WEBVTT - The Mind of Émilie du Châtelet (Part 2)

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion advised.

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<v Speaker 2>Hi, this is Danish Schwartz and just one quick personal

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<v Speaker 2>note before we begin. If you are listening to this

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<v Speaker 2>episode on its release day, next Tuesday, May nineteenth is

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<v Speaker 2>the release of my newest book, The Arcane Arts. It's

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<v Speaker 2>called The Arcane Arts. It's by pseudonym nom de plume

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<v Speaker 2>SD coverly because I co wrote this book with my

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<v Speaker 2>friend Dan Frye. We alternated perspectives. I wrote the female

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<v Speaker 2>point of view, he wrote the male point of view.

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<v Speaker 2>We went back and forth. It's a very fun novel.

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<v Speaker 2>It is about a elite graduate school, a murder mystery,

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<v Speaker 2>a secret society, sexy forbidden magic. It is slightly sexier.

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<v Speaker 2>So if you are a younger reader, this is not

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<v Speaker 2>the book for you. But adult readers, I really think

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<v Speaker 2>you will enjoy The Arcane Arts. I definitely enjoyed writing it.

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<v Speaker 2>And after today's episode there will be a preview of

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<v Speaker 2>the audiobook of The Arcane Arts, so you can just

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<v Speaker 2>listen see if you think it's something you like. Thank

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<v Speaker 2>you so much for your support and letting me be

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<v Speaker 2>a writer for a Living which means the world to me.

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<v Speaker 2>Let's jump into today's episode. One evening, sweating in the

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<v Speaker 2>early summer heat of the French countryside, Emily du Chatlas

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<v Speaker 2>was observing the fire in the estate's massive iron furnace.

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<v Speaker 2>By her side was Voltaire, her lover, collaborator and full

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<v Speaker 2>time HouseGuest. This was not a romantic outing for the

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<v Speaker 2>couple while they gazed into the fire. Instead, they were

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<v Speaker 2>attempting to recreate the experiments of the Dutch scientist Peter

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<v Speaker 2>von Muschen to discern the nature of fire. Although perhaps

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<v Speaker 2>that was their idea of a date night, The two

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<v Speaker 2>had instructed the iron Master to melt various metals. They

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<v Speaker 2>took notes as hundreds of pounds of lead and iron transformed.

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<v Speaker 3>Before their eyes. For Voltaire, their.

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<v Speaker 2>Experiment clearly proved Newton's theory that fire was matter and

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<v Speaker 2>therefore subject to gravity. Emilee, however, was shocked that they

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<v Speaker 2>could look at the same results and reach such different conclusions.

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<v Speaker 2>She noted the experiment produced disparate outcomes. While melted iron

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<v Speaker 2>maintained its essential nature and weight, when cooled lead became

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<v Speaker 2>a powder and gained weight. We now understand this process

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<v Speaker 2>as calcination, the lead was converted to an oxide at

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<v Speaker 2>the temperature of the furnace, but such a concept had

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<v Speaker 2>not yet entered the eighteenth century lexicon. The shifts in weight,

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<v Speaker 2>Emily argued, were not due to fire possessing its own

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<v Speaker 2>weight and being added to the metals, but rather due

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<v Speaker 2>to the inherent qualities of the materials being burnt. To her,

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<v Speaker 2>it was clear that fire did not share the same

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<v Speaker 2>defining characteristics of other forms of matter. Today, we understand

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<v Speaker 2>fire as a chemical reaction rather than a distinct state

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<v Speaker 2>of matter. While Emily did not actually reach that conclusion,

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<v Speaker 2>she was correct in rebutting Newton and Voltaire's assessment. She

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<v Speaker 2>must have tried to convince Voltaire of her perspective, but

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<v Speaker 2>he was stubborn in his belief and continued to attempt

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<v Speaker 2>various experiments that he believed would prove him right. He

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<v Speaker 2>needed to be correct because his results would form the

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<v Speaker 2>basis of his entry to the Royal Academy of Sciences

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<v Speaker 2>seventeen thirty eight essay competition. Voltaire had been long snubbed

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<v Speaker 2>by the Royal Literary Society and was perhaps turning to

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<v Speaker 2>these sciences for more recognition that he felt he deserved.

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<v Speaker 3>The topic that year for the.

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<v Speaker 2>Competition was the Nature and Propagation of Fire, and the

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<v Speaker 2>competition was the reason the pair began their experiments in

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<v Speaker 2>the first place. Originally intending to act solely as Voltaire's assistant,

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<v Speaker 2>Emilie was so determined to communicate the true results that

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<v Speaker 2>she decided to write her own entry. She later confessed

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<v Speaker 2>to a friend that she only began writing her paper

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<v Speaker 2>to two weeks before the deadline, and included a modest

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<v Speaker 2>disclaimer at the end of the entry quote, I hope

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<v Speaker 2>that my love for the truth will stand for me

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<v Speaker 2>in place of eloquence, and that the sincere desire that

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<v Speaker 2>I have to contribute to knowledge will gain forgiveness for

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<v Speaker 2>my faults end quote. She submitted her entry anonymously and

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<v Speaker 2>only told Voltaire that she submitted at all after the

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<v Speaker 2>winner was announced.

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<v Speaker 3>They both lost.

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<v Speaker 2>Though she feared he might react negatively, he was seemingly

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<v Speaker 2>quite pleased, campaigning for both of their papers to be

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<v Speaker 2>published despite losing. Born for the arts of pleasing, he

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<v Speaker 2>once wrote of her, she prefers the truth. Emily's paper,

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<v Speaker 2>Dissertation on the Nature and Propagation of Fire, was published

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<v Speaker 2>in seventeen thirty nine for its intellectual merit. It became

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<v Speaker 2>the first work the Academy published by a woman. Emilie

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<v Speaker 2>still insisted on anonymity, although the author would have been

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<v Speaker 2>clear to those in the right circles. The essay was

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<v Speaker 2>ultimately attributed to quote a young lady of high rank.

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<v Speaker 2>By the time her essay was published, Emily was already

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<v Speaker 2>finishing work on what is now considered her magnum opus,

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<v Speaker 2>Institutions de Physique. While part one of this two part

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<v Speaker 2>series introduced you to Emily, part two will explore in

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<v Speaker 2>more depth her short but impactful intellectual career before she

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<v Speaker 2>tragically passed away in seventeen forty nine. Famous during her

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<v Speaker 2>time lost behind Voltaire's shadow and history, and now honored

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<v Speaker 2>once again, Emilie's legacy ultimately belongs to her achievements. As

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<v Speaker 2>described by the Academy, she was quote a young woman

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<v Speaker 2>of the first condition, who honors our sciences by the

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<v Speaker 2>taste she has for them. I'm Danish warts and this

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<v Speaker 2>is noble blood. When we last left Emily, it was

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<v Speaker 2>the summer of seventeen thirty five, and she had made

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<v Speaker 2>the decision to leave Paris to join Voltaire at Sirae

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<v Speaker 2>the du Chalet estate in Champagne, outside of the city. Voltaire,

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<v Speaker 2>if you recall, had gotten into trouble with the government

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<v Speaker 2>yet again, and Emily and her husband were given the

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<v Speaker 2>right to sequester him outside of the city in sort

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<v Speaker 2>of a glamorous house arrest. Emily was known to follow

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<v Speaker 2>her own path, but she still worried about both public

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<v Speaker 2>opinion and the opinion of her husband in making such

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<v Speaker 2>an unorthodox choice in joining her lover. While her husband,

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<v Speaker 2>the Marquis, was not known to be jealous and had

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<v Speaker 2>just recently used his status to advocate for Voltaire, Emily

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<v Speaker 2>was moving in with another man. Writing to a mutual friend,

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<v Speaker 2>she asked him to assuage her husband's potential doubts. Quote,

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<v Speaker 2>just speak to him of Voltaire, but with interest and affection,

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<v Speaker 2>and above all, try to insinuate that it would be

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<v Speaker 2>crazy to be jealous of a wife with whom one

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<v Speaker 2>is content, that one esteems, and who conducts herself well.

