1 00:00:00,600 --> 00:00:04,880 Speaker 1: From Hollywood. See you. Thank you for listening to US 2 00:00:05,040 --> 00:00:11,239 Speaker 1: Air with Ryan Seacrest. Thanks for having a son. Do 3 00:00:11,240 --> 00:00:13,080 Speaker 1: you know what I find my weekends are. I mean, 4 00:00:13,160 --> 00:00:16,799 Speaker 1: you guys live well, say you guys Sydney, you live 5 00:00:16,960 --> 00:00:21,160 Speaker 1: with a busy family. My family is all over the place. Tanya, 6 00:00:21,239 --> 00:00:24,720 Speaker 1: your family is not living with you got your boyfriend. 7 00:00:25,280 --> 00:00:28,360 Speaker 1: But I find that my weekends have now become planning 8 00:00:28,480 --> 00:00:30,320 Speaker 1: for the family for things that are kind of come 9 00:00:30,400 --> 00:00:33,000 Speaker 1: up this summer and the holidays. Like every weekend is 10 00:00:33,040 --> 00:00:35,160 Speaker 1: my mother trying to get us all on a three 11 00:00:35,159 --> 00:00:39,400 Speaker 1: way emerge call to discuss plans for summer right now. 12 00:00:39,440 --> 00:00:41,120 Speaker 1: But that's good because she knows how busy you are 13 00:00:41,200 --> 00:00:43,720 Speaker 1: during the week so she's respecting that. She doesn't want 14 00:00:43,760 --> 00:00:46,480 Speaker 1: to bother you Monday to Friday. Not no, no. I've 15 00:00:46,520 --> 00:00:49,320 Speaker 1: actually told them can we do this on Saturday? Because 16 00:00:49,360 --> 00:00:52,120 Speaker 1: they're like, can we talk tonight Tuesday? Exactly? That's my 17 00:00:52,159 --> 00:00:55,440 Speaker 1: point and so like that, I you can't plan anything 18 00:00:55,440 --> 00:00:57,520 Speaker 1: with me Monday to the Friday either. It's like it's 19 00:00:57,520 --> 00:00:59,680 Speaker 1: too chaotic, so like Saturday at the time to really 20 00:00:59,720 --> 00:01:01,600 Speaker 1: think about like what's our future, what are we gonna 21 00:01:01,600 --> 00:01:05,920 Speaker 1: do for the next few months our future. I'm inviting 22 00:01:06,319 --> 00:01:10,040 Speaker 1: Flora to come with me on my August break, my 23 00:01:10,080 --> 00:01:13,760 Speaker 1: August true, that's you and her parents can come too. 24 00:01:13,800 --> 00:01:17,399 Speaker 1: I was gonna say if anybody else invited, they'd rather 25 00:01:17,520 --> 00:01:23,320 Speaker 1: if they really trusted that Flora let me go. Wine 26 00:01:23,360 --> 00:01:28,840 Speaker 1: taste would be amazing, right, I think she would be great. Yeah, 27 00:01:29,680 --> 00:01:31,760 Speaker 1: have a different times of grape fruit juices like she 28 00:01:31,800 --> 00:01:34,520 Speaker 1: has orange. She's gonna learn. Flora's gonna learn how to 29 00:01:34,560 --> 00:01:37,600 Speaker 1: press olive oil by the time she's Oh my god, No, 30 00:01:37,680 --> 00:01:39,600 Speaker 1: you need to trust that, ton You need to trust that. 31 00:01:39,840 --> 00:01:42,039 Speaker 1: It's so good. Do you know what my boyfriend wants 32 00:01:42,040 --> 00:01:44,039 Speaker 1: to do over the summer. Oh my gosh, I'm dying 33 00:01:44,080 --> 00:01:45,840 Speaker 1: to know. He wants to go to Greece. No, he 34 00:01:45,920 --> 00:01:49,400 Speaker 1: wants to do a rent some sort of r V 35 00:01:49,840 --> 00:01:53,600 Speaker 1: and do a cross country America tour that I think 36 00:01:53,600 --> 00:01:56,880 Speaker 1: it's brilliant. I'm doing a campaiing trip for the first 37 00:01:56,880 --> 00:01:58,400 Speaker 1: time this year. Oh my gosh, it's so fun. Do 38 00:01:58,600 --> 00:02:01,240 Speaker 1: I know a lot of the spots? Oh yeah, I 39 00:02:01,240 --> 00:02:03,640 Speaker 1: know a lot of spots because I read a lot 40 00:02:03,640 --> 00:02:05,800 Speaker 1: of articles about the top spots to stop when you do. 41 00:02:05,840 --> 00:02:08,720 Speaker 1: I don't know idols in my feed and idol, but 42 00:02:08,720 --> 00:02:10,760 Speaker 1: it comes into my feet like all these road trip 43 00:02:10,760 --> 00:02:12,639 Speaker 1: across the country spot it just seems like a lot 44 00:02:12,720 --> 00:02:18,160 Speaker 1: to plan. It's like where do you a wart? And 45 00:02:18,200 --> 00:02:22,040 Speaker 1: you kind of plan, but don't you go plan spur 46 00:02:22,160 --> 00:02:26,400 Speaker 1: the moment. I love it, So you're not into it? Well, no, 47 00:02:26,880 --> 00:02:30,280 Speaker 1: he's so into it that I'm like into it because 48 00:02:30,280 --> 00:02:32,560 Speaker 1: he's into it. But it seems like a hella baloo 49 00:02:32,600 --> 00:02:35,079 Speaker 1: to plan. I just I like to know where I'm sleeping, 50 00:02:35,280 --> 00:02:37,079 Speaker 1: you know, like where do you where do you pull over? 51 00:02:37,080 --> 00:02:38,480 Speaker 1: You can just pull over on the side of the room, 52 00:02:38,800 --> 00:02:41,560 Speaker 1: like rest stops or r V places that how do 53 00:02:41,560 --> 00:02:44,000 Speaker 1: you know where all those? Yeah, you figure it out. 54 00:02:44,720 --> 00:02:47,320 Speaker 1: We're doing um Hume Lake for a week in June. 55 00:02:47,680 --> 00:02:49,280 Speaker 1: I don't want to point this out, but you've kind 56 00:02:49,280 --> 00:02:51,240 Speaker 1: of been a little bo humbug about things, you know, 57 00:02:51,680 --> 00:02:55,000 Speaker 1: on Friday. We're trying to give you good ideas. Don't 58 00:02:55,080 --> 00:02:57,320 Speaker 1: like road trips. I don't know I like the road trip. 59 00:02:57,360 --> 00:03:01,000 Speaker 1: I just I don't know how you do it, Like logistically, 60 00:03:01,600 --> 00:03:04,560 Speaker 1: you runt the RV. You'd get in it and go 61 00:03:04,639 --> 00:03:09,360 Speaker 1: to the first stop, and that I'm excited about. That's 62 00:03:09,400 --> 00:03:12,280 Speaker 1: your job have Robbie planning the rest. Well, I missed 63 00:03:12,280 --> 00:03:14,760 Speaker 1: you guys, Good to see you, welcome back. I was 64 00:03:14,840 --> 00:03:17,799 Speaker 1: excited to start today. I am excited. You know why. 65 00:03:17,800 --> 00:03:21,240 Speaker 1: I'm gonna tell you why. I've been rehearsing it. I've 66 00:03:21,240 --> 00:03:28,440 Speaker 1: been practicing it. Ladies and gentlemen, Ladies and gentlemen. It's time. 67 00:03:28,760 --> 00:03:34,840 Speaker 1: It's time for the Wango Tango announcement coming up starring 68 00:03:35,040 --> 00:03:36,320 Speaker 1: and then I'll give you the list. But I'm gonna 69 00:03:36,320 --> 00:03:38,880 Speaker 1: do that seven. How would you like that delivery? I 70 00:03:38,880 --> 00:03:40,360 Speaker 1: think it was good. I think we can work on it, 71 00:03:40,920 --> 00:03:43,920 Speaker 1: but also like I think it's already done and it 72 00:03:44,040 --> 00:03:49,160 Speaker 1: might not be you. Yeah, they send me all these 73 00:03:49,200 --> 00:03:52,520 Speaker 1: notes to do it. There tending your notes to for 74 00:03:52,720 --> 00:03:54,920 Speaker 1: like make sure that it's you know, you announce it 75 00:03:55,080 --> 00:03:59,800 Speaker 1: like play the everybody says, listen to Ryan Seacrest seven 76 00:03:59,840 --> 00:04:04,240 Speaker 1: the right Seacrest. Yes. Then that's why I'm practicing saying 77 00:04:04,240 --> 00:04:06,680 Speaker 1: it at seven. What's the big deal? Is it not 78 00:04:06,760 --> 00:04:09,000 Speaker 1: me doing it at seven marks? No, it's already produced, 79 00:04:09,880 --> 00:04:14,280 Speaker 1: it's done. It's big. It's who we internally. I used 80 00:04:14,280 --> 00:04:16,679 Speaker 1: to be able to do all this stuff. What happened? 81 00:04:17,160 --> 00:04:18,919 Speaker 1: I remember one year I had you do it, and 82 00:04:18,920 --> 00:04:23,919 Speaker 1: they got mad at me, so you have to. I 83 00:04:23,960 --> 00:04:26,680 Speaker 1: think it mad. I've been listening all weekend where they 84 00:04:26,720 --> 00:04:28,720 Speaker 1: say tune into me to do it at seven. So 85 00:04:28,839 --> 00:04:32,200 Speaker 1: because you are you are on the air, this are 86 00:04:32,240 --> 00:04:34,520 Speaker 1: you and episode no good here, I don't get to 87 00:04:34,520 --> 00:04:36,320 Speaker 1: do the announcements. First of all, this is the same 88 00:04:36,360 --> 00:04:39,200 Speaker 1: thing last year. It's not anything new. We didn't have 89 00:04:39,240 --> 00:04:42,040 Speaker 1: it last year, so technically you're not whatever. Tango Tango 90 00:04:42,279 --> 00:04:45,039 Speaker 1: is now a national show, so it's not just a 91 00:04:45,120 --> 00:04:48,400 Speaker 1: Kiss specific show. So why did they send me script 92 00:04:48,440 --> 00:04:52,719 Speaker 1: to read at seven o'clock? I think that's just your lineup? 93 00:04:53,200 --> 00:04:57,960 Speaker 1: Let me see. Gets ready. Oh yeah, it's not me, 94 00:04:57,520 --> 00:05:01,160 Speaker 1: that's not you. I'll playing that at seven. Get ready 95 00:05:01,200 --> 00:05:05,400 Speaker 1: for it. He says, don't miss the lineup. Ryan Seacrest 96 00:05:05,480 --> 00:05:08,800 Speaker 1: has the lineup. Listen to Ryan Secret at seven am. 97 00:05:09,000 --> 00:05:11,920 Speaker 1: Well that I heard that as me, thought I'd better 98 00:05:11,960 --> 00:05:14,800 Speaker 1: study up because it says you know, and I'll be honest, 99 00:05:14,880 --> 00:05:17,119 Speaker 1: I thought that you would just do it for Kiss 100 00:05:17,120 --> 00:05:20,520 Speaker 1: in general. Because thus, but when you listen to the 101 00:05:20,600 --> 00:05:23,120 Speaker 1: radio and you're the person they're talking about and they 102 00:05:23,160 --> 00:05:25,880 Speaker 1: say your name is gonna do the thing at seven, 103 00:05:26,279 --> 00:05:27,880 Speaker 1: you think, oh, I better get the names of the 104 00:05:27,880 --> 00:05:30,080 Speaker 1: people are going to be there. So I got him. 105 00:05:31,320 --> 00:05:34,080 Speaker 1: But clearly I can just read him to myself because 106 00:05:34,080 --> 00:05:38,080 Speaker 1: I'm gonna play this. Get ready, let's do it. That's 107 00:05:38,080 --> 00:05:40,559 Speaker 1: the voice you're gonna hear. That guy's voice is really cool. 108 00:05:40,760 --> 00:05:47,560 Speaker 1: So go Summer starts at kiss evans, wingo, tingo. That's 109 00:05:47,560 --> 00:05:54,960 Speaker 1: definitely not me, all right, that guy bench Just because 110 00:05:54,960 --> 00:05:57,200 Speaker 1: his voice is big doesn't mean his chest is. I'm 111 00:05:57,240 --> 00:06:01,159 Speaker 1: just well anyway, A good news is you kind of 112 00:06:01,200 --> 00:06:04,520 Speaker 1: know part of the announcement right there, and that's at 113 00:06:04,560 --> 00:06:07,120 Speaker 1: seven coming back. I got Ryan's roses. After seven, I'll 114 00:06:07,120 --> 00:06:13,039 Speaker 1: be doing that, actually technically I will. I'm happy to 115 00:06:13,080 --> 00:06:19,159 Speaker 1: take a Monday off. So the Wango Tango announcement, Wango 116 00:06:19,240 --> 00:06:26,000 Speaker 1: Tango two, it's back. It's coming up one to a 117 00:06:26,000 --> 00:06:27,200 Speaker 1: lot of I'm looking at all. There are is a 118 00:06:27,240 --> 00:06:29,200 Speaker 1: lot of good artists coming up seven o'clock this morning. 