WEBVTT - TikTok Part 3: ‘I’ll Be Making Bank! Hopefully.’ 

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<v Speaker 1>I want to tell you the story of a girl

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<v Speaker 1>from Mobile, Alabama who, from a very young age, knew

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<v Speaker 1>exactly what you wanted to do. I started writing when

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<v Speaker 1>I was nine, but I was I wanted to be

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<v Speaker 1>a singer, and then I realized I couldn't sing. So

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<v Speaker 1>then when I turned to liven, I started writing wraps

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<v Speaker 1>and I wrote my first rap. It carried on to

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<v Speaker 1>high school and now Flow Flow Millie is most definitely here.

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<v Speaker 1>She's a twenty one year old rapper. What was the

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<v Speaker 1>first rap of that? Um? Do you want me to

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<v Speaker 1>wrap it? Okay, walk up in the mall, all eyes

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<v Speaker 1>on me, I get my swegga on with my jay's

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<v Speaker 1>on my feet. I'm rocking this beat. Yeah, I'm rocking

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<v Speaker 1>this beat. My swagga owner, Honey, can nobody touch me?

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<v Speaker 1>I'm a five plus five yep, shotty, I'm a team.

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<v Speaker 1>We made it this far, so we might as well win.

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<v Speaker 1>Riding in my bid so you know, I'm getting paper.

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<v Speaker 1>I'm busy stuffing on you, so I had to see

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<v Speaker 1>you later. You know, I was like ten years old

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<v Speaker 1>when I wrote that. Flow spent the next year is

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<v Speaker 1>going to school and working, but making music was her

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<v Speaker 1>primary focus. Like many artists of her generation, she posted

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<v Speaker 1>each new song online and one of her tracks called

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<v Speaker 1>Beef Flow Mix started trending on a platform that Flow

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<v Speaker 1>didn't even use, TikTok. Around this time, someone high up

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<v Speaker 1>at TikTok took an interest in Flow Millie. She came

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<v Speaker 1>to the offices and she didn't even have a TikTok

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<v Speaker 1>profile at the time. That's Isabel Keen Terrorists a news.

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<v Speaker 1>She's head of music Partnerships at TikTok, and she personally

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<v Speaker 1>sat down with Flow Millie and urged her to come

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<v Speaker 1>onto the platform. TikTok prides itself on helping discover emerging artists.

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<v Speaker 1>After like, you know, fift twenty minutes talking to her,

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<v Speaker 1>I was like, you're really funny, Like you're just like

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<v Speaker 1>a funny person and you're beautiful, and I think you

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<v Speaker 1>would do really great on platform. I promise you once

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<v Speaker 1>have one song go viral, your chances of going viral

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<v Speaker 1>again increase. And that is exactly what happened. And so

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<v Speaker 1>after that, like it just kept going up, and then

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<v Speaker 1>on TikTok it just went crazy. Like so it was

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<v Speaker 1>about a month after that labels was coming up, not

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<v Speaker 1>even a month Honestly, it was like a couple of

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<v Speaker 1>weeks and I was just flying in New York, flying everywhere.

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<v Speaker 1>I like cash in my head to my ass, Duda Dash,

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<v Speaker 1>can you make it go fast? The same my life

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<v Speaker 1>one of the bands. If she keeps on lugging, and

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<v Speaker 1>then Flo's life changed. Her fame on TikTok has given

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<v Speaker 1>her mainstream music success. She signed on to r c

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<v Speaker 1>A Records and the b ET Hip Hop Awards nominated

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<v Speaker 1>her for Best New Artists. Honestly, I didn't choose this path,

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<v Speaker 1>but I will embrace it, you know, like the fact

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<v Speaker 1>that my music made on made it on TikTok. But

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<v Speaker 1>I would just say that I'm just using it to

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<v Speaker 1>my advantage. Flamilli isn't just a rapper who got her

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<v Speaker 1>start on TikTok. Now she's a creator as well, pumping

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<v Speaker 1>out videos and growing up following on the app. And

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<v Speaker 1>she did amazing. She's at five hundred thousand followers, her

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<v Speaker 1>content gets millions of views, so I think that she's

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<v Speaker 1>very much on her way, doesn't need me as much anymore.

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<v Speaker 1>Flow Millie was singled out as a musician who would

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<v Speaker 1>make it on TikTok, and she's not the only one.

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<v Speaker 1>TikTok understood that to attract hundreds of millions of users

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<v Speaker 1>to its app, they had to keep their users happy

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<v Speaker 1>by taking bold steps. That meant hands selecting the popular

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<v Speaker 1>people on the app, creating paths towards fame, and funneling

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<v Speaker 1>money to individual creators. So for the top TikTok creators

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<v Speaker 1>and musicians, TikTok was more than a platform. It became

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<v Speaker 1>their job. You're listening to Foundering. I'm your host, Shelley Banjo.

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<v Speaker 1>In the first two episodes, we told you the founding

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<v Speaker 1>story of TikTok, how two guys from China created the

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<v Speaker 1>idea and the technology for what we now know as TikTok. First,

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<v Speaker 1>there's Alex Jew, an eccentric guy from Shanghai who is

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<v Speaker 1>obsessed with design and understanding how teenagers behaved online. He

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<v Speaker 1>created Musically, which was folded into TikTok. And then there's

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<v Speaker 1>John gi Ming, the CEO of by Dance, TikTok's parent company.

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<v Speaker 1>Eming secret Weapons are advanced AI algorithms that taylor videos

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<v Speaker 1>to each individual while also gathering enormous amounts of data.

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<v Speaker 1>In this episode, we'll explain how Alex and e Ming

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<v Speaker 1>were able to plot a path for TikTok that would

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<v Speaker 1>not only change the world of social media, but also

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<v Speaker 1>upend pop culture, music, and the economics of fame. Suddenly,

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<v Speaker 1>this app from China that many people had never heard

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<v Speaker 1>of was determining multiple facets of American culture, who gets

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<v Speaker 1>to be famous, which music ss will hit it big,

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<v Speaker 1>and what trends are people talking about. By harnessing its

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<v Speaker 1>newfound popularity and influence, TikTok's Chinese parent company, Bye Dance

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<v Speaker 1>made even more money and became the first Chinese company

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<v Speaker 1>to successfully create a truly global consumer app. We'll tell

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<v Speaker 1>you more after a quick break. TikTok was coming up

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<v Speaker 1>in the US right when an app called Fine was

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<v Speaker 1>falling apart. Vine was the original short video app. It

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<v Speaker 1>played six second videos over and over again on a loop.

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<v Speaker 1>We in his speech for a get abrazon Fleek question.

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<v Speaker 1>And even though the memes launched on Vine, levon Vine

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<v Speaker 1>is remembered as a failure because after Twitter bought Vine,

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<v Speaker 1>they completely squandered its success. Someone said Vine walked so

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<v Speaker 1>TikTok could run, And I think that is a really accurate,

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<v Speaker 1>uh analogy. That's Karen Spencer. She used to work at

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<v Speaker 1>Twitter as Vine's head of creator development. Karen says that

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<v Speaker 1>a handful of Vine stars got pretty famous and that

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<v Speaker 1>became a problem for Vine because the creators wanted something

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<v Speaker 1>that Vine just wasn't willing to give them money. There

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<v Speaker 1>were a lot of conversations had between creators and myself

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<v Speaker 1>where they were making demands that Vine pay them for

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<v Speaker 1>every Vine that was posted. That was not something that

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<v Speaker 1>Twitter was comfortable doing. In a last ditch effort to

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<v Speaker 1>show some love to their creators, Fine held this big

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<v Speaker 1>party in November, but it didn't exactly go as planned.

