1 00:00:10,200 --> 00:00:12,280 Speaker 1: Lisca, Welcome to Monday Show. 2 00:00:12,360 --> 00:00:14,480 Speaker 2: More than studio money. All right, let's get to know. 3 00:00:15,120 --> 00:00:19,200 Speaker 2: Here's the question, what movie and all your movie watching 4 00:00:19,360 --> 00:00:22,640 Speaker 2: could you quote the most of And maybe you could 5 00:00:22,640 --> 00:00:26,560 Speaker 2: do every single movie quote period, but you could quote the. 6 00:00:26,480 --> 00:00:27,760 Speaker 1: Most and I'll go first. 7 00:00:27,800 --> 00:00:30,200 Speaker 2: I could probably and this one doesn't count, but I 8 00:00:30,200 --> 00:00:33,240 Speaker 2: could probably do Grease because I did Grease the play 9 00:00:33,840 --> 00:00:35,720 Speaker 2: that was Danny Zuko. But I think I had to 10 00:00:35,760 --> 00:00:37,400 Speaker 2: learn that because I was in the place I'm gonna 11 00:00:37,400 --> 00:00:39,599 Speaker 2: I'm gonna probably do Bill and Ted's Excellent Adventure. Oh 12 00:00:39,640 --> 00:00:42,680 Speaker 2: that's pretty good, which is a great movie for kids 13 00:00:42,720 --> 00:00:44,639 Speaker 2: to learn about some of those historical figures too. 14 00:00:44,800 --> 00:00:46,360 Speaker 1: Yeah, Socrates so great. 15 00:00:46,880 --> 00:00:47,159 Speaker 3: A B. 16 00:00:47,159 --> 00:00:54,440 Speaker 2: Lincoln, beth Up aka Beethoven, mister the kids, the kid. 17 00:00:54,960 --> 00:01:00,640 Speaker 2: I'm gonna go Bill and Ted's Excellent Adventure. Amy, Pretty Woman. 18 00:01:01,880 --> 00:01:04,080 Speaker 2: My wife said that she was over at your house. 19 00:01:04,240 --> 00:01:05,920 Speaker 2: She said that you guys are making our watch Pretty Woman. 20 00:01:06,120 --> 00:01:07,480 Speaker 4: Yeah, she hasn't seen it. 21 00:01:08,000 --> 00:01:09,840 Speaker 1: Oh is that white? She came home and she had 22 00:01:09,840 --> 00:01:11,520 Speaker 1: a list of movies. She goes, I'm supposed to watch these movies. 23 00:01:11,560 --> 00:01:14,520 Speaker 2: She's an Amy's house, like nine hours great for nine 24 00:01:14,520 --> 00:01:16,120 Speaker 2: How she came back with a list of movies to watch, 25 00:01:16,640 --> 00:01:17,480 Speaker 2: and I think I'm gonna have to. 26 00:01:17,440 --> 00:01:17,959 Speaker 1: Watch them with her. 27 00:01:18,040 --> 00:01:21,080 Speaker 4: Well yeah, oh good for you. Yeah. No, our friend Jackie, 28 00:01:21,160 --> 00:01:23,119 Speaker 4: we were just sitting around. We did lots of. 29 00:01:23,040 --> 00:01:25,000 Speaker 5: Different things, but one of the topics that came up 30 00:01:25,040 --> 00:01:26,000 Speaker 5: was movies, and. 31 00:01:26,120 --> 00:01:28,000 Speaker 2: She was like, we got to watch adventures and babysitting. 32 00:01:28,160 --> 00:01:32,520 Speaker 5: Yeah, yeah, yeah, she'll like that is no, I don't. 33 00:01:32,400 --> 00:01:34,200 Speaker 1: Know if she was. I even told her that one. 34 00:01:34,200 --> 00:01:35,120 Speaker 1: I don't know that she'll like. 35 00:01:35,400 --> 00:01:38,880 Speaker 5: Really, Jackie was pretty adamant you liked that one, but yours. 36 00:01:38,680 --> 00:01:42,480 Speaker 6: Is a pretty woman lunchboks. Man, it's either brave heart 37 00:01:42,520 --> 00:01:45,600 Speaker 6: or days and confused. I watched those two over and 38 00:01:45,760 --> 00:01:47,120 Speaker 6: over and over again. 39 00:01:47,280 --> 00:01:49,880 Speaker 7: So I'm gonna go with a probably braveheart. 40 00:01:50,000 --> 00:01:50,320 Speaker 8: Do it. 41 00:01:51,240 --> 00:01:54,080 Speaker 7: You might live, but she'll never check her. 42 00:01:57,440 --> 00:01:58,520 Speaker 1: Man, I gotta be fired up. 43 00:01:58,600 --> 00:02:00,720 Speaker 7: Where are you going? I'm going to pick a fight. 44 00:02:02,000 --> 00:02:04,640 Speaker 6: What you guys can do is you can turn around 45 00:02:04,800 --> 00:02:09,519 Speaker 6: right now, walk back and apologize for one hundred years 46 00:02:09,520 --> 00:02:11,160 Speaker 6: of rape, theft and murder. 47 00:02:11,240 --> 00:02:15,120 Speaker 1: Oh boy, if not, all your men will live. If not, 48 00:02:15,440 --> 00:02:18,200 Speaker 1: oh my god's mess up the quoat you got that? 49 00:02:18,200 --> 00:02:21,520 Speaker 1: I think that was wrong. Mine's easy bones Forrest Gump. Yeah, 50 00:02:21,560 --> 00:02:23,680 Speaker 1: it's Forest. I can do so many. Like the other day, 51 00:02:23,680 --> 00:02:25,440 Speaker 1: even my kids were like, I said, like. 52 00:02:25,440 --> 00:02:28,160 Speaker 9: I must have dropped me fourteen doctor Pepper's and they're like, 53 00:02:28,200 --> 00:02:29,280 Speaker 9: what are you talking about? 54 00:02:30,440 --> 00:02:30,919 Speaker 8: Forest Gum? 55 00:02:30,960 --> 00:02:33,079 Speaker 1: When he goes to the White House drank a bunch 56 00:02:33,080 --> 00:02:34,520 Speaker 1: of doctor peppers, then he had to go I gotta 57 00:02:34,520 --> 00:02:36,520 Speaker 1: go pee. Hey, Ray, what about you? 58 00:02:37,360 --> 00:02:39,239 Speaker 2: Yeah, I'm a wedding crashers. 59 00:02:40,600 --> 00:02:43,480 Speaker 3: Uh what do you think? Maryland's known for? Man crabcakes 60 00:02:43,480 --> 00:02:45,640 Speaker 3: and football. I was first team All State. I can 61 00:02:45,680 --> 00:02:50,400 Speaker 3: make a rain out here. And then also, uh, man, 62 00:02:50,520 --> 00:02:52,720 Speaker 3: what we can be pirates from the Caribbean or we 63 00:02:52,720 --> 00:02:55,800 Speaker 3: can be Raiders from Las Vegas. It's not that this 64 00:02:55,840 --> 00:02:57,880 Speaker 3: isn't Halloween. You gotta go in there with your game 65 00:02:57,919 --> 00:03:02,720 Speaker 3: face on. Did they say from Las Vegas? Well that's 66 00:03:03,200 --> 00:03:05,160 Speaker 3: I think it. Raiders is the Lost Art. Yeah, then 67 00:03:05,160 --> 00:03:06,920 Speaker 3: it's Raiders from Las Vegas. But they weren't in Vegas 68 00:03:06,919 --> 00:03:08,160 Speaker 3: at the time of the movie. So I've had all 69 00:03:08,160 --> 00:03:10,079 Speaker 3: these Anyway, I didn't. 70 00:03:09,880 --> 00:03:13,639 Speaker 4: Do any scenes. Go for it, Okay, I have a 71 00:03:13,720 --> 00:03:15,240 Speaker 4: runner in my pantyhose. 72 00:03:16,639 --> 00:03:19,960 Speaker 5: I'm not wearing any pantyhose anytime. 73 00:03:20,000 --> 00:03:22,080 Speaker 4: Pantyhose comes up. That's what comes out. 74 00:03:23,200 --> 00:03:25,600 Speaker 2: Good morning, everybody, we're here. 75 00:03:25,800 --> 00:03:26,799 Speaker 1: You guys have a good show. 76 00:03:26,919 --> 00:03:30,440 Speaker 2: Yeah, all right, all right, the show starts now, Bobby 77 00:03:30,440 --> 00:03:31,680 Speaker 2: Bone Show. 78 00:03:32,360 --> 00:03:34,200 Speaker 1: It's time to open up the mail bag. 79 00:03:35,240 --> 00:03:37,240 Speaker 8: Mail and we read it all the air. 80 00:03:37,600 --> 00:03:40,160 Speaker 4: It's something we call Bobby's mail bag. 81 00:03:40,400 --> 00:03:42,120 Speaker 1: Get hello, Bobby Bones. 82 00:03:42,320 --> 00:03:45,520 Speaker 2: I was recently called out by another parent at my 83 00:03:45,640 --> 00:03:49,400 Speaker 2: daughter's school for not volunteering. Apparently there's talking about how 84 00:03:49,440 --> 00:03:53,000 Speaker 2: I'm inconsiderate and I refuse to step up and help out. 85 00:03:53,560 --> 00:03:55,840 Speaker 2: My job doesn't give me a lot of time, and 86 00:03:55,960 --> 00:03:58,760 Speaker 2: the little time I do have I cherished deeply. Recently, 87 00:03:58,760 --> 00:04:01,520 Speaker 2: my daughters school's been asking for aolunteers for various projects. 88 00:04:01,680 --> 00:04:04,760 Speaker 2: The reason always declined is my schedule. I know I 89 00:04:04,960 --> 00:04:09,000 Speaker 2: probably should help, but I really can't. And now I'm 90 00:04:09,000 --> 00:04:12,120 Speaker 2: feeling guilty should I sacrifice any personal time that I 91 00:04:12,160 --> 00:04:14,360 Speaker 2: have to volunteer. I don't want to be one of 92 00:04:14,480 --> 00:04:19,240 Speaker 2: those parents signed mom made to feel guilty. 93 00:04:19,560 --> 00:04:20,599 Speaker 4: No, you don't need to. 94 00:04:21,120 --> 00:04:23,520 Speaker 5: You don't need to feel guilty about this, and you 95 00:04:23,560 --> 00:04:26,640 Speaker 5: don't need to sacrifice time if your work schedule doesn't 96 00:04:26,640 --> 00:04:27,080 Speaker 5: allow it. 97 00:04:28,680 --> 00:04:31,560 Speaker 4: I didn't, but I just don't. 98 00:04:31,440 --> 00:04:35,720 Speaker 5: I can't imagine making someone else feel bad for not volunteering. 99 00:04:35,760 --> 00:04:39,520 Speaker 5: You have no idea someone else's circumstances. And some people 100 00:04:40,080 --> 00:04:42,000 Speaker 5: maybe the it's a priority for them and they are 101 00:04:42,040 --> 00:04:43,839 Speaker 5: sacrificing and making time for that as well. 102 00:04:43,880 --> 00:04:47,360 Speaker 4: That's their choice. I wouldn't. 103 00:04:47,839 --> 00:04:50,840 Speaker 5: I know that's hard, but I just wouldn't take it personally. 104 00:04:50,560 --> 00:04:53,760 Speaker 9: Rettie, what happens in these situations is you got these dads, 105 00:04:54,000 --> 00:04:56,200 Speaker 9: and you know, personally, I got these dads that don't 106 00:04:56,240 --> 00:04:58,160 Speaker 9: do anything, they work from home, whatever, They got all 107 00:04:58,160 --> 00:05:00,599 Speaker 9: the time in the world. But other dads they can't, 108 00:05:00,960 --> 00:05:03,880 Speaker 9: like me, can't do that stuff. And yes, this shaming 109 00:05:03,960 --> 00:05:06,480 Speaker 9: does happen, and those parents should be a shame them themselves. 