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<v Speaker 2>Emily du chatelas pioneering woman in philosophy, and considering that

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<v Speaker 2>Voltaire was in fact her lover gaslighting her husband agreed

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<v Speaker 2>with her assessment. When he began to deliver his wife's

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<v Speaker 2>manuscripts from Siree to Parisian publishers. He did the same

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<v Speaker 2>for Voltaires. On leave from a campaign. Her husband spent

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<v Speaker 2>the winter of seventeen thirty eight in Siree, cohabitating with

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<v Speaker 2>his wife and her famous lover. Despite his lack of showmanship,

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<v Speaker 2>he participated in the plays and operas the couple frequently

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<v Speaker 2>staged for friends. As for the public's opinion, newspapers painted

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<v Speaker 2>the pair as artist and muse, which was a more

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<v Speaker 2>acceptable arrangement than extramarital paramours. Gossip, of course, still persisted.

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<v Speaker 2>A year after Emily arrived at the estate, she wrote

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<v Speaker 2>to the Italian philosopher Francesco Agarat, saying, quote, my kingdom

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<v Speaker 2>of Siree is not of this world. This was true

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<v Speaker 2>in multiple ways. Siree, for better and for worse, isolated

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<v Speaker 2>her from socie society. Voltaire acknowledged that she made a

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<v Speaker 2>sacrifice when she chose to live by his side, writing

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<v Speaker 2>that she was quote someone who had done everything for me,

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<v Speaker 2>who for me left Paris, all her friends and all

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<v Speaker 2>of the charms of life end quote. While Emily no

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<v Speaker 2>longer had access to the pleasures of society, she also

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<v Speaker 2>was free from many of society's restrictions. There were inevitable

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<v Speaker 2>trade offs. Emily had more time to devote herself to

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<v Speaker 2>her studies than she would have in Paris, but she

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<v Speaker 2>was now also responsible for overseeing a country estate and

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<v Speaker 2>its tenants siree. As a home was in disrepair, needing constant,

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<v Speaker 2>expensive upkeep. She bemoaned the sort of housework that had

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<v Speaker 2>been designated to women, in this case, specifically wealthy women

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<v Speaker 2>who owned estates of quote the pointlessness of life She

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<v Speaker 2>could have avoided quote if I had been a man.

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<v Speaker 2>That was in a letter to her tutor Montpertuis.

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<v Speaker 3>At least at sirey.

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<v Speaker 2>She no longer had to wait for him outside of

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<v Speaker 2>male only cafes for philosophical discussion at the estate. He

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<v Speaker 2>would come to her siree. The estate became Emily's intellectual haven.

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<v Speaker 2>In her words moun academie. She meant that semi literally,

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<v Speaker 2>sire began to host fellow intellectuals, such as Montpertuis, who

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<v Speaker 2>stayed for extended periods of time to work on his

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<v Speaker 2>own projects. As a hostess, Emily did not play the

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<v Speaker 2>role of the traditional noble woman. Guests were expected to

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<v Speaker 2>fall into her and Voltaire's established routine. For less intellectually

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<v Speaker 2>inclined visitors, such as the Marquis's cousin, Madame Graffigner, this

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<v Speaker 2>could be intimidating. Graffignier noted she studied Locke in preparation

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<v Speaker 2>for her stay. According to her, guests were summoned in

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<v Speaker 2>the morning to Voltaire's rooms, where he or Emily would

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<v Speaker 2>read aloud for an hour and a half. One morning,

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<v Speaker 2>Emily read a book that proposed the inhabitants of Jupiter

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<v Speaker 2>must be as large as King Ogg of the Old

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<v Speaker 2>Testament based on distance and light. Graffignyi was quote astonished

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<v Speaker 2>when she noticed the book Emily was reading from was

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<v Speaker 2>in Latin. Emily had been translating the text out loud

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<v Speaker 2>into French on the spot and was making her own

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<v Speaker 2>calculations in real time to describe the size of the

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<v Speaker 2>mythical giant. Thanks to visiting friends making deliveries, Emily and

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<v Speaker 2>Voltail began to build their library. For Emily, this was

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<v Speaker 2>an opportunity to pursue studies in new fields, to discover

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<v Speaker 2>the knowledge that had been denied to her through a

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<v Speaker 2>lack of secondary education. Quote, I have a very pretty library,

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<v Speaker 2>she wrote to Algarotti quote Voltaire's is all anecdotes and

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<v Speaker 2>mine is all philosophy. In this letter, she was enticing

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<v Speaker 2>the Italian philosopher to quote spend the winter philosophizing with us,

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<v Speaker 2>and he accepted the invitation. It was during his six

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<v Speaker 2>weeks stay that he worked on his quote Newton for

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<v Speaker 2>the Ladies, an introduction to Newton's work portrayed as a

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<v Speaker 2>conversation between the author and a woman who took some

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<v Speaker 2>inspiration from Emilie herself. More on this Italian philosopher later.

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<v Speaker 2>Sire's growing library, its collection of Locke and Newton in particular,

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<v Speaker 2>was responsible for Emily's growing interest in natural philosophy. While

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<v Speaker 2>it was surely Voltaire who acquired Mandeville's Fable of the Bees,

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<v Speaker 2>it was Emily who devoured the text. She finished her

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<v Speaker 2>translation in October seventeen thirty six, transforming the book through

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<v Speaker 2>in her own words, quote my own reflections on the

0:14:30.200 --> 0:14:35.080
<v Speaker 2>material I was working on, including her thoughts on women's education,

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<v Speaker 2>quoted in the first part of the series. While Emily

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<v Speaker 2>thought Mandeville's work was brilliant, she was not as cynical

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<v Speaker 2>as he was, and she added her own nuance to

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<v Speaker 2>his perception of a vice and virtue. Emily's commentary was

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<v Speaker 2>made distinct from the original text through quotation marks. In

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<v Speaker 2>the book's preface, she told readers she found literal translations

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<v Speaker 2>dry and preferred quote lively, turns of phrase and animated

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<v Speaker 2>expressions that render the force and grace of the original.

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<v Speaker 2>At the same time, Emily collaborated with Voltaire on his work.

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<v Speaker 2>His unpublished Treatise on Metaphysics, which took on little topics

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<v Speaker 2>like God, society and human nature, was believed to have

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<v Speaker 2>been written at Emili's request and with her assistance. She

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<v Speaker 2>would be more involved in his next project, Elements of

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<v Speaker 2>the Philosophy of Newton, for which she is credited as

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<v Speaker 2>a co author. In its introduction, inspired by Agarato's translation

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<v Speaker 2>of Newton for an Italian audience, it was the first

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<v Speaker 2>published introduction to Newton in French. It was also Voltaire's

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<v Speaker 2>first foray into the world of science. While he believed

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<v Speaker 2>in Newtonian theory, he was not as mathematically minded as

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<v Speaker 2>Emily was, and he sometimes struggled with even basic calculations. Emily,

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<v Speaker 2>by contrast, found herself thriving in the scientific work. It

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<v Speaker 2>was she who filled pages of notes with commentary on

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<v Speaker 2>the movement of the planets, the relativity of motion, and

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<v Speaker 2>the weight of air and water. It is clear which

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<v Speaker 2>sections of the publication were written by Emily, because the

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<v Speaker 2>same ideas show up later in her own works. Her

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<v Speaker 2>writing style was also distinct from Voltaire's neat and full

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<v Speaker 2>of real world applications. In the book's dedication, addressed to Emily,

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<v Speaker 2>Voltaire writes, quote, your solid study of many new truths,

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<v Speaker 2>and the fruits of so meritorious an application, are what

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<v Speaker 2>I now offer the public for your own and the

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<v Speaker 2>glory of your sex. In the front piece of one edition,

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<v Speaker 2>Voltaire sits at his desk, dressed as an ancient philosopher.

