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Speaker 1: The volume.

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Speaker 2: Will Happy birthday to you.

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Speaker 3: Oh my god, what's up? Y ain't in a good

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Speaker 3: fucking move. No, I'm in a great movie, right. No,

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Speaker 3: I mean I was admiring your Marilyn Monrod happy Birthday

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Speaker 3: sing So you think J Cole was mister President, Happy birthday,

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Speaker 3: mister President, right in front of his wife Hill Maryland

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Speaker 3: was crazy and.

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Speaker 2: I'm on the same time.

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Speaker 3: Oh well, happy Happy boost Birthday Blizzard presented by Boosting

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Speaker 3: Birthday Blizzards. And Damarus is singing we are back. I

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Speaker 3: mean me and DeMars are back, were back by he

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Speaker 3: J Cole and Demarus are back.

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Speaker 2: Yeah for sure? Hip hop back. Real hip hop is back.

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Speaker 3: I've always hated that lone.

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Speaker 2: Yeah, real hip hop is back.

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Speaker 3: I'm saying, where.

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Speaker 2: Go shaky for a while?

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Speaker 4: I don't know.

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Speaker 2: Shaky for a w I don't know.

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Speaker 3: We were we were debating off Mike, Me and Peage earlier.

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Speaker 3: If we were gonna get mute mall today, m hmm,

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Speaker 3: if we were just gonna get sitting in the chair

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Speaker 3: like no, y'all got it this, y'all guy, y'all speak,

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Speaker 3: That's what it was to be. He always do that

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Speaker 3: very funny with He'll.

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Speaker 1: Do that, and he'll be like, nah, y'all got it,

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Speaker 1: And then he'd be like, let me ask you something.

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Speaker 1: Every time, no, no, no, he was like, okay, so

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Speaker 1: you're telling me. Always he always faked be mute in it.

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Speaker 3: He can't help himself, and usually I sort of understand

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Speaker 3: the silence in these moments, but I don't know Maul

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Speaker 3: to be silent when he getting dislike this, don't do

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Speaker 3: that where Cole is wrapping over the victory beat, money Power, Respect,

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Speaker 3: Black Rob, Can I Live? And then who shot You?

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Speaker 3: Four beats are kind of sacred in all of freestyle

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Speaker 3: hip hop. They may be if you ask chat GBT

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Speaker 3: what beats have been rapped over more. I almost felt

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Speaker 3: like in the Dreamville like Brainstorm sessions, maybe they did

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Speaker 3: ask chat GBT that he picked the four most wrapped

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Speaker 3: over freestyles, which I enjoy because you're saying something. First

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Speaker 3: you're going off what Biggie did. Then you know if

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Speaker 3: you're going off what Lloyd Banks did. There's years of

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Speaker 3: clue freestyles and flex freestyles over these beats. Specifically, I

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Speaker 3: think the only other one I could think of is

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Speaker 3: that that New York minute beat. But these are the

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Speaker 3: four these have been the four for quite some time.

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Speaker 3: Out the gate track number one, which is over victory

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Speaker 3: is cold. He didn't call it victory. He didn't call

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Speaker 3: it cold free. He can't call it cold clue freestyle

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Speaker 3: over victory beating number one, he called it Bronx zoo freestyle.

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Speaker 3: Say that where is mall from the Bronx? Where's part

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Speaker 3: of the Bronx? After after leaving a field trip from

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Speaker 3: where did I lose my virginity? He ain't coming to

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Speaker 3: one nine with the question. I'll tell you that. No.

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Speaker 3: Cole's really into the virginity thing. He has the song

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Speaker 3: and everything. So I kind of took this as a

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Speaker 3: personal shot. And I don't think we're being vain. I

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Speaker 3: think it's it's clear as day that Cole cares that

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Speaker 3: much about us, that he with the crafted mind that

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Speaker 3: he has named the first one Bronx do because he

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Speaker 3: knows mauls from the Bronx. He knows and after I

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Speaker 3: left the Bronx do I lost my virginity? So I

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Speaker 3: took this as a personal shot.

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Speaker 2: Okay, great, would you like me to read the line?

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Speaker 3: I would love for you to read. Can you wrap

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Speaker 3: the line to Marus? Just read it? You gotta rap, Harry.

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Speaker 5: I know she knows the cadence, she knows the bras,

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Speaker 5: she knows you, and you're a rapper, So then for

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Speaker 5: give us the bar. Don't say the bars.

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Speaker 2: I'm not gonna do that. I will read the bar.

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Speaker 1: But the bars that I think Rory is referring to

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Speaker 1: would be somewhere along the way. I hate to say

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Speaker 1: we lost shame growman pedaling gossip of all things. I

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Speaker 1: remember when it was rapping and ball playing. Now the

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Speaker 1: bread and butter is Yeah, I'm done rapping automatically. I

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Speaker 1: ain't even mean to my bad Now the bread and butter.

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Speaker 3: Every just pulls you in, the greatest rapper of all time.

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Speaker 5: That's just how you read when you're such a Shakespeare

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Speaker 5: See now you hate.

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Speaker 3: He's a poet.

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Speaker 2: When you say it, I don't like that. It's serious.

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Speaker 3: Ship. Do you think is up there with Shakespeare? Because

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Speaker 3: I do. I do too. Okay, I just want to

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Speaker 3: make sure you ain't saying that with the tone. That's

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Speaker 3: it's Shakespeare and cold. Now the tone.

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Speaker 2: Now the bread and butter is yapping out.

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Speaker 3: There's not that dope.

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Speaker 1: Go ahead, Now the bread and butter is yapping in parlance,

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Speaker 1: all Man, your name is a big conversation goes into

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Speaker 1: a max deal for basketball.

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Speaker 3: And we just got the master.

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Speaker 1: Nowadays, you can make a grip commentating if you master

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Speaker 1: two skills, either dick riding or hating. Just look around

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Speaker 1: and hating and dick writing is blliant. Tell Mammy you

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Speaker 1: ticket to finally live out of her basement was found

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Speaker 1: in one magical word, and it's engagement.

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Speaker 3: I don't think that's more. I think that's just a

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Speaker 3: general shot to the entire uh media community, not just streamers,

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Speaker 3: not just podcasters, not just people that's still right journal

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Speaker 3: like real journalists, and to Twitter, Twitter, Spaces, Clubhouse. This

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Speaker 3: is to literally everybody. I can we pose right there.

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Speaker 5: So he's rapping about it everybody else other than another rapper.

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Speaker 1: I don't as you act like he's dissing everybody on

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Speaker 1: Twitter's rappers.

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Speaker 3: For records and we're talking about the firs.

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Speaker 5: That stands of that demaragis road just read right, who's

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Speaker 5: he talking about. He's talking about content creators, podcasters, Yeah, streamers,

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Speaker 5: everybody other than rappers.

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Speaker 4: Okay, if we gonna have this, I'm just saying, we're

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Speaker 4: going going through We're going through the bars.

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Speaker 5: Y'all started breaking down, But I'm just going through. I'm

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Speaker 5: just I'm trying to follow what y'all will listen into

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Speaker 5: what we all list two together.

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Speaker 3: I'm just trying to figure out if we all are

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Speaker 3: on the same page. That's all. Well, here's the thing.

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Speaker 3: I don't take any offense to this whatso matter. I'm

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Speaker 3: just trying to understand who he's talking to. I'm just

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Speaker 3: saying I know that there was reaction of content creators

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Speaker 3: that felt, Wait, that's kind of like hit dog hollers

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Speaker 3: in that regard, Like, I don't think it's offensive. It

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Speaker 3: is is if you're doing some weird bullshit. Who said offense?

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Speaker 3: But I said, who is he talking to? Who is

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Speaker 3: he talking about?

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Speaker 2: He talking to people who be dick riding or hating.

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Speaker 3: Cool and on top of that, rappers included.

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Speaker 1: Well, this section is not about rappers.

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Speaker 3: He's not talking.

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Speaker 1: Okay, hold on because hold on, because he does bring

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Speaker 1: up rappers who be potting like they intersect.

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Speaker 5: Okay, so he has told about rappers, but only if

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Speaker 5: their podcast.

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Speaker 1: In this stanza, he's talking about anybody who dick riding

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Speaker 1: their hate in for engagement, period, doesn't matter what you

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Speaker 1: do doesn't matter what's around the world, around the world

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Speaker 1: if you dick, rideing or hate and for engagement.

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Speaker 3: Got it? Okay, go.

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Speaker 2: Just saying you do know.

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Speaker 3: He continues on to talk about rappers throughout this mixtap,

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Speaker 3: that part, that part that we read, gotcha, just going

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Speaker 3: through that point? All right? Can I ask you why

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Speaker 3: you're asking us that question specifically we was bringing down

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Speaker 3: bars anything behind Why?

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Speaker 5: No, I'm just trying to I'm just trying to make

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Speaker 5: sure we all want the same aggressive I'm asking a question.

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Speaker 3: I don't even want to assume nothing.

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Speaker 5: I want to make sure that we all listen and

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Speaker 5: feel the same way about what we what we heard.

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Speaker 3: And I'm not even though I think that's a great observation,

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Speaker 3: uh masterfully put together. You have a podcast, Jaco, and

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Speaker 3: he was yapping all that amazing ship about your story.

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Speaker 3: You know that I paid for it. I loved it.

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Speaker 3: You know that that's not comparable. It's a false false No, see,

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Speaker 3: I don't think it is. And that goes back to

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Speaker 3: the hit dog thing. There's a lot of people yapping

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Speaker 3: and putting uh gambling ads onto their ship that are

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Speaker 3: still putting out positive content and cool ship. Yeah, I

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Speaker 3: was yapping too.

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Speaker 1: It's just good content, okay, But he didn't talk about

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Speaker 1: engagement in dick ride and hate and negativity. That's what

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Speaker 1: he addressed in the verse. He said it in the verse,

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Speaker 1: so it's not compared. That has nothing to one, has

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Speaker 1: nothing to do with other.

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Speaker 3: I don't think I've ever dick rolled. I probably hated before.

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Speaker 2: You've dick rolled before.

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Speaker 3: Who we've all dick rolled before, We've all You're the

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Speaker 3: only one in this room that.

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Speaker 1: And I don't mean that in a granted it isn't

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Speaker 1: a negative light, but we have all Like people will

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Speaker 1: say that cho.

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Speaker 2: Was a jay Z dick writer.

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Speaker 3: No, I'm uh. I believe in honest truces and everything

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Speaker 3: I say about jay Z is a fact. If you choose,

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Speaker 3: if you choose to feel like me telling you the

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Speaker 3: facts of something is dick riding. That feels like a

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Speaker 3: homoerotic experience. You're trying to have some people. If I

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Speaker 3: say jay Z is the greatest rapper of all time,

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Speaker 3: it's the only time. It's not a bias thing, it's

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Speaker 3: just a fact.

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Speaker 4: I'm listening.

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Speaker 1: I'm here to list Okay, moving on to the next

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Speaker 1: thing that people stands up the next, not the next

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Speaker 1: stands up, but the next thing that people will want

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Speaker 1: people to address, or people think it's a shot whatever,

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Speaker 1: y'all toddlers to me, stop bothering me, Young Simba. Some

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Speaker 1: niggas through some hate my way, but the only thing

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Speaker 1: they should say is call you like a father to me.

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Speaker 3: All right.

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Speaker 5: So obviously if you're if you're a stop right there?

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Speaker 5: So is it safe to assume he's talking about Simba

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Speaker 5: the rapper.

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Speaker 2: That's what everybody is gathering from it.

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Speaker 3: Of course, not Maul. If you're a cold stand like myself.

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Speaker 3: You know, one of his first records that popped him

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Speaker 3: off and even I mean lost ones really got him

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Speaker 3: signed a rock Nation. But Young Symbol was was a

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Speaker 3: joint also a BB Gungs an Aristotle video. He's in

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Speaker 3: the Alley and I think on Canal. Yeah, that was

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Speaker 3: his nickname on that mixtape, Young Simba. They had a visual.

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Speaker 3: So he's talking to hisself and sil verse again. He's saying, no,

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Speaker 3: it's Young Simba here, Oh got it? Okay, okay. Now

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Speaker 3: it may be a coincidence that right after here, hey Simba,

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Speaker 3: you Simba, you are live on Netflix on the New

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Speaker 3: Royal mal podcasting. And first, first of all, my brother,

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Speaker 3: how are you. It's it's good to hear your voice.

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Speaker 6: I'm really bri I'm right in the car right now.

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Speaker 7: Pulling up to the studio, and I think, oh, I

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Speaker 7: bet you are do So if we can give a

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Speaker 7: bit of a backstory, I'm gonna take some credit for

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Speaker 7: this because after Jacole apologized, you were watching our podcast.

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Speaker 3: In the studio and then you said, you know what,

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Speaker 3: I think, I'm gonna go diss J Cole. I did

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Speaker 3: not J Cole. Okay, you said you were just explaining

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Speaker 3: what happened, right. You don't think you didn't let nas down.

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Speaker 3: You let boss down. Was not a disc right.

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Speaker 6: See, I'm from the Bay Area, man, you know in California.

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Speaker 3: We joke a little aggressive, Okay.

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Speaker 6: So we were having a conversation in the studio when

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Speaker 6: it had But I think we all were a bit

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Speaker 6: upset because at the end of the day, we all

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Speaker 6: look at Cold like one of the god sees, and

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Speaker 6: we wanted to see him engage in that battle and

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Speaker 6: being of the coach or someone who grew up on

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Speaker 6: smack DVDs, someone who grew up on battle raps, someone

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Speaker 6: who grew up on watching backstage. You know, I was

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Speaker 6: always taught as a rapper. He was supposed to be

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Speaker 6: prepared for war. Yeah, so when he when he backed out,

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Speaker 6: it wasn't something that I was used to seeing, And

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Speaker 6: as a rapper who loves to rap, I went and

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Speaker 6: boof and wrapped about it, and I think it came

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Speaker 6: off in a way to where I was gssing him,

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Speaker 6: But it was really just reporting what was going on.

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Speaker 3: Yeah, you're just a journalist reporting. I did love the freestyle.

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Speaker 3: I think you went crazy, but that goes without saying. Now,

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Speaker 3: I know you. I know you just said he's a

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Speaker 3: he's a godmn seeing. I think we can all agree

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Speaker 3: in that. But he said don't. He said specifically, Simba,

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Speaker 3: don't call me a godmnsee called me your father. Yeah,

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Speaker 3: he called me.

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Speaker 6: I think he's more like a cousin than than a father.

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Speaker 3: But we'll get to that pretty soon. But I will

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Speaker 3: I will say this.

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Speaker 6: I will say this. I took that as a sn

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Speaker 6: of respect. Yeah, for him to mention me, for him

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Speaker 6: to take the time to address that is all we

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Speaker 6: kind of asked.

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Speaker 3: For in hip hop.

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Speaker 6: Yeah, you know what I mean that that's what that's

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Speaker 6: what the sport is about it's about addressing things that

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Speaker 6: was said. So I appreciate the respect of that, But you're.

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Speaker 3: Not my father. My father.

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Speaker 6: My father shot at police. He don't duck smoke. We'll

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Speaker 6: talk about that.

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Speaker 3: I just want to paint the picture in here. Mal

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Speaker 3: has moved the microphone. We're podcasting and Mall doesn't have

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Speaker 3: a mic. You running. That's why he got this too.

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Speaker 3: You didn't talk more if anybody did, I'm I'm leading.

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Speaker 3: You speak for me right now. Okay, Yo, Simber, you

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Speaker 3: know how I mean. I know Puff is taboo now,

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Speaker 3: but you know how Puff started victory four big before

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Speaker 3: he started rapping. Maybe Mall could do you know, the

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Speaker 3: sun don't shine forever? Like, maybe he could do that

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Speaker 3: part for your disc. Back to Cole, should we wear

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Speaker 3: shiny we should, yes, but we definitely should well no, no, no,

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Speaker 3: that was the video when Puff was standing like a

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Speaker 3: gargoyle at the top of the was they was passed

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Speaker 3: the shiny suits.

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Speaker 7: Now Mall has to pop the disc off your Yeah,

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Speaker 7: I gotta come.

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Speaker 3: See you more.

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Speaker 6: We gotta have a serious talk about this. But I'm

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Speaker 6: gonna wait till I'm gonna wait till I finished doing

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Speaker 6: what I'm doing so we could talk about it in person.

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Speaker 6: You're gonna be very proud of this, brother, maul AND's

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Speaker 6: gonna be very proud of me.

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Speaker 3: Listen, I'm looking forward.

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Speaker 5: I'm looking forward to you coming to New York so

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Speaker 5: we can sit down on Netflix and shake it up

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Speaker 5: over here.

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Speaker 3: Man.

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Speaker 6: Well, before we go to Netflix, can we go to Starlett's.

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Speaker 3: We could definitely do that.

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Speaker 5: We can go to start and do that. Okay, we

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Speaker 5: gotta do that, so it's slowly right, we do that.

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Speaker 6: Yeah, let's do that first and then we get on

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Speaker 6: Netflix to talk about it all. But no, shout out

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Speaker 6: to j cole Bro, shout out to the project. I'm

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Speaker 6: excited to hear what you got cooking up on the

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Speaker 6: sixth of February.

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Speaker 3: We've all been waiting.

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Speaker 6: For the fall off, but we're not gonna let that

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Speaker 6: slide code. I will see everybody in February.

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Speaker 3: Are you are you gonna go back to your hometown

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Speaker 3: for the Super Bowl? I was I was thinking about

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Speaker 3: about stopping by. You guys should come through.

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Speaker 6: I'm actually streaming from this the Starter store in San

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Speaker 6: Francisco for two days straight.

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Speaker 3: Oh okay, so you ought to have a lot of

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Speaker 3: business on deck.

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Speaker 6: I got a lot of people coming, got Wallow come in,

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Speaker 6: my God, Matt Sandler's coming. We got a lot of

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Speaker 6: guests coming through. You guys should definitely stop through if

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Speaker 6: you guys gonna be in the super Bowl, And shout

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Speaker 6: out to Larrussell as well. He's performing at the tailgate.

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Speaker 6: I'm at the super Bowl and a lot of times

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Speaker 6: when these events is in the Bay Area, a lot

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Speaker 6: of us get boxed out. So for him to get

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Speaker 6: that moment, I'm very proud of bro and I want

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Speaker 6: to salute bro Man just as a coach and let's

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Speaker 6: keep supporting Bro.

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Speaker 3: Yeah. Absolutely, shout out to Larrussell and congrats on on that.

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Speaker 3: That's amazing. Definitely, and anyone listening if you're there, go

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Speaker 3: to you said. The Starter tent you're streaming.

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Speaker 6: At at the Starter Store started Thursday of February fifth

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Speaker 6: and Friday February. Since I'll be there all day. We

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Speaker 6: got a bunch of guests coming. We'll have a lot

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Speaker 6: of fun and put on for.

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Speaker 3: The area in a real way. Now, I want to

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Speaker 3: plug that because I'm very proud of everything you've been

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Speaker 3: doing streaming, but this is leaning more into what Cole

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Speaker 3: is saying when he's dissing all of us in the room,

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Speaker 3: you include we just be yapping now? Is this is

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Speaker 3: this sponsored by maybe a hard rock back.

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Speaker 6: He's actually sponsored by.

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Speaker 3: We're gonna have to cut that. I love you, Bro,

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Speaker 3: I'm gonna call you when we've done recording. Uh faced

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Speaker 3: on me because I want to hear at least at

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Speaker 3: least the first few bars of this year.

