1 00:00:00,560 --> 00:00:04,400 Speaker 1: Okay, huh, I should just hit that button. We roll? 2 00:00:04,760 --> 00:00:12,240 Speaker 1: Are we rolling right now? Okay? Awesome talk on your podcast, 3 00:00:12,320 --> 00:00:25,160 Speaker 1: don't you talk about? All right? Good morning, good afternoon, 4 00:00:25,160 --> 00:00:27,720 Speaker 1: good evening. Depending upon where you are listening to us 5 00:00:27,800 --> 00:00:30,920 Speaker 1: right now, we have now welcomed you to the fifteen 6 00:00:30,960 --> 00:00:34,960 Speaker 1: Minute Morning Show podcast. It is you are in our 7 00:00:35,320 --> 00:00:43,159 Speaker 1: go or we're in your ears, your head, we're in 8 00:00:43,200 --> 00:00:47,479 Speaker 1: your head, We're in your head, were in your head? Alright? 9 00:00:47,520 --> 00:00:52,000 Speaker 1: So I'm Greg T. That's Garrett alright. So as usual 10 00:00:52,120 --> 00:00:55,280 Speaker 1: when you hear my voice, it's kind of like a sign. Yes, 11 00:00:55,280 --> 00:00:57,080 Speaker 1: it's a sign you know something else is going on. 12 00:00:58,120 --> 00:01:02,600 Speaker 1: What's wrong? What happens? So obviously there's a celebrity in 13 00:01:02,760 --> 00:01:06,680 Speaker 1: town and they are here to do an interview, and 14 00:01:06,760 --> 00:01:09,160 Speaker 1: only the big names on the show, the Elvis Duran Show, 15 00:01:09,200 --> 00:01:13,039 Speaker 1: Elvis and Scary and Brody and Danielle and Gandhi they 16 00:01:13,040 --> 00:01:16,200 Speaker 1: are all a part of the interview and Jake and 17 00:01:16,600 --> 00:01:20,280 Speaker 1: Jake is filming it, Andrew's helping to produce it. Andrew's 18 00:01:20,280 --> 00:01:22,800 Speaker 1: got to help produce it. Correct. Yeah, So there's a 19 00:01:22,800 --> 00:01:25,240 Speaker 1: lot of people doing a lot of things, which leaves 20 00:01:25,400 --> 00:01:28,360 Speaker 1: you and I out. One of these kids do, and 21 00:01:28,440 --> 00:01:31,279 Speaker 1: its whole thing. Now it's time to play our game, 22 00:01:31,720 --> 00:01:34,399 Speaker 1: trying to play the game. But it's funny though, So 23 00:01:34,520 --> 00:01:38,200 Speaker 1: we started to record. They go, Garrett, alright, get everybody together. 24 00:01:39,080 --> 00:01:40,880 Speaker 1: Scary Scary goes Okay, hold on, you know what. This 25 00:01:40,920 --> 00:01:42,480 Speaker 1: is good? This is good. Wait, this is good. Alright. 26 00:01:42,600 --> 00:01:44,240 Speaker 1: Let let me let me tell what's gonna happen here. 27 00:01:44,240 --> 00:01:46,919 Speaker 1: All right, so ladies and gentlemen, boys and girls, children, 28 00:01:46,920 --> 00:01:49,120 Speaker 1: able ages. I'm in a little bit of a guinea mood, 29 00:01:49,240 --> 00:01:52,640 Speaker 1: but we're gonna play today. So we are here Garrett 30 00:01:52,640 --> 00:01:54,960 Speaker 1: and id to host the fifteen minute Morniture Podcast, just 31 00:01:55,000 --> 00:01:57,760 Speaker 1: the two of us, and uh, Garrett is gonna take 32 00:01:57,800 --> 00:02:00,720 Speaker 1: you through the stages of how it all went down, 33 00:02:00,720 --> 00:02:02,280 Speaker 1: how we got to where we are right now, how 34 00:02:02,440 --> 00:02:06,000 Speaker 1: me and him got thrown into the studio here by ourselves. So, Garrett, 35 00:02:06,200 --> 00:02:08,880 Speaker 1: because I just got called into this whole thing, you 36 00:02:08,919 --> 00:02:10,720 Speaker 1: can just get let's start the whole thing. So you 37 00:02:10,760 --> 00:02:13,960 Speaker 1: are in the Elvis Duran Morning Show studio. Yeah, no, 38 00:02:14,000 --> 00:02:18,000 Speaker 1: I'm getting helping things get up for for the interview 39 00:02:18,040 --> 00:02:20,200 Speaker 1: there they're about to record, and we can't tell you 40 