110 00:05:06,520 --> 00:05:07,760 Speaker 1: So you're shaming the shamers. 111 00:05:07,839 --> 00:05:11,560 Speaker 9: Yes, that's terrible, because if I had the chance to volunteer, 112 00:05:11,920 --> 00:05:12,760 Speaker 9: I would volunteer. 113 00:05:12,839 --> 00:05:15,000 Speaker 1: I'd be there all day. Or would you play more golf? 114 00:05:15,080 --> 00:05:17,040 Speaker 4: That's what I was going to say, both Okay. 115 00:05:17,520 --> 00:05:20,919 Speaker 1: Carves and volunteers. Absolutely, So no, don't feel bad about this. 116 00:05:21,000 --> 00:05:23,240 Speaker 1: That's shame on the parents for making her feel bad. Yeah, 117 00:05:23,279 --> 00:05:25,039 Speaker 1: let's shame the shamers, Lunchbox. 118 00:05:24,800 --> 00:05:28,560 Speaker 6: It's called volunteering. Guess what I don't want to volunteer. 119 00:05:28,760 --> 00:05:31,200 Speaker 6: You do the volunteering. I'll do the chilling. Okay, I 120 00:05:31,200 --> 00:05:32,400 Speaker 6: ain't got time to volunteer. 121 00:05:32,680 --> 00:05:35,040 Speaker 4: You can tell it kind of school volunteer parents that 122 00:05:35,120 --> 00:05:35,400 Speaker 4: we are. 123 00:05:35,480 --> 00:05:36,880 Speaker 6: Hey, guess what, I don't want to be part of 124 00:05:36,920 --> 00:05:38,440 Speaker 6: the PTA. You want to be part of that crap? 125 00:05:38,520 --> 00:05:40,359 Speaker 6: Be part of the PTA. I didn't sign up for. 126 00:05:40,440 --> 00:05:43,160 Speaker 6: It ain't my business. Ain't my chili? Not my thing. 127 00:05:43,520 --> 00:05:45,160 Speaker 6: Guess what? You want me to go on a field trip. 128 00:05:45,240 --> 00:05:48,360 Speaker 6: That sounds fun because it's a free adventure. But I 129 00:05:48,400 --> 00:05:50,200 Speaker 6: ain't volunteering. You want me to clean up the school, 130 00:05:50,240 --> 00:05:50,640 Speaker 6: the whole take. 131 00:05:50,640 --> 00:05:51,840 Speaker 2: It took a weird twist, like if we got a 132 00:05:51,839 --> 00:05:54,840 Speaker 2: field trip, well, don't go Wait what but that's free. 133 00:05:54,960 --> 00:05:56,200 Speaker 1: Don't let them shame you. 134 00:05:56,760 --> 00:05:59,359 Speaker 2: If you want to make a point to do one 135 00:05:59,680 --> 00:06:02,480 Speaker 2: thing like carveat it's fine. Just just feel like you're 136 00:06:02,520 --> 00:06:04,320 Speaker 2: doing a little bit more. But don't let people shame 137 00:06:04,360 --> 00:06:06,200 Speaker 2: you that you don't care. You don't care if they 138 00:06:06,200 --> 00:06:07,479 Speaker 2: say someth good about you, So why would you care 139 00:06:07,480 --> 00:06:08,960 Speaker 2: if they say some bad about you? Right, you don't 140 00:06:09,000 --> 00:06:11,120 Speaker 2: care about them. They have no effect. Keep being a 141 00:06:11,120 --> 00:06:11,520 Speaker 2: good mom. 142 00:06:11,600 --> 00:06:14,240 Speaker 4: It is nice if some people say something kind about you, sure. 143 00:06:14,080 --> 00:06:15,679 Speaker 1: But if they don't, that's okay, too true. 144 00:06:16,600 --> 00:06:19,200 Speaker 2: It doesn't change really anything day to day if they 145 00:06:19,279 --> 00:06:22,039 Speaker 2: do or don't, so don't let it when they don't. 146 00:06:22,520 --> 00:06:25,360 Speaker 1: Nobody says nice stuff about me ever, Oh man, I 147 00:06:25,400 --> 00:06:26,520 Speaker 1: always say stuff all the time. 148 00:06:26,640 --> 00:06:31,000 Speaker 5: Don't don't buy into it to me, don't. 149 00:06:31,160 --> 00:06:31,640 Speaker 6: Just look. 150 00:06:34,120 --> 00:06:34,640 Speaker 7: What you're doing. 151 00:06:35,360 --> 00:06:37,440 Speaker 1: That's the mail bag. Close it up. We got your 152 00:06:37,520 --> 00:06:39,800 Speaker 1: gan mail and we lay it on the air. 153 00:06:40,480 --> 00:06:42,800 Speaker 6: Now it's found the clothes Tommy failed back. 154 00:06:43,120 --> 00:06:45,719 Speaker 1: Yeah, it's kind of bizarre. 155 00:06:45,760 --> 00:06:47,839 Speaker 2: I would like for you guys's feedback on this before 156 00:06:47,880 --> 00:06:50,839 Speaker 2: I get mine, because sometimes I'm a bit irrational, especially 157 00:06:50,839 --> 00:06:53,039 Speaker 2: when it comes to safety. I've had too many instances 158 00:06:53,040 --> 00:06:55,360 Speaker 2: in my life. Raymond, tell everybody your little story here. 159 00:06:55,480 --> 00:06:56,720 Speaker 7: Yeah, what would you guys do? 160 00:06:56,880 --> 00:06:59,320 Speaker 3: I say, it was seven point thirty at night and 161 00:06:59,360 --> 00:07:02,479 Speaker 3: somebody came in knocked at your door and it wasn't ups, 162 00:07:02,520 --> 00:07:04,760 Speaker 3: it wasn't DoorDash or anything like that. And you go 163 00:07:04,839 --> 00:07:07,800 Speaker 3: and open the door and the person says, hey, I'm 164 00:07:07,839 --> 00:07:10,720 Speaker 3: thinking about moving into this apartment complex. 165 00:07:10,720 --> 00:07:13,360 Speaker 1: Would you mind if I look through your apartment? 166 00:07:14,200 --> 00:07:16,280 Speaker 2: Someone just comes to his door and wants to walk 167 00:07:16,320 --> 00:07:17,240 Speaker 2: around inside. 168 00:07:17,400 --> 00:07:21,000 Speaker 1: Crazy, that's the dumbest thing. There's no chance. 169 00:07:21,360 --> 00:07:26,680 Speaker 2: There's there's like four options and three of them are bad, rape, murder, steal, yeah, 170 00:07:26,880 --> 00:07:28,160 Speaker 2: or look at the apartment? 171 00:07:29,080 --> 00:07:30,920 Speaker 9: So where I mean, where does does Ray? Is Ray 172 00:07:31,000 --> 00:07:32,800 Speaker 9: the first apartment when you go into the building? 173 00:07:32,920 --> 00:07:36,160 Speaker 1: Like, great question? Well, yeah, are you high low first? 174 00:07:36,240 --> 00:07:36,280 Speaker 2: What? 175 00:07:36,600 --> 00:07:36,760 Speaker 8: No? 176 00:07:36,840 --> 00:07:38,440 Speaker 3: So they would have had to have jumped the gate 177 00:07:39,160 --> 00:07:42,400 Speaker 3: to get to us. It is gated, Yeah, but they 178 00:07:42,400 --> 00:07:45,280 Speaker 3: get in. But what Eddie saying is, when you drive in. 179 00:07:45,360 --> 00:07:46,200 Speaker 7: Are you the first? 180 00:07:46,040 --> 00:07:48,800 Speaker 1: Don't you like the first? Okay? Is there any reason 181 00:07:48,840 --> 00:07:49,760 Speaker 1: they would have come to your place? 182 00:07:49,800 --> 00:07:53,280 Speaker 3: Specifically if they were looking for similar to our view 183 00:07:53,400 --> 00:07:54,960 Speaker 3: or something right next to the clubhouse? 184 00:07:56,200 --> 00:07:58,080 Speaker 1: But are you the one right next to a clubhouse 185 00:07:58,120 --> 00:07:58,960 Speaker 1: or whatever that is? Yeah? 186 00:07:59,000 --> 00:08:00,880 Speaker 3: So like we have access to the elevator, so that 187 00:08:00,880 --> 00:08:03,800 Speaker 3: would kind of make sense. But them not being residents, 188 00:08:04,160 --> 00:08:06,640 Speaker 3: they already know that. It's definitely a big ask. Though. 189 00:08:07,560 --> 00:08:10,840 Speaker 2: Who answers the door? I answered the door? And what 190 00:08:10,920 --> 00:08:11,920 Speaker 2: was your initial reaction? 191 00:08:12,760 --> 00:08:15,559 Speaker 3: The first thing I said was, well, let me grab 192 00:08:15,600 --> 00:08:17,920 Speaker 3: you my wife because she actually deals with all the 193 00:08:17,960 --> 00:08:19,800 Speaker 3: rent and everything and she knows the details, so she 194 00:08:19,920 --> 00:08:20,240 Speaker 3: let me. 195 00:08:20,200 --> 00:08:20,800 Speaker 1: Get my woman. 196 00:08:20,880 --> 00:08:23,360 Speaker 2: Your wife let me take my wife and you you 197 00:08:23,400 --> 00:08:28,680 Speaker 2: can have her on earth. He went, full human shield. 198 00:08:28,840 --> 00:08:31,240 Speaker 2: She'll deal with it. Okay, So is that what you did? 199 00:08:31,320 --> 00:08:31,560 Speaker 8: Yeh? 200 00:08:31,600 --> 00:08:34,800 Speaker 3: And so my wife comes up and she goes, yeah, sure, 201 00:08:34,880 --> 00:08:37,840 Speaker 3: come on in. We'll show you the whole place. And 202 00:08:37,880 --> 00:08:40,640 Speaker 3: my wife took her from every room to every bathroom, 203 00:08:40,679 --> 00:08:42,800 Speaker 3: to the living room to the kitchen and showed her every. 204 00:08:42,640 --> 00:08:45,600 Speaker 1: Square inch of our apartment. It's a girl. It is 205 00:08:45,600 --> 00:08:48,320 Speaker 1: a girl. Okay, that's a little bit different, a little different. 206 00:08:48,320 --> 00:08:51,560 Speaker 5: Unless she's unless she's the correct Like. 207 00:08:51,520 --> 00:08:54,600 Speaker 2: She goes in, I'm not letting anybody at seven thirty 208 00:08:54,600 --> 00:08:56,000 Speaker 2: come knock on the door. Can I just please come 209 00:08:56,040 --> 00:08:57,640 Speaker 2: and look at all your stuff in your house. It's 210 00:08:57,679 --> 00:08:59,320 Speaker 2: just it's too much information. They don't need that right 211 00:08:59,320 --> 00:09:01,960 Speaker 2: then and there. And if they're gonna kill somebody, they 212 00:09:02,080 --> 00:09:05,439 Speaker 2: killed kill neighbor, not me. No, and I'm not getting 213 00:09:05,480 --> 00:09:08,800 Speaker 2: my wife either of being like, no, sounds weird. Don't 214 00:09:08,800 --> 00:09:11,960 Speaker 2: make yourself vulnerable. Yeah, after the fact, we were like, 215 00:09:12,000 --> 00:09:13,240 Speaker 2: we probably shouldn't have done that. 216 00:09:13,240 --> 00:09:14,200 Speaker 1: That was very unsafe. 