> 0:18:09.240
<v Speaker 1>over the top. This was not crazy. I remember going

0:18:09.240 --> 0:18:11.120
<v Speaker 1>to airports where they had the smoking room and you're

0:18:11.160 --> 0:18:15.959
<v Speaker 1>just in a plexiglass box full of smoke. So it

0:18:16.400 --> 0:18:19.800
<v Speaker 1>this was absolutely real. Yeah, Ben, in those rooms many

0:18:19.800 --> 0:18:21.960
<v Speaker 1>many times you put the cigarette out and you're still

0:18:22.000 --> 0:18:25.400
<v Speaker 1>smoking a cigarette because there's so much smoke around.

0:18:25.280 --> 0:18:27.160
<v Speaker 2>The den of my grandparents' house.

0:18:27.320 --> 0:18:31.120
<v Speaker 1>See there you go. That's these were very real places.

0:18:31.600 --> 0:18:34.080
<v Speaker 4>Yeah, but there there was a point and I'll just

0:18:34.080 --> 0:18:36.360
<v Speaker 4>get this, this is a pretty season in that smoking

0:18:36.440 --> 0:18:39.000
<v Speaker 4>room where there was a shot that was like the

0:18:39.040 --> 0:18:44.400
<v Speaker 4>back of a chair and a race asstray that did

0:18:44.440 --> 0:18:47.119
<v Speaker 4>you not think someone there was a character that we

0:18:47.119 --> 0:18:49.800
<v Speaker 4>were going to meet sitting in that chair because they

0:18:49.800 --> 0:18:51.360
<v Speaker 4>went to it so many times and.

0:18:51.320 --> 0:18:55.879
<v Speaker 1>Then poof, nothing done, Nothing didn't happen, didn't happen. Yeah,

0:18:56.000 --> 0:18:57.920
<v Speaker 1>at the costco Ben is leaving a messenger Shoer's wife.

0:18:57.960 --> 0:19:00.359
<v Speaker 1>He also got the bad news about his friend Frank.

0:19:00.760 --> 0:19:03.320
<v Speaker 1>He'll need to go to Alaska for the funeral this weekend.

0:19:03.720 --> 0:19:06.560
<v Speaker 1>We jump into a Roberta flashback. It's the seventies and

0:19:06.600 --> 0:19:09.480
<v Speaker 1>she's in a disco. She's pacing waiting to rehearse with

0:19:09.520 --> 0:19:13.000
<v Speaker 1>a band. Eventually Frank arrives. He's fixed up a song

0:19:13.080 --> 0:19:15.480
<v Speaker 1>and has sheets for everyone. She was stressed, thought maybe

0:19:15.480 --> 0:19:16.679
<v Speaker 1>it was hit by a bus or something, but no,

0:19:16.800 --> 0:19:19.400
<v Speaker 1>he's fine. They sit there at the piano. Frank just

0:19:19.440 --> 0:19:23.520
<v Speaker 1>pulls out a kleenex and opens it up and he

0:19:23.600 --> 0:19:27.920
<v Speaker 1>sees an egg inside that he found from a Robin. Roberta,

0:19:27.960 --> 0:19:29.960
<v Speaker 1>of course, just doesn't care at all. She needs a

0:19:30.000 --> 0:19:32.560
<v Speaker 1>concentrat on tonight's New Year's Eve show, but Frank just

0:19:32.680 --> 0:19:35.199
<v Speaker 1>isn't as dedicated to the performance. He asked Roberta to

0:19:35.240 --> 0:19:38.919
<v Speaker 1>make a wish on her eyelash, which she does and

0:19:38.920 --> 0:19:41.640
<v Speaker 1>then instantly forgives him for being late to the show.

0:19:41.680 --> 0:19:44.880
<v Speaker 1>You can tell she is also very frazzled all the time,

0:19:44.960 --> 0:19:48.400
<v Speaker 1>and he is very mellow and laid back. They made

0:19:48.440 --> 0:19:51.840
<v Speaker 1>sure that they distinguished between these two characters, and boy

0:19:51.880 --> 0:19:53.919
<v Speaker 1>did they.

0:19:52.920 --> 0:19:57.119
<v Speaker 4>Now bothered me that she didn't. And you know, obviously

0:19:57.280 --> 0:19:59.160
<v Speaker 4>I do. I love Diane Keaton, but.

0:19:59.600 --> 0:20:02.200
<v Speaker 2>He looked so much. This looked this did not look.

0:20:02.040 --> 0:20:04.720
<v Speaker 4>Like even ten years prior. This like, this looked like

0:20:05.160 --> 0:20:06.840
<v Speaker 4>two months prior to what.

0:20:07.080 --> 0:20:08.879
<v Speaker 1>Yeah, they didn't say. It didn't look like there was

0:20:08.920 --> 0:20:09.480
<v Speaker 1>the seventies.

0:20:09.600 --> 0:20:12.320
<v Speaker 2>Yes, yeah it did not. It did not come across

0:20:12.520 --> 0:20:13.200
<v Speaker 2>at anything.

0:20:13.280 --> 0:20:16.440
<v Speaker 1>But now, in all fairness on the YouTube's it was

0:20:16.480 --> 0:20:20.720
<v Speaker 1>obviously a VHS rip, so the quality is pretty terrible. Yes,

0:20:20.840 --> 0:20:22.320
<v Speaker 1>and it's hard to see. I would love to have

0:20:22.359 --> 0:20:24.760
<v Speaker 1>seen this Christine, to see what she actually looked like.

0:20:24.760 --> 0:20:25.760
<v Speaker 1>But I agree, it didn't.

0:20:25.560 --> 0:20:27.240
<v Speaker 2>Make He looks so young too.

0:20:28.000 --> 0:20:29.800
<v Speaker 4>You know, he looks so young, and I know she

0:20:30.080 --> 0:20:33.160
<v Speaker 4>kind of raised him and she was a motherly figure.

0:20:32.920 --> 0:20:36.160
<v Speaker 1>But they really look like they're twenty five years apart.

0:20:36.280 --> 0:20:37.000
<v Speaker 1>I get. I agree.

0:20:37.080 --> 0:20:37.639
<v Speaker 4>Yeah.

0:20:37.720 --> 0:20:39.480
<v Speaker 1>We are now back in the smoke Field break room.

0:20:39.560 --> 0:20:41.480
<v Speaker 1>Roberta's friend hands her a tissue and tells her to

0:20:41.560 --> 0:20:44.199
<v Speaker 1>let it out, but of course she doesn't. Now on

0:20:44.240 --> 0:20:45.760
<v Speaker 1>a roof in the middle of the night, we see

0:20:45.760 --> 0:20:48.520
<v Speaker 1>two young kids looking to the sky for the northern lights.

0:20:48.760 --> 0:20:52.159
<v Speaker 1>One boy asked if the other quote misses him and

0:20:52.200 --> 0:20:54.960
<v Speaker 1>if he's going to cry tomorrow. The older boy that's

0:20:54.960 --> 0:20:57.119
<v Speaker 1>his Frank's sons, Jack says he doesn't want to talk

0:20:57.119 --> 0:21:00.280
<v Speaker 1>about it right now. Roberta's train arrives in Bright River

0:21:00.359 --> 0:21:03.560
<v Speaker 1>Junction for the funeral and immediately runs into Ben, who

0:21:03.640 --> 0:21:05.480
<v Speaker 1>is also alone, and the both of them are kind

0:21:05.480 --> 0:21:08.440
<v Speaker 1>of lost. They're suddenly spooked when a set of car

0:21:08.520 --> 0:21:11.879
<v Speaker 1>lights appears, and it is a one armed cab driver

0:21:12.119 --> 0:21:14.200
<v Speaker 1>who can barely open his mouth when he talks. This

0:21:14.240 --> 0:21:16.080
<v Speaker 1>is when I was starting to get real Lynchian kind

0:21:16.080 --> 0:21:18.359
<v Speaker 1>of vibes. It's like his teeth are glued together. He

0:21:18.440 --> 0:21:21.719
<v Speaker 1>sounds like a rabid dog pirate. He drives them maybe

0:21:21.760 --> 0:21:25.359
<v Speaker 1>twenty five or thirty feet tops to the King Edward Hotel,

0:21:25.400 --> 0:21:27.720
<v Speaker 1>where they're coincidentally both staying. He then asks for five

0:21:27.760 --> 0:21:30.439
<v Speaker 1>dollars and Roberta calls him a one arm bandit. The

0:21:30.520 --> 0:21:32.679
<v Speaker 1>kids on the roof watch as the two guests enter

0:21:32.760 --> 0:21:36.000
<v Speaker 1>a beautiful courtyard lit by white Christmas lights. The King

0:21:36.119 --> 0:21:38.480
<v Speaker 1>Edward's impressive and quirky in as a real Tower of

0:21:38.600 --> 0:21:41.199
<v Speaker 1>Terror vibe, which makes sense when Roberta compares it to

0:21:41.200 --> 0:21:44.040
<v Speaker 1>the show Rod Serling used to host. The two check

0:21:44.080 --> 0:21:47.800
<v Speaker 1>in with a very peppy bell desk clerk who keeps

0:21:47.880 --> 0:21:50.359
<v Speaker 1>ringing the bell despite the fact that there are no

0:21:50.440 --> 0:21:53.280
<v Speaker 1>bell boys working that night. He just likes the tone.

0:21:53.280 --> 0:21:56.640
<v Speaker 1>Had you checked out fully by this point, Sabrina.

0:21:57.880 --> 0:22:02.600
<v Speaker 2>No, No, I mean it kind of just again. I

0:22:03.000 --> 0:22:05.440
<v Speaker 2>was I was just trying to wait to see when

0:22:05.480 --> 0:22:08.200
<v Speaker 2>this whole situation was going to click in.

0:22:08.720 --> 0:22:10.600
<v Speaker 1>When gonna happen.

0:22:10.760 --> 0:22:13.840
<v Speaker 4>Well, because we just kept getting more and more characters. Yeah,

0:22:13.880 --> 0:22:16.760
<v Speaker 4>bits and bits and pieces of information. Nothing seemed to

0:22:16.840 --> 0:22:19.920
<v Speaker 4>build off of anything, like even Jack up on the

0:22:20.240 --> 0:22:22.280
<v Speaker 4>rooftop at this point. It's like it's just all these

0:22:22.320 --> 0:22:25.280
<v Speaker 4>like teeny tiny bits of information. I'm sitting there trying

0:22:25.280 --> 0:22:26.240
<v Speaker 4>to go, Okay, I'm trying to like.

0:22:26.280 --> 0:22:28.359
<v Speaker 1>Keep it all in, take all, take it all in.

0:22:28.560 --> 0:22:30.840
<v Speaker 4>Verry's confused still, and I have no idea where the

0:22:30.880 --> 0:22:34.280
<v Speaker 4>hell this movie's going, except for obviously to some type

0:22:34.280 --> 0:22:34.800
<v Speaker 4>of funeral.

0:22:35.240 --> 0:22:37.239
<v Speaker 1>It is a weird movie. It was so weird, and

0:22:37.280 --> 0:22:41.639
<v Speaker 1>I really liked it anyway. Anyway, The pair have neighboring rooms,

0:22:41.680 --> 0:22:43.760
<v Speaker 1>and ben unpacks a frame photo of his family to

0:22:43.760 --> 0:22:46.000
<v Speaker 1>put next to his bed. The next morning, the two

0:22:46.080 --> 0:22:49.159
<v Speaker 1>rooftop boys knock on Roberta's door and run, leaving her confused.

0:22:49.200 --> 0:22:51.720
<v Speaker 1>When she opens it, the elevator opens and it's a

0:22:51.720 --> 0:22:55.080
<v Speaker 1>bellboy covering his face with room service coffee. The boys

0:22:55.119 --> 0:22:58.680
<v Speaker 1>are excited to see quote unquote rat boy. The delivery

0:22:58.720 --> 0:23:01.320
<v Speaker 1>man knocks on Roberta's door, and she lets out a

0:23:01.359 --> 0:23:04.200
<v Speaker 1>blood curdling scream when she sees his face. The entire

0:23:04.240 --> 0:23:06.360
<v Speaker 1>tray he was carrying flies into the air. She keeps

0:23:06.400 --> 0:23:08.240
<v Speaker 1>having stuff spilled on her the entire movie, which I

0:23:08.240 --> 0:23:11.400
<v Speaker 1>thinks Ben is in his room calling his wife again.

0:23:11.400 --> 0:23:13.560
<v Speaker 1>Her name is Peg. This time he talks about his

0:23:13.640 --> 0:23:15.840
<v Speaker 1>belt and shoes. Should they match, should they not match.

0:23:16.400 --> 0:23:21.280
<v Speaker 1>I'm starting to get almost like planes, trains, and automobile

0:23:21.359 --> 0:23:24.600
<v Speaker 1>vibes here where John Candy is constantly talking about his wife.

0:23:25.000 --> 0:23:26.840
<v Speaker 1>I started to get that kind of vibe. So I'm like,

0:23:26.920 --> 0:23:30.360
<v Speaker 1>what's going on here with this whole thing? Anyway, Roberta

0:23:30.440 --> 0:23:32.080
<v Speaker 1>is running late when there's a knock at the door.

