WEBVTT - Episode 462 w/ Giggs

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<v Speaker 1>He is drinks chests, motherfucking podcast makes He's a legendary

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<v Speaker 1>queens rapper. He ain't agreed as your boy in O

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<v Speaker 1>R E.

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<v Speaker 2>He's a Miami hip hop pioneer. Put up its DJ.

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<v Speaker 1>E f N together they drink it up with some.

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<v Speaker 2>Of the biggest players, you know what I mean.

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<v Speaker 3>And the most professional unprofessional podcast and your number one

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<v Speaker 3>source for drunk drink Chans day is New.

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<v Speaker 2>Year c That's it's time for drink Champions. Drink up, motherfucker?

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<v Speaker 1>Would it good be over this simp ship boy.

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<v Speaker 3>And O R E?

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<v Speaker 2>What up is DJ E f N And it's drink

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<v Speaker 2>champs y make some no.

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<v Speaker 4>And man, when we talk about people that's been doing it,

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<v Speaker 4>you know, Corosse Sea's international over twenty year is records

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<v Speaker 4>with some of the biggest people in the world.

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<v Speaker 1>When you talk about the Manim, that's the Mandim and

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<v Speaker 1>standing next to the Mandamn, you understand continue to do

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<v Speaker 1>have respect. That's the biggest thing about it is.

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<v Speaker 2>You know, sometimes you.

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<v Speaker 4>Can have respect from the fans, you can have the

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<v Speaker 4>respect from from from from the executives, but when you

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<v Speaker 4>have respect from the actual artists, the actual community, the

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<v Speaker 4>actual people who put out these who put out this culture,

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<v Speaker 4>who stand behind them? I'm telling you the people who

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<v Speaker 4>we everybody most respect respect.

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<v Speaker 3>That's man.

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<v Speaker 4>So in case I don't know who we talking about,

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<v Speaker 4>we talking about the Mandem, the motherfucking one of the

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<v Speaker 4>London's kings, and we're gonna get into all of that

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<v Speaker 4>right now today.

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<v Speaker 2>So so off.

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<v Speaker 1>Top, I want to ask you, are we okay with ice?

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<v Speaker 2>Is an ice goring up in here?

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<v Speaker 3>Damn?

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<v Speaker 1>I'm going to you know, because Trump is wild and

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<v Speaker 1>he's taking even out London. Nobody ain't the joke. So later, yeah,

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<v Speaker 1>I know, y'ah, So I know, yeah, so I know, yeah,

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<v Speaker 1>I know ya to excuse.

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<v Speaker 5>Us from right now with all the crazy accents and

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<v Speaker 5>probably will come out London, you know.

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<v Speaker 1>But but but all right, let me ask you right

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<v Speaker 1>way wait, I'll go to visas, okay, right, I didn't

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<v Speaker 1>have backing up because because I heard that you at

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<v Speaker 1>one point you were banned in your own country, right,

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<v Speaker 1>But what I'm saying is one time I got banned

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<v Speaker 1>in London just for going through and not having a visa, right, okay,

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<v Speaker 1>So is it like that in.

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<v Speaker 4>The reverse like when you come to America? Are they

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<v Speaker 4>are they is the Americans just as strict to yours

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<v Speaker 4>as as the UK people are strict to us.

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<v Speaker 1>I think more strict Americans, and.

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<v Speaker 3>We need to hear this. You don't know, like we

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<v Speaker 3>think it's Yeah.

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<v Speaker 1>I got like even when I'm over here, I'm kind

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<v Speaker 1>of like, right, you know what I'm saying, like because

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<v Speaker 1>none of my man them can come over here, none

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<v Speaker 1>of them. So even the man then will be watching

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<v Speaker 1>me over here, like but they're seeing me like around family,

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<v Speaker 1>like family, but no one can get over here.

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<v Speaker 3>I couldn't get here for ten years.

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<v Speaker 1>Wow. And was this the same ten years that you

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<v Speaker 1>was bearing from doing shows? Yeah, in the same time.

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<v Speaker 1>I didn't even think about that, but yeah at the

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<v Speaker 1>same time, Yeah, yeah, it was. It was kind of

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<v Speaker 1>a misunderstandabay, because obviously I had convictions and stuff. Yeah, yeah,

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<v Speaker 1>And then I used to come over here. I used

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<v Speaker 1>to like fill in the paper, bro, I know.

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<v Speaker 2>I did.

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<v Speaker 1>I swear to God, I used to because it said

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<v Speaker 1>have you been convicted for more than five years for drugs?

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<v Speaker 3>And I was thinking, I went heil for firearms. That

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<v Speaker 3>ain't me, That's what I wought. So I used to

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<v Speaker 3>take no, none of the suffer me.

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<v Speaker 1>Then then one day I was going to Atlanta and

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<v Speaker 1>then they just said yeah, this way went in the

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<v Speaker 1>room and I was just sitting there for hours and

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<v Speaker 1>then they even they said, yeah, have you been convicted?

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<v Speaker 1>I said yeah, like and then they said, well why

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<v Speaker 1>did you lie here? And I was like, this is

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<v Speaker 1>the apply to me? And then they was like, we're

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<v Speaker 1>not going to argue, don't come back, and then sent

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<v Speaker 1>me back there. Then after that it was ten years,

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<v Speaker 1>like oh wow, I'm back from yeah.

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<v Speaker 3>And now.

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<v Speaker 4>In America, how long did it take for you to

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<v Speaker 4>cross over from from the UK market to America? Because like,

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<v Speaker 4>predominantly this is a new thing for us, so right,

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<v Speaker 4>like you know, hip hop has always just been us.

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<v Speaker 4>Then I went to the West coast and then when

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<v Speaker 4>it goes across the pond, were like, holy moly, So

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<v Speaker 4>how long did it take for you to get the

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<v Speaker 4>same respect that you had in the UK in America?

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<v Speaker 1>You know, I couldn't even tell you that because like

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<v Speaker 1>that that's when I was banned. Okay, so like like

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<v Speaker 1>that kind of time in my career. What year was

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<v Speaker 1>that's probably in between two thousand and ten to like

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<v Speaker 1>two thousand, I think I came over in COVID.

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<v Speaker 3>That's the first time. Yeah.

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<v Speaker 1>So the iron is I was at them times in COVID.

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<v Speaker 1>They locked down the country and they said no one

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<v Speaker 1>from England is allowed to come to America in that time,

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<v Speaker 1>Well a lot of.

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<v Speaker 2>Countries couldn't come.

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<v Speaker 3>Yeah, okay, yeah, but that was one of the you

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<v Speaker 3>know what I'm saying, So.

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<v Speaker 1>No one even mad people coming through Mexico, you know

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<v Speaker 1>what I'm saying.

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<v Speaker 3>They were saying, if you're quarantine.

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<v Speaker 1>In Mexico for two weeks, then you can get to

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<v Speaker 1>a through Mexico. But no one could get over here.

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<v Speaker 1>And that's when I got my visa back and I've got.

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<v Speaker 3>What's the word. It's like a.

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<v Speaker 1>Pardon kind of thing to be able to come in COVID.

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<v Speaker 1>So the irony is then I was the only english

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<v Speaker 1>person allowed before I used to watch everyone else coming

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<v Speaker 1>over and I was allowed, you know what I mean.

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<v Speaker 3>So that's how God works like.

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<v Speaker 2>Crazy during a restricted time, you were yeah.

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<v Speaker 1>Yeah, so but yeah, but anyway, what I was saying was, yeah,

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<v Speaker 1>so in all that time, like mad things were popping off.

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<v Speaker 1>I was doing mad like featured like big collaborations. That

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<v Speaker 1>even that time was when me and Drake just done

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<v Speaker 1>the two tracks of More Life, you know, saying.

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<v Speaker 3>That's like, that's that's Drake's album. Better. Yeah, I'm saying

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<v Speaker 3>them times.

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<v Speaker 1>I'm not allowed in America, So I don't even know

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<v Speaker 1>how these songs are popping off. What's popping off if

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<v Speaker 1>people know gigs? So by the time I've come back now,

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<v Speaker 1>it's like legend gigs are and I'm thinking, oh yeah,

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<v Speaker 1>oh yeah, no, love, love respect. Even when I linked you, yes,

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<v Speaker 1>I remember that, you said he I saw you that,

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<v Speaker 1>and I was like, you watched my tic know.

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<v Speaker 4>So what I didn't realize this morning because I'm speaking

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<v Speaker 4>to Bleak and I go bleek, I gazed, and he

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<v Speaker 4>goes ask that, Nigga, is it a burden on that

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<v Speaker 4>shout out? He said, because it's a burden on my

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<v Speaker 4>shot on. Everybody just thinks like, I'm a you know

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<v Speaker 4>what his shoutout is? And then your shoutout is? How

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<v Speaker 4>does your shoutout go?

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<v Speaker 1>Again?

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<v Speaker 3>I see a lot of.

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<v Speaker 4>So He's like, man, that was too much pressure on me.

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<v Speaker 4>We just saying that to me, and I didn't realize,

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<v Speaker 4>holy ship, like getting a shout out is a beautiful

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<v Speaker 4>thing and one thing but then he said he sees

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<v Speaker 4>you and him so so bleak is like, man, that's

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<v Speaker 4>gotta be a burden.

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<v Speaker 3>That's is a burden on me.

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<v Speaker 4>And I'm thinking like I didn't even think like that,

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<v Speaker 4>like like I'm sure, I'm sure there's beautiful part of that,

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<v Speaker 4>but now this this man them saying you you're supposed

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<v Speaker 4>to be the next hole. That's basically where he implied.

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<v Speaker 4>Was that pressure on you at one point or another?

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<v Speaker 1>The next I probably like you remind me, you remind

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<v Speaker 1>me of myself.

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<v Speaker 4>But you know how you do twist those words and say, yo,

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<v Speaker 4>he sees you and him like whoa Like have you

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<v Speaker 4>ever had like to prove that not?

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<v Speaker 1>Yeah, well seeing me like I'm growing up in like

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<v Speaker 1>that dance or hip hop all of that stuff like

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<v Speaker 1>the shower outs and like you know what I'm saying,

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<v Speaker 1>like oh yeah me and big so high and now

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<v Speaker 1>it's man's what it's hard enough to get the show from.

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<v Speaker 3>Like that's like, that's that starts like a dream.

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<v Speaker 1>Now even if you told me that, like I don't know,

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<v Speaker 1>twenty five years ago.

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<v Speaker 3>Yeah, you know, in twenty five years I was going

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<v Speaker 3>to say, you remind me of it, you know, what

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<v Speaker 3>I mean.

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<v Speaker 1>I like, yeah, my guy, like, you know what I'm saying,

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<v Speaker 1>So nah, no pressure. I was more like, yeah, bro,

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<v Speaker 1>you know what I'm saying, so yeah no never man,

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<v Speaker 1>and I heard you.

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<v Speaker 4>Never really got the explanation where he did say to you,

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<v Speaker 4>how does it feel?

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<v Speaker 3>Yeah? That ship felt like.

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<v Speaker 1>Yeah, yeah, how.

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<v Speaker 4>Does that feel like at the brunch? I'm asking you

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<v Speaker 4>now I'm asking the other obviously, Christian, how did it

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<v Speaker 4>feel like him shot you out out the brunch?

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<v Speaker 1>The whole thing's mud, bro, It's crazy, like because like

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<v Speaker 1>I said, man grew up in it, you know what

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<v Speaker 1>I'm saying. And then like then there was a time

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<v Speaker 1>when like England and England English rappers and Americans started

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<v Speaker 1>connecting and then everyone's flying up. Like I saw like

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<v Speaker 1>Crept and Co Nine shooting with French and you know

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<v Speaker 1>what I'm saying. I saw like Chip with Chris Brown

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<v Speaker 1>like and these times I'm just stuck in England watching

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<v Speaker 1>the TV, you know what I'm saying. Like, so like

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<v Speaker 1>fast forward to now, it's just like, yeah.

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<v Speaker 4>Man, it's like that time and a lot of change. Yeah, bro,

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<v Speaker 4>Like I remember me first hearing artist from England, especially

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<v Speaker 4>a hip hop artist from England. People saw say, man,

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<v Speaker 4>they sound funny, right, And now you get to hear

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<v Speaker 4>a lot of English artists and it's like like, I'm

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<v Speaker 4>gonna ask you the question that Big Biggie said, did

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<v Speaker 4>you ever think that English hip hop would make it

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<v Speaker 4>this far?

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<v Speaker 3>Yeah? I did, man.

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<v Speaker 1>Too. Yeah, it had to had to go that way,

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<v Speaker 1>you know. But even from early.

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<v Speaker 3>Like there was essays as well, right, that was my

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<v Speaker 3>you know what I'm saying, that was open.

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<v Speaker 4>To and from the yes, I'll tell you this, there hell.

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<v Speaker 3>A dog there is and they corrupt. Man.

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<v Speaker 4>They could wrap and they were using American slang mixed

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<v Speaker 4>in with the slang.

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<v Speaker 1>So I guess it was a little bit of both.

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<v Speaker 3>Yeah, but you know what is it for me? Yeah?

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<v Speaker 1>People will say like says wrapped American, Yeah, but they

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<v Speaker 1>wrapped English for English to me. For remember, I'm from

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<v Speaker 1>inc So if someone's putting on a fake American accent,

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<v Speaker 1>I'll be like a straight I don't even want to

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<v Speaker 1>listen to that because it's not you know, but like

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<v Speaker 1>them man were proper wrapping English. But obviously they was

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<v Speaker 1>living over here in it, right, So like even me,

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<v Speaker 1>I'm like half over here, half UK, so I know

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<v Speaker 1>like certain things like you're just going to pronounce different.

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<v Speaker 1>We swap over slang, like sometimes like I don't know,

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<v Speaker 1>I might be with like Maine or something, and he'll

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<v Speaker 1>be like, yeah, yeah, pattern that pattern, you know what

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<v Speaker 1>I'm saying that, And sometimes I might be like, I

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<v Speaker 1>don't know, Yeah that's a dub, you know what I'm saying.

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<v Speaker 1>So we'll both be swapping slang. And that's the only

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<v Speaker 1>thing that was really happening to Sasty would be saying

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<v Speaker 1>one or two American or that they might be mentioning

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<v Speaker 1>ends in America or you know what I'm saying.

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<v Speaker 3>But yeah, they were cold now.

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<v Speaker 2>Yeah, and they were hanging out.

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<v Speaker 3>I used to roll to their.

0:12:12.800 --> 0:12:16.200
<v Speaker 1>Thing like when them times man was in the trap

0:12:16.280 --> 0:12:17.760
<v Speaker 1>heavy like you know what I'm saying.

0:12:18.720 --> 0:12:20.560
<v Speaker 2>They deserve way more credits now they're cold.

0:12:20.600 --> 0:12:22.120
<v Speaker 3>They were cold. It was just like you know what

0:12:22.240 --> 0:12:22.880
<v Speaker 3>it was with them.

0:12:23.280 --> 0:12:24.880
<v Speaker 1>It might have been a little bit ahead of their time.

0:12:25.320 --> 0:12:29.360
<v Speaker 1>There was ahead of their time, and no disrespect to them,

0:12:29.400 --> 0:12:32.920
<v Speaker 1>but no one like people didn't really know them like

0:12:32.960 --> 0:12:35.920
<v Speaker 1>that in the streets, you know what I'm saying, Because

0:12:35.920 --> 0:12:39.880
<v Speaker 1>remember they've come to America and grew up, they went

0:12:40.000 --> 0:12:40.560
<v Speaker 1>school there.

0:12:40.800 --> 0:12:42.240
<v Speaker 2>Yeah, I didn't know what they were over here doing.

0:12:42.800 --> 0:12:43.680
<v Speaker 3>I watched their interviews.

0:12:43.720 --> 0:12:46.400
<v Speaker 1>They said they went college and school, so they're not

0:12:46.440 --> 0:12:50.400
<v Speaker 1>going to really be in the streets them times gaining respect, right,

0:12:50.880 --> 0:12:52.959
<v Speaker 1>you know what I'm saying, Like, so man, them from

0:12:53.000 --> 0:12:53.600
<v Speaker 1>England are.

0:12:53.480 --> 0:12:56.959
<v Speaker 3>Like, who are these youths? Maybe man from their ends.

0:12:56.840 --> 0:12:58.839
<v Speaker 1>Might know them, like, oh yeah, they grew up around here,

0:12:58.880 --> 0:13:01.760
<v Speaker 1>but you know, I go the streets, needs to know

0:13:01.800 --> 0:13:04.000
<v Speaker 1>the man's thing. So when you say the ends, you

0:13:04.080 --> 0:13:05.120
<v Speaker 1>mean neighborhood.

0:13:05.280 --> 0:13:06.800
<v Speaker 3>Ends means neighborhood.

0:13:07.400 --> 0:13:11.480
<v Speaker 1>Yeah, neighbor Yeah, like if you if I'm in my hood,

0:13:11.640 --> 0:13:15.400
<v Speaker 1>that your hood. You might like even if I go

0:13:15.480 --> 0:13:17.280
<v Speaker 1>back to London, I might say, I'm back on the ends.

0:13:18.000 --> 0:13:20.120
<v Speaker 1>If you came back to New York, yeah I'm on

0:13:20.120 --> 0:13:23.559
<v Speaker 1>the ends, you know what I mean? Yeah, I was saying, Yeah,

0:13:23.600 --> 0:13:27.079
<v Speaker 1>the ends didn't really know them like that, so they

0:13:27.200 --> 0:13:30.480
<v Speaker 1>couldn't really ride with them, you know what I'm saying, Like,

0:13:30.679 --> 0:13:33.079
<v Speaker 1>you know, when you when when that's your guy, you're

0:13:33.080 --> 0:13:36.400
<v Speaker 1>seeing him, you know he's certified in the streets, like this.

0:13:36.320 --> 0:13:39.199
<v Speaker 3>Is my god, I've got I've got the full the resume.

0:13:39.880 --> 0:13:43.080
<v Speaker 1>They didn't really have that, so it kind of and

0:13:43.120 --> 0:13:46.160
<v Speaker 1>then they were rappers. They were rappers, yeah, yeah, one

0:13:46.160 --> 0:13:47.199
<v Speaker 1>of them wrong being a rapper.

0:13:47.360 --> 0:13:48.000
<v Speaker 3>Yeah.

0:13:48.080 --> 0:13:51.760
<v Speaker 1>But but but I wouldn't say that like nerds or anything.

0:13:52.280 --> 0:13:53.840
<v Speaker 1>You know, I'm saying, I don't really know them like that,

0:13:54.400 --> 0:13:54.920
<v Speaker 1>you know what I mean?

0:13:54.960 --> 0:13:57.920
<v Speaker 5>But yeah, there was there was a different eraror of

0:13:58.080 --> 0:14:00.000
<v Speaker 5>hip hop as well, in terms of it wasn't as

0:14:00.040 --> 0:14:03.040
<v Speaker 5>commercial even back then, right, So there's a there's a

0:14:03.080 --> 0:14:04.000
<v Speaker 5>different era as well.

0:14:05.520 --> 0:14:09.960
<v Speaker 1>Yeah, I don't know, I know where hip hop was

0:14:10.320 --> 0:14:12.680
<v Speaker 1>in America then for me.

0:14:13.040 --> 0:14:19.280
<v Speaker 3>Them times, you know what huge? That's you know that.

0:14:21.000 --> 0:14:25.080
<v Speaker 1>But I even yeah, see I heard them in jail.

0:14:25.640 --> 0:14:27.200
<v Speaker 3>So I was in jail and I was listening to.

0:14:27.200 --> 0:14:29.400
<v Speaker 2>I heard them. They wasn't a Rockefeller, No, I heard

0:14:29.480 --> 0:14:29.960
<v Speaker 2>them before that.

0:14:30.120 --> 0:14:34.320
<v Speaker 1>Okay, they was working because I heard them. I was

0:14:34.360 --> 0:14:37.040
<v Speaker 1>in jail and I heard Westwood. I remember this because

0:14:37.360 --> 0:14:39.040
<v Speaker 1>I remember I was in jail and was eating Met

0:14:39.120 --> 0:14:40.880
<v Speaker 1>Donald's on the radar, and I was thinking, why the

0:14:40.920 --> 0:14:42.120
<v Speaker 1>fuck you eating Met Donald's.

0:14:42.160 --> 0:14:43.360
<v Speaker 3>Niggas are in jail hungry?

0:14:44.640 --> 0:14:48.080
<v Speaker 1>I remember that, And I remember you were saying, yeah, congratulations,

0:14:48.120 --> 0:14:50.400
<v Speaker 1>like you did the rock deal, and I was like,

0:14:50.520 --> 0:14:51.400
<v Speaker 1>who are these guys.

0:14:51.720 --> 0:14:53.280
<v Speaker 3>That's when I so that's when you were.

0:14:53.400 --> 0:14:55.480
<v Speaker 5>Because for me, when when they made it to the rockets,

0:14:55.520 --> 0:14:57.440
<v Speaker 5>to me, I'm like, oh, they they made it out

0:14:57.440 --> 0:14:59.640
<v Speaker 5>of the underground, now okay, to me, they were already

0:14:59.640 --> 0:15:01.200
<v Speaker 5>bubbling on an underground.

0:15:00.720 --> 0:15:03.440
<v Speaker 4>And I'm saying this out of ignorance. You had the

0:15:03.480 --> 0:15:04.600
<v Speaker 4>white labels or something like that.

0:15:05.000 --> 0:15:07.600
<v Speaker 1>Yeah, but anyway to your point them time, I think

0:15:07.640 --> 0:15:18.880
<v Speaker 1>things are huge then UK for UK for like American okay, okay, yeah.

0:15:16.280 --> 0:15:22.840
<v Speaker 3>They were even they was a rockefellera at that time,

0:15:23.320 --> 0:15:26.960
<v Speaker 3>were popping. I was like jail right, hell, they.

0:15:26.920 --> 0:15:31.600
<v Speaker 1>Was on the diplomat immunity to especially for a UK artist.

0:15:32.160 --> 0:15:34.840
<v Speaker 1>For me, I was these man of these man have gone.

0:15:34.880 --> 0:15:37.840
<v Speaker 3>Yeah, yeah, you know what I mean.

0:15:38.360 --> 0:15:41.120
<v Speaker 4>So do you feel like you was? And I heard

0:15:41.120 --> 0:15:43.080
<v Speaker 4>you heard you get asked this question. I heard you

0:15:44.160 --> 0:15:46.080
<v Speaker 4>humbly answered, but do you feel like you're the O

0:15:46.200 --> 0:15:49.560
<v Speaker 4>G at that new generation of you know, of UK

0:15:49.720 --> 0:15:50.120
<v Speaker 4>hip hop?

0:15:50.800 --> 0:15:51.880
<v Speaker 3>Yeah, I'm definitely O G.

0:15:52.080 --> 0:15:56.600
<v Speaker 1>I believe. I believe so too got that because before me,

0:15:56.760 --> 0:16:01.040
<v Speaker 1>they weren't really like hip hop UK mainstream like that

0:16:01.120 --> 0:16:03.960
<v Speaker 1>like well street gas, the rap like you know what

0:16:04.000 --> 0:16:06.800
<v Speaker 1>I'm saying. It wasn't there was like there was hip

0:16:06.840 --> 0:16:10.640
<v Speaker 1>hop like and there was the underground as well.

0:16:10.720 --> 0:16:12.040
<v Speaker 3>So I came from obviously the.

0:16:12.160 --> 0:16:17.000
<v Speaker 1>Underground UK rap with UK accents and street niggas and

0:16:17.080 --> 0:16:19.200
<v Speaker 1>gang gang bangers and you know what I'm saying, that

0:16:19.400 --> 0:16:22.520
<v Speaker 1>was that era. There was still hip hop before it,

0:16:22.600 --> 0:16:28.200
<v Speaker 1>like there might have been like Colashal cough and even

0:16:28.280 --> 0:16:29.200
<v Speaker 1>before that, like.

0:16:30.640 --> 0:16:31.640
<v Speaker 3>I can't remember them.

0:16:32.280 --> 0:16:33.760
<v Speaker 2>There's an artist Nam Klasnic cough.

0:16:33.880 --> 0:16:37.280
<v Speaker 3>Yeah, it was cold.

0:16:40.480 --> 0:16:43.920
<v Speaker 1>But there was like they're gonna they're gonna be upsetting

0:16:43.960 --> 0:16:44.560
<v Speaker 1>that because it's.

0:16:44.400 --> 0:16:45.280
<v Speaker 3>A big drink chap.

0:16:45.960 --> 0:16:48.240
<v Speaker 1>There was that man before that, you know what I'm

0:16:48.240 --> 0:16:50.760
<v Speaker 1>saying like that, but it was that backpack kind of rap.

0:16:51.320 --> 0:16:53.240
<v Speaker 1>You know what I'm saying about us Man was the

0:16:53.280 --> 0:16:58.119
<v Speaker 1>streets and then then obviously that man took it mainstream

0:16:58.200 --> 0:17:00.400
<v Speaker 1>like me, you know what I'm saying like, so it

0:17:00.560 --> 0:17:02.320
<v Speaker 1>kind of starts with man.

0:17:02.720 --> 0:17:04.520
<v Speaker 3>Okay, I mean, man means me. Yeah.

0:17:05.680 --> 0:17:08.200
<v Speaker 4>Do you think do you think baby Baby was one

0:17:08.200 --> 0:17:10.640
<v Speaker 4>of your first mainstream records.

0:17:09.960 --> 0:17:14.080
<v Speaker 3>Like that Baby? Yeah? Hell no. I was wait, okay

0:17:14.680 --> 0:17:16.040
<v Speaker 3>talking the hardest, Okay, no.

0:17:16.119 --> 0:17:20.000
<v Speaker 1>Talking, I got said my notes to alright, cool talking,

0:17:20.040 --> 0:17:22.320
<v Speaker 1>the hardest, hooking, the hardest. Let me tell you what

0:17:22.359 --> 0:17:23.560
<v Speaker 1>I noticed about that.

0:17:24.040 --> 0:17:27.560
<v Speaker 4>You rhymed everything with ry the only thing you've left

0:17:27.560 --> 0:17:29.760
<v Speaker 4>that was Nori. I was waiting for my shoutout. I

0:17:29.840 --> 0:17:34.119
<v Speaker 4>was like, you got story. Everything is song? Is that

0:17:34.119 --> 0:17:34.720
<v Speaker 4>what are you talking?

0:17:34.840 --> 0:17:37.240
<v Speaker 2>I'm talking the hardest, took the hardest, that's.

0:17:37.119 --> 0:17:41.080
<v Speaker 3>The right y Yeah yeah yeah, holding up, hold on up.

0:17:41.520 --> 0:17:47.680
<v Speaker 3>They can tell you a story. Yeah yeah, y.

0:17:50.640 --> 0:17:59.280
<v Speaker 1>I'm like, yo, my kid is coming to thought about

0:17:59.440 --> 0:18:02.159
<v Speaker 1>like damn y' he everything, Like, I'm gonna take some

0:18:02.200 --> 0:18:05.040
<v Speaker 1>of these lines, but let's talk talking the hardest. You

0:18:05.040 --> 0:18:07.679
<v Speaker 1>think that was your your your person out of the

0:18:07.720 --> 0:18:12.879
<v Speaker 1>first like because them times before talking artists, we didn't

0:18:12.880 --> 0:18:17.480
<v Speaker 1>hear no like UK gangster rap in no parties.

0:18:17.680 --> 0:18:18.920
<v Speaker 3>Wow, you know what I'm saying.

0:18:18.960 --> 0:18:22.560
<v Speaker 1>You just hear like even in the UK, in the UK, Wow,

0:18:22.600 --> 0:18:23.160
<v Speaker 1>that's what I meant.

0:18:23.200 --> 0:18:23.760
<v Speaker 3>Yeah, UK.

0:18:24.240 --> 0:18:26.320
<v Speaker 1>Even when someone had told me they had talking at

0:18:26.320 --> 0:18:29.480
<v Speaker 1>this like a right, I didn't even take it serious.

0:18:30.119 --> 0:18:33.720
<v Speaker 3>I mean so like yeah that like so yeah, that

0:18:33.880 --> 0:18:36.919
<v Speaker 3>was like that's that's kind of why it's the national anthem.

0:18:36.920 --> 0:18:39.000
<v Speaker 3>They called it the UK National Anthem. What I mean?

0:18:39.400 --> 0:18:42.119
<v Speaker 1>I was like, yeah, that's dope.

0:18:42.320 --> 0:18:45.240
<v Speaker 4>Our show was about giving people flowers. Well they can

0:18:45.320 --> 0:18:47.280
<v Speaker 4>smell them. They thought us what they can tell them.

0:18:47.440 --> 0:18:49.760
<v Speaker 4>They drinks while they can drink them, and they suppose

0:18:49.840 --> 0:18:50.280
<v Speaker 4>what they think.

0:18:50.440 --> 0:18:55.640
<v Speaker 1>We need to give your flowers face to face. Man, snoops,

0:18:55.680 --> 0:18:57.280
<v Speaker 1>that is better than the grammy because it comes from

0:18:57.280 --> 0:18:57.680
<v Speaker 1>your people.

0:18:57.720 --> 0:18:59.520
<v Speaker 4>You know what I'm saying. God damn So we wanted

0:18:59.520 --> 0:19:02.400
<v Speaker 4>to give you your flowers. God damn it, you got

0:19:02.440 --> 0:19:04.080
<v Speaker 4>silk coverings.

0:19:04.080 --> 0:19:18.359
<v Speaker 6>O take some longer though, showing over Gigs, that's crazy.

0:19:18.600 --> 0:19:20.240
<v Speaker 5>I might as well just give Drain his birthday. And

0:19:20.240 --> 0:19:21.320
<v Speaker 5>he's from London, that's why.

0:19:21.440 --> 0:19:22.760
<v Speaker 3>Yeah, the brother.

0:19:24.920 --> 0:19:28.400
<v Speaker 4>He's one from yeah from yeah, my boy, my boy

0:19:28.480 --> 0:19:34.280
<v Speaker 4>right here, he's from northern yeah yeah, and it's his birthday, Gigs.

0:19:35.520 --> 0:19:37.000
<v Speaker 3>I said, where he from in London? We need to

0:19:37.040 --> 0:19:38.280
<v Speaker 3>really know where are you from?

0:19:39.240 --> 0:19:39.440
<v Speaker 1>Well?

0:19:39.520 --> 0:19:41.240
<v Speaker 3>Where are you laying? Yeah?

0:19:42.920 --> 0:19:47.520
<v Speaker 1>Okay, okay, yeah, come here, Okay, so how long have you

0:19:47.600 --> 0:19:47.800
<v Speaker 1>been here?

0:19:47.920 --> 0:19:49.560
<v Speaker 2>He been to high school with me, so he's been here.

0:19:49.880 --> 0:20:00.480
<v Speaker 1>Yeah yeah, I can still head yeah yeah yeah. Yeah.

0:20:01.520 --> 0:20:02.800
<v Speaker 3>So you're grabbing Miami.

0:20:04.200 --> 0:20:08.440
<v Speaker 2>Yeah ninety one and down ninety ninety school.

0:20:10.760 --> 0:20:12.919
<v Speaker 3>Okay, okay, but you're from Miami.

0:20:12.640 --> 0:20:14.720
<v Speaker 2>And originally l A but brazing Miami.

0:20:14.760 --> 0:20:21.000
<v Speaker 1>Yeah yeah, I mean Miami's like, Miami's like that. It's like, well,

0:20:21.119 --> 0:20:25.160
<v Speaker 1>New York's proper like, but like still sometimes I still

0:20:25.200 --> 0:20:27.800
<v Speaker 1>got to like dumb it down when I talked yeah

0:20:28.000 --> 0:20:31.359
<v Speaker 1>by here in Miami, yeah, because it's like more Caribbean.

0:20:32.000 --> 0:20:34.119
<v Speaker 3>I just talked normal here kind of thing.

0:20:35.080 --> 0:20:35.760
<v Speaker 2>Every accent.

0:20:37.040 --> 0:20:38.920
<v Speaker 1>You can come to queens too. It's like that you

0:20:39.040 --> 0:20:45.280
<v Speaker 1>got every accent. Yeah, so queen, that's a yeah. So

0:20:46.320 --> 0:20:50.640
<v Speaker 1>is it shatter clock or yet? Let's go okay, okay, cool,

0:20:50.680 --> 0:20:54.680
<v Speaker 1>got the okay, the light up? Okay, and you wrote

0:20:54.680 --> 0:21:00.520
<v Speaker 1>a real splip that's like a real bat month splip. Yeah.

0:20:58.280 --> 0:21:05.040
<v Speaker 1>But you're originally from Africa though, right, No, No, I'm

0:21:05.359 --> 0:21:09.480
<v Speaker 1>half Jamaican, quarter Guyanese and Grenadan.

0:21:09.600 --> 0:21:12.840
<v Speaker 4>Okay, okay, you're West India.

0:21:13.400 --> 0:21:15.879
<v Speaker 1>I'm like when everyone came over the boat, there's no

0:21:16.000 --> 0:21:23.560
<v Speaker 1>condoms and everyone my kind of age has got like

0:21:24.160 --> 0:21:27.639
<v Speaker 1>fifteen brothers, and I can tell that's when everyone was

0:21:27.640 --> 0:21:28.280
<v Speaker 1>just running around.

0:21:28.320 --> 0:21:30.280
<v Speaker 3>What we're in lucky, I mean.

0:21:30.760 --> 0:21:33.159
<v Speaker 4>Okay, so let me ask you a question that's very caustious.

0:21:33.240 --> 0:21:35.480
<v Speaker 4>Versuy on drink camps, do you eat doubles.

0:21:36.920 --> 0:21:38.160
<v Speaker 3>Like from Trinida? Yeah?

0:21:38.520 --> 0:21:41.400
<v Speaker 1>You know what, I actually haven't tasted doubles. Oh okay, okay,

0:21:41.480 --> 0:21:50.760
<v Speaker 1>that's the matter. Yeah that in Yeah, she haven't had

0:21:50.760 --> 0:21:51.520
<v Speaker 1>a double before.

0:21:52.400 --> 0:21:55.960
<v Speaker 3>Yeah. I actually get a lot of education about the

0:21:56.040 --> 0:21:57.200
<v Speaker 3>Caribbean when I come here.

0:21:57.320 --> 0:22:02.000
<v Speaker 1>Okay, okay, even like Dominicans and like because you're Dominican.

0:22:01.840 --> 0:22:05.000
<v Speaker 4>Porto Weekly poor, Yeah, we like to one's a little

0:22:05.000 --> 0:22:05.320
<v Speaker 4>bit better.

0:22:05.520 --> 0:22:14.359
<v Speaker 3>So we have American we have American money.

0:22:21.000 --> 0:22:23.959
<v Speaker 7>Because I want to go ahead to Dominican report. If

0:22:23.960 --> 0:22:25.240
<v Speaker 7>it's just got American.

0:22:24.880 --> 0:22:30.520
<v Speaker 3>Monem Dominicans, ye, don't worry about it. Don't worry.

0:22:30.960 --> 0:22:34.840
<v Speaker 1>But even so even before because we don't really in London,

0:22:34.840 --> 0:22:40.200
<v Speaker 1>we don't really have like Porto Ricans and Dominicans like Ubans, yeah,

0:22:40.280 --> 0:22:42.639
<v Speaker 1>but not a lot. Yes, it's more like Spain, you

0:22:42.720 --> 0:22:44.560
<v Speaker 1>know what I'm saying. So even like those are the

0:22:44.600 --> 0:22:48.120
<v Speaker 1>racist Latinos, just so you know, going it out there. Yeah,

0:22:48.640 --> 0:22:51.160
<v Speaker 1>when I come here, and they better than every other Latino.

0:22:51.240 --> 0:22:56.640
<v Speaker 1>Sorry bad Spain Spanish people, Spain people. I'm sorry, Yeah,

0:22:56.720 --> 0:23:00.240
<v Speaker 1>I ain't say that Argentinas. So even I'm remember I

0:23:00.320 --> 0:23:02.560
<v Speaker 1>used to watch that paid them for yeah, and I

0:23:02.560 --> 0:23:05.640
<v Speaker 1>saw you and paid them for you. And then there

0:23:05.680 --> 0:23:09.520
<v Speaker 1>was that part when they said, yeah that when they said, yeah, the.

0:23:09.480 --> 0:23:10.960
<v Speaker 2>Spanish kids said it.

