1
00:00:11,800 --> 00:00:16,160
Speaker 1: He is drinks chests, motherfucking podcast makes He's a legendary

2
00:00:16,239 --> 00:00:18,400
Speaker 1: queens rapper. He ain't agreed as your boy in O

3
00:00:18,600 --> 00:00:18,800
Speaker 1: R E.

4
00:00:18,920 --> 00:00:22,200
Speaker 2: He's a Miami hip hop pioneer. Put up its DJ.

5
00:00:22,120 --> 00:00:24,599
Speaker 1: E f N together they drink it up with some.

6
00:00:24,520 --> 00:00:26,239
Speaker 2: Of the biggest players, you know what I mean.

7
00:00:26,320 --> 00:00:30,640
Speaker 3: And the most professional unprofessional podcast and your number one

8
00:00:30,680 --> 00:00:34,120
Speaker 3: source for drunk drink Chans day is New.

9
00:00:34,040 --> 00:00:38,320
Speaker 2: Year c That's it's time for drink Champions. Drink up, motherfucker?

10
00:00:43,880 --> 00:00:45,880
Speaker 1: Would it good be over this simp ship boy.

11
00:00:45,800 --> 00:00:46,400
Speaker 3: And O R E?

12
00:00:46,560 --> 00:00:48,480
Speaker 2: What up is DJ E f N And it's drink

13
00:00:48,520 --> 00:00:50,319
Speaker 2: champs y make some no.

14
00:00:54,080 --> 00:00:56,480
Speaker 4: And man, when we talk about people that's been doing it,

15
00:00:56,880 --> 00:01:01,840
Speaker 4: you know, Corosse Sea's international over twenty year is records

16
00:01:02,000 --> 00:01:04,320
Speaker 4: with some of the biggest people in the world.

17
00:01:05,040 --> 00:01:07,360
Speaker 1: When you talk about the Manim, that's the Mandim and

18
00:01:07,560 --> 00:01:12,800
Speaker 1: standing next to the Mandamn, you understand continue to do

19
00:01:12,959 --> 00:01:15,480
Speaker 1: have respect. That's the biggest thing about it is.

20
00:01:15,560 --> 00:01:16,399
Speaker 2: You know, sometimes you.

21
00:01:16,319 --> 00:01:19,120
Speaker 4: Can have respect from the fans, you can have the

22
00:01:19,200 --> 00:01:22,120
Speaker 4: respect from from from from the executives, but when you

23
00:01:22,160 --> 00:01:25,120
Speaker 4: have respect from the actual artists, the actual community, the

24
00:01:25,160 --> 00:01:28,280
Speaker 4: actual people who put out these who put out this culture,

25
00:01:28,280 --> 00:01:30,920
Speaker 4: who stand behind them? I'm telling you the people who

26
00:01:31,000 --> 00:01:32,880
Speaker 4: we everybody most respect respect.

27
00:01:32,920 --> 00:01:33,440
Speaker 3: That's man.

28
00:01:34,520 --> 00:01:36,040
Speaker 4: So in case I don't know who we talking about,

29
00:01:36,040 --> 00:01:38,880
Speaker 4: we talking about the Mandem, the motherfucking one of the

30
00:01:38,920 --> 00:01:43,160
Speaker 4: London's kings, and we're gonna get into all of that

31
00:01:44,000 --> 00:01:45,680
Speaker 4: right now today.

32
00:01:50,720 --> 00:01:51,680
Speaker 2: So so off.

33
00:01:51,520 --> 00:01:54,000
Speaker 1: Top, I want to ask you, are we okay with ice?

34
00:01:54,120 --> 00:01:55,360
Speaker 2: Is an ice goring up in here?

35
00:01:55,960 --> 00:01:56,400
Speaker 3: Damn?

36
00:02:01,160 --> 00:02:07,640
Speaker 1: I'm going to you know, because Trump is wild and

37
00:02:07,680 --> 00:02:14,639
Speaker 1: he's taking even out London. Nobody ain't the joke. So later, yeah,

38
00:02:14,639 --> 00:02:16,720
Speaker 1: I know, y'ah, So I know, yeah, so I know, yeah,

39
00:02:17,040 --> 00:02:18,760
Speaker 1: I know ya to excuse.

40
00:02:18,440 --> 00:02:20,639
Speaker 5: Us from right now with all the crazy accents and

41
00:02:20,680 --> 00:02:26,200
Speaker 5: probably will come out London, you know.

42
00:02:26,320 --> 00:02:29,240
Speaker 1: But but but all right, let me ask you right

43
00:02:29,440 --> 00:02:35,640
Speaker 1: way wait, I'll go to visas, okay, right, I didn't

44
00:02:35,680 --> 00:02:39,760
Speaker 1: have backing up because because I heard that you at

45
00:02:39,800 --> 00:02:42,079
Speaker 1: one point you were banned in your own country, right,

46
00:02:42,280 --> 00:02:45,200
Speaker 1: But what I'm saying is one time I got banned

47
00:02:45,240 --> 00:02:49,360
Speaker 1: in London just for going through and not having a visa, right, okay,

48
00:02:49,600 --> 00:02:50,799
Speaker 1: So is it like that in.

49
00:02:50,760 --> 00:02:53,639
Speaker 4: The reverse like when you come to America? Are they

50
00:02:53,880 --> 00:02:56,360
Speaker 4: are they is the Americans just as strict to yours

51
00:02:56,480 --> 00:02:58,760
Speaker 4: as as the UK people are strict to us.

52
00:02:58,880 --> 00:03:03,080
Speaker 1: I think more strict Americans, and.

53
00:03:02,000 --> 00:03:03,680
Speaker 3: We need to hear this. You don't know, like we

54
00:03:03,760 --> 00:03:04,360
Speaker 3: think it's Yeah.

55
00:03:05,960 --> 00:03:08,799
Speaker 1: I got like even when I'm over here, I'm kind

56
00:03:08,800 --> 00:03:11,480
Speaker 1: of like, right, you know what I'm saying, like because

57
00:03:11,639 --> 00:03:15,480
Speaker 1: none of my man them can come over here, none

58
00:03:15,520 --> 00:03:17,720
Speaker 1: of them. So even the man then will be watching

59
00:03:17,760 --> 00:03:23,720
Speaker 1: me over here, like but they're seeing me like around family,

60
00:03:25,440 --> 00:03:27,960
Speaker 1: like family, but no one can get over here.

61
00:03:28,480 --> 00:03:29,880
Speaker 3: I couldn't get here for ten years.

62
00:03:29,919 --> 00:03:33,320
Speaker 1: Wow. And was this the same ten years that you

63
00:03:33,440 --> 00:03:36,960
Speaker 1: was bearing from doing shows? Yeah, in the same time.

64
00:03:37,200 --> 00:03:39,240
Speaker 1: I didn't even think about that, but yeah at the

65
00:03:39,280 --> 00:03:44,000
Speaker 1: same time, Yeah, yeah, it was. It was kind of

66
00:03:44,000 --> 00:03:48,760
Speaker 1: a misunderstandabay, because obviously I had convictions and stuff. Yeah, yeah,

67
00:03:48,800 --> 00:03:51,040
Speaker 1: And then I used to come over here. I used

68
00:03:51,040 --> 00:03:53,720
Speaker 1: to like fill in the paper, bro, I know.

69
00:03:55,640 --> 00:03:55,920
Speaker 2: I did.

70
00:03:55,960 --> 00:03:58,480
Speaker 1: I swear to God, I used to because it said

71
00:03:58,560 --> 00:04:01,960
Speaker 1: have you been convicted for more than five years for drugs?

72
00:04:02,440 --> 00:04:05,000
Speaker 3: And I was thinking, I went heil for firearms. That

73
00:04:05,080 --> 00:04:10,080
Speaker 3: ain't me, That's what I wought. So I used to

74
00:04:10,160 --> 00:04:16,240
Speaker 3: take no, none of the suffer me.

75
00:04:17,960 --> 00:04:21,560
Speaker 1: Then then one day I was going to Atlanta and

76
00:04:21,560 --> 00:04:23,680
Speaker 1: then they just said yeah, this way went in the

77
00:04:23,720 --> 00:04:26,479
Speaker 1: room and I was just sitting there for hours and

78
00:04:26,520 --> 00:04:28,520
Speaker 1: then they even they said, yeah, have you been convicted?

79
00:04:28,560 --> 00:04:31,080
Speaker 1: I said yeah, like and then they said, well why

80
00:04:31,120 --> 00:04:34,200
Speaker 1: did you lie here? And I was like, this is

81
00:04:34,279 --> 00:04:36,440
Speaker 1: the apply to me? And then they was like, we're

82
00:04:36,440 --> 00:04:39,520
Speaker 1: not going to argue, don't come back, and then sent

83
00:04:39,640 --> 00:04:43,279
Speaker 1: me back there. Then after that it was ten years,

84
00:04:43,320 --> 00:04:47,760
Speaker 1: like oh wow, I'm back from yeah.

85
00:04:46,720 --> 00:04:47,400
Speaker 3: And now.

86
00:04:49,640 --> 00:04:53,080
Speaker 4: In America, how long did it take for you to

87
00:04:53,200 --> 00:04:57,039
Speaker 4: cross over from from the UK market to America? Because like,

88
00:04:58,240 --> 00:05:00,320
Speaker 4: predominantly this is a new thing for us, so right,

89
00:05:00,600 --> 00:05:02,720
Speaker 4: like you know, hip hop has always just been us.

90
00:05:02,880 --> 00:05:05,039
Speaker 4: Then I went to the West coast and then when

91
00:05:05,040 --> 00:05:07,720
Speaker 4: it goes across the pond, were like, holy moly, So

92
00:05:07,760 --> 00:05:10,039
Speaker 4: how long did it take for you to get the

93
00:05:10,080 --> 00:05:13,800
Speaker 4: same respect that you had in the UK in America?

94
00:05:14,200 --> 00:05:16,599
Speaker 1: You know, I couldn't even tell you that because like

95
00:05:17,680 --> 00:05:21,200
Speaker 1: that that's when I was banned. Okay, so like like

96
00:05:21,279 --> 00:05:23,240
Speaker 1: that kind of time in my career. What year was

97
00:05:23,240 --> 00:05:28,000
Speaker 1: that's probably in between two thousand and ten to like

98
00:05:28,800 --> 00:05:31,400
Speaker 1: two thousand, I think I came over in COVID.

99
00:05:31,440 --> 00:05:33,360
Speaker 3: That's the first time. Yeah.

100
00:05:33,400 --> 00:05:37,920
Speaker 1: So the iron is I was at them times in COVID.

101
00:05:37,960 --> 00:05:40,440
Speaker 1: They locked down the country and they said no one

102
00:05:40,480 --> 00:05:45,160
Speaker 1: from England is allowed to come to America in that time,

103
00:05:45,320 --> 00:05:46,000
Speaker 1: Well a lot of.

104
00:05:46,000 --> 00:05:47,120
Speaker 2: Countries couldn't come.

105
00:05:48,000 --> 00:05:50,000
Speaker 3: Yeah, okay, yeah, but that was one of the you

106
00:05:50,040 --> 00:05:50,800
Speaker 3: know what I'm saying, So.

107
00:05:50,720 --> 00:05:54,800
Speaker 1: No one even mad people coming through Mexico, you know

108
00:05:54,800 --> 00:05:55,320
Speaker 1: what I'm saying.

109
00:05:55,800 --> 00:05:57,640
Speaker 3: They were saying, if you're quarantine.

110
00:05:57,120 --> 00:05:59,640
Speaker 1: In Mexico for two weeks, then you can get to

111
00:05:59,800 --> 00:06:02,080
Speaker 1: a through Mexico. But no one could get over here.

112
00:06:02,400 --> 00:06:07,159
Speaker 1: And that's when I got my visa back and I've got.

113
00:06:06,440 --> 00:06:08,080
Speaker 3: What's the word. It's like a.

114
00:06:08,000 --> 00:06:11,560
Speaker 1: Pardon kind of thing to be able to come in COVID.

115
00:06:12,160 --> 00:06:14,560
Speaker 1: So the irony is then I was the only english

116
00:06:14,560 --> 00:06:18,039
Speaker 1: person allowed before I used to watch everyone else coming

117
00:06:18,040 --> 00:06:19,920
Speaker 1: over and I was allowed, you know what I mean.

118
00:06:20,000 --> 00:06:21,640
Speaker 3: So that's how God works like.

119
00:06:21,960 --> 00:06:24,679
Speaker 2: Crazy during a restricted time, you were yeah.

120
00:06:24,760 --> 00:06:27,960
Speaker 1: Yeah, so but yeah, but anyway, what I was saying was, yeah,

121
00:06:28,040 --> 00:06:31,400
Speaker 1: so in all that time, like mad things were popping off.

122
00:06:31,480 --> 00:06:35,880
Speaker 1: I was doing mad like featured like big collaborations. That

123
00:06:36,520 --> 00:06:38,839
Speaker 1: even that time was when me and Drake just done

124
00:06:39,800 --> 00:06:41,840
Speaker 1: the two tracks of More Life, you know, saying.

125
00:06:41,600 --> 00:06:48,480
Speaker 3: That's like, that's that's Drake's album. Better. Yeah, I'm saying

126
00:06:48,520 --> 00:06:48,960
Speaker 3: them times.

127
00:06:49,000 --> 00:06:51,160
Speaker 1: I'm not allowed in America, So I don't even know

128
00:06:51,640 --> 00:06:54,160
Speaker 1: how these songs are popping off. What's popping off if

129
00:06:54,160 --> 00:06:57,000
Speaker 1: people know gigs? So by the time I've come back now,

130
00:06:57,240 --> 00:07:00,000
Speaker 1: it's like legend gigs are and I'm thinking, oh yeah,

131
00:07:01,000 --> 00:07:04,320
Speaker 1: oh yeah, no, love, love respect. Even when I linked you, yes,

132
00:07:04,560 --> 00:07:06,800
Speaker 1: I remember that, you said he I saw you that,

133
00:07:07,040 --> 00:07:11,200
Speaker 1: and I was like, you watched my tic know.

134
00:07:13,440 --> 00:07:19,840
Speaker 4: So what I didn't realize this morning because I'm speaking

135
00:07:19,840 --> 00:07:24,920
Speaker 4: to Bleak and I go bleek, I gazed, and he

136
00:07:24,960 --> 00:07:29,080
Speaker 4: goes ask that, Nigga, is it a burden on that

137
00:07:29,120 --> 00:07:31,440
Speaker 4: shout out? He said, because it's a burden on my

138
00:07:31,480 --> 00:07:34,760
Speaker 4: shot on. Everybody just thinks like, I'm a you know

139
00:07:35,080 --> 00:07:37,400
Speaker 4: what his shoutout is? And then your shoutout is? How

140
00:07:37,440 --> 00:07:38,280
Speaker 4: does your shoutout go?

141
00:07:38,320 --> 00:07:38,600
Speaker 1: Again?

142
00:07:39,840 --> 00:07:40,600
Speaker 3: I see a lot of.

143
00:07:43,120 --> 00:07:45,560
Speaker 4: So He's like, man, that was too much pressure on me.

144
00:07:46,360 --> 00:07:48,840
Speaker 4: We just saying that to me, and I didn't realize,

145
00:07:49,040 --> 00:07:53,120
Speaker 4: holy ship, like getting a shout out is a beautiful

146
00:07:53,160 --> 00:07:56,880
Speaker 4: thing and one thing but then he said he sees

147
00:07:57,040 --> 00:07:59,680
Speaker 4: you and him so so bleak is like, man, that's

148
00:07:59,680 --> 00:08:00,400
Speaker 4: gotta be a burden.

149
00:08:00,480 --> 00:08:01,440
Speaker 3: That's is a burden on me.

150
00:08:01,720 --> 00:08:03,680
Speaker 4: And I'm thinking like I didn't even think like that,

151
00:08:04,120 --> 00:08:07,320
Speaker 4: like like I'm sure, I'm sure there's beautiful part of that,

152
00:08:07,400 --> 00:08:12,600
Speaker 4: but now this this man them saying you you're supposed

153
00:08:12,600 --> 00:08:15,520
Speaker 4: to be the next hole. That's basically where he implied.

154
00:08:16,040 --> 00:08:18,440
Speaker 4: Was that pressure on you at one point or another?

155
00:08:18,480 --> 00:08:21,240
Speaker 1: The next I probably like you remind me, you remind

156
00:08:21,280 --> 00:08:22,120
Speaker 1: me of myself.

157
00:08:22,400 --> 00:08:24,480
Speaker 4: But you know how you do twist those words and say, yo,

158
00:08:24,960 --> 00:08:28,000
Speaker 4: he sees you and him like whoa Like have you

159
00:08:28,040 --> 00:08:32,520
Speaker 4: ever had like to prove that not?

160
00:08:33,000 --> 00:08:37,679
Speaker 1: Yeah, well seeing me like I'm growing up in like

161
00:08:38,160 --> 00:08:41,400
Speaker 1: that dance or hip hop all of that stuff like

162
00:08:42,600 --> 00:08:45,160
Speaker 1: the shower outs and like you know what I'm saying,

163
00:08:45,160 --> 00:08:48,840
Speaker 1: like oh yeah me and big so high and now

164
00:08:48,880 --> 00:08:52,000
Speaker 1: it's man's what it's hard enough to get the show from.

165
00:08:52,280 --> 00:08:55,400
Speaker 3: Like that's like, that's that starts like a dream.

166
00:08:55,800 --> 00:08:58,280
Speaker 1: Now even if you told me that, like I don't know,

167
00:08:58,320 --> 00:08:59,680
Speaker 1: twenty five years ago.

168
00:09:00,120 --> 00:09:03,280
Speaker 3: Yeah, you know, in twenty five years I was going

169
00:09:03,360 --> 00:09:05,079
Speaker 3: to say, you remind me of it, you know, what

170
00:09:05,120 --> 00:09:05,360
Speaker 3: I mean.

171
00:09:05,559 --> 00:09:07,839
Speaker 1: I like, yeah, my guy, like, you know what I'm saying,

172
00:09:07,880 --> 00:09:16,280
Speaker 1: So nah, no pressure. I was more like, yeah, bro,

173
00:09:16,760 --> 00:09:18,839
Speaker 1: you know what I'm saying, so yeah no never man,

174
00:09:19,400 --> 00:09:20,079
Speaker 1: and I heard you.

175
00:09:20,040 --> 00:09:22,600
Speaker 4: Never really got the explanation where he did say to you,

176
00:09:22,720 --> 00:09:23,320
Speaker 4: how does it feel?

177
00:09:23,520 --> 00:09:25,920
Speaker 3: Yeah? That ship felt like.

178
00:09:27,760 --> 00:09:29,520
Speaker 1: Yeah, yeah, how.

179
00:09:29,360 --> 00:09:31,520
Speaker 4: Does that feel like at the brunch? I'm asking you

180
00:09:31,559 --> 00:09:33,679
Speaker 4: now I'm asking the other obviously, Christian, how did it

181
00:09:33,760 --> 00:09:35,880
Speaker 4: feel like him shot you out out the brunch?

182
00:09:37,600 --> 00:09:41,440
Speaker 1: The whole thing's mud, bro, It's crazy, like because like

183
00:09:41,480 --> 00:09:43,079
Speaker 1: I said, man grew up in it, you know what

184
00:09:43,120 --> 00:09:45,120
Speaker 1: I'm saying. And then like then there was a time

185
00:09:45,160 --> 00:09:51,079
Speaker 1: when like England and England English rappers and Americans started

186
00:09:51,120 --> 00:09:54,600
Speaker 1: connecting and then everyone's flying up. Like I saw like

187
00:09:56,040 --> 00:09:59,400
Speaker 1: Crept and Co Nine shooting with French and you know

188
00:09:59,400 --> 00:10:02,400
Speaker 1: what I'm saying. I saw like Chip with Chris Brown

189
00:10:02,760 --> 00:10:06,520
Speaker 1: like and these times I'm just stuck in England watching

190
00:10:06,520 --> 00:10:09,640
Speaker 1: the TV, you know what I'm saying. Like, so like

191
00:10:10,120 --> 00:10:12,480
Speaker 1: fast forward to now, it's just like, yeah.

192
00:10:12,320 --> 00:10:15,199
Speaker 4: Man, it's like that time and a lot of change. Yeah, bro,

193
00:10:15,720 --> 00:10:23,080
Speaker 4: Like I remember me first hearing artist from England, especially

194
00:10:23,120 --> 00:10:25,680
Speaker 4: a hip hop artist from England. People saw say, man,

195
00:10:26,040 --> 00:10:29,439
Speaker 4: they sound funny, right, And now you get to hear

196
00:10:29,559 --> 00:10:32,720
Speaker 4: a lot of English artists and it's like like, I'm

197
00:10:32,760 --> 00:10:35,439
Speaker 4: gonna ask you the question that Big Biggie said, did

198
00:10:35,480 --> 00:10:37,280
Speaker 4: you ever think that English hip hop would make it

199
00:10:37,320 --> 00:10:37,640
Speaker 4: this far?

200
00:10:39,440 --> 00:10:40,439
Speaker 3: Yeah? I did, man.

201
00:10:44,840 --> 00:10:47,559
Speaker 1: Too. Yeah, it had to had to go that way,

202
00:10:47,600 --> 00:10:49,479
Speaker 1: you know. But even from early.

203
00:10:50,360 --> 00:10:53,439
Speaker 3: Like there was essays as well, right, that was my

204
00:10:54,360 --> 00:10:56,040
Speaker 3: you know what I'm saying, that was open.

205
00:10:55,840 --> 00:11:00,400
Speaker 4: To and from the yes, I'll tell you this, there hell.

206
00:11:00,240 --> 00:11:03,960
Speaker 3: A dog there is and they corrupt. Man.

207
00:11:03,960 --> 00:11:06,400
Speaker 4: They could wrap and they were using American slang mixed

208
00:11:06,440 --> 00:11:07,479
Speaker 4: in with the slang.

209
00:11:07,240 --> 00:11:09,160
Speaker 1: So I guess it was a little bit of both.

210
00:11:09,400 --> 00:11:12,600
Speaker 3: Yeah, but you know what is it for me? Yeah?

211
00:11:12,920 --> 00:11:17,080
Speaker 1: People will say like says wrapped American, Yeah, but they

212
00:11:17,080 --> 00:11:20,880
Speaker 1: wrapped English for English to me. For remember, I'm from

213
00:11:20,920 --> 00:11:24,240
Speaker 1: inc So if someone's putting on a fake American accent,

214
00:11:24,400 --> 00:11:27,240
Speaker 1: I'll be like a straight I don't even want to

215
00:11:27,240 --> 00:11:29,920
Speaker 1: listen to that because it's not you know, but like

216
00:11:30,040 --> 00:11:33,040
Speaker 1: them man were proper wrapping English. But obviously they was

217
00:11:33,080 --> 00:11:35,480
Speaker 1: living over here in it, right, So like even me,

218
00:11:35,559 --> 00:11:38,400
Speaker 1: I'm like half over here, half UK, so I know

219
00:11:38,559 --> 00:11:41,680
Speaker 1: like certain things like you're just going to pronounce different.

220
00:11:41,720 --> 00:11:45,720
Speaker 1: We swap over slang, like sometimes like I don't know,

221
00:11:45,720 --> 00:11:48,160
Speaker 1: I might be with like Maine or something, and he'll

222
00:11:48,200 --> 00:11:50,160
Speaker 1: be like, yeah, yeah, pattern that pattern, you know what

223
00:11:50,160 --> 00:11:53,079
Speaker 1: I'm saying that, And sometimes I might be like, I

224
00:11:53,120 --> 00:11:55,880
Speaker 1: don't know, Yeah that's a dub, you know what I'm saying.

225
00:11:55,920 --> 00:11:59,840
Speaker 1: So we'll both be swapping slang. And that's the only

226
00:11:59,880 --> 00:12:02,640
Speaker 1: thing that was really happening to Sasty would be saying

227
00:12:03,200 --> 00:12:06,600
Speaker 1: one or two American or that they might be mentioning

228
00:12:07,120 --> 00:12:09,320
Speaker 1: ends in America or you know what I'm saying.

229
00:12:09,320 --> 00:12:10,440
Speaker 3: But yeah, they were cold now.

230
00:12:10,360 --> 00:12:11,840
Speaker 2: Yeah, and they were hanging out.

231
00:12:11,880 --> 00:12:12,920
Speaker 3: I used to roll to their.

232
00:12:12,800 --> 00:12:16,200
Speaker 1: Thing like when them times man was in the trap

233
00:12:16,280 --> 00:12:17,760
Speaker 1: heavy like you know what I'm saying.

234
00:12:18,720 --> 00:12:20,560
Speaker 2: They deserve way more credits now they're cold.

235
00:12:20,600 --> 00:12:22,120
Speaker 3: They were cold. It was just like you know what

236
00:12:22,240 --> 00:12:22,880
Speaker 3: it was with them.

237
00:12:23,280 --> 00:12:24,880
Speaker 1: It might have been a little bit ahead of their time.

238
00:12:25,320 --> 00:12:29,360
Speaker 1: There was ahead of their time, and no disrespect to them,

239
00:12:29,400 --> 00:12:32,920
Speaker 1: but no one like people didn't really know them like

240
00:12:32,960 --> 00:12:35,920
Speaker 1: that in the streets, you know what I'm saying, Because

241
00:12:35,920 --> 00:12:39,880
Speaker 1: remember they've come to America and grew up, they went

242
00:12:40,000 --> 00:12:40,560
Speaker 1: school there.

243
00:12:40,800 --> 00:12:42,240
Speaker 2: Yeah, I didn't know what they were over here doing.

244
00:12:42,800 --> 00:12:43,680
Speaker 3: I watched their interviews.

245
00:12:43,720 --> 00:12:46,400
Speaker 1: They said they went college and school, so they're not

246
00:12:46,440 --> 00:12:50,400
Speaker 1: going to really be in the streets them times gaining respect, right,

247
00:12:50,880 --> 00:12:52,959
Speaker 1: you know what I'm saying, Like, so man, them from

248
00:12:53,000 --> 00:12:53,600
Speaker 1: England are.

249
00:12:53,480 --> 00:12:56,959
Speaker 3: Like, who are these youths? Maybe man from their ends.

250
00:12:56,840 --> 00:12:58,839
Speaker 1: Might know them, like, oh yeah, they grew up around here,

251
00:12:58,880 --> 00:13:01,760
Speaker 1: but you know, I go the streets, needs to know

252
00:13:01,800 --> 00:13:04,000
Speaker 1: the man's thing. So when you say the ends, you

253
00:13:04,080 --> 00:13:05,120
Speaker 1: mean neighborhood.

254
00:13:05,280 --> 00:13:06,800
Speaker 3: Ends means neighborhood.

255
00:13:07,400 --> 00:13:11,480
Speaker 1: Yeah, neighbor Yeah, like if you if I'm in my hood,

256
00:13:11,640 --> 00:13:15,400
Speaker 1: that your hood. You might like even if I go

257
00:13:15,480 --> 00:13:17,280
Speaker 1: back to London, I might say, I'm back on the ends.

258
00:13:18,000 --> 00:13:20,120
Speaker 1: If you came back to New York, yeah I'm on

259
00:13:20,120 --> 00:13:23,559
Speaker 1: the ends, you know what I mean? Yeah, I was saying, Yeah,

260
00:13:23,600 --> 00:13:27,079
Speaker 1: the ends didn't really know them like that, so they

261
00:13:27,200 --> 00:13:30,480
Speaker 1: couldn't really ride with them, you know what I'm saying, Like,

262
00:13:30,679 --> 00:13:33,079
Speaker 1: you know, when you when when that's your guy, you're

263
00:13:33,080 --> 00:13:36,400
Speaker 1: seeing him, you know he's certified in the streets, like this.

264
00:13:36,320 --> 00:13:39,199
Speaker 3: Is my god, I've got I've got the full the resume.

265
00:13:39,880 --> 00:13:43,080
Speaker 1: They didn't really have that, so it kind of and

266
00:13:43,120 --> 00:13:46,160
Speaker 1: then they were rappers. They were rappers, yeah, yeah, one

267
00:13:46,160 --> 00:13:47,199
Speaker 1: of them wrong being a rapper.

268
00:13:47,360 --> 00:13:48,000
Speaker 3: Yeah.

269
00:13:48,080 --> 00:13:51,760
Speaker 1: But but but I wouldn't say that like nerds or anything.

270
00:13:52,280 --> 00:13:53,840
Speaker 1: You know, I'm saying, I don't really know them like that,

271
00:13:54,400 --> 00:13:54,920
Speaker 1: you know what I mean?

272
00:13:54,960 --> 00:13:57,920
Speaker 5: But yeah, there was there was a different eraror of

273
00:13:58,080 --> 00:14:00,000
Speaker 5: hip hop as well, in terms of it wasn't as

274
00:14:00,040 --> 00:14:03,040
Speaker 5: commercial even back then, right, So there's a there's a

275
00:14:03,080 --> 00:14:04,000
Speaker 5: different era as well.

276
00:14:05,520 --> 00:14:09,960
Speaker 1: Yeah, I don't know, I know where hip hop was

277
00:14:10,320 --> 00:14:12,680
Speaker 1: in America then for me.

278
00:14:13,040 --> 00:14:19,280
Speaker 3: Them times, you know what huge? That's you know that.

279
00:14:21,000 --> 00:14:25,080
Speaker 1: But I even yeah, see I heard them in jail.

280
00:14:25,640 --> 00:14:27,200
Speaker 3: So I was in jail and I was listening to.

281
00:14:27,200 --> 00:14:29,400
Speaker 2: I heard them. They wasn't a Rockefeller, No, I heard

282
00:14:29,480 --> 00:14:29,960
Speaker 2: them before that.

283
00:14:30,120 --> 00:14:34,320
Speaker 1: Okay, they was working because I heard them. I was

284
00:14:34,360 --> 00:14:37,040
Speaker 1: in jail and I heard Westwood. I remember this because

285
00:14:37,360 --> 00:14:39,040
Speaker 1: I remember I was in jail and was eating Met

286
00:14:39,120 --> 00:14:40,880
Speaker 1: Donald's on the radar, and I was thinking, why the

287
00:14:40,920 --> 00:14:42,120
Speaker 1: fuck you eating Met Donald's.

288
00:14:42,160 --> 00:14:43,360
Speaker 3: Niggas are in jail hungry?

289
00:14:44,640 --> 00:14:48,080
Speaker 1: I remember that, And I remember you were saying, yeah, congratulations,

290
00:14:48,120 --> 00:14:50,400
Speaker 1: like you did the rock deal, and I was like,

291
00:14:50,520 --> 00:14:51,400
Speaker 1: who are these guys.

292
00:14:51,720 --> 00:14:53,280
Speaker 3: That's when I so that's when you were.

293
00:14:53,400 --> 00:14:55,480
Speaker 5: Because for me, when when they made it to the rockets,

294
00:14:55,520 --> 00:14:57,440
Speaker 5: to me, I'm like, oh, they they made it out

295
00:14:57,440 --> 00:14:59,640
Speaker 5: of the underground, now okay, to me, they were already

296
00:14:59,640 --> 00:15:01,200
Speaker 5: bubbling on an underground.

297
00:15:00,720 --> 00:15:03,440
Speaker 4: And I'm saying this out of ignorance. You had the

298
00:15:03,480 --> 00:15:04,600
Speaker 4: white labels or something like that.

299
00:15:05,000 --> 00:15:07,600
Speaker 1: Yeah, but anyway to your point them time, I think

300
00:15:07,640 --> 00:15:18,880
Speaker 1: things are huge then UK for UK for like American okay, okay, yeah.

301
00:15:16,280 --> 00:15:22,840
Speaker 3: They were even they was a rockefellera at that time,

302
00:15:23,320 --> 00:15:26,960
Speaker 3: were popping. I was like jail right, hell, they.

303
00:15:26,920 --> 00:15:31,600
Speaker 1: Was on the diplomat immunity to especially for a UK artist.

304
00:15:32,160 --> 00:15:34,840
Speaker 1: For me, I was these man of these man have gone.

305
00:15:34,880 --> 00:15:37,840
Speaker 3: Yeah, yeah, you know what I mean.

306
00:15:38,360 --> 00:15:41,120
Speaker 4: So do you feel like you was? And I heard

307
00:15:41,120 --> 00:15:43,080
Speaker 4: you heard you get asked this question. I heard you

308
00:15:44,160 --> 00:15:46,080
Speaker 4: humbly answered, but do you feel like you're the O

309
00:15:46,200 --> 00:15:49,560
Speaker 4: G at that new generation of you know, of UK

310
00:15:49,720 --> 00:15:50,120
Speaker 4: hip hop?

311
00:15:50,800 --> 00:15:51,880
Speaker 3: Yeah, I'm definitely O G.

312
00:15:52,080 --> 00:15:56,600
Speaker 1: I believe. I believe so too got that because before me,

313
00:15:56,760 --> 00:16:01,040
Speaker 1: they weren't really like hip hop UK mainstream like that

314
00:16:01,120 --> 00:16:03,960
Speaker 1: like well street gas, the rap like you know what

315
00:16:04,000 --> 00:16:06,800
Speaker 1: I'm saying. It wasn't there was like there was hip

316
00:16:06,840 --> 00:16:10,640
Speaker 1: hop like and there was the underground as well.

317
00:16:10,720 --> 00:16:12,040
Speaker 3: So I came from obviously the.

318
00:16:12,160 --> 00:16:17,000
Speaker 1: Underground UK rap with UK accents and street niggas and

319
00:16:17,080 --> 00:16:19,200
Speaker 1: gang gang bangers and you know what I'm saying, that

320
00:16:19,400 --> 00:16:22,520
Speaker 1: was that era. There was still hip hop before it,

321
00:16:22,600 --> 00:16:28,200
Speaker 1: like there might have been like Colashal cough and even

322
00:16:28,280 --> 00:16:29,200
Speaker 1: before that, like.

323
00:16:30,640 --> 00:16:31,640
Speaker 3: I can't remember them.

324
00:16:32,280 --> 00:16:33,760
Speaker 2: There's an artist Nam Klasnic cough.

325
00:16:33,880 --> 00:16:37,280
Speaker 3: Yeah, it was cold.

326
00:16:40,480 --> 00:16:43,920
Speaker 1: But there was like they're gonna they're gonna be upsetting

327
00:16:43,960 --> 00:16:44,560
Speaker 1: that because it's.

328
00:16:44,400 --> 00:16:45,280
Speaker 3: A big drink chap.

329
00:16:45,960 --> 00:16:48,240
Speaker 1: There was that man before that, you know what I'm

330
00:16:48,240 --> 00:16:50,760
Speaker 1: saying like that, but it was that backpack kind of rap.

331
00:16:51,320 --> 00:16:53,240
Speaker 1: You know what I'm saying about us Man was the

332
00:16:53,280 --> 00:16:58,119
Speaker 1: streets and then then obviously that man took it mainstream

333
00:16:58,200 --> 00:17:00,400
Speaker 1: like me, you know what I'm saying like, so it

334
00:17:00,560 --> 00:17:02,320
Speaker 1: kind of starts with man.

335
00:17:02,720 --> 00:17:04,520
Speaker 3: Okay, I mean, man means me. Yeah.

336
00:17:05,680 --> 00:17:08,200
Speaker 4: Do you think do you think baby Baby was one

337
00:17:08,200 --> 00:17:10,640
Speaker 4: of your first mainstream records.

338
00:17:09,960 --> 00:17:14,080
Speaker 3: Like that Baby? Yeah? Hell no. I was wait, okay

339
00:17:14,680 --> 00:17:16,040
Speaker 3: talking the hardest, Okay, no.

340
00:17:16,119 --> 00:17:20,000
Speaker 1: Talking, I got said my notes to alright, cool talking,

341
00:17:20,040 --> 00:17:22,320
Speaker 1: the hardest, hooking, the hardest. Let me tell you what

342
00:17:22,359 --> 00:17:23,560
Speaker 1: I noticed about that.

343
00:17:24,040 --> 00:17:27,560
Speaker 4: You rhymed everything with ry the only thing you've left

344
00:17:27,560 --> 00:17:29,760
Speaker 4: that was Nori. I was waiting for my shoutout. I

345
00:17:29,840 --> 00:17:34,119
Speaker 4: was like, you got story. Everything is song? Is that

346
00:17:34,119 --> 00:17:34,720
Speaker 4: what are you talking?

347
00:17:34,840 --> 00:17:37,240
Speaker 2: I'm talking the hardest, took the hardest, that's.

348
00:17:37,119 --> 00:17:41,080
Speaker 3: The right y Yeah yeah yeah, holding up, hold on up.

349
00:17:41,520 --> 00:17:47,680
Speaker 3: They can tell you a story. Yeah yeah, y.

350
00:17:50,640 --> 00:17:59,280
Speaker 1: I'm like, yo, my kid is coming to thought about

351
00:17:59,440 --> 00:18:02,159
Speaker 1: like damn y' he everything, Like, I'm gonna take some

352
00:18:02,200 --> 00:18:05,040
Speaker 1: of these lines, but let's talk talking the hardest. You

353
00:18:05,040 --> 00:18:07,679
Speaker 1: think that was your your your person out of the

354
00:18:07,720 --> 00:18:12,879
Speaker 1: first like because them times before talking artists, we didn't

355
00:18:12,880 --> 00:18:17,480
Speaker 1: hear no like UK gangster rap in no parties.

356
00:18:17,680 --> 00:18:18,920
Speaker 3: Wow, you know what I'm saying.

357
00:18:18,960 --> 00:18:22,560
Speaker 1: You just hear like even in the UK, in the UK, Wow,

358
00:18:22,600 --> 00:18:23,160
Speaker 1: that's what I meant.

359
00:18:23,200 --> 00:18:23,760
Speaker 3: Yeah, UK.

360
00:18:24,240 --> 00:18:26,320
Speaker 1: Even when someone had told me they had talking at

361
00:18:26,320 --> 00:18:29,480
Speaker 1: this like a right, I didn't even take it serious.

362
00:18:30,119 --> 00:18:33,720
Speaker 3: I mean so like yeah that like so yeah, that

363
00:18:33,880 --> 00:18:36,919
Speaker 3: was like that's that's kind of why it's the national anthem.