0:23:32.160 --> 0:23:34.640
<v Speaker 1>It's Joe Scarlatti, the man who called her to tell

0:23:34.640 --> 0:23:37.160
<v Speaker 1>her the bad news about Frank. He has a hairlp

0:23:37.240 --> 0:23:39.840
<v Speaker 1>and a lisp, which is why she had trouble understanding

0:23:39.920 --> 0:23:43.719
<v Speaker 1>quote unquote Kitty on the phone. Roberta can't understand him,

0:23:43.760 --> 0:23:46.360
<v Speaker 1>and he offers to walk her to the church. Ben

0:23:46.440 --> 0:23:48.560
<v Speaker 1>starts his walk to the church when he's approached by

0:23:48.640 --> 0:23:51.280
<v Speaker 1>Daphney high Tower, a Southern bell who really knows he

0:23:51.320 --> 0:23:54.480
<v Speaker 1>has two daughters. She says she's quote unquote been waiting

0:23:54.560 --> 0:23:57.240
<v Speaker 1>for him, but he has been waiting for him, but

0:23:57.280 --> 0:23:59.960
<v Speaker 1>has a duty to perform for now. Ben and Roberta

0:24:00.119 --> 0:24:02.080
<v Speaker 1>run back into each other. Walking into the small church,

0:24:02.160 --> 0:24:04.320
<v Speaker 1>a reverend is performing the service and he announces a

0:24:04.400 --> 0:24:07.359
<v Speaker 1>larger event will be held tomorrow. Daphne is called to

0:24:07.359 --> 0:24:12.760
<v Speaker 1>the pew and leads a loud whistling choir of four

0:24:12.800 --> 0:24:15.399
<v Speaker 1>in a song they dedicate to Frank. Both Ben and

0:24:15.520 --> 0:24:18.040
<v Speaker 1>Roberta are a little giggly about it. As people walk

0:24:18.119 --> 0:24:20.760
<v Speaker 1>up to the casket and leave items. Frank's son, Jack,

0:24:20.800 --> 0:24:23.440
<v Speaker 1>the older boy from the roof, approaches, and Roberta audibly

0:24:23.480 --> 0:24:25.640
<v Speaker 1>screams when she finds out that her brother had a kid.

0:24:25.680 --> 0:24:28.719
<v Speaker 1>She had no idea. She also sees who she thinks

0:24:28.880 --> 0:24:32.760
<v Speaker 1>is Frank's wife out which oh god, it's so funny. Outside,

0:24:32.840 --> 0:24:35.000
<v Speaker 1>Roberta is lighting her second cigaret to the movie when

0:24:35.040 --> 0:24:37.840
<v Speaker 1>she's introduced to her new nephew by a woman named Maggie,

0:24:38.280 --> 0:24:41.560
<v Speaker 1>who is with a handful of other children. The reverend

0:24:41.600 --> 0:24:43.879
<v Speaker 1>then joins and asks Maggie how she's doing, and she

0:24:43.920 --> 0:24:46.840
<v Speaker 1>says she'll get through it. They then turn and start

0:24:46.920 --> 0:24:52.320
<v Speaker 1>just passionately making out, and it's like what Maggie introduces

0:24:52.400 --> 0:24:55.920
<v Speaker 1>him as her husband, Emmett and all the other children

0:24:55.960 --> 0:24:59.240
<v Speaker 1>are theirs, and Ben and Roberta are of course relieved.

0:25:00.000 --> 0:25:03.440
<v Speaker 1>The gravesite service begins with an acknowledgment of little Jack,

0:25:03.680 --> 0:25:06.400
<v Speaker 1>and the reverend praises Ben and Roberta for traveling so far.

0:25:06.720 --> 0:25:09.800
<v Speaker 1>Roberta immediately calls over Joe, and together with Ben, they

0:25:09.800 --> 0:25:13.679
<v Speaker 1>walk to a nearby classroom. Roberta wants to hear the will. Immediately,

0:25:14.119 --> 0:25:17.359
<v Speaker 1>Joe obliges and reveals they are both given joint custody

0:25:17.640 --> 0:25:20.240
<v Speaker 1>of little Jack. Roberta is furious. She thinks this is

0:25:20.280 --> 0:25:22.280
<v Speaker 1>all insane. Ben knew he had a son, but is

0:25:22.320 --> 0:25:25.000
<v Speaker 1>also shocked by this turn of events. Roberta wonders about

0:25:25.040 --> 0:25:26.960
<v Speaker 1>the mom, like where's the mom, just as she sits

0:25:27.000 --> 0:25:29.960
<v Speaker 1>in a kid's chair and it breaks, throwing her to

0:25:30.040 --> 0:25:35.400
<v Speaker 1>the ground. Classic Diane Keaton, but again we're in the

0:25:35.520 --> 0:25:39.240
<v Speaker 1>ultimate bat of bat when it comes to this film

0:25:39.280 --> 0:25:42.080
<v Speaker 1>at this point, I mean, are you at this point?

0:25:42.080 --> 0:25:42.880
<v Speaker 1>What's going through your head?

0:25:42.880 --> 0:25:46.240
<v Speaker 4>I got to know, why does she keep screaming so crazy?

0:25:46.280 --> 0:25:49.639
<v Speaker 4>Like everything the I mean, I know that she gotten

0:25:49.760 --> 0:25:55.640
<v Speaker 4>scared by the guy, mister ratface, and her streams are

0:25:55.960 --> 0:26:00.640
<v Speaker 4>are they're like horror film screams, like whoa, whoa there constant.

0:26:00.720 --> 0:26:01.880
<v Speaker 3>She can't screaming.

0:26:02.040 --> 0:26:06.280
<v Speaker 4>She just gets so flustered with every single little thing

0:26:06.359 --> 0:26:07.439
<v Speaker 4>that happens, and it's.

0:26:07.520 --> 0:26:10.960
<v Speaker 1>So damn Keaton it is. I don't know.

0:26:11.480 --> 0:26:12.280
<v Speaker 2>I guess I don't.

0:26:13.000 --> 0:26:15.639
<v Speaker 4>I mean, I because I love her comedy and it

0:26:15.760 --> 0:26:18.159
<v Speaker 4>is big, but I guess in this movie it just

0:26:18.200 --> 0:26:19.920
<v Speaker 4>seemed outrageous to me.

0:26:20.320 --> 0:26:24.480
<v Speaker 1>Well because everyone's playing these weird characters, but they're playing

0:26:24.560 --> 0:26:28.560
<v Speaker 1>them subdued, so it's like there even Ben is like

0:26:28.680 --> 0:26:32.800
<v Speaker 1>very soft spoken, and SCARLETTI very soft spoken, the Southern bell,

0:26:33.080 --> 0:26:35.560
<v Speaker 1>and then you've got this screamer probably going. I mean,

0:26:35.600 --> 0:26:38.520
<v Speaker 1>it was just it was very funny, but yeah, but

0:26:38.560 --> 0:26:41.840
<v Speaker 1>I know what you meant. Very strange. But yeah, just

0:26:41.920 --> 0:26:44.160
<v Speaker 1>be quiet, be quiet, and let's figure out what's going on.

0:26:44.440 --> 0:26:47.800
<v Speaker 4>I just fell in a chair and she's like get me,

0:26:48.160 --> 0:26:49.400
<v Speaker 4>like she's screaming.

0:26:49.480 --> 0:26:52.880
<v Speaker 1>Yeah, she's very big, very big in a quiet room.

0:26:54.440 --> 0:26:56.600
<v Speaker 1>It is Roberta is gonna call her lawyer, though. She

0:26:56.640 --> 0:26:58.680
<v Speaker 1>storms out of the room, dropping her cigarettes on the

0:26:58.720 --> 0:27:01.439
<v Speaker 1>way out, and then there's who's sitting nearby helps her

0:27:01.480 --> 0:27:03.600
<v Speaker 1>pick them up and offers to shore a picture of

0:27:03.640 --> 0:27:05.960
<v Speaker 1>her and her dad. She says, maybe some other time.

0:27:06.160 --> 0:27:08.520
<v Speaker 1>Ben asks if she knows where she's going, and she says,

0:27:08.600 --> 0:27:11.639
<v Speaker 1>as a New Yorker, she knows what to do. We

0:27:11.680 --> 0:27:15.159
<v Speaker 1>cut to Roberta on a massive and thin, shaky bridge.

0:27:15.200 --> 0:27:18.640
<v Speaker 1>It looks terrifying, especially in heels. Meanwhile, Ben is talking

0:27:18.640 --> 0:27:21.520
<v Speaker 1>to John about his relationship with Frank at Ohio State.

0:27:21.760 --> 0:27:24.479
<v Speaker 1>If he's being honest though they weren't really close. Ratman

0:27:24.560 --> 0:27:27.639
<v Speaker 1>from the hotel bikes by in an uncontrollable hurry. This

0:27:27.800 --> 0:27:32.359
<v Speaker 1>place is just bananers. Roberta now finds herself lost on

0:27:32.359 --> 0:27:34.600
<v Speaker 1>a dirt road, Limping from the terrain with a broken heel.

0:27:34.680 --> 0:27:36.920
<v Speaker 1>She's flagged down by a lady she recognizes, who offers

0:27:36.960 --> 0:27:40.600
<v Speaker 1>to fix her shoe, and Roberta gladly accepts. This lady

0:27:40.640 --> 0:27:42.560
<v Speaker 1>has a store and it's filled with stuff that Roberta

0:27:42.600 --> 0:27:46.520
<v Speaker 1>quickly realizes is Frank's donated belongings, but they don't even

0:27:46.600 --> 0:27:48.840
<v Speaker 1>have a phone for her to call her lawyer. She

0:27:48.880 --> 0:27:50.800
<v Speaker 1>sees the reverend's wife. Now here's the thing. This is

0:27:50.800 --> 0:27:55.160
<v Speaker 1>where I got confused. If I understood the will. This

0:27:55.240 --> 0:27:58.879
<v Speaker 1>is her store. Now I think she and Ben also

0:27:59.040 --> 0:28:07.240
<v Speaker 1>get the store. Oh, I think that's what he's explaining. Yes,

0:28:07.440 --> 0:28:12.160
<v Speaker 1>I believe that Frank also owns this store and they

0:28:12.200 --> 0:28:13.679
<v Speaker 1>get the store. We'll have to have that check, but

0:28:13.720 --> 0:28:16.440
<v Speaker 1>I'm pretty sure that that's what's going on. So she's

0:28:16.480 --> 0:28:17.200
<v Speaker 1>looking around.

0:28:17.040 --> 0:28:19.159
<v Speaker 2>She's like, this is all the lady's store.

0:28:19.560 --> 0:28:21.359
<v Speaker 1>See, I think the old lady works there, but I

0:28:21.400 --> 0:28:24.520
<v Speaker 1>think even the old lady says, oh, the new like

0:28:24.600 --> 0:28:26.639
<v Speaker 1>the new owner. Of course, I want to show you

0:28:26.720 --> 0:28:28.960
<v Speaker 1>around when she comes in. So I think that's what

0:28:29.000 --> 0:28:31.239
<v Speaker 1>it is, but we have to check. But anyway, uh,

0:28:31.280 --> 0:28:33.040
<v Speaker 1>they don't even have that. There's only one payphone in

0:28:33.080 --> 0:28:34.520
<v Speaker 1>the entire town and some guys on it, so she

0:28:34.560 --> 0:28:36.960
<v Speaker 1>can't even call her lawyer. She then sees the reverend's

0:28:36.960 --> 0:28:39.560
<v Speaker 1>wife and asks if there's anyone else in the area

0:28:39.600 --> 0:28:41.720
<v Speaker 1>that could take care of little Jack. But she says,

0:28:41.720 --> 0:28:43.960
<v Speaker 1>I Frank always knew what was best, and he made

0:28:44.000 --> 0:28:47.240
<v Speaker 1>this decision. We cut to a still sad Little Jack

0:28:47.240 --> 0:28:49.240
<v Speaker 1>trying to play the piano, but his cat, who we

0:28:49.240 --> 0:28:52.160
<v Speaker 1>know from his dad's death, lands on the keys. Roberta

0:28:52.200 --> 0:28:54.040
<v Speaker 1>then returns to the hotel and gets stuck in the

0:28:54.080 --> 0:28:57.160
<v Speaker 1>old timey elevator. She sees a sleeping sailor through a

0:28:57.200 --> 0:28:59.920
<v Speaker 1>small hole between floors and begs for him to help,

0:29:00.080 --> 0:29:02.320
<v Speaker 1>but he is passed out. She tries to crawl out

0:29:02.320 --> 0:29:05.280
<v Speaker 1>of the elevator car but can't. This is a total disaster.

0:29:05.520 --> 0:29:08.160
<v Speaker 1>She presses the help buzzer until Little Jack comes looking.

