1
00:00:05,200 --> 00:00:09,200
Speaker 1: The Sea, Episode eight, Imposter syndrome.

2
00:00:17,360 --> 00:00:17,599
Speaker 2: One.

3
00:00:18,520 --> 00:00:22,320
Speaker 3: Good morning, Sunshine. It's me obviously. Look, I had to

4
00:00:22,320 --> 00:00:24,600
Speaker 3: go to a boy lesson. I need to take care

5
00:00:24,640 --> 00:00:26,720
Speaker 3: of a few things for her. I'll meet you up.

6
00:00:27,000 --> 00:00:29,280
Speaker 3: I'll meet you up later. So there's an espresso pod

7
00:00:29,600 --> 00:00:31,960
Speaker 3: in the drawer next to the bridge. And oh, hey,

8
00:00:32,000 --> 00:00:34,840
Speaker 3: do you mind taking India out for a quick walk.

9
00:00:34,920 --> 00:00:37,120
Speaker 3: Oh and I left your key under the mat and

10
00:00:37,760 --> 00:00:39,760
Speaker 3: we'll make yourself at home.

11
00:00:41,159 --> 00:00:45,440
Speaker 4: Okay, you don't need to go out right now, do

12
00:00:45,479 --> 00:00:47,040
Speaker 4: you Indian like I have time to make a cup

13
00:00:47,080 --> 00:00:47,519
Speaker 4: of coffee?

14
00:00:47,560 --> 00:00:47,920
Speaker 2: Please?

15
00:00:48,840 --> 00:00:55,800
Speaker 4: Okay, yeah, I got it, just one quick call. Hey,

16
00:00:56,560 --> 00:01:09,120
Speaker 4: we need to talk. I appreciate you meeting me, Dad.

17
00:01:10,880 --> 00:01:14,200
Speaker 5: I didn't realize you needed a security detail to talk

18
00:01:14,280 --> 00:01:17,920
Speaker 5: to your father. Giewobba wouldn't have been my first choice.

19
00:01:18,240 --> 00:01:20,080
Speaker 2: This is this is Indy.

20
00:01:21,520 --> 00:01:24,959
Speaker 5: Why am I here, Fernando, And please tell me it's

21
00:01:25,040 --> 00:01:27,560
Speaker 5: not to introduce me to your new bet.

22
00:01:27,920 --> 00:01:31,200
Speaker 2: No, No, it's okay, Dad.

23
00:01:31,280 --> 00:01:34,959
Speaker 4: I don't have I don't have the painting, and I

24
00:01:35,000 --> 00:01:35,440
Speaker 4: never did.

25
00:01:35,680 --> 00:01:39,880
Speaker 2: I did get close, really really close. But I guess

26
00:01:39,880 --> 00:01:43,839
Speaker 2: you got what you wanted in the end, because Gigi.

27
00:01:43,400 --> 00:01:45,399
Speaker 4: Has the Delano and she stole it right out from

28
00:01:45,440 --> 00:01:47,320
Speaker 4: under me. I never started coming.

29
00:01:48,440 --> 00:01:54,560
Speaker 5: Well, I can't say I'm surprised after everything between you two,

30
00:01:55,360 --> 00:01:57,800
Speaker 5: Gigi was clearly trying to send you a message.

31
00:01:59,200 --> 00:01:59,400
Speaker 2: Dad.

32
00:01:59,520 --> 00:02:04,440
Speaker 5: If you really think I didn't know Gigi had the painting,

33
00:02:04,960 --> 00:02:07,160
Speaker 5: she called me the second she acquired it.

34
00:02:07,560 --> 00:02:08,760
Speaker 2: So I'm going to ask you.

35
00:02:08,760 --> 00:02:11,799
Speaker 5: Again, why did you call me here?

36
00:02:12,240 --> 00:02:15,520
Speaker 2: Well, it's good, it's complicated.

37
00:02:15,560 --> 00:02:18,880
Speaker 4: I I wanted to tell you that.

38
00:02:19,360 --> 00:02:22,960
Speaker 5: Stop waimpering and tell me why I came all the

39
00:02:22,960 --> 00:02:26,760
Speaker 5: way downtown, or I'll toss you and that little rat

40
00:02:26,880 --> 00:02:28,080
Speaker 5: because I'm done.

41
00:02:28,800 --> 00:02:31,560
Speaker 4: I'm done, Dad, with all of it. I'm done with

42
00:02:31,600 --> 00:02:34,160
Speaker 4: the business and the lies. I'm done leaving a wake

43
00:02:34,200 --> 00:02:35,359
Speaker 4: of destruction.

44
00:02:35,040 --> 00:02:35,799
Speaker 2: Everywhere I go.

45
00:02:36,000 --> 00:02:37,400
Speaker 5: You're being a coward.

46
00:02:37,520 --> 00:02:41,440
Speaker 2: I am done trying to calm my way into being

47
00:02:41,440 --> 00:02:42,600
Speaker 2: the son you always wanted.

48
00:02:42,800 --> 00:02:44,679
Speaker 4: For the first time in my life, I met someone

49
00:02:44,720 --> 00:02:47,640
Speaker 4: who actually cares about me. He thinks of me before

50
00:02:47,639 --> 00:02:49,720
Speaker 4: he thinks of himself, and he makes me so.

51
00:02:49,639 --> 00:02:51,280
Speaker 2: Happy, so happy.

52
00:02:54,600 --> 00:02:57,680
Speaker 5: None, though, did I ever tell you how your mother

53
00:02:57,800 --> 00:02:58,480
Speaker 5: and I met?

54
00:02:58,880 --> 00:03:00,840
Speaker 2: I guess, but no, I guess not.

55
00:03:02,520 --> 00:03:06,919
Speaker 5: Your mother's parents were long standing clients of the business.

56
00:03:07,680 --> 00:03:12,240
Speaker 5: You're a weello knew that maintaining our family's relationship would

57
00:03:12,280 --> 00:03:17,480
Speaker 5: be beneficial strengthen both family names. So they set us up.

58
00:03:17,639 --> 00:03:21,600
Speaker 2: A minute, you and Mommy, it was it was arranged.

59
00:03:21,880 --> 00:03:22,919
Speaker 2: No no, no, no no.

60
00:03:23,120 --> 00:03:27,320
Speaker 5: It was strategic, and I understood, even at a young age,

61
00:03:27,680 --> 00:03:31,240
Speaker 5: that my purpose in life was to lead the family business,

62
00:03:31,680 --> 00:03:35,600
Speaker 5: to ensure its longevity for the generations to come. That's

63
00:03:35,640 --> 00:03:38,440
Speaker 5: the way it's always been with the men in our family.

64
00:03:38,920 --> 00:03:41,440
Speaker 5: You marry for the good of the business.

65
00:03:41,720 --> 00:03:42,800
Speaker 2: I love him, Dad.

66
00:03:43,000 --> 00:03:46,280
Speaker 5: It doesn't matter. You think you'll have a better life

67
00:03:46,680 --> 00:03:49,760
Speaker 5: running off with this new boyfriend of yours, that all

68
00:03:49,800 --> 00:03:53,840
Speaker 5: your problems will magically disappear. You can't run from what's

69
00:03:53,880 --> 00:03:54,720
Speaker 5: in your blood.

70
00:03:54,840 --> 00:03:56,560
Speaker 2: What do you care if I run, I'm giving you

71
00:03:56,600 --> 00:03:58,560
Speaker 2: an out. You've always favored Gigi.