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<v Speaker 1>Fine through a party to just basically show the influencers

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<v Speaker 1>we care, we appreciate what you're doing, and it completely backfired.

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<v Speaker 1>That's Darwin Metzkert, a social media marketer. He says the

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<v Speaker 1>lavish party actually made the Vine creators more resentful. All

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<v Speaker 1>of the viners looked at this party and how much

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<v Speaker 1>money they spent and literally just went back to their apartments.

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<v Speaker 1>They all literally lived together one building on Fine Street,

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<v Speaker 1>not making that up in Los Angeles, and basically said, well,

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<v Speaker 1>if they have all this money to spend on a party,

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<v Speaker 1>how come there's no money for us. Within weeks, the

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<v Speaker 1>Viners left the platform, and Darwin says Fine lost sixty

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<v Speaker 1>of its traffic. Less than a year later, Twitter announced

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<v Speaker 1>it would shut down Vine completely. It didn't matter how

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<v Speaker 1>funny or innovative or beloved the platform was. Fine just

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<v Speaker 1>wasn't a sustainable business. Fine took an approach towards creators

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<v Speaker 1>that was common among social media companies in the US.

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<v Speaker 1>They were essentially saying, we'll give you an app that

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<v Speaker 1>you can use to become famous and make money, but

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<v Speaker 1>you're on your own to do the rest. What that

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<v Speaker 1>means is that the creator doesn't feel any allegiance to

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<v Speaker 1>the platform. I'm sure you remember that moment when um

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<v Speaker 1>Kylie Jenner tweeted, you know Snapchat is dead or I've

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<v Speaker 1>deleted Snapchat, and those types of things happen because they

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<v Speaker 1>don't have relationships with the people at the companies, and

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<v Speaker 1>so they're not thinking about Snapchat, the faceless brand, the

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<v Speaker 1>company that I don't know anyone at, So I'm not

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<v Speaker 1>worried about hurting someone's feelings. When by dance spot musically

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<v Speaker 1>and rolled out TikTok in the US, they weren't going

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<v Speaker 1>to make the same mistakes during this delicate transition, Alex

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<v Speaker 1>Jew was paying close attention to the creators. I remember

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<v Speaker 1>like working in the office and Alex would spend like

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<v Speaker 1>two hours a day just flipping through his phone watching

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<v Speaker 1>like TikTok videos, and I was like, that's a fun job,

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<v Speaker 1>Like I want to do that more. That's Michael buzzing

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<v Speaker 1>over a product manager at TikTok. He goes by buzz.

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<v Speaker 1>He says the switchover from Musically to TikTok felt like

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<v Speaker 1>a balance act because Musically already had a hundred million

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<v Speaker 1>registered users, it had brand deals and famous creators. Everyone

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<v Speaker 1>on the team was talking to creators and telling them

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<v Speaker 1>that like there's something big coming and this is happening,

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<v Speaker 1>and I did some calls they were like what's TikTok.

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<v Speaker 1>For weeks, Alex Jew gathered all the phone numbers of

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<v Speaker 1>the top creators on Musically. They spent hours calling creators

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<v Speaker 1>personally to assure them that rebranding as TikTok would be

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<v Speaker 1>a good thing. The Bye Dance CEO, John u Ming

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<v Speaker 1>was about to invest a lot of money into making

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<v Speaker 1>sure TikTok was successful, and they were just on the

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<v Speaker 1>cusp of hitting the mainstream. Guys last week on the show,

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<v Speaker 1>I told you about this cool app that I've been

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<v Speaker 1>getting into called TikTok. It lets you post short videos

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<v Speaker 1>of you doing fun stuff like lip syncing or acting

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<v Speaker 1>out a silly scene in Jimmy Fallon spoke about his

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<v Speaker 1>fun new pastime on the Tonight Show, and he did

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<v Speaker 1>more than just talk about TikTok. He urged his audience

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<v Speaker 1>of two point five million nightly viewers to get on TikTok.

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<v Speaker 1>And I asked you guys to make videos of yourselves

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<v Speaker 1>dropping to the ground and rolling around like a tumbleweed

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<v Speaker 1>every time you hear this. So in just a few days,

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<v Speaker 1>you guys made over eight thousand videos. It's got over

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<v Speaker 1>nine million views. That's that's crazy. Thank you so much.

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<v Speaker 1>TikTok says it didn't pay Jimmy Fallon to post on

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<v Speaker 1>the app, and Fallon's team declined to comment. But this

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<v Speaker 1>was a planned partnership and part of a deliberate strategy

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<v Speaker 1>by the company recruit well known American celebrities to shine

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<v Speaker 1>some of their star power on TikTok. Do you identify

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<v Speaker 1>a couple of whales, you pay them for a certain

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<v Speaker 1>number of posting them sort of a flywheel from there

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<v Speaker 1>because you know, the internet is like it is like

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<v Speaker 1>high school cafeteria is the second the popular kids do it,

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<v Speaker 1>everyone wants to get in. This person was a high

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<v Speaker 1>level advisor to Bite Dance. It's his real voice, but

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<v Speaker 1>he wanted to be kept anonymous, and TikTok was able

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<v Speaker 1>to cater to these way e from a massive marketing

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<v Speaker 1>budget that John Giving at Byte Dance gave Alex jew

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<v Speaker 1>The plan was to make TikTok V place for celebrities

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<v Speaker 1>and artists and drive more people to the app. It

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<v Speaker 1>would be a major achievement for a company from China.

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<v Speaker 1>I think every Chinese company wants to prove that it can,

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<v Speaker 1>you know, penetrate the US because the US is still

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<v Speaker 1>dominant in terms of soft power um and so you know,

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<v Speaker 1>this is why they invested literally a billion dollars you

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<v Speaker 1>know what is it a year ago on making sure

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<v Speaker 1>that TikTok was number one, which obviously worked. A spokesperson

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<v Speaker 1>for TikTok says they didn't spend one billion dollars. He

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<v Speaker 1>declined to tell us their global ad budget, but said

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<v Speaker 1>they spent three million in US advertising a loan. Still,

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<v Speaker 1>this point on soft power speaks to something I've noticed

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<v Speaker 1>while I was reporting in China. See American culture has

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<v Speaker 1>huge influence overseas. In China, kids watched The Big Bang Theory,

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<v Speaker 1>They wear NBA jerseys, and they listened to Taylor Swift.

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<v Speaker 1>China has long wanted that kind of cultural press. Stage

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<v Speaker 1>By Dance had just raised a lot of money and

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<v Speaker 1>they were willing to spend big to make TikTok ubiquitous

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<v Speaker 1>in the US. Like I mean, that's a ridiculous marketing budget.

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<v Speaker 1>That's I think that's an indication of the willingness to

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<v Speaker 1>put resources full throttle. But like I would also argue,

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<v Speaker 1>that's just paying your way up the charts. On New

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<v Speaker 1>Year's Eve, TikTok beamed its logo on the facade of

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<v Speaker 1>the Burj Khalifa in Dubai, the world's tallest building, and

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<v Speaker 1>on the other side of the globe. In New York City,

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<v Speaker 1>the TikTok logo was adorned at the very top of

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<v Speaker 1>the ball drop in Times Square. It went beyond billboards.

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<v Speaker 1>The Bye Dance CEO, John gi Ming, wanted to flood

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<v Speaker 1>the Internet with TikTok ads to accelerate the apps growth,

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<v Speaker 1>and he was actually using TikTok's competitors American social media

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<v Speaker 1>companies as a way to gain new users. Here's the

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<v Speaker 1>former Bye Dance employee, John Boyd Bolton. You know, Bye

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<v Speaker 1>Dance would create slick little ads that show why TikTok's

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<v Speaker 1>cool and and it would have, you know, the little

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<v Speaker 1>installed button on it. And so they did that in

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<v Speaker 1>a way that I could be unprecedented. Frankly, it's really

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<v Speaker 1>ironic looking back that Facebook and Snapchat we're running TikTok

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<v Speaker 1>ads as if they were encouraging their own users to

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<v Speaker 1>leave and join another platform. TikTok's competitors might not have

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<v Speaker 1>known it at the time, but TikTok was coming for them.

