1 00:00:05,200 --> 00:00:09,200 Speaker 1: The Sea, Episode eight, Imposter syndrome. 2 00:00:17,360 --> 00:00:17,599 Speaker 2: One. 3 00:00:18,520 --> 00:00:22,320 Speaker 3: Good morning, Sunshine. It's me obviously. Look, I had to 4 00:00:22,320 --> 00:00:24,600 Speaker 3: go to a boy lesson. I need to take care 5 00:00:24,640 --> 00:00:26,720 Speaker 3: of a few things for her. I'll meet you up. 6 00:00:27,000 --> 00:00:29,280 Speaker 3: I'll meet you up later. So there's an espresso pod 7 00:00:29,600 --> 00:00:31,960 Speaker 3: in the drawer next to the bridge. And oh, hey, 8 00:00:32,000 --> 00:00:34,840 Speaker 3: do you mind taking India out for a quick walk. 9 00:00:34,920 --> 00:00:37,120 Speaker 3: Oh and I left your key under the mat and 10 00:00:37,760 --> 00:00:39,760 Speaker 3: we'll make yourself at home. 11 00:00:41,159 --> 00:00:45,440 Speaker 4: Okay, you don't need to go out right now, do 12 00:00:45,479 --> 00:00:47,040 Speaker 4: you Indian like I have time to make a cup 13 00:00:47,080 --> 00:00:47,519 Speaker 4: of coffee? 14 00:00:47,560 --> 00:00:47,920 Speaker 2: Please? 15 00:00:48,840 --> 00:00:55,800 Speaker 4: Okay, yeah, I got it, just one quick call. Hey, 16 00:00:56,560 --> 00:01:09,120 Speaker 4: we need to talk. I appreciate you meeting me, Dad. 17 00:01:10,880 --> 00:01:14,200 Speaker 5: I didn't realize you needed a security detail to talk 18 00:01:14,280 --> 00:01:17,920 Speaker 5: to your father. Giewobba wouldn't have been my first choice. 19 00:01:18,240 --> 00:01:20,080 Speaker 2: This is this is Indy. 20 00:01:21,520 --> 00:01:24,959 Speaker 5: Why am I here, Fernando, And please tell me it's 21 00:01:25,040 --> 00:01:27,560 Speaker 5: not to introduce me to your new bet. 22 00:01:27,920 --> 00:01:31,200 Speaker 2: No, No, it's okay, Dad. 23 00:01:31,280 --> 00:01:34,959 Speaker 4: I don't have I don't have the painting, and I 24 00:01:35,000 --> 00:01:35,440 Speaker 4: never did. 25 00:01:35,680 --> 00:01:39,880 Speaker 2: I did get close, really really close. But I guess 26 00:01:39,880 --> 00:01:43,839 Speaker 2: you got what you wanted in the end, because Gigi. 27 00:01:43,400 --> 00:01:45,399 Speaker 4: Has the Delano and she stole it right out from 28 00:01:45,440 --> 00:01:47,320 Speaker 4: under me. I never started coming. 29 00:01:48,440 --> 00:01:54,560 Speaker 5: Well, I can't say I'm surprised after everything between you two, 30 00:01:55,360 --> 00:01:57,800 Speaker 5: Gigi was clearly trying to send you a message. 31 00:01:59,200 --> 00:01:59,400 Speaker 2: Dad. 32 00:01:59,520 --> 00:02:04,440 Speaker 5: If you really think I didn't know Gigi had the painting, 33 00:02:04,960 --> 00:02:07,160 Speaker 5: she called me the second she acquired it. 34 00:02:07,560 --> 00:02:08,760 Speaker 2: So I'm going to ask you. 35 00:02:08,760 --> 00:02:11,799 Speaker 5: Again, why did you call me here? 36 00:02:12,240 --> 00:02:15,520 Speaker 2: Well, it's good, it's complicated. 37 00:02:15,560 --> 00:02:18,880 Speaker 4: I I wanted to tell you that. 38 00:02:19,360 --> 00:02:22,960 Speaker 5: Stop waimpering and tell me why I came all the 39 00:02:22,960 --> 00:02:26,760 Speaker 5: way downtown, or I'll toss you and that little rat 40 00:02:26,880 --> 00:02:28,080 Speaker 5: because I'm done. 41 00:02:28,800 --> 00:02:31,560 Speaker 4: I'm done, Dad, with all of it. I'm done with 42 00:02:31,600 --> 00:02:34,160 Speaker 4: the business and the lies. I'm done leaving a wake 43 00:02:34,200 --> 00:02:35,359 Speaker 4: of destruction. 44 00:02:35,040 --> 00:02:35,799 Speaker 2: Everywhere I go. 45 00:02:36,000 --> 00:02:37,400 Speaker 5: You're being a coward. 46 00:02:37,520 --> 00:02:41,440 Speaker 2: I am done trying to calm my way into being 47 00:02:41,440 --> 00:02:42,600 Speaker 2: the son you always wanted. 48 00:02:42,800 --> 00:02:44,679 Speaker 4: For the first time in my life, I met someone 49 00:02:44,720 --> 00:02:47,640 Speaker 4: who actually cares about me. He thinks of me before 50 00:02:47,639 --> 00:02:49,720 Speaker 4: he thinks of himself, and he makes me so. 51 00:02:49,639 --> 00:02:51,280 Speaker 2: Happy, so happy. 52 00:02:54,600 --> 00:02:57,680 Speaker 5: None, though, did I ever tell you how your mother 53 00:02:57,800 --> 00:02:58,480 Speaker 5: and I met? 54 00:02:58,880 --> 00:03:00,840 Speaker 2: I guess, but no, I guess not. 55 00:03:02,520 --> 00:03:06,919 Speaker 5: Your mother's parents were long standing clients of the business. 56 00:03:07,680 --> 00:03:12,240 Speaker 5: You're a weello knew that maintaining our family's relationship would 57 00:03:12,280 --> 00:03:17,480 Speaker 5: be beneficial strengthen both family names. So they set us up. 58 00:03:17,639 --> 00:03:21,600 Speaker 2: A minute, you and Mommy, it was it was arranged. 59 00:03:21,880 --> 00:03:22,919 Speaker 2: No no, no, no no. 60 00:03:23,120 --> 00:03:27,320 Speaker 5: It was strategic, and I understood, even at a young age, 61 00:03:27,680 --> 00:03:31,240 Speaker 5: that my purpose in life was to lead the family business, 62 00:03:31,680 --> 00:03:35,600 Speaker 5: to ensure its longevity for the generations to come. That's 63 00:03:35,640 --> 00:03:38,440 Speaker 5: the way it's always been with the men in our family. 64 00:03:38,920 --> 00:03:41,440 Speaker 5: You marry for the good of the business. 65 00:03:41,720 --> 00:03:42,800 Speaker 2: I love him, Dad. 66 00:03:43,000 --> 00:03:46,280 Speaker 5: It doesn't matter. You think you'll have a better life 67 00:03:46,680 --> 00:03:49,760 Speaker 5: running off with this new boyfriend of yours, that all 68 00:03:49,800 --> 00:03:53,840 Speaker 5: your problems will magically disappear. You can't run from what's 69 00:03:53,880 --> 00:03:54,720 Speaker 5: in your blood. 