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Speaker 6: Uh you want to hear the first few bars of

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Speaker 6: the first song.

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Speaker 3: Oh Ship, I'm gonna I'm gonna call you when we've

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Speaker 3: done all done done, man, love Bro. That was Simba

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Speaker 3: one of the best current rappers lyricists. Then you want

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Speaker 3: to say we love Simbo over yo. I just you know,

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Speaker 3: I just listen, man. I'm I'm a hip hop baby.

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Speaker 1: Man.

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Speaker 3: I just love when the rappers rapped. So I hope

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Speaker 3: they don't. Well, they're gonna do this regardless. Because of

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Speaker 3: the Internet, sim did what he was supposed to do.

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Speaker 3: After that, rappers are allowed to rap about what's happening. Shit,

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Speaker 3: Cole did the DJ clue freestyle thing. Rappers used to

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Speaker 3: go up to clue flex anything that was happening. If

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Speaker 3: if Plaxico just shot himself in the leg. You're gonna

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Speaker 3: get seven Fab bars the next day about what's happening

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Speaker 3: with Remember that's how it used to be. Remember that.

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Speaker 3: So I never think like that no more. And no

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Speaker 3: one really sat there and was like, yo, Fab is

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Speaker 3: dissing Plasma, Like, no, he's just rapping about what's happening.

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Speaker 3: So I thought what sim did was what rappers should do.

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Speaker 3: I don't think it was clout chasing. I think it's

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Speaker 3: just what the rap game is now. I think it's

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Speaker 3: also great that Cole felt he's obviously worthy enough for

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Speaker 3: somewhat a response to that. I'm curious why Freddy Gives

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Speaker 3: didn't get one yet, but we'll get to that in

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Speaker 3: a second. He clearly has respect for Simba. I just

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Speaker 3: hope the Internet doesn't try to paint Simba as someone

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Speaker 3: that's cloud chasing just because he said, no, you don't

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Speaker 3: know was a song, Yeah it's a cloud chaser two

359
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Speaker 3: years ago. I don't think he's dising similar the same way.

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Speaker 3: I don't think Symbol was dising him. It's just word play,

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Speaker 3: shots back and forth, like it's called rap. That's what

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Speaker 3: it's called rap. You know it's called rap. First of all,

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Speaker 3: all right, not to play the other side. No disrespect.

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Speaker 3: He's not healed, he's still no.

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Speaker 1: No disrespect to simb But I have I have already

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Speaker 1: had this conversation with y'all. If you're just making a

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Speaker 1: song and you throw a couple of shots about Lettings down,

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Speaker 1: bars down and down, which I think is a fucking

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Speaker 1: hilarious barb. Always if that just comes out in a song,

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Speaker 1: you're already doing fine.

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Speaker 2: If you go to the.

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Speaker 1: Studio and record a vidd oh with a whole song,

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Speaker 1: doing that whole thing, there was a reason why you

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Speaker 1: did that. We all know what the reason why he

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Speaker 1: did that was, like, we're not gonna sit a parent

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Speaker 1: to oh just you know. Plexicle shot himself in the

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Speaker 1: leag Fap said that he wasn't just a fabbed.

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Speaker 2: That's bullshit.

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Speaker 3: That's bullshit.

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Speaker 1: J Cole handicapped himself when he dropped out of that battle,

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Speaker 1: and everybody took it as an open season on.

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Speaker 3: J Cole style. I wasn't dedicated to that, but there

383
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Speaker 3: was you remember it for anything else? No, but it

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Speaker 3: was okay, Simba does a lot of freestyles and what's up.

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Speaker 3: Of course it had to do that, But what's wrong

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Speaker 3: with that, we tweet for the moment, we pod for

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Speaker 3: the moment. Why can't rappers rap for the moment? Everyone

388
00:18:29,880 --> 00:18:31,479
Speaker 3: streams in the moment because matter of fact, we had

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Speaker 3: no body. Now we can't even lose yourself and the

390
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Speaker 3: music the moment. You won't it.

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Speaker 5: You better never let it go. You only get one shot.

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00:18:41,560 --> 00:18:45,360
Speaker 5: Do not miss your chance at opportunity? Did I miss

393
00:18:45,359 --> 00:18:47,600
Speaker 5: a chance to blow? This opportunity comes once whatever? He

394
00:18:47,680 --> 00:18:49,800
Speaker 5: already did that so we didn't get flagged. Yeah, because

395
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Speaker 5: it was too good.

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Speaker 1: Because he was just he sounded just like him. Like

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Speaker 1: I said, respect to some of some OF's he's sweet,

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Speaker 1: he's a good rapper.

399
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Speaker 3: But in this in this era though, with everything, we

400
00:19:00,359 --> 00:19:03,920
Speaker 3: even talk in the group chat, damn emergency pod when

401
00:19:04,080 --> 00:19:06,439
Speaker 3: some drops at fucking minute, Oh should we should we

402
00:19:06,480 --> 00:19:07,960
Speaker 3: get on stream this and that?

403
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Speaker 2: I mean, that's fine.

404
00:19:08,800 --> 00:19:12,119
Speaker 3: This ja co shit dropped, uh six hours ago and

405
00:19:12,160 --> 00:19:14,200
Speaker 3: we're already late to reply. So why can't a rapper

406
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Speaker 3: just go and rap about what's going on?

407
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Speaker 2: Because these rappers would.

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Speaker 3: To me, that's more honorable than yapping then coming up

409
00:19:20,359 --> 00:19:23,080
Speaker 3: here with with not a talent and just talking. I'd

410
00:19:23,160 --> 00:19:25,400
Speaker 3: rather that than go on a podcast and talk about it,

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00:19:26,200 --> 00:19:28,880
Speaker 3: which is fine, which we even used to give more

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Speaker 3: respect when we'd be like, oh, hold, he'd only address

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00:19:33,760 --> 00:19:36,679
Speaker 3: it on a song. Like rappers used to usually just

414
00:19:36,680 --> 00:19:39,040
Speaker 3: address things on songs, things that have to do until

415
00:19:39,119 --> 00:19:42,720
Speaker 3: until like Cam and Dipset and that era, and then

416
00:19:42,840 --> 00:19:44,600
Speaker 3: the Locks came in and said they're gonna throw a

417
00:19:44,680 --> 00:19:48,240
Speaker 3: fridge on Puff and obviously those things happen, but usually

418
00:19:48,240 --> 00:19:53,040
Speaker 3: Bridge rappers and the Locks and Dipset always did it

419
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Speaker 3: with raps too. I'm not saying they was yapping. They

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00:19:54,880 --> 00:19:57,840
Speaker 3: was always rapping first, but then also did radio. We

421
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Speaker 3: always was like, we respect more when you stayed on

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Speaker 3: record than an interview.

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Speaker 1: I respect when you shoot at people when they at

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00:20:03,880 --> 00:20:06,320
Speaker 1: the top and everybody is afraid to say anything to them,

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00:20:06,320 --> 00:20:07,520
Speaker 1: then when they handicapped themselves.

426
00:20:07,520 --> 00:20:09,760
Speaker 2: I don't respect people shooting at people when they handicapp him.

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Speaker 3: Jay Cole was on stage at his own festival, which

428
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Speaker 3: I think is the first hip hop festival in North

429
00:20:15,600 --> 00:20:19,439
Speaker 3: Carolina history, one of the highest grossing hip hop festivals,

430
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Speaker 3: one of the greatest experiences. Get it. I don't think

431
00:20:22,720 --> 00:20:25,159
Speaker 3: J Cole was handicapped and at the bottom. While he was.

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Speaker 1: At the bottom, you know what I mean by handicapped.

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Speaker 1: You know what I mean by handicapped, Like I'm not

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Speaker 1: talking in cursive. You niggas know what I said, and

435
00:20:32,119 --> 00:20:34,120
Speaker 1: I said this years again. He can't shoot him and nothing happened.

436
00:20:34,160 --> 00:20:35,439
Speaker 1: He's reacting to something that happened.

437
00:20:35,440 --> 00:20:38,119
Speaker 3: What do you mean what do you mean by handicapped.

438
00:20:37,600 --> 00:20:40,439
Speaker 1: When the same way you say Cole can never address

439
00:20:40,480 --> 00:20:42,000
Speaker 1: rappers or he can ever do this, and nobody's ever

440
00:20:42,000 --> 00:20:43,800
Speaker 1: gonna take them serious, this, this, this, and that. It's

441
00:20:43,840 --> 00:20:46,240
Speaker 1: a handicap because what he did. You now take yourself

442
00:20:46,240 --> 00:20:48,600
Speaker 1: out of the niggas being afraid of you. You handicapped yourself.

443
00:20:48,840 --> 00:20:51,159
Speaker 1: Niggas would never have had the confidence to say a

444
00:20:51,160 --> 00:20:53,520
Speaker 1: word about motherfucking J Cole until he did that.

445
00:20:53,680 --> 00:20:55,200
Speaker 5: I think that's wrong. I think what you're saying is wrong.

446
00:20:55,200 --> 00:20:57,560
Speaker 5: I understand what you're trying to say. But it's not

447
00:20:57,640 --> 00:21:00,720
Speaker 5: that they looked at it like they open season on J.

448
00:21:00,840 --> 00:21:01,040
Speaker 3: Cole.

449
00:21:01,440 --> 00:21:04,800
Speaker 5: It was more from a disappointed standpoint, like damn like

450
00:21:04,840 --> 00:21:08,000
Speaker 5: you you wanted them. Because everybody still respects Cole, every rap,

451
00:21:08,040 --> 00:21:10,639
Speaker 5: every MC still respects Cole like he can rap. There's

452
00:21:10,680 --> 00:21:14,240
Speaker 5: no debt in that. It's just how he handled that

453
00:21:14,440 --> 00:21:19,439
Speaker 5: moment disappointed other rappers in MCS like the confidence to

454
00:21:19,480 --> 00:21:22,680
Speaker 5: go in the studio well based on what they saw

455
00:21:22,720 --> 00:21:23,840
Speaker 5: as a culture, like Yo.

456
00:21:23,840 --> 00:21:26,000
Speaker 1: That was you see, it's one hundred and eighteen million

457
00:21:26,040 --> 00:21:27,840
Speaker 1: things that go on in this culture and we've never

458
00:21:27,880 --> 00:21:31,919
Speaker 1: seen about it. Though, Okay, I think I've never seen that.

459
00:21:31,960 --> 00:21:35,040
Speaker 3: I watched Simba go up to Funk Flex freestyle and

460
00:21:35,359 --> 00:21:38,600
Speaker 3: Dysfunk flex to his face for dis in Tupac. He said,

461
00:21:38,640 --> 00:21:41,280
Speaker 3: all that Tupac ship is stopping to day and if

462
00:21:41,280 --> 00:21:44,359
Speaker 3: you're gonna do it, stop stop crying in the middle

463
00:21:44,640 --> 00:21:46,920
Speaker 3: of thiss In Tupac, he said, that's a Flex's face

464
00:21:47,280 --> 00:21:47,840
Speaker 3: Flex one.

465
00:21:47,720 --> 00:21:49,600
Speaker 2: Of the greatest rappers of our generation.

466
00:21:51,720 --> 00:21:55,200
Speaker 3: But making that Simba, who we're talking about, I'm giving

467
00:21:55,200 --> 00:22:00,159
Speaker 3: an equivalent to He'll address something that's currently happening, like

468
00:22:00,240 --> 00:22:03,240
Speaker 3: he even mocked the drop you lied like he said

469
00:22:03,240 --> 00:22:05,800
Speaker 3: that in his freestyle to Flex because it was a

470
00:22:06,320 --> 00:22:09,239
Speaker 3: current thing that was being played on podcasts at the time.

471
00:22:09,280 --> 00:22:12,720
Speaker 5: Listen, I get it. The Marius is cold. She loved cold,

472
00:22:12,720 --> 00:22:13,840
Speaker 5: and I'm not mad at I do too.

473
00:22:13,920 --> 00:22:15,240
Speaker 1: No, But see, we're not gonna make it seem like

474
00:22:15,240 --> 00:22:17,480
Speaker 1: I'm just some staying without fucking brain cells and I just.

475
00:22:17,400 --> 00:22:18,840
Speaker 3: Be talking about I didn't say that. I said you

476
00:22:18,840 --> 00:22:22,520
Speaker 3: love cold, Okay, I said I to what. Maybe your

477
00:22:22,560 --> 00:22:24,760
Speaker 3: point is here. I don't think Simba's waking up just

478
00:22:25,119 --> 00:22:27,679
Speaker 3: wanting to just distike Jacob. I think he was reacting

479
00:22:27,680 --> 00:22:29,000
Speaker 3: to a moment that would have never happened had the

480
00:22:29,000 --> 00:22:32,440
Speaker 3: moment not happened. And I think there's nothing wrong with that.

481
00:22:32,680 --> 00:22:36,840
Speaker 5: And it's nothing if somebody's playing whether he's playing around

482
00:22:36,960 --> 00:22:39,480
Speaker 5: or with Simba's name, there's nothing wrong with that rap

483
00:22:39,480 --> 00:22:42,080
Speaker 5: of feeling like, okay, well I got I got things

484
00:22:42,119 --> 00:22:44,359
Speaker 5: to say to that. I like the cold bar I

485
00:22:44,400 --> 00:22:47,480
Speaker 5: did too. I actually Simba being on his way to

486
00:22:47,520 --> 00:22:48,080
Speaker 5: the studio is.

487
00:22:48,119 --> 00:22:51,040
Speaker 3: Realized as a result of that, like a hold up dog.

488
00:22:51,080 --> 00:22:53,800
Speaker 5: I was in the crimb chilling like I ain't said nothing.

489
00:22:53,840 --> 00:22:57,719
Speaker 5: Here you go, young Simba simbers owe that I'm not

490
00:22:57,800 --> 00:23:01,520
Speaker 5: I'm not. I'm not saying it's not. But if that

491
00:23:01,600 --> 00:23:03,639
Speaker 5: ball wasn't in that song and we called somebody he's

492
00:23:03,640 --> 00:23:05,680
Speaker 5: saying he's on his way to the studio to wrap

493
00:23:05,760 --> 00:23:07,280
Speaker 5: my cold, then I'll be like, yeah, what you doing, bro?

494
00:23:07,520 --> 00:23:09,960
Speaker 5: He ain't say nothing to you. He ain't say nothing

495
00:23:09,960 --> 00:23:13,080
Speaker 5: about you coming off of the coming off of him

496
00:23:13,119 --> 00:23:15,479
Speaker 5: bowning out of a battle. I understand. I understand if

497
00:23:15,480 --> 00:23:17,600
Speaker 5: every rapper had something to say after that, because that

498
00:23:17,760 --> 00:23:20,240
Speaker 5: was the craziest moment in rap hit well, one of

499
00:23:20,280 --> 00:23:23,239
Speaker 5: the craziest moments in rap history where a guy at

500
00:23:23,520 --> 00:23:26,800
Speaker 5: every rapper in every MC feels like is one of

501
00:23:26,840 --> 00:23:27,200
Speaker 5: the best.

502
00:23:27,440 --> 00:23:29,600
Speaker 3: And even to that point, I think Cole, I don't

503
00:23:29,600 --> 00:23:34,639
Speaker 3: think there's any elite MC that would watch Simba on

504
00:23:34,760 --> 00:23:38,679
Speaker 3: the Charlie Freestyle, La Leakers Freestyles, Flex Freestyles and not

505
00:23:38,800 --> 00:23:41,800
Speaker 3: go oh, that's an elite pen right there. Cole I

506
00:23:41,840 --> 00:23:44,760
Speaker 3: think has respect for Simba to the point that he

507
00:23:44,800 --> 00:23:47,399
Speaker 3: mentioned him because there was plenty of people shooting. Yeah, hell,

508
00:23:47,440 --> 00:23:51,280
Speaker 3: never mentioned he. He talked to all all us content creators.

509
00:23:51,280 --> 00:23:52,840
Speaker 3: I saw the whole world last night trying to figure

510
00:23:52,840 --> 00:23:55,399
Speaker 3: out who is who. I'm like, oh, he's talking everybody. Ali.

511
00:23:56,480 --> 00:23:59,240
Speaker 3: He only made one specific thing to Simba, which to

512
00:23:59,280 --> 00:24:01,080
Speaker 3: me is more of a sign of respect than it

513
00:24:01,119 --> 00:24:06,200
Speaker 3: is anything else. And to me, that's the sport. So yeah, nah,

514
00:24:06,240 --> 00:24:09,639
Speaker 3: I ain't respect though you can't say you my father, nigga.

515
00:24:09,960 --> 00:24:11,760
Speaker 3: I know who my pappy is. Nigga get the fuck

516
00:24:11,800 --> 00:24:14,800
Speaker 3: out there. It ain't my daddy, nigga fuck out.

517
00:24:15,400 --> 00:24:17,040
Speaker 5: Yeah, we ain't gonna try to say like yo, it

518
00:24:17,080 --> 00:24:18,840
Speaker 5: was she was showing love. No no, no, no, no, no,

519
00:24:19,160 --> 00:24:21,399
Speaker 5: any nigga that I'm probably the same age or all

520
00:24:21,480 --> 00:24:22,679
Speaker 5: it into my he's my daddy.

521
00:24:22,960 --> 00:24:24,600
Speaker 3: Nah, nigga, You I got something to say to you

522
00:24:24,680 --> 00:24:27,280
Speaker 3: about that, nah, Because see, I wouldn't like to hear

523
00:24:28,440 --> 00:24:30,399
Speaker 3: if somebody really had said to me, you didn't let

524
00:24:30,520 --> 00:24:32,200
Speaker 3: nas down, you let the marriage down, I'd feel like

525
00:24:32,240 --> 00:24:33,520
Speaker 3: I'd feel the way that they said that to me,

526
00:24:34,400 --> 00:24:39,120
Speaker 3: you like your daddy. Oh no, that's no. That's why

527
00:24:39,119 --> 00:24:42,720
Speaker 3: I would reply the way, okay, because that's a that's

528
00:24:42,720 --> 00:24:44,679
Speaker 3: a hard one. Even though Simone was kind of joking

529
00:24:44,960 --> 00:24:48,359
Speaker 3: like and we know we know where that came from,

530
00:24:48,600 --> 00:24:50,919
Speaker 3: of the rumors of all of Dreamville in the crowd,

531
00:24:51,040 --> 00:24:53,520
Speaker 3: like don't do it, don't do it. Cole even said

532
00:24:53,560 --> 00:24:55,800
Speaker 3: on stage, all my guys in the back said, don't

533
00:24:55,840 --> 00:24:58,080
Speaker 3: do that shit, don't do it, don't do it. So

534
00:24:58,240 --> 00:25:00,400
Speaker 3: now now you see that, and now it's like, damn,

535
00:25:00,480 --> 00:25:06,240
Speaker 3: I let my my crew because dream everybody, which I

536
00:25:06,320 --> 00:25:08,800
Speaker 3: understand that that's your people forever. I would do the

537
00:25:08,840 --> 00:25:10,920
Speaker 3: same thing, no matter circumstance. I'm always gonna ride with

538
00:25:10,920 --> 00:25:13,800
Speaker 3: my friends in that regard. But yeah, that could sting

539
00:25:13,840 --> 00:25:17,000
Speaker 3: a little in the moment, not now the moment, remember, like,

540
00:25:17,280 --> 00:25:20,840
Speaker 3: keep that point in mind when things are happening that day. Yeah,

541
00:25:20,880 --> 00:25:22,760
Speaker 3: the whole team is fighting for their life on Twitter,

542
00:25:23,080 --> 00:25:25,120
Speaker 3: everyone in the industry talking to them. And then SIB

543
00:25:25,119 --> 00:25:27,040
Speaker 3: would come in and say, Cole, you let boss down

544
00:25:28,160 --> 00:25:30,200
Speaker 3: your man? Yeah, that would sting me. I'm gonna reply

545
00:25:30,240 --> 00:25:31,160
Speaker 3: and say, you're my son.

