1 00:00:00,000 --> 00:00:01,440 Speaker 1: He's not my best friend if I ain't seen him 2 00:00:01,440 --> 00:00:02,680 Speaker 1: in two years or talk to him for two years, 3 00:00:02,680 --> 00:00:03,640 Speaker 1: and you don't know who the he. 4 00:00:03,640 --> 00:00:05,920 Speaker 2: Is going off this hypothetical that they're reconnecting. 5 00:00:06,480 --> 00:00:08,320 Speaker 1: Test He said that was his little homie that he 6 00:00:08,360 --> 00:00:09,959 Speaker 1: ain't seen in a while. He didn't say that was 7 00:00:09,960 --> 00:00:10,760 Speaker 1: his best little homie. 8 00:00:10,800 --> 00:00:11,680 Speaker 2: Never came out of his mouth. 9 00:00:12,039 --> 00:00:14,480 Speaker 1: Swear to God, he said that was my little homie. 10 00:00:14,160 --> 00:00:16,599 Speaker 2: All right. I mean, sometimes you got to your little homies. 11 00:00:16,840 --> 00:00:18,880 Speaker 2: Girls don't know who the big. 12 00:00:21,760 --> 00:00:22,920 Speaker 3: Will enough. 13 00:00:45,960 --> 00:00:49,760 Speaker 2: And we are passed so like we never left quick 14 00:00:49,760 --> 00:00:50,280 Speaker 2: a few days. 15 00:00:50,360 --> 00:00:51,040 Speaker 4: My life has been. 16 00:00:52,200 --> 00:00:53,800 Speaker 2: My life is like in a neutral bullet Right now, 17 00:00:53,920 --> 00:00:55,880 Speaker 2: I'm curious what your phone has been like the last 18 00:00:55,880 --> 00:00:57,840 Speaker 2: few days, because mine was it's been in a neutral 19 00:00:57,840 --> 00:01:00,680 Speaker 2: bullet Mine was blowing up a about you, So I 20 00:01:00,680 --> 00:01:02,240 Speaker 2: can only imagine what your phone was. 21 00:01:02,280 --> 00:01:03,600 Speaker 4: Why are your phone blowing up about me? 22 00:01:03,840 --> 00:01:08,920 Speaker 2: Because the whole world was reacting to your reaction of 23 00:01:08,959 --> 00:01:11,080 Speaker 2: a reaction of a reaction we all do now. 24 00:01:11,280 --> 00:01:14,160 Speaker 4: We react to a reaction of somebody reacting to Yes, 25 00:01:14,400 --> 00:01:15,080 Speaker 4: an action. 26 00:01:15,240 --> 00:01:17,720 Speaker 2: To Drake reacting to Kendrick, who was reacting to Drake, 27 00:01:17,760 --> 00:01:21,160 Speaker 2: who was reacting to Kendrick And now we're here reacting 28 00:01:21,480 --> 00:01:23,959 Speaker 2: to people reacting to my phone about your reaction. 29 00:01:24,240 --> 00:01:27,480 Speaker 4: So your phone's going off for forty eight hours. Yes, 30 00:01:27,640 --> 00:01:30,120 Speaker 4: I got some interesting text messages. I got some interesting 31 00:01:32,640 --> 00:01:35,039 Speaker 4: phone calls. I facetimes. 32 00:01:35,280 --> 00:01:38,520 Speaker 2: I got some great text messages from West Coast people 33 00:01:38,600 --> 00:01:41,240 Speaker 2: that that can't wait to have a conversation, not in 34 00:01:41,240 --> 00:01:44,120 Speaker 2: that type of way, but would love to debate with 35 00:01:44,160 --> 00:01:44,600 Speaker 2: you further. 36 00:01:45,000 --> 00:01:46,440 Speaker 4: Oh, I thought you about to say I can't go 37 00:01:46,480 --> 00:01:47,000 Speaker 4: to La no. 38 00:01:46,959 --> 00:01:47,640 Speaker 5: More, no, no, no no. 39 00:01:48,280 --> 00:01:50,640 Speaker 2: Everything was love and actually from the people you would 40 00:01:51,000 --> 00:01:53,720 Speaker 2: the public would think would like hate you. That is 41 00:01:53,720 --> 00:01:55,560 Speaker 2: super team Kendrick and is publicly. 42 00:01:56,480 --> 00:01:58,640 Speaker 4: I don't hate I don't hate nobody, so you can't 43 00:01:58,640 --> 00:02:00,440 Speaker 4: hate me. If you hate me, that's just I don't 44 00:02:00,440 --> 00:02:04,120 Speaker 4: hate nobody. I've been very clear throughout this thing. It's 45 00:02:04,160 --> 00:02:06,600 Speaker 4: not hate. It's just, you know, I'm just kind of 46 00:02:06,640 --> 00:02:12,120 Speaker 4: like befuddled at just the reactions. It's like, y'all don't 47 00:02:12,160 --> 00:02:15,840 Speaker 4: really like I get it, you know what I mean, 48 00:02:15,880 --> 00:02:18,720 Speaker 4: But it's just like stop, like we could stop at 49 00:02:18,720 --> 00:02:21,240 Speaker 4: some point, I mean, but have fun though, have fun now, 50 00:02:21,440 --> 00:02:23,520 Speaker 4: but we're going to have to have a real conversation. 51 00:02:23,800 --> 00:02:26,399 Speaker 2: Of course, that clip went viral the way it did 52 00:02:26,680 --> 00:02:30,360 Speaker 2: because it's clipped to a specific time of you yelling loud. 53 00:02:30,560 --> 00:02:34,880 Speaker 2: That'll always get people moving within context. Yeah, actual conversation 54 00:02:35,000 --> 00:02:37,359 Speaker 2: happened at one point, and everyone just thinks you screamed 55 00:02:37,360 --> 00:02:38,080 Speaker 2: for two hours. 56 00:02:37,919 --> 00:02:39,640 Speaker 4: You know, and I don't want that, Like that's just 57 00:02:39,639 --> 00:02:43,200 Speaker 4: so nasty because I'm not a screamer. But it's just like, 58 00:02:43,320 --> 00:02:46,720 Speaker 4: you know, just in that moment, I just felt like, 59 00:02:47,120 --> 00:02:49,240 Speaker 4: you know, when you get frustrated that people just can't 60 00:02:49,320 --> 00:02:53,079 Speaker 4: like understand what you're saying a lot, do y'all not exactly? 61 00:02:53,160 --> 00:02:56,000 Speaker 2: Yeah, so that's all you guys understand why I'm always mad. 62 00:02:56,400 --> 00:02:58,400 Speaker 4: People like, oh, he's so madic. I'm not mad at Kendrick. 63 00:02:58,520 --> 00:02:59,400 Speaker 4: I want to be madic Kendrick. 64 00:02:59,400 --> 00:03:03,040 Speaker 2: I'm not Medican punch that it sounded personal. It's not. 65 00:03:03,080 --> 00:03:05,399 Speaker 4: I was like personal, it's not personal punch. I don't 66 00:03:05,400 --> 00:03:07,480 Speaker 4: even know if he's ever met Kendrick. I met Kendrick 67 00:03:07,560 --> 00:03:11,560 Speaker 4: years ago, though not I haven't been around Kendrick in 68 00:03:11,600 --> 00:03:13,519 Speaker 4: some years. But you know, it's it's like I said, 69 00:03:13,560 --> 00:03:16,240 Speaker 4: I fuck with Kendrick, very clear about that. These are 70 00:03:16,240 --> 00:03:19,919 Speaker 4: two of my favorite rappers of their times. But by far, 71 00:03:20,000 --> 00:03:22,840 Speaker 4: it's not even close. But you know, just just getting 72 00:03:22,840 --> 00:03:28,160 Speaker 4: frustrated with people's just lack of comprehending what's happening and 73 00:03:28,160 --> 00:03:30,200 Speaker 4: what's going on. And but you know, I got to 74 00:03:30,240 --> 00:03:33,280 Speaker 4: stop feeling like everybody just is supposed to understand what 75 00:03:33,280 --> 00:03:35,480 Speaker 4: I'm saying. I get in that zone sometimes and I'm 76 00:03:35,520 --> 00:03:38,320 Speaker 4: like frustrated. But it wasn't yelling at Kendrick. I'm not 77 00:03:38,400 --> 00:03:39,280 Speaker 4: upset at Kendrick. 78 00:03:39,760 --> 00:03:41,000 Speaker 2: I'm not just explaining that. 79 00:03:41,040 --> 00:03:42,720 Speaker 4: I'm just yeah, like I said, I'm not upset it. 80 00:03:42,720 --> 00:03:45,240 Speaker 4: I'm not mad about anything. It's just like this is 81 00:03:45,280 --> 00:03:49,640 Speaker 4: a very passionate, very like you know, intense time in music. 82 00:03:49,680 --> 00:03:50,000 Speaker 2: That's all. 83 00:03:50,000 --> 00:03:50,160 Speaker 6: Well. 84 00:03:50,160 --> 00:03:53,360 Speaker 2: I was talking with Punch and we were discussing how 85 00:03:54,040 --> 00:03:56,760 Speaker 2: rap beef brings the worst out of everybody. At some 86 00:03:56,840 --> 00:03:59,480 Speaker 2: point when you're debating, even let's say fuck rap beef, 87 00:03:59,560 --> 00:04:03,760 Speaker 2: just debate, at some point, someone is gonna scream and 88 00:04:03,800 --> 00:04:05,800 Speaker 2: get out of their character. I don't know why hip 89 00:04:05,800 --> 00:04:07,920 Speaker 2: hop does that to us. Maybe it's because we love 90 00:04:07,960 --> 00:04:10,280 Speaker 2: it so much. At some point we're all going to yell. 91 00:04:11,560 --> 00:04:14,320 Speaker 2: So Terris Martin tweeted that he loves you. Maybe you 92 00:04:14,360 --> 00:04:17,440 Speaker 2: just ate something wrong that day Oh my god, he did. 93 00:04:17,560 --> 00:04:20,840 Speaker 2: He said, I love them all maybe with terrorist ter 94 00:04:21,000 --> 00:04:24,600 Speaker 2: Sibby too. I forgot his sweet was something like that, 95 00:04:24,760 --> 00:04:26,720 Speaker 2: I love Mall, but he maybe maybe he ate something 96 00:04:26,760 --> 00:04:28,320 Speaker 2: wrong that day, maybe he had cheese or me. 97 00:04:28,440 --> 00:04:30,400 Speaker 4: Listen, man, these guys know me. Man, I'm not I'm not, 98 00:04:30,480 --> 00:04:33,520 Speaker 4: you know. I just let me apologize to people that 99 00:04:33,640 --> 00:04:37,240 Speaker 4: took what my passion was the wrong way. I'm not upset, 100 00:04:37,640 --> 00:04:41,039 Speaker 4: I'm not angry. It's all music. It's all a good time. 101 00:04:41,160 --> 00:04:44,320 Speaker 4: Even though I don't agree with what Kendrick is trying 102 00:04:44,320 --> 00:04:45,960 Speaker 4: to paint, I understand it. 103 00:04:46,320 --> 00:04:49,000 Speaker 2: I mean, I just want to shoot you bail of 104 00:04:49,040 --> 00:04:51,839 Speaker 2: everyone that was under those comments. Every last one of 105 00:04:51,920 --> 00:04:54,000 Speaker 2: y'all has been melting down for an entire week on 106 00:04:54,040 --> 00:04:56,920 Speaker 2: the timeline just because it's not audio. Your thumbs were 107 00:04:56,960 --> 00:04:59,880 Speaker 2: louder than maul for seven days straight. Yeah, they have, 108 00:05:00,120 --> 00:05:03,440 Speaker 2: their thumbs are melted. The way they've been going off 109 00:05:03,720 --> 00:05:07,400 Speaker 2: Mall expresses how maybe one side felt and the other 110 00:05:07,480 --> 00:05:09,800 Speaker 2: side felt just in a different way. You guys were 111 00:05:09,880 --> 00:05:11,000 Speaker 2: yelling just like that on the tiot. 112 00:05:11,040 --> 00:05:13,600 Speaker 3: Mall also has the platform to do so there's a 113 00:05:13,600 --> 00:05:16,839 Speaker 3: difference between tweeting at somebody and being in a studio 114 00:05:16,920 --> 00:05:19,080 Speaker 3: and having the ability to push Yeah, I mean, but 115 00:05:19,400 --> 00:05:21,360 Speaker 3: visual aids, like, there's a lot more that goes into 116 00:05:21,400 --> 00:05:22,520 Speaker 3: what mal does, right, I. 117 00:05:22,480 --> 00:05:24,719 Speaker 4: Think, But again, I think it's just the power of 118 00:05:24,800 --> 00:05:27,960 Speaker 4: people just seeing a clip and just taking that and 119 00:05:28,920 --> 00:05:31,880 Speaker 4: you know, trying to spin whatever they're trying to spin 120 00:05:31,960 --> 00:05:35,440 Speaker 4: on it. But no, I'm not upset at Kendrick because 121 00:05:35,480 --> 00:05:37,800 Speaker 4: when I've read that, I was like, what I saw 122 00:05:37,839 --> 00:05:39,760 Speaker 4: some guy on TikTok saying that I was the guy 123 00:05:39,800 --> 00:05:45,200 Speaker 4: that gave Kendrick like some info. I was like, the 124 00:05:45,279 --> 00:05:46,719 Speaker 4: stories that are coming from this, I'm. 125 00:05:46,600 --> 00:05:48,560 Speaker 5: Like, wait me, oh yeah, you became the mall. 126 00:05:48,760 --> 00:05:49,800 Speaker 4: That shit is insane. 127 00:05:49,880 --> 00:05:51,920 Speaker 2: Actually, me and Kendrick have been planning this since the 128 00:05:51,960 --> 00:05:55,599 Speaker 2: BT cipher in twenty eleven. Oh yeah, we're that calculating. 129 00:05:57,080 --> 00:05:59,000 Speaker 4: I'm just I'm just laughing at that type of shit. 130 00:05:59,080 --> 00:06:03,160 Speaker 4: But you know, it's it's it's all in a good sport. 131 00:06:03,320 --> 00:06:03,919 Speaker 4: Nobody's up. 132 00:06:04,080 --> 00:06:04,440 Speaker 2: Well, I'm not. 133 00:06:04,800 --> 00:06:07,800 Speaker 3: Well, now that you saw the fallout in the public, 134 00:06:08,600 --> 00:06:11,039 Speaker 3: the matter of public opinion not just on the beef 135 00:06:11,040 --> 00:06:13,480 Speaker 3: but more specifically directed at you, did that change your 136 00:06:13,480 --> 00:06:13,960 Speaker 3: tone at all? 137 00:06:14,000 --> 00:06:15,640 Speaker 5: Do you feel differently about this situation? 138 00:06:15,720 --> 00:06:18,320 Speaker 4: No, okay, kidding me, Craig is still smashing. 139 00:06:18,400 --> 00:06:21,320 Speaker 3: I wasn't millions of people that disagree with you. 140 00:06:21,320 --> 00:06:23,000 Speaker 4: You think I give a fuck with millions of people 141 00:06:23,040 --> 00:06:25,159 Speaker 4: say millions of people can have bad taste. You know that, right, 142 00:06:25,760 --> 00:06:28,039 Speaker 4: of course, as long as we know that part of it. 143 00:06:28,320 --> 00:06:30,160 Speaker 4: I'm not one of those guys in for centuries. I'm 144 00:06:30,200 --> 00:06:32,080 Speaker 4: not one of those guys that thinks that because a 145 00:06:32,120 --> 00:06:34,040 Speaker 4: restaurant has a high rating that the food is great. 146 00:06:34,640 --> 00:06:36,280 Speaker 4: I'm not one of those let me tell you, let 147 00:06:36,279 --> 00:06:37,640 Speaker 4: me go and see, because a lot of people don't 148 00:06:37,640 --> 00:06:40,880 Speaker 4: know what good food is. Yeah, but no long enough 149 00:06:40,880 --> 00:06:43,120 Speaker 4: to understand that part. But you're not. No, it's not. 150 00:06:43,400 --> 00:06:45,400 Speaker 4: But these restaurants you'll be going to, it is just 151 00:06:45,400 --> 00:06:47,560 Speaker 4: for a picture. The food is terrible. 152 00:06:47,640 --> 00:06:49,400 Speaker 2: But then you go to some of those really fancy, 153 00:06:49,880 --> 00:06:52,800 Speaker 2: world renowned restaurants and you get like, this much food 154 00:06:53,000 --> 00:06:55,920 Speaker 2: has no real flavor. Yeah, it just has the name exactly, 155 00:06:56,640 --> 00:06:58,599 Speaker 2: And that's not good food to me. I'd rather go 156 00:06:58,600 --> 00:07:00,680 Speaker 2: to the Chinese spot that Ken Kendrick go to. 157 00:07:01,080 --> 00:07:02,640 Speaker 1: You're saying Kendrick is Felipe. 158 00:07:03,680 --> 00:07:05,640 Speaker 4: Did I say that? No, I'm not saying Kendrick is Felipe. 159 00:07:05,640 --> 00:07:08,719 Speaker 4: I'm just saying that that's fleet bath to me. Yeah, 160 00:07:08,920 --> 00:07:13,280 Speaker 4: that shit is terrible, but just taste levels, that's all. 161 00:07:13,320 --> 00:07:16,680 Speaker 4: It is no disrespect to Felipe, to whoever. You know 162 00:07:16,680 --> 00:07:18,480 Speaker 4: what I mean, Like that shit is all all that 163 00:07:18,520 --> 00:07:20,360 Speaker 4: shit is trash to me, but it's just just it 164 00:07:20,520 --> 00:07:21,080 Speaker 4: just tastes level. 165 00:07:21,120 --> 00:07:22,560 Speaker 2: I'm not going to get you started, But a lot 166 00:07:22,600 --> 00:07:25,800 Speaker 2: of people would think that Drake would be more on 167 00:07:25,840 --> 00:07:28,880 Speaker 2: the side of the high name like a Philip that 168 00:07:28,960 --> 00:07:31,800 Speaker 2: everyone loves and goes to. That's the place they take pictures. 169 00:07:31,840 --> 00:07:34,640 Speaker 2: That gets the most attention, but it doesn't have the 170 00:07:34,680 --> 00:07:37,200 Speaker 2: best food when you get to the kitchen. Most people 171 00:07:37,200 --> 00:07:40,480 Speaker 2: would say that in this food comparison, I hate you. 172 00:07:40,840 --> 00:07:42,080 Speaker 2: I'm not trying to get you started. 173 00:07:42,360 --> 00:07:43,880 Speaker 4: Listen, bro, I'm already started. 174 00:07:44,520 --> 00:07:46,840 Speaker 3: Is that the case anymore though, Rory, because Not Like 175 00:07:46,960 --> 00:07:50,800 Speaker 3: Us has been number one, which eclipsed Euphoria, which is 176 00:07:50,800 --> 00:07:53,120 Speaker 3: now sitting at number two, So Kendrick now occupies the 177 00:07:53,200 --> 00:07:55,760 Speaker 3: top two spots in the charts, and Not Like Us 178 00:07:55,760 --> 00:07:57,840 Speaker 3: in its fourth day, has over twelve million streams on 179 00:07:57,880 --> 00:08:01,239 Speaker 3: Spotify alone, which is his first not only his first 180 00:08:01,280 --> 00:08:05,160 Speaker 3: solo number one, but also in its fourth day. This 181 00:08:05,240 --> 00:08:08,160 Speaker 3: is the most dreams it's gotten. So it's still going up. Yeah, 182 00:08:08,160 --> 00:08:09,200 Speaker 3: maybe he is the Philip. 183 00:08:10,120 --> 00:08:12,320 Speaker 2: Yeah, anyone that is number one Philip. 184 00:08:12,360 --> 00:08:14,400 Speaker 4: Now we know why he's sitting at number one and 185 00:08:14,480 --> 00:08:17,320 Speaker 4: number two first, because the biggest it's a comedy. 186 00:08:17,320 --> 00:08:17,920 Speaker 2: It's a comedy. 187 00:08:17,920 --> 00:08:20,200 Speaker 4: It's a common denominator in this somewhere. This is a 188 00:08:20,600 --> 00:08:24,160 Speaker 4: there's a common factor in there somewhere. These are Drake features. 189 00:08:24,200 --> 00:08:25,400 Speaker 5: It is a Drake. I'll give you that. 190 00:08:25,520 --> 00:08:27,800 Speaker 4: These are Drake. And I said it before this beef started. 191 00:08:27,840 --> 00:08:29,720 Speaker 4: I said, getting a beef, getting into a beef with 192 00:08:29,760 --> 00:08:32,000 Speaker 4: the artist like that is way is going to do 193 00:08:32,040 --> 00:08:34,160 Speaker 4: way more for you than you having a verse from 194 00:08:34,160 --> 00:08:36,000 Speaker 4: an artist like that. Yeah, it's not even close. 195 00:08:36,040 --> 00:08:39,000 Speaker 2: We definitely had that conversation that Push made out better 196 00:08:39,080 --> 00:08:42,400 Speaker 2: beefing with Drake than if he just got a Drake feature. 197 00:08:42,400 --> 00:08:44,439 Speaker 2: For sure, I agree with you there, But I also 198 00:08:44,480 --> 00:08:47,560 Speaker 2: want to say, so what, like, Okay. 199 00:08:48,240 --> 00:08:52,319 Speaker 4: No, I'm just saying I guess that's. 200 00:08:51,520 --> 00:08:52,400 Speaker 2: That's a stat on that. 201 00:08:52,640 --> 00:08:54,600 Speaker 4: That's great he got there, Because as long as you 202 00:08:54,600 --> 00:08:56,840 Speaker 4: don't lose sight of that part, you could say, so what, 203 00:08:57,160 --> 00:08:59,360 Speaker 4: I'm cool with that. As long as we don't lose 204 00:08:59,400 --> 00:09:00,160 Speaker 4: sight of that other. 205 00:09:00,080 --> 00:09:02,640 Speaker 2: Piece, and I think it deserves the number one off 206 00:09:02,720 --> 00:09:07,480 Speaker 2: the difficulty it takes to beat Drake, not only in 207 00:09:07,600 --> 00:09:11,800 Speaker 2: charts but in public perception. I think it's warranted number one. 208 00:09:11,840 --> 00:09:15,560 Speaker 2: Outside of the song just being good y'all. That's me 209 00:09:15,640 --> 00:09:17,880 Speaker 2: giving credit to Drake. It takes a lot to beat 210 00:09:17,920 --> 00:09:18,280 Speaker 2: that guy. 211 00:09:18,480 --> 00:09:20,720 Speaker 4: No, no, we know that, but I'm just you. 212 00:09:20,600 --> 00:09:22,440 Speaker 2: Know, the story of added On didn't go number one. 213 00:09:22,360 --> 00:09:25,280 Speaker 4: As long as as long as long as we keep 214 00:09:25,559 --> 00:09:27,439 Speaker 4: that so what is valid. 215 00:09:27,120 --> 00:09:30,960 Speaker 2: To I'm whistling on the numbers always do. I think 216 00:09:30,960 --> 00:09:33,679 Speaker 2: it's great and congratulate Drake for being the highest stream 217 00:09:33,880 --> 00:09:36,640 Speaker 2: or second highest stream person of all time beat the Beatles. 218 00:09:36,679 --> 00:09:39,800 Speaker 2: I think that's amazing, but I don't really care in this. 219 00:09:39,920 --> 00:09:41,800 Speaker 2: I also don't care about Kendrick going number one on this. 220 00:09:41,960 --> 00:09:44,760 Speaker 1: And let's clarify that these are Spotify charts. These are 221 00:09:44,800 --> 00:09:47,240 Speaker 1: not Billboard. Just want to clarify that what you. 222 00:09:47,160 --> 00:09:51,240 Speaker 3: Try right now, like us as number one on Billboard. 223 00:09:50,600 --> 00:09:53,160 Speaker 2: My album was number ten on Spotify amongst all genres. 224 00:09:53,160 --> 00:09:56,240 Speaker 2: Now you're trying to dicredit me because it wasn't on Billboard. Honestly, 225 00:09:56,240 --> 00:09:58,640 Speaker 2: I don't even you part of the machine. Spotify is 226 00:09:58,679 --> 00:10:02,439 Speaker 2: the real number. It's you compromised. 227 00:10:02,720 --> 00:10:04,319 Speaker 1: No, I'm just saying, like, I just want to make 228 00:10:04,320 --> 00:10:06,480 Speaker 1: that clear that Taylor Swift is still sitting at the 229 00:10:06,520 --> 00:10:08,120 Speaker 1: top of Billboard. 230 00:10:07,720 --> 00:10:08,760 Speaker 2: But she doesn't count. 231 00:10:09,040 --> 00:10:12,040 Speaker 4: She's like, yeah, she's yeah, being number two behind Taylor 232 00:10:12,120 --> 00:10:12,360 Speaker 4: right now. 233 00:10:13,480 --> 00:10:15,600 Speaker 1: Well, Tommy Richmond is number two right now. That's but 234 00:10:15,640 --> 00:10:18,800 Speaker 1: that's fire right, resting fire. I love that for him, 235 00:10:19,400 --> 00:10:21,280 Speaker 1: But that's bill where But he was talking about Spotify. 236 00:10:21,480 --> 00:10:24,440 Speaker 3: Yeah, and comparatively, Drake has had if we're talking Billboard, 237 00:10:24,559 --> 00:10:27,480 Speaker 3: five thirteen total, but five solo number ones. 238 00:10:28,200 --> 00:10:31,560 Speaker 2: So yeah, they're both pretty good at making music. 239 00:10:32,440 --> 00:10:32,760 Speaker 3: See that. 240 00:10:33,320 --> 00:10:35,120 Speaker 2: After like the dust, I won't say the dust has 241 00:10:35,160 --> 00:10:42,320 Speaker 2: settled per se. No, Yeah, it's still it's it's the 242 00:10:42,360 --> 00:10:45,280 Speaker 2: only thing people are discussing. But now that we're getting 243 00:10:45,320 --> 00:10:48,120 Speaker 2: into these other intricates of numbers and that whole thing, 244 00:10:48,960 --> 00:10:51,280 Speaker 2: this is when it starts to get a little exhausting 245 00:10:51,440 --> 00:10:54,320 Speaker 2: for me, because it's like, yeah, who gives a fuck, 246 00:10:54,360 --> 00:10:56,760 Speaker 2: We already know who Drake is number wise, it's not 247 00:10:56,800 --> 00:10:59,120 Speaker 2: what we're here to talk about. So once you get 248 00:10:59,160 --> 00:11:01,200 Speaker 2: in that little back and forth, it's like, well, what 249 00:11:01,240 --> 00:11:03,840 Speaker 2: was the point, right, if numbers were the point, then 250 00:11:05,320 --> 00:11:06,240 Speaker 2: why even have the battle? 251 00:11:07,080 --> 00:11:09,920 Speaker 4: I mean, but you know, again back to the start 252 00:11:09,960 --> 00:11:12,719 Speaker 4: of this, we knew that this was obviously going to 253 00:11:12,760 --> 00:11:16,319 Speaker 4: be one of, if not the biggest moment that we've 254 00:11:16,360 --> 00:11:20,000 Speaker 4: seen in hip hop music as far as battling goes. 255 00:11:20,800 --> 00:11:23,520 Speaker 4: I mean, obviously the Jay and Os battle is it's 256 00:11:23,600 --> 00:11:27,280 Speaker 4: still probably right there as well, but this one just 257 00:11:27,280 --> 00:11:29,440 Speaker 4: because of everything that's added to and an attached to 258 00:11:29,480 --> 00:11:31,480 Speaker 4: it now, with social media being such a thing now 259 00:11:32,000 --> 00:11:34,640 Speaker 4: and people having so many different platforms, media outlets and 260 00:11:34,679 --> 00:11:37,280 Speaker 4: things like that, like this is this just feels like 261 00:11:37,400 --> 00:11:39,880 Speaker 4: a bigger a bigger moment. 262 00:11:39,840 --> 00:11:43,240 Speaker 2: Do you think, not like us being number one though? 263 00:11:43,240 --> 00:11:49,160 Speaker 2: Fuck numbers. Just it being number one and it playing. 264 00:11:47,280 --> 00:11:49,680 Speaker 4: Numbers and this say being number one, let. 265 00:11:49,600 --> 00:11:53,040 Speaker 2: Me land it it being number one, it playing at 266 00:11:53,200 --> 00:11:56,800 Speaker 2: NBA games, it playing at tennis matches, it playing on 267 00:11:56,920 --> 00:12:01,280 Speaker 2: the news hurting. It's hurting Drake's So I'm not saying 268 00:12:01,360 --> 00:12:03,719 Speaker 2: numbers wise matter or a number one slot matters. I'm 269 00:12:03,720 --> 00:12:06,840 Speaker 2: saying what that number one is represented and where it's spread. 270 00:12:07,280 --> 00:12:11,080 Speaker 2: Is that affecting his brand? That a pedal anthem is 271 00:12:12,200 --> 00:12:16,319 Speaker 2: playing in the NBA playoffs, Tennis players are walking out 272 00:12:16,320 --> 00:12:16,600 Speaker 2: to it. 273 00:12:16,679 --> 00:12:20,280 Speaker 4: I don't think it's I don't think it's hurting Drake's brand. 274 00:12:22,040 --> 00:12:23,600 Speaker 4: I think that it may feel like that, and it 275 00:12:23,640 --> 00:12:26,480 Speaker 4: may look like that, but I think ultimately, once this settles, 276 00:12:26,559 --> 00:12:31,679 Speaker 4: I think it's gonna hurt Kendrick's brand more because if, if, 277 00:12:31,880 --> 00:12:36,480 Speaker 4: if Drake is found and proven not to be a pedal, 278 00:12:36,520 --> 00:12:40,680 Speaker 4: which I know he's not, once the public seeds that. 279 00:12:40,800 --> 00:12:42,400 Speaker 4: I mean, is this not one of the worst things 280 00:12:42,400 --> 00:12:46,400 Speaker 4: you can call a person? But agree, yes, when it's 281 00:12:46,400 --> 00:12:48,040 Speaker 4: not who they are, it's up there. 282 00:12:48,080 --> 00:12:49,360 Speaker 2: This is one of the worst things you can say 283 00:12:49,360 --> 00:12:52,359 Speaker 2: about No, to me, this is the worst. Yeah. 284 00:12:52,520 --> 00:12:54,520 Speaker 4: I don't think there's any other thing you can label 285 00:12:54,800 --> 00:12:58,280 Speaker 4: a person ever, like snitching and all that shit. I 286 00:12:58,320 --> 00:12:59,800 Speaker 4: get that shit with street shit. I understand that. 287 00:12:59,800 --> 00:13:01,160 Speaker 1: Part rapists might be worse. 288 00:13:01,800 --> 00:13:02,200 Speaker 5: I mean. 289 00:13:03,920 --> 00:13:06,079 Speaker 4: This is this is the same thing. It's just with 290 00:13:06,200 --> 00:13:07,920 Speaker 4: a cer, you know what I mean. 291 00:13:08,040 --> 00:13:08,640 Speaker 2: So it's like. 292 00:13:08,720 --> 00:13:11,319 Speaker 3: Anti Semitic in there too, Well. 293 00:13:11,120 --> 00:13:13,800 Speaker 2: That's that's Taylor Swift. And then we're going that number 294 00:13:13,800 --> 00:13:15,040 Speaker 2: two thought. 295 00:13:15,240 --> 00:13:18,200 Speaker 3: Yeah, yeah, Taylor Swift anti number. 296 00:13:17,960 --> 00:13:19,720 Speaker 2: One no matter what exact effects. 297 00:13:21,160 --> 00:13:24,440 Speaker 4: So it's like if you're not if you're not that 298 00:13:24,559 --> 00:13:26,760 Speaker 4: and somebody labels you that. To me, that's some of 299 00:13:26,800 --> 00:13:30,640 Speaker 4: the craziest shit ever. To me, I'm just speaking for me. 300 00:13:30,679 --> 00:13:32,760 Speaker 4: I'm only ever speaking for me in my taste level. 301 00:13:33,360 --> 00:13:36,840 Speaker 4: I think labeling somebody that and they're not, that's not 302 00:13:36,880 --> 00:13:39,400 Speaker 4: who they are. It's some of the worship you could ever. 303 00:13:39,480 --> 00:13:41,440 Speaker 4: But let's let's whether we want to say it's entertainment 304 00:13:41,520 --> 00:13:44,040 Speaker 4: or not. It's certain shit you just don't even even 305 00:13:44,040 --> 00:13:47,280 Speaker 4: in entertainment, even behind the guys of entertainment and comedy 306 00:13:47,559 --> 00:13:49,720 Speaker 4: and things like that, there's certain shit you just don't 307 00:13:49,760 --> 00:13:51,960 Speaker 4: ever play with it. To me, that's at the top 308 00:13:52,000 --> 00:13:52,400 Speaker 4: of the list. 309 00:13:53,000 --> 00:13:54,520 Speaker 2: I mean, let's go with history that with the court 310 00:13:54,559 --> 00:13:56,839 Speaker 2: of public opinion. Is the damage already done. Let's say 311 00:13:56,920 --> 00:13:59,440 Speaker 2: Drake comes out, and of course I hope that on 312 00:13:59,480 --> 00:14:01,440 Speaker 2: a moral les and outside of a rat beef, that 313 00:14:01,480 --> 00:14:03,400 Speaker 2: he can prove to the world that you know, I 314 00:14:03,400 --> 00:14:05,840 Speaker 2: don't touch kids. This was fucking crazy. Is the damn 315 00:14:06,000 --> 00:14:06,600 Speaker 2: he's going to do? 316 00:14:06,640 --> 00:14:08,840 Speaker 4: That said, he's explaining to public doesn't care. 317 00:14:09,000 --> 00:14:12,520 Speaker 2: You'll see rapists go to jail covered for a year, 318 00:14:12,760 --> 00:14:14,920 Speaker 2: all the whole trial, they'll sit for twenty years, find 319 00:14:14,920 --> 00:14:17,920 Speaker 2: out they're innocent, they'll come out of jail, won't cover 320 00:14:18,000 --> 00:14:19,520 Speaker 2: at all, There'll be a rapist for the rest of 321 00:14:19,520 --> 00:14:22,000 Speaker 2: their life. Is the damage done already even if he 322 00:14:22,080 --> 00:14:22,880 Speaker 2: proves otherwise. 