WEBVTT - Sippin Some Head (with Langston Kerman and David Gborie)

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<v Speaker 1>And Nelson Mandela being like, where's winning? I showed me

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<v Speaker 1>my Winnie or whatever the fuck you would say right now.

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<v Speaker 2>He just misses his wife. I think he just misses

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<v Speaker 2>this girl. Man. You know, yeah, he got that phantom

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<v Speaker 2>dick effect. He just want to you want to say, whinny. Yeah,

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<v Speaker 2>you know he spent years away from that thing. I

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<v Speaker 2>get it.

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<v Speaker 1>He was in jail doing push ups mad like, I'm

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<v Speaker 1>just trying to see my girl.

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<v Speaker 2>Man, y'all fucking with me when he's probably cooking tonight.

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<v Speaker 1>Damn family was like, stupid, damn man.

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<v Speaker 2>She makes some fish super anyway. Yeah, chips in your quals,

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<v Speaker 2>racist o money h turkey stuff. Can't tell me you

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<v Speaker 2>can't keep an old lady because you keep fucking of

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<v Speaker 2>friends on. Welcome to another episode of My Mama Told.

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<v Speaker 1>Me, the podcast where we dive the deep into the

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<v Speaker 1>pockets of black conspiracy theories.

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<v Speaker 2>And we work to prove the conspiracy that Jamal Murray

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<v Speaker 2>is in fact the bastard offspring of Maximus Murray, aired

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<v Speaker 2>to the Murray's hair grease fortune. Cast out to Canada,

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<v Speaker 2>forced to live a life with his white mother and

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<v Speaker 2>assumingly Inuit stepfather, decided he will get good at the

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<v Speaker 2>one game his father Baximis's love basketball, and he will

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<v Speaker 2>come back and throw it in his face.

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<v Speaker 1>A game where the hair grease doesn't matter, that the

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<v Speaker 1>grease ain't playing a factor in how you can.

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<v Speaker 2>Hoop at all. What I'm trying to say here, it's

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<v Speaker 2>nugs and for I'm David Warden, woof, that is me.

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<v Speaker 1>You don't even respect these boys. I'm Likeston Kerman and

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<v Speaker 1>I'm shocked.

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<v Speaker 2>Hey, we wanted home, we won Bears. That's all you

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<v Speaker 2>need to do to win more and everything we've done,

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<v Speaker 2>all the things we need to do. My MVP is white.

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<v Speaker 2>I hate to say it. Listen, do I love that

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<v Speaker 2>my team has maybe not the most psycho local guys. Yeah?

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<v Speaker 2>I wish we had a lot of fun guys, but

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<v Speaker 2>you know what they are good at basketball?

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<v Speaker 1>Listen, Michael Porter Junior is real hard to roof for.

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<v Speaker 1>But oh, are you telling me, man, boy? Is that

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<v Speaker 1>boy good at basket?

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<v Speaker 3>Pretty much a fucking copy When the fucking pandemic was

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<v Speaker 3>that it's height and he was like, yeah, I'm gonna

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<v Speaker 3>be one of two people in the league who doesn't kneel.

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<v Speaker 1>It was like god, damn man, you really you really

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<v Speaker 1>don't give a fuck?

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<v Speaker 2>H man. We were so good in the bubble. That's

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<v Speaker 2>just what I try to remember. We were so good

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<v Speaker 2>in the bubble.

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<v Speaker 1>And partly because he wouldn't kneel down. He was so

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<v Speaker 1>he wasn't having to get back up like the mother Boy.

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<v Speaker 2>Because he has back problems. I didn't even want to

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<v Speaker 2>draft him and I was like, he has a back

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<v Speaker 2>injury that never you never come back from that.

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<v Speaker 1>He has a back injury from carrying white Jesus's cross

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<v Speaker 1>on it for all these years.

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<v Speaker 2>So we're finally there. You know, it's been a long

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<v Speaker 2>it's a long time. It's been a long time time

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<v Speaker 2>because a long time since we've been playing this good.

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<v Speaker 2>I just I wish you the best, I truly do.

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<v Speaker 2>But it's just like a don't meet your hero situation,

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<v Speaker 2>you know what I mean, where it's like what if

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<v Speaker 2>you got everything you asked for? Fun? You know what

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<v Speaker 2>I mean? That's what it is.

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<v Speaker 1>This is what I think the ending of that uh,

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<v Speaker 1>that movie where the Beatles aren't real feels.

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<v Speaker 2>Like oh yeah, yeah, yeah, yeah no. It definitely feels

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<v Speaker 2>like I'm gonna learn some kind of Adam Sandler lesson

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<v Speaker 2>behind him. Yes, this is my this is my happy Gilmore,

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<v Speaker 2>this is this is Groundhog's day.

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<v Speaker 1>You're gonna have to relive this championship every single day

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<v Speaker 1>only to discover something awful on the back end.

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<v Speaker 2>And you get the lesson. It's definitely be careful what

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<v Speaker 2>you wish for. Like you cut to me after the

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<v Speaker 2>two thousand and nine Western Conference Finals when we lost

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<v Speaker 2>the Lakers. I don't think we should have thought it

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<v Speaker 2>was calls and me on a couch to wear like

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<v Speaker 2>I would do anything for the Nuggets to win. I

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<v Speaker 2>don't care who we get. And then you flash.

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<v Speaker 1>Forward and then you've empowered up Bill Cosby as your.

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<v Speaker 2>Say, you know you got a white m VP. This

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<v Speaker 2>is I feel like I did this. I did this

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<v Speaker 2>to us.

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<v Speaker 1>Your starting five is just horrific. Horrific people.

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<v Speaker 2>No, they're not all bad, man. Come on, man, is

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<v Speaker 2>it Casey B Yeah? Man? Anyways, how you doing? I'm

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<v Speaker 2>doing well.

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<v Speaker 1>We we have a conspiracy theory. It's a lengths in

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<v Speaker 1>a David episode where we have a conspiracy theory that

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<v Speaker 1>we've been sitting on for a little while. It's it's

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<v Speaker 1>a rare TikTok find is where this conspiracy comes from,

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<v Speaker 1>which I don't think. We often are sifting through the

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<v Speaker 1>the tiktoks to be able to find shit much less.

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<v Speaker 2>No one, this is Olivia? Fine? Right? No?

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<v Speaker 1>I think I think someone sent it to me. I

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<v Speaker 1>can't remember how I stumbled upon it. I think a

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<v Speaker 1>fan may have sent and I apologize for not having

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<v Speaker 1>that offhand, but a fan sent us a video of

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<v Speaker 1>a woman claiming, well, we should just play the video.

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<v Speaker 2>Play the video.

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<v Speaker 4>Yeah, our leaders, our ancestors who fought the wars of

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<v Speaker 4>resistance their heads. There remains are sitting in jazz throughout Europe,

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<v Speaker 4>and the same people have the audacity to come to

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<v Speaker 4>Africa and talk to us about human rights. But what's

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<v Speaker 4>even more disturbing is that we entertain them and we

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<v Speaker 4>don't remind them of these skeletons in their closet.

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<v Speaker 1>Okay, So just so we're clear, the premise here is

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<v Speaker 1>my mama told me, can hear are being kept in

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<v Speaker 1>European jars? Would that be correct? Would you agree with

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<v Speaker 1>that statement?

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<v Speaker 2>I think if you had to, I think if you

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<v Speaker 2>had to put it into yeah, I think that is

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<v Speaker 2>a succinct way to say what she is saying. Yeah,

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<v Speaker 2>I don't know, man, Yeah, that's right, that's right. That

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<v Speaker 2>feels right, that feels right, that feels right.