00:02:20,280 --> 00:02:22,080 Speaker 1: what celebrity now because we're gonna play it back at 41 00:02:22,120 --> 00:02:24,799 Speaker 1: a later day. And this is typical Scary. And now 42 00:02:24,800 --> 00:02:27,240 Speaker 1: when Scary gets overwhelmed with a lot of things going 43 00:02:27,280 --> 00:02:30,240 Speaker 1: on because he has a lot of plates spinning at once. Yes, 44 00:02:30,280 --> 00:02:32,440 Speaker 1: he does like a Harlem globe trotter. If you could 45 00:02:32,440 --> 00:02:34,400 Speaker 1: picture it's spinning a plate and a ball at the 46 00:02:34,440 --> 00:02:36,600 Speaker 1: same time, several of them. Like when when we were 47 00:02:36,639 --> 00:02:39,200 Speaker 1: off the air and it was his job to figure 48 00:02:39,240 --> 00:02:41,040 Speaker 1: it out, he was like a panic, a mess right 49 00:02:41,040 --> 00:02:42,920 Speaker 1: through Danielle, through the wall. We've been through that, right. 50 00:02:42,919 --> 00:02:45,320 Speaker 1: There's a couple of times when Scary gets crazy. He 51 00:02:45,400 --> 00:02:48,440 Speaker 1: just doesn't. He can't just calm self for a second 52 00:02:48,720 --> 00:02:52,640 Speaker 1: and just talk. He just goes and goes right, so 53 00:02:52,680 --> 00:02:55,440 Speaker 1: he goes crazy. So so I'm in the studio and 54 00:02:55,440 --> 00:02:57,120 Speaker 1: he goes, okay, so you guys are ready to go 55 00:02:57,240 --> 00:02:59,679 Speaker 1: do the podcast? And I go so he tells you 56 00:02:59,720 --> 00:03:02,040 Speaker 1: without even knowing really well yeah, and I go, okay, 57 00:03:02,320 --> 00:03:05,120 Speaker 1: no problem. He goes, okay, So where's everybody. I go, 58 00:03:05,639 --> 00:03:08,560 Speaker 1: We're in the room, Scary, right, everybody's here that you're 59 00:03:08,560 --> 00:03:10,320 Speaker 1: doing the interview. Everybody that would be a part of 60 00:03:10,320 --> 00:03:13,000 Speaker 1: the podcast is in this room right. Needed for this 61 00:03:13,320 --> 00:03:16,720 Speaker 1: next celebrity interview and he goes, where's Great T. I go, well, 62 00:03:16,760 --> 00:03:18,720 Speaker 1: he's he's out of the room. He said he will 63 00:03:18,720 --> 00:03:21,600 Speaker 1: be right back, and uh, that's it. So you're being 64 00:03:21,680 --> 00:03:23,760 Speaker 1: my boy just by saying Gregg T is not here, 65 00:03:23,800 --> 00:03:28,880 Speaker 1: obviously he's somewhere. He'll be back right and everybody everybody goes, no, no, 66 00:03:29,160 --> 00:03:32,440 Speaker 1: I'm getting him on the phone right now. And I luckily, 67 00:03:32,840 --> 00:03:35,080 Speaker 1: and I don't know how many texts were sent before 68 00:03:35,120 --> 00:03:37,200 Speaker 1: you walk through the door, but it's just just Elvis. 69 00:03:37,640 --> 00:03:40,640 Speaker 1: So so Elvis. My phone went off and I see it. 70 00:03:40,680 --> 00:03:42,880 Speaker 1: I got a text message and it's from Elvis, and 71 00:03:42,920 --> 00:03:45,520 Speaker 1: Elvis text me and he just says hi, And then 72 00:03:45,560 --> 00:03:47,960 Speaker 1: I I thought, oh, it's it's probably the meeting that 73 00:03:48,000 --> 00:03:50,800 Speaker 1: we do because usually, yeah, we're gonna let you in 74 00:03:50,840 --> 00:03:53,280 Speaker 1: on a little another little secret. After the morning shows, 75 00:03:53,360 --> 00:03:56,760 Speaker 1: over the whole entire staff, we all come together and 76 00:03:56,800 --> 00:04:00,440 Speaker 1: we have a post show meeting. I think everybody kind 77 00:04:00,440 --> 00:04:02,360 Speaker 1: of if whatever job you do, kind of has just 78 00:04:02,440 --> 00:04:04,160 Speaker 1: like that. You know how the day go, you know 79 00:04:04,200 --> 00:04:06,680 Speaker 1: what's going on tomorrow, And