364
00:18:36,920 --> 00:18:39,000
Speaker 3: They called it the UK National Anthem. What I mean?

365
00:18:39,400 --> 00:18:42,119
Speaker 1: I was like, yeah, that's dope.

366
00:18:42,320 --> 00:18:45,240
Speaker 4: Our show was about giving people flowers. Well they can

367
00:18:45,320 --> 00:18:47,280
Speaker 4: smell them. They thought us what they can tell them.

368
00:18:47,440 --> 00:18:49,760
Speaker 4: They drinks while they can drink them, and they suppose

369
00:18:49,840 --> 00:18:50,280
Speaker 4: what they think.

370
00:18:50,440 --> 00:18:55,640
Speaker 1: We need to give your flowers face to face. Man, snoops,

371
00:18:55,680 --> 00:18:57,280
Speaker 1: that is better than the grammy because it comes from

372
00:18:57,280 --> 00:18:57,680
Speaker 1: your people.

373
00:18:57,720 --> 00:18:59,520
Speaker 4: You know what I'm saying. God damn So we wanted

374
00:18:59,520 --> 00:19:02,400
Speaker 4: to give you your flowers. God damn it, you got

375
00:19:02,440 --> 00:19:04,080
Speaker 4: silk coverings.

376
00:19:04,080 --> 00:19:18,359
Speaker 6: O take some longer though, showing over Gigs, that's crazy.

377
00:19:18,600 --> 00:19:20,240
Speaker 5: I might as well just give Drain his birthday. And

378
00:19:20,240 --> 00:19:21,320
Speaker 5: he's from London, that's why.

379
00:19:21,440 --> 00:19:22,760
Speaker 3: Yeah, the brother.

380
00:19:24,920 --> 00:19:28,400
Speaker 4: He's one from yeah from yeah, my boy, my boy

381
00:19:28,480 --> 00:19:34,280
Speaker 4: right here, he's from northern yeah yeah, and it's his birthday, Gigs.

382
00:19:35,520 --> 00:19:37,000
Speaker 3: I said, where he from in London? We need to

383
00:19:37,040 --> 00:19:38,280
Speaker 3: really know where are you from?

384
00:19:39,240 --> 00:19:39,440
Speaker 1: Well?

385
00:19:39,520 --> 00:19:41,240
Speaker 3: Where are you laying? Yeah?

386
00:19:42,920 --> 00:19:47,520
Speaker 1: Okay, okay, yeah, come here, Okay, so how long have you

387
00:19:47,600 --> 00:19:47,800
Speaker 1: been here?

388
00:19:47,920 --> 00:19:49,560
Speaker 2: He been to high school with me, so he's been here.

389
00:19:49,880 --> 00:20:00,480
Speaker 1: Yeah yeah, I can still head yeah yeah yeah. Yeah.

390
00:20:01,520 --> 00:20:02,800
Speaker 3: So you're grabbing Miami.

391
00:20:04,200 --> 00:20:08,440
Speaker 2: Yeah ninety one and down ninety ninety school.

392
00:20:10,760 --> 00:20:12,919
Speaker 3: Okay, okay, but you're from Miami.

393
00:20:12,640 --> 00:20:14,720
Speaker 2: And originally l A but brazing Miami.

394
00:20:14,760 --> 00:20:21,000
Speaker 1: Yeah yeah, I mean Miami's like, Miami's like that. It's like, well,

395
00:20:21,119 --> 00:20:25,160
Speaker 1: New York's proper like, but like still sometimes I still

396
00:20:25,200 --> 00:20:27,800
Speaker 1: got to like dumb it down when I talked yeah

397
00:20:28,000 --> 00:20:31,359
Speaker 1: by here in Miami, yeah, because it's like more Caribbean.

398
00:20:32,000 --> 00:20:34,119
Speaker 3: I just talked normal here kind of thing.

399
00:20:35,080 --> 00:20:35,760
Speaker 2: Every accent.

400
00:20:37,040 --> 00:20:38,920
Speaker 1: You can come to queens too. It's like that you

401
00:20:39,040 --> 00:20:45,280
Speaker 1: got every accent. Yeah, so queen, that's a yeah. So

402
00:20:46,320 --> 00:20:50,640
Speaker 1: is it shatter clock or yet? Let's go okay, okay, cool,

403
00:20:50,680 --> 00:20:54,680
Speaker 1: got the okay, the light up? Okay, and you wrote

404
00:20:54,680 --> 00:21:00,520
Speaker 1: a real splip that's like a real bat month splip. Yeah.

405
00:20:58,280 --> 00:21:05,040
Speaker 1: But you're originally from Africa though, right, No, No, I'm

406
00:21:05,359 --> 00:21:09,480
Speaker 1: half Jamaican, quarter Guyanese and Grenadan.

407
00:21:09,600 --> 00:21:12,840
Speaker 4: Okay, okay, you're West India.

408
00:21:13,400 --> 00:21:15,879
Speaker 1: I'm like when everyone came over the boat, there's no

409
00:21:16,000 --> 00:21:23,560
Speaker 1: condoms and everyone my kind of age has got like

410
00:21:24,160 --> 00:21:27,639
Speaker 1: fifteen brothers, and I can tell that's when everyone was

411
00:21:27,640 --> 00:21:28,280
Speaker 1: just running around.

412
00:21:28,320 --> 00:21:30,280
Speaker 3: What we're in lucky, I mean.

413
00:21:30,760 --> 00:21:33,159
Speaker 4: Okay, so let me ask you a question that's very caustious.

414
00:21:33,240 --> 00:21:35,480
Speaker 4: Versuy on drink camps, do you eat doubles.

415
00:21:36,920 --> 00:21:38,160
Speaker 3: Like from Trinida? Yeah?

416
00:21:38,520 --> 00:21:41,400
Speaker 1: You know what, I actually haven't tasted doubles. Oh okay, okay,

417
00:21:41,480 --> 00:21:50,760
Speaker 1: that's the matter. Yeah that in Yeah, she haven't had

418
00:21:50,760 --> 00:21:51,520
Speaker 1: a double before.

419
00:21:52,400 --> 00:21:55,960
Speaker 3: Yeah. I actually get a lot of education about the

420
00:21:56,040 --> 00:21:57,200
Speaker 3: Caribbean when I come here.

421
00:21:57,320 --> 00:22:02,000
Speaker 1: Okay, okay, even like Dominicans and like because you're Dominican.

422
00:22:01,840 --> 00:22:05,000
Speaker 4: Porto Weekly poor, Yeah, we like to one's a little

423
00:22:05,000 --> 00:22:05,320
Speaker 4: bit better.

424
00:22:05,520 --> 00:22:14,359
Speaker 3: So we have American we have American money.

425
00:22:21,000 --> 00:22:23,959
Speaker 7: Because I want to go ahead to Dominican report. If

426
00:22:23,960 --> 00:22:25,240
Speaker 7: it's just got American.

427
00:22:24,880 --> 00:22:30,520
Speaker 3: Monem Dominicans, ye, don't worry about it. Don't worry.

428
00:22:30,960 --> 00:22:34,840
Speaker 1: But even so even before because we don't really in London,

429
00:22:34,840 --> 00:22:40,200
Speaker 1: we don't really have like Porto Ricans and Dominicans like Ubans, yeah,

430
00:22:40,280 --> 00:22:42,639
Speaker 1: but not a lot. Yes, it's more like Spain, you

431
00:22:42,720 --> 00:22:44,560
Speaker 1: know what I'm saying. So even like those are the

432
00:22:44,600 --> 00:22:48,120
Speaker 1: racist Latinos, just so you know, going it out there. Yeah,

433
00:22:48,640 --> 00:22:51,160
Speaker 1: when I come here, and they better than every other Latino.

434
00:22:51,240 --> 00:22:56,640
Speaker 1: Sorry bad Spain Spanish people, Spain people. I'm sorry, Yeah,

435
00:22:56,720 --> 00:23:00,240
Speaker 1: I ain't say that Argentinas. So even I'm remember I

436
00:23:00,320 --> 00:23:02,560
Speaker 1: used to watch that paid them for yeah, and I

437
00:23:02,560 --> 00:23:05,640
Speaker 1: saw you and paid them for you. And then there

438
00:23:05,680 --> 00:23:09,520
Speaker 1: was that part when they said, yeah that when they said, yeah, the.

439
00:23:09,480 --> 00:23:10,960
Speaker 2: Spanish kids said it.

440
00:23:11,119 --> 00:23:13,280
Speaker 3: I used to rewind that part one hundred times, like

441
00:23:13,320 --> 00:23:18,280
Speaker 3: where's the Spanish guy, I'm just Spanish. I'm just thinking

442
00:23:18,400 --> 00:23:21,520
Speaker 3: white persons, but I'm not so rewinding it and I say,

443
00:23:21,560 --> 00:23:25,960
Speaker 3: it's so many Norri here. Yeah.

444
00:23:33,080 --> 00:23:36,320
Speaker 1: So I even used to rewind it back like before

445
00:23:36,400 --> 00:23:40,280
Speaker 1: with the jail because I was describing. I'm thinking I'm

446
00:23:40,320 --> 00:23:42,719
Speaker 1: missed something like you know what I mean. And then

447
00:23:42,720 --> 00:23:44,480
Speaker 1: when I come here, that's when I started saying that

448
00:23:44,560 --> 00:23:48,760
Speaker 1: Dominicans and I was seeing raw like it's just Caribbeans

449
00:23:49,040 --> 00:23:54,040
Speaker 1: when he speaks Spanish, you know, So it's actually Dominicans

450
00:23:54,040 --> 00:24:01,760
Speaker 1: are like Porto Ricans Like no, no, I'm saying you

451
00:24:02,160 --> 00:24:05,880
Speaker 1: kind of like the advanced Caribbeans, right because you've got

452
00:24:05,920 --> 00:24:11,359
Speaker 1: like Jamaica, like yeah, but you know, idea only how

453
00:24:11,440 --> 00:24:14,160
Speaker 1: to speak Spanish, so you're kind of advanced man because

454
00:24:14,160 --> 00:24:18,720
Speaker 1: island Cuba, come on, yeah cue, but because because everyone

455
00:24:18,760 --> 00:24:20,960
Speaker 1: speaks Spanish, we forget your Caribbean.

456
00:24:21,760 --> 00:24:25,680
Speaker 3: You know. That's well, yes, even.

457
00:24:26,080 --> 00:24:29,040
Speaker 1: I got bridges from like Honduras and I ain't seen

458
00:24:29,280 --> 00:24:32,760
Speaker 1: dark skinned Spanish people before. That's mad, Like I'm like raw,

459
00:24:32,880 --> 00:24:35,480
Speaker 1: like you speak Spanish and your thoughts.

460
00:24:36,040 --> 00:24:36,680
Speaker 3: You know what I'm saying.

461
00:24:37,040 --> 00:24:43,399
Speaker 1: So yeah, yeah, yeah, yeah, it's been a big like

462
00:24:43,560 --> 00:24:46,400
Speaker 1: education coming here as well. You know, I'm saying it's

463
00:24:46,600 --> 00:24:48,560
Speaker 1: the different cultures and that you mean.

464
00:24:48,560 --> 00:24:51,919
Speaker 2: Hell yeah, so ready for quick Thomas, let's go. Okay,

465
00:24:52,359 --> 00:24:53,320
Speaker 2: what's playing the rules.

466
00:24:53,600 --> 00:24:56,439
Speaker 5: We're gonna give you two choices. If you pick one,

467
00:24:57,040 --> 00:24:59,680
Speaker 5: we don't drink. But if you say both, are neither

468
00:25:00,080 --> 00:25:02,960
Speaker 5: we drinking? Uh you've you've seen this.

469
00:25:03,880 --> 00:25:07,439
Speaker 3: Yeah, I'm not really like you know, harder.

470
00:25:07,480 --> 00:25:10,520
Speaker 2: Yeah, you go like shots, we go like shots, yeah,

471
00:25:10,960 --> 00:25:11,639
Speaker 2: like shots.

472
00:25:11,720 --> 00:25:14,000
Speaker 4: Yeah, all right, I wanted to do the first one,

473
00:25:14,000 --> 00:25:15,960
Speaker 4: but it's not going to be this first one, the

474
00:25:15,960 --> 00:25:17,320
Speaker 4: first two, but it's not gonna be.

475
00:25:24,560 --> 00:25:27,119
Speaker 1: So what we're doing shots of the ross class whatever

476
00:25:27,119 --> 00:25:30,760
Speaker 1: you want? What's this call again that mama? Yeah, this

477
00:25:30,840 --> 00:25:31,320
Speaker 1: is the matter.

478
00:25:31,800 --> 00:25:33,000
Speaker 2: This is the Dominican joint right there.

479
00:25:33,040 --> 00:25:42,600
Speaker 4: Yeah, okay, Nando's or Carbones?

480
00:25:44,440 --> 00:25:47,119
Speaker 3: Yeah no, I say carbone, carbone, okay, thank you.

481
00:25:49,440 --> 00:25:52,960
Speaker 1: Yeah, that's two different things though, Yeah, that's what that was.

482
00:25:53,040 --> 00:25:56,120
Speaker 3: Just like you're saying, like, that's like you're saying carbone

483
00:25:56,400 --> 00:25:57,840
Speaker 3: or Chick fil A.

484
00:25:58,080 --> 00:26:07,400
Speaker 1: Yeah, you know what I'm saying that it's two different Yeah, Tupac,

485
00:26:07,600 --> 00:26:12,080
Speaker 1: d m X, piece of both.

486
00:26:13,520 --> 00:26:16,000
Speaker 2: That's two different. It's two different.

487
00:26:17,280 --> 00:26:19,040
Speaker 3: I feel like generations kind of.

488
00:26:19,359 --> 00:26:22,640
Speaker 1: It's whatever for you, like just whatever criteria you pick.

489
00:26:23,040 --> 00:26:24,919
Speaker 3: It's no. I wouldn't compare.

490
00:26:25,840 --> 00:26:26,840
Speaker 2: UK Nigga still.

491
00:26:29,520 --> 00:26:30,040
Speaker 3: Is universal.

492
00:26:30,119 --> 00:26:35,440
Speaker 1: Let me get up like still like universe just American Jesus,

493
00:26:37,160 --> 00:26:40,000
Speaker 1: you picked then big part that has to be Okay,

494
00:26:40,080 --> 00:26:43,840
Speaker 1: that's o g like in that in that situation, right

495
00:26:45,040 --> 00:26:46,360
Speaker 1: like packer or flipping.

496
00:26:47,240 --> 00:26:49,639
Speaker 3: I don't know that, snoop Orsa.

497
00:26:49,720 --> 00:26:51,760
Speaker 1: I know fucking you know what I mean, but I

498
00:26:51,760 --> 00:26:54,840
Speaker 1: can't packing DMX, even though d MS is the legend

499
00:26:55,600 --> 00:26:56,000
Speaker 1: year as well.

500
00:26:56,680 --> 00:26:58,320
Speaker 3: But that's packed, like you know.

501
00:26:58,520 --> 00:27:04,400
Speaker 1: You the next one too, Slick Ricord Biggie, these questions

502
00:27:04,400 --> 00:27:05,200
Speaker 1: that make said.

503
00:27:06,520 --> 00:27:09,920
Speaker 2: Supposed to the Dominican and the Columbia.

504
00:27:10,480 --> 00:27:13,679
Speaker 3: I would have to say, I need U, k okay, Oh.

505
00:27:14,600 --> 00:27:16,159
Speaker 2: You're on the album, man, we gotta talk about the

506
00:27:16,560 --> 00:27:20,040
Speaker 2: all right album? Yeah? Well really I didn't know that

507
00:27:21,000 --> 00:27:25,119
Speaker 2: Slick with just send me that is custom Wallabeest.

508
00:27:25,640 --> 00:27:27,600
Speaker 3: That's a good album. Yeah, that's dope.

509
00:27:28,520 --> 00:27:30,400
Speaker 2: West Side Gun or Conway.

510
00:27:32,280 --> 00:27:36,200
Speaker 3: West Side Got that's my Brad Conway is He's too

511
00:27:36,280 --> 00:27:38,920
Speaker 3: cold though, man, Okay, I'll say all.

512
00:27:38,920 --> 00:27:43,280
Speaker 4: Right, this one right here, very controversial. I do not

513
00:27:44,240 --> 00:27:46,840
Speaker 4: I do not know where you're going with this. By

514
00:27:46,840 --> 00:27:49,240
Speaker 4: the way, we don't write these questions Dominican and Columbian

515
00:27:49,280 --> 00:27:50,800
Speaker 4: over there, they sniff cocaine and write.

516
00:27:52,640 --> 00:27:54,159
Speaker 1: It's just it's just the way it happens.

517
00:27:56,160 --> 00:27:57,560
Speaker 2: Drake or Kendrick Lamar.

518
00:28:00,880 --> 00:28:04,480
Speaker 1: I gotta say Drizzy, Okay, that was the safe answer.

519
00:28:04,600 --> 00:28:09,640
Speaker 3: Yes, no, right hand. No, not even that. I rode

520
00:28:09,680 --> 00:28:12,919
Speaker 3: to Drizzy. Okay, you know Kendrick is gonna buy us.

521
00:28:13,600 --> 00:28:16,600
Speaker 1: But like if I'm jumping in the way the gallery

522
00:28:16,640 --> 00:28:19,560
Speaker 1: in the car my slaph on, you know what I'm

523
00:28:19,560 --> 00:28:21,440
Speaker 1: saying that drizzy, but you get me.

524
00:28:21,800 --> 00:28:22,480
Speaker 3: That's the vibes.

525
00:28:22,880 --> 00:28:28,320
Speaker 4: But you see how Kendrick Lamar was caught at a

526
00:28:28,640 --> 00:28:31,960
Speaker 4: I mean, Lebron James was caught out of Kendrick Lamar

527
00:28:32,800 --> 00:28:37,080
Speaker 4: and Drakes a certain thing. Would you what would you

528
00:28:37,119 --> 00:28:38,760
Speaker 4: think that you could go to Kendrick Lamar and you

529
00:28:38,840 --> 00:28:39,600
Speaker 4: still be cool.

530
00:28:40,160 --> 00:28:43,440
Speaker 3: Car check it out. Yeah, I could go there.

531
00:28:43,560 --> 00:28:54,640
Speaker 1: I'm not gonna jump from stage to them like, man,

532
00:28:55,320 --> 00:28:59,320
Speaker 1: I'm not gonna I'm a fan of Kendrick saying yeah.

533
00:29:00,520 --> 00:29:01,480
Speaker 3: I'm not gonna say nah.

534
00:29:01,560 --> 00:29:03,440
Speaker 1: If I said yeah, come me real, kender, I'm not

535
00:29:03,480 --> 00:29:05,160
Speaker 1: gonna say nah, you know what I mean.

536
00:29:05,320 --> 00:29:07,800
Speaker 4: I think our coature needs to stop that because like

537
00:29:07,960 --> 00:29:10,560
Speaker 4: I feel like if I like pustachio ice cream and

538
00:29:10,760 --> 00:29:13,040
Speaker 4: just one and one day I want chocolate, Like why

539
00:29:13,160 --> 00:29:15,480
Speaker 4: why I can't like both? Like why why does our

540
00:29:15,560 --> 00:29:18,080
Speaker 4: coulture make us? Like why do make they make us

541
00:29:18,120 --> 00:29:21,080
Speaker 4: choose between Knaves and Jay like like I like them both,

542
00:29:21,200 --> 00:29:22,720
Speaker 4: Like you know what I'm saying, Like you know what

543
00:29:22,760 --> 00:29:25,520
Speaker 4: I mean, Like I like I like do say and

544
00:29:25,640 --> 00:29:28,600
Speaker 4: I like age s grade Like why wouldn't I be

545
00:29:28,640 --> 00:29:30,200
Speaker 4: able to you know what I'm saying.

546
00:29:30,040 --> 00:29:33,360
Speaker 1: There's too much music for that or that to pick

547
00:29:33,440 --> 00:29:36,320
Speaker 1: one a all that, Like just think about hip hop.

548
00:29:37,360 --> 00:29:37,920
Speaker 3: You know what I'm saying.

549
00:29:37,960 --> 00:29:42,760
Speaker 1: There's so much music right, so much events, so much

550
00:29:42,800 --> 00:29:46,080
Speaker 1: things has happened, you know what I'm saying, Like I

551
00:29:46,200 --> 00:29:49,200
Speaker 1: can't just like yeah, I just like I'm just fucking

552
00:29:49,280 --> 00:29:51,880
Speaker 1: with that, Like you know what I'm saying me, Yeah,

553
00:29:51,960 --> 00:29:54,920
Speaker 1: hell no, hell no n w A or w tang

554
00:29:56,360 --> 00:29:59,560
Speaker 1: W Like we're tying the go spot. That's the man

555
00:29:59,640 --> 00:30:04,160
Speaker 1: next the Batman team. You know what I'm saying, that's

556
00:30:04,200 --> 00:30:07,080
Speaker 1: real Booju or Beanie.

557
00:30:08,920 --> 00:30:14,320
Speaker 3: That's two different which is the Gold hundred. But b

558
00:30:15,280 --> 00:30:19,240
Speaker 3: that's my guy, is the that's the original.

559
00:30:19,600 --> 00:30:25,400
Speaker 5: You are you be honest with serious central seer, skeptic skepto.

560
00:30:25,640 --> 00:30:29,400
Speaker 3: Of course that's og. You know what I mean?

561
00:30:30,560 --> 00:30:31,520
Speaker 2: Mob deeper m o p.

562
00:30:35,480 --> 00:30:41,440
Speaker 3: Yeah, more deep, more deep.

563
00:30:41,800 --> 00:30:45,800
Speaker 1: So yeah, I feel like they thought more in it

564
00:30:46,560 --> 00:30:50,960
Speaker 1: deep you know what I mean? A piece cold yeah yeah,

565
00:30:51,520 --> 00:30:52,520
Speaker 1: top boy super so.

566
00:30:55,200 --> 00:30:59,040
Speaker 3: Yeah, that's what my doing. Stell and we just drink.

567
00:31:00,560 --> 00:31:07,440
Speaker 3: I'll drink, let's go top Bay.

568
00:31:07,880 --> 00:31:11,360
Speaker 1: I would have to say top because that's the original. No, no, no,

569
00:31:13,200 --> 00:31:17,520
Speaker 1: I'll say both because top where that's the original. That's

570
00:31:17,560 --> 00:31:21,640
Speaker 1: what that's what's got even like America knowing about London

571
00:31:21,680 --> 00:31:25,560
Speaker 1: as well, super Cell Like me, I'm a nerd. I

572
00:31:25,640 --> 00:31:29,000
Speaker 1: love like Superhero, X, Men, Avengers.

573
00:31:29,080 --> 00:31:32,040
Speaker 3: That's my that's my thing. So you've got like the.

574
00:31:32,120 --> 00:31:35,000
Speaker 1: Streets, like the London streets as well. And it was

575
00:31:35,200 --> 00:31:39,320
Speaker 1: raw slang with superpowers. That's the maddest thing at got

576
00:31:39,400 --> 00:31:42,880
Speaker 1: to But I'll just drink cool yeah, because top Boy,

577
00:31:42,920 --> 00:31:44,240
Speaker 1: it was like wait a minute. We looked at that.

578
00:31:44,520 --> 00:31:46,520
Speaker 1: It was like wait a minute, they're going crazy out there.

579
00:31:46,680 --> 00:31:47,800
Speaker 2: It was like the British wire.

580
00:31:48,240 --> 00:31:50,800
Speaker 1: Yeah, we thought you just had That's what it was

581
00:31:50,880 --> 00:31:56,240
Speaker 1: meant to be originally. Yeah, that's why it always goes

582
00:31:56,320 --> 00:32:01,200
Speaker 1: wrong when American artists come to London. Yeah, they think

583
00:32:01,280 --> 00:32:04,800
Speaker 1: it's nice. That's like the Knives, that's like the kids,

584
00:32:05,640 --> 00:32:09,000
Speaker 1: you know what I mean. But obviously, and now it's

585
00:32:09,080 --> 00:32:12,120
Speaker 1: social media, so they just make it bigger than it is,

586
00:32:12,280 --> 00:32:14,880
Speaker 1: like you know, yeah, but now it's the goddamn saying

587
00:32:15,480 --> 00:32:18,640
Speaker 1: it's been the same. Yeah, oh yeah, social media.

588
00:32:18,680 --> 00:32:19,160
Speaker 3: We can see this.

589
00:32:19,560 --> 00:32:22,720
Speaker 1: Yeah, yeah, yes, okay, vibes Cartel or.

590
00:32:24,560 --> 00:32:28,280
Speaker 3: Yeah, Carto, that's my guy, Like Cartoon is the greatest.

591
00:32:29,080 --> 00:32:29,480
Speaker 3: He's wrong.

592
00:32:30,080 --> 00:32:33,920
Speaker 1: I think Carto is the best, like any genre, like

593
00:32:34,120 --> 00:32:37,320
Speaker 1: hip hop forever, damn, let's.

594
00:32:37,160 --> 00:32:37,720
Speaker 2: Make you noise.

595
00:32:39,880 --> 00:32:41,520
Speaker 3: He said that. You think I'm crazy?

596
00:32:41,840 --> 00:32:43,239
Speaker 2: No, no, no, I don't think crazy. I just never

597
00:32:43,280 --> 00:32:44,120
Speaker 2: heard anybody say.

598
00:32:44,000 --> 00:32:45,600
Speaker 3: That it's the best.

599
00:32:45,640 --> 00:32:49,560
Speaker 1: Bro Like, I think the only person who could in

600
00:32:50,040 --> 00:32:53,240
Speaker 1: hip hop who could go see if Carto was on smoke,

601
00:32:53,760 --> 00:32:56,040
Speaker 1: Like yeah, I'm gonna go student and smoke this song.

602
00:32:56,960 --> 00:32:58,800
Speaker 1: I don't think no one could chat to him. The

603
00:32:58,920 --> 00:33:02,680
Speaker 1: only person who could probably go head to is probably

604
00:33:02,760 --> 00:33:04,480
Speaker 1: like Eminem song.

605
00:33:04,520 --> 00:33:06,280
Speaker 2: Wow, imagine that track.

606
00:33:06,480 --> 00:33:11,920
Speaker 3: Yeah, I've seen cartol smoke wrappers, dancel artists. Yeah, he

607
00:33:11,960 --> 00:33:14,120
Speaker 3: could smokes anything, like.

608
00:33:14,240 --> 00:33:16,800
Speaker 2: You know what I mean, Like, yeah, he's versus like

609
00:33:16,880 --> 00:33:17,360
Speaker 2: he could.

610
00:33:17,160 --> 00:33:21,560
Speaker 3: Go any any style flow the coldest.

611
00:33:24,400 --> 00:33:27,600
Speaker 2: Yeah, Peckham or Brixton.

612
00:33:28,200 --> 00:33:31,360
Speaker 3: I'm from Peckham. Okay, yea Brickston certified.

613
00:33:33,000 --> 00:33:37,240
Speaker 1: That's brig is like the Bronx Andhams like Brooklyn.

614
00:33:37,520 --> 00:33:40,680
Speaker 3: Okay is that that kind of Yeah? I mean and

615
00:33:40,760 --> 00:33:44,680
Speaker 3: then East London West from East East is like reminds

616
00:33:44,720 --> 00:33:48,000
Speaker 3: me of like Harlow and then and then west kind

617
00:33:48,040 --> 00:33:51,560
Speaker 3: of No, East reminds you of Queens. East reminds you

618
00:33:51,600 --> 00:33:55,680
Speaker 3: of Queens because and then West reminds me of Harlem.

619
00:33:55,840 --> 00:34:02,440
Speaker 1: Okay, Okay. Shava or super Cat, that's a that's a

620
00:34:02,600 --> 00:34:07,720
Speaker 1: tough one. Legends, Supercut, we need both of them. Are drinking, Yeah,

621
00:34:07,720 --> 00:34:14,400
Speaker 1: I drink drink Yeah, super Cat used to live a

622
00:34:14,480 --> 00:34:20,160
Speaker 1: left right Well yeah, I might say Shaper though might

623
00:34:20,280 --> 00:34:22,440
Speaker 1: be taking another shop Shap.

624
00:34:22,560 --> 00:34:24,440
Speaker 2: Wouldn't Sho be the o G in that situation?

625
00:34:25,520 --> 00:34:28,759
Speaker 1: No? Really, not really, He's not the same kind of

626
00:34:28,840 --> 00:34:32,080
Speaker 1: time Shap, super the same kind of time like.

627
00:34:32,160 --> 00:34:34,520
Speaker 2: Shamo would be at least a few years and they.

628
00:34:34,440 --> 00:34:38,319
Speaker 3: Even clashed, did no, No, I think they did.

629
00:34:38,920 --> 00:34:39,200
Speaker 1: They did.

630
00:34:39,400 --> 00:34:40,680
Speaker 2: I never heard of a class that they did.

631
00:34:40,719 --> 00:34:44,719
Speaker 3: They did. Yeah, I think, I think.

632
00:34:44,880 --> 00:34:49,960
Speaker 1: I think I'll say Shabo because Shabo lived longer, like

633
00:34:50,239 --> 00:34:52,719
Speaker 1: he was still making bangers right right right, you know

634
00:34:52,800 --> 00:34:57,799
Speaker 1: that was even like when he did he come back

635
00:34:57,840 --> 00:35:02,000
Speaker 1: and beer got big guy he ca joints. Yeah, he

636
00:35:02,080 --> 00:35:06,759
Speaker 1: got saying. So I'll say still supercuts the goat.

637
00:35:09,480 --> 00:35:10,360
Speaker 3: Yeah about.

638
00:35:13,800 --> 00:35:19,080
Speaker 1: Storms is a Canu stone cano for sure, that cano

639
00:35:19,200 --> 00:35:21,240
Speaker 1: is a goat, like you know what I mean? Stones,

640
00:35:21,280 --> 00:35:24,120
Speaker 1: He is cold though, Stones. You can sign up with

641
00:35:24,200 --> 00:35:26,719
Speaker 1: the goats so that he can he can go to

642
00:35:26,960 --> 00:35:28,920
Speaker 1: to toe with the goats, you know what I mean.

643
00:35:30,840 --> 00:35:35,000
Speaker 3: B o b or a boogie mm hmm a boogie.

644
00:35:37,080 --> 00:35:38,480
Speaker 2: Estelle or adele.

645
00:35:40,480 --> 00:35:40,879
Speaker 3: Mm hmm.

646
00:35:43,360 --> 00:35:46,279
Speaker 1: And still is the family but adel Ale, But that's

647
00:35:46,320 --> 00:35:48,799
Speaker 1: too different. That's totally shipping.

648
00:35:49,440 --> 00:35:57,480
Speaker 5: These guys just wanted to to British people in branch. Yeah,

649
00:35:58,200 --> 00:35:59,520
Speaker 5: they might throw in the Beatles legs.

650
00:35:59,560 --> 00:35:59,840
Speaker 2: I don't know.

651
00:36:02,000 --> 00:36:05,240
Speaker 3: There was a coach by two different things. I wouldn't,

652
00:36:05,280 --> 00:36:05,759
Speaker 3: you know what I mean?

653
00:36:07,160 --> 00:36:11,960
Speaker 5: So what so what's the answer, Yeah, okay, uh DJ

654
00:36:12,080 --> 00:36:18,000
Speaker 5: Premiere Pete Rock mhm, it's gotta be Premier.

655
00:36:21,560 --> 00:36:22,799
Speaker 2: Jay Z or Big daddy came.

656
00:36:26,880 --> 00:36:31,000
Speaker 3: I say, big daddy came. That's that's that's the geez.

657
00:36:31,840 --> 00:36:32,479
Speaker 3: You know what I'm saying.

658
00:36:32,880 --> 00:36:38,839
Speaker 5: You know, I mean, okay, Jada kiss ther Nos, Yeah

659
00:36:38,920 --> 00:36:41,200
Speaker 5: I kissed so there. Now we have to change this

660
00:36:41,239 --> 00:36:46,719
Speaker 5: game where if you answer you drinking okay, you know what.

661
00:36:47,239 --> 00:36:49,320
Speaker 1: A lot of obviously a lot of guests that you

662
00:36:49,480 --> 00:36:51,680
Speaker 1: have up here have got relationship.

663
00:36:52,200 --> 00:36:54,640
Speaker 3: I'm not gonna want to say for me, I'm clear

664
00:36:54,760 --> 00:36:58,440
Speaker 3: on on the history. You know what I'm saying, history

665
00:36:58,600 --> 00:37:00,840
Speaker 3: like forgot kiss.

666
00:37:01,480 --> 00:37:04,600
Speaker 1: Its still going like the now I just heard them

667
00:37:04,640 --> 00:37:08,200
Speaker 1: a eating that's a mad tea. How many years are

668
00:37:08,200 --> 00:37:14,360
Speaker 1: we talking about? It's ridiculous. Yeah, ninety six. That's my

669
00:37:14,600 --> 00:37:16,680
Speaker 1: bro Rockefeller of rough Riders.

670
00:37:18,680 --> 00:37:23,320
Speaker 3: Ah no, it's not a shot. You know why. I

671
00:37:23,760 --> 00:37:26,640
Speaker 3: know why. Let me tell you this way is here,

672
00:37:26,880 --> 00:37:33,880
Speaker 3: this way is yeah, that's not even no, no, this

673
00:37:34,080 --> 00:37:39,160
Speaker 3: is why this way it is even like even yeah,

674
00:37:39,160 --> 00:37:41,640
Speaker 3: I'm just going to be like even even kissy wouldn't

675
00:37:41,680 --> 00:37:44,879
Speaker 3: be happier. I don't know. This is so that time.

676
00:37:45,000 --> 00:37:49,920
Speaker 1: Yeah, so like my brethren there was all from like Warfrow,

677
00:37:50,000 --> 00:37:53,239
Speaker 1: that's in South London. We're from Peckham, Warfrow, Peckham, but

678
00:37:53,400 --> 00:37:57,239
Speaker 1: all the warthrow man then they used to be Rockefeller, yeah,

679
00:37:57,760 --> 00:37:58,240
Speaker 1: and all.

680
00:37:58,160 --> 00:37:58,719
Speaker 3: The pecker Man.

681
00:37:58,800 --> 00:38:00,680
Speaker 1: It was like rough Rider was like you know what

682
00:38:00,719 --> 00:38:05,439
Speaker 1: I'm saying, like d M X peoples and all that. Yeah,

683
00:38:08,000 --> 00:38:11,920
Speaker 1: so then yeah those peoples so like we were. So

684
00:38:12,040 --> 00:38:15,560
Speaker 1: then then then the war started the clash with the

685
00:38:15,760 --> 00:38:16,120
Speaker 1: rock and.

686
00:38:19,000 --> 00:38:20,120
Speaker 3: Rough Riders and that. Yeah.

687
00:38:20,920 --> 00:38:23,880
Speaker 1: So then obviously, like I think the first one was

688
00:38:23,960 --> 00:38:28,120
Speaker 1: that the it was like the kissing and and fat Joe.

689
00:38:28,719 --> 00:38:31,920
Speaker 1: Is that the kiss and fat Joe sound? No, No,

690
00:38:32,000 --> 00:38:34,960
Speaker 1: I'm saying like it's kind of like a subliminal and

691
00:38:35,680 --> 00:38:37,719
Speaker 1: man was saying anyway, I don't know if that's true.

692
00:38:38,400 --> 00:38:42,600
Speaker 3: And then obviously there was the kiss and put your

693
00:38:42,680 --> 00:38:43,160
Speaker 3: hands up.

694
00:38:43,920 --> 00:38:47,520
Speaker 1: Then then segu came with the mad thing like that

695
00:38:47,760 --> 00:38:51,759
Speaker 1: was That's what Sea came with, brow that was mad.

696
00:38:52,280 --> 00:38:53,839
Speaker 3: Even that that was so mad.

697
00:38:54,680 --> 00:38:56,239
Speaker 1: I didn't even want to see no one from war

698
00:38:56,360 --> 00:38:59,880
Speaker 1: through until I heard kiss as I was that's like me,

699
00:39:00,320 --> 00:39:01,960
Speaker 1: I'm a music, you know what I'm saying. So I

700
00:39:02,000 --> 00:39:03,960
Speaker 1: don't want to see none of these men. For them

701
00:39:04,000 --> 00:39:06,520
Speaker 1: to talk about the seagull thing, because I know Seagull

702
00:39:06,600 --> 00:39:08,920
Speaker 1: smoked that like talking about kicking the bull out of

703
00:39:09,000 --> 00:39:11,840
Speaker 1: the park and you know what I mean. Then after

704
00:39:12,120 --> 00:39:14,440
Speaker 1: so I'm waiting for Kiss. Then Kiss came back on

705
00:39:14,560 --> 00:39:18,120
Speaker 1: the disco beat thing and that was cool and that,

706
00:39:18,360 --> 00:39:22,080
Speaker 1: but after you know what I'm saying, after that Seaguel,

707
00:39:22,760 --> 00:39:24,880
Speaker 1: that was you know what I mean. So I'm like,

708
00:39:25,160 --> 00:39:26,799
Speaker 1: this is all right, Kiss going to bring another one.

709
00:39:26,920 --> 00:39:30,400
Speaker 1: Then Seagull came straight back again straight after with the

710
00:39:30,480 --> 00:39:34,880
Speaker 1: fucking on the special delivery free start when they went

711
00:39:34,920 --> 00:39:38,480
Speaker 1: on radio and that remember the speculations, No, no, there

712
00:39:38,480 --> 00:39:42,440
Speaker 1: weren't that one. Remember the special delivery free style and

713
00:39:42,560 --> 00:39:45,680
Speaker 1: it's just smoking them kiss thee on the holiday remember

714
00:39:45,719 --> 00:39:52,400
Speaker 1: that got So this is two now, I'm like, fucking ship.

715
00:39:54,280 --> 00:39:58,200
Speaker 3: So that Seagull kind of won that, Like who'd you

716
00:39:58,280 --> 00:39:59,719
Speaker 3: say that kissing seagull thing?

717
00:40:00,320 --> 00:40:06,600
Speaker 2: Uh, I don't know, I'm a sick a shot. I mean,

718
00:40:06,640 --> 00:40:08,960
Speaker 2: it became more than that. It was stay proper against

719
00:40:09,400 --> 00:40:10,080
Speaker 2: you know the locks.