0:29:08.400 --> 0:29:10.840
<v Speaker 1>He tells her to just hold down the auto button

0:29:10.920 --> 0:29:14.280
<v Speaker 1>and press three, and she is saved. Boom. Cigarette number

0:29:14.280 --> 0:29:17.200
<v Speaker 1>four is lit, just as Daphne comes singing down the

0:29:17.200 --> 0:29:20.040
<v Speaker 1>hall and comments on the similarity in Roberta in Little

0:29:20.120 --> 0:29:23.720
<v Speaker 1>Jack's eyes. She says, if Roberta has any questions, she's

0:29:23.760 --> 0:29:25.880
<v Speaker 1>the woman to ask. She hops in the elevator and

0:29:25.920 --> 0:29:29.240
<v Speaker 1>she's gone as fast as she arrived. Now, did you

0:29:29.240 --> 0:29:32.560
<v Speaker 1>pick up the fully inappropriate joke that then happened right here? No,

0:29:32.920 --> 0:29:37.040
<v Speaker 1>you didn't. Okay, there was a I'm gonna let everybody

0:29:37.160 --> 0:29:39.800
<v Speaker 1>else go watch it themselves then, because they make a

0:29:40.000 --> 0:29:45.760
<v Speaker 1>very inappropriate joke comparing women's privates to kitty cats. Oh yes,

0:29:45.880 --> 0:29:49.959
<v Speaker 1>and they absolutely do. Yes, So not to now make

0:29:50.000 --> 0:29:51.840
<v Speaker 1>it creepy, but little Jack runs off to get his

0:29:51.920 --> 0:29:55.120
<v Speaker 1>cat Sassy out from under his bed. Roberta thanks him

0:29:55.160 --> 0:29:57.240
<v Speaker 1>for the elevator help and gets a look at where

0:29:57.320 --> 0:29:59.959
<v Speaker 1>he and his dad used to live. Jack wonders if

0:30:00.040 --> 0:30:03.080
<v Speaker 1>if she didn't like his dad, and she promises she did.

0:30:03.240 --> 0:30:06.880
<v Speaker 1>Adults just have very complicated relationships. He points out that

0:30:06.920 --> 0:30:09.240
<v Speaker 1>picture he was talking about earlier, the one of Roberta

0:30:09.280 --> 0:30:12.720
<v Speaker 1>and her dad. It's from that New Year's Eve performance

0:30:12.760 --> 0:30:15.240
<v Speaker 1>we saw back in the flashback, and they both look

0:30:15.440 --> 0:30:18.400
<v Speaker 1>very happy. Jack sits back down at the piano. His

0:30:18.520 --> 0:30:21.160
<v Speaker 1>dad told him that Roberta was quote unquote fun, but

0:30:21.200 --> 0:30:23.840
<v Speaker 1>he hasn't seen it yet. Jack starts to play. As

0:30:23.840 --> 0:30:26.160
<v Speaker 1>she surveys the room, The emotions are starting to get

0:30:26.160 --> 0:30:27.920
<v Speaker 1>to her. She falls into a bit of a trance

0:30:27.960 --> 0:30:30.600
<v Speaker 1>and whispers Frank, only for Jack to correct her. No,

0:30:30.760 --> 0:30:33.880
<v Speaker 1>he's Jack, Frank was his dad. Roberta quickly leaves the

0:30:33.920 --> 0:30:36.720
<v Speaker 1>room for cigarette number five. She sits in the living

0:30:36.800 --> 0:30:39.160
<v Speaker 1>room listening to Jack play the piano, and it's all

0:30:39.280 --> 0:30:42.200
<v Speaker 1>very sad. Jack eventually finds his way outside to throw

0:30:42.200 --> 0:30:44.680
<v Speaker 1>a ball around and is interrupted by John. Now this

0:30:44.760 --> 0:30:47.320
<v Speaker 1>is where again there's so many characters in this thing. Yes,

0:30:48.000 --> 0:30:50.360
<v Speaker 1>John knows today was tough, but tomorrow will be a celebration.

0:30:50.680 --> 0:30:52.680
<v Speaker 1>Jack knows that Roberta and Ben don't want to be

0:30:52.720 --> 0:30:55.520
<v Speaker 1>his parents, but John explains they're just surprised and older

0:30:55.560 --> 0:30:58.040
<v Speaker 1>people need time to get over surprises. But Jack looks

0:30:58.240 --> 0:31:01.240
<v Speaker 1>well obviously very worried what's going to become of him.

0:31:01.920 --> 0:31:03.480
<v Speaker 1>Roberta is on her way back to her room when

0:31:03.520 --> 0:31:05.680
<v Speaker 1>she startled by Ratman again, covering his face with a

0:31:05.720 --> 0:31:09.920
<v Speaker 1>stack of towels. She screams, again your favorite. She's still

0:31:10.320 --> 0:31:12.480
<v Speaker 1>trying to make her way to the cigarette vending machine,

0:31:12.480 --> 0:31:13.880
<v Speaker 1>where she tries to buy a new pack, but it

0:31:13.920 --> 0:31:16.000
<v Speaker 1>eats her money. She starts kicking it again like a

0:31:16.040 --> 0:31:18.120
<v Speaker 1>mad woman. Ben tries to help, but she is not

0:31:18.240 --> 0:31:21.760
<v Speaker 1>hearing it. Meanwhile, Jack goes back out on the roof.

0:31:22.720 --> 0:31:25.320
<v Speaker 1>We cut to Roberta and Ben at dinner. She's trying

0:31:25.320 --> 0:31:28.160
<v Speaker 1>to light up yet another cigarette and mentions Ben's wife again,

0:31:28.160 --> 0:31:30.720
<v Speaker 1>the one that's giving weird vibes while he's talking about her,

0:31:31.120 --> 0:31:34.160
<v Speaker 1>but it almost seems like he doesn't have one, and

0:31:34.200 --> 0:31:36.680
<v Speaker 1>then he remembers, oh yeah, right, oh yeah, my wife.

0:31:36.760 --> 0:31:39.480
<v Speaker 1>It was like, okay, something seriously going on At this point.

0:31:39.720 --> 0:31:42.240
<v Speaker 1>Roberta says she lost her husband in a tragic accident,

0:31:42.280 --> 0:31:44.880
<v Speaker 1>but it makes sense that Frank would want his son

0:31:44.920 --> 0:31:47.120
<v Speaker 1>with someone like Ben and his wife. She appears to

0:31:47.200 --> 0:31:50.040
<v Speaker 1>be angling for a new way of getting Jack to

0:31:50.160 --> 0:31:54.240
<v Speaker 1>go with anybody, frankly but her. Unfortunately for her, though,

0:31:54.280 --> 0:31:56.960
<v Speaker 1>Ben focuses on the bloodline they share and thinks it

0:31:57.000 --> 0:31:59.840
<v Speaker 1>would be better if she takes him, and then out

0:31:59.840 --> 0:32:03.520
<v Speaker 1>of know where we hear music. Daphne has taken the

0:32:03.520 --> 0:32:08.720
<v Speaker 1>stage to perform, and she is awful, awful in the

0:32:08.760 --> 0:32:11.520
<v Speaker 1>best possible way. She is just terrible, and it is

0:32:11.600 --> 0:32:16.880
<v Speaker 1>so David committed, so David Lynch here. It is just awful.

0:32:17.360 --> 0:32:19.719
<v Speaker 1>It feels just twin peaksy this movie, which is why

0:32:19.760 --> 0:32:21.600
<v Speaker 1>I love it. It's like a Twin Peaks comedy. It

0:32:21.680 --> 0:32:25.200
<v Speaker 1>was great. She finishes with an ear piercing high note,

0:32:25.240 --> 0:32:28.360
<v Speaker 1>and Ben stands to applaud, saying how wonderful he thought

0:32:28.400 --> 0:32:32.080
<v Speaker 1>it was. It seems like he earnestly believed it was incredible.

0:32:32.520 --> 0:32:34.800
<v Speaker 1>And now we are finally finished with this brutal song.

0:32:34.920 --> 0:32:39.040
<v Speaker 1>Daphne's start. Daphne starts a monologue about Frank's talents, eventually

0:32:39.040 --> 0:32:44.440
<v Speaker 1>calling out Roberta as his past vocal collaborator. She gets

0:32:44.440 --> 0:32:47.040
<v Speaker 1>called up on stage perform a song, and the audience

0:32:47.160 --> 0:32:50.080
<v Speaker 1>chance her name bert but Roberta eventually needs to be

0:32:50.240 --> 0:32:55.000
<v Speaker 1>dragged on stage literally by Joe. The jazzy standard begins

0:32:55.000 --> 0:32:58.600
<v Speaker 1>and she sounds great. She's obviously an incredible singer. You

0:32:58.600 --> 0:33:00.960
<v Speaker 1>can tell the words about being alone or starting to

0:33:00.960 --> 0:33:04.800
<v Speaker 1>affect her, however, and she eventually tears up and runs backstage.

0:33:04.920 --> 0:33:06.720
<v Speaker 1>She is so shaken up that she starts to throw

0:33:06.760 --> 0:33:09.560
<v Speaker 1>some things around and then gives up and just balls

0:33:09.600 --> 0:33:12.840
<v Speaker 1>into her hands. We also see images of Jack crying

0:33:13.000 --> 0:33:15.760
<v Speaker 1>on the roof. It's a very sad kind of moment.

0:33:16.160 --> 0:33:19.720
<v Speaker 1>She's finally broken down after all this time, right, Daphne

0:33:19.840 --> 0:33:23.200
<v Speaker 1>runs in with tissues to consoler. Roberta apologizes that song

0:33:23.280 --> 0:33:25.880
<v Speaker 1>was Frank's favorite and she hasn't thought about it in years.

0:33:26.280 --> 0:33:28.360
<v Speaker 1>She snaps as Ben walks in. She snaps a lot

0:33:28.360 --> 0:33:30.320
<v Speaker 1>in this movie, too, just wants to be as far

0:33:30.320 --> 0:33:32.600
<v Speaker 1>away from this place as possible. Ben tries to get

0:33:32.640 --> 0:33:35.200
<v Speaker 1>it open up, but she won't. Roberta falls onto a

0:33:35.240 --> 0:33:37.440
<v Speaker 1>bed back at the hotel. Jack is now sobbing on

0:33:37.480 --> 0:33:39.640
<v Speaker 1>the roof, and Ben is leaving yet another message for

0:33:39.680 --> 0:33:42.440
<v Speaker 1>his wife about the current predicament. It's really starting to

0:33:42.440 --> 0:33:43.160
<v Speaker 1>get creepy out.

0:33:43.400 --> 0:33:48.080
<v Speaker 4>Yeah, and now you see food like they place things

0:33:48.120 --> 0:33:50.160
<v Speaker 4>by this answering machine that you see that.

0:33:50.480 --> 0:33:52.160
<v Speaker 1>This person is somebody's there.

0:33:52.440 --> 0:33:56.240
<v Speaker 4>Yeah, it's not somebody who has passed away. It's like

0:33:56.320 --> 0:33:59.920
<v Speaker 4>somebody's there hearing these these messages.

0:34:00.040 --> 0:34:10.360
<v Speaker 1>Yes, but it's strange, Yes, but it is strange. We

0:34:10.400 --> 0:34:12.759
<v Speaker 1>are now. It's the next morning. Ben is surprised by

0:34:12.880 --> 0:34:15.239
<v Speaker 1>Daphne at his door. She says she needs the help

0:34:15.280 --> 0:34:17.880
<v Speaker 1>of a strong man, but it turns out it's just

0:34:17.920 --> 0:34:20.480
<v Speaker 1>to have a picnic together. Roberta is sewing in the

0:34:20.480 --> 0:34:22.920
<v Speaker 1>common area when Joe walks by, talking about how beautiful

0:34:22.920 --> 0:34:25.480
<v Speaker 1>the day is. He also mentions the activities of the day.

0:34:25.680 --> 0:34:29.719
<v Speaker 1>Ratman is having an interpretive dance performance. Roberta is just

0:34:29.840 --> 0:34:34.359
<v Speaker 1>excited for her train to get home. Joe is disappointed.

0:34:34.600 --> 0:34:36.600
<v Speaker 1>He thinks it's important that she stayed for the party

0:34:36.640 --> 0:34:38.640
<v Speaker 1>tonight for Jack, and although at first she seems like

0:34:38.719 --> 0:34:41.879
<v Speaker 1>she doesn't care, she does admit that she has heard

0:34:41.960 --> 0:34:44.759
<v Speaker 1>his concern, which is very very nice. Next, we see

0:34:44.760 --> 0:34:46.520
<v Speaker 1>a big get together at the park, Lots of people

0:34:46.560 --> 0:34:49.200
<v Speaker 1>milling around, kids are playing, Ben is working on the catering,

0:34:49.200 --> 0:34:52.120
<v Speaker 1>and there's a juggler. We see that Jack is high

0:34:52.200 --> 0:34:54.440
<v Speaker 1>in a tree as Roberta walks by. She ended up

0:34:54.480 --> 0:34:56.600
<v Speaker 1>staying for the party, which is great. He asked her

0:34:56.600 --> 0:34:59.320
<v Speaker 1>if she plays basketball, pointing to her new Chuck Taylor

0:34:59.360 --> 0:35:02.200
<v Speaker 1>All Stars, and she starts laughing. We can tell, little

0:35:02.400 --> 0:35:05.720
<v Speaker 1>bit by little bit whether it's a stain on her clothes,

0:35:06.000 --> 0:35:09.319
<v Speaker 1>new shoes. She's starting to get just as weird as

0:35:09.400 --> 0:35:12.880
<v Speaker 1>everybody else in the town, and it was kind of awesome.