70 00:03:54,840 --> 00:03:56,560 Speaker 2: What do you care if I run, I'm giving you 71 00:03:56,600 --> 00:03:58,560 Speaker 2: an out. You've always favored Gigi. 72 00:03:58,400 --> 00:04:01,520 Speaker 5: Anyway, Oh no, no no, Inju and Gigi against each 73 00:04:01,520 --> 00:04:04,680 Speaker 5: other on purpose. She made you a better con. You've 74 00:04:04,720 --> 00:04:08,880 Speaker 5: always needed an extra push, Fernando, even if you didn't 75 00:04:08,920 --> 00:04:09,120 Speaker 5: know it. 76 00:04:09,200 --> 00:04:10,880 Speaker 2: This is exactly what I'm doing. I didn't need an 77 00:04:10,880 --> 00:04:14,360 Speaker 2: extra push. I needed my life is in some game. 78 00:04:15,040 --> 00:04:16,360 Speaker 2: Come on, Indy, let's get out of here. 79 00:04:16,560 --> 00:04:21,320 Speaker 5: Ah, you can try to protect your boyfriend from me. Fernando, 80 00:04:21,600 --> 00:04:23,760 Speaker 5: but can you protect him from you? 81 00:04:41,760 --> 00:04:44,560 Speaker 6: Okay, I can do this. I got this. 82 00:04:47,480 --> 00:04:50,599 Speaker 7: Good afternoon, horn, delightful to hear from you. 83 00:04:50,839 --> 00:04:53,440 Speaker 6: Gg. I trust Fernando no matter his history. 84 00:04:53,720 --> 00:04:55,680 Speaker 3: In our session a few weeks ago, you told me 85 00:04:55,839 --> 00:04:57,520 Speaker 3: that our past shouldn't define her present. 86 00:04:57,760 --> 00:04:59,680 Speaker 7: So that doesn't mean we should ignore it either. 87 00:05:00,160 --> 00:05:02,320 Speaker 6: I believe people can change. 88 00:05:02,560 --> 00:05:10,240 Speaker 7: I have people can change, but Fernando won't one. 89 00:05:11,000 --> 00:05:14,640 Speaker 4: It's made Fernando, Hi, Hi, Hey, Hey, it's everything. 90 00:05:14,640 --> 00:05:15,599 Speaker 2: Okay you've seen No? 91 00:05:15,720 --> 00:05:15,880 Speaker 7: Fine? 92 00:05:15,960 --> 00:05:17,359 Speaker 6: Yeah, no, never better? You know? 93 00:05:18,040 --> 00:05:18,400 Speaker 2: How are you? 94 00:05:18,760 --> 00:05:20,720 Speaker 6: What did you and Indy head off to? Oh? 95 00:05:20,720 --> 00:05:23,880 Speaker 2: Well, we went to we went to go talk to 96 00:05:23,880 --> 00:05:24,200 Speaker 2: my dad. 97 00:05:24,279 --> 00:05:27,360 Speaker 3: Actually, I'm guessing you too, didn't bond over a couple 98 00:05:27,400 --> 00:05:27,839 Speaker 3: of beers. 99 00:05:28,560 --> 00:05:32,400 Speaker 4: No, I told him the truth about Gigi out conning 100 00:05:32,480 --> 00:05:35,880 Speaker 4: us about leaving the family business. I'm and that I'm 101 00:05:35,880 --> 00:05:36,680 Speaker 4: in love with you. 102 00:05:36,680 --> 00:05:37,360 Speaker 6: You said what? 103 00:05:38,200 --> 00:05:39,120 Speaker 2: Oh? 104 00:05:39,279 --> 00:05:42,440 Speaker 4: I said, I love you one, and I need you 105 00:05:42,480 --> 00:05:44,560 Speaker 4: to know that I care about you more than I 106 00:05:44,600 --> 00:05:45,159 Speaker 4: care about. 107 00:05:44,960 --> 00:05:47,760 Speaker 3: The stupid job, honestly. For no, this is this is 108 00:05:47,800 --> 00:05:49,400 Speaker 3: everything I've ever wanted. 109 00:05:49,520 --> 00:05:51,360 Speaker 2: Oh why do I feel like there's a butt at 110 00:05:51,360 --> 00:05:52,279 Speaker 2: the end of that sentence? 111 00:05:52,360 --> 00:05:53,640 Speaker 6: But I can't. 112 00:05:54,040 --> 00:05:57,560 Speaker 3: I don't want you to be thinking what if as 113 00:05:57,600 --> 00:05:59,080 Speaker 3: we start our future together? 114 00:05:59,120 --> 00:05:59,720 Speaker 2: No I won't. 115 00:05:59,839 --> 00:06:00,640 Speaker 6: I think you will. 116 00:06:00,880 --> 00:06:04,000 Speaker 3: And that's okay. This is all you've ever known. But 117 00:06:04,360 --> 00:06:07,839 Speaker 3: I think in order to move on you have to 118 00:06:07,920 --> 00:06:09,920 Speaker 3: close down this chapter for good. 119 00:06:10,040 --> 00:06:12,480 Speaker 2: Okay, what are you suggesting? 120 00:06:12,560 --> 00:06:15,800 Speaker 3: Well, take back the con what to prove to yourself 121 00:06:16,080 --> 00:06:16,960 Speaker 3: that you can do it? 122 00:06:17,880 --> 00:06:18,600 Speaker 6: Know what ifs? 123 00:06:18,760 --> 00:06:22,560 Speaker 3: And once we have the painting, we say screw you 124 00:06:22,680 --> 00:06:24,640 Speaker 3: to everybody and start our life together. 125 00:06:26,520 --> 00:06:28,720 Speaker 2: What did I do to deserve you? 126 00:06:29,040 --> 00:06:30,040 Speaker 6: Who says he deserves me? 127 00:06:31,440 --> 00:06:35,920 Speaker 2: Okay, okay, you're the boss. Then what's next? 128 00:06:35,960 --> 00:06:37,760 Speaker 3: Well, we need a plan of attack. 129 00:06:41,160 --> 00:06:44,159 Speaker 4: The transaction is taking place on Leonard Burton's yacht doc 130 00:06:44,320 --> 00:06:48,040 Speaker 4: just north of Chelsea peuse exclusive invite list high security, 131 00:06:48,480 --> 00:06:50,720 Speaker 4: but the water traffic on the Hudson will be high 132 00:06:50,760 --> 00:06:53,080 Speaker 4: at that time of day, so we should be able 133 00:06:53,080 --> 00:06:55,440 Speaker 4: to blend in with the smaller marine vessels and monitor 134 00:06:55,440 --> 00:06:57,840 Speaker 4: the transaction from the jet skis at a safe distance. 135 00:06:57,839 --> 00:06:58,640 Speaker 6: Oh wait, why. 136 00:06:58,520 --> 00:07:00,920 Speaker 3: Don't we just take the painting before or the transaction 137 00:07:01,080 --> 00:07:01,839 Speaker 3: actually happens? 138 00:07:02,040 --> 00:07:02,920 Speaker 6: Cut Gigi off him. 139 00:07:03,520 --> 00:07:06,719 Speaker 4: No, we wanted to think she's one. I know gg 140 00:07:07,080 --> 00:07:08,880 Speaker 4: she gets lazy when she thinks the job is. 141 00:07:08,800 --> 00:07:11,000 Speaker 2: In the bag. She'll have her guard down. It's the 142 00:07:11,000 --> 00:07:17,880 Speaker 2: perfect time of strike. Phase two. Find a way on board. 