WEBVTT - The Dog's Instinct

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<v Speaker 1>From Hollywood. See you. Thank you for listening to US

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<v Speaker 1>Air with Ryan Seacrest. Thanks for having a son. Do

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<v Speaker 1>you know what I find my weekends are. I mean,

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<v Speaker 1>you guys live well, say you guys Sydney, you live

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<v Speaker 1>with a busy family. My family is all over the place. Tanya,

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<v Speaker 1>your family is not living with you got your boyfriend.

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<v Speaker 1>But I find that my weekends have now become planning

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<v Speaker 1>for the family for things that are kind of come

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<v Speaker 1>up this summer and the holidays. Like every weekend is

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<v Speaker 1>my mother trying to get us all on a three

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<v Speaker 1>way emerge call to discuss plans for summer right now.

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<v Speaker 1>But that's good because she knows how busy you are

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<v Speaker 1>during the week so she's respecting that. She doesn't want

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<v Speaker 1>to bother you Monday to Friday. Not no, no. I've

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<v Speaker 1>actually told them can we do this on Saturday? Because

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<v Speaker 1>they're like, can we talk tonight Tuesday? Exactly? That's my

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<v Speaker 1>point and so like that, I you can't plan anything

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<v Speaker 1>with me Monday to the Friday either. It's like it's

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<v Speaker 1>too chaotic, so like Saturday at the time to really

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<v Speaker 1>think about like what's our future, what are we gonna

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<v Speaker 1>do for the next few months our future. I'm inviting

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<v Speaker 1>Flora to come with me on my August break, my

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<v Speaker 1>August true, that's you and her parents can come too.

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<v Speaker 1>I was gonna say if anybody else invited, they'd rather

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<v Speaker 1>if they really trusted that Flora let me go. Wine

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<v Speaker 1>taste would be amazing, right, I think she would be great. Yeah,

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<v Speaker 1>have a different times of grape fruit juices like she

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<v Speaker 1>has orange. She's gonna learn. Flora's gonna learn how to

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<v Speaker 1>press olive oil by the time she's Oh my god, No,

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<v Speaker 1>you need to trust that, ton You need to trust that.

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<v Speaker 1>It's so good. Do you know what my boyfriend wants

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<v Speaker 1>to do over the summer. Oh my gosh, I'm dying

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<v Speaker 1>to know. He wants to go to Greece. No, he

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<v Speaker 1>wants to do a rent some sort of r V

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<v Speaker 1>and do a cross country America tour that I think

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<v Speaker 1>it's brilliant. I'm doing a campaiing trip for the first

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<v Speaker 1>time this year. Oh my gosh, it's so fun. Do

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<v Speaker 1>I know a lot of the spots? Oh yeah, I

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<v Speaker 1>know a lot of spots because I read a lot

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<v Speaker 1>of articles about the top spots to stop when you do.

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<v Speaker 1>I don't know idols in my feed and idol, but

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<v Speaker 1>it comes into my feet like all these road trip

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<v Speaker 1>across the country spot it just seems like a lot

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<v Speaker 1>to plan. It's like where do you a wart? And

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<v Speaker 1>you kind of plan, but don't you go plan spur

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<v Speaker 1>the moment. I love it, So you're not into it? Well, no,

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<v Speaker 1>he's so into it that I'm like into it because

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<v Speaker 1>he's into it. But it seems like a hella baloo

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<v Speaker 1>to plan. I just I like to know where I'm sleeping,

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<v Speaker 1>you know, like where do you where do you pull over?

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<v Speaker 1>You can just pull over on the side of the room,

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<v Speaker 1>like rest stops or r V places that how do

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<v Speaker 1>you know where all those? Yeah, you figure it out.

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<v Speaker 1>We're doing um Hume Lake for a week in June.

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<v Speaker 1>I don't want to point this out, but you've kind

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<v Speaker 1>of been a little bo humbug about things, you know,

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<v Speaker 1>on Friday. We're trying to give you good ideas. Don't

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<v Speaker 1>like road trips. I don't know I like the road trip.

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<v Speaker 1>I just I don't know how you do it, Like logistically,

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<v Speaker 1>you runt the RV. You'd get in it and go

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<v Speaker 1>to the first stop, and that I'm excited about. That's

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<v Speaker 1>your job have Robbie planning the rest. Well, I missed

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<v Speaker 1>you guys, Good to see you, welcome back. I was

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<v Speaker 1>excited to start today. I am excited. You know why.

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<v Speaker 1>I'm gonna tell you why. I've been rehearsing it. I've

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<v Speaker 1>been practicing it. Ladies and gentlemen, Ladies and gentlemen. It's time.

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<v Speaker 1>It's time for the Wango Tango announcement coming up starring

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<v Speaker 1>and then I'll give you the list. But I'm gonna

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<v Speaker 1>do that seven. How would you like that delivery? I

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<v Speaker 1>think it was good. I think we can work on it,

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<v Speaker 1>but also like I think it's already done and it

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<v Speaker 1>might not be you. Yeah, they send me all these

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<v Speaker 1>notes to do it. There tending your notes to for

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<v Speaker 1>like make sure that it's you know, you announce it

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<v Speaker 1>like play the everybody says, listen to Ryan Seacrest seven

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<v Speaker 1>the right Seacrest. Yes. Then that's why I'm practicing saying

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<v Speaker 1>it at seven. What's the big deal? Is it not

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<v Speaker 1>me doing it at seven marks? No, it's already produced,

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<v Speaker 1>it's done. It's big. It's who we internally. I used

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<v Speaker 1>to be able to do all this stuff. What happened?

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<v Speaker 1>I remember one year I had you do it, and

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<v Speaker 1>they got mad at me, so you have to. I

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<v Speaker 1>think it mad. I've been listening all weekend where they

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<v Speaker 1>say tune into me to do it at seven. So

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<v Speaker 1>because you are you are on the air, this are

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<v Speaker 1>you and episode no good here, I don't get to

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<v Speaker 1>do the announcements. First of all, this is the same

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<v Speaker 1>thing last year. It's not anything new. We didn't have

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<v Speaker 1>it last year, so technically you're not whatever. Tango Tango

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<v Speaker 1>is now a national show, so it's not just a

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<v Speaker 1>Kiss specific show. So why did they send me script

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<v Speaker 1>to read at seven o'clock? I think that's just your lineup?

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<v Speaker 1>Let me see. Gets ready. Oh yeah, it's not me,

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<v Speaker 1>that's not you. I'll playing that at seven. Get ready

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<v Speaker 1>for it. He says, don't miss the lineup. Ryan Seacrest

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<v Speaker 1>has the lineup. Listen to Ryan Secret at seven am.

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<v Speaker 1>Well that I heard that as me, thought I'd better

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<v Speaker 1>study up because it says you know, and I'll be honest,

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<v Speaker 1>I thought that you would just do it for Kiss

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<v Speaker 1>in general. Because thus, but when you listen to the

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<v Speaker 1>radio and you're the person they're talking about and they

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<v Speaker 1>say your name is gonna do the thing at seven,

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<v Speaker 1>you think, oh, I better get the names of the

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<v Speaker 1>people are going to be there. So I got him.

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<v Speaker 1>But clearly I can just read him to myself because

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<v Speaker 1>I'm gonna play this. Get ready, let's do it. That's

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<v Speaker 1>the voice you're gonna hear. That guy's voice is really cool.

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<v Speaker 1>So go Summer starts at kiss evans, wingo, tingo. That's

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<v Speaker 1>definitely not me, all right, that guy bench Just because

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<v Speaker 1>his voice is big doesn't mean his chest is. I'm

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<v Speaker 1>just well anyway, A good news is you kind of

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<v Speaker 1>know part of the announcement right there, and that's at

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<v Speaker 1>seven coming back. I got Ryan's roses. After seven, I'll

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<v Speaker 1>be doing that, actually technically I will. I'm happy to

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<v Speaker 1>take a Monday off. So the Wango Tango announcement, Wango

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<v Speaker 1>Tango two, it's back. It's coming up one to a

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<v Speaker 1>lot of I'm looking at all. There are is a

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<v Speaker 1>lot of good artists coming up seven o'clock this morning.

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<v Speaker 1>Stand by, all right, Chania, you have a new ritual

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<v Speaker 1>I do so. One of my girlfriends gave me this stone.

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<v Speaker 1>This uh it's called flower Got day Flower Get This

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<v Speaker 1>is the stone And what I do with it for

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<v Speaker 1>five minutes every day is I put it up to

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<v Speaker 1>my heart, and it's supposed to be the stone of

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<v Speaker 1>self growth, motivation, passion that helps you reach your highest potential.

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<v Speaker 1>So it's basically helps you get rid of imposter syndrome.

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<v Speaker 1>And I just put it up to my heart every

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<v Speaker 1>day for five minutes either usually not in the morning.

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<v Speaker 1>Can you describe the stone just so people can get

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<v Speaker 1>an idea of what is you're holding into your heart. Yeah,

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<v Speaker 1>it's pretty large. It's like the size of my palm.

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<v Speaker 1>It's in the shape of a heart, and it's kind

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<v Speaker 1>of like beautiful gray, and um, is it natural? Does

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<v Speaker 1>it come like that? Yeah, it comes like it looks

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<v Speaker 1>like granny and they shape it. Yeah, but it's really

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<v Speaker 1>beautiful and it's healing. And I've been doing it every

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<v Speaker 1>day for five minutes and I think it's working. It

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<v Speaker 1>seems like a long time to have to hold it

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<v Speaker 1>up against Also, it seems like very heavy to carry

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<v Speaker 1>around every day. Yeah, I put in my hat, just

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<v Speaker 1>have it with me at all times because it's supposed

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<v Speaker 1>to for five minutes. What you do is you kind

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<v Speaker 1>of think about all those self doubt and all those things,

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<v Speaker 1>kind of just like leaving your body. But if like

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<v Speaker 1>the heart makers should have made a smaller heart to

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<v Speaker 1>make it more mobile. It's very big to transport. Yeah,

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<v Speaker 1>I know, actually know somebody that puts little rocks in

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<v Speaker 1>their bras, like if they need help with things throughout

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<v Speaker 1>the day, they'll like put those stones in their bra

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<v Speaker 1>That's the first time I've heard of that, isn't he

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<v Speaker 1>That is the second time I've heard of that, because

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<v Speaker 1>Tanya told me that earlier, and I like, if you're

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<v Speaker 1>going into a job interview, this would be a great

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<v Speaker 1>like stone to have in your bra. Well, no, there's

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<v Speaker 1>a smaller one, smaller sized one of these, like a

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<v Speaker 1>little baby one of these. Just put it in your

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<v Speaker 1>bra so it's there and it gets rid of all

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<v Speaker 1>yourself down. I understand the stone energy and all that,

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<v Speaker 1>but I guess I don't understand it. Isn't it just

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<v Speaker 1>the same thing as caring a rabbit's foot exactly? It's like,

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<v Speaker 1>why would you take as a rabbit you bring good luck?

