1 00:00:02,279 --> 00:00:04,840 Speaker 1: Give it a chance, Give it a chance. Give it 2 00:00:04,880 --> 00:00:07,000 Speaker 1: a chick. Come morning, Give it a chance, Give it 3 00:00:07,040 --> 00:00:09,280 Speaker 1: a chance, give it a chance, Give. 4 00:00:09,160 --> 00:00:11,120 Speaker 2: It a chance, come morning, Give it a you want 5 00:00:11,160 --> 00:00:13,600 Speaker 2: to give it a chance, Give it a chance, give 6 00:00:13,640 --> 00:00:14,280 Speaker 2: it a chance. 7 00:00:14,400 --> 00:00:26,000 Speaker 1: Just wow, reach out and touch case. Ah. Remember your 8 00:00:26,000 --> 00:00:28,240 Speaker 1: stance reminded me of that. You remember. 9 00:00:28,920 --> 00:00:34,440 Speaker 3: I don't welcome Kevin thevill coleman, and welcome to you, 10 00:00:34,600 --> 00:00:36,800 Speaker 3: and peace be with you and also with you. 11 00:00:37,440 --> 00:00:39,959 Speaker 2: I'm opposite a piss to see you today, and I'm 12 00:00:40,000 --> 00:00:43,040 Speaker 2: excited to jump into this episode. Typically, i'll give you 13 00:00:43,080 --> 00:00:46,239 Speaker 2: a bunch of little hints and you have to guess, Okay, 14 00:00:46,760 --> 00:00:52,040 Speaker 2: I don't know enough about this tune that means you 15 00:00:52,080 --> 00:00:53,199 Speaker 2: should still try. 16 00:00:53,479 --> 00:00:54,800 Speaker 1: Okay, Great, Okay, great. 17 00:00:55,160 --> 00:00:57,360 Speaker 2: I hope you're not Tony Soprano, because they're gonna the 18 00:00:57,400 --> 00:01:00,000 Speaker 2: government will have this kind of case against you. 19 00:01:02,800 --> 00:01:10,000 Speaker 3: Rico oh, Rico, Gerardo. 20 00:01:10,640 --> 00:01:13,759 Speaker 2: Yeah, I actually it's funny, said Gerardo. I don't even 21 00:01:13,800 --> 00:01:15,839 Speaker 2: I don't know anything about this song. I haven't done 22 00:01:15,840 --> 00:01:19,480 Speaker 2: my due diligence. I'm going in as cold as possible. 23 00:01:19,600 --> 00:01:21,640 Speaker 3: I like that for you because you usually I feel 24 00:01:21,640 --> 00:01:23,880 Speaker 3: like you don't get to have the same op I 25 00:01:23,920 --> 00:01:25,679 Speaker 3: get to have and this is not quite the same, 26 00:01:25,720 --> 00:01:26,440 Speaker 3: but it's close. 27 00:01:26,959 --> 00:01:30,320 Speaker 1: It's close. But no, yo. 28 00:01:30,920 --> 00:01:33,960 Speaker 3: This also is evidence of first of all, of your 29 00:01:34,080 --> 00:01:37,360 Speaker 3: character and the flaws there no, no, this is evidence 30 00:01:37,520 --> 00:01:40,800 Speaker 3: of the This is where the age gap between us 31 00:01:40,800 --> 00:01:41,520 Speaker 3: comes into play. 32 00:01:42,440 --> 00:01:44,840 Speaker 1: This is fun, fun era for me. 33 00:01:46,440 --> 00:01:50,480 Speaker 3: I remember this was like a ubiquity. I want to say, 34 00:01:50,480 --> 00:01:53,040 Speaker 3: this is what nineteen ninety it was that when Rico 35 00:01:53,080 --> 00:01:58,120 Speaker 3: Swave comes out one ninety two, ninety ninety one, I'm going. 36 00:01:58,120 --> 00:02:06,080 Speaker 4: To bet and go say so see ninety ninety Okay, 37 00:02:06,280 --> 00:02:09,079 Speaker 4: so I feel like it was December. 38 00:02:08,680 --> 00:02:11,320 Speaker 2: Ninety hit single from his nineteen ninety one album. So 39 00:02:11,400 --> 00:02:14,760 Speaker 2: unless it was just it came out the gate banging. 40 00:02:14,919 --> 00:02:16,680 Speaker 3: It might have been also like yeah, they could have 41 00:02:16,760 --> 00:02:20,280 Speaker 3: led the record with the single and then the single 42 00:02:20,480 --> 00:02:22,360 Speaker 3: hit and they were like, let's put an album out. 43 00:02:22,680 --> 00:02:26,360 Speaker 3: I feel like this was everywhere. When I was in 44 00:02:26,560 --> 00:02:30,200 Speaker 3: exactly sixth seventh grade, this would have been like every dance. 45 00:02:30,639 --> 00:02:33,160 Speaker 3: It was on MTV and v H one. My brother 46 00:02:33,200 --> 00:02:34,680 Speaker 3: and I used to Also, there was a thing in 47 00:02:35,120 --> 00:02:38,760 Speaker 3: on cable the box. Do you remember the box? You 48 00:02:38,800 --> 00:02:41,119 Speaker 3: could like vote for videos you could. 49 00:02:41,760 --> 00:02:44,440 Speaker 1: Remember the box? Yeah, A glorse in my brain. 50 00:02:44,720 --> 00:02:47,360 Speaker 3: Yeah, they had like codes and you could like, you know, 51 00:02:47,440 --> 00:02:50,600 Speaker 3: you would like very rudimentary, like you use your landline 52 00:02:50,639 --> 00:02:52,840 Speaker 3: and call in number and punch in the code and 53 00:02:52,960 --> 00:02:55,400 Speaker 3: that then you'd wait and that would be like the fifth. 54 00:02:55,040 --> 00:02:55,520 Speaker 1: Red flo. 55 00:03:01,520 --> 00:03:06,960 Speaker 3: I'd like to listen to Mozart please, musical guest motes 56 00:03:07,000 --> 00:03:11,840 Speaker 3: are but yeah, but there was, there was, but that 57 00:03:12,040 --> 00:03:15,040 Speaker 3: was like I feel like Rico Suave was like every 58 00:03:15,080 --> 00:03:18,440 Speaker 3: third yo for two months on the box too. Anyway, Wow, 59 00:03:18,480 --> 00:03:20,320 Speaker 3: you're bringing me back case, bringing. 60 00:03:20,080 --> 00:03:24,520 Speaker 1: Me back to it was a summer and ninety world. 61 00:03:25,639 --> 00:03:28,160 Speaker 1: All right, let's let's jump in. I'm really excited. 62 00:03:28,200 --> 00:03:30,680 Speaker 2: I don't know if I'm sure I've heard it at 63 00:03:30,680 --> 00:03:32,640 Speaker 2: some point, but I don't. I don't know, So listen 64 00:03:32,680 --> 00:03:34,160 Speaker 2: with us folks about to. 65 00:03:34,120 --> 00:03:38,440 Speaker 3: Hear it today. 66 00:03:40,240 --> 00:03:46,920 Speaker 1: Swaby. I think there's like another minute and fifteen seconds 67 00:03:46,920 --> 00:03:53,960 Speaker 1: of just Rico Suave happening. Okay, no notes, Thanks guys, 68 00:03:54,000 --> 00:03:58,440 Speaker 1: thanks for listening. How how good is your Spanish? 69 00:03:59,320 --> 00:04:04,200 Speaker 2: Oh great question, I thank you taking it to I 70 00:04:04,240 --> 00:04:08,640 Speaker 2: took Spanish starting in I think like fourth or fifth grade, 71 00:04:09,200 --> 00:04:12,200 Speaker 2: and so I know the you know, bare minimum. I say, ola, 72 00:04:12,280 --> 00:04:14,080 Speaker 2: and I tell my daughter, we're going to a squai 73 00:04:14,120 --> 00:04:14,839 Speaker 2: a lot every day. 74 00:04:17,480 --> 00:04:19,640 Speaker 1: I can catch certain words, like you know. 75 00:04:19,839 --> 00:04:23,120 Speaker 2: But it's funny actually you mentioned that because when we 76 00:04:23,560 --> 00:04:26,440 Speaker 2: Lisa and I went to Mexico City, my wife Lisa, 77 00:04:27,120 --> 00:04:30,720 Speaker 2: and on the way she was like, I was like, 78 00:04:30,760 --> 00:04:32,240 Speaker 2: I was like, it might be tough if there's like 79 00:04:32,279 --> 00:04:36,320 Speaker 2: a lot of I didn't know how you know, bilingual 80 00:04:36,360 --> 00:04:39,839 Speaker 2: it would be and she was like, well it should 81 00:04:39,839 --> 00:04:42,120 Speaker 2: be fine. I mean like I I went to Spain 82 00:04:42,160 --> 00:04:44,760 Speaker 2: and like, I I feel like I can speak pretty well. 83 00:04:44,760 --> 00:04:45,920 Speaker 1: I was like, WHOA so impressed. 84 00:04:46,839 --> 00:04:48,960 Speaker 2: And we got into the very first cab from the 85 00:04:49,000 --> 00:04:53,840 Speaker 2: airport and Lisa attempted Spanish and the gentleman was like, 86 00:04:54,120 --> 00:04:54,960 Speaker 2: it's good, was coming. 