143 00:07:17,920 --> 00:07:19,680 Speaker 3: Do you still have that a fancy suit from when 144 00:07:19,720 --> 00:07:21,120 Speaker 3: we stuck into the museum. 145 00:07:21,120 --> 00:07:21,920 Speaker 2: That won't be enough. 146 00:07:22,120 --> 00:07:24,560 Speaker 4: The guest list on that yacht will be iron clad 147 00:07:24,960 --> 00:07:27,000 Speaker 4: unless you're a pretty girl. Leonard has a weakness for 148 00:07:27,040 --> 00:07:30,000 Speaker 4: younger women. The boat staff will have already been hired, 149 00:07:30,040 --> 00:07:31,720 Speaker 4: so we could try posing as dock workers. 150 00:07:31,720 --> 00:07:34,640 Speaker 3: Maybe there's no way in hell I'll pass the dock worker. Okay, 151 00:07:34,640 --> 00:07:36,400 Speaker 3: people will spot that bluff from am all. 152 00:07:36,320 --> 00:07:38,440 Speaker 2: Away A bluff one, that's it. 153 00:07:38,480 --> 00:07:39,200 Speaker 6: Okay, I don't follow. 154 00:07:39,320 --> 00:07:41,200 Speaker 2: Leonard isn't just a showman with his money. 155 00:07:41,440 --> 00:07:42,400 Speaker 6: He's a gambler. 156 00:07:42,840 --> 00:07:43,840 Speaker 2: Every party he's. 157 00:07:43,720 --> 00:07:48,000 Speaker 4: Ever thrown always involves an elaborate poker game with insane stakes. 158 00:07:47,880 --> 00:07:49,760 Speaker 6: Which means I'll sneak. 159 00:07:49,480 --> 00:07:51,520 Speaker 2: On board as a poker dealer. I've got the perfect 160 00:07:51,520 --> 00:07:52,120 Speaker 2: disguise for it. 161 00:07:52,280 --> 00:07:54,000 Speaker 6: Okay, but Leonard knows who you are. 162 00:07:54,120 --> 00:07:56,160 Speaker 4: I still got a few tricks up my sleeve. Have 163 00:07:56,200 --> 00:07:58,400 Speaker 4: you ever see that movie Face Off with John Travolta? 164 00:07:58,480 --> 00:07:59,080 Speaker 1: Are you serious? 165 00:07:59,120 --> 00:08:00,040 Speaker 6: You can do that? 166 00:08:00,360 --> 00:08:02,840 Speaker 4: Well, it's not as complicated these days prosthetic makeup, a 167 00:08:02,960 --> 00:08:03,520 Speaker 4: lace wig. 168 00:08:03,920 --> 00:08:06,280 Speaker 2: Leonard will be so focused on the game he'll barely 169 00:08:06,280 --> 00:08:07,520 Speaker 2: be paying attention to my face. 170 00:08:07,640 --> 00:08:08,560 Speaker 6: Well, but what about me? 171 00:08:08,800 --> 00:08:12,440 Speaker 4: Well you, Chilito, Well someone's got to wear that fancy 172 00:08:12,440 --> 00:08:14,920 Speaker 4: suit and we both know you will look damn fine 173 00:08:14,960 --> 00:08:15,240 Speaker 4: in it. 174 00:08:16,880 --> 00:08:20,320 Speaker 3: Okay, so we're on board. Phase three, locate Delano. 175 00:08:20,440 --> 00:08:23,760 Speaker 4: Leonard's security detail will have stored the Delano somewhere secure 176 00:08:23,920 --> 00:08:26,280 Speaker 4: on board. It'll be heavily guarded, so we need a 177 00:08:26,320 --> 00:08:28,160 Speaker 4: reason for him to bring it out and show it 178 00:08:28,200 --> 00:08:30,440 Speaker 4: off to everyone. We need to get Leonard to use 179 00:08:30,480 --> 00:08:33,079 Speaker 4: the Delano as collateral in the poker game. 180 00:08:33,480 --> 00:08:36,040 Speaker 3: I'm terrible card games, not to mention, I have absolutely 181 00:08:36,080 --> 00:08:36,720 Speaker 3: no poker face. 182 00:08:36,760 --> 00:08:38,920 Speaker 2: Oh, which, it's fine. I'll feed you cards. 183 00:08:39,000 --> 00:08:41,360 Speaker 4: We'll make sure you lose the first round, make Leonard 184 00:08:41,400 --> 00:08:43,760 Speaker 4: think he has the upper hand, and then you raise 185 00:08:43,840 --> 00:08:45,240 Speaker 4: the steaks by. 186 00:08:45,120 --> 00:08:46,079 Speaker 2: Betting on the Delano. 187 00:08:46,480 --> 00:08:47,640 Speaker 6: And if I win. 188 00:08:48,000 --> 00:08:49,920 Speaker 4: Leonard plays dirty, but he's a man of his word. 189 00:08:50,080 --> 00:08:51,640 Speaker 4: It's the one thing he prides himself on. 190 00:08:52,559 --> 00:08:55,480 Speaker 2: Chulito. If you win, that painting is ours. 191 00:08:56,400 --> 00:08:57,199 Speaker 6: Well, what about Gigi? 192 00:08:57,240 --> 00:08:59,520 Speaker 3: The second the painting's put on the table, She'll be 193 00:08:59,559 --> 00:09:00,280 Speaker 3: on high alert. 194 00:09:00,320 --> 00:09:02,679 Speaker 2: Welcome to phase four. A distraction. 195 00:09:03,320 --> 00:09:06,360 Speaker 4: You fake a medical emergency, I recommend heart palpitations, a 196 00:09:06,360 --> 00:09:07,080 Speaker 4: little flaming. 197 00:09:06,880 --> 00:09:07,280 Speaker 8: In the mouth. 198 00:09:07,440 --> 00:09:09,800 Speaker 4: It's showing and it'll cause enough chaos on board to 199 00:09:09,800 --> 00:09:12,440 Speaker 4: lose Gigi and make our way up to the helipad 200 00:09:12,480 --> 00:09:12,920 Speaker 4: with the paint. 201 00:09:13,080 --> 00:09:14,800 Speaker 6: Wait helipad as in helicopter. 202 00:09:14,960 --> 00:09:16,960 Speaker 2: Yes, I will be waiting for you in the Hold 203 00:09:17,000 --> 00:09:17,480 Speaker 2: on a second. 204 00:09:17,480 --> 00:09:19,520 Speaker 3: What you can fly a helicopter. 205 00:09:19,120 --> 00:09:20,959 Speaker 2: Well, it's easier than flying a jet, trust. 206 00:09:20,679 --> 00:09:24,520 Speaker 6: Me, Fernando. If Gigi spots one of us, it's game over. 207 00:09:25,200 --> 00:09:25,520 Speaker 9: You know what. 208 00:09:25,840 --> 00:09:29,960 Speaker 4: I think we need a bigger distraction, something something, not 209 00:09:30,080 --> 00:09:32,240 Speaker 4: something someone? 210 00:09:33,520 --> 00:09:34,440 Speaker 2: Well, who are you calling? 211 00:09:34,920 --> 00:09:36,719 Speaker 6: Hold on our distraction? 212 00:09:42,200 --> 00:09:45,440 Speaker 7: Shit, Juan, you're alive. What William said? You extended your 213 00:09:45,440 --> 00:09:48,160 Speaker 7: mental health a sabbatical? I don't buy it. You and 214 00:09:48,240 --> 00:09:49,280 Speaker 7: Fernando or on baking. 