72
00:03:58,400 --> 00:04:01,520
Speaker 5: Anyway, Oh no, no no, Inju and Gigi against each

73
00:04:01,520 --> 00:04:04,680
Speaker 5: other on purpose. She made you a better con. You've

74
00:04:04,720 --> 00:04:08,880
Speaker 5: always needed an extra push, Fernando, even if you didn't

75
00:04:08,920 --> 00:04:09,120
Speaker 5: know it.

76
00:04:09,200 --> 00:04:10,880
Speaker 2: This is exactly what I'm doing. I didn't need an

77
00:04:10,880 --> 00:04:14,360
Speaker 2: extra push. I needed my life is in some game.

78
00:04:15,040 --> 00:04:16,360
Speaker 2: Come on, Indy, let's get out of here.

79
00:04:16,560 --> 00:04:21,320
Speaker 5: Ah, you can try to protect your boyfriend from me. Fernando,

80
00:04:21,600 --> 00:04:23,760
Speaker 5: but can you protect him from you?

81
00:04:41,760 --> 00:04:44,560
Speaker 6: Okay, I can do this. I got this.

82
00:04:47,480 --> 00:04:50,599
Speaker 7: Good afternoon, horn, delightful to hear from you.

83
00:04:50,839 --> 00:04:53,440
Speaker 6: Gg. I trust Fernando no matter his history.

84
00:04:53,720 --> 00:04:55,680
Speaker 3: In our session a few weeks ago, you told me

85
00:04:55,839 --> 00:04:57,520
Speaker 3: that our past shouldn't define her present.

86
00:04:57,760 --> 00:04:59,680
Speaker 7: So that doesn't mean we should ignore it either.

87
00:05:00,160 --> 00:05:02,320
Speaker 6: I believe people can change.

88
00:05:02,560 --> 00:05:10,240
Speaker 7: I have people can change, but Fernando won't one.

89
00:05:11,000 --> 00:05:14,640
Speaker 4: It's made Fernando, Hi, Hi, Hey, Hey, it's everything.

90
00:05:14,640 --> 00:05:15,599
Speaker 2: Okay you've seen No?

91
00:05:15,720 --> 00:05:15,880
Speaker 7: Fine?

92
00:05:15,960 --> 00:05:17,359
Speaker 6: Yeah, no, never better? You know?

93
00:05:18,040 --> 00:05:18,400
Speaker 2: How are you?

94
00:05:18,760 --> 00:05:20,720
Speaker 6: What did you and Indy head off to? Oh?

95
00:05:20,720 --> 00:05:23,880
Speaker 2: Well, we went to we went to go talk to

96
00:05:23,880 --> 00:05:24,200
Speaker 2: my dad.

97
00:05:24,279 --> 00:05:27,360
Speaker 3: Actually, I'm guessing you too, didn't bond over a couple

98
00:05:27,400 --> 00:05:27,839
Speaker 3: of beers.

99
00:05:28,560 --> 00:05:32,400
Speaker 4: No, I told him the truth about Gigi out conning

100
00:05:32,480 --> 00:05:35,880
Speaker 4: us about leaving the family business. I'm and that I'm

101
00:05:35,880 --> 00:05:36,680
Speaker 4: in love with you.

102
00:05:36,680 --> 00:05:37,360
Speaker 6: You said what?

103
00:05:38,200 --> 00:05:39,120
Speaker 2: Oh?

104
00:05:39,279 --> 00:05:42,440
Speaker 4: I said, I love you one, and I need you

105
00:05:42,480 --> 00:05:44,560
Speaker 4: to know that I care about you more than I

106
00:05:44,600 --> 00:05:45,159
Speaker 4: care about.

107
00:05:44,960 --> 00:05:47,760
Speaker 3: The stupid job, honestly. For no, this is this is

108
00:05:47,800 --> 00:05:49,400
Speaker 3: everything I've ever wanted.

109
00:05:49,520 --> 00:05:51,360
Speaker 2: Oh why do I feel like there's a butt at

110
00:05:51,360 --> 00:05:52,279
Speaker 2: the end of that sentence?

111
00:05:52,360 --> 00:05:53,640
Speaker 6: But I can't.

112
00:05:54,040 --> 00:05:57,560
Speaker 3: I don't want you to be thinking what if as

113
00:05:57,600 --> 00:05:59,080
Speaker 3: we start our future together?

114
00:05:59,120 --> 00:05:59,720
Speaker 2: No I won't.

115
00:05:59,839 --> 00:06:00,640
Speaker 6: I think you will.

116
00:06:00,880 --> 00:06:04,000
Speaker 3: And that's okay. This is all you've ever known. But

117
00:06:04,360 --> 00:06:07,839
Speaker 3: I think in order to move on you have to

118
00:06:07,920 --> 00:06:09,920
Speaker 3: close down this chapter for good.

119
00:06:10,040 --> 00:06:12,480
Speaker 2: Okay, what are you suggesting?

120
00:06:12,560 --> 00:06:15,800
Speaker 3: Well, take back the con what to prove to yourself

121
00:06:16,080 --> 00:06:16,960
Speaker 3: that you can do it?

122
00:06:17,880 --> 00:06:18,600
Speaker 6: Know what ifs?

123
00:06:18,760 --> 00:06:22,560
Speaker 3: And once we have the painting, we say screw you

124
00:06:22,680 --> 00:06:24,640
Speaker 3: to everybody and start our life together.

125
00:06:26,520 --> 00:06:28,720
Speaker 2: What did I do to deserve you?

126
00:06:29,040 --> 00:06:30,040
Speaker 6: Who says he deserves me?

127
00:06:31,440 --> 00:06:35,920
Speaker 2: Okay, okay, you're the boss. Then what's next?

128
00:06:35,960 --> 00:06:37,760
Speaker 3: Well, we need a plan of attack.

129
00:06:41,160 --> 00:06:44,159
Speaker 4: The transaction is taking place on Leonard Burton's yacht doc

130
00:06:44,320 --> 00:06:48,040
Speaker 4: just north of Chelsea peuse exclusive invite list high security,

131
00:06:48,480 --> 00:06:50,720
Speaker 4: but the water traffic on the Hudson will be high

132
00:06:50,760 --> 00:06:53,080
Speaker 4: at that time of day, so we should be able

133
00:06:53,080 --> 00:06:55,440
Speaker 4: to blend in with the smaller marine vessels and monitor

134
00:06:55,440 --> 00:06:57,840
Speaker 4: the transaction from the jet skis at a safe distance.

135
00:06:57,839 --> 00:06:58,640
Speaker 6: Oh wait, why.

136
00:06:58,520 --> 00:07:00,920
Speaker 3: Don't we just take the painting before or the transaction

137
00:07:01,080 --> 00:07:01,839
Speaker 3: actually happens?

138
00:07:02,040 --> 00:07:02,920
Speaker 6: Cut Gigi off him.

139
00:07:03,520 --> 00:07:06,719
Speaker 4: No, we wanted to think she's one. I know gg

140
00:07:07,080 --> 00:07:08,880
Speaker 4: she gets lazy when she thinks the job is.

141
00:07:08,800 --> 00:07:11,000
Speaker 2: In the bag. She'll have her guard down. It's the

142
00:07:11,000 --> 00:07:17,880
Speaker 2: perfect time of strike. Phase two. Find a way on board.