323 00:14:22,960 --> 00:14:24,520 Speaker 4: I don't know. I don't think so, because I don't 324 00:14:24,520 --> 00:14:27,920 Speaker 4: think that nobody truly believes that. Yeah, I don't think 325 00:14:27,920 --> 00:14:28,720 Speaker 4: nobody believes that. 326 00:14:28,760 --> 00:14:31,880 Speaker 3: I think there's plausible deniability, like there's enough Kendrick wouldn't 327 00:14:31,880 --> 00:14:34,240 Speaker 3: have jumped out like that if there wasn't enough smut 328 00:14:34,280 --> 00:14:36,560 Speaker 3: in like the public perception of him that it fit. 329 00:14:36,880 --> 00:14:38,800 Speaker 3: So the fact that we're even speculating it is enough. 330 00:14:38,880 --> 00:14:41,400 Speaker 3: Kendrick won I think in that regard, you know what I. 331 00:14:41,280 --> 00:14:43,360 Speaker 4: Mean, speculating it. I don't think nobody's speculating that. 332 00:14:43,920 --> 00:14:46,360 Speaker 2: I mean, I think whatever side you're on, you've made 333 00:14:46,440 --> 00:14:47,160 Speaker 2: up your mind. 334 00:14:47,160 --> 00:14:48,600 Speaker 4: I don't think nobody speculating that. 335 00:14:48,680 --> 00:14:51,120 Speaker 3: But I was looking, I was wrapping my mind around, Okay, 336 00:14:51,200 --> 00:14:53,320 Speaker 3: who I know they're not, No one will compare to Drake. 337 00:14:53,360 --> 00:14:55,200 Speaker 3: But who's someone that's in a very high position of 338 00:14:55,240 --> 00:14:58,720 Speaker 3: power that got charged with this kind of level of thing. 339 00:14:58,800 --> 00:15:01,040 Speaker 3: But then it was all bull and they where they 340 00:15:01,080 --> 00:15:04,560 Speaker 3: welcome back to the community. James James Gunn The video 341 00:15:04,680 --> 00:15:08,800 Speaker 3: the director that did Guardians of the Galaxy got they 342 00:15:08,880 --> 00:15:10,640 Speaker 3: he always had like he was talking to young girl, 343 00:15:10,680 --> 00:15:11,600 Speaker 3: but he never did anything. 344 00:15:11,600 --> 00:15:12,240 Speaker 5: It was like weird. 345 00:15:12,280 --> 00:15:13,840 Speaker 3: He was a he had a really dark, sick sense 346 00:15:13,840 --> 00:15:15,480 Speaker 3: of humor, and he wasn't talking young girls. 347 00:15:15,520 --> 00:15:17,240 Speaker 5: He just made really fucked up in appropriate jokes. 348 00:15:17,400 --> 00:15:18,880 Speaker 3: And like in the height of the me too movement, 349 00:15:18,960 --> 00:15:21,400 Speaker 3: someone took all his old tweets, all his old posts 350 00:15:21,440 --> 00:15:23,760 Speaker 3: and put it on like this ten page doc, all 351 00:15:23,760 --> 00:15:26,280 Speaker 3: of his like fucked up shit in like one doc, 352 00:15:26,320 --> 00:15:27,880 Speaker 3: and they're like, well, this is fine. 353 00:15:27,880 --> 00:15:29,160 Speaker 5: You got to get him out of here. But he 354 00:15:29,200 --> 00:15:30,080 Speaker 5: didn't do anything. 355 00:15:30,360 --> 00:15:32,360 Speaker 3: So then he got booted off that project, got like 356 00:15:32,440 --> 00:15:35,440 Speaker 3: ripped out of Marvel, and then for years was like 357 00:15:36,080 --> 00:15:39,040 Speaker 3: ghost and then DC signed him again because obviously all 358 00:15:39,080 --> 00:15:41,120 Speaker 3: the shit was bullshit nothing, he didn't actually do anything. 359 00:15:41,280 --> 00:15:43,040 Speaker 3: And now he's working on like the New Gardens of 360 00:15:43,040 --> 00:15:45,360 Speaker 3: the Galaxy Milky. So there is like a path to redemption. 361 00:15:45,880 --> 00:15:47,400 Speaker 3: But I feel like you have to like at least 362 00:15:47,560 --> 00:15:51,240 Speaker 3: get off the public. You have to get through the 363 00:15:51,240 --> 00:15:53,680 Speaker 3: public ridicule that comes with it, true or not. 364 00:15:54,440 --> 00:15:57,160 Speaker 2: Yeah, I just don't know how you go about that. 365 00:15:57,720 --> 00:16:00,760 Speaker 2: I mean, I saw and I'm not saying convenely, but 366 00:16:02,280 --> 00:16:03,720 Speaker 2: I would try to clean this shit up if I'm 367 00:16:03,720 --> 00:16:07,080 Speaker 2: not a pedophile. All the girls that were in those 368 00:16:07,160 --> 00:16:09,440 Speaker 2: videos that were all over the timeline that everyone was 369 00:16:09,480 --> 00:16:12,000 Speaker 2: accusing Drake of either grooming or being a pedal towards 370 00:16:12,440 --> 00:16:14,960 Speaker 2: all conveniently came out on the same day and said, Hey, 371 00:16:15,200 --> 00:16:17,120 Speaker 2: that's not how it went. Even the girl that made 372 00:16:17,160 --> 00:16:19,160 Speaker 2: the money in the grave beat was like, you guys 373 00:16:19,200 --> 00:16:21,800 Speaker 2: misunderstood me. I don't understand how you guys didn't understand 374 00:16:21,800 --> 00:16:25,320 Speaker 2: me when she flat out said we were in high 375 00:16:25,320 --> 00:16:27,640 Speaker 2: school when it happened cool. Everyone cleaned it up, and 376 00:16:27,640 --> 00:16:29,080 Speaker 2: if I'm Drake, I do the same thing. I'm not 377 00:16:29,120 --> 00:16:32,360 Speaker 2: accusing him of doing brand clean up. If someone calls 378 00:16:32,360 --> 00:16:34,400 Speaker 2: me a pedophile and I wasn't creeping on a chick, 379 00:16:34,760 --> 00:16:36,320 Speaker 2: I'd say, yo, can you tell these people that we 380 00:16:36,360 --> 00:16:40,400 Speaker 2: have no relationship like that? Even that kind of fell 381 00:16:40,440 --> 00:16:42,440 Speaker 2: flat to me. They all came out in one day. 382 00:16:42,800 --> 00:16:44,840 Speaker 2: They were on a bunch of podcasts I'd never heard of, 383 00:16:45,560 --> 00:16:47,880 Speaker 2: making statements with a bunch of people I'd never seen before, 384 00:16:48,680 --> 00:16:50,840 Speaker 2: and it still fell flat. So I guess that's my 385 00:16:50,960 --> 00:16:54,960 Speaker 2: question of how can you even turn that around if 386 00:16:54,960 --> 00:16:56,240 Speaker 2: that is not even the truth. 387 00:16:56,720 --> 00:16:58,880 Speaker 4: I mean, to me, it's nothing to turn around. I 388 00:16:58,880 --> 00:17:02,600 Speaker 4: don't think that's a real thing. I think because somebody 389 00:17:02,600 --> 00:17:06,520 Speaker 4: said it in a record, okay, like this is a battle, 390 00:17:06,520 --> 00:17:09,280 Speaker 4: people are gonna say things to try to assassinate somebody's 391 00:17:09,359 --> 00:17:12,240 Speaker 4: character and demean somebody. But that's not a real thing, 392 00:17:12,800 --> 00:17:14,240 Speaker 4: you know what I mean. It's just not a real thing. 393 00:17:14,280 --> 00:17:17,000 Speaker 4: It's And then when he did explain it in the 394 00:17:17,040 --> 00:17:18,800 Speaker 4: hard part six, y'all said, oh, why is he always 395 00:17:18,800 --> 00:17:22,720 Speaker 4: explaining itself? I felt like, if somebody said that about me, 396 00:17:22,800 --> 00:17:25,359 Speaker 4: I'm gonna explain that to like WHOA hold up, let's 397 00:17:25,359 --> 00:17:28,600 Speaker 4: be clear here, that ain't that's not true. I don't understand. 398 00:17:28,640 --> 00:17:30,480 Speaker 4: This is a battle, and all of it was like, 399 00:17:30,560 --> 00:17:32,760 Speaker 4: fam this it's certain that you're just not gonna just 400 00:17:32,840 --> 00:17:35,159 Speaker 4: throw out there like that's that's insane to throw that 401 00:17:35,280 --> 00:17:36,199 Speaker 4: on somebody's jacket. 402 00:17:36,600 --> 00:17:37,439 Speaker 2: I agree, you know what I mean. 403 00:17:37,520 --> 00:17:39,359 Speaker 4: So it's just like you know, I don't it's not 404 00:17:39,440 --> 00:17:42,120 Speaker 4: a real thing. But because of the moment and that's 405 00:17:42,119 --> 00:17:45,320 Speaker 4: what was said, I think that you have to address it. 406 00:17:45,359 --> 00:17:47,720 Speaker 4: But you're saying it fell flat. It fell flat because 407 00:17:47,720 --> 00:17:48,960 Speaker 4: it wasn't a real thing to begin with. 408 00:17:49,480 --> 00:17:51,560 Speaker 2: How do you I'm just saying the turning turning around 409 00:17:51,600 --> 00:17:52,280 Speaker 2: the public's opinion. 410 00:17:52,280 --> 00:17:54,040 Speaker 4: Bro, you think that if you think that if Drake 411 00:17:54,200 --> 00:17:57,680 Speaker 4: was having sex with underage girls, we Kendrick would have 412 00:17:57,720 --> 00:17:59,199 Speaker 4: been the one to put that out there like that. No, 413 00:17:59,280 --> 00:18:00,520 Speaker 4: I'm not, I would have been new that. 414 00:18:00,560 --> 00:18:02,360 Speaker 3: I'm just saying, like, I just don't want to tell 415 00:18:02,400 --> 00:18:05,880 Speaker 3: you so definitively about things like we don't know, none 416 00:18:05,920 --> 00:18:07,760 Speaker 3: of us know, we don't know what each other does, 417 00:18:07,800 --> 00:18:09,080 Speaker 3: behind like we don't know. 418 00:18:09,400 --> 00:18:09,800 Speaker 2: In that sense. 419 00:18:09,880 --> 00:18:13,320 Speaker 4: Yet You're right, I've never seen this man lay down 420 00:18:13,320 --> 00:18:15,480 Speaker 4: in his bed with whomever he lays down with. No, 421 00:18:15,840 --> 00:18:18,440 Speaker 4: never seen that. I'm just gonna but I can say 422 00:18:18,440 --> 00:18:19,879 Speaker 4: the same thing about a lot of other people in 423 00:18:19,920 --> 00:18:22,240 Speaker 4: my life that I know for sure. Yeah, so it's 424 00:18:22,280 --> 00:18:24,640 Speaker 4: like the same thing. I would be completely and totally 425 00:18:24,680 --> 00:18:28,600 Speaker 4: fucking floored if that were true. I would be like, Oh, 426 00:18:28,640 --> 00:18:31,280 Speaker 4: this is fucking insane, and there's nothing I won't come 427 00:18:31,280 --> 00:18:35,080 Speaker 4: on my platform and say about how I feel about that. 428 00:18:35,119 --> 00:18:36,960 Speaker 4: If it's found to be true, I don't fuck with 429 00:18:36,960 --> 00:18:39,560 Speaker 4: shit like that. But because I feel so strongly that 430 00:18:39,600 --> 00:18:42,800 Speaker 4: it's not true, it's crazy to me that somebody's throwing 431 00:18:42,800 --> 00:18:44,919 Speaker 4: that out there on somebody's jacket like that to me 432 00:18:45,000 --> 00:18:45,960 Speaker 4: is something you don't play with. 433 00:18:46,119 --> 00:18:48,199 Speaker 2: Okay, well, then what do you think about some of 434 00:18:48,240 --> 00:18:50,800 Speaker 2: the videos? Even though let's go with the seventeen year 435 00:18:50,840 --> 00:18:53,040 Speaker 2: old that came on stage and that said somebody else 436 00:18:53,080 --> 00:18:57,159 Speaker 2: from OVO picked her out of the crowd. Whatever she 437 00:18:57,240 --> 00:18:59,680 Speaker 2: said her her age. Drake was like, whoa, you're gonna 438 00:18:59,680 --> 00:19:02,240 Speaker 2: get me, and it seemed like he made the right 439 00:19:02,240 --> 00:19:04,800 Speaker 2: move when he found out her age, but then continued 440 00:19:04,840 --> 00:19:06,800 Speaker 2: on and was like, Yo, you're really gonna get me 441 00:19:06,840 --> 00:19:08,359 Speaker 2: in trouble. I felt your breasts and all. This was 442 00:19:08,400 --> 00:19:11,119 Speaker 2: all after she said she was seventeen. Is that just 443 00:19:11,160 --> 00:19:12,760 Speaker 2: a mistake or is that a red flag? 444 00:19:15,440 --> 00:19:19,040 Speaker 4: I'm gonna go on the side of a mistake then 445 00:19:19,080 --> 00:19:21,159 Speaker 4: a red flag because of it was part of this. 446 00:19:21,200 --> 00:19:24,080 Speaker 4: It was on stage at the show in that moment, 447 00:19:25,960 --> 00:19:27,560 Speaker 4: so I can understand that. Now, if this was something 448 00:19:27,560 --> 00:19:29,560 Speaker 4: where they're just at dinner chilling at a table and 449 00:19:30,280 --> 00:19:33,679 Speaker 4: that happens, then it's like he got that that's what 450 00:19:33,720 --> 00:19:37,879 Speaker 4: you were doing at dinner like, but on stage, you know, 451 00:19:38,000 --> 00:19:41,560 Speaker 4: that's part of the show. I kind of again, and 452 00:19:41,600 --> 00:19:43,880 Speaker 4: I'm not saying it's right. So that's what I'm saying. 453 00:19:44,000 --> 00:19:46,520 Speaker 4: On the side of a mistake, I'm not gonna say 454 00:19:46,520 --> 00:19:48,000 Speaker 4: that's a red flag and this is what he doing, 455 00:19:48,000 --> 00:19:51,680 Speaker 4: this is his bag, and no, like, I'm not gonna 456 00:19:51,680 --> 00:19:52,520 Speaker 4: go on that side of it. 457 00:19:52,600 --> 00:19:56,240 Speaker 2: I don't think it would warrant a full this man's 458 00:19:56,240 --> 00:19:58,720 Speaker 2: a pedophile and rhyme it and make it a number 459 00:19:58,720 --> 00:20:01,640 Speaker 2: one record, but it it was a little weird after 460 00:20:01,680 --> 00:20:03,119 Speaker 2: he found out. In the beginning, I was like, oh, 461 00:20:03,480 --> 00:20:05,120 Speaker 2: how would he know? At first, I didn't know why 462 00:20:05,119 --> 00:20:07,080 Speaker 2: people were outraged. In the beginning of the clip, I 463 00:20:07,119 --> 00:20:08,320 Speaker 2: was like, well, if he didn't know, this is some 464 00:20:08,359 --> 00:20:10,959 Speaker 2: acon shit. And when Akon got in trouble and this 465 00:20:11,000 --> 00:20:13,000 Speaker 2: is a twenty one plus club, the fuck is security 466 00:20:13,040 --> 00:20:16,000 Speaker 2: letting is girling for It was the after effects where 467 00:20:16,000 --> 00:20:17,679 Speaker 2: I was like, all right, I kind of see what 468 00:20:17,760 --> 00:20:20,600 Speaker 2: people are saying. He knows the age. Why are you 469 00:20:20,640 --> 00:20:26,680 Speaker 2: doubling down on the freakingness? So that raises flags with people? 470 00:20:26,720 --> 00:20:30,040 Speaker 2: And when someone has something that rhymes that well and 471 00:20:30,080 --> 00:20:32,240 Speaker 2: you have at least one bit of video evidence, the 472 00:20:32,280 --> 00:20:34,920 Speaker 2: court of public opinion is going to be very difficult 473 00:20:35,040 --> 00:20:37,000 Speaker 2: to turn around, especially when the girl and I'm not 474 00:20:37,040 --> 00:20:39,159 Speaker 2: saying he drake put her up to it, or UMG 475 00:20:39,359 --> 00:20:44,040 Speaker 2: or employer. I'm just saying she didn't really clean anything 476 00:20:44,119 --> 00:20:47,640 Speaker 2: up her, just saying, you know, I didn't feel violated. 477 00:20:48,800 --> 00:20:49,080 Speaker 3: Cool. 478 00:20:50,040 --> 00:20:51,480 Speaker 2: We didn't say you did in the beginning. We just 479 00:20:51,480 --> 00:20:53,159 Speaker 2: said he was a little freaky and weird after he 480 00:20:53,160 --> 00:20:56,000 Speaker 2: found out your age. Yeah, that's all it was. So 481 00:20:56,680 --> 00:20:58,560 Speaker 2: back to my original point of I don't really know 482 00:20:58,600 --> 00:21:01,040 Speaker 2: how this can be cleaned up for no matter how 483 00:21:01,119 --> 00:21:06,840 Speaker 2: much control damage he does with it. He could break 484 00:21:06,960 --> 00:21:09,680 Speaker 2: every girl could come out like how he no damage though. 485 00:21:10,080 --> 00:21:12,399 Speaker 2: The only way in this world, unfortunately, is just go 486 00:21:12,480 --> 00:21:14,840 Speaker 2: make good music and hopefully people will forget, which is 487 00:21:14,880 --> 00:21:16,720 Speaker 2: fucked up. But that's the world we live in. Go 488 00:21:16,840 --> 00:21:19,359 Speaker 2: make another good movie. We forget about the nasty actor. 489 00:21:23,119 --> 00:21:25,879 Speaker 3: Yeah, I mean it's I think Kendrick played it so 490 00:21:26,040 --> 00:21:29,080 Speaker 3: well because it's the court of public opinion, which we've 491 00:21:29,240 --> 00:21:32,640 Speaker 3: learned doesn't abide by the due process. 492 00:21:32,800 --> 00:21:35,040 Speaker 2: There's no due process, which just court of public opinion. 493 00:21:35,040 --> 00:21:38,320 Speaker 3: It's just whoever is if there's enough speculative evidence and 494 00:21:38,359 --> 00:21:40,439 Speaker 3: there's enough dots to connect this that there could be 495 00:21:40,480 --> 00:21:43,200 Speaker 3: some what of a truth, a through line hammer it, 496 00:21:43,400 --> 00:21:45,440 Speaker 3: and I think that's exactly what Kendrick did. 497 00:21:45,840 --> 00:21:47,399 Speaker 4: So Kendrick doesn't have anything there. 498 00:21:47,520 --> 00:21:51,240 Speaker 3: I'm not saying Kendrick like no, I mean now to inversely, 499 00:21:51,280 --> 00:21:53,520 Speaker 3: we can have the conversation about the video coming out 500 00:21:53,760 --> 00:21:57,160 Speaker 3: of the employees the security team at the hard Rock 501 00:21:57,320 --> 00:21:59,879 Speaker 3: the in twenty fourteen, and the woman is saying, you know, 502 00:22:00,000 --> 00:22:02,800 Speaker 3: I shouldn't be saying this. Uh, you know, Kendrick, there 503 00:22:02,840 --> 00:22:05,080 Speaker 3: was a Kendrick beat up. This woman interface all bloody 504 00:22:05,119 --> 00:22:08,040 Speaker 3: all that ship. Look that seems like more hard evidence 505 00:22:08,240 --> 00:22:11,880 Speaker 3: like that seems pretty concrete. So yeah, I don't But again, 506 00:22:11,960 --> 00:22:13,560 Speaker 3: I just kind of responded that on the record. I 507 00:22:13,560 --> 00:22:15,879 Speaker 3: don't know how that plays out obviously that that at 508 00:22:15,920 --> 00:22:18,240 Speaker 3: the time didn't take a legal route, so it seems 509 00:22:18,280 --> 00:22:19,920 Speaker 3: like they internally figured. 510 00:22:19,640 --> 00:22:22,320 Speaker 4: It out nothing but Drake took good legal route. 511 00:22:22,520 --> 00:22:22,879 Speaker 5: No. 512 00:22:22,880 --> 00:22:25,520 Speaker 3: No, So they're both it's just kind of stuck in 513 00:22:25,560 --> 00:22:26,040 Speaker 3: this space. 514 00:22:26,040 --> 00:22:28,399 Speaker 4: But Drake has to clean up and do damage control. 515 00:22:33,480 --> 00:22:35,040 Speaker 2: I want to make this just a Drake thing. I 516 00:22:35,080 --> 00:22:38,480 Speaker 2: think since that video has resurfaced. 517 00:22:38,119 --> 00:22:40,399 Speaker 4: What do we find more believable out of these two? 518 00:22:40,440 --> 00:22:43,520 Speaker 4: And it's nasty that yeah, like it's nasty, want to 519 00:22:43,520 --> 00:22:46,800 Speaker 4: like have but it's out there. We just we just 520 00:22:46,840 --> 00:22:48,720 Speaker 4: consumers of the of the music at this point, were 521 00:22:48,720 --> 00:22:49,800 Speaker 4: just talking about what we heard. 522 00:22:49,920 --> 00:22:52,840 Speaker 2: I don't know either of these gentlemen. I really don't. 523 00:22:52,960 --> 00:22:55,119 Speaker 2: I've had a few conversations with Drake and I'm just 524 00:22:55,160 --> 00:22:56,119 Speaker 2: I don't know this. 525 00:22:56,600 --> 00:22:59,439 Speaker 4: Say this was a guy named fucking Dante and a 526 00:22:59,480 --> 00:23:04,000 Speaker 4: guy named fucking fucking Aaron. Right, who's Dante and who's 527 00:23:04,000 --> 00:23:07,879 Speaker 4: Aaron Dante Dante? They're saying Dante from They're saying Dante 528 00:23:07,920 --> 00:23:11,679 Speaker 4: is a pedophile, right, he's a fucking rap superstar, and like, oh, 529 00:23:11,680 --> 00:23:15,320 Speaker 4: he's a pedophile, right, And then they're saying Aaron beat 530 00:23:15,359 --> 00:23:16,240 Speaker 4: his his his. 531 00:23:16,160 --> 00:23:17,960 Speaker 5: Fiance up that we need to speculate. 532 00:23:18,000 --> 00:23:20,000 Speaker 4: I'm just saying, like, let's just say we could just 533 00:23:20,000 --> 00:23:22,159 Speaker 4: remove the names from it. Remove the names from it. 534 00:23:22,760 --> 00:23:26,880 Speaker 4: Whither you think is a more believable, believable act? 535 00:23:27,000 --> 00:23:29,200 Speaker 2: Can I give you a very political answer. 536 00:23:28,920 --> 00:23:32,359 Speaker 4: That why you want to go to say CNN, this 537 00:23:32,480 --> 00:23:33,040 Speaker 4: is R and M. 538 00:23:33,080 --> 00:23:36,520 Speaker 2: It's the truth. What we're doing. Nice say CNN what 539 00:23:36,600 --> 00:23:38,879 Speaker 2: we're doing. He ain't gotta be political judging. But do 540 00:23:38,920 --> 00:23:43,160 Speaker 2: you think it's history and percentages? Both of them are guilty? 541 00:23:43,960 --> 00:23:47,399 Speaker 4: See when is when is the last time. Okay, you 542 00:23:47,480 --> 00:23:49,320 Speaker 4: told we're talking about the scope. You're talking about just 543 00:23:49,359 --> 00:23:51,439 Speaker 4: in the scope of the ship that happens in the world, 544 00:23:51,840 --> 00:23:54,560 Speaker 4: that's what you're talking about. I'm talking about the numbers. 545 00:23:54,760 --> 00:24:00,639 Speaker 4: I'm talking about a fucking pop superstar. Listen, I being 546 00:24:00,680 --> 00:24:02,800 Speaker 4: a pedophile. I don't want to put have we seen 547 00:24:02,800 --> 00:24:04,960 Speaker 4: it before? They tried it with somebody else that was 548 00:24:05,000 --> 00:24:07,159 Speaker 4: a pop superstar. Never found nothing. 549 00:24:08,080 --> 00:24:09,920 Speaker 2: Fair, you know what I'm just saying. 550 00:24:10,040 --> 00:24:13,720 Speaker 4: Where we going with this? Where we going? 551 00:24:14,560 --> 00:24:16,720 Speaker 2: I'm Mike Jack Princey know, it's a lot of comparisons 552 00:24:16,720 --> 00:24:19,639 Speaker 2: happening in the history. I'm just saying, I'm going in 553 00:24:19,680 --> 00:24:22,960 Speaker 2: on every rich, famous person that they are a pedophile. 554 00:24:23,080 --> 00:24:26,359 Speaker 2: But we have seen in the last ten years that 555 00:24:26,440 --> 00:24:28,800 Speaker 2: there is a community amongst the elite that is a 556 00:24:28,800 --> 00:24:33,760 Speaker 2: little fucking petty. And I don't mean finally, and I've 557 00:24:33,920 --> 00:24:36,200 Speaker 2: ran into my fair share of pedophiles. As we've joked 558 00:24:36,240 --> 00:24:38,439 Speaker 2: on this podcast. They were not rich and famous. Matter 559 00:24:38,480 --> 00:24:40,960 Speaker 2: of fact, they was broke, drunk and nasty. 560 00:24:41,119 --> 00:24:43,760 Speaker 4: Yeah, that was like the two bis of the pedal. 561 00:24:44,480 --> 00:24:46,120 Speaker 2: I don't even know if I put it. They didn't 562 00:24:46,119 --> 00:24:48,520 Speaker 2: even have a channel. They have a YouTube account. 563 00:24:48,800 --> 00:24:49,360 Speaker 5: The street. 564 00:24:50,400 --> 00:24:51,240 Speaker 2: They had a flipcam. 565 00:24:51,320 --> 00:24:57,840 Speaker 4: Maybe your molesting somebody with a flipcam is you turn around? 566 00:24:57,880 --> 00:24:58,240 Speaker 2: Turn around? 567 00:24:58,440 --> 00:25:00,440 Speaker 4: You know you had to flip the phone a bat hold. 568 00:25:00,280 --> 00:25:03,520 Speaker 2: It and then how long it would take to upload 569 00:25:03,520 --> 00:25:05,359 Speaker 2: that footage. You're dedicated. 570 00:25:06,760 --> 00:25:07,320 Speaker 4: That's not fun. 571 00:25:07,920 --> 00:25:08,359 Speaker 5: It's cool. 572 00:25:09,760 --> 00:25:11,640 Speaker 2: Listen. I liked the route Drake took. 573 00:25:12,200 --> 00:25:17,040 Speaker 4: Say something else, but he said I like that said 574 00:25:17,080 --> 00:25:21,679 Speaker 4: you had obl That's why about to say no, I 575 00:25:21,760 --> 00:25:23,280 Speaker 4: just you said I like, and I was like, wait, 576 00:25:23,280 --> 00:25:24,480 Speaker 4: where were you. 577 00:25:24,400 --> 00:25:30,880 Speaker 2: In nineteen ninety six, uh something in that. Judging by 578 00:25:30,920 --> 00:25:33,280 Speaker 2: the numbers, yeah, it's not that crazy to think that 579 00:25:33,320 --> 00:25:35,320 Speaker 2: someone rich and powerful could end up in a fucking 580 00:25:35,320 --> 00:25:37,879 Speaker 2: pedophile ring. That's ran Garcia. I understand now. 581 00:25:38,119 --> 00:25:38,920 Speaker 4: I understand that. 582 00:25:39,000 --> 00:25:41,760 Speaker 2: I don't think it's crazy to think numbers coming from 583 00:25:41,800 --> 00:25:44,080 Speaker 2: somebody would beat their wife because that's very fucking common. 584 00:25:44,800 --> 00:25:47,440 Speaker 2: So no, I don't think it's crazy to hear, Unfortunately, 585 00:25:47,480 --> 00:25:49,520 Speaker 2: anybody in the world if you found out that they. 586 00:25:49,400 --> 00:25:53,040 Speaker 4: Were talking I'm talking about I'm talking about artists, superstars, 587 00:25:53,400 --> 00:25:56,520 Speaker 4: especially of this caliber, of this caliber coming from rap. 588 00:25:56,560 --> 00:25:58,760 Speaker 4: When is the when? When have we ever seen. 589 00:25:58,600 --> 00:26:02,480 Speaker 2: That Doctor dre is on record of one of the 590 00:26:02,480 --> 00:26:05,040 Speaker 2: biggest women abusers. Ever, I know no one will say it. 591 00:26:05,040 --> 00:26:06,480 Speaker 2: I know it's everyone's scared. 592 00:26:06,200 --> 00:26:07,960 Speaker 4: To say that. But he's not a rap superstar. 593 00:26:08,040 --> 00:26:11,040 Speaker 2: Bro, Doctor Dre was not a superstar. He's a billionaire. 594 00:26:11,080 --> 00:26:12,920 Speaker 2: He was the first billionaire in this space. 595 00:26:13,040 --> 00:26:18,800 Speaker 4: Rap rap rap rap rap rap. Doctor Dre is not 596 00:26:18,840 --> 00:26:19,720 Speaker 4: a rap superstar. 597 00:26:19,800 --> 00:26:21,560 Speaker 2: Bro what he's not? 598 00:26:22,320 --> 00:26:24,359 Speaker 4: He's not a rap superstar. What are you talking about? 599 00:26:24,480 --> 00:26:25,560 Speaker 2: He did the super Bowl? 600 00:26:28,200 --> 00:26:30,280 Speaker 5: He's a hip hop superstar? Is that? Is that where 601 00:26:30,280 --> 00:26:32,480 Speaker 5: you're You're just saying as a lyricist. 602 00:26:32,119 --> 00:26:34,879 Speaker 4: I'm talking about as a rapper, As a rapper. I 603 00:26:34,920 --> 00:26:37,119 Speaker 4: don't understand why. 604 00:26:36,480 --> 00:26:39,080 Speaker 1: Or into the conversation, like the argument that you guys 605 00:26:39,119 --> 00:26:42,720 Speaker 1: are happening, Why is him rapping importance to the conversation. 606 00:26:42,760 --> 00:26:44,240 Speaker 1: He's still a superstar. 607 00:26:44,080 --> 00:26:48,080 Speaker 4: Because I'm talking about a rapper, a rap superstar, not 608 00:26:48,200 --> 00:26:51,399 Speaker 4: somebody that's huge in business, a business mobil, one of 609 00:26:51,400 --> 00:26:53,960 Speaker 4: the greatest producers ever. I'm talking about somebody that is 610 00:26:54,000 --> 00:26:58,080 Speaker 4: strictly an artist that has that has from him. I'm 611 00:26:58,080 --> 00:26:59,720 Speaker 4: not no, I'm just saying, whenever we seen That's what 612 00:26:59,760 --> 00:27:01,960 Speaker 4: I thought. When have we seen any of those guys 613 00:27:02,200 --> 00:27:04,440 Speaker 4: actually be found to be a pedophile? 614 00:27:05,240 --> 00:27:10,760 Speaker 2: Oh, I don't none that I know of. No, the 615 00:27:10,760 --> 00:27:13,320 Speaker 2: the creator, if you will, of this ship is a 616 00:27:13,359 --> 00:27:14,119 Speaker 2: known pedophile. 617 00:27:14,160 --> 00:27:17,720 Speaker 4: Okay, that after that isn't. 618 00:27:17,720 --> 00:27:21,360 Speaker 1: Did he be in charged right now with sex trafficking 619 00:27:21,359 --> 00:27:22,160 Speaker 1: and underage girl? 620 00:27:22,920 --> 00:27:24,360 Speaker 2: I don't know if it's of underage girls. 621 00:27:24,400 --> 00:27:26,359 Speaker 4: I really don't. I don't think it's underage girls. 622 00:27:26,520 --> 00:27:27,560 Speaker 2: Don't the one girl did? 623 00:27:27,680 --> 00:27:28,479 Speaker 1: She says she was sixteen. 624 00:27:28,520 --> 00:27:30,439 Speaker 3: If you have sex trafficking, do you really draw the 625 00:27:30,480 --> 00:27:32,919 Speaker 3: line at age? That's kind of my where I'm at 626 00:27:32,920 --> 00:27:33,280 Speaker 3: with do. 627 00:27:33,240 --> 00:27:34,359 Speaker 4: You know what sex trafficking is? 628 00:27:34,640 --> 00:27:36,120 Speaker 5: Yes, I get it that there's like. 629 00:27:36,160 --> 00:27:38,199 Speaker 2: No loophole if you fly a girl in and have 630 00:27:38,280 --> 00:27:41,760 Speaker 2: consensual sex your sex, because I know the loophole, But 631 00:27:42,240 --> 00:27:43,880 Speaker 2: I don't think that's what was going on over there. 632 00:27:44,400 --> 00:27:47,080 Speaker 2: In some cases, I'm just saying we've never seen we've 633 00:27:47,119 --> 00:27:50,040 Speaker 2: never seen. If we have, it's very few and fam between. 634 00:27:50,240 --> 00:27:53,200 Speaker 2: If it goes from being a pedophile or being and 635 00:27:54,720 --> 00:27:57,080 Speaker 2: an abusing spouse partner. 636 00:27:56,840 --> 00:28:00,000 Speaker 3: You're seeing more of that numbers wise, it's more likely. 