WEBVTT - Dave Goetsch Discusses Media and Money

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<v Speaker 1>This is Masters in Business with Barry Ridholts on Boomberg Radio.

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<v Speaker 1>This week on the podcast, I have an extra special guest.

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<v Speaker 1>His name is Dave Gesh and he is or was

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<v Speaker 1>the executive producer of The Big Bang Theory as well

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<v Speaker 1>as a comedy writer for that show and Third Rock

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<v Speaker 1>from the Sun a number of other shows. If you

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<v Speaker 1>are at all interested in anything having to do with

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<v Speaker 1>television entertainment, screenwriting, scriptwriting, comedy, you will find this to

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<v Speaker 1>be an absolutely fascinating conversation. So, with no further ado,

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<v Speaker 1>here is my interview with Dave Gesh. My extra special

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<v Speaker 1>guest this week is David Getch. He is the executive

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<v Speaker 1>producer and writer of television's highest ranks sitcom, The Big

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<v Speaker 1>Bang Theory. He has been with the show pretty much

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<v Speaker 1>from the very beginning right through the season finale which

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<v Speaker 1>is taking place in May. He was also a writer

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<v Speaker 1>at Third Rock from the Sun. Dave Getch, Welcome to Bloomberg.

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<v Speaker 1>Thank you, very welcome, So great to be here. So

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<v Speaker 1>you have a really fascinating history. How did you start

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<v Speaker 1>out writing for Third Rock from the Sun. How did

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<v Speaker 1>that come about? And for some of you who may

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<v Speaker 1>be a little younger, Uh, that was a show with

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<v Speaker 1>John lift Gowen and um Joseph Gordon Levitt was a

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<v Speaker 1>pretty popular sitcom and it stay how did you find

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<v Speaker 1>your way there? Well, I first had to learn that

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<v Speaker 1>you could be a sitcom writer, that that was a job.

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<v Speaker 1>You didn't know that. Up in Connecticut, I loved watching television,

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<v Speaker 1>but I never thought about who wrote that stuff, who

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<v Speaker 1>was filming that stuff, what was that business like? And

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<v Speaker 1>so when I was a senior in high school, there's

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<v Speaker 1>a guy who just had graduated from college and he

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<v Speaker 1>came back and he taught for a year my school,

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<v Speaker 1>and we ended up doing We had a little radio station,

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<v Speaker 1>nothing like this recording studio, and we did a little

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<v Speaker 1>show there with another teacher and it was these guys

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<v Speaker 1>are hilarious, and it was sitting around like this and

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<v Speaker 1>just making each other laugh. And he then left that

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<v Speaker 1>year to go to film school, and within a year

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<v Speaker 1>and a half he was a writer on Cheers. So

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<v Speaker 1>I stayed in touch with him. His name is Rob Long,

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<v Speaker 1>and a couple of years later he was executive producer

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<v Speaker 1>of Cheers. So as I thought about going to college

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<v Speaker 1>and being a lawyer or doing whatever, in the back

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<v Speaker 1>of my mind, I always remembered what he described being

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<v Speaker 1>a sitcom writer was like, which is sitting around in

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<v Speaker 1>a room with ten people who are funnier than any

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<v Speaker 1>of your friends and trying to make them laugh and

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<v Speaker 1>write a little play and put it on TV and

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<v Speaker 1>your grandparents can watch it and that ideally along with

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<v Speaker 1>a few million other people. And so um. There were

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<v Speaker 1>a bunch of other things that I thought about doing,

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<v Speaker 1>but ultimately, after an inner you at Goldman Sacks for

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<v Speaker 1>the fix with the fixed Income division, um where I said,

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<v Speaker 1>you know what, I'm gonna go be a sitcom water

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<v Speaker 1>So I moved to Los Angeles. By the way, you

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<v Speaker 1>should know the fixed income desk at Goldman Sacks. Those

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<v Speaker 1>guys are hilarious. That meeting was unbelievable because I put

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<v Speaker 1>on my uncle's I didn't have a suit. I put

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<v Speaker 1>on my uncle's tweets suit in the middle of August,

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<v Speaker 1>and I went down there to Wall Street and I

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<v Speaker 1>sat and talked to this VP and I literally didn't

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<v Speaker 1>know what fixed income was. You know, you just like

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<v Speaker 1>you go to Yale, you get interview, you know you

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<v Speaker 1>gotta fix it, you gotta fix it perfect. And I

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<v Speaker 1>remember her saying, um uh, you know, when was the

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<v Speaker 1>last time you read the Wall Street Journal? And I said, well, honestly,

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<v Speaker 1>this has been a pretty crazy time for me, like

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<v Speaker 1>twenty two. I don't have a job, there's nothing going on.

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<v Speaker 1>She's like, I can't believe you're going to Goldman Sax

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<v Speaker 1>and having a meeting and you haven't read the Wall

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<v Speaker 1>Street Journals. Like well, like, like I said, things with me,

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<v Speaker 1>my girlfriend are crazy. So so that didn't work so

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<v Speaker 1>that they offered me a job. In fact they did. Yeah,

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<v Speaker 1>and then but I also really liked you because they

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<v Speaker 1>don't sound like it was a bad start in strategy. Yes,

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<v Speaker 1>and I apologize, are crazy? Do you have any other questions?

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<v Speaker 1>Any other things? Um? And so? Um? So you So,

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<v Speaker 1>the way you get into the old way of getting

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<v Speaker 1>into Hollywood and being a TV writer as you write,

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<v Speaker 1>you wrote sample scripts and then you try to get

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<v Speaker 1>an agent and that agent gets you a job on

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<v Speaker 1>during staffing season. Now that spec process has changed, it

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<v Speaker 1>has changed a lot. The first thing that's changed is

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<v Speaker 1>that people don't write old shows like you would write

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<v Speaker 1>a friend. You know, if you wanted to get on

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<v Speaker 1>a show when Friends is on, you'd write a sample

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<v Speaker 1>of Friends and then that would show even if you

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<v Speaker 1>weren't applying to friends. Ideally, the people of friends would

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<v Speaker 1>never read it. It would just be Okay, I know

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<v Speaker 1>this guy can write in the voice of other characters,

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<v Speaker 1>and you can be a team player on staff. And

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<v Speaker 1>now what everybody wants is an original um and so

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<v Speaker 1>uh there. So that process has changed, and in fact,

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<v Speaker 1>now I teach this webisode's class at USC and I

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<v Speaker 1>recommend that people just shoot stuff and make it and

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<v Speaker 1>have a trailer, make a video, make make a It's

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<v Speaker 1>hard to get anybody to read anything. But if I

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<v Speaker 1>said to you, will you read my screenplay or will

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<v Speaker 1>you watch my two minute video? You might watch my

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<v Speaker 1>two video. But from that two minute video you'd get

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<v Speaker 1>a sense of hey, this guy he knows that right,

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<v Speaker 1>knows that to direct, even if he's in it. He's

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<v Speaker 1>pretty funny. I'll take a meeting, then I'll read the script.

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<v Speaker 1>So there's the technologies allowed people to break in a

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<v Speaker 1>new way, but for me, it was the old fashioned way.

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<v Speaker 1>It was get a get An agent had a writing

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<v Speaker 1>partner at the time, and he and I um went

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<v Speaker 1>and met Bonnie and Terry Turner, who are the creators

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<v Speaker 1>of the show they're married, they're wonderful and uh, we

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<v Speaker 1>had one of those just great meetings where we left

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<v Speaker 1>and left and in the sun and then um, and

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<v Speaker 1>then we got hired at the end of the first

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<v Speaker 1>season and how that ran a good couple of seasons. Yeah,

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<v Speaker 1>so that ran for six years and um, we started

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<v Speaker 1>as staff writers and on the last year we were

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<v Speaker 1>the executive producers and show owners with Christine Sander. So

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<v Speaker 1>let's break these titles down because they are interesting. Executive producers,

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<v Speaker 1>show runner. Everybody kinda knows what a writer is, what's

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<v Speaker 1>the showrunner due, so they're The way to think about

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<v Speaker 1>it is that there are people who make suggestions and

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<v Speaker 1>there are people who decide. So the show runner decides,

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<v Speaker 1>and all the other writers were pitching how about this,

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<v Speaker 1>how about this, how about that? And you might start

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<v Speaker 1>as a staff writer and then become a story editor,

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<v Speaker 1>executive story edor co producers, supervising producer, executive producer. But

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<v Speaker 1>those are just different steps of virtually the same thing,

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<v Speaker 1>which is you're still in the room, you're still pitching,

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<v Speaker 1>and hopefully you're getting paid a little bit more as

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<v Speaker 1>you go up the way, and eventually the showrunners, the

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<v Speaker 1>person who ultimately as responsible for saying they're the managing

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<v Speaker 1>partner of the show exactly. And um, you know, the

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<v Speaker 1>way I think about TV development is really in that

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<v Speaker 1>VC model, which is where you you write a pilot

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<v Speaker 1>and that's a business plan. You say, we think we're

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<v Speaker 1>gonna be able to make two hundred of these widgets,

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<v Speaker 1>these funny shows, but we need some money to we

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<v Speaker 1>need some angel investing to make a pilot. And then

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<v Speaker 1>you make that first pilot, the network says, okay, go

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<v Speaker 1>ahead and do that, and then you maybe get your

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<v Speaker 1>series A. That's your first season, right, and then you

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<v Speaker 1>have to get the second season in thurd season and

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<v Speaker 1>in the old days, by the fourth season you could

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<v Speaker 1>syndicate and that would be your I p O. By

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<v Speaker 1>the old days you can syndicate after four or five

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<v Speaker 1>seasons anyway. Well, so big bank theory certainly is the

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<v Speaker 1>exception to that, and it did very well in syndication. Um,

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<v Speaker 1>in if you're selling to the new streamers like Hulu

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<v Speaker 1>and Netflix, they don't have syndication. They own their own

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<v Speaker 1>your content forever, so they have some different models where

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<v Speaker 1>they'll say, we'll give you a bonus in the fourth season,

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<v Speaker 1>and what you're seeing a lot is that shows get

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<v Speaker 1>canceled in the third season makes a lot of sense.

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<v Speaker 1>So could a show like Third Rock from the Sun

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<v Speaker 1>or even Big Bang get off the ground today with

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<v Speaker 1>the political correctness with the environment today make that more challenging.

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<v Speaker 1>It's such an interesting question, and I ultimately have to

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<v Speaker 1>say probably, there's so many places where you could put

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<v Speaker 1>it out there, and there's just so much chance. There's

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<v Speaker 1>so much The role of a hit show is there's

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<v Speaker 1>so much luck involved. And you think about the stories

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<v Speaker 1>of how Seinfeld was just six episodes and then was

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<v Speaker 1>almost canceled, Cheers was oppd Cheers was almost canceled at

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<v Speaker 1>the end of the first season, and then it won

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<v Speaker 1>an Emmy. We got lucky in the first season where

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<v Speaker 1>there was a writer strike, so we did I don't know,

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<v Speaker 1>seven or eight episodes and then we went down and

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<v Speaker 1>that meant that they repeated all of those eight episodes.

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<v Speaker 1>And then when the strike ended. Because we're multi camp sitcom,

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<v Speaker 1>we could get up faster and shoot more and so

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<v Speaker 1>people were looking for new stuff and and we had it.

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<v Speaker 1>And so to what degree we think that helped. But

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<v Speaker 1>you know, there's so many variables in all this, it's

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<v Speaker 1>hard to know. So Um, later this month, I'm gonna

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<v Speaker 1>go see John Lithgow on Broadway. He's got a new

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<v Speaker 1>play out. You got to work with him, and there

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<v Speaker 1>was what what was the experience like on Third Rock

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<v Speaker 1>from the Sun some really huge subsequent names out of that. Yeah,

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<v Speaker 1>it was a it was a magical experience from top

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<v Speaker 1>to bottom. I got to just see the play this

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<v Speaker 1>past weekend, which is wonderful to Clinton play, and it was.

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<v Speaker 1>It was so cool because there's an episode of Third

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<v Speaker 1>Rock from the Sun that my partner and I wrote

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<v Speaker 1>where Laurie Metcalf, who plays Hillary in this play, Um

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<v Speaker 1>falls in love with John Lethgo's character and they speak

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<v Speaker 1>to each other only an I ambig pentameter. So and

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<v Speaker 1>she got nominated for Emmy for that, you know, twenties

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<v Speaker 1>something years ago, and then later she has in her

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<v Speaker 1>many many roles. She's also played Sheldon's mom on Big

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<v Speaker 1>Nank Theory. So seeing them up on stage, I just

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<v Speaker 1>had I had flashbacks to working with them two decades ago.

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<v Speaker 1>Working with John, Yeah, it's he He is so remarkable

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<v Speaker 1>and I could spend the whole time talking about out

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<v Speaker 1>what what a mens she is but probably the best

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<v Speaker 1>example of that is you know your star, you don't

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<v Speaker 1>need to know everybody's name. Right. He not only knew everybody,

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<v Speaker 1>all the writer's names, all the cruise names. There's a

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<v Speaker 1>Christmas gift that I have framed and it's an illustration,

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<v Speaker 1>a cast and crew photo, but he drew it. So

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<v Speaker 1>he drew every person's face. Really, so imagine so you

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<v Speaker 1>not only know your name and who they are, but

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<v Speaker 1>what they look like, how to draw them. And then

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<v Speaker 1>for each person he colored in that person and said

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<v Speaker 1>to Berry, happy holidays. Loved. Really, that's amazing, you know,

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<v Speaker 1>I almost met him. Just a quick digression. I'm at

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<v Speaker 1>an event in Vancouver. This has to be like ten

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<v Speaker 1>years ago, eight years ago, and I love ethnic cuisine

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<v Speaker 1>and there is like a crazy top ranked Indian restaurant

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<v Speaker 1>in Vancouver called I want to say ve something like

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<v Speaker 1>that v I J no reservations, But when you get there,

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<v Speaker 1>they just start feeding appetizes and drinks while you're waiting.

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<v Speaker 1>And we sit down at the two top and right

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<v Speaker 1>next to us is John Lithgow and the food was

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<v Speaker 1>so good. Nobody paid attention to him like he was

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<v Speaker 1>a big star. Then, like in New York or in

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<v Speaker 1>a place like this, there's like the vibe is, hey

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<v Speaker 1>don't right, you don't. It's always bad for him to,

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<v Speaker 1>you know, scream it at celebrities. Um, and that's a

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<v Speaker 1>very New York attitude. But I was surprised to see

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<v Speaker 1>that in Vancouver. I didn't know if it was the

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<v Speaker 1>town or because the food. Yeah, crazy delicious. Let's talk

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<v Speaker 1>a little bit about your really terrible relationship with money

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<v Speaker 1>as you have described it when you were growing up.

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<v Speaker 1>Explain that. So I, Um, my parents were teachers, and

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<v Speaker 1>so we always had enough money, but there wasn't money

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<v Speaker 1>that was being saved. And uh so when I started

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<v Speaker 1>to work in Hollywood, I had some money and I

0:11:52.720 --> 0:11:54.640
<v Speaker 1>didn't know what to do with it. And I think

0:11:55.840 --> 0:11:58.800
<v Speaker 1>from the very early days, I would always read the

0:11:58.840 --> 0:12:01.760
<v Speaker 1>business section to try and get worked up, to look

0:12:02.040 --> 0:12:05.920
<v Speaker 1>think about what's bad stuff could happen, and and there's

0:12:06.000 --> 0:12:08.560
<v Speaker 1>lots of bad stuff, and there's screens and screens of it.

