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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 2: What's up, y'all?

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Speaker 3: Happy weekend?

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Speaker 4: It is the Best Bits, just the Bits time. But

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Speaker 4: first please check out Best Bits Part one This weekend

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Speaker 4: is with Eddie. Not only do we share our top

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Speaker 4: three of all time for movies, foods, and nineties country songs,

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Speaker 4: but we talked about the dating culture right now and

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Speaker 4: he gave his love story of his wife. So we

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Speaker 4: answered some questions that y'all wanted to ask both of

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Speaker 4: us from my Instagram, and we answered a whole lot

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Speaker 4: of those. We talked about the foods that people don't

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Speaker 4: actually like but they just eat them to look cool.

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Speaker 5: So just a lot of.

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Speaker 4: Fun stuff over on the Best Bits Part one with Eddie.

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Speaker 4: They're always some of my favorite conversations, Like Eddie and

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Speaker 4: I's long lost time to catch up and you guys

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Speaker 4: get to hang out with us while we do it.

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Speaker 4: But we're going to dive into this week's best segments

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Speaker 4: from the Bobby Bone Show.

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Speaker 6: Let's Go.

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Speaker 2: Lily Rose was on the show this week.

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Speaker 4: She not only performed two songs, one being Villain, her

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Speaker 4: viral hit. Another one is a never before heard song

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Speaker 4: called two Flowers, which was insanely good. But she also

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Speaker 4: talked about her collaboration with Diplo, how that all came together,

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Speaker 4: and the job she had before she pursued music, one

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Speaker 4: of them being a.

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Speaker 1: Referee number seven.

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Speaker 6: So Bobby Bones Show Interviews.

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Speaker 1: In case you didn't.

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Speaker 2: Know Lily Rose, I'm a big fan of her. So

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Speaker 2: she had this song called Villain that went massive on

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Speaker 2: TikTok and then we played it on the Women of

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Speaker 2: iHeart Country show You Come. She's out with Sam Hunt

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Speaker 2: right now on his summer on the Outskirts tour. She

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Speaker 2: grew up in Atlanta, self taught drummer guitarist. In high

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Speaker 2: school she started singing, she's a great athlete. I don't

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Speaker 2: know she's cooking. I don't know what else say. I

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Speaker 2: want to get her in here and not do the

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Speaker 2: whole interview now, but I'm a big fan of Lily Rose,

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Speaker 2: and Lily will be opening for me in Louisville at

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Speaker 2: one of my final shows for the Comedically Inspirational Tour

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Speaker 2: on the Bobby Bones Show. Now, Lily Rose, Lily, how

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Speaker 2: the heck are you good? Dude?

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Speaker 5: How you doing?

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Speaker 2: I'm doing really good? You know. After we had spent

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Speaker 2: an hour so talking to my house AND's up on

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Speaker 2: a Bobby cast. I came in. I was telling these

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Speaker 2: guys just like how easy you were to talk to,

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Speaker 2: how cool you were. I think they thought you and

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Speaker 2: I were on a first date or something that, which

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Speaker 2: is all. I was like, she's so cool.

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Speaker 7: I love that.

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Speaker 2: And so you know, we have talked about you coming

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Speaker 2: up here and you're on the road now with Sam Right, yeah,

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Speaker 2: what are those shows?

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Speaker 5: Like?

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Speaker 2: How receptive is his audience to you?

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Speaker 5: It's been awesome. You know, it's sometimes a little little

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Speaker 5: early in the night, so first of three, you kind

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Speaker 5: of are expecting to play to an empty crowd, and

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Speaker 5: they're getting there early and they're engaged. You know, we

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Speaker 5: only have Villain really is a hit. We've got that

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Speaker 5: new song with Diplo. So for us to not have

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Speaker 5: this plethora of hits for them like Nate Smith is

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Speaker 5: just crushing. They feel like they're engaged. It feels good.

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Speaker 5: They're showed up to the meet and greet line, Like

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Speaker 5: we go out and grind it out at Merch every

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Speaker 5: night and people are lining up and saying, you know, hey,

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Speaker 5: I've never heard of you before. It feels good.

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Speaker 2: Well, you play a little bit of Villain, just yeah,

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Speaker 2: like a verse in a chorus because I want people to

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Speaker 2: hear this. Villain is a song that kind of pop

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Speaker 2: for her, that really made it to where you are

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Speaker 2: here today? Right yeah? And then how quick was that?

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Speaker 2: Like you posted it? Then how quick? Until people were like, dang,

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Speaker 2: this is huge and people started reaching out to you.

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Speaker 5: It was like zero to one thousand. We went thirteen

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Speaker 5: million views in one week on TikTok quick. Yeah, across

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Speaker 5: three videos. It was wild, so crazy.

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Speaker 2: Okay, here she is just a person, of course. This

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Speaker 2: is Lily Rose doing Villain. He's so good. Come on, Yeah,

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Speaker 2: what a voice. You thought I pushed play get out

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Speaker 2: of here. I didn't push play. That's them performing live

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Speaker 2: so good. You're so good, and I wanted to start

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Speaker 2: with that. That's for people to hear how good you are.

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Speaker 2: A lot of times a new artist will come in

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Speaker 2: and they'll be like, prove it and they'll wait through

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Speaker 2: a whole interview. But I wanted to I want you

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Speaker 2: to prove it early. That's awesome. So you grew up

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Speaker 2: in Georgia?

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Speaker 7: Yep?

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Speaker 2: Yeah, what's your hometown?

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Speaker 5: Like it's on the outskirts of Atlanta. So still in

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Speaker 5: the perimeter. Essentially felt like I grew up in the city.

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Speaker 5: We had a train station in our backyard, so.

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Speaker 2: I never was on a train until like three weeks ago. Yeah,

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Speaker 2: blew my mind. You could take a train to a

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Speaker 2: different city in America. Oh wild, Yeah, like Amtrak.

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Speaker 5: Yeah, that's wild. We had like the in like Marda,

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Speaker 5: so like our you could go down to the braves

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Speaker 5: game or whatever.

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Speaker 2: Even that.

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Speaker 5: It was so dope. It was great.

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Speaker 2: Yeah that would be if in your like suburb, the

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Speaker 2: train came to that edge and you could go into

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Speaker 2: the city. Yeah, what is happening? This is awesome. Yeah,

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Speaker 2: I'm just now learning about some of the beauties of

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Speaker 2: of like public transportation. I grew up in a town

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Speaker 2: of seven hundred in Arkansas. We had no public transportation,

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Speaker 2: and I was up in the northeast. We went to

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Speaker 2: stay in New Hampshire for a couple days and never

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Speaker 2: even been there. We're going on a venture. We took

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Speaker 2: a train in New Hampshire to Maine and just sat

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Speaker 2: there and chilled.

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Speaker 5: Oh yeah, and you know Elon's building all of those

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Speaker 5: like rapid trains just make stuff up.

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Speaker 2: You Yeah, at this point, I think just making stuff up. Yeah,

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Speaker 2: but we had a train in my hometown, but it

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Speaker 2: was a carried blumber. I lived in a milltown, yeah,

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Speaker 2: and so that's what we were known for. Mountain Pine

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Speaker 2: was known for warehouse or the mill. And the name

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Speaker 2: of your town is.

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Speaker 5: What, uh, Dunwoodye, Georgia. It's like right on you know,

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Speaker 5: you look at Atlanta, it looks like a clock, like

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Speaker 5: rd at twelve o'clock.

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Speaker 2: Anybody famous from your town?

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Speaker 5: Ryan Seacrest went to Dunwoodie High School and never heard

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Speaker 5: of him? I know, right, he grew up in my neighborhood.

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Speaker 2: And did you know his family at all?

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Speaker 8: No?

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Speaker 5: So well I've met them now through seacrest Studios and everything,

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Speaker 5: the kindest humans. But his parents sold their house when

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Speaker 5: I was like four years old, and the family that

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Speaker 5: moved in was one of my best friends in the neighborhood.

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Speaker 5: So I grew up in Ryan like hanging out in

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Speaker 5: Ryan's childhood bedroom. He wasn't there anymore. It was a

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Speaker 5: weird thing.

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Speaker 2: That's super cool. And when did you move to Nashville?

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Speaker 5: At twenty seventeen, I was in Athens, Georgia for about

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Speaker 5: five years where Uga is and figuring out the artist

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Speaker 5: stuff there and kind of put my Broadway years in there,

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Speaker 5: playing all the.

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Speaker 2: Bars in Athens, Yeah.

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Speaker 5: In Athens, and touring out of there. And we were

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Speaker 5: touring like eighty to one hundred dates a year, had

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Speaker 5: a band with me, my brother was playing with me

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Speaker 5: and everything. And finally he was just kind of like, Hey,

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Speaker 5: we can run in circles and do this so I'm thirty,

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Speaker 5: or we can go chase this thing down.

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Speaker 2: So why Nashville? And why right then? Because there has

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Speaker 2: to be something that triggers either really low lower, really

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Speaker 2: high high, like you're either just so tired or you're

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Speaker 2: just so what made you move here? What was that moment?

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Speaker 5: Yeah? You know I always really looked up to It's

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Speaker 5: so funny, I haven't even spoken on this. I used

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Speaker 5: to really look up to Meghan Trainer of like her

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Speaker 5: ability to live back in the day, lived in Nashville,

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Speaker 5: wrote country songs, but followed her pop career, and I

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Speaker 5: didn't really think that I had a huge space for

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Speaker 5: myself in country music sonically. Also, I had never co

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Speaker 5: written before, so I didn't even know what I wanted

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Speaker 5: to do as an artist. And then Sam actually came

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Speaker 5: out with that Between the Pines mixtape on SoundCloud and

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Speaker 5: like twenty thirteen, and I heard all of that and

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Speaker 5: I was like, Oh, I can do country music.

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Speaker 2: It's funny that sonically she's like, I don't know if

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Speaker 2: I fit, but yeah, when she performs like you are

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Speaker 2: the current country music sound.

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Speaker 5: Yeah, it's really funny. Like when you go back. I

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Speaker 5: have demos from like twenty thirteen, twenty fourteen of old

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Speaker 5: songs and I still have that. I still enunciate the

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Speaker 5: same way. I still say my vowels the same way.

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Speaker 5: I'm from Georgia, so I've got the southern twang just

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Speaker 5: from the city. So nothing's changed. I'm just finally putting

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Speaker 5: out country music.

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Speaker 2: So when you move here, how hard is it for

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Speaker 2: a songwriter and an artist that really doesn't have any

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Speaker 2: big connection here, Like what do you do when you

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Speaker 2: get to Nashville?

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Speaker 5: Oh, it feels impossible. Like I remember it was the

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Speaker 5: spring of twenty seventeen, so we must have been watching

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Speaker 5: the ACMs and I was at home and my dad

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Speaker 5: looked at me and gave me a pretty harsh reality

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Speaker 5: and he was like, Hey, I'm going to tell you

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Speaker 5: this because I love you and I trust you, and

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Speaker 5: I believe in you, but you're not going to go

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Speaker 5: up there and turn into Maren Morris in a year.

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Speaker 5: And I remember looking at him being like, you don't

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Speaker 5: even know you're wrong, Like I feel undeniable all this stuff.

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Speaker 5: And you move up here and then you look around

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Speaker 5: and you see all these people with connections and friendships

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Speaker 5: and social circles, and you're like, oh boy, this is

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Speaker 5: a it's pretty even though it's a small city. It's

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Speaker 5: a big pond.

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Speaker 2: And a lot of room to develop in a lot

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Speaker 2: of places, because again, these social circles were created by

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Speaker 2: people moving here and developing them.

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Speaker 5: Yep.

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Speaker 2: They're talent, and I've been in places before. I'm just like, man,

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Speaker 2: everybody's so much better than I am at these certain things.

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Speaker 2: But then you realize they've been they've been there doing

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Speaker 2: it longer, and eventually people are going to think that

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Speaker 2: way about you.

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Speaker 9: Yep.

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Speaker 2: And so there's a lot of developing to do. So

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Speaker 2: you move here, did you feel like you were? Because

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Speaker 2: I let people have a confidence sift when they get here,

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Speaker 2: meaning I'm real good. They get on other people, they're

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Speaker 2: real good.

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Speaker 5: They're like I'm average, Yeah, you know, I think I

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Speaker 5: kind of I'm still figuring out this line of being

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Speaker 5: really confident in what I do and who I am

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Speaker 5: and having a tenacity about me while also fistfighting imposture

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Speaker 5: syndrome every day, you know. And I feel like all

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Speaker 5: of us do that, and you know, some of us

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Speaker 5: just don't sing, like Shaye Mooney or Carrie Underwood and

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Speaker 5: we've got to find our thing and uh and I

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Speaker 5: think I found it, but kind of telling myself, hey,

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Speaker 5: you just have to figure out what you're good at

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Speaker 5: and chase the positives.

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Speaker 2: I think only like two people sing like Shay and Carrie. Yeah,

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Speaker 2: which is Shane and carry Yeah yeah, yeah, yeah, yeah,

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Speaker 2: yeah yeah.

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Speaker 5: But you know, it's kind of the scary expectation, especially

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Speaker 5: when you've got people coming off of, you know, singing

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Speaker 5: shows where their voices are just absurd and.

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Speaker 2: What's crazy for us? I hate interrupt you. What's crazy

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Speaker 2: for this? You sing so good? We like to hear

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Speaker 2: you go, oh you know, we're all it's great singers.

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Speaker 2: Then you just played villain and we're all like, god,

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Speaker 2: dang man, she's really really a good singer. That would

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Speaker 2: make me if I just moved to down here, you say,

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Speaker 2: that'd be like, I'm never going to make it because

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Speaker 2: I hear you say that.

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Speaker 5: I mean, it's just this awful right now.

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Speaker 8: But you know you mentioned Maren, and Maren once felt

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Speaker 8: that way about other people. I mean she talks about

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Speaker 8: watching the award shows from the bar, and then the

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Speaker 8: next year she's like, they're at the award show and

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Speaker 8: Lannie Wilson even like she said at one point, like

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Speaker 8: she focused her career on like trying to prove people wrong,

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Speaker 8: and then she shifted to like, Hey, I actually want

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Speaker 8: to to all those that believe to me. I want

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Speaker 8: to prove them right. And so like with your what's

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Speaker 8: going on with your dad and the update on that,

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Speaker 8: I mean the reality of that. Are you trying to prove.

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Speaker 2: That you're wrong now?

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Speaker 8: And you're wrong? But is there anybody you're trying to

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Speaker 8: prove wrong? Or are you trying to just prove yourself right?

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Speaker 9: Yeah?

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Speaker 5: First of all, let me just like say so it's

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Speaker 5: not misconstrued. My mom and dad and brother like and

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Speaker 5: my wife are the four biggest supporters in my life,

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Speaker 5: always have been, especially my dad. He would try, don't

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Speaker 5: you Dad. I just want to make sure you guys

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Speaker 5: have a couple of people that listen to those joking

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Speaker 5: you know for sure, But no, I think I'm honestly,

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Speaker 5: honestly still navigating that. I have a really hard time

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Speaker 5: not having the chip on my shoulder thing because it

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Speaker 5: fuels a ton of fire underneath me. But I try

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Speaker 5: to give my energy to those who believe in me

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Speaker 5: while grinding it out when no one's watching for those

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Speaker 5: that don't.

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Speaker 2: Yeah, the energy thing, there's only so much, Yeah, only

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Speaker 2: so much energy to give out. I used to try

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Speaker 2: to prove everybody wrong all the time, and now I've

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Speaker 2: proved all those people that said I was wrong. I've

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Speaker 2: proved them right and they were Wait, they were right.

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Speaker 2: I am an idiot. Lily Rose is here. Okay, a

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Speaker 2: couple of things I wanted to mention. One, you used

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Speaker 2: to referee games basketball games.

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Speaker 6: Yeah.

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Speaker 2: I bring this up because Eddie is a coach of

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Speaker 2: nine year old that's right, Come on, and he yells

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Speaker 2: at the ref and gets a little lot of control.

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Speaker 10: I did it one time, and I got yelled at.

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Speaker 10: They told me one more time, they're kicked me out

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Speaker 10: of the game, and I shut my mouth.

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Speaker 9: Right has sat down?

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Speaker 2: You ever kicked in one out of a game?

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Speaker 6: Oh?

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Speaker 5: So many people? Are you kidding me?

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Speaker 2: What level.

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Speaker 6: Did you ref what age group?

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Speaker 5: I went all the way up to high school varsity?

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Speaker 2: You you repped high school games? Yeah, that's legit hot.

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Speaker 2: People were mad at you.

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Speaker 5: Oh yeah, I mean like super intense packed gyms. And

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Speaker 5: I actually kind of got to a crossroads in my

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Speaker 5: life where I was getting invited to like NCAAD one

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Speaker 5: camps and an NBA camp to see if they wanted

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Speaker 5: to pluck me and do that. And it was the

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Speaker 5: spring of twenty seventeen, and I was like, I gotta

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Speaker 5: stick with my plan and move to Nashville. And a

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Speaker 5: lot of my friends are in the NBA right now.

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Speaker 5: But it's fun because we get to trade tickets. So

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Speaker 5: I think I chose the right thing. But yeah, I

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Speaker 5: loved it. There's no adrenaline rush than like a block

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Speaker 5: charge or throwing somebody out of a game. Nothing on stage,

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Speaker 5: sold out crowd doesn't.

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Speaker 2: When you were reffing, were you demonstrative with your calls?

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Speaker 2: If it was a big intense charge with you big,

305
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Speaker 2: big hands on the hit, Like what kind of ref?

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Speaker 2: Were you the one that wanted to be seen, the

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Speaker 2: one that wanted to kind of just be the ref.

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Speaker 5: I'm a rule follower, so I always really enjoyed the

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Speaker 5: justice part of you know, black and white. This is

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Speaker 5: the rule.

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Speaker 2: Basketball prison.

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Speaker 6: You're in a basketball prison.

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Speaker 9: You're in it.

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Speaker 5: But now you kind of learn as you go, like

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Speaker 5: when you move up the ranks a little bit, that

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Speaker 5: the swagger you are, you don't always have to be

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Speaker 5: the the biggest call. You just got to be right.

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Speaker 2: That's so cool that she was a ref.

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Speaker 8: I mean, did you ever fear for your life?

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Speaker 5: I know, a car. I had to have high school games,

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Speaker 5: especially the rivalry ones, and I wasn't in like the

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Speaker 5: best area of Georgia when I was officiating these that

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Speaker 5: I truly had to have like security or police escort.

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Speaker 2: Me out because people were upset with you for just

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Speaker 2: doing your job.

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Speaker 5: Yeah, or just like my partners that were usually like

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Speaker 5: it was very rare two females would be on a

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Speaker 5: game together, so I'd have my two guy partners walk

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Speaker 5: me out to my car. People are they're.

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Speaker 2: Wild, especially about youth sports, and do you hear those?

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Speaker 10: Yeah, I'm the coach guys, like the parents are the

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Speaker 10: ones that are crazy?

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Speaker 9: Right?

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Speaker 5: You are on it, dude.

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Speaker 2: The coaches aren't. The coaches aren't bad?

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Speaker 5: Nah? No, And so many of us, you know, just

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Speaker 5: to make an extra buck here and there, especially in

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Speaker 5: the summers, we'd go do like youth games or you

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Speaker 5: do the like the forty year old men's rec League.

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Speaker 5: They're the worst.

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Speaker 9: They're the worst.

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Speaker 2: Why are they the worst?

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Speaker 5: Because they still all think that they're playing in high school.

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Speaker 5: None of them would play in college. And they're sitting there,

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Speaker 5: They're like trying to dunk. It's not happening. They're frustrated

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Speaker 5: with themselves. They're like two for thirteen from the three.

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Speaker 2: It's still all so insulted for some reason, even though

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Speaker 2: she's not talking about me, I still feel insulted right now.

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Speaker 2: This is Lily Rose. She's such a great songwriter and artist.

350
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Speaker 2: You got on the project with Diplo. Yeah, so talk

351
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Speaker 2: about that. How did you and Diplo become friends?

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Speaker 5: Yeah? Kind of cool. We call Diplo like Big Loud's cousin.

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Speaker 5: I'm at Big Loud Records here in Nashville. And he

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Speaker 5: had that huge song with Morgan Heartless and has always

355
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Speaker 5: just been a champion for country music. He comes from

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Speaker 5: Mississippi and Florida, that's where he grew up. And uh yeah.

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Speaker 5: Seth England our CEO one day was like, Hey, I

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Speaker 5: want you to put your vocal on this song. We're

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Speaker 5: gonna send it to Diplo, and I was like, yeah,

360
00:14:08,240 --> 00:14:11,439
Speaker 5: that's cool. Didn't really hear anything back for eight or

361
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Speaker 5: nine months, and then Diplo came and dj' at our

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00:14:14,120 --> 00:14:16,840
Speaker 5: Christmas party at Big Loud. That following year, we all

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Speaker 5: went to the Titans game and we all hung out,

364
00:14:19,280 --> 00:14:22,400
Speaker 5: and I mean almost a whole year after that is

365
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Speaker 5: when he sent back the mix of Sat in the Summer,

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Speaker 5: that first mix with my vocal on it. It's like

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Speaker 5: this dua lipa disco track.

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Speaker 2: It was awesome. Just randomly after a year, Yeah, I.

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00:14:32,200 --> 00:14:34,760
Speaker 5: Think he was. He was ready to do Thomas Westley too,

370
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Speaker 5: which we kind of all knew it had to hold

371
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Speaker 5: out patients for that.

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Speaker 2: But but did you know it was coming?

373
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Speaker 5: I was hopeful. Yeah, But I mean the DJ world

374
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Speaker 5: so I've gotten to do so many cool things like

375
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Speaker 5: the Voice Good Morning America, We're doing other stage Coach

376
00:14:48,720 --> 00:14:52,360
Speaker 5: with Diplo, and the DJ world is wild. We're the

377
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Speaker 5: most type a genre across the board of just like

378
00:14:55,840 --> 00:14:58,080
Speaker 5: all of our artists for the most part, you know

379
00:14:58,160 --> 00:14:59,920
Speaker 5: you're supposed to be here on time. You do that.

380
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Speaker 5: This is your plan for next week, This is your

381
00:15:01,800 --> 00:15:04,160
Speaker 5: plan for nine months from now. The DJs, they're like

382
00:15:04,560 --> 00:15:09,040
Speaker 5: going from Abiza to La to Vegas all in seventy

383
00:15:09,080 --> 00:15:10,480
Speaker 5: two hours. It's wild.

384
00:15:10,600 --> 00:15:12,240
Speaker 2: I want to play a little clip here. This is

385
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Speaker 2: Sad in the Summer with Dip Blow Lily Rose.

386
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Speaker 5: Don't be sad and sound, so please don't go.

387
00:15:21,160 --> 00:15:21,560
Speaker 2: He did.

388
00:15:21,680 --> 00:15:22,040
Speaker 11: It's so.

389
00:15:23,760 --> 00:15:29,160
Speaker 5: Don't be sad sound So it was just so mccos

390
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Speaker 5: a little.

391
00:15:30,320 --> 00:15:32,640
Speaker 12: Long make out.

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Speaker 2: When you get that back, is it fully produced?

393
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Speaker 9: Like we're hearing it for the most part.

394
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Speaker 2: That's pretty cool.

395
00:15:38,520 --> 00:15:40,160
Speaker 5: Yeah. I didn't have a whole lot of mixed notes

396
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Speaker 5: for Dip.

397
00:15:41,400 --> 00:15:43,920
Speaker 2: It just does just pretty cool. That's pretty cool. On

398
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Speaker 2: your TikTok fee, What does the algorithm give you? Mostly?

399
00:15:47,320 --> 00:15:48,720
Speaker 2: I say that because Eddie gets a bunch of dancing,

400
00:15:48,760 --> 00:15:51,200
Speaker 2: storty girls and he's like, I don't even look at these,

401
00:15:51,240 --> 00:15:53,560
Speaker 2: But now all it does is feed me, and we're like, okay, buddy,

402
00:15:54,680 --> 00:15:55,120
Speaker 2: what do you.

403
00:15:55,080 --> 00:15:56,520
Speaker 9: Get uh for?

404
00:15:56,720 --> 00:15:58,600
Speaker 5: It's a lot of cats. I have a cat at home,

405
00:15:58,720 --> 00:16:02,600
Speaker 5: so I love cats cooking. And then I just feel

406
00:16:02,600 --> 00:16:04,280
Speaker 5: like it's the run of the mill, Like what would

407
00:16:04,320 --> 00:16:08,360
Speaker 5: be vine energy? I just get funny video, monny quick, funny,

408
00:16:08,680 --> 00:16:09,240
Speaker 5: nothing crazy.

