WEBVTT - 4.06 - Secret Garden

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<v Speaker 1>Just imagine real stones falling from the sky. Perhaps we

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<v Speaker 1>will find them lying in the desert. It seems to

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<v Speaker 1>me that only someone who has great depths within, who

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<v Speaker 1>has known both hope and suffering, could have made this place.

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<v Speaker 1>You still have a long way to travel. Tara can

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<v Speaker 1>win most of the battle even before the fighting starts.

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<v Speaker 1>You gave it the second dose. Yes, majesty, it should

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<v Speaker 1>live a quite confused, quite weak. Quite that's the girl

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<v Speaker 1>after all, Oh, yes, mistress, without question. I made it

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<v Speaker 1>once for the old sultan allegory. He used it to

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<v Speaker 1>drive his brother's chief wife insane, and it worked. She

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<v Speaker 1>killed herself. And now m hm, now, my darling, you

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<v Speaker 1>know this hurts my heart, don't you, my beautiful child,

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<v Speaker 1>But I am doing this for you. But now, ah,

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<v Speaker 1>when you didn't come yesterday, I feel and I help

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<v Speaker 1>you with anything ground viz Here, I was looking for her, majesty,

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<v Speaker 1>the Sultana. Oh yes, yes, is she her majesty? This

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<v Speaker 1>will Tarna is indisposed, indisposed, indisposed, I can promise you, Vizier,

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<v Speaker 1>she would want to see me. You are a guest

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<v Speaker 1>in our city, and if I may offer you some advice,

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<v Speaker 1>I think you would do better to concentrate your efforts

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<v Speaker 1>on assisting your master with his great painting. Well, he

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<v Speaker 1>needs the Sultana for that, he needs access to her

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<v Speaker 1>living visage. He has asked me to find out when

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<v Speaker 1>she might be available. Then your master can put in

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<v Speaker 1>a request with the head steward. Thank you for your visit.

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<v Speaker 1>Oh are you used to here? It's an impressive collection.

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<v Speaker 1>The viewing devices, I mean, polished domes of glass, magnifying light,

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<v Speaker 1>an extraordinary concept. Telescopes, yes, that's what they call them. Yes,

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<v Speaker 1>the old Sultana Algory was a great collector of such things.

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<v Speaker 1>He had a particular interest in the skies, watching the stars,

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<v Speaker 1>looking for the signs in the heavens. I'm more down

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<v Speaker 1>to earth for my part. I trust you can find

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<v Speaker 1>your own way out. Yes, thank you, Oh and signor

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<v Speaker 1>don't come back into this part of the palace again.

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<v Speaker 1>It's not for guests. Good day to you, Panel Vanilla Vanelle.

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<v Speaker 1>Are you in there? Yes? It worries me to but

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<v Speaker 1>less Fatima's or does what? Very specific branelanell I speaking

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<v Speaker 1>to it's angel, Oh my, what's happened to you? My darling?

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<v Speaker 1>What do you want? It's me Mannell. It's Angel nurse.

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<v Speaker 1>I'm Angel Mannell. What I'm lost? I just got lost,

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<v Speaker 1>got lost in the Sultanas game. I'm leaving. I'm leaving.

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<v Speaker 1>I just got lost. God, what have they done to her? To? Monday,

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<v Speaker 1>Season four, Episode six, Secret Garden by Mac Rogers. It's

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<v Speaker 1>barely dawn and I'm already at work. If Heaven is right,

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<v Speaker 1>if the Herfeez has made his home in the supposed garden,

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<v Speaker 1>I need to know, Gregor Wait? Does this man never sleep?

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<v Speaker 1>Must to take him everywhere? This isn't a good time

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<v Speaker 1>a killer. Look at you rising before dawn, that purposeful gait.

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<v Speaker 1>Where are we going? What? Just a bit higher? Look

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<v Speaker 1>at it? Knew that vista'd the Tower of the Adulterers.

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<v Speaker 1>This is the sort of thing I wanted to see

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<v Speaker 1>when I came to Tommy, because I think you get

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<v Speaker 1>the drift. It's high, very very high, and when you're

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<v Speaker 1>a sky rat, that's all that matters. Are you ready

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<v Speaker 1>wait to frog the strap? Here? For us? Careless means dead.

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<v Speaker 1>I think we've got some What happened to Spider? Are

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<v Speaker 1>you too ready? We're ready to fly, but it would

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<v Speaker 1>help to know what we're looking for. Yes, I don't

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<v Speaker 1>know much. I know it's a garden, and I know

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<v Speaker 1>it should be roughly here. See. I don't recognize half

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<v Speaker 1>of this well, it's a horridly sketched copy from an

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<v Speaker 1>ancient scroll. It's a wonder you recognize any of it.

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<v Speaker 1>And right now, sad to say, it's my best lead

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<v Speaker 1>if heaven can be trusted. But when you can still see,

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<v Speaker 1>are the five hills are there? Then they're there. Now

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<v Speaker 1>use them to fix your position. Fly out towards the

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<v Speaker 1>golden spire there, and then turn left and follow the

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<v Speaker 1>passage of the aqueduct. You're looking for any kind of

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<v Speaker 1>disruption to the buildings, trees, grass. I don't know. It

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<v Speaker 1>may be hidden behind walls, under arches. The main thing

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<v Speaker 1>is it won't be visible from street level. We've got

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<v Speaker 1>it ready, frog, We'll land down there in the square. Careful, careful,

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<v Speaker 1>if you watch, watch this remarkable, isn't it. I've never

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<v Speaker 1>seen anything like it in my life. They're flying through

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<v Speaker 1>the air like great birds. Used to be dozens of

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<v Speaker 1>sky rats here in the time of the Old Sultan.

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<v Speaker 1>Every morning, as the sun rose and the winds came

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<v Speaker 1>off the desert, you would see them, flocks of them

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<v Speaker 1>over the city no longer, only these two. Careful Commander,

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<v Speaker 1>you're slipping. Get your hands off me. Of course, of

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<v Speaker 1>course I just thought you were gonna Your concern is touching. Look, commander,

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<v Speaker 1>I'll give you my word the other day. If I

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<v Speaker 1>meant you any ill, you would have been over the

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<v Speaker 1>edge by now. Or maybe you thought I might take

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<v Speaker 1>you with me. Do you think they'll find it? This

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<v Speaker 1>garden of yours? I don't know. Maybe it's a myth.