0:23:11.119 --> 0:23:13.280
<v Speaker 3>I used to rewind that part one hundred times, like

0:23:13.320 --> 0:23:18.280
<v Speaker 3>where's the Spanish guy, I'm just Spanish. I'm just thinking

0:23:18.400 --> 0:23:21.520
<v Speaker 3>white persons, but I'm not so rewinding it and I say,

0:23:21.560 --> 0:23:25.960
<v Speaker 3>it's so many Norri here. Yeah.

0:23:33.080 --> 0:23:36.320
<v Speaker 1>So I even used to rewind it back like before

0:23:36.400 --> 0:23:40.280
<v Speaker 1>with the jail because I was describing. I'm thinking I'm

0:23:40.320 --> 0:23:42.719
<v Speaker 1>missed something like you know what I mean. And then

0:23:42.720 --> 0:23:44.480
<v Speaker 1>when I come here, that's when I started saying that

0:23:44.560 --> 0:23:48.760
<v Speaker 1>Dominicans and I was seeing raw like it's just Caribbeans

0:23:49.040 --> 0:23:54.040
<v Speaker 1>when he speaks Spanish, you know, So it's actually Dominicans

0:23:54.040 --> 0:24:01.760
<v Speaker 1>are like Porto Ricans Like no, no, I'm saying you

0:24:02.160 --> 0:24:05.880
<v Speaker 1>kind of like the advanced Caribbeans, right because you've got

0:24:05.920 --> 0:24:11.359
<v Speaker 1>like Jamaica, like yeah, but you know, idea only how

0:24:11.440 --> 0:24:14.160
<v Speaker 1>to speak Spanish, so you're kind of advanced man because

0:24:14.160 --> 0:24:18.720
<v Speaker 1>island Cuba, come on, yeah cue, but because because everyone

0:24:18.760 --> 0:24:20.960
<v Speaker 1>speaks Spanish, we forget your Caribbean.

0:24:21.760 --> 0:24:25.680
<v Speaker 3>You know. That's well, yes, even.

0:24:26.080 --> 0:24:29.040
<v Speaker 1>I got bridges from like Honduras and I ain't seen

0:24:29.280 --> 0:24:32.760
<v Speaker 1>dark skinned Spanish people before. That's mad, Like I'm like raw,

0:24:32.880 --> 0:24:35.480
<v Speaker 1>like you speak Spanish and your thoughts.

0:24:36.040 --> 0:24:36.680
<v Speaker 3>You know what I'm saying.

0:24:37.040 --> 0:24:43.399
<v Speaker 1>So yeah, yeah, yeah, yeah, it's been a big like

0:24:43.560 --> 0:24:46.400
<v Speaker 1>education coming here as well. You know, I'm saying it's

0:24:46.600 --> 0:24:48.560
<v Speaker 1>the different cultures and that you mean.

0:24:48.560 --> 0:24:51.919
<v Speaker 2>Hell yeah, so ready for quick Thomas, let's go. Okay,

0:24:52.359 --> 0:24:53.320
<v Speaker 2>what's playing the rules.

0:24:53.600 --> 0:24:56.439
<v Speaker 5>We're gonna give you two choices. If you pick one,

0:24:57.040 --> 0:24:59.680
<v Speaker 5>we don't drink. But if you say both, are neither

0:25:00.080 --> 0:25:02.960
<v Speaker 5>we drinking? Uh you've you've seen this.

0:25:03.880 --> 0:25:07.439
<v Speaker 3>Yeah, I'm not really like you know, harder.

0:25:07.480 --> 0:25:10.520
<v Speaker 2>Yeah, you go like shots, we go like shots, yeah,

0:25:10.960 --> 0:25:11.639
<v Speaker 2>like shots.

0:25:11.720 --> 0:25:14.000
<v Speaker 4>Yeah, all right, I wanted to do the first one,

0:25:14.000 --> 0:25:15.960
<v Speaker 4>but it's not going to be this first one, the

0:25:15.960 --> 0:25:17.320
<v Speaker 4>first two, but it's not gonna be.

0:25:24.560 --> 0:25:27.119
<v Speaker 1>So what we're doing shots of the ross class whatever

0:25:27.119 --> 0:25:30.760
<v Speaker 1>you want? What's this call again that mama? Yeah, this

0:25:30.840 --> 0:25:31.320
<v Speaker 1>is the matter.

0:25:31.800 --> 0:25:33.000
<v Speaker 2>This is the Dominican joint right there.

0:25:33.040 --> 0:25:42.600
<v Speaker 4>Yeah, okay, Nando's or Carbones?

0:25:44.440 --> 0:25:47.119
<v Speaker 3>Yeah no, I say carbone, carbone, okay, thank you.

0:25:49.440 --> 0:25:52.960
<v Speaker 1>Yeah, that's two different things though, Yeah, that's what that was.

0:25:53.040 --> 0:25:56.120
<v Speaker 3>Just like you're saying, like, that's like you're saying carbone

0:25:56.400 --> 0:25:57.840
<v Speaker 3>or Chick fil A.

0:25:58.080 --> 0:26:07.400
<v Speaker 1>Yeah, you know what I'm saying that it's two different Yeah, Tupac,

0:26:07.600 --> 0:26:12.080
<v Speaker 1>d m X, piece of both.

0:26:13.520 --> 0:26:16.000
<v Speaker 2>That's two different. It's two different.

0:26:17.280 --> 0:26:19.040
<v Speaker 3>I feel like generations kind of.

0:26:19.359 --> 0:26:22.640
<v Speaker 1>It's whatever for you, like just whatever criteria you pick.

0:26:23.040 --> 0:26:24.919
<v Speaker 3>It's no. I wouldn't compare.

0:26:25.840 --> 0:26:26.840
<v Speaker 2>UK Nigga still.

0:26:29.520 --> 0:26:30.040
<v Speaker 3>Is universal.

0:26:30.119 --> 0:26:35.440
<v Speaker 1>Let me get up like still like universe just American Jesus,

0:26:37.160 --> 0:26:40.000
<v Speaker 1>you picked then big part that has to be Okay,

0:26:40.080 --> 0:26:43.840
<v Speaker 1>that's o g like in that in that situation, right

0:26:45.040 --> 0:26:46.360
<v Speaker 1>like packer or flipping.

0:26:47.240 --> 0:26:49.639
<v Speaker 3>I don't know that, snoop Orsa.

0:26:49.720 --> 0:26:51.760
<v Speaker 1>I know fucking you know what I mean, but I

0:26:51.760 --> 0:26:54.840
<v Speaker 1>can't packing DMX, even though d MS is the legend

0:26:55.600 --> 0:26:56.000
<v Speaker 1>year as well.

0:26:56.680 --> 0:26:58.320
<v Speaker 3>But that's packed, like you know.

0:26:58.520 --> 0:27:04.400
<v Speaker 1>You the next one too, Slick Ricord Biggie, these questions

0:27:04.400 --> 0:27:05.200
<v Speaker 1>that make said.

0:27:06.520 --> 0:27:09.920
<v Speaker 2>Supposed to the Dominican and the Columbia.

0:27:10.480 --> 0:27:13.679
<v Speaker 3>I would have to say, I need U, k okay, Oh.

0:27:14.600 --> 0:27:16.159
<v Speaker 2>You're on the album, man, we gotta talk about the

0:27:16.560 --> 0:27:20.040
<v Speaker 2>all right album? Yeah? Well really I didn't know that

0:27:21.000 --> 0:27:25.119
<v Speaker 2>Slick with just send me that is custom Wallabeest.

0:27:25.640 --> 0:27:27.600
<v Speaker 3>That's a good album. Yeah, that's dope.

0:27:28.520 --> 0:27:30.400
<v Speaker 2>West Side Gun or Conway.

0:27:32.280 --> 0:27:36.200
<v Speaker 3>West Side Got that's my Brad Conway is He's too

0:27:36.280 --> 0:27:38.920
<v Speaker 3>cold though, man, Okay, I'll say all.

0:27:38.920 --> 0:27:43.280
<v Speaker 4>Right, this one right here, very controversial. I do not

0:27:44.240 --> 0:27:46.840
<v Speaker 4>I do not know where you're going with this. By

0:27:46.840 --> 0:27:49.240
<v Speaker 4>the way, we don't write these questions Dominican and Columbian

0:27:49.280 --> 0:27:50.800
<v Speaker 4>over there, they sniff cocaine and write.

0:27:52.640 --> 0:27:54.159
<v Speaker 1>It's just it's just the way it happens.

0:27:56.160 --> 0:27:57.560
<v Speaker 2>Drake or Kendrick Lamar.

0:28:00.880 --> 0:28:04.480
<v Speaker 1>I gotta say Drizzy, Okay, that was the safe answer.

0:28:04.600 --> 0:28:09.640
<v Speaker 3>Yes, no, right hand. No, not even that. I rode

0:28:09.680 --> 0:28:12.919
<v Speaker 3>to Drizzy. Okay, you know Kendrick is gonna buy us.

0:28:13.600 --> 0:28:16.600
<v Speaker 1>But like if I'm jumping in the way the gallery

0:28:16.640 --> 0:28:19.560
<v Speaker 1>in the car my slaph on, you know what I'm

0:28:19.560 --> 0:28:21.440
<v Speaker 1>saying that drizzy, but you get me.

0:28:21.800 --> 0:28:22.480
<v Speaker 3>That's the vibes.

0:28:22.880 --> 0:28:28.320
<v Speaker 4>But you see how Kendrick Lamar was caught at a

0:28:28.640 --> 0:28:31.960
<v Speaker 4>I mean, Lebron James was caught out of Kendrick Lamar

0:28:32.800 --> 0:28:37.080
<v Speaker 4>and Drakes a certain thing. Would you what would you

0:28:37.119 --> 0:28:38.760
<v Speaker 4>think that you could go to Kendrick Lamar and you

0:28:38.840 --> 0:28:39.600
<v Speaker 4>still be cool.

0:28:40.160 --> 0:28:43.440
<v Speaker 3>Car check it out. Yeah, I could go there.

0:28:43.560 --> 0:28:54.640
<v Speaker 1>I'm not gonna jump from stage to them like, man,

0:28:55.320 --> 0:28:59.320
<v Speaker 1>I'm not gonna I'm a fan of Kendrick saying yeah.

0:29:00.520 --> 0:29:01.480
<v Speaker 3>I'm not gonna say nah.

0:29:01.560 --> 0:29:03.440
<v Speaker 1>If I said yeah, come me real, kender, I'm not

0:29:03.480 --> 0:29:05.160
<v Speaker 1>gonna say nah, you know what I mean.

0:29:05.320 --> 0:29:07.800
<v Speaker 4>I think our coature needs to stop that because like

0:29:07.960 --> 0:29:10.560
<v Speaker 4>I feel like if I like pustachio ice cream and

0:29:10.760 --> 0:29:13.040
<v Speaker 4>just one and one day I want chocolate, Like why

0:29:13.160 --> 0:29:15.480
<v Speaker 4>why I can't like both? Like why why does our

0:29:15.560 --> 0:29:18.080
<v Speaker 4>coulture make us? Like why do make they make us

0:29:18.120 --> 0:29:21.080
<v Speaker 4>choose between Knaves and Jay like like I like them both,

0:29:21.200 --> 0:29:22.720
<v Speaker 4>Like you know what I'm saying, Like you know what

0:29:22.760 --> 0:29:25.520
<v Speaker 4>I mean, Like I like I like do say and

0:29:25.640 --> 0:29:28.600
<v Speaker 4>I like age s grade Like why wouldn't I be

0:29:28.640 --> 0:29:30.200
<v Speaker 4>able to you know what I'm saying.

0:29:30.040 --> 0:29:33.360
<v Speaker 1>There's too much music for that or that to pick

0:29:33.440 --> 0:29:36.320
<v Speaker 1>one a all that, Like just think about hip hop.

0:29:37.360 --> 0:29:37.920
<v Speaker 3>You know what I'm saying.

0:29:37.960 --> 0:29:42.760
<v Speaker 1>There's so much music right, so much events, so much

0:29:42.800 --> 0:29:46.080
<v Speaker 1>things has happened, you know what I'm saying, Like I

0:29:46.200 --> 0:29:49.200
<v Speaker 1>can't just like yeah, I just like I'm just fucking

0:29:49.280 --> 0:29:51.880
<v Speaker 1>with that, Like you know what I'm saying me, Yeah,

0:29:51.960 --> 0:29:54.920
<v Speaker 1>hell no, hell no n w A or w tang

0:29:56.360 --> 0:29:59.560
<v Speaker 1>W Like we're tying the go spot. That's the man

0:29:59.640 --> 0:30:04.160
<v Speaker 1>next the Batman team. You know what I'm saying, that's

0:30:04.200 --> 0:30:07.080
<v Speaker 1>real Booju or Beanie.

0:30:08.920 --> 0:30:14.320
<v Speaker 3>That's two different which is the Gold hundred. But b

0:30:15.280 --> 0:30:19.240
<v Speaker 3>that's my guy, is the that's the original.

0:30:19.600 --> 0:30:25.400
<v Speaker 5>You are you be honest with serious central seer, skeptic skepto.

0:30:25.640 --> 0:30:29.400
<v Speaker 3>Of course that's og. You know what I mean?

0:30:30.560 --> 0:30:31.520
<v Speaker 2>Mob deeper m o p.

0:30:35.480 --> 0:30:41.440
<v Speaker 3>Yeah, more deep, more deep.

0:30:41.800 --> 0:30:45.800
<v Speaker 1>So yeah, I feel like they thought more in it

0:30:46.560 --> 0:30:50.960
<v Speaker 1>deep you know what I mean? A piece cold yeah yeah,

0:30:51.520 --> 0:30:52.520
<v Speaker 1>top boy super so.

0:30:55.200 --> 0:30:59.040
<v Speaker 3>Yeah, that's what my doing. Stell and we just drink.

0:31:00.560 --> 0:31:07.440
<v Speaker 3>I'll drink, let's go top Bay.

0:31:07.880 --> 0:31:11.360
<v Speaker 1>I would have to say top because that's the original. No, no, no,

0:31:13.200 --> 0:31:17.520
<v Speaker 1>I'll say both because top where that's the original. That's

0:31:17.560 --> 0:31:21.640
<v Speaker 1>what that's what's got even like America knowing about London

0:31:21.680 --> 0:31:25.560
<v Speaker 1>as well, super Cell Like me, I'm a nerd. I

0:31:25.640 --> 0:31:29.000
<v Speaker 1>love like Superhero, X, Men, Avengers.

0:31:29.080 --> 0:31:32.040
<v Speaker 3>That's my that's my thing. So you've got like the.

0:31:32.120 --> 0:31:35.000
<v Speaker 1>Streets, like the London streets as well. And it was

0:31:35.200 --> 0:31:39.320
<v Speaker 1>raw slang with superpowers. That's the maddest thing at got

0:31:39.400 --> 0:31:42.880
<v Speaker 1>to But I'll just drink cool yeah, because top Boy,

0:31:42.920 --> 0:31:44.240
<v Speaker 1>it was like wait a minute. We looked at that.

0:31:44.520 --> 0:31:46.520
<v Speaker 1>It was like wait a minute, they're going crazy out there.

0:31:46.680 --> 0:31:47.800
<v Speaker 2>It was like the British wire.

0:31:48.240 --> 0:31:50.800
<v Speaker 1>Yeah, we thought you just had That's what it was

0:31:50.880 --> 0:31:56.240
<v Speaker 1>meant to be originally. Yeah, that's why it always goes

0:31:56.320 --> 0:32:01.200
<v Speaker 1>wrong when American artists come to London. Yeah, they think

0:32:01.280 --> 0:32:04.800
<v Speaker 1>it's nice. That's like the Knives, that's like the kids,

0:32:05.640 --> 0:32:09.000
<v Speaker 1>you know what I mean. But obviously, and now it's

0:32:09.080 --> 0:32:12.120
<v Speaker 1>social media, so they just make it bigger than it is,

0:32:12.280 --> 0:32:14.880
<v Speaker 1>like you know, yeah, but now it's the goddamn saying

0:32:15.480 --> 0:32:18.640
<v Speaker 1>it's been the same. Yeah, oh yeah, social media.

0:32:18.680 --> 0:32:19.160
<v Speaker 3>We can see this.

0:32:19.560 --> 0:32:22.720
<v Speaker 1>Yeah, yeah, yes, okay, vibes Cartel or.

0:32:24.560 --> 0:32:28.280
<v Speaker 3>Yeah, Carto, that's my guy, Like Cartoon is the greatest.

0:32:29.080 --> 0:32:29.480
<v Speaker 3>He's wrong.

0:32:30.080 --> 0:32:33.920
<v Speaker 1>I think Carto is the best, like any genre, like

0:32:34.120 --> 0:32:37.320
<v Speaker 1>hip hop forever, damn, let's.

0:32:37.160 --> 0:32:37.720
<v Speaker 2>Make you noise.

0:32:39.880 --> 0:32:41.520
<v Speaker 3>He said that. You think I'm crazy?

0:32:41.840 --> 0:32:43.239
<v Speaker 2>No, no, no, I don't think crazy. I just never

0:32:43.280 --> 0:32:44.120
<v Speaker 2>heard anybody say.

0:32:44.000 --> 0:32:45.600
<v Speaker 3>That it's the best.

0:32:45.640 --> 0:32:49.560
<v Speaker 1>Bro Like, I think the only person who could in

0:32:50.040 --> 0:32:53.240
<v Speaker 1>hip hop who could go see if Carto was on smoke,

0:32:53.760 --> 0:32:56.040
<v Speaker 1>Like yeah, I'm gonna go student and smoke this song.

0:32:56.960 --> 0:32:58.800
<v Speaker 1>I don't think no one could chat to him. The

0:32:58.920 --> 0:33:02.680
<v Speaker 1>only person who could probably go head to is probably

0:33:02.760 --> 0:33:04.480
<v Speaker 1>like Eminem song.

0:33:04.520 --> 0:33:06.280
<v Speaker 2>Wow, imagine that track.

0:33:06.480 --> 0:33:11.920
<v Speaker 3>Yeah, I've seen cartol smoke wrappers, dancel artists. Yeah, he

0:33:11.960 --> 0:33:14.120
<v Speaker 3>could smokes anything, like.

0:33:14.240 --> 0:33:16.800
<v Speaker 2>You know what I mean, Like, yeah, he's versus like

0:33:16.880 --> 0:33:17.360
<v Speaker 2>he could.

0:33:17.160 --> 0:33:21.560
<v Speaker 3>Go any any style flow the coldest.

0:33:24.400 --> 0:33:27.600
<v Speaker 2>Yeah, Peckham or Brixton.

0:33:28.200 --> 0:33:31.360
<v Speaker 3>I'm from Peckham. Okay, yea Brickston certified.

0:33:33.000 --> 0:33:37.240
<v Speaker 1>That's brig is like the Bronx Andhams like Brooklyn.

0:33:37.520 --> 0:33:40.680
<v Speaker 3>Okay is that that kind of Yeah? I mean and

0:33:40.760 --> 0:33:44.680
<v Speaker 3>then East London West from East East is like reminds

0:33:44.720 --> 0:33:48.000
<v Speaker 3>me of like Harlow and then and then west kind

0:33:48.040 --> 0:33:51.560
<v Speaker 3>of No, East reminds you of Queens. East reminds you

0:33:51.600 --> 0:33:55.680
<v Speaker 3>of Queens because and then West reminds me of Harlem.

0:33:55.840 --> 0:34:02.440
<v Speaker 1>Okay, Okay. Shava or super Cat, that's a that's a

0:34:02.600 --> 0:34:07.720
<v Speaker 1>tough one. Legends, Supercut, we need both of them. Are drinking, Yeah,

0:34:07.720 --> 0:34:14.400
<v Speaker 1>I drink drink Yeah, super Cat used to live a

0:34:14.480 --> 0:34:20.160
<v Speaker 1>left right Well yeah, I might say Shaper though might

0:34:20.280 --> 0:34:22.440
<v Speaker 1>be taking another shop Shap.

0:34:22.560 --> 0:34:24.440
<v Speaker 2>Wouldn't Sho be the o G in that situation?

0:34:25.520 --> 0:34:28.759
<v Speaker 1>No? Really, not really, He's not the same kind of

0:34:28.840 --> 0:34:32.080
<v Speaker 1>time Shap, super the same kind of time like.

0:34:32.160 --> 0:34:34.520
<v Speaker 2>Shamo would be at least a few years and they.

0:34:34.440 --> 0:34:38.319
<v Speaker 3>Even clashed, did no, No, I think they did.

0:34:38.920 --> 0:34:39.200
<v Speaker 1>They did.

0:34:39.400 --> 0:34:40.680
<v Speaker 2>I never heard of a class that they did.

0:34:40.719 --> 0:34:44.719
<v Speaker 3>They did. Yeah, I think, I think.

0:34:44.880 --> 0:34:49.960
<v Speaker 1>I think I'll say Shabo because Shabo lived longer, like

0:34:50.239 --> 0:34:52.719
<v Speaker 1>he was still making bangers right right right, you know

0:34:52.800 --> 0:34:57.799
<v Speaker 1>that was even like when he did he come back

0:34:57.840 --> 0:35:02.000
<v Speaker 1>and beer got big guy he ca joints. Yeah, he

0:35:02.080 --> 0:35:06.759
<v Speaker 1>got saying. So I'll say still supercuts the goat.

0:35:09.480 --> 0:35:10.360
<v Speaker 3>Yeah about.

0:35:13.800 --> 0:35:19.080
<v Speaker 1>Storms is a Canu stone cano for sure, that cano

0:35:19.200 --> 0:35:21.240
<v Speaker 1>is a goat, like you know what I mean? Stones,

0:35:21.280 --> 0:35:24.120
<v Speaker 1>He is cold though, Stones. You can sign up with

0:35:24.200 --> 0:35:26.719
<v Speaker 1>the goats so that he can he can go to

0:35:26.960 --> 0:35:28.920
<v Speaker 1>to toe with the goats, you know what I mean.

0:35:30.840 --> 0:35:35.000
<v Speaker 3>B o b or a boogie mm hmm a boogie.

0:35:37.080 --> 0:35:38.480
<v Speaker 2>Estelle or adele.

0:35:40.480 --> 0:35:40.879
<v Speaker 3>Mm hmm.

0:35:43.360 --> 0:35:46.279
<v Speaker 1>And still is the family but adel Ale, But that's

0:35:46.320 --> 0:35:48.799
<v Speaker 1>too different. That's totally shipping.

0:35:49.440 --> 0:35:57.480
<v Speaker 5>These guys just wanted to to British people in branch. Yeah,

0:35:58.200 --> 0:35:59.520
<v Speaker 5>they might throw in the Beatles legs.

0:35:59.560 --> 0:35:59.840
<v Speaker 2>I don't know.

0:36:02.000 --> 0:36:05.240
<v Speaker 3>There was a coach by two different things. I wouldn't,

0:36:05.280 --> 0:36:05.759
<v Speaker 3>you know what I mean?

0:36:07.160 --> 0:36:11.960
<v Speaker 5>So what so what's the answer, Yeah, okay, uh DJ

0:36:12.080 --> 0:36:18.000
<v Speaker 5>Premiere Pete Rock mhm, it's gotta be Premier.

0:36:21.560 --> 0:36:22.799
<v Speaker 2>Jay Z or Big daddy came.

0:36:26.880 --> 0:36:31.000
<v Speaker 3>I say, big daddy came. That's that's that's the geez.

0:36:31.840 --> 0:36:32.479
<v Speaker 3>You know what I'm saying.

0:36:32.880 --> 0:36:38.839
<v Speaker 5>You know, I mean, okay, Jada kiss ther Nos, Yeah

0:36:38.920 --> 0:36:41.200
<v Speaker 5>I kissed so there. Now we have to change this

0:36:41.239 --> 0:36:46.719
<v Speaker 5>game where if you answer you drinking okay, you know what.

0:36:47.239 --> 0:36:49.320
<v Speaker 1>A lot of obviously a lot of guests that you

0:36:49.480 --> 0:36:51.680
<v Speaker 1>have up here have got relationship.

0:36:52.200 --> 0:36:54.640
<v Speaker 3>I'm not gonna want to say for me, I'm clear

0:36:54.760 --> 0:36:58.440
<v Speaker 3>on on the history. You know what I'm saying, history

0:36:58.600 --> 0:37:00.840
<v Speaker 3>like forgot kiss.

0:37:01.480 --> 0:37:04.600
<v Speaker 1>Its still going like the now I just heard them

0:37:04.640 --> 0:37:08.200
<v Speaker 1>a eating that's a mad tea. How many years are

0:37:08.200 --> 0:37:14.360
<v Speaker 1>we talking about? It's ridiculous. Yeah, ninety six. That's my

0:37:14.600 --> 0:37:16.680
<v Speaker 1>bro Rockefeller of rough Riders.

0:37:18.680 --> 0:37:23.320
<v Speaker 3>Ah no, it's not a shot. You know why. I

0:37:23.760 --> 0:37:26.640
<v Speaker 3>know why. Let me tell you this way is here,

0:37:26.880 --> 0:37:33.880
<v Speaker 3>this way is yeah, that's not even no, no, this

0:37:34.080 --> 0:37:39.160
<v Speaker 3>is why this way it is even like even yeah,

0:37:39.160 --> 0:37:41.640
<v Speaker 3>I'm just going to be like even even kissy wouldn't

0:37:41.680 --> 0:37:44.879
<v Speaker 3>be happier. I don't know. This is so that time.

0:37:45.000 --> 0:37:49.920
<v Speaker 1>Yeah, so like my brethren there was all from like Warfrow,

0:37:50.000 --> 0:37:53.239
<v Speaker 1>that's in South London. We're from Peckham, Warfrow, Peckham, but

0:37:53.400 --> 0:37:57.239
<v Speaker 1>all the warthrow man then they used to be Rockefeller, yeah,

0:37:57.760 --> 0:37:58.240
<v Speaker 1>and all.

0:37:58.160 --> 0:37:58.719
<v Speaker 3>The pecker Man.

0:37:58.800 --> 0:38:00.680
<v Speaker 1>It was like rough Rider was like you know what

0:38:00.719 --> 0:38:05.439
<v Speaker 1>I'm saying, like d M X peoples and all that. Yeah,

0:38:08.000 --> 0:38:11.920
<v Speaker 1>so then yeah those peoples so like we were. So

0:38:12.040 --> 0:38:15.560
<v Speaker 1>then then then the war started the clash with the

0:38:15.760 --> 0:38:16.120
<v Speaker 1>rock and.

0:38:19.000 --> 0:38:20.120
<v Speaker 3>Rough Riders and that. Yeah.

0:38:20.920 --> 0:38:23.880
<v Speaker 1>So then obviously, like I think the first one was

0:38:23.960 --> 0:38:28.120
<v Speaker 1>that the it was like the kissing and and fat Joe.

0:38:28.719 --> 0:38:31.920
<v Speaker 1>Is that the kiss and fat Joe sound? No, No,

0:38:32.000 --> 0:38:34.960
<v Speaker 1>I'm saying like it's kind of like a subliminal and

0:38:35.680 --> 0:38:37.719
<v Speaker 1>man was saying anyway, I don't know if that's true.

0:38:38.400 --> 0:38:42.600
<v Speaker 3>And then obviously there was the kiss and put your

0:38:42.680 --> 0:38:43.160
<v Speaker 3>hands up.

0:38:43.920 --> 0:38:47.520
<v Speaker 1>Then then segu came with the mad thing like that

0:38:47.760 --> 0:38:51.759
<v Speaker 1>was That's what Sea came with, brow that was mad.

0:38:52.280 --> 0:38:53.839
<v Speaker 3>Even that that was so mad.

0:38:54.680 --> 0:38:56.239
<v Speaker 1>I didn't even want to see no one from war

0:38:56.360 --> 0:38:59.880
<v Speaker 1>through until I heard kiss as I was that's like me,

0:39:00.320 --> 0:39:01.960
<v Speaker 1>I'm a music, you know what I'm saying. So I

0:39:02.000 --> 0:39:03.960
<v Speaker 1>don't want to see none of these men. For them

0:39:04.000 --> 0:39:06.520
<v Speaker 1>to talk about the seagull thing, because I know Seagull

0:39:06.600 --> 0:39:08.920
<v Speaker 1>smoked that like talking about kicking the bull out of

0:39:09.000 --> 0:39:11.840
<v Speaker 1>the park and you know what I mean. Then after

0:39:12.120 --> 0:39:14.440
<v Speaker 1>so I'm waiting for Kiss. Then Kiss came back on

0:39:14.560 --> 0:39:18.120
<v Speaker 1>the disco beat thing and that was cool and that,

0:39:18.360 --> 0:39:22.080
<v Speaker 1>but after you know what I'm saying, after that Seaguel,

0:39:22.760 --> 0:39:24.880
<v Speaker 1>that was you know what I mean. So I'm like,

0:39:25.160 --> 0:39:26.799
<v Speaker 1>this is all right, Kiss going to bring another one.

0:39:26.920 --> 0:39:30.400
<v Speaker 1>Then Seagull came straight back again straight after with the

0:39:30.480 --> 0:39:34.880
<v Speaker 1>fucking on the special delivery free start when they went

0:39:34.920 --> 0:39:38.480
<v Speaker 1>on radio and that remember the speculations, No, no, there

0:39:38.480 --> 0:39:42.440
<v Speaker 1>weren't that one. Remember the special delivery free style and

0:39:42.560 --> 0:39:45.680
<v Speaker 1>it's just smoking them kiss thee on the holiday remember

0:39:45.719 --> 0:39:52.400
<v Speaker 1>that got So this is two now, I'm like, fucking ship.

0:39:54.280 --> 0:39:58.200
<v Speaker 3>So that Seagull kind of won that, Like who'd you

0:39:58.280 --> 0:39:59.719
<v Speaker 3>say that kissing seagull thing?

0:40:00.320 --> 0:40:06.600
<v Speaker 2>Uh, I don't know, I'm a sick a shot. I mean,

0:40:06.640 --> 0:40:08.960
<v Speaker 2>it became more than that. It was stay proper against

0:40:09.400 --> 0:40:10.080
<v Speaker 2>you know the locks.

0:40:10.280 --> 0:40:13.719
<v Speaker 1>No, no, but I'm talking Kiss and Beanie Seagull, right,

0:40:13.880 --> 0:40:17.160
<v Speaker 1>because there was where the headhorn chosen. Obviously, stars when

0:40:17.239 --> 0:40:20.880
<v Speaker 1>stars come in, stars went kind of mad, remember stars

0:40:21.160 --> 0:40:24.880
<v Speaker 1>like kicking fucking doors off, and you know what it was.

0:40:24.960 --> 0:40:27.279
<v Speaker 1>It was a different back but kiss and you know,

0:40:27.320 --> 0:40:28.960
<v Speaker 1>I say, yeah, so yeah it was more than that.

0:40:29.480 --> 0:40:35.800
<v Speaker 3>But them times I could have admit, like kiss that Seagull.

0:40:35.480 --> 0:40:38.399
<v Speaker 2>Took hit me like because your side was rough.

0:40:38.640 --> 0:40:40.520
<v Speaker 1>Yeah I was rough rider, but I don't know that

0:40:40.800 --> 0:40:43.600
<v Speaker 1>maybe twenty years there, I said, seagull kind of took that.

0:40:43.680 --> 0:40:46.120
<v Speaker 3>I told the mad one to get me. So I'm

0:40:46.680 --> 0:40:49.520
<v Speaker 3>I just wanted to show the homage for like the

0:40:49.680 --> 0:40:52.400
<v Speaker 3>Rock and that, but man's rough riders, like you know.

0:40:53.320 --> 0:40:55.160
<v Speaker 1>Did you hear? I don't know if this is true,

0:40:55.520 --> 0:40:56.840
<v Speaker 1>Beanie Seagull new ship.

0:40:56.719 --> 0:41:01.680
<v Speaker 4>With Ai no with the voice, and she sounds great

0:41:03.040 --> 0:41:05.040
<v Speaker 4>and in that case, Ai is fucking dope.

0:41:05.239 --> 0:41:09.320
<v Speaker 1>Yeah, actually liked some of the with the with the

0:41:09.719 --> 0:41:14.560
<v Speaker 1>new voice as well. It still sounds cold like I

0:41:14.640 --> 0:41:16.480
<v Speaker 1>thought I was coold, but yeah, bottom lying.

0:41:16.560 --> 0:41:22.360
<v Speaker 4>Yeah, rough Riders, Okay, Damian Molly or Sean Paul give me.

0:41:22.440 --> 0:41:23.000
<v Speaker 1>The life.

0:41:24.760 --> 0:41:30.080
<v Speaker 3>You kind of going? I felt like two different things.

0:41:30.120 --> 0:41:34.840
<v Speaker 1>But I'll say Sean Porter shompaols really do you know

0:41:34.960 --> 0:41:38.560
<v Speaker 1>why I'll say shampoo because like Sean Paul has grinded,

0:41:38.719 --> 0:41:40.800
<v Speaker 1>Like remember I remember when he used to be like

0:41:40.960 --> 0:41:46.000
<v Speaker 1>dotty Cup, remember, yeah, like it was like Luga man

0:41:46.160 --> 0:41:50.160
<v Speaker 1>and and Shompaul could always that proper spit, you know

0:41:50.160 --> 0:41:52.239
<v Speaker 1>what I'm saying, Like he could he darts away, he

0:41:52.239 --> 0:41:53.600
<v Speaker 1>could spit, you.

0:41:53.600 --> 0:41:54.120
<v Speaker 3>Know what I'm saying.

0:41:54.200 --> 0:41:58.520
<v Speaker 1>And then obviously he's probably took it the most serious

0:41:58.680 --> 0:42:02.000
<v Speaker 1>and then he's taking it to the crazy levels, you

0:42:02.080 --> 0:42:03.920
<v Speaker 1>know what I'm saying. Like, so Man's got a lot

0:42:03.960 --> 0:42:08.640
<v Speaker 1>of respect for shoomp Pool yet me. But obviously Damian

0:42:08.760 --> 0:42:13.239
<v Speaker 1>Marley's gone. That's that, you know what I'm saying. I'll say,

0:42:13.360 --> 0:42:17.000
<v Speaker 1>for how hard shoomp Pools were, and he's quod spit, I'll.

0:42:16.840 --> 0:42:17.600
<v Speaker 3>Say shooting pool.

0:42:17.920 --> 0:42:18.879
<v Speaker 2>He's got a crazy cattle.

0:42:19.080 --> 0:42:20.120
<v Speaker 3>Yeah, he's got a colo.

0:42:21.880 --> 0:42:23.880
<v Speaker 2>So you said Sean Paul, Yeah, I say shoot.

0:42:26.360 --> 0:42:30.480
<v Speaker 1>Boys in the hood, boys in the hood or minister Society.

0:42:36.120 --> 0:42:44.600
<v Speaker 1>I take a shot. Okay, Oh Man cheers h l a,

0:42:44.800 --> 0:42:56.120
<v Speaker 1>oh Miami mm hmmm, I like Miami in her for

0:42:56.320 --> 0:43:00.600
<v Speaker 1>real or Kanye mm hmm.

0:43:08.280 --> 0:43:10.520
<v Speaker 3>That's a tough one. What are you talking about that

0:43:10.960 --> 0:43:11.600
<v Speaker 3>he's gonna.

0:43:11.360 --> 0:43:20.719
<v Speaker 2>Say that whatever? Yeah, yeah, yeah, you could take a

0:43:20.760 --> 0:43:21.800
<v Speaker 2>bag of beach just beats.

0:43:22.280 --> 0:43:22.440
<v Speaker 3>Yeah.

0:43:22.560 --> 0:43:27.280
<v Speaker 8>So that's a weird one. So you only gets weirder,

0:43:29.320 --> 0:43:34.000
<v Speaker 8>I was, I was, Yeah, I'll just take the shot.

0:43:34.080 --> 0:43:40.200
<v Speaker 1>Man, I don't know. I don't know, you know what

0:43:40.520 --> 0:43:42.719
<v Speaker 1>what I wanted to know. I was watching the phar

0:43:42.800 --> 0:43:47.200
<v Speaker 1>Real documentary in it and then it was talking about

0:43:47.760 --> 0:43:52.480
<v Speaker 1>when you look made super fucking yeah, we say funking it.

0:43:52.719 --> 0:43:53.560
<v Speaker 3>That's how different.