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<v Speaker 2>Two figures are depicted as gods above him. Newton on

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<v Speaker 2>the left, sits atop a cloud and gazes at a

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<v Speaker 2>ray of light descending from the heavens. Emily, on the right,

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<v Speaker 2>holds a mirror to reflect the light down upon the

0:17:27.280 --> 0:17:33.200
<v Speaker 2>page Voltaire is writing. While the engraving acknowledges her presence

0:17:33.320 --> 0:17:38.280
<v Speaker 2>in the work, it's also somewhat demeaning. She is portrayed

0:17:38.359 --> 0:17:42.560
<v Speaker 2>with one breast bear and she simply reflects the light

0:17:42.800 --> 0:17:48.040
<v Speaker 2>rather than creating something of her own the Muse. Voltaire,

0:17:48.200 --> 0:17:52.920
<v Speaker 2>while ultimately supportive of Emily's work both publicly and privately,

0:17:53.760 --> 0:17:57.800
<v Speaker 2>was still a man in the eighteenth century. In letters

0:17:57.920 --> 0:18:03.320
<v Speaker 2>to male friends, we see Muse subtly mocking nicknames such

0:18:03.320 --> 0:18:07.639
<v Speaker 2>as my Lady Emily Newton that were thus passed around

0:18:07.680 --> 0:18:12.159
<v Speaker 2>in the intellectual circles of Parisian men that Emily was

0:18:12.240 --> 0:18:18.160
<v Speaker 2>excluded from. While seemingly pleased with their collaborations, Emily had

0:18:18.240 --> 0:18:23.800
<v Speaker 2>a greater drive for scientific discovery than Voltaire did. Following

0:18:23.840 --> 0:18:28.879
<v Speaker 2>their experiments for the Royal Academy's essay competition, Emily became

0:18:29.000 --> 0:18:35.600
<v Speaker 2>obsessed with learning through experimentation, working day and night. Her

0:18:35.640 --> 0:18:40.640
<v Speaker 2>preferred strategy for staying awake was to put her hands

0:18:40.680 --> 0:18:44.399
<v Speaker 2>in ice water, walk around the room, slapping them on

0:18:44.520 --> 0:18:49.439
<v Speaker 2>her arms, and then return to her writing rip, Emily,

0:18:49.720 --> 0:18:54.840
<v Speaker 2>you would have loved a lemon Lime Celsius. Physics became

0:18:54.960 --> 0:18:58.000
<v Speaker 2>a focal point for her. While she waited on the

0:18:58.080 --> 0:19:02.280
<v Speaker 2>results of the essay competition, she asked Voltaire's bookseller in

0:19:02.400 --> 0:19:07.680
<v Speaker 2>Paris to procure for her her own copy of Newton's Principia,

0:19:08.040 --> 0:19:12.560
<v Speaker 2>to be covered in Russian leather with gold tooling, as

0:19:12.600 --> 0:19:15.840
<v Speaker 2>well as quote all the books of physique that you

0:19:15.920 --> 0:19:20.560
<v Speaker 2>will find come your way. Another book Emily was particularly

0:19:20.640 --> 0:19:25.720
<v Speaker 2>excited about was the new release of Algarotti's Newton for

0:19:25.760 --> 0:19:28.720
<v Speaker 2>the Ladies, which she had promised to dedicate to her,

0:19:28.840 --> 0:19:33.159
<v Speaker 2>which we had mentioned earlier. Emily had even been learning

0:19:33.320 --> 0:19:37.800
<v Speaker 2>more Italian and quote training myself in the art of translation,

0:19:38.400 --> 0:19:41.320
<v Speaker 2>with the idea of writing a French version of the book.

0:19:42.080 --> 0:19:44.320
<v Speaker 2>When she got her hands on a copy in May

0:19:44.440 --> 0:19:47.879
<v Speaker 2>of seventeen thirty eight, however, she was shocked at what

0:19:48.040 --> 0:19:52.480
<v Speaker 2>she saw. For one, it was not actually dedicated to her.

0:19:53.480 --> 0:19:57.400
<v Speaker 2>Then there was the matter of the character allegedly inspired

0:19:57.440 --> 0:20:03.720
<v Speaker 2>by her. Algarotti littled her intelligence and wrote their conversations

0:20:03.760 --> 0:20:10.160
<v Speaker 2>about Newtonian principles as often devolving into sexual jokes and metaphors.

0:20:10.840 --> 0:20:15.520
<v Speaker 2>One particular joke about a famous calculation annoyed Emily so

0:20:15.640 --> 0:20:18.960
<v Speaker 2>much that she mentioned it in letters to friends on

0:20:19.119 --> 0:20:24.520
<v Speaker 2>three separate occasions. Voltaire rose to her defense, declaring that

0:20:24.640 --> 0:20:28.760
<v Speaker 2>she knew more than Algarati, despite the fact that he

0:20:29.040 --> 0:20:34.240
<v Speaker 2>Voltaire likely contributed to the way that people perceived Emily

0:20:34.400 --> 0:20:39.440
<v Speaker 2>as frivolous thanks to his little nicknames. It was not long, however,

0:20:39.520 --> 0:20:43.840
<v Speaker 2>before Emily's own work was recognized and published by the Academy.

0:20:44.560 --> 0:20:49.120
<v Speaker 2>She was evidently quite proud of that particular accomplishment. Amongst

0:20:49.160 --> 0:20:53.800
<v Speaker 2>her papers cataloged following her death was the notarized receipt

0:20:53.960 --> 0:20:58.640
<v Speaker 2>of submission signed by the secretary of the Academie Fontanelle,

0:20:59.040 --> 0:21:02.800
<v Speaker 2>whom she had known and childhood. He likely had no

0:21:02.960 --> 0:21:06.840
<v Speaker 2>idea whose entry he was signing off on at the time,

0:21:07.440 --> 0:21:12.040
<v Speaker 2>given that she had submitted it anonymously, wanted it evaluated

0:21:12.240 --> 0:21:20.119
<v Speaker 2>for its intellectual merit with formal recognition from the scientific community.

0:21:20.480 --> 0:21:24.440
<v Speaker 2>Amili's next step was to write her own treatise on

0:21:24.640 --> 0:21:29.120
<v Speaker 2>natural philosophy. The publication of her work on Fire had

0:21:29.160 --> 0:21:33.160
<v Speaker 2>given her great confidence. It was her first step towards

0:21:33.160 --> 0:21:39.160
<v Speaker 2>her quote glory, as described in her posthumously published discourse Unhappiness.