546
00:25:31,840 --> 00:25:38,880
Speaker 5: Nah nah, see that's to me. That's that's so you reply. Yeah,

547
00:25:38,880 --> 00:25:40,240
Speaker 5: but you reply to that. But not.

548
00:25:42,640 --> 00:25:45,359
Speaker 3: The picking and choosing Gotta stop, bro, That's all I'm saying.

549
00:25:45,520 --> 00:25:50,399
Speaker 5: I mean picking and choosing album. That's why I'm chilling.

550
00:25:50,520 --> 00:25:52,800
Speaker 5: But that's another issue I have though, because it's like,

551
00:25:55,080 --> 00:26:00,280
Speaker 5: you do an all list rapping now album on we

552
00:26:00,359 --> 00:26:02,800
Speaker 5: get in the video before that we're doing all this

553
00:26:03,000 --> 00:26:03,680
Speaker 5: rapping now.

554
00:26:04,200 --> 00:26:08,040
Speaker 3: Ain't nobody outside niggas is going. That was two weird

555
00:26:08,119 --> 00:26:08,840
Speaker 3: niggas is gone.

556
00:26:08,880 --> 00:26:09,040
Speaker 1: Bro.

557
00:26:09,200 --> 00:26:11,600
Speaker 2: Okay, Okay, So he not supposed to release his album.

558
00:26:11,359 --> 00:26:12,960
Speaker 3: Because that's not what I'm saying.

559
00:26:13,000 --> 00:26:15,840
Speaker 5: I'm saying all of this, Go get clue, go get

560
00:26:15,840 --> 00:26:18,760
Speaker 5: the best, free, go get the best instrument Now you

561
00:26:18,880 --> 00:26:21,240
Speaker 5: over I should he said this shit overlyloaded, This nigga

562
00:26:21,280 --> 00:26:24,840
Speaker 5: overly rapping. Now, thank god, this nigga overly rapping. You

563
00:26:24,840 --> 00:26:27,320
Speaker 5: want to go get the best instrumentals in in rap history.

564
00:26:27,560 --> 00:26:30,119
Speaker 5: You want to go get Clue? You want to It's like, bro,

565
00:26:30,240 --> 00:26:31,560
Speaker 5: what we doing with man?

566
00:26:31,600 --> 00:26:34,159
Speaker 3: When we mark me saying this, They're going to clip

567
00:26:34,200 --> 00:26:36,800
Speaker 3: that out of context and make it look so. I

568
00:26:36,880 --> 00:26:39,359
Speaker 3: know what you're saying, but that's not how it's going

569
00:26:39,440 --> 00:26:41,560
Speaker 3: to be interpreted. They'd be like, yo, now everyone's mad

570
00:26:41,600 --> 00:26:45,200
Speaker 3: that colds niggas clip up with whatever they can, clip

571
00:26:45,240 --> 00:26:45,479
Speaker 3: it up.

572
00:26:45,560 --> 00:26:48,520
Speaker 5: I'm saying, why we couldn't get all of this rapping

573
00:26:48,800 --> 00:26:50,760
Speaker 5: in that moment, That's.

574
00:26:50,560 --> 00:26:51,040
Speaker 3: What we were.

575
00:26:51,400 --> 00:26:53,639
Speaker 5: That's when we were supposed to get the Clue mixtape.

576
00:26:54,080 --> 00:26:58,520
Speaker 5: In that moment he gave us, uh, I might delete later,

577
00:26:58,600 --> 00:27:01,640
Speaker 5: and he did. Come on, and now he's saying, oh

578
00:27:01,680 --> 00:27:04,240
Speaker 5: to fall off. He fell off and now he's tying

579
00:27:04,280 --> 00:27:07,320
Speaker 5: over it like with this formative shit.

580
00:27:07,520 --> 00:27:11,159
Speaker 3: Man, he did, I think give mall some credit. I

581
00:27:11,160 --> 00:27:13,600
Speaker 3: believe it's on. Don't give me no credit. I don't

582
00:27:13,600 --> 00:27:15,960
Speaker 3: want no credit. Well, let's we going to winter storm.

583
00:27:16,080 --> 00:27:18,000
Speaker 3: I want no credit because I do want to get

584
00:27:18,040 --> 00:27:19,920
Speaker 3: away from who he's taking shots out of this beef shit.

585
00:27:20,280 --> 00:27:24,720
Speaker 3: He did say scrapping everything after what happened and starting over,

586
00:27:25,440 --> 00:27:28,840
Speaker 3: which we gave moll pushback on that as well, like, now,

587
00:27:28,840 --> 00:27:31,080
Speaker 3: you help, some stuff has to change, but he'll probably

588
00:27:31,160 --> 00:27:36,240
Speaker 3: keep Yeah, let me find he he's justin. Yeah, irap

589
00:27:36,320 --> 00:27:40,600
Speaker 3: everything after that day. Now, I know we've been focusing

590
00:27:40,600 --> 00:27:43,280
Speaker 3: at the last twenty eight minutes about who he's been

591
00:27:43,320 --> 00:27:46,199
Speaker 3: shoting at all. Right, I'm sorry, Can we at least

592
00:27:46,240 --> 00:27:50,439
Speaker 3: please appreciate that this is just four records of just

593
00:27:50,680 --> 00:27:54,040
Speaker 3: straight I appreciated the shot was one.

594
00:27:54,000 --> 00:27:56,520
Speaker 5: Of the best. You niggas ain't gonna never hear me

595
00:27:56,560 --> 00:27:58,480
Speaker 5: say that he's not one of the best rappers we've

596
00:27:58,480 --> 00:27:58,880
Speaker 5: ever had.

597
00:27:58,920 --> 00:28:01,480
Speaker 3: But he's not allowed to say that. I'm not saying no.

598
00:28:01,600 --> 00:28:06,960
Speaker 3: You could say it not out of a battle, No, no, Okay.

599
00:28:06,720 --> 00:28:08,439
Speaker 5: And then you're talking about kicking in the door and

600
00:28:08,440 --> 00:28:10,320
Speaker 5: putting full in Homie's head And.

601
00:28:10,800 --> 00:28:13,320
Speaker 3: Who are you talking to? Who are you shooting in that?

602
00:28:14,600 --> 00:28:17,240
Speaker 3: A friend from fan ooh dog? You again, we can't

603
00:28:17,240 --> 00:28:18,600
Speaker 3: get these balls after.

604
00:28:18,400 --> 00:28:24,560
Speaker 1: What we saw, Okay, sec second second seconds.

605
00:28:24,200 --> 00:28:26,680
Speaker 3: He can and he did it and people are receiving it.

606
00:28:26,720 --> 00:28:33,080
Speaker 3: Go ahead, his fans. Yes, So, maul, I see that

607
00:28:33,160 --> 00:28:35,399
Speaker 3: Demarus is over there on a phone that is not

608
00:28:35,560 --> 00:28:40,000
Speaker 3: the all new iPhone pro seventeen designed to be the

609
00:28:40,000 --> 00:28:42,600
Speaker 3: most powerful iPhone ever. What is that? Is that a

610
00:28:42,600 --> 00:28:45,480
Speaker 3: flip phone? Yeah? Are you concerned about traffic or is

611
00:28:45,480 --> 00:28:47,960
Speaker 3: someone trying to transfer all your data? You've got no

612
00:28:48,040 --> 00:28:50,840
Speaker 3: snowstorm updates on that phone. Well, good news to Maris.

613
00:28:50,880 --> 00:28:53,000
Speaker 3: I know you're sitting over there. If you go to

614
00:28:53,040 --> 00:28:55,720
Speaker 3: boost Mobile, they will send an expert to your home

615
00:28:56,000 --> 00:28:58,880
Speaker 3: and deliver your brand new iPhone seventeen Pro, so you

616
00:28:58,880 --> 00:29:00,400
Speaker 3: don't have to have that sour look that you have

617
00:29:00,480 --> 00:29:02,360
Speaker 3: on your face right now while you're scrolling through what

618
00:29:02,400 --> 00:29:05,240
Speaker 3: was that iPhone twelve? Boost Mobile would never.

619
00:29:05,240 --> 00:29:07,440
Speaker 5: If you visit boostsmobile dot com to get started. Delivery

620
00:29:07,440 --> 00:29:09,400
Speaker 5: available for select devices purchase at bootsmog dot com.

621
00:29:09,480 --> 00:29:17,840
Speaker 3: Terms a block bias, the wa call me bias, his

622
00:29:17,840 --> 00:29:18,440
Speaker 3: fans bias.

623
00:29:18,520 --> 00:29:21,600
Speaker 1: Yes, Okay, there's a difference between I hear you when

624
00:29:21,600 --> 00:29:23,080
Speaker 1: you say, well, he's gonna do whatever fuck you wants to,

625
00:29:23,200 --> 00:29:25,960
Speaker 1: but I hear you when you say versus about challenging

626
00:29:26,000 --> 00:29:28,840
Speaker 1: people lyrically right, and you can't you can't talk shit

627
00:29:28,840 --> 00:29:31,240
Speaker 1: about challenging people lyrically. I hear you, right, I understand

628
00:29:31,240 --> 00:29:35,240
Speaker 1: your point of view in that uh songs about violence.

629
00:29:35,280 --> 00:29:37,440
Speaker 1: I don't think that like now, because you didn't enter

630
00:29:37,480 --> 00:29:39,440
Speaker 1: into a rap bottle, you can't rap about violence.

631
00:29:39,480 --> 00:29:41,520
Speaker 2: Because if that's the case, are we like?

632
00:29:41,720 --> 00:29:44,440
Speaker 1: I think that's completely different things rapping about violence.

633
00:29:44,880 --> 00:29:49,520
Speaker 3: Okay, but if you go into the violent bars, he

634
00:29:49,520 --> 00:29:51,600
Speaker 3: doesn't usually clean them up with I'm not talking about

635
00:29:51,600 --> 00:29:53,960
Speaker 3: like he even says without an actual gun on my

636
00:29:54,680 --> 00:29:57,360
Speaker 3: he's not suggesting he's going to shoot somebody four times

637
00:29:57,360 --> 00:30:01,280
Speaker 3: in the head because he even know about image. Nobody's

638
00:30:01,280 --> 00:30:03,720
Speaker 3: thinking Jay Cole is gonna shoot anybody. I think this

639
00:30:03,760 --> 00:30:06,640
Speaker 3: has been These four records are a perfect mix of

640
00:30:06,680 --> 00:30:10,720
Speaker 3: one obviously just straight rapping addressing everything that is currently happening,

641
00:30:10,880 --> 00:30:13,720
Speaker 3: which I miss so much with our A list rappers.

642
00:30:14,240 --> 00:30:17,560
Speaker 3: Anytime we got something from NAS you just named anyone

643
00:30:17,600 --> 00:30:20,960
Speaker 3: from that era, Kanye fifty, it was addressing what was

644
00:30:21,000 --> 00:30:24,000
Speaker 3: happening at the time. And this is four records that

645
00:30:24,080 --> 00:30:27,800
Speaker 3: I feel like represent the last two years of everything

646
00:30:27,840 --> 00:30:30,920
Speaker 3: in rap, not just the beef with Kendrick or him apologizing,

647
00:30:31,360 --> 00:30:34,200
Speaker 3: down to Lucian, down to everything that's happening in the

648
00:30:34,200 --> 00:30:38,960
Speaker 3: game with media rap. This was a master class of freestyle.

649
00:30:39,120 --> 00:30:45,400
Speaker 5: Now cool and you're right the album Fearty six, We

650
00:30:45,440 --> 00:30:47,760
Speaker 5: got all of this cool Cole Rap.

651
00:30:48,120 --> 00:30:50,040
Speaker 3: I ain't mad at it. Love to hear rap, love

652
00:30:50,040 --> 00:30:51,440
Speaker 3: to hear new music, cool, got it.

653
00:30:53,200 --> 00:30:56,520
Speaker 5: If on that album. Because again, and this is my

654
00:30:56,600 --> 00:31:00,120
Speaker 5: issue I have with Rory going back to the the

655
00:31:00,440 --> 00:31:00,960
Speaker 5: the battle.

656
00:31:01,120 --> 00:31:02,440
Speaker 3: This is the point that you've been holding that you

657
00:31:02,480 --> 00:31:05,000
Speaker 3: wanted to Yes, we're here finally. Yes, I've lost sleep

658
00:31:05,040 --> 00:31:07,680
Speaker 3: over this. So are you are you?

659
00:31:07,840 --> 00:31:11,040
Speaker 5: Are you happy with Cole addressing all of this and

660
00:31:11,080 --> 00:31:13,880
Speaker 5: talking about the battle and things like that, like apologizing,

661
00:31:14,280 --> 00:31:15,560
Speaker 5: falling off from the top three?

662
00:31:16,760 --> 00:31:19,960
Speaker 3: Uh in raps? So why would I? But I said

663
00:31:19,960 --> 00:31:20,360
Speaker 3: that before?

664
00:31:20,400 --> 00:31:25,120
Speaker 5: Okay, but no, because when Drake stopped the engagement with Push,

665
00:31:25,160 --> 00:31:28,760
Speaker 5: you you said, I don't want to hear nothing about

666
00:31:28,760 --> 00:31:30,280
Speaker 5: this battle on the album.

667
00:31:30,560 --> 00:31:33,040
Speaker 3: If it's over, let it be over. We don't want

668
00:31:33,080 --> 00:31:33,480
Speaker 3: to hear that.

669
00:31:34,360 --> 00:31:37,520
Speaker 5: Now that Cole is doing it, you happy about it?

670
00:31:39,240 --> 00:31:41,520
Speaker 3: And no, ain't no way way wait behind me the

671
00:31:41,520 --> 00:31:45,640
Speaker 3: clip I said I didn't like that. He said he

672
00:31:45,760 --> 00:31:49,400
Speaker 3: had a record and didn't put it out, but instead

673
00:31:49,480 --> 00:31:52,560
Speaker 3: went on the shop with Lebron James to talk about

674
00:31:54,440 --> 00:31:55,959
Speaker 3: You may have said that what I said. You may

675
00:31:56,000 --> 00:31:59,280
Speaker 3: have said that, and I was like, you know, he's gonnas.

676
00:32:00,800 --> 00:32:02,600
Speaker 3: You may have said that on a side of Scorpion,

677
00:32:02,640 --> 00:32:03,920
Speaker 3: which is all about the fucking battle.

678
00:32:04,000 --> 00:32:06,000
Speaker 5: You may have said that too, But you also said

679
00:32:06,240 --> 00:32:08,600
Speaker 5: you didn't want to hear nothing about Pusha. You didn't

680
00:32:08,600 --> 00:32:11,000
Speaker 5: want to hear no, no shots. You don't want to

681
00:32:11,000 --> 00:32:16,200
Speaker 5: hear none of that. That's exactly a context.

682
00:32:16,240 --> 00:32:19,840
Speaker 3: Are we talking about Scorpion time, No, if we're talking

683
00:32:19,840 --> 00:32:25,120
Speaker 3: about him addressing ship on whatever that Travis Scott one

684
00:32:25,240 --> 00:32:27,600
Speaker 3: was when he was dising Pusha on someone else's feature,

685
00:32:28,040 --> 00:32:30,560
Speaker 3: it was like, dude, that was like, that was like

686
00:32:30,640 --> 00:32:33,640
Speaker 3: seven years ago. I don't like, I don't care. I

687
00:32:33,640 --> 00:32:35,760
Speaker 3: don't even think you care anymore. This was two years ago.

688
00:32:36,320 --> 00:32:38,600
Speaker 3: We haven't heard from outside of the Poor Thing and

689
00:32:39,280 --> 00:32:41,600
Speaker 3: the fall Off. And I'm not comparing fall Off and Scorpion.

690
00:32:41,640 --> 00:32:45,120
Speaker 3: I'm just saying the next album after a beef, of course,

691
00:32:45,240 --> 00:32:48,560
Speaker 3: I I would think the rapper would address what was

692
00:32:48,760 --> 00:32:50,400
Speaker 3: That's not what you said when it was Drake and

693
00:32:50,400 --> 00:32:53,000
Speaker 3: push It. I will happily stand if you can find

694
00:32:53,000 --> 00:32:53,280
Speaker 3: it was.

695
00:32:53,200 --> 00:32:55,800
Speaker 5: Not your energy, That was not your energy. And that's

696
00:32:55,840 --> 00:32:58,400
Speaker 5: all I'm saying. When it's the when it's the guys

697
00:32:58,400 --> 00:33:01,800
Speaker 5: that we like. But I I didn't say I like Cold.

698
00:33:01,920 --> 00:33:03,920
Speaker 5: They say I'm biased. You see how that works.

699
00:33:04,800 --> 00:33:07,360
Speaker 3: I'm not biased either, but I'm just saying they say it,

700
00:33:07,480 --> 00:33:09,440
Speaker 3: they call me biased. I'm just saying, you called yourself

701
00:33:09,480 --> 00:33:10,600
Speaker 3: bias with Drake, which is fine.

702
00:33:10,440 --> 00:33:13,880
Speaker 5: In a battle, in a battle, in a battle, yeah yeah,

703
00:33:13,880 --> 00:33:17,720
Speaker 5: I'm picking a side in any battle. What I'm saying

704
00:33:17,840 --> 00:33:21,520
Speaker 5: is nat that Cole is doing it. Oh yes, this

705
00:33:21,560 --> 00:33:22,800
Speaker 5: is what we wanted about.

706
00:33:22,880 --> 00:33:24,920
Speaker 3: I've also said on this pod in the last year

707
00:33:25,160 --> 00:33:29,200
Speaker 3: that I want and I'm almost saying verbatim, I said,

708
00:33:29,240 --> 00:33:31,360
Speaker 3: I want all three of them. I want Drake on

709
00:33:31,520 --> 00:33:36,560
Speaker 3: Iceman not to necessarily dis but address how he's feeling

710
00:33:36,640 --> 00:33:39,200
Speaker 3: post battle on things. I want Drake to address it,

711
00:33:39,320 --> 00:33:41,600
Speaker 3: I want Cole to address it, and I want Kendrick

712
00:33:41,720 --> 00:33:45,000
Speaker 3: to even address coming out of everything that happened. I

713
00:33:45,040 --> 00:33:47,320
Speaker 3: don't think they should dedicate their album to it, but

714
00:33:47,400 --> 00:33:49,080
Speaker 3: to bring it up. I said on this pod, I

715
00:33:49,080 --> 00:33:51,680
Speaker 3: want all three of them to Drake and Clue, I want.

716
00:33:52,080 --> 00:33:54,920
Speaker 3: If he doesn't address anything on Iceman, I would be disappointed.

717
00:33:54,960 --> 00:33:57,200
Speaker 3: I think he should now if he dedicates a whole

718
00:33:57,240 --> 00:34:01,400
Speaker 3: album to telling me that they're in his turned back

719
00:34:01,440 --> 00:34:03,200
Speaker 3: on him and naked it.