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<v Speaker 1>Good luck rabbit? No, it sounds gross and inhumane. It's

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<v Speaker 1>not a real rabbit. Oh, it's just a piece of

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<v Speaker 1>like made up for on a key chain you put

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<v Speaker 1>in your pocket for good luck. What's significance of that

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<v Speaker 1>I think that there's like a disconnect sometimes with like

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<v Speaker 1>like Tanya is not that much younger than me, but

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<v Speaker 1>I feel like there's and then and I'm and you're

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<v Speaker 1>not that much older than me. Right, Like, here's a

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<v Speaker 1>degenerate show gaps sometimes between the two of us and you.

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<v Speaker 1>A rabbit spoot was like a rabbit's foot was such

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<v Speaker 1>a thing, and like the eighties and early nineties, like

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<v Speaker 1>I feel like every kid had a rabbit's foot attached

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<v Speaker 1>their backpack. I'm gonna tell you the story of the

0:09:12.920 --> 0:09:15.040
<v Speaker 1>rabbit's foot right now. In some cultures, the foot of

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<v Speaker 1>a rabbit is carried as uh something to bring good luck.

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<v Speaker 1>The belief is held by individuals in a great number

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<v Speaker 1>places around the world Europe, China, Africa, and North and

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<v Speaker 1>South America. Yeah, I had one in high in in

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<v Speaker 1>like elementary school on my backpack. These are not real

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<v Speaker 1>rabbit's feet. They're actually imposters made from latex covered in die.

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<v Speaker 1>Also like what's latex and fake for doing for you?

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<v Speaker 1>It's supposed to give you good luck. It's a token

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<v Speaker 1>of good luck, reminds the owner to be courageous in

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<v Speaker 1>adverse situation. So it's really doing the same thing as

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<v Speaker 1>your heart mills hokey, and it doesn't weigh anything. Well,

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<v Speaker 1>so does that feel this is the stone girl from

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<v Speaker 1>the Earth's walking around with a huge rock in your purse.

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<v Speaker 1>All right, let's talk later. Okay, guys, please, we'd just

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<v Speaker 1>started your morning hack is next. So we think this

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<v Speaker 1>is good stuff at the grocery store, but I guess

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<v Speaker 1>employees think it's not good. It's rude. One adding your

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<v Speaker 1>cart to the train and employees already pushing a long

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<v Speaker 1>train of carts back, and if you had another one,

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<v Speaker 1>it kind of throws off their math, like, oh, I

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<v Speaker 1>would never do that. Actually. The train, Yeah, I feel

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<v Speaker 1>like it's already all connected. I kind of always a kid,

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<v Speaker 1>always sound. It was so cool the train, the cart

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<v Speaker 1>train and how you could move around. All right. Another

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<v Speaker 1>thing that we think is good, they think it's rude

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<v Speaker 1>putting things back where they belong. You find milk in

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<v Speaker 1>the bread aisle, so you put it back with the milk,

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<v Speaker 1>but you don't know how long it's been out, so

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<v Speaker 1>it's not a good idea. You think you're doing a

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<v Speaker 1>good a good deed and trying to clean up. If

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<v Speaker 1>you spill, you spill it happens. They have the supplies

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<v Speaker 1>to take care of it. Just let someone deal with it.

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<v Speaker 1>Don't clean it up yourself. Excuse me, grocery people know

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<v Speaker 1>it's I mean, it makes sense like we're trying to

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<v Speaker 1>do good, but we're getting in their way basically. But

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<v Speaker 1>these times I wonder, you know what I always do

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<v Speaker 1>when I'm like at Macy's or shopping or something like that.

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<v Speaker 1>I re racked the clothes. Like if if it's falling

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<v Speaker 1>off the hangar, I fix it because it just drives

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<v Speaker 1>me nuts that the clothes is just falling off. Is

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<v Speaker 1>very appreciative effect. Okay, thought, so thank you. All right.

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<v Speaker 1>Today's quote when you find yourself trying to prove your worth,

0:11:18.160 --> 0:11:23.559
<v Speaker 1>you have forgotten your value. On air with Ryan Secrets,

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<v Speaker 1>I'm gonna get you the Whango Tango announcement. First, the

0:11:28.760 --> 0:11:30.800
<v Speaker 1>headline sistening what do you have this morning? Let's talk

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<v Speaker 1>about the Grammys. Obviously, they took place in Las Vegas

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<v Speaker 1>last night. It was the first time ever that the

0:11:36.679 --> 0:11:41.480
<v Speaker 1>Grammys in their sixty four year history were in Las Vegas,

0:11:41.520 --> 0:11:43.920
<v Speaker 1>so that was kind of a big deal. John Batiste,

0:11:43.920 --> 0:11:47.640
<v Speaker 1>Olivia Rodrigo, Silk Sonic each took home the Big Prizes.

0:11:47.720 --> 0:11:50.840
<v Speaker 1>Last night. John Battiste, the most nominated artist of the year,

0:11:50.920 --> 0:11:54.240
<v Speaker 1>won five awards out of his eleven nominations, including Album

0:11:54.280 --> 0:11:57.440
<v Speaker 1>of the Year. Four we Are Silk Sonic notched wins

0:11:57.480 --> 0:11:59.520
<v Speaker 1>for Song and Record of the Year for their hit

0:11:59.600 --> 0:12:02.600
<v Speaker 1>song Eave the Door Open and Olivia Rodrigo. We knew

0:12:02.640 --> 0:12:04.880
<v Speaker 1>she was gonna be the one to beat. Olivia Rodrigo

0:12:04.920 --> 0:12:08.679
<v Speaker 1>to com prizes for Best New Artist, Pop Vocal Album

0:12:08.760 --> 0:12:11.280
<v Speaker 1>and Pop Solo Performance on the strength of her massive

0:12:11.320 --> 0:12:15.360
<v Speaker 1>single Driver's License and her debut album Sour Shoutout to

0:12:15.400 --> 0:12:17.640
<v Speaker 1>Dojakat and Scissor as well. They won for Best Pop

0:12:17.679 --> 0:12:20.600
<v Speaker 1>Performance by a Duel or Group for kiss Me More

0:12:21.600 --> 0:12:27.400
<v Speaker 1>on air with Ryan Seacrest, all Right, listen to this,

0:12:28.800 --> 0:12:32.720
<v Speaker 1>get Ready, Let's do It so Cows. Summer starts at

0:12:32.840 --> 0:12:45.840
<v Speaker 1>Kiss FMS, Wingo Tingo two starring Sean Mande Yea Say

0:12:48.080 --> 0:13:04.120
<v Speaker 1>Some chame Smokers, Welcome You, Ricky g mac Lee, Poop Hello,

0:13:08.040 --> 0:13:24.800
<v Speaker 1>five Seconds of Summer, Tait mccraig, Lords and Spencer Smith

0:13:28.440 --> 0:13:32.640
<v Speaker 1>gild You ever get a Little Bit Um by Whole

0:13:33.520 --> 0:13:40.920
<v Speaker 1>and a special performance by Diplow at DUSKS Kiss FM.

0:13:41.080 --> 0:13:47.400
<v Speaker 1>Swingo Tango June four, Any Kiss Club v I p s.

0:13:47.600 --> 0:13:50.160
<v Speaker 1>You get the first shot of tickets Thursday morning, it's

0:13:50.200 --> 0:13:52.800
<v Speaker 1>head tickets on sale to the world of Friday morning

0:13:52.840 --> 0:13:57.160
<v Speaker 1>at tend at k I s FM dot com. It's

0:13:57.200 --> 0:14:02.480
<v Speaker 1>good Girl guests. Who's with us next? Sean Mendez? And

0:14:02.679 --> 0:14:06.800
<v Speaker 1>Sean has great timing because he's on the telephone as

0:14:06.920 --> 0:14:11.600
<v Speaker 1>his song is ending, very punky, very very good timing.

0:14:11.960 --> 0:14:14.800
<v Speaker 1>How are you, Sean. I'm good. I've got it, got

0:14:14.840 --> 0:14:18.520
<v Speaker 1>good instinct. I think I think you've got that down.

0:14:18.600 --> 0:14:21.040
<v Speaker 1>I think you've got instinct down. So, first of all,

0:14:21.360 --> 0:14:24.120
<v Speaker 1>a lot of excitement here because we're gonna get to

0:14:24.200 --> 0:14:28.520
<v Speaker 1>see you on stage live at the show. I'm excited. Man.

0:14:28.560 --> 0:14:31.920
<v Speaker 1>It's always a really great show. Well, it's kind of cool,

0:14:32.480 --> 0:14:35.400
<v Speaker 1>uh you know that so many different artists say yes

0:14:35.480 --> 0:14:37.520
<v Speaker 1>to do it and you can get a chance to

0:14:37.600 --> 0:14:39.880
<v Speaker 1>hear all your favorite songs. Really, it's like listening to

0:14:39.960 --> 0:14:44.520
<v Speaker 1>a live playlist of the radio station. It's truly but

0:14:44.600 --> 0:14:47.840
<v Speaker 1>it as it also feels very natural. It doesn't feel

0:14:47.880 --> 0:14:49.600
<v Speaker 1>like a forest thing at all. It just feels really

0:14:49.680 --> 0:14:54.120
<v Speaker 1>fun and really organic. So I always really enjoy that

0:14:54.480 --> 0:14:57.160
<v Speaker 1>show so much. So I'm gonna get to your tour

0:14:57.400 --> 0:15:00.680
<v Speaker 1>in a second. But I'm listening to the rics of

0:15:01.080 --> 0:15:05.720
<v Speaker 1>that song, and I know, obviously you're no longer with

0:15:05.960 --> 0:15:08.480
<v Speaker 1>your girlfriend at the time, maybe when you wrote it,

0:15:08.520 --> 0:15:10.160
<v Speaker 1>or maybe you were going through the breakup with Camila.

0:15:10.440 --> 0:15:13.200
<v Speaker 1>When did you put when did you put those thoughts

0:15:13.560 --> 0:15:17.280
<v Speaker 1>to paper? This is about a month I think after

0:15:17.360 --> 0:15:20.360
<v Speaker 1>we split up. And yeah, I think it's really just

0:15:21.680 --> 0:15:25.440
<v Speaker 1>the processing and the complexities of that, the complexities of

0:15:25.920 --> 0:15:28.760
<v Speaker 1>knowing something is better and still wanting to hold on

0:15:28.920 --> 0:15:33.280
<v Speaker 1>and kind of all the reasons why. And yeah, I'm

0:15:33.320 --> 0:15:37.040
<v Speaker 1>really glad to be able to just be real and

0:15:37.160 --> 0:15:40.400
<v Speaker 1>be be authentic with my music because it's cathartic for

0:15:40.480 --> 0:15:42.360
<v Speaker 1>me to to be able to write about these things.

0:15:42.400 --> 0:15:44.960
<v Speaker 1>And then it's amazing because I get to hear how

0:15:45.040 --> 0:15:48.280
<v Speaker 1>people are possibly going through the same thing. So I'm

0:15:48.560 --> 0:15:52.400
<v Speaker 1>happy about this one. It's something we all certainly here

0:15:52.560 --> 0:15:55.640
<v Speaker 1>can relate to. Its funny something I get. I get scared.