0:21:39.800 --> 0:21:45.719
<v Speaker 2>Her seventeen forty work Institutions da Physique, was originally intended

0:21:45.800 --> 0:21:50.720
<v Speaker 2>as foundational teaching material for her then ten year old son,

0:21:50.800 --> 0:21:55.600
<v Speaker 2>Florent Louis. The text would contain, in her words, truths

0:21:55.680 --> 0:21:59.600
<v Speaker 2>which I want to engrave on his soul, the work

0:21:59.720 --> 0:22:03.080
<v Speaker 2>of all. However, to cover what she called a quote

0:22:03.480 --> 0:22:07.679
<v Speaker 2>vast terrain far beyond her lessons for her son or

0:22:07.720 --> 0:22:12.760
<v Speaker 2>even her previous work with Voltaire. The text introduced readers

0:22:12.800 --> 0:22:18.120
<v Speaker 2>to the foundations of Newton, but also combined philosophy and

0:22:18.200 --> 0:22:24.199
<v Speaker 2>physics to attempt a quote unified theory which would describe

0:22:24.400 --> 0:22:28.840
<v Speaker 2>not only how things happen in the universe, but why

0:22:29.040 --> 0:22:33.440
<v Speaker 2>they happen in the particular way they do. She presented

0:22:33.640 --> 0:22:39.520
<v Speaker 2>Newtonian ideas, yes, but also the ideas of Descartes and

0:22:39.680 --> 0:22:44.760
<v Speaker 2>those of the German philosophers Wolf and Leibnantz. At this time,

0:22:44.960 --> 0:22:49.000
<v Speaker 2>all students of philosophy would have been familiar with the

0:22:49.280 --> 0:22:56.800
<v Speaker 2>seventeen seventeen correspondence between Leibnitz and the Newtonian Samuel Clark,

0:22:57.320 --> 0:23:03.400
<v Speaker 2>which popularized the belief that their calculations were fundamentally opposed.

0:23:04.160 --> 0:23:08.199
<v Speaker 2>Emily looked beyond this binary to see the value in

0:23:08.320 --> 0:23:13.639
<v Speaker 2>both perspectives. Some scholars believe her viewpoint paved the way

0:23:14.119 --> 0:23:18.400
<v Speaker 2>for the one developed by Emmanuel Kant later in the century.

0:23:19.040 --> 0:23:22.679
<v Speaker 2>A great source of her inspiration came from time she

0:23:22.800 --> 0:23:28.240
<v Speaker 2>spent in Brussels, where in seventeen thirty nine she, her husband,

0:23:28.320 --> 0:23:34.040
<v Speaker 2>and Voltaire all briefly moved to claim a Duchalis property

0:23:34.080 --> 0:23:38.040
<v Speaker 2>there that was being contested. It was in Brussels she

0:23:38.160 --> 0:23:41.439
<v Speaker 2>took lessons from a tutor who had studied under the

0:23:41.520 --> 0:23:46.320
<v Speaker 2>German philosopher Wolf. In her opinion quote when it concerns

0:23:46.359 --> 0:23:50.439
<v Speaker 2>a book of physique, one must ask if it is good,

0:23:50.720 --> 0:23:54.920
<v Speaker 2>not if the author is English, German or French. Emily

0:23:55.080 --> 0:23:59.920
<v Speaker 2>was not afraid to question, even sometimes reject the conclusion

0:24:00.160 --> 0:24:05.280
<v Speaker 2>of the quote, great men Aristotle, Galileo, Newton, descartes, you

0:24:05.359 --> 0:24:09.480
<v Speaker 2>name them. Her criticism of these figures, combined with her

0:24:09.520 --> 0:24:13.120
<v Speaker 2>reverence for them, is what makes her work so unique.

0:24:14.080 --> 0:24:16.960
<v Speaker 2>It would be another year and a half before her

0:24:17.000 --> 0:24:22.000
<v Speaker 2>book was published, notably under her own name. She sent

0:24:22.160 --> 0:24:27.320
<v Speaker 2>the first copies to Frederick of Prussia, to her tutor Montpertut,

0:24:27.359 --> 0:24:33.120
<v Speaker 2>and her other intellectual correspondence. The prominent journal De Savant

0:24:33.440 --> 0:24:38.959
<v Speaker 2>published a positive review, which was likely an enormous confidence boost.

0:24:39.720 --> 0:24:43.919
<v Speaker 2>One recipient of an early copy, The new secretary of

0:24:43.960 --> 0:24:49.920
<v Speaker 2>the Academy following Fontanelle's retirement, was not as pleased. If

0:24:49.960 --> 0:24:53.800
<v Speaker 2>you recall the introduction to part one of the series,

0:24:54.280 --> 0:25:00.040
<v Speaker 2>Emily's book featured an accurate disavowal of the calculation that

0:25:00.119 --> 0:25:05.280
<v Speaker 2>force is proportional to velocity. In his first public act,

0:25:05.840 --> 0:25:10.680
<v Speaker 2>the new secretary of the Academy published a pamphlet attacking

0:25:10.720 --> 0:25:16.080
<v Speaker 2>her argument. Far from his intention, the publication only further

0:25:16.280 --> 0:25:21.639
<v Speaker 2>established Emily's legitimacy. What other woman had the Academy deigned

0:25:21.760 --> 0:25:26.159
<v Speaker 2>to acknowledge, let alone engage in public academic debate with

0:25:27.280 --> 0:25:31.800
<v Speaker 2>the secretary. Moraine was shocked when Emily fought back with

0:25:31.920 --> 0:25:36.400
<v Speaker 2>a thirty seven page response of her own. She picked

0:25:36.440 --> 0:25:42.159
<v Speaker 2>apart his letter, paragraph by paragraph, and matched his condescending,

0:25:42.359 --> 0:25:48.560
<v Speaker 2>sarcastic tone. However the public decides, She wrote, I hold

0:25:48.720 --> 0:25:53.479
<v Speaker 2>myself honored always to dispute against a person of your merit.

0:25:54.280 --> 0:25:58.840
<v Speaker 2>It seems this was not just polite posturing. She wrote

0:25:59.000 --> 0:26:02.159
<v Speaker 2>in private letters to friends that she was excited to

0:26:02.200 --> 0:26:07.359
<v Speaker 2>have such an adversary. Still, she quote wanted to pierce

0:26:07.440 --> 0:26:11.800
<v Speaker 2>him to the soul. Quote the conclusions that you have

0:26:11.920 --> 0:26:16.880
<v Speaker 2>drawn were always false, because that which implies contradiction can

0:26:16.960 --> 0:26:20.880
<v Speaker 2>never become true. She notes that she could break down

0:26:21.040 --> 0:26:25.760
<v Speaker 2>exactly why his claims were false again, but only quote

0:26:26.000 --> 0:26:30.320
<v Speaker 2>if I had wanted to bore my readers. The secretary

0:26:30.400 --> 0:26:34.959
<v Speaker 2>did not issue another response. In Parisian circles, it was

0:26:35.000 --> 0:26:40.720
<v Speaker 2>decided that Emily won the debate handedly quote. His has

0:26:40.920 --> 0:26:45.240
<v Speaker 2>succeeded very badly, she wrote to her tutor. It has

0:26:45.359 --> 0:26:49.720
<v Speaker 2>had three quarters of the success of mine. Her book

0:26:50.160 --> 0:26:54.320
<v Speaker 2>was a great success, partly fueled by the publicity of

0:26:54.359 --> 0:26:58.680
<v Speaker 2>the debate, and it received much public praise from academics.

0:26:59.640 --> 0:27:05.000
<v Speaker 2>As Emily found new success, her relationship with Voltaire became strained.