143
00:07:17,920 --> 00:07:19,680
Speaker 3: Do you still have that a fancy suit from when

144
00:07:19,720 --> 00:07:21,120
Speaker 3: we stuck into the museum.

145
00:07:21,120 --> 00:07:21,920
Speaker 2: That won't be enough.

146
00:07:22,120 --> 00:07:24,560
Speaker 4: The guest list on that yacht will be iron clad

147
00:07:24,960 --> 00:07:27,000
Speaker 4: unless you're a pretty girl. Leonard has a weakness for

148
00:07:27,040 --> 00:07:30,000
Speaker 4: younger women. The boat staff will have already been hired,

149
00:07:30,040 --> 00:07:31,720
Speaker 4: so we could try posing as dock workers.

150
00:07:31,720 --> 00:07:34,640
Speaker 3: Maybe there's no way in hell I'll pass the dock worker. Okay,

151
00:07:34,640 --> 00:07:36,400
Speaker 3: people will spot that bluff from am all.

152
00:07:36,320 --> 00:07:38,440
Speaker 2: Away A bluff one, that's it.

153
00:07:38,480 --> 00:07:39,200
Speaker 6: Okay, I don't follow.

154
00:07:39,320 --> 00:07:41,200
Speaker 2: Leonard isn't just a showman with his money.

155
00:07:41,440 --> 00:07:42,400
Speaker 6: He's a gambler.

156
00:07:42,840 --> 00:07:43,840
Speaker 2: Every party he's.

157
00:07:43,720 --> 00:07:48,000
Speaker 4: Ever thrown always involves an elaborate poker game with insane stakes.

158
00:07:47,880 --> 00:07:49,760
Speaker 6: Which means I'll sneak.

159
00:07:49,480 --> 00:07:51,520
Speaker 2: On board as a poker dealer. I've got the perfect

160
00:07:51,520 --> 00:07:52,120
Speaker 2: disguise for it.

161
00:07:52,280 --> 00:07:54,000
Speaker 6: Okay, but Leonard knows who you are.

162
00:07:54,120 --> 00:07:56,160
Speaker 4: I still got a few tricks up my sleeve. Have

163
00:07:56,200 --> 00:07:58,400
Speaker 4: you ever see that movie Face Off with John Travolta?

164
00:07:58,480 --> 00:07:59,080
Speaker 1: Are you serious?

165
00:07:59,120 --> 00:08:00,040
Speaker 6: You can do that?

166
00:08:00,360 --> 00:08:02,840
Speaker 4: Well, it's not as complicated these days prosthetic makeup, a

167
00:08:02,960 --> 00:08:03,520
Speaker 4: lace wig.

168
00:08:03,920 --> 00:08:06,280
Speaker 2: Leonard will be so focused on the game he'll barely

169
00:08:06,280 --> 00:08:07,520
Speaker 2: be paying attention to my face.

170
00:08:07,640 --> 00:08:08,560
Speaker 6: Well, but what about me?

171
00:08:08,800 --> 00:08:12,440
Speaker 4: Well you, Chilito, Well someone's got to wear that fancy

172
00:08:12,440 --> 00:08:14,920
Speaker 4: suit and we both know you will look damn fine

173
00:08:14,960 --> 00:08:15,240
Speaker 4: in it.

174
00:08:16,880 --> 00:08:20,320
Speaker 3: Okay, so we're on board. Phase three, locate Delano.

175
00:08:20,440 --> 00:08:23,760
Speaker 4: Leonard's security detail will have stored the Delano somewhere secure

176
00:08:23,920 --> 00:08:26,280
Speaker 4: on board. It'll be heavily guarded, so we need a

177
00:08:26,320 --> 00:08:28,160
Speaker 4: reason for him to bring it out and show it

178
00:08:28,200 --> 00:08:30,440
Speaker 4: off to everyone. We need to get Leonard to use

179
00:08:30,480 --> 00:08:33,079
Speaker 4: the Delano as collateral in the poker game.

180
00:08:33,480 --> 00:08:36,040
Speaker 3: I'm terrible card games, not to mention, I have absolutely

181
00:08:36,080 --> 00:08:36,720
Speaker 3: no poker face.

182
00:08:36,760 --> 00:08:38,920
Speaker 2: Oh, which, it's fine. I'll feed you cards.

183
00:08:39,000 --> 00:08:41,360
Speaker 4: We'll make sure you lose the first round, make Leonard

184
00:08:41,400 --> 00:08:43,760
Speaker 4: think he has the upper hand, and then you raise

185
00:08:43,840 --> 00:08:45,240
Speaker 4: the steaks by.

186
00:08:45,120 --> 00:08:46,079
Speaker 2: Betting on the Delano.

187
00:08:46,480 --> 00:08:47,640
Speaker 6: And if I win.

188
00:08:48,000 --> 00:08:49,920
Speaker 4: Leonard plays dirty, but he's a man of his word.

189
00:08:50,080 --> 00:08:51,640
Speaker 4: It's the one thing he prides himself on.

190
00:08:52,559 --> 00:08:55,480
Speaker 2: Chulito. If you win, that painting is ours.

191
00:08:56,400 --> 00:08:57,199
Speaker 6: Well, what about Gigi?

192
00:08:57,240 --> 00:08:59,520
Speaker 3: The second the painting's put on the table, She'll be

193
00:08:59,559 --> 00:09:00,280
Speaker 3: on high alert.

194
00:09:00,320 --> 00:09:02,679
Speaker 2: Welcome to phase four. A distraction.

195
00:09:03,320 --> 00:09:06,360
Speaker 4: You fake a medical emergency, I recommend heart palpitations, a

196
00:09:06,360 --> 00:09:07,080
Speaker 4: little flaming.

197
00:09:06,880 --> 00:09:07,280
Speaker 8: In the mouth.

198
00:09:07,440 --> 00:09:09,800
Speaker 4: It's showing and it'll cause enough chaos on board to

199
00:09:09,800 --> 00:09:12,440
Speaker 4: lose Gigi and make our way up to the helipad

200
00:09:12,480 --> 00:09:12,920
Speaker 4: with the paint.

201
00:09:13,080 --> 00:09:14,800
Speaker 6: Wait helipad as in helicopter.

202
00:09:14,960 --> 00:09:16,960
Speaker 2: Yes, I will be waiting for you in the Hold

203
00:09:17,000 --> 00:09:17,480
Speaker 2: on a second.

204
00:09:17,480 --> 00:09:19,520
Speaker 3: What you can fly a helicopter.

205
00:09:19,120 --> 00:09:20,959
Speaker 2: Well, it's easier than flying a jet, trust.

206
00:09:20,679 --> 00:09:24,520
Speaker 6: Me, Fernando. If Gigi spots one of us, it's game over.

207
00:09:25,200 --> 00:09:25,520
Speaker 9: You know what.

208
00:09:25,840 --> 00:09:29,960
Speaker 4: I think we need a bigger distraction, something something, not

209
00:09:30,080 --> 00:09:32,240
Speaker 4: something someone?

210
00:09:33,520 --> 00:09:34,440
Speaker 2: Well, who are you calling?

211
00:09:34,920 --> 00:09:36,719
Speaker 6: Hold on our distraction?

212
00:09:42,200 --> 00:09:45,440
Speaker 7: Shit, Juan, you're alive. What William said? You extended your

213
00:09:45,440 --> 00:09:48,160
Speaker 7: mental health a sabbatical? I don't buy it. You and

214
00:09:48,240 --> 00:09:49,280
Speaker 7: Fernando or on baking.