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<v Speaker 1>Maybe it was built over centuries ago. That's our signal. Well,

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<v Speaker 1>the thing just slums houses, nothing like you said, no glass,

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<v Speaker 1>no water, and no concealing trees. Well, at least I

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<v Speaker 1>got to see the famous sky rats in flight. I

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<v Speaker 1>wonder could you could you show me how to do it?

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<v Speaker 1>You're too heavy. I wish I could dispute that, But

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<v Speaker 1>alas I envy you truly. What are you packing up?

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<v Speaker 1>We have to go again, trying to different directions. We

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<v Speaker 1>have to go to work offended. I'm paying you. This

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<v Speaker 1>is your work. The other work isn't about the money.

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<v Speaker 1>Forgive my curiosity, but what is your other work? We

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<v Speaker 1>build gallows, My goodness, we're carpenters, helping prepare for the

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<v Speaker 1>Festival of Fires. Come on duty. By the way, Commander,

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<v Speaker 1>my mother told me to tell you she has a

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<v Speaker 1>message for you. I'm going back to the lodging now

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<v Speaker 1>so I will butcher her son. He wants to see you,

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<v Speaker 1>all right, at the same time tomorrow morning. Then as

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<v Speaker 1>many times as you can pay. Of course, may I

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<v Speaker 1>walk with you? Don't? Why do you want to find

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<v Speaker 1>this garden so much? Anyway, It doesn't matter it's something

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<v Speaker 1>hidden there or you want to hide something there. It's

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<v Speaker 1>a safe place of some kind, isn't it. We have

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<v Speaker 1>to find it. Before I could answer that question, listen, Gregor,

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<v Speaker 1>my girls in that prison. They're going to hang her

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<v Speaker 1>at the stupid Festival of the Fires. If you can

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<v Speaker 1>get her out, I'll fly for you for nothing. I'm sorry, please,

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<v Speaker 1>Gregor what I was frog, I can't open doors like

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<v Speaker 1>I used to, especially not doors guarded by the ballarack.

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<v Speaker 1>None of my old tricks work. They can't be bribed

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<v Speaker 1>and can't be cultivated. I had to ask. I understand,

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<v Speaker 1>me and Dumpy are going to try something else to

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<v Speaker 1>get her out, but then we'll need somewhere to go.

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<v Speaker 1>The hard part is not the theft. It's the getaway.

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<v Speaker 1>It's more than that. We'll need a refuge, a real

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<v Speaker 1>refuge from what's going to happen that day. What do

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<v Speaker 1>you mean by that? Hi lied to you before he

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<v Speaker 1>was still having the dreams, the visions I saw the city,

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<v Speaker 1>only there was no city, just howling and ruins, and

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<v Speaker 1>those unlucky few who are still alive. Their hunger oppressed

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<v Speaker 1>them so much that they were eating rocks, the corpses

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<v Speaker 1>of the dead, even each other's filth, and towering over

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<v Speaker 1>their scavenging bodies. The wheel, what wheel, the wheel of

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<v Speaker 1>life and death, the wheel that heralds end of all things.

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<v Speaker 1>I have to go. Oh, one more thing, Gregor. You

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<v Speaker 1>remember the dream I had years ago, the one where

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<v Speaker 1>I died, and not like to forget, there was something

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<v Speaker 1>I left out. The dream was in a great garden

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<v Speaker 1>where all manner of beasts walked side by side with

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<v Speaker 1>the insane, fascinating fellow that don't do what an extraordinary

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<v Speaker 1>life held? So after the butcher, then a sand g

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<v Speaker 1>go give up my message, And those days that's just

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<v Speaker 1>a friend, friend, experiencing the delights of your fine city.

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<v Speaker 1>A killer, how fun I wanted to see me? What

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<v Speaker 1>do you have there was an old man. I heard

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<v Speaker 1>this from my cousin. He's the baker in Bossuva. Many

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<v Speaker 1>old men in this city, yes, But this one, according

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<v Speaker 1>to my cousin, seemed lost, unfamiliar with how to buy things.

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<v Speaker 1>He offered my cousin a ring. M he said, the

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<v Speaker 1>old man's hands were adorned with dreams, all with precious stones.

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<v Speaker 1>And do you have this ring? That's the thing. Just

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<v Speaker 1>as he was trying to take it off, a small

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<v Speaker 1>fat fellow rustin and grabbed him away. They left without paying.

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<v Speaker 1>My cousin just them down the street, and the fat

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<v Speaker 1>man stopped and apologized and gave him a Goin made

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<v Speaker 1>him double. In fact, said he would appreciate it if

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<v Speaker 1>they could keep it between themselves. That's really is intriguing, killer.

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<v Speaker 1>This is where we must part company. My errand is urgent,

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<v Speaker 1>and you can't follow me everywhere. There's time. It's for

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<v Speaker 1>your benefits, not fattons. What are you talking about, your

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<v Speaker 1>elusive quarry. He suddenly makes suspectacle of himself in a

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<v Speaker 1>public place, in front of witnesses and telling me there's

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<v Speaker 1>no part of you that suspects a trap. Who's trap?

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<v Speaker 1>The ballarag I'm working for them. I was thinking more

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<v Speaker 1>of our friends with the lizard tattoos. No doubt heard

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<v Speaker 1>you ballowing at them in the streets and chasing them

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<v Speaker 1>into stores. It may well have concluded you're more trouble

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<v Speaker 1>than you're worth. You need security, trained security for you.

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<v Speaker 1>If I'm bound to follow you around, might as well

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<v Speaker 1>be interesting. I suggest we stopped by the lodging house,

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<v Speaker 1>get whatever we need from our rooms, and set off together. Yeah, gentlemen,

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<v Speaker 1>leaders of the Council of tuman Bit, heads of the

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<v Speaker 1>trade guilds and provincial don't worry. My dear daughters ready

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<v Speaker 1>for doctor. Dear mistress, have another dose first. I think

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<v Speaker 1>she's h doctor. I feel sure. I just gave you

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<v Speaker 1>an instruction, darling. Can you be a brave girl and

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<v Speaker 1>drink it all up? No, slaves, come with us. We

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<v Speaker 1>have a chair for you just over there. Sultana, how

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<v Speaker 1>are you feeling, Majest? Do you she's very confused this morning. No, No,

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<v Speaker 1>of course, of course. Now sit slowly, dear, I don't

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<v Speaker 1>want you hurting yourself. Counselors, merchants and guildheads of tuman Bay,

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<v Speaker 1>I thank you for your patients, and I ask your

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<v Speaker 1>forgiveness that I was not here when you arrived. The

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<v Speaker 1>only excuse I can offer you is I did not

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<v Speaker 1>wish to leave our suffering Sultana's side. Now, I believe

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<v Speaker 1>tradition and law dictate that the assembled dignitaries have full

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<v Speaker 1>opportunity to assess the Sultana's fitness before the eyes of all.

