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Speaker 1: So I'm not going to start this the way I

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Speaker 1: wanted to start this, which was I was going to

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Speaker 1: ask you if you've ever dropped acid, which I think

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Speaker 1: is probably in keeping a little bit with the movie

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Speaker 1: we have to talk about today. So I won't ask

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Speaker 1: you that question because I kind of know the answer

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Speaker 1: to that.

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Speaker 2: Al Right, Yeah, I think pretty much.

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Speaker 3: I think I can.

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Speaker 2: What would you do if I was like.

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Speaker 1: Yeah, I would be I would be like, great. Then

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Speaker 1: we have a frame of reference to start with this film.

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Speaker 1: I think that's all we need to say. I think

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Speaker 1: we jump right into it. First of all, Welcome to

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Speaker 1: Magical Rewind, the show that makes you want to grab

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Speaker 1: your friends, your PJS, and your popcorn and go back

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Speaker 1: to your time and all the houses were smart, the Waves,

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Speaker 1: Tsunamis and the high School's musical. I'm Wilfordelle and I'm

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Speaker 1: Sabrina Brian. It is a controversial week here on Magical

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Speaker 1: Rewind as we deal with what may or may not

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Speaker 1: be the first dcom ever produced. And I will explain

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Speaker 1: what I'm talking about this. So this is nineteen ninety

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Speaker 1: seven's drama inspired by death and cigarettes, Northern Lights, with

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Speaker 1: the legendary actress Diane Keaton. Now you might be wondering

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Speaker 1: how has a harmless Disney Channel movie from the nineties

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Speaker 1: caused so much controversy. Well you have twenty sixteen celebration

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Speaker 1: of hitting one hundred dcoms to thank for this controversy. Yes,

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Speaker 1: you see, back when Disney decided to create an event

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Speaker 1: out of the production milestone and air every entry into

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Speaker 1: the series back to back, followed by the debut of

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Speaker 1: The Swap, which we saw, it didn't take long for

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Speaker 1: historians to see a very glaring problem. The marathon began

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Speaker 1: with what was being heralded as the first decom ever,

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Speaker 1: but the truth is it wasn't the first. They aired

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Speaker 1: under wraps, but it's this movie, Northern Lights that first

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Speaker 1: checked all the boxes and was originally considered the debut

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Speaker 1: of the d coom. Now why would they do that,

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Speaker 1: No one really knows, but to make sure the total

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Speaker 1: was still one hundred to adjust for Northern Lights erasure,

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Speaker 1: they inexplicably added the high school musical spin off Sharpay's

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Speaker 1: Fabulous Adventure as a DCOM, even though it went straight

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Speaker 1: to DVD and did not premiere on the channel. We

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Speaker 1: see you, Disney, we see what You're doing there, Disney.

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Speaker 1: Don't think you could just thank you. You're not just

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Speaker 1: gonna slide it by. You can't just oh wow, sharpay

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Speaker 1: that Northern Lights never happened.

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Speaker 4: Nuh uh.

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Speaker 1: You aren't counting on producers. We mind to hop in

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Speaker 1: not with the producers we have. So there are two

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Speaker 1: very popular theories online why this happened. Number one is

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Speaker 1: that formulaically it does not follow any of the rules

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Speaker 1: or tropes seen in dcoms, so much so that even

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Speaker 1: it starred. Diane Keaton admitted her confusion with the strategy

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Speaker 1: in the press during the launch, reminding everyone it is

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Speaker 1: quote unquote an adult film, which is a strange thing

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Speaker 1: to call it because to me, that means porn. Sh

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Speaker 1: that's what an adult film is. People. I think she

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Speaker 1: meant a film for adults, which is a different thing

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Speaker 1: than an adult film. Diane, I know exactly. She just

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Speaker 1: thought it didn't fit and figured the theme was a

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Speaker 1: little too elevated for kids. And number two, the other

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Speaker 1: theory is she's a chainsmoker in this film, and that

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Speaker 1: doesn't fit the channel even back in the late nineties,

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Speaker 1: but now it's even more forbidden, making it even easier

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Speaker 1: to ignore. When they're rewriting the history.

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Speaker 3: Now.

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Speaker 1: Some people consider Northern Lights to be a very rare category,

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Speaker 1: which is the quote Disney Channel premiere film unquote. But

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Speaker 1: the true requirements for that are quite muddy because the

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Speaker 1: rollout and strategy were not really much different than movies

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Speaker 1: like High School Musical, Alley Cats, Strike Up, Up and Away,

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Speaker 1: all the movies for the first one hundred it really

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Speaker 1: wasn't that different. So this kind of just fell by

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Speaker 1: the way. It was weird. Now, Sabrina, I know this

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Speaker 1: is the first you're hearing of. Obviously this extremely heated debate, right,

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Speaker 1: and we don't like getting political on this podcast, but

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Speaker 1: what are your thoughts on this amazing controversy.

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Speaker 4: I need them to one hundred percent get this as

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Speaker 4: far away from the DCOM world as possible.

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Speaker 2: That's what I need to happen. This cannot and and

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Speaker 2: I will obviously talk about it more.

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Speaker 4: But no, nope, nope, nope, nope, not a DCM, not anyway.

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Speaker 4: So whatever they need to do, get it by whoever

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Speaker 4: will take your word for it.

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Speaker 2: Not a DCM.

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Speaker 1: Okay, all right, so you heard it here from the

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Speaker 1: one of the DCOM queens. This is not a DCOM

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Speaker 1: Northern Lights is also unique because it's based on a

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Speaker 1: nineteen eighty eight one man stage play of the same

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Speaker 1: name by John Hoffman, who is a writer producer with

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Speaker 1: credits on shows like HBO's Looking Grayson, Frankly, and most recently,

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Speaker 1: he co created the Who Smashed It Only Murders of

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Speaker 1: the Building Legit. He also appears in this movie, and

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Speaker 1: Frankly does a great job. He's a total renaissance man.

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Speaker 1: And there were even more very recognizable names in the

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Speaker 1: production crew. Actress and one time America's sweetheart, Meg Ryan

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Speaker 1: was an executive producer, as well as Bill Bojangles Robinson,

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Speaker 1: a tap dancer and actor once known as one of

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Speaker 1: the biggest stars in the first half of the twentieth century.

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Speaker 1: He's a serious pioneer in Hollywood, working with Shirley Temple

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Speaker 1: as the first interracial dance partners ever in the history

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Speaker 1: of Hollywood. Crazy. He started his career in the highly

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Speaker 1: problematic minstrel shows and created a career that spanned from

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Speaker 1: vaudeville to radio, to movies to TV, eventually becoming the

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Speaker 1: highest paid black actor in America. Now what any of

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Speaker 1: this has to do with Northern Lights, We don't know,

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Speaker 1: but it's all really cool Hollywood history.

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Speaker 4: There is not a lick of dancing out there, no

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Speaker 4: nothing but the shoes because Meg Ryan.

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Speaker 1: And bo Jangles together as producers. I mean, geez. The

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Speaker 1: Disney Channel produced Northern Lights debuted on August twenty third,

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Speaker 1: nineteen ninety seven, and was not a big hit in

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Speaker 1: the ratings or critical response, making pretending it never existed

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Speaker 1: kind of second nature, which Disney did very well. It

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Speaker 1: should also come as no surprise that Northern Lights is

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Speaker 1: not on Disney Plus it's not even really part of

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Speaker 1: Disney cannon. But you can find it free to stream

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Speaker 1: on YouTube, so you can go there and watch it

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Speaker 1: now before we attempt to recap it, or you can

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Speaker 1: just listen and then after you decide if we did

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Speaker 1: a good job or not. But if you think we sucked, well,

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Speaker 1: that sounds like a you problem there, negative Nancy Sabrina,

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Speaker 1: considering employees of the channel don't even know this exists

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Speaker 1: these days. I'm gonna guess you didn't know anything about

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Speaker 1: Northern Lights before the podcast.

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Speaker 2: I didn't.

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Speaker 4: I had a very different thing of what I was

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Speaker 4: thinking in my head of what it would be, and

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Speaker 4: it became nothing of the sort so disappointment washed over

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Speaker 4: me time and time again throughout watching this movie.

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Speaker 1: My guess is you thought it was having to do

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Speaker 1: with the famous strain of marijuana from the eighties and

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Speaker 1: nine Northern Lights? Is that what I'm guessing. I know

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Speaker 1: what you thought it was, wasn't it.

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Speaker 4: No, I don't even know what you're referencing. No, I

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Speaker 4: thought it was going to be a love story.

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Speaker 1: Did you really think Northern Lights was gonna be a

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Speaker 1: love story?

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Speaker 3: Yes?

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Speaker 4: And you'll hear in my Superta season the reason gotcha?

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Speaker 1: Were you a Diane Keaton fan?

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Speaker 2: I'm a huge Diane Keaton fan.

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Speaker 1: What's your favorite Diane Keaton movie? Is it Northern Lights?

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Speaker 3: Oh?

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Speaker 2: God, I can't even think of what a favorite one

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Speaker 2: would be. I can't.

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Speaker 1: Okay, I think Annie Hall has got to be my favorite.

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Speaker 1: But First Wives Club, our second First Wives Club is great? Yeah,

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Speaker 1: First Wives, but Annie Hall is just so good it's

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Speaker 1: it's crazy good. Anyway, Well, let's get to Alaska asap.

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Speaker 1: Here comes the synopsis. And I don't think producer Jensen

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Speaker 1: got this synopsis right if I'm at if and I

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Speaker 1: never say that, And I wasn't gonna call him a

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Speaker 1: write him because he has. A disillusioned journal returns to

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Speaker 1: her small Alaskan hometown to uncover the truth about a

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Speaker 1: mysterious plane crash. Along the way, she reconnects with the roots,

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Speaker 1: rekindles old relationships, and confronts secrets from her past. Now

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Speaker 1: here's the thing. She's not a journalist, and there was

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Speaker 1: no plane crash. So I'm thinking the synopsis either. I

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Speaker 1: don't think it was producer Jensen's fault. I think they

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Speaker 1: have the wrong synopsis up online because I don't think

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Speaker 1: that's the synopsis. So it is worth noting, by the way,

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Speaker 1: that though the movie is set in Alaska, they did

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Speaker 1: not shoot there. They shot in British Columbia, Canada, so

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Speaker 1: a perfect stand in because it looks like snowy landscapes.

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Speaker 1: But also, if this ain't a dcom, they've started shooting

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Speaker 1: them where the dcom shoots. So already we got one

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Speaker 1: click in the dcom box. I know you said not

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Speaker 1: a dcom, but we got.

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Speaker 3: One in the one box one hey will, Yes, I

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Speaker 3: do want to alert you. You will find out later

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Speaker 3: why that synopsis. It was not on purpose. I'm not

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Speaker 3: going to pretend it was on purpose. Okay, we'll find

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Speaker 3: out later, or why that synopsis was put in okay perfect.

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Speaker 1: Oh, I can't wait.

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Speaker 3: A mystery in line with this film.

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Speaker 1: Okay perfect, because I was I was reading, and I

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Speaker 1: was like, there's no plane crash.

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Speaker 3: Okay, it's impened.

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Speaker 1: I can't wait. Early thoughts, Sabrina taken away, What did

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Speaker 1: you think of Northern Lives?

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Speaker 4: I mean, if we're going to do early thoughts, I'm

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Speaker 4: going to tell you that I was confused from as

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Speaker 4: early as seconds number four and five. I was confused

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Speaker 4: on the entire intro. I didn't understand. I to the

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Speaker 4: point where I rewatched it a few times to see

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Speaker 4: if I'm just missing where they're explaining what these weird

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Speaker 4: little mini monologues.

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Speaker 2: Are and what's going on.

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Speaker 4: And then I had no idea what Diane Keaton's like.

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Speaker 2: Character was doing at her job.

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Speaker 4: I have no idea what kind of job she had,

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Speaker 4: just that she was clearly bad at it and her

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Speaker 4: boss hated her. And then I checked out when they

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Speaker 4: went into a room filled with nicotine smoke. I said,

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Speaker 4: oh my god, Oh my god, we're in a room

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Speaker 4: filled with just smoke, like a smoking room in a

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Speaker 4: Disney Channel movie.

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Speaker 1: No, nope, So you did not like this film. No, okay,

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Speaker 1: fair enough.

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Speaker 2: I was just really confused in the beginning.

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Speaker 1: Yeah, I wasn't. I was kind of confusing. I strangely

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Speaker 1: loved this movie. That's not even a joke. I strangely

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Speaker 1: loved this movie. Was so weird and so Lynchian and

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Speaker 1: bizarre that it leaned into the weirdness of every character

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Speaker 1: to where I halfway through was like, I absolutely loved

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Speaker 1: this movie. I really did. Now whether it's a dcom

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Speaker 1: or not a dcom, whole different conversation. Yeah, really fun, weird,

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Speaker 1: totally bizarre. I liked this movie. Yeah, it was.

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Speaker 4: I think I have you and I have switched minds

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Speaker 4: because I'm thinking of our quote unquote rules that we

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Speaker 4: like on Magical Rewind.

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Speaker 2: And there were no rules.

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Speaker 4: No, there were no guidelines. No, there was no one

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Speaker 4: knew what the hell was going on.

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Speaker 2: Oh my gosh. It was crazy.

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Speaker 1: It was. It was so strange, and I kind of

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Speaker 1: I was there for it.

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Speaker 4: This movie felt like it was improv That's how it was.

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Speaker 4: It seemed like no one knew what was going It.

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Speaker 1: Was weird on top of weird, on top of weird,

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Speaker 1: and I was there for it. I don't know why.

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Speaker 1: It just I had a smile on my face the

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Speaker 1: character or.

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Speaker 4: You watched it was one of those situations.

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Speaker 1: I did not have any brownies because I can't eat weed.

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Speaker 1: Northern Lights is directed by Linda Yellen, a director whose

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Speaker 1: career began in the nineteen seventies in New York, were

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Speaker 1: her first film, a ten minute short from college, got

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Speaker 1: her the third prize in the New York Film Festival,

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Speaker 1: behind two other directors, Martin Scorsese and George lucas You

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Speaker 1: Might Be. She's since won two Peabodies and Emmy as

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Speaker 1: a producer of the TV movie Playing for Time, and

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Speaker 1: she's still working today as a heralded creative behind independent film,

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Speaker 1: most recently directing and co writing movie called One Stupid

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Speaker 1: Thing starring my friend Corey Fogelmanis of Girl Meets World

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Speaker 1: and sky Katz from Ravenshome. As I mentioned, this movie

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Speaker 1: stars one of Hollywood's most celebrated actresses of all time,

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Speaker 1: Diane Keaton. Her most iconic role was as Annie Hall

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Speaker 1: in the Woody Allen movie the same name, but she

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Speaker 1: also has starred Something's Got to Give, Red's Godfather Too

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Speaker 1: Looking for Mister Goodbar father of the Bride, Baby Boom,

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Speaker 1: The Family Stone, and First Wives Club. I mean yikes.

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Speaker 1: Her career started on stage in the original production of

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Speaker 1: Hair in nineteen sixty eight and led to a legendary

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Speaker 1: career with an oscar, two Golden Globes, and nominations for

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Speaker 1: Tony's and Emmy's. This was a big, big get for Disney.