409
00:16:09,240 --> 00:16:12,600
Speaker 2: You know, I get nineties wrestling. Is that funny?

410
00:16:12,600 --> 00:16:12,840
Speaker 7: Lively?

411
00:16:12,960 --> 00:16:13,160
Speaker 8: Yeah?

412
00:16:13,200 --> 00:16:17,280
Speaker 2: Okay, good, I get nineties wrestling.

413
00:16:17,280 --> 00:16:17,960
Speaker 6: I get golfed.

414
00:16:18,560 --> 00:16:21,920
Speaker 2: I get a lot of sports dancing girls. You know

415
00:16:22,040 --> 00:16:23,440
Speaker 2: I could you want to roll through it just like

416
00:16:23,480 --> 00:16:26,200
Speaker 2: five hour it comes up. This is a fun bit

417
00:16:26,240 --> 00:16:28,640
Speaker 2: that could give me a lot of trouble. That'see, what happens? Yeah,

418
00:16:28,680 --> 00:16:31,280
Speaker 2: because I don't know. Here we go. I'm excited algorithm

419
00:16:31,360 --> 00:16:36,080
Speaker 2: time and here we go. Number one, Morgan Evans. This

420
00:16:36,120 --> 00:16:38,000
Speaker 2: is my free page. This is not my following page,

421
00:16:38,000 --> 00:16:40,000
Speaker 2: but I do follow him with you. I sew him

422
00:16:40,000 --> 00:16:44,000
Speaker 2: for Morgan Evans. Next up, Tim Duncan, while you never

423
00:16:44,040 --> 00:16:47,560
Speaker 2: trash talk in the NBA. Tim Duncan enforcing that. Next one,

424
00:16:48,280 --> 00:16:53,120
Speaker 2: I was always a heap nineties wrestling on par nineties wrestling.

425
00:16:53,160 --> 00:16:55,920
Speaker 2: That's three. Number four is a commercial, so I'm gonna

426
00:16:55,920 --> 00:16:57,040
Speaker 2: skip through that. You see, you guys see, I'm not

427
00:16:57,080 --> 00:17:01,720
Speaker 2: getting off anything. Number four former Auburt Chilier plotter with

428
00:17:01,800 --> 00:17:03,520
Speaker 2: her side piece to kill her husband in the Bahamas.

429
00:17:04,000 --> 00:17:06,800
Speaker 2: So it's like a bar stool sports but drama. That's four,

430
00:17:06,840 --> 00:17:15,000
Speaker 2: and then five is number six though, if we're doing

431
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Speaker 2: one more is.

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Speaker 9: Quit at five?

433
00:17:16,640 --> 00:17:16,800
Speaker 12: Man?

434
00:17:16,840 --> 00:17:19,960
Speaker 2: You would well no, no aliens?

435
00:17:20,240 --> 00:17:22,800
Speaker 5: Oh no, I was gonna say, what ocean gates next?

436
00:17:22,920 --> 00:17:23,960
Speaker 7: Like alien?

437
00:17:24,000 --> 00:17:25,200
Speaker 2: They do get some alien stuff.

438
00:17:25,240 --> 00:17:26,320
Speaker 5: I get a ton of barstool.

439
00:17:26,600 --> 00:17:30,040
Speaker 2: Yeah yeah, ton sports fan though, right huge? Yeah me too? Yeah.

440
00:17:30,080 --> 00:17:31,800
Speaker 2: So what do you get on yours?

441
00:17:32,080 --> 00:17:32,359
Speaker 13: You know what?

442
00:17:32,400 --> 00:17:33,879
Speaker 2: I looked to tag you on TikTok and you were

443
00:17:33,920 --> 00:17:34,280
Speaker 2: not there.

444
00:17:35,200 --> 00:17:36,160
Speaker 8: That is my daughter.

445
00:17:36,800 --> 00:17:39,400
Speaker 6: Listen, you're not on. There's no check mark, No what

446
00:17:39,760 --> 00:17:40,280
Speaker 6: I am?

447
00:17:40,520 --> 00:17:42,240
Speaker 2: I look for you. I look for radio Amy. There's

448
00:17:42,240 --> 00:17:43,840
Speaker 2: nothing you want to have a lot of TikTok follows.

449
00:17:43,920 --> 00:17:48,000
Speaker 8: No, it's because look look because she I'm Amy Brown.

450
00:17:48,080 --> 00:17:50,360
Speaker 8: Here I am. But then one day my daughter got

451
00:17:50,400 --> 00:17:54,000
Speaker 8: on and changed it to Stashira, like my handle at

452
00:17:54,240 --> 00:17:56,320
Speaker 8: Shira with the blue check market everything.

453
00:17:56,480 --> 00:17:57,080
Speaker 5: She's sixteen.

454
00:17:57,640 --> 00:17:59,960
Speaker 8: Yeah yeah yeah. So then I had to like turn

455
00:18:00,040 --> 00:18:01,720
Speaker 8: something in for TikTok for work, and I go and

456
00:18:01,800 --> 00:18:04,040
Speaker 8: I see to and I go this share Why would

457
00:18:04,080 --> 00:18:05,760
Speaker 8: you put your name? She was like, I don't know.

458
00:18:06,040 --> 00:18:08,840
Speaker 8: She wanted to make some videos and so then I said,

459
00:18:08,840 --> 00:18:10,679
Speaker 8: you need to add me back, So she added me

460
00:18:10,720 --> 00:18:13,480
Speaker 8: back as Amy Underscore Brown forty.

461
00:18:13,200 --> 00:18:17,680
Speaker 2: Thre thought that was a fake account that is met

462
00:18:17,880 --> 00:18:18,320
Speaker 2: tag you.

463
00:18:18,520 --> 00:18:21,160
Speaker 8: But yeah, so if we go to my about, it's

464
00:18:21,160 --> 00:18:22,680
Speaker 8: going to be whatever she likes to watch.

465
00:18:23,040 --> 00:18:30,399
Speaker 2: Oh okay, well so yeah that's me. It's literally thank you.

466
00:18:30,920 --> 00:18:31,520
Speaker 8: That's funny.

467
00:18:31,560 --> 00:18:33,119
Speaker 2: Wellly, how many followers do you have on TikTok? Do

468
00:18:33,119 --> 00:18:33,320
Speaker 2: you know?

469
00:18:34,600 --> 00:18:39,200
Speaker 5: I think like not just over nine nine hundred thousand,

470
00:18:39,359 --> 00:18:43,960
Speaker 5: got it? It's really wild. When I first got on TikTok,

471
00:18:44,240 --> 00:18:45,919
Speaker 5: the first video I posted was like, hey, if I

472
00:18:45,920 --> 00:18:48,240
Speaker 5: break fifty followers, I'll release the rest of this demo.

473
00:18:48,600 --> 00:18:51,080
Speaker 5: Got like thirty two followers that day. Still release the demo.

474
00:18:51,119 --> 00:18:54,359
Speaker 2: I was like whatever, yeah, yeah, that's that's.

475
00:18:54,280 --> 00:18:54,840
Speaker 5: An l for me.

476
00:18:54,960 --> 00:18:56,439
Speaker 6: Love the honesty and uh.

477
00:18:56,520 --> 00:18:58,639
Speaker 5: And we ended up getting up to eight hundred and

478
00:18:58,680 --> 00:19:02,359
Speaker 5: fifty thousand and like six weeks, so it was it

479
00:19:02,400 --> 00:19:03,200
Speaker 5: was a huge jump.

480
00:19:03,480 --> 00:19:05,600
Speaker 2: Whenever you blow up wherever it is, if it's Instagram,

481
00:19:05,640 --> 00:19:07,440
Speaker 2: if it's TikTok, if it's on the side of the road,

482
00:19:07,760 --> 00:19:13,040
Speaker 2: you know, all of a sudden, you're working tirelessly and

483
00:19:13,080 --> 00:19:15,560
Speaker 2: then something happens and then everybody's like we got to

484
00:19:15,560 --> 00:19:16,800
Speaker 2: have you, and you're like, well, I've been here for

485
00:19:16,800 --> 00:19:19,840
Speaker 2: a long time. And yeah, what was that moment for you?

486
00:19:20,240 --> 00:19:21,800
Speaker 2: Was it when you put Villain out? And then how

487
00:19:21,880 --> 00:19:23,960
Speaker 2: quickly did people start to go, we gotta have you?

488
00:19:24,800 --> 00:19:24,879
Speaker 3: Oh?

489
00:19:25,000 --> 00:19:27,800
Speaker 5: Yeah, it was. It was Villain for sure. I had

490
00:19:27,840 --> 00:19:31,199
Speaker 5: one person that bit at another demo before that. Her

491
00:19:31,280 --> 00:19:35,520
Speaker 5: names were Kaya Marshall, and she was a publisher in

492
00:19:35,560 --> 00:19:38,240
Speaker 5: town at BMG at the time and asked me to

493
00:19:38,280 --> 00:19:40,199
Speaker 5: come over and hang out and listen through songs. And

494
00:19:41,640 --> 00:19:43,720
Speaker 5: we listened through songs and Villain was on that list

495
00:19:43,760 --> 00:19:45,680
Speaker 5: with a couple of others, and she was just kind

496
00:19:45,680 --> 00:19:47,760
Speaker 5: of like, Hey, I don't know if the music's there yet,

497
00:19:47,760 --> 00:19:49,040
Speaker 5: but I really love your voice and I want to

498
00:19:49,080 --> 00:19:50,960
Speaker 5: keep in touch and kind of let a fire under

499
00:19:51,000 --> 00:19:52,720
Speaker 5: me to be like, well, it looks like I'm gonna

500
00:19:52,760 --> 00:19:55,680
Speaker 5: post everything that I have because I have nothing to lose.

501
00:19:55,720 --> 00:19:59,399
Speaker 5: And when Villain went viral and everyone came calling, I

502
00:19:59,600 --> 00:20:01,560
Speaker 5: definitely only picked up the phone for the one person

503
00:20:01,600 --> 00:20:03,399
Speaker 5: that took the took the bait.

504
00:20:03,280 --> 00:20:04,760
Speaker 2: Early, the person who believed in you.

505
00:20:05,000 --> 00:20:06,800
Speaker 5: She is my champion. Yeah, I wouldn't be here with.

506
00:20:06,760 --> 00:20:09,359
Speaker 2: Her when you are putting out music, What was your

507
00:20:09,440 --> 00:20:12,040
Speaker 2: job to make money while you were trying to create

508
00:20:12,040 --> 00:20:12,800
Speaker 2: a career.

509
00:20:13,800 --> 00:20:17,200
Speaker 5: Oh my gosh, I've had so many. But when Villain

510
00:20:17,240 --> 00:20:19,840
Speaker 5: popped off, I was working at a country club here

511
00:20:19,840 --> 00:20:23,199
Speaker 5: in town, and I was delivering groceries on Instacart.

512
00:20:23,720 --> 00:20:27,080
Speaker 2: What was the country and two questions? Now the country club,

513
00:20:27,119 --> 00:20:27,880
Speaker 2: what were you doing there?

514
00:20:28,440 --> 00:20:31,359
Speaker 5: I worked in the tennis center. Not a tennis player,

515
00:20:31,440 --> 00:20:33,720
Speaker 5: but just anything I could do. And uh, yeah, I

516
00:20:33,760 --> 00:20:35,560
Speaker 5: worked in the tennis center. I was there like booking

517
00:20:35,720 --> 00:20:37,679
Speaker 5: courts for the country club members.

518
00:20:37,720 --> 00:20:39,240
Speaker 2: And did you ever see Abody famous.

519
00:20:38,960 --> 00:20:39,720
Speaker 5: And born wine?

520
00:20:40,359 --> 00:20:42,119
Speaker 2: Yeah? Yeah, mister urban.

521
00:20:42,160 --> 00:20:44,080
Speaker 8: Like drink wine while they played tennis.

522
00:20:44,240 --> 00:20:46,240
Speaker 5: No, there was lots of wine after tennis though.

523
00:20:46,320 --> 00:20:50,400
Speaker 2: Oh yeah, is that a sport? You liked amy wine

524
00:20:50,440 --> 00:20:53,920
Speaker 2: and tennis? That's fine, same time. And then you instacart.

525
00:20:53,920 --> 00:20:57,359
Speaker 2: Sometimes I'll use instacart, yeah, and I'll say I would

526
00:20:57,440 --> 00:21:02,360
Speaker 2: like a chocolate chip granola bar specifically, sure, And then

527
00:21:02,359 --> 00:21:04,200
Speaker 2: they'll come back and all of a sudden they bring

528
00:21:04,200 --> 00:21:05,440
Speaker 2: me a pack of big league chew and just act

529
00:21:05,480 --> 00:21:07,280
Speaker 2: like that's what they were supposed to get. Yeah, what

530
00:21:07,320 --> 00:21:08,919
Speaker 2: do you do? You get there and you just go

531
00:21:09,600 --> 00:21:11,440
Speaker 2: it's closest thing, screw it, throw in the bag.

532
00:21:12,240 --> 00:21:15,399
Speaker 5: Not for me again, rule followers. So I wanted to

533
00:21:15,440 --> 00:21:18,560
Speaker 5: make sure everything was right and try to communicate with

534
00:21:18,600 --> 00:21:21,960
Speaker 5: the customers. But yeah, I mean I enjoyed that job

535
00:21:22,240 --> 00:21:25,320
Speaker 5: compared to like working at the mall and refereeing nine

536
00:21:25,359 --> 00:21:28,160
Speaker 5: year old basketball games. It's uh, I like that one.

537
00:21:28,640 --> 00:21:30,560
Speaker 2: I would also probably skim a little if I were

538
00:21:30,560 --> 00:21:32,399
Speaker 2: a Uber Eats driver, I probably skim a few fries

539
00:21:32,440 --> 00:21:35,320
Speaker 2: every time if it was I don't know, but.

540
00:21:36,800 --> 00:21:39,360
Speaker 5: A bite of an apple, Bobby is the reason they've

541
00:21:39,400 --> 00:21:41,720
Speaker 5: got those stickers on the delivery on the food.

542
00:21:41,760 --> 00:21:44,280
Speaker 2: That's right. I love that. My point with this is

543
00:21:44,400 --> 00:21:46,280
Speaker 2: Lily like knew what she wanted to do, but she

544
00:21:46,359 --> 00:21:48,120
Speaker 2: also knew that she had to grind even to get

545
00:21:48,119 --> 00:21:49,959
Speaker 2: to a place to have a shot to do what

546
00:21:50,000 --> 00:21:52,840
Speaker 2: she wanted to do. And I think that's really admirable.

547
00:21:52,920 --> 00:21:54,439
Speaker 2: Thank you, the fact that you've hung in and just

548
00:21:54,600 --> 00:21:58,359
Speaker 2: again you're so good and you still had to strategically

549
00:21:58,840 --> 00:22:00,880
Speaker 2: grind it out. Yeah, which is two different things than one.

550
00:22:00,960 --> 00:22:02,479
Speaker 2: So what are you going to play for us here?

551
00:22:02,480 --> 00:22:04,320
Speaker 2: I know you guys have your guitars. You and Kevin here, Kevin,

552
00:22:04,320 --> 00:22:06,160
Speaker 2: how are you, buddy? I'm good man, I asked Kevin earlier.

553
00:22:06,200 --> 00:22:07,760
Speaker 2: Say hey, Mayne, we've ever met He's like, I don't know,

554
00:22:07,800 --> 00:22:10,119
Speaker 2: I think so, and he's like, yeah, we have. I

555
00:22:10,119 --> 00:22:12,240
Speaker 2: just don't want to say that. But it was how

556
00:22:12,520 --> 00:22:14,679
Speaker 2: many years ago, Kevin? I had to be what is

557
00:22:14,720 --> 00:22:17,440
Speaker 2: it twenty three? So for four or five years ago?

558
00:22:17,440 --> 00:22:20,480
Speaker 2: And where do we meet backstage somewhere? And how quick

559
00:22:20,520 --> 00:22:21,480
Speaker 2: probably was our interaction?

560
00:22:21,520 --> 00:22:21,680
Speaker 7: Oh?

561
00:22:21,880 --> 00:22:25,440
Speaker 2: Super quick. See, there's just I was this guitar player.

562
00:22:25,440 --> 00:22:25,960
Speaker 7: He didn't care.

563
00:22:26,119 --> 00:22:28,160
Speaker 2: But I remember being like, you're not just a guitar player.

564
00:22:28,200 --> 00:22:30,560
Speaker 2: You're a person, and you're amazing. Remember that speech I

565
00:22:30,600 --> 00:22:31,960
Speaker 2: gave you? Yeah, thank you, thank you.

566
00:22:32,080 --> 00:22:33,960
Speaker 5: His name's Kevin Smith. You can forget him.

567
00:22:33,960 --> 00:22:36,920
Speaker 2: So that's what you're the reason I'm still here. Well, Kevin,

568
00:22:36,960 --> 00:22:40,119
Speaker 2: I just want to say that you're very unforgettable to me. Yes,

569
00:22:40,480 --> 00:22:43,320
Speaker 2: Lily Rose is here. If you told me about him

570
00:22:43,320 --> 00:22:44,439
Speaker 2: before A lot I come in. I used to come

571
00:22:44,440 --> 00:22:49,120
Speaker 2: in every day and be like, anybodys, Kevin, I don't go, Kevin, Lily,

572
00:22:49,160 --> 00:22:50,120
Speaker 2: what are you gonna play for us?

573
00:22:50,440 --> 00:22:52,240
Speaker 5: We're gonna play this new one that I haven't even

574
00:22:52,240 --> 00:22:54,560
Speaker 5: put on the internet or anything yet, but it means

575
00:22:54,560 --> 00:22:57,840
Speaker 5: the world to me. It's a song called two Flowers

576
00:22:57,880 --> 00:22:59,760
Speaker 5: and kind of like if my mom had a crystal

577
00:22:59,800 --> 00:23:02,040
Speaker 5: ball when she was naming me the day I was

578
00:23:02,040 --> 00:23:05,080
Speaker 5: born back in ninety three, of she she hit the

579
00:23:05,160 --> 00:23:08,760
Speaker 5: nail on the head with my name, so Lily Rose

580
00:23:08,760 --> 00:23:13,520
Speaker 5: here on the Bobby Bone Show on Lily Rose, thank you.

581
00:23:13,680 --> 00:23:15,680
Speaker 2: Do you know when you said the title of that song,

582
00:23:15,760 --> 00:23:17,800
Speaker 2: I was like, two flowers. Well, I'm not getting here, yeah,

583
00:23:17,800 --> 00:23:20,840
Speaker 2: because Lily is her name, her last names Rose. Yeah.

584
00:23:20,960 --> 00:23:22,200
Speaker 2: Did you guys get that the whole time?

585
00:23:22,240 --> 00:23:24,280
Speaker 9: Yeah? I know, not till she started singing me, and

586
00:23:24,280 --> 00:23:24,840
Speaker 9: then it hit me.

587
00:23:24,880 --> 00:23:27,400
Speaker 2: I was like, oh, two flowers Lily and Rose. H huh.

588
00:23:27,480 --> 00:23:27,680
Speaker 7: Yeah.

589
00:23:27,760 --> 00:23:30,200
Speaker 5: My parents had the same situation. They did not realize

590
00:23:30,240 --> 00:23:32,280
Speaker 5: it was two flowers until like three weeks after I

591
00:23:32,320 --> 00:23:33,200
Speaker 5: was born, and they.

592
00:23:33,080 --> 00:23:34,520
Speaker 2: Were like, that's funny.

593
00:23:34,840 --> 00:23:37,359
Speaker 5: Yeah, because it's my middle name. My last name's Williamson,

594
00:23:37,840 --> 00:23:38,960
Speaker 5: but like Lily Rose.

595
00:23:38,760 --> 00:23:40,199
Speaker 7: Lily, Yeah, look at you.

596
00:23:40,240 --> 00:23:41,080
Speaker 2: That's the sounds awesome.

597
00:23:41,119 --> 00:23:42,199
Speaker 9: Hey, thanks, Yeah, that's really good.

598
00:23:42,240 --> 00:23:42,760
Speaker 5: Appreciate it.

599
00:23:43,480 --> 00:23:44,600
Speaker 2: We're doing a show together.

600
00:23:44,440 --> 00:23:47,280
Speaker 5: Right yeah, yeah, November, I think yes, cool. I just

601
00:23:47,320 --> 00:23:49,160
Speaker 5: want to make sure, yeah, I know it's not coming.

602
00:23:49,440 --> 00:23:50,160
Speaker 5: He's not invited.

603
00:23:50,240 --> 00:23:53,000
Speaker 2: I didn't know if she knew yet or if she

604
00:23:53,200 --> 00:23:55,400
Speaker 2: was he knows okay, we're good.

605
00:23:55,480 --> 00:23:57,680
Speaker 5: Yeah, dude, I mean that was in my inbox before

606
00:23:57,720 --> 00:23:59,480
Speaker 5: I pulled out of your driveway after the Bobby Cast.

607
00:23:59,480 --> 00:24:00,240
Speaker 5: So I appreciate that.

608
00:24:00,440 --> 00:24:03,640
Speaker 2: I never want to say something that. I never want

609
00:24:03,680 --> 00:24:05,960
Speaker 2: to be vague and generic. Even the first time that

610
00:24:06,000 --> 00:24:08,160
Speaker 2: we met, I told Lily, I said, hey, I'm a fan,

611
00:24:08,600 --> 00:24:11,879
Speaker 2: come up and do the show. And it was the ACMs.

612
00:24:11,920 --> 00:24:13,760
Speaker 2: There were ten thousand people around and people just throw

613
00:24:13,760 --> 00:24:15,560
Speaker 2: out stuff like that, well, let's go to dinner, let's

614
00:24:15,560 --> 00:24:18,120
Speaker 2: do an interview. But I told Lily that, and then

615
00:24:18,160 --> 00:24:19,679
Speaker 2: I thought when I was leaving, I was like, I

616
00:24:19,680 --> 00:24:21,120
Speaker 2: bet she thinks that full of crab. But I didn't

617
00:24:21,160 --> 00:24:23,240
Speaker 2: say that to anybody else that night, only her, And

618
00:24:23,280 --> 00:24:25,040
Speaker 2: so then we message came to the Bobbycast and I

619
00:24:25,080 --> 00:24:26,560
Speaker 2: was like, be honest, did you think that I was

620
00:24:26,560 --> 00:24:27,639
Speaker 2: full of crash? She goes, no, I didn't think you're

621
00:24:27,640 --> 00:24:29,359
Speaker 2: full crab because I don't think' full of crap. And

622
00:24:29,440 --> 00:24:31,440
Speaker 2: so then she was leaving, I said, hey, why don't

623
00:24:31,440 --> 00:24:32,679
Speaker 2: you come to a show in November with me in

624
00:24:32,680 --> 00:24:36,800
Speaker 2: Louisville because it's not far drive, make some good money.

625
00:24:36,920 --> 00:24:39,720
Speaker 2: My audience will love you. And then I thought we'll

626
00:24:39,760 --> 00:24:41,800
Speaker 2: see if she really believes me. But then yeah, I

627
00:24:41,800 --> 00:24:43,440
Speaker 2: sent it out immediately. Yeah, that's awesome. Date.

628
00:24:43,440 --> 00:24:44,960
Speaker 5: I've been listening to you for too long to know

629
00:24:45,000 --> 00:24:46,440
Speaker 5: that you say things so you don't mean so.

630
00:24:46,720 --> 00:24:49,679
Speaker 2: Yeah, maybe wrong, but I mean them right. So I

631
00:24:49,720 --> 00:24:52,520
Speaker 2: say things sometimes that are wrong, but I definitely mean them.

632
00:24:52,560 --> 00:24:55,560
Speaker 2: So a couple of things. One follow Lily on TikTok

633
00:24:55,640 --> 00:24:59,120
Speaker 2: Lily Rose Music Official. You have new music coming out?

634
00:24:59,359 --> 00:24:59,560
Speaker 5: Yeah?

635
00:25:00,160 --> 00:25:00,359
Speaker 12: On it?

636
00:25:00,440 --> 00:25:00,640
Speaker 5: Yeah?

637
00:25:00,680 --> 00:25:01,720
Speaker 2: What's that song come out?

638
00:25:02,600 --> 00:25:04,399
Speaker 5: I don't know. We just finished it. I'm working with

639
00:25:04,440 --> 00:25:07,360
Speaker 5: Paula Giovanni right now and we just finished it and

640
00:25:07,480 --> 00:25:09,960
Speaker 5: we've got a lot of music in the tank, so hopefully.

641
00:25:09,600 --> 00:25:12,480
Speaker 2: Soon out with Sam, then with Shanaia yeah, which is

642
00:25:12,520 --> 00:25:16,240
Speaker 2: super cool. And then in Louisville in November with your boy.