217 00:09:14,360 --> 00:09:16,560 Speaker 3: She seemed like a trustworthy girl, and we thought we 218 00:09:16,559 --> 00:09:18,400 Speaker 3: were just giving her information about the apartment. 219 00:09:19,920 --> 00:09:20,360 Speaker 1: I get it. 220 00:09:20,440 --> 00:09:24,360 Speaker 2: You're making a judgment based on your first impression of her. 221 00:09:24,400 --> 00:09:26,520 Speaker 2: It just doesn't feel like generally that should be a 222 00:09:26,559 --> 00:09:27,000 Speaker 2: good rule. 223 00:09:27,080 --> 00:09:30,160 Speaker 3: And even more bizarre, her boyfriend was in the car downstairs, 224 00:09:30,240 --> 00:09:32,320 Speaker 3: and she said, yeah, he thinks I'm really weird for 225 00:09:32,360 --> 00:09:34,679 Speaker 3: doing this, but I was just gonna come up here 226 00:09:34,679 --> 00:09:36,120 Speaker 3: and ask so we could actually see it and not 227 00:09:36,160 --> 00:09:37,720 Speaker 3: look at the stuff on the internet, the pictures. 228 00:09:37,720 --> 00:09:39,600 Speaker 1: It's actually I mean, that makes sense. The boyfriend's in 229 00:09:39,640 --> 00:09:43,679 Speaker 1: the car. 230 00:09:42,800 --> 00:09:46,200 Speaker 9: Exactly right, But but they don't tell you that. She 231 00:09:46,400 --> 00:09:48,400 Speaker 9: was very transparent with what's going on here. 232 00:09:49,240 --> 00:09:52,880 Speaker 2: But killers are always transparent, but just not honest about it, 233 00:09:53,080 --> 00:09:55,080 Speaker 2: like get in the van, I'm your friend. Yeah right, 234 00:09:56,440 --> 00:09:58,760 Speaker 2: I don't like it. I don't like it you got 235 00:09:58,760 --> 00:10:00,280 Speaker 2: your wife and made her a part of it. She 236 00:10:00,320 --> 00:10:03,160 Speaker 2: could have been hurt and it doesn't matter what she 237 00:10:03,200 --> 00:10:05,000 Speaker 2: looks like. Lunchwakes well, no. 238 00:10:04,760 --> 00:10:08,240 Speaker 6: No, no, you feel safer if like that's what I'm saying, 239 00:10:08,240 --> 00:10:10,080 Speaker 6: like you let your guard down if a hotty comes 240 00:10:10,679 --> 00:10:13,400 Speaker 6: because you're thinking, oh, she's so sweet, innocent, she won't do. 241 00:10:13,360 --> 00:10:16,720 Speaker 5: Anything that's not true for hot men, because I don't. 242 00:10:16,520 --> 00:10:18,000 Speaker 4: Know that's what it at. 243 00:10:18,320 --> 00:10:20,440 Speaker 2: It's pretty good looking yeah, the men are weird and 244 00:10:20,480 --> 00:10:21,520 Speaker 2: creeping eat anyway, But. 245 00:10:21,520 --> 00:10:22,880 Speaker 7: That's what I'm saying, you let your guard down. 246 00:10:22,960 --> 00:10:25,439 Speaker 6: You're more likely to let a hottie in, okay than 247 00:10:25,480 --> 00:10:28,199 Speaker 6: an ugly. And if the hotty comes in, that's when 248 00:10:28,240 --> 00:10:31,840 Speaker 6: the boyfriend comes in after like boom, the ugly is 249 00:10:31,840 --> 00:10:34,880 Speaker 6: gonna be it's gonna be tougher for her togain. I mean, 250 00:10:34,920 --> 00:10:37,160 Speaker 6: there's good looking people and not good look but it. 251 00:10:37,080 --> 00:10:39,200 Speaker 5: Looks a relative on. What I'm saying is you we 252 00:10:39,240 --> 00:10:40,199 Speaker 5: get it when you say HATI. 253 00:10:40,200 --> 00:10:42,280 Speaker 6: You don't have to, are you, But that's what I'm saying, Ray, 254 00:10:42,320 --> 00:10:44,319 Speaker 6: You're more likely to let a hottie in, right. 255 00:10:44,480 --> 00:10:44,680 Speaker 2: Yeah? 256 00:10:44,679 --> 00:10:46,439 Speaker 3: I let her anger she was at shake, not necessarily 257 00:10:46,440 --> 00:10:47,800 Speaker 3: because she was hot or unattractive. 258 00:10:47,800 --> 00:10:50,400 Speaker 1: How hot was she? I mean I swear she was 259 00:10:50,440 --> 00:10:52,079 Speaker 1: like thirty years younger than me. I mean she may 260 00:10:52,080 --> 00:10:52,320 Speaker 1: have been. 261 00:10:52,679 --> 00:10:56,440 Speaker 2: How old are you right? Honestly, I'm thirty eight old 262 00:10:56,559 --> 00:10:59,120 Speaker 2: year old knocked down the door a second grader? 263 00:10:59,360 --> 00:11:00,640 Speaker 1: Can I come look at your apartment? 264 00:11:02,440 --> 00:11:02,640 Speaker 3: Friend? 265 00:11:03,920 --> 00:11:05,680 Speaker 1: Yeah, okay, that's concerning. 266 00:11:05,720 --> 00:11:07,160 Speaker 7: I want to call the police in right. 267 00:11:08,640 --> 00:11:10,480 Speaker 1: Cause we shouldn't be let people in our houses at night. 268 00:11:10,760 --> 00:11:13,880 Speaker 5: No semiar late someone once knocked on my door and 269 00:11:13,880 --> 00:11:15,400 Speaker 5: then I let them in, and then I took them 270 00:11:15,440 --> 00:11:16,199 Speaker 5: to the grocery store. 271 00:11:16,280 --> 00:11:19,319 Speaker 2: Was it as a homeless guy, No, it's a woman, 272 00:11:19,559 --> 00:11:20,120 Speaker 2: a homeless woman. 273 00:11:20,200 --> 00:11:20,720 Speaker 4: It's a woman. 274 00:11:20,800 --> 00:11:21,760 Speaker 1: I don't shot. 275 00:11:23,320 --> 00:11:27,720 Speaker 4: Books are relatives, I know, but I mean every way. 276 00:11:27,840 --> 00:11:29,439 Speaker 2: This thing is spiral to a hold of place I 277 00:11:29,480 --> 00:11:31,640 Speaker 2: don't want to get back. Thank you, right, don't. 278 00:11:31,440 --> 00:11:33,400 Speaker 1: Do that, Okay, but all right, all right, it's time 279 00:11:33,480 --> 00:11:34,319 Speaker 1: for the good news. 280 00:11:34,640 --> 00:11:35,319 Speaker 5: How much box. 281 00:11:39,440 --> 00:11:43,520 Speaker 6: If you're looking for a free Thanksgiving dinner in Severeville, Tennessee, 282 00:11:43,559 --> 00:11:47,080 Speaker 6: on November twentieth, Reverend Brooks Ramsey and his wife Christy 283 00:11:47,520 --> 00:11:51,200 Speaker 6: are giving you free food. Anybody that needs food, come 284 00:11:51,240 --> 00:11:54,800 Speaker 6: and get it. It's absolutely free. They're expecting between one 285 00:11:54,840 --> 00:11:57,200 Speaker 6: hundred and fifty two hundred people to show up and 286 00:11:57,240 --> 00:11:57,920 Speaker 6: get free food. 287 00:11:58,360 --> 00:12:00,199 Speaker 1: I got a feeling it's gonna a little bigger than 288 00:12:00,200 --> 00:12:02,160 Speaker 1: that now. Yeah, yeah, amazing. 289 00:12:02,600 --> 00:12:04,440 Speaker 6: They used to do it before the pandemic, and then 290 00:12:04,480 --> 00:12:06,560 Speaker 6: the pandemic they had to shut it down, and now 291 00:12:06,600 --> 00:12:08,560 Speaker 6: they're bringing it back and it's for people in need 292 00:12:08,600 --> 00:12:09,959 Speaker 6: that you know, maybe you're not going to be able 293 00:12:10,000 --> 00:12:12,240 Speaker 6: to have a Thanksgiving dinner. Maybe you're one of those 294 00:12:12,280 --> 00:12:14,360 Speaker 6: people and elderly that doesn't get out of your home. 295 00:12:14,440 --> 00:12:14,959 Speaker 7: They haven't done. 296 00:12:15,000 --> 00:12:17,559 Speaker 1: Elder one of those. 297 00:12:17,360 --> 00:12:23,319 Speaker 5: Interesting to Lunchbrogs used to deliver meals on wheels to elderly. 298 00:12:22,440 --> 00:12:26,280 Speaker 6: Told to one of those elderies that couldn't get out 299 00:12:26,280 --> 00:12:27,480 Speaker 6: of their home, their homebound. 300 00:12:27,480 --> 00:12:30,480 Speaker 7: They're shut in you one of those elderly, open up. 301 00:12:30,920 --> 00:12:32,280 Speaker 7: I got a hand samage for you. 302 00:12:32,440 --> 00:12:33,800 Speaker 1: You know who's from Severeville? 303 00:12:34,040 --> 00:12:41,480 Speaker 9: Gator, No, no, Dolly, that's our hometown. 304 00:12:42,400 --> 00:12:45,280 Speaker 6: But November twenty, it looks like I'm headed to Severeville. 305 00:12:45,320 --> 00:12:47,200 Speaker 2: All right, buddy, oh boy, let us know how that goes. 306 00:12:47,440 --> 00:12:49,720 Speaker 2: Great story, good job by them, that's what it's all about. 307 00:12:50,320 --> 00:12:52,079 Speaker 7: That was telling me something good. 308 00:12:52,120 --> 00:12:56,319 Speaker 1: So Bobby Bones Show Interviews in case you didn't know, all. 309 00:12:56,320 --> 00:12:58,800 Speaker 2: Right, Coming in the studio now is Ronnie Dunn, lead 310 00:12:58,840 --> 00:13:01,280 Speaker 2: singer of Brooks and Done. What do you think the 311 00:13:01,320 --> 00:13:03,840 Speaker 2: most streamed song is from Brooks and Done? 312 00:13:04,920 --> 00:13:06,920 Speaker 1: Neon Moon, Yeah yeah, Neon Moon. 313 00:13:07,000 --> 00:13:12,840 Speaker 2: Number one spends Scoot Booget, number two, Yeah. 314 00:13:13,040 --> 00:13:14,600 Speaker 1: What do you think number three is My Marina? 315 00:13:15,040 --> 00:13:15,240 Speaker 4: Yeah? 316 00:13:15,280 --> 00:13:23,720 Speaker 2: That's four, and number three Red Dirt Road. There's one 317 00:13:23,760 --> 00:13:26,200 Speaker 2: more in the top five that you don't have. Neon Moon, 318 00:13:26,240 --> 00:13:28,800 Speaker 2: Bootstoot and Boogie Red dirt Road, My Maria, what's the 319 00:13:28,840 --> 00:13:29,120 Speaker 2: other one? 320 00:13:29,160 --> 00:13:30,839 Speaker 1: You come on in? Come on in like a hint? 321 00:13:31,240 --> 00:13:34,280 Speaker 1: I got it? What hard working man, brand new man? 322 00:13:34,400 --> 00:13:34,800 Speaker 1: That one? 323 00:13:34,920 --> 00:13:41,320 Speaker 2: Yeah on the Bobby Bone Show. 324 00:13:41,440 --> 00:13:44,480 Speaker 1: Now done. Yeah, you have to hold your mike. 325 00:13:44,600 --> 00:13:46,120 Speaker 8: So did you make a lot of money or are 326 00:13:46,160 --> 00:13:47,720 Speaker 8: you lose a lot of money? Well? 327 00:13:47,720 --> 00:13:50,520 Speaker 2: I sold all these I sold all this stuff for money. 