0:13:27.720 --> 0:13:30.160
<v Speaker 1>Most of them didn't even know that they were spending

0:13:30.160 --> 0:13:33.240
<v Speaker 1>so much money. Um. And that was surprising to me

0:13:33.280 --> 0:13:35.280
<v Speaker 1>because it was kind of so obvious, Like how could

0:13:35.320 --> 0:13:38.440
<v Speaker 1>an app come out of obscurity suddenly be number one

0:13:38.480 --> 0:13:41.320
<v Speaker 1>over and over again and penetrating the mainstream this rapidly.

0:13:41.360 --> 0:13:43.080
<v Speaker 1>The only way to do that is to pay, Like

0:13:43.360 --> 0:13:46.080
<v Speaker 1>even Facebook's organic growth was not like that, if anything, like,

0:13:46.120 --> 0:13:47.560
<v Speaker 1>I would say, many of them were not taking it

0:13:47.600 --> 0:13:50.640
<v Speaker 1>that seriously. Um. I think maybe they regret that now.

0:13:51.080 --> 0:13:55.600
<v Speaker 1>That was the Bite Dance advisor who spoke anonymously. He said, Snapchat, YouTube,

0:13:55.600 --> 0:13:58.320
<v Speaker 1>and Facebook had a blind spot when it came to TikTok,

0:13:58.679 --> 0:14:02.000
<v Speaker 1>and that was dangerous because TikTok was poaching many of

0:14:02.080 --> 0:14:06.199
<v Speaker 1>the prized employees. One of TikTok's smartest hires was Vanessa

0:14:06.240 --> 0:14:10.400
<v Speaker 1>Papas from YouTube. She literally wrote the YouTube creator playbook.

0:14:10.640 --> 0:14:13.280
<v Speaker 1>It's like the bible for social media stars on turning

0:14:13.320 --> 0:14:16.959
<v Speaker 1>their fame into a profession. And this meant that TikTok

0:14:16.960 --> 0:14:20.800
<v Speaker 1>would run the most aggressive creator focused strategy of any

0:14:20.880 --> 0:14:35.040
<v Speaker 1>social media company. We'll be right back. Meet Gabby Murray.

0:14:35.320 --> 0:14:38.000
<v Speaker 1>She's an eighteen year old from Florida. So I woke

0:14:38.080 --> 0:14:40.320
<v Speaker 1>up pretty early and then I did my morning workout.

0:14:40.480 --> 0:14:43.040
<v Speaker 1>Then I gave myself some clothes for the day I changed.

0:14:43.040 --> 0:14:47.000
<v Speaker 1>She's been on TikTok since the app first launched. It

0:14:47.120 --> 0:14:49.600
<v Speaker 1>was one summer. I was super bored and my mom

0:14:49.680 --> 0:14:54.400
<v Speaker 1>was working and I really wanted to do something fun.

0:14:54.400 --> 0:14:56.440
<v Speaker 1>And I always love to be on camera ever since

0:14:56.440 --> 0:14:59.920
<v Speaker 1>I was little. I love movies, and so I wanted

0:15:00.080 --> 0:15:03.080
<v Speaker 1>to have this goal to get bigger on the app.

0:15:03.240 --> 0:15:06.960
<v Speaker 1>Gabby now has more than seven million followers. She remembers

0:15:07.000 --> 0:15:09.680
<v Speaker 1>the first time one of her TikTok videos went viral,

0:15:10.080 --> 0:15:13.280
<v Speaker 1>and I love Stranger Things. Stranger Things is one of

0:15:13.320 --> 0:15:16.640
<v Speaker 1>my favorite shows. I thought of this idea. I got

0:15:16.640 --> 0:15:19.400
<v Speaker 1>my wardrobe on and I pretended to be like eleven

0:15:19.520 --> 0:15:23.360
<v Speaker 1>from Stranger Things, UM and I and I opened, like,

0:15:23.440 --> 0:15:26.240
<v Speaker 1>put my hand out and I opened the door with

0:15:26.320 --> 0:15:28.840
<v Speaker 1>my mind, which I didn't actually do. I edit it,

0:15:28.880 --> 0:15:32.280
<v Speaker 1>but it looked pretty dope. That was the video that

0:15:32.320 --> 0:15:36.520
<v Speaker 1>got me like the big numbers for sure. I love

0:15:36.560 --> 0:15:39.520
<v Speaker 1>how Gabby clarifies that she didn't actually open the door

0:15:39.640 --> 0:15:43.280
<v Speaker 1>with her mind. Gaby quickly realized that getting famous on

0:15:43.320 --> 0:15:46.960
<v Speaker 1>TikTok was not just an art but a science, because,

0:15:47.040 --> 0:15:50.720
<v Speaker 1>unlike its competitors, TikTok gives creators a roadmap on how

0:15:50.760 --> 0:15:53.840
<v Speaker 1>to reach more people if you're on Twitter or Facebook.

0:15:54.160 --> 0:15:57.560
<v Speaker 1>Most hashtags start trending organically when lots of people post

0:15:57.640 --> 0:16:01.320
<v Speaker 1>about the same thing, but the popular hashtags on TikTok

0:16:01.720 --> 0:16:05.120
<v Speaker 1>are often hatched within the company or sponsored by brands.

0:16:05.760 --> 0:16:09.920
<v Speaker 1>They're often referred to as challenges. When Gabby is making

0:16:09.960 --> 0:16:13.640
<v Speaker 1>her videos, she follows the TikTok playbook. Yeah, so when

0:16:13.640 --> 0:16:16.200
<v Speaker 1>you use a trending hashtag, it just pushes the video

0:16:16.240 --> 0:16:20.760
<v Speaker 1>out to the algorithm more and essentially you get more likes, follows, shares,

0:16:21.160 --> 0:16:23.680
<v Speaker 1>you just get more of everything. Gabby says that after

0:16:23.760 --> 0:16:26.720
<v Speaker 1>she got a big enough following, TikTok even assigned her

0:16:26.760 --> 0:16:30.400
<v Speaker 1>an individual manager to keep her updated on current trends.

0:16:30.440 --> 0:16:34.720
<v Speaker 1>But I do have a TikTok representative or like a

0:16:34.760 --> 0:16:37.080
<v Speaker 1>micro manager if you want to call it that. Gabby

0:16:37.200 --> 0:16:40.560
<v Speaker 1>might have a different definition of micromanager. And um, she

0:16:40.960 --> 0:16:44.240
<v Speaker 1>actually sends like an email of like all the trending

0:16:44.280 --> 0:16:47.080
<v Speaker 1>hashtags and everything that we should be doing, like what

0:16:47.160 --> 0:16:50.320
<v Speaker 1>are the new features on TikTok and using those tips

0:16:50.520 --> 0:16:54.440
<v Speaker 1>can get you more exposure? Do you think that they work? Yeah, no,

0:16:54.680 --> 0:16:58.200
<v Speaker 1>for sure. I've actually tested it out one time and

0:16:58.480 --> 0:17:01.440
<v Speaker 1>the video did super well for me, And um, it

0:17:01.560 --> 0:17:03.600
<v Speaker 1>wasn't something I would typically post, but I just wanted

0:17:03.640 --> 0:17:05.760
<v Speaker 1>to try it out because she said so, so I

0:17:05.880 --> 0:17:09.680
<v Speaker 1>just tried it. A TikTok spokesperson told me that using

0:17:09.680 --> 0:17:13.399
<v Speaker 1>a trending hashtag does not necessarily guarantee more views, and

0:17:13.520 --> 0:17:16.280
<v Speaker 1>organic trends still emerge on the platform. But I want

0:17:16.280 --> 0:17:19.000
<v Speaker 1>to highlight Gabby's point about the TikTok rep who works

0:17:19.000 --> 0:17:22.160
<v Speaker 1>with her at Facebook or Twitter. This kind of thing

0:17:22.200 --> 0:17:25.359
<v Speaker 1>tends to happen with the president or like Kim Kardashian.