720
00:40:10,280 --> 00:40:13,719
Speaker 1: No, no, but I'm talking Kiss and Beanie Seagull, right,

721
00:40:13,880 --> 00:40:17,160
Speaker 1: because there was where the headhorn chosen. Obviously, stars when

722
00:40:17,239 --> 00:40:20,880
Speaker 1: stars come in, stars went kind of mad, remember stars

723
00:40:21,160 --> 00:40:24,880
Speaker 1: like kicking fucking doors off, and you know what it was.

724
00:40:24,960 --> 00:40:27,279
Speaker 1: It was a different back but kiss and you know,

725
00:40:27,320 --> 00:40:28,960
Speaker 1: I say, yeah, so yeah it was more than that.

726
00:40:29,480 --> 00:40:35,800
Speaker 3: But them times I could have admit, like kiss that Seagull.

727
00:40:35,480 --> 00:40:38,399
Speaker 2: Took hit me like because your side was rough.

728
00:40:38,640 --> 00:40:40,520
Speaker 1: Yeah I was rough rider, but I don't know that

729
00:40:40,800 --> 00:40:43,600
Speaker 1: maybe twenty years there, I said, seagull kind of took that.

730
00:40:43,680 --> 00:40:46,120
Speaker 3: I told the mad one to get me. So I'm

731
00:40:46,680 --> 00:40:49,520
Speaker 3: I just wanted to show the homage for like the

732
00:40:49,680 --> 00:40:52,400
Speaker 3: Rock and that, but man's rough riders, like you know.

733
00:40:53,320 --> 00:40:55,160
Speaker 1: Did you hear? I don't know if this is true,

734
00:40:55,520 --> 00:40:56,840
Speaker 1: Beanie Seagull new ship.

735
00:40:56,719 --> 00:41:01,680
Speaker 4: With Ai no with the voice, and she sounds great

736
00:41:03,040 --> 00:41:05,040
Speaker 4: and in that case, Ai is fucking dope.

737
00:41:05,239 --> 00:41:09,320
Speaker 1: Yeah, actually liked some of the with the with the

738
00:41:09,719 --> 00:41:14,560
Speaker 1: new voice as well. It still sounds cold like I

739
00:41:14,640 --> 00:41:16,480
Speaker 1: thought I was coold, but yeah, bottom lying.

740
00:41:16,560 --> 00:41:22,360
Speaker 4: Yeah, rough Riders, Okay, Damian Molly or Sean Paul give me.

741
00:41:22,440 --> 00:41:23,000
Speaker 1: The life.

742
00:41:24,760 --> 00:41:30,080
Speaker 3: You kind of going? I felt like two different things.

743
00:41:30,120 --> 00:41:34,840
Speaker 1: But I'll say Sean Porter shompaols really do you know

744
00:41:34,960 --> 00:41:38,560
Speaker 1: why I'll say shampoo because like Sean Paul has grinded,

745
00:41:38,719 --> 00:41:40,800
Speaker 1: Like remember I remember when he used to be like

746
00:41:40,960 --> 00:41:46,000
Speaker 1: dotty Cup, remember, yeah, like it was like Luga man

747
00:41:46,160 --> 00:41:50,160
Speaker 1: and and Shompaul could always that proper spit, you know

748
00:41:50,160 --> 00:41:52,239
Speaker 1: what I'm saying, Like he could he darts away, he

749
00:41:52,239 --> 00:41:53,600
Speaker 1: could spit, you.

750
00:41:53,600 --> 00:41:54,120
Speaker 3: Know what I'm saying.

751
00:41:54,200 --> 00:41:58,520
Speaker 1: And then obviously he's probably took it the most serious

752
00:41:58,680 --> 00:42:02,000
Speaker 1: and then he's taking it to the crazy levels, you

753
00:42:02,080 --> 00:42:03,920
Speaker 1: know what I'm saying. Like, so Man's got a lot

754
00:42:03,960 --> 00:42:08,640
Speaker 1: of respect for shoomp Pool yet me. But obviously Damian

755
00:42:08,760 --> 00:42:13,239
Speaker 1: Marley's gone. That's that, you know what I'm saying. I'll say,

756
00:42:13,360 --> 00:42:17,000
Speaker 1: for how hard shoomp Pools were, and he's quod spit, I'll.

757
00:42:16,840 --> 00:42:17,600
Speaker 3: Say shooting pool.

758
00:42:17,920 --> 00:42:18,879
Speaker 2: He's got a crazy cattle.

759
00:42:19,080 --> 00:42:20,120
Speaker 3: Yeah, he's got a colo.

760
00:42:21,880 --> 00:42:23,880
Speaker 2: So you said Sean Paul, Yeah, I say shoot.

761
00:42:26,360 --> 00:42:30,480
Speaker 1: Boys in the hood, boys in the hood or minister Society.

762
00:42:36,120 --> 00:42:44,600
Speaker 1: I take a shot. Okay, Oh Man cheers h l a,

763
00:42:44,800 --> 00:42:56,120
Speaker 1: oh Miami mm hmmm, I like Miami in her for

764
00:42:56,320 --> 00:43:00,600
Speaker 1: real or Kanye mm hmm.

765
00:43:08,280 --> 00:43:10,520
Speaker 3: That's a tough one. What are you talking about that

766
00:43:10,960 --> 00:43:11,600
Speaker 3: he's gonna.

767
00:43:11,360 --> 00:43:20,719
Speaker 2: Say that whatever? Yeah, yeah, yeah, you could take a

768
00:43:20,760 --> 00:43:21,800
Speaker 2: bag of beach just beats.

769
00:43:22,280 --> 00:43:22,440
Speaker 3: Yeah.

770
00:43:22,560 --> 00:43:27,280
Speaker 8: So that's a weird one. So you only gets weirder,

771
00:43:29,320 --> 00:43:34,000
Speaker 8: I was, I was, Yeah, I'll just take the shot.

772
00:43:34,080 --> 00:43:40,200
Speaker 1: Man, I don't know. I don't know, you know what

773
00:43:40,520 --> 00:43:42,719
Speaker 1: what I wanted to know. I was watching the phar

774
00:43:42,800 --> 00:43:47,200
Speaker 1: Real documentary in it and then it was talking about

775
00:43:47,760 --> 00:43:52,480
Speaker 1: when you look made super fucking yeah, we say funking it.

776
00:43:52,719 --> 00:43:53,560
Speaker 3: That's how different.

777
00:43:56,160 --> 00:43:59,719
Speaker 1: So yeah, but he was telling the story cold, but

778
00:43:59,800 --> 00:44:02,400
Speaker 1: you know, the only But I was thinking, like I

779
00:44:02,480 --> 00:44:05,080
Speaker 1: wanted to know, like he told the whole suit, but

780
00:44:05,239 --> 00:44:09,359
Speaker 1: then tell the bit like when it was in the Philippines,

781
00:44:09,680 --> 00:44:13,120
Speaker 1: You're in the mansion, you know, So I was thinking,

782
00:44:14,760 --> 00:44:17,600
Speaker 1: what was how did you think cut that bit?

783
00:44:17,719 --> 00:44:18,439
Speaker 3: Was it not true?

784
00:44:18,640 --> 00:44:20,520
Speaker 1: Like you know, you know what I'm saying already on

785
00:44:20,640 --> 00:44:23,800
Speaker 1: the track that was already I'm actually be honest with you.

786
00:44:24,080 --> 00:44:29,000
Speaker 2: I never paid attention to that part, bro, that's.

787
00:44:30,600 --> 00:44:30,759
Speaker 5: I know.

788
00:44:30,960 --> 00:44:33,759
Speaker 3: Yeah. But once the beat drop, I was like, that

789
00:44:33,920 --> 00:44:34,040
Speaker 3: was it?

790
00:44:36,840 --> 00:44:38,319
Speaker 2: He said like Noriega, and I.

791
00:44:38,400 --> 00:44:39,920
Speaker 1: Was like, all right, that's the first time I heard

792
00:44:39,960 --> 00:44:41,040
Speaker 1: somebody make a beat.

793
00:44:40,880 --> 00:44:42,160
Speaker 3: For me using my name.

794
00:44:43,360 --> 00:44:44,000
Speaker 2: But it wasn't that.

795
00:44:44,160 --> 00:44:46,400
Speaker 4: It was like, once that sound dropping, I said that,

796
00:44:49,120 --> 00:44:51,759
Speaker 4: I was just like, oh, I need, I need to

797
00:44:51,920 --> 00:44:55,279
Speaker 4: play with this. And I knew that was a different sound.

798
00:44:55,840 --> 00:44:57,600
Speaker 4: And I know I sound like a genius now, but

799
00:44:57,719 --> 00:44:59,480
Speaker 4: I swear to god, I knew that ship then, you

800
00:44:59,520 --> 00:45:01,479
Speaker 4: know what I mean, I was just like all right cool,

801
00:45:01,960 --> 00:45:04,920
Speaker 4: And like I said, I wrote the whole rhyme right

802
00:45:04,960 --> 00:45:07,080
Speaker 4: there in the Kent Hotel and I flew back the

803
00:45:07,160 --> 00:45:10,080
Speaker 4: next day and I went to a studio called Right

804
00:45:10,160 --> 00:45:12,799
Speaker 4: Track Recording Studio on forty eighth Street, and I laid

805
00:45:12,840 --> 00:45:13,439
Speaker 4: the whole ship.

806
00:45:13,480 --> 00:45:18,520
Speaker 1: That's one track. That's one whole track, one take, one take.

807
00:45:18,600 --> 00:45:18,759
Speaker 5: Yeah.

808
00:45:18,800 --> 00:45:19,919
Speaker 3: I didn't know because well.

809
00:45:19,880 --> 00:45:21,080
Speaker 2: I didn't know how to. I didn't know how to

810
00:45:21,120 --> 00:45:23,040
Speaker 2: punch it. That's what he says.

811
00:45:23,400 --> 00:45:27,080
Speaker 3: That's why I always say it wasn't even I was

812
00:45:28,480 --> 00:45:30,400
Speaker 3: at the time, what what what what? Okay?

813
00:45:30,760 --> 00:45:30,920
Speaker 2: One?

814
00:45:31,040 --> 00:45:31,360
Speaker 1: What what?

815
00:45:31,560 --> 00:45:31,600
Speaker 5: What?

816
00:45:31,719 --> 00:45:32,320
Speaker 3: What? What? What? What?

817
00:45:33,160 --> 00:45:34,360
Speaker 2: I didn't know how to do. All I want to

818
00:45:34,400 --> 00:45:36,160
Speaker 2: do is right wrap And but.

819
00:45:36,239 --> 00:45:39,799
Speaker 1: That is you still kind of I'm still calling still yeah,

820
00:45:39,800 --> 00:45:40,680
Speaker 1: because I'm saying.

821
00:45:40,520 --> 00:45:41,920
Speaker 3: That it's just in the future with it.

822
00:45:44,040 --> 00:45:50,480
Speaker 1: Anversity still counted its structured correctly. You know, rella kept

823
00:45:50,560 --> 00:45:54,160
Speaker 1: that you know it was for genius one that yeah,

824
00:45:55,360 --> 00:45:58,520
Speaker 1: he took the ones out if the original hook is

825
00:45:58,520 --> 00:45:59,719
Speaker 1: going to say one on there.

826
00:46:00,719 --> 00:46:04,160
Speaker 2: Yeah, So like I don't even know how you kept

827
00:46:04,200 --> 00:46:04,920
Speaker 2: me on beat.

828
00:46:05,120 --> 00:46:07,359
Speaker 4: Like I've never asked him that question, and I've never

829
00:46:07,360 --> 00:46:08,240
Speaker 4: asked him about.

830
00:46:08,000 --> 00:46:08,839
Speaker 3: The the intro.

831
00:46:09,040 --> 00:46:10,040
Speaker 2: Neither like a gonna lie.

832
00:46:10,120 --> 00:46:12,480
Speaker 1: We just said that just now, like twenty seven years later,

833
00:46:13,160 --> 00:46:13,440
Speaker 1: kind of.

834
00:46:15,680 --> 00:46:20,480
Speaker 3: Id that you never lied. That's because basically I'm just

835
00:46:20,600 --> 00:46:21,520
Speaker 3: never gonna know what.

836
00:46:22,120 --> 00:46:23,920
Speaker 1: Wait, did I never act? I say, it's good that

837
00:46:24,000 --> 00:46:28,560
Speaker 1: you never lied. Yeah, no, yeah, because you know what happened.

838
00:46:28,880 --> 00:46:33,120
Speaker 3: Yeah, I know not to take it.

839
00:46:33,560 --> 00:46:36,160
Speaker 1: You're kind to remember that part. Like if we're not

840
00:46:36,280 --> 00:46:39,319
Speaker 1: perform it, I go straight into the wood my mother

841
00:46:39,480 --> 00:46:42,799
Speaker 1: for the last twenty years. That shit doesn't even exist. Yeah,

842
00:46:43,760 --> 00:46:44,720
Speaker 1: by the way, it's crazy.

843
00:46:44,800 --> 00:46:48,800
Speaker 4: It starts from yeah and then he goes to Philippines

844
00:46:48,840 --> 00:46:49,120
Speaker 4: or whatever.

845
00:46:49,200 --> 00:46:52,400
Speaker 1: But my performance it goes what what what?

846
00:46:52,560 --> 00:46:54,560
Speaker 3: So we don't we take that ship out? Okay? So

847
00:46:54,719 --> 00:46:56,480
Speaker 3: like so you don't even put that in the show?

848
00:46:56,600 --> 00:46:59,080
Speaker 3: In the show kind of fucking me up.

849
00:47:00,560 --> 00:47:03,000
Speaker 1: If I went to the live show and I heard that,

850
00:47:03,040 --> 00:47:05,680
Speaker 1: because I've never seen that, right right right, right right, No,

851
00:47:05,840 --> 00:47:07,640
Speaker 1: But I went to the lift shot and I didn't

852
00:47:07,680 --> 00:47:09,479
Speaker 1: hear you in the Philip because that's.

853
00:47:09,400 --> 00:47:11,520
Speaker 3: The bit where you're that's the bit where you're wking.

854
00:47:11,640 --> 00:47:16,440
Speaker 4: Now it's you know what I'm saying REI when I performing,

855
00:47:16,520 --> 00:47:19,600
Speaker 4: I'm performing near the end of the show, like already

856
00:47:19,920 --> 00:47:21,120
Speaker 4: I want to jump in, Yeah.

857
00:47:21,320 --> 00:47:23,520
Speaker 3: I want me to jump in. That's not fa Like, yeah,

858
00:47:23,640 --> 00:47:24,320
Speaker 3: that's not fash.

859
00:47:24,640 --> 00:47:26,600
Speaker 1: And it's like as soon as you hit the helicopters,

860
00:47:26,640 --> 00:47:36,239
Speaker 1: your subconsciously you heard the intro in your mind. You

861
00:47:38,400 --> 00:47:41,680
Speaker 1: But those people like like Swiss to this day always

862
00:47:41,719 --> 00:47:43,560
Speaker 1: says to me, yo, you know you never let the

863
00:47:43,600 --> 00:47:46,120
Speaker 1: beat drop from bad being crazy. It's like, no one

864
00:47:46,280 --> 00:47:49,080
Speaker 1: actually knows that that's the first loop, that beat beat.

865
00:47:49,160 --> 00:47:53,680
Speaker 1: It's not there, not the beat. So it's like, yeah,

866
00:47:54,840 --> 00:47:59,080
Speaker 1: the whole sun mastered it that she's still twenty seven

867
00:47:59,160 --> 00:48:01,879
Speaker 1: years like your music a movie, a movie, bro.

868
00:48:04,680 --> 00:48:05,160
Speaker 3: Shot for that.

869
00:48:06,280 --> 00:48:07,319
Speaker 1: Hold on, we'll get right back.

870
00:48:08,600 --> 00:48:10,919
Speaker 5: But the fun fact about the Philippines thing, his DJ

871
00:48:11,080 --> 00:48:13,879
Speaker 5: now is from the Philipps DJ is, but he wasn't

872
00:48:13,960 --> 00:48:14,359
Speaker 5: that year.

873
00:48:14,520 --> 00:48:18,279
Speaker 1: Yeah, I didn't meet up to that same exact year.

874
00:48:18,400 --> 00:48:20,759
Speaker 1: So you got to do it where he says the Philippines,

875
00:48:21,280 --> 00:48:22,160
Speaker 1: I've never thought about it.

876
00:48:22,280 --> 00:48:25,680
Speaker 3: I tell you, this is the first time. That's that's important.

877
00:48:26,719 --> 00:48:30,760
Speaker 1: Let's do that, Okay, podcast or radio.

878
00:48:33,640 --> 00:48:36,040
Speaker 3: It's the same, it's the same for me, to be honest. Yeah,

879
00:48:36,080 --> 00:48:37,280
Speaker 3: that's the same ship.

880
00:48:37,040 --> 00:48:39,759
Speaker 1: Were drinking because it's both Okay, yeah, man, I.

881
00:48:39,760 --> 00:48:44,440
Speaker 3: Mean what's the difference really, what's.

882
00:48:43,640 --> 00:48:47,399
Speaker 1: Long form and one is radio based, one is music based,

883
00:48:47,480 --> 00:48:50,320
Speaker 1: and one is we can do this on radio because

884
00:48:50,560 --> 00:48:54,320
Speaker 1: it's long form, you can't do on radio short conversations

885
00:48:55,200 --> 00:48:55,879
Speaker 1: between radio.

886
00:48:56,719 --> 00:48:58,320
Speaker 3: I guess you know. Yeah, let me get that.

887
00:48:58,920 --> 00:49:02,480
Speaker 4: Okay, yeah, yeah, yeah, got you Okay, you ready, don't

888
00:49:03,200 --> 00:49:05,560
Speaker 4: scar face? Oh no, no no no, he said both Okay,

889
00:49:05,640 --> 00:49:08,279
Speaker 4: my bad, and you gotta get this one anyway. I

890
00:49:08,400 --> 00:49:15,680
Speaker 4: just realized what it says, cheers the heavenly socky is nice.

891
00:49:16,560 --> 00:49:23,040
Speaker 1: That drinks nice too, heavenly sky sake. Yeah that And

892
00:49:23,080 --> 00:49:25,680
Speaker 1: I ain't even a sucky guy. I wasn't.

893
00:49:25,800 --> 00:49:29,960
Speaker 3: He turned me out boss kind.

894
00:49:30,480 --> 00:49:33,760
Speaker 4: I kind of listened to what anything said sad period

895
00:49:33,920 --> 00:49:37,920
Speaker 4: like could be like, listen, man, We're gonna walk to

896
00:49:38,000 --> 00:49:41,160
Speaker 4: the top of the mountain and talk to a Chinese

897
00:49:41,239 --> 00:49:46,440
Speaker 4: monk and rub our beads and we must we must

898
00:49:46,520 --> 00:49:48,840
Speaker 4: not have on those socks. And I'm gonna be like,

899
00:49:48,960 --> 00:49:52,400
Speaker 4: let's go Rizz like he's been proving that he's the abbot,

900
00:49:52,840 --> 00:49:55,919
Speaker 4: so he's he told us that this soul.

901
00:49:56,000 --> 00:49:58,600
Speaker 2: Right, let's go Scarface or ice Cube.

902
00:50:00,600 --> 00:50:03,719
Speaker 3: Cute man, that's my guy. Yeah, that's the cue that

903
00:50:04,200 --> 00:50:07,960
Speaker 3: that's the for me, that's the main guy. He was

904
00:50:08,000 --> 00:50:11,160
Speaker 3: one of my favorite scar is a go to Scarface

905
00:50:11,280 --> 00:50:14,919
Speaker 3: is code w A and and everything. I didn't even think.

906
00:50:14,960 --> 00:50:19,400
Speaker 1: You can't even ask me about anyone against them n

907
00:50:19,600 --> 00:50:25,359
Speaker 1: w A. You know what I'm saying, Scarfaces code.

908
00:50:25,880 --> 00:50:27,000
Speaker 2: You know it's crazy.

909
00:50:28,840 --> 00:50:30,440
Speaker 1: And I know I'm a little off subject, but still

910
00:50:30,480 --> 00:50:31,040
Speaker 1: on subject.

911
00:50:31,880 --> 00:50:33,800
Speaker 4: I really kind of realized that, I know we spoke

912
00:50:33,800 --> 00:50:38,200
Speaker 4: about this before that Scarface made the Fix, like like

913
00:50:38,320 --> 00:50:41,640
Speaker 4: that was a classic album made recently, Like that.

914
00:50:41,719 --> 00:50:44,399
Speaker 2: Was in the last ten years, right, No, no, now

915
00:50:44,480 --> 00:50:47,080
Speaker 2: more than ten years. But I mean I was on

916
00:50:48,239 --> 00:50:48,600
Speaker 2: with him.

917
00:50:48,840 --> 00:50:54,600
Speaker 4: Yeah, I was on classic, classic, classic albums of a

918
00:50:54,680 --> 00:50:57,400
Speaker 4: legend that came before me. That I was actually on

919
00:50:57,520 --> 00:50:59,440
Speaker 4: the same label with him. I just thought about that

920
00:50:59,480 --> 00:51:00,640
Speaker 4: the other day, you know what I mean?

921
00:51:01,520 --> 00:51:07,480
Speaker 2: Okay, last one I got one time London or Kingston, London.

922
00:51:07,600 --> 00:51:08,240
Speaker 3: I'm from London.

923
00:51:09,239 --> 00:51:09,799
Speaker 2: I just wanted to.

924
00:51:13,880 --> 00:51:18,200
Speaker 4: But London is my ends, the last one, last one.

925
00:51:18,640 --> 00:51:20,160
Speaker 4: Loyalty or respect.

926
00:51:25,280 --> 00:51:31,680
Speaker 3: Loyal t Okay, respect, that's the s Yeah, I respect him.

927
00:51:32,120 --> 00:51:34,600
Speaker 1: He's going to be loyal. Yeah, you know what I mean.

928
00:51:34,840 --> 00:51:41,040
Speaker 1: I respect that. No, take a shot. I mean cool.

929
00:51:47,520 --> 00:51:50,480
Speaker 4: So now, how the hell and where was you at

930
00:51:51,200 --> 00:51:53,799
Speaker 4: when you get a call and they say, the man Dim,

931
00:51:54,719 --> 00:51:59,440
Speaker 4: the light Skinned God, the six God wants to work

932
00:51:59,520 --> 00:52:02,480
Speaker 4: with you. And did you tell do you hang up

933
00:52:02,520 --> 00:52:03,880
Speaker 4: on these people that ship the podcast?

934
00:52:05,920 --> 00:52:06,160
Speaker 5: You like?

935
00:52:06,280 --> 00:52:08,080
Speaker 1: Of course, and of course he wants to work with me,

936
00:52:08,480 --> 00:52:11,160
Speaker 1: But how did this happen when you get the call?

937
00:52:12,320 --> 00:52:17,000
Speaker 1: If I'm honest, this is honesty. Like I remember I

938
00:52:17,120 --> 00:52:20,720
Speaker 1: was making my album The Landlord, Yes, called the Landlord.

939
00:52:21,360 --> 00:52:25,320
Speaker 1: So I was making this album and then I remember

940
00:52:25,360 --> 00:52:28,480
Speaker 1: I was making the track called whipping that Skirts and

941
00:52:28,560 --> 00:52:28,960
Speaker 1: you get.

942
00:52:28,840 --> 00:52:30,000
Speaker 2: Me, Yeah, I got that in my notes.

943
00:52:30,160 --> 00:52:34,000
Speaker 1: Yeah okay, And I was and I was saying something

944
00:52:34,120 --> 00:52:37,440
Speaker 1: like missus in the crib, you know, I'm keeping up

945
00:52:37,520 --> 00:52:40,399
Speaker 1: photo and we don't take pictures, you know, I'm keeping

946
00:52:40,520 --> 00:52:42,319
Speaker 1: up personal like you know.

947
00:52:42,440 --> 00:52:43,479
Speaker 3: Like them kind of days.

948
00:52:44,600 --> 00:52:47,520
Speaker 1: I weren't really posting no women or girl friends are

949
00:52:48,080 --> 00:52:50,040
Speaker 1: So that was like for the mandem, like you know

950
00:52:50,040 --> 00:52:51,800
Speaker 1: what I'm saying, Like you know, like the girl's like

951
00:52:51,880 --> 00:52:52,759
Speaker 1: what do you post me?

952
00:52:53,400 --> 00:52:54,000
Speaker 3: You know what I'm saying?

953
00:52:54,080 --> 00:52:56,160
Speaker 2: That that was for us, like keep opening.

954
00:52:56,400 --> 00:52:59,840
Speaker 1: Yeah, this part is cold and you know that you

955
00:53:00,120 --> 00:53:03,680
Speaker 1: you can you can see Drake loves women, Like I said,

956
00:53:03,920 --> 00:53:06,239
Speaker 1: that's so called. Drake's going to hit me up personally

957
00:53:06,360 --> 00:53:11,800
Speaker 1: about that one. Then I dropped Landlord and then like

958
00:53:12,040 --> 00:53:16,040
Speaker 1: it started ringing off and then then Drake d m me,

959
00:53:16,760 --> 00:53:18,759
Speaker 1: you haven't you haven't met I ain't even met Hi

960
00:53:18,840 --> 00:53:20,279
Speaker 1: or not, and then he d m me said Yo,

961
00:53:20,800 --> 00:53:24,480
Speaker 1: that Landlord things mud you get me like and then yeah,

962
00:53:24,560 --> 00:53:27,680
Speaker 1: then we just said yeah, man, I got a banger still,

963
00:53:27,800 --> 00:53:30,400
Speaker 1: like I wanted to send it over, like, what do

964
00:53:30,440 --> 00:53:32,799
Speaker 1: you reckon? I could this is you saying he's saying

965
00:53:32,840 --> 00:53:34,440
Speaker 1: that to me, saying that to you, He's saying, yeah,

966
00:53:34,600 --> 00:53:36,840
Speaker 1: I got this, I got this, I got this tune.

967
00:53:36,880 --> 00:53:38,560
Speaker 1: So I wanted to send it over, will you reckon?

968
00:53:38,680 --> 00:53:39,200
Speaker 3: Can I send it?

969
00:53:39,280 --> 00:53:45,960
Speaker 1: And I was thinking, yeah, where I was I was,

970
00:53:47,040 --> 00:53:49,480
Speaker 1: I was just in some car parties. There's a restaurant

971
00:53:49,480 --> 00:53:53,400
Speaker 1: there called Harvester in London, so I was in a

972
00:53:53,480 --> 00:53:56,239
Speaker 1: Harvester car park just waiting for food. And then yeah,

973
00:53:56,280 --> 00:53:58,480
Speaker 1: I just see that DM like and I was like

974
00:53:59,360 --> 00:54:04,200
Speaker 1: Trizzy that Yeah, these times that Dizzy weren't really like.

975
00:54:06,719 --> 00:54:07,920
Speaker 3: You know what I'm tying? You know, when it was

976
00:54:08,000 --> 00:54:10,359
Speaker 3: that mysterious, that kind of time.

977
00:54:10,560 --> 00:54:12,320
Speaker 1: Yeah, me, like, did you have to look back and

978
00:54:12,400 --> 00:54:14,760
Speaker 1: make sure the blue check was there one hundred percent?

979
00:54:16,000 --> 00:54:30,400
Speaker 3: I was like I looked at that few Can I

980
00:54:30,480 --> 00:54:32,640
Speaker 3: send you these times?

981
00:54:33,400 --> 00:54:36,959
Speaker 1: Like you're not hearing You've heard every Drizzy tune?

982
00:54:37,000 --> 00:54:37,880
Speaker 3: There is the hair in it.

983
00:54:38,040 --> 00:54:40,919
Speaker 1: You know, there weren't no leaks, you know what I'm saying,

984
00:54:41,040 --> 00:54:44,320
Speaker 1: Like it was this was that an exclusive Drizzy in

985
00:54:44,440 --> 00:54:46,839
Speaker 1: my phone? You know what I'm saying. At that time,

986
00:54:46,880 --> 00:54:49,160
Speaker 1: I was a math thing, but yeah, that's crazy and

987
00:54:49,280 --> 00:54:52,359
Speaker 1: they were both his records. Yeah, so then I've done

988
00:54:52,400 --> 00:54:55,399
Speaker 1: that first one, the no Long Talked one, and then

989
00:54:55,880 --> 00:54:58,880
Speaker 1: then he hit me about the He sent me km T.

990
00:54:59,040 --> 00:55:01,920
Speaker 3: It was Christmas t yeah, and it was like yeah

991
00:55:02,000 --> 00:55:03,719
Speaker 3: what he said?

992
00:55:03,760 --> 00:55:04,919
Speaker 2: What to or more life?

993
00:55:05,000 --> 00:55:05,200
Speaker 1: Yeah?

994
00:55:05,640 --> 00:55:08,000
Speaker 3: Yeah, and then he sent me k m T.

995
00:55:08,440 --> 00:55:13,359
Speaker 1: Yeah, I said famous Christmas said it said the rest

996
00:55:13,440 --> 00:55:14,400
Speaker 1: even on Christmas.

997
00:55:14,800 --> 00:55:22,560
Speaker 3: Yeah, that's from Christmas and yah only don't celebrate Christmas

998
00:55:22,600 --> 00:55:28,280
Speaker 3: in London. Celebrate we know, we don't celebrate Thanksgiving.

999
00:55:28,400 --> 00:55:34,719
Speaker 1: Thanksgiving? O't my bad like your life, that's our independence

1000
00:55:35,320 --> 00:55:45,600
Speaker 1: from us. Last year it was my first fourth of

1001
00:55:45,680 --> 00:55:49,840
Speaker 1: July here. Yeah, yeah, that was a vibe. Still my

1002
00:55:49,960 --> 00:55:51,440
Speaker 1: son was out here, and you know what I.

1003
00:55:51,480 --> 00:55:54,000
Speaker 3: Mean, it's crazy.

1004
00:55:54,520 --> 00:55:58,120
Speaker 1: So do you do? Do you are?

1005
00:55:58,160 --> 00:56:00,279
Speaker 2: You're making a new album now?

1006
00:56:00,400 --> 00:56:01,280
Speaker 3: Just making bangs.

1007
00:56:01,400 --> 00:56:04,680
Speaker 1: I'm just making veangals, laughing them out like is Dick?

1008
00:56:04,800 --> 00:56:08,680
Speaker 1: Can we project that Drizzy might be on your new ship?

1009
00:56:09,480 --> 00:56:12,840
Speaker 3: Oh yeah, I mean I just cook like okay, you

1010
00:56:12,880 --> 00:56:14,640
Speaker 3: know what I'm saying. I got bad.

1011
00:56:16,000 --> 00:56:19,320
Speaker 1: I've always got sign okay from somewhere like okay, but

1012
00:56:19,400 --> 00:56:22,680
Speaker 1: then there's me, you know what I mean. Okay, let

1013
00:56:22,719 --> 00:56:28,800
Speaker 1: me ask you. God comes down right now, Giggs.

1014
00:56:30,440 --> 00:56:34,880
Speaker 4: You get to pick one producer and one artist, and

1015
00:56:34,960 --> 00:56:36,680
Speaker 4: this record is gonna save humanity.

1016
00:56:39,960 --> 00:56:41,399
Speaker 2: It's gonna stop World War three.

1017
00:56:41,960 --> 00:56:43,399
Speaker 3: It looks like we had it towards there.

1018
00:56:45,800 --> 00:56:48,080
Speaker 1: Who are you picking what artists and what producer?

1019
00:56:50,239 --> 00:56:50,399
Speaker 5: Well?

1020
00:56:50,440 --> 00:56:52,239
Speaker 3: I could do you one, but probably need to.

1021
00:56:52,680 --> 00:56:53,200
Speaker 1: Okay, let me.

1022
00:56:53,640 --> 00:56:55,719
Speaker 2: We're gonna give you if you take a shot, you two.

1023
00:56:55,800 --> 00:56:57,840
Speaker 3: Now, I'll just have not because it's the same thinger

1024
00:56:57,880 --> 00:57:01,760
Speaker 3: in it. That's easy. Just it would be Dre okay,

1025
00:57:01,800 --> 00:57:03,799
Speaker 3: and I'll just bring Hove in to right the US.

1026
00:57:04,560 --> 00:57:07,799
Speaker 1: Okay. You know what I'm saying, doctor Dre. And yeah,

1027
00:57:08,040 --> 00:57:12,839
Speaker 1: d you said d you said Drake makes the beat

1028
00:57:13,360 --> 00:57:19,160
Speaker 1: and whole writes the verse for for Dre. Okay, your weight.

1029
00:57:19,080 --> 00:57:20,360
Speaker 2: You want to that was.

1030
00:57:23,080 --> 00:57:27,760
Speaker 1: That's because Drake gets to to be on the production

1031
00:57:28,040 --> 00:57:29,240
Speaker 1: and he gets to be the feature.

1032
00:57:29,440 --> 00:57:30,479
Speaker 3: Oh I need that's the trick.

1033
00:57:30,520 --> 00:57:30,680
Speaker 1: That was.

1034
00:57:31,120 --> 00:57:32,200
Speaker 2: That's what he said, I need to do.

1035
00:57:32,440 --> 00:57:36,560
Speaker 3: Yes, that was true, and that's the go. That's the

1036
00:57:36,640 --> 00:57:37,640
Speaker 3: biggest Dre.

1037
00:57:38,440 --> 00:57:39,840
Speaker 2: He's a big n w A fan.

1038
00:57:40,200 --> 00:57:44,480
Speaker 4: Yes, he's the biggest. No, nah no, but I do

1039
00:57:44,640 --> 00:57:47,800
Speaker 4: see the correlation of it. That's a big w A.

1040
00:57:48,600 --> 00:57:50,080
Speaker 4: I'm a bigger the n w A fan. But I

1041
00:57:50,280 --> 00:57:52,640
Speaker 4: think he got me. Yeah, make it out of here.

1042
00:57:52,680 --> 00:57:56,840
Speaker 2: You're not a bigger w A fan. I told you

1043
00:57:56,960 --> 00:57:57,680
Speaker 2: to have me scared.

1044
00:57:57,800 --> 00:57:58,240
Speaker 1: I told you.

1045
00:58:02,000 --> 00:58:11,439
Speaker 3: That's that question that hell take a shot, So get

1046
00:58:11,520 --> 00:58:12,920
Speaker 3: up to No.

1047
00:58:13,080 --> 00:58:14,080
Speaker 2: But let's let's go.

1048
00:58:14,120 --> 00:58:15,840
Speaker 5: Actually, let's rewind a little bit because I feel like

1049
00:58:15,880 --> 00:58:18,040
Speaker 5: we skipped over a lot and we ain't going back.

1050
00:58:17,920 --> 00:58:20,120
Speaker 2: To like early your career because you.

1051
00:58:20,400 --> 00:58:22,880
Speaker 5: Started rhyming a little bit later, right or making make

1052
00:58:23,000 --> 00:58:24,200
Speaker 5: or actually making records later.

1053
00:58:24,720 --> 00:58:26,400
Speaker 2: Yeah, because you guys got locked up.

1054
00:58:27,040 --> 00:58:30,520
Speaker 1: Yeah yeah, yeah, I started music like yeah when it's

1055
00:58:30,600 --> 00:58:33,560
Speaker 1: when things started popping out at twenty eight, right.

1056
00:58:33,680 --> 00:58:36,680
Speaker 3: Yeah, I mean, so, yeah, it's late, but you was,

1057
00:58:36,880 --> 00:58:38,640
Speaker 3: that's what you were in already. I think that's yeah.

1058
00:58:38,640 --> 00:58:39,840
Speaker 3: I went, I went to jail when I.

1059
00:58:39,840 --> 00:58:42,439
Speaker 2: Was twenty one, but you got already started making music.

1060
00:58:43,400 --> 00:58:46,800
Speaker 3: I was flooting with it, you know, flooding means yeah. Yeah.

1061
00:58:47,920 --> 00:58:48,800
Speaker 2: I think that's another.

1062
00:58:49,040 --> 00:58:52,320
Speaker 4: It was messing with hope that he reminds you of us,

1063
00:58:52,360 --> 00:58:54,880
Speaker 4: because I believe he got on at that age too.

1064
00:58:55,080 --> 00:58:57,880
Speaker 4: People consider that a lot of age, like twenty seven

1065
00:58:58,200 --> 00:59:00,200
Speaker 4: and twenty eight, So I think that's one of the

1066
00:59:00,240 --> 00:59:00,880
Speaker 4: reasons too.

1067
00:59:01,560 --> 00:59:05,600
Speaker 1: Right, because then then you've seen like well it depends

1068
00:59:05,640 --> 00:59:09,240
Speaker 1: how your life set, but then you've seen like in

1069
00:59:09,360 --> 00:59:11,640
Speaker 1: the in the hood anyway you're going to see have

1070
00:59:11,800 --> 00:59:15,800
Speaker 1: seen the most by fucking twenty eight, bro, you know

1071
00:59:15,800 --> 00:59:18,040
Speaker 1: what I'm saying, going to see it? Oh right, So

1072
00:59:18,920 --> 00:59:22,720
Speaker 1: by then you're in music like it's just going to

1073
00:59:22,760 --> 00:59:24,120
Speaker 1: be hard to be a superstar.

1074
00:59:24,280 --> 00:59:27,440
Speaker 3: Then did you think what do you mean?

1075
00:59:27,520 --> 00:59:29,360
Speaker 2: Did you do think it was something that legitimately you

1076
00:59:29,440 --> 00:59:29,720
Speaker 2: could do?

1077
00:59:31,160 --> 00:59:33,240
Speaker 3: Then yeah? Yeah, yeah, yeah of course, because I did it,

1078
00:59:33,680 --> 00:59:36,880
Speaker 3: Like you know what I'm saying, Like it was like, yeah,

1079
00:59:36,960 --> 00:59:37,720
Speaker 3: this is what I want to do.

1080
00:59:37,800 --> 00:59:40,920
Speaker 2: Because you started popping when you were still inside. No no, no, no,

1081
00:59:41,480 --> 00:59:43,000
Speaker 2: it wasn't starting to come out.