720
00:34:03,880 --> 00:34:05,480
Speaker 5: Now you're getting into what you want to hear and

721
00:34:05,480 --> 00:34:07,000
Speaker 5: how you want to hear it. No no, no no no

722
00:34:07,000 --> 00:34:10,040
Speaker 5: no no no no, she's what you've done you want

723
00:34:10,080 --> 00:34:13,799
Speaker 5: to tell I'm telling. I'm telling you as as a

724
00:34:13,800 --> 00:34:15,600
Speaker 5: fan of an artist and an MC and a rapper.

725
00:34:16,080 --> 00:34:19,200
Speaker 5: If you back down out out of a fade a battle,

726
00:34:20,320 --> 00:34:22,400
Speaker 5: you can't start talking like niggas don't want issues with

727
00:34:22,440 --> 00:34:25,440
Speaker 5: you right after that. The nigga that said something to

728
00:34:25,480 --> 00:34:27,920
Speaker 5: you wanted the issue you. You shot back and then

729
00:34:27,960 --> 00:34:29,279
Speaker 5: apologized for shooting back.

730
00:34:29,880 --> 00:34:31,960
Speaker 3: What is that? That's what I'm saying, Like, I never

731
00:34:32,040 --> 00:34:33,239
Speaker 3: understood that part of it.

732
00:34:33,320 --> 00:34:35,279
Speaker 5: I think now if you didn't want to engauge any

733
00:34:35,360 --> 00:34:38,200
Speaker 5: further after you put out the seven minute drill, because

734
00:34:38,200 --> 00:34:39,799
Speaker 5: even on the end of seven minute drill, he said

735
00:34:39,840 --> 00:34:41,680
Speaker 5: everything like yo, this is a friendly little yo.

736
00:34:41,760 --> 00:34:43,640
Speaker 3: If you wanted to go and he's like, yo, just chill.

737
00:34:44,440 --> 00:34:45,919
Speaker 5: He could have left it at that and I would

738
00:34:45,920 --> 00:34:47,879
Speaker 5: have been cool, but I would have been totally find

739
00:34:48,640 --> 00:34:50,680
Speaker 5: At least he shot back and he let Kendrick know, like, no,

740
00:34:50,800 --> 00:34:52,560
Speaker 5: don't play with me, because this was like, this was

741
00:34:52,600 --> 00:34:55,400
Speaker 5: just a little workout. What he said I would have

742
00:34:55,440 --> 00:34:58,160
Speaker 5: been perfectly fine. But to do what he did, I

743
00:34:58,200 --> 00:34:59,640
Speaker 5: was just like, why would you do that?

744
00:34:59,719 --> 00:34:59,799
Speaker 1: Was?

745
00:35:00,239 --> 00:35:02,239
Speaker 5: Take you do this? Take your best shot? That was

746
00:35:02,320 --> 00:35:06,080
Speaker 5: crazy to me. I didn't understand that energy. But I'm

747
00:35:06,120 --> 00:35:08,160
Speaker 5: lying because I do understand that energy. I was gonna say,

748
00:35:08,160 --> 00:35:12,560
Speaker 5: you know exactly better and I'm gonna say this, and you,

749
00:35:12,719 --> 00:35:16,200
Speaker 5: my man, I don't want to on this album. He

750
00:35:16,280 --> 00:35:19,480
Speaker 5: better addressed why he did what he did. He better

751
00:35:19,480 --> 00:35:25,960
Speaker 5: addressed while he did with on this album. He better

752
00:35:26,040 --> 00:35:28,840
Speaker 5: explain why he did what he did. He better explain

753
00:35:28,920 --> 00:35:32,680
Speaker 5: why he had that conversation with Kendrick okay, and then

754
00:35:32,760 --> 00:35:34,680
Speaker 5: never spoke to Drake after that again in his life,

755
00:35:35,120 --> 00:35:38,240
Speaker 5: he has to explain that. He has to explain that

756
00:35:38,239 --> 00:35:42,160
Speaker 5: that's nasty ill cocho wrap his asshole, put it in

757
00:35:42,280 --> 00:35:44,480
Speaker 5: bars on why you did what you did to Drake?

758
00:35:44,520 --> 00:35:47,480
Speaker 5: Bro don't give me all of this young symbol and

759
00:35:47,560 --> 00:35:50,520
Speaker 5: this nigga and that no no, no, tell the world

760
00:35:50,760 --> 00:35:55,359
Speaker 5: why you had that conversation with Kendrick before that whole

761
00:35:55,400 --> 00:35:57,840
Speaker 5: back and forth with him and Drake, and why you

762
00:35:57,920 --> 00:36:00,839
Speaker 5: came off that tour with Drake and after Drake gave

763
00:36:00,880 --> 00:36:03,520
Speaker 5: you your first number one and then you never spoke

764
00:36:03,560 --> 00:36:07,799
Speaker 5: to drink again. Okay, current day today till this day

765
00:36:07,840 --> 00:36:10,480
Speaker 5: has never spoke to drink again. Tell the world why

766
00:36:10,560 --> 00:36:12,080
Speaker 5: you did that? And I need to know why he

767
00:36:12,080 --> 00:36:15,200
Speaker 5: did that? I ask, I need to know why he

768
00:36:15,280 --> 00:36:17,480
Speaker 5: did that. Is this going to stay in this episode?

769
00:36:19,640 --> 00:36:21,440
Speaker 3: Episode? Look, I'm like this, Cole. You ain't even got

770
00:36:21,440 --> 00:36:25,040
Speaker 3: a d You ain't even got to wrap it. DM me, nigga, pause,

771
00:36:25,480 --> 00:36:27,360
Speaker 3: DM message me.

772
00:36:27,760 --> 00:36:30,640
Speaker 5: Tell me why what did you hear on that phone

773
00:36:30,719 --> 00:36:35,680
Speaker 5: call with Kendrick, Sir Kendrick lamar that made you never.

774
00:36:35,560 --> 00:36:36,440
Speaker 3: Talk to drink again?

775
00:36:36,800 --> 00:36:41,239
Speaker 5: Okay, And because that's nasty, that man tour, he put

776
00:36:41,280 --> 00:36:43,479
Speaker 5: millions of dollars in your pocket, gave you your first

777
00:36:43,520 --> 00:36:44,319
Speaker 5: number one song.

778
00:36:44,520 --> 00:36:47,359
Speaker 1: Okay, all right, that was Stop talking about like Cole

779
00:36:47,480 --> 00:36:49,760
Speaker 1: is like some little nigga like Drake gave you nobody

780
00:36:49,840 --> 00:36:50,920
Speaker 1: talk a little.

781
00:36:50,760 --> 00:36:52,560
Speaker 3: Niggas a fact. I don't care what you're talking about

782
00:36:52,560 --> 00:36:53,799
Speaker 3: the marriage. That's a fact.

783
00:36:53,840 --> 00:36:55,640
Speaker 4: You are millions of dollars and this he was just

784
00:36:55,680 --> 00:36:57,560
Speaker 4: on tour with Okay, you know, and then game was

785
00:36:57,600 --> 00:37:00,520
Speaker 4: first number one and then never drank. That needs Drake

786
00:37:00,560 --> 00:37:04,560
Speaker 4: to put millions he needed anything. I'm talking he said,

787
00:37:04,640 --> 00:37:08,040
Speaker 4: on for me like he did. What are you talking like?

788
00:37:08,080 --> 00:37:10,239
Speaker 3: You still trying to defend that nasty ship that was

789
00:37:10,320 --> 00:37:12,239
Speaker 3: not offending nasty ship.

790
00:37:12,680 --> 00:37:14,879
Speaker 4: I don't know what the fuck We don't talk about

791
00:37:14,920 --> 00:37:16,960
Speaker 4: what you're speaking. Don't talk like now. That's what he

792
00:37:17,719 --> 00:37:18,400
Speaker 4: was referring to.

793
00:37:18,719 --> 00:37:20,920
Speaker 1: Is when you're talking about one of the greatest rappers

794
00:37:20,920 --> 00:37:23,080
Speaker 1: of our generation and you're sitting up here saying he

795
00:37:23,120 --> 00:37:23,799
Speaker 1: did this for you.

796
00:37:23,760 --> 00:37:29,279
Speaker 3: This for you did but the way you fact, I

797
00:37:29,320 --> 00:37:32,040
Speaker 3: don't care about how you take that's fine, that's fine

798
00:37:33,480 --> 00:37:36,719
Speaker 3: if you right now. I got millions already and you

799
00:37:36,800 --> 00:37:39,240
Speaker 3: still put millions in my pocket and I never speak

800
00:37:39,280 --> 00:37:39,760
Speaker 3: to you again.

801
00:37:40,040 --> 00:37:42,439
Speaker 1: That's crazy, you know, because nobody bought tickets for cold

802
00:37:42,480 --> 00:37:42,839
Speaker 1: was all Drake.

803
00:37:42,840 --> 00:37:45,680
Speaker 2: They all bought tickets to drinking was nobody has nothing to.

804
00:37:45,640 --> 00:37:47,640
Speaker 3: Do with what I'm saying. Is arguing like that, that

805
00:37:47,680 --> 00:37:48,760
Speaker 3: has nothing to do with I'm.

806
00:37:50,239 --> 00:37:53,239
Speaker 5: With him, know you, my man, you come on, let's

807
00:37:53,280 --> 00:37:54,600
Speaker 5: go and let's get this bag together.

808
00:37:54,719 --> 00:37:57,960
Speaker 3: He did that let's bust this bag down together. Come on,

809
00:37:58,000 --> 00:37:58,319
Speaker 3: we out.

810
00:37:58,360 --> 00:38:01,080
Speaker 5: We just got this number one song. Let's and then

811
00:38:01,120 --> 00:38:05,200
Speaker 5: you never speak to me again. That's crazy, bro, that's insane.

812
00:38:05,239 --> 00:38:07,680
Speaker 5: I don't care when nobody that is crazy.

813
00:38:07,880 --> 00:38:10,560
Speaker 3: So to go against your point prior. I would love

814
00:38:10,600 --> 00:38:13,000
Speaker 3: to hear Drake's perspective of that on Iceman as well.

815
00:38:13,920 --> 00:38:16,799
Speaker 5: I would too, But I feel like it's cold to

816
00:38:16,880 --> 00:38:18,799
Speaker 5: talk about it because he's the one that did what

817
00:38:18,880 --> 00:38:21,759
Speaker 5: he did. Drake don't know why he did that. We

818
00:38:21,840 --> 00:38:23,480
Speaker 5: ain't gonna speak to yo, cold, why you did what

819
00:38:23,480 --> 00:38:26,520
Speaker 5: you did. You're gonna ask us question, nigga know, Cole

820
00:38:26,600 --> 00:38:28,080
Speaker 5: gotta be the one to talk about little This is

821
00:38:28,120 --> 00:38:30,839
Speaker 5: why y'all smoke to Ken Drake. Even if Kendrick was like, Yo,

822
00:38:30,840 --> 00:38:32,960
Speaker 5: I'm about to I'm about to say some nasty shit

823
00:38:33,000 --> 00:38:35,440
Speaker 5: about him at least cold drag and be like, yo, bro,

824
00:38:35,480 --> 00:38:36,839
Speaker 5: he just want to fade with you. He don't even

825
00:38:36,840 --> 00:38:38,840
Speaker 5: want it with me, he said, he wants you one

826
00:38:38,920 --> 00:38:39,480
Speaker 5: on one on one.

827
00:38:39,960 --> 00:38:42,879
Speaker 3: Even if even if Cole did that to Drake, I'm

828
00:38:42,920 --> 00:38:43,399
Speaker 3: not mad.

829
00:38:44,000 --> 00:38:47,160
Speaker 5: But you never spoke to this nigga again in your life.

830
00:38:47,800 --> 00:38:49,760
Speaker 5: Y'all can't sit here tell me. That's not weird behavior.

831
00:38:49,800 --> 00:38:50,319
Speaker 3: Bro. I'm sorry.

832
00:38:50,400 --> 00:38:52,960
Speaker 1: Okay, So what I'm outside of what we were just

833
00:38:53,120 --> 00:38:53,719
Speaker 1: yelling at each other.

834
00:38:54,080 --> 00:38:55,680
Speaker 3: You do nothing. I'm sorry. I'm not yelling at you.

835
00:38:55,719 --> 00:39:01,000
Speaker 3: I'm yelling at you. It's never yelling at you moment.

836
00:39:01,080 --> 00:39:02,960
Speaker 3: Like how symbols talking him about the moment, I'm yelling

837
00:39:03,000 --> 00:39:03,440
Speaker 3: at the moment.

838
00:39:03,520 --> 00:39:04,359
Speaker 2: Okay, all right.

839
00:39:05,239 --> 00:39:07,279
Speaker 1: What I'm saying is you do know that it talks

840
00:39:07,320 --> 00:39:10,960
Speaker 1: to each other at each other. I don't know the

841
00:39:11,000 --> 00:39:12,319
Speaker 1: moment I start swinging, I don't know.

842
00:39:12,400 --> 00:39:15,840
Speaker 3: But what he points in the moment you're like, oh,

843
00:39:16,080 --> 00:39:16,799
Speaker 3: I ain't mean to hit you.

844
00:39:16,840 --> 00:39:18,759
Speaker 1: What I'm what I'm saying is you do know that

845
00:39:18,800 --> 00:39:20,239
Speaker 1: the reason why I have said, do y'all want me

846
00:39:20,280 --> 00:39:22,239
Speaker 1: to cut this out? You do know that? Like how

847
00:39:22,239 --> 00:39:23,760
Speaker 1: me and Ry just said, we don't know these people.

848
00:39:23,760 --> 00:39:25,680
Speaker 1: We don't know this. The things that you're talking about

849
00:39:25,880 --> 00:39:28,120
Speaker 1: are not They're not common knowledge to either us or

850
00:39:28,200 --> 00:39:30,480
Speaker 1: the rest of the people in the world. People do

851
00:39:30,520 --> 00:39:32,440
Speaker 1: not know that. You do know that. People do not

852
00:39:32,520 --> 00:39:35,160
Speaker 1: know that. Drake and I mean Drake and Cole have

853
00:39:35,200 --> 00:39:36,239
Speaker 1: not spoken. I did not know that.

854
00:39:36,280 --> 00:39:38,760
Speaker 2: Rory did not know that. People do not know that. Okay,

855
00:39:38,840 --> 00:39:39,319
Speaker 2: you know that.

856
00:39:39,640 --> 00:39:42,759
Speaker 1: I'm just saying you're okay with people now having that

857
00:39:42,800 --> 00:39:45,360
Speaker 1: information that you are privy to that we were not okay.

858
00:39:45,680 --> 00:39:49,880
Speaker 5: I am so saying I don't know what's spoken about okay.

859
00:39:50,520 --> 00:39:52,680
Speaker 3: I know had he never spoke to this man again?

860
00:39:52,920 --> 00:39:55,839
Speaker 3: Which is crazy and as a fan, insane, I would

861
00:39:55,880 --> 00:40:00,520
Speaker 3: want to hear why, just as what is a guy like?

862
00:40:00,640 --> 00:40:02,560
Speaker 3: Just as that a man I would like to know

863
00:40:02,800 --> 00:40:04,080
Speaker 3: in raps, I don't want them to do it.

864
00:40:04,080 --> 00:40:06,279
Speaker 5: And mass if you come in here right now, every

865
00:40:06,360 --> 00:40:08,200
Speaker 5: day you with your homegirl, and then one day you

866
00:40:08,200 --> 00:40:09,359
Speaker 5: ain't with you think not on time?

867
00:40:09,440 --> 00:40:10,880
Speaker 3: Like, yo, what's up with your homewere used to be

868
00:40:10,960 --> 00:40:12,560
Speaker 3: with all the time? Like you ain't because he was

869
00:40:12,600 --> 00:40:15,719
Speaker 3: trying to be Maybe I'm like, yo, what happened at home?

870
00:40:15,760 --> 00:40:19,160
Speaker 3: And you like, I'm like, whoa, whoa?

871
00:40:19,480 --> 00:40:21,440
Speaker 5: That was your man you used to every day I

872
00:40:21,560 --> 00:40:23,920
Speaker 5: was together. Don't give me the own. I don't want

873
00:40:23,920 --> 00:40:25,040
Speaker 5: to talk to her no more.

874
00:40:25,120 --> 00:40:27,240
Speaker 2: So were they man's or were they business partners?

875
00:40:28,360 --> 00:40:30,799
Speaker 5: From from my understanding, from what I mean me looking

876
00:40:30,840 --> 00:40:33,839
Speaker 5: at it, I don't know like anybody's personal relationships, but

877
00:40:34,120 --> 00:40:35,000
Speaker 5: I would think that they was.

878
00:40:35,040 --> 00:40:38,120
Speaker 3: They was friends. They had years of history together with.

879
00:40:38,040 --> 00:40:40,040
Speaker 1: Each other, rock on each other, years of history together.

880
00:40:40,080 --> 00:40:42,160
Speaker 1: Because they make good money together, it doesn't always mean

881
00:40:42,160 --> 00:40:42,720
Speaker 1: that they're friends.

882
00:40:42,840 --> 00:40:44,920
Speaker 3: That's a fact, and doesn't think that's a fact, and

883
00:40:44,960 --> 00:40:46,680
Speaker 3: correct me if I'm wrong. I think with mal saying

884
00:40:47,239 --> 00:40:50,440
Speaker 3: even knowing that information that we don't know, he's still

885
00:40:50,480 --> 00:40:53,759
Speaker 3: asking for both sides to say why, which makes sense

886
00:40:53,760 --> 00:40:56,319
Speaker 3: to me. I just not saying he knows how close

887
00:40:56,360 --> 00:40:58,400
Speaker 3: his friends they were. I don't need to know the information.

888
00:40:58,640 --> 00:41:03,080
Speaker 3: I just know before that happened, they was on stage

889
00:41:03,160 --> 00:41:06,120
Speaker 3: and then they went to not the first person at

890
00:41:06,160 --> 00:41:09,040
Speaker 3: every stage of Rocket and we was all like that,

891
00:41:09,120 --> 00:41:10,480
Speaker 3: even you like that song is hard.

892
00:41:10,640 --> 00:41:11,719
Speaker 2: It's one of my favorite song.

893
00:41:13,360 --> 00:41:15,520
Speaker 5: So now and then think put this in mine. Don't

894
00:41:15,520 --> 00:41:18,839
Speaker 5: even speak to them no more. Fam, That's not what

895
00:41:19,120 --> 00:41:19,879
Speaker 5: happened on that phone.

896
00:41:19,960 --> 00:41:23,920
Speaker 3: Kendrick Lamar. Kendrick Lamar really might be the boogeyman. We're

897
00:41:23,960 --> 00:41:28,480
Speaker 3: just adding more like mystique to he broke up the

898
00:41:28,560 --> 00:41:31,160
Speaker 3: fun bro like that. You know, they was just hugging

899
00:41:31,160 --> 00:41:31,600
Speaker 3: on stage.

900
00:41:31,640 --> 00:41:35,200
Speaker 5: And then that's why I'm saying, that's crazy. You gotta

901
00:41:35,239 --> 00:41:38,640
Speaker 5: tell us what what was because I didn't. Kendrick is evil?

902
00:41:38,719 --> 00:41:40,320
Speaker 5: What stop?

903
00:41:40,640 --> 00:41:41,360
Speaker 3: I need to know what.

904
00:41:43,840 --> 00:41:45,080
Speaker 2: Theory do.

905
00:41:45,120 --> 00:41:46,400
Speaker 3: I have a theory, you have a theory.

906
00:41:47,560 --> 00:41:49,399
Speaker 2: We all had theories about why.