0:17:25.920 --> 0:17:28.840
<v Speaker 1>YouTube does this with their really big stars. But almost

0:17:28.880 --> 0:17:32.200
<v Speaker 1>every TikTok creator I've ever spoken to with more than say,

0:17:32.320 --> 0:17:35.480
<v Speaker 1>a hundred thousand followers has told me some version of

0:17:35.520 --> 0:17:39.520
<v Speaker 1>the same story. The highly personal touch doesn't just come

0:17:39.520 --> 0:17:42.800
<v Speaker 1>out of the goodness of TikTok's heart. This is a

0:17:42.800 --> 0:17:46.760
<v Speaker 1>shrewd business move because the more attention TikTok showers on

0:17:46.840 --> 0:17:50.960
<v Speaker 1>creators and musicians, even ones who aren't superstars, the more

0:17:51.040 --> 0:17:53.880
<v Speaker 1>loyal they become on the app, and the more they

0:17:53.880 --> 0:17:58.600
<v Speaker 1>post on TikTok, the more users TikTok draws from Instagram, YouTube,

0:17:58.600 --> 0:18:01.920
<v Speaker 1>and Snapchat. So at this point you might be wondering

0:18:02.320 --> 0:18:06.199
<v Speaker 1>how much is Gabby Murray making. Oh gosh, man, you

0:18:06.200 --> 0:18:09.200
<v Speaker 1>can take a lot. I mean, you know, Charlie Addison,

0:18:09.280 --> 0:18:11.879
<v Speaker 1>all those people make way more Like I mean, I

0:18:11.880 --> 0:18:16.440
<v Speaker 1>guess Addison made five billion this year rumored, has it? Uh?

0:18:16.480 --> 0:18:18.960
<v Speaker 1>That's insane on TikTok alone, And I don't even think

0:18:18.960 --> 0:18:21.879
<v Speaker 1>it's been a year since she was popular. Like it's wild.

0:18:22.000 --> 0:18:24.640
<v Speaker 1>But for me, like on a good month, I would

0:18:24.680 --> 0:18:33.480
<v Speaker 1>say anywhere from ten to fift twenty grand um, which

0:18:33.520 --> 0:18:37.119
<v Speaker 1>is fantastic. Charlie and Addison are actually two different people.

0:18:37.520 --> 0:18:40.600
<v Speaker 1>They have a TikTok stars Addison Ray and Charlie Jamilio.

0:18:41.640 --> 0:18:44.040
<v Speaker 1>Forbes says that each of them make over four million

0:18:44.080 --> 0:18:47.840
<v Speaker 1>dollars a year. But Gabby's bringing home annually up to

0:18:47.880 --> 0:18:51.880
<v Speaker 1>two thou dollars. Let's just sit with that for a second.

0:18:52.160 --> 0:18:54.879
<v Speaker 1>That's a lot of money. And now she has her

0:18:54.920 --> 0:18:58.480
<v Speaker 1>sights on more. Gabby's decided to put college on hold

0:18:58.560 --> 0:19:01.200
<v Speaker 1>and try her luck in l A. I have representation

0:19:01.280 --> 0:19:03.399
<v Speaker 1>in l A. And it's it's a it's a commitment,

0:19:03.440 --> 0:19:06.600
<v Speaker 1>and I'm making money. I'm making a good salary and

0:19:07.200 --> 0:19:09.960
<v Speaker 1>and I think I should take this opportunity. Now I

0:19:10.000 --> 0:19:12.840
<v Speaker 1>can always go back to college. So I'm gonna be

0:19:12.960 --> 0:19:19.119
<v Speaker 1>making bank hopefully, right, that's the goal. So well, she

0:19:19.160 --> 0:19:21.720
<v Speaker 1>can only make bank if her manager can actually get

0:19:21.720 --> 0:19:25.600
<v Speaker 1>her on the phone. Here's Brian Nelson, who represents Gabby

0:19:25.640 --> 0:19:28.879
<v Speaker 1>and a roster of teen influencers. I will tell you

0:19:28.920 --> 0:19:32.560
<v Speaker 1>that the anxiety level for me is very high. Most

0:19:32.600 --> 0:19:34.320
<v Speaker 1>of them don't want to talk on the phone at all.

0:19:34.600 --> 0:19:37.560
<v Speaker 1>They don't like to read press or just read in general.

0:19:37.640 --> 0:19:39.920
<v Speaker 1>They like to watch video, so when Brian has a

0:19:40.000 --> 0:19:42.680
<v Speaker 1>job opportunity for them, they can be hard to reach.

0:19:43.080 --> 0:19:47.520
<v Speaker 1>They won't read or talk, and they're the great communicators

0:19:47.520 --> 0:19:50.600
<v Speaker 1>of our time, but they're kind of communicating like the

0:19:50.720 --> 0:19:55.199
<v Speaker 1>way they want to Finding them is actually our biggest problem.

0:19:55.240 --> 0:19:57.520
<v Speaker 1>To be honest, you're I mean, I wish I can

0:19:57.600 --> 0:20:01.720
<v Speaker 1>chip every single one of them. We'll be right back.

0:20:04.680 --> 0:20:08.320
<v Speaker 1>TikTok has created a new economy, so to speak, which

0:20:08.320 --> 0:20:12.399
<v Speaker 1>can support young TikTok stars like Gabby and managers like Brian.

0:20:13.080 --> 0:20:16.280
<v Speaker 1>It might sound like some incredible flute, but it actually

0:20:16.320 --> 0:20:19.320
<v Speaker 1>follows the blueprint that can be traced right back to

0:20:19.400 --> 0:20:22.720
<v Speaker 1>Alex to the way I look at it, Viewing a

0:20:22.840 --> 0:20:26.920
<v Speaker 1>community is very similar to running a country, running economy,

0:20:26.960 --> 0:20:31.560
<v Speaker 1>and you want people from Europe to migrate to your country? Right?

0:20:32.520 --> 0:20:36.000
<v Speaker 1>And is what I means Europe? Facebook is Europe? Okay,

0:20:36.040 --> 0:20:40.080
<v Speaker 1>you do it. That's Alex speaking at a tech conference.