87 00:04:56,920 --> 00:04:57,560 Speaker 1: And Lisa was. 88 00:04:57,480 --> 00:05:03,599 Speaker 2: Like okay, and who is here? And she was like 89 00:05:04,640 --> 00:05:09,640 Speaker 2: you speak English immediately. And we laugh about it all 90 00:05:09,680 --> 00:05:12,120 Speaker 2: the time, like she kept trying to, like we'd go 91 00:05:12,200 --> 00:05:14,520 Speaker 2: to a restaurant and she'd attempt and then they would 92 00:05:14,560 --> 00:05:17,360 Speaker 2: start talking and it's just too fast. I think it's 93 00:05:17,800 --> 00:05:20,200 Speaker 2: like when of course, like all you learn in school 94 00:05:20,320 --> 00:05:24,240 Speaker 2: is just like you know, Puerte or Elbanio, right, like 95 00:05:24,279 --> 00:05:27,279 Speaker 2: it's so slow, and so when you actually are faced 96 00:05:27,360 --> 00:05:29,160 Speaker 2: in this situation, it's very difficult. 97 00:05:29,160 --> 00:05:31,200 Speaker 1: And there's also dialectical differences too. 98 00:05:31,240 --> 00:05:34,400 Speaker 3: I feel like, if you're like in Mexico, or if 99 00:05:34,440 --> 00:05:37,560 Speaker 3: you're in South America whatever various countries in Central and 100 00:05:37,640 --> 00:05:40,680 Speaker 3: South America, or if you're in Spain, what's being it's 101 00:05:40,800 --> 00:05:44,599 Speaker 3: it's like, you know, radical dialectical differences or whatever. 102 00:05:45,240 --> 00:05:47,560 Speaker 1: Time no, And I feel like that's so true and. 103 00:05:47,520 --> 00:05:49,560 Speaker 3: So funny and soon keeping with my experience, and why 104 00:05:49,600 --> 00:05:52,440 Speaker 3: I ask is because I wonder I do feel a 105 00:05:52,520 --> 00:05:57,479 Speaker 3: little bit like my chancy is compromised. I also took 106 00:05:57,520 --> 00:06:02,320 Speaker 3: Spanish from sixth grade forward. I can speak it uno 107 00:06:03,240 --> 00:06:07,440 Speaker 3: and I can like kind of get kind of get 108 00:06:07,520 --> 00:06:09,599 Speaker 3: through like at least very basic and then enough to 109 00:06:09,640 --> 00:06:11,600 Speaker 3: be like do you speak English? Or be like how 110 00:06:11,600 --> 00:06:14,640 Speaker 3: do you say this word? Or whatever. But I I 111 00:06:14,680 --> 00:06:16,599 Speaker 3: have had the same experience Lisa had where I was like, 112 00:06:16,680 --> 00:06:18,400 Speaker 3: I thought I was cool, and it also it feels 113 00:06:18,400 --> 00:06:21,200 Speaker 3: like all of a sudden you're like skating way way 114 00:06:21,320 --> 00:06:24,039 Speaker 3: out on super and nice. All of a sudden you're like, actually, 115 00:06:24,080 --> 00:06:25,400 Speaker 3: I don't know what the fuck I'm doing at all. 116 00:06:26,760 --> 00:06:30,080 Speaker 3: So but with the song, I'm like, I there's a 117 00:06:30,120 --> 00:06:32,240 Speaker 3: whole bunch of lyrical content that I can kind of 118 00:06:32,279 --> 00:06:34,000 Speaker 3: guess at but I would need to sit down and 119 00:06:34,040 --> 00:06:36,279 Speaker 3: like plug into a translator. 120 00:06:36,240 --> 00:06:39,039 Speaker 1: With Google Translator. I mean, is that I think I 121 00:06:39,120 --> 00:06:39,480 Speaker 1: pick it? 122 00:06:39,520 --> 00:06:42,120 Speaker 2: I think I pick it up from the English because 123 00:06:42,480 --> 00:06:46,000 Speaker 2: this is as known as Spanglish. Like that you're going, 124 00:06:46,360 --> 00:06:50,520 Speaker 2: James Brooks, is that is the movie if you go back, 125 00:06:50,560 --> 00:06:52,760 Speaker 2: if you're going back and forth between English and Spanish 126 00:06:52,800 --> 00:06:55,800 Speaker 2: like this, this is where it's a Spanglish song. It'd 127 00:06:55,839 --> 00:06:58,919 Speaker 2: be really funny because like you know, obviously there's a character. 128 00:06:59,640 --> 00:07:02,520 Speaker 2: I'll just give it credence of the English lyrics that 129 00:07:02,600 --> 00:07:06,680 Speaker 2: I know that he's saying in some some some choice words, 130 00:07:07,000 --> 00:07:08,920 Speaker 2: and it is so funny. If the Spanish stuff, it's 131 00:07:08,920 --> 00:07:10,400 Speaker 2: like totally redeeming of it all. 132 00:07:10,480 --> 00:07:11,440 Speaker 1: That's what I'm just going to say. 133 00:07:11,440 --> 00:07:13,280 Speaker 3: Like if the rest of it was like yeah, like 134 00:07:13,320 --> 00:07:16,880 Speaker 3: some kind of like Nobel laureate like yeah, yeah, like this. 135 00:07:16,960 --> 00:07:18,800 Speaker 2: Spanish, but it's like, but the truth is that all 136 00:07:18,800 --> 00:07:25,120 Speaker 2: comes from insecurity. Yeah yeah, so redeeming of like or 137 00:07:25,200 --> 00:07:27,679 Speaker 2: like that's great, that's what white people are. 138 00:07:27,520 --> 00:07:30,280 Speaker 1: Like, but really, yeah, we have so much more. 139 00:07:30,360 --> 00:07:32,680 Speaker 3: There's a deep down fear that causes me to act 140 00:07:32,720 --> 00:07:37,000 Speaker 3: this way. Yeah, totally, no I do feel like, I mean, 141 00:07:37,040 --> 00:07:39,800 Speaker 3: that's the primary thing. It's so funny when it first 142 00:07:39,840 --> 00:07:41,840 Speaker 3: of all, it is like I get that this was 143 00:07:42,280 --> 00:07:43,920 Speaker 3: we might have just listened to, like the not. 144 00:07:45,480 --> 00:07:46,480 Speaker 1: Single edit. 145 00:07:46,720 --> 00:07:48,760 Speaker 3: I do feel like the first thing I would say 146 00:07:48,800 --> 00:07:50,440 Speaker 3: is like, I would be totally cool if this song 147 00:07:50,560 --> 00:07:53,400 Speaker 3: was like there's ninety seconds less of it, I think 148 00:07:53,480 --> 00:07:55,440 Speaker 3: would be more effective. I think when they go back 149 00:07:55,480 --> 00:07:59,160 Speaker 3: to the second bridge and then another when they bring 150 00:07:59,200 --> 00:08:00,080 Speaker 3: the bridge. 151 00:07:59,720 --> 00:08:02,600 Speaker 1: Back, bridge rules. Though bridge is great the first. 152 00:08:02,320 --> 00:08:05,600 Speaker 3: Time, the second time it comes back, I'm like, why 153 00:08:05,640 --> 00:08:07,760 Speaker 3: is this happening? And then it's just another minute and 154 00:08:07,800 --> 00:08:10,800 Speaker 3: ten seconds of the chorus over that beat. 155 00:08:10,960 --> 00:08:13,520 Speaker 2: If this was the extended dance version, right, that would 156 00:08:13,520 --> 00:08:15,960 Speaker 2: be a different situation. But we're talking pop radio, Babe, 157 00:08:16,120 --> 00:08:18,480 Speaker 2: make the right cuts, kill your darlings. 158 00:08:18,840 --> 00:08:19,200 Speaker 1: That's it. 159 00:08:19,280 --> 00:08:20,800 Speaker 3: And I'm certain they did make those cuts. I mean, 160 00:08:21,160 --> 00:08:23,320 Speaker 3: that was my first It's not really important, I guess. Also, 161 00:08:23,320 --> 00:08:26,320 Speaker 3: it's like sometimes I do realize when we start, I'm like, 162 00:08:26,400 --> 00:08:30,320 Speaker 3: you're talking about Rico Suave as though you wanted to conform, 163 00:08:30,400 --> 00:08:32,240 Speaker 3: Like I got to watch the part of me that 164 00:08:32,440 --> 00:08:35,080 Speaker 3: like that's for people to be dancing to in a 165 00:08:35,200 --> 00:08:38,360 Speaker 3: dark room, Whether you're a seventh grader at your first 166 00:08:38,480 --> 00:08:40,640 Speaker 3: dance or whatever, or you're like someone at a club 167 00:08:40,720 --> 00:08:43,440 Speaker 3: in nineteen ninety and like, no one gives a shit 168 00:08:43,440 --> 00:08:45,680 Speaker 3: how long the chorus goes on for if they're into 169 00:08:45,760 --> 00:08:47,520 Speaker 3: the beat, you know what I mean, there's no one 170 00:08:47,600 --> 00:08:51,000 Speaker 3: sitting there being like, you know, structurally speaking, I think 171 00:08:51,040 --> 00:08:53,120 Speaker 3: it's kind of lame they did. They went back to 172 00:08:53,160 --> 00:08:53,920 Speaker 3: the bridge again. 173 00:08:54,760 --> 00:08:57,880 Speaker 1: Okay, yeah, you know that guy for this song? I do, Yeah, 174 00:08:57,920 --> 00:08:58,280 Speaker 1: I am in. 175 00:09:00,360 --> 00:09:03,800 Speaker 3: But I think the biggest thing, Look, it's a very serviceable, 176 00:09:03,920 --> 00:09:10,200 Speaker 3: very fun it's the Beats, great slight earworm for sure. 177 00:09:10,240 --> 00:09:11,880 Speaker 3: There's a reason it was such an ubiquity. 