637 00:28:00,119 --> 00:28:02,199 Speaker 4: Saying we've seen more of that than we've seen that, 638 00:28:02,240 --> 00:28:05,760 Speaker 4: and not saying we've never seen that. I'm just saying 639 00:28:05,920 --> 00:28:10,720 Speaker 4: more commonly, we get stories of physical abuse on their spouse, and. 640 00:28:10,800 --> 00:28:15,440 Speaker 2: Because that's more common in the world, Like we're trying 641 00:28:15,480 --> 00:28:17,800 Speaker 2: to put a microscope on hip hop, which is unfair 642 00:28:17,800 --> 00:28:19,320 Speaker 2: to hip hop because the world is. 643 00:28:19,320 --> 00:28:23,080 Speaker 4: Way about that. We've been told in this moment. 644 00:28:22,840 --> 00:28:26,959 Speaker 2: And I'm saying by numbers, there's probably more wife beaters 645 00:28:26,960 --> 00:28:28,960 Speaker 2: in there is. This is such a nasty conversation. But 646 00:28:29,040 --> 00:28:30,760 Speaker 2: this is this is this is this is what we've 647 00:28:30,760 --> 00:28:32,520 Speaker 2: been presented, and this is what I told the Washington 648 00:28:32,560 --> 00:28:34,440 Speaker 2: Post once the dust settled, we were about to have 649 00:28:34,480 --> 00:28:37,080 Speaker 2: a conversation that was going to be so nasty. 650 00:28:37,160 --> 00:28:38,560 Speaker 4: This is what I didn't want to know it. That's 651 00:28:38,600 --> 00:28:40,560 Speaker 4: all I'm saying. That's why I said what I said 652 00:28:40,560 --> 00:28:42,680 Speaker 4: in the beginning of this episode. That to me, putting 653 00:28:42,680 --> 00:28:45,560 Speaker 4: that on somebody when you don't know if that's true 654 00:28:45,640 --> 00:28:47,960 Speaker 4: or not, it's some of the crazy shit. Ever, That's 655 00:28:48,000 --> 00:28:48,640 Speaker 4: all I'm saying. 656 00:28:49,040 --> 00:28:52,160 Speaker 2: But also don't say in the same breath that I 657 00:28:52,280 --> 00:28:55,680 Speaker 2: beat my wife if I did not beat my wife. True. 658 00:28:56,080 --> 00:28:58,280 Speaker 4: I'm with you on that. I'm definitely with you on that. 659 00:28:59,320 --> 00:29:01,560 Speaker 1: And I mean I thought the kid think the off 660 00:29:01,560 --> 00:29:03,000 Speaker 1: airs and rat battle. 661 00:29:02,720 --> 00:29:04,720 Speaker 2: Oh no, it is I thought. I'm still on that side. 662 00:29:04,760 --> 00:29:05,560 Speaker 2: I'm on that side. 663 00:29:05,840 --> 00:29:07,640 Speaker 4: Why when it comes to shit like holding somebody, there 664 00:29:07,640 --> 00:29:10,280 Speaker 4: are rules and rat battles in life. Just throwing that 665 00:29:10,360 --> 00:29:11,960 Speaker 4: on somebody's yo, that he's a pedal? 666 00:29:12,040 --> 00:29:12,960 Speaker 5: What but he didn't? 667 00:29:13,000 --> 00:29:13,680 Speaker 2: Just not crazy? 668 00:29:13,760 --> 00:29:16,400 Speaker 5: It is like he said it because there was enough? 669 00:29:17,480 --> 00:29:18,160 Speaker 4: Is there enough? 670 00:29:18,240 --> 00:29:19,000 Speaker 5: There was enough? 671 00:29:19,400 --> 00:29:22,000 Speaker 3: If there's enough that It's been the crux of this 672 00:29:22,080 --> 00:29:24,120 Speaker 3: whole thing since it came out, Is he is he not? 673 00:29:24,280 --> 00:29:27,800 Speaker 3: If there wasn't anything plausible that people could see in 674 00:29:27,880 --> 00:29:29,880 Speaker 3: Drake that this might not be true, this would have 675 00:29:29,920 --> 00:29:31,640 Speaker 3: gone away so fast. 676 00:29:31,800 --> 00:29:33,960 Speaker 5: There was a reason why it's still hanging on. 677 00:29:34,160 --> 00:29:37,080 Speaker 4: I think the thing was, Oh, what I thought in 678 00:29:37,080 --> 00:29:40,440 Speaker 4: the beginning was because people were saying Drake likes young girls. 679 00:29:40,720 --> 00:29:42,760 Speaker 4: I think people took that because a young girl could 680 00:29:42,760 --> 00:29:44,440 Speaker 4: be a twenty one, twenty two, twenty three year old. 681 00:29:44,480 --> 00:29:45,520 Speaker 2: It could still be a groomer. 682 00:29:45,640 --> 00:29:48,560 Speaker 4: It's not yeah, I'm just saying a young girl could 683 00:29:48,560 --> 00:29:50,800 Speaker 4: be twenty two, twenty. That's a young girl to somebody's 684 00:29:50,800 --> 00:29:52,600 Speaker 4: thirty five, thirty four, thirty. 685 00:29:52,400 --> 00:29:52,920 Speaker 2: Six years old. 686 00:29:52,920 --> 00:29:54,160 Speaker 5: I think he's thirty seven. 687 00:29:54,160 --> 00:29:56,560 Speaker 4: Whatever he is. I'm just saying that could be considered 688 00:29:56,640 --> 00:29:58,880 Speaker 4: a young girl. So I think when people hear that 689 00:29:59,120 --> 00:30:04,400 Speaker 4: they automatically to underage girl or a fucking minor. And 690 00:30:04,400 --> 00:30:07,040 Speaker 4: it's like, no, if I'm thirty four and I like 691 00:30:07,120 --> 00:30:09,840 Speaker 4: a twenty two year old, I'm not doing anything illegal. 692 00:30:10,440 --> 00:30:14,760 Speaker 3: Yeah, but the gold Poet like the shift happens. Uh Like, 693 00:30:14,800 --> 00:30:17,320 Speaker 3: if you have an affinity for younger women, so then 694 00:30:17,400 --> 00:30:19,360 Speaker 3: just do the math. So if Drake's thirty seven then 695 00:30:19,400 --> 00:30:21,680 Speaker 3: likes women that are twenty, okay, well, when he was 696 00:30:21,680 --> 00:30:23,640 Speaker 3: twenty five, you probably likes women that are. 697 00:30:23,560 --> 00:30:25,200 Speaker 4: I'm not giving you that. I'm not seventeen. 698 00:30:25,240 --> 00:30:26,760 Speaker 3: Now you sound I'm just saying like if you if 699 00:30:26,800 --> 00:30:28,560 Speaker 3: you're using is younger white man? 700 00:30:28,640 --> 00:30:29,200 Speaker 4: Sound crazy? 701 00:30:29,240 --> 00:30:29,320 Speaker 6: Now? 702 00:30:29,360 --> 00:30:31,520 Speaker 5: It's just because he's getting older now he has a luxury. 703 00:30:31,480 --> 00:30:35,520 Speaker 4: It's ex pedophile he's talking about you sound crazy. 704 00:30:35,560 --> 00:30:38,000 Speaker 2: He's when when he. 705 00:30:37,920 --> 00:30:40,040 Speaker 4: Was twenty five, he was fit, he liked girls. That 706 00:30:40,080 --> 00:30:40,600 Speaker 4: what do you talk? 707 00:30:40,640 --> 00:30:42,720 Speaker 2: I don't know even everything about pedophiles. I just don't 708 00:30:42,720 --> 00:30:46,040 Speaker 2: think it works in a stagger that what is that? 709 00:30:46,040 --> 00:30:49,720 Speaker 3: That's I think if you like that, I'm saying, if 710 00:30:49,760 --> 00:30:52,280 Speaker 3: your thing is younger women when you're twenty three, you 711 00:30:52,320 --> 00:30:54,160 Speaker 3: probably don't want to be with a twenty one year 712 00:30:54,200 --> 00:30:56,000 Speaker 3: old girl. You probably want to be with a woman 713 00:30:56,000 --> 00:30:59,560 Speaker 3: that's a girl that's seventeen sixteen, because you like that 714 00:30:59,680 --> 00:31:01,920 Speaker 3: dyeting of being that much older than your person that 715 00:31:01,960 --> 00:31:05,400 Speaker 3: you're with. That's my point. So when you're thirty seven, 716 00:31:05,720 --> 00:31:07,880 Speaker 3: she's twenty, I'm seventeen years older than her. Yeah, it's legal, 717 00:31:07,960 --> 00:31:09,520 Speaker 3: it's cool, but like, yeah, she's still youngert shit, but 718 00:31:09,560 --> 00:31:11,240 Speaker 3: like there's a bigger gap that. 719 00:31:11,320 --> 00:31:14,600 Speaker 2: Maybe you are you're into grooming. I don't think that 720 00:31:14,680 --> 00:31:15,720 Speaker 2: means yeah. 721 00:31:15,760 --> 00:31:18,520 Speaker 3: I think grooming is probably the more appropriate term to use, 722 00:31:18,640 --> 00:31:20,520 Speaker 3: at least when it comes to this situation. 723 00:31:20,720 --> 00:31:23,520 Speaker 2: Like, I don't think if a sixty year old likes children, 724 00:31:23,560 --> 00:31:26,239 Speaker 2: when that child becomes thirty and they're ninety, they're like, oh, 725 00:31:26,360 --> 00:31:28,080 Speaker 2: I like them now because they're thirty. No, I think 726 00:31:28,080 --> 00:31:29,560 Speaker 2: they liked the child. 727 00:31:30,000 --> 00:31:32,640 Speaker 1: By the way, they're calling Metro boom in Metro grooming, 728 00:31:32,760 --> 00:31:34,520 Speaker 1: and I'm sorry, that's fucky. 729 00:31:34,280 --> 00:31:38,480 Speaker 2: Very funny lyrics old tweet So Metro's old tweets popped 730 00:31:38,560 --> 00:31:43,200 Speaker 2: up and they're they're they're nasty even in the wild 731 00:31:43,280 --> 00:31:44,120 Speaker 2: wild West of twets. 732 00:31:45,240 --> 00:31:46,880 Speaker 4: But wasn't he young when he tweeted all this shit? 733 00:31:47,200 --> 00:31:50,480 Speaker 3: The A twenty eleven some of them he was underage, 734 00:31:50,480 --> 00:31:52,000 Speaker 3: but oh so. 735 00:31:51,960 --> 00:31:54,400 Speaker 4: I just see twenty eleven, twenty twelve is fourteen. 736 00:31:55,960 --> 00:31:57,560 Speaker 5: Yeah, just a couple of these. She might be young, 737 00:31:57,600 --> 00:31:59,840 Speaker 5: but she ready it's a good lyric, no though. 738 00:32:00,800 --> 00:32:02,600 Speaker 4: Twenty fourteen he said she might be young? 739 00:32:02,640 --> 00:32:03,200 Speaker 2: How was how old? 740 00:32:03,200 --> 00:32:04,520 Speaker 4: Was metro booming in twenty fourteen? 741 00:32:04,640 --> 00:32:05,640 Speaker 5: But also who's yacht? 742 00:32:05,680 --> 00:32:09,080 Speaker 2: Like? Who's also in Alicia Key's song written by Drake Swag, 743 00:32:10,320 --> 00:32:13,680 Speaker 2: We're being real that might be young? When I'm ready out. 744 00:32:13,560 --> 00:32:15,480 Speaker 3: Of context, he's all, I mean, they don't look great 745 00:32:15,720 --> 00:32:17,640 Speaker 3: at all, but like out of conde, who knows what 746 00:32:17,640 --> 00:32:20,880 Speaker 3: the fuck he's referring to here? And there was also 747 00:32:20,880 --> 00:32:23,520 Speaker 3: probably another lyric, got your little sister on the Molly, 748 00:32:23,640 --> 00:32:25,960 Speaker 3: she done ran through the whole squad, Like, I'm sure 749 00:32:25,960 --> 00:32:28,080 Speaker 3: you just didn't randomly think that at eleven am. 750 00:32:28,360 --> 00:32:29,240 Speaker 5: It's probably a lyric. 751 00:32:32,000 --> 00:32:34,080 Speaker 1: There was like a Miley Cyrus one that kept popping 752 00:32:34,160 --> 00:32:37,880 Speaker 1: up like he was like, no, that was mac Maine, 753 00:32:37,920 --> 00:32:38,760 Speaker 1: That was mac Maine. 754 00:32:38,560 --> 00:32:41,560 Speaker 2: That was mac mahon. That was his rollout about Yeah, 755 00:32:41,760 --> 00:32:46,440 Speaker 2: his rollout was Miley Cyrus starting eighteen. That was nasty. Yeah. Anyways, though, 756 00:32:46,480 --> 00:32:48,840 Speaker 2: like aside from this conversation that I mean, I'm glad 757 00:32:48,840 --> 00:32:51,760 Speaker 2: we had, but was weird. I don't think anyone else 758 00:32:51,840 --> 00:32:53,520 Speaker 2: is gonna have that combo, and I'm happy we did. 759 00:32:54,200 --> 00:32:57,600 Speaker 2: But where does this go now? Now that we're talking 760 00:32:57,600 --> 00:32:59,920 Speaker 2: about the rebrand and how he's gonna come back, Paul, 761 00:33:01,680 --> 00:33:03,880 Speaker 2: is Drake putting out more music? I fully believe that 762 00:33:04,080 --> 00:33:06,920 Speaker 2: he is not done here. I think he saw the reply. 763 00:33:07,040 --> 00:33:08,800 Speaker 4: To do you think Drake is never gonna put out 764 00:33:08,840 --> 00:33:09,200 Speaker 4: music in you? 765 00:33:09,400 --> 00:33:09,480 Speaker 6: No? 766 00:33:09,520 --> 00:33:12,120 Speaker 2: I mean in regards to this, oh like direct, not 767 00:33:12,360 --> 00:33:14,640 Speaker 2: just mentioning it on an album. I think he saw 768 00:33:14,640 --> 00:33:16,920 Speaker 2: the reaction to Hart Part six. I don't think he 769 00:33:16,920 --> 00:33:19,200 Speaker 2: feels the best about Hart Part six because I don't 770 00:33:19,200 --> 00:33:20,760 Speaker 2: think he felt great making it. I can hear it 771 00:33:22,440 --> 00:33:24,360 Speaker 2: knowing Drake and how he still holds on. He just 772 00:33:24,400 --> 00:33:27,840 Speaker 2: pushed three years after he said he was done, like 773 00:33:28,000 --> 00:33:30,280 Speaker 2: unwarranted for no reason, just because that's who Drake is. 774 00:33:30,320 --> 00:33:32,360 Speaker 2: And I like my rappers petty, and I like them 775 00:33:32,400 --> 00:33:34,880 Speaker 2: to never forget shit right. I think we have a 776 00:33:34,960 --> 00:33:38,200 Speaker 2: lot more Drake music on the way very soon. 777 00:33:39,560 --> 00:33:43,240 Speaker 4: I think that's a fair assumption. I mean, I think 778 00:33:43,280 --> 00:33:49,240 Speaker 4: that in this moment, artists of these two their caliber, 779 00:33:49,280 --> 00:33:53,000 Speaker 4: I think this only gets them inspired creatively, and I 780 00:33:53,040 --> 00:33:55,040 Speaker 4: think their minds are just on a on a wheel. 781 00:33:55,520 --> 00:33:58,640 Speaker 4: They're thinking, they're writing, they're listening to a bunch of 782 00:33:58,640 --> 00:34:03,160 Speaker 4: different music, they're creating obviously records. So yeah, I think 783 00:34:03,200 --> 00:34:06,600 Speaker 4: that I think that this energy rolls over into. 784 00:34:07,840 --> 00:34:09,360 Speaker 2: Album EP. 785 00:34:11,000 --> 00:34:14,759 Speaker 4: Something like that, definitely with some of this energy still 786 00:34:14,800 --> 00:34:17,279 Speaker 4: attached to it. I think that. I just think that 787 00:34:19,280 --> 00:34:22,280 Speaker 4: I think the sequence and the cadence of this thing changed, 788 00:34:23,560 --> 00:34:26,839 Speaker 4: and I believe Drake is no longer like, all right, 789 00:34:27,760 --> 00:34:30,920 Speaker 4: I don't care what he's doing over there. I'm gonna 790 00:34:30,920 --> 00:34:32,840 Speaker 4: make this. I'm gonna make what I'm making. I'm going 791 00:34:32,920 --> 00:34:35,160 Speaker 4: to create when i'm creating, and I'm going to drop 792 00:34:35,200 --> 00:34:37,960 Speaker 4: that when I want to drop it, regardless of what 793 00:34:38,080 --> 00:34:40,560 Speaker 4: he's doing. So he could put out two, three, four 794 00:34:40,719 --> 00:34:44,000 Speaker 4: five records this week, this is over. 795 00:34:44,040 --> 00:34:46,920 Speaker 2: I'm over here creating this. So kind of what Kendrick's 796 00:34:46,920 --> 00:34:47,600 Speaker 2: strategy was. 797 00:34:49,480 --> 00:34:51,279 Speaker 4: I don't know if that was Kendrick's strategy. I think 798 00:34:51,360 --> 00:34:54,000 Speaker 4: Kendrick obviously prepped. Again, going back to the beginning of 799 00:34:54,000 --> 00:34:56,719 Speaker 4: this thing, we knew that Kendrick had his tour was 800 00:34:56,760 --> 00:34:59,560 Speaker 4: over in twenty twenty two. I believe he hasn't been 801 00:34:59,600 --> 00:35:02,520 Speaker 4: really active since then, so he obviously had more time 802 00:35:03,080 --> 00:35:05,880 Speaker 4: to prep for this thing. He had more time to 803 00:35:05,880 --> 00:35:09,000 Speaker 4: think about it and to think about other different angles 804 00:35:09,040 --> 00:35:10,719 Speaker 4: and how he was going to come out of this, 805 00:35:10,800 --> 00:35:14,319 Speaker 4: parlay that into his album and things like that. I 806 00:35:14,360 --> 00:35:17,560 Speaker 4: think that Drake, coming off of tour and jumping right 807 00:35:17,560 --> 00:35:19,120 Speaker 4: into this, like I said, he would have to become 808 00:35:19,160 --> 00:35:21,480 Speaker 4: a different person because this is a battle mode. This 809 00:35:21,560 --> 00:35:24,360 Speaker 4: is not just Drake creating songs that he thinks the 810 00:35:24,400 --> 00:35:26,440 Speaker 4: world is going to love and accept. This is tailored 811 00:35:26,560 --> 00:35:31,040 Speaker 4: for exactly specific individuals. It's a different energy that comes 812 00:35:31,120 --> 00:35:34,640 Speaker 4: with this music. And I think that he's still in 813 00:35:34,680 --> 00:35:37,759 Speaker 4: that mode of creating. I just think that he's not 814 00:35:38,080 --> 00:35:41,120 Speaker 4: no longer releasing it as This is a shot, This 815 00:35:41,200 --> 00:35:43,680 Speaker 4: is a missive director. This is gonna be a this 816 00:35:43,719 --> 00:35:46,120 Speaker 4: is gonna be a complete thing. Because even if you 817 00:35:46,120 --> 00:35:49,360 Speaker 4: listen to Family Matters, Family Matters sounds like a record 818 00:35:49,400 --> 00:35:51,360 Speaker 4: that would be on a Drake album or Drake project. 819 00:35:51,520 --> 00:35:53,120 Speaker 4: The beat, for sure, you know what I mean, Like 820 00:35:53,160 --> 00:35:56,680 Speaker 4: the music changing up the way it did, that sounds 821 00:35:56,800 --> 00:35:59,040 Speaker 4: very That sounds very familiar coming from Drake. 822 00:35:59,440 --> 00:36:02,160 Speaker 2: I'm not even saying battle mode per se or timing. 823 00:36:02,160 --> 00:36:06,719 Speaker 2: I'm saying Kendrick's strategy of no matter what Drake says 824 00:36:06,800 --> 00:36:09,520 Speaker 2: or does, I'm sticking to what I'm doing over here. 825 00:36:09,600 --> 00:36:12,719 Speaker 2: After family matters came out, Meet the Graham seven minutes later, 826 00:36:12,800 --> 00:36:14,680 Speaker 2: No matter what he says after that. 827 00:36:15,680 --> 00:36:19,640 Speaker 4: It mattered what he said. It definitely mattered what he said. 828 00:36:19,719 --> 00:36:20,920 Speaker 2: It goes back to our conversation. 829 00:36:21,560 --> 00:36:24,160 Speaker 4: He wasn't working. That's that's why Not Like Us came. 830 00:36:24,760 --> 00:36:26,920 Speaker 2: It did its culpose to it stepped on him and amazing, 831 00:36:27,320 --> 00:36:30,840 Speaker 2: but that's all it did. Music, but you did You 832 00:36:31,120 --> 00:36:36,520 Speaker 2: to our conversation last episode Drake over explaining gay validity. 833 00:36:36,960 --> 00:36:41,640 Speaker 2: We have not even really addressed Kendrick's allegations because he won't. 834 00:36:41,680 --> 00:36:44,000 Speaker 2: He's focused on what he's doing. No matter what Drake says, 835 00:36:44,160 --> 00:36:46,560 Speaker 2: I'm putting out not like Us, No matter what I'm 836 00:36:46,560 --> 00:36:47,960 Speaker 2: putting on me the gramds, I don't even need to 837 00:36:48,000 --> 00:36:50,120 Speaker 2: hear what he's saying. I'm not going to talk about Dave, Free, 838 00:36:50,280 --> 00:36:52,640 Speaker 2: not gonna talk about my wife. I'm only focused on 839 00:36:52,719 --> 00:36:57,000 Speaker 2: what I'm doing and my ship about you. So I think, yes, 840 00:36:57,080 --> 00:37:00,600 Speaker 2: Drake should take that strategy. Don't be so reactive, stick 841 00:37:00,640 --> 00:37:02,720 Speaker 2: to your plan of what you want to do. Because 842 00:37:02,800 --> 00:37:05,440 Speaker 2: clearly Kendrick's not addressing anything, and Kendrick, I'm sorry, and 843 00:37:05,480 --> 00:37:09,239 Speaker 2: Drake is, which has made him look more guilty. Unfortunately. 844 00:37:10,440 --> 00:37:13,880 Speaker 2: I'm just I'm giving you perception and so what So 845 00:37:13,960 --> 00:37:16,839 Speaker 2: what you're saying with Drake going taking a minute and 846 00:37:16,880 --> 00:37:20,279 Speaker 2: maybe doing an EP or an album or whatever that's 847 00:37:20,320 --> 00:37:22,040 Speaker 2: focused on. I don't give a fuck what Kendrick is 848 00:37:22,040 --> 00:37:25,160 Speaker 2: saying or doing. I'm gonna do my shit. I'm gonna 849 00:37:25,160 --> 00:37:28,560 Speaker 2: shoot at him and focus on my music. That's the 850 00:37:28,640 --> 00:37:31,520 Speaker 2: strategy Kendrick had. That's where I think Drake should have 851 00:37:31,560 --> 00:37:34,680 Speaker 2: stayed after push ups. I think he should have gotten 852 00:37:34,680 --> 00:37:37,120 Speaker 2: in his mode of what he thought was he should 853 00:37:37,120 --> 00:37:40,040 Speaker 2: have done, even though I can feel feel for him. 854 00:37:40,040 --> 00:37:42,200 Speaker 2: If somebody called me a pedal, I'd be sitting there like, well, 855 00:37:42,880 --> 00:37:47,680 Speaker 2: new strategy. But if he stayed focused, that's the you 856 00:37:47,760 --> 00:37:50,360 Speaker 2: keep asking why no one is looking for evidence or 857 00:37:50,760 --> 00:37:52,919 Speaker 2: is pushing on Kendrick, like, Yo, how come he hasn't 858 00:37:52,920 --> 00:37:55,239 Speaker 2: addressing this If you've seen with every record he has 859 00:37:55,280 --> 00:37:57,520 Speaker 2: not paid attention to one thing Drake has said and 860 00:37:57,560 --> 00:38:00,319 Speaker 2: stayed with the records that he had recorded already. This 861 00:38:00,360 --> 00:38:03,160 Speaker 2: is this is my strategy going in fucking horse Blinders 862 00:38:03,200 --> 00:38:06,640 Speaker 2: on I'm just gonna post what I have and it. 863 00:38:06,600 --> 00:38:13,640 Speaker 3: Worked, And last night Drake posted this to his story. 864 00:38:14,680 --> 00:38:17,759 Speaker 6: Maybe we. 865 00:38:20,400 --> 00:38:31,359 Speaker 2: Shout out to Jeff das Man, even the Monsters born. 866 00:38:32,840 --> 00:38:35,680 Speaker 3: So it's it's an it's a sequence from a show 867 00:38:35,719 --> 00:38:38,120 Speaker 3: on Netflix that's basically it's about a real estate mogul 868 00:38:38,120 --> 00:38:42,200 Speaker 3: that faces bankruptcy, political and business uh interests colliding, and 869 00:38:42,239 --> 00:38:44,520 Speaker 3: it's pretty much him defending his empire until the end. 870 00:38:44,920 --> 00:38:48,399 Speaker 3: So with no caption, Drake posts this and and people 871 00:38:48,400 --> 00:38:50,719 Speaker 3: are saying, and this is what I not people what 872 00:38:50,840 --> 00:38:54,200 Speaker 3: I believe. I think he saw the public opinion, saw 873 00:38:54,280 --> 00:38:57,200 Speaker 3: that he's losing this. Here's don't and he notices how 874 00:38:57,239 --> 00:39:00,600 Speaker 3: big don't like us has gotten not like us A 875 00:39:00,640 --> 00:39:03,120 Speaker 3: pardon it and uh, he's he needs to. He's not 876 00:39:03,160 --> 00:39:04,720 Speaker 3: going to make the same mistake he made with PUSHA. 877 00:39:05,040 --> 00:39:06,239 Speaker 3: He has to double that. 878 00:39:06,320 --> 00:39:07,480 Speaker 5: You have to go at him. 879 00:39:07,600 --> 00:39:10,320 Speaker 3: You can't disappear and let the If you let the 880 00:39:10,360 --> 00:39:12,480 Speaker 3: public call it, you lost. And I don't think he 881 00:39:12,520 --> 00:39:15,680 Speaker 3: wants to leave it up for people to make that decision. 882 00:39:15,920 --> 00:39:17,959 Speaker 3: I think he wants to take matters into his own hands. 883 00:39:18,280 --> 00:39:20,719 Speaker 3: Either win or go down with the ship with the 884 00:39:20,760 --> 00:39:21,560 Speaker 3: whole home burning. 885 00:39:21,680 --> 00:39:24,080 Speaker 2: Yeah, and you can't say this is over the line. 886 00:39:24,120 --> 00:39:24,239 Speaker 1: Now. 887 00:39:24,280 --> 00:39:26,120 Speaker 2: That's why I'm not replying because you did that the 888 00:39:26,239 --> 00:39:30,360 Speaker 2: last time and the line when no disrespect to forty. 889 00:39:30,600 --> 00:39:32,520 Speaker 2: I hope your health is great, but this is a 890 00:39:32,600 --> 00:39:36,160 Speaker 2: way crazier line than mocking ms. 891 00:39:36,880 --> 00:39:39,359 Speaker 4: But did who oh double y'all have said y'all felt 892 00:39:39,360 --> 00:39:41,000 Speaker 4: like he was waving a white flag on the halt 893 00:39:41,040 --> 00:39:44,480 Speaker 4: part six because I never felt like I didn't think that. 894 00:39:45,440 --> 00:39:47,000 Speaker 4: I feel like y'all said that Monday. 895 00:39:46,760 --> 00:39:48,880 Speaker 2: No that I felt like he said that in so 896 00:39:48,960 --> 00:39:49,480 Speaker 2: many words. 897 00:39:49,600 --> 00:39:52,400 Speaker 1: Yeah, a few people that was the theory because he 898 00:39:52,520 --> 00:39:55,239 Speaker 1: said you can go ahead drop at them songs you 899 00:39:55,280 --> 00:39:57,720 Speaker 1: want to drop, like basically like you break. 900 00:39:57,640 --> 00:39:59,399 Speaker 2: The out, Yeah, like do what you gotta do, Okay, 901 00:39:59,400 --> 00:40:02,560 Speaker 2: I'm gonna be oble on vacation, like yeah, getting burnt out? 902 00:40:02,680 --> 00:40:06,120 Speaker 3: Is burnt by his tone that And there were like 903 00:40:06,200 --> 00:40:08,600 Speaker 3: three separate lines on that song in itself where he 904 00:40:08,760 --> 00:40:10,759 Speaker 3: was like yeah, and I mean. 905 00:40:10,719 --> 00:40:13,080 Speaker 2: I think that could also be a strategy. When I 906 00:40:13,120 --> 00:40:14,440 Speaker 2: heard it the first time, I was like, Oh, is 907 00:40:14,520 --> 00:40:17,040 Speaker 2: this his way of kind of doing a psych type 908 00:40:17,040 --> 00:40:19,279 Speaker 2: of thing to make it look like this is done. 909 00:40:19,480 --> 00:40:22,759 Speaker 2: Kendrick can relax. Go shoot your not like us video. 910 00:40:22,920 --> 00:40:26,000 Speaker 2: Go focus on that while I plot over here to 911 00:40:26,080 --> 00:40:28,279 Speaker 2: make it look like I'm done. I could see that 912 00:40:28,360 --> 00:40:31,160 Speaker 2: being a strategy. I thought he outright made it seem like, yo, 913 00:40:31,719 --> 00:40:35,160 Speaker 2: I'm done with this. This was some fun exercise, which 914 00:40:35,280 --> 00:40:40,239 Speaker 2: was a crazy line to me, like getting the pen working? 915 00:40:40,440 --> 00:40:41,120 Speaker 4: Was it crating long? 916 00:40:42,320 --> 00:40:44,920 Speaker 2: Yeah? It all of it felt nasty. 917 00:40:45,000 --> 00:40:45,719 Speaker 4: This is what you asked for. 918 00:40:45,920 --> 00:40:47,839 Speaker 2: Now you're like, oh, yeah, I guess thanks for coming 919 00:40:47,840 --> 00:40:48,920 Speaker 2: to the court, Like I don't want. 920 00:40:48,760 --> 00:40:50,560 Speaker 4: To, Like I said, I think the cadence of it 921 00:40:51,239 --> 00:40:53,799 Speaker 4: is what was like, we're waiting for you. You drop, 922 00:40:53,880 --> 00:40:56,200 Speaker 4: I dropped, I dropped, You dropped, and you drop again. 923 00:40:56,280 --> 00:40:58,840 Speaker 4: And it's like, because at some point you got to 924 00:40:58,840 --> 00:41:02,160 Speaker 4: ask yourself, are we supposed to just keep? How long 925 00:41:02,280 --> 00:41:03,759 Speaker 4: is this supposed to keep? Like you drop a record, 926 00:41:03,800 --> 00:41:05,200 Speaker 4: I drop a record, You drop a record, you drop 927 00:41:05,239 --> 00:41:07,760 Speaker 4: two records, I drop two records? How long we're supposed 928 00:41:07,760 --> 00:41:08,000 Speaker 4: to do that? 929 00:41:08,239 --> 00:41:10,480 Speaker 2: But you would you feel that way if it was flipped. 930 00:41:10,600 --> 00:41:15,600 Speaker 2: Let's say Drake looked like the victor. Would you be like, well, yeah, 931 00:41:15,800 --> 00:41:16,520 Speaker 2: I mean it's over now. 932 00:41:16,600 --> 00:41:19,319 Speaker 4: No, I still would feel because again, if we're talking 933 00:41:19,320 --> 00:41:21,880 Speaker 4: about a rap battle. This has been the most like 934 00:41:22,040 --> 00:41:25,160 Speaker 4: we've we haven't seen records I think come like Paul's 935 00:41:25,200 --> 00:41:25,520 Speaker 4: come like. 936 00:41:25,560 --> 00:41:27,879 Speaker 2: This mainstream wise underground round. 937 00:41:27,880 --> 00:41:30,160 Speaker 4: So it was kind of that's they do whatever the 938 00:41:30,200 --> 00:41:31,719 Speaker 4: fun they want, but it's kind of. 939 00:41:31,920 --> 00:41:33,400 Speaker 2: Other fucking hour. It's like goddamn. 940 00:41:33,520 --> 00:41:35,680 Speaker 4: Yeah. So it's like this started to feel like that, 941 00:41:35,960 --> 00:41:38,319 Speaker 4: and you know, artist of Drake's Max is like all right, 942 00:41:38,320 --> 00:41:40,080 Speaker 4: I'm not going to entertain this but for so long, 943 00:41:40,200 --> 00:41:41,680 Speaker 4: like what are we doing here? 944 00:41:41,800 --> 00:41:41,840 Speaker 6: Like? 945 00:41:42,040 --> 00:41:45,680 Speaker 4: So I think that was more so the feeling on 946 00:41:46,000 --> 00:41:48,480 Speaker 4: Hard Part six was like all right, man, like I'm 947 00:41:48,520 --> 00:41:51,600 Speaker 4: not gonna keep this isn't gonna go on for another 948 00:41:51,719 --> 00:41:53,200 Speaker 4: month and a half, Like we're not gonna do this 949 00:41:53,280 --> 00:41:56,040 Speaker 4: for another month. Like that's the feeling I got, not 950 00:41:56,160 --> 00:41:58,959 Speaker 4: I'm waving a white flag. I give up, like I didn't. 951 00:41:59,000 --> 00:42:01,560 Speaker 4: I never got that home from that record. 