0:12:08.960 --> 0:12:11.720
<v Speaker 1>And so I would I describe myself on the writing

0:12:11.720 --> 0:12:14.360
<v Speaker 1>staff as like the chief Warrior, because I would because

0:12:14.400 --> 0:12:19.720
<v Speaker 1>I knew enough to get scared about the Asian currency

0:12:19.760 --> 0:12:22.480
<v Speaker 1>markets or what's going to happen and I how is

0:12:22.520 --> 0:12:24.720
<v Speaker 1>the Asian currency market? I don't know. The good news

0:12:24.840 --> 0:12:27.760
<v Speaker 1>is it doesn't matter my new philosophy. I'm a long

0:12:27.880 --> 0:12:30.240
<v Speaker 1>term investor, so I don't care right what happened. So

0:12:30.280 --> 0:12:33.360
<v Speaker 1>in other words, what happened last Tuesday is not relevant

0:12:33.400 --> 0:12:37.680
<v Speaker 1>to your retirement. And so for me, it's a it's

0:12:37.679 --> 0:12:40.559
<v Speaker 1>about if I have what's your time? You must talk

0:12:40.559 --> 0:12:42.439
<v Speaker 1>about your clients all the time, What's what's your what

0:12:42.480 --> 0:12:46.080
<v Speaker 1>are your goals? What's your time horizon? If you are

0:12:46.200 --> 0:12:50.320
<v Speaker 1>thinking about twenty years from now, then what happens in

0:12:50.520 --> 0:12:55.480
<v Speaker 1>today's markets. I'm so fond of telling people look at

0:12:55.520 --> 0:12:58.640
<v Speaker 1>a long term chart of the market, the single worst day,

0:12:59.400 --> 0:13:03.360
<v Speaker 1>the nineteen seven crash, one day crash on a bit

0:13:03.440 --> 0:13:05.720
<v Speaker 1>long term chart, it's like a little wiggle. You barely

0:13:05.760 --> 0:13:08.480
<v Speaker 1>even see it, although while you're in it, in it, well,

0:13:08.520 --> 0:13:10.720
<v Speaker 1>the world is coming to an end. But that's just

0:13:10.800 --> 0:13:13.760
<v Speaker 1>a function of perspective exactly. And I think that there's

0:13:13.800 --> 0:13:18.520
<v Speaker 1>this um problem that I had, which is even after

0:13:18.640 --> 0:13:20.960
<v Speaker 1>I knew that, I didn't internalize it. There's kind of

0:13:20.960 --> 0:13:23.760
<v Speaker 1>that aha moment when you start to see how all

0:13:23.760 --> 0:13:27.840
<v Speaker 1>this stuff fits together, and that's when you have the

0:13:27.840 --> 0:13:31.280
<v Speaker 1>ability to start feeling better now, not just that not

0:13:31.400 --> 0:13:34.439
<v Speaker 1>feeling like, Okay, I have enough money or I've I'm

0:13:34.480 --> 0:13:37.760
<v Speaker 1>going to be okay. It's more like I have confidence

0:13:37.800 --> 0:13:43.120
<v Speaker 1>in this approach that I've taken and also being comfortable

0:13:43.120 --> 0:13:45.880
<v Speaker 1>with the uncertainty. So let's talk about that, because there's

0:13:45.880 --> 0:13:49.480
<v Speaker 1>a line that you wrote, quote the markets haven't changed.

0:13:49.520 --> 0:13:53.520
<v Speaker 1>They still go up and down the differences. I don't anymore.

0:13:53.920 --> 0:13:56.880
<v Speaker 1>So how did you get from that process of worrying

0:13:56.920 --> 0:14:01.840
<v Speaker 1>about where the end was to Hey, markets are volatile,

0:14:01.920 --> 0:14:05.120
<v Speaker 1>they'll fluctuate, but I can't be bothered. So I was

0:14:05.200 --> 0:14:08.000
<v Speaker 1>a mess. So I had my I had my retirement

0:14:08.040 --> 0:14:12.000
<v Speaker 1>in cash, and the O eight oh nine happens and

0:14:12.000 --> 0:14:14.560
<v Speaker 1>it starts. Everything starts to tank, and I think to myself,

0:14:14.600 --> 0:14:16.960
<v Speaker 1>I've been waiting since I'm thirteen for this. This is

0:14:17.000 --> 0:14:18.120
<v Speaker 1>the end of the world. I knew it was going

0:14:18.160 --> 0:14:19.920
<v Speaker 1>to happen, but it wasn't the end of the world.

0:14:20.000 --> 0:14:21.720
<v Speaker 1>And it was around that time that I read this

0:14:21.800 --> 0:14:24.120
<v Speaker 1>article about Gordon Murray who was writing a book called

0:14:24.160 --> 0:14:27.320
<v Speaker 1>The Investment Answer in his race against cancer. He was

0:14:27.320 --> 0:14:30.120
<v Speaker 1>trying to finish the book before um I think it

0:14:30.240 --> 0:14:33.360
<v Speaker 1>was brain cancer, and so it was extremely moving article.

0:14:33.480 --> 0:14:35.160
<v Speaker 1>I ordered the book on Amazon before it came out.

0:14:35.200 --> 0:14:38.560
<v Speaker 1>I read it and things clicked for me in a

0:14:38.560 --> 0:14:42.640
<v Speaker 1>different way. This I understanding how the market works being

0:14:42.640 --> 0:14:46.280
<v Speaker 1>a long term investor, and no one ever talked about

0:14:47.000 --> 0:14:52.960
<v Speaker 1>having a fiduciary investment advisor. And once you realize that

0:14:52.960 --> 0:14:55.920
<v Speaker 1>there's somebody who's on your side, who's not trying to

0:14:57.200 --> 0:14:59.680
<v Speaker 1>make extra money in every single trade, and they're beating

0:14:59.680 --> 0:15:03.320
<v Speaker 1>a part for the long term. I sought out an

0:15:03.360 --> 0:15:07.000
<v Speaker 1>advisor and it's funny. I once I met with him,

0:15:07.040 --> 0:15:08.720
<v Speaker 1>I said, Okay, I'll give you a year to see

0:15:08.720 --> 0:15:10.280
<v Speaker 1>how it is. So it proves I didn't really know.

0:15:10.440 --> 0:15:14.600
<v Speaker 1>I wasn't really allowed months. Months is enough? I heard something,

0:15:14.880 --> 0:15:19.480
<v Speaker 1>um amusing you had you had your agent and his

0:15:19.560 --> 0:15:21.960
<v Speaker 1>brother was an advisor, and you said, I've given enough

0:15:22.000 --> 0:15:25.360
<v Speaker 1>that family enough money. Exactly right. So c A is

0:15:25.400 --> 0:15:27.160
<v Speaker 1>one of the leaders of c A is Brian Lord

0:15:27.480 --> 0:15:31.720
<v Speaker 1>and his brother Blaine Lord, his name is also an advisors. Like,

0:15:31.720 --> 0:15:33.800
<v Speaker 1>I'm already given ten cent to the to the Lords,

0:15:34.000 --> 0:15:36.480
<v Speaker 1>I don't need to give a leven that. That's really uh,

0:15:36.560 --> 0:15:42.320
<v Speaker 1>that's really funny. So so you're you're looking at, um,

0:15:42.400 --> 0:15:47.920
<v Speaker 1>what is at least by traditional standards, a fairly substantial salary. However,

0:15:48.160 --> 0:15:51.880
<v Speaker 1>there's always the risk, hey, we could get canceled any time.

0:15:52.360 --> 0:15:54.320
<v Speaker 1>Who knows if this show is going to get picked up.

0:15:54.800 --> 0:15:57.960
<v Speaker 1>How do you deal with that sort of uncertainty? You

0:15:58.080 --> 0:16:01.120
<v Speaker 1>have to be fairly risk embrace sing if that's the

0:16:01.160 --> 0:16:04.280
<v Speaker 1>career choice. So this is what I realized, which is

0:16:04.360 --> 0:16:06.720
<v Speaker 1>when I became a secum writer, because I saw my

0:16:06.840 --> 0:16:09.760
<v Speaker 1>friend get a job on Cheers after a year and

0:16:09.800 --> 0:16:13.960
<v Speaker 1>a half. I totally misspriced risk. I thought going into

0:16:13.960 --> 0:16:16.200
<v Speaker 1>Hollywood was going to be a lot easier and a

0:16:16.200 --> 0:16:20.040
<v Speaker 1>lot more stable than it was, And once I got there,

0:16:20.120 --> 0:16:22.640
<v Speaker 1>I was like, oh my god, this place is a mess.

0:16:22.680 --> 0:16:24.920
<v Speaker 1>I went to meeting accountant once and he said, okay,

0:16:24.920 --> 0:16:27.040
<v Speaker 1>well what's your what what kind of income can you

0:16:27.040 --> 0:16:29.640
<v Speaker 1>expect over the next five years? And I said, well, well,

0:16:29.680 --> 0:16:32.600
<v Speaker 1>I might never work again, so zero, or I might

0:16:32.720 --> 0:16:34.800
<v Speaker 1>syndicate a show, so two million dollars, So can we

0:16:34.800 --> 0:16:39.600
<v Speaker 1>budget for somewhere in between that? And that is paralyzing

0:16:39.840 --> 0:16:42.560
<v Speaker 1>for it was paralyzing for a long time. And the

0:16:42.600 --> 0:16:44.360
<v Speaker 1>difference for me is getting on their side of it

0:16:44.400 --> 0:16:46.680
<v Speaker 1>and saying hold on a second risk, we no risk

0:16:46.720 --> 0:16:49.360
<v Speaker 1>and reward or related. We can to be afraid of

0:16:49.400 --> 0:16:52.480
<v Speaker 1>that or we can try to make a little peace

0:16:52.560 --> 0:16:55.880
<v Speaker 1>with that. And so much of my life, so much

0:16:55.880 --> 0:16:59.880
<v Speaker 1>of everyone's life, is how do you reduce risk, mitigate

0:17:00.040 --> 0:17:02.360
<v Speaker 1>how do you try to make everything seem to make

0:17:02.400 --> 0:17:05.240
<v Speaker 1>more sense? And as a storyteller, um, I was always

0:17:05.280 --> 0:17:08.000
<v Speaker 1>telling myself stories either to get racked up and nervous

0:17:08.119 --> 0:17:11.639
<v Speaker 1>or try to calm down. And it's hard, but I

0:17:11.680 --> 0:17:18.840
<v Speaker 1>think trying to get comfortable with that unknown is is

0:17:18.840 --> 0:17:23.720
<v Speaker 1>it really powerful? I can imagine. So before we leave

0:17:23.760 --> 0:17:28.440
<v Speaker 1>the investing space, I have to ask, you have a patent?

0:17:29.000 --> 0:17:31.639
<v Speaker 1>How on earth did that happen? So I have a

0:17:31.640 --> 0:17:35.320
<v Speaker 1>couple of friends from college and this was we graduated

0:17:35.320 --> 0:17:38.960
<v Speaker 1>in the early nineties, and uh, we had this idea.

0:17:39.000 --> 0:17:41.239
<v Speaker 1>We always wanted to start a company, and so all

0:17:41.280 --> 0:17:45.520
<v Speaker 1>of us were at the beginning of our career and um,

0:17:45.640 --> 0:17:48.560
<v Speaker 1>John Zitrain, who's now this Internet law of professor at Harvard,

0:17:48.720 --> 0:17:53.000
<v Speaker 1>he's a big, big deal. He had this idea, which

0:17:53.040 --> 0:17:55.200
<v Speaker 1>was what he was a colleague our friends. If he's

0:17:55.240 --> 0:17:57.479
<v Speaker 1>a friend from college. So so it turns out it's like, uh,

0:17:57.920 --> 0:18:00.520
<v Speaker 1>this guy Sherman Min who he just so this company

0:18:00.560 --> 0:18:05.760
<v Speaker 1>to target um and uh uh, Zack Meanen who runs

0:18:05.760 --> 0:18:10.560
<v Speaker 1>a neuroscience institute in Portugal, and me and Zach and

0:18:10.600 --> 0:18:13.840
<v Speaker 1>Mary Lambert who another college friend who worked at Google,

0:18:14.080 --> 0:18:16.720
<v Speaker 1>and the thing that was incredible a couple of things

0:18:16.720 --> 0:18:18.439
<v Speaker 1>that were fun. It was a great chance for us

0:18:18.480 --> 0:18:20.719
<v Speaker 1>to all be together. And this idea for the patent was,

0:18:21.440 --> 0:18:23.600
<v Speaker 1>could there be a way to communicate without having to

0:18:23.640 --> 0:18:25.840
<v Speaker 1>talk and without having to type? Could there be a

0:18:25.840 --> 0:18:28.439
<v Speaker 1>touch based way of communication? So if you and I

0:18:28.560 --> 0:18:32.760
<v Speaker 1>had a bracelet, you know, and we give it a squeeze,

0:18:32.960 --> 0:18:35.760
<v Speaker 1>you say, you know what when this interview, rather rather

0:18:35.800 --> 0:18:37.639
<v Speaker 1>than me giving you a sign when we want to

0:18:37.680 --> 0:18:40.680
<v Speaker 1>break to go get a snack, just give me a squeeze.

0:18:40.680 --> 0:18:42.320
<v Speaker 1>And so you give me a squeeze. Or you'd be

0:18:42.359 --> 0:18:44.520
<v Speaker 1>able to tell your your kid would say when I

0:18:44.520 --> 0:18:46.320
<v Speaker 1>get to school, I'm gonna give you a squeeze. And

0:18:46.359 --> 0:18:49.800
<v Speaker 1>so it was a haptic way of communication. And we

0:18:49.800 --> 0:18:51.480
<v Speaker 1>were gonna use page networks to do it, and we

0:18:51.560 --> 0:18:53.920
<v Speaker 1>ended up getting a patent, but all of our lives

0:18:53.960 --> 0:18:55.840
<v Speaker 1>got busy, and it turns out this is actually a

0:18:55.880 --> 0:18:58.760
<v Speaker 1>pretty hard thing to build, especially in the nineties. Well,

0:18:58.880 --> 0:19:02.320
<v Speaker 1>Apple didn't have a hard I'm building it exactly and

0:19:02.480 --> 0:19:04.919
<v Speaker 1>technically it is part of the Apple Watch. So we

0:19:05.000 --> 0:19:07.080
<v Speaker 1>kept waiting for Apple to call us, and they still

0:19:07.080 --> 0:19:10.000
<v Speaker 1>haven't called. So if Tim Cook is listening to this podcast,

0:19:10.160 --> 0:19:13.840
<v Speaker 1>send checks to absolutely. So you guys never tried to

0:19:13.920 --> 0:19:16.640
<v Speaker 1>enforce the patents or never tried to do something we

0:19:16.880 --> 0:19:20.359
<v Speaker 1>um we were like open to it, but um see,

0:19:20.359 --> 0:19:23.400
<v Speaker 1>Apple should come by the patent so you don't sell

0:19:23.400 --> 0:19:26.800
<v Speaker 1>it to Samsung. I agree, I agree, I think that's

0:19:26.800 --> 0:19:30.199
<v Speaker 1>a really good idea. Okay, thank you very much. I

0:19:30.280 --> 0:19:33.840
<v Speaker 1>also recall hearing that you set up your own defined

0:19:33.960 --> 0:19:36.240
<v Speaker 1>benefits plan. You didn't even know that was an option

0:19:36.720 --> 0:19:40.320
<v Speaker 1>for someone who was technically self employed. Right. The structure

0:19:40.800 --> 0:19:43.760
<v Speaker 1>is all the writers and producers work for either themselves

0:19:44.200 --> 0:19:47.240
<v Speaker 1>or a separate LLC, so it's like a pass through

0:19:47.240 --> 0:19:50.800
<v Speaker 1>when they're all partners. Yeah. So what happens is after

0:19:50.840 --> 0:19:52.920
<v Speaker 1>you become a certain level of a writer, your accountant

0:19:52.920 --> 0:19:54.800
<v Speaker 1>will say time to make a loan out. And so

0:19:54.880 --> 0:19:56.720
<v Speaker 1>for a writer that says, what am I going to

0:19:56.800 --> 0:19:58.879
<v Speaker 1>call my name? As a writer, you think, okay, what

0:19:58.880 --> 0:20:01.760
<v Speaker 1>do I call my corporation? And some people have really

0:20:01.920 --> 0:20:04.560
<v Speaker 1>goofy dumb names for corporations on the I r S

0:20:04.640 --> 0:20:08.280
<v Speaker 1>calls that you regret that you have this really dumb name.

0:20:08.520 --> 0:20:10.520
<v Speaker 1>But the funny thing is, when you go to file

0:20:10.720 --> 0:20:14.840
<v Speaker 1>an LLC through the corporate paperwork, most of the names

0:20:14.840 --> 0:20:18.280
<v Speaker 1>have been taken. You have to really work to find

0:20:18.320 --> 0:20:21.399
<v Speaker 1>a name that any common one or two word combination.