0:15:56.240 --> 0:15:59.000
<v Speaker 1>You guys were together and you were so happy. I

0:15:59.120 --> 0:16:02.920
<v Speaker 1>get scared when I get so happy, because I just

0:16:03.080 --> 0:16:04.680
<v Speaker 1>worried that if I have to go through a breakup,

0:16:04.720 --> 0:16:06.600
<v Speaker 1>I'm not strong enough to go through it, you know.

0:16:06.720 --> 0:16:10.880
<v Speaker 1>It's hard. M hmm, yeah, I totally understanding. I think

0:16:11.240 --> 0:16:14.960
<v Speaker 1>I think most people have that fere um. But in

0:16:15.080 --> 0:16:17.520
<v Speaker 1>a lot of ways, I think a breakup can be

0:16:17.560 --> 0:16:19.320
<v Speaker 1>a blessing too, because it can really kind of show

0:16:19.360 --> 0:16:23.840
<v Speaker 1>you that you are, which is necessary, you know. So yeah,

0:16:24.280 --> 0:16:27.960
<v Speaker 1>and you guys have stayed friendly, so friendly. I mean,

0:16:28.640 --> 0:16:31.320
<v Speaker 1>I love communities for so many years and that that's

0:16:31.360 --> 0:16:33.320
<v Speaker 1>never going to change. So I mean, she'll be there too,

0:16:33.480 --> 0:16:35.640
<v Speaker 1>So you guys are both do the same show. There

0:16:35.720 --> 0:16:38.480
<v Speaker 1>you go, There you go. You kind of a cameo

0:16:38.840 --> 0:16:40.240
<v Speaker 1>could come out on one of her songs, she can

0:16:40.280 --> 0:16:41.720
<v Speaker 1>come out on one of yours. That's what I was

0:16:41.800 --> 0:16:43.360
<v Speaker 1>thinking that I didn't want to say it or put

0:16:43.400 --> 0:16:45.720
<v Speaker 1>pressure on Sean, But what do you think I wouldn't.

0:16:45.800 --> 0:16:47.800
<v Speaker 1>I wouldn't be surprised. I wouldn't. I wouldn't put it

0:16:47.840 --> 0:16:52.520
<v Speaker 1>past us. Okay, that would be sweet. All right, let's

0:16:52.560 --> 0:16:55.840
<v Speaker 1>talk about this World tour. The Wonder World Tour tickets

0:16:55.920 --> 0:16:58.360
<v Speaker 1>on sale now at ticketmaster dot com. But you're taken

0:16:58.440 --> 0:17:01.840
<v Speaker 1>on the globe. Huh Yeah, we're back out there. We

0:17:01.920 --> 0:17:04.240
<v Speaker 1>have I think over a hundred and ten shows around

0:17:04.240 --> 0:17:12.000
<v Speaker 1>the world. Overwhelming. I know it's exciting, but it's overwhelming old.

0:17:16.320 --> 0:17:19.000
<v Speaker 1>It is a lot of shows. It's completely overwhelming, but

0:17:19.200 --> 0:17:24.640
<v Speaker 1>it's very exciting. It's it's it's um it's completely bizarre

0:17:25.520 --> 0:17:28.480
<v Speaker 1>that I even have the ability to be able to

0:17:28.600 --> 0:17:31.960
<v Speaker 1>travel around the world and play shows to that many people. UM.

0:17:32.520 --> 0:17:35.080
<v Speaker 1>So I try to just take it, take it as

0:17:35.119 --> 0:17:37.639
<v Speaker 1>it comes, and just remember that, you know, this doesn't

0:17:37.680 --> 0:17:40.240
<v Speaker 1>come to many people in their lives, so it's a

0:17:40.280 --> 0:17:46.160
<v Speaker 1>good perspective. It's incredible another country whose language first language

0:17:46.320 --> 0:17:49.440
<v Speaker 1>isn't English and they're singing your lyrics back to you.

0:17:50.720 --> 0:17:54.200
<v Speaker 1>I think that's always been the most um, the most

0:17:54.520 --> 0:17:57.879
<v Speaker 1>the most attractive thing to this entire career to me

0:17:58.240 --> 0:18:02.159
<v Speaker 1>was was being able to try fly, you know, twenty

0:18:02.200 --> 0:18:05.960
<v Speaker 1>two hours across the world and people sing the same

0:18:06.080 --> 0:18:09.280
<v Speaker 1>song and in the same way. I mean, it's real.

0:18:09.359 --> 0:18:11.240
<v Speaker 1>It really kind of makes the world feel small and

0:18:11.359 --> 0:18:14.000
<v Speaker 1>it connects everybody, and that's like the thing that I

0:18:14.119 --> 0:18:17.240
<v Speaker 1>feel most addicted to. It really is the beauty of music.

0:18:17.520 --> 0:18:22.240
<v Speaker 1>It's been so interesting to listen to your music first

0:18:22.280 --> 0:18:24.520
<v Speaker 1>time we ever met, years and years ago, to hear

0:18:24.600 --> 0:18:27.480
<v Speaker 1>your music then and hear your music now, and just

0:18:27.680 --> 0:18:32.920
<v Speaker 1>the growth in the authenticity and the vulnerability you really

0:18:32.960 --> 0:18:36.000
<v Speaker 1>get a sense of it. Sean, thanks a lot of man.

0:18:36.080 --> 0:18:38.119
<v Speaker 1>I really appreciate that, man. I mean I think I

0:18:38.200 --> 0:18:41.800
<v Speaker 1>think like, as a kid, you're so scared of being

0:18:42.440 --> 0:18:45.560
<v Speaker 1>judged and critiqued in any way. Um, and then through

0:18:45.640 --> 0:18:48.360
<v Speaker 1>so many instances and through so many songs, I've really

0:18:48.480 --> 0:18:51.720
<v Speaker 1>learned that the more vulnerable I am, the more authentic

0:18:51.800 --> 0:18:54.880
<v Speaker 1>I am, the better the response. The better the reaction,

0:18:55.000 --> 0:18:57.520
<v Speaker 1>the better the connection. So it's kind of a win

0:18:57.600 --> 0:19:00.480
<v Speaker 1>win situation because I get to say what I truly

0:19:00.520 --> 0:19:02.920
<v Speaker 1>want to say, and then people end up connecting away

0:19:02.960 --> 0:19:06.320
<v Speaker 1>it better anyway. You know, it's true, and the challenges

0:19:06.560 --> 0:19:10.040
<v Speaker 1>in life are usually some of the most universal things

0:19:10.200 --> 0:19:17.200
<v Speaker 1>that people can relate to a hundred percent. Sean Men does. Gosh,

0:19:17.359 --> 0:19:20.639
<v Speaker 1>he just sounds so relaxed. I need to I need

0:19:20.680 --> 0:19:23.240
<v Speaker 1>to have some men does vibes because I am high,

0:19:23.720 --> 0:19:26.720
<v Speaker 1>high strung Sean, I am high. Yeah, he brought us down.

0:19:26.960 --> 0:19:28.960
<v Speaker 1>I mean it's like it's like I just lit a

0:19:29.040 --> 0:19:31.080
<v Speaker 1>candle and dim the lights in here with that totally

0:19:32.400 --> 0:19:35.000
<v Speaker 1>you you do. You do a lot, man, You guys

0:19:35.119 --> 0:19:37.560
<v Speaker 1>do a lot. You listen, you're up with like six

0:19:37.760 --> 0:19:40.960
<v Speaker 1>five am probably every morning, straight onto the radio like

0:19:41.160 --> 0:19:44.320
<v Speaker 1>typing people up. You know it's yes, so we're expected

0:19:44.359 --> 0:19:47.119
<v Speaker 1>to be high. We should be all wounded up. Oh

0:19:47.200 --> 0:19:52.040
<v Speaker 1>my third cup of coffee. Take copy by seven am.

0:19:52.080 --> 0:19:55.320
<v Speaker 1>That's the problem. Tickets to Wango Tango on sale to

0:19:55.440 --> 0:19:57.280
<v Speaker 1>Kiss called p I P S ten A, I'm on Thursday.

0:19:57.640 --> 0:20:00.480
<v Speaker 1>Remaining tickets sale Friday at ten then. Sean new song

0:20:00.760 --> 0:20:02.560
<v Speaker 1>when You're Gone is out now, and tickets to his

0:20:02.760 --> 0:20:07.880
<v Speaker 1>world tour are on sale now at ticketmaster dot com. Sean,

0:20:07.920 --> 0:20:10.720
<v Speaker 1>it's always a pleasure, brother. I'm glad you're doing so well.

0:20:10.880 --> 0:20:14.120
<v Speaker 1>Continue it and we'll see you soon. I really appreciate

0:20:14.160 --> 0:20:20.280
<v Speaker 1>you guys. Thanks for having me. Thanks it by. I

0:20:20.440 --> 0:20:25.480
<v Speaker 1>feel like, yeah, I might need him to just leave me.

0:20:25.520 --> 0:20:30.080
<v Speaker 1>A couple of voice notes voices yea to Ryan Ryan,

0:20:30.440 --> 0:20:34.280
<v Speaker 1>just take a breath, Just take a breath, suld one

0:20:34.320 --> 0:20:36.320
<v Speaker 1>of the voices of Headspace. Does he he should do

0:20:36.359 --> 0:20:40.080
<v Speaker 1>one of those Headspace uh with at night when you

0:20:40.160 --> 0:20:41.800
<v Speaker 1>play those put you to sleep, that relaxed you to

0:20:41.840 --> 0:20:43.520
<v Speaker 1>go to sleep. Yes, he would be great, because Harry

0:20:43.520 --> 0:20:49.639
<v Speaker 1>Styles didn't calm, okay, okay, well I use headspace all right,

0:20:50.119 --> 0:20:54.040
<v Speaker 1>just announced it, Sean Mendez, The Chain Smokers Community, Cabeo,

0:20:54.119 --> 0:20:57.359
<v Speaker 1>Becky g Charlie Pootla, five seconds of Summer, Tate mcrat Latto,

0:20:57.840 --> 0:21:02.000
<v Speaker 1>Lauren Spencer Smith, Gayale, and others including Diplo at dusk

0:21:02.760 --> 0:21:06.400
<v Speaker 1>Ourango Tango Take this one sale a kiss Coat Peas

0:21:06.400 --> 0:21:10.399
<v Speaker 1>at ten a m Thursday. All right, we have a

0:21:10.480 --> 0:21:14.400
<v Speaker 1>Ryan's roses to get to, but first a trending report.

0:21:14.720 --> 0:21:17.200
<v Speaker 1>Now re ask that question. So Cissy and I are clear,

0:21:17.840 --> 0:21:21.320
<v Speaker 1>you can't say the wrong thing to the right one.