952 00:42:01,960 --> 00:42:04,120 Speaker 2: Let's go back to I don't know two months ago 953 00:42:04,560 --> 00:42:10,440 Speaker 2: when it was the Cole Kendrick Drake possibility and we 954 00:42:10,560 --> 00:42:14,120 Speaker 2: all agreed that this was great because finally in rap, 955 00:42:14,440 --> 00:42:17,680 Speaker 2: this will be a rap beef that won't go too far. Yeah, 956 00:42:17,760 --> 00:42:20,200 Speaker 2: nobody's gonna get hurt, It'll stay on wax like, what 957 00:42:20,520 --> 00:42:24,399 Speaker 2: a perfect time in hip hop, three elites, no one's 958 00:42:24,440 --> 00:42:27,560 Speaker 2: gonna hurt anyone, everybody knows what tom it is. And 959 00:42:27,680 --> 00:42:32,239 Speaker 2: then two days ago, Drake's house gets shot up. Do 960 00:42:32,360 --> 00:42:36,040 Speaker 2: we think this has anything to do with the Kendrick 961 00:42:36,160 --> 00:42:38,719 Speaker 2: and Drake beef or is this something else that was 962 00:42:38,760 --> 00:42:40,560 Speaker 2: mentioned on push ups and family matters? 963 00:42:41,840 --> 00:42:43,920 Speaker 4: I think this was I don't think. I'm not gonna 964 00:42:44,960 --> 00:42:48,239 Speaker 4: I'm not gonna dismiss it totally not having anything to 965 00:42:48,320 --> 00:42:52,640 Speaker 4: do with the beef that's currently going on, because the 966 00:42:52,719 --> 00:42:55,480 Speaker 4: timing of it is just too you know, it's like 967 00:42:55,840 --> 00:42:57,759 Speaker 4: you gotta kind of think that, think about that. 968 00:42:57,960 --> 00:43:00,440 Speaker 2: The Kendrick theory sounds very far fetch, Yeah, but I'm 969 00:43:00,480 --> 00:43:02,000 Speaker 2: not very far fa. 970 00:43:02,120 --> 00:43:04,160 Speaker 4: But I can understand in the height of all of 971 00:43:04,200 --> 00:43:06,320 Speaker 4: this is how somebody would think that and throw that 972 00:43:06,400 --> 00:43:08,719 Speaker 4: into the mix, like, Yo, could this be a part 973 00:43:08,760 --> 00:43:10,120 Speaker 4: of this whole Kendrick Drake shit? 974 00:43:10,200 --> 00:43:12,279 Speaker 2: I understand, But those I don't believe people that think 975 00:43:12,840 --> 00:43:14,200 Speaker 2: Biggie shot Tupac. 976 00:43:14,080 --> 00:43:16,600 Speaker 4: Right, Like, I'm not one of those kids. But I 977 00:43:16,640 --> 00:43:19,000 Speaker 4: can understand how easy it is for people to feel that. 978 00:43:20,719 --> 00:43:23,400 Speaker 4: I think that this was, you know, just happened to 979 00:43:23,480 --> 00:43:28,879 Speaker 4: be just a random somebody or some some people. It's 980 00:43:28,960 --> 00:43:30,799 Speaker 4: not hard to figure out where Drake lives if you're 981 00:43:30,800 --> 00:43:34,960 Speaker 4: from Toronto, and I think they just drove by his 982 00:43:35,080 --> 00:43:36,719 Speaker 4: crib and just shot at it. 983 00:43:37,320 --> 00:43:37,640 Speaker 6: I don't know. 984 00:43:37,920 --> 00:43:39,880 Speaker 4: I don't think this was anything deeper than that. 985 00:43:41,120 --> 00:43:44,280 Speaker 2: I feel like if like a stand or quote unquote 986 00:43:44,480 --> 00:43:49,120 Speaker 2: clout chaser or someone along those lines would have made 987 00:43:49,160 --> 00:43:50,920 Speaker 2: sure they filmed it so we knew they did it. 988 00:43:51,920 --> 00:43:54,239 Speaker 2: I think only the crazy fan in this scenario would 989 00:43:54,280 --> 00:43:56,600 Speaker 2: make sure that they could go to their stand account 990 00:43:56,800 --> 00:43:59,200 Speaker 2: in that stand community and be like, yo, look what 991 00:43:59,280 --> 00:44:01,759 Speaker 2: I'm the one that did So that's where I think 992 00:44:02,320 --> 00:44:07,120 Speaker 2: this has nothing to do with Kendrick or some crazed fan, 993 00:44:08,480 --> 00:44:10,759 Speaker 2: not some John Lennon. Shit'm not trying to save Drake 994 00:44:10,760 --> 00:44:13,440 Speaker 2: from his innocence. I think it has a lot to 995 00:44:13,520 --> 00:44:17,520 Speaker 2: do with an ongoing internal Toronto thing. I mean, we 996 00:44:17,640 --> 00:44:20,840 Speaker 2: saw and this is headline news. We're not breaking anything. 997 00:44:21,400 --> 00:44:23,440 Speaker 2: Cash from Xo's house was shot with last week in 998 00:44:23,640 --> 00:44:28,800 Speaker 2: la who because in the Hills, that shit is crazy. 999 00:44:28,880 --> 00:44:30,440 Speaker 2: It's happening all the time. So we don't know if 1000 00:44:30,480 --> 00:44:33,000 Speaker 2: that has to do with anything, but I can see 1001 00:44:33,000 --> 00:44:35,680 Speaker 2: this being more of a Toronto thing than it could 1002 00:44:35,719 --> 00:44:39,400 Speaker 2: ever be. Like, I don't think Kendrick, even though he 1003 00:44:39,480 --> 00:44:42,680 Speaker 2: said to Drake's mom, I hope he fucking dies. I 1004 00:44:42,719 --> 00:44:44,279 Speaker 2: don't really think Kendrick wants to harm him. 1005 00:44:44,520 --> 00:44:48,239 Speaker 4: Yeah, no, I don't get that. But I'm not one 1006 00:44:48,239 --> 00:44:51,160 Speaker 4: of those people that's putting this on this this beef thing. 1007 00:44:51,880 --> 00:44:53,640 Speaker 4: This is definitely something totally separate from that. 1008 00:44:53,920 --> 00:44:56,640 Speaker 2: But all right, let's speculate that it's an internal Toronto thing. 1009 00:44:56,800 --> 00:44:58,640 Speaker 2: We don't have to put names that anything at all. 1010 00:45:00,400 --> 00:45:03,279 Speaker 2: I'm asking you, as a civilian, what stat is that 1011 00:45:03,600 --> 00:45:09,000 Speaker 2: that you shot a security guard outside of a mega mansion? Like, 1012 00:45:09,080 --> 00:45:10,520 Speaker 2: what what type of stat are you getting? 1013 00:45:11,239 --> 00:45:13,840 Speaker 4: But you can't even talk about that stat Who can 1014 00:45:13,920 --> 00:45:14,799 Speaker 4: you even tell that stat? 1015 00:45:14,840 --> 00:45:19,560 Speaker 2: Too? And for what you did, you did nothing? Yeah, yeah, 1016 00:45:19,719 --> 00:45:21,560 Speaker 2: and prayers to on that security guard. I heard he 1017 00:45:21,640 --> 00:45:24,720 Speaker 2: is doing much better. Yeah, but he probably has a family. 1018 00:45:24,960 --> 00:45:27,120 Speaker 2: He's not sitting there trying to get fucking shot. 1019 00:45:27,480 --> 00:45:29,680 Speaker 4: Right, I don't. I don't think any of these gentlemen 1020 00:45:29,719 --> 00:45:30,840 Speaker 4: are trying to get shot. 1021 00:45:31,560 --> 00:45:33,839 Speaker 2: Or even involved in this. I'm guarding Drake's house. It's 1022 00:45:33,880 --> 00:45:38,480 Speaker 2: my job. Some petty back and forth shit, I had 1023 00:45:38,480 --> 00:45:41,719 Speaker 2: a crib, yeah, I don't know. I found it a 1024 00:45:41,760 --> 00:45:43,920 Speaker 2: little weird, and granted I don't know what happens behind 1025 00:45:43,960 --> 00:45:47,720 Speaker 2: the scenes. I know Toronto can get very fucking dicey 1026 00:45:47,800 --> 00:45:49,239 Speaker 2: in certain places and certain people. 1027 00:45:49,400 --> 00:45:53,319 Speaker 4: Absolutely, but what are we doing just shooting. 1028 00:45:53,040 --> 00:45:56,600 Speaker 2: People's security guard their mega mansion? Yeah, this is this 1029 00:45:56,719 --> 00:45:57,400 Speaker 2: is because of. 1030 00:45:57,480 --> 00:45:59,759 Speaker 4: Rap shit, right, yeah, this is this is where you 1031 00:45:59,840 --> 00:46:01,880 Speaker 4: know again, even though I don't think this has anything 1032 00:46:01,920 --> 00:46:04,520 Speaker 4: to do with the wrap the bee for the battle, 1033 00:46:06,200 --> 00:46:09,600 Speaker 4: but this is where things can quickly, the energy can 1034 00:46:09,719 --> 00:46:13,840 Speaker 4: change quickly and be like, oh shit, now this is 1035 00:46:13,920 --> 00:46:16,120 Speaker 4: something that we thought it wasn't gonna be, you know 1036 00:46:16,160 --> 00:46:18,680 Speaker 4: what I mean, Like you talked about somebody shooting up 1037 00:46:18,880 --> 00:46:20,880 Speaker 4: one of the biggest stars or shooting up one of 1038 00:46:20,920 --> 00:46:24,320 Speaker 4: the biggest stars in the world's house, Like that's fucking 1039 00:46:24,400 --> 00:46:25,360 Speaker 4: insane in itself. 1040 00:46:25,840 --> 00:46:28,080 Speaker 2: Can I give you my theory? And I don't want 1041 00:46:28,080 --> 00:46:29,920 Speaker 2: to put this on anyone that exos jacket or anything 1042 00:46:29,960 --> 00:46:31,960 Speaker 2: like that, but we saw the theories online Drake City 1043 00:46:32,000 --> 00:46:33,520 Speaker 2: have no shooters and then all of a sudden someone 1044 00:46:33,560 --> 00:46:36,160 Speaker 2: shot cool not anything that I'm bringing to the table. 1045 00:46:36,719 --> 00:46:40,279 Speaker 2: If this does disappear, I think that does give that 1046 00:46:40,520 --> 00:46:44,719 Speaker 2: theory a little bit more credence. That is a very 1047 00:46:44,800 --> 00:46:48,560 Speaker 2: wealthy neighborhood. There's a fucking ring camera on every last block. 1048 00:46:49,680 --> 00:46:52,720 Speaker 2: I don't care if they got a stolen car, different plates, 1049 00:46:53,080 --> 00:46:55,239 Speaker 2: they're going to figure out who the fuck did that? 1050 00:46:55,360 --> 00:46:56,759 Speaker 4: Oh yeah, without a doubt. 1051 00:46:56,960 --> 00:47:01,360 Speaker 2: And if it ties back to somebody's specifictly and it disappears, 1052 00:47:01,760 --> 00:47:04,040 Speaker 2: I think that's saying a lot. If we don't really 1053 00:47:04,120 --> 00:47:06,400 Speaker 2: hear from this and it doesn't end up being just 1054 00:47:06,920 --> 00:47:09,239 Speaker 2: some crazy kid that was just like yo, let me 1055 00:47:09,280 --> 00:47:11,200 Speaker 2: go do the ship so everyone knows my name, yeah, 1056 00:47:11,640 --> 00:47:13,640 Speaker 2: and there's some type of tie back to somebody else, 1057 00:47:13,680 --> 00:47:16,879 Speaker 2: to somebody else, somebody else to somebody else. I think 1058 00:47:16,920 --> 00:47:21,200 Speaker 2: we know who came from. And I see it disapearing. 1059 00:47:22,120 --> 00:47:23,719 Speaker 2: I don't know if we're gonna get. Don't think we're 1060 00:47:23,719 --> 00:47:24,040 Speaker 2: gonna get. 1061 00:47:24,120 --> 00:47:24,719 Speaker 5: I don't want to go. 1062 00:47:24,960 --> 00:47:26,520 Speaker 4: I don't want it to go that route. Like I hope, 1063 00:47:26,600 --> 00:47:28,600 Speaker 4: I hope it's not. I hope it's not, because that 1064 00:47:28,960 --> 00:47:31,360 Speaker 4: now we're just like all right, like we're back to 1065 00:47:31,440 --> 00:47:32,680 Speaker 4: this type of ship, you know what I mean? Like 1066 00:47:32,760 --> 00:47:34,400 Speaker 4: I don't I hope, So I hope it's not that. 1067 00:47:34,640 --> 00:47:36,880 Speaker 2: Do you think it was? Uh? Lucien Grange by himself 1068 00:47:37,800 --> 00:47:41,600 Speaker 2: shot Drake's Chris listen Man. We found out in paperwork 1069 00:47:41,600 --> 00:47:44,480 Speaker 2: that Jimmy Henchman went by himself during a banquet to 1070 00:47:44,520 --> 00:47:48,160 Speaker 2: shoot up Tony Yeo's mom's house. Anything is possible, like no, 1071 00:47:49,360 --> 00:47:49,600 Speaker 2: some of. 1072 00:47:49,640 --> 00:47:52,440 Speaker 4: These exact Yeah, but Jimmy, it is a difference that 1073 00:47:52,520 --> 00:47:55,879 Speaker 4: he was doing that before, way before the music ship 1074 00:47:56,000 --> 00:47:57,840 Speaker 4: like we ain't got wet told about. 1075 00:47:57,760 --> 00:47:59,960 Speaker 2: Eating that paperwork with some of the craziest, like everyone 1076 00:48:00,040 --> 00:48:02,040 Speaker 2: one knew there was a back and forth. Yeah, but 1077 00:48:02,160 --> 00:48:04,680 Speaker 2: when you read that paperwork from that snitch, they say, yeah, no, 1078 00:48:04,800 --> 00:48:06,480 Speaker 2: Jimmy left the banquet, say yo, tell him him in 1079 00:48:06,480 --> 00:48:09,160 Speaker 2: the bathroom. Yeah, and it came back to the banquet. 1080 00:48:10,840 --> 00:48:14,120 Speaker 2: Different type of god man. But did you see the 1081 00:48:14,400 --> 00:48:17,160 Speaker 2: other theory speaking I lution of of UMG trying to 1082 00:48:17,200 --> 00:48:19,560 Speaker 2: shut this down for Drake's sake, which I think this 1083 00:48:19,680 --> 00:48:22,920 Speaker 2: was debunked, but yeah it was. We definitely can speculate 1084 00:48:22,960 --> 00:48:25,680 Speaker 2: that UMG is having a lot of conversations of where 1085 00:48:25,800 --> 00:48:27,879 Speaker 2: they want to go with it. They're both UMG, right, yeah, 1086 00:48:28,000 --> 00:48:30,080 Speaker 2: well Kendrick is licensing, but. 1087 00:48:31,680 --> 00:48:32,240 Speaker 5: Still UMG. 1088 00:48:32,760 --> 00:48:35,160 Speaker 4: Yeah, I think I believe it. I could see why 1089 00:48:35,280 --> 00:48:39,880 Speaker 4: UMG would want to put it into this Definitely. 1090 00:48:39,640 --> 00:48:41,520 Speaker 2: I think they wanted to drag a little bit more 1091 00:48:41,560 --> 00:48:44,680 Speaker 2: because clearly it's profitable, But at what cost. 1092 00:48:44,760 --> 00:48:48,920 Speaker 4: That's what I'm saying. I definitely believe that UMG reached 1093 00:48:48,960 --> 00:48:52,960 Speaker 4: out to both parties and had a conversation with that 1094 00:48:53,080 --> 00:48:55,680 Speaker 4: conversation was about with it entailed? I don't know, but 1095 00:48:55,840 --> 00:48:58,520 Speaker 4: I think that UMG definitely, like why wouldn't they this 1096 00:48:58,680 --> 00:49:03,520 Speaker 4: is there, this is their business partners, Like, why wouldn't 1097 00:49:03,560 --> 00:49:05,680 Speaker 4: they want to intervene at some course, whether it's just 1098 00:49:05,760 --> 00:49:09,840 Speaker 4: to kind of gauge what's happening, what's going on, Like 1099 00:49:09,960 --> 00:49:11,920 Speaker 4: how long is this thing supposed to go? Like you 1100 00:49:11,960 --> 00:49:14,800 Speaker 4: know what I'm saying, Like, what's the energy? Is it 1101 00:49:14,840 --> 00:49:16,320 Speaker 4: turning into something else? 1102 00:49:16,480 --> 00:49:16,960 Speaker 2: Personal? 1103 00:49:17,560 --> 00:49:20,080 Speaker 4: Obviously things are being said that can then turn into 1104 00:49:20,160 --> 00:49:22,760 Speaker 4: something else that UMG will probably have to get behind 1105 00:49:22,880 --> 00:49:26,040 Speaker 4: and try to like fix. So I think that somebody 1106 00:49:26,080 --> 00:49:30,680 Speaker 4: from UMG definitely reached out and had conversations. Now whether 1107 00:49:30,800 --> 00:49:34,160 Speaker 4: or not they said oh stop or yo, chill or 1108 00:49:34,560 --> 00:49:35,400 Speaker 4: I don't. 1109 00:49:35,280 --> 00:49:35,920 Speaker 2: Think any of that. 1110 00:49:36,120 --> 00:49:39,600 Speaker 4: I think that UMG definitely reached out and had conversations 1111 00:49:39,640 --> 00:49:42,480 Speaker 4: with both parties to kind of just gauge this thing 1112 00:49:42,520 --> 00:49:46,840 Speaker 4: and understand exactly what's happening. How much longer is this 1113 00:49:46,960 --> 00:49:47,600 Speaker 4: supposed to go on? 1114 00:49:47,800 --> 00:49:50,040 Speaker 2: I'm not even curious of what like the high execs 1115 00:49:50,040 --> 00:49:53,160 Speaker 2: are talking about. More so that for those that don't know, 1116 00:49:53,239 --> 00:49:55,880 Speaker 2: all the divisions of UMG ended up in one building 1117 00:49:55,920 --> 00:49:59,400 Speaker 2: because the music industry is minimizing as far as employees go. 1118 00:50:00,080 --> 00:50:01,880 Speaker 2: So I would just love to see the person that 1119 00:50:02,040 --> 00:50:04,640 Speaker 2: is working the Not Like Us record. We're like, we're 1120 00:50:04,640 --> 00:50:06,520 Speaker 2: about to bring it to radio, and then someone from 1121 00:50:06,560 --> 00:50:08,600 Speaker 2: the PR team at Republicans like, you're gonna do what? 1122 00:50:09,239 --> 00:50:09,359 Speaker 6: Right? 1123 00:50:10,160 --> 00:50:10,399 Speaker 4: Yeah? 1124 00:50:11,000 --> 00:50:14,200 Speaker 2: We want to work a record that's gonna kill another one. Yeah, 1125 00:50:15,239 --> 00:50:17,320 Speaker 2: I want to know what that chaos looks like. But 1126 00:50:17,480 --> 00:50:20,120 Speaker 2: then again, UMG has had so many things on their 1127 00:50:20,200 --> 00:50:22,880 Speaker 2: jacket that they have not given a single funk about exactly. 1128 00:50:23,320 --> 00:50:25,120 Speaker 2: But this is this is we notice? Is this like 1129 00:50:25,160 --> 00:50:26,840 Speaker 2: Lucy might have walked in they called him a what 1130 00:50:27,000 --> 00:50:30,920 Speaker 2: a pedophile? If they called me that, I don't care. 1131 00:50:32,640 --> 00:50:36,799 Speaker 2: I mean they've been caught up in that whole before 1132 00:50:36,840 --> 00:50:40,000 Speaker 2: the Statute of Limitations? Did he was in it? Cos 1133 00:50:40,080 --> 00:50:43,840 Speaker 2: he was in it again Hm, UMG execs were in 1134 00:50:43,920 --> 00:50:46,560 Speaker 2: it too. This is nothing new. They've never really given 1135 00:50:46,560 --> 00:50:48,880 Speaker 2: a fuck about a moral standard. So I don't know 1136 00:50:48,880 --> 00:50:49,920 Speaker 2: if they care at all to end it. 1137 00:50:50,600 --> 00:50:52,839 Speaker 4: Nah, they definitely care to end it. I don't think 1138 00:50:52,840 --> 00:50:54,520 Speaker 4: that that's what that call was about. I think that 1139 00:50:54,640 --> 00:50:56,400 Speaker 4: that call was probably just a. 1140 00:50:57,239 --> 00:51:00,680 Speaker 2: Touch temperature check, where you gonna take it, what is going. 1141 00:51:00,560 --> 00:51:03,640 Speaker 4: What's happening. But I don't think that they're trying to 1142 00:51:03,719 --> 00:51:06,919 Speaker 4: intervene and stop because they feel like Drake is whatever 1143 00:51:06,920 --> 00:51:09,440 Speaker 4: they say, Drake is losing, so YUG jumped in to 1144 00:51:09,480 --> 00:51:11,320 Speaker 4: stop it. Like, I don't think that that's what happened. 1145 00:51:11,320 --> 00:51:14,280 Speaker 4: I think that these are both vested interests of YUG 1146 00:51:14,560 --> 00:51:16,800 Speaker 4: and they're just checking in on these artists. 1147 00:51:17,120 --> 00:51:21,680 Speaker 2: Is Drake compromise because he has even more invested interest 1148 00:51:21,719 --> 00:51:25,080 Speaker 2: with UMG. Let's say hypothetically, he finds real evidence, not 1149 00:51:25,280 --> 00:51:27,440 Speaker 2: just a chick from hard rock cafe talking about some 1150 00:51:27,520 --> 00:51:32,200 Speaker 2: Kendrick shit. He finds real evidence or real statements. Does 1151 00:51:32,280 --> 00:51:33,719 Speaker 2: he consult with UMG or just. 1152 00:51:33,719 --> 00:51:34,160 Speaker 4: Put it out? 1153 00:51:34,680 --> 00:51:34,799 Speaker 6: Now? 1154 00:51:34,880 --> 00:51:36,359 Speaker 5: He puts that out, you gotta put that shit out. 1155 00:51:37,640 --> 00:51:41,520 Speaker 2: Is that relationship because I'm sure Lucian and Drake are 1156 00:51:41,600 --> 00:51:44,759 Speaker 2: much closer than Kendrick and Lucian. We know it's a 1157 00:51:44,800 --> 00:51:48,640 Speaker 2: way different relationship there. Top probably has a better relationship 1158 00:51:48,640 --> 00:51:51,960 Speaker 2: with Lucian than Kendrick. I don't know if Drake does 1159 00:51:52,000 --> 00:51:55,840 Speaker 2: that right away. I really think he has to have 1160 00:51:56,000 --> 00:51:58,719 Speaker 2: some type of conversation with his partner. I think it's 1161 00:51:58,760 --> 00:51:59,960 Speaker 2: the opposite where it's. 1162 00:52:00,000 --> 00:52:00,479 Speaker 6: I think. 1163 00:52:02,160 --> 00:52:03,480 Speaker 4: Lucian hits him with the Jeweli in line. 1164 00:52:03,520 --> 00:52:09,400 Speaker 2: Come on, like, come on, it was just a distribute 1165 00:52:09,440 --> 00:52:10,160 Speaker 2: distribution deal. 1166 00:52:10,200 --> 00:52:12,120 Speaker 4: But come on, why would you put that out like 1167 00:52:12,280 --> 00:52:14,680 Speaker 4: that's I don't think Drake is hit. I'm talking about yo, 1168 00:52:14,719 --> 00:52:17,480 Speaker 4: I'm about to put this out and fucking you guys, 1169 00:52:17,800 --> 00:52:20,280 Speaker 4: he's gonna drop that ship and then the text messages 1170 00:52:20,280 --> 00:52:21,560 Speaker 4: and the emails will come in after that. 1171 00:52:21,760 --> 00:52:24,799 Speaker 2: Yeah, we'll get him some more therapy. We'll figure it out. 1172 00:52:26,160 --> 00:52:30,640 Speaker 3: Where it stands, I think Drake's dropping next. Do you 1173 00:52:30,680 --> 00:52:32,640 Speaker 3: guys have any thoughts on like what's to come in 1174 00:52:32,800 --> 00:52:35,080 Speaker 3: terms of like releases, I think. 1175 00:52:36,480 --> 00:52:39,319 Speaker 2: Similar to what well, I think, well, not to cut 1176 00:52:39,360 --> 00:52:40,480 Speaker 2: you over, to cut you off. 1177 00:52:41,000 --> 00:52:45,640 Speaker 4: I think that. I don't think Kendrick is dropping anything 1178 00:52:45,640 --> 00:52:47,400 Speaker 4: because not like us as what they're working right now. 1179 00:52:47,560 --> 00:52:49,719 Speaker 2: I think he's shooting the video. I think he has 1180 00:52:49,800 --> 00:52:52,200 Speaker 2: clips ready in case Drake drops, But but he's not. 1181 00:52:52,400 --> 00:52:54,560 Speaker 4: He's not releasing anything until I think he's ready. 1182 00:52:55,040 --> 00:52:57,640 Speaker 3: He doesn't need to drop because he's clearly up. So 1183 00:52:57,800 --> 00:52:58,919 Speaker 3: I think it's in Drake's court. 1184 00:52:59,000 --> 00:53:03,719 Speaker 2: Still, I don't think Drake is dumb enough to think 1185 00:53:03,800 --> 00:53:07,120 Speaker 2: one record could change this. I think he's recording multiple 1186 00:53:08,120 --> 00:53:09,719 Speaker 2: and he's gonna drop all those at the same time. 1187 00:53:10,200 --> 00:53:12,200 Speaker 2: I don't think Drake handles criticism well, which I think 1188 00:53:12,239 --> 00:53:14,960 Speaker 2: is why he's such a great artist. After For All 1189 00:53:14,960 --> 00:53:17,040 Speaker 2: the Dogs, he got a lot of flack, said I 1190 00:53:17,160 --> 00:53:20,520 Speaker 2: was done, walked back in, said, Noel, I'm not retired anymore. 1191 00:53:21,280 --> 00:53:25,239 Speaker 2: Here's seven more fucking conductor records. And guess what won 1192 00:53:25,320 --> 00:53:27,440 Speaker 2: me the fuck over Immediately I did not like for 1193 00:53:27,520 --> 00:53:30,680 Speaker 2: the Dog. For All the Dogs, that scary hour shit 1194 00:53:30,880 --> 00:53:33,279 Speaker 2: is incredible to me won me over, Like, all right, 1195 00:53:33,320 --> 00:53:36,120 Speaker 2: I was wrong, I'm sorry. Yeah, I think that's probably 1196 00:53:36,200 --> 00:53:38,080 Speaker 2: the only way. When I've been thinking about this the 1197 00:53:38,120 --> 00:53:40,640 Speaker 2: past few days when people weren't dropping, I was like, 1198 00:53:40,680 --> 00:53:43,759 Speaker 2: all right, Drake's probably recording three songs a day and 1199 00:53:43,840 --> 00:53:46,360 Speaker 2: he's gonna pick the best. However many of that and 1200 00:53:46,480 --> 00:53:50,840 Speaker 2: we are gonna get a whole package of records, and 1201 00:53:50,920 --> 00:53:52,440 Speaker 2: then Kendrick's gonna have to deal with that, and I 1202 00:53:52,480 --> 00:53:54,200 Speaker 2: think Drake is gonna have two just on the side, 1203 00:53:54,280 --> 00:53:57,319 Speaker 2: just in case. Yeah, one's gonna have a hit. 1204 00:53:57,520 --> 00:53:59,759 Speaker 4: Changing the cadence of the thing, of this whole thing. Yeah, 1205 00:53:59,760 --> 00:54:02,200 Speaker 4: I think is what Drake is is going to do next. 1206 00:54:02,360 --> 00:54:06,279 Speaker 4: Just change it. Like you said, focus on what he's 1207 00:54:06,320 --> 00:54:09,680 Speaker 4: doing when he's working. Fuck if Kendrick is putting out records, 1208 00:54:09,719 --> 00:54:12,480 Speaker 4: and when he's putting them out, you go in your 1209 00:54:12,520 --> 00:54:15,880 Speaker 4: in your bat cave, create your your your piece of 1210 00:54:16,280 --> 00:54:18,799 Speaker 4: art and give it to the people and you feel 1211 00:54:18,840 --> 00:54:20,200 Speaker 4: like it's done and you're ready to give. 1212 00:54:20,120 --> 00:54:22,440 Speaker 2: It to people before we move on. Because I know 1213 00:54:22,520 --> 00:54:25,320 Speaker 2: it's been almost an hour, but this is what the 1214 00:54:25,360 --> 00:54:26,000 Speaker 2: fuck is happening. 1215 00:54:26,280 --> 00:54:28,440 Speaker 5: Yeah, this is anyone's complaining. 1216 00:54:28,560 --> 00:54:30,160 Speaker 2: I wanted to uh, I wanted to bring up a 1217 00:54:30,200 --> 00:54:32,440 Speaker 2: theory last episode. I forgot, but I did tweet it. 1218 00:54:33,040 --> 00:54:37,120 Speaker 2: Do you think there is a world where the mole 1219 00:54:37,320 --> 00:54:42,720 Speaker 2: is actually the opposite and Drake was fed misinformation about 1220 00:54:43,680 --> 00:54:46,400 Speaker 2: the Dave Free and Whitney Kids situation? 1221 00:54:47,160 --> 00:54:50,800 Speaker 4: Mm hmmm, No, I think you got your aluminum for long. 1222 00:54:50,800 --> 00:54:55,080 Speaker 2: But no, because where does one find out that information. 1223 00:54:55,160 --> 00:54:58,280 Speaker 2: I'm speculating because I could see a world where somebody 1224 00:54:58,360 --> 00:55:01,880 Speaker 2: could feed that to Drake because it sounds like fucking ridiculous. 1225 00:55:03,280 --> 00:55:06,040 Speaker 4: Yeah, but what if this is something that he's known 1226 00:55:06,160 --> 00:55:08,520 Speaker 4: or heard for a few years true. I mean, I 1227 00:55:08,600 --> 00:55:10,759 Speaker 4: know everyone speaks with them and somebody said the mole 1228 00:55:10,920 --> 00:55:13,759 Speaker 4: three years ago. But I do think Drake, even though 1229 00:55:13,760 --> 00:55:16,120 Speaker 4: I've been giving him shit, is calculated and doesn't really 1230 00:55:16,200 --> 00:55:18,120 Speaker 4: move on shit unless he knows it to be a fact. 1231 00:55:18,239 --> 00:55:20,480 Speaker 4: I think he's proven that in his career and done 1232 00:55:20,640 --> 00:55:24,080 Speaker 4: very well at it. I think he would need more 1233 00:55:24,160 --> 00:55:26,919 Speaker 4: than just industry gossip to be like, yo, no, that's 1234 00:55:26,960 --> 00:55:28,960 Speaker 4: not the fact that he was sitting on that and 1235 00:55:29,040 --> 00:55:31,200 Speaker 4: that was his nuke and he thought it was going 1236 00:55:31,280 --> 00:55:33,759 Speaker 4: to go better than what it did. I feel like 1237 00:55:33,920 --> 00:55:37,600 Speaker 4: maybe a mutual friend could have confirmed that to Drake 1238 00:55:39,080 --> 00:55:41,560 Speaker 4: with the purpose to mislead him. I think that's part 1239 00:55:41,640 --> 00:55:45,319 Speaker 4: of why this whole the perception of who's up, who's 1240 00:55:45,400 --> 00:55:48,040 Speaker 4: winning or not right now is because I think Drake 1241 00:55:48,239 --> 00:55:50,919 Speaker 4: is operating off of that, like I'm not saying shit 1242 00:55:51,000 --> 00:55:51,520 Speaker 4: unless I know. 1243 00:55:51,520 --> 00:55:52,040 Speaker 5: It's a fact. 1244 00:55:52,920 --> 00:55:56,520 Speaker 2: Yeah, where in a rapt people don't even. 1245 00:55:56,400 --> 00:55:58,720 Speaker 4: Care about what the facts are. Yeah, it's just whatever 1246 00:56:00,040 --> 00:56:03,279 Speaker 4: they think sounds good or whatever. Sticks, whatever sticks, you know, 1247 00:56:03,600 --> 00:56:05,799 Speaker 4: people looking for a reason to like, yeah, fuck him, 1248 00:56:05,840 --> 00:56:08,239 Speaker 4: we never liked him anyway, whatever it is. I think 1249 00:56:08,320 --> 00:56:10,520 Speaker 4: that that's what matters more to Beef. I think that 1250 00:56:11,480 --> 00:56:15,520 Speaker 4: in a in a honorable but like maybe not so beneficially. 1251 00:56:16,120 --> 00:56:19,800 Speaker 4: I think Drake still was approaching this with integrity, like 1252 00:56:19,880 --> 00:56:20,640 Speaker 4: I'm not gonna. 1253 00:56:20,560 --> 00:56:22,879 Speaker 2: Shoot integrity with inter rapt battle with them. I'm gonna 1254 00:56:22,880 --> 00:56:24,280 Speaker 2: say some wild shit about you, but at least. 1255 00:56:24,120 --> 00:56:26,120 Speaker 4: It's true, but it's gonna be true. You're gonna say 1256 00:56:26,120 --> 00:56:28,320 Speaker 4: wild shit about me that's not true, but people are gonna, 1257 00:56:28,960 --> 00:56:31,040 Speaker 4: you know, sing to it and jump up and down 1258 00:56:31,080 --> 00:56:34,120 Speaker 4: to it. Okay, cool, whatever. That's where I think this is. 1259 00:56:34,200 --> 00:56:37,520 Speaker 4: I think that he had a little integrity, a little 1260 00:56:37,840 --> 00:56:40,200 Speaker 4: a little bit of more morals and saying I'm not 1261 00:56:40,280 --> 00:56:43,439 Speaker 4: gonna put something on somebody if I don't have enough 1262 00:56:43,560 --> 00:56:45,919 Speaker 4: to believe that this is one hundred percent truth. 