we do it every single morning, 80 00:04:06,720 --> 00:04:08,520 Speaker 1: and we do it for maybe like what ten minutes 81 00:04:08,600 --> 00:04:10,880 Speaker 1: were record that man, we should you're right, we do 82 00:04:10,920 --> 00:04:13,000 Speaker 1: it for a ten minute meeting. We go yeah, just 83 00:04:13,040 --> 00:04:15,160 Speaker 1: like Garrett said, how is the show today? What did 84 00:04:15,160 --> 00:04:17,080 Speaker 1: we like? What did we not like from today's show? 85 00:04:17,279 --> 00:04:20,599 Speaker 1: What can we do tomorrow? Um? Is there any interviews tomorrow? 86 00:04:20,600 --> 00:04:22,760 Speaker 1: What we have planned? And everybody gets to go around 87 00:04:22,760 --> 00:04:25,440 Speaker 1: the room and everybody that has some kind of say, 88 00:04:25,640 --> 00:04:27,359 Speaker 1: you know, speaks at the meeting, and then those that 89 00:04:27,360 --> 00:04:29,800 Speaker 1: don't have any saying just kind of pay attention. But 90 00:04:29,880 --> 00:04:32,440 Speaker 1: it's just one minute. It's like ten minutes just the 91 00:04:32,480 --> 00:04:35,279 Speaker 1: morning show. Phones are off, the show is over, it's 92 00:04:35,320 --> 00:04:38,719 Speaker 1: just us. Okay, so yeah, so so so yeah, that 93 00:04:38,760 --> 00:04:40,400 Speaker 1: was pretty much it. So it was it was just 94 00:04:40,480 --> 00:04:43,400 Speaker 1: great teas coming okay, go go do it, and and 95 00:04:43,400 --> 00:04:47,239 Speaker 1: and scared like go bring everybody, I go, everybody's here, 96 00:04:47,640 --> 00:04:50,159 Speaker 1: so you know everybody, everybody's in the room. He can't 97 00:04:50,200 --> 00:04:52,200 Speaker 1: see them, and the right there in front of his face. Now, 98 00:04:52,240 --> 00:04:54,240 Speaker 1: I'll just let you know what I was doing was 99 00:04:54,760 --> 00:04:58,960 Speaker 1: I was performing one of our phone taps. I know, 100 00:04:59,000 --> 00:05:02,120 Speaker 1: I don't usually do phone taps, um, but I got lucky. 101 00:05:02,200 --> 00:05:05,360 Speaker 1: I got I found um a good email, and I 102 00:05:05,440 --> 00:05:08,840 Speaker 1: tracked the person down and hopefully it's gonna go over 103 00:05:08,920 --> 00:05:10,560 Speaker 1: very well, you know when we you know, clean it 104 00:05:10,560 --> 00:05:12,360 Speaker 1: all up and everything. That's why they couldn't find you 105 00:05:12,360 --> 00:05:15,640 Speaker 1: because they're so not they're not used to you doing 106 00:05:15,640 --> 00:05:18,279 Speaker 1: a phone tap, so they wouldn't expect for you to 107 00:05:18,279 --> 00:05:20,400 Speaker 1: be in the phone tap studio exactly. So they looked 108 00:05:20,440 --> 00:05:24,120 Speaker 1: at the place where they should have, but they didn't. Correct, 109 00:05:24,200 --> 00:05:27,000 Speaker 1: including myself, nobody's gonna look in there because right it's 110 00:05:27,040 --> 00:05:30,719 Speaker 1: it's almost like, you know, like you're your assistant never 111 00:05:30,760 --> 00:05:32,920 Speaker 1: comes in and all of a sudden, you assistant walks in. 112 00:05:33,040 --> 00:05:35,360 Speaker 1: You go, what are you doing here today? What? Why 113 00:05:35,360 --> 00:05:37,760 Speaker 1: are you here? So, yeah, so the the the phone 114 00:05:37,760 --> 00:05:41,640 Speaker 1: tap studio. Usually Greg T not in there today. Gregg 115 00:05:41,680 --> 00:05:43,599 Speaker 1: T wasn't there, So nobody's looking for me in the 116 00:05:43,600 --> 00:05:46,159 Speaker 1: phone tap studio. You know, people, people looked for for 117 00:05:46,200 --> 00:05:48,880 Speaker 1: you in the bathroom right where they are. That's where 118 00:05:48,880 --> 00:05:51,119 Speaker 1: I would be. Maybe you were you were talking