178 00:09:11,960 --> 00:09:14,160 Speaker 1: Chorus is incredible, and. 179 00:09:15,360 --> 00:09:20,000 Speaker 3: You know, there are some issues that have aged, some 180 00:09:20,040 --> 00:09:22,400 Speaker 3: stuff has aged poorly, but I always with that stuff too. 181 00:09:22,440 --> 00:09:24,640 Speaker 3: I'm like, what do you want to talk do we 182 00:09:24,640 --> 00:09:26,360 Speaker 3: want to talk about it in the context of nineteen 183 00:09:26,440 --> 00:09:28,880 Speaker 3: ninety Do you want to talk about it stuff right now? 184 00:09:29,040 --> 00:09:31,440 Speaker 3: And also like I don't know, guys, maybe now someone 185 00:09:31,600 --> 00:09:33,280 Speaker 3: be like, oh he's got swag. 186 00:09:33,840 --> 00:09:37,920 Speaker 2: Right, yeah, I hate confidence. I personally see this. It 187 00:09:38,040 --> 00:09:41,520 Speaker 2: is a wrestling intro. It's one hundred percent so good. 188 00:09:41,720 --> 00:09:43,080 Speaker 2: A Shawn Michael's back. 189 00:09:47,280 --> 00:09:59,000 Speaker 1: I'm not sure it meets Razor Ramon intro even the music. 190 00:10:00,320 --> 00:10:04,000 Speaker 3: It is it is that is Razor Ramone basically was 191 00:10:04,200 --> 00:10:06,400 Speaker 3: like that guy. I was like, what if I because 192 00:10:06,400 --> 00:10:08,320 Speaker 3: he was a white dude named Scott Hall. To the 193 00:10:08,320 --> 00:10:10,240 Speaker 3: best of my awareness, what if he was like I 194 00:10:10,280 --> 00:10:11,680 Speaker 3: think he was like, yo, you know, it'd be cool 195 00:10:11,679 --> 00:10:15,280 Speaker 3: if I did like a Rico suave scarface thing, but 196 00:10:15,360 --> 00:10:18,520 Speaker 3: as a wrestler. Yeah, yeah, but I think it's possible. 197 00:10:18,520 --> 00:10:21,400 Speaker 3: I think there was there. Definitely Scarface was the was 198 00:10:21,440 --> 00:10:24,320 Speaker 3: one of the influences. There was something else. Maybe it 199 00:10:24,400 --> 00:10:27,439 Speaker 3: was this. I'm trying to remember what year Razor Ramone dropped, 200 00:10:27,640 --> 00:10:30,160 Speaker 3: ninety two, ninety three somewhere it is right, so it 201 00:10:30,240 --> 00:10:34,960 Speaker 3: must have been. It was like Diesel Hitman, Sean Michaels 202 00:10:34,960 --> 00:10:36,520 Speaker 3: I get. I like they were going into. 203 00:10:36,280 --> 00:10:37,040 Speaker 1: This, oh. 204 00:10:38,400 --> 00:10:41,559 Speaker 2: Yeah yeah Razor yeah, so yeah, so one hundred percent. 205 00:10:41,640 --> 00:10:44,280 Speaker 2: This is definitely influencing it. And I believe he's talked 206 00:10:44,280 --> 00:10:46,040 Speaker 2: about that. I love Scott Hall, Scout Halls like, and 207 00:10:46,200 --> 00:10:47,960 Speaker 2: Razor Ramone is like my favorite wrestler. 208 00:10:47,960 --> 00:10:51,520 Speaker 1: Who's my Mom's amazing? That's so good. I love I 209 00:10:51,559 --> 00:10:53,240 Speaker 1: love him, I miss him. 210 00:10:53,480 --> 00:10:56,560 Speaker 2: I he like yeah, a lot of demons and stuff like, 211 00:10:56,600 --> 00:10:59,040 Speaker 2: but I think he was like a really smart, cool wrestler. 212 00:10:59,160 --> 00:11:02,800 Speaker 3: It's interesting Rico Suave Girardos And that's a funny thing too. 213 00:11:02,840 --> 00:11:06,600 Speaker 3: By the way, people used to call Girardo Rico Suave. 214 00:11:07,520 --> 00:11:10,079 Speaker 3: I remember that so clearly, like people would like it 215 00:11:10,120 --> 00:11:13,520 Speaker 3: was his name, like I thought it was Save. 216 00:11:13,520 --> 00:11:15,120 Speaker 1: And he would be like, it's actually Gerardo. 217 00:11:16,440 --> 00:11:20,520 Speaker 3: But I feel like Girardo at least in the English 218 00:11:20,600 --> 00:11:23,960 Speaker 3: parts of this. The wrapping is a little do the 219 00:11:24,000 --> 00:11:27,800 Speaker 3: Bart man esque, like it's definitely got that. Yeah, so 220 00:11:28,360 --> 00:11:33,480 Speaker 3: we've got Girardo influenced by Bart Simpson influencing Scott Hall. 221 00:11:33,679 --> 00:11:35,520 Speaker 1: That's a real late eighties early. 222 00:11:35,360 --> 00:11:37,880 Speaker 3: Nineties like wormhole, Like something's gonna open up beneath my 223 00:11:37,920 --> 00:11:43,160 Speaker 3: feet right now and I'll be deposited, like wrestling Doink 224 00:11:43,200 --> 00:11:46,360 Speaker 3: the Clown on Saturday afternoon on five p at twelve 225 00:11:46,400 --> 00:12:02,640 Speaker 3: pm or whatever on Channel five. This is I don't 226 00:12:02,640 --> 00:12:04,079 Speaker 3: know if this is chance or anti chance. This is 227 00:12:04,080 --> 00:12:07,880 Speaker 3: a little chaotic I have had since nineteen ninety. Cinco 228 00:12:08,000 --> 00:12:11,000 Speaker 3: say so siyet de la maniana in my head from 229 00:12:11,040 --> 00:12:13,480 Speaker 3: this song somewhere in my head, like I'll be walking 230 00:12:13,480 --> 00:12:15,480 Speaker 3: around at a grocery store and hear myself say like 231 00:12:15,520 --> 00:12:17,880 Speaker 3: Cinco say societe de la maniana. 232 00:12:17,920 --> 00:12:19,960 Speaker 1: But I thought he said like, I don't get up early. 233 00:12:19,960 --> 00:12:22,800 Speaker 3: I thought he said like something like no melee temprano, 234 00:12:22,840 --> 00:12:25,439 Speaker 3: which might not even be the correct Spanish, but he 235 00:12:25,480 --> 00:12:29,200 Speaker 3: says something like your daughter is in good hands, which 236 00:12:29,240 --> 00:12:30,400 Speaker 3: is like like. 237 00:12:30,559 --> 00:12:32,880 Speaker 1: But you know, how do we want to approach it? 238 00:12:33,400 --> 00:12:35,960 Speaker 3: Like what maybe it's maybe it's time for you to 239 00:12:36,240 --> 00:12:38,280 Speaker 3: step up to the plate here because I feel like, well, 240 00:12:38,320 --> 00:12:41,040 Speaker 3: I'm trying to figure out the right way in okay. 241 00:12:40,800 --> 00:12:44,560 Speaker 2: So one way in his Beastie Boys, right and like 242 00:12:44,600 --> 00:12:49,000 Speaker 2: the early BC boys stuff is it's not it's not 243 00:12:49,120 --> 00:12:51,120 Speaker 2: far from this, you know, totally. 244 00:12:51,280 --> 00:12:53,840 Speaker 1: The thing is that Girardo what's his name? 245 00:12:54,040 --> 00:12:56,760 Speaker 3: Not Rico Sabe, it's his artist's name. Is Gerardo his 246 00:12:57,000 --> 00:12:59,040 Speaker 3: real name? We don't know, do we know? 247 00:13:00,160 --> 00:13:04,000 Speaker 1: If it's Rico Swave, that would be so funny thing? 248 00:13:04,840 --> 00:13:06,560 Speaker 1: What was Gerardo's real name? 249 00:13:07,800 --> 00:13:11,320 Speaker 3: But is it going to do the It's Gerardo Ernesto 250 00:13:11,960 --> 00:13:13,280 Speaker 3: Mahia Aguilera. 251 00:13:14,280 --> 00:13:18,160 Speaker 1: Oh cool, so Christina, yeah yeah, yeah so. 252 00:13:18,800 --> 00:13:20,600 Speaker 3: And by the way, sorry, the first question that comes 253 00:13:20,679 --> 00:13:26,680 Speaker 3: up is was Rico Suave a real person. Yeah, it 254 00:13:26,840 --> 00:13:30,199 Speaker 3: was not named Rico Slave, but it was a real person. 255 00:13:30,200 --> 00:13:32,360 Speaker 1: But his real name was Gerardo. That was they just 256 00:13:32,400 --> 00:13:35,240 Speaker 1: cut off the three middle and last names. So all right, 257 00:13:35,240 --> 00:13:36,080 Speaker 1: please contend. 258 00:13:36,440 --> 00:13:39,200 Speaker 2: Uh so BC boys and in this case he's a 259 00:13:39,280 --> 00:13:43,480 Speaker 2: Beastie Chico is uh my entry point in terms of 260 00:13:43,640 --> 00:13:48,400 Speaker 2: like I think that if Gerardo had follow ups that 261 00:13:48,559 --> 00:13:51,960 Speaker 2: were as cool as the Beastie Boys, did he follow up? 262 00:13:52,040 --> 00:13:52,240 Speaker 1: Yeah? 263 00:13:52,360 --> 00:13:55,600 Speaker 2: Keep going if I mean we just right now, we 264 00:13:55,640 --> 00:13:59,640 Speaker 2: don't know, but like I don't imagine that, like you know, 265 00:14:00,320 --> 00:14:06,560 Speaker 2: his stuff became as you know, prolific as. 266 00:14:04,840 --> 00:14:08,520 Speaker 3: Oh, you don't imagine that Gerardo had the BACI Boys. 267 00:14:08,559 --> 00:14:11,040 Speaker 3: I think you are correct on that front, my friend. 