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<v Speaker 1>I wonder where you live inside of this, how how

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<v Speaker 1>bought in? When you watch the video? What was your reaction?

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<v Speaker 1>What is your reaction?

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<v Speaker 2>Now? Walk us through your feelings. Much like the twenty

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<v Speaker 2>twenty three Denver nuggets, I don't want At first, I

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<v Speaker 2>didn't want it, like and then I realized that I

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<v Speaker 2>had to, Like, Ah, I got you.

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<v Speaker 1>You understand what you silly fucking lady? What are you

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<v Speaker 1>talking about? Is the first what you want to be

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<v Speaker 1>able to say? And then it's like, oh, so what

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<v Speaker 1>am I saying? That I trust all these European whites

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<v Speaker 1>and what they've done with us? No, I don't, I like,

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<v Speaker 1>do I think it's possible?

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<v Speaker 2>Yeah? Man, I don't fucking trust these guys. I don't

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<v Speaker 2>know what they do with their fucking eyes wide chut parties. Yeah,

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<v Speaker 2>and it.

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<v Speaker 1>You know, we we literally have evidence of like medieval

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<v Speaker 1>times where they would like chop a person's head off

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<v Speaker 1>and put it on a steak. And I don't think

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<v Speaker 1>that current white people are that much better.

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<v Speaker 2>You know what I mean?

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<v Speaker 1>Like, I don't think that that's like far from the

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<v Speaker 1>type of ship that they would be willing to do.

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<v Speaker 1>So it's like, yeah, you probably got some some niggaheads

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<v Speaker 1>and jars, you.

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<v Speaker 2>Know what I mean? Yeah, I don't know what they're

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<v Speaker 2>doing with them. That's what I worry about. I think

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<v Speaker 2>they drink the juice. I think.

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<v Speaker 1>I think they drink the juice like it's like exotic,

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<v Speaker 1>fermentedhad you.

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<v Speaker 2>Know, I get that. That's why they have they they've

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<v Speaker 2>developed certain powers. Yeah, like whit. Swedish people are so

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<v Speaker 2>good at pop music. Yeah, they just got habit all

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<v Speaker 2>on their own without sipping some without sipping some fucking

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<v Speaker 2>warrior juice. You think they just went up there and

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<v Speaker 2>they just invented dancing queen.

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<v Speaker 1>Without sipping a little Somali You don't think.

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<v Speaker 2>Yeah, you know, they got suited up to Zulum.

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<v Speaker 1>It was crushing congo heads and and fucking came up

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<v Speaker 1>with ab We know what the fucking you.

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<v Speaker 2>Know how you got there? We think you think you

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<v Speaker 2>invented pristine punk music.

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<v Speaker 1>You man, I've heard your accent. You ain't making nothing.

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<v Speaker 2>Oh yeah, that's the fucking dancing queen. Yeah, and then

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<v Speaker 2>fucking only seventeen get out of here. That's from my people.

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<v Speaker 2>That's from head juice. You sipped a little head Jude,

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<v Speaker 2>You sipped a little head juice just enough, just enough

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<v Speaker 2>to give you that little bit of flavor, and then

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<v Speaker 2>you went come on. Because they've got all kinds of outliers,

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<v Speaker 2>I think a lot of people. I think Jack Carlow

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<v Speaker 2>might have got some head juice. I think I.

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<v Speaker 1>Don't think Jack Harlow got any head juice. I don't

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<v Speaker 1>think he's nearly as talented as.

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<v Speaker 2>I think.

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<v Speaker 1>He's just a nice guy, and we're like, yeah, you know,

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<v Speaker 1>he's handsome, a terrible guy. Yeah he ain't the worst,

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<v Speaker 1>but I don't think he got no head juice. I

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<v Speaker 1>think Eminem had had juice for a while.

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<v Speaker 2>See, I don't think Eminem had any head juice.

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<v Speaker 1>I think Eminem had a big old swig of head

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<v Speaker 1>juice and then he.

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<v Speaker 2>Stopped sipping it. On this, I'm glad you said this.

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<v Speaker 2>We can't act like Eminem was always not an outlier.

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<v Speaker 2>Have you listened to that first album. It's the delirious

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<v Speaker 2>rents rantings of a child who was bully. It's not

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<v Speaker 2>like it's bars, but it's not like in the traditional sense.

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<v Speaker 2>He was always a little freak weirdough you know who

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<v Speaker 2>Eminem was. You ever know a white kid when you

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<v Speaker 2>were a child who had a rat tail and a

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<v Speaker 2>cool adge team, live and like light all the time,

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<v Speaker 2>lied all the time, was like my grandpa has a gun.

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<v Speaker 2>That's that who he was. Man, he was the last

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<v Speaker 2>white kid to get picked up at black kid daycare.

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<v Speaker 2>Who he was because his bomb worked late at the

0:11:08.000 --> 0:11:11.839
<v Speaker 2>goddamn seven eleven and sometimes she would let him drink

0:11:11.960 --> 0:11:13.920
<v Speaker 2>night train. That's who Eminem was.

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<v Speaker 1>I'm saying that, despite your judgment of his character, and

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<v Speaker 1>I don't disagree with your assessment of his character, I'm

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<v Speaker 1>saying that that the motherfucker was moving and shaking in

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<v Speaker 1>a way that for nineteen ninety whatever it was, eight nine,

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<v Speaker 1>it was like, oh this this is this is a talent.

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<v Speaker 1>I think we pretend like he wasn't a talent. I

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<v Speaker 1>didn't say I don't think he was talented.

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<v Speaker 2>I'm saying I don't think he's I don't think I

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<v Speaker 2>think he I think he wraps in the way that

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<v Speaker 2>a white guy would. I don't think that he's talented

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<v Speaker 2>in the way that I think he was sipping that juice.

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<v Speaker 1>So you think so you're saying there was nothing exceptional

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<v Speaker 1>about the work that he was doing.

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<v Speaker 2>I think it was exceptional. I'm saying I don't think

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<v Speaker 2>it is exceptional in a way where he got it

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<v Speaker 2>from black people. I think it's a talent all his own. Oh,

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<v Speaker 2>I don't know that.

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<v Speaker 1>I believe that the head juice gives you black people talent.

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<v Speaker 1>I guess maybe that's what I thought we were talking about.

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<v Speaker 1>I think it gives you black people exceptionalism. I don't

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<v Speaker 1>think it necessarily gives you the specific skill of a

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<v Speaker 1>black person. I don't think it's like those from Space

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<v Speaker 1>Jam type shit. I think it's more of just like

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<v Speaker 1>it gives you a strength and they know how that

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<v Speaker 1>you wouldn't have had it in your regular white body.

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<v Speaker 2>See interesting because I thought of it as an aliens

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<v Speaker 2>from space Jam, like they were literally taking the talent of.

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<v Speaker 1>Foregads that there were like four dudes in Philly singing

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<v Speaker 1>about dancing Queen and that such put them suckers and

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<v Speaker 1>jars and then drank the head juice and boom.

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<v Speaker 2>And that's how. And then somebody drank that wane and then.

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<v Speaker 1>And then somebody drank the dude who had a cane

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<v Speaker 1>and and it didn't work out for them. Wan Ye

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<v Speaker 1>was my favorite one who had the lip. Oh, yeah,

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<v Speaker 1>yan Ye was Yye. I believe it's who you're thinking

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<v Speaker 1>of with the lip.

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<v Speaker 2>I was a big jan Ye guy. I think it

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<v Speaker 2>was Sean Michael jan Ye. Sean was skinny, high top fade. Right.