215
00:09:49,400 --> 00:09:53,600
Speaker 10: Aren't yo where parrots grease Abiza?

216
00:09:54,160 --> 00:09:54,319
Speaker 2: Well?

217
00:09:54,360 --> 00:09:57,480
Speaker 3: No, actually, Stephanie, Uh, Fernando and I are having a

218
00:09:57,520 --> 00:10:01,000
Speaker 3: little staycation in the city and we wanted to invite

219
00:10:01,040 --> 00:10:04,680
Speaker 3: you to an event tonight, exclusive guest list art world

220
00:10:04,800 --> 00:10:08,559
Speaker 3: A listers only. I'm there, all right, I'll take see

221
00:10:08,600 --> 00:10:09,120
Speaker 3: the details.

222
00:10:10,160 --> 00:10:13,240
Speaker 2: That is genius. If anybody can give gg a run

223
00:10:13,320 --> 00:10:14,000
Speaker 2: for our money.

224
00:10:14,240 --> 00:10:16,200
Speaker 3: It's Stephanie.

225
00:10:17,000 --> 00:10:17,320
Speaker 2: Okay.

226
00:10:17,440 --> 00:10:20,320
Speaker 4: By the time anyone realizes something's off, we'll be sailing

227
00:10:20,360 --> 00:10:23,720
Speaker 4: into the horizon, or I mean, flying off into the sunset,

228
00:10:24,160 --> 00:10:27,040
Speaker 4: on our way to our own new life.

229
00:10:26,960 --> 00:10:32,320
Speaker 2: People call stress, Why are you okay?

230
00:10:32,520 --> 00:10:36,880
Speaker 6: Yeah, no, I'm good. I'm good. I'm totally good.

231
00:10:36,960 --> 00:10:39,560
Speaker 2: To look like you're gonna be sick. One this this

232
00:10:39,600 --> 00:10:40,760
Speaker 2: whole thing is not worth it.

233
00:10:40,760 --> 00:10:44,240
Speaker 3: It is, it is, Okay, there's just there's just one

234
00:10:44,360 --> 00:10:48,120
Speaker 3: one problem. I can't I can't swim. I'm terrified have

235
00:10:48,240 --> 00:10:48,839
Speaker 3: open water.

236
00:10:49,760 --> 00:10:51,760
Speaker 2: Oh I had no idea.

237
00:10:52,640 --> 00:10:54,920
Speaker 4: Okay, well, look, don't worry about that. Once you're on

238
00:10:54,960 --> 00:10:57,440
Speaker 4: the boat, you'll be fine. I'll keep you safe until

239
00:10:57,480 --> 00:11:00,960
Speaker 4: we get you on board. You trust me, right, but for.

240
00:11:02,760 --> 00:11:06,360
Speaker 3: Hm of course, of course.

241
00:11:06,360 --> 00:11:07,960
Speaker 6: And I'm like, of course I trust you.

242
00:11:32,360 --> 00:11:36,440
Speaker 3: Innoculous Here, careful, you'll look off the prosthetics. I feel

243
00:11:36,440 --> 00:11:38,040
Speaker 3: like I'm in a jets key with Ron Burgundy.

244
00:11:38,440 --> 00:11:45,640
Speaker 2: Okay, cut the motive. I can see Gen Leonard, they're

245
00:11:45,640 --> 00:11:47,120
Speaker 2: talking on the first floor deck. Okay.

246
00:11:47,160 --> 00:11:48,520
Speaker 6: And the painting it looks like it's.

247
00:11:48,320 --> 00:11:52,120
Speaker 2: Concealed in a thin cardboard case. Pay just take around

248
00:11:52,120 --> 00:11:52,440
Speaker 2: the edges.

249
00:11:52,920 --> 00:11:56,240
Speaker 3: I hope. You mean double wall corrugated cardboard casing with

250
00:11:56,280 --> 00:11:58,679
Speaker 3: the foam lighting and climate protection seal.

251
00:11:59,200 --> 00:11:59,800
Speaker 2: Do you want to see?

252
00:12:00,080 --> 00:12:03,520
Speaker 3: Oh no, no, thank you, no, no thanks, painter's tape

253
00:12:03,520 --> 00:12:05,040
Speaker 3: on a seventeenth century masterpiece.

254
00:12:05,080 --> 00:12:05,680
Speaker 6: I might vomit.

255
00:12:05,720 --> 00:12:07,600
Speaker 2: Okay, well you look a little great. You're still nervous

256
00:12:07,640 --> 00:12:09,199
Speaker 2: about the whole open water thing.

257
00:12:09,360 --> 00:12:12,120
Speaker 3: Oh me, yeah, it's just you know, the whole not

258
00:12:12,240 --> 00:12:13,240
Speaker 3: being able to swim thing.

259
00:12:13,280 --> 00:12:16,480
Speaker 6: I'm sure. I'm sure I'll be more comfortable once I'm

260
00:12:16,520 --> 00:12:16,880
Speaker 6: on board.

261
00:12:16,960 --> 00:12:20,760
Speaker 4: Well, we are almost there, Chilito, Cheechi and Leonard are

262
00:12:20,760 --> 00:12:26,760
Speaker 4: wrapping up. Just a few more seconds and transaction complete.

263
00:12:26,920 --> 00:12:28,320
Speaker 4: You just passed the painting all up to one of

264
00:12:28,320 --> 00:12:28,840
Speaker 4: his lackies.

265
00:12:28,920 --> 00:12:29,839
Speaker 6: Okay, now what well?

266
00:12:29,840 --> 00:12:32,160
Speaker 2: Are you ready to put on that fancy suit of yours?

267
00:12:32,160 --> 00:12:33,760
Speaker 3: Ready as I'll ever be to put on a three

268
00:12:33,760 --> 00:12:35,400
Speaker 3: piece suit on the back of a jet ski with

269
00:12:35,480 --> 00:12:38,720
Speaker 3: Steve BUCHEMI are you sure you can't come through the main.

270
00:12:38,640 --> 00:12:39,040
Speaker 6: Interest with you?

271
00:12:39,200 --> 00:12:39,280
Speaker 3: Oh?

272
00:12:39,320 --> 00:12:40,160
Speaker 2: I'm sorry, Chulito.

273
00:12:40,200 --> 00:12:42,679
Speaker 4: I am staff today, but I will see you at

274
00:12:42,679 --> 00:12:46,400
Speaker 4: the poker table. This is it one, the last call,

275
00:12:47,400 --> 00:12:48,199
Speaker 4: I promise.

276
00:12:58,440 --> 00:13:00,440
Speaker 11: The last one one done.

277
00:13:00,679 --> 00:13:03,280
Speaker 3: You're doing the right thing. This is the right choice,

278
00:13:03,280 --> 00:13:04,400
Speaker 3: and you're doing that.

279
00:13:05,800 --> 00:13:06,280
Speaker 12: I get it.

280
00:13:06,520 --> 00:13:07,560
Speaker 1: Networking is a bitch.

281
00:13:08,000 --> 00:13:11,520
Speaker 3: Luckily I'm an expert, Stephanie. I can't believe I'm saying this,

282
00:13:11,600 --> 00:13:13,000
Speaker 3: but thank god you're here.

283
00:13:13,080 --> 00:13:13,880
Speaker 1: Wouldn't miss it.

284
00:13:14,240 --> 00:13:16,280
Speaker 2: I hear Christoph Werner for Berlin is here.