643
00:25:16,720 --> 00:25:17,520
Speaker 9: That's the big one.

644
00:25:17,640 --> 00:25:21,919
Speaker 2: That's the big one, Sam Hunt, Shanaia whatever, Let's go

645
00:25:21,920 --> 00:25:24,880
Speaker 2: into a theater in Louisville. Baby. Yeah, Lily Rose will

646
00:25:24,880 --> 00:25:27,080
Speaker 2: be doing that show with me and my comedically inspirational show.

647
00:25:27,200 --> 00:25:29,320
Speaker 2: Lily you are You're a real tree. I really like

648
00:25:29,400 --> 00:25:31,439
Speaker 2: enjoy you as a person and love you as an artist.

649
00:25:31,480 --> 00:25:33,480
Speaker 2: And Kevin, how about you?

650
00:25:33,520 --> 00:25:34,040
Speaker 5: How about it?

651
00:25:36,359 --> 00:25:39,399
Speaker 2: Way to strom some strengths than Yeah. Yeah, there she

652
00:25:39,560 --> 00:25:43,000
Speaker 2: is Lily Rose and that's it. Go see her. And

653
00:25:43,040 --> 00:25:45,080
Speaker 2: when you get new music out, let's talk about it again.

654
00:25:45,119 --> 00:25:46,920
Speaker 2: Come on, I can't wait Rose.

655
00:25:46,960 --> 00:25:47,400
Speaker 6: Everybody.

656
00:25:47,600 --> 00:25:50,120
Speaker 5: Thank you guys.

657
00:25:50,119 --> 00:25:53,320
Speaker 1: It's the best bits of the week with Morgan.

658
00:25:53,400 --> 00:25:53,880
Speaker 2: Number two.

659
00:25:55,160 --> 00:25:57,320
Speaker 4: You guys always love it when we get vulnerable in studio,

660
00:25:57,359 --> 00:25:59,719
Speaker 4: like when we admit things that we don't know, or

661
00:26:00,280 --> 00:26:03,080
Speaker 4: we say things that we've done before, and it just

662
00:26:03,119 --> 00:26:05,479
Speaker 4: gets a little weird in studio. But this week we

663
00:26:05,520 --> 00:26:07,800
Speaker 4: all talked about the things that we learned way later

664
00:26:07,840 --> 00:26:10,600
Speaker 4: in life than we should have, which only kind of

665
00:26:10,640 --> 00:26:13,480
Speaker 4: turned into a also fun facts for people who didn't

666
00:26:13,520 --> 00:26:15,199
Speaker 4: know some of the things that we also didn't know.

667
00:26:15,280 --> 00:26:18,119
Speaker 4: It was all around really fun and a little bit vulnerable.

668
00:26:18,600 --> 00:26:19,280
Speaker 6: Number six.

669
00:26:19,400 --> 00:26:20,960
Speaker 2: Let's talk about something you learned in your life a

670
00:26:21,000 --> 00:26:23,399
Speaker 2: little later than you should have. I've said it before.

671
00:26:23,440 --> 00:26:26,200
Speaker 2: I thought the babies came out of the belly button

672
00:26:26,240 --> 00:26:28,160
Speaker 2: until I was almost double digits.

673
00:26:28,240 --> 00:26:29,320
Speaker 9: Maybe that's ridiculous.

674
00:26:29,359 --> 00:26:35,919
Speaker 2: Maybe I know double I know, but I didn't have

675
00:26:36,000 --> 00:26:38,160
Speaker 2: kids telling me showing me dirty picked it. I would.

676
00:26:38,160 --> 00:26:40,480
Speaker 2: I just thought, and I remember when I found out

677
00:26:40,720 --> 00:26:42,720
Speaker 2: babies didn't come from belly button. I was like, what

678
00:26:43,320 --> 00:26:45,520
Speaker 2: it was? Why y old to me? Because I always

679
00:26:45,560 --> 00:26:49,000
Speaker 2: thought the baby So I admit as a dumb dumb

680
00:26:49,840 --> 00:26:51,480
Speaker 2: later than I should have been. What age did you

681
00:26:51,520 --> 00:26:52,800
Speaker 2: learn babies don't come out of the belly butt?

682
00:26:52,800 --> 00:26:54,680
Speaker 8: Well, that's what I was just trying to think about. Like, honestly,

683
00:26:54,920 --> 00:26:57,439
Speaker 8: I have no idea when that clicked for me.

684
00:26:57,600 --> 00:26:59,360
Speaker 2: I've been fifteen middle school.

685
00:26:59,600 --> 00:27:01,800
Speaker 8: I don't know when my Yeah, maybe when we did

686
00:27:01,840 --> 00:27:02,919
Speaker 8: like sex out and class.

687
00:27:03,240 --> 00:27:03,720
Speaker 2: That's late.

688
00:27:04,440 --> 00:27:06,399
Speaker 5: Okay, maybe see look at me, I'm normal.

689
00:27:06,880 --> 00:27:07,200
Speaker 9: Okay.

690
00:27:07,600 --> 00:27:09,880
Speaker 2: I didn't remember saying that to people, even other kids,

691
00:27:09,880 --> 00:27:12,640
Speaker 2: and they were like, you're an idiot. Yeah, I was nineteen, Okay.

692
00:27:13,000 --> 00:27:14,640
Speaker 8: I think we grew up with parents and didn't really

693
00:27:14,640 --> 00:27:16,840
Speaker 8: talk to us about that stuff. But now they encourage you,

694
00:27:16,920 --> 00:27:20,000
Speaker 8: like as young as they are, start using the proper language,

695
00:27:20,080 --> 00:27:22,639
Speaker 8: talk about the things. Don't make it weird for kids.

696
00:27:22,840 --> 00:27:25,720
Speaker 2: Something else that I learned later in life. There's two

697
00:27:25,720 --> 00:27:28,119
Speaker 2: different people. I thought, and I'll play you clips in

698
00:27:28,119 --> 00:27:31,320
Speaker 2: just a second that Adobie Gray was white and Fergie

699
00:27:31,359 --> 00:27:35,399
Speaker 2: was black. Uh they're the so no Adobe Gray sings

700
00:27:35,480 --> 00:27:40,240
Speaker 2: Drift Away. The original singer I pictured a long haired

701
00:27:40,320 --> 00:27:43,920
Speaker 2: hippie white guy like the Almond Brothers singing this, oh

702
00:27:43,960 --> 00:27:46,720
Speaker 2: white guys. And it wasn't until a couple of years

703
00:27:46,720 --> 00:27:48,320
Speaker 2: ago I saw a picture of I was like, wait, Adobe,

704
00:27:48,400 --> 00:27:49,200
Speaker 2: Gray's a black dude.

705
00:27:49,200 --> 00:27:49,440
Speaker 7: Wow.

706
00:27:49,520 --> 00:27:51,520
Speaker 2: Wow. And Fergie I always thought she was I thought

707
00:27:51,560 --> 00:27:53,840
Speaker 2: she was black. I didn't know she was white. And

708
00:27:53,840 --> 00:27:58,560
Speaker 2: that's he pictured her so later until I realized I'm wrong.

709
00:27:58,800 --> 00:28:01,280
Speaker 2: So there you go. There's a mine. There's all the

710
00:28:01,280 --> 00:28:02,919
Speaker 2: things I learned later in life. But everybody else like

711
00:28:02,920 --> 00:28:04,960
Speaker 2: you're an idiot. Okay, Amy, let's go to you.

712
00:28:05,320 --> 00:28:08,480
Speaker 8: Well that a pony is not a baby horse.

713
00:28:08,840 --> 00:28:09,159
Speaker 2: It's not.

714
00:28:09,800 --> 00:28:12,000
Speaker 9: No, what do you mean it's not you're talking about.

715
00:28:12,480 --> 00:28:16,359
Speaker 8: Well, a pony is like a breed, a specific type

716
00:28:16,400 --> 00:28:21,000
Speaker 8: of horse, and a baby horse is a fowl or

717
00:28:21,000 --> 00:28:22,920
Speaker 8: something used to.

718
00:28:22,880 --> 00:28:26,800
Speaker 2: Me, So pony I always thought been a.

719
00:28:26,680 --> 00:28:30,440
Speaker 8: Baby horse, right, because when I see as a baby horse, yeah,

720
00:28:30,440 --> 00:28:32,040
Speaker 8: I don't know how to say it, foul.

721
00:28:32,400 --> 00:28:34,800
Speaker 2: Chicken ponies are a small breed of horses, so that

722
00:28:34,880 --> 00:28:36,359
Speaker 2: was why we think their baby I'm telling you, I

723
00:28:36,400 --> 00:28:37,040
Speaker 2: didn't know that.

724
00:28:36,720 --> 00:28:37,720
Speaker 6: That's amazing.

725
00:28:37,920 --> 00:28:40,200
Speaker 9: You didn't learn that in college?

726
00:28:41,320 --> 00:28:45,240
Speaker 8: Yeah, but I studied more of chickens and cows.

727
00:28:45,480 --> 00:28:48,360
Speaker 2: Well, you taught us something today too. Ponies are small

728
00:28:48,400 --> 00:28:51,520
Speaker 2: breeds of horses that, because of their size, appear much smaller,

729
00:28:52,160 --> 00:28:55,000
Speaker 2: so they are assumed to be younger. I thought ponies

730
00:28:55,000 --> 00:28:55,960
Speaker 2: were baby horses.

731
00:28:56,360 --> 00:28:58,400
Speaker 8: Same and say it again, how do you say it full?

732
00:28:58,560 --> 00:28:59,520
Speaker 5: Full? Okay?

733
00:28:59,680 --> 00:29:03,720
Speaker 8: So I have like my preschool picture or something for

734
00:29:03,880 --> 00:29:05,960
Speaker 8: school or something like, I'm in a cowgirl outfit and

735
00:29:06,000 --> 00:29:08,640
Speaker 8: they put us on top of these tiny horses, which

736
00:29:08,680 --> 00:29:09,160
Speaker 8: I thought.

737
00:29:09,000 --> 00:29:13,720
Speaker 2: Were pony, like a Shetland pony, Yes, a Shetland but

738
00:29:13,720 --> 00:29:15,080
Speaker 2: I thought it was like a Shetland But at the

739
00:29:15,080 --> 00:29:15,920
Speaker 2: pony's a young shell.

740
00:29:16,000 --> 00:29:16,320
Speaker 7: I don't know.

741
00:29:16,880 --> 00:29:20,960
Speaker 8: Now I'm even confusing. But all that to say baby

742
00:29:21,000 --> 00:29:23,560
Speaker 8: horses or not ponies, lunchbikes.

743
00:29:23,680 --> 00:29:23,880
Speaker 2: Yeah.

744
00:29:23,920 --> 00:29:25,760
Speaker 3: I found out when I was forty one years old

745
00:29:25,920 --> 00:29:28,720
Speaker 3: to be exact January of this year, that jaguars do

746
00:29:28,800 --> 00:29:32,320
Speaker 3: not have blue tongues. If you look at the Jacksonville

747
00:29:32,400 --> 00:29:36,240
Speaker 3: Jaguars football logo, the tongue is blue on the jaguar

748
00:29:36,400 --> 00:29:38,400
Speaker 3: and I that's so, that's the only place I've ever

749
00:29:38,400 --> 00:29:40,959
Speaker 3: seen a jaguar. So I always thought the tongues were

750
00:29:41,000 --> 00:29:43,200
Speaker 3: blue because of the logo.

751
00:29:43,360 --> 00:29:46,360
Speaker 2: Oh that's funny, I can see. I never have thought

752
00:29:46,400 --> 00:29:47,920
Speaker 2: about it. I didn't know the tongue was any color.

753
00:29:47,960 --> 00:29:50,600
Speaker 2: Interesting until I can't see the logo and it is blue.

754
00:29:50,760 --> 00:29:53,000
Speaker 3: I was reading facts about jaguars with one of my

755
00:29:53,080 --> 00:29:56,000
Speaker 3: kids and it was like, and just so you know,

756
00:29:56,040 --> 00:29:58,120
Speaker 3: the jaguars tongue is not blue, and I was.

757
00:29:58,120 --> 00:30:01,760
Speaker 2: Like, what, you're my mine blown?

758
00:30:01,880 --> 00:30:03,400
Speaker 6: So I went and looked. I'm like, no, look at

759
00:30:03,400 --> 00:30:06,240
Speaker 6: the logo. And then I started looking up real jaguars online.

760
00:30:06,600 --> 00:30:09,040
Speaker 2: But their team colors that well, I didn't know.

761
00:30:09,920 --> 00:30:12,400
Speaker 6: I didn't know they would paint their tongue their color.

762
00:30:12,600 --> 00:30:14,600
Speaker 2: Yeah, yeah, I never thought about it, but I can

763
00:30:14,600 --> 00:30:16,600
Speaker 2: definitely see where that would be confusing. I just want

764
00:30:16,640 --> 00:30:19,080
Speaker 2: to believe it was blue, though I would thought it

765
00:30:19,080 --> 00:30:19,840
Speaker 2: was a part of the logo.

766
00:30:19,880 --> 00:30:21,880
Speaker 9: But have blue tongues.

767
00:30:21,920 --> 00:30:24,120
Speaker 6: Other animals have different color tongues.

768
00:30:23,760 --> 00:30:28,760
Speaker 10: Yeah, you know, color like purple, purpleish tongues.

769
00:30:28,840 --> 00:30:31,800
Speaker 2: The jaguars is just a normal pink tongue like us, Eddie,

770
00:30:31,840 --> 00:30:32,640
Speaker 2: what you just learned.

771
00:30:32,480 --> 00:30:36,080
Speaker 10: Well, mine's got to be the dinosaurs, oh you guys.

772
00:30:36,720 --> 00:30:38,880
Speaker 10: And I just thought that, like because I remember going

773
00:30:38,920 --> 00:30:41,360
Speaker 10: to the museum as a kid and them have like

774
00:30:41,440 --> 00:30:45,680
Speaker 10: footprints of dinosaurs or like a big dinosaur skeleton, and

775
00:30:45,760 --> 00:30:47,320
Speaker 10: I just figured they were just saying like this is

776
00:30:47,400 --> 00:30:49,280
Speaker 10: I mean, this is what we think was around.

777
00:30:49,560 --> 00:30:51,840
Speaker 9: We don't know, but we think that this is kind

778
00:30:51,840 --> 00:30:52,760
Speaker 9: of like what was around.

779
00:30:52,920 --> 00:30:55,080
Speaker 2: So, but did you think dinosaurs are fictional?

780
00:30:55,360 --> 00:30:55,680
Speaker 9: Yeah?

781
00:30:55,840 --> 00:30:58,520
Speaker 10: Yeah, I thought they were just like a thing like okay,

782
00:30:58,640 --> 00:31:00,960
Speaker 10: like like the god, like the guy Medusa.

783
00:31:01,440 --> 00:31:02,480
Speaker 6: They're like the stones.

784
00:31:02,560 --> 00:31:04,600
Speaker 2: No, no, no, hold on, there's two different things. One are

785
00:31:04,640 --> 00:31:07,000
Speaker 2: you one of you is talking about like mythology, and

786
00:31:07,000 --> 00:31:10,600
Speaker 2: one of you talking about Hanna Barbary cart right zeus, Yeah,

787
00:31:10,600 --> 00:31:12,600
Speaker 2: I mean Roman Greek mythology, I think.

788
00:31:12,640 --> 00:31:15,520
Speaker 3: Okay, I gotta be honest, just like two weeks ago

789
00:31:15,560 --> 00:31:17,360
Speaker 3: I found out and then aren't real? That's I brought

790
00:31:17,400 --> 00:31:20,440
Speaker 3: them up because you guys start talking about how they're

791
00:31:20,440 --> 00:31:21,120
Speaker 3: not real, and I'm.

792
00:31:21,000 --> 00:31:25,480
Speaker 2: Like, what do you mean mythology, myth mythological myth.

793
00:31:25,920 --> 00:31:28,200
Speaker 6: So like like Socrates and there weren't.

794
00:31:27,960 --> 00:31:32,320
Speaker 2: Real socc real, but what was the Socrates playedo Aristotle,

795
00:31:32,360 --> 00:31:33,800
Speaker 2: All those guys were real. They're they're Greek.

796
00:31:34,000 --> 00:31:36,960
Speaker 6: Okay, then what so there are Greek gods but there's

797
00:31:37,040 --> 00:31:38,960
Speaker 6: not a god.

798
00:31:39,040 --> 00:31:40,520
Speaker 2: No, but the Soccrate isn't a god.

799
00:31:40,960 --> 00:31:42,360
Speaker 9: Socrates was a philosopher.

800
00:31:43,640 --> 00:31:46,320
Speaker 6: Then who is the s the mythology person? And there

801
00:31:46,320 --> 00:31:46,840
Speaker 6: a ne s one.

802
00:31:46,960 --> 00:31:51,440
Speaker 2: I'm sure there are Grocerer skeletor he was an he man,

803
00:31:52,840 --> 00:31:59,320
Speaker 2: so I didn't know sorcerer. And then is not ans

804
00:31:59,360 --> 00:32:02,520
Speaker 2: like from dungeons? And okay, Morgan, do you have anything

805
00:32:02,520 --> 00:32:03,040
Speaker 2: you just learned?

806
00:32:03,200 --> 00:32:03,440
Speaker 12: Yeah?

807
00:32:03,760 --> 00:32:05,680
Speaker 4: I learned it when I was working at Buffalo Wild

808
00:32:05,720 --> 00:32:08,480
Speaker 4: Wings because somebody asked me for a soft drink and

809
00:32:08,520 --> 00:32:09,680
Speaker 4: I was like, what's that.

810
00:32:10,160 --> 00:32:11,320
Speaker 8: I didn't realize because I had.

811
00:32:11,240 --> 00:32:13,600
Speaker 4: Always called them pops, But a soft drink is a

812
00:32:13,640 --> 00:32:15,720
Speaker 4: soda and they're called that because they don't have hard

813
00:32:15,760 --> 00:32:16,880
Speaker 4: alcohol in them.

814
00:32:17,240 --> 00:32:18,720
Speaker 2: Oh, I didn't know that. I think that's more of

815
00:32:18,720 --> 00:32:21,600
Speaker 2: a fun fact than I wouldn't be surprised. Well, like

816
00:32:21,640 --> 00:32:25,080
Speaker 2: my manager that no drinking ponies and soft drinks? Who

817
00:32:25,120 --> 00:32:25,800
Speaker 2: knew soft?

818
00:32:25,960 --> 00:32:29,280
Speaker 8: Ye? And to be clear, or I didn't like literally

819
00:32:29,400 --> 00:32:31,600
Speaker 8: just learn that. Because Eddie was like, you didn't learn

820
00:32:31,640 --> 00:32:33,080
Speaker 8: it in college, I'm like, I don't know when I

821
00:32:33,120 --> 00:32:33,400
Speaker 8: learned it.

822
00:32:33,520 --> 00:32:34,800
Speaker 2: Yeah, that was rue to say, Eddie, because we learned

823
00:32:34,800 --> 00:32:36,560
Speaker 2: it later than everybody else, right, But I didn't know

824
00:32:36,600 --> 00:32:37,280
Speaker 2: later in life.

825
00:32:37,280 --> 00:32:39,680
Speaker 8: But I didn't know it right life college is later

826
00:32:39,720 --> 00:32:40,200
Speaker 8: in life.

827
00:32:40,280 --> 00:32:41,040
Speaker 9: That was her major.

828
00:32:41,160 --> 00:32:42,560
Speaker 2: But I hear you what the pony thing? I don't

829
00:32:42,600 --> 00:32:43,000
Speaker 2: know right now.

830
00:32:44,160 --> 00:32:46,959
Speaker 3: It is more unbelievable that he didn't know dinosaurs were

831
00:32:46,960 --> 00:32:48,600
Speaker 3: real until a couple of years ago than her about

832
00:32:48,600 --> 00:32:48,960
Speaker 3: the pony.

833
00:32:49,040 --> 00:32:51,800
Speaker 6: So him bashing on her is like.

834
00:32:52,000 --> 00:32:53,320
Speaker 2: Yeah, hilariy I agree with that too.

835
00:32:54,280 --> 00:32:55,320
Speaker 9: Dinosaurs really real.

836
00:32:55,400 --> 00:32:57,040
Speaker 2: I think you're all out of control right now. But

837
00:32:57,040 --> 00:32:58,440
Speaker 2: I didn't know soft drink is because I wasn't a

838
00:32:58,440 --> 00:33:00,320
Speaker 2: hard alcohol and yeah in.

839
00:33:00,240 --> 00:33:00,840
Speaker 8: That high school.

840
00:33:00,840 --> 00:33:03,160
Speaker 4: And I was like shocked because somebody actually referred to

841
00:33:03,200 --> 00:33:03,920
Speaker 4: it as a soft drink.

842
00:33:04,000 --> 00:33:05,720
Speaker 2: Yeah. I don't know people that do that though that

843
00:33:06,000 --> 00:33:06,440
Speaker 2: I don't know.

844
00:33:06,600 --> 00:33:09,800
Speaker 10: So is that why they call them hard Seltzers like hard,

845
00:33:09,840 --> 00:33:10,760
Speaker 10: just because that's liquor in it?

846
00:33:10,840 --> 00:33:13,880
Speaker 2: Yeah? Yeah, my hard documentary as it doesn't ray. Do

847
00:33:13,920 --> 00:33:16,719
Speaker 2: you have anything you learned later? Yeah, mine's pretty embarrassing.

848
00:33:17,320 --> 00:33:19,520
Speaker 13: So when you get on a plane, I didn't learn

849
00:33:19,560 --> 00:33:23,120
Speaker 13: this till probably pretty recently. You get on a plane

850
00:33:23,120 --> 00:33:25,160
Speaker 13: and you have your bag and you do the check bag.

851
00:33:25,840 --> 00:33:28,800
Speaker 13: I always thought the bags flew on a separate plane.

852
00:33:29,560 --> 00:33:31,920
Speaker 13: I didn't know they put the bags under your plane.

853
00:33:31,960 --> 00:33:34,480
Speaker 2: When do you what that makes sense? I don't know

854
00:33:34,480 --> 00:33:37,240
Speaker 2: what age do you think you learned that you did that? Click.

855
00:33:37,440 --> 00:33:39,880
Speaker 13: I definitely when I was with Bazer, so when we

856
00:33:39,920 --> 00:33:42,160
Speaker 13: maybe when we first started dating. We're flying places in

857
00:33:42,200 --> 00:33:44,640
Speaker 13: the last in the last five years.

858
00:33:45,560 --> 00:33:47,520
Speaker 9: Well, that would make sense why they would lose them. Correct,

859
00:33:47,520 --> 00:33:49,280
Speaker 9: the plane got lost, That's what I'm saying.

860
00:33:49,280 --> 00:33:50,640
Speaker 2: So I just said, what about on the way to

861
00:33:50,640 --> 00:33:51,400
Speaker 2: to get to the plane.

862
00:33:51,360 --> 00:33:53,360
Speaker 3: End, a plane got delayed, So that's why the bag's

863
00:33:53,440 --> 00:33:55,600
Speaker 3: not there. I can see that, right.

864
00:33:55,400 --> 00:33:58,200
Speaker 2: So a secondary plane was flying behind you with another

865
00:33:58,200 --> 00:33:58,960
Speaker 2: set of bags. Yeah.

866
00:33:58,960 --> 00:34:00,760
Speaker 13: I didn't necessarily even break it down that it was

867
00:34:00,800 --> 00:34:03,120
Speaker 13: a secondary plane. I thought it was some sort of

868
00:34:03,560 --> 00:34:06,080
Speaker 13: transportation device that got the bags there.

869
00:34:06,360 --> 00:34:08,279
Speaker 2: In the air that fly transporsion flies in the air

870
00:34:08,280 --> 00:34:10,640
Speaker 2: behind the plane, so it almost like a chlane.

871
00:34:10,680 --> 00:34:13,000
Speaker 13: Like a UPS or a FedEx. I thought they sent

872
00:34:13,080 --> 00:34:14,600
Speaker 13: him on those planes or a plane.

873
00:34:14,719 --> 00:34:14,959
Speaker 9: Yeah.

874
00:34:15,080 --> 00:34:17,800
Speaker 10: Yeah, Well, you know, Lunchbox still doesn't understand how a

875
00:34:17,920 --> 00:34:19,200
Speaker 10: package can get there overnight.

876
00:34:19,280 --> 00:34:21,320
Speaker 2: The guy is freaked out by overnight delivery.

877
00:34:21,680 --> 00:34:22,800
Speaker 6: Dude, you order something.