0:13:24.000 --> 0:13:26.160
<v Speaker 1>Yeah, Sean's the one that I think has had the

0:13:26.160 --> 0:13:29.720
<v Speaker 1>most success outside of the group, although wan Ye arguably

0:13:29.960 --> 0:13:31.840
<v Speaker 1>during the nineties he was going crazy.

0:13:31.880 --> 0:13:34.240
<v Speaker 2>He was fucking Mosha who the one who was the

0:13:34.280 --> 0:13:36.560
<v Speaker 2>one who was like, I want to go back even

0:13:36.640 --> 0:13:37.480
<v Speaker 2>can we go back?

0:13:38.160 --> 0:13:40.400
<v Speaker 1>That's the nigga with the glasses and I always forget

0:13:40.440 --> 0:13:43.760
<v Speaker 1>his name. It's like Robert Oh. I like the glasses too.

0:13:44.200 --> 0:13:46.680
<v Speaker 2>Yeah, the glasses dude. And then who is also? You

0:13:46.679 --> 0:13:48.800
<v Speaker 2>know who else I liked was in all the Philly

0:13:48.840 --> 0:13:49.760
<v Speaker 2>Steaks you could eat?

0:13:49.920 --> 0:13:53.160
<v Speaker 1>Yeah, that's what I'm talking about. So that's no, that's

0:13:53.200 --> 0:13:59.760
<v Speaker 1>the deep boys, dude. That's yeah.

0:14:00.080 --> 0:14:07.640
<v Speaker 2>I'm sorry. Yeah, say all the Phillys you can eat.

0:14:08.720 --> 0:14:17.920
<v Speaker 2>I treaded all the spokes in the world. Don't let

0:14:17.920 --> 0:14:19.680
<v Speaker 2>your wife find that, man. She might not let you

0:14:19.760 --> 0:14:20.400
<v Speaker 2>take that off.

0:14:20.840 --> 0:14:22.800
<v Speaker 1>Gonna be like, Hey, that's how you talk now?

0:14:23.960 --> 0:14:24.680
<v Speaker 2>Around here.

0:14:29.480 --> 0:14:33.200
<v Speaker 1>But no, I believe Michael was the deep voice one

0:14:33.200 --> 0:14:36.040
<v Speaker 1>and he's the one that was Eventually the group and

0:14:36.160 --> 0:14:37.240
<v Speaker 1>him parted ways.

0:14:37.280 --> 0:14:39.800
<v Speaker 2>They don't fuck with each other no more. Oh really

0:14:40.000 --> 0:14:40.280
<v Speaker 2>I didn't.

0:14:40.440 --> 0:14:44.000
<v Speaker 1>Yeah, yeah, I guess he was like not really into

0:14:44.040 --> 0:14:46.800
<v Speaker 1>it and pretty unprofessional and so like, I think it

0:14:46.880 --> 0:14:48.840
<v Speaker 1>reached the point where they were all like, hey, man,

0:14:48.920 --> 0:14:51.320
<v Speaker 1>we were gonna keep making our ship and maybe you

0:14:51.360 --> 0:14:53.680
<v Speaker 1>should just take that elsewhere.

0:14:54.080 --> 0:14:56.560
<v Speaker 2>Man, if I got kicked out of Poison Man, you

0:14:56.600 --> 0:15:04.520
<v Speaker 2>would never hear the end of it. I would bro

0:15:04.560 --> 0:15:06.200
<v Speaker 2>if they kicked me out of Boys to Men, I

0:15:06.240 --> 0:15:07.280
<v Speaker 2>would be screaming it.

0:15:07.840 --> 0:15:10.960
<v Speaker 1>That would just be every episode we do is like,

0:15:11.440 --> 0:15:14.200
<v Speaker 1>why the fuck am I not still in Boys to Men?

0:15:14.360 --> 0:15:15.880
<v Speaker 2>Yeah, you didn't talk to me like that. I was

0:15:15.920 --> 0:15:20.640
<v Speaker 2>in Boys to Men. Most Sean is a skinny one.

0:15:20.800 --> 0:15:23.760
<v Speaker 2>There's it's it's.

0:15:22.920 --> 0:15:26.040
<v Speaker 1>Just tell us all the names. There's Juan Ye, Sean, Michael,

0:15:26.240 --> 0:15:27.960
<v Speaker 1>and then Nathan.

0:15:28.200 --> 0:15:32.040
<v Speaker 2>There we go Nathan then with the glasses.

0:15:33.400 --> 0:15:47.880
<v Speaker 1>Anyway, you are are somewhat bought into, at least the

0:15:48.000 --> 0:15:52.520
<v Speaker 1>possibility of these head jarred men existing or men and

0:15:52.600 --> 0:15:53.400
<v Speaker 1>women leaders.

0:15:54.160 --> 0:15:59.480
<v Speaker 2>I don't think that it's Yeah, I saw the woman king, Uh,

0:16:00.040 --> 0:16:07.280
<v Speaker 2>I can give me the idea. Yeah, I don't think

0:16:07.320 --> 0:16:09.920
<v Speaker 2>it's like out of the realm of possibility. Look, people

0:16:09.960 --> 0:16:13.920
<v Speaker 2>do when people conquer other people, they do crazy stuff

0:16:13.960 --> 0:16:17.760
<v Speaker 2>to destroy the morale, and you know what I mean.

0:16:17.840 --> 0:16:21.720
<v Speaker 2>So I don't do I think making an example out

0:16:21.720 --> 0:16:24.800
<v Speaker 2>of the leader of a conquered people is outside of

0:16:25.120 --> 0:16:28.760
<v Speaker 2>white people's wheelhouse. No, I do not think that at all.

0:16:29.040 --> 0:16:32.600
<v Speaker 1>Yeah, you always hear all them stories from like Vietnam

0:16:33.200 --> 0:16:36.160
<v Speaker 1>where it's like, yeah, they cut out people's tongues and

0:16:36.200 --> 0:16:39.200
<v Speaker 1>then tied them like necklaces and was like wearing them

0:16:39.240 --> 0:16:40.680
<v Speaker 1>around the jungle and shit.

0:16:40.840 --> 0:16:42.200
<v Speaker 2>Yeah, and that was in the sixties.

0:16:42.680 --> 0:16:45.200
<v Speaker 1>Yeah, and it's like, oh, if y'all was doing wild

0:16:45.240 --> 0:16:48.280
<v Speaker 1>shit like that, yeah, somebody probably kept ahead.

0:16:48.880 --> 0:16:52.280
<v Speaker 2>I believe that that's not he kept a nigga kept

0:16:52.280 --> 0:16:54.080
<v Speaker 2>ahead dead presidents.

0:16:57.720 --> 0:17:05.359
<v Speaker 1>Or Big Biggie was rapping about sending peoples their children's fingers.

0:17:04.640 --> 0:17:08.199
<v Speaker 1>It's not absurd to think that a head might be

0:17:08.240 --> 0:17:09.360
<v Speaker 1>a trophy somewhere.

0:17:09.480 --> 0:17:11.840
<v Speaker 2>Yeah, it's not crazy to think at all. And it's

0:17:11.840 --> 0:17:14.120
<v Speaker 2>not crazy to think that they wouldn't document that shit,

0:17:14.520 --> 0:17:16.520
<v Speaker 2>that they would just leave it for themselves, like in

0:17:16.560 --> 0:17:19.800
<v Speaker 2>their own way. Because think about how many private art

0:17:19.880 --> 0:17:22.000
<v Speaker 2>galleries are just like war crimes.

