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Speaker 1: What's up. This is Michael Rapport. You are now listening

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Speaker 1: to the I Am Rappaport Stereo Podcast. On today's podcast,

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Speaker 1: me and G. Moody, whose last name rhymes with duty,

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Speaker 1: are bullying the bullies. It's playoff season. I break down

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Speaker 1: my long hate tred of l I break down in

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Speaker 1: detail the real reason why I can't stand Lebron blams.

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Speaker 1: Bill Moore attacked Andy Cohen on Live TV. One of

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Speaker 1: the great stickmen of all time just had a son.

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Speaker 1: We have some wacky, wonderful sick funs of the week,

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Speaker 1: some of them go beyond the sick funk of the week.

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Speaker 1: And we have special guest, freestyling fanatic Chris Webby MC.

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Speaker 1: Chris Webby the Rapper is on the show. We're talking

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Speaker 1: about rap being a white rapp report versus being a

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Speaker 1: white rapper, and so much more. And Chris Webby drops

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Speaker 1: some motherfucking banger, drops some heat on the I Am

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Speaker 1: Wrappaport Stereo Podcast Live in the Gloom Tune The Iron

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Speaker 1: Rapports Stereo Podcast coming up next with G. Moody whose

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Speaker 1: last name rhymes with duty, and special guest my man

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Speaker 1: Chris Webby. Miles Jordan's let me get something funky. All right,

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Speaker 1: we're here ce Iron Rapports Stereo Podcast. Have no fear.

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Speaker 1: The Iron rapp Reports Stereo Podcast is here. We are

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Speaker 1: back bullying the bullies. My name is Boom Boom Wrap

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Speaker 1: Report a K. The Gringo Man Dingo a k. The

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Speaker 1: Jake Lamata of podcasting. I'm here with g. Moody, whose

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Speaker 1: last name rhymes with duty. That's true. Are you now

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Speaker 1: rocking with the best See Iron Wrap Reports Stereo Podcast

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Speaker 1: coming live and direct. Um Hi feeling Mr Moody, Man,

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Speaker 1: I feel fantastic. Man. Uh, just enjoy life, having a

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Speaker 1: good time, playoffs, enjoying all this. You know this out

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Speaker 1: time of year. Man, Oh, this is our time a year.

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Speaker 1: It's the NBA Playoffs. Things aren't really going so good

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Speaker 1: for your your sort of outlandish prediction you made the

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Speaker 1: other day. Uh. Thus far, Golden State is beating the

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Speaker 1: ship out of the San Antonio Spurs. But it is early.

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Speaker 1: Is a lot of basketball to play. It's very early.

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Speaker 1: But listen, we have to relish. We have to relish

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Speaker 1: certain things while they last. And of course this is

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Speaker 1: a beautiful, straightforward segue into the fact that Lebron James

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Speaker 1: lost his very first game one in a playoff series,

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Speaker 1: which is hard to believe. That's very impressive. But the

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Speaker 1: Cleveland caw Aliers are down one game to nothing, one

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Speaker 1: game to nothing to the Indiana Pacers. Even I in

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Speaker 1: my daily NBA predictions, and you can find my daily

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Speaker 1: NBA predictions on my Twitter and on my Instagram and

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Speaker 1: on my Instagram story and my Facebook and my snapcheck.

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Speaker 1: Every everything is Michael Rappaport. There's no underscore Michael Rapp Report.

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Speaker 1: There's no underscore Michael Underscore Rapp Report. It's all at

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Speaker 1: Michael rappaport. Um. I was excited. I was thrilled. I

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Speaker 1: have to be honest. G Moody, Lebron James and the

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Speaker 1: Cleveland Cavaliers looking like shit in the game one of

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Speaker 1: the Indiana Pacers first round in the series. Albeit he

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Speaker 1: has he came back from three to one in the finals,

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Speaker 1: and I'm not saying he can't do it. I'm just saying, listen,

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Speaker 1: they look like shit. They can't play defense. They have

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Speaker 1: a brand new team. Okay, Trystan Thompson and we're gonna

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Speaker 1: get to this. Motherfucker played two minutes, two minutes in

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Speaker 1: Game one. They're in trouble. They're not winning the championship.

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Speaker 1: I'll give you this. Do you want to pull out

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Speaker 1: your prediction? Do you want to change I'll give you

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Speaker 1: one opportunity to change it. Now. Do you want to

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Speaker 1: change your prediction that you said the Cleveland Cavaliers will

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Speaker 1: win the finals? This is my one and only opportunity

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Speaker 1: for you to for you to change it. No, I

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Speaker 1: got them to do it. I'm a man of my convictions.

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Speaker 1: Be I I keep it, I say it, and this

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Speaker 1: is what it is. And remember I've been correct more

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Speaker 1: times than wrong. Not not true, that's that's just not true.

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Speaker 1: Remember when it was down three one and you was

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Speaker 1: like it was I don't think we were podcasting? Then yes, podcasting?

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Speaker 1: Then yes we were. It's on record we would you

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Speaker 1: predicted that they were gonna win. He was like, get

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Speaker 1: the funk out of here, and look what happened. They

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Speaker 1: came back. So, like Lebron said in the press conference,

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Speaker 1: I've been down three one in the finals. What the

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Speaker 1: hell is one game? Yeah? That was that was the

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Speaker 1: finals when the phantom Draymond Green Dick kick, he single

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Speaker 1: handedly Lebron James didn't even know. He didn't even know

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Speaker 1: that Draymond Green flailed the kick at his shorts. It

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Speaker 1: didn't kick him in the loaf. He didn't connect with

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Speaker 1: his with his loaf. He connected with the shorts. He

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Speaker 1: wasn't even aware of it because he didn't get if

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Speaker 1: he had kicked him in the in his piece, and

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Speaker 1: he would have leaned over the way every single man

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Speaker 1: does when you get hit. If it's a light tap

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Speaker 1: or a kick, you're gonna bend over. If you look

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Speaker 1: at the tape, when Draymond Green flailed his foot at Lebron,

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Speaker 1: probably an attempt to kick him, he did not connect.

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Speaker 1: He did not connect Lebron James wasn't even aware of

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Speaker 1: the attempted kick. That being said, listen, it's over. They won.

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Speaker 1: He was brilliant in that series. It was incredible. Well

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Speaker 1: he's still brilliant. But you know what, Uh, this isn't

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Speaker 1: this isn't boxing, this isn't singles tennis. This is basketball.

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Speaker 1: And you need a team, okay, and and and you

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Speaker 1: know what the thing is, Generald, this is the thing.

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Speaker 1: This is this is why, no bullshit, no bullshit. The

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Speaker 1: other day when they lost that game one, I had

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Speaker 1: a fucking pep in my step and I said this

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Speaker 1: is this. Literally, I swear to God, I literally felt

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Speaker 1: like it was Christmas and I was like, this is

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Speaker 1: why I love the fucking n b at Okay, this

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Speaker 1: is why I I can't stand this motherfucker and and listen,

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Speaker 1: we have there's me. I have to explain it once again.

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Speaker 1: I feel like, yearly, every year, this time of year,

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Speaker 1: we have to go over this, Okay, and I'm gonna

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Speaker 1: try to I'm gonna try to change it a little

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Speaker 1: bit this year for you Fox, the hate shaming, the

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Speaker 1: mad shaming that goes on, the protective custody that Lebron

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Speaker 1: James lives in with these millennial fucking babies every year

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Speaker 1: when I come out of the woodworks. This year, I'm

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Speaker 1: wearing my Waistland jersey every single day. Okay. I have

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Speaker 1: a custom, one of a kind waste Land jersey NBA

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Speaker 1: material number twenty three. My guy hooked it up for

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Speaker 1: me and we are bringing back the gorgeous Wasteland T shirt.

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Speaker 1: All butter Soft, Iron, Wrappaport Stereo Podcast t shirts are available.

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Speaker 1: The new waste Land number twenty three T shirt along

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Speaker 1: with the Stickman T shirt along with the sucker Shit

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Speaker 1: T shirt along with the entire butter Soft Iron Wrapports

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Speaker 1: Stereo podcast T shirts are available at district Lines dot

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Speaker 1: com forward slash I am Wrappaport. But you too can

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Speaker 1: wear a waist land T shirt alongside me every single

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Speaker 1: day the Cleveland Cavaliers play. You can get your fucking

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Speaker 1: waist Land T shirt and cheer. Take it off, wear

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Speaker 1: it on your head, pick up your dogs, ship with it,

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Speaker 1: do whatever the funk you want to do with it.

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Speaker 1: District lines dot com forward slash, I am rapp Report.

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Speaker 1: The entire butter Soft Iron Rapport podcast T shirt collection

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Speaker 1: is available there. I don't know what the fuck I

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Speaker 1: started saying, Oh, with the Lebron James, the Lebron James

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Speaker 1: every single year. Of course, when they lost, what am

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Speaker 1: I gonna do? Gerald? What what am I gonna do?

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Speaker 1: It's it's like clockwork. They lose. I go on social media. Yeah,

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Speaker 1: it's like funking. I don't know why people are surprising.

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Speaker 1: Oh you're talking shit again, dub motherfucker. Duh. You knew

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Speaker 1: it was coming. They lost the first game at home.

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Speaker 1: I'm not gonna of course, I'm talking shit. I'm talking

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Speaker 1: ship for two days, talking ship. When they win, I'm

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Speaker 1: talking to when I talk shit, no matter what this

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Speaker 1: fucking guy does, because I can't stand this motherfucker. And No,

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Speaker 1: it's not because he was a hand job when he

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Speaker 1: met my kids. Okay, that was the icing on the cake.

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Speaker 1: No it's not because he's never ever entered an NBA

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Speaker 1: slam dunk contest. No it's not because he's single handedly

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Speaker 1: destroyed the competitive culture of the NBA with his Big

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Speaker 1: three banana boat bullshit. The soul and only and most

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Speaker 1: important reason why I hate Lebron fucking James as a

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Speaker 1: basketball player. I don't have to say what he's a

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Speaker 1: great person he is, do I do? Anybody's saying how

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Speaker 1: great of a person I am? No one points that out.

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Speaker 1: We're talking about him as a basketball player. We know

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Speaker 1: he's a great father, we know he's a great person,

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Speaker 1: we know he's a great leader, we know he's a

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Speaker 1: great role model. But I'm talking about him as a

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Speaker 1: fucking basketball player. The reason why I can't stand this fuck,

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Speaker 1: this overcuofft bearded fuck is because he's great. There, I

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Speaker 1: fucking said it, but nobody batted and I no one

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Speaker 1: said a fucking word to me through his entire NBA career.

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Speaker 1: I fucking Heckleton screamed that Larry Joe Bird the fucking

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Speaker 1: hit from French lick, my favorite white person with no lips.

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Speaker 1: Everybody outside of Boston couldn't stand that motherfucker. Did you

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Speaker 1: ever have to explain hate for Larry Bird Gerald? It

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Speaker 1: was like self explanatory. Correct correct? I hear you, I'm saying, yeah,

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Speaker 1: fucking dad, Dan Marino, he's down there with his beautiful

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Speaker 1: hair and his blue eyes and his Pittsburgh fucking swag,

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Speaker 1: and he's down there throwing touchdowns to Mark Duper and

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Speaker 1: fuck Miami couldn't stand this motherfucker hated him. Joe Montana

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Speaker 1: with his fucking dimples and his bullshit in San Francisco

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Speaker 1: forty nineties, and his culprit, his number one dude, Jerry writes,

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Speaker 1: I couldn't stand these motherfucker's needed no explanation. Michael Jordan's

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Speaker 1: Reggie Miller, that snaggletooth cocksucker Reggie. Look, he drank Hate

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Speaker 1: smoothies for breakfast. He lived. Did they hate the venom

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Speaker 1: that came from the NBA fans across the country, specifically

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Speaker 1: in New York City, that pushed him to all time

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Speaker 1: great levels? No one batted an eye. Even Kobe hate,

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Speaker 1: nobody bats an eye. Kanye hate nobody bats an eye.

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Speaker 1: But for some reason with Lebron fucking James, were you hating?

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Speaker 1: Don't hate the king, don't hate, appreciate, don't hate congratulately?

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Speaker 1: Fuck you. All good things come to an end, and

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Speaker 1: it's coming to an end this fucking year. I sat

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Speaker 1: there and watched do not let g Moody, whose last

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Speaker 1: name rhymes with duty, do not let him fool you.

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Speaker 1: We sat there together on the couch while this fucking

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Speaker 1: guy had a pep rally. When he went to my

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Speaker 1: am me, I sat there with G Moody. I'll never

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Speaker 1: forget it. The fireworks, fucking parade, the cheerleaders, the whole thing,

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Speaker 1: not to not three, not six, fuck you, fuck you.

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Speaker 1: He succeeded. Oh listen you fuck You were right there.

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Speaker 1: You you were like this is some bullshit. You were

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Speaker 1: you were offended because it was the ushering end of

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Speaker 1: a new thing. And I was like, damn, they're giving

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Speaker 1: pep rallys. Motherfucker's getting traded, and now they give a parade,

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Speaker 1: and and this motherfucker talked about winning eight championships. I

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Speaker 1: was offended by that. So yeah, but now you're back

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Speaker 1: on his bozak. But I'm saying greatness is greatness, So

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Speaker 1: at some point you begin to look ridiculous hating on

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Speaker 1: such a great player. Gerald, did you ever see me

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Speaker 1: cheering from Michael Jordan when he came to the garden

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Speaker 1: and you were dumped and you were a dumb motherfucker

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Speaker 1: for not cheering? Show was fuck you? You were you?

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Speaker 1: This cocksucker? I think I have pictures Gerald went out

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Speaker 1: of his way and spent about ninety dollars on a

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Speaker 1: pair of NBA Chicago bullshort It was this guy was

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Speaker 1: on Michael Jordan's bows, that hard body karate Mike was

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Speaker 1: something else, man. So I know he was great. I

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Speaker 1: know he's fantastic. But part of sports, it's one of

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Speaker 1: the only safe places in the entire world, especially the

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Speaker 1: world we live in now, where you get to hate

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Speaker 1: within the confines of your own home and nobody gets hurt.

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Speaker 1: Of course, I hated that fuck Michael Jordan's I couldn't

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Speaker 1: stand that motherfucker the way he abused my New York Knicks.

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Speaker 1: I didn't cheer for that fucking guy when he came

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Speaker 1: into the garden and scored his double Nickel. I didn't

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Speaker 1: cheer for him when he I was at the game.

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Speaker 1: When he came back to the Garden when he played

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Speaker 1: for the Washington Wizards, I gave him a little, you know,

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Speaker 1: a little casual ovation just because he was back in

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Speaker 1: the NBA. But I didn't want to see him beat

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Speaker 1: my Nick. Fuck them, fuck them and everybody. Oh, why

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Speaker 1: are you hating Lebron James. It's over. It's fucking over

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Speaker 1: that last time Indiana in the first round one one game.

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Speaker 1: Of course they hike, of course, lancing them, they hike.

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Speaker 1: Lance know what time it is? Deep down he knows, like, yo,

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Speaker 1: we got one, but yo, I got one before and

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Speaker 1: I never got past this round with this guy. So yo,

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Speaker 1: one game a ship man, did you know? Look what

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Speaker 1: you're talking about. Look what the funk you're talking about.

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Speaker 1: This is the all time great one game and you

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Speaker 1: get stuff. Listen, listen. I'm not expecting them to lose

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Speaker 1: his first round. I predicted them to win the series.

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Speaker 1: But I've been wrong before, so have you? You fuck you?

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Speaker 1: And a couple of weeks ago, your boy Lebron James,

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Speaker 1: he uh, he's trying to sue Nick Saban for his

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Speaker 1: show shop or talk shop or shop talk takes place

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Speaker 1: in a barbershop. I went on a classic, already viral

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Speaker 1: rant about this when it happened, was discussed all over

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Speaker 1: sports media. Ha. He tried to sue Nick Saban. Now

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Speaker 1: somebody's turned around and suing Lebron James. See this is

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Speaker 1: what the funk you get, this one, this one, See

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Speaker 1: this is what you get. You're not gonna be able

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Speaker 1: to dominate this show business place. There's other sharks out here,

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Speaker 1: and they don't need to be able to jump high

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Speaker 1: or dribble behind their back or dribble with their left

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Speaker 1: hand and go right and shoot the fade away and

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Speaker 1: the turnaround. All the motherfucker's out here they see you

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Speaker 1: ain't come up with this whole barbershop concept. And now

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Speaker 1: your ass is getting sued too, and and that welcome

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Speaker 1: to show business, motherfucker. I'm glad it happened, because he

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Speaker 1: has no right trying to clean shows or segments or

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Speaker 1: show segments that take place in barbershops. That Nick Saban

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Speaker 1: thing is some cornball whack aklin Ohio, corny ship. You're

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Speaker 1: not the king of Hollywood. Duke Leonardo DiCaprio claimed that

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Speaker 1: ship when he was on the front of the Titanic.

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Speaker 1: I'm the king of the world. Keep that ship to

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Speaker 1: the basketball courts. Now he got a lawsuit coming at him.

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Speaker 1: This this is what happens when you open up that

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Speaker 1: cannibal lawsuits. Yes, Um, I wanted to talk about this.

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Speaker 1: What else is going I want to give a shout

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Speaker 1: out to consummate Stickman. Stickman down, stick Man down. I'll

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Speaker 1: say it one more time, Stickman down. Congratulations to friend

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Speaker 1: of the Iron Rapp reports stereo podcast. John Stamos just

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Speaker 1: had his first son. I'm sure it'll be a strong son.

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Speaker 1: Sure if he looks like John Stamos. Watch out, ladies,

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Speaker 1: that's his first kid. That's his first kid. This guy's

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Speaker 1: been piping chicks out. You know. He's a low key,

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Speaker 1: underrated stickman. They should have some type of oscar like

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Speaker 1: another category because he conducted himself in the best way.

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Speaker 1: Because I thought that motherfucker would have at least five kids. Nah,

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Speaker 1: he kept it funky, he kicked. I want to give

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Speaker 1: a shout out to uh to Johnny Stamos. N Yeah,

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Speaker 1: John Stizzle swinging head dizzled like like he knows what

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Speaker 1: it is. Um, going back to Cleveland Cavaliers. So Chloe,

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Speaker 1: Chloe Kardashian. Unfortunately she had a healthy baby girl with

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Speaker 1: her boo Tristan Thompson, who hasn't performed very well in

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Speaker 1: the playoffs thus far. Um and I want to give

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Speaker 1: a shout out to a friend of mine on on Instagram.

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Speaker 1: She was sort of going, I was thinking the exact

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Speaker 1: same thing that she inspired this, Uh, you can't turn

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Speaker 1: a cloth into a housewife segment that we're about to

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Speaker 1: do here, You get it. You can't turn a cloth

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Speaker 1: into a housewife. Um. So this this girl Ali, I

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Speaker 1: wanted to give her a shout out, but uh, you know,

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Speaker 1: because Chloe Kardashian, you know, she's the originator of all

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Speaker 1: the fly ship you know, she's flying all that bullshit

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Speaker 1: they named they named her daughter True True Thompson. The

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Speaker 1: irony of that name, oh yeah, and and and oh yeah,

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Speaker 1: the irony of of a Kardashian being named True with

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Speaker 1: pictures of her ass collapsing on the beach. And true,

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Speaker 1: it is true that your daddy is a hoe. At

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Speaker 1: one point, some might consider your mom she she's been

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Speaker 1: around the block to Oh and it is true that

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Speaker 1: your your aunt, your auntie Kim. She made a sex tape.

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Speaker 1: The whole the whole clan got famous. Oh and it

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Speaker 1: is true that your other aunt, uh Kylie, had a

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Speaker 1: baby right before you were born. And let me tell you,

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Speaker 1: we all think it's true that the father of that

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Speaker 1: baby is Tiger who had a baby with dreams. Mommy, yes, baby, true,

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Speaker 1: that is all in fact, very true. It's true that

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Speaker 1: your grandmother, uh could have, should have would have been

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Speaker 1: your grandfather. Your grandfather Bruce, who's now your grandmother Caitlin,

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Speaker 1: used to be an Olympic athlete with a hairy chest

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Speaker 1: and ran circles around people all around the world. Uh.

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Speaker 1: And he was on the cover of Sports Illustrated doing that,

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Speaker 1: but he was most recently on the cover of Vanity

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Speaker 1: Fair in Lipstick and Address. And your grandfather Bruce is

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Speaker 1: now your grandmother Caitlin. All that is true. Um, welcome,

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Speaker 1: welcome to the world. I wish you were a healthy,

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Speaker 1: safe uh you know, first few months of your life. Uh,

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Speaker 1: And good luck and enjoy the rest while you can,

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Speaker 1: because you are you are are are mixed up in

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Speaker 1: a very interesting albeit very loving family. But there's gonna

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Speaker 1: be a lot of a lot of truth to the

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Speaker 1: some of the stuff that you're you're gonna be dealing

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Speaker 1: you like that. That's good, thank you. Yeah, that girl,

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Speaker 1: I hope you don't turn into a fucking basket case.