878
00:34:22,680 --> 00:34:24,440
Speaker 3: At eight pm and it is there by eight am,

879
00:34:24,480 --> 00:34:27,399
Speaker 3: that is mind blowing. You cannot book a flight at

880
00:34:27,400 --> 00:34:28,839
Speaker 3: eight pm and get there at eight am.

881
00:34:28,960 --> 00:34:33,640
Speaker 9: Yes, you can. You can get to Europe new chance.

882
00:34:35,040 --> 00:34:35,360
Speaker 6: Chance.

883
00:34:35,440 --> 00:34:38,759
Speaker 3: The last flight out of here is Okay, you're doing times,

884
00:34:39,200 --> 00:34:41,840
Speaker 3: but also you're talking about cargo planes.

885
00:34:42,400 --> 00:34:45,279
Speaker 2: They have different schedules. They fly all night all the time,

886
00:34:45,280 --> 00:34:46,040
Speaker 2: and they go I.

887
00:34:45,960 --> 00:34:49,279
Speaker 3: Understand that, but you drop it off at the post office.

888
00:34:49,200 --> 00:34:50,839
Speaker 2: Edie, why do you do this? You can't get back

889
00:34:50,880 --> 00:34:53,080
Speaker 2: into the fact that he does not believe. So what

890
00:34:53,200 --> 00:34:53,760
Speaker 2: is your theory?

891
00:34:54,600 --> 00:34:58,000
Speaker 6: I don't know. It's but like, literally, I go to

892
00:34:58,040 --> 00:34:58,720
Speaker 6: the post office.

893
00:34:58,760 --> 00:35:02,560
Speaker 3: It closes at five PM, and I drop off that package,

894
00:35:02,920 --> 00:35:07,520
Speaker 3: and I say overnight delivery to freaking Sacramento, California, and

895
00:35:07,600 --> 00:35:11,040
Speaker 3: it is there by eight am. Explain it to me.

896
00:35:11,480 --> 00:35:14,319
Speaker 3: They have to get it from that post office. It

897
00:35:14,360 --> 00:35:16,920
Speaker 3: goes to a ship like a sorting center. Then it

898
00:35:16,960 --> 00:35:19,400
Speaker 3: has to go to a plane. Let's mathematically quickly do this.

899
00:35:19,880 --> 00:35:22,439
Speaker 2: So okay, Nashville, it sits in at five, the people

900
00:35:22,480 --> 00:35:24,320
Speaker 2: probably get at five thirty, they take it the shipping

901
00:35:24,360 --> 00:35:27,279
Speaker 2: center at six. It's into different hubs. They probably go

902
00:35:27,360 --> 00:35:31,760
Speaker 2: to the California to the California hub, or Atlanta to California.

903
00:35:31,840 --> 00:35:32,359
Speaker 9: What's that flight?

904
00:35:32,400 --> 00:35:34,040
Speaker 2: But let's just go Atlanta. Let's go a little low

905
00:35:34,120 --> 00:35:36,560
Speaker 2: let's go. Let's do Amy's Nashville to Atlanta to that

906
00:35:36,600 --> 00:35:38,520
Speaker 2: hub is going to take hour hour. So let's say

907
00:35:38,520 --> 00:35:41,040
Speaker 2: it's six and seven, eight nine, and say it's nine pm.

908
00:35:41,120 --> 00:35:43,319
Speaker 2: Now that's going to go to La Probably no, but

909
00:35:43,360 --> 00:35:46,200
Speaker 2: you gotta understand what hold on nine to twelve? One

910
00:35:46,239 --> 00:35:49,040
Speaker 2: am there, so it's gonna go to another hub. Two am.

911
00:35:49,200 --> 00:35:51,759
Speaker 2: Let's go to Sacramento. Now another two hours. It's there

912
00:35:51,800 --> 00:35:53,879
Speaker 2: by four am, you guys, and then on the truck

913
00:35:53,920 --> 00:35:54,520
Speaker 2: by six am.

914
00:35:54,600 --> 00:35:58,440
Speaker 6: Oh, you guys are so stupid. Noat you guys. Literally

915
00:35:58,840 --> 00:35:59,920
Speaker 6: try it too.

916
00:36:00,040 --> 00:36:02,399
Speaker 3: It's an hour if you check your bag to get

917
00:36:02,440 --> 00:36:04,360
Speaker 3: it at the carousel. So for you to tell me

918
00:36:04,400 --> 00:36:05,960
Speaker 3: that it's gonna land in Atlanta and be at the

919
00:36:05,960 --> 00:36:08,400
Speaker 3: shave center, take it off the bagage, the baggage claim.

920
00:36:08,520 --> 00:36:10,359
Speaker 3: You say it's gonna land in Atlanta and be at

921
00:36:10,400 --> 00:36:11,919
Speaker 3: the shipping center in an hour?

922
00:36:11,960 --> 00:36:12,600
Speaker 6: Will airplot.

923
00:36:12,719 --> 00:36:14,680
Speaker 2: It doesn't come out where everybody's waiting on the packages

924
00:36:14,760 --> 00:36:17,319
Speaker 2: to hear you're going on a carousel. It's all. It

925
00:36:17,360 --> 00:36:18,759
Speaker 2: doesn't matter, Eddie. Why did you do this?

926
00:36:18,840 --> 00:36:19,640
Speaker 9: I thought it'd be funny.

927
00:36:19,800 --> 00:36:20,160
Speaker 2: It was not.

928
00:36:20,480 --> 00:36:24,880
Speaker 8: He wanted to deflect from minours, all right, true, true,

929
00:36:25,080 --> 00:36:26,600
Speaker 8: it worked.

930
00:36:26,960 --> 00:36:30,680
Speaker 1: It's the best bits of the week with Morgan. Number two.

931
00:36:32,120 --> 00:36:34,120
Speaker 4: We played a new game on the show this week.

932
00:36:34,200 --> 00:36:37,239
Speaker 4: It was the famous first lines game. So Bobby would

933
00:36:37,280 --> 00:36:40,080
Speaker 4: sing the first line of a nineties country song, but

934
00:36:40,160 --> 00:36:42,520
Speaker 4: he'd sing it totally off key and totally in like

935
00:36:42,560 --> 00:36:45,399
Speaker 4: a random way, so we couldn't put two and two

936
00:36:45,480 --> 00:36:47,319
Speaker 4: together because if he's saying in the right way, it'd

937
00:36:47,360 --> 00:36:48,120
Speaker 4: be way too easy.

938
00:36:48,560 --> 00:36:50,399
Speaker 6: So it definitely threw a lot of us off.

939
00:36:50,440 --> 00:36:54,000
Speaker 4: But you know, not our music genius. He still crushed it.

940
00:36:54,200 --> 00:36:56,360
Speaker 4: But this game was super fun and interesting. Play along

941
00:36:56,480 --> 00:36:57,680
Speaker 4: and see how many you get.

942
00:36:58,280 --> 00:37:01,080
Speaker 2: Number five, I'll read you the famous first line of

943
00:37:01,080 --> 00:37:03,160
Speaker 2: a nineties country song. You just have to name the song.

944
00:37:03,880 --> 00:37:05,239
Speaker 9: Oh easy, Yeah, sounds good.

945
00:37:06,239 --> 00:37:09,480
Speaker 2: I have seven of these. You all can play. Whomever

946
00:37:09,480 --> 00:37:11,759
Speaker 2: gets the most points is the winner. The example I

947
00:37:11,760 --> 00:37:17,480
Speaker 2: would give is blame it all on my roots.

948
00:37:18,760 --> 00:37:21,960
Speaker 9: Okay, you're gonna read them all that I show up

949
00:37:21,960 --> 00:37:22,600
Speaker 9: in boots.

950
00:37:22,719 --> 00:37:23,959
Speaker 2: Yes, Because it throws you off.

951
00:37:23,960 --> 00:37:24,560
Speaker 7: It does.

952
00:37:26,960 --> 00:37:29,040
Speaker 2: Munch of struggling with you. You don't read it like that.

953
00:37:29,080 --> 00:37:30,359
Speaker 6: You don't know what you gotta know what it's called.

954
00:37:30,520 --> 00:37:31,600
Speaker 6: I don't know if I have the right name.

955
00:37:31,680 --> 00:37:32,160
Speaker 2: What is it?

956
00:37:32,320 --> 00:37:33,280
Speaker 6: Boots, guot and boogie.

957
00:37:33,320 --> 00:37:36,480
Speaker 9: Oh my goodness, it is friends in low places? Amy,

958
00:37:36,480 --> 00:37:37,120
Speaker 9: do you not know that one?

959
00:37:40,400 --> 00:37:40,680
Speaker 13: Shoot?

960
00:37:40,800 --> 00:37:43,000
Speaker 2: I'm a mess up. You're so easy. I gotta put

961
00:37:43,320 --> 00:37:47,799
Speaker 2: different effect on different words. Okay, okay, here we go,

962
00:37:48,400 --> 00:37:55,080
Speaker 2: number one of seven. Let let's go girls.

963
00:37:57,920 --> 00:37:59,000
Speaker 5: What I'm in?

964
00:37:59,520 --> 00:38:06,719
Speaker 11: U uh, let's go, girls, I'm in.

965
00:38:10,600 --> 00:38:12,480
Speaker 2: Lunchbox's hand is still on his head.

966
00:38:12,760 --> 00:38:13,759
Speaker 6: I'm running something down.

967
00:38:13,800 --> 00:38:14,040
Speaker 7: I know.

968
00:38:14,160 --> 00:38:18,719
Speaker 2: Yeah, all right, three seconds Lunchbox, your answer.

969
00:38:18,440 --> 00:38:22,960
Speaker 6: Shania Twain and I put man. I feel like a woman.

970
00:38:22,840 --> 00:38:24,720
Speaker 9: Eddie Man, I feel like a woman.

971
00:38:24,760 --> 00:38:26,319
Speaker 2: Morgan Man, I feel like a woman.

972
00:38:26,520 --> 00:38:27,040
Speaker 8: Man. I feel like.

973
00:38:27,160 --> 00:38:29,080
Speaker 2: Everybody gets a point. Nice job. Let's go.

974
00:38:29,719 --> 00:38:30,720
Speaker 5: Let's go girls.

975
00:38:31,480 --> 00:38:34,120
Speaker 2: Okay now that yeah, yeah, not like I do it.

976
00:38:35,440 --> 00:38:35,880
Speaker 7: Here we go.

977
00:38:36,640 --> 00:38:47,920
Speaker 14: When sun goes down on my side of town, I'm.

978
00:38:47,800 --> 00:38:50,400
Speaker 2: Singing it completely wrong. This is how the game should

979
00:38:50,400 --> 00:38:50,880
Speaker 2: be for now on.

980
00:38:52,440 --> 00:38:59,000
Speaker 14: When the sun goes down on my side of town.

981
00:39:00,000 --> 00:39:08,920
Speaker 10: Okay, I'm in, Amy, want me singing to you?

982
00:39:10,640 --> 00:39:11,560
Speaker 9: That's harder than you think.

983
00:39:13,800 --> 00:39:20,719
Speaker 2: I need to answer. When everybody drop pins Amy, the

984
00:39:20,880 --> 00:39:27,080
Speaker 2: sun goes no answer. Lunchbox, boots scooting book incorrect, boot

985
00:39:27,120 --> 00:39:32,279
Speaker 2: scooting bog red dirt, road. At least, do I have it?

986
00:39:33,640 --> 00:39:39,800
Speaker 2: When the sun goes down? Listen when the sun goes down?

987
00:39:40,840 --> 00:39:44,759
Speaker 9: Guys bootsooting, right they do?

988
00:39:46,640 --> 00:39:47,040
Speaker 7: There we go.

989
00:39:47,120 --> 00:39:48,880
Speaker 2: Everybody's only got one point there, here's the next one.

990
00:39:48,880 --> 00:39:51,759
Speaker 2: I'm gonna sing the song in a way shouldn't be saying.

991
00:39:51,800 --> 00:39:52,120
Speaker 9: Here we go.

992
00:39:53,920 --> 00:40:00,280
Speaker 15: Three Williams lived down a dirt road. Oh, oh gosh,

993
00:40:00,880 --> 00:40:03,920
Speaker 15: one more time for the talk. Hold on, kuele Williams

994
00:40:03,960 --> 00:40:05,000
Speaker 15: lip down a dirt road.

995
00:40:06,880 --> 00:40:08,200
Speaker 9: All here is fresh brands.

996
00:40:11,040 --> 00:40:11,440
Speaker 6: Do you have it?

997
00:40:11,560 --> 00:40:13,080
Speaker 9: Eddie O?

998
00:40:15,560 --> 00:40:15,920
Speaker 5: Alright?

999
00:40:15,960 --> 00:40:16,839
Speaker 2: Thirty seconds?

1000
00:40:19,920 --> 00:40:21,400
Speaker 9: Hey you're in? Yeah?

1001
00:40:21,600 --> 00:40:22,279
Speaker 2: Lets box? What do you have?

1002
00:40:22,440 --> 00:40:23,160
Speaker 6: Good directions?

1003
00:40:23,239 --> 00:40:25,799
Speaker 2: Amy? Dust on the bottle, Eddie Organ?

1004
00:40:25,920 --> 00:40:26,279
Speaker 8: I like it.

1005
00:40:26,440 --> 00:40:28,280
Speaker 2: I love it, dust on the ball.

1006
00:40:28,800 --> 00:40:32,080
Speaker 7: You Williams down a dirt road?

1007
00:40:32,560 --> 00:40:33,880
Speaker 2: Is this too hard? When I sing it like this?

1008
00:40:33,920 --> 00:40:35,520
Speaker 9: It hurts it hard? It makes it tricky?

1009
00:40:35,600 --> 00:40:39,000
Speaker 6: Yeah, but you go so fast, you mayd be so easy.

1010
00:40:39,040 --> 00:40:39,799
Speaker 8: Yeah, it's fun.

1011
00:40:39,880 --> 00:40:41,080
Speaker 2: Okay, here we go.

1012
00:40:41,160 --> 00:40:42,239
Speaker 9: Ready.

1013
00:40:42,880 --> 00:40:48,279
Speaker 2: Spent forty eight hours last night at the county Fair.

1014
00:40:49,520 --> 00:40:50,160
Speaker 7: Oh I know that.

1015
00:40:51,760 --> 00:40:54,680
Speaker 2: First line of a nineties country song that's wildly famous.

1016
00:40:55,640 --> 00:41:00,439
Speaker 2: Spent forty eight dollars last night at the county fair.

1017
00:41:04,000 --> 00:41:05,919
Speaker 6: I'm in hold on what I've.

1018
00:41:05,840 --> 00:41:07,200
Speaker 2: Just seen him.

1019
00:41:08,239 --> 00:41:11,279
Speaker 9: What the sun goes down?

1020
00:41:17,360 --> 00:41:17,680
Speaker 2: Shine?

1021
00:41:18,239 --> 00:41:21,280
Speaker 3: Amy, I want to hear that Teddy Bear lunchbox barbecue

1022
00:41:21,320 --> 00:41:22,520
Speaker 3: staying on that white T shirt.

1023
00:41:22,680 --> 00:41:25,279
Speaker 2: Morgan, I like it. I love it, Ddie, I like it.

1024
00:41:25,320 --> 00:41:26,360
Speaker 2: I love it, I like it.

1025
00:41:26,400 --> 00:41:26,759
Speaker 5: I love it.

1026
00:41:26,960 --> 00:41:29,719
Speaker 6: Yeah, dollars last night.

1027
00:41:29,920 --> 00:41:31,480
Speaker 12: Have to care fair.

1028
00:41:34,560 --> 00:41:37,920
Speaker 9: I have to not listen to you like that melody

1029
00:41:37,960 --> 00:41:39,160
Speaker 9: you're doing. Just don't listen to it.

1030
00:41:39,239 --> 00:41:41,439
Speaker 2: Okay, here we go, Next on, I knew it. Next one.

1031
00:41:43,080 --> 00:41:49,440
Speaker 2: I bet you never heard old Marshall Dylon say. I

1032
00:41:49,480 --> 00:41:52,239
Speaker 2: bet you never heard old Marshan Dilon say.

1033
00:41:52,600 --> 00:41:54,280
Speaker 6: I don't think I've ever heard Marshon Dilon.

1034
00:41:55,200 --> 00:41:58,120
Speaker 2: I bet you never heard old Marshall Dilon.

1035
00:41:57,920 --> 00:41:59,960
Speaker 6: Say, Oh I know that one?

1036
00:42:00,440 --> 00:42:03,239
Speaker 2: You do I say it, But you never heard Oh

1037
00:42:03,480 --> 00:42:06,320
Speaker 2: Marshall Dylon say.

1038
00:42:06,719 --> 00:42:07,120
Speaker 6: I'm in.

1039
00:42:09,040 --> 00:42:09,440
Speaker 8: Imn.

1040
00:42:09,520 --> 00:42:11,399
Speaker 6: You should know that one, Amy, Amy.

1041
00:42:11,480 --> 00:42:14,600
Speaker 8: Sure we should don't take the girl, Morgan, prop me

1042
00:42:14,680 --> 00:42:17,400
Speaker 8: up beside the jukebox, LaunchBox watermelon crawl.

1043
00:42:17,600 --> 00:42:18,640
Speaker 2: So far nobody's got it.

1044
00:42:18,719 --> 00:42:20,719
Speaker 9: What Eddie should have been a cowboy?

1045
00:42:21,280 --> 00:42:24,920
Speaker 2: Correct listen to it? But you never heard.

1046
00:42:27,040 --> 00:42:31,080
Speaker 9: Say, miss Kimmy, have you never thought of running away?

1047
00:42:31,320 --> 00:42:32,839
Speaker 10: But if bones would have seen it would have been

1048
00:42:32,840 --> 00:42:35,080
Speaker 10: like you never heard of.

1049
00:42:37,560 --> 00:42:41,560
Speaker 2: Okay, here we go, next one, There's only two left.

1050
00:42:42,880 --> 00:42:46,120
Speaker 2: He was working do college?

1051
00:42:48,440 --> 00:42:48,719
Speaker 8: I'm in.

1052
00:42:49,040 --> 00:42:51,680
Speaker 2: First line of a famous nineties country song, Here does again.

1053
00:42:51,760 --> 00:42:55,920
Speaker 2: It goes like this, he was wor can do college?

1054
00:42:58,360 --> 00:43:04,960
Speaker 2: I'm in you know, I'm in for the wind Morgan's

1055
00:43:05,040 --> 00:43:11,719
Speaker 2: jad Amy strawberry wine, Eddie strawberry one, lunchbox strawberry wine.

1056
00:43:13,840 --> 00:43:19,399
Speaker 2: He was working through college. Okay, last one worth forty

1057
00:43:19,440 --> 00:43:25,800
Speaker 2: points three points at three three points, you can tell

1058
00:43:26,200 --> 00:43:33,000
Speaker 2: the world you never was my girl. I'm singing it wrong.

1059
00:43:33,080 --> 00:43:37,000
Speaker 2: What famous nineties song has the first line? You can

1060
00:43:37,200 --> 00:43:41,560
Speaker 2: tell the world you never was my girl.

1061
00:43:42,000 --> 00:43:42,399
Speaker 9: I'm in.

1062
00:43:45,080 --> 00:43:47,919
Speaker 6: Nailed it. Lunchbox, don't call it comeback. He can break

1063
00:43:47,920 --> 00:43:48,920
Speaker 6: your hearty he you.

1064
00:43:48,840 --> 00:43:49,399
Speaker 9: Break your heart?

1065
00:43:49,440 --> 00:43:51,440
Speaker 2: Morgan, don't take the girl Eddie.

1066
00:43:51,480 --> 00:43:52,759
Speaker 9: Sorry, guys, he you break your heart.

1067
00:43:57,960 --> 00:43:58,719
Speaker 2: Just that's heard.

1068
00:43:58,920 --> 00:43:59,440
Speaker 9: I don't know.

1069
00:44:00,200 --> 00:44:03,000
Speaker 2: That got fun for me and really hard. I don't

1070
00:44:03,000 --> 00:44:04,480
Speaker 2: know if listeners like that or loved it.

1071
00:44:04,920 --> 00:44:06,600
Speaker 9: I mean, it makes it challenge you when you sing

1072
00:44:06,640 --> 00:44:07,040
Speaker 9: it like that.

1073
00:44:07,120 --> 00:44:09,560
Speaker 2: I know. But we'll get feedback on that one. We'll

1074
00:44:09,560 --> 00:44:10,040
Speaker 2: get feedback.

1075
00:44:10,120 --> 00:44:10,680
Speaker 9: I like that game.

1076
00:44:11,360 --> 00:44:13,319
Speaker 2: It's so easy if we don't play it like that, though,

1077
00:44:13,600 --> 00:44:16,680
Speaker 2: because if I said this, if I said, if I go,

1078
00:44:17,080 --> 00:44:18,960
Speaker 2: who doesn't know what I'm talking about?

1079
00:44:19,239 --> 00:44:22,760
Speaker 9: Who doesn't exact?

1080
00:44:23,520 --> 00:44:28,520
Speaker 2: Or if I go, who does Johnny's daddy taken? It's

1081
00:44:28,600 --> 00:44:34,000
Speaker 2: very easy that way taking a game, Eddie, you are

1082
00:44:34,040 --> 00:44:34,279
Speaker 2: the oneer.

1083
00:44:34,400 --> 00:44:36,560
Speaker 9: N Yeah, thank you, thank you and much.

1084
00:44:38,080 --> 00:44:42,040
Speaker 1: It's the best bits of the week with Morgan. Number two.

1085
00:44:44,560 --> 00:44:47,719
Speaker 4: We had another Bobby Bone Cinema Club review this week

1086
00:44:47,920 --> 00:44:50,239
Speaker 4: was show Rolls, and I think it's safe to say

1087
00:44:50,280 --> 00:44:53,319
Speaker 4: that all of us who watched it are still traumatized.

1088
00:44:53,360 --> 00:44:55,239
Speaker 2: So that's how this one went.

1089
00:44:55,280 --> 00:44:57,160
Speaker 4: This was not a fun You know, movies are supposed

1090
00:44:57,160 --> 00:44:59,920
Speaker 4: to be fun, lighthearted and make you feel good. This

1091
00:45:00,000 --> 00:45:03,040
Speaker 4: this movie did the exact opposite for me and several others,

1092
00:45:03,080 --> 00:45:06,800
Speaker 4: and you're about to hear are very not happy reviews.

1093
00:45:07,440 --> 00:45:09,080
Speaker 7: Number four, Yeah, let's just get to it.

1094
00:45:09,239 --> 00:45:11,680
Speaker 2: We were told to watch this movie called Showgirls. We

1095
00:45:11,800 --> 00:45:12,640
Speaker 2: drew it out of a hat.

1096
00:45:12,719 --> 00:45:14,440
Speaker 3: I was like, wait, we weren't told it was it

1097
00:45:14,480 --> 00:45:15,840
Speaker 3: was part of the cinema club.

1098
00:45:15,960 --> 00:45:16,799
Speaker 7: We were told.

1099
00:45:16,560 --> 00:45:18,839
Speaker 2: Bobby Bone Cinema Club. We drew everybody put a movie

1100
00:45:18,880 --> 00:45:21,640
Speaker 2: in lunchbox, put in Showgirls. We don't know what each

1101
00:45:21,680 --> 00:45:24,239
Speaker 2: other's putting in drew the movie watch it. So I'd

1102
00:45:24,280 --> 00:45:26,520
Speaker 2: made a joke right before we came on the air

1103
00:45:26,560 --> 00:45:28,400
Speaker 2: about Saved by the Bill just in the room, and

1104
00:45:28,520 --> 00:45:30,359
Speaker 2: Eddie goes, I can't think of Saved by the Bill

1105
00:45:30,360 --> 00:45:30,839
Speaker 2: the same, and.

1106
00:45:30,800 --> 00:45:34,120
Speaker 9: I go, why Jesse Spano, man, I forgot about this?

1107
00:45:34,560 --> 00:45:35,839
Speaker 6: Yeah, okay, I.

1108
00:45:35,800 --> 00:45:37,200
Speaker 9: Know too much about Jesse now.

1109
00:45:38,360 --> 00:45:44,480
Speaker 2: So because of Lunchbox's movie, we had what an NC seventeen,

1110
00:45:44,760 --> 00:45:51,040
Speaker 2: Oh that's conservative show Girls. So nineteen ninety five Jesse

1111
00:45:51,080 --> 00:45:57,719
Speaker 2: Spanel Elizabeth Berkeley, carefree, young drifter know me, arrives in

1112
00:45:57,760 --> 00:45:59,960
Speaker 2: Las Vegas to become a dancer and sets about clawing

1113
00:46:00,040 --> 00:46:01,960
Speaker 2: her way to the top of the Las Vegas show Girls.

