1 00:00:02,120 --> 00:00:05,440 Speaker 1: And Nelson Mandela being like, where's winning? I showed me 2 00:00:05,600 --> 00:00:08,119 Speaker 1: my Winnie or whatever the fuck you would say right now. 3 00:00:11,760 --> 00:00:16,800 Speaker 2: He just misses his wife. I think he just misses 4 00:00:16,840 --> 00:00:20,840 Speaker 2: this girl. Man. You know, yeah, he got that phantom 5 00:00:20,880 --> 00:00:23,640 Speaker 2: dick effect. He just want to you want to say, whinny. Yeah, 6 00:00:23,960 --> 00:00:25,799 Speaker 2: you know he spent years away from that thing. I 7 00:00:25,800 --> 00:00:26,200 Speaker 2: get it. 8 00:00:26,440 --> 00:00:29,680 Speaker 1: He was in jail doing push ups mad like, I'm 9 00:00:29,720 --> 00:00:30,920 Speaker 1: just trying to see my girl. 10 00:00:31,000 --> 00:00:33,840 Speaker 2: Man, y'all fucking with me when he's probably cooking tonight. 11 00:00:35,720 --> 00:00:39,040 Speaker 1: Damn family was like, stupid, damn man. 12 00:00:39,560 --> 00:00:53,400 Speaker 2: She makes some fish super anyway. Yeah, chips in your quals, 13 00:00:53,800 --> 00:01:08,520 Speaker 2: racist o money h turkey stuff. Can't tell me you 14 00:01:08,560 --> 00:01:10,560 Speaker 2: can't keep an old lady because you keep fucking of 15 00:01:10,680 --> 00:01:16,840 Speaker 2: friends on. Welcome to another episode of My Mama Told. 16 00:01:16,680 --> 00:01:20,600 Speaker 1: Me, the podcast where we dive the deep into the 17 00:01:20,640 --> 00:01:23,080 Speaker 1: pockets of black conspiracy theories. 18 00:01:23,319 --> 00:01:27,920 Speaker 2: And we work to prove the conspiracy that Jamal Murray 19 00:01:28,760 --> 00:01:35,000 Speaker 2: is in fact the bastard offspring of Maximus Murray, aired 20 00:01:35,040 --> 00:01:39,520 Speaker 2: to the Murray's hair grease fortune. Cast out to Canada, 21 00:01:40,000 --> 00:01:43,160 Speaker 2: forced to live a life with his white mother and 22 00:01:43,760 --> 00:01:48,920 Speaker 2: assumingly Inuit stepfather, decided he will get good at the 23 00:01:48,960 --> 00:01:53,320 Speaker 2: one game his father Baximis's love basketball, and he will 24 00:01:53,320 --> 00:01:55,520 Speaker 2: come back and throw it in his face. 25 00:01:55,840 --> 00:01:59,520 Speaker 1: A game where the hair grease doesn't matter, that the 26 00:01:59,560 --> 00:02:03,160 Speaker 1: grease ain't playing a factor in how you can. 27 00:02:03,080 --> 00:02:06,960 Speaker 2: Hoop at all. What I'm trying to say here, it's 28 00:02:07,120 --> 00:02:10,480 Speaker 2: nugs and for I'm David Warden, woof, that is me. 29 00:02:10,919 --> 00:02:13,920 Speaker 1: You don't even respect these boys. I'm Likeston Kerman and 30 00:02:13,960 --> 00:02:14,720 Speaker 1: I'm shocked. 31 00:02:14,840 --> 00:02:17,960 Speaker 2: Hey, we wanted home, we won Bears. That's all you 32 00:02:18,000 --> 00:02:23,119 Speaker 2: need to do to win more and everything we've done, 33 00:02:23,160 --> 00:02:27,160 Speaker 2: all the things we need to do. My MVP is white. 34 00:02:27,200 --> 00:02:31,040 Speaker 2: I hate to say it. Listen, do I love that 35 00:02:31,120 --> 00:02:34,280 Speaker 2: my team has maybe not the most psycho local guys. Yeah? 36 00:02:34,400 --> 00:02:36,120 Speaker 2: I wish we had a lot of fun guys, but 37 00:02:36,160 --> 00:02:38,400 Speaker 2: you know what they are good at basketball? 38 00:02:38,440 --> 00:02:41,680 Speaker 1: Listen, Michael Porter Junior is real hard to roof for. 39 00:02:41,840 --> 00:02:45,960 Speaker 1: But oh, are you telling me, man, boy? Is that 40 00:02:46,040 --> 00:02:47,040 Speaker 1: boy good at basket? 41 00:02:47,200 --> 00:02:56,400 Speaker 3: Pretty much a fucking copy When the fucking pandemic was 42 00:02:56,400 --> 00:02:59,280 Speaker 3: that it's height and he was like, yeah, I'm gonna 43 00:02:59,320 --> 00:03:02,079 Speaker 3: be one of two people in the league who doesn't kneel. 44 00:03:02,120 --> 00:03:07,160 Speaker 1: It was like god, damn man, you really you really 45 00:03:07,200 --> 00:03:08,040 Speaker 1: don't give a fuck? 46 00:03:08,200 --> 00:03:11,760 Speaker 2: H man. We were so good in the bubble. That's 47 00:03:11,800 --> 00:03:13,760 Speaker 2: just what I try to remember. We were so good 48 00:03:13,800 --> 00:03:14,480 Speaker 2: in the bubble. 49 00:03:15,040 --> 00:03:18,079 Speaker 1: And partly because he wouldn't kneel down. He was so 50 00:03:18,400 --> 00:03:21,600 Speaker 1: he wasn't having to get back up like the mother Boy. 51 00:03:21,680 --> 00:03:25,720 Speaker 2: Because he has back problems. I didn't even want to 52 00:03:25,800 --> 00:03:28,440 Speaker 2: draft him and I was like, he has a back 53 00:03:28,480 --> 00:03:30,400 Speaker 2: injury that never you never come back from that. 54 00:03:30,760 --> 00:03:34,519 Speaker 1: He has a back injury from carrying white Jesus's cross 55 00:03:34,600 --> 00:03:36,280 Speaker 1: on it for all these years. 56 00:03:36,360 --> 00:03:42,160 Speaker 2: So we're finally there. You know, it's been a long 57 00:03:42,280 --> 00:03:44,280 Speaker 2: it's a long time. It's been a long time time 58 00:03:44,320 --> 00:03:46,480 Speaker 2: because a long time since we've been playing this good. 59 00:03:46,520 --> 00:03:50,880 Speaker 2: I just I wish you the best, I truly do. 60 00:03:51,040 --> 00:03:53,160 Speaker 2: But it's just like a don't meet your hero situation, 61 00:03:53,320 --> 00:03:56,200 Speaker 2: you know what I mean, where it's like what if 62 00:03:56,240 --> 00:04:01,000 Speaker 2: you got everything you asked for? Fun? You know what 63 00:04:01,040 --> 00:04:03,000 Speaker 2: I mean? That's what it is. 64 00:04:03,560 --> 00:04:05,520 Speaker 1: This is what I think the ending of that uh, 65 00:04:05,600 --> 00:04:08,520 Speaker 1: that movie where the Beatles aren't real feels. 66 00:04:08,200 --> 00:04:12,640 Speaker 2: Like oh yeah, yeah, yeah, yeah no. It definitely feels 67 00:04:12,640 --> 00:04:15,040 Speaker 2: like I'm gonna learn some kind of Adam Sandler lesson 68 00:04:15,120 --> 00:04:21,200 Speaker 2: behind him. Yes, this is my this is my happy Gilmore, 69 00:04:21,320 --> 00:04:24,320 Speaker 2: this is this is Groundhog's day. 70 00:04:24,400 --> 00:04:27,840 Speaker 1: You're gonna have to relive this championship every single day 71 00:04:28,520 --> 00:04:31,480 Speaker 1: only to discover something awful on the back end. 72 00:04:31,520 --> 00:04:35,000 Speaker 2: And you get the lesson. It's definitely be careful what 73 00:04:35,040 --> 00:04:37,760 Speaker 2: you wish for. Like you cut to me after the 74 00:04:37,800 --> 00:04:40,880 Speaker 2: two thousand and nine Western Conference Finals when we lost 75 00:04:40,920 --> 00:04:42,800 Speaker 2: the Lakers. I don't think we should have thought it 76 00:04:42,800 --> 00:04:45,320 Speaker 2: was calls and me on a couch to wear like 77 00:04:45,600 --> 00:04:48,000 Speaker 2: I would do anything for the Nuggets to win. I 78 00:04:48,040 --> 00:04:51,400 Speaker 2: don't care who we get. And then you flash. 79 00:04:51,080 --> 00:04:55,839 Speaker 1: Forward and then you've empowered up Bill Cosby as your. 80 00:04:55,760 --> 00:04:58,920 Speaker 2: Say, you know you got a white m VP. This 81 00:04:58,960 --> 00:05:00,720 Speaker 2: is I feel like I did this. I did this 82 00:05:00,800 --> 00:05:01,200 Speaker 2: to us. 83 00:05:02,040 --> 00:05:05,960 Speaker 1: Your starting five is just horrific. Horrific people. 