0:21:21.920 --> 0:21:24.080
<v Speaker 1>Whenever someone says wrong and right in the same sentence,

0:21:24.119 --> 0:21:27.080
<v Speaker 1>it really confuses me. Yes, I know what it means. Okay,

0:21:27.080 --> 0:21:29.520
<v Speaker 1>go ahead, I got it. Okay, So you believe that

0:21:29.680 --> 0:21:35.600
<v Speaker 1>in that statement to be true. No, I don't. Why

0:21:35.720 --> 0:21:38.240
<v Speaker 1>the change in heart so bad because I understand it.

0:21:38.280 --> 0:21:40.720
<v Speaker 1>I just don't believe it's true. Okay. So I believe

0:21:40.760 --> 0:21:42.040
<v Speaker 1>it's true, and I'm going to prove it in this

0:21:42.160 --> 0:21:49.119
<v Speaker 1>trending report. Okay. So that condor um. We love her

0:21:49.200 --> 0:21:51.359
<v Speaker 1>from the Netflix series to all the Boys. Remember we

0:21:51.440 --> 0:21:55.880
<v Speaker 1>love her. She's recently engaged to Anthony day Lator. Why

0:21:56.000 --> 0:22:01.040
<v Speaker 1>is everybody's like, I mean, whatever does going? So? She

0:22:01.160 --> 0:22:04.080
<v Speaker 1>was opening up about her engagement and how she was

0:22:04.160 --> 0:22:06.639
<v Speaker 1>the first one to make the first move in her relationship.

0:22:06.720 --> 0:22:10.120
<v Speaker 1>So they met at the Emmys. She said, I got

0:22:10.200 --> 0:22:11.920
<v Speaker 1>his digits. First of all, I need you guys to

0:22:11.920 --> 0:22:14.720
<v Speaker 1>pay attention because this is a great idea. Um, she said,

0:22:16.920 --> 0:22:19.240
<v Speaker 1>Ryan squirting his ginger into his thing and syss like

0:22:19.400 --> 0:22:22.439
<v Speaker 1>laughing on the side of him. Second break to put

0:22:22.520 --> 0:22:24.320
<v Speaker 1>some ginger in my teeth. I need you guys to

0:22:24.359 --> 0:22:26.960
<v Speaker 1>snap it back, so she goes. I was like, oh, hey, hey, hey,

0:22:27.400 --> 0:22:29.879
<v Speaker 1>I thought of this joke, but I forgot the punchline.

0:22:29.960 --> 0:22:32.280
<v Speaker 1>Can I have your number? And when I remember it later,

0:22:32.400 --> 0:22:38.240
<v Speaker 1>I'll text you cute genius that is a genius move.

0:22:38.600 --> 0:22:40.920
<v Speaker 1>Cheesy but cute. So anyways, a half hour later she

0:22:41.040 --> 0:22:42.920
<v Speaker 1>texted the joke and it was what do you call

0:22:43.040 --> 0:22:49.840
<v Speaker 1>a pile of kittens? Amount? And all right, well I

0:22:49.880 --> 0:22:52.199
<v Speaker 1>understand it in premise, Okay. So that's what it got

0:22:52.240 --> 0:22:54.000
<v Speaker 1>me thinking, like, if somebody said that joke to me,

0:22:54.200 --> 0:22:58.680
<v Speaker 1>I would be like, yikes, I would be on the

0:22:58.760 --> 0:23:01.159
<v Speaker 1>four or five. On the right person, it's cute to

0:23:01.240 --> 0:23:03.320
<v Speaker 1>no matter what exactly. But if it's the right person,

0:23:03.359 --> 0:23:05.840
<v Speaker 1>you can't say the wrong thing. So that's exactly what

0:23:06.040 --> 0:23:09.000
<v Speaker 1>happened in this situation. You can say the wrong thing

0:23:09.160 --> 0:23:11.520
<v Speaker 1>to the right person. They can't. They're going to think

0:23:11.560 --> 0:23:14.720
<v Speaker 1>it's human. They can't in the context of something like this.

0:23:14.880 --> 0:23:16.560
<v Speaker 1>But you can certainly say the wrong thing to the

0:23:16.640 --> 0:23:19.000
<v Speaker 1>right person. That's what happens when Cecity and Michael fight.

0:23:19.800 --> 0:23:24.760
<v Speaker 1>That's true, nose. You've got to get into you ever argued, Yeah,

0:23:24.760 --> 0:23:28.000
<v Speaker 1>but that's just a disagreement. He said the wrong thing,

0:23:28.680 --> 0:23:30.639
<v Speaker 1>but it's not wrong to you. But they're the right person.

0:23:31.240 --> 0:23:33.359
<v Speaker 1>He's not said the wrong thing. You've never apologized or

0:23:33.400 --> 0:23:37.879
<v Speaker 1>something you said. Yeah, yeah, said the wrong thing. You

0:23:37.920 --> 0:23:39.840
<v Speaker 1>said the wrong thing, So you can say the wrong

0:23:39.880 --> 0:23:43.639
<v Speaker 1>thing you're talking about in like this category of conversation. Well,

0:23:43.680 --> 0:23:46.439
<v Speaker 1>I guess what I'm saying is like, no matter how cheesy,

0:23:46.480 --> 0:23:50.680
<v Speaker 1>it's cute, Yeah, got it. Yeah. I think you guys

0:23:50.720 --> 0:23:53.280
<v Speaker 1>took it a little further, which I respect and admire,

0:23:53.480 --> 0:23:57.440
<v Speaker 1>but but I don't. I don't like it. And you

0:23:57.520 --> 0:24:00.200
<v Speaker 1>guys did listen back to the beginning to act to

0:24:00.240 --> 0:24:01.680
<v Speaker 1>what I wanted you to think, you know, sis, me

0:24:01.800 --> 0:24:03.440
<v Speaker 1>and Ryan, I wanted you to think it this way.

0:24:03.480 --> 0:24:11.800
<v Speaker 1>You didn't find me for a second. I just want

0:24:11.840 --> 0:24:13.760
<v Speaker 1>to encourage anybody that's on a dating app, but they

0:24:13.800 --> 0:24:15.840
<v Speaker 1>second guess any of their texts or any of their

0:24:15.960 --> 0:24:18.399
<v Speaker 1>first moves. You can't say the wrong thing to the

0:24:18.520 --> 0:24:20.240
<v Speaker 1>right one. I mean, I guess I told Michael I

0:24:20.400 --> 0:24:23.159
<v Speaker 1>loved him after the first date, wrong dial, and that

0:24:23.280 --> 0:24:26.040
<v Speaker 1>might scare the wrong one off. We've all done the

0:24:26.160 --> 0:24:28.960
<v Speaker 1>love thing too soon, I think. But after the first

0:24:29.080 --> 0:24:32.560
<v Speaker 1>day I told you I have said, hey, what are

0:24:32.560 --> 0:24:37.280
<v Speaker 1>you doing for the next Yeah, but that's cute, Not really,

0:24:39.800 --> 0:24:44.280
<v Speaker 1>But that wouldn't have been the right one. And be like,

0:24:44.320 --> 0:24:47.080
<v Speaker 1>I got plans. But if it were the right person,

0:24:47.880 --> 0:24:51.320
<v Speaker 1>you'd say, I'd canceled my plans. Would you say what?

0:24:51.400 --> 0:24:55.160
<v Speaker 1>You'd say? Yeah? What do I pack? Where are we going?

0:24:55.240 --> 0:24:58.440
<v Speaker 1>Where we going? What do we need? Yeah? We need dogs?

0:24:58.480 --> 0:25:02.119
<v Speaker 1>That her o fun. This is what you know. It

0:25:02.280 --> 0:25:04.280
<v Speaker 1>went into a nice place, a happy place. Thank you

0:25:04.320 --> 0:25:09.639
<v Speaker 1>for letting us land there. Why don't you point seven

0:25:09.760 --> 0:25:12.400
<v Speaker 1>kiss FM? Al Right, everybody bring it on and we're

0:25:12.400 --> 0:25:15.240
<v Speaker 1>gonna get to Ryan's roses right now. I'll tell you

0:25:15.280 --> 0:25:17.840
<v Speaker 1>more about the Wango Tango lineup that I gave you.

0:25:18.119 --> 0:25:20.480
<v Speaker 1>Slash played the announcement for by the guy with a

0:25:20.520 --> 0:25:24.520
<v Speaker 1>deep voice is really not gonna let that go because

0:25:24.520 --> 0:25:26.080
<v Speaker 1>I listened to Weekend thinking I was supposed to do

0:25:26.119 --> 0:25:29.159
<v Speaker 1>it myself with my own voice, and then I played

0:25:29.200 --> 0:25:31.000
<v Speaker 1>the thing with the guy that sounds like that, maybe

0:25:31.000 --> 0:25:36.440
<v Speaker 1>we need to call you Morton now. Oh. I was

0:25:36.480 --> 0:25:38.399
<v Speaker 1>feeling a little salty from not being able to do

0:25:38.480 --> 0:25:43.440
<v Speaker 1>the I just was preparing for it, you know. I

0:25:43.520 --> 0:25:45.120
<v Speaker 1>came in, I was handed the sheet. Take it. Ready,

0:25:45.160 --> 0:25:47.560
<v Speaker 1>got to do this. Seven. You gotta do this, gotta

0:25:47.600 --> 0:25:52.560
<v Speaker 1>read these pages. At seven, it's like whatever right now,

0:25:52.680 --> 0:25:58.680
<v Speaker 1>and you're like still talking about it in six this morning. Yeah, okay,

0:26:01.280 --> 0:26:05.439
<v Speaker 1>I love guys. Guys, guys, we're losing focus too much.

0:26:05.760 --> 0:26:08.080
<v Speaker 1>I really like Tubbs is bring and switch the station

0:26:08.119 --> 0:26:11.919
<v Speaker 1>and he's the engineer. Oh he wouldn't do that. Uh,

0:26:12.080 --> 0:26:15.719
<v Speaker 1>he's over there having omelets or maybe just one. All right,

0:26:15.760 --> 0:26:19.920
<v Speaker 1>let's get to rain Roses. So here's the deal, Audrey,

0:26:20.560 --> 0:26:22.520
<v Speaker 1>right from West Covine, and my dog keeps trying to

0:26:22.600 --> 0:26:25.800
<v Speaker 1>go to the neighbor's house. She thinks that's a problem.

0:26:27.080 --> 0:26:31.560
<v Speaker 1>So Audrey, thanks for coming on, hi, and we're trying.

0:26:31.640 --> 0:26:34.040
<v Speaker 1>So your dog keeps trying to go to your neighbor's house,

0:26:34.160 --> 0:26:35.920
<v Speaker 1>what's the problem. What do you think is happening there?

0:26:36.960 --> 0:26:40.879
<v Speaker 1>I okay, I don't know exactly, but like whenever I

0:26:40.960 --> 0:26:42.840
<v Speaker 1>take him for a walk and we passed the house,

0:26:42.920 --> 0:26:45.680
<v Speaker 1>he starts to go up to the front door. And

0:26:46.440 --> 0:26:49.119
<v Speaker 1>the only reason that makes me suspicious is because my

0:26:49.240 --> 0:26:52.600
<v Speaker 1>husband works from home, and there is a very attractive

0:26:52.640 --> 0:26:56.400
<v Speaker 1>woman that lives there, and I've checked our wing door bell.