215 00:09:49,400 --> 00:09:53,600 Speaker 10: Aren't yo where parrots grease Abiza? 216 00:09:54,160 --> 00:09:54,319 Speaker 2: Well? 217 00:09:54,360 --> 00:09:57,480 Speaker 3: No, actually, Stephanie, Uh, Fernando and I are having a 218 00:09:57,520 --> 00:10:01,000 Speaker 3: little staycation in the city and we wanted to invite 219 00:10:01,040 --> 00:10:04,680 Speaker 3: you to an event tonight, exclusive guest list art world 220 00:10:04,800 --> 00:10:08,559 Speaker 3: A listers only. I'm there, all right, I'll take see 221 00:10:08,600 --> 00:10:09,120 Speaker 3: the details. 222 00:10:10,160 --> 00:10:13,240 Speaker 2: That is genius. If anybody can give gg a run 223 00:10:13,320 --> 00:10:14,000 Speaker 2: for our money. 224 00:10:14,240 --> 00:10:16,200 Speaker 3: It's Stephanie. 225 00:10:17,000 --> 00:10:17,320 Speaker 2: Okay. 226 00:10:17,440 --> 00:10:20,320 Speaker 4: By the time anyone realizes something's off, we'll be sailing 227 00:10:20,360 --> 00:10:23,720 Speaker 4: into the horizon, or I mean, flying off into the sunset, 228 00:10:24,160 --> 00:10:27,040 Speaker 4: on our way to our own new life. 229 00:10:26,960 --> 00:10:32,320 Speaker 2: People call stress, Why are you okay? 230 00:10:32,520 --> 00:10:36,880 Speaker 6: Yeah, no, I'm good. I'm good. I'm totally good. 231 00:10:36,960 --> 00:10:39,560 Speaker 2: To look like you're gonna be sick. One this this 232 00:10:39,600 --> 00:10:40,760 Speaker 2: whole thing is not worth it. 233 00:10:40,760 --> 00:10:44,240 Speaker 3: It is, it is, Okay, there's just there's just one 234 00:10:44,360 --> 00:10:48,120 Speaker 3: one problem. I can't I can't swim. I'm terrified have 235 00:10:48,240 --> 00:10:48,839 Speaker 3: open water. 236 00:10:49,760 --> 00:10:51,760 Speaker 2: Oh I had no idea. 237 00:10:52,640 --> 00:10:54,920 Speaker 4: Okay, well, look, don't worry about that. Once you're on 238 00:10:54,960 --> 00:10:57,440 Speaker 4: the boat, you'll be fine. I'll keep you safe until 239 00:10:57,480 --> 00:11:00,960 Speaker 4: we get you on board. You trust me, right, but for. 240 00:11:02,760 --> 00:11:06,360 Speaker 3: Hm of course, of course. 241 00:11:06,360 --> 00:11:07,960 Speaker 6: And I'm like, of course I trust you. 242 00:11:32,360 --> 00:11:36,440 Speaker 3: Innoculous Here, careful, you'll look off the prosthetics. I feel 243 00:11:36,440 --> 00:11:38,040 Speaker 3: like I'm in a jets key with Ron Burgundy. 244 00:11:38,440 --> 00:11:45,640 Speaker 2: Okay, cut the motive. I can see Gen Leonard, they're 245 00:11:45,640 --> 00:11:47,120 Speaker 2: talking on the first floor deck. Okay. 246 00:11:47,160 --> 00:11:48,520 Speaker 6: And the painting it looks like it's. 247 00:11:48,320 --> 00:11:52,120 Speaker 2: Concealed in a thin cardboard case. Pay just take around 248 00:11:52,120 --> 00:11:52,440 Speaker 2: the edges. 249 00:11:52,920 --> 00:11:56,240 Speaker 3: I hope. You mean double wall corrugated cardboard casing with 250 00:11:56,280 --> 00:11:58,679 Speaker 3: the foam lighting and climate protection seal. 251 00:11:59,200 --> 00:11:59,800 Speaker 2: Do you want to see? 252 00:12:00,080 --> 00:12:03,520 Speaker 3: Oh no, no, thank you, no, no thanks, painter's tape 253 00:12:03,520 --> 00:12:05,040 Speaker 3: on a seventeenth century masterpiece. 254 00:12:05,080 --> 00:12:05,680 Speaker 6: I might vomit. 255 00:12:05,720 --> 00:12:07,600 Speaker 2: Okay, well you look a little great. You're still nervous 256 00:12:07,640 --> 00:12:09,199 Speaker 2: about the whole open water thing. 257 00:12:09,360 --> 00:12:12,120 Speaker 3: Oh me, yeah, it's just you know, the whole not 258 00:12:12,240 --> 00:12:13,240 Speaker 3: being able to swim thing. 259 00:12:13,280 --> 00:12:16,480 Speaker 6: I'm sure. I'm sure I'll be more comfortable once I'm 260 00:12:16,520 --> 00:12:16,880 Speaker 6: on board. 261 00:12:16,960 --> 00:12:20,760 Speaker 4: Well, we are almost there, Chilito, Cheechi and Leonard are 262 00:12:20,760 --> 00:12:26,760 Speaker 4: wrapping up. Just a few more seconds and transaction complete. 263 00:12:26,920 --> 00:12:28,320 Speaker 4: You just passed the painting all up to one of 264 00:12:28,320 --> 00:12:28,840 Speaker 4: his lackies. 265 00:12:28,920 --> 00:12:29,839 Speaker 6: Okay, now what well? 266 00:12:29,840 --> 00:12:32,160 Speaker 2: Are you ready to put on that fancy suit of yours? 267 00:12:32,160 --> 00:12:33,760 Speaker 3: Ready as I'll ever be to put on a three 268 00:12:33,760 --> 00:12:35,400 Speaker 3: piece suit on the back of a jet ski with 269 00:12:35,480 --> 00:12:38,720 Speaker 3: Steve BUCHEMI are you sure you can't come through the main. 270 00:12:38,640 --> 00:12:39,040 Speaker 6: Interest with you? 271 00:12:39,200 --> 00:12:39,280 Speaker 3: Oh? 272 00:12:39,320 --> 00:12:40,160 Speaker 2: I'm sorry, Chulito. 273 00:12:40,200 --> 00:12:42,679 Speaker 4: I am staff today, but I will see you at 274 00:12:42,679 --> 00:12:46,400 Speaker 4: the poker table. This is it one, the last call, 275 00:12:47,400 --> 00:12:48,199 Speaker 4: I promise. 276 00:12:58,440 --> 00:13:00,440 Speaker 11: The last one one done. 277 00:13:00,679 --> 00:13:03,280 Speaker 3: You're doing the right thing. This is the right choice, 278 00:13:03,280 --> 00:13:04,400 Speaker 3: and you're doing that. 279 00:13:05,800 --> 00:13:06,280 Speaker 12: I get it. 280 00:13:06,520 --> 00:13:07,560 Speaker 1: Networking is a bitch. 281 00:13:08,000 --> 00:13:11,520 Speaker 3: Luckily I'm an expert, Stephanie. I can't believe I'm saying this, 282 00:13:11,600 --> 00:13:13,000 Speaker 3: but thank god you're here. 283 00:13:13,080 --> 00:13:13,880 Speaker 1: Wouldn't miss it. 284 00:13:14,240 --> 00:13:16,280 Speaker 2: I hear Christoph Werner for Berlin is here. 285 00:13:16,600 --> 00:13:18,719 Speaker 10: I keel to work at his gallery in frieda Kin. 286 00:13:19,000 --> 00:13:21,040 Speaker 3: Yeah, right, of course we have Friedrich Berner and Chris 287 00:13:21,080 --> 00:13:22,439 Speaker 3: Stockhmi's Tuesday. 