84 00:05:09,600 --> 00:05:15,560 Speaker 2: No, they're not all bad, man. Come on, man, is 85 00:05:15,560 --> 00:05:21,960 Speaker 2: it Casey B Yeah? Man? Anyways, how you doing? I'm 86 00:05:22,040 --> 00:05:22,760 Speaker 2: doing well. 87 00:05:22,920 --> 00:05:26,760 Speaker 1: We we have a conspiracy theory. It's a lengths in 88 00:05:26,800 --> 00:05:31,200 Speaker 1: a David episode where we have a conspiracy theory that 89 00:05:31,240 --> 00:05:34,160 Speaker 1: we've been sitting on for a little while. It's it's 90 00:05:34,200 --> 00:05:38,120 Speaker 1: a rare TikTok find is where this conspiracy comes from, 91 00:05:38,120 --> 00:05:41,839 Speaker 1: which I don't think. We often are sifting through the 92 00:05:41,839 --> 00:05:45,400 Speaker 1: the tiktoks to be able to find shit much less. 93 00:05:45,640 --> 00:05:48,400 Speaker 2: No one, this is Olivia? Fine? Right? No? 94 00:05:48,560 --> 00:05:51,160 Speaker 1: I think I think someone sent it to me. I 95 00:05:51,160 --> 00:05:53,360 Speaker 1: can't remember how I stumbled upon it. I think a 96 00:05:53,360 --> 00:05:55,880 Speaker 1: fan may have sent and I apologize for not having 97 00:05:56,560 --> 00:05:59,240 Speaker 1: that offhand, but a fan sent us a video of 98 00:05:59,279 --> 00:06:03,360 Speaker 1: a woman claiming, well, we should just play the video. 99 00:06:03,480 --> 00:06:04,200 Speaker 2: Play the video. 100 00:06:04,360 --> 00:06:10,880 Speaker 4: Yeah, our leaders, our ancestors who fought the wars of 101 00:06:11,000 --> 00:06:20,520 Speaker 4: resistance their heads. There remains are sitting in jazz throughout Europe, 102 00:06:21,640 --> 00:06:26,919 Speaker 4: and the same people have the audacity to come to 103 00:06:27,000 --> 00:06:33,919 Speaker 4: Africa and talk to us about human rights. But what's 104 00:06:33,960 --> 00:06:40,800 Speaker 4: even more disturbing is that we entertain them and we 105 00:06:40,880 --> 00:06:45,560 Speaker 4: don't remind them of these skeletons in their closet. 106 00:06:49,080 --> 00:06:54,360 Speaker 1: Okay, So just so we're clear, the premise here is 107 00:06:55,240 --> 00:07:02,000 Speaker 1: my mama told me, can hear are being kept in 108 00:07:02,120 --> 00:07:09,400 Speaker 1: European jars? Would that be correct? Would you agree with 109 00:07:09,440 --> 00:07:10,080 Speaker 1: that statement? 110 00:07:10,520 --> 00:07:12,480 Speaker 2: I think if you had to, I think if you 111 00:07:12,560 --> 00:07:16,400 Speaker 2: had to put it into yeah, I think that is 112 00:07:16,440 --> 00:07:21,560 Speaker 2: a succinct way to say what she is saying. Yeah, 113 00:07:21,720 --> 00:07:24,400 Speaker 2: I don't know, man, Yeah, that's right, that's right. That 114 00:07:24,400 --> 00:07:26,280 Speaker 2: feels right, that feels right, that feels right. 115 00:07:27,040 --> 00:07:30,920 Speaker 1: I wonder where you live inside of this, how how 116 00:07:31,000 --> 00:07:34,160 Speaker 1: bought in? When you watch the video? What was your reaction? 117 00:07:34,320 --> 00:07:35,200 Speaker 1: What is your reaction? 118 00:07:35,360 --> 00:07:38,760 Speaker 2: Now? Walk us through your feelings. Much like the twenty 119 00:07:38,840 --> 00:07:42,360 Speaker 2: twenty three Denver nuggets, I don't want At first, I 120 00:07:42,360 --> 00:07:44,840 Speaker 2: didn't want it, like and then I realized that I 121 00:07:44,880 --> 00:07:47,080 Speaker 2: had to, Like, Ah, I got you. 122 00:07:47,280 --> 00:07:50,920 Speaker 1: You understand what you silly fucking lady? What are you 123 00:07:51,000 --> 00:07:53,480 Speaker 1: talking about? Is the first what you want to be 124 00:07:53,520 --> 00:07:56,320 Speaker 1: able to say? And then it's like, oh, so what 125 00:07:56,400 --> 00:07:59,120 Speaker 1: am I saying? That I trust all these European whites 126 00:07:59,560 --> 00:08:02,880 Speaker 1: and what they've done with us? No, I don't, I like, 127 00:08:03,320 --> 00:08:04,600 Speaker 1: do I think it's possible? 128 00:08:04,920 --> 00:08:08,040 Speaker 2: Yeah? Man, I don't fucking trust these guys. I don't 129 00:08:08,040 --> 00:08:12,120 Speaker 2: know what they do with their fucking eyes wide chut parties. Yeah, 130 00:08:12,160 --> 00:08:12,400 Speaker 2: and it. 131 00:08:12,880 --> 00:08:16,920 Speaker 1: You know, we we literally have evidence of like medieval 132 00:08:16,960 --> 00:08:19,280 Speaker 1: times where they would like chop a person's head off 133 00:08:19,320 --> 00:08:21,800 Speaker 1: and put it on a steak. And I don't think 134 00:08:21,840 --> 00:08:24,920 Speaker 1: that current white people are that much better. 135 00:08:25,160 --> 00:08:25,720 Speaker 2: You know what I mean? 136 00:08:25,840 --> 00:08:28,080 Speaker 1: Like, I don't think that that's like far from the 137 00:08:28,120 --> 00:08:31,200 Speaker 1: type of ship that they would be willing to do. 138 00:08:31,320 --> 00:08:35,000 Speaker 1: So it's like, yeah, you probably got some some niggaheads 139 00:08:35,040 --> 00:08:35,720 Speaker 1: and jars, you. 140 00:08:35,760 --> 00:08:37,079 Speaker 2: Know what I mean? Yeah, I don't know what they're 141 00:08:37,080 --> 00:08:39,400 Speaker 2: doing with them. That's what I worry about. I think 142 00:08:39,440 --> 00:08:41,319 Speaker 2: they drink the juice. I think. 143 00:08:43,480 --> 00:08:46,280 Speaker 1: I think they drink the juice like it's like exotic, 144 00:08:46,400 --> 00:08:48,760 Speaker 1: fermentedhad you. 145 00:08:48,720 --> 00:08:51,160 Speaker 2: Know, I get that. That's why they have they they've 146 00:08:51,200 --> 00:08:54,640 Speaker 2: developed certain powers. Yeah, like whit. Swedish people are so 147 00:08:54,720 --> 00:08:58,920 Speaker 2: good at pop music. Yeah, they just got habit all 148 00:08:58,960 --> 00:09:03,560 Speaker 2: on their own without sipping some without sipping some fucking 149 00:09:03,600 --> 00:09:06,680 Speaker 2: warrior juice. You think they just went up there and 150 00:09:06,720 --> 00:09:08,800 Speaker 2: they just invented dancing queen. 151 00:09:08,720 --> 00:09:12,920 Speaker 1: Without sipping a little Somali You don't think. 152 00:09:13,160 --> 00:09:18,400 Speaker 2: Yeah, you know, they got suited up to Zulum. 153 00:09:18,640 --> 00:09:23,320 Speaker 1: It was crushing congo heads and and fucking came up 154 00:09:23,320 --> 00:09:25,040 Speaker 1: with ab We know what the fucking you. 155 00:09:25,080 --> 00:09:28,880 Speaker 2: Know how you got there? We think you think you 156 00:09:28,920 --> 00:09:30,680 Speaker 2: invented pristine punk music. 157 00:09:31,000 --> 00:09:35,200 Speaker 1: You man, I've heard your accent. You ain't making nothing. 158 00:09:35,600 --> 00:09:41,840 Speaker 2: Oh yeah, that's the fucking dancing queen. Yeah, and then 159 00:09:42,280 --> 00:09:46,920 Speaker 2: fucking only seventeen get out of here. That's from my people. 