328 00:13:50,880 --> 00:13:53,720 Speaker 2: New contract happened. We sold, we pawned everything so they 329 00:13:53,720 --> 00:13:54,160 Speaker 2: could pay me. 330 00:13:54,720 --> 00:13:55,400 Speaker 8: I get it. Yeah. 331 00:13:55,400 --> 00:13:55,960 Speaker 1: How are you doing? 332 00:13:56,040 --> 00:13:57,360 Speaker 8: I'm tangled up? I'm good? 333 00:13:57,400 --> 00:13:59,400 Speaker 1: Yeah, tangled up? Is that like in the backseat of 334 00:13:59,400 --> 00:13:59,720 Speaker 1: a truck? 335 00:14:00,360 --> 00:14:00,440 Speaker 3: Uh? 336 00:14:00,600 --> 00:14:01,600 Speaker 1: Could you mean with the cord? 337 00:14:01,800 --> 00:14:03,000 Speaker 8: What if I was writing the song, you'd be in 338 00:14:03,000 --> 00:14:05,000 Speaker 8: the back seat of a truck or something. Yeah. 339 00:14:05,040 --> 00:14:07,560 Speaker 2: Did you guys write when you're writing songs in like 340 00:14:08,160 --> 00:14:10,360 Speaker 2: I don't know, fifteen years ago, twenty years ago, whatever, 341 00:14:11,080 --> 00:14:13,000 Speaker 2: was there as much writing about whiskey? 342 00:14:13,320 --> 00:14:15,440 Speaker 8: No, it was. It used to be. No, no hard 343 00:14:15,480 --> 00:14:18,920 Speaker 8: liquor products it really yeah, no for real? Wow, that's 344 00:14:18,960 --> 00:14:21,160 Speaker 8: where like, like you know, all the endorsements came in 345 00:14:21,200 --> 00:14:23,000 Speaker 8: from from like beer company. 346 00:14:23,080 --> 00:14:25,760 Speaker 2: Yeah, you ever get endorsement money from an alcohol company 347 00:14:25,760 --> 00:14:28,160 Speaker 2: for a song. Uh No, I can't believe they had 348 00:14:28,160 --> 00:14:29,880 Speaker 2: a no hard liquor policy in songs. 349 00:14:29,920 --> 00:14:30,080 Speaker 8: Now. 350 00:14:30,080 --> 00:14:32,040 Speaker 1: It's like, you must have hard liquor in a song 351 00:14:32,160 --> 00:14:33,040 Speaker 1: or we can't even record it. 352 00:14:33,040 --> 00:14:35,480 Speaker 8: Well, it switched and you couldn't. I mean, of course, 353 00:14:35,480 --> 00:14:37,320 Speaker 8: I'm showing my age, which that's fine. I can live 354 00:14:37,400 --> 00:14:37,560 Speaker 8: with it. 355 00:14:37,600 --> 00:14:38,160 Speaker 1: I have to. 356 00:14:38,960 --> 00:14:43,800 Speaker 8: But what were we talking about? The hard liquor speaking? 357 00:14:44,480 --> 00:14:47,240 Speaker 2: Yeah, and I can't believe that because every song now 358 00:14:47,280 --> 00:14:49,840 Speaker 2: has got whiskey or yeah, tequila or so. 359 00:14:49,920 --> 00:14:52,400 Speaker 4: It was a firm thing or is it understood? 360 00:14:52,520 --> 00:14:54,680 Speaker 8: It was just kind of an understood okay, kind of 361 00:14:54,760 --> 00:14:56,760 Speaker 8: under under the table manager might tell you in the 362 00:14:56,800 --> 00:14:58,800 Speaker 8: office or something. He said like, don't don't be mentioning 363 00:14:58,880 --> 00:15:00,200 Speaker 8: whiskey now, it's like a kid me. 364 00:15:00,320 --> 00:15:01,600 Speaker 2: Yeah, what about what do you think I put my 365 00:15:01,640 --> 00:15:04,360 Speaker 2: coffee to get here exactly? When you do this show 366 00:15:05,600 --> 00:15:07,520 Speaker 2: about that? Because you're mister clean, I'm mister clean. 367 00:15:07,640 --> 00:15:07,840 Speaker 1: Yes. 368 00:15:08,200 --> 00:15:10,480 Speaker 2: What about hooking up in songs? Did you guys talk 369 00:15:10,480 --> 00:15:11,560 Speaker 2: about that at all like they do now? 370 00:15:11,720 --> 00:15:14,440 Speaker 8: Yeah, But we didn't know what hooking up hadn't come 371 00:15:14,680 --> 00:15:17,040 Speaker 8: into the the like the urban dictionary. 372 00:15:17,160 --> 00:15:19,560 Speaker 2: Yet I say tangled up. You know, there was a 373 00:15:19,680 --> 00:15:21,400 Speaker 2: tangled Up in the backseat or. 374 00:15:21,440 --> 00:15:24,280 Speaker 8: I love that tangled up yeah, all tangled up in you? 375 00:15:24,880 --> 00:15:29,280 Speaker 2: Yeah me? No, okay, Bobby. And the album's not out 376 00:15:29,360 --> 00:15:29,880 Speaker 2: yet though. 377 00:15:29,920 --> 00:15:32,800 Speaker 8: No, it'll be a while. And uh, that's it. 378 00:15:32,960 --> 00:15:36,600 Speaker 2: So is it like a themed album? Yeah, all cowboy. 379 00:15:36,800 --> 00:15:39,320 Speaker 8: It's all cowboy, but it's no campfire songs. Yeah, that 380 00:15:39,520 --> 00:15:41,480 Speaker 8: kind of stuff. It's just you know, every other song 381 00:15:41,600 --> 00:15:44,480 Speaker 8: is Cowboy, whereas the last record I did everything was 382 00:15:44,520 --> 00:15:45,080 Speaker 8: Honky Tom. 383 00:15:45,320 --> 00:15:47,000 Speaker 1: That's true. 384 00:15:47,080 --> 00:15:50,560 Speaker 8: My wife goes, come on, sure, you can diversify your 385 00:15:50,640 --> 00:15:52,880 Speaker 8: vocabulary more than that. 386 00:15:52,880 --> 00:15:55,680 Speaker 1: That is very that's very much that on brand. 387 00:15:55,920 --> 00:15:57,840 Speaker 2: Yeah, like if you did it, but if you did 388 00:15:57,960 --> 00:16:01,200 Speaker 2: Neon in the first album, but the whole second album Bootscooting, yeah, 389 00:16:01,520 --> 00:16:03,560 Speaker 2: we'd be like all right, dude, right yeah. 390 00:16:03,680 --> 00:16:05,480 Speaker 8: So back in the day, when you do Bootscoot or 391 00:16:05,480 --> 00:16:07,680 Speaker 8: you do a hit song around here, you know in 392 00:16:07,720 --> 00:16:11,920 Speaker 8: this town, everybody like starts pitching you Bootscoot or Neon 393 00:16:12,040 --> 00:16:14,240 Speaker 8: Moon or something. I got one the other day. It's great. 394 00:16:14,280 --> 00:16:17,720 Speaker 8: They're like, finally and this is strange. And I know 395 00:16:17,760 --> 00:16:20,360 Speaker 8: you've noticed it is we're getting into like like mash 396 00:16:20,480 --> 00:16:24,120 Speaker 8: ups now like hip hop did years ago. Uh, And 397 00:16:24,400 --> 00:16:27,800 Speaker 8: I got one on Neon Moon. It was really cool. 398 00:16:27,800 --> 00:16:29,920 Speaker 2: What do you mash ups like someone featuring for you 399 00:16:30,000 --> 00:16:34,040 Speaker 2: to sing or that they're sampling you? Well, listen, I'm 400 00:16:34,080 --> 00:16:35,400 Speaker 2: here with Ronnie. 401 00:16:36,000 --> 00:16:38,200 Speaker 8: Seriously going to answer that question. I just sat on 402 00:16:38,240 --> 00:16:38,680 Speaker 8: my phone. 403 00:16:38,720 --> 00:16:41,840 Speaker 5: So they mashed up Neon Moon with another like hip 404 00:16:41,880 --> 00:16:43,560 Speaker 5: hop song, Neon. 405 00:16:43,400 --> 00:16:46,400 Speaker 8: Moon is is is the song that they did? Well, 406 00:16:46,400 --> 00:16:48,280 Speaker 8: I'm calling a mash up? But is it a mash up? 407 00:16:48,320 --> 00:16:50,440 Speaker 2: So it's using your music but they're singing new words 408 00:16:50,440 --> 00:16:53,320 Speaker 2: over it, Yes, like Cole Swindelle do with heads Carolina, 409 00:16:53,360 --> 00:16:54,680 Speaker 2: that's it. Yeah. 410 00:16:54,720 --> 00:16:55,680 Speaker 1: So what's this one called? 411 00:16:55,720 --> 00:16:55,840 Speaker 5: Though? 412 00:16:55,920 --> 00:16:56,920 Speaker 1: Is they still called Neon Moon? 413 00:16:57,320 --> 00:17:00,160 Speaker 8: It's like a blue Neon that's it? 414 00:17:00,200 --> 00:17:00,840 Speaker 1: And who sings it? 415 00:17:02,040 --> 00:17:05,040 Speaker 8: The guy singing the demo? I don't know. But it 416 00:17:05,119 --> 00:17:08,080 Speaker 8: has five writers. It dances in and out, and the 417 00:17:08,400 --> 00:17:11,560 Speaker 8: melody dances in and out, and the lyrics dance in 418 00:17:11,600 --> 00:17:14,320 Speaker 8: and out. I mean, just like it's really well done. 419 00:17:15,119 --> 00:17:20,600 Speaker 2: Still country though, Yeah, yeah, huh, I know it's crazy. 420 00:17:21,080 --> 00:17:21,359 Speaker 1: Ronnie. 421 00:17:21,359 --> 00:17:23,879 Speaker 2: Do you have any relationship at all? Friendship with that dolly? 422 00:17:25,480 --> 00:17:28,440 Speaker 8: No other than just meeting her a few times? Really? Yeah? 423 00:17:28,480 --> 00:17:32,080 Speaker 1: Wow? I thought big superstar like you me too? You 424 00:17:32,119 --> 00:17:33,920 Speaker 1: thought that too, Yah. 425 00:17:33,840 --> 00:17:36,439 Speaker 2: Because I was with her last week or so, and 426 00:17:36,480 --> 00:17:38,240 Speaker 2: I don't I see her maybe twice a year. Right, 427 00:17:38,280 --> 00:17:40,920 Speaker 2: She's kind of stays in Dolly's. 428 00:17:40,480 --> 00:17:42,879 Speaker 8: World, and she'll just appear like the ghost in a room. 429 00:17:42,880 --> 00:17:44,560 Speaker 8: You've been addressing room and all of a sudden, she'll 430 00:17:44,560 --> 00:17:46,119 Speaker 8: just show there she is. 431 00:17:46,320 --> 00:17:48,040 Speaker 2: But it's like she only has a fax machine, Like 432 00:17:48,119 --> 00:17:49,600 Speaker 2: you can't text her still, how about that? 433 00:17:50,000 --> 00:17:51,560 Speaker 1: Yeah? What are you doing? If people want to get 434 00:17:51,560 --> 00:17:52,320 Speaker 1: ahold of you? What do they do? 435 00:17:52,440 --> 00:17:52,480 Speaker 3: It? 436 00:17:52,640 --> 00:17:53,760 Speaker 8: Just just text me? Yeah? 437 00:17:53,800 --> 00:17:56,399 Speaker 1: But Ronnie signs his text still I love Ronnie. 