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Speaker 1: This was also pretty close to prime Diane Keaton in

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Speaker 1: nineteen ninety seven. Yes, Yes, Maury Chaikin plays Ben, the

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Speaker 1: Canadian character actor who unfortunate passed away in twenty ten.

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Speaker 1: Was in just a ton of big movies like My Cousin, Vinnie,

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Speaker 1: Dances with Wolves, Twins, War Games, and mouse Hunt. I

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Speaker 1: mean oh, some of my favorites of all time. He

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Speaker 1: was a real quote hey look at that guy unquote

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Speaker 1: type of actor he can Also some of his more

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Speaker 1: recent roles were in two very big TV shows, Big

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Speaker 1: Little Lies and Mind Hunter. Joseph Cross is the young Man.

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Speaker 1: Jack Cross was a child actor who starred in two

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Speaker 1: Michael Keaton movies, Desperate Measures and in nineteen ninety eight's

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Speaker 1: Christmas fantasy movie Jack Frost. He later played a young

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Speaker 1: Augustine Burrows in the Running with Scissors, adaptation and appeared

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Speaker 1: in movies like Flags of Our Fathers, Untraceable and twenty

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Speaker 1: twenty one's Licorice Pizza. This movie also featured a lot

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Speaker 1: of prominent Canadian talent, and as I like to mention earlier,

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Speaker 1: the writer who's play the movie is based on John

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Speaker 1: Robert Hoffman does some very heavy lifting as Joe scar

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Speaker 1: Lotti or Carlotti is what he says, because he has

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Speaker 1: the hair lip and can't pronounce the ess. I mean,

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Speaker 1: just one of those weird Lynchian kind of characters. The

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Speaker 1: movie is one hundred and eleven minutes. It might as

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Speaker 1: well be a flight to Tokyo, No wonder. It is

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Speaker 1: shunned as a dcom. As you know, this means this

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Speaker 1: movie is TI long, too long. Get a grip Northern Lights.

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Speaker 1: The screenplay credit went to both Hoffman and a man

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Speaker 1: named Kevin Kine, and this is his only writing credit,

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Speaker 1: but he has been an actor in things like Crazy,

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Speaker 1: Beautiful Er and Yes, Dear, Okay, Let's get into this crazy,

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Speaker 1: crazy film. We open with some CPA cam quarter footage,

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Speaker 1: some testimonials from people in costume. It appears to be

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Speaker 1: a party and everyone is sharing memories of someone who

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Speaker 1: has passed away, at least that's what we think. A

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Speaker 1: young can Can girl, a man dressed in a bunny

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Speaker 1: suit and a statue of liberty all praise his generous

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Speaker 1: spirit and his supportive heart. A young boy dressed as

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Speaker 1: a bat says Jack's dad once taught them how to fish.

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Speaker 1: And another couple, just as Dorothy and the Scarecrow, talk

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Speaker 1: about when Jack's dad saw the Northern lights for the

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Speaker 1: first time, he absolutely loved them. The only time he

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Speaker 1: was happier was the night Jack was bold. And with

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Speaker 1: that we pull out to reveal a spinning globe. A

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Speaker 1: man's hand stops this movement right in front of a

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Speaker 1: young boy. It's a flashback to Jack and his dad.

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Speaker 1: He explains that Jack won't see the northern lights here.

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Speaker 1: They're a phenomenon. They show up when they want. Jack

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Speaker 1: tells his dad he hopes he gets to see it

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Speaker 1: one day, and his dad replies, just keep looking up,

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Speaker 1: and we fade into the spinning globe. We should also

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Speaker 1: point out that Tom Kavanaugh played his father in all

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Speaker 1: the flashbacks, and he of course went on to be

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Speaker 1: in that big show Not my Name is there All?

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Speaker 3: Whatever?

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Speaker 1: The one, the Bowling one, where he's the Bowling Lawyer ed,

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Speaker 1: which was a fun show. We are now from there

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Speaker 1: thrown into a large, busy telemarketing office, which Sabrina was

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Speaker 1: talking about how she checked out by this point because

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Speaker 1: she had no idea what dian Keate was doing. They're

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Speaker 1: selling Broadway tickets and Roberta, a blond woman, is pitching

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Speaker 1: a musical about aids.

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Speaker 2: Yep.

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Speaker 1: She puts her call on hold to try to convince

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Speaker 1: a coworker to take a ciggie break, but before she

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Speaker 1: can get an answer, her boss hovers over her, unhappy

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Speaker 1: with her output. We jumped to a costco with its

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Speaker 1: manager Ben answering a question about the insane quantities they sell.

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Speaker 1: How could this have ever been a one man show

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Speaker 1: on Broadway? Like, I don't on stage, I don't understand

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Speaker 1: how with all the character changes and the everything going on,

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Speaker 1: how is this ever a one man show?

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Speaker 2: Yeah?

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Speaker 1: Yeah, yeah, I mean he probably just told the story

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Speaker 1: of everyone. He couldn't have played all the roles.

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Speaker 2: I mean, it's like the narrator of it.

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Speaker 1: I guess. I don't know, but we've already seen so

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Speaker 1: many characters it's crazy, right. We then cut to a

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Speaker 1: man in a raincoat climbing a very tall ladder to

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Speaker 1: save a cat on a power line. The latter wobbles

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Speaker 1: and we hear storm clouds moving in. He grabs a

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Speaker 1: cat and promises he'll be home to Jack soon. As

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Speaker 1: the cat climbs down, we hear volts of electricity and

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Speaker 1: then the thud of a body. So maybe it's okay.

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Speaker 1: So we're starting to see why through the heavy smoking

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Speaker 1: and the thud of the body. Why Maybe it's not

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Speaker 1: a dcom, but it was anyway. Roberta is now on

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Speaker 1: a personal call. She mishears Kitty as Titty another d com. Yep,

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Speaker 1: we know why Disney This isn't Hey, it's on Disney Plus.

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Speaker 1: She told uh, she's told about the man who fell

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Speaker 1: from the pole. She doesn't know how to react. It

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Speaker 1: was her brother and he is dead. She tells the coworker,

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Speaker 1: and the coworker essentially says, I had no idea you

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Speaker 1: had a brother, But we find out she hasn't talked

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Speaker 1: to him in ten years. They didn't have very much

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Speaker 1: in common. Her brother was the quote crunchy hippie type

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Speaker 1: and she is cityfolk. She then lights up her first

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Speaker 1: cigarette of the movie in a break room that is

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Speaker 1: completely filled and crowded with smoke. There's like a filter

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Speaker 1: on the lens. Her sadness, though nestled down deep, is

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Speaker 1: just kicking in. I would like to point out, as

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Speaker 1: a reform smoker myself who smoked for twenty five some

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Speaker 1: odd years, rooms like this were common. This was not

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Speaker 1: over the top. This was not crazy. I remember going

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Speaker 1: to airports where they had the smoking room and you're

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Speaker 1: just in a plexiglass box full of smoke. So it

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Speaker 1: this was absolutely real. Yeah, Ben, in those rooms many

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Speaker 1: many times you put the cigarette out and you're still

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Speaker 1: smoking a cigarette because there's so much smoke around.

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Speaker 2: The den of my grandparents' house.

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Speaker 1: See there you go. That's these were very real places.

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Speaker 4: Yeah, but there there was a point and I'll just

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Speaker 4: get this, this is a pretty season in that smoking

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Speaker 4: room where there was a shot that was like the

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Speaker 4: back of a chair and a race asstray that did

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Speaker 4: you not think someone there was a character that we

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Speaker 4: were going to meet sitting in that chair because they

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Speaker 4: went to it so many times and.

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Speaker 1: Then poof, nothing done, Nothing didn't happen, didn't happen. Yeah,

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Speaker 1: at the costco Ben is leaving a messenger Shoer's wife.

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Speaker 1: He also got the bad news about his friend Frank.

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Speaker 1: He'll need to go to Alaska for the funeral this weekend.

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Speaker 1: We jump into a Roberta flashback. It's the seventies and

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Speaker 1: she's in a disco. She's pacing waiting to rehearse with

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Speaker 1: a band. Eventually Frank arrives. He's fixed up a song

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Speaker 1: and has sheets for everyone. She was stressed, thought maybe

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Speaker 1: it was hit by a bus or something, but no,

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Speaker 1: he's fine. They sit there at the piano. Frank just

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Speaker 1: pulls out a kleenex and opens it up and he

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Speaker 1: sees an egg inside that he found from a Robin. Roberta,

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Speaker 1: of course, just doesn't care at all. She needs a

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Speaker 1: concentrat on tonight's New Year's Eve show, but Frank just

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Speaker 1: isn't as dedicated to the performance. He asked Roberta to

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Speaker 1: make a wish on her eyelash, which she does and

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Speaker 1: then instantly forgives him for being late to the show.

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Speaker 1: You can tell she is also very frazzled all the time,

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Speaker 1: and he is very mellow and laid back. They made

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Speaker 1: sure that they distinguished between these two characters, and boy

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Speaker 1: did they.

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Speaker 4: Now bothered me that she didn't. And you know, obviously

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Speaker 4: I do. I love Diane Keaton, but.

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Speaker 2: He looked so much. This looked this did not look.

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Speaker 4: Like even ten years prior. This like, this looked like

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Speaker 4: two months prior to what.

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Speaker 1: Yeah, they didn't say. It didn't look like there was

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Speaker 1: the seventies.

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Speaker 2: Yes, yeah it did not. It did not come across

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Speaker 2: at anything.

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Speaker 1: But now, in all fairness on the YouTube's it was

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Speaker 1: obviously a VHS rip, so the quality is pretty terrible. Yes,

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Speaker 1: and it's hard to see. I would love to have

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Speaker 1: seen this Christine, to see what she actually looked like.

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Speaker 1: But I agree, it didn't.

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Speaker 2: Make He looks so young too.

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Speaker 4: You know, he looks so young, and I know she

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Speaker 4: kind of raised him and she was a motherly figure.

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Speaker 1: But they really look like they're twenty five years apart.

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Speaker 1: I get. I agree.

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Speaker 4: Yeah.

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Speaker 1: We are now back in the smoke Field break room.

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00:20:39,560 --> 00:20:41,480
Speaker 1: Roberta's friend hands her a tissue and tells her to

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Speaker 1: let it out, but of course she doesn't. Now on

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Speaker 1: a roof in the middle of the night, we see

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Speaker 1: two young kids looking to the sky for the northern lights.

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Speaker 1: One boy asked if the other quote misses him and

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Speaker 1: if he's going to cry tomorrow. The older boy that's

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Speaker 1: his Frank's sons, Jack says he doesn't want to talk

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Speaker 1: about it right now. Roberta's train arrives in Bright River

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Speaker 1: Junction for the funeral and immediately runs into Ben, who

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Speaker 1: is also alone, and the both of them are kind

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Speaker 1: of lost. They're suddenly spooked when a set of car

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Speaker 1: lights appears, and it is a one armed cab driver

419
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Speaker 1: who can barely open his mouth when he talks. This

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Speaker 1: is when I was starting to get real Lynchian kind

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Speaker 1: of vibes. It's like his teeth are glued together. He

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00:21:18,440 --> 00:21:21,719
Speaker 1: sounds like a rabid dog pirate. He drives them maybe

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Speaker 1: twenty five or thirty feet tops to the King Edward Hotel,

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Speaker 1: where they're coincidentally both staying. He then asks for five

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Speaker 1: dollars and Roberta calls him a one arm bandit. The

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Speaker 1: kids on the roof watch as the two guests enter

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Speaker 1: a beautiful courtyard lit by white Christmas lights. The King

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Speaker 1: Edward's impressive and quirky in as a real Tower of

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00:21:38,600 --> 00:21:41,199
Speaker 1: Terror vibe, which makes sense when Roberta compares it to

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Speaker 1: the show Rod Serling used to host. The two check

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00:21:44,080 --> 00:21:47,800
Speaker 1: in with a very peppy bell desk clerk who keeps

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Speaker 1: ringing the bell despite the fact that there are no

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Speaker 1: bell boys working that night. He just likes the tone.

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Speaker 1: Had you checked out fully by this point, Sabrina.

435
00:21:57,880 --> 00:22:02,600
Speaker 2: No, No, I mean it kind of just again. I

436
00:22:03,000 --> 00:22:05,440
Speaker 2: was I was just trying to wait to see when

437
00:22:05,480 --> 00:22:08,200
Speaker 2: this whole situation was going to click in.

438
00:22:08,720 --> 00:22:10,600
Speaker 1: When gonna happen.

439
00:22:10,760 --> 00:22:13,840
Speaker 4: Well, because we just kept getting more and more characters. Yeah,

440
00:22:13,880 --> 00:22:16,760
Speaker 4: bits and bits and pieces of information. Nothing seemed to

441
00:22:16,840 --> 00:22:19,920
Speaker 4: build off of anything, like even Jack up on the

442
00:22:20,240 --> 00:22:22,280
Speaker 4: rooftop at this point. It's like it's just all these

443
00:22:22,320 --> 00:22:25,280
Speaker 4: like teeny tiny bits of information. I'm sitting there trying

444
00:22:25,280 --> 00:22:26,240
Speaker 4: to go, Okay, I'm trying to like.

445
00:22:26,280 --> 00:22:28,359
Speaker 1: Keep it all in, take all, take it all in.

446
00:22:28,560 --> 00:22:30,840
Speaker 4: Verry's confused still, and I have no idea where the

447
00:22:30,880 --> 00:22:34,280
Speaker 4: hell this movie's going, except for obviously to some type

448
00:22:34,280 --> 00:22:34,800
Speaker 4: of funeral.

449
00:22:35,240 --> 00:22:37,239
Speaker 1: It is a weird movie. It was so weird, and

450
00:22:37,280 --> 00:22:41,639
Speaker 1: I really liked it anyway. Anyway, The pair have neighboring rooms,

451
00:22:41,680 --> 00:22:43,760
Speaker 1: and ben unpacks a frame photo of his family to

452
00:22:43,760 --> 00:22:46,000
Speaker 1: put next to his bed. The next morning, the two

453
00:22:46,080 --> 00:22:49,159
Speaker 1: rooftop boys knock on Roberta's door and run, leaving her confused.

454
00:22:49,200 --> 00:22:51,720
Speaker 1: When she opens it, the elevator opens and it's a

455
00:22:51,720 --> 00:22:55,080
Speaker 1: bellboy covering his face with room service coffee. The boys

456
00:22:55,119 --> 00:22:58,680
Speaker 1: are excited to see quote unquote rat boy. The delivery

457
00:22:58,720 --> 00:23:01,320
Speaker 1: man knocks on Roberta's door, and she lets out a

458
00:23:01,359 --> 00:23:04,200
Speaker 1: blood curdling scream when she sees his face. The entire

459
00:23:04,240 --> 00:23:06,360
Speaker 1: tray he was carrying flies into the air. She keeps

460
00:23:06,400 --> 00:23:08,240
Speaker 1: having stuff spilled on her the entire movie, which I

461
00:23:08,240 --> 00:23:11,400
Speaker 1: thinks Ben is in his room calling his wife again.

462
00:23:11,400 --> 00:23:13,560
Speaker 1: Her name is Peg. This time he talks about his

463
00:23:13,640 --> 00:23:15,840
Speaker 1: belt and shoes. Should they match, should they not match.

464
00:23:16,400 --> 00:23:21,280
Speaker 1: I'm starting to get almost like planes, trains, and automobile

465
00:23:21,359 --> 00:23:24,600
Speaker 1: vibes here where John Candy is constantly talking about his wife.