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<v Speaker 1>Quite correct, Mistress, I was thinking we'd begin with offender Ergan,

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<v Speaker 1>a council leader in the Northwest Quarter. Me. Perhaps you

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<v Speaker 1>would like to examine the Sultana first. Offend, Well, certainly

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<v Speaker 1>I know physician, but I think I know when someone

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<v Speaker 1>is of sound mind, and we're all very lucky you're here, offendy, majesty,

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<v Speaker 1>Sultana Ah, please proceed if can, Perhaps, Majesty, perhaps you

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<v Speaker 1>could tell us something of your symptoms. The poor, poor dear,

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<v Speaker 1>so stricken with this ailment that she cannot even express

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<v Speaker 1>her experience of it. Who's next? Yes, I was thinking

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<v Speaker 1>we should move on to one of the stone merchant.

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<v Speaker 1>I'm not quite done yet, Thank you. What do you

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<v Speaker 1>mean you're not sure? Of course? If d please continue, majesty,

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<v Speaker 1>can you really tell me nothing? Can you not even

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<v Speaker 1>describe how you feel at this moment, hot, cold, oppressed

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<v Speaker 1>by good, oppressed by what Mistress you said, oppressed by

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<v Speaker 1>and then you trailed off. I'm simply asking you to

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<v Speaker 1>complete your sentence. Oppressed by the heat, Mistress, it is

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<v Speaker 1>an oppressively hot day, at least to my to my mind,

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<v Speaker 1>May I speak, Mistress, you will have your opportunity. Offendi

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<v Speaker 1>Boks just like everyone else. But first, Mistress Fatima would

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<v Speaker 1>like to hear offending Ergan's conclusion. It is my assessment that, yes,

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<v Speaker 1>the Sultanas suffers from a sickness of the mind, making

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<v Speaker 1>her temporarily unfit to lead Tuman Bay a keen diagnosis,

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<v Speaker 1>iffend Ergan, you may sit down now. Thank you for

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<v Speaker 1>your help. So let us now turn to the stone merchants.

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<v Speaker 1>You said I could speak mixed must be here from

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<v Speaker 1>many more well tradition and law only. I think we

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<v Speaker 1>can all tell that her Majesty is finding this whole

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<v Speaker 1>ordeal quite distressing. May I suggest we get through these

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<v Speaker 1>proceedings as quickly as we can. I don't want to

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<v Speaker 1>cause her any further discomfort. We hope you will return

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<v Speaker 1>to good health soon, Majesty. Have we have a good diagnosis,

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<v Speaker 1>why should we talk about her very astute, My friend,

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<v Speaker 1>I feel the same, and I'm sure the Sultana would

0:18:23.400 --> 0:18:27.639
<v Speaker 1>as well. And I'm even more certain that was she

0:18:27.800 --> 0:18:32.720
<v Speaker 1>not so afflicted by diseases of the mind, the Sultana

0:18:32.760 --> 0:18:37.080
<v Speaker 1>would add that these are very difficult times we face

0:18:37.400 --> 0:18:40.480
<v Speaker 1>and that we must all work together for the good

0:18:40.600 --> 0:18:49.000
<v Speaker 1>of tuman Bay. That's what the Sultana would say. Yes, now,

0:18:50.359 --> 0:18:53.920
<v Speaker 1>I'll tell you what I say. I do not want this.

0:18:54.760 --> 0:18:59.400
<v Speaker 1>I do not want to be here under these terrible circumstances.

0:18:59.680 --> 0:19:03.480
<v Speaker 1>I only in this room now offering to take on

0:19:03.560 --> 0:19:09.480
<v Speaker 1>the unwanted burden of leadership because of my devotion to duty,

0:19:10.080 --> 0:19:14.840
<v Speaker 1>duty to the Sultana Manel, the daughter of my heart,

0:19:16.520 --> 0:19:26.639
<v Speaker 1>and my duty to tuman Bay. Well, unless anyone has

0:19:26.720 --> 0:19:30.280
<v Speaker 1>anything to add, perhaps we should move on to signing

0:19:30.320 --> 0:19:33.680
<v Speaker 1>the order of Regidency. Why you don't mean to say

0:19:33.680 --> 0:19:36.720
<v Speaker 1>you already have the document prepared, do you, Cadi? I

0:19:36.840 --> 0:19:41.399
<v Speaker 1>have something to add? Yes, Yes, you've been quite vocal tonight,

0:19:41.480 --> 0:19:45.520
<v Speaker 1>haven't you. Offendi Effendi ba Sulk Mistress, chairman of the

0:19:45.560 --> 0:19:50.000
<v Speaker 1>Council of Leather Curates, Leather Curus. Well, clearly he is

0:19:50.080 --> 0:19:56.159
<v Speaker 1>well qualified to assess an illness of the spirit and

0:19:56.280 --> 0:20:01.080
<v Speaker 1>at least as qualified as a provincial wife. My friend,

0:20:01.520 --> 0:20:07.080
<v Speaker 1>I think the general consensus in the room. It's your

0:20:07.160 --> 0:20:10.920
<v Speaker 1>right to make an assessment. Would you like to examine,

0:20:11.560 --> 0:20:15.000
<v Speaker 1>to examine her to know what I think? We are

0:20:15.040 --> 0:20:19.840
<v Speaker 1>acting too quickly. We need more physicians to examine her,

0:20:20.240 --> 0:20:24.720
<v Speaker 1>real qualified physicians from outside to Monday, with no allegiances

0:20:24.760 --> 0:20:30.280
<v Speaker 1>to anyone in this room. Thank you, Offendi Bizzalk. Your

0:20:30.320 --> 0:20:33.520
<v Speaker 1>thoughts will be recorded. I don't want them recorded, I

0:20:33.560 --> 0:20:39.120
<v Speaker 1>want them implemented. We need another diagnosis. I saw her,

0:20:39.160 --> 0:20:42.240
<v Speaker 1>Majesty not three days ago, and she was perfectly well

0:20:42.280 --> 0:20:45.240
<v Speaker 1>at the time. Well, that is the nature of such illnesses.