1263 00:56:46,160 --> 00:56:48,200 Speaker 2: And I'm in the middle of that where I don't 1264 00:56:48,239 --> 00:56:50,319 Speaker 2: know who's telling the truth. I think both people need 1265 00:56:50,360 --> 00:56:52,560 Speaker 2: to prove it or both people don't. Like I don't 1266 00:56:52,600 --> 00:56:54,800 Speaker 2: know these people. I'm not gonna say one side is 1267 00:56:55,080 --> 00:56:56,920 Speaker 2: saying facts and one isn't. Because I really have no 1268 00:56:57,040 --> 00:56:59,160 Speaker 2: fucking idea. I'm on all right, this is sticking and 1269 00:56:59,200 --> 00:57:00,799 Speaker 2: this is not sticking. I really don't know, y'all. 1270 00:57:00,880 --> 00:57:01,040 Speaker 4: Yeah. 1271 00:57:01,640 --> 00:57:04,360 Speaker 3: And on the other end of that, one of Kendrick's 1272 00:57:04,640 --> 00:57:07,480 Speaker 3: friends from Compton, who's featured on to Pimp a Butterfly 1273 00:57:08,360 --> 00:57:11,080 Speaker 3: the album cover, did respond to your clip, Mall and 1274 00:57:11,200 --> 00:57:13,560 Speaker 3: say that not only confirmed that there's a daughter, but 1275 00:57:13,640 --> 00:57:15,880 Speaker 3: she just celebrated her birthday. They have photos of her, 1276 00:57:15,960 --> 00:57:18,000 Speaker 3: but they're worried for her safety to put any information 1277 00:57:18,080 --> 00:57:18,840 Speaker 3: about and about her. 1278 00:57:19,520 --> 00:57:23,000 Speaker 4: Wait what Yeah, somebody that was on Kendrick's album cover. 1279 00:57:23,200 --> 00:57:24,080 Speaker 1: I think it's Trew. 1280 00:57:24,360 --> 00:57:26,960 Speaker 2: No, they were talking to Trow. They were talking to 1281 00:57:27,040 --> 00:57:29,040 Speaker 2: he said Drake has a daughter. 1282 00:57:29,280 --> 00:57:32,560 Speaker 3: They're still they're tripling down. They're confirming that it's true, 1283 00:57:32,600 --> 00:57:34,280 Speaker 3: but it's more of like we don't want to put 1284 00:57:34,320 --> 00:57:35,880 Speaker 3: it out for a safety issue. 1285 00:57:35,960 --> 00:57:36,760 Speaker 2: Do you want to play the clip? 1286 00:57:37,560 --> 00:57:38,320 Speaker 5: Yeah, we can play it. 1287 00:57:39,200 --> 00:57:41,080 Speaker 3: There you go because they play Moss clip in it, 1288 00:57:42,800 --> 00:57:45,840 Speaker 3: So I'll skip, Mall and he's going for it. 1289 00:57:47,400 --> 00:57:51,640 Speaker 2: Runs being gains for years. You're not married yet, you living. 1290 00:57:51,400 --> 00:57:52,520 Speaker 3: In New York, She's not. 1291 00:57:54,480 --> 00:57:58,600 Speaker 4: Let's look real love your old daughter talking about. 1292 00:57:58,680 --> 00:58:00,360 Speaker 2: I really don't think this is craziest. You made it 1293 00:58:00,360 --> 00:58:07,920 Speaker 2: out to be a better is probably the best song 1294 00:58:08,040 --> 00:58:08,680 Speaker 2: is okay. 1295 00:58:08,560 --> 00:58:09,160 Speaker 1: No problem. 1296 00:58:13,240 --> 00:58:14,840 Speaker 6: See that's when we gotta get ahead. 1297 00:58:16,240 --> 00:58:17,120 Speaker 1: He said, you gotta get down. 1298 00:58:17,480 --> 00:58:21,960 Speaker 2: I don't think they was really being serious to the world. 1299 00:58:22,920 --> 00:58:25,000 Speaker 6: That girl just had a birthday. That saw all I'm 1300 00:58:25,000 --> 00:58:25,400 Speaker 6: gonna say. 1301 00:58:25,440 --> 00:58:29,440 Speaker 2: And that ain't her in the video. We know that already. 1302 00:58:29,920 --> 00:58:30,880 Speaker 4: He didn't break nothing with that. 1303 00:58:31,840 --> 00:58:33,560 Speaker 2: What's the video? 1304 00:58:33,800 --> 00:58:38,560 Speaker 1: Oh yeah, no, no, I think he's addressing like when 1305 00:58:38,600 --> 00:58:42,080 Speaker 1: you said that he had pictures of the little girl 1306 00:58:42,240 --> 00:58:44,720 Speaker 1: like trolling you in the video when it was like 1307 00:58:44,760 --> 00:58:46,440 Speaker 1: those pictures have been there for years. 1308 00:58:46,680 --> 00:58:49,320 Speaker 2: Yeah, I didn't want to cut you off because she 1309 00:58:49,400 --> 00:58:51,920 Speaker 2: was cooking, But that was debunked. Those those photos had 1310 00:58:51,960 --> 00:58:54,600 Speaker 2: been at that spot since twenty twenty one. That was 1311 00:58:54,760 --> 00:58:56,840 Speaker 2: so that wasn't like an easter egg of like that's 1312 00:58:56,880 --> 00:58:57,240 Speaker 2: the girl. 1313 00:58:57,440 --> 00:58:59,760 Speaker 4: Okay, but they're six thing corrected, But. 1314 00:59:00,160 --> 00:59:03,240 Speaker 2: They're suggesting that the girl does exist and she just 1315 00:59:03,280 --> 00:59:04,400 Speaker 2: had her eleventh birthdays. 1316 00:59:13,360 --> 00:59:15,520 Speaker 4: Do you ever realize that these are all California niggas? 1317 00:59:15,680 --> 00:59:18,200 Speaker 4: Of course it's back on fig they're supposed to look 1318 00:59:18,240 --> 00:59:19,800 Speaker 4: like he's supposed to. 1319 00:59:19,840 --> 00:59:23,240 Speaker 2: Direcord shout out to t roup, of course, but I 1320 00:59:23,280 --> 00:59:25,280 Speaker 2: mean they're they're close to TDE and are suggesting that 1321 00:59:26,080 --> 00:59:28,960 Speaker 2: that's not cap Like, no matter what Drake says, everybody 1322 00:59:29,400 --> 00:59:32,240 Speaker 2: is aware within that circle. And I'm not saying Kendrick 1323 00:59:32,240 --> 00:59:35,480 Speaker 2: couldn't be feeding people the same ship the same way. 1324 00:59:35,520 --> 00:59:39,000 Speaker 2: We've accused Drake of feeding the media with certain narratives. 1325 00:59:39,080 --> 00:59:40,600 Speaker 2: I think Kendrick's been doing it too. I think they've 1326 00:59:40,600 --> 00:59:44,840 Speaker 2: all been using bots. They could be feeding fig that information. 1327 00:59:44,920 --> 00:59:47,840 Speaker 2: I don't know, but they are suggesting that that is 1328 00:59:47,880 --> 00:59:50,800 Speaker 2: one percent true. I also just don't think it's just 1329 00:59:50,800 --> 00:59:52,840 Speaker 2: as crazy as everyone else, because I think a superstar 1330 00:59:52,880 --> 00:59:54,560 Speaker 2: could have an eleven year old kid he doesn't know about. 1331 00:59:56,320 --> 00:59:59,560 Speaker 3: I don't think so, especially when he already like it's 1332 00:59:59,640 --> 01:00:03,960 Speaker 3: not just the it's not just the bomb, it's like 1333 01:00:04,480 --> 01:00:07,240 Speaker 3: it comes with weight to it, Like he already did 1334 01:00:07,360 --> 01:00:10,080 Speaker 3: the route of hiding a kid, Like there's plausible, it 1335 01:00:10,320 --> 01:00:10,800 Speaker 3: makes sense. 1336 01:00:10,920 --> 01:00:12,800 Speaker 5: He didn't want why wouldn't do it again kid? 1337 01:00:12,840 --> 01:00:15,600 Speaker 4: Though he did, he did not know if that kid 1338 01:00:15,760 --> 01:00:18,480 Speaker 4: was his during that battle, Like I don't understand how 1339 01:00:18,560 --> 01:00:19,480 Speaker 4: y'all not comprehended. 1340 01:00:19,600 --> 01:00:21,560 Speaker 2: I think he knew in the middle of a paternity. 1341 01:00:21,200 --> 01:00:25,720 Speaker 5: Had bro what do you point matter. 1342 01:00:25,840 --> 01:00:27,520 Speaker 3: By the time we learned who a Donnas was, he 1343 01:00:27,680 --> 01:00:29,640 Speaker 3: was how like, why wouldn't this ev all been figured 1344 01:00:29,640 --> 01:00:30,920 Speaker 3: out long before then? 1345 01:00:31,000 --> 01:00:33,440 Speaker 5: Why did it all spark because Pusha t named like 1346 01:00:33,520 --> 01:00:34,160 Speaker 5: got some info. 1347 01:00:34,320 --> 01:00:35,040 Speaker 4: It didn't spark. 1348 01:00:35,160 --> 01:00:35,880 Speaker 2: It was going on. 1349 01:00:36,160 --> 01:00:37,600 Speaker 4: It was a it was a paternity who going on. 1350 01:00:37,680 --> 01:00:38,840 Speaker 4: He was trying to figure out if that was just 1351 01:00:38,920 --> 01:00:40,800 Speaker 4: kid or not. That was information that was given to 1352 01:00:40,840 --> 01:00:43,640 Speaker 4: a woman that had a relationship with Pusha as well. 1353 01:00:44,880 --> 01:00:47,160 Speaker 4: But he did not know definitively if that was his 1354 01:00:47,280 --> 01:00:50,440 Speaker 4: kid or not yet, Like, I just don't understand how 1355 01:00:50,480 --> 01:00:52,680 Speaker 4: people don't know that part of it, Like. 1356 01:00:53,800 --> 01:00:55,280 Speaker 2: I don't know the timing of that. I thought he 1357 01:00:55,360 --> 01:00:57,360 Speaker 2: knew at that point, but it was just not ready 1358 01:00:57,400 --> 01:00:59,360 Speaker 2: to tell everyone, which which would have been fine, Which 1359 01:00:59,360 --> 01:01:02,040 Speaker 2: would have been fine, And like fine, I said last 1360 01:01:02,080 --> 01:01:04,000 Speaker 2: episode he may know about this eleven year old it 1361 01:01:04,040 --> 01:01:06,200 Speaker 2: could be true, and had an agreement with that child's 1362 01:01:06,240 --> 01:01:07,800 Speaker 2: mother that this one is going to be hidden. I 1363 01:01:07,840 --> 01:01:09,880 Speaker 2: don't want anything to do with what the fuck is 1364 01:01:09,920 --> 01:01:11,080 Speaker 2: going on with your life right now? 1365 01:01:11,400 --> 01:01:14,560 Speaker 4: Yeah, I just I don't see that if you have 1366 01:01:14,640 --> 01:01:16,920 Speaker 4: a kid at this point, what does it matter if 1367 01:01:16,920 --> 01:01:17,680 Speaker 4: you have another kid? 1368 01:01:17,800 --> 01:01:21,000 Speaker 2: Because that mother or that side of the family could 1369 01:01:21,080 --> 01:01:24,200 Speaker 2: be like, Nah, be part of her life, but we 1370 01:01:24,320 --> 01:01:26,120 Speaker 2: don't want to be in the mix of this entire thing. 1371 01:01:26,480 --> 01:01:28,760 Speaker 2: We don't want to get caught up in this. Be 1372 01:01:28,880 --> 01:01:30,480 Speaker 2: in her life, but don't promote it. 1373 01:01:30,640 --> 01:01:32,240 Speaker 4: I just feel like this dude is too big of 1374 01:01:32,320 --> 01:01:34,320 Speaker 4: a star for people not to know if he really 1375 01:01:34,400 --> 01:01:36,240 Speaker 4: has a kid or that. I just don't see. I 1376 01:01:36,320 --> 01:01:40,080 Speaker 4: don't see you being able to hide that for eleven years, 1377 01:01:40,120 --> 01:01:41,400 Speaker 4: twelve years. I just don't see that. 1378 01:01:41,800 --> 01:01:44,640 Speaker 2: Bruce Jenner did it for as long as I can remember, 1379 01:01:44,800 --> 01:01:46,200 Speaker 2: I didn't even know he had a whole other family. 1380 01:01:47,160 --> 01:01:49,080 Speaker 4: Yeah, but you also not Bruce Jenna is not a 1381 01:01:49,160 --> 01:01:51,040 Speaker 4: fucking the star the size of either. 1382 01:01:51,120 --> 01:01:52,800 Speaker 2: He ran away from that family immediately. 1383 01:01:55,600 --> 01:01:57,240 Speaker 4: I see what I get it. 1384 01:01:57,760 --> 01:02:02,080 Speaker 2: I was probably like eight, I think I think Bruce 1385 01:02:02,080 --> 01:02:04,320 Speaker 2: said became Caitlyn. When I found out, I was like, oh, 1386 01:02:04,400 --> 01:02:05,960 Speaker 2: he has like seven other kids. 1387 01:02:07,400 --> 01:02:10,600 Speaker 3: About Brodie shout off to Brudy. And that's because like 1388 01:02:10,720 --> 01:02:13,760 Speaker 3: Eve put a camera in, you're part of this ship too. 1389 01:02:13,800 --> 01:02:14,760 Speaker 2: Putting shit together here. 1390 01:02:15,480 --> 01:02:17,440 Speaker 4: No we're not putting it together. 1391 01:02:17,560 --> 01:02:21,720 Speaker 2: No, you're not seeing them no, Okay, But I just 1392 01:02:21,760 --> 01:02:24,000 Speaker 2: think that right down the street from Kyle Brake has 1393 01:02:24,000 --> 01:02:24,919 Speaker 2: a twelve year old daughter. 1394 01:02:26,520 --> 01:02:28,280 Speaker 4: Well, I just I just don't know. I don't see that. 1395 01:02:28,400 --> 01:02:30,560 Speaker 4: I don't see that being real. I've seen no star 1396 01:02:30,680 --> 01:02:33,000 Speaker 4: that big being able to hide a kid for twelve years. 1397 01:02:33,000 --> 01:02:33,480 Speaker 4: I don't see that. 1398 01:02:35,320 --> 01:02:35,360 Speaker 6: What. 1399 01:02:36,480 --> 01:02:38,240 Speaker 4: I just don't see it, especially when you already have 1400 01:02:38,360 --> 01:02:39,920 Speaker 4: one that people thought you was hiding. You think they 1401 01:02:39,920 --> 01:02:41,400 Speaker 4: wouldn't have been found that other one by. 1402 01:02:41,400 --> 01:02:45,160 Speaker 2: Now, okay, let's let's go off the rumors of Hove 1403 01:02:45,280 --> 01:02:46,959 Speaker 2: paying certain people to just keep. 1404 01:02:46,880 --> 01:02:49,000 Speaker 4: It on the wraps my rumors and ship. I just 1405 01:02:49,520 --> 01:02:52,560 Speaker 4: it's not the National Inquirer, Bro, I'm not quitt entertained 1406 01:02:52,640 --> 01:02:55,200 Speaker 4: gossip and shipped on fucking random blogs. 1407 01:02:55,240 --> 01:02:58,120 Speaker 2: Bro, that's not real. But what if the kid looks 1408 01:02:58,280 --> 01:03:00,480 Speaker 2: just like and it's from like the sameighborhood. 1409 01:03:01,720 --> 01:03:03,960 Speaker 4: I can't m'tain shit like that, Bro. I don't read 1410 01:03:03,960 --> 01:03:05,959 Speaker 4: the National Acquirement I don't. 1411 01:03:05,960 --> 01:03:07,560 Speaker 2: I don't know if that was in the inquire per se, 1412 01:03:07,680 --> 01:03:09,360 Speaker 2: but what maybe page six. 1413 01:03:09,720 --> 01:03:11,479 Speaker 4: Definitely an empire page six? 1414 01:03:17,000 --> 01:03:21,360 Speaker 2: All right, Well, the future remains to be seen. Bad segue, terrible, 1415 01:03:21,960 --> 01:03:23,480 Speaker 2: But I mean we're looking forward to see what happens 1416 01:03:23,520 --> 01:03:25,720 Speaker 2: with the Drake and Kendrick thing. But then we're moving 1417 01:03:25,720 --> 01:03:27,680 Speaker 2: on to Future and Gunner. So I was doing a 1418 01:03:27,760 --> 01:03:28,320 Speaker 2: news segue. 1419 01:03:28,360 --> 01:03:29,200 Speaker 4: I got the future. 1420 01:03:29,680 --> 01:03:31,960 Speaker 2: I got it when sch everyone over your head, No no, wait, 1421 01:03:32,040 --> 01:03:34,360 Speaker 2: everyone's been breaking down lyrics. I wasn't sure. I don't 1422 01:03:34,400 --> 01:03:36,120 Speaker 2: need it. You don't need a rob marketing for this one. 1423 01:03:36,280 --> 01:03:40,720 Speaker 5: There was a gun at Drake's house, but. 1424 01:03:40,800 --> 01:03:42,840 Speaker 4: You said, na see. I thought it was all right. 1425 01:03:47,400 --> 01:03:50,600 Speaker 2: Anyways, Future and Gunnar are going back and forth. Oh god, 1426 01:03:51,200 --> 01:03:53,960 Speaker 2: how did this start? This is not my expertise, so 1427 01:03:54,200 --> 01:03:55,720 Speaker 2: I'm coming in here without information. 1428 01:03:55,800 --> 01:04:00,120 Speaker 4: This is what happens when you know beef is going on, 1429 01:04:00,360 --> 01:04:02,720 Speaker 4: or like you know, battle is happening. Then you get 1430 01:04:02,760 --> 01:04:04,400 Speaker 4: people in the crowd that's be like yo, but what 1431 01:04:04,520 --> 01:04:06,600 Speaker 4: he laughing and he laughing too hard. Yeah, it's that 1432 01:04:06,760 --> 01:04:07,240 Speaker 4: type of ship. 1433 01:04:07,280 --> 01:04:07,480 Speaker 6: This is that. 1434 01:04:07,560 --> 01:04:10,080 Speaker 2: Don't insert myself into this, which, by the way, side 1435 01:04:10,080 --> 01:04:11,400 Speaker 2: note we have to talk about I do want to 1436 01:04:11,400 --> 01:04:13,800 Speaker 2: see a game and Ross go back and forth, but 1437 01:04:14,000 --> 01:04:16,480 Speaker 2: neither here nor there. I do on records. We predicted 1438 01:04:16,520 --> 01:04:19,760 Speaker 2: that years and years and years ago. Yeah, I don't know, 1439 01:04:19,840 --> 01:04:22,520 Speaker 2: and we can finally settle our dispute. I don't know 1440 01:04:22,600 --> 01:04:26,160 Speaker 2: if we game game is gonna tear him up. And 1441 01:04:26,240 --> 01:04:31,280 Speaker 2: I love Ross, but yeah, I would uh, Game different, bro, 1442 01:04:31,960 --> 01:04:35,280 Speaker 2: and the Ross can make better music. I'm not arguing that. Yeah, 1443 01:04:35,960 --> 01:04:39,360 Speaker 2: but that's a different arena. Game is gonna tear Ross apart. 1444 01:04:39,840 --> 01:04:44,280 Speaker 2: You see, Ross has been quiet. He'll be loud with Drake, 1445 01:04:44,320 --> 01:04:47,919 Speaker 2: but with Game now Ross Ross is old enough. 1446 01:04:49,320 --> 01:04:52,720 Speaker 4: I want to see that, you guys think so, just 1447 01:04:52,760 --> 01:04:54,720 Speaker 4: so we could get some some some game records with 1448 01:04:54,800 --> 01:04:55,480 Speaker 4: that energy on it. 1449 01:04:55,600 --> 01:04:58,280 Speaker 2: You guys think Kendrick dropping four songs in two days, 1450 01:04:58,760 --> 01:04:59,320 Speaker 2: what's crazy? 1451 01:04:59,440 --> 01:04:59,640 Speaker 4: Yeah? 1452 01:05:00,440 --> 01:05:03,000 Speaker 2: Game is going to drop fifty records in one day. 1453 01:05:03,120 --> 01:05:03,320 Speaker 6: Yeah. 1454 01:05:03,960 --> 01:05:06,840 Speaker 2: He's been writing about Ross his whole career, his whole life. 1455 01:05:09,400 --> 01:05:12,680 Speaker 2: So I actually hope to see that one manifest itself 1456 01:05:13,080 --> 01:05:13,520 Speaker 2: on record. 1457 01:05:13,560 --> 01:05:15,840 Speaker 4: It'll be good to get some game, some game records. 1458 01:05:16,200 --> 01:05:18,840 Speaker 2: And listen Game. This is people for no reason. If 1459 01:05:18,880 --> 01:05:20,680 Speaker 2: he has a reason, it's going to go left. 1460 01:05:20,840 --> 01:05:21,040 Speaker 4: Yeah. 1461 01:05:22,360 --> 01:05:25,320 Speaker 2: Anyways, though, can someone inform me about this gun in 1462 01:05:25,400 --> 01:05:28,280 Speaker 2: future thing? This is not my wheelhouse? What I thought 1463 01:05:28,320 --> 01:05:31,720 Speaker 2: they were friends. I thought Atlanta was. Kendrick said Atlanta's altogether. 1464 01:05:33,120 --> 01:05:34,800 Speaker 2: He said that they're all there for to just take 1465 01:05:34,840 --> 01:05:35,200 Speaker 2: the sauce. 1466 01:05:35,360 --> 01:05:37,160 Speaker 4: Yeah I didn't. I didn't know what this U. I 1467 01:05:37,200 --> 01:05:39,400 Speaker 4: didn't know about this until Julian walked in. 1468 01:05:39,560 --> 01:05:42,080 Speaker 3: This is like residual falling out from the Thug trial, 1469 01:05:42,360 --> 01:05:44,520 Speaker 3: and I think Our Future is caught up and feels 1470 01:05:44,560 --> 01:05:48,600 Speaker 3: a way about Gunna being out while Thug remains in 1471 01:05:48,680 --> 01:05:49,560 Speaker 3: this situation. 1472 01:05:49,720 --> 01:05:52,120 Speaker 5: I think there's still some division amongst that whole crew. 1473 01:05:52,480 --> 01:05:55,040 Speaker 2: Why didn't he just say that before them? Because he 1474 01:05:55,080 --> 01:05:56,640 Speaker 2: has a mixtape coming out and Gunn has an album, 1475 01:05:56,640 --> 01:05:58,240 Speaker 2: he's gonna say, why didn't you say it before? 1476 01:05:58,880 --> 01:05:59,920 Speaker 4: And they're both dropping to. 1477 01:06:00,120 --> 01:06:03,720 Speaker 1: Night's even pr Yeah, yeah, to me. 1478 01:06:04,840 --> 01:06:05,960 Speaker 4: They're both dropping tonight. 1479 01:06:06,440 --> 01:06:10,600 Speaker 2: They're probably friends. This is probably nothing. So Gunn is 1480 01:06:10,640 --> 01:06:14,200 Speaker 2: fine with all the Thug is inside jokes and was 1481 01:06:14,240 --> 01:06:16,320 Speaker 2: like Future just say something, I'll say something back. I 1482 01:06:16,360 --> 01:06:18,240 Speaker 2: think this is behind the scenes bullshit. 1483 01:06:19,120 --> 01:06:23,720 Speaker 4: I mean, I wouldn't say bullshit, but it's not gonna 1484 01:06:23,800 --> 01:06:24,640 Speaker 4: hurt the situation. 1485 01:06:25,680 --> 01:06:29,880 Speaker 2: Yeah, I think they are in kahots as the Whites 1486 01:06:29,880 --> 01:06:30,280 Speaker 2: would say. 1487 01:06:30,480 --> 01:06:33,480 Speaker 4: I don't know about cahoots because I don't think Future 1488 01:06:33,520 --> 01:06:36,240 Speaker 4: Future doesn't need that, not right now. 1489 01:06:37,120 --> 01:06:39,360 Speaker 2: Nor it is Gunna. But I think they're both a 1490 01:06:39,400 --> 01:06:42,439 Speaker 2: little worried if these were the release dates, what they're 1491 01:06:42,520 --> 01:06:45,200 Speaker 2: have to have to deal with the fact that they're 1492 01:06:45,240 --> 01:06:48,440 Speaker 2: dropping music right now. Is brave of them with not 1493 01:06:48,560 --> 01:06:51,960 Speaker 2: knowing what's about to happen between Drake and Kendrick. I 1494 01:06:52,000 --> 01:06:54,200 Speaker 2: wouldn't drop an R and B song right now. I 1495 01:06:54,240 --> 01:06:56,920 Speaker 2: wouldn't drop shit. Taylor is shook right now. 1496 01:06:57,600 --> 01:06:58,600 Speaker 5: Damn she's still number one. 1497 01:06:58,800 --> 01:07:01,320 Speaker 4: Yeah, she's not losing no sleep over this shit. 1498 01:07:01,560 --> 01:07:04,240 Speaker 2: Taylor Swift would have definitely moved her album release if 1499 01:07:04,280 --> 01:07:06,120 Speaker 2: it was happening this Friday. 1500 01:07:07,400 --> 01:07:09,520 Speaker 4: Nah, why she would have moved it? 1501 01:07:10,120 --> 01:07:11,880 Speaker 2: I think this is pretty fucking big. With Kendrick and 1502 01:07:12,000 --> 01:07:14,680 Speaker 2: Drake going back and forth. I think this is the 1503 01:07:14,800 --> 01:07:16,960 Speaker 2: only thing that could ever get If Taylor. 1504 01:07:16,760 --> 01:07:18,640 Speaker 4: Had some woman out tonight, you think she would move it. 1505 01:07:19,000 --> 01:07:20,520 Speaker 2: I think she would have been moved it if they 1506 01:07:20,600 --> 01:07:22,000 Speaker 2: had that on the calendar before we knew. 1507 01:07:22,120 --> 01:07:23,920 Speaker 3: Didn't her album come out the same day as Futures 1508 01:07:24,080 --> 01:07:26,720 Speaker 3: and Metros that started this whole thing? 1509 01:07:27,200 --> 01:07:27,640 Speaker 5: Pretty sure? 1510 01:07:28,000 --> 01:07:29,120 Speaker 2: Well, what point would that be? 1511 01:07:29,440 --> 01:07:31,520 Speaker 4: No, I'm just saying I don't think it was the 1512 01:07:31,560 --> 01:07:33,240 Speaker 4: same day now. I don't think even if it was, 1513 01:07:33,520 --> 01:07:35,720 Speaker 4: who cares. I'm saying two different audiences. 1514 01:07:36,400 --> 01:07:39,320 Speaker 2: If Taylor had this date and had not announced it, 1515 01:07:39,680 --> 01:07:42,480 Speaker 2: I think she would step back for a second. 1516 01:07:43,120 --> 01:07:45,800 Speaker 4: It's a lot going on, I don't think so. I 1517 01:07:45,840 --> 01:07:49,080 Speaker 4: don't think her audiences at all impacted by what's going on. 1518 01:07:49,520 --> 01:07:53,080 Speaker 5: Well, looking at Gunna's track list, we have what do 1519 01:07:53,160 --> 01:07:53,480 Speaker 5: we have here? 1520 01:07:53,560 --> 01:07:56,520 Speaker 3: Twenty records, a couple of features, few features, one from 1521 01:07:56,560 --> 01:07:59,360 Speaker 3: Offset and then Leon Bridges in a Roddy Rich feature. 1522 01:08:00,200 --> 01:08:02,400 Speaker 3: Roddy Rich features out in Normani as well. 1523 01:08:06,120 --> 01:08:07,320 Speaker 1: I missed him me too. 1524 01:08:07,440 --> 01:08:09,920 Speaker 2: I like Roddy, but he just had a few duds. 1525 01:08:11,080 --> 01:08:13,600 Speaker 2: And I don't mean that disrespectfully. He said they were duds. 1526 01:08:14,000 --> 01:08:16,640 Speaker 2: I've been waiting for some new Roddy music. I think 1527 01:08:16,680 --> 01:08:19,040 Speaker 2: it's possible to put out a dud and still be great. 1528 01:08:19,720 --> 01:08:21,840 Speaker 2: H So I'm excited to hear that the Roddy joint. 1529 01:08:21,960 --> 01:08:24,960 Speaker 1: It's also hard to when your debut album is that 1530 01:08:25,240 --> 01:08:27,479 Speaker 1: good with that many hits, it's hard to top it. 1531 01:08:27,960 --> 01:08:30,600 Speaker 2: I mean the second one just fell flat, like it 1532 01:08:31,000 --> 01:08:33,320 Speaker 2: just wasn't good, which he said in an interview. I'm 1533 01:08:33,360 --> 01:08:36,120 Speaker 2: glad he took this time to just step aside and 1534 01:08:36,200 --> 01:08:39,599 Speaker 2: make people miss him. But Gunna coming back this quick 1535 01:08:39,760 --> 01:08:43,160 Speaker 2: is it's kind of crazy interesting. Yeah, just say the least. 1536 01:08:43,200 --> 01:08:45,120 Speaker 2: I mean, I'm sure he was just a mixtape though, right, 1537 01:08:45,400 --> 01:08:50,200 Speaker 2: No Future Huguers put out fucking three three albums in 1538 01:08:50,280 --> 01:08:53,559 Speaker 2: two months. Yeah, he's cooking, But he's one of those 1539 01:08:53,600 --> 01:08:55,519 Speaker 2: that I think has a thousand records on his hard 1540 01:08:55,600 --> 01:08:57,360 Speaker 2: drive that he forgot about and then one night they 1541 01:08:57,400 --> 01:08:59,080 Speaker 2: plug it in and we're like, oh, we should put 1542 01:08:59,120 --> 01:08:59,360 Speaker 2: this out. 1543 01:08:59,439 --> 01:09:00,960 Speaker 4: Yeah, let's just let's just empty this out. 1544 01:09:01,080 --> 01:09:04,559 Speaker 2: Yeah, so I think a mixtape makes sense. I think 1545 01:09:04,640 --> 01:09:07,280 Speaker 2: doing the second joint with Metro was also clearing out 1546 01:09:07,479 --> 01:09:09,160 Speaker 2: what they had. Let's just get the rest of the 1547 01:09:09,200 --> 01:09:10,479 Speaker 2: shit out the way. 1548 01:09:10,680 --> 01:09:10,920 Speaker 6: Yeah. 1549 01:09:11,280 --> 01:09:13,720 Speaker 2: So I don't know. I mean, not really mine my thing, 1550 01:09:13,800 --> 01:09:14,479 Speaker 2: but I'm going to listen. 1551 01:09:14,800 --> 01:09:17,400 Speaker 3: I do think it's safe to say at some point 1552 01:09:17,479 --> 01:09:20,640 Speaker 3: there will be some shots directed Drake's way from the 1553 01:09:20,720 --> 01:09:21,600 Speaker 3: Future mixtape. 1554 01:09:22,680 --> 01:09:25,559 Speaker 2: I don't know, because I feel like what Drake said 1555 01:09:25,640 --> 01:09:29,280 Speaker 2: on Family Matters deaded their beef. I don't think I 1556 01:09:29,320 --> 01:09:31,439 Speaker 2: think we're going to get Future in Drake music soon. 1557 01:09:32,560 --> 01:09:34,519 Speaker 2: He said on the Look, We've never had a real issue. 1558 01:09:34,600 --> 01:09:37,320 Speaker 2: It was someone else in his ear, and we know 1559 01:09:37,439 --> 01:09:39,240 Speaker 2: Drake to be very petty, so I feel like they 1560 01:09:39,280 --> 01:09:41,599 Speaker 2: had a full conversation on the phone already in him 1561 01:09:41,760 --> 01:09:43,000 Speaker 2: and Future are in a great place. 1562 01:09:43,320 --> 01:09:44,840 Speaker 4: Yeah, I mean that was the one person through this 1563 01:09:44,920 --> 01:09:46,920 Speaker 4: all that I always said. It seems like the door 1564 01:09:46,920 --> 01:09:48,800 Speaker 4: and the opportunity are still open for them to still 1565 01:09:48,840 --> 01:09:51,120 Speaker 4: work together future. 1566 01:09:51,520 --> 01:09:53,880 Speaker 2: Sorry for going back to Kendrick, but since we're on 1567 01:09:53,960 --> 01:09:57,200 Speaker 2: Atlanta artists and speaking not like us, do you think 1568 01:09:57,240 --> 01:09:59,280 Speaker 2: any Atlanta artists took that offensively? 1569 01:10:00,600 --> 01:10:01,920 Speaker 4: Took what offensively when he was. 1570 01:10:01,920 --> 01:10:04,560 Speaker 2: Trying to break down that Drake goes to Atlanta to 1571 01:10:04,640 --> 01:10:07,040 Speaker 2: just grab from the culture and take it back. Do 1572 01:10:07,120 --> 01:10:09,920 Speaker 2: you think anyone from Atlanta would take that offensively? Like 1573 01:10:10,479 --> 01:10:12,880 Speaker 2: you think we just let Drake come down here and 1574 01:10:13,120 --> 01:10:16,680 Speaker 2: steal our sauce and then leave. Even was like yo, 1575 01:10:16,920 --> 01:10:18,479 Speaker 2: two Chains knows it, but he won't say it. Like, 1576 01:10:19,160 --> 01:10:21,439 Speaker 2: if I'm an Atlanta artist, I could see how someone 1577 01:10:21,479 --> 01:10:24,120 Speaker 2: could get offended at that. You're saying, Drake just came 1578 01:10:24,160 --> 01:10:26,040 Speaker 2: down here and robbed us and then left, and we 1579 01:10:26,120 --> 01:10:27,400 Speaker 2: just sitting here like, no, we like Drake. 1580 01:10:28,439 --> 01:10:30,680 Speaker 4: It's because it wasn't true. It's not what he did. 1581 01:10:30,800 --> 01:10:34,080 Speaker 2: But I'm saying, as an Atlanta artist, I could see 1582 01:10:34,080 --> 01:10:36,200 Speaker 2: someone shooting back of Kendrick, the fuck are you talking about? 1583 01:10:36,240 --> 01:10:37,200 Speaker 2: We didn't let him do anything. 