466
00:23:25,000 --> 00:23:26,840
Speaker 1: I started to get that kind of vibe. So I'm like,

467
00:23:26,920 --> 00:23:30,360
Speaker 1: what's going on here with this whole thing? Anyway, Roberta

468
00:23:30,440 --> 00:23:32,080
Speaker 1: is running late when there's a knock at the door.

469
00:23:32,160 --> 00:23:34,640
Speaker 1: It's Joe Scarlatti, the man who called her to tell

470
00:23:34,640 --> 00:23:37,160
Speaker 1: her the bad news about Frank. He has a hairlp

471
00:23:37,240 --> 00:23:39,840
Speaker 1: and a lisp, which is why she had trouble understanding

472
00:23:39,920 --> 00:23:43,719
Speaker 1: quote unquote Kitty on the phone. Roberta can't understand him,

473
00:23:43,760 --> 00:23:46,360
Speaker 1: and he offers to walk her to the church. Ben

474
00:23:46,440 --> 00:23:48,560
Speaker 1: starts his walk to the church when he's approached by

475
00:23:48,640 --> 00:23:51,280
Speaker 1: Daphney high Tower, a Southern bell who really knows he

476
00:23:51,320 --> 00:23:54,480
Speaker 1: has two daughters. She says she's quote unquote been waiting

477
00:23:54,560 --> 00:23:57,240
Speaker 1: for him, but he has been waiting for him, but

478
00:23:57,280 --> 00:23:59,960
Speaker 1: has a duty to perform for now. Ben and Roberta

479
00:24:00,119 --> 00:24:02,080
Speaker 1: run back into each other. Walking into the small church,

480
00:24:02,160 --> 00:24:04,320
Speaker 1: a reverend is performing the service and he announces a

481
00:24:04,400 --> 00:24:07,359
Speaker 1: larger event will be held tomorrow. Daphne is called to

482
00:24:07,359 --> 00:24:12,760
Speaker 1: the pew and leads a loud whistling choir of four

483
00:24:12,800 --> 00:24:15,399
Speaker 1: in a song they dedicate to Frank. Both Ben and

484
00:24:15,520 --> 00:24:18,040
Speaker 1: Roberta are a little giggly about it. As people walk

485
00:24:18,119 --> 00:24:20,760
Speaker 1: up to the casket and leave items. Frank's son, Jack,

486
00:24:20,800 --> 00:24:23,440
Speaker 1: the older boy from the roof, approaches, and Roberta audibly

487
00:24:23,480 --> 00:24:25,640
Speaker 1: screams when she finds out that her brother had a kid.

488
00:24:25,680 --> 00:24:28,719
Speaker 1: She had no idea. She also sees who she thinks

489
00:24:28,880 --> 00:24:32,760
Speaker 1: is Frank's wife out which oh god, it's so funny. Outside,

490
00:24:32,840 --> 00:24:35,000
Speaker 1: Roberta is lighting her second cigaret to the movie when

491
00:24:35,040 --> 00:24:37,840
Speaker 1: she's introduced to her new nephew by a woman named Maggie,

492
00:24:38,280 --> 00:24:41,560
Speaker 1: who is with a handful of other children. The reverend

493
00:24:41,600 --> 00:24:43,879
Speaker 1: then joins and asks Maggie how she's doing, and she

494
00:24:43,920 --> 00:24:46,840
Speaker 1: says she'll get through it. They then turn and start

495
00:24:46,920 --> 00:24:52,320
Speaker 1: just passionately making out, and it's like what Maggie introduces

496
00:24:52,400 --> 00:24:55,920
Speaker 1: him as her husband, Emmett and all the other children

497
00:24:55,960 --> 00:24:59,240
Speaker 1: are theirs, and Ben and Roberta are of course relieved.

498
00:25:00,000 --> 00:25:03,440
Speaker 1: The gravesite service begins with an acknowledgment of little Jack,

499
00:25:03,680 --> 00:25:06,400
Speaker 1: and the reverend praises Ben and Roberta for traveling so far.

500
00:25:06,720 --> 00:25:09,800
Speaker 1: Roberta immediately calls over Joe, and together with Ben, they

501
00:25:09,800 --> 00:25:13,679
Speaker 1: walk to a nearby classroom. Roberta wants to hear the will. Immediately,

502
00:25:14,119 --> 00:25:17,359
Speaker 1: Joe obliges and reveals they are both given joint custody

503
00:25:17,640 --> 00:25:20,240
Speaker 1: of little Jack. Roberta is furious. She thinks this is

504
00:25:20,280 --> 00:25:22,280
Speaker 1: all insane. Ben knew he had a son, but is

505
00:25:22,320 --> 00:25:25,000
Speaker 1: also shocked by this turn of events. Roberta wonders about

506
00:25:25,040 --> 00:25:26,960
Speaker 1: the mom, like where's the mom, just as she sits

507
00:25:27,000 --> 00:25:29,960
Speaker 1: in a kid's chair and it breaks, throwing her to

508
00:25:30,040 --> 00:25:35,400
Speaker 1: the ground. Classic Diane Keaton, but again we're in the

509
00:25:35,520 --> 00:25:39,240
Speaker 1: ultimate bat of bat when it comes to this film

510
00:25:39,280 --> 00:25:42,080
Speaker 1: at this point, I mean, are you at this point?

511
00:25:42,080 --> 00:25:42,880
Speaker 1: What's going through your head?

512
00:25:42,880 --> 00:25:46,240
Speaker 4: I got to know, why does she keep screaming so crazy?

513
00:25:46,280 --> 00:25:49,639
Speaker 4: Like everything the I mean, I know that she gotten

514
00:25:49,760 --> 00:25:55,640
Speaker 4: scared by the guy, mister ratface, and her streams are

515
00:25:55,960 --> 00:26:00,640
Speaker 4: are they're like horror film screams, like whoa, whoa there constant.

516
00:26:00,720 --> 00:26:01,880
Speaker 3: She can't screaming.

517
00:26:02,040 --> 00:26:06,280
Speaker 4: She just gets so flustered with every single little thing

518
00:26:06,359 --> 00:26:07,439
Speaker 4: that happens, and it's.

519
00:26:07,520 --> 00:26:10,960
Speaker 1: So damn Keaton it is. I don't know.

520
00:26:11,480 --> 00:26:12,280
Speaker 2: I guess I don't.

521
00:26:13,000 --> 00:26:15,639
Speaker 4: I mean, I because I love her comedy and it

522
00:26:15,760 --> 00:26:18,159
Speaker 4: is big, but I guess in this movie it just

523
00:26:18,200 --> 00:26:19,920
Speaker 4: seemed outrageous to me.

524
00:26:20,320 --> 00:26:24,480
Speaker 1: Well because everyone's playing these weird characters, but they're playing

525
00:26:24,560 --> 00:26:28,560
Speaker 1: them subdued, so it's like there even Ben is like

526
00:26:28,680 --> 00:26:32,800
Speaker 1: very soft spoken, and SCARLETTI very soft spoken, the Southern bell,

527
00:26:33,080 --> 00:26:35,560
Speaker 1: and then you've got this screamer probably going. I mean,

528
00:26:35,600 --> 00:26:38,520
Speaker 1: it was just it was very funny, but yeah, but

529
00:26:38,560 --> 00:26:41,840
Speaker 1: I know what you meant. Very strange. But yeah, just

530
00:26:41,920 --> 00:26:44,160
Speaker 1: be quiet, be quiet, and let's figure out what's going on.

531
00:26:44,440 --> 00:26:47,800
Speaker 4: I just fell in a chair and she's like get me,

532
00:26:48,160 --> 00:26:49,400
Speaker 4: like she's screaming.

533
00:26:49,480 --> 00:26:52,880
Speaker 1: Yeah, she's very big, very big in a quiet room.

534
00:26:54,440 --> 00:26:56,600
Speaker 1: It is Roberta is gonna call her lawyer, though. She

535
00:26:56,640 --> 00:26:58,680
Speaker 1: storms out of the room, dropping her cigarettes on the

536
00:26:58,720 --> 00:27:01,439
Speaker 1: way out, and then there's who's sitting nearby helps her

537
00:27:01,480 --> 00:27:03,600
Speaker 1: pick them up and offers to shore a picture of

538
00:27:03,640 --> 00:27:05,960
Speaker 1: her and her dad. She says, maybe some other time.

539
00:27:06,160 --> 00:27:08,520
Speaker 1: Ben asks if she knows where she's going, and she says,

540
00:27:08,600 --> 00:27:11,639
Speaker 1: as a New Yorker, she knows what to do. We

541
00:27:11,680 --> 00:27:15,159
Speaker 1: cut to Roberta on a massive and thin, shaky bridge.

542
00:27:15,200 --> 00:27:18,640
Speaker 1: It looks terrifying, especially in heels. Meanwhile, Ben is talking

543
00:27:18,640 --> 00:27:21,520
Speaker 1: to John about his relationship with Frank at Ohio State.

544
00:27:21,760 --> 00:27:24,479
Speaker 1: If he's being honest though they weren't really close. Ratman

545
00:27:24,560 --> 00:27:27,639
Speaker 1: from the hotel bikes by in an uncontrollable hurry. This

546
00:27:27,800 --> 00:27:32,359
Speaker 1: place is just bananers. Roberta now finds herself lost on

547
00:27:32,359 --> 00:27:34,600
Speaker 1: a dirt road, Limping from the terrain with a broken heel.

548
00:27:34,680 --> 00:27:36,920
Speaker 1: She's flagged down by a lady she recognizes, who offers

549
00:27:36,960 --> 00:27:40,600
Speaker 1: to fix her shoe, and Roberta gladly accepts. This lady

550
00:27:40,640 --> 00:27:42,560
Speaker 1: has a store and it's filled with stuff that Roberta

551
00:27:42,600 --> 00:27:46,520
Speaker 1: quickly realizes is Frank's donated belongings, but they don't even

552
00:27:46,600 --> 00:27:48,840
Speaker 1: have a phone for her to call her lawyer. She

553
00:27:48,880 --> 00:27:50,800
Speaker 1: sees the reverend's wife. Now here's the thing. This is

554
00:27:50,800 --> 00:27:55,160
Speaker 1: where I got confused. If I understood the will. This

555
00:27:55,240 --> 00:27:58,879
Speaker 1: is her store. Now I think she and Ben also

556
00:27:59,040 --> 00:28:07,240
Speaker 1: get the store. Oh, I think that's what he's explaining. Yes,

557
00:28:07,440 --> 00:28:12,160
Speaker 1: I believe that Frank also owns this store and they

558
00:28:12,200 --> 00:28:13,679
Speaker 1: get the store. We'll have to have that check, but

559
00:28:13,720 --> 00:28:16,440
Speaker 1: I'm pretty sure that that's what's going on. So she's

560
00:28:16,480 --> 00:28:17,200
Speaker 1: looking around.

561
00:28:17,040 --> 00:28:19,159
Speaker 2: She's like, this is all the lady's store.

562
00:28:19,560 --> 00:28:21,359
Speaker 1: See, I think the old lady works there, but I

563
00:28:21,400 --> 00:28:24,520
Speaker 1: think even the old lady says, oh, the new like

564
00:28:24,600 --> 00:28:26,639
Speaker 1: the new owner. Of course, I want to show you

565
00:28:26,720 --> 00:28:28,960
Speaker 1: around when she comes in. So I think that's what

566
00:28:29,000 --> 00:28:31,239
Speaker 1: it is, but we have to check. But anyway, uh,

567
00:28:31,280 --> 00:28:33,040
Speaker 1: they don't even have that. There's only one payphone in

568
00:28:33,080 --> 00:28:34,520
Speaker 1: the entire town and some guys on it, so she

569
00:28:34,560 --> 00:28:36,960
Speaker 1: can't even call her lawyer. She then sees the reverend's

570
00:28:36,960 --> 00:28:39,560
Speaker 1: wife and asks if there's anyone else in the area

571
00:28:39,600 --> 00:28:41,720
Speaker 1: that could take care of little Jack. But she says,

572
00:28:41,720 --> 00:28:43,960
Speaker 1: I Frank always knew what was best, and he made

573
00:28:44,000 --> 00:28:47,240
Speaker 1: this decision. We cut to a still sad Little Jack

574
00:28:47,240 --> 00:28:49,240
Speaker 1: trying to play the piano, but his cat, who we

575
00:28:49,240 --> 00:28:52,160
Speaker 1: know from his dad's death, lands on the keys. Roberta

576
00:28:52,200 --> 00:28:54,040
Speaker 1: then returns to the hotel and gets stuck in the

577
00:28:54,080 --> 00:28:57,160
Speaker 1: old timey elevator. She sees a sleeping sailor through a

578
00:28:57,200 --> 00:28:59,920
Speaker 1: small hole between floors and begs for him to help,

579
00:29:00,080 --> 00:29:02,320
Speaker 1: but he is passed out. She tries to crawl out

580
00:29:02,320 --> 00:29:05,280
Speaker 1: of the elevator car but can't. This is a total disaster.

581
00:29:05,520 --> 00:29:08,160
Speaker 1: She presses the help buzzer until Little Jack comes looking.

582
00:29:08,400 --> 00:29:10,840
Speaker 1: He tells her to just hold down the auto button

583
00:29:10,920 --> 00:29:14,280
Speaker 1: and press three, and she is saved. Boom. Cigarette number

584
00:29:14,280 --> 00:29:17,200
Speaker 1: four is lit, just as Daphne comes singing down the

585
00:29:17,200 --> 00:29:20,040
Speaker 1: hall and comments on the similarity in Roberta in Little

586
00:29:20,120 --> 00:29:23,720
Speaker 1: Jack's eyes. She says, if Roberta has any questions, she's

587
00:29:23,760 --> 00:29:25,880
Speaker 1: the woman to ask. She hops in the elevator and

588
00:29:25,920 --> 00:29:29,240
Speaker 1: she's gone as fast as she arrived. Now, did you

589
00:29:29,240 --> 00:29:32,560
Speaker 1: pick up the fully inappropriate joke that then happened right here? No,

590
00:29:32,920 --> 00:29:37,040
Speaker 1: you didn't. Okay, there was a I'm gonna let everybody

591
00:29:37,160 --> 00:29:39,800
Speaker 1: else go watch it themselves then, because they make a

592
00:29:40,000 --> 00:29:45,760
Speaker 1: very inappropriate joke comparing women's privates to kitty cats. Oh yes,

593
00:29:45,880 --> 00:29:49,959
Speaker 1: and they absolutely do. Yes, So not to now make

594
00:29:50,000 --> 00:29:51,840
Speaker 1: it creepy, but little Jack runs off to get his

595
00:29:51,920 --> 00:29:55,120
Speaker 1: cat Sassy out from under his bed. Roberta thanks him

596
00:29:55,160 --> 00:29:57,240
Speaker 1: for the elevator help and gets a look at where

597
00:29:57,320 --> 00:29:59,959
Speaker 1: he and his dad used to live. Jack wonders if

598
00:30:00,040 --> 00:30:03,080
Speaker 1: if she didn't like his dad, and she promises she did.