160 00:09:46,960 --> 00:09:49,600 Speaker 2: That's from head juice. You sipped a little head Jude, 161 00:09:49,600 --> 00:09:53,040 Speaker 2: You sipped a little head juice just enough, just enough 162 00:09:53,080 --> 00:09:54,800 Speaker 2: to give you that little bit of flavor, and then 163 00:09:54,840 --> 00:09:57,640 Speaker 2: you went come on. Because they've got all kinds of outliers, 164 00:09:57,880 --> 00:10:00,280 Speaker 2: I think a lot of people. I think Jack Carlow 165 00:10:00,400 --> 00:10:02,680 Speaker 2: might have got some head juice. I think I. 166 00:10:02,679 --> 00:10:04,920 Speaker 1: Don't think Jack Harlow got any head juice. I don't 167 00:10:04,920 --> 00:10:07,040 Speaker 1: think he's nearly as talented as. 168 00:10:08,920 --> 00:10:09,200 Speaker 2: I think. 169 00:10:09,280 --> 00:10:12,079 Speaker 1: He's just a nice guy, and we're like, yeah, you know, 170 00:10:12,240 --> 00:10:15,800 Speaker 1: he's handsome, a terrible guy. Yeah he ain't the worst, 171 00:10:15,880 --> 00:10:18,280 Speaker 1: but I don't think he got no head juice. I 172 00:10:18,320 --> 00:10:20,200 Speaker 1: think Eminem had had juice for a while. 173 00:10:20,280 --> 00:10:22,840 Speaker 2: See, I don't think Eminem had any head juice. 174 00:10:23,120 --> 00:10:25,440 Speaker 1: I think Eminem had a big old swig of head 175 00:10:25,559 --> 00:10:26,600 Speaker 1: juice and then he. 176 00:10:26,679 --> 00:10:31,800 Speaker 2: Stopped sipping it. On this, I'm glad you said this. 177 00:10:32,040 --> 00:10:35,040 Speaker 2: We can't act like Eminem was always not an outlier. 178 00:10:35,360 --> 00:10:38,439 Speaker 2: Have you listened to that first album. It's the delirious 179 00:10:38,520 --> 00:10:42,560 Speaker 2: rents rantings of a child who was bully. It's not 180 00:10:42,679 --> 00:10:46,240 Speaker 2: like it's bars, but it's not like in the traditional sense. 181 00:10:46,480 --> 00:10:48,880 Speaker 2: He was always a little freak weirdough you know who 182 00:10:48,880 --> 00:10:50,880 Speaker 2: Eminem was. You ever know a white kid when you 183 00:10:50,920 --> 00:10:52,800 Speaker 2: were a child who had a rat tail and a 184 00:10:52,880 --> 00:10:55,520 Speaker 2: cool adge team, live and like light all the time, 185 00:10:56,000 --> 00:10:58,920 Speaker 2: lied all the time, was like my grandpa has a gun. 186 00:10:59,400 --> 00:11:02,040 Speaker 2: That's that who he was. Man, he was the last 187 00:11:02,080 --> 00:11:04,319 Speaker 2: white kid to get picked up at black kid daycare. 188 00:11:05,000 --> 00:11:07,880 Speaker 2: Who he was because his bomb worked late at the 189 00:11:08,000 --> 00:11:11,839 Speaker 2: goddamn seven eleven and sometimes she would let him drink 190 00:11:11,960 --> 00:11:13,920 Speaker 2: night train. That's who Eminem was. 191 00:11:14,360 --> 00:11:18,280 Speaker 1: I'm saying that, despite your judgment of his character, and 192 00:11:18,360 --> 00:11:22,360 Speaker 1: I don't disagree with your assessment of his character, I'm 193 00:11:22,400 --> 00:11:25,720 Speaker 1: saying that that the motherfucker was moving and shaking in 194 00:11:25,760 --> 00:11:30,160 Speaker 1: a way that for nineteen ninety whatever it was, eight nine, 195 00:11:30,720 --> 00:11:34,720 Speaker 1: it was like, oh this this is this is a talent. 196 00:11:35,200 --> 00:11:38,760 Speaker 1: I think we pretend like he wasn't a talent. I 197 00:11:38,760 --> 00:11:40,560 Speaker 1: didn't say I don't think he was talented. 198 00:11:41,559 --> 00:11:43,800 Speaker 2: I'm saying I don't think he's I don't think I 199 00:11:43,800 --> 00:11:45,840 Speaker 2: think he I think he wraps in the way that 200 00:11:45,400 --> 00:11:48,720 Speaker 2: a white guy would. I don't think that he's talented 201 00:11:48,760 --> 00:11:50,720 Speaker 2: in the way that I think he was sipping that juice. 202 00:11:50,960 --> 00:11:54,079 Speaker 1: So you think so you're saying there was nothing exceptional 203 00:11:54,160 --> 00:11:55,559 Speaker 1: about the work that he was doing. 204 00:11:55,720 --> 00:11:58,800 Speaker 2: I think it was exceptional. I'm saying I don't think 205 00:11:58,840 --> 00:12:01,280 Speaker 2: it is exceptional in a way where he got it 206 00:12:01,320 --> 00:12:04,560 Speaker 2: from black people. I think it's a talent all his own. Oh, 207 00:12:05,000 --> 00:12:05,640 Speaker 2: I don't know that. 208 00:12:05,679 --> 00:12:08,640 Speaker 1: I believe that the head juice gives you black people talent. 209 00:12:08,960 --> 00:12:11,439 Speaker 1: I guess maybe that's what I thought we were talking about. 210 00:12:11,520 --> 00:12:14,720 Speaker 1: I think it gives you black people exceptionalism. I don't 211 00:12:14,720 --> 00:12:19,079 Speaker 1: think it necessarily gives you the specific skill of a 212 00:12:19,120 --> 00:12:24,280 Speaker 1: black person. I don't think it's like those from Space 213 00:12:24,400 --> 00:12:26,800 Speaker 1: Jam type shit. I think it's more of just like 214 00:12:27,280 --> 00:12:29,960 Speaker 1: it gives you a strength and they know how that 215 00:12:30,080 --> 00:12:32,400 Speaker 1: you wouldn't have had it in your regular white body. 216 00:12:32,559 --> 00:12:35,120 Speaker 2: See interesting because I thought of it as an aliens 217 00:12:35,120 --> 00:12:38,960 Speaker 2: from space Jam, like they were literally taking the talent of. 218 00:12:40,800 --> 00:12:45,640 Speaker 1: Foregads that there were like four dudes in Philly singing 219 00:12:45,840 --> 00:12:53,880 Speaker 1: about dancing Queen and that such put them suckers and 220 00:12:54,040 --> 00:12:57,040 Speaker 1: jars and then drank the head juice and boom. 221 00:12:56,679 --> 00:12:59,800 Speaker 2: And that's how. And then somebody drank that wane and then. 222 00:13:03,600 --> 00:13:06,160 Speaker 1: And then somebody drank the dude who had a cane 223 00:13:06,200 --> 00:13:09,280 Speaker 1: and and it didn't work out for them. Wan Ye 224 00:13:09,559 --> 00:13:12,440 Speaker 1: was my favorite one who had the lip. Oh, yeah, 225 00:13:12,520 --> 00:13:15,480 Speaker 1: yan Ye was Yye. I believe it's who you're thinking 226 00:13:15,559 --> 00:13:16,240 Speaker 1: of with the lip. 227 00:13:16,440 --> 00:13:18,640 Speaker 2: I was a big jan Ye guy. I think it 228 00:13:18,720 --> 00:13:23,800 Speaker 2: was Sean Michael jan Ye. Sean was skinny, high top fade. Right. 229 00:13:24,000 --> 00:13:26,160 Speaker 1: Yeah, Sean's the one that I think has had the 230 00:13:26,160 --> 00:13:29,720 Speaker 1: most success outside of the group, although wan Ye arguably 231 00:13:29,960 --> 00:13:31,840 Speaker 1: during the nineties he was going crazy. 