268 00:14:11,200 --> 00:14:12,760 Speaker 3: I think that's very safe to say. 269 00:14:13,440 --> 00:14:17,079 Speaker 2: So I think that, my so, that's like an anti 270 00:14:17,200 --> 00:14:20,560 Speaker 2: Chancey is that? Like I think they're like a redeemable 271 00:14:20,640 --> 00:14:23,120 Speaker 2: story like what the BCI Boys have. 272 00:14:23,520 --> 00:14:24,360 Speaker 1: He doth not. 273 00:14:25,360 --> 00:14:28,640 Speaker 3: Very interesting that you bring up redemption though. Case for today, 274 00:14:28,680 --> 00:14:31,800 Speaker 3: the tables have turned and I find myself as the 275 00:14:31,920 --> 00:14:34,920 Speaker 3: Chancey researcher emeritus. 276 00:14:35,640 --> 00:14:39,800 Speaker 5: And as I and as I look on a little 277 00:14:39,920 --> 00:14:46,160 Speaker 5: known online resource called wiccan Pedia, guess what happens to. 278 00:14:47,040 --> 00:14:52,760 Speaker 1: Gerardo Mahia after his as a recording artist and Mary's 279 00:14:52,800 --> 00:14:55,640 Speaker 1: Kathleen Hannah. 280 00:14:56,360 --> 00:15:00,400 Speaker 3: And becomes educated on Riot Girl and post third wave 281 00:15:00,480 --> 00:15:07,040 Speaker 3: radical feminism. No, a different path towards enlightenment. He became 282 00:15:07,080 --> 00:15:08,040 Speaker 3: a Christian pastor. 283 00:15:08,560 --> 00:15:14,280 Speaker 6: Now boom, Now that could have been his redemsion song 284 00:15:14,720 --> 00:15:18,600 Speaker 6: or we don't know what kind of Christian pastor he is. 285 00:15:18,640 --> 00:15:21,280 Speaker 3: And I don't want to get into controversy on the 286 00:15:21,440 --> 00:15:24,880 Speaker 3: chance to you always do you know I do? But look, 287 00:15:24,920 --> 00:15:28,800 Speaker 3: there's obviously there are good There are Christian pastors who 288 00:15:28,840 --> 00:15:32,960 Speaker 3: are emulating Christ, and then there are Christian pastors who, 289 00:15:33,000 --> 00:15:35,560 Speaker 3: it seems are emulating Rambo or something. I don't know, 290 00:15:35,640 --> 00:15:38,440 Speaker 3: two different, two different things. So we don't know what Gerardo. 291 00:15:38,520 --> 00:15:41,720 Speaker 3: I've never been to one of his services. Oh, I 292 00:15:41,760 --> 00:15:43,920 Speaker 3: will go, now, I will go. 293 00:15:44,160 --> 00:15:46,320 Speaker 2: I feel like we just did one of his services. 294 00:15:47,800 --> 00:15:50,800 Speaker 2: We just listened to an entire service. 295 00:15:50,840 --> 00:15:52,640 Speaker 3: That's one of his that's one of his service. This 296 00:15:52,680 --> 00:15:54,640 Speaker 3: is actually what's funny is it says in nineteen ninety. 297 00:15:54,680 --> 00:15:58,920 Speaker 3: This came out in twenty twenty two, So I don't know. 298 00:15:59,160 --> 00:16:00,960 Speaker 3: You're right though, the beast boy that is a great 299 00:16:01,040 --> 00:16:02,720 Speaker 3: that is probably. 300 00:16:02,200 --> 00:16:04,640 Speaker 2: Like, well, the only opposite of that is like one 301 00:16:04,680 --> 00:16:06,640 Speaker 2: of his first lyrics is I don't drink or smoke. 302 00:16:06,720 --> 00:16:08,960 Speaker 2: I ain't no dope, won't try no coke. Ask me 303 00:16:09,000 --> 00:16:10,120 Speaker 2: how I do it? I cope. 304 00:16:10,360 --> 00:16:12,200 Speaker 1: So that's pretty anti beastie boys. 305 00:16:12,200 --> 00:16:14,680 Speaker 3: And of the first record, well, what he's saying there 306 00:16:14,840 --> 00:16:18,520 Speaker 3: is he's that's more like Ian Mackay his minor threat Fugazi. 307 00:16:18,600 --> 00:16:21,760 Speaker 3: He's coming out saying I'm straight edge, you know, or 308 00:16:21,800 --> 00:16:24,600 Speaker 3: even like Jonathan Richmond and that a hippie Johnny song, 309 00:16:24,720 --> 00:16:25,760 Speaker 3: I'm straight, you know. 310 00:16:26,080 --> 00:16:27,840 Speaker 1: He's saying I don't need a crutch. 311 00:16:28,680 --> 00:16:29,400 Speaker 3: I just cope. 312 00:16:29,400 --> 00:16:30,080 Speaker 1: I get through. 313 00:16:31,280 --> 00:16:35,640 Speaker 3: But what we've come to find through the later twentieth 314 00:16:35,640 --> 00:16:38,120 Speaker 3: century into the twenty first century and the evolution of 315 00:16:38,560 --> 00:16:41,320 Speaker 3: you know, for instance, twelve step recovery programs outside of 316 00:16:41,360 --> 00:16:46,040 Speaker 3: alcoholics anonymous, is that his addiction, which he says and 317 00:16:46,120 --> 00:16:49,240 Speaker 3: I quote and I apologize to Casey and the chancers, 318 00:16:49,240 --> 00:16:51,240 Speaker 3: but he does say his addiction is to the female 319 00:16:51,240 --> 00:16:56,040 Speaker 3: specie and he eats the raw like sushi, And so 320 00:16:57,480 --> 00:17:01,680 Speaker 3: he may benefit from other kinds of twelve step programs, 321 00:17:01,720 --> 00:17:02,680 Speaker 3: for instance. 322 00:17:02,320 --> 00:17:03,920 Speaker 1: About sex and love and lust. 323 00:17:04,119 --> 00:17:06,960 Speaker 3: I don't know. Maybe that's how Gerardo became a pastor 324 00:17:07,160 --> 00:17:10,879 Speaker 3: pastor pasta. That's a different podcast universe. Look that up 325 00:17:10,880 --> 00:17:12,240 Speaker 3: if you want to. I'm not going to tell you 326 00:17:12,240 --> 00:17:12,720 Speaker 3: where to go. 327 00:17:14,160 --> 00:17:17,600 Speaker 2: What's what's the other way to to eat a woman 328 00:17:17,760 --> 00:17:19,480 Speaker 2: that's not raw like. 329 00:17:19,560 --> 00:17:23,720 Speaker 3: Cooked or yeah or like like cannibal elect. 330 00:17:24,080 --> 00:17:28,560 Speaker 1: Right right right? Is there a protection? Is there? Protect? 331 00:17:29,000 --> 00:17:29,760 Speaker 1: Remember there. 332 00:17:32,080 --> 00:17:34,960 Speaker 3: There is a lot of craziest episode yet so far, 333 00:17:35,080 --> 00:17:36,760 Speaker 3: and we're only halfway through. 334 00:17:36,960 --> 00:17:45,080 Speaker 1: The Rico Suave episode that's rich and smooth. I'm sorry. 335 00:17:45,359 --> 00:17:45,640 Speaker 6: Was there? 336 00:17:45,640 --> 00:17:48,520 Speaker 2: It wasn't There isn't There wasn't There isn't there like 337 00:17:48,600 --> 00:17:52,359 Speaker 2: a oral protection, especially in the nineties, for like remember 338 00:17:52,400 --> 00:17:52,960 Speaker 2: that that was like a. 339 00:17:53,240 --> 00:17:56,880 Speaker 3: Yeah, yeah, like you mean for like for sorry, let's 340 00:17:56,880 --> 00:18:00,439 Speaker 3: just let's just spit facts if you talk to be 341 00:18:00,440 --> 00:18:01,960 Speaker 3: a cunning linguist. 342 00:18:02,000 --> 00:18:05,760 Speaker 2: Yes, yes, well yeah, like something with like like even 343 00:18:05,840 --> 00:18:06,880 Speaker 2: a Saran Rappers. 344 00:18:06,960 --> 00:18:10,000 Speaker 3: I believe that what was what was? And and Casey 345 00:18:10,040 --> 00:18:12,320 Speaker 3: and I for the uninitiated, we both went to the 346 00:18:12,359 --> 00:18:16,280 Speaker 3: same all boys Catholic high school on Staten Island, so different, 347 00:18:16,560 --> 00:18:18,480 Speaker 3: we were never there at the same time. I don't 348 00:18:18,480 --> 00:18:22,720 Speaker 3: believe famously was there with Dan. I played lacrosse with him, correct, 349 00:18:22,960 --> 00:18:24,959 Speaker 3: But I think Dan was a senior when you were 350 00:18:25,000 --> 00:18:25,640 Speaker 3: a freshman. 351 00:18:25,760 --> 00:18:28,520 Speaker 1: Huh, and I beat him up? You whipped? 352 00:18:28,840 --> 00:18:32,280 Speaker 3: He asked. And I know that when Dan was a freshman, 353 00:18:32,400 --> 00:18:33,760 Speaker 3: I was a senior, So I was. 354 00:18:33,720 --> 00:18:36,120 Speaker 2: Like, oh, okay, so you were like forty five first 355 00:18:36,160 --> 00:18:37,840 Speaker 2: time I was twelve, exact. 