599
00:30:03,240 --> 00:30:06,880
Speaker 1: Adults just have very complicated relationships. He points out that

600
00:30:06,920 --> 00:30:09,240
Speaker 1: picture he was talking about earlier, the one of Roberta

601
00:30:09,280 --> 00:30:12,720
Speaker 1: and her dad. It's from that New Year's Eve performance

602
00:30:12,760 --> 00:30:15,240
Speaker 1: we saw back in the flashback, and they both look

603
00:30:15,440 --> 00:30:18,400
Speaker 1: very happy. Jack sits back down at the piano. His

604
00:30:18,520 --> 00:30:21,160
Speaker 1: dad told him that Roberta was quote unquote fun, but

605
00:30:21,200 --> 00:30:23,840
Speaker 1: he hasn't seen it yet. Jack starts to play. As

606
00:30:23,840 --> 00:30:26,160
Speaker 1: she surveys the room, The emotions are starting to get

607
00:30:26,160 --> 00:30:27,920
Speaker 1: to her. She falls into a bit of a trance

608
00:30:27,960 --> 00:30:30,600
Speaker 1: and whispers Frank, only for Jack to correct her. No,

609
00:30:30,760 --> 00:30:33,880
Speaker 1: he's Jack, Frank was his dad. Roberta quickly leaves the

610
00:30:33,920 --> 00:30:36,720
Speaker 1: room for cigarette number five. She sits in the living

611
00:30:36,800 --> 00:30:39,160
Speaker 1: room listening to Jack play the piano, and it's all

612
00:30:39,280 --> 00:30:42,200
Speaker 1: very sad. Jack eventually finds his way outside to throw

613
00:30:42,200 --> 00:30:44,680
Speaker 1: a ball around and is interrupted by John. Now this

614
00:30:44,760 --> 00:30:47,320
Speaker 1: is where again there's so many characters in this thing. Yes,

615
00:30:48,000 --> 00:30:50,360
Speaker 1: John knows today was tough, but tomorrow will be a celebration.

616
00:30:50,680 --> 00:30:52,680
Speaker 1: Jack knows that Roberta and Ben don't want to be

617
00:30:52,720 --> 00:30:55,520
Speaker 1: his parents, but John explains they're just surprised and older

618
00:30:55,560 --> 00:30:58,040
Speaker 1: people need time to get over surprises. But Jack looks

619
00:30:58,240 --> 00:31:01,240
Speaker 1: well obviously very worried what's going to become of him.

620
00:31:01,920 --> 00:31:03,480
Speaker 1: Roberta is on her way back to her room when

621
00:31:03,520 --> 00:31:05,680
Speaker 1: she startled by Ratman again, covering his face with a

622
00:31:05,720 --> 00:31:09,920
Speaker 1: stack of towels. She screams, again your favorite. She's still

623
00:31:10,320 --> 00:31:12,480
Speaker 1: trying to make her way to the cigarette vending machine,

624
00:31:12,480 --> 00:31:13,880
Speaker 1: where she tries to buy a new pack, but it

625
00:31:13,920 --> 00:31:16,000
Speaker 1: eats her money. She starts kicking it again like a

626
00:31:16,040 --> 00:31:18,120
Speaker 1: mad woman. Ben tries to help, but she is not

627
00:31:18,240 --> 00:31:21,760
Speaker 1: hearing it. Meanwhile, Jack goes back out on the roof.

628
00:31:22,720 --> 00:31:25,320
Speaker 1: We cut to Roberta and Ben at dinner. She's trying

629
00:31:25,320 --> 00:31:28,160
Speaker 1: to light up yet another cigarette and mentions Ben's wife again,

630
00:31:28,160 --> 00:31:30,720
Speaker 1: the one that's giving weird vibes while he's talking about her,

631
00:31:31,120 --> 00:31:34,160
Speaker 1: but it almost seems like he doesn't have one, and

632
00:31:34,200 --> 00:31:36,680
Speaker 1: then he remembers, oh yeah, right, oh yeah, my wife.

633
00:31:36,760 --> 00:31:39,480
Speaker 1: It was like, okay, something seriously going on At this point.

634
00:31:39,720 --> 00:31:42,240
Speaker 1: Roberta says she lost her husband in a tragic accident,

635
00:31:42,280 --> 00:31:44,880
Speaker 1: but it makes sense that Frank would want his son

636
00:31:44,920 --> 00:31:47,120
Speaker 1: with someone like Ben and his wife. She appears to

637
00:31:47,200 --> 00:31:50,040
Speaker 1: be angling for a new way of getting Jack to

638
00:31:50,160 --> 00:31:54,240
Speaker 1: go with anybody, frankly but her. Unfortunately for her, though,

639
00:31:54,280 --> 00:31:56,960
Speaker 1: Ben focuses on the bloodline they share and thinks it

640
00:31:57,000 --> 00:31:59,840
Speaker 1: would be better if she takes him, and then out

641
00:31:59,840 --> 00:32:03,520
Speaker 1: of know where we hear music. Daphne has taken the

642
00:32:03,520 --> 00:32:08,720
Speaker 1: stage to perform, and she is awful, awful in the

643
00:32:08,760 --> 00:32:11,520
Speaker 1: best possible way. She is just terrible, and it is

644
00:32:11,600 --> 00:32:16,880
Speaker 1: so David committed, so David Lynch here. It is just awful.

645
00:32:17,360 --> 00:32:19,719
Speaker 1: It feels just twin peaksy this movie, which is why

646
00:32:19,760 --> 00:32:21,600
Speaker 1: I love it. It's like a Twin Peaks comedy. It

647
00:32:21,680 --> 00:32:25,200
Speaker 1: was great. She finishes with an ear piercing high note,

648
00:32:25,240 --> 00:32:28,360
Speaker 1: and Ben stands to applaud, saying how wonderful he thought

649
00:32:28,400 --> 00:32:32,080
Speaker 1: it was. It seems like he earnestly believed it was incredible.

650
00:32:32,520 --> 00:32:34,800
Speaker 1: And now we are finally finished with this brutal song.

651
00:32:34,920 --> 00:32:39,040
Speaker 1: Daphne's start. Daphne starts a monologue about Frank's talents, eventually

652
00:32:39,040 --> 00:32:44,440
Speaker 1: calling out Roberta as his past vocal collaborator. She gets

653
00:32:44,440 --> 00:32:47,040
Speaker 1: called up on stage perform a song, and the audience

654
00:32:47,160 --> 00:32:50,080
Speaker 1: chance her name bert but Roberta eventually needs to be

655
00:32:50,240 --> 00:32:55,000
Speaker 1: dragged on stage literally by Joe. The jazzy standard begins

656
00:32:55,000 --> 00:32:58,600
Speaker 1: and she sounds great. She's obviously an incredible singer. You

657
00:32:58,600 --> 00:33:00,960
Speaker 1: can tell the words about being alone or starting to

658
00:33:00,960 --> 00:33:04,800
Speaker 1: affect her, however, and she eventually tears up and runs backstage.

659
00:33:04,920 --> 00:33:06,720
Speaker 1: She is so shaken up that she starts to throw

660
00:33:06,760 --> 00:33:09,560
Speaker 1: some things around and then gives up and just balls

661
00:33:09,600 --> 00:33:12,840
Speaker 1: into her hands. We also see images of Jack crying

662
00:33:13,000 --> 00:33:15,760
Speaker 1: on the roof. It's a very sad kind of moment.

663
00:33:16,160 --> 00:33:19,720
Speaker 1: She's finally broken down after all this time, right, Daphne

664
00:33:19,840 --> 00:33:23,200
Speaker 1: runs in with tissues to consoler. Roberta apologizes that song

665
00:33:23,280 --> 00:33:25,880
Speaker 1: was Frank's favorite and she hasn't thought about it in years.

666
00:33:26,280 --> 00:33:28,360
Speaker 1: She snaps as Ben walks in. She snaps a lot

667
00:33:28,360 --> 00:33:30,320
Speaker 1: in this movie, too, just wants to be as far

668
00:33:30,320 --> 00:33:32,600
Speaker 1: away from this place as possible. Ben tries to get

669
00:33:32,640 --> 00:33:35,200
Speaker 1: it open up, but she won't. Roberta falls onto a

670
00:33:35,240 --> 00:33:37,440
Speaker 1: bed back at the hotel. Jack is now sobbing on

671
00:33:37,480 --> 00:33:39,640
Speaker 1: the roof, and Ben is leaving yet another message for

672
00:33:39,680 --> 00:33:42,440
Speaker 1: his wife about the current predicament. It's really starting to

673
00:33:42,440 --> 00:33:43,160
Speaker 1: get creepy out.

674
00:33:43,400 --> 00:33:48,080
Speaker 4: Yeah, and now you see food like they place things

675
00:33:48,120 --> 00:33:50,160
Speaker 4: by this answering machine that you see that.

676
00:33:50,480 --> 00:33:52,160
Speaker 1: This person is somebody's there.

677
00:33:52,440 --> 00:33:56,240
Speaker 4: Yeah, it's not somebody who has passed away. It's like

678
00:33:56,320 --> 00:33:59,920
Speaker 4: somebody's there hearing these these messages.

679
00:34:00,040 --> 00:34:10,360
Speaker 1: Yes, but it's strange, Yes, but it is strange. We

680
00:34:10,400 --> 00:34:12,759
Speaker 1: are now. It's the next morning. Ben is surprised by

681
00:34:12,880 --> 00:34:15,239
Speaker 1: Daphne at his door. She says she needs the help

682
00:34:15,280 --> 00:34:17,880
Speaker 1: of a strong man, but it turns out it's just

683
00:34:17,920 --> 00:34:20,480
Speaker 1: to have a picnic together. Roberta is sewing in the

684
00:34:20,480 --> 00:34:22,920
Speaker 1: common area when Joe walks by, talking about how beautiful

685
00:34:22,920 --> 00:34:25,480
Speaker 1: the day is. He also mentions the activities of the day.

686
00:34:25,680 --> 00:34:29,719
Speaker 1: Ratman is having an interpretive dance performance. Roberta is just

687
00:34:29,840 --> 00:34:34,359
Speaker 1: excited for her train to get home. Joe is disappointed.

688
00:34:34,600 --> 00:34:36,600
Speaker 1: He thinks it's important that she stayed for the party

689
00:34:36,640 --> 00:34:38,640
Speaker 1: tonight for Jack, and although at first she seems like

690
00:34:38,719 --> 00:34:41,879
Speaker 1: she doesn't care, she does admit that she has heard

691
00:34:41,960 --> 00:34:44,759
Speaker 1: his concern, which is very very nice. Next, we see

692
00:34:44,760 --> 00:34:46,520
Speaker 1: a big get together at the park, Lots of people

693
00:34:46,560 --> 00:34:49,200
Speaker 1: milling around, kids are playing, Ben is working on the catering,

694
00:34:49,200 --> 00:34:52,120
Speaker 1: and there's a juggler. We see that Jack is high

695
00:34:52,200 --> 00:34:54,440
Speaker 1: in a tree as Roberta walks by. She ended up

696
00:34:54,480 --> 00:34:56,600
Speaker 1: staying for the party, which is great. He asked her

697
00:34:56,600 --> 00:34:59,320
Speaker 1: if she plays basketball, pointing to her new Chuck Taylor

698
00:34:59,360 --> 00:35:02,200
Speaker 1: All Stars, and she starts laughing. We can tell, little

699
00:35:02,400 --> 00:35:05,720
Speaker 1: bit by little bit whether it's a stain on her clothes,

700
00:35:06,000 --> 00:35:09,319
Speaker 1: new shoes. She's starting to get just as weird as

701
00:35:09,400 --> 00:35:12,880
Speaker 1: everybody else in the town, and it was kind of awesome.

702
00:35:13,440 --> 00:35:16,120
Speaker 1: While getting food, Roberta has cottage cheese against building her

703
00:35:16,160 --> 00:35:18,120
Speaker 1: jacket and Jack can't help it laugh. It's the first

704
00:35:18,120 --> 00:35:20,479
Speaker 1: sweet moment between the two, as she's very chill about

705
00:35:20,480 --> 00:35:24,120
Speaker 1: it and they share a giggle. Jack asks her why

706
00:35:24,360 --> 00:35:26,720
Speaker 1: they need a party like this in the first place.

707
00:35:26,920 --> 00:35:30,000
Speaker 1: He says he knows that when his dad's mom died,

708
00:35:30,080 --> 00:35:32,960
Speaker 1: Roberta took great care of Frank. He wonders if that's

709
00:35:33,000 --> 00:35:35,239
Speaker 1: why he chose Roberta to take care of his son.

710
00:35:35,680 --> 00:35:37,600
Speaker 1: Roberta doesn't know and kind of shrugs him off to

711
00:35:37,600 --> 00:35:39,799
Speaker 1: go get him some vegetables and salad, because she says

712
00:35:39,840 --> 00:35:42,000
Speaker 1: that's what a growing boy needs. And as she turns

713
00:35:42,000 --> 00:35:44,680
Speaker 1: a corner, Jack gets up and runs away. Seems like

714
00:35:44,760 --> 00:35:48,560
Speaker 1: every time she walks away, he walks away. Oh are

715
00:35:48,600 --> 00:35:50,799
Speaker 1: they kind of the same person? Is that why they

716
00:35:50,800 --> 00:35:56,000
Speaker 1: need each other? Oh? Maybe Frank's a genius. When Roberta

717
00:35:56,000 --> 00:35:58,160
Speaker 1: finally returns with a plate of food, she realizes that

718
00:35:58,239 --> 00:36:00,879
Speaker 1: she's lost Jack ben er dat you haven't seen him either,

719
00:36:00,920 --> 00:36:04,240
Speaker 1: But he soon returns with a woman dressed all in white.

720
00:36:04,560 --> 00:36:09,319
Speaker 1: To everyone's shock, it's Margaret, Jack's mom. What Margaret says,

721
00:36:09,360 --> 00:36:11,160
Speaker 1: she came to see Jack play the piano. He says

722
00:36:11,160 --> 00:36:13,239
Speaker 1: he doesn't want to, but she quickly convinces him to

723
00:36:13,280 --> 00:36:16,200
Speaker 1: do it. Daphne decides it's time to start the festivities,

724
00:36:16,360 --> 00:36:19,000
Speaker 1: so Jack sits at the piano ready to play. Daftie

725
00:36:19,000 --> 00:36:21,680
Speaker 1: tells everyone this is what Frank would have wanted, and

726
00:36:21,719 --> 00:36:24,640
Speaker 1: then the music starts. Roberta sits next to Margaret and

727
00:36:24,719 --> 00:36:27,759
Speaker 1: quickly starts grilling her. Does she live nearby? Yes? Is

728
00:36:27,800 --> 00:36:28,960
Speaker 1: she there to take care of Jack?

729
00:36:29,160 --> 00:36:29,480
Speaker 4: Yes?

730
00:36:29,760 --> 00:36:33,279
Speaker 1: Roberta seems thrilled, but then Margaret loudly shushes her. It's like,

731
00:36:33,400 --> 00:36:36,520
Speaker 1: what is going on here? Jack is confidently playing. When

732
00:36:36,560 --> 00:36:40,560
Speaker 1: Margaret then suddenly stands up and starts spinning around and dancing,

733
00:36:40,880 --> 00:36:43,279
Speaker 1: it looks like she's almost having some sort of an episode.