288 00:13:23,240 --> 00:13:25,000 Speaker 5: Christoph Werner and the frieda Kin. 289 00:13:25,320 --> 00:13:26,800 Speaker 6: Yeah that's what I said, is it? 290 00:13:27,320 --> 00:13:30,120 Speaker 3: I'm sorry, Okay, I'm just I'm feeling kind of dizzy 291 00:13:30,160 --> 00:13:33,200 Speaker 3: and all of a sudden and oh wow, is this 292 00:13:33,240 --> 00:13:33,840 Speaker 3: stop moving? 293 00:13:33,920 --> 00:13:34,720 Speaker 11: I feel like it's moving. 294 00:13:35,240 --> 00:13:36,880 Speaker 1: What is up with you? Right now? 295 00:13:37,120 --> 00:13:38,000 Speaker 6: It's just a party? 296 00:13:38,679 --> 00:13:42,880 Speaker 1: And oh you're sweating like a lot. Please tell me 297 00:13:42,920 --> 00:13:44,400 Speaker 1: you didn't take another ecstasy for this. 298 00:13:47,160 --> 00:13:51,240 Speaker 6: Sorry, you're right, I'm good. I'm good. 299 00:13:51,440 --> 00:13:57,320 Speaker 3: Except it's not just a party. Is this like a 300 00:13:57,480 --> 00:13:58,120 Speaker 3: sex thing? 301 00:13:58,559 --> 00:13:58,599 Speaker 7: What? 302 00:13:58,840 --> 00:14:01,440 Speaker 3: No, Stephanie, No, I think I'm about to ask you 303 00:14:02,120 --> 00:14:04,480 Speaker 3: possibly the biggest favor of my life, and I need 304 00:14:04,520 --> 00:14:09,080 Speaker 3: you to trust me. There's something really important I need 305 00:14:09,080 --> 00:14:11,520 Speaker 3: to tell you before we step aboard on that yacht. 306 00:14:18,080 --> 00:14:19,280 Speaker 2: He looks like you could play broke. 307 00:14:19,400 --> 00:14:21,160 Speaker 13: Come on, sit down, I got. 308 00:14:20,960 --> 00:14:22,080 Speaker 2: You excuse me? 309 00:14:22,120 --> 00:14:22,880 Speaker 6: Are you hey? 310 00:14:22,960 --> 00:14:23,120 Speaker 14: Man? 311 00:14:23,160 --> 00:14:25,360 Speaker 13: What the hell are you doing here? I'm the only 312 00:14:25,400 --> 00:14:28,320 Speaker 13: deal on this event. It's a closed game. I signed 313 00:14:28,320 --> 00:14:29,440 Speaker 13: a freaking NDA. 314 00:14:30,160 --> 00:14:35,000 Speaker 2: Wait are you Vinnie Mardy? Who's asking, right, Marty? Sorry? 315 00:14:35,000 --> 00:14:36,560 Speaker 2: I got a cousin named Vinnie, and you know you 316 00:14:36,600 --> 00:14:37,400 Speaker 2: remind me of him. 317 00:14:37,920 --> 00:14:43,960 Speaker 13: Oh Vinnie from Bay Rich Vinnie Caprior Lotus, that's him. 318 00:14:44,080 --> 00:14:47,720 Speaker 2: Whoa hey, hey. 319 00:14:47,880 --> 00:14:52,120 Speaker 13: Vinny dated my sister but actually she cheated on him. 320 00:14:52,240 --> 00:14:57,640 Speaker 13: Get problems, poor guy, Brokes. H So the staff and 321 00:14:57,680 --> 00:15:00,400 Speaker 13: agency sent you here something what they think? I can't 322 00:15:00,440 --> 00:15:01,640 Speaker 13: do my job all of a sudden? 323 00:15:01,840 --> 00:15:03,720 Speaker 2: Oh no, no, no, I'm not here to take your job. 324 00:15:03,800 --> 00:15:05,880 Speaker 4: Your goom body agency sent me because you missed a 325 00:15:05,920 --> 00:15:09,080 Speaker 4: signature on the last page of the NBA Big problem, 326 00:15:09,200 --> 00:15:10,479 Speaker 4: big problem. 327 00:15:10,520 --> 00:15:12,240 Speaker 13: Oh oh shit? 328 00:15:12,880 --> 00:15:15,840 Speaker 4: Really yeah, look, let's go somewhere quiet, get it all 329 00:15:15,880 --> 00:15:17,840 Speaker 4: filled out before one of these rich gub on he's 330 00:15:17,880 --> 00:15:19,800 Speaker 4: realizes you can still squeal about that party. 331 00:15:19,880 --> 00:15:20,160 Speaker 3: Huh. 332 00:15:20,240 --> 00:15:25,240 Speaker 13: Oh hey, hey, this is why I love Brooklyn. We 333 00:15:25,320 --> 00:15:28,400 Speaker 13: look out for each other. How could I ever repay 334 00:15:28,480 --> 00:15:29,120 Speaker 13: you your luck? 335 00:15:29,600 --> 00:15:31,360 Speaker 4: You tell your shister to stay away from that video 336 00:15:31,360 --> 00:15:32,840 Speaker 4: and we'll call it even huh how about that? 337 00:15:32,920 --> 00:15:33,120 Speaker 15: Hey? 338 00:15:33,400 --> 00:15:37,440 Speaker 14: Hey, hey done, Let's do this and fast game stuck 339 00:15:37,480 --> 00:15:42,480 Speaker 14: in any minute. It's just around the corner here, Hey, buddy, 340 00:15:42,600 --> 00:15:44,600 Speaker 14: this is as good a place as I No one 341 00:15:44,640 --> 00:15:45,280 Speaker 14: can see us. 342 00:15:45,400 --> 00:15:46,800 Speaker 13: Let's get this thing signed. 343 00:15:46,960 --> 00:15:48,600 Speaker 2: Hey, let's do it in here. And I can't be 344 00:15:48,600 --> 00:15:50,880 Speaker 2: too sure. There's some real shifty wheelers and dealers on 345 00:15:50,920 --> 00:15:51,440 Speaker 2: this yacht. 346 00:15:51,480 --> 00:15:55,880 Speaker 13: Oh okay, okay, yeah, discretion all right, hand it over, 347 00:15:56,080 --> 00:15:58,760 Speaker 13: let's signal and deliver this bad boy? 348 00:15:59,640 --> 00:16:01,240 Speaker 11: What the hell is that a mask? 349 00:16:01,400 --> 00:16:03,720 Speaker 13: You look like fade from dart Knight Rises. 350 00:16:04,040 --> 00:16:06,760 Speaker 2: I'd say hold your breath. Too late for that. 351 00:16:06,800 --> 00:16:08,400 Speaker 11: I whoa, whoa wa, whoa whoa? 352 00:16:08,720 --> 00:16:09,360 Speaker 5: What are you doing? 353 00:16:14,520 --> 00:16:14,840 Speaker 7: All right? 354 00:16:14,880 --> 00:16:15,080 Speaker 8: Bud? 355 00:16:15,920 --> 00:16:16,480 Speaker 2: Who dreams? 