356 00:18:38,400 --> 00:18:39,560 Speaker 1: But I'm fair. 357 00:18:39,600 --> 00:18:42,080 Speaker 3: So I don't think any saran rappers being discussed by 358 00:18:42,080 --> 00:18:44,520 Speaker 3: mister Insigno in our health classes. 359 00:18:45,320 --> 00:18:45,679 Speaker 1: Teacher. 360 00:18:46,240 --> 00:18:49,200 Speaker 3: Yes, but I do think that there was a ninety 361 00:18:49,320 --> 00:18:53,919 Speaker 3: yes in like a safe sex forward nineties cultural discussions. 362 00:18:54,000 --> 00:18:57,400 Speaker 3: I actually do think that saran rap was discussed as 363 00:18:57,400 --> 00:19:01,680 Speaker 3: a like wait to perform safe oral sex in that direction. 364 00:19:01,960 --> 00:19:04,880 Speaker 3: I don't know if I've heard anybody talk about that recently. 365 00:19:05,280 --> 00:19:08,240 Speaker 2: You know, he's not using this round wrap. He's going 366 00:19:08,320 --> 00:19:12,159 Speaker 2: raw like sushi. But he's not into tempora, so he 367 00:19:12,200 --> 00:19:15,679 Speaker 2: doesn't cook no women. 368 00:19:15,520 --> 00:19:18,520 Speaker 1: No no, no, no, no, he's not. Look he's not. He's so. 369 00:19:18,720 --> 00:19:20,719 Speaker 3: So this is what he's basically telling you in early 370 00:19:20,840 --> 00:19:25,159 Speaker 3: in ninety which is he like, that's that's you know, 371 00:19:25,200 --> 00:19:30,080 Speaker 3: it's fucking complicated, dangerous time he's telling you why don't 372 00:19:30,160 --> 00:19:33,720 Speaker 3: used to run rap? And then he tells you this 373 00:19:33,760 --> 00:19:35,959 Speaker 3: is really I wonder if this will get us banned 374 00:19:35,960 --> 00:19:37,600 Speaker 3: from further ups. Yeah, he will not. 375 00:19:37,800 --> 00:19:39,000 Speaker 1: No, this is all fine. 376 00:19:39,200 --> 00:19:40,639 Speaker 3: Look, we have to be able to talk about this 377 00:19:40,680 --> 00:19:43,560 Speaker 3: stuff as a society, as a cult exactly. 378 00:19:44,640 --> 00:19:47,080 Speaker 1: We're doing what Christian pastors would want us to do. 379 00:19:47,200 --> 00:19:51,800 Speaker 3: It's what Look, it's what Christian pastures pastures would wants. 380 00:19:54,000 --> 00:19:54,240 Speaker 1: Saying. 381 00:19:54,320 --> 00:19:56,520 Speaker 3: He's saying three things right there. He's telling you he 382 00:19:56,640 --> 00:19:59,280 Speaker 3: doesn't do drugs. He's telling you he's into minor threat. 383 00:19:59,520 --> 00:20:02,760 Speaker 3: He doesn't drink and do drugs. He's straightedge. He does 384 00:20:02,800 --> 00:20:03,600 Speaker 3: have an addiction to it. 385 00:20:03,840 --> 00:20:04,280 Speaker 1: To women. 386 00:20:04,840 --> 00:20:07,199 Speaker 3: He eats them more like sushi. He doesn't eat he 387 00:20:07,240 --> 00:20:09,440 Speaker 3: doesn't cook them. So he's telling you he's not going 388 00:20:09,440 --> 00:20:11,520 Speaker 3: to use some roundrap. But he's also not how to blect. 389 00:20:12,400 --> 00:20:14,840 Speaker 3: That's what you get from that. He's not he's not 390 00:20:14,880 --> 00:20:18,800 Speaker 3: a cannibal. Yeah, but he's also not he's also not 391 00:20:18,840 --> 00:20:20,080 Speaker 3: practicing safe sexy. 392 00:20:21,400 --> 00:20:26,200 Speaker 1: That's true. Oh so that's interesting. Yeah, hmm, I think. 393 00:20:26,040 --> 00:20:29,520 Speaker 3: This is I just really want to flag for everybody listening, 394 00:20:29,640 --> 00:20:34,959 Speaker 3: this is probably the best episode you'll ever hear us. Okay, 395 00:20:35,000 --> 00:20:40,040 Speaker 3: so that's that. But being forward from there, I think 396 00:20:40,080 --> 00:20:42,800 Speaker 3: you bringing up moving forward from there. 397 00:20:42,640 --> 00:20:44,560 Speaker 1: That was the most elegant transition available. 398 00:20:44,840 --> 00:20:46,560 Speaker 3: I think you bring up the Beast Boys is a 399 00:20:46,560 --> 00:20:48,760 Speaker 3: great point as a lens through which to look at 400 00:20:48,800 --> 00:20:50,560 Speaker 3: any of this stuff. It's happened for us a few 401 00:20:50,560 --> 00:20:53,080 Speaker 3: times where we've gone backwards to look at certain like 402 00:20:53,080 --> 00:20:54,960 Speaker 3: I think there was a Backstreet Boys song Larger than 403 00:20:54,960 --> 00:20:56,560 Speaker 3: Life we listened to where they were talking to their 404 00:20:56,560 --> 00:20:59,040 Speaker 3: fans in a way that was a little like, eh, yeah, 405 00:20:59,080 --> 00:21:01,600 Speaker 3: there was definitely that not song we listened to at 406 00:21:01,600 --> 00:21:04,000 Speaker 3: one point. There's a few that we've listened to that 407 00:21:04,000 --> 00:21:08,119 Speaker 3: were like, yes, totally, which, by the way, that that 408 00:21:08,280 --> 00:21:10,520 Speaker 3: was the first time we had to preempt the episode 409 00:21:10,520 --> 00:21:15,120 Speaker 3: with a with a park service announcement, has enough time 410 00:21:15,160 --> 00:21:18,080 Speaker 3: passed to let the camera to let the up on 411 00:21:18,160 --> 00:21:22,359 Speaker 3: that takes because somebody I feel like it might have 412 00:21:22,400 --> 00:21:25,560 Speaker 3: been a musical collaborator of mine. So when we have 413 00:21:25,600 --> 00:21:27,439 Speaker 3: to have to do this, it can be a sixty 414 00:21:27,480 --> 00:21:28,560 Speaker 3: second and capsule thing. 415 00:21:28,960 --> 00:21:30,080 Speaker 1: But we did the episode. 416 00:21:30,119 --> 00:21:35,119 Speaker 3: It was unplanned and and totally wild, like just just 417 00:21:35,680 --> 00:21:36,680 Speaker 3: accident of fate. 418 00:21:37,320 --> 00:21:38,920 Speaker 1: We did crazy Town. 419 00:21:39,000 --> 00:21:43,120 Speaker 3: Butterfly is one of our first ten episodes probably and 420 00:21:43,640 --> 00:21:46,600 Speaker 3: literally in the I think it was the day we 421 00:21:46,600 --> 00:21:48,800 Speaker 3: were about to publish the episode, it came out that 422 00:21:48,880 --> 00:21:50,919 Speaker 3: the singer of that band who's who, I don't remember 423 00:21:51,040 --> 00:21:53,320 Speaker 3: their real name, but their stage name was Shifty shell 424 00:21:53,359 --> 00:21:55,399 Speaker 3: Shock passed away. I have my eyes closed. I cannot 425 00:21:55,400 --> 00:21:56,960 Speaker 3: even look at Casey right now as I. 426 00:21:56,920 --> 00:21:57,520 Speaker 1: Talk about this. 427 00:21:58,000 --> 00:22:00,840 Speaker 3: And so we had a moment where we're like, this 428 00:22:00,920 --> 00:22:03,320 Speaker 3: is insane, given like the light hearted nature of what 429 00:22:03,320 --> 00:22:06,159 Speaker 3: we're doing on this podcast, but we probably have to 430 00:22:06,280 --> 00:22:10,080 Speaker 3: address that because it's literally like we're publishing it the 431 00:22:10,200 --> 00:22:13,359 Speaker 3: day after this person passed away. 432 00:22:13,440 --> 00:22:15,800 Speaker 1: And so I was totally like, I thought like, oh, 433 00:22:15,800 --> 00:22:16,639 Speaker 1: I can handle that. 434 00:22:16,840 --> 00:22:20,160 Speaker 3: Like I've had to sort of thread some narrow spaces 435 00:22:20,160 --> 00:22:23,200 Speaker 3: and I could do that. So right before we start 436 00:22:23,240 --> 00:22:25,760 Speaker 3: the episode casing, I was like, right, cool, I'll just 437 00:22:25,800 --> 00:22:27,600 Speaker 3: say a little quick thing about how we had and 438 00:22:27,880 --> 00:22:28,399 Speaker 3: planned that. 439 00:22:28,520 --> 00:22:32,320 Speaker 2: And there was not a smirk to be found prior 440 00:22:32,359 --> 00:22:35,119 Speaker 2: to this. No, we were like, let's do this Ernest. 441 00:22:35,240 --> 00:22:36,879 Speaker 2: It was Ernest. 442 00:22:37,080 --> 00:22:39,160 Speaker 3: Of course it was because it was Ernest goes to space. 