0:17:22.600 --> 0:17:25.920
<v Speaker 1>Well, I'm glad you brought that up because to the question,

0:17:26.160 --> 0:17:29.400
<v Speaker 1>and let's this is this will be a smooth transition

0:17:29.480 --> 0:17:31.840
<v Speaker 1>into the research that Olivia did. I want to give

0:17:31.880 --> 0:17:35.159
<v Speaker 1>her her credit. I didn't read a thing today. I

0:17:35.560 --> 0:17:39.399
<v Speaker 1>truly showed up to a lot of assembled information for me.

0:17:39.560 --> 0:17:41.760
<v Speaker 1>But one of the things that she sent over, and

0:17:41.800 --> 0:17:48.280
<v Speaker 1>this original video comes from doctor Ericanna Chiamborie Caw. I'm

0:17:48.320 --> 0:17:51.120
<v Speaker 1>gonna do my best with what that is. But she's

0:17:51.160 --> 0:17:54.760
<v Speaker 1>speaking at the National Action Network convention in twenty twenty

0:17:54.800 --> 0:17:58.000
<v Speaker 1>three and said that these heads of African leaders are

0:17:58.000 --> 0:18:00.800
<v Speaker 1>being kept in jars in Europe. And while I think

0:18:00.800 --> 0:18:04.400
<v Speaker 1>that that language was actually very purposeful for the sake

0:18:04.440 --> 0:18:08.479
<v Speaker 1>of like impressing the idea and being effective, as it

0:18:08.600 --> 0:18:14.800
<v Speaker 1>turns out, it isn't that far off from truth. Like

0:18:14.920 --> 0:18:19.000
<v Speaker 1>based on the research, this shit is pretty legitimately real.

0:18:19.680 --> 0:18:23.000
<v Speaker 1>While I hear it and I think of like when

0:18:23.040 --> 0:18:25.919
<v Speaker 1>she says heads and jars, I think of like Futurama

0:18:26.000 --> 0:18:29.840
<v Speaker 1>type shit that like it's like a floating head with

0:18:30.040 --> 0:18:33.880
<v Speaker 1>juice all around it. But it's not so much the

0:18:33.920 --> 0:18:38.359
<v Speaker 1>Futurama version of this thing, as it is more like

0:18:39.280 --> 0:18:45.200
<v Speaker 1>dried out skulls that have been displayed to your point,

0:18:45.680 --> 0:18:49.760
<v Speaker 1>at museums all over Europe that like, there are a

0:18:49.880 --> 0:18:54.120
<v Speaker 1>fuck ton of like very important people who'se like trophies

0:18:54.160 --> 0:18:59.720
<v Speaker 1>have been assembled in museums without any like reflection or

0:18:59.800 --> 0:19:04.080
<v Speaker 1>a hology forward stealing their these corpses.

0:19:04.520 --> 0:19:09.840
<v Speaker 2>Yeah, I believe that's that's what I'm saying, their sinister Yeah.

0:19:10.040 --> 0:19:13.560
<v Speaker 1>So apparently during eighteen eighty one to nineteen fourteen, there

0:19:13.640 --> 0:19:17.560
<v Speaker 1>was a this mass division and colonization of Africa right

0:19:17.960 --> 0:19:22.600
<v Speaker 1>where European powers basically did this mad scramble for Africa,

0:19:22.600 --> 0:19:28.120
<v Speaker 1>including Germany, France, Belgium, Spain, Italy, England, Portugal. They sectioned

0:19:28.119 --> 0:19:31.760
<v Speaker 1>off all of Africa, they claim everything except for Liberia,

0:19:32.200 --> 0:19:36.280
<v Speaker 1>which is quote unquote protected by the US at that

0:19:36.400 --> 0:19:38.600
<v Speaker 1>point protected whatever the fuck.

0:19:38.560 --> 0:19:41.040
<v Speaker 2>That also to see how that all went with the

0:19:41.160 --> 0:19:43.200
<v Speaker 2>Charles Tailor, I mean, that's where the world. I don't

0:19:43.200 --> 0:19:45.080
<v Speaker 2>want to talk about that right now, but yeah, sure

0:19:47.119 --> 0:19:48.240
<v Speaker 2>Liberia is fucked up.

0:19:48.840 --> 0:19:52.040
<v Speaker 1>Yeah, the US wasn't protecting shit, and certainly we weren't

0:19:52.040 --> 0:19:55.320
<v Speaker 1>there because we thought they needed our help. But that's

0:19:55.359 --> 0:19:59.520
<v Speaker 1>the phrasing that this article chooses. And then the last

0:19:59.600 --> 0:20:04.760
<v Speaker 1>place that was unclaimed was Ethiopia. Ethiopia was free because

0:20:04.760 --> 0:20:07.600
<v Speaker 1>they beat the fuck out of Italy when Italy showed

0:20:07.640 --> 0:20:09.400
<v Speaker 1>up trying to take their ship from them.

0:20:09.480 --> 0:20:12.480
<v Speaker 2>Hell yeah, hell yeah. Yeah.

0:20:12.520 --> 0:20:16.640
<v Speaker 1>So so Ethiopia and Liberia of the this giant continent

0:20:16.680 --> 0:20:19.000
<v Speaker 1>are the only places that don't get scooped up by

0:20:19.000 --> 0:20:21.119
<v Speaker 1>these European nations.

0:20:24.920 --> 0:20:26.840
<v Speaker 2>I got you, you could have had it all now,

0:20:26.960 --> 0:20:27.760
<v Speaker 2>the British cudlis.

0:20:28.560 --> 0:20:31.960
<v Speaker 1>But when you speak of the gruesomeness of the White Devil,

0:20:32.040 --> 0:20:34.440
<v Speaker 1>one of the things that this article says is that

0:20:34.480 --> 0:20:39.240
<v Speaker 1>they used to steal the skeletons of these occupied nations

0:20:39.359 --> 0:20:44.040
<v Speaker 1>leaders and then display them in museums. Again, this is

0:20:44.320 --> 0:20:47.880
<v Speaker 1>this is all the way up, which is what historical?

0:20:48.960 --> 0:20:52.359
<v Speaker 2>What what like? You know, how morbid that is with

0:20:52.440 --> 0:20:56.119
<v Speaker 2>no type of there's no type of like, what's the

0:20:56.359 --> 0:20:58.359
<v Speaker 2>educational value of showing.

0:20:58.000 --> 0:21:02.720
<v Speaker 1>That yeoh, of saying like an African skull and being like, yep,

0:21:03.000 --> 0:21:04.639
<v Speaker 1>that's that's the skull.

0:21:05.240 --> 0:21:08.159
<v Speaker 2>It's not like their art or their contributions to culture

0:21:08.200 --> 0:21:10.480
<v Speaker 2>or anything. No, it's just this guy we killed.

0:21:10.880 --> 0:21:14.000
<v Speaker 1>Yeah, and they I've seen a few pictures and they'll

0:21:14.040 --> 0:21:17.080
<v Speaker 1>like dress the skull up so that it looks like

0:21:17.359 --> 0:21:21.200
<v Speaker 1>the person kind of, but but also just the skull.

0:21:21.800 --> 0:21:25.160
<v Speaker 1>It's like, oh, you're you're really like flexing on my family.

0:21:25.800 --> 0:21:29.920
<v Speaker 2>Yeah for what, imagine you die? And then they put you.

0:21:30.480 --> 0:21:33.360
<v Speaker 2>They put you, They say, take you to I don't

0:21:33.400 --> 0:21:35.720
<v Speaker 2>know what country we're gonna be mad about right now.

0:21:35.840 --> 0:21:38.439
<v Speaker 2>They take you to France, and you're just all you

0:21:38.520 --> 0:21:40.280
<v Speaker 2>got you got, like they're like, oh, here he is

0:21:40.320 --> 0:21:42.919
<v Speaker 2>the guy, his hoodie and his watch. He was a

0:21:42.960 --> 0:21:45.320
<v Speaker 2>real funny guy. Look at this funny guy.