1584 01:10:37,840 --> 01:10:39,880 Speaker 4: Nah, I'm not shooting back because of that. I don't 1585 01:10:39,880 --> 01:10:42,160 Speaker 4: think that's that warrants you to shoot back because you 1586 01:10:42,240 --> 01:10:44,639 Speaker 4: didn't like that in line, Like I mean, you could 1587 01:10:44,680 --> 01:10:47,479 Speaker 4: say something getting a booth and make a record based 1588 01:10:47,479 --> 01:10:49,599 Speaker 4: around that. That's just like, all right now somebody else 1589 01:10:49,600 --> 01:10:51,160 Speaker 4: wants to jump in on this shit, and it's just 1590 01:10:51,840 --> 01:10:54,120 Speaker 4: that's when I'm off it. At that point, I'm just like, 1591 01:10:54,200 --> 01:10:55,960 Speaker 4: once that starts happening, I'm cool. 1592 01:10:56,080 --> 01:10:58,320 Speaker 2: I think Kendrick got lucky on how that was perceived 1593 01:10:58,320 --> 01:11:00,479 Speaker 2: because he had the momentum and because it was Drake 1594 01:11:00,560 --> 01:11:02,679 Speaker 2: and everyone couldn't wait to call him a culture vulture. 1595 01:11:03,439 --> 01:11:06,840 Speaker 2: That could have went another way, knowing Atlanta and the 1596 01:11:06,920 --> 01:11:10,160 Speaker 2: pride that they have that they is well fucking deserved 1597 01:11:10,320 --> 01:11:12,880 Speaker 2: the Atlanta pride to say, some Canadian came down here, 1598 01:11:13,000 --> 01:11:15,000 Speaker 2: stole our sauce and left it like what you're trying 1599 01:11:15,000 --> 01:11:18,120 Speaker 2: to say about us? Yeah, that scheme could have went 1600 01:11:18,400 --> 01:11:19,840 Speaker 2: the way to sit back and watch that. Yeah, like 1601 01:11:19,880 --> 01:11:21,639 Speaker 2: what the fuck? Atlanta would never let that happen. 1602 01:11:21,840 --> 01:11:24,120 Speaker 4: Yeah. No, So I don't know, which is why that 1603 01:11:24,240 --> 01:11:26,040 Speaker 4: was just crazy to begin with. But I get this 1604 01:11:26,120 --> 01:11:27,640 Speaker 4: about him say say whatever, fuck it. 1605 01:11:27,720 --> 01:11:30,080 Speaker 2: Well, either way, the gun of Future beef is not 1606 01:11:30,120 --> 01:11:32,200 Speaker 2: one I'm really looking towards now. 1607 01:11:32,280 --> 01:11:34,120 Speaker 4: Hold on now because when it was gun and Thugs 1608 01:11:34,160 --> 01:11:37,439 Speaker 4: album coming out around the same time, we see where 1609 01:11:37,439 --> 01:11:40,879 Speaker 4: everybody stood on on on which side was the better project? 1610 01:11:42,120 --> 01:11:44,799 Speaker 4: Who do you think we had a better project? Future 1611 01:11:45,600 --> 01:11:46,280 Speaker 4: or Gunner. 1612 01:11:46,160 --> 01:11:50,000 Speaker 2: Gunn again, because I think it's clearing the hard drive 1613 01:11:50,080 --> 01:11:54,080 Speaker 2: out after the last two metro albums. I don't think 1614 01:11:54,080 --> 01:11:56,160 Speaker 2: it's a fair comparison. I think it's gonna be a 1615 01:11:56,160 --> 01:11:58,240 Speaker 2: lot of throwaway joints on this Future mixtape and Gunna, 1616 01:11:58,240 --> 01:12:00,600 Speaker 2: I think put together an album, So I'm gonna go 1617 01:12:00,640 --> 01:12:01,960 Speaker 2: with gun I just don't think it's a fair fight. 1618 01:12:03,600 --> 01:12:04,839 Speaker 4: I don't know, man, Future. 1619 01:12:05,000 --> 01:12:08,400 Speaker 2: I like Gunn's last album was fire, No it was, 1620 01:12:08,680 --> 01:12:10,920 Speaker 2: But I mean, you think he's coming back this quick 1621 01:12:10,960 --> 01:12:11,519 Speaker 2: with some bullshit. 1622 01:12:11,600 --> 01:12:13,840 Speaker 4: I think when Future has the opportunity to just make 1623 01:12:13,920 --> 01:12:18,000 Speaker 4: a mixtape and like just let records go and there's 1624 01:12:18,080 --> 01:12:21,920 Speaker 4: no like, I mean, it's still a direction, it's still 1625 01:12:22,040 --> 01:12:25,240 Speaker 4: like you know, but it's not so overthought. It's just 1626 01:12:25,400 --> 01:12:29,519 Speaker 4: like joints here. Yeah, I think that's tough to that's 1627 01:12:29,560 --> 01:12:31,280 Speaker 4: tough to beat when you talk about just a mixtape 1628 01:12:31,360 --> 01:12:34,759 Speaker 4: of Future records that he just put together. 1629 01:12:35,320 --> 01:12:39,120 Speaker 2: Nah, does one of one have the producers yet? On Wikipedia? 1630 01:12:40,320 --> 01:12:42,519 Speaker 2: Because Maul had a very interesting point at the beginning 1631 01:12:42,560 --> 01:12:44,360 Speaker 2: of this entire thing when Gunner came out. We saw 1632 01:12:44,439 --> 01:12:48,599 Speaker 2: that that clip and Maul had said, Yo, I don't 1633 01:12:48,600 --> 01:12:50,280 Speaker 2: know who in Atlanta is gonna work with him, like 1634 01:12:50,439 --> 01:12:52,679 Speaker 2: fuck with the public things. Is he gonna get features 1635 01:12:52,720 --> 01:12:54,919 Speaker 2: from people in Atlanta? Is he gonna work with Atlanta producers? 1636 01:12:55,080 --> 01:12:55,280 Speaker 4: Yeah? 1637 01:12:55,760 --> 01:12:59,000 Speaker 2: Now that A Gift and a Curse went crazy, he 1638 01:12:59,040 --> 01:13:01,679 Speaker 2: had a number one record, seems like people are starting 1639 01:13:01,720 --> 01:13:02,599 Speaker 2: to like Gunnarmore. 1640 01:13:03,240 --> 01:13:06,640 Speaker 4: You just want to eat man niggas, so get that 1641 01:13:06,760 --> 01:13:08,559 Speaker 4: beat shit. But it's like your fam we could bust 1642 01:13:08,640 --> 01:13:10,519 Speaker 4: a bag together, nigga. I don't care about none of that. 1643 01:13:10,640 --> 01:13:12,800 Speaker 2: I see Normani, I see Leon Bridges, I see where 1644 01:13:12,800 --> 01:13:15,479 Speaker 2: he's trying to go with different sounds. But who's the 1645 01:13:15,560 --> 01:13:16,200 Speaker 2: producers on? 1646 01:13:16,600 --> 01:13:20,519 Speaker 3: Yeah, on the next one, well we only it doesn't 1647 01:13:20,520 --> 01:13:23,280 Speaker 3: say on the next one, but on his return, Turbo 1648 01:13:23,479 --> 01:13:26,040 Speaker 3: was definitely it seemed to be the most involved with 1649 01:13:26,520 --> 01:13:28,800 Speaker 3: these records. So and he looks like he's on at 1650 01:13:28,880 --> 01:13:31,280 Speaker 3: least the single one of the singles that came out 1651 01:13:31,320 --> 01:13:33,360 Speaker 3: for this upcoming one. But to your point, with a 1652 01:13:33,439 --> 01:13:36,280 Speaker 3: quick turnaround, This album, A Gift in the Curse came 1653 01:13:36,320 --> 01:13:39,200 Speaker 3: out June sixteenth last year, so not even a year. 1654 01:13:39,280 --> 01:13:40,520 Speaker 5: We're getting another album. 1655 01:13:41,040 --> 01:13:43,880 Speaker 2: And one that connected. Usually people do that when shit 1656 01:13:43,960 --> 01:13:47,720 Speaker 2: doesn't connect, right, So I'm looking forward to it. 1657 01:13:47,920 --> 01:13:50,240 Speaker 4: I like Gunna. I mean, you know, it remains to 1658 01:13:50,320 --> 01:13:52,240 Speaker 4: be seen if we got to completely do away with him. 1659 01:13:52,840 --> 01:13:54,559 Speaker 2: He made Demerius cry at the Barclay Center. 1660 01:13:55,160 --> 01:13:56,920 Speaker 4: That was cry what happened? 1661 01:13:57,000 --> 01:13:58,240 Speaker 2: Oh no, you said someone was crying? 1662 01:13:58,600 --> 01:14:02,720 Speaker 1: Well, like, like, get your narratives, bro, we record this. 1663 01:14:02,840 --> 01:14:04,519 Speaker 2: Didn't you say you were crying or someone. 1664 01:14:04,400 --> 01:14:05,880 Speaker 5: Was said you said it shed a tear? 1665 01:14:07,200 --> 01:14:07,360 Speaker 2: Oh? 1666 01:14:07,439 --> 01:14:08,000 Speaker 1: I think I did. 1667 01:14:08,520 --> 01:14:09,479 Speaker 2: I'm not making it up. 1668 01:14:09,560 --> 01:14:12,280 Speaker 1: I think I might have said I was emotional like 1669 01:14:12,600 --> 01:14:16,439 Speaker 1: seeing his return and everybody like excepting go like that. Possibly, 1670 01:14:16,520 --> 01:14:21,200 Speaker 1: I don't know. I'm open to being wrong, but it 1671 01:14:21,320 --> 01:14:21,960 Speaker 1: was a good show. 1672 01:14:22,160 --> 01:14:22,400 Speaker 5: Crying. 1673 01:14:22,880 --> 01:14:28,000 Speaker 4: Mean, it's crazy, that's like this, this person needs some therapy. 1674 01:14:28,680 --> 01:14:31,040 Speaker 4: You're crying to funk. You mean, it's like, what's going on? 1675 01:14:31,280 --> 01:14:32,280 Speaker 2: I mean, but what do you mean? 1676 01:14:32,560 --> 01:14:33,400 Speaker 4: But like, what's going on? 1677 01:14:34,120 --> 01:14:34,400 Speaker 1: Asked? 1678 01:14:34,920 --> 01:14:35,840 Speaker 4: What's going on in the house? 1679 01:14:36,439 --> 01:14:40,160 Speaker 2: I was gonna say, I mean, that is the the 1680 01:14:40,400 --> 01:14:42,160 Speaker 2: entire point of therapy. 1681 01:14:42,240 --> 01:14:42,800 Speaker 3: What do you mean? 1682 01:14:43,880 --> 01:14:49,439 Speaker 2: And sometimes it's fucking mean. Yeah it is a therapist. Yeah, yeah, 1683 01:14:49,520 --> 01:14:49,920 Speaker 2: I get it. 1684 01:14:51,760 --> 01:14:51,920 Speaker 4: Done. 1685 01:14:51,960 --> 01:14:55,920 Speaker 2: This show is fucking creepy, like what you could have 1686 01:14:55,960 --> 01:14:56,400 Speaker 2: stayed home. 1687 01:14:57,800 --> 01:14:59,400 Speaker 4: No, that's the people that need to be like crying, 1688 01:14:59,520 --> 01:15:01,800 Speaker 4: ship out in the crib and the shower somewhere. But like, 1689 01:15:01,880 --> 01:15:05,160 Speaker 4: don't come to the Barclays with the cries. Oh please, Gunner, 1690 01:15:05,240 --> 01:15:05,960 Speaker 4: come on, man. 1691 01:15:07,640 --> 01:15:10,080 Speaker 2: You definitely cried when Osquino came out one time. 1692 01:15:10,880 --> 01:15:11,320 Speaker 5: One time. 1693 01:15:11,400 --> 01:15:15,519 Speaker 4: Wow, to think that, to think one time, what song 1694 01:15:15,520 --> 01:15:15,880 Speaker 4: would it be? 1695 01:15:17,240 --> 01:15:18,000 Speaker 2: I was not my tears? 1696 01:15:18,080 --> 01:15:18,880 Speaker 4: Yeah, exactly tell me. 1697 01:15:19,160 --> 01:15:22,799 Speaker 2: Yeah, fucking crime crazy. Did you guys watch the greatest 1698 01:15:22,880 --> 01:15:26,200 Speaker 2: roast of all time? Tom Brady? I watch it live 1699 01:15:26,840 --> 01:15:30,040 Speaker 2: to highlight as someone that has watched pretty much every 1700 01:15:30,120 --> 01:15:32,680 Speaker 2: roast that was on Comedy Central, I was nervous when 1701 01:15:32,680 --> 01:15:34,760 Speaker 2: they titled it this way. I agree with them. This 1702 01:15:34,920 --> 01:15:35,800 Speaker 2: was the greatest roast that ever. 1703 01:15:36,040 --> 01:15:37,880 Speaker 5: Yeah, this is amazing, three hours. 1704 01:15:37,640 --> 01:15:40,439 Speaker 4: Long, the greatest. Though you haven't seen all the roast 1705 01:15:40,439 --> 01:15:41,800 Speaker 4: to say this is the greatest. 1706 01:15:41,520 --> 01:15:44,960 Speaker 2: I've seen sets that are like the greatest. I mean, 1707 01:15:45,000 --> 01:15:48,200 Speaker 2: you could get down to Jamie Fox on roast, but 1708 01:15:48,920 --> 01:15:51,439 Speaker 2: as Pat Patrice was on. 1709 01:15:53,680 --> 01:15:55,080 Speaker 4: Oh God, whose roast was that? 1710 01:15:55,840 --> 01:15:59,200 Speaker 2: William Shatner. No, William Shatner might have just been there, 1711 01:15:59,320 --> 01:15:59,559 Speaker 2: am I. 1712 01:16:02,000 --> 01:16:04,800 Speaker 1: Charlie Sheen, Oh now that was the greatest roast of 1713 01:16:04,840 --> 01:16:05,160 Speaker 1: all time. 1714 01:16:05,439 --> 01:16:08,000 Speaker 2: Charlie Sheen one was crazy. Pam Anderson one was crazy. 1715 01:16:08,560 --> 01:16:11,240 Speaker 2: Rob Low was hilarious. Rob the Trump one was man 1716 01:16:11,439 --> 01:16:12,280 Speaker 2: that could have been funnier. 1717 01:16:13,600 --> 01:16:15,040 Speaker 5: D Biebers was very good. 1718 01:16:15,240 --> 01:16:17,880 Speaker 2: Bieber's was good. But I don't know when you get 1719 01:16:17,880 --> 01:16:23,080 Speaker 2: into like the Greg Giraldo Patrese O'Neill face, that's different. 1720 01:16:23,520 --> 01:16:24,599 Speaker 2: Franco's was pretty funny. 1721 01:16:24,840 --> 01:16:27,840 Speaker 3: Yeah, I love this one, but I think this one, 1722 01:16:28,120 --> 01:16:30,519 Speaker 3: this one was crazy. Yeah, I mean at the high 1723 01:16:31,000 --> 01:16:32,840 Speaker 3: Blood couldn't have picked a better time to put him 1724 01:16:32,880 --> 01:16:33,360 Speaker 3: into the fire. 1725 01:16:33,560 --> 01:16:34,200 Speaker 4: Oh my god. 1726 01:16:35,000 --> 01:16:36,479 Speaker 2: And no one laughed at my two and a half 1727 01:16:36,520 --> 01:16:37,960 Speaker 2: men joke I made on the last podcast. 1728 01:16:38,400 --> 01:16:40,520 Speaker 1: We probably didn't catch it was a lot of screaming. 1729 01:16:40,400 --> 01:16:42,320 Speaker 2: Dave Free and Kendrick with the kid two and a 1730 01:16:42,320 --> 01:16:42,680 Speaker 2: half men. 1731 01:16:42,800 --> 01:16:43,400 Speaker 1: Oh, I thought that. 1732 01:16:45,320 --> 01:16:48,200 Speaker 2: Got it. I get gold. I mean, it's not funny 1733 01:16:48,200 --> 01:16:50,200 Speaker 2: if you have to repeat it, but that is law. 1734 01:16:50,320 --> 01:16:51,680 Speaker 2: I lost I lost sleep about it. 1735 01:16:53,520 --> 01:16:57,360 Speaker 3: Me and Cole almost made. 1736 01:17:00,520 --> 01:17:01,479 Speaker 4: Dreamville festival. 1737 01:17:02,160 --> 01:17:05,840 Speaker 2: I saw him at the beach. I saw him at 1738 01:17:05,840 --> 01:17:06,120 Speaker 2: the beach. 1739 01:17:06,280 --> 01:17:07,400 Speaker 3: You guys, I liked it. 1740 01:17:07,520 --> 01:17:09,800 Speaker 2: I liked his briefcase with the laptop. 1741 01:17:09,760 --> 01:17:11,920 Speaker 5: Beating your wives and being paddles. Look at our king, 1742 01:17:12,040 --> 01:17:13,559 Speaker 5: Oh my god, beach life. 1743 01:17:13,640 --> 01:17:14,800 Speaker 4: That's like, who took the photo? 1744 01:17:15,000 --> 01:17:16,080 Speaker 2: Who's who's that with him? 1745 01:17:16,120 --> 01:17:16,479 Speaker 5: Why? 1746 01:17:16,680 --> 01:17:18,320 Speaker 1: I think the girl with somebody? 1747 01:17:19,200 --> 01:17:19,479 Speaker 5: Stop? 1748 01:17:19,720 --> 01:17:20,880 Speaker 3: I think the girl somebody? 1749 01:17:20,920 --> 01:17:22,720 Speaker 2: I think he was or was that one of those 1750 01:17:22,760 --> 01:17:25,920 Speaker 2: time cameras with the tripod? I'm shot though, smart on 1751 01:17:26,000 --> 01:17:28,679 Speaker 2: his jacket, get him into the beach, someone said. Someone said, 1752 01:17:29,080 --> 01:17:33,320 Speaker 2: why I love like call fit. They're so obnoxious. Someone said, now, Drake, 1753 01:17:33,400 --> 01:17:35,400 Speaker 2: this is how you take photos with an underage girl? 1754 01:17:38,000 --> 01:17:40,160 Speaker 5: What exactly? Like? Why bring that up? 1755 01:17:40,920 --> 01:17:41,960 Speaker 4: Fucking insane? 1756 01:17:42,160 --> 01:17:45,400 Speaker 2: I hate the internet so much. Hello, anyways, Oh. 1757 01:17:45,320 --> 01:17:47,360 Speaker 4: Would be on a beach with a fucking laptop and 1758 01:17:47,400 --> 01:17:51,040 Speaker 4: a briefcase? Yeah, maybe exactly what Cole would be doing. 1759 01:17:51,240 --> 01:17:52,639 Speaker 2: You don't think that'd be a great place to write. 1760 01:17:53,160 --> 01:17:55,160 Speaker 4: No, that's it. That's what I'm saying. That's exactly what 1761 01:17:55,320 --> 01:17:56,000 Speaker 4: he would be doing. 1762 01:17:56,360 --> 01:17:58,920 Speaker 2: I'm sure Grade thirty two came out came out of 1763 01:17:58,960 --> 01:17:59,960 Speaker 2: that and time. Oh no, for sure. 1764 01:18:00,200 --> 01:18:03,000 Speaker 4: Whatever that ship is plugged into. I know it's some 1765 01:18:03,120 --> 01:18:03,800 Speaker 4: ship for sure. 1766 01:18:04,000 --> 01:18:05,759 Speaker 2: Writing without Wi Fi, you know, it's crazy. 1767 01:18:06,479 --> 01:18:08,320 Speaker 4: But it's crazy because I don't want to hear that ship. 1768 01:18:09,280 --> 01:18:09,559 Speaker 5: Stop. 1769 01:18:10,280 --> 01:18:11,120 Speaker 4: I don't want to hear it. 1770 01:18:11,200 --> 01:18:13,000 Speaker 2: Talks about just reflecting on the beach, and I don't 1771 01:18:13,640 --> 01:18:14,280 Speaker 2: hear that ship. 1772 01:18:14,439 --> 01:18:17,560 Speaker 4: Man, I don't want to hear that ship. I just 1773 01:18:17,680 --> 01:18:20,760 Speaker 4: can't bro that's cold, man. That was we thought he 1774 01:18:20,880 --> 01:18:21,439 Speaker 4: was one of them. 1775 01:18:21,520 --> 01:18:24,240 Speaker 3: Man, It's just well, he picked a beautiful spot. This 1776 01:18:24,320 --> 01:18:24,960 Speaker 3: looks incredible. 1777 01:18:24,960 --> 01:18:26,920 Speaker 4: Oh no, it's a Listen, that's some super cool ship 1778 01:18:26,960 --> 01:18:29,040 Speaker 4: that he's doing. Let me be very clear, that is 1779 01:18:29,120 --> 01:18:32,639 Speaker 4: some some peaceful I'm chilling. I'm not with a bunch 1780 01:18:32,680 --> 01:18:36,080 Speaker 4: of niggas. I'm chilling. I'm not mad at that. But 1781 01:18:36,200 --> 01:18:38,360 Speaker 4: whatever he cooking up in that breath, I don't want 1782 01:18:38,400 --> 01:18:40,280 Speaker 4: to hear it, whatever he cooking up in that break 1783 01:18:40,360 --> 01:18:41,960 Speaker 4: in that breath, I don't want to hear what he 1784 01:18:42,320 --> 01:18:44,040 Speaker 4: he cooking up in that briefcase left. 1785 01:18:45,360 --> 01:18:49,800 Speaker 2: Yeah, and you know they try to find what beach 1786 01:18:49,880 --> 01:18:53,120 Speaker 2: that is and shoot it up, you know, shooting up 1787 01:18:53,120 --> 01:18:54,519 Speaker 2: the beach you left. 1788 01:18:54,600 --> 01:18:56,040 Speaker 4: You know how upset you got to be to shoot 1789 01:18:56,080 --> 01:18:56,240 Speaker 4: up there? 1790 01:18:56,280 --> 01:18:59,720 Speaker 2: You know, you know somebody spray up those rocks for TikTok. Crazy, man, 1791 01:19:00,840 --> 01:19:02,800 Speaker 2: the fans are crazy. You know you haven't noticed that 1792 01:19:02,840 --> 01:19:03,360 Speaker 2: in the last. 1793 01:19:03,320 --> 01:19:06,519 Speaker 4: No, trust me, I know the last forty eight hours, 1794 01:19:06,560 --> 01:19:09,360 Speaker 4: I've noticed extremely how crazy. 1795 01:19:09,160 --> 01:19:13,080 Speaker 2: You're I think, I think crazy and saying do we 1796 01:19:13,240 --> 01:19:14,519 Speaker 2: own apology to the Barbs? 1797 01:19:15,240 --> 01:19:17,559 Speaker 4: Wow, No, I don't know the Lamas. 1798 01:19:17,760 --> 01:19:20,800 Speaker 2: I don't know, man, I'm just saying all of us, 1799 01:19:20,840 --> 01:19:21,960 Speaker 2: I think we wanted to look at. 1800 01:19:22,360 --> 01:19:25,280 Speaker 4: Those are all new recruits. These niggas ain't real. From 1801 01:19:25,320 --> 01:19:27,640 Speaker 4: the moment before, they just don't like Drake, you know, 1802 01:19:27,880 --> 01:19:30,679 Speaker 4: before that is, they just don't like Drake. 1803 01:19:31,160 --> 01:19:32,800 Speaker 2: Ain't real Kendrick fans before. 1804 01:19:32,600 --> 01:19:35,280 Speaker 1: The beef even started to happen. When like that dropped, 1805 01:19:35,560 --> 01:19:38,400 Speaker 1: the Lama fans came out like immediately know they he 1806 01:19:38,520 --> 01:19:40,080 Speaker 1: has a gang of them and they're the worst. 1807 01:19:40,120 --> 01:19:42,560 Speaker 2: I mean, he sells four hundre thousands and exactly like 1808 01:19:43,560 --> 01:19:47,560 Speaker 2: a huge fan because but they're not the highest like 1809 01:19:47,760 --> 01:19:49,479 Speaker 2: how they are right now, These people that are on 1810 01:19:49,760 --> 01:19:51,080 Speaker 2: the ship that they own on the internet right now, 1811 01:19:51,120 --> 01:19:53,000 Speaker 2: these are just people that just don't know Drake. They 1812 01:19:53,040 --> 01:19:55,280 Speaker 2: don't like Drake, and they're fans of the Internet. They're 1813 01:19:55,320 --> 01:19:57,160 Speaker 2: fans of like just doing what the internet is at 1814 01:19:57,160 --> 01:19:57,400 Speaker 2: the time. 1815 01:19:57,439 --> 01:19:57,680 Speaker 1: But I'm not. 1816 01:19:57,800 --> 01:20:01,320 Speaker 2: I'm saying about them. The actual should apologize to the barbs, 1817 01:20:01,360 --> 01:20:04,200 Speaker 2: because we all became barbs, not for the right reasons. 1818 01:20:04,320 --> 01:20:07,679 Speaker 2: Barbs are true and loyal to the soil. No matter 1819 01:20:07,760 --> 01:20:09,519 Speaker 2: what happens, They're gonna act this way, no matter what. 1820 01:20:09,920 --> 01:20:12,600 Speaker 2: We've all been acting like barbs the last week for 1821 01:20:12,760 --> 01:20:16,760 Speaker 2: no real reason. These aren't our guys. Who's like a 1822 01:20:16,800 --> 01:20:21,800 Speaker 2: bar the whole genuine population. I've been knacking like a 1823 01:20:21,880 --> 01:20:25,720 Speaker 2: bar he screamed, Barb screamed online in this room. 1824 01:20:26,520 --> 01:20:28,479 Speaker 4: It's scream much, y'all, no matter what we're talking about, 1825 01:20:28,520 --> 01:20:30,200 Speaker 4: because y'all just fucking pissed me off sometime with the 1826 01:20:30,280 --> 01:20:33,919 Speaker 4: dunk that y'all say. I'm a barber for fucking Chris Brown. 1827 01:20:33,760 --> 01:20:38,679 Speaker 2: Too, Like I'm saying, scream. We owe them an apology. 1828 01:20:39,240 --> 01:20:42,439 Speaker 2: We became them and not for anything we're really loyal to. 1829 01:20:42,680 --> 01:20:42,840 Speaker 7: Nah. 1830 01:20:42,840 --> 01:20:45,479 Speaker 4: I'm not online DM and people cursing them out, So 1831 01:20:45,560 --> 01:20:47,320 Speaker 4: I'm not a part of that barb shit at all. 1832 01:20:48,439 --> 01:20:50,560 Speaker 4: Not my not my not my not my thing. I 1833 01:20:50,600 --> 01:20:53,040 Speaker 4: don't do that, but I talk she did with y'allo 1834 01:20:53,120 --> 01:20:53,439 Speaker 4: all day. 1835 01:20:53,840 --> 01:20:57,400 Speaker 3: Okay, Well back to Talking Ship and focused on Tom Brady. 1836 01:20:57,920 --> 01:20:58,040 Speaker 7: Uh. 1837 01:20:58,280 --> 01:20:59,720 Speaker 5: Favorite sets from the rows? 1838 01:20:59,760 --> 01:21:01,280 Speaker 1: You have any Nicki? 1839 01:21:02,240 --> 01:21:02,439 Speaker 7: Yeah? 1840 01:21:02,479 --> 01:21:07,000 Speaker 2: Nicki Glazer was great, she was funny man. Out of 1841 01:21:07,080 --> 01:21:10,240 Speaker 2: three hours, it is tough to say that the standouts 1842 01:21:10,240 --> 01:21:14,840 Speaker 2: were obviously Nicki Glazer, Yeah, and Tony Edgecliff were incredible. 1843 01:21:15,439 --> 01:21:18,520 Speaker 2: But I think even like the athletes did okay. 1844 01:21:18,760 --> 01:21:20,360 Speaker 5: Julian Edelman was amazing. 1845 01:21:20,560 --> 01:21:23,040 Speaker 2: He was hilarious. Bill Belichick even though you could tell 1846 01:21:23,040 --> 01:21:24,479 Speaker 2: he was nervous as fuck and he was out of 1847 01:21:24,520 --> 01:21:27,519 Speaker 2: his element killed Well, who wrote it for him? Well, 1848 01:21:27,560 --> 01:21:30,840 Speaker 2: they have a anyone no matter what they said. 1849 01:21:30,720 --> 01:21:31,759 Speaker 4: They sent them these jokes. 1850 01:21:32,080 --> 01:21:34,880 Speaker 3: Oh yeah, there's like even with that though, you still 1851 01:21:34,880 --> 01:21:36,600 Speaker 3: have to be able to perform and deliver. Like I 1852 01:21:37,080 --> 01:21:41,200 Speaker 3: was listening to Flagran because Schultz was telling recapping this 1853 01:21:41,320 --> 01:21:41,800 Speaker 3: whole moment. 1854 01:21:41,960 --> 01:21:44,240 Speaker 2: Schultz degreat by the way, Yeah, Schultz got. 1855 01:21:44,120 --> 01:21:44,880 Speaker 5: He had the worst set. 1856 01:21:44,960 --> 01:21:47,200 Speaker 3: He closed it like by that time, you're crossing off 1857 01:21:47,240 --> 01:21:48,920 Speaker 3: all your jokes, Like how many things can you really 1858 01:21:48,960 --> 01:21:50,160 Speaker 3: say about Jaselle at that point? 1859 01:21:50,520 --> 01:21:55,160 Speaker 2: So, like I know he smoked it with Gronkowski, Edelman, uh, 1860 01:21:56,280 --> 01:21:58,320 Speaker 2: and one other name. He said that sounds like a 1861 01:21:58,439 --> 01:22:00,960 Speaker 2: law firm, not a receiving and oh, you're gonna need 1862 01:22:01,040 --> 01:22:03,080 Speaker 2: one with your divorce. I Schultz smoked that. 1863 01:22:03,320 --> 01:22:08,200 Speaker 3: Yeah, but he said Edelman and bled Cell were going 1864 01:22:08,280 --> 01:22:10,960 Speaker 3: to they were doing spots at the cellar like they were, 1865 01:22:11,040 --> 01:22:13,880 Speaker 3: they were practicing their set. So he said, it's cool 1866 01:22:13,920 --> 01:22:16,960 Speaker 3: working with athletes of that caliber. They kind of had 1867 01:22:17,000 --> 01:22:19,880 Speaker 3: the mindset where to become a great athlete, you watch 1868 01:22:19,960 --> 01:22:22,080 Speaker 3: game tape, you do the thing, you see great people 1869 01:22:22,160 --> 01:22:23,679 Speaker 3: doing it, and then you go out there and try 1870 01:22:23,680 --> 01:22:26,080 Speaker 3: it yourself. So they kind of treated this whole experience 1871 01:22:26,160 --> 01:22:27,760 Speaker 3: like that. And he said that's that's why he thinks 1872 01:22:27,760 --> 01:22:28,840 Speaker 3: they did so well, that's dope. 1873 01:22:28,840 --> 01:22:30,880 Speaker 4: I mean, because you know, you can write jokes, but 1874 01:22:30,920 --> 01:22:33,639 Speaker 4: if you don't have that timing, yeah, that comedic timing, 1875 01:22:33,800 --> 01:22:35,439 Speaker 4: So you need that. You need to be on stage 1876 01:22:35,479 --> 01:22:37,960 Speaker 4: a couple of times and get those jokes off and 1877 01:22:38,080 --> 01:22:40,680 Speaker 4: understand when the audience is laughing when they come back 1878 01:22:40,720 --> 01:22:42,559 Speaker 4: in with the next joke. Like it's just so that's 1879 01:22:42,600 --> 01:22:44,800 Speaker 4: dope to know that they actually took time to hit 1880 01:22:45,400 --> 01:22:48,000 Speaker 4: some comedy clubs and and and and work on the material. 1881 01:22:48,280 --> 01:22:51,040 Speaker 2: And this one being live, I'm not sure because I've 1882 01:22:51,040 --> 01:22:53,200 Speaker 2: never been to a roast live, but someone like the 1883 01:22:53,240 --> 01:22:56,479 Speaker 2: podcast and interviews I've seen sometimes they'll redo jokes or 1884 01:22:56,520 --> 01:22:59,840 Speaker 2: redo a set. These athletes had to do that shit live. Yeah, 1885 01:23:00,439 --> 01:23:02,439 Speaker 2: that's tough. They couldn't take a break to be like, 1886 01:23:02,439 --> 01:23:04,920 Speaker 2: all right, let me reset and do something. So Randy 1887 01:23:05,000 --> 01:23:08,160 Speaker 2: Moss was hilarious. Everyone was great in this entire thing, 1888 01:23:08,760 --> 01:23:12,920 Speaker 2: which is rare with ROAs because sometimes the celebrities really suck, 1889 01:23:13,400 --> 01:23:16,240 Speaker 2: even with the writers that they have. Yeah, like Tony 1890 01:23:16,320 --> 01:23:18,400 Speaker 2: Hitchcliffe used to write for the older roasts, and I 1891 01:23:18,439 --> 01:23:21,720 Speaker 2: think he was on Rogan talking about him writing for 1892 01:23:21,840 --> 01:23:24,920 Speaker 2: Ann Culter and how much she would refuse to take 1893 01:23:25,240 --> 01:23:27,559 Speaker 2: any joke that he would write her, and then went 1894 01:23:27,640 --> 01:23:29,759 Speaker 2: up there and bombed like he could not fucking believe 1895 01:23:29,960 --> 01:23:30,920 Speaker 2: not one fucking laugh. 1896 01:23:31,240 --> 01:23:33,040 Speaker 4: Is this the first? Is this the first roast that 1897 01:23:33,160 --> 01:23:34,320 Speaker 4: was on Netflix? Yes? 1898 01:23:34,520 --> 01:23:34,720 Speaker 5: Yeah? 1899 01:23:34,760 --> 01:23:37,120 Speaker 2: And Live, Yeah, which I hope they keep because I 1900 01:23:37,160 --> 01:23:40,800 Speaker 2: mean on Comedy Central you could only take it so far. Yeah, 1901 01:23:41,080 --> 01:23:43,000 Speaker 2: the Justin Bieber one, they tried to push a little 1902 01:23:43,040 --> 01:23:46,880 Speaker 2: bit for cable, but if it stays on Netflix, I 1903 01:23:46,920 --> 01:23:50,400 Speaker 2: think we have a whole new world of roast battle. 1904 01:23:50,600 --> 01:23:50,840 Speaker 5: Yeah. 1905 01:23:50,960 --> 01:23:53,400 Speaker 3: I mean they let the two of our favorite words, 1906 01:23:53,439 --> 01:23:58,000 Speaker 3: cause they say they went for it, so it was 1907 01:23:58,040 --> 01:23:59,479 Speaker 3: great jokes everything. 1908 01:24:00,120 --> 01:24:03,240 Speaker 2: I commend I commend Kim Kardashian for going, because you know, 1909 01:24:03,320 --> 01:24:05,360 Speaker 2: if I'm Kim Kardashian, I'm going, I'm gonna be the 1910 01:24:05,400 --> 01:24:06,679 Speaker 2: butt of a lot of jokes. 1911 01:24:07,760 --> 01:24:07,920 Speaker 1: Good. 1912 01:24:08,280 --> 01:24:09,840 Speaker 2: I actually didn't even see I didn't put that off. 1913 01:24:09,920 --> 01:24:14,719 Speaker 2: Such a genius. I don't even know my own powers. 1914 01:24:14,760 --> 01:24:17,400 Speaker 4: Getting frustrated at God, like, why do you keep doing this? 1915 01:24:17,600 --> 01:24:18,880 Speaker 2: You don't even know how to use your own powers. 