907
00:41:49,880 --> 00:41:51,719
Speaker 5: I mean, I guess I guess because I've heard some

908
00:41:51,760 --> 00:41:53,359
Speaker 5: of the theories, and I guess I can now two

909
00:41:53,440 --> 00:41:56,080
Speaker 5: years later, everything playing out the way it is, I

910
00:41:56,080 --> 00:41:59,040
Speaker 5: guess I could lean more towards the theory of he

911
00:41:59,120 --> 00:42:01,960
Speaker 5: spoke to Kendrick. Kendrick was like, YO, I don't I

912
00:42:01,960 --> 00:42:03,759
Speaker 5: don't even want to fade with you. I want to

913
00:42:03,840 --> 00:42:06,759
Speaker 5: fade with Drake. But my thing is, Bro, you could

914
00:42:06,760 --> 00:42:10,120
Speaker 5: at least hit Drake like, yo, listen. Spoke to Kendrick.

915
00:42:10,440 --> 00:42:12,920
Speaker 5: He want the one on one. You didn't have to

916
00:42:12,920 --> 00:42:14,560
Speaker 5: say what it was about. Way he was going with

917
00:42:14,719 --> 00:42:17,080
Speaker 5: Kendrick mindset was you ain't have to give Drake none

918
00:42:17,120 --> 00:42:18,960
Speaker 5: of that, but at least give him a call and

919
00:42:19,000 --> 00:42:20,920
Speaker 5: be like, yo, bro, listen, I'm a back out of

920
00:42:20,920 --> 00:42:23,520
Speaker 5: this thing because I spoke to Homie. He want to

921
00:42:23,520 --> 00:42:24,279
Speaker 5: fade with you in the.

922
00:42:24,280 --> 00:42:28,319
Speaker 1: Square and you And it's confirmed that that Cole spoke

923
00:42:28,360 --> 00:42:32,200
Speaker 1: to Kendrick. Maybe not somebody's on Kendrick's team or somebody else.

924
00:42:32,080 --> 00:42:36,680
Speaker 5: From my sources, Okay, my sources, My sources tell.

925
00:42:36,520 --> 00:42:39,440
Speaker 2: Me this no, I understand exactly where you're coming from.

926
00:42:39,480 --> 00:42:41,440
Speaker 1: I feel like we've all had the I feel like

927
00:42:41,480 --> 00:42:45,719
Speaker 1: the running theory is niggas cold thought niggas was slapt

928
00:42:45,719 --> 00:42:48,239
Speaker 1: boxing and then like niggas walked up and I'm like, yo,

929
00:42:48,200 --> 00:42:49,880
Speaker 1: you might want to get out here. Niggas about start shooting.

930
00:42:49,920 --> 00:42:51,080
Speaker 1: He was like word, I thought we was just like

931
00:42:51,120 --> 00:42:52,879
Speaker 1: you hit him with the ship and belly, y'all about

932
00:42:52,920 --> 00:42:53,480
Speaker 1: to blow done.

933
00:42:53,600 --> 00:42:59,840
Speaker 3: Yeah, you're about to blow that just ca that's actually

934
00:42:59,880 --> 00:43:04,359
Speaker 3: a beautiful, beautiful comers because he was holding his son.

935
00:43:05,120 --> 00:43:07,359
Speaker 3: I get it. I can't went up there and said

936
00:43:07,400 --> 00:43:10,879
Speaker 3: I got a family, though, I get it. Come on, man,

937
00:43:11,920 --> 00:43:12,239
Speaker 3: come on.

938
00:43:13,320 --> 00:43:16,680
Speaker 5: Imagine A and Nas just finished busting down five hundred

939
00:43:16,680 --> 00:43:18,399
Speaker 5: thousand together in the car and it counted it out

940
00:43:18,400 --> 00:43:19,799
Speaker 5: and he get up the call but I'm about to blow.

941
00:43:19,960 --> 00:43:22,000
Speaker 5: You about to blow and go win where are you going?

942
00:43:22,800 --> 00:43:25,400
Speaker 5: And then never speak to me again. I will say, nah,

943
00:43:25,880 --> 00:43:27,200
Speaker 5: that is yo.

944
00:43:27,360 --> 00:43:30,680
Speaker 3: Listen what you The barber in that scene, most thorough

945
00:43:30,680 --> 00:43:32,720
Speaker 3: barber of all time not shot back and just handed

946
00:43:32,719 --> 00:43:36,080
Speaker 3: the gun to the barber and ran. That barber got

947
00:43:36,120 --> 00:43:37,440
Speaker 3: rid of the gun immediately. Damn.

948
00:43:37,480 --> 00:43:38,959
Speaker 5: I can't even think about who would be the barber

949
00:43:38,960 --> 00:43:41,839
Speaker 5: in that situation. But yeah, luchit here you go with

950
00:43:41,840 --> 00:43:43,560
Speaker 5: you here.

951
00:43:44,680 --> 00:43:47,040
Speaker 2: That's another bar I was gonna bring up here.

952
00:43:47,160 --> 00:43:49,440
Speaker 3: But no to end that because I do want to

953
00:43:49,480 --> 00:43:51,840
Speaker 3: get off that. I can also see the rumors that

954
00:43:51,880 --> 00:43:53,560
Speaker 3: were talking about with Drake supposed to come out on

955
00:43:53,680 --> 00:43:56,799
Speaker 3: dream Vo Fest to do First Person Shooter and then

956
00:43:56,840 --> 00:43:59,400
Speaker 3: instead he apologized. I could see Drake feeling away if

957
00:43:59,440 --> 00:44:03,279
Speaker 3: they had some type of not alliance, but Kendrick went

958
00:44:03,320 --> 00:44:05,919
Speaker 3: at both of them. You just did the seven minute

959
00:44:06,000 --> 00:44:11,120
Speaker 3: drill ship push ups, like I can see. I can

960
00:44:11,120 --> 00:44:13,000
Speaker 3: see I can see being like and I don't know

961
00:44:13,040 --> 00:44:14,680
Speaker 3: this any of this to be trust, I swear to

962
00:44:14,680 --> 00:44:16,960
Speaker 3: everything I love. This is just a theory in my head.

963
00:44:17,200 --> 00:44:20,000
Speaker 3: If you were supposed to come out at Dreamville Fest

964
00:44:20,280 --> 00:44:23,880
Speaker 3: to do first person Shooter in more of a response

965
00:44:23,880 --> 00:44:25,680
Speaker 3: that it's like that and both of y'all already have

966
00:44:25,719 --> 00:44:28,640
Speaker 3: the records that are out or coming, and then you

967
00:44:28,760 --> 00:44:31,399
Speaker 3: back out, I would be like, Yo, what the fuck? Bro?

968
00:44:31,600 --> 00:44:32,880
Speaker 2: Yeah, I wouldn't be your friend anymore.

969
00:44:33,280 --> 00:44:36,279
Speaker 3: I'd be like, Yo, what the fuck? Do what you

970
00:44:36,320 --> 00:44:38,600
Speaker 3: gotta do? But God damn, like, give me a heads up.

971
00:44:38,640 --> 00:44:39,920
Speaker 3: So I just don't understand me, and I don't know

972
00:44:39,960 --> 00:44:41,640
Speaker 3: if I don't know if any of that is promise.

973
00:44:41,719 --> 00:44:43,400
Speaker 3: This is this is me speculating as a fanan.

974
00:44:43,520 --> 00:44:46,040
Speaker 1: This is with the co Colas yapping in what cappened,

975
00:44:47,520 --> 00:44:50,759
Speaker 1: yapping in Parlane, which, by the way, is hilarious Paul

976
00:44:50,800 --> 00:44:53,960
Speaker 1: Lane because everyone that is betting, Yes, that's that's it.

977
00:44:54,200 --> 00:44:56,239
Speaker 3: We're just yapping in Paul Lane. Cold, that's what we're doing.

978
00:44:56,480 --> 00:44:58,960
Speaker 3: But that is so funny in comparison to the have

979
00:44:59,040 --> 00:45:02,400
Speaker 3: a wicked jump shot slink crack or a wicked jump shot,

980
00:45:02,480 --> 00:45:04,440
Speaker 3: Like no, I thought that bar was so clever.

981
00:45:06,080 --> 00:45:08,359
Speaker 5: Listen, I'm willing to say that I feel like, even

982
00:45:08,360 --> 00:45:11,520
Speaker 5: through all of this, all the shit that Drake heard

983
00:45:11,520 --> 00:45:13,880
Speaker 5: about him, whatever Kendrick said, calling them all kind of

984
00:45:13,960 --> 00:45:16,160
Speaker 5: nasty shit, I don't think none of that affected Drake

985
00:45:16,640 --> 00:45:19,520
Speaker 5: as much as Cole not speaking to him again. I'm

986
00:45:19,520 --> 00:45:22,719
Speaker 5: gonna be honest, I think that fucked him up more. Like, bro,

987
00:45:22,840 --> 00:45:26,279
Speaker 5: what the fuck? Like we never we haven't spoken in

988
00:45:26,320 --> 00:45:31,640
Speaker 5: two years. Fuck all that, you know, not like us.

989
00:45:31,680 --> 00:45:34,399
Speaker 5: That's that's whatever. That's performative shit, we know what that's about.

990
00:45:34,400 --> 00:45:36,880
Speaker 5: Go ahead, get your numbers off stream, set out stadiums.

991
00:45:36,880 --> 00:45:37,319
Speaker 3: We get that.

992
00:45:39,160 --> 00:45:40,839
Speaker 5: But for a nigga that I thought was my man

993
00:45:40,960 --> 00:45:43,240
Speaker 5: to just not speak to me for two years after

994
00:45:43,320 --> 00:45:45,400
Speaker 5: all of that.

995
00:45:45,760 --> 00:45:46,520
Speaker 3: Again, I don't know this.

996
00:45:46,640 --> 00:45:48,799
Speaker 5: I haven't had no this conversation with anybody, but to me,

997
00:45:49,320 --> 00:45:52,560
Speaker 5: that would be the most like, Bro, that's crazy. That

998
00:45:52,600 --> 00:45:54,200
Speaker 5: would fuck with me the most because it's like that,

999
00:45:54,239 --> 00:45:57,480
Speaker 5: I thought that was my nigga. Like, I ain't two years,

1000
00:45:57,520 --> 00:46:01,239
Speaker 5: not a text, nothing, I'm sorry, man, I get it.

1001
00:46:01,239 --> 00:46:02,920
Speaker 5: I know they're gonna say I'm riding up with whatever

1002
00:46:03,560 --> 00:46:05,320
Speaker 5: it could be any take these guys out of it,

1003
00:46:05,400 --> 00:46:07,480
Speaker 5: any other situation with different people, I would still be like,

1004
00:46:07,520 --> 00:46:08,480
Speaker 5: that is insane.

1005
00:46:09,880 --> 00:46:10,879
Speaker 3: I don't understand that.

1006
00:46:11,560 --> 00:46:14,279
Speaker 5: Not you, not a nigga that you thought was your man,

1007
00:46:14,320 --> 00:46:17,120
Speaker 5: and you had personal times be around my kids. I'm

1008
00:46:17,120 --> 00:46:20,239
Speaker 5: a right like, and then this happened, this moment, this

1009
00:46:20,320 --> 00:46:23,440
Speaker 5: big moment in our careers, in our culture, and then

1010
00:46:23,480 --> 00:46:24,359
Speaker 5: I don't speak to you ever.

1011
00:46:24,560 --> 00:46:25,360
Speaker 3: Bro, that's crazy.

1012
00:46:26,080 --> 00:46:28,920
Speaker 1: This is not keeping for cold, because that is nasty.

1013
00:46:29,200 --> 00:46:32,839
Speaker 1: Is there a possibility that cold? You know, sometimes when

1014
00:46:32,880 --> 00:46:34,160
Speaker 1: people be like, yo, my friend, they talk to me

1015
00:46:34,200 --> 00:46:35,560
Speaker 1: for mad long and then come to find out, like,

1016
00:46:35,600 --> 00:46:37,160
Speaker 1: but you was talking about behind my back, like, and

1017
00:46:37,160 --> 00:46:38,560
Speaker 1: it's like, damn, I knew that you knew that?

1018
00:46:38,640 --> 00:46:39,680
Speaker 2: Is that possible?

1019
00:46:39,920 --> 00:46:40,560
Speaker 3: Oh? I don't know.

1020
00:46:41,239 --> 00:46:43,319
Speaker 5: I'm not taking that off again. I'm not saying I'm

1021
00:46:43,360 --> 00:46:46,719
Speaker 5: not saying of it. I'm saying, but the masks going

1022
00:46:46,760 --> 00:46:48,800
Speaker 5: back to what started this whole part of the conversation.

1023
00:46:49,320 --> 00:46:51,160
Speaker 5: That's why I want Cole to speak about it. He

1024
00:46:51,280 --> 00:46:53,759
Speaker 5: got to tell us what happened. Yeah, and and that

1025
00:46:53,880 --> 00:46:56,400
Speaker 5: if we find out, Yo, I heard you was talking

1026
00:46:56,400 --> 00:46:57,120
Speaker 5: grind me about me.

1027
00:46:57,440 --> 00:47:01,279
Speaker 3: I understand about you. I heard Drake you was talking.

1028
00:47:02,440 --> 00:47:09,120
Speaker 1: I understand slimy whatever, Okay.

1029
00:47:07,840 --> 00:47:10,560
Speaker 3: Whatever heine, slimy, whatever you want to call it. And

1030
00:47:10,600 --> 00:47:13,839
Speaker 3: the record with scissors, sl oh crazy, whatever it is.

1031
00:47:13,880 --> 00:47:15,359
Speaker 3: I'm just saying, Cold got to give a staf.

1032
00:47:15,400 --> 00:47:18,319
Speaker 5: If you're gonna talk about like Rory said, hell me

1033
00:47:18,360 --> 00:47:19,720
Speaker 5: like scissors, if you're gonna talk.

1034
00:47:19,560 --> 00:47:21,600
Speaker 3: About all of that, if you're gonna talk about all

1035
00:47:21,800 --> 00:47:26,920
Speaker 3: I ever do that to my bars, go ahead, I'm sorry,

1036
00:47:25,400 --> 00:47:27,439
Speaker 3: I'm finish.

1037
00:47:27,800 --> 00:47:30,799
Speaker 5: If you're gonna let Cold wrap about all of that

1038
00:47:31,560 --> 00:47:35,080
Speaker 5: and going dress things. Cole just addressed that on the album,

1039
00:47:35,400 --> 00:47:38,879
Speaker 5: Address what really happened in that moment that caused you

1040
00:47:39,160 --> 00:47:40,439
Speaker 5: to never speak to Drake again.

1041
00:47:40,640 --> 00:47:44,319
Speaker 3: So you think that that again you're fine with these

1042
00:47:44,360 --> 00:47:46,839
Speaker 3: four records because I don't think that's even a mixtape. Yeah,

1043
00:47:47,280 --> 00:47:49,279
Speaker 3: get it off. But I'm saying that's for an out again.

1044
00:47:49,640 --> 00:47:51,680
Speaker 3: But again it's no dispect the symbol. But Simble would

1045
00:47:51,680 --> 00:47:53,799
Speaker 3: even say he's not on Drake's level. No, no, no, I

1046
00:47:53,800 --> 00:47:56,080
Speaker 3: think with the mixtape stuff, shoot there, but I would

1047
00:47:56,120 --> 00:47:57,560
Speaker 3: be I'm looking at it kind of odd if you

1048
00:47:57,600 --> 00:48:00,239
Speaker 3: start talking about that on the clue state.

1049
00:48:00,280 --> 00:48:03,440
Speaker 5: Let's say that for my only issue with this uh

1050
00:48:03,680 --> 00:48:08,560
Speaker 5: Birthday Blizzard mixtape is that why we didn't get all

1051
00:48:08,600 --> 00:48:11,160
Speaker 5: this rapping in that moment we.

1052
00:48:11,040 --> 00:48:14,279
Speaker 3: Did almost like he just deleted it, which I disagreed with.

1053
00:48:14,280 --> 00:48:16,560
Speaker 1: He didn't delete the whole mixtape. He deleted one track.

1054
00:48:16,880 --> 00:48:18,680
Speaker 1: We know we got, we got all of it. Cool,

1055
00:48:18,800 --> 00:48:21,439
Speaker 1: what you were looking for? He he did. He then

1056
00:48:21,520 --> 00:48:22,360
Speaker 1: just backtracked on it.

1057
00:48:22,360 --> 00:48:24,680
Speaker 5: That's what you're trying, Okay, So why backtrack on it

1058
00:48:24,680 --> 00:48:26,480
Speaker 5: to only then two years later come back around and

1059
00:48:26,520 --> 00:48:27,879
Speaker 5: start overly rapping again.

1060
00:48:28,040 --> 00:48:32,240
Speaker 1: Because he's about all the time, he's about to retire.

1061
00:48:32,560 --> 00:48:37,239
Speaker 3: Game retired rappers don't retire. He's not retiring. Rabs don't retire. Yeah,

1062
00:48:37,280 --> 00:48:38,000
Speaker 3: he's not retired.

1063
00:48:38,120 --> 00:48:39,719
Speaker 5: He may be going into a different phase in his

1064
00:48:39,719 --> 00:48:41,399
Speaker 5: life and he may not be putting out as much

1065
00:48:41,440 --> 00:48:41,920
Speaker 5: as he was.

1066
00:48:41,880 --> 00:48:44,640
Speaker 3: Before the fall off. We're going to get the come

1067
00:48:44,719 --> 00:48:51,399
Speaker 3: up part two. Definitely, don't retire, and I don't want

1068
00:48:51,400 --> 00:48:53,160
Speaker 3: Cold to retire, especially in the shape that that he

1069
00:48:53,200 --> 00:48:55,200
Speaker 3: is in, because even before the battle, we had had

1070
00:48:55,239 --> 00:48:58,120
Speaker 3: the conversation that with the Big Three in a loose way,

1071
00:48:58,160 --> 00:49:02,520
Speaker 3: that he was at the highest form of rapping out

1072
00:49:02,520 --> 00:49:04,279
Speaker 3: of the three of them that we had seen. He

1073
00:49:04,360 --> 00:49:07,080
Speaker 3: just keeps improving. So I didn't know we were going

1074
00:49:07,160 --> 00:49:09,960
Speaker 3: to do fifty minutes that was more on the battle stuff,

1075
00:49:09,960 --> 00:49:13,320
Speaker 3: because I did also want to talk about how amazing

1076
00:49:13,440 --> 00:49:17,600
Speaker 3: all four of these freestyles. Of course there's shots in there,

1077
00:49:17,640 --> 00:49:19,960
Speaker 3: but that's the point. And I think Cole just proved

1078
00:49:20,280 --> 00:49:23,120
Speaker 3: himself right in this entire thing of us yapping about

1079
00:49:23,200 --> 00:49:27,960
Speaker 3: everything but the music, which is fine though, because what

1080
00:49:28,040 --> 00:49:30,480
Speaker 3: are we gonna say he can rap? We know that.

1081
00:49:32,080 --> 00:49:33,680
Speaker 3: What are we gonna say differently about these songs? I

1082
00:49:33,680 --> 00:49:34,600
Speaker 3: want you to break down the.

1083
00:49:34,600 --> 00:49:37,120
Speaker 5: Don he's still in shape, he's still your niggas, still

1084
00:49:37,160 --> 00:49:39,120
Speaker 5: can What are we gonna say We know that that

1085
00:49:39,160 --> 00:49:39,759
Speaker 5: already about J.