119 00:06:29,240 --> 00:06:31,719 Speaker 1: Stand by, all right, Chania, you have a new ritual 120 00:06:32,200 --> 00:06:36,280 Speaker 1: I do so. One of my girlfriends gave me this stone. 121 00:06:37,080 --> 00:06:46,400 Speaker 1: This uh it's called flower Got day Flower Get This 122 00:06:46,480 --> 00:06:49,600 Speaker 1: is the stone And what I do with it for 123 00:06:49,640 --> 00:06:51,159 Speaker 1: five minutes every day is I put it up to 124 00:06:51,200 --> 00:06:52,960 Speaker 1: my heart, and it's supposed to be the stone of 125 00:06:53,000 --> 00:06:56,479 Speaker 1: self growth, motivation, passion that helps you reach your highest potential. 126 00:06:56,520 --> 00:06:58,560 Speaker 1: So it's basically helps you get rid of imposter syndrome. 127 00:06:59,680 --> 00:07:01,680 Speaker 1: And I just put it up to my heart every 128 00:07:01,720 --> 00:07:04,360 Speaker 1: day for five minutes either usually not in the morning. 129 00:07:04,680 --> 00:07:06,400 Speaker 1: Can you describe the stone just so people can get 130 00:07:06,400 --> 00:07:08,000 Speaker 1: an idea of what is you're holding into your heart. Yeah, 131 00:07:08,040 --> 00:07:09,760 Speaker 1: it's pretty large. It's like the size of my palm. 132 00:07:09,840 --> 00:07:12,000 Speaker 1: It's in the shape of a heart, and it's kind 133 00:07:12,000 --> 00:07:16,600 Speaker 1: of like beautiful gray, and um, is it natural? Does 134 00:07:16,600 --> 00:07:18,400 Speaker 1: it come like that? Yeah, it comes like it looks 135 00:07:18,440 --> 00:07:21,400 Speaker 1: like granny and they shape it. Yeah, but it's really 136 00:07:21,440 --> 00:07:25,120 Speaker 1: beautiful and it's healing. And I've been doing it every 137 00:07:25,200 --> 00:07:27,520 Speaker 1: day for five minutes and I think it's working. It 138 00:07:27,560 --> 00:07:29,400 Speaker 1: seems like a long time to have to hold it 139 00:07:29,440 --> 00:07:31,640 Speaker 1: up against Also, it seems like very heavy to carry 140 00:07:31,640 --> 00:07:33,680 Speaker 1: around every day. Yeah, I put in my hat, just 141 00:07:33,680 --> 00:07:35,800 Speaker 1: have it with me at all times because it's supposed 142 00:07:35,840 --> 00:07:37,760 Speaker 1: to for five minutes. What you do is you kind 143 00:07:37,760 --> 00:07:39,920 Speaker 1: of think about all those self doubt and all those things, 144 00:07:40,040 --> 00:07:42,400 Speaker 1: kind of just like leaving your body. But if like 145 00:07:42,480 --> 00:07:44,440 Speaker 1: the heart makers should have made a smaller heart to 146 00:07:44,440 --> 00:07:47,679 Speaker 1: make it more mobile. It's very big to transport. Yeah, 147 00:07:47,800 --> 00:07:50,160 Speaker 1: I know, actually know somebody that puts little rocks in 148 00:07:50,200 --> 00:07:52,840 Speaker 1: their bras, like if they need help with things throughout 149 00:07:52,880 --> 00:07:54,600 Speaker 1: the day, they'll like put those stones in their bra 150 00:07:55,080 --> 00:07:56,520 Speaker 1: That's the first time I've heard of that, isn't he 151 00:07:57,240 --> 00:07:59,120 Speaker 1: That is the second time I've heard of that, because 152 00:07:59,160 --> 00:08:03,560 Speaker 1: Tanya told me that earlier, and I like, if you're 153 00:08:03,560 --> 00:08:06,400 Speaker 1: going into a job interview, this would be a great 154 00:08:06,880 --> 00:08:12,280 Speaker 1: like stone to have in your bra. Well, no, there's 155 00:08:12,520 --> 00:08:14,800 Speaker 1: a smaller one, smaller sized one of these, like a 156 00:08:14,840 --> 00:08:16,560 Speaker 1: little baby one of these. Just put it in your 157 00:08:16,560 --> 00:08:18,200 Speaker 1: bra so it's there and it gets rid of all 158 00:08:18,240 --> 00:08:21,800 Speaker 1: yourself down. I understand the stone energy and all that, 159 00:08:22,320 --> 00:08:24,640 Speaker 1: but I guess I don't understand it. Isn't it just 160 00:08:24,680 --> 00:08:28,920 Speaker 1: the same thing as caring a rabbit's foot exactly? It's like, 161 00:08:29,520 --> 00:08:33,280 Speaker 1: why would you take as a rabbit you bring good luck? 162 00:08:33,320 --> 00:08:40,040 Speaker 1: Good luck rabbit? No, it sounds gross and inhumane. It's 163 00:08:40,080 --> 00:08:44,800 Speaker 1: not a real rabbit. Oh, it's just a piece of 164 00:08:44,840 --> 00:08:46,959 Speaker 1: like made up for on a key chain you put 165 00:08:47,000 --> 00:08:49,160 Speaker 1: in your pocket for good luck. What's significance of that 166 00:08:49,240 --> 00:08:51,720 Speaker 1: I think that there's like a disconnect sometimes with like 167 00:08:51,720 --> 00:08:53,800 Speaker 1: like Tanya is not that much younger than me, but 168 00:08:53,840 --> 00:08:56,280 Speaker 1: I feel like there's and then and I'm and you're 169 00:08:56,320 --> 00:08:59,320 Speaker 1: not that much older than me. Right, Like, here's a 170 00:08:59,400 --> 00:09:04,000 Speaker 1: degenerate show gaps sometimes between the two of us and you. 171 00:09:04,040 --> 00:09:06,440 Speaker 1: A rabbit spoot was like a rabbit's foot was such 172 00:09:06,480 --> 00:09:08,640 Speaker 1: a thing, and like the eighties and early nineties, like 173 00:09:08,679 --> 00:09:10,680 Speaker 1: I feel like every kid had a rabbit's foot attached 174 00:09:10,679 --> 00:09:12,880 Speaker 1: their backpack. I'm gonna tell you the story of the 175 00:09:12,920 --> 00:09:15,040 Speaker 1: rabbit's foot right now. In some cultures, the foot of 176 00:09:15,040 --> 00:09:18,319 Speaker 1: a rabbit is carried as uh something to bring good luck. 177 00:09:18,320 --> 00:09:20,320 Speaker 1: The belief is held by individuals in a great number 178 00:09:20,320 --> 00:09:23,800 Speaker 1: places around the world Europe, China, Africa, and North and 179 00:09:23,880 --> 00:09:26,880 Speaker 1: South America. Yeah, I had one in high in in 180 00:09:26,960 --> 00:09:30,320 Speaker 1: like elementary school on my backpack. These are not real 181 00:09:30,400 --> 00:09:34,240 Speaker 1: rabbit's feet. They're actually imposters made from latex covered in die. 182 00:09:35,840 --> 00:09:38,480 Speaker 1: Also like what's latex and fake for doing for you? 183 00:09:39,240 --> 00:09:42,000 Speaker 1: It's supposed to give you good luck. It's a token 184 00:09:42,040 --> 00:09:43,920 Speaker 1: of good luck, reminds the owner to be courageous in 185 00:09:43,960 --> 00:09:45,840 Speaker 1: adverse situation. So it's really doing the same thing as 186 00:09:45,880 --> 00:09:48,679 Speaker 1: your heart mills hokey, and it doesn't weigh anything. Well, 187 00:09:48,800 --> 00:09:53,040 Speaker 1: so does that feel this is the stone girl from 188 00:09:53,080 --> 00:09:56,000 Speaker 1: the Earth's walking around with a huge rock in your purse. 189 00:09:56,040 --> 00:10:00,079 Speaker 1: All right, let's talk later. Okay, guys, please, we'd just 190 00:10:00,160 --> 00:10:02,800 Speaker 1: started your morning hack is next. So we think this 191 00:10:02,840 --> 00:10:04,360 Speaker 1: is good stuff at the grocery store, but I guess 192 00:10:04,360 --> 00:10:07,800 Speaker 1: employees think it's not good. It's rude. One adding your 193 00:10:07,840 --> 00:10:10,560 Speaker 1: cart to the train and employees already pushing a long 194 00:10:10,559 --> 00:10:13,480 Speaker 1: train of carts back, and if you had another one, 195 00:10:13,480 --> 00:10:15,760 Speaker 1: it kind of throws off their math, like, oh, I 196 00:10:15,760 --> 00:10:18,480 Speaker 1: would never do that. Actually. The train, Yeah, I feel 197 00:10:18,480 --> 00:10:20,880 Speaker 1: like it's already all connected. I kind of always a kid, 198 00:10:20,880 --> 00:10:22,760 Speaker 1: always sound. It was so cool the train, the cart 199 00:10:22,800 --> 00:10:27,360 Speaker 1: train and how you could move around. All right. Another 200 00:10:27,400 --> 00:10:29,079 Speaker 1: thing that we think is good, they think it's rude 201 00:10:29,280 --> 00:10:32,120 Speaker 1: putting things back where they belong. You find milk in 202 00:10:32,160 --> 00:10:34,640 Speaker 1: the bread aisle, so you put it back with the milk, 203 00:10:34,720 --> 00:10:37,360 Speaker 1: but you don't know how long it's been out, so 204 00:10:37,679 --> 00:10:39,280 Speaker 1: it's not a good idea. You think you're doing a 205 00:10:39,360 --> 00:10:43,200 Speaker 1: good a good deed and trying to clean up. If 206 00:10:43,240 --> 00:10:46,520 Speaker 1: you spill, you spill it happens. They have the supplies 207 00:10:46,559 --> 00:10:48,360 Speaker 1: to take care of it. Just let someone deal with it. 208 00:10:48,440 --> 00:10:53,079 Speaker 1: Don't clean it up yourself. Excuse me, grocery people know 209 00:10:53,800 --> 00:10:56,760 Speaker 1: it's I mean, it makes sense like we're trying to 210 00:10:56,800 --> 00:10:58,719 Speaker 1: do good, but we're getting in their way basically. But 211 00:10:58,800 --> 00:11:00,600 Speaker 1: these times I wonder, you know what I always do 212 00:11:00,640 --> 00:11:02,679 Speaker 1: when I'm like at Macy's or shopping or something like that. 213 00:11:03,000 --> 00:11:06,000 Speaker 1: I re racked the clothes. Like if if it's falling 214 00:11:06,000 --> 00:11:08,760 Speaker 1: off the hangar, I fix it because it just drives 215 00:11:08,760 --> 00:11:11,719 Speaker 1: me nuts that the clothes is just falling off. Is 216 00:11:11,840 --> 00:11:15,000 Speaker 1: very appreciative effect. Okay, thought, so thank you. All right. 