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Speaker 1: But nah, man, it's a lot to deal with. That

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Speaker 1: fucking family A true Thompson. I wish I had her

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Speaker 1: uh an address. I would send a baby blanket. Um,

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Speaker 1: what else is going on here? So I saw this.

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Speaker 1: I'm not an Elvis Presley guy, like I funk with

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Speaker 1: Elvis like I I funk with him in general. But

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Speaker 1: I highly recommend I saw this Elvis documentary on HBO

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Speaker 1: called Elvis the Searcher. It's a very in depth documentary

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Speaker 1: about his career and and it just showed what, um,

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Speaker 1: what an artist he was. The documentary focuses on the

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Speaker 1: artistry of Elvis and and the passion of the artist,

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Speaker 1: and and what a fucking life. You know you. I

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Speaker 1: really recommend this this documentary called Elvis the Searcher on HBO.

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Speaker 1: It's a two part documentary. And the crazy things that

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Speaker 1: I'll tell you about this documentary that reminded me is

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Speaker 1: that Elvis got so famous so fast, He was so big,

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Speaker 1: was so popular, you know, selling records, you know, he was.

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Speaker 1: You know, women would literally piss literally they would piss

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Speaker 1: themselves watching him in concert. Um, he was that dude.

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Speaker 1: The controversy, the sexuality, you know, the innu windows. Um,

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Speaker 1: this was a white dude singing gospel slash country, slash

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Speaker 1: R and B music to all white audiences, young young

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Speaker 1: white kids. There's nothing to compare it to. At the time.

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Speaker 1: He got so fucking big. There was no roadmap for

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Speaker 1: the kind of fame at the time that Elvis, the

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Speaker 1: heights that he went to there, like he he was

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Speaker 1: way bigger than like Frank Sinatra is probably the only

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Speaker 1: person you could compare it to at the time. You know,

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Speaker 1: the Beatles came along, and then of course the Jackson

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Speaker 1: five and then Michael Jackson and then Madonna and then

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Speaker 1: Prince and all these other stuffs. But Elvis was the first.

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Speaker 1: That's why they call him the King. Um and a

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Speaker 1: crazy fucking life. And um, this documentary just breaks it

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Speaker 1: all down. Um. And you know, like he loved gosp music,

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Speaker 1: and it's the movie just keeps going back to, you know,

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Speaker 1: like through all the tumultuous times in his life, the

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Speaker 1: ups and downs in his career, because there was a

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Speaker 1: period of time and in the mid sixties when rock

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Speaker 1: and roll came in and the Beatles came in, where

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Speaker 1: he got cold, like he wasn't as hot as he

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Speaker 1: used to. And then there was the whole Vegas and

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Speaker 1: then he you know, there was the King had left

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Speaker 1: the building phase, and then there was the drugs, and

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Speaker 1: of course he died quickly. Um. But it talks about

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Speaker 1: how just like the church and gospel music and black music,

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Speaker 1: but country music, and um, you know that gospel music,

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Speaker 1: that church music just was a huge influence to him

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Speaker 1: and whenever things went awry, he would make songs and

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Speaker 1: he would put out songs inspired by that. Gospel music

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Speaker 1: was what he and blues music was what he grew

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Speaker 1: up on and what he first sort of spoke to him.

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Speaker 1: And Um, one thing the musicians, the black musicians from

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Speaker 1: that time that he was around, he Elvis Presley always

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Speaker 1: gave it up to those guys and he didn't try

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Speaker 1: to steal ship and be like, yo, this is me,

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Speaker 1: and this is that he was influenced by a lot

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Speaker 1: of those blues artists and he made that known so

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Speaker 1: that that I give him great props for that because

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Speaker 1: he could have because those those artists wasn't getting no

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Speaker 1: shine and and he could have said, Yo, this is

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Speaker 1: all me or whatever, but he made it a point

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Speaker 1: to try to give shine to those black artists that

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Speaker 1: that Yeah, and one of the things you know, like

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Speaker 1: through hip hop and a lot of lyrics in hip hop.

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Speaker 1: They kind of misconstrued that because people like yo, Elvis

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Speaker 1: didn't do He never said he invented rock and roll.

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Speaker 1: He was never saying like I created this ship and

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Speaker 1: I think, you know, over time, you know, we forget

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Speaker 1: just you know, like also it's before our you know,

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Speaker 1: I'm I'm you know, this is a different era. But

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Speaker 1: this this dude was he was you know, like they

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Speaker 1: said in the movie, there was no roadmap for for

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Speaker 1: the kind of fame that he had and they were

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Speaker 1: just sort of managing it as it happened. So I

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Speaker 1: highly recommend this documentary on HBO called Elvis the Searcher.

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Speaker 1: Um it was it was dope. I didn't I didn't

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Speaker 1: steer anybody wrong with with the wild, wild country. And

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Speaker 1: I know a lot of people are still checking that out. Um.

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Speaker 1: James Harrison debo New England Patriots. Uh, you know, he

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Speaker 1: obviously controversial season this year, retired, announced his retirement, trying

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Speaker 1: to get him on the Iron Rapports stereo podcast. We've

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Speaker 1: been talking. I just got a fine time to get

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Speaker 1: him one year. Oh man, Hell yeah, James Harrison, congratulations

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Speaker 1: on a great career and just you know his workouts,

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Speaker 1: all his his Instagram ship is just a great, great career.

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Speaker 1: Good got super Bowls, m VP. He got an iconic

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Speaker 1: play when he ran you know remember he ran it

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Speaker 1: back against Arizona with that exception. So man, great career man,

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Speaker 1: and New England is falling apart. Uh so all those

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Speaker 1: New England fans there are so uh a customary Super Bowls.

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Speaker 1: It's about to be over. Oh that'd be great. It's

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Speaker 1: about it really is, because everybody's chirping. You heard with

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Speaker 1: Danny Amadola. He said he was like, yeah, it's it's

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Speaker 1: it's tough man. He Belichick could be an asshole. Man,

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Speaker 1: it's tough out there. Everybody's talking. Now it's it's over.

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Speaker 1: I think you're tripping. If you think it's over, it's

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Speaker 1: you gotta you gotta forty one year old quarterback, he

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Speaker 1: outplayed the other quarterback in the Super Bowl. His numbers

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Speaker 1: were comparable. He had like five yards in the Super Bowl.

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Speaker 1: They just lost, but he he didn't. It wasn't like

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Speaker 1: it was because of Tom Brady. They just lost that game.

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Speaker 1: I'm saying, yo, with a forty one year old under center,

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Speaker 1: anything you get hit, it's over for you. So if

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Speaker 1: you're playing with that, the odds are yo, it's over

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Speaker 1: sooner than later. Um. I don't think I think they're

419
00:25:41,920 --> 00:25:44,080
Speaker 1: gonna be doing their thing this year. I think you're

420
00:25:44,080 --> 00:25:46,520
Speaker 1: saying that the Patriots are over right now is as

421
00:25:46,560 --> 00:25:49,600
Speaker 1: crazy as me saying that it's totally over for the

422
00:25:49,640 --> 00:25:53,520
Speaker 1: Cavaliers and Lebron James. Same thing. Um. I saw something

423
00:25:53,600 --> 00:25:57,080
Speaker 1: crazy on Friday the other day last Friday on the

424
00:25:57,119 --> 00:26:01,800
Speaker 1: Bill mare Show. Um what his name in his show? Uh?

425
00:26:02,040 --> 00:26:04,760
Speaker 1: Um whatever? The Bill Moore HBO show is, my man.

426
00:26:04,880 --> 00:26:11,200
Speaker 1: Andy Cohen was on there, and uh, Bill Maher. You know,

427
00:26:11,280 --> 00:26:14,840
Speaker 1: if this had happened on any other if this had

428
00:26:14,840 --> 00:26:18,680
Speaker 1: happened on Fox News and Andy Cohen or another gay

429
00:26:18,840 --> 00:26:21,840
Speaker 1: guest had come on there, and the amount of jokes

430
00:26:22,359 --> 00:26:25,960
Speaker 1: and the amount of sort of cracks that the host,

431
00:26:26,160 --> 00:26:29,040
Speaker 1: this time being Bill Moore made against a gay guest,

432
00:26:29,280 --> 00:26:31,880
Speaker 1: it would be all over the fucking news. It would

433
00:26:31,920 --> 00:26:35,360
Speaker 1: be a huge controversy, and rightfully so. Bill Moore, Mr

434
00:26:35,440 --> 00:26:39,760
Speaker 1: open minded, Mr Liberal, Mr fucking you know thinks he

435
00:26:39,840 --> 00:26:42,920
Speaker 1: knows every single fucking thing in the world. Was so

436
00:26:43,160 --> 00:26:47,199
Speaker 1: rude to Andy Cohen, made so many gay jokes to

437
00:26:47,320 --> 00:26:49,640
Speaker 1: Andy Cohen, Like, you know, Andy Cohen's on the show,

438
00:26:49,680 --> 00:26:52,240
Speaker 1: it's a political show. He's just would be like if

439
00:26:52,280 --> 00:26:54,239
Speaker 1: he was doing this to a black dude, like if

440
00:26:54,280 --> 00:26:56,159
Speaker 1: he was like, oh but you're black this and or

441
00:26:56,359 --> 00:27:00,200
Speaker 1: or an Asian dude like, oh well, what about the yo?

442
00:27:00,440 --> 00:27:04,000
Speaker 1: It was crazy. I'm Miles Jordan's play this clip. You're

443
00:27:04,040 --> 00:27:06,680
Speaker 1: just a couple of shows. You don't have to work out.

444
00:27:07,359 --> 00:27:20,520
Speaker 1: I mean you you are like the game, have you? No,

445
00:27:20,680 --> 00:27:27,600
Speaker 1: I'm kidding about. Imagine that went down with with somebody

446
00:27:27,640 --> 00:27:30,080
Speaker 1: on Fox News, or imagine Bill Moore did that to

447
00:27:30,119 --> 00:27:32,560
Speaker 1: an Asian person, or imagine Bill Moore did that to

448
00:27:32,840 --> 00:27:36,439
Speaker 1: a Latin person. It'd be over for some reason, like

449
00:27:36,480 --> 00:27:40,320
Speaker 1: Andy Cohen handled it well for some reason. I don't

450
00:27:40,359 --> 00:27:42,040
Speaker 1: know what the funking is. Like this guy's you know,

451
00:27:42,160 --> 00:27:45,399
Speaker 1: Mr Liberal. He's like one of the most liberal spokespeople,

452
00:27:45,640 --> 00:27:48,960
Speaker 1: one of the most outspoken liberals in the world. And

453
00:27:49,000 --> 00:27:50,560
Speaker 1: I agree with a lot of the ship, he said,

454
00:27:50,600 --> 00:27:53,000
Speaker 1: But this dude be talking out the side of his ass,

455
00:27:53,160 --> 00:27:56,679
Speaker 1: like him talking to Andy Cohen like that, Like that

456
00:27:56,800 --> 00:27:59,680
Speaker 1: was crazy to me. I'm surprised it didn't catch on more.

457
00:28:00,480 --> 00:28:04,000
Speaker 1: And that's that's liberal, right. He's doing that ship right,

458
00:28:04,000 --> 00:28:09,560
Speaker 1: but it's it's hypocritical ship always always. But if if

459
00:28:09,600 --> 00:28:11,879
Speaker 1: that went on at Fox, he would have a whole

460
00:28:11,920 --> 00:28:16,679
Speaker 1: show devoted to that. It was bugged out. Finally, before

461
00:28:16,680 --> 00:28:19,480
Speaker 1: we get to the award winning six Funk of the

462
00:28:19,520 --> 00:28:23,560
Speaker 1: Week segment, UH the Golden State Warriors, who will go

463
00:28:23,640 --> 00:28:28,679
Speaker 1: on to win verse the UH San Antonio Spurs in

464
00:28:28,680 --> 00:28:31,000
Speaker 1: the first round unless unless I don't know something, David

465
00:28:31,080 --> 00:28:32,879
Speaker 1: Robinson is gonna have to come back and Tim Duncan's

466
00:28:32,880 --> 00:28:36,200
Speaker 1: gonna have to come back because because they're they're playing well. Gee,

467
00:28:36,200 --> 00:28:39,080
Speaker 1: did you see Nick Young a k A. Swaggy p

468
00:28:40,600 --> 00:28:44,080
Speaker 1: show up to the first game of the NBA Playoffs

469
00:28:44,160 --> 00:28:50,320
Speaker 1: in a bathrobe house and some and some a house coat? Yo?

470
00:28:51,040 --> 00:28:55,200
Speaker 1: They dragged all those NBA players in the nineties, Alan

471
00:28:55,240 --> 00:28:59,240
Speaker 1: iverson and being the face of being the face of

472
00:28:59,240 --> 00:29:01,160
Speaker 1: of this this what is it called the dress code

473
00:29:01,160 --> 00:29:03,640
Speaker 1: in the NBA, the dress policy. Remember we said this

474
00:29:03,720 --> 00:29:08,239
Speaker 1: two years ago, Go ahead and Nick Young shows up

475
00:29:08,280 --> 00:29:12,440
Speaker 1: to the playoffs on a brand new team in a

476
00:29:12,520 --> 00:29:15,560
Speaker 1: fucking in a in a bathrobe and what looked like

477
00:29:15,800 --> 00:29:18,480
Speaker 1: some fucking boxer short. If I was Steve Kerr, I

478
00:29:18,520 --> 00:29:20,840
Speaker 1: would have made that motherfucker do some laps around the

479
00:29:20,920 --> 00:29:24,920
Speaker 1: gym in his bathrobe and his boxer shorts and sent

480
00:29:25,000 --> 00:29:28,640
Speaker 1: them to fuck home. Like, Yo, this is the playoffs, Duke.

481
00:29:29,000 --> 00:29:30,680
Speaker 1: I don't know if you understand what it's like to

482
00:29:30,720 --> 00:29:33,840
Speaker 1: win or not win or do what we're trying to

483
00:29:33,880 --> 00:29:36,240
Speaker 1: do in in in Golden State, we're trying to win

484
00:29:36,400 --> 00:29:40,000
Speaker 1: rings and things. Can you show up in a fucking bathrobe?

485
00:29:40,400 --> 00:29:43,160
Speaker 1: And my man, that's disrespectful not only to the Golden

486
00:29:43,200 --> 00:29:46,160
Speaker 1: State words, it's just respectful talent Iverson and all the

487
00:29:46,200 --> 00:29:49,840
Speaker 1: other players that got stereotyped for rocking the thims, the

488
00:29:49,920 --> 00:29:53,360
Speaker 1: do rags and the heavy rope chains. It's disrespectful to

489
00:29:53,520 --> 00:29:56,440
Speaker 1: me as a fan because I want to see the

490
00:29:56,480 --> 00:30:00,680
Speaker 1: imagery of seriousness. That's why we like ball because it

491
00:30:00,800 --> 00:30:03,560
Speaker 1: had like a drama to it. Imagine if Dr J

492
00:30:03,840 --> 00:30:10,280
Speaker 1: came in and Lingerie Christ, how would we how would

493
00:30:10,320 --> 00:30:12,160
Speaker 1: we view that? Would it be? Like? Yo, what kind

494
00:30:12,160 --> 00:30:16,480
Speaker 1: of game is this? This is a clown show? Yeah?

495
00:30:16,680 --> 00:30:19,920
Speaker 1: Look fucking nuts. And then they ostracized Alan Ivison for

496
00:30:20,000 --> 00:30:24,160
Speaker 1: wearing gene so so, Adam Silver, why don't you take

497
00:30:24,200 --> 00:30:27,360
Speaker 1: control of the league if it's a policy on dress.

498
00:30:27,400 --> 00:30:30,040
Speaker 1: How can this guy come in with boxing shorts in

499
00:30:30,080 --> 00:30:34,160
Speaker 1: the house code? This award is earned, not giving. It's

500
00:30:34,200 --> 00:30:38,040
Speaker 1: called the sick fucking a Week. This guy is really sick.

501
00:30:38,480 --> 00:30:41,520
Speaker 1: Lock him up? How could you do it? Don't let

502
00:30:41,560 --> 00:30:44,680
Speaker 1: him out? Damn? Who you fuck the door? You want?

503
00:30:44,920 --> 00:30:47,280
Speaker 1: You fuck the door? Why would you fuck the dog?

504
00:30:47,880 --> 00:30:52,000
Speaker 1: Why would you fuck your girlfriend's dog? Sick? Fuck the

505
00:30:52,160 --> 00:30:56,240
Speaker 1: sick funck of the week. It's earned and not giving.

506
00:30:56,360 --> 00:31:05,680
Speaker 1: You didn't what? No, no, no? You hear the music

507
00:31:05,760 --> 00:31:09,400
Speaker 1: that is the sick Funck of the Week theme song? Uh,

508
00:31:09,440 --> 00:31:12,600
Speaker 1: the award winning sick funck of the Week. I want

509
00:31:12,600 --> 00:31:15,480
Speaker 1: to thank all the fans who have been sending the

510
00:31:15,600 --> 00:31:18,800
Speaker 1: sick funk of the week suggestions, including my man Mike

511
00:31:19,040 --> 00:31:21,880
Speaker 1: on Instagram, who is now truly the sick funk of

512
00:31:21,880 --> 00:31:25,640
Speaker 1: the week. Whisperer. Um, so let's just jump right into it.

513
00:31:25,720 --> 00:31:27,360
Speaker 1: Let's just jump right into a moody. I got a

514
00:31:27,360 --> 00:31:29,000
Speaker 1: bunch of sick funds and I want to share them

515
00:31:29,040 --> 00:31:35,080
Speaker 1: with you and the people in Thailand. In Thailand, a

516
00:31:35,200 --> 00:31:40,960
Speaker 1: fifty one year old man was arrested for kicking his

517
00:31:41,120 --> 00:31:44,400
Speaker 1: twenty nine year old Thai wife to death in a

518
00:31:44,400 --> 00:31:49,560
Speaker 1: fit of jealousy in their house in Thailand. I think

519
00:31:49,600 --> 00:31:51,400
Speaker 1: this guy shouldn't be the sick funk of the week.

520
00:31:51,560 --> 00:31:54,440
Speaker 1: I think we're gonna have to create a segment called

521
00:31:54,480 --> 00:31:57,360
Speaker 1: beyond the sick Funk of the Week. I mean, right,

522
00:31:57,680 --> 00:32:00,080
Speaker 1: like the sick funk of the week and be on.

523
00:32:00,920 --> 00:32:04,400
Speaker 1: This is just a terrible crime. Uh. And and this guy,

524
00:32:04,840 --> 00:32:07,360
Speaker 1: hopefully he gets what he deserves out there in Thailand.

525
00:32:07,600 --> 00:32:10,640
Speaker 1: A shout out to your brother Dean Moody, whose last

526
00:32:10,720 --> 00:32:14,440
Speaker 1: name also rhymes with duty um. He just got back

527
00:32:14,440 --> 00:32:19,240
Speaker 1: from his trip um in Thailand. Uh. This happened in India.

528
00:32:19,320 --> 00:32:21,920
Speaker 1: I got this on the news in India today. There's

529
00:32:21,920 --> 00:32:24,880
Speaker 1: a there's a news thing called India Today. A sixty

530
00:32:24,960 --> 00:32:27,760
Speaker 1: five year old woman in Goa, Goa, India, g o

531
00:32:27,960 --> 00:32:35,360
Speaker 1: A was arrested for confining and branding this sick fuck

532
00:32:35,560 --> 00:32:41,440
Speaker 1: branded eight girls with a hot knife. Damn, this is

533
00:32:41,480 --> 00:32:43,520
Speaker 1: an animal. A woman did this to sick to to

534
00:32:43,560 --> 00:32:46,560
Speaker 1: these little girls, these like you know, young girls, branded

535
00:32:46,560 --> 00:32:48,520
Speaker 1: them with a knife to try to like keep tabs

536
00:32:48,560 --> 00:32:51,760
Speaker 1: on them and obviously scare them and and hurt them.

537
00:32:51,800 --> 00:32:55,160
Speaker 1: They caught this sick fuck, and I think, unfortunately this

538
00:32:55,240 --> 00:32:57,720
Speaker 1: might have to be uh sick Funk of the Week

539
00:32:57,880 --> 00:32:59,760
Speaker 1: and beyond. Also, I mean, I don't know what these

540
00:32:59,760 --> 00:33:02,680
Speaker 1: people are doing out here, but but this is just

541
00:33:02,720 --> 00:33:05,680
Speaker 1: a terrible crime. Thank god they caught this sick fuck.