0:35:13.440 --> 0:35:16.120
<v Speaker 1>While getting food, Roberta has cottage cheese against building her

0:35:16.160 --> 0:35:18.120
<v Speaker 1>jacket and Jack can't help it laugh. It's the first

0:35:18.120 --> 0:35:20.479
<v Speaker 1>sweet moment between the two, as she's very chill about

0:35:20.480 --> 0:35:24.120
<v Speaker 1>it and they share a giggle. Jack asks her why

0:35:24.360 --> 0:35:26.720
<v Speaker 1>they need a party like this in the first place.

0:35:26.920 --> 0:35:30.000
<v Speaker 1>He says he knows that when his dad's mom died,

0:35:30.080 --> 0:35:32.960
<v Speaker 1>Roberta took great care of Frank. He wonders if that's

0:35:33.000 --> 0:35:35.239
<v Speaker 1>why he chose Roberta to take care of his son.

0:35:35.680 --> 0:35:37.600
<v Speaker 1>Roberta doesn't know and kind of shrugs him off to

0:35:37.600 --> 0:35:39.799
<v Speaker 1>go get him some vegetables and salad, because she says

0:35:39.840 --> 0:35:42.000
<v Speaker 1>that's what a growing boy needs. And as she turns

0:35:42.000 --> 0:35:44.680
<v Speaker 1>a corner, Jack gets up and runs away. Seems like

0:35:44.760 --> 0:35:48.560
<v Speaker 1>every time she walks away, he walks away. Oh are

0:35:48.600 --> 0:35:50.799
<v Speaker 1>they kind of the same person? Is that why they

0:35:50.800 --> 0:35:56.000
<v Speaker 1>need each other? Oh? Maybe Frank's a genius. When Roberta

0:35:56.000 --> 0:35:58.160
<v Speaker 1>finally returns with a plate of food, she realizes that

0:35:58.239 --> 0:36:00.879
<v Speaker 1>she's lost Jack ben er dat you haven't seen him either,

0:36:00.920 --> 0:36:04.240
<v Speaker 1>But he soon returns with a woman dressed all in white.

0:36:04.560 --> 0:36:09.319
<v Speaker 1>To everyone's shock, it's Margaret, Jack's mom. What Margaret says,

0:36:09.360 --> 0:36:11.160
<v Speaker 1>she came to see Jack play the piano. He says

0:36:11.160 --> 0:36:13.239
<v Speaker 1>he doesn't want to, but she quickly convinces him to

0:36:13.280 --> 0:36:16.200
<v Speaker 1>do it. Daphne decides it's time to start the festivities,

0:36:16.360 --> 0:36:19.000
<v Speaker 1>so Jack sits at the piano ready to play. Daftie

0:36:19.000 --> 0:36:21.680
<v Speaker 1>tells everyone this is what Frank would have wanted, and

0:36:21.719 --> 0:36:24.640
<v Speaker 1>then the music starts. Roberta sits next to Margaret and

0:36:24.719 --> 0:36:27.759
<v Speaker 1>quickly starts grilling her. Does she live nearby? Yes? Is

0:36:27.800 --> 0:36:28.960
<v Speaker 1>she there to take care of Jack?

0:36:29.160 --> 0:36:29.480
<v Speaker 4>Yes?

0:36:29.760 --> 0:36:33.279
<v Speaker 1>Roberta seems thrilled, but then Margaret loudly shushes her. It's like,

0:36:33.400 --> 0:36:36.520
<v Speaker 1>what is going on here? Jack is confidently playing. When

0:36:36.560 --> 0:36:40.560
<v Speaker 1>Margaret then suddenly stands up and starts spinning around and dancing,

0:36:40.880 --> 0:36:43.279
<v Speaker 1>it looks like she's almost having some sort of an episode.

0:36:43.440 --> 0:36:46.960
<v Speaker 1>She eventually sprints towards the lake, and the whole party

0:36:47.000 --> 0:36:49.799
<v Speaker 1>follows in concern. Margaret walks right into the water with

0:36:49.880 --> 0:36:52.680
<v Speaker 1>no fear of drowning. Two partygoers go in and save her,

0:36:52.920 --> 0:36:57.640
<v Speaker 1>and she is absolutely kind of losing it and starting

0:36:57.680 --> 0:36:59.799
<v Speaker 1>to get carried away. Poor Jack just yells at her

0:36:59.840 --> 0:37:02.239
<v Speaker 1>when she's finally pulled out of the water. You said

0:37:02.239 --> 0:37:04.440
<v Speaker 1>you wanted to hear me play. Why couldn't you just

0:37:04.480 --> 0:37:07.480
<v Speaker 1>sit and listen like everyone else? Unfortunately, this is where

0:37:07.480 --> 0:37:12.120
<v Speaker 1>we realized that his mother has some serious, serious mental issues.

0:37:12.600 --> 0:37:14.840
<v Speaker 1>She's put into a car to return to her mental institution,

0:37:15.160 --> 0:37:20.319
<v Speaker 1>and Jack runs off yet again. Okay, so obviously we

0:37:20.360 --> 0:37:23.000
<v Speaker 1>find out here that Margaret cannot take care of Jack.

0:37:23.200 --> 0:37:25.759
<v Speaker 1>She is she can't take care of herself. She can't

0:37:25.760 --> 0:37:28.560
<v Speaker 1>take care of Jack, but he's living close enough to

0:37:28.600 --> 0:37:33.160
<v Speaker 1>where he can visit her. So Margaret then tells roberta, wow,

0:37:33.200 --> 0:37:36.680
<v Speaker 1>didn't Jack play well today? And she agrees, yes he did,

0:37:37.440 --> 0:37:41.120
<v Speaker 1>and they drive off. It was another strange little moment

0:37:41.239 --> 0:37:42.000
<v Speaker 1>in this movie.

0:37:42.600 --> 0:37:45.560
<v Speaker 2>How is Margaret allowed to leave wherever it is?

0:37:45.600 --> 0:37:45.640
<v Speaker 4>That?

0:37:45.800 --> 0:37:46.040
<v Speaker 5>See?

0:37:46.120 --> 0:37:48.960
<v Speaker 1>My guess is she snuck out? That would be My

0:37:49.120 --> 0:37:53.359
<v Speaker 1>guess is that she snuck out, But who knows? Jack

0:37:53.520 --> 0:37:56.040
<v Speaker 1>is still running away at this point, He's been running

0:37:56.040 --> 0:37:58.640
<v Speaker 1>a lot now over that shaky thin bridge, followed closely

0:37:58.680 --> 0:38:00.960
<v Speaker 1>by Ben. He Eventually he catches up to Jack, who

0:38:01.000 --> 0:38:03.239
<v Speaker 1>is now sulking on a swing overlooking a river. It

0:38:03.280 --> 0:38:05.239
<v Speaker 1>actually looks beautiful and I just wanted to sit on

0:38:05.239 --> 0:38:05.920
<v Speaker 1>that swing for a day.

0:38:06.040 --> 0:38:07.960
<v Speaker 2>Yeah, that was a really cool shot.

0:38:08.120 --> 0:38:10.560
<v Speaker 1>It was great. Jack says his mom doesn't always act

0:38:10.680 --> 0:38:13.000
<v Speaker 1>like that, and he doesn't want to leave Alaska. Ben

0:38:13.120 --> 0:38:16.200
<v Speaker 1>agrees he should be near his mom. Jack decides to

0:38:16.400 --> 0:38:19.080
<v Speaker 1>flip in his swing, now hanging upside down and dangling.

0:38:19.480 --> 0:38:22.440
<v Speaker 1>Ben impulsively decides to follow suit. He hangs on for

0:38:22.520 --> 0:38:25.960
<v Speaker 1>dear life, but cannot stop laughing, and he's really just

0:38:25.960 --> 0:38:28.480
<v Speaker 1>starting to enjoy himself. Are you are you? Are you

0:38:28.600 --> 0:38:29.720
<v Speaker 1>just lost by this point?

0:38:30.080 --> 0:38:34.200
<v Speaker 4>No, I'm just my anxiety level is like that larger

0:38:34.400 --> 0:38:37.319
<v Speaker 4>man should not be doing that on that swing. We

0:38:37.400 --> 0:38:41.560
<v Speaker 4>do not know how like that swing did not look

0:38:41.719 --> 0:38:46.040
<v Speaker 4>secure enough for an adult in general to be doing that.

0:38:46.239 --> 0:38:47.040
<v Speaker 2>He DIDs swing.

0:38:47.360 --> 0:38:50.120
<v Speaker 1>He just threw caution to the wind and needed to giggle, Sabrina.

0:38:50.360 --> 0:38:52.799
<v Speaker 1>He just needed to giggle, and if he fell, so

0:38:53.000 --> 0:38:56.560
<v Speaker 1>be it, my friend. He's enjoying himself. We now cut

0:38:56.600 --> 0:38:59.359
<v Speaker 1>to Roberta smoking cigarette number eight hundred and ninety six

0:38:59.760 --> 0:39:03.880
<v Speaker 1>and talking to Daphne. She explains Margaret is just a

0:39:04.680 --> 0:39:08.360
<v Speaker 1>cuckoo bird quote unquote. Her condition broke Frank's heart. We

0:39:08.400 --> 0:39:13.000
<v Speaker 1>see Jack watching from nearby, and Daphne begs Roberta to

0:39:13.040 --> 0:39:15.359
<v Speaker 1>take Jack. If she doesn't, they don't know what will

0:39:15.360 --> 0:39:18.359
<v Speaker 1>happen to him. Roberta just doesn't get why Frank picked her.

0:39:18.600 --> 0:39:21.520
<v Speaker 1>Why not Daphne. Daphne says she's wondered the same thing.

0:39:21.680 --> 0:39:24.960
<v Speaker 1>Frank was such a thoughtful and smart guy. Roberta should

0:39:25.040 --> 0:39:28.319
<v Speaker 1>feel honored. Roberta then decides to go find Jack, who's

0:39:28.360 --> 0:39:30.520
<v Speaker 1>throwing things at his cat out in the yard. He

0:39:30.600 --> 0:39:33.680
<v Speaker 1>is obviously taking out all of his anger and frustrations

0:39:33.680 --> 0:39:36.000
<v Speaker 1>on Sassy, and Roberta knows how hard it is to

0:39:36.000 --> 0:39:38.319
<v Speaker 1>forgive someone when you're angry at them. But the only

0:39:38.320 --> 0:39:40.879
<v Speaker 1>problem is being mad at them doesn't make you feel

0:39:40.920 --> 0:39:43.880
<v Speaker 1>any better. It was this movie was so weird, and

0:39:43.920 --> 0:39:47.040
<v Speaker 1>then had all these great little messages thrown in to

0:39:47.200 --> 0:39:49.880
<v Speaker 1>this bonker's world. It was so strange.

0:39:50.200 --> 0:39:53.120
<v Speaker 4>It was strange, but it was like this is what

0:39:53.200 --> 0:39:55.760
<v Speaker 4>it'd be like. Oh okay, here we go. We're gonna

0:39:55.800 --> 0:39:58.120
<v Speaker 4>go for that. Oh no, we're back in weird land.

0:39:58.280 --> 0:39:59.640
<v Speaker 1>Back in weird land.

0:40:00.160 --> 0:40:02.959
<v Speaker 2>So quick and it goes right back and it just it.

0:40:02.880 --> 0:40:07.040
<v Speaker 1>Did it did? Jack asked why she, you know, after

0:40:07.080 --> 0:40:08.960
<v Speaker 1>all this time, wants to know, why were you mad

0:40:09.000 --> 0:40:11.719
<v Speaker 1>at my dad? She says that she was hurt and

0:40:11.760 --> 0:40:13.920
<v Speaker 1>angry for so long that she just got used to it.

0:40:13.960 --> 0:40:16.360
<v Speaker 1>But she loved his dad and they made a great team.

0:40:16.360 --> 0:40:18.200
<v Speaker 1>What they allude to, but they never get to it

0:40:18.280 --> 0:40:20.919
<v Speaker 1>is the fact that he left. He did. He wanted

0:40:20.960 --> 0:40:22.800
<v Speaker 1>to move to this place. He didn't want to be

0:40:22.880 --> 0:40:24.360
<v Speaker 1>the band with her anymore. She wanted to be in

0:40:24.360 --> 0:40:25.799
<v Speaker 1>the band. They were about to make it big. She

0:40:25.840 --> 0:40:27.880
<v Speaker 1>even says in the first flashback, like we could be

0:40:27.880 --> 0:40:30.400
<v Speaker 1>booked for six months. So he walked away.