to someone, 119 00:05:51,200 --> 00:05:53,680 Speaker 1: you were a client, so you weren't there. Sometimes you 120 00:05:53,720 --> 00:05:55,400 Speaker 1: have clients to come up, you gotta say hello to them. 121 00:05:55,400 --> 00:05:59,520 Speaker 1: They checked your desk, you weren't there, that's correct. So 122 00:05:59,560 --> 00:06:01,560 Speaker 1: then you start to run out of ideas of where 123 00:06:01,600 --> 00:06:03,080 Speaker 1: he could be and then there I was in the 124 00:06:03,080 --> 00:06:05,800 Speaker 1: phone tap studio, one place we would never have thought of. 125 00:06:05,920 --> 00:06:08,599 Speaker 1: So my text message from Elvis says, hi, So I 126 00:06:08,640 --> 00:06:10,600 Speaker 1: figured that was a warning, like get in here for 127 00:06:10,640 --> 00:06:12,800 Speaker 1: the morning show meeting. It was to the warning to 128 00:06:12,839 --> 00:06:14,359 Speaker 1: get in here and to get back out to go 129 00:06:14,440 --> 00:06:16,920 Speaker 1: do something else. And luckily my phone tap had already 130 00:06:16,960 --> 00:06:18,760 Speaker 1: been done, so I was kind of like just loading 131 00:06:18,760 --> 00:06:20,479 Speaker 1: it up into the computer, kind of like you know, 132 00:06:20,520 --> 00:06:22,279 Speaker 1: giving it a title, you know, so I can go 133 00:06:22,320 --> 00:06:24,440 Speaker 1: back and clean it all up and everything. Okay, So 134 00:06:24,800 --> 00:06:26,360 Speaker 1: I was ready to go, no big deal. And I 135 00:06:26,360 --> 00:06:29,640 Speaker 1: walked in and Elvis goes, go do the phone tap, 136 00:06:30,240 --> 00:06:32,359 Speaker 1: so I said, fine, I mean I'm sorry, not go 137 00:06:32,440 --> 00:06:34,560 Speaker 1: to the podcast. So I said, okay, fine, let's go. 138 00:06:34,720 --> 00:06:36,520 Speaker 1: You get flustered too, like when you when you get 139 00:06:36,520 --> 00:06:39,440 Speaker 1: flustered two, you get things mixed up too, So every 140 00:06:39,560 --> 00:06:41,680 Speaker 1: everyone goes through it. But it's just that's how we 141 00:06:41,720 --> 00:06:44,760 Speaker 1: got to where we were in the last like fifteen minutes. 142 00:06:44,839 --> 00:06:46,919 Speaker 1: But tell me, now, let's tell the audience what you 143 00:06:47,000 --> 00:06:51,000 Speaker 1: just told me about how Scary threw me under the bus, 144 00:06:51,320 --> 00:06:53,040 Speaker 1: which maybe you shouldn't have told me what you did, 145 00:06:53,200 --> 00:06:54,800 Speaker 1: but it's okay, I'm glad you did. So let's just 146 00:06:54,839 --> 00:06:57,920 Speaker 1: air it out so I'm not in the studio. And 147 00:06:57,960 --> 00:07:01,479 Speaker 1: what does Scary say out loud so that Elvis hears him? 148 00:07:01,480 --> 00:07:05,120 Speaker 1: What does he say? You hide? I hide, ladies and gentlemen, 149 00:07:05,279 --> 00:07:07,320 Speaker 1: I hide. So let me ask you that that is 150 00:07:07,320 --> 00:07:09,880 Speaker 1: not truth. So I know that's why I was going 151 00:07:09,920 --> 00:07:12,560 Speaker 1: to do a follow up. Do you hide? No? I 152 00:07:12,600 --> 00:07:16,000 Speaker 1: do not hide. I see. I think they get confused 153 00:07:16,000 --> 00:07:18,040 Speaker 1: by you going to the bathroom for an extended period 154 00:07:18,040 --> 00:07:21,560 Speaker 1: of time as hiding. But but I could I can 155 00:07:21,560 --> 00:07:23,680 Speaker 1: at test as long as you hear the water running 156 00:07:23,720 --> 00:07:27,640 Speaker 1: in the bathroom, you're in there, know if you're going 157 00:07:27,720 --> 00:07:30,120 Speaker 1: and using the bathroom. That's one thing I don't investigate 158 00:07:30,120 --> 00:07:33,200 Speaker 1: post bathroom Korea rightfully, so, and I think I understand 159 00:07:33,240 --> 00:07:38,160 Speaker 1: anybody does that. But I'll just take it for what 160 00:07:38,200 --> 00:07:40,760 Speaker 1: it is. You're in the bathroom. Uh, there's really no 161 00:07:40,840 --> 00:07:43,960 Speaker 1: place to sit except for the place. Then let me explain. Okay, 162 00:07:44,160 --> 00:07:47,760 Speaker 1: what I do here for real is that I realized 163 00:07:47,800 --> 00:07:51,440 Speaker 1: that there is times where Elvis just wants to talk 164 00:07:51,480 --> 00:07:54,320 Speaker 1: to Gandhi and Danielle on the radio and they want 165 00:07:54,320 --> 00:07:58,320 Speaker 1: to do a real good topic. You know, whether it's 166 00:07:58,400 --> 00:08:01,400 Speaker 1: dating or marriage or what ever. That is not going 167 00:08:01,440 --> 00:08:05,080 Speaker 1: to be a topic where Greg t and his Shenanigans 168 00:08:05,080 --> 00:08:08,360 Speaker 1: are going to you know, put himself into. So on 169 00:08:08,400 --> 00:08:11,120 Speaker 1: those occasions, I will go to the bathroom for an 170 00:08:11,120 --> 00:08:12,960 Speaker 1: extended period of time. If I know that we're gonna 171 00:08:13,000 --> 00:08:16,200 Speaker 1: roll into commercials after that and we are really giving 172 00:08:16,200 --> 00:08:18,360 Speaker 1: you a behind the scenes to use it, you don't 173 00:08:18,360 --> 00:08:21,840 Speaker 1: go in there. Obviously, No, not the high But it's 174 00:08:21,840 --> 00:08:24,960 Speaker 1: so funny the one time they they they go, he's hiding. 175 00:08:25,200 --> 00:08:27,680 Speaker 1: You know, you're actually doing a photo right, you know. 176 00:08:27,760 --> 00:08:29,600 Speaker 1: And now now some of you that are listening right now, 177 00:08:30,080 --> 00:08:33,280 Speaker 1: you may do these things like you may actually know 178 00:08:33,400 --> 00:08:36,480 Speaker 1: how to properly throw somebody under the bus like Scary does, 179 00:08:36,559 --> 00:08:38,720 Speaker 1: because Scary is a professional at it. And I don't 180 00:08:38,720 --> 00:08:40,960 Speaker 1: think it was like all intend. He just assumed, just 181 00:08:41,040 --> 00:08:43,400 Speaker 1: like just like we assumed you weren't doing a phone 182 00:08:43,559 --> 00:08:46,800 Speaker 1: when you use those words he's hiding and the boss, 183 00:08:46,920 --> 00:08:49,000 Speaker 1: which I mean, I get Elvis, he's not the boss, 184 00:08:49,040 --> 00:08:51,400 Speaker 1: but you know it's his show. When Elvis is sitting 185 00:08:51,480 --> 00:08:55,000 Speaker 1: right there and you go, he's hiding and Elvis, here's that. Well, 186 00:08:55,040 --> 00:08:58,359 Speaker 1: what do you think goes on in Elvis's head. Elvis, 187 00:08:58,360 --> 00:09:00,719 Speaker 1: in his head, Elvis is saying, what do you mean 188 00:09:00,760 --> 00:09:02,640 Speaker 1: he's hiding. He's not saying it out loud, but in 189 00:09:02,679 --> 00:09:04,440 Speaker 1: his mind he goes, well, we have a job to do. 190 00:09:04,559 --> 00:09:06,839 Speaker 1: Where is he? Why is he not here? Which if 191 00:09:06,880 --> 00:09:09,840 Speaker 1: I was Elvis and there was you know, crackpot Steve 192 00:09:10,120 --> 00:09:13,120 Speaker 1: and crackpot Steve was was never round, and you said, oh, 193 00:09:13,200 --> 00:09:15,880 Speaker 1: crackpot Steve is hiding, that is what I would say. 194 00:09:15,800 --> 00:09:18,400 Speaker 1: I'm like, well, where's crackpot Steve. Go get me crackpot 195 00:09:18,440 --> 00:09:20,360 Speaker 1: Steve right now, and and figure out why he's not 196 00:09:20,400 --> 00:09:21,800 Speaker 1: why he's not here? And he's high. And I will 197 00:09:21,840 --> 00:09:23,839 Speaker 1: be honest. I went, I walked by the studio and 198 00:09:23,960 --> 00:09:25,960 Speaker 1: because the way the computers are set up, I didn't 199 00:09:25,960 --> 00:09:27,600 Speaker 1: see your head. You couldn't see me, right, we have 200 00:09:27,840 --> 00:09:31,079 Speaker 1: so yeah, in our studios, we have several computer monitors 201 00:09:31,120 --> 00:09:33,880 Speaker 1: that are lifted there on like a podium, and they're 202 00:09:33,920 --> 00:09:36,440 Speaker 1: spread out from right to left, and there's maybe like 203 00:09:36,480 --> 00:09:39,920 Speaker 1: five or six of them, each component doing different things. 