0:27:05.640 --> 0:27:09.159
<v Speaker 2>For one, he deemed himself no longer capable of sex

0:27:09.359 --> 0:27:14.200
<v Speaker 2>due to his various chronic illnesses. Voltaire never had a

0:27:14.400 --> 0:27:20.480
<v Speaker 2>large sexual appetite, which Emily accepted, but abstinence altogether was

0:27:20.560 --> 0:27:24.640
<v Speaker 2>difficult for her. At the same time, he became increasingly

0:27:24.760 --> 0:27:30.600
<v Speaker 2>upset over her diverging views, so dedicated to Newton. He

0:27:30.640 --> 0:27:35.439
<v Speaker 2>deemed Emily's book a Leibnitzian work, despite its fusion of

0:27:35.600 --> 0:27:41.159
<v Speaker 2>multiple viewpoints. Voltaire began to mock Emily more frequently in

0:27:41.240 --> 0:27:45.439
<v Speaker 2>his letters, and even published a critical review of her work.

0:27:46.280 --> 0:27:49.240
<v Speaker 2>To be fair, This was something Emily had also done

0:27:49.320 --> 0:27:54.639
<v Speaker 2>in earlier years, though in better spirits, most pettily. In

0:27:54.720 --> 0:27:59.560
<v Speaker 2>his revised seventeen forty one edition of Elements, he cut

0:27:59.720 --> 0:28:06.080
<v Speaker 2>down his dedication, erasing his praise and diminishing Emily's contributions.

0:28:06.800 --> 0:28:11.159
<v Speaker 2>It is perhaps worth noting that Emily's book was better

0:28:11.240 --> 0:28:16.200
<v Speaker 2>received than elements. Over the past few years, Emily's book

0:28:16.240 --> 0:28:22.040
<v Speaker 2>Institutions was translated into both Italian and German. Emily was

0:28:22.080 --> 0:28:26.320
<v Speaker 2>elected to the Bologna Academy of Sciences, where she chose

0:28:26.359 --> 0:28:30.520
<v Speaker 2>the name Urini, the poetic name Voltaire had once given

0:28:30.560 --> 0:28:35.560
<v Speaker 2>her as her honorific She was especially excited to not

0:28:35.880 --> 0:28:40.959
<v Speaker 2>be the only woman in the room. The Newtonian Laura Bassi,

0:28:41.240 --> 0:28:45.600
<v Speaker 2>a lecturer at the University of Bologna, was another member,

0:28:46.000 --> 0:28:50.400
<v Speaker 2>and she used Emili's book as material in her classes.

0:28:51.040 --> 0:28:54.760
<v Speaker 2>It was quote an encouragement for persons of my sex,

0:28:55.160 --> 0:28:59.760
<v Speaker 2>Emily wrote, to engage in and cultivate the sciences from

0:28:59.800 --> 0:29:05.880
<v Speaker 2>which prejudice had up to the present appeared to exclude them.

0:29:06.240 --> 0:29:09.720
<v Speaker 2>In Germany, it was likely that it was the philosopher

0:29:09.840 --> 0:29:15.600
<v Speaker 2>Wolfe himself who arranged for the translation. Despite his initial

0:29:15.640 --> 0:29:18.920
<v Speaker 2>disbelief that the work was actually written by a woman,

0:29:19.360 --> 0:29:24.520
<v Speaker 2>he came to accept Emily as a quote phenomenon, appreciating

0:29:24.600 --> 0:29:27.520
<v Speaker 2>quote the clarity with which she can talk about the

0:29:27.560 --> 0:29:32.560
<v Speaker 2>subtlest things. In the summer of seventeen forty four, Emily

0:29:32.760 --> 0:29:37.400
<v Speaker 2>had the idea for her largest project yet, a translation

0:29:37.600 --> 0:29:43.800
<v Speaker 2>and commentary on Newton's notoriously difficult Principia. She embarked on

0:29:43.880 --> 0:29:48.200
<v Speaker 2>this project during the busiest time of her life. Quote,

0:29:48.360 --> 0:29:52.080
<v Speaker 2>I lead the life of the world's most disordered. I

0:29:52.240 --> 0:29:55.000
<v Speaker 2>pass my days in the ante chamber of the Minister

0:29:55.160 --> 0:29:58.560
<v Speaker 2>of War to obtain a regiment for my son. I

0:29:58.720 --> 0:30:01.560
<v Speaker 2>go to bed at four in the morning, and I

0:30:01.680 --> 0:30:06.200
<v Speaker 2>work when I have the time. Spoken like a real

0:30:06.480 --> 0:30:11.040
<v Speaker 2>woman trying to have it all. She had recently relocated

0:30:11.120 --> 0:30:15.480
<v Speaker 2>from Siri to Louis Court in favor of the advancement

0:30:15.640 --> 0:30:20.320
<v Speaker 2>of her son, as well as to support Voltaire's ambitions

0:30:20.360 --> 0:30:24.880
<v Speaker 2>to join the Academy, and Emily struggled to balance the

0:30:24.920 --> 0:30:29.000
<v Speaker 2>lifestyle of the intellectual with the lifestyle of the courtier.

0:30:29.920 --> 0:30:34.680
<v Speaker 2>In her day, no other physicist or philosopher had undertaken

0:30:34.760 --> 0:30:40.680
<v Speaker 2>even a partial translation of Newton's Principia, but Emily intended

0:30:40.720 --> 0:30:45.920
<v Speaker 2>to translate all three volumes. The work was so complicated

0:30:46.040 --> 0:30:51.480
<v Speaker 2>that many contemporaries, including her tutor Morpetu, acknowledged that they

0:30:51.560 --> 0:30:54.840
<v Speaker 2>found it hard to follow. It was not just a

0:30:55.000 --> 0:30:59.800
<v Speaker 2>simple translation, either. She had to choose which mathematicians in

0:31:00.000 --> 0:31:04.560
<v Speaker 2>interpretations of the work to include and add her own calculations,

0:31:04.960 --> 0:31:09.560
<v Speaker 2>even if they contradicted Newton's. While she was on course

0:31:09.600 --> 0:31:13.800
<v Speaker 2>to have the translation published in seventeen forty six, she

0:31:13.920 --> 0:31:20.200
<v Speaker 2>had to pause in seventeen forty five following a revelation Voltaire,

0:31:20.400 --> 0:31:26.880
<v Speaker 2>it appeared, had regained his sexual appetite, only not for Emilie.

0:31:27.800 --> 0:31:33.040
<v Speaker 2>She had discovered a collection of letters between Voltaire and

0:31:33.280 --> 0:31:37.480
<v Speaker 2>Marie Louise Deni, a thirty three year old widow and

0:31:38.200 --> 0:31:44.640
<v Speaker 2>Voltaire's own niece. Though rumors circulated, Emilie did not go

0:31:44.760 --> 0:31:50.080
<v Speaker 2>public with the scandalous betrayal, and details were only uncovered

0:31:50.480 --> 0:31:54.800
<v Speaker 2>after the letters were sold at auction in the nineteen fifties.

0:31:55.600 --> 0:31:59.479
<v Speaker 2>She wrote about her reaction to the discovery, with holding

0:31:59.640 --> 0:32:05.440
<v Speaker 2>specific details in her posthumously published book. In their years

0:32:05.480 --> 0:32:10.160
<v Speaker 2>without a sexual relationship, Emily believed quote I was loving

0:32:10.320 --> 0:32:13.240
<v Speaker 2>for two I spent all my time with him and

0:32:13.400 --> 0:32:17.800
<v Speaker 2>my heart free from suspicion, delighted in the pleasure of

0:32:17.880 --> 0:32:21.479
<v Speaker 2>loving and in the illusion of believing myself loved.

0:32:22.160 --> 0:32:24.360
<v Speaker 3>But now quote I have lost this.