0:20:21.920 --> 0:20:25.679
<v Speaker 1>Somebody's filed it already. Yeah, exactly. So what happened is

0:20:25.960 --> 0:20:28.400
<v Speaker 1>now that I had a financial advisor, he said, hey,

0:20:29.040 --> 0:20:31.720
<v Speaker 1>you don't know what your future is. These are good

0:20:31.800 --> 0:20:34.840
<v Speaker 1>earning years. Can you put a chunk of it away

0:20:35.000 --> 0:20:40.520
<v Speaker 1>to create your own pension? And that sounded great to me.

0:20:40.760 --> 0:20:44.879
<v Speaker 1>I love that idea, and I end up mentioning this

0:20:44.960 --> 0:20:48.280
<v Speaker 1>to lots of people too, because I feel like it's

0:20:48.320 --> 0:20:51.760
<v Speaker 1>surprising how many of my colleagues don't have financial advisors,

0:20:51.840 --> 0:20:56.679
<v Speaker 1>how much they would benefit from it, and they you

0:20:56.720 --> 0:20:59.200
<v Speaker 1>know that what you guys do, you get a bad

0:20:59.240 --> 0:21:00.960
<v Speaker 1>rap from all the other guys who aren't doing what

0:21:01.080 --> 0:21:04.040
<v Speaker 1>you do. Well, it's not clear who's a transactional commission

0:21:04.080 --> 0:21:08.159
<v Speaker 1>broker who are allowed to call themselves advisors versus a

0:21:08.160 --> 0:21:13.240
<v Speaker 1>fiduciary registered investment advisor who basically are like your accountant

0:21:13.320 --> 0:21:15.840
<v Speaker 1>or your lawyer are obligated to do what's in your

0:21:15.880 --> 0:21:19.400
<v Speaker 1>best interest. And that's been an ongoing debate in Congress

0:21:19.400 --> 0:21:23.440
<v Speaker 1>for a while. The President Obama, his Department of labor

0:21:23.560 --> 0:21:27.760
<v Speaker 1>Um past that, hey, for retirement accounts they must be fiduciary.

0:21:27.960 --> 0:21:32.040
<v Speaker 1>That rule was just overturned by the new administration, and

0:21:32.119 --> 0:21:36.479
<v Speaker 1>so it's very ambiguous. It's very and even worse, there

0:21:36.520 --> 0:21:40.480
<v Speaker 1>are now hybrid broker dealer r I A So what

0:21:40.520 --> 0:21:43.200
<v Speaker 1>had am I wearing? Am I wearing a a fiduciary

0:21:43.200 --> 0:21:46.520
<v Speaker 1>hatam or I'm wearing a commit So it's really it's

0:21:46.600 --> 0:21:50.399
<v Speaker 1>so complex and so unclear, when really we could just

0:21:50.400 --> 0:21:53.760
<v Speaker 1>clean this up and say either everybody needs to be

0:21:53.800 --> 0:21:57.520
<v Speaker 1>a fiduciary or if you're not a full blown fiduciary,

0:21:57.560 --> 0:22:01.040
<v Speaker 1>you can't call yourself a plan or an advisor. You

0:22:01.119 --> 0:22:03.560
<v Speaker 1>have to be either a CFP or an r I

0:22:03.680 --> 0:22:06.520
<v Speaker 1>A blah blah blah with all the acronyms. But this

0:22:06.560 --> 0:22:09.439
<v Speaker 1>could be cleaned up. There's too much money at stake

0:22:09.920 --> 0:22:11.800
<v Speaker 1>from people who don't want it to be cleaned up.

0:22:11.840 --> 0:22:14.680
<v Speaker 1>I think the estimate was just for retirement accounts was

0:22:14.760 --> 0:22:17.880
<v Speaker 1>seventeen billion a year in fees, So of course there's

0:22:17.880 --> 0:22:23.359
<v Speaker 1>a lot of opposition to that. Yeah, And the upside

0:22:23.520 --> 0:22:28.560
<v Speaker 1>of having a fiduciary advisor is that your things keep

0:22:28.640 --> 0:22:33.320
<v Speaker 1>changing in your life. You have kids, you lose spouses,

0:22:34.040 --> 0:22:37.280
<v Speaker 1>you inherit money, I think you have health challenges. Things

0:22:37.359 --> 0:22:41.679
<v Speaker 1>change all the time. And there I mean you spend

0:22:42.640 --> 0:22:44.159
<v Speaker 1>all your time. I spent all my time with all

0:22:44.200 --> 0:22:46.320
<v Speaker 1>these writers in all these rooms, and we don't talk

0:22:46.359 --> 0:22:50.480
<v Speaker 1>about money because it's too scary and stressf I eyone

0:22:50.480 --> 0:22:53.120
<v Speaker 1>talked about different things. But you want to be able

0:22:53.160 --> 0:22:55.880
<v Speaker 1>to call up somebody and say, hey, I need some help.

0:22:55.920 --> 0:22:59.600
<v Speaker 1>What is this? And so I'm super grateful for my

0:22:59.640 --> 0:23:02.399
<v Speaker 1>advice are and um, hey I need a trust in

0:23:02.440 --> 0:23:04.720
<v Speaker 1>the state's lawyer. I need somebody who can help me

0:23:04.720 --> 0:23:08.119
<v Speaker 1>with this. They have that network. Yeah, exactly. And I

0:23:08.119 --> 0:23:10.120
<v Speaker 1>know markets are going to go down. I know there's

0:23:10.119 --> 0:23:14.240
<v Speaker 1>gonna be sometime in my lifetime. Things are probably Historically

0:23:14.320 --> 0:23:17.200
<v Speaker 1>things go down some giant thing again like eight seven

0:23:17.320 --> 0:23:19.760
<v Speaker 1>or whatever, or or oh eight or nine it was.

0:23:21.640 --> 0:23:23.480
<v Speaker 1>And it's going to be really good to have somebody

0:23:23.520 --> 0:23:25.040
<v Speaker 1>that I can talk to you to say, I know

0:23:25.119 --> 0:23:29.000
<v Speaker 1>we said this is gonna happen. I'm freaking out, are you? Uh,

0:23:29.080 --> 0:23:31.400
<v Speaker 1>Let's let's talk this out before I do something reckless.

0:23:31.560 --> 0:23:35.679
<v Speaker 1>It sounds like a smart approach. Let's let's talk a

0:23:35.720 --> 0:23:39.359
<v Speaker 1>little bit about the show. It's been the top rated

0:23:39.400 --> 0:23:43.240
<v Speaker 1>sitcom for how long? Now? For a really long time,

0:23:43.320 --> 0:23:46.560
<v Speaker 1>I'm not exactly sure. For years. Yeah, we've We've had

0:23:46.600 --> 0:23:52.040
<v Speaker 1>a great run. And there are a ten writers that

0:23:52.560 --> 0:23:56.800
<v Speaker 1>all work together in this really unique way. And you

0:23:56.880 --> 0:24:01.280
<v Speaker 1>say unique because I always think of um, my framework

0:24:01.480 --> 0:24:04.239
<v Speaker 1>is shows like Curb Your Enthusiasm, which is also its

0:24:04.280 --> 0:24:07.600
<v Speaker 1>own thing, or or Seinfeld, where one or maybe two

0:24:07.600 --> 0:24:09.800
<v Speaker 1>people would write a script and then we'd go to

0:24:09.800 --> 0:24:12.240
<v Speaker 1>the writers and the jokes would be added. You guys

0:24:12.320 --> 0:24:15.480
<v Speaker 1>do a very different approach. It's not a single writer

0:24:15.680 --> 0:24:18.679
<v Speaker 1>and then it's punched up. It's a whole group discussion,

0:24:18.800 --> 0:24:22.119
<v Speaker 1>right right. The standard model is to have you break

0:24:22.160 --> 0:24:25.600
<v Speaker 1>the story around a big table and then and come

0:24:25.640 --> 0:24:27.439
<v Speaker 1>up with an outline and send one or two writers

0:24:27.440 --> 0:24:29.280
<v Speaker 1>off to write it and then come back and get notes.

0:24:29.560 --> 0:24:33.560
<v Speaker 1>But with Chuck LORI noticed in his long storied career

0:24:34.920 --> 0:24:37.720
<v Speaker 1>was that when those scripts came back, you spent a

0:24:37.720 --> 0:24:40.280
<v Speaker 1>lot of time rewriting them. So what if we just

0:24:41.119 --> 0:24:45.240
<v Speaker 1>had this borg and had everybody's eyes on the script,

0:24:45.560 --> 0:24:47.480
<v Speaker 1>and we went through it. And one of the things

0:24:47.480 --> 0:24:49.560
<v Speaker 1>that happened when you go off to write a script is,

0:24:49.600 --> 0:24:52.040
<v Speaker 1>of course it sounded great when you were talking about

0:24:52.040 --> 0:24:54.520
<v Speaker 1>it sounded awesome in that little outline, but now it

0:24:54.520 --> 0:24:57.119
<v Speaker 1>doesn't make sense. Or even better, you came up with

0:24:57.160 --> 0:24:59.760
<v Speaker 1>a twist that is better for the story, but you've

0:24:59.800 --> 0:25:01.680
<v Speaker 1>got it approved, and you've got to kind of stick

0:25:01.720 --> 0:25:03.040
<v Speaker 1>to the outline and you don't want to bug the

0:25:03.040 --> 0:25:05.600
<v Speaker 1>show runner. And what we've been what we've been able

0:25:05.600 --> 0:25:08.560
<v Speaker 1>to do is uh, sit around the room, come up

0:25:08.600 --> 0:25:12.040
<v Speaker 1>with it together, write the script together, and then have

0:25:12.160 --> 0:25:15.919
<v Speaker 1>that freedom to pivot and turn and follow the story.

0:25:16.080 --> 0:25:18.680
<v Speaker 1>So sometimes people will say, oh my gosh, I didn't

0:25:18.760 --> 0:25:21.560
<v Speaker 1>see how that was gonna happen at the end, and

0:25:21.560 --> 0:25:23.800
<v Speaker 1>we said, we neither did we. We discovered it along

0:25:23.840 --> 0:25:25.640
<v Speaker 1>the way. There'll be more fun to go this way

0:25:25.760 --> 0:25:27.600
<v Speaker 1>or to go that way. Now, now we're in the

0:25:27.720 --> 0:25:31.679
<v Speaker 1>Chuck Laurie era of television where the laws were passed

0:25:31.680 --> 0:25:34.680
<v Speaker 1>and no sitcom to beyond unless it's either created or

0:25:34.720 --> 0:25:36.800
<v Speaker 1>produced by Truck Laurie. Is that is that more or

0:25:36.880 --> 0:25:40.120
<v Speaker 1>less true? He? Uh? He if you think about all

0:25:40.119 --> 0:25:43.280
<v Speaker 1>of his shows, right, it's um, It's Two and a

0:25:43.320 --> 0:25:47.480
<v Speaker 1>Half Men, was so It's Sybil, Grace, under Fire, Dharma

0:25:47.520 --> 0:25:52.360
<v Speaker 1>and Greg, Two and a Half Men, Big Bank Theory, Mom,

0:25:52.520 --> 0:25:56.960
<v Speaker 1>Mike and Molly, and you just want a golden globe

0:25:56.960 --> 0:26:01.520
<v Speaker 1>for Kaminsky, which I love Netflix, And and now his

0:26:01.560 --> 0:26:04.440
<v Speaker 1>new show just got picked up, Bob Hart's Abashola, which

0:26:04.480 --> 0:26:06.959
<v Speaker 1>is going to be on CBS, and I saw the pilot.

0:26:07.000 --> 0:26:11.800
<v Speaker 1>It's really really funny. And so it's no, he's he's

0:26:11.800 --> 0:26:16.080
<v Speaker 1>incredibly talented. But he also in addition to that, he

0:26:16.160 --> 0:26:21.360
<v Speaker 1>has this process for making a show which is different

0:26:21.600 --> 0:26:25.159
<v Speaker 1>from the way other people make shows, and that and

0:26:25.200 --> 0:26:28.879
<v Speaker 1>that ends up having a big impact on how successful

0:26:28.920 --> 0:26:31.919
<v Speaker 1>the show, or at least that's the correlation that seems

0:26:31.960 --> 0:26:35.080
<v Speaker 1>to exist. He touches something and it I mean, has

0:26:35.119 --> 0:26:38.920
<v Speaker 1>he had many shows that haven't worked out, especially well

0:26:39.560 --> 0:26:41.560
<v Speaker 1>you have to think about it to know, yeah, yeah,

0:26:41.600 --> 0:26:44.960
<v Speaker 1>there is a there's there's a story that a long

0:26:45.000 --> 0:26:48.160
<v Speaker 1>long time ago some network bought a show with him

0:26:48.280 --> 0:26:51.600
<v Speaker 1>and Tyler Perry. Right, those are like the two most popular,

0:26:52.160 --> 0:26:54.600
<v Speaker 1>those guys that that that show didn't get on the air.

0:26:54.960 --> 0:26:58.200
<v Speaker 1>But those two guys but he I don't think anyone

0:26:58.240 --> 0:27:02.840
<v Speaker 1>has the track record like it's astonished so one of them.

0:27:02.920 --> 0:27:06.119
<v Speaker 1>So my wife literally started watching The Big Bang Theory

0:27:06.160 --> 0:27:08.480
<v Speaker 1>from the first show, and I watched more or less

0:27:08.480 --> 0:27:12.199
<v Speaker 1>what she watches other than a handful of Project Runway

0:27:12.280 --> 0:27:18.359
<v Speaker 1>or Flip This House. And I will specifically notice how

0:27:18.400 --> 0:27:22.080
<v Speaker 1>the show has iterated over what is it twelve season,

0:27:22.280 --> 0:27:25.760
<v Speaker 1>two seventy nine episodes, which is slightly more than your episodes.

0:27:25.840 --> 0:27:28.320
<v Speaker 1>You're like two fifties something. I'm coming up on two

0:27:28.320 --> 0:27:31.600
<v Speaker 1>fifties soon. Soon, you'll pass. But it's only taking me

0:27:31.680 --> 0:27:34.320
<v Speaker 1>five years to get that. That's the beauty of once

0:27:34.359 --> 0:27:36.639
<v Speaker 1>a week and and that's the beauty of two it's

0:27:36.640 --> 0:27:39.359
<v Speaker 1>sitting and talking in a room as opposed to a

0:27:39.359 --> 0:27:43.080
<v Speaker 1>whole television productive. So I've noticed in the beginning the

0:27:43.160 --> 0:27:46.400
<v Speaker 1>thing that was so appealing to me. I don't watch

0:27:46.440 --> 0:27:49.720
<v Speaker 1>a lot of television, um, but I got pulled into

0:27:49.760 --> 0:27:55.320
<v Speaker 1>the show because everybody was pretty dysfunctional. This was a

0:27:55.320 --> 0:28:00.399
<v Speaker 1>group where most of the main characters, certainly the four

0:28:00.440 --> 0:28:05.280
<v Speaker 1>male characters, were at various points on the spectrum. Certainly,

0:28:05.880 --> 0:28:10.000
<v Speaker 1>it's implied that Sheldon is either autistic or Asperger's or

0:28:10.119 --> 0:28:13.680
<v Speaker 1>somewhere on the spectrum, and over the years that's kind

0:28:13.720 --> 0:28:17.040
<v Speaker 1>of moderated a little bit. We've mainstreamed them. Tell us

0:28:17.080 --> 0:28:19.720
<v Speaker 1>about how this has evolved and how do you stay

0:28:19.800 --> 0:28:24.560
<v Speaker 1>true to those original characters. Well, I think it's a

0:28:24.600 --> 0:28:28.040
<v Speaker 1>testament to Bill Pretty and Chuck creating this show, which

0:28:28.119 --> 0:28:31.359
<v Speaker 1>was those characters were inspired by Bill Pretty's experiences here

0:28:31.359 --> 0:28:34.520
<v Speaker 1>in New York working at a computer company and really

0:28:34.560 --> 0:28:38.440
<v Speaker 1>brilliant people, not exactly the most socially exactly so depth

0:28:38.760 --> 0:28:44.920
<v Speaker 1>so brilliant people who are not socially not the geniuses

0:28:44.960 --> 0:28:50.320
<v Speaker 1>socially that they are in other ways. And so the

0:28:50.400 --> 0:28:52.880
<v Speaker 1>amazing thing about television is how you can tell such

0:28:52.880 --> 0:28:57.760
<v Speaker 1>a long story and how people can change at at

0:28:57.760 --> 0:29:01.480
<v Speaker 1>a rate that is a little bit more consistent with

0:29:01.800 --> 0:29:04.479
<v Speaker 1>how things happen. It's hard in a movie to have

0:29:05.600 --> 0:29:07.800
<v Speaker 1>how do these these movies where it's like you tell

0:29:07.840 --> 0:29:10.560
<v Speaker 1>the story of somebody's life in ninety minutes, he's a

0:29:10.640 --> 0:29:13.720
<v Speaker 1>jerk and now he's enlightened, and what a great guy exactly,

0:29:14.080 --> 0:29:17.920
<v Speaker 1>And so for us, the way it's always been is

0:29:18.000 --> 0:29:24.120
<v Speaker 1>to follow the characters and not necessarily know where we're going.