0:26:57.000 --> 0:27:02.879
<v Speaker 1>And sometimes my husband takes our very long walks, and

0:27:02.960 --> 0:27:06.359
<v Speaker 1>I mean, our dog likes walks, but he's not super athletic,

0:27:06.520 --> 0:27:11.000
<v Speaker 1>and also he's old, so it's it's hard to tell.

0:27:11.840 --> 0:27:14.520
<v Speaker 1>But also my husband gets really dressed up when he

0:27:14.600 --> 0:27:17.560
<v Speaker 1>goes on these walks, which he never does because he

0:27:17.640 --> 0:27:20.320
<v Speaker 1>works from home. He's kind of a connecting the dots.

0:27:20.440 --> 0:27:23.000
<v Speaker 1>You think that he's spending time with her, and your

0:27:23.040 --> 0:27:25.359
<v Speaker 1>dog knows she's there, and your dog's going over there

0:27:25.359 --> 0:27:27.800
<v Speaker 1>to say hi, get some love. Yeah, I mean I

0:27:27.920 --> 0:27:31.159
<v Speaker 1>think he's like familiar with her. Yes, what do you

0:27:31.200 --> 0:27:37.119
<v Speaker 1>know that woman's name? Your neighbor? I don't how long

0:27:37.200 --> 0:27:41.399
<v Speaker 1>have you been married. We've been married for about eight

0:27:41.520 --> 0:27:44.159
<v Speaker 1>years now. And how long has she been your neighbor?

0:27:46.680 --> 0:27:50.720
<v Speaker 1>Probably about maybe a year. Let me tell you it's

0:27:50.760 --> 0:27:52.840
<v Speaker 1>Ryan's roses right now if you just got here, were

0:27:52.880 --> 0:27:56.159
<v Speaker 1>about to call Audrey's husband. They have a dog. He

0:27:56.240 --> 0:27:58.080
<v Speaker 1>works from home. The dog keeps going to the neighbor's

0:27:58.160 --> 0:28:00.520
<v Speaker 1>front door. Audrey says, there's an attract the woman that

0:28:00.600 --> 0:28:02.960
<v Speaker 1>lives there. She thinks that the dog's just going to

0:28:03.000 --> 0:28:05.720
<v Speaker 1>say hi to somebody. The dog sees a lot when

0:28:06.480 --> 0:28:11.119
<v Speaker 1>Audrey's away, could be so we think that her husband

0:28:11.200 --> 0:28:13.560
<v Speaker 1>is going to the neighbor's house with the dog and

0:28:13.600 --> 0:28:16.400
<v Speaker 1>then cheating on his wife there with the dog there.

0:28:16.560 --> 0:28:22.680
<v Speaker 1>That's what Audrey is saying. Okay, we're thinking your dog's

0:28:22.680 --> 0:28:25.879
<v Speaker 1>in a tel. I just think it's weird. You're already

0:28:25.880 --> 0:28:27.560
<v Speaker 1>doing something bad, like why do you have to include

0:28:27.560 --> 0:28:31.000
<v Speaker 1>your dogs leave at home alone? Did your dog in

0:28:31.080 --> 0:28:33.800
<v Speaker 1>the room when you Michael? Are you and Michael? No?

0:28:34.080 --> 0:28:37.280
<v Speaker 1>We need them out of the room, Tanya, Yeah, we

0:28:37.359 --> 0:28:40.000
<v Speaker 1>do you do it with her in there a lot? Yeah?

0:28:41.120 --> 0:28:47.360
<v Speaker 1>Poor Sunny or all right, let's get talking, Audrey. We're

0:28:47.400 --> 0:28:50.960
<v Speaker 1>about to make the call. Okay, I need you to say, Ryan,

0:28:51.040 --> 0:28:53.760
<v Speaker 1>you my permission to call your husband's name on M.

0:28:53.800 --> 0:28:57.400
<v Speaker 1>Go ahead, Um, Ryan, you have my permission to call

0:28:58.360 --> 0:29:01.160
<v Speaker 1>on kiss FM. Are be very quiet's see we can

0:29:01.200 --> 0:29:19.720
<v Speaker 1>find out. Okay, okay, this is Frank. Hi Frank. My

0:29:19.800 --> 0:29:22.400
<v Speaker 1>name is Miranda. How are you doing this morning? I'm

0:29:22.480 --> 0:29:25.400
<v Speaker 1>doing great. I'm calling from the Fresh Floors. We're actually

0:29:25.600 --> 0:29:28.520
<v Speaker 1>um a local flower shop and offering residents in the

0:29:28.640 --> 0:29:31.560
<v Speaker 1>area a promotion today. Now, before you hang up, this

0:29:31.720 --> 0:29:33.480
<v Speaker 1>is a free dozen red roses that you could send

0:29:33.520 --> 0:29:35.320
<v Speaker 1>to anybody that you'd like. We don't need cash, we

0:29:35.320 --> 0:29:37.160
<v Speaker 1>don't need credit card info, we don't need anything from you.

0:29:37.360 --> 0:29:39.040
<v Speaker 1>Just the name of the person that you want to

0:29:39.080 --> 0:29:42.680
<v Speaker 1>send the flowers to. Uh, you know what, I really

0:29:42.720 --> 0:29:44.960
<v Speaker 1>don't feel calm, Are you sure? I just it'll take

0:29:45.000 --> 0:29:47.120
<v Speaker 1>two seconds. They can have them by lunchtime today. We

0:29:47.200 --> 0:29:49.720
<v Speaker 1>have pink, white, or red roses that you can choose from.

0:29:49.760 --> 0:29:53.480
<v Speaker 1>They're absolutely free. Like I said, just the name of

0:29:53.520 --> 0:29:55.920
<v Speaker 1>the person that you want to send them to. Yeah, No,

0:29:56.040 --> 0:29:58.560
<v Speaker 1>I totally appreciate it. I'm not interested. I really don't

0:29:58.640 --> 0:30:01.360
<v Speaker 1>trust this kind of stuff, you know. Yeah, please, if

0:30:01.360 --> 0:30:02.640
<v Speaker 1>you just give me the name. You don't want to

0:30:02.640 --> 0:30:05.240
<v Speaker 1>brighten up anybody's day. You're like the fifth person that

0:30:05.360 --> 0:30:07.200
<v Speaker 1>hung up on me, so you'd be really helping me out.

0:30:07.240 --> 0:30:10.600
<v Speaker 1>At this point, I'm sorry, I can't really, you know,

0:30:10.800 --> 0:30:14.160
<v Speaker 1>I'm just Frank. Frank, don't worry, don't hang up still.

0:30:14.680 --> 0:30:17.200
<v Speaker 1>My name is Ryan Seacrest. Your voice is being broadcast

0:30:17.280 --> 0:30:19.200
<v Speaker 1>on the radio. I have your wife, Audrey on the line.

0:30:19.240 --> 0:30:23.160
<v Speaker 1>Let me just tell you we're calling about a situation

0:30:23.400 --> 0:30:29.000
<v Speaker 1>in your marriage. Frank, your wife is concerned that you're

0:30:29.040 --> 0:30:31.080
<v Speaker 1>having an affair. You may be having an affair with

0:30:31.160 --> 0:30:35.200
<v Speaker 1>the woman who lives on your street. Are you going

0:30:35.280 --> 0:30:37.360
<v Speaker 1>over to see this woman when your wife is not

0:30:37.480 --> 0:30:41.280
<v Speaker 1>there while you're working from home? You know what, I'm

0:30:41.320 --> 0:30:43.280
<v Speaker 1>completely lost by this whole thing. I don't even know

0:30:43.400 --> 0:30:45.680
<v Speaker 1>what you guys are talking about. How do you want

0:30:45.680 --> 0:30:50.920
<v Speaker 1>to tell Frank what happened? Well, Frank, I just noticed

0:30:51.080 --> 0:30:53.800
<v Speaker 1>that our dog is very familiar with the neighbor all

0:30:53.880 --> 0:30:57.760
<v Speaker 1>the time, and you you take why do you go

0:30:58.040 --> 0:31:02.000
<v Speaker 1>on an hour long walk with the dog? Well, I'd

0:31:02.040 --> 0:31:03.560
<v Speaker 1>like to get some exercise, you know, I mean, I

0:31:03.600 --> 0:31:05.080
<v Speaker 1>work from home and it's nice to get out and

0:31:05.120 --> 0:31:06.880
<v Speaker 1>get some fresh air. You know. She shouldn't be anything

0:31:06.920 --> 0:31:09.240
<v Speaker 1>wrong with that, right, Are you stopping up in the

0:31:09.280 --> 0:31:14.880
<v Speaker 1>neighbor's house? No? No, no, not at all. Okay, never,

0:31:15.160 --> 0:31:18.160
<v Speaker 1>you've never ever gone to the neighbor's house. No, And

0:31:18.280 --> 0:31:20.800
<v Speaker 1>I don't know why the dog goes there. Maybe maybe

0:31:20.880 --> 0:31:22.800
<v Speaker 1>she has a dog or a cat or a game

0:31:22.880 --> 0:31:24.680
<v Speaker 1>or treat one time. I mean, honestly, you know, dogs

0:31:24.720 --> 0:31:27.760
<v Speaker 1>do weird. So this is this is totally crazy, you know,

0:31:28.000 --> 0:31:32.600
<v Speaker 1>totally bizarre that you're cheating on her. Do you know that,

0:31:32.720 --> 0:31:35.920
<v Speaker 1>that's what we're saying to you. I do, But you

0:31:36.000 --> 0:31:41.000
<v Speaker 1>know what, like I said, this is this is completely bizarre.

0:31:41.120 --> 0:31:42.960
<v Speaker 1>And I don't know why don't Why would you just

0:31:43.080 --> 0:31:45.240
<v Speaker 1>ask me and doing this on the radio. This is embarrassing,

0:31:46.160 --> 0:31:49.720
<v Speaker 1>And I gotta say that her behavior and it just works,

0:31:50.320 --> 0:31:54.400
<v Speaker 1>you know, It's like nothing, I'm cheating on you if

0:31:54.440 --> 0:31:59.280
<v Speaker 1>I ask you. Look, I'm definitely not cheating. But I mean,

0:31:59.400 --> 0:32:01.520
<v Speaker 1>just because you never want to have sex anymore, doesn't

0:32:01.520 --> 0:32:05.920
<v Speaker 1>mean I'm sleeping with the neighbor. It just okay, you

0:32:05.960 --> 0:32:09.480
<v Speaker 1>don't need to talk to her that way, Frank, Yeah,

0:32:09.520 --> 0:32:14.920
<v Speaker 1>maybe take a bath. Well, you only get dressed up

0:32:15.000 --> 0:32:16.840
<v Speaker 1>to walk the dog. If you want to have sex,

0:32:16.960 --> 0:32:20.480
<v Speaker 1>get dressed up for me then. So now we're getting

0:32:20.520 --> 0:32:26.800
<v Speaker 1>to a root issue here. Sounds like there's some complacency factors. Oh,

0:32:27.040 --> 0:32:32.480
<v Speaker 1>just a little bit. Yeah, yeah, maybe, yeah, maybe we

0:32:32.560 --> 0:32:36.080
<v Speaker 1>should Frank Audrey take a step back and talk about

0:32:36.160 --> 0:32:38.360
<v Speaker 1>those things you just said to us on your own

0:32:38.880 --> 0:32:42.480
<v Speaker 1>and figure out why you're in that place. Yeah, yeah,

0:32:42.600 --> 0:32:45.360
<v Speaker 1>with you on that. I'm done being embarrassing myself, putting

0:32:45.360 --> 0:32:47.360
<v Speaker 1>a lot of business out there so you don't find

0:32:47.400 --> 0:32:50.719
<v Speaker 1>me and you know, Okay, well, Frank and Audrey, thank

0:32:50.760 --> 0:32:54.320
<v Speaker 1>you for coming on. Good luck, good luck. Okay. I

0:32:54.400 --> 0:32:57.840
<v Speaker 1>have some thoughts. We see that they have some issues.