1086
00:49:39,920 --> 00:49:42,040
Speaker 3: Nobody is ever gonna say J Cole can't rap. I

1087
00:49:42,080 --> 00:49:43,879
Speaker 3: know you can't take any battletuff out of you, which

1088
00:49:43,920 --> 00:49:45,560
Speaker 3: is fine. I'm never gonna argue with you on that.

1089
00:49:45,680 --> 00:49:48,960
Speaker 3: It's not even off the bat. I'm just saying it

1090
00:49:49,000 --> 00:49:51,560
Speaker 3: as a forty one year old rapper, and you think

1091
00:49:51,600 --> 00:49:53,880
Speaker 3: about all your favorite rappers when they were at forty

1092
00:49:53,920 --> 00:49:56,640
Speaker 3: one and what their legacies have been. Is this not

1093
00:49:56,800 --> 00:50:00,680
Speaker 3: some of the best rapping you've ever heard of someone

1094
00:50:00,760 --> 00:50:02,160
Speaker 3: at this point in their career.

1095
00:50:04,080 --> 00:50:06,719
Speaker 5: I mean, my favorite Jay still could rap like that

1096
00:50:06,760 --> 00:50:08,880
Speaker 5: at forty one. Jada Kiss still rapped like this is

1097
00:50:08,960 --> 00:50:10,960
Speaker 5: forty one, fab still rap like this at forty one,

1098
00:50:11,040 --> 00:50:13,279
Speaker 5: Like all of my favorite rappers still rap like this.

1099
00:50:13,440 --> 00:50:17,000
Speaker 3: Andre two thousand rapped like this, Like I guess, I

1100
00:50:17,080 --> 00:50:19,000
Speaker 3: mean more this is not He was a good example.

1101
00:50:19,000 --> 00:50:22,680
Speaker 3: I'm saying more so like Kiss had became an elder

1102
00:50:22,719 --> 00:50:25,480
Speaker 3: Statesman by the time he was forty one, already three

1103
00:50:25,520 --> 00:50:28,120
Speaker 3: stacks this and that. Yes, call is the elder Statesman,

1104
00:50:28,160 --> 00:50:31,200
Speaker 3: but he's still the number one, number two, number three

1105
00:50:31,320 --> 00:50:38,319
Speaker 3: rapper in the world, so to you. By sheer numbers,

1106
00:50:38,600 --> 00:50:42,160
Speaker 3: oh by numbers, Okay, yeah, well not by number. I mean,

1107
00:50:42,239 --> 00:50:44,399
Speaker 3: so he do care about numbers, not the big because

1108
00:50:44,719 --> 00:50:48,240
Speaker 3: he didn't mention numbers. Rory did, no, he mentioned numbers.

1109
00:50:48,239 --> 00:50:50,040
Speaker 3: He saying niggas played the numbers game the Bombers, and

1110
00:50:50,440 --> 00:50:53,480
Speaker 3: oh is the is a top three rapper living, active

1111
00:50:53,560 --> 00:50:55,839
Speaker 3: rapper living, and it's I agree with you. The Big

1112
00:50:55,840 --> 00:50:57,680
Speaker 3: three has called that for a fucking reason. All three

1113
00:50:57,719 --> 00:50:59,760
Speaker 3: of them are still the biggest rappers.

1114
00:51:00,120 --> 00:51:03,000
Speaker 5: Uh whatever we did that those old those say big

1115
00:51:03,000 --> 00:51:04,880
Speaker 5: three again unless you talk about ray Allen KG.

1116
00:51:06,840 --> 00:51:07,279
Speaker 3: Don't say.

1117
00:51:07,520 --> 00:51:10,080
Speaker 5: Nobody else is allowed to say big three rat ever again,

1118
00:51:10,320 --> 00:51:12,719
Speaker 5: I don't want to hit no Big three. That's just dead,

1119
00:51:12,760 --> 00:51:15,040
Speaker 5: the big the whole, that whole ship. And this is

1120
00:51:15,080 --> 00:51:20,000
Speaker 5: somehow Lebron's fault. Somehow you back to Lebron somehow this

1121
00:51:20,160 --> 00:51:23,120
Speaker 5: is Lebron's fault. No, actually it is. It's a Celtics fault.

1122
00:51:23,520 --> 00:51:26,480
Speaker 5: Bron did that ship after. It's a Celtics folks.

1123
00:51:26,520 --> 00:51:32,479
Speaker 3: They did the basketball bullshit out there, ticket no no, no,

1124
00:51:32,480 --> 00:51:36,360
Speaker 3: no rest in peace. It's Kobe Shaq, Gary Payton and

1125
00:51:36,480 --> 00:51:41,120
Speaker 3: Karl Malone even though they know it was ridiculous. Niggas

1126
00:51:41,120 --> 00:51:47,600
Speaker 3: wasn't Gary pa Get out of here. That's the craziest

1127
00:51:47,600 --> 00:51:49,080
Speaker 3: four of all times. No, no, it's not.

1128
00:51:50,080 --> 00:51:50,319
Speaker 1: They were.

1129
00:51:50,640 --> 00:51:54,200
Speaker 3: It might be the nastiest. Yeah, you had Karl Malone

1130
00:51:54,200 --> 00:51:56,120
Speaker 3: into any mix. You're the nastiest four of all time.

1131
00:51:56,560 --> 00:51:59,399
Speaker 3: But I couldn't have been happier. This is gonna stay

1132
00:51:59,440 --> 00:52:03,000
Speaker 3: on repeat. Listen, ma Coca rat, I'm never changing that.

1133
00:52:03,760 --> 00:52:08,360
Speaker 3: Which is your favorite one? Him on Money Power? Respect?

1134
00:52:08,400 --> 00:52:12,320
Speaker 2: I think yeah ninety nine, Bill, what was my favorite?

1135
00:52:13,160 --> 00:52:16,160
Speaker 3: Ironically? Who shot you? And Who? I like? All four?

1136
00:52:18,160 --> 00:52:21,840
Speaker 3: Who Shot You was the lowest one to me. I

1137
00:52:21,920 --> 00:52:24,920
Speaker 3: think he chilled on who Shot youa m And I

1138
00:52:24,960 --> 00:52:27,240
Speaker 3: think that's also because Kiss went fucking nuts at versus.

1139
00:52:27,239 --> 00:52:29,680
Speaker 3: But I mean that's been a freestyle forever, but it

1140
00:52:30,480 --> 00:52:34,840
Speaker 3: re entered the algorithm after that. But I mean based

1141
00:52:34,840 --> 00:52:38,200
Speaker 3: off off because Cole wants as to yep, I'm going

1142
00:52:38,440 --> 00:52:43,239
Speaker 3: money Power ninety nine build freestyle. It's a toss up

1143
00:52:43,239 --> 00:52:46,600
Speaker 3: between Bronzoo and Golden Goose. I think I just love

1144
00:52:46,680 --> 00:52:48,800
Speaker 3: the can I Live beat too much? So Yeah, I

1145
00:52:48,880 --> 00:52:50,640
Speaker 3: got it? More so for me? Which one is my

1146
00:52:50,680 --> 00:52:54,200
Speaker 3: favorite beat? I think a shout out to to d

1147
00:52:54,280 --> 00:52:58,560
Speaker 3: Do Yeah. D is one of the greatest producers of

1148
00:52:58,600 --> 00:53:02,759
Speaker 3: all time of the hit man, But just period, can

1149
00:53:02,760 --> 00:53:06,280
Speaker 3: I leave? Black Robins is maybe my favorite Beata Wallson.

1150
00:53:08,040 --> 00:53:11,000
Speaker 3: It's definitely up there for me. It's up there for

1151
00:53:11,040 --> 00:53:17,000
Speaker 3: me that this is what he's good at. This, this

1152
00:53:17,040 --> 00:53:18,400
Speaker 3: is what col is good at.

1153
00:53:18,600 --> 00:53:21,439
Speaker 5: No, we know that this is what he does though

1154
00:53:21,600 --> 00:53:24,520
Speaker 5: he does little ship like this, right, he goes and

1155
00:53:24,520 --> 00:53:26,479
Speaker 5: gets the best beats that he knows sits so deep

1156
00:53:26,480 --> 00:53:27,200
Speaker 5: in our hearts.

1157
00:53:27,560 --> 00:53:30,399
Speaker 3: He finds his way back in our hearts. He does that.

1158
00:53:30,800 --> 00:53:33,719
Speaker 5: He gave us a dollar in the dream the show

1159
00:53:33,719 --> 00:53:36,440
Speaker 5: at Madison Square after that, but he knows them niggas

1160
00:53:36,480 --> 00:53:38,560
Speaker 5: is a Homedolet law my nigga.

1161
00:53:38,600 --> 00:53:41,440
Speaker 3: Y'all, y'all over.

1162
00:53:41,200 --> 00:53:43,840
Speaker 5: There are very good at finding y'all way back into

1163
00:53:43,880 --> 00:53:47,600
Speaker 5: the soft spots of the listeners, of the supporters of

1164
00:53:47,680 --> 00:53:48,520
Speaker 5: the fan bases.

1165
00:53:48,640 --> 00:53:50,240
Speaker 3: Y'all are very good at that. Y'all.

1166
00:53:50,560 --> 00:53:53,680
Speaker 5: Let's go get the best hip hop beats in history,

1167
00:53:54,080 --> 00:53:56,000
Speaker 5: and Cole, you go crazy on them.

1168
00:53:56,320 --> 00:53:56,959
Speaker 3: Cole, you don't.

1169
00:53:56,960 --> 00:53:59,439
Speaker 5: You're not into money, but we're gonna show you washing

1170
00:53:59,480 --> 00:54:02,960
Speaker 5: your lamb truck by hand like they do little ship like.

1171
00:54:02,880 --> 00:54:05,800
Speaker 2: That when you filling Cole like a manipulative, abusive boyfriend.

1172
00:54:05,920 --> 00:54:09,680
Speaker 5: Is that every nigga with dreads is manipulative. Every nigga

1173
00:54:10,000 --> 00:54:12,239
Speaker 5: except for jay Z, I'm sorry, but every other nigga

1174
00:54:12,239 --> 00:54:14,479
Speaker 5: with dreads of the manipulative nigga, like Jazy has.

1175
00:54:14,400 --> 00:54:17,080
Speaker 3: Definitely manipulated somebody in his life.

1176
00:54:17,520 --> 00:54:21,000
Speaker 1: You can't become it became a billion, he become a

1177
00:54:21,000 --> 00:54:22,279
Speaker 1: Billionai're not manipulator.

1178
00:54:22,840 --> 00:54:25,800
Speaker 3: But every nigga with dreds. You listen to a Lemonade

1179
00:54:25,800 --> 00:54:32,279
Speaker 3: album that once had waves, you manipulation. You niggas that

1180
00:54:32,440 --> 00:54:34,480
Speaker 3: go from waves to dreads.

1181
00:54:34,520 --> 00:54:37,359
Speaker 5: Y'all niggas is manipulative, yo, because the y'all niggas become

1182
00:54:37,440 --> 00:54:40,600
Speaker 5: so righteous and for the calls you don't do that.

1183
00:54:40,640 --> 00:54:43,760
Speaker 3: Cold has been the same person with a Caesar to dreads.

1184
00:54:43,840 --> 00:54:46,120
Speaker 5: No he has not, Yes, he had, well you know,

1185
00:54:46,160 --> 00:54:48,080
Speaker 5: I agree, he just got dreads ones and that seemed

1186
00:54:48,080 --> 00:54:48,480
Speaker 5: like he need to.

1187
00:54:48,480 --> 00:54:52,640
Speaker 3: Say you're the same you. And that's why I was

1188
00:54:52,640 --> 00:54:54,760
Speaker 3: disappointed when he diggas you the same nigga.

1189
00:54:55,120 --> 00:54:57,279
Speaker 5: You still got that, and you're like, don't try to

1190
00:54:57,280 --> 00:54:59,680
Speaker 5: act like the so righteous nah my brother, man, we

1191
00:54:59,680 --> 00:55:00,960
Speaker 5: should be doing this.

1192
00:55:01,080 --> 00:55:01,319
Speaker 6: Man.

1193
00:55:01,760 --> 00:55:05,240
Speaker 3: Listen Andre two thousand and one of his best bars,

1194
00:55:05,280 --> 00:55:07,799
Speaker 3: everybody with a gold ain't for the Fall. Everybody with

1195
00:55:07,880 --> 00:55:08,960
Speaker 3: dreads ain't for the cause.

1196
00:55:11,600 --> 00:55:16,320
Speaker 1: Cole is very good at that because even if we

1197
00:55:16,360 --> 00:55:19,879
Speaker 1: don't know these people for real, for real, Cole has

1198
00:55:19,960 --> 00:55:22,759
Speaker 1: been extremely authentic to who he has been throughout his

1199
00:55:22,960 --> 00:55:24,520
Speaker 1: entire Like, what are we talking.

1200
00:55:24,560 --> 00:55:26,560
Speaker 3: I'm not saying you want you come in here? I said,

1201
00:55:26,560 --> 00:55:29,400
Speaker 3: how authentic that dollar in the dream Ship was almost

1202
00:55:29,440 --> 00:55:34,680
Speaker 3: got them thrown off the label when he first did it. Yeah, no, no, no,

1203
00:55:34,920 --> 00:55:37,120
Speaker 3: they were trying to put it with Stargates, Like I'm

1204
00:55:37,120 --> 00:55:39,280
Speaker 3: talking about, why did he do that show? After the battle?

1205
00:55:39,800 --> 00:55:43,920
Speaker 1: We don't do that was the anniversary we had talking about.

1206
00:55:44,440 --> 00:55:47,080
Speaker 3: This is his birthday. He go, we can't hate on

1207
00:55:47,120 --> 00:55:50,320
Speaker 3: the nigga on his birthday. You find it away you

1208
00:55:50,920 --> 00:55:52,520
Speaker 3: haven't been to a Parao birthday celebration.

1209
00:55:53,239 --> 00:55:53,479
Speaker 6: Hand.

1210
00:55:53,600 --> 00:55:55,839
Speaker 3: I'm not hating. I'm just saying, like, I see what

1211
00:55:56,239 --> 00:55:56,720
Speaker 3: I see.

1212
00:55:57,239 --> 00:56:00,600
Speaker 5: I see the calculation in the and the moves that

1213
00:56:00,640 --> 00:56:01,320
Speaker 5: cold is making.

1214
00:56:01,640 --> 00:56:04,239
Speaker 3: I see and I'm not mad. But you can't say

1215
00:56:04,280 --> 00:56:07,520
Speaker 3: this before he has put out the Sincerely Yours mixtage.

1216
00:56:07,560 --> 00:56:09,680
Speaker 3: He's rapping over fucking Lauryn Hill. BEA's like, this is

1217
00:56:09,680 --> 00:56:12,640
Speaker 3: not the first time. I'm not saying has just wrapped over.

1218
00:56:12,480 --> 00:56:15,759
Speaker 5: The beat saying it is bro I'm just saying he

1219
00:56:15,880 --> 00:56:17,920
Speaker 5: knows the timing and he's.

1220
00:56:17,760 --> 00:56:21,480
Speaker 3: Not the first rapper to put this is not some

1221
00:56:21,600 --> 00:56:24,279
Speaker 3: brand new scheme that him and Ebe came up with.

1222
00:56:24,400 --> 00:56:26,880
Speaker 3: I love it, but who said that? Who said it was?

1223
00:56:27,080 --> 00:56:29,440
Speaker 3: But what are you manipulating like this is a standard

1224
00:56:29,480 --> 00:56:32,920
Speaker 3: I'm saying coming off of everything that in his in

1225
00:56:32,960 --> 00:56:35,600
Speaker 3: his career, the last two years, coming off of all

1226
00:56:35,640 --> 00:56:38,880
Speaker 3: of that, every one of his moves has been very intentional.

1227
00:56:38,920 --> 00:56:40,080
Speaker 3: But he knows what he's doing.

1228
00:56:40,480 --> 00:56:43,239
Speaker 5: You know what, fuck that battleship and even talking about it,

1229
00:56:43,440 --> 00:56:45,440
Speaker 5: fl from the top three only to climb back up

1230
00:56:45,480 --> 00:56:46,680
Speaker 5: and show you still can't fuck with me.

1231
00:56:46,760 --> 00:56:48,640
Speaker 3: Whatever he said, I don't know. I don't know what

1232
00:56:48,640 --> 00:56:50,680
Speaker 3: he said. I don't know what he's said, right, but

1233
00:56:50,800 --> 00:56:53,279
Speaker 3: it's something to that effect. Right, He's right, because you

1234
00:56:53,320 --> 00:56:55,759
Speaker 3: can rap. Nobody's gonna say Ja Cole can't rap. But

1235
00:56:55,800 --> 00:56:57,839
Speaker 3: I'm sitting there listening to this ship like that. Let's

1236
00:56:58,080 --> 00:57:02,799
Speaker 3: let this Nigga is very calc contradiction cast. Last time

1237
00:57:02,800 --> 00:57:04,880
Speaker 3: we're bringing up Drake for all the dogs he has

1238
00:57:04,920 --> 00:57:06,719
Speaker 3: did numbers. I don't want to argue you, no more. Whatever,

1239
00:57:07,040 --> 00:57:09,200
Speaker 3: it definitely had flat to the point that Drake has

1240
00:57:09,239 --> 00:57:12,160
Speaker 3: admittedly said, is why he did that Scary Hours mixtape

1241
00:57:12,160 --> 00:57:14,960
Speaker 3: that's attached for All the Dogs now where he's rapping.

1242
00:57:15,280 --> 00:57:17,560
Speaker 3: Was that manipulative? Yo? I see you guys were mad

1243
00:57:17,640 --> 00:57:19,600
Speaker 3: and feel like I can't rap no more and we're

1244
00:57:19,600 --> 00:57:22,240
Speaker 3: displeased with this project. For all the people that care

1245
00:57:22,280 --> 00:57:25,040
Speaker 3: about raps, here's Scary Hours too, because I was one

1246
00:57:25,040 --> 00:57:28,280
Speaker 3: of them and he won me over immediately. I love

1247
00:57:28,360 --> 00:57:30,600
Speaker 3: that Scary Hours tape that's attached to for All the Dogs.

1248
00:57:30,960 --> 00:57:33,160
Speaker 3: Is that manipulative? Yeah, if you wanted to be here,

1249
00:57:33,240 --> 00:57:35,960
Speaker 3: I agree. Okay, Yeah, it's not the wrong with being manipulative,

1250
00:57:36,680 --> 00:57:37,280
Speaker 3: it's the wrong.

1251
00:57:37,320 --> 00:57:40,680
Speaker 5: Well, yours is good music, identify telling something you say,

1252
00:57:40,720 --> 00:57:42,640
Speaker 5: you're supposed to manipulate the consumers.

1253
00:57:42,800 --> 00:57:45,360
Speaker 3: So there's the problem. There's no problem. I'm just saying,

1254
00:57:45,400 --> 00:57:47,720
Speaker 3: I see what cold also don't think it's manipulation. It

1255
00:57:47,760 --> 00:57:49,240
Speaker 3: is manipulative.

1256
00:57:50,080 --> 00:57:52,040
Speaker 5: About niggas playing the game with the bundles and all

1257
00:57:52,040 --> 00:57:53,440
Speaker 5: of this and all of that. Nigga, you've rint it

1258
00:57:53,480 --> 00:57:56,520
Speaker 5: out a whole vinyl press factory for this album.