0:43:56.160 --> 0:43:59.719
<v Speaker 1>So yeah, but he was telling the story cold, but

0:43:59.800 --> 0:44:02.400
<v Speaker 1>you know, the only But I was thinking, like I

0:44:02.480 --> 0:44:05.080
<v Speaker 1>wanted to know, like he told the whole suit, but

0:44:05.239 --> 0:44:09.359
<v Speaker 1>then tell the bit like when it was in the Philippines,

0:44:09.680 --> 0:44:13.120
<v Speaker 1>You're in the mansion, you know, So I was thinking,

0:44:14.760 --> 0:44:17.600
<v Speaker 1>what was how did you think cut that bit?

0:44:17.719 --> 0:44:18.439
<v Speaker 3>Was it not true?

0:44:18.640 --> 0:44:20.520
<v Speaker 1>Like you know, you know what I'm saying already on

0:44:20.640 --> 0:44:23.800
<v Speaker 1>the track that was already I'm actually be honest with you.

0:44:24.080 --> 0:44:29.000
<v Speaker 2>I never paid attention to that part, bro, that's.

0:44:30.600 --> 0:44:30.759
<v Speaker 5>I know.

0:44:30.960 --> 0:44:33.759
<v Speaker 3>Yeah. But once the beat drop, I was like, that

0:44:33.920 --> 0:44:34.040
<v Speaker 3>was it?

0:44:36.840 --> 0:44:38.319
<v Speaker 2>He said like Noriega, and I.

0:44:38.400 --> 0:44:39.920
<v Speaker 1>Was like, all right, that's the first time I heard

0:44:39.960 --> 0:44:41.040
<v Speaker 1>somebody make a beat.

0:44:40.880 --> 0:44:42.160
<v Speaker 3>For me using my name.

0:44:43.360 --> 0:44:44.000
<v Speaker 2>But it wasn't that.

0:44:44.160 --> 0:44:46.400
<v Speaker 4>It was like, once that sound dropping, I said that,

0:44:49.120 --> 0:44:51.759
<v Speaker 4>I was just like, oh, I need, I need to

0:44:51.920 --> 0:44:55.279
<v Speaker 4>play with this. And I knew that was a different sound.

0:44:55.840 --> 0:44:57.600
<v Speaker 4>And I know I sound like a genius now, but

0:44:57.719 --> 0:44:59.480
<v Speaker 4>I swear to god, I knew that ship then, you

0:44:59.520 --> 0:45:01.479
<v Speaker 4>know what I mean, I was just like all right cool,

0:45:01.960 --> 0:45:04.920
<v Speaker 4>And like I said, I wrote the whole rhyme right

0:45:04.960 --> 0:45:07.080
<v Speaker 4>there in the Kent Hotel and I flew back the

0:45:07.160 --> 0:45:10.080
<v Speaker 4>next day and I went to a studio called Right

0:45:10.160 --> 0:45:12.799
<v Speaker 4>Track Recording Studio on forty eighth Street, and I laid

0:45:12.840 --> 0:45:13.439
<v Speaker 4>the whole ship.

0:45:13.480 --> 0:45:18.520
<v Speaker 1>That's one track. That's one whole track, one take, one take.

0:45:18.600 --> 0:45:18.759
<v Speaker 5>Yeah.

0:45:18.800 --> 0:45:19.919
<v Speaker 3>I didn't know because well.

0:45:19.880 --> 0:45:21.080
<v Speaker 2>I didn't know how to. I didn't know how to

0:45:21.120 --> 0:45:23.040
<v Speaker 2>punch it. That's what he says.

0:45:23.400 --> 0:45:27.080
<v Speaker 3>That's why I always say it wasn't even I was

0:45:28.480 --> 0:45:30.400
<v Speaker 3>at the time, what what what what? Okay?

0:45:30.760 --> 0:45:30.920
<v Speaker 2>One?

0:45:31.040 --> 0:45:31.360
<v Speaker 1>What what?

0:45:31.560 --> 0:45:31.600
<v Speaker 5>What?

0:45:31.719 --> 0:45:32.320
<v Speaker 3>What? What? What? What?

0:45:33.160 --> 0:45:34.360
<v Speaker 2>I didn't know how to do. All I want to

0:45:34.400 --> 0:45:36.160
<v Speaker 2>do is right wrap And but.

0:45:36.239 --> 0:45:39.799
<v Speaker 1>That is you still kind of I'm still calling still yeah,

0:45:39.800 --> 0:45:40.680
<v Speaker 1>because I'm saying.

0:45:40.520 --> 0:45:41.920
<v Speaker 3>That it's just in the future with it.

0:45:44.040 --> 0:45:50.480
<v Speaker 1>Anversity still counted its structured correctly. You know, rella kept

0:45:50.560 --> 0:45:54.160
<v Speaker 1>that you know it was for genius one that yeah,

0:45:55.360 --> 0:45:58.520
<v Speaker 1>he took the ones out if the original hook is

0:45:58.520 --> 0:45:59.719
<v Speaker 1>going to say one on there.

0:46:00.719 --> 0:46:04.160
<v Speaker 2>Yeah, So like I don't even know how you kept

0:46:04.200 --> 0:46:04.920
<v Speaker 2>me on beat.

0:46:05.120 --> 0:46:07.359
<v Speaker 4>Like I've never asked him that question, and I've never

0:46:07.360 --> 0:46:08.240
<v Speaker 4>asked him about.

0:46:08.000 --> 0:46:08.839
<v Speaker 3>The the intro.

0:46:09.040 --> 0:46:10.040
<v Speaker 2>Neither like a gonna lie.

0:46:10.120 --> 0:46:12.480
<v Speaker 1>We just said that just now, like twenty seven years later,

0:46:13.160 --> 0:46:13.440
<v Speaker 1>kind of.

0:46:15.680 --> 0:46:20.480
<v Speaker 3>Id that you never lied. That's because basically I'm just

0:46:20.600 --> 0:46:21.520
<v Speaker 3>never gonna know what.

0:46:22.120 --> 0:46:23.920
<v Speaker 1>Wait, did I never act? I say, it's good that

0:46:24.000 --> 0:46:28.560
<v Speaker 1>you never lied. Yeah, no, yeah, because you know what happened.

0:46:28.880 --> 0:46:33.120
<v Speaker 3>Yeah, I know not to take it.

0:46:33.560 --> 0:46:36.160
<v Speaker 1>You're kind to remember that part. Like if we're not

0:46:36.280 --> 0:46:39.319
<v Speaker 1>perform it, I go straight into the wood my mother

0:46:39.480 --> 0:46:42.799
<v Speaker 1>for the last twenty years. That shit doesn't even exist. Yeah,

0:46:43.760 --> 0:46:44.720
<v Speaker 1>by the way, it's crazy.

0:46:44.800 --> 0:46:48.800
<v Speaker 4>It starts from yeah and then he goes to Philippines

0:46:48.840 --> 0:46:49.120
<v Speaker 4>or whatever.

0:46:49.200 --> 0:46:52.400
<v Speaker 1>But my performance it goes what what what?

0:46:52.560 --> 0:46:54.560
<v Speaker 3>So we don't we take that ship out? Okay? So

0:46:54.719 --> 0:46:56.480
<v Speaker 3>like so you don't even put that in the show?

0:46:56.600 --> 0:46:59.080
<v Speaker 3>In the show kind of fucking me up.

0:47:00.560 --> 0:47:03.000
<v Speaker 1>If I went to the live show and I heard that,

0:47:03.040 --> 0:47:05.680
<v Speaker 1>because I've never seen that, right right right, right right, No,

0:47:05.840 --> 0:47:07.640
<v Speaker 1>But I went to the lift shot and I didn't

0:47:07.680 --> 0:47:09.479
<v Speaker 1>hear you in the Philip because that's.

0:47:09.400 --> 0:47:11.520
<v Speaker 3>The bit where you're that's the bit where you're wking.

0:47:11.640 --> 0:47:16.440
<v Speaker 4>Now it's you know what I'm saying REI when I performing,

0:47:16.520 --> 0:47:19.600
<v Speaker 4>I'm performing near the end of the show, like already

0:47:19.920 --> 0:47:21.120
<v Speaker 4>I want to jump in, Yeah.

0:47:21.320 --> 0:47:23.520
<v Speaker 3>I want me to jump in. That's not fa Like, yeah,

0:47:23.640 --> 0:47:24.320
<v Speaker 3>that's not fash.

0:47:24.640 --> 0:47:26.600
<v Speaker 1>And it's like as soon as you hit the helicopters,

0:47:26.640 --> 0:47:36.239
<v Speaker 1>your subconsciously you heard the intro in your mind. You

0:47:38.400 --> 0:47:41.680
<v Speaker 1>But those people like like Swiss to this day always

0:47:41.719 --> 0:47:43.560
<v Speaker 1>says to me, yo, you know you never let the

0:47:43.600 --> 0:47:46.120
<v Speaker 1>beat drop from bad being crazy. It's like, no one

0:47:46.280 --> 0:47:49.080
<v Speaker 1>actually knows that that's the first loop, that beat beat.

0:47:49.160 --> 0:47:53.680
<v Speaker 1>It's not there, not the beat. So it's like, yeah,

0:47:54.840 --> 0:47:59.080
<v Speaker 1>the whole sun mastered it that she's still twenty seven

0:47:59.160 --> 0:48:01.879
<v Speaker 1>years like your music a movie, a movie, bro.

0:48:04.680 --> 0:48:05.160
<v Speaker 3>Shot for that.

0:48:06.280 --> 0:48:07.319
<v Speaker 1>Hold on, we'll get right back.

0:48:08.600 --> 0:48:10.919
<v Speaker 5>But the fun fact about the Philippines thing, his DJ

0:48:11.080 --> 0:48:13.879
<v Speaker 5>now is from the Philipps DJ is, but he wasn't

0:48:13.960 --> 0:48:14.359
<v Speaker 5>that year.

0:48:14.520 --> 0:48:18.279
<v Speaker 1>Yeah, I didn't meet up to that same exact year.

0:48:18.400 --> 0:48:20.759
<v Speaker 1>So you got to do it where he says the Philippines,

0:48:21.280 --> 0:48:22.160
<v Speaker 1>I've never thought about it.

0:48:22.280 --> 0:48:25.680
<v Speaker 3>I tell you, this is the first time. That's that's important.

0:48:26.719 --> 0:48:30.760
<v Speaker 1>Let's do that, Okay, podcast or radio.

0:48:33.640 --> 0:48:36.040
<v Speaker 3>It's the same, it's the same for me, to be honest. Yeah,

0:48:36.080 --> 0:48:37.280
<v Speaker 3>that's the same ship.

0:48:37.040 --> 0:48:39.759
<v Speaker 1>Were drinking because it's both Okay, yeah, man, I.

0:48:39.760 --> 0:48:44.440
<v Speaker 3>Mean what's the difference really, what's.

0:48:43.640 --> 0:48:47.399
<v Speaker 1>Long form and one is radio based, one is music based,

0:48:47.480 --> 0:48:50.320
<v Speaker 1>and one is we can do this on radio because

0:48:50.560 --> 0:48:54.320
<v Speaker 1>it's long form, you can't do on radio short conversations

0:48:55.200 --> 0:48:55.879
<v Speaker 1>between radio.

0:48:56.719 --> 0:48:58.320
<v Speaker 3>I guess you know. Yeah, let me get that.

0:48:58.920 --> 0:49:02.480
<v Speaker 4>Okay, yeah, yeah, yeah, got you Okay, you ready, don't

0:49:03.200 --> 0:49:05.560
<v Speaker 4>scar face? Oh no, no no no, he said both Okay,

0:49:05.640 --> 0:49:08.279
<v Speaker 4>my bad, and you gotta get this one anyway. I

0:49:08.400 --> 0:49:15.680
<v Speaker 4>just realized what it says, cheers the heavenly socky is nice.

0:49:16.560 --> 0:49:23.040
<v Speaker 1>That drinks nice too, heavenly sky sake. Yeah that And

0:49:23.080 --> 0:49:25.680
<v Speaker 1>I ain't even a sucky guy. I wasn't.

0:49:25.800 --> 0:49:29.960
<v Speaker 3>He turned me out boss kind.

0:49:30.480 --> 0:49:33.760
<v Speaker 4>I kind of listened to what anything said sad period

0:49:33.920 --> 0:49:37.920
<v Speaker 4>like could be like, listen, man, We're gonna walk to

0:49:38.000 --> 0:49:41.160
<v Speaker 4>the top of the mountain and talk to a Chinese

0:49:41.239 --> 0:49:46.440
<v Speaker 4>monk and rub our beads and we must we must

0:49:46.520 --> 0:49:48.840
<v Speaker 4>not have on those socks. And I'm gonna be like,

0:49:48.960 --> 0:49:52.400
<v Speaker 4>let's go Rizz like he's been proving that he's the abbot,

0:49:52.840 --> 0:49:55.919
<v Speaker 4>so he's he told us that this soul.

0:49:56.000 --> 0:49:58.600
<v Speaker 2>Right, let's go Scarface or ice Cube.

0:50:00.600 --> 0:50:03.719
<v Speaker 3>Cute man, that's my guy. Yeah, that's the cue that

0:50:04.200 --> 0:50:07.960
<v Speaker 3>that's the for me, that's the main guy. He was

0:50:08.000 --> 0:50:11.160
<v Speaker 3>one of my favorite scar is a go to Scarface

0:50:11.280 --> 0:50:14.919
<v Speaker 3>is code w A and and everything. I didn't even think.

0:50:14.960 --> 0:50:19.400
<v Speaker 1>You can't even ask me about anyone against them n

0:50:19.600 --> 0:50:25.359
<v Speaker 1>w A. You know what I'm saying, Scarfaces code.

0:50:25.880 --> 0:50:27.000
<v Speaker 2>You know it's crazy.

0:50:28.840 --> 0:50:30.440
<v Speaker 1>And I know I'm a little off subject, but still

0:50:30.480 --> 0:50:31.040
<v Speaker 1>on subject.

0:50:31.880 --> 0:50:33.800
<v Speaker 4>I really kind of realized that, I know we spoke

0:50:33.800 --> 0:50:38.200
<v Speaker 4>about this before that Scarface made the Fix, like like

0:50:38.320 --> 0:50:41.640
<v Speaker 4>that was a classic album made recently, Like that.

0:50:41.719 --> 0:50:44.399
<v Speaker 2>Was in the last ten years, right, No, no, now

0:50:44.480 --> 0:50:47.080
<v Speaker 2>more than ten years. But I mean I was on

0:50:48.239 --> 0:50:48.600
<v Speaker 2>with him.

0:50:48.840 --> 0:50:54.600
<v Speaker 4>Yeah, I was on classic, classic, classic albums of a

0:50:54.680 --> 0:50:57.400
<v Speaker 4>legend that came before me. That I was actually on

0:50:57.520 --> 0:50:59.440
<v Speaker 4>the same label with him. I just thought about that

0:50:59.480 --> 0:51:00.640
<v Speaker 4>the other day, you know what I mean?

0:51:01.520 --> 0:51:07.480
<v Speaker 2>Okay, last one I got one time London or Kingston, London.

0:51:07.600 --> 0:51:08.240
<v Speaker 3>I'm from London.

0:51:09.239 --> 0:51:09.799
<v Speaker 2>I just wanted to.

0:51:13.880 --> 0:51:18.200
<v Speaker 4>But London is my ends, the last one, last one.

0:51:18.640 --> 0:51:20.160
<v Speaker 4>Loyalty or respect.

0:51:25.280 --> 0:51:31.680
<v Speaker 3>Loyal t Okay, respect, that's the s Yeah, I respect him.

0:51:32.120 --> 0:51:34.600
<v Speaker 1>He's going to be loyal. Yeah, you know what I mean.

0:51:34.840 --> 0:51:41.040
<v Speaker 1>I respect that. No, take a shot. I mean cool.

0:51:47.520 --> 0:51:50.480
<v Speaker 4>So now, how the hell and where was you at

0:51:51.200 --> 0:51:53.799
<v Speaker 4>when you get a call and they say, the man Dim,

0:51:54.719 --> 0:51:59.440
<v Speaker 4>the light Skinned God, the six God wants to work

0:51:59.520 --> 0:52:02.480
<v Speaker 4>with you. And did you tell do you hang up

0:52:02.520 --> 0:52:03.880
<v Speaker 4>on these people that ship the podcast?

0:52:05.920 --> 0:52:06.160
<v Speaker 5>You like?

0:52:06.280 --> 0:52:08.080
<v Speaker 1>Of course, and of course he wants to work with me,

0:52:08.480 --> 0:52:11.160
<v Speaker 1>But how did this happen when you get the call?

0:52:12.320 --> 0:52:17.000
<v Speaker 1>If I'm honest, this is honesty. Like I remember I

0:52:17.120 --> 0:52:20.720
<v Speaker 1>was making my album The Landlord, Yes, called the Landlord.

0:52:21.360 --> 0:52:25.320
<v Speaker 1>So I was making this album and then I remember

0:52:25.360 --> 0:52:28.480
<v Speaker 1>I was making the track called whipping that Skirts and

0:52:28.560 --> 0:52:28.960
<v Speaker 1>you get.

0:52:28.840 --> 0:52:30.000
<v Speaker 2>Me, Yeah, I got that in my notes.

0:52:30.160 --> 0:52:34.000
<v Speaker 1>Yeah okay, And I was and I was saying something

0:52:34.120 --> 0:52:37.440
<v Speaker 1>like missus in the crib, you know, I'm keeping up

0:52:37.520 --> 0:52:40.399
<v Speaker 1>photo and we don't take pictures, you know, I'm keeping

0:52:40.520 --> 0:52:42.319
<v Speaker 1>up personal like you know.

0:52:42.440 --> 0:52:43.479
<v Speaker 3>Like them kind of days.

0:52:44.600 --> 0:52:47.520
<v Speaker 1>I weren't really posting no women or girl friends are

0:52:48.080 --> 0:52:50.040
<v Speaker 1>So that was like for the mandem, like you know

0:52:50.040 --> 0:52:51.800
<v Speaker 1>what I'm saying, Like you know, like the girl's like

0:52:51.880 --> 0:52:52.759
<v Speaker 1>what do you post me?

0:52:53.400 --> 0:52:54.000
<v Speaker 3>You know what I'm saying?

0:52:54.080 --> 0:52:56.160
<v Speaker 2>That that was for us, like keep opening.

0:52:56.400 --> 0:52:59.840
<v Speaker 1>Yeah, this part is cold and you know that you

0:53:00.120 --> 0:53:03.680
<v Speaker 1>you can you can see Drake loves women, Like I said,

0:53:03.920 --> 0:53:06.239
<v Speaker 1>that's so called. Drake's going to hit me up personally

0:53:06.360 --> 0:53:11.800
<v Speaker 1>about that one. Then I dropped Landlord and then like

0:53:12.040 --> 0:53:16.040
<v Speaker 1>it started ringing off and then then Drake d m me,

0:53:16.760 --> 0:53:18.759
<v Speaker 1>you haven't you haven't met I ain't even met Hi

0:53:18.840 --> 0:53:20.279
<v Speaker 1>or not, and then he d m me said Yo,

0:53:20.800 --> 0:53:24.480
<v Speaker 1>that Landlord things mud you get me like and then yeah,

0:53:24.560 --> 0:53:27.680
<v Speaker 1>then we just said yeah, man, I got a banger still,

0:53:27.800 --> 0:53:30.400
<v Speaker 1>like I wanted to send it over, like, what do

0:53:30.440 --> 0:53:32.799
<v Speaker 1>you reckon? I could this is you saying he's saying

0:53:32.840 --> 0:53:34.440
<v Speaker 1>that to me, saying that to you, He's saying, yeah,

0:53:34.600 --> 0:53:36.840
<v Speaker 1>I got this, I got this, I got this tune.

0:53:36.880 --> 0:53:38.560
<v Speaker 1>So I wanted to send it over, will you reckon?

0:53:38.680 --> 0:53:39.200
<v Speaker 3>Can I send it?

0:53:39.280 --> 0:53:45.960
<v Speaker 1>And I was thinking, yeah, where I was I was,

0:53:47.040 --> 0:53:49.480
<v Speaker 1>I was just in some car parties. There's a restaurant

0:53:49.480 --> 0:53:53.400
<v Speaker 1>there called Harvester in London, so I was in a

0:53:53.480 --> 0:53:56.239
<v Speaker 1>Harvester car park just waiting for food. And then yeah,

0:53:56.280 --> 0:53:58.480
<v Speaker 1>I just see that DM like and I was like

0:53:59.360 --> 0:54:04.200
<v Speaker 1>Trizzy that Yeah, these times that Dizzy weren't really like.

0:54:06.719 --> 0:54:07.920
<v Speaker 3>You know what I'm tying? You know, when it was

0:54:08.000 --> 0:54:10.359
<v Speaker 3>that mysterious, that kind of time.

0:54:10.560 --> 0:54:12.320
<v Speaker 1>Yeah, me, like, did you have to look back and

0:54:12.400 --> 0:54:14.760
<v Speaker 1>make sure the blue check was there one hundred percent?

0:54:16.000 --> 0:54:30.400
<v Speaker 3>I was like I looked at that few Can I

0:54:30.480 --> 0:54:32.640
<v Speaker 3>send you these times?

0:54:33.400 --> 0:54:36.959
<v Speaker 1>Like you're not hearing You've heard every Drizzy tune?

0:54:37.000 --> 0:54:37.880
<v Speaker 3>There is the hair in it.

0:54:38.040 --> 0:54:40.919
<v Speaker 1>You know, there weren't no leaks, you know what I'm saying,

0:54:41.040 --> 0:54:44.320
<v Speaker 1>Like it was this was that an exclusive Drizzy in

0:54:44.440 --> 0:54:46.839
<v Speaker 1>my phone? You know what I'm saying. At that time,

0:54:46.880 --> 0:54:49.160
<v Speaker 1>I was a math thing, but yeah, that's crazy and

0:54:49.280 --> 0:54:52.359
<v Speaker 1>they were both his records. Yeah, so then I've done

0:54:52.400 --> 0:54:55.399
<v Speaker 1>that first one, the no Long Talked one, and then

0:54:55.880 --> 0:54:58.880
<v Speaker 1>then he hit me about the He sent me km T.

0:54:59.040 --> 0:55:01.920
<v Speaker 3>It was Christmas t yeah, and it was like yeah

0:55:02.000 --> 0:55:03.719
<v Speaker 3>what he said?

0:55:03.760 --> 0:55:04.919
<v Speaker 2>What to or more life?

0:55:05.000 --> 0:55:05.200
<v Speaker 1>Yeah?

0:55:05.640 --> 0:55:08.000
<v Speaker 3>Yeah, and then he sent me k m T.

0:55:08.440 --> 0:55:13.359
<v Speaker 1>Yeah, I said famous Christmas said it said the rest

0:55:13.440 --> 0:55:14.400
<v Speaker 1>even on Christmas.

0:55:14.800 --> 0:55:22.560
<v Speaker 3>Yeah, that's from Christmas and yah only don't celebrate Christmas

0:55:22.600 --> 0:55:28.280
<v Speaker 3>in London. Celebrate we know, we don't celebrate Thanksgiving.

0:55:28.400 --> 0:55:34.719
<v Speaker 1>Thanksgiving? O't my bad like your life, that's our independence

0:55:35.320 --> 0:55:45.600
<v Speaker 1>from us. Last year it was my first fourth of

0:55:45.680 --> 0:55:49.840
<v Speaker 1>July here. Yeah, yeah, that was a vibe. Still my

0:55:49.960 --> 0:55:51.440
<v Speaker 1>son was out here, and you know what I.

0:55:51.480 --> 0:55:54.000
<v Speaker 3>Mean, it's crazy.

0:55:54.520 --> 0:55:58.120
<v Speaker 1>So do you do? Do you are?

0:55:58.160 --> 0:56:00.279
<v Speaker 2>You're making a new album now?

0:56:00.400 --> 0:56:01.280
<v Speaker 3>Just making bangs.

0:56:01.400 --> 0:56:04.680
<v Speaker 1>I'm just making veangals, laughing them out like is Dick?

0:56:04.800 --> 0:56:08.680
<v Speaker 1>Can we project that Drizzy might be on your new ship?

0:56:09.480 --> 0:56:12.840
<v Speaker 3>Oh yeah, I mean I just cook like okay, you

0:56:12.880 --> 0:56:14.640
<v Speaker 3>know what I'm saying. I got bad.

0:56:16.000 --> 0:56:19.320
<v Speaker 1>I've always got sign okay from somewhere like okay, but

0:56:19.400 --> 0:56:22.680
<v Speaker 1>then there's me, you know what I mean. Okay, let

0:56:22.719 --> 0:56:28.800
<v Speaker 1>me ask you. God comes down right now, Giggs.

0:56:30.440 --> 0:56:34.880
<v Speaker 4>You get to pick one producer and one artist, and

0:56:34.960 --> 0:56:36.680
<v Speaker 4>this record is gonna save humanity.

0:56:39.960 --> 0:56:41.399
<v Speaker 2>It's gonna stop World War three.

0:56:41.960 --> 0:56:43.399
<v Speaker 3>It looks like we had it towards there.

0:56:45.800 --> 0:56:48.080
<v Speaker 1>Who are you picking what artists and what producer?

0:56:50.239 --> 0:56:50.399
<v Speaker 5>Well?

0:56:50.440 --> 0:56:52.239
<v Speaker 3>I could do you one, but probably need to.

0:56:52.680 --> 0:56:53.200
<v Speaker 1>Okay, let me.

0:56:53.640 --> 0:56:55.719
<v Speaker 2>We're gonna give you if you take a shot, you two.

0:56:55.800 --> 0:56:57.840
<v Speaker 3>Now, I'll just have not because it's the same thinger

0:56:57.880 --> 0:57:01.760
<v Speaker 3>in it. That's easy. Just it would be Dre okay,

0:57:01.800 --> 0:57:03.799
<v Speaker 3>and I'll just bring Hove in to right the US.

0:57:04.560 --> 0:57:07.799
<v Speaker 1>Okay. You know what I'm saying, doctor Dre. And yeah,

0:57:08.040 --> 0:57:12.839
<v Speaker 1>d you said d you said Drake makes the beat

0:57:13.360 --> 0:57:19.160
<v Speaker 1>and whole writes the verse for for Dre. Okay, your weight.

0:57:19.080 --> 0:57:20.360
<v Speaker 2>You want to that was.

0:57:23.080 --> 0:57:27.760
<v Speaker 1>That's because Drake gets to to be on the production

0:57:28.040 --> 0:57:29.240
<v Speaker 1>and he gets to be the feature.

0:57:29.440 --> 0:57:30.479
<v Speaker 3>Oh I need that's the trick.

0:57:30.520 --> 0:57:30.680
<v Speaker 1>That was.

0:57:31.120 --> 0:57:32.200
<v Speaker 2>That's what he said, I need to do.

0:57:32.440 --> 0:57:36.560
<v Speaker 3>Yes, that was true, and that's the go. That's the

0:57:36.640 --> 0:57:37.640
<v Speaker 3>biggest Dre.

0:57:38.440 --> 0:57:39.840
<v Speaker 2>He's a big n w A fan.

0:57:40.200 --> 0:57:44.480
<v Speaker 4>Yes, he's the biggest. No, nah no, but I do

0:57:44.640 --> 0:57:47.800
<v Speaker 4>see the correlation of it. That's a big w A.

0:57:48.600 --> 0:57:50.080
<v Speaker 4>I'm a bigger the n w A fan. But I

0:57:50.280 --> 0:57:52.640
<v Speaker 4>think he got me. Yeah, make it out of here.

0:57:52.680 --> 0:57:56.840
<v Speaker 2>You're not a bigger w A fan. I told you

0:57:56.960 --> 0:57:57.680
<v Speaker 2>to have me scared.

0:57:57.800 --> 0:57:58.240
<v Speaker 1>I told you.

0:58:02.000 --> 0:58:11.439
<v Speaker 3>That's that question that hell take a shot, So get

0:58:11.520 --> 0:58:12.920
<v Speaker 3>up to No.

0:58:13.080 --> 0:58:14.080
<v Speaker 2>But let's let's go.

0:58:14.120 --> 0:58:15.840
<v Speaker 5>Actually, let's rewind a little bit because I feel like

0:58:15.880 --> 0:58:18.040
<v Speaker 5>we skipped over a lot and we ain't going back.

0:58:17.920 --> 0:58:20.120
<v Speaker 2>To like early your career because you.

0:58:20.400 --> 0:58:22.880
<v Speaker 5>Started rhyming a little bit later, right or making make

0:58:23.000 --> 0:58:24.200
<v Speaker 5>or actually making records later.

0:58:24.720 --> 0:58:26.400
<v Speaker 2>Yeah, because you guys got locked up.

0:58:27.040 --> 0:58:30.520
<v Speaker 1>Yeah yeah, yeah, I started music like yeah when it's

0:58:30.600 --> 0:58:33.560
<v Speaker 1>when things started popping out at twenty eight, right.

0:58:33.680 --> 0:58:36.680
<v Speaker 3>Yeah, I mean, so, yeah, it's late, but you was,

0:58:36.880 --> 0:58:38.640
<v Speaker 3>that's what you were in already. I think that's yeah.

0:58:38.640 --> 0:58:39.840
<v Speaker 3>I went, I went to jail when I.

0:58:39.840 --> 0:58:42.439
<v Speaker 2>Was twenty one, but you got already started making music.

0:58:43.400 --> 0:58:46.800
<v Speaker 3>I was flooting with it, you know, flooding means yeah. Yeah.

0:58:47.920 --> 0:58:48.800
<v Speaker 2>I think that's another.

0:58:49.040 --> 0:58:52.320
<v Speaker 4>It was messing with hope that he reminds you of us,

0:58:52.360 --> 0:58:54.880
<v Speaker 4>because I believe he got on at that age too.

0:58:55.080 --> 0:58:57.880
<v Speaker 4>People consider that a lot of age, like twenty seven

0:58:58.200 --> 0:59:00.200
<v Speaker 4>and twenty eight, So I think that's one of the

0:59:00.240 --> 0:59:00.880
<v Speaker 4>reasons too.

0:59:01.560 --> 0:59:05.600
<v Speaker 1>Right, because then then you've seen like well it depends

0:59:05.640 --> 0:59:09.240
<v Speaker 1>how your life set, but then you've seen like in

0:59:09.360 --> 0:59:11.640
<v Speaker 1>the in the hood anyway you're going to see have

0:59:11.800 --> 0:59:15.800
<v Speaker 1>seen the most by fucking twenty eight, bro, you know

0:59:15.800 --> 0:59:18.040
<v Speaker 1>what I'm saying, going to see it? Oh right, So

0:59:18.920 --> 0:59:22.720
<v Speaker 1>by then you're in music like it's just going to

0:59:22.760 --> 0:59:24.120
<v Speaker 1>be hard to be a superstar.

0:59:24.280 --> 0:59:27.440
<v Speaker 3>Then did you think what do you mean?

0:59:27.520 --> 0:59:29.360
<v Speaker 2>Did you do think it was something that legitimately you

0:59:29.440 --> 0:59:29.720
<v Speaker 2>could do?

0:59:31.160 --> 0:59:33.240
<v Speaker 3>Then yeah? Yeah, yeah, yeah of course, because I did it,

0:59:33.680 --> 0:59:36.880
<v Speaker 3>Like you know what I'm saying, Like it was like, yeah,

0:59:36.960 --> 0:59:37.720
<v Speaker 3>this is what I want to do.

0:59:37.800 --> 0:59:40.920
<v Speaker 2>Because you started popping when you were still inside. No no, no, no,

0:59:41.480 --> 0:59:43.000
<v Speaker 2>it wasn't starting to come out.

0:59:43.320 --> 0:59:46.520
<v Speaker 1>Yeah, there was music out, but because you went in twice,

0:59:47.040 --> 0:59:48.960
<v Speaker 1>yeah yeah. When I went in the second time, I

0:59:49.080 --> 0:59:51.600
<v Speaker 1>was popping. Okay, yeah yeah yeah I was. I was

0:59:51.680 --> 0:59:54.240
<v Speaker 1>mainstream then, right, you know what I'm saying, Like I was,

0:59:54.680 --> 0:59:57.120
<v Speaker 1>I was geeks, you know what I mean? But yeah,

0:59:57.160 --> 0:59:58.600
<v Speaker 1>the first time when I went in, yeah, I was

0:59:58.720 --> 1:00:02.640
<v Speaker 1>just like like starting to make music and that. But

1:00:02.800 --> 1:00:06.440
<v Speaker 1>even before that, I used to d J, right, I

1:00:06.560 --> 1:00:10.120
<v Speaker 1>used to DJ dancell you get me and that Because

1:00:10.720 --> 1:00:12.480
<v Speaker 1>there's different definitions of DJ.

1:00:13.160 --> 1:00:14.760
<v Speaker 3>DJ, like real dj.

1:00:17.360 --> 1:00:21.360
<v Speaker 2>DJ is there in Jamaica. J is the chatting they

1:00:21.480 --> 1:00:23.600
<v Speaker 2>rap ryan Yeah.

1:00:23.480 --> 1:00:31.360
<v Speaker 3>Yeah yeah yeah yeah, fair fair play fair okay yeah

1:00:34.160 --> 1:00:37.800
<v Speaker 3>yeah yeah.

1:00:38.440 --> 1:00:42.640
<v Speaker 1>DJ like scratch mix but that was dancing and hip

1:00:42.640 --> 1:00:45.400
<v Speaker 1>hop to be honest, but it was more dancing. But

1:00:45.480 --> 1:00:47.800
<v Speaker 1>I used to like mixed hip hop as ll you

1:00:47.840 --> 1:00:50.120
<v Speaker 1>know what I'm saying, because that was that's what there

1:00:50.240 --> 1:00:52.120
<v Speaker 1>was then in it like it was it was hip

1:00:52.160 --> 1:00:54.640
<v Speaker 1>hop and it was well then we used to call it.

1:00:54.720 --> 1:01:00.400
<v Speaker 3>Raga what you call dancel. Yeah in London, raga, raga muffin.

1:01:02.080 --> 1:01:04.360
<v Speaker 2>I mean we would say raga button never heard as

1:01:04.600 --> 1:01:05.360
<v Speaker 2>the name for dance.

1:01:05.560 --> 1:01:07.800
<v Speaker 3>Yeah, I would say, yeah, well you listen to raga.

1:01:09.160 --> 1:01:10.680
<v Speaker 2>Yeah interesting?

1:01:10.840 --> 1:01:15.520
<v Speaker 1>Yeah, and I and then fast forward girls like we'll

1:01:15.560 --> 1:01:18.600
<v Speaker 1>say Bashman. You know what I'm saying. Like when you

1:01:18.720 --> 1:01:21.240
<v Speaker 1>fast forward to like I don't know, like the two

1:01:21.360 --> 1:01:23.520
<v Speaker 1>thousands or something, they say, oh, you listened to Bashman.

1:01:24.360 --> 1:01:24.960
<v Speaker 1>You know what I'm saying.

1:01:25.160 --> 1:01:25.760
<v Speaker 2>That's crazy.

1:01:26.120 --> 1:01:28.440
<v Speaker 1>But then I saw some interview and some girl was

1:01:28.640 --> 1:01:32.080
<v Speaker 1>from London name z Ezy. She was interviewing Beanie Man

1:01:32.560 --> 1:01:34.520
<v Speaker 1>and she would say, yeah, so Bashman, is that what's

1:01:34.560 --> 1:01:39.200
<v Speaker 1>that sounds? Yeah, we don't. We don't call that that thought, like,

1:01:39.320 --> 1:01:41.160
<v Speaker 1>you know what I'm saying. So now Man says it's

1:01:41.200 --> 1:01:44.040
<v Speaker 1>correct me alight.

1:01:44.080 --> 1:01:45.680
<v Speaker 2>So so then your second you go in for the

1:01:45.720 --> 1:01:46.480
<v Speaker 2>second time, but you.

1:01:46.520 --> 1:01:49.760
<v Speaker 1>Already gets for a hammer Yeah, yeah, first strap, So

1:01:50.120 --> 1:01:50.880
<v Speaker 1>now your gigs?

1:01:52.240 --> 1:01:56.560
<v Speaker 3>What the second time? Now? Yeah, I've got like record

1:01:56.680 --> 1:02:01.360
<v Speaker 3>label had you at that time then still banned from tour,

1:02:01.520 --> 1:02:04.400
<v Speaker 3>but you but your music is going up and there popping.