542
00:33:05,880 --> 00:33:11,840
Speaker 1: In Trenton, New Jersey, an unknown sick fuck left a

543
00:33:11,920 --> 00:33:15,400
Speaker 1: newborn baby in a duffel bag that was found on

544
00:33:15,440 --> 00:33:20,560
Speaker 1: a porch in New Jersey about twelve pm the other day.

545
00:33:20,560 --> 00:33:23,280
Speaker 1: Officers were called to a home on the west side

546
00:33:23,280 --> 00:33:26,680
Speaker 1: of Trenton. Residents were scared to go near the duffel bag.

547
00:33:26,720 --> 00:33:29,040
Speaker 1: There was noise coming out of the duffel bag. Turns

548
00:33:29,040 --> 00:33:34,040
Speaker 1: out some sick fuck left the brand new baby outside

549
00:33:34,240 --> 00:33:37,480
Speaker 1: on the porch. The baby is is described as a

550
00:33:37,480 --> 00:33:42,120
Speaker 1: little boy who is black and or Hispanic. This sick

551
00:33:42,200 --> 00:33:44,080
Speaker 1: funck is still on the loose. If you have any

552
00:33:44,120 --> 00:33:46,280
Speaker 1: tips for this, because you know, the iron wrap ports

553
00:33:46,280 --> 00:33:48,479
Speaker 1: fans and the sick Funk of the Week bands are

554
00:33:48,560 --> 00:33:52,320
Speaker 1: very diligent, you can call detectives at six O nine

555
00:33:52,640 --> 00:33:57,320
Speaker 1: nine four one five five. Please help find the sick

556
00:33:57,400 --> 00:34:03,880
Speaker 1: funck that abandoned this beautiful little baby in Trenton, New Jersey. Yeah, man,

557
00:34:03,880 --> 00:34:05,400
Speaker 1: you should be putting you know you do some ship

558
00:34:05,520 --> 00:34:09,040
Speaker 1: like that put to death. How are you gonna how

559
00:34:09,040 --> 00:34:10,960
Speaker 1: are you gonna apologize for that? Oh? I'm sorry I

560
00:34:11,040 --> 00:34:19,080
Speaker 1: left the baby out there. In Canada, a mother and

561
00:34:19,120 --> 00:34:23,680
Speaker 1: a father, a couple. They are defending m They are

562
00:34:23,719 --> 00:34:29,160
Speaker 1: defending themselves for tackling and zip time a twenty eight

563
00:34:29,239 --> 00:34:31,560
Speaker 1: year old man. They would believe that was trying to

564
00:34:31,600 --> 00:34:34,719
Speaker 1: have sex with their thirteen year old daughter. They need

565
00:34:34,719 --> 00:34:38,040
Speaker 1: to free these people. This twenty eight year old sick

566
00:34:38,160 --> 00:34:41,920
Speaker 1: fuck came in their home. He shouldn't even be around

567
00:34:41,920 --> 00:34:45,120
Speaker 1: a thirteen year old. Good these are these are the

568
00:34:45,160 --> 00:34:47,120
Speaker 1: parents of the year. I imagine you you caught some

569
00:34:47,200 --> 00:34:49,800
Speaker 1: twenty eight year old around your thirteen year old daughter.

570
00:34:50,719 --> 00:34:54,040
Speaker 1: The disturbing video where the whole thing was caught on tape,

571
00:34:54,880 --> 00:35:00,520
Speaker 1: the parents ambushed this fuck, tackled this cocksucker hands behind

572
00:35:00,560 --> 00:35:02,680
Speaker 1: his back with zip ties and laid him down on

573
00:35:02,719 --> 00:35:05,680
Speaker 1: his stomach. The whole thing was captured on Facebook Live.

574
00:35:05,960 --> 00:35:09,120
Speaker 1: Then they called the cops. I don't think there's anything wrong,

575
00:35:09,320 --> 00:35:11,879
Speaker 1: but they're they're potentially up for charges for doing this.

576
00:35:12,000 --> 00:35:15,880
Speaker 1: Come on, man, no harm, no foul. Uh, you're protecting

577
00:35:15,880 --> 00:35:18,840
Speaker 1: your family member, that's it. Yo. I would do the

578
00:35:18,880 --> 00:35:21,000
Speaker 1: same thing. I like how he did that Lawrence Taylors

579
00:35:21,000 --> 00:35:23,920
Speaker 1: ship where you just you just get up on him. Yo,

580
00:35:25,040 --> 00:35:29,680
Speaker 1: thirteen years old. Come on, man, I I do worse.

581
00:35:29,800 --> 00:35:35,960
Speaker 1: I'd be just sickening. Finally, in the United Kingdom, a

582
00:35:36,040 --> 00:35:43,239
Speaker 1: man was arrested. His Stafford Bull terrier dog's name is

583
00:35:43,320 --> 00:35:48,719
Speaker 1: Diesel was saved. The whole thing was caught on I

584
00:35:48,760 --> 00:35:51,600
Speaker 1: don't know why everybody videotapes just like they're doing something good.

585
00:35:52,560 --> 00:35:54,919
Speaker 1: A guy who apparently was stoned out of his tree,

586
00:35:55,000 --> 00:35:58,640
Speaker 1: probably on that hui and or that bath salt. The

587
00:35:58,680 --> 00:36:04,759
Speaker 1: owner of a Stafford Old terrier um was arrested for

588
00:36:04,920 --> 00:36:10,440
Speaker 1: biting and injuring his own dog. Biting It isn't injury.

589
00:36:10,480 --> 00:36:12,600
Speaker 1: He wasn't in a fight with the dog, wasn't attacking him.

590
00:36:12,640 --> 00:36:20,200
Speaker 1: He attacked the fucking dog and started biting him. Oh,

591
00:36:20,239 --> 00:36:22,000
Speaker 1: I'm speechless. I don't know what. I don't know what

592
00:36:22,080 --> 00:36:25,440
Speaker 1: to say. Who does this ship? Well, what do you

593
00:36:25,480 --> 00:36:28,879
Speaker 1: have to be. Imagine imagine me going after poor little Wheezy.

594
00:36:29,560 --> 00:36:35,560
Speaker 1: This would never happen, yo, Yeah, you'd be so angry.

595
00:36:35,600 --> 00:36:39,400
Speaker 1: But that people are attached to their dogs. You know this,

596
00:36:39,960 --> 00:36:43,880
Speaker 1: and it's like um personal relationship. They treat us in

597
00:36:43,920 --> 00:36:46,040
Speaker 1: a relationship. See you're you're saying, oh this, maybe they're

598
00:36:46,040 --> 00:36:48,800
Speaker 1: into some freaky ship. He's biting his dog. The dog's

599
00:36:48,840 --> 00:36:51,320
Speaker 1: not with that. People are really close to their dogs.

600
00:36:51,320 --> 00:36:54,120
Speaker 1: And if you don't have another human being, you you know,

601
00:36:54,239 --> 00:36:57,920
Speaker 1: that becomes the human being. And and motherfucker's have those

602
00:36:57,960 --> 00:37:01,319
Speaker 1: type of relations man. All right, listen see Iron Rap

603
00:37:01,320 --> 00:37:06,040
Speaker 1: Pors Stereo podcast. Coming up next, young rapper Chris Webby.

604
00:37:06,080 --> 00:37:08,600
Speaker 1: I told you earlier who's coming on the show. It's

605
00:37:08,640 --> 00:37:10,479
Speaker 1: gonna be rocking with us on the Iron Rap Pors

606
00:37:10,480 --> 00:37:14,520
Speaker 1: Stereo Podcast. G Moody last name rhymes with duty Miles Jordan.

607
00:37:14,600 --> 00:37:16,879
Speaker 1: Let me get something funky to bring in my man,

608
00:37:17,120 --> 00:37:22,160
Speaker 1: Chris Webby. Yeah, yeah, yeah, yeah, yeah, yeah. Hey, I

609
00:37:22,280 --> 00:37:27,400
Speaker 1: swear to morning Chris Webber. Sare what's the difference between

610
00:37:27,440 --> 00:37:29,960
Speaker 1: me and you? I mean, giving the state of hip

611
00:37:30,000 --> 00:37:33,040
Speaker 1: hop now, like, what's the difference between me and you?

612
00:37:34,080 --> 00:37:37,759
Speaker 1: A lot? Yeah, I see my peers looking nervous as

613
00:37:37,800 --> 00:37:40,239
Speaker 1: that jealousy takes charge of something on the track, like

614
00:37:40,280 --> 00:37:42,960
Speaker 1: I'm assembling train cars and I just hit him with

615
00:37:43,040 --> 00:37:45,759
Speaker 1: straight bars. The hyena's back SWAYE told me got the

616
00:37:45,840 --> 00:37:50,240
Speaker 1: yellow fin graveyard straight like a younger jack power. Finally,

617
00:37:50,280 --> 00:37:52,960
Speaker 1: I'm on and I'm abusing that power. Fucking mom against

618
00:37:53,000 --> 00:37:55,400
Speaker 1: the sliding doors of her glass shower and grab her

619
00:37:55,440 --> 00:37:58,360
Speaker 1: rass after robbers like I'm Matt Loward. I'm Raps Bowser,

620
00:37:58,440 --> 00:38:00,160
Speaker 1: the guy at the end of the game that you'll

621
00:38:00,160 --> 00:38:02,360
Speaker 1: need cheek codes to beat because my pen is insane.

622
00:38:02,480 --> 00:38:05,680
Speaker 1: Remember the name. See where my spit sickly I got

623
00:38:05,719 --> 00:38:09,640
Speaker 1: my competition breathing hardest, Chris Christie. I get busy. Currently

624
00:38:09,800 --> 00:38:12,400
Speaker 1: they ain't serving me get in their head like Lavato

625
00:38:12,520 --> 00:38:15,080
Speaker 1: my surgery until they heard of me on a path

626
00:38:15,160 --> 00:38:17,640
Speaker 1: that will further me. Fuck rap money, I'm copping some

627
00:38:17,680 --> 00:38:21,239
Speaker 1: cryptocurrency and fide mentally mindful, don't need to save the

628
00:38:21,320 --> 00:38:24,480
Speaker 1: elephants and yelling at people who don't recycle. I'm spiteful

629
00:38:24,640 --> 00:38:27,040
Speaker 1: out wrapping each and every rifle un till the day

630
00:38:27,080 --> 00:38:29,480
Speaker 1: I'm sitting on the title. See I'm so dope that

631
00:38:29,520 --> 00:38:32,200
Speaker 1: you're gonna have to look beating me don't never happen

632
00:38:32,640 --> 00:38:35,960
Speaker 1: like little Yaddie reading chapter books. Mr Babbitt hopping right

633
00:38:36,000 --> 00:38:38,000
Speaker 1: off of the page, popping off like call of duty

634
00:38:38,080 --> 00:38:40,439
Speaker 1: as I'm tossing grenades. And I'm sick of all these

635
00:38:40,440 --> 00:38:43,000
Speaker 1: heads who try to defend mumble rap. These old heads

636
00:38:43,080 --> 00:38:45,200
Speaker 1: just don't get it. They just some grumpy ass, out

637
00:38:45,200 --> 00:38:47,759
Speaker 1: of touch motherfucker's stuck up in the fucking past. I'm

638
00:38:47,800 --> 00:38:50,160
Speaker 1: not even thirty, and I think that ship is fucking trash.

639
00:38:50,400 --> 00:38:52,759
Speaker 1: If you're a rapper, you should fucking wrap. Don't say

640
00:38:52,800 --> 00:38:55,359
Speaker 1: the same thing front to back on the whole fucking track.

641
00:38:55,400 --> 00:38:58,000
Speaker 1: Guccie Gang, Cucchie gang. Really, what the fund is that?

642
00:38:58,239 --> 00:39:00,800
Speaker 1: I'll say what everyone's thinking, little pump his wag. What

643
00:39:00,920 --> 00:39:03,239
Speaker 1: you're gonna do? Come and battle me? Now, put some

644
00:39:03,280 --> 00:39:05,480
Speaker 1: ship on wax, you know, like real rappers. Get down.

645
00:39:05,600 --> 00:39:07,600
Speaker 1: But even thinking of that ship just got me laughing

646
00:39:07,600 --> 00:39:10,000
Speaker 1: out loud. It only last one round and your rast

647
00:39:10,040 --> 00:39:12,080
Speaker 1: will get clown. The fact that you're reefing labeled the

648
00:39:12,120 --> 00:39:15,640
Speaker 1: wrapper rid all dishonors the forefathers, but this whole entire

649
00:39:15,680 --> 00:39:18,800
Speaker 1: iss genre. Sorry to dis you, There ain't no personal issue,

650
00:39:19,000 --> 00:39:20,720
Speaker 1: just how to let you know that me and swaying

651
00:39:20,800 --> 00:39:23,440
Speaker 1: fucking with you, and maybe that's the biggest difference between

652
00:39:23,520 --> 00:39:25,520
Speaker 1: me and you and not just you Pump and see

653
00:39:25,560 --> 00:39:28,239
Speaker 1: this playing together dudes, little what's his name with them

654
00:39:28,320 --> 00:39:31,600
Speaker 1: face tattoos who raps like you? Yeah, fuck him too?

655
00:39:31,840 --> 00:39:33,759
Speaker 1: See got love wrapped? Too much to watch these young

656
00:39:33,840 --> 00:39:36,719
Speaker 1: cats destroy it without speaking up. It's everywhere. I can't

657
00:39:36,760 --> 00:39:38,840
Speaker 1: avoid it. I can't hear the words when you do

658
00:39:39,000 --> 00:39:41,759
Speaker 1: that with your voices. Maybe if I fucking understood it,

659
00:39:41,800 --> 00:39:44,959
Speaker 1: I'd enjoy it, But Jesus Christ, every time I'm hearing speak,

660
00:39:45,040 --> 00:39:47,959
Speaker 1: I'm like, Yo, were you ever taught to read or write?

661
00:39:48,239 --> 00:39:50,239
Speaker 1: And if not, then I feel like a jerk? And

662
00:39:50,320 --> 00:39:52,600
Speaker 1: if you ever needed to to be happy to work?

663
00:39:52,719 --> 00:39:55,640
Speaker 1: But stop the beat a minute. I got something to say, Sway.

664
00:39:55,719 --> 00:39:57,279
Speaker 1: I want to tell you this ship now while you

665
00:39:57,400 --> 00:39:59,480
Speaker 1: speaking with me. I don't know if I ever told

666
00:39:59,520 --> 00:40:01,360
Speaker 1: you this, but I love you dog. You know Webby

667
00:40:01,440 --> 00:40:03,480
Speaker 1: got them wraps. I wrote the ship just for you

668
00:40:03,840 --> 00:40:05,520
Speaker 1: so you can rack up hell of views and talk

669
00:40:05,560 --> 00:40:08,160
Speaker 1: shit about people because it's something to do. I'm the

670
00:40:08,239 --> 00:40:10,440
Speaker 1: type of guy to go live on Shade forty five

671
00:40:10,480 --> 00:40:13,080
Speaker 1: and say I hope Mike Pence dies without batting an eye.

672
00:40:13,480 --> 00:40:17,200
Speaker 1: Fuck them. Trump's entire cabinet can suck one and Hillary

673
00:40:17,320 --> 00:40:19,399
Speaker 1: Clinton can be there plus one. I thought we get

674
00:40:19,520 --> 00:40:21,919
Speaker 1: changed when I voted for the Rock, but at this point,

675
00:40:22,120 --> 00:40:24,600
Speaker 1: next time I'm voting for the Rock. My punch lines

676
00:40:24,640 --> 00:40:27,160
Speaker 1: provoke them libricals that will choke them with bar so

677
00:40:27,320 --> 00:40:30,520
Speaker 1: sharp I cut through them like Logan Ho Kogan rocking

678
00:40:30,560 --> 00:40:33,239
Speaker 1: triple by Trojans. You're gonna leave this ring with your

679
00:40:33,280 --> 00:40:36,319
Speaker 1: fucking spam broking a rap genius, the meanest to hit

680
00:40:36,400 --> 00:40:40,280
Speaker 1: your speakers like amnem on his slim, shady lpiece ship Jesus,

681
00:40:40,440 --> 00:40:43,000
Speaker 1: I'll be killing sh to hell freezes, turning all the

682
00:40:43,080 --> 00:40:46,320
Speaker 1: doubt us to believe us. So what's the difference between

683
00:40:46,400 --> 00:40:49,200
Speaker 1: me and you? About six out of rows to bottles

684
00:40:49,239 --> 00:40:52,480
Speaker 1: and sways interviews Until I get the world's respect. I

685
00:40:52,600 --> 00:40:55,080
Speaker 1: suggest you run in fear because I am next to you.

686
00:40:55,239 --> 00:41:02,919
Speaker 1: That's the difference. All right? Can you get tests? Check

687
00:41:03,000 --> 00:41:06,960
Speaker 1: check check test test test can yeah? Yeah, yeah, yeah, yeah,

688
00:41:07,080 --> 00:41:09,720
Speaker 1: all right. Chris Webby's in the house. I am wrapped

689
00:41:09,719 --> 00:41:15,520
Speaker 1: Coors Stereo podcast. What up, big time ship Talker? Yes,

690
00:41:16,080 --> 00:41:18,040
Speaker 1: I appreciate the shout out. You gave me a night

691
00:41:18,080 --> 00:41:23,320
Speaker 1: shout out which I was flattered by. Yeah, um on

692
00:41:23,480 --> 00:41:26,480
Speaker 1: your joint. You've been uh doing your things. Thanks for

693
00:41:26,600 --> 00:41:29,160
Speaker 1: rocking me on the Wrap Coors Stereo podcast. Absolutely man,

694
00:41:29,200 --> 00:41:31,680
Speaker 1: happy to be here. I've been following you a long time,

695
00:41:31,760 --> 00:41:36,200
Speaker 1: you know, since Deep Blue cy Okay, okay, it's getting fun.

696
00:41:36,280 --> 00:41:38,839
Speaker 1: I'm getting old because like it's it's getting it's getting weird,

697
00:41:38,920 --> 00:41:42,319
Speaker 1: like people like Zebrahead is like a movie that nobody evenings.

698
00:41:42,719 --> 00:41:44,960
Speaker 1: Yeah you did get in half, Yeah you got bit

699
00:41:45,040 --> 00:41:47,399
Speaker 1: in half man, leg was switching, I remember, but true

700
00:41:47,520 --> 00:41:51,880
Speaker 1: romance also another. I appreciate it all right, Well working

701
00:41:52,000 --> 00:41:54,680
Speaker 1: talk about you man, Well, no doubt. So you're you're

702
00:41:54,760 --> 00:41:57,480
Speaker 1: doing your thing man, So like I'm interested in, uh

703
00:41:58,680 --> 00:42:02,760
Speaker 1: your career because you like every time you kick a freestyle,

704
00:42:02,840 --> 00:42:05,400
Speaker 1: you sort of make waves or if I don't even

705
00:42:05,400 --> 00:42:07,239
Speaker 1: know if it's a freestyle, like I talk like it's

706
00:42:07,360 --> 00:42:09,759
Speaker 1: it's like yeah, when I go to the freestyle like

707
00:42:09,800 --> 00:42:12,600
Speaker 1: it's it's sort of thought it's thought out, like when

708
00:42:12,640 --> 00:42:14,279
Speaker 1: you like when you went on Sway this last Joy,

709
00:42:14,320 --> 00:42:16,759
Speaker 1: you were rocking on Sway over on me and you

710
00:42:16,920 --> 00:42:19,919
Speaker 1: write the eminem b uh, Yeah, what's the difference, Yeah

711
00:42:19,960 --> 00:42:23,120
Speaker 1: from from two thousand one, great album, probably my favorite.

712
00:42:24,239 --> 00:42:25,440
Speaker 1: I want to get into this. So but when you

713
00:42:25,560 --> 00:42:27,840
Speaker 1: go when you you drop these these gems and you

714
00:42:27,880 --> 00:42:29,920
Speaker 1: said you're gonna drop something for me, which is got you?

715
00:42:30,080 --> 00:42:32,400
Speaker 1: Which is gonna be dope? Like what does it mean

716
00:42:32,480 --> 00:42:35,160
Speaker 1: the freestyle or free the freestyles exist, like when you

717
00:42:35,280 --> 00:42:37,520
Speaker 1: do like the thing one sway, when you rhyme one sway?

718
00:42:37,840 --> 00:42:39,440
Speaker 1: Is it a little bit of each or is it prepared?