217 00:11:15,040 --> 00:11:17,760 Speaker 1: Today's quote when you find yourself trying to prove your worth, 218 00:11:18,160 --> 00:11:23,559 Speaker 1: you have forgotten your value. On air with Ryan Secrets, 219 00:11:25,559 --> 00:11:28,720 Speaker 1: I'm gonna get you the Whango Tango announcement. First, the 220 00:11:28,760 --> 00:11:30,800 Speaker 1: headline sistening what do you have this morning? Let's talk 221 00:11:30,800 --> 00:11:34,000 Speaker 1: about the Grammys. Obviously, they took place in Las Vegas 222 00:11:34,160 --> 00:11:36,640 Speaker 1: last night. It was the first time ever that the 223 00:11:36,679 --> 00:11:41,480 Speaker 1: Grammys in their sixty four year history were in Las Vegas, 224 00:11:41,520 --> 00:11:43,920 Speaker 1: so that was kind of a big deal. John Batiste, 225 00:11:43,920 --> 00:11:47,640 Speaker 1: Olivia Rodrigo, Silk Sonic each took home the Big Prizes. 226 00:11:47,720 --> 00:11:50,840 Speaker 1: Last night. John Battiste, the most nominated artist of the year, 227 00:11:50,920 --> 00:11:54,240 Speaker 1: won five awards out of his eleven nominations, including Album 228 00:11:54,280 --> 00:11:57,440 Speaker 1: of the Year. Four we Are Silk Sonic notched wins 229 00:11:57,480 --> 00:11:59,520 Speaker 1: for Song and Record of the Year for their hit 230 00:11:59,600 --> 00:12:02,600 Speaker 1: song Eave the Door Open and Olivia Rodrigo. We knew 231 00:12:02,640 --> 00:12:04,880 Speaker 1: she was gonna be the one to beat. Olivia Rodrigo 232 00:12:04,920 --> 00:12:08,679 Speaker 1: to com prizes for Best New Artist, Pop Vocal Album 233 00:12:08,760 --> 00:12:11,280 Speaker 1: and Pop Solo Performance on the strength of her massive 234 00:12:11,320 --> 00:12:15,360 Speaker 1: single Driver's License and her debut album Sour Shoutout to 235 00:12:15,400 --> 00:12:17,640 Speaker 1: Dojakat and Scissor as well. They won for Best Pop 236 00:12:17,679 --> 00:12:20,600 Speaker 1: Performance by a Duel or Group for kiss Me More 237 00:12:21,600 --> 00:12:27,400 Speaker 1: on air with Ryan Seacrest, all Right, listen to this, 238 00:12:28,800 --> 00:12:32,720 Speaker 1: get Ready, Let's do It so Cows. Summer starts at 239 00:12:32,840 --> 00:12:45,840 Speaker 1: Kiss FMS, Wingo Tingo two starring Sean Mande Yea Say 240 00:12:48,080 --> 00:13:04,120 Speaker 1: Some chame Smokers, Welcome You, Ricky g mac Lee, Poop Hello, 241 00:13:08,040 --> 00:13:24,800 Speaker 1: five Seconds of Summer, Tait mccraig, Lords and Spencer Smith 242 00:13:28,440 --> 00:13:32,640 Speaker 1: gild You ever get a Little Bit Um by Whole 243 00:13:33,520 --> 00:13:40,920 Speaker 1: and a special performance by Diplow at DUSKS Kiss FM. 244 00:13:41,080 --> 00:13:47,400 Speaker 1: Swingo Tango June four, Any Kiss Club v I p s. 245 00:13:47,600 --> 00:13:50,160 Speaker 1: You get the first shot of tickets Thursday morning, it's 246 00:13:50,200 --> 00:13:52,800 Speaker 1: head tickets on sale to the world of Friday morning 247 00:13:52,840 --> 00:13:57,160 Speaker 1: at tend at k I s FM dot com. It's 248 00:13:57,200 --> 00:14:02,480 Speaker 1: good Girl guests. Who's with us next? Sean Mendez? And 249 00:14:02,679 --> 00:14:06,800 Speaker 1: Sean has great timing because he's on the telephone as 250 00:14:06,920 --> 00:14:11,600 Speaker 1: his song is ending, very punky, very very good timing. 251 00:14:11,960 --> 00:14:14,800 Speaker 1: How are you, Sean. I'm good. I've got it, got 252 00:14:14,840 --> 00:14:18,520 Speaker 1: good instinct. I think I think you've got that down. 253 00:14:18,600 --> 00:14:21,040 Speaker 1: I think you've got instinct down. So, first of all, 254 00:14:21,360 --> 00:14:24,120 Speaker 1: a lot of excitement here because we're gonna get to 255 00:14:24,200 --> 00:14:28,520 Speaker 1: see you on stage live at the show. I'm excited. Man. 256 00:14:28,560 --> 00:14:31,920 Speaker 1: It's always a really great show. Well, it's kind of cool, 257 00:14:32,480 --> 00:14:35,400 Speaker 1: uh you know that so many different artists say yes 258 00:14:35,480 --> 00:14:37,520 Speaker 1: to do it and you can get a chance to 259 00:14:37,600 --> 00:14:39,880 Speaker 1: hear all your favorite songs. Really, it's like listening to 260 00:14:39,960 --> 00:14:44,520 Speaker 1: a live playlist of the radio station. It's truly but 261 00:14:44,600 --> 00:14:47,840 Speaker 1: it as it also feels very natural. It doesn't feel 262 00:14:47,880 --> 00:14:49,600 Speaker 1: like a forest thing at all. It just feels really 263 00:14:49,680 --> 00:14:54,120 Speaker 1: fun and really organic. So I always really enjoy that 264 00:14:54,480 --> 00:14:57,160 Speaker 1: show so much. So I'm gonna get to your tour 265 00:14:57,400 --> 00:15:00,680 Speaker 1: in a second. But I'm listening to the rics of 266 00:15:01,080 --> 00:15:05,720 Speaker 1: that song, and I know, obviously you're no longer with 267 00:15:05,960 --> 00:15:08,480 Speaker 1: your girlfriend at the time, maybe when you wrote it, 268 00:15:08,520 --> 00:15:10,160 Speaker 1: or maybe you were going through the breakup with Camila. 269 00:15:10,440 --> 00:15:13,200 Speaker 1: When did you put when did you put those thoughts 270 00:15:13,560 --> 00:15:17,280 Speaker 1: to paper? This is about a month I think after 271 00:15:17,360 --> 00:15:20,360 Speaker 1: we split up. And yeah, I think it's really just 272 00:15:21,680 --> 00:15:25,440 Speaker 1: the processing and the complexities of that, the complexities of 273 00:15:25,920 --> 00:15:28,760 Speaker 1: knowing something is better and still wanting to hold on 274 00:15:28,920 --> 00:15:33,280 Speaker 1: and kind of all the reasons why. And yeah, I'm 275 00:15:33,320 --> 00:15:37,040 Speaker 1: really glad to be able to just be real and 276 00:15:37,160 --> 00:15:40,400 Speaker 1: be be authentic with my music because it's cathartic for 277 00:15:40,480 --> 00:15:42,360 Speaker 1: me to to be able to write about these things. 278 00:15:42,400 --> 00:15:44,960 Speaker 1: And then it's amazing because I get to hear how 279 00:15:45,040 --> 00:15:48,280 Speaker 1: people are possibly going through the same thing. So I'm 280 00:15:48,560 --> 00:15:52,400 Speaker 1: happy about this one. It's something we all certainly here 281 00:15:52,560 --> 00:15:55,640 Speaker 1: can relate to. Its funny something I get. I get scared. 282 00:15:56,240 --> 00:15:59,000 Speaker 1: You guys were together and you were so happy. I 283 00:15:59,120 --> 00:16:02,920 Speaker 1: get scared when I get so happy, because I just 284 00:16:03,080 --> 00:16:04,680 Speaker 1: worried that if I have to go through a breakup, 285 00:16:04,720 --> 00:16:06,600 Speaker 1: I'm not strong enough to go through it, you know. 286 00:16:06,720 --> 00:16:10,880 Speaker 1: It's hard. M hmm, yeah, I totally understanding. I think 287 00:16:11,240 --> 00:16:14,960 Speaker 1: I think most people have that fere um. But in 288 00:16:15,080 --> 00:16:17,520 Speaker 1: a lot of ways, I think a breakup can be 289 00:16:17,560 --> 00:16:19,320 Speaker 1: a blessing too, because it can really kind of show 290 00:16:19,360 --> 00:16:23,840 Speaker 1: you that you are, which is necessary, you know. So yeah, 291 00:16:24,280 --> 00:16:27,960 Speaker 1: and you guys have stayed friendly, so friendly. I mean, 292 00:16:28,640 --> 00:16:31,320 Speaker 1: I love communities for so many years and that that's 293 00:16:31,360 --> 00:16:33,320 Speaker 1: never going to change. So I mean, she'll be there too, 294 00:16:33,480 --> 00:16:35,640 Speaker 1: So you guys are both do the same show. There 295 00:16:35,720 --> 00:16:38,480 Speaker 1: you go, There you go. You kind of a cameo 296 00:16:38,840 --> 00:16:40,240 Speaker 1: could come out on one of her songs, she can 297 00:16:40,280 --> 00:16:41,720 Speaker 1: come out on one of yours. That's what I was 298 00:16:41,800 --> 00:16:43,360 Speaker 1: thinking that I didn't want to say it or put 299 00:16:43,400 --> 00:16:45,720 Speaker 1: pressure on Sean, But what do you think I wouldn't. 300 00:16:45,800 --> 00:16:47,800 Speaker 1: I wouldn't be surprised. I wouldn't. I wouldn't put it 301 00:16:47,840 --> 00:16:52,520 Speaker 1: past us. Okay, that would be sweet. All right, let's 302 00:16:52,560 --> 00:16:55,840 Speaker 1: talk about this World tour. The Wonder World Tour tickets 303 00:16:55,920 --> 00:16:58,360 Speaker 1: on sale now at ticketmaster dot com. But you're taken 304 00:16:58,440 --> 00:17:01,840 Speaker 1: on the globe. Huh Yeah, we're back out there. We 305 00:17:01,920 --> 00:17:04,240 Speaker 1: have I think over a hundred and ten shows around 306 00:17:04,240 --> 00:17:12,000 Speaker 1: the world. Overwhelming. I know it's exciting, but it's overwhelming old. 307 00:17:16,320 --> 00:17:19,000 Speaker 1: It is a lot of shows. It's completely overwhelming, but 308 00:17:19,200 --> 00:17:24,640 Speaker 1: it's very exciting. It's it's it's um it's completely bizarre 309 00:17:25,520 --> 00:17:28,480 Speaker 1: that I even have the ability to be able to 310 00:17:28,600 --> 00:17:31,960 Speaker 1: travel around the world and play shows to that many people. UM. 311 00:17:32,520 --> 00:17:35,080 Speaker 1: So I try to just take it, take it as 312 00:17:35,119 --> 00:17:37,639 Speaker 1: it comes, and just remember that, you know, this doesn't 313 00:17:37,680 --> 00:17:40,240 Speaker 1: come to many people in their lives, so it's a 314 00:17:40,280 --> 00:17:46,160 Speaker 1: good perspective. It's incredible another country whose language first language 315 00:17:46,320 --> 00:17:49,440 Speaker 1: isn't English and they're singing your lyrics back to you. 316 00:17:50,720 --> 00:17:54,200 Speaker 1: I think that's always been the most um, the most 317 00:17:54,520 --> 00:17:57,879 Speaker 1: the most attractive thing to this entire career to me 318 00:17:58,240 --> 00:18:02,159 Speaker 1: was was being able to try fly, you know, twenty 319 00:18:02,200 --> 00:18:05,960 Speaker 1: two hours across the world and people sing the same 320 00:18:06,080 --> 00:18:09,280 Speaker 1: song and in the same way. I mean, it's real. 321 00:18:09,359 --> 00:18:11,240 Speaker 1: It really kind of makes the world feel small and 322 00:18:11,359 --> 00:18:14,000 Speaker 1: it connects everybody, and that's like the thing that I 323 00:18:14,119 --> 00:18:17,240 Speaker 1: feel most addicted to. It really is the beauty of music. 