1114
00:46:03,760 --> 00:46:05,759
Speaker 2: I have everybody's reviews. I'm gonna tell you guys. I

1115
00:46:05,800 --> 00:46:07,719
Speaker 2: watched the first three or four minutes and I was like,

1116
00:46:07,719 --> 00:46:08,560
Speaker 2: I'm just not gonna watch it.

1117
00:46:08,640 --> 00:46:13,640
Speaker 6: Smart what you lasted four minutes and that's it.

1118
00:46:13,760 --> 00:46:16,879
Speaker 2: Yeah. I just felt like, well, we said nobody had

1119
00:46:16,880 --> 00:46:18,920
Speaker 2: to watch it, and then I was like, I don't.

1120
00:46:19,120 --> 00:46:21,080
Speaker 2: And my wife wi off and walk in while I'm

1121
00:46:21,120 --> 00:46:23,000
Speaker 2: watching these movies, and I just didn't need her coming

1122
00:46:23,040 --> 00:46:25,080
Speaker 2: in with a bunch of naked people on the screen.

1123
00:46:25,400 --> 00:46:27,279
Speaker 2: Exactly hurt me, Like, what are you watching? Because if

1124
00:46:27,320 --> 00:46:29,560
Speaker 2: I'm like it was a bit for the show, she

1125
00:46:29,640 --> 00:46:30,719
Speaker 2: was like, well what if a bit for the show was

1126
00:46:30,760 --> 00:46:31,560
Speaker 2: jumping off the bridge?

1127
00:46:31,719 --> 00:46:31,920
Speaker 5: You know?

1128
00:46:32,840 --> 00:46:33,200
Speaker 8: Yeah? You know.

1129
00:46:33,239 --> 00:46:35,320
Speaker 6: The weird part is Eddie started watching it with his parents.

1130
00:46:35,360 --> 00:46:38,279
Speaker 10: I did, oh, and I'm like, first three minutes, I'm like, well,

1131
00:46:38,480 --> 00:46:39,399
Speaker 10: I'm not gonna watch this with.

1132
00:46:39,360 --> 00:46:43,560
Speaker 2: You guys who did not? I I shouldn't count because

1133
00:46:43,600 --> 00:46:46,440
Speaker 2: I watched maybe five to seven ten minutes.

1134
00:46:46,680 --> 00:46:48,680
Speaker 6: Here we go, now we're now the truth's coming out.

1135
00:46:48,719 --> 00:46:49,920
Speaker 9: Keeping look as more minutes?

1136
00:46:50,239 --> 00:46:51,239
Speaker 6: Okay, watching now.

1137
00:46:51,360 --> 00:46:54,520
Speaker 3: Go ahead, twelve twelve minutes, Okay, I turn it off

1138
00:46:54,560 --> 00:46:55,279
Speaker 3: before the credits fits.

1139
00:46:55,480 --> 00:46:58,560
Speaker 2: Well it was twelve to But I'm gonna count myself

1140
00:46:58,560 --> 00:47:00,200
Speaker 2: as not watching it because I didn't watch it. Of

1141
00:47:00,239 --> 00:47:02,760
Speaker 2: it to claim it. That's good, Dami.

1142
00:47:03,000 --> 00:47:05,200
Speaker 8: I did not watch it, no minute, zero minutes.

1143
00:47:05,280 --> 00:47:05,560
Speaker 5: None.

1144
00:47:05,760 --> 00:47:07,879
Speaker 2: Did anyone else not watch it? Ray?

1145
00:47:09,080 --> 00:47:11,279
Speaker 13: Yeah, I didn't feel comfortable watching it and what it

1146
00:47:11,280 --> 00:47:11,799
Speaker 13: would lead to.

1147
00:47:11,840 --> 00:47:14,600
Speaker 2: I just didn't want to be tempted. What I thought

1148
00:47:14,600 --> 00:47:15,799
Speaker 2: you were gonna watch it and then do what?

1149
00:47:16,440 --> 00:47:21,040
Speaker 13: No, I'm just saying it a path of pornography.

1150
00:47:20,680 --> 00:47:25,360
Speaker 9: Yeah, I got you. Wait drugging porn.

1151
00:47:26,080 --> 00:47:27,200
Speaker 6: Okay, I get that.

1152
00:47:27,520 --> 00:47:29,640
Speaker 8: Oh my gosh.

1153
00:47:29,719 --> 00:47:31,320
Speaker 2: Okay, So let me read a couple of reviews so

1154
00:47:31,320 --> 00:47:32,640
Speaker 2: I don't know who they're from. You can admit it

1155
00:47:32,719 --> 00:47:35,120
Speaker 2: or not. The movie was entertaining. It had some aspects,

1156
00:47:35,120 --> 00:47:37,640
Speaker 2: so you can't help but enjoy the athleticism of some

1157
00:47:37,680 --> 00:47:39,800
Speaker 2: of the girls. It was worthy of a gold medal,

1158
00:47:39,840 --> 00:47:41,680
Speaker 2: but the plot had some holes in it. I would

1159
00:47:41,719 --> 00:47:44,239
Speaker 2: for sure watch it again, but I can see why

1160
00:47:44,239 --> 00:47:47,279
Speaker 2: it did not win any oscars. So who would watch it?

1161
00:47:47,360 --> 00:47:50,680
Speaker 2: That has to be that's me. I'm probably you didn't

1162
00:47:50,680 --> 00:47:52,080
Speaker 2: give it a more glowing right, No.

1163
00:47:51,960 --> 00:47:53,400
Speaker 6: No, because I want to. I want to slide it

1164
00:47:53,440 --> 00:47:53,759
Speaker 6: in there.

1165
00:47:53,800 --> 00:47:53,960
Speaker 2: Man.

1166
00:47:54,160 --> 00:47:58,440
Speaker 3: Trick is all right, but it is that the athleticism

1167
00:47:58,480 --> 00:47:59,600
Speaker 3: to do some of those moves.

1168
00:47:59,760 --> 00:48:01,200
Speaker 6: I'm I mean, it's impressive.

1169
00:48:01,200 --> 00:48:02,759
Speaker 2: I don't even care about these reviews as much as

1170
00:48:02,760 --> 00:48:05,719
Speaker 2: I douts want to hear from you. Who Morgan, I

1171
00:48:05,760 --> 00:48:07,960
Speaker 2: watched it, Okay, tell me about it. Your thoughts.

1172
00:48:09,080 --> 00:48:09,920
Speaker 8: It was horrible.

1173
00:48:10,000 --> 00:48:10,280
Speaker 3: Listen.

1174
00:48:10,280 --> 00:48:12,520
Speaker 4: If there wasn't the nudity, it actually.

1175
00:48:12,160 --> 00:48:14,319
Speaker 8: May not be that bad of a movie, but it

1176
00:48:14,360 --> 00:48:15,160
Speaker 8: was just there was so.

1177
00:48:15,280 --> 00:48:17,640
Speaker 2: Much you couldn't stop focusing on that.

1178
00:48:17,719 --> 00:48:19,960
Speaker 4: It was like watching a train wreck, like you couldn't

1179
00:48:19,960 --> 00:48:20,759
Speaker 4: look away it.

1180
00:48:20,719 --> 00:48:24,439
Speaker 2: Was that bad because everybody was so naked, or because

1181
00:48:24,480 --> 00:48:26,200
Speaker 2: the movie was so bad all of it.

1182
00:48:26,400 --> 00:48:29,440
Speaker 4: There's just so many things that you watch it and

1183
00:48:29,480 --> 00:48:32,719
Speaker 4: you felt very like uncomfortable the entire time. And I

1184
00:48:32,800 --> 00:48:35,120
Speaker 4: was watching it by myself, and there's like a pool

1185
00:48:35,160 --> 00:48:37,640
Speaker 4: scene that I really felt so awful.

1186
00:48:37,760 --> 00:48:38,359
Speaker 2: I could not.

1187
00:48:38,520 --> 00:48:41,240
Speaker 5: Even imagine somebody shooting this movie.

1188
00:48:41,280 --> 00:48:43,480
Speaker 4: But the fact that Lunchbox has this taste in movies

1189
00:48:43,560 --> 00:48:44,520
Speaker 4: just you know, it makes sense.

1190
00:48:44,760 --> 00:48:45,279
Speaker 9: It makes sense.

1191
00:48:45,320 --> 00:48:47,359
Speaker 2: Here's a review I'll read. I think my TV got

1192
00:48:47,400 --> 00:48:50,160
Speaker 2: a virus from this might have been worse than the stuff.

1193
00:48:50,239 --> 00:48:51,799
Speaker 2: Lunchbox is an idiot for picking this.

1194
00:48:51,719 --> 00:48:55,399
Speaker 11: Movie that you started watching it.

1195
00:48:55,360 --> 00:48:55,960
Speaker 2: With your parents.

1196
00:48:56,040 --> 00:48:58,239
Speaker 10: Yeah, my parents are in towns up like, hey, how

1197
00:48:58,280 --> 00:49:00,440
Speaker 10: bad could it be? And yeah, the first like four

1198
00:49:00,520 --> 00:49:02,080
Speaker 10: or five minutes, I'm like, all right, I'm gonna go

1199
00:49:02,080 --> 00:49:04,680
Speaker 10: watch this by myself upstairs. And dude, if I have

1200
00:49:04,760 --> 00:49:06,880
Speaker 10: to watch a movie for this movie club.

1201
00:49:06,719 --> 00:49:09,080
Speaker 9: In my room with a locked door because I have

1202
00:49:09,080 --> 00:49:11,040
Speaker 9: four kids living with that's not good.

1203
00:49:11,120 --> 00:49:13,560
Speaker 2: That's not good. Here's one of course, Lunchbucks likes this movie.

1204
00:49:13,600 --> 00:49:15,640
Speaker 2: I watched it myself and felt uncomfortable. Is this you, Morgan?

1205
00:49:16,360 --> 00:49:16,960
Speaker 7: I don't know.

1206
00:49:17,040 --> 00:49:18,520
Speaker 2: No, I don't think so. And what made me more

1207
00:49:18,600 --> 00:49:20,200
Speaker 2: uncomfortable is knowing that all the guys on the show

1208
00:49:20,239 --> 00:49:21,720
Speaker 2: watched it too abby.

1209
00:49:22,280 --> 00:49:25,200
Speaker 12: Yeah that's me, That's what I said, Like, I was

1210
00:49:25,239 --> 00:49:26,600
Speaker 12: uncomfortable and I was by myself.

1211
00:49:26,600 --> 00:49:27,319
Speaker 5: So yes, it was.

1212
00:49:27,760 --> 00:49:30,919
Speaker 12: Very not good and they were very violent towards women.

1213
00:49:30,960 --> 00:49:31,759
Speaker 12: I didn't really like that.

1214
00:49:32,360 --> 00:49:34,400
Speaker 2: Decided to watch it with both of my kids. They

1215
00:49:34,440 --> 00:49:36,359
Speaker 2: loved it, just kidding. Didn't watch it at all.

1216
00:49:37,880 --> 00:49:38,160
Speaker 12: That's me.

1217
00:49:38,760 --> 00:49:39,160
Speaker 9: That's good.

1218
00:49:39,440 --> 00:49:41,359
Speaker 2: Thanks Lunchbucks. I now have a go to pick. When

1219
00:49:41,360 --> 00:49:43,120
Speaker 2: someone asks me, what's the worst movie you've ever seen?

1220
00:49:43,880 --> 00:49:47,160
Speaker 2: Is that mid Yeah that's my movie, Mike. This is

1221
00:49:47,200 --> 00:49:48,160
Speaker 2: the worst movie you've ever seen.

1222
00:49:48,400 --> 00:49:50,680
Speaker 10: Without the nudity, there's no movie, there's no plot line,

1223
00:49:50,760 --> 00:49:51,320
Speaker 10: nothing happens.

1224
00:49:51,360 --> 00:49:53,279
Speaker 2: Jesse Spandol's character is insufferable.

1225
00:49:53,600 --> 00:49:54,520
Speaker 6: Terrible movie.

1226
00:49:55,040 --> 00:49:55,400
Speaker 7: Wow.

1227
00:49:55,560 --> 00:50:00,359
Speaker 3: I did say it had holes in the plot, like

1228
00:50:00,520 --> 00:50:03,200
Speaker 3: the dancing and the athleticism, but the plot did have

1229
00:50:03,239 --> 00:50:04,440
Speaker 3: some holes that do you rewatch it?

1230
00:50:04,760 --> 00:50:06,640
Speaker 2: So I'm going to not rate it because I didn't

1231
00:50:06,640 --> 00:50:08,279
Speaker 2: watch enough of an Amy's gonna not rate it and

1232
00:50:08,320 --> 00:50:10,520
Speaker 2: Rai's not gonna rate it. So let's because we keep

1233
00:50:10,600 --> 00:50:14,439
Speaker 2: tabs on the numbers. Lunchbox, what do you write your movie?

1234
00:50:14,560 --> 00:50:16,160
Speaker 6: I'd give it two and a half poles out of

1235
00:50:16,160 --> 00:50:17,120
Speaker 6: five poles.

1236
00:50:17,200 --> 00:50:20,879
Speaker 2: It's gonna half poles. Okay, Eddie, what's the lowest? Point five?

1237
00:50:21,080 --> 00:50:25,120
Speaker 9: Okay, I'm gonna give it. Point five Vegas lights.

1238
00:50:24,360 --> 00:50:26,320
Speaker 5: Morgan, point five?

1239
00:50:27,280 --> 00:50:36,120
Speaker 2: Uh, sparkly dresses. Okay, Mike d It can't be a zero.

1240
00:50:36,280 --> 00:50:38,359
Speaker 2: Can't be a zero zero means it doesn't exist, all right?

1241
00:50:38,400 --> 00:50:39,400
Speaker 6: Point five dresses?

1242
00:50:39,840 --> 00:50:41,440
Speaker 2: What abby goodness?

1243
00:50:41,960 --> 00:50:42,160
Speaker 8: Yeah?

1244
00:50:42,280 --> 00:50:43,160
Speaker 12: Point five boobs.

1245
00:50:46,440 --> 00:50:51,120
Speaker 2: Well that's the Bobyblone Cinema Club. The worst movie. It's

1246
00:50:51,160 --> 00:50:53,839
Speaker 2: crazy that of the movies we've watched, we've watched two

1247
00:50:53,840 --> 00:50:57,400
Speaker 2: of Lunchboxes and one of Eddie's and a raise. But

1248
00:50:57,440 --> 00:51:00,239
Speaker 2: the raised one was actually looking back, was like, I'm

1249
00:51:00,239 --> 00:51:02,960
Speaker 2: bad awesome because it wasn't a joke.

1250
00:51:04,000 --> 00:51:04,879
Speaker 6: Mine born a Joe.

1251
00:51:05,000 --> 00:51:05,879
Speaker 9: Mine wasn't a joke.

1252
00:51:06,800 --> 00:51:09,920
Speaker 2: Lunchbox, you picked the stuff and she was the stuff.

1253
00:51:10,040 --> 00:51:12,480
Speaker 6: Was a movie at my childhood.

1254
00:51:12,000 --> 00:51:15,120
Speaker 2: From the caveman drew on a wall, rved into a wall.

1255
00:51:15,239 --> 00:51:17,040
Speaker 6: I can tell you about seeing show Girls.

1256
00:51:17,360 --> 00:51:19,920
Speaker 3: I mean we went to one movie at the Dollar

1257
00:51:20,000 --> 00:51:22,239
Speaker 3: Cinema and then we walked across the hall and went

1258
00:51:22,320 --> 00:51:24,600
Speaker 3: and saw show Girls after it, it was amazing me.

1259
00:51:24,800 --> 00:51:27,040
Speaker 3: Aaron and Forrest and Aaron was on a date with

1260
00:51:27,080 --> 00:51:28,959
Speaker 3: Elizabeth and she went home out to the first movie

1261
00:51:28,960 --> 00:51:31,160
Speaker 3: and we went next door and checked out the second.

1262
00:51:31,160 --> 00:51:33,360
Speaker 6: Hold you guys, we were fifteen.

1263
00:51:33,480 --> 00:51:38,839
Speaker 2: Oh boy, that was it was her big, big movie,

1264
00:51:39,960 --> 00:51:41,680
Speaker 2: like to make her not be the say about the

1265
00:51:41,680 --> 00:51:42,120
Speaker 2: Bell Girl.

1266
00:51:42,320 --> 00:51:43,400
Speaker 6: And that was her last movie.

1267
00:51:44,560 --> 00:51:48,520
Speaker 2: That Lunchbox. I was gonna say, thanks, but you know,

1268
00:51:48,840 --> 00:51:50,520
Speaker 2: Lunchbox high. And then that's it.

1269
00:51:51,040 --> 00:51:53,680
Speaker 3: Man, I got to pick out another movie, now you do,

1270
00:51:53,960 --> 00:51:54,880
Speaker 3: please come on, pick.

1271
00:51:54,760 --> 00:51:58,640
Speaker 6: A good one. No, no, there's no banning. People. I

1272
00:51:58,680 --> 00:52:01,640
Speaker 6: gave you a movie that I and I wanted to sell.

1273
00:52:01,719 --> 00:52:04,360
Speaker 2: Banning. Yeah, I may not agree with the guy, but

1274
00:52:04,400 --> 00:52:05,719
Speaker 2: I will fight to the death for his right to

1275
00:52:05,760 --> 00:52:06,040
Speaker 2: say it.

1276
00:52:06,760 --> 00:52:07,200
Speaker 6: That's so good.

1277
00:52:07,200 --> 00:52:11,040
Speaker 2: It's the long Voltaire paraphrase. Ok, yeah, all right, thank you.

1278
00:52:11,719 --> 00:52:14,920
Speaker 1: It's the best bits of the week with Morgan.

1279
00:52:15,000 --> 00:52:15,439
Speaker 7: Number two.

1280
00:52:16,800 --> 00:52:20,799
Speaker 4: Another draft was back this week, which I suggested this category,

1281
00:52:20,840 --> 00:52:22,560
Speaker 4: and I'm so proud of myself because honestly it's a

1282
00:52:22,600 --> 00:52:25,200
Speaker 4: really good one. You just don't realize how many foods

1283
00:52:25,200 --> 00:52:28,920
Speaker 4: are actually circular. So we did a draft of circular foods,

1284
00:52:28,960 --> 00:52:30,760
Speaker 4: and I feel really proud of my team. I really

1285
00:52:30,920 --> 00:52:33,920
Speaker 4: stuck with the breakfast category, but there's so many more

1286
00:52:33,960 --> 00:52:35,320
Speaker 4: options that we didn't choose.

1287
00:52:35,880 --> 00:52:36,719
Speaker 5: I just love the draft.

1288
00:52:36,719 --> 00:52:37,359
Speaker 4: They're super fun.

1289
00:52:37,400 --> 00:52:38,400
Speaker 2: And we're doing another.

1290
00:52:38,200 --> 00:52:39,160
Speaker 6: Draft next week.

1291
00:52:39,239 --> 00:52:41,920
Speaker 4: So the drafts are officially back, and I know that

1292
00:52:41,960 --> 00:52:44,040
Speaker 4: you guys love that because everybody is a fan of

1293
00:52:44,080 --> 00:52:46,640
Speaker 4: this segment. So here, right now is the draft of

1294
00:52:46,719 --> 00:52:47,640
Speaker 4: circular foods.

1295
00:52:48,160 --> 00:52:48,839
Speaker 6: Number three.

1296
00:52:49,040 --> 00:52:55,400
Speaker 2: We're gonna draft circular foods. Amy's out, I'm in. By

1297
00:52:55,440 --> 00:52:57,840
Speaker 2: the way, new rule, we're not playing seasons anymore. Whoever

1298
00:52:57,880 --> 00:52:59,640
Speaker 2: wins gets the belt. You get keep the belt till

1299
00:52:59,640 --> 00:53:00,000
Speaker 2: the next game.

1300
00:53:00,160 --> 00:53:01,840
Speaker 9: Okay, oh that's legit.

1301
00:53:01,920 --> 00:53:04,919
Speaker 2: Yeah, all right, here we go circular foods. Lunchbox won

1302
00:53:04,960 --> 00:53:07,760
Speaker 2: the role. So you get to draft your first circular

1303
00:53:07,800 --> 00:53:09,200
Speaker 2: food and what's the number one pick?

1304
00:53:09,680 --> 00:53:11,240
Speaker 3: Well, this is we're going to go in a circle.

1305
00:53:11,960 --> 00:53:14,960
Speaker 3: We're gonna do circular foods. I'm gonna take pizza.

1306
00:53:15,040 --> 00:53:16,839
Speaker 2: That's it. That's that's that's a good one.

1307
00:53:16,880 --> 00:53:18,640
Speaker 9: That's the one I was hoping he wouldn't do that.

1308
00:53:18,640 --> 00:53:20,480
Speaker 2: That's the one a Eddie.

1309
00:53:21,320 --> 00:53:24,200
Speaker 9: My second pick is cheeseburger.

1310
00:53:24,680 --> 00:53:28,040
Speaker 2: Okay, fine, more.

1311
00:53:27,880 --> 00:53:32,480
Speaker 4: Than fine, the best circular food it's donuts.

1312
00:53:34,480 --> 00:53:36,160
Speaker 2: Right, yeah, lunch.

1313
00:53:36,160 --> 00:53:38,360
Speaker 13: You got the pizza part right, but you should have

1314
00:53:38,360 --> 00:53:40,840
Speaker 13: gone Mexican pizza.

1315
00:53:43,000 --> 00:53:45,040
Speaker 2: And you can say whatever you want. I'm from Taco

1316
00:53:45,160 --> 00:53:47,000
Speaker 2: find with the answer, but explain that to me.

1317
00:53:47,239 --> 00:53:49,000
Speaker 8: I don't know what the Mexican pizza from Bocco bell

1318
00:53:49,480 --> 00:53:49,919
Speaker 8: so good?

1319
00:53:50,200 --> 00:53:51,520
Speaker 2: No, no, I know, but it's circle.

1320
00:53:51,680 --> 00:53:54,080
Speaker 6: Yeah, it's a circle. It's like fried tortillas.

1321
00:53:54,239 --> 00:53:58,360
Speaker 2: Got it, okay, right with Mexican pizza. Okay, and you

1322
00:53:58,360 --> 00:53:59,680
Speaker 2: guys took all their dang good one.

1323
00:54:00,040 --> 00:54:02,080
Speaker 6: Yeah, Mexican pizza was what you were going with, right.

1324
00:54:02,239 --> 00:54:03,719
Speaker 2: Well, that was gonna be one a for me that

1325
00:54:03,800 --> 00:54:09,280
Speaker 2: was not on my list putting on my radar. Circular food,

1326
00:54:09,960 --> 00:54:16,279
Speaker 2: I'm gonna go with. There's no way I can win

1327
00:54:16,320 --> 00:54:16,600
Speaker 2: this one.

1328
00:54:16,600 --> 00:54:19,279
Speaker 9: Wait, yeah, that's good.

1329
00:54:19,840 --> 00:54:22,560
Speaker 2: Chocolate chip cookies. I'm not even gonna just say cookies

1330
00:54:22,600 --> 00:54:25,640
Speaker 2: because I want the specific. Chocolate chip cookies is my thing. Okay,

1331
00:54:26,160 --> 00:54:27,920
Speaker 2: you're not you're out anybody. I'm telling you.

1332
00:54:28,000 --> 00:54:29,719
Speaker 8: Cookies would have been my one on one.

1333
00:54:29,800 --> 00:54:33,279
Speaker 2: So you're good stuff. You yelled at me and you're

1334
00:54:33,320 --> 00:54:34,839
Speaker 2: out because you weren't good last time.

1335
00:54:35,000 --> 00:54:36,239
Speaker 6: Yeah, So I don't know if we should be taking

1336
00:54:36,280 --> 00:54:39,040
Speaker 6: advice from you. Okay, we advice.

1337
00:54:40,239 --> 00:54:43,560
Speaker 2: So now we go backward. So I go first again

1338
00:54:44,800 --> 00:54:48,520
Speaker 2: this time, so circular foods. I'm gonna go. I have

1339
00:54:48,640 --> 00:54:56,520
Speaker 2: chocolate chip cookies and I'm gonna go with onion rings.

1340
00:54:57,000 --> 00:54:57,799
Speaker 9: Seth, there's just not.

1341
00:54:57,760 --> 00:54:59,200
Speaker 2: Anything I'm super passionate about here.

1342
00:54:59,239 --> 00:54:59,960
Speaker 6: Yeah, that's tough one.

1343
00:55:00,040 --> 00:55:01,600
Speaker 2: I'm gonna go with onion rings.

1344
00:55:02,280 --> 00:55:02,480
Speaker 7: Ray.