438 00:17:56,400 --> 00:17:58,160 Speaker 8: I got busted by my daughter for doing that because 439 00:17:58,320 --> 00:17:58,879 Speaker 8: I know who you are. 440 00:18:00,560 --> 00:18:02,440 Speaker 1: He signs a r D. I'm like, you're phenas on 441 00:18:02,480 --> 00:18:02,920 Speaker 1: my phone. 442 00:18:03,000 --> 00:18:03,520 Speaker 8: It's a code. 443 00:18:03,680 --> 00:18:06,840 Speaker 1: I know how it is. You a big texture? Do 444 00:18:06,880 --> 00:18:08,160 Speaker 1: you emojimojis? 445 00:18:08,480 --> 00:18:11,800 Speaker 8: Uh? No? I try not to. You know. I heard 446 00:18:11,840 --> 00:18:14,520 Speaker 8: you doing an interview a while back. You're talking about 447 00:18:14,560 --> 00:18:16,480 Speaker 8: how you'll go like if it's really funny, you'll go ha, 448 00:18:17,240 --> 00:18:19,160 Speaker 8: or if it's really really funny, you'll go ha ha ha. 449 00:18:19,480 --> 00:18:19,680 Speaker 1: Yeah. 450 00:18:19,720 --> 00:18:22,040 Speaker 2: Well, and there's a capitalization part too, like if it's 451 00:18:22,119 --> 00:18:24,840 Speaker 2: just supposed to be funny, I do lowercase. 452 00:18:24,560 --> 00:18:25,040 Speaker 1: Ha ha ha. 453 00:18:25,560 --> 00:18:27,640 Speaker 2: If it's a little elevated but it's not a laugh 454 00:18:27,680 --> 00:18:30,280 Speaker 2: out loud, I'll do all lowercase ha ha ha ha 455 00:18:30,280 --> 00:18:34,240 Speaker 2: ha ha ha. If it's funny, I'll do capital ha 456 00:18:33,760 --> 00:18:37,080 Speaker 2: ha ha. If it's LOL and I do laugh out loud, 457 00:18:37,160 --> 00:18:39,800 Speaker 2: I do lol. And then if if it really gets me, 458 00:18:39,840 --> 00:18:41,480 Speaker 2: I'll be like I just audibly laughed out loud. 459 00:18:41,720 --> 00:18:44,520 Speaker 8: Well, and then there's the bla haha thing. 460 00:18:44,600 --> 00:18:45,239 Speaker 1: I don't touch that. 461 00:18:45,280 --> 00:18:46,000 Speaker 8: I don't I don't do. 462 00:18:46,720 --> 00:18:48,280 Speaker 1: It feels like a villain, you know. 463 00:18:48,320 --> 00:18:51,119 Speaker 2: It feels like I'm committing a crime of some sort. 464 00:18:51,840 --> 00:18:54,440 Speaker 2: So you guys are done Brooks and done touring for now? 465 00:18:54,560 --> 00:18:58,520 Speaker 8: Yeah, yep we are. We start backing may back again. 466 00:18:59,560 --> 00:19:01,240 Speaker 1: I mean you're ohs are so big. 467 00:19:01,320 --> 00:19:04,680 Speaker 8: Just to well, you know, who knew we did? We 468 00:19:04,720 --> 00:19:06,200 Speaker 8: didn't know. We didn't go out to buy a bunch 469 00:19:06,240 --> 00:19:07,840 Speaker 8: of stuff at first, and then we had to hurry up. 470 00:19:07,920 --> 00:19:08,879 Speaker 1: What do you mean a bunch of stuff? 471 00:19:08,920 --> 00:19:10,600 Speaker 8: Well people started coming to the shows. 472 00:19:10,359 --> 00:19:11,560 Speaker 2: No, I know, but what kind of stuff you have 473 00:19:11,560 --> 00:19:12,840 Speaker 2: to buy? It that you didn't have productions? You got 474 00:19:12,920 --> 00:19:13,640 Speaker 2: to run to Target real. 475 00:19:13,640 --> 00:19:16,120 Speaker 4: Quick and go like, maybe should have lights, Yeah, hope, 476 00:19:16,200 --> 00:19:16,760 Speaker 4: lights A lot. 477 00:19:16,880 --> 00:19:19,240 Speaker 1: I guess we need an extra guitar, real. 478 00:19:19,160 --> 00:19:20,640 Speaker 8: Flights, fireworks and get them there. 479 00:19:20,680 --> 00:19:23,159 Speaker 2: All seriousness, You did not expect the success of the 480 00:19:23,200 --> 00:19:23,720 Speaker 2: tour to happen. 481 00:19:23,840 --> 00:19:26,320 Speaker 8: We didn't know. You never know. You know, we were 482 00:19:26,320 --> 00:19:28,920 Speaker 8: all for almost what ten years, and but it just 483 00:19:29,040 --> 00:19:31,760 Speaker 8: it just seem like, you know yesterday this bang bang. 484 00:19:33,000 --> 00:19:33,520 Speaker 1: Is it fun? 485 00:19:33,840 --> 00:19:35,240 Speaker 8: Yes, it's more fun than ever. 486 00:19:35,640 --> 00:19:36,480 Speaker 2: Why do you think that is? 487 00:19:37,640 --> 00:19:39,280 Speaker 8: I don't know. I think we just came up for air. 488 00:19:39,680 --> 00:19:41,359 Speaker 8: You know, it just turned into you know how you 489 00:19:41,840 --> 00:19:43,399 Speaker 8: have to do stuff every day, all day, all that 490 00:19:43,600 --> 00:19:47,040 Speaker 8: and not complaining at all. Yeah, it's a real job, 491 00:19:48,280 --> 00:19:51,439 Speaker 8: and we just came up on the creative plane too. 492 00:19:51,480 --> 00:19:53,880 Speaker 8: You have to be creative and give yourself some room. 493 00:19:54,160 --> 00:19:55,639 Speaker 2: That's always a goal for me is to try to 494 00:19:55,680 --> 00:19:57,760 Speaker 2: be bored, because I never give myself space to be 495 00:19:57,800 --> 00:20:00,520 Speaker 2: bored and I do my best thinking and I can 496 00:20:00,560 --> 00:20:02,840 Speaker 2: be bored. Yeah, but I start to get uncomfortable when 497 00:20:02,840 --> 00:20:04,720 Speaker 2: I'm board because I'm like, I'm not There's something I'm 498 00:20:04,720 --> 00:20:05,000 Speaker 2: not doing. 499 00:20:05,080 --> 00:20:06,919 Speaker 8: I have to face me right, Yeah, walk into a 500 00:20:06,960 --> 00:20:10,000 Speaker 8: room full of mirrors and go, I gotta go, right. 501 00:20:10,200 --> 00:20:14,160 Speaker 1: Do you still put pressure on yourself yeah? 502 00:20:14,440 --> 00:20:18,680 Speaker 2: Creatively, Yeah, to do what to write good songs. 503 00:20:18,359 --> 00:20:23,760 Speaker 8: And and and get good vocals and that stuff entertained. Well, 504 00:20:23,800 --> 00:20:26,280 Speaker 8: whatever that is for me, grab a mic and walk 505 00:20:26,280 --> 00:20:26,840 Speaker 8: out and sing. 506 00:20:27,320 --> 00:20:30,320 Speaker 2: But no, all the above, How have you not had 507 00:20:30,320 --> 00:20:32,720 Speaker 2: to change keys of your song while performing? It feels 508 00:20:32,720 --> 00:20:35,440 Speaker 2: like you're singing the same key it is, Yeah, I 509 00:20:35,880 --> 00:20:37,520 Speaker 2: do it. I'm not gonna I'm not going to give 510 00:20:37,520 --> 00:20:39,320 Speaker 2: it into that one. I think some of that's just 511 00:20:39,400 --> 00:20:42,960 Speaker 2: mental for people. Yeah, like they feel that they can't 512 00:20:43,000 --> 00:20:44,320 Speaker 2: hit the notes they used to hit, so they just 513 00:20:44,359 --> 00:20:44,719 Speaker 2: give up. 514 00:20:44,760 --> 00:20:46,600 Speaker 8: And yeah, they get a little squeak every now and 515 00:20:46,640 --> 00:20:48,520 Speaker 8: then it's like, oh this is all age or later 516 00:20:48,600 --> 00:20:51,119 Speaker 8: it's you know, maybe it is, but you know so 517 00:20:51,160 --> 00:20:52,919 Speaker 8: far knock on wood, it's not not for me. 518 00:20:53,200 --> 00:20:55,200 Speaker 2: Was there everro a dynamic with you and kicks to 519 00:20:55,200 --> 00:20:57,040 Speaker 2: where I was like, Okay, who's going to sing this 520 00:20:57,160 --> 00:20:57,840 Speaker 2: part of this song? 521 00:20:57,880 --> 00:20:58,720 Speaker 1: Was there ever that awkward? 522 00:20:58,720 --> 00:21:01,320 Speaker 8: And that's at first, yeah, big for the longest time, 523 00:21:01,760 --> 00:21:03,480 Speaker 8: for for like a few first few years. 524 00:21:03,480 --> 00:21:05,680 Speaker 2: Who decides that if it's one one B one? 525 00:21:05,960 --> 00:21:09,240 Speaker 8: Well, early early on, like way early on, Tim, when 526 00:21:09,240 --> 00:21:11,600 Speaker 8: Tim Dubois was running Aristo over there during the day 527 00:21:11,640 --> 00:21:13,560 Speaker 8: we were coming out with the first records or so Tim, 528 00:21:13,640 --> 00:21:15,880 Speaker 8: Tim just we were talking one day and I think 529 00:21:15,920 --> 00:21:19,040 Speaker 8: we've had this four number ones in a row, and Uh. 530 00:21:19,600 --> 00:21:20,879 Speaker 8: I talked to Tim and said, what are we going 531 00:21:20,960 --> 00:21:23,440 Speaker 8: to do for like's I said, there's there's five, five 532 00:21:23,520 --> 00:21:26,679 Speaker 8: or six singles on this record and he goes yeah. Uh, 533 00:21:26,720 --> 00:21:29,200 Speaker 8: and that's back when we weren't worried so much about 534 00:21:29,280 --> 00:21:31,520 Speaker 8: you know, you get three three songs and you're out. 535 00:21:32,200 --> 00:21:34,719 Speaker 8: So uh, Tim, Tim said no, he said, we're going 536 00:21:34,760 --> 00:21:37,400 Speaker 8: to the way we're going to settle this is let 537 00:21:37,520 --> 00:21:42,000 Speaker 8: Kicks do the every fourth song. And then that went 538 00:21:42,040 --> 00:21:43,960 Speaker 8: on for a while and then the Kicks was cool. 539 00:21:44,000 --> 00:21:45,840 Speaker 8: He goes, no, I don't know if you didn't feel 540 00:21:45,840 --> 00:21:47,840 Speaker 8: like we had that fourth song in there. He goes, no, 541 00:21:47,920 --> 00:21:49,560 Speaker 8: you take it and go from there. Are we going 542 00:21:49,600 --> 00:21:52,479 Speaker 8: to a new record? But we've been able to, I mean, 543 00:21:52,600 --> 00:21:54,360 Speaker 8: mitigate that stuff along the way. 544 00:21:55,280 --> 00:21:56,680 Speaker 2: There was one point where, because you know, Eddie and 545 00:21:56,680 --> 00:21:58,359 Speaker 2: I are in a wild the successful comedy duo called 546 00:21:58,359 --> 00:22:00,199 Speaker 2: The Raging Idiots, where I was like, Eddie, you need 547 00:22:00,280 --> 00:22:01,680 Speaker 2: to sing more, and ed He's like, nobody wants to 548 00:22:01,720 --> 00:22:02,120 Speaker 2: hear me sing. 549 00:22:02,160 --> 00:22:04,160 Speaker 1: Even though he's a better singer. He's like nobody came 550 00:22:04,200 --> 00:22:06,000 Speaker 1: to true. He's like, nobody came to hear me singing. 