232 00:13:31,880 --> 00:13:34,240 Speaker 2: He was fucking Mosha who the one who was the 233 00:13:34,280 --> 00:13:36,560 Speaker 2: one who was like, I want to go back even 234 00:13:36,640 --> 00:13:37,480 Speaker 2: can we go back? 235 00:13:38,160 --> 00:13:40,400 Speaker 1: That's the nigga with the glasses and I always forget 236 00:13:40,440 --> 00:13:43,760 Speaker 1: his name. It's like Robert Oh. I like the glasses too. 237 00:13:44,200 --> 00:13:46,680 Speaker 2: Yeah, the glasses dude. And then who is also? You 238 00:13:46,679 --> 00:13:48,800 Speaker 2: know who else I liked was in all the Philly 239 00:13:48,840 --> 00:13:49,760 Speaker 2: Steaks you could eat? 240 00:13:49,920 --> 00:13:53,160 Speaker 1: Yeah, that's what I'm talking about. So that's no, that's 241 00:13:53,200 --> 00:13:59,760 Speaker 1: the deep boys, dude. That's yeah. 242 00:14:00,080 --> 00:14:07,640 Speaker 2: I'm sorry. Yeah, say all the Phillys you can eat. 243 00:14:08,720 --> 00:14:17,920 Speaker 2: I treaded all the spokes in the world. Don't let 244 00:14:17,920 --> 00:14:19,680 Speaker 2: your wife find that, man. She might not let you 245 00:14:19,760 --> 00:14:20,400 Speaker 2: take that off. 246 00:14:20,840 --> 00:14:22,800 Speaker 1: Gonna be like, Hey, that's how you talk now? 247 00:14:23,960 --> 00:14:24,680 Speaker 2: Around here. 248 00:14:29,480 --> 00:14:33,200 Speaker 1: But no, I believe Michael was the deep voice one 249 00:14:33,200 --> 00:14:36,040 Speaker 1: and he's the one that was Eventually the group and 250 00:14:36,160 --> 00:14:37,240 Speaker 1: him parted ways. 251 00:14:37,280 --> 00:14:39,800 Speaker 2: They don't fuck with each other no more. Oh really 252 00:14:40,000 --> 00:14:40,280 Speaker 2: I didn't. 253 00:14:40,440 --> 00:14:44,000 Speaker 1: Yeah, yeah, I guess he was like not really into 254 00:14:44,040 --> 00:14:46,800 Speaker 1: it and pretty unprofessional and so like, I think it 255 00:14:46,880 --> 00:14:48,840 Speaker 1: reached the point where they were all like, hey, man, 256 00:14:48,920 --> 00:14:51,320 Speaker 1: we were gonna keep making our ship and maybe you 257 00:14:51,360 --> 00:14:53,680 Speaker 1: should just take that elsewhere. 258 00:14:54,080 --> 00:14:56,560 Speaker 2: Man, if I got kicked out of Poison Man, you 259 00:14:56,600 --> 00:15:04,520 Speaker 2: would never hear the end of it. I would bro 260 00:15:04,560 --> 00:15:06,200 Speaker 2: if they kicked me out of Boys to Men, I 261 00:15:06,240 --> 00:15:07,280 Speaker 2: would be screaming it. 262 00:15:07,840 --> 00:15:10,960 Speaker 1: That would just be every episode we do is like, 263 00:15:11,440 --> 00:15:14,200 Speaker 1: why the fuck am I not still in Boys to Men? 264 00:15:14,360 --> 00:15:15,880 Speaker 2: Yeah, you didn't talk to me like that. I was 265 00:15:15,920 --> 00:15:20,640 Speaker 2: in Boys to Men. Most Sean is a skinny one. 266 00:15:20,800 --> 00:15:23,760 Speaker 2: There's it's it's. 267 00:15:22,920 --> 00:15:26,040 Speaker 1: Just tell us all the names. There's Juan Ye, Sean, Michael, 268 00:15:26,240 --> 00:15:27,960 Speaker 1: and then Nathan. 269 00:15:28,200 --> 00:15:32,040 Speaker 2: There we go Nathan then with the glasses. 270 00:15:33,400 --> 00:15:47,880 Speaker 1: Anyway, you are are somewhat bought into, at least the 271 00:15:48,000 --> 00:15:52,520 Speaker 1: possibility of these head jarred men existing or men and 272 00:15:52,600 --> 00:15:53,400 Speaker 1: women leaders. 273 00:15:54,160 --> 00:15:59,480 Speaker 2: I don't think that it's Yeah, I saw the woman king, Uh, 274 00:16:00,040 --> 00:16:07,280 Speaker 2: I can give me the idea. Yeah, I don't think 275 00:16:07,320 --> 00:16:09,920 Speaker 2: it's like out of the realm of possibility. Look, people 276 00:16:09,960 --> 00:16:13,920 Speaker 2: do when people conquer other people, they do crazy stuff 277 00:16:13,960 --> 00:16:17,760 Speaker 2: to destroy the morale, and you know what I mean. 278 00:16:17,840 --> 00:16:21,720 Speaker 2: So I don't do I think making an example out 279 00:16:21,720 --> 00:16:24,800 Speaker 2: of the leader of a conquered people is outside of 280 00:16:25,120 --> 00:16:28,760 Speaker 2: white people's wheelhouse. No, I do not think that at all. 281 00:16:29,040 --> 00:16:32,600 Speaker 1: Yeah, you always hear all them stories from like Vietnam 282 00:16:33,200 --> 00:16:36,160 Speaker 1: where it's like, yeah, they cut out people's tongues and 283 00:16:36,200 --> 00:16:39,200 Speaker 1: then tied them like necklaces and was like wearing them 284 00:16:39,240 --> 00:16:40,680 Speaker 1: around the jungle and shit. 285 00:16:40,840 --> 00:16:42,200 Speaker 2: Yeah, and that was in the sixties. 286 00:16:42,680 --> 00:16:45,200 Speaker 1: Yeah, and it's like, oh, if y'all was doing wild 287 00:16:45,240 --> 00:16:48,280 Speaker 1: shit like that, yeah, somebody probably kept ahead. 288 00:16:48,880 --> 00:16:52,280 Speaker 2: I believe that that's not he kept a nigga kept 289 00:16:52,280 --> 00:16:54,080 Speaker 2: ahead dead presidents. 290 00:16:57,720 --> 00:17:05,359 Speaker 1: Or Big Biggie was rapping about sending peoples their children's fingers. 291 00:17:04,640 --> 00:17:08,199 Speaker 1: It's not absurd to think that a head might be 292 00:17:08,240 --> 00:17:09,360 Speaker 1: a trophy somewhere. 293 00:17:09,480 --> 00:17:11,840 Speaker 2: Yeah, it's not crazy to think at all. And it's 294 00:17:11,840 --> 00:17:14,120 Speaker 2: not crazy to think that they wouldn't document that shit, 295 00:17:14,520 --> 00:17:16,520 Speaker 2: that they would just leave it for themselves, like in 296 00:17:16,560 --> 00:17:19,800 Speaker 2: their own way. Because think about how many private art 297 00:17:19,880 --> 00:17:22,000 Speaker 2: galleries are just like war crimes. 298 00:17:22,600 --> 00:17:25,920 Speaker 1: Well, I'm glad you brought that up because to the question, 299 00:17:26,160 --> 00:17:29,400 Speaker 1: and let's this is this will be a smooth transition 300 00:17:29,480 --> 00:17:31,840 Speaker 1: into the research that Olivia did. I want to give 301 00:17:31,880 --> 00:17:35,159 Speaker 1: her her credit. I didn't read a thing today. I 302 00:17:35,560 --> 00:17:39,399 Speaker 1: truly showed up to a lot of assembled information for me. 303 00:17:39,560 --> 00:17:41,760 Speaker 1: But one of the things that she sent over, and 304 00:17:41,800 --> 00:17:48,280 Speaker 1: this original video comes from doctor Ericanna Chiamborie Caw. I'm 305 00:17:48,320 --> 00:17:51,120 Speaker 1: gonna do my best with what that is. But she's 306 00:17:51,160 --> 00:17:54,760 Speaker 1: speaking at the National Action Network convention in twenty twenty 307 00:17:54,800 --> 00:17:58,000 Speaker 1: three and said that these heads of African leaders are 308 00:17:58,000 --> 00:18:00,800 Speaker 1: being kept in jars in Europe. And while I think 309 00:18:00,800 --> 00:18:04,400 Speaker 1: that that language was actually very purposeful for the sake 310 00:18:04,440 --> 00:18:08,479 Speaker 1: of like impressing the idea and being effective, as it 311 00:18:08,600 --> 00:18:14,800 Speaker 1: turns out, it isn't that far off from truth. Like 312 00:18:14,920 --> 00:18:19,000 Speaker 1: based on the research, this shit is pretty legitimately real. 313 00:18:19,680 --> 00:18:23,000 Speaker 1: While I hear it and I think of like when 314 00:18:23,040 --> 00:18:25,919 Speaker 1: she says heads and jars, I think of like Futurama 315 00:18:26,000 --> 00:18:29,840 Speaker 1: type shit that like it's like a floating head with 316 00:18:30,040 --> 00:18:33,880 Speaker 1: juice all around it. But it's not so much the 317 00:18:33,920 --> 00:18:38,359 Speaker 1: Futurama version of this thing, as it is more like 318 00:18:39,280 --> 00:18:45,200 Speaker 1: dried out skulls that have been displayed to your point, 319 00:18:45,680 --> 00:18:49,760 Speaker 1: at museums all over Europe that like, there are a 320 00:18:49,880 --> 00:18:54,120 Speaker 1: fuck ton of like very important people who'se like trophies 321 00:18:54,160 --> 00:18:59,720 Speaker 1: have been assembled in museums without any like reflection or 322 00:18:59,800 --> 00:19:04,080 Speaker 1: a hology forward stealing their these corpses. 