734
00:36:43,440 --> 00:36:46,960
Speaker 1: She eventually sprints towards the lake, and the whole party

735
00:36:47,000 --> 00:36:49,799
Speaker 1: follows in concern. Margaret walks right into the water with

736
00:36:49,880 --> 00:36:52,680
Speaker 1: no fear of drowning. Two partygoers go in and save her,

737
00:36:52,920 --> 00:36:57,640
Speaker 1: and she is absolutely kind of losing it and starting

738
00:36:57,680 --> 00:36:59,799
Speaker 1: to get carried away. Poor Jack just yells at her

739
00:36:59,840 --> 00:37:02,239
Speaker 1: when she's finally pulled out of the water. You said

740
00:37:02,239 --> 00:37:04,440
Speaker 1: you wanted to hear me play. Why couldn't you just

741
00:37:04,480 --> 00:37:07,480
Speaker 1: sit and listen like everyone else? Unfortunately, this is where

742
00:37:07,480 --> 00:37:12,120
Speaker 1: we realized that his mother has some serious, serious mental issues.

743
00:37:12,600 --> 00:37:14,840
Speaker 1: She's put into a car to return to her mental institution,

744
00:37:15,160 --> 00:37:20,319
Speaker 1: and Jack runs off yet again. Okay, so obviously we

745
00:37:20,360 --> 00:37:23,000
Speaker 1: find out here that Margaret cannot take care of Jack.

746
00:37:23,200 --> 00:37:25,759
Speaker 1: She is she can't take care of herself. She can't

747
00:37:25,760 --> 00:37:28,560
Speaker 1: take care of Jack, but he's living close enough to

748
00:37:28,600 --> 00:37:33,160
Speaker 1: where he can visit her. So Margaret then tells roberta, wow,

749
00:37:33,200 --> 00:37:36,680
Speaker 1: didn't Jack play well today? And she agrees, yes he did,

750
00:37:37,440 --> 00:37:41,120
Speaker 1: and they drive off. It was another strange little moment

751
00:37:41,239 --> 00:37:42,000
Speaker 1: in this movie.

752
00:37:42,600 --> 00:37:45,560
Speaker 2: How is Margaret allowed to leave wherever it is?

753
00:37:45,600 --> 00:37:45,640
Speaker 4: That?

754
00:37:45,800 --> 00:37:46,040
Speaker 5: See?

755
00:37:46,120 --> 00:37:48,960
Speaker 1: My guess is she snuck out? That would be My

756
00:37:49,120 --> 00:37:53,359
Speaker 1: guess is that she snuck out, But who knows? Jack

757
00:37:53,520 --> 00:37:56,040
Speaker 1: is still running away at this point, He's been running

758
00:37:56,040 --> 00:37:58,640
Speaker 1: a lot now over that shaky thin bridge, followed closely

759
00:37:58,680 --> 00:38:00,960
Speaker 1: by Ben. He Eventually he catches up to Jack, who

760
00:38:01,000 --> 00:38:03,239
Speaker 1: is now sulking on a swing overlooking a river. It

761
00:38:03,280 --> 00:38:05,239
Speaker 1: actually looks beautiful and I just wanted to sit on

762
00:38:05,239 --> 00:38:05,920
Speaker 1: that swing for a day.

763
00:38:06,040 --> 00:38:07,960
Speaker 2: Yeah, that was a really cool shot.

764
00:38:08,120 --> 00:38:10,560
Speaker 1: It was great. Jack says his mom doesn't always act

765
00:38:10,680 --> 00:38:13,000
Speaker 1: like that, and he doesn't want to leave Alaska. Ben

766
00:38:13,120 --> 00:38:16,200
Speaker 1: agrees he should be near his mom. Jack decides to

767
00:38:16,400 --> 00:38:19,080
Speaker 1: flip in his swing, now hanging upside down and dangling.

768
00:38:19,480 --> 00:38:22,440
Speaker 1: Ben impulsively decides to follow suit. He hangs on for

769
00:38:22,520 --> 00:38:25,960
Speaker 1: dear life, but cannot stop laughing, and he's really just

770
00:38:25,960 --> 00:38:28,480
Speaker 1: starting to enjoy himself. Are you are you? Are you

771
00:38:28,600 --> 00:38:29,720
Speaker 1: just lost by this point?

772
00:38:30,080 --> 00:38:34,200
Speaker 4: No, I'm just my anxiety level is like that larger

773
00:38:34,400 --> 00:38:37,319
Speaker 4: man should not be doing that on that swing. We

774
00:38:37,400 --> 00:38:41,560
Speaker 4: do not know how like that swing did not look

775
00:38:41,719 --> 00:38:46,040
Speaker 4: secure enough for an adult in general to be doing that.

776
00:38:46,239 --> 00:38:47,040
Speaker 2: He DIDs swing.

777
00:38:47,360 --> 00:38:50,120
Speaker 1: He just threw caution to the wind and needed to giggle, Sabrina.

778
00:38:50,360 --> 00:38:52,799
Speaker 1: He just needed to giggle, and if he fell, so

779
00:38:53,000 --> 00:38:56,560
Speaker 1: be it, my friend. He's enjoying himself. We now cut

780
00:38:56,600 --> 00:38:59,359
Speaker 1: to Roberta smoking cigarette number eight hundred and ninety six

781
00:38:59,760 --> 00:39:03,880
Speaker 1: and talking to Daphne. She explains Margaret is just a

782
00:39:04,680 --> 00:39:08,360
Speaker 1: cuckoo bird quote unquote. Her condition broke Frank's heart. We

783
00:39:08,400 --> 00:39:13,000
Speaker 1: see Jack watching from nearby, and Daphne begs Roberta to

784
00:39:13,040 --> 00:39:15,359
Speaker 1: take Jack. If she doesn't, they don't know what will

785
00:39:15,360 --> 00:39:18,359
Speaker 1: happen to him. Roberta just doesn't get why Frank picked her.

786
00:39:18,600 --> 00:39:21,520
Speaker 1: Why not Daphne. Daphne says she's wondered the same thing.

787
00:39:21,680 --> 00:39:24,960
Speaker 1: Frank was such a thoughtful and smart guy. Roberta should

788
00:39:25,040 --> 00:39:28,319
Speaker 1: feel honored. Roberta then decides to go find Jack, who's

789
00:39:28,360 --> 00:39:30,520
Speaker 1: throwing things at his cat out in the yard. He

790
00:39:30,600 --> 00:39:33,680
Speaker 1: is obviously taking out all of his anger and frustrations

791
00:39:33,680 --> 00:39:36,000
Speaker 1: on Sassy, and Roberta knows how hard it is to

792
00:39:36,000 --> 00:39:38,319
Speaker 1: forgive someone when you're angry at them. But the only

793
00:39:38,320 --> 00:39:40,879
Speaker 1: problem is being mad at them doesn't make you feel

794
00:39:40,920 --> 00:39:43,880
Speaker 1: any better. It was this movie was so weird, and

795
00:39:43,920 --> 00:39:47,040
Speaker 1: then had all these great little messages thrown in to

796
00:39:47,200 --> 00:39:49,880
Speaker 1: this bonker's world. It was so strange.

797
00:39:50,200 --> 00:39:53,120
Speaker 4: It was strange, but it was like this is what

798
00:39:53,200 --> 00:39:55,760
Speaker 4: it'd be like. Oh okay, here we go. We're gonna

799
00:39:55,800 --> 00:39:58,120
Speaker 4: go for that. Oh no, we're back in weird land.

800
00:39:58,280 --> 00:39:59,640
Speaker 1: Back in weird land.

801
00:40:00,160 --> 00:40:02,959
Speaker 2: So quick and it goes right back and it just it.

802
00:40:02,880 --> 00:40:07,040
Speaker 1: Did it did? Jack asked why she, you know, after

803
00:40:07,080 --> 00:40:08,960
Speaker 1: all this time, wants to know, why were you mad

804
00:40:09,000 --> 00:40:11,719
Speaker 1: at my dad? She says that she was hurt and

805
00:40:11,760 --> 00:40:13,920
Speaker 1: angry for so long that she just got used to it.

806
00:40:13,960 --> 00:40:16,360
Speaker 1: But she loved his dad and they made a great team.

807
00:40:16,360 --> 00:40:18,200
Speaker 1: What they allude to, but they never get to it

808
00:40:18,280 --> 00:40:20,919
Speaker 1: is the fact that he left. He did. He wanted

809
00:40:20,960 --> 00:40:22,800
Speaker 1: to move to this place. He didn't want to be

810
00:40:22,880 --> 00:40:24,360
Speaker 1: the band with her anymore. She wanted to be in

811
00:40:24,360 --> 00:40:25,799
Speaker 1: the band. They were about to make it big. She

812
00:40:25,840 --> 00:40:27,880
Speaker 1: even says in the first flashback, like we could be

813
00:40:27,880 --> 00:40:30,400
Speaker 1: booked for six months. So he walked away.

814
00:40:30,200 --> 00:40:33,040
Speaker 4: From there on her ass and he left. Yep, her

815
00:40:33,440 --> 00:40:34,759
Speaker 4: dream was destroyed.

816
00:40:35,040 --> 00:40:35,279
Speaker 1: Yep.

817
00:40:35,600 --> 00:40:36,640
Speaker 2: Not a good band member.

818
00:40:36,840 --> 00:40:38,480
Speaker 1: She that's what it was, is she didn't want him

819
00:40:38,480 --> 00:40:41,480
Speaker 1: to leave for Alaska. Jack feels, and Jack feels the

820
00:40:41,520 --> 00:40:44,480
Speaker 1: same way. He you know, doesn't want to leave. She

821
00:40:44,640 --> 00:40:47,160
Speaker 1: lights a cigarette number nine thousand, six hundred and forty two,

822
00:40:47,640 --> 00:40:50,000
Speaker 1: and that's when we find out that Jack is allergic.

823
00:40:50,080 --> 00:40:52,359
Speaker 1: So she rushes to put out the cigarette and apologizes,

824
00:40:52,560 --> 00:40:54,960
Speaker 1: but he picks up the cigarette. His dad taught him

825
00:40:55,000 --> 00:40:57,440
Speaker 1: not to litter. Very very very sweet, this kid. She

826
00:40:57,680 --> 00:40:59,160
Speaker 1: he was like the sweetest kid in the world by

827
00:40:59,160 --> 00:41:02,319
Speaker 1: the way he really was, and was such a good

828
00:41:02,360 --> 00:41:06,480
Speaker 1: actor too, Yes, he was. Now she knows that they

829
00:41:06,480 --> 00:41:08,400
Speaker 1: are very different people, but she's gonna make it up

830
00:41:08,440 --> 00:41:10,719
Speaker 1: to him. He asks if she's going to stay, and

831
00:41:10,760 --> 00:41:13,400
Speaker 1: she explains no, she's not going to stay in Alaska.

832
00:41:13,440 --> 00:41:15,440
Speaker 1: That's when he has hurt enough. He knows she doesn't

833
00:41:15,440 --> 00:41:17,960
Speaker 1: want to live with him, and he leaves again. We

834
00:41:18,000 --> 00:41:20,160
Speaker 1: are now inside the hotel. Daphne is serving tea to

835
00:41:20,200 --> 00:41:22,480
Speaker 1: Ben and says she noticed that he has a very

836
00:41:22,520 --> 00:41:25,959
Speaker 1: calming effect on Jack. With some obvious flirting in the air,

837
00:41:26,239 --> 00:41:29,040
Speaker 1: he stirs his glass. Eventually she leans in, but he

838
00:41:29,080 --> 00:41:33,200
Speaker 1: turns and gets a kiss on the cheek. She offers

839
00:41:33,280 --> 00:41:35,520
Speaker 1: him a biscuit, but instead of taking it boom, he

840
00:41:35,640 --> 00:41:38,600
Speaker 1: leans in plants one on her. That's my boy, Ben,

841
00:41:38,880 --> 00:41:42,920
Speaker 1: and they kiss passionately. After the makeout sash, Ben is

842
00:41:43,000 --> 00:41:45,360
Speaker 1: laying on his bed when the phone rings. It's Peg,

843
00:41:45,920 --> 00:41:48,120
Speaker 1: his wife has been calling, the wife he couldn't get

844
00:41:48,120 --> 00:41:49,960
Speaker 1: in touch with forever and ever and ever and ever.

845
00:41:50,120 --> 00:41:52,440
Speaker 1: He kisses another woman, Boom, look like, look at that.

846
00:41:52,520 --> 00:41:54,400
Speaker 1: She's on the phone just like that. Isn't that always

847
00:41:54,440 --> 00:41:57,040
Speaker 1: the way? He admits that he did call her a

848
00:41:57,040 --> 00:41:59,200
Speaker 1: few times, but things are going better in Alaska now

849
00:41:59,200 --> 00:42:02,239
Speaker 1: he'll fill her in late now. Outside, Ben admits to

850
00:42:02,320 --> 00:42:05,239
Speaker 1: Roberta that Peg has actually been his ex wife for

851
00:42:05,239 --> 00:42:08,040
Speaker 1: about six years, and his daughters are away at college.

852
00:42:08,080 --> 00:42:10,040
Speaker 1: He talks about the time he's spent with Jack today.

853
00:42:10,160 --> 00:42:12,279
Speaker 1: He's had so much fun on the swings and he's

854
00:42:12,320 --> 00:42:16,040
Speaker 1: feeling happy again. He's scared, but he's gonna do it.

855
00:42:16,080 --> 00:42:18,759
Speaker 1: He's gonna move to Alaska because the best thing he's

856
00:42:18,800 --> 00:42:22,160
Speaker 1: ever been is a dad and Frank knew that.

857
00:42:22,960 --> 00:42:23,480
Speaker 2: So cool.

858
00:42:23,760 --> 00:42:25,600
Speaker 1: Roberta seems a bit shaken up. It appears she was

859
00:42:25,640 --> 00:42:28,200
Speaker 1: ready to make a similar decision, but instead of addressing it,

860
00:42:28,239 --> 00:42:30,800
Speaker 1: she nervously says she'll catch her train back home tonight.

861
00:42:31,120 --> 00:42:33,759
Speaker 1: It's probably best for Jack. She walks back to the

862
00:42:33,760 --> 00:42:36,239
Speaker 1: hotel with a lot obviously on her mind. She does

863
00:42:36,280 --> 00:42:38,600
Speaker 1: the stutter step, the stutter step, turns around, looks at

864
00:42:38,640 --> 00:42:42,000
Speaker 1: him again. She was thinking the same thing in her room.

865
00:42:42,080 --> 00:42:44,400
Speaker 1: Roberta's trying to write a letter but having issues expressing

866
00:42:44,480 --> 00:42:46,520
Speaker 1: her emotions. Still that, and also because she's a lefty

867
00:42:46,560 --> 00:42:48,400
Speaker 1: and we all know lefties are weird. There is a

868
00:42:48,480 --> 00:42:49,960
Speaker 1: knock at the door. I'm married to a lefty, by

869
00:42:49,960 --> 00:42:51,520
Speaker 1: the way, which is why I say that there's a

870
00:42:51,560 --> 00:42:54,080
Speaker 1: knock at the door. It's Ben. Apparently her train is

871
00:42:54,160 --> 00:42:56,160
Speaker 1: arriving a little early, so she's got to get moving.

872
00:42:56,400 --> 00:42:59,600
Speaker 1: But when she gets downstairs, she's surprised by an entire

873
00:43:00,360 --> 00:43:03,400
Speaker 1: group of people. It's all the characters in the movie. Everyone.