356 00:16:22,520 --> 00:16:24,400 Speaker 6: Okay? Sephanie? You sure you're okay with this? 357 00:16:24,680 --> 00:16:27,080 Speaker 10: A networking event and a revenge plot? 358 00:16:27,360 --> 00:16:28,000 Speaker 1: Have you met me? 359 00:16:28,160 --> 00:16:28,440 Speaker 8: Okay? 360 00:16:28,480 --> 00:16:32,200 Speaker 3: Now, look my cover is British art mogo Edwin Boncroft. 361 00:16:32,560 --> 00:16:34,000 Speaker 3: I'm gonna stop you right there, horn. 362 00:16:34,160 --> 00:16:34,880 Speaker 1: Look at the doorman. 363 00:16:35,120 --> 00:16:37,400 Speaker 10: He's letting in every girl with a short skirt and 364 00:16:37,440 --> 00:16:38,200 Speaker 10: a dumb laugh. 365 00:16:38,360 --> 00:16:39,480 Speaker 1: Easy as playing the book. 366 00:16:39,560 --> 00:16:40,680 Speaker 3: I got this, Stephanie. 367 00:16:40,760 --> 00:16:42,120 Speaker 6: Are you sure, Stephanie? I'm on the list. So that 368 00:16:42,160 --> 00:16:43,680 Speaker 6: we don't have to make this whole thing a thing. 369 00:16:44,600 --> 00:16:46,040 Speaker 6: Names Hi, am some. 370 00:16:46,880 --> 00:16:49,280 Speaker 10: This is a cute little art party that Daddy Lenny 371 00:16:49,320 --> 00:16:51,320 Speaker 10: is throwing right, okay, excuse. 372 00:16:50,920 --> 00:16:52,920 Speaker 13: Me, miss your names. 373 00:16:53,000 --> 00:16:56,920 Speaker 5: So Lenny Lenny Burton, do you know him? 374 00:16:57,160 --> 00:16:57,240 Speaker 7: So? 375 00:16:57,400 --> 00:16:59,520 Speaker 1: Like he told me to not even. 376 00:16:59,360 --> 00:17:02,840 Speaker 10: Worry about a gain because I'm always welcome in Daddy's house, 377 00:17:03,520 --> 00:17:06,360 Speaker 10: like always welcome because. 378 00:17:07,320 --> 00:17:07,679 Speaker 1: Look at me. 379 00:17:09,960 --> 00:17:13,560 Speaker 6: Fine you go, he stays, Oh my god. 380 00:17:13,800 --> 00:17:17,199 Speaker 10: But also this is my thirsty Edwin and he's like 381 00:17:17,440 --> 00:17:21,199 Speaker 10: such a cutie and my total emotional support gay and 382 00:17:21,240 --> 00:17:23,679 Speaker 10: I can't go anywhere without him. Yes, of course, I 383 00:17:23,720 --> 00:17:26,520 Speaker 10: have really really bad social anxiety. 384 00:17:27,040 --> 00:17:29,840 Speaker 1: I need him with me, please, Okay. 385 00:17:29,600 --> 00:17:30,280 Speaker 5: Okay, I get it. 386 00:17:30,280 --> 00:17:39,920 Speaker 6: Okay, he is lucky, You're hot. Welcome on board. Holy shit, Steffani, 387 00:17:40,000 --> 00:17:40,440 Speaker 6: I can't. 388 00:17:40,240 --> 00:17:40,960 Speaker 2: Believe that worked. 389 00:17:41,119 --> 00:17:42,000 Speaker 10: Of course it did. 390 00:17:42,240 --> 00:17:45,480 Speaker 3: Straight men are the worst, that's true, look Siphany. I 391 00:17:45,520 --> 00:17:50,800 Speaker 3: promise we'll find that German artist, but first I'm. 392 00:17:50,440 --> 00:17:51,520 Speaker 2: All in the corn. 393 00:17:52,040 --> 00:17:52,480 Speaker 4: I got you. 394 00:17:52,800 --> 00:17:55,720 Speaker 10: Hurry up and do your thing because I just fought 395 00:17:55,760 --> 00:17:56,879 Speaker 10: a gig and. 396 00:17:56,760 --> 00:17:58,200 Speaker 1: That hideous red coat. 397 00:17:58,760 --> 00:17:59,080 Speaker 15: Bye. 398 00:18:00,080 --> 00:18:04,280 Speaker 11: Okay, what it's now or never? 399 00:18:10,880 --> 00:18:12,600 Speaker 2: You're playing like a chap, mister Burton. 400 00:18:12,800 --> 00:18:17,080 Speaker 9: Don't I always though, I must say, all this winning 401 00:18:17,119 --> 00:18:21,240 Speaker 9: is starting to wear thin. I'm craving something new, something exciting, 402 00:18:21,480 --> 00:18:23,159 Speaker 9: something challenging. 403 00:18:24,080 --> 00:18:26,640 Speaker 3: If you're looking for a challenge, then i'd. 404 00:18:26,400 --> 00:18:32,200 Speaker 9: Recommend dealing me in Ah, and you are bored, honestly? 405 00:18:32,720 --> 00:18:34,240 Speaker 6: Are you ready to make a wager? 406 00:18:34,440 --> 00:18:37,720 Speaker 3: Or has your lust for adventure fizzled like your mid 407 00:18:37,760 --> 00:18:38,840 Speaker 3: Prish champagne? 408 00:18:39,200 --> 00:18:45,880 Speaker 9: Oh now that's what I'm talking about, nill a gentleman 409 00:18:46,000 --> 00:18:48,159 Speaker 9: in Did you hear me? 410 00:18:48,240 --> 00:18:48,560 Speaker 3: Dealer? 411 00:18:48,680 --> 00:18:49,840 Speaker 2: Of course right away? 412 00:18:51,200 --> 00:18:53,639 Speaker 3: Name's Bancroft, Edwin Bancroft. 413 00:19:16,720 --> 00:19:19,359 Speaker 11: I thought you said you'd pose a challenge with the bankraft. 414 00:19:19,800 --> 00:19:23,119 Speaker 6: Well I never claimed to have met my match. But 415 00:19:24,080 --> 00:19:27,720 Speaker 6: how about one more game? And this time let's raise 416 00:19:27,760 --> 00:19:31,800 Speaker 6: the stakes in drigging. What did you have in mind? 417 00:19:32,320 --> 00:19:36,120 Speaker 3: Well, a little birdie in a short skirt downstairs told 418 00:19:36,160 --> 00:19:42,080 Speaker 3: me you've recently acquired a genuine Delano in demand commodity. 419 00:19:41,600 --> 00:19:47,000 Speaker 9: These days, word spreads fast, all. 420 00:19:46,880 --> 00:19:48,480 Speaker 6: Or nothing for the painting. 421 00:19:49,040 --> 00:19:51,840 Speaker 3: Winner of the next round gets a shiny new centerpiece 422 00:19:51,880 --> 00:19:54,000 Speaker 3: for the mantle Mima. 423 00:19:55,320 --> 00:19:57,119 Speaker 6: Now that is interesting. 424 00:19:57,359 --> 00:20:00,600 Speaker 3: That is, unless, of course, you're done else seeking for 425 00:20:00,680 --> 00:20:02,160 Speaker 3: the day, which is understandable. 426 00:20:02,600 --> 00:20:05,600 Speaker 9: The sun's barely setting, and I can do this all night. 427 00:20:06,119 --> 00:20:08,040 Speaker 6: Oh see you accept. 