323 00:19:04,520 --> 00:19:09,840 Speaker 2: Yeah, I believe that's that's what I'm saying, their sinister Yeah. 324 00:19:10,040 --> 00:19:13,560 Speaker 1: So apparently during eighteen eighty one to nineteen fourteen, there 325 00:19:13,640 --> 00:19:17,560 Speaker 1: was a this mass division and colonization of Africa right 326 00:19:17,960 --> 00:19:22,600 Speaker 1: where European powers basically did this mad scramble for Africa, 327 00:19:22,600 --> 00:19:28,120 Speaker 1: including Germany, France, Belgium, Spain, Italy, England, Portugal. They sectioned 328 00:19:28,119 --> 00:19:31,760 Speaker 1: off all of Africa, they claim everything except for Liberia, 329 00:19:32,200 --> 00:19:36,280 Speaker 1: which is quote unquote protected by the US at that 330 00:19:36,400 --> 00:19:38,600 Speaker 1: point protected whatever the fuck. 331 00:19:38,560 --> 00:19:41,040 Speaker 2: That also to see how that all went with the 332 00:19:41,160 --> 00:19:43,200 Speaker 2: Charles Tailor, I mean, that's where the world. I don't 333 00:19:43,200 --> 00:19:45,080 Speaker 2: want to talk about that right now, but yeah, sure 334 00:19:47,119 --> 00:19:48,240 Speaker 2: Liberia is fucked up. 335 00:19:48,840 --> 00:19:52,040 Speaker 1: Yeah, the US wasn't protecting shit, and certainly we weren't 336 00:19:52,040 --> 00:19:55,320 Speaker 1: there because we thought they needed our help. But that's 337 00:19:55,359 --> 00:19:59,520 Speaker 1: the phrasing that this article chooses. And then the last 338 00:19:59,600 --> 00:20:04,760 Speaker 1: place that was unclaimed was Ethiopia. Ethiopia was free because 339 00:20:04,760 --> 00:20:07,600 Speaker 1: they beat the fuck out of Italy when Italy showed 340 00:20:07,640 --> 00:20:09,400 Speaker 1: up trying to take their ship from them. 341 00:20:09,480 --> 00:20:12,480 Speaker 2: Hell yeah, hell yeah. Yeah. 342 00:20:12,520 --> 00:20:16,640 Speaker 1: So so Ethiopia and Liberia of the this giant continent 343 00:20:16,680 --> 00:20:19,000 Speaker 1: are the only places that don't get scooped up by 344 00:20:19,000 --> 00:20:21,119 Speaker 1: these European nations. 345 00:20:24,920 --> 00:20:26,840 Speaker 2: I got you, you could have had it all now, 346 00:20:26,960 --> 00:20:27,760 Speaker 2: the British cudlis. 347 00:20:28,560 --> 00:20:31,960 Speaker 1: But when you speak of the gruesomeness of the White Devil, 348 00:20:32,040 --> 00:20:34,440 Speaker 1: one of the things that this article says is that 349 00:20:34,480 --> 00:20:39,240 Speaker 1: they used to steal the skeletons of these occupied nations 350 00:20:39,359 --> 00:20:44,040 Speaker 1: leaders and then display them in museums. Again, this is 351 00:20:44,320 --> 00:20:47,880 Speaker 1: this is all the way up, which is what historical? 352 00:20:48,960 --> 00:20:52,359 Speaker 2: What what like? You know, how morbid that is with 353 00:20:52,440 --> 00:20:56,119 Speaker 2: no type of there's no type of like, what's the 354 00:20:56,359 --> 00:20:58,359 Speaker 2: educational value of showing. 355 00:20:58,000 --> 00:21:02,720 Speaker 1: That yeoh, of saying like an African skull and being like, yep, 356 00:21:03,000 --> 00:21:04,639 Speaker 1: that's that's the skull. 357 00:21:05,240 --> 00:21:08,159 Speaker 2: It's not like their art or their contributions to culture 358 00:21:08,200 --> 00:21:10,480 Speaker 2: or anything. No, it's just this guy we killed. 359 00:21:10,880 --> 00:21:14,000 Speaker 1: Yeah, and they I've seen a few pictures and they'll 360 00:21:14,040 --> 00:21:17,080 Speaker 1: like dress the skull up so that it looks like 361 00:21:17,359 --> 00:21:21,200 Speaker 1: the person kind of, but but also just the skull. 362 00:21:21,800 --> 00:21:25,160 Speaker 1: It's like, oh, you're you're really like flexing on my family. 363 00:21:25,800 --> 00:21:29,920 Speaker 2: Yeah for what, imagine you die? And then they put you. 364 00:21:30,480 --> 00:21:33,360 Speaker 2: They put you, They say, take you to I don't 365 00:21:33,400 --> 00:21:35,720 Speaker 2: know what country we're gonna be mad about right now. 366 00:21:35,840 --> 00:21:38,439 Speaker 2: They take you to France, and you're just all you 367 00:21:38,520 --> 00:21:40,280 Speaker 2: got you got, like they're like, oh, here he is 368 00:21:40,320 --> 00:21:42,919 Speaker 2: the guy, his hoodie and his watch. He was a 369 00:21:42,960 --> 00:21:45,320 Speaker 2: real funny guy. Look at this funny guy. 370 00:21:45,960 --> 00:21:48,879 Speaker 1: And they just make me like hold a microphone and 371 00:21:49,359 --> 00:21:51,680 Speaker 1: look they're funny. 372 00:21:51,880 --> 00:21:54,400 Speaker 2: They like put you in the position to hump your stool. 373 00:21:56,200 --> 00:21:59,000 Speaker 2: Your great grandson's in there, like you didn't even do that, bitch. 374 00:21:59,160 --> 00:22:02,560 Speaker 2: That was that wasn't even in his act. 375 00:22:03,040 --> 00:22:06,080 Speaker 1: He actually was pretty judgmental of people who treated their 376 00:22:06,119 --> 00:22:08,080 Speaker 1: comedy that way. 377 00:22:08,960 --> 00:22:09,520 Speaker 2: He gets it. 378 00:22:09,560 --> 00:22:12,080 Speaker 1: It was of an era, but it doesn't exist anymore. 379 00:22:12,200 --> 00:22:13,960 Speaker 1: So grow the fuck up and write a joke, is 380 00:22:14,000 --> 00:22:14,680 Speaker 1: what he would say. 381 00:22:14,760 --> 00:22:21,399 Speaker 2: Yeah, he was a timely comedian. Yeah, it's fucking nuts. 382 00:22:21,520 --> 00:22:23,800 Speaker 2: There's no way they dressed him up doing something cool. 383 00:22:23,840 --> 00:22:28,439 Speaker 2: They dressed him up fucking you know what. Yeah, but 384 00:22:28,480 --> 00:22:29,320 Speaker 2: it's also. 385 00:22:29,200 --> 00:22:31,679 Speaker 1: Like they probably put him in like a headdress or 386 00:22:31,720 --> 00:22:34,040 Speaker 1: some shit, and like to your point, if I'm in 387 00:22:34,080 --> 00:22:36,880 Speaker 1: his family, I know the nigga didn't even like wearing. 388 00:22:36,560 --> 00:22:37,160 Speaker 2: The head dress. 389 00:22:40,400 --> 00:22:42,159 Speaker 1: He put it on for the events, but he ye 390 00:22:42,359 --> 00:22:43,640 Speaker 1: walk around like that. 391 00:22:43,760 --> 00:22:47,480 Speaker 2: I don't go to the strip club in a tuxedo's wedding. 392 00:22:47,960 --> 00:22:53,320 Speaker 1: That's a wedding outfit that I do own a tuxedo, 393 00:22:53,520 --> 00:22:55,159 Speaker 1: but not for a reason I'm proud of. 394 00:22:55,800 --> 00:22:56,640 Speaker 2: Wait, what does that mean? 395 00:22:57,760 --> 00:23:00,680 Speaker 1: Well, I am very proud to have written for the 396 00:23:00,760 --> 00:23:05,480 Speaker 1: twenty sixteen Oscars, right. I was a writer for that team, 397 00:23:05,640 --> 00:23:09,520 Speaker 1: for specifically Chris Rock. It was the biggest first thing 398 00:23:09,560 --> 00:23:10,000 Speaker 1: I ever. 399 00:23:09,960 --> 00:23:16,399 Speaker 2: Got, Chris Rock's second biggest Oscars truly, and I was 400 00:23:16,480 --> 00:23:17,000 Speaker 2: a part of it. 401 00:23:17,840 --> 00:23:22,680 Speaker 1: Boy that said that I bought a tuxedo under the 402 00:23:22,720 --> 00:23:25,240 Speaker 1: premise of, like, this is the biggest thing I'm ever 403 00:23:25,359 --> 00:23:25,720 Speaker 1: gonna do. 404 00:23:26,320 --> 00:23:27,120 Speaker 2: This is amazing. 