0:29:24.280 --> 0:29:27.800
<v Speaker 1>Like when mine Bi Alex showed up to be to

0:29:27.840 --> 0:29:30.240
<v Speaker 1>go on a date with Sheldon. I think she had

0:29:30.280 --> 0:29:33.560
<v Speaker 1>two lines in her. It was a season finale of

0:29:33.720 --> 0:29:37.160
<v Speaker 1>maybe season three or something. This is because Howard had

0:29:37.200 --> 0:29:40.840
<v Speaker 1>set them exactly without without Sheldon knowing, set him up

0:29:40.840 --> 0:29:44.200
<v Speaker 1>on a web dating website exactly and basically just made

0:29:44.200 --> 0:29:48.520
<v Speaker 1>Sheldon a complete and total accurate depiction of somebody again

0:29:48.960 --> 0:29:51.600
<v Speaker 1>pretty much on the spectrum, and lo and behold, here

0:29:51.640 --> 0:29:56.600
<v Speaker 1>she comes, Here she comes, and she was um. She

0:29:56.720 --> 0:29:59.440
<v Speaker 1>was great to work with, and then we brought her

0:29:59.480 --> 0:30:02.360
<v Speaker 1>back for another episode and then another episode. And I

0:30:02.360 --> 0:30:05.479
<v Speaker 1>don't think the plan was ever Sheldon's in the ten

0:30:05.560 --> 0:30:08.320
<v Speaker 1>years from now, Sheldon's going to marry her? Was it

0:30:08.440 --> 0:30:10.880
<v Speaker 1>the second season? Was it that early? I remember? I

0:30:10.920 --> 0:30:12.840
<v Speaker 1>think it was the It's all blurs together, but I

0:30:12.840 --> 0:30:15.400
<v Speaker 1>think it was season three because what ended up happening

0:30:15.440 --> 0:30:18.880
<v Speaker 1>with her introduction was it went from a story about

0:30:18.920 --> 0:30:24.840
<v Speaker 1>four dysfunctional guys too pretty much for dysfunctional couples and

0:30:24.880 --> 0:30:28.560
<v Speaker 1>how they manage their lives in spite of the fact

0:30:28.560 --> 0:30:31.320
<v Speaker 1>that they're all a little wacky. Melissa Row, who plays

0:30:31.320 --> 0:30:35.040
<v Speaker 1>Bernadette and my biolic could play Amy, deserved enormous credit

0:30:35.480 --> 0:30:39.000
<v Speaker 1>for what they brought to the show, and what they

0:30:39.320 --> 0:30:42.280
<v Speaker 1>the stories they allowed us to tell, so it didn't

0:30:42.360 --> 0:30:48.200
<v Speaker 1>just be still be about four nerds who were trying to, um,

0:30:48.240 --> 0:30:49.920
<v Speaker 1>you know, go to the comic bookstore as much as

0:30:49.960 --> 0:30:54.479
<v Speaker 1>they can use Google maps to find um I forgot,

0:30:54.520 --> 0:30:57.440
<v Speaker 1>what was the Bachelorette or one of those shows where

0:30:57.520 --> 0:31:00.480
<v Speaker 1>where all of the America's top martin us top a

0:31:00.520 --> 0:31:03.160
<v Speaker 1>bunch of beautiful women with low self esteem because they've

0:31:03.160 --> 0:31:05.800
<v Speaker 1>been rejected and they figure out how to go set

0:31:05.880 --> 0:31:08.200
<v Speaker 1>up their WiFi. Yeah, and that is a part of

0:31:08.240 --> 0:31:12.720
<v Speaker 1>the show and it's that's so fun. And what became

0:31:13.160 --> 0:31:15.640
<v Speaker 1>even more fun was just to just to be able

0:31:15.680 --> 0:31:19.040
<v Speaker 1>to tell more stories. Did you ever get any did

0:31:19.080 --> 0:31:21.960
<v Speaker 1>the writers or the producers ever getting me pushed back

0:31:22.560 --> 0:31:27.480
<v Speaker 1>from any advocacy groups that had um autism or aspergers

0:31:27.520 --> 0:31:30.200
<v Speaker 1>or anything like that because of the way, uh they

0:31:30.240 --> 0:31:35.960
<v Speaker 1>were being uh depicted. So we never um what it is,

0:31:36.080 --> 0:31:39.000
<v Speaker 1>said what it is and but anyone with Google and

0:31:39.040 --> 0:31:42.200
<v Speaker 1>Wikipedia can figure it out. Well. We we had some

0:31:42.520 --> 0:31:49.000
<v Speaker 1>really uh meaningful, wonderful connections where people have come to

0:31:49.120 --> 0:31:53.160
<v Speaker 1>us and said, you know, um, my son identifies with

0:31:53.280 --> 0:31:58.000
<v Speaker 1>Sheldon and we every day we sit down and we

0:31:58.080 --> 0:32:00.480
<v Speaker 1>watch an episode and then and we talk about it,

0:32:00.520 --> 0:32:02.080
<v Speaker 1>and we talked about what Sheldon is going through when

0:32:02.080 --> 0:32:04.840
<v Speaker 1>we talk about my son's going through, and that we

0:32:04.880 --> 0:32:07.880
<v Speaker 1>didn't intend to do that, but it's something that we're

0:32:07.920 --> 0:32:11.080
<v Speaker 1>so proud of as a group. And I think that

0:32:12.040 --> 0:32:18.960
<v Speaker 1>we certainly the you know, among the ten writers, everybody

0:32:19.000 --> 0:32:22.760
<v Speaker 1>is protective of the characters, and I think that Shower

0:32:22.800 --> 0:32:26.959
<v Speaker 1>Steve malaro Um in a ways is the most protective

0:32:27.000 --> 0:32:28.800
<v Speaker 1>in a in a really wonderful way. And what's going

0:32:28.800 --> 0:32:33.920
<v Speaker 1>to make sure that Sheldon never did anything that would uh,

0:32:33.960 --> 0:32:37.960
<v Speaker 1>you know, cross the line or be objectionable, and so, uh,

0:32:38.160 --> 0:32:43.920
<v Speaker 1>we we really care about these characters and they they

0:32:44.120 --> 0:32:47.440
<v Speaker 1>are alive to us. I can I can totally see

0:32:47.600 --> 0:32:50.160
<v Speaker 1>see why that would be Um. I mentioned the show

0:32:50.240 --> 0:32:54.960
<v Speaker 1>has iterated over the years. Because it's on syndication, I

0:32:55.120 --> 0:32:58.680
<v Speaker 1>frequently will see like a first or second or third

0:32:59.440 --> 0:33:03.400
<v Speaker 1>season show. It was really edgy in the beginning. I mean,

0:33:03.400 --> 0:33:06.560
<v Speaker 1>he had had some really sharp elbows like where you gasp,

0:33:06.680 --> 0:33:09.680
<v Speaker 1>like wow, that's hilarious, but oh my god, nobody else

0:33:09.680 --> 0:33:12.800
<v Speaker 1>on TV says anything like this, Yeah, and what happened

0:33:13.040 --> 0:33:16.640
<v Speaker 1>is around So when the show syndicated around season four.

0:33:17.120 --> 0:33:19.560
<v Speaker 1>It's normal that when the show syndicates, the audience grows,

0:33:19.760 --> 0:33:21.440
<v Speaker 1>more people find it and they say, hey, I want

0:33:21.480 --> 0:33:23.120
<v Speaker 1>to check out the name. It's a commercial for the

0:33:23.160 --> 0:33:27.240
<v Speaker 1>current show exactly. But what we found is that families

0:33:27.280 --> 0:33:30.000
<v Speaker 1>love to watch the show together and they would people.

0:33:30.320 --> 0:33:32.840
<v Speaker 1>We have an audience that of two or fifty people

0:33:32.840 --> 0:33:35.960
<v Speaker 1>that comes on Tuesday night to watch live studio audience

0:33:36.360 --> 0:33:39.000
<v Speaker 1>and it's not laugh track. We have microphones in the audience,

0:33:39.280 --> 0:33:42.840
<v Speaker 1>and so those people would stand up and and and

0:33:42.880 --> 0:33:45.120
<v Speaker 1>thank us or tell us that this is the only

0:33:45.120 --> 0:33:47.120
<v Speaker 1>show I get to watch with my family. And that

0:33:47.200 --> 0:33:50.040
<v Speaker 1>was really stuck with Chuck. And you know, he had

0:33:50.040 --> 0:33:51.920
<v Speaker 1>created two and a half Men, and that's not necessarily

0:33:51.960 --> 0:33:54.680
<v Speaker 1>a show that you can watch with your children, with

0:33:54.720 --> 0:33:56.560
<v Speaker 1>your kids, and that wasn't intended to be that way.

0:33:56.960 --> 0:34:01.880
<v Speaker 1>And so we we heard how the audience was growing

0:34:01.920 --> 0:34:05.840
<v Speaker 1>and moving and and then and as I as I recall,

0:34:05.920 --> 0:34:09.320
<v Speaker 1>even a lot of us have kids, and we started

0:34:09.320 --> 0:34:11.480
<v Speaker 1>watching the show with our kids. And so it was

0:34:11.480 --> 0:34:13.200
<v Speaker 1>more of just a gut check, which is do I

0:34:13.239 --> 0:34:16.040
<v Speaker 1>want to that joke is funny? But do I want

0:34:16.400 --> 0:34:18.879
<v Speaker 1>my honestly next to my daughter? And and hear that,

0:34:19.040 --> 0:34:22.560
<v Speaker 1>and so it became I think a little broader and

0:34:23.320 --> 0:34:26.120
<v Speaker 1>broader appeal in that way. Right, So in the early

0:34:26.560 --> 0:34:30.440
<v Speaker 1>days there would be the wood jokes with Sheldon and everybody.

0:34:30.640 --> 0:34:32.360
<v Speaker 1>He has to be doing this on purpose, all the

0:34:32.400 --> 0:34:35.719
<v Speaker 1>double on andres yes that he was oblivious to, you know,

0:34:35.880 --> 0:34:39.239
<v Speaker 1>leading up to the series finale. That had to be

0:34:39.320 --> 0:34:42.200
<v Speaker 1>a bitter sweet experience. This has been twelve years of

0:34:42.280 --> 0:34:46.319
<v Speaker 1>your life. Yeah, I have a picture I'll show you

0:34:46.560 --> 0:34:49.600
<v Speaker 1>of twelve years of all the scripts because we have.

0:34:49.880 --> 0:34:52.719
<v Speaker 1>The way a multicam works is we do a table

0:34:52.760 --> 0:34:55.120
<v Speaker 1>read on Wednesday and we rewrite all the jokes that

0:34:55.160 --> 0:34:58.359
<v Speaker 1>don't work. On Thursday, we do a rehearsal, we see

0:34:58.360 --> 0:35:01.600
<v Speaker 1>the actors perform it just like a a We fix

0:35:01.640 --> 0:35:03.600
<v Speaker 1>all the things that don't work on Friday, same thing.

0:35:03.880 --> 0:35:05.880
<v Speaker 1>We appreciate some stuff on Monday, and then on Tuesday,

0:35:05.920 --> 0:35:08.480
<v Speaker 1>in front an audience, we film the whole thing. So

0:35:08.480 --> 0:35:12.560
<v Speaker 1>so that's the third So when you see what's what's broadcast,

0:35:12.880 --> 0:35:15.680
<v Speaker 1>that's really the third time everybody's going through it. Yeah,

0:35:15.760 --> 0:35:19.640
<v Speaker 1>and that is a difference from Modern Family or Arrest

0:35:19.640 --> 0:35:22.120
<v Speaker 1>of Development, which is like a movie. Maybe, And because

0:35:23.400 --> 0:35:26.839
<v Speaker 1>they'll do a table read if they're lucky, and then

0:35:27.400 --> 0:35:29.360
<v Speaker 1>they are. They board it, and then they're shooting it

0:35:29.400 --> 0:35:32.000
<v Speaker 1>in pieces all over town, some in sound stage and stuff,

0:35:32.360 --> 0:35:34.359
<v Speaker 1>and that is It's incredible how they make that look

0:35:34.400 --> 0:35:36.719
<v Speaker 1>like a movie. What I love about the multi camp

0:35:36.960 --> 0:35:40.080
<v Speaker 1>is that you have these chances to watch it and

0:35:40.080 --> 0:35:44.040
<v Speaker 1>watch it like a play and tweak the jokes and

0:35:44.120 --> 0:35:47.000
<v Speaker 1>listen to the audience and have that interplay. And so

0:35:47.200 --> 0:35:51.440
<v Speaker 1>that became as we went through season twelve and getting

0:35:51.480 --> 0:35:56.880
<v Speaker 1>to the final episode, these filmings became so emotional because

0:35:56.920 --> 0:36:00.319
<v Speaker 1>our audience was going through it too, and in the

0:36:00.400 --> 0:36:04.440
<v Speaker 1>last episode that we shot, people started waiting out the

0:36:04.520 --> 0:36:08.719
<v Speaker 1>night before to try to get tickets, and um, it was.

0:36:09.800 --> 0:36:15.080
<v Speaker 1>It was festive and joyous, but but also really emotional.

0:36:15.200 --> 0:36:18.200
<v Speaker 1>And the only thing I could compare to is I

0:36:18.239 --> 0:36:19.960
<v Speaker 1>got to go. One of the great things about the

0:36:20.000 --> 0:36:23.880
<v Speaker 1>show is how scientists like it and people from JPL come.

0:36:24.000 --> 0:36:27.160
<v Speaker 1>And so I got invited to go to JPL for

0:36:27.200 --> 0:36:30.840
<v Speaker 1>when Cassini Show into the Cassini Mission, and that was

0:36:30.880 --> 0:36:32.960
<v Speaker 1>like at four o'clock in the morning and everybody, hundreds

0:36:32.960 --> 0:36:34.360
<v Speaker 1>of people were there. But I got to sit in

0:36:34.360 --> 0:36:37.040
<v Speaker 1>the room with all these scientists who had worked on

0:36:37.080 --> 0:36:39.520
<v Speaker 1>it over the last twenty five years, and these guys,

0:36:39.600 --> 0:36:43.600
<v Speaker 1>who are quite reticent, we're just watching the satellite and

0:36:43.640 --> 0:36:47.040
<v Speaker 1>their tears were coming down their face, not not because

0:36:47.080 --> 0:36:49.920
<v Speaker 1>they were sad, it was just this is the conclusion

0:36:50.000 --> 0:36:53.520
<v Speaker 1>of a big part of your life. Years. That's a

0:36:53.640 --> 0:36:56.759
<v Speaker 1>that's a really long time. So last question about The

0:36:56.840 --> 0:37:01.239
<v Speaker 1>Big Bang. Are people watching this live as a broadcast,

0:37:01.360 --> 0:37:03.279
<v Speaker 1>or they're d V ring it, or they streaming it

0:37:03.320 --> 0:37:06.040
<v Speaker 1>as an on demand You have to have seen how

0:37:06.080 --> 0:37:10.040
<v Speaker 1>that has evolved over the because you guys launched right

0:37:10.239 --> 0:37:15.080
<v Speaker 1>into the start of really a totally new era in television.