324 00:18:17,520 --> 00:18:22,240 Speaker 1: It's been so interesting to listen to your music first 325 00:18:22,280 --> 00:18:24,520 Speaker 1: time we ever met, years and years ago, to hear 326 00:18:24,600 --> 00:18:27,480 Speaker 1: your music then and hear your music now, and just 327 00:18:27,680 --> 00:18:32,920 Speaker 1: the growth in the authenticity and the vulnerability you really 328 00:18:32,960 --> 00:18:36,000 Speaker 1: get a sense of it. Sean, thanks a lot of man. 329 00:18:36,080 --> 00:18:38,119 Speaker 1: I really appreciate that, man. I mean I think I 330 00:18:38,200 --> 00:18:41,800 Speaker 1: think like, as a kid, you're so scared of being 331 00:18:42,440 --> 00:18:45,560 Speaker 1: judged and critiqued in any way. Um, and then through 332 00:18:45,640 --> 00:18:48,360 Speaker 1: so many instances and through so many songs, I've really 333 00:18:48,480 --> 00:18:51,720 Speaker 1: learned that the more vulnerable I am, the more authentic 334 00:18:51,800 --> 00:18:54,880 Speaker 1: I am, the better the response. The better the reaction, 335 00:18:55,000 --> 00:18:57,520 Speaker 1: the better the connection. So it's kind of a win 336 00:18:57,600 --> 00:19:00,480 Speaker 1: win situation because I get to say what I truly 337 00:19:00,520 --> 00:19:02,920 Speaker 1: want to say, and then people end up connecting away 338 00:19:02,960 --> 00:19:06,320 Speaker 1: it better anyway. You know, it's true, and the challenges 339 00:19:06,560 --> 00:19:10,040 Speaker 1: in life are usually some of the most universal things 340 00:19:10,200 --> 00:19:17,200 Speaker 1: that people can relate to a hundred percent. Sean Men does. Gosh, 341 00:19:17,359 --> 00:19:20,639 Speaker 1: he just sounds so relaxed. I need to I need 342 00:19:20,680 --> 00:19:23,240 Speaker 1: to have some men does vibes because I am high, 343 00:19:23,720 --> 00:19:26,720 Speaker 1: high strung Sean, I am high. Yeah, he brought us down. 344 00:19:26,960 --> 00:19:28,960 Speaker 1: I mean it's like it's like I just lit a 345 00:19:29,040 --> 00:19:31,080 Speaker 1: candle and dim the lights in here with that totally 346 00:19:32,400 --> 00:19:35,000 Speaker 1: you you do. You do a lot, man, You guys 347 00:19:35,119 --> 00:19:37,560 Speaker 1: do a lot. You listen, you're up with like six 348 00:19:37,760 --> 00:19:40,960 Speaker 1: five am probably every morning, straight onto the radio like 349 00:19:41,160 --> 00:19:44,320 Speaker 1: typing people up. You know it's yes, so we're expected 350 00:19:44,359 --> 00:19:47,119 Speaker 1: to be high. We should be all wounded up. Oh 351 00:19:47,200 --> 00:19:52,040 Speaker 1: my third cup of coffee. Take copy by seven am. 352 00:19:52,080 --> 00:19:55,320 Speaker 1: That's the problem. Tickets to Wango Tango on sale to 353 00:19:55,440 --> 00:19:57,280 Speaker 1: Kiss called p I P S ten A, I'm on Thursday. 354 00:19:57,640 --> 00:20:00,480 Speaker 1: Remaining tickets sale Friday at ten then. Sean new song 355 00:20:00,760 --> 00:20:02,560 Speaker 1: when You're Gone is out now, and tickets to his 356 00:20:02,760 --> 00:20:07,880 Speaker 1: world tour are on sale now at ticketmaster dot com. Sean, 357 00:20:07,920 --> 00:20:10,720 Speaker 1: it's always a pleasure, brother. I'm glad you're doing so well. 358 00:20:10,880 --> 00:20:14,120 Speaker 1: Continue it and we'll see you soon. I really appreciate 359 00:20:14,160 --> 00:20:20,280 Speaker 1: you guys. Thanks for having me. Thanks it by. I 360 00:20:20,440 --> 00:20:25,480 Speaker 1: feel like, yeah, I might need him to just leave me. 361 00:20:25,520 --> 00:20:30,080 Speaker 1: A couple of voice notes voices yea to Ryan Ryan, 362 00:20:30,440 --> 00:20:34,280 Speaker 1: just take a breath, Just take a breath, suld one 363 00:20:34,320 --> 00:20:36,320 Speaker 1: of the voices of Headspace. Does he he should do 364 00:20:36,359 --> 00:20:40,080 Speaker 1: one of those Headspace uh with at night when you 365 00:20:40,160 --> 00:20:41,800 Speaker 1: play those put you to sleep, that relaxed you to 366 00:20:41,840 --> 00:20:43,520 Speaker 1: go to sleep. Yes, he would be great, because Harry 367 00:20:43,520 --> 00:20:49,639 Speaker 1: Styles didn't calm, okay, okay, well I use headspace all right, 368 00:20:50,119 --> 00:20:54,040 Speaker 1: just announced it, Sean Mendez, The Chain Smokers Community, Cabeo, 369 00:20:54,119 --> 00:20:57,359 Speaker 1: Becky g Charlie Pootla, five seconds of Summer, Tate mcrat Latto, 370 00:20:57,840 --> 00:21:02,000 Speaker 1: Lauren Spencer Smith, Gayale, and others including Diplo at dusk 371 00:21:02,760 --> 00:21:06,400 Speaker 1: Ourango Tango Take this one sale a kiss Coat Peas 372 00:21:06,400 --> 00:21:10,399 Speaker 1: at ten a m Thursday. All right, we have a 373 00:21:10,480 --> 00:21:14,400 Speaker 1: Ryan's roses to get to, but first a trending report. 374 00:21:14,720 --> 00:21:17,200 Speaker 1: Now re ask that question. So Cissy and I are clear, 375 00:21:17,840 --> 00:21:21,320 Speaker 1: you can't say the wrong thing to the right one. 376 00:21:21,920 --> 00:21:24,080 Speaker 1: Whenever someone says wrong and right in the same sentence, 377 00:21:24,119 --> 00:21:27,080 Speaker 1: it really confuses me. Yes, I know what it means. Okay, 378 00:21:27,080 --> 00:21:29,520 Speaker 1: go ahead, I got it. Okay, So you believe that 379 00:21:29,680 --> 00:21:35,600 Speaker 1: in that statement to be true. No, I don't. Why 380 00:21:35,720 --> 00:21:38,240 Speaker 1: the change in heart so bad because I understand it. 381 00:21:38,280 --> 00:21:40,720 Speaker 1: I just don't believe it's true. Okay. So I believe 382 00:21:40,760 --> 00:21:42,040 Speaker 1: it's true, and I'm going to prove it in this 383 00:21:42,160 --> 00:21:49,119 Speaker 1: trending report. Okay. So that condor um. We love her 384 00:21:49,200 --> 00:21:51,359 Speaker 1: from the Netflix series to all the Boys. Remember we 385 00:21:51,440 --> 00:21:55,880 Speaker 1: love her. She's recently engaged to Anthony day Lator. Why 386 00:21:56,000 --> 00:22:01,040 Speaker 1: is everybody's like, I mean, whatever does going? So? She 387 00:22:01,160 --> 00:22:04,080 Speaker 1: was opening up about her engagement and how she was 388 00:22:04,160 --> 00:22:06,639 Speaker 1: the first one to make the first move in her relationship. 389 00:22:06,720 --> 00:22:10,120 Speaker 1: So they met at the Emmys. She said, I got 390 00:22:10,200 --> 00:22:11,920 Speaker 1: his digits. First of all, I need you guys to 391 00:22:11,920 --> 00:22:14,720 Speaker 1: pay attention because this is a great idea. Um, she said, 392 00:22:16,920 --> 00:22:19,240 Speaker 1: Ryan squirting his ginger into his thing and syss like 393 00:22:19,400 --> 00:22:22,439 Speaker 1: laughing on the side of him. Second break to put 394 00:22:22,520 --> 00:22:24,320 Speaker 1: some ginger in my teeth. I need you guys to 395 00:22:24,359 --> 00:22:26,960 Speaker 1: snap it back, so she goes. I was like, oh, hey, hey, hey, 396 00:22:27,400 --> 00:22:29,879 Speaker 1: I thought of this joke, but I forgot the punchline. 397 00:22:29,960 --> 00:22:32,280 Speaker 1: Can I have your number? And when I remember it later, 398 00:22:32,400 --> 00:22:38,240 Speaker 1: I'll text you cute genius that is a genius move. 399 00:22:38,600 --> 00:22:40,920 Speaker 1: Cheesy but cute. So anyways, a half hour later she 400 00:22:41,040 --> 00:22:42,920 Speaker 1: texted the joke and it was what do you call 401 00:22:43,040 --> 00:22:49,840 Speaker 1: a pile of kittens? Amount? And all right, well I 402 00:22:49,880 --> 00:22:52,199 Speaker 1: understand it in premise, Okay. So that's what it got 403 00:22:52,240 --> 00:22:54,000 Speaker 1: me thinking, like, if somebody said that joke to me, 404 00:22:54,200 --> 00:22:58,680 Speaker 1: I would be like, yikes, I would be on the 405 00:22:58,760 --> 00:23:01,159 Speaker 1: four or five. On the right person, it's cute to 406 00:23:01,240 --> 00:23:03,320 Speaker 1: no matter what exactly. But if it's the right person, 407 00:23:03,359 --> 00:23:05,840 Speaker 1: you can't say the wrong thing. So that's exactly what 408 00:23:06,040 --> 00:23:09,000 Speaker 1: happened in this situation. You can say the wrong thing 409 00:23:09,160 --> 00:23:11,520 Speaker 1: to the right person. They can't. They're going to think 410 00:23:11,560 --> 00:23:14,720 Speaker 1: it's human. They can't in the context of something like this. 411 00:23:14,880 --> 00:23:16,560 Speaker 1: But you can certainly say the wrong thing to the 412 00:23:16,640 --> 00:23:19,000 Speaker 1: right person. That's what happens when Cecity and Michael fight. 413 00:23:19,800 --> 00:23:24,760 Speaker 1: That's true, nose. You've got to get into you ever argued, Yeah, 414 00:23:24,760 --> 00:23:28,000 Speaker 1: but that's just a disagreement. He said the wrong thing, 415 00:23:28,680 --> 00:23:30,639 Speaker 1: but it's not wrong to you. But they're the right person. 416 00:23:31,240 --> 00:23:33,359 Speaker 1: He's not said the wrong thing. You've never apologized or 417 00:23:33,400 --> 00:23:37,879 Speaker 1: something you said. Yeah, yeah, said the wrong thing. You 418 00:23:37,920 --> 00:23:39,840 Speaker 1: said the wrong thing, So you can say the wrong 419 00:23:39,880 --> 00:23:43,639 Speaker 1: thing you're talking about in like this category of conversation. Well, 420 00:23:43,680 --> 00:23:46,439 Speaker 1: I guess what I'm saying is like, no matter how cheesy, 421 00:23:46,480 --> 00:23:50,680 Speaker 1: it's cute, Yeah, got it. Yeah. I think you guys 422 00:23:50,720 --> 00:23:53,280 Speaker 1: took it a little further, which I respect and admire, 423 00:23:53,480 --> 00:23:57,440 Speaker 1: but but I don't. I don't like it. And you 424 00:23:57,520 --> 00:24:00,200 Speaker 1: guys did listen back to the beginning to act to 425 00:24:00,240 --> 00:24:01,680 Speaker 1: what I wanted you to think, you know, sis, me 426 00:24:01,800 --> 00:24:03,440 Speaker 1: and Ryan, I wanted you to think it this way. 427 00:24:03,480 --> 00:24:11,800 Speaker 1: You didn't find me for a second. I just want 428 00:24:11,840 --> 00:24:13,760 Speaker 1: to encourage anybody that's on a dating app, but they 429 00:24:13,800 --> 00:24:15,840 Speaker 1: second guess any of their texts or any of their 430 00:24:15,960 --> 00:24:18,399 Speaker 1: first moves. You can't say the wrong thing to the 431 00:24:18,520 --> 00:24:20,240 Speaker 1: right one. I mean, I guess I told Michael I 432 00:24:20,400 --> 00:24:23,159 Speaker 1: loved him after the first date, wrong dial, and that 433 00:24:23,280 --> 00:24:26,040 Speaker 1: might scare the wrong one off. We've all done the 434 00:24:26,160 --> 00:24:28,960 Speaker 1: love thing too soon, I think. But after the first 435 00:24:29,080 --> 00:24:32,560 Speaker 1: day I told you I have said, hey, what are 436 00:24:32,560 --> 00:24:37,280 Speaker 1: you doing for the next Yeah, but that's cute, Not really, 437 00:24:39,800 --> 00:24:44,280 Speaker 1: But that wouldn't have been the right one. And be like, 438 00:24:44,320 --> 00:24:47,080 Speaker 1: I got plans. But if it were the right person, 439 00:24:47,880 --> 00:24:51,320 Speaker 1: you'd say, I'd canceled my plans. Would you say what? 440 00:24:51,400 --> 00:24:55,160 Speaker 1: You'd say? Yeah? What do I pack? Where are we going? 