1082
00:59:43,320 --> 00:59:46,520
Speaker 1: Yeah, there was music out, but because you went in twice,

1083
00:59:47,040 --> 00:59:48,960
Speaker 1: yeah yeah. When I went in the second time, I

1084
00:59:49,080 --> 00:59:51,600
Speaker 1: was popping. Okay, yeah yeah yeah I was. I was

1085
00:59:51,680 --> 00:59:54,240
Speaker 1: mainstream then, right, you know what I'm saying, Like I was,

1086
00:59:54,680 --> 00:59:57,120
Speaker 1: I was geeks, you know what I mean? But yeah,

1087
00:59:57,160 --> 00:59:58,600
Speaker 1: the first time when I went in, yeah, I was

1088
00:59:58,720 --> 01:00:02,640
Speaker 1: just like like starting to make music and that. But

1089
01:00:02,800 --> 01:00:06,440
Speaker 1: even before that, I used to d J, right, I

1090
01:00:06,560 --> 01:00:10,120
Speaker 1: used to DJ dancell you get me and that Because

1091
01:00:10,720 --> 01:00:12,480
Speaker 1: there's different definitions of DJ.

1092
01:00:13,160 --> 01:00:14,760
Speaker 3: DJ, like real dj.

1093
01:00:17,360 --> 01:00:21,360
Speaker 2: DJ is there in Jamaica. J is the chatting they

1094
01:00:21,480 --> 01:00:23,600
Speaker 2: rap ryan Yeah.

1095
01:00:23,480 --> 01:00:31,360
Speaker 3: Yeah yeah yeah yeah, fair fair play fair okay yeah

1096
01:00:34,160 --> 01:00:37,800
Speaker 3: yeah yeah.

1097
01:00:38,440 --> 01:00:42,640
Speaker 1: DJ like scratch mix but that was dancing and hip

1098
01:00:42,640 --> 01:00:45,400
Speaker 1: hop to be honest, but it was more dancing. But

1099
01:00:45,480 --> 01:00:47,800
Speaker 1: I used to like mixed hip hop as ll you

1100
01:00:47,840 --> 01:00:50,120
Speaker 1: know what I'm saying, because that was that's what there

1101
01:00:50,240 --> 01:00:52,120
Speaker 1: was then in it like it was it was hip

1102
01:00:52,160 --> 01:00:54,640
Speaker 1: hop and it was well then we used to call it.

1103
01:00:54,720 --> 01:01:00,400
Speaker 3: Raga what you call dancel. Yeah in London, raga, raga muffin.

1104
01:01:02,080 --> 01:01:04,360
Speaker 2: I mean we would say raga button never heard as

1105
01:01:04,600 --> 01:01:05,360
Speaker 2: the name for dance.

1106
01:01:05,560 --> 01:01:07,800
Speaker 3: Yeah, I would say, yeah, well you listen to raga.

1107
01:01:09,160 --> 01:01:10,680
Speaker 2: Yeah interesting?

1108
01:01:10,840 --> 01:01:15,520
Speaker 1: Yeah, and I and then fast forward girls like we'll

1109
01:01:15,560 --> 01:01:18,600
Speaker 1: say Bashman. You know what I'm saying. Like when you

1110
01:01:18,720 --> 01:01:21,240
Speaker 1: fast forward to like I don't know, like the two

1111
01:01:21,360 --> 01:01:23,520
Speaker 1: thousands or something, they say, oh, you listened to Bashman.

1112
01:01:24,360 --> 01:01:24,960
Speaker 1: You know what I'm saying.

1113
01:01:25,160 --> 01:01:25,760
Speaker 2: That's crazy.

1114
01:01:26,120 --> 01:01:28,440
Speaker 1: But then I saw some interview and some girl was

1115
01:01:28,640 --> 01:01:32,080
Speaker 1: from London name z Ezy. She was interviewing Beanie Man

1116
01:01:32,560 --> 01:01:34,520
Speaker 1: and she would say, yeah, so Bashman, is that what's

1117
01:01:34,560 --> 01:01:39,200
Speaker 1: that sounds? Yeah, we don't. We don't call that that thought, like,

1118
01:01:39,320 --> 01:01:41,160
Speaker 1: you know what I'm saying. So now Man says it's

1119
01:01:41,200 --> 01:01:44,040
Speaker 1: correct me alight.

1120
01:01:44,080 --> 01:01:45,680
Speaker 2: So so then your second you go in for the

1121
01:01:45,720 --> 01:01:46,480
Speaker 2: second time, but you.

1122
01:01:46,520 --> 01:01:49,760
Speaker 1: Already gets for a hammer Yeah, yeah, first strap, So

1123
01:01:50,120 --> 01:01:50,880
Speaker 1: now your gigs?

1124
01:01:52,240 --> 01:01:56,560
Speaker 3: What the second time? Now? Yeah, I've got like record

1125
01:01:56,680 --> 01:02:01,360
Speaker 3: label had you at that time then still banned from tour,

1126
01:02:01,520 --> 01:02:04,400
Speaker 3: but you but your music is going up and there popping.

1127
01:02:04,640 --> 01:02:10,480
Speaker 1: You can't those shows nothing couldn't come to America, was

1128
01:02:10,560 --> 01:02:12,400
Speaker 1: banned from radio, TV all that.

1129
01:02:15,880 --> 01:02:19,360
Speaker 4: Yeah, so what was the second time for strapped again?

1130
01:02:19,400 --> 01:02:31,240
Speaker 4: But I'm taking a shot for it.

1131
01:02:37,360 --> 01:02:38,240
Speaker 2: Leading up to you.

1132
01:02:38,360 --> 01:02:42,440
Speaker 5: Being now gigs before the second time, who's the people that, like,

1133
01:02:42,560 --> 01:02:43,640
Speaker 5: is anybody inspiring you?

1134
01:02:43,840 --> 01:02:45,120
Speaker 2: Like, what's the scene around.

1135
01:02:44,880 --> 01:02:47,760
Speaker 3: At that time? And them times it was.

1136
01:02:53,400 --> 01:02:55,520
Speaker 2: And I'm asking this because we're ignorant of the scene.

1137
01:02:56,160 --> 01:02:58,160
Speaker 3: Talking about what's the scene in the U K For you?

1138
01:02:58,880 --> 01:02:59,920
Speaker 2: Inspire you specifically?

1139
01:03:00,000 --> 01:03:02,160
Speaker 1: You know what I'm saying, Oh, inspire me from America

1140
01:03:02,240 --> 01:03:05,520
Speaker 1: or UK whatever is inspiring you at the time. So

1141
01:03:05,680 --> 01:03:11,120
Speaker 1: them times, yeah, them times it's like me and Skepta

1142
01:03:12,000 --> 01:03:15,800
Speaker 1: and that's when, No, that's a bit before storms, and

1143
01:03:15,960 --> 01:03:19,280
Speaker 1: it was like that's when like because remember first I said,

1144
01:03:19,320 --> 01:03:21,120
Speaker 1: it was just like it was just me from the

1145
01:03:21,200 --> 01:03:23,760
Speaker 1: streets kind of bring up some gangster ship. But like

1146
01:03:24,040 --> 01:03:29,240
Speaker 1: just before I went, that's when the streets started getting signed. Now,

1147
01:03:29,520 --> 01:03:32,720
Speaker 1: so now that the hood niggas are coming into the mainstream,

1148
01:03:33,320 --> 01:03:34,880
Speaker 1: you know what I mean. So there was like loads

1149
01:03:34,920 --> 01:03:41,600
Speaker 1: of rappers like Becky Jay, Spades, Benny Banks, Joe, there

1150
01:03:41,640 --> 01:03:44,600
Speaker 1: was there was mad niggas are coming in like like

1151
01:03:44,680 --> 01:03:47,080
Speaker 1: there's money in this music too. That's when it was

1152
01:03:47,120 --> 01:03:53,600
Speaker 1: that time. Everyone's coming now and they wrapped get just

1153
01:03:53,680 --> 01:03:55,400
Speaker 1: to do it. They correct it was right, No, it

1154
01:03:55,480 --> 01:03:57,680
Speaker 1: was good. There was a lot of talent, you know,

1155
01:03:57,800 --> 01:04:00,680
Speaker 1: but there was still niggas on the streets. You know

1156
01:04:00,760 --> 01:04:04,000
Speaker 1: how that goes, Like a lot of men didn't make it. God,

1157
01:04:04,200 --> 01:04:06,720
Speaker 1: you know what I'm saying. Like they did, they probably did,

1158
01:04:07,000 --> 01:04:09,360
Speaker 1: lasted like ten years or something, you know what I mean,

1159
01:04:09,920 --> 01:04:11,560
Speaker 1: and then hip hop two years.

1160
01:04:11,600 --> 01:04:15,200
Speaker 3: You know, it goes to the streets. Man everyone, Yeah, everyone.

1161
01:04:14,920 --> 01:04:18,800
Speaker 1: Thinks they're superstars straight, you know, it goes man niggas. Yeah, me, Like,

1162
01:04:19,320 --> 01:04:22,560
Speaker 1: some man don't really care about music like that. They

1163
01:04:22,720 --> 01:04:25,840
Speaker 1: just care about the fame, so that ruins their career.

1164
01:04:26,200 --> 01:04:28,600
Speaker 1: You know what I'm saying, Like, I know, disrespect to anyone,

1165
01:04:29,040 --> 01:04:30,120
Speaker 1: but you're not focused on it.

1166
01:04:30,320 --> 01:04:33,560
Speaker 3: Yeah. So like but that time, that's when the streets

1167
01:04:33,600 --> 01:04:35,960
Speaker 3: started coming through, now you know what I mean. And

1168
01:04:36,080 --> 01:04:37,000
Speaker 3: then I went to jail.

1169
01:04:37,840 --> 01:04:39,680
Speaker 5: You get me because I heard you saying in an

1170
01:04:39,720 --> 01:04:42,720
Speaker 5: interview that people getting signed like that actually calmed the

1171
01:04:42,760 --> 01:04:43,360
Speaker 5: streets down.

1172
01:04:43,880 --> 01:04:47,400
Speaker 3: Yeah yeah, yeah, one hundred percent. The streets is way like.

1173
01:04:49,240 --> 01:04:52,600
Speaker 1: Two thousand and five to no, I'll say two thousand

1174
01:04:52,600 --> 01:04:57,400
Speaker 1: and yeah, five to ten. The streets was mad. So

1175
01:04:57,560 --> 01:05:00,560
Speaker 1: in that sense, hip hop saved one hundred percent a

1176
01:05:00,600 --> 01:05:01,040
Speaker 1: lot of people.

1177
01:05:02,400 --> 01:05:04,919
Speaker 3: That's what from you. You guys, we watched you lock

1178
01:05:05,600 --> 01:05:08,160
Speaker 3: and like because you love from the streets.

1179
01:05:08,680 --> 01:05:13,320
Speaker 1: I was watching you, was watching like no limit For

1180
01:05:13,440 --> 01:05:17,400
Speaker 1: me personally, that's like master and that was like master

1181
01:05:17,480 --> 01:05:20,520
Speaker 1: P was the ones who made me No limit. MASTERP

1182
01:05:20,680 --> 01:05:23,000
Speaker 1: that's who made me actually think I need.

1183
01:05:22,920 --> 01:05:25,000
Speaker 3: To do this music, like you know what I'm saying,

1184
01:05:25,080 --> 01:05:28,520
Speaker 3: like blueprint. Yeah, they just reminded.

1185
01:05:29,120 --> 01:05:33,080
Speaker 2: They just reminded me of like you being independent was

1186
01:05:33,480 --> 01:05:34,320
Speaker 2: that major part.

1187
01:05:35,320 --> 01:05:37,960
Speaker 1: It was more like there was just like some crazy

1188
01:05:38,160 --> 01:05:44,120
Speaker 1: savage niggas and that was just the mandom at that time.

1189
01:05:44,280 --> 01:05:47,000
Speaker 1: Like that's that's why then we called ourselves Spare No One.

1190
01:05:47,800 --> 01:05:50,880
Speaker 1: That's s M one, That's what's s N one. So

1191
01:05:51,040 --> 01:05:54,640
Speaker 1: like that was off master P, No Limit. It was like,

1192
01:05:54,800 --> 01:05:57,640
Speaker 1: yeah we're savage spare no One. No one's getting spared

1193
01:05:57,720 --> 01:06:00,280
Speaker 1: like niggas up, like you know what I'm saying. So

1194
01:06:00,400 --> 01:06:03,720
Speaker 1: that was when we started, you know what I mean.

1195
01:06:05,000 --> 01:06:06,680
Speaker 1: So that was more man's influence.

1196
01:06:07,360 --> 01:06:07,800
Speaker 3: You get me.

1197
01:06:09,400 --> 01:06:10,120
Speaker 1: Let's keep it real.

1198
01:06:11,920 --> 01:06:15,840
Speaker 4: Do London people look at Americans and be like mind

1199
01:06:15,920 --> 01:06:19,200
Speaker 4: them don't know how to dress because you're motherfuckers.

1200
01:06:19,280 --> 01:06:25,080
Speaker 1: Put on scoffs. You got the pepper peel jackets like

1201
01:06:25,240 --> 01:06:27,480
Speaker 1: you you know, you know you know that we know

1202
01:06:27,560 --> 01:06:29,400
Speaker 1: y'all got style in London, you got you know what

1203
01:06:29,400 --> 01:06:30,880
Speaker 1: I'm saying, like, do y'all look.

1204
01:06:30,720 --> 01:06:32,520
Speaker 4: At keep it real, keep it real. Do y'all sometimes

1205
01:06:32,600 --> 01:06:36,080
Speaker 4: look at Americans and be like ridiculous.

1206
01:06:36,600 --> 01:06:40,840
Speaker 1: I think I think I think that. I think I

1207
01:06:40,920 --> 01:06:43,600
Speaker 1: think that just depends on the person. It's the person, Okay,

1208
01:06:43,600 --> 01:06:46,000
Speaker 1: it's the person. You know what I'm saying, Like, like

1209
01:06:46,120 --> 01:06:48,800
Speaker 1: you got like mine in London and contrasts so man

1210
01:06:48,880 --> 01:06:51,720
Speaker 1: in London, you can and you look.

1211
01:06:51,920 --> 01:06:54,280
Speaker 4: Because like a person in Harlem will they always claim

1212
01:06:54,320 --> 01:06:56,040
Speaker 4: another Harlem person But yeah, because we from Hall and

1213
01:06:56,080 --> 01:06:56,880
Speaker 4: that's the way how we do it.

1214
01:06:57,000 --> 01:06:58,840
Speaker 3: Personal queens will say that person.

1215
01:06:58,680 --> 01:07:01,080
Speaker 1: From That's why I said, like Harlem, you not say

1216
01:07:01,120 --> 01:07:03,960
Speaker 1: Harlem is a fly niggas well then I don't know

1217
01:07:04,120 --> 01:07:06,720
Speaker 1: back then you don't say the Harlem. That's why Harlem

1218
01:07:06,800 --> 01:07:09,640
Speaker 1: reminds me of like West London because them man are

1219
01:07:09,720 --> 01:07:14,880
Speaker 1: like like but they're still but they're still gangsters even

1220
01:07:14,920 --> 01:07:16,920
Speaker 1: you know what I'm saying. It just it just he's

1221
01:07:16,960 --> 01:07:21,400
Speaker 1: from East Okay, he's from East in my mind, yeah, yeah, no,

1222
01:07:22,120 --> 01:07:25,040
Speaker 1: I like the way you're not dressed look like even

1223
01:07:25,280 --> 01:07:27,960
Speaker 1: like now, most of the stuff I wear is from

1224
01:07:28,000 --> 01:07:30,160
Speaker 1: New York. Okay, okay, you know what I'm saying, Like

1225
01:07:30,320 --> 01:07:33,800
Speaker 1: most of the like the stacks, so like, you know

1226
01:07:33,840 --> 01:07:36,560
Speaker 1: what I'm saying, even like here, it's the first place

1227
01:07:36,640 --> 01:07:40,600
Speaker 1: I'll see man wearing shorts and a shirt like like

1228
01:07:40,880 --> 01:07:45,600
Speaker 1: but noting man wearing shorts and socks.

1229
01:07:48,200 --> 01:07:50,200
Speaker 3: You know what I'm saying, you know, down to the.

1230
01:07:53,720 --> 01:07:53,840
Speaker 5: Right.

1231
01:07:53,880 --> 01:08:02,400
Speaker 1: Now, in my head, I think, how's that gonna work?

1232
01:08:02,520 --> 01:08:05,920
Speaker 1: You know what I'm saying, Like maybe like White in

1233
01:08:06,040 --> 01:08:10,560
Speaker 1: London might do that. I told him that's like white,

1234
01:08:10,720 --> 01:08:14,920
Speaker 1: it's my dress about Nigga Mande dressing like that. Yeah,

1235
01:08:15,600 --> 01:08:17,800
Speaker 1: But then I come out hand I think, I think,

1236
01:08:17,920 --> 01:08:23,280
Speaker 1: you know what, it's kind of works, you get me?

1237
01:08:23,400 --> 01:08:25,720
Speaker 1: So a lot of this I would take style from

1238
01:08:25,760 --> 01:08:28,240
Speaker 1: here as well, right, you know, so I couldn't even

1239
01:08:28,320 --> 01:08:29,720
Speaker 1: say that, you know what I mean?

1240
01:08:29,840 --> 01:08:32,519
Speaker 3: And to be honest, like.

1241
01:08:32,920 --> 01:08:36,000
Speaker 1: We've we've copied a lot of you lot star like

1242
01:08:36,280 --> 01:08:38,560
Speaker 1: in it from remember hip hop, like I don't know,

1243
01:08:38,720 --> 01:08:42,360
Speaker 1: nineties or something, baggy jeans and that that's why London

1244
01:08:42,439 --> 01:08:45,080
Speaker 1: would be wearing baggy jeans, you know what I'm saying.

1245
01:08:45,360 --> 01:08:48,760
Speaker 1: And then I think after a while London was like,

1246
01:08:49,320 --> 01:08:50,880
Speaker 1: you know what, we're doing our own thing. That's when

1247
01:08:50,920 --> 01:08:53,960
Speaker 1: we were straight jeans. And then you say, yeah, I've

1248
01:08:53,960 --> 01:08:56,160
Speaker 1: been the skinny jeans. I didn't say. I won't say

1249
01:08:56,160 --> 01:08:58,360
Speaker 1: we invented it. I won't say we invented it.

1250
01:09:00,439 --> 01:09:01,960
Speaker 2: Straight and skinny and two different things.

1251
01:09:06,240 --> 01:09:08,760
Speaker 3: That's that's what that's like. Yeah, that's yeah, that's not.

1252
01:09:11,320 --> 01:09:11,559
Speaker 2: Something.

1253
01:09:11,600 --> 01:09:14,640
Speaker 1: But then we'll be like, yeah, straight jeans like a

1254
01:09:14,760 --> 01:09:19,320
Speaker 1: clean jumper, us jump as a swell like a clean jumper.

1255
01:09:19,400 --> 01:09:21,160
Speaker 3: Sure that would be mad. And then we're like, this

1256
01:09:21,320 --> 01:09:22,800
Speaker 3: is London, you know what.

1257
01:09:23,120 --> 01:09:27,000
Speaker 1: And then now it's like everyone's like American man, We're

1258
01:09:27,120 --> 01:09:29,360
Speaker 1: just like UK and vice versa.

1259
01:09:30,560 --> 01:09:32,800
Speaker 4: We gotta get we gotta get this one out out

1260
01:09:32,880 --> 01:09:39,920
Speaker 4: the way. Central scene defended a lot of New York people.

1261
01:09:40,560 --> 01:09:43,599
Speaker 3: Yeah, with the tracksuits, the clean Nike tech.

1262
01:09:43,720 --> 01:09:45,639
Speaker 1: Hold on, we didn't even know you had Nike out there.

1263
01:09:45,880 --> 01:09:49,639
Speaker 1: Yeah no, no, no, no, that's cool.

1264
01:09:49,720 --> 01:09:50,120
Speaker 5: That's cool.

1265
01:09:50,200 --> 01:09:56,920
Speaker 3: But that's the same for us. Okay, so that's that's

1266
01:09:56,960 --> 01:10:00,360
Speaker 3: the same for us, Like Mama's even when I come here.

1267
01:10:00,560 --> 01:10:02,960
Speaker 1: Because you remember, naking text is a special tepe.

1268
01:10:02,960 --> 01:10:04,880
Speaker 3: But no, no, no, I'm answer.

1269
01:10:07,680 --> 01:10:10,720
Speaker 1: I can answer you like even so even for me, Yeah,

1270
01:10:11,240 --> 01:10:14,040
Speaker 1: when I was like, remember I'm fanned for ten years, right, Okay,

1271
01:10:14,080 --> 01:10:15,680
Speaker 1: you know I'm saying, I don't know what's going You

1272
01:10:15,720 --> 01:10:18,000
Speaker 1: get me. So then I've come out here and then

1273
01:10:18,040 --> 01:10:19,400
Speaker 1: the man them were wearing Nike.

1274
01:10:19,400 --> 01:10:21,080
Speaker 3: Text like you get me.

1275
01:10:21,840 --> 01:10:24,760
Speaker 1: And remember this is after COVID, so everyone's masked up

1276
01:10:24,800 --> 01:10:27,679
Speaker 1: now as well. Nike text and a mosque.

1277
01:10:28,160 --> 01:10:29,840
Speaker 3: You get me. That's what I'm coming and seeing in

1278
01:10:29,960 --> 01:10:30,800
Speaker 3: New York. You get me.

1279
01:10:31,080 --> 01:10:32,800
Speaker 1: And I'm like, ro this is like the ends, like

1280
01:10:33,280 --> 01:10:37,600
Speaker 1: you know, then you get me? So even for me,

1281
01:10:38,280 --> 01:10:40,160
Speaker 1: I thought, right, this is how you look dressed. But

1282
01:10:40,240 --> 01:10:44,240
Speaker 1: I'm not gonna jump and say we started that because

1283
01:10:44,320 --> 01:10:48,760
Speaker 1: I don't know you know, and it's nick remember next

1284
01:10:48,920 --> 01:10:51,560
Speaker 1: worldwide that's everywhere. You know what I'm saying, like you

1285
01:10:51,600 --> 01:10:55,240
Speaker 1: get me? So but what like I think it's more

1286
01:10:55,280 --> 01:10:58,720
Speaker 1: the Internet, Yeah, you know the one. The Internet is

1287
01:10:58,840 --> 01:11:01,920
Speaker 1: like it just like makes things worse than it is.

1288
01:11:02,040 --> 01:11:04,559
Speaker 1: This is like that's a kid, he's like a couple

1289
01:11:04,600 --> 01:11:05,599
Speaker 1: of years older than my son.

1290
01:11:05,680 --> 01:11:07,600
Speaker 3: How the fun is he going to know? You know

1291
01:11:07,640 --> 01:11:09,479
Speaker 3: what I'm saying, that's the fact.

1292
01:11:10,760 --> 01:11:13,599
Speaker 1: How the it so like you got like grown men,

1293
01:11:14,360 --> 01:11:17,439
Speaker 1: like even a couple of my American regidents who are older.

1294
01:11:18,439 --> 01:11:18,760
Speaker 1: What's this?

1295
01:11:21,280 --> 01:11:25,479
Speaker 3: I'm like, are you calling me about this? That's a kid?

1296
01:11:26,600 --> 01:11:35,040
Speaker 3: Like say like Main may no, that's my bread. He

1297
01:11:35,200 --> 01:11:39,000
Speaker 3: knows my son. Yeah, if my son said that, Maine

1298
01:11:39,120 --> 01:11:41,160
Speaker 3: is not going to call me about that. He's not

1299
01:11:41,240 --> 01:11:43,280
Speaker 3: going to call what's mill say? He's going to be like,

1300
01:11:43,600 --> 01:11:44,960
Speaker 3: he's a kid, what's he going to know?

1301
01:11:45,680 --> 01:11:50,040
Speaker 1: Because of the Internet Central seed is big, he must

1302
01:11:50,200 --> 01:11:53,240
Speaker 1: know what happens in London and America, you know what

1303
01:11:53,280 --> 01:11:55,880
Speaker 1: I'm saying, Like when really he just didn't know. It's

1304
01:11:55,960 --> 01:12:00,840
Speaker 1: just like is big Now he got a little like, well,

1305
01:12:00,960 --> 01:12:02,800
Speaker 1: ignorant is the word, you know what I'm saying. It

1306
01:12:02,880 --> 01:12:05,679
Speaker 1: was ignorant to that, and he said something on camera,

1307
01:12:05,880 --> 01:12:08,240
Speaker 1: you know, we we've all done it, but really, what

1308
01:12:08,400 --> 01:12:10,000
Speaker 1: the is he going to know? He's a little kid, bro.

1309
01:12:11,520 --> 01:12:14,280
Speaker 1: And then after he said and then after he said, yeah,

1310
01:12:14,320 --> 01:12:17,280
Speaker 1: maybe you did have like you know what I mean,

1311
01:12:17,560 --> 01:12:20,240
Speaker 1: because I mean you could go back to old NAS video.

1312
01:12:20,439 --> 01:12:24,080
Speaker 4: Yeah, and you can see it wasn't called Nike back. Yeah,

1313
01:12:24,400 --> 01:12:25,679
Speaker 4: it was a special version.

1314
01:12:25,520 --> 01:12:28,200
Speaker 1: Of the like yeah, yeah, of course, of course, yeah,

1315
01:12:28,439 --> 01:12:31,840
Speaker 1: but yeah, that's it. Yeah, man, that's yeah, that's that's

1316
01:12:32,960 --> 01:12:36,000
Speaker 1: with a lot of the stuff similar when I come

1317
01:12:36,080 --> 01:12:39,960
Speaker 1: over now everything is just the same ship like just

1318
01:12:40,040 --> 01:12:43,200
Speaker 1: in different ways and the cultures. It's a tiny bit

1319
01:12:43,360 --> 01:12:48,400
Speaker 1: because remember, like I said, you got Dominicans, Porto Ricans, Belizeans.

1320
01:12:48,520 --> 01:12:53,720
Speaker 1: Now we got Jamaicans. Try right, columb you know what

1321
01:12:53,720 --> 01:12:57,080
Speaker 1: I'm saying. So like even a lot of them things

1322
01:12:57,120 --> 01:12:59,680
Speaker 1: will be sprinkled into U Lot's culture as well, and

1323
01:12:59,760 --> 01:13:03,080
Speaker 1: then it's American culture, you know what I'm saying. So

1324
01:13:03,320 --> 01:13:06,479
Speaker 1: a lot of stuff we don't know about vice versa, right,

1325
01:13:06,680 --> 01:13:09,519
Speaker 1: you know what I'm saying. So I just wouldn't jump

1326
01:13:09,640 --> 01:13:12,160
Speaker 1: up and say we done this for so we cause

1327
01:13:12,200 --> 01:13:13,640
Speaker 1: we don't know you know what I mean.

1328
01:13:13,960 --> 01:13:16,000
Speaker 4: So let me let me ask you. There's two more

1329
01:13:17,000 --> 01:13:21,519
Speaker 4: rule more questions over that. Now this is a this

1330
01:13:21,680 --> 01:13:28,040
Speaker 4: is something that I mean Richard Millie and I'm getting

1331
01:13:28,080 --> 01:13:32,200
Speaker 4: my band switched, so I askedly. So the guy's like, hey,

1332
01:13:32,360 --> 01:13:34,160
Speaker 4: why are you doing this? I'm like, hey, I'm going

1333
01:13:34,200 --> 01:13:36,880
Speaker 4: to London, and he'said, do not whar you're watching London?

1334
01:13:37,760 --> 01:13:42,679
Speaker 4: Now For some reason, I had searched that and there's

1335
01:13:42,760 --> 01:13:47,000
Speaker 4: literally videos of people coming up to people no I'm

1336
01:13:47,040 --> 01:13:50,040
Speaker 4: talking about. I guess they were chopping their hands on.

1337
01:13:50,280 --> 01:13:51,519
Speaker 4: I guess they didn't want to ask you.

1338
01:13:52,360 --> 01:13:55,560
Speaker 3: I'm yet to see this video. Well you know what

1339
01:13:56,439 --> 01:14:00,160
Speaker 3: they coming up to people? Yeah, buteah know.

1340
01:14:00,680 --> 01:14:03,000
Speaker 2: You know what I said, that the actual chop hands off.

1341
01:14:03,200 --> 01:14:07,200
Speaker 3: But that's what I'm saying. They come, they could have

1342
01:14:07,360 --> 01:14:09,160
Speaker 3: said case Okay, I didn't know.

1343
01:14:09,720 --> 01:14:12,120
Speaker 2: I didn't know if I was watching a I or

1344
01:14:12,240 --> 01:14:12,840
Speaker 2: if this Now.

1345
01:14:13,080 --> 01:14:17,360
Speaker 1: I followed this watch dealer. I followed this watch dealer

1346
01:14:17,880 --> 01:14:20,640
Speaker 1: as a Chinese guy, and he walks around London all

1347
01:14:20,680 --> 01:14:27,960
Speaker 1: the time with watching. He has no problem, so that

1348
01:14:28,040 --> 01:14:32,439
Speaker 1: said Bud. But yeah, him, man, it's like his little

1349
01:14:32,520 --> 01:14:33,400
Speaker 1: his little watch crew.

1350
01:14:34,000 --> 01:14:36,920
Speaker 4: I mean, he has people following around with an umbrella,

1351
01:14:37,160 --> 01:14:39,479
Speaker 4: so obviously the guy must have a ham on them,

1352
01:14:39,720 --> 01:14:44,400
Speaker 4: I'm guessing. But but is that a real problem in London,

1353
01:14:44,479 --> 01:14:45,960
Speaker 4: like with the watch Coulture.

1354
01:14:45,760 --> 01:14:48,160
Speaker 3: Like, let's that the same thing as here?

1355
01:14:48,360 --> 01:14:51,080
Speaker 1: Okay, okay, you know what I'm saying. If you're like

1356
01:14:51,200 --> 01:14:55,160
Speaker 1: out of a Diamond district. Yeah, and you know I

1357
01:14:55,240 --> 01:14:57,559
Speaker 1: don't know who you are, it could happen. Even if

1358
01:14:57,680 --> 01:14:59,960
Speaker 1: I know who you are, it could happen. You know,

1359
01:15:00,040 --> 01:15:02,720
Speaker 1: I'm saying it's the same ship, like but them kind

1360
01:15:02,800 --> 01:15:05,400
Speaker 1: of clips or more in. What you're saying is more

1361
01:15:05,479 --> 01:15:10,000
Speaker 1: in like central area. Okay, so that's like Times Square

1362
01:15:10,160 --> 01:15:13,759
Speaker 1: or something like Times Square. That's like central Okay, west

1363
01:15:13,880 --> 01:15:17,040
Speaker 1: End we call it. Yeah, that's like where the tourists

1364
01:15:17,080 --> 01:15:17,880
Speaker 1: are at. Okay.

1365
01:15:18,080 --> 01:15:18,679
Speaker 3: You know what I'm saying.

1366
01:15:18,800 --> 01:15:23,000
Speaker 1: So like people are robbing tourists, like there's no comebacks,

1367
01:15:23,880 --> 01:15:24,519
Speaker 1: you know what I'm saying.

1368
01:15:24,600 --> 01:15:30,600
Speaker 2: Like the chopping of the hand I heard, I'm just chopping.

1369
01:15:32,240 --> 01:15:32,560
Speaker 5: You know what.

1370
01:15:33,320 --> 01:15:35,720
Speaker 3: You know what I would love I would love to

1371
01:15:35,840 --> 01:15:41,680
Speaker 3: make England sound wicked, like I said, Yeah, I love

1372
01:15:41,760 --> 01:15:47,040
Speaker 3: to say that, but I ain't seen it. Maybe maybe

1373
01:15:47,960 --> 01:15:53,320
Speaker 3: with that catching I believe it behind and there's booths

1374
01:15:53,360 --> 01:16:00,679
Speaker 3: and that that was the caption.

1375
01:16:00,920 --> 01:16:03,840
Speaker 1: That's the reason why, like I blie catch the chopped

1376
01:16:03,880 --> 01:16:07,920
Speaker 1: off for yeah, something like that. You know the same,

1377
01:16:08,000 --> 01:16:11,320
Speaker 1: it's exact same here man a jumping out, jumping off

1378
01:16:11,360 --> 01:16:15,439
Speaker 1: of moped's hair with machines the swing that watch. Same,

1379
01:16:15,520 --> 01:16:19,000
Speaker 1: it's exact same ship that Everything that happens here happens

1380
01:16:19,040 --> 01:16:22,000
Speaker 1: there and all over the world.

1381
01:16:22,360 --> 01:16:24,080
Speaker 3: Absolutely, gangsters all over.

1382
01:16:23,960 --> 01:16:27,799
Speaker 1: The world, everywhere has got anywhere, there's poverty, there's gangsters

1383
01:16:28,840 --> 01:16:30,920
Speaker 1: or there's no I wouldn't even say gangster. I'd say

1384
01:16:31,320 --> 01:16:35,040
Speaker 1: people who are desperate. Do you understand? So anywhere that is,

1385
01:16:35,400 --> 01:16:37,599
Speaker 1: it's going to be jumpy, right, you know what I mean?

1386
01:16:37,680 --> 01:16:38,800
Speaker 1: I was going to take a shot to that, but

1387
01:16:38,840 --> 01:16:42,280
Speaker 1: I was thinking maybe not Yeah, but no, because those

1388
01:16:42,320 --> 01:16:45,120
Speaker 1: are the people who show us loved I saw people.

1389
01:16:45,479 --> 01:16:53,080
Speaker 2: Okay, look, so how did you hook up with twenty

1390
01:16:53,120 --> 01:16:53,679
Speaker 2: one Savage?

1391
01:16:56,200 --> 01:16:56,679
Speaker 3: Savage?

1392
01:16:57,160 --> 01:17:01,640
Speaker 1: Because he for the UK too, it's from UK. I

1393
01:17:01,720 --> 01:17:04,360
Speaker 1: think I just I think I just hit Savage and DM.

1394
01:17:04,479 --> 01:17:08,280
Speaker 1: You know, Okay, Wow, the Savage is proper. That's that's

1395
01:17:08,320 --> 01:17:09,200
Speaker 1: a smart nigga.

1396
01:17:09,240 --> 01:17:11,759
Speaker 3: Bro. Let me even talk his business.

1397
01:17:11,800 --> 01:17:16,640
Speaker 1: But yeah, about Savage, he's he's still like he like

1398
01:17:17,479 --> 01:17:20,160
Speaker 1: even when I talked to Savage, he will shocked me,

1399
01:17:20,400 --> 01:17:24,080
Speaker 1: like because he is just how he knows the ends.

1400
01:17:25,560 --> 01:17:30,479
Speaker 1: He knows like names of streets you know, in detail

1401
01:17:30,560 --> 01:17:33,479
Speaker 1: in London, like he knows what's going on, who's who?

1402
01:17:34,560 --> 01:17:36,719
Speaker 1: Like you know what I'm saying, Like, how far removed

1403
01:17:36,800 --> 01:17:37,400
Speaker 1: is he from from?

1404
01:17:38,520 --> 01:17:39,519
Speaker 3: He's not far removed.

1405
01:17:39,880 --> 01:17:42,599
Speaker 2: He's connected in Atlanta. How can you be connected in both?

1406
01:17:42,840 --> 01:17:46,880
Speaker 1: Because I feel like like if you're outside looking in

1407
01:17:47,840 --> 01:17:52,200
Speaker 1: remember like that we've studied all of you lot. You

1408
01:17:52,240 --> 01:17:54,960
Speaker 1: know what I'm saying, like, remember you on the on

1409
01:17:55,120 --> 01:17:59,479
Speaker 1: our screens our whole life, like man like nor and that.

1410
01:17:59,760 --> 01:18:03,320
Speaker 1: You know I'm saying, like on our screen growing up.

1411
01:18:04,200 --> 01:18:07,080
Speaker 1: That's studying, right right, you know what I'm saying. So

1412
01:18:07,240 --> 01:18:09,479
Speaker 1: you come out here, now, he's good kid, come out

1413
01:18:09,520 --> 01:18:13,280
Speaker 1: here and it's cool. It's America, you know what I'm saying, Like,

1414
01:18:13,479 --> 01:18:16,639
Speaker 1: so you know what I mean, Like, and he's probably cool.

1415
01:18:16,680 --> 01:18:19,360
Speaker 1: He's from London, you know, even though people he said,

1416
01:18:19,560 --> 01:18:22,519
Speaker 1: he was saying people he said disrespect his accent and.

1417
01:18:22,520 --> 01:18:23,479
Speaker 3: There was always fighting.

1418
01:18:23,640 --> 01:18:27,280
Speaker 1: But so he's going to like he's gonna I'm saying,

1419
01:18:27,280 --> 01:18:29,720
Speaker 1: he's going to have the knowledge of both worlds, right,

1420
01:18:30,080 --> 01:18:32,160
Speaker 1: you know what I'm saying. Like, So, so for him

1421
01:18:32,200 --> 01:18:35,560
Speaker 1: to get to the top, Like me personally, I'm not

1422
01:18:35,600 --> 01:18:38,320
Speaker 1: really surprised because I see a lot of London niggas

1423
01:18:38,320 --> 01:18:40,880
Speaker 1: come out here, they get to the top. Canadian niggas

1424
01:18:40,920 --> 01:18:44,280
Speaker 1: they get Americans go to London, they get to the top.

1425
01:18:45,080 --> 01:18:47,160
Speaker 3: You know what I'm saying, Like, Yeah, I see American,

1426
01:18:47,640 --> 01:18:49,799
Speaker 3: like I see Maine come to London.

1427
01:18:50,560 --> 01:18:53,920
Speaker 1: Yeah, one time I remember was that with Maine and

1428
01:18:55,400 --> 01:18:57,280
Speaker 1: and he's saying, yeah, we're going to this after party.

1429
01:18:57,280 --> 01:18:59,960
Speaker 1: We're in London. Yeah, it's like four o'clock in the morning.