405 00:23:27,280 --> 00:23:29,320 Speaker 1: I gotta I gotta have a tux because I'm gonna 406 00:23:29,320 --> 00:23:31,800 Speaker 1: be in the room, I'm gonna be fly whatever. And 407 00:23:32,000 --> 00:23:35,160 Speaker 1: as it turned out, we were not even allowed into 408 00:23:35,280 --> 00:23:39,080 Speaker 1: the room. We were left in the fucking basement where 409 00:23:39,200 --> 00:23:42,879 Speaker 1: like the musicians kept their spare instruments and had to 410 00:23:43,000 --> 00:23:46,879 Speaker 1: call up on a bat phone to get Chris Rocks 411 00:23:47,200 --> 00:23:48,880 Speaker 1: approval on jokes. 412 00:23:48,640 --> 00:23:53,280 Speaker 2: And shit, god damn. So I just spent money on 413 00:23:53,320 --> 00:23:53,560 Speaker 2: a toe. 414 00:23:53,680 --> 00:23:56,320 Speaker 1: And this is what makes it so fucked up is 415 00:23:56,359 --> 00:24:00,960 Speaker 1: that the Oscars offered like tux rental to was for free. 416 00:24:01,480 --> 00:24:04,520 Speaker 1: That like they had a place that was like, yo, 417 00:24:04,680 --> 00:24:07,080 Speaker 1: you just go downstairs, you could get a tuck fitted. 418 00:24:07,440 --> 00:24:09,800 Speaker 1: You can rent that motherfucker and just do it that way. 419 00:24:09,880 --> 00:24:11,840 Speaker 1: And I was like, no, no, no, a baby girl. 420 00:24:11,960 --> 00:24:14,480 Speaker 2: You think I'm gonna rent like even trash. 421 00:24:14,640 --> 00:24:16,840 Speaker 1: I got a few grand to blow. Let me get 422 00:24:16,840 --> 00:24:18,720 Speaker 1: a tuxito I. 423 00:24:18,840 --> 00:24:23,399 Speaker 2: Got, might know. And then they kept you in the basement. 424 00:24:23,720 --> 00:24:25,639 Speaker 1: It kept me in the basement. We didn't get to 425 00:24:25,680 --> 00:24:28,440 Speaker 1: see not one celebrity. We did get to go to 426 00:24:28,520 --> 00:24:31,000 Speaker 1: the Governor's Ball, which was cool, and there you get 427 00:24:31,040 --> 00:24:33,280 Speaker 1: to see a bunch of people, but like, you know, 428 00:24:33,400 --> 00:24:36,280 Speaker 1: you want to be in the room and see everybody. 429 00:24:36,359 --> 00:24:39,760 Speaker 2: You want to see the looks on their faces and shit, yeah, no, 430 00:24:39,960 --> 00:24:42,440 Speaker 2: I never been in the room, so I don't know. 431 00:24:42,600 --> 00:24:44,360 Speaker 2: I wrote for the Spece once I was in there, 432 00:24:44,359 --> 00:24:48,600 Speaker 2: it's okay. In the room was in the No, I 433 00:24:48,680 --> 00:24:50,600 Speaker 2: was on the side. Actually we were on the side 434 00:24:50,640 --> 00:24:52,760 Speaker 2: doing punch up. Yeah, but that's in the room. 435 00:24:52,880 --> 00:24:56,240 Speaker 1: You're like in the space. You can still like Draymond 436 00:24:56,359 --> 00:25:00,600 Speaker 1: can still walk past you. Yeah yeah, yeah, yeah Yeah. 437 00:25:01,119 --> 00:25:04,639 Speaker 1: What I'm saying is is that Bree Lawson didn't know 438 00:25:04,800 --> 00:25:08,920 Speaker 1: I existed before or after I did that show. 439 00:25:09,080 --> 00:25:12,359 Speaker 2: And that breaks my heart. Yeah. See that's the problem. 440 00:25:12,760 --> 00:25:15,760 Speaker 1: And I said lost and it's Larson, But who the fuck. 441 00:25:17,040 --> 00:25:20,800 Speaker 2: She ain't black? Yeah, And that's a fact, Jack, And 442 00:25:20,920 --> 00:25:22,800 Speaker 2: that's a fact, Jack, And that was one of the jokes, 443 00:25:23,240 --> 00:25:26,880 Speaker 2: like wrote that Chris rejected. That's why I bitch ass 444 00:25:26,920 --> 00:25:32,120 Speaker 2: got slapped. I was like, all right, I was right 445 00:25:32,240 --> 00:25:35,200 Speaker 2: for you. I was righting for you. I just got you. 446 00:25:35,240 --> 00:25:42,119 Speaker 1: Ain't gonna get me to turn on you. All right, 447 00:25:42,160 --> 00:25:43,120 Speaker 1: we need to take a break. 448 00:25:43,160 --> 00:25:45,439 Speaker 2: We'll be back with more likes, the more, David and more. 449 00:25:45,520 --> 00:25:46,399 Speaker 2: My mama told me. 450 00:25:56,359 --> 00:26:01,000 Speaker 5: Lou your god damn heads, smooth off, and we are 451 00:26:01,200 --> 00:26:04,720 Speaker 5: back discussing whether or not these not even I think 452 00:26:04,760 --> 00:26:05,960 Speaker 5: we're past whether or not. 453 00:26:06,680 --> 00:26:09,960 Speaker 2: I think where are these white devils have put our bones? Yeah? 454 00:26:10,080 --> 00:26:14,360 Speaker 1: No, I think it's objectively true that white people European 455 00:26:15,000 --> 00:26:20,800 Speaker 1: powers that be are are keeping skulls in museums and 456 00:26:20,920 --> 00:26:23,480 Speaker 1: what I would go so far as to say, if 457 00:26:23,560 --> 00:26:28,560 Speaker 1: this is what they're displaying, I worry. I'm terrified to 458 00:26:28,680 --> 00:26:31,400 Speaker 1: think of what they have in the back that they're like, Ah, 459 00:26:31,520 --> 00:26:33,600 Speaker 1: we can't show them that, we can't. 460 00:26:34,240 --> 00:26:36,440 Speaker 2: You know, it makes me think, you know, the only 461 00:26:36,520 --> 00:26:39,920 Speaker 2: way we're gonna do it. We gotta, we gotta double down, 462 00:26:39,920 --> 00:26:45,240 Speaker 2: We gotta, we gotta take back some of their bones. WHOA, yeah, 463 00:26:45,280 --> 00:26:49,040 Speaker 2: you're a famer for my from my like we dig up, 464 00:26:49,200 --> 00:26:54,920 Speaker 2: we dig up Luci Ball put a little rare wig 465 00:26:55,000 --> 00:26:58,000 Speaker 2: on hers. Yeah, we put a red wig on her, 466 00:26:58,680 --> 00:27:00,760 Speaker 2: put her asking Daisy to be in the show, or 467 00:27:00,840 --> 00:27:04,199 Speaker 2: some disrespectful like that, even though she was a mogul. 468 00:27:04,720 --> 00:27:07,400 Speaker 1: We put chocolate all over her face like that episode. 469 00:27:13,119 --> 00:27:15,600 Speaker 1: And that was losey because she got the chocolate. 470 00:27:16,600 --> 00:27:18,320 Speaker 2: And then we go to Europe and we say, give us, 471 00:27:19,920 --> 00:27:22,600 Speaker 2: this could all be over, this could all be over. 472 00:27:24,200 --> 00:27:26,280 Speaker 2: Give us the rest of the Zulu nation and you 473 00:27:26,720 --> 00:27:28,680 Speaker 2: get and you'll get your ball back. 474 00:27:30,920 --> 00:27:34,360 Speaker 1: I'll hit you with a few more facts that sort 475 00:27:34,400 --> 00:27:38,440 Speaker 1: of were uncovered in some of this research to that point. 476 00:27:38,560 --> 00:27:45,000 Speaker 1: There's Patrice Lamumbo who was the democratic man. Yeah, exactly, 477 00:27:45,080 --> 00:27:48,320 Speaker 1: and the the hero of the Democratic Democratic Republic of 478 00:27:48,840 --> 00:27:51,280 Speaker 1: the Congo. Your origin, well. 479 00:27:51,280 --> 00:27:54,040 Speaker 2: No it's not. I think, I think, I do want 480 00:27:54,080 --> 00:27:55,680 Speaker 2: to say, some of you guys think I'm from the 481 00:27:55,760 --> 00:27:57,920 Speaker 2: car It was just a funny thing of black Hebrew 482 00:27:58,000 --> 00:28:05,600 Speaker 2: israel I called me that I love God blessed alone. Yeah, God, 483 00:28:05,680 --> 00:28:07,320 Speaker 2: Savid Queen, I'm not from the Congo. 