0:40:30.200 --> 0:40:33.040
<v Speaker 4>From there on her ass and he left. Yep, her

0:40:33.440 --> 0:40:34.759
<v Speaker 4>dream was destroyed.

0:40:35.040 --> 0:40:35.279
<v Speaker 1>Yep.

0:40:35.600 --> 0:40:36.640
<v Speaker 2>Not a good band member.

0:40:36.840 --> 0:40:38.480
<v Speaker 1>She that's what it was, is she didn't want him

0:40:38.480 --> 0:40:41.480
<v Speaker 1>to leave for Alaska. Jack feels, and Jack feels the

0:40:41.520 --> 0:40:44.480
<v Speaker 1>same way. He you know, doesn't want to leave. She

0:40:44.640 --> 0:40:47.160
<v Speaker 1>lights a cigarette number nine thousand, six hundred and forty two,

0:40:47.640 --> 0:40:50.000
<v Speaker 1>and that's when we find out that Jack is allergic.

0:40:50.080 --> 0:40:52.359
<v Speaker 1>So she rushes to put out the cigarette and apologizes,

0:40:52.560 --> 0:40:54.960
<v Speaker 1>but he picks up the cigarette. His dad taught him

0:40:55.000 --> 0:40:57.440
<v Speaker 1>not to litter. Very very very sweet, this kid. She

0:40:57.680 --> 0:40:59.160
<v Speaker 1>he was like the sweetest kid in the world by

0:40:59.160 --> 0:41:02.319
<v Speaker 1>the way he really was, and was such a good

0:41:02.360 --> 0:41:06.480
<v Speaker 1>actor too, Yes, he was. Now she knows that they

0:41:06.480 --> 0:41:08.400
<v Speaker 1>are very different people, but she's gonna make it up

0:41:08.440 --> 0:41:10.719
<v Speaker 1>to him. He asks if she's going to stay, and

0:41:10.760 --> 0:41:13.400
<v Speaker 1>she explains no, she's not going to stay in Alaska.

0:41:13.440 --> 0:41:15.440
<v Speaker 1>That's when he has hurt enough. He knows she doesn't

0:41:15.440 --> 0:41:17.960
<v Speaker 1>want to live with him, and he leaves again. We

0:41:18.000 --> 0:41:20.160
<v Speaker 1>are now inside the hotel. Daphne is serving tea to

0:41:20.200 --> 0:41:22.480
<v Speaker 1>Ben and says she noticed that he has a very

0:41:22.520 --> 0:41:25.959
<v Speaker 1>calming effect on Jack. With some obvious flirting in the air,

0:41:26.239 --> 0:41:29.040
<v Speaker 1>he stirs his glass. Eventually she leans in, but he

0:41:29.080 --> 0:41:33.200
<v Speaker 1>turns and gets a kiss on the cheek. She offers

0:41:33.280 --> 0:41:35.520
<v Speaker 1>him a biscuit, but instead of taking it boom, he

0:41:35.640 --> 0:41:38.600
<v Speaker 1>leans in plants one on her. That's my boy, Ben,

0:41:38.880 --> 0:41:42.920
<v Speaker 1>and they kiss passionately. After the makeout sash, Ben is

0:41:43.000 --> 0:41:45.360
<v Speaker 1>laying on his bed when the phone rings. It's Peg,

0:41:45.920 --> 0:41:48.120
<v Speaker 1>his wife has been calling, the wife he couldn't get

0:41:48.120 --> 0:41:49.960
<v Speaker 1>in touch with forever and ever and ever and ever.

0:41:50.120 --> 0:41:52.440
<v Speaker 1>He kisses another woman, Boom, look like, look at that.

0:41:52.520 --> 0:41:54.400
<v Speaker 1>She's on the phone just like that. Isn't that always

0:41:54.440 --> 0:41:57.040
<v Speaker 1>the way? He admits that he did call her a

0:41:57.040 --> 0:41:59.200
<v Speaker 1>few times, but things are going better in Alaska now

0:41:59.200 --> 0:42:02.239
<v Speaker 1>he'll fill her in late now. Outside, Ben admits to

0:42:02.320 --> 0:42:05.239
<v Speaker 1>Roberta that Peg has actually been his ex wife for

0:42:05.239 --> 0:42:08.040
<v Speaker 1>about six years, and his daughters are away at college.

0:42:08.080 --> 0:42:10.040
<v Speaker 1>He talks about the time he's spent with Jack today.

0:42:10.160 --> 0:42:12.279
<v Speaker 1>He's had so much fun on the swings and he's

0:42:12.320 --> 0:42:16.040
<v Speaker 1>feeling happy again. He's scared, but he's gonna do it.

0:42:16.080 --> 0:42:18.759
<v Speaker 1>He's gonna move to Alaska because the best thing he's

0:42:18.800 --> 0:42:22.160
<v Speaker 1>ever been is a dad and Frank knew that.

0:42:22.960 --> 0:42:23.480
<v Speaker 2>So cool.

0:42:23.760 --> 0:42:25.600
<v Speaker 1>Roberta seems a bit shaken up. It appears she was

0:42:25.640 --> 0:42:28.200
<v Speaker 1>ready to make a similar decision, but instead of addressing it,

0:42:28.239 --> 0:42:30.800
<v Speaker 1>she nervously says she'll catch her train back home tonight.

0:42:31.120 --> 0:42:33.759
<v Speaker 1>It's probably best for Jack. She walks back to the

0:42:33.760 --> 0:42:36.239
<v Speaker 1>hotel with a lot obviously on her mind. She does

0:42:36.280 --> 0:42:38.600
<v Speaker 1>the stutter step, the stutter step, turns around, looks at

0:42:38.640 --> 0:42:42.000
<v Speaker 1>him again. She was thinking the same thing in her room.

0:42:42.080 --> 0:42:44.400
<v Speaker 1>Roberta's trying to write a letter but having issues expressing

0:42:44.480 --> 0:42:46.520
<v Speaker 1>her emotions. Still that, and also because she's a lefty

0:42:46.560 --> 0:42:48.400
<v Speaker 1>and we all know lefties are weird. There is a

0:42:48.480 --> 0:42:49.960
<v Speaker 1>knock at the door. I'm married to a lefty, by

0:42:49.960 --> 0:42:51.520
<v Speaker 1>the way, which is why I say that there's a

0:42:51.560 --> 0:42:54.080
<v Speaker 1>knock at the door. It's Ben. Apparently her train is

0:42:54.160 --> 0:42:56.160
<v Speaker 1>arriving a little early, so she's got to get moving.

0:42:56.400 --> 0:42:59.600
<v Speaker 1>But when she gets downstairs, she's surprised by an entire

0:43:00.360 --> 0:43:03.400
<v Speaker 1>group of people. It's all the characters in the movie. Everyone.

0:43:03.480 --> 0:43:07.520
<v Speaker 1>They are throwing her a very loving goodbye party. As

0:43:07.520 --> 0:43:09.439
<v Speaker 1>she gets to the door, she sees Jack. She says

0:43:09.440 --> 0:43:12.000
<v Speaker 1>goodbye and gives him her number. She's sorry that she

0:43:12.040 --> 0:43:15.239
<v Speaker 1>couldn't stay, but he understands. It's the greatest line ever

0:43:15.520 --> 0:43:17.440
<v Speaker 1>where he says, I know, I get it. I like

0:43:17.480 --> 0:43:20.319
<v Speaker 1>where I live too. It was just awesome. We hear

0:43:20.360 --> 0:43:22.960
<v Speaker 1>that never ending bell from the desk, and she walks out,

0:43:22.960 --> 0:43:26.359
<v Speaker 1>with Jack lovingly looking in her direction. Ben walks her

0:43:26.360 --> 0:43:28.560
<v Speaker 1>to the station and the train wasn't early after all.

0:43:28.600 --> 0:43:30.040
<v Speaker 1>They have some time to kill so they sit and

0:43:30.080 --> 0:43:32.520
<v Speaker 1>they chat, but then Roberta notices Jack is back on

0:43:32.560 --> 0:43:36.000
<v Speaker 1>the roof of the hotel, and then he drops his

0:43:36.200 --> 0:43:39.759
<v Speaker 1>lantern and screams Ben. Roberta go running towards him as

0:43:39.760 --> 0:43:42.760
<v Speaker 1>the lant crashes to the ground. Jack now hangs onto

0:43:42.840 --> 0:43:45.960
<v Speaker 1>a gutter for dear life, yelling for help. Ben runs

0:43:46.000 --> 0:43:48.640
<v Speaker 1>upstairs to get onto the roof while Roberta tries to

0:43:48.640 --> 0:43:51.520
<v Speaker 1>calm Jack down. He asks if she'd catch him, and

0:43:51.840 --> 0:43:54.799
<v Speaker 1>she says yes, but don't worry. Ben'll be up there soon.

0:43:55.680 --> 0:43:58.239
<v Speaker 1>But then we see the elevator is stuck between floors again,

0:43:58.280 --> 0:44:01.719
<v Speaker 1>but this time the sleeping sale does help. He has

0:44:01.760 --> 0:44:04.600
<v Speaker 1>an idea and they strap the now freed Ben with

0:44:05.880 --> 0:44:10.080
<v Speaker 1>the hose the fire hose from and then they grab him.

0:44:10.080 --> 0:44:12.080
<v Speaker 1>They put him outside. He's got the fire hose wrapped

0:44:12.080 --> 0:44:13.960
<v Speaker 1>around him. They put it next to the elevator shaft.

0:44:14.440 --> 0:44:16.920
<v Speaker 1>Everyone is now gathered outside, watching Jack get closer and

0:44:16.960 --> 0:44:20.359
<v Speaker 1>closer to dying. Ben is now crawling out on the roof,

0:44:20.360 --> 0:44:23.400
<v Speaker 1>but the gutter continues to break. Roberta is bracing herself

0:44:23.400 --> 0:44:26.000
<v Speaker 1>and asks Jack to count to three as the crowd

0:44:26.000 --> 0:44:28.680
<v Speaker 1>gets a bed sheet ready. One, two, three, He lets

0:44:28.680 --> 0:44:31.640
<v Speaker 1>go and falls at top speed towards the ground, but

0:44:31.800 --> 0:44:34.280
<v Speaker 1>luckily the bed sheet was ready and breaks the boy's fall.

0:44:34.680 --> 0:44:37.880
<v Speaker 1>Jack embraces Roberta, crying. He says he misses his dad.

0:44:38.080 --> 0:44:40.040
<v Speaker 1>She rubs his head and says she misses him too.

0:44:40.120 --> 0:44:42.240
<v Speaker 1>She grabs his face and we hear the train arriving.

0:44:42.600 --> 0:44:45.640
<v Speaker 1>A decision looms just as Jack pulls an eyelash off

0:44:45.719 --> 0:44:47.880
<v Speaker 1>Roberta's face and tells her to make a wish. A

0:44:47.960 --> 0:44:49.799
<v Speaker 1>return to the flashback at the beginning of the movie

0:44:49.800 --> 0:44:52.960
<v Speaker 1>with Frank and his sister, Roberta holding back tears, blows

0:44:52.960 --> 0:44:55.719
<v Speaker 1>it away and kisses his hand. They embrace one last

0:44:55.719 --> 0:44:57.680
<v Speaker 1>time as we pull out to show everyone at the

0:44:57.719 --> 0:45:01.239
<v Speaker 1>hotel watching on. We cut to the CP footage from

0:45:01.239 --> 0:45:03.000
<v Speaker 1>the start of the movie, again, everything making a little

0:45:03.040 --> 0:45:05.520
<v Speaker 1>more sense now. We see Roberta addressed as a prisoner

0:45:05.560 --> 0:45:10.320
<v Speaker 1>with antenna on. She says she's an illegal alien. Yikes,

0:45:11.600 --> 0:45:14.000
<v Speaker 1>not everything in this movie aged well. She wishes Jack

0:45:14.040 --> 0:45:16.560
<v Speaker 1>a happy birthday and professes her love for him. We

0:45:16.600 --> 0:45:18.759
<v Speaker 1>see more footage of more stories about Frank and Jack

0:45:18.800 --> 0:45:21.720
<v Speaker 1>from characters we now recognize as Joe, Daphne, and even

0:45:21.800 --> 0:45:25.399
<v Speaker 1>Margaret and Sasse. We reveal that Jack is watching these

0:45:25.480 --> 0:45:28.400
<v Speaker 1>on his TV, now cuddled with Roberta. We hear her

0:45:28.480 --> 0:45:31.000
<v Speaker 1>voice on the video on that day, you asked me

0:45:31.320 --> 0:45:32.960
<v Speaker 1>why we had a party when we lost someone is

0:45:33.000 --> 0:45:35.040
<v Speaker 1>so special to us. I didn't know what to say,

0:45:35.080 --> 0:45:36.759
<v Speaker 1>But in the last few months, I've learned what your

0:45:36.840 --> 0:45:40.280
<v Speaker 1>dad always knew. Life is to be celebrated, all the parts,

0:45:40.480 --> 0:45:44.000
<v Speaker 1>even the unexpected ones. Bam, another message right in your face.