0:32:24.440 --> 0:32:30.120
<v Speaker 1>Happy state, and this cost me many tears. They eventually

0:32:30.280 --> 0:32:34.680
<v Speaker 1>rekindled their friendship, Voltaire's place in her life as a

0:32:34.760 --> 0:32:39.600
<v Speaker 1>collaborator and friend was ultimately more important to Emily than

0:32:39.680 --> 0:32:44.479
<v Speaker 1>his place as a lover, despite their ten years spent together.

0:32:45.120 --> 0:32:50.040
<v Speaker 1>She wrote, quote, terrible shocks are needed to break such chains.

0:32:50.560 --> 0:32:53.840
<v Speaker 1>The wound to my heart bled for a long time.

0:32:54.360 --> 0:32:59.040
<v Speaker 1>I had grounds to complain, and I have pardoned all end.

0:32:59.120 --> 0:33:00.800
<v Speaker 3>Quote.

0:33:01.280 --> 0:33:07.160
<v Speaker 2>Once recovered from heartbreak, Emily returned to Newton. She transported

0:33:07.200 --> 0:33:10.440
<v Speaker 2>her books, her notes, and her drafts to the court

0:33:10.600 --> 0:33:14.000
<v Speaker 2>at Loonville, where she joined her family and settled in

0:33:14.280 --> 0:33:17.719
<v Speaker 2>to work. It was during this time, however, that a

0:33:17.840 --> 0:33:22.240
<v Speaker 2>new lover entered her life. Jean Francois de Saint Lambert

0:33:22.440 --> 0:33:25.680
<v Speaker 2>was ten years younger than she was, an officer of

0:33:25.720 --> 0:33:29.360
<v Speaker 2>the King's Guard and a novice poet. He was no

0:33:29.560 --> 0:33:33.959
<v Speaker 2>intellectual match for Emily, or Voltaire for that matter, but

0:33:34.040 --> 0:33:36.480
<v Speaker 2>that wasn't important to her at the time.

0:33:37.080 --> 0:33:38.840
<v Speaker 3>Their courtship was swift.

0:33:39.320 --> 0:33:42.320
<v Speaker 2>She wrote to him, you are the only one who

0:33:42.400 --> 0:33:45.440
<v Speaker 2>has made me feel that my heart is still capable

0:33:45.560 --> 0:33:50.360
<v Speaker 2>of loving. Over the next few years, they built a relationship,

0:33:50.560 --> 0:33:54.400
<v Speaker 2>but her lover was fickle, sometimes accusing Emily of loving

0:33:54.440 --> 0:33:57.520
<v Speaker 2>him too much, sometimes accusing her of not paying enough

0:33:57.520 --> 0:34:01.360
<v Speaker 2>attention to him. She in turn accused him of not

0:34:01.640 --> 0:34:05.560
<v Speaker 2>understanding the importance of her work. She wrote to him,

0:34:05.800 --> 0:34:09.920
<v Speaker 2>this book is awaited, promised begun two years ago. My

0:34:10.120 --> 0:34:14.839
<v Speaker 2>reputation depends on it. But Emily was not only due

0:34:14.920 --> 0:34:20.000
<v Speaker 2>a book, but also a baby. In January or February

0:34:20.080 --> 0:34:25.680
<v Speaker 2>of seventeen forty nine, Emily realized she was pregnant. At

0:34:25.719 --> 0:34:29.680
<v Speaker 2>forty one, she was considered long past child bearing years.

0:34:30.280 --> 0:34:34.040
<v Speaker 2>It's very likely she and Saint Lambert didn't believe pregnancy

0:34:34.160 --> 0:34:38.319
<v Speaker 2>was a possibility. We don't know how her husband or

0:34:38.360 --> 0:34:42.920
<v Speaker 2>Sant Lambert reacted to this news, but court gossip obviously

0:34:43.040 --> 0:34:47.600
<v Speaker 2>had a field day. There had been long whispers of

0:34:47.640 --> 0:34:51.239
<v Speaker 2>the affair between Emily and her young lover. No one

0:34:51.360 --> 0:34:55.960
<v Speaker 2>believed the baby was her husband's. Despite this, in another

0:34:56.120 --> 0:35:01.320
<v Speaker 2>demonstration of his character, the Marquis claimed eternity to protect

0:35:01.320 --> 0:35:05.680
<v Speaker 2>his wife and excitedly told courtiers of his hopes for

0:35:05.840 --> 0:35:11.520
<v Speaker 2>another boy. Despite his poor performances in Voltaire's little plays,

0:35:11.920 --> 0:35:17.440
<v Speaker 2>apparently the man had convincing enough acting prowess. From February

0:35:17.520 --> 0:35:22.239
<v Speaker 2>to June of seventeen forty nine, despite her state, Emelie

0:35:22.280 --> 0:35:27.840
<v Speaker 2>recommitted herself to quote my Newton. She moved back to Paris,

0:35:28.200 --> 0:35:31.839
<v Speaker 2>isolating herself in her apartments, and she was determined to

0:35:31.960 --> 0:35:36.400
<v Speaker 2>stay in Paris until her work was finished. Part of

0:35:36.440 --> 0:35:40.920
<v Speaker 2>her determination to finish the project stemmed from fears surrounding

0:35:40.960 --> 0:35:44.920
<v Speaker 2>her pregnancy. In a letter to sin Lambert, she explained

0:35:45.000 --> 0:35:49.680
<v Speaker 2>that she must see to her affairs before the birth, quote,

0:35:49.840 --> 0:35:53.040
<v Speaker 2>I want to leave them in order and take measures

0:35:53.120 --> 0:35:58.320
<v Speaker 2>about my papers. She followed through on this desire, neatly

0:35:58.440 --> 0:36:02.480
<v Speaker 2>binding important docum and leaving a letter for her husband,

0:36:02.920 --> 0:36:05.440
<v Speaker 2>only to be opened in the event of her death.

0:36:06.480 --> 0:36:10.320
<v Speaker 2>Emily spent the last three weeks of her life devoted

0:36:10.440 --> 0:36:15.040
<v Speaker 2>to translating Newton. She was often joined by Voltaire, who

0:36:15.080 --> 0:36:19.880
<v Speaker 2>had returned to Paris, and by a mathematical correspondent who

0:36:20.040 --> 0:36:26.560
<v Speaker 2>checked her calculations. Her routine was once again grueling. She

0:36:26.719 --> 0:36:31.200
<v Speaker 2>rose at eight or nine and worked straight through to three.

0:36:31.320 --> 0:36:34.880
<v Speaker 2>In the afternoon, she took an hour break for coffee,

0:36:34.920 --> 0:36:38.720
<v Speaker 2>and then began again at four. She took dinner at ten,

0:36:39.360 --> 0:36:44.360
<v Speaker 2>followed by conversation with Voltaire or her mathematical correspondent. She

0:36:44.440 --> 0:36:48.200
<v Speaker 2>then worked through the night and into the early morning hours.

0:36:48.560 --> 0:36:52.560
<v Speaker 2>From midnight until five a m. She acknowledged to her

0:36:52.600 --> 0:36:56.720
<v Speaker 2>lover that this required quote a mind and body of iron,

0:36:57.160 --> 0:37:02.120
<v Speaker 2>but that finishing the book was a frightening need. Before

0:37:02.280 --> 0:37:05.080
<v Speaker 2>the birth, she returned to court, where she was joined

0:37:05.080 --> 0:37:08.319
<v Speaker 2>by a number of female friends, as well as by

0:37:08.440 --> 0:37:14.040
<v Speaker 2>San Simon and Voltaire, her current and previous lover. At

0:37:14.160 --> 0:37:18.200
<v Speaker 2>four in the morning on September fourth, seventeen forty nine,

0:37:18.560 --> 0:37:22.920
<v Speaker 2>Emily gave birth to a daughter. Over the next few days,

0:37:23.040 --> 0:37:26.840
<v Speaker 2>she was expected to remain in bed, where she likely

0:37:26.880 --> 0:37:32.040
<v Speaker 2>continued to finish work on Principia's translation. In that time,

0:37:32.239 --> 0:37:36.880
<v Speaker 2>she finished correcting the printer's proofs, packaged up all the

0:37:36.920 --> 0:37:41.400
<v Speaker 2>papers of her commentary, and sent them to the Royal librarian.