0:20:45.960 --> 0:20:48.720
<v Speaker 1>They come on quickly. Then perhaps they also received just

0:20:48.880 --> 0:20:52.520
<v Speaker 1>as quickly. But if we signed the order of regency

0:20:52.800 --> 0:20:57.320
<v Speaker 1>and invest the Sultana's power in the mistress, we will

0:20:57.359 --> 0:21:05.399
<v Speaker 1>never know that. Man, God, what are you doing to

0:21:05.400 --> 0:21:07.720
<v Speaker 1>talk to this I'm a member of the council. Get

0:21:07.760 --> 0:21:09.960
<v Speaker 1>your ears off me. I do you believe he is

0:21:10.000 --> 0:21:14.000
<v Speaker 1>part of the plot? Take him, gag him, take the

0:21:14.040 --> 0:21:26.400
<v Speaker 1>traitor out. Does anyone else have anything to add? Remember

0:21:26.680 --> 0:21:29.880
<v Speaker 1>you're all well within your rights to speak, so please

0:21:33.359 --> 0:21:41.000
<v Speaker 1>feel free. Well, in that case, I think all that

0:21:41.080 --> 0:21:43.439
<v Speaker 1>remains is that we proceed to the signing of the

0:21:43.560 --> 0:22:05.240
<v Speaker 1>Order of Region Report period of prosperity only. I thought

0:22:05.320 --> 0:22:12.840
<v Speaker 1>that went well, wonderfully handled Mistress Fatima. Sir, the Sultana.

0:22:13.680 --> 0:22:15.920
<v Speaker 1>You need to get her out of the city. Certain

0:22:16.000 --> 0:22:20.600
<v Speaker 1>seditious elements could use her as a figurehead. I did

0:22:20.800 --> 0:22:23.560
<v Speaker 1>very much that the grand Master would allow the Sultana

0:22:23.680 --> 0:22:26.800
<v Speaker 1>of all people to leave. The Grandmaster has nothing to

0:22:26.880 --> 0:22:29.680
<v Speaker 1>do with this, yes, but his measure at every gate.

0:22:30.320 --> 0:22:33.399
<v Speaker 1>This city is a closed city until the Ballarak leaves.

0:22:33.720 --> 0:22:38.640
<v Speaker 1>You know everything about this place. Cadi take her out

0:22:38.960 --> 0:22:45.480
<v Speaker 1>through the secret passages and take the doctor to No mistress,

0:22:45.960 --> 0:22:54.800
<v Speaker 1>I cannot I have my work here. So's so many people. Enough? Yes, now, now,

0:22:54.920 --> 0:23:01.480
<v Speaker 1>my dear dear go I would love nothing more than

0:23:01.560 --> 0:23:08.880
<v Speaker 1>to accompany you on this journey. Mhmm. Let me hold

0:23:08.920 --> 0:23:15.080
<v Speaker 1>you one last time. I will miss you so much.

0:23:18.280 --> 0:23:23.520
<v Speaker 1>M I don't understand where are we going? Relax, my friend, Relax,

0:23:24.400 --> 0:23:34.959
<v Speaker 1>It's just this way, majesty. H h right, I think

0:23:35.000 --> 0:23:49.480
<v Speaker 1>I have a bath, Run my bath. M hm. Your

0:23:49.560 --> 0:23:55.119
<v Speaker 1>coffee and cakes offendia killer my goodness preferred so quickly,

0:23:55.640 --> 0:23:58.240
<v Speaker 1>Commander Rose adamant quick meal and then you're off to

0:23:59.240 --> 0:24:02.320
<v Speaker 1>some way and say he's joining me, isn't He's not

0:24:02.400 --> 0:24:07.080
<v Speaker 1>leaving me to eat alone. I am not. I trust

0:24:07.119 --> 0:24:09.080
<v Speaker 1>you got everything you needed from your room. I think

0:24:09.160 --> 0:24:13.159
<v Speaker 1>I'm sufficiently equipped. I'll leave you, gentlemen, let me know

0:24:13.200 --> 0:24:18.920
<v Speaker 1>if you need anything else. I will mhmm. Come out

0:24:18.960 --> 0:24:23.320
<v Speaker 1>at your coffee, please drink. Thank you think of it

0:24:24.520 --> 0:24:28.440
<v Speaker 1>finding the lost Hafees and put you in tremendous favor

0:24:28.520 --> 0:24:34.960
<v Speaker 1>with the Grandmaster. We'll see. Is he really so grand though?

0:24:37.640 --> 0:24:40.399
<v Speaker 1>Someone wants to tell me he just looks like some

0:24:40.520 --> 0:24:45.840
<v Speaker 1>old soldier who mislaid his eyes. It's like this Hafez

0:24:45.880 --> 0:24:49.639
<v Speaker 1>you're after, supposedly great spiritual leader, the direct descendant of

0:24:49.680 --> 0:24:54.760
<v Speaker 1>the teacher. Yet these days people say he's nothing but

0:24:54.880 --> 0:25:01.880
<v Speaker 1>an old drunk. You know, a cousin of mine used

0:25:01.920 --> 0:25:06.120
<v Speaker 1>to drink, and he was a barber of all things.

0:25:06.280 --> 0:25:09.159
<v Speaker 1>Can you credit it? A man approaches you with a

0:25:09.280 --> 0:25:12.159
<v Speaker 1>razor first thing in the morning, smelling of drink, and

0:25:12.320 --> 0:25:15.040
<v Speaker 1>yet he held that razor as steady as a rock.

0:25:15.560 --> 0:25:23.439
<v Speaker 1>So I suppose one can become inured to anything. You're right, command,

0:25:23.440 --> 0:25:26.920
<v Speaker 1>Are you seem a bit I'm fine talking of barber's

0:25:27.080 --> 0:25:30.200
<v Speaker 1>do you know the riddle of the barber? And I'm

0:25:30.280 --> 0:25:33.480
<v Speaker 1>not a move for I feel I feel very It

0:25:33.560 --> 0:25:37.760
<v Speaker 1>goes like this, A town has only one barber. The

0:25:37.880 --> 0:25:41.399
<v Speaker 1>barber shaves all those and only those who do not

0:25:41.680 --> 0:25:49.080
<v Speaker 1>shave themselves. So who shaves the barber? Are you sure

0:25:49.160 --> 0:25:55.800
<v Speaker 1>you're a right commander? H Oh, it's too bad, you know,

0:25:56.000 --> 0:26:02.480
<v Speaker 1>I would have enjoyed it. It enjoyed helping you find

0:26:02.640 --> 0:26:06.320
<v Speaker 1>her fees, guarding your back as you plunged into the mystery.