1:02:04.640 --> 1:02:10.480
<v Speaker 1>You can't those shows nothing couldn't come to America, was

1:02:10.560 --> 1:02:12.400
<v Speaker 1>banned from radio, TV all that.

1:02:15.880 --> 1:02:19.360
<v Speaker 4>Yeah, so what was the second time for strapped again?

1:02:19.400 --> 1:02:31.240
<v Speaker 4>But I'm taking a shot for it.

1:02:37.360 --> 1:02:38.240
<v Speaker 2>Leading up to you.

1:02:38.360 --> 1:02:42.440
<v Speaker 5>Being now gigs before the second time, who's the people that, like,

1:02:42.560 --> 1:02:43.640
<v Speaker 5>is anybody inspiring you?

1:02:43.840 --> 1:02:45.120
<v Speaker 2>Like, what's the scene around.

1:02:44.880 --> 1:02:47.760
<v Speaker 3>At that time? And them times it was.

1:02:53.400 --> 1:02:55.520
<v Speaker 2>And I'm asking this because we're ignorant of the scene.

1:02:56.160 --> 1:02:58.160
<v Speaker 3>Talking about what's the scene in the U K For you?

1:02:58.880 --> 1:02:59.920
<v Speaker 2>Inspire you specifically?

1:03:00.000 --> 1:03:02.160
<v Speaker 1>You know what I'm saying, Oh, inspire me from America

1:03:02.240 --> 1:03:05.520
<v Speaker 1>or UK whatever is inspiring you at the time. So

1:03:05.680 --> 1:03:11.120
<v Speaker 1>them times, yeah, them times it's like me and Skepta

1:03:12.000 --> 1:03:15.800
<v Speaker 1>and that's when, No, that's a bit before storms, and

1:03:15.960 --> 1:03:19.280
<v Speaker 1>it was like that's when like because remember first I said,

1:03:19.320 --> 1:03:21.120
<v Speaker 1>it was just like it was just me from the

1:03:21.200 --> 1:03:23.760
<v Speaker 1>streets kind of bring up some gangster ship. But like

1:03:24.040 --> 1:03:29.240
<v Speaker 1>just before I went, that's when the streets started getting signed. Now,

1:03:29.520 --> 1:03:32.720
<v Speaker 1>so now that the hood niggas are coming into the mainstream,

1:03:33.320 --> 1:03:34.880
<v Speaker 1>you know what I mean. So there was like loads

1:03:34.920 --> 1:03:41.600
<v Speaker 1>of rappers like Becky Jay, Spades, Benny Banks, Joe, there

1:03:41.640 --> 1:03:44.600
<v Speaker 1>was there was mad niggas are coming in like like

1:03:44.680 --> 1:03:47.080
<v Speaker 1>there's money in this music too. That's when it was

1:03:47.120 --> 1:03:53.600
<v Speaker 1>that time. Everyone's coming now and they wrapped get just

1:03:53.680 --> 1:03:55.400
<v Speaker 1>to do it. They correct it was right, No, it

1:03:55.480 --> 1:03:57.680
<v Speaker 1>was good. There was a lot of talent, you know,

1:03:57.800 --> 1:04:00.680
<v Speaker 1>but there was still niggas on the streets. You know

1:04:00.760 --> 1:04:04.000
<v Speaker 1>how that goes, Like a lot of men didn't make it. God,

1:04:04.200 --> 1:04:06.720
<v Speaker 1>you know what I'm saying. Like they did, they probably did,

1:04:07.000 --> 1:04:09.360
<v Speaker 1>lasted like ten years or something, you know what I mean,

1:04:09.920 --> 1:04:11.560
<v Speaker 1>and then hip hop two years.

1:04:11.600 --> 1:04:15.200
<v Speaker 3>You know, it goes to the streets. Man everyone, Yeah, everyone.

1:04:14.920 --> 1:04:18.800
<v Speaker 1>Thinks they're superstars straight, you know, it goes man niggas. Yeah, me, Like,

1:04:19.320 --> 1:04:22.560
<v Speaker 1>some man don't really care about music like that. They

1:04:22.720 --> 1:04:25.840
<v Speaker 1>just care about the fame, so that ruins their career.

1:04:26.200 --> 1:04:28.600
<v Speaker 1>You know what I'm saying, Like, I know, disrespect to anyone,

1:04:29.040 --> 1:04:30.120
<v Speaker 1>but you're not focused on it.

1:04:30.320 --> 1:04:33.560
<v Speaker 3>Yeah. So like but that time, that's when the streets

1:04:33.600 --> 1:04:35.960
<v Speaker 3>started coming through, now you know what I mean. And

1:04:36.080 --> 1:04:37.000
<v Speaker 3>then I went to jail.

1:04:37.840 --> 1:04:39.680
<v Speaker 5>You get me because I heard you saying in an

1:04:39.720 --> 1:04:42.720
<v Speaker 5>interview that people getting signed like that actually calmed the

1:04:42.760 --> 1:04:43.360
<v Speaker 5>streets down.

1:04:43.880 --> 1:04:47.400
<v Speaker 3>Yeah yeah, yeah, one hundred percent. The streets is way like.

1:04:49.240 --> 1:04:52.600
<v Speaker 1>Two thousand and five to no, I'll say two thousand

1:04:52.600 --> 1:04:57.400
<v Speaker 1>and yeah, five to ten. The streets was mad. So

1:04:57.560 --> 1:05:00.560
<v Speaker 1>in that sense, hip hop saved one hundred percent a

1:05:00.600 --> 1:05:01.040
<v Speaker 1>lot of people.

1:05:02.400 --> 1:05:04.919
<v Speaker 3>That's what from you. You guys, we watched you lock

1:05:05.600 --> 1:05:08.160
<v Speaker 3>and like because you love from the streets.

1:05:08.680 --> 1:05:13.320
<v Speaker 1>I was watching you, was watching like no limit For

1:05:13.440 --> 1:05:17.400
<v Speaker 1>me personally, that's like master and that was like master

1:05:17.480 --> 1:05:20.520
<v Speaker 1>P was the ones who made me No limit. MASTERP

1:05:20.680 --> 1:05:23.000
<v Speaker 1>that's who made me actually think I need.

1:05:22.920 --> 1:05:25.000
<v Speaker 3>To do this music, like you know what I'm saying,

1:05:25.080 --> 1:05:28.520
<v Speaker 3>like blueprint. Yeah, they just reminded.

1:05:29.120 --> 1:05:33.080
<v Speaker 2>They just reminded me of like you being independent was

1:05:33.480 --> 1:05:34.320
<v Speaker 2>that major part.

1:05:35.320 --> 1:05:37.960
<v Speaker 1>It was more like there was just like some crazy

1:05:38.160 --> 1:05:44.120
<v Speaker 1>savage niggas and that was just the mandom at that time.

1:05:44.280 --> 1:05:47.000
<v Speaker 1>Like that's that's why then we called ourselves Spare No One.

1:05:47.800 --> 1:05:50.880
<v Speaker 1>That's s M one, That's what's s N one. So

1:05:51.040 --> 1:05:54.640
<v Speaker 1>like that was off master P, No Limit. It was like,

1:05:54.800 --> 1:05:57.640
<v Speaker 1>yeah we're savage spare no One. No one's getting spared

1:05:57.720 --> 1:06:00.280
<v Speaker 1>like niggas up, like you know what I'm saying. So

1:06:00.400 --> 1:06:03.720
<v Speaker 1>that was when we started, you know what I mean.

1:06:05.000 --> 1:06:06.680
<v Speaker 1>So that was more man's influence.

1:06:07.360 --> 1:06:07.800
<v Speaker 3>You get me.

1:06:09.400 --> 1:06:10.120
<v Speaker 1>Let's keep it real.

1:06:11.920 --> 1:06:15.840
<v Speaker 4>Do London people look at Americans and be like mind

1:06:15.920 --> 1:06:19.200
<v Speaker 4>them don't know how to dress because you're motherfuckers.

1:06:19.280 --> 1:06:25.080
<v Speaker 1>Put on scoffs. You got the pepper peel jackets like

1:06:25.240 --> 1:06:27.480
<v Speaker 1>you you know, you know you know that we know

1:06:27.560 --> 1:06:29.400
<v Speaker 1>y'all got style in London, you got you know what

1:06:29.400 --> 1:06:30.880
<v Speaker 1>I'm saying, like, do y'all look.

1:06:30.720 --> 1:06:32.520
<v Speaker 4>At keep it real, keep it real. Do y'all sometimes

1:06:32.600 --> 1:06:36.080
<v Speaker 4>look at Americans and be like ridiculous.

1:06:36.600 --> 1:06:40.840
<v Speaker 1>I think I think I think that. I think I

1:06:40.920 --> 1:06:43.600
<v Speaker 1>think that just depends on the person. It's the person, Okay,

1:06:43.600 --> 1:06:46.000
<v Speaker 1>it's the person. You know what I'm saying, Like, like

1:06:46.120 --> 1:06:48.800
<v Speaker 1>you got like mine in London and contrasts so man

1:06:48.880 --> 1:06:51.720
<v Speaker 1>in London, you can and you look.

1:06:51.920 --> 1:06:54.280
<v Speaker 4>Because like a person in Harlem will they always claim

1:06:54.320 --> 1:06:56.040
<v Speaker 4>another Harlem person But yeah, because we from Hall and

1:06:56.080 --> 1:06:56.880
<v Speaker 4>that's the way how we do it.

1:06:57.000 --> 1:06:58.840
<v Speaker 3>Personal queens will say that person.

1:06:58.680 --> 1:07:01.080
<v Speaker 1>From That's why I said, like Harlem, you not say

1:07:01.120 --> 1:07:03.960
<v Speaker 1>Harlem is a fly niggas well then I don't know

1:07:04.120 --> 1:07:06.720
<v Speaker 1>back then you don't say the Harlem. That's why Harlem

1:07:06.800 --> 1:07:09.640
<v Speaker 1>reminds me of like West London because them man are

1:07:09.720 --> 1:07:14.880
<v Speaker 1>like like but they're still but they're still gangsters even

1:07:14.920 --> 1:07:16.920
<v Speaker 1>you know what I'm saying. It just it just he's

1:07:16.960 --> 1:07:21.400
<v Speaker 1>from East Okay, he's from East in my mind, yeah, yeah, no,

1:07:22.120 --> 1:07:25.040
<v Speaker 1>I like the way you're not dressed look like even

1:07:25.280 --> 1:07:27.960
<v Speaker 1>like now, most of the stuff I wear is from

1:07:28.000 --> 1:07:30.160
<v Speaker 1>New York. Okay, okay, you know what I'm saying, Like

1:07:30.320 --> 1:07:33.800
<v Speaker 1>most of the like the stacks, so like, you know

1:07:33.840 --> 1:07:36.560
<v Speaker 1>what I'm saying, even like here, it's the first place

1:07:36.640 --> 1:07:40.600
<v Speaker 1>I'll see man wearing shorts and a shirt like like

1:07:40.880 --> 1:07:45.600
<v Speaker 1>but noting man wearing shorts and socks.

1:07:48.200 --> 1:07:50.200
<v Speaker 3>You know what I'm saying, you know, down to the.

1:07:53.720 --> 1:07:53.840
<v Speaker 5>Right.

1:07:53.880 --> 1:08:02.400
<v Speaker 1>Now, in my head, I think, how's that gonna work?

1:08:02.520 --> 1:08:05.920
<v Speaker 1>You know what I'm saying, Like maybe like White in

1:08:06.040 --> 1:08:10.560
<v Speaker 1>London might do that. I told him that's like white,

1:08:10.720 --> 1:08:14.920
<v Speaker 1>it's my dress about Nigga Mande dressing like that. Yeah,

1:08:15.600 --> 1:08:17.800
<v Speaker 1>But then I come out hand I think, I think,

1:08:17.920 --> 1:08:23.280
<v Speaker 1>you know what, it's kind of works, you get me?

1:08:23.400 --> 1:08:25.720
<v Speaker 1>So a lot of this I would take style from

1:08:25.760 --> 1:08:28.240
<v Speaker 1>here as well, right, you know, so I couldn't even

1:08:28.320 --> 1:08:29.720
<v Speaker 1>say that, you know what I mean?

1:08:29.840 --> 1:08:32.519
<v Speaker 3>And to be honest, like.

1:08:32.920 --> 1:08:36.000
<v Speaker 1>We've we've copied a lot of you lot star like

1:08:36.280 --> 1:08:38.560
<v Speaker 1>in it from remember hip hop, like I don't know,

1:08:38.720 --> 1:08:42.360
<v Speaker 1>nineties or something, baggy jeans and that that's why London

1:08:42.439 --> 1:08:45.080
<v Speaker 1>would be wearing baggy jeans, you know what I'm saying.

1:08:45.360 --> 1:08:48.760
<v Speaker 1>And then I think after a while London was like,

1:08:49.320 --> 1:08:50.880
<v Speaker 1>you know what, we're doing our own thing. That's when

1:08:50.920 --> 1:08:53.960
<v Speaker 1>we were straight jeans. And then you say, yeah, I've

1:08:53.960 --> 1:08:56.160
<v Speaker 1>been the skinny jeans. I didn't say. I won't say

1:08:56.160 --> 1:08:58.360
<v Speaker 1>we invented it. I won't say we invented it.

1:09:00.439 --> 1:09:01.960
<v Speaker 2>Straight and skinny and two different things.

1:09:06.240 --> 1:09:08.760
<v Speaker 3>That's that's what that's like. Yeah, that's yeah, that's not.

1:09:11.320 --> 1:09:11.559
<v Speaker 2>Something.

1:09:11.600 --> 1:09:14.640
<v Speaker 1>But then we'll be like, yeah, straight jeans like a

1:09:14.760 --> 1:09:19.320
<v Speaker 1>clean jumper, us jump as a swell like a clean jumper.

1:09:19.400 --> 1:09:21.160
<v Speaker 3>Sure that would be mad. And then we're like, this

1:09:21.320 --> 1:09:22.800
<v Speaker 3>is London, you know what.

1:09:23.120 --> 1:09:27.000
<v Speaker 1>And then now it's like everyone's like American man, We're

1:09:27.120 --> 1:09:29.360
<v Speaker 1>just like UK and vice versa.

1:09:30.560 --> 1:09:32.800
<v Speaker 4>We gotta get we gotta get this one out out

1:09:32.880 --> 1:09:39.920
<v Speaker 4>the way. Central scene defended a lot of New York people.

1:09:40.560 --> 1:09:43.599
<v Speaker 3>Yeah, with the tracksuits, the clean Nike tech.

1:09:43.720 --> 1:09:45.639
<v Speaker 1>Hold on, we didn't even know you had Nike out there.

1:09:45.880 --> 1:09:49.639
<v Speaker 1>Yeah no, no, no, no, that's cool.

1:09:49.720 --> 1:09:50.120
<v Speaker 5>That's cool.

1:09:50.200 --> 1:09:56.920
<v Speaker 3>But that's the same for us. Okay, so that's that's

1:09:56.960 --> 1:10:00.360
<v Speaker 3>the same for us, Like Mama's even when I come here.

1:10:00.560 --> 1:10:02.960
<v Speaker 1>Because you remember, naking text is a special tepe.

1:10:02.960 --> 1:10:04.880
<v Speaker 3>But no, no, no, I'm answer.

1:10:07.680 --> 1:10:10.720
<v Speaker 1>I can answer you like even so even for me, Yeah,

1:10:11.240 --> 1:10:14.040
<v Speaker 1>when I was like, remember I'm fanned for ten years, right, Okay,

1:10:14.080 --> 1:10:15.680
<v Speaker 1>you know I'm saying, I don't know what's going You

1:10:15.720 --> 1:10:18.000
<v Speaker 1>get me. So then I've come out here and then

1:10:18.040 --> 1:10:19.400
<v Speaker 1>the man them were wearing Nike.

1:10:19.400 --> 1:10:21.080
<v Speaker 3>Text like you get me.

1:10:21.840 --> 1:10:24.760
<v Speaker 1>And remember this is after COVID, so everyone's masked up

1:10:24.800 --> 1:10:27.679
<v Speaker 1>now as well. Nike text and a mosque.

1:10:28.160 --> 1:10:29.840
<v Speaker 3>You get me. That's what I'm coming and seeing in

1:10:29.960 --> 1:10:30.800
<v Speaker 3>New York. You get me.

1:10:31.080 --> 1:10:32.800
<v Speaker 1>And I'm like, ro this is like the ends, like

1:10:33.280 --> 1:10:37.600
<v Speaker 1>you know, then you get me? So even for me,

1:10:38.280 --> 1:10:40.160
<v Speaker 1>I thought, right, this is how you look dressed. But

1:10:40.240 --> 1:10:44.240
<v Speaker 1>I'm not gonna jump and say we started that because

1:10:44.320 --> 1:10:48.760
<v Speaker 1>I don't know you know, and it's nick remember next

1:10:48.920 --> 1:10:51.560
<v Speaker 1>worldwide that's everywhere. You know what I'm saying, like you

1:10:51.600 --> 1:10:55.240
<v Speaker 1>get me? So but what like I think it's more

1:10:55.280 --> 1:10:58.720
<v Speaker 1>the Internet, Yeah, you know the one. The Internet is

1:10:58.840 --> 1:11:01.920
<v Speaker 1>like it just like makes things worse than it is.

1:11:02.040 --> 1:11:04.559
<v Speaker 1>This is like that's a kid, he's like a couple

1:11:04.600 --> 1:11:05.599
<v Speaker 1>of years older than my son.

1:11:05.680 --> 1:11:07.600
<v Speaker 3>How the fun is he going to know? You know

1:11:07.640 --> 1:11:09.479
<v Speaker 3>what I'm saying, that's the fact.

1:11:10.760 --> 1:11:13.599
<v Speaker 1>How the it so like you got like grown men,

1:11:14.360 --> 1:11:17.439
<v Speaker 1>like even a couple of my American regidents who are older.

1:11:18.439 --> 1:11:18.760
<v Speaker 1>What's this?

1:11:21.280 --> 1:11:25.479
<v Speaker 3>I'm like, are you calling me about this? That's a kid?

1:11:26.600 --> 1:11:35.040
<v Speaker 3>Like say like Main may no, that's my bread. He

1:11:35.200 --> 1:11:39.000
<v Speaker 3>knows my son. Yeah, if my son said that, Maine

1:11:39.120 --> 1:11:41.160
<v Speaker 3>is not going to call me about that. He's not

1:11:41.240 --> 1:11:43.280
<v Speaker 3>going to call what's mill say? He's going to be like,

1:11:43.600 --> 1:11:44.960
<v Speaker 3>he's a kid, what's he going to know?

1:11:45.680 --> 1:11:50.040
<v Speaker 1>Because of the Internet Central seed is big, he must

1:11:50.200 --> 1:11:53.240
<v Speaker 1>know what happens in London and America, you know what

1:11:53.280 --> 1:11:55.880
<v Speaker 1>I'm saying, Like when really he just didn't know. It's

1:11:55.960 --> 1:12:00.840
<v Speaker 1>just like is big Now he got a little like, well,

1:12:00.960 --> 1:12:02.800
<v Speaker 1>ignorant is the word, you know what I'm saying. It

1:12:02.880 --> 1:12:05.679
<v Speaker 1>was ignorant to that, and he said something on camera,

1:12:05.880 --> 1:12:08.240
<v Speaker 1>you know, we we've all done it, but really, what

1:12:08.400 --> 1:12:10.000
<v Speaker 1>the is he going to know? He's a little kid, bro.

1:12:11.520 --> 1:12:14.280
<v Speaker 1>And then after he said and then after he said, yeah,

1:12:14.320 --> 1:12:17.280
<v Speaker 1>maybe you did have like you know what I mean,

1:12:17.560 --> 1:12:20.240
<v Speaker 1>because I mean you could go back to old NAS video.

1:12:20.439 --> 1:12:24.080
<v Speaker 4>Yeah, and you can see it wasn't called Nike back. Yeah,

1:12:24.400 --> 1:12:25.679
<v Speaker 4>it was a special version.

1:12:25.520 --> 1:12:28.200
<v Speaker 1>Of the like yeah, yeah, of course, of course, yeah,

1:12:28.439 --> 1:12:31.840
<v Speaker 1>but yeah, that's it. Yeah, man, that's yeah, that's that's

1:12:32.960 --> 1:12:36.000
<v Speaker 1>with a lot of the stuff similar when I come

1:12:36.080 --> 1:12:39.960
<v Speaker 1>over now everything is just the same ship like just

1:12:40.040 --> 1:12:43.200
<v Speaker 1>in different ways and the cultures. It's a tiny bit

1:12:43.360 --> 1:12:48.400
<v Speaker 1>because remember, like I said, you got Dominicans, Porto Ricans, Belizeans.

1:12:48.520 --> 1:12:53.720
<v Speaker 1>Now we got Jamaicans. Try right, columb you know what

1:12:53.720 --> 1:12:57.080
<v Speaker 1>I'm saying. So like even a lot of them things

1:12:57.120 --> 1:12:59.680
<v Speaker 1>will be sprinkled into U Lot's culture as well, and

1:12:59.760 --> 1:13:03.080
<v Speaker 1>then it's American culture, you know what I'm saying. So

1:13:03.320 --> 1:13:06.479
<v Speaker 1>a lot of stuff we don't know about vice versa, right,

1:13:06.680 --> 1:13:09.519
<v Speaker 1>you know what I'm saying. So I just wouldn't jump

1:13:09.640 --> 1:13:12.160
<v Speaker 1>up and say we done this for so we cause

1:13:12.200 --> 1:13:13.640
<v Speaker 1>we don't know you know what I mean.

1:13:13.960 --> 1:13:16.000
<v Speaker 4>So let me let me ask you. There's two more

1:13:17.000 --> 1:13:21.519
<v Speaker 4>rule more questions over that. Now this is a this

1:13:21.680 --> 1:13:28.040
<v Speaker 4>is something that I mean Richard Millie and I'm getting

1:13:28.080 --> 1:13:32.200
<v Speaker 4>my band switched, so I askedly. So the guy's like, hey,

1:13:32.360 --> 1:13:34.160
<v Speaker 4>why are you doing this? I'm like, hey, I'm going

1:13:34.200 --> 1:13:36.880
<v Speaker 4>to London, and he'said, do not whar you're watching London?

1:13:37.760 --> 1:13:42.679
<v Speaker 4>Now For some reason, I had searched that and there's

1:13:42.760 --> 1:13:47.000
<v Speaker 4>literally videos of people coming up to people no I'm

1:13:47.040 --> 1:13:50.040
<v Speaker 4>talking about. I guess they were chopping their hands on.

1:13:50.280 --> 1:13:51.519
<v Speaker 4>I guess they didn't want to ask you.

1:13:52.360 --> 1:13:55.560
<v Speaker 3>I'm yet to see this video. Well you know what

1:13:56.439 --> 1:14:00.160
<v Speaker 3>they coming up to people? Yeah, buteah know.

1:14:00.680 --> 1:14:03.000
<v Speaker 2>You know what I said, that the actual chop hands off.

1:14:03.200 --> 1:14:07.200
<v Speaker 3>But that's what I'm saying. They come, they could have

1:14:07.360 --> 1:14:09.160
<v Speaker 3>said case Okay, I didn't know.

1:14:09.720 --> 1:14:12.120
<v Speaker 2>I didn't know if I was watching a I or

1:14:12.240 --> 1:14:12.840
<v Speaker 2>if this Now.

1:14:13.080 --> 1:14:17.360
<v Speaker 1>I followed this watch dealer. I followed this watch dealer

1:14:17.880 --> 1:14:20.640
<v Speaker 1>as a Chinese guy, and he walks around London all

1:14:20.680 --> 1:14:27.960
<v Speaker 1>the time with watching. He has no problem, so that

1:14:28.040 --> 1:14:32.439
<v Speaker 1>said Bud. But yeah, him, man, it's like his little

1:14:32.520 --> 1:14:33.400
<v Speaker 1>his little watch crew.

1:14:34.000 --> 1:14:36.920
<v Speaker 4>I mean, he has people following around with an umbrella,

1:14:37.160 --> 1:14:39.479
<v Speaker 4>so obviously the guy must have a ham on them,

1:14:39.720 --> 1:14:44.400
<v Speaker 4>I'm guessing. But but is that a real problem in London,

1:14:44.479 --> 1:14:45.960
<v Speaker 4>like with the watch Coulture.

1:14:45.760 --> 1:14:48.160
<v Speaker 3>Like, let's that the same thing as here?

1:14:48.360 --> 1:14:51.080
<v Speaker 1>Okay, okay, you know what I'm saying. If you're like

1:14:51.200 --> 1:14:55.160
<v Speaker 1>out of a Diamond district. Yeah, and you know I

1:14:55.240 --> 1:14:57.559
<v Speaker 1>don't know who you are, it could happen. Even if

1:14:57.680 --> 1:14:59.960
<v Speaker 1>I know who you are, it could happen. You know,

1:15:00.040 --> 1:15:02.720
<v Speaker 1>I'm saying it's the same ship, like but them kind

1:15:02.800 --> 1:15:05.400
<v Speaker 1>of clips or more in. What you're saying is more

1:15:05.479 --> 1:15:10.000
<v Speaker 1>in like central area. Okay, so that's like Times Square

1:15:10.160 --> 1:15:13.759
<v Speaker 1>or something like Times Square. That's like central Okay, west

1:15:13.880 --> 1:15:17.040
<v Speaker 1>End we call it. Yeah, that's like where the tourists

1:15:17.080 --> 1:15:17.880
<v Speaker 1>are at. Okay.

1:15:18.080 --> 1:15:18.679
<v Speaker 3>You know what I'm saying.

1:15:18.800 --> 1:15:23.000
<v Speaker 1>So like people are robbing tourists, like there's no comebacks,

1:15:23.880 --> 1:15:24.519
<v Speaker 1>you know what I'm saying.

1:15:24.600 --> 1:15:30.600
<v Speaker 2>Like the chopping of the hand I heard, I'm just chopping.

1:15:32.240 --> 1:15:32.560
<v Speaker 5>You know what.

1:15:33.320 --> 1:15:35.720
<v Speaker 3>You know what I would love I would love to

1:15:35.840 --> 1:15:41.680
<v Speaker 3>make England sound wicked, like I said, Yeah, I love

1:15:41.760 --> 1:15:47.040
<v Speaker 3>to say that, but I ain't seen it. Maybe maybe

1:15:47.960 --> 1:15:53.320
<v Speaker 3>with that catching I believe it behind and there's booths

1:15:53.360 --> 1:16:00.679
<v Speaker 3>and that that was the caption.

1:16:00.920 --> 1:16:03.840
<v Speaker 1>That's the reason why, like I blie catch the chopped

1:16:03.880 --> 1:16:07.920
<v Speaker 1>off for yeah, something like that. You know the same,

1:16:08.000 --> 1:16:11.320
<v Speaker 1>it's exact same here man a jumping out, jumping off

1:16:11.360 --> 1:16:15.439
<v Speaker 1>of moped's hair with machines the swing that watch. Same,

1:16:15.520 --> 1:16:19.000
<v Speaker 1>it's exact same ship that Everything that happens here happens

1:16:19.040 --> 1:16:22.000
<v Speaker 1>there and all over the world.

1:16:22.360 --> 1:16:24.080
<v Speaker 3>Absolutely, gangsters all over.

1:16:23.960 --> 1:16:27.799
<v Speaker 1>The world, everywhere has got anywhere, there's poverty, there's gangsters

1:16:28.840 --> 1:16:30.920
<v Speaker 1>or there's no I wouldn't even say gangster. I'd say

1:16:31.320 --> 1:16:35.040
<v Speaker 1>people who are desperate. Do you understand? So anywhere that is,

1:16:35.400 --> 1:16:37.599
<v Speaker 1>it's going to be jumpy, right, you know what I mean?

1:16:37.680 --> 1:16:38.800
<v Speaker 1>I was going to take a shot to that, but

1:16:38.840 --> 1:16:42.280
<v Speaker 1>I was thinking maybe not Yeah, but no, because those

1:16:42.320 --> 1:16:45.120
<v Speaker 1>are the people who show us loved I saw people.

1:16:45.479 --> 1:16:53.080
<v Speaker 2>Okay, look, so how did you hook up with twenty

1:16:53.120 --> 1:16:53.679
<v Speaker 2>one Savage?

1:16:56.200 --> 1:16:56.679
<v Speaker 3>Savage?

1:16:57.160 --> 1:17:01.640
<v Speaker 1>Because he for the UK too, it's from UK. I

1:17:01.720 --> 1:17:04.360
<v Speaker 1>think I just I think I just hit Savage and DM.

1:17:04.479 --> 1:17:08.280
<v Speaker 1>You know, Okay, Wow, the Savage is proper. That's that's

1:17:08.320 --> 1:17:09.200
<v Speaker 1>a smart nigga.

1:17:09.240 --> 1:17:11.759
<v Speaker 3>Bro. Let me even talk his business.

1:17:11.800 --> 1:17:16.640
<v Speaker 1>But yeah, about Savage, he's he's still like he like

1:17:17.479 --> 1:17:20.160
<v Speaker 1>even when I talked to Savage, he will shocked me,

1:17:20.400 --> 1:17:24.080
<v Speaker 1>like because he is just how he knows the ends.

1:17:25.560 --> 1:17:30.479
<v Speaker 1>He knows like names of streets you know, in detail

1:17:30.560 --> 1:17:33.479
<v Speaker 1>in London, like he knows what's going on, who's who?

1:17:34.560 --> 1:17:36.719
<v Speaker 1>Like you know what I'm saying, Like, how far removed

1:17:36.800 --> 1:17:37.400
<v Speaker 1>is he from from?

1:17:38.520 --> 1:17:39.519
<v Speaker 3>He's not far removed.

1:17:39.880 --> 1:17:42.599
<v Speaker 2>He's connected in Atlanta. How can you be connected in both?

1:17:42.840 --> 1:17:46.880
<v Speaker 1>Because I feel like like if you're outside looking in

1:17:47.840 --> 1:17:52.200
<v Speaker 1>remember like that we've studied all of you lot. You

1:17:52.240 --> 1:17:54.960
<v Speaker 1>know what I'm saying, like, remember you on the on

1:17:55.120 --> 1:17:59.479
<v Speaker 1>our screens our whole life, like man like nor and that.

1:17:59.760 --> 1:18:03.320
<v Speaker 1>You know I'm saying, like on our screen growing up.

1:18:04.200 --> 1:18:07.080
<v Speaker 1>That's studying, right right, you know what I'm saying. So

1:18:07.240 --> 1:18:09.479
<v Speaker 1>you come out here, now, he's good kid, come out

1:18:09.520 --> 1:18:13.280
<v Speaker 1>here and it's cool. It's America, you know what I'm saying, Like,

1:18:13.479 --> 1:18:16.639
<v Speaker 1>so you know what I mean, Like, and he's probably cool.

1:18:16.680 --> 1:18:19.360
<v Speaker 1>He's from London, you know, even though people he said,

1:18:19.560 --> 1:18:22.519
<v Speaker 1>he was saying people he said disrespect his accent and.

1:18:22.520 --> 1:18:23.479
<v Speaker 3>There was always fighting.

1:18:23.640 --> 1:18:27.280
<v Speaker 1>But so he's going to like he's gonna I'm saying,

1:18:27.280 --> 1:18:29.720
<v Speaker 1>he's going to have the knowledge of both worlds, right,

1:18:30.080 --> 1:18:32.160
<v Speaker 1>you know what I'm saying. Like, So, so for him

1:18:32.200 --> 1:18:35.560
<v Speaker 1>to get to the top, Like me personally, I'm not

1:18:35.600 --> 1:18:38.320
<v Speaker 1>really surprised because I see a lot of London niggas

1:18:38.320 --> 1:18:40.880
<v Speaker 1>come out here, they get to the top. Canadian niggas

1:18:40.920 --> 1:18:44.280
<v Speaker 1>they get Americans go to London, they get to the top.

1:18:45.080 --> 1:18:47.160
<v Speaker 3>You know what I'm saying, Like, Yeah, I see American,

1:18:47.640 --> 1:18:49.799
<v Speaker 3>like I see Maine come to London.

1:18:50.560 --> 1:18:53.920
<v Speaker 1>Yeah, one time I remember was that with Maine and

1:18:55.400 --> 1:18:57.280
<v Speaker 1>and he's saying, yeah, we're going to this after party.

1:18:57.280 --> 1:18:59.960
<v Speaker 1>We're in London. Yeah, it's like four o'clock in the morning.

1:19:01.200 --> 1:19:03.240
<v Speaker 1>But you know New York niggas, you know, don't sleep

1:19:04.000 --> 1:19:07.240
<v Speaker 1>like you man now all night. So I'm saying, man,

1:19:07.280 --> 1:19:11.160
<v Speaker 1>we're not finding no after party in London at four am,

1:19:11.240 --> 1:19:15.400
<v Speaker 1>bro because and we're in central this is the city. Yeah,

1:19:15.479 --> 1:19:18.880
<v Speaker 1>I'm saying, this ain't happening. But I thought, let me

1:19:19.000 --> 1:19:21.640
<v Speaker 1>follow him and see where he's going on. Yeah, So

1:19:21.720 --> 1:19:26.360
<v Speaker 1>then we're walking in the middle of Leicester Square. Now

1:19:26.439 --> 1:19:29.880
<v Speaker 1>I'm saying one hundred percent, no, nothing's happening tonight.

1:19:30.200 --> 1:19:33.120
<v Speaker 3>This is Leicester Square, this is the top flay me.

1:19:34.200 --> 1:19:37.680
<v Speaker 1>Then we pull up, pull up to some spot and

1:19:37.800 --> 1:19:41.479
<v Speaker 1>mean it's like yeah, yeah these times there's like fifty

1:19:41.560 --> 1:19:44.759
<v Speaker 1>of us as well, like like fifty man girls.

1:19:44.880 --> 1:19:45.280
<v Speaker 3>Everything.

1:19:45.920 --> 1:19:48.479
<v Speaker 1>I'm saying, this ain't happening. Next thing, we're walking in

1:19:48.720 --> 1:19:50.120
<v Speaker 1>and it's a big settings.

1:19:50.280 --> 1:19:51.200
<v Speaker 3>I'm like, what the fuck?

1:19:51.360 --> 1:19:54.519
<v Speaker 1>Like, but that's what I'm saying, Like like American that

1:19:54.720 --> 1:19:58.680
<v Speaker 1>the man then always do it the biggest always, That's

1:19:58.720 --> 1:20:01.880
<v Speaker 1>what I noticed. Like, anyway you have a great time,

1:20:02.000 --> 1:20:04.599
<v Speaker 1>you do it the biggest way. You know, the biggest guy.

1:20:05.200 --> 1:20:11.559
<v Speaker 1>You got the big pattern and means settings like motion. Yeah,

1:20:11.640 --> 1:20:13.880
<v Speaker 1>me here, you know, I got the biggest settings like

1:20:14.520 --> 1:20:16.640
<v Speaker 1>and Maine just come and showed me sign in my

1:20:16.720 --> 1:20:19.479
<v Speaker 1>own sea, Like you know what I'm saying. But that's

1:20:19.640 --> 1:20:22.200
<v Speaker 1>what I'm saying about when we come over here or

1:20:22.280 --> 1:20:24.040
<v Speaker 1>like do you know what I mean? Like we're outside

1:20:24.080 --> 1:20:27.320
<v Speaker 1>looking in and yeah that's twenty one savage bro.

1:20:27.479 --> 1:20:29.200
<v Speaker 3>Now it's the biggest rapper in the world.

1:20:32.840 --> 1:20:33.040
<v Speaker 2>Yeah.

1:20:33.720 --> 1:20:35.320
<v Speaker 4>I used to complain about like the South and not

1:20:35.360 --> 1:20:39.280
<v Speaker 4>get in love in New York, And I believe complain.

1:20:39.280 --> 1:20:40.720
<v Speaker 2>I'm just telling you what you now.

1:20:40.760 --> 1:20:45.880
<v Speaker 3>You like didn't show the South no love. I remember, listen, listen,

1:20:47.320 --> 1:20:48.920
<v Speaker 3>let me tell you how I know. No, no, let

1:20:48.960 --> 1:20:50.559
<v Speaker 3>me tell you no, no wait wait, let me tell

1:20:50.560 --> 1:20:52.519
<v Speaker 3>you how I know. Yeah, because I remember I can't.

1:20:52.640 --> 1:20:56.320
<v Speaker 1>Yeah, because because my granddad he used to live in Brownsville.