428 00:20:10,080 --> 00:20:15,639 Speaker 9: Ah, You're either a complete jack, said Wyn Bancraft, or 429 00:20:15,680 --> 00:20:18,560 Speaker 9: my new favorite competitor. Get ready for the game of 430 00:20:18,600 --> 00:20:19,399 Speaker 9: your life. 431 00:20:19,160 --> 00:20:19,480 Speaker 6: Shall we. 432 00:20:32,640 --> 00:20:37,119 Speaker 3: Delano's composition work in Vietri sul Mare is exemplary, won't 433 00:20:37,160 --> 00:20:38,040 Speaker 3: you say, mister Betton? 434 00:20:38,480 --> 00:20:43,919 Speaker 9: Almost as exemplary as my last hand, right, mister Burton, 435 00:20:44,000 --> 00:20:51,320 Speaker 9: your hand first? Straight flush a. Apologies, mister Bancroft. 436 00:20:51,680 --> 00:20:53,600 Speaker 11: I'm afraid the night just is in your night. 437 00:20:55,600 --> 00:20:55,840 Speaker 7: You know. 438 00:20:56,480 --> 00:20:59,639 Speaker 3: The funny thing about Margaret Delano's work is that up 439 00:20:59,680 --> 00:21:02,600 Speaker 3: close the colors she chose don't work. 440 00:21:03,240 --> 00:21:04,760 Speaker 6: They clash and fight to. 441 00:21:04,720 --> 00:21:08,000 Speaker 3: One another, like they've been painted by someone looking through 442 00:21:08,000 --> 00:21:12,199 Speaker 3: a prism. But as you step back, they start to 443 00:21:12,280 --> 00:21:17,720 Speaker 3: blend together, like a symphony. The waves, then the sand, 444 00:21:18,040 --> 00:21:23,640 Speaker 3: the elements all merged to form a perfect union, much 445 00:21:23,760 --> 00:21:24,040 Speaker 3: like this. 446 00:21:24,400 --> 00:21:26,680 Speaker 6: What are you hiding, mister Bancraft. 447 00:21:27,280 --> 00:21:36,680 Speaker 12: Oh, loyal flush ah, as I see it. 448 00:21:37,480 --> 00:21:42,000 Speaker 15: I have two options, mister Bancraft. Option one, I throw 449 00:21:42,000 --> 00:21:44,320 Speaker 15: you overboard with a chair tied to your ankle and 450 00:21:44,359 --> 00:21:48,840 Speaker 15: pretend this game never happened. Option two, I give you 451 00:21:48,880 --> 00:21:52,520 Speaker 15: the painting, because I'm a man of my word. 452 00:21:53,680 --> 00:22:00,560 Speaker 9: Well, the painting is yours, Edwin Bancraft. Lucky for me, 453 00:22:01,280 --> 00:22:03,600 Speaker 9: I have this dealer eating out of the palm of 454 00:22:03,640 --> 00:22:06,359 Speaker 9: my hand. Next game is mine. 455 00:22:07,480 --> 00:22:12,240 Speaker 7: Dig right here, Leonard. 456 00:22:11,320 --> 00:22:14,320 Speaker 9: Saw mister Bankrft here to his prize. Looks like the 457 00:22:14,359 --> 00:22:16,840 Speaker 9: Delano has found another home for now. 458 00:22:17,359 --> 00:22:20,159 Speaker 16: That was a hell of a game, mister Bancroft, at 459 00:22:20,240 --> 00:22:23,040 Speaker 16: least the part I caught. Let's take a little stroll, 460 00:22:23,280 --> 00:22:24,439 Speaker 16: inspect the merchandise. 461 00:22:26,359 --> 00:22:28,280 Speaker 3: It was a pleasure doing business with you, mister. 462 00:22:28,480 --> 00:22:32,320 Speaker 9: Be indeed and make sure you join us on the 463 00:22:32,400 --> 00:22:34,200 Speaker 9: downstairs deck in a few minutes. 464 00:22:34,720 --> 00:22:37,240 Speaker 11: Wouldn't want you to miss a summer sunset. 465 00:22:36,840 --> 00:22:40,359 Speaker 6: Over the hudside. Of course, we'll be down in a 466 00:22:40,440 --> 00:22:56,359 Speaker 6: jiff next dalling Gigi. Please don't do anything stupid. 467 00:22:57,080 --> 00:23:05,639 Speaker 16: Me never one crest. That was a greade acon, smooth, slick, confident. 468 00:23:06,480 --> 00:23:09,680 Speaker 16: Everything I taught you in our sessions was on full display. 469 00:23:10,280 --> 00:23:14,440 Speaker 16: You deserve that painting, one, especially after what phedenomenaill put 470 00:23:14,480 --> 00:23:14,879 Speaker 16: you through. 471 00:23:25,640 --> 00:23:27,280 Speaker 6: Oh my god, after you. 472 00:23:27,240 --> 00:23:31,320 Speaker 11: Pyetri, It's wow. 473 00:23:32,440 --> 00:23:33,720 Speaker 6: It still takes my breath away. 474 00:23:34,280 --> 00:23:39,000 Speaker 16: God one, you're so genuine. I always thought that was 475 00:23:39,000 --> 00:23:41,560 Speaker 16: a liability in this line of work. But that show 476 00:23:41,640 --> 00:23:45,480 Speaker 16: you put on up there masterful. You really believed you 477 00:23:45,520 --> 00:23:49,000 Speaker 16: were Edwin Bancroft, and so did everyone else. 478 00:23:49,440 --> 00:23:52,119 Speaker 3: Gigi, you know I have to walk off this boat 479 00:23:52,160 --> 00:23:55,960 Speaker 3: with this painting. Everyone saw me win it fair and square, 480 00:23:56,600 --> 00:24:01,080 Speaker 3: so I'm gonna take it now, nice and slowly. 481 00:24:01,400 --> 00:24:05,680 Speaker 16: One, I have a proposition for you. 482 00:24:05,720 --> 00:24:06,440 Speaker 6: Excuse me. 483 00:24:08,160 --> 00:24:12,800 Speaker 16: Forget the Ernando work with me. You and I did 484 00:24:12,840 --> 00:24:15,760 Speaker 16: this together. Whether or not you realize it or not, 485 00:24:16,240 --> 00:24:17,879 Speaker 16: we would make an amazing team. 486 00:24:18,040 --> 00:24:22,359 Speaker 3: One, Stephanie, I'll be a second. 487 00:24:22,359 --> 00:24:25,080 Speaker 16: Okay, come in, Stephanie, join us. 488 00:24:25,520 --> 00:24:28,120 Speaker 6: No, Stephanie, Oh my god? 489 00:24:28,640 --> 00:24:30,960 Speaker 16: Is that I was just offering Juan a little deal? 490 00:24:31,440 --> 00:24:33,879 Speaker 16: And yes, I know you two are working together. 491 00:24:34,160 --> 00:24:37,200 Speaker 1: What are you talking about? I'm here to network and 492 00:24:37,240 --> 00:24:37,879 Speaker 1: that's girl. 493 00:24:37,960 --> 00:24:39,000 Speaker 3: You can do better than that. 494 00:24:39,359 --> 00:24:41,840 Speaker 16: I recognize you from the museum the second you side 495 00:24:41,880 --> 00:24:44,600 Speaker 16: it up to me at the bar. You're smart, that's sure, 496 00:24:44,640 --> 00:24:48,720 Speaker 16: but not this pretentious Galerina act with all that vacant article. 