0:37:15.239 --> 0:37:19.080
<v Speaker 1>The iPhone hadn't come out when Sish when The Big

0:37:19.120 --> 0:37:23.879
<v Speaker 1>Bang Theory started, YouTube was about two years old, and

0:37:24.000 --> 0:37:27.120
<v Speaker 1>so it is fascinating to think about how much the

0:37:27.120 --> 0:37:30.719
<v Speaker 1>world has changed, and also how this show has been

0:37:30.760 --> 0:37:33.759
<v Speaker 1>so popular despite being made the same way I Love

0:37:33.840 --> 0:37:36.840
<v Speaker 1>Lucy's made. So we talked about how there's so much innovation,

0:37:37.360 --> 0:37:42.200
<v Speaker 1>but at the same time, this way of making things

0:37:42.440 --> 0:37:47.640
<v Speaker 1>still worked. So it's been fascinating to watch how it changes.

0:37:47.719 --> 0:37:49.239
<v Speaker 1>We we used to look at the ratings and then

0:37:49.280 --> 0:37:52.480
<v Speaker 1>we then they started to do plus threes for three

0:37:52.560 --> 0:37:55.160
<v Speaker 1>days and plus seven and see how it continues to

0:37:55.200 --> 0:37:57.720
<v Speaker 1>be because after because those ratings, you would say, wow,

0:37:57.760 --> 0:38:00.960
<v Speaker 1>the ratings are going down compared to two years ago,

0:38:01.239 --> 0:38:03.799
<v Speaker 1>but within three days their way up and within seven

0:38:03.880 --> 0:38:06.160
<v Speaker 1>days their way up. And so it's not just that

0:38:06.200 --> 0:38:08.360
<v Speaker 1>there's one way of consuming any of this stuff and

0:38:08.400 --> 0:38:11.399
<v Speaker 1>you have to be prepared to to get it out

0:38:11.400 --> 0:38:13.880
<v Speaker 1>to everybody. One thing that is different, though, is this

0:38:13.920 --> 0:38:17.960
<v Speaker 1>idea of watching something every week versus if you made

0:38:18.040 --> 0:38:21.799
<v Speaker 1>twenty episodes on Netflix and just dumped it, people will

0:38:21.880 --> 0:38:24.759
<v Speaker 1>burn through it. It's it's a different kind of an experience,

0:38:24.840 --> 0:38:28.959
<v Speaker 1>and so as it's fascinating as storytellers to think about

0:38:29.000 --> 0:38:32.520
<v Speaker 1>how to tweak those episodes, because I remember somebody being

0:38:32.560 --> 0:38:34.719
<v Speaker 1>on the plane and watching an episode of House and

0:38:34.719 --> 0:38:36.239
<v Speaker 1>saying like, oh my god, I've never seen the show.

0:38:36.320 --> 0:38:38.360
<v Speaker 1>Was amazing, and then they I'm watching another one, and

0:38:38.360 --> 0:38:40.400
<v Speaker 1>they watched another episode like that was really good. It

0:38:40.440 --> 0:38:42.680
<v Speaker 1>was quite like the first episode. The episode they were

0:38:42.680 --> 0:38:45.440
<v Speaker 1>like that was remarkably like the third episode. But the

0:38:45.520 --> 0:38:49.000
<v Speaker 1>point was because it wasn't intended to be watched. It

0:38:49.080 --> 0:38:51.719
<v Speaker 1>was every week, we give you something that you like,

0:38:51.920 --> 0:38:55.040
<v Speaker 1>which is different, but within the confines of it being weekly.

0:38:55.120 --> 0:38:57.720
<v Speaker 1>It's fine, but you're not gonna watch twenty six episodes

0:38:57.760 --> 0:38:59.959
<v Speaker 1>of House in the Road. So a couple of shows

0:39:00.120 --> 0:39:03.920
<v Speaker 1>is that. Um I started binging when MS. Maisel came

0:39:03.960 --> 0:39:07.319
<v Speaker 1>out and when Jack Ryan came out Day one. I

0:39:07.400 --> 0:39:10.480
<v Speaker 1>started watching both of them, and I found that if

0:39:10.520 --> 0:39:13.480
<v Speaker 1>you you only have a finite supply of it, you

0:39:13.480 --> 0:39:16.360
<v Speaker 1>have to pat yourself otherwise you're gonna watch it in

0:39:16.400 --> 0:39:18.319
<v Speaker 1>a in three weeks and now you get to wait

0:39:18.400 --> 0:39:21.399
<v Speaker 1>forty nine weeks until the next one comes. And it

0:39:21.480 --> 0:39:24.080
<v Speaker 1>does you know, just banging through a bunch of them,

0:39:24.120 --> 0:39:27.239
<v Speaker 1>it does lose a little something when you watch it

0:39:27.360 --> 0:39:29.319
<v Speaker 1>and you get to think about it and digest it

0:39:29.320 --> 0:39:32.239
<v Speaker 1>and wait a week and then next so we The

0:39:32.280 --> 0:39:35.680
<v Speaker 1>Expanse is another one that I like to I don't

0:39:35.719 --> 0:39:38.799
<v Speaker 1>want to over binge, although I'll watch one or two

0:39:38.880 --> 0:39:41.600
<v Speaker 1>of them in a row, and but you want to

0:39:41.640 --> 0:39:43.920
<v Speaker 1>give it a little time to settle in. It's it's

0:39:44.040 --> 0:39:47.520
<v Speaker 1>not great to to just I know people who will

0:39:47.600 --> 0:39:50.680
<v Speaker 1>kill the whole season in a in a weekend, and

0:39:50.800 --> 0:39:53.000
<v Speaker 1>I think it loses a little bit of something or

0:39:53.040 --> 0:39:55.200
<v Speaker 1>am I You know, it just depends on what that

0:39:55.280 --> 0:39:58.680
<v Speaker 1>show is. I remember watching the first season of twenty

0:39:58.719 --> 0:40:01.919
<v Speaker 1>four in less than twenty four hours. It was back

0:40:01.920 --> 0:40:04.000
<v Speaker 1>going with the blockbuster and was just like get them

0:40:04.040 --> 0:40:06.239
<v Speaker 1>and watch them and burn through them all. So it's

0:40:06.280 --> 0:40:08.680
<v Speaker 1>more like is it a giant movie? Is that the

0:40:08.719 --> 0:40:12.640
<v Speaker 1>novel you want to just can't put down, or is

0:40:12.680 --> 0:40:15.919
<v Speaker 1>it something that you want to like incorporate into your life.

0:40:15.920 --> 0:40:19.839
<v Speaker 1>So it's as I think, as writers, how you want

0:40:19.880 --> 0:40:23.759
<v Speaker 1>this to be consumed is relevant, and the Sopranos is

0:40:23.760 --> 0:40:25.879
<v Speaker 1>maybe the extreme version of that, which is or Game

0:40:25.880 --> 0:40:29.360
<v Speaker 1>of Thrones. Waiting two years between those shows didn't help

0:40:29.400 --> 0:40:32.160
<v Speaker 1>you forget, like, wait, what's that connection? Could we make

0:40:32.200 --> 0:40:35.759
<v Speaker 1>control like the Big Bang going forward? Or is that

0:40:35.800 --> 0:40:39.239
<v Speaker 1>era now over? Well I'm such an idiot because I

0:40:39.239 --> 0:40:42.840
<v Speaker 1>remember telling Bill Prady at season one this, you know,

0:40:42.920 --> 0:40:47.120
<v Speaker 1>we live in a new era of television. Syndication is over.

0:40:47.400 --> 0:40:49.360
<v Speaker 1>There's no way I love this show. I hope it,

0:40:49.560 --> 0:40:51.600
<v Speaker 1>I hope it's successful, but there's no way you're ever

0:40:51.600 --> 0:40:55.000
<v Speaker 1>going to make any money in syndication. And I was

0:40:55.160 --> 0:40:58.480
<v Speaker 1>very wrong. It was very very wrong. So it seems

0:40:58.520 --> 0:41:02.919
<v Speaker 1>like it's never too late. There's there's always audiences like

0:41:03.120 --> 0:41:07.520
<v Speaker 1>these shows. I love multi camps because their characters that

0:41:07.600 --> 0:41:11.719
<v Speaker 1>people want to invite into your house and and have

0:41:11.760 --> 0:41:14.839
<v Speaker 1>a relationship with them. Uh. Let's talk a little bit

0:41:14.880 --> 0:41:19.200
<v Speaker 1>about the entertainment industry. There are so many interesting things,

0:41:19.760 --> 0:41:21.960
<v Speaker 1>uh that are going on. But first I have to

0:41:22.000 --> 0:41:25.720
<v Speaker 1>ask you about the Emmy's. The show and its actors

0:41:25.719 --> 0:41:29.840
<v Speaker 1>and writers have been nominated. I don't know ninety seven

0:41:29.880 --> 0:41:32.480
<v Speaker 1>times for Emmy's. Do you go to the Emmy's. What

0:41:32.560 --> 0:41:34.799
<v Speaker 1>is that experience? Like? If you get nominated, you go

0:41:34.840 --> 0:41:37.080
<v Speaker 1>to the Emmys. You just go, You just go. And

0:41:37.400 --> 0:41:42.600
<v Speaker 1>there's our editor, Peter Chacos was started getting Emmy's on

0:41:42.719 --> 0:41:46.480
<v Speaker 1>Cheers and nominations on Cheers and on Will and Gray's.

0:41:46.880 --> 0:41:48.320
<v Speaker 1>And by the time he started getting them on a

0:41:48.360 --> 0:41:51.120
<v Speaker 1>Big Bang, it was his twentieth nomination and no win.

0:41:51.360 --> 0:41:54.000
<v Speaker 1>So you know it's so he went, well, he just thought,

0:41:54.200 --> 0:41:56.879
<v Speaker 1>he's Susan Lucci. He's never gonna happen. It's never gonna happen. See,

0:41:56.880 --> 0:41:59.120
<v Speaker 1>I believe in me and reversion. Eventually he has to win,

0:41:59.360 --> 0:42:01.480
<v Speaker 1>and he did. Was he reverted to the means. So

0:42:01.560 --> 0:42:04.040
<v Speaker 1>he won I think three or four in a row. Uh,

0:42:04.160 --> 0:42:07.520
<v Speaker 1>the and then that's it again. No, No, I hope

0:42:07.560 --> 0:42:10.920
<v Speaker 1>he will keep winning and winning he the the Emmys

0:42:10.920 --> 0:42:13.600
<v Speaker 1>are really fun. And what's interesting is when you go

0:42:13.600 --> 0:42:16.040
<v Speaker 1>on different years and see, like whose show it is.

0:42:16.280 --> 0:42:19.960
<v Speaker 1>So one year we got to sit in the row

0:42:20.920 --> 0:42:23.759
<v Speaker 1>right with Homeland and that was the year the I

0:42:23.760 --> 0:42:25.600
<v Speaker 1>think it was the first season, and they won, and

0:42:25.640 --> 0:42:28.200
<v Speaker 1>they won big, and it's you know, first of all,

0:42:28.239 --> 0:42:30.600
<v Speaker 1>it's like really looked down here, like, hey, there's Manny Patankan.

0:42:30.719 --> 0:42:33.040
<v Speaker 1>You know, that's fun. Claire Danes is great in that.

0:42:33.160 --> 0:42:36.200
<v Speaker 1>Clara Danes is wonderful in that show. And then and

0:42:36.239 --> 0:42:38.279
<v Speaker 1>then they win and they go up on stage and

0:42:38.360 --> 0:42:43.120
<v Speaker 1>it's amazing, and so, uh, it's fun no matter what.

0:42:44.000 --> 0:42:46.680
<v Speaker 1>And but it's fun to win, isn't it. It's I've

0:42:46.680 --> 0:42:48.960
<v Speaker 1>never won an Emmy, so I don't know, but it

0:42:49.000 --> 0:42:52.960
<v Speaker 1>seems really fun and it's been. It's interesting to think

0:42:52.960 --> 0:42:58.520
<v Speaker 1>about Chuck Glory, who, well he hasn't won an Emmy ever,

0:42:59.040 --> 0:43:01.280
<v Speaker 1>how is that possible? It is not one of writing Emmy,

0:43:01.520 --> 0:43:04.799
<v Speaker 1>but almost all of his characters have. And I think

0:43:04.840 --> 0:43:09.440
<v Speaker 1>it's a testament to how he creates shows that are

0:43:09.480 --> 0:43:16.480
<v Speaker 1>so focused on characters that an actor can have a

0:43:16.520 --> 0:43:18.680
<v Speaker 1>great script to really knock get out of the park.

0:43:18.840 --> 0:43:21.600
<v Speaker 1>And it's it's an it's you know, you think he's Alison.

0:43:21.640 --> 0:43:26.480
<v Speaker 1>Janny just won when Jim Parsons won forever every year. Yeah,

0:43:26.640 --> 0:43:29.360
<v Speaker 1>but didn't the show wasn't the show Best Comedy Emmy

0:43:29.480 --> 0:43:32.279
<v Speaker 1>for long? Doesn't It isn't that really the creators so

0:43:32.320 --> 0:43:34.920
<v Speaker 1>that we got nominated I think three or four times,

0:43:35.320 --> 0:43:37.359
<v Speaker 1>but it was during the run of Modern Family. So

0:43:37.520 --> 0:43:39.719
<v Speaker 1>Modern Family run won a lot, and then we went

0:43:39.760 --> 0:43:42.239
<v Speaker 1>a couple of times for The Rock from the Sun,

0:43:42.400 --> 0:43:47.319
<v Speaker 1>but that was when Fraser was winning and those guys,

0:43:47.360 --> 0:43:48.719
<v Speaker 1>you know, Frasier one like eight years in a row.

0:43:48.760 --> 0:43:50.960
<v Speaker 1>Modern Family went six years in a row. But you

0:43:51.000 --> 0:43:53.600
<v Speaker 1>guys started long before Modern Family, right, We were a

0:43:53.640 --> 0:43:56.480
<v Speaker 1>couple of years before Modern Family for sure. So so

0:43:56.960 --> 0:43:59.759
<v Speaker 1>that's that's the army. That's kind of interesting. Um, have

0:43:59.840 --> 0:44:03.879
<v Speaker 1>you noticed any changes in Hollywood since the me too

0:44:03.920 --> 0:44:09.439
<v Speaker 1>movement began? And specifically within your show? So I think

0:44:09.520 --> 0:44:17.319
<v Speaker 1>that around Hollywood people are people get it now. It's

0:44:17.400 --> 0:44:24.520
<v Speaker 1>what I've been hopeful that this time would happen, and so, um,

0:44:24.560 --> 0:44:29.279
<v Speaker 1>I think the culture is changing and it's not that

0:44:29.480 --> 0:44:33.560
<v Speaker 1>hard to do, you know. There when you're in a

0:44:33.560 --> 0:44:39.400
<v Speaker 1>writer's room, it's important to have everyone be able to

0:44:39.480 --> 0:44:42.840
<v Speaker 1>speak freely, and so there was even a friend's lawsuit

0:44:42.920 --> 0:44:47.120
<v Speaker 1>years ago where the California Supreme Court guaranteed the right

0:44:47.280 --> 0:44:52.319
<v Speaker 1>of the writers to cross the line. Because the line

0:44:52.400 --> 0:44:57.520
<v Speaker 1>is if you start self editing yourself in a creative format,

0:44:57.640 --> 0:45:00.680
<v Speaker 1>you're going to really radically cut back what what can

0:45:00.680 --> 0:45:04.520
<v Speaker 1>be done right. And there is a way to speak

0:45:04.560 --> 0:45:08.480
<v Speaker 1>freely but also be respectful of everyone in the room.

0:45:08.560 --> 0:45:11.680
<v Speaker 1>And in fact, if you're trying to get the most

0:45:11.719 --> 0:45:18.120
<v Speaker 1>out of everybody, if you're pitching jokes that might hurt

0:45:18.120 --> 0:45:21.279
<v Speaker 1>people's feelings or or you don't want to do anything

0:45:21.360 --> 0:45:24.960
<v Speaker 1>that silences other people in the room, you know. So

0:45:25.160 --> 0:45:29.600
<v Speaker 1>I think that the I think this is all positive

0:45:29.920 --> 0:45:36.600
<v Speaker 1>for making better shows, and we're going to see, i think,

0:45:36.600 --> 0:45:40.640
<v Speaker 1>in the next few years, just more at what we've

0:45:40.640 --> 0:45:43.000
<v Speaker 1>seen already, which is just more diversity of voices, which

0:45:43.040 --> 0:45:50.440
<v Speaker 1>is terrific and it's gonna it's going to make better content. Well, well,

0:45:50.520 --> 0:45:53.960
<v Speaker 1>we'll be looking forward to that. So, as executive producer,

0:45:54.680 --> 0:45:58.280
<v Speaker 1>how much responsibility do you take for the financial success

0:45:58.360 --> 0:46:02.919
<v Speaker 1>of The Big Bang theory A most none so um,

0:46:03.200 --> 0:46:08.080
<v Speaker 1>I certainly, Uh yeah, I'm just so grateful to be

0:46:08.280 --> 0:46:12.600
<v Speaker 1>a part of this show, and you really started pretty

0:46:12.680 --> 0:46:14.839
<v Speaker 1>much from the what was it the second episode? Yes,

0:46:14.920 --> 0:46:17.640
<v Speaker 1>so the pilot is the first episode, and then you know,

0:46:17.680 --> 0:46:21.520
<v Speaker 1>the first episode of season one is uh is episode two.