0:32:58.280 --> 0:33:01.040
<v Speaker 1>They're not intimate, and he's not he's not I mean,

0:33:01.080 --> 0:33:05.200
<v Speaker 1>he's not like making an effort. It sounds like all right,

0:33:05.280 --> 0:33:09.040
<v Speaker 1>so let's go back to Ryan's roses. Audrey thought that Frank,

0:33:09.080 --> 0:33:10.640
<v Speaker 1>her husband, was going to see the neighbor while he

0:33:10.720 --> 0:33:12.520
<v Speaker 1>was working from home because the dog kept going over

0:33:12.560 --> 0:33:14.800
<v Speaker 1>to the neighbor's house. Was an attractive woman that lives there.

0:33:16.360 --> 0:33:19.000
<v Speaker 1>Tany and Sissy think he's not cheating. They've just sort

0:33:19.040 --> 0:33:21.640
<v Speaker 1>have given up on each other. He said, she's not

0:33:21.920 --> 0:33:24.840
<v Speaker 1>having they're not having sex, and she said he's not bathing.

0:33:25.760 --> 0:33:29.320
<v Speaker 1>So we're how do you what takes you to that place?

0:33:29.440 --> 0:33:31.560
<v Speaker 1>I didn't like the jobs at each other, you know,

0:33:31.680 --> 0:33:34.880
<v Speaker 1>like they're just so angry at each other they're holding

0:33:35.000 --> 0:33:37.360
<v Speaker 1>back these little things that they need to talk about

0:33:37.600 --> 0:33:42.600
<v Speaker 1>so they don't have jobs. I don't know if I

0:33:42.720 --> 0:33:47.840
<v Speaker 1>believe he's not cheating. What do you think? It's not

0:33:47.960 --> 0:33:49.880
<v Speaker 1>so clear to me. You guys made it like think

0:33:49.960 --> 0:33:52.720
<v Speaker 1>you're so clear about it. It's not so clear to

0:33:52.760 --> 0:33:56.640
<v Speaker 1>me that he's not because again I didn't I didn't

0:33:56.720 --> 0:33:58.640
<v Speaker 1>get enough. I just didn't get enough. I don't think

0:33:58.720 --> 0:34:01.440
<v Speaker 1>from him. Okay, Tkara, what do you think you're that?

0:34:02.000 --> 0:34:05.800
<v Speaker 1>Do you believe him? No, not at all. I don't

0:34:05.840 --> 0:34:09.359
<v Speaker 1>believe him for like a single second. And my dog

0:34:09.680 --> 0:34:13.160
<v Speaker 1>knows her root like it's she she hasn't memory, you

0:34:13.200 --> 0:34:15.160
<v Speaker 1>know what I mean. She knows where to turn every

0:34:15.200 --> 0:34:17.440
<v Speaker 1>single time. I don't even have to guide her. You know,

0:34:17.719 --> 0:34:21.440
<v Speaker 1>dogs are smart. And it's a total red flag that

0:34:21.600 --> 0:34:24.760
<v Speaker 1>he like gets dressed up for the walk but doesn't

0:34:24.800 --> 0:34:27.920
<v Speaker 1>get dressed up like any other time. I don't know.

0:34:28.080 --> 0:34:32.160
<v Speaker 1>And then when he turned it around on her, that's

0:34:32.200 --> 0:34:34.800
<v Speaker 1>like that's textbook cheater right there, and he just I

0:34:34.880 --> 0:34:38.399
<v Speaker 1>don't know, he didn't even seem like phase that your

0:34:38.480 --> 0:34:40.920
<v Speaker 1>wife is sitting here telling you she's afraid you're cheating,

0:34:41.120 --> 0:34:43.640
<v Speaker 1>Like that's a huge feeling. He was so like, I

0:34:43.840 --> 0:34:46.040
<v Speaker 1>I don't know. I don't believe him for a second.

0:34:46.120 --> 0:34:50.359
<v Speaker 1>I think they really need some help. I side than

0:34:51.800 --> 0:34:55.759
<v Speaker 1>I see that. I don't. I really think they need

0:34:55.840 --> 0:34:57.840
<v Speaker 1>some help. That that's what they need. They need to

0:34:58.320 --> 0:35:00.600
<v Speaker 1>figure out it seems like they have other issues even

0:35:00.680 --> 0:35:05.400
<v Speaker 1>decide this. So, yeah, that's right. I think you're right.

0:35:05.480 --> 0:35:07.600
<v Speaker 1>They need to back it up a little bit and

0:35:07.680 --> 0:35:10.120
<v Speaker 1>find out what they're what these issues are, where they're

0:35:10.120 --> 0:35:14.680
<v Speaker 1>coming from. Right, it's coming from not having sex, Tara,

0:35:14.760 --> 0:35:16.640
<v Speaker 1>thank you very much. You think it boils down to that,

0:35:16.800 --> 0:35:19.600
<v Speaker 1>It really does. You have you have to be into

0:35:19.600 --> 0:35:24.320
<v Speaker 1>a lot of couples just slow down in that department

0:35:24.520 --> 0:35:27.680
<v Speaker 1>because and if you do, you got to ramp it

0:35:27.719 --> 0:35:30.160
<v Speaker 1>back up. But you've been busy and tired, and you're

0:35:30.160 --> 0:35:33.400
<v Speaker 1>just like you know, and after kids and being pregnant.

0:35:33.440 --> 0:35:35.239
<v Speaker 1>I mean, Michael, I've had so many dry spells I

0:35:35.280 --> 0:35:37.000
<v Speaker 1>can't even count. But you know, it's like the minute

0:35:37.040 --> 0:35:39.680
<v Speaker 1>we pick it back up, it's when like stuff just

0:35:40.080 --> 0:35:46.520
<v Speaker 1>starts falling into place again. It's just reality. I mean,

0:35:46.520 --> 0:35:48.160
<v Speaker 1>it's you know, you have to work at your marriage.

0:35:48.239 --> 0:35:50.880
<v Speaker 1>You can't just like pretend like you're not being intimate

0:35:50.920 --> 0:35:55.680
<v Speaker 1>and then it's going to fix itself. Yeah, I'm just

0:35:55.719 --> 0:35:59.680
<v Speaker 1>thinking about you guys when you're sixty sev Oh my gosh,

0:35:59.760 --> 0:36:01.040
<v Speaker 1>we think you about that too, and like the kids

0:36:01.040 --> 0:36:02.480
<v Speaker 1>are gonna be grown and we're just gonna be like

0:36:02.560 --> 0:36:06.759
<v Speaker 1>traveling the world and like I don't know anywhere, but

0:36:07.040 --> 0:36:08.719
<v Speaker 1>you're like in a different country and then liked be like,

0:36:08.760 --> 0:36:10.440
<v Speaker 1>oh kids, you guys can stop buy and visit us

0:36:10.520 --> 0:36:19.400
<v Speaker 1>in mornings here Probably not, are you? Uh No, I

0:36:19.440 --> 0:36:21.560
<v Speaker 1>don't think so. That would kind of be cool. I

0:36:21.640 --> 0:36:23.759
<v Speaker 1>mean think if you were seventy on Kiss, that's kind

0:36:23.760 --> 0:36:25.360
<v Speaker 1>of all of a sudden so old it's cool. But

0:36:25.480 --> 0:36:27.520
<v Speaker 1>maybe by then, like maybe by then we can do

0:36:27.640 --> 0:36:29.799
<v Speaker 1>it from wherever we want. Will be Yeah. But by

0:36:29.840 --> 0:36:32.359
<v Speaker 1>the way, just like cordless phones are cool again, maybe

0:36:32.480 --> 0:36:35.000
<v Speaker 1>seventies the new Kiss cool morning show age, like the

0:36:35.120 --> 0:36:42.680
<v Speaker 1>retro Grandma on the Top forties called Grandpa whatever nickname.

0:36:42.840 --> 0:36:46.879
<v Speaker 1>Let's start writing it into her control, right because it's

0:36:46.960 --> 0:36:52.440
<v Speaker 1>so retro. It's so they have Grandma DJ. It's just funny.

0:36:52.520 --> 0:36:55.239
<v Speaker 1>I think fashion came back fun to get a like

0:36:55.360 --> 0:36:57.960
<v Speaker 1>seventy year olds perspective. Like my dad texted me about

0:36:57.960 --> 0:37:00.640
<v Speaker 1>the will Chris rock stuff on Tuesday Day like that's

0:37:00.640 --> 0:37:02.400
<v Speaker 1>when he was hearing about it, and I was like,

0:37:02.480 --> 0:37:07.120
<v Speaker 1>that's retired life, you know, I actually like it. M

0:37:10.360 --> 0:37:17.640
<v Speaker 1>all right, Nana and Boompa in the Morning Air with

0:37:18.000 --> 0:37:25.560
<v Speaker 1>Ryan Seacrez. So the Grammys were last night and Best

0:37:25.719 --> 0:37:28.360
<v Speaker 1>New Artists. It's like, you feel a sense of pride.

0:37:28.400 --> 0:37:30.560
<v Speaker 1>It's so weird. We had nothing to do with it,

0:37:30.680 --> 0:37:33.840
<v Speaker 1>but I feel a sense of pride when an artist

0:37:33.960 --> 0:37:38.600
<v Speaker 1>that is new to us wins these awards at the Grammys. Yeah. Well,

0:37:38.680 --> 0:37:40.520
<v Speaker 1>I feel like I don't want to say we put

0:37:40.520 --> 0:37:42.360
<v Speaker 1>Olivia rod drink on the map, but I feel like

0:37:42.840 --> 0:37:45.240
<v Speaker 1>we were on that driver's lights and song the minute

0:37:45.440 --> 0:37:46.840
<v Speaker 1>it was like you know what I mean, like we

0:37:46.960 --> 0:37:50.399
<v Speaker 1>blew it up on us, so get it. That's our job.

0:37:51.200 --> 0:37:57.959
<v Speaker 1>And she did blow up, like um whoa, um god.