204 00:09:39,960 --> 00:09:42,960 Speaker 1: Each monitor that does different thing. One running the radio station, 205 00:09:43,280 --> 00:09:45,960 Speaker 1: one has music on it, one has commercials, one is 206 00:09:45,960 --> 00:09:48,760 Speaker 1: for editing, YadA YadA, yanda. So you can't see so 207 00:09:48,880 --> 00:09:51,960 Speaker 1: just like as a typical phrase, you checked the local spots. First, 208 00:09:52,240 --> 00:09:54,320 Speaker 1: I didn't see him, can't see me, and then you 209 00:09:54,320 --> 00:09:56,240 Speaker 1: know they question me, go where is he? Sam? Oh? 210 00:09:56,280 --> 00:09:58,520 Speaker 1: Grab Sam? Grab Sam? Grab Sam? I just started walking by. 211 00:09:58,800 --> 00:10:02,960 Speaker 1: Producer Sam come in. So we're taking a detour. We're 212 00:10:03,000 --> 00:10:05,480 Speaker 1: gonna we're gonna bring producer Sam come on in. We're 213 00:10:05,720 --> 00:10:08,440 Speaker 1: doing the podcast right now. So we're live alright, so 214 00:10:08,480 --> 00:10:10,959 Speaker 1: we're we're getting caught up with you know, the the 215 00:10:11,120 --> 00:10:12,920 Speaker 1: we need we need to say who the celebrity that's 216 00:10:12,960 --> 00:10:15,679 Speaker 1: here that's being interviewed right now? That then that hence 217 00:10:15,760 --> 00:10:18,440 Speaker 1: why we're here doing the podcast. And now were you 218 00:10:18,480 --> 00:10:20,040 Speaker 1: a part of that? We're not that you're a part 219 00:10:20,080 --> 00:10:22,880 Speaker 1: of it. Were you in the room when Scary said 220 00:10:22,920 --> 00:10:25,480 Speaker 1: to Elvis that Greg t is hiding? And then I 221 00:10:25,520 --> 00:10:29,760 Speaker 1: wasn't gonna be there. It's okay, I wasn't in the 222 00:10:29,840 --> 00:10:33,280 Speaker 1: room for that, laughing, laughing because I wish I were 223 00:10:33,320 --> 00:10:39,360 Speaker 1: in the room because this situation happens all the time. Yes, yes, right, 224 00:10:39,679 --> 00:10:41,600 Speaker 1: walk me through it. But but he wasn't. He wasn't 225 00:10:41,600 --> 00:10:43,840 Speaker 1: saying like you were hiding intentionally right now. He was 226 00:10:43,920 --> 00:10:46,040 Speaker 1: just like a general statement like he hides. But when 227 00:10:46,120 --> 00:10:48,199 Speaker 1: you say that, wait, but when you say that he hides, 228 00:10:48,640 --> 00:10:50,720 Speaker 1: Elvis of course wants to know when does he hide, 229 00:10:50,880 --> 00:10:53,520 Speaker 1: why does he hide? Where is he hiding? Like that 230 00:10:53,760 --> 00:10:59,600 Speaker 1: is again, yes, right, Sam knows if if I am Elvis? 231 00:10:59,640 --> 00:11:03,120 Speaker 1: Oh wait, watch microphone? She on? Which is that? Is 232 00:11:03,120 --> 00:11:05,440 Speaker 1: that the right? I get the right one? Which? Garrett 233 00:11:05,440 --> 00:11:08,120 Speaker 1: shout it out? Which one is it? Whatever? Is it 234 00:11:08,240 --> 00:11:12,640 Speaker 1: that one? No, that's not that one? Another one over there? Look, 235 00:11:14,720 --> 00:11:17,880 Speaker 1: oh it's this one here. No, it's not that one. 236 00:11:18,600 --> 00:11:20,000 Speaker 1: Oh there it is, she's on. I got it, it's 237 00:11:20,040 --> 00:11:24,360 Speaker 1: this one. Yes, it's that one. Am I in? We 238 00:11:24,400 --> 00:11:30,520 Speaker 1: are turning Sam's microphone on in the podcast as we speak. Okay, 239 00:11:30,679 --> 00:11:34,760 Speaker 1: you're hiding. So no, Garrett's doing doing me a good service. 