0:20:40.080 --> 0:20:43.960
<v Speaker 1>In the person you hear laughing is Josh Alman, one

0:20:43.960 --> 0:20:47.160
<v Speaker 1>of Alex's early investors. I just want to point out

0:20:47.160 --> 0:20:51.280
<v Speaker 1>something funny in Alex's metaphor. The Chinese owned app TikTok

0:20:51.520 --> 0:20:55.000
<v Speaker 1>is America, and the American owned apps Instagram and Facebook

0:20:55.160 --> 0:20:58.840
<v Speaker 1>are Europe. And bear with me here, this elaborate metaphor

0:20:59.080 --> 0:21:02.920
<v Speaker 1>is actually pretty alien. Alex likens the people joining TikTok

0:21:03.320 --> 0:21:06.320
<v Speaker 1>two settlers moving to a brand new country. How can

0:21:06.359 --> 0:21:09.119
<v Speaker 1>you attract those people to come in the problem with

0:21:09.320 --> 0:21:15.520
<v Speaker 1>Europe is the social class is already stabilized. For average

0:21:15.680 --> 0:21:21.360
<v Speaker 1>citizen of Germany, of France, they have almost zero opportunity

0:21:21.520 --> 0:21:25.840
<v Speaker 1>to go upper in the social class. Right, So here

0:21:26.240 --> 0:21:30.280
<v Speaker 1>Welton social class are standing for social media fame, and

0:21:30.320 --> 0:21:33.119
<v Speaker 1>Alex is saying the chances are blowing up on Instagram

0:21:33.160 --> 0:21:37.240
<v Speaker 1>now are slim because it's already so crowded. But TikTok

0:21:37.400 --> 0:21:41.720
<v Speaker 1>would be uncharted territory, the wild West, where average people

0:21:41.720 --> 0:21:44.639
<v Speaker 1>can move and maybe strike gold. And then these people

0:21:44.680 --> 0:21:48.600
<v Speaker 1>became real model for other people living in Europe, and

0:21:48.640 --> 0:21:51.199
<v Speaker 1>they say, hey, this is a normal guy and he

0:21:51.359 --> 0:21:53.879
<v Speaker 1>just went to America and he became super rich. I

0:21:53.920 --> 0:21:58.359
<v Speaker 1>can do the same, right, And then lots of people

0:21:59.080 --> 0:22:03.600
<v Speaker 1>came to your country and your girl population, you girl,

0:22:03.680 --> 0:22:06.600
<v Speaker 1>you can't. Alex also knew it wasn't enough to just

0:22:06.640 --> 0:22:09.520
<v Speaker 1>focus on the top creators the royal class. To use

0:22:09.560 --> 0:22:12.600
<v Speaker 1>this terminology, you also had to create a path and

0:22:12.640 --> 0:22:15.359
<v Speaker 1>a promise for the lower classes to climb the ranks

0:22:15.920 --> 0:22:18.000
<v Speaker 1>that if they post a lot of videos on TikTok,

0:22:18.440 --> 0:22:21.479
<v Speaker 1>then one day they too could become famous and they

0:22:21.600 --> 0:22:25.600
<v Speaker 1>make money along the way. Having an American dream is good,

0:22:25.960 --> 0:22:30.320
<v Speaker 1>but if it's only a dream, people will wake up.

0:22:31.320 --> 0:22:35.320
<v Speaker 1>You have to give the opportunity to average people and

0:22:35.440 --> 0:22:37.920
<v Speaker 1>make sure it got such function, make sure it was

0:22:37.960 --> 0:22:41.640
<v Speaker 1>around middle class coming up. This strategy that Alex laid

0:22:41.640 --> 0:22:44.840
<v Speaker 1>out would actually work to a t TikTok did draw

0:22:44.920 --> 0:22:48.440
<v Speaker 1>creators and artists away from Instagram and Facebook. They did

0:22:48.480 --> 0:22:51.760
<v Speaker 1>provide new ways of getting famous on social media, and

0:22:51.800 --> 0:22:54.080
<v Speaker 1>you can see the most extreme examples of that in

0:22:54.160 --> 0:22:58.200
<v Speaker 1>TikTok's collab houses. A very quick tour of the new

0:22:58.280 --> 0:23:01.440
<v Speaker 1>hype house. We'll start here Elevator, Nick rm It's Massy

0:23:01.560 --> 0:23:06.800
<v Speaker 1>Movie Theater room, Andrea's, Michael's cubby, Tony's Room, Thomas Room

0:23:06.800 --> 0:23:08.639
<v Speaker 1>on the second floor. If you've never heard of a

0:23:08.640 --> 0:23:11.960
<v Speaker 1>collab house, these are mansions where a bunch of TikTok

0:23:12.040 --> 0:23:22.120
<v Speaker 1>stars lived together and create videos. Race three to one.

0:23:22.960 --> 0:23:27.160
<v Speaker 1>It's a bit like real World meets Shark Tank. Imagine

0:23:27.160 --> 0:23:30.520
<v Speaker 1>a sleepover but forever and now living with my friends,

0:23:30.520 --> 0:23:32.520
<v Speaker 1>like these are my best friends, Like I grew up

0:23:32.560 --> 0:23:35.880
<v Speaker 1>with these kids. That's Alex Warren. He's twenty years old

0:23:35.960 --> 0:23:39.360
<v Speaker 1>and has around fourteen million followers on TikTok. He's one

0:23:39.359 --> 0:23:42.080
<v Speaker 1>of the founding members of the Hype House, a TikTok

0:23:42.160 --> 0:23:46.200
<v Speaker 1>mansion in the Hollywood Hills. Alex Warren has eleven roommates,

0:23:46.440 --> 0:23:49.480
<v Speaker 1>ages seventeen to twenty two, and each of them has

0:23:49.560 --> 0:23:53.240
<v Speaker 1>millions of followers on TikTok. You're never alone. There's always

0:23:53.280 --> 0:23:57.000
<v Speaker 1>something happening, like someone's screaming. We have a bus outside

0:23:57.040 --> 0:23:59.000
<v Speaker 1>that we just got. I had bought a golf cart.

0:23:59.480 --> 0:24:02.520
<v Speaker 1>Like with cycles, we have drift cards. By the way,

0:24:02.760 --> 0:24:04.520
<v Speaker 1>I had to look up what a drift car is.

0:24:05.040 --> 0:24:07.320
<v Speaker 1>You know how in some movie chasings a car might

0:24:07.400 --> 0:24:10.439
<v Speaker 1>skid sideways and a cloud of smoke against the direction

0:24:10.440 --> 0:24:13.520
<v Speaker 1>of the wheels. Apparently you can buy a car build

0:24:13.600 --> 0:24:16.600
<v Speaker 1>just for that purpose. Anyway, the Hype House is a

0:24:16.640 --> 0:24:20.040
<v Speaker 1>mansion full of toys. It's a nine million dollar house

0:24:20.080 --> 0:24:22.919
<v Speaker 1>with a theater and elevator and a pool, and of

0:24:22.960 --> 0:24:26.840
<v Speaker 1>course there are multiple balconies to shoot videos and glorious

0:24:26.880 --> 0:24:31.280
<v Speaker 1>outdoor light. The Hyphaus even has brand sponsorships. There's this

0:24:31.400 --> 0:24:36.120
<v Speaker 1>energy drink that's featured in a lot of the Tiktoker's videos. Deceptively,

0:24:36.720 --> 0:24:40.800
<v Speaker 1>these TikTok mansions are also workspaces. They allow the TikTok

0:24:40.800 --> 0:24:44.800
<v Speaker 1>stars to create videos together and build off each other's followings.

0:24:44.800 --> 0:24:48.479
<v Speaker 1>This gets some more attention and bigger brand deals, and again,

0:24:48.800 --> 0:24:51.880
<v Speaker 1>that doesn't just benefit the creators, it also means more

0:24:51.960 --> 0:24:55.480
<v Speaker 1>viewers and more money for TikTok and Alex Warren is

0:24:55.520 --> 0:24:57.440
<v Speaker 1>quick to point out that it's not all just fun

0:24:57.440 --> 0:25:00.320
<v Speaker 1>and games. He says that, well, being an influence and

0:25:00.320 --> 0:25:04.000
<v Speaker 1>shooting short videos might look easy, it's hard work. This

0:25:04.160 --> 0:25:06.679
<v Speaker 1>is real work. It's different, it's not something you're used to,

0:25:06.760 --> 0:25:09.400
<v Speaker 1>but it is real work. And this job is hard.