0:37:58.880 --> 0:38:01.120
<v Speaker 1>Thank you so much to the Recording Academy. This is

0:38:01.160 --> 0:38:04.360
<v Speaker 1>my biggest stream come true. Thank you so much, Olivia

0:38:04.480 --> 0:38:08.480
<v Speaker 1>Rodrigo Best New Artist, congratulations And we all predicted that,

0:38:08.560 --> 0:38:11.320
<v Speaker 1>by the way, that was when we got right what

0:38:11.560 --> 0:38:14.320
<v Speaker 1>we want and you just pride. We didn't do we

0:38:14.360 --> 0:38:15.920
<v Speaker 1>didn't get a thing. We didn't do a bet. We

0:38:15.960 --> 0:38:18.280
<v Speaker 1>didn't do a bed a waste of time. We just predicted,

0:38:18.520 --> 0:38:21.560
<v Speaker 1>but we should because we should have had to pay off.

0:38:21.920 --> 0:38:23.360
<v Speaker 1>We were wrong on all the other ones, but that

0:38:23.440 --> 0:38:26.880
<v Speaker 1>was the one we did get right. Job Batiste know

0:38:27.760 --> 0:38:31.520
<v Speaker 1>that Gray Show. Uh, let's see, this is Dojo. I

0:38:31.600 --> 0:38:39.200
<v Speaker 1>have never taken such a fast in my whole life.

0:38:41.680 --> 0:38:46.319
<v Speaker 1>Thank you everybody. She was in the bathroom during her

0:38:46.440 --> 0:38:48.880
<v Speaker 1>category when they started, and then she won and she

0:38:49.040 --> 0:38:51.719
<v Speaker 1>was in the bathroom. So Scissa, I mean I almost think, God,

0:38:51.760 --> 0:38:53.239
<v Speaker 1>this is it was on crutches because it took her

0:38:53.280 --> 0:38:54.759
<v Speaker 1>a long time to get up on stage, and that

0:38:54.880 --> 0:38:58.799
<v Speaker 1>basically stalled for Dojo Cat to get on stage. One

0:38:58.840 --> 0:39:02.440
<v Speaker 1>for Best Performans. Don't you almost missed it? I know

0:39:02.760 --> 0:39:04.360
<v Speaker 1>She's like, that was the fastest p I've read it

0:39:04.440 --> 0:39:07.120
<v Speaker 1>do in my life. And so Sonic one Record of

0:39:07.440 --> 0:39:11.360
<v Speaker 1>the Year. Yeah, that was great. We are really trying

0:39:11.400 --> 0:39:17.960
<v Speaker 1>our hardest to remain humble at this point. Okay, but

0:39:18.120 --> 0:39:23.440
<v Speaker 1>in the industry we call that a clean suite. Those

0:39:23.520 --> 0:39:27.400
<v Speaker 1>guys have so much charisma too, and style and style

0:39:27.480 --> 0:39:30.920
<v Speaker 1>as well. So congratulations to all of the winners. And

0:39:31.000 --> 0:39:33.759
<v Speaker 1>we only we did a big bet, but we only

0:39:34.040 --> 0:39:37.080
<v Speaker 1>really won that one category right, because we did. I

0:39:37.160 --> 0:39:40.799
<v Speaker 1>actually thought Olivia Rodre wasn't a good the four main ones,

0:39:40.920 --> 0:39:43.399
<v Speaker 1>but she did also get um, she got my pop

0:39:43.520 --> 0:39:47.600
<v Speaker 1>vocal album and pop solo performance too, so Music's biggest night.

0:39:47.840 --> 0:39:52.399
<v Speaker 1>Sarah is on the phone at eight seven. Sarah, good morning,

0:39:52.440 --> 0:39:55.239
<v Speaker 1>How you doing? Hi? Good morning, I'm doing well. How

0:39:55.239 --> 0:39:57.320
<v Speaker 1>are you doing? We are doing well? So you and

0:39:57.400 --> 0:40:02.719
<v Speaker 1>your husband are house hunting. Yes, we're so excited, but

0:40:02.960 --> 0:40:06.960
<v Speaker 1>obviously a little stressed and with this housing market. Um,

0:40:07.600 --> 0:40:09.920
<v Speaker 1>my husband and I we got married in November, so

0:40:10.040 --> 0:40:13.320
<v Speaker 1>we're just really thrilled to start of their life together

0:40:13.560 --> 0:40:17.840
<v Speaker 1>and buy a house, which has been exciting, really exciting.

0:40:18.200 --> 0:40:20.799
<v Speaker 1>But the stressful part and where I need you guys

0:40:20.840 --> 0:40:24.000
<v Speaker 1>to kind of chime in for me, is my husband

0:40:24.080 --> 0:40:29.839
<v Speaker 1>is so insistent on a big backyard. Alright, Well, we're

0:40:29.880 --> 0:40:33.560
<v Speaker 1>looking in the l A suburbs, and you know, there's

0:40:33.600 --> 0:40:36.120
<v Speaker 1>really just not a ton of houses out there with

0:40:36.239 --> 0:40:39.239
<v Speaker 1>like the big backyard that he's looking for. And I

0:40:39.320 --> 0:40:41.800
<v Speaker 1>don't really I don't really need a v R and

0:40:41.840 --> 0:40:45.480
<v Speaker 1>I've never really lived with one. So even though we're

0:40:45.560 --> 0:40:48.400
<v Speaker 1>excited to go see these houses, we end up fighting

0:40:48.440 --> 0:40:51.760
<v Speaker 1>about each one because it's just isn't matching his vision

0:40:51.960 --> 0:40:55.120
<v Speaker 1>of a house. So I don't know what to do

0:40:55.280 --> 0:40:58.520
<v Speaker 1>with this. You know, it's already stressful enough, and then

0:40:58.560 --> 0:41:01.000
<v Speaker 1>we're fighting about, you know, a house on top of it.

0:41:01.920 --> 0:41:04.160
<v Speaker 1>So did he grow up with the backyard? Is that

0:41:04.200 --> 0:41:08.160
<v Speaker 1>where it's coming from? I think so he did, And

0:41:08.480 --> 0:41:11.279
<v Speaker 1>I wonder if it's like that's his picture of like

0:41:11.360 --> 0:41:14.520
<v Speaker 1>a perfect house. But he lives in l a long

0:41:14.640 --> 0:41:18.279
<v Speaker 1>enough to know that that's not super common. It's like

0:41:18.360 --> 0:41:20.480
<v Speaker 1>a guy thing. I think it's like I need my land,

0:41:22.480 --> 0:41:25.160
<v Speaker 1>fore I get it. So if you can get a

0:41:25.200 --> 0:41:27.399
<v Speaker 1>house that has a like a big backyard, then it's

0:41:27.400 --> 0:41:29.840
<v Speaker 1>almost like this like you've made it type of vibe.

0:41:29.840 --> 0:41:33.640
<v Speaker 1>You know, like, well, what is the compromise to this?

0:41:34.000 --> 0:41:38.680
<v Speaker 1>Do you see a path to compromise? You know, I

0:41:39.600 --> 0:41:42.200
<v Speaker 1>want I want to help him with his dream house,

0:41:42.960 --> 0:41:46.080
<v Speaker 1>and my compromise. I'm willing to kind of, especially with

0:41:46.200 --> 0:41:49.239
<v Speaker 1>the housing market as it is, take something that's kind

0:41:49.280 --> 0:41:52.880
<v Speaker 1>of a right now, a newly married couple house. But

0:41:53.320 --> 0:41:55.719
<v Speaker 1>he's not really willing to compromise. So I don't know

0:41:55.840 --> 0:42:02.040
<v Speaker 1>how to start that conversation. You trick up, here's the thing. No,

0:42:02.239 --> 0:42:03.840
<v Speaker 1>but it's not like what you guys, not like a

0:42:03.920 --> 0:42:07.359
<v Speaker 1>lie or anything. You find a house that you love

0:42:07.760 --> 0:42:11.279
<v Speaker 1>that's got everything right. Maybe it's turnkey and whatever, but yes,

0:42:11.360 --> 0:42:13.279
<v Speaker 1>the yard is a little bit smaller, but you take

0:42:13.360 --> 0:42:14.920
<v Speaker 1>him to it and you have him fall in love

0:42:15.000 --> 0:42:16.840
<v Speaker 1>with the house, and then maybe just by seeing the

0:42:16.920 --> 0:42:19.160
<v Speaker 1>house and he's going to compromise for the smaller backyard.

0:42:19.239 --> 0:42:21.080
<v Speaker 1>But he knew you have to. You have to physically

0:42:21.400 --> 0:42:23.040
<v Speaker 1>get him to those houses. They can't just be like

0:42:23.120 --> 0:42:25.360
<v Speaker 1>on Redfin and you're showing him in passing. You have

0:42:25.400 --> 0:42:27.200
<v Speaker 1>to get him. There's what I'm doing with Michael. And

0:42:27.280 --> 0:42:29.759
<v Speaker 1>I'm telling you he's almost budging on some homes that

0:42:29.880 --> 0:42:32.279
<v Speaker 1>have smaller backyards because he's like, well, yeah, it has

0:42:32.400 --> 0:42:34.399
<v Speaker 1>all the bedrooms we need now and this and that whatever.

0:42:34.560 --> 0:42:36.560
<v Speaker 1>So I think you're going to win this one. I

0:42:37.239 --> 0:42:41.759
<v Speaker 1>don't see him falling on the sword for it. Okay, okay, yeah,

0:42:41.840 --> 0:42:44.680
<v Speaker 1>and we'll You're right, we've been trading Redfin emails, so

0:42:45.920 --> 0:42:49.759
<v Speaker 1>get my vision. Yes, you get him there, don't even

0:42:49.760 --> 0:42:51.279
<v Speaker 1>tell him what's happening to be like, Hey, meet me

0:42:51.360 --> 0:42:54.000
<v Speaker 1>for lunch tomorrow at noon at whatever place and go

0:42:54.080 --> 0:42:55.520
<v Speaker 1>have lunch and then after lunch you go take him

0:42:55.520 --> 0:42:58.479
<v Speaker 1>to the house. Thank you so much. I love this idea.

0:42:58.520 --> 0:43:01.200
<v Speaker 1>I'm going to do it. Good luck. Just this call

0:43:01.320 --> 0:43:02.880
<v Speaker 1>makes me think I should call into this show it

0:43:02.960 --> 0:43:06.439
<v Speaker 1>for advice sometimes why I don't know. I just listen

0:43:06.480 --> 0:43:08.880
<v Speaker 1>to you guys give advice. Everybody, y'all. We're all on

0:43:08.920 --> 0:43:11.520
<v Speaker 1>the same page on that. Thank you very much. Sah,

0:43:11.560 --> 0:43:19.359
<v Speaker 1>good luck and congratulations. Take care of but bye oh

0:43:19.640 --> 0:43:22.959
<v Speaker 1>Look who's here? It is program director of Kiss FM,

0:43:23.320 --> 0:43:28.920
<v Speaker 1>Beyanta Murphy, who sends really enthusiastic emails you're on. We

0:43:29.120 --> 0:43:31.800
<v Speaker 1>get pumped when you send us the emails. I just

0:43:32.239 --> 0:43:35.000
<v Speaker 1>forget that when I reply, all there are one hundred

0:43:35.040 --> 0:43:38.080
<v Speaker 1>people that you put on c C. There's only one

0:43:38.560 --> 0:43:40.800
<v Speaker 1>when it's really really big news. I don't even know

0:43:40.840 --> 0:43:43.040
<v Speaker 1>all those people. I'm scolling to go on, Who's who's this?