0:46:21.520 --> 0:46:25.600
<v Speaker 1>So Steve Miller and I were there from the beginning,

0:46:26.160 --> 0:46:33.160
<v Speaker 1>and um, the there are so many people that deserve

0:46:33.440 --> 0:46:38.520
<v Speaker 1>credit way ahead of me, and I think that it's

0:46:38.640 --> 0:46:44.440
<v Speaker 1>been so cool to just watch how this has grown

0:46:44.800 --> 0:46:48.920
<v Speaker 1>and evolved and nobody, really, I don't think people I

0:46:49.120 --> 0:46:51.920
<v Speaker 1>knew that this show, a show about four nerds, was

0:46:52.200 --> 0:46:55.640
<v Speaker 1>going to be connect with people and be so popular

0:46:55.680 --> 0:46:59.000
<v Speaker 1>with them. And when did you start to think, hey,

0:46:59.040 --> 0:47:01.560
<v Speaker 1>this thing is becoming a monster? How long did it take?

0:47:02.120 --> 0:47:07.120
<v Speaker 1>There was a press tour that the cast took and

0:47:07.160 --> 0:47:09.040
<v Speaker 1>I think it was maybe at the end of season one,

0:47:09.080 --> 0:47:11.759
<v Speaker 1>between season one and season two, or between season two

0:47:11.760 --> 0:47:13.200
<v Speaker 1>and season three, so that what you guys went to

0:47:13.280 --> 0:47:15.879
<v Speaker 1>Comic Con. So we went to Comic Con and that

0:47:15.960 --> 0:47:18.320
<v Speaker 1>was that was definitely a moment where like, wow, people

0:47:18.360 --> 0:47:21.799
<v Speaker 1>are into the show. Yours for sure, yes, but these

0:47:21.840 --> 0:47:23.879
<v Speaker 1>and then you guys write it into the show, which

0:47:23.960 --> 0:47:27.280
<v Speaker 1>was hilarious. And we always had every year of Comic

0:47:27.320 --> 0:47:29.640
<v Speaker 1>Con we'd have a little real so we would have

0:47:29.680 --> 0:47:33.760
<v Speaker 1>all the nerdiest jokes and the superhero references and references

0:47:33.800 --> 0:47:35.920
<v Speaker 1>to Comic Con, and we always wanted to shoot at

0:47:35.960 --> 0:47:39.160
<v Speaker 1>Comic Con, but it's in July, and it never It

0:47:39.280 --> 0:47:43.120
<v Speaker 1>was always too hard to do um And so the

0:47:43.960 --> 0:47:47.080
<v Speaker 1>I think the moment for me was when the actors

0:47:47.520 --> 0:47:50.560
<v Speaker 1>came back from a press tour in Mexico City and

0:47:50.680 --> 0:47:53.560
<v Speaker 1>they were all the eyes were wide open and they

0:47:53.560 --> 0:47:55.560
<v Speaker 1>were just like we were the Beatles, like it was,

0:47:55.680 --> 0:47:57.600
<v Speaker 1>you know, there was security and there were hundreds of

0:47:57.600 --> 0:48:01.600
<v Speaker 1>people waiting at the whole tell and they didn't even

0:48:01.640 --> 0:48:04.480
<v Speaker 1>know the show was. They thought they were promoting that

0:48:04.560 --> 0:48:08.160
<v Speaker 1>the show was going to be in Mexico, but it

0:48:08.320 --> 0:48:10.600
<v Speaker 1>had already become a huge hit. And there was a

0:48:10.600 --> 0:48:14.280
<v Speaker 1>moment for me also where I met somebody, a Chinese

0:48:14.320 --> 0:48:18.319
<v Speaker 1>person who said, um, I learned English watching your show.

0:48:18.600 --> 0:48:21.160
<v Speaker 1>Really that's kind of interesting. And it's the number one

0:48:21.200 --> 0:48:25.160
<v Speaker 1>comedy in China too. Let me think about that. I'm

0:48:25.200 --> 0:48:30.680
<v Speaker 1>wondering what cultural things wouldn't translate, but I guess it

0:48:30.719 --> 0:48:34.160
<v Speaker 1>doesn't matter. It's just a quirky family and so that's

0:48:34.239 --> 0:48:37.720
<v Speaker 1>kind of universal, even though the specifics are so unique

0:48:37.719 --> 0:48:40.719
<v Speaker 1>to the show, right that you know, jokes about Pasadena

0:48:40.760 --> 0:48:45.799
<v Speaker 1>aren't going to play in Beijing, but you can. You

0:48:45.880 --> 0:48:49.800
<v Speaker 1>know what it's like, Uh, that it's that core dynamic

0:48:49.960 --> 0:48:54.200
<v Speaker 1>of friendship, about relationships, about trying to find love, trying

0:48:54.200 --> 0:48:58.320
<v Speaker 1>to find career success, and that has been able to translate.

0:48:58.920 --> 0:49:01.600
<v Speaker 1>So when you look at around what's going on with Hollywood.

0:49:01.600 --> 0:49:05.200
<v Speaker 1>You have giant mergers, you have related to the show,

0:49:05.400 --> 0:49:11.160
<v Speaker 1>all the superhero stuff just going ballistic. When when Disney

0:49:11.200 --> 0:49:15.799
<v Speaker 1>starts cranking out Marvel comics after that purchase Marvel Comics

0:49:15.840 --> 0:49:19.200
<v Speaker 1>movies four times a year, what do you think the

0:49:19.239 --> 0:49:22.120
<v Speaker 1>future of this is going to be in the entertainment space?

0:49:22.560 --> 0:49:26.840
<v Speaker 1>I don't mean just from the Four Guys perspective, but broader.

0:49:27.400 --> 0:49:31.799
<v Speaker 1>Is it becoming a nerds entertainment world? It's such an

0:49:31.800 --> 0:49:38.440
<v Speaker 1>interesting question. I feel we're in this wild moment where

0:49:38.520 --> 0:49:44.400
<v Speaker 1>within three weeks of each other, Um, the Marvel arc,

0:49:44.680 --> 0:49:48.040
<v Speaker 1>Game of Thrones, big bang, they're all ending, and so

0:49:48.719 --> 0:49:51.280
<v Speaker 1>will we look back just the Avengers arc is ending,

0:49:51.320 --> 0:49:56.120
<v Speaker 1>Marvel is going to have a million comics they haven't

0:49:56.160 --> 0:49:59.520
<v Speaker 1>even touched into. You know, that's true, that's true. Um,

0:49:59.560 --> 0:50:04.440
<v Speaker 1>I do you think it will? It will have to

0:50:04.480 --> 0:50:07.560
<v Speaker 1>continue to innovate, right, you have to find you can't.

0:50:08.239 --> 0:50:11.640
<v Speaker 1>There weren't. There'd never been an arc like Avengers in

0:50:11.640 --> 0:50:14.040
<v Speaker 1>a movie. You've never seen anything like Game of Thrones

0:50:14.080 --> 0:50:16.799
<v Speaker 1>before Big Bang, you're heading out a show like that.

0:50:17.200 --> 0:50:20.240
<v Speaker 1>And so that's kind of like why Reality TV was hot,

0:50:20.280 --> 0:50:23.640
<v Speaker 1>where you're like, oh wait, I've never seen a show

0:50:23.640 --> 0:50:25.680
<v Speaker 1>with guys stuck on an island, and but I thought

0:50:25.719 --> 0:50:28.120
<v Speaker 1>that was cheap. That's why that was so well. Those

0:50:28.200 --> 0:50:30.880
<v Speaker 1>ratings were great. Those ratings were really great. And so

0:50:31.239 --> 0:50:33.279
<v Speaker 1>it's I will I will admit to watching the first

0:50:33.320 --> 0:50:36.640
<v Speaker 1>couple of seasons of Survivor and then it kind of

0:50:36.680 --> 0:50:40.840
<v Speaker 1>got repetitive. It's interesting people on staff still love that

0:50:40.880 --> 0:50:44.799
<v Speaker 1>show like they they still love it and there's something

0:50:44.800 --> 0:50:48.720
<v Speaker 1>special about it. The So it's just about being able

0:50:48.800 --> 0:50:55.280
<v Speaker 1>to innovate and entertain an audience. And as you have

0:50:56.600 --> 0:51:02.440
<v Speaker 1>fewer giant corporations, are they to become more risk averse?

0:51:02.920 --> 0:51:07.000
<v Speaker 1>Are they going to say, well, we know Avengers worked,

0:51:07.440 --> 0:51:11.160
<v Speaker 1>so let's make more marvel. You know? It's they just

0:51:11.200 --> 0:51:13.160
<v Speaker 1>did that with Star Wars, right, They cut back on

0:51:13.200 --> 0:51:15.520
<v Speaker 1>a Star Wars movie because the one before it didn't

0:51:15.560 --> 0:51:17.719
<v Speaker 1>do as well. Well. They were cranking out, cranking out

0:51:17.760 --> 0:51:21.480
<v Speaker 1>too fast and too too much. Um. Although when we

0:51:21.520 --> 0:51:24.520
<v Speaker 1>look at risk aversion look at Disney, all right, So

0:51:24.560 --> 0:51:26.680
<v Speaker 1>they buy Star Wars and they buy Marvel and they

0:51:26.719 --> 0:51:30.959
<v Speaker 1>buy Fox and they said, oh yeah, Netflix, We're gonna

0:51:30.960 --> 0:51:34.239
<v Speaker 1>put out Netflix at half the price they seem to

0:51:34.280 --> 0:51:37.719
<v Speaker 1>be taking. We're embracing risk. I don't know if everybody

0:51:37.760 --> 0:51:40.960
<v Speaker 1>else is, but when a giant company like Disney has

0:51:41.000 --> 0:51:43.600
<v Speaker 1>figured out, if we don't throw stuff up against the wall,

0:51:43.600 --> 0:51:45.760
<v Speaker 1>we'll never know what. You know, it's a great Jeff

0:51:45.760 --> 0:51:48.960
<v Speaker 1>Bezos quote. If we don't fail, we're not taking enough

0:51:49.040 --> 0:51:51.719
<v Speaker 1>chances to see what might work. Yeah, exactly. And they

0:51:51.719 --> 0:51:53.320
<v Speaker 1>just took a big write down on Vice so that

0:51:53.560 --> 0:51:55.719
<v Speaker 1>you know, like that's the thing you take big right

0:51:55.800 --> 0:51:57.960
<v Speaker 1>down for them. It was a couple hundred million dollars,

0:51:58.000 --> 0:52:00.400
<v Speaker 1>which is really Ah, I thought you don't track all

0:52:00.440 --> 0:52:05.080
<v Speaker 1>this stuff? Or is that Hollywood enough? That's entertainment? Yeah, exactly,

0:52:05.120 --> 0:52:08.440
<v Speaker 1>yellion dollar right down for Disney's. Like I had a

0:52:08.440 --> 0:52:10.520
<v Speaker 1>fight out of Bill. I can't find where to go,

0:52:10.600 --> 0:52:15.400
<v Speaker 1>where to go? It's um, you know, I I think

0:52:15.920 --> 0:52:19.720
<v Speaker 1>the stuff to me that's so interesting is how people

0:52:19.840 --> 0:52:23.919
<v Speaker 1>are able to build businesses outside of that model. So

0:52:24.640 --> 0:52:29.759
<v Speaker 1>watch how sitcoms, you know Ray with Insecure, or the

0:52:29.800 --> 0:52:32.440
<v Speaker 1>guys that made High Maintenance, they started as web series,

0:52:32.640 --> 0:52:36.360
<v Speaker 1>they did proof of concept. Uh, there's a moment where

0:52:37.320 --> 0:52:42.160
<v Speaker 1>these shows can live on their own or come into

0:52:42.200 --> 0:52:48.759
<v Speaker 1>the corporate structure. And so how for people breaking One

0:52:48.800 --> 0:52:51.120
<v Speaker 1>of the things I say is that to this the

0:52:51.200 --> 0:52:53.480
<v Speaker 1>students at USC that I teaches that part of breaking

0:52:53.480 --> 0:52:55.879
<v Speaker 1>into Hollywood might not be breaking into Hollywood. That you

0:52:56.000 --> 0:53:00.640
<v Speaker 1>might if you can be entrepreneurial and think about new platforms.

0:53:00.800 --> 0:53:03.600
<v Speaker 1>And you know, TikTok is this huge thing that's happening

0:53:03.680 --> 0:53:05.920
<v Speaker 1>right now that if you're under twenty five you'd love it.

0:53:06.480 --> 0:53:12.760
<v Speaker 1>And so how can you become a great content creator

0:53:12.880 --> 0:53:15.600
<v Speaker 1>for TikTok or how can you how can you monetize that?

0:53:15.680 --> 0:53:18.480
<v Speaker 1>How can you do new things people haven't done before?

0:53:18.680 --> 0:53:24.760
<v Speaker 1>So last question about this, what is the entertainment industry

0:53:24.800 --> 0:53:27.879
<v Speaker 1>you're gonna look like ten or twenty years from now?

0:53:27.960 --> 0:53:29.799
<v Speaker 1>Is it going to be what we think of as

0:53:30.200 --> 0:53:33.440
<v Speaker 1>Hollywood or as you are implying, it's going to be

0:53:33.560 --> 0:53:36.680
<v Speaker 1>far more vulcanized and far more spread out, and not

0:53:37.200 --> 0:53:42.040
<v Speaker 1>the old studio system remotely well this The simple answer

0:53:42.120 --> 0:53:45.520
<v Speaker 1>is nobody knows. But the stuff that's interesting to me

0:53:46.440 --> 0:53:51.160
<v Speaker 1>is that there we're going to be more and more

0:53:51.200 --> 0:53:56.760
<v Speaker 1>like Spotify, where everything is available all on demand, and

0:53:57.480 --> 0:54:02.399
<v Speaker 1>for me, that makes me want to Actually, maybe it's

0:54:02.400 --> 0:54:04.480
<v Speaker 1>just something older. I don't want to. I don't want

0:54:04.480 --> 0:54:06.520
<v Speaker 1>to listen to more music. When I have access to

0:54:06.520 --> 0:54:08.799
<v Speaker 1>more music, it's kind of overwhelming, Like I want to

0:54:08.800 --> 0:54:10.359
<v Speaker 1>go to my record collection and I was like, oh,

0:54:10.360 --> 0:54:13.680
<v Speaker 1>I'll play that. That's the beauty of Pandora versus Spotify

0:54:13.680 --> 0:54:17.000
<v Speaker 1>is that you can seed a playlist with your favorites

0:54:17.280 --> 0:54:20.720
<v Speaker 1>and yet stuff that's similar. And that's the most interesting

0:54:20.760 --> 0:54:24.440
<v Speaker 1>thing about Spotify is that it will have these recommended

0:54:24.480 --> 0:54:26.600
<v Speaker 1>lists with is a great way to find new music.

0:54:26.680 --> 0:54:30.960
<v Speaker 1>So for me, it's like the Netflix algorithm suggesting what

0:54:31.080 --> 0:54:36.840
<v Speaker 1>shows you want is fascinating. But also, are we just gonna,

0:54:37.560 --> 0:54:39.520
<v Speaker 1>you know, to do the economic parallel? Are we gonna

0:54:39.520 --> 0:54:42.680
<v Speaker 1>have too much faith in models? And so what is

0:54:42.719 --> 0:54:46.360
<v Speaker 1>the role of humans being able to kind of create

0:54:46.480 --> 0:54:51.279
<v Speaker 1>and innovate? And then the the other thing that I

0:54:51.320 --> 0:54:55.560
<v Speaker 1>wonder about is how you see it in every family

0:54:55.560 --> 0:54:57.880
<v Speaker 1>where it used to be one TV screen and everyone's

0:54:57.880 --> 0:55:00.799
<v Speaker 1>got a tablet, and everyone complains about that, but from

0:55:00.800 --> 0:55:03.400
<v Speaker 1>a content creator standpoint, it means, hold on a second.