441 00:24:55,240 --> 00:24:58,440 Speaker 1: Where we going? What do we need? Yeah? We need dogs? 442 00:24:58,480 --> 00:25:02,119 Speaker 1: That her o fun. This is what you know. It 443 00:25:02,280 --> 00:25:04,280 Speaker 1: went into a nice place, a happy place. Thank you 444 00:25:04,320 --> 00:25:09,639 Speaker 1: for letting us land there. Why don't you point seven 445 00:25:09,760 --> 00:25:12,400 Speaker 1: kiss FM? Al Right, everybody bring it on and we're 446 00:25:12,400 --> 00:25:15,240 Speaker 1: gonna get to Ryan's roses right now. I'll tell you 447 00:25:15,280 --> 00:25:17,840 Speaker 1: more about the Wango Tango lineup that I gave you. 448 00:25:18,119 --> 00:25:20,480 Speaker 1: Slash played the announcement for by the guy with a 449 00:25:20,520 --> 00:25:24,520 Speaker 1: deep voice is really not gonna let that go because 450 00:25:24,520 --> 00:25:26,080 Speaker 1: I listened to Weekend thinking I was supposed to do 451 00:25:26,119 --> 00:25:29,159 Speaker 1: it myself with my own voice, and then I played 452 00:25:29,200 --> 00:25:31,000 Speaker 1: the thing with the guy that sounds like that, maybe 453 00:25:31,000 --> 00:25:36,440 Speaker 1: we need to call you Morton now. Oh. I was 454 00:25:36,480 --> 00:25:38,399 Speaker 1: feeling a little salty from not being able to do 455 00:25:38,480 --> 00:25:43,440 Speaker 1: the I just was preparing for it, you know. I 456 00:25:43,520 --> 00:25:45,120 Speaker 1: came in, I was handed the sheet. Take it. Ready, 457 00:25:45,160 --> 00:25:47,560 Speaker 1: got to do this. Seven. You gotta do this, gotta 458 00:25:47,600 --> 00:25:52,560 Speaker 1: read these pages. At seven, it's like whatever right now, 459 00:25:52,680 --> 00:25:58,680 Speaker 1: and you're like still talking about it in six this morning. Yeah, okay, 460 00:26:01,280 --> 00:26:05,439 Speaker 1: I love guys. Guys, guys, we're losing focus too much. 461 00:26:05,760 --> 00:26:08,080 Speaker 1: I really like Tubbs is bring and switch the station 462 00:26:08,119 --> 00:26:11,919 Speaker 1: and he's the engineer. Oh he wouldn't do that. Uh, 463 00:26:12,080 --> 00:26:15,719 Speaker 1: he's over there having omelets or maybe just one. All right, 464 00:26:15,760 --> 00:26:19,920 Speaker 1: let's get to rain Roses. So here's the deal, Audrey, 465 00:26:20,560 --> 00:26:22,520 Speaker 1: right from West Covine, and my dog keeps trying to 466 00:26:22,600 --> 00:26:25,800 Speaker 1: go to the neighbor's house. She thinks that's a problem. 467 00:26:27,080 --> 00:26:31,560 Speaker 1: So Audrey, thanks for coming on, hi, and we're trying. 468 00:26:31,640 --> 00:26:34,040 Speaker 1: So your dog keeps trying to go to your neighbor's house, 469 00:26:34,160 --> 00:26:35,920 Speaker 1: what's the problem. What do you think is happening there? 470 00:26:36,960 --> 00:26:40,879 Speaker 1: I okay, I don't know exactly, but like whenever I 471 00:26:40,960 --> 00:26:42,840 Speaker 1: take him for a walk and we passed the house, 472 00:26:42,920 --> 00:26:45,680 Speaker 1: he starts to go up to the front door. And 473 00:26:46,440 --> 00:26:49,119 Speaker 1: the only reason that makes me suspicious is because my 474 00:26:49,240 --> 00:26:52,600 Speaker 1: husband works from home, and there is a very attractive 475 00:26:52,640 --> 00:26:56,400 Speaker 1: woman that lives there, and I've checked our wing door bell. 476 00:26:57,000 --> 00:27:02,879 Speaker 1: And sometimes my husband takes our very long walks, and 477 00:27:02,960 --> 00:27:06,359 Speaker 1: I mean, our dog likes walks, but he's not super athletic, 478 00:27:06,520 --> 00:27:11,000 Speaker 1: and also he's old, so it's it's hard to tell. 479 00:27:11,840 --> 00:27:14,520 Speaker 1: But also my husband gets really dressed up when he 480 00:27:14,600 --> 00:27:17,560 Speaker 1: goes on these walks, which he never does because he 481 00:27:17,640 --> 00:27:20,320 Speaker 1: works from home. He's kind of a connecting the dots. 482 00:27:20,440 --> 00:27:23,000 Speaker 1: You think that he's spending time with her, and your 483 00:27:23,040 --> 00:27:25,359 Speaker 1: dog knows she's there, and your dog's going over there 484 00:27:25,359 --> 00:27:27,800 Speaker 1: to say hi, get some love. Yeah, I mean I 485 00:27:27,920 --> 00:27:31,159 Speaker 1: think he's like familiar with her. Yes, what do you 486 00:27:31,200 --> 00:27:37,119 Speaker 1: know that woman's name? Your neighbor? I don't how long 487 00:27:37,200 --> 00:27:41,399 Speaker 1: have you been married. We've been married for about eight 488 00:27:41,520 --> 00:27:44,159 Speaker 1: years now. And how long has she been your neighbor? 489 00:27:46,680 --> 00:27:50,720 Speaker 1: Probably about maybe a year. Let me tell you it's 490 00:27:50,760 --> 00:27:52,840 Speaker 1: Ryan's roses right now if you just got here, were 491 00:27:52,880 --> 00:27:56,159 Speaker 1: about to call Audrey's husband. They have a dog. He 492 00:27:56,240 --> 00:27:58,080 Speaker 1: works from home. The dog keeps going to the neighbor's 493 00:27:58,160 --> 00:28:00,520 Speaker 1: front door. Audrey says, there's an attract the woman that 494 00:28:00,600 --> 00:28:02,960 Speaker 1: lives there. She thinks that the dog's just going to 495 00:28:03,000 --> 00:28:05,720 Speaker 1: say hi to somebody. The dog sees a lot when 496 00:28:06,480 --> 00:28:11,119 Speaker 1: Audrey's away, could be so we think that her husband 497 00:28:11,200 --> 00:28:13,560 Speaker 1: is going to the neighbor's house with the dog and 498 00:28:13,600 --> 00:28:16,400 Speaker 1: then cheating on his wife there with the dog there. 499 00:28:16,560 --> 00:28:22,680 Speaker 1: That's what Audrey is saying. Okay, we're thinking your dog's 500 00:28:22,680 --> 00:28:25,879 Speaker 1: in a tel. I just think it's weird. You're already 501 00:28:25,880 --> 00:28:27,560 Speaker 1: doing something bad, like why do you have to include 502 00:28:27,560 --> 00:28:31,000 Speaker 1: your dogs leave at home alone? Did your dog in 503 00:28:31,080 --> 00:28:33,800 Speaker 1: the room when you Michael? Are you and Michael? No? 504 00:28:34,080 --> 00:28:37,280 Speaker 1: We need them out of the room, Tanya, Yeah, we 505 00:28:37,359 --> 00:28:40,000 Speaker 1: do you do it with her in there a lot? Yeah? 506 00:28:41,120 --> 00:28:47,360 Speaker 1: Poor Sunny or all right, let's get talking, Audrey. We're 507 00:28:47,400 --> 00:28:50,960 Speaker 1: about to make the call. Okay, I need you to say, Ryan, 508 00:28:51,040 --> 00:28:53,760 Speaker 1: you my permission to call your husband's name on M. 509 00:28:53,800 --> 00:28:57,400 Speaker 1: Go ahead, Um, Ryan, you have my permission to call 510 00:28:58,360 --> 00:29:01,160 Speaker 1: on kiss FM. Are be very quiet's see we can 511 00:29:01,200 --> 00:29:19,720 Speaker 1: find out. Okay, okay, this is Frank. Hi Frank. My 512 00:29:19,800 --> 00:29:22,400 Speaker 1: name is Miranda. How are you doing this morning? I'm 513 00:29:22,480 --> 00:29:25,400 Speaker 1: doing great. I'm calling from the Fresh Floors. We're actually 514 00:29:25,600 --> 00:29:28,520 Speaker 1: um a local flower shop and offering residents in the 515 00:29:28,640 --> 00:29:31,560 Speaker 1: area a promotion today. Now, before you hang up, this 516 00:29:31,720 --> 00:29:33,480 Speaker 1: is a free dozen red roses that you could send 517 00:29:33,520 --> 00:29:35,320 Speaker 1: to anybody that you'd like. We don't need cash, we 518 00:29:35,320 --> 00:29:37,160 Speaker 1: don't need credit card info, we don't need anything from you. 519 00:29:37,360 --> 00:29:39,040 Speaker 1: Just the name of the person that you want to 520 00:29:39,080 --> 00:29:42,680 Speaker 1: send the flowers to. Uh, you know what, I really 521 00:29:42,720 --> 00:29:44,960 Speaker 1: don't feel calm, Are you sure? I just it'll take 522 00:29:45,000 --> 00:29:47,120 Speaker 1: two seconds. They can have them by lunchtime today. We 523 00:29:47,200 --> 00:29:49,720 Speaker 1: have pink, white, or red roses that you can choose from. 524 00:29:49,760 --> 00:29:53,480 Speaker 1: They're absolutely free. Like I said, just the name of 525 00:29:53,520 --> 00:29:55,920 Speaker 1: the person that you want to send them to. Yeah, No, 526 00:29:56,040 --> 00:29:58,560 Speaker 1: I totally appreciate it. I'm not interested. I really don't 527 00:29:58,640 --> 00:30:01,360 Speaker 1: trust this kind of stuff, you know. Yeah, please, if 528 00:30:01,360 --> 00:30:02,640 Speaker 1: you just give me the name. You don't want to 529 00:30:02,640 --> 00:30:05,240 Speaker 1: brighten up anybody's day. You're like the fifth person that 530 00:30:05,360 --> 00:30:07,200 Speaker 1: hung up on me, so you'd be really helping me out. 531 00:30:07,240 --> 00:30:10,600 Speaker 1: At this point, I'm sorry, I can't really, you know, 532 00:30:10,800 --> 00:30:14,160 Speaker 1: I'm just Frank. Frank, don't worry, don't hang up still. 