0:43:43.440 --> 0:43:45.839
<v Speaker 1>I just need them to know how important you guys

0:43:45.880 --> 0:43:48.160
<v Speaker 1>are and the amazing things you've done. No, trust me,

0:43:48.280 --> 0:43:50.160
<v Speaker 1>we like for you to brag on us. We don't.

0:43:50.160 --> 0:43:52.799
<v Speaker 1>We don't do it, so we want you to well

0:43:52.840 --> 0:43:55.799
<v Speaker 1>all day long. Uh So this is your first get

0:43:55.840 --> 0:43:58.640
<v Speaker 1>your official, your way and go tango. You're in your

0:43:58.760 --> 0:44:01.320
<v Speaker 1>role for this Way and Go Tango as program director.

0:44:01.640 --> 0:44:03.719
<v Speaker 1>And I've been here long, Mark, How long have I

0:44:03.800 --> 0:44:07.479
<v Speaker 1>been here? Eighteen years? Six weeks and a few hours.

0:44:07.920 --> 0:44:11.520
<v Speaker 1>Uh and and I got a note that I needed

0:44:11.560 --> 0:44:13.680
<v Speaker 1>to make the Actually was listening, right, I was listening

0:44:13.680 --> 0:44:17.160
<v Speaker 1>all weekend. Listen around seacrest seven am, he will announce

0:44:17.239 --> 0:44:20.080
<v Speaker 1>the line up for Wango Tango. So I'm studying the

0:44:20.120 --> 0:44:24.080
<v Speaker 1>Wayango Tango announcement in the morning, you rehearsing in. I

0:44:24.120 --> 0:44:25.239
<v Speaker 1>want to get it all right, and I want to

0:44:25.239 --> 0:44:28.399
<v Speaker 1>have the right energy and delivery. And then I guess

0:44:28.440 --> 0:44:30.359
<v Speaker 1>I got fired from the job. You hired somebody else

0:44:30.400 --> 0:44:33.000
<v Speaker 1>to do the announcement. No, you were actually supposed to

0:44:33.000 --> 0:44:37.359
<v Speaker 1>do it. Well, I was that that's why we sent

0:44:37.480 --> 0:44:40.040
<v Speaker 1>all this stuff and why you had everything. Hey, come on,

0:44:40.400 --> 0:44:42.600
<v Speaker 1>you just played the promo. You didn't even play an

0:44:42.600 --> 0:44:45.800
<v Speaker 1>announced because I was told, Hey, Ryan, they recorded it

0:44:45.880 --> 0:44:50.640
<v Speaker 1>by the boys. No, So I was, I was supposed

0:44:50.640 --> 0:44:53.920
<v Speaker 1>to do it live. Yeah, you are kiss FM, So

0:44:54.400 --> 0:44:57.359
<v Speaker 1>I thought. So, I've been doing it for how long? Mark?

0:44:57.600 --> 0:45:01.320
<v Speaker 1>Eighteen years? And I've been doing every year, make any announcement.

0:45:01.440 --> 0:45:03.400
<v Speaker 1>And then I come in and Mark says, oh no,

0:45:03.719 --> 0:45:05.360
<v Speaker 1>they hired the voice guy to do it, you just

0:45:05.400 --> 0:45:08.200
<v Speaker 1>have to hit play. I'm like, what seems not right?

0:45:08.760 --> 0:45:12.279
<v Speaker 1>What happened? Get ready? I mean you hired that that.

0:45:14.000 --> 0:45:17.640
<v Speaker 1>I mean it's dope, but your secret you're hosting Wayango Tango?

0:45:17.719 --> 0:45:19.960
<v Speaker 1>How would you not announcing? Yeah? I agree that we

0:45:20.520 --> 0:45:22.799
<v Speaker 1>botched the whole announced. That made him second guess whether

0:45:22.880 --> 0:45:24.360
<v Speaker 1>or not he was hosting too. He was like, I

0:45:24.440 --> 0:45:30.520
<v Speaker 1>am am, I A not hosting now doing it? You

0:45:30.560 --> 0:45:31.840
<v Speaker 1>could have just called me. I would have told you

0:45:31.880 --> 0:45:34.759
<v Speaker 1>you were. I hate Marks trying to sabotage. I think

0:45:34.800 --> 0:45:36.960
<v Speaker 1>Mark has been producing the show for so long. Now

0:45:37.320 --> 0:45:39.239
<v Speaker 1>he's trying to throw me under the bus. And then

0:45:39.640 --> 0:45:43.360
<v Speaker 1>I don't know why, I will say to Mark's defense,

0:45:43.440 --> 0:45:45.279
<v Speaker 1>a couple of years ago, when we first switched it

0:45:45.360 --> 0:45:50.200
<v Speaker 1>to a national Wango Tango, they did want the roadblock

0:45:50.280 --> 0:45:52.600
<v Speaker 1>that they call it to go out, meaning not me

0:45:52.760 --> 0:45:55.880
<v Speaker 1>because I'm usually actually is you, But they wanted the

0:45:55.960 --> 0:45:58.319
<v Speaker 1>pre recorded thing. But it was just that one year,

0:45:58.360 --> 0:46:00.440
<v Speaker 1>and so this year we're like back to you. But

0:46:00.560 --> 0:46:03.560
<v Speaker 1>maybe I wasn't clear enough with Mark, like you look,

0:46:03.640 --> 0:46:07.759
<v Speaker 1>you just started. It's okay, forgive you, but I want

0:46:07.800 --> 0:46:09.960
<v Speaker 1>you to know I like making the announcements live with

0:46:10.160 --> 0:46:13.240
<v Speaker 1>with my voice. I want you to make the announcement,

0:46:13.239 --> 0:46:15.160
<v Speaker 1>all right, all right, So I might just make an

0:46:15.200 --> 0:46:18.680
<v Speaker 1>announcement later about something. I'll come up with something. But

0:46:19.040 --> 0:46:25.920
<v Speaker 1>a special performance by Diplow at dusk. That's the commercial

0:46:26.120 --> 0:46:28.640
<v Speaker 1>after we make the annou special Diplo dusk is a

0:46:28.680 --> 0:46:31.400
<v Speaker 1>good hook like that, and I think we're going to

0:46:31.480 --> 0:46:33.920
<v Speaker 1>get like glow sticks or something. Somebody cracks them right

0:46:33.960 --> 0:46:36.359
<v Speaker 1>at dusk, so it looks really awesome. I don't want

0:46:36.360 --> 0:46:37.680
<v Speaker 1>to bury the lead. But am I allowed to talk

0:46:37.719 --> 0:46:43.120
<v Speaker 1>about Coachella? Yeah? Are you anybody going? Yeah? We at

0:46:43.120 --> 0:46:46.440
<v Speaker 1>the kiss House. Yeah, I actually may go Friday. What

0:46:47.200 --> 0:46:50.200
<v Speaker 1>are you gonna stay in a kiss house? That I'm

0:46:50.200 --> 0:46:54.799
<v Speaker 1>actually thinking about because every I've only got to see

0:46:54.840 --> 0:46:57.880
<v Speaker 1>CeAl once and I had to leave right away. But

0:46:58.120 --> 0:47:00.640
<v Speaker 1>if I just wanted to throw it out there that cycy,

0:47:00.680 --> 0:47:02.880
<v Speaker 1>I'm gonna ask for some detail. What happens on Friday?

0:47:03.640 --> 0:47:06.200
<v Speaker 1>So Harry Styles is Friday night, he's the headliner, so

0:47:06.440 --> 0:47:08.680
<v Speaker 1>what time is he going? It'll probably be like like

0:47:11.040 --> 0:47:17.760
<v Speaker 1>can we move him up? Can you do seven? Because

0:47:18.040 --> 0:47:21.440
<v Speaker 1>because I have idle, you know on Sunday? So well,

0:47:21.480 --> 0:47:24.640
<v Speaker 1>why don't live there. Why don't I Friday just like

0:47:24.920 --> 0:47:28.239
<v Speaker 1>pop into coach since you guys go, we'll get there

0:47:28.280 --> 0:47:30.480
<v Speaker 1>early and we can start day drinking and then we

0:47:30.560 --> 0:47:32.719
<v Speaker 1>can all go over and then just party, party, party

0:47:32.800 --> 0:47:35.640
<v Speaker 1>until Harry Styles. Let me think about all that. But yeah,

0:47:35.800 --> 0:47:38.400
<v Speaker 1>I'll get back to you. So you have tickets? Is

0:47:38.440 --> 0:47:40.120
<v Speaker 1>that the deal? Bet? You're the one with the tickets.

0:47:40.200 --> 0:47:42.279
<v Speaker 1>I got you. I mean I need what are we're

0:47:42.280 --> 0:47:43.520
<v Speaker 1>supposed to have. I don't know what you're supposed to have.

0:47:43.760 --> 0:47:47.160
<v Speaker 1>We're able to see people live? Yeah, we'll figure it out,

0:47:47.320 --> 0:47:50.200
<v Speaker 1>all right, So you'll mean the Kiss House. I might airbnb,

0:47:50.320 --> 0:47:51.800
<v Speaker 1>but it might be too late to get something. And

0:47:51.880 --> 0:47:53.520
<v Speaker 1>this a whole, this just happened. I just thought of

0:47:53.600 --> 0:47:55.040
<v Speaker 1>this is I'm looking at the honest and you're talking

0:47:55.040 --> 0:47:58.439
<v Speaker 1>about the Wino Tango. I'm so excited. All right, we're

0:47:58.560 --> 0:48:01.160
<v Speaker 1>gonna come back and this is kiss Thank you. I'm

0:48:01.239 --> 0:48:04.360
<v Speaker 1>so happy that I was not relieved of the announcement. Job, No,

0:48:04.520 --> 0:48:08.719
<v Speaker 1>you are not relieved and moving forward your every announce Okay, good,

0:48:09.000 --> 0:48:12.799
<v Speaker 1>we're coming back. Thank you. I'm so excited. On air

0:48:13.239 --> 0:48:17.480
<v Speaker 1>on air with Ryan Seacrets, I'm gonna do it for us,

0:48:17.680 --> 0:48:21.480
<v Speaker 1>have a great Monday. Back with you tomorrow and tomorrow

0:48:21.640 --> 0:48:25.680
<v Speaker 1>I have Coachella passes every hour starting at six. Thanks

0:48:25.719 --> 0:48:28.399
<v Speaker 1>for listening to On Air with Ryan Seacrest. Make sure

0:48:28.440 --> 0:48:30.440
<v Speaker 1>to subscribe and we'll talk to you again tomorrow