0:21:45.960 --> 0:21:48.879
<v Speaker 1>And they just make me like hold a microphone and

0:21:49.359 --> 0:21:51.680
<v Speaker 1>look they're funny.

0:21:51.880 --> 0:21:54.400
<v Speaker 2>They like put you in the position to hump your stool.

0:21:56.200 --> 0:21:59.000
<v Speaker 2>Your great grandson's in there, like you didn't even do that, bitch.

0:21:59.160 --> 0:22:02.560
<v Speaker 2>That was that wasn't even in his act.

0:22:03.040 --> 0:22:06.080
<v Speaker 1>He actually was pretty judgmental of people who treated their

0:22:06.119 --> 0:22:08.080
<v Speaker 1>comedy that way.

0:22:08.960 --> 0:22:09.520
<v Speaker 2>He gets it.

0:22:09.560 --> 0:22:12.080
<v Speaker 1>It was of an era, but it doesn't exist anymore.

0:22:12.200 --> 0:22:13.960
<v Speaker 1>So grow the fuck up and write a joke, is

0:22:14.000 --> 0:22:14.680
<v Speaker 1>what he would say.

0:22:14.760 --> 0:22:21.399
<v Speaker 2>Yeah, he was a timely comedian. Yeah, it's fucking nuts.

0:22:21.520 --> 0:22:23.800
<v Speaker 2>There's no way they dressed him up doing something cool.

0:22:23.840 --> 0:22:28.439
<v Speaker 2>They dressed him up fucking you know what. Yeah, but

0:22:28.480 --> 0:22:29.320
<v Speaker 2>it's also.

0:22:29.200 --> 0:22:31.679
<v Speaker 1>Like they probably put him in like a headdress or

0:22:31.720 --> 0:22:34.040
<v Speaker 1>some shit, and like to your point, if I'm in

0:22:34.080 --> 0:22:36.880
<v Speaker 1>his family, I know the nigga didn't even like wearing.

0:22:36.560 --> 0:22:37.160
<v Speaker 2>The head dress.

0:22:40.400 --> 0:22:42.159
<v Speaker 1>He put it on for the events, but he ye

0:22:42.359 --> 0:22:43.640
<v Speaker 1>walk around like that.

0:22:43.760 --> 0:22:47.480
<v Speaker 2>I don't go to the strip club in a tuxedo's wedding.

0:22:47.960 --> 0:22:53.320
<v Speaker 1>That's a wedding outfit that I do own a tuxedo,

0:22:53.520 --> 0:22:55.159
<v Speaker 1>but not for a reason I'm proud of.

0:22:55.800 --> 0:22:56.640
<v Speaker 2>Wait, what does that mean?

0:22:57.760 --> 0:23:00.680
<v Speaker 1>Well, I am very proud to have written for the

0:23:00.760 --> 0:23:05.480
<v Speaker 1>twenty sixteen Oscars, right. I was a writer for that team,

0:23:05.640 --> 0:23:09.520
<v Speaker 1>for specifically Chris Rock. It was the biggest first thing

0:23:09.560 --> 0:23:10.000
<v Speaker 1>I ever.

0:23:09.960 --> 0:23:16.399
<v Speaker 2>Got, Chris Rock's second biggest Oscars truly, and I was

0:23:16.480 --> 0:23:17.000
<v Speaker 2>a part of it.

0:23:17.840 --> 0:23:22.680
<v Speaker 1>Boy that said that I bought a tuxedo under the

0:23:22.720 --> 0:23:25.240
<v Speaker 1>premise of, like, this is the biggest thing I'm ever

0:23:25.359 --> 0:23:25.720
<v Speaker 1>gonna do.

0:23:26.320 --> 0:23:27.120
<v Speaker 2>This is amazing.

0:23:27.280 --> 0:23:29.320
<v Speaker 1>I gotta I gotta have a tux because I'm gonna

0:23:29.320 --> 0:23:31.800
<v Speaker 1>be in the room, I'm gonna be fly whatever. And

0:23:32.000 --> 0:23:35.160
<v Speaker 1>as it turned out, we were not even allowed into

0:23:35.280 --> 0:23:39.080
<v Speaker 1>the room. We were left in the fucking basement where

0:23:39.200 --> 0:23:42.879
<v Speaker 1>like the musicians kept their spare instruments and had to

0:23:43.000 --> 0:23:46.879
<v Speaker 1>call up on a bat phone to get Chris Rocks

0:23:47.200 --> 0:23:48.880
<v Speaker 1>approval on jokes.

0:23:48.640 --> 0:23:53.280
<v Speaker 2>And shit, god damn. So I just spent money on

0:23:53.320 --> 0:23:53.560
<v Speaker 2>a toe.

0:23:53.680 --> 0:23:56.320
<v Speaker 1>And this is what makes it so fucked up is

0:23:56.359 --> 0:24:00.960
<v Speaker 1>that the Oscars offered like tux rental to was for free.

0:24:01.480 --> 0:24:04.520
<v Speaker 1>That like they had a place that was like, yo,

0:24:04.680 --> 0:24:07.080
<v Speaker 1>you just go downstairs, you could get a tuck fitted.

0:24:07.440 --> 0:24:09.800
<v Speaker 1>You can rent that motherfucker and just do it that way.

0:24:09.880 --> 0:24:11.840
<v Speaker 1>And I was like, no, no, no, a baby girl.

0:24:11.960 --> 0:24:14.480
<v Speaker 2>You think I'm gonna rent like even trash.

0:24:14.640 --> 0:24:16.840
<v Speaker 1>I got a few grand to blow. Let me get

0:24:16.840 --> 0:24:18.720
<v Speaker 1>a tuxito I.

0:24:18.840 --> 0:24:23.399
<v Speaker 2>Got, might know. And then they kept you in the basement.

0:24:23.720 --> 0:24:25.639
<v Speaker 1>It kept me in the basement. We didn't get to

0:24:25.680 --> 0:24:28.440
<v Speaker 1>see not one celebrity. We did get to go to

0:24:28.520 --> 0:24:31.000
<v Speaker 1>the Governor's Ball, which was cool, and there you get

0:24:31.040 --> 0:24:33.280
<v Speaker 1>to see a bunch of people, but like, you know,

0:24:33.400 --> 0:24:36.280
<v Speaker 1>you want to be in the room and see everybody.

0:24:36.359 --> 0:24:39.760
<v Speaker 2>You want to see the looks on their faces and shit, yeah, no,

0:24:39.960 --> 0:24:42.440
<v Speaker 2>I never been in the room, so I don't know.

0:24:42.600 --> 0:24:44.360
<v Speaker 2>I wrote for the Spece once I was in there,

0:24:44.359 --> 0:24:48.600
<v Speaker 2>it's okay. In the room was in the No, I

0:24:48.680 --> 0:24:50.600
<v Speaker 2>was on the side. Actually we were on the side

0:24:50.640 --> 0:24:52.760
<v Speaker 2>doing punch up. Yeah, but that's in the room.

0:24:52.880 --> 0:24:56.240
<v Speaker 1>You're like in the space. You can still like Draymond

0:24:56.359 --> 0:25:00.600
<v Speaker 1>can still walk past you. Yeah yeah, yeah, yeah Yeah.

0:25:01.119 --> 0:25:04.639
<v Speaker 1>What I'm saying is is that Bree Lawson didn't know

0:25:04.800 --> 0:25:08.920
<v Speaker 1>I existed before or after I did that show.

0:25:09.080 --> 0:25:12.359
<v Speaker 2>And that breaks my heart. Yeah. See that's the problem.