719
00:42:39,520 --> 00:42:41,480
Speaker 1: And because I think there's nothing wrong with either, ork

720
00:42:41,640 --> 00:42:44,120
Speaker 1: you were it was it was new material, yes, yes,

721
00:42:44,320 --> 00:42:47,120
Speaker 1: and and so in that instance, that was prepared. And

722
00:42:47,680 --> 00:42:49,360
Speaker 1: I've gone on sway and going off the top of

723
00:42:49,440 --> 00:42:51,600
Speaker 1: my head as well, and that is like the truest

724
00:42:51,640 --> 00:42:53,600
Speaker 1: form of a freestyle, and that's something I came up

725
00:42:53,640 --> 00:42:56,319
Speaker 1: doing a lot of. But I mean, when you when

726
00:42:56,320 --> 00:42:58,680
Speaker 1: you have a platform like that, you kind of it's

727
00:42:58,719 --> 00:43:00,520
Speaker 1: just like being a gladiator. You to step in and

728
00:43:00,600 --> 00:43:03,000
Speaker 1: put on a show. You know, you wanna like murder

729
00:43:03,160 --> 00:43:06,920
Speaker 1: everything in front of you in the most fashion forward way,

730
00:43:07,000 --> 00:43:09,239
Speaker 1: you know, just just destroy it. And and you know,

731
00:43:09,520 --> 00:43:12,279
Speaker 1: freestyling is pretty much a lost start, like going off

732
00:43:12,280 --> 00:43:13,719
Speaker 1: the top of your head. So I think in this

733
00:43:13,880 --> 00:43:16,840
Speaker 1: day and age to call a free verse something you know,

734
00:43:16,960 --> 00:43:19,400
Speaker 1: if it's original and not out on a song like,

735
00:43:19,640 --> 00:43:22,239
Speaker 1: I guess that's a freestyle and modern day and for

736
00:43:22,480 --> 00:43:25,439
Speaker 1: for you writing, like what is your process with writing?

737
00:43:25,520 --> 00:43:27,000
Speaker 1: Like like if I was like, if you're in a

738
00:43:27,080 --> 00:43:30,800
Speaker 1: studio right and you haven't heard a beat and you

739
00:43:30,960 --> 00:43:32,880
Speaker 1: like you don't even really know what's gonna go on, Like,

740
00:43:32,960 --> 00:43:35,600
Speaker 1: but if you heard something that was inspiring to you

741
00:43:36,880 --> 00:43:38,520
Speaker 1: and this was a studio and it was like, how

742
00:43:38,600 --> 00:43:41,399
Speaker 1: long does it take you to write like something that's significant,

743
00:43:41,440 --> 00:43:44,000
Speaker 1: something that's dope, something that you could stand behind. It

744
00:43:44,120 --> 00:43:47,680
Speaker 1: totally depends on the song and the material when it

745
00:43:47,760 --> 00:43:50,120
Speaker 1: comes to, you know, the raw thoughts joints where I'm

746
00:43:50,120 --> 00:43:53,520
Speaker 1: really ship talking, right, those kind of come about in

747
00:43:53,600 --> 00:43:55,719
Speaker 1: a different way. Those come about from a list of

748
00:43:55,880 --> 00:43:59,160
Speaker 1: names really kind of like kill bill Um where I

749
00:43:59,280 --> 00:44:02,480
Speaker 1: just you know, I watch society and people piss me

750
00:44:02,560 --> 00:44:05,959
Speaker 1: off and I think, you know, talking shit about people

751
00:44:06,000 --> 00:44:07,719
Speaker 1: who have it coming. You know, I'm a big fan

752
00:44:07,800 --> 00:44:10,279
Speaker 1: of justice, and you know, if I can just add

753
00:44:10,280 --> 00:44:12,240
Speaker 1: a little bit of justice to the world by calling

754
00:44:12,280 --> 00:44:14,200
Speaker 1: things out, not that it's going to ruin someone's life,

755
00:44:14,239 --> 00:44:16,240
Speaker 1: but it might ruin their day or maybe five minutes,

756
00:44:16,440 --> 00:44:19,120
Speaker 1: you know, but like that makes me smile, and um.

757
00:44:19,520 --> 00:44:22,080
Speaker 1: You know that those songs have a slightly different process

758
00:44:22,360 --> 00:44:25,640
Speaker 1: as opposed to you know, a song in general. You know,

759
00:44:25,760 --> 00:44:28,160
Speaker 1: usually the hook is where I start with and then

760
00:44:28,239 --> 00:44:31,560
Speaker 1: kind of form the bars. You start with the hook usually, yeah,

761
00:44:31,600 --> 00:44:33,040
Speaker 1: because that will kind of set the tone for what

762
00:44:33,160 --> 00:44:34,880
Speaker 1: the rest of the song is gonna be. Is the

763
00:44:35,040 --> 00:44:37,719
Speaker 1: hook come off of a beat? Usually I got it

764
00:44:37,880 --> 00:44:39,840
Speaker 1: starts with a beat, and sometimes I'm involved in the

765
00:44:39,920 --> 00:44:42,440
Speaker 1: process of the beat making. Sometimes I'll just get a

766
00:44:42,440 --> 00:44:44,600
Speaker 1: beat sent over and be like, oh, that's fire, you know. Um.

767
00:44:45,080 --> 00:44:48,400
Speaker 1: But usually yeah, get the beat and you know, just

768
00:44:48,560 --> 00:44:51,840
Speaker 1: start kicking around concepts and ideas. Sometimes I have a

769
00:44:51,880 --> 00:44:53,719
Speaker 1: bunch of lucy bars just kind of like in my

770
00:44:53,840 --> 00:44:55,800
Speaker 1: phone if it's that kind of song where I'm just

771
00:44:55,920 --> 00:44:58,440
Speaker 1: kind of like flexing lyrically because that's kind of like

772
00:44:58,520 --> 00:45:01,600
Speaker 1: my pocket, that's like my go to. Um. But like

773
00:45:01,800 --> 00:45:03,640
Speaker 1: you know, you gotta have songs with substance that are

774
00:45:03,640 --> 00:45:07,720
Speaker 1: about things. Um, So those songs take a little longer,

775
00:45:08,480 --> 00:45:10,719
Speaker 1: require a little more thought, you know than just kind

776
00:45:10,760 --> 00:45:13,880
Speaker 1: of randomly making punch lines, because East Coast is all

777
00:45:13,880 --> 00:45:15,759
Speaker 1: about punch lines, right. You know, I grew up in

778
00:45:15,800 --> 00:45:18,400
Speaker 1: the cipher. I grew up freestyling, like for real freestyling

779
00:45:18,880 --> 00:45:21,960
Speaker 1: and being a white dude in that era especially, that

780
00:45:22,160 --> 00:45:24,920
Speaker 1: was pre everything that's going on right now. That was

781
00:45:24,960 --> 00:45:27,759
Speaker 1: pretty Chris Webby. That was pre all these guys. It's

782
00:45:27,840 --> 00:45:30,400
Speaker 1: really the only reference point was eminem So you had

783
00:45:30,440 --> 00:45:34,279
Speaker 1: to be really good and being like I came up

784
00:45:34,360 --> 00:45:36,480
Speaker 1: in that. It's like I had to not only be good,

785
00:45:36,520 --> 00:45:38,360
Speaker 1: I had to be the best, and I had to

786
00:45:38,400 --> 00:45:40,920
Speaker 1: really wow people with these one liners that would just

787
00:45:41,040 --> 00:45:44,000
Speaker 1: make people like, oh shit, you know. Like so that's

788
00:45:44,160 --> 00:45:47,239
Speaker 1: kind of transitioned into my music style, where like I

789
00:45:47,360 --> 00:45:49,239
Speaker 1: love punch lines, you know, And that's that's a very

790
00:45:49,320 --> 00:45:51,640
Speaker 1: East Coast thing. Not that other people don't have punch

791
00:45:51,719 --> 00:45:53,319
Speaker 1: lines as well, but I would say East Coast has

792
00:45:53,320 --> 00:45:56,960
Speaker 1: always been about bars and and these freestyle and ciphers

793
00:45:57,080 --> 00:45:59,600
Speaker 1: and like being a white rapper, I mean, there's such

794
00:45:59,640 --> 00:46:04,399
Speaker 1: a it's such a stigma, it's such a um. There's

795
00:46:04,440 --> 00:46:06,520
Speaker 1: so much that comes along with it. I mean, I'm

796
00:46:06,520 --> 00:46:08,640
Speaker 1: not even a white rapper. I'm a white rapp report

797
00:46:08,840 --> 00:46:10,640
Speaker 1: And there's there's a there's a stigma of being that.

798
00:46:11,000 --> 00:46:13,200
Speaker 1: But like when when you're in these freestyle and like

799
00:46:13,280 --> 00:46:17,439
Speaker 1: these rap battles, what's the craziest sort of thing you saw?

800
00:46:17,600 --> 00:46:19,680
Speaker 1: Like has it ever gotten like where whether you were

801
00:46:19,719 --> 00:46:22,719
Speaker 1: involved with or or that you saw it like where

802
00:46:22,719 --> 00:46:26,120
Speaker 1: it just got? Does it never turns into fighting and ship? Well? Yeah,

803
00:46:26,239 --> 00:46:28,760
Speaker 1: I mean, and there's the big difference to there. There's

804
00:46:28,800 --> 00:46:31,600
Speaker 1: just like freestyling and a cipher which is competitive, but

805
00:46:31,719 --> 00:46:34,960
Speaker 1: it's not battling. Battling is its own thing. And I

806
00:46:35,080 --> 00:46:37,080
Speaker 1: did used to battle back in the day, but not

807
00:46:37,400 --> 00:46:40,640
Speaker 1: like the modern day battle circuits that they have now.

808
00:46:41,080 --> 00:46:43,400
Speaker 1: Is it still going on? Yeah? And it's it's like

809
00:46:43,719 --> 00:46:47,360
Speaker 1: evolved dramatically. It's all acapella and it's like it's like

810
00:46:47,760 --> 00:46:50,360
Speaker 1: very uh, it's like spoken word, it's like kind of

811
00:46:50,440 --> 00:46:53,600
Speaker 1: slam poetry. It's all about delivery, body motion. So it's

812
00:46:53,680 --> 00:46:56,320
Speaker 1: it's a skill set that at a certain point I

813
00:46:56,440 --> 00:46:59,600
Speaker 1: realized like that wasn't gonna be my specialty. I wanted

814
00:46:59,640 --> 00:47:01,759
Speaker 1: to make music. I used to battle people when it

815
00:47:01,800 --> 00:47:04,160
Speaker 1: would be like I'm at a party, some other dudes

816
00:47:04,200 --> 00:47:05,840
Speaker 1: at a party who says he wraps and we'd be

817
00:47:05,920 --> 00:47:08,120
Speaker 1: like let's battle, throw a beat on And it was

818
00:47:08,239 --> 00:47:10,520
Speaker 1: really like on the spot, maybe have like five ten

819
00:47:10,600 --> 00:47:13,480
Speaker 1: minutes to like get your thoughts together. But what it's

820
00:47:13,480 --> 00:47:15,799
Speaker 1: turned into now, it's like, I mean, you have these

821
00:47:16,160 --> 00:47:19,600
Speaker 1: these verses for weeks, You're you're focused on your opponent

822
00:47:19,719 --> 00:47:23,080
Speaker 1: for weeks. You know you're gonna battle. Yes, usually usually

823
00:47:23,160 --> 00:47:25,919
Speaker 1: they do have tournaments where it's like a random pick,

824
00:47:26,120 --> 00:47:29,600
Speaker 1: but it's like it's really intense. The stakes are too

825
00:47:29,680 --> 00:47:33,480
Speaker 1: high for my blood. And I learned this back in

826
00:47:33,560 --> 00:47:36,719
Speaker 1: the day when I had a battle. And now I

827
00:47:36,760 --> 00:47:38,120
Speaker 1: want to wait, I want to stop you because I

828
00:47:38,120 --> 00:47:40,000
Speaker 1: want to remember what you're saying. Back in the day.

829
00:47:40,040 --> 00:47:42,320
Speaker 1: We have about every person that comes on this pocket,

830
00:47:42,360 --> 00:47:45,480
Speaker 1: and I seem to be all by myself. I say

831
00:47:45,560 --> 00:47:48,080
Speaker 1: back in the days because it's a whole bunch of days.

832
00:47:48,120 --> 00:47:50,880
Speaker 1: It's weeks. Yeah, this is maybe less days. Yeah, because

833
00:47:50,920 --> 00:47:52,800
Speaker 1: but everybody, and every time I brought this up to

834
00:47:52,800 --> 00:47:56,160
Speaker 1: everybody's always this day, you're back in the day, person,

835
00:47:56,239 --> 00:47:59,600
Speaker 1: This is like, oh seven, No, But I'm saying the

836
00:47:59,800 --> 00:48:02,640
Speaker 1: term back in the day or back in the days

837
00:48:02,680 --> 00:48:05,399
Speaker 1: because I say back in the days. Oh, I say

838
00:48:05,440 --> 00:48:07,560
Speaker 1: the day because I guess I think of a specific

839
00:48:07,600 --> 00:48:11,160
Speaker 1: twenty four hour period when I when, okay, every every

840
00:48:11,239 --> 00:48:13,239
Speaker 1: every guest of the Iron Wrap or Stereo podcast, I

841
00:48:13,280 --> 00:48:15,440
Speaker 1: have it. I'm a lone wolf with this. I say

842
00:48:15,480 --> 00:48:17,759
Speaker 1: back in the days. Everybody else seems to be saying

843
00:48:17,800 --> 00:48:20,759
Speaker 1: back in the day. Yeah, yeah, I mean, because there's

844
00:48:20,760 --> 00:48:25,640
Speaker 1: a bunch of days there, days, Yeah, like large like

845
00:48:25,840 --> 00:48:28,200
Speaker 1: sections of days. Just something to think about, just something

846
00:48:28,239 --> 00:48:31,560
Speaker 1: to think about. And also trip coal quest check them

847
00:48:31,600 --> 00:48:35,520
Speaker 1: round back in the days on the Boulevard of Linen days. Yeah,

848
00:48:35,560 --> 00:48:39,160
Speaker 1: I would say grammatically, you're right. Honestly, that's probably the

849
00:48:39,160 --> 00:48:42,160
Speaker 1: first time anyone's ever said grammatically I'm right. Yeah. I mean,

850
00:48:42,920 --> 00:48:45,640
Speaker 1: I was like very good at English. Actually, my last

851
00:48:45,719 --> 00:48:49,480
Speaker 1: name is Webster. I'm related to the Dictionary people very loosely,

852
00:48:49,680 --> 00:48:51,600
Speaker 1: but I love to kind of flex that, being that

853
00:48:51,680 --> 00:48:53,440
Speaker 1: I make my money with words. That's dope. So it

854
00:48:53,520 --> 00:48:55,680
Speaker 1: was kind of cool. Alright, So sorry for the interruption, Okay,

855
00:48:55,719 --> 00:48:57,640
Speaker 1: So go so back in the day. So yeah, So

856
00:48:57,760 --> 00:49:00,279
Speaker 1: I had this battle, right, and since I was good

857
00:49:00,320 --> 00:49:02,400
Speaker 1: at battling people on the spot at all these parties,

858
00:49:02,480 --> 00:49:04,160
Speaker 1: you know, I just thought I was going to demolish

859
00:49:04,200 --> 00:49:07,799
Speaker 1: everything in front of me. So set up a battle um,

860
00:49:08,719 --> 00:49:10,960
Speaker 1: and I thought I was just gonna walk in there

861
00:49:11,000 --> 00:49:13,080
Speaker 1: and freestyle. And this is how I kind of learned

862
00:49:13,160 --> 00:49:16,640
Speaker 1: how modern day battling was going. This guy was prepared

863
00:49:16,800 --> 00:49:19,320
Speaker 1: as fuck, you know, he had all his verses ready,

864
00:49:19,360 --> 00:49:20,480
Speaker 1: and I was just going to kind of go in

865
00:49:20,520 --> 00:49:23,759
Speaker 1: there and wing it. And that did not work, and

866
00:49:23,960 --> 00:49:27,360
Speaker 1: I totally like be rabbit choked like a motherfucker, and

867
00:49:27,400 --> 00:49:30,040
Speaker 1: then I ended up punching him in the face, which

868
00:49:30,120 --> 00:49:32,239
Speaker 1: is the only time I've ever punched someone in the face.

869
00:49:32,280 --> 00:49:34,120
Speaker 1: I'm not like a punch someone in the face type

870
00:49:34,160 --> 00:49:35,960
Speaker 1: of person at all. It just happened in the moment.

871
00:49:36,080 --> 00:49:38,640
Speaker 1: That's how high the stakes are in a rat battle.

872
00:49:39,480 --> 00:49:42,279
Speaker 1: I literally was in a spiral of depression after that

873
00:49:42,480 --> 00:49:44,880
Speaker 1: and like questioned every element of my life if I

874
00:49:44,960 --> 00:49:46,719
Speaker 1: want to do this. It ended up being a good

875
00:49:46,800 --> 00:49:48,840
Speaker 1: thing and it fueled me and I took all of

876
00:49:48,960 --> 00:49:51,560
Speaker 1: that negative energy and used it to get back up

877
00:49:52,000 --> 00:49:55,320
Speaker 1: and repurpose myself for what I am now. Because I

878
00:49:55,480 --> 00:49:58,320
Speaker 1: love music, man, I love watching the battlers. I I

879
00:49:58,480 --> 00:50:01,080
Speaker 1: follow a lot of them. Disaster some of these guys

880
00:50:01,160 --> 00:50:03,080
Speaker 1: that the Canadian League is out of control. It's called

881
00:50:03,160 --> 00:50:05,840
Speaker 1: King and the Dot and there it's really really crazy.

882
00:50:06,680 --> 00:50:09,840
Speaker 1: Oh yeah, and and these guys are insane at that

883
00:50:10,080 --> 00:50:13,000
Speaker 1: specific thing. And I realized, like, you know, I'm not

884
00:50:13,040 --> 00:50:15,319
Speaker 1: a Swiss army knife. I'm gonna focus on a few

885
00:50:15,440 --> 00:50:18,160
Speaker 1: realms of hip hop because that's a very different one,

886
00:50:18,200 --> 00:50:20,760
Speaker 1: you know what I mean, Because there's enough differences between

887
00:50:21,280 --> 00:50:26,000
Speaker 1: writing a song, performing, you know, doing press and interview.

888
00:50:26,080 --> 00:50:27,759
Speaker 1: Like there's a lot of skills that you have to

889
00:50:27,840 --> 00:50:30,840
Speaker 1: learn just in a normal rapper lifespan, as opposed to

890
00:50:31,360 --> 00:50:37,080
Speaker 1: battle rapping its own fucking thing. Um. Alright, so let

891
00:50:37,120 --> 00:50:39,279
Speaker 1: me jump back to the burden. I'll just call the

892
00:50:39,400 --> 00:50:42,600
Speaker 1: burden of being a white rapper the burden of being

893
00:50:42,680 --> 00:50:44,759
Speaker 1: let me, I'm trying to even take I never like

894
00:50:44,880 --> 00:50:46,680
Speaker 1: spoke about this public. I thought about this is like

895
00:50:46,760 --> 00:50:49,560
Speaker 1: the burden of being a white rapper. Like there's you

896
00:50:49,840 --> 00:50:52,560
Speaker 1: we were talking before we started, like all the white rappers.

897
00:50:52,640 --> 00:50:55,600
Speaker 1: Now there's tons of there's Post Malone, there's our friend

898
00:50:55,680 --> 00:50:59,839
Speaker 1: Mike stud Um, there's fucking obviously, there's eminem there's mc sir,

899
00:51:00,480 --> 00:51:04,239
Speaker 1: there's now there's like there's no million. Yeah, Like it's

900
00:51:04,320 --> 00:51:06,000
Speaker 1: not like it's I mean, but but there is that

901
00:51:06,160 --> 00:51:08,520
Speaker 1: sort of like It's almost like if you're you know,

902
00:51:08,600 --> 00:51:10,759
Speaker 1: playing street ball, like there's like, what the funk you got?

903
00:51:10,880 --> 00:51:13,759
Speaker 1: But with hip hop it's even more because there's there's

904
00:51:13,840 --> 00:51:17,680
Speaker 1: been it's it's not it wasn't created by white people, right,

905
00:51:17,760 --> 00:51:19,800
Speaker 1: you know, so you have to respect it, you know,

906
00:51:19,840 --> 00:51:22,160
Speaker 1: And I'm big on respect across the board. I was

907
00:51:22,280 --> 00:51:25,440
Speaker 1: raised Italian. Respect your elder Italian, yes, okay, on my

908
00:51:25,520 --> 00:51:28,040
Speaker 1: mother's side, she's full blooded, and I was raised mostly

909
00:51:28,120 --> 00:51:31,000
Speaker 1: on that side. So I think it's really important to

910
00:51:31,360 --> 00:51:34,200
Speaker 1: respect what came before you and respect what you do.