0:26:06.560 --> 0:26:14.520
<v Speaker 1>Well last, now I've grown to like you. It's a shame,

0:26:17.400 --> 0:26:20.320
<v Speaker 1>but in my profession, you have to be consistent if

0:26:20.359 --> 0:26:22.440
<v Speaker 1>you want the next job and then the one after that.

0:26:24.080 --> 0:26:27.520
<v Speaker 1>You're not the first friend I've lost this way. M h,

0:26:28.560 --> 0:26:32.879
<v Speaker 1>what do you mean? If it's any consolation, it won't

0:26:32.880 --> 0:26:40.320
<v Speaker 1>be unpleasant. I'm very experienced. You just feel like falling asleep,

0:26:42.560 --> 0:26:45.680
<v Speaker 1>like a lovely afternoon snoon's in a garden, perhaps with

0:26:45.800 --> 0:26:49.440
<v Speaker 1>the wind in the trees, the leaves, the smell of flowers,

0:26:49.480 --> 0:26:56.800
<v Speaker 1>perhaps a bee buzzing by you, And then the world

0:26:56.920 --> 0:27:05.880
<v Speaker 1>will begin to fade and m and then and then

0:27:09.160 --> 0:27:13.119
<v Speaker 1>and then a killer. What's the next bit? The world phades?

0:27:13.200 --> 0:27:16.879
<v Speaker 1>My childhood appears before my eyes. A lute plays, and

0:27:16.960 --> 0:27:20.439
<v Speaker 1>then what talked me through it? It was poison painted

0:27:20.480 --> 0:27:25.760
<v Speaker 1>into my room somewhere, Yeah, the desk, perhaps the door

0:27:27.000 --> 0:27:28.760
<v Speaker 1>on the inside. It's the one thing you would have

0:27:28.840 --> 0:27:32.840
<v Speaker 1>had to touch. But you must have. How else could

0:27:32.840 --> 0:27:36.640
<v Speaker 1>you have left the room? I didn't what I didn't

0:27:36.720 --> 0:27:42.600
<v Speaker 1>leave it because I never entered it. I saw you

0:27:43.119 --> 0:27:47.160
<v Speaker 1>when we arrived. The Landlady gave you. You assumed a killer.

0:27:47.320 --> 0:27:51.000
<v Speaker 1>It's like the trick with the coins. Because I opened

0:27:51.080 --> 0:27:53.480
<v Speaker 1>the door. Your mind told you that I entered, but

0:27:53.720 --> 0:27:58.879
<v Speaker 1>I did not, And that's why I am alive and you,

0:27:59.119 --> 0:28:09.800
<v Speaker 1>my friend, no otherwise, How is it possible? But I

0:28:10.320 --> 0:28:14.159
<v Speaker 1>have killed you, a nonentity like me. Once again, the

0:28:14.240 --> 0:28:16.800
<v Speaker 1>same principle as the coins in the door. You saw

0:28:16.920 --> 0:28:20.440
<v Speaker 1>me bring the cup to my lips, so your brain

0:28:20.560 --> 0:28:25.880
<v Speaker 1>filled in the rest. I drank no coffee, but you did.

0:28:28.480 --> 0:28:31.600
<v Speaker 1>The landlady did it. Never give you pause for a

0:28:31.760 --> 0:28:41.440
<v Speaker 1>moment that she still calls me, commander stupid of me. Yes,

0:28:42.000 --> 0:28:45.640
<v Speaker 1>for someone like you, you must have trained for years

0:28:45.760 --> 0:28:51.800
<v Speaker 1>to do what you do, and yet you haven't answered

0:28:52.160 --> 0:28:59.760
<v Speaker 1>my riddle. Gregor, who shaves the barber? Does he shave? Himself.

0:29:00.000 --> 0:29:07.440
<v Speaker 1>Oh I remember, he can only shave those who do

0:29:07.560 --> 0:29:18.360
<v Speaker 1>not shave themselves. Then there's no answer exactly exactly. The

0:29:18.520 --> 0:29:27.280
<v Speaker 1>question is meaningless. The barber can't exist. It's all just noise.

0:29:29.280 --> 0:29:42.320
<v Speaker 1>It means nothing. Mm hmm. That's the difference between you

0:29:42.560 --> 0:29:47.080
<v Speaker 1>and me, a killer. I don't believe that. I haven't

0:29:47.160 --> 0:29:51.800
<v Speaker 1>fallen quite that far yet. But what is clear from

0:29:51.880 --> 0:29:54.920
<v Speaker 1>your attempt on my life is that Fatima has no

0:29:55.040 --> 0:29:59.800
<v Speaker 1>further use for me, which raises the question who else

0:30:00.080 --> 0:30:02.760
<v Speaker 1>does she want out of the way? Sorry, I just

0:30:02.840 --> 0:30:06.480
<v Speaker 1>came up to see if you want any more? Oh dear,

0:30:07.520 --> 0:30:11.120
<v Speaker 1>should like called for a physician or a mortician, the

0:30:11.280 --> 0:30:16.560
<v Speaker 1>lass I should cover it. I'm off to Vasuva. I

0:30:16.640 --> 0:30:27.600
<v Speaker 1>can leave this with you always, Commander, thank you. Where

0:30:27.680 --> 0:30:30.400
<v Speaker 1>have you been to? Angel? I need more humber, more

0:30:30.840 --> 0:30:36.240
<v Speaker 1>ishmahan blue, and more gold, always more gold. There's something

0:30:36.320 --> 0:30:39.520
<v Speaker 1>going on in the palace that's not our concern. Angel.