1259
00:57:57,200 --> 00:57:59,360
Speaker 3: You trying to trick the numbers, you playing the numbers

1260
00:57:59,360 --> 00:58:06,720
Speaker 3: game two. Oh buddy, the Drake Cast has brought us

1261
00:58:06,720 --> 00:58:09,440
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1262
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1268
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1269
00:58:34,880 --> 00:58:39,800
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1270
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1271
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1272
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1289
00:59:26,200 --> 00:59:30,560
Speaker 5: plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

1290
00:59:30,560 --> 00:59:33,200
Speaker 5: New Jersey, Ohio, Tennessee, or Virginia to play. Terms and

1291
00:59:33,200 --> 00:59:36,240
Speaker 5: conditions applied. Concerned about gambling in Florida, you call one

1292
00:59:36,280 --> 00:59:38,280
Speaker 5: eight three to three play wise. In Indiana, if you

1293
00:59:38,280 --> 00:59:40,320
Speaker 5: are someone you know has a gambler problem wants helped,

1294
00:59:40,600 --> 00:59:42,680
Speaker 5: call one eight hundred and nine with it gambling problem

1295
00:59:42,680 --> 00:59:47,080
Speaker 5: called one eight hundred gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio, Tennessee,

1296
00:59:47,160 --> 00:59:47,840
Speaker 5: and Virginia.

1297
00:59:54,200 --> 00:59:56,080
Speaker 3: No, all right, first of all, yes, yes, of course

1298
00:59:56,080 --> 00:59:57,720
Speaker 3: everyone's trying to play. Ubers gets That's what I'm saying.

1299
00:59:57,800 --> 01:00:00,640
Speaker 3: That's pay. Let's go to make doing that, and then

1300
01:00:00,640 --> 01:00:02,560
Speaker 3: you knowing that help, let's get let's get to it.

1301
01:00:02,640 --> 01:00:04,920
Speaker 3: Let's get to a new conversation where we're actually going

1302
01:00:04,960 --> 01:00:07,880
Speaker 3: to give Eve and Cole more fucking credit. I'm so

1303
01:00:08,040 --> 01:00:10,920
Speaker 3: happy outside of the dollar dream shit that the A

1304
01:00:11,080 --> 01:00:13,320
Speaker 3: list artists with this mixtape. No, I didn't want it

1305
01:00:13,320 --> 01:00:15,520
Speaker 3: to go on dat pit for free. I loved that

1306
01:00:15,600 --> 01:00:17,680
Speaker 3: A list artists are setting the trend where you can

1307
01:00:17,720 --> 01:00:19,240
Speaker 3: pay a dollar for your shit? Is Cole the first?

1308
01:00:19,280 --> 01:00:21,400
Speaker 3: Want to do it? God? No, SIMI just shout it

1309
01:00:21,400 --> 01:00:23,680
Speaker 3: out Russell. What Larussell's doing right now with his paywall

1310
01:00:23,960 --> 01:00:26,720
Speaker 3: is amazing. What Nipsey did with the shit before. This

1311
01:00:26,760 --> 01:00:28,440
Speaker 3: is not the first time we've seen people do this.

1312
01:00:28,960 --> 01:00:30,520
Speaker 3: I want to see the A listeners dos I was

1313
01:00:30,520 --> 01:00:32,640
Speaker 3: having this conversation with Kiya in the kitchen. If Amara

1314
01:00:32,680 --> 01:00:35,680
Speaker 3: ever wants to make music, thank god, twenty years before

1315
01:00:35,760 --> 01:00:38,960
Speaker 3: that happens, we have A listeners like Cole that are saying, no,

1316
01:00:39,640 --> 01:00:43,800
Speaker 3: pay a dollar to me. That would set the standard

1317
01:00:43,840 --> 01:00:46,800
Speaker 3: for not obviously younger artists are going to do that,

1318
01:00:47,400 --> 01:00:51,240
Speaker 3: but to get the consumer used to paying that everything

1319
01:00:51,280 --> 01:00:53,440
Speaker 3: with film. Shout out to Netflix, you guys are awesome,

1320
01:00:53,840 --> 01:00:56,120
Speaker 3: but every subscription we have gotten used to getting rid

1321
01:00:56,160 --> 01:00:58,200
Speaker 3: of fucking cable. We're fine with paying for Hulu, We're

1322
01:00:58,200 --> 01:01:00,480
Speaker 3: fine paying for Netflix for fine, We've got used to

1323
01:01:00,520 --> 01:01:02,320
Speaker 3: that shit that has not worked in the music business.

1324
01:01:02,400 --> 01:01:02,680
Speaker 2: Yet.

1325
01:01:03,160 --> 01:01:05,840
Speaker 3: We pay for one streaming site and that's it, and

1326
01:01:05,880 --> 01:01:08,160
Speaker 3: the artists don't get the shit we should start getting

1327
01:01:08,240 --> 01:01:11,600
Speaker 3: used to, back to buying a CD I'm giving I'm

1328
01:01:11,600 --> 01:01:14,600
Speaker 3: giving j cole my twelve dollars. I'm not giving Spotify

1329
01:01:14,640 --> 01:01:17,760
Speaker 3: my twelve dollars a month. That's going to keep the

1330
01:01:17,800 --> 01:01:21,520
Speaker 3: younger artists that aren't A listers rich for the rest

1331
01:01:21,560 --> 01:01:24,200
Speaker 3: of their lives to continue to make music, and that

1332
01:01:24,240 --> 01:01:27,680
Speaker 3: can't happen without the A list artist teaching the consumers

1333
01:01:27,720 --> 01:01:29,680
Speaker 3: that this is the new way we're going about things.

1334
01:01:29,760 --> 01:01:32,160
Speaker 3: If Taylor Swift says yo, it's ten dollars to me

1335
01:01:32,200 --> 01:01:34,840
Speaker 3: and nobody else, consumers are going to get used to

1336
01:01:34,880 --> 01:01:37,600
Speaker 3: doing that the same way we all looked at Netflix, Hulu, Disney.

1337
01:01:37,600 --> 01:01:39,240
Speaker 3: I'm not paying for all that shit. Oh actually, when

1338
01:01:39,240 --> 01:01:43,200
Speaker 3: I added up my cable's two hundred, I get all

1339
01:01:43,240 --> 01:01:45,080
Speaker 3: this for it. No, let me pay for the shit

1340
01:01:45,120 --> 01:01:47,680
Speaker 3: I like. I don't I don't need everything over here.

1341
01:01:47,720 --> 01:01:50,240
Speaker 3: I'm gonna pay for the artist I like. I love

1342
01:01:50,280 --> 01:01:53,000
Speaker 3: that he did that. That's not manipulation. We need to

1343
01:01:53,280 --> 01:01:56,080
Speaker 3: encourage this type of shit. I'm not saying we don't.

1344
01:01:57,120 --> 01:01:58,440
Speaker 5: I feel like you did all of that like I

1345
01:01:58,480 --> 01:01:59,200
Speaker 5: was saying you did that.

1346
01:01:59,240 --> 01:01:59,440
Speaker 3: I was.

1347
01:01:59,680 --> 01:02:02,000
Speaker 1: It's not that he's buying a vinyl factory. He should

1348
01:02:02,000 --> 01:02:04,640
Speaker 1: be buying a vinyl factory. That's not manipulating the number one.

1349
01:02:04,640 --> 01:02:06,360
Speaker 1: That's not what that is what they should be doing.

1350
01:02:06,440 --> 01:02:07,280
Speaker 1: That's not what I'm saying.

1351
01:02:07,320 --> 01:02:10,360
Speaker 5: I'm saying you can't and your bars say the game

1352
01:02:10,400 --> 01:02:12,440
Speaker 5: with these bundles, But in his bars he made it

1353
01:02:12,440 --> 01:02:14,400
Speaker 5: seem like, yeah, rappers, y'are playing with numbers, but then

1354
01:02:14,400 --> 01:02:17,800
Speaker 5: when y'all go on tour sheet change's selling out like bots.

1355
01:02:17,800 --> 01:02:20,120
Speaker 5: And he mentioned all of that in it. No bobs

1356
01:02:20,320 --> 01:02:23,040
Speaker 5: playing that game too. When you get a whole final

1357
01:02:23,080 --> 01:02:25,880
Speaker 5: factory to press up your vinyl, that's directly trying to say,

1358
01:02:25,880 --> 01:02:28,240
Speaker 5: all right, we gotta get these numbers of let's get

1359
01:02:28,240 --> 01:02:29,840
Speaker 5: the whole press factory, press.

1360
01:02:29,680 --> 01:02:31,760
Speaker 3: Up all my ship and tie it into the albums.

1361
01:02:32,920 --> 01:02:35,440
Speaker 3: Because when he was talking about the math not mathing

1362
01:02:35,640 --> 01:02:39,120
Speaker 3: that had to do with your streaming this amount, I

1363
01:02:39,120 --> 01:02:42,040
Speaker 3: gotta shows you're not shot bundles when we've had the

1364
01:02:42,040 --> 01:02:45,080
Speaker 3: conversation shout out to Travis, shout out to like, I

1365
01:02:45,160 --> 01:02:47,160
Speaker 3: was even mad when Nicky went on her rant about

1366
01:02:47,160 --> 01:02:50,480
Speaker 3: the bundleshit. Let's work the game that's working us. If

1367
01:02:50,520 --> 01:02:52,920
Speaker 3: you want to bundle. If asav Rocky wants to sell

1368
01:02:53,160 --> 01:02:56,040
Speaker 3: four different color waves of the same fucking album, cool,

1369
01:02:56,040 --> 01:02:58,960
Speaker 3: If it extends the numbers, who gives a fuck. But

1370
01:02:59,120 --> 01:03:01,320
Speaker 3: that's the way you need to work the system. Yeah,

1371
01:03:01,400 --> 01:03:04,160
Speaker 3: Cole should sell. I even saw them promote this is

1372
01:03:04,280 --> 01:03:07,000
Speaker 3: one version of the Falloff that's being pressed right now,

1373
01:03:07,040 --> 01:03:09,920
Speaker 3: and the ship that they bought to me, that's brilliant.

1374
01:03:10,320 --> 01:03:13,240
Speaker 3: Let's go direct to consumer for everything. Here's a here's

1375
01:03:13,280 --> 01:03:15,800
Speaker 3: a version of a vinyl that you can hold. It's

1376
01:03:15,840 --> 01:03:18,240
Speaker 3: not a stream that can be fucking manipulated by the

1377
01:03:18,280 --> 01:03:22,160
Speaker 3: people of Lucian Grange. Like, yeah, I do universal distribution,

1378
01:03:22,200 --> 01:03:24,320
Speaker 3: but they don't own my music. Coke can go buy

1379
01:03:24,360 --> 01:03:28,000
Speaker 3: a fucking vinyl factory and print up seven different versions

1380
01:03:28,000 --> 01:03:31,000
Speaker 3: of his ship and go direct to consumer. That is

1381
01:03:31,000 --> 01:03:34,040
Speaker 3: that not manipulating the numbers that I.

1382
01:03:33,960 --> 01:03:35,720
Speaker 2: Don't care what it does. Manipulating the numbers.

1383
01:03:35,720 --> 01:03:38,680
Speaker 1: Manipulating the numbers is I bought a T shirt and

1384
01:03:38,720 --> 01:03:39,720
Speaker 1: now that counts as.

1385
01:03:39,560 --> 01:03:42,600
Speaker 3: No Manipulating numbers is no no disrespect to cality. Manipulating

1386
01:03:42,680 --> 01:03:47,240
Speaker 3: numbers is partnering with a fucking energy drink company and

1387
01:03:47,280 --> 01:03:50,640
Speaker 3: the energy drink company giving away all their product for free.

1388
01:03:50,880 --> 01:03:52,800
Speaker 3: And they gave it away for free in the barcode

1389
01:03:52,880 --> 01:03:57,479
Speaker 3: on the can with your album. That's manipulating numbers because

1390
01:03:57,480 --> 01:03:59,360
Speaker 3: they gave it away. They gave it away. They have

1391
01:03:59,600 --> 01:04:02,720
Speaker 3: records that they gave one hundred thousand things.

1392
01:04:02,800 --> 01:04:06,240
Speaker 1: What I was saying so to me, what I and

1393
01:04:06,320 --> 01:04:09,040
Speaker 1: my mind manipulation is if i'm if I know I'm

1394
01:04:09,040 --> 01:04:12,440
Speaker 1: buying music, I'm buying music. If I buy the fucking

1395
01:04:12,480 --> 01:04:14,640
Speaker 1: Lava Lamp and the album that I wasn't gonna listen

1396
01:04:14,720 --> 01:04:16,960
Speaker 1: to comes with the Lava Lamp, and now that counts

1397
01:04:17,000 --> 01:04:19,800
Speaker 1: as a sale. I can understand how that's that's manipulation. Now,

1398
01:04:19,920 --> 01:04:21,360
Speaker 1: artists should do what they got to do to make

1399
01:04:21,360 --> 01:04:24,400
Speaker 1: their money. But I feel like that's manipulation. Me buying

1400
01:04:24,400 --> 01:04:26,520
Speaker 1: a physical copy of an album, I don't think that

1401
01:04:26,520 --> 01:04:29,439
Speaker 1: that's manipulation. It's the same thing where when Target used

1402
01:04:29,440 --> 01:04:32,000
Speaker 1: to go and release two different versions of the fucking

1403
01:04:32,200 --> 01:04:34,440
Speaker 1: Beyonce album and she got two different pictures and I'll

1404
01:04:34,440 --> 01:04:37,120
Speaker 1: buy them both because I'm a Beyonce fan. That's not manipulation.

1405
01:04:37,200 --> 01:04:39,880
Speaker 1: That's your consumer cares about you and wants to buy this.

1406
01:04:40,240 --> 01:04:42,480
Speaker 1: I want the I went and bought the cold vinyl

1407
01:04:42,520 --> 01:04:44,480
Speaker 1: immediately because I have a vinyl player and I want

1408
01:04:44,480 --> 01:04:45,880
Speaker 1: to be able to fucking play it. Of course, I'm

1409
01:04:45,920 --> 01:04:47,480
Speaker 1: still gonna play it out on my phone on my

1410
01:04:47,520 --> 01:04:50,880
Speaker 1: phone for ease. But he didn't offer me something else,

1411
01:04:50,920 --> 01:04:52,440
Speaker 1: and the album just came with it. I feel like

1412
01:04:52,480 --> 01:04:54,760
Speaker 1: that's manipulation. No, I'm gonna go buy a hard copy

1413
01:04:54,800 --> 01:04:56,920
Speaker 1: of something because I like a hard copy, the same

1414
01:04:56,960 --> 01:04:58,800
Speaker 1: reason why we go and buy disposable cameras, because I

1415
01:04:58,840 --> 01:05:00,720
Speaker 1: want a copy of the fucking I want to be

1416
01:05:00,720 --> 01:05:02,600
Speaker 1: able to hold the picture in my hand. And that's

1417
01:05:02,680 --> 01:05:04,480
Speaker 1: you're not manipulating. I mean, you offered me something. You

1418
01:05:04,480 --> 01:05:06,120
Speaker 1: didn't force me to buy it, you didn't package it

1419
01:05:06,120 --> 01:05:08,160
Speaker 1: as something else. You offered something and I bought it.

1420
01:05:08,160 --> 01:05:10,800
Speaker 1: That's not manipulation or for genda numbers. I'm sorry. I

1421
01:05:10,800 --> 01:05:12,840
Speaker 1: don't me personally, That's not what I think. I don't

1422
01:05:12,840 --> 01:05:13,800
Speaker 1: think what any artists done.

1423
01:05:13,720 --> 01:05:15,240
Speaker 3: And I think you just care a little bit more

1424
01:05:15,320 --> 01:05:19,240
Speaker 3: when you buy something. Yeah, Like, just from my perspective

1425
01:05:19,680 --> 01:05:22,840
Speaker 3: with streaming, which has made things easy, there's also music

1426
01:05:22,840 --> 01:05:24,720
Speaker 3: that I probably never would listen to just because it's

1427
01:05:24,720 --> 01:05:26,040
Speaker 3: a veil. It's sitting there like, all right, I guess

1428
01:05:26,080 --> 01:05:28,439
Speaker 3: I'll click it. It's the same way we talk about

1429
01:05:28,440 --> 01:05:30,440
Speaker 3: when we used to carry the big CD cases. I

1430
01:05:30,480 --> 01:05:33,360
Speaker 3: would have to sit and listen to the fucking album.

1431
01:05:32,360 --> 01:05:35,040
Speaker 3: It not opening my backpack. I'm on the bus with

1432
01:05:35,240 --> 01:05:37,840
Speaker 3: two people beside me. I'm not taking that shit out.

1433
01:05:38,080 --> 01:05:39,920
Speaker 3: We're listening to Volume three all the way to school.

1434
01:05:40,840 --> 01:05:42,760
Speaker 3: That's happening. That's how you fall in love with I

1435
01:05:42,800 --> 01:05:45,080
Speaker 3: think it's important when you pay for things, that's all.

1436
01:05:45,120 --> 01:05:48,160
Speaker 3: I just think there's a different, different appreciation board.

1437
01:05:48,400 --> 01:05:51,200
Speaker 1: And it ain't like every single time I every time

1438
01:05:51,200 --> 01:05:53,720
Speaker 1: I play my vinyl, he gets more money. Every time

1439
01:05:53,760 --> 01:05:55,240
Speaker 1: I play my vinyl, I don't work later. I pay

1440
01:05:55,280 --> 01:05:57,400
Speaker 1: fifty dollars for my fucking vinyl, and that's my vinyl.

1441
01:05:59,320 --> 01:06:01,280
Speaker 1: I think that that's fair. I don't think selling physical

1442
01:06:01,320 --> 01:06:04,640
Speaker 1: copies of an album is manipulating, fudging the numbers, like

1443
01:06:04,680 --> 01:06:07,000
Speaker 1: you're not faking the copies, you said copies.

1444
01:06:07,280 --> 01:06:11,160
Speaker 3: Kingdom Come had the that like all the other cover

1445
01:06:11,560 --> 01:06:13,320
Speaker 3: where you could like see j and then he warped

1446
01:06:13,320 --> 01:06:17,840
Speaker 3: into somebody else. Get Rich had the first I think

1447
01:06:17,880 --> 01:06:20,720
Speaker 3: it was like one hundred thousand had the DVD and

1448
01:06:20,720 --> 01:06:22,760
Speaker 3: then they've re released with the DVD and like it.

1449
01:06:22,960 --> 01:06:24,200
Speaker 3: I mean, it's been tricks forever.

1450
01:06:25,000 --> 01:06:29,640
Speaker 1: So how do we feel about the Lucian Grange bar.

1451
01:06:30,920 --> 01:06:34,120
Speaker 3: I think people overthought, like a lot of these quote

1452
01:06:34,200 --> 01:06:40,280
Speaker 3: unquote shots, I think they overthought it based off what's

1453
01:06:40,280 --> 01:06:45,959
Speaker 3: happened in the last few years. It's not just Drake

1454
01:06:46,040 --> 01:06:50,280
Speaker 3: Kendrick Cole. Everyone has sold their their ship for crumbs

1455
01:06:50,760 --> 01:06:54,640
Speaker 3: to Lucian and Universal. I think that's just a statement

1456
01:06:54,800 --> 01:06:58,720
Speaker 3: for the current time. I agree, Yeah, I really don't.