533 00:30:14,680 --> 00:30:17,200 Speaker 1: My name is Ryan Seacrest. Your voice is being broadcast 534 00:30:17,280 --> 00:30:19,200 Speaker 1: on the radio. I have your wife, Audrey on the line. 535 00:30:19,240 --> 00:30:23,160 Speaker 1: Let me just tell you we're calling about a situation 536 00:30:23,400 --> 00:30:29,000 Speaker 1: in your marriage. Frank, your wife is concerned that you're 537 00:30:29,040 --> 00:30:31,080 Speaker 1: having an affair. You may be having an affair with 538 00:30:31,160 --> 00:30:35,200 Speaker 1: the woman who lives on your street. Are you going 539 00:30:35,280 --> 00:30:37,360 Speaker 1: over to see this woman when your wife is not 540 00:30:37,480 --> 00:30:41,280 Speaker 1: there while you're working from home? You know what, I'm 541 00:30:41,320 --> 00:30:43,280 Speaker 1: completely lost by this whole thing. I don't even know 542 00:30:43,400 --> 00:30:45,680 Speaker 1: what you guys are talking about. How do you want 543 00:30:45,680 --> 00:30:50,920 Speaker 1: to tell Frank what happened? Well, Frank, I just noticed 544 00:30:51,080 --> 00:30:53,800 Speaker 1: that our dog is very familiar with the neighbor all 545 00:30:53,880 --> 00:30:57,760 Speaker 1: the time, and you you take why do you go 546 00:30:58,040 --> 00:31:02,000 Speaker 1: on an hour long walk with the dog? Well, I'd 547 00:31:02,040 --> 00:31:03,560 Speaker 1: like to get some exercise, you know, I mean, I 548 00:31:03,600 --> 00:31:05,080 Speaker 1: work from home and it's nice to get out and 549 00:31:05,120 --> 00:31:06,880 Speaker 1: get some fresh air. You know. She shouldn't be anything 550 00:31:06,920 --> 00:31:09,240 Speaker 1: wrong with that, right, Are you stopping up in the 551 00:31:09,280 --> 00:31:14,880 Speaker 1: neighbor's house? No? No, no, not at all. Okay, never, 552 00:31:15,160 --> 00:31:18,160 Speaker 1: you've never ever gone to the neighbor's house. No, And 553 00:31:18,280 --> 00:31:20,800 Speaker 1: I don't know why the dog goes there. Maybe maybe 554 00:31:20,880 --> 00:31:22,800 Speaker 1: she has a dog or a cat or a game 555 00:31:22,880 --> 00:31:24,680 Speaker 1: or treat one time. I mean, honestly, you know, dogs 556 00:31:24,720 --> 00:31:27,760 Speaker 1: do weird. So this is this is totally crazy, you know, 557 00:31:28,000 --> 00:31:32,600 Speaker 1: totally bizarre that you're cheating on her. Do you know that, 558 00:31:32,720 --> 00:31:35,920 Speaker 1: that's what we're saying to you. I do, But you 559 00:31:36,000 --> 00:31:41,000 Speaker 1: know what, like I said, this is this is completely bizarre. 560 00:31:41,120 --> 00:31:42,960 Speaker 1: And I don't know why don't Why would you just 561 00:31:43,080 --> 00:31:45,240 Speaker 1: ask me and doing this on the radio. This is embarrassing, 562 00:31:46,160 --> 00:31:49,720 Speaker 1: And I gotta say that her behavior and it just works, 563 00:31:50,320 --> 00:31:54,400 Speaker 1: you know, It's like nothing, I'm cheating on you if 564 00:31:54,440 --> 00:31:59,280 Speaker 1: I ask you. Look, I'm definitely not cheating. But I mean, 565 00:31:59,400 --> 00:32:01,520 Speaker 1: just because you never want to have sex anymore, doesn't 566 00:32:01,520 --> 00:32:05,920 Speaker 1: mean I'm sleeping with the neighbor. It just okay, you 567 00:32:05,960 --> 00:32:09,480 Speaker 1: don't need to talk to her that way, Frank, Yeah, 568 00:32:09,520 --> 00:32:14,920 Speaker 1: maybe take a bath. Well, you only get dressed up 569 00:32:15,000 --> 00:32:16,840 Speaker 1: to walk the dog. If you want to have sex, 570 00:32:16,960 --> 00:32:20,480 Speaker 1: get dressed up for me then. So now we're getting 571 00:32:20,520 --> 00:32:26,800 Speaker 1: to a root issue here. Sounds like there's some complacency factors. Oh, 572 00:32:27,040 --> 00:32:32,480 Speaker 1: just a little bit. Yeah, yeah, maybe, yeah, maybe we 573 00:32:32,560 --> 00:32:36,080 Speaker 1: should Frank Audrey take a step back and talk about 574 00:32:36,160 --> 00:32:38,360 Speaker 1: those things you just said to us on your own 575 00:32:38,880 --> 00:32:42,480 Speaker 1: and figure out why you're in that place. Yeah, yeah, 576 00:32:42,600 --> 00:32:45,360 Speaker 1: with you on that. I'm done being embarrassing myself, putting 577 00:32:45,360 --> 00:32:47,360 Speaker 1: a lot of business out there so you don't find 578 00:32:47,400 --> 00:32:50,719 Speaker 1: me and you know, Okay, well, Frank and Audrey, thank 579 00:32:50,760 --> 00:32:54,320 Speaker 1: you for coming on. Good luck, good luck. Okay. I 580 00:32:54,400 --> 00:32:57,840 Speaker 1: have some thoughts. We see that they have some issues. 581 00:32:58,280 --> 00:33:01,040 Speaker 1: They're not intimate, and he's not he's not I mean, 582 00:33:01,080 --> 00:33:05,200 Speaker 1: he's not like making an effort. It sounds like all right, 583 00:33:05,280 --> 00:33:09,040 Speaker 1: so let's go back to Ryan's roses. Audrey thought that Frank, 584 00:33:09,080 --> 00:33:10,640 Speaker 1: her husband, was going to see the neighbor while he 585 00:33:10,720 --> 00:33:12,520 Speaker 1: was working from home because the dog kept going over 586 00:33:12,560 --> 00:33:14,800 Speaker 1: to the neighbor's house. Was an attractive woman that lives there. 587 00:33:16,360 --> 00:33:19,000 Speaker 1: Tany and Sissy think he's not cheating. They've just sort 588 00:33:19,040 --> 00:33:21,640 Speaker 1: have given up on each other. He said, she's not 589 00:33:21,920 --> 00:33:24,840 Speaker 1: having they're not having sex, and she said he's not bathing. 590 00:33:25,760 --> 00:33:29,320 Speaker 1: So we're how do you what takes you to that place? 591 00:33:29,440 --> 00:33:31,560 Speaker 1: I didn't like the jobs at each other, you know, 592 00:33:31,680 --> 00:33:34,880 Speaker 1: like they're just so angry at each other they're holding 593 00:33:35,000 --> 00:33:37,360 Speaker 1: back these little things that they need to talk about 594 00:33:37,600 --> 00:33:42,600 Speaker 1: so they don't have jobs. I don't know if I 595 00:33:42,720 --> 00:33:47,840 Speaker 1: believe he's not cheating. What do you think? It's not 596 00:33:47,960 --> 00:33:49,880 Speaker 1: so clear to me. You guys made it like think 597 00:33:49,960 --> 00:33:52,720 Speaker 1: you're so clear about it. It's not so clear to 598 00:33:52,760 --> 00:33:56,640 Speaker 1: me that he's not because again I didn't I didn't 599 00:33:56,720 --> 00:33:58,640 Speaker 1: get enough. I just didn't get enough. I don't think 600 00:33:58,720 --> 00:34:01,440 Speaker 1: from him. Okay, Tkara, what do you think you're that? 601 00:34:02,000 --> 00:34:05,800 Speaker 1: Do you believe him? No, not at all. I don't 602 00:34:05,840 --> 00:34:09,359 Speaker 1: believe him for like a single second. And my dog 603 00:34:09,680 --> 00:34:13,160 Speaker 1: knows her root like it's she she hasn't memory, you 604 00:34:13,200 --> 00:34:15,160 Speaker 1: know what I mean. She knows where to turn every 605 00:34:15,200 --> 00:34:17,440 Speaker 1: single time. I don't even have to guide her. You know, 606 00:34:17,719 --> 00:34:21,440 Speaker 1: dogs are smart. And it's a total red flag that 607 00:34:21,600 --> 00:34:24,760 Speaker 1: he like gets dressed up for the walk but doesn't 608 00:34:24,800 --> 00:34:27,920 Speaker 1: get dressed up like any other time. I don't know. 609 00:34:28,080 --> 00:34:32,160 Speaker 1: And then when he turned it around on her, that's 610 00:34:32,200 --> 00:34:34,800 Speaker 1: like that's textbook cheater right there, and he just I 611 00:34:34,880 --> 00:34:38,399 Speaker 1: don't know, he didn't even seem like phase that your 612 00:34:38,480 --> 00:34:40,920 Speaker 1: wife is sitting here telling you she's afraid you're cheating, 613 00:34:41,120 --> 00:34:43,640 Speaker 1: Like that's a huge feeling. He was so like, I 614 00:34:43,840 --> 00:34:46,040 Speaker 1: I don't know. I don't believe him for a second. 615 00:34:46,120 --> 00:34:50,359 Speaker 1: I think they really need some help. I side than 616 00:34:51,800 --> 00:34:55,759 Speaker 1: I see that. I don't. I really think they need 617 00:34:55,840 --> 00:34:57,840 Speaker 1: some help. That that's what they need. They need to 618 00:34:58,320 --> 00:35:00,600 Speaker 1: figure out it seems like they have other issues even 619 00:35:00,680 --> 00:35:05,400 Speaker 1: decide this. So, yeah, that's right. I think you're right. 620 00:35:05,480 --> 00:35:07,600 Speaker 1: They need to back it up a little bit and 621 00:35:07,680 --> 00:35:10,120 Speaker 1: find out what they're what these issues are, where they're 622 00:35:10,120 --> 00:35:14,680 Speaker 1: coming from. Right, it's coming from not having sex, Tara, 623 00:35:14,760 --> 00:35:16,640 Speaker 1: thank you very much. You think it boils down to that, 624 00:35:16,800 --> 00:35:19,600 Speaker 1: It really does. You have you have to be into 625 00:35:19,600 --> 00:35:24,320 Speaker 1: a lot of couples just slow down in that department 626 00:35:24,520 --> 00:35:27,680 Speaker 1: because and if you do, you got to ramp it 627 00:35:27,719 --> 00:35:30,160 Speaker 1: back up. But you've been busy and tired, and you're 628 00:35:30,160 --> 00:35:33,400 Speaker 1: just like you know, and after kids and being pregnant. 629 00:35:33,440 --> 00:35:35,239 Speaker 1: I mean, Michael, I've had so many dry spells I 630 00:35:35,280 --> 00:35:37,000 Speaker 1: can't even count. But you know, it's like the minute 631 00:35:37,040 --> 00:35:39,680 Speaker 1: we pick it back up, it's when like stuff just 632 00:35:40,080 --> 00:35:46,520 Speaker 1: starts falling into place again. It's just reality. I mean, 633 00:35:46,520 --> 00:35:48,160 Speaker 1: it's you know, you have to work at your marriage. 634 00:35:48,239 --> 00:35:50,880 Speaker 1: You can't just like pretend like you're not being intimate 635 00:35:50,920 --> 00:35:55,680 Speaker 1: and then it's going to fix itself. Yeah, I'm just 636 00:35:55,719 --> 00:35:59,680 Speaker 1: thinking about you guys when you're sixty sev Oh my gosh, 637 00:35:59,760 --> 00:36:01,040 Speaker 1: we think you about that too, and like the kids 638 00:36:01,040 --> 00:36:02,480 Speaker 1: are gonna be grown and we're just gonna be like 639 00:36:02,560 --> 00:36:06,759 Speaker 1: traveling the world and like I don't know anywhere, but 640 00:36:07,040 --> 00:36:08,719 Speaker 1: you're like in a different country and then liked be like, 641 00:36:08,760 --> 00:36:10,440 Speaker 1: oh kids, you guys can stop buy and visit us 642 00:36:10,520 --> 00:36:19,400 Speaker 1: in mornings here Probably not, are you? Uh No, I 643 00:36:19,440 --> 00:36:21,560 Speaker 1: don't think so. That would kind of be cool. I 644 00:36:21,640 --> 00:36:23,759 Speaker 1: mean think if you were seventy on Kiss, that's kind 645 00:36:23,760 --> 00:36:25,360 Speaker 1: of all of a sudden so old it's cool. But 646 00:36:25,480 --> 00:36:27,520 Speaker 1: maybe by then, like maybe by then we can do 647 00:36:27,640 --> 00:36:29,799 Speaker 1: it from wherever we want. Will be Yeah. But by 648 00:36:29,840 --> 00:36:32,359 Speaker 1: the way, just like cordless phones are cool again, maybe 649 00:36:32,480 --> 00:36:35,000 Speaker 1: seventies the new Kiss cool morning show age, like the 650 00:36:35,120 --> 00:36:42,680 Speaker 1: retro Grandma on the Top forties called Grandpa whatever nickname. 