1430
01:19:01,200 --> 01:19:03,240
Speaker 1: But you know New York niggas, you know, don't sleep

1431
01:19:04,000 --> 01:19:07,240
Speaker 1: like you man now all night. So I'm saying, man,

1432
01:19:07,280 --> 01:19:11,160
Speaker 1: we're not finding no after party in London at four am,

1433
01:19:11,240 --> 01:19:15,400
Speaker 1: bro because and we're in central this is the city. Yeah,

1434
01:19:15,479 --> 01:19:18,880
Speaker 1: I'm saying, this ain't happening. But I thought, let me

1435
01:19:19,000 --> 01:19:21,640
Speaker 1: follow him and see where he's going on. Yeah, So

1436
01:19:21,720 --> 01:19:26,360
Speaker 1: then we're walking in the middle of Leicester Square. Now

1437
01:19:26,439 --> 01:19:29,880
Speaker 1: I'm saying one hundred percent, no, nothing's happening tonight.

1438
01:19:30,200 --> 01:19:33,120
Speaker 3: This is Leicester Square, this is the top flay me.

1439
01:19:34,200 --> 01:19:37,680
Speaker 1: Then we pull up, pull up to some spot and

1440
01:19:37,800 --> 01:19:41,479
Speaker 1: mean it's like yeah, yeah these times there's like fifty

1441
01:19:41,560 --> 01:19:44,759
Speaker 1: of us as well, like like fifty man girls.

1442
01:19:44,880 --> 01:19:45,280
Speaker 3: Everything.

1443
01:19:45,920 --> 01:19:48,479
Speaker 1: I'm saying, this ain't happening. Next thing, we're walking in

1444
01:19:48,720 --> 01:19:50,120
Speaker 1: and it's a big settings.

1445
01:19:50,280 --> 01:19:51,200
Speaker 3: I'm like, what the fuck?

1446
01:19:51,360 --> 01:19:54,519
Speaker 1: Like, but that's what I'm saying, Like like American that

1447
01:19:54,720 --> 01:19:58,680
Speaker 1: the man then always do it the biggest always, That's

1448
01:19:58,720 --> 01:20:01,880
Speaker 1: what I noticed. Like, anyway you have a great time,

1449
01:20:02,000 --> 01:20:04,599
Speaker 1: you do it the biggest way. You know, the biggest guy.

1450
01:20:05,200 --> 01:20:11,559
Speaker 1: You got the big pattern and means settings like motion. Yeah,

1451
01:20:11,640 --> 01:20:13,880
Speaker 1: me here, you know, I got the biggest settings like

1452
01:20:14,520 --> 01:20:16,640
Speaker 1: and Maine just come and showed me sign in my

1453
01:20:16,720 --> 01:20:19,479
Speaker 1: own sea, Like you know what I'm saying. But that's

1454
01:20:19,640 --> 01:20:22,200
Speaker 1: what I'm saying about when we come over here or

1455
01:20:22,280 --> 01:20:24,040
Speaker 1: like do you know what I mean? Like we're outside

1456
01:20:24,080 --> 01:20:27,320
Speaker 1: looking in and yeah that's twenty one savage bro.

1457
01:20:27,479 --> 01:20:29,200
Speaker 3: Now it's the biggest rapper in the world.

1458
01:20:32,840 --> 01:20:33,040
Speaker 2: Yeah.

1459
01:20:33,720 --> 01:20:35,320
Speaker 4: I used to complain about like the South and not

1460
01:20:35,360 --> 01:20:39,280
Speaker 4: get in love in New York, And I believe complain.

1461
01:20:39,280 --> 01:20:40,720
Speaker 2: I'm just telling you what you now.

1462
01:20:40,760 --> 01:20:45,880
Speaker 3: You like didn't show the South no love. I remember, listen, listen,

1463
01:20:47,320 --> 01:20:48,920
Speaker 3: let me tell you how I know. No, no, let

1464
01:20:48,960 --> 01:20:50,559
Speaker 3: me tell you no, no wait wait, let me tell

1465
01:20:50,560 --> 01:20:52,519
Speaker 3: you how I know. Yeah, because I remember I can't.

1466
01:20:52,640 --> 01:20:56,320
Speaker 1: Yeah, because because my granddad he used to live in Brownsville.

1467
01:20:56,880 --> 01:21:01,160
Speaker 3: Yeah, so will in brook Yeah we have a brother here,

1468
01:21:01,320 --> 01:21:02,680
Speaker 3: yeah yeah, and I'm Brooklyn.

1469
01:21:02,439 --> 01:21:04,439
Speaker 2: So I talk about brows Yeah.

1470
01:21:04,479 --> 01:21:11,240
Speaker 1: Yeah, I was in browns in Brooklyn, Yeah, with my

1471
01:21:11,439 --> 01:21:15,040
Speaker 1: with my granddad's yeah and them time.

1472
01:21:15,040 --> 01:21:16,639
Speaker 3: I used to listen to Oh No Limit.

1473
01:21:16,720 --> 01:21:19,040
Speaker 1: I had every single No Limited album the time them

1474
01:21:19,080 --> 01:21:23,840
Speaker 1: albums are twenty pounds, that's like fucking thirty dollars twenty pound.

1475
01:21:23,960 --> 01:21:27,120
Speaker 1: Used to buy every single No Limit album. Yeah me, yeah,

1476
01:21:27,240 --> 01:21:29,439
Speaker 1: and I'm on the block and I used to want

1477
01:21:29,479 --> 01:21:32,240
Speaker 1: to play my Silk the Charka and my mat and

1478
01:21:32,400 --> 01:21:34,360
Speaker 1: all that, and I put this on your ear true

1479
01:21:34,560 --> 01:21:36,960
Speaker 1: or that I'll put that ship. This is hard. And

1480
01:21:37,040 --> 01:21:39,760
Speaker 1: then the man on the block, I turned that ship off, man.

1481
01:21:41,040 --> 01:21:43,679
Speaker 1: And then they were saying, play your Rule, let's page

1482
01:21:43,720 --> 01:21:46,599
Speaker 1: your Rules first album, and I was like, I want

1483
01:21:46,640 --> 01:21:49,040
Speaker 1: to listen to this, man, listen to fucking no lip

1484
01:21:49,120 --> 01:21:49,800
Speaker 1: by them times.

1485
01:21:49,880 --> 01:21:52,920
Speaker 3: They was not hearing it. And then about a year

1486
01:21:53,040 --> 01:21:57,400
Speaker 3: later that's when they started playing Bling Bling. I remember

1487
01:21:57,479 --> 01:21:59,160
Speaker 3: Bling Bling was into you and there was he was

1488
01:21:59,200 --> 01:22:00,920
Speaker 3: saying to me, would you know about that blame? And

1489
01:22:00,960 --> 01:22:02,479
Speaker 3: I said, you might didn't want to listen to this.

1490
01:22:03,640 --> 01:22:08,440
Speaker 5: You know what I'm saying, Like, yeah, I got vindicated

1491
01:22:08,439 --> 01:22:09,160
Speaker 5: all the way over there.

1492
01:22:10,680 --> 01:22:18,080
Speaker 1: Yeah I saw that firsthand. Okay, outcast is different. That's

1493
01:22:18,120 --> 01:22:24,559
Speaker 1: the artcasting more commercial. And I'm talking like yeah yeah cool,

1494
01:22:24,640 --> 01:22:28,880
Speaker 1: like you're talking like like like me and your cousin

1495
01:22:28,960 --> 01:22:33,400
Speaker 1: and like before that, yeah yeah, yeah, yeah yeah, But

1496
01:22:33,560 --> 01:22:34,519
Speaker 1: I didn't see.

1497
01:22:35,240 --> 01:22:37,439
Speaker 2: Remember, it's different fro him up there.

1498
01:22:38,280 --> 01:22:42,480
Speaker 1: Yeah, but like not but we used to fuk with Outcastle,

1499
01:22:42,880 --> 01:22:45,320
Speaker 1: but I don't. I feel like outcasts a bit more

1500
01:22:45,360 --> 01:22:48,439
Speaker 1: commercial though. I know you're saying underground and that, but

1501
01:22:48,600 --> 01:22:51,880
Speaker 1: it's not like no limit, no limit, no, you know

1502
01:22:52,680 --> 01:22:54,439
Speaker 1: you get me, you know what I'm saying.

1503
01:22:54,520 --> 01:22:56,840
Speaker 5: So yeah, I want to what was your point that

1504
01:22:56,880 --> 01:23:01,519
Speaker 5: you're gonna make though about the if complains no.

1505
01:23:01,600 --> 01:23:04,200
Speaker 4: Because I was trying to say the hook that it's

1506
01:23:04,320 --> 01:23:07,360
Speaker 4: now kind of even in itself out the love everywhere

1507
01:23:07,680 --> 01:23:10,040
Speaker 4: like me personally. I don't know if y'all know, but

1508
01:23:10,120 --> 01:23:13,000
Speaker 4: I was like the first famous guy to shout out

1509
01:23:13,080 --> 01:23:16,960
Speaker 4: London in a mean way. Westwood I said I played

1510
01:23:17,000 --> 01:23:23,280
Speaker 4: the best hood. I said the best hood with Tim Westwood.

1511
01:23:24,400 --> 01:23:27,040
Speaker 4: That was crazy if you knew that this is one

1512
01:23:27,080 --> 01:23:28,360
Speaker 4: of the number one records.

1513
01:23:29,000 --> 01:23:31,920
Speaker 1: I played the best hood. O T with Tim Westwood

1514
01:23:32,240 --> 01:23:33,040
Speaker 1: used to be on section.

1515
01:23:33,479 --> 01:23:35,800
Speaker 2: Now my section is good. People didn't even know I

1516
01:23:35,920 --> 01:23:37,439
Speaker 2: shout out the mandendamn man.

1517
01:23:39,800 --> 01:23:42,320
Speaker 1: I didn't even know that was a figure in London.

1518
01:23:42,640 --> 01:23:46,400
Speaker 1: That was Tim Westwood. Tim Westwood represented London. He was

1519
01:23:46,479 --> 01:23:49,880
Speaker 1: the master place all that time, even them times. Westwood

1520
01:23:50,320 --> 01:23:52,600
Speaker 1: used to play that bit on the radio. This is

1521
01:23:52,720 --> 01:24:04,599
Speaker 1: radio what you play that part over and over? Amazing,

1522
01:24:09,840 --> 01:24:12,400
Speaker 1: this is Radio one. They do like this is like

1523
01:24:13,439 --> 01:24:16,080
Speaker 1: like they play that stuff in like stores in London.

1524
01:24:16,120 --> 01:24:18,559
Speaker 1: We put in shops. They played that in the shop

1525
01:24:18,960 --> 01:24:22,479
Speaker 1: in London. Yeah, like where like old people they don't

1526
01:24:22,520 --> 01:24:26,400
Speaker 1: listen to hip hop basically, and that's Radio One, that's

1527
01:24:26,439 --> 01:24:27,240
Speaker 1: what plays in there.

1528
01:24:27,320 --> 01:24:27,840
Speaker 3: And he's like.

1529
01:24:31,200 --> 01:24:34,559
Speaker 1: For about five ten minutes that one go to be honest,

1530
01:24:34,600 --> 01:24:36,719
Speaker 1: I went to London. I fell in love with London,

1531
01:24:37,040 --> 01:24:39,600
Speaker 1: and I was just like, yo, I have to have

1532
01:24:39,720 --> 01:24:42,560
Speaker 1: to do something to come back. And I knew that

1533
01:24:42,680 --> 01:24:47,000
Speaker 1: I if I shoutowed it out and then and for years.

1534
01:24:46,880 --> 01:24:48,280
Speaker 3: People don't know you know London.

1535
01:24:48,720 --> 01:24:51,439
Speaker 1: Yes, tell the story when you're and you said you

1536
01:24:51,520 --> 01:25:02,160
Speaker 1: had the madness with the bouncers, know what you Because

1537
01:25:02,160 --> 01:25:04,240
Speaker 1: it's involved a couple couple of people that maybe not

1538
01:25:06,280 --> 01:25:07,839
Speaker 1: there's no way to say it differently publicly.

1539
01:25:08,040 --> 01:25:08,400
Speaker 3: Trust me.

1540
01:25:08,680 --> 01:25:09,080
Speaker 1: I tried.

1541
01:25:09,160 --> 01:25:09,680
Speaker 3: It didn't work.

1542
01:25:09,720 --> 01:25:13,760
Speaker 1: I got I've already said that. Okay, you get which

1543
01:25:14,280 --> 01:25:18,280
Speaker 1: said you said it was in London. Yeah, and then yeah,

1544
01:25:18,320 --> 01:25:21,679
Speaker 1: the madness is and bounces and he could save him, yes,

1545
01:25:21,760 --> 01:25:22,800
Speaker 1: And they didn't save him.

1546
01:25:22,800 --> 01:25:23,599
Speaker 3: But that's bounces.

1547
01:25:23,680 --> 01:25:26,439
Speaker 1: Okay, yeah, that's not that's not even a bad story.

1548
01:25:26,520 --> 01:25:28,280
Speaker 1: That's not like if you saw a bunch of street

1549
01:25:28,360 --> 01:25:33,760
Speaker 1: niggas and say, that's what's everyone has madness bouncing. They

1550
01:25:33,800 --> 01:25:35,240
Speaker 1: put him in a full something else and bro, I

1551
01:25:35,240 --> 01:25:37,600
Speaker 1: ain't got I've never really seen a girl man in

1552
01:25:37,640 --> 01:25:38,240
Speaker 1: the full Nelson.

1553
01:25:38,320 --> 01:25:41,120
Speaker 3: I was like, I was shocked. I didn't know where

1554
01:25:41,280 --> 01:25:44,639
Speaker 3: was Where was you in London? Though I don't remember

1555
01:25:44,680 --> 01:25:45,519
Speaker 3: with water in London.

1556
01:25:45,720 --> 01:25:47,479
Speaker 2: I just know it was us Big Daddy came.

1557
01:25:47,520 --> 01:25:49,360
Speaker 4: It was a rocket for the event, like it was

1558
01:25:49,439 --> 01:25:51,960
Speaker 4: like something that I didn't I think this was going

1559
01:25:52,040 --> 01:25:52,360
Speaker 4: to happen.

1560
01:25:52,760 --> 01:25:56,040
Speaker 1: And yeah, but I love London. But that's that's the

1561
01:25:56,120 --> 01:25:58,640
Speaker 1: later year, you know. But I'm saying, yeah, yeah, for

1562
01:25:58,920 --> 01:26:03,360
Speaker 1: London man to hear Noriega was in London and had

1563
01:26:03,400 --> 01:26:06,080
Speaker 1: the Manus bounces. Yes, those are the stories.

1564
01:26:07,080 --> 01:26:08,679
Speaker 3: That's not knows London.

1565
01:26:09,160 --> 01:26:11,400
Speaker 1: Yes, that's the stuff. Well, you got to realize that

1566
01:26:11,960 --> 01:26:13,280
Speaker 1: later's tough people.

1567
01:26:13,120 --> 01:26:13,880
Speaker 3: Care about that.

1568
01:26:14,120 --> 01:26:16,360
Speaker 4: That's that's in the middle of two thousands, in the

1569
01:26:16,439 --> 01:26:19,639
Speaker 4: middle of you know, the late two thousands and tens.

1570
01:26:19,920 --> 01:26:22,000
Speaker 2: But you got to be skipping over a whole other part.

1571
01:26:22,439 --> 01:26:26,600
Speaker 4: What happened was Kapona Noriega, which was the album that

1572
01:26:26,680 --> 01:26:29,479
Speaker 4: came out before and r E was so big to

1573
01:26:29,560 --> 01:26:33,080
Speaker 4: this day, Comona Noriega, it's bigger than nor in London.

1574
01:26:33,280 --> 01:26:35,920
Speaker 4: Like that's a big yeah, that's that's bigger than Nori

1575
01:26:36,080 --> 01:26:40,640
Speaker 4: in London. And so nor coming out there. That's the

1576
01:26:40,680 --> 01:26:43,000
Speaker 4: reason why I said Tom Westwood was because because I'm like,

1577
01:26:43,200 --> 01:26:44,840
Speaker 4: I want to come go back out there, you know

1578
01:26:44,880 --> 01:26:48,400
Speaker 4: what I mean? And Noriega so much love, but so

1579
01:26:48,560 --> 01:26:49,479
Speaker 4: I want to take the time.

1580
01:26:49,320 --> 01:26:52,280
Speaker 3: About being in the streets. Maybe in the streets because

1581
01:26:52,280 --> 01:26:54,599
Speaker 3: that No album was big, big.

1582
01:26:54,600 --> 01:26:56,800
Speaker 1: You know what. Let me describe that a little better.

1583
01:26:56,960 --> 01:26:58,040
Speaker 3: It was big first.

1584
01:26:59,439 --> 01:27:02,560
Speaker 4: Yeah and foundation and then you know what I'm not

1585
01:27:02,720 --> 01:27:05,000
Speaker 4: But I'm not going to take away from that comments

1586
01:27:05,400 --> 01:27:10,439
Speaker 4: them under that underground audience like the mop. Like the

1587
01:27:10,520 --> 01:27:12,639
Speaker 4: best thing about London is I could get two shows.

1588
01:27:12,880 --> 01:27:15,120
Speaker 1: I can do a component Origga show early and I

1589
01:27:15,160 --> 01:27:16,479
Speaker 1: could do a Norrie show at night.

1590
01:27:16,720 --> 01:27:18,719
Speaker 4: You know what I'm saying. And that's one million percent.

1591
01:27:19,000 --> 01:27:20,599
Speaker 4: But I want to take a time because I haven't

1592
01:27:20,640 --> 01:27:26,640
Speaker 4: said this. I really understood UK hip hop. I understood

1593
01:27:26,800 --> 01:27:29,040
Speaker 4: London scene. And that's the reason why I shouted it

1594
01:27:29,160 --> 01:27:31,920
Speaker 4: out early and yes, you guys are welcome.

1595
01:27:35,560 --> 01:27:38,599
Speaker 2: We gotta do a live dream Champions and London for sure,

1596
01:27:39,160 --> 01:27:40,439
Speaker 2: for sure, I will tell you the truth.

1597
01:27:40,840 --> 01:27:41,760
Speaker 1: We got to be on time.

1598
01:27:42,240 --> 01:27:44,559
Speaker 4: We got to be on time. One time we came late.

1599
01:27:44,720 --> 01:27:48,000
Speaker 4: They do not like that ship like that ship yo.

1600
01:27:48,439 --> 01:27:54,160
Speaker 4: So okay, now we got Davis. Didn't you make a

1601
01:27:54,240 --> 01:27:56,240
Speaker 4: record with Davies? How did that happen?

1602
01:27:58,760 --> 01:28:01,160
Speaker 1: And Davies that's my bridge still Like one time he

1603
01:28:01,240 --> 01:28:06,680
Speaker 1: come London and he come to the studio and I remember, I.

1604
01:28:06,720 --> 01:28:08,760
Speaker 3: Can't lie that day. I was a great host. I'm

1605
01:28:08,760 --> 01:28:10,800
Speaker 3: not going to lie to you. Like even the East

1606
01:28:10,840 --> 01:28:11,880
Speaker 3: doesn't know. He's going to know.

1607
01:28:12,040 --> 01:28:14,840
Speaker 1: Now, Like that day, I was having an argument with

1608
01:28:14,960 --> 01:28:18,280
Speaker 1: one thing like that I used to beat then. So

1609
01:28:18,400 --> 01:28:19,920
Speaker 1: I was trying to get back to the ting. But

1610
01:28:20,479 --> 01:28:23,400
Speaker 1: Davis is in London. This is Davis. But you know,

1611
01:28:23,439 --> 01:28:26,760
Speaker 1: when you're beefing with a ting like, you can't think

1612
01:28:26,800 --> 01:28:31,599
Speaker 1: about nothing else the ting, tinging.

1613
01:28:30,600 --> 01:28:31,200
Speaker 3: You know what I'm saying.

1614
01:28:31,240 --> 01:28:34,360
Speaker 1: So I flew down to the studio linked East and

1615
01:28:34,600 --> 01:28:36,640
Speaker 1: I had the chef in the studio and all the

1616
01:28:37,000 --> 01:28:40,040
Speaker 1: chef caught in some yard food and I said, yeah, man,

1617
01:28:40,120 --> 01:28:42,000
Speaker 1: this is your house, man, you get me, do your thing.

1618
01:28:42,080 --> 01:28:44,600
Speaker 1: I left all the soldiers there and this is you.

1619
01:28:44,760 --> 01:28:46,720
Speaker 3: You get me. Then I went back to the ting,

1620
01:28:47,640 --> 01:28:48,280
Speaker 3: you know what I'm saying.

1621
01:28:48,680 --> 01:28:54,160
Speaker 1: So, so obviously that's me and East link from then

1622
01:28:54,240 --> 01:28:57,200
Speaker 1: you get me right then obviously when I got my visa,

1623
01:28:57,880 --> 01:29:01,400
Speaker 1: then I've come back head and I linked with East

1624
01:29:01,600 --> 01:29:04,439
Speaker 1: and that's the mandam you know what I'm saying. Yeah,

1625
01:29:05,600 --> 01:29:08,360
Speaker 1: and he's cold as well. Obviously, man's a big fun

1626
01:29:08,439 --> 01:29:10,760
Speaker 1: you know what I mean, Like this is cold.

1627
01:29:10,840 --> 01:29:10,960
Speaker 3: Man.

1628
01:29:11,320 --> 01:29:13,519
Speaker 1: I just met with Dave easton bottle Yeah, me and

1629
01:29:13,600 --> 01:29:15,439
Speaker 1: he's got a couple of trucks, so you know what

1630
01:29:15,439 --> 01:29:18,080
Speaker 1: I mean. But obviously that one day and made the album.

1631
01:29:18,120 --> 01:29:22,919
Speaker 1: You know you think that, like everybody has a podcast

1632
01:29:23,000 --> 01:29:23,320
Speaker 1: right now?

1633
01:29:24,240 --> 01:29:25,920
Speaker 2: Have you been thinking about doing a podcast.

1634
01:29:25,960 --> 01:29:29,320
Speaker 4: I'm sure somebody came up to you and it was like, yeah, no,

1635
01:29:29,479 --> 01:29:32,080
Speaker 4: it's not for me, man, really, you like the first

1636
01:29:32,160 --> 01:29:33,439
Speaker 4: rapper that said that, let me make.

1637
01:29:33,320 --> 01:29:37,120
Speaker 3: Some everybody else so greedy.

1638
01:29:38,760 --> 01:29:43,320
Speaker 2: It's learning to get a little crazy. The Frog the podcast.

1639
01:29:45,920 --> 01:29:48,280
Speaker 1: That's why I like And I don't even go on

1640
01:29:48,479 --> 01:29:50,600
Speaker 1: a lot of podcasts, you know what I'm saying, Like

1641
01:29:50,680 --> 01:29:53,479
Speaker 1: a lot of them are just negative. Man. You know

1642
01:29:53,520 --> 01:29:56,040
Speaker 1: what I'm saying, Like you you've had success, yes, yes, yes,

1643
01:29:56,120 --> 01:29:58,160
Speaker 1: you know what I'm saying. We're giving people they flower

1644
01:29:58,920 --> 01:30:02,360
Speaker 1: a little man just going because they still want to rap. Really,

1645
01:30:03,479 --> 01:30:05,560
Speaker 1: you know what I'm saying. You get me, but like

1646
01:30:06,280 --> 01:30:09,040
Speaker 1: it's not really yet me. So they're just like negative.

1647
01:30:11,000 --> 01:30:13,240
Speaker 1: I'm not really into it, you know, and it's grown

1648
01:30:13,320 --> 01:30:21,320
Speaker 1: men like legends like being negative. But when you come,

1649
01:30:21,479 --> 01:30:23,800
Speaker 1: when you watch drink Champs, you laugh.

1650
01:30:25,080 --> 01:30:26,080
Speaker 2: To celebrate stuff.

1651
01:30:26,120 --> 01:30:28,639
Speaker 3: You click for rumors, this one you say, yeah.

1652
01:30:28,479 --> 01:30:31,639
Speaker 1: Man, let me hear like man's watching like a three

1653
01:30:31,760 --> 01:30:36,320
Speaker 1: four hour cartel or something or fucking the other day

1654
01:30:36,320 --> 01:30:38,680
Speaker 1: I watched Boodo, you know what I'm saying, or like

1655
01:30:39,120 --> 01:30:41,640
Speaker 1: or like five or so you get me, like, you

1656
01:30:41,720 --> 01:30:42,240
Speaker 1: know what I'm saying.

1657
01:30:42,320 --> 01:30:44,360
Speaker 3: But the other ones so I'm not really.

1658
01:30:45,000 --> 01:30:47,559
Speaker 4: That was even the beauty about us doing business. Bleak

1659
01:30:47,640 --> 01:30:50,880
Speaker 4: right now, Bleak is keeping that tradition too. He has

1660
01:30:51,000 --> 01:30:53,960
Speaker 4: no controversy, you know what I'm saying, Like, you know,

1661
01:30:54,360 --> 01:30:58,639
Speaker 4: because he just started one. We got a whole network.

1662
01:30:58,840 --> 01:30:59,559
Speaker 3: You don't got your own.

1663
01:31:00,040 --> 01:31:05,680
Speaker 4: Yeah yeah yeah yeah, and we're doing it right.

1664
01:31:05,720 --> 01:31:06,160
Speaker 2: You know what I mean.

1665
01:31:06,200 --> 01:31:09,120
Speaker 4: Everyone that's down with us kind of owns their own material,

1666
01:31:09,200 --> 01:31:10,600
Speaker 4: you know what I mean, Like we don't want to like,

1667
01:31:11,040 --> 01:31:13,360
Speaker 4: we don't want to be those guys that claim this. Yeah,

1668
01:31:13,400 --> 01:31:18,680
Speaker 4: we want to help launch and yeah yeah, yeah, right now,

1669
01:31:18,720 --> 01:31:21,439
Speaker 4: that's dope. But have anybody ever approached you to do

1670
01:31:21,520 --> 01:31:27,679
Speaker 4: a podcast? Yeah that's not Yeah, that's dope. Yeah, that's dope.

1671
01:31:27,720 --> 01:31:30,280
Speaker 4: But all right, so you I asked you earlier, but

1672
01:31:30,320 --> 01:31:32,040
Speaker 4: I want to reiterate it so the fans can know.

1673
01:31:32,360 --> 01:31:35,000
Speaker 4: So you were saying that we were making singles, we're not.

1674
01:31:35,120 --> 01:31:38,040
Speaker 4: We're not focused on making an album or EP right now. No,

1675
01:31:38,160 --> 01:31:41,599
Speaker 4: i't even make ap okay, so no EPs for me. Okay,

1676
01:31:42,200 --> 01:31:45,640
Speaker 4: that's small. Let me not, let me not disrespect, right,

1677
01:31:45,840 --> 01:31:49,160
Speaker 4: it's not for me. But right now, yeah, I'm just

1678
01:31:49,240 --> 01:31:50,560
Speaker 4: drumping music because.

1679
01:31:51,760 --> 01:31:53,559
Speaker 1: It's it's the game is kind of at a time

1680
01:31:53,600 --> 01:31:55,800
Speaker 1: where everyone's kind of scared, Like you know what I mean,

1681
01:31:56,120 --> 01:32:00,519
Speaker 1: You're right, everyone's just scared to drop music. Remember before

1682
01:32:00,600 --> 01:32:03,960
Speaker 1: man was just lacing Bangersam, look who he's talking about

1683
01:32:04,000 --> 01:32:06,680
Speaker 1: like rough Riders, and you know what I'm saying. And

1684
01:32:06,840 --> 01:32:09,000
Speaker 1: even away from that, there're still a lacing banger. You're

1685
01:32:09,040 --> 01:32:13,479
Speaker 1: still catch another ten to fifteen Kisses Off, fifteen Going Right,

1686
01:32:13,640 --> 01:32:17,000
Speaker 1: and the a T more fucking team r lest.

1687
01:32:16,920 --> 01:32:18,519
Speaker 3: Or you know what I'm saying, Like you get me.

1688
01:32:18,720 --> 01:32:24,639
Speaker 1: But now it's just like everyone's just focused on Yeah,

1689
01:32:24,640 --> 01:32:26,680
Speaker 1: I've got to get the numbers, and it's just not

1690
01:32:26,760 --> 01:32:30,360
Speaker 1: about music, isn't it. So now I'm just enjoying music

1691
01:32:30,400 --> 01:32:33,200
Speaker 1: and just lacing bangers like yummy and that's what.

1692
01:32:33,560 --> 01:32:34,600
Speaker 3: Yeah, That's where I'm at with it.

1693
01:32:35,080 --> 01:32:37,920
Speaker 5: Well let's go actually go back to the to the

1694
01:32:37,960 --> 01:32:42,519
Speaker 5: slick Rick joint. How did that come about? Because it's

1695
01:32:42,560 --> 01:32:45,960
Speaker 5: a good album, yeah, you know project and.

1696
01:32:46,000 --> 01:32:48,439
Speaker 2: Then you even getting that call?

1697
01:32:48,560 --> 01:32:49,240
Speaker 1: How did that happen?

1698
01:32:50,680 --> 01:32:55,240
Speaker 3: Because it so slick He's on Idris's album, I'm labeling it.

1699
01:32:55,360 --> 01:32:58,080
Speaker 1: Right, Yeah, yeah it's and well he produced it for sure,

1700
01:33:01,840 --> 01:33:06,599
Speaker 1: what's it's just seven Wallace seven Company, now that's his label.

1701
01:33:08,320 --> 01:33:11,360
Speaker 1: And then Nars Massive. I think I think it's a joint.

1702
01:33:11,439 --> 01:33:12,000
Speaker 1: I'm not sure.

1703
01:33:12,200 --> 01:33:15,920
Speaker 3: I feel like it is. I'm not sure, but yeah, so.

1704
01:33:17,520 --> 01:33:17,840
Speaker 1: I think.

1705
01:33:18,920 --> 01:33:20,000
Speaker 3: Well, I don't quote me.

1706
01:33:20,040 --> 01:33:21,680
Speaker 1: I was just watching the interview, but I saw like

1707
01:33:21,880 --> 01:33:24,720
Speaker 1: Slicky was saying, like, yeah, I had to get that

1708
01:33:25,040 --> 01:33:27,479
Speaker 1: nas from hip hop, I mean from New York and

1709
01:33:28,120 --> 01:33:30,800
Speaker 1: gigs from London. It's like, oh geez, you get me.

1710
01:33:31,320 --> 01:33:34,040
Speaker 1: So yeah, it just his team rents obviously it just

1711
01:33:34,200 --> 01:33:36,840
Speaker 1: is the mandam you know what I mean. Yeah, they

1712
01:33:36,920 --> 01:33:38,800
Speaker 1: reached out to man it says slip Rick, and then

1713
01:33:38,800 --> 01:33:41,960
Speaker 1: they sent it to me. And Man's got a fresh

1714
01:33:42,000 --> 01:33:46,560
Speaker 1: slit rick. Remember in the beginning. Yeah, all this stuff starts.

1715
01:33:46,280 --> 01:33:47,000
Speaker 3: On your phone.

1716
01:33:48,280 --> 01:33:49,800
Speaker 1: You know what I'm saying That man sent me the

1717
01:33:49,920 --> 01:33:54,200
Speaker 1: slit Rick Like same thing that Drake, you know what

1718
01:33:54,240 --> 01:33:55,280
Speaker 1: I mean, fucking the.

1719
01:33:56,760 --> 01:33:57,360
Speaker 3: Whole thing.

1720
01:33:57,640 --> 01:33:59,120
Speaker 4: Like I'm taking a shot for this. You get me,

1721
01:34:01,160 --> 01:34:05,080
Speaker 4: you got shut come on the way you describe.

1722
01:34:06,600 --> 01:34:09,360
Speaker 2: Sorry, keep going here, going strutting your phone?

1723
01:34:10,280 --> 01:34:13,760
Speaker 3: Does that seem like it's not like Guru hit me.

1724
01:34:13,920 --> 01:34:17,560
Speaker 1: Yeah, I don't know one, but listen showed me the

1725
01:34:17,640 --> 01:34:20,360
Speaker 1: whole you know what I'm saying, Like, this is little

1726
01:34:20,360 --> 01:34:22,960
Speaker 1: stuff I'm a fan of, Like even like when you

1727
01:34:23,000 --> 01:34:27,439
Speaker 1: say young girl, like rocker, rock girl, yeah, younger, Yeah,

1728
01:34:28,240 --> 01:34:28,400
Speaker 1: and I.

1729
01:34:28,439 --> 01:34:29,519
Speaker 2: Heard you was in Disney World.

1730
01:34:29,600 --> 01:34:31,240
Speaker 1: Yeah I was in Disney you know what I'm saying, Like,

1731
01:34:31,479 --> 01:34:34,160
Speaker 1: so like, yes, I remember, I'm a fan.

1732
01:34:34,439 --> 01:34:34,920
Speaker 3: I grew up.

1733
01:34:34,920 --> 01:34:36,720
Speaker 1: You can see I'm a fan now, like of the

1734
01:34:36,840 --> 01:34:40,479
Speaker 1: whole thing. You get me, like even like slip Rick,

1735
01:34:41,120 --> 01:34:43,559
Speaker 1: like manuged to listen to Lardie Darli and my walkman

1736
01:34:43,760 --> 01:34:46,200
Speaker 1: walking to with Slick Wick. You got to slip Reckcord.

1737
01:34:46,200 --> 01:34:48,840
Speaker 1: Where was you at? I can't I can't remember that

1738
01:34:48,920 --> 01:34:51,880
Speaker 1: one Universus Studios. I can't remember that. I'm not gonna lie,

1739
01:34:51,920 --> 01:34:54,439
Speaker 1: I'll be lying. I can't remember. But I just remember

1740
01:34:55,400 --> 01:34:57,439
Speaker 1: when I got that the slip Wrists. I'm like, this

1741
01:34:57,560 --> 01:35:00,599
Speaker 1: is slip Rick, that one after Diverse. You're saying, yeah,

1742
01:35:00,760 --> 01:35:02,960
Speaker 1: but I just said, call my mom and that that's

1743
01:35:03,040 --> 01:35:04,040
Speaker 1: them one that mom.

1744
01:35:04,080 --> 01:35:05,000
Speaker 3: I got to Slick, you know.

1745
01:35:06,360 --> 01:35:08,360
Speaker 2: Like he's like the first twenty one Savage. If you

1746
01:35:08,400 --> 01:35:08,880
Speaker 2: think about it.

1747
01:35:11,520 --> 01:35:17,040
Speaker 1: He is. Yeah, that's bro. That's great bro. You know

1748
01:35:17,600 --> 01:35:20,360
Speaker 1: d people don't even know he's English. Right, yeah, even

1749
01:35:20,960 --> 01:35:23,240
Speaker 1: we never kind of denied it. Even my l she

1750
01:35:23,400 --> 01:35:24,400
Speaker 1: was like, right, it's from u K.

1751
01:35:24,840 --> 01:35:27,200
Speaker 2: They were trying to they were trying to deport him.

1752
01:35:27,280 --> 01:35:29,439
Speaker 2: It was a big old there was a big movement.

1753
01:35:29,960 --> 01:35:32,519
Speaker 3: Why does Slick go back to jail? I think it

1754
01:35:32,600 --> 01:35:33,240
Speaker 3: was a gun?

1755
01:35:33,439 --> 01:35:34,400
Speaker 2: Was a gun gun too?

1756
01:35:34,520 --> 01:35:39,000
Speaker 1: You think, yeah, yeah, you're following his steps, yeah yeah, yeah,

1757
01:35:39,920 --> 01:35:43,800
Speaker 1: yeah yeah yeah so yeah, that like bro man man

1758
01:35:43,920 --> 01:35:46,800
Speaker 1: is walking to school listening to Lardie D And that's

1759
01:35:46,960 --> 01:35:50,920
Speaker 1: my classic. You know, I would have never ever fought

1760
01:35:51,760 --> 01:35:54,439
Speaker 1: in the future walking to school. I'm going to have

1761
01:35:54,600 --> 01:35:55,400
Speaker 1: that in my phone.

1762
01:35:55,560 --> 01:35:56,840
Speaker 3: Family. You know what I'm saying.

1763
01:35:56,920 --> 01:35:58,439
Speaker 2: Ye know yourself.

1764
01:35:59,680 --> 01:36:00,760
Speaker 3: Let me you know what I mean.

1765
01:36:01,840 --> 01:36:06,040
Speaker 4: Out here we say college, yeah, yeah, say university like

1766
01:36:06,120 --> 01:36:06,880
Speaker 4: we say vacation.

1767
01:36:07,320 --> 01:36:10,880
Speaker 1: Also, I mean, but we got we usually we got

1768
01:36:10,920 --> 01:36:15,640
Speaker 1: we got school, yeah, and then college and then university.

1769
01:36:16,400 --> 01:36:19,280
Speaker 1: So you finished school, when you finished school when you're sixteen,

1770
01:36:20,120 --> 01:36:21,120
Speaker 1: then you go college.

1771
01:36:21,320 --> 01:36:22,360
Speaker 2: Is that community college?

1772
01:36:22,640 --> 01:36:26,200
Speaker 1: No, it's just like it's like you university really kind

1773
01:36:26,240 --> 01:36:29,599
Speaker 1: of thing. But we don't have like I don't really think. Yeah,

1774
01:36:29,680 --> 01:36:31,160
Speaker 1: people don't really like state.

1775
01:36:31,920 --> 01:36:34,080
Speaker 3: We don't haven't. They don't have like campuses and that.

1776
01:36:34,520 --> 01:36:35,280
Speaker 3: So it's just college.

1777
01:36:35,320 --> 01:36:37,880
Speaker 1: You just go there and in UNI you have to

1778
01:36:38,080 --> 01:36:40,720
Speaker 1: level up to get to UNI, and that's when there's

1779
01:36:40,760 --> 01:36:41,560
Speaker 1: like campuses.

1780
01:36:42,720 --> 01:36:42,920
Speaker 3: Yeah.

1781
01:36:42,960 --> 01:36:46,640
Speaker 4: Yeah, and we say vacation, you'll say holiday. Okay, But

1782
01:36:46,760 --> 01:36:50,120
Speaker 4: let me ask you a question on Slick Rick's children's story.

1783
01:36:50,280 --> 01:36:54,759
Speaker 4: He said, crash into a tree near university. The biggest

1784
01:36:54,840 --> 01:36:57,120
Speaker 4: debate is now I have not been able to ask.