240 00:11:34,960 --> 00:11:37,160 Speaker 1: He's letting me know what happened. Okay. Because Garrett was 241 00:11:37,200 --> 00:11:39,000 Speaker 1: in the room, I assume so I was not hiding. 242 00:11:39,080 --> 00:11:40,679 Speaker 1: I was in the place that nobody would ever find 243 00:11:40,720 --> 00:11:42,560 Speaker 1: because I don't do these things. I don't usually do 244 00:11:42,600 --> 00:11:45,360 Speaker 1: phone taps. But I actually I found a good war 245 00:11:45,559 --> 00:11:48,080 Speaker 1: let's play the game. So if we can't find Sam, 246 00:11:48,160 --> 00:11:50,640 Speaker 1: So if you can't find great tea, where's the like 247 00:11:50,679 --> 00:11:54,280 Speaker 1: the two to three places you would look first to 248 00:11:54,400 --> 00:11:57,320 Speaker 1: find I would all The only place I would look 249 00:11:57,320 --> 00:12:02,480 Speaker 1: as the standalone bathroom, not the room, but the stand 250 00:12:02,520 --> 00:12:05,400 Speaker 1: alone the private bathroom. Now you know great teas in 251 00:12:05,440 --> 00:12:09,640 Speaker 1: there by by how I've seen a minute out of there. 252 00:12:10,120 --> 00:12:11,720 Speaker 1: It's when the sink is on. That's when you know 253 00:12:12,520 --> 00:12:14,120 Speaker 1: is there? Now. In the second place you would check, 254 00:12:14,559 --> 00:12:16,720 Speaker 1: not in the bathroom, Then where would you look? Not 255 00:12:16,840 --> 00:12:19,679 Speaker 1: in the studio, not in the bathroom? I mean you 256 00:12:19,800 --> 00:12:22,200 Speaker 1: know if you're not, did I already check your desk 257 00:12:22,200 --> 00:12:24,160 Speaker 1: because that's the first place I would look. The second 258 00:12:24,160 --> 00:12:26,000 Speaker 1: place is the bathroom. What I'd be doing at my desk, 259 00:12:26,080 --> 00:12:30,880 Speaker 1: and I'm taking a little snooze, That's correct. I don't judge, 260 00:12:31,480 --> 00:12:34,400 Speaker 1: all right, So so as a friend is so great? 261 00:12:34,440 --> 00:12:37,360 Speaker 1: Eys so well? As a friend. I checked those two 262 00:12:37,360 --> 00:12:40,319 Speaker 1: main places first. I couldn't find them. Oh that I 263 00:12:40,400 --> 00:12:43,240 Speaker 1: don't know. I give up exactly I don't know. So 264 00:12:43,440 --> 00:12:46,560 Speaker 1: he walks in there to tell Elvis, I'm gonna he 265 00:12:46,600 --> 00:12:49,839 Speaker 1: tried to cover from me. This was great. Garrick goes 266 00:12:49,880 --> 00:12:52,400 Speaker 1: in and says, um, I've already texted with him. Right 267 00:12:52,400 --> 00:12:56,199 Speaker 1: then He said that Elvis like which we didn't but 268 00:12:56,679 --> 00:12:58,839 Speaker 1: was doing. He was really justice, and he says, I 269 00:12:58,840 --> 00:13:01,400 Speaker 1: already texted with have to see he's ready see see 270 00:13:01,880 --> 00:13:04,520 Speaker 1: see you're throwing me under the bus. But you just 271 00:13:04,520 --> 00:13:07,760 Speaker 1: threw me under the pause. It's a past you idiot. 