497 00:24:48,800 --> 00:24:57,000 Speaker 2: Okay, hey, let her go. 498 00:24:57,400 --> 00:24:59,840 Speaker 17: No, it's your last lesson. 499 00:25:00,080 --> 00:25:00,240 Speaker 8: One. 500 00:25:01,000 --> 00:25:02,360 Speaker 17: Make the choice. 501 00:25:02,960 --> 00:25:06,080 Speaker 16: What's it gonna be afraid for your painting? 502 00:25:06,320 --> 00:25:21,359 Speaker 17: You make a choice. One? 503 00:25:08,160 --> 00:25:24,320 Speaker 8: Why are you in here? 504 00:25:27,040 --> 00:25:32,160 Speaker 2: Oh my god? Who did this to you? 505 00:25:32,240 --> 00:25:32,840 Speaker 6: Right right right? 506 00:25:34,600 --> 00:25:36,200 Speaker 2: Okay, what did you say? 507 00:25:38,600 --> 00:25:42,639 Speaker 16: I said, why don't you ask one and his new partner? 508 00:25:42,880 --> 00:25:45,080 Speaker 2: That's where is he? That's what I'm asking you? Where 509 00:25:45,200 --> 00:25:45,399 Speaker 2: is he? 510 00:25:45,520 --> 00:25:47,160 Speaker 16: Why do you look like Steve Buscemi? 511 00:25:47,280 --> 00:25:47,600 Speaker 6: Right now? 512 00:25:47,600 --> 00:25:48,200 Speaker 2: Oh my god? 513 00:25:52,400 --> 00:25:56,160 Speaker 16: What's like the student has officially become the teacher. Better 514 00:25:56,200 --> 00:25:59,520 Speaker 16: hurry because it sounds like that chopper is almost swarmed up? 515 00:26:00,760 --> 00:26:12,960 Speaker 18: What what? 516 00:26:12,960 --> 00:26:13,000 Speaker 7: What? 517 00:26:13,359 --> 00:26:14,800 Speaker 6: Scun? 518 00:26:15,160 --> 00:26:15,200 Speaker 8: What? 519 00:26:17,080 --> 00:26:19,959 Speaker 3: Seventy's taking the paintings to missus Levingston in the Hudson 520 00:26:20,040 --> 00:26:21,320 Speaker 3: Valley where it belonged. 521 00:26:21,520 --> 00:26:23,680 Speaker 2: I don't understand. Why are you wearing a scuba suit? 522 00:26:24,680 --> 00:26:26,280 Speaker 6: I thought you couldn't switch. 523 00:26:26,359 --> 00:26:29,720 Speaker 3: I lied something you're pretty familiar with. I realized what 524 00:26:30,240 --> 00:26:33,440 Speaker 3: we found the files, and you're safe at the facility. 525 00:26:33,800 --> 00:26:34,679 Speaker 6: That one's proving. 526 00:26:34,800 --> 00:26:37,280 Speaker 3: You push Gigi out of the airplane, not the other 527 00:26:37,280 --> 00:26:40,600 Speaker 3: way around. You left her to rot in a cell 528 00:26:40,680 --> 00:26:43,679 Speaker 3: in Zurich. What kind of person does that to their 529 00:26:43,680 --> 00:26:47,080 Speaker 3: own family. I don't have anything left to say. 530 00:26:47,160 --> 00:26:51,160 Speaker 6: I trusted and I trusted you. I guess we both 531 00:26:51,160 --> 00:26:52,120 Speaker 6: made that mistake. 532 00:26:51,920 --> 00:26:54,520 Speaker 2: Well, and I was doing this for you, not for 533 00:26:54,640 --> 00:26:58,120 Speaker 2: my dad, not for Gig. I didn't care about the painting. Anymore. 534 00:26:58,400 --> 00:26:59,199 Speaker 2: I cared about you. 535 00:27:00,520 --> 00:27:04,600 Speaker 3: You're just like the Delano from far away. You're gorgeous 536 00:27:04,880 --> 00:27:09,280 Speaker 3: and well composed, but up close the colors just clash 537 00:27:09,400 --> 00:27:10,159 Speaker 3: for dominance. 538 00:27:12,080 --> 00:27:13,960 Speaker 6: You're literally at war with yourself. 539 00:27:13,600 --> 00:27:17,080 Speaker 3: Fernando, and I understand how that feels. 540 00:27:17,600 --> 00:27:19,640 Speaker 6: I was there for a really, really. 541 00:27:19,320 --> 00:27:23,120 Speaker 3: Long time, but I'm not there anymore, and I don't 542 00:27:23,119 --> 00:27:25,439 Speaker 3: think I can be with someone who is. 543 00:27:26,640 --> 00:27:26,840 Speaker 5: Well. 544 00:27:27,000 --> 00:27:27,920 Speaker 2: Just give me a chance. 545 00:27:27,960 --> 00:27:29,920 Speaker 3: Goodbye, Fernando. 546 00:27:29,200 --> 00:27:31,840 Speaker 15: What Just? 547 00:27:43,240 --> 00:27:47,320 Speaker 1: The Setup was produced by Sono in partnership with Iheart'smkultura 548 00:27:47,440 --> 00:27:52,440 Speaker 1: podcast network. Created and written by Ivy Marie and Philippe Baujan, 549 00:27:53,920 --> 00:27:59,919 Speaker 1: directed by Bettina Lopez, Produced by Luis Luardo Castillo, develop 550 00:28:00,119 --> 00:28:06,280 Speaker 1: by Bettina Lopez, story editing by Nick Milanz. Executive produced 551 00:28:06,320 --> 00:28:10,280 Speaker 1: by Harvey Guillen and Christian Navarro. Connel Byrne and Giselle 552 00:28:10,359 --> 00:28:15,120 Speaker 1: Bances for iHeart and Camilla Victoriano and Joshua Weinstein for Sonorro. 553 00:28:16,400 --> 00:28:24,400 Speaker 1: Performances in this episode by Harvey Gillen, Christian Navarro, Daniela Alonso, 554 00:28:25,280 --> 00:28:31,520 Speaker 1: j D. Garfield, Sofina de Jesus, Nico Farrow, Jackson Gutierrez, 555 00:28:32,119 --> 00:28:37,600 Speaker 1: and Philippe Baujan. Our production and supervising managers are Gustavua. 556 00:28:37,200 --> 00:28:38,800 Speaker 6: Riler and quern Sa Chaires. 557 00:28:39,920 --> 00:28:44,280 Speaker 1: Recording engineering and sound designed by Edwin Irigoying, Juan Dias 558 00:28:44,360 --> 00:28:49,280 Speaker 1: and Andres Bayena. Casting and coordination by Ansley Martinez and 559 00:28:49,400 --> 00:28:54,880 Speaker 1: Alex Gonzalez. Voices recorded at The Invisible Studios in Los Angeles, 560 00:28:55,040 --> 00:28:58,200 Speaker 1: The Relic Room in New York, and Cabby Sound Studios 561 00:28:58,240 --> 00:29:03,360 Speaker 1: in Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin, 562 00:29:03,600 --> 00:29:09,400 Speaker 1: and Colin Unkerlier. If you're enjoying the set up, please subscribe, rate, 563 00:29:09,440 --> 00:29:11,600 Speaker 1: and review our show wherever you're listening