484 00:28:07,800 --> 00:28:10,000 Speaker 1: Yeah, he's not from the Congo. But it is very 485 00:28:10,080 --> 00:28:12,280 Speaker 1: funny and I'm not gonna stop saying it. So you 486 00:28:12,440 --> 00:28:15,920 Speaker 1: really need to track for yourself. That is, he's from 487 00:28:16,040 --> 00:28:21,399 Speaker 1: Sierra Leone instead. That said Patrece Lamumba apparently when he 488 00:28:21,600 --> 00:28:27,360 Speaker 1: was assassinated in nineteen I believe nineteen sixty one. Yeah, 489 00:28:27,359 --> 00:28:31,280 Speaker 1: he was assassinated in nineteen sixty one, basically through like 490 00:28:31,640 --> 00:28:35,840 Speaker 1: the Belgians who started a military coup right in the Congo. 491 00:28:36,680 --> 00:28:40,920 Speaker 1: He gets assassinated and then a Belgian policeman not only 492 00:28:41,400 --> 00:28:44,840 Speaker 1: burned his body in acid, so they destroyed the body 493 00:28:44,960 --> 00:28:48,960 Speaker 1: completely in acid, but a Belgian policeman stole one of 494 00:28:49,040 --> 00:28:53,840 Speaker 1: his teeth, a gold capped tooth that they stole and 495 00:28:53,920 --> 00:28:57,200 Speaker 1: then kept as a trophy. And it was not until 496 00:28:57,360 --> 00:29:01,239 Speaker 1: twenty twenty two that that tooth was finally returned as 497 00:29:01,320 --> 00:29:06,800 Speaker 1: the only last remnant of Patrice Lamumba's body to his family. 498 00:29:07,520 --> 00:29:09,480 Speaker 2: That we gotta go in. We're getting our lick back. 499 00:29:11,560 --> 00:29:14,640 Speaker 2: Somebody dig up River Phoenix. We're getting our lick back. 500 00:29:15,360 --> 00:29:23,360 Speaker 2: They love Yeah, they love me. How about that? This 501 00:29:23,520 --> 00:29:25,440 Speaker 2: might be the most militant we've ever been on. 502 00:29:25,760 --> 00:29:29,440 Speaker 1: Yeah, we're talking about digging up old white people's bodies. 503 00:29:30,080 --> 00:29:32,720 Speaker 2: We're talking about digging up Betty White and being like, 504 00:29:35,840 --> 00:29:38,640 Speaker 2: that's what happens. We dig up Betty White, they will 505 00:29:38,760 --> 00:29:39,920 Speaker 2: take us seriously. 506 00:29:40,120 --> 00:29:42,479 Speaker 1: Bro, if we dig up Betty White, this is an 507 00:29:42,520 --> 00:29:47,000 Speaker 1: international war. All the Golden Girls, dig up all these Yeah, 508 00:29:47,000 --> 00:29:50,680 Speaker 1: I think there they'ld be whof there. It's gonna be 509 00:29:50,720 --> 00:29:52,800 Speaker 1: a tough one. That that's gonna be a fight. We 510 00:29:52,920 --> 00:29:55,560 Speaker 1: really gotta be ready for. We got if we dig 511 00:29:55,680 --> 00:29:57,800 Speaker 1: up the Yeah, we dig up the Golden go. It's 512 00:29:57,840 --> 00:30:00,360 Speaker 1: just it's a declaration of war. There's nothing else to Yeah. 513 00:30:00,920 --> 00:30:03,400 Speaker 2: No, it's it's like, no, we we have to do. 514 00:30:03,600 --> 00:30:05,960 Speaker 2: We have to wipe our country off the planet. Yeah No, 515 00:30:06,160 --> 00:30:08,200 Speaker 2: It's like, you know, it's like, have you ever been 516 00:30:08,240 --> 00:30:10,960 Speaker 2: in a fight where I could like maybe maybe happen 517 00:30:11,440 --> 00:30:13,240 Speaker 2: and then that one thing happens where it's like, well, 518 00:30:13,280 --> 00:30:15,560 Speaker 2: now we're just fighting. That's what it would be if 519 00:30:15,600 --> 00:30:16,720 Speaker 2: we dig up the Golden Girls. 520 00:30:16,920 --> 00:30:18,920 Speaker 1: Yeah, it's like you're you're sitting there and y'all are 521 00:30:19,000 --> 00:30:21,320 Speaker 1: yapping at each other and then some nigga spits on 522 00:30:21,480 --> 00:30:23,840 Speaker 1: your feet or something like that, and it's like, I 523 00:30:24,120 --> 00:30:25,760 Speaker 1: gotta I gotta. 524 00:30:25,560 --> 00:30:27,320 Speaker 2: Fucking jaw, you know. Yeah, I thought I could get 525 00:30:27,360 --> 00:30:27,680 Speaker 2: out of it. 526 00:30:27,840 --> 00:30:29,920 Speaker 1: But yeah, I was really hoping this was just us 527 00:30:30,000 --> 00:30:33,520 Speaker 1: pressing our chest together in right and bucking. 528 00:30:34,080 --> 00:30:35,600 Speaker 2: To be fair, I also don't know if all the 529 00:30:35,680 --> 00:30:38,880 Speaker 2: Golden Girls are dead. They are everything one. 530 00:30:39,240 --> 00:30:42,040 Speaker 1: Yep, Betty White was the last of last of us 531 00:30:42,200 --> 00:30:44,840 Speaker 1: and uh really yep, they're all gone. 532 00:30:44,880 --> 00:30:47,600 Speaker 2: Now. You also know what's funny is the mother was 533 00:30:47,680 --> 00:30:49,880 Speaker 2: the youngest one. Yeah I knew. I did know that. 534 00:30:50,040 --> 00:30:52,120 Speaker 2: For some she was the funniest one. To me, that 535 00:30:52,200 --> 00:30:55,719 Speaker 2: shows that was very funny. Man. They used to all 536 00:30:55,840 --> 00:31:00,800 Speaker 2: get off. Are we talking? No, I mean I mean 537 00:31:01,120 --> 00:31:02,280 Speaker 2: just being funny. Yeah. 538 00:31:02,360 --> 00:31:06,560 Speaker 1: They everybody had their their thing and they nailed every. 539 00:31:06,360 --> 00:31:08,600 Speaker 2: Time they all played their role. Man, it was like 540 00:31:08,680 --> 00:31:12,120 Speaker 2: a very good show. Yeah, dude, if you, And I'm 541 00:31:12,160 --> 00:31:18,440 Speaker 2: willing despite that, despite their history and comedy, which I love, 542 00:31:18,560 --> 00:31:21,000 Speaker 2: I'm still willing to dig them up, so willing to 543 00:31:21,160 --> 00:31:22,040 Speaker 2: let them let them. 544 00:31:23,520 --> 00:31:26,200 Speaker 1: Yeah, you're willing to let those bodies be displayed in 545 00:31:26,400 --> 00:31:28,360 Speaker 1: Sierra Leone or the Congo for. 546 00:31:29,000 --> 00:31:31,680 Speaker 2: Either want, probably the Congo, just because if he comes down, 547 00:31:31,720 --> 00:31:33,920 Speaker 2: I'd rather than not. You know, sure, yeah you don't 548 00:31:33,920 --> 00:31:36,080 Speaker 2: want to bring that home. I got family. 549 00:31:36,480 --> 00:31:42,080 Speaker 1: But I think what what Boy's trying to say is 550 00:31:42,160 --> 00:31:42,880 Speaker 1: fuck the Congo. 551 00:31:43,080 --> 00:31:49,880 Speaker 2: You know, list no coffee. I'll speak for you. 552 00:31:50,440 --> 00:31:53,400 Speaker 1: The man said fuck the Congo. He thinks it's a 553 00:31:53,560 --> 00:31:56,720 Speaker 1: shithole of a place and he's happy to see it burn. 554 00:32:00,080 --> 00:32:05,120 Speaker 2: Under the DRC. But this, I think does. 555 00:32:05,120 --> 00:32:08,440 Speaker 1: Truly speak to the possibility of them having much more 556 00:32:08,520 --> 00:32:10,800 Speaker 1: haunting things in the baby. 557 00:32:10,520 --> 00:32:14,240 Speaker 2: I'd imagine, I'd imagine. I mean, it's just war trophies. 558 00:32:14,280 --> 00:32:18,000 Speaker 2: I just yeah, it does. Like all joking aside, it 559 00:32:18,040 --> 00:32:19,840 Speaker 2: does make me sick to think the idea of what 560 00:32:20,840 --> 00:32:23,120 Speaker 2: they could possibly like, like like a story like that 561 00:32:23,360 --> 00:32:28,400 Speaker 2: is like that's that's that's that's modern history. Yeah, that's 562 00:32:28,440 --> 00:32:32,160 Speaker 2: not even that's not really the past. It's sixty years ago. 563 00:32:32,400 --> 00:32:35,160 Speaker 2: It's not this is people who are alive, then who 564 00:32:35,200 --> 00:32:36,720 Speaker 2: are still alive, Like you know what I mean? 565 00:32:36,840 --> 00:32:40,320 Speaker 1: Like, yeah, the last little fact I'll give you is 566 00:32:40,400 --> 00:32:43,720 Speaker 1: that it's estimated that ninety to ninety five percent of 567 00:32:43,840 --> 00:32:49,720 Speaker 1: Africa's cultural heritage is held outside of Africa by major museums, 568 00:32:49,840 --> 00:32:54,480 Speaker 1: with France alone having ninety thousand objects from Sub Saharan 569 00:32:54,560 --> 00:32:57,000 Speaker 1: Africa in its national collections. 