0:45:44.160 --> 0:45:47.680
<v Speaker 1>Loved it. With that, we see everyone is at the

0:45:47.680 --> 0:45:50.200
<v Speaker 1>birthday party, not just Roberta, but Ben, who is now

0:45:50.280 --> 0:45:54.560
<v Speaker 1>dating Daphne, Joe and many others. Even Sassy's there. Everything

0:45:54.600 --> 0:45:57.640
<v Speaker 1>worked out and it's one big family. Roberta even quits

0:45:57.640 --> 0:46:01.520
<v Speaker 1>smoking cold turkey as she's outing the cake up. Rat

0:46:01.560 --> 0:46:04.080
<v Speaker 1>boy walks by with his face covered by a stack

0:46:04.120 --> 0:46:06.200
<v Speaker 1>of gifts. He hands over the presence and Roberta calmly

0:46:06.200 --> 0:46:09.680
<v Speaker 1>offers him some food. She knows his real name is Gerald. Yes,

0:46:10.000 --> 0:46:13.800
<v Speaker 1>he's a real person, and she is a new person.

0:46:14.360 --> 0:46:17.040
<v Speaker 1>But it's Jack's bedtime and time to leave. Ben, Roberta,

0:46:17.200 --> 0:46:20.000
<v Speaker 1>Jack and Sassy all walk home and that's when they

0:46:20.000 --> 0:46:23.480
<v Speaker 1>see it, the Northern Lights. The entire town is frozen

0:46:23.480 --> 0:46:25.600
<v Speaker 1>in his beauty. Ben asked Jack if he knows what

0:46:25.640 --> 0:46:28.680
<v Speaker 1>that is, and Jack says, it's a phenomenon and that's

0:46:28.719 --> 0:46:32.120
<v Speaker 1>our movie. Sabrina, did you cry not even a little bit?

0:46:34.800 --> 0:46:36.600
<v Speaker 1>Were you super happy the movie was over?

0:46:37.719 --> 0:46:40.920
<v Speaker 2>Yes, if there was a tear shed, it was done.

0:46:41.080 --> 0:46:45.120
<v Speaker 4>It was your joy, by the way, even though the

0:46:45.160 --> 0:46:48.040
<v Speaker 4>disappointment happened early on in the movie. I forgot the

0:46:48.120 --> 0:46:52.080
<v Speaker 4>name of this movie was called Northern Lights because that

0:46:52.200 --> 0:46:54.839
<v Speaker 4>had nothing to do with this movie, not even one

0:46:54.880 --> 0:46:55.759
<v Speaker 4>part it did.

0:46:55.800 --> 0:46:57.760
<v Speaker 1>If the Northern Lights was the weed from the eighties

0:46:57.760 --> 0:46:59.799
<v Speaker 1>and the nineties, and then it was totally apropos.

0:47:00.160 --> 0:47:01.920
<v Speaker 2>All right, well then there you go.

0:47:02.840 --> 0:47:05.359
<v Speaker 1>Wow, Okay, can we do some real reviews? And I

0:47:05.400 --> 0:47:10.640
<v Speaker 1>think you've got the five star this week? I love it.

0:47:10.680 --> 0:47:12.040
<v Speaker 1>Can you give us this review please?

0:47:12.440 --> 0:47:19.040
<v Speaker 4>Oh? Five stars? From David from Wales. I love this film.

0:47:19.480 --> 0:47:22.160
<v Speaker 4>I've been looking to get a copy for eleven years.

0:47:22.680 --> 0:47:26.720
<v Speaker 4>It's a comedy like no other, sad, surreal, with lots

0:47:26.760 --> 0:47:29.640
<v Speaker 4>of meaning. Does anyone know where I can get a copy?

0:47:30.200 --> 0:47:31.680
<v Speaker 2>Could you have one made for me?

0:47:32.440 --> 0:47:34.919
<v Speaker 4>I'm happy to pay you in advance. Any help would

0:47:34.920 --> 0:47:36.040
<v Speaker 4>be greatly appreciated.

0:47:36.560 --> 0:47:38.160
<v Speaker 2>No, David out of luck.

0:47:39.520 --> 0:47:44.560
<v Speaker 1>I absolutely agree with this review. Maybe not five stars,

0:47:44.760 --> 0:47:46.840
<v Speaker 1>but it is sad, surreal with a lot of meaning.

0:47:46.880 --> 0:47:49.799
<v Speaker 1>I totally agree with it. I have the one star

0:47:49.880 --> 0:47:51.880
<v Speaker 1>this week, and it is by our old friend Nunamad

0:47:52.520 --> 0:47:57.000
<v Speaker 1>who has come back. This is our one. I'm going

0:47:57.040 --> 0:47:58.800
<v Speaker 1>to give you the one star review and then explain

0:47:58.840 --> 0:48:01.799
<v Speaker 1>the one star review. So the one star review is

0:48:02.080 --> 0:48:07.800
<v Speaker 1>this could have been okay, but Leanne Rhymes can't act okay.

0:48:07.960 --> 0:48:11.440
<v Speaker 1>So here's the explanation. Almost all the negative reviews of

0:48:11.440 --> 0:48:14.000
<v Speaker 1>this movie are mistakenly placed in their Rotten Tomatoes page

0:48:14.120 --> 0:48:16.520
<v Speaker 1>because they are meant to criticize the two thousand and

0:48:16.640 --> 0:48:20.880
<v Speaker 1>nine romance thriller Lifetime TV movie Northern Lights, starring Leanne

0:48:20.920 --> 0:48:23.600
<v Speaker 1>Rhymes and Eddie Cibrian. This is also a film that

0:48:23.640 --> 0:48:25.440
<v Speaker 1>they were This is the one where they met and

0:48:25.440 --> 0:48:27.120
<v Speaker 1>that they were both married, they had an affair and

0:48:27.160 --> 0:48:29.840
<v Speaker 1>are still together. Wait, is this where there was a

0:48:29.840 --> 0:48:30.520
<v Speaker 1>plane crash?

0:48:30.719 --> 0:48:33.759
<v Speaker 3>That's the synoptos, that's what I'm assuming. Yes, even I

0:48:33.840 --> 0:48:34.600
<v Speaker 3>made the mistake.

0:48:34.920 --> 0:48:37.319
<v Speaker 1>Oh that's great. So you put the synopsis of the

0:48:37.360 --> 0:48:40.640
<v Speaker 1>wrong movie on the thing that's being wrongly. Oh, I

0:48:40.680 --> 0:48:41.000
<v Speaker 1>love it.

0:48:41.040 --> 0:48:43.080
<v Speaker 3>I usually double check it on the way out. But

0:48:43.239 --> 0:48:44.919
<v Speaker 3>it's like I just I just went to the movie

0:48:44.960 --> 0:48:46.640
<v Speaker 3>copy paste the synopsis went capt moving.

0:48:47.280 --> 0:48:49.080
<v Speaker 1>Oh god, I love it because I was watching.

0:48:48.880 --> 0:48:51.080
<v Speaker 3>Way that doesn't mean that I went to the wrong movie.

0:48:51.120 --> 0:48:53.720
<v Speaker 3>That means that the wrong synopsis was in the movie.

0:48:53.880 --> 0:48:55.959
<v Speaker 1>That's what I'm saying. That's the joy is that even

0:48:56.000 --> 0:48:59.680
<v Speaker 1>the synopsis for the movie was wrong because it was great.

0:48:59.719 --> 0:49:03.240
<v Speaker 1>Oh I love that so much. But while you're here, Jensen,

0:49:03.239 --> 0:49:06.319
<v Speaker 1>we've got your new feature for the week, which is,

0:49:06.400 --> 0:49:10.320
<v Speaker 1>as you know, Sabrina's favorite part of the podcast, and it's, uh,

0:49:10.560 --> 0:49:13.879
<v Speaker 1>this week's your Your game is sounds like, but it's

0:49:13.920 --> 0:49:17.279
<v Speaker 1>nothing like. And this movie. So here here's the game.

0:49:17.320 --> 0:49:19.600
<v Speaker 1>This movie depicts the Alaskan view of the Northern Lights,

0:49:19.640 --> 0:49:22.800
<v Speaker 1>a sky event that is also known as the Aurora borealis,

0:49:23.280 --> 0:49:26.520
<v Speaker 1>which totally unrelated sounds a lot like the name of

0:49:26.560 --> 0:49:32.399
<v Speaker 1>American actor and television producer David Boriannis. Now these things

0:49:32.400 --> 0:49:36.440
<v Speaker 1>are nothing alike. Nothing, yeah, nothing, So now we have

0:49:36.520 --> 0:49:40.239
<v Speaker 1>to name four projects that David Boriannis acted in his

0:49:40.719 --> 0:49:42.719
<v Speaker 1>long running career in Hollywood.

0:49:45.320 --> 0:49:48.080
<v Speaker 3>What, yeah, I mean they're not you know, they sound

0:49:48.120 --> 0:49:49.760
<v Speaker 3>like each other, They're just not related.

0:49:52.800 --> 0:49:57.120
<v Speaker 4>There's not even multiple choice options, no absolute garbage.

0:49:57.239 --> 0:50:00.319
<v Speaker 3>No, you need four projects that he's been in. And

0:50:00.360 --> 0:50:02.120
<v Speaker 3>I I just love how you went.

0:50:02.560 --> 0:50:05.960
<v Speaker 1>You went from Northern Lights to a Rory bo Burrialis

0:50:06.080 --> 0:50:12.480
<v Speaker 1>to David Banna. Oh it's so great. Okay, I'm going

0:50:12.560 --> 0:50:13.919
<v Speaker 1>to go right now.

0:50:13.600 --> 0:50:16.719
<v Speaker 3>With Angel angel Is on the list. We need three more.

0:50:17.440 --> 0:50:19.720
<v Speaker 1>Go ahead, Sabrina, you do the next. I have zero,

0:50:20.400 --> 0:50:23.840
<v Speaker 1>you have none? No, all right, I'm gonna go next

0:50:24.080 --> 0:50:25.879
<v Speaker 1>with Seal Team.

0:50:26.040 --> 0:50:28.120
<v Speaker 3>He's in Seal Team. That's two. And by the way,

0:50:28.280 --> 0:50:30.160
<v Speaker 3>he's a Holly. I mean he's had a Hollywood career

0:50:30.160 --> 0:50:31.840
<v Speaker 3>for like decades forever.

0:50:32.120 --> 0:50:34.640
<v Speaker 1>He's like Rob Low where he's always on a show.

0:50:34.680 --> 0:50:38.319
<v Speaker 4>Can I look up an image of him playing? If

0:50:38.320 --> 0:50:40.120
<v Speaker 4>I don't know what he looks like, how am I

0:50:40.200 --> 0:50:40.640
<v Speaker 4>gonna know?

0:50:40.960 --> 0:50:43.760
<v Speaker 3>I mean, it's really more of a critique on American

0:50:43.840 --> 0:50:45.680
<v Speaker 3>media than it is on this game.

0:50:50.120 --> 0:50:53.799
<v Speaker 2>So wait, okay, wait, hold on to yours. Maybe if

0:50:53.880 --> 0:50:54.320
<v Speaker 2>you give.

0:50:54.200 --> 0:50:59.320
<v Speaker 6>Me Angel Angel and I Team yes, yes, show Angel

0:51:00.520 --> 0:51:04.680
<v Speaker 6>Angelo ANGELA Angel was a spin off of another show

0:51:04.680 --> 0:51:08.200
<v Speaker 6>that he was also on, Angel.

0:51:08.680 --> 0:51:10.560
<v Speaker 3>And by the way, I picked four because I thought

0:51:10.640 --> 0:51:11.959
<v Speaker 3>these three were right out the gate.

0:51:12.440 --> 0:51:17.160
<v Speaker 2>Yeah, Angel Angel, Angel, Angel Angel. Is it Angel from

0:51:17.200 --> 0:51:18.120
<v Speaker 2>Buffy the Vampires?

0:51:18.320 --> 0:51:22.560
<v Speaker 3>Okay, yes, that is vampire number three number four? Now,

0:51:24.040 --> 0:51:24.840
<v Speaker 3>good luck everyone.

0:51:27.920 --> 0:51:29.560
<v Speaker 1>But does he have to be a regular or can

0:51:29.600 --> 0:51:30.319
<v Speaker 1>he be a guest star?

0:51:34.280 --> 0:51:35.920
<v Speaker 3>I think he could be a guest star. It's just

0:51:36.000 --> 0:51:38.040
<v Speaker 3>I would like for it to be out of this universe.

0:51:38.080 --> 0:51:41.959
<v Speaker 2>Now, out of this universe, because.

0:51:41.680 --> 0:51:43.640
<v Speaker 3>There is a fourth here that he was a big,

0:51:43.680 --> 0:51:44.400
<v Speaker 3>big star on.

0:51:45.520 --> 0:51:47.520
<v Speaker 1>Really yeah, another television show.

0:51:47.719 --> 0:51:50.440
<v Speaker 2>Yes, but out of like the vampire universe.