551 00:22:06,000 --> 00:22:07,199 Speaker 1: I'm like, but you're the better singer. He's like, but 552 00:22:07,200 --> 00:22:08,600 Speaker 1: I'm not going to sing because nobody wants to hear 553 00:22:08,600 --> 00:22:09,960 Speaker 1: me sing. So we had the opposite of that. 554 00:22:10,040 --> 00:22:11,720 Speaker 8: Oh funny, that's what you used to tell, kicks. That's 555 00:22:11,720 --> 00:22:14,119 Speaker 8: how I've like finally pulled it off, like sod no 556 00:22:14,600 --> 00:22:19,199 Speaker 8: wants to come hear you sing, Kicks. 557 00:22:19,520 --> 00:22:22,919 Speaker 2: I had a friend that won auction to have a 558 00:22:22,960 --> 00:22:24,560 Speaker 2: deal at your house where you played music for them 559 00:22:24,600 --> 00:22:24,959 Speaker 2: the other night. 560 00:22:25,240 --> 00:22:27,119 Speaker 8: Oh really, yeah I did that. 561 00:22:27,200 --> 00:22:28,760 Speaker 1: She wanted it was her real. 562 00:22:28,880 --> 00:22:29,800 Speaker 8: That's an odd feeling. 563 00:22:30,080 --> 00:22:32,119 Speaker 2: Yeah, And I saw them because I had to go 564 00:22:32,200 --> 00:22:34,040 Speaker 2: back home to Mountain Pine. But he was like, hey, 565 00:22:34,040 --> 00:22:36,440 Speaker 2: do you want to come over to Ronnie Dunn's house. 566 00:22:36,520 --> 00:22:38,440 Speaker 2: We just want to auction. We're flying it from Florida 567 00:22:38,680 --> 00:22:39,760 Speaker 2: to watch him perform. 568 00:22:39,800 --> 00:22:40,440 Speaker 1: And I was like, I can't. 569 00:22:40,480 --> 00:22:42,040 Speaker 2: But then I saw his Instagram story and it's like 570 00:22:42,040 --> 00:22:44,080 Speaker 2: you and your barn with people sitting around. 571 00:22:44,160 --> 00:22:47,239 Speaker 8: Yeah, they've gone in and completely like they did all 572 00:22:47,280 --> 00:22:49,080 Speaker 8: the things that I wanted to do before I left, 573 00:22:49,200 --> 00:22:50,560 Speaker 8: you know, And I kind of looked around and went 574 00:22:50,560 --> 00:22:53,880 Speaker 8: you know what, I'm going to spend another fortune redoing 575 00:22:53,880 --> 00:22:56,479 Speaker 8: this house and this property. So anyway, I sold it 576 00:22:56,760 --> 00:23:00,399 Speaker 8: to a great guy and they've done all the cool 577 00:23:00,880 --> 00:23:03,640 Speaker 8: redecorating things to it so. 578 00:23:03,600 --> 00:23:06,119 Speaker 2: That barn is not where you live now, No, that's 579 00:23:06,160 --> 00:23:08,000 Speaker 2: where you used to live. Yeah, is that already to put. 580 00:23:07,880 --> 00:23:09,800 Speaker 1: The hot air balloon up? Yeah, you still have that. 581 00:23:09,840 --> 00:23:11,040 Speaker 8: I was giving them grief about that. 582 00:23:11,200 --> 00:23:12,840 Speaker 2: Yeah, we do have it, man, that we could have 583 00:23:12,880 --> 00:23:14,359 Speaker 2: a hot air balloon with your name on it and 584 00:23:14,359 --> 00:23:15,320 Speaker 2: you drive up to the house. 585 00:23:16,040 --> 00:23:16,680 Speaker 1: That's what it says. 586 00:23:16,760 --> 00:23:19,320 Speaker 8: It's huge, you know. I kind of felt like it was. 587 00:23:19,600 --> 00:23:21,440 Speaker 8: It was naked pulling in there till like an event 588 00:23:21,480 --> 00:23:23,000 Speaker 8: because we'd always took it out in the front yard 589 00:23:23,040 --> 00:23:25,120 Speaker 8: and lighted up so people could know where to come 590 00:23:25,320 --> 00:23:27,639 Speaker 8: because you couldn't really see the gate lines and stuff. 591 00:23:27,800 --> 00:23:28,800 Speaker 1: You any animals out there? 592 00:23:28,880 --> 00:23:30,000 Speaker 8: Yeah? 593 00:23:30,359 --> 00:23:31,520 Speaker 1: Do you camera your woods? 594 00:23:31,760 --> 00:23:32,000 Speaker 8: I do? 595 00:23:32,440 --> 00:23:33,280 Speaker 1: What do you see out there? 596 00:23:33,400 --> 00:23:36,320 Speaker 8: Everything? Like bobcats us too, we put. 597 00:23:36,240 --> 00:23:39,000 Speaker 2: Up Yeah, bobcats and coyotes. 598 00:23:39,080 --> 00:23:40,400 Speaker 8: Yeah, Kyle's like mad. 599 00:23:40,640 --> 00:23:40,880 Speaker 1: Yeah. 600 00:23:41,240 --> 00:23:41,480 Speaker 8: Yeah. 601 00:23:41,560 --> 00:23:46,280 Speaker 2: We had an issue with fox with some foxes, and 602 00:23:46,320 --> 00:23:47,920 Speaker 2: so we tried to get somebody to catch the foxes 603 00:23:48,000 --> 00:23:49,639 Speaker 2: and trap them and then put them back out in 604 00:23:49,680 --> 00:23:51,440 Speaker 2: different woods, but make them somebody else the problem, but 605 00:23:51,480 --> 00:23:51,840 Speaker 2: not kill them. 606 00:23:51,880 --> 00:23:53,679 Speaker 8: Yeah, they're talking like six hundred miles away, and then 607 00:23:54,080 --> 00:23:55,520 Speaker 8: two days later they'll show back up. 608 00:23:55,560 --> 00:23:56,960 Speaker 2: Yeah, so we're like, let's just get rid of them. 609 00:23:57,160 --> 00:23:58,720 Speaker 2: I don't put them in a neighbor's backyard. I don't care. 610 00:23:59,000 --> 00:24:01,719 Speaker 2: But then kyots cat sort of coming and killing the foxes. 611 00:24:01,760 --> 00:24:02,280 Speaker 8: How about that? 612 00:24:02,359 --> 00:24:03,960 Speaker 2: And then we were like, let's kill the them that 613 00:24:04,000 --> 00:24:06,200 Speaker 2: don't care as much. I'm like, shoot them shoots. I 614 00:24:06,200 --> 00:24:07,000 Speaker 2: don't even care as much. 615 00:24:07,040 --> 00:24:08,880 Speaker 8: You're in Tennessee, that's right. 616 00:24:09,720 --> 00:24:11,000 Speaker 1: Do you hunt on your property at all? 617 00:24:12,040 --> 00:24:14,000 Speaker 8: Very rarely? Very really? I have friends, you know, if 618 00:24:14,000 --> 00:24:17,399 Speaker 8: you have land that even resembles something you can hunt on, 619 00:24:17,520 --> 00:24:18,760 Speaker 8: they're they're your best friends. 620 00:24:18,840 --> 00:24:19,479 Speaker 1: Do you have a duck hut? 621 00:24:19,520 --> 00:24:22,240 Speaker 8: But they only do it around hunting season. That's time 622 00:24:22,280 --> 00:24:23,240 Speaker 8: you hear from them. 623 00:24:23,600 --> 00:24:25,560 Speaker 2: Oh, it's like you're having a pool in the summertimes. 624 00:24:25,600 --> 00:24:27,880 Speaker 2: People call like, hey, buddy and my friend, you got 625 00:24:27,880 --> 00:24:29,960 Speaker 2: a pool, if you got a land? 626 00:24:30,000 --> 00:24:38,320 Speaker 3: What's up runners, deer, deers, Yeah, that's that's that's snare. 627 00:24:38,359 --> 00:24:43,679 Speaker 8: What about duck duck hunting? Yeah? I go down to Louisiana, Uh, 628 00:24:43,720 --> 00:24:46,919 Speaker 8: a friend has his own island down there called Little Pecan. 629 00:24:47,040 --> 00:24:48,040 Speaker 8: It's unbelievable. 630 00:24:48,160 --> 00:24:49,760 Speaker 4: Friends with them you're around though, yeah? 631 00:24:50,200 --> 00:24:51,040 Speaker 1: Or only duck season? 632 00:24:51,520 --> 00:24:57,359 Speaker 8: Yeah, but you can. Yeah right. It used to be 633 00:24:57,720 --> 00:24:59,680 Speaker 8: years ago. We've been doing this for like sixteen years. 634 00:25:00,200 --> 00:25:01,760 Speaker 8: It used to be, well, hey, I'll call you, don't 635 00:25:01,800 --> 00:25:03,879 Speaker 8: call me, okay, because I got saw all these he 636 00:25:04,320 --> 00:25:06,639 Speaker 8: runs late. Then it's not a commercial place. It's private. 637 00:25:06,680 --> 00:25:09,439 Speaker 8: He's in the oil business. But uh, he runs like 638 00:25:09,440 --> 00:25:13,199 Speaker 8: three hundred and sixty something people through their year. Nuts. 639 00:25:13,520 --> 00:25:14,800 Speaker 1: Do you have any billionaire friends? 640 00:25:15,160 --> 00:25:15,440 Speaker 8: Uh? 641 00:25:16,440 --> 00:25:19,000 Speaker 1: That's cool. You that ain't true? 642 00:25:19,680 --> 00:25:19,840 Speaker 8: Two? 643 00:25:20,440 --> 00:25:22,000 Speaker 1: Do you really have any billionaire friends? 644 00:25:22,080 --> 00:25:22,320 Speaker 8: Yeah? 645 00:25:23,160 --> 00:25:23,639 Speaker 1: That's cool? 646 00:25:24,440 --> 00:25:26,200 Speaker 8: Who right? 647 00:25:27,640 --> 00:25:29,280 Speaker 1: We were all waiting then, yohoo. 648 00:25:29,480 --> 00:25:31,440 Speaker 8: Okay, I read that extracted light back there. 649 00:25:31,480 --> 00:25:32,720 Speaker 1: Do you ever pay like that? 650 00:25:32,920 --> 00:25:34,359 Speaker 2: Do you ever pay for the meal if you're at 651 00:25:34,359 --> 00:25:35,359 Speaker 2: dinner with a billionaire friends? 