0:55:03.560 --> 0:55:05.839
<v Speaker 1>We just went from needing four shows at the same

0:55:05.880 --> 0:55:07.760
<v Speaker 1>time one showed at the same time, to four shows

0:55:07.760 --> 0:55:10.000
<v Speaker 1>at the same time. And as you get to driverless cars,

0:55:10.120 --> 0:55:13.440
<v Speaker 1>what are people gonna do? They're gonna watch TV. So

0:55:13.440 --> 0:55:17.000
<v Speaker 1>so when you think about you twenty years from now,

0:55:17.080 --> 0:55:20.239
<v Speaker 1>you're in a driverless car, that's super luxurious. You get

0:55:20.280 --> 0:55:22.319
<v Speaker 1>to live far out of town because it doesn't matter.

0:55:22.440 --> 0:55:25.040
<v Speaker 1>You commute in for an hour back you've planned, I'm

0:55:25.040 --> 0:55:28.680
<v Speaker 1>gonna watch Game of Thrones Part nine on that ride

0:55:28.719 --> 0:55:31.680
<v Speaker 1>in and on the ride out. How you can consume

0:55:31.760 --> 0:55:36.440
<v Speaker 1>this content is going to drive a lot of what

0:55:36.600 --> 0:55:39.360
<v Speaker 1>it's going to be and how long it's going to

0:55:39.440 --> 0:55:42.319
<v Speaker 1>be and where it's going to go. So so I

0:55:42.360 --> 0:55:44.200
<v Speaker 1>agree with you, except I think they're going to spend

0:55:44.239 --> 0:55:47.520
<v Speaker 1>more time listening to podcasts. I agree people. I love

0:55:47.560 --> 0:55:51.680
<v Speaker 1>podcast I love driving. I drove to uh Sacramento and

0:55:51.719 --> 0:55:55.000
<v Speaker 1>listen to your podcasts and it's much more engaging than music.

0:55:55.400 --> 0:55:59.600
<v Speaker 1>It's it's so different because it's a whole long story.

0:55:59.600 --> 0:56:01.719
<v Speaker 1>We're gonna a little bit. Can you stick around a

0:56:01.760 --> 0:56:03.520
<v Speaker 1>few minutes. I have a bunch of more questions for you.

0:56:03.920 --> 0:56:06.120
<v Speaker 1>We have been speaking with Dave Gush. He is a

0:56:06.200 --> 0:56:09.880
<v Speaker 1>writer and the executive producer for The Big Bang Theory,

0:56:09.920 --> 0:56:14.000
<v Speaker 1>which just had its season finale. If you enjoy this conversation,

0:56:14.040 --> 0:56:16.240
<v Speaker 1>we'll be sure and stick around for the podcast. Actually

0:56:16.320 --> 0:56:19.440
<v Speaker 1>is where we keep the tape rolling and continue discussing

0:56:19.480 --> 0:56:25.759
<v Speaker 1>all things television related. You can find that at iTunes, Overcast, Stitcher, Bloomberg,

0:56:25.840 --> 0:56:29.680
<v Speaker 1>wherever your final podcasts are sold. We love your comments,

0:56:29.680 --> 0:56:33.680
<v Speaker 1>feedback and suggestions right to us at m IB podcast

0:56:33.719 --> 0:56:36.680
<v Speaker 1>at Bloomberg dot net. Check out my daily column on

0:56:36.719 --> 0:56:40.400
<v Speaker 1>Bloomberg dot com. You can follow me on Twitter at Riolts.

0:56:40.960 --> 0:56:44.400
<v Speaker 1>I'm Barry Hults. You're listening to Masters in Business on

0:56:44.520 --> 0:57:01.160
<v Speaker 1>Bloomberg Radio. Welcome to the podcast, Dave, Thank you so

0:57:01.239 --> 0:57:03.720
<v Speaker 1>much for doing this. I say this every week, um,

0:57:03.760 --> 0:57:06.040
<v Speaker 1>and it's always true, but it's especially true this week.

0:57:06.320 --> 0:57:09.279
<v Speaker 1>I've really been looking forward to having this conversation. We've

0:57:09.280 --> 0:57:11.120
<v Speaker 1>been trying to do this for a while and it

0:57:11.200 --> 0:57:15.080
<v Speaker 1>just worked out great that we're recording this on a Monday,

0:57:15.120 --> 0:57:19.160
<v Speaker 1>and the by the time this drops either the same

0:57:19.240 --> 0:57:22.400
<v Speaker 1>day or the night before the finale um will have aired.

0:57:22.720 --> 0:57:25.240
<v Speaker 1>So the one question I didn't get to that I

0:57:25.280 --> 0:57:28.160
<v Speaker 1>have to ask you, what's next for Dave Gesh? What

0:57:28.160 --> 0:57:31.160
<v Speaker 1>are you gonna do after this? I know you probably

0:57:32.080 --> 0:57:34.360
<v Speaker 1>the assumption is, oh, he doesn't have to do anything again.

0:57:34.400 --> 0:57:37.400
<v Speaker 1>This shows when it's indication forever. But you're young guy.

0:57:37.520 --> 0:57:39.360
<v Speaker 1>You don't want to not work for the rest of

0:57:39.360 --> 0:57:42.920
<v Speaker 1>your life, do you. I definitely want to keep working

0:57:43.160 --> 0:57:45.640
<v Speaker 1>and paranoid not to work. Yeah, I know for sure,

0:57:46.000 --> 0:57:49.280
<v Speaker 1>and um and I didn't create the show, so so

0:57:49.400 --> 0:57:52.520
<v Speaker 1>if I greeted the show, I'd be in a floating

0:57:52.520 --> 0:57:57.360
<v Speaker 1>on a hovercraft or something. But I want to take

0:57:57.440 --> 0:58:01.200
<v Speaker 1>the lessons of the last twelve years and apply them

0:58:01.720 --> 0:58:06.800
<v Speaker 1>on new shows. I think this multi cam world where

0:58:06.840 --> 0:58:09.720
<v Speaker 1>you get the chance to rehearse for a couple of

0:58:09.800 --> 0:58:12.440
<v Speaker 1>days and tweak the jokes and then do it in

0:58:12.480 --> 0:58:16.960
<v Speaker 1>front of a live audience, is it's old It is

0:58:17.000 --> 0:58:20.360
<v Speaker 1>old fashioned, But I the success of The Big Bang

0:58:20.440 --> 0:58:24.160
<v Speaker 1>is testament that people like it, and even bringing back

0:58:24.200 --> 0:58:27.040
<v Speaker 1>Full House on Netflix that has been a big hit

0:58:27.120 --> 0:58:29.960
<v Speaker 1>for them. I would not have guessed that I was

0:58:30.000 --> 0:58:32.040
<v Speaker 1>never a full House. Yeah, me neither. So I have

0:58:32.080 --> 0:58:36.000
<v Speaker 1>to ask so you're a comedy writer, what comedy shows

0:58:36.040 --> 0:58:39.320
<v Speaker 1>do you like to watch? So I don't like to

0:58:39.360 --> 0:58:43.320
<v Speaker 1>watch much because it all feels like work. So when

0:58:43.360 --> 0:58:46.560
<v Speaker 1>I'm watching, you can't help critique and take notes or

0:58:46.680 --> 0:58:50.360
<v Speaker 1>feel jealous and have low self esteem. That that's such

0:58:50.400 --> 0:58:53.040
<v Speaker 1>a good joke that I wish I'd come up with it. So,

0:58:53.080 --> 0:58:56.920
<v Speaker 1>I mean, I thought thirty Rock was flawless, and I

0:58:57.000 --> 0:59:01.520
<v Speaker 1>was obsessed with it. What they did in there, especially

0:59:01.520 --> 0:59:05.000
<v Speaker 1>the first two seasons, it's amazing. I remember I had

0:59:05.040 --> 0:59:07.400
<v Speaker 1>like the worst flu a couple of years ago, and

0:59:07.720 --> 0:59:10.480
<v Speaker 1>having seen it all when it broadcast, I just binged

0:59:10.520 --> 0:59:13.080
<v Speaker 1>all three seasons or the first whatever it was, and

0:59:13.120 --> 0:59:15.600
<v Speaker 1>you could see when it starts to change, like at

0:59:15.600 --> 0:59:18.640
<v Speaker 1>a certain point you could tell different writers. Well, but

0:59:18.800 --> 0:59:21.720
<v Speaker 1>the first two seasons were so fresh and so hilarious.

0:59:21.800 --> 0:59:24.320
<v Speaker 1>They're amazing. It's like there there are special seasons, right,

0:59:24.320 --> 0:59:26.360
<v Speaker 1>It's like, what is that? The Office seasons two and three,

0:59:26.880 --> 0:59:28.320
<v Speaker 1>And a lot of just has to do with kind

0:59:28.320 --> 0:59:31.120
<v Speaker 1>of where those characters are and where they're going. Um,

0:59:31.160 --> 0:59:33.840
<v Speaker 1>I have I have been able to watch and see

0:59:33.880 --> 0:59:36.800
<v Speaker 1>how hard it is to make television that I have

0:59:36.880 --> 0:59:39.000
<v Speaker 1>a lot of forgiveness for when people say like, oh,

0:59:39.000 --> 0:59:43.800
<v Speaker 1>that show stinks and my don't you understand it's it's

0:59:43.840 --> 0:59:46.120
<v Speaker 1>so hard that they got that on TV, Like do

0:59:46.160 --> 0:59:48.880
<v Speaker 1>you know how many they got notes from the studio

0:59:48.960 --> 0:59:51.680
<v Speaker 1>and the network on every outline and every rewrite and

0:59:51.720 --> 0:59:54.120
<v Speaker 1>then they still had to get there and just Chuck

0:59:54.200 --> 0:59:56.640
<v Speaker 1>Laurie's shows still get notes or can you guys do

0:59:56.680 --> 1:00:02.400
<v Speaker 1>what you want? He has earned this uh place where

1:00:02.400 --> 1:00:06.440
<v Speaker 1>he does not get notes, and that is an extraordinary

1:00:06.520 --> 1:00:09.160
<v Speaker 1>luxury for us as writers to work in that world.

1:00:09.200 --> 1:00:13.640
<v Speaker 1>So the story with Seinfeld and Larry Davis, no notes

1:00:13.760 --> 1:00:16.960
<v Speaker 1>were not interested. Somehow they managed to carve that out.

1:00:17.000 --> 1:00:19.440
<v Speaker 1>And obviously Curb doesn't seem to get a whole lot

1:00:19.480 --> 1:00:22.080
<v Speaker 1>of notes because it's so improved. Do you what what

1:00:22.280 --> 1:00:24.680
<v Speaker 1>shows do you find interesting that way? Do you watch

1:00:24.800 --> 1:00:27.440
<v Speaker 1>either of those? Yeah? I think what they did on

1:00:27.560 --> 1:00:32.080
<v Speaker 1>Curbed is is great and it's fascinating how they do that.

1:00:32.720 --> 1:00:37.040
<v Speaker 1>It's improvised, but heavily it's really interesting. Ever read if

1:00:37.080 --> 1:00:39.840
<v Speaker 1>you ever read one of those outlines where it's really dense, Um,

1:00:40.280 --> 1:00:43.720
<v Speaker 1>the I have students who think, oh, well, since Curb

1:00:43.840 --> 1:00:46.080
<v Speaker 1>is improvised, I'm gonna go do an improvised thing, and

1:00:46.120 --> 1:00:48.240
<v Speaker 1>if you ever shoot an improvised thing, it's just a

1:00:48.320 --> 1:00:50.560
<v Speaker 1>nightmare because they all spin off on all these prejudections.

1:00:50.560 --> 1:00:53.240
<v Speaker 1>You have to be really focused on and that's annailing

1:00:53.280 --> 1:00:56.760
<v Speaker 1>those story beats. And that's an amazing cast. It's incredible cast.

1:00:56.800 --> 1:01:00.040
<v Speaker 1>It's really stop and think. Everybody on that show is

1:01:00.080 --> 1:01:03.360
<v Speaker 1>a rock star. It's it's just astonished. Any other comedy

1:01:03.360 --> 1:01:08.360
<v Speaker 1>shows that tickle your fancy. I think the Arrested Developments

1:01:08.800 --> 1:01:13.840
<v Speaker 1>it was hilarious and um, I'm really excited about I'm

1:01:13.880 --> 1:01:18.520
<v Speaker 1>not trying to just uh like promote the other Chuck

1:01:18.560 --> 1:01:20.800
<v Speaker 1>lay world, but I think this new Bob Heart Savashola

1:01:20.880 --> 1:01:25.200
<v Speaker 1>is a really cool show, which is about a Billy Gardell,

1:01:25.280 --> 1:01:28.800
<v Speaker 1>who was Mike from Mike and Molly in the pilot,

1:01:29.200 --> 1:01:31.600
<v Speaker 1>has a cardiac event and goes to the hospital and

1:01:31.640 --> 1:01:33.600
<v Speaker 1>wakes up and there's a nurse and she's a Nigerian

1:01:33.600 --> 1:01:36.320
<v Speaker 1>immigrant and he falls for her and it's such a simple,

1:01:36.320 --> 1:01:38.560
<v Speaker 1>sweet story. But you you watch this pilot and you're like,

1:01:38.600 --> 1:01:40.200
<v Speaker 1>I want to see more. I want to see these characters.

1:01:40.240 --> 1:01:42.160
<v Speaker 1>I want to see what's going on. So I'm really

1:01:42.160 --> 1:01:44.840
<v Speaker 1>excited for that. So I only have you for a

1:01:44.880 --> 1:01:48.480
<v Speaker 1>finite amount of time. Let's jump to our favorite questions

1:01:48.840 --> 1:01:51.480
<v Speaker 1>that we ask our guests, sort of our our speed round.

1:01:51.800 --> 1:01:54.200
<v Speaker 1>Tell us the first car you ever own? Your making

1:01:54.280 --> 1:01:59.680
<v Speaker 1>model in nine seventies six AMC White Hornet, which might

1:01:59.760 --> 1:02:05.120
<v Speaker 1>P's got from the telephone company, and meaning it was

1:02:05.320 --> 1:02:07.480
<v Speaker 1>a fleet car, a fleet car, and they got it

1:02:07.520 --> 1:02:10.480
<v Speaker 1>for five dollars and they paid too much, They paid

1:02:10.480 --> 1:02:14.200
<v Speaker 1>too much, and then that's a pos for sure. I

1:02:14.320 --> 1:02:18.520
<v Speaker 1>hit a telephone pole because I uh it was Connecticut

1:02:18.640 --> 1:02:20.720
<v Speaker 1>in the spring and too much sand from the snow,

1:02:20.880 --> 1:02:23.800
<v Speaker 1>and and uh, I totaled the car because it would

1:02:23.880 --> 1:02:27.640
<v Speaker 1>cost six to fix it, so cost more just a

1:02:27.720 --> 1:02:31.280
<v Speaker 1>simple repair, clustmas the whole car. Um, what's the most

1:02:31.320 --> 1:02:34.400
<v Speaker 1>important thing? People don't know about Dave Cash, Well, they

1:02:34.440 --> 1:02:36.840
<v Speaker 1>know about the patent, that's really so that's the I

1:02:36.920 --> 1:02:42.280
<v Speaker 1>was that's thing. But I tried to start a chocolate

1:02:42.280 --> 1:02:45.840
<v Speaker 1>company in the first season of Big Bang Theory. At

1:02:45.880 --> 1:02:50.280
<v Speaker 1>the same time, while Um Quantum Candy, it was gonna

1:02:50.280 --> 1:02:52.760
<v Speaker 1>be called r X Chocolates, and the idea was it

1:02:52.840 --> 1:02:55.440
<v Speaker 1>was gonna be apothecary bottles and it was going to

1:02:55.560 --> 1:02:58.520
<v Speaker 1>have the amount recommended of dark chocolate every day and

1:02:58.520 --> 1:03:00.360
<v Speaker 1>you pop it in your mouth. Okay, that's a good

1:03:00.400 --> 1:03:04.240
<v Speaker 1>idea for Yeah, and what happened to that, Well, it

1:03:04.280 --> 1:03:06.680
<v Speaker 1>turns out I'm much better at coming up with ideas

1:03:07.360 --> 1:03:11.440
<v Speaker 1>i am at starting businesses. It's it's concept versus execution exactly.