874
00:43:03,480 --> 00:43:07,520
Speaker 1: They are throwing her a very loving goodbye party. As

875
00:43:07,520 --> 00:43:09,439
Speaker 1: she gets to the door, she sees Jack. She says

876
00:43:09,440 --> 00:43:12,000
Speaker 1: goodbye and gives him her number. She's sorry that she

877
00:43:12,040 --> 00:43:15,239
Speaker 1: couldn't stay, but he understands. It's the greatest line ever

878
00:43:15,520 --> 00:43:17,440
Speaker 1: where he says, I know, I get it. I like

879
00:43:17,480 --> 00:43:20,319
Speaker 1: where I live too. It was just awesome. We hear

880
00:43:20,360 --> 00:43:22,960
Speaker 1: that never ending bell from the desk, and she walks out,

881
00:43:22,960 --> 00:43:26,359
Speaker 1: with Jack lovingly looking in her direction. Ben walks her

882
00:43:26,360 --> 00:43:28,560
Speaker 1: to the station and the train wasn't early after all.

883
00:43:28,600 --> 00:43:30,040
Speaker 1: They have some time to kill so they sit and

884
00:43:30,080 --> 00:43:32,520
Speaker 1: they chat, but then Roberta notices Jack is back on

885
00:43:32,560 --> 00:43:36,000
Speaker 1: the roof of the hotel, and then he drops his

886
00:43:36,200 --> 00:43:39,759
Speaker 1: lantern and screams Ben. Roberta go running towards him as

887
00:43:39,760 --> 00:43:42,760
Speaker 1: the lant crashes to the ground. Jack now hangs onto

888
00:43:42,840 --> 00:43:45,960
Speaker 1: a gutter for dear life, yelling for help. Ben runs

889
00:43:46,000 --> 00:43:48,640
Speaker 1: upstairs to get onto the roof while Roberta tries to

890
00:43:48,640 --> 00:43:51,520
Speaker 1: calm Jack down. He asks if she'd catch him, and

891
00:43:51,840 --> 00:43:54,799
Speaker 1: she says yes, but don't worry. Ben'll be up there soon.

892
00:43:55,680 --> 00:43:58,239
Speaker 1: But then we see the elevator is stuck between floors again,

893
00:43:58,280 --> 00:44:01,719
Speaker 1: but this time the sleeping sale does help. He has

894
00:44:01,760 --> 00:44:04,600
Speaker 1: an idea and they strap the now freed Ben with

895
00:44:05,880 --> 00:44:10,080
Speaker 1: the hose the fire hose from and then they grab him.

896
00:44:10,080 --> 00:44:12,080
Speaker 1: They put him outside. He's got the fire hose wrapped

897
00:44:12,080 --> 00:44:13,960
Speaker 1: around him. They put it next to the elevator shaft.

898
00:44:14,440 --> 00:44:16,920
Speaker 1: Everyone is now gathered outside, watching Jack get closer and

899
00:44:16,960 --> 00:44:20,359
Speaker 1: closer to dying. Ben is now crawling out on the roof,

900
00:44:20,360 --> 00:44:23,400
Speaker 1: but the gutter continues to break. Roberta is bracing herself

901
00:44:23,400 --> 00:44:26,000
Speaker 1: and asks Jack to count to three as the crowd

902
00:44:26,000 --> 00:44:28,680
Speaker 1: gets a bed sheet ready. One, two, three, He lets

903
00:44:28,680 --> 00:44:31,640
Speaker 1: go and falls at top speed towards the ground, but

904
00:44:31,800 --> 00:44:34,280
Speaker 1: luckily the bed sheet was ready and breaks the boy's fall.

905
00:44:34,680 --> 00:44:37,880
Speaker 1: Jack embraces Roberta, crying. He says he misses his dad.

906
00:44:38,080 --> 00:44:40,040
Speaker 1: She rubs his head and says she misses him too.

907
00:44:40,120 --> 00:44:42,240
Speaker 1: She grabs his face and we hear the train arriving.

908
00:44:42,600 --> 00:44:45,640
Speaker 1: A decision looms just as Jack pulls an eyelash off

909
00:44:45,719 --> 00:44:47,880
Speaker 1: Roberta's face and tells her to make a wish. A

910
00:44:47,960 --> 00:44:49,799
Speaker 1: return to the flashback at the beginning of the movie

911
00:44:49,800 --> 00:44:52,960
Speaker 1: with Frank and his sister, Roberta holding back tears, blows

912
00:44:52,960 --> 00:44:55,719
Speaker 1: it away and kisses his hand. They embrace one last

913
00:44:55,719 --> 00:44:57,680
Speaker 1: time as we pull out to show everyone at the

914
00:44:57,719 --> 00:45:01,239
Speaker 1: hotel watching on. We cut to the CP footage from

915
00:45:01,239 --> 00:45:03,000
Speaker 1: the start of the movie, again, everything making a little

916
00:45:03,040 --> 00:45:05,520
Speaker 1: more sense now. We see Roberta addressed as a prisoner

917
00:45:05,560 --> 00:45:10,320
Speaker 1: with antenna on. She says she's an illegal alien. Yikes,

918
00:45:11,600 --> 00:45:14,000
Speaker 1: not everything in this movie aged well. She wishes Jack

919
00:45:14,040 --> 00:45:16,560
Speaker 1: a happy birthday and professes her love for him. We

920
00:45:16,600 --> 00:45:18,759
Speaker 1: see more footage of more stories about Frank and Jack

921
00:45:18,800 --> 00:45:21,720
Speaker 1: from characters we now recognize as Joe, Daphne, and even

922
00:45:21,800 --> 00:45:25,399
Speaker 1: Margaret and Sasse. We reveal that Jack is watching these

923
00:45:25,480 --> 00:45:28,400
Speaker 1: on his TV, now cuddled with Roberta. We hear her

924
00:45:28,480 --> 00:45:31,000
Speaker 1: voice on the video on that day, you asked me

925
00:45:31,320 --> 00:45:32,960
Speaker 1: why we had a party when we lost someone is

926
00:45:33,000 --> 00:45:35,040
Speaker 1: so special to us. I didn't know what to say,

927
00:45:35,080 --> 00:45:36,759
Speaker 1: But in the last few months, I've learned what your

928
00:45:36,840 --> 00:45:40,280
Speaker 1: dad always knew. Life is to be celebrated, all the parts,

929
00:45:40,480 --> 00:45:44,000
Speaker 1: even the unexpected ones. Bam, another message right in your face.

930
00:45:44,160 --> 00:45:47,680
Speaker 1: Loved it. With that, we see everyone is at the

931
00:45:47,680 --> 00:45:50,200
Speaker 1: birthday party, not just Roberta, but Ben, who is now

932
00:45:50,280 --> 00:45:54,560
Speaker 1: dating Daphne, Joe and many others. Even Sassy's there. Everything

933
00:45:54,600 --> 00:45:57,640
Speaker 1: worked out and it's one big family. Roberta even quits

934
00:45:57,640 --> 00:46:01,520
Speaker 1: smoking cold turkey as she's outing the cake up. Rat

935
00:46:01,560 --> 00:46:04,080
Speaker 1: boy walks by with his face covered by a stack

936
00:46:04,120 --> 00:46:06,200
Speaker 1: of gifts. He hands over the presence and Roberta calmly

937
00:46:06,200 --> 00:46:09,680
Speaker 1: offers him some food. She knows his real name is Gerald. Yes,

938
00:46:10,000 --> 00:46:13,800
Speaker 1: he's a real person, and she is a new person.

939
00:46:14,360 --> 00:46:17,040
Speaker 1: But it's Jack's bedtime and time to leave. Ben, Roberta,

940
00:46:17,200 --> 00:46:20,000
Speaker 1: Jack and Sassy all walk home and that's when they

941
00:46:20,000 --> 00:46:23,480
Speaker 1: see it, the Northern Lights. The entire town is frozen

942
00:46:23,480 --> 00:46:25,600
Speaker 1: in his beauty. Ben asked Jack if he knows what

943
00:46:25,640 --> 00:46:28,680
Speaker 1: that is, and Jack says, it's a phenomenon and that's

944
00:46:28,719 --> 00:46:32,120
Speaker 1: our movie. Sabrina, did you cry not even a little bit?

945
00:46:34,800 --> 00:46:36,600
Speaker 1: Were you super happy the movie was over?

946
00:46:37,719 --> 00:46:40,920
Speaker 2: Yes, if there was a tear shed, it was done.

947
00:46:41,080 --> 00:46:45,120
Speaker 4: It was your joy, by the way, even though the

948
00:46:45,160 --> 00:46:48,040
Speaker 4: disappointment happened early on in the movie. I forgot the

949
00:46:48,120 --> 00:46:52,080
Speaker 4: name of this movie was called Northern Lights because that

950
00:46:52,200 --> 00:46:54,839
Speaker 4: had nothing to do with this movie, not even one

951
00:46:54,880 --> 00:46:55,759
Speaker 4: part it did.

952
00:46:55,800 --> 00:46:57,760
Speaker 1: If the Northern Lights was the weed from the eighties

953
00:46:57,760 --> 00:46:59,799
Speaker 1: and the nineties, and then it was totally apropos.

954
00:47:00,160 --> 00:47:01,920
Speaker 2: All right, well then there you go.

955
00:47:02,840 --> 00:47:05,359
Speaker 1: Wow, Okay, can we do some real reviews? And I

956
00:47:05,400 --> 00:47:10,640
Speaker 1: think you've got the five star this week? I love it.

957
00:47:10,680 --> 00:47:12,040
Speaker 1: Can you give us this review please?

958
00:47:12,440 --> 00:47:19,040
Speaker 4: Oh? Five stars? From David from Wales. I love this film.

959
00:47:19,480 --> 00:47:22,160
Speaker 4: I've been looking to get a copy for eleven years.

960
00:47:22,680 --> 00:47:26,720
Speaker 4: It's a comedy like no other, sad, surreal, with lots

961
00:47:26,760 --> 00:47:29,640
Speaker 4: of meaning. Does anyone know where I can get a copy?

962
00:47:30,200 --> 00:47:31,680
Speaker 2: Could you have one made for me?

963
00:47:32,440 --> 00:47:34,919
Speaker 4: I'm happy to pay you in advance. Any help would

964
00:47:34,920 --> 00:47:36,040
Speaker 4: be greatly appreciated.

965
00:47:36,560 --> 00:47:38,160
Speaker 2: No, David out of luck.

966
00:47:39,520 --> 00:47:44,560
Speaker 1: I absolutely agree with this review. Maybe not five stars,

967
00:47:44,760 --> 00:47:46,840
Speaker 1: but it is sad, surreal with a lot of meaning.

968
00:47:46,880 --> 00:47:49,799
Speaker 1: I totally agree with it. I have the one star

969
00:47:49,880 --> 00:47:51,880
Speaker 1: this week, and it is by our old friend Nunamad

970
00:47:52,520 --> 00:47:57,000
Speaker 1: who has come back. This is our one. I'm going

971
00:47:57,040 --> 00:47:58,800
Speaker 1: to give you the one star review and then explain

972
00:47:58,840 --> 00:48:01,799
Speaker 1: the one star review. So the one star review is

973
00:48:02,080 --> 00:48:07,800
Speaker 1: this could have been okay, but Leanne Rhymes can't act okay.

974
00:48:07,960 --> 00:48:11,440
Speaker 1: So here's the explanation. Almost all the negative reviews of

975
00:48:11,440 --> 00:48:14,000
Speaker 1: this movie are mistakenly placed in their Rotten Tomatoes page

976
00:48:14,120 --> 00:48:16,520
Speaker 1: because they are meant to criticize the two thousand and

977
00:48:16,640 --> 00:48:20,880
Speaker 1: nine romance thriller Lifetime TV movie Northern Lights, starring Leanne

978
00:48:20,920 --> 00:48:23,600
Speaker 1: Rhymes and Eddie Cibrian. This is also a film that

979
00:48:23,640 --> 00:48:25,440
Speaker 1: they were This is the one where they met and

980
00:48:25,440 --> 00:48:27,120
Speaker 1: that they were both married, they had an affair and

981
00:48:27,160 --> 00:48:29,840
Speaker 1: are still together. Wait, is this where there was a

982
00:48:29,840 --> 00:48:30,520
Speaker 1: plane crash?

983
00:48:30,719 --> 00:48:33,759
Speaker 3: That's the synoptos, that's what I'm assuming. Yes, even I

984
00:48:33,840 --> 00:48:34,600
Speaker 3: made the mistake.

985
00:48:34,920 --> 00:48:37,319
Speaker 1: Oh that's great. So you put the synopsis of the

986
00:48:37,360 --> 00:48:40,640
Speaker 1: wrong movie on the thing that's being wrongly. Oh, I

987
00:48:40,680 --> 00:48:41,000
Speaker 1: love it.

988
00:48:41,040 --> 00:48:43,080
Speaker 3: I usually double check it on the way out. But

989
00:48:43,239 --> 00:48:44,919
Speaker 3: it's like I just I just went to the movie

990
00:48:44,960 --> 00:48:46,640
Speaker 3: copy paste the synopsis went capt moving.

991
00:48:47,280 --> 00:48:49,080
Speaker 1: Oh god, I love it because I was watching.

992
00:48:48,880 --> 00:48:51,080
Speaker 3: Way that doesn't mean that I went to the wrong movie.

993
00:48:51,120 --> 00:48:53,720
Speaker 3: That means that the wrong synopsis was in the movie.

994
00:48:53,880 --> 00:48:55,959
Speaker 1: That's what I'm saying. That's the joy is that even

995
00:48:56,000 --> 00:48:59,680
Speaker 1: the synopsis for the movie was wrong because it was great.

996
00:48:59,719 --> 00:49:03,240
Speaker 1: Oh I love that so much. But while you're here, Jensen,

997
00:49:03,239 --> 00:49:06,319
Speaker 1: we've got your new feature for the week, which is,

998
00:49:06,400 --> 00:49:10,320
Speaker 1: as you know, Sabrina's favorite part of the podcast, and it's, uh,

999
00:49:10,560 --> 00:49:13,879
Speaker 1: this week's your Your game is sounds like, but it's

1000
00:49:13,920 --> 00:49:17,279
Speaker 1: nothing like. And this movie. So here here's the game.

1001
00:49:17,320 --> 00:49:19,600
Speaker 1: This movie depicts the Alaskan view of the Northern Lights,

1002
00:49:19,640 --> 00:49:22,800
Speaker 1: a sky event that is also known as the Aurora borealis,

1003
00:49:23,280 --> 00:49:26,520
Speaker 1: which totally unrelated sounds a lot like the name of

1004
00:49:26,560 --> 00:49:32,399
Speaker 1: American actor and television producer David Boriannis. Now these things

1005
00:49:32,400 --> 00:49:36,440
Speaker 1: are nothing alike. Nothing, yeah, nothing, So now we have

1006
00:49:36,520 --> 00:49:40,239
Speaker 1: to name four projects that David Boriannis acted in his

1007
00:49:40,719 --> 00:49:42,719
Speaker 1: long running career in Hollywood.

1008
00:49:45,320 --> 00:49:48,080
Speaker 3: What, yeah, I mean they're not you know, they sound

1009
00:49:48,120 --> 00:49:49,760
Speaker 3: like each other, They're just not related.