1:20:56.880 --> 1:21:01.160
<v Speaker 3>Yeah, so will in brook Yeah we have a brother here,

1:21:01.320 --> 1:21:02.680
<v Speaker 3>yeah yeah, and I'm Brooklyn.

1:21:02.439 --> 1:21:04.439
<v Speaker 2>So I talk about brows Yeah.

1:21:04.479 --> 1:21:11.240
<v Speaker 1>Yeah, I was in browns in Brooklyn, Yeah, with my

1:21:11.439 --> 1:21:15.040
<v Speaker 1>with my granddad's yeah and them time.

1:21:15.040 --> 1:21:16.639
<v Speaker 3>I used to listen to Oh No Limit.

1:21:16.720 --> 1:21:19.040
<v Speaker 1>I had every single No Limited album the time them

1:21:19.080 --> 1:21:23.840
<v Speaker 1>albums are twenty pounds, that's like fucking thirty dollars twenty pound.

1:21:23.960 --> 1:21:27.120
<v Speaker 1>Used to buy every single No Limit album. Yeah me, yeah,

1:21:27.240 --> 1:21:29.439
<v Speaker 1>and I'm on the block and I used to want

1:21:29.479 --> 1:21:32.240
<v Speaker 1>to play my Silk the Charka and my mat and

1:21:32.400 --> 1:21:34.360
<v Speaker 1>all that, and I put this on your ear true

1:21:34.560 --> 1:21:36.960
<v Speaker 1>or that I'll put that ship. This is hard. And

1:21:37.040 --> 1:21:39.760
<v Speaker 1>then the man on the block, I turned that ship off, man.

1:21:41.040 --> 1:21:43.679
<v Speaker 1>And then they were saying, play your Rule, let's page

1:21:43.720 --> 1:21:46.599
<v Speaker 1>your Rules first album, and I was like, I want

1:21:46.640 --> 1:21:49.040
<v Speaker 1>to listen to this, man, listen to fucking no lip

1:21:49.120 --> 1:21:49.800
<v Speaker 1>by them times.

1:21:49.880 --> 1:21:52.920
<v Speaker 3>They was not hearing it. And then about a year

1:21:53.040 --> 1:21:57.400
<v Speaker 3>later that's when they started playing Bling Bling. I remember

1:21:57.479 --> 1:21:59.160
<v Speaker 3>Bling Bling was into you and there was he was

1:21:59.200 --> 1:22:00.920
<v Speaker 3>saying to me, would you know about that blame? And

1:22:00.960 --> 1:22:02.479
<v Speaker 3>I said, you might didn't want to listen to this.

1:22:03.640 --> 1:22:08.440
<v Speaker 5>You know what I'm saying, Like, yeah, I got vindicated

1:22:08.439 --> 1:22:09.160
<v Speaker 5>all the way over there.

1:22:10.680 --> 1:22:18.080
<v Speaker 1>Yeah I saw that firsthand. Okay, outcast is different. That's

1:22:18.120 --> 1:22:24.559
<v Speaker 1>the artcasting more commercial. And I'm talking like yeah yeah cool,

1:22:24.640 --> 1:22:28.880
<v Speaker 1>like you're talking like like like me and your cousin

1:22:28.960 --> 1:22:33.400
<v Speaker 1>and like before that, yeah yeah, yeah, yeah yeah, But

1:22:33.560 --> 1:22:34.519
<v Speaker 1>I didn't see.

1:22:35.240 --> 1:22:37.439
<v Speaker 2>Remember, it's different fro him up there.

1:22:38.280 --> 1:22:42.480
<v Speaker 1>Yeah, but like not but we used to fuk with Outcastle,

1:22:42.880 --> 1:22:45.320
<v Speaker 1>but I don't. I feel like outcasts a bit more

1:22:45.360 --> 1:22:48.439
<v Speaker 1>commercial though. I know you're saying underground and that, but

1:22:48.600 --> 1:22:51.880
<v Speaker 1>it's not like no limit, no limit, no, you know

1:22:52.680 --> 1:22:54.439
<v Speaker 1>you get me, you know what I'm saying.

1:22:54.520 --> 1:22:56.840
<v Speaker 5>So yeah, I want to what was your point that

1:22:56.880 --> 1:23:01.519
<v Speaker 5>you're gonna make though about the if complains no.

1:23:01.600 --> 1:23:04.200
<v Speaker 4>Because I was trying to say the hook that it's

1:23:04.320 --> 1:23:07.360
<v Speaker 4>now kind of even in itself out the love everywhere

1:23:07.680 --> 1:23:10.040
<v Speaker 4>like me personally. I don't know if y'all know, but

1:23:10.120 --> 1:23:13.000
<v Speaker 4>I was like the first famous guy to shout out

1:23:13.080 --> 1:23:16.960
<v Speaker 4>London in a mean way. Westwood I said I played

1:23:17.000 --> 1:23:23.280
<v Speaker 4>the best hood. I said the best hood with Tim Westwood.

1:23:24.400 --> 1:23:27.040
<v Speaker 4>That was crazy if you knew that this is one

1:23:27.080 --> 1:23:28.360
<v Speaker 4>of the number one records.

1:23:29.000 --> 1:23:31.920
<v Speaker 1>I played the best hood. O T with Tim Westwood

1:23:32.240 --> 1:23:33.040
<v Speaker 1>used to be on section.

1:23:33.479 --> 1:23:35.800
<v Speaker 2>Now my section is good. People didn't even know I

1:23:35.920 --> 1:23:37.439
<v Speaker 2>shout out the mandendamn man.

1:23:39.800 --> 1:23:42.320
<v Speaker 1>I didn't even know that was a figure in London.

1:23:42.640 --> 1:23:46.400
<v Speaker 1>That was Tim Westwood. Tim Westwood represented London. He was

1:23:46.479 --> 1:23:49.880
<v Speaker 1>the master place all that time, even them times. Westwood

1:23:50.320 --> 1:23:52.600
<v Speaker 1>used to play that bit on the radio. This is

1:23:52.720 --> 1:24:04.599
<v Speaker 1>radio what you play that part over and over? Amazing,

1:24:09.840 --> 1:24:12.400
<v Speaker 1>this is Radio one. They do like this is like

1:24:13.439 --> 1:24:16.080
<v Speaker 1>like they play that stuff in like stores in London.

1:24:16.120 --> 1:24:18.559
<v Speaker 1>We put in shops. They played that in the shop

1:24:18.960 --> 1:24:22.479
<v Speaker 1>in London. Yeah, like where like old people they don't

1:24:22.520 --> 1:24:26.400
<v Speaker 1>listen to hip hop basically, and that's Radio One, that's

1:24:26.439 --> 1:24:27.240
<v Speaker 1>what plays in there.

1:24:27.320 --> 1:24:27.840
<v Speaker 3>And he's like.

1:24:31.200 --> 1:24:34.559
<v Speaker 1>For about five ten minutes that one go to be honest,

1:24:34.600 --> 1:24:36.719
<v Speaker 1>I went to London. I fell in love with London,

1:24:37.040 --> 1:24:39.600
<v Speaker 1>and I was just like, yo, I have to have

1:24:39.720 --> 1:24:42.560
<v Speaker 1>to do something to come back. And I knew that

1:24:42.680 --> 1:24:47.000
<v Speaker 1>I if I shoutowed it out and then and for years.

1:24:46.880 --> 1:24:48.280
<v Speaker 3>People don't know you know London.

1:24:48.720 --> 1:24:51.439
<v Speaker 1>Yes, tell the story when you're and you said you

1:24:51.520 --> 1:25:02.160
<v Speaker 1>had the madness with the bouncers, know what you Because

1:25:02.160 --> 1:25:04.240
<v Speaker 1>it's involved a couple couple of people that maybe not

1:25:06.280 --> 1:25:07.839
<v Speaker 1>there's no way to say it differently publicly.

1:25:08.040 --> 1:25:08.400
<v Speaker 3>Trust me.

1:25:08.680 --> 1:25:09.080
<v Speaker 1>I tried.

1:25:09.160 --> 1:25:09.680
<v Speaker 3>It didn't work.

1:25:09.720 --> 1:25:13.760
<v Speaker 1>I got I've already said that. Okay, you get which

1:25:14.280 --> 1:25:18.280
<v Speaker 1>said you said it was in London. Yeah, and then yeah,

1:25:18.320 --> 1:25:21.679
<v Speaker 1>the madness is and bounces and he could save him, yes,

1:25:21.760 --> 1:25:22.800
<v Speaker 1>And they didn't save him.

1:25:22.800 --> 1:25:23.599
<v Speaker 3>But that's bounces.

1:25:23.680 --> 1:25:26.439
<v Speaker 1>Okay, yeah, that's not that's not even a bad story.

1:25:26.520 --> 1:25:28.280
<v Speaker 1>That's not like if you saw a bunch of street

1:25:28.360 --> 1:25:33.760
<v Speaker 1>niggas and say, that's what's everyone has madness bouncing. They

1:25:33.800 --> 1:25:35.240
<v Speaker 1>put him in a full something else and bro, I

1:25:35.240 --> 1:25:37.600
<v Speaker 1>ain't got I've never really seen a girl man in

1:25:37.640 --> 1:25:38.240
<v Speaker 1>the full Nelson.

1:25:38.320 --> 1:25:41.120
<v Speaker 3>I was like, I was shocked. I didn't know where

1:25:41.280 --> 1:25:44.639
<v Speaker 3>was Where was you in London? Though I don't remember

1:25:44.680 --> 1:25:45.519
<v Speaker 3>with water in London.

1:25:45.720 --> 1:25:47.479
<v Speaker 2>I just know it was us Big Daddy came.

1:25:47.520 --> 1:25:49.360
<v Speaker 4>It was a rocket for the event, like it was

1:25:49.439 --> 1:25:51.960
<v Speaker 4>like something that I didn't I think this was going

1:25:52.040 --> 1:25:52.360
<v Speaker 4>to happen.

1:25:52.760 --> 1:25:56.040
<v Speaker 1>And yeah, but I love London. But that's that's the

1:25:56.120 --> 1:25:58.640
<v Speaker 1>later year, you know. But I'm saying, yeah, yeah, for

1:25:58.920 --> 1:26:03.360
<v Speaker 1>London man to hear Noriega was in London and had

1:26:03.400 --> 1:26:06.080
<v Speaker 1>the Manus bounces. Yes, those are the stories.

1:26:07.080 --> 1:26:08.679
<v Speaker 3>That's not knows London.

1:26:09.160 --> 1:26:11.400
<v Speaker 1>Yes, that's the stuff. Well, you got to realize that

1:26:11.960 --> 1:26:13.280
<v Speaker 1>later's tough people.

1:26:13.120 --> 1:26:13.880
<v Speaker 3>Care about that.

1:26:14.120 --> 1:26:16.360
<v Speaker 4>That's that's in the middle of two thousands, in the

1:26:16.439 --> 1:26:19.639
<v Speaker 4>middle of you know, the late two thousands and tens.

1:26:19.920 --> 1:26:22.000
<v Speaker 2>But you got to be skipping over a whole other part.

1:26:22.439 --> 1:26:26.600
<v Speaker 4>What happened was Kapona Noriega, which was the album that

1:26:26.680 --> 1:26:29.479
<v Speaker 4>came out before and r E was so big to

1:26:29.560 --> 1:26:33.080
<v Speaker 4>this day, Comona Noriega, it's bigger than nor in London.

1:26:33.280 --> 1:26:35.920
<v Speaker 4>Like that's a big yeah, that's that's bigger than Nori

1:26:36.080 --> 1:26:40.640
<v Speaker 4>in London. And so nor coming out there. That's the

1:26:40.680 --> 1:26:43.000
<v Speaker 4>reason why I said Tom Westwood was because because I'm like,

1:26:43.200 --> 1:26:44.840
<v Speaker 4>I want to come go back out there, you know

1:26:44.880 --> 1:26:48.400
<v Speaker 4>what I mean? And Noriega so much love, but so

1:26:48.560 --> 1:26:49.479
<v Speaker 4>I want to take the time.

1:26:49.320 --> 1:26:52.280
<v Speaker 3>About being in the streets. Maybe in the streets because

1:26:52.280 --> 1:26:54.599
<v Speaker 3>that No album was big, big.

1:26:54.600 --> 1:26:56.800
<v Speaker 1>You know what. Let me describe that a little better.

1:26:56.960 --> 1:26:58.040
<v Speaker 3>It was big first.

1:26:59.439 --> 1:27:02.560
<v Speaker 4>Yeah and foundation and then you know what I'm not

1:27:02.720 --> 1:27:05.000
<v Speaker 4>But I'm not going to take away from that comments

1:27:05.400 --> 1:27:10.439
<v Speaker 4>them under that underground audience like the mop. Like the

1:27:10.520 --> 1:27:12.639
<v Speaker 4>best thing about London is I could get two shows.

1:27:12.880 --> 1:27:15.120
<v Speaker 1>I can do a component Origga show early and I

1:27:15.160 --> 1:27:16.479
<v Speaker 1>could do a Norrie show at night.

1:27:16.720 --> 1:27:18.719
<v Speaker 4>You know what I'm saying. And that's one million percent.

1:27:19.000 --> 1:27:20.599
<v Speaker 4>But I want to take a time because I haven't

1:27:20.640 --> 1:27:26.640
<v Speaker 4>said this. I really understood UK hip hop. I understood

1:27:26.800 --> 1:27:29.040
<v Speaker 4>London scene. And that's the reason why I shouted it

1:27:29.160 --> 1:27:31.920
<v Speaker 4>out early and yes, you guys are welcome.

1:27:35.560 --> 1:27:38.599
<v Speaker 2>We gotta do a live dream Champions and London for sure,

1:27:39.160 --> 1:27:40.439
<v Speaker 2>for sure, I will tell you the truth.

1:27:40.840 --> 1:27:41.760
<v Speaker 1>We got to be on time.

1:27:42.240 --> 1:27:44.559
<v Speaker 4>We got to be on time. One time we came late.

1:27:44.720 --> 1:27:48.000
<v Speaker 4>They do not like that ship like that ship yo.

1:27:48.439 --> 1:27:54.160
<v Speaker 4>So okay, now we got Davis. Didn't you make a

1:27:54.240 --> 1:27:56.240
<v Speaker 4>record with Davies? How did that happen?

1:27:58.760 --> 1:28:01.160
<v Speaker 1>And Davies that's my bridge still Like one time he

1:28:01.240 --> 1:28:06.680
<v Speaker 1>come London and he come to the studio and I remember, I.

1:28:06.720 --> 1:28:08.760
<v Speaker 3>Can't lie that day. I was a great host. I'm

1:28:08.760 --> 1:28:10.800
<v Speaker 3>not going to lie to you. Like even the East

1:28:10.840 --> 1:28:11.880
<v Speaker 3>doesn't know. He's going to know.

1:28:12.040 --> 1:28:14.840
<v Speaker 1>Now, Like that day, I was having an argument with

1:28:14.960 --> 1:28:18.280
<v Speaker 1>one thing like that I used to beat then. So

1:28:18.400 --> 1:28:19.920
<v Speaker 1>I was trying to get back to the ting. But

1:28:20.479 --> 1:28:23.400
<v Speaker 1>Davis is in London. This is Davis. But you know,

1:28:23.439 --> 1:28:26.760
<v Speaker 1>when you're beefing with a ting like, you can't think

1:28:26.800 --> 1:28:31.599
<v Speaker 1>about nothing else the ting, tinging.

1:28:30.600 --> 1:28:31.200
<v Speaker 3>You know what I'm saying.

1:28:31.240 --> 1:28:34.360
<v Speaker 1>So I flew down to the studio linked East and

1:28:34.600 --> 1:28:36.640
<v Speaker 1>I had the chef in the studio and all the

1:28:37.000 --> 1:28:40.040
<v Speaker 1>chef caught in some yard food and I said, yeah, man,

1:28:40.120 --> 1:28:42.000
<v Speaker 1>this is your house, man, you get me, do your thing.

1:28:42.080 --> 1:28:44.600
<v Speaker 1>I left all the soldiers there and this is you.

1:28:44.760 --> 1:28:46.720
<v Speaker 3>You get me. Then I went back to the ting,

1:28:47.640 --> 1:28:48.280
<v Speaker 3>you know what I'm saying.

1:28:48.680 --> 1:28:54.160
<v Speaker 1>So, so obviously that's me and East link from then

1:28:54.240 --> 1:28:57.200
<v Speaker 1>you get me right then obviously when I got my visa,

1:28:57.880 --> 1:29:01.400
<v Speaker 1>then I've come back head and I linked with East

1:29:01.600 --> 1:29:04.439
<v Speaker 1>and that's the mandam you know what I'm saying. Yeah,

1:29:05.600 --> 1:29:08.360
<v Speaker 1>and he's cold as well. Obviously, man's a big fun

1:29:08.439 --> 1:29:10.760
<v Speaker 1>you know what I mean, Like this is cold.

1:29:10.840 --> 1:29:10.960
<v Speaker 3>Man.

1:29:11.320 --> 1:29:13.519
<v Speaker 1>I just met with Dave easton bottle Yeah, me and

1:29:13.600 --> 1:29:15.439
<v Speaker 1>he's got a couple of trucks, so you know what

1:29:15.439 --> 1:29:18.080
<v Speaker 1>I mean. But obviously that one day and made the album.

1:29:18.120 --> 1:29:22.919
<v Speaker 1>You know you think that, like everybody has a podcast

1:29:23.000 --> 1:29:23.320
<v Speaker 1>right now?

1:29:24.240 --> 1:29:25.920
<v Speaker 2>Have you been thinking about doing a podcast.

1:29:25.960 --> 1:29:29.320
<v Speaker 4>I'm sure somebody came up to you and it was like, yeah, no,

1:29:29.479 --> 1:29:32.080
<v Speaker 4>it's not for me, man, really, you like the first

1:29:32.160 --> 1:29:33.439
<v Speaker 4>rapper that said that, let me make.

1:29:33.320 --> 1:29:37.120
<v Speaker 3>Some everybody else so greedy.

1:29:38.760 --> 1:29:43.320
<v Speaker 2>It's learning to get a little crazy. The Frog the podcast.

1:29:45.920 --> 1:29:48.280
<v Speaker 1>That's why I like And I don't even go on

1:29:48.479 --> 1:29:50.600
<v Speaker 1>a lot of podcasts, you know what I'm saying, Like

1:29:50.680 --> 1:29:53.479
<v Speaker 1>a lot of them are just negative. Man. You know

1:29:53.520 --> 1:29:56.040
<v Speaker 1>what I'm saying, Like you you've had success, yes, yes, yes,

1:29:56.120 --> 1:29:58.160
<v Speaker 1>you know what I'm saying. We're giving people they flower

1:29:58.920 --> 1:30:02.360
<v Speaker 1>a little man just going because they still want to rap. Really,

1:30:03.479 --> 1:30:05.560
<v Speaker 1>you know what I'm saying. You get me, but like

1:30:06.280 --> 1:30:09.040
<v Speaker 1>it's not really yet me. So they're just like negative.

1:30:11.000 --> 1:30:13.240
<v Speaker 1>I'm not really into it, you know, and it's grown

1:30:13.320 --> 1:30:21.320
<v Speaker 1>men like legends like being negative. But when you come,

1:30:21.479 --> 1:30:23.800
<v Speaker 1>when you watch drink Champs, you laugh.

1:30:25.080 --> 1:30:26.080
<v Speaker 2>To celebrate stuff.

1:30:26.120 --> 1:30:28.639
<v Speaker 3>You click for rumors, this one you say, yeah.

1:30:28.479 --> 1:30:31.639
<v Speaker 1>Man, let me hear like man's watching like a three

1:30:31.760 --> 1:30:36.320
<v Speaker 1>four hour cartel or something or fucking the other day

1:30:36.320 --> 1:30:38.680
<v Speaker 1>I watched Boodo, you know what I'm saying, or like

1:30:39.120 --> 1:30:41.640
<v Speaker 1>or like five or so you get me, like, you

1:30:41.720 --> 1:30:42.240
<v Speaker 1>know what I'm saying.

1:30:42.320 --> 1:30:44.360
<v Speaker 3>But the other ones so I'm not really.

1:30:45.000 --> 1:30:47.559
<v Speaker 4>That was even the beauty about us doing business. Bleak

1:30:47.640 --> 1:30:50.880
<v Speaker 4>right now, Bleak is keeping that tradition too. He has

1:30:51.000 --> 1:30:53.960
<v Speaker 4>no controversy, you know what I'm saying, Like, you know,

1:30:54.360 --> 1:30:58.639
<v Speaker 4>because he just started one. We got a whole network.

1:30:58.840 --> 1:30:59.559
<v Speaker 3>You don't got your own.

1:31:00.040 --> 1:31:05.680
<v Speaker 4>Yeah yeah yeah yeah, and we're doing it right.

1:31:05.720 --> 1:31:06.160
<v Speaker 2>You know what I mean.

1:31:06.200 --> 1:31:09.120
<v Speaker 4>Everyone that's down with us kind of owns their own material,

1:31:09.200 --> 1:31:10.600
<v Speaker 4>you know what I mean, Like we don't want to like,

1:31:11.040 --> 1:31:13.360
<v Speaker 4>we don't want to be those guys that claim this. Yeah,

1:31:13.400 --> 1:31:18.680
<v Speaker 4>we want to help launch and yeah yeah, yeah, right now,

1:31:18.720 --> 1:31:21.439
<v Speaker 4>that's dope. But have anybody ever approached you to do

1:31:21.520 --> 1:31:27.679
<v Speaker 4>a podcast? Yeah that's not Yeah, that's dope. Yeah, that's dope.

1:31:27.720 --> 1:31:30.280
<v Speaker 4>But all right, so you I asked you earlier, but

1:31:30.320 --> 1:31:32.040
<v Speaker 4>I want to reiterate it so the fans can know.

1:31:32.360 --> 1:31:35.000
<v Speaker 4>So you were saying that we were making singles, we're not.

1:31:35.120 --> 1:31:38.040
<v Speaker 4>We're not focused on making an album or EP right now. No,

1:31:38.160 --> 1:31:41.599
<v Speaker 4>i't even make ap okay, so no EPs for me. Okay,

1:31:42.200 --> 1:31:45.640
<v Speaker 4>that's small. Let me not, let me not disrespect, right,

1:31:45.840 --> 1:31:49.160
<v Speaker 4>it's not for me. But right now, yeah, I'm just

1:31:49.240 --> 1:31:50.560
<v Speaker 4>drumping music because.

1:31:51.760 --> 1:31:53.559
<v Speaker 1>It's it's the game is kind of at a time

1:31:53.600 --> 1:31:55.800
<v Speaker 1>where everyone's kind of scared, Like you know what I mean,

1:31:56.120 --> 1:32:00.519
<v Speaker 1>You're right, everyone's just scared to drop music. Remember before

1:32:00.600 --> 1:32:03.960
<v Speaker 1>man was just lacing Bangersam, look who he's talking about

1:32:04.000 --> 1:32:06.680
<v Speaker 1>like rough Riders, and you know what I'm saying. And

1:32:06.840 --> 1:32:09.000
<v Speaker 1>even away from that, there're still a lacing banger. You're

1:32:09.040 --> 1:32:13.479
<v Speaker 1>still catch another ten to fifteen Kisses Off, fifteen Going Right,

1:32:13.640 --> 1:32:17.000
<v Speaker 1>and the a T more fucking team r lest.

1:32:16.920 --> 1:32:18.519
<v Speaker 3>Or you know what I'm saying, Like you get me.

1:32:18.720 --> 1:32:24.639
<v Speaker 1>But now it's just like everyone's just focused on Yeah,

1:32:24.640 --> 1:32:26.680
<v Speaker 1>I've got to get the numbers, and it's just not

1:32:26.760 --> 1:32:30.360
<v Speaker 1>about music, isn't it. So now I'm just enjoying music

1:32:30.400 --> 1:32:33.200
<v Speaker 1>and just lacing bangers like yummy and that's what.

1:32:33.560 --> 1:32:34.600
<v Speaker 3>Yeah, That's where I'm at with it.

1:32:35.080 --> 1:32:37.920
<v Speaker 5>Well let's go actually go back to the to the

1:32:37.960 --> 1:32:42.519
<v Speaker 5>slick Rick joint. How did that come about? Because it's

1:32:42.560 --> 1:32:45.960
<v Speaker 5>a good album, yeah, you know project and.

1:32:46.000 --> 1:32:48.439
<v Speaker 2>Then you even getting that call?

1:32:48.560 --> 1:32:49.240
<v Speaker 1>How did that happen?

1:32:50.680 --> 1:32:55.240
<v Speaker 3>Because it so slick He's on Idris's album, I'm labeling it.

1:32:55.360 --> 1:32:58.080
<v Speaker 1>Right, Yeah, yeah it's and well he produced it for sure,

1:33:01.840 --> 1:33:06.599
<v Speaker 1>what's it's just seven Wallace seven Company, now that's his label.

1:33:08.320 --> 1:33:11.360
<v Speaker 1>And then Nars Massive. I think I think it's a joint.

1:33:11.439 --> 1:33:12.000
<v Speaker 1>I'm not sure.

1:33:12.200 --> 1:33:15.920
<v Speaker 3>I feel like it is. I'm not sure, but yeah, so.

1:33:17.520 --> 1:33:17.840
<v Speaker 1>I think.

1:33:18.920 --> 1:33:20.000
<v Speaker 3>Well, I don't quote me.

1:33:20.040 --> 1:33:21.680
<v Speaker 1>I was just watching the interview, but I saw like

1:33:21.880 --> 1:33:24.720
<v Speaker 1>Slicky was saying, like, yeah, I had to get that

1:33:25.040 --> 1:33:27.479
<v Speaker 1>nas from hip hop, I mean from New York and

1:33:28.120 --> 1:33:30.800
<v Speaker 1>gigs from London. It's like, oh geez, you get me.

1:33:31.320 --> 1:33:34.040
<v Speaker 1>So yeah, it just his team rents obviously it just

1:33:34.200 --> 1:33:36.840
<v Speaker 1>is the mandam you know what I mean. Yeah, they

1:33:36.920 --> 1:33:38.800
<v Speaker 1>reached out to man it says slip Rick, and then

1:33:38.800 --> 1:33:41.960
<v Speaker 1>they sent it to me. And Man's got a fresh

1:33:42.000 --> 1:33:46.560
<v Speaker 1>slit rick. Remember in the beginning. Yeah, all this stuff starts.

1:33:46.280 --> 1:33:47.000
<v Speaker 3>On your phone.

1:33:48.280 --> 1:33:49.800
<v Speaker 1>You know what I'm saying That man sent me the

1:33:49.920 --> 1:33:54.200
<v Speaker 1>slit Rick Like same thing that Drake, you know what

1:33:54.240 --> 1:33:55.280
<v Speaker 1>I mean, fucking the.

1:33:56.760 --> 1:33:57.360
<v Speaker 3>Whole thing.

1:33:57.640 --> 1:33:59.120
<v Speaker 4>Like I'm taking a shot for this. You get me,

1:34:01.160 --> 1:34:05.080
<v Speaker 4>you got shut come on the way you describe.

1:34:06.600 --> 1:34:09.360
<v Speaker 2>Sorry, keep going here, going strutting your phone?

1:34:10.280 --> 1:34:13.760
<v Speaker 3>Does that seem like it's not like Guru hit me.

1:34:13.920 --> 1:34:17.560
<v Speaker 1>Yeah, I don't know one, but listen showed me the

1:34:17.640 --> 1:34:20.360
<v Speaker 1>whole you know what I'm saying, Like, this is little

1:34:20.360 --> 1:34:22.960
<v Speaker 1>stuff I'm a fan of, Like even like when you

1:34:23.000 --> 1:34:27.439
<v Speaker 1>say young girl, like rocker, rock girl, yeah, younger, Yeah,

1:34:28.240 --> 1:34:28.400
<v Speaker 1>and I.

1:34:28.439 --> 1:34:29.519
<v Speaker 2>Heard you was in Disney World.

1:34:29.600 --> 1:34:31.240
<v Speaker 1>Yeah I was in Disney you know what I'm saying, Like,

1:34:31.479 --> 1:34:34.160
<v Speaker 1>so like, yes, I remember, I'm a fan.

1:34:34.439 --> 1:34:34.920
<v Speaker 3>I grew up.

1:34:34.920 --> 1:34:36.720
<v Speaker 1>You can see I'm a fan now, like of the

1:34:36.840 --> 1:34:40.479
<v Speaker 1>whole thing. You get me, like even like slip Rick,

1:34:41.120 --> 1:34:43.559
<v Speaker 1>like manuged to listen to Lardie Darli and my walkman

1:34:43.760 --> 1:34:46.200
<v Speaker 1>walking to with Slick Wick. You got to slip Reckcord.

1:34:46.200 --> 1:34:48.840
<v Speaker 1>Where was you at? I can't I can't remember that

1:34:48.920 --> 1:34:51.880
<v Speaker 1>one Universus Studios. I can't remember that. I'm not gonna lie,

1:34:51.920 --> 1:34:54.439
<v Speaker 1>I'll be lying. I can't remember. But I just remember

1:34:55.400 --> 1:34:57.439
<v Speaker 1>when I got that the slip Wrists. I'm like, this

1:34:57.560 --> 1:35:00.599
<v Speaker 1>is slip Rick, that one after Diverse. You're saying, yeah,

1:35:00.760 --> 1:35:02.960
<v Speaker 1>but I just said, call my mom and that that's

1:35:03.040 --> 1:35:04.040
<v Speaker 1>them one that mom.

1:35:04.080 --> 1:35:05.000
<v Speaker 3>I got to Slick, you know.

1:35:06.360 --> 1:35:08.360
<v Speaker 2>Like he's like the first twenty one Savage. If you

1:35:08.400 --> 1:35:08.880
<v Speaker 2>think about it.

1:35:11.520 --> 1:35:17.040
<v Speaker 1>He is. Yeah, that's bro. That's great bro. You know

1:35:17.600 --> 1:35:20.360
<v Speaker 1>d people don't even know he's English. Right, yeah, even

1:35:20.960 --> 1:35:23.240
<v Speaker 1>we never kind of denied it. Even my l she

1:35:23.400 --> 1:35:24.400
<v Speaker 1>was like, right, it's from u K.

1:35:24.840 --> 1:35:27.200
<v Speaker 2>They were trying to they were trying to deport him.

1:35:27.280 --> 1:35:29.439
<v Speaker 2>It was a big old there was a big movement.

1:35:29.960 --> 1:35:32.519
<v Speaker 3>Why does Slick go back to jail? I think it

1:35:32.600 --> 1:35:33.240
<v Speaker 3>was a gun?

1:35:33.439 --> 1:35:34.400
<v Speaker 2>Was a gun gun too?

1:35:34.520 --> 1:35:39.000
<v Speaker 1>You think, yeah, yeah, you're following his steps, yeah yeah, yeah,

1:35:39.920 --> 1:35:43.800
<v Speaker 1>yeah yeah yeah so yeah, that like bro man man

1:35:43.920 --> 1:35:46.800
<v Speaker 1>is walking to school listening to Lardie D And that's

1:35:46.960 --> 1:35:50.920
<v Speaker 1>my classic. You know, I would have never ever fought

1:35:51.760 --> 1:35:54.439
<v Speaker 1>in the future walking to school. I'm going to have

1:35:54.600 --> 1:35:55.400
<v Speaker 1>that in my phone.

1:35:55.560 --> 1:35:56.840
<v Speaker 3>Family. You know what I'm saying.

1:35:56.920 --> 1:35:58.439
<v Speaker 2>Ye know yourself.

1:35:59.680 --> 1:36:00.760
<v Speaker 3>Let me you know what I mean.

1:36:01.840 --> 1:36:06.040
<v Speaker 4>Out here we say college, yeah, yeah, say university like

1:36:06.120 --> 1:36:06.880
<v Speaker 4>we say vacation.

1:36:07.320 --> 1:36:10.880
<v Speaker 1>Also, I mean, but we got we usually we got

1:36:10.920 --> 1:36:15.640
<v Speaker 1>we got school, yeah, and then college and then university.

1:36:16.400 --> 1:36:19.280
<v Speaker 1>So you finished school, when you finished school when you're sixteen,

1:36:20.120 --> 1:36:21.120
<v Speaker 1>then you go college.

1:36:21.320 --> 1:36:22.360
<v Speaker 2>Is that community college?

1:36:22.640 --> 1:36:26.200
<v Speaker 1>No, it's just like it's like you university really kind

1:36:26.240 --> 1:36:29.599
<v Speaker 1>of thing. But we don't have like I don't really think. Yeah,

1:36:29.680 --> 1:36:31.160
<v Speaker 1>people don't really like state.

1:36:31.920 --> 1:36:34.080
<v Speaker 3>We don't haven't. They don't have like campuses and that.

1:36:34.520 --> 1:36:35.280
<v Speaker 3>So it's just college.

1:36:35.320 --> 1:36:37.880
<v Speaker 1>You just go there and in UNI you have to

1:36:38.080 --> 1:36:40.720
<v Speaker 1>level up to get to UNI, and that's when there's

1:36:40.760 --> 1:36:41.560
<v Speaker 1>like campuses.

1:36:42.720 --> 1:36:42.920
<v Speaker 3>Yeah.

1:36:42.960 --> 1:36:46.640
<v Speaker 4>Yeah, and we say vacation, you'll say holiday. Okay, But

1:36:46.760 --> 1:36:50.120
<v Speaker 4>let me ask you a question on Slick Rick's children's story.

1:36:50.280 --> 1:36:54.759
<v Speaker 4>He said, crash into a tree near university. The biggest

1:36:54.840 --> 1:36:57.120
<v Speaker 4>debate is now I have not been able to ask.

1:36:57.240 --> 1:37:01.040
<v Speaker 4>Look Rick, do you think he was talking about You

1:37:01.120 --> 1:37:03.760
<v Speaker 4>think he was talking about university in the Bronx the street.

1:37:03.800 --> 1:37:05.479
<v Speaker 1>I think he's saw about the street. It sounds like

1:37:06.360 --> 1:37:09.599
<v Speaker 1>him having an accent. It must be America. It got

1:37:09.680 --> 1:37:13.479
<v Speaker 1>you to even someone said, why, it's like savage. He

1:37:13.479 --> 1:37:16.320
<v Speaker 1>hasn't even got English because he grew up in America. Okay,

1:37:16.600 --> 1:37:19.200
<v Speaker 1>you know what I'm saying, You're going to get an accent. Okay, yeah,

1:37:19.280 --> 1:37:21.400
<v Speaker 1>me like so he must he must have grow up

1:37:21.439 --> 1:37:25.000
<v Speaker 1>from here from young probably, but you'd have to ask him.

1:37:25.200 --> 1:37:26.840
<v Speaker 2>Yeah, no, No, I don't want to ask him.

1:37:26.840 --> 1:37:27.160
<v Speaker 1>I want to.

1:37:27.280 --> 1:37:30.840
<v Speaker 2>I wanted this to be a mysterious well for a saying.

1:37:30.840 --> 1:37:33.200
<v Speaker 2>I thought he was on the rock the bells call,

1:37:33.280 --> 1:37:37.639
<v Speaker 2>but he wasn't. No, we had man legends on there.

1:37:37.960 --> 1:37:40.120
<v Speaker 1>Did you see I can? I saw a rock he yeah,

1:37:40.560 --> 1:37:42.320
<v Speaker 1>that was dopeg a chaffer rock here.

1:37:42.360 --> 1:37:49.879
<v Speaker 2>Yeah, just left Bill.

1:37:51.760 --> 1:37:58.040
<v Speaker 3>This mix. So this is my thing though the Ross

1:37:58.120 --> 1:38:00.160
<v Speaker 3>Clark Mama, Yeah on.

1:38:00.400 --> 1:38:07.400
<v Speaker 2>Mama, Yeah, it's you said. You said your girl is Dominican.

1:38:08.680 --> 1:38:09.080
<v Speaker 1>You know that.

1:38:09.479 --> 1:38:16.200
<v Speaker 2>That's also for Yeah, if you tell the well, it's

1:38:16.200 --> 1:38:17.160
<v Speaker 2>a thing for the thing.

1:38:19.240 --> 1:38:22.600
<v Speaker 3>We saying for the well. So all right, so.

1:38:24.920 --> 1:38:30.040
<v Speaker 1>We say yan day and y'alla. So y'all, y'all we

1:38:30.200 --> 1:38:31.360
<v Speaker 1>say you lo okay.