911
00:51:34,520 --> 00:51:37,000
Speaker 1: You know, Like this, this game that I'm in was

912
00:51:37,080 --> 00:51:39,239
Speaker 1: built long before I got into it, and you know,

913
00:51:39,320 --> 00:51:41,360
Speaker 1: I'm gonna do my own thing and interpret it in

914
00:51:41,440 --> 00:51:43,879
Speaker 1: my own way. I came from, you know, the middle

915
00:51:43,920 --> 00:51:47,200
Speaker 1: class suburbs of Connecticut, not your average hip hop story.

916
00:51:47,840 --> 00:51:49,880
Speaker 1: But at the same time, I feel like I respect

917
00:51:49,920 --> 00:51:51,680
Speaker 1: the game a lot more than most of these kids

918
00:51:51,719 --> 00:51:53,600
Speaker 1: coming out right now. And I know my history a

919
00:51:53,680 --> 00:51:57,120
Speaker 1: lot more than these kids, and you know, it's it's important,

920
00:51:57,239 --> 00:51:59,839
Speaker 1: you know, But these white kids, there's a lot now

921
00:52:00,040 --> 00:52:03,160
Speaker 1: and where are they, like like on tour, like your

922
00:52:03,280 --> 00:52:07,399
Speaker 1: overman all over there? There? Really it was like there

923
00:52:07,440 --> 00:52:09,920
Speaker 1: were none. Eminem came out and left just like a

924
00:52:10,080 --> 00:52:12,560
Speaker 1: huge crater in the ground that nothing could grow in

925
00:52:12,800 --> 00:52:16,680
Speaker 1: for like over a decade, and then it was really

926
00:52:16,760 --> 00:52:20,160
Speaker 1: Asher Roth was like the first one to kind of

927
00:52:20,320 --> 00:52:23,279
Speaker 1: reopen the door, and I slipped in pretty much right

928
00:52:23,360 --> 00:52:25,759
Speaker 1: after that, except I took the independent route. And it's

929
00:52:25,800 --> 00:52:28,239
Speaker 1: been a very long journey from there. So a lot

930
00:52:28,280 --> 00:52:30,680
Speaker 1: of guys have come blown up, some of them have

931
00:52:30,760 --> 00:52:32,920
Speaker 1: come and gone in the time that I've just continued

932
00:52:32,960 --> 00:52:35,680
Speaker 1: this slow ascension. Do the white rappers get along like

933
00:52:35,800 --> 00:52:38,120
Speaker 1: the the the youthful. You guys are youthful. Do the

934
00:52:38,120 --> 00:52:40,560
Speaker 1: youthful white rappers get along like I used to say this.

935
00:52:40,960 --> 00:52:43,320
Speaker 1: I'll tell you a funny story when when when I

936
00:52:43,440 --> 00:52:45,600
Speaker 1: was growing up in New York City, we go to

937
00:52:45,680 --> 00:52:48,520
Speaker 1: the clubs, the rooftop. I never saw a Search at

938
00:52:48,560 --> 00:52:51,000
Speaker 1: the rooftop, but Union Square, Latin Court is I would.

939
00:52:51,200 --> 00:52:55,880
Speaker 1: This is before he was MC search. We're sixteen, fifteen sixteen.

940
00:52:56,200 --> 00:52:58,440
Speaker 1: I saw MC Search. I didn't know who he was,

941
00:52:58,760 --> 00:53:01,960
Speaker 1: just a white kid. Would had real curly hair, glass

942
00:53:02,000 --> 00:53:03,759
Speaker 1: is similar to what you do. And he he would

943
00:53:03,840 --> 00:53:05,600
Speaker 1: just a little like I would dress, you know, everybody

944
00:53:05,640 --> 00:53:07,600
Speaker 1: would dress. But he was a little. He was Flamboy.

945
00:53:07,960 --> 00:53:10,480
Speaker 1: He saw me. I saw him. I knew who he was,

946
00:53:10,719 --> 00:53:12,560
Speaker 1: he knew why. I didn't know his name was Mike.

947
00:53:12,600 --> 00:53:14,120
Speaker 1: I didn't know he was the name of Search. I

948
00:53:14,200 --> 00:53:16,600
Speaker 1: didn't know he was a rapper. He didn't know anything

949
00:53:16,640 --> 00:53:18,719
Speaker 1: about me. But we saw each other all the fun time,

950
00:53:18,960 --> 00:53:21,160
Speaker 1: and then when we connected when we met zebra Head,

951
00:53:21,480 --> 00:53:23,480
Speaker 1: he was like that I remember seeing you. He was like,

952
00:53:23,520 --> 00:53:25,920
Speaker 1: I remember seeing you because it was like you stuck

953
00:53:25,960 --> 00:53:27,759
Speaker 1: out like a sword. IM like it was literally at

954
00:53:27,800 --> 00:53:31,200
Speaker 1: the time only me an mc search, Like I don't

955
00:53:31,239 --> 00:53:35,360
Speaker 1: remember ever ever seeing another white dude. Um. So you know,

956
00:53:35,480 --> 00:53:37,120
Speaker 1: like when we met when we did zebra and he

957
00:53:37,200 --> 00:53:38,960
Speaker 1: was he had something to do with the soundtrack and

958
00:53:39,040 --> 00:53:40,759
Speaker 1: he helped me with the DJ and all that ship

959
00:53:41,320 --> 00:53:43,279
Speaker 1: there was like I remember seeing you. Oh yeah, you

960
00:53:43,320 --> 00:53:44,920
Speaker 1: used to have the eight bowl jack. Oh yeah, used

961
00:53:44,960 --> 00:53:46,640
Speaker 1: to have like the curly froe and you know. And

962
00:53:46,680 --> 00:53:48,080
Speaker 1: then I was like and then you started rhymeing and

963
00:53:48,120 --> 00:53:49,960
Speaker 1: it was like this thing. So when you see like

964
00:53:50,080 --> 00:53:53,120
Speaker 1: the other white rappers is their white rapper beef? Uh?

965
00:53:53,640 --> 00:53:56,600
Speaker 1: Is like you respect each other because I feel like

966
00:53:56,640 --> 00:53:59,640
Speaker 1: there's sort of like I don't know there's like this understanding.

967
00:53:59,760 --> 00:54:01,640
Speaker 1: I know, I used to judge every other white kid, like,

968
00:54:01,680 --> 00:54:03,719
Speaker 1: you know, who the funk are you in the same

969
00:54:04,120 --> 00:54:05,520
Speaker 1: A lot of that. There's a lot of that, And

970
00:54:05,560 --> 00:54:07,400
Speaker 1: I think there's a lot of that more with my

971
00:54:07,640 --> 00:54:11,480
Speaker 1: generation than the generation that's coming up now, because they're

972
00:54:12,440 --> 00:54:15,279
Speaker 1: exposed to like there are kids coming out it's more

973
00:54:15,360 --> 00:54:18,000
Speaker 1: normal exactly. There are kids coming out now who could

974
00:54:18,040 --> 00:54:20,200
Speaker 1: have grown up fans of Chris Webby already, because you know,

975
00:54:20,239 --> 00:54:22,360
Speaker 1: I'm twenty nine, I've I've got almost a decade in

976
00:54:22,400 --> 00:54:24,520
Speaker 1: the game under my belt at this point. So I

977
00:54:24,640 --> 00:54:28,160
Speaker 1: think the kids more from my generation, the competitive nature

978
00:54:28,360 --> 00:54:34,200
Speaker 1: was borderline aggressive, you know, because White Wrapper usually the

979
00:54:34,320 --> 00:54:38,520
Speaker 1: only ones I got in our respective realm, and then

980
00:54:38,560 --> 00:54:41,520
Speaker 1: the Internet starts introducing all these other ones to your mind,

981
00:54:41,600 --> 00:54:44,200
Speaker 1: and you're like, well, fun that guy, because our mind

982
00:54:44,280 --> 00:54:48,399
Speaker 1: it's like they're special. It's not that way, and that's

983
00:54:48,440 --> 00:54:50,239
Speaker 1: fucked up and that's not a good way to see

984
00:54:50,239 --> 00:54:51,600
Speaker 1: it at all. But I mean that's kind of how

985
00:54:51,960 --> 00:54:55,759
Speaker 1: like white Wrapper, White rapperport therapy here rapp. Yeah, you know,

986
00:54:55,840 --> 00:54:57,880
Speaker 1: And I realized at a certain point because I totally

987
00:54:58,000 --> 00:55:00,920
Speaker 1: used to see things that way and I've since, you know,

988
00:55:01,400 --> 00:55:04,120
Speaker 1: try to just turn a more positive leaf because I

989
00:55:04,200 --> 00:55:06,279
Speaker 1: don't know a lot of these guys like they could

990
00:55:06,480 --> 00:55:09,239
Speaker 1: deserve it just as much as I do, you know. So,

991
00:55:09,520 --> 00:55:11,960
Speaker 1: but it is the truth though there has been a

992
00:55:12,040 --> 00:55:15,640
Speaker 1: lot of static between just because you know, it's direct

993
00:55:15,719 --> 00:55:19,080
Speaker 1: competition as well, like the game, like the world as

994
00:55:19,120 --> 00:55:21,440
Speaker 1: a whole compares white rappers to each other, just like

995
00:55:21,520 --> 00:55:24,719
Speaker 1: they compare female mcs, right, you know, and it's like

996
00:55:25,640 --> 00:55:28,160
Speaker 1: they're for real competition and if they get big, that

997
00:55:28,239 --> 00:55:31,480
Speaker 1: could affect your what you eat I got at the

998
00:55:31,560 --> 00:55:34,759
Speaker 1: end of the day. So again it's it's transitioning out

999
00:55:34,800 --> 00:55:37,239
Speaker 1: of that, but there's still an element of it for sure. Um,

1000
00:55:37,360 --> 00:55:40,560
Speaker 1: all right, so you talk shit. You shouted me out

1001
00:55:40,719 --> 00:55:44,359
Speaker 1: in your song uh raw thoughts too, Yes, And it's

1002
00:55:44,360 --> 00:55:47,399
Speaker 1: a ship talking song. You talk ship politics, you talk

1003
00:55:47,680 --> 00:55:52,080
Speaker 1: about social you talk shit about other rappers. Um, where

1004
00:55:52,120 --> 00:55:55,360
Speaker 1: did your ship talking sort of spirit come from? And

1005
00:55:56,000 --> 00:55:59,640
Speaker 1: in regards to ship talking with rappers, have like like

1006
00:56:00,000 --> 00:56:02,920
Speaker 1: that's a slippery slope because rap is like it's not

1007
00:56:03,000 --> 00:56:04,719
Speaker 1: like you're talking about Donald Trump, like you you're on

1008
00:56:04,840 --> 00:56:06,759
Speaker 1: tour with these guys, you bump into each other like

1009
00:56:06,800 --> 00:56:09,160
Speaker 1: it's you know, like whether you know, like the bigger

1010
00:56:09,200 --> 00:56:10,799
Speaker 1: ones are the small ones. It's like you guys all

1011
00:56:10,960 --> 00:56:14,480
Speaker 1: sort of cross paths each So the twofold question where

1012
00:56:14,480 --> 00:56:17,200
Speaker 1: did your ship talking spirit come from? And in regard

1013
00:56:17,280 --> 00:56:19,239
Speaker 1: to how do you do it where you're talking show

1014
00:56:19,239 --> 00:56:23,360
Speaker 1: with rappers about rappers where you don't want it to go. Obviously,

1015
00:56:23,400 --> 00:56:26,360
Speaker 1: the worst example is Tupac Biggie that started from ship talking.

1016
00:56:26,440 --> 00:56:30,239
Speaker 1: That was like bad, everybody regrets it of course, so

1017
00:56:30,920 --> 00:56:34,320
Speaker 1: the spirit and then sort of like backing it up, like,

1018
00:56:34,640 --> 00:56:37,160
Speaker 1: you know, have you had any confrontations from the ship talking?

1019
00:56:37,600 --> 00:56:39,319
Speaker 1: So in terms of where did I get the ship

1020
00:56:39,400 --> 00:56:42,719
Speaker 1: talking spirit? I mean, I, like I said before, I

1021
00:56:42,840 --> 00:56:44,800
Speaker 1: just don't like to see bullshit and I feel like

1022
00:56:44,880 --> 00:56:47,040
Speaker 1: I have to say something about it. So with the politicians,

1023
00:56:47,080 --> 00:56:49,640
Speaker 1: that's a simple answer because funk these guys and and

1024
00:56:49,760 --> 00:56:52,520
Speaker 1: to not call them out. I also, you know, it's

1025
00:56:52,600 --> 00:56:55,160
Speaker 1: so fun Donald Trump in the world, but it's like,

1026
00:56:55,280 --> 00:56:57,480
Speaker 1: all right, let's break down his cabinet though, you know

1027
00:56:57,520 --> 00:56:59,440
Speaker 1: what I mean, Like this dude is kind of just

1028
00:56:59,560 --> 00:57:01,960
Speaker 1: a bull and a china shop. In my personal opinion, Yeah,

1029
00:57:01,960 --> 00:57:03,759
Speaker 1: he has a lot of power, but I feel like

1030
00:57:03,800 --> 00:57:06,759
Speaker 1: a lot of the evil decisions are coming from the

1031
00:57:06,840 --> 00:57:09,720
Speaker 1: Jeff Sessions is the Scott Pruitt's I mean that fucking

1032
00:57:09,760 --> 00:57:13,520
Speaker 1: piece of ship destroying the environment, like at such a

1033
00:57:13,560 --> 00:57:15,839
Speaker 1: mass scale so quickly, Like it's almost as if he's

1034
00:57:15,840 --> 00:57:19,040
Speaker 1: on a mission to like shorten the lifespan of planet Earth. Um,

1035
00:57:19,280 --> 00:57:23,360
Speaker 1: And you know that's the Bard. I can't fucking stand. Yeah,

1036
00:57:23,640 --> 00:57:25,960
Speaker 1: she was just talking about that Comey interview and like

1037
00:57:26,080 --> 00:57:29,040
Speaker 1: the I mean, she's a motherfucker man. And it's just

1038
00:57:29,200 --> 00:57:32,840
Speaker 1: it's crazy because so many people are misinformed, and I

1039
00:57:32,920 --> 00:57:35,680
Speaker 1: think this two party system has people picking sides when

1040
00:57:35,720 --> 00:57:37,520
Speaker 1: really it's like, Yo, fuck all these I'm not a

1041
00:57:37,720 --> 00:57:40,600
Speaker 1: Democrat at all, because funk them. To fuck all these

1042
00:57:40,640 --> 00:57:44,000
Speaker 1: self serving politicians. They are supposed to represent the people.

1043
00:57:44,600 --> 00:57:46,960
Speaker 1: And what we have as a bunch of career politicians

1044
00:57:47,160 --> 00:57:49,160
Speaker 1: who don't give a funk about the people because this

1045
00:57:49,240 --> 00:57:51,200
Speaker 1: is what they do. It's not members of society who

1046
00:57:51,280 --> 00:57:53,520
Speaker 1: earned their slot, who the people wanted to put there.

1047
00:57:53,760 --> 00:57:55,600
Speaker 1: You've got guys like Paul Ryan, Like what the fuck

1048
00:57:56,000 --> 00:57:58,320
Speaker 1: he's a career politician, you know what I mean? Funk

1049
00:57:58,360 --> 00:58:01,520
Speaker 1: that guy. All these God can't stand them, And I

1050
00:58:01,640 --> 00:58:04,880
Speaker 1: just think it's important for people to attack them in

1051
00:58:04,960 --> 00:58:07,720
Speaker 1: their various different ways, like just like you do, I

1052
00:58:07,880 --> 00:58:09,800
Speaker 1: do it, you know, put some humor to it so

1053
00:58:10,120 --> 00:58:12,440
Speaker 1: people can get into it. I agree, I agree, And

1054
00:58:12,480 --> 00:58:14,840
Speaker 1: it's important, man, because like this ship is going on,

1055
00:58:15,080 --> 00:58:17,240
Speaker 1: like we have to say something. I feel like a

1056
00:58:17,440 --> 00:58:20,040
Speaker 1: duty in my soul to say something. And the way

1057
00:58:20,120 --> 00:58:22,080
Speaker 1: that transitions into the hip hop thing is that I

1058
00:58:22,160 --> 00:58:25,840
Speaker 1: grew up in a great era of hip hop. I

1059
00:58:26,280 --> 00:58:29,880
Speaker 1: it changed my life. I completely formed my life path

1060
00:58:30,040 --> 00:58:32,960
Speaker 1: around the music that I loved and held so close.

1061
00:58:33,240 --> 00:58:35,920
Speaker 1: And to see where it's going now like hurts my soul.

1062
00:58:36,360 --> 00:58:38,440
Speaker 1: So I feel a duty to call it out and

1063
00:58:38,560 --> 00:58:41,200
Speaker 1: say this, this is trash, you know what I mean?

1064
00:58:41,280 --> 00:58:45,320
Speaker 1: Like I can't not say something. You know, it's nothing personal, right,

1065
00:58:45,560 --> 00:58:48,120
Speaker 1: but like it's just I don't like it. And it's

1066
00:58:48,200 --> 00:58:51,800
Speaker 1: it's like almost its own genre now, it is, right

1067
00:58:51,800 --> 00:58:54,760
Speaker 1: if we called it something different, would you know, if

1068
00:58:54,760 --> 00:58:56,720
Speaker 1: they're so fucking creative, why don't they make up there?

1069
00:58:57,280 --> 00:59:00,240
Speaker 1: Because because it's gotten to me and I'm I'm I'm

1070
00:59:00,320 --> 00:59:03,160
Speaker 1: forty eight, but I mean it's so far gone, the

1071
00:59:03,320 --> 00:59:06,600
Speaker 1: music is so far gone that it is another music

1072
00:59:06,880 --> 00:59:09,200
Speaker 1: and and it is another genre and and I like,

1073
00:59:09,320 --> 00:59:12,800
Speaker 1: I literally I don't feel old because I'm like, I

1074
00:59:13,160 --> 00:59:15,920
Speaker 1: know this ship that's still banging when you hear it,

1075
00:59:16,000 --> 00:59:18,120
Speaker 1: and and there is new music that is coming out

1076
00:59:18,160 --> 00:59:21,160
Speaker 1: that's banging. But I'm sure this this other crazy shit,

1077
00:59:21,360 --> 00:59:24,920
Speaker 1: like there's no soul to it, exactly exactly, like not

1078
00:59:25,040 --> 00:59:27,480
Speaker 1: everything needs to be super lyrical, you know. O. D

1079
00:59:27,640 --> 00:59:30,120
Speaker 1: B Was not super lyrical, but he was dope, and

1080
00:59:30,240 --> 00:59:33,360
Speaker 1: like some of these kids like are dope in their

1081
00:59:33,400 --> 00:59:37,040
Speaker 1: own ways, you know. But it's really it's just this trend.

1082
00:59:37,320 --> 00:59:40,200
Speaker 1: And you know, only in rap does calling out your

1083
00:59:40,240 --> 00:59:42,520
Speaker 1: competition make you a hater, you know what I mean?

1084
00:59:42,600 --> 00:59:44,680
Speaker 1: Like you could be in sports and be saying these

1085
00:59:44,760 --> 00:59:47,280
Speaker 1: things and you know you're just making an observation. People

1086
00:59:47,320 --> 00:59:49,200
Speaker 1: say you're a hater when you sometime, but how could

1087
00:59:49,240 --> 00:59:51,400
Speaker 1: that be? But but but I don't agree because in rap,

1088
00:59:51,760 --> 00:59:56,440
Speaker 1: that's what this was built exactly before you know, before

1089
00:59:56,520 --> 00:59:59,520
Speaker 1: before there was rappers delight, it was battling absolutely and

1090
00:59:59,640 --> 01:00:02,040
Speaker 1: and so like I don't but you know, like I

1091
01:00:02,200 --> 01:00:05,240
Speaker 1: call it hate shaming. Motherfucker's wanted. Like I get hate

1092
01:00:05,240 --> 01:00:07,760
Speaker 1: shamed all the time for my hate of Lebron James

1093
01:00:07,840 --> 01:00:09,160
Speaker 1: and Tom Brady. Why are you hate And I'm like,

1094
01:00:09,480 --> 01:00:11,800
Speaker 1: he's fucking great because he's winning and he ain't on

1095
01:00:11,880 --> 01:00:14,440
Speaker 1: my fucking yeah, people like you're you're a hater. You're

1096
01:00:14,480 --> 01:00:17,160
Speaker 1: either like I'm not a I fucking hated Larry fucking Bird.