443 00:22:39,440 --> 00:22:43,080 Speaker 3: It was Ernest uses around wrap because we were definitely 444 00:22:43,160 --> 00:22:47,919 Speaker 3: like that's a real thing and whatever. And it, dude, 445 00:22:48,240 --> 00:22:51,240 Speaker 3: the minute I feel like I got like the first 446 00:22:51,320 --> 00:22:53,040 Speaker 3: like sentence or two out, like I was like so 447 00:22:53,200 --> 00:22:55,040 Speaker 3: something funny we've never had to deal with obviously on 448 00:22:55,080 --> 00:22:58,480 Speaker 3: the podcasts, pretty new thing, you know whatever. But we 449 00:22:58,880 --> 00:23:00,920 Speaker 3: just got the news that and then when I got 450 00:23:00,960 --> 00:23:02,640 Speaker 3: to it got the news. 451 00:23:02,720 --> 00:23:06,560 Speaker 1: That, I was like inconsolable. 452 00:23:06,600 --> 00:23:08,919 Speaker 3: It was like church when you're six years old or 453 00:23:08,920 --> 00:23:12,879 Speaker 3: something and someone farts, like like you, I could not 454 00:23:14,440 --> 00:23:16,520 Speaker 3: put it together. I was like almost I was like 455 00:23:16,520 --> 00:23:19,040 Speaker 3: on the ridge tears laughing. So far we must have 456 00:23:19,080 --> 00:23:21,600 Speaker 3: done like twenty of I don't know a bunch of them. 457 00:23:22,160 --> 00:23:25,240 Speaker 2: The first one that was was real brute. It was incredible. 458 00:23:25,320 --> 00:23:27,760 Speaker 2: It was it was when you got to to Shifty 459 00:23:27,800 --> 00:23:28,359 Speaker 2: shell shock. 460 00:23:28,680 --> 00:23:32,560 Speaker 3: It was your name, I possible, yeah how and I'm 461 00:23:32,560 --> 00:23:35,560 Speaker 3: so sorry. I'm so sorry to Shifty to family, to friends, 462 00:23:35,600 --> 00:23:38,320 Speaker 3: to fans. But it was just when I got up 463 00:23:38,359 --> 00:23:42,680 Speaker 3: to it, like the absurdity of we are effectively hosting 464 00:23:42,720 --> 00:23:45,520 Speaker 3: like a sort of comic in tone podcast where we 465 00:23:45,560 --> 00:23:48,080 Speaker 3: talk and then other things we extrapolate in other directions, 466 00:23:48,080 --> 00:23:52,960 Speaker 3: but we it's light. We talk about mostly like novelty 467 00:23:53,200 --> 00:23:56,320 Speaker 3: singles or something like bordering on that or like whatever, 468 00:23:56,800 --> 00:23:58,600 Speaker 3: and then I love Casey just is like I gotta go. 469 00:23:58,960 --> 00:24:02,720 Speaker 1: But we we basely are like doing that and now. 470 00:24:02,600 --> 00:24:05,440 Speaker 3: We're talking about we were crafting a public service announcement 471 00:24:05,480 --> 00:24:09,639 Speaker 3: about an artist who passed away unexpectedly where we happened 472 00:24:09,680 --> 00:24:10,440 Speaker 3: to be doing. 473 00:24:10,480 --> 00:24:12,760 Speaker 1: His band is a church laugh. It's a true church laugh. 474 00:24:13,040 --> 00:24:15,960 Speaker 1: It's you're not supposed to laugh anyway. 475 00:24:16,720 --> 00:24:18,879 Speaker 3: Yeah, I'm sorry to go at such length, but it was. 476 00:24:18,920 --> 00:24:21,000 Speaker 3: We've never talked about it on the podcast since. And 477 00:24:21,040 --> 00:24:22,960 Speaker 3: I have a friend who's a collaborator who I must 478 00:24:22,960 --> 00:24:23,760 Speaker 3: have sent. 479 00:24:24,760 --> 00:24:28,760 Speaker 2: Videos Kevin, and well it's Kevin. We said it to 480 00:24:28,800 --> 00:24:30,960 Speaker 2: Brian and Stramberg. 481 00:24:30,760 --> 00:24:33,600 Speaker 3: Brian Bonds and Mike Stramberg, who are both friends of 482 00:24:33,640 --> 00:24:35,560 Speaker 3: each of ours and have played music with both of us, 483 00:24:35,600 --> 00:24:39,040 Speaker 3: and like you know, inter sanct in people, I def 484 00:24:39,520 --> 00:24:41,520 Speaker 3: two of the funniest people on earth. And I sent 485 00:24:41,800 --> 00:24:43,960 Speaker 3: also to my friend Caroline, who I have this band 486 00:24:44,119 --> 00:24:48,440 Speaker 3: Funambulist with who plays as brother Bird because she's fucking hysterical, 487 00:24:48,600 --> 00:24:51,240 Speaker 3: and she brought it up to me like last week 488 00:24:51,320 --> 00:24:53,120 Speaker 3: for the first time. She's like, we've never talked about 489 00:24:53,119 --> 00:24:55,359 Speaker 3: when you sent me the video of you incapable of 490 00:24:55,400 --> 00:24:59,480 Speaker 3: presenting the rest in bees or whatever anyway that. 491 00:24:59,560 --> 00:25:03,439 Speaker 2: Being said you present It's like it's like when a 492 00:25:03,480 --> 00:25:07,680 Speaker 2: news anchor like has like breaks, it's like it's it's 493 00:25:08,000 --> 00:25:11,080 Speaker 2: that's what that's what it was, And those are incredible 494 00:25:11,280 --> 00:25:14,480 Speaker 2: when when a news anchor is saying something that's important 495 00:25:14,480 --> 00:25:17,440 Speaker 2: and breaks, it's some of the best content that's ever 496 00:25:17,520 --> 00:25:19,520 Speaker 2: existed on the Internet's what the internet's. 497 00:25:19,119 --> 00:25:23,720 Speaker 3: For, the purity of it is unbeatable. You are laughing 498 00:25:23,760 --> 00:25:26,480 Speaker 3: from the purest place from which you will ever laugh. 499 00:25:26,600 --> 00:25:29,239 Speaker 3: You're like, it's like it was like uncontrollable. 500 00:25:29,440 --> 00:25:32,439 Speaker 1: It's on Kevin's Patreon now, yeah, you can pay to 501 00:25:32,480 --> 00:25:45,320 Speaker 1: watch it. There are great lens though, the Vast. 502 00:25:45,280 --> 00:25:48,960 Speaker 3: Boys, because I do think and that's why you broughte 503 00:25:48,960 --> 00:25:51,320 Speaker 3: it up. It's not like a novel thought what they 504 00:25:51,480 --> 00:25:55,240 Speaker 3: the arc of their career with respect to the kind 505 00:25:55,280 --> 00:26:00,560 Speaker 3: of like uh, you know, whether it's play full or not, 506 00:26:00,840 --> 00:26:07,040 Speaker 3: but like misogynistic, patriarchal, reinforcing lyrical content of their earlier 507 00:26:07,119 --> 00:26:11,320 Speaker 3: music and their earlier video content and their earlier kind 508 00:26:11,359 --> 00:26:15,440 Speaker 3: of like you know whatever, like fucking young, brash whatever. 509 00:26:16,119 --> 00:26:19,160 Speaker 3: They really present a model for like what it can 510 00:26:19,200 --> 00:26:21,679 Speaker 3: be like. I don't think the BC Boys got less fun. 511 00:26:21,920 --> 00:26:27,960 Speaker 3: Their music can maintained like a group kind of like energetic, 512 00:26:28,280 --> 00:26:30,080 Speaker 3: but what they did get was like. 513 00:26:31,640 --> 00:26:33,359 Speaker 1: I would say, you know, they they. 514 00:26:33,520 --> 00:26:36,920 Speaker 3: Wiser and and and and more like a wider view 515 00:26:37,400 --> 00:26:39,679 Speaker 3: of of of of the world. And and they got 516 00:26:39,720 --> 00:26:41,760 Speaker 3: that through aging, they got that through like education, they 517 00:26:41,800 --> 00:26:45,600 Speaker 3: got that through yeah, partners and other uh you know, 518 00:26:45,880 --> 00:26:49,600 Speaker 3: cultural and and social influence. And they I think it 519 00:26:49,640 --> 00:26:51,480 Speaker 3: was like they were never I never got the sense 520 00:26:51,480 --> 00:26:55,000 Speaker 3: that it was performative, that they were just kind of like, yeah, 521 00:26:55,040 --> 00:26:57,719 Speaker 3: that was that was that was us in that moment. 522 00:26:58,560 --> 00:27:00,880 Speaker 3: And now I look at that moment and I see 523 00:27:00,920 --> 00:27:03,439 Speaker 3: like that wasn't cool, And I thought it was very 524 00:27:03,480 --> 00:27:05,520 Speaker 3: matter of fact, and I thought it was very well handled. 