652 00:25:35,440 --> 00:25:37,800 Speaker 8: Yeah? Yeah, I insist I'm not going to do you know, 653 00:25:38,040 --> 00:25:40,440 Speaker 8: go that? I mean if yeah, nine times out of ten. 654 00:25:40,480 --> 00:25:42,359 Speaker 8: But I'm bad about that anyway. I feel guilty about 655 00:25:42,440 --> 00:25:44,160 Speaker 8: That's true, being a dinner with somebody and I pulling 656 00:25:44,240 --> 00:25:44,760 Speaker 8: my card out. 657 00:25:44,920 --> 00:25:47,399 Speaker 2: Yeah, we've had that fight before. Yeah, yeah, off, and 658 00:25:47,440 --> 00:25:49,320 Speaker 2: I win because I'm younger and stronger. Oh, you win 659 00:25:49,359 --> 00:25:50,360 Speaker 2: that fight every time. 660 00:25:50,640 --> 00:25:51,040 Speaker 1: Look at us. 661 00:25:51,080 --> 00:25:52,760 Speaker 8: How do you think we went to eat in town? 662 00:25:52,920 --> 00:25:56,679 Speaker 8: So I can't name the restaurant, can you? Uh? People 663 00:25:56,720 --> 00:25:59,800 Speaker 8: lined up you getting his autograph. I'm sitting really really. 664 00:26:02,960 --> 00:26:05,400 Speaker 1: Pictures. Yes, it was pictures. 665 00:26:05,640 --> 00:26:08,040 Speaker 2: And it was hilarious because here we are at dinner, 666 00:26:08,760 --> 00:26:12,679 Speaker 2: me my wife, him his life, and we kind of 667 00:26:12,680 --> 00:26:16,639 Speaker 2: feel like there are like life mentors Ronnie and his 668 00:26:16,680 --> 00:26:18,520 Speaker 2: wife because she's also from Oklahoma. 669 00:26:18,600 --> 00:26:20,919 Speaker 1: My wife loves her, and Ryan's okay to me. 670 00:26:20,960 --> 00:26:23,200 Speaker 8: But the book like sonic junkies. 671 00:26:23,320 --> 00:26:25,159 Speaker 1: Yes, yeah. And then people are coming up, Hey can 672 00:26:25,240 --> 00:26:25,760 Speaker 1: I get a picture? 673 00:26:25,880 --> 00:26:28,160 Speaker 2: And Ronnie's just sitting there across the table. I don't 674 00:26:28,160 --> 00:26:29,720 Speaker 2: say anything, but I think it's hilarious. 675 00:26:29,760 --> 00:26:31,640 Speaker 9: You didn't make Ronnie take the picture, did you? No, 676 00:26:31,720 --> 00:26:33,040 Speaker 9: I've done it. 677 00:26:33,200 --> 00:26:35,159 Speaker 8: We should go to Mexico with Reba real quick, hon 678 00:26:35,160 --> 00:26:37,320 Speaker 8: do we gotta cut out here, but with Riba and 679 00:26:37,320 --> 00:26:39,800 Speaker 8: stuff and hang out. She had a great place down 680 00:26:39,800 --> 00:26:43,119 Speaker 8: there in Cancun. And uh, get off the plane and 681 00:26:44,000 --> 00:26:46,560 Speaker 8: people run up to Rima and I'm standing right there 682 00:26:46,560 --> 00:26:49,919 Speaker 8: with her. Whatever. I don't I don't think about this, 683 00:26:50,000 --> 00:26:52,600 Speaker 8: but it's funny to me. Uh, and they will hand 684 00:26:52,600 --> 00:26:55,600 Speaker 8: me the cameras to take a picture and she would 685 00:26:55,640 --> 00:26:57,520 Speaker 8: look back at me. Find she was sensitive to the 686 00:26:57,560 --> 00:27:00,600 Speaker 8: to the issue and she goes with that TV show. 687 00:27:00,760 --> 00:27:02,280 Speaker 8: It really really ramped up. 688 00:27:04,400 --> 00:27:05,200 Speaker 4: Her red hair. 689 00:27:05,480 --> 00:27:08,960 Speaker 1: Oh yeah, we're good, you're a man. 690 00:27:10,440 --> 00:27:12,480 Speaker 2: Ronnie done and we'll get the through record out early 691 00:27:12,520 --> 00:27:12,880 Speaker 2: next year. 692 00:27:13,000 --> 00:27:14,360 Speaker 1: Ronnie done. Everybody much. 693 00:27:16,720 --> 00:27:20,440 Speaker 2: Here is a voicemail from Skyler asking for an update 694 00:27:20,480 --> 00:27:20,879 Speaker 2: with Amy. 695 00:27:20,880 --> 00:27:22,480 Speaker 4: Here morning studio. 696 00:27:23,200 --> 00:27:27,719 Speaker 1: I was calling and wondering how Amy's ear is doing 697 00:27:28,119 --> 00:27:30,159 Speaker 1: after Doctor Lucky worked on it. 698 00:27:30,160 --> 00:27:32,280 Speaker 2: It's surgery. In the studio, Amy ripped her ear out, 699 00:27:32,600 --> 00:27:35,360 Speaker 2: the earring down. She did it herself and then had 700 00:27:35,359 --> 00:27:36,359 Speaker 2: emergency surgery. 701 00:27:36,560 --> 00:27:38,080 Speaker 1: And it's great. 702 00:27:38,359 --> 00:27:38,840 Speaker 4: It's awesome. 703 00:27:38,880 --> 00:27:41,000 Speaker 5: I still haven't had it repierced yet because I want 704 00:27:41,000 --> 00:27:43,840 Speaker 5: to be said, the longer I wait, the better, so 705 00:27:44,359 --> 00:27:47,800 Speaker 5: I'd rather just be extra careful and cautious so that 706 00:27:47,840 --> 00:27:50,000 Speaker 5: I don't have to go through this again. But it 707 00:27:50,080 --> 00:27:53,119 Speaker 5: was a pretty awesome experience because I mean I've had that. 708 00:27:53,160 --> 00:27:55,600 Speaker 5: It's been ripped since I was in seventh grade, not 709 00:27:55,640 --> 00:27:56,960 Speaker 5: all the way through that not all the way through, 710 00:27:57,000 --> 00:27:58,840 Speaker 5: but that's when I first ripped it enough to where 711 00:27:58,840 --> 00:28:02,200 Speaker 5: it just kept ripping and ripping, ripping, So gosh, it's about. 712 00:28:01,920 --> 00:28:04,119 Speaker 4: Time, so thank you. 713 00:28:04,160 --> 00:28:05,240 Speaker 1: I'm thinking it always hurt. 714 00:28:05,760 --> 00:28:06,560 Speaker 4: No, it doesn't hurt. 715 00:28:06,600 --> 00:28:08,439 Speaker 1: Oh he did it when you would rip it, I 716 00:28:08,440 --> 00:28:09,120 Speaker 1: mean yeah. 717 00:28:09,440 --> 00:28:11,200 Speaker 5: And then it got to a point where, like when 718 00:28:11,240 --> 00:28:13,000 Speaker 5: it finally ripped all the way through, I didn't even 719 00:28:13,000 --> 00:28:13,600 Speaker 5: really feel it. 720 00:28:13,720 --> 00:28:15,240 Speaker 4: I didn't even know my earring had come all. 721 00:28:15,119 --> 00:28:16,840 Speaker 5: The way through because there was just such a little 722 00:28:16,880 --> 00:28:18,200 Speaker 5: pretty piece of skin left. 723 00:28:18,200 --> 00:28:19,160 Speaker 4: It'd be like a hangnail. 724 00:28:19,680 --> 00:28:21,159 Speaker 2: You don't know what She sewed it together in the 725 00:28:21,200 --> 00:28:24,480 Speaker 2: studios rough Here's Katie and Tampa Morning Studio. 726 00:28:25,000 --> 00:28:26,200 Speaker 7: I was really curious. 727 00:28:25,880 --> 00:28:26,600 Speaker 5: About you guys. 728 00:28:26,640 --> 00:28:28,040 Speaker 6: I'd seen you guys on Instagram, but. 729 00:28:28,000 --> 00:28:28,960 Speaker 7: I wanted to know more. 730 00:28:29,400 --> 00:28:31,560 Speaker 1: So I went to the old Google and. 731 00:28:31,520 --> 00:28:32,600 Speaker 5: I found Lunchbox. 732 00:28:32,840 --> 00:28:36,320 Speaker 6: It says he is multiracial, five feet five inches and 733 00:28:36,480 --> 00:28:39,360 Speaker 6: makes around four hundred and fifty thousand dollars. 734 00:28:39,480 --> 00:28:42,280 Speaker 1: So the site is Celeb's Life Real R E e. 735 00:28:42,600 --> 00:28:43,560 Speaker 4: L dot com. 736 00:28:43,760 --> 00:28:45,560 Speaker 3: Just wanted to know how true that is? 737 00:28:45,720 --> 00:28:47,800 Speaker 1: All right, love the show, pretty accurate, all right, be 738 00:28:47,800 --> 00:28:48,200 Speaker 1: back after this. 739 00:28:49,880 --> 00:28:55,400 Speaker 6: Hey dude, I am my multiracial MALTI I am multi 740 00:28:55,440 --> 00:28:58,000 Speaker 6: because I'm Bohemian as where my grandma's room. 741 00:28:58,040 --> 00:28:59,200 Speaker 1: We're all multiracial. 742 00:28:59,240 --> 00:29:03,000 Speaker 7: Then my grandpa's from Ireland, so I'm irish. 743 00:29:03,400 --> 00:29:06,480 Speaker 1: I mean, yeah, yeah, that counts, thank you very much. 744 00:29:06,600 --> 00:29:07,680 Speaker 7: But I am not five to five. 745 00:29:07,760 --> 00:29:09,760 Speaker 6: They have me mixed up with ray and I don't 746 00:29:09,760 --> 00:29:11,920 Speaker 6: make four hundred and something thousand dollars a year. 747 00:29:12,840 --> 00:29:13,880 Speaker 1: Do you make less or more? 748 00:29:14,520 --> 00:29:17,200 Speaker 7: I wish I made that much, you know what I'm saying. 749 00:29:18,480 --> 00:29:23,560 Speaker 8: All right, thank you, pile of stories. 750 00:29:23,720 --> 00:29:27,080 Speaker 5: I have a question that Steve Jobs asked himself every 751 00:29:27,160 --> 00:29:28,320 Speaker 5: day CEO of Apple. 752 00:29:28,320 --> 00:29:30,160 Speaker 1: Okay, he since passed familiar. 753 00:29:30,600 --> 00:29:32,720 Speaker 5: Yeah, but he would look in the mirror in the 754 00:29:32,720 --> 00:29:35,600 Speaker 5: morning and he would ask himself, if today, for the 755 00:29:35,640 --> 00:29:37,920 Speaker 5: last day of my life, what I want to do? 756 00:29:38,000 --> 00:29:39,440 Speaker 4: What I'm about to do today. 757 00:29:39,480 --> 00:29:42,760 Speaker 2: I hate that question because if you felt that way, 758 00:29:42,800 --> 00:29:46,200 Speaker 2: you would never invest anything. You never work hard for uh, 759 00:29:46,320 --> 00:29:50,120 Speaker 2: you never have delayed gratification, which is a big deal 760 00:29:50,160 --> 00:29:53,280 Speaker 2: with exercise, with saving money, with investing in your family. 761 00:29:53,880 --> 00:29:54,760 Speaker 1: Steve Jobs, guys never. 