1:38:31.880 --> 1:38:33.920
<v Speaker 4>So for the people that don't know, you're gonna describe

1:38:33.960 --> 1:38:37.720
<v Speaker 4>the people. A thing is a noun, right, it's a

1:38:37.800 --> 1:38:39.040
<v Speaker 4>person talking about a girl.

1:38:39.080 --> 1:38:45.200
<v Speaker 1>And thing is everything. Thing is could be you go

1:38:45.439 --> 1:38:45.720
<v Speaker 1>the thing.

1:38:45.960 --> 1:38:48.719
<v Speaker 3>Yeah, you go to that. You could be doing the thing.

1:38:50.920 --> 1:38:53.960
<v Speaker 1>Or a thing like them things over there. You know

1:38:54.680 --> 1:39:00.679
<v Speaker 1>things you're gonna go on linked this thing right, thing, yes, everything, Yeah.

1:39:00.960 --> 1:39:03.160
<v Speaker 2>We can say it with things. It's the same word.

1:39:06.400 --> 1:39:07.759
<v Speaker 3>With no listen.

1:39:09.600 --> 1:39:15.000
<v Speaker 2>With take that anh out of there. It's just a marriage.

1:39:17.520 --> 1:39:20.439
<v Speaker 3>From Miami, I mean not from Miami, but you brought

1:39:21.800 --> 1:39:23.479
<v Speaker 3>you know what I'm saying.

1:39:23.840 --> 1:39:30.320
<v Speaker 1>Yeah, yeah, we're everything actually everything everything black college like college,

1:39:30.960 --> 1:39:34.519
<v Speaker 1>I can it's the colleage normal, you know, college Jamaican.

1:39:34.600 --> 1:39:35.400
<v Speaker 2>Let's just throw it out there.

1:39:36.320 --> 1:39:36.799
<v Speaker 3>He made.

1:39:38.960 --> 1:39:41.280
<v Speaker 1>He went to Barbados the other day. He had a

1:39:41.360 --> 1:39:45.000
<v Speaker 1>better Jamaican accent than the bar bab don't.

1:39:48.920 --> 1:39:54.840
<v Speaker 3>Exactly. It's almost looked at him like yeah, yeah, yeah, yeah,

1:39:54.880 --> 1:39:55.360
<v Speaker 3>ya min.

1:39:56.000 --> 1:39:58.960
<v Speaker 2>He said, you just got the college.

1:39:59.280 --> 1:40:03.599
<v Speaker 4>He has earned his wife to his right, he has

1:40:03.720 --> 1:40:07.760
<v Speaker 4>earned his right to be an honorary yard man. Yeah,

1:40:08.439 --> 1:40:11.840
<v Speaker 4>he has earned his way I vote listen for the

1:40:11.920 --> 1:40:12.719
<v Speaker 4>Jamaican society.

1:40:14.080 --> 1:40:18.720
<v Speaker 5>Let me look at y'all, look at look at to

1:40:18.720 --> 1:40:20.280
<v Speaker 5>the Jamaican count listening to Jamaica.

1:40:28.640 --> 1:40:35.280
<v Speaker 1>Right to the right on the left bun side, right

1:40:36.439 --> 1:40:40.720
<v Speaker 1>to the Jamaican Society. I have interviewed Buju Bantan, I

1:40:40.800 --> 1:40:44.920
<v Speaker 1>have interviewed Beanie Man, I have interviewed it wasn't me

1:40:46.920 --> 1:40:52.519
<v Speaker 1>shut bro, And I've interviewed the God, the God the world,

1:40:52.600 --> 1:40:59.640
<v Speaker 1>Boss Botts Cartel. And to the Jamaican Society, I.

1:41:01.520 --> 1:41:02.479
<v Speaker 2>Ron don't forget wrong.

1:41:03.600 --> 1:41:09.920
<v Speaker 1>That's right that you guys make call it yea, let's

1:41:09.960 --> 1:41:16.880
<v Speaker 1>make up. I'll say Calid made himself, madehimself, you know,

1:41:17.600 --> 1:41:19.439
<v Speaker 1>you know, kind of saving me, you know kid, I

1:41:19.560 --> 1:41:21.040
<v Speaker 1>know Khalid from Dancel.

1:41:21.320 --> 1:41:24.320
<v Speaker 3>Yes, he made his way through even from.

1:41:24.200 --> 1:41:33.160
<v Speaker 1>West Jersey jazz and renaissance. Yeahs z over there. That's

1:41:33.479 --> 1:41:37.240
<v Speaker 1>that's why the g he don't even say nothing, you

1:41:37.280 --> 1:41:39.479
<v Speaker 1>know what I'm saying. But like even so, like even

1:41:39.520 --> 1:41:45.080
<v Speaker 1>the other there I posted the picture with like Cartel, Kalid, Yeah,

1:41:45.479 --> 1:41:48.120
<v Speaker 1>that's amazing, bounty but.

1:41:48.439 --> 1:41:50.560
<v Speaker 5>Quick because he said renaissance and people don't know we

1:41:50.600 --> 1:41:52.120
<v Speaker 5>talk about we talking about sounds.

1:41:52.680 --> 1:41:56.840
<v Speaker 1>Yeah, renaissance sound yeah, d J cruise like the sounds. Yeah,

1:41:57.000 --> 1:42:00.599
<v Speaker 1>so I posted that picture because obviously that picture is crazy.

1:42:00.920 --> 1:42:02.800
<v Speaker 1>That's like the new firm in our face, not even

1:42:02.840 --> 1:42:03.400
<v Speaker 1>a new firm.

1:42:03.479 --> 1:42:07.040
<v Speaker 3>That's like just I don't know, there's just so much,

1:42:07.520 --> 1:42:09.800
<v Speaker 3>so much history, so much history that.

1:42:10.240 --> 1:42:12.760
<v Speaker 1>But like mad people are saying our wives klid there,

1:42:13.439 --> 1:42:16.720
<v Speaker 1>why but I see Calidar, That's what I'm saying. I

1:42:16.840 --> 1:42:21.360
<v Speaker 1>know Kalid from dance or first like even I remember,

1:42:22.439 --> 1:42:26.080
<v Speaker 1>you know, I'm saying continue, continue, just I'm saying, yes,

1:42:26.320 --> 1:42:29.000
<v Speaker 1>calid I remember, I used to listen to Renaissance, that

1:42:29.240 --> 1:42:34.240
<v Speaker 1>jazzy tea Stone Love Renaissance. Then I used to hear Kalid,

1:42:34.760 --> 1:42:37.680
<v Speaker 1>and these are cassette tapes. So I used to hear

1:42:37.800 --> 1:42:39.800
<v Speaker 1>Kalid and he used to like Kalid used to be

1:42:40.160 --> 1:42:41.000
<v Speaker 1>top places.

1:42:42.360 --> 1:42:45.200
<v Speaker 2>Ninety six. There was a big Caribbean station, Pirate station.

1:42:45.439 --> 1:42:47.040
<v Speaker 3>Yeah, but college radio.

1:42:48.320 --> 1:42:51.639
<v Speaker 1>So them days there, Kalid used to have bare Bounty

1:42:51.720 --> 1:42:54.519
<v Speaker 1>killer doves. Now you see them days there. To have

1:42:54.680 --> 1:42:57.639
<v Speaker 1>bounty who don't know doves is like a free player.

1:42:58.720 --> 1:43:00.760
<v Speaker 1>That's not a free start, and you take the song

1:43:00.840 --> 1:43:02.200
<v Speaker 1>and you make yeah.

1:43:03.040 --> 1:43:08.320
<v Speaker 5>Especially just they would they would, they would, they're saying

1:43:08.360 --> 1:43:09.280
<v Speaker 5>your name on the record.

1:43:09.479 --> 1:43:11.720
<v Speaker 2>They're taking a popular record that they got already and

1:43:11.760 --> 1:43:12.920
<v Speaker 2>they're adding you to the record.

1:43:13.680 --> 1:43:17.040
<v Speaker 3>Freestyle really the top of the head.

1:43:17.760 --> 1:43:19.840
<v Speaker 2>That started changing a lot to that changed.

1:43:20.000 --> 1:43:23.760
<v Speaker 1>Yeah, but anyway, but yeah, so Khalid he's that bare

1:43:23.840 --> 1:43:26.920
<v Speaker 1>bounty killer. Bare means a lot, yea. So he's that

1:43:27.120 --> 1:43:30.880
<v Speaker 1>bare bounty in them days, bounty at the higher bout.

1:43:30.960 --> 1:43:34.679
<v Speaker 1>In them days, you couldn't even to have a bounty dub.

1:43:34.760 --> 1:43:38.040
<v Speaker 1>You had to have money and relate the relationship. You

1:43:38.080 --> 1:43:41.160
<v Speaker 1>couldn't just have the money that this is bounty, like

1:43:41.280 --> 1:43:43.679
<v Speaker 1>you know what I'm saying. Yes, and Khalid had bare

1:43:43.760 --> 1:43:47.439
<v Speaker 1>bounty douves. And remember even on cassette tapes, I used

1:43:47.439 --> 1:43:50.400
<v Speaker 1>to listen and Khalid he'll be He'll like come on

1:43:50.680 --> 1:43:55.559
<v Speaker 1>after renaissance, after renaissances fucked it up, like mashed up

1:43:55.600 --> 1:43:58.160
<v Speaker 1>the whole dance. Calid is coming on there. He's American,

1:43:59.120 --> 1:44:02.280
<v Speaker 1>so like because he wasn't Jamaican, they used to do

1:44:02.520 --> 1:44:04.520
<v Speaker 1>him like boo boo American.

1:44:04.680 --> 1:44:05.599
<v Speaker 3>Well with that fro.

1:44:05.680 --> 1:44:10.200
<v Speaker 1>Bottles and Kalid was still playing music, still lacing bear

1:44:10.360 --> 1:44:14.360
<v Speaker 1>doves until he gets until it gets the respects man

1:44:14.400 --> 1:44:17.679
<v Speaker 1>of fraend Bottles. He's a bottles glass, this is Jamaica,

1:44:18.280 --> 1:44:21.639
<v Speaker 1>bear machines and let me he's still running and he's

1:44:21.720 --> 1:44:25.640
<v Speaker 1>playing Bounty Killer Doves what not. Everyone can play. You

1:44:25.680 --> 1:44:28.320
<v Speaker 1>know what I'm saying, Beef at the time now, because

1:44:28.320 --> 1:44:29.040
<v Speaker 1>I'm saying you have to.

1:44:29.400 --> 1:44:35.479
<v Speaker 3>Get it's hard to get like that's like, yeah, exactly,

1:44:36.160 --> 1:44:39.160
<v Speaker 3>you can't just get a jay Z, even if you

1:44:39.200 --> 1:44:40.680
<v Speaker 3>had all the money in the world, you can't get

1:44:40.680 --> 1:44:42.680
<v Speaker 3>a jay Z, you know what I'm saying. Yeah, And

1:44:42.800 --> 1:44:46.800
<v Speaker 3>that's Kalid had the bounties and bear other yeah.

1:44:46.920 --> 1:44:49.599
<v Speaker 1>Yeah, and he used to play until they stopped booing him,

1:44:49.600 --> 1:44:51.080
<v Speaker 1>stop from balls and cheer him.

1:44:52.120 --> 1:44:54.439
<v Speaker 3>And he would have like he used to make like

1:44:55.080 --> 1:44:59.280
<v Speaker 3>hip hop kind of like that, Who Run It? Who

1:44:59.400 --> 1:44:59.720
<v Speaker 3>Run It?

1:44:59.840 --> 1:44:59.880
<v Speaker 5>Like?

1:45:00.720 --> 1:45:04.439
<v Speaker 1>So Khalid Like so even in that picture, Khalid is

1:45:04.520 --> 1:45:08.679
<v Speaker 1>actually in the middle of this picture historically like Butcher

1:45:09.120 --> 1:45:15.519
<v Speaker 1>and found a Khalid then well maybe cartel because he's

1:45:15.560 --> 1:45:18.960
<v Speaker 1>to that right for kit Bop, Khalid is in the middle.

1:45:19.240 --> 1:45:21.320
<v Speaker 1>And then Mavardo, you know what I'm saying. So Kalid

1:45:21.680 --> 1:45:23.360
<v Speaker 1>is a he definitely earned his job.

1:45:24.160 --> 1:45:26.519
<v Speaker 5>It was through dance all like and do you know

1:45:26.600 --> 1:45:29.920
<v Speaker 5>the things A lot of people won't understand that route

1:45:29.960 --> 1:45:32.840
<v Speaker 5>because in Miami, but brilliant hip hop and a lot

1:45:32.880 --> 1:45:36.000
<v Speaker 5>of the United States, a lot of the DJs had

1:45:36.120 --> 1:45:38.240
<v Speaker 5>they was dealing there was you had to be versed,

1:45:38.280 --> 1:45:41.280
<v Speaker 5>well versed in dance hall if you was playing hip

1:45:41.280 --> 1:45:43.120
<v Speaker 5>hop as well, because back in the day it was

1:45:43.600 --> 1:45:45.960
<v Speaker 5>a lot of the dance hall parties were where we

1:45:46.040 --> 1:45:46.960
<v Speaker 5>got to hear hip hop.

1:45:47.160 --> 1:45:48.200
<v Speaker 3>Okay is it?

1:45:48.560 --> 1:45:51.639
<v Speaker 5>Yeah? At least definitely in Miami for sure. That's crazy,

1:45:51.680 --> 1:45:52.840
<v Speaker 5>you know what I'm saying. And then that's how you

1:45:52.880 --> 1:45:54.479
<v Speaker 5>see what there was that bad yard.

1:45:54.320 --> 1:45:55.160
<v Speaker 3>Man head times.

1:45:57.000 --> 1:45:58.760
<v Speaker 5>So like like me, like my first gig that I

1:45:58.800 --> 1:46:00.920
<v Speaker 5>got as a DJ, I'm this Cuban kid, was me

1:46:01.280 --> 1:46:02.880
<v Speaker 5>having forty five straight from Jamaica.

1:46:03.160 --> 1:46:05.240
<v Speaker 3>So your Cuban yeah, plane a dance hall.

1:46:05.160 --> 1:46:08.160
<v Speaker 5>Set to get my first DJ. Yeah, that's how I

1:46:08.200 --> 1:46:10.840
<v Speaker 5>got my first DJ. I had a mean dance hall set.

1:46:10.960 --> 1:46:12.240
<v Speaker 3>Yeah. Yeah, that's sick, that's it.

1:46:12.360 --> 1:46:14.960
<v Speaker 2>And so yeah, he killed it back then.

1:46:15.080 --> 1:46:17.599
<v Speaker 1>Jazzy should have been in that picture though, Big up Jazzy,

1:46:18.240 --> 1:46:19.640
<v Speaker 1>that man there is in the.

1:46:19.720 --> 1:46:20.320
<v Speaker 3>Center of that.

1:46:20.400 --> 1:46:23.400
<v Speaker 2>I mean, renaissance is legendary, legendary.

1:46:23.840 --> 1:46:26.160
<v Speaker 1>Even like when I first I remember when I first

1:46:26.280 --> 1:46:29.800
<v Speaker 1>like got money and clout, I remember one time we

1:46:29.960 --> 1:46:32.599
<v Speaker 1>was having like so he was having like big parties

1:46:32.640 --> 1:46:34.759
<v Speaker 1>in London. Yeah, so it was like me and Drake.

1:46:34.960 --> 1:46:39.599
<v Speaker 1>Yeah so me and Drake, I was we was doing wireless. Yeah,

1:46:39.760 --> 1:46:43.519
<v Speaker 1>so like it was that Kalid was actually meant to

1:46:43.600 --> 1:46:47.040
<v Speaker 1>do wireless. By then you didn't really like the planeting yea, yeah,

1:46:47.680 --> 1:46:50.120
<v Speaker 1>so I took Calid slot.

1:46:51.000 --> 1:46:52.320
<v Speaker 3>Then I brought out.

1:46:52.320 --> 1:46:56.240
<v Speaker 1>Drake as a surprise after yeah yeah yeah, then we

1:46:56.320 --> 1:46:58.479
<v Speaker 1>were so it was having big parties in London. This

1:46:58.640 --> 1:47:01.080
<v Speaker 1>is the mad thing, like this is gigs, Drake, like

1:47:01.160 --> 1:47:03.760
<v Speaker 1>we just mashed up wireless, like you get me. So

1:47:03.920 --> 1:47:06.560
<v Speaker 1>I was saying to Dre Yo, I'm gonna have the

1:47:06.840 --> 1:47:09.320
<v Speaker 1>Mad party. After Drake saying what I'm gonna have the

1:47:09.479 --> 1:47:14.200
<v Speaker 1>Mather party start saying all right, so now we're having

1:47:14.280 --> 1:47:15.240
<v Speaker 1>like a party war.

1:47:16.400 --> 1:47:19.120
<v Speaker 3>You get me here. So I said, yeah, how can

1:47:19.160 --> 1:47:21.519
<v Speaker 3>I have the maddest party? You get me? So then

1:47:21.560 --> 1:47:22.120
<v Speaker 3>I've hit up.

1:47:22.920 --> 1:47:24.560
<v Speaker 1>I said, do you know what, I've got money and

1:47:24.560 --> 1:47:27.880
<v Speaker 1>now I've got contacts, get Renaissance, you get me.

1:47:28.880 --> 1:47:31.960
<v Speaker 3>So I've hit up like I've got the link for Jazzy's.

1:47:33.320 --> 1:47:37.040
<v Speaker 1>People, and then I've hit up Jazzy's people to get

1:47:37.120 --> 1:47:38.120
<v Speaker 1>renaissance down there.

1:47:38.160 --> 1:47:40.080
<v Speaker 3>You get me? This is mad for me.

1:47:40.120 --> 1:47:42.880
<v Speaker 1>It's a renaissance, bro, like you see me a lot

1:47:42.880 --> 1:47:46.000
<v Speaker 1>of people I'm dancing first like yeah me, and it's

1:47:46.040 --> 1:47:48.880
<v Speaker 1>a renaissance like yeh me, this is the same thing

1:47:49.000 --> 1:47:51.560
<v Speaker 1>like Man's bringing hove over to before you get me.

1:47:52.840 --> 1:47:57.080
<v Speaker 1>So then I've linked with renaissance now. And I said

1:47:57.120 --> 1:48:03.040
<v Speaker 1>to Drizzy, man's got renaissance. Then Man was like, oh ship,

1:48:07.240 --> 1:48:10.679
<v Speaker 1>then I must have invited like me and my breads

1:48:10.680 --> 1:48:13.880
<v Speaker 1>and about three four hundred things like bodies. You get me,

1:48:14.439 --> 1:48:18.680
<v Speaker 1>got some big venue renaissance, big girl I had like

1:48:19.320 --> 1:48:22.519
<v Speaker 1>every bad man in London was there, like and most

1:48:22.600 --> 1:48:25.760
<v Speaker 1>of the artists from UK as well, and there was

1:48:25.840 --> 1:48:29.800
<v Speaker 1>bare like big American artists. I remember, like and and

1:48:29.920 --> 1:48:32.760
<v Speaker 1>then made Jazzy come down. He fucked it up and

1:48:33.000 --> 1:48:35.360
<v Speaker 1>like you get me like and I remember all the ovo.

1:48:35.479 --> 1:48:39.200
<v Speaker 1>Man then kept saying, Yo, what times renaissance? Like what

1:48:39.400 --> 1:48:42.479
<v Speaker 1>tis renaissance? You know what I'm saying? Like, but that's

1:48:42.560 --> 1:48:42.840
<v Speaker 1>that's the.

1:48:47.479 --> 1:48:53.840
<v Speaker 3>Shot. I want that, Drake think you know, I want

1:48:53.880 --> 1:48:54.679
<v Speaker 3>a Drake battle.

1:48:54.760 --> 1:49:00.880
<v Speaker 1>I also won No, I want that. I feel like

1:49:00.880 --> 1:49:02.640
<v Speaker 1>he's gonna watch this and say something about it.

1:49:03.680 --> 1:49:07.320
<v Speaker 3>Never Okay, no he might. He might say, I agree, Well.

1:49:07.200 --> 1:49:09.280
<v Speaker 1>Okay, you know what I mean.

1:49:10.280 --> 1:49:11.200
<v Speaker 3>Can I get some paper?

1:49:11.680 --> 1:49:11.880
<v Speaker 1>Yeah?

1:49:14.520 --> 1:49:14.880
<v Speaker 3>I got one.

1:49:15.040 --> 1:49:17.360
<v Speaker 2>Go and now do you roll with Fanta and your

1:49:17.360 --> 1:49:17.840
<v Speaker 2>ship or no?

1:49:17.960 --> 1:49:21.680
<v Speaker 1>Fanto? Grab grab That's that's a New York that's a

1:49:21.800 --> 1:49:25.280
<v Speaker 1>New York thing though, well grab off the grabber. So

1:49:25.479 --> 1:49:29.360
<v Speaker 1>before I came here in UK, we were with cigarette. Okay, yeah,

1:49:29.479 --> 1:49:32.440
<v Speaker 1>you know what I'm saying. Yeah, so we were with cigarette.

1:49:33.280 --> 1:49:36.760
<v Speaker 1>So then then one time I didn't have cigarettes for

1:49:36.800 --> 1:49:37.080
<v Speaker 1>a while.

1:49:37.200 --> 1:49:37.519
<v Speaker 3>Yeah me.

1:49:37.720 --> 1:49:40.000
<v Speaker 1>Then I then someone I said I fuck it, let

1:49:40.040 --> 1:49:43.200
<v Speaker 1>me use this grab ship. And then then I was

1:49:43.320 --> 1:49:46.480
<v Speaker 1>using grabber for a few days. Then I fought a cigarette.

1:49:46.479 --> 1:49:48.520
<v Speaker 1>I need some cigarette. I went back get the cigarette

1:49:48.640 --> 1:49:50.680
<v Speaker 1>was nasty. I was like, this is nasty because the

1:49:50.680 --> 1:49:51.719
<v Speaker 1>cigarette from America.

1:49:52.080 --> 1:49:54.760
<v Speaker 3>No, it's just like the grabber. It just tastes nice.

1:49:54.920 --> 1:49:57.800
<v Speaker 1>Okay. So I just threw the cigarette away and I'm like, yeah,

1:49:57.800 --> 1:50:00.600
<v Speaker 1>I'm grabbing now, you know what I'm saying, Like, like

1:50:00.720 --> 1:50:03.000
<v Speaker 1>you see, like me, I'm the original street.

1:50:02.840 --> 1:50:05.360
<v Speaker 3>Nigga who made it. Yeah in London.

1:50:05.560 --> 1:50:09.720
<v Speaker 1>Yeah, so like me being here, all the niggas are like,

1:50:09.760 --> 1:50:10.439
<v Speaker 1>how do you get there?

1:50:11.240 --> 1:50:14.360
<v Speaker 3>Let me get that lawyer. All the niggas everywhere I go,

1:50:14.520 --> 1:50:15.919
<v Speaker 3>niggas who I don't get along.

1:50:15.760 --> 1:50:20.720
<v Speaker 1>With, coming were saying about that lawyer like I'm telling you, bro,

1:50:21.160 --> 1:50:22.000
<v Speaker 1>I'm going to get.

1:50:21.880 --> 1:50:23.960
<v Speaker 3>Over here, like you know what I'm saying.

1:50:24.600 --> 1:50:27.040
<v Speaker 1>I mean, I know this is an unfair question. And

1:50:27.200 --> 1:50:31.799
<v Speaker 1>then man, who even get over here? Yeah, they're getting

1:50:31.840 --> 1:50:33.800
<v Speaker 1>married and ship. Actually I'm talking too much.

1:50:35.840 --> 1:50:36.439
<v Speaker 3>Let me stop.

1:50:42.280 --> 1:50:42.720
<v Speaker 5>This is this.

1:50:45.200 --> 1:50:54.600
<v Speaker 4>Cop couple of Miami chicks, niggas writing track, write the

1:50:54.640 --> 1:50:55.200
<v Speaker 4>moby track.

1:50:57.080 --> 1:51:03.800
<v Speaker 1>They'll make a deal, will be ball park on your ass.

1:51:04.400 --> 1:51:09.040
<v Speaker 3>The price is right, you know, got the bodies.

1:51:09.120 --> 1:51:13.840
<v Speaker 1>Though it's mad over here, the Dominicans, I'm gott mad

1:51:13.920 --> 1:51:14.360
<v Speaker 1>over here.

1:51:15.160 --> 1:51:18.120
<v Speaker 3>I can't believe it. I can't believe it.

1:51:18.400 --> 1:51:21.479
<v Speaker 1>Cubans mean I had once I had. Let me not

1:51:21.560 --> 1:51:24.160
<v Speaker 1>talk about it like that. One time I was linking

1:51:24.240 --> 1:51:27.479
<v Speaker 1>a Cuban and Jamaican, like what kind of mixes that?

1:51:28.200 --> 1:51:28.880
<v Speaker 3>That's maud.

1:51:29.400 --> 1:51:31.559
<v Speaker 2>She's angry though, definitely angry.

1:51:32.240 --> 1:51:32.920
<v Speaker 3>I know where.

1:51:34.320 --> 1:51:35.400
<v Speaker 2>There was one woman.

1:51:37.200 --> 1:51:43.000
<v Speaker 3>One thought you had too. I needn't seen that.

1:51:44.960 --> 1:51:47.320
<v Speaker 1>Okay, together together.

1:51:51.360 --> 1:51:55.320
<v Speaker 3>He said, together as one woman, because what I meant

1:51:55.479 --> 1:51:59.320
<v Speaker 3>was I thought women is Cuban and.

1:52:00.960 --> 1:52:02.960
<v Speaker 1>Make it. I'm like Okay, that sounds like a.

1:52:02.960 --> 1:52:05.880
<v Speaker 2>Great night for you. But you're saying one.

1:52:08.000 --> 1:52:12.479
<v Speaker 1>Sound clash makes his hair even beliezing. I've never met

1:52:12.520 --> 1:52:13.080
<v Speaker 1>a beliez in.

1:52:13.920 --> 1:52:14.240
<v Speaker 3>That's a.

1:52:15.720 --> 1:52:18.040
<v Speaker 2>See s Beliza.

1:52:20.160 --> 1:52:24.080
<v Speaker 5>Heard you say something different brought you see sh No

1:52:24.880 --> 1:52:26.200
<v Speaker 5>what we got?

1:52:27.040 --> 1:52:27.840
<v Speaker 1>I believe.

1:52:29.160 --> 1:52:30.519
<v Speaker 3>I really want to get over here?

1:52:30.720 --> 1:52:37.000
<v Speaker 1>Yes, So then do you because like all the all

1:52:37.040 --> 1:52:40.000
<v Speaker 1>the Jamaicans have their visas right now, right, what do

1:52:40.080 --> 1:52:46.719
<v Speaker 1>you mean like old vibes my bottle, That's what it's about.

1:52:46.800 --> 1:52:48.680
<v Speaker 2>Like that, you have to have a visa to come here.

1:52:48.680 --> 1:52:51.160
<v Speaker 1>You gotta get a visa, like if you if you've

1:52:51.160 --> 1:52:54.960
<v Speaker 1>got a criminal record, if you haven't got a criminal record,

1:52:55.000 --> 1:52:55.760
<v Speaker 1>you can get star.

1:52:56.640 --> 1:52:56.920
<v Speaker 3>What's that?

1:52:57.680 --> 1:53:01.040
<v Speaker 1>It's just like it's just easy to get in the

1:53:01.120 --> 1:53:03.240
<v Speaker 1>country because you're not a criminal. You don't like you

1:53:03.280 --> 1:53:06.120
<v Speaker 1>know what I'm saying, You're not a threat or anything? Right?

1:53:07.200 --> 1:53:09.479
<v Speaker 3>Just Esther, he just do that. Like if I'm coming

1:53:09.479 --> 1:53:11.600
<v Speaker 3>with my kids, I've got my visa. I do my

1:53:11.720 --> 1:53:12.439
<v Speaker 3>kids Esthers.

1:53:12.840 --> 1:53:13.400
<v Speaker 2>I never heard that.

1:53:13.560 --> 1:53:16.080
<v Speaker 1>Yeah, that's what that's what we got. So so you've

1:53:16.080 --> 1:53:20.200
<v Speaker 1>got Esther's. But the criminals, who is most of the

1:53:20.280 --> 1:53:22.320
<v Speaker 1>man name need a visa.

1:53:22.560 --> 1:53:23.719
<v Speaker 2>It's a temporary visa.

1:53:24.560 --> 1:53:27.280
<v Speaker 1>Yeah, like you get a year, two years, three years,

1:53:27.920 --> 1:53:33.559
<v Speaker 1>But like there's different visas. Is working visa Like even

1:53:33.640 --> 1:53:36.360
<v Speaker 1>coming over here, I've met people with different visas that

1:53:36.439 --> 1:53:38.720
<v Speaker 1>there's another guy who's got like a property visa. He

1:53:38.800 --> 1:53:42.160
<v Speaker 1>does property out here, so he's got a visa. You

1:53:42.240 --> 1:53:46.880
<v Speaker 1>know what I'm saying. Yeah, school, you know what I'm saying. So, yeah,

1:53:46.880 --> 1:53:50.040
<v Speaker 1>it's different visas. But that's like the man ain't going

1:53:50.120 --> 1:53:52.920
<v Speaker 1>to be criminals though, the criminal team, you know what

1:53:52.960 --> 1:53:53.320
<v Speaker 1>I'm saying.

1:53:53.920 --> 1:53:57.920
<v Speaker 4>Yeah, whatever visa Vibes Cartel got, he's never going back.

1:54:00.080 --> 1:54:01.120
<v Speaker 3>He got that goodsa.

1:54:02.200 --> 1:54:02.640
<v Speaker 5>He got that.

1:54:03.960 --> 1:54:05.799
<v Speaker 1>He comes into America because he's.

1:54:08.880 --> 1:54:12.280
<v Speaker 3>Yeah, Vegas.

1:54:14.920 --> 1:54:18.120
<v Speaker 2>Everywhere, he's helping the economy everywhere, everywhere you go.

1:54:18.320 --> 1:54:21.840
<v Speaker 1>Vibell Clean vives he probably already had the visa in

1:54:21.920 --> 1:54:25.160
<v Speaker 1>it from before and then he went and he went

1:54:25.200 --> 1:54:27.320
<v Speaker 1>to jail. Oh yeah, the reverse, but then he was

1:54:27.560 --> 1:54:30.360
<v Speaker 1>then he was then he was innocen. So really oh yes,

1:54:31.720 --> 1:54:36.080
<v Speaker 1>that's right. Oh he never he never do they give

1:54:36.120 --> 1:54:37.040
<v Speaker 1>him his visa back.

1:54:37.360 --> 1:54:37.800
<v Speaker 3>That's true.

1:54:38.080 --> 1:54:40.840
<v Speaker 1>He got he got, he got the proper visa. He

1:54:40.960 --> 1:54:43.160
<v Speaker 1>got the proper as he as he deserves.

1:54:43.360 --> 1:54:48.000
<v Speaker 4>That motherfucker been everywhere and he's been posting it too.

1:54:48.200 --> 1:54:50.560
<v Speaker 2>Now he killing the game like a y n that

1:54:50.760 --> 1:54:53.920
<v Speaker 2>Nigga's been like that he out so he's doing the

1:54:54.000 --> 1:54:54.840
<v Speaker 2>master his thing.

1:54:57.160 --> 1:55:01.640
<v Speaker 1>I'm like, Holy Ship Vibs is living his the flipping life.

1:55:02.360 --> 1:55:14.760
<v Speaker 2>Well no, this makes some noise for Visus Holy Ship.

1:55:15.400 --> 1:55:17.720
<v Speaker 1>So it's anything you would take back? What would you do?

1:55:18.480 --> 1:55:18.920
<v Speaker 3>Take back?

1:55:19.000 --> 1:55:20.880
<v Speaker 1>Take back like in the game like that you regret,

1:55:20.960 --> 1:55:25.760
<v Speaker 1>regret it doing. I regret nothing. I'm me, Okay, you can't.

1:55:26.480 --> 1:55:28.640
<v Speaker 1>That's you know what I mean. Everything you go for

1:55:28.840 --> 1:55:32.280
<v Speaker 1>is for a reason. That's what creates you, you know

1:55:32.320 --> 1:55:32.640
<v Speaker 1>what I mean.

1:55:32.840 --> 1:55:37.320
<v Speaker 5>So yeah, definitely not y'all seen the I was watching

1:55:38.280 --> 1:55:41.160
<v Speaker 5>a podcast on YouTube that I watched my homie Justin

1:55:41.280 --> 1:55:42.880
<v Speaker 5>Hunt the aka the Company Man.

1:55:42.880 --> 1:55:44.000
<v Speaker 2>They were talking about skeptic.

1:55:44.880 --> 1:55:48.360
<v Speaker 5>That's he's he's throwing shots at trying to like do

1:55:48.520 --> 1:55:50.920
<v Speaker 5>like like a battle with American artists.

1:55:51.280 --> 1:55:55.480
<v Speaker 4>Oh like Joey Badass in a way that Joey Badass challenged.

1:55:55.520 --> 1:55:59.360
<v Speaker 2>So yeah, I guess not like it's not it's just battle.

1:55:59.760 --> 1:56:00.840
<v Speaker 2>What about that?

1:56:00.960 --> 1:56:01.160
<v Speaker 3>Yeah?

1:56:01.400 --> 1:56:04.280
<v Speaker 1>For me, that's not really familiar with that, like and

1:56:04.360 --> 1:56:08.080
<v Speaker 1>stuff like I'm not really I'm too emotional.

1:56:07.720 --> 1:56:10.480
<v Speaker 2>For that, Yeah, it's not for everybody.

1:56:11.880 --> 1:56:14.880
<v Speaker 3>Yeah, I can't keep me eye of that.

1:56:15.120 --> 1:56:18.480
<v Speaker 2>Like I think Lucas jumped in on it. Wait, I

1:56:18.480 --> 1:56:19.160
<v Speaker 2>haven't heard of this.

1:56:19.760 --> 1:56:23.080
<v Speaker 5>Yeah, shout out to Justin Hunt who covered it likes

1:56:23.160 --> 1:56:28.520
<v Speaker 5>he's like he's like Markman, okay, and so yeah, it's

1:56:28.560 --> 1:56:30.200
<v Speaker 5>just it's just funny because there's this whole thing is

1:56:30.240 --> 1:56:33.400
<v Speaker 5>supposed to be, like they're labeling as US against UK. Yes,

1:56:33.920 --> 1:56:37.120
<v Speaker 5>like you see like me personally, I know you say

1:56:37.160 --> 1:56:39.360
<v Speaker 5>you feel like you're too emotional like me.

1:56:39.480 --> 1:56:46.400
<v Speaker 1>Personally, I don't like like I've got American regends, Canadian, Jamaican,

1:56:46.680 --> 1:56:51.240
<v Speaker 1>Beijian guy Andese like Trainer that didn't bridget Like I

1:56:51.320 --> 1:56:54.160
<v Speaker 1>look at us one thing, you know what I'm saying,

1:56:54.760 --> 1:56:58.880
<v Speaker 1>So even in music, like I look at myself as

1:56:58.960 --> 1:57:01.560
<v Speaker 1>one of the best anyway. I don't like need to

1:57:01.640 --> 1:57:05.240
<v Speaker 1>be like, oh yeah, like I need to go against us,

1:57:05.440 --> 1:57:07.240
<v Speaker 1>like I'm like, you know what I'm saying, I'm on

1:57:07.320 --> 1:57:09.880
<v Speaker 1>the same level anyway, right, I don't need to like

1:57:11.520 --> 1:57:13.880
<v Speaker 1>separate things like you know what I'm saying, It's all

1:57:13.960 --> 1:57:16.920
<v Speaker 1>one thing, Like you don't need to like say, yeah,

1:57:17.040 --> 1:57:19.000
<v Speaker 1>US versus them, and like you know what I mean

1:57:19.320 --> 1:57:23.040
<v Speaker 1>I think like we've got cold UK rapper, we've got

1:57:23.080 --> 1:57:25.520
<v Speaker 1>cold US rappers, we've got shipped UK rapper.