525 00:27:05,560 --> 00:27:07,399 Speaker 3: And I think they've presented a model. It's not like 526 00:27:07,440 --> 00:27:11,160 Speaker 3: some like fucking tripping over yourself seventeen thousand word notes 527 00:27:11,200 --> 00:27:13,960 Speaker 3: apology that ends up bringing like totally hollow in its 528 00:27:14,160 --> 00:27:17,199 Speaker 3: over verbosity or whatever. It's actually just kind of like 529 00:27:17,359 --> 00:27:19,080 Speaker 3: straight into the point. And then there was like a 530 00:27:19,119 --> 00:27:21,359 Speaker 3: living amend's quality to it too, where they're just like 531 00:27:21,400 --> 00:27:22,840 Speaker 3: that was like, well, we're not going to do that 532 00:27:22,920 --> 00:27:25,280 Speaker 3: moving forward, and they didn't, you know what I mean, 533 00:27:26,520 --> 00:27:30,040 Speaker 3: I think that's now I have no idea what Gerardo's like, 534 00:27:30,240 --> 00:27:31,760 Speaker 3: I have no idea what a lot of people who 535 00:27:31,880 --> 00:27:34,080 Speaker 3: but I know that I always thought that was like, 536 00:27:34,480 --> 00:27:37,520 Speaker 3: arguably the coolest thing about the Beastie Boys was actually 537 00:27:37,560 --> 00:27:40,840 Speaker 3: that they had that come to Jesus moment. And I 538 00:27:40,880 --> 00:27:43,680 Speaker 3: know that Gerardo came to Jesus too, and we reserve 539 00:27:43,720 --> 00:27:45,399 Speaker 3: the right to go to one of his sermons and 540 00:27:45,440 --> 00:27:46,640 Speaker 3: find out where he's at now. 541 00:27:47,960 --> 00:27:48,480 Speaker 1: Very true. 542 00:27:49,119 --> 00:27:52,360 Speaker 2: You know, it's interesting to think about other people that 543 00:27:52,560 --> 00:27:57,800 Speaker 2: like went to maturity or didn't, you know, like you know, 544 00:27:58,640 --> 00:28:02,919 Speaker 2: I'm trying to think Eminem, you know, is is he 545 00:28:02,960 --> 00:28:07,119 Speaker 2: didn't reach the same heights I think of the Beastie Boys. 546 00:28:07,640 --> 00:28:11,080 Speaker 2: But I definitely think and I also think he never 547 00:28:11,160 --> 00:28:13,680 Speaker 2: really and maybe I think the BC Boys did. I 548 00:28:13,720 --> 00:28:16,760 Speaker 2: don't know if Eminem really ever apologized or anything or 549 00:28:16,880 --> 00:28:18,840 Speaker 2: totally regret it, because I don't think it's in his 550 00:28:18,920 --> 00:28:21,720 Speaker 2: nature to be like he's more like that's who I was. 551 00:28:21,760 --> 00:28:26,640 Speaker 2: Then Yeah, he might have said like that's what being 552 00:28:26,680 --> 00:28:27,840 Speaker 2: on a lot of drugs can do. 553 00:28:28,320 --> 00:28:30,520 Speaker 3: I think, right, I think that it seems to me 554 00:28:30,600 --> 00:28:33,399 Speaker 3: like he's an interesting case because he I don't know 555 00:28:33,440 --> 00:28:35,560 Speaker 3: that I've I've heard him say things that were kind 556 00:28:35,600 --> 00:28:39,920 Speaker 3: of like I would put them as like relatively lukewarm 557 00:28:40,720 --> 00:28:46,479 Speaker 3: walkings back of the most like violent, misogynistic, homophobic, you know. 558 00:28:47,200 --> 00:28:49,840 Speaker 3: But I also think, and I do think he kind 559 00:28:49,880 --> 00:28:54,200 Speaker 3: of did evolve somewhat from the like flimsy which I 560 00:28:54,280 --> 00:28:56,840 Speaker 3: was as a twenty year old fascinated with this like 561 00:28:56,880 --> 00:28:59,040 Speaker 3: Hall of Mirrors whatever thing, because I think a lot 562 00:28:59,080 --> 00:29:01,200 Speaker 3: of people were, but it was ultimately in retrospect, it's 563 00:29:01,200 --> 00:29:03,400 Speaker 3: like a little flimsy to be like, I'm not saying 564 00:29:03,440 --> 00:29:06,680 Speaker 3: that my character is saying that, Like there's a degree 565 00:29:06,720 --> 00:29:08,480 Speaker 3: to which it's like right, and does a twelve year 566 00:29:08,520 --> 00:29:10,720 Speaker 3: old kid listening to that have like the same degree 567 00:29:10,720 --> 00:29:14,440 Speaker 3: of discernment as the thirty year old man writing it does? 568 00:29:14,480 --> 00:29:16,560 Speaker 3: And if there's ten million, it just gets into that 569 00:29:16,600 --> 00:29:19,360 Speaker 3: whole fuzzy thing about the influence of media and behavior. 570 00:29:20,400 --> 00:29:22,640 Speaker 3: But I do think I think he seems to have 571 00:29:22,760 --> 00:29:24,480 Speaker 3: I feel like he wants to have it both ways, 572 00:29:24,480 --> 00:29:26,760 Speaker 3: because I feel like he kind of like has these 573 00:29:26,800 --> 00:29:28,760 Speaker 3: moments where he kind of like speaks to a kind 574 00:29:28,760 --> 00:29:30,840 Speaker 3: of like evolution and maturity and you could sort of 575 00:29:30,840 --> 00:29:33,840 Speaker 3: see that. Then he'll like, because he knows it connects 576 00:29:33,840 --> 00:29:36,840 Speaker 3: and sells, he'll put out like the Marshall Mathers record three, 577 00:29:37,360 --> 00:29:39,760 Speaker 3: where he's like doing all of that shit again in 578 00:29:39,800 --> 00:29:40,400 Speaker 3: the songs. 579 00:29:40,480 --> 00:29:41,080 Speaker 2: You know what I mean. 580 00:29:41,640 --> 00:29:43,080 Speaker 3: I think he kind of like wants to be able 581 00:29:43,080 --> 00:29:45,080 Speaker 3: to dance back and forth between that, whereas I don't 582 00:29:45,080 --> 00:29:48,480 Speaker 3: think the Beastie Boys did that, and then we're like actually, and. 583 00:29:48,440 --> 00:29:50,800 Speaker 1: Then on the next record it was like Girls two 584 00:29:51,160 --> 00:29:53,640 Speaker 1: or whatever, you know what I mean, Like that's true. 585 00:29:54,480 --> 00:29:55,240 Speaker 1: I do think. 586 00:29:55,080 --> 00:29:57,440 Speaker 3: Most people kind of double down in the I think 587 00:29:57,440 --> 00:29:59,480 Speaker 3: a lot of people it's almost like they double down 588 00:29:59,480 --> 00:30:03,200 Speaker 3: in the opposite direction where it's like they've been they 589 00:30:03,240 --> 00:30:05,640 Speaker 3: feel sort of like ostracized or called out, and so 590 00:30:05,680 --> 00:30:08,840 Speaker 3: what they do is kind of sort of be like, well, 591 00:30:08,880 --> 00:30:13,160 Speaker 3: you know what, fuck you even like smart forward thinking 592 00:30:13,280 --> 00:30:15,040 Speaker 3: of people I think in other ways. And then that 593 00:30:15,080 --> 00:30:17,160 Speaker 3: becomes strange because then they're kind of marooned in this 594 00:30:17,200 --> 00:30:18,800 Speaker 3: place where they still have a lot of fans, but 595 00:30:18,800 --> 00:30:20,520 Speaker 3: they're kind of like you can tell it's not the 596 00:30:20,600 --> 00:30:23,520 Speaker 3: fans they want to have. It's almost like they become 597 00:30:23,560 --> 00:30:26,480 Speaker 3: these embittered versions of themselves, because it's like people who 598 00:30:26,560 --> 00:30:29,240 Speaker 3: like they were kind of they kind of made their 599 00:30:29,320 --> 00:30:33,720 Speaker 3: bones in the beginning being critical of or lampooning, and 600 00:30:33,760 --> 00:30:37,080 Speaker 3: then they end up becoming owned by those people because 601 00:30:37,080 --> 00:30:39,080 Speaker 3: that's the only that's like the last house on the block. 602 00:30:39,280 --> 00:30:41,400 Speaker 1: Does that make sense? You know what I'm saying, which is, 603 00:30:41,400 --> 00:30:43,240 Speaker 1: I think a very dark place to land. 604 00:30:43,280 --> 00:30:45,280 Speaker 3: And there's a few artists I'm thinking of and specific 605 00:30:45,320 --> 00:30:48,480 Speaker 3: across a few different mediums that I probably won't say 606 00:30:48,560 --> 00:30:51,840 Speaker 3: for just it's not necessary. But yeah, I think there's 607 00:30:51,960 --> 00:30:55,040 Speaker 3: like there's a darkness down there for sure, and I 608 00:30:55,040 --> 00:30:58,040 Speaker 3: think the light is actually from like being able to 609 00:30:58,080 --> 00:30:59,480 Speaker 3: be like, Yo, that wasn't cool. 610 00:30:59,680 --> 00:31:02,040 Speaker 1: I've grown up since then, you know. I love how 611 00:31:02,120 --> 00:31:07,320 Speaker 1: we've gotten this from Ricos swathing. Yeah it's insane, but anyway. 612 00:31:07,400 --> 00:31:11,080 Speaker 2: Yeah, I've definitely seen people like doctor dre regret. It 613 00:31:11,120 --> 00:31:14,360 Speaker 2: was just related to Eminem somewhat regret as his father 614 00:31:15,200 --> 00:31:19,520 Speaker 2: and he's his dad and his doctor, which is strange. 