1785
01:36:57,240 --> 01:37:01,040
Speaker 4: Look Rick, do you think he was talking about You

1786
01:37:01,120 --> 01:37:03,760
Speaker 4: think he was talking about university in the Bronx the street.

1787
01:37:03,800 --> 01:37:05,479
Speaker 1: I think he's saw about the street. It sounds like

1788
01:37:06,360 --> 01:37:09,599
Speaker 1: him having an accent. It must be America. It got

1789
01:37:09,680 --> 01:37:13,479
Speaker 1: you to even someone said, why, it's like savage. He

1790
01:37:13,479 --> 01:37:16,320
Speaker 1: hasn't even got English because he grew up in America. Okay,

1791
01:37:16,600 --> 01:37:19,200
Speaker 1: you know what I'm saying, You're going to get an accent. Okay, yeah,

1792
01:37:19,280 --> 01:37:21,400
Speaker 1: me like so he must he must have grow up

1793
01:37:21,439 --> 01:37:25,000
Speaker 1: from here from young probably, but you'd have to ask him.

1794
01:37:25,200 --> 01:37:26,840
Speaker 2: Yeah, no, No, I don't want to ask him.

1795
01:37:26,840 --> 01:37:27,160
Speaker 1: I want to.

1796
01:37:27,280 --> 01:37:30,840
Speaker 2: I wanted this to be a mysterious well for a saying.

1797
01:37:30,840 --> 01:37:33,200
Speaker 2: I thought he was on the rock the bells call,

1798
01:37:33,280 --> 01:37:37,639
Speaker 2: but he wasn't. No, we had man legends on there.

1799
01:37:37,960 --> 01:37:40,120
Speaker 1: Did you see I can? I saw a rock he yeah,

1800
01:37:40,560 --> 01:37:42,320
Speaker 1: that was dopeg a chaffer rock here.

1801
01:37:42,360 --> 01:37:49,879
Speaker 2: Yeah, just left Bill.

1802
01:37:51,760 --> 01:37:58,040
Speaker 3: This mix. So this is my thing though the Ross

1803
01:37:58,120 --> 01:38:00,160
Speaker 3: Clark Mama, Yeah on.

1804
01:38:00,400 --> 01:38:07,400
Speaker 2: Mama, Yeah, it's you said. You said your girl is Dominican.

1805
01:38:08,680 --> 01:38:09,080
Speaker 1: You know that.

1806
01:38:09,479 --> 01:38:16,200
Speaker 2: That's also for Yeah, if you tell the well, it's

1807
01:38:16,200 --> 01:38:17,160
Speaker 2: a thing for the thing.

1808
01:38:19,240 --> 01:38:22,600
Speaker 3: We saying for the well. So all right, so.

1809
01:38:24,920 --> 01:38:30,040
Speaker 1: We say yan day and y'alla. So y'all, y'all we

1810
01:38:30,200 --> 01:38:31,360
Speaker 1: say you lo okay.

1811
01:38:31,880 --> 01:38:33,920
Speaker 4: So for the people that don't know, you're gonna describe

1812
01:38:33,960 --> 01:38:37,720
Speaker 4: the people. A thing is a noun, right, it's a

1813
01:38:37,800 --> 01:38:39,040
Speaker 4: person talking about a girl.

1814
01:38:39,080 --> 01:38:45,200
Speaker 1: And thing is everything. Thing is could be you go

1815
01:38:45,439 --> 01:38:45,720
Speaker 1: the thing.

1816
01:38:45,960 --> 01:38:48,719
Speaker 3: Yeah, you go to that. You could be doing the thing.

1817
01:38:50,920 --> 01:38:53,960
Speaker 1: Or a thing like them things over there. You know

1818
01:38:54,680 --> 01:39:00,679
Speaker 1: things you're gonna go on linked this thing right, thing, yes, everything, Yeah.

1819
01:39:00,960 --> 01:39:03,160
Speaker 2: We can say it with things. It's the same word.

1820
01:39:06,400 --> 01:39:07,759
Speaker 3: With no listen.

1821
01:39:09,600 --> 01:39:15,000
Speaker 2: With take that anh out of there. It's just a marriage.

1822
01:39:17,520 --> 01:39:20,439
Speaker 3: From Miami, I mean not from Miami, but you brought

1823
01:39:21,800 --> 01:39:23,479
Speaker 3: you know what I'm saying.

1824
01:39:23,840 --> 01:39:30,320
Speaker 1: Yeah, yeah, we're everything actually everything everything black college like college,

1825
01:39:30,960 --> 01:39:34,519
Speaker 1: I can it's the colleage normal, you know, college Jamaican.

1826
01:39:34,600 --> 01:39:35,400
Speaker 2: Let's just throw it out there.

1827
01:39:36,320 --> 01:39:36,799
Speaker 3: He made.

1828
01:39:38,960 --> 01:39:41,280
Speaker 1: He went to Barbados the other day. He had a

1829
01:39:41,360 --> 01:39:45,000
Speaker 1: better Jamaican accent than the bar bab don't.

1830
01:39:48,920 --> 01:39:54,840
Speaker 3: Exactly. It's almost looked at him like yeah, yeah, yeah, yeah,

1831
01:39:54,880 --> 01:39:55,360
Speaker 3: ya min.

1832
01:39:56,000 --> 01:39:58,960
Speaker 2: He said, you just got the college.

1833
01:39:59,280 --> 01:40:03,599
Speaker 4: He has earned his wife to his right, he has

1834
01:40:03,720 --> 01:40:07,760
Speaker 4: earned his right to be an honorary yard man. Yeah,

1835
01:40:08,439 --> 01:40:11,840
Speaker 4: he has earned his way I vote listen for the

1836
01:40:11,920 --> 01:40:12,719
Speaker 4: Jamaican society.

1837
01:40:14,080 --> 01:40:18,720
Speaker 5: Let me look at y'all, look at look at to

1838
01:40:18,720 --> 01:40:20,280
Speaker 5: the Jamaican count listening to Jamaica.

1839
01:40:28,640 --> 01:40:35,280
Speaker 1: Right to the right on the left bun side, right

1840
01:40:36,439 --> 01:40:40,720
Speaker 1: to the Jamaican Society. I have interviewed Buju Bantan, I

1841
01:40:40,800 --> 01:40:44,920
Speaker 1: have interviewed Beanie Man, I have interviewed it wasn't me

1842
01:40:46,920 --> 01:40:52,519
Speaker 1: shut bro, And I've interviewed the God, the God the world,

1843
01:40:52,600 --> 01:40:59,640
Speaker 1: Boss Botts Cartel. And to the Jamaican Society, I.

1844
01:41:01,520 --> 01:41:02,479
Speaker 2: Ron don't forget wrong.

1845
01:41:03,600 --> 01:41:09,920
Speaker 1: That's right that you guys make call it yea, let's

1846
01:41:09,960 --> 01:41:16,880
Speaker 1: make up. I'll say Calid made himself, madehimself, you know,

1847
01:41:17,600 --> 01:41:19,439
Speaker 1: you know, kind of saving me, you know kid, I

1848
01:41:19,560 --> 01:41:21,040
Speaker 1: know Khalid from Dancel.

1849
01:41:21,320 --> 01:41:24,320
Speaker 3: Yes, he made his way through even from.

1850
01:41:24,200 --> 01:41:33,160
Speaker 1: West Jersey jazz and renaissance. Yeahs z over there. That's

1851
01:41:33,479 --> 01:41:37,240
Speaker 1: that's why the g he don't even say nothing, you

1852
01:41:37,280 --> 01:41:39,479
Speaker 1: know what I'm saying. But like even so, like even

1853
01:41:39,520 --> 01:41:45,080
Speaker 1: the other there I posted the picture with like Cartel, Kalid, Yeah,

1854
01:41:45,479 --> 01:41:48,120
Speaker 1: that's amazing, bounty but.

1855
01:41:48,439 --> 01:41:50,560
Speaker 5: Quick because he said renaissance and people don't know we

1856
01:41:50,600 --> 01:41:52,120
Speaker 5: talk about we talking about sounds.

1857
01:41:52,680 --> 01:41:56,840
Speaker 1: Yeah, renaissance sound yeah, d J cruise like the sounds. Yeah,

1858
01:41:57,000 --> 01:42:00,599
Speaker 1: so I posted that picture because obviously that picture is crazy.

1859
01:42:00,920 --> 01:42:02,800
Speaker 1: That's like the new firm in our face, not even

1860
01:42:02,840 --> 01:42:03,400
Speaker 1: a new firm.

1861
01:42:03,479 --> 01:42:07,040
Speaker 3: That's like just I don't know, there's just so much,

1862
01:42:07,520 --> 01:42:09,800
Speaker 3: so much history, so much history that.

1863
01:42:10,240 --> 01:42:12,760
Speaker 1: But like mad people are saying our wives klid there,

1864
01:42:13,439 --> 01:42:16,720
Speaker 1: why but I see Calidar, That's what I'm saying. I

1865
01:42:16,840 --> 01:42:21,360
Speaker 1: know Kalid from dance or first like even I remember,

1866
01:42:22,439 --> 01:42:26,080
Speaker 1: you know, I'm saying continue, continue, just I'm saying, yes,

1867
01:42:26,320 --> 01:42:29,000
Speaker 1: calid I remember, I used to listen to Renaissance, that

1868
01:42:29,240 --> 01:42:34,240
Speaker 1: jazzy tea Stone Love Renaissance. Then I used to hear Kalid,

1869
01:42:34,760 --> 01:42:37,680
Speaker 1: and these are cassette tapes. So I used to hear

1870
01:42:37,800 --> 01:42:39,800
Speaker 1: Kalid and he used to like Kalid used to be

1871
01:42:40,160 --> 01:42:41,000
Speaker 1: top places.

1872
01:42:42,360 --> 01:42:45,200
Speaker 2: Ninety six. There was a big Caribbean station, Pirate station.

1873
01:42:45,439 --> 01:42:47,040
Speaker 3: Yeah, but college radio.

1874
01:42:48,320 --> 01:42:51,639
Speaker 1: So them days there, Kalid used to have bare Bounty

1875
01:42:51,720 --> 01:42:54,519
Speaker 1: killer doves. Now you see them days there. To have

1876
01:42:54,680 --> 01:42:57,639
Speaker 1: bounty who don't know doves is like a free player.

1877
01:42:58,720 --> 01:43:00,760
Speaker 1: That's not a free start, and you take the song

1878
01:43:00,840 --> 01:43:02,200
Speaker 1: and you make yeah.

1879
01:43:03,040 --> 01:43:08,320
Speaker 5: Especially just they would they would, they would, they're saying

1880
01:43:08,360 --> 01:43:09,280
Speaker 5: your name on the record.

1881
01:43:09,479 --> 01:43:11,720
Speaker 2: They're taking a popular record that they got already and

1882
01:43:11,760 --> 01:43:12,920
Speaker 2: they're adding you to the record.

1883
01:43:13,680 --> 01:43:17,040
Speaker 3: Freestyle really the top of the head.

1884
01:43:17,760 --> 01:43:19,840
Speaker 2: That started changing a lot to that changed.

1885
01:43:20,000 --> 01:43:23,760
Speaker 1: Yeah, but anyway, but yeah, so Khalid he's that bare

1886
01:43:23,840 --> 01:43:26,920
Speaker 1: bounty killer. Bare means a lot, yea. So he's that

1887
01:43:27,120 --> 01:43:30,880
Speaker 1: bare bounty in them days, bounty at the higher bout.

1888
01:43:30,960 --> 01:43:34,679
Speaker 1: In them days, you couldn't even to have a bounty dub.

1889
01:43:34,760 --> 01:43:38,040
Speaker 1: You had to have money and relate the relationship. You

1890
01:43:38,080 --> 01:43:41,160
Speaker 1: couldn't just have the money that this is bounty, like

1891
01:43:41,280 --> 01:43:43,679
Speaker 1: you know what I'm saying. Yes, and Khalid had bare

1892
01:43:43,760 --> 01:43:47,439
Speaker 1: bounty douves. And remember even on cassette tapes, I used

1893
01:43:47,439 --> 01:43:50,400
Speaker 1: to listen and Khalid he'll be He'll like come on

1894
01:43:50,680 --> 01:43:55,559
Speaker 1: after renaissance, after renaissances fucked it up, like mashed up

1895
01:43:55,600 --> 01:43:58,160
Speaker 1: the whole dance. Calid is coming on there. He's American,

1896
01:43:59,120 --> 01:44:02,280
Speaker 1: so like because he wasn't Jamaican, they used to do

1897
01:44:02,520 --> 01:44:04,520
Speaker 1: him like boo boo American.

1898
01:44:04,680 --> 01:44:05,599
Speaker 3: Well with that fro.

1899
01:44:05,680 --> 01:44:10,200
Speaker 1: Bottles and Kalid was still playing music, still lacing bear

1900
01:44:10,360 --> 01:44:14,360
Speaker 1: doves until he gets until it gets the respects man

1901
01:44:14,400 --> 01:44:17,679
Speaker 1: of fraend Bottles. He's a bottles glass, this is Jamaica,

1902
01:44:18,280 --> 01:44:21,639
Speaker 1: bear machines and let me he's still running and he's

1903
01:44:21,720 --> 01:44:25,640
Speaker 1: playing Bounty Killer Doves what not. Everyone can play. You

1904
01:44:25,680 --> 01:44:28,320
Speaker 1: know what I'm saying, Beef at the time now, because

1905
01:44:28,320 --> 01:44:29,040
Speaker 1: I'm saying you have to.

1906
01:44:29,400 --> 01:44:35,479
Speaker 3: Get it's hard to get like that's like, yeah, exactly,

1907
01:44:36,160 --> 01:44:39,160
Speaker 3: you can't just get a jay Z, even if you

1908
01:44:39,200 --> 01:44:40,680
Speaker 3: had all the money in the world, you can't get

1909
01:44:40,680 --> 01:44:42,680
Speaker 3: a jay Z, you know what I'm saying. Yeah, And

1910
01:44:42,800 --> 01:44:46,800
Speaker 3: that's Kalid had the bounties and bear other yeah.

1911
01:44:46,920 --> 01:44:49,599
Speaker 1: Yeah, and he used to play until they stopped booing him,

1912
01:44:49,600 --> 01:44:51,080
Speaker 1: stop from balls and cheer him.

1913
01:44:52,120 --> 01:44:54,439
Speaker 3: And he would have like he used to make like

1914
01:44:55,080 --> 01:44:59,280
Speaker 3: hip hop kind of like that, Who Run It? Who

1915
01:44:59,400 --> 01:44:59,720
Speaker 3: Run It?

1916
01:44:59,840 --> 01:44:59,880
Speaker 5: Like?

1917
01:45:00,720 --> 01:45:04,439
Speaker 1: So Khalid Like so even in that picture, Khalid is

1918
01:45:04,520 --> 01:45:08,679
Speaker 1: actually in the middle of this picture historically like Butcher

1919
01:45:09,120 --> 01:45:15,519
Speaker 1: and found a Khalid then well maybe cartel because he's

1920
01:45:15,560 --> 01:45:18,960
Speaker 1: to that right for kit Bop, Khalid is in the middle.

1921
01:45:19,240 --> 01:45:21,320
Speaker 1: And then Mavardo, you know what I'm saying. So Kalid

1922
01:45:21,680 --> 01:45:23,360
Speaker 1: is a he definitely earned his job.

1923
01:45:24,160 --> 01:45:26,519
Speaker 5: It was through dance all like and do you know

1924
01:45:26,600 --> 01:45:29,920
Speaker 5: the things A lot of people won't understand that route

1925
01:45:29,960 --> 01:45:32,840
Speaker 5: because in Miami, but brilliant hip hop and a lot

1926
01:45:32,880 --> 01:45:36,000
Speaker 5: of the United States, a lot of the DJs had

1927
01:45:36,120 --> 01:45:38,240
Speaker 5: they was dealing there was you had to be versed,

1928
01:45:38,280 --> 01:45:41,280
Speaker 5: well versed in dance hall if you was playing hip

1929
01:45:41,280 --> 01:45:43,120
Speaker 5: hop as well, because back in the day it was

1930
01:45:43,600 --> 01:45:45,960
Speaker 5: a lot of the dance hall parties were where we

1931
01:45:46,040 --> 01:45:46,960
Speaker 5: got to hear hip hop.

1932
01:45:47,160 --> 01:45:48,200
Speaker 3: Okay is it?

1933
01:45:48,560 --> 01:45:51,639
Speaker 5: Yeah? At least definitely in Miami for sure. That's crazy,

1934
01:45:51,680 --> 01:45:52,840
Speaker 5: you know what I'm saying. And then that's how you

1935
01:45:52,880 --> 01:45:54,479
Speaker 5: see what there was that bad yard.

1936
01:45:54,320 --> 01:45:55,160
Speaker 3: Man head times.

1937
01:45:57,000 --> 01:45:58,760
Speaker 5: So like like me, like my first gig that I

1938
01:45:58,800 --> 01:46:00,920
Speaker 5: got as a DJ, I'm this Cuban kid, was me

1939
01:46:01,280 --> 01:46:02,880
Speaker 5: having forty five straight from Jamaica.

1940
01:46:03,160 --> 01:46:05,240
Speaker 3: So your Cuban yeah, plane a dance hall.

1941
01:46:05,160 --> 01:46:08,160
Speaker 5: Set to get my first DJ. Yeah, that's how I

1942
01:46:08,200 --> 01:46:10,840
Speaker 5: got my first DJ. I had a mean dance hall set.

1943
01:46:10,960 --> 01:46:12,240
Speaker 3: Yeah. Yeah, that's sick, that's it.

1944
01:46:12,360 --> 01:46:14,960
Speaker 2: And so yeah, he killed it back then.

1945
01:46:15,080 --> 01:46:17,599
Speaker 1: Jazzy should have been in that picture though, Big up Jazzy,

1946
01:46:18,240 --> 01:46:19,640
Speaker 1: that man there is in the.

1947
01:46:19,720 --> 01:46:20,320
Speaker 3: Center of that.

1948
01:46:20,400 --> 01:46:23,400
Speaker 2: I mean, renaissance is legendary, legendary.

1949
01:46:23,840 --> 01:46:26,160
Speaker 1: Even like when I first I remember when I first

1950
01:46:26,280 --> 01:46:29,800
Speaker 1: like got money and clout, I remember one time we

1951
01:46:29,960 --> 01:46:32,599
Speaker 1: was having like so he was having like big parties

1952
01:46:32,640 --> 01:46:34,759
Speaker 1: in London. Yeah, so it was like me and Drake.

1953
01:46:34,960 --> 01:46:39,599
Speaker 1: Yeah so me and Drake, I was we was doing wireless. Yeah,

1954
01:46:39,760 --> 01:46:43,519
Speaker 1: so like it was that Kalid was actually meant to

1955
01:46:43,600 --> 01:46:47,040
Speaker 1: do wireless. By then you didn't really like the planeting yea, yeah,

1956
01:46:47,680 --> 01:46:50,120
Speaker 1: so I took Calid slot.

1957
01:46:51,000 --> 01:46:52,320
Speaker 3: Then I brought out.

1958
01:46:52,320 --> 01:46:56,240
Speaker 1: Drake as a surprise after yeah yeah yeah, then we

1959
01:46:56,320 --> 01:46:58,479
Speaker 1: were so it was having big parties in London. This

1960
01:46:58,640 --> 01:47:01,080
Speaker 1: is the mad thing, like this is gigs, Drake, like

1961
01:47:01,160 --> 01:47:03,760
Speaker 1: we just mashed up wireless, like you get me. So

1962
01:47:03,920 --> 01:47:06,560
Speaker 1: I was saying to Dre Yo, I'm gonna have the

1963
01:47:06,840 --> 01:47:09,320
Speaker 1: Mad party. After Drake saying what I'm gonna have the

1964
01:47:09,479 --> 01:47:14,200
Speaker 1: Mather party start saying all right, so now we're having

1965
01:47:14,280 --> 01:47:15,240
Speaker 1: like a party war.

1966
01:47:16,400 --> 01:47:19,120
Speaker 3: You get me here. So I said, yeah, how can

1967
01:47:19,160 --> 01:47:21,519
Speaker 3: I have the maddest party? You get me? So then

1968
01:47:21,560 --> 01:47:22,120
Speaker 3: I've hit up.

1969
01:47:22,920 --> 01:47:24,560
Speaker 1: I said, do you know what, I've got money and

1970
01:47:24,560 --> 01:47:27,880
Speaker 1: now I've got contacts, get Renaissance, you get me.

1971
01:47:28,880 --> 01:47:31,960
Speaker 3: So I've hit up like I've got the link for Jazzy's.

1972
01:47:33,320 --> 01:47:37,040
Speaker 1: People, and then I've hit up Jazzy's people to get

1973
01:47:37,120 --> 01:47:38,120
Speaker 1: renaissance down there.

1974
01:47:38,160 --> 01:47:40,080
Speaker 3: You get me? This is mad for me.

1975
01:47:40,120 --> 01:47:42,880
Speaker 1: It's a renaissance, bro, like you see me a lot

1976
01:47:42,880 --> 01:47:46,000
Speaker 1: of people I'm dancing first like yeah me, and it's

1977
01:47:46,040 --> 01:47:48,880
Speaker 1: a renaissance like yeh me, this is the same thing

1978
01:47:49,000 --> 01:47:51,560
Speaker 1: like Man's bringing hove over to before you get me.

1979
01:47:52,840 --> 01:47:57,080
Speaker 1: So then I've linked with renaissance now. And I said

1980
01:47:57,120 --> 01:48:03,040
Speaker 1: to Drizzy, man's got renaissance. Then Man was like, oh ship,

1981
01:48:07,240 --> 01:48:10,679
Speaker 1: then I must have invited like me and my breads

1982
01:48:10,680 --> 01:48:13,880
Speaker 1: and about three four hundred things like bodies. You get me,

1983
01:48:14,439 --> 01:48:18,680
Speaker 1: got some big venue renaissance, big girl I had like

1984
01:48:19,320 --> 01:48:22,519
Speaker 1: every bad man in London was there, like and most

1985
01:48:22,600 --> 01:48:25,760
Speaker 1: of the artists from UK as well, and there was

1986
01:48:25,840 --> 01:48:29,800
Speaker 1: bare like big American artists. I remember, like and and

1987
01:48:29,920 --> 01:48:32,760
Speaker 1: then made Jazzy come down. He fucked it up and

1988
01:48:33,000 --> 01:48:35,360
Speaker 1: like you get me like and I remember all the ovo.

1989
01:48:35,479 --> 01:48:39,200
Speaker 1: Man then kept saying, Yo, what times renaissance? Like what

1990
01:48:39,400 --> 01:48:42,479
Speaker 1: tis renaissance? You know what I'm saying? Like, but that's

1991
01:48:42,560 --> 01:48:42,840
Speaker 1: that's the.

1992
01:48:47,479 --> 01:48:53,840
Speaker 3: Shot. I want that, Drake think you know, I want

1993
01:48:53,880 --> 01:48:54,679
Speaker 3: a Drake battle.

1994
01:48:54,760 --> 01:49:00,880
Speaker 1: I also won No, I want that. I feel like

1995
01:49:00,880 --> 01:49:02,640
Speaker 1: he's gonna watch this and say something about it.

1996
01:49:03,680 --> 01:49:07,320
Speaker 3: Never Okay, no he might. He might say, I agree, Well.

1997
01:49:07,200 --> 01:49:09,280
Speaker 1: Okay, you know what I mean.

1998
01:49:10,280 --> 01:49:11,200
Speaker 3: Can I get some paper?

1999
01:49:11,680 --> 01:49:11,880
Speaker 1: Yeah?

2000
01:49:14,520 --> 01:49:14,880
Speaker 3: I got one.

2001
01:49:15,040 --> 01:49:17,360
Speaker 2: Go and now do you roll with Fanta and your

2002
01:49:17,360 --> 01:49:17,840
Speaker 2: ship or no?

2003
01:49:17,960 --> 01:49:21,680
Speaker 1: Fanto? Grab grab That's that's a New York that's a

2004
01:49:21,800 --> 01:49:25,280
Speaker 1: New York thing though, well grab off the grabber. So

2005
01:49:25,479 --> 01:49:29,360
Speaker 1: before I came here in UK, we were with cigarette. Okay, yeah,

2006
01:49:29,479 --> 01:49:32,440
Speaker 1: you know what I'm saying. Yeah, so we were with cigarette.

2007
01:49:33,280 --> 01:49:36,760
Speaker 1: So then then one time I didn't have cigarettes for

2008
01:49:36,800 --> 01:49:37,080
Speaker 1: a while.

2009
01:49:37,200 --> 01:49:37,519
Speaker 3: Yeah me.

2010
01:49:37,720 --> 01:49:40,000
Speaker 1: Then I then someone I said I fuck it, let

2011
01:49:40,040 --> 01:49:43,200
Speaker 1: me use this grab ship. And then then I was

2012
01:49:43,320 --> 01:49:46,480
Speaker 1: using grabber for a few days. Then I fought a cigarette.

2013
01:49:46,479 --> 01:49:48,520
Speaker 1: I need some cigarette. I went back get the cigarette

2014
01:49:48,640 --> 01:49:50,680
Speaker 1: was nasty. I was like, this is nasty because the

2015
01:49:50,680 --> 01:49:51,719
Speaker 1: cigarette from America.

2016
01:49:52,080 --> 01:49:54,760
Speaker 3: No, it's just like the grabber. It just tastes nice.

2017
01:49:54,920 --> 01:49:57,800
Speaker 1: Okay. So I just threw the cigarette away and I'm like, yeah,

2018
01:49:57,800 --> 01:50:00,600
Speaker 1: I'm grabbing now, you know what I'm saying, Like, like

2019
01:50:00,720 --> 01:50:03,000
Speaker 1: you see, like me, I'm the original street.

2020
01:50:02,840 --> 01:50:05,360
Speaker 3: Nigga who made it. Yeah in London.

2021
01:50:05,560 --> 01:50:09,720
Speaker 1: Yeah, so like me being here, all the niggas are like,

2022
01:50:09,760 --> 01:50:10,439
Speaker 1: how do you get there?

2023
01:50:11,240 --> 01:50:14,360
Speaker 3: Let me get that lawyer. All the niggas everywhere I go,

2024
01:50:14,520 --> 01:50:15,919
Speaker 3: niggas who I don't get along.

2025
01:50:15,760 --> 01:50:20,720
Speaker 1: With, coming were saying about that lawyer like I'm telling you, bro,

2026
01:50:21,160 --> 01:50:22,000
Speaker 1: I'm going to get.

2027
01:50:21,880 --> 01:50:23,960
Speaker 3: Over here, like you know what I'm saying.

2028
01:50:24,600 --> 01:50:27,040
Speaker 1: I mean, I know this is an unfair question. And

2029
01:50:27,200 --> 01:50:31,799
Speaker 1: then man, who even get over here? Yeah, they're getting

2030
01:50:31,840 --> 01:50:33,800
Speaker 1: married and ship. Actually I'm talking too much.

2031
01:50:35,840 --> 01:50:36,439
Speaker 3: Let me stop.

2032
01:50:42,280 --> 01:50:42,720
Speaker 5: This is this.

2033
01:50:45,200 --> 01:50:54,600
Speaker 4: Cop couple of Miami chicks, niggas writing track, write the

2034
01:50:54,640 --> 01:50:55,200
Speaker 4: moby track.

2035
01:50:57,080 --> 01:51:03,800
Speaker 1: They'll make a deal, will be ball park on your ass.

2036
01:51:04,400 --> 01:51:09,040
Speaker 3: The price is right, you know, got the bodies.

2037
01:51:09,120 --> 01:51:13,840
Speaker 1: Though it's mad over here, the Dominicans, I'm gott mad

2038
01:51:13,920 --> 01:51:14,360
Speaker 1: over here.

2039
01:51:15,160 --> 01:51:18,120
Speaker 3: I can't believe it. I can't believe it.

2040
01:51:18,400 --> 01:51:21,479
Speaker 1: Cubans mean I had once I had. Let me not

2041
01:51:21,560 --> 01:51:24,160
Speaker 1: talk about it like that. One time I was linking

2042
01:51:24,240 --> 01:51:27,479
Speaker 1: a Cuban and Jamaican, like what kind of mixes that?

2043
01:51:28,200 --> 01:51:28,880
Speaker 3: That's maud.

2044
01:51:29,400 --> 01:51:31,559
Speaker 2: She's angry though, definitely angry.

2045
01:51:32,240 --> 01:51:32,920
Speaker 3: I know where.

2046
01:51:34,320 --> 01:51:35,400
Speaker 2: There was one woman.

2047
01:51:37,200 --> 01:51:43,000
Speaker 3: One thought you had too. I needn't seen that.

2048
01:51:44,960 --> 01:51:47,320
Speaker 1: Okay, together together.

2049
01:51:51,360 --> 01:51:55,320
Speaker 3: He said, together as one woman, because what I meant

2050
01:51:55,479 --> 01:51:59,320
Speaker 3: was I thought women is Cuban and.

2051
01:52:00,960 --> 01:52:02,960
Speaker 1: Make it. I'm like Okay, that sounds like a.

2052
01:52:02,960 --> 01:52:05,880
Speaker 2: Great night for you. But you're saying one.

2053
01:52:08,000 --> 01:52:12,479
Speaker 1: Sound clash makes his hair even beliezing. I've never met

2054
01:52:12,520 --> 01:52:13,080
Speaker 1: a beliez in.

2055
01:52:13,920 --> 01:52:14,240
Speaker 3: That's a.

2056
01:52:15,720 --> 01:52:18,040
Speaker 2: See s Beliza.

2057
01:52:20,160 --> 01:52:24,080
Speaker 5: Heard you say something different brought you see sh No

2058
01:52:24,880 --> 01:52:26,200
Speaker 5: what we got?

2059
01:52:27,040 --> 01:52:27,840
Speaker 1: I believe.

2060
01:52:29,160 --> 01:52:30,519
Speaker 3: I really want to get over here?

2061
01:52:30,720 --> 01:52:37,000
Speaker 1: Yes, So then do you because like all the all

2062
01:52:37,040 --> 01:52:40,000
Speaker 1: the Jamaicans have their visas right now, right, what do

2063
01:52:40,080 --> 01:52:46,719
Speaker 1: you mean like old vibes my bottle, That's what it's about.

2064
01:52:46,800 --> 01:52:48,680
Speaker 2: Like that, you have to have a visa to come here.

2065
01:52:48,680 --> 01:52:51,160
Speaker 1: You gotta get a visa, like if you if you've

2066
01:52:51,160 --> 01:52:54,960
Speaker 1: got a criminal record, if you haven't got a criminal record,

2067
01:52:55,000 --> 01:52:55,760
Speaker 1: you can get star.

2068
01:52:56,640 --> 01:52:56,920
Speaker 3: What's that?

2069
01:52:57,680 --> 01:53:01,040
Speaker 1: It's just like it's just easy to get in the

2070
01:53:01,120 --> 01:53:03,240
Speaker 1: country because you're not a criminal. You don't like you

2071
01:53:03,280 --> 01:53:06,120
Speaker 1: know what I'm saying, You're not a threat or anything? Right?

2072
01:53:07,200 --> 01:53:09,479
Speaker 3: Just Esther, he just do that. Like if I'm coming

2073
01:53:09,479 --> 01:53:11,600
Speaker 3: with my kids, I've got my visa. I do my

2074
01:53:11,720 --> 01:53:12,439
Speaker 3: kids Esthers.

2075
01:53:12,840 --> 01:53:13,400
Speaker 2: I never heard that.

2076
01:53:13,560 --> 01:53:16,080
Speaker 1: Yeah, that's what that's what we got. So so you've

2077
01:53:16,080 --> 01:53:20,200
Speaker 1: got Esther's. But the criminals, who is most of the

2078
01:53:20,280 --> 01:53:22,320
Speaker 1: man name need a visa.

2079
01:53:22,560 --> 01:53:23,719
Speaker 2: It's a temporary visa.

2080
01:53:24,560 --> 01:53:27,280
Speaker 1: Yeah, like you get a year, two years, three years,

2081
01:53:27,920 --> 01:53:33,559
Speaker 1: But like there's different visas. Is working visa Like even

2082
01:53:33,640 --> 01:53:36,360
Speaker 1: coming over here, I've met people with different visas that

2083
01:53:36,439 --> 01:53:38,720
Speaker 1: there's another guy who's got like a property visa. He

2084
01:53:38,800 --> 01:53:42,160
Speaker 1: does property out here, so he's got a visa. You

2085
01:53:42,240 --> 01:53:46,880
Speaker 1: know what I'm saying. Yeah, school, you know what I'm saying. So, yeah,

2086
01:53:46,880 --> 01:53:50,040
Speaker 1: it's different visas. But that's like the man ain't going

2087
01:53:50,120 --> 01:53:52,920
Speaker 1: to be criminals though, the criminal team, you know what

2088
01:53:52,960 --> 01:53:53,320
Speaker 1: I'm saying.

2089
01:53:53,920 --> 01:53:57,920
Speaker 4: Yeah, whatever visa Vibes Cartel got, he's never going back.

2090
01:54:00,080 --> 01:54:01,120
Speaker 3: He got that goodsa.

2091
01:54:02,200 --> 01:54:02,640
Speaker 5: He got that.

2092
01:54:03,960 --> 01:54:05,799
Speaker 1: He comes into America because he's.

2093
01:54:08,880 --> 01:54:12,280
Speaker 3: Yeah, Vegas.

2094
01:54:14,920 --> 01:54:18,120
Speaker 2: Everywhere, he's helping the economy everywhere, everywhere you go.

2095
01:54:18,320 --> 01:54:21,840
Speaker 1: Vibell Clean vives he probably already had the visa in

2096
01:54:21,920 --> 01:54:25,160
Speaker 1: it from before and then he went and he went

2097
01:54:25,200 --> 01:54:27,320
Speaker 1: to jail. Oh yeah, the reverse, but then he was

2098
01:54:27,560 --> 01:54:30,360
Speaker 1: then he was then he was innocen. So really oh yes,

2099
01:54:31,720 --> 01:54:36,080
Speaker 1: that's right. Oh he never he never do they give

2100
01:54:36,120 --> 01:54:37,040
Speaker 1: him his visa back.

2101
01:54:37,360 --> 01:54:37,800
Speaker 3: That's true.

2102
01:54:38,080 --> 01:54:40,840
Speaker 1: He got he got, he got the proper visa. He

2103
01:54:40,960 --> 01:54:43,160
Speaker 1: got the proper as he as he deserves.

2104
01:54:43,360 --> 01:54:48,000
Speaker 4: That motherfucker been everywhere and he's been posting it too.

2105
01:54:48,200 --> 01:54:50,560
Speaker 2: Now he killing the game like a y n that

2106
01:54:50,760 --> 01:54:53,920
Speaker 2: Nigga's been like that he out so he's doing the

2107
01:54:54,000 --> 01:54:54,840
Speaker 2: master his thing.

2108
01:54:57,160 --> 01:55:01,640
Speaker 1: I'm like, Holy Ship Vibs is living his the flipping life.

2109
01:55:02,360 --> 01:55:14,760
Speaker 2: Well no, this makes some noise for Visus Holy Ship.

2110
01:55:15,400 --> 01:55:17,720
Speaker 1: So it's anything you would take back? What would you do?

2111
01:55:18,480 --> 01:55:18,920
Speaker 3: Take back?

2112
01:55:19,000 --> 01:55:20,880
Speaker 1: Take back like in the game like that you regret,

2113
01:55:20,960 --> 01:55:25,760
Speaker 1: regret it doing. I regret nothing. I'm me, Okay, you can't.

2114
01:55:26,480 --> 01:55:28,640
Speaker 1: That's you know what I mean. Everything you go for

2115
01:55:28,840 --> 01:55:32,280
Speaker 1: is for a reason. That's what creates you, you know

2116
01:55:32,320 --> 01:55:32,640
Speaker 1: what I mean.

2117
01:55:32,840 --> 01:55:37,320
Speaker 5: So yeah, definitely not y'all seen the I was watching

2118
01:55:38,280 --> 01:55:41,160
Speaker 5: a podcast on YouTube that I watched my homie Justin

2119
01:55:41,280 --> 01:55:42,880
Speaker 5: Hunt the aka the Company Man.

2120
01:55:42,880 --> 01:55:44,000
Speaker 2: They were talking about skeptic.

2121
01:55:44,880 --> 01:55:48,360
Speaker 5: That's he's he's throwing shots at trying to like do

2122
01:55:48,520 --> 01:55:50,920
Speaker 5: like like a battle with American artists.

2123
01:55:51,280 --> 01:55:55,480
Speaker 4: Oh like Joey Badass in a way that Joey Badass challenged.

2124
01:55:55,520 --> 01:55:59,360
Speaker 2: So yeah, I guess not like it's not it's just battle.

2125
01:55:59,760 --> 01:56:00,840
Speaker 2: What about that?

2126
01:56:00,960 --> 01:56:01,160
Speaker 3: Yeah?

2127
01:56:01,400 --> 01:56:04,280
Speaker 1: For me, that's not really familiar with that, like and

2128
01:56:04,360 --> 01:56:08,080
Speaker 1: stuff like I'm not really I'm too emotional.

2129
01:56:07,720 --> 01:56:10,480
Speaker 2: For that, Yeah, it's not for everybody.

2130
01:56:11,880 --> 01:56:14,880
Speaker 3: Yeah, I can't keep me eye of that.

2131
01:56:15,120 --> 01:56:18,480
Speaker 2: Like I think Lucas jumped in on it. Wait, I

2132
01:56:18,480 --> 01:56:19,160
Speaker 2: haven't heard of this.

2133
01:56:19,760 --> 01:56:23,080
Speaker 5: Yeah, shout out to Justin Hunt who covered it likes

2134
01:56:23,160 --> 01:56:28,520
Speaker 5: he's like he's like Markman, okay, and so yeah, it's

2135
01:56:28,560 --> 01:56:30,200
Speaker 5: just it's just funny because there's this whole thing is

2136
01:56:30,240 --> 01:56:33,400
Speaker 5: supposed to be, like they're labeling as US against UK. Yes,

2137
01:56:33,920 --> 01:56:37,120
Speaker 5: like you see like me personally, I know you say

2138
01:56:37,160 --> 01:56:39,360
Speaker 5: you feel like you're too emotional like me.