0:25:12.760 --> 0:25:15.760
<v Speaker 1>And I said lost and it's Larson, But who the fuck.

0:25:17.040 --> 0:25:20.800
<v Speaker 2>She ain't black? Yeah, And that's a fact, Jack, And

0:25:20.920 --> 0:25:22.800
<v Speaker 2>that's a fact, Jack, And that was one of the jokes,

0:25:23.240 --> 0:25:26.880
<v Speaker 2>like wrote that Chris rejected. That's why I bitch ass

0:25:26.920 --> 0:25:32.120
<v Speaker 2>got slapped. I was like, all right, I was right

0:25:32.240 --> 0:25:35.200
<v Speaker 2>for you. I was righting for you. I just got you.

0:25:35.240 --> 0:25:42.119
<v Speaker 1>Ain't gonna get me to turn on you. All right,

0:25:42.160 --> 0:25:43.120
<v Speaker 1>we need to take a break.

0:25:43.160 --> 0:25:45.439
<v Speaker 2>We'll be back with more likes, the more, David and more.

0:25:45.520 --> 0:25:46.399
<v Speaker 2>My mama told me.

0:25:56.359 --> 0:26:01.000
<v Speaker 5>Lou your god damn heads, smooth off, and we are

0:26:01.200 --> 0:26:04.720
<v Speaker 5>back discussing whether or not these not even I think

0:26:04.760 --> 0:26:05.960
<v Speaker 5>we're past whether or not.

0:26:06.680 --> 0:26:09.960
<v Speaker 2>I think where are these white devils have put our bones? Yeah?

0:26:10.080 --> 0:26:14.360
<v Speaker 1>No, I think it's objectively true that white people European

0:26:15.000 --> 0:26:20.800
<v Speaker 1>powers that be are are keeping skulls in museums and

0:26:20.920 --> 0:26:23.480
<v Speaker 1>what I would go so far as to say, if

0:26:23.560 --> 0:26:28.560
<v Speaker 1>this is what they're displaying, I worry. I'm terrified to

0:26:28.680 --> 0:26:31.400
<v Speaker 1>think of what they have in the back that they're like, Ah,

0:26:31.520 --> 0:26:33.600
<v Speaker 1>we can't show them that, we can't.

0:26:34.240 --> 0:26:36.440
<v Speaker 2>You know, it makes me think, you know, the only

0:26:36.520 --> 0:26:39.920
<v Speaker 2>way we're gonna do it. We gotta, we gotta double down,

0:26:39.920 --> 0:26:45.240
<v Speaker 2>We gotta, we gotta take back some of their bones. WHOA, yeah,

0:26:45.280 --> 0:26:49.040
<v Speaker 2>you're a famer for my from my like we dig up,

0:26:49.200 --> 0:26:54.920
<v Speaker 2>we dig up Luci Ball put a little rare wig

0:26:55.000 --> 0:26:58.000
<v Speaker 2>on hers. Yeah, we put a red wig on her,

0:26:58.680 --> 0:27:00.760
<v Speaker 2>put her asking Daisy to be in the show, or

0:27:00.840 --> 0:27:04.199
<v Speaker 2>some disrespectful like that, even though she was a mogul.

0:27:04.720 --> 0:27:07.400
<v Speaker 1>We put chocolate all over her face like that episode.

0:27:13.119 --> 0:27:15.600
<v Speaker 1>And that was losey because she got the chocolate.

0:27:16.600 --> 0:27:18.320
<v Speaker 2>And then we go to Europe and we say, give us,

0:27:19.920 --> 0:27:22.600
<v Speaker 2>this could all be over, this could all be over.

0:27:24.200 --> 0:27:26.280
<v Speaker 2>Give us the rest of the Zulu nation and you

0:27:26.720 --> 0:27:28.680
<v Speaker 2>get and you'll get your ball back.

0:27:30.920 --> 0:27:34.360
<v Speaker 1>I'll hit you with a few more facts that sort

0:27:34.400 --> 0:27:38.440
<v Speaker 1>of were uncovered in some of this research to that point.

0:27:38.560 --> 0:27:45.000
<v Speaker 1>There's Patrice Lamumbo who was the democratic man. Yeah, exactly,

0:27:45.080 --> 0:27:48.320
<v Speaker 1>and the the hero of the Democratic Democratic Republic of

0:27:48.840 --> 0:27:51.280
<v Speaker 1>the Congo. Your origin, well.

0:27:51.280 --> 0:27:54.040
<v Speaker 2>No it's not. I think, I think, I do want

0:27:54.080 --> 0:27:55.680
<v Speaker 2>to say, some of you guys think I'm from the

0:27:55.760 --> 0:27:57.920
<v Speaker 2>car It was just a funny thing of black Hebrew

0:27:58.000 --> 0:28:05.600
<v Speaker 2>israel I called me that I love God blessed alone. Yeah, God,

0:28:05.680 --> 0:28:07.320
<v Speaker 2>Savid Queen, I'm not from the Congo.

0:28:07.800 --> 0:28:10.000
<v Speaker 1>Yeah, he's not from the Congo. But it is very

0:28:10.080 --> 0:28:12.280
<v Speaker 1>funny and I'm not gonna stop saying it. So you

0:28:12.440 --> 0:28:15.920
<v Speaker 1>really need to track for yourself. That is, he's from

0:28:16.040 --> 0:28:21.399
<v Speaker 1>Sierra Leone instead. That said Patrece Lamumba apparently when he

0:28:21.600 --> 0:28:27.360
<v Speaker 1>was assassinated in nineteen I believe nineteen sixty one. Yeah,

0:28:27.359 --> 0:28:31.280
<v Speaker 1>he was assassinated in nineteen sixty one, basically through like

0:28:31.640 --> 0:28:35.840
<v Speaker 1>the Belgians who started a military coup right in the Congo.

0:28:36.680 --> 0:28:40.920
<v Speaker 1>He gets assassinated and then a Belgian policeman not only

0:28:41.400 --> 0:28:44.840
<v Speaker 1>burned his body in acid, so they destroyed the body

0:28:44.960 --> 0:28:48.960
<v Speaker 1>completely in acid, but a Belgian policeman stole one of

0:28:49.040 --> 0:28:53.840
<v Speaker 1>his teeth, a gold capped tooth that they stole and

0:28:53.920 --> 0:28:57.200
<v Speaker 1>then kept as a trophy. And it was not until

0:28:57.360 --> 0:29:01.239
<v Speaker 1>twenty twenty two that that tooth was finally returned as

0:29:01.320 --> 0:29:06.800
<v Speaker 1>the only last remnant of Patrice Lamumba's body to his family.

0:29:07.520 --> 0:29:09.480
<v Speaker 2>That we gotta go in. We're getting our lick back.

0:29:11.560 --> 0:29:14.640
<v Speaker 2>Somebody dig up River Phoenix. We're getting our lick back.

0:29:15.360 --> 0:29:23.360
<v Speaker 2>They love Yeah, they love me. How about that? This

0:29:23.520 --> 0:29:25.440
<v Speaker 2>might be the most militant we've ever been on.

0:29:25.760 --> 0:29:29.440
<v Speaker 1>Yeah, we're talking about digging up old white people's bodies.

0:29:30.080 --> 0:29:32.720
<v Speaker 2>We're talking about digging up Betty White and being like,

0:29:35.840 --> 0:29:38.640
<v Speaker 2>that's what happens. We dig up Betty White, they will

0:29:38.760 --> 0:29:39.920
<v Speaker 2>take us seriously.