285
00:13:16,600 --> 00:13:18,719
Speaker 10: I keel to work at his gallery in frieda Kin.

286
00:13:19,000 --> 00:13:21,040
Speaker 3: Yeah, right, of course we have Friedrich Berner and Chris

287
00:13:21,080 --> 00:13:22,439
Speaker 3: Stockhmi's Tuesday.

288
00:13:23,240 --> 00:13:25,000
Speaker 5: Christoph Werner and the frieda Kin.

289
00:13:25,320 --> 00:13:26,800
Speaker 6: Yeah that's what I said, is it?

290
00:13:27,320 --> 00:13:30,120
Speaker 3: I'm sorry, Okay, I'm just I'm feeling kind of dizzy

291
00:13:30,160 --> 00:13:33,200
Speaker 3: and all of a sudden and oh wow, is this

292
00:13:33,240 --> 00:13:33,840
Speaker 3: stop moving?

293
00:13:33,920 --> 00:13:34,720
Speaker 11: I feel like it's moving.

294
00:13:35,240 --> 00:13:36,880
Speaker 1: What is up with you? Right now?

295
00:13:37,120 --> 00:13:38,000
Speaker 6: It's just a party?

296
00:13:38,679 --> 00:13:42,880
Speaker 1: And oh you're sweating like a lot. Please tell me

297
00:13:42,920 --> 00:13:44,400
Speaker 1: you didn't take another ecstasy for this.

298
00:13:47,160 --> 00:13:51,240
Speaker 6: Sorry, you're right, I'm good. I'm good.

299
00:13:51,440 --> 00:13:57,320
Speaker 3: Except it's not just a party. Is this like a

300
00:13:57,480 --> 00:13:58,120
Speaker 3: sex thing?

301
00:13:58,559 --> 00:13:58,599
Speaker 7: What?

302
00:13:58,840 --> 00:14:01,440
Speaker 3: No, Stephanie, No, I think I'm about to ask you

303
00:14:02,120 --> 00:14:04,480
Speaker 3: possibly the biggest favor of my life, and I need

304
00:14:04,520 --> 00:14:09,080
Speaker 3: you to trust me. There's something really important I need

305
00:14:09,080 --> 00:14:11,520
Speaker 3: to tell you before we step aboard on that yacht.

306
00:14:18,080 --> 00:14:19,280
Speaker 2: He looks like you could play broke.

307
00:14:19,400 --> 00:14:21,160
Speaker 13: Come on, sit down, I got.

308
00:14:20,960 --> 00:14:22,080
Speaker 2: You excuse me?

309
00:14:22,120 --> 00:14:22,880
Speaker 6: Are you hey?

310
00:14:22,960 --> 00:14:23,120
Speaker 14: Man?

311
00:14:23,160 --> 00:14:25,360
Speaker 13: What the hell are you doing here? I'm the only

312
00:14:25,400 --> 00:14:28,320
Speaker 13: deal on this event. It's a closed game. I signed

313
00:14:28,320 --> 00:14:29,440
Speaker 13: a freaking NDA.

314
00:14:30,160 --> 00:14:35,000
Speaker 2: Wait are you Vinnie Mardy? Who's asking, right, Marty? Sorry?

315
00:14:35,000 --> 00:14:36,560
Speaker 2: I got a cousin named Vinnie, and you know you

316
00:14:36,600 --> 00:14:37,400
Speaker 2: remind me of him.

317
00:14:37,920 --> 00:14:43,960
Speaker 13: Oh Vinnie from Bay Rich Vinnie Caprior Lotus, that's him.

318
00:14:44,080 --> 00:14:47,720
Speaker 2: Whoa hey, hey.

319
00:14:47,880 --> 00:14:52,120
Speaker 13: Vinny dated my sister but actually she cheated on him.

320
00:14:52,240 --> 00:14:57,640
Speaker 13: Get problems, poor guy, Brokes. H So the staff and

321
00:14:57,680 --> 00:15:00,400
Speaker 13: agency sent you here something what they think? I can't

322
00:15:00,440 --> 00:15:01,640
Speaker 13: do my job all of a sudden?

323
00:15:01,840 --> 00:15:03,720
Speaker 2: Oh no, no, no, I'm not here to take your job.

324
00:15:03,800 --> 00:15:05,880
Speaker 4: Your goom body agency sent me because you missed a

325
00:15:05,920 --> 00:15:09,080
Speaker 4: signature on the last page of the NBA Big problem,

326
00:15:09,200 --> 00:15:10,479
Speaker 4: big problem.

327
00:15:10,520 --> 00:15:12,240
Speaker 13: Oh oh shit?

328
00:15:12,880 --> 00:15:15,840
Speaker 4: Really yeah, look, let's go somewhere quiet, get it all

329
00:15:15,880 --> 00:15:17,840
Speaker 4: filled out before one of these rich gub on he's

330
00:15:17,880 --> 00:15:19,800
Speaker 4: realizes you can still squeal about that party.

331
00:15:19,880 --> 00:15:20,160
Speaker 3: Huh.

332
00:15:20,240 --> 00:15:25,240
Speaker 13: Oh hey, hey, this is why I love Brooklyn. We

333
00:15:25,320 --> 00:15:28,400
Speaker 13: look out for each other. How could I ever repay

334
00:15:28,480 --> 00:15:29,120
Speaker 13: you your luck?

335
00:15:29,600 --> 00:15:31,360
Speaker 4: You tell your shister to stay away from that video

336
00:15:31,360 --> 00:15:32,840
Speaker 4: and we'll call it even huh how about that?

337
00:15:32,920 --> 00:15:33,120
Speaker 15: Hey?

338
00:15:33,400 --> 00:15:37,440
Speaker 14: Hey, hey done, Let's do this and fast game stuck

339
00:15:37,480 --> 00:15:42,480
Speaker 14: in any minute. It's just around the corner here, Hey, buddy,

340
00:15:42,600 --> 00:15:44,600
Speaker 14: this is as good a place as I No one

341
00:15:44,640 --> 00:15:45,280
Speaker 14: can see us.

342
00:15:45,400 --> 00:15:46,800
Speaker 13: Let's get this thing signed.

343
00:15:46,960 --> 00:15:48,600
Speaker 2: Hey, let's do it in here. And I can't be

344
00:15:48,600 --> 00:15:50,880
Speaker 2: too sure. There's some real shifty wheelers and dealers on

345
00:15:50,920 --> 00:15:51,440
Speaker 2: this yacht.

346
00:15:51,480 --> 00:15:55,880
Speaker 13: Oh okay, okay, yeah, discretion all right, hand it over,

347
00:15:56,080 --> 00:15:58,760
Speaker 13: let's signal and deliver this bad boy?

348
00:15:59,640 --> 00:16:01,240
Speaker 11: What the hell is that a mask?

349
00:16:01,400 --> 00:16:03,720
Speaker 13: You look like fade from dart Knight Rises.

350
00:16:04,040 --> 00:16:06,760
Speaker 2: I'd say hold your breath. Too late for that.

351
00:16:06,800 --> 00:16:08,400
Speaker 11: I whoa, whoa wa, whoa whoa?

352
00:16:08,720 --> 00:16:09,360
Speaker 5: What are you doing?

353
00:16:14,520 --> 00:16:14,840
Speaker 7: All right?

354
00:16:14,880 --> 00:16:15,080
Speaker 8: Bud?

355
00:16:15,920 --> 00:16:16,480
Speaker 2: Who dreams?