0:25:09.720 --> 0:25:12.359
<v Speaker 1>And the amount of times I've gotten where it's like, oh,

0:25:12.520 --> 0:25:14.119
<v Speaker 1>you know, you don't have a real job, and it's like,

0:25:14.600 --> 0:25:19.080
<v Speaker 1>it's not what my taxes say. He wouldn't say exactly

0:25:19.240 --> 0:25:23.040
<v Speaker 1>how much he's making. I can't tell you that that's

0:25:23.040 --> 0:25:26.240
<v Speaker 1>a good try though, but he would give a ballpark

0:25:26.359 --> 0:25:29.600
<v Speaker 1>figure seven figures a year, so that's at least one

0:25:29.640 --> 0:25:32.399
<v Speaker 1>million dollars a year for Alex Warren. But what does

0:25:32.440 --> 0:25:36.480
<v Speaker 1>TikTok get out of it? Well, droves of teenagers tune

0:25:36.480 --> 0:25:39.480
<v Speaker 1>in every day to TikTok to follow Alex's every move.

0:25:40.160 --> 0:25:42.960
<v Speaker 1>Some of them copy his dances, dream his favorite music,

0:25:43.240 --> 0:25:46.840
<v Speaker 1>and try to replicate his silly pranks, and most importantly,

0:25:47.280 --> 0:25:50.000
<v Speaker 1>many of his TikTok followers by the stuff that he

0:25:50.080 --> 0:25:52.840
<v Speaker 1>and his high house roommates tell them to buy. The

0:25:52.880 --> 0:25:55.879
<v Speaker 1>TikTok stars drive up the time users spend on the app,

0:25:56.160 --> 0:25:59.840
<v Speaker 1>and also trek brands to advertise through the platform. Now

0:26:00.200 --> 0:26:04.400
<v Speaker 1>TikTok is experimenting with online shopping. They're placing buttons right

0:26:04.440 --> 0:26:07.520
<v Speaker 1>and brand sponsored videos that can lead users to buy

0:26:07.520 --> 0:26:11.040
<v Speaker 1>whatever it is the creators are selling. So while Alex

0:26:11.119 --> 0:26:15.600
<v Speaker 1>becomes a millionaire, TikTok is getting richer too. Alex Warren

0:26:15.720 --> 0:26:18.200
<v Speaker 1>was doing so well on TikTok that when I spoke

0:26:18.200 --> 0:26:21.440
<v Speaker 1>to him recently, he'd even become a job creator. I've

0:26:21.440 --> 0:26:23.720
<v Speaker 1>been doing this all myself for the last few years.

0:26:24.359 --> 0:26:27.879
<v Speaker 1>Recently I've hired a manager. Obviously, it's hired an assistant,

0:26:28.200 --> 0:26:31.040
<v Speaker 1>So I totally believe that churning out videos every day

0:26:31.080 --> 0:26:34.160
<v Speaker 1>is hard work. But I had to stop Alex to ask,

0:26:34.440 --> 0:26:37.360
<v Speaker 1>what exactly does the assistant of a twenty year old

0:26:37.400 --> 0:26:41.840
<v Speaker 1>TikTok star do? My assistant does too much. I love him.

0:26:42.119 --> 0:26:44.159
<v Speaker 1>I just hired him like last week, but like he is,

0:26:44.440 --> 0:26:47.400
<v Speaker 1>I don't know. I have him do everything, which has

0:26:47.520 --> 0:26:52.399
<v Speaker 1>so helpful because I get costumes, I get um skis,

0:26:52.640 --> 0:26:54.840
<v Speaker 1>I get stuff to tew people from the back of

0:26:54.880 --> 0:26:58.600
<v Speaker 1>my car, like and then um. Once he's done with that,

0:26:58.720 --> 0:27:00.479
<v Speaker 1>then it's like, you know, I need to switch over

0:27:00.520 --> 0:27:03.240
<v Speaker 1>to Verizon, I need to go to the d m V.

0:27:03.640 --> 0:27:06.639
<v Speaker 1>I need to um just everyday stuff that, like a

0:27:06.680 --> 0:27:09.359
<v Speaker 1>normal system would help us. And it's not just the assistant.

0:27:09.400 --> 0:27:13.000
<v Speaker 1>He likes. TikTok doats on alex morn. They set him

0:27:13.000 --> 0:27:15.639
<v Speaker 1>a basket of gifts when he reached ten million followers,

0:27:16.080 --> 0:27:19.600
<v Speaker 1>and TikTok set him cookies for his birthday. It sounds

0:27:19.640 --> 0:27:22.159
<v Speaker 1>weirdly chummy, but some of this can be explained by

0:27:22.200 --> 0:27:26.840
<v Speaker 1>cultural differences. In China, there's often a close relationship between

0:27:26.880 --> 0:27:31.200
<v Speaker 1>social media companies and their stars. TikTok's parent company Byte

0:27:31.240 --> 0:27:35.199
<v Speaker 1>Dance wose creators from rival platforms. Some get paid to

0:27:35.240 --> 0:27:38.719
<v Speaker 1>post videos on the Chinese version of TikTok, and the CEO,

0:27:38.880 --> 0:27:43.000
<v Speaker 1>John Giming, even created hundreds of salaried positions for creators

0:27:43.000 --> 0:27:47.000
<v Speaker 1>in China, meaning they received regular paychecks from Bye Dance.

0:27:47.680 --> 0:27:50.720
<v Speaker 1>This was almost unheard of in the US. The closest

0:27:50.760 --> 0:27:53.480
<v Speaker 1>you got was YouTube, which does fund a small number

0:27:53.520 --> 0:27:56.560
<v Speaker 1>of channels and original content, but most of the creators

0:27:56.600 --> 0:27:59.399
<v Speaker 1>there make money by enabling ads on their videos, and

0:27:59.440 --> 0:28:02.840
<v Speaker 1>there was no guarantee. TikTok took a much more hands

0:28:02.840 --> 0:28:05.760
<v Speaker 1>on approach. They're not making any of the mistakes the

0:28:05.840 --> 0:28:10.159
<v Speaker 1>Jack Dorsey and Vine made by not providing really proper

0:28:10.200 --> 0:28:14.199
<v Speaker 1>monetization channels for their talent. That's Starwin Metzker, the marketer

0:28:14.320 --> 0:28:18.199
<v Speaker 1>we heard from earlier. He says brands like Chipotle, the NBA,

0:28:18.520 --> 0:28:21.520
<v Speaker 1>and Red Bull picked up pretty quickly that TikTok would

0:28:21.520 --> 0:28:23.880
<v Speaker 1>be the way to reach the much sought after gen

0:28:24.000 --> 0:28:28.399
<v Speaker 1>Z audience. Now brands are going directly through TikTok and

0:28:28.440 --> 0:28:32.720
<v Speaker 1>having TikTok negotiate with big TikTok stars for branded sort

0:28:32.720 --> 0:28:35.760
<v Speaker 1>of native content. Uh and those deals are going to

0:28:35.800 --> 0:28:39.080
<v Speaker 1>skyrocket because a you get to weaponize this talent that

0:28:39.120 --> 0:28:41.920
<v Speaker 1>means something to their audience, but also TikTok controls all

0:28:41.920 --> 0:28:43.920
<v Speaker 1>the levers to make sure it gets whatever view count

0:28:44.200 --> 0:28:46.680
<v Speaker 1>it's promised to a client. It's really a perfect platform

0:28:46.720 --> 0:28:50.640
<v Speaker 1>for advice. So to be clear, the ad runs on TikTok.