1097
01:00:17,440 --> 01:00:19,960
Speaker 1: It's like I fucking hated Reggie Millard. I'm gonna continue

1098
01:00:19,960 --> 01:00:22,240
Speaker 1: to hate fucking Tom Brady the day gets into the

1099
01:00:22,320 --> 01:00:24,760
Speaker 1: fucking Hall of Fame. I'm always gonna hate that motherfucker.

1100
01:00:24,840 --> 01:00:27,160
Speaker 1: But you know, it's a social media like you're a hater.

1101
01:00:27,240 --> 01:00:30,600
Speaker 1: I'm like, I'm not, and like no one but but

1102
01:00:30,760 --> 01:00:33,320
Speaker 1: for some reason, like no one question that talked about

1103
01:00:33,320 --> 01:00:35,120
Speaker 1: it earlier on this pocket, no no one battered and

1104
01:00:35,240 --> 01:00:39,240
Speaker 1: I when everybody outside of Boston hated Larry Bird, it

1105
01:00:39,360 --> 01:00:41,560
Speaker 1: was like totally, like, of course you hate this motherfucker,

1106
01:00:41,640 --> 01:00:44,640
Speaker 1: but Lebron James are talking about all the rappers somehow,

1107
01:00:44,680 --> 01:00:48,520
Speaker 1: and you're a hater. We've grown soft. Of course, I'm

1108
01:00:48,560 --> 01:00:51,640
Speaker 1: a fucking hate and you know it. And that's where

1109
01:00:51,720 --> 01:00:54,680
Speaker 1: it's like, you know some of that some of the

1110
01:00:54,840 --> 01:00:58,760
Speaker 1: liberal element. I used to say that I was liberal minded,

1111
01:00:58,800 --> 01:01:00,600
Speaker 1: but now where some of these mother because I'm taking

1112
01:01:00,600 --> 01:01:02,600
Speaker 1: it you can't say shit about anybody or else you're

1113
01:01:02,680 --> 01:01:05,960
Speaker 1: labeled something. And you know, I'm more liberal in the

1114
01:01:06,040 --> 01:01:08,480
Speaker 1: sense that I think abortion should be legal and encouraged.

1115
01:01:08,600 --> 01:01:10,479
Speaker 1: I think gay people should be able to get married.

1116
01:01:10,880 --> 01:01:14,360
Speaker 1: But some of this liberal like you can't say anything

1117
01:01:14,440 --> 01:01:18,120
Speaker 1: without fucking offending somebody. It's unbelievable. So how do you

1118
01:01:18,280 --> 01:01:21,439
Speaker 1: navigate that as being just should not give a fuck

1119
01:01:21,760 --> 01:01:24,760
Speaker 1: right to that? You have to commit to that, you know,

1120
01:01:24,880 --> 01:01:27,320
Speaker 1: and if you really do say something that you regret,

1121
01:01:27,560 --> 01:01:29,400
Speaker 1: everybody gets a couple of doovers where you're like, you

1122
01:01:29,440 --> 01:01:31,240
Speaker 1: know what, I didn't really even mean that, but I'm

1123
01:01:31,280 --> 01:01:33,040
Speaker 1: just ship talking, so and I should be allowed to

1124
01:01:33,080 --> 01:01:37,080
Speaker 1: do that. You know. Um, you talked about like loving

1125
01:01:37,120 --> 01:01:41,720
Speaker 1: the music and what was the first soul record that

1126
01:01:42,400 --> 01:01:44,920
Speaker 1: spoke to your heart like that, like really sort of

1127
01:01:45,000 --> 01:01:48,200
Speaker 1: like you know, like just went right right the dart

1128
01:01:48,320 --> 01:01:49,720
Speaker 1: right to the middle. I would have to say that

1129
01:01:49,800 --> 01:01:53,120
Speaker 1: was forgot about dre and Chronic two thousand one, really,

1130
01:01:53,280 --> 01:01:59,760
Speaker 1: like I haven't. I was in sixth grade, so yeah, yeah,

1131
01:02:00,040 --> 01:02:02,040
Speaker 1: and but and you know, I've since gone back and

1132
01:02:02,120 --> 01:02:04,320
Speaker 1: done my research on what came before, but like that

1133
01:02:04,520 --> 01:02:06,400
Speaker 1: was really what got me in. It was it was

1134
01:02:06,480 --> 01:02:08,440
Speaker 1: right around like when that came out. I mean, it

1135
01:02:08,560 --> 01:02:11,920
Speaker 1: just that's fucking rum And it's so crazy because, like

1136
01:02:12,440 --> 01:02:14,600
Speaker 1: you know, I'm young in the grand scheme, but I

1137
01:02:14,800 --> 01:02:16,960
Speaker 1: now feel kind of on the older spectrum of hip

1138
01:02:17,000 --> 01:02:20,400
Speaker 1: hop because it's run now by kids who grew up

1139
01:02:20,440 --> 01:02:22,240
Speaker 1: with the Internet, you know what I mean, since they

1140
01:02:22,280 --> 01:02:24,160
Speaker 1: were babies, like I remember when the Internet came out

1141
01:02:24,160 --> 01:02:26,040
Speaker 1: at least I think that makes I think that's the

1142
01:02:26,080 --> 01:02:30,280
Speaker 1: biggest generational divide is people who remember life before the

1143
01:02:30,360 --> 01:02:32,480
Speaker 1: Internet and people who don't. And I see a big

1144
01:02:32,680 --> 01:02:36,280
Speaker 1: personality difference between those two sides. So when you fell

1145
01:02:36,280 --> 01:02:39,880
Speaker 1: in love with forgot about Dre eminem Dre when you

1146
01:02:40,000 --> 01:02:42,680
Speaker 1: went back, what were the things that spoke to you

1147
01:02:42,960 --> 01:02:46,240
Speaker 1: when you went back further? Like, man, was that two

1148
01:02:46,840 --> 01:02:50,560
Speaker 1: one that actually that came out? One came out? Okay,

1149
01:02:50,560 --> 01:02:52,600
Speaker 1: So what were the things that we're speaking to you know,

1150
01:02:52,720 --> 01:02:57,600
Speaker 1: old exhibit uh snoop like really busta, you know, like

1151
01:02:58,240 --> 01:03:02,080
Speaker 1: quality shit like and to watch the evolution. I loved

1152
01:03:02,200 --> 01:03:05,280
Speaker 1: the era of you know, Dre working with stores. I

1153
01:03:05,320 --> 01:03:08,960
Speaker 1: thought the beats of that era were very, very musical

1154
01:03:09,120 --> 01:03:13,360
Speaker 1: and poignant. Um but yet nas like early j like

1155
01:03:13,720 --> 01:03:16,520
Speaker 1: it's there was such good ship coming out and that's

1156
01:03:16,600 --> 01:03:19,320
Speaker 1: part of my perspective in this this grand scheme of

1157
01:03:19,400 --> 01:03:21,640
Speaker 1: hip hop perspective that I have. And to go back

1158
01:03:21,680 --> 01:03:23,520
Speaker 1: on what you said about the confrontation thing and what

1159
01:03:23,720 --> 01:03:26,640
Speaker 1: what would I do. It's really like this is a competition,

1160
01:03:27,240 --> 01:03:29,760
Speaker 1: you know, And I'm not a thug. I never claimed

1161
01:03:29,800 --> 01:03:33,640
Speaker 1: to be and never am threatening anyone with violence. You know,

1162
01:03:33,800 --> 01:03:36,560
Speaker 1: I'm simply pulling their card as a rapper. Right if

1163
01:03:36,600 --> 01:03:38,280
Speaker 1: you want to say something back, like let's do it

1164
01:03:38,360 --> 01:03:41,440
Speaker 1: on wax, like let's have some fun. It doesn't need

1165
01:03:41,520 --> 01:03:44,840
Speaker 1: to be I hate you like this, like we're just

1166
01:03:45,000 --> 01:03:47,600
Speaker 1: fucking around. That's what this is. But you guys, I mean,

1167
01:03:47,640 --> 01:03:51,720
Speaker 1: we're so connected now. It's it's incredible, Like I I've

1168
01:03:51,800 --> 01:03:54,400
Speaker 1: learned so much from the Internet and in the last

1169
01:03:54,600 --> 01:03:57,320
Speaker 1: just the last year, like I've talked ship, We're doing

1170
01:03:57,360 --> 01:03:59,520
Speaker 1: well on Instagram, my friends. But once once I started

1171
01:03:59,520 --> 01:04:02,400
Speaker 1: talking about like that was it was Lebron and Trump.

1172
01:04:02,720 --> 01:04:05,760
Speaker 1: Those are the two polarized. It's so stupid too. It's

1173
01:04:05,800 --> 01:04:08,360
Speaker 1: like Lebron James and Donald Trump. Once I once I

1174
01:04:08,480 --> 01:04:12,360
Speaker 1: started talking politics, forget about it. It was like, you know, well,

1175
01:04:12,400 --> 01:04:15,520
Speaker 1: there's such a well now of people and things to

1176
01:04:15,600 --> 01:04:18,200
Speaker 1: talk about. It's unbelievable, you know what's going on right now.

1177
01:04:18,280 --> 01:04:20,120
Speaker 1: It's just every day there's something to talk about. But

1178
01:04:20,200 --> 01:04:22,560
Speaker 1: we're also connected. And you guys in the rap community,

1179
01:04:22,680 --> 01:04:25,800
Speaker 1: the participants, not the judges over here, like on the sidelines,

1180
01:04:26,080 --> 01:04:28,520
Speaker 1: you're you're also It's just I think it's interesting because

1181
01:04:28,560 --> 01:04:32,800
Speaker 1: you guys travel, there's tours, there's concerts, you know, and

1182
01:04:33,080 --> 01:04:35,600
Speaker 1: and I mean there's like I remember when you know,

1183
01:04:35,680 --> 01:04:37,960
Speaker 1: there's a wrestling element to it, and I hope it

1184
01:04:38,000 --> 01:04:40,280
Speaker 1: continues to be a wrestling element. And no one that

1185
01:04:40,400 --> 01:04:42,480
Speaker 1: there shouldn't be fighting. There should There could be beef,

1186
01:04:42,520 --> 01:04:44,440
Speaker 1: and there could be you suck, and then I think

1187
01:04:44,480 --> 01:04:46,840
Speaker 1: it should end at that because obviously we we were

1188
01:04:46,960 --> 01:04:51,520
Speaker 1: we learned our lessons. Dent you know, it was this.

1189
01:04:51,760 --> 01:04:53,800
Speaker 1: There's always been a gangster element to hip hop, and

1190
01:04:54,320 --> 01:04:57,480
Speaker 1: I've always made sure to like never portray that, you

1191
01:04:57,560 --> 01:04:59,520
Speaker 1: know what I mean, Like that's I'm not about that life,

1192
01:04:59,680 --> 01:05:01,080
Speaker 1: you know what I mean? But I am about that

1193
01:05:01,200 --> 01:05:02,960
Speaker 1: hip hop life. Like I got you and I've done

1194
01:05:03,000 --> 01:05:04,560
Speaker 1: my time, I've earned my stripes. I've been doing this

1195
01:05:04,640 --> 01:05:07,720
Speaker 1: a long time. I got thirteen or four fourteen projects

1196
01:05:07,760 --> 01:05:09,880
Speaker 1: I think you know, from the mix tape days. I

1197
01:05:10,000 --> 01:05:12,160
Speaker 1: was actually the first one to crash dat piff dot com,

1198
01:05:12,200 --> 01:05:14,760
Speaker 1: which was like the big website for for mix tapes,

1199
01:05:15,120 --> 01:05:17,479
Speaker 1: and I crashed their website from so many fans trying

1200
01:05:17,520 --> 01:05:20,200
Speaker 1: to get my mix tape back in two thousand, you know.

1201
01:05:20,400 --> 01:05:22,600
Speaker 1: So it's like it's been a journeyman, and I'm doing

1202
01:05:22,640 --> 01:05:25,920
Speaker 1: it the independent route, and it longer explain the business

1203
01:05:25,960 --> 01:05:27,680
Speaker 1: of hip hop from your point of view. Why the

1204
01:05:27,760 --> 01:05:31,200
Speaker 1: independent route the mix tapes then are not as prominent

1205
01:05:31,280 --> 01:05:34,240
Speaker 1: as they are now. Um like, explain the business of

1206
01:05:34,320 --> 01:05:36,240
Speaker 1: what you've learned about the business of hip hop and

1207
01:05:36,720 --> 01:05:40,880
Speaker 1: essentially how you make money if you're an independent artist today. Well,

1208
01:05:41,000 --> 01:05:44,520
Speaker 1: it's changed a lot even since I've been in the game. Uh,

1209
01:05:44,640 --> 01:05:47,640
Speaker 1: you know, mix tapes was it for the longest, and

1210
01:05:48,000 --> 01:05:50,520
Speaker 1: streaming came out. You know, it was like mix tapes

1211
01:05:50,560 --> 01:05:53,320
Speaker 1: and albums, and then streaming just came through and fucked

1212
01:05:53,400 --> 01:05:57,160
Speaker 1: up everything. But you can also learn to you gotta

1213
01:05:57,200 --> 01:05:58,440
Speaker 1: learn to use it, you know what I mean. You

1214
01:05:58,520 --> 01:06:01,600
Speaker 1: said to your advantage exactly, and I've learned. Uh, it's

1215
01:06:01,640 --> 01:06:04,400
Speaker 1: like Spotify. My numbers are I make good money on Spotify,

1216
01:06:04,520 --> 01:06:07,040
Speaker 1: you know, Yeah, it's point whatever whatever of a penny

1217
01:06:07,120 --> 01:06:08,920
Speaker 1: for every stream. But you rack up enough of those

1218
01:06:08,960 --> 01:06:12,320
Speaker 1: fucking pennies, you know you're making decent money. So I've

1219
01:06:12,360 --> 01:06:16,040
Speaker 1: really worked on building out that audience. But yeah, I mean, basically,

1220
01:06:16,160 --> 01:06:19,440
Speaker 1: you got your three streams of revenue as an independent artist,

1221
01:06:19,480 --> 01:06:22,080
Speaker 1: at least the three basics that you should be making

1222
01:06:22,440 --> 01:06:24,680
Speaker 1: period once you have a fan base, and that's off

1223
01:06:24,720 --> 01:06:27,760
Speaker 1: the music, you know. So you got your YouTube money,

1224
01:06:27,840 --> 01:06:32,120
Speaker 1: your Spotify money, Apple Music, iTunes, etcetera. Then you got touring,

1225
01:06:32,400 --> 01:06:35,320
Speaker 1: which is you know, the lifeblood. You know, that's where

1226
01:06:35,400 --> 01:06:38,280
Speaker 1: you can make a good bit. But that's also a

1227
01:06:38,360 --> 01:06:40,360
Speaker 1: fucking grind and it beats the ship out of you

1228
01:06:40,760 --> 01:06:44,880
Speaker 1: in terms of what health, mental and physical. You know,

1229
01:06:45,000 --> 01:06:47,840
Speaker 1: it's exhausting. Shit. I did a two month tour. I

1230
01:06:47,880 --> 01:06:50,720
Speaker 1: was the main opener for Tech nine and that I mean,

1231
01:06:50,880 --> 01:06:52,560
Speaker 1: like I've done a lot of tours on my own,

1232
01:06:52,600 --> 01:06:55,960
Speaker 1: but that was mentally trying, um, but it was at

1233
01:06:56,000 --> 01:06:57,800
Speaker 1: the time of my life. What is it like city

1234
01:06:57,880 --> 01:07:00,480
Speaker 1: to city? Like, explain give me a week. Like I remember,

1235
01:07:00,640 --> 01:07:03,240
Speaker 1: on that tour, you're in a bus, so you just

1236
01:07:03,320 --> 01:07:05,080
Speaker 1: wake up in a new city every day. You sleep

1237
01:07:05,120 --> 01:07:07,400
Speaker 1: on the bus overnight as it drives. When I tour myself,

1238
01:07:07,520 --> 01:07:09,120
Speaker 1: we get a hotel room because we're in a van,

1239
01:07:09,440 --> 01:07:11,520
Speaker 1: you know, we're in like a nice sprinter van, but

1240
01:07:11,680 --> 01:07:14,760
Speaker 1: nonetheless not a big luxurious bus because that's a little

1241
01:07:14,760 --> 01:07:18,320
Speaker 1: out of my pay grade. Um, when you're on a bus, yeah,

1242
01:07:18,400 --> 01:07:20,320
Speaker 1: you just wake up in a new city, have meat

1243
01:07:20,360 --> 01:07:23,439
Speaker 1: and greet, get breakfast, fucking you know, bide your time

1244
01:07:23,600 --> 01:07:25,960
Speaker 1: until you go on stage. Doing it. My way is

1245
01:07:25,960 --> 01:07:28,080
Speaker 1: a little more rugged. You gotta like wake up, drive.

1246
01:07:28,840 --> 01:07:31,840
Speaker 1: It's intense, man, and you know you gotta do it.

1247
01:07:31,960 --> 01:07:35,680
Speaker 1: And being on stage and the fans interacting and loving

1248
01:07:35,760 --> 01:07:37,560
Speaker 1: it like that makes it all worth it. But it's

1249
01:07:37,760 --> 01:07:41,560
Speaker 1: it's fucking intense. And what about like Europe, I'm fascinated.

1250
01:07:43,360 --> 01:07:45,680
Speaker 1: Never been, man, I've done the US so many fucking times.

1251
01:07:45,720 --> 01:07:47,360
Speaker 1: I just did Australia for the first time and that

1252
01:07:47,440 --> 01:07:49,560
Speaker 1: was my right. So that's funny. Okay, So you went,

1253
01:07:49,640 --> 01:07:51,960
Speaker 1: so you're in You're in Australia and you have fans

1254
01:07:52,040 --> 01:07:53,880
Speaker 1: over there. Oh yeah, and I have fans in Europe too.

1255
01:07:53,920 --> 01:07:55,960
Speaker 1: It just like hasn't happened yet, But is that crazy

1256
01:07:56,040 --> 01:07:59,040
Speaker 1: to you? Like nuts man, nuts, and just being in

1257
01:07:59,080 --> 01:08:01,160
Speaker 1: Australia bro, like, I've wanted to go there since I

1258
01:08:01,200 --> 01:08:03,720
Speaker 1: was a kid. I'm obsessed with animals, and like Australia

1259
01:08:03,880 --> 01:08:05,720
Speaker 1: is like, did you see any kangaroos? I had to

1260
01:08:05,760 --> 01:08:08,280
Speaker 1: go to a zoo, like we didn't have enough time

1261
01:08:08,320 --> 01:08:10,680
Speaker 1: to go into the outback, and I said, I'm not leaving.

1262
01:08:10,760 --> 01:08:13,280
Speaker 1: They didn't like a kangaroo section at the shows, and dude,

1263
01:08:13,400 --> 01:08:16,240
Speaker 1: I thought, like, they're just kind of around, but like

1264
01:08:16,920 --> 01:08:19,080
Speaker 1: there's a lot of them apparently, But you gotta go

1265
01:08:19,200 --> 01:08:21,160
Speaker 1: out of the cities. And we had five shows in

1266
01:08:21,240 --> 01:08:22,800
Speaker 1: a row and you had to fly to each one

1267
01:08:22,840 --> 01:08:25,559
Speaker 1: because they were you know, you can't just drive right,

1268
01:08:26,280 --> 01:08:29,280
Speaker 1: so it was it was intense, but it was fucking awesome.

1269
01:08:29,320 --> 01:08:32,000
Speaker 1: I did a shoey, which is a thing out there

1270
01:08:32,080 --> 01:08:35,720
Speaker 1: where you drink out of a shoe. So what happened was,

1271
01:08:36,200 --> 01:08:38,080
Speaker 1: you know, some people were putting up their shoe. I

1272
01:08:38,200 --> 01:08:40,840
Speaker 1: drink jamison on stage every time. Um so I was

1273
01:08:40,880 --> 01:08:42,920
Speaker 1: pouring some of my jamison into their shoes. They're drinking it,

1274
01:08:43,320 --> 01:08:44,720
Speaker 1: and then one of them handed me the shoes so

1275
01:08:44,800 --> 01:08:46,880
Speaker 1: I refilled it and then he just pointed at me

1276
01:08:47,080 --> 01:08:50,320
Speaker 1: and then the crowd started going, Shoot, we shoot wed

1277
01:08:50,520 --> 01:08:53,880
Speaker 1: this wait time, time time out of the shoe that

1278
01:08:53,920 --> 01:08:56,639
Speaker 1: they're wearing. At the shoe that this motherfucker was wearing.