1345
00:55:03,600 --> 00:55:06,919
Speaker 13: Yeah, I guess my demographic is women. So I'm gonna

1346
00:55:06,960 --> 00:55:09,160
Speaker 13: do brie cheese.

1347
00:55:09,239 --> 00:55:11,799
Speaker 9: Oh that's good. And think about that.

1348
00:55:11,920 --> 00:55:13,839
Speaker 6: Oh, I don't even know what that is.

1349
00:55:13,960 --> 00:55:14,320
Speaker 9: Cheese.

1350
00:55:14,440 --> 00:55:16,319
Speaker 2: Well, I know it's cheese, but I mean you want

1351
00:55:16,320 --> 00:55:17,360
Speaker 2: it written as bree cheese.

1352
00:55:17,680 --> 00:55:20,640
Speaker 9: Yes, okay, Amy.

1353
00:55:20,480 --> 00:55:23,240
Speaker 6: Stop like he says, yes, like she has to say when.

1354
00:55:23,080 --> 00:55:25,120
Speaker 2: I was written, you're in the penalty box.

1355
00:55:25,920 --> 00:55:28,600
Speaker 9: You can't do anything in there, like.

1356
00:55:28,719 --> 00:55:29,440
Speaker 5: I was saying.

1357
00:55:29,520 --> 00:55:37,000
Speaker 1: He should probably put.

1358
00:55:35,400 --> 00:55:37,160
Speaker 4: Another great breakfast food.

1359
00:55:37,160 --> 00:55:38,160
Speaker 5: I've been loving them lately.

1360
00:55:38,320 --> 00:55:41,320
Speaker 2: Bagels, Its good, Eddie.

1361
00:55:43,880 --> 00:55:46,120
Speaker 10: I'm gonna go bones with my demographic.

1362
00:55:47,000 --> 00:55:47,960
Speaker 9: Tortillas.

1363
00:55:48,560 --> 00:55:53,040
Speaker 2: Give me a tortiller. Okay, it's good lunchbox.

1364
00:55:54,280 --> 00:55:55,840
Speaker 6: Well, if you guys don't want and I'll take it.

1365
00:55:55,880 --> 00:55:58,359
Speaker 3: I mean, I wake up in the morning and I

1366
00:55:58,400 --> 00:56:00,920
Speaker 3: go and I'm like, oh, do I want blueberry?

1367
00:56:00,920 --> 00:56:02,040
Speaker 6: Do I want chocolate chip?

1368
00:56:02,080 --> 00:56:05,640
Speaker 3: Do I want strawberry pancakes?

1369
00:56:06,000 --> 00:56:07,520
Speaker 2: Those are in a circle.

1370
00:56:07,160 --> 00:56:07,680
Speaker 3: In the morning.

1371
00:56:07,960 --> 00:56:08,520
Speaker 8: It's a good one.

1372
00:56:08,600 --> 00:56:09,319
Speaker 9: You do that every morning.

1373
00:56:09,440 --> 00:56:10,640
Speaker 2: You get those in the morning. I want to get

1374
00:56:10,640 --> 00:56:11,799
Speaker 2: some just.

1375
00:56:11,800 --> 00:56:13,200
Speaker 6: I think about it, but then I can't cook them

1376
00:56:13,200 --> 00:56:13,960
Speaker 6: because I have to be at work.

1377
00:56:14,040 --> 00:56:14,279
Speaker 2: Got it?

1378
00:56:14,640 --> 00:56:16,760
Speaker 6: Yeah, we got pan cakes.

1379
00:56:17,000 --> 00:56:18,640
Speaker 2: That pizza one is just a big one, I know,

1380
00:56:18,680 --> 00:56:20,480
Speaker 2: but that's only one. It's only one, I know, But

1381
00:56:20,520 --> 00:56:20,960
Speaker 2: then I know it.

1382
00:56:21,080 --> 00:56:23,200
Speaker 6: With pancakes and pizza.

1383
00:56:22,880 --> 00:56:24,880
Speaker 2: You can't win with just one player. Sometimes you can

1384
00:56:24,960 --> 00:56:27,279
Speaker 2: with our listeners because they just see one. That first

1385
00:56:27,320 --> 00:56:28,880
Speaker 2: pick's strong. He got it, and he got a far

1386
00:56:28,920 --> 00:56:29,280
Speaker 2: and square.

1387
00:56:29,320 --> 00:56:29,560
Speaker 9: Sure.

1388
00:56:30,120 --> 00:56:34,239
Speaker 2: Okay, so lunchbox, you have pancake and pizza. What is

1389
00:56:34,280 --> 00:56:36,160
Speaker 2: your final pick? We'll start with you here.

1390
00:56:36,840 --> 00:56:38,000
Speaker 6: Man, it's a tough one.

1391
00:56:38,000 --> 00:56:41,960
Speaker 3: Now, there's a lot of circular foods left, Amy, what

1392
00:56:41,960 --> 00:56:42,560
Speaker 3: would you pick?

1393
00:56:42,920 --> 00:56:44,520
Speaker 8: I don't know if I'm allowed to say it or not.

1394
00:56:44,680 --> 00:56:45,560
Speaker 6: That's why he was a joke.

1395
00:56:45,600 --> 00:56:49,799
Speaker 8: I have a good one, an itching to say it.

1396
00:56:50,520 --> 00:56:52,120
Speaker 9: Man, give me.

1397
00:56:55,480 --> 00:56:57,680
Speaker 2: Circular foods.

1398
00:56:57,719 --> 00:57:06,439
Speaker 6: Circular foods, give me sushi.

1399
00:57:08,239 --> 00:57:10,120
Speaker 2: I think your first two are strong enough to not

1400
00:57:10,160 --> 00:57:12,920
Speaker 2: really penalize that sushi one. But the sushi one probably

1401
00:57:12,960 --> 00:57:14,520
Speaker 2: not great. But I think your first two are so good.

1402
00:57:14,920 --> 00:57:17,400
Speaker 3: I don't understand how you guys don't like like sushi.

1403
00:57:17,480 --> 00:57:18,720
Speaker 8: It's not always circular.

1404
00:57:19,040 --> 00:57:20,360
Speaker 9: It is the i'm a roll.

1405
00:57:22,000 --> 00:57:23,840
Speaker 8: Sushi comes out, not in nugy.

1406
00:57:23,680 --> 00:57:26,680
Speaker 6: Or whatever that is. I've only had circular like you

1407
00:57:26,840 --> 00:57:28,080
Speaker 6: order it. It's a circle.

1408
00:57:28,160 --> 00:57:29,240
Speaker 9: Yeah, yeah, I got to the.

1409
00:57:29,280 --> 00:57:31,000
Speaker 6: Air handheld circle. You put them in your mouth.

1410
00:57:31,280 --> 00:57:34,920
Speaker 10: Dude, this is genius and I just came up with it.

1411
00:57:35,600 --> 00:57:38,640
Speaker 2: Give me a Reesis buttercup.

1412
00:57:40,400 --> 00:57:43,680
Speaker 3: He only wants a Reese's Buttercup's buttercup, is what he said.

1413
00:57:44,400 --> 00:57:46,200
Speaker 2: We know what he means, a Reese's peanut butter cut.

1414
00:57:46,200 --> 00:57:50,080
Speaker 2: Thank you, Yes, Morgan, good one.

1415
00:57:50,640 --> 00:57:52,000
Speaker 4: There's so many good ones left.

1416
00:57:52,160 --> 00:57:54,520
Speaker 2: There are. Yeah, a lot of stuff. Well you have

1417
00:57:54,520 --> 00:57:57,280
Speaker 2: a lot of stuff. They're not good like oranges. I

1418
00:57:57,320 --> 00:57:59,640
Speaker 2: have oranges written down. I'm not picking oranges. That's a sphere.

1419
00:58:00,200 --> 00:58:04,040
Speaker 2: It's a circle. The circle. It's a it's like a

1420
00:58:04,040 --> 00:58:05,880
Speaker 2: circle of sushi. It's not having a perfect circle. But

1421
00:58:05,920 --> 00:58:06,360
Speaker 2: we got it.

1422
00:58:08,160 --> 00:58:10,960
Speaker 6: Recent peanut butter cup is not a perfect circle. Has inventions.

1423
00:58:11,000 --> 00:58:12,920
Speaker 2: Okay, sure, so such shut up.

1424
00:58:13,000 --> 00:58:14,240
Speaker 6: Yeah, thank you.

1425
00:58:14,720 --> 00:58:17,720
Speaker 4: I think I'm going to stay with the breakfast category

1426
00:58:17,840 --> 00:58:18,600
Speaker 4: and go muffin.

1427
00:58:19,440 --> 00:58:23,200
Speaker 8: Okay, that's cute, right, but I don't know how muffin

1428
00:58:23,240 --> 00:58:26,200
Speaker 8: is a circle? Who cares circle?

1429
00:58:27,360 --> 00:58:31,240
Speaker 2: So whatever you want? Okay, Amy, why you no? I

1430
00:58:31,280 --> 00:58:32,720
Speaker 2: get it? The bottoms today?

1431
00:58:32,840 --> 00:58:34,560
Speaker 8: Well, I'm seeing the part when it over.

1432
00:58:34,840 --> 00:58:36,000
Speaker 2: I wish you were more of a hater when you

1433
00:58:36,080 --> 00:58:38,120
Speaker 2: played the ultimate hater when you're sitting back.

1434
00:58:38,520 --> 00:58:39,320
Speaker 8: No, no, I get it now.

1435
00:58:39,440 --> 00:58:41,680
Speaker 2: Okay, right, this one was easy. I think you can

1436
00:58:41,720 --> 00:58:44,360
Speaker 2: go ahead and make me the winner. Uh, don't hold on.

1437
00:58:44,480 --> 00:58:47,760
Speaker 2: You think you're gonna win with Mexican pizza and bree cheese.

1438
00:58:49,920 --> 00:58:51,800
Speaker 6: Doughnut donut. I already have it.

1439
00:58:51,880 --> 00:58:54,960
Speaker 2: Yeah, yeah, you do. So you get nothing for third.

1440
00:58:55,880 --> 00:58:56,680
Speaker 2: I'll win with two.

1441
00:58:57,800 --> 00:58:59,080
Speaker 9: I don't think you.

1442
00:58:59,040 --> 00:59:00,760
Speaker 2: Only get two. And so for the third one you

1443
00:59:00,800 --> 00:59:01,760
Speaker 2: have to put.

1444
00:59:02,640 --> 00:59:04,200
Speaker 6: Picked the one that was already I'm an idiot.

1445
00:59:04,240 --> 00:59:06,360
Speaker 2: I'm an idiot. That's good for the third one, I'm

1446
00:59:06,360 --> 00:59:08,600
Speaker 2: an idiot. Well, the problem is you don't know who

1447
00:59:08,640 --> 00:59:10,360
Speaker 2: it is. So I wouldn't do that because somebody can

1448
00:59:10,400 --> 00:59:11,320
Speaker 2: see that. Just vote on it.

1449
00:59:12,120 --> 00:59:16,600
Speaker 11: Yeah, put poop, good poop, and he might win with

1450
00:59:16,640 --> 00:59:21,520
Speaker 11: that Mexican pizza and bree cheese and poop. I think

1451
00:59:21,520 --> 00:59:25,080
Speaker 11: that's the boy you put that, and then mine for final.

1452
00:59:24,800 --> 00:59:27,880
Speaker 2: Circular food, have chocolate chip cookies at onion rings.

1453
00:59:29,920 --> 00:59:31,000
Speaker 9: There's so much.

1454
00:59:31,240 --> 00:59:37,640
Speaker 2: I'm probably gonna go with cheesecake. Yeah, that's good, like

1455
00:59:37,800 --> 00:59:39,720
Speaker 2: because and that's all. But I mean some other ones

1456
00:59:39,720 --> 00:59:44,920
Speaker 2: I had was pie obviously, yeah, eggo, waffles like waffles

1457
00:59:44,920 --> 00:59:52,320
Speaker 2: in general, funions, meatballs, oranges, dippin' dots, a scoop of

1458
00:59:52,360 --> 00:59:55,160
Speaker 2: ice cream like if you scoop it out. I was

1459
00:59:55,160 --> 01:00:00,959
Speaker 2: gonna go with biscuit there, like a biscuit, NLA wafers.

1460
01:00:01,280 --> 01:00:03,040
Speaker 6: Oh, cinnamon roll would have been good.

1461
01:00:03,400 --> 01:00:05,160
Speaker 2: Yeah. Do you guys have anything that you were just

1462
01:00:05,200 --> 01:00:06,760
Speaker 2: really leaning on that maybe you didn't.

1463
01:00:06,600 --> 01:00:08,600
Speaker 3: Pick, well, you can pick cheesecake. I was thinking just

1464
01:00:08,640 --> 01:00:09,760
Speaker 3: a cake because.

1465
01:00:09,560 --> 01:00:12,680
Speaker 6: People love cake. Sushi, I know, but the problem is

1466
01:00:12,720 --> 01:00:15,120
Speaker 6: some going square. Some come in like they're not.

1467
01:00:16,800 --> 01:00:17,640
Speaker 2: The exact same thing.

1468
01:00:17,880 --> 01:00:19,320
Speaker 3: So I don't know what you guy are talking about.

1469
01:00:19,320 --> 01:00:23,040
Speaker 3: When I order sushi, it comes in looking sushi roll, Okay, well,

1470
01:00:23,080 --> 01:00:25,040
Speaker 3: I don't know what the difference is. That's what I

1471
01:00:25,160 --> 01:00:25,520
Speaker 3: ordered them.

1472
01:00:26,040 --> 01:00:27,320
Speaker 2: The one you were sitting on that you thought was

1473
01:00:27,360 --> 01:00:31,760
Speaker 2: so good. When which and you're like, oh my god,

1474
01:00:31,760 --> 01:00:33,000
Speaker 2: there's a stupid.

1475
01:00:34,360 --> 01:00:36,840
Speaker 8: Well I thought, I thought for sure, probably you picked

1476
01:00:36,840 --> 01:00:38,280
Speaker 8: some sort of pie.

1477
01:00:38,360 --> 01:00:40,520
Speaker 2: Like, yeah, I thought about it. I want with cheesecake

1478
01:00:40,560 --> 01:00:43,680
Speaker 2: over pond, which that works too, Probably gonna be the

1479
01:00:43,680 --> 01:00:44,240
Speaker 2: pie I picked.

1480
01:00:44,280 --> 01:00:46,960
Speaker 8: And then when Lunchwogs had pancake, I was like, for sure, waffle.

1481
01:00:47,240 --> 01:00:49,400
Speaker 2: I had waffle too. Maybe that was a better way.

1482
01:00:50,680 --> 01:00:53,520
Speaker 9: You could have done chips. Huh, like tostedo chips.

1483
01:00:53,560 --> 01:00:55,320
Speaker 2: You literally do whatever you want.

1484
01:00:55,760 --> 01:00:56,320
Speaker 5: Was another one.

1485
01:00:56,760 --> 01:00:59,120
Speaker 2: You can pick a turkey if you want.

1486
01:00:59,120 --> 01:01:02,000
Speaker 6: Because all that.

1487
01:01:02,400 --> 01:01:06,560
Speaker 2: Okay, so is there going up? Please vote on all

1488
01:01:06,640 --> 01:01:08,760
Speaker 2: three together, don't vote on just the number one. Pick

1489
01:01:09,040 --> 01:01:10,880
Speaker 2: the vote, and then whomever gets the most votes gets

1490
01:01:10,880 --> 01:01:13,080
Speaker 2: to put the belt in front of them. Okay, yeah,

1491
01:01:13,120 --> 01:01:15,720
Speaker 2: and the worst is kicked out in next round.

1492
01:01:16,120 --> 01:01:19,840
Speaker 1: It's the best Bits of the Week with Morgan. Number two.

1493
01:01:25,600 --> 01:01:28,400
Speaker 4: Abby had a week to write an original song. She

1494
01:01:28,400 --> 01:01:31,240
Speaker 4: didn't have any original songs. Bobby challenged her to write

1495
01:01:31,560 --> 01:01:33,480
Speaker 4: one that she could perform when she opens up for

1496
01:01:33,600 --> 01:01:36,920
Speaker 4: him in Wichita, which is happening this weekend, and she

1497
01:01:37,040 --> 01:01:38,840
Speaker 4: wrote one and then she performed it on the show

1498
01:01:38,880 --> 01:01:41,400
Speaker 4: before they headed off to Wichita. It's called Hey, their

1499
01:01:41,440 --> 01:01:43,640
Speaker 4: hometown and you're about to hear it right now.

1500
01:01:44,120 --> 01:01:50,800
Speaker 2: Number two. And Abby is just so much for the show.

1501
01:01:50,800 --> 01:01:54,480
Speaker 2: She answers the phone, she produces segments, and Abby enjoys singing.

1502
01:01:54,800 --> 01:01:57,640
Speaker 2: And Abby's going to come out and open the Wichita show,

1503
01:01:58,320 --> 01:02:00,680
Speaker 2: both of them Friday and Saturday night shows in which

1504
01:02:00,760 --> 01:02:03,760
Speaker 2: talk Kansas to Orpheum. It'd be Abby and then Carter

1505
01:02:03,920 --> 01:02:07,480
Speaker 2: Faith and then my comedically inspirational show. And I said, Abbey,

1506
01:02:07,480 --> 01:02:09,960
Speaker 2: come out, it's your home show. Do three songs and

1507
01:02:09,960 --> 01:02:12,000
Speaker 2: you've already picked the other two songs? Yes, what are

1508
01:02:12,040 --> 01:02:12,880
Speaker 2: you gonna do otherwise?

1509
01:02:13,600 --> 01:02:16,120
Speaker 12: Mean and wild one Mean by Taylor Swift, Wild one

1510
01:02:16,120 --> 01:02:16,680
Speaker 12: by Faith Hill.

1511
01:02:16,720 --> 01:02:18,440
Speaker 2: So then Abby went and wrote an original because that

1512
01:02:18,480 --> 01:02:20,000
Speaker 2: was the challenge to her. And who'd you write this with?

1513
01:02:21,080 --> 01:02:25,800
Speaker 12: Billy Dawson and Eric Dodd helped also, and then Chase McDaniel.

1514
01:02:25,960 --> 01:02:27,160
Speaker 2: Did you get in a room with them?

1515
01:02:27,400 --> 01:02:27,640
Speaker 5: Yes?

1516
01:02:27,800 --> 01:02:28,720
Speaker 2: How'd that come together?

1517
01:02:29,000 --> 01:02:31,680
Speaker 12: So I texted a lot a lot of people, all

1518
01:02:31,760 --> 01:02:33,080
Speaker 12: my friends, and I was like, hey, you know anyone

1519
01:02:33,080 --> 01:02:35,400
Speaker 12: that can write with me, like asap because I need

1520
01:02:35,400 --> 01:02:37,760
Speaker 12: a song and lessen a week and so like Billy

1521
01:02:37,840 --> 01:02:41,240
Speaker 12: and Chase were available, and I went to his home studio,

1522
01:02:41,440 --> 01:02:43,479
Speaker 12: and so he kind of put together all the music

1523
01:02:43,520 --> 01:02:44,160
Speaker 12: and everything too.

1524
01:02:44,280 --> 01:02:46,240
Speaker 2: Okay, so I'm singing too. You're going to sing to

1525
01:02:46,280 --> 01:02:48,560
Speaker 2: the track? Yeah, And what's a song about? What's it called?

1526
01:02:48,840 --> 01:02:50,960
Speaker 12: So it's very personal to me. I wanted to write,

1527
01:02:51,000 --> 01:02:54,080
Speaker 12: like my story about coming from Wichita, Kansas, and since

1528
01:02:54,080 --> 01:02:56,160
Speaker 12: I'm singing there, I thought that would be appropriate too.

1529
01:02:56,240 --> 01:02:58,440
Speaker 12: So it's just kind of like my story of having

1530
01:02:58,440 --> 01:03:00,360
Speaker 12: a dream to sing and then coming to naw Bill

1531
01:03:00,440 --> 01:03:01,480
Speaker 12: and what I'm doing now?

1532
01:03:01,600 --> 01:03:03,600
Speaker 5: What it is called? Hello?

1533
01:03:03,680 --> 01:03:03,919
Speaker 2: Oh?

1534
01:03:04,200 --> 01:03:04,760
Speaker 5: What's it called?

1535
01:03:04,840 --> 01:03:05,000
Speaker 8: Hey?

1536
01:03:05,040 --> 01:03:05,680
Speaker 5: Their hometown?

1537
01:03:06,920 --> 01:03:10,040
Speaker 2: Lunchbox? You cannot She's just being vulnerable. I like the name, Hey,

1538
01:03:10,040 --> 01:03:12,360
Speaker 2: their hometown. That's a really good one, got it.

1539
01:03:12,640 --> 01:03:16,000
Speaker 12: But I was gonna call it Wichita, But I was like,

1540
01:03:16,200 --> 01:03:17,480
Speaker 12: we'll call it hey, their hometown?

1541
01:03:17,800 --> 01:03:17,920
Speaker 5: Ray?

1542
01:03:17,960 --> 01:03:21,000
Speaker 2: What you turned lunchboxes? Mike off? Hold on, peez see

1543
01:03:21,000 --> 01:03:22,400
Speaker 2: he's off? Just because I want Abby.

1544
01:03:22,480 --> 01:03:23,960
Speaker 6: I thought it was crazy. She didn't know the name

1545
01:03:23,960 --> 01:03:24,680
Speaker 6: of that song.

1546
01:03:25,160 --> 01:03:27,360
Speaker 5: She just wrote it. I literally just wrote it was

1547
01:03:27,400 --> 01:03:28,000
Speaker 5: what I just wrote a.

1548
01:03:28,000 --> 01:03:29,280
Speaker 6: Song title, and I remember it forever.

1549
01:03:29,320 --> 01:03:30,160
Speaker 2: What you just write?

1550
01:03:31,160 --> 01:03:33,840
Speaker 6: He just turned it off? Called this is Gonna be Bad?

1551
01:03:34,480 --> 01:03:35,960
Speaker 2: You wrote a song called this is gonna be bad.

1552
01:03:36,040 --> 01:03:37,680
Speaker 3: I just wrote the title down, but I'll never forget it.

1553
01:03:37,720 --> 01:03:39,200
Speaker 3: If you write a song, you should never forget the

1554
01:03:39,240 --> 01:03:40,400
Speaker 3: title of it. That's what I was saying.

1555
01:03:40,400 --> 01:03:40,760
Speaker 2: Got it?

1556
01:03:40,800 --> 01:03:41,160
Speaker 9: Okay?

1557
01:03:41,760 --> 01:03:45,360
Speaker 2: Abby? So this song is called Hey, their hometown? And

1558
01:03:46,320 --> 01:03:49,520
Speaker 2: how long is it? Ray? I got two forty three?

1559
01:03:49,640 --> 01:03:52,600
Speaker 2: She may end it before then, that's.

1560
01:03:52,440 --> 01:03:52,840
Speaker 5: What it is.

1561
01:03:53,360 --> 01:03:54,360
Speaker 9: How's this mic back on?

1562
01:03:54,920 --> 01:03:55,080
Speaker 2: Oh?

1563
01:03:57,720 --> 01:03:57,919
Speaker 8: Yeah?

1564
01:03:57,920 --> 01:03:59,520
Speaker 5: How does he manage to always come back?

1565
01:03:59,520 --> 01:04:03,919
Speaker 2: Because button is a button? Okay, Abby, I please don't

1566
01:04:03,920 --> 01:04:06,000
Speaker 2: pay attention to maybe a minute and a half lunchbucks. I'm

1567
01:04:06,000 --> 01:04:06,480
Speaker 2: asking you.

1568
01:04:06,520 --> 01:04:07,920
Speaker 3: I'm asking you, how long are we really going to

1569
01:04:07,960 --> 01:04:11,280
Speaker 3: give it? I'm asking you, Like honestly.

1570
01:04:12,600 --> 01:04:13,320
Speaker 5: I'm proud of it.

1571
01:04:13,360 --> 01:04:15,000
Speaker 6: I'm I don't.

1572
01:04:14,880 --> 01:04:16,800
Speaker 3: Loud of it, but but we should probably leave some

1573
01:04:16,840 --> 01:04:18,440
Speaker 3: of it to the audiences.

1574
01:04:18,520 --> 01:04:21,160
Speaker 2: Like like, no, I think she should sing her song.

1575
01:04:21,320 --> 01:04:22,640
Speaker 8: Just sing the song song.

1576
01:04:22,640 --> 01:04:25,680
Speaker 3: You're spending more time artists don't even get two minutes

1577
01:04:25,680 --> 01:04:26,760
Speaker 3: and forty three seconds.