0:28:51.040 --> 0:28:54.600
<v Speaker 1>The creators are famous on TikTok. TikTok can control the

0:28:54.640 --> 0:28:57.760
<v Speaker 1>reach of the ad, and TikTok has connected the creator

0:28:57.920 --> 0:29:01.320
<v Speaker 1>to the product they're selling, meaning TikTok is on every

0:29:01.440 --> 0:29:04.320
<v Speaker 1>end of the deal and the money flows right back

0:29:04.360 --> 0:29:08.240
<v Speaker 1>to TikTok. This all makes the platform even bigger and

0:29:08.280 --> 0:29:12.080
<v Speaker 1>allows them to spend even more. Because the creators owe

0:29:12.120 --> 0:29:15.600
<v Speaker 1>their livelihoods to TikTok, they tend to be fiercely loyal

0:29:15.640 --> 0:29:18.880
<v Speaker 1>to the app. One minager told me that TikTok even

0:29:18.920 --> 0:29:21.640
<v Speaker 1>created a scholarship for a TikTok star to pursue a

0:29:21.640 --> 0:29:24.880
<v Speaker 1>master's degree. Isabel can tro Us The News, the head

0:29:24.880 --> 0:29:27.920
<v Speaker 1>of Music Partnerships at TikTok, says they take a similar

0:29:27.920 --> 0:29:33.880
<v Speaker 1>approach with musicians. We spend a lot of time texting, messaging, emails,

0:29:34.000 --> 0:29:36.720
<v Speaker 1>phone calls. I don't necessarily need to be in real

0:29:36.800 --> 0:29:39.520
<v Speaker 1>life to help you, but they do have like access

0:29:39.560 --> 0:29:42.920
<v Speaker 1>to me um as much as I can give that,

0:29:43.480 --> 0:29:46.440
<v Speaker 1>and Isabel has even personally visited the homes of artists

0:29:46.480 --> 0:29:50.520
<v Speaker 1>on TikTok to advise them on videos. TikTok even pairs

0:29:50.640 --> 0:29:53.920
<v Speaker 1>artists with brands for sponsorship deals and sometimes takes a

0:29:53.960 --> 0:29:57.160
<v Speaker 1>cut along the way, because the more money artists can

0:29:57.160 --> 0:30:00.160
<v Speaker 1>make through the app, the more money that flow was

0:30:00.200 --> 0:30:04.760
<v Speaker 1>into TikTok. The company prioritizes music because music is the

0:30:04.800 --> 0:30:07.960
<v Speaker 1>backbone of the app. Almost every skit or meme on

0:30:08.000 --> 0:30:11.720
<v Speaker 1>TikTok is time to a song. Every video predicated on

0:30:11.720 --> 0:30:15.680
<v Speaker 1>a beat, so without music, TikTok probably wouldn't have become

0:30:15.720 --> 0:30:19.760
<v Speaker 1>the online playground and the soundtrack for an entire generation.

0:30:20.760 --> 0:30:23.920
<v Speaker 1>As TikTok gains power in the music industry, it even

0:30:24.000 --> 0:30:27.240
<v Speaker 1>sometimes tells the record labels what to do. When the

0:30:27.320 --> 0:30:30.440
<v Speaker 1>rapper Megan the Stallion was first getting popular on TikTok,

0:30:30.800 --> 0:30:33.400
<v Speaker 1>her label wanted to put their marketing muscle behind a

0:30:33.440 --> 0:30:39.400
<v Speaker 1>song called Captain Hook A little bit of Curve, Collet

0:30:39.560 --> 0:30:43.920
<v Speaker 1>Niggle Captain Hook Adult Shop, but Isabel said no. Instead,

0:30:44.280 --> 0:30:46.880
<v Speaker 1>she advised them to put five songs out on TikTok

0:30:47.240 --> 0:30:49.560
<v Speaker 1>and then just lurk and see how they do. So

0:30:49.640 --> 0:30:52.959
<v Speaker 1>Captain Hook did okay, and but Savage you could just

0:30:53.000 --> 0:30:58.200
<v Speaker 1>see um, the creation amounts like in a short period

0:30:58.240 --> 0:31:01.640
<v Speaker 1>of time were incredible bowl and then it just was

0:31:01.680 --> 0:31:05.680
<v Speaker 1>just growing exponentially every day. So after seeing Savage far

0:31:05.760 --> 0:31:09.960
<v Speaker 1>outperformed Captain Hook any other songs, TikTok moved all its

0:31:09.960 --> 0:31:17.280
<v Speaker 1>marketing attention towards promoting Savage. We let it sort of

0:31:17.400 --> 0:31:20.480
<v Speaker 1>simmer um in the app, and then we started seeing

0:31:20.560 --> 0:31:24.640
<v Speaker 1>that Savage was going and even then I we held

0:31:25.240 --> 0:31:29.800
<v Speaker 1>promo levers to just let the sound mature to the

0:31:29.920 --> 0:31:33.239
<v Speaker 1>right point where then when we pulled everything that we

0:31:33.320 --> 0:31:36.560
<v Speaker 1>had against it, it just propelled it to number one.

0:31:37.000 --> 0:31:39.960
<v Speaker 1>When TikTok moved to promote Savage, it turned the song

0:31:40.000 --> 0:31:43.520
<v Speaker 1>into a monster hit, reaching number one on the Billboard charts.

0:31:44.080 --> 0:31:47.520
<v Speaker 1>Megan the Stallion recorded a remix with Beyonce which even

0:31:47.560 --> 0:31:50.640
<v Speaker 1>mentioned TikTok and the lyrics and featured TikTok clips in

0:31:50.680 --> 0:31:59.000
<v Speaker 1>the music video. Talk about incredible advertising for TikTok. This

0:31:59.080 --> 0:32:01.760
<v Speaker 1>is another thing that go back to Alex jew He

0:32:01.840 --> 0:32:04.760
<v Speaker 1>knew early on to steer clear of outright competing with

0:32:04.800 --> 0:32:09.600
<v Speaker 1>the record labels. Here he is we only accuse music

0:32:10.080 --> 0:32:14.280
<v Speaker 1>as a role material. Music is not in the product.

0:32:14.720 --> 0:32:20.360
<v Speaker 1>Having the music or musically actually helped them to generate revenue.

0:32:21.200 --> 0:32:24.400
<v Speaker 1>This tape from Alex is really revealing. First of all,

0:32:24.480 --> 0:32:27.959
<v Speaker 1>he's talking about music as raw material, like it's slumber

0:32:28.080 --> 0:32:31.520
<v Speaker 1>or steal, because music is the basis for the videos

0:32:31.520 --> 0:32:34.760
<v Speaker 1>people make, catchy songs or what makes TikTok so addictive.

0:32:35.400 --> 0:32:38.440
<v Speaker 1>But also as much as the music industry makes it

0:32:38.520 --> 0:32:42.160
<v Speaker 1>seem like TikTok was this accidental hit maker, Alex is

0:32:42.200 --> 0:32:45.120
<v Speaker 1>saying that all this was planned from the start, that

0:32:45.200 --> 0:32:49.440
<v Speaker 1>TikTok launches hit song after hit song by design. I

0:32:49.480 --> 0:32:52.520
<v Speaker 1>spoke to Judge Alio, who worked for alex A musically

0:32:52.800 --> 0:32:56.680
<v Speaker 1>back before it was folded into TikTok. She says, they

0:32:56.680 --> 0:32:59.720
<v Speaker 1>put an enormous effort into winning over the music industry.