570 00:32:57,200 --> 00:33:01,160 Speaker 2: We're taking the loose back, bro Well, take a sack. 571 00:33:01,560 --> 00:33:04,240 Speaker 1: Apparently it's all African shit in there anyway, you know 572 00:33:04,280 --> 00:33:04,640 Speaker 1: what I mean. 573 00:33:04,880 --> 00:33:06,680 Speaker 2: Like, I don't know, man, it was huge. I was 574 00:33:06,760 --> 00:33:08,560 Speaker 2: in there for like six hours, Like I saw a 575 00:33:08,600 --> 00:33:10,200 Speaker 2: lot of stuff. That's crazy. 576 00:33:10,240 --> 00:33:14,400 Speaker 1: But I'm saying ninety thousand objects that you're just displaying 577 00:33:14,480 --> 00:33:16,040 Speaker 1: in fucking museums you can't. 578 00:33:16,080 --> 00:33:17,800 Speaker 2: And then how does the place how does the place 579 00:33:17,880 --> 00:33:21,160 Speaker 2: get How does the place get a total view of 580 00:33:21,200 --> 00:33:23,960 Speaker 2: its history without any of it? So you know what 581 00:33:24,040 --> 00:33:26,600 Speaker 2: I mean. It's yeah, it continues to be the same 582 00:33:27,120 --> 00:33:30,600 Speaker 2: tactics that they use over and over again. Right, as 583 00:33:30,680 --> 00:33:32,520 Speaker 2: much as things change, it stays the same. That's like 584 00:33:32,640 --> 00:33:34,280 Speaker 2: kind of the saddest thing about it, Right, It's like 585 00:33:34,800 --> 00:33:36,960 Speaker 2: it's it's the same, it's the same idea that they're 586 00:33:37,000 --> 00:33:39,240 Speaker 2: doing that continent and everybody's just okay with it. 587 00:33:39,800 --> 00:33:44,320 Speaker 1: And I think that ultimately was this this doctor's point 588 00:33:44,480 --> 00:33:48,400 Speaker 1: in her original speech is that like it's it's bad 589 00:33:48,560 --> 00:33:52,120 Speaker 1: enough that these skulls and these heads are being displayed 590 00:33:52,600 --> 00:33:56,240 Speaker 1: by these other nations, like this barbarism that they're displaying 591 00:33:56,920 --> 00:34:01,960 Speaker 1: is so like fucking disgusting. But addition, it's disgusting that 592 00:34:02,160 --> 00:34:06,160 Speaker 1: we are so complicit in allowing this to be like 593 00:34:06,320 --> 00:34:08,840 Speaker 1: our standard. You know what I mean that there's nothing 594 00:34:08,960 --> 00:34:11,240 Speaker 1: in me that goes to a museum and goes. 595 00:34:11,160 --> 00:34:15,800 Speaker 2: Like why do y'all have this? You know, just be like, 596 00:34:15,880 --> 00:34:17,920 Speaker 2: oh that's cool, Yeah, oh that's you know, Yes, I 597 00:34:17,960 --> 00:34:20,919 Speaker 2: are the craziest of the museum today, Like yeah, that's 598 00:34:21,040 --> 00:34:22,719 Speaker 2: that's that's I mean. That being said, I'm going to 599 00:34:22,800 --> 00:34:24,920 Speaker 2: history museums as much as I like art museums. 600 00:34:26,600 --> 00:34:29,960 Speaker 1: Yeah, the arts, the arts perfectly clean, nobody's stole art, 601 00:34:30,480 --> 00:34:31,120 Speaker 1: like old art. 602 00:34:31,239 --> 00:34:33,600 Speaker 2: I like, like, if you come to Denver, go to 603 00:34:33,640 --> 00:34:36,560 Speaker 2: the cliffordge Still Museum, Like that's what I'm about, you know. Yeah. 604 00:34:37,280 --> 00:34:42,399 Speaker 2: I like children's museums. I just like the touch stuff. Yeah, 605 00:34:42,520 --> 00:34:46,160 Speaker 2: etually problematic. I like to put my hands on that 606 00:34:46,239 --> 00:34:49,040 Speaker 2: little thing and make my hair stand up. If you 607 00:34:49,120 --> 00:34:51,160 Speaker 2: want to get that, you feel like you're flying. 608 00:34:51,560 --> 00:34:54,200 Speaker 1: Yeah, that ain't got nothing, and that ain't got nothing 609 00:34:54,200 --> 00:34:57,560 Speaker 1: to do with Africa's sure they invented that right here 610 00:34:57,600 --> 00:34:58,160 Speaker 1: in Cleveland. 611 00:34:58,200 --> 00:35:03,400 Speaker 2: Baby, all right, I think we I think we did this. 612 00:35:03,640 --> 00:35:05,640 Speaker 1: Could Bory, Could you tell the people where they can 613 00:35:05,680 --> 00:35:07,440 Speaker 1: find you what cool shit you have going on? 614 00:35:07,920 --> 00:35:10,080 Speaker 2: You can find me a cool guy jokes eighty seven 615 00:35:10,160 --> 00:35:14,520 Speaker 2: on Instagram June eighteenth, I will be headlining the DC 616 00:35:14,719 --> 00:35:19,440 Speaker 2: inprov with my main man, Jamel Johnson. Yeah. Instagram Cool 617 00:35:19,440 --> 00:35:22,759 Speaker 2: guy jokes eighty seven. Come see that my shit's around. Shit, 618 00:35:22,760 --> 00:35:24,719 Speaker 2: I got high at the end of the Sorry, no, 619 00:35:24,960 --> 00:35:25,399 Speaker 2: you're good. 620 00:35:26,280 --> 00:35:29,440 Speaker 1: At February, oh, you follow me at Langston Kerman and 621 00:35:30,239 --> 00:35:34,040 Speaker 1: and on Instagram and as always like and subscribe to 622 00:35:34,160 --> 00:35:36,880 Speaker 1: the YouTube and do all that stuff. And if you 623 00:35:36,920 --> 00:35:40,640 Speaker 1: want to come see me live February twenty or excuse me, 624 00:35:40,920 --> 00:35:45,040 Speaker 1: may keep me fair, you know how people February I 625 00:35:45,280 --> 00:35:47,200 Speaker 1: just it's always Black History Month for me. 626 00:35:47,320 --> 00:35:49,520 Speaker 2: Baby. I love it. I love it, I love it. 627 00:35:50,040 --> 00:35:51,160 Speaker 2: Thirty what nah. 628 00:35:52,000 --> 00:35:58,279 Speaker 1: Nah give me twenty eight on the Black Hands, but uh, 629 00:35:59,360 --> 00:36:03,839 Speaker 1: excuse me, may nineteenth and twentieth, I'll be at Hilarities 630 00:36:04,520 --> 00:36:09,000 Speaker 1: in Cleveland, and then July sixth through eighth, I'll be 631 00:36:09,080 --> 00:36:13,279 Speaker 1: at the Punchline in Philadelphia. And yeah, that's all you 632 00:36:13,360 --> 00:36:15,480 Speaker 1: need to know for now, although there's other shit and 633 00:36:15,560 --> 00:36:16,719 Speaker 1: I'm probably fucking it up. 634 00:36:17,160 --> 00:36:19,080 Speaker 2: That's how it always close, man. Hell yeah. 635 00:36:19,880 --> 00:36:21,840 Speaker 1: And and as always, if you want to send us 636 00:36:21,880 --> 00:36:25,920 Speaker 1: your own conspiracy theories, your own drops. If you want 637 00:36:25,960 --> 00:36:29,320 Speaker 1: to tell us which specific heads are in which jars 638 00:36:29,440 --> 00:36:32,840 Speaker 1: in which European nation, please send that to my mama 639 00:36:32,920 --> 00:36:34,319 Speaker 1: pod at gmail dot com. 640 00:36:34,440 --> 00:36:36,840 Speaker 2: We would love to hear from you. That's about it, 641 00:36:37,400 --> 00:36:49,760 Speaker 2: By bitch Chips in your eighties, All Kuala Bears are racist. 642 00:36:52,440 --> 00:36:55,399 Speaker 4: The money. 643 00:36:57,400 --> 00:37:02,560 Speaker 2: Stuff I can't tell me. Das had example