1279
01:08:56,880 --> 01:09:00,200
Speaker 1: And when I do this shoe was like lawn hard

1280
01:09:00,240 --> 01:09:02,760
Speaker 1: work shoe. Like I don't even know if he was

1281
01:09:02,800 --> 01:09:05,880
Speaker 1: wearing socks. I did it because I crumble under peer pressure. Yeah,

1282
01:09:05,920 --> 01:09:08,000
Speaker 1: what the funk are you gonna do? A crowd telling

1283
01:09:08,040 --> 01:09:09,960
Speaker 1: you to do anything, You're probably gonna do it. You know,

1284
01:09:10,160 --> 01:09:11,800
Speaker 1: like it came to see you before you need to

1285
01:09:12,280 --> 01:09:15,200
Speaker 1: do in Australia for show. You're fucking hyped out of

1286
01:09:15,240 --> 01:09:18,280
Speaker 1: your fucking mind. Let me tell you something. Um, yeah

1287
01:09:18,360 --> 01:09:20,840
Speaker 1: that there was a lot of like granular you know,

1288
01:09:21,000 --> 01:09:22,840
Speaker 1: it's felt like it was some sand and probably like

1289
01:09:22,920 --> 01:09:25,720
Speaker 1: little hair particles. So I, you know, I kind of

1290
01:09:25,760 --> 01:09:28,559
Speaker 1: shook it off on stage, woke up the next morning

1291
01:09:28,680 --> 01:09:31,919
Speaker 1: with like some of the probably the most intense diarrhea

1292
01:09:31,960 --> 01:09:33,920
Speaker 1: I've ever had in my entire was it from the

1293
01:09:34,600 --> 01:09:37,360
Speaker 1: I mean, it's gotta be it's gotta be the shoe.

1294
01:09:37,400 --> 01:09:40,320
Speaker 1: You's gotta be the fucking shoey And then you know,

1295
01:09:40,640 --> 01:09:42,760
Speaker 1: to even continue that story a little further, we go

1296
01:09:42,840 --> 01:09:45,760
Speaker 1: to the airport and you know, had a little like

1297
01:09:46,000 --> 01:09:48,000
Speaker 1: pant malfunction when I was trying to go take a

1298
01:09:48,080 --> 01:09:52,640
Speaker 1: piss because it just wouldn't stop. There it was. It

1299
01:09:52,880 --> 01:09:56,720
Speaker 1: was fucking bad. I've been there. But if everybody I'm like,

1300
01:09:56,800 --> 01:09:59,000
Speaker 1: fucking I'm in Australia. You know, Yeah, I got a

1301
01:09:59,040 --> 01:10:01,280
Speaker 1: little shit stained right on the side of my pants.

1302
01:10:01,360 --> 01:10:03,320
Speaker 1: But what are you gonna date? Happens to the best

1303
01:10:03,400 --> 01:10:08,080
Speaker 1: of yeah, So so do you want it? Like? What's

1304
01:10:08,120 --> 01:10:10,840
Speaker 1: your summer schedule? In terms? I'm gonna have I think

1305
01:10:10,880 --> 01:10:14,679
Speaker 1: in East and the West Coast, a little tour run. Um. Nothing.

1306
01:10:15,000 --> 01:10:17,280
Speaker 1: What I gotta do right now is get re acclimated

1307
01:10:17,360 --> 01:10:19,559
Speaker 1: because this is kind of like the second go around

1308
01:10:19,760 --> 01:10:22,760
Speaker 1: of my career because I had a whole run ended

1309
01:10:22,800 --> 01:10:25,320
Speaker 1: up splitting with my management. A lot of things got

1310
01:10:25,400 --> 01:10:28,479
Speaker 1: fucked up, and the only consistent there was I still

1311
01:10:28,520 --> 01:10:30,479
Speaker 1: had a fan base, so it was all good. But

1312
01:10:30,600 --> 01:10:32,720
Speaker 1: I realized that I had to take over from him

1313
01:10:33,280 --> 01:10:36,479
Speaker 1: and run everything. And I managed myself for like all

1314
01:10:36,560 --> 01:10:38,800
Speaker 1: of two thousand and sixteen, and I learned how the

1315
01:10:38,840 --> 01:10:42,400
Speaker 1: fucking business works. I fixed the financial situation. Did you

1316
01:10:42,479 --> 01:10:46,519
Speaker 1: feel liberated by that? Absolutely? Absolutely so. Now with my

1317
01:10:46,600 --> 01:10:49,920
Speaker 1: whole operation from all sides of it, from the distribution company,

1318
01:10:50,200 --> 01:10:53,320
Speaker 1: to management, to business management to producers video guys. I

1319
01:10:53,439 --> 01:10:56,120
Speaker 1: am involved in the process for everything because that's the

1320
01:10:56,120 --> 01:10:58,120
Speaker 1: only way I'm gonna get the result I want, especially

1321
01:10:58,200 --> 01:11:01,439
Speaker 1: with the fucking money, because you know, there was a

1322
01:11:01,520 --> 01:11:04,960
Speaker 1: lot coming in and you know, to wake up one

1323
01:11:05,040 --> 01:11:07,760
Speaker 1: day and there's really nothing in there. That's a shock

1324
01:11:07,840 --> 01:11:10,559
Speaker 1: to the system. I got you, you know, I figured

1325
01:11:10,600 --> 01:11:12,599
Speaker 1: it out in two thousand and seventeen. I dropped content

1326
01:11:12,720 --> 01:11:16,320
Speaker 1: every single Wednesday starting in March with Webby Wednesday. And

1327
01:11:16,479 --> 01:11:18,800
Speaker 1: you know, back on my feet, feeling was that the

1328
01:11:18,880 --> 01:11:21,000
Speaker 1: response to that was that was that like a cool thing.

1329
01:11:21,840 --> 01:11:24,800
Speaker 1: It was crazy consistency in dropping singles nowadays, you know,

1330
01:11:24,880 --> 01:11:27,400
Speaker 1: when you're just like hammering people with content period, you know,

1331
01:11:27,479 --> 01:11:30,080
Speaker 1: singles for Instagram, you know, you gotta you gotta stay

1332
01:11:30,120 --> 01:11:32,439
Speaker 1: consistent with it. So I've got a nice little batch

1333
01:11:32,520 --> 01:11:35,680
Speaker 1: of stuff up of the sleeve for this year too. Um.

1334
01:11:36,200 --> 01:11:38,720
Speaker 1: But yeah, yeah, it's it's been a crazy ride for me.

1335
01:11:38,880 --> 01:11:42,120
Speaker 1: It's been very intense and I've learned a lot, and

1336
01:11:42,160 --> 01:11:43,720
Speaker 1: I've learned some ship that they just can't teach you

1337
01:11:43,800 --> 01:11:46,400
Speaker 1: in school. I got you just like you gotta learn

1338
01:11:46,439 --> 01:11:49,760
Speaker 1: about people and this industry is full of a lot

1339
01:11:49,840 --> 01:11:52,760
Speaker 1: of a lot of snaky ones. Oh my god, they're

1340
01:11:52,800 --> 01:11:55,639
Speaker 1: in fucking lot of I mean the music, show business

1341
01:11:55,680 --> 01:11:58,360
Speaker 1: a general. Yeah, man, I mean every fucking where wherever

1342
01:11:58,400 --> 01:12:03,639
Speaker 1: you God, the I give my phone number entirely too much,

1343
01:12:03,760 --> 01:12:05,760
Speaker 1: and yeah, yeah, yeah, but I've stuck him a new

1344
01:12:05,840 --> 01:12:08,360
Speaker 1: Year's resolution, which is, if it's not put in my phone,

1345
01:12:08,360 --> 01:12:10,400
Speaker 1: I don't answer it. Yeah. Yeah, I don't answer a

1346
01:12:10,520 --> 01:12:13,080
Speaker 1: number that I don't ever ever, because if it's like

1347
01:12:13,280 --> 01:12:15,920
Speaker 1: that important, you'll get ahold of me. You know, you'll

1348
01:12:15,960 --> 01:12:18,200
Speaker 1: get ahold of me if it's that important exactly, And

1349
01:12:18,280 --> 01:12:20,000
Speaker 1: then we don't need to talk. You could text me

1350
01:12:20,360 --> 01:12:22,639
Speaker 1: and and if it's if it's if it's a fishy text,

1351
01:12:22,680 --> 01:12:25,680
Speaker 1: I don't have to respond. Like like when they punish you,

1352
01:12:25,760 --> 01:12:27,840
Speaker 1: when they get you on the phone, it's a whole

1353
01:12:27,920 --> 01:12:30,840
Speaker 1: other level of h I feel violated and I feel

1354
01:12:30,880 --> 01:12:32,560
Speaker 1: like a sucker when I do it, because sometimes you

1355
01:12:32,600 --> 01:12:36,240
Speaker 1: get talked into ship and you're like, yeah, I feel

1356
01:12:36,439 --> 01:12:38,840
Speaker 1: I feel knows a good thing, can't do it. Good

1357
01:12:38,920 --> 01:12:41,559
Speaker 1: luck wish she luck sounds great. Not for me. It's

1358
01:12:41,560 --> 01:12:43,479
Speaker 1: a great line, absolutely, And I had to learn that

1359
01:12:43,600 --> 01:12:45,920
Speaker 1: because I'm just kind of like a nice kid as

1360
01:12:46,000 --> 01:12:48,240
Speaker 1: much as you can be a ship talker whatever, I

1361
01:12:48,320 --> 01:12:51,200
Speaker 1: am a nice kid, you know what. Great good luck.

1362
01:12:51,360 --> 01:12:54,439
Speaker 1: This is not for me. Sorry, ba Now I'm gonna

1363
01:12:54,479 --> 01:12:56,400
Speaker 1: hang up now because you didn't get it the first time.

1364
01:12:56,920 --> 01:12:58,720
Speaker 1: All right, I want to play a little word association

1365
01:12:58,800 --> 01:13:03,200
Speaker 1: with you. All right? Um Eminem? Uh what does he

1366
01:13:03,280 --> 01:13:06,599
Speaker 1: mean to you? He is really the reason that I'm

1367
01:13:06,640 --> 01:13:09,320
Speaker 1: doing this. Actually, I'm wearing an Anger Management tour shirt

1368
01:13:09,400 --> 01:13:13,840
Speaker 1: right now. I got the flea market yesterday, that's yeah. Yeah,

1369
01:13:14,040 --> 01:13:17,200
Speaker 1: and um man, yeah man, the slim shady days like that.

1370
01:13:17,960 --> 01:13:20,880
Speaker 1: That was like my obi wan kenobi, like Eminem really was,

1371
01:13:20,960 --> 01:13:23,400
Speaker 1: and I would say shady specifically that piece of him.

1372
01:13:23,960 --> 01:13:26,080
Speaker 1: And I studied it. You know, I studied a lot

1373
01:13:26,120 --> 01:13:28,880
Speaker 1: of rappers obviously, you know from DMX, they all these guys,

1374
01:13:28,960 --> 01:13:33,120
Speaker 1: but but Eminem was the one that allowed me to

1375
01:13:33,200 --> 01:13:35,559
Speaker 1: understand that I could do it being a white guy,

1376
01:13:35,600 --> 01:13:38,320
Speaker 1: because before that, like there was no reference point. Yeah,

1377
01:13:38,360 --> 01:13:40,559
Speaker 1: of course there were the Beastie Boys, etcetera. There were

1378
01:13:40,720 --> 01:13:42,840
Speaker 1: there were white rappers beforehand, but that's the one that

1379
01:13:43,640 --> 01:13:45,840
Speaker 1: really was like, this can be done, and this can

1380
01:13:45,880 --> 01:13:49,120
Speaker 1: be done to the highest magnitude. Of of skill set,

1381
01:13:49,560 --> 01:13:51,720
Speaker 1: you know, and you can earn respect if you are

1382
01:13:51,840 --> 01:13:57,280
Speaker 1: that good. Absolutely, uh Takashi six nine, who like, you know,

1383
01:13:58,120 --> 01:14:01,120
Speaker 1: this guy is so polarizing, and you know, you would

1384
01:14:01,160 --> 01:14:02,560
Speaker 1: think I would have a lot to say about it.

1385
01:14:02,640 --> 01:14:05,160
Speaker 1: Maybe it's because he's from Brooklyn, so for them, and

1386
01:14:05,360 --> 01:14:06,920
Speaker 1: and I'm starting to get to the point where it's like,

1387
01:14:07,240 --> 01:14:09,240
Speaker 1: who the funk that these are kids? To me, it's

1388
01:14:09,280 --> 01:14:11,599
Speaker 1: like I'm getting to part with, like do your fucking thing.

1389
01:14:11,720 --> 01:14:13,960
Speaker 1: But he's one that, like, I mean, people are like,

1390
01:14:14,240 --> 01:14:17,200
Speaker 1: I mean, he's he's polarized. He's very polarizing. But you know,

1391
01:14:17,320 --> 01:14:20,240
Speaker 1: what he is is a character. And like when we

1392
01:14:20,439 --> 01:14:22,880
Speaker 1: talk about when you talk about it regards to wrestle, yes,

1393
01:14:23,120 --> 01:14:25,800
Speaker 1: exactly exactly. So the way I say, you either got

1394
01:14:25,880 --> 01:14:27,920
Speaker 1: to have the skill set or you gotta be a character.

1395
01:14:28,280 --> 01:14:30,880
Speaker 1: I'm more of a skill set guy. I'm I'm more reserved.

1396
01:14:31,120 --> 01:14:33,000
Speaker 1: I'm not like in your face, my hair is not

1397
01:14:33,160 --> 01:14:35,080
Speaker 1: I don't have tattoos on my face, you know, all

1398
01:14:35,120 --> 01:14:38,759
Speaker 1: this crazy shit. But you know, but I practiced my skills.

1399
01:14:39,200 --> 01:14:42,120
Speaker 1: And he is a character very much. So he's entertaining

1400
01:14:42,200 --> 01:14:44,320
Speaker 1: to watch. You're just what's he gonna do? Next. I

1401
01:14:44,439 --> 01:14:46,600
Speaker 1: get it. I understand it. It's not for me, but

1402
01:14:47,160 --> 01:14:49,400
Speaker 1: I wouldn't point a finger at him before a lot

1403
01:14:49,479 --> 01:14:54,320
Speaker 1: other guys, you know, um slim Jesus, Oh God, I'm

1404
01:14:54,360 --> 01:14:56,559
Speaker 1: glad that came and went that came and went right,

1405
01:14:57,200 --> 01:15:00,400
Speaker 1: And that just goes to show like that was the

1406
01:15:00,520 --> 01:15:04,080
Speaker 1: most talked about thing for like four days. It's insane,

1407
01:15:04,320 --> 01:15:06,320
Speaker 1: and then it went away. But I mean that goes

1408
01:15:06,400 --> 01:15:09,120
Speaker 1: to show he didn't have either one of those things, right,

1409
01:15:09,200 --> 01:15:10,800
Speaker 1: I agree. I mean he was a character in the

1410
01:15:10,880 --> 01:15:12,400
Speaker 1: sense that it was like, oh my god, what the

1411
01:15:12,439 --> 01:15:14,960
Speaker 1: funk am I watching? But it wasn't because he was

1412
01:15:16,040 --> 01:15:20,120
Speaker 1: so engaging. Yeah, I agree. Uh, rock him, oh my god,

1413
01:15:20,600 --> 01:15:25,800
Speaker 1: like the originator of multisyllable rhyme schemes, like absolutely set

1414
01:15:25,960 --> 01:15:30,160
Speaker 1: the foundation for the way people wrapped beyond him. Do

1415
01:15:30,280 --> 01:15:32,719
Speaker 1: you when you listen to music, like you know, because

1416
01:15:32,960 --> 01:15:34,720
Speaker 1: I could tell you you studied just the way you

1417
01:15:35,000 --> 01:15:38,439
Speaker 1: articulately the rock Kim. Do you look at it like

1418
01:15:39,320 --> 01:15:42,400
Speaker 1: sort of mathematically? Do you look at it verse for verse,

1419
01:15:42,479 --> 01:15:44,120
Speaker 1: like when you're studying like a rock Him or a

1420
01:15:44,200 --> 01:15:46,560
Speaker 1: NAS or even an m M, Like, how are you

1421
01:15:47,200 --> 01:15:49,840
Speaker 1: listening to it and understanding it? Beyond just like, oh,

1422
01:15:49,880 --> 01:15:51,720
Speaker 1: this is a cool song. Well, when it comes to

1423
01:15:52,280 --> 01:15:54,719
Speaker 1: like I was just saying, the multisyllable rhyme schemes, there's

1424
01:15:54,760 --> 01:15:57,400
Speaker 1: definitely an element of math to that in terms of

1425
01:15:57,800 --> 01:16:00,479
Speaker 1: how the syllables line up. And you could have, you know,

1426
01:16:00,560 --> 01:16:03,520
Speaker 1: a six syllable rhyme scheme and that's like super impressive.

1427
01:16:03,920 --> 01:16:08,000
Speaker 1: And there is like certain flows have an element of

1428
01:16:08,240 --> 01:16:12,599
Speaker 1: mathematic uh intuition to them, you know, like the way

1429
01:16:12,640 --> 01:16:16,120
Speaker 1: Tech nine wraps those syllables are all fit in there

1430
01:16:16,280 --> 01:16:18,880
Speaker 1: so they line up perfectly, and he's just like a

1431
01:16:18,960 --> 01:16:21,800
Speaker 1: master with that chopper style. You know. So a lot

1432
01:16:21,840 --> 01:16:24,240
Speaker 1: of what's hot now there's a lot less math to it.

1433
01:16:24,360 --> 01:16:26,479
Speaker 1: But sometimes when I'm writing versus Yeah, it's like you

1434
01:16:26,600 --> 01:16:29,000
Speaker 1: gotta fill these certain amount of gaps with syllables, and

1435
01:16:29,040 --> 01:16:30,920
Speaker 1: you want to make those syllables hot. But that's the

1436
01:16:30,960 --> 01:16:32,680
Speaker 1: way it's going to ride the beat, right, you know.

1437
01:16:32,720 --> 01:16:34,559
Speaker 1: There's a bunch of ways to write. That's that's one

1438
01:16:34,640 --> 01:16:37,200
Speaker 1: of that's one of the tools that I play upon sometimes. No,

1439
01:16:37,280 --> 01:16:39,320
Speaker 1: I like again, like I said, I like, I know,

1440
01:16:39,560 --> 01:16:43,240
Speaker 1: I just I'm so fascinated by that ship that you're

1441
01:16:43,240 --> 01:16:46,680
Speaker 1: talking about because I have no understanding of it, but

1442
01:16:46,760 --> 01:16:48,600
Speaker 1: I have such respect for it. Yeah, yeah, you know

1443
01:16:48,640 --> 01:16:53,320
Speaker 1: what I'm saying. J Cole super dope. He's uh, he's

1444
01:16:53,840 --> 01:16:57,240
Speaker 1: one of the better storytellers probably like in hip hop

1445
01:16:57,400 --> 01:17:01,679
Speaker 1: history and definitely one of the bright lights in modern

1446
01:17:01,800 --> 01:17:08,080
Speaker 1: day hip hop. Lil Zan, I mean, he's another thing

1447
01:17:08,160 --> 01:17:12,000
Speaker 1: about that boring it the funk out of here bro

1448
01:17:12,120 --> 01:17:14,720
Speaker 1: a little A little fucking Yeah. That was another one

1449
01:17:14,760 --> 01:17:17,400
Speaker 1: where it was like that, like the world stopped. I was,

1450
01:17:17,479 --> 01:17:20,040
Speaker 1: I mean, the fucking world stopped. I mean, and it

1451
01:17:20,120 --> 01:17:22,120
Speaker 1: should you know, and again like and then that the

1452
01:17:22,280 --> 01:17:24,920
Speaker 1: rest respect, Like I said, respect. Takashi has not come

1453
01:17:24,960 --> 01:17:27,519
Speaker 1: out and said anything. He's expect what's about those that

1454
01:17:27,600 --> 01:17:32,000
Speaker 1: came and like, whether it was a publicity stunt, whether

1455
01:17:32,080 --> 01:17:34,400
Speaker 1: it was this, whether it's a young kids saying something stupid,

1456
01:17:34,479 --> 01:17:36,800
Speaker 1: show fucking respect. I agree, you should know better. I

1457
01:17:36,920 --> 01:17:39,479
Speaker 1: totally you should have a platform, you should know better.