651 00:36:42,840 --> 00:36:46,879 Speaker 1: Let's start writing it into her control, right because it's 652 00:36:46,960 --> 00:36:52,440 Speaker 1: so retro. It's so they have Grandma DJ. It's just funny. 653 00:36:52,520 --> 00:36:55,239 Speaker 1: I think fashion came back fun to get a like 654 00:36:55,360 --> 00:36:57,960 Speaker 1: seventy year olds perspective. Like my dad texted me about 655 00:36:57,960 --> 00:37:00,640 Speaker 1: the will Chris rock stuff on Tuesday Day like that's 656 00:37:00,640 --> 00:37:02,400 Speaker 1: when he was hearing about it, and I was like, 657 00:37:02,480 --> 00:37:07,120 Speaker 1: that's retired life, you know, I actually like it. M 658 00:37:10,360 --> 00:37:17,640 Speaker 1: all right, Nana and Boompa in the Morning Air with 659 00:37:18,000 --> 00:37:25,560 Speaker 1: Ryan Seacrez. So the Grammys were last night and Best 660 00:37:25,719 --> 00:37:28,360 Speaker 1: New Artists. It's like, you feel a sense of pride. 661 00:37:28,400 --> 00:37:30,560 Speaker 1: It's so weird. We had nothing to do with it, 662 00:37:30,680 --> 00:37:33,840 Speaker 1: but I feel a sense of pride when an artist 663 00:37:33,960 --> 00:37:38,600 Speaker 1: that is new to us wins these awards at the Grammys. Yeah. Well, 664 00:37:38,680 --> 00:37:40,520 Speaker 1: I feel like I don't want to say we put 665 00:37:40,520 --> 00:37:42,360 Speaker 1: Olivia rod drink on the map, but I feel like 666 00:37:42,840 --> 00:37:45,240 Speaker 1: we were on that driver's lights and song the minute 667 00:37:45,440 --> 00:37:46,840 Speaker 1: it was like you know what I mean, like we 668 00:37:46,960 --> 00:37:50,399 Speaker 1: blew it up on us, so get it. That's our job. 669 00:37:51,200 --> 00:37:57,959 Speaker 1: And she did blow up, like um whoa, um god. 670 00:37:58,880 --> 00:38:01,120 Speaker 1: Thank you so much to the Recording Academy. This is 671 00:38:01,160 --> 00:38:04,360 Speaker 1: my biggest stream come true. Thank you so much, Olivia 672 00:38:04,480 --> 00:38:08,480 Speaker 1: Rodrigo Best New Artist, congratulations And we all predicted that, 673 00:38:08,560 --> 00:38:11,320 Speaker 1: by the way, that was when we got right what 674 00:38:11,560 --> 00:38:14,320 Speaker 1: we want and you just pride. We didn't do we 675 00:38:14,360 --> 00:38:15,920 Speaker 1: didn't get a thing. We didn't do a bet. We 676 00:38:15,960 --> 00:38:18,280 Speaker 1: didn't do a bed a waste of time. We just predicted, 677 00:38:18,520 --> 00:38:21,560 Speaker 1: but we should because we should have had to pay off. 678 00:38:21,920 --> 00:38:23,360 Speaker 1: We were wrong on all the other ones, but that 679 00:38:23,440 --> 00:38:26,880 Speaker 1: was the one we did get right. Job Batiste know 680 00:38:27,760 --> 00:38:31,520 Speaker 1: that Gray Show. Uh, let's see, this is Dojo. I 681 00:38:31,600 --> 00:38:39,200 Speaker 1: have never taken such a fast in my whole life. 682 00:38:41,680 --> 00:38:46,319 Speaker 1: Thank you everybody. She was in the bathroom during her 683 00:38:46,440 --> 00:38:48,880 Speaker 1: category when they started, and then she won and she 684 00:38:49,040 --> 00:38:51,719 Speaker 1: was in the bathroom. So Scissa, I mean I almost think, God, 685 00:38:51,760 --> 00:38:53,239 Speaker 1: this is it was on crutches because it took her 686 00:38:53,280 --> 00:38:54,759 Speaker 1: a long time to get up on stage, and that 687 00:38:54,880 --> 00:38:58,799 Speaker 1: basically stalled for Dojo Cat to get on stage. One 688 00:38:58,840 --> 00:39:02,440 Speaker 1: for Best Performans. Don't you almost missed it? I know 689 00:39:02,760 --> 00:39:04,360 Speaker 1: She's like, that was the fastest p I've read it 690 00:39:04,440 --> 00:39:07,120 Speaker 1: do in my life. And so Sonic one Record of 691 00:39:07,440 --> 00:39:11,360 Speaker 1: the Year. Yeah, that was great. We are really trying 692 00:39:11,400 --> 00:39:17,960 Speaker 1: our hardest to remain humble at this point. Okay, but 693 00:39:18,120 --> 00:39:23,440 Speaker 1: in the industry we call that a clean suite. Those 694 00:39:23,520 --> 00:39:27,400 Speaker 1: guys have so much charisma too, and style and style 695 00:39:27,480 --> 00:39:30,920 Speaker 1: as well. So congratulations to all of the winners. And 696 00:39:31,000 --> 00:39:33,759 Speaker 1: we only we did a big bet, but we only 697 00:39:34,040 --> 00:39:37,080 Speaker 1: really won that one category right, because we did. I 698 00:39:37,160 --> 00:39:40,799 Speaker 1: actually thought Olivia Rodre wasn't a good the four main ones, 699 00:39:40,920 --> 00:39:43,399 Speaker 1: but she did also get um, she got my pop 700 00:39:43,520 --> 00:39:47,600 Speaker 1: vocal album and pop solo performance too, so Music's biggest night. 701 00:39:47,840 --> 00:39:52,399 Speaker 1: Sarah is on the phone at eight seven. Sarah, good morning, 702 00:39:52,440 --> 00:39:55,239 Speaker 1: How you doing? Hi? Good morning, I'm doing well. How 703 00:39:55,239 --> 00:39:57,320 Speaker 1: are you doing? We are doing well? So you and 704 00:39:57,400 --> 00:40:02,719 Speaker 1: your husband are house hunting. Yes, we're so excited, but 705 00:40:02,960 --> 00:40:06,960 Speaker 1: obviously a little stressed and with this housing market. Um, 706 00:40:07,600 --> 00:40:09,920 Speaker 1: my husband and I we got married in November, so 707 00:40:10,040 --> 00:40:13,320 Speaker 1: we're just really thrilled to start of their life together 708 00:40:13,560 --> 00:40:17,840 Speaker 1: and buy a house, which has been exciting, really exciting. 709 00:40:18,200 --> 00:40:20,799 Speaker 1: But the stressful part and where I need you guys 710 00:40:20,840 --> 00:40:24,000 Speaker 1: to kind of chime in for me, is my husband 711 00:40:24,080 --> 00:40:29,839 Speaker 1: is so insistent on a big backyard. Alright, Well, we're 712 00:40:29,880 --> 00:40:33,560 Speaker 1: looking in the l A suburbs, and you know, there's 713 00:40:33,600 --> 00:40:36,120 Speaker 1: really just not a ton of houses out there with 714 00:40:36,239 --> 00:40:39,239 Speaker 1: like the big backyard that he's looking for. And I 715 00:40:39,320 --> 00:40:41,800 Speaker 1: don't really I don't really need a v R and 716 00:40:41,840 --> 00:40:45,480 Speaker 1: I've never really lived with one. So even though we're 717 00:40:45,560 --> 00:40:48,400 Speaker 1: excited to go see these houses, we end up fighting 718 00:40:48,440 --> 00:40:51,760 Speaker 1: about each one because it's just isn't matching his vision 719 00:40:51,960 --> 00:40:55,120 Speaker 1: of a house. So I don't know what to do 720 00:40:55,280 --> 00:40:58,520 Speaker 1: with this. You know, it's already stressful enough, and then 721 00:40:58,560 --> 00:41:01,000 Speaker 1: we're fighting about, you know, a house on top of it. 722 00:41:01,920 --> 00:41:04,160 Speaker 1: So did he grow up with the backyard? Is that 723 00:41:04,200 --> 00:41:08,160 Speaker 1: where it's coming from? I think so he did, And 724 00:41:08,480 --> 00:41:11,279 Speaker 1: I wonder if it's like that's his picture of like 725 00:41:11,360 --> 00:41:14,520 Speaker 1: a perfect house. But he lives in l a long 726 00:41:14,640 --> 00:41:18,279 Speaker 1: enough to know that that's not super common. It's like 727 00:41:18,360 --> 00:41:20,480 Speaker 1: a guy thing. I think it's like I need my land, 728 00:41:22,480 --> 00:41:25,160 Speaker 1: fore I get it. So if you can get a 729 00:41:25,200 --> 00:41:27,399 Speaker 1: house that has a like a big backyard, then it's 730 00:41:27,400 --> 00:41:29,840 Speaker 1: almost like this like you've made it type of vibe. 731 00:41:29,840 --> 00:41:33,640 Speaker 1: You know, like, well, what is the compromise to this? 732 00:41:34,000 --> 00:41:38,680 Speaker 1: Do you see a path to compromise? You know, I 733 00:41:39,600 --> 00:41:42,200 Speaker 1: want I want to help him with his dream house, 734 00:41:42,960 --> 00:41:46,080 Speaker 1: and my compromise. I'm willing to kind of, especially with 735 00:41:46,200 --> 00:41:49,239 Speaker 1: the housing market as it is, take something that's kind 736 00:41:49,280 --> 00:41:52,880 Speaker 1: of a right now, a newly married couple house. But 737 00:41:53,320 --> 00:41:55,719 Speaker 1: he's not really willing to compromise. So I don't know 738 00:41:55,840 --> 00:42:02,040 Speaker 1: how to start that conversation. You trick up, here's the thing. No, 739 00:42:02,239 --> 00:42:03,840 Speaker 1: but it's not like what you guys, not like a 740 00:42:03,920 --> 00:42:07,359 Speaker 1: lie or anything. You find a house that you love 741 00:42:07,760 --> 00:42:11,279 Speaker 1: that's got everything right. Maybe it's turnkey and whatever, but yes, 742 00:42:11,360 --> 00:42:13,279 Speaker 1: the yard is a little bit smaller, but you take 743 00:42:13,360 --> 00:42:14,920 Speaker 1: him to it and you have him fall in love 744 00:42:15,000 --> 00:42:16,840 Speaker 1: with the house, and then maybe just by seeing the 745 00:42:16,920 --> 00:42:19,160 Speaker 1: house and he's going to compromise for the smaller backyard. 746 00:42:19,239 --> 00:42:21,080 Speaker 1: But he knew you have to. You have to physically 747 00:42:21,400 --> 00:42:23,040 Speaker 1: get him to those houses. They can't just be like 748 00:42:23,120 --> 00:42:25,360 Speaker 1: on Redfin and you're showing him in passing. You have 749 00:42:25,400 --> 00:42:27,200 Speaker 1: to get him. There's what I'm doing with Michael. And 750 00:42:27,280 --> 00:42:29,759 Speaker 1: I'm telling you he's almost budging on some homes that 751 00:42:29,880 --> 00:42:32,279 Speaker 1: have smaller backyards because he's like, well, yeah, it has 752 00:42:32,400 --> 00:42:34,399 Speaker 1: all the bedrooms we need now and this and that whatever. 