356
00:16:22,520 --> 00:16:24,400
Speaker 6: Okay? Sephanie? You sure you're okay with this?

357
00:16:24,680 --> 00:16:27,080
Speaker 10: A networking event and a revenge plot?

358
00:16:27,360 --> 00:16:28,000
Speaker 1: Have you met me?

359
00:16:28,160 --> 00:16:28,440
Speaker 8: Okay?

360
00:16:28,480 --> 00:16:32,200
Speaker 3: Now, look my cover is British art mogo Edwin Boncroft.

361
00:16:32,560 --> 00:16:34,000
Speaker 3: I'm gonna stop you right there, horn.

362
00:16:34,160 --> 00:16:34,880
Speaker 1: Look at the doorman.

363
00:16:35,120 --> 00:16:37,400
Speaker 10: He's letting in every girl with a short skirt and

364
00:16:37,440 --> 00:16:38,200
Speaker 10: a dumb laugh.

365
00:16:38,360 --> 00:16:39,480
Speaker 1: Easy as playing the book.

366
00:16:39,560 --> 00:16:40,680
Speaker 3: I got this, Stephanie.

367
00:16:40,760 --> 00:16:42,120
Speaker 6: Are you sure, Stephanie? I'm on the list. So that

368
00:16:42,160 --> 00:16:43,680
Speaker 6: we don't have to make this whole thing a thing.

369
00:16:44,600 --> 00:16:46,040
Speaker 6: Names Hi, am some.

370
00:16:46,880 --> 00:16:49,280
Speaker 10: This is a cute little art party that Daddy Lenny

371
00:16:49,320 --> 00:16:51,320
Speaker 10: is throwing right, okay, excuse.

372
00:16:50,920 --> 00:16:52,920
Speaker 13: Me, miss your names.

373
00:16:53,000 --> 00:16:56,920
Speaker 5: So Lenny Lenny Burton, do you know him?

374
00:16:57,160 --> 00:16:57,240
Speaker 7: So?

375
00:16:57,400 --> 00:16:59,520
Speaker 1: Like he told me to not even.

376
00:16:59,360 --> 00:17:02,840
Speaker 10: Worry about a gain because I'm always welcome in Daddy's house,

377
00:17:03,520 --> 00:17:06,360
Speaker 10: like always welcome because.

378
00:17:07,320 --> 00:17:07,679
Speaker 1: Look at me.

379
00:17:09,960 --> 00:17:13,560
Speaker 6: Fine you go, he stays, Oh my god.

380
00:17:13,800 --> 00:17:17,199
Speaker 10: But also this is my thirsty Edwin and he's like

381
00:17:17,440 --> 00:17:21,199
Speaker 10: such a cutie and my total emotional support gay and

382
00:17:21,240 --> 00:17:23,679
Speaker 10: I can't go anywhere without him. Yes, of course, I

383
00:17:23,720 --> 00:17:26,520
Speaker 10: have really really bad social anxiety.

384
00:17:27,040 --> 00:17:29,840
Speaker 1: I need him with me, please, Okay.

385
00:17:29,600 --> 00:17:30,280
Speaker 5: Okay, I get it.

386
00:17:30,280 --> 00:17:39,920
Speaker 6: Okay, he is lucky, You're hot. Welcome on board. Holy shit, Steffani,

387
00:17:40,000 --> 00:17:40,440
Speaker 6: I can't.

388
00:17:40,240 --> 00:17:40,960
Speaker 2: Believe that worked.

389
00:17:41,119 --> 00:17:42,000
Speaker 10: Of course it did.

390
00:17:42,240 --> 00:17:45,480
Speaker 3: Straight men are the worst, that's true, look Siphany. I

391
00:17:45,520 --> 00:17:50,800
Speaker 3: promise we'll find that German artist, but first I'm.

392
00:17:50,440 --> 00:17:51,520
Speaker 2: All in the corn.

393
00:17:52,040 --> 00:17:52,480
Speaker 4: I got you.

394
00:17:52,800 --> 00:17:55,720
Speaker 10: Hurry up and do your thing because I just fought

395
00:17:55,760 --> 00:17:56,879
Speaker 10: a gig and.

396
00:17:56,760 --> 00:17:58,200
Speaker 1: That hideous red coat.

397
00:17:58,760 --> 00:17:59,080
Speaker 15: Bye.

398
00:18:00,080 --> 00:18:04,280
Speaker 11: Okay, what it's now or never?

399
00:18:10,880 --> 00:18:12,600
Speaker 2: You're playing like a chap, mister Burton.

400
00:18:12,800 --> 00:18:17,080
Speaker 9: Don't I always though, I must say, all this winning

401
00:18:17,119 --> 00:18:21,240
Speaker 9: is starting to wear thin. I'm craving something new, something exciting,

402
00:18:21,480 --> 00:18:23,159
Speaker 9: something challenging.

403
00:18:24,080 --> 00:18:26,640
Speaker 3: If you're looking for a challenge, then i'd.

404
00:18:26,400 --> 00:18:32,200
Speaker 9: Recommend dealing me in Ah, and you are bored, honestly?

405
00:18:32,720 --> 00:18:34,240
Speaker 6: Are you ready to make a wager?

406
00:18:34,440 --> 00:18:37,720
Speaker 3: Or has your lust for adventure fizzled like your mid

407
00:18:37,760 --> 00:18:38,840
Speaker 3: Prish champagne?

408
00:18:39,200 --> 00:18:45,880
Speaker 9: Oh now that's what I'm talking about, nill a gentleman

409
00:18:46,000 --> 00:18:48,159
Speaker 9: in Did you hear me?

410
00:18:48,240 --> 00:18:48,560
Speaker 3: Dealer?

411
00:18:48,680 --> 00:18:49,840
Speaker 2: Of course right away?

412
00:18:51,200 --> 00:18:53,639
Speaker 3: Name's Bancroft, Edwin Bancroft.

413
00:19:16,720 --> 00:19:19,359
Speaker 11: I thought you said you'd pose a challenge with the bankraft.

414
00:19:19,800 --> 00:19:23,119
Speaker 6: Well I never claimed to have met my match. But

415
00:19:24,080 --> 00:19:27,720
Speaker 6: how about one more game? And this time let's raise

416
00:19:27,760 --> 00:19:31,800
Speaker 6: the stakes in drigging. What did you have in mind?

417
00:19:32,320 --> 00:19:36,120
Speaker 3: Well, a little birdie in a short skirt downstairs told

418
00:19:36,160 --> 00:19:42,080
Speaker 3: me you've recently acquired a genuine Delano in demand commodity.

419
00:19:41,600 --> 00:19:47,000
Speaker 9: These days, word spreads fast, all.

420
00:19:46,880 --> 00:19:48,480
Speaker 6: Or nothing for the painting.

421
00:19:49,040 --> 00:19:51,840
Speaker 3: Winner of the next round gets a shiny new centerpiece

422
00:19:51,880 --> 00:19:54,000
Speaker 3: for the mantle Mima.

423
00:19:55,320 --> 00:19:57,119
Speaker 6: Now that is interesting.

424
00:19:57,359 --> 00:20:00,600
Speaker 3: That is, unless, of course, you're done else seeking for

425
00:20:00,680 --> 00:20:02,160
Speaker 3: the day, which is understandable.

426
00:20:02,600 --> 00:20:05,600
Speaker 9: The sun's barely setting, and I can do this all night.