1:57:25.880 --> 1:57:27.920
<v Speaker 3>You like, you know what I'm saying. I agree, you

1:57:27.960 --> 1:57:30.960
<v Speaker 3>know what I mean. It's like the separating thing and

1:57:31.160 --> 1:57:34.120
<v Speaker 3>like oh yeah, us versus that. I don't really you

1:57:34.200 --> 1:57:34.560
<v Speaker 3>know what I mean.

1:57:34.840 --> 1:57:36.240
<v Speaker 2>I mean there is a place I was just like

1:57:36.400 --> 1:57:38.480
<v Speaker 2>healthy competition too though, yeah.

1:57:38.680 --> 1:57:38.760
<v Speaker 3>But.

1:57:40.880 --> 1:57:44.200
<v Speaker 1>I don't think like it needs to be us versus

1:57:44.440 --> 1:57:46.800
<v Speaker 1>them though, Right, you know what I'm saying, like like

1:57:47.080 --> 1:57:51.160
<v Speaker 1>put that way, yeah, because it's supposed like it's supposed

1:57:51.160 --> 1:57:53.240
<v Speaker 1>to be just looking at yourself as the greatest of

1:57:53.320 --> 1:57:55.840
<v Speaker 1>all time, right, you know what I'm saying.

1:57:56.160 --> 1:57:58.160
<v Speaker 3>Right, You see, like when I see.

1:57:58.040 --> 1:58:02.240
<v Speaker 1>Like I don't know, for example, if I see like

1:58:03.240 --> 1:58:07.160
<v Speaker 1>like Nicki Minaj, like yeah, say, like I don't know,

1:58:07.760 --> 1:58:10.760
<v Speaker 1>like no disrespects and Nikki is just fooling that. But

1:58:11.000 --> 1:58:14.280
<v Speaker 1>like if I see like that, when Nikki will be

1:58:14.720 --> 1:58:20.960
<v Speaker 1>going at like Cardi or something, yeah, I think like Nikki,

1:58:21.200 --> 1:58:23.160
<v Speaker 1>like you're one of the greatest rappers.

1:58:23.200 --> 1:58:24.040
<v Speaker 2>There's no need for it.

1:58:24.240 --> 1:58:26.720
<v Speaker 1>No, no, no, there's no you're one of the greatest rappers.

1:58:27.720 --> 1:58:31.840
<v Speaker 1>Like forget female, like you're one of the best, right,

1:58:32.120 --> 1:58:33.440
<v Speaker 1>you know what I'm saying. You don't have to like

1:58:33.680 --> 1:58:38.040
<v Speaker 1>because there's another female, go up against this other female,

1:58:38.320 --> 1:58:39.440
<v Speaker 1>because you're one of the best.

1:58:40.160 --> 1:58:41.640
<v Speaker 3>You're like Kanye.

1:58:41.840 --> 1:58:46.080
<v Speaker 1>You smoke Kanye songs, Drake songs, like fucking Chains like

1:58:46.240 --> 1:58:49.520
<v Speaker 1>them even like I don't know, say like, yeah, I

1:58:49.640 --> 1:58:53.960
<v Speaker 1>love them strippers like to Chains and Nicki Minaj, Yeah

1:58:54.080 --> 1:58:58.040
<v Speaker 1>them times Chains was smoking everything in his way in

1:58:58.200 --> 1:59:02.720
<v Speaker 1>it like change them times boats time. Yeah, and Nikki

1:59:03.240 --> 1:59:06.400
<v Speaker 1>smoked that song, Smoke that. That's one of my favorite

1:59:06.440 --> 1:59:08.760
<v Speaker 1>Nikki versus you're one of the greatest.

1:59:08.920 --> 1:59:14.200
<v Speaker 3>Like, so I feel like when you're like just putting

1:59:14.240 --> 1:59:14.800
<v Speaker 3>yourself in the.

1:59:14.920 --> 1:59:18.560
<v Speaker 1>Female category, it's just lower in your tail yourself. Yeah,

1:59:18.720 --> 1:59:22.120
<v Speaker 1>like when you're one of the greatest of full time. Like, so,

1:59:22.200 --> 1:59:24.880
<v Speaker 1>I don't need to be like UK versus your like

1:59:25.040 --> 1:59:26.600
<v Speaker 1>to prove not to me. I know, I'm one of

1:59:26.640 --> 1:59:29.160
<v Speaker 1>the coldest, right you know what I'm saying that, So

1:59:29.320 --> 1:59:32.000
<v Speaker 1>that doesn't really involve me, you know what I mean.

1:59:32.080 --> 1:59:32.840
<v Speaker 2>I see what you're saying.

1:59:32.920 --> 1:59:36.280
<v Speaker 1>Yeah, but that's so cool for skephin that way he

1:59:36.320 --> 1:59:38.880
<v Speaker 1>wants to do not saying that, But that's that's not

1:59:39.040 --> 1:59:41.320
<v Speaker 1>really my ship, you know.

1:59:41.320 --> 1:59:41.600
<v Speaker 3>What I mean.

1:59:42.280 --> 1:59:44.280
<v Speaker 1>I watch it and be entertained, but I ain't like

1:59:45.000 --> 1:59:49.000
<v Speaker 1>admiting one of the greatest you know what I mean,

1:59:50.800 --> 1:59:51.960
<v Speaker 1>one of the other's records.

1:59:52.080 --> 1:59:52.600
<v Speaker 2>You've got.

1:59:54.080 --> 1:59:57.880
<v Speaker 1>It's what Diddy? Yeah, how did that come about?

2:00:00.400 --> 2:00:02.000
<v Speaker 3>That was man?

2:00:03.280 --> 2:00:07.520
<v Speaker 1>I remember he had the the BT off the party

2:00:08.360 --> 2:00:11.720
<v Speaker 1>after the show. Obviously you can have with the jokes,

2:00:11.720 --> 2:00:22.160
<v Speaker 1>and that was after if Like, Bro, this is one

2:00:22.200 --> 2:00:25.880
<v Speaker 1>of the best parties I've ever been. Honest, this is

2:00:25.920 --> 2:00:29.200
<v Speaker 1>what it was mad, you know what I'm saying. I

2:00:29.240 --> 2:00:31.560
<v Speaker 1>went to the party that was Obviously it's a sore

2:00:31.680 --> 2:00:34.880
<v Speaker 1>subject and that, but me, I'm honest, bro, this party

2:00:35.040 --> 2:00:38.800
<v Speaker 1>was mad. This is l a I've gone in. There's

2:00:38.920 --> 2:00:42.520
<v Speaker 1>like the whole dance floor is like, fucking what's that show?

2:00:42.560 --> 2:00:44.600
<v Speaker 1>You not used to have over it when people dance

2:00:44.680 --> 2:00:48.920
<v Speaker 1>on the floor with the colors, the soul trained floor and.

2:00:49.000 --> 2:00:51.680
<v Speaker 3>The soul trained floor with the colors, like and I

2:00:51.760 --> 2:00:53.280
<v Speaker 3>ain't seen that ship in real life.

2:00:53.880 --> 2:00:56.160
<v Speaker 1>You know, there was I'm like, everyone who you can

2:00:56.240 --> 2:01:00.880
<v Speaker 1>think of is their bare bodies food truck with free

2:01:01.000 --> 2:01:02.440
<v Speaker 1>food drinks.

2:01:03.480 --> 2:01:10.480
<v Speaker 3>You know what I'm saying. This party was mad. Even

2:01:10.600 --> 2:01:13.240
<v Speaker 3>I remember I said I had the drink stand off party.

2:01:13.680 --> 2:01:22.080
<v Speaker 1>I was speaking my game, you know the one, and

2:01:22.160 --> 2:01:25.960
<v Speaker 1>then this time I didn't even know Puff ten times

2:01:26.160 --> 2:01:30.800
<v Speaker 1>yeah me, and then then boom, I see Puff. He

2:01:30.920 --> 2:01:33.640
<v Speaker 1>came like halfway through the party him and I see

2:01:33.680 --> 2:01:38.080
<v Speaker 1>him walking through him and Mary, and then I bumped

2:01:38.120 --> 2:01:39.880
<v Speaker 1>into him and then he's like, bro.

2:01:39.880 --> 2:01:40.960
<v Speaker 3>What the fuck are you doing there?

2:01:41.040 --> 2:01:45.040
<v Speaker 1>Like yeah, I've been trying to get hold of You're

2:01:45.040 --> 2:01:46.240
<v Speaker 1>still on coming London soon?

2:01:46.520 --> 2:01:46.840
<v Speaker 3>Yeah me?

2:01:47.240 --> 2:01:49.920
<v Speaker 1>Wow yeah, And then we linked like that and then

2:01:51.720 --> 2:01:54.440
<v Speaker 1>then he was when he was coming to London, he

2:01:54.520 --> 2:01:58.400
<v Speaker 1>wanted to a party. Obviously, man does the bats. I said,

2:01:58.600 --> 2:02:01.600
<v Speaker 1>I'm actually do it. It was wireless times again, so

2:02:02.240 --> 2:02:04.600
<v Speaker 1>I said we should do arting because I'm going to

2:02:04.680 --> 2:02:07.880
<v Speaker 1>do a thing. You're going to do your party like

2:02:08.040 --> 2:02:10.800
<v Speaker 1>it's going to clash, yeah me, we might as well

2:02:10.880 --> 2:02:13.000
<v Speaker 1>bring it together and do the Then we had a

2:02:13.120 --> 2:02:17.800
<v Speaker 1>party in the fucking football stadium football what was it

2:02:17.960 --> 2:02:19.560
<v Speaker 1>staying marena, I watch.

2:02:24.120 --> 2:02:24.160
<v Speaker 5>Me.

2:02:24.200 --> 2:02:27.160
<v Speaker 1>We had a big party and that everyone was there,

2:02:28.120 --> 2:02:31.600
<v Speaker 1>so like even like like if there's like jokes and

2:02:32.040 --> 2:02:36.760
<v Speaker 1>everyone was at that party in England, you know, I

2:02:36.880 --> 2:02:38.400
<v Speaker 1>was a mad thing, like you know what I'm saying.

2:02:38.920 --> 2:02:42.040
<v Speaker 3>And then yeah, then I made them, the mand them, and.

2:02:42.120 --> 2:02:44.720
<v Speaker 1>I said, yeah, like I would like them classic, like

2:02:45.760 --> 2:02:49.640
<v Speaker 1>like did the vocals that you know, like I don't know,

2:02:49.800 --> 2:02:53.320
<v Speaker 1>like I used to love like Rick Ross he said,

2:02:54.040 --> 2:02:56.960
<v Speaker 1>remember Holy Ghost when he used to like do that

2:02:57.800 --> 2:02:59.360
<v Speaker 1>I'm going there and that, you know.

2:02:59.600 --> 2:03:01.360
<v Speaker 3>I said, I want you to do that a man's

2:03:01.400 --> 2:03:03.400
<v Speaker 3>thing like and for me that was legendary.

2:03:03.880 --> 2:03:06.720
<v Speaker 2>And he said on the intro, I'm in the ends

2:03:06.840 --> 2:03:07.160
<v Speaker 2>right now.

2:03:07.320 --> 2:03:09.880
<v Speaker 1>Yeah yeah, yeah, you know what I'm saying. So that

2:03:10.000 --> 2:03:13.240
<v Speaker 1>record is hard yeah yeah yeah for me, Bro, that

2:03:13.440 --> 2:03:15.400
<v Speaker 1>was the man thing. Bro, I'm a fan of music. Bro,

2:03:16.000 --> 2:03:17.520
<v Speaker 1>you know what I'm saying, Like, you get me so

2:03:18.760 --> 2:03:23.240
<v Speaker 1>yeah me even like obviously that everyone makes like the

2:03:23.440 --> 2:03:27.200
<v Speaker 1>jokes and that, but for me, like all the man legends,

2:03:27.280 --> 2:03:29.440
<v Speaker 1>like you know what I'm saying, you get me so

2:03:30.560 --> 2:03:33.000
<v Speaker 1>so like I don't want to see like none of

2:03:33.120 --> 2:03:35.360
<v Speaker 1>the legends, like you can't take it with look, yeah,

2:03:35.480 --> 2:03:37.480
<v Speaker 1>I don't want to see none of that from like

2:03:37.880 --> 2:03:39.760
<v Speaker 1>you know what I'm saying, Oh yeah, like let's take that.

2:03:39.800 --> 2:03:42.520
<v Speaker 3>And they said when they were that stuff, I see

2:03:42.560 --> 2:03:43.360
<v Speaker 3>people saying.

2:03:43.320 --> 2:03:47.160
<v Speaker 1>Oh's next. I figure, fucking know what's he doing now?

2:03:47.280 --> 2:03:49.000
<v Speaker 1>Like you know what I'm saying, like why do we

2:03:49.080 --> 2:03:52.280
<v Speaker 1>want to them guys like help create?

2:03:52.400 --> 2:03:55.520
<v Speaker 3>Man? You know what I'm saying all the way in England.

2:03:56.200 --> 2:03:58.160
<v Speaker 1>I'm sitting here now like you know what I'm saying,

2:03:58.280 --> 2:04:01.360
<v Speaker 1>good in life, Like that's what all of you guys

2:04:01.400 --> 2:04:02.360
<v Speaker 1>have done, like all of you.

2:04:02.520 --> 2:04:04.880
<v Speaker 3>You know what I'm saying that. So I don't really like.

2:04:06.880 --> 2:04:09.200
<v Speaker 1>People trying to take down our culture and then we're

2:04:09.240 --> 2:04:10.640
<v Speaker 1>taking it down ourselves.

2:04:11.000 --> 2:04:12.600
<v Speaker 3>It's sad, like you know what I'm saying.

2:04:13.520 --> 2:04:18.240
<v Speaker 1>Yeah, Like I mean, h who like better Nasa Jim Jones.

2:04:19.720 --> 2:04:20.680
<v Speaker 1>That's great.

2:04:21.640 --> 2:04:23.400
<v Speaker 3>That's two different things that I don't know.

2:04:23.760 --> 2:04:28.400
<v Speaker 1>I mean, even like there was like Nas, I remember

2:04:28.440 --> 2:04:32.920
<v Speaker 1>there was a time like Nas is like that's Nas

2:04:32.960 --> 2:04:37.680
<v Speaker 1>remember him and jay Z shoot up them days? And

2:04:37.760 --> 2:04:39.520
<v Speaker 1>then like there was a time when I was in jail,

2:04:40.320 --> 2:04:42.960
<v Speaker 1>oh free, and it was I used to bear Jim

2:04:43.080 --> 2:04:46.000
<v Speaker 1>Jones on my way to church time.

2:04:46.480 --> 2:04:49.000
<v Speaker 3>Yeah them times. You know what I'm saying that, But yeah,

2:04:49.000 --> 2:04:52.600
<v Speaker 3>I can't that's that was a joke, you know.

2:04:52.800 --> 2:04:55.040
<v Speaker 4>I mean, I mean no, because a lot of people

2:04:55.120 --> 2:04:57.440
<v Speaker 4>gave me criticism because I was saying that that I

2:04:57.520 --> 2:05:00.000
<v Speaker 4>saw where Jim Jones was coming from. Like what I'm

2:05:00.040 --> 2:05:01.760
<v Speaker 4>meant by that is like when you look at the

2:05:01.840 --> 2:05:04.120
<v Speaker 4>young young people, the people that that's looking at the

2:05:04.200 --> 2:05:06.200
<v Speaker 4>algorithms now one million percent.

2:05:06.320 --> 2:05:07.920
<v Speaker 1>I do see where he's coming from.

2:05:08.360 --> 2:05:11.600
<v Speaker 4>Of course, overall you see an argument, yes, like yeah,

2:05:11.640 --> 2:05:13.240
<v Speaker 4>of course you know what I'm saying. Overall, and by

2:05:13.320 --> 2:05:15.800
<v Speaker 4>the way it's being put in that argument, it's fucking dope.

2:05:16.160 --> 2:05:17.800
<v Speaker 4>Like just think about that, you know what I'm saying, Like,

2:05:17.920 --> 2:05:20.120
<v Speaker 4>that's like, that's like us, you know what I mean,

2:05:20.200 --> 2:05:23.120
<v Speaker 4>that's that's like, that's like us being compared to us

2:05:23.440 --> 2:05:26.320
<v Speaker 4>playing is fucking softball football and they're comparing us to

2:05:26.360 --> 2:05:29.200
<v Speaker 4>the Jets Like it's like, oh ship, Like you know,

2:05:29.560 --> 2:05:31.640
<v Speaker 4>we just got compared to the Jets and then we're

2:05:31.720 --> 2:05:34.560
<v Speaker 4>like we're like a you know, a football team that

2:05:34.640 --> 2:05:35.640
<v Speaker 4>doesn't even you know what I'm.

2:05:35.480 --> 2:05:37.800
<v Speaker 1>Saying, Like, so that's what I'm trying to say. At

2:05:37.840 --> 2:05:42.080
<v Speaker 1>the same time, that's Jim's opinion. Yeah, that's it really

2:05:42.320 --> 2:05:47.280
<v Speaker 1>man taking it too serious. He's supposed to think he's

2:05:47.280 --> 2:05:47.520
<v Speaker 1>the best.

2:05:47.840 --> 2:05:51.800
<v Speaker 5>He said, you're supposed to everyone's the best, and to me,

2:05:52.000 --> 2:05:53.360
<v Speaker 5>to me, it's working out for Gym.

2:05:53.400 --> 2:05:56.080
<v Speaker 1>I believe NAS doesn't have to respond. I believe I

2:05:56.200 --> 2:05:59.000
<v Speaker 1>believe he's good, but I believe the argument is dope

2:05:59.000 --> 2:06:01.800
<v Speaker 1>for us London. So for me, that's fucking Jim Jo

2:06:01.920 --> 2:06:05.520
<v Speaker 1>and that's fucking right. That's two legends for me. Yeah,

2:06:05.800 --> 2:06:09.520
<v Speaker 1>Like when I'm around each of them, I think, you know,

2:06:09.680 --> 2:06:13.720
<v Speaker 1>that's the guys, so like that stuff, I don't really

2:06:14.040 --> 2:06:15.320
<v Speaker 1>that's the internet stuff in it.

2:06:15.480 --> 2:06:19.480
<v Speaker 4>And this week we just had uh Max b on

2:06:19.720 --> 2:06:23.120
<v Speaker 4>on Drink Champs and he announced his date that he's

2:06:23.160 --> 2:06:25.160
<v Speaker 4>actually coming home this year.

2:06:25.880 --> 2:06:29.360
<v Speaker 3>Yeah, I speak to Max again and at the end,

2:06:31.600 --> 2:06:33.320
<v Speaker 3>you're going to work on music. We've done it.

2:06:33.400 --> 2:06:37.680
<v Speaker 1>I was on his last album, Wow, how do you

2:06:37.720 --> 2:06:41.120
<v Speaker 1>link with Max? He used to link with so one

2:06:41.160 --> 2:06:44.960
<v Speaker 1>of the Sas guys, one of the because say states

2:06:45.000 --> 2:06:46.120
<v Speaker 1>to have euro Gang in it.

2:06:46.520 --> 2:06:47.040
<v Speaker 2>Yeah, that's right.

2:06:47.680 --> 2:06:50.680
<v Speaker 1>And there was an artist on the Hayes and he

2:06:50.800 --> 2:06:52.720
<v Speaker 1>used to live with Max and that and then he

2:06:52.920 --> 2:06:53.800
<v Speaker 1>was like look shout out to.

2:06:55.800 --> 2:06:58.120
<v Speaker 3>Yeah, yeah, and then.

2:06:58.240 --> 2:07:01.160
<v Speaker 1>Hayes linking with Max and yeah his last album we

2:07:01.200 --> 2:07:03.840
<v Speaker 1>got a song on there. I can't remember the name,

2:07:04.160 --> 2:07:06.760
<v Speaker 1>super Fly Slight Superan.

2:07:07.640 --> 2:07:10.440
<v Speaker 3>I nearly said, fuck you you can.

2:07:10.360 --> 2:07:16.040
<v Speaker 1>Say fun everything, sucker, motherfucker, sucker.

2:07:17.920 --> 2:07:18.120
<v Speaker 3>Mother.

2:07:20.640 --> 2:07:25.080
<v Speaker 2>Oh yeah, more worries, no let me ask you this though.

2:07:25.880 --> 2:07:31.200
<v Speaker 5>Yeah, so drill and grime this is all started in

2:07:31.320 --> 2:07:36.280
<v Speaker 5>the UK, right, But some argue that drill is started

2:07:36.280 --> 2:07:36.919
<v Speaker 5>in Chicago.

2:07:38.200 --> 2:07:39.360
<v Speaker 2>What's your take on on that.

2:07:40.560 --> 2:07:43.160
<v Speaker 1>That's a great question. Yeah, I'll say the drill started

2:07:43.200 --> 2:07:49.040
<v Speaker 1>in Chicago, but like the style of music, yeah, started

2:07:49.120 --> 2:07:52.040
<v Speaker 1>in London. But they was inspired by the Chicago drill,

2:07:52.880 --> 2:07:53.520
<v Speaker 1>you know what I'm saying.

2:07:53.920 --> 2:07:56.280
<v Speaker 2>So what so there is a direct we break that

2:07:56.360 --> 2:07:57.840
<v Speaker 2>down breaking it's.

2:07:57.840 --> 2:07:59.800
<v Speaker 1>Like Chief Keith and all that, right, like you know

2:08:00.080 --> 2:08:04.120
<v Speaker 1>saying like Dirk or whatever. Man there, the UK drill

2:08:04.320 --> 2:08:05.360
<v Speaker 1>is inspired by that.

2:08:06.200 --> 2:08:06.760
<v Speaker 3>Do you yet me?

2:08:07.360 --> 2:08:10.240
<v Speaker 1>But then they made their own sound of sonically yeah

2:08:11.040 --> 2:08:13.040
<v Speaker 1>that we're here now? Yeah, so and that sound and

2:08:13.160 --> 2:08:18.040
<v Speaker 1>then the New York like drill is the same as

2:08:18.120 --> 2:08:20.560
<v Speaker 1>that sound drills.

2:08:20.240 --> 2:08:22.280
<v Speaker 2>From London was from London or the New York.

2:08:22.200 --> 2:08:26.000
<v Speaker 1>Drillers New York drill that you hear like I don't know,

2:08:26.120 --> 2:08:30.600
<v Speaker 1>bas like Favio and all that, Right, that's that's London drill,

2:08:31.320 --> 2:08:33.200
<v Speaker 1>you know what I'm saying. And then but now it's

2:08:33.280 --> 2:08:37.360
<v Speaker 1>that kind of evolved into like the kind of Jersey

2:08:37.520 --> 2:08:39.320
<v Speaker 1>sound in it, like with the.

2:08:42.440 --> 2:08:44.640
<v Speaker 3>Yeah, that kind of what's it was?

2:08:44.720 --> 2:08:48.320
<v Speaker 1>It like forty one what they called that, I'm a

2:08:48.440 --> 2:08:50.760
<v Speaker 1>relaxed when are we fucking again?

2:08:53.000 --> 2:08:53.640
<v Speaker 2>Sexy drill?

2:08:53.960 --> 2:08:55.760
<v Speaker 3>You know what I'm talking about? When they called forty two,

2:08:55.920 --> 2:08:58.400
<v Speaker 3>forty one, forty.

2:08:57.880 --> 2:09:01.160
<v Speaker 1>One, Yeah, that's kind of like it's kind of drill,

2:09:01.280 --> 2:09:03.720
<v Speaker 1>but then it's kind of it's kind of morphed into

2:09:04.800 --> 2:09:06.160
<v Speaker 1>you know what I'm saying that, So now it's his

2:09:06.360 --> 2:09:10.080
<v Speaker 1>own sound because it's kind of Jersey like, you know

2:09:10.120 --> 2:09:10.400
<v Speaker 1>what I mean?

2:09:11.040 --> 2:09:13.840
<v Speaker 3>So now they made another sound yet me?

2:09:14.280 --> 2:09:18.400
<v Speaker 5>So does do people in London feel like they're the

2:09:18.440 --> 2:09:21.200
<v Speaker 5>ones who inspired here or do they feel like they

2:09:21.240 --> 2:09:22.240
<v Speaker 5>took something from Chicago?

2:09:22.600 --> 2:09:28.000
<v Speaker 1>Like how do the originators like six seven that they're

2:09:28.040 --> 2:09:31.960
<v Speaker 1>from London that they arige six to seven? I'll say,

2:09:32.040 --> 2:09:37.120
<v Speaker 1>like Section Boys, they would probably tell you like Chief

2:09:37.240 --> 2:09:40.760
<v Speaker 1>Keith and that inspired that Chicago? Yeah me, but the

2:09:41.200 --> 2:09:44.080
<v Speaker 1>origin then they started and now and then you would

2:09:44.080 --> 2:09:47.080
<v Speaker 1>get the younger ones like I don't know, like low

2:09:47.240 --> 2:09:51.800
<v Speaker 1>Ski and like even at Central Seed who would have

2:09:52.480 --> 2:09:53.560
<v Speaker 1>listened to six seven?

2:09:53.680 --> 2:09:56.000
<v Speaker 3>And you yet me? Like you know what I'm saying,

2:09:56.080 --> 2:09:59.320
<v Speaker 3>and Section and did d ting you yet? Me?

2:10:01.680 --> 2:10:01.880
<v Speaker 1>Ill?

2:10:03.040 --> 2:10:04.160
<v Speaker 2>And then what about grime?

2:10:04.760 --> 2:10:06.680
<v Speaker 3>Grime is grime is like.

2:10:08.200 --> 2:10:12.280
<v Speaker 1>So grime is is it's like when it's like one

2:10:12.440 --> 2:10:14.800
<v Speaker 1>tempo music, so it's one forty bpm.

2:10:15.200 --> 2:10:17.760
<v Speaker 3>So like say, like that drill, that drill was probably.

2:10:17.560 --> 2:10:22.360
<v Speaker 1>Like one thirty one twenty eight bpm. Grime is one

2:10:22.480 --> 2:10:27.400
<v Speaker 1>forty bpm, and like they used to like so first

2:10:27.480 --> 2:10:28.520
<v Speaker 1>it started with garage.

2:10:28.720 --> 2:10:31.720
<v Speaker 2>Yeah, well I was a drumming bass or any of that.

2:10:31.760 --> 2:10:34.400
<v Speaker 1>Now now drumming basses before that, but it's all kind

2:10:34.440 --> 2:10:37.320
<v Speaker 1>of in the same yeah, yeah, so yeah, drumming bass, right, yeah,

2:10:37.960 --> 2:10:41.400
<v Speaker 1>and then that kind of turned into like it was

2:10:41.480 --> 2:10:44.880
<v Speaker 1>drummer based kind of jungle jungle, and then like it's

2:10:45.080 --> 2:10:48.400
<v Speaker 1>then it mixed the fuse the dance or and then

2:10:48.440 --> 2:10:52.560
<v Speaker 1>it was like that's kind of jungle, right because they

2:10:52.600 --> 2:10:55.760
<v Speaker 1>had the dance and that didn't eymore no, no, you

2:10:55.800 --> 2:10:58.320
<v Speaker 1>know the ones like them kind of tunes. And then

2:10:58.440 --> 2:11:01.520
<v Speaker 1>after that kind of came garage. Well garage might have

2:11:01.520 --> 2:11:03.440
<v Speaker 1>been the same time, don't quote me yet, me like,

2:11:03.880 --> 2:11:06.880
<v Speaker 1>and it was garage. And then that's when the street

2:11:06.960 --> 2:11:09.040
<v Speaker 1>niggers started spitting on garage.

2:11:09.160 --> 2:11:10.080
<v Speaker 2>So they're rhyming on that.

2:11:10.440 --> 2:11:14.600
<v Speaker 1>Yeah, garage, you know that garage, you know the one's

2:11:14.640 --> 2:11:20.080
<v Speaker 1>that house house and garages house and garage yeah. House music, yeah,

2:11:20.200 --> 2:11:28.200
<v Speaker 1>House and garage yeah. Oh, garage yeah yeah, garage, garage, garage,

2:11:28.400 --> 2:11:32.920
<v Speaker 1>we say garage. So that house and garage kind of

2:11:34.040 --> 2:11:36.480
<v Speaker 1>and the man used to spit on house and garage

2:11:36.680 --> 2:11:39.760
<v Speaker 1>yet me and then the street niggas started making their

2:11:39.840 --> 2:11:45.040
<v Speaker 1>own kind of beats, that tempo, and then they then

2:11:45.080 --> 2:11:47.840
<v Speaker 1>it kind of fused into grime because it was more

2:11:48.000 --> 2:11:53.080
<v Speaker 1>raw garage, house and garages that you know, happy house like, yeah,

2:11:53.200 --> 2:11:55.800
<v Speaker 1>but the man is spitting on it now street niggers,

2:11:56.320 --> 2:11:58.120
<v Speaker 1>you know what I'm saying that, So then they start

2:11:58.160 --> 2:12:01.960
<v Speaker 1>making their own beats and its darker, yeah exactly, and

2:12:02.040 --> 2:12:04.760
<v Speaker 1>then that became grime. But it wasn't cool grime for long.

2:12:04.840 --> 2:12:08.560
<v Speaker 1>It was just didn't have a name manager spitting on it.

2:12:08.640 --> 2:12:11.360
<v Speaker 1>It's still kind of garage. And then man start calling

2:12:11.400 --> 2:12:15.520
<v Speaker 1>it different names Eski, but that grime stock and then

2:12:15.560 --> 2:12:22.880
<v Speaker 1>that's grime. Yeah, so that's Skepta, Wiley, Dizzey, Rascal, Dizzey

2:12:22.920 --> 2:12:26.200
<v Speaker 1>Rascals grime yeah really yeah. Dizzy was the coded Dizzy

2:12:26.400 --> 2:12:28.440
<v Speaker 1>was one of the people who made me want to spit.

2:12:29.800 --> 2:12:33.520
<v Speaker 1>Thom is straight hip hop ships. Dizzey was one of

2:12:33.600 --> 2:12:34.440
<v Speaker 1>the coldest crime.

2:12:34.600 --> 2:12:36.120
<v Speaker 2>You mean it's all hip hop though at the end

2:12:36.120 --> 2:12:37.839
<v Speaker 2>of the day, yeah.

2:12:37.760 --> 2:12:40.320
<v Speaker 3>No, yeah, so so so grime.

2:12:40.640 --> 2:12:46.840
<v Speaker 1>Now, grime is a fusion of hip hop, garage, dance

2:12:47.000 --> 2:12:52.080
<v Speaker 1>l because the man name in London are Jamaican African, but.

2:12:52.160 --> 2:12:53.800
<v Speaker 3>That's the b Yeah.

2:12:54.240 --> 2:12:58.240
<v Speaker 2>But if you're spitting to me, that is hip hop already.

2:12:58.920 --> 2:13:04.800
<v Speaker 3>I guess yeah, unless it's true. But the man used

2:13:04.800 --> 2:13:08.600
<v Speaker 3>to spit like like garage days. They used to spit

2:13:08.760 --> 2:13:14.160
<v Speaker 3>like check one to check to check, you know that

2:13:14.280 --> 2:13:16.240
<v Speaker 3>one was like oh we go up the street and.

2:13:17.360 --> 2:13:20.000
<v Speaker 1>Yeah, like kind of you know what I'm saying, Like yeah,

2:13:21.400 --> 2:13:23.000
<v Speaker 1>though they might even saying anything.

2:13:23.680 --> 2:13:26.160
<v Speaker 3>We loving it, loving it, loving it, we loving it.

2:13:26.280 --> 2:13:27.839
<v Speaker 3>That's that's garage.

2:13:28.080 --> 2:13:29.360
<v Speaker 2>Because was hard.

2:13:29.800 --> 2:13:35.120
<v Speaker 3>Grime came and Dizzy, who changed the game. He used

2:13:35.160 --> 2:13:38.760
<v Speaker 3>to be spitting cold like like slip on your rebook,

2:13:38.800 --> 2:13:42.560
<v Speaker 3>pumps star jumps like you know what I'm saying.

2:13:42.600 --> 2:13:45.640
<v Speaker 1>He would come, he be on the hearted. That's when

2:13:45.680 --> 2:13:49.800
<v Speaker 1>he needed the harder beats. Then it started fusing the

2:13:50.960 --> 2:13:54.560
<v Speaker 1>more bass, raw, dirty, you know what I'm saying, like

2:13:54.720 --> 2:13:57.360
<v Speaker 1>hip hop. So by this time I listened to dancer

2:13:57.440 --> 2:14:00.200
<v Speaker 1>as well, So it's got a touch of dancer in there,

2:14:01.080 --> 2:14:04.360
<v Speaker 1>and you get me. But man's listening to rap music.

2:14:04.640 --> 2:14:08.360
<v Speaker 1>So when man's spitting, you know what I'm saying. And

2:14:08.440 --> 2:14:14.040
<v Speaker 1>then there was grime then, But the grime thing that

2:14:14.200 --> 2:14:18.000
<v Speaker 1>there was, they weren't really gang bangers in grime, you

2:14:18.080 --> 2:14:21.360
<v Speaker 1>know what I'm saying, Like more like there was couple,

2:14:21.480 --> 2:14:24.560
<v Speaker 1>but it's more like like good kids kind of thing,

2:14:25.480 --> 2:14:27.360
<v Speaker 1>you know what I'm saying, Like you get me, Like

2:14:27.480 --> 2:14:30.400
<v Speaker 1>here's there might shoot you baby, yeah, because they're from

2:14:30.400 --> 2:14:33.600
<v Speaker 1>the streets, but they're not frop They're not that like

2:14:33.720 --> 2:14:36.040
<v Speaker 1>they might be the good kids who focus on music.

2:14:36.120 --> 2:14:39.400
<v Speaker 3>Them times, music wasn't cool, right, You know what I'm saying.

2:14:39.480 --> 2:14:40.400
<v Speaker 3>If you're a street.

2:14:40.240 --> 2:14:42.680
<v Speaker 1>Nigger on music, it's not cool. If you're doing grime,

2:14:42.960 --> 2:14:45.920
<v Speaker 1>that's them grime niggas. You know what I'm saying, Like, manny,

2:14:46.680 --> 2:14:49.200
<v Speaker 1>you know what I'm saying. If you're doing grime, if

2:14:49.360 --> 2:14:51.600
<v Speaker 1>like man like me, I started fucking with before it

2:14:51.720 --> 2:14:54.200
<v Speaker 1>was cool grime and it would be like, yeah, so

2:14:54.280 --> 2:14:56.840
<v Speaker 1>what I'm doing grime? Like you know what I'm saying, man,

2:14:57.000 --> 2:14:59.360
<v Speaker 1>you have to yeah, so what I'm making this ground

2:14:59.400 --> 2:15:01.680
<v Speaker 1>you get me. And then then I went to jail

2:15:02.720 --> 2:15:06.840
<v Speaker 1>and then niggas are rapping in jail. UK niggas weren't

2:15:06.880 --> 2:15:10.080
<v Speaker 1>really rapping them like street niggas, you get me. So

2:15:10.200 --> 2:15:14.200
<v Speaker 1>then niggas are in jail, were rapping, and my grime

2:15:14.320 --> 2:15:17.360
<v Speaker 1>songs are signing kind of nerdy like I was, like,

2:15:17.720 --> 2:15:20.840
<v Speaker 1>I said, I hide my grime songs like yeah, they say,

2:15:21.400 --> 2:15:25.000
<v Speaker 1>don't worry about that one. Then I started rapping. I said, yeah,

2:15:25.000 --> 2:15:27.200
<v Speaker 1>I'm doing this wrap to fuck this grind ship like

2:15:27.280 --> 2:15:27.440
<v Speaker 1>you know.

2:15:27.440 --> 2:15:30.320
<v Speaker 3>What I'm saying. Then that's then then there was me

2:15:31.160 --> 2:15:32.040
<v Speaker 3>and then there's all.

2:15:31.920 --> 2:15:35.360
<v Speaker 1>The underground rappers as well, like because it was rapping

2:15:35.480 --> 2:15:37.520
<v Speaker 1>time like and that was the street niggas.

2:15:37.600 --> 2:15:39.400
<v Speaker 3>That's when it was crazy in the streets.

2:15:39.920 --> 2:15:45.200
<v Speaker 1>Niggas started rapping English accents, niggas busting shots on fucking

2:15:46.040 --> 2:15:49.240
<v Speaker 1>DVDs and ship. We had a DVD error because that's

2:15:49.280 --> 2:15:51.400
<v Speaker 1>what we got that from, you lot from like Smack.