0:30:39.960 --> 0:30:42.560
<v Speaker 1>The quicker, you can get me my pains. The quicker,

0:30:42.680 --> 0:30:45.240
<v Speaker 1>we get this done, get our feet and get out

0:30:45.280 --> 0:30:52.520
<v Speaker 1>of here. M hmm. Wait, I don't understand this. On

0:30:52.640 --> 0:30:55.600
<v Speaker 1>the canvas, Oh yeah, I've been told to paint out

0:30:55.640 --> 0:30:59.320
<v Speaker 1>the Sultan move her to the corner down there, Mrs

0:30:59.360 --> 0:31:02.920
<v Speaker 1>Fatima is to have the battlements to herself. I told

0:31:02.960 --> 0:31:06.600
<v Speaker 1>you something was going on. This is a cool How

0:31:06.680 --> 0:31:10.880
<v Speaker 1>does the work proceed? The mistress requires pardon me, I

0:31:11.080 --> 0:31:16.280
<v Speaker 1>have misspoken. The reasons requires an update on the great work,

0:31:16.400 --> 0:31:22.280
<v Speaker 1>Regent Piero, What am I to tell? Well? Once I've

0:31:22.400 --> 0:31:26.360
<v Speaker 1>moved the Sultana from here to here, were almost done.

0:31:28.920 --> 0:31:31.760
<v Speaker 1>Of course, the finishing touches to be added at the

0:31:31.800 --> 0:31:34.360
<v Speaker 1>festival the fires. But but we're still as angeles. So

0:31:34.760 --> 0:31:37.160
<v Speaker 1>perhaps you can help us book our passage back for

0:31:37.280 --> 0:31:42.000
<v Speaker 1>the morning after the morning after you don't wish to

0:31:42.480 --> 0:31:46.320
<v Speaker 1>stay and enjoy the many pleasures human may has to offer,

0:31:47.600 --> 0:31:52.160
<v Speaker 1>especially after working so hard. I'm sure Regent Fatima would

0:31:52.280 --> 0:31:55.200
<v Speaker 1>want to reward you. We will be happy to take

0:31:55.240 --> 0:31:57.960
<v Speaker 1>our reward in the form of the agreed upon payment

0:31:58.120 --> 0:32:03.920
<v Speaker 1>from our contract and demediate assage back home. Well, it's

0:32:04.000 --> 0:32:12.120
<v Speaker 1>up to you, ah, I must say. It's a magnificent portrait,

0:32:13.120 --> 0:32:18.240
<v Speaker 1>doesn't reason Fatima look wonderful? It is interesting how this

0:32:18.440 --> 0:32:22.680
<v Speaker 1>painting has changed, isn't it. It started as a great

0:32:22.840 --> 0:32:27.160
<v Speaker 1>panorama celebrating many, and now it mostly seems to be

0:32:27.240 --> 0:32:30.840
<v Speaker 1>a portrait of one, and in the process has exceeded

0:32:31.000 --> 0:32:37.840
<v Speaker 1>all expectations. Piero, you are indeed the greatest artist in

0:32:38.080 --> 0:32:49.240
<v Speaker 1>the world. When you're commander of the Palace guard and

0:32:49.280 --> 0:32:51.520
<v Speaker 1>the whole city is filled with your eyes and ears.

0:32:51.880 --> 0:32:54.760
<v Speaker 1>You're not used to waiting. You deploy others to do

0:32:54.920 --> 0:32:58.000
<v Speaker 1>that for you. When you lose all that, you have

0:32:58.080 --> 0:33:01.360
<v Speaker 1>to do your own waiting in an alley across from

0:33:01.400 --> 0:33:04.800
<v Speaker 1>the bakery of Hassan's cousin. A man like Bellow is

0:33:04.800 --> 0:33:07.960
<v Speaker 1>not fool enough to use the main thoroughfares. He'll take

0:33:08.000 --> 0:33:12.160
<v Speaker 1>the back alleys, the side streets. I see you there,

0:33:12.240 --> 0:33:14.160
<v Speaker 1>my friend. Will I have to chase you for my

0:33:14.240 --> 0:33:20.320
<v Speaker 1>money today? Oh no, my dear man, of course not no, No,

0:33:21.200 --> 0:33:28.640
<v Speaker 1>an unfortunate mistake. I'll take two loads, and perhaps two

0:33:28.760 --> 0:33:34.360
<v Speaker 1>of those. I hope your father's feeling back, my friend.

0:33:34.400 --> 0:33:36.960
<v Speaker 1>There is no feeling better when you're that older and

0:33:37.120 --> 0:33:42.120
<v Speaker 1>a friend. No, his mind is going. I can't apologize

0:33:42.280 --> 0:33:45.960
<v Speaker 1>enough for the other day. He used to be a

0:33:46.120 --> 0:33:57.880
<v Speaker 1>brilliant man, a shrewde merchant of carpets. But now life life, Yes, yes, anyway,

0:33:58.080 --> 0:34:03.080
<v Speaker 1>thank you so much. Ill I see you tomorrow. Come

0:34:04.360 --> 0:34:06.400
<v Speaker 1>what do you do? I mean, what did you I've

0:34:06.440 --> 0:34:09.479
<v Speaker 1>just come from killing someone, bellow, someone who was trying

0:34:09.520 --> 0:34:13.320
<v Speaker 1>to kill me. My patience for lies is pretty well snapped.

0:34:14.280 --> 0:34:16.440
<v Speaker 1>So do you know what you're going to do? I

0:34:16.560 --> 0:34:20.480
<v Speaker 1>have to my my father. Look into my eyes and

0:34:20.600 --> 0:34:22.560
<v Speaker 1>tell me what you think will happen if you don't

0:34:22.600 --> 0:34:32.279
<v Speaker 1>take me to their fees right now, just down here

0:34:32.560 --> 0:34:34.920
<v Speaker 1>through this alley. If you're leading me a stray bellow,

0:34:35.320 --> 0:34:39.320
<v Speaker 1>whoa You're going to love this, gregor You'll never believe

0:34:39.440 --> 0:34:42.160
<v Speaker 1>where we're going? Is there a garden by any shad?

0:34:43.160 --> 0:34:49.480
<v Speaker 1>How did you know? Just keep going? But not just

0:34:49.760 --> 0:34:54.840
<v Speaker 1>any garden. It's also old, so ancient they say it

0:34:55.000 --> 0:34:58.480
<v Speaker 1>was here even before the city. It sits right beneath

0:34:58.560 --> 0:35:02.279
<v Speaker 1>a mighty sister. How did you find him? The Offistle

0:35:02.320 --> 0:35:04.160
<v Speaker 1>ready knew about it when he and I came to

0:35:04.239 --> 0:35:09.239
<v Speaker 1>too Manday. He showed me in the scrolls. He's forgotten now,

0:35:09.440 --> 0:35:14.960
<v Speaker 1>of course, but I remembered. I'm very good at remembering things, Commander,

0:35:15.120 --> 0:35:18.320
<v Speaker 1>but not very good at being honest, at least of me.