0:51:50.520 --> 0:51:51.240
<v Speaker 1>You mean yeah?

0:51:51.280 --> 0:51:53.759
<v Speaker 3>And I would argue, I would argue. I mean I

0:51:53.800 --> 0:51:55.440
<v Speaker 3>don't have to argue. Actually, I just looked at the stats.

0:51:55.520 --> 0:51:57.480
<v Speaker 3>It's the job he's had the longest.

0:51:59.560 --> 0:52:01.480
<v Speaker 1>Like, oh, oh, I think I know it. I think

0:52:01.520 --> 0:52:02.839
<v Speaker 1>I know it. I think I know it.

0:52:03.120 --> 0:52:06.920
<v Speaker 3>Okay, do you want to try? It would also make

0:52:07.000 --> 0:52:08.319
<v Speaker 3>for a pretty decent porn night.

0:52:09.120 --> 0:52:10.839
<v Speaker 1>It would It would make for a great porn name.

0:52:10.960 --> 0:52:12.520
<v Speaker 3>Yeah, I'm out.

0:52:15.800 --> 0:52:18.560
<v Speaker 1>Is the word you're looking for? Jensen Bones?

0:52:18.880 --> 0:52:24.560
<v Speaker 3>It is bones. That is also for the record, the

0:52:24.560 --> 0:52:27.759
<v Speaker 3>fact that she barely named one again a critique on

0:52:27.800 --> 0:52:30.680
<v Speaker 3>the way we create stars and television in modern days.

0:52:30.719 --> 0:52:34.000
<v Speaker 3>You know meia right, right, guys gets paid probably a

0:52:34.040 --> 0:52:37.080
<v Speaker 3>million dollars an episode, no cluelyas no clueas.

0:52:38.000 --> 0:52:39.799
<v Speaker 1>I well, that's one of the reasons I want to

0:52:39.800 --> 0:52:41.400
<v Speaker 1>go to Alaska one day, is because I want to

0:52:41.440 --> 0:52:44.920
<v Speaker 1>look up and see the David brianis Oh right, I

0:52:44.960 --> 0:52:45.480
<v Speaker 1>can't wait.

0:52:45.840 --> 0:52:46.239
<v Speaker 3>We all do.

0:52:46.760 --> 0:52:48.240
<v Speaker 1>Thank you, Producer Jensen.

0:52:48.320 --> 0:52:49.400
<v Speaker 2>That was a good one.

0:52:49.600 --> 0:52:52.399
<v Speaker 1>I went four for four and and Sabrina got one

0:52:52.440 --> 0:52:55.280
<v Speaker 1>after I gave her a hint. I'm gonna give myself

0:52:55.320 --> 0:53:04.200
<v Speaker 1>three and a half on that one. Can we start

0:53:04.200 --> 0:53:05.280
<v Speaker 1>with Sabrina, c'es please?

0:53:09.600 --> 0:53:11.200
<v Speaker 2>So we talked about a couple of them.

0:53:11.239 --> 0:53:14.839
<v Speaker 4>But I'm surprised you didn't say some of these things

0:53:14.880 --> 0:53:17.960
<v Speaker 4>because you normally say these kinds of exact things, like

0:53:18.040 --> 0:53:23.280
<v Speaker 4>while you're going through the movie. You know, you didn't

0:53:23.280 --> 0:53:28.560
<v Speaker 4>think that Roberta and her brother had some weird.

0:53:28.440 --> 0:53:29.800
<v Speaker 1>Weird sexual chemistry.

0:53:30.120 --> 0:53:34.359
<v Speaker 4>Yes, yes, I mentioned that because I was like, were

0:53:34.400 --> 0:53:35.120
<v Speaker 4>they dating?

0:53:35.360 --> 0:53:38.840
<v Speaker 2>Like she was like, it was very very interesting.

0:53:39.160 --> 0:53:39.640
<v Speaker 1>Agreed.

0:53:41.080 --> 0:53:43.799
<v Speaker 4>We went over very quickly the Robin Egg and the

0:53:44.640 --> 0:53:48.640
<v Speaker 4>and the napkin was the weirdest part. I don't understand whatever.

0:53:48.960 --> 0:53:54.280
<v Speaker 4>And then when after she looks at her blank napkin, like, oh,

0:53:54.320 --> 0:53:56.080
<v Speaker 4>like you look at tissue paper like that for the

0:53:56.080 --> 0:53:58.719
<v Speaker 4>rest of your life now, like looking for the robin eggs, like.

0:53:58.640 --> 0:54:00.440
<v Speaker 1>You put your nose in it, and you're like, remember

0:54:00.480 --> 0:54:00.960
<v Speaker 1>the robine?

0:54:01.520 --> 0:54:05.760
<v Speaker 4>So weird you didn't say this once and you normally

0:54:05.840 --> 0:54:06.239
<v Speaker 4>call out.

0:54:06.280 --> 0:54:08.520
<v Speaker 2>And I don't know if it's because it was Diane Keaton.

0:54:08.840 --> 0:54:10.080
<v Speaker 4>I don't know if you were just giving her a

0:54:10.080 --> 0:54:12.080
<v Speaker 4>little bit more respect than you might be giving us

0:54:12.320 --> 0:54:13.840
<v Speaker 4>our other younger actors.

0:54:14.200 --> 0:54:19.520
<v Speaker 2>But Roberta was a dick and I was so you

0:54:19.600 --> 0:54:22.680
<v Speaker 2>would not say that once will and she was she

0:54:22.920 --> 0:54:24.120
<v Speaker 2>was ale.

0:54:24.239 --> 0:54:28.319
<v Speaker 4>To everyone that she wasn't in the last scene and

0:54:28.360 --> 0:54:30.600
<v Speaker 4>then she's mean to her friend who seems to come

0:54:30.640 --> 0:54:34.480
<v Speaker 4>all the way to Alaska for her like new like

0:54:34.719 --> 0:54:38.440
<v Speaker 4>nephew's birthday, and she's like get over it, like she's.

0:54:39.360 --> 0:54:40.920
<v Speaker 1>She's not a pleasant person.

0:54:42.040 --> 0:54:44.520
<v Speaker 4>No, no, no, And I know this was like all

0:54:44.600 --> 0:54:49.680
<v Speaker 4>funky wanky, just wonky people. Everywhere there's craziness, but that

0:54:49.760 --> 0:54:52.919
<v Speaker 4>picnic was more of a circus type situation than any

0:54:53.000 --> 0:54:53.720
<v Speaker 4>kind of picnic.

0:54:54.200 --> 0:54:56.200
<v Speaker 2>There was like just everyone was.

0:54:56.160 --> 0:55:00.120
<v Speaker 4>Doing just the strangest activities throughout the whole time they

0:55:00.120 --> 0:55:03.200
<v Speaker 4>were out in that picnic. That was the scariest bridge

0:55:03.239 --> 0:55:05.600
<v Speaker 4>I've ever seen. I don't even think if I was

0:55:05.640 --> 0:55:07.480
<v Speaker 4>paid to be there in the movie, I would have

0:55:07.520 --> 0:55:08.560
<v Speaker 4>stepped foot on that.

0:55:08.840 --> 0:55:10.319
<v Speaker 1>I thought the same thing. I was like, Okay, so

0:55:10.400 --> 0:55:12.080
<v Speaker 1>I've got to act on this bridge. Could I do it?

0:55:12.120 --> 0:55:13.319
<v Speaker 1>I was like, okay, yeah, I'd have to.

0:55:13.360 --> 0:55:17.640
<v Speaker 4>But I would have been but like the terrified, like

0:55:17.719 --> 0:55:20.600
<v Speaker 4>being terrified while being on that bridge as the actors were,

0:55:20.719 --> 0:55:21.160
<v Speaker 4>I do.

0:55:21.160 --> 0:55:22.480
<v Speaker 2>Believe was real.

0:55:22.920 --> 0:55:25.040
<v Speaker 1>Yeah, I agree, it not look like it.

0:55:25.520 --> 0:55:28.400
<v Speaker 2>And then can you answer this for me?

0:55:28.480 --> 0:55:31.040
<v Speaker 4>Maybe I was kind of checked in and out too much?

0:55:31.880 --> 0:55:34.640
<v Speaker 4>Why was it was not? And it was a question

0:55:34.680 --> 0:55:38.880
<v Speaker 4>I had that was never answered. Why was Daphne waiting

0:55:39.040 --> 0:55:42.719
<v Speaker 4>for Ben? Always waited for Ben?

0:55:43.000 --> 0:55:46.319
<v Speaker 1>They never answered it? Okay they didn't, And I thought

0:55:46.360 --> 0:55:48.040
<v Speaker 1>the same thing. She said, I've been waiting for you.

0:55:48.040 --> 0:55:49.800
<v Speaker 1>I don't know. She seemed to like them right off.

0:55:49.680 --> 0:55:54.400
<v Speaker 4>The bat, why, I told her must have been but

0:55:54.480 --> 0:55:55.080
<v Speaker 4>I never.

0:55:55.200 --> 0:55:58.000
<v Speaker 3>Theory because I've thought of this. Yeah, so obviously the

0:55:58.080 --> 0:56:00.200
<v Speaker 3>Lynchian vibes of all this stuff is there all so

0:56:00.239 --> 0:56:03.200
<v Speaker 3>a supernatural thing that she has going on. That like

0:56:03.480 --> 0:56:06.520
<v Speaker 3>she's like she didn't even give her name earlier when

0:56:06.520 --> 0:56:08.560
<v Speaker 3>she got in the elevator, Like she's just she's a

0:56:08.600 --> 0:56:12.960
<v Speaker 3>mystic kind of Yeah, she's a being, like a ghost.

0:56:13.160 --> 0:56:14.600
<v Speaker 3>I don't know a ghost, but I mean I think

0:56:14.600 --> 0:56:16.520
<v Speaker 3>she's just like a medium. She's just like a stick

0:56:16.640 --> 0:56:19.040
<v Speaker 3>or something. Yeah, I think that's I think that's possible.

0:56:19.360 --> 0:56:20.040
<v Speaker 3>That's possible.

0:56:20.200 --> 0:56:20.760
<v Speaker 1>I like that.

0:56:20.760 --> 0:56:22.360
<v Speaker 2>That was a question that I kept thinking.

0:56:22.440 --> 0:56:23.880
<v Speaker 4>And I don't know if it was a scene that

0:56:24.000 --> 0:56:25.719
<v Speaker 4>was cut, if it was meant to be that way,

0:56:25.719 --> 0:56:27.800
<v Speaker 4>but they never answered it, and it was a big one,

0:56:27.840 --> 0:56:29.960
<v Speaker 4>like why were you waiting for this?

0:56:30.200 --> 0:56:31.600
<v Speaker 1>I like the idea that she's a mystic.

0:56:31.600 --> 0:56:32.880
<v Speaker 2>I think that's yeah, that would.

0:56:32.880 --> 0:56:35.160
<v Speaker 3>Especially because they weren't even that close of friends in college,

0:56:35.239 --> 0:56:36.760
<v Speaker 3>Like there's something, there's something weird.

0:56:37.120 --> 0:56:38.759
<v Speaker 1>Well, see, that was the other thing they weren't. They

0:56:38.800 --> 0:56:40.000
<v Speaker 1>didn't go to college together.

0:56:40.480 --> 0:56:43.480
<v Speaker 3>No, No, I was saying him and him in Jack's dad,

0:56:43.600 --> 0:56:45.520
<v Speaker 3>like they weren't even that close in college.

0:56:45.520 --> 0:56:48.040
<v Speaker 1>He says, no, him and Jack's dad. Yeah, No, they

0:56:48.040 --> 0:56:49.280
<v Speaker 1>didn't go to college together.

0:56:49.640 --> 0:56:50.880
<v Speaker 2>Jack's Jacks.

0:56:51.120 --> 0:56:55.080
<v Speaker 1>When Jack's dad, when Frank went to Ohio State. After

0:56:55.120 --> 0:56:59.200
<v Speaker 1>Ohio State, he moved into their garage. But they didn't

0:56:59.239 --> 0:57:00.399
<v Speaker 1>go to college to Yeah.

0:57:00.440 --> 0:57:02.400
<v Speaker 3>It's like they're not even that close. Yeah.

0:57:02.480 --> 0:57:04.319
<v Speaker 1>Yeah, so they didn't. Yeah, they didn't go to college together.

0:57:04.320 --> 0:57:06.279
<v Speaker 1>They didn't. It was just he just lived there. It

0:57:06.360 --> 0:57:07.760
<v Speaker 1>was very strange. Yeah.

0:57:07.800 --> 0:57:11.600
<v Speaker 4>Anyway, But the Northern Lights that I was hoping for

0:57:11.680 --> 0:57:14.360
<v Speaker 4>of a movie, I'm going to take two seconds to explain.

0:57:14.480 --> 0:57:16.040
<v Speaker 2>I thought it was going to be a love story.

0:57:17.040 --> 0:57:18.280
<v Speaker 2>The day before Jordan.