1010
00:49:52,800 --> 00:49:57,120
Speaker 4: There's not even multiple choice options, no absolute garbage.

1011
00:49:57,239 --> 00:50:00,319
Speaker 3: No, you need four projects that he's been in. And

1012
00:50:00,360 --> 00:50:02,120
Speaker 3: I I just love how you went.

1013
00:50:02,560 --> 00:50:05,960
Speaker 1: You went from Northern Lights to a Rory bo Burrialis

1014
00:50:06,080 --> 00:50:12,480
Speaker 1: to David Banna. Oh it's so great. Okay, I'm going

1015
00:50:12,560 --> 00:50:13,919
Speaker 1: to go right now.

1016
00:50:13,600 --> 00:50:16,719
Speaker 3: With Angel angel Is on the list. We need three more.

1017
00:50:17,440 --> 00:50:19,720
Speaker 1: Go ahead, Sabrina, you do the next. I have zero,

1018
00:50:20,400 --> 00:50:23,840
Speaker 1: you have none? No, all right, I'm gonna go next

1019
00:50:24,080 --> 00:50:25,879
Speaker 1: with Seal Team.

1020
00:50:26,040 --> 00:50:28,120
Speaker 3: He's in Seal Team. That's two. And by the way,

1021
00:50:28,280 --> 00:50:30,160
Speaker 3: he's a Holly. I mean he's had a Hollywood career

1022
00:50:30,160 --> 00:50:31,840
Speaker 3: for like decades forever.

1023
00:50:32,120 --> 00:50:34,640
Speaker 1: He's like Rob Low where he's always on a show.

1024
00:50:34,680 --> 00:50:38,319
Speaker 4: Can I look up an image of him playing? If

1025
00:50:38,320 --> 00:50:40,120
Speaker 4: I don't know what he looks like, how am I

1026
00:50:40,200 --> 00:50:40,640
Speaker 4: gonna know?

1027
00:50:40,960 --> 00:50:43,760
Speaker 3: I mean, it's really more of a critique on American

1028
00:50:43,840 --> 00:50:45,680
Speaker 3: media than it is on this game.

1029
00:50:50,120 --> 00:50:53,799
Speaker 2: So wait, okay, wait, hold on to yours. Maybe if

1030
00:50:53,880 --> 00:50:54,320
Speaker 2: you give.

1031
00:50:54,200 --> 00:50:59,320
Speaker 6: Me Angel Angel and I Team yes, yes, show Angel

1032
00:51:00,520 --> 00:51:04,680
Speaker 6: Angelo ANGELA Angel was a spin off of another show

1033
00:51:04,680 --> 00:51:08,200
Speaker 6: that he was also on, Angel.

1034
00:51:08,680 --> 00:51:10,560
Speaker 3: And by the way, I picked four because I thought

1035
00:51:10,640 --> 00:51:11,959
Speaker 3: these three were right out the gate.

1036
00:51:12,440 --> 00:51:17,160
Speaker 2: Yeah, Angel Angel, Angel, Angel Angel. Is it Angel from

1037
00:51:17,200 --> 00:51:18,120
Speaker 2: Buffy the Vampires?

1038
00:51:18,320 --> 00:51:22,560
Speaker 3: Okay, yes, that is vampire number three number four? Now,

1039
00:51:24,040 --> 00:51:24,840
Speaker 3: good luck everyone.

1040
00:51:27,920 --> 00:51:29,560
Speaker 1: But does he have to be a regular or can

1041
00:51:29,600 --> 00:51:30,319
Speaker 1: he be a guest star?

1042
00:51:34,280 --> 00:51:35,920
Speaker 3: I think he could be a guest star. It's just

1043
00:51:36,000 --> 00:51:38,040
Speaker 3: I would like for it to be out of this universe.

1044
00:51:38,080 --> 00:51:41,959
Speaker 2: Now, out of this universe, because.

1045
00:51:41,680 --> 00:51:43,640
Speaker 3: There is a fourth here that he was a big,

1046
00:51:43,680 --> 00:51:44,400
Speaker 3: big star on.

1047
00:51:45,520 --> 00:51:47,520
Speaker 1: Really yeah, another television show.

1048
00:51:47,719 --> 00:51:50,440
Speaker 2: Yes, but out of like the vampire universe.

1049
00:51:50,520 --> 00:51:51,240
Speaker 1: You mean yeah?

1050
00:51:51,280 --> 00:51:53,759
Speaker 3: And I would argue, I would argue. I mean I

1051
00:51:53,800 --> 00:51:55,440
Speaker 3: don't have to argue. Actually, I just looked at the stats.

1052
00:51:55,520 --> 00:51:57,480
Speaker 3: It's the job he's had the longest.

1053
00:51:59,560 --> 00:52:01,480
Speaker 1: Like, oh, oh, I think I know it. I think

1054
00:52:01,520 --> 00:52:02,839
Speaker 1: I know it. I think I know it.

1055
00:52:03,120 --> 00:52:06,920
Speaker 3: Okay, do you want to try? It would also make

1056
00:52:07,000 --> 00:52:08,319
Speaker 3: for a pretty decent porn night.

1057
00:52:09,120 --> 00:52:10,839
Speaker 1: It would It would make for a great porn name.

1058
00:52:10,960 --> 00:52:12,520
Speaker 3: Yeah, I'm out.

1059
00:52:15,800 --> 00:52:18,560
Speaker 1: Is the word you're looking for? Jensen Bones?

1060
00:52:18,880 --> 00:52:24,560
Speaker 3: It is bones. That is also for the record, the

1061
00:52:24,560 --> 00:52:27,759
Speaker 3: fact that she barely named one again a critique on

1062
00:52:27,800 --> 00:52:30,680
Speaker 3: the way we create stars and television in modern days.

1063
00:52:30,719 --> 00:52:34,000
Speaker 3: You know meia right, right, guys gets paid probably a

1064
00:52:34,040 --> 00:52:37,080
Speaker 3: million dollars an episode, no cluelyas no clueas.

1065
00:52:38,000 --> 00:52:39,799
Speaker 1: I well, that's one of the reasons I want to

1066
00:52:39,800 --> 00:52:41,400
Speaker 1: go to Alaska one day, is because I want to

1067
00:52:41,440 --> 00:52:44,920
Speaker 1: look up and see the David brianis Oh right, I

1068
00:52:44,960 --> 00:52:45,480
Speaker 1: can't wait.

1069
00:52:45,840 --> 00:52:46,239
Speaker 3: We all do.

1070
00:52:46,760 --> 00:52:48,240
Speaker 1: Thank you, Producer Jensen.

1071
00:52:48,320 --> 00:52:49,400
Speaker 2: That was a good one.

1072
00:52:49,600 --> 00:52:52,399
Speaker 1: I went four for four and and Sabrina got one

1073
00:52:52,440 --> 00:52:55,280
Speaker 1: after I gave her a hint. I'm gonna give myself

1074
00:52:55,320 --> 00:53:04,200
Speaker 1: three and a half on that one. Can we start

1075
00:53:04,200 --> 00:53:05,280
Speaker 1: with Sabrina, c'es please?

1076
00:53:09,600 --> 00:53:11,200
Speaker 2: So we talked about a couple of them.

1077
00:53:11,239 --> 00:53:14,839
Speaker 4: But I'm surprised you didn't say some of these things

1078
00:53:14,880 --> 00:53:17,960
Speaker 4: because you normally say these kinds of exact things, like

1079
00:53:18,040 --> 00:53:23,280
Speaker 4: while you're going through the movie. You know, you didn't

1080
00:53:23,280 --> 00:53:28,560
Speaker 4: think that Roberta and her brother had some weird.

1081
00:53:28,440 --> 00:53:29,800
Speaker 1: Weird sexual chemistry.

1082
00:53:30,120 --> 00:53:34,359
Speaker 4: Yes, yes, I mentioned that because I was like, were

1083
00:53:34,400 --> 00:53:35,120
Speaker 4: they dating?

1084
00:53:35,360 --> 00:53:38,840
Speaker 2: Like she was like, it was very very interesting.

1085
00:53:39,160 --> 00:53:39,640
Speaker 1: Agreed.

1086
00:53:41,080 --> 00:53:43,799
Speaker 4: We went over very quickly the Robin Egg and the

1087
00:53:44,640 --> 00:53:48,640
Speaker 4: and the napkin was the weirdest part. I don't understand whatever.

1088
00:53:48,960 --> 00:53:54,280
Speaker 4: And then when after she looks at her blank napkin, like, oh,

1089
00:53:54,320 --> 00:53:56,080
Speaker 4: like you look at tissue paper like that for the

1090
00:53:56,080 --> 00:53:58,719
Speaker 4: rest of your life now, like looking for the robin eggs, like.

1091
00:53:58,640 --> 00:54:00,440
Speaker 1: You put your nose in it, and you're like, remember

1092
00:54:00,480 --> 00:54:00,960
Speaker 1: the robine?

1093
00:54:01,520 --> 00:54:05,760
Speaker 4: So weird you didn't say this once and you normally

1094
00:54:05,840 --> 00:54:06,239
Speaker 4: call out.

1095
00:54:06,280 --> 00:54:08,520
Speaker 2: And I don't know if it's because it was Diane Keaton.

1096
00:54:08,840 --> 00:54:10,080
Speaker 4: I don't know if you were just giving her a

1097
00:54:10,080 --> 00:54:12,080
Speaker 4: little bit more respect than you might be giving us

1098
00:54:12,320 --> 00:54:13,840
Speaker 4: our other younger actors.

1099
00:54:14,200 --> 00:54:19,520
Speaker 2: But Roberta was a dick and I was so you

1100
00:54:19,600 --> 00:54:22,680
Speaker 2: would not say that once will and she was she

1101
00:54:22,920 --> 00:54:24,120
Speaker 2: was ale.

1102
00:54:24,239 --> 00:54:28,319
Speaker 4: To everyone that she wasn't in the last scene and

1103
00:54:28,360 --> 00:54:30,600
Speaker 4: then she's mean to her friend who seems to come

1104
00:54:30,640 --> 00:54:34,480
Speaker 4: all the way to Alaska for her like new like

1105
00:54:34,719 --> 00:54:38,440
Speaker 4: nephew's birthday, and she's like get over it, like she's.

1106
00:54:39,360 --> 00:54:40,920
Speaker 1: She's not a pleasant person.

1107
00:54:42,040 --> 00:54:44,520
Speaker 4: No, no, no, And I know this was like all

1108
00:54:44,600 --> 00:54:49,680
Speaker 4: funky wanky, just wonky people. Everywhere there's craziness, but that

1109
00:54:49,760 --> 00:54:52,919
Speaker 4: picnic was more of a circus type situation than any

1110
00:54:53,000 --> 00:54:53,720
Speaker 4: kind of picnic.

1111
00:54:54,200 --> 00:54:56,200
Speaker 2: There was like just everyone was.

1112
00:54:56,160 --> 00:55:00,120
Speaker 4: Doing just the strangest activities throughout the whole time they

1113
00:55:00,120 --> 00:55:03,200
Speaker 4: were out in that picnic. That was the scariest bridge

1114
00:55:03,239 --> 00:55:05,600
Speaker 4: I've ever seen. I don't even think if I was

1115
00:55:05,640 --> 00:55:07,480
Speaker 4: paid to be there in the movie, I would have

1116
00:55:07,520 --> 00:55:08,560
Speaker 4: stepped foot on that.

1117
00:55:08,840 --> 00:55:10,319
Speaker 1: I thought the same thing. I was like, Okay, so

1118
00:55:10,400 --> 00:55:12,080
Speaker 1: I've got to act on this bridge. Could I do it?

1119
00:55:12,120 --> 00:55:13,319
Speaker 1: I was like, okay, yeah, I'd have to.

1120
00:55:13,360 --> 00:55:17,640
Speaker 4: But I would have been but like the terrified, like

1121
00:55:17,719 --> 00:55:20,600
Speaker 4: being terrified while being on that bridge as the actors were,

1122
00:55:20,719 --> 00:55:21,160
Speaker 4: I do.

1123
00:55:21,160 --> 00:55:22,480
Speaker 2: Believe was real.

1124
00:55:22,920 --> 00:55:25,040
Speaker 1: Yeah, I agree, it not look like it.

1125
00:55:25,520 --> 00:55:28,400
Speaker 2: And then can you answer this for me?

1126
00:55:28,480 --> 00:55:31,040
Speaker 4: Maybe I was kind of checked in and out too much?

1127
00:55:31,880 --> 00:55:34,640
Speaker 4: Why was it was not? And it was a question

1128
00:55:34,680 --> 00:55:38,880
Speaker 4: I had that was never answered. Why was Daphne waiting

1129
00:55:39,040 --> 00:55:42,719
Speaker 4: for Ben? Always waited for Ben?

1130
00:55:43,000 --> 00:55:46,319
Speaker 1: They never answered it? Okay they didn't, And I thought

1131
00:55:46,360 --> 00:55:48,040
Speaker 1: the same thing. She said, I've been waiting for you.

1132
00:55:48,040 --> 00:55:49,800
Speaker 1: I don't know. She seemed to like them right off.

1133
00:55:49,680 --> 00:55:54,400
Speaker 4: The bat, why, I told her must have been but

1134
00:55:54,480 --> 00:55:55,080
Speaker 4: I never.

1135
00:55:55,200 --> 00:55:58,000
Speaker 3: Theory because I've thought of this. Yeah, so obviously the

1136
00:55:58,080 --> 00:56:00,200
Speaker 3: Lynchian vibes of all this stuff is there all so

1137
00:56:00,239 --> 00:56:03,200
Speaker 3: a supernatural thing that she has going on. That like

1138
00:56:03,480 --> 00:56:06,520
Speaker 3: she's like she didn't even give her name earlier when

1139
00:56:06,520 --> 00:56:08,560
Speaker 3: she got in the elevator, Like she's just she's a

1140
00:56:08,600 --> 00:56:12,960
Speaker 3: mystic kind of Yeah, she's a being, like a ghost.

1141
00:56:13,160 --> 00:56:14,600
Speaker 3: I don't know a ghost, but I mean I think

1142
00:56:14,600 --> 00:56:16,520
Speaker 3: she's just like a medium. She's just like a stick

1143
00:56:16,640 --> 00:56:19,040
Speaker 3: or something. Yeah, I think that's I think that's possible.

1144
00:56:19,360 --> 00:56:20,040
Speaker 3: That's possible.

1145
00:56:20,200 --> 00:56:20,760
Speaker 1: I like that.

1146
00:56:20,760 --> 00:56:22,360
Speaker 2: That was a question that I kept thinking.

1147
00:56:22,440 --> 00:56:23,880
Speaker 4: And I don't know if it was a scene that

1148
00:56:24,000 --> 00:56:25,719
Speaker 4: was cut, if it was meant to be that way,

1149
00:56:25,719 --> 00:56:27,800
Speaker 4: but they never answered it, and it was a big one,

1150
00:56:27,840 --> 00:56:29,960
Speaker 4: like why were you waiting for this?

1151
00:56:30,200 --> 00:56:31,600
Speaker 1: I like the idea that she's a mystic.

1152
00:56:31,600 --> 00:56:32,880
Speaker 2: I think that's yeah, that would.

1153
00:56:32,880 --> 00:56:35,160
Speaker 3: Especially because they weren't even that close of friends in college,

1154
00:56:35,239 --> 00:56:36,760
Speaker 3: Like there's something, there's something weird.