1578
01:04:27,280 --> 01:04:29,560
Speaker 2: Sure, but this is Abby wrote this song. She's a

1579
01:04:29,560 --> 01:04:31,000
Speaker 2: big part of the show. She's part of our family.

1580
01:04:31,160 --> 01:04:31,960
Speaker 6: Yeah, you go all right?

1581
01:04:32,440 --> 01:04:34,560
Speaker 2: Okay, his microphone is off, Abby, be proud of it.

1582
01:04:34,600 --> 01:04:35,280
Speaker 2: Don't look at him.

1583
01:04:35,520 --> 01:04:35,880
Speaker 6: Good luck.

1584
01:04:36,120 --> 01:04:40,760
Speaker 2: This is about your life, and it's called Hey their hometown. Okay,

1585
01:04:40,800 --> 01:04:42,280
Speaker 2: here we here is Abby Lee Anderson.

1586
01:04:42,320 --> 01:04:55,440
Speaker 12: Here we go, Hey their hometown. How you been since

1587
01:04:55,520 --> 01:05:00,160
Speaker 12: I ruled out? I still remember it all, from the

1588
01:05:00,240 --> 01:05:06,080
Speaker 12: playing ground to every Friday night like touchdown. I always

1589
01:05:06,200 --> 01:05:10,760
Speaker 12: had a dream to sing. Mom and Dad said I

1590
01:05:11,000 --> 01:05:16,160
Speaker 12: can be anything, So I live for Tennessee.

1591
01:05:16,680 --> 01:05:18,720
Speaker 5: But you're still right here with me.

1592
01:05:20,160 --> 01:05:25,800
Speaker 12: Oh with you, Tom, You'll always be home to me.

1593
01:05:27,400 --> 01:05:28,600
Speaker 1: I hope you know.

1594
01:05:29,000 --> 01:05:33,640
Speaker 12: No matter where I go these Kansas, who's run deep?

1595
01:05:34,520 --> 01:05:39,080
Speaker 12: I hope you're proud of who I turned into. No

1596
01:05:39,440 --> 01:05:45,920
Speaker 12: one else can hold a candle to h with you, Tom,

1597
01:05:46,320 --> 01:05:58,120
Speaker 12: I owe it on you. Yeah, got a child I love.

1598
01:05:58,280 --> 01:06:04,600
Speaker 12: Now I'm all settled into this crazy town. I was

1599
01:06:04,680 --> 01:06:08,960
Speaker 12: looking for someone and finally found good one back in

1600
01:06:09,120 --> 01:06:16,400
Speaker 12: my stocking around Oh which, Tom, You'll always be home

1601
01:06:16,560 --> 01:06:21,200
Speaker 12: to me. I hope you know, no matter where I

1602
01:06:21,440 --> 01:06:27,760
Speaker 12: go these Kansas, who's running hooker? Proud of who I

1603
01:06:28,080 --> 01:06:36,880
Speaker 12: turned into? Nowhere else can hold a candle too, Oh Wich, Tom,

1604
01:06:37,320 --> 01:06:48,160
Speaker 12: I oh it on you. Around the way that I live,

1605
01:06:48,360 --> 01:06:51,600
Speaker 12: to the way that I look, It's all thanks to

1606
01:06:51,760 --> 01:07:01,040
Speaker 12: yalling the good onabum oh witch to will always be

1607
01:07:01,400 --> 01:07:06,320
Speaker 12: home to me. I hope you know, no matter where

1608
01:07:06,440 --> 01:07:11,960
Speaker 12: I go, will these Kansas roots around? Hope you're proud

1609
01:07:12,080 --> 01:07:16,040
Speaker 12: of who turned into nowhere?

1610
01:07:16,160 --> 01:07:23,440
Speaker 5: Else can hold a candle to which song? Man, I

1611
01:07:23,800 --> 01:07:24,520
Speaker 5: miss you?

1612
01:07:25,400 --> 01:07:31,480
Speaker 9: Great job?

1613
01:07:31,760 --> 01:07:34,960
Speaker 2: Yeah, these roots.

1614
01:07:37,080 --> 01:07:39,320
Speaker 8: I feel like there's a you know, she's sort of

1615
01:07:39,400 --> 01:07:41,600
Speaker 8: hinted to something proclamation.

1616
01:07:41,680 --> 01:07:44,000
Speaker 2: Don't worry about that. I want to focus on her

1617
01:07:44,040 --> 01:07:46,160
Speaker 2: for a second. We're never gonna get to the board, friend.

1618
01:07:47,800 --> 01:07:50,240
Speaker 2: But I mean, it's really good.

1619
01:07:50,360 --> 01:07:50,840
Speaker 5: It's good.

1620
01:07:51,080 --> 01:07:52,480
Speaker 2: It's a good song.

1621
01:07:52,520 --> 01:07:54,200
Speaker 8: They're gonna love it. The crowd's gonna love it.

1622
01:07:54,200 --> 01:07:54,960
Speaker 1: Oh yeah, I thought.

1623
01:07:54,960 --> 01:07:56,400
Speaker 5: Which it's like, if you.

1624
01:07:56,440 --> 01:07:58,400
Speaker 2: Do it in maybe you just.

1625
01:08:00,640 --> 01:08:03,360
Speaker 12: Yeah, you can switch it Jenny City, so anyone.

1626
01:08:03,000 --> 01:08:07,720
Speaker 9: Can sing, yeah, whoa Virginia Beach? That's great.

1627
01:08:07,960 --> 01:08:10,080
Speaker 8: Mess my gosh. If that ever ends up on the

1628
01:08:10,160 --> 01:08:12,320
Speaker 8: radio that they do that, you know how a radio station,

1629
01:08:12,360 --> 01:08:13,120
Speaker 8: some movie.

1630
01:08:13,000 --> 01:08:16,559
Speaker 2: Like they switch it up, that's part of the real song.

1631
01:08:17,040 --> 01:08:18,599
Speaker 2: You're gonna go in the studio record that you think.

1632
01:08:18,720 --> 01:08:21,920
Speaker 12: Yes, I'm gonna go back and actually record it with him.

1633
01:08:22,000 --> 01:08:24,160
Speaker 2: So that's awesome, Thank you.

1634
01:08:24,439 --> 01:08:24,840
Speaker 9: I love it.

1635
01:08:24,880 --> 01:08:28,719
Speaker 12: Really, I didn't forget the words Let's go to lunchbox

1636
01:08:28,760 --> 01:08:29,320
Speaker 12: at lunchbox.

1637
01:08:29,360 --> 01:08:30,439
Speaker 2: Your thoughts on this song?

1638
01:08:31,479 --> 01:08:33,599
Speaker 6: Oh, those songwriters did a really good job.

1639
01:08:33,640 --> 01:08:34,800
Speaker 7: She's one of the songwriters I know.

1640
01:08:34,880 --> 01:08:36,800
Speaker 6: But let's do who did the heavy lifting?

1641
01:08:37,040 --> 01:08:39,040
Speaker 2: But you don't know. She's one of the songwriters.

1642
01:08:39,200 --> 01:08:43,960
Speaker 6: Her life, I understand, But Abby, who did the heavy lifting?

1643
01:08:44,280 --> 01:08:47,160
Speaker 12: All of us together, it was collective, so cool.

1644
01:08:47,840 --> 01:08:48,280
Speaker 6: Yeah.

1645
01:08:48,439 --> 01:08:50,320
Speaker 12: I came in with an idea and we all worked

1646
01:08:50,360 --> 01:08:51,400
Speaker 12: together at different lines.

1647
01:08:51,760 --> 01:08:53,679
Speaker 6: Which line did you write?

1648
01:08:54,760 --> 01:08:55,439
Speaker 2: Works? No?

1649
01:08:55,439 --> 01:08:56,400
Speaker 6: No, no, she said.

1650
01:08:56,240 --> 01:08:58,160
Speaker 12: Together like I'm like, okay, we need to say something

1651
01:08:58,160 --> 01:08:59,720
Speaker 12: about this and what rhymes with two?

1652
01:09:00,160 --> 01:09:00,840
Speaker 5: We got to say this.

1653
01:09:02,439 --> 01:09:03,960
Speaker 2: What would you do? I think right now you have

1654
01:09:04,000 --> 01:09:04,559
Speaker 2: nothing to say.

1655
01:09:04,760 --> 01:09:05,640
Speaker 6: No, no, no.

1656
01:09:05,960 --> 01:09:09,960
Speaker 3: The song was fine, but she still I mean, it's

1657
01:09:10,000 --> 01:09:12,760
Speaker 3: out of her range when she tries. When she does that,

1658
01:09:12,840 --> 01:09:17,320
Speaker 3: it's like it's like a what is that? It's like

1659
01:09:17,360 --> 01:09:19,719
Speaker 3: it sounds like a kazoo? Is that what it's called?

1660
01:09:20,160 --> 01:09:21,320
Speaker 3: A cazoo?

1661
01:09:21,479 --> 01:09:29,200
Speaker 6: Whatever it's called. It's like it does that's tabby when

1662
01:09:29,240 --> 01:09:32,920
Speaker 6: you do that? Why so everybody can hear the canzoo?

1663
01:09:34,479 --> 01:09:36,720
Speaker 2: Just a reference of a kazoo makes me laugh, even

1664
01:09:36,720 --> 01:09:39,439
Speaker 2: though that's not the case. I think you did a

1665
01:09:39,479 --> 01:09:42,120
Speaker 2: great job. The song is really good. It's very exciting.

1666
01:09:42,320 --> 01:09:43,559
Speaker 2: I'm super happy you're doing that.

1667
01:09:43,600 --> 01:09:44,800
Speaker 5: Thank you and sing it there?

1668
01:09:45,000 --> 01:09:52,160
Speaker 2: Yeah you must, Yes, there she is, Abby, Thank you?

1669
01:09:52,160 --> 01:09:53,760
Speaker 2: Whoa Wichita.

1670
01:09:56,080 --> 01:09:56,320
Speaker 12: To me?

1671
01:09:56,840 --> 01:09:58,640
Speaker 2: Whoa?

1672
01:09:59,200 --> 01:10:00,919
Speaker 7: You know these it's roundeed?

1673
01:10:01,200 --> 01:10:01,600
Speaker 12: I like that.

1674
01:10:01,800 --> 01:10:03,400
Speaker 9: I like the put a candle too.

1675
01:10:03,720 --> 01:10:08,120
Speaker 2: I got it. But now I've been keeping secret. Everybody

1676
01:10:08,280 --> 01:10:12,040
Speaker 2: now news that's my truth? Whoa? Which?

1677
01:10:12,280 --> 01:10:13,479
Speaker 12: Uh huh?

1678
01:10:13,720 --> 01:10:14,280
Speaker 1: Good job.

1679
01:10:14,479 --> 01:10:17,000
Speaker 12: That sounds good. I'm just writing my.

1680
01:10:17,000 --> 01:10:18,040
Speaker 2: Story, that's right.

1681
01:10:18,360 --> 01:10:20,120
Speaker 9: Is it a little too much? Though? That verse?

1682
01:10:20,360 --> 01:10:21,840
Speaker 2: Which one about the dude?

1683
01:10:21,960 --> 01:10:23,040
Speaker 5: No, it was perfect.

1684
01:10:23,080 --> 01:10:23,880
Speaker 2: It's her story.

1685
01:10:24,400 --> 01:10:25,760
Speaker 9: Do you take it out if you break up?

1686
01:10:25,840 --> 01:10:28,240
Speaker 6: I mean they are for a week. Guys, I don't

1687
01:10:28,240 --> 01:10:30,040
Speaker 6: even know that you understand that time?

1688
01:10:30,160 --> 01:10:32,400
Speaker 2: Then at that time, we don't know how long because

1689
01:10:32,400 --> 01:10:33,320
Speaker 2: she hasn't told us about it.

1690
01:10:33,320 --> 01:10:33,880
Speaker 6: It doesn't matter.

1691
01:10:33,920 --> 01:10:36,360
Speaker 2: It's not the second we're getting into right now. Se

1692
01:10:36,600 --> 01:10:38,200
Speaker 2: every second we're getting into right now.

1693
01:10:38,360 --> 01:10:40,960
Speaker 12: Also, some lines and songs like aren't always one hundred

1694
01:10:41,000 --> 01:10:41,719
Speaker 12: percent true?

1695
01:10:42,880 --> 01:10:45,200
Speaker 8: What if that's the line from one of the other

1696
01:10:45,280 --> 01:10:46,160
Speaker 8: guys that wrote it.

1697
01:10:46,200 --> 01:10:49,240
Speaker 9: Thank you, Yeah, thank you, thank you Abby.

1698
01:10:49,520 --> 01:10:51,640
Speaker 2: There you go. Let's play our new song here. This

1699
01:10:51,720 --> 01:10:55,400
Speaker 2: is called whoa Wichita? We just recorded that and played

1700
01:10:55,400 --> 01:10:55,599
Speaker 2: it back.

1701
01:10:55,800 --> 01:10:59,240
Speaker 9: What's it called again. Hey, their hometown, Hey, their hometown.

1702
01:10:59,640 --> 01:11:02,280
Speaker 2: Here's Jamis and Roger some girls. By the way, Abby

1703
01:11:02,320 --> 01:11:04,280
Speaker 2: will be performing that before I played the song. Abby

1704
01:11:04,400 --> 01:11:07,320
Speaker 2: performing that on Friday and Saturday night at my show's

1705
01:11:07,360 --> 01:11:11,880
Speaker 2: in Whoa, Wichita Dorothyan Theater and get tickets at Bobbybones

1706
01:11:11,920 --> 01:11:12,240
Speaker 2: dot com.

1707
01:11:12,240 --> 01:11:15,840
Speaker 3: Also, the one thing about the uh song that I

1708
01:11:15,880 --> 01:11:17,320
Speaker 3: did find interesting.

1709
01:11:18,560 --> 01:11:20,479
Speaker 6: That they're like, oh, I hope you're proud of who

1710
01:11:20,479 --> 01:11:22,120
Speaker 6: I became. It's like they don't even know who you are.

1711
01:11:22,960 --> 01:11:24,120
Speaker 5: I'm singing to Wichita.

1712
01:11:24,320 --> 01:11:27,880
Speaker 3: No I know, I know, but which the parents? Yeah,

1713
01:11:28,040 --> 01:11:29,760
Speaker 3: you can take your parents. But she said which song?

1714
01:11:29,920 --> 01:11:31,280
Speaker 3: Like most of which job doesn't know.

1715
01:11:31,240 --> 01:11:31,640
Speaker 6: Who she is.

1716
01:11:31,640 --> 01:11:35,240
Speaker 8: Do you think Austin, Texas is proud of you? Okay?

1717
01:11:36,760 --> 01:11:41,160
Speaker 3: Amy, Amy At Amy, Amy Amy. Let's let's just talk

1718
01:11:41,160 --> 01:11:42,080
Speaker 3: about levels.

1719
01:11:42,120 --> 01:11:44,120
Speaker 6: Okay. Do you think me an Abby.

1720
01:11:44,120 --> 01:11:48,280
Speaker 3: Level Digital is more proud of me than they are Abby?

1721
01:11:48,760 --> 01:11:50,120
Speaker 6: Okay, let's be real.

1722
01:11:50,360 --> 01:11:52,400
Speaker 3: Like I am more known in Wichita than Abby is,

1723
01:11:52,400 --> 01:11:54,680
Speaker 3: So let's let's let's just be real.

1724
01:11:54,960 --> 01:11:56,240
Speaker 9: This is about this is.

1725
01:11:56,200 --> 01:11:58,080
Speaker 2: About Okay, thank you.

1726
01:11:58,760 --> 01:12:02,240
Speaker 1: It's the best bits of the week with Morgan number

1727
01:12:02,280 --> 01:12:04,120
Speaker 1: two and.

1728
01:12:04,040 --> 01:12:06,160
Speaker 4: In this number one spot, it was a super fun

1729
01:12:06,200 --> 01:12:09,280
Speaker 4: moment in studio, we had Turnpike Troubadours in for the

1730
01:12:09,320 --> 01:12:11,360
Speaker 4: first time, at least the first time since I have

1731
01:12:11,400 --> 01:12:13,080
Speaker 4: been part of the show, and they had a full

1732
01:12:13,160 --> 01:12:16,080
Speaker 4: band in studio, like they took over our studio and

1733
01:12:16,120 --> 01:12:18,960
Speaker 4: it was epic. They played several songs and it was

1734
01:12:19,000 --> 01:12:21,000
Speaker 4: just cool to hear their story and how they all

1735
01:12:21,040 --> 01:12:24,519
Speaker 4: came together and what's happened for them post COVID, and

1736
01:12:24,640 --> 01:12:27,200
Speaker 4: of course hear their music because they're just crazy talented.

1737
01:12:27,280 --> 01:12:30,160
Speaker 4: So here it is Turnpike Troubadours, And if you want

1738
01:12:30,200 --> 01:12:32,599
Speaker 4: to watch that full performance from them, go.

1739
01:12:32,520 --> 01:12:33,599
Speaker 6: To our YouTube page.

1740
01:12:33,920 --> 01:12:36,320
Speaker 4: You'll love seeing everything on there because then you'll probably

1741
01:12:36,320 --> 01:12:37,479
Speaker 4: just go on a rabbit hole of seeing all the

1742
01:12:37,520 --> 01:12:38,760
Speaker 4: other performances from our show.

1743
01:12:38,840 --> 01:12:43,200
Speaker 1: They're also good number one so Bobby Bones Show interviews

1744
01:12:43,439 --> 01:12:44,960
Speaker 1: in case you didn't.

1745
01:12:44,680 --> 01:12:49,160
Speaker 2: Know Turnpike Troubadours. They play in my house all the time.

1746
01:12:49,479 --> 01:12:52,759
Speaker 2: My wife is a Oklahoman and so she loves these guys,

1747
01:12:53,040 --> 01:12:54,759
Speaker 2: so I'm a fan too. They have a new album

1748
01:12:54,800 --> 01:12:56,200
Speaker 2: called A Cat in the Rain that comes out August

1749
01:12:56,240 --> 01:12:59,480
Speaker 2: twenty fifth. I Love Diamonds and Gasoline.

1750
01:12:59,520 --> 01:13:03,840
Speaker 16: The song I would Bve for You diamond under myself

1751
01:13:04,040 --> 01:13:05,120
Speaker 16: some Gasan.

1752
01:13:05,360 --> 01:13:07,720
Speaker 2: I mean, they're popping up on TV shows everywhere, and

1753
01:13:07,760 --> 01:13:10,320
Speaker 2: we're just super excited they're here. So let's go the

1754
01:13:10,400 --> 01:13:11,360
Speaker 2: Friday morning.

1755
01:13:11,120 --> 01:13:13,640
Speaker 1: Conversation with Turnpike Tubadours.

1756
01:13:13,760 --> 01:13:15,880
Speaker 2: Glad you guys are here, Thanks for coming, like really thanks,

1757
01:13:16,080 --> 01:13:18,200
Speaker 2: good to see it. My so, I will say this

1758
01:13:18,439 --> 01:13:22,760
Speaker 2: that I'm in Tallaqua a lot, Oklahoma. Oh yeah, yes,

1759
01:13:23,120 --> 01:13:24,880
Speaker 2: and so that is where the band that's basically the

1760
01:13:24,880 --> 01:13:27,639
Speaker 2: genesis of the band, right, yeah. My wife's from Fort Gibson.

1761
01:13:27,960 --> 01:13:32,080
Speaker 2: Oh wow, and we are there. We're a lot multiple

1762
01:13:32,120 --> 01:13:34,479
Speaker 2: and we eat in Tahaqua Alied. And so my wife

1763
01:13:34,520 --> 01:13:36,200
Speaker 2: has been such a big fan of you guys ever

1764
01:13:36,200 --> 01:13:38,200
Speaker 2: since I've known her, to the point where she doesn't

1765
01:13:38,200 --> 01:13:41,880
Speaker 2: even say your whole name. It's never Turnpike, Troubadours, it's

1766
01:13:42,000 --> 01:13:46,840
Speaker 2: just Turnpike or T T and is and so is

1767
01:13:46,880 --> 01:13:49,800
Speaker 2: that if diehard fans of you guys, like, what's the name,

1768
01:13:49,840 --> 01:13:51,400
Speaker 2: what's the nickname? Is it just Turnpike?

1769
01:13:51,560 --> 01:13:54,519
Speaker 16: It's just Turnpike. I think that's that's h That's what

1770
01:13:54,680 --> 01:13:55,360
Speaker 16: I hear all the time.

1771
01:13:55,400 --> 01:13:57,680
Speaker 2: And sometimes she'll just go just she didn't go all

1772
01:13:57,680 --> 01:14:01,000
Speaker 2: the ways, just as the tea sound So what's always

1773
01:14:01,000 --> 01:14:05,160
Speaker 2: fascinating to me about However, you guys are classified and

1774
01:14:05,200 --> 01:14:07,320
Speaker 2: it's been classified differently through the years. If it's Red Dirt,

1775
01:14:07,360 --> 01:14:10,320
Speaker 2: if it's this show. We all met in Texas, lived

1776
01:14:10,320 --> 01:14:14,080
Speaker 2: in Texas for twelve years, or born in Austin, raised

1777
01:14:14,080 --> 01:14:18,200
Speaker 2: in Texas, and it's a version of Texas. You're with

1778
01:14:18,240 --> 01:14:19,760
Speaker 2: a lot of those Texas Country guys in our mind

1779
01:14:19,760 --> 01:14:21,080
Speaker 2: because we've known about you for a long time. But

1780
01:14:21,080 --> 01:14:23,160
Speaker 2: you're not even from Texas. You're from Oklahoma, who hates Texas,

1781
01:14:23,160 --> 01:14:25,160
Speaker 2: and not from Arkansas who So it's weird to be

1782
01:14:25,160 --> 01:14:28,839
Speaker 2: considered Texas Country. Whenever. Texas is like the rival and everything.

1783
01:14:29,680 --> 01:14:32,200
Speaker 16: We wouldn't be here if it wasn't for a lot

1784
01:14:32,200 --> 01:14:36,280
Speaker 16: of the people in Texas, and the music scene that

1785
01:14:36,760 --> 01:14:39,120
Speaker 16: is allowed to happen in Texas is sort of a phenomenon.

1786
01:14:39,680 --> 01:14:42,160
Speaker 16: So yeah, they're not much of a rival in anything

1787
01:14:42,200 --> 01:14:44,160
Speaker 16: other than maybe football college football.

1788
01:14:44,160 --> 01:14:46,360
Speaker 2: But see, I'll let them bleed over so much it'd

1789
01:14:46,360 --> 01:14:46,720
Speaker 2: be tough.

1790
01:14:46,800 --> 01:14:48,760
Speaker 7: Yeah, I love it. I lived there for quite a

1791
01:14:48,840 --> 01:14:49,360
Speaker 7: while too.

1792
01:14:49,520 --> 01:14:50,479
Speaker 2: Where'd you live in Texas?

1793
01:14:50,560 --> 01:14:54,559
Speaker 16: I lived in Southeast Texas, near Beaumont, Texas and around

1794
01:14:54,560 --> 01:14:55,680
Speaker 16: Anawac and Winny.

1795
01:14:56,120 --> 01:14:58,040
Speaker 2: Amy when he mentions like Jason Ball and ready mentioned

1796
01:14:58,280 --> 01:15:01,200
Speaker 2: who else do you say over there a minute ago? Yeah,

1797
01:15:01,520 --> 01:15:03,839
Speaker 2: which CCR had two versions For me, I knew credence

1798
01:15:04,040 --> 01:15:06,800
Speaker 2: because of my stepdad, CCR also being a Texas that

1799
01:15:06,840 --> 01:15:08,960
Speaker 2: was Cross Canadian and Cody and you know all those

1800
01:15:08,960 --> 01:15:11,920
Speaker 2: guys there. Did you ever see Turnpike at all in

1801
01:15:11,960 --> 01:15:13,040
Speaker 2: all of your concerts?

1802
01:15:13,360 --> 01:15:13,759
Speaker 13: No?

1803
01:15:13,760 --> 01:15:15,240
Speaker 2: No, you would go to all of them.

1804
01:15:15,240 --> 01:15:17,439
Speaker 8: I mean yeah, we went to well, I don't know

1805
01:15:17,600 --> 01:15:19,360
Speaker 8: what year y'all were.

1806
01:15:19,600 --> 01:15:22,040
Speaker 7: Yeah, making the rounds there quite a while.

1807
01:15:21,880 --> 01:15:24,000
Speaker 8: Right, So they're behind so like when I was in college,

1808
01:15:24,040 --> 01:15:26,680
Speaker 8: I mean, that's what we're doing. So high school ninety eight,

1809
01:15:26,760 --> 01:15:32,080
Speaker 8: ninety nine, two thousand. College it was Robert Robert O'Keane,

1810
01:15:32,120 --> 01:15:33,960
Speaker 8: it was Pat Green, it was Jerry Jeff Walker. It

1811
01:15:34,040 --> 01:15:37,800
Speaker 8: was like that whole scene for sure, Like shows over

1812
01:15:37,840 --> 01:15:39,720
Speaker 8: and over would go do the same thing.