615 00:31:19,720 --> 00:31:21,600 Speaker 1: There's boundary issues there for sure. 616 00:31:22,160 --> 00:31:25,160 Speaker 2: That's as a as a as a kid who's had 617 00:31:25,200 --> 00:31:26,080 Speaker 2: a doctor as a mom. 618 00:31:26,400 --> 00:31:30,240 Speaker 1: I understand that you act right, yeah. 619 00:31:30,080 --> 00:31:33,640 Speaker 2: She doc, but he you know, he doctor traded a 620 00:31:33,680 --> 00:31:36,800 Speaker 2: lot of bad stuff and you know, apologize to a 621 00:31:36,840 --> 00:31:38,440 Speaker 2: lot of it, trying to move forward. 622 00:31:38,560 --> 00:31:42,080 Speaker 3: You know, Yes, there's nothing wrong with that. That's like 623 00:31:42,160 --> 00:31:44,640 Speaker 3: if like I think that's like the best fucking thing 624 00:31:44,680 --> 00:31:47,000 Speaker 3: we can do. And I don't mean in a real 625 00:31:47,120 --> 00:31:49,520 Speaker 3: embodied way, to be like, because then you get to 626 00:31:49,560 --> 00:31:51,520 Speaker 3: tell the whole story and it's all in the room. 627 00:31:51,960 --> 00:31:54,640 Speaker 3: It's okay, it's like, yeah, this this happened, and this happened, 628 00:31:54,640 --> 00:31:56,960 Speaker 3: and this happened, and it's all a picture of a person, 629 00:31:57,480 --> 00:32:00,160 Speaker 3: not just the best or worst or most airbrushed or 630 00:32:00,240 --> 00:32:06,040 Speaker 3: most you know, edited in either direction, edited like like 631 00:32:06,960 --> 00:32:10,840 Speaker 3: focused in upon or edited out version of the person. Anyway, 632 00:32:11,680 --> 00:32:14,280 Speaker 3: we have to do some more research about Girardo's current whereabouts. 633 00:32:14,320 --> 00:32:16,880 Speaker 2: But with respect to the song, yeah, I'd like to 634 00:32:16,880 --> 00:32:17,960 Speaker 2: talk about some of the music. 635 00:32:18,040 --> 00:32:20,560 Speaker 3: But yeah, no, I was going to say, I was 636 00:32:20,560 --> 00:32:23,960 Speaker 3: gonna say, I like the bridge. Bridge surprised me. Great 637 00:32:24,040 --> 00:32:27,280 Speaker 3: percussive stuff going on. Really fun club song. This listen, 638 00:32:27,360 --> 00:32:30,000 Speaker 3: imagine us, me and you hanging out in ninety, right, 639 00:32:30,080 --> 00:32:32,280 Speaker 3: said Fred ends this one comes on next. I mean, 640 00:32:32,280 --> 00:32:34,440 Speaker 3: we're dancing all day. We're dancing all day. 641 00:32:34,600 --> 00:32:38,720 Speaker 2: Case it's true, I'm definitely I'm ten years old and 642 00:32:38,960 --> 00:32:41,280 Speaker 2: I'm having a I'm like going crazy. 643 00:32:41,400 --> 00:32:44,000 Speaker 1: You're like, you're not ten in ninety I was ten. 644 00:32:44,360 --> 00:32:47,480 Speaker 1: I was ten. I five. Oh my god, I was five. 645 00:32:47,520 --> 00:32:50,360 Speaker 3: I don't even I'm watching you while your mom has 646 00:32:50,400 --> 00:32:52,120 Speaker 3: to go do something at the store, and I'm like, yo, 647 00:32:52,360 --> 00:32:53,680 Speaker 3: how am I going to take care of this kid? 648 00:32:53,880 --> 00:32:55,640 Speaker 1: And I just put on these songs that we dance. 649 00:32:55,760 --> 00:32:56,120 Speaker 3: We don't know. 650 00:32:56,760 --> 00:33:00,280 Speaker 1: My mom's a doctor, she's probably working to go. 651 00:33:03,880 --> 00:33:06,040 Speaker 3: So your what you're saying is your mom was my 652 00:33:06,240 --> 00:33:10,200 Speaker 3: mom's boss and you so your mom said to my mom. 653 00:33:10,360 --> 00:33:12,560 Speaker 1: Hey, your son has to watch my kid, and my 654 00:33:12,600 --> 00:33:15,920 Speaker 1: mom said, oh okape, And I'm like, my mom's your 655 00:33:15,920 --> 00:33:18,920 Speaker 1: mom's boss. Yeah, And then I go and your mom's like, 656 00:33:19,000 --> 00:33:21,080 Speaker 1: I gotta go to the store. Busstead the scope back 657 00:33:21,200 --> 00:33:23,720 Speaker 1: said Kevin, we watch case and then I go over 658 00:33:23,720 --> 00:33:25,160 Speaker 1: and You're like, what are you going to do? 659 00:33:25,440 --> 00:33:26,040 Speaker 2: Entertain me? 660 00:33:26,320 --> 00:33:28,080 Speaker 1: And then I put on these songs and we dance 661 00:33:28,160 --> 00:33:30,040 Speaker 1: all day. Yeah, that's true. 662 00:33:30,120 --> 00:33:33,760 Speaker 2: That actually probably happened to some kid like like this 663 00:33:34,000 --> 00:33:38,000 Speaker 2: was probably, like you said, the it was ubiquitous, and 664 00:33:38,160 --> 00:33:42,040 Speaker 2: I'm sure children and adults it was like it was 665 00:33:42,080 --> 00:33:44,120 Speaker 2: like Cape Hoop Demon Hunters of the time. 666 00:33:45,080 --> 00:33:46,160 Speaker 1: It was dude. 667 00:33:46,160 --> 00:33:50,320 Speaker 3: My memory is that this was like an inescapable, like 668 00:33:50,360 --> 00:33:53,600 Speaker 3: a meme before they were memes, and an inescapable song. 669 00:33:55,040 --> 00:33:57,320 Speaker 3: I feel like I heard this song as much as 670 00:33:58,360 --> 00:34:01,520 Speaker 3: I mean any other like that, whatever, other six or 671 00:34:01,560 --> 00:34:04,200 Speaker 3: ten like massive, massive, massive songs. 672 00:34:04,240 --> 00:34:07,920 Speaker 2: In that moment, I think my when I when I 673 00:34:07,960 --> 00:34:10,440 Speaker 2: was ten, I think the song around then was I 674 00:34:10,560 --> 00:34:11,839 Speaker 2: like to move it, move it. 675 00:34:11,960 --> 00:34:14,319 Speaker 1: Oh, it's same, same vibe, which is I like to 676 00:34:14,320 --> 00:34:16,200 Speaker 1: move it, move it. But I always thought it sounded 677 00:34:16,200 --> 00:34:18,279 Speaker 1: like and now it was crazy. What did you think 678 00:34:18,320 --> 00:34:21,120 Speaker 1: it sounded like? I like to move it, move it. 679 00:34:21,120 --> 00:34:24,319 Speaker 7: It does kind of like to movid he's doing when 680 00:34:24,840 --> 00:34:26,839 Speaker 7: so Mari one time came home, my daughter came home 681 00:34:26,920 --> 00:34:29,799 Speaker 7: from daycare and started singing I Like to move and 682 00:34:29,840 --> 00:34:31,719 Speaker 7: move in like a. 683 00:34:31,760 --> 00:34:35,279 Speaker 1: Completely different version but also wrong. It's really good. 684 00:34:35,320 --> 00:34:36,880 Speaker 2: But I was like, how do you know it? And 685 00:34:36,880 --> 00:34:39,319 Speaker 2: I guess there was a will I am version? I 686 00:34:39,400 --> 00:34:41,600 Speaker 2: came out and it's like, yes. 687 00:34:42,400 --> 00:34:45,919 Speaker 1: Yo, that's that's so funny. That's so funny. It's so true. 688 00:34:45,920 --> 00:34:48,160 Speaker 1: And also I love those moments where you're like, wait, 689 00:34:48,200 --> 00:34:52,080 Speaker 1: how do you know that? With your kid? This isn't 690 00:34:52,160 --> 00:34:52,800 Speaker 1: song related? 691 00:34:52,800 --> 00:34:55,920 Speaker 3: But Edie used to authentically think that Benjamin Franklin's name 692 00:34:55,960 --> 00:34:57,840 Speaker 3: was origemin Franklin. 693 00:34:59,480 --> 00:35:02,319 Speaker 1: Which you have to end it on that because it's 694 00:35:02,360 --> 00:35:05,240 Speaker 1: just the cutest. Also, everybody listen, song is the cutest. 695 00:35:06,040 --> 00:35:10,880 Speaker 3: Yeah, this song is the cutest and the best and everybody, really, 696 00:35:10,880 --> 00:35:12,399 Speaker 3: what we want you to do today is, if there's 697 00:35:12,400 --> 00:35:14,840 Speaker 3: something you've got to own from your past, own it 698 00:35:15,080 --> 00:35:19,839 Speaker 3: just like DC's and dressed in shell shock and yeah, 699 00:35:19,880 --> 00:35:24,400 Speaker 3: shifty shell shock. And if you are one of Gerardo's flock, 700 00:35:24,600 --> 00:35:25,920 Speaker 3: let us know what he talks about. 701 00:35:26,280 --> 00:35:28,040 Speaker 1: Right, let's give it. Give it a chance at our 702 00:35:28,360 --> 00:35:29,800 Speaker 1: arkfark dot now 703 00:35:34,200 --> 00:35:44,240 Speaker 3: One two, buckle my shoe, say good bye.