0:57:18.080 --> 0:57:21.280
<v Speaker 4>And I actually got engaged, we were we were in

0:57:21.360 --> 0:57:23.240
<v Speaker 4>Iceland and there was a chance that we were going

0:57:23.280 --> 0:57:24.240
<v Speaker 4>to see northern lights.

0:57:24.240 --> 0:57:26.560
<v Speaker 2>So I was in this realm of.

0:57:26.440 --> 0:57:29.120
<v Speaker 4>Thinking we were going to get engaged soon, and we

0:57:29.120 --> 0:57:31.360
<v Speaker 4>were going on this big trip. And at the end

0:57:31.400 --> 0:57:33.560
<v Speaker 4>of the night, after many times I thought I was

0:57:33.600 --> 0:57:34.840
<v Speaker 4>going to turn around, He's going to be.

0:57:34.800 --> 0:57:36.520
<v Speaker 2>On his knee, and he wasn't.

0:57:37.000 --> 0:57:38.520
<v Speaker 4>We get back to the hotel and he's like, Oh,

0:57:38.600 --> 0:57:40.240
<v Speaker 4>let's go outside and see if we can see the

0:57:40.240 --> 0:57:43.240
<v Speaker 4>northern lights. So I'm going this is it. This is

0:57:43.280 --> 0:57:45.640
<v Speaker 4>the moment I'm getting It's going to be the northern lights.

0:57:45.880 --> 0:57:48.400
<v Speaker 4>The Northern lights were not there, and Jordan never got

0:57:48.440 --> 0:57:50.280
<v Speaker 4>on a knee. So I was hoping this movie was

0:57:50.320 --> 0:57:53.920
<v Speaker 4>going to make me feel better about the Northern Lights.

0:57:52.800 --> 0:57:57.520
<v Speaker 2>It wasn't even a part of anything of this storyline.

0:57:57.600 --> 0:57:58.480
<v Speaker 2>I was so confused.

0:57:58.480 --> 0:58:00.720
<v Speaker 3>Anyway, anywhere was anyone smoking?

0:58:01.920 --> 0:58:04.040
<v Speaker 1>Yeah, we had a tiny smoke filled room.

0:58:04.280 --> 0:58:05.040
<v Speaker 3>On one knee.

0:58:05.320 --> 0:58:06.880
<v Speaker 1>Jordan gets down on one while coffin.

0:58:07.080 --> 0:58:10.360
<v Speaker 2>I really thought he was going to because it was like, so.

0:58:09.960 --> 0:58:11.960
<v Speaker 1>So, did you not get engaged in Iceland?

0:58:12.480 --> 0:58:13.280
<v Speaker 2>Not in Iceland.

0:58:13.320 --> 0:58:16.320
<v Speaker 4>We did in Ireland when we were on the next

0:58:16.360 --> 0:58:19.640
<v Speaker 4>part of our of our trip, so he knew I

0:58:19.760 --> 0:58:21.120
<v Speaker 4>was looking for that engaged.

0:58:21.200 --> 0:58:24.640
<v Speaker 6>Yeah, he's great full day.

0:58:24.800 --> 0:58:27.920
<v Speaker 1>So yeah, anyway is great. That's a good one. All right, Well,

0:58:28.640 --> 0:58:31.200
<v Speaker 1>now we've got thank you for those Sabrina seas. Those

0:58:31.200 --> 0:58:33.040
<v Speaker 1>are good, and that would have been a good movie.

0:58:33.160 --> 0:58:36.040
<v Speaker 1>It's just called Jordan and Sabrina under the Northern Lights,

0:58:36.600 --> 0:58:40.120
<v Speaker 1>not getting engaged, not getting engaged at all, and hopefully

0:58:40.160 --> 0:58:43.640
<v Speaker 1>in separate hotel rooms because you weren't married yet. We

0:58:43.680 --> 0:58:45.840
<v Speaker 1>are now going to rate this movie one out of

0:58:45.840 --> 0:58:47.920
<v Speaker 1>ten one. I think this time we're going to do

0:58:47.960 --> 0:58:51.560
<v Speaker 1>one being the worst and ten being the best. Here

0:58:51.600 --> 0:58:54.440
<v Speaker 1>are options this week. We've got one out of ten cigarettes,

0:58:55.000 --> 0:58:58.480
<v Speaker 1>one out of ten Disney omittances one at ten, Rabbi

0:58:58.600 --> 0:59:03.840
<v Speaker 1>Dog Pirates, Reverend Kids one out of ten, Ratman's one

0:59:03.880 --> 0:59:07.480
<v Speaker 1>out of ten, Thin Shaky Bridges, one out of ten,

0:59:07.640 --> 0:59:13.200
<v Speaker 1>Bad Daphney performances, Sassy Cats or one out of ten

0:59:13.320 --> 0:59:16.640
<v Speaker 1>Leanne Rhymes movies you pick this week? What would you like? Sabria.

0:59:16.720 --> 0:59:20.240
<v Speaker 4>It's not really the most hilarious one on this list,

0:59:20.280 --> 0:59:23.000
<v Speaker 4>I will say that, but it has to be cigarettes

0:59:23.040 --> 0:59:26.040
<v Speaker 4>because there were just so many in this Disney movie that.

0:59:26.000 --> 0:59:27.200
<v Speaker 1>It was absurd.

0:59:27.560 --> 0:59:29.439
<v Speaker 4>We got to do one out of ten cigarettes because

0:59:29.440 --> 0:59:31.120
<v Speaker 4>there were definitely more than tens.

0:59:31.160 --> 0:59:34.760
<v Speaker 1>Okay, well, I think you went first last time.

0:59:34.800 --> 0:59:36.960
<v Speaker 2>I think no, I mean no, I mean I think

0:59:37.000 --> 0:59:37.360
<v Speaker 2>you did.

0:59:37.480 --> 0:59:39.400
<v Speaker 1>Okay, then your first what do you got go? How

0:59:39.480 --> 0:59:42.400
<v Speaker 1>many cigarettes are you gonna give? Northern Lights?

0:59:42.440 --> 0:59:42.840
<v Speaker 2>Oh?

0:59:42.920 --> 0:59:46.280
<v Speaker 4>Man, If it weren't for Diane Keaton just being in

0:59:46.360 --> 0:59:48.160
<v Speaker 4>it and my love for her, it probably would be

0:59:48.200 --> 0:59:52.640
<v Speaker 4>even lower. And again, this movie, it wasn't anything I

0:59:52.720 --> 0:59:53.360
<v Speaker 4>expected it.

0:59:53.520 --> 0:59:56.760
<v Speaker 2>Sure, I usually am a fan.

0:59:56.680 --> 1:00:00.880
<v Speaker 4>Of big, outlandish, just comed comical characters. I found it

1:00:01.040 --> 1:00:05.360
<v Speaker 4>so confusing and just hard to like follow and keep watching.

1:00:06.160 --> 1:00:09.440
<v Speaker 2>I'm going to give this four cigarettes.

1:00:09.560 --> 1:00:11.880
<v Speaker 1>Four cigarettes? Wow, that might be one of your lowest

1:00:11.880 --> 1:00:13.240
<v Speaker 1>scores ever for cigarettes.

1:00:13.280 --> 1:00:15.280
<v Speaker 2>I don't think I've gone below four yet.

1:00:15.400 --> 1:00:20.360
<v Speaker 1>Okay, I disagree, I really do. I don't know why,

1:00:20.400 --> 1:00:22.080
<v Speaker 1>if I was in the right state of mind, if

1:00:22.120 --> 1:00:24.160
<v Speaker 1>I don't know what I was expecting me because I

1:00:24.200 --> 1:00:26.880
<v Speaker 1>didn't know what to expect. I really liked this movie.

1:00:26.920 --> 1:00:29.960
<v Speaker 1>It was weird. I liked the message, I liked the performances.

1:00:30.080 --> 1:00:34.240
<v Speaker 1>It was just strange. I'm actually giving this seven and

1:00:34.280 --> 1:00:37.840
<v Speaker 1>a half cigarettes. Wow, I almost went to eight, but

1:00:37.920 --> 1:00:39.600
<v Speaker 1>then some of the weirdness.

1:00:39.160 --> 1:00:41.840
<v Speaker 3>Compleet, like dichotomy here.

1:00:42.000 --> 1:00:44.280
<v Speaker 1>Right right, So we're totally different.

1:00:44.440 --> 1:00:48.680
<v Speaker 2>This is like the same gap between our.

1:00:50.040 --> 1:00:50.600
<v Speaker 1>Exactly.

1:00:50.800 --> 1:00:52.800
<v Speaker 3>I actually had it around seven and a half as well.

1:00:52.880 --> 1:00:55.080
<v Speaker 3>So Sabrina is on an island here.

1:00:55.720 --> 1:00:56.680
<v Speaker 1>I agree.

1:00:57.440 --> 1:00:58.600
<v Speaker 2>I'll live on my island.

1:00:58.880 --> 1:01:01.040
<v Speaker 1>It was crazy live on your island, but put on

1:01:01.080 --> 1:01:04.040
<v Speaker 1>a wig and then I won't recognize you. Yes, So

1:01:04.200 --> 1:01:08.600
<v Speaker 1>thank you so much for joining us for this very interesting,

1:01:08.760 --> 1:01:13.800
<v Speaker 1>strange and beautifully wonderful movie or just strange movie. And

1:01:14.040 --> 1:01:16.760
<v Speaker 1>next week join us as we recap the LeeAnne rhymes Northern.

1:01:16.840 --> 1:01:19.320
<v Speaker 1>I'm kidding. That's not what it is about. God, that

1:01:19.480 --> 1:01:22.680
<v Speaker 1>is not what we're doing. No, our next movie. Wow,

1:01:22.920 --> 1:01:25.240
<v Speaker 1>I get to say this out loud. Our next movie

1:01:25.240 --> 1:01:28.800
<v Speaker 1>is very near and dear to my heart. It's the

1:01:28.840 --> 1:01:33.520
<v Speaker 1>thing in my career that my mom loves the most. Yes,

1:01:34.080 --> 1:01:37.560
<v Speaker 1>another forgotten Disney production, It's nineteen ninety nine's h E

1:01:37.720 --> 1:01:42.200
<v Speaker 1>Double Hockey Sticks will be next, starring myself and one

1:01:43.160 --> 1:01:45.840
<v Speaker 1>much better looking guy who goes by the name of

1:01:45.960 --> 1:01:49.680
<v Speaker 1>Matthew Lawrence. It's only viewable on YouTube unfortunately, so you

1:01:49.720 --> 1:01:51.680
<v Speaker 1>can watch it there for free before we get to it,

1:01:51.720 --> 1:01:54.520
<v Speaker 1>so go check it out. We also have a great

1:01:54.640 --> 1:01:57.120
<v Speaker 1>park Hopper episode this week. We're talking to the wonderful

1:01:57.200 --> 1:02:00.760
<v Speaker 1>Jordan Danger formerly known as Jordan Hinson. We talked all

1:02:00.800 --> 1:02:04.600
<v Speaker 1>about her first acting job ever as Caitlin Kingsford in

1:02:04.640 --> 1:02:08.200
<v Speaker 1>the Hockey Slash Ice Skating film Go Figure. Here's a

1:02:08.240 --> 1:02:09.120
<v Speaker 1>sneak peek.

1:02:10.560 --> 1:02:11.480
<v Speaker 3>Can you ice skate?

1:02:11.840 --> 1:02:16.080
<v Speaker 5>And it's like sure, my life? And I was like yeah,

1:02:16.200 --> 1:02:18.480
<v Speaker 5>and like my brain, I don't know what I was thinking.

1:02:18.600 --> 1:02:21.360
<v Speaker 5>I said pretty good, pretty well, you know. I told

1:02:21.400 --> 1:02:22.800
<v Speaker 5>them I could ice skate, not just ice skate, but

1:02:22.840 --> 1:02:24.680
<v Speaker 5>I could do it well, which was I don't know

1:02:24.720 --> 1:02:27.800
<v Speaker 5>what I was thinking. But I grew up doing gymnastics.

1:02:27.840 --> 1:02:29.640
<v Speaker 5>I was like a big gymnast, so I was like,

1:02:29.800 --> 1:02:30.560
<v Speaker 5>how hard can it be?

1:02:31.080 --> 1:02:31.200
<v Speaker 3>Right?

1:02:31.600 --> 1:02:34.400
<v Speaker 5>Totally different, not at all the same.

1:02:37.080 --> 1:02:39.480
<v Speaker 1>She was awesome and so cool. Thank you so much

1:02:39.520 --> 1:02:41.320
<v Speaker 1>and don't forget. If you want to hear more, remember

1:02:41.320 --> 1:02:45.000
<v Speaker 1>to subscribe to our dedicated feed, Magical Rewind and Apple podcasts,

1:02:45.160 --> 1:02:49.320
<v Speaker 1>iHeartRadio or wherever you get your podcasts. Don't miss another episode,

1:02:49.360 --> 1:02:52.040
<v Speaker 1>and you can follow us at Magical Rewind Pod on

1:02:52.080 --> 1:03:06.960
<v Speaker 1>the Instagram Machine. Thanks everybody, Bye bye,