0:35:19.239 --> 0:35:22.680
<v Speaker 1>He made me promise not to tell you, He said,

0:35:22.880 --> 0:35:25.759
<v Speaker 1>they'll try to make him part of it. The Ballarak

0:35:26.000 --> 0:35:28.000
<v Speaker 1>and he can't be part of it, part of what

0:35:28.840 --> 0:35:32.919
<v Speaker 1>the festival of the fires. He keeps saying, if he's

0:35:33.000 --> 0:35:36.600
<v Speaker 1>part of it, terrible things will follow if he can't

0:35:36.719 --> 0:35:41.560
<v Speaker 1>be found. M hmm, maybe it won't be so bad.

0:35:46.840 --> 0:35:49.000
<v Speaker 1>I don't know if I truly believed in it until

0:35:49.080 --> 0:35:52.320
<v Speaker 1>this moment. An oasis and the old heart of the city,

0:35:54.000 --> 0:35:56.840
<v Speaker 1>and there near the center is my objective of so

0:35:57.000 --> 0:36:01.280
<v Speaker 1>many days now. The hafees himself drinking from a spring.

0:36:02.600 --> 0:36:06.480
<v Speaker 1>I bring him bread, a little meat, but mostly it's

0:36:06.520 --> 0:36:09.719
<v Speaker 1>like he lives off the water from that spring. He

0:36:09.920 --> 0:36:16.520
<v Speaker 1>desires nothing else, and the Arak he never asks for it. Look,

0:36:17.440 --> 0:36:21.080
<v Speaker 1>some days he's rational, other days he's confused. And you

0:36:21.239 --> 0:36:30.360
<v Speaker 1>never know until I understand, Holiness. You have a guest

0:36:32.239 --> 0:36:35.359
<v Speaker 1>sit at his feet. He like it. He'll think you're

0:36:35.400 --> 0:36:47.280
<v Speaker 1>a pilgrim. H h Holiness, have you come for a blessing?

0:36:47.719 --> 0:36:52.120
<v Speaker 1>This man is fragile as blown glass. I I've come

0:36:52.160 --> 0:36:56.560
<v Speaker 1>to learn. What have you come to learn? I need

0:36:56.640 --> 0:37:00.960
<v Speaker 1>your wisdom to explain a marvel of he's I've seen

0:37:01.000 --> 0:37:06.840
<v Speaker 1>a dead woman Alkin walking the streets of the city. Alkin.

0:37:07.239 --> 0:37:12.600
<v Speaker 1>I know it wasn't a dream. Did she speak to you?

0:37:12.840 --> 0:37:15.239
<v Speaker 1>She did, but I'm having trouble remembering what she said.

0:37:15.840 --> 0:37:18.400
<v Speaker 1>It had something to do with things being out of balance,

0:37:19.000 --> 0:37:26.840
<v Speaker 1>balance needing to be restored. I've seen her too, you Huffice.

0:37:28.560 --> 0:37:31.279
<v Speaker 1>There are people in the city who are not of

0:37:31.719 --> 0:37:37.719
<v Speaker 1>the city. They come, they look, they leave the watch us.

0:37:38.719 --> 0:37:41.520
<v Speaker 1>But how the Ballara controlled the city gates. No one

0:37:41.600 --> 0:37:45.520
<v Speaker 1>can enter or leave without their permission. They don't use

0:37:45.680 --> 0:37:49.520
<v Speaker 1>the gates. These people are like the tail of the

0:37:49.640 --> 0:37:51.880
<v Speaker 1>lizard that you only clips as it vanishes through a

0:37:51.920 --> 0:37:56.920
<v Speaker 1>crack of the war. But sometimes they don't just what

0:37:58.520 --> 0:38:04.440
<v Speaker 1>what does that mean? So times they interfere, how they

0:38:04.600 --> 0:38:11.239
<v Speaker 1>change things, and then the balance is lost. This dead

0:38:11.280 --> 0:38:14.600
<v Speaker 1>woman i've seen Alkin, is she one of them? One

0:38:14.640 --> 0:38:18.359
<v Speaker 1>of these gods? There is only one god above even them,

0:38:19.040 --> 0:38:22.080
<v Speaker 1>and the governant was made between this god and man.

0:38:23.040 --> 0:38:25.320
<v Speaker 1>I don't know if I'm receiving ancient wisdom or listening

0:38:25.360 --> 0:38:27.480
<v Speaker 1>to a deranged old man making it up as he

0:38:27.560 --> 0:38:32.920
<v Speaker 1>goes along a covenant. There was a camera and it

0:38:33.120 --> 0:38:37.200
<v Speaker 1>was shown to these seven blind sages, men of great wisdom,

0:38:37.600 --> 0:38:40.880
<v Speaker 1>and each of them felt the part of the camera.

0:38:40.960 --> 0:38:44.200
<v Speaker 1>I've lost him, And one said, this is a rope

0:38:44.520 --> 0:38:46.719
<v Speaker 1>I had him for a moment I had something. This

0:38:47.040 --> 0:38:49.120
<v Speaker 1>is a molehill, and now he slipped away. The are

0:38:49.160 --> 0:38:51.319
<v Speaker 1>the one said, this is my brother in law's face.

0:38:51.480 --> 0:38:57.000
<v Speaker 1>Forgive me Hafy's does any of this? My friend? The

0:38:57.160 --> 0:39:01.200
<v Speaker 1>mind brings to every object what the mind has means

0:39:01.400 --> 0:39:12.800
<v Speaker 1>of seeing in reality? It's a maintree, old camel. Hay

0:39:15.920 --> 0:39:18.680
<v Speaker 1>I will go to sleep now, No, have his please,

0:39:19.200 --> 0:39:21.440
<v Speaker 1>there's more I need. It's all you will get from

0:39:21.520 --> 0:39:25.640
<v Speaker 1>him today. It's not enough. Fellow, is there a calamity coming?

0:39:25.760 --> 0:39:29.160
<v Speaker 1>This is my city? Are you going to betray him?

0:39:30.160 --> 0:39:33.320
<v Speaker 1>What to the Ballarak? I know they need him for

0:39:33.360 --> 0:39:38.640
<v Speaker 1>their ritual? Why these Hafis is the direct descendant of

0:39:38.719 --> 0:39:41.680
<v Speaker 1>the very first Hayes who made that covenant he spoke

0:39:41.760 --> 0:39:45.480
<v Speaker 1>of with the One God. He was there at the beginning,

0:39:45.520 --> 0:39:49.240
<v Speaker 1>so he must be there at the end. The wheel turns,

0:39:49.360 --> 0:39:53.600
<v Speaker 1>the snake consumes its tail. That's what the Ballarak want.