272 00:13:07,800 --> 00:13:11,160 Speaker 1: But no, but that's good that you're taking your staying 273 00:13:11,240 --> 00:13:13,120 Speaker 1: up for a friend of yours. I know, but you 274 00:13:13,160 --> 00:13:15,680 Speaker 1: threw me under the bus to the boss. Why because 275 00:13:15,720 --> 00:13:18,920 Speaker 1: you just you just admitted what I did. But this 276 00:13:19,080 --> 00:13:21,840 Speaker 1: is uncomfortable. But don't you think it's a good thing? Sam? 277 00:13:21,960 --> 00:13:23,960 Speaker 1: I think that Garrett's reasons were excellent. But I know 278 00:13:24,040 --> 00:13:27,200 Speaker 1: exactly what Garrett's saying right now. Now he's been doing 279 00:13:27,240 --> 00:13:30,319 Speaker 1: exactly what Scary did to you. I accidentally, I didn't 280 00:13:30,360 --> 00:13:32,080 Speaker 1: mean that. I didn't mean to do that. Okay, fine, 281 00:13:32,320 --> 00:13:34,520 Speaker 1: but either way, I was not hiding. Let's just get 282 00:13:34,559 --> 00:13:36,760 Speaker 1: back to I was not hiding. But so now here 283 00:13:36,800 --> 00:13:39,360 Speaker 1: we are, and now we're gonna do this podcast. And 284 00:13:39,400 --> 00:13:41,600 Speaker 1: now after we're doing the podcast in another minute and 285 00:13:41,640 --> 00:13:44,679 Speaker 1: twenty seven seconds, I then will do well, I will 286 00:13:44,720 --> 00:13:47,000 Speaker 1: definitely have some words with my good friend Scary Jones. 287 00:13:47,240 --> 00:13:49,880 Speaker 1: I will let him know. No, like I told you, now, 288 00:13:49,920 --> 00:13:51,839 Speaker 1: I can't do that, no, because at the end of 289 00:13:51,880 --> 00:13:54,840 Speaker 1: the day, you have all this pent up aggression when 290 00:13:55,040 --> 00:13:58,240 Speaker 1: we just explained when Scary gets into a situation where 291 00:13:58,240 --> 00:14:00,560 Speaker 1: there's a lot on his plate, he does think it through. 292 00:14:01,760 --> 00:14:04,000 Speaker 1: For the making excuses. We just talked this whole thing out. 293 00:14:04,040 --> 00:14:06,240 Speaker 1: Now you're looking for justification. So now I can't go 294 00:14:06,280 --> 00:14:09,160 Speaker 1: back to him, Sam, Can I go and tell him 295 00:14:09,400 --> 00:14:12,040 Speaker 1: I explained to me what really happens still, So that 296 00:14:12,920 --> 00:14:15,160 Speaker 1: is getting ready for the interview. I was getting ready 297 00:14:15,200 --> 00:14:17,120 Speaker 1: for the interview, ending the show, trying to get a 298 00:14:17,120 --> 00:14:21,400 Speaker 1: song ready to go, and and on top telling me 299 00:14:21,440 --> 00:14:23,600 Speaker 1: to go get everybody for the podcast, which was in 300 00:14:23,600 --> 00:14:26,000 Speaker 1: the studio. I told him everybody wasn't there. Go find 301 00:14:26,000 --> 00:14:28,240 Speaker 1: greg T. I go, can't find Gregg T right now, 302 00:14:28,320 --> 00:14:31,040 Speaker 1: don't know where he is. That's it. And and then 303 00:14:31,040 --> 00:14:34,080 Speaker 1: he goes, well he likes to hide. And then Elvis 304 00:14:34,160 --> 00:14:37,840 Speaker 1: texted Greg T. High didn't get the rest of the 305 00:14:37,840 --> 00:14:39,640 Speaker 1: text because he probably was going to say, hey, come 306 00:14:39,680 --> 00:14:42,640 Speaker 1: to the studio. Do the podcast sow if he wants 307 00:14:42,680 --> 00:14:44,520 Speaker 1: to go back in and have it out with Scary, 308 00:14:45,600 --> 00:14:50,320 Speaker 1: knowing Scary and how it is, do you think he's justifiable? 309 00:14:50,360 --> 00:14:52,040 Speaker 1: I don't. I don't think. I don't think it's going 310 00:14:52,080 --> 00:14:54,200 Speaker 1: to change. But I also have the personality where I 311 00:14:54,200 --> 00:14:55,960 Speaker 1: would go up to him and can't you just strike 312 00:14:56,040 --> 00:14:57,840 Speaker 1: that phrase from the record. You know what I mean? 313 00:14:58,280 --> 00:15:01,040 Speaker 1: So I understand doesn't mean it's going to change anything. No, 314 00:15:01,520 --> 00:15:06,560 Speaker 1: to be continued, Garrett. To be continued The fifteen minute 315 00:15:06,600 --> 00:15:11,800 Speaker 1: Morning Show. That was good, dude, that really was ma