2139
01:56:39,480 --> 01:56:46,400
Speaker 1: Personally, I don't like like I've got American regends, Canadian, Jamaican,

2140
01:56:46,680 --> 01:56:51,240
Speaker 1: Beijian guy Andese like Trainer that didn't bridget Like I

2141
01:56:51,320 --> 01:56:54,160
Speaker 1: look at us one thing, you know what I'm saying,

2142
01:56:54,760 --> 01:56:58,880
Speaker 1: So even in music, like I look at myself as

2143
01:56:58,960 --> 01:57:01,560
Speaker 1: one of the best anyway. I don't like need to

2144
01:57:01,640 --> 01:57:05,240
Speaker 1: be like, oh yeah, like I need to go against us,

2145
01:57:05,440 --> 01:57:07,240
Speaker 1: like I'm like, you know what I'm saying, I'm on

2146
01:57:07,320 --> 01:57:09,880
Speaker 1: the same level anyway, right, I don't need to like

2147
01:57:11,520 --> 01:57:13,880
Speaker 1: separate things like you know what I'm saying, It's all

2148
01:57:13,960 --> 01:57:16,920
Speaker 1: one thing, Like you don't need to like say, yeah,

2149
01:57:17,040 --> 01:57:19,000
Speaker 1: US versus them, and like you know what I mean

2150
01:57:19,320 --> 01:57:23,040
Speaker 1: I think like we've got cold UK rapper, we've got

2151
01:57:23,080 --> 01:57:25,520
Speaker 1: cold US rappers, we've got shipped UK rapper.

2152
01:57:25,880 --> 01:57:27,920
Speaker 3: You like, you know what I'm saying. I agree, you

2153
01:57:27,960 --> 01:57:30,960
Speaker 3: know what I mean. It's like the separating thing and

2154
01:57:31,160 --> 01:57:34,120
Speaker 3: like oh yeah, us versus that. I don't really you

2155
01:57:34,200 --> 01:57:34,560
Speaker 3: know what I mean.

2156
01:57:34,840 --> 01:57:36,240
Speaker 2: I mean there is a place I was just like

2157
01:57:36,400 --> 01:57:38,480
Speaker 2: healthy competition too though, yeah.

2158
01:57:38,680 --> 01:57:38,760
Speaker 3: But.

2159
01:57:40,880 --> 01:57:44,200
Speaker 1: I don't think like it needs to be us versus

2160
01:57:44,440 --> 01:57:46,800
Speaker 1: them though, Right, you know what I'm saying, like like

2161
01:57:47,080 --> 01:57:51,160
Speaker 1: put that way, yeah, because it's supposed like it's supposed

2162
01:57:51,160 --> 01:57:53,240
Speaker 1: to be just looking at yourself as the greatest of

2163
01:57:53,320 --> 01:57:55,840
Speaker 1: all time, right, you know what I'm saying.

2164
01:57:56,160 --> 01:57:58,160
Speaker 3: Right, You see, like when I see.

2165
01:57:58,040 --> 01:58:02,240
Speaker 1: Like I don't know, for example, if I see like

2166
01:58:03,240 --> 01:58:07,160
Speaker 1: like Nicki Minaj, like yeah, say, like I don't know,

2167
01:58:07,760 --> 01:58:10,760
Speaker 1: like no disrespects and Nikki is just fooling that. But

2168
01:58:11,000 --> 01:58:14,280
Speaker 1: like if I see like that, when Nikki will be

2169
01:58:14,720 --> 01:58:20,960
Speaker 1: going at like Cardi or something, yeah, I think like Nikki,

2170
01:58:21,200 --> 01:58:23,160
Speaker 1: like you're one of the greatest rappers.

2171
01:58:23,200 --> 01:58:24,040
Speaker 2: There's no need for it.

2172
01:58:24,240 --> 01:58:26,720
Speaker 1: No, no, no, there's no you're one of the greatest rappers.

2173
01:58:27,720 --> 01:58:31,840
Speaker 1: Like forget female, like you're one of the best, right,

2174
01:58:32,120 --> 01:58:33,440
Speaker 1: you know what I'm saying. You don't have to like

2175
01:58:33,680 --> 01:58:38,040
Speaker 1: because there's another female, go up against this other female,

2176
01:58:38,320 --> 01:58:39,440
Speaker 1: because you're one of the best.

2177
01:58:40,160 --> 01:58:41,640
Speaker 3: You're like Kanye.

2178
01:58:41,840 --> 01:58:46,080
Speaker 1: You smoke Kanye songs, Drake songs, like fucking Chains like

2179
01:58:46,240 --> 01:58:49,520
Speaker 1: them even like I don't know, say like, yeah, I

2180
01:58:49,640 --> 01:58:53,960
Speaker 1: love them strippers like to Chains and Nicki Minaj, Yeah

2181
01:58:54,080 --> 01:58:58,040
Speaker 1: them times Chains was smoking everything in his way in

2182
01:58:58,200 --> 01:59:02,720
Speaker 1: it like change them times boats time. Yeah, and Nikki

2183
01:59:03,240 --> 01:59:06,400
Speaker 1: smoked that song, Smoke that. That's one of my favorite

2184
01:59:06,440 --> 01:59:08,760
Speaker 1: Nikki versus you're one of the greatest.

2185
01:59:08,920 --> 01:59:14,200
Speaker 3: Like, so I feel like when you're like just putting

2186
01:59:14,240 --> 01:59:14,800
Speaker 3: yourself in the.

2187
01:59:14,920 --> 01:59:18,560
Speaker 1: Female category, it's just lower in your tail yourself. Yeah,

2188
01:59:18,720 --> 01:59:22,120
Speaker 1: like when you're one of the greatest of full time. Like, so,

2189
01:59:22,200 --> 01:59:24,880
Speaker 1: I don't need to be like UK versus your like

2190
01:59:25,040 --> 01:59:26,600
Speaker 1: to prove not to me. I know, I'm one of

2191
01:59:26,640 --> 01:59:29,160
Speaker 1: the coldest, right you know what I'm saying that, So

2192
01:59:29,320 --> 01:59:32,000
Speaker 1: that doesn't really involve me, you know what I mean.

2193
01:59:32,080 --> 01:59:32,840
Speaker 2: I see what you're saying.

2194
01:59:32,920 --> 01:59:36,280
Speaker 1: Yeah, but that's so cool for skephin that way he

2195
01:59:36,320 --> 01:59:38,880
Speaker 1: wants to do not saying that, But that's that's not

2196
01:59:39,040 --> 01:59:41,320
Speaker 1: really my ship, you know.

2197
01:59:41,320 --> 01:59:41,600
Speaker 3: What I mean.

2198
01:59:42,280 --> 01:59:44,280
Speaker 1: I watch it and be entertained, but I ain't like

2199
01:59:45,000 --> 01:59:49,000
Speaker 1: admiting one of the greatest you know what I mean,

2200
01:59:50,800 --> 01:59:51,960
Speaker 1: one of the other's records.

2201
01:59:52,080 --> 01:59:52,600
Speaker 2: You've got.

2202
01:59:54,080 --> 01:59:57,880
Speaker 1: It's what Diddy? Yeah, how did that come about?

2203
02:00:00,400 --> 02:00:02,000
Speaker 3: That was man?

2204
02:00:03,280 --> 02:00:07,520
Speaker 1: I remember he had the the BT off the party

2205
02:00:08,360 --> 02:00:11,720
Speaker 1: after the show. Obviously you can have with the jokes,

2206
02:00:11,720 --> 02:00:22,160
Speaker 1: and that was after if Like, Bro, this is one

2207
02:00:22,200 --> 02:00:25,880
Speaker 1: of the best parties I've ever been. Honest, this is

2208
02:00:25,920 --> 02:00:29,200
Speaker 1: what it was mad, you know what I'm saying. I

2209
02:00:29,240 --> 02:00:31,560
Speaker 1: went to the party that was Obviously it's a sore

2210
02:00:31,680 --> 02:00:34,880
Speaker 1: subject and that, but me, I'm honest, bro, this party

2211
02:00:35,040 --> 02:00:38,800
Speaker 1: was mad. This is l a I've gone in. There's

2212
02:00:38,920 --> 02:00:42,520
Speaker 1: like the whole dance floor is like, fucking what's that show?

2213
02:00:42,560 --> 02:00:44,600
Speaker 1: You not used to have over it when people dance

2214
02:00:44,680 --> 02:00:48,920
Speaker 1: on the floor with the colors, the soul trained floor and.

2215
02:00:49,000 --> 02:00:51,680
Speaker 3: The soul trained floor with the colors, like and I

2216
02:00:51,760 --> 02:00:53,280
Speaker 3: ain't seen that ship in real life.

2217
02:00:53,880 --> 02:00:56,160
Speaker 1: You know, there was I'm like, everyone who you can

2218
02:00:56,240 --> 02:01:00,880
Speaker 1: think of is their bare bodies food truck with free

2219
02:01:01,000 --> 02:01:02,440
Speaker 1: food drinks.

2220
02:01:03,480 --> 02:01:10,480
Speaker 3: You know what I'm saying. This party was mad. Even

2221
02:01:10,600 --> 02:01:13,240
Speaker 3: I remember I said I had the drink stand off party.

2222
02:01:13,680 --> 02:01:22,080
Speaker 1: I was speaking my game, you know the one, and

2223
02:01:22,160 --> 02:01:25,960
Speaker 1: then this time I didn't even know Puff ten times

2224
02:01:26,160 --> 02:01:30,800
Speaker 1: yeah me, and then then boom, I see Puff. He

2225
02:01:30,920 --> 02:01:33,640
Speaker 1: came like halfway through the party him and I see

2226
02:01:33,680 --> 02:01:38,080
Speaker 1: him walking through him and Mary, and then I bumped

2227
02:01:38,120 --> 02:01:39,880
Speaker 1: into him and then he's like, bro.

2228
02:01:39,880 --> 02:01:40,960
Speaker 3: What the fuck are you doing there?

2229
02:01:41,040 --> 02:01:45,040
Speaker 1: Like yeah, I've been trying to get hold of You're

2230
02:01:45,040 --> 02:01:46,240
Speaker 1: still on coming London soon?

2231
02:01:46,520 --> 02:01:46,840
Speaker 3: Yeah me?

2232
02:01:47,240 --> 02:01:49,920
Speaker 1: Wow yeah, And then we linked like that and then

2233
02:01:51,720 --> 02:01:54,440
Speaker 1: then he was when he was coming to London, he

2234
02:01:54,520 --> 02:01:58,400
Speaker 1: wanted to a party. Obviously, man does the bats. I said,

2235
02:01:58,600 --> 02:02:01,600
Speaker 1: I'm actually do it. It was wireless times again, so

2236
02:02:02,240 --> 02:02:04,600
Speaker 1: I said we should do arting because I'm going to

2237
02:02:04,680 --> 02:02:07,880
Speaker 1: do a thing. You're going to do your party like

2238
02:02:08,040 --> 02:02:10,800
Speaker 1: it's going to clash, yeah me, we might as well

2239
02:02:10,880 --> 02:02:13,000
Speaker 1: bring it together and do the Then we had a

2240
02:02:13,120 --> 02:02:17,800
Speaker 1: party in the fucking football stadium football what was it

2241
02:02:17,960 --> 02:02:19,560
Speaker 1: staying marena, I watch.

2242
02:02:24,120 --> 02:02:24,160
Speaker 5: Me.

2243
02:02:24,200 --> 02:02:27,160
Speaker 1: We had a big party and that everyone was there,

2244
02:02:28,120 --> 02:02:31,600
Speaker 1: so like even like like if there's like jokes and

2245
02:02:32,040 --> 02:02:36,760
Speaker 1: everyone was at that party in England, you know, I

2246
02:02:36,880 --> 02:02:38,400
Speaker 1: was a mad thing, like you know what I'm saying.

2247
02:02:38,920 --> 02:02:42,040
Speaker 3: And then yeah, then I made them, the mand them, and.

2248
02:02:42,120 --> 02:02:44,720
Speaker 1: I said, yeah, like I would like them classic, like

2249
02:02:45,760 --> 02:02:49,640
Speaker 1: like did the vocals that you know, like I don't know,

2250
02:02:49,800 --> 02:02:53,320
Speaker 1: like I used to love like Rick Ross he said,

2251
02:02:54,040 --> 02:02:56,960
Speaker 1: remember Holy Ghost when he used to like do that

2252
02:02:57,800 --> 02:02:59,360
Speaker 1: I'm going there and that, you know.

2253
02:02:59,600 --> 02:03:01,360
Speaker 3: I said, I want you to do that a man's

2254
02:03:01,400 --> 02:03:03,400
Speaker 3: thing like and for me that was legendary.

2255
02:03:03,880 --> 02:03:06,720
Speaker 2: And he said on the intro, I'm in the ends

2256
02:03:06,840 --> 02:03:07,160
Speaker 2: right now.

2257
02:03:07,320 --> 02:03:09,880
Speaker 1: Yeah yeah, yeah, you know what I'm saying. So that

2258
02:03:10,000 --> 02:03:13,240
Speaker 1: record is hard yeah yeah yeah for me, Bro, that

2259
02:03:13,440 --> 02:03:15,400
Speaker 1: was the man thing. Bro, I'm a fan of music. Bro,

2260
02:03:16,000 --> 02:03:17,520
Speaker 1: you know what I'm saying, Like, you get me so

2261
02:03:18,760 --> 02:03:23,240
Speaker 1: yeah me even like obviously that everyone makes like the

2262
02:03:23,440 --> 02:03:27,200
Speaker 1: jokes and that, but for me, like all the man legends,

2263
02:03:27,280 --> 02:03:29,440
Speaker 1: like you know what I'm saying, you get me so

2264
02:03:30,560 --> 02:03:33,000
Speaker 1: so like I don't want to see like none of

2265
02:03:33,120 --> 02:03:35,360
Speaker 1: the legends, like you can't take it with look, yeah,

2266
02:03:35,480 --> 02:03:37,480
Speaker 1: I don't want to see none of that from like

2267
02:03:37,880 --> 02:03:39,760
Speaker 1: you know what I'm saying, Oh yeah, like let's take that.

2268
02:03:39,800 --> 02:03:42,520
Speaker 3: And they said when they were that stuff, I see

2269
02:03:42,560 --> 02:03:43,360
Speaker 3: people saying.

2270
02:03:43,320 --> 02:03:47,160
Speaker 1: Oh's next. I figure, fucking know what's he doing now?

2271
02:03:47,280 --> 02:03:49,000
Speaker 1: Like you know what I'm saying, like why do we

2272
02:03:49,080 --> 02:03:52,280
Speaker 1: want to them guys like help create?

2273
02:03:52,400 --> 02:03:55,520
Speaker 3: Man? You know what I'm saying all the way in England.

2274
02:03:56,200 --> 02:03:58,160
Speaker 1: I'm sitting here now like you know what I'm saying,

2275
02:03:58,280 --> 02:04:01,360
Speaker 1: good in life, Like that's what all of you guys

2276
02:04:01,400 --> 02:04:02,360
Speaker 1: have done, like all of you.

2277
02:04:02,520 --> 02:04:04,880
Speaker 3: You know what I'm saying that. So I don't really like.

2278
02:04:06,880 --> 02:04:09,200
Speaker 1: People trying to take down our culture and then we're

2279
02:04:09,240 --> 02:04:10,640
Speaker 1: taking it down ourselves.

2280
02:04:11,000 --> 02:04:12,600
Speaker 3: It's sad, like you know what I'm saying.

2281
02:04:13,520 --> 02:04:18,240
Speaker 1: Yeah, Like I mean, h who like better Nasa Jim Jones.

2282
02:04:19,720 --> 02:04:20,680
Speaker 1: That's great.

2283
02:04:21,640 --> 02:04:23,400
Speaker 3: That's two different things that I don't know.

2284
02:04:23,760 --> 02:04:28,400
Speaker 1: I mean, even like there was like Nas, I remember

2285
02:04:28,440 --> 02:04:32,920
Speaker 1: there was a time like Nas is like that's Nas

2286
02:04:32,960 --> 02:04:37,680
Speaker 1: remember him and jay Z shoot up them days? And

2287
02:04:37,760 --> 02:04:39,520
Speaker 1: then like there was a time when I was in jail,

2288
02:04:40,320 --> 02:04:42,960
Speaker 1: oh free, and it was I used to bear Jim

2289
02:04:43,080 --> 02:04:46,000
Speaker 1: Jones on my way to church time.

2290
02:04:46,480 --> 02:04:49,000
Speaker 3: Yeah them times. You know what I'm saying that, But yeah,

2291
02:04:49,000 --> 02:04:52,600
Speaker 3: I can't that's that was a joke, you know.

2292
02:04:52,800 --> 02:04:55,040
Speaker 4: I mean, I mean no, because a lot of people

2293
02:04:55,120 --> 02:04:57,440
Speaker 4: gave me criticism because I was saying that that I

2294
02:04:57,520 --> 02:05:00,000
Speaker 4: saw where Jim Jones was coming from. Like what I'm

2295
02:05:00,040 --> 02:05:01,760
Speaker 4: meant by that is like when you look at the

2296
02:05:01,840 --> 02:05:04,120
Speaker 4: young young people, the people that that's looking at the

2297
02:05:04,200 --> 02:05:06,200
Speaker 4: algorithms now one million percent.

2298
02:05:06,320 --> 02:05:07,920
Speaker 1: I do see where he's coming from.

2299
02:05:08,360 --> 02:05:11,600
Speaker 4: Of course, overall you see an argument, yes, like yeah,

2300
02:05:11,640 --> 02:05:13,240
Speaker 4: of course you know what I'm saying. Overall, and by

2301
02:05:13,320 --> 02:05:15,800
Speaker 4: the way it's being put in that argument, it's fucking dope.

2302
02:05:16,160 --> 02:05:17,800
Speaker 4: Like just think about that, you know what I'm saying, Like,

2303
02:05:17,920 --> 02:05:20,120
Speaker 4: that's like, that's like us, you know what I mean,

2304
02:05:20,200 --> 02:05:23,120
Speaker 4: that's that's like, that's like us being compared to us

2305
02:05:23,440 --> 02:05:26,320
Speaker 4: playing is fucking softball football and they're comparing us to

2306
02:05:26,360 --> 02:05:29,200
Speaker 4: the Jets Like it's like, oh ship, Like you know,

2307
02:05:29,560 --> 02:05:31,640
Speaker 4: we just got compared to the Jets and then we're

2308
02:05:31,720 --> 02:05:34,560
Speaker 4: like we're like a you know, a football team that

2309
02:05:34,640 --> 02:05:35,640
Speaker 4: doesn't even you know what I'm.

2310
02:05:35,480 --> 02:05:37,800
Speaker 1: Saying, Like, so that's what I'm trying to say. At

2311
02:05:37,840 --> 02:05:42,080
Speaker 1: the same time, that's Jim's opinion. Yeah, that's it really

2312
02:05:42,320 --> 02:05:47,280
Speaker 1: man taking it too serious. He's supposed to think he's

2313
02:05:47,280 --> 02:05:47,520
Speaker 1: the best.

2314
02:05:47,840 --> 02:05:51,800
Speaker 5: He said, you're supposed to everyone's the best, and to me,

2315
02:05:52,000 --> 02:05:53,360
Speaker 5: to me, it's working out for Gym.

2316
02:05:53,400 --> 02:05:56,080
Speaker 1: I believe NAS doesn't have to respond. I believe I

2317
02:05:56,200 --> 02:05:59,000
Speaker 1: believe he's good, but I believe the argument is dope

2318
02:05:59,000 --> 02:06:01,800
Speaker 1: for us London. So for me, that's fucking Jim Jo

2319
02:06:01,920 --> 02:06:05,520
Speaker 1: and that's fucking right. That's two legends for me. Yeah,

2320
02:06:05,800 --> 02:06:09,520
Speaker 1: Like when I'm around each of them, I think, you know,

2321
02:06:09,680 --> 02:06:13,720
Speaker 1: that's the guys, so like that stuff, I don't really

2322
02:06:14,040 --> 02:06:15,320
Speaker 1: that's the internet stuff in it.

2323
02:06:15,480 --> 02:06:19,480
Speaker 4: And this week we just had uh Max b on

2324
02:06:19,720 --> 02:06:23,120
Speaker 4: on Drink Champs and he announced his date that he's

2325
02:06:23,160 --> 02:06:25,160
Speaker 4: actually coming home this year.

2326
02:06:25,880 --> 02:06:29,360
Speaker 3: Yeah, I speak to Max again and at the end,

2327
02:06:31,600 --> 02:06:33,320
Speaker 3: you're going to work on music. We've done it.

2328
02:06:33,400 --> 02:06:37,680
Speaker 1: I was on his last album, Wow, how do you

2329
02:06:37,720 --> 02:06:41,120
Speaker 1: link with Max? He used to link with so one

2330
02:06:41,160 --> 02:06:44,960
Speaker 1: of the Sas guys, one of the because say states

2331
02:06:45,000 --> 02:06:46,120
Speaker 1: to have euro Gang in it.

2332
02:06:46,520 --> 02:06:47,040
Speaker 2: Yeah, that's right.

2333
02:06:47,680 --> 02:06:50,680
Speaker 1: And there was an artist on the Hayes and he

2334
02:06:50,800 --> 02:06:52,720
Speaker 1: used to live with Max and that and then he

2335
02:06:52,920 --> 02:06:53,800
Speaker 1: was like look shout out to.

2336
02:06:55,800 --> 02:06:58,120
Speaker 3: Yeah, yeah, and then.

2337
02:06:58,240 --> 02:07:01,160
Speaker 1: Hayes linking with Max and yeah his last album we

2338
02:07:01,200 --> 02:07:03,840
Speaker 1: got a song on there. I can't remember the name,

2339
02:07:04,160 --> 02:07:06,760
Speaker 1: super Fly Slight Superan.

2340
02:07:07,640 --> 02:07:10,440
Speaker 3: I nearly said, fuck you you can.

2341
02:07:10,360 --> 02:07:16,040
Speaker 1: Say fun everything, sucker, motherfucker, sucker.

2342
02:07:17,920 --> 02:07:18,120
Speaker 3: Mother.

2343
02:07:20,640 --> 02:07:25,080
Speaker 2: Oh yeah, more worries, no let me ask you this though.

2344
02:07:25,880 --> 02:07:31,200
Speaker 5: Yeah, so drill and grime this is all started in

2345
02:07:31,320 --> 02:07:36,280
Speaker 5: the UK, right, But some argue that drill is started

2346
02:07:36,280 --> 02:07:36,919
Speaker 5: in Chicago.

2347
02:07:38,200 --> 02:07:39,360
Speaker 2: What's your take on on that.

2348
02:07:40,560 --> 02:07:43,160
Speaker 1: That's a great question. Yeah, I'll say the drill started

2349
02:07:43,200 --> 02:07:49,040
Speaker 1: in Chicago, but like the style of music, yeah, started

2350
02:07:49,120 --> 02:07:52,040
Speaker 1: in London. But they was inspired by the Chicago drill,

2351
02:07:52,880 --> 02:07:53,520
Speaker 1: you know what I'm saying.

2352
02:07:53,920 --> 02:07:56,280
Speaker 2: So what so there is a direct we break that

2353
02:07:56,360 --> 02:07:57,840
Speaker 2: down breaking it's.

2354
02:07:57,840 --> 02:07:59,800
Speaker 1: Like Chief Keith and all that, right, like you know

2355
02:08:00,080 --> 02:08:04,120
Speaker 1: saying like Dirk or whatever. Man there, the UK drill

2356
02:08:04,320 --> 02:08:05,360
Speaker 1: is inspired by that.

2357
02:08:06,200 --> 02:08:06,760
Speaker 3: Do you yet me?

2358
02:08:07,360 --> 02:08:10,240
Speaker 1: But then they made their own sound of sonically yeah

2359
02:08:11,040 --> 02:08:13,040
Speaker 1: that we're here now? Yeah, so and that sound and

2360
02:08:13,160 --> 02:08:18,040
Speaker 1: then the New York like drill is the same as

2361
02:08:18,120 --> 02:08:20,560
Speaker 1: that sound drills.

2362
02:08:20,240 --> 02:08:22,280
Speaker 2: From London was from London or the New York.

2363
02:08:22,200 --> 02:08:26,000
Speaker 1: Drillers New York drill that you hear like I don't know,

2364
02:08:26,120 --> 02:08:30,600
Speaker 1: bas like Favio and all that, Right, that's that's London drill,

2365
02:08:31,320 --> 02:08:33,200
Speaker 1: you know what I'm saying. And then but now it's

2366
02:08:33,280 --> 02:08:37,360
Speaker 1: that kind of evolved into like the kind of Jersey

2367
02:08:37,520 --> 02:08:39,320
Speaker 1: sound in it, like with the.

2368
02:08:42,440 --> 02:08:44,640
Speaker 3: Yeah, that kind of what's it was?

2369
02:08:44,720 --> 02:08:48,320
Speaker 1: It like forty one what they called that, I'm a

2370
02:08:48,440 --> 02:08:50,760
Speaker 1: relaxed when are we fucking again?

2371
02:08:53,000 --> 02:08:53,640
Speaker 2: Sexy drill?

2372
02:08:53,960 --> 02:08:55,760
Speaker 3: You know what I'm talking about? When they called forty two,

2373
02:08:55,920 --> 02:08:58,400
Speaker 3: forty one, forty.

2374
02:08:57,880 --> 02:09:01,160
Speaker 1: One, Yeah, that's kind of like it's kind of drill,

2375
02:09:01,280 --> 02:09:03,720
Speaker 1: but then it's kind of it's kind of morphed into

2376
02:09:04,800 --> 02:09:06,160
Speaker 1: you know what I'm saying that, So now it's his

2377
02:09:06,360 --> 02:09:10,080
Speaker 1: own sound because it's kind of Jersey like, you know

2378
02:09:10,120 --> 02:09:10,400
Speaker 1: what I mean?

2379
02:09:11,040 --> 02:09:13,840
Speaker 3: So now they made another sound yet me?

2380
02:09:14,280 --> 02:09:18,400
Speaker 5: So does do people in London feel like they're the

2381
02:09:18,440 --> 02:09:21,200
Speaker 5: ones who inspired here or do they feel like they

2382
02:09:21,240 --> 02:09:22,240
Speaker 5: took something from Chicago?

2383
02:09:22,600 --> 02:09:28,000
Speaker 1: Like how do the originators like six seven that they're

2384
02:09:28,040 --> 02:09:31,960
Speaker 1: from London that they arige six to seven? I'll say,

2385
02:09:32,040 --> 02:09:37,120
Speaker 1: like Section Boys, they would probably tell you like Chief

2386
02:09:37,240 --> 02:09:40,760
Speaker 1: Keith and that inspired that Chicago? Yeah me, but the

2387
02:09:41,200 --> 02:09:44,080
Speaker 1: origin then they started and now and then you would

2388
02:09:44,080 --> 02:09:47,080
Speaker 1: get the younger ones like I don't know, like low

2389
02:09:47,240 --> 02:09:51,800
Speaker 1: Ski and like even at Central Seed who would have

2390
02:09:52,480 --> 02:09:53,560
Speaker 1: listened to six seven?

2391
02:09:53,680 --> 02:09:56,000
Speaker 3: And you yet me? Like you know what I'm saying,

2392
02:09:56,080 --> 02:09:59,320
Speaker 3: and Section and did d ting you yet? Me?

2393
02:10:01,680 --> 02:10:01,880
Speaker 1: Ill?

2394
02:10:03,040 --> 02:10:04,160
Speaker 2: And then what about grime?

2395
02:10:04,760 --> 02:10:06,680
Speaker 3: Grime is grime is like.

2396
02:10:08,200 --> 02:10:12,280
Speaker 1: So grime is is it's like when it's like one

2397
02:10:12,440 --> 02:10:14,800
Speaker 1: tempo music, so it's one forty bpm.

2398
02:10:15,200 --> 02:10:17,760
Speaker 3: So like say, like that drill, that drill was probably.

2399
02:10:17,560 --> 02:10:22,360
Speaker 1: Like one thirty one twenty eight bpm. Grime is one

2400
02:10:22,480 --> 02:10:27,400
Speaker 1: forty bpm, and like they used to like so first

2401
02:10:27,480 --> 02:10:28,520
Speaker 1: it started with garage.

2402
02:10:28,720 --> 02:10:31,720
Speaker 2: Yeah, well I was a drumming bass or any of that.

2403
02:10:31,760 --> 02:10:34,400
Speaker 1: Now now drumming basses before that, but it's all kind

2404
02:10:34,440 --> 02:10:37,320
Speaker 1: of in the same yeah, yeah, so yeah, drumming bass, right, yeah,

2405
02:10:37,960 --> 02:10:41,400
Speaker 1: and then that kind of turned into like it was

2406
02:10:41,480 --> 02:10:44,880
Speaker 1: drummer based kind of jungle jungle, and then like it's

2407
02:10:45,080 --> 02:10:48,400
Speaker 1: then it mixed the fuse the dance or and then

2408
02:10:48,440 --> 02:10:52,560
Speaker 1: it was like that's kind of jungle, right because they

2409
02:10:52,600 --> 02:10:55,760
Speaker 1: had the dance and that didn't eymore no, no, you

2410
02:10:55,800 --> 02:10:58,320
Speaker 1: know the ones like them kind of tunes. And then

2411
02:10:58,440 --> 02:11:01,520
Speaker 1: after that kind of came garage. Well garage might have

2412
02:11:01,520 --> 02:11:03,440
Speaker 1: been the same time, don't quote me yet, me like,

2413
02:11:03,880 --> 02:11:06,880
Speaker 1: and it was garage. And then that's when the street

2414
02:11:06,960 --> 02:11:09,040
Speaker 1: niggers started spitting on garage.

2415
02:11:09,160 --> 02:11:10,080
Speaker 2: So they're rhyming on that.

2416
02:11:10,440 --> 02:11:14,600
Speaker 1: Yeah, garage, you know that garage, you know the one's

2417
02:11:14,640 --> 02:11:20,080
Speaker 1: that house house and garages house and garage yeah. House music, yeah,

2418
02:11:20,200 --> 02:11:28,200
Speaker 1: House and garage yeah. Oh, garage yeah yeah, garage, garage, garage,

2419
02:11:28,400 --> 02:11:32,920
Speaker 1: we say garage. So that house and garage kind of

2420
02:11:34,040 --> 02:11:36,480
Speaker 1: and the man used to spit on house and garage

2421
02:11:36,680 --> 02:11:39,760
Speaker 1: yet me and then the street niggas started making their

2422
02:11:39,840 --> 02:11:45,040
Speaker 1: own kind of beats, that tempo, and then they then

2423
02:11:45,080 --> 02:11:47,840
Speaker 1: it kind of fused into grime because it was more

2424
02:11:48,000 --> 02:11:53,080
Speaker 1: raw garage, house and garages that you know, happy house like, yeah,

2425
02:11:53,200 --> 02:11:55,800
Speaker 1: but the man is spitting on it now street niggers,

2426
02:11:56,320 --> 02:11:58,120
Speaker 1: you know what I'm saying that, So then they start

2427
02:11:58,160 --> 02:12:01,960
Speaker 1: making their own beats and its darker, yeah exactly, and

2428
02:12:02,040 --> 02:12:04,760
Speaker 1: then that became grime. But it wasn't cool grime for long.

2429
02:12:04,840 --> 02:12:08,560
Speaker 1: It was just didn't have a name manager spitting on it.

2430
02:12:08,640 --> 02:12:11,360
Speaker 1: It's still kind of garage. And then man start calling

2431
02:12:11,400 --> 02:12:15,520
Speaker 1: it different names Eski, but that grime stock and then

2432
02:12:15,560 --> 02:12:22,880
Speaker 1: that's grime. Yeah, so that's Skepta, Wiley, Dizzey, Rascal, Dizzey

2433
02:12:22,920 --> 02:12:26,200
Speaker 1: Rascals grime yeah really yeah. Dizzy was the coded Dizzy

2434
02:12:26,400 --> 02:12:28,440
Speaker 1: was one of the people who made me want to spit.

2435
02:12:29,800 --> 02:12:33,520
Speaker 1: Thom is straight hip hop ships. Dizzey was one of

2436
02:12:33,600 --> 02:12:34,440
Speaker 1: the coldest crime.

2437
02:12:34,600 --> 02:12:36,120
Speaker 2: You mean it's all hip hop though at the end

2438
02:12:36,120 --> 02:12:37,839
Speaker 2: of the day, yeah.

2439
02:12:37,760 --> 02:12:40,320
Speaker 3: No, yeah, so so so grime.

2440
02:12:40,640 --> 02:12:46,840
Speaker 1: Now, grime is a fusion of hip hop, garage, dance

2441
02:12:47,000 --> 02:12:52,080
Speaker 1: l because the man name in London are Jamaican African, but.

2442
02:12:52,160 --> 02:12:53,800
Speaker 3: That's the b Yeah.

2443
02:12:54,240 --> 02:12:58,240
Speaker 2: But if you're spitting to me, that is hip hop already.

2444
02:12:58,920 --> 02:13:04,800
Speaker 3: I guess yeah, unless it's true. But the man used

2445
02:13:04,800 --> 02:13:08,600
Speaker 3: to spit like like garage days. They used to spit

2446
02:13:08,760 --> 02:13:14,160
Speaker 3: like check one to check to check, you know that

2447
02:13:14,280 --> 02:13:16,240
Speaker 3: one was like oh we go up the street and.

2448
02:13:17,360 --> 02:13:20,000
Speaker 1: Yeah, like kind of you know what I'm saying, Like yeah,

2449
02:13:21,400 --> 02:13:23,000
Speaker 1: though they might even saying anything.

2450
02:13:23,680 --> 02:13:26,160
Speaker 3: We loving it, loving it, loving it, we loving it.

2451
02:13:26,280 --> 02:13:27,839
Speaker 3: That's that's garage.

2452
02:13:28,080 --> 02:13:29,360
Speaker 2: Because was hard.

2453
02:13:29,800 --> 02:13:35,120
Speaker 3: Grime came and Dizzy, who changed the game. He used

2454
02:13:35,160 --> 02:13:38,760
Speaker 3: to be spitting cold like like slip on your rebook,

2455
02:13:38,800 --> 02:13:42,560
Speaker 3: pumps star jumps like you know what I'm saying.

2456
02:13:42,600 --> 02:13:45,640
Speaker 1: He would come, he be on the hearted. That's when

2457
02:13:45,680 --> 02:13:49,800
Speaker 1: he needed the harder beats. Then it started fusing the

2458
02:13:50,960 --> 02:13:54,560
Speaker 1: more bass, raw, dirty, you know what I'm saying, like

2459
02:13:54,720 --> 02:13:57,360
Speaker 1: hip hop. So by this time I listened to dancer

2460
02:13:57,440 --> 02:14:00,200
Speaker 1: as well, So it's got a touch of dancer in there,

2461
02:14:01,080 --> 02:14:04,360
Speaker 1: and you get me. But man's listening to rap music.

2462
02:14:04,640 --> 02:14:08,360
Speaker 1: So when man's spitting, you know what I'm saying. And

2463
02:14:08,440 --> 02:14:14,040
Speaker 1: then there was grime then, But the grime thing that

2464
02:14:14,200 --> 02:14:18,000
Speaker 1: there was, they weren't really gang bangers in grime, you

2465
02:14:18,080 --> 02:14:21,360
Speaker 1: know what I'm saying, Like more like there was couple,

2466
02:14:21,480 --> 02:14:24,560
Speaker 1: but it's more like like good kids kind of thing,

2467
02:14:25,480 --> 02:14:27,360
Speaker 1: you know what I'm saying, Like you get me, Like

2468
02:14:27,480 --> 02:14:30,400
Speaker 1: here's there might shoot you baby, yeah, because they're from

2469
02:14:30,400 --> 02:14:33,600
Speaker 1: the streets, but they're not frop They're not that like

2470
02:14:33,720 --> 02:14:36,040
Speaker 1: they might be the good kids who focus on music.

2471
02:14:36,120 --> 02:14:39,400
Speaker 3: Them times, music wasn't cool, right, You know what I'm saying.

2472
02:14:39,480 --> 02:14:40,400
Speaker 3: If you're a street.

2473
02:14:40,240 --> 02:14:42,680
Speaker 1: Nigger on music, it's not cool. If you're doing grime,

2474
02:14:42,960 --> 02:14:45,920
Speaker 1: that's them grime niggas. You know what I'm saying, Like, manny,

2475
02:14:46,680 --> 02:14:49,200
Speaker 1: you know what I'm saying. If you're doing grime, if

2476
02:14:49,360 --> 02:14:51,600
Speaker 1: like man like me, I started fucking with before it

2477
02:14:51,720 --> 02:14:54,200
Speaker 1: was cool grime and it would be like, yeah, so

2478
02:14:54,280 --> 02:14:56,840
Speaker 1: what I'm doing grime? Like you know what I'm saying, man,

2479
02:14:57,000 --> 02:14:59,360
Speaker 1: you have to yeah, so what I'm making this ground

2480
02:14:59,400 --> 02:15:01,680
Speaker 1: you get me. And then then I went to jail

2481
02:15:02,720 --> 02:15:06,840
Speaker 1: and then niggas are rapping in jail. UK niggas weren't

2482
02:15:06,880 --> 02:15:10,080
Speaker 1: really rapping them like street niggas, you get me. So

2483
02:15:10,200 --> 02:15:14,200
Speaker 1: then niggas are in jail, were rapping, and my grime

2484
02:15:14,320 --> 02:15:17,360
Speaker 1: songs are signing kind of nerdy like I was, like,

2485
02:15:17,720 --> 02:15:20,840
Speaker 1: I said, I hide my grime songs like yeah, they say,

2486
02:15:21,400 --> 02:15:25,000
Speaker 1: don't worry about that one. Then I started rapping. I said, yeah,

2487
02:15:25,000 --> 02:15:27,200
Speaker 1: I'm doing this wrap to fuck this grind ship like

2488
02:15:27,280 --> 02:15:27,440
Speaker 1: you know.