1916 01:24:20,240 --> 01:24:22,600 Speaker 2: I respect her for going, even though she bombed and 1917 01:24:22,640 --> 01:24:24,640 Speaker 2: they booed, she held it down and laughed through all 1918 01:24:24,680 --> 01:24:28,160 Speaker 2: the jokes about her. That's commendable. Yeah, but they tore 1919 01:24:28,280 --> 01:24:29,320 Speaker 2: Tom Brady the fuck up. 1920 01:24:30,080 --> 01:24:34,439 Speaker 4: Yeah, and getting and getting like like defensive at a roast, 1921 01:24:34,520 --> 01:24:36,400 Speaker 4: like and start. That's that's that's worse. 1922 01:24:36,680 --> 01:24:39,479 Speaker 2: The only person I've seen do that was Ludacris at 1923 01:24:39,680 --> 01:24:43,000 Speaker 2: Justin Bieber's roast. Ludacris was at the end of that day, 1924 01:24:43,120 --> 01:24:44,559 Speaker 2: is going, Oh, I didn't know they were making jokes 1925 01:24:44,600 --> 01:24:48,280 Speaker 2: about me. I thought this was about Justin. Ludacris looked 1926 01:24:48,320 --> 01:24:50,280 Speaker 2: like he had never even heard of a roast in 1927 01:24:50,320 --> 01:24:51,800 Speaker 2: his life. He was only there because he was on 1928 01:24:52,120 --> 01:24:55,320 Speaker 2: Justin's first record ever, and he did okay when he 1929 01:24:55,360 --> 01:24:57,560 Speaker 2: went up. I think he might have went first, and 1930 01:24:57,680 --> 01:24:59,439 Speaker 2: after that was sitting there like, you know what you 1931 01:24:59,479 --> 01:25:02,320 Speaker 2: want to fight like. I didn't know this was a joke. 1932 01:25:03,320 --> 01:25:04,880 Speaker 2: I thought I thought it was a justin Bieber. 1933 01:25:07,240 --> 01:25:10,080 Speaker 3: Brady did say and I learned this again from listening. 1934 01:25:10,240 --> 01:25:12,200 Speaker 3: Brady said there were two things that were off limits 1935 01:25:12,200 --> 01:25:17,040 Speaker 3: to his kids, and talking about the Belichick massage thing, well, 1936 01:25:17,280 --> 01:25:19,280 Speaker 3: he did go up to Jeff Ross. 1937 01:25:19,240 --> 01:25:21,960 Speaker 2: And yes, said don't say that again, like in the 1938 01:25:22,000 --> 01:25:23,760 Speaker 2: middle of it when it was live, which I don't 1939 01:25:23,760 --> 01:25:25,519 Speaker 2: think they cut out because I watched that was live. 1940 01:25:25,600 --> 01:25:26,120 Speaker 5: They didn't got that. 1941 01:25:26,479 --> 01:25:27,160 Speaker 4: What did Jeff say? 1942 01:25:27,360 --> 01:25:30,400 Speaker 3: Jeff made a a tag like a tag joke about 1943 01:25:31,080 --> 01:25:32,240 Speaker 3: the massages, so. 1944 01:25:33,120 --> 01:25:34,880 Speaker 2: Which is true. Tom Brady when he went to the 1945 01:25:34,920 --> 01:25:37,720 Speaker 2: Patriots went up to Robert Kraft and this is a 1946 01:25:37,760 --> 01:25:40,839 Speaker 2: true quote, said I'm the best decision that this organization 1947 01:25:40,960 --> 01:25:43,439 Speaker 2: has ever made, which is a true quote. Jeff Ross 1948 01:25:43,520 --> 01:25:45,240 Speaker 2: was quoting that and then at the end said, but 1949 01:25:45,320 --> 01:25:48,320 Speaker 2: would you like a massage? Because Robert Craft got caught 1950 01:25:48,760 --> 01:25:51,639 Speaker 2: at like a nasty massage parlor and for Ladderdale wherever 1951 01:25:51,680 --> 01:25:52,519 Speaker 2: the fuck it was, like, what. 1952 01:25:54,479 --> 01:25:55,040 Speaker 4: Are you doing here? 1953 01:25:55,600 --> 01:25:55,800 Speaker 6: Yeah? 1954 01:25:56,520 --> 01:25:57,200 Speaker 2: I wouldn't even go. 1955 01:25:57,280 --> 01:25:59,559 Speaker 4: That's saying when you think about it, like as much 1956 01:25:59,640 --> 01:26:03,240 Speaker 4: money as Robert Kraft has, you left your house and 1957 01:26:03,320 --> 01:26:05,639 Speaker 4: your crib to drive to this fucking massage. 1958 01:26:05,720 --> 01:26:07,519 Speaker 2: The thrill, I guess I think at that point, like 1959 01:26:07,760 --> 01:26:10,320 Speaker 2: you're so rich, there's no thrill of a horror coming 1960 01:26:10,360 --> 01:26:10,800 Speaker 2: to your house. 1961 01:26:11,600 --> 01:26:14,040 Speaker 4: You gotta go to her element, nah, man, that's going 1962 01:26:14,080 --> 01:26:16,280 Speaker 4: to the trap. Going to the massage trap is fucking 1963 01:26:16,360 --> 01:26:18,920 Speaker 4: crazy when you when you were for Billy. 1964 01:26:19,479 --> 01:26:21,640 Speaker 3: But that happened so early, and that ship was home 1965 01:26:21,720 --> 01:26:25,519 Speaker 3: by the Zoe's for sure. That moment happened so early 1966 01:26:25,560 --> 01:26:27,720 Speaker 3: in the rows that people thought like Tom was kind 1967 01:26:27,760 --> 01:26:29,600 Speaker 3: of threatening to shut down the whole thing after that, 1968 01:26:29,640 --> 01:26:32,040 Speaker 3: because that was a very hard line. Do not mention 1969 01:26:32,200 --> 01:26:33,040 Speaker 3: that or his kids. 1970 01:26:34,120 --> 01:26:36,040 Speaker 2: Speaking of Edelman, I was watching a clip of his 1971 01:26:36,120 --> 01:26:37,800 Speaker 2: podcast on the way here. He and Drew bledze on. 1972 01:26:38,760 --> 01:26:41,919 Speaker 2: Everyone knows that there was obviously tension with Brady and Belichick, 1973 01:26:41,960 --> 01:26:44,160 Speaker 2: but it's not as serious as people think. The real 1974 01:26:44,280 --> 01:26:48,160 Speaker 2: tension is Belichick and Robert Kraft. That's that's past Kendrick 1975 01:26:48,200 --> 01:26:50,720 Speaker 2: and Drake, that's on site. So they were in the 1976 01:26:50,760 --> 01:26:53,439 Speaker 2: green room like the whole Patriots team having a good time. 1977 01:26:53,680 --> 01:26:55,880 Speaker 2: Brady and Belichick were having a good time. Everyone's drinking. 1978 01:26:56,360 --> 01:26:58,880 Speaker 2: Robert Kraft walked in and they say, Yo, you could 1979 01:26:59,439 --> 01:27:01,760 Speaker 2: the energy in there was fucking You could rip a 1980 01:27:01,880 --> 01:27:05,160 Speaker 2: piece of paper with that energy. Everyone walked over to 1981 01:27:05,240 --> 01:27:06,920 Speaker 2: Craft and bled Ce was like, well, I was just 1982 01:27:06,960 --> 01:27:09,280 Speaker 2: sitting there because Belichick was telling the story and if 1983 01:27:09,280 --> 01:27:10,760 Speaker 2: I kept walking, he would have been telling the story 1984 01:27:10,800 --> 01:27:14,760 Speaker 2: to nobody. I don't even know what Bill was saying. 1985 01:27:14,800 --> 01:27:16,479 Speaker 2: I just wanted to stand next to him because everyone 1986 01:27:16,600 --> 01:27:19,320 Speaker 2: was like, mister Craft, mister Craft, and Bill was he's 1987 01:27:19,600 --> 01:27:22,320 Speaker 2: ten toes. He's not walking across that green room. 1988 01:27:22,760 --> 01:27:23,800 Speaker 5: He's Bill. 1989 01:27:24,080 --> 01:27:26,280 Speaker 2: So it was just like, what were you saying, Bill, 1990 01:27:26,800 --> 01:27:31,720 Speaker 2: I'm stuck here? That's Edelman has a great podcast, by 1991 01:27:31,760 --> 01:27:35,479 Speaker 2: the way. Yeah, if anyone is into football specifically or 1992 01:27:35,520 --> 01:27:39,559 Speaker 2: sports in general, Julian Edelman's podcast Gronk is on there 1993 01:27:39,880 --> 01:27:45,439 Speaker 2: a lot, but it is mostly Edelmans. You were the first. Really, Oh, 1994 01:27:46,600 --> 01:27:55,720 Speaker 2: jlm's alumni, where do they shoot that at? Okay, I 1995 01:27:55,760 --> 01:27:58,679 Speaker 2: was about to say, it definitely looks like a different set. Now, interesting, 1996 01:28:00,000 --> 01:28:00,799 Speaker 2: what do we have voicemails? 1997 01:28:01,280 --> 01:28:03,880 Speaker 3: We do You've got male in the spirit of rap 1998 01:28:03,920 --> 01:28:07,040 Speaker 3: beef and everybody fucking the same women. This one falls 1999 01:28:07,120 --> 01:28:08,360 Speaker 3: right into rap beef. 2000 01:28:08,400 --> 01:28:12,880 Speaker 2: That's the industry. Yeah, that's exist that's existing in this way. 2001 01:28:13,439 --> 01:28:17,839 Speaker 6: Fuck with the pod heavy. But I need some advice. 2002 01:28:19,160 --> 01:28:24,880 Speaker 6: So I'm in a weird predicament. My little homie, I 2003 01:28:24,960 --> 01:28:28,160 Speaker 6: haven't seen him in two three years, asked me to 2004 01:28:28,280 --> 01:28:28,560 Speaker 6: kick it. 2005 01:28:29,680 --> 01:28:29,840 Speaker 7: Uh. 2006 01:28:30,880 --> 01:28:36,720 Speaker 6: We both played ball together, I moved, I came back home. Uh, 2007 01:28:37,080 --> 01:28:39,600 Speaker 6: you know, I haven't seen him in a while. But 2008 01:28:39,720 --> 01:28:49,000 Speaker 6: I'm an estrange predicament. Uh, his girl right now used 2009 01:28:49,040 --> 01:28:49,240 Speaker 6: to be. 2010 01:28:51,400 --> 01:28:54,920 Speaker 7: You know, one of my eaters back in the day. Uh, 2011 01:28:56,600 --> 01:29:01,160 Speaker 7: we broke it off, everyone's moved on. How do I 2012 01:29:01,280 --> 01:29:04,880 Speaker 7: tell him that he's he's been with her for a while. 2013 01:29:05,000 --> 01:29:07,559 Speaker 7: I have a girl now too. He's talking about maybe 2014 01:29:07,600 --> 01:29:10,479 Speaker 7: having a double day. I don't know what to tell 2015 01:29:10,600 --> 01:29:12,840 Speaker 7: him because I don't want to be corner saying, hey, 2016 01:29:12,920 --> 01:29:17,800 Speaker 7: don't talk to her because you know how we were 2017 01:29:17,880 --> 01:29:21,920 Speaker 7: moving back then, But also don't want him just finding out. 2018 01:29:21,800 --> 01:29:23,439 Speaker 6: On it all. So what shoy'all do? 2019 01:29:26,400 --> 01:29:27,640 Speaker 2: This is another easy one to mean. 2020 01:29:27,840 --> 01:29:30,840 Speaker 4: So wait, his friend is now dating one of his 2021 01:29:31,000 --> 01:29:34,080 Speaker 4: old eaters. Yeah, and if for those of you listening 2022 01:29:34,080 --> 01:29:36,280 Speaker 4: that don't know what the eater is. That's one of 2023 01:29:36,360 --> 01:29:39,040 Speaker 4: his former head nurses, and. 2024 01:29:39,080 --> 01:29:40,840 Speaker 2: I can tell by his side it was one of 2025 01:29:40,920 --> 01:29:43,559 Speaker 2: his favorite eaters. Yeah. Once he said we parted ways 2026 01:29:43,600 --> 01:29:44,519 Speaker 2: and went on different paths. 2027 01:29:44,600 --> 01:29:45,720 Speaker 4: Yeah, that means you had to heal. 2028 01:29:47,000 --> 01:29:47,639 Speaker 2: You had to heal. 2029 01:29:47,880 --> 01:29:50,479 Speaker 4: He might be mad at his friends. That's why he 2030 01:29:50,479 --> 01:29:52,240 Speaker 4: don't know if you want to go damn, you have 2031 01:29:52,360 --> 01:29:54,920 Speaker 4: to figure out. Yeah, he don't want his friend to 2032 01:29:54,960 --> 01:29:56,240 Speaker 4: know that he know her. That's what it is. 2033 01:29:56,640 --> 01:30:00,640 Speaker 1: And a lot of time mine. Go ahead, niggas be like, oh, 2034 01:30:00,720 --> 01:30:03,040 Speaker 1: that was my eater. It's not your eater. Y'all. Were 2035 01:30:03,080 --> 01:30:06,080 Speaker 1: both having regular, consensual sex. Y'all just were in a 2036 01:30:06,120 --> 01:30:09,200 Speaker 1: relationship that was not your eater. Eater is very specific 2037 01:30:09,280 --> 01:30:12,919 Speaker 1: and you niggas do not be having eaters. Stop but continue. 2038 01:30:15,720 --> 01:30:20,519 Speaker 1: But not all niggas as you were her eater too, 2039 01:30:20,600 --> 01:30:22,840 Speaker 1: y'all were having sex like that was eating each other. 2040 01:30:23,520 --> 01:30:25,160 Speaker 1: Y'all were having sex that was not your eater. It 2041 01:30:25,280 --> 01:30:27,280 Speaker 1: was not you pull up and she just mop you 2042 01:30:27,360 --> 01:30:27,960 Speaker 1: off and you lead. 2043 01:30:28,120 --> 01:30:30,360 Speaker 2: Not everyone experienced her her real appetite. 2044 01:30:30,520 --> 01:30:31,400 Speaker 4: Yeah, is what it is. 2045 01:30:32,080 --> 01:30:32,360 Speaker 3: I don't know. 2046 01:30:32,439 --> 01:30:34,280 Speaker 5: He sounds defeated. He sounds like Drake on the hard 2047 01:30:34,320 --> 01:30:34,880 Speaker 5: part six. 2048 01:30:35,640 --> 01:30:38,600 Speaker 2: I mean that's because I think he really liked like 2049 01:30:38,680 --> 01:30:41,200 Speaker 2: that girl a little bit. Obviously he needs to tell 2050 01:30:41,240 --> 01:30:43,759 Speaker 2: his friend, does he Yes. 2051 01:30:43,920 --> 01:30:45,760 Speaker 1: He said he hasn't spoken to his friend in years. 2052 01:30:45,800 --> 01:30:49,400 Speaker 1: They just linked up again. Him and the girl are 2053 01:30:49,439 --> 01:30:51,040 Speaker 1: saying him and the girl are serious. 2054 01:30:51,600 --> 01:30:53,479 Speaker 2: Okay, so we should go on a double date and 2055 01:30:53,560 --> 01:30:54,880 Speaker 2: sit there for that experience. 2056 01:30:54,880 --> 01:30:56,400 Speaker 1: He said, double date. Then it's like, yeah, you you 2057 01:30:56,600 --> 01:30:57,400 Speaker 1: gotta tell him. 2058 01:30:57,439 --> 01:31:01,599 Speaker 3: But it's like we're just dubbed the double that could 2059 01:31:01,640 --> 01:31:02,120 Speaker 3: be the order. 2060 01:31:02,479 --> 01:31:04,559 Speaker 4: Well, tell him before the date obviously, right, you don't 2061 01:31:04,560 --> 01:31:04,960 Speaker 4: tell him what. 2062 01:31:05,040 --> 01:31:08,120 Speaker 2: You don't do the date period and you just tell him, Yeah, 2063 01:31:09,280 --> 01:31:11,200 Speaker 2: if that's your actual friend. If y'all are not really 2064 01:31:11,240 --> 01:31:12,920 Speaker 2: friends and just ran into each other and was like, Yo, 2065 01:31:12,960 --> 01:31:14,400 Speaker 2: we should get up and let's bring the girls. 2066 01:31:14,280 --> 01:31:16,960 Speaker 4: Or whatever, that's that's just talk. 2067 01:31:17,200 --> 01:31:19,479 Speaker 2: You don't have to you're not that. I might just 2068 01:31:19,479 --> 01:31:21,320 Speaker 2: be yo, I'm busy like me, and you could do 2069 01:31:21,400 --> 01:31:21,880 Speaker 2: something on the. 2070 01:31:21,920 --> 01:31:23,920 Speaker 4: Solo and then I'll tell you like yo, fam you know, 2071 01:31:24,040 --> 01:31:26,559 Speaker 4: show to you with me and her. You ain't gotta 2072 01:31:26,640 --> 01:31:29,000 Speaker 4: don't say she's your old eater, don't do that. But 2073 01:31:29,120 --> 01:31:30,760 Speaker 4: you could definitely be like yo, we have you know, 2074 01:31:30,840 --> 01:31:32,840 Speaker 4: we we know each other, we dated or we you know, 2075 01:31:32,920 --> 01:31:36,800 Speaker 4: we messed around before. Like, but don't don't just go 2076 01:31:36,840 --> 01:31:38,519 Speaker 4: out there like yo, ya your girl that you in 2077 01:31:38,600 --> 01:31:39,920 Speaker 4: love with? Yo, that's my old eater. 2078 01:31:40,160 --> 01:31:41,360 Speaker 2: No, don't word it that way. 2079 01:31:41,439 --> 01:31:43,320 Speaker 4: Yeah, that's that's a fight. And now you want to 2080 01:31:43,360 --> 01:31:44,120 Speaker 4: fight like I get it. 2081 01:31:44,240 --> 01:31:48,240 Speaker 2: No, then you're corny. Fight you're corny if you go 2082 01:31:48,400 --> 01:31:50,720 Speaker 2: to your friend to give that information about Yo, that's 2083 01:31:50,720 --> 01:31:52,960 Speaker 2: my old eater. No, you be like yo, she let 2084 01:31:53,000 --> 01:31:55,000 Speaker 2: you know I used to talk to world. Yeah, the 2085 01:31:55,080 --> 01:31:56,920 Speaker 2: ship wasn't nothing. I don't know what's going on with y'all, 2086 01:31:56,920 --> 01:31:58,760 Speaker 2: but I didn't want you to find out later. Yeah, 2087 01:31:59,200 --> 01:32:02,240 Speaker 2: especially doing with dates. He's still going to be crushed 2088 01:32:02,600 --> 01:32:06,479 Speaker 2: if he likes that girl. But what's the other alternative 2089 01:32:06,479 --> 01:32:06,960 Speaker 2: he finds out? 2090 01:32:07,400 --> 01:32:08,679 Speaker 4: So what are you do in that situation? 2091 01:32:10,000 --> 01:32:12,679 Speaker 2: And we're going off the hype like you with your 2092 01:32:12,880 --> 01:32:14,880 Speaker 2: I haven't seen my friend in a long time, right, 2093 01:32:14,960 --> 01:32:17,640 Speaker 2: and you were playing on like still hanging out with him? 2094 01:32:17,680 --> 01:32:19,000 Speaker 2: Is there a reason spaces? 2095 01:32:19,439 --> 01:32:22,960 Speaker 4: I mean, even if you even if you don't hang out, 2096 01:32:23,040 --> 01:32:25,680 Speaker 4: let's say you you you you bump into an old 2097 01:32:25,760 --> 01:32:28,920 Speaker 4: friend and you're like, yo, listen, let's hang out whatever whatever. 2098 01:32:29,479 --> 01:32:32,680 Speaker 4: And he's like, yo, you know, before we do that, 2099 01:32:32,960 --> 01:32:35,080 Speaker 4: the girl that you're with now, me and her have 2100 01:32:35,200 --> 01:32:38,200 Speaker 4: a little history, Like do you still want to go 2101 01:32:38,360 --> 01:32:38,880 Speaker 4: on the date? 2102 01:32:39,720 --> 01:32:41,840 Speaker 2: I'm not going on the date period. I'm debting that 2103 01:32:42,040 --> 01:32:43,800 Speaker 2: regardless of if I'm going to tell him or not, 2104 01:32:43,920 --> 01:32:44,960 Speaker 2: if we continue to hang out. 2105 01:32:45,000 --> 01:32:47,000 Speaker 3: You know what I'm saying him, you're. 2106 01:32:46,920 --> 01:32:49,640 Speaker 2: The oh wait, okay, no, I want you to tell me. 2107 01:32:50,240 --> 01:32:52,000 Speaker 4: Yeah, you want your friend to tell you? Are you 2108 01:32:52,080 --> 01:32:53,479 Speaker 4: still going to do the double. 2109 01:32:53,400 --> 01:32:55,240 Speaker 1: Why would you want your friend? But even if okay, 2110 01:32:55,360 --> 01:32:57,400 Speaker 1: taking out the double date part, why would you want 2111 01:32:57,479 --> 01:33:00,360 Speaker 1: that friend? I'm not doing that, taking telling on, take 2112 01:33:00,400 --> 01:33:02,439 Speaker 1: it off the double day. I had to think about 2113 01:33:02,439 --> 01:33:04,120 Speaker 1: you asking me that question. Of course I'm not doing that. 2114 01:33:04,520 --> 01:33:06,000 Speaker 1: I was like, wait, you really asking me if I'm 2115 01:33:06,040 --> 01:33:08,679 Speaker 1: doing that. I was trying to line you up because 2116 01:33:08,680 --> 01:33:10,400 Speaker 1: then I was like, wait, which person am I here? 2117 01:33:10,479 --> 01:33:12,599 Speaker 1: I'm not doing the double date no matter what character 2118 01:33:12,640 --> 01:33:12,840 Speaker 1: I am. 2119 01:33:14,439 --> 01:33:16,160 Speaker 4: What I'm just saying, if you with the eater. 2120 01:33:16,080 --> 01:33:18,559 Speaker 2: Though, no, I'm not doing that fucking double date, You're 2121 01:33:18,600 --> 01:33:19,160 Speaker 2: fucking crazy. 2122 01:33:19,320 --> 01:33:20,840 Speaker 3: Yeah, but if you're the guy with the eater, you 2123 01:33:20,960 --> 01:33:24,560 Speaker 3: don't know that your homie, and he tells me, you 2124 01:33:24,800 --> 01:33:25,799 Speaker 3: know what, that's crazy. 2125 01:33:26,600 --> 01:33:28,840 Speaker 2: No fucking way do you break up with the girl. 2126 01:33:31,000 --> 01:33:31,360 Speaker 2: I don't know. 2127 01:33:31,560 --> 01:33:34,080 Speaker 4: Niggas don't want to leave want. 2128 01:33:34,040 --> 01:33:34,320 Speaker 2: I don't know. 2129 01:33:34,920 --> 01:33:37,679 Speaker 1: That's the stupidest fucking reason to leave somebody. I don't complaining. 2130 01:33:37,800 --> 01:33:39,800 Speaker 1: I can't find fucking love. But some nigga you ain't 2131 01:33:39,800 --> 01:33:42,479 Speaker 1: seen in three years had some history with your girls, 2132 01:33:42,479 --> 01:33:43,600 Speaker 1: and I was like, you know what, hey, you were 2133 01:33:43,640 --> 01:33:45,800 Speaker 1: perfect for me now, but you sucked the dick that 2134 01:33:45,920 --> 01:33:47,200 Speaker 1: I that I know before that I was in the 2135 01:33:47,240 --> 01:33:47,639 Speaker 1: locker room. 2136 01:33:47,640 --> 01:33:50,479 Speaker 4: I'm gonna keep it tall. If a chick I'm liking 2137 01:33:50,680 --> 01:33:53,280 Speaker 4: and she I find out she fucked one of my homies, 2138 01:33:53,600 --> 01:33:54,240 Speaker 4: it's clipped. 2139 01:33:54,560 --> 01:33:57,760 Speaker 2: It's no way. But what's a homie? Is what I'm 2140 01:33:57,800 --> 01:33:59,600 Speaker 2: really asking was I didn't give a. 2141 01:34:00,080 --> 01:34:01,680 Speaker 4: I was really close at one point, but then you know, 2142 01:34:01,760 --> 01:34:03,800 Speaker 4: we're adults, we've grown. Shit happens. I man moved out 2143 01:34:03,800 --> 01:34:05,479 Speaker 4: of town for a couple of years for job whatever. 2144 01:34:06,360 --> 01:34:08,320 Speaker 4: I come back to the city and we bump into 2145 01:34:08,360 --> 01:34:09,840 Speaker 4: each other and like, yo, it's good. I ain't see 2146 01:34:09,880 --> 01:34:11,280 Speaker 4: what I mean, yo, So let's get up. Let's go 2147 01:34:11,920 --> 01:34:14,080 Speaker 4: like you y'all was hanging out tough at one point 2148 01:34:14,120 --> 01:34:16,000 Speaker 4: it's your boy, like, Yo, just my man right. 2149 01:34:15,880 --> 01:34:17,600 Speaker 1: Here, and it's being a bit for two years and 2150 01:34:17,680 --> 01:34:18,400 Speaker 1: you getting rid of her. 2151 01:34:18,600 --> 01:34:19,920 Speaker 2: I ain't gonna lie. It's tough, man. 2152 01:34:20,120 --> 01:34:25,120 Speaker 4: Certain dudes, Certain dudes, Certain dudes. I don't want to nah. Nah, 2153 01:34:25,479 --> 01:34:27,320 Speaker 4: there's certain dudes. If I find out your that what 2154 01:34:27,600 --> 01:34:30,280 Speaker 4: I'm not talking about. Certain dudes are a regular, stand up, 2155 01:34:30,680 --> 01:34:31,760 Speaker 4: regular standard. 2156 01:34:31,479 --> 01:34:34,080 Speaker 2: Even some of my friends. Nah, I can't do it. 2157 01:34:34,360 --> 01:34:35,960 Speaker 2: If somebody is going to be a part of my 2158 01:34:36,160 --> 01:34:38,800 Speaker 2: life during our relationship, Nah, I can't. 2159 01:34:39,320 --> 01:34:39,679 Speaker 4: You can't. 2160 01:34:39,800 --> 01:34:42,560 Speaker 2: I can't do that if you somebody I know and 2161 01:34:42,640 --> 01:34:44,920 Speaker 2: I see if I adapt somebody like it's like your 2162 01:34:45,000 --> 01:34:45,640 Speaker 2: real fruit, bro. 2163 01:34:45,840 --> 01:34:46,640 Speaker 3: You don't see each other. 2164 01:34:47,520 --> 01:34:49,280 Speaker 4: But y'all don't see each other. Not because y'all not cool. 2165 01:34:49,320 --> 01:34:51,519 Speaker 4: It's like, you know, we adults, we've grown, we have. 2166 01:34:51,760 --> 01:34:53,519 Speaker 3: I mean, I'm saying this, I'm on your side. I 2167 01:34:53,520 --> 01:34:56,240 Speaker 3: wouldn't get out of here cha. 2168 01:34:57,680 --> 01:35:01,639 Speaker 1: The way y'all care, you're not f I ain't respectful. 2169 01:35:01,640 --> 01:35:02,360 Speaker 3: It about to come on my off. 2170 01:35:02,439 --> 01:35:04,040 Speaker 1: Y'all gotta get that together. That is not okay. 2171 01:35:04,080 --> 01:35:05,120 Speaker 5: But they've been there for two years. 2172 01:35:05,280 --> 01:35:06,760 Speaker 1: They've been together for two year. You've been with somebody 2173 01:35:06,800 --> 01:35:09,479 Speaker 1: for two years, and that's tough. That's fucking weird. 2174 01:35:09,560 --> 01:35:11,400 Speaker 4: Even if it ain't my friend. Even if it's somebody 2175 01:35:11,479 --> 01:35:13,680 Speaker 4: I just know and I know he's like him, I'm 2176 01:35:13,720 --> 01:35:15,639 Speaker 4: not you used to fuck with him. 2177 01:35:16,040 --> 01:35:18,840 Speaker 1: Not I'm this girls doing specific people. They're specific people. 2178 01:35:19,000 --> 01:35:21,120 Speaker 1: I don't want, no bitch that they even bring This 2179 01:35:21,240 --> 01:35:23,599 Speaker 1: is what I'm saying. But I'm just talking about in general, 2180 01:35:23,760 --> 01:35:25,679 Speaker 1: not they don't have to be a nasty person. 2181 01:35:26,040 --> 01:35:27,920 Speaker 4: It's just oh no, no, I'm saying it depends on 2182 01:35:27,960 --> 01:35:29,840 Speaker 4: who the person. If it's my friend, I come on, 2183 01:35:30,160 --> 01:35:33,040 Speaker 4: that's my boy. I can't do that. We can't do that. 2184 01:35:33,200 --> 01:35:36,360 Speaker 4: That's just that's just asking for shit to be awkward. Now, Like, 2185 01:35:36,520 --> 01:35:38,800 Speaker 4: no matter how much I've grown with, if we're all 2186 01:35:38,880 --> 01:35:41,559 Speaker 4: in the same space, it's just naturally gonna be awkward. 2187 01:35:41,600 --> 01:35:44,599 Speaker 2: I'm fine with, like, associate shit whatever. But like, let's 2188 01:35:44,600 --> 01:35:47,760 Speaker 2: put it to birthday dinner status. If there's ten seats 2189 01:35:47,800 --> 01:35:50,120 Speaker 2: at the birthday dinner and he's gonna be there, that's 2190 01:35:50,160 --> 01:35:53,080 Speaker 2: too close. Nah, No fuck, like, no, there's no way 2191 01:35:53,120 --> 01:35:56,120 Speaker 2: that's happening. That's too close. Yeah, But associate shit, Like 2192 01:35:57,320 --> 01:35:59,000 Speaker 2: if you're in your thirties, been living in the same 2193 01:35:59,040 --> 01:36:02,360 Speaker 2: city your whole life. It's bound to happen, and you 2194 01:36:02,439 --> 01:36:04,360 Speaker 2: may end up liking that girl and you just may 2195 01:36:04,479 --> 01:36:06,320 Speaker 2: know somebody that she dealt with, and it might be 2196 01:36:06,400 --> 01:36:09,559 Speaker 2: cool if I see you what's up? Yeah, But when 2197 01:36:09,600 --> 01:36:14,200 Speaker 2: it comes to like our lives, nah, yeah, but. 2198 01:36:14,280 --> 01:36:19,559 Speaker 4: If it's a specific type of somebody, we can't be Nah, 2199 01:36:19,760 --> 01:36:20,880 Speaker 4: we can't have that in common. 2200 01:36:22,320 --> 01:36:24,200 Speaker 2: What's that? What's that special type of somebody? 2201 01:36:24,520 --> 01:36:26,559 Speaker 1: So y'are kicking her out the crib? Y'all kicking your 2202 01:36:26,600 --> 01:36:28,920 Speaker 1: girlfriend out the crib like y'all live together. She gotta go, 2203 01:36:29,439 --> 01:36:29,880 Speaker 1: you foind out? 2204 01:36:31,040 --> 01:36:33,439 Speaker 2: That's crazy? Yes, hell yeah. 2205 01:36:33,520 --> 01:36:36,120 Speaker 5: Meanwhile, maul, hell yeah, get out? 2206 01:36:38,080 --> 01:36:40,000 Speaker 2: All right. You wouldn't ask her, yo, did you know 2207 01:36:40,040 --> 01:36:45,679 Speaker 2: if we were friends? Because if this guy's my friend 2208 01:36:46,400 --> 01:36:49,599 Speaker 2: together with my friend, what if she had no idea? 2209 01:36:50,439 --> 01:36:52,360 Speaker 4: That's that's cool. I'm not saying kicking. 2210 01:36:52,160 --> 01:36:54,639 Speaker 2: Her out the crib that night, like let her get 2211 01:36:55,280 --> 01:36:55,519 Speaker 2: not that. 2212 01:36:56,439 --> 01:36:57,680 Speaker 4: I'm not gonna put it out in the street. But 2213 01:36:57,680 --> 01:36:59,439 Speaker 4: I'm just saying, like, we can't we not together, we 2214 01:36:59,479 --> 01:37:01,920 Speaker 4: can't be together, like this is not that's my boy, 2215 01:37:02,040 --> 01:37:04,880 Speaker 4: Like we can't do it. That's all it happens. 2216 01:37:05,120 --> 01:37:07,040 Speaker 2: I mean, what if she's been your confident on for 2217 01:37:07,120 --> 01:37:08,360 Speaker 2: three years and spoken to him. 2218 01:37:08,400 --> 01:37:09,160 Speaker 4: We can still be cool. 2219 01:37:09,240 --> 01:37:10,680 Speaker 2: It's the best friend. Now. We can still be cool. 2220 01:37:10,680 --> 01:37:13,960 Speaker 4: Man, It's like we still cool. We can still be cool, 2221 01:37:14,000 --> 01:37:16,040 Speaker 4: we can still be cool, we can still be wet. 2222 01:37:17,080 --> 01:37:18,360 Speaker 4: But yeah, it's not like I'm not gonna see you 2223 01:37:18,400 --> 01:37:20,160 Speaker 4: and not say hello, you know, ship ship like that. 2224 01:37:20,200 --> 01:37:22,040 Speaker 4: I'm not gonna act like we complete strangers, but like 2225 01:37:22,120 --> 01:37:24,120 Speaker 4: we can't be together living for the last. 2226 01:37:24,000 --> 01:37:26,640 Speaker 3: Two years forget about it. Yeah, like I was, I 2227 01:37:26,720 --> 01:37:29,320 Speaker 3: was ring shopping, but ring shopping. 2228 01:37:29,520 --> 01:37:31,679 Speaker 2: Get what I called her my best friend, my sort 2229 01:37:31,680 --> 01:37:34,280 Speaker 2: of best friend came back in town. No, it's not 2230 01:37:34,360 --> 01:37:34,640 Speaker 2: even that. 2231 01:37:34,720 --> 01:37:36,720 Speaker 4: It's just that that's somebody you cool when you're close with, 2232 01:37:36,800 --> 01:37:38,799 Speaker 4: that's your boy. Like, it's just it's gonna be awkward. 