0:37:42.360 --> 0:37:43.240
<v Speaker 3>A day or two.

0:37:43.120 --> 0:37:47.160
<v Speaker 2>Later, she developed a fever than a violent headache. She

0:37:47.160 --> 0:37:50.520
<v Speaker 2>had developed a blood clot that had cut off her breathing.

0:37:51.160 --> 0:37:54.680
<v Speaker 2>The Royal physician was called, but within ten minutes, as

0:37:54.719 --> 0:37:59.120
<v Speaker 2>her lover cried out, Emily was no more. She was

0:37:59.239 --> 0:38:03.480
<v Speaker 2>forty two. The Gazette de Holand in her obituary, called

0:38:03.520 --> 0:38:08.840
<v Speaker 2>her the Sappho Moderne, and noted her various scientific writings,

0:38:08.880 --> 0:38:13.000
<v Speaker 2>including her then yet to be published translation of and

0:38:13.120 --> 0:38:18.480
<v Speaker 2>commentary on Newton's Principia It was a decade after her

0:38:18.560 --> 0:38:22.280
<v Speaker 2>death when the return of Haley's comments sparked a public

0:38:22.400 --> 0:38:28.400
<v Speaker 2>excitement for scientific phenomena that Principia was published. It became

0:38:28.560 --> 0:38:33.160
<v Speaker 2>an integral text for French physicists of the era and

0:38:33.400 --> 0:38:37.600
<v Speaker 2>remains the only French translation of the work to this day.

0:38:38.480 --> 0:38:42.840
<v Speaker 2>But we know how the story goes. Voltaire became Voltaire

0:38:43.280 --> 0:38:47.200
<v Speaker 2>the idol of the Revolution, and Emily was reduced to

0:38:47.320 --> 0:38:52.520
<v Speaker 2>a footnote in his story, overshadowed by proximity to his

0:38:52.880 --> 0:38:58.640
<v Speaker 2>famous greatness. Her work gradually disappeared from shelves, but in

0:38:58.760 --> 0:39:04.279
<v Speaker 2>recent years scholar surrounding Emily has increased, and her individual

0:39:04.320 --> 0:39:09.239
<v Speaker 2>accomplishments are recognized by many. A crater on Venus is

0:39:09.320 --> 0:39:14.440
<v Speaker 2>named after her. An opera depicts her final moments. Duke

0:39:14.680 --> 0:39:19.560
<v Speaker 2>University present an annual Duchatelay Prize in Philosophy of Physics.

0:39:20.160 --> 0:39:24.440
<v Speaker 2>Their twenty twenty five topic was physics in the Writings

0:39:24.480 --> 0:39:29.120
<v Speaker 2>of Women seventeen hundred to nineteen hundred. Hopefully the winner

0:39:29.280 --> 0:39:38.200
<v Speaker 2>brought another forgotten woman to light. That's the second part

0:39:38.320 --> 0:39:41.040
<v Speaker 2>of our two part series on Emily Duchatelas.

0:39:41.400 --> 0:39:42.560
<v Speaker 3>But keep listening.

0:39:42.719 --> 0:39:46.120
<v Speaker 2>After a brief sponsor break, to hear a little bit

0:39:46.160 --> 0:39:57.680
<v Speaker 2>more about Emily's legacy in popular media. In twenty twenty three,

0:39:57.840 --> 0:40:01.759
<v Speaker 2>a new play received its New York premiere off Broadway.

0:40:02.160 --> 0:40:06.520
<v Speaker 2>Emily la Marquis de Chatelais defends her life Tonight. In

0:40:06.560 --> 0:40:10.120
<v Speaker 2>the play, Emily finds herself having slipped through the space

0:40:10.239 --> 0:40:15.760
<v Speaker 2>time continuum, lingering between life and death. Her unfinished business

0:40:15.920 --> 0:40:19.320
<v Speaker 2>is quantifying her legacy, did her work matter?

0:40:19.880 --> 0:40:20.800
<v Speaker 3>And how?

0:40:21.360 --> 0:40:24.600
<v Speaker 2>Emily watches her own life play out before her eyes,

0:40:25.160 --> 0:40:29.640
<v Speaker 2>all while trying to determine what it meant. The playwright,

0:40:29.920 --> 0:40:34.520
<v Speaker 2>Lauren Gunderson shared, She's a scientist, so she needs proof

0:40:34.920 --> 0:40:39.520
<v Speaker 2>even though it's impossible to quantify a life's meaning. In

0:40:39.560 --> 0:40:44.080
<v Speaker 2>the end, she is met by two realizations her science

0:40:44.239 --> 0:40:47.880
<v Speaker 2>did matter to the world, she was right about squaring speed,

0:40:48.480 --> 0:40:51.359
<v Speaker 2>and that the only person who needs to believe that she.

0:40:51.440 --> 0:40:53.239
<v Speaker 3>Mattered is herself.

0:41:00.120 --> 0:41:04.160
<v Speaker 1>And now keep listening for a sneak peak of the

0:41:04.200 --> 0:41:07.880
<v Speaker 1>audiobook of my newest book, The Rcane.

0:41:07.520 --> 0:41:18.680
<v Speaker 4>Arts from storer dot Elspeth two Rollins DAA subject your

0:41:18.800 --> 0:41:25.840
<v Speaker 4>Arcane Mechanicals course. Hi, Professor, First, let me apologize for

0:41:25.880 --> 0:41:28.359
<v Speaker 4>writing an email to you at all, given that I'm

0:41:28.400 --> 0:41:32.960
<v Speaker 4>sure with classes just starting. You're incredibly busy, and I'm

0:41:33.000 --> 0:41:36.359
<v Speaker 4>also sorry for beginning said email with high when you

0:41:36.440 --> 0:41:41.440
<v Speaker 4>might find that incredibly overly familiar and unprofessional. Please be

0:41:41.480 --> 0:41:44.760
<v Speaker 4>assured that I went through several drafts of initial salutations,

0:41:45.440 --> 0:41:50.200
<v Speaker 4>deer felt informal and strained two robotic to the point

0:41:50.239 --> 0:41:54.040
<v Speaker 4>of rudeness, and so I'm left with high.

0:41:55.120 --> 0:41:55.319
<v Speaker 3>HI.

0:41:56.719 --> 0:42:00.360
<v Speaker 4>A bit about me. I graduated from Saint Andrew's first

0:42:00.360 --> 0:42:03.400
<v Speaker 4>Class Honors with an independent study in Augury under Professor

0:42:03.520 --> 0:42:07.520
<v Speaker 4>Arthur Binder that received the Flint Marksie Prize for undergraduate Achievement.