2:15:52.480 --> 2:15:54.400
<v Speaker 2>Don't play from.

2:15:57.400 --> 2:16:03.000
<v Speaker 3>Influence smack because you know what I mean.

2:16:03.600 --> 2:16:05.920
<v Speaker 1>So then we had the DVDs, you know what I'm saying.

2:16:06.360 --> 2:16:11.120
<v Speaker 1>And that was when UK like skankster street rap, you

2:16:11.160 --> 2:16:13.360
<v Speaker 1>know what I mean. Like, so then you still had grime,

2:16:13.720 --> 2:16:16.040
<v Speaker 1>but like it was grime over there, and then there's

2:16:16.200 --> 2:16:19.080
<v Speaker 1>UK rap. Right, So that's why even like if I

2:16:19.480 --> 2:16:22.480
<v Speaker 1>come to America and someone calls me ground, I mean,

2:16:22.480 --> 2:16:23.520
<v Speaker 1>I ain't know Grandmatis.

2:16:23.920 --> 2:16:26.960
<v Speaker 2>So you think that Grand Martyrs would separate themselves from

2:16:27.040 --> 2:16:27.400
<v Speaker 2>hip hop?

2:16:28.120 --> 2:16:32.400
<v Speaker 1>Yeah, even like like so like because all of the

2:16:32.600 --> 2:16:37.000
<v Speaker 1>like Skepta, he's grime, yeah, gigs rap. But even though

2:16:37.040 --> 2:16:39.040
<v Speaker 1>Skeptic makes hip hop as well, me, I can make

2:16:39.120 --> 2:16:42.600
<v Speaker 1>grime as well because I started with that because it's faster,

2:16:42.800 --> 2:16:46.119
<v Speaker 1>you know, spit fast, like you know, like twist stops.

2:16:47.000 --> 2:16:48.400
<v Speaker 1>You know what I'm saying, Like you get me, so

2:16:48.520 --> 2:16:51.800
<v Speaker 1>I can do that as well, you get me. But yeah,

2:16:51.840 --> 2:16:59.000
<v Speaker 1>he's skeptar Kino, Diz, Rascal, grime, gigs, fucking I don't

2:16:59.000 --> 2:17:02.040
<v Speaker 1>know Dave hip hop, Like you know what I'm saying, Well,

2:17:02.040 --> 2:17:04.760
<v Speaker 1>I don't know if Dave were calling sorry, because he's right,

2:17:05.280 --> 2:17:09.360
<v Speaker 1>he's probably hip hop. But anyway, it's separate, you know

2:17:09.360 --> 2:17:13.160
<v Speaker 1>what I'm saying, Like, yes, but what was the question

2:17:13.240 --> 2:17:14.959
<v Speaker 1>you asked me just then?

2:17:16.560 --> 2:17:18.000
<v Speaker 3>But I was just saying, you.

2:17:18.040 --> 2:17:22.000
<v Speaker 1>Guys, yeah, you know, that's that's where it coming from.

2:17:22.600 --> 2:17:26.400
<v Speaker 1>But even like me, my music here because mad times,

2:17:26.400 --> 2:17:29.160
<v Speaker 1>I think ro where do I belong like musically do

2:17:29.200 --> 2:17:31.600
<v Speaker 1>you know what I mean? Like, because I'll make a

2:17:31.680 --> 2:17:35.720
<v Speaker 1>song with like popcorn like and then I'll make a

2:17:35.800 --> 2:17:36.760
<v Speaker 1>song with Dave East.

2:17:37.800 --> 2:17:38.680
<v Speaker 3>Where do I belong?

2:17:38.840 --> 2:17:40.840
<v Speaker 1>Like? You know what I'm saying that because that's a dancer.

2:17:40.920 --> 2:17:43.640
<v Speaker 1>I'm not bringing popcorn on a hip hop rhythm. It's

2:17:43.680 --> 2:17:46.560
<v Speaker 1>on a hard dance ALREADTHM, and I'm lacing it dance

2:17:46.600 --> 2:17:49.560
<v Speaker 1>all start. But then I might lace a Dave East,

2:17:50.320 --> 2:17:53.720
<v Speaker 1>but then I might lace a fucking young fuck on

2:17:53.840 --> 2:17:54.480
<v Speaker 1>the south thing?

2:17:54.800 --> 2:17:57.160
<v Speaker 3>Right, So ro what what's my music?

2:17:57.360 --> 2:17:57.400
<v Speaker 1>Like?

2:17:57.720 --> 2:17:58.320
<v Speaker 3>You know what I'm saying?

2:17:58.400 --> 2:17:58.440
<v Speaker 1>Like?

2:17:58.640 --> 2:18:02.520
<v Speaker 3>Yeah, me, but now I understand raw Like I'm just

2:18:02.760 --> 2:18:05.520
<v Speaker 3>my music. It's just u K. You know what I'm saying.

2:18:06.280 --> 2:18:07.000
<v Speaker 3>I can do whatever.

2:18:07.080 --> 2:18:10.000
<v Speaker 1>Yeah, it's hip hopos or period. But there's dancer in there,

2:18:11.000 --> 2:18:15.520
<v Speaker 1>and dance is the original, So what is it really?

2:18:15.680 --> 2:18:15.720
<v Speaker 3>Like?

2:18:18.360 --> 2:18:23.440
<v Speaker 2>That's how just because they are the original rappers in.

2:18:23.440 --> 2:18:28.920
<v Speaker 3>The sense original rappers. Yeah, yeah, I'm not sure.

2:18:29.480 --> 2:18:35.280
<v Speaker 5>In a sense in a sense I said, think about it,

2:18:35.440 --> 2:18:38.720
<v Speaker 5>Dan Saw is just rapping in patois.

2:18:40.000 --> 2:18:40.640
<v Speaker 2>On a certain b.

2:18:41.320 --> 2:18:44.600
<v Speaker 3>So, but that's the original though, so and then hip

2:18:44.640 --> 2:18:47.879
<v Speaker 3>hop comes off though it depends on.

2:18:48.000 --> 2:18:50.200
<v Speaker 5>Okay, So now we gotta get real historic if we're

2:18:50.200 --> 2:18:51.120
<v Speaker 5>go no, no, we gotta go.

2:18:51.360 --> 2:18:53.360
<v Speaker 2>We gotta go by year now, we gotta go.

2:18:53.400 --> 2:18:57.600
<v Speaker 5>By years because reggae will turn into dance. We gotta

2:18:57.640 --> 2:19:01.000
<v Speaker 5>go yearly, the seventy ease and then and we gotta

2:19:01.080 --> 2:19:04.160
<v Speaker 5>go with Bob Marley changes to dance hall like.

2:19:04.240 --> 2:19:06.720
<v Speaker 3>Reggae reggae, Yeah, we got to That's okay.

2:19:06.720 --> 2:19:09.480
<v Speaker 2>I don't want to go into that. Let me let me,

2:19:10.240 --> 2:19:12.160
<v Speaker 2>but I just think it's all related to be honest

2:19:12.160 --> 2:19:12.880
<v Speaker 2>with you know.

2:19:14.080 --> 2:19:16.600
<v Speaker 1>Yeah, but that's what I'm saying. So that's not saying

2:19:16.640 --> 2:19:19.520
<v Speaker 1>where do I belong though, it's just music, Like if

2:19:19.560 --> 2:19:21.440
<v Speaker 1>you think it's one fan it came to like a

2:19:21.560 --> 2:19:25.760
<v Speaker 1>gig show. It's like dance or hip hop, like real

2:19:25.959 --> 2:19:30.879
<v Speaker 1>hip hop, fucking some grime, you know what I'm saying.

2:19:30.959 --> 2:19:34.680
<v Speaker 1>My things like one minute your busting shots, next minute

2:19:34.720 --> 2:19:37.560
<v Speaker 1>your doing the grime thing. Then then you're dancing with

2:19:37.640 --> 2:19:40.520
<v Speaker 1>the gym made tunes for the girl. Like it's all

2:19:40.680 --> 2:19:44.240
<v Speaker 1>different flavors that, you know what I'm saying, Like hip hop.

2:19:44.440 --> 2:19:47.959
<v Speaker 2>I think that's kind of why I agree you.

2:19:51.160 --> 2:20:01.360
<v Speaker 3>Supposed because because you might have mix heavy d outside.

2:20:01.360 --> 2:20:02.680
<v Speaker 3>I got all right, I got I.

2:20:02.720 --> 2:20:05.160
<v Speaker 1>Got lost up bag By, but it was like hip hop,

2:20:05.200 --> 2:20:07.520
<v Speaker 1>but it was like don't so like I know what

2:20:07.600 --> 2:20:09.879
<v Speaker 1>you're saying, Like like last.

2:20:09.720 --> 2:20:11.920
<v Speaker 5>Thing of karras One, he does a lot of Ye

2:20:12.640 --> 2:20:14.879
<v Speaker 5>Pats One and his hip hop record.

2:20:14.760 --> 2:20:16.080
<v Speaker 2>Charris One would shoot.

2:20:15.800 --> 2:20:16.000
<v Speaker 1>You, And.

2:20:18.200 --> 2:20:21.160
<v Speaker 3>That's still don't carros One because I did.

2:20:22.760 --> 2:20:23.920
<v Speaker 2>Any of us, so.

2:20:26.840 --> 2:20:30.680
<v Speaker 5>All that influence, but it's totally hip hop is hip hop.

2:20:30.840 --> 2:20:31.879
<v Speaker 5>I believe everything that.

2:20:33.360 --> 2:20:35.920
<v Speaker 1>You see don't in them days in that that's like

2:20:36.040 --> 2:20:37.840
<v Speaker 1>a ees On sign. We used to we used to

2:20:37.920 --> 2:20:42.160
<v Speaker 1>cool that racket hip hop. So remember remember we had raga.

2:20:42.600 --> 2:20:43.480
<v Speaker 1>Remember the Bush.

2:20:43.320 --> 2:20:46.280
<v Speaker 5>Babies remember yeah, yeah, like they were and there was

2:20:46.360 --> 2:20:49.640
<v Speaker 5>there was there was teetering between reggae and hip hop,

2:20:49.720 --> 2:20:50.400
<v Speaker 5>but it was hip hop.

2:20:50.760 --> 2:20:53.200
<v Speaker 1>Yeah yeah, but that's not saying then we would say

2:20:53.280 --> 2:20:55.320
<v Speaker 1>racket hip hop them days.

2:20:55.760 --> 2:20:56.320
<v Speaker 3>You know what I'm saying.

2:20:56.600 --> 2:20:59.600
<v Speaker 1>Babies born Americans, born Americans as well.

2:20:59.720 --> 2:21:04.240
<v Speaker 2>Yeah, I mean to me, look, it's all it's one

2:21:04.280 --> 2:21:05.600
<v Speaker 2>big family musing.

2:21:05.760 --> 2:21:07.400
<v Speaker 3>I know that is off the chain.

2:21:07.800 --> 2:21:08.000
<v Speaker 1>Yeah.

2:21:08.280 --> 2:21:10.040
<v Speaker 3>I met one of their fishtakers. I am parted. That

2:21:10.200 --> 2:21:14.720
<v Speaker 3>was mad. Yeah yeah, yo, ll list ye they were cold.

2:21:15.360 --> 2:21:21.240
<v Speaker 3>The album from twenty Pounds Illness twenty pounds that I

2:21:21.320 --> 2:21:24.640
<v Speaker 3>remember that. What is that in the USD probably twenty five.

2:21:25.040 --> 2:21:26.480
<v Speaker 3>That's when that's a lot.

2:21:26.560 --> 2:21:28.320
<v Speaker 4>For the first time I went to London, I gave

2:21:28.360 --> 2:21:30.640
<v Speaker 4>a man one thousand dollars to convert the thing.

2:21:31.280 --> 2:21:32.959
<v Speaker 1>He gave me a seventy eight.

2:21:33.240 --> 2:21:38.160
<v Speaker 3>Yeah, no, has to be hot. Gave you have had

2:21:38.360 --> 2:21:42.840
<v Speaker 3>that break kind of let me not get not get fired.

2:21:45.280 --> 2:21:48.320
<v Speaker 3>Yeah I don't.

2:21:50.480 --> 2:21:51.240
<v Speaker 1>I'm not gonna lie.

2:21:51.760 --> 2:21:54.119
<v Speaker 4>The first time in my life when they said brexit,

2:21:54.200 --> 2:21:55.119
<v Speaker 4>I said, what is brexit?

2:21:55.400 --> 2:21:56.400
<v Speaker 2>He said it was breakfast.

2:21:56.920 --> 2:22:00.240
<v Speaker 4>Somebody's a part of them, one of the to not

2:22:00.360 --> 2:22:02.240
<v Speaker 4>be a part of them no more, but still be

2:22:02.360 --> 2:22:02.920
<v Speaker 4>a part of them.

2:22:02.959 --> 2:22:05.480
<v Speaker 1>I was like, that's hard, Like that's all like like

2:22:05.760 --> 2:22:08.720
<v Speaker 1>they left, but they got one leg in.

2:22:09.080 --> 2:22:11.119
<v Speaker 2>They still got one leg in. That's kind of hard.

2:22:11.160 --> 2:22:13.200
<v Speaker 4>That's like the Bronx saying I don't want to be

2:22:13.240 --> 2:22:15.840
<v Speaker 4>a part of New York City, but I still.

2:22:15.640 --> 2:22:16.119
<v Speaker 2>Want to stay.

2:22:17.879 --> 2:22:21.680
<v Speaker 1>That's hard, Like that's hard. Just think about the logic Bronx.

2:22:21.760 --> 2:22:23.959
<v Speaker 3>That's like, it's like.

2:22:25.600 --> 2:22:26.040
<v Speaker 1>Texas.

2:22:26.280 --> 2:22:28.119
<v Speaker 3>It's like what can I say.

2:22:28.160 --> 2:22:33.440
<v Speaker 1>It's like it's like poor Rico and America saying, yeah,

2:22:33.440 --> 2:22:35.080
<v Speaker 1>I don't want to be part of you know, no more.

2:22:35.200 --> 2:22:37.560
<v Speaker 1>It's kind of more like that because Porto Rico is

2:22:37.600 --> 2:22:39.880
<v Speaker 1>just over thing, but it's still kind of under America

2:22:39.959 --> 2:22:40.160
<v Speaker 1>in it.

2:22:41.440 --> 2:22:43.320
<v Speaker 2>Who would be Puerto Rico in this announced.

2:22:42.920 --> 2:22:46.480
<v Speaker 3>Puerto Rico might be in Europe and the UK is

2:22:46.560 --> 2:22:47.560
<v Speaker 3>America America.

2:22:47.840 --> 2:22:49.879
<v Speaker 2>That's a big mask. I feel like.

2:22:51.440 --> 2:22:54.840
<v Speaker 1>That's what bre say is we separated from Europe. But

2:22:55.000 --> 2:23:01.440
<v Speaker 1>is it You're a bigger Europe. Europe our passport that

2:23:01.600 --> 2:23:08.760
<v Speaker 1>my passport. So this passport, now, this is the old passport.

2:23:09.400 --> 2:23:11.240
<v Speaker 1>This is this says, this says.

2:23:11.240 --> 2:23:13.560
<v Speaker 2>EU and you can travel easily.

2:23:14.000 --> 2:23:16.879
<v Speaker 3>That's EU and U K. You remember this possible in it? Yeah,

2:23:17.760 --> 2:23:18.840
<v Speaker 3>yeah he can't.

2:23:18.879 --> 2:23:19.760
<v Speaker 2>He's American.

2:23:19.920 --> 2:23:23.760
<v Speaker 1>Okay, So now the possible after Bread said the possible

2:23:23.920 --> 2:23:27.000
<v Speaker 1>is just UK okay, and it's black. It's not even

2:23:27.040 --> 2:23:29.199
<v Speaker 1>think So I've got the black passport.

2:23:29.640 --> 2:23:30.880
<v Speaker 3>Yeah that's some hard shp.

2:23:30.920 --> 2:23:35.840
<v Speaker 2>I ain't never seen a black pastor. I need that

2:23:35.959 --> 2:23:36.600
<v Speaker 2>for my leave bit.

2:23:38.720 --> 2:23:41.240
<v Speaker 1>You need a better Just here, I'm about to joint

2:23:41.280 --> 2:23:47.480
<v Speaker 1>press it. I'm playing where's let's go. Okay, guys, so whoa, yeah,

2:23:47.720 --> 2:23:50.240
<v Speaker 1>she got politically incorrec.

2:23:50.280 --> 2:23:51.520
<v Speaker 3>Shot change the subject.

2:23:52.000 --> 2:23:55.520
<v Speaker 2>Let's take a shot for change the subjects. Let's take

2:23:55.560 --> 2:23:57.039
<v Speaker 2>this because this has got too politically.

2:23:59.240 --> 2:24:00.960
<v Speaker 3>Yeah, I'm thinking about my fucking book.

2:24:02.800 --> 2:24:04.560
<v Speaker 1>You got a book? Who signed to it? She feels

2:24:04.600 --> 2:24:08.600
<v Speaker 1>my pains. She from the Netherlands. Okay, neu up my

2:24:08.840 --> 2:24:15.800
<v Speaker 1>ting and it's a guy music. Mm hmm.

2:24:16.480 --> 2:24:17.760
<v Speaker 3>That socky thing is nice.

2:24:18.160 --> 2:24:20.400
<v Speaker 1>It's nice, right and you know what you still alert?

2:24:20.560 --> 2:24:25.320
<v Speaker 3>You still yeah? Yeah like though yeah, I need I need,

2:24:26.200 --> 2:24:28.080
<v Speaker 3>I need ye. Yeah, I like that.

2:24:29.080 --> 2:24:31.039
<v Speaker 2>You actually get a little bit more sober.

2:24:30.800 --> 2:24:31.440
<v Speaker 1>Than I like.

2:24:32.680 --> 2:24:38.800
<v Speaker 3>And I like this as well. Is that majuana my things?

2:24:38.840 --> 2:24:42.640
<v Speaker 2>See that as well, that's my majuana kings my thing.

2:24:43.000 --> 2:24:44.640
<v Speaker 1>See I'm gonna be honest. I don't recommend that.

2:24:46.200 --> 2:24:49.680
<v Speaker 3>Listen, man, listen, I heard this is for me.

2:24:52.600 --> 2:24:56.400
<v Speaker 1>If I linked the thing that my zoobie, my Mamajuana King. Listen,

2:24:56.560 --> 2:25:01.400
<v Speaker 1>this guy go basking, go for it, not Meva Juana King.

2:25:01.680 --> 2:25:03.880
<v Speaker 1>I'm saying this is how I heir Manjuana is me.

2:25:04.320 --> 2:25:06.160
<v Speaker 2>It's not it's not made the way he's saying it.

2:25:06.200 --> 2:25:09.280
<v Speaker 1>Go ahead and tubb and kindle with people can't even

2:25:09.320 --> 2:25:09.880
<v Speaker 1>live in kendle.

2:25:10.400 --> 2:25:11.680
<v Speaker 3>Let's not say this on the show.

2:25:13.480 --> 2:25:15.920
<v Speaker 2>Is all the time, all the time.

2:25:16.040 --> 2:25:18.600
<v Speaker 3>I said you for the in the office for I know,

2:25:18.680 --> 2:25:19.199
<v Speaker 3>a couple.

2:25:19.080 --> 2:25:20.360
<v Speaker 1>Of dudes with dirty feet.

2:25:22.879 --> 2:25:26.160
<v Speaker 2>I mean, honestly, that's how he's making that.

2:25:27.879 --> 2:25:30.360
<v Speaker 3>If you think about it, that's how wine is made.

2:25:30.480 --> 2:25:31.520
<v Speaker 1>I'll give you one story.

2:25:31.800 --> 2:25:34.000
<v Speaker 2>This kind of have to step on listen. I give

2:25:34.000 --> 2:25:36.080
<v Speaker 2>you one story. I'll give you one story.

2:25:36.200 --> 2:25:36.800
<v Speaker 3>Me and a bone.

2:25:37.680 --> 2:25:44.720
<v Speaker 4>You stepped on grapes holding hand. So I'm gonna I'm

2:25:44.720 --> 2:25:48.000
<v Speaker 4>gonna look. So we're at Palermo. You know what Palmo

2:25:48.120 --> 2:25:53.560
<v Speaker 4>in Italy, right it Sicily. This is where the mafia

2:25:53.879 --> 2:25:54.400
<v Speaker 4>is invented.

2:25:56.760 --> 2:25:57.800
<v Speaker 3>We know, but we don't know.

2:25:57.920 --> 2:26:00.800
<v Speaker 4>But as soon as you land, you know, like you know,

2:26:01.000 --> 2:26:04.440
<v Speaker 4>like this is this is, this is where they at.

2:26:05.640 --> 2:26:07.400
<v Speaker 4>So we check into the hotel. Soon as we check

2:26:07.440 --> 2:26:11.040
<v Speaker 4>into the hotel, they take our passports and I mean

2:26:11.040 --> 2:26:13.560
<v Speaker 4>they literally take our passports as we check in, like

2:26:13.640 --> 2:26:17.200
<v Speaker 4>they take them. So we're like all sitting around and

2:26:17.520 --> 2:26:19.640
<v Speaker 4>you know, we ordered these bottles of wine. We're like,

2:26:19.680 --> 2:26:21.440
<v Speaker 4>they're like, you know, just will be a couple of minutes.

2:26:21.440 --> 2:26:23.119
<v Speaker 4>So we ordered these bottles of wine. I'm talking about

2:26:23.120 --> 2:26:26.040
<v Speaker 4>it must have been like six hours. We drink everything,

2:26:27.160 --> 2:26:30.760
<v Speaker 4>every bottom of wine that they had, We drink them

2:26:31.800 --> 2:26:33.879
<v Speaker 4>like it must have so hours later, like they take

2:26:33.920 --> 2:26:36.039
<v Speaker 4>so much along with our passports, but we're so drunk

2:26:37.280 --> 2:26:37.800
<v Speaker 4>we don't care.

2:26:38.400 --> 2:26:41.880
<v Speaker 1>They give us back up passports, we take them.

2:26:44.720 --> 2:26:47.240
<v Speaker 4>We asked for the bill because they say we had

2:26:47.320 --> 2:26:48.480
<v Speaker 4>the end and then they tell us we had to

2:26:48.560 --> 2:26:49.640
<v Speaker 4>clear y'all through the FBI.

2:26:49.760 --> 2:26:52.880
<v Speaker 1>We're like, holy shit, it was this was some abnormal ship.

2:26:52.920 --> 2:26:54.560
<v Speaker 1>But we already fucked up. Were just like, let's just

2:26:54.840 --> 2:26:56.280
<v Speaker 1>roll over there, right, So.

2:26:57.320 --> 2:26:59.880
<v Speaker 2>So we we go upstairs, we do the show.

2:27:00.680 --> 2:27:03.920
<v Speaker 4>The next day, we realized, like, yo, how much was

2:27:04.000 --> 2:27:08.040
<v Speaker 4>that bill in American money? Like we must have drank

2:27:08.320 --> 2:27:13.879
<v Speaker 4>forty bottles right well, our bill was like one hundred

2:27:13.920 --> 2:27:18.039
<v Speaker 4>and forty dollars. So we're like something about this might

2:27:18.160 --> 2:27:18.840
<v Speaker 4>not be right.

2:27:19.600 --> 2:27:20.560
<v Speaker 1>This is cheaper out there.

2:27:20.640 --> 2:27:21.959
<v Speaker 2>I wake up in the morning.

2:27:21.800 --> 2:27:24.960
<v Speaker 1>It's this guy's one guy just making the wine byself.

2:27:26.360 --> 2:27:27.200
<v Speaker 2>Come on, guy, you.

2:27:28.760 --> 2:27:29.360
<v Speaker 3>Can't make.

2:27:31.160 --> 2:27:31.600
<v Speaker 5>You can't.

2:27:33.480 --> 2:27:35.520
<v Speaker 3>I'm just saying, this is how they did it. It's

2:27:35.560 --> 2:27:38.520
<v Speaker 3>the reason why they wine was so cheap. I had

2:27:38.680 --> 2:27:39.240
<v Speaker 3>one guy.

2:27:40.760 --> 2:27:46.760
<v Speaker 2>You know, I'm not Lucy Man come each other story.

2:27:49.200 --> 2:27:54.959
<v Speaker 3>Right now. Absolutely that because it's you such a guy

2:27:55.400 --> 2:27:59.240
<v Speaker 3>literally for your own eyes, stepping in the Absolutely absolutely

2:27:59.320 --> 2:28:02.039
<v Speaker 3>one million, but almost that juice takes a long.

2:28:01.920 --> 2:28:02.720
<v Speaker 2>Time to become one.

2:28:02.959 --> 2:28:05.760
<v Speaker 1>I'm not saying that the ship that he was just

2:28:05.840 --> 2:28:09.560
<v Speaker 1>stepping on at that moment became what we but eventually

2:28:09.720 --> 2:28:10.000
<v Speaker 1>this is.

2:28:12.720 --> 2:28:15.600
<v Speaker 2>Yes from the field.

2:28:15.680 --> 2:28:16.200
<v Speaker 1>Let me just tell you.

2:28:16.560 --> 2:28:18.520
<v Speaker 3>Let me just tell you the reason why I noticed him.

2:28:22.040 --> 2:28:23.039
<v Speaker 2>He didn't look clean.

2:28:25.480 --> 2:28:28.040
<v Speaker 1>He looked like a guy that pumps gas. Because what

2:28:28.200 --> 2:28:31.440
<v Speaker 1>you got to realize, and Palermo is a very poor place,

2:28:32.000 --> 2:28:36.000
<v Speaker 1>Palama so outside of this these little like resorts or whatever.

2:28:36.160 --> 2:28:36.680
<v Speaker 3>Like you see.

2:28:37.120 --> 2:28:39.320
<v Speaker 4>This is when I went there recently and I seen

2:28:40.040 --> 2:28:41.320
<v Speaker 4>Africans pumping out.

2:28:42.040 --> 2:28:45.320
<v Speaker 3>But back then you had you seen just poor you.

2:28:45.400 --> 2:28:48.800
<v Speaker 4>Know, Italian just pump your gas and you sitting there

2:28:48.800 --> 2:28:50.440
<v Speaker 4>and you're like you want to watch him, you don't

2:28:50.440 --> 2:28:52.080
<v Speaker 4>even want to go in there and gets no cheeses,

2:28:52.280 --> 2:28:53.880
<v Speaker 4>you know what I'm saying, Like you like looking at

2:28:53.920 --> 2:28:56.240
<v Speaker 4>this guy, like this guy pumping gas like it was.

2:28:56.360 --> 2:28:56.960
<v Speaker 3>It was rough.

2:28:57.000 --> 2:28:57.520
<v Speaker 2>But I didn't know.

2:28:57.600 --> 2:29:00.960
<v Speaker 1>I thought all Italy was beautiful. I didn't no, Pallemo,

2:29:01.520 --> 2:29:03.760
<v Speaker 1>this is where the mafia is fucking born at.

2:29:04.120 --> 2:29:05.119
<v Speaker 2>I didn't know that ship.

2:29:05.280 --> 2:29:10.080
<v Speaker 4>So yeah, we got drunk as hell, woke up in

2:29:10.120 --> 2:29:14.199
<v Speaker 4>the morning and I see one man stopping on grapes.

2:29:14.000 --> 2:29:17.000
<v Speaker 2>And well, you know when the firm man SA kills

2:29:17.040 --> 2:29:17.920
<v Speaker 2>all the germs.

2:29:19.560 --> 2:29:21.760
<v Speaker 4>You think you think I thought like that At that

2:29:22.000 --> 2:29:25.320
<v Speaker 4>very moment, I'm thinking like, oh, this guy, I know

2:29:25.400 --> 2:29:26.400
<v Speaker 4>he ain't washed his feet.

2:29:27.760 --> 2:29:28.200
<v Speaker 3>He made it.

2:29:29.640 --> 2:29:31.920
<v Speaker 4>I'm sorry. I'm sorry, gigs. And every time I see

2:29:31.959 --> 2:29:33.400
<v Speaker 4>my majana, that's what I figure.

2:29:38.080 --> 2:29:39.320
<v Speaker 3>Doesn't even know this guy.

2:29:39.800 --> 2:29:41.800
<v Speaker 1>No, I don't know, but I just I just know

2:29:41.920 --> 2:29:43.920
<v Speaker 1>my ma wana is not made correctly.

2:29:44.240 --> 2:29:44.520
<v Speaker 5>It is.

2:29:44.959 --> 2:29:49.000
<v Speaker 2>Listen, bro, my god, this guy goes in on this mamajuana.

2:29:49.040 --> 2:29:50.000
<v Speaker 2>I just know it's not making.

2:29:50.360 --> 2:29:50.480
<v Speaker 1>Bro.

2:29:50.600 --> 2:29:52.520
<v Speaker 2>He goes in on this moment. He doesn't know any people.

2:29:52.640 --> 2:29:54.879
<v Speaker 3>Mamajuana. I never goes in on him.

2:29:55.080 --> 2:29:57.200
<v Speaker 2>I just never said I did, but I just feel like.

2:29:58.480 --> 2:30:00.080
<v Speaker 3>That's what you think. Come when you see it, and

2:30:00.360 --> 2:30:06.040
<v Speaker 3>I said, guy had The guy puts herbs, but he

2:30:06.240 --> 2:30:17.599
<v Speaker 3>drinking the real feet juice. You don't even so he's traumatized.

2:30:18.520 --> 2:30:24.160
<v Speaker 3>Even me, I'm drinking the mama wana. That's the case.

2:30:24.520 --> 2:30:27.400
<v Speaker 2>The guy in the mamahuanna guy calls me up. He's like, yo, nor,

2:30:27.480 --> 2:30:29.800
<v Speaker 2>he's this in the funk out of me, I said,

2:30:29.840 --> 2:30:32.840
<v Speaker 2>my man do A video now promoting it the way.

2:30:32.920 --> 2:30:36.680
<v Speaker 5>He said, you gotta got girls, sexy girls in the

2:30:36.760 --> 2:30:38.400
<v Speaker 5>bathtom making.

2:30:38.160 --> 2:30:40.360
<v Speaker 2>The mamajuana to help the fly.

2:30:42.120 --> 2:30:47.800
<v Speaker 1>And he was angry.

2:30:47.920 --> 2:30:48.920
<v Speaker 2>I said, don't be angry.

2:30:49.480 --> 2:30:52.080
<v Speaker 3>He's clean by these.

2:30:53.680 --> 2:30:55.560
<v Speaker 1>Rains. He saw.

2:30:56.120 --> 2:30:58.760
<v Speaker 2>The guy saw everything. He said, He's like, I don't

2:30:58.879 --> 2:30:59.520
<v Speaker 2>make it like that.

2:31:05.120 --> 2:31:07.240
<v Speaker 4>So I got playing around what I'm saying.

2:31:07.280 --> 2:31:08.720
<v Speaker 2>But in my mind, that's the way it's made. Like

2:31:08.800 --> 2:31:12.560
<v Speaker 2>that's in my mind. Like I mean, moonshine is made

2:31:12.560 --> 2:31:17.000
<v Speaker 2>in the bathtub. Real, this is dominicky moon shine.

2:31:18.400 --> 2:31:21.720
<v Speaker 5>Yeah, it's rude, it's roots and then you add alcohol

2:31:21.879 --> 2:31:22.520
<v Speaker 5>after the fact.

2:31:24.400 --> 2:31:28.760
<v Speaker 4>We got two more shots left. I just want to

2:31:28.760 --> 2:31:31.560
<v Speaker 4>salute you. Give your flowers face to face man, the man.

2:31:32.360 --> 2:31:34.680
<v Speaker 4>The things that you did is remarkable. Things that you're

2:31:34.720 --> 2:31:37.120
<v Speaker 4>doing is remarkable. Things that you continue to be a

2:31:37.200 --> 2:31:37.520
<v Speaker 4>part of.

2:31:40.000 --> 2:31:40.680
<v Speaker 3>One that does it.

2:31:43.040 --> 2:31:44.080
<v Speaker 1>I believe you got one more.

2:31:44.160 --> 2:31:44.960
<v Speaker 2>So don't let it do it.

2:31:45.000 --> 2:31:45.640
<v Speaker 1>They don't let it win.

2:31:46.120 --> 2:31:46.480
<v Speaker 3>So but.

2:31:48.480 --> 2:31:50.240
<v Speaker 2>Don't let them. Don't let them win.

2:31:50.520 --> 2:31:54.520
<v Speaker 1>Whoever them isn't the people that Colin talk about got

2:31:54.600 --> 2:31:55.160
<v Speaker 1>lost hope?

2:31:55.200 --> 2:31:57.480
<v Speaker 3>You know real opinion. Long ago.

2:31:59.200 --> 2:32:02.040
<v Speaker 1>I said, dreams were proud of you. Man.

2:32:02.360 --> 2:32:03.880
<v Speaker 4>We want to salute you. We want to let you

2:32:04.040 --> 2:32:07.640
<v Speaker 4>know the things you do did and doing is remarkable

2:32:07.720 --> 2:32:10.240
<v Speaker 4>man like for a person for your story like you know,

2:32:10.920 --> 2:32:14.520
<v Speaker 4>you know, like you know, being locked up abroad and

2:32:14.640 --> 2:32:19.920
<v Speaker 4>being able to be a uh the man them there

2:32:20.440 --> 2:32:23.119
<v Speaker 4>and then come home and dominate America due to us

2:32:23.440 --> 2:32:28.560
<v Speaker 4>have records with every reputable artist, like that's a true

2:32:28.640 --> 2:32:32.120
<v Speaker 4>international star. And I just personally want to salute you personally.

2:32:32.520 --> 2:32:35.440
<v Speaker 4>You know obviously what I'm saying, person I'm saying the

2:32:35.480 --> 2:32:38.080
<v Speaker 4>whole camp to Drink Champs. But you know what you doing,

2:32:38.200 --> 2:32:39.640
<v Speaker 4>what you did is not normal man.

2:32:40.040 --> 2:32:41.160
<v Speaker 1>And you know what I mean.

2:32:41.720 --> 2:32:43.879
<v Speaker 4>That's what it is about our show is we want

2:32:43.920 --> 2:32:47.600
<v Speaker 4>to let you know the dope ship that you do

2:32:47.760 --> 2:32:51.640
<v Speaker 4>it and you're doing and that ship is that ship

2:32:51.760 --> 2:32:53.280
<v Speaker 4>is unheard of.

2:32:53.760 --> 2:32:55.440
<v Speaker 1>You're gonna go down in the history books.

2:32:56.400 --> 2:33:00.480
<v Speaker 4>So until those history books is wrote, we gonna drink

2:33:00.520 --> 2:33:03.160
<v Speaker 4>for you here and we're gonna salute your head.

2:33:04.720 --> 2:33:06.760
<v Speaker 3>You deserve these props. Salu.

2:33:07.160 --> 2:33:09.240
<v Speaker 9>That better not be empty. That looks a little empty,

2:33:09.280 --> 2:33:24.480
<v Speaker 9>I can tell. Let's take us a picture. Drink Champs

2:33:24.600 --> 2:33:28.480
<v Speaker 9>is a Drink Champs LLC. Production hosts and executive producers

2:33:28.840 --> 2:33:32.240
<v Speaker 9>n O. R E and dj E f FN listen

2:33:32.280 --> 2:33:32.800
<v Speaker 9>to Drink.

2:33:32.680 --> 2:33:36.960
<v Speaker 5>Champs on Apple podcast, Amazon Music, Spotify, or wherever you

2:33:37.120 --> 2:33:40.879
<v Speaker 5>get your podcasts. Thanks for joining us for another episode

2:33:40.920 --> 2:33:43.560
<v Speaker 5>of Drink Champs, hosted by Yours Truly, dj e f

2:33:43.720 --> 2:33:45.840
<v Speaker 5>N and n O r E. Please make sure to

2:33:45.879 --> 2:33:48.360
<v Speaker 5>follow us on all our socials that's at drink Champs

2:33:48.400 --> 2:33:52.480
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2:33:52.560 --> 2:33:55.640
<v Speaker 5>Noriega on Twitter, mine is at Who's Crazy on I

2:33:55.840 --> 2:33:59.480
<v Speaker 5>g at dj e f N on Twitter, and most importantly,

2:33:59.520 --> 2:34:02.320
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2:34:02.520 --> 2:34:04.840
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2:34:05.440 --> 2:34:08.160
<v Speaker 3>Mm hmm