2233 01:37:38,880 --> 01:37:40,639 Speaker 4: It's definitely gonna be out. That's gonna be some awkward 2234 01:37:40,640 --> 01:37:43,000 Speaker 4: ship forever. I don't give sure you think you are. 2235 01:37:43,160 --> 01:37:45,760 Speaker 2: Advice either way. Cancel the double date, but do it 2236 01:37:45,800 --> 01:37:47,720 Speaker 2: in like a nice way, like no, let's let's do 2237 01:37:47,800 --> 01:37:50,519 Speaker 2: something else. Let's just catch up, fill out the situation, 2238 01:37:51,400 --> 01:37:53,960 Speaker 2: ask certain questions, and then you have to let him 2239 01:37:54,000 --> 01:37:56,479 Speaker 2: know that y'all dealt with each other at one point 2240 01:37:56,640 --> 01:37:57,280 Speaker 2: back to the shop. 2241 01:37:57,760 --> 01:38:01,519 Speaker 1: Don't let him know, of course, if he if he's happy, 2242 01:38:01,720 --> 01:38:03,040 Speaker 1: if he's if he's. 2243 01:38:03,040 --> 01:38:06,200 Speaker 4: Happpy, he's happy for now until that secret comes out 2244 01:38:06,240 --> 01:38:07,719 Speaker 4: the closet. Whenever it comes out to the clouse. 2245 01:38:07,920 --> 01:38:09,320 Speaker 1: We ain't see this nigga. We me and him have 2246 01:38:09,400 --> 01:38:10,960 Speaker 1: been together in piece for two years. I didn't even 2247 01:38:10,960 --> 01:38:11,880 Speaker 1: know you knew this nigga. 2248 01:38:11,960 --> 01:38:14,400 Speaker 2: First of all, go back to whatever hole you know. 2249 01:38:14,560 --> 01:38:16,600 Speaker 2: You know. Best Man Holiday is a movie, right that 2250 01:38:16,640 --> 01:38:19,920 Speaker 2: doesn't happen in real life, and the Best Man roll 2251 01:38:20,000 --> 01:38:21,360 Speaker 2: credits no more sequel. 2252 01:38:22,760 --> 01:38:23,840 Speaker 1: That was completely different. 2253 01:38:24,120 --> 01:38:26,559 Speaker 2: That was how the fuck that held down a secret 2254 01:38:26,640 --> 01:38:28,479 Speaker 2: the entire time until wedding day. 2255 01:38:28,560 --> 01:38:34,080 Speaker 1: They were best friends, like best friends, best best Harper 2256 01:38:34,240 --> 01:38:35,120 Speaker 1: talking about the nigga. 2257 01:38:35,320 --> 01:38:37,160 Speaker 2: They only say friends because you got drafted to giants 2258 01:38:37,160 --> 01:38:38,960 Speaker 2: and Harper was trying to write a book. They would 2259 01:38:38,960 --> 01:38:40,519 Speaker 2: have went other ways. They stayed in New York. 2260 01:38:40,600 --> 01:38:42,000 Speaker 1: They would know they were best friend. They had a 2261 01:38:42,080 --> 01:38:45,599 Speaker 1: whole frame room. That's completely different. That was completely fucking different. 2262 01:38:46,000 --> 01:38:48,320 Speaker 1: I'm talking about somebody that like, oh, I ain't even 2263 01:38:48,360 --> 01:38:50,720 Speaker 1: know this person. If we've been together for two years 2264 01:38:50,760 --> 01:38:52,719 Speaker 1: and I didn't even know that you knew this person. 2265 01:38:53,400 --> 01:38:55,559 Speaker 1: They might be important to you, that ain't that? Ain't 2266 01:38:55,600 --> 01:38:57,880 Speaker 1: that fucking important enough to interrupt our day to day life. 2267 01:38:58,120 --> 01:38:59,920 Speaker 1: We might see them at the wedding, and we might 2268 01:39:00,160 --> 01:39:02,400 Speaker 1: see them like at a family reunion or some shit 2269 01:39:02,479 --> 01:39:04,840 Speaker 1: that we both know people at. This is not a 2270 01:39:04,880 --> 01:39:06,160 Speaker 1: part of the regular day to day life. 2271 01:39:06,200 --> 01:39:08,400 Speaker 2: Let's say they get married. Put yourself in this situation 2272 01:39:09,240 --> 01:39:12,000 Speaker 2: twenty years down the line. You find that out your 2273 01:39:12,040 --> 01:39:13,840 Speaker 2: best friend and your man. 2274 01:39:14,000 --> 01:39:15,479 Speaker 1: He's not my best friend if I ain't seen him 2275 01:39:15,479 --> 01:39:16,720 Speaker 1: in two years or talk to him for two years, 2276 01:39:16,720 --> 01:39:17,720 Speaker 1: and you don't know who the fuck he is. 2277 01:39:17,880 --> 01:39:20,080 Speaker 2: Going off this hypothetical that they're reconnecting it. 2278 01:39:21,000 --> 01:39:22,559 Speaker 1: He said that was his little homie that he ain't 2279 01:39:22,600 --> 01:39:24,040 Speaker 1: seen in a while. He didn't say that was his 2280 01:39:24,120 --> 01:39:24,800 Speaker 1: best little homie. 2281 01:39:24,840 --> 01:39:25,679 Speaker 2: Never came out of his mouth. 2282 01:39:26,080 --> 01:39:28,160 Speaker 1: Swear to god, he said that was my little homie. 2283 01:39:28,200 --> 01:39:30,040 Speaker 2: All right. Well, I mean sometimes you gotta fuck your 2284 01:39:30,040 --> 01:39:31,240 Speaker 2: little homies. Girls. 2285 01:39:35,680 --> 01:39:36,960 Speaker 4: I'm the big homie. 2286 01:39:38,360 --> 01:39:39,000 Speaker 5: Drake tactic. 2287 01:39:40,280 --> 01:39:41,280 Speaker 4: I'm the big homie. 2288 01:39:41,600 --> 01:39:42,679 Speaker 2: You little homie, nigga. 2289 01:39:43,080 --> 01:39:45,479 Speaker 1: She told me, Yeah, Nah, it's a man like if 2290 01:39:45,520 --> 01:39:47,080 Speaker 1: that's if that's your big homie. 2291 01:39:47,280 --> 01:39:47,920 Speaker 2: Now you can't. 2292 01:39:48,560 --> 01:39:50,519 Speaker 1: If that's your big homie, now you can't. 2293 01:39:51,640 --> 01:39:54,920 Speaker 2: Either way though, you can't go with life and then 2294 01:39:54,960 --> 01:39:57,240 Speaker 2: find out later he's going to be more crushed. Now 2295 01:39:57,320 --> 01:40:01,360 Speaker 2: two people he cares about, hell the secret against Now 2296 01:40:01,360 --> 01:40:02,160 Speaker 2: it's both, y'all. 2297 01:40:02,320 --> 01:40:05,080 Speaker 1: Yeah, I think people need to understand this is always 2298 01:40:05,120 --> 01:40:08,360 Speaker 1: give me the choice. Sometimes sometimes there's so much miserable, 2299 01:40:08,720 --> 01:40:11,960 Speaker 1: like just misery and life. Enjoy your happiness. Sometimes you 2300 01:40:12,000 --> 01:40:14,599 Speaker 1: don't need to know everything. I've learned that the hard way. 2301 01:40:14,720 --> 01:40:18,679 Speaker 1: Some shit that I went searching hard for the guest 2302 01:40:18,960 --> 01:40:22,439 Speaker 1: seven hundred passwords phones was locked for twenty four hours. 2303 01:40:22,760 --> 01:40:24,360 Speaker 1: Some shit I didn't need to see, and some shit 2304 01:40:24,400 --> 01:40:25,839 Speaker 1: I didn't need to know, and I wish. 2305 01:40:25,760 --> 01:40:27,719 Speaker 3: That I didn't. And that's what I've been saying about 2306 01:40:27,760 --> 01:40:28,519 Speaker 3: this whole beef. 2307 01:40:28,680 --> 01:40:29,840 Speaker 5: Too. Live in the lie. 2308 01:40:30,240 --> 01:40:32,120 Speaker 3: Sometimes it's better to live in the lie than to 2309 01:40:32,200 --> 01:40:32,960 Speaker 3: go investigate. 2310 01:40:33,080 --> 01:40:33,599 Speaker 5: And you learn. 2311 01:40:33,640 --> 01:40:35,519 Speaker 3: The more you learn, the less you're gonna probably like 2312 01:40:35,560 --> 01:40:37,519 Speaker 3: that person, yo, which is cool. 2313 01:40:37,800 --> 01:40:40,400 Speaker 2: I don't need to know every last fucking nasty thing 2314 01:40:40,479 --> 01:40:42,760 Speaker 2: my girl has ever done. Please don't tell me. But 2315 01:40:42,920 --> 01:40:46,840 Speaker 2: if it's my fucking friend, Jesus Christ, give me at 2316 01:40:46,920 --> 01:40:49,640 Speaker 2: least the choice. Maybe I am happy enough to be like, yo, 2317 01:40:49,920 --> 01:40:53,360 Speaker 2: fuck it, maybe I can live. But like with Kendrick 2318 01:40:53,720 --> 01:40:56,840 Speaker 2: and Dave, like it seems to be working fine, give 2319 01:40:56,960 --> 01:40:59,280 Speaker 2: me the choice. That's sick, but yeah, I'll get it. 2320 01:41:00,439 --> 01:41:07,519 Speaker 4: Never never wor saying that fuck that, nah, get out. 2321 01:41:09,680 --> 01:41:11,320 Speaker 2: But do you see the difference. Though I don't need 2322 01:41:11,360 --> 01:41:13,120 Speaker 2: to know, I don't need to know everything, but I 2323 01:41:13,120 --> 01:41:14,840 Speaker 2: would like to know, you know everything. 2324 01:41:14,560 --> 01:41:17,320 Speaker 4: But if it's my friend or my little homie or 2325 01:41:18,000 --> 01:41:20,320 Speaker 4: you know, somebody that I'm cool with. We haven't seen 2326 01:41:20,360 --> 01:41:21,840 Speaker 4: each other in a couple of years because whatever, but 2327 01:41:22,120 --> 01:41:23,720 Speaker 4: you know that me and this dude is cool, Like 2328 01:41:23,760 --> 01:41:25,400 Speaker 4: it's my obviously a bump to him, and I'm like, 2329 01:41:25,479 --> 01:41:28,880 Speaker 4: yo's like bring bring wife feet, I bring wife, we 2330 01:41:28,920 --> 01:41:31,200 Speaker 4: go out there, obviously be that cool. So it's like 2331 01:41:32,560 --> 01:41:34,800 Speaker 4: that would be the time to be like, yeah, so 2332 01:41:35,960 --> 01:41:39,840 Speaker 4: about that I have a history with your. 2333 01:41:39,720 --> 01:41:42,560 Speaker 2: Friend, because imagine if your girl don't even hold it 2334 01:41:42,600 --> 01:41:45,599 Speaker 2: down and she she hugged your friend before you introduce. 2335 01:41:46,280 --> 01:41:49,960 Speaker 1: I'm like, no, it's that's wild. That's wild. That's wild, 2336 01:41:50,240 --> 01:41:50,479 Speaker 1: and that. 2337 01:41:50,439 --> 01:41:52,559 Speaker 2: Happens now You're sitting at apple Bee's like, no, we're 2338 01:41:52,600 --> 01:41:54,599 Speaker 2: not doing this too for twenty Yeah, no, I'm leaving 2339 01:41:56,320 --> 01:41:56,600 Speaker 2: one for. 2340 01:41:58,560 --> 01:41:59,320 Speaker 4: She'll take hers to go. 2341 01:41:59,439 --> 01:42:04,960 Speaker 2: Actually, she has to go and back that sample platter, 2342 01:42:05,240 --> 01:42:06,600 Speaker 2: perfect for her, perfect for her. 2343 01:42:06,720 --> 01:42:07,560 Speaker 4: She's taking that to go. 2344 01:42:07,760 --> 01:42:10,280 Speaker 2: Everybody's sampled here except for me. Apparently got it? Yeah, 2345 01:42:11,520 --> 01:42:14,720 Speaker 2: what was his question? Does he tell tell? And I said, yes, Yes, 2346 01:42:14,960 --> 01:42:20,000 Speaker 2: he has to tell him. He has to we wrapped? 2347 01:42:20,720 --> 01:42:23,519 Speaker 1: She would she would. I wish she would tell him. 2348 01:42:23,800 --> 01:42:26,000 Speaker 1: I wish the girl would tell like, it will be 2349 01:42:26,760 --> 01:42:28,760 Speaker 1: better coming from her than coming from now. 2350 01:42:28,840 --> 01:42:29,800 Speaker 4: He might put extras on it. 2351 01:42:30,439 --> 01:42:34,960 Speaker 2: Yeah, niggas put sauce on ship like see, I'd rather 2352 01:42:35,040 --> 01:42:36,840 Speaker 2: hear it from the friend. 2353 01:42:37,360 --> 01:42:39,840 Speaker 4: Really, yeah, her coming from your girl? 2354 01:42:39,960 --> 01:42:44,000 Speaker 2: Because yes, and I think women will coming from the 2355 01:42:44,120 --> 01:42:46,960 Speaker 2: women will downplay it even more. I think there's corny 2356 01:42:47,000 --> 01:42:48,960 Speaker 2: guys out there that would throw sauce on it, But 2357 01:42:49,040 --> 01:42:51,000 Speaker 2: that's not really your friend. If I'm talking to one 2358 01:42:51,040 --> 01:42:54,200 Speaker 2: of my friends, I think they will gently tell me 2359 01:42:54,280 --> 01:42:57,840 Speaker 2: that information and be accurate with it gently. You want 2360 01:42:57,880 --> 01:42:59,400 Speaker 2: you want to hold me to tell you gently? I 2361 01:42:59,439 --> 01:43:02,960 Speaker 2: want him to rub my back. Just just rubbed my 2362 01:43:03,000 --> 01:43:08,000 Speaker 2: hair while you're doing it, girl, touch because a girl 2363 01:43:08,160 --> 01:43:10,400 Speaker 2: say some bullshit like yeah, no, like we just ran 2364 01:43:10,479 --> 01:43:13,000 Speaker 2: into each other one night. They'll say some bullshit like 2365 01:43:13,760 --> 01:43:14,360 Speaker 2: he ran through me. 2366 01:43:16,640 --> 01:43:16,760 Speaker 4: Yo. 2367 01:43:16,800 --> 01:43:19,080 Speaker 2: Homie will say YO used to talk to her. We 2368 01:43:19,160 --> 01:43:22,000 Speaker 2: used to fuck one really like that. Every now and 2369 01:43:22,120 --> 01:43:25,400 Speaker 2: then we talked like it really wasn't a thing. They'll 2370 01:43:25,439 --> 01:43:27,599 Speaker 2: give you the real it's you're not gonna like it. Yeah, 2371 01:43:27,760 --> 01:43:29,800 Speaker 2: I'm not gonna ask details, And I don't think my 2372 01:43:29,840 --> 01:43:32,920 Speaker 2: friend would tell me details. He was we funk around. 2373 01:43:33,560 --> 01:43:36,120 Speaker 2: Wasn't anything crazy at all, like it did. We even 2374 01:43:36,160 --> 01:43:38,920 Speaker 2: spoke in a really long time. She's cool, Like, I 2375 01:43:39,000 --> 01:43:40,280 Speaker 2: just wanted to give you a heads up. I know 2376 01:43:40,560 --> 01:43:44,160 Speaker 2: a woman will lie. The woman will lie straight up 2377 01:43:44,360 --> 01:43:46,760 Speaker 2: like like I don't even like count that, like I 2378 01:43:46,800 --> 01:43:48,600 Speaker 2: don't even remember it like that. 2379 01:43:48,680 --> 01:43:51,559 Speaker 3: That's what demeritized shed my new pussy. Whatever the she's 2380 01:43:52,520 --> 01:43:56,600 Speaker 3: like my pussy said it was like it was like cicadas. 2381 01:43:56,720 --> 01:43:58,679 Speaker 3: You said, we shed pussy like seven miles. 2382 01:43:58,760 --> 01:44:01,120 Speaker 1: Yeah, we shed skins out every seven every seven years. 2383 01:44:01,160 --> 01:44:02,240 Speaker 1: You're a completely different. 2384 01:44:02,120 --> 01:44:03,639 Speaker 5: Yeah, she's a fucking everything. 2385 01:44:03,800 --> 01:44:06,439 Speaker 4: No, I remember what happened in twenty seventeen. I it 2386 01:44:06,560 --> 01:44:10,000 Speaker 4: was some shit going on that summer. You can't shed that, Yeah, 2387 01:44:10,000 --> 01:44:13,400 Speaker 4: you can't shed that on the walls, that stays, that stays. 2388 01:44:13,520 --> 01:44:16,240 Speaker 4: That's a different type of pain that is cemented in history. 2389 01:44:16,920 --> 01:44:20,040 Speaker 1: Sure you ain't fuck me, it's without sixteen wain. 2390 01:44:20,200 --> 01:44:21,799 Speaker 4: Fuck if you didn't fuck. 2391 01:44:21,680 --> 01:44:24,560 Speaker 1: In twenty six summer to summer of twenty sixteen, the 2392 01:44:24,680 --> 01:44:27,080 Speaker 1: only summer eb I remember. If it didn't happen, then 2393 01:44:27,160 --> 01:44:27,880 Speaker 1: it never happened. 2394 01:44:27,960 --> 01:44:30,040 Speaker 4: Oh shit, there's some shit that happened after twenty sixteen 2395 01:44:30,120 --> 01:44:34,360 Speaker 4: for Shure and before it for show. It's life SHD 2396 01:44:34,439 --> 01:44:36,639 Speaker 4: the pushy I remember that pussy. 2397 01:44:36,680 --> 01:44:37,000 Speaker 5: That shit. 2398 01:44:37,120 --> 01:44:40,200 Speaker 2: What year your ID s you were born? What that's 2399 01:44:40,280 --> 01:44:42,960 Speaker 2: the that's how long bet on this earth? Would you 2400 01:44:43,000 --> 01:44:44,000 Speaker 2: lose your virginally. 2401 01:44:45,360 --> 01:44:46,840 Speaker 5: You were born in ninety seven? 2402 01:44:47,000 --> 01:44:50,640 Speaker 4: Anyway, you don't have to get that all a me too. 2403 01:44:53,680 --> 01:44:56,800 Speaker 2: Women will say some bullshit like yeah, but it was 2404 01:44:56,920 --> 01:44:59,080 Speaker 2: nothing like what we have is more special, Like that 2405 01:44:59,120 --> 01:44:59,960 Speaker 2: doesn't make me feel fun. 2406 01:45:00,840 --> 01:45:03,840 Speaker 1: He was not really saying that to your What are 2407 01:45:03,880 --> 01:45:05,760 Speaker 1: you saying when you say his name? You finally got 2408 01:45:05,840 --> 01:45:09,599 Speaker 1: him with the who what's his last name? 2409 01:45:09,760 --> 01:45:09,800 Speaker 6: No? 2410 01:45:11,240 --> 01:45:15,040 Speaker 4: No, no, no, no, nigga last name? Nasty, I'm gonna 2411 01:45:15,040 --> 01:45:15,280 Speaker 4: have to be. 2412 01:45:17,200 --> 01:45:21,000 Speaker 2: Playing with moss And then my mind is racing even more, 2413 01:45:21,080 --> 01:45:24,160 Speaker 2: like how you you don't remember him, like, oh no, 2414 01:45:24,360 --> 01:45:26,160 Speaker 2: he was the homie. Who else you don't remember? 2415 01:45:26,439 --> 01:45:29,640 Speaker 1: He was THEO. There's really no way to say that, 2416 01:45:29,800 --> 01:45:30,519 Speaker 1: Like you've been in that. 2417 01:45:30,560 --> 01:45:32,640 Speaker 3: Situation before, been in that situation. 2418 01:45:32,360 --> 01:45:32,640 Speaker 2: All right. 2419 01:45:32,720 --> 01:45:35,320 Speaker 4: So the guy that you were with that you y'all 2420 01:45:35,360 --> 01:45:37,320 Speaker 4: were just eaters and then y'all end up liking each other. 2421 01:45:38,280 --> 01:45:39,960 Speaker 4: He obviously was like he didn't give a funk like, 2422 01:45:40,880 --> 01:45:42,439 Speaker 4: but was that his man like his homie? 2423 01:45:43,040 --> 01:45:43,360 Speaker 1: Mhm? 2424 01:45:43,880 --> 01:45:48,559 Speaker 4: What okay? There's some mutans out here that niggas an 2425 01:45:48,640 --> 01:45:56,320 Speaker 4: X man. That nigga shd skin every seven hours nigga 2426 01:45:56,439 --> 01:46:00,760 Speaker 4: like you said, seven years, that nigg ship skinned every 2427 01:46:00,800 --> 01:46:03,599 Speaker 4: seven hours, every seven commercials. Here a new nigga. 2428 01:46:04,520 --> 01:46:08,720 Speaker 2: He heals every woman in seconds. That niggas an X. 2429 01:46:08,760 --> 01:46:11,240 Speaker 4: Men for show what I mean? I get it. I 2430 01:46:11,320 --> 01:46:13,639 Speaker 4: know how you could develop feelings for somebody you shouldn't 2431 01:46:13,640 --> 01:46:16,320 Speaker 4: be developing films for. I get that. But to then 2432 01:46:16,439 --> 01:46:19,120 Speaker 4: be like you're not fuck it like we together, that's 2433 01:46:19,160 --> 01:46:20,200 Speaker 4: a different type of nick. 2434 01:46:20,720 --> 01:46:22,479 Speaker 2: You don't have to get into too much. Have y'all 2435 01:46:22,560 --> 01:46:25,040 Speaker 2: like hung out and it's cool. 2436 01:46:25,400 --> 01:46:25,679 Speaker 1: Damn. 2437 01:46:26,200 --> 01:46:30,760 Speaker 4: Collectively, the marriage might have that snapback, because only only 2438 01:46:30,840 --> 01:46:33,000 Speaker 4: that snapback and have a nigga be like, yo, son, 2439 01:46:33,120 --> 01:46:38,639 Speaker 4: fuck it, You're like only the snap back every year. 2440 01:46:39,160 --> 01:46:40,880 Speaker 4: It might be yeah, it might be seven commercials for 2441 01:46:40,960 --> 01:46:44,360 Speaker 4: the marriage to because that's the only thing where a 2442 01:46:44,400 --> 01:46:46,599 Speaker 4: nigga can be like, damn me and Homie cool. 2443 01:46:47,240 --> 01:46:48,120 Speaker 2: They got history. 2444 01:46:48,800 --> 01:46:50,600 Speaker 4: I don't even give a fuck. It's gotta be for 2445 01:46:50,680 --> 01:46:53,120 Speaker 4: that snapback. It's only the snapback. Half niggas doing it 2446 01:46:53,320 --> 01:46:53,439 Speaker 4: like that. 2447 01:46:54,920 --> 01:46:57,479 Speaker 1: You don't piss. 2448 01:46:57,840 --> 01:47:00,599 Speaker 4: It was in the group chat. That's confirmed. We all 2449 01:47:00,680 --> 01:47:04,360 Speaker 4: communicate together. Oh nah, she's gangster. That's crazy. 2450 01:47:05,040 --> 01:47:06,040 Speaker 1: The Knicks are doing well. 2451 01:47:06,760 --> 01:47:09,200 Speaker 4: The Knicks are doing well. Thank you for that, Thank 2452 01:47:09,240 --> 01:47:10,160 Speaker 4: you for that second. 2453 01:47:11,479 --> 01:47:11,919 Speaker 5: Everything. 2454 01:47:12,520 --> 01:47:14,880 Speaker 4: The Knick snapped back after runsing almost looked like he 2455 01:47:14,960 --> 01:47:15,759 Speaker 4: was hurt that after. 2456 01:47:15,960 --> 01:47:18,519 Speaker 2: Every time we talk about the Knicks, Jamarico is like this, Yeah, 2457 01:47:18,760 --> 01:47:20,120 Speaker 2: she brought the topic up this time. 2458 01:47:21,760 --> 01:47:23,000 Speaker 1: Man, Them niggas is flowy. 2459 01:47:23,680 --> 01:47:27,599 Speaker 4: The ns yo, the Knicks, yo, baby d y'all. 2460 01:47:27,680 --> 01:47:28,240 Speaker 2: I don't even know. 2461 01:47:28,360 --> 01:47:30,160 Speaker 4: But the Knicks is wild and they up too old. 2462 01:47:30,360 --> 01:47:32,800 Speaker 2: I don't know what that means, but it's bruns in 2463 01:47:32,840 --> 01:47:35,360 Speaker 2: the greatest n history or what. 2464 01:47:37,080 --> 01:47:37,200 Speaker 6: Yo. 2465 01:47:37,320 --> 01:47:39,120 Speaker 4: But shout out to the Knicks. Man up to old 2466 01:47:39,160 --> 01:47:42,840 Speaker 4: on the paces Josh Hart rebound machine the Conference semifinals. 2467 01:47:43,479 --> 01:47:45,679 Speaker 4: The Knicks look great. Man, the Knicks were playing together. 2468 01:47:46,840 --> 01:47:47,400 Speaker 2: It was shaky. 2469 01:47:47,479 --> 01:47:49,080 Speaker 4: It was shaky when Brunton looked like he may have 2470 01:47:49,160 --> 01:47:51,680 Speaker 4: heard his his growing. That was kind of shaky, like 2471 01:47:51,720 --> 01:47:55,320 Speaker 4: New York almost motherfucking erupted last night. But he came 2472 01:47:55,400 --> 01:47:57,760 Speaker 4: back after halftime and the Knicks were able to win. 2473 01:47:58,040 --> 01:48:00,880 Speaker 4: Shout out to the Knicks playing great. Hopefully they can 2474 01:48:01,400 --> 01:48:03,120 Speaker 4: continue and get the ship done it and get to 2475 01:48:03,240 --> 01:48:06,200 Speaker 4: the get to the Prayers to Og finals. He had 2476 01:48:06,200 --> 01:48:08,840 Speaker 4: a bad uh he pulled his hand what I believe it, 2477 01:48:09,160 --> 01:48:11,840 Speaker 4: Hay look like a handy. I don't think that that's 2478 01:48:11,920 --> 01:48:13,639 Speaker 4: going to be a tight turnaround. That would at least 2479 01:48:13,640 --> 01:48:16,120 Speaker 4: be like two to three weeks. So if we're down him, 2480 01:48:17,080 --> 01:48:18,880 Speaker 4: that's that means that you is going to have to 2481 01:48:18,960 --> 01:48:21,760 Speaker 4: do a lot of minutes. Mitch is done, done, Mitch's cooked. Yeah, 2482 01:48:22,040 --> 01:48:25,120 Speaker 4: like we're I mean, this is just the residual of 2483 01:48:25,240 --> 01:48:28,439 Speaker 4: playing for a Tips coach team. Heart has played every 2484 01:48:28,520 --> 01:48:31,599 Speaker 4: minute the last two games straight. He's played forty eight minutes. 2485 01:48:31,600 --> 01:48:34,120 Speaker 4: I'm not gonna lie. If and if OG I mean 2486 01:48:34,160 --> 01:48:35,479 Speaker 4: OG is a that's a loss. 2487 01:48:35,720 --> 01:48:37,519 Speaker 5: That's a big loss for twenty eight and he only 2488 01:48:37,600 --> 01:48:38,360 Speaker 5: played he put up. 2489 01:48:41,760 --> 01:48:45,040 Speaker 4: But I'm not mad at the idea of Precious getting 2490 01:48:45,040 --> 01:48:46,920 Speaker 4: those minutes. I'm not mad at that. 2491 01:48:47,000 --> 01:48:48,719 Speaker 5: I mean, there's no better time to prove yourself. 2492 01:48:48,800 --> 01:48:50,720 Speaker 4: Yeah, I'm not mad at I'm not I'm not mad 2493 01:48:50,760 --> 01:48:53,920 Speaker 4: at Precious coming off the bench for Og, even though 2494 01:48:53,920 --> 01:48:55,680 Speaker 4: Ogi is a big piece of what the Knicks are doing. 2495 01:48:56,200 --> 01:48:58,880 Speaker 4: But Precious is he He had some really really good, 2496 01:48:58,960 --> 01:49:01,559 Speaker 4: good games for the Knicks to and so either way, 2497 01:49:01,600 --> 01:49:03,840 Speaker 4: I hope Og is good. I want to see the 2498 01:49:03,880 --> 01:49:06,759 Speaker 4: Knicks as healthy as they can be. Mitch Robinson obviously 2499 01:49:07,000 --> 01:49:10,720 Speaker 4: he's out. Julius is obviously out. So that's two big 2500 01:49:10,920 --> 01:49:13,680 Speaker 4: two of their starters are already out. So you know, 2501 01:49:13,840 --> 01:49:15,519 Speaker 4: we don't want to see the Knicks hurt anymore. But 2502 01:49:15,800 --> 01:49:19,680 Speaker 4: if Ogi can't go, I'm I'm I'm not mad at 2503 01:49:19,760 --> 01:49:20,960 Speaker 4: Precious getting those minutes. 2504 01:49:21,439 --> 01:49:23,840 Speaker 2: What do you think about Julius just just like standing 2505 01:49:23,960 --> 01:49:26,840 Speaker 2: at the top of the key as a diversion. 2506 01:49:28,040 --> 01:49:29,920 Speaker 4: One leg, that shoulder that show the ain't gonna get 2507 01:49:29,920 --> 01:49:31,519 Speaker 4: it done, and that's that shoulder, and you can't you 2508 01:49:31,600 --> 01:49:33,840 Speaker 4: can't do much. He can't do much, man, But the 2509 01:49:33,920 --> 01:49:36,840 Speaker 4: Knicks look good that they playing together. Obviously, I think 2510 01:49:36,840 --> 01:49:38,880 Speaker 4: the fact that those guys know each other since college 2511 01:49:39,000 --> 01:49:42,599 Speaker 4: is obviously the chemistry that is carrying this thing right now. 2512 01:49:43,479 --> 01:49:47,960 Speaker 4: The Knicks and Brunching obviously is playing at an MVP level. 2513 01:49:48,439 --> 01:49:51,240 Speaker 4: It's just been fun to watch watch him, and I 2514 01:49:51,400 --> 01:49:54,479 Speaker 4: just can't wait till that ticket comes across and they 2515 01:49:54,520 --> 01:49:55,400 Speaker 4: tell us how much they paid. 2516 01:49:55,479 --> 01:49:55,719 Speaker 6: Jalen. 2517 01:49:56,040 --> 01:49:58,880 Speaker 4: He gonna break the fucking bak he deserves. He go 2518 01:49:59,040 --> 01:50:01,360 Speaker 4: overcharged with they did to the coke he finished. 2519 01:50:01,640 --> 01:50:04,400 Speaker 5: He finished fourth and m v P voting Joe Kitsch 2520 01:50:04,439 --> 01:50:06,520 Speaker 5: one again. I believe. 2521 01:50:07,720 --> 01:50:10,640 Speaker 3: Gil Chris finished fifth. It was kind of dicey. The 2522 01:50:10,800 --> 01:50:13,680 Speaker 3: Gil Chris is shy. Gilchris s g. A. 2523 01:50:13,880 --> 01:50:16,160 Speaker 4: Gildes just not gilt you talking about what you say 2524 01:50:16,200 --> 01:50:18,679 Speaker 4: his name, Michael kid Grill, I must say he finished fifth, 2525 01:50:18,760 --> 01:50:21,760 Speaker 4: Michael Kidd, Gil Chris, what the had a solid year. 2526 01:50:22,080 --> 01:50:23,840 Speaker 4: I didn't see any of that ship No, but Shay 2527 01:50:23,880 --> 01:50:27,240 Speaker 4: gil gillis he finished fifth. I believe it was brunch 2528 01:50:27,320 --> 01:50:27,960 Speaker 4: and finished fourth. 2529 01:50:28,479 --> 01:50:28,799 Speaker 5: Fourth. 2530 01:50:29,000 --> 01:50:31,519 Speaker 4: Yeah, I don't like that. Brun should have been top 2531 01:50:31,560 --> 01:50:32,439 Speaker 4: three at least. 2532 01:50:32,680 --> 01:50:35,200 Speaker 5: At least s GA finished second. 2533 01:50:35,360 --> 01:50:40,040 Speaker 3: And then it was it was Joker s g a Doncic, Giannis, Brunson, 2534 01:50:40,240 --> 01:50:44,599 Speaker 3: Brunson was fifth, Tatum and Anthony Edwards Sabonis and KT. 2535 01:50:45,680 --> 01:50:50,240 Speaker 4: Brunson was fifth. Crazy Giannis over bruntson this year. 2536 01:50:50,280 --> 01:50:53,479 Speaker 3: Because Jannis received one first place vote while Brunton received 2537 01:50:53,520 --> 01:50:54,800 Speaker 3: none but second. 2538 01:50:55,520 --> 01:50:57,760 Speaker 2: Who was the one person that voted for Gianni as the. 2539 01:50:58,439 --> 01:50:59,439 Speaker 5: Asshole in Milwaukee? 2540 01:51:00,240 --> 01:51:03,439 Speaker 4: Yeah, I'm brunts and Brunton deserved. He deserved more votes 2541 01:51:03,439 --> 01:51:07,320 Speaker 4: than the finish fifth this season. He had was fucking incredible. 2542 01:51:07,600 --> 01:51:10,400 Speaker 2: Do we put on Josh Hart's jersey at least up 2543 01:51:10,439 --> 01:51:14,599 Speaker 2: in the rafters because he told Reggie Miller Yo, they're 2544 01:51:14,600 --> 01:51:15,680 Speaker 2: saying fuck you. You know that, right? 2545 01:51:15,800 --> 01:51:16,600 Speaker 5: I was incredible. 2546 01:51:17,880 --> 01:51:19,920 Speaker 4: That's gangster fuck with Josh. 2547 01:51:20,120 --> 01:51:21,640 Speaker 2: You have to put the Josh Hart jersey up there. 2548 01:51:21,720 --> 01:51:22,080 Speaker 2: Yes for that. 2549 01:51:22,439 --> 01:51:24,040 Speaker 4: Shout out to the Knicks hopefully again. 2550 01:51:24,120 --> 01:51:24,280 Speaker 6: Man. 2551 01:51:24,520 --> 01:51:26,880 Speaker 4: I want to see them, you know, keep this thing going. 2552 01:51:28,400 --> 01:51:30,200 Speaker 4: It's gonna be interesting. It's gonna be fun to watch 2553 01:51:30,280 --> 01:51:31,960 Speaker 4: them close this shit out if they can get it done. 2554 01:51:33,920 --> 01:51:39,040 Speaker 3: Agree on the Patreon Oh yeah, I have more speculation 2555 01:51:39,160 --> 01:51:39,880 Speaker 3: on this rap shit. 2556 01:51:40,120 --> 01:51:41,320 Speaker 5: I want to save it for Patreon. 2557 01:51:41,439 --> 01:51:46,280 Speaker 4: Oh do you Okay? Well, let's do it. We'll talk 2558 01:51:46,320 --> 01:51:47,639 Speaker 4: to y'all soon headed to Patreon. 2559 01:51:47,680 --> 01:51:48,200 Speaker 2: I'm that nigga. 2560 01:51:48,200 --> 01:51:51,040 Speaker 4: He's just ginger peace now