1813
01:15:39,920 --> 01:15:42,759
Speaker 2: All those guys like big in you guys' music, like lives,

1814
01:15:43,080 --> 01:15:44,559
Speaker 2: those those Texas country guys.

1815
01:15:45,479 --> 01:15:47,400
Speaker 7: Yeah, Jerry Jeff, Jerry Jeff was huge.

1816
01:15:47,439 --> 01:15:50,720
Speaker 16: Yeah, and Robert Keane absolutely, I mean yeah, all those

1817
01:15:50,720 --> 01:15:54,559
Speaker 16: guys are big, big influences in heroes and poems.

1818
01:15:55,080 --> 01:15:57,240
Speaker 2: Is it weird? That you guys are now blowing up

1819
01:15:57,520 --> 01:16:00,000
Speaker 2: unlike you have ever blown up, because it's happening now

1820
01:16:00,000 --> 01:16:04,160
Speaker 2: now you've been around. It's like an overnight success that

1821
01:16:04,240 --> 01:16:05,960
Speaker 2: took a whole lot of time to be over night.

1822
01:16:06,120 --> 01:16:06,840
Speaker 7: Six twenty years.

1823
01:16:07,000 --> 01:16:11,680
Speaker 16: Yeah, yeah, it's it's great, man. We'll take what we

1824
01:16:11,720 --> 01:16:16,080
Speaker 16: can get, you know, but yeah, it's it's really it's really.

1825
01:16:15,840 --> 01:16:18,000
Speaker 2: Fortunate and like you're feeling I'm sure you're feeling it

1826
01:16:18,040 --> 01:16:20,320
Speaker 2: now coming from all these different directions you've never felt before,

1827
01:16:20,560 --> 01:16:24,680
Speaker 2: like offers to do things, deals to do stuff. I mean,

1828
01:16:25,000 --> 01:16:27,320
Speaker 2: are you do you feel like the music? What do

1829
01:16:27,360 --> 01:16:29,759
Speaker 2: you feel about now has changed that all of a sudden,

1830
01:16:29,800 --> 01:16:32,639
Speaker 2: people are respecting you for what you guys are doing

1831
01:16:32,680 --> 01:16:33,360
Speaker 2: and have been doing.

1832
01:16:33,800 --> 01:16:36,679
Speaker 16: The COVID thing kind of seem to have an effect

1833
01:16:36,680 --> 01:16:38,320
Speaker 16: on it. People sat with a lot of people sat

1834
01:16:38,320 --> 01:16:42,320
Speaker 16: with our music that hadn't before. It seemed like, and

1835
01:16:43,200 --> 01:16:45,160
Speaker 16: we approach it a little bit differently now and people,

1836
01:16:45,240 --> 01:16:48,400
Speaker 16: I think know what they're gonna gonna get a little

1837
01:16:48,400 --> 01:16:48,800
Speaker 16: bit more.

1838
01:16:49,040 --> 01:16:51,880
Speaker 2: Yeah, you guys play. Did you ever have one of

1839
01:16:51,880 --> 01:16:53,559
Speaker 2: those years where it's like two hundred and thirty shows

1840
01:16:53,560 --> 01:16:53,920
Speaker 2: in a year?

1841
01:16:54,000 --> 01:16:54,120
Speaker 8: Oh?

1842
01:16:54,160 --> 01:16:54,960
Speaker 7: Yeah, I keep bet.

1843
01:16:55,600 --> 01:16:56,840
Speaker 2: Where it's just like, oh, it's just you don't even

1844
01:16:56,840 --> 01:16:58,360
Speaker 2: remember anything but being on the road for just so

1845
01:16:58,680 --> 01:17:01,479
Speaker 2: that that was home like more than one year, Yeah,

1846
01:17:01,640 --> 01:17:03,880
Speaker 2: a lot of years. You have a new album and

1847
01:17:03,880 --> 01:17:06,120
Speaker 2: we're gonna play some. First of all, I'm super grateful

1848
01:17:06,160 --> 01:17:07,559
Speaker 2: that you guys have set up and are gonna play.

1849
01:17:07,560 --> 01:17:09,439
Speaker 2: This is really cool for me. So I'll try not

1850
01:17:09,520 --> 01:17:11,360
Speaker 2: to say that eight times in a row, but it's

1851
01:17:11,400 --> 01:17:14,080
Speaker 2: super cool for me. And is there an order? Because

1852
01:17:14,080 --> 01:17:15,639
Speaker 2: I know we're gonna do Chip and Mill and Mean

1853
01:17:15,640 --> 01:17:18,400
Speaker 2: Old Son. So what would you like to play? First?

1854
01:17:18,400 --> 01:17:19,240
Speaker 2: Of all the songs?

1855
01:17:19,479 --> 01:17:23,040
Speaker 7: Well, we can do we we thought about doing Laurie.

1856
01:17:23,080 --> 01:17:23,519
Speaker 7: Is that okay?

1857
01:17:23,640 --> 01:17:24,880
Speaker 2: Oh, you can do whatever you want. I just have

1858
01:17:24,920 --> 01:17:25,800
Speaker 2: a list here of what they said.

1859
01:17:25,880 --> 01:17:29,760
Speaker 16: Yeah, yeah, we thought we'd do Lori for you can

1860
01:17:29,800 --> 01:17:30,400
Speaker 16: do American Pie.

1861
01:17:30,400 --> 01:17:32,760
Speaker 2: I'll give a crap, I care what you do.

1862
01:17:33,000 --> 01:17:34,360
Speaker 7: And then and then mean Old Son.

1863
01:17:34,720 --> 01:17:36,880
Speaker 2: Okay, cool. So, so tell me about the song you're

1864
01:17:36,880 --> 01:17:37,400
Speaker 2: gonna do here.

1865
01:17:37,920 --> 01:17:40,120
Speaker 16: This is one that's been around for for a long

1866
01:17:40,160 --> 01:17:44,439
Speaker 16: time and it's just a sort of a narrative tune

1867
01:17:45,920 --> 01:17:51,599
Speaker 16: about kind of a regular guy from Southeast Oklahoma who

1868
01:17:51,640 --> 01:17:56,400
Speaker 16: we won't name, but but this is kind of one

1869
01:17:56,400 --> 01:17:59,439
Speaker 16: of the first sort of story songs that we started doing.

1870
01:18:00,080 --> 01:18:03,040
Speaker 2: Evan, who's the longest friendship here? And how long?

1871
01:18:04,120 --> 01:18:07,000
Speaker 16: Oh man, don't make me say that out loud. Now,

1872
01:18:07,200 --> 01:18:09,400
Speaker 16: Urcie and I have been in the band the longest,

1873
01:18:09,439 --> 01:18:11,760
Speaker 16: and Kyle not too long after that.

1874
01:18:12,240 --> 01:18:14,120
Speaker 2: So we're looking at because some of us amy how

1875
01:18:14,160 --> 01:18:14,800
Speaker 2: long we've been together?

1876
01:18:15,120 --> 01:18:16,919
Speaker 8: Oh us seventeen years?

1877
01:18:17,240 --> 01:18:19,080
Speaker 7: Yeah, well we're something like that.

1878
01:18:19,280 --> 01:18:22,200
Speaker 2: What did this band in your mind start out as?

1879
01:18:22,320 --> 01:18:23,720
Speaker 2: And was it even going to be a full band?

1880
01:18:23,760 --> 01:18:23,800
Speaker 1: Like?

1881
01:18:23,840 --> 01:18:25,800
Speaker 2: What was the creative vision of what you were going

1882
01:18:25,800 --> 01:18:26,759
Speaker 2: to do with this version?

1883
01:18:27,000 --> 01:18:27,200
Speaker 7: Yeah?

1884
01:18:27,200 --> 01:18:28,679
Speaker 16: I just wanted to be in a band. I think

1885
01:18:29,520 --> 01:18:31,599
Speaker 16: I didn't know what it was going to be. And

1886
01:18:31,920 --> 01:18:35,280
Speaker 16: we just kept writing songs and gathering up people and

1887
01:18:35,360 --> 01:18:38,160
Speaker 16: they they sort of just the representation of their own

1888
01:18:38,640 --> 01:18:40,880
Speaker 16: interests honestly and their own like influences.

1889
01:18:41,040 --> 01:18:42,599
Speaker 2: So you're gonna be like an electrician or something?

1890
01:18:42,680 --> 01:18:45,040
Speaker 7: Yeah? As a goal, Yeah, that was an electrician. I

1891
01:18:45,040 --> 01:18:45,640
Speaker 7: wasn't going to be.

1892
01:18:45,920 --> 01:18:49,400
Speaker 16: That's what I got out of a tech school and

1893
01:18:49,439 --> 01:18:51,719
Speaker 16: went to warehouser down in Valiant.

1894
01:18:51,840 --> 01:18:53,920
Speaker 2: We had to warehouses rum from the whole town relied

1895
01:18:53,920 --> 01:18:56,360
Speaker 2: on warehouses in the middle from Outland, Arkansas, and so

1896
01:18:56,400 --> 01:18:59,719
Speaker 2: we had a really big warehouser. You know, my step

1897
01:18:59,800 --> 01:19:02,639
Speaker 2: Daud worked there for like thirty years. Super solid job.

1898
01:19:03,960 --> 01:19:05,479
Speaker 2: And when it comes to this, this is not a

1899
01:19:05,479 --> 01:19:07,360
Speaker 2: solid job, and I mean that the most complimentary way.

1900
01:19:07,400 --> 01:19:09,919
Speaker 2: Anything creative is not solid. There's no stability in whatsoever.

1901
01:19:10,520 --> 01:19:13,519
Speaker 2: So you're going from what is it? Everybody needs an

1902
01:19:13,560 --> 01:19:15,760
Speaker 2: electrician or a plumber, like those are jobs we have

1903
01:19:15,800 --> 01:19:17,959
Speaker 2: to have and we depend on them, and they're very valuable.

1904
01:19:18,320 --> 01:19:20,040
Speaker 2: And you're always gonna have work if you as long

1905
01:19:20,040 --> 01:19:23,600
Speaker 2: as you don't blow something up to do this, you

1906
01:19:23,640 --> 01:19:25,280
Speaker 2: may not always have work and you may be really

1907
01:19:25,280 --> 01:19:27,720
Speaker 2: broke for a long time. Yeap, what happened to make

1908
01:19:27,720 --> 01:19:31,400
Speaker 2: you go? Screw it? I'm going to pursuing this. Well.

1909
01:19:31,680 --> 01:19:33,400
Speaker 16: You know, I didn't have a whole lot of overhead.

1910
01:19:33,760 --> 01:19:37,880
Speaker 16: I wound up working at R and D in still

1911
01:19:37,880 --> 01:19:40,240
Speaker 16: Water for Mercury Marine, which was a really fun job,

1912
01:19:40,240 --> 01:19:41,360
Speaker 16: and I worked with some fun people.

1913
01:19:41,479 --> 01:19:43,080
Speaker 7: And then Colin and I were playing. I was playing

1914
01:19:43,080 --> 01:19:43,960
Speaker 7: almost every night.

1915
01:19:44,120 --> 01:19:46,759
Speaker 2: See to work all day and then play yeah night yet.

1916
01:19:46,680 --> 01:19:49,040
Speaker 16: Yeah and drink all night whatever. You know, Like I

1917
01:19:49,080 --> 01:19:52,320
Speaker 16: was worthless at both, I think. But we played a lot,

1918
01:19:52,360 --> 01:19:54,599
Speaker 16: and so I just I thought, well, I can get

1919
01:19:54,680 --> 01:19:59,160
Speaker 16: enough gigs playing it whatever pizza shops or whatever. I

1920
01:19:59,160 --> 01:20:03,400
Speaker 16: gotta play, uh to live if I don't have a

1921
01:20:03,400 --> 01:20:04,080
Speaker 16: house or anything.

1922
01:20:04,120 --> 01:20:05,680
Speaker 2: Yeah, did you go? And if I'm not gonna do

1923
01:20:05,680 --> 01:20:06,800
Speaker 2: it now, I'm just never gonna do it. Did you

1924
01:20:06,800 --> 01:20:07,360
Speaker 2: ever have that moment?

1925
01:20:07,479 --> 01:20:07,679
Speaker 5: Yeah?

1926
01:20:08,000 --> 01:20:10,200
Speaker 2: Man, all right, Turnpike, Triubad doors are here. What are

1927
01:20:10,200 --> 01:20:11,280
Speaker 2: you gonna play for us next?

1928
01:20:11,360 --> 01:20:12,200
Speaker 7: This is Mean Old Son.

1929
01:20:12,280 --> 01:20:14,040
Speaker 16: This is one of the first ones that we wrote

1930
01:20:14,040 --> 01:20:15,920
Speaker 16: off for the new The new album.

1931
01:20:16,000 --> 01:20:17,960
Speaker 2: The new album, A Cat in the Rain comes up

1932
01:20:18,000 --> 01:20:20,240
Speaker 2: August twenty fifth. Mean Old Son is actually you guys

1933
01:20:20,240 --> 01:20:22,720
Speaker 2: can stream it now, but the whole record comes out

1934
01:20:22,720 --> 01:20:25,040
Speaker 2: again the twenty fifth. They're doing three nights at the Rhyman.

1935
01:20:25,800 --> 01:20:29,880
Speaker 2: So they're doing tonight and tomorrow night. They did last night.

1936
01:20:30,120 --> 01:20:31,439
Speaker 2: I mean, you guys have been in Nashville for like

1937
01:20:31,479 --> 01:20:34,040
Speaker 2: a week. Huh. Yeah, that's day. That's pretty cool. You

1938
01:20:34,120 --> 01:20:36,080
Speaker 2: have to try. You have to like tour constantly. Yeah,

1939
01:20:36,120 --> 01:20:39,320
Speaker 2: going place to place. Yeah, that's good because I expect you.

1940
01:20:39,320 --> 01:20:41,120
Speaker 2: You guys seem like you're I'm looking at your schedule.

1941
01:20:41,160 --> 01:20:42,680
Speaker 2: It's here everywhere. I don't know how you remember where

1942
01:20:42,680 --> 01:20:44,720
Speaker 2: you are? Sometimes we don't except piece of paper on

1943
01:20:44,760 --> 01:20:46,360
Speaker 2: the ground that says where you are, and that's what

1944
01:20:46,360 --> 01:20:49,320
Speaker 2: you look at. Yeah, yeah, yeah, no, So here we go.

1945
01:20:49,400 --> 01:20:54,599
Speaker 2: New album. Let's do mean old son from Turnpike Tribadors Nice.

1946
01:20:54,600 --> 01:20:58,439
Speaker 2: We got that note I'll, I'll, I'm gonna jump in there,

1947
01:20:58,640 --> 01:21:01,799
Speaker 2: Turnpike Troubadours in Stitude Evan. You wrote that one by yourself?

1948
01:21:02,240 --> 01:21:04,400
Speaker 2: Where do you write? Where did you write that one?

1949
01:21:05,360 --> 01:21:07,320
Speaker 7: I was in Southeast Texas. We're getting ready.

1950
01:21:07,600 --> 01:21:09,840
Speaker 16: We finished a lot of these in the studio in Alabama,

1951
01:21:09,920 --> 01:21:13,120
Speaker 16: but uh started that one in Southeast Texas.

1952
01:21:13,280 --> 01:21:15,160
Speaker 2: Can you write on the road or are you too

1953
01:21:15,160 --> 01:21:16,280
Speaker 2: stimulated by the road?

1954
01:21:16,880 --> 01:21:19,760
Speaker 16: It depends typically too stimulated. But if we got a

1955
01:21:19,840 --> 01:21:21,840
Speaker 16: day off or something, I can hold up in a

1956
01:21:21,840 --> 01:21:22,880
Speaker 16: hotel room and right, Yeah.

1957
01:21:22,920 --> 01:21:25,160
Speaker 2: Are you constantly putting notes into your phone of songs

1958
01:21:25,200 --> 01:21:25,800
Speaker 2: you want to write?

1959
01:21:25,880 --> 01:21:26,639
Speaker 7: Try to? Yeah?

1960
01:21:27,000 --> 01:21:28,400
Speaker 2: You ever looked back at them and go, what the

1961
01:21:28,439 --> 01:21:29,679
Speaker 2: heck was I thinking with that one?

1962
01:21:29,720 --> 01:21:30,040
Speaker 7: Often?

1963
01:21:30,120 --> 01:21:33,240
Speaker 2: Yeah, we got to come back. We'll get one more

1964
01:21:33,280 --> 01:21:36,400
Speaker 2: from Turnpike Tributdoors again. The new album. It is out

1965
01:21:36,439 --> 01:21:38,120
Speaker 2: on the twenty fifth. That song has already up for

1966
01:21:38,160 --> 01:21:39,519
Speaker 2: you to stream. It's called a cat in the rain.

1967
01:21:40,120 --> 01:21:41,800
Speaker 2: All right, So Evan, what are you guys gonna play here?

1968
01:21:42,040 --> 01:21:43,240
Speaker 2: This is Diamonds and Gasoline.

1969
01:21:43,240 --> 01:21:45,679
Speaker 16: This is the title track off of our first record

1970
01:21:45,680 --> 01:21:46,240
Speaker 16: that we did together.

1971
01:21:46,280 --> 01:21:47,600
Speaker 2: Yeah, I was hoping that's what you're gonna say. M

1972
01:21:48,920 --> 01:21:50,680
Speaker 2: probably the most played song in my house over the

1973
01:21:50,720 --> 01:21:53,400
Speaker 2: past two years, just in general. I was planning for

1974
01:21:53,439 --> 01:21:56,520
Speaker 2: these guys and I thought it was pretty self explanatory,

1975
01:21:56,560 --> 01:21:58,639
Speaker 2: and I said, what do you think this is being

1976
01:21:58,680 --> 01:22:02,320
Speaker 2: said in this song here? Everybody had a similar idea,

1977
01:22:02,400 --> 01:22:04,880
Speaker 2: but without me leading you in an the direction about

1978
01:22:04,880 --> 01:22:06,880
Speaker 2: the song that you it is your song? What is

1979
01:22:06,960 --> 01:22:08,439
Speaker 2: Diamonds and gas What is it about?

1980
01:22:09,520 --> 01:22:12,960
Speaker 16: I think it's about realizing that maybe you might not

1981
01:22:13,040 --> 01:22:16,639
Speaker 16: be enough for the situation, and maybe that situation isn't

1982
01:22:17,360 --> 01:22:19,720
Speaker 16: that important, or isn't the end all be all?

1983
01:22:19,800 --> 01:22:20,160
Speaker 7: You know that?

1984
01:22:20,280 --> 01:22:23,559
Speaker 2: Just said me. Yeah, it's either get you a diamond

1985
01:22:23,760 --> 01:22:26,680
Speaker 2: if I don't have to go gasoline. Stop dragging it now.

1986
01:22:26,720 --> 01:22:29,280
Speaker 2: I'm telling them what I thought was like, you.

1987
01:22:29,240 --> 01:22:30,120
Speaker 7: Know that's what it's about.

1988
01:22:30,400 --> 01:22:33,439
Speaker 2: You want to keep just keep extending it for no reason,

1989
01:22:33,479 --> 01:22:36,320
Speaker 2: wasting everybody's time. This is like one of my favorite songs.

1990
01:22:36,520 --> 01:22:41,040
Speaker 16: Yeah, that that really truly is about as close as

1991
01:22:41,040 --> 01:22:44,000
Speaker 16: you're gonna get, you know, to be in you thinking like, yeah,

1992
01:22:44,360 --> 01:22:45,840
Speaker 16: thinking like I was thinking when I wrote it.

1993
01:22:45,880 --> 01:22:48,200
Speaker 2: All right here there are Turnpike Troubadours and this is

1994
01:22:48,200 --> 01:22:53,479
Speaker 2: Diamonds Gasoline. Come on, that is so good? Wow? Where

1995
01:22:53,479 --> 01:22:55,000
Speaker 2: do you play that in your set?

1996
01:22:56,640 --> 01:22:58,920
Speaker 16: We played a lot, uh kind of as a as

1997
01:22:58,960 --> 01:23:02,040
Speaker 16: a break in between. Some of the faster songs are

1998
01:23:02,360 --> 01:23:04,680
Speaker 16: a big chunk of the set. And the end of

1999
01:23:04,680 --> 01:23:05,320
Speaker 16: the show.

2000
01:23:05,080 --> 01:23:07,080
Speaker 2: Does everybody just sing that one so loud back.

2001
01:23:06,920 --> 01:23:08,759
Speaker 7: To you pretty loud? Yeah, it's great.

2002
01:23:08,760 --> 01:23:12,400
Speaker 2: Because it's so stripped. Uh huh, man, gonna start singing

2003
01:23:12,400 --> 01:23:13,280
Speaker 2: it back to you there. But then I was like,

2004
01:23:13,280 --> 01:23:15,200
Speaker 2: I'm the only one, so that would have been weird,

2005
01:23:15,280 --> 01:23:18,120
Speaker 2: so I didn't. But I really appreciate you guys coming

2006
01:23:18,160 --> 01:23:19,600
Speaker 2: in like this is a real treat for me, just

2007
01:23:19,600 --> 01:23:23,439
Speaker 2: a fan. Oh do just the new album comes out

2008
01:23:23,600 --> 01:23:25,799
Speaker 2: August twenty fifth. We'll be sure talking about that again

2009
01:23:26,040 --> 01:23:29,600
Speaker 2: whenever that day comes a cat in the rain Turnpike Troubadours.

2010
01:23:29,880 --> 01:23:32,160
Speaker 2: Now I am an ar Kansas, not in Oklahoman, but

2011
01:23:32,240 --> 01:23:35,519
Speaker 2: by marriage I am a part Oklahoman. So you guys

2012
01:23:35,600 --> 01:23:37,280
Speaker 2: keep up representing this I say that one it's later,

2013
01:23:37,760 --> 01:23:39,360
Speaker 2: but it's like Oklahoma's I like, I'm like, yeah, you

2014
01:23:39,439 --> 01:23:42,360
Speaker 2: keep representing this Turnpike Troubadours. Thank you guys.

2015
01:23:43,360 --> 01:23:49,439
Speaker 1: Yeah, it's the best bits of the week with Morgan

2016
01:23:49,560 --> 01:23:50,240
Speaker 1: number two.

2017
01:23:51,040 --> 01:23:53,160
Speaker 4: All right, y'all, that's it for me this weekend. It's

2018
01:23:53,200 --> 01:23:55,439
Speaker 4: been fun again to hang out with y'all.

2019
01:23:55,479 --> 01:23:56,840
Speaker 2: I just really love our weekends together.

2020
01:23:56,880 --> 01:23:59,320
Speaker 4: Even though I am in a studio by myself, it's

2021
01:23:59,320 --> 01:24:01,479
Speaker 4: fun for me, it's fun for you, guys, and I

2022
01:24:01,520 --> 01:24:03,960
Speaker 4: really appreciate you taking the time out of your weekend

2023
01:24:04,080 --> 01:24:05,760
Speaker 4: to hang with me, to hang with me and Eddie

2024
01:24:06,120 --> 01:24:07,840
Speaker 4: and all the other show members who come on.

2025
01:24:08,000 --> 01:24:09,360
Speaker 1: So thank you guys so much.

2026
01:24:09,439 --> 01:24:11,200
Speaker 4: Be sure to follow the show at Bobby Bone Show

2027
01:24:11,240 --> 01:24:12,960
Speaker 4: on all the Things and come hang out with me

2028
01:24:13,120 --> 01:24:15,600
Speaker 4: at web Girl Morgan. I post a lot of original

2029
01:24:15,640 --> 01:24:18,840
Speaker 4: content and do some behind the scenes of different things.

2030
01:24:18,840 --> 01:24:22,040
Speaker 4: I've been posting national recommendations on my TikTok, so if

2031
01:24:22,080 --> 01:24:23,720
Speaker 4: you are coming to Nashville soon now, so have some

2032
01:24:23,760 --> 01:24:24,759
Speaker 4: of those, y'all.

2033
01:24:24,760 --> 01:24:25,840
Speaker 6: I will see you guys later.

2034
01:24:26,000 --> 01:24:29,320
Speaker 4: Have a great weekend, Be safe, stay healthy, and I

2035
01:24:29,400 --> 01:24:29,880
Speaker 4: love y'all.

2036
01:24:29,920 --> 01:24:32,320
Speaker 5: Bye Jay's Byeobby boon