1458
01:17:39,560 --> 01:17:43,240
Speaker 1: I totally fucking agree. Absolutely, I totally excuse he doesn't

1459
01:17:43,240 --> 01:17:44,960
Speaker 1: have to listen to tu back. He's so young that

1460
01:17:45,000 --> 01:17:46,920
Speaker 1: I can understand where that came before him. That would

1461
01:17:47,240 --> 01:17:49,200
Speaker 1: just no better. Yeah, this is what we're gonna do.

1462
01:17:49,680 --> 01:17:53,680
Speaker 1: We're gonna do the first ever, uh, because because I

1463
01:17:53,840 --> 01:17:55,680
Speaker 1: love when you like the shows I've seen you on.

1464
01:17:56,240 --> 01:17:58,880
Speaker 1: I don't know aside Sway, like the last joy you

1465
01:17:58,920 --> 01:18:00,439
Speaker 1: were on Sway? When was that? By the way, that

1466
01:18:00,520 --> 01:18:03,720
Speaker 1: was January. That was like, you know, got a lot

1467
01:18:03,760 --> 01:18:06,640
Speaker 1: of attention, viral. That was the first time I've ever

1468
01:18:06,680 --> 01:18:09,560
Speaker 1: gone viral? How did that feel? Viral? Like sick? And

1469
01:18:09,760 --> 01:18:12,479
Speaker 1: and for it to be something like that, and I'm

1470
01:18:12,560 --> 01:18:14,800
Speaker 1: talking about all these mumble rappers and and to see

1471
01:18:14,840 --> 01:18:16,960
Speaker 1: it connect and mad people be like, you know what,

1472
01:18:17,120 --> 01:18:19,320
Speaker 1: finally someone's fucking saying something. You were one of the

1473
01:18:19,360 --> 01:18:23,920
Speaker 1: first people to specifically rap about mumble rappers and people.

1474
01:18:24,200 --> 01:18:25,800
Speaker 1: There's a lot of people who want to hear that.

1475
01:18:25,960 --> 01:18:28,800
Speaker 1: And just like you said, like, yeah, we're talking about

1476
01:18:28,840 --> 01:18:31,559
Speaker 1: little Zan but like a lot of people are just talking.

1477
01:18:31,600 --> 01:18:33,599
Speaker 1: We're talking about it, Like yo, fuck him. He should

1478
01:18:33,600 --> 01:18:35,559
Speaker 1: not have said that. We are scolding him. All Right,

1479
01:18:35,560 --> 01:18:38,000
Speaker 1: here we go, Chris Webby ready for some ship. Hell yeah,

1480
01:18:38,000 --> 01:18:46,400
Speaker 1: I'm excited. Hey yeah, yeah, web Be my DNA lyddy frame,

1481
01:18:46,479 --> 01:18:49,639
Speaker 1: skinny and brain, witty weed and my jeans. My mom's

1482
01:18:49,680 --> 01:18:52,280
Speaker 1: a straight hit be keep a tight circle of those

1483
01:18:52,320 --> 01:18:54,840
Speaker 1: that I bring with me East side rocking timber limb

1484
01:18:54,840 --> 01:18:57,559
Speaker 1: boots and we bang biggie, you dig me pulling up

1485
01:18:57,560 --> 01:18:59,920
Speaker 1: while puffing the sticky with a bird like I got

1486
01:19:00,040 --> 01:19:03,120
Speaker 1: some snuffer luffinggus in me getting faded every single time

1487
01:19:03,160 --> 01:19:04,880
Speaker 1: I come to your city, go being up at the

1488
01:19:04,960 --> 01:19:07,320
Speaker 1: local bar, like go we sunny and fill at a

1489
01:19:07,400 --> 01:19:10,599
Speaker 1: hundred and fifty. Yeah, no, little dicky bitch, a medium

1490
01:19:10,680 --> 01:19:13,679
Speaker 1: size doing whatever was needed for my piece of the pie.

1491
01:19:13,960 --> 01:19:16,120
Speaker 1: Jack upon so many damn and fetter means that I

1492
01:19:16,240 --> 01:19:18,680
Speaker 1: believe I can fly bringing pinky with the scheme I

1493
01:19:18,800 --> 01:19:22,000
Speaker 1: devise just so beat in mind making jees under grind

1494
01:19:22,280 --> 01:19:24,160
Speaker 1: or if you make your head nah, put your seat

1495
01:19:24,240 --> 01:19:27,360
Speaker 1: and recline with that throwback stee like somebody learned to

1496
01:19:27,400 --> 01:19:29,799
Speaker 1: freeze it in time. Prince of Persia with the meanest

1497
01:19:29,880 --> 01:19:32,160
Speaker 1: of rhymes and them seeing his prime. You feel me

1498
01:19:32,520 --> 01:19:35,519
Speaker 1: what you see though, the great band Vino knocking out

1499
01:19:35,560 --> 01:19:39,080
Speaker 1: the park with underdulta rated promote. Marlo Stanfield got that

1500
01:19:39,200 --> 01:19:41,800
Speaker 1: work for the fiends, and I'm racking up streams making

1501
01:19:41,840 --> 01:19:44,560
Speaker 1: spotify s notes my family so with tadly. Yeah, my

1502
01:19:44,680 --> 01:19:47,320
Speaker 1: uncle was Vito cor Leoni. Should you get a'sk my

1503
01:19:47,400 --> 01:19:50,120
Speaker 1: cousin Pacino was peschi up in Casino. We toast a

1504
01:19:50,160 --> 01:19:52,360
Speaker 1: cup of the vino casie us getting these go back

1505
01:19:52,439 --> 01:19:56,040
Speaker 1: like Barnie rubber Landno, yeah, mean yo, yo. You don't

1506
01:19:56,080 --> 01:19:58,320
Speaker 1: really want to see these lyrics in action. They only

1507
01:19:58,400 --> 01:20:00,639
Speaker 1: talk up, brought me quiet because they feel my reaction,

1508
01:20:00,720 --> 01:20:03,439
Speaker 1: and on the mic actual fire appears when I'm wrapping.

1509
01:20:03,479 --> 01:20:05,600
Speaker 1: It's no coincidence. I was born in the year with

1510
01:20:05,680 --> 01:20:09,560
Speaker 1: the Dragon nineteen eight c. A veederan millennial with a

1511
01:20:09,720 --> 01:20:12,479
Speaker 1: d h D and the heady gest the medical respect

1512
01:20:12,520 --> 01:20:14,920
Speaker 1: me as the general. The wrong cracking gets skeletal and

1513
01:20:14,960 --> 01:20:18,000
Speaker 1: smashing ventricles with the force of the cracking tentacles. I

1514
01:20:18,080 --> 01:20:21,160
Speaker 1: hope you're flexible. Been doubted by every boarding panel and

1515
01:20:21,240 --> 01:20:24,639
Speaker 1: record executive, taste maker and blog writer who saw my channel.

1516
01:20:24,880 --> 01:20:26,600
Speaker 1: So now I'll put him on Blasst. I'm on the

1517
01:20:26,680 --> 01:20:30,120
Speaker 1: stormy Daniels Roman candle. I'm that firecracker flying off the handle.

1518
01:20:30,320 --> 01:20:33,479
Speaker 1: Told me soprano boss of the bosses that gained up

1519
01:20:33,520 --> 01:20:35,960
Speaker 1: that money till I got the corner office stack in

1520
01:20:36,080 --> 01:20:38,599
Speaker 1: all this fat and wallets take my piece and then

1521
01:20:38,640 --> 01:20:41,720
Speaker 1: I give a chunk to some environmental causes and save

1522
01:20:41,800 --> 01:20:45,679
Speaker 1: the dolphins. They think I'm illustrated rocking the tank top tats,

1523
01:20:45,720 --> 01:20:48,919
Speaker 1: looking like I'm getting sponsored by game Stop super Mario.

1524
01:20:49,040 --> 01:20:51,760
Speaker 1: I keep that fire ball flame hot, Sewa, drain hot

1525
01:20:51,840 --> 01:20:54,800
Speaker 1: from Peach Castle to Bangkok. Let the base not to

1526
01:20:54,920 --> 01:20:57,320
Speaker 1: bring me to fight it getting faded from the second

1527
01:20:57,439 --> 01:20:59,759
Speaker 1: that my fire is ignited, and I'll still be showing

1528
01:20:59,880 --> 01:21:02,000
Speaker 1: up be even if I invited ship, You're gonna have

1529
01:21:02,080 --> 01:21:04,479
Speaker 1: to drag me off like I was flying United. Yeah,

1530
01:21:04,680 --> 01:21:07,240
Speaker 1: because I'm that legend of the Hidden Temple. I spit

1531
01:21:07,320 --> 01:21:10,320
Speaker 1: it mental, lorn and instrumental. Do it for the culture fun.

1532
01:21:10,439 --> 01:21:12,519
Speaker 1: If I'm gonna win a medal, thatt I get a Grammy,

1533
01:21:12,600 --> 01:21:14,800
Speaker 1: I'm gonna never find that ship essential. I'm just here

1534
01:21:14,840 --> 01:21:17,080
Speaker 1: to watch these wrappers sweat and when I crip a pencil,

1535
01:21:17,439 --> 01:21:20,680
Speaker 1: influential was I'm serving rap caviarc, you know, having bar

1536
01:21:20,840 --> 01:21:23,760
Speaker 1: spitting flows, fucking wrapping heart and little Zan looks like

1537
01:21:23,840 --> 01:21:26,360
Speaker 1: a lesbian muppet. But since I'm cutting back on drugs,

1538
01:21:26,439 --> 01:21:29,479
Speaker 1: I'm only give them half a bar. Tupacat is not boring.

1539
01:21:30,000 --> 01:21:33,480
Speaker 1: Xx L just keeps making lists with a freshman or otherwise,

1540
01:21:33,479 --> 01:21:35,560
Speaker 1: I ain't been on ship I've been waiting for a

1541
01:21:35,680 --> 01:21:37,439
Speaker 1: lot of years to say this, So here we go

1542
01:21:37,680 --> 01:21:41,439
Speaker 1: up double lexl suck my dick. Goddamn, that felt good.

1543
01:21:41,920 --> 01:21:43,880
Speaker 1: I just had to mention it. I know that written

1544
01:21:43,920 --> 01:21:46,120
Speaker 1: print is in decline. They ain't selling ship and now

1545
01:21:46,200 --> 01:21:49,120
Speaker 1: they're barely grasping onto any shred or relevance. But their

1546
01:21:49,120 --> 01:21:51,280
Speaker 1: fall f embraces something I would love to help them with.

1547
01:21:51,720 --> 01:21:54,200
Speaker 1: The ship is effortless. I'll never let him take my

1548
01:21:54,240 --> 01:21:57,000
Speaker 1: passion from me, even here. But now we're finally I'm

1549
01:21:57,040 --> 01:21:59,519
Speaker 1: stacking money because it's still the same way be I

1550
01:21:59,560 --> 01:22:01,920
Speaker 1: ain't that be funny. I'm still out here writing. Chap

1551
01:22:01,960 --> 01:22:04,240
Speaker 1: doesn't have to rap for dummies because I'm here to

1552
01:22:04,320 --> 01:22:07,040
Speaker 1: talk shit about the whole damn glow bitch. Put him

1553
01:22:07,080 --> 01:22:09,599
Speaker 1: in the colde nan choke brip. If you can't see

1554
01:22:09,680 --> 01:22:11,920
Speaker 1: that I'm the truth, then I'm gonna change y'all focus.

1555
01:22:12,000 --> 01:22:15,240
Speaker 1: It's Wednesday, so put the whole game on notice. I

1556
01:22:15,320 --> 01:22:21,600
Speaker 1: am wrapping poor podcast bitch. I was fucking dope. That

1557
01:22:21,760 --> 01:22:26,920
Speaker 1: was fucking dope. Yeah, that was dope, and that's actually

1558
01:22:27,120 --> 01:22:31,160
Speaker 1: Chris Webby. Yes, yes, uh, that was fucking dope. That

1559
01:22:31,479 --> 01:22:35,639
Speaker 1: man doble Lexell Magazine. Yeah, they never put you on ship.

1560
01:22:35,920 --> 01:22:38,000
Speaker 1: They never put me on ship man, you know, and

1561
01:22:38,040 --> 01:22:40,720
Speaker 1: it's it's cool, like the Freshman Ship. I should have

1562
01:22:40,760 --> 01:22:42,360
Speaker 1: had it a lot of years back then, but you know,

1563
01:22:42,680 --> 01:22:44,639
Speaker 1: I had swallowed that. But when I saw a list

1564
01:22:44,720 --> 01:22:46,840
Speaker 1: of the top ten how does freestyles A two thousand

1565
01:22:46,920 --> 01:22:48,960
Speaker 1: eighteen and I wasn't on it. And this was like

1566
01:22:49,080 --> 01:22:51,880
Speaker 1: in March, and I had that viral freestyle on Sway,

1567
01:22:52,920 --> 01:22:56,360
Speaker 1: It's just like, you know what, last straw? Fuck them? Like,

1568
01:22:56,520 --> 01:22:58,120
Speaker 1: I mean, they never put me in ship. I don't

1569
01:22:58,160 --> 01:23:00,479
Speaker 1: assume they ever will. They ain't doing me any fucking favor.

1570
01:23:00,600 --> 01:23:03,280
Speaker 1: So fun them. Um, all right, listen, funk a lot

1571
01:23:03,360 --> 01:23:05,000
Speaker 1: of people, you know, Yeah, funk a lot of people.

1572
01:23:05,080 --> 01:23:08,679
Speaker 1: Ma fuck them. So what's coming up for you? What's next?

1573
01:23:09,160 --> 01:23:12,519
Speaker 1: What's the summer gonna bring to you? Uh? Eighteen? So

1574
01:23:12,680 --> 01:23:16,320
Speaker 1: basically I am about to start dropping content on Wednesday's.

1575
01:23:16,560 --> 01:23:18,439
Speaker 1: You know last year I did that every Wednesday thing.

1576
01:23:18,680 --> 01:23:20,559
Speaker 1: This year, I'm gonna do the a lot of Wednesday thing.

1577
01:23:20,880 --> 01:23:22,559
Speaker 1: You know, I'm still gonna do a lot of Ship.

1578
01:23:23,000 --> 01:23:25,679
Speaker 1: Instead of like having it set up week by week,

1579
01:23:25,680 --> 01:23:27,840
Speaker 1: I'm more have a set amount of tracks that I'm

1580
01:23:27,840 --> 01:23:29,280
Speaker 1: going to drop by the end of the year. I

1581
01:23:29,360 --> 01:23:31,599
Speaker 1: got you and because I want to take my time.

1582
01:23:31,800 --> 01:23:33,640
Speaker 1: You know, last year I did that. It was impressive.

1583
01:23:33,960 --> 01:23:35,960
Speaker 1: I can always say that I did it, um. But

1584
01:23:36,120 --> 01:23:38,040
Speaker 1: this year, yeah, it's still gonna be a lot of

1585
01:23:38,080 --> 01:23:41,080
Speaker 1: content and I'm starting in May. So I'm excited. Man.

1586
01:23:41,080 --> 01:23:42,519
Speaker 1: I got a lot of ship up my back, my

1587
01:23:42,600 --> 01:23:45,599
Speaker 1: back pocket, man like some crazy shit. Alright, dope, yeah,

1588
01:23:45,920 --> 01:23:49,920
Speaker 1: I fired up from IAT going. All right, Chris Webby,

1589
01:23:49,960 --> 01:23:52,360
Speaker 1: I am wrapped for stereo pockets. I appreciate you coming in.

1590
01:23:52,520 --> 01:23:55,360
Speaker 1: Thank you for having me. I wish you continued success.

1591
01:23:55,960 --> 01:23:59,400
Speaker 1: Wednesday's Webby, Wednesday's take that ship over. Do you think

1592
01:23:59,439 --> 01:24:02,920
Speaker 1: go to fund Europe? Are you married? Golden fucking Europe?

1593
01:24:03,520 --> 01:24:06,920
Speaker 1: Got a girlfriend? Got okay? Okay, okay, fine, and make

1594
01:24:07,000 --> 01:24:09,600
Speaker 1: money and have a great absolutely though, no I do.

1595
01:24:09,920 --> 01:24:12,439
Speaker 1: I just want to see the world. I watch the

1596
01:24:12,479 --> 01:24:15,040
Speaker 1: Anthony Bourdaine Show a lot, and it's just like, man,

1597
01:24:15,720 --> 01:24:17,400
Speaker 1: that dude is living the life. Go over there and

1598
01:24:17,439 --> 01:24:20,080
Speaker 1: need something. Let me know what it's like to come back,

1599
01:24:20,120 --> 01:24:21,960
Speaker 1: come back in the fall when you're done. Yes, it

1600
01:24:22,000 --> 01:24:27,560
Speaker 1: sounds good, Chris Webby. Man, all right, I want to

1601
01:24:27,600 --> 01:24:32,160
Speaker 1: thank Chris Webby coming to rock kicking that Ship on

1602
01:24:32,240 --> 01:24:35,040
Speaker 1: the Iron rap Coorts stereo podcast. G Moody, whose last

1603
01:24:35,080 --> 01:24:37,960
Speaker 1: name rhymes with duty three Time podcast codes the year

1604
01:24:38,040 --> 01:24:40,439
Speaker 1: t Iron Rapports Stereo podcast. I told you once, I'll

1605
01:24:40,479 --> 01:24:43,960
Speaker 1: tell you again. All butter Soft Iron Rapports Stereo Podcast

1606
01:24:44,040 --> 01:24:47,200
Speaker 1: t shirts are available district lines dot com, Forward Slash

1607
01:24:47,400 --> 01:24:50,479
Speaker 1: I Am wrapp Report, including the Sucker Ship T shirt,

1608
01:24:50,800 --> 01:24:54,120
Speaker 1: including the waste Land T shirt, and the entire butter

1609
01:24:54,240 --> 01:24:58,080
Speaker 1: Soft I Am rapp Reports Stereo podcast T shirt collection,

1610
01:24:58,800 --> 01:25:02,280
Speaker 1: Miles Jordan's take us out of here? What right? Wait, wait,

1611
01:25:02,479 --> 01:25:04,240
Speaker 1: I got I want to tell you this. I got

1612
01:25:04,840 --> 01:25:07,880
Speaker 1: a great message from some some people, man, and I

1613
01:25:07,960 --> 01:25:10,160
Speaker 1: wanna you you want to shout them out as well.

1614
01:25:10,920 --> 01:25:15,040
Speaker 1: From Sweden. UM, we got some fans there and there's

1615
01:25:15,080 --> 01:25:19,280
Speaker 1: a there's a UM, a father who's had two strokes

1616
01:25:19,920 --> 01:25:22,560
Speaker 1: and he's in a nursing home with his son. And

1617
01:25:22,640 --> 01:25:25,280
Speaker 1: they listened to the podcast and the son reached out

1618
01:25:25,320 --> 01:25:28,839
Speaker 1: to me and said the father can't speak or anything,

1619
01:25:29,280 --> 01:25:33,560
Speaker 1: but they laughed together on our banter. So it's the

1620
01:25:33,680 --> 01:25:37,559
Speaker 1: nursing home is one thirty six in Sweden. The father's name.

1621
01:25:37,600 --> 01:25:38,880
Speaker 1: You want to give him a shout out. His name

1622
01:25:39,000 --> 01:25:42,800
Speaker 1: is Matt's Bark. And all the nurses in there, they like,

1623
01:25:42,960 --> 01:25:45,439
Speaker 1: they listen to us, they like us. And the nurses

1624
01:25:45,479 --> 01:25:48,479
Speaker 1: Wally Hope I'm saying it right, and Parissa want to

1625
01:25:48,520 --> 01:25:51,800
Speaker 1: shout you all out, and the pops. I hope all

1626
01:25:51,920 --> 01:25:54,439
Speaker 1: is well. Hope you get get better man. It's a

1627
01:25:54,479 --> 01:25:56,960
Speaker 1: beautiful way to end the show again. I wanna think

1628
01:25:57,520 --> 01:26:00,600
Speaker 1: Chris Webby. I wanna wish my man over there in

1629
01:26:00,680 --> 01:26:04,280
Speaker 1: Sweden get better soon. I know what that's like. Fans

1630
01:26:04,360 --> 01:26:06,479
Speaker 1: of the Iron Wrap Pors Stereo podcast, you know where

1631
01:26:06,520 --> 01:26:09,519
Speaker 1: to find us a social media rate review, give us

1632
01:26:09,560 --> 01:26:12,000
Speaker 1: all that love. It's the Iron Wrap Pors Stereo Podcast.

1633
01:26:12,160 --> 01:26:14,559
Speaker 1: Mills Jordan's take us out with something funky, Take us

1634
01:26:14,560 --> 01:26:17,000
Speaker 1: out with something real nice, something real problem. I'm done,

1635
01:27:01,200 --> 01:27:01,240
Speaker 1: m