427
00:20:06,119 --> 00:20:08,040
Speaker 6: Oh see you accept.

428
00:20:10,080 --> 00:20:15,639
Speaker 9: Ah, You're either a complete jack, said Wyn Bancraft, or

429
00:20:15,680 --> 00:20:18,560
Speaker 9: my new favorite competitor. Get ready for the game of

430
00:20:18,600 --> 00:20:19,399
Speaker 9: your life.

431
00:20:19,160 --> 00:20:19,480
Speaker 6: Shall we.

432
00:20:32,640 --> 00:20:37,119
Speaker 3: Delano's composition work in Vietri sul Mare is exemplary, won't

433
00:20:37,160 --> 00:20:38,040
Speaker 3: you say, mister Betton?

434
00:20:38,480 --> 00:20:43,919
Speaker 9: Almost as exemplary as my last hand, right, mister Burton,

435
00:20:44,000 --> 00:20:51,320
Speaker 9: your hand first? Straight flush a. Apologies, mister Bancroft.

436
00:20:51,680 --> 00:20:53,600
Speaker 11: I'm afraid the night just is in your night.

437
00:20:55,600 --> 00:20:55,840
Speaker 7: You know.

438
00:20:56,480 --> 00:20:59,639
Speaker 3: The funny thing about Margaret Delano's work is that up

439
00:20:59,680 --> 00:21:02,600
Speaker 3: close the colors she chose don't work.

440
00:21:03,240 --> 00:21:04,760
Speaker 6: They clash and fight to.

441
00:21:04,720 --> 00:21:08,000
Speaker 3: One another, like they've been painted by someone looking through

442
00:21:08,000 --> 00:21:12,199
Speaker 3: a prism. But as you step back, they start to

443
00:21:12,280 --> 00:21:17,720
Speaker 3: blend together, like a symphony. The waves, then the sand,

444
00:21:18,040 --> 00:21:23,640
Speaker 3: the elements all merged to form a perfect union, much

445
00:21:23,760 --> 00:21:24,040
Speaker 3: like this.

446
00:21:24,400 --> 00:21:26,680
Speaker 6: What are you hiding, mister Bancraft.

447
00:21:27,280 --> 00:21:36,680
Speaker 12: Oh, loyal flush ah, as I see it.

448
00:21:37,480 --> 00:21:42,000
Speaker 15: I have two options, mister Bancraft. Option one, I throw

449
00:21:42,000 --> 00:21:44,320
Speaker 15: you overboard with a chair tied to your ankle and

450
00:21:44,359 --> 00:21:48,840
Speaker 15: pretend this game never happened. Option two, I give you

451
00:21:48,880 --> 00:21:52,520
Speaker 15: the painting, because I'm a man of my word.

452
00:21:53,680 --> 00:22:00,560
Speaker 9: Well, the painting is yours, Edwin Bancraft. Lucky for me,

453
00:22:01,280 --> 00:22:03,600
Speaker 9: I have this dealer eating out of the palm of

454
00:22:03,640 --> 00:22:06,359
Speaker 9: my hand. Next game is mine.

455
00:22:07,480 --> 00:22:12,240
Speaker 7: Dig right here, Leonard.

456
00:22:11,320 --> 00:22:14,320
Speaker 9: Saw mister Bankrft here to his prize. Looks like the

457
00:22:14,359 --> 00:22:16,840
Speaker 9: Delano has found another home for now.

458
00:22:17,359 --> 00:22:20,159
Speaker 16: That was a hell of a game, mister Bancroft, at

459
00:22:20,240 --> 00:22:23,040
Speaker 16: least the part I caught. Let's take a little stroll,

460
00:22:23,280 --> 00:22:24,439
Speaker 16: inspect the merchandise.

461
00:22:26,359 --> 00:22:28,280
Speaker 3: It was a pleasure doing business with you, mister.

462
00:22:28,480 --> 00:22:32,320
Speaker 9: Be indeed and make sure you join us on the

463
00:22:32,400 --> 00:22:34,200
Speaker 9: downstairs deck in a few minutes.

464
00:22:34,720 --> 00:22:37,240
Speaker 11: Wouldn't want you to miss a summer sunset.

465
00:22:36,840 --> 00:22:40,359
Speaker 6: Over the hudside. Of course, we'll be down in a

466
00:22:40,440 --> 00:22:56,359
Speaker 6: jiff next dalling Gigi. Please don't do anything stupid.

467
00:22:57,080 --> 00:23:05,639
Speaker 16: Me never one crest. That was a greade acon, smooth, slick, confident.

468
00:23:06,480 --> 00:23:09,680
Speaker 16: Everything I taught you in our sessions was on full display.

469
00:23:10,280 --> 00:23:14,440
Speaker 16: You deserve that painting, one, especially after what phedenomenaill put

470
00:23:14,480 --> 00:23:14,879
Speaker 16: you through.

471
00:23:25,640 --> 00:23:27,280
Speaker 6: Oh my god, after you.

472
00:23:27,240 --> 00:23:31,320
Speaker 11: Pyetri, It's wow.

473
00:23:32,440 --> 00:23:33,720
Speaker 6: It still takes my breath away.

474
00:23:34,280 --> 00:23:39,000
Speaker 16: God one, you're so genuine. I always thought that was

475
00:23:39,000 --> 00:23:41,560
Speaker 16: a liability in this line of work. But that show

476
00:23:41,640 --> 00:23:45,480
Speaker 16: you put on up there masterful. You really believed you

477
00:23:45,520 --> 00:23:49,000
Speaker 16: were Edwin Bancroft, and so did everyone else.

478
00:23:49,440 --> 00:23:52,119
Speaker 3: Gigi, you know I have to walk off this boat

479
00:23:52,160 --> 00:23:55,960
Speaker 3: with this painting. Everyone saw me win it fair and square,

480
00:23:56,600 --> 00:24:01,080
Speaker 3: so I'm gonna take it now, nice and slowly.

481
00:24:01,400 --> 00:24:05,680
Speaker 16: One, I have a proposition for you.

482
00:24:05,720 --> 00:24:06,440
Speaker 6: Excuse me.

483
00:24:08,160 --> 00:24:12,800
Speaker 16: Forget the Ernando work with me. You and I did

484
00:24:12,840 --> 00:24:15,760
Speaker 16: this together. Whether or not you realize it or not,

485
00:24:16,240 --> 00:24:17,879
Speaker 16: we would make an amazing team.

486
00:24:18,040 --> 00:24:22,359
Speaker 3: One, Stephanie, I'll be a second.

487
00:24:22,359 --> 00:24:25,080
Speaker 16: Okay, come in, Stephanie, join us.

488
00:24:25,520 --> 00:24:28,120
Speaker 6: No, Stephanie, Oh my god?

489
00:24:28,640 --> 00:24:30,960
Speaker 16: Is that I was just offering Juan a little deal?

490
00:24:31,440 --> 00:24:33,879
Speaker 16: And yes, I know you two are working together.

491
00:24:34,160 --> 00:24:37,200
Speaker 1: What are you talking about? I'm here to network and

492
00:24:37,240 --> 00:24:37,879
Speaker 1: that's girl.

493
00:24:37,960 --> 00:24:39,000
Speaker 3: You can do better than that.

494
00:24:39,359 --> 00:24:41,840
Speaker 16: I recognize you from the museum the second you side

495
00:24:41,880 --> 00:24:44,600
Speaker 16: it up to me at the bar. You're smart, that's sure,

496
00:24:44,640 --> 00:24:48,720
Speaker 16: but not this pretentious Galerina act with all that vacant article.