0:39:53.880 --> 0:39:57.000
<v Speaker 1>So I ask you again, are you going to give

0:39:57.120 --> 0:40:14.880
<v Speaker 1>him to them? Yeah? All right, stop here? What's happening?

0:40:15.880 --> 0:40:18.920
<v Speaker 1>Trying to relax? My stick? Beg if you man go

0:40:19.160 --> 0:40:25.600
<v Speaker 1>down random? We are here, Yes, got them? Where are we?

0:40:26.200 --> 0:40:28.440
<v Speaker 1>Why have we stopped? We have to wait here for

0:40:28.480 --> 0:40:37.799
<v Speaker 1>a little bit. What you're here? I need to give

0:40:37.840 --> 0:40:41.920
<v Speaker 1>you another door, Sultana, No, please, Mrs Fatima's orders. Please No,

0:40:42.560 --> 0:40:51.279
<v Speaker 1>I can't stand it. Sta Sty just pretend what so

0:40:51.520 --> 0:40:55.880
<v Speaker 1>to sing? Stink. I'm not going to do it. But

0:40:56.040 --> 0:41:03.200
<v Speaker 1>they need to see h h well, what's happening? I

0:41:03.320 --> 0:41:05.480
<v Speaker 1>had to yell at them to open the gates? They

0:41:05.520 --> 0:41:07.719
<v Speaker 1>said the gates. Soldiers were preparing a wall at the back.

0:41:07.880 --> 0:41:11.080
<v Speaker 1>They weren't expecting visitors. Are they ready for her? Yes?

0:41:11.239 --> 0:41:16.160
<v Speaker 1>They are ready? Doctor. Yes, captain are you ready? Have

0:41:16.239 --> 0:41:19.400
<v Speaker 1>you done what you needed to? Yes? Captain, she's had

0:41:19.440 --> 0:41:36.400
<v Speaker 1>her loose. You can't take her very well. What I

0:41:36.640 --> 0:41:45.000
<v Speaker 1>was here before? Is that? So? I came to see someone? Ah,

0:41:45.600 --> 0:41:50.359
<v Speaker 1>my memory, I I'm not clear who. Yes, it may

0:41:50.400 --> 0:41:52.800
<v Speaker 1>be a little time before the medicine leaves your system

0:41:52.840 --> 0:42:00.080
<v Speaker 1>and your memory returns properly. And forget memory. That me.

0:42:00.200 --> 0:42:04.560
<v Speaker 1>What's happening now? They are handing you over to the cares.

0:42:08.040 --> 0:42:12.600
<v Speaker 1>Listen closely. We only have a moment. Fatima wanted me

0:42:12.680 --> 0:42:15.520
<v Speaker 1>to use something stronger, something that could leave you list

0:42:15.600 --> 0:42:21.080
<v Speaker 1>it forever, but I couldn't. She thinks you'll be incapacitated

0:42:21.160 --> 0:42:25.839
<v Speaker 1>forever and therefore not he that will protect you until

0:42:25.880 --> 0:42:27.879
<v Speaker 1>those of us who serve you can find a way.

0:42:31.760 --> 0:42:37.200
<v Speaker 1>Would you like to come with us? Hi? I recognize you.

0:42:38.560 --> 0:42:42.040
<v Speaker 1>I am here to make your stay as comfortable as possible.

0:42:43.120 --> 0:42:45.640
<v Speaker 1>Do you want to go with the order list? Come?

0:42:46.960 --> 0:42:54.920
<v Speaker 1>Because my dad's right, your new home awaits farewell, majesty

0:42:55.440 --> 0:43:09.040
<v Speaker 1>doctor captain. Time to go, m M. I want to

0:43:09.080 --> 0:43:13.200
<v Speaker 1>hand getting onto your horse, doctor? Yes, very kind? You are,

0:43:13.680 --> 0:43:19.320
<v Speaker 1>you captain, but you didn't really think Mrs Fatim was

0:43:19.400 --> 0:43:24.920
<v Speaker 1>going to let you come back to you throw his

0:43:25.000 --> 0:43:37.880
<v Speaker 1>body in the ditch. Let's go. H. So, how was

0:43:37.920 --> 0:43:42.640
<v Speaker 1>your journey man here? I can't recall, no, of course not.

0:43:43.320 --> 0:43:48.560
<v Speaker 1>But you do recognize me, don't you? Yes? But I

0:43:48.640 --> 0:43:51.239
<v Speaker 1>don't know from your last visit when you came to

0:43:51.320 --> 0:43:56.960
<v Speaker 1>see your uncle. Was it Commander Gregor? I'm sorry, I

0:43:57.040 --> 0:44:00.799
<v Speaker 1>don't Salve that's my name? Will put you indus? Room here?

0:44:02.239 --> 0:44:10.680
<v Speaker 1>Discust Sarved? That's right, I'm the governor here, the new one.

0:44:11.840 --> 0:44:16.239
<v Speaker 1>We're doing on the bed? Good? You can go down?

0:44:20.239 --> 0:44:24.840
<v Speaker 1>Did I tell you you remind me of someone? What

0:44:27.040 --> 0:44:47.399
<v Speaker 1>my sister? Actually? I'll leave you to rest. M Season four,

0:44:47.600 --> 0:44:52.560
<v Speaker 1>episode six of Tuman Bay Secret Garden featuring Rufus Wright,

0:44:52.840 --> 0:44:57.359
<v Speaker 1>Asha Heart, Rob Jarvis and Kirsty Bushell, was written by

0:44:57.440 --> 0:45:01.400
<v Speaker 1>Mac Rogers, with music by Sasha Putnam and editing and

0:45:01.480 --> 0:45:10.400
<v Speaker 1>sound designed by Eloise Whitmore. M t Muan Bay is

0:45:10.480 --> 0:45:13.640
<v Speaker 1>directed by Me, John Scott Dryden, created by Me and

0:45:13.760 --> 0:45:17.200
<v Speaker 1>Mike Walker, and produced by Emma Herne and Nadir Khan.

0:45:17.760 --> 0:45:21.000
<v Speaker 1>For more details, including scripts and a full cast list,

0:45:21.400 --> 0:45:23.080
<v Speaker 1>visit to Munbay dot com