0:42:08.440 --> 0:42:10.600
<v Speaker 4>I spent the fall of last year living in London

0:42:10.719 --> 0:42:14.200
<v Speaker 4>while studying for the Arcanas, planning on applying to graduate

0:42:14.239 --> 0:42:18.719
<v Speaker 4>programs in the spring. Unfortunately, my plans were derailed by

0:42:18.840 --> 0:42:21.560
<v Speaker 4>life circumstances that I would be happy to discuss more

0:42:21.600 --> 0:42:25.240
<v Speaker 4>in person, but suffice it to say, with an incomplete

0:42:25.320 --> 0:42:28.080
<v Speaker 4>Arcanis score, I was well aware that I would not

0:42:28.160 --> 0:42:31.200
<v Speaker 4>have merited any significant consideration had I sent in a

0:42:31.200 --> 0:42:34.160
<v Speaker 4>formal application to the graduate program for admission this term,

0:42:34.880 --> 0:42:37.719
<v Speaker 4>which is why I am writing to you now in

0:42:37.760 --> 0:42:40.160
<v Speaker 4>the hope that a personal appeal might be the best

0:42:40.200 --> 0:42:44.160
<v Speaker 4>way forward. Please be sure I am well aware of

0:42:44.200 --> 0:42:47.879
<v Speaker 4>how competitive the DAA program at Newland is with only

0:42:47.960 --> 0:42:51.600
<v Speaker 4>a small group of hand selected students each year. But

0:42:51.760 --> 0:42:54.080
<v Speaker 4>I know I would be an asset to the department,

0:42:54.800 --> 0:42:57.960
<v Speaker 4>and as I said, I would be happy to offer

0:42:58.000 --> 0:43:01.400
<v Speaker 4>an explanation of the extenuating circum stances around my arcanis

0:43:01.840 --> 0:43:04.200
<v Speaker 4>and convince you why that result is not at all

0:43:04.320 --> 0:43:08.839
<v Speaker 4>reflective of my passion or my natural predisposition for mechanicals.

0:43:09.600 --> 0:43:13.600
<v Speaker 4>Here is where I should offer another apology. I snuck

0:43:13.640 --> 0:43:17.200
<v Speaker 4>into your introductory lecture yesterday morning and borrowed your email

0:43:17.239 --> 0:43:20.799
<v Speaker 4>address off the syllabus. If you happened to notice a

0:43:20.840 --> 0:43:23.480
<v Speaker 4>twenty something girl in a red sweater a few sizes

0:43:23.520 --> 0:43:26.680
<v Speaker 4>too big, looking like a child on Christmas morning, that

0:43:26.840 --> 0:43:31.759
<v Speaker 4>was me. I've never seen anyone talk about arcane mechanicals

0:43:31.800 --> 0:43:34.719
<v Speaker 4>the way you did in the past. When I heard

0:43:34.719 --> 0:43:39.399
<v Speaker 4>teachers discuss conservation of matter and the rudimentary mechanicals, they

0:43:39.400 --> 0:43:43.680
<v Speaker 4>made it sound so sterile. You made it sound like

0:43:43.719 --> 0:43:46.960
<v Speaker 4>we were conductors in a symphony, like the strings of

0:43:47.000 --> 0:43:49.640
<v Speaker 4>reality are our is to be teased out at will

0:43:49.680 --> 0:43:52.960
<v Speaker 4>and played in harmony. That is not to say I

0:43:52.960 --> 0:43:58.040
<v Speaker 4>don't appreciate the incredibly rigorous mathematics required to study arcane mechanicals.

0:43:58.600 --> 0:44:02.200
<v Speaker 4>Because I do. I'm attaching my transcript below in case

0:44:02.239 --> 0:44:05.600
<v Speaker 4>you're curious, and in case this email hasn't already wasted

0:44:05.760 --> 0:44:09.320
<v Speaker 4>enough of your time, And if you find yourself curious,

0:44:09.560 --> 0:44:12.600
<v Speaker 4>please be sure to check my undergraduate coursework in differential

0:44:12.600 --> 0:44:17.040
<v Speaker 4>equations and multivariables, top of the class in both. I

0:44:17.120 --> 0:44:20.279
<v Speaker 4>know traditionally you wouldn't accept students into your program once

0:44:20.320 --> 0:44:23.759
<v Speaker 4>the semester has already begun, and I realize this is

0:44:23.840 --> 0:44:27.840
<v Speaker 4>an incredibly unorthodox request, But seeing as I don't have

0:44:27.880 --> 0:44:30.760
<v Speaker 4>access to a genie time travel or a fortune notist

0:44:30.800 --> 0:44:35.200
<v Speaker 4>FAVORI ritual, there's only one course of action left to me. You.

0:44:36.520 --> 0:44:39.200
<v Speaker 4>If there were ever a chance you could make an exception,

0:44:40.040 --> 0:44:42.359
<v Speaker 4>I can promise you will never teach a student more

0:44:42.400 --> 0:44:46.000
<v Speaker 4>willing to work hard than me. I've already taken up

0:44:46.040 --> 0:44:50.440
<v Speaker 4>too much of your time, and so I'm sorry again.

0:44:51.640 --> 0:44:52.000
<v Speaker 3>Best.

0:44:53.040 --> 0:44:55.520
<v Speaker 4>How is that Elsbeth.

0:44:55.200 --> 0:45:07.080
<v Speaker 5>Store from Rowlin's DA two STORER do Elsbeth subject read

0:45:07.600 --> 0:45:15.000
<v Speaker 5>your RK Mechanicals course, Miss Staller. Many a young applicant

0:45:15.080 --> 0:45:19.760
<v Speaker 5>has felt improperly represented by her Arcanis' score, but often

0:45:19.760 --> 0:45:23.440
<v Speaker 5>that indignation arises from a misunderstanding of the test itself.

0:45:24.600 --> 0:45:28.000
<v Speaker 5>The exam does not seek only to measure intellectual capability,

0:45:28.320 --> 0:45:31.920
<v Speaker 5>but is an instrument intended to assess holistic fitness for

0:45:32.000 --> 0:45:36.759
<v Speaker 5>the rigors of this study and the responsibilities of its practice.

0:45:36.800 --> 0:45:40.440
<v Speaker 5>If the face I vaguely recall connected to that unfortunate

0:45:40.520 --> 0:45:44.480
<v Speaker 5>red sweater is any indication you are quite young, and

0:45:44.520 --> 0:45:47.560
<v Speaker 5>as such she may lack the self awareness to soberly

0:45:47.680 --> 0:45:52.680
<v Speaker 5>judge your own shortcomings, Evidently I am in a procrastinatory

0:45:52.760 --> 0:45:57.280
<v Speaker 5>mood and avoiding the quizzes piled upon my desktop because

0:45:57.320 --> 0:46:02.280
<v Speaker 5>many words have now been written PHPs. One would suffice

0:46:02.600 --> 0:46:09.319
<v Speaker 5>no best of luck with your studies. T. M rawlins DAA.

0:46:11.520 --> 0:46:15.280
<v Speaker 1>Noble Blood is a production of iHeart Radio and Grim

0:46:15.320 --> 0:46:18.879
<v Speaker 1>and Mild from Aaron Manky. Noble Blood is hosted by

0:46:18.920 --> 0:46:22.920
<v Speaker 1>me Dana Schwartz. Writers for Noble Blood are Hannah Johnston,

0:46:23.080 --> 0:46:27.720
<v Speaker 1>Hannah Zwick, Paul Jaffey, Natasha Laski, and me Dana Schwartz.

0:46:28.320 --> 0:46:31.520
<v Speaker 1>The show is edited and produced by Jesse Funk and

0:46:31.760 --> 0:46:37.360
<v Speaker 1>Nomes Griffin, with supervising producer rima Ill Kali and executive

0:46:37.360 --> 0:46:41.600
<v Speaker 1>producers Aaron Manke, Trevor Young, and Matt Frederick. For more

0:46:41.640 --> 0:46:47.120
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

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