0:29:40.120 --> 0:29:42.479
<v Speaker 1>Bro, if we dig up Betty White, this is an

0:29:42.520 --> 0:29:47.000
<v Speaker 1>international war. All the Golden Girls, dig up all these Yeah,

0:29:47.000 --> 0:29:50.680
<v Speaker 1>I think there they'ld be whof there. It's gonna be

0:29:50.720 --> 0:29:52.800
<v Speaker 1>a tough one. That that's gonna be a fight. We

0:29:52.920 --> 0:29:55.560
<v Speaker 1>really gotta be ready for. We got if we dig

0:29:55.680 --> 0:29:57.800
<v Speaker 1>up the Yeah, we dig up the Golden go. It's

0:29:57.840 --> 0:30:00.360
<v Speaker 1>just it's a declaration of war. There's nothing else to Yeah.

0:30:00.920 --> 0:30:03.400
<v Speaker 2>No, it's it's like, no, we we have to do.

0:30:03.600 --> 0:30:05.960
<v Speaker 2>We have to wipe our country off the planet. Yeah No,

0:30:06.160 --> 0:30:08.200
<v Speaker 2>It's like, you know, it's like, have you ever been

0:30:08.240 --> 0:30:10.960
<v Speaker 2>in a fight where I could like maybe maybe happen

0:30:11.440 --> 0:30:13.240
<v Speaker 2>and then that one thing happens where it's like, well,

0:30:13.280 --> 0:30:15.560
<v Speaker 2>now we're just fighting. That's what it would be if

0:30:15.600 --> 0:30:16.720
<v Speaker 2>we dig up the Golden Girls.

0:30:16.920 --> 0:30:18.920
<v Speaker 1>Yeah, it's like you're you're sitting there and y'all are

0:30:19.000 --> 0:30:21.320
<v Speaker 1>yapping at each other and then some nigga spits on

0:30:21.480 --> 0:30:23.840
<v Speaker 1>your feet or something like that, and it's like, I

0:30:24.120 --> 0:30:25.760
<v Speaker 1>gotta I gotta.

0:30:25.560 --> 0:30:27.320
<v Speaker 2>Fucking jaw, you know. Yeah, I thought I could get

0:30:27.360 --> 0:30:27.680
<v Speaker 2>out of it.

0:30:27.840 --> 0:30:29.920
<v Speaker 1>But yeah, I was really hoping this was just us

0:30:30.000 --> 0:30:33.520
<v Speaker 1>pressing our chest together in right and bucking.

0:30:34.080 --> 0:30:35.600
<v Speaker 2>To be fair, I also don't know if all the

0:30:35.680 --> 0:30:38.880
<v Speaker 2>Golden Girls are dead. They are everything one.

0:30:39.240 --> 0:30:42.040
<v Speaker 1>Yep, Betty White was the last of last of us

0:30:42.200 --> 0:30:44.840
<v Speaker 1>and uh really yep, they're all gone.

0:30:44.880 --> 0:30:47.600
<v Speaker 2>Now. You also know what's funny is the mother was

0:30:47.680 --> 0:30:49.880
<v Speaker 2>the youngest one. Yeah I knew. I did know that.

0:30:50.040 --> 0:30:52.120
<v Speaker 2>For some she was the funniest one. To me, that

0:30:52.200 --> 0:30:55.719
<v Speaker 2>shows that was very funny. Man. They used to all

0:30:55.840 --> 0:31:00.800
<v Speaker 2>get off. Are we talking? No, I mean I mean

0:31:01.120 --> 0:31:02.280
<v Speaker 2>just being funny. Yeah.

0:31:02.360 --> 0:31:06.560
<v Speaker 1>They everybody had their their thing and they nailed every.

0:31:06.360 --> 0:31:08.600
<v Speaker 2>Time they all played their role. Man, it was like

0:31:08.680 --> 0:31:12.120
<v Speaker 2>a very good show. Yeah, dude, if you, And I'm

0:31:12.160 --> 0:31:18.440
<v Speaker 2>willing despite that, despite their history and comedy, which I love,

0:31:18.560 --> 0:31:21.000
<v Speaker 2>I'm still willing to dig them up, so willing to

0:31:21.160 --> 0:31:22.040
<v Speaker 2>let them let them.

0:31:23.520 --> 0:31:26.200
<v Speaker 1>Yeah, you're willing to let those bodies be displayed in

0:31:26.400 --> 0:31:28.360
<v Speaker 1>Sierra Leone or the Congo for.

0:31:29.000 --> 0:31:31.680
<v Speaker 2>Either want, probably the Congo, just because if he comes down,

0:31:31.720 --> 0:31:33.920
<v Speaker 2>I'd rather than not. You know, sure, yeah you don't

0:31:33.920 --> 0:31:36.080
<v Speaker 2>want to bring that home. I got family.

0:31:36.480 --> 0:31:42.080
<v Speaker 1>But I think what what Boy's trying to say is

0:31:42.160 --> 0:31:42.880
<v Speaker 1>fuck the Congo.

0:31:43.080 --> 0:31:49.880
<v Speaker 2>You know, list no coffee. I'll speak for you.

0:31:50.440 --> 0:31:53.400
<v Speaker 1>The man said fuck the Congo. He thinks it's a

0:31:53.560 --> 0:31:56.720
<v Speaker 1>shithole of a place and he's happy to see it burn.

0:32:00.080 --> 0:32:05.120
<v Speaker 2>Under the DRC. But this, I think does.

0:32:05.120 --> 0:32:08.440
<v Speaker 1>Truly speak to the possibility of them having much more

0:32:08.520 --> 0:32:10.800
<v Speaker 1>haunting things in the baby.

0:32:10.520 --> 0:32:14.240
<v Speaker 2>I'd imagine, I'd imagine. I mean, it's just war trophies.

0:32:14.280 --> 0:32:18.000
<v Speaker 2>I just yeah, it does. Like all joking aside, it

0:32:18.040 --> 0:32:19.840
<v Speaker 2>does make me sick to think the idea of what

0:32:20.840 --> 0:32:23.120
<v Speaker 2>they could possibly like, like like a story like that

0:32:23.360 --> 0:32:28.400
<v Speaker 2>is like that's that's that's that's modern history. Yeah, that's

0:32:28.440 --> 0:32:32.160
<v Speaker 2>not even that's not really the past. It's sixty years ago.

0:32:32.400 --> 0:32:35.160
<v Speaker 2>It's not this is people who are alive, then who

0:32:35.200 --> 0:32:36.720
<v Speaker 2>are still alive, Like you know what I mean?

0:32:36.840 --> 0:32:40.320
<v Speaker 1>Like, yeah, the last little fact I'll give you is

0:32:40.400 --> 0:32:43.720
<v Speaker 1>that it's estimated that ninety to ninety five percent of

0:32:43.840 --> 0:32:49.720
<v Speaker 1>Africa's cultural heritage is held outside of Africa by major museums,

0:32:49.840 --> 0:32:54.480
<v Speaker 1>with France alone having ninety thousand objects from Sub Saharan

0:32:54.560 --> 0:32:57.000
<v Speaker 1>Africa in its national collections.

0:32:57.200 --> 0:33:01.160
<v Speaker 2>We're taking the loose back, bro Well, take a sack.

0:33:01.560 --> 0:33:04.240
<v Speaker 1>Apparently it's all African shit in there anyway, you know

0:33:04.280 --> 0:33:04.640
<v Speaker 1>what I mean.

0:33:04.880 --> 0:33:06.680
<v Speaker 2>Like, I don't know, man, it was huge. I was

0:33:06.760 --> 0:33:08.560
<v Speaker 2>in there for like six hours, Like I saw a

0:33:08.600 --> 0:33:10.200
<v Speaker 2>lot of stuff. That's crazy.