0:33:00.360 --> 0:33:03.520
<v Speaker 1>We negotiated deals of basically all the big record labels,

0:33:03.520 --> 0:33:07.320
<v Speaker 1>the ones I remember our Warner and UM Universal. Yeah,

0:33:07.360 --> 0:33:10.680
<v Speaker 1>so I think UM. At the beginning, they just didn't

0:33:10.760 --> 0:33:12.360
<v Speaker 1>understand it. They're like, why are you guys doing these

0:33:12.440 --> 0:33:15.600
<v Speaker 1>fifting seconds you know, music clips, Like what is what

0:33:15.800 --> 0:33:17.520
<v Speaker 1>is this? That they didn't understand what was going on

0:33:17.520 --> 0:33:20.200
<v Speaker 1>because it was such a new format by Dance inherited

0:33:20.280 --> 0:33:23.880
<v Speaker 1>all these relationships with the record companies when they purchased musically,

0:33:24.560 --> 0:33:27.160
<v Speaker 1>and they became just one more way for Bye Dances

0:33:27.200 --> 0:33:32.560
<v Speaker 1>CEO John gi Ming to buy power and influence in America. Initially,

0:33:32.960 --> 0:33:36.720
<v Speaker 1>music executives were skeptical about doing business with Eiming and

0:33:36.800 --> 0:33:40.600
<v Speaker 1>Bye Dance because it was a Chinese company, and China

0:33:40.880 --> 0:33:45.240
<v Speaker 1>was notorious for stealing intellectual property, including ripping off music.

0:33:45.600 --> 0:33:49.000
<v Speaker 1>You know, I think there was some natural skepticism of like, hey,

0:33:49.120 --> 0:33:52.160
<v Speaker 1>can we trust these guys. You know what's going to happen.

0:33:52.720 --> 0:33:56.840
<v Speaker 1>We've had issues in China with with intellectual property. That's

0:33:56.880 --> 0:33:59.480
<v Speaker 1>John Boyd Bolton. He was the American guy in the

0:33:59.560 --> 0:34:03.000
<v Speaker 1>room presenting Bite Dance, so it was his job to

0:34:03.160 --> 0:34:05.880
<v Speaker 1>quell the fears from the record labels. You know, there

0:34:05.960 --> 0:34:09.239
<v Speaker 1>was a lot of just trying to reassure the industry

0:34:09.280 --> 0:34:12.360
<v Speaker 1>that these are good guys. They're they're trying to do

0:34:12.400 --> 0:34:15.960
<v Speaker 1>the right thing. You know, they're American investors insist on it.

0:34:16.000 --> 0:34:18.319
<v Speaker 1>Otherwise they won't they won't have a successful business if

0:34:18.320 --> 0:34:21.040
<v Speaker 1>they don't do this right. And John's reassurance has worked.

0:34:21.640 --> 0:34:24.920
<v Speaker 1>TikTok has now launched the careers of a generation of artists.

0:34:25.360 --> 0:34:29.719
<v Speaker 1>It's so influential that record labels, brands and advertisers, so

0:34:29.880 --> 0:34:32.480
<v Speaker 1>they can no longer turn away from TikTok, even if

0:34:32.480 --> 0:34:36.160
<v Speaker 1>they don't quite understand it. Here's tark alham Dooney, an

0:34:36.200 --> 0:34:39.120
<v Speaker 1>executive at our c A, the label that signed Flow Millie.

0:34:39.480 --> 0:34:41.640
<v Speaker 1>We've never seen this before, and I and I and

0:34:41.680 --> 0:34:45.279
<v Speaker 1>I haven't seen it consistently from any platform ever. We're

0:34:45.320 --> 0:34:47.480
<v Speaker 1>just over and over and over again. Kids are able

0:34:47.520 --> 0:34:51.080
<v Speaker 1>to take records and turn them into hits. After the

0:34:51.160 --> 0:34:55.160
<v Speaker 1>music industry fully embraced TikTok, it was like the company

0:34:55.239 --> 0:34:59.680
<v Speaker 1>had arrived. The gatekeepers of American pop culture determined that

0:34:59.760 --> 0:35:02.920
<v Speaker 1>tick talk was in. But I want to bring up

0:35:02.960 --> 0:35:07.160
<v Speaker 1>something bitter sweet here. Just as TikTok's growth was exploding,

0:35:07.760 --> 0:35:10.279
<v Speaker 1>Alex Jew decides to take a leave of absence from

0:35:10.280 --> 0:35:13.520
<v Speaker 1>the company. He told his co workers, I need some

0:35:13.600 --> 0:35:15.800
<v Speaker 1>time off. I'll let you know when I come back.

0:35:16.600 --> 0:35:20.080
<v Speaker 1>Alex had achieved this massive success. He sold his start

0:35:20.160 --> 0:35:22.840
<v Speaker 1>up and made a lot of money. His theories about

0:35:22.880 --> 0:35:26.880
<v Speaker 1>stardom and music turned into a profitable business model. But

0:35:27.040 --> 0:35:31.280
<v Speaker 1>still he felt aimless and exhausted. He needed a break.

0:35:32.360 --> 0:35:34.640
<v Speaker 1>He later told The New York Times that he spent

0:35:34.680 --> 0:35:37.480
<v Speaker 1>these months clubbing in Shanghai and listening to a lot

0:35:37.520 --> 0:35:42.080
<v Speaker 1>of jazz. In Alex's absence, TikTok mostly answered to the

0:35:42.120 --> 0:35:45.680
<v Speaker 1>Bye Dance execs in Beijing and the CEO, John Yu Ming,

0:35:46.520 --> 0:35:49.560
<v Speaker 1>and TikTok seemed to fulfill you means wish his social

0:35:49.600 --> 0:35:53.279
<v Speaker 1>media platform had won over the world. But this very

0:35:53.360 --> 0:35:57.440
<v Speaker 1>powerful app had a very large dark side. Because for

0:35:57.520 --> 0:36:00.480
<v Speaker 1>all the fun people were having on TikTok, there were

0:36:00.520 --> 0:36:03.280
<v Speaker 1>plenty of murky corners of the app filled with videos

0:36:03.320 --> 0:36:08.279
<v Speaker 1>about anorexia, bullying, in sexual exploitation of the very young

0:36:08.360 --> 0:36:11.560
<v Speaker 1>kids who were on the app, And because of the

0:36:11.560 --> 0:36:16.080
<v Speaker 1>way TikTok's highly personalized algorithms work, it was extremely hard

0:36:16.120 --> 0:36:18.680
<v Speaker 1>for parents and regulators to track what was going on

0:36:19.360 --> 0:36:22.520
<v Speaker 1>and what kids were being exposed to on TikTok. We'll

0:36:22.520 --> 0:36:32.840
<v Speaker 1>tell you more about that next time on Foundering. Foundering

0:36:32.920 --> 0:36:36.560
<v Speaker 1>is hosted by me Shelley Banjo, Sean wyn Is, our

0:36:36.560 --> 0:36:41.440
<v Speaker 1>executive producer, Lucas Shaw, Sarah Fryar, Tom Giles, and Isabel

0:36:41.520 --> 0:36:45.640
<v Speaker 1>Lee contributed reporting to this episode. Special thanks to Mark

0:36:45.640 --> 0:36:50.600
<v Speaker 1>Bergen and Champion quant Raymondo is our audio engineer, Molly

0:36:50.680 --> 0:36:54.879
<v Speaker 1>Nugent is our associate producer. Our story editors are Mark

0:36:54.960 --> 0:36:59.360
<v Speaker 1>Million and Vander May and Alistair Barr. Francesca Levi is

0:36:59.400 --> 0:37:02.680
<v Speaker 1>the head of bloom Work Podcasts. Be sure to subscribe

0:37:02.920 --> 0:37:06.440
<v Speaker 1>and if you like our show, leave a review. Most importantly,

0:37:06.719 --> 0:37:08.719
<v Speaker 1>tell your friends see you next time.