762 00:29:54,720 --> 00:29:56,920 Speaker 4: Get But no, I don't think it's that. Okay, I 763 00:29:56,960 --> 00:29:59,040 Speaker 4: get what you're saying. Yeah, it's like you can't. 764 00:29:58,840 --> 00:30:02,360 Speaker 1: Live by that today. I we're dying today. We have 765 00:30:02,560 --> 00:30:04,040 Speaker 1: how I want to do my day. No, of course 766 00:30:04,080 --> 00:30:04,720 Speaker 1: I'm going to work. 767 00:30:05,000 --> 00:30:08,280 Speaker 5: Yeah, but if you love what you do, are you 768 00:30:08,320 --> 00:30:09,720 Speaker 5: ever working the day in your life? 769 00:30:09,720 --> 00:30:10,960 Speaker 1: But that doesn't count in this. 770 00:30:11,880 --> 00:30:14,280 Speaker 5: I actually saw it as like a good question, but 771 00:30:14,360 --> 00:30:16,960 Speaker 5: even towards the goals that you're living out because obviously 772 00:30:17,000 --> 00:30:18,360 Speaker 5: you know it's not your final day, you don't need 773 00:30:18,360 --> 00:30:18,640 Speaker 5: to see. 774 00:30:18,600 --> 00:30:21,000 Speaker 2: So he just asked them if I was living day, 775 00:30:21,080 --> 00:30:22,400 Speaker 2: do you know what I say in the marror every morning? 776 00:30:22,440 --> 00:30:26,560 Speaker 1: What you're so ugly? Oh? And then you go to 777 00:30:26,560 --> 00:30:27,480 Speaker 1: work and then I go to work. 778 00:30:29,560 --> 00:30:29,920 Speaker 4: Okay. 779 00:30:30,360 --> 00:30:33,200 Speaker 5: Moving on, a poll asked people if we should have 780 00:30:33,280 --> 00:30:34,959 Speaker 5: intermissions in movies. 781 00:30:35,080 --> 00:30:38,600 Speaker 2: Yes, any movie over two hours and thirty minutes. If 782 00:30:38,600 --> 00:30:41,840 Speaker 2: it goes to thirty one, boom, there's an intermission. 783 00:30:42,080 --> 00:30:42,520 Speaker 1: How long? 784 00:30:43,640 --> 00:30:46,280 Speaker 2: Ten minutes? Not anything crazy, and. 785 00:30:46,320 --> 00:30:48,640 Speaker 5: It's not enough time for everybody to file out and 786 00:30:48,640 --> 00:30:49,440 Speaker 5: then everybody file in. 787 00:30:49,480 --> 00:30:50,240 Speaker 4: But I guess not everybody. 788 00:30:50,760 --> 00:30:52,920 Speaker 1: We can't. We can't set our innimasion times based on everybody. 789 00:30:53,480 --> 00:30:55,320 Speaker 6: I mean, that's about how long the NFL have time 790 00:30:55,440 --> 00:30:57,160 Speaker 6: is and there's a lot more people in that stadium. 791 00:30:57,200 --> 00:31:01,760 Speaker 2: Ten minutes, gopee come back, flicker the lights like one minute, 792 00:31:01,760 --> 00:31:03,160 Speaker 2: and then start the movie up and if you need 793 00:31:03,200 --> 00:31:05,360 Speaker 2: to flicker the lights and then show one preview to 794 00:31:05,360 --> 00:31:06,360 Speaker 2: give everybody a warm up. 795 00:31:06,440 --> 00:31:09,080 Speaker 1: Oh, and they get back into the mood. That's cool. Uh. 796 00:31:09,160 --> 00:31:11,440 Speaker 5: In the poll, young adults were more likely to want 797 00:31:11,440 --> 00:31:13,040 Speaker 5: the intermission than old. 798 00:31:12,840 --> 00:31:14,920 Speaker 1: Folks, which is whir because all folks have to be more. 799 00:31:16,240 --> 00:31:19,200 Speaker 5: But you know recent movies like Oppenheimer three hours long, 800 00:31:19,480 --> 00:31:22,560 Speaker 5: Killers of the Flower Moon three hours and twenty six 801 00:31:22,720 --> 00:31:26,920 Speaker 5: minutes long. Yikes, yeah, I need an intermission during that one. 802 00:31:26,960 --> 00:31:29,560 Speaker 5: But if it's like what our hour thirty out forty five? 803 00:31:29,680 --> 00:31:30,080 Speaker 1: All good? 804 00:31:30,080 --> 00:31:33,320 Speaker 2: Okay, it goes over two thirty, which is semi long. 805 00:31:33,400 --> 00:31:36,760 Speaker 5: Now intermission which is Oppenheimer? Can we watch that at 806 00:31:36,760 --> 00:31:37,600 Speaker 5: home now yet? 807 00:31:37,840 --> 00:31:38,360 Speaker 1: Good luck? 808 00:31:38,560 --> 00:31:40,000 Speaker 8: Not yet? A couple of weeks. 809 00:31:40,120 --> 00:31:41,480 Speaker 4: Weeks, okay, I'm waiting on that one. 810 00:31:42,400 --> 00:31:46,320 Speaker 5: Taylor Swift fans don't know how to open a CD case. 811 00:31:46,360 --> 00:31:48,520 Speaker 5: I got a clip of a mom talking with her 812 00:31:48,600 --> 00:31:49,880 Speaker 5: daughter who's like, wait, what. 813 00:31:49,960 --> 00:31:51,840 Speaker 2: Listen, I don't know how to open a CD case 814 00:31:51,840 --> 00:31:52,720 Speaker 2: and I've opened ten thousand. 815 00:31:53,000 --> 00:31:55,600 Speaker 1: Those were tough. It's hard. Gett a pill that plastic 816 00:31:55,640 --> 00:31:57,520 Speaker 1: off the top? Yeah, go ahead, what. 817 00:31:57,560 --> 00:31:58,240 Speaker 8: Do you mean you open? 818 00:31:58,560 --> 00:31:59,120 Speaker 3: Break this? 819 00:31:59,720 --> 00:32:04,160 Speaker 5: Get the open open the the what do you mean 820 00:32:04,400 --> 00:32:05,360 Speaker 5: open it? 821 00:32:05,560 --> 00:32:17,760 Speaker 2: Hell, the move was to have that little cutter, but 822 00:32:17,840 --> 00:32:18,760 Speaker 2: I never kept the cutter. 823 00:32:18,960 --> 00:32:21,120 Speaker 4: Well, so this is like one like picture. 824 00:32:21,120 --> 00:32:23,240 Speaker 5: You're getting the plastic open and there's that little button 825 00:32:23,240 --> 00:32:23,640 Speaker 5: in the middle. 826 00:32:23,680 --> 00:32:25,560 Speaker 4: When you press that, the CD pops out. 827 00:32:25,640 --> 00:32:27,440 Speaker 1: I never pushed a button in my life. Oh no, no, no, 828 00:32:27,480 --> 00:32:29,760 Speaker 1: I just pull it out. You pull it, yeah, rip, 829 00:32:30,480 --> 00:32:31,800 Speaker 1: And then you wonder, why is this broken? 830 00:32:32,800 --> 00:32:34,400 Speaker 4: I hit the plastic button in the center. 831 00:32:34,680 --> 00:32:35,840 Speaker 1: You must have got the fancy CDs. 832 00:32:36,240 --> 00:32:39,600 Speaker 5: Does anybody have any CDs that are not opened, still 833 00:32:39,640 --> 00:32:42,760 Speaker 5: in the wrapper that might be worth something one day? 834 00:32:42,920 --> 00:32:44,960 Speaker 1: You can go buy them right now. Oh and open, 835 00:32:45,040 --> 00:32:46,240 Speaker 1: not in the wrapper the store. 836 00:32:46,440 --> 00:32:48,120 Speaker 4: But it's not a worthy thing. 837 00:32:48,600 --> 00:32:49,640 Speaker 1: Well I don't know which one it is. 838 00:32:49,800 --> 00:32:52,800 Speaker 7: Okay, I got DVDs unopened. 839 00:32:53,120 --> 00:32:55,920 Speaker 4: See that's worth something eventually. 840 00:32:55,480 --> 00:32:57,440 Speaker 2: Maybe if it's like a first But like a video game, 841 00:32:57,480 --> 00:32:59,800 Speaker 2: you can't go and buy that first ever Zelda unopen. 842 00:32:59,840 --> 00:33:02,320 Speaker 1: That's or an iPod. That's why those are worth so much. 843 00:33:02,400 --> 00:33:03,600 Speaker 4: Let's buy something right now. 844 00:33:03,840 --> 00:33:06,200 Speaker 1: We've already done this. We have a whole O voice. No, no, no, no, 845 00:33:06,320 --> 00:33:06,680 Speaker 1: we're not. 846 00:33:06,600 --> 00:33:09,880 Speaker 4: Buying anything twenty years. 847 00:33:10,320 --> 00:33:12,280 Speaker 1: I'm not going to know you guys in twenty years. 848 00:33:12,200 --> 00:33:14,200 Speaker 4: What would you have said that twenty years ago? Because 849 00:33:14,200 --> 00:33:17,560 Speaker 4: we're still Oh yeah, okay, maybe that's my file. 850 00:33:18,480 --> 00:33:20,520 Speaker 1: That was Amy's pile of stories. 851 00:33:21,160 --> 00:33:26,000 Speaker 5: It's time for the good news produce already. 852 00:33:27,160 --> 00:33:30,000 Speaker 9: A couple of weeks ago, the Philadelphia Eagles were hosting 853 00:33:30,000 --> 00:33:31,040 Speaker 9: the Dallas Cowboys. 854 00:33:31,160 --> 00:33:33,400 Speaker 1: Terrible memory for me, but in. 855 00:33:33,320 --> 00:33:36,000 Speaker 9: The parking lot before the game there was Brook and 856 00:33:36,080 --> 00:33:36,840 Speaker 9: Bob Brittner. 857 00:33:37,400 --> 00:33:38,280 Speaker 1: They got married. 858 00:33:38,360 --> 00:33:40,880 Speaker 9: They had the wedding ceremony in the parking lot as 859 00:33:40,920 --> 00:33:44,480 Speaker 9: they tailgated. Diehard fans, Hey, diehard Eagles fans. So good 860 00:33:44,520 --> 00:33:47,560 Speaker 9: for them, and they had the reception too. I would 861 00:33:48,480 --> 00:33:50,000 Speaker 9: so cool. I would have loved to have got married 862 00:33:50,000 --> 00:33:52,960 Speaker 9: at halftime of a Razorby game. Did you propose that 863 00:33:53,000 --> 00:33:53,280 Speaker 9: at all? 864 00:33:54,400 --> 00:33:55,440 Speaker 1: Lot, No, on the field. 865 00:33:55,520 --> 00:33:59,640 Speaker 2: Instead of the band, you rotate the set like a 866 00:34:00,000 --> 00:34:01,760 Speaker 2: Ancing with the Stars or idol. They move it real quick. 867 00:34:01,800 --> 00:34:04,000 Speaker 2: Is super Bowl yes, super Bowl Yeah? And then it's 868 00:34:04,560 --> 00:34:07,160 Speaker 2: and we get married, and then all right, say I 869 00:34:07,200 --> 00:34:10,040 Speaker 2: do I do? Say whoop, pig, woot pig, and then came. 870 00:34:09,920 --> 00:34:12,319 Speaker 9: Back on wow, and then and then everyone there, that's 871 00:34:12,440 --> 00:34:14,400 Speaker 9: that's the people that you're wing there all my witnesses. 872 00:34:15,760 --> 00:34:18,080 Speaker 1: That's a cool story, that's important to them. That's such 873 00:34:18,120 --> 00:34:19,640 Speaker 1: a cool story, totally, man. 874 00:34:19,760 --> 00:34:22,840 Speaker 9: And then the Eagles won for them, so their marriage 875 00:34:22,880 --> 00:34:24,040 Speaker 9: is obviously gonna be good. 876 00:34:25,800 --> 00:34:28,000 Speaker 1: All right, thank you. That's what it's all about. That 877 00:34:28,360 --> 00:34:29,399 Speaker 1: was telling me something good.