0:33:10.240 --> 0:33:14.400
<v Speaker 1>But I'm saying ninety thousand objects that you're just displaying

0:33:14.480 --> 0:33:16.040
<v Speaker 1>in fucking museums you can't.

0:33:16.080 --> 0:33:17.800
<v Speaker 2>And then how does the place how does the place

0:33:17.880 --> 0:33:21.160
<v Speaker 2>get How does the place get a total view of

0:33:21.200 --> 0:33:23.960
<v Speaker 2>its history without any of it? So you know what

0:33:24.040 --> 0:33:26.600
<v Speaker 2>I mean. It's yeah, it continues to be the same

0:33:27.120 --> 0:33:30.600
<v Speaker 2>tactics that they use over and over again. Right, as

0:33:30.680 --> 0:33:32.520
<v Speaker 2>much as things change, it stays the same. That's like

0:33:32.640 --> 0:33:34.280
<v Speaker 2>kind of the saddest thing about it, Right, It's like

0:33:34.800 --> 0:33:36.960
<v Speaker 2>it's it's the same, it's the same idea that they're

0:33:37.000 --> 0:33:39.240
<v Speaker 2>doing that continent and everybody's just okay with it.

0:33:39.800 --> 0:33:44.320
<v Speaker 1>And I think that ultimately was this this doctor's point

0:33:44.480 --> 0:33:48.400
<v Speaker 1>in her original speech is that like it's it's bad

0:33:48.560 --> 0:33:52.120
<v Speaker 1>enough that these skulls and these heads are being displayed

0:33:52.600 --> 0:33:56.240
<v Speaker 1>by these other nations, like this barbarism that they're displaying

0:33:56.920 --> 0:34:01.960
<v Speaker 1>is so like fucking disgusting. But addition, it's disgusting that

0:34:02.160 --> 0:34:06.160
<v Speaker 1>we are so complicit in allowing this to be like

0:34:06.320 --> 0:34:08.840
<v Speaker 1>our standard. You know what I mean that there's nothing

0:34:08.960 --> 0:34:11.240
<v Speaker 1>in me that goes to a museum and goes.

0:34:11.160 --> 0:34:15.800
<v Speaker 2>Like why do y'all have this? You know, just be like,

0:34:15.880 --> 0:34:17.920
<v Speaker 2>oh that's cool, Yeah, oh that's you know, Yes, I

0:34:17.960 --> 0:34:20.919
<v Speaker 2>are the craziest of the museum today, Like yeah, that's

0:34:21.040 --> 0:34:22.719
<v Speaker 2>that's that's I mean. That being said, I'm going to

0:34:22.800 --> 0:34:24.920
<v Speaker 2>history museums as much as I like art museums.

0:34:26.600 --> 0:34:29.960
<v Speaker 1>Yeah, the arts, the arts perfectly clean, nobody's stole art,

0:34:30.480 --> 0:34:31.120
<v Speaker 1>like old art.

0:34:31.239 --> 0:34:33.600
<v Speaker 2>I like, like, if you come to Denver, go to

0:34:33.640 --> 0:34:36.560
<v Speaker 2>the cliffordge Still Museum, Like that's what I'm about, you know. Yeah.

0:34:37.280 --> 0:34:42.399
<v Speaker 2>I like children's museums. I just like the touch stuff. Yeah,

0:34:42.520 --> 0:34:46.160
<v Speaker 2>etually problematic. I like to put my hands on that

0:34:46.239 --> 0:34:49.040
<v Speaker 2>little thing and make my hair stand up. If you

0:34:49.120 --> 0:34:51.160
<v Speaker 2>want to get that, you feel like you're flying.

0:34:51.560 --> 0:34:54.200
<v Speaker 1>Yeah, that ain't got nothing, and that ain't got nothing

0:34:54.200 --> 0:34:57.560
<v Speaker 1>to do with Africa's sure they invented that right here

0:34:57.600 --> 0:34:58.160
<v Speaker 1>in Cleveland.

0:34:58.200 --> 0:35:03.400
<v Speaker 2>Baby, all right, I think we I think we did this.

0:35:03.640 --> 0:35:05.640
<v Speaker 1>Could Bory, Could you tell the people where they can

0:35:05.680 --> 0:35:07.440
<v Speaker 1>find you what cool shit you have going on?

0:35:07.920 --> 0:35:10.080
<v Speaker 2>You can find me a cool guy jokes eighty seven

0:35:10.160 --> 0:35:14.520
<v Speaker 2>on Instagram June eighteenth, I will be headlining the DC

0:35:14.719 --> 0:35:19.440
<v Speaker 2>inprov with my main man, Jamel Johnson. Yeah. Instagram Cool

0:35:19.440 --> 0:35:22.759
<v Speaker 2>guy jokes eighty seven. Come see that my shit's around. Shit,

0:35:22.760 --> 0:35:24.719
<v Speaker 2>I got high at the end of the Sorry, no,

0:35:24.960 --> 0:35:25.399
<v Speaker 2>you're good.

0:35:26.280 --> 0:35:29.440
<v Speaker 1>At February, oh, you follow me at Langston Kerman and

0:35:30.239 --> 0:35:34.040
<v Speaker 1>and on Instagram and as always like and subscribe to

0:35:34.160 --> 0:35:36.880
<v Speaker 1>the YouTube and do all that stuff. And if you

0:35:36.920 --> 0:35:40.640
<v Speaker 1>want to come see me live February twenty or excuse me,

0:35:40.920 --> 0:35:45.040
<v Speaker 1>may keep me fair, you know how people February I

0:35:45.280 --> 0:35:47.200
<v Speaker 1>just it's always Black History Month for me.

0:35:47.320 --> 0:35:49.520
<v Speaker 2>Baby. I love it. I love it, I love it.

0:35:50.040 --> 0:35:51.160
<v Speaker 2>Thirty what nah.

0:35:52.000 --> 0:35:58.279
<v Speaker 1>Nah give me twenty eight on the Black Hands, but uh,

0:35:59.360 --> 0:36:03.839
<v Speaker 1>excuse me, may nineteenth and twentieth, I'll be at Hilarities

0:36:04.520 --> 0:36:09.000
<v Speaker 1>in Cleveland, and then July sixth through eighth, I'll be

0:36:09.080 --> 0:36:13.279
<v Speaker 1>at the Punchline in Philadelphia. And yeah, that's all you

0:36:13.360 --> 0:36:15.480
<v Speaker 1>need to know for now, although there's other shit and

0:36:15.560 --> 0:36:16.719
<v Speaker 1>I'm probably fucking it up.

0:36:17.160 --> 0:36:19.080
<v Speaker 2>That's how it always close, man. Hell yeah.

0:36:19.880 --> 0:36:21.840
<v Speaker 1>And and as always, if you want to send us

0:36:21.880 --> 0:36:25.920
<v Speaker 1>your own conspiracy theories, your own drops. If you want

0:36:25.960 --> 0:36:29.320
<v Speaker 1>to tell us which specific heads are in which jars

0:36:29.440 --> 0:36:32.840
<v Speaker 1>in which European nation, please send that to my mama

0:36:32.920 --> 0:36:34.319
<v Speaker 1>pod at gmail dot com.

0:36:34.440 --> 0:36:36.840
<v Speaker 2>We would love to hear from you. That's about it,

0:36:37.400 --> 0:36:49.760
<v Speaker 2>By bitch Chips in your eighties, All Kuala Bears are racist.

0:36:52.440 --> 0:36:55.399
<v Speaker 4>The money.

0:36:57.400 --> 0:37:02.560
<v Speaker 2>Stuff I can't tell me. Das had example