497
00:24:48,800 --> 00:24:57,000
Speaker 2: Okay, hey, let her go.

498
00:24:57,400 --> 00:24:59,840
Speaker 17: No, it's your last lesson.

499
00:25:00,080 --> 00:25:00,240
Speaker 8: One.

500
00:25:01,000 --> 00:25:02,360
Speaker 17: Make the choice.

501
00:25:02,960 --> 00:25:06,080
Speaker 16: What's it gonna be afraid for your painting?

502
00:25:06,320 --> 00:25:21,359
Speaker 17: You make a choice. One?

503
00:25:08,160 --> 00:25:24,320
Speaker 8: Why are you in here?

504
00:25:27,040 --> 00:25:32,160
Speaker 2: Oh my god? Who did this to you?

505
00:25:32,240 --> 00:25:32,840
Speaker 6: Right right right?

506
00:25:34,600 --> 00:25:36,200
Speaker 2: Okay, what did you say?

507
00:25:38,600 --> 00:25:42,639
Speaker 16: I said, why don't you ask one and his new partner?

508
00:25:42,880 --> 00:25:45,080
Speaker 2: That's where is he? That's what I'm asking you? Where

509
00:25:45,200 --> 00:25:45,399
Speaker 2: is he?

510
00:25:45,520 --> 00:25:47,160
Speaker 16: Why do you look like Steve Buscemi?

511
00:25:47,280 --> 00:25:47,600
Speaker 6: Right now?

512
00:25:47,600 --> 00:25:48,200
Speaker 2: Oh my god?

513
00:25:52,400 --> 00:25:56,160
Speaker 16: What's like the student has officially become the teacher. Better

514
00:25:56,200 --> 00:25:59,520
Speaker 16: hurry because it sounds like that chopper is almost swarmed up?

515
00:26:00,760 --> 00:26:12,960
Speaker 18: What what?

516
00:26:12,960 --> 00:26:13,000
Speaker 7: What?

517
00:26:13,359 --> 00:26:14,800
Speaker 6: Scun?

518
00:26:15,160 --> 00:26:15,200
Speaker 8: What?

519
00:26:17,080 --> 00:26:19,959
Speaker 3: Seventy's taking the paintings to missus Levingston in the Hudson

520
00:26:20,040 --> 00:26:21,320
Speaker 3: Valley where it belonged.

521
00:26:21,520 --> 00:26:23,680
Speaker 2: I don't understand. Why are you wearing a scuba suit?

522
00:26:24,680 --> 00:26:26,280
Speaker 6: I thought you couldn't switch.

523
00:26:26,359 --> 00:26:29,720
Speaker 3: I lied something you're pretty familiar with. I realized what

524
00:26:30,240 --> 00:26:33,440
Speaker 3: we found the files, and you're safe at the facility.

525
00:26:33,800 --> 00:26:34,679
Speaker 6: That one's proving.

526
00:26:34,800 --> 00:26:37,280
Speaker 3: You push Gigi out of the airplane, not the other

527
00:26:37,280 --> 00:26:40,600
Speaker 3: way around. You left her to rot in a cell

528
00:26:40,680 --> 00:26:43,679
Speaker 3: in Zurich. What kind of person does that to their

529
00:26:43,680 --> 00:26:47,080
Speaker 3: own family. I don't have anything left to say.

530
00:26:47,160 --> 00:26:51,160
Speaker 6: I trusted and I trusted you. I guess we both

531
00:26:51,160 --> 00:26:52,120
Speaker 6: made that mistake.

532
00:26:51,920 --> 00:26:54,520
Speaker 2: Well, and I was doing this for you, not for

533
00:26:54,640 --> 00:26:58,120
Speaker 2: my dad, not for Gig. I didn't care about the painting. Anymore.

534
00:26:58,400 --> 00:26:59,199
Speaker 2: I cared about you.

535
00:27:00,520 --> 00:27:04,600
Speaker 3: You're just like the Delano from far away. You're gorgeous

536
00:27:04,880 --> 00:27:09,280
Speaker 3: and well composed, but up close the colors just clash

537
00:27:09,400 --> 00:27:10,159
Speaker 3: for dominance.

538
00:27:12,080 --> 00:27:13,960
Speaker 6: You're literally at war with yourself.

539
00:27:13,600 --> 00:27:17,080
Speaker 3: Fernando, and I understand how that feels.

540
00:27:17,600 --> 00:27:19,640
Speaker 6: I was there for a really, really.

541
00:27:19,320 --> 00:27:23,120
Speaker 3: Long time, but I'm not there anymore, and I don't

542
00:27:23,119 --> 00:27:25,439
Speaker 3: think I can be with someone who is.

543
00:27:26,640 --> 00:27:26,840
Speaker 5: Well.

544
00:27:27,000 --> 00:27:27,920
Speaker 2: Just give me a chance.

545
00:27:27,960 --> 00:27:29,920
Speaker 3: Goodbye, Fernando.

546
00:27:29,200 --> 00:27:31,840
Speaker 15: What Just?

547
00:27:43,240 --> 00:27:47,320
Speaker 1: The Setup was produced by Sono in partnership with Iheart'smkultura

548
00:27:47,440 --> 00:27:52,440
Speaker 1: podcast network. Created and written by Ivy Marie and Philippe Baujan,

549
00:27:53,920 --> 00:27:59,919
Speaker 1: directed by Bettina Lopez, Produced by Luis Luardo Castillo, develop

550
00:28:00,119 --> 00:28:06,280
Speaker 1: by Bettina Lopez, story editing by Nick Milanz. Executive produced

551
00:28:06,320 --> 00:28:10,280
Speaker 1: by Harvey Guillen and Christian Navarro. Connel Byrne and Giselle

552
00:28:10,359 --> 00:28:15,120
Speaker 1: Bances for iHeart and Camilla Victoriano and Joshua Weinstein for Sonorro.

553
00:28:16,400 --> 00:28:24,400
Speaker 1: Performances in this episode by Harvey Gillen, Christian Navarro, Daniela Alonso,

554
00:28:25,280 --> 00:28:31,520
Speaker 1: j D. Garfield, Sofina de Jesus, Nico Farrow, Jackson Gutierrez,

555
00:28:32,119 --> 00:28:37,600
Speaker 1: and Philippe Baujan. Our production and supervising managers are Gustavua.

556
00:28:37,200 --> 00:28:38,800
Speaker 6: Riler and quern Sa Chaires.

557
00:28:39,920 --> 00:28:44,280
Speaker 1: Recording engineering and sound designed by Edwin Irigoying, Juan Dias

558
00:28:44,360 --> 00:28:49,280
Speaker 1: and Andres Bayena. Casting and coordination by Ansley Martinez and

559
00:28:49,400 --> 00:28:54,880
Speaker 1: Alex Gonzalez. Voices recorded at The Invisible Studios in Los Angeles,

560
00:28:55,040 --> 00:28:58,200
Speaker 1: The Relic Room in New York, and Cabby Sound Studios

561
00:28:58,240 --> 00:29:03,360
Speaker 1: in Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin,

562
00:29:03,600 --> 00:29:09,400
Speaker 1: and Colin Unkerlier. If you're enjoying the set up, please subscribe, rate,

563
00:29:09,440 --> 00:29:11,600
Speaker 1: and review our show wherever you're listening