1:03:11.800 --> 1:03:14.520
<v Speaker 1>That's why I need a partner for that stuff. Um.

1:03:14.560 --> 1:03:16.960
<v Speaker 1>Who were some of your early mentors who really gouted

1:03:17.040 --> 1:03:20.480
<v Speaker 1>your career in television? Well, I mentioned Rob Long, Who's

1:03:20.480 --> 1:03:22.640
<v Speaker 1>this guy who showed me that there was actually a path?

1:03:23.040 --> 1:03:25.360
<v Speaker 1>And the other guy in that radio station was a

1:03:25.400 --> 1:03:29.160
<v Speaker 1>teacher named Craig Thorne, and he has since passed away,

1:03:29.200 --> 1:03:31.280
<v Speaker 1>and he just couldn't have more of an impact in

1:03:31.400 --> 1:03:35.280
<v Speaker 1>terms of how to live your life, how to help people. Um,

1:03:35.400 --> 1:03:37.840
<v Speaker 1>the power. He is one of the funniest guys in

1:03:37.920 --> 1:03:39.640
<v Speaker 1>all the years in Hollywood, one of the funniest guys

1:03:39.680 --> 1:03:43.720
<v Speaker 1>I've ever met, and just how to how to live

1:03:43.720 --> 1:03:47.000
<v Speaker 1>your really how to live your life. And then working

1:03:47.040 --> 1:03:49.520
<v Speaker 1>with Bonnie and Terry Turner on th Rock from the Sun,

1:03:50.120 --> 1:03:53.160
<v Speaker 1>they were they created a family in their running staff

1:03:53.280 --> 1:03:57.640
<v Speaker 1>and uh, I'll I remember working that first night that

1:03:57.720 --> 1:04:00.960
<v Speaker 1>first year, maybe a Friday night, and they'd say, oh,

1:04:01.000 --> 1:04:02.800
<v Speaker 1>I'm sorry, we have to work past dinner, and I

1:04:02.800 --> 1:04:05.120
<v Speaker 1>would think to myself, great, I don't want to go home.

1:04:05.240 --> 1:04:07.760
<v Speaker 1>This is so funny. So you're an investor and have

1:04:07.880 --> 1:04:11.560
<v Speaker 1>been for a while. Who has influenced your approach to

1:04:11.960 --> 1:04:17.440
<v Speaker 1>either investing um or thinking about markets? Well? I mentioned

1:04:17.520 --> 1:04:20.320
<v Speaker 1>that Gordon Murray book, which had a really profound impact

1:04:20.360 --> 1:04:24.000
<v Speaker 1>on me. And you know, I think the work of

1:04:24.080 --> 1:04:29.640
<v Speaker 1>Gene Fama this. I wish everybody knew more broadly about

1:04:29.680 --> 1:04:32.280
<v Speaker 1>this efficient market theory. If only he would win a

1:04:32.320 --> 1:04:34.400
<v Speaker 1>Nobel Prize for that, people would find out, then it

1:04:34.440 --> 1:04:40.360
<v Speaker 1>would get out. I took I took macro econ with Nordhouse,

1:04:40.880 --> 1:04:43.720
<v Speaker 1>and I took a winner. And then I took microth

1:04:43.720 --> 1:04:46.920
<v Speaker 1>with Gianna Copolis. Who might win it some day? And

1:04:47.480 --> 1:04:49.840
<v Speaker 1>didn't he win? Um? What did he win? The Bates?

1:04:50.000 --> 1:04:55.240
<v Speaker 1>You want something big? And they they didn't talk about

1:04:55.720 --> 1:04:57.919
<v Speaker 1>personal inventor. They should. I wish they would just say,

1:04:58.160 --> 1:05:02.040
<v Speaker 1>be a long term investor, keep fees low, Uh, invest

1:05:02.080 --> 1:05:06.880
<v Speaker 1>in a broad basket of stocks. Yeah, and and um,

1:05:07.000 --> 1:05:08.840
<v Speaker 1>what are they gonna do for the next sixteen weeks

1:05:08.840 --> 1:05:12.960
<v Speaker 1>of the class? Exactly right? And so it's so simple,

1:05:13.360 --> 1:05:17.840
<v Speaker 1>But I feel like, um, there's just so much noise

1:05:17.920 --> 1:05:20.680
<v Speaker 1>pushing the other way for sure. Tell us about your

1:05:20.720 --> 1:05:24.400
<v Speaker 1>favorite books. What do you like to read? Comedy, non comedy, fiction, nonfiction.

1:05:25.280 --> 1:05:28.400
<v Speaker 1>So John Irving had a giant impact on me growing up,

1:05:28.440 --> 1:05:32.320
<v Speaker 1>and sider House Rules is still one of my favorite

1:05:32.320 --> 1:05:38.320
<v Speaker 1>books of all time. And um, there's a then this

1:05:38.360 --> 1:05:40.600
<v Speaker 1>guy Rob Long wrote a great book called Conversations with

1:05:40.640 --> 1:05:42.640
<v Speaker 1>My Agent And so if you ever want to know,

1:05:42.720 --> 1:05:46.959
<v Speaker 1>like what Hollywood's like, that's a good little little book

1:05:46.960 --> 1:05:49.760
<v Speaker 1>to follow. And um, tell us about a time you

1:05:49.840 --> 1:05:52.880
<v Speaker 1>failed and what did you learn from the experience. I

1:05:52.920 --> 1:05:58.040
<v Speaker 1>fail all the time. I mean, pitching is failure, right,

1:05:58.040 --> 1:06:01.840
<v Speaker 1>You're pitching ideas, you're pitching things. Uh, there's so many

1:06:01.840 --> 1:06:04.720
<v Speaker 1>pilots that I've written and sold that that never got made.

1:06:05.000 --> 1:06:08.720
<v Speaker 1>But what I what I realized is that you really

1:06:08.760 --> 1:06:13.240
<v Speaker 1>can't define failure for five or ten years because what

1:06:13.400 --> 1:06:17.560
<v Speaker 1>comes from that As a result of not getting that thing?

1:06:18.240 --> 1:06:22.040
<v Speaker 1>What else happens? And it's happened when I was dying

1:06:22.040 --> 1:06:24.280
<v Speaker 1>to get on Spin City and I didn't get a meeting,

1:06:24.520 --> 1:06:26.640
<v Speaker 1>and then I got the Third Rock from the Sun job,

1:06:26.680 --> 1:06:29.440
<v Speaker 1>which was a dream job. I was so excited to

1:06:29.480 --> 1:06:32.200
<v Speaker 1>try and get a job on thirty rock and I

1:06:32.240 --> 1:06:33.880
<v Speaker 1>had a meeting and then I got canceled because they

1:06:33.920 --> 1:06:37.320
<v Speaker 1>hired their friend, and then that led to big bank theory.

1:06:37.480 --> 1:06:43.160
<v Speaker 1>So failure, it's easy to make failure one thing. But

1:06:43.280 --> 1:06:45.320
<v Speaker 1>I think if if you're a long term investor, if

1:06:45.360 --> 1:06:48.640
<v Speaker 1>you have a long time horizon, you you can redefine it.

1:06:48.800 --> 1:06:51.200
<v Speaker 1>You have to look at it across the continuum. I guess,

1:06:51.520 --> 1:06:54.840
<v Speaker 1>what do you do for fun outside of the writer's room?

1:06:55.000 --> 1:06:57.320
<v Speaker 1>By the way, I imagine that the writer's room is

1:06:57.400 --> 1:07:01.080
<v Speaker 1>just hilarious and I know it's worth but it must

1:07:01.120 --> 1:07:05.560
<v Speaker 1>be just so much so entertaining. It really is so entertaining.

1:07:05.560 --> 1:07:08.240
<v Speaker 1>And when you when people make fun of you on

1:07:08.440 --> 1:07:12.200
<v Speaker 1>when they're professional comedy writers who do it, it's like, wow,

1:07:12.360 --> 1:07:17.480
<v Speaker 1>that was so so good. Yeah yeah, you can't. You

1:07:17.520 --> 1:07:19.959
<v Speaker 1>can be frustrated or embarrassed. Whevery you're just like, wow,

1:07:20.000 --> 1:07:23.520
<v Speaker 1>that's so good and so uh that is a it's

1:07:23.520 --> 1:07:25.960
<v Speaker 1>a joy to hang out with those guys. It still

1:07:26.000 --> 1:07:28.840
<v Speaker 1>works so stressful there, people get mad at each other,

1:07:28.920 --> 1:07:31.720
<v Speaker 1>things happen. You still have to do your job. But

1:07:31.720 --> 1:07:34.560
<v Speaker 1>but the way to have those funny people around you

1:07:34.640 --> 1:07:37.240
<v Speaker 1>is amazing. And really the thing that's so fun for

1:07:37.280 --> 1:07:39.000
<v Speaker 1>me to do is to teach, and I teach every

1:07:39.000 --> 1:07:43.560
<v Speaker 1>fall at USC and this webisode's class and it's so

1:07:43.680 --> 1:07:46.960
<v Speaker 1>fun to take these things that I've learned in my

1:07:47.080 --> 1:07:50.040
<v Speaker 1>career and television but then apply them to this new

1:07:50.080 --> 1:07:53.080
<v Speaker 1>medium and give say to these kids, you have all

1:07:53.120 --> 1:07:55.400
<v Speaker 1>the power to make your own TV show, which I

1:07:55.480 --> 1:07:57.880
<v Speaker 1>never had. You know, for years and years into my career,

1:07:58.400 --> 1:08:02.560
<v Speaker 1>what are you most excited about within the entertainment industry?

1:08:03.600 --> 1:08:07.320
<v Speaker 1>What you can do just with your phone is more

1:08:07.600 --> 1:08:10.680
<v Speaker 1>than Martin Scorsese and Ted Turner could ever do in

1:08:10.680 --> 1:08:15.040
<v Speaker 1>the nineteen seventies. That that's amazing. Um. So, if a

1:08:15.080 --> 1:08:17.559
<v Speaker 1>millennial or a college student came up to you and said,

1:08:17.560 --> 1:08:21.240
<v Speaker 1>we're interested in a career in television or entertainment, what

1:08:21.360 --> 1:08:23.599
<v Speaker 1>sort of advice would you give them if you're a writer,

1:08:23.800 --> 1:08:25.559
<v Speaker 1>if they're a writer, I'd say there are three kinds

1:08:25.560 --> 1:08:27.920
<v Speaker 1>of writing. There's writing on the page, there's writing when

1:08:27.960 --> 1:08:29.840
<v Speaker 1>you're working with an actor and how you change it

1:08:29.880 --> 1:08:32.760
<v Speaker 1>to fit that actor's voice. And then there's the writing

1:08:32.800 --> 1:08:35.439
<v Speaker 1>you do when you edit. And you used to have

1:08:35.479 --> 1:08:37.320
<v Speaker 1>to be a shot runner to do all those things,

1:08:37.360 --> 1:08:39.799
<v Speaker 1>but now you can do it. So how you write

1:08:40.040 --> 1:08:43.680
<v Speaker 1>is different now, and you can post and get feedback

1:08:43.760 --> 1:08:47.559
<v Speaker 1>and build an audience, make your webisode and have a

1:08:47.600 --> 1:08:51.000
<v Speaker 1>discipline so that you're able to fit it into your schedule,

1:08:51.360 --> 1:08:53.040
<v Speaker 1>so that you can say, one week in a month,

1:08:53.080 --> 1:08:55.919
<v Speaker 1>I'm gonna shoot and I'm going to make one minute episodes,

1:08:55.960 --> 1:08:57.880
<v Speaker 1>but I'll make four of them and every Monday, just

1:08:57.880 --> 1:09:00.280
<v Speaker 1>like Barry rid halts On, I'm gonna drop my I'm

1:09:00.320 --> 1:09:03.120
<v Speaker 1>gonna drop my episodes. And by the time you've made

1:09:03.160 --> 1:09:06.360
<v Speaker 1>fifty of them, you're gonna say I've learned so much.

1:09:06.479 --> 1:09:09.120
<v Speaker 1>I'm such a better writer. And number thirty six is

1:09:09.160 --> 1:09:10.920
<v Speaker 1>the best thing I've ever done, and it's the one

1:09:11.040 --> 1:09:14.479
<v Speaker 1>thing I want to show somebody. And our final question,

1:09:14.640 --> 1:09:16.880
<v Speaker 1>what do you know about the worlds of producing and

1:09:16.920 --> 1:09:19.880
<v Speaker 1>writing and comedy today that you wish you knew twenty

1:09:19.960 --> 1:09:24.360
<v Speaker 1>years ago when you were first getting started Almost twenty

1:09:24.400 --> 1:09:27.639
<v Speaker 1>years ago. Uh, not more than years ago. I would

1:09:27.680 --> 1:09:32.280
<v Speaker 1>say that it is the one of the lessons from

1:09:32.360 --> 1:09:37.280
<v Speaker 1>Chuck Lory is he treats writing with a group of people.

1:09:38.160 --> 1:09:41.160
<v Speaker 1>Someone described it like jazz, where you sit down and

1:09:41.200 --> 1:09:43.360
<v Speaker 1>you don't know where it's going to go. There's a structure,

1:09:43.439 --> 1:09:45.040
<v Speaker 1>you know in a jazz thing. You do eight bars,

1:09:45.040 --> 1:09:46.880
<v Speaker 1>and I do eight bars, and we go around. There's

1:09:46.880 --> 1:09:49.200
<v Speaker 1>a structure to the scene and a goal to the scene,

1:09:49.360 --> 1:09:51.519
<v Speaker 1>but being open to that freedom. It's kind of being

1:09:51.560 --> 1:09:56.639
<v Speaker 1>comfortable with uncertainty that we're talking about. The being being

1:09:56.640 --> 1:09:59.680
<v Speaker 1>able to execute, but being able to be open to

1:09:59.680 --> 1:10:01.880
<v Speaker 1>that stability of maybe not knowing where you're going to

1:10:02.000 --> 1:10:06.360
<v Speaker 1>go and drawing the best out of people is absolutely

1:10:07.120 --> 1:10:11.840
<v Speaker 1>magical and just have faith in that process quite quite fascinating.

1:10:12.600 --> 1:10:15.880
<v Speaker 1>We have been speaking with Dave Gesh. He was the

1:10:15.960 --> 1:10:19.320
<v Speaker 1>executive producer and writer for The Big Bang Theory as

1:10:19.360 --> 1:10:22.920
<v Speaker 1>well as other shows. If you enjoy this conversation, we'll

1:10:22.960 --> 1:10:24.679
<v Speaker 1>be sure and look up an Intra down an Inch

1:10:25.080 --> 1:10:30.360
<v Speaker 1>on Apple, iTunes, Stitcher, Overcast, Bloomberg dot com wherever final

1:10:30.400 --> 1:10:32.960
<v Speaker 1>podcasts are found, and you could see any of the

1:10:33.000 --> 1:10:35.160
<v Speaker 1>other I don't know, let's call it two d and

1:10:35.240 --> 1:10:40.040
<v Speaker 1>thirty eight episodes we've done previously. I'm just ballparking that. Um.

1:10:40.160 --> 1:10:44.479
<v Speaker 1>We love your comments, feedback and suggestions right to us

1:10:44.600 --> 1:10:48.720
<v Speaker 1>at m IB podcast at Bloomberg dot net. I would

1:10:48.760 --> 1:10:51.200
<v Speaker 1>be remiss if I did not thank the crack staff

1:10:51.200 --> 1:10:55.760
<v Speaker 1>who helps put out this conversation each week. Medina Parwana

1:10:55.960 --> 1:11:01.240
<v Speaker 1>is my producer slash audio engineer. Michael Boyle is our booker.

1:11:01.320 --> 1:11:05.080
<v Speaker 1>Attica val Broun is our project manager. Michael Batnick is

1:11:05.120 --> 1:11:08.920
<v Speaker 1>my head of research. I'm Barry Hults. You've been listening

1:11:09.240 --> 1:11:11.840
<v Speaker 1>to Master's in Business from Bloomberg Radio