2489
02:15:27,440 --> 02:15:30,320
Speaker 3: What I'm saying. Then that's then then there was me

2490
02:15:31,160 --> 02:15:32,040
Speaker 3: and then there's all.

2491
02:15:31,920 --> 02:15:35,360
Speaker 1: The underground rappers as well, like because it was rapping

2492
02:15:35,480 --> 02:15:37,520
Speaker 1: time like and that was the street niggas.

2493
02:15:37,600 --> 02:15:39,400
Speaker 3: That's when it was crazy in the streets.

2494
02:15:39,920 --> 02:15:45,200
Speaker 1: Niggas started rapping English accents, niggas busting shots on fucking

2495
02:15:46,040 --> 02:15:49,240
Speaker 1: DVDs and ship. We had a DVD error because that's

2496
02:15:49,280 --> 02:15:51,400
Speaker 1: what we got that from, you lot from like Smack.

2497
02:15:52,480 --> 02:15:54,400
Speaker 2: Don't play from.

2498
02:15:57,400 --> 02:16:03,000
Speaker 3: Influence smack because you know what I mean.

2499
02:16:03,600 --> 02:16:05,920
Speaker 1: So then we had the DVDs, you know what I'm saying.

2500
02:16:06,360 --> 02:16:11,120
Speaker 1: And that was when UK like skankster street rap, you

2501
02:16:11,160 --> 02:16:13,360
Speaker 1: know what I mean. Like, so then you still had grime,

2502
02:16:13,720 --> 02:16:16,040
Speaker 1: but like it was grime over there, and then there's

2503
02:16:16,200 --> 02:16:19,080
Speaker 1: UK rap. Right, So that's why even like if I

2504
02:16:19,480 --> 02:16:22,480
Speaker 1: come to America and someone calls me ground, I mean,

2505
02:16:22,480 --> 02:16:23,520
Speaker 1: I ain't know Grandmatis.

2506
02:16:23,920 --> 02:16:26,960
Speaker 2: So you think that Grand Martyrs would separate themselves from

2507
02:16:27,040 --> 02:16:27,400
Speaker 2: hip hop?

2508
02:16:28,120 --> 02:16:32,400
Speaker 1: Yeah, even like like so like because all of the

2509
02:16:32,600 --> 02:16:37,000
Speaker 1: like Skepta, he's grime, yeah, gigs rap. But even though

2510
02:16:37,040 --> 02:16:39,040
Speaker 1: Skeptic makes hip hop as well, me, I can make

2511
02:16:39,120 --> 02:16:42,600
Speaker 1: grime as well because I started with that because it's faster,

2512
02:16:42,800 --> 02:16:46,119
Speaker 1: you know, spit fast, like you know, like twist stops.

2513
02:16:47,000 --> 02:16:48,400
Speaker 1: You know what I'm saying, Like you get me, so

2514
02:16:48,520 --> 02:16:51,800
Speaker 1: I can do that as well, you get me. But yeah,

2515
02:16:51,840 --> 02:16:59,000
Speaker 1: he's skeptar Kino, Diz, Rascal, grime, gigs, fucking I don't

2516
02:16:59,000 --> 02:17:02,040
Speaker 1: know Dave hip hop, Like you know what I'm saying, Well,

2517
02:17:02,040 --> 02:17:04,760
Speaker 1: I don't know if Dave were calling sorry, because he's right,

2518
02:17:05,280 --> 02:17:09,360
Speaker 1: he's probably hip hop. But anyway, it's separate, you know

2519
02:17:09,360 --> 02:17:13,160
Speaker 1: what I'm saying, Like, yes, but what was the question

2520
02:17:13,240 --> 02:17:14,959
Speaker 1: you asked me just then?

2521
02:17:16,560 --> 02:17:18,000
Speaker 3: But I was just saying, you.

2522
02:17:18,040 --> 02:17:22,000
Speaker 1: Guys, yeah, you know, that's that's where it coming from.

2523
02:17:22,600 --> 02:17:26,400
Speaker 1: But even like me, my music here because mad times,

2524
02:17:26,400 --> 02:17:29,160
Speaker 1: I think ro where do I belong like musically do

2525
02:17:29,200 --> 02:17:31,600
Speaker 1: you know what I mean? Like, because I'll make a

2526
02:17:31,680 --> 02:17:35,720
Speaker 1: song with like popcorn like and then I'll make a

2527
02:17:35,800 --> 02:17:36,760
Speaker 1: song with Dave East.

2528
02:17:37,800 --> 02:17:38,680
Speaker 3: Where do I belong?

2529
02:17:38,840 --> 02:17:40,840
Speaker 1: Like? You know what I'm saying that because that's a dancer.

2530
02:17:40,920 --> 02:17:43,640
Speaker 1: I'm not bringing popcorn on a hip hop rhythm. It's

2531
02:17:43,680 --> 02:17:46,560
Speaker 1: on a hard dance ALREADTHM, and I'm lacing it dance

2532
02:17:46,600 --> 02:17:49,560
Speaker 1: all start. But then I might lace a Dave East,

2533
02:17:50,320 --> 02:17:53,720
Speaker 1: but then I might lace a fucking young fuck on

2534
02:17:53,840 --> 02:17:54,480
Speaker 1: the south thing?

2535
02:17:54,800 --> 02:17:57,160
Speaker 3: Right, So ro what what's my music?

2536
02:17:57,360 --> 02:17:57,400
Speaker 1: Like?

2537
02:17:57,720 --> 02:17:58,320
Speaker 3: You know what I'm saying?

2538
02:17:58,400 --> 02:17:58,440
Speaker 1: Like?

2539
02:17:58,640 --> 02:18:02,520
Speaker 3: Yeah, me, but now I understand raw Like I'm just

2540
02:18:02,760 --> 02:18:05,520
Speaker 3: my music. It's just u K. You know what I'm saying.

2541
02:18:06,280 --> 02:18:07,000
Speaker 3: I can do whatever.

2542
02:18:07,080 --> 02:18:10,000
Speaker 1: Yeah, it's hip hopos or period. But there's dancer in there,

2543
02:18:11,000 --> 02:18:15,520
Speaker 1: and dance is the original, So what is it really?

2544
02:18:15,680 --> 02:18:15,720
Speaker 3: Like?

2545
02:18:18,360 --> 02:18:23,440
Speaker 2: That's how just because they are the original rappers in.

2546
02:18:23,440 --> 02:18:28,920
Speaker 3: The sense original rappers. Yeah, yeah, I'm not sure.

2547
02:18:29,480 --> 02:18:35,280
Speaker 5: In a sense in a sense I said, think about it,

2548
02:18:35,440 --> 02:18:38,720
Speaker 5: Dan Saw is just rapping in patois.

2549
02:18:40,000 --> 02:18:40,640
Speaker 2: On a certain b.

2550
02:18:41,320 --> 02:18:44,600
Speaker 3: So, but that's the original though, so and then hip

2551
02:18:44,640 --> 02:18:47,879
Speaker 3: hop comes off though it depends on.

2552
02:18:48,000 --> 02:18:50,200
Speaker 5: Okay, So now we gotta get real historic if we're

2553
02:18:50,200 --> 02:18:51,120
Speaker 5: go no, no, we gotta go.

2554
02:18:51,360 --> 02:18:53,360
Speaker 2: We gotta go by year now, we gotta go.

2555
02:18:53,400 --> 02:18:57,600
Speaker 5: By years because reggae will turn into dance. We gotta

2556
02:18:57,640 --> 02:19:01,000
Speaker 5: go yearly, the seventy ease and then and we gotta

2557
02:19:01,080 --> 02:19:04,160
Speaker 5: go with Bob Marley changes to dance hall like.

2558
02:19:04,240 --> 02:19:06,720
Speaker 3: Reggae reggae, Yeah, we got to That's okay.

2559
02:19:06,720 --> 02:19:09,480
Speaker 2: I don't want to go into that. Let me let me,

2560
02:19:10,240 --> 02:19:12,160
Speaker 2: but I just think it's all related to be honest

2561
02:19:12,160 --> 02:19:12,880
Speaker 2: with you know.

2562
02:19:14,080 --> 02:19:16,600
Speaker 1: Yeah, but that's what I'm saying. So that's not saying

2563
02:19:16,640 --> 02:19:19,520
Speaker 1: where do I belong though, it's just music, Like if

2564
02:19:19,560 --> 02:19:21,440
Speaker 1: you think it's one fan it came to like a

2565
02:19:21,560 --> 02:19:25,760
Speaker 1: gig show. It's like dance or hip hop, like real

2566
02:19:25,959 --> 02:19:30,879
Speaker 1: hip hop, fucking some grime, you know what I'm saying.

2567
02:19:30,959 --> 02:19:34,680
Speaker 1: My things like one minute your busting shots, next minute

2568
02:19:34,720 --> 02:19:37,560
Speaker 1: your doing the grime thing. Then then you're dancing with

2569
02:19:37,640 --> 02:19:40,520
Speaker 1: the gym made tunes for the girl. Like it's all

2570
02:19:40,680 --> 02:19:44,240
Speaker 1: different flavors that, you know what I'm saying, Like hip hop.

2571
02:19:44,440 --> 02:19:47,959
Speaker 2: I think that's kind of why I agree you.

2572
02:19:51,160 --> 02:20:01,360
Speaker 3: Supposed because because you might have mix heavy d outside.

2573
02:20:01,360 --> 02:20:02,680
Speaker 3: I got all right, I got I.

2574
02:20:02,720 --> 02:20:05,160
Speaker 1: Got lost up bag By, but it was like hip hop,

2575
02:20:05,200 --> 02:20:07,520
Speaker 1: but it was like don't so like I know what

2576
02:20:07,600 --> 02:20:09,879
Speaker 1: you're saying, Like like last.

2577
02:20:09,720 --> 02:20:11,920
Speaker 5: Thing of karras One, he does a lot of Ye

2578
02:20:12,640 --> 02:20:14,879
Speaker 5: Pats One and his hip hop record.

2579
02:20:14,760 --> 02:20:16,080
Speaker 2: Charris One would shoot.

2580
02:20:15,800 --> 02:20:16,000
Speaker 1: You, And.

2581
02:20:18,200 --> 02:20:21,160
Speaker 3: That's still don't carros One because I did.

2582
02:20:22,760 --> 02:20:23,920
Speaker 2: Any of us, so.

2583
02:20:26,840 --> 02:20:30,680
Speaker 5: All that influence, but it's totally hip hop is hip hop.

2584
02:20:30,840 --> 02:20:31,879
Speaker 5: I believe everything that.

2585
02:20:33,360 --> 02:20:35,920
Speaker 1: You see don't in them days in that that's like

2586
02:20:36,040 --> 02:20:37,840
Speaker 1: a ees On sign. We used to we used to

2587
02:20:37,920 --> 02:20:42,160
Speaker 1: cool that racket hip hop. So remember remember we had raga.

2588
02:20:42,600 --> 02:20:43,480
Speaker 1: Remember the Bush.

2589
02:20:43,320 --> 02:20:46,280
Speaker 5: Babies remember yeah, yeah, like they were and there was

2590
02:20:46,360 --> 02:20:49,640
Speaker 5: there was there was teetering between reggae and hip hop,

2591
02:20:49,720 --> 02:20:50,400
Speaker 5: but it was hip hop.

2592
02:20:50,760 --> 02:20:53,200
Speaker 1: Yeah yeah, but that's not saying then we would say

2593
02:20:53,280 --> 02:20:55,320
Speaker 1: racket hip hop them days.

2594
02:20:55,760 --> 02:20:56,320
Speaker 3: You know what I'm saying.

2595
02:20:56,600 --> 02:20:59,600
Speaker 1: Babies born Americans, born Americans as well.

2596
02:20:59,720 --> 02:21:04,240
Speaker 2: Yeah, I mean to me, look, it's all it's one

2597
02:21:04,280 --> 02:21:05,600
Speaker 2: big family musing.

2598
02:21:05,760 --> 02:21:07,400
Speaker 3: I know that is off the chain.

2599
02:21:07,800 --> 02:21:08,000
Speaker 1: Yeah.

2600
02:21:08,280 --> 02:21:10,040
Speaker 3: I met one of their fishtakers. I am parted. That

2601
02:21:10,200 --> 02:21:14,720
Speaker 3: was mad. Yeah yeah, yo, ll list ye they were cold.

2602
02:21:15,360 --> 02:21:21,240
Speaker 3: The album from twenty Pounds Illness twenty pounds that I

2603
02:21:21,320 --> 02:21:24,640
Speaker 3: remember that. What is that in the USD probably twenty five.

2604
02:21:25,040 --> 02:21:26,480
Speaker 3: That's when that's a lot.

2605
02:21:26,560 --> 02:21:28,320
Speaker 4: For the first time I went to London, I gave

2606
02:21:28,360 --> 02:21:30,640
Speaker 4: a man one thousand dollars to convert the thing.

2607
02:21:31,280 --> 02:21:32,959
Speaker 1: He gave me a seventy eight.

2608
02:21:33,240 --> 02:21:38,160
Speaker 3: Yeah, no, has to be hot. Gave you have had

2609
02:21:38,360 --> 02:21:42,840
Speaker 3: that break kind of let me not get not get fired.

2610
02:21:45,280 --> 02:21:48,320
Speaker 3: Yeah I don't.

2611
02:21:50,480 --> 02:21:51,240
Speaker 1: I'm not gonna lie.

2612
02:21:51,760 --> 02:21:54,119
Speaker 4: The first time in my life when they said brexit,

2613
02:21:54,200 --> 02:21:55,119
Speaker 4: I said, what is brexit?

2614
02:21:55,400 --> 02:21:56,400
Speaker 2: He said it was breakfast.

2615
02:21:56,920 --> 02:22:00,240
Speaker 4: Somebody's a part of them, one of the to not

2616
02:22:00,360 --> 02:22:02,240
Speaker 4: be a part of them no more, but still be

2617
02:22:02,360 --> 02:22:02,920
Speaker 4: a part of them.

2618
02:22:02,959 --> 02:22:05,480
Speaker 1: I was like, that's hard, Like that's all like like

2619
02:22:05,760 --> 02:22:08,720
Speaker 1: they left, but they got one leg in.

2620
02:22:09,080 --> 02:22:11,119
Speaker 2: They still got one leg in. That's kind of hard.

2621
02:22:11,160 --> 02:22:13,200
Speaker 4: That's like the Bronx saying I don't want to be

2622
02:22:13,240 --> 02:22:15,840
Speaker 4: a part of New York City, but I still.

2623
02:22:15,640 --> 02:22:16,119
Speaker 2: Want to stay.

2624
02:22:17,879 --> 02:22:21,680
Speaker 1: That's hard, Like that's hard. Just think about the logic Bronx.

2625
02:22:21,760 --> 02:22:23,959
Speaker 3: That's like, it's like.

2626
02:22:25,600 --> 02:22:26,040
Speaker 1: Texas.

2627
02:22:26,280 --> 02:22:28,119
Speaker 3: It's like what can I say.

2628
02:22:28,160 --> 02:22:33,440
Speaker 1: It's like it's like poor Rico and America saying, yeah,

2629
02:22:33,440 --> 02:22:35,080
Speaker 1: I don't want to be part of you know, no more.

2630
02:22:35,200 --> 02:22:37,560
Speaker 1: It's kind of more like that because Porto Rico is

2631
02:22:37,600 --> 02:22:39,880
Speaker 1: just over thing, but it's still kind of under America

2632
02:22:39,959 --> 02:22:40,160
Speaker 1: in it.

2633
02:22:41,440 --> 02:22:43,320
Speaker 2: Who would be Puerto Rico in this announced.

2634
02:22:42,920 --> 02:22:46,480
Speaker 3: Puerto Rico might be in Europe and the UK is

2635
02:22:46,560 --> 02:22:47,560
Speaker 3: America America.

2636
02:22:47,840 --> 02:22:49,879
Speaker 2: That's a big mask. I feel like.

2637
02:22:51,440 --> 02:22:54,840
Speaker 1: That's what bre say is we separated from Europe. But

2638
02:22:55,000 --> 02:23:01,440
Speaker 1: is it You're a bigger Europe. Europe our passport that

2639
02:23:01,600 --> 02:23:08,760
Speaker 1: my passport. So this passport, now, this is the old passport.

2640
02:23:09,400 --> 02:23:11,240
Speaker 1: This is this says, this says.

2641
02:23:11,240 --> 02:23:13,560
Speaker 2: EU and you can travel easily.

2642
02:23:14,000 --> 02:23:16,879
Speaker 3: That's EU and U K. You remember this possible in it? Yeah,

2643
02:23:17,760 --> 02:23:18,840
Speaker 3: yeah he can't.

2644
02:23:18,879 --> 02:23:19,760
Speaker 2: He's American.

2645
02:23:19,920 --> 02:23:23,760
Speaker 1: Okay, So now the possible after Bread said the possible

2646
02:23:23,920 --> 02:23:27,000
Speaker 1: is just UK okay, and it's black. It's not even

2647
02:23:27,040 --> 02:23:29,199
Speaker 1: think So I've got the black passport.

2648
02:23:29,640 --> 02:23:30,880
Speaker 3: Yeah that's some hard shp.

2649
02:23:30,920 --> 02:23:35,840
Speaker 2: I ain't never seen a black pastor. I need that

2650
02:23:35,959 --> 02:23:36,600
Speaker 2: for my leave bit.

2651
02:23:38,720 --> 02:23:41,240
Speaker 1: You need a better Just here, I'm about to joint

2652
02:23:41,280 --> 02:23:47,480
Speaker 1: press it. I'm playing where's let's go. Okay, guys, so whoa, yeah,

2653
02:23:47,720 --> 02:23:50,240
Speaker 1: she got politically incorrec.

2654
02:23:50,280 --> 02:23:51,520
Speaker 3: Shot change the subject.

2655
02:23:52,000 --> 02:23:55,520
Speaker 2: Let's take a shot for change the subjects. Let's take

2656
02:23:55,560 --> 02:23:57,039
Speaker 2: this because this has got too politically.

2657
02:23:59,240 --> 02:24:00,960
Speaker 3: Yeah, I'm thinking about my fucking book.

2658
02:24:02,800 --> 02:24:04,560
Speaker 1: You got a book? Who signed to it? She feels

2659
02:24:04,600 --> 02:24:08,600
Speaker 1: my pains. She from the Netherlands. Okay, neu up my

2660
02:24:08,840 --> 02:24:15,800
Speaker 1: ting and it's a guy music. Mm hmm.

2661
02:24:16,480 --> 02:24:17,760
Speaker 3: That socky thing is nice.

2662
02:24:18,160 --> 02:24:20,400
Speaker 1: It's nice, right and you know what you still alert?

2663
02:24:20,560 --> 02:24:25,320
Speaker 3: You still yeah? Yeah like though yeah, I need I need,

2664
02:24:26,200 --> 02:24:28,080
Speaker 3: I need ye. Yeah, I like that.

2665
02:24:29,080 --> 02:24:31,039
Speaker 2: You actually get a little bit more sober.

2666
02:24:30,800 --> 02:24:31,440
Speaker 1: Than I like.

2667
02:24:32,680 --> 02:24:38,800
Speaker 3: And I like this as well. Is that majuana my things?

2668
02:24:38,840 --> 02:24:42,640
Speaker 2: See that as well, that's my majuana kings my thing.

2669
02:24:43,000 --> 02:24:44,640
Speaker 1: See I'm gonna be honest. I don't recommend that.

2670
02:24:46,200 --> 02:24:49,680
Speaker 3: Listen, man, listen, I heard this is for me.

2671
02:24:52,600 --> 02:24:56,400
Speaker 1: If I linked the thing that my zoobie, my Mamajuana King. Listen,

2672
02:24:56,560 --> 02:25:01,400
Speaker 1: this guy go basking, go for it, not Meva Juana King.

2673
02:25:01,680 --> 02:25:03,880
Speaker 1: I'm saying this is how I heir Manjuana is me.

2674
02:25:04,320 --> 02:25:06,160
Speaker 2: It's not it's not made the way he's saying it.

2675
02:25:06,200 --> 02:25:09,280
Speaker 1: Go ahead and tubb and kindle with people can't even

2676
02:25:09,320 --> 02:25:09,880
Speaker 1: live in kendle.

2677
02:25:10,400 --> 02:25:11,680
Speaker 3: Let's not say this on the show.

2678
02:25:13,480 --> 02:25:15,920
Speaker 2: Is all the time, all the time.

2679
02:25:16,040 --> 02:25:18,600
Speaker 3: I said you for the in the office for I know,

2680
02:25:18,680 --> 02:25:19,199
Speaker 3: a couple.

2681
02:25:19,080 --> 02:25:20,360
Speaker 1: Of dudes with dirty feet.

2682
02:25:22,879 --> 02:25:26,160
Speaker 2: I mean, honestly, that's how he's making that.

2683
02:25:27,879 --> 02:25:30,360
Speaker 3: If you think about it, that's how wine is made.

2684
02:25:30,480 --> 02:25:31,520
Speaker 1: I'll give you one story.

2685
02:25:31,800 --> 02:25:34,000
Speaker 2: This kind of have to step on listen. I give

2686
02:25:34,000 --> 02:25:36,080
Speaker 2: you one story. I'll give you one story.

2687
02:25:36,200 --> 02:25:36,800
Speaker 3: Me and a bone.

2688
02:25:37,680 --> 02:25:44,720
Speaker 4: You stepped on grapes holding hand. So I'm gonna I'm

2689
02:25:44,720 --> 02:25:48,000
Speaker 4: gonna look. So we're at Palermo. You know what Palmo

2690
02:25:48,120 --> 02:25:53,560
Speaker 4: in Italy, right it Sicily. This is where the mafia

2691
02:25:53,879 --> 02:25:54,400
Speaker 4: is invented.

2692
02:25:56,760 --> 02:25:57,800
Speaker 3: We know, but we don't know.

2693
02:25:57,920 --> 02:26:00,800
Speaker 4: But as soon as you land, you know, like you know,

2694
02:26:01,000 --> 02:26:04,440
Speaker 4: like this is this is, this is where they at.

2695
02:26:05,640 --> 02:26:07,400
Speaker 4: So we check into the hotel. Soon as we check

2696
02:26:07,440 --> 02:26:11,040
Speaker 4: into the hotel, they take our passports and I mean

2697
02:26:11,040 --> 02:26:13,560
Speaker 4: they literally take our passports as we check in, like

2698
02:26:13,640 --> 02:26:17,200
Speaker 4: they take them. So we're like all sitting around and

2699
02:26:17,520 --> 02:26:19,640
Speaker 4: you know, we ordered these bottles of wine. We're like,

2700
02:26:19,680 --> 02:26:21,440
Speaker 4: they're like, you know, just will be a couple of minutes.

2701
02:26:21,440 --> 02:26:23,119
Speaker 4: So we ordered these bottles of wine. I'm talking about

2702
02:26:23,120 --> 02:26:26,040
Speaker 4: it must have been like six hours. We drink everything,

2703
02:26:27,160 --> 02:26:30,760
Speaker 4: every bottom of wine that they had, We drink them

2704
02:26:31,800 --> 02:26:33,879
Speaker 4: like it must have so hours later, like they take

2705
02:26:33,920 --> 02:26:36,039
Speaker 4: so much along with our passports, but we're so drunk

2706
02:26:37,280 --> 02:26:37,800
Speaker 4: we don't care.

2707
02:26:38,400 --> 02:26:41,880
Speaker 1: They give us back up passports, we take them.

2708
02:26:44,720 --> 02:26:47,240
Speaker 4: We asked for the bill because they say we had

2709
02:26:47,320 --> 02:26:48,480
Speaker 4: the end and then they tell us we had to

2710
02:26:48,560 --> 02:26:49,640
Speaker 4: clear y'all through the FBI.

2711
02:26:49,760 --> 02:26:52,880
Speaker 1: We're like, holy shit, it was this was some abnormal ship.

2712
02:26:52,920 --> 02:26:54,560
Speaker 1: But we already fucked up. Were just like, let's just

2713
02:26:54,840 --> 02:26:56,280
Speaker 1: roll over there, right, So.

2714
02:26:57,320 --> 02:26:59,880
Speaker 2: So we we go upstairs, we do the show.

2715
02:27:00,680 --> 02:27:03,920
Speaker 4: The next day, we realized, like, yo, how much was

2716
02:27:04,000 --> 02:27:08,040
Speaker 4: that bill in American money? Like we must have drank

2717
02:27:08,320 --> 02:27:13,879
Speaker 4: forty bottles right well, our bill was like one hundred

2718
02:27:13,920 --> 02:27:18,039
Speaker 4: and forty dollars. So we're like something about this might

2719
02:27:18,160 --> 02:27:18,840
Speaker 4: not be right.

2720
02:27:19,600 --> 02:27:20,560
Speaker 1: This is cheaper out there.

2721
02:27:20,640 --> 02:27:21,959
Speaker 2: I wake up in the morning.

2722
02:27:21,800 --> 02:27:24,960
Speaker 1: It's this guy's one guy just making the wine byself.

2723
02:27:26,360 --> 02:27:27,200
Speaker 2: Come on, guy, you.

2724
02:27:28,760 --> 02:27:29,360
Speaker 3: Can't make.

2725
02:27:31,160 --> 02:27:31,600
Speaker 5: You can't.

2726
02:27:33,480 --> 02:27:35,520
Speaker 3: I'm just saying, this is how they did it. It's

2727
02:27:35,560 --> 02:27:38,520
Speaker 3: the reason why they wine was so cheap. I had

2728
02:27:38,680 --> 02:27:39,240
Speaker 3: one guy.

2729
02:27:40,760 --> 02:27:46,760
Speaker 2: You know, I'm not Lucy Man come each other story.

2730
02:27:49,200 --> 02:27:54,959
Speaker 3: Right now. Absolutely that because it's you such a guy

2731
02:27:55,400 --> 02:27:59,240
Speaker 3: literally for your own eyes, stepping in the Absolutely absolutely

2732
02:27:59,320 --> 02:28:02,039
Speaker 3: one million, but almost that juice takes a long.

2733
02:28:01,920 --> 02:28:02,720
Speaker 2: Time to become one.

2734
02:28:02,959 --> 02:28:05,760
Speaker 1: I'm not saying that the ship that he was just

2735
02:28:05,840 --> 02:28:09,560
Speaker 1: stepping on at that moment became what we but eventually

2736
02:28:09,720 --> 02:28:10,000
Speaker 1: this is.

2737
02:28:12,720 --> 02:28:15,600
Speaker 2: Yes from the field.

2738
02:28:15,680 --> 02:28:16,200
Speaker 1: Let me just tell you.

2739
02:28:16,560 --> 02:28:18,520
Speaker 3: Let me just tell you the reason why I noticed him.

2740
02:28:22,040 --> 02:28:23,039
Speaker 2: He didn't look clean.

2741
02:28:25,480 --> 02:28:28,040
Speaker 1: He looked like a guy that pumps gas. Because what

2742
02:28:28,200 --> 02:28:31,440
Speaker 1: you got to realize, and Palermo is a very poor place,

2743
02:28:32,000 --> 02:28:36,000
Speaker 1: Palama so outside of this these little like resorts or whatever.

2744
02:28:36,160 --> 02:28:36,680
Speaker 3: Like you see.

2745
02:28:37,120 --> 02:28:39,320
Speaker 4: This is when I went there recently and I seen

2746
02:28:40,040 --> 02:28:41,320
Speaker 4: Africans pumping out.

2747
02:28:42,040 --> 02:28:45,320
Speaker 3: But back then you had you seen just poor you.

2748
02:28:45,400 --> 02:28:48,800
Speaker 4: Know, Italian just pump your gas and you sitting there

2749
02:28:48,800 --> 02:28:50,440
Speaker 4: and you're like you want to watch him, you don't

2750
02:28:50,440 --> 02:28:52,080
Speaker 4: even want to go in there and gets no cheeses,

2751
02:28:52,280 --> 02:28:53,880
Speaker 4: you know what I'm saying, Like you like looking at

2752
02:28:53,920 --> 02:28:56,240
Speaker 4: this guy, like this guy pumping gas like it was.

2753
02:28:56,360 --> 02:28:56,960
Speaker 3: It was rough.

2754
02:28:57,000 --> 02:28:57,520
Speaker 2: But I didn't know.

2755
02:28:57,600 --> 02:29:00,960
Speaker 1: I thought all Italy was beautiful. I didn't no, Pallemo,

2756
02:29:01,520 --> 02:29:03,760
Speaker 1: this is where the mafia is fucking born at.

2757
02:29:04,120 --> 02:29:05,119
Speaker 2: I didn't know that ship.

2758
02:29:05,280 --> 02:29:10,080
Speaker 4: So yeah, we got drunk as hell, woke up in

2759
02:29:10,120 --> 02:29:14,199
Speaker 4: the morning and I see one man stopping on grapes.

2760
02:29:14,000 --> 02:29:17,000
Speaker 2: And well, you know when the firm man SA kills

2761
02:29:17,040 --> 02:29:17,920
Speaker 2: all the germs.

2762
02:29:19,560 --> 02:29:21,760
Speaker 4: You think you think I thought like that At that

2763
02:29:22,000 --> 02:29:25,320
Speaker 4: very moment, I'm thinking like, oh, this guy, I know

2764
02:29:25,400 --> 02:29:26,400
Speaker 4: he ain't washed his feet.

2765
02:29:27,760 --> 02:29:28,200
Speaker 3: He made it.

2766
02:29:29,640 --> 02:29:31,920
Speaker 4: I'm sorry. I'm sorry, gigs. And every time I see

2767
02:29:31,959 --> 02:29:33,400
Speaker 4: my majana, that's what I figure.

2768
02:29:38,080 --> 02:29:39,320
Speaker 3: Doesn't even know this guy.

2769
02:29:39,800 --> 02:29:41,800
Speaker 1: No, I don't know, but I just I just know

2770
02:29:41,920 --> 02:29:43,920
Speaker 1: my ma wana is not made correctly.

2771
02:29:44,240 --> 02:29:44,520
Speaker 5: It is.

2772
02:29:44,959 --> 02:29:49,000
Speaker 2: Listen, bro, my god, this guy goes in on this mamajuana.

2773
02:29:49,040 --> 02:29:50,000
Speaker 2: I just know it's not making.

2774
02:29:50,360 --> 02:29:50,480
Speaker 1: Bro.

2775
02:29:50,600 --> 02:29:52,520
Speaker 2: He goes in on this moment. He doesn't know any people.

2776
02:29:52,640 --> 02:29:54,879
Speaker 3: Mamajuana. I never goes in on him.

2777
02:29:55,080 --> 02:29:57,200
Speaker 2: I just never said I did, but I just feel like.

2778
02:29:58,480 --> 02:30:00,080
Speaker 3: That's what you think. Come when you see it, and

2779
02:30:00,360 --> 02:30:06,040
Speaker 3: I said, guy had The guy puts herbs, but he

2780
02:30:06,240 --> 02:30:17,599
Speaker 3: drinking the real feet juice. You don't even so he's traumatized.

2781
02:30:18,520 --> 02:30:24,160
Speaker 3: Even me, I'm drinking the mama wana. That's the case.

2782
02:30:24,520 --> 02:30:27,400
Speaker 2: The guy in the mamahuanna guy calls me up. He's like, yo, nor,

2783
02:30:27,480 --> 02:30:29,800
Speaker 2: he's this in the funk out of me, I said,

2784
02:30:29,840 --> 02:30:32,840
Speaker 2: my man do A video now promoting it the way.

2785
02:30:32,920 --> 02:30:36,680
Speaker 5: He said, you gotta got girls, sexy girls in the

2786
02:30:36,760 --> 02:30:38,400
Speaker 5: bathtom making.

2787
02:30:38,160 --> 02:30:40,360
Speaker 2: The mamajuana to help the fly.

2788
02:30:42,120 --> 02:30:47,800
Speaker 1: And he was angry.

2789
02:30:47,920 --> 02:30:48,920
Speaker 2: I said, don't be angry.

2790
02:30:49,480 --> 02:30:52,080
Speaker 3: He's clean by these.

2791
02:30:53,680 --> 02:30:55,560
Speaker 1: Rains. He saw.

2792
02:30:56,120 --> 02:30:58,760
Speaker 2: The guy saw everything. He said, He's like, I don't

2793
02:30:58,879 --> 02:30:59,520
Speaker 2: make it like that.

2794
02:31:05,120 --> 02:31:07,240
Speaker 4: So I got playing around what I'm saying.

2795
02:31:07,280 --> 02:31:08,720
Speaker 2: But in my mind, that's the way it's made. Like

2796
02:31:08,800 --> 02:31:12,560
Speaker 2: that's in my mind. Like I mean, moonshine is made

2797
02:31:12,560 --> 02:31:17,000
Speaker 2: in the bathtub. Real, this is dominicky moon shine.

2798
02:31:18,400 --> 02:31:21,720
Speaker 5: Yeah, it's rude, it's roots and then you add alcohol

2799
02:31:21,879 --> 02:31:22,520
Speaker 5: after the fact.

2800
02:31:24,400 --> 02:31:28,760
Speaker 4: We got two more shots left. I just want to

2801
02:31:28,760 --> 02:31:31,560
Speaker 4: salute you. Give your flowers face to face man, the man.

2802
02:31:32,360 --> 02:31:34,680
Speaker 4: The things that you did is remarkable. Things that you're

2803
02:31:34,720 --> 02:31:37,120
Speaker 4: doing is remarkable. Things that you continue to be a

2804
02:31:37,200 --> 02:31:37,520
Speaker 4: part of.

2805
02:31:40,000 --> 02:31:40,680
Speaker 3: One that does it.

2806
02:31:43,040 --> 02:31:44,080
Speaker 1: I believe you got one more.

2807
02:31:44,160 --> 02:31:44,960
Speaker 2: So don't let it do it.

2808
02:31:45,000 --> 02:31:45,640
Speaker 1: They don't let it win.

2809
02:31:46,120 --> 02:31:46,480
Speaker 3: So but.

2810
02:31:48,480 --> 02:31:50,240
Speaker 2: Don't let them. Don't let them win.

2811
02:31:50,520 --> 02:31:54,520
Speaker 1: Whoever them isn't the people that Colin talk about got

2812
02:31:54,600 --> 02:31:55,160
Speaker 1: lost hope?

2813
02:31:55,200 --> 02:31:57,480
Speaker 3: You know real opinion. Long ago.

2814
02:31:59,200 --> 02:32:02,040
Speaker 1: I said, dreams were proud of you. Man.

2815
02:32:02,360 --> 02:32:03,880
Speaker 4: We want to salute you. We want to let you

2816
02:32:04,040 --> 02:32:07,640
Speaker 4: know the things you do did and doing is remarkable

2817
02:32:07,720 --> 02:32:10,240
Speaker 4: man like for a person for your story like you know,

2818
02:32:10,920 --> 02:32:14,520
Speaker 4: you know, like you know, being locked up abroad and

2819
02:32:14,640 --> 02:32:19,920
Speaker 4: being able to be a uh the man them there

2820
02:32:20,440 --> 02:32:23,119
Speaker 4: and then come home and dominate America due to us

2821
02:32:23,440 --> 02:32:28,560
Speaker 4: have records with every reputable artist, like that's a true

2822
02:32:28,640 --> 02:32:32,120
Speaker 4: international star. And I just personally want to salute you personally.

2823
02:32:32,520 --> 02:32:35,440
Speaker 4: You know obviously what I'm saying, person I'm saying the

2824
02:32:35,480 --> 02:32:38,080
Speaker 4: whole camp to Drink Champs. But you know what you doing,

2825
02:32:38,200 --> 02:32:39,640
Speaker 4: what you did is not normal man.

2826
02:32:40,040 --> 02:32:41,160
Speaker 1: And you know what I mean.

2827
02:32:41,720 --> 02:32:43,879
Speaker 4: That's what it is about our show is we want

2828
02:32:43,920 --> 02:32:47,600
Speaker 4: to let you know the dope ship that you do

2829
02:32:47,760 --> 02:32:51,640
Speaker 4: it and you're doing and that ship is that ship

2830
02:32:51,760 --> 02:32:53,280
Speaker 4: is unheard of.

2831
02:32:53,760 --> 02:32:55,440
Speaker 1: You're gonna go down in the history books.

2832
02:32:56,400 --> 02:33:00,480
Speaker 4: So until those history books is wrote, we gonna drink

2833
02:33:00,520 --> 02:33:03,160
Speaker 4: for you here and we're gonna salute your head.

2834
02:33:04,720 --> 02:33:06,760
Speaker 3: You deserve these props. Salu.

2835
02:33:07,160 --> 02:33:09,240
Speaker 9: That better not be empty. That looks a little empty,

2836
02:33:09,280 --> 02:33:24,480
Speaker 9: I can tell. Let's take us a picture. Drink Champs

2837
02:33:24,600 --> 02:33:28,480
Speaker 9: is a Drink Champs LLC. Production hosts and executive producers

2838
02:33:28,840 --> 02:33:32,240
Speaker 9: n O. R E and dj E f FN listen

2839
02:33:32,280 --> 02:33:32,800
Speaker 9: to Drink.

2840
02:33:32,680 --> 02:33:36,960
Speaker 5: Champs on Apple podcast, Amazon Music, Spotify, or wherever you

2841
02:33:37,120 --> 02:33:40,879
Speaker 5: get your podcasts. Thanks for joining us for another episode

2842
02:33:40,920 --> 02:33:43,560
Speaker 5: of Drink Champs, hosted by Yours Truly, dj e f

2843
02:33:43,720 --> 02:33:45,840
Speaker 5: N and n O r E. Please make sure to

2844
02:33:45,879 --> 02:33:48,360
Speaker 5: follow us on all our socials that's at drink Champs

2845
02:33:48,400 --> 02:33:52,480
Speaker 5: across all platforms, at the Real Noriagon, I g at

2846
02:33:52,560 --> 02:33:55,640
Speaker 5: Noriega on Twitter, mine is at Who's Crazy on I

2847
02:33:55,840 --> 02:33:59,480
Speaker 5: g at dj e f N on Twitter, and most importantly,

2848
02:33:59,520 --> 02:34:02,320
Speaker 5: stay up to date with the latest releases, news and

2849
02:34:02,520 --> 02:34:04,840
Speaker 5: merch by going to drink champs dot com.

2850
02:34:05,440 --> 02:34:08,160
Speaker 3: Mm hmm