753 00:42:34,560 --> 00:42:36,560 Speaker 1: So I think you're going to win this one. I 754 00:42:37,239 --> 00:42:41,759 Speaker 1: don't see him falling on the sword for it. Okay, okay, yeah, 755 00:42:41,840 --> 00:42:44,680 Speaker 1: and we'll You're right, we've been trading Redfin emails, so 756 00:42:45,920 --> 00:42:49,759 Speaker 1: get my vision. Yes, you get him there, don't even 757 00:42:49,760 --> 00:42:51,279 Speaker 1: tell him what's happening to be like, Hey, meet me 758 00:42:51,360 --> 00:42:54,000 Speaker 1: for lunch tomorrow at noon at whatever place and go 759 00:42:54,080 --> 00:42:55,520 Speaker 1: have lunch and then after lunch you go take him 760 00:42:55,520 --> 00:42:58,479 Speaker 1: to the house. Thank you so much. I love this idea. 761 00:42:58,520 --> 00:43:01,200 Speaker 1: I'm going to do it. Good luck. Just this call 762 00:43:01,320 --> 00:43:02,880 Speaker 1: makes me think I should call into this show it 763 00:43:02,960 --> 00:43:06,439 Speaker 1: for advice sometimes why I don't know. I just listen 764 00:43:06,480 --> 00:43:08,880 Speaker 1: to you guys give advice. Everybody, y'all. We're all on 765 00:43:08,920 --> 00:43:11,520 Speaker 1: the same page on that. Thank you very much. Sah, 766 00:43:11,560 --> 00:43:19,359 Speaker 1: good luck and congratulations. Take care of but bye oh 767 00:43:19,640 --> 00:43:22,959 Speaker 1: Look who's here? It is program director of Kiss FM, 768 00:43:23,320 --> 00:43:28,920 Speaker 1: Beyanta Murphy, who sends really enthusiastic emails you're on. We 769 00:43:29,120 --> 00:43:31,800 Speaker 1: get pumped when you send us the emails. I just 770 00:43:32,239 --> 00:43:35,000 Speaker 1: forget that when I reply, all there are one hundred 771 00:43:35,040 --> 00:43:38,080 Speaker 1: people that you put on c C. There's only one 772 00:43:38,560 --> 00:43:40,800 Speaker 1: when it's really really big news. I don't even know 773 00:43:40,840 --> 00:43:43,040 Speaker 1: all those people. I'm scolling to go on, Who's who's this? 774 00:43:43,440 --> 00:43:45,839 Speaker 1: I just need them to know how important you guys 775 00:43:45,880 --> 00:43:48,160 Speaker 1: are and the amazing things you've done. No, trust me, 776 00:43:48,280 --> 00:43:50,160 Speaker 1: we like for you to brag on us. We don't. 777 00:43:50,160 --> 00:43:52,799 Speaker 1: We don't do it, so we want you to well 778 00:43:52,840 --> 00:43:55,799 Speaker 1: all day long. Uh So this is your first get 779 00:43:55,840 --> 00:43:58,640 Speaker 1: your official, your way and go tango. You're in your 780 00:43:58,760 --> 00:44:01,320 Speaker 1: role for this Way and Go Tango as program director. 781 00:44:01,640 --> 00:44:03,719 Speaker 1: And I've been here long, Mark, How long have I 782 00:44:03,800 --> 00:44:07,479 Speaker 1: been here? Eighteen years? Six weeks and a few hours. 783 00:44:07,920 --> 00:44:11,520 Speaker 1: Uh and and I got a note that I needed 784 00:44:11,560 --> 00:44:13,680 Speaker 1: to make the Actually was listening, right, I was listening 785 00:44:13,680 --> 00:44:17,160 Speaker 1: all weekend. Listen around seacrest seven am, he will announce 786 00:44:17,239 --> 00:44:20,080 Speaker 1: the line up for Wango Tango. So I'm studying the 787 00:44:20,120 --> 00:44:24,080 Speaker 1: Wayango Tango announcement in the morning, you rehearsing in. I 788 00:44:24,120 --> 00:44:25,239 Speaker 1: want to get it all right, and I want to 789 00:44:25,239 --> 00:44:28,399 Speaker 1: have the right energy and delivery. And then I guess 790 00:44:28,440 --> 00:44:30,359 Speaker 1: I got fired from the job. You hired somebody else 791 00:44:30,400 --> 00:44:33,000 Speaker 1: to do the announcement. No, you were actually supposed to 792 00:44:33,000 --> 00:44:37,359 Speaker 1: do it. Well, I was that that's why we sent 793 00:44:37,480 --> 00:44:40,040 Speaker 1: all this stuff and why you had everything. Hey, come on, 794 00:44:40,400 --> 00:44:42,600 Speaker 1: you just played the promo. You didn't even play an 795 00:44:42,600 --> 00:44:45,800 Speaker 1: announced because I was told, Hey, Ryan, they recorded it 796 00:44:45,880 --> 00:44:50,640 Speaker 1: by the boys. No, So I was, I was supposed 797 00:44:50,640 --> 00:44:53,920 Speaker 1: to do it live. Yeah, you are kiss FM, So 798 00:44:54,400 --> 00:44:57,359 Speaker 1: I thought. So, I've been doing it for how long? Mark? 799 00:44:57,600 --> 00:45:01,320 Speaker 1: Eighteen years? And I've been doing every year, make any announcement. 800 00:45:01,440 --> 00:45:03,400 Speaker 1: And then I come in and Mark says, oh no, 801 00:45:03,719 --> 00:45:05,360 Speaker 1: they hired the voice guy to do it, you just 802 00:45:05,400 --> 00:45:08,200 Speaker 1: have to hit play. I'm like, what seems not right? 803 00:45:08,760 --> 00:45:12,279 Speaker 1: What happened? Get ready? I mean you hired that that. 804 00:45:14,000 --> 00:45:17,640 Speaker 1: I mean it's dope, but your secret you're hosting Wayango Tango? 805 00:45:17,719 --> 00:45:19,960 Speaker 1: How would you not announcing? Yeah? I agree that we 806 00:45:20,520 --> 00:45:22,799 Speaker 1: botched the whole announced. That made him second guess whether 807 00:45:22,880 --> 00:45:24,360 Speaker 1: or not he was hosting too. He was like, I 808 00:45:24,440 --> 00:45:30,520 Speaker 1: am am, I A not hosting now doing it? You 809 00:45:30,560 --> 00:45:31,840 Speaker 1: could have just called me. I would have told you 810 00:45:31,880 --> 00:45:34,759 Speaker 1: you were. I hate Marks trying to sabotage. I think 811 00:45:34,800 --> 00:45:36,960 Speaker 1: Mark has been producing the show for so long. Now 812 00:45:37,320 --> 00:45:39,239 Speaker 1: he's trying to throw me under the bus. And then 813 00:45:39,640 --> 00:45:43,360 Speaker 1: I don't know why, I will say to Mark's defense, 814 00:45:43,440 --> 00:45:45,279 Speaker 1: a couple of years ago, when we first switched it 815 00:45:45,360 --> 00:45:50,200 Speaker 1: to a national Wango Tango, they did want the roadblock 816 00:45:50,280 --> 00:45:52,600 Speaker 1: that they call it to go out, meaning not me 817 00:45:52,760 --> 00:45:55,880 Speaker 1: because I'm usually actually is you, But they wanted the 818 00:45:55,960 --> 00:45:58,319 Speaker 1: pre recorded thing. But it was just that one year, 819 00:45:58,360 --> 00:46:00,440 Speaker 1: and so this year we're like back to you. But 820 00:46:00,560 --> 00:46:03,560 Speaker 1: maybe I wasn't clear enough with Mark, like you look, 821 00:46:03,640 --> 00:46:07,759 Speaker 1: you just started. It's okay, forgive you, but I want 822 00:46:07,800 --> 00:46:09,960 Speaker 1: you to know I like making the announcements live with 823 00:46:10,160 --> 00:46:13,240 Speaker 1: with my voice. I want you to make the announcement, 824 00:46:13,239 --> 00:46:15,160 Speaker 1: all right, all right, So I might just make an 825 00:46:15,200 --> 00:46:18,680 Speaker 1: announcement later about something. I'll come up with something. But 826 00:46:19,040 --> 00:46:25,920 Speaker 1: a special performance by Diplow at dusk. That's the commercial 827 00:46:26,120 --> 00:46:28,640 Speaker 1: after we make the annou special Diplo dusk is a 828 00:46:28,680 --> 00:46:31,400 Speaker 1: good hook like that, and I think we're going to 829 00:46:31,480 --> 00:46:33,920 Speaker 1: get like glow sticks or something. Somebody cracks them right 830 00:46:33,960 --> 00:46:36,359 Speaker 1: at dusk, so it looks really awesome. I don't want 831 00:46:36,360 --> 00:46:37,680 Speaker 1: to bury the lead. But am I allowed to talk 832 00:46:37,719 --> 00:46:43,120 Speaker 1: about Coachella? Yeah? Are you anybody going? Yeah? We at 833 00:46:43,120 --> 00:46:46,440 Speaker 1: the kiss House. Yeah, I actually may go Friday. What 834 00:46:47,200 --> 00:46:50,200 Speaker 1: are you gonna stay in a kiss house? That I'm 835 00:46:50,200 --> 00:46:54,799 Speaker 1: actually thinking about because every I've only got to see 836 00:46:54,840 --> 00:46:57,880 Speaker 1: CeAl once and I had to leave right away. But 837 00:46:58,120 --> 00:47:00,640 Speaker 1: if I just wanted to throw it out there that cycy, 838 00:47:00,680 --> 00:47:02,880 Speaker 1: I'm gonna ask for some detail. What happens on Friday? 839 00:47:03,640 --> 00:47:06,200 Speaker 1: So Harry Styles is Friday night, he's the headliner, so 840 00:47:06,440 --> 00:47:08,680 Speaker 1: what time is he going? It'll probably be like like 841 00:47:11,040 --> 00:47:17,760 Speaker 1: can we move him up? Can you do seven? Because 842 00:47:18,040 --> 00:47:21,440 Speaker 1: because I have idle, you know on Sunday? So well, 843 00:47:21,480 --> 00:47:24,640 Speaker 1: why don't live there. Why don't I Friday just like 844 00:47:24,920 --> 00:47:28,239 Speaker 1: pop into coach since you guys go, we'll get there 845 00:47:28,280 --> 00:47:30,480 Speaker 1: early and we can start day drinking and then we 846 00:47:30,560 --> 00:47:32,719 Speaker 1: can all go over and then just party, party, party 847 00:47:32,800 --> 00:47:35,640 Speaker 1: until Harry Styles. Let me think about all that. But yeah, 848 00:47:35,800 --> 00:47:38,400 Speaker 1: I'll get back to you. So you have tickets? Is 849 00:47:38,440 --> 00:47:40,120 Speaker 1: that the deal? Bet? You're the one with the tickets. 850 00:47:40,200 --> 00:47:42,279 Speaker 1: I got you. I mean I need what are we're 851 00:47:42,280 --> 00:47:43,520 Speaker 1: supposed to have. I don't know what you're supposed to have. 852 00:47:43,760 --> 00:47:47,160 Speaker 1: We're able to see people live? Yeah, we'll figure it out, 853 00:47:47,320 --> 00:47:50,200 Speaker 1: all right, So you'll mean the Kiss House. I might airbnb, 854 00:47:50,320 --> 00:47:51,800 Speaker 1: but it might be too late to get something. And 855 00:47:51,880 --> 00:47:53,520 Speaker 1: this a whole, this just happened. I just thought of 856 00:47:53,600 --> 00:47:55,040 Speaker 1: this is I'm looking at the honest and you're talking 857 00:47:55,040 --> 00:47:58,439 Speaker 1: about the Wino Tango. I'm so excited. All right, we're 858 00:47:58,560 --> 00:48:01,160 Speaker 1: gonna come back and this is kiss Thank you. I'm 859 00:48:01,239 --> 00:48:04,360 Speaker 1: so happy that I was not relieved of the announcement. Job, No, 860 00:48:04,520 --> 00:48:08,719 Speaker 1: you are not relieved and moving forward your every announce Okay, good, 861 00:48:09,000 --> 00:48:12,799 Speaker 1: we're coming back. Thank you. I'm so excited. On air 862 00:48:13,239 --> 00:48:17,480 Speaker 1: on air with Ryan Seacrets, I'm gonna do it for us, 863 00:48:17,680 --> 00:48:21,480 Speaker 1: have a great Monday. Back with you tomorrow and tomorrow 864 00:48:21,640 --> 00:48:25,680 Speaker 1: I have Coachella passes every hour starting at six. Thanks 865 00:48:25,719 --> 00:48:28,399 Speaker 1: for listening to On Air with Ryan Seacrest. Make sure 866 00:48:28,440 --> 00:48:30,440 Speaker 1: to subscribe and we'll talk to you again tomorrow