1155
00:56:37,120 --> 00:56:38,759
Speaker 1: Well, see, that was the other thing they weren't. They

1156
00:56:38,800 --> 00:56:40,000
Speaker 1: didn't go to college together.

1157
00:56:40,480 --> 00:56:43,480
Speaker 3: No, No, I was saying him and him in Jack's dad,

1158
00:56:43,600 --> 00:56:45,520
Speaker 3: like they weren't even that close in college.

1159
00:56:45,520 --> 00:56:48,040
Speaker 1: He says, no, him and Jack's dad. Yeah, No, they

1160
00:56:48,040 --> 00:56:49,280
Speaker 1: didn't go to college together.

1161
00:56:49,640 --> 00:56:50,880
Speaker 2: Jack's Jacks.

1162
00:56:51,120 --> 00:56:55,080
Speaker 1: When Jack's dad, when Frank went to Ohio State. After

1163
00:56:55,120 --> 00:56:59,200
Speaker 1: Ohio State, he moved into their garage. But they didn't

1164
00:56:59,239 --> 00:57:00,399
Speaker 1: go to college to Yeah.

1165
00:57:00,440 --> 00:57:02,400
Speaker 3: It's like they're not even that close. Yeah.

1166
00:57:02,480 --> 00:57:04,319
Speaker 1: Yeah, so they didn't. Yeah, they didn't go to college together.

1167
00:57:04,320 --> 00:57:06,279
Speaker 1: They didn't. It was just he just lived there. It

1168
00:57:06,360 --> 00:57:07,760
Speaker 1: was very strange. Yeah.

1169
00:57:07,800 --> 00:57:11,600
Speaker 4: Anyway, But the Northern Lights that I was hoping for

1170
00:57:11,680 --> 00:57:14,360
Speaker 4: of a movie, I'm going to take two seconds to explain.

1171
00:57:14,480 --> 00:57:16,040
Speaker 2: I thought it was going to be a love story.

1172
00:57:17,040 --> 00:57:18,280
Speaker 2: The day before Jordan.

1173
00:57:18,080 --> 00:57:21,280
Speaker 4: And I actually got engaged, we were we were in

1174
00:57:21,360 --> 00:57:23,240
Speaker 4: Iceland and there was a chance that we were going

1175
00:57:23,280 --> 00:57:24,240
Speaker 4: to see northern lights.

1176
00:57:24,240 --> 00:57:26,560
Speaker 2: So I was in this realm of.

1177
00:57:26,440 --> 00:57:29,120
Speaker 4: Thinking we were going to get engaged soon, and we

1178
00:57:29,120 --> 00:57:31,360
Speaker 4: were going on this big trip. And at the end

1179
00:57:31,400 --> 00:57:33,560
Speaker 4: of the night, after many times I thought I was

1180
00:57:33,600 --> 00:57:34,840
Speaker 4: going to turn around, He's going to be.

1181
00:57:34,800 --> 00:57:36,520
Speaker 2: On his knee, and he wasn't.

1182
00:57:37,000 --> 00:57:38,520
Speaker 4: We get back to the hotel and he's like, Oh,

1183
00:57:38,600 --> 00:57:40,240
Speaker 4: let's go outside and see if we can see the

1184
00:57:40,240 --> 00:57:43,240
Speaker 4: northern lights. So I'm going this is it. This is

1185
00:57:43,280 --> 00:57:45,640
Speaker 4: the moment I'm getting It's going to be the northern lights.

1186
00:57:45,880 --> 00:57:48,400
Speaker 4: The Northern lights were not there, and Jordan never got

1187
00:57:48,440 --> 00:57:50,280
Speaker 4: on a knee. So I was hoping this movie was

1188
00:57:50,320 --> 00:57:53,920
Speaker 4: going to make me feel better about the Northern Lights.

1189
00:57:52,800 --> 00:57:57,520
Speaker 2: It wasn't even a part of anything of this storyline.

1190
00:57:57,600 --> 00:57:58,480
Speaker 2: I was so confused.

1191
00:57:58,480 --> 00:58:00,720
Speaker 3: Anyway, anywhere was anyone smoking?

1192
00:58:01,920 --> 00:58:04,040
Speaker 1: Yeah, we had a tiny smoke filled room.

1193
00:58:04,280 --> 00:58:05,040
Speaker 3: On one knee.

1194
00:58:05,320 --> 00:58:06,880
Speaker 1: Jordan gets down on one while coffin.

1195
00:58:07,080 --> 00:58:10,360
Speaker 2: I really thought he was going to because it was like, so.

1196
00:58:09,960 --> 00:58:11,960
Speaker 1: So, did you not get engaged in Iceland?

1197
00:58:12,480 --> 00:58:13,280
Speaker 2: Not in Iceland.

1198
00:58:13,320 --> 00:58:16,320
Speaker 4: We did in Ireland when we were on the next

1199
00:58:16,360 --> 00:58:19,640
Speaker 4: part of our of our trip, so he knew I

1200
00:58:19,760 --> 00:58:21,120
Speaker 4: was looking for that engaged.

1201
00:58:21,200 --> 00:58:24,640
Speaker 6: Yeah, he's great full day.

1202
00:58:24,800 --> 00:58:27,920
Speaker 1: So yeah, anyway is great. That's a good one. All right, Well,

1203
00:58:28,640 --> 00:58:31,200
Speaker 1: now we've got thank you for those Sabrina seas. Those

1204
00:58:31,200 --> 00:58:33,040
Speaker 1: are good, and that would have been a good movie.

1205
00:58:33,160 --> 00:58:36,040
Speaker 1: It's just called Jordan and Sabrina under the Northern Lights,

1206
00:58:36,600 --> 00:58:40,120
Speaker 1: not getting engaged, not getting engaged at all, and hopefully

1207
00:58:40,160 --> 00:58:43,640
Speaker 1: in separate hotel rooms because you weren't married yet. We

1208
00:58:43,680 --> 00:58:45,840
Speaker 1: are now going to rate this movie one out of

1209
00:58:45,840 --> 00:58:47,920
Speaker 1: ten one. I think this time we're going to do

1210
00:58:47,960 --> 00:58:51,560
Speaker 1: one being the worst and ten being the best. Here

1211
00:58:51,600 --> 00:58:54,440
Speaker 1: are options this week. We've got one out of ten cigarettes,

1212
00:58:55,000 --> 00:58:58,480
Speaker 1: one out of ten Disney omittances one at ten, Rabbi

1213
00:58:58,600 --> 00:59:03,840
Speaker 1: Dog Pirates, Reverend Kids one out of ten, Ratman's one

1214
00:59:03,880 --> 00:59:07,480
Speaker 1: out of ten, Thin Shaky Bridges, one out of ten,

1215
00:59:07,640 --> 00:59:13,200
Speaker 1: Bad Daphney performances, Sassy Cats or one out of ten

1216
00:59:13,320 --> 00:59:16,640
Speaker 1: Leanne Rhymes movies you pick this week? What would you like? Sabria.

1217
00:59:16,720 --> 00:59:20,240
Speaker 4: It's not really the most hilarious one on this list,

1218
00:59:20,280 --> 00:59:23,000
Speaker 4: I will say that, but it has to be cigarettes

1219
00:59:23,040 --> 00:59:26,040
Speaker 4: because there were just so many in this Disney movie that.

1220
00:59:26,000 --> 00:59:27,200
Speaker 1: It was absurd.

1221
00:59:27,560 --> 00:59:29,439
Speaker 4: We got to do one out of ten cigarettes because

1222
00:59:29,440 --> 00:59:31,120
Speaker 4: there were definitely more than tens.

1223
00:59:31,160 --> 00:59:34,760
Speaker 1: Okay, well, I think you went first last time.

1224
00:59:34,800 --> 00:59:36,960
Speaker 2: I think no, I mean no, I mean I think

1225
00:59:37,000 --> 00:59:37,360
Speaker 2: you did.

1226
00:59:37,480 --> 00:59:39,400
Speaker 1: Okay, then your first what do you got go? How

1227
00:59:39,480 --> 00:59:42,400
Speaker 1: many cigarettes are you gonna give? Northern Lights?

1228
00:59:42,440 --> 00:59:42,840
Speaker 2: Oh?

1229
00:59:42,920 --> 00:59:46,280
Speaker 4: Man, If it weren't for Diane Keaton just being in

1230
00:59:46,360 --> 00:59:48,160
Speaker 4: it and my love for her, it probably would be

1231
00:59:48,200 --> 00:59:52,640
Speaker 4: even lower. And again, this movie, it wasn't anything I

1232
00:59:52,720 --> 00:59:53,360
Speaker 4: expected it.

1233
00:59:53,520 --> 00:59:56,760
Speaker 2: Sure, I usually am a fan.

1234
00:59:56,680 --> 01:00:00,880
Speaker 4: Of big, outlandish, just comed comical characters. I found it

1235
01:00:01,040 --> 01:00:05,360
Speaker 4: so confusing and just hard to like follow and keep watching.

1236
01:00:06,160 --> 01:00:09,440
Speaker 2: I'm going to give this four cigarettes.

1237
01:00:09,560 --> 01:00:11,880
Speaker 1: Four cigarettes? Wow, that might be one of your lowest

1238
01:00:11,880 --> 01:00:13,240
Speaker 1: scores ever for cigarettes.

1239
01:00:13,280 --> 01:00:15,280
Speaker 2: I don't think I've gone below four yet.

1240
01:00:15,400 --> 01:00:20,360
Speaker 1: Okay, I disagree, I really do. I don't know why,

1241
01:00:20,400 --> 01:00:22,080
Speaker 1: if I was in the right state of mind, if

1242
01:00:22,120 --> 01:00:24,160
Speaker 1: I don't know what I was expecting me because I

1243
01:00:24,200 --> 01:00:26,880
Speaker 1: didn't know what to expect. I really liked this movie.

1244
01:00:26,920 --> 01:00:29,960
Speaker 1: It was weird. I liked the message, I liked the performances.

1245
01:00:30,080 --> 01:00:34,240
Speaker 1: It was just strange. I'm actually giving this seven and

1246
01:00:34,280 --> 01:00:37,840
Speaker 1: a half cigarettes. Wow, I almost went to eight, but

1247
01:00:37,920 --> 01:00:39,600
Speaker 1: then some of the weirdness.

1248
01:00:39,160 --> 01:00:41,840
Speaker 3: Compleet, like dichotomy here.

1249
01:00:42,000 --> 01:00:44,280
Speaker 1: Right right, So we're totally different.

1250
01:00:44,440 --> 01:00:48,680
Speaker 2: This is like the same gap between our.

1251
01:00:50,040 --> 01:00:50,600
Speaker 1: Exactly.

1252
01:00:50,800 --> 01:00:52,800
Speaker 3: I actually had it around seven and a half as well.

1253
01:00:52,880 --> 01:00:55,080
Speaker 3: So Sabrina is on an island here.

1254
01:00:55,720 --> 01:00:56,680
Speaker 1: I agree.

1255
01:00:57,440 --> 01:00:58,600
Speaker 2: I'll live on my island.

1256
01:00:58,880 --> 01:01:01,040
Speaker 1: It was crazy live on your island, but put on

1257
01:01:01,080 --> 01:01:04,040
Speaker 1: a wig and then I won't recognize you. Yes, So

1258
01:01:04,200 --> 01:01:08,600
Speaker 1: thank you so much for joining us for this very interesting,

1259
01:01:08,760 --> 01:01:13,800
Speaker 1: strange and beautifully wonderful movie or just strange movie. And

1260
01:01:14,040 --> 01:01:16,760
Speaker 1: next week join us as we recap the LeeAnne rhymes Northern.

1261
01:01:16,840 --> 01:01:19,320
Speaker 1: I'm kidding. That's not what it is about. God, that

1262
01:01:19,480 --> 01:01:22,680
Speaker 1: is not what we're doing. No, our next movie. Wow,

1263
01:01:22,920 --> 01:01:25,240
Speaker 1: I get to say this out loud. Our next movie

1264
01:01:25,240 --> 01:01:28,800
Speaker 1: is very near and dear to my heart. It's the

1265
01:01:28,840 --> 01:01:33,520
Speaker 1: thing in my career that my mom loves the most. Yes,

1266
01:01:34,080 --> 01:01:37,560
Speaker 1: another forgotten Disney production, It's nineteen ninety nine's h E

1267
01:01:37,720 --> 01:01:42,200
Speaker 1: Double Hockey Sticks will be next, starring myself and one

1268
01:01:43,160 --> 01:01:45,840
Speaker 1: much better looking guy who goes by the name of

1269
01:01:45,960 --> 01:01:49,680
Speaker 1: Matthew Lawrence. It's only viewable on YouTube unfortunately, so you

1270
01:01:49,720 --> 01:01:51,680
Speaker 1: can watch it there for free before we get to it,

1271
01:01:51,720 --> 01:01:54,520
Speaker 1: so go check it out. We also have a great

1272
01:01:54,640 --> 01:01:57,120
Speaker 1: park Hopper episode this week. We're talking to the wonderful

1273
01:01:57,200 --> 01:02:00,760
Speaker 1: Jordan Danger formerly known as Jordan Hinson. We talked all

1274
01:02:00,800 --> 01:02:04,600
Speaker 1: about her first acting job ever as Caitlin Kingsford in

1275
01:02:04,640 --> 01:02:08,200
Speaker 1: the Hockey Slash Ice Skating film Go Figure. Here's a

1276
01:02:08,240 --> 01:02:09,120
Speaker 1: sneak peek.

1277
01:02:10,560 --> 01:02:11,480
Speaker 3: Can you ice skate?

1278
01:02:11,840 --> 01:02:16,080
Speaker 5: And it's like sure, my life? And I was like yeah,

1279
01:02:16,200 --> 01:02:18,480
Speaker 5: and like my brain, I don't know what I was thinking.

1280
01:02:18,600 --> 01:02:21,360
Speaker 5: I said pretty good, pretty well, you know. I told

1281
01:02:21,400 --> 01:02:22,800
Speaker 5: them I could ice skate, not just ice skate, but

1282
01:02:22,840 --> 01:02:24,680
Speaker 5: I could do it well, which was I don't know

1283
01:02:24,720 --> 01:02:27,800
Speaker 5: what I was thinking. But I grew up doing gymnastics.

1284
01:02:27,840 --> 01:02:29,640
Speaker 5: I was like a big gymnast, so I was like,

1285
01:02:29,800 --> 01:02:30,560
Speaker 5: how hard can it be?

1286
01:02:31,080 --> 01:02:31,200
Speaker 3: Right?

1287
01:02:31,600 --> 01:02:34,400
Speaker 5: Totally different, not at all the same.

1288
01:02:37,080 --> 01:02:39,480
Speaker 1: She was awesome and so cool. Thank you so much

1289
01:02:39,520 --> 01:02:41,320
Speaker 1: and don't forget. If you want to hear more, remember

1290
01:02:41,320 --> 01:02:45,000
Speaker 1: to subscribe to our dedicated feed, Magical Rewind and Apple podcasts,

1291
01:02:45,160 --> 01:02:49,320
Speaker 1: iHeartRadio or wherever you get your podcasts. Don't miss another episode,

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Speaker 1: and you can follow us at Magical Rewind Pod on

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Speaker 1: the Instagram Machine. Thanks everybody, Bye bye,