1457
01:06:58,720 --> 01:07:00,960
Speaker 3: I don't think there's anything to do with lawsuit that

1458
01:07:01,080 --> 01:07:07,200
Speaker 3: Drake is going through. I think cold with whatever was

1459
01:07:07,240 --> 01:07:09,520
Speaker 3: going on with es Carter to rock Nation to Columbia,

1460
01:07:09,760 --> 01:07:11,840
Speaker 3: whatever was mixing back and forth. He's been in the

1461
01:07:11,880 --> 01:07:15,160
Speaker 3: major label system, Dreamville has been in the major label

1462
01:07:15,200 --> 01:07:21,480
Speaker 3: system with Innerscope, which is Universal. Like everybody down down

1463
01:07:21,560 --> 01:07:24,640
Speaker 3: to me in this room with a joint venture, we've

1464
01:07:24,720 --> 01:07:29,200
Speaker 3: all sold our music to Universal for the crumbs. Like,

1465
01:07:29,600 --> 01:07:31,840
Speaker 3: I don't think this was a shot at anyone in particular,

1466
01:07:32,880 --> 01:07:38,640
Speaker 3: like even if a dollar in the hove jar all

1467
01:07:38,640 --> 01:07:40,600
Speaker 3: the four forty four, he's rapping about this entire thing.

1468
01:07:40,640 --> 01:07:44,800
Speaker 3: Like when we was young, he was looking at Billboard

1469
01:07:44,960 --> 01:07:48,280
Speaker 3: now looking at myself, like, is you dumb? Like everyone

1470
01:07:48,400 --> 01:07:51,000
Speaker 3: comes in the business not knowing what they're doing, and

1471
01:07:51,040 --> 01:07:53,200
Speaker 3: then when you get to this level, you start to

1472
01:07:53,240 --> 01:07:56,520
Speaker 3: realize that you're worth way more universal distribution. But I

1473
01:07:56,560 --> 01:07:59,080
Speaker 3: own my own music, like none of us have the

1474
01:07:59,120 --> 01:08:02,560
Speaker 3: tools walking into the business to know what that really means,

1475
01:08:02,880 --> 01:08:05,080
Speaker 3: which we talked about countless times on this podcast. So

1476
01:08:05,680 --> 01:08:10,600
Speaker 3: I think everyone's overthinking this this bar, I really do.

1477
01:08:11,640 --> 01:08:13,600
Speaker 3: I'm not here to defend anything loose. That's what that's

1478
01:08:13,600 --> 01:08:16,200
Speaker 3: what That's what the fans are supposed to do. They're

1479
01:08:16,200 --> 01:08:20,479
Speaker 3: supposed to I think. But I think no one would

1480
01:08:20,520 --> 01:08:27,000
Speaker 3: even really overthink these bars if it wasn't for the

1481
01:08:27,479 --> 01:08:29,559
Speaker 3: lawsuit with Drake, because I think a lot of fans

1482
01:08:29,600 --> 01:08:36,680
Speaker 3: got privy to politics of major labels, and like an

1483
01:08:36,680 --> 01:08:39,160
Speaker 3: average fan wouldn't know who Sir Lucy and Granger is

1484
01:08:39,240 --> 01:08:43,160
Speaker 3: like up until the last few years, because even Kanye

1485
01:08:43,240 --> 01:08:45,600
Speaker 3: was talking about him like people when whole used to

1486
01:08:45,600 --> 01:08:47,880
Speaker 3: shout out execs I never even knew until I got

1487
01:08:47,880 --> 01:08:49,560
Speaker 3: in the Death Jam building and I would see the

1488
01:08:49,640 --> 01:08:51,960
Speaker 3: name on the ship, like, oh, I remember that name

1489
01:08:52,000 --> 01:08:59,040
Speaker 3: in a hoverse like average you got dude. That b

1490
01:08:59,200 --> 01:09:02,439
Speaker 3: side freestyle is one of the craziest things ever, and

1491
01:09:02,720 --> 01:09:04,599
Speaker 3: he was freestyling about what was happening in the moment.

1492
01:09:05,920 --> 01:09:09,280
Speaker 3: Funny how that works at his beside show with the

1493
01:09:09,360 --> 01:09:14,360
Speaker 3: ninety five South sign, which was crazy. But again, I'm

1494
01:09:14,400 --> 01:09:17,200
Speaker 3: not here. I know there'll be judgments because people think

1495
01:09:17,600 --> 01:09:19,760
Speaker 3: we're biased towards Coal or he's biased stars Drake. I

1496
01:09:19,800 --> 01:09:23,520
Speaker 3: really think this is just a representation of everybody, including

1497
01:09:23,640 --> 01:09:28,719
Speaker 3: Cole himself, that has sold their soul and their music

1498
01:09:29,080 --> 01:09:31,920
Speaker 3: to a major label. We've all done it, We've all

1499
01:09:31,960 --> 01:09:34,839
Speaker 3: fucked up. We've all been in a jammed up situation

1500
01:09:34,960 --> 01:09:37,639
Speaker 3: without the knowledge of what's going on and did that shit.

1501
01:09:37,720 --> 01:09:39,240
Speaker 3: And now a lot of us are figuring out that

1502
01:09:39,240 --> 01:09:41,439
Speaker 3: we can do distribution deals, we can do licensing deals,

1503
01:09:41,439 --> 01:09:44,200
Speaker 3: we can do things where we own everything and still

1504
01:09:44,200 --> 01:09:46,880
Speaker 3: find a way to work with a major label system

1505
01:09:47,040 --> 01:09:51,599
Speaker 3: or a machine like it's the first time that corporate

1506
01:09:51,680 --> 01:09:55,280
Speaker 3: commerce and independency can all merge together to some degree.

1507
01:09:56,040 --> 01:09:58,080
Speaker 3: So I don't think he's calling out anyone in particular.

1508
01:09:58,120 --> 01:09:59,400
Speaker 3: I think he's also talking about himself.

1509
01:10:00,840 --> 01:10:02,320
Speaker 2: No, that was a big up to himself.

1510
01:10:03,280 --> 01:10:06,719
Speaker 3: No, I'm saying at one point he sold his stuff.

1511
01:10:06,800 --> 01:10:07,519
Speaker 3: He bought it back.

1512
01:10:07,560 --> 01:10:09,400
Speaker 2: But no, it definitely applies. But it was it was

1513
01:10:09,400 --> 01:10:10,320
Speaker 2: a shot for show. It wasn't.

1514
01:10:10,320 --> 01:10:11,719
Speaker 1: It might not have been a shot at one rapper

1515
01:10:11,720 --> 01:10:13,080
Speaker 1: in particular, but it was definitely a shot.

1516
01:10:13,520 --> 01:10:17,240
Speaker 3: Oh, it's also doll in the hold y'all still still

1517
01:10:17,320 --> 01:10:19,240
Speaker 3: drinking a periage way. We ain't get through to you

1518
01:10:19,320 --> 01:10:23,400
Speaker 3: yet like this. This has been bars from rappers that

1519
01:10:23,400 --> 01:10:25,839
Speaker 3: are at this level at this point, like I figured

1520
01:10:25,840 --> 01:10:29,479
Speaker 3: out what like how we're all getting scammed. I'm trying

1521
01:10:29,479 --> 01:10:31,639
Speaker 3: to tell y'all this is not the way anymore. Y'all

1522
01:10:31,680 --> 01:10:35,320
Speaker 3: are still y'all still taking advances. The fuck is wrong

1523
01:10:35,320 --> 01:10:39,000
Speaker 3: with y'all? Yeah, so yeah, this is not This isn't

1524
01:10:39,080 --> 01:10:42,120
Speaker 3: again some profound thing that Cole is saying. Plenty of

1525
01:10:42,160 --> 01:10:43,000
Speaker 3: rappers have said it before.

1526
01:10:43,000 --> 01:10:47,000
Speaker 5: I'll be honest, man, as a Cold fan, there's somebody

1527
01:10:47,000 --> 01:10:50,719
Speaker 5: that really fucked with Cold. It just don't it don't

1528
01:10:50,760 --> 01:10:53,519
Speaker 5: it don't it don't land with me the same no more,

1529
01:10:53,640 --> 01:10:57,040
Speaker 5: Just being honest, man, and I hate that. But like

1530
01:10:57,720 --> 01:11:00,000
Speaker 5: best niggas still breathing and leaving open. I don't believe

1531
01:11:00,080 --> 01:11:03,960
Speaker 5: you now, and I hate that because at one point

1532
01:11:03,960 --> 01:11:05,800
Speaker 5: I was a nigga arguing in barber shops about how

1533
01:11:05,800 --> 01:11:08,360
Speaker 5: dope this nigga was, and everybody's like nigga trash. I'm like, yo,

1534
01:11:08,400 --> 01:11:12,120
Speaker 5: y'all bugging, But I hear balls like that catch bodies

1535
01:11:12,120 --> 01:11:13,479
Speaker 5: from my own in music where.

1536
01:11:15,400 --> 01:11:19,559
Speaker 3: He went on a feature run in twenty n eighteen nineteen,

1537
01:11:20,120 --> 01:11:22,640
Speaker 3: it's sad man, what a body? Every time Cole has

1538
01:11:22,680 --> 01:11:24,400
Speaker 3: been on a feature, including what Your Man's he's calling

1539
01:11:24,439 --> 01:11:28,680
Speaker 3: a body.

1540
01:11:28,800 --> 01:11:31,439
Speaker 5: We need to we need to put like you know

1541
01:11:31,439 --> 01:11:35,320
Speaker 5: how we have like nine hundred a D six hundred BC.

1542
01:11:35,439 --> 01:11:37,840
Speaker 5: BC is before Cold, so we got to put like

1543
01:11:38,160 --> 01:11:41,760
Speaker 5: in hip hop years. We gotta put BC in AC man.

1544
01:11:41,840 --> 01:11:42,320
Speaker 3: We have to.

1545
01:11:43,160 --> 01:11:45,280
Speaker 5: We have to be because it's just like everything from

1546
01:11:45,280 --> 01:11:47,360
Speaker 5: now is ac This is after cold, this is after

1547
01:11:47,400 --> 01:11:49,439
Speaker 5: the apology, this is I got to try to listen

1548
01:11:49,439 --> 01:11:51,960
Speaker 5: to Cold now with new ears. I can't listen to

1549
01:11:52,040 --> 01:11:54,360
Speaker 5: him with the same ears. When I first heard him,

1550
01:11:54,360 --> 01:11:56,439
Speaker 5: it was like, Yo, this little young nigga.

1551
01:11:56,280 --> 01:12:00,599
Speaker 1: A AD and b D, which is after dream film

1552
01:12:00,600 --> 01:12:02,080
Speaker 1: before a dream vilm.

1553
01:12:01,800 --> 01:12:04,320
Speaker 3: He's still on dream field. Don't know best Oh well

1554
01:12:04,560 --> 01:12:08,280
Speaker 3: okay that's eight f whatever.

1555
01:12:09,080 --> 01:12:11,800
Speaker 5: Yeah, it just it just don't man. And again, Cole

1556
01:12:11,840 --> 01:12:14,439
Speaker 5: can still rap. I'm never not saying he can't, but

1557
01:12:15,160 --> 01:12:17,200
Speaker 5: it's just something that you know, It's kind of like,

1558
01:12:19,240 --> 01:12:20,920
Speaker 5: I don't know. It's kind of like when you find

1559
01:12:20,920 --> 01:12:23,200
Speaker 5: out like like you know.

1560
01:12:23,400 --> 01:12:25,599
Speaker 3: Roar, you dated women, plenty of women in your life

1561
01:12:25,640 --> 01:12:25,880
Speaker 3: and you.

1562
01:12:25,880 --> 01:12:27,439
Speaker 5: Find that one girl that you like and you love,

1563
01:12:27,479 --> 01:12:29,679
Speaker 5: and then you find out she cheated, Like you don't

1564
01:12:29,720 --> 01:12:31,760
Speaker 5: never look at her the same, no more, no matter what,

1565
01:12:32,400 --> 01:12:34,880
Speaker 5: even if she shared her location, she do all the

1566
01:12:34,920 --> 01:12:37,240
Speaker 5: things to kind of it's just like you always look

1567
01:12:37,240 --> 01:12:40,200
Speaker 5: at them with that side. I like, I don't know, bitch,

1568
01:12:40,200 --> 01:12:41,360
Speaker 5: it's something about you, Like I.

1569
01:12:41,360 --> 01:12:43,360
Speaker 3: Mean, I'm not laying in bed with cold at nights,

1570
01:12:43,400 --> 01:12:44,760
Speaker 3: So I'm not saying. I'm just saying.

1571
01:12:44,800 --> 01:12:47,080
Speaker 5: I'm talking about as far as like just seeing something,

1572
01:12:47,120 --> 01:12:50,160
Speaker 5: witnessing something, and he just can't after that, you can't

1573
01:12:50,160 --> 01:12:50,720
Speaker 5: see it the same.

1574
01:12:51,040 --> 01:12:54,439
Speaker 3: I'm not I'm not putting this to uh your point

1575
01:12:54,479 --> 01:12:57,880
Speaker 3: with Cole, but the way on like God is sort

1576
01:12:57,960 --> 01:13:00,920
Speaker 3: out when Malice said, I've hum hum along with rappers

1577
01:13:00,960 --> 01:13:04,200
Speaker 3: that I never believed. I've done that too. Music still

1578
01:13:04,240 --> 01:13:07,519
Speaker 3: is fond of me. Plenty rappers have talked that talk

1579
01:13:07,560 --> 01:13:09,960
Speaker 3: and I don't believe a fucking word they saying. But

1580
01:13:10,920 --> 01:13:12,640
Speaker 3: you do this better than I ever could, and it

1581
01:13:12,760 --> 01:13:15,840
Speaker 3: sounds incredible. It still hits. Yeah, but it's not the same.

1582
01:13:15,960 --> 01:13:18,040
Speaker 1: Okay, Well, Maul, it's getting to a point where okay,

1583
01:13:18,120 --> 01:13:19,800
Speaker 1: if it's not the same for you, are you gonna

1584
01:13:19,800 --> 01:13:20,439
Speaker 1: stop listening?

1585
01:13:21,400 --> 01:13:23,000
Speaker 3: I can listen to it. I wouldn't hear what you got.

1586
01:13:23,439 --> 01:13:26,120
Speaker 3: Then I feel bad for you, what because it's not

1587
01:13:26,160 --> 01:13:28,439
Speaker 3: the same, Because if you're gonna keep if you say,

1588
01:13:28,520 --> 01:13:31,200
Speaker 3: I'm not listening to it, no more respect. Rap isn't

1589
01:13:31,200 --> 01:13:32,960
Speaker 3: the same. But I still listen to rap. But I mean,

1590
01:13:33,000 --> 01:13:34,639
Speaker 3: thank god we have this at least.

1591
01:13:35,080 --> 01:13:37,680
Speaker 1: But like that's like okay, so for example, that's like

1592
01:13:38,600 --> 01:13:40,840
Speaker 1: living or that's like still sleeping with the girl after

1593
01:13:40,840 --> 01:13:41,519
Speaker 1: she cheated on you.

1594
01:13:41,640 --> 01:13:43,799
Speaker 2: Was like, I don't hear the same because it hrs

1595
01:13:44,160 --> 01:13:46,560
Speaker 2: would she say this pussy? When you say who you

1596
01:13:46,600 --> 01:13:47,160
Speaker 2: say yours?

1597
01:13:47,320 --> 01:13:49,680
Speaker 1: It ain't the same, I understand, which means you need

1598
01:13:49,720 --> 01:13:52,320
Speaker 1: to stop seking instead of rolling over like you ever

1599
01:13:52,400 --> 01:13:54,120
Speaker 1: listen time leave your car.

1600
01:13:54,000 --> 01:13:56,840
Speaker 3: Still still look good, just look good naked. I'm still

1601
01:13:56,880 --> 01:14:00,680
Speaker 3: gonna hit. This ain't the same. It's like with a

1602
01:14:00,760 --> 01:14:03,920
Speaker 3: condom without it, It's not the same.

1603
01:14:04,600 --> 01:14:07,439
Speaker 2: Me personally, I would just stop hitting. It ain't the same.

1604
01:14:08,560 --> 01:14:12,599
Speaker 5: Yeah, I guess he better talk about that mother fucking

1605
01:14:12,840 --> 01:14:13,559
Speaker 5: conversation though.

1606
01:14:13,600 --> 01:14:15,320
Speaker 3: You better address that on that Sometimes just to just

1607
01:14:15,360 --> 01:14:18,640
Speaker 3: the seat after Valet takes your car, I got to

1608
01:14:18,640 --> 01:14:19,479
Speaker 3: get it back in your setting.

1609
01:14:19,520 --> 01:14:21,479
Speaker 2: Deactivate my Twitter tomorrow.

1610
01:14:22,080 --> 01:14:23,960
Speaker 3: Why when you just tweet when.

1611
01:14:23,760 --> 01:14:27,200
Speaker 1: That get clipped? When that gets clipped? Act in my

1612
01:14:27,240 --> 01:14:29,840
Speaker 1: Twitter with mall that part. I asked, did y'all want

1613
01:14:29,840 --> 01:14:30,280
Speaker 1: to take out?

1614
01:14:31,960 --> 01:14:32,240
Speaker 3: Oh?

1615
01:14:32,439 --> 01:14:33,240
Speaker 2: They clipped that up?

1616
01:14:34,240 --> 01:14:36,160
Speaker 3: All right, we can have a We have pre production

1617
01:14:36,240 --> 01:14:38,840
Speaker 3: meetings on air. We had a post production one. Y'all

1618
01:14:38,880 --> 01:14:42,040
Speaker 3: were not That's how people speak this. This is also

1619
01:14:42,040 --> 01:14:44,920
Speaker 3: an I love the marriage. This is also another issue.

1620
01:14:45,000 --> 01:14:45,879
Speaker 2: About our argument.

1621
01:14:46,320 --> 01:14:47,120
Speaker 3: We weren't arguing.

1622
01:14:47,160 --> 01:14:49,040
Speaker 2: I'm not talking about it. I was arguing use that

1623
01:14:49,080 --> 01:14:51,040
Speaker 2: you was talking crazy, and I was arguing.

1624
01:14:51,280 --> 01:14:53,639
Speaker 3: I wasn't arguing. That ain't my arguing bag. I would

1625
01:14:53,880 --> 01:14:56,360
Speaker 3: I would start saying, I.

1626
01:14:56,320 --> 01:14:57,160
Speaker 2: Know the fun I'm talking about.

1627
01:14:57,160 --> 01:14:58,479
Speaker 1: You don't know what you talking once you tell me

1628
01:14:58,479 --> 01:14:59,559
Speaker 1: I don't know what the fun I'm talking about.

1629
01:14:59,560 --> 01:15:02,040
Speaker 5: We arguing because bitch, who don't know they talking about it,

1630
01:15:02,080 --> 01:15:05,840
Speaker 5: but you didn't. I have information we don't, Okay, but

1631
01:15:05,920 --> 01:15:08,519
Speaker 5: therefore you don't. I said that so before you don't

1632
01:15:08,520 --> 01:15:10,120
Speaker 5: know what you're talking about. That's why I'm speaking so

1633
01:15:10,200 --> 01:15:12,120
Speaker 5: matter of factly when I'm talking to you, because I

1634
01:15:12,200 --> 01:15:13,400
Speaker 5: have information that you don't, and.

1635
01:15:13,400 --> 01:15:15,679
Speaker 1: They're gonna they're gonna turn that like I'm yelling because

1636
01:15:15,680 --> 01:15:16,160
Speaker 1: I hate Drake.

1637
01:15:16,360 --> 01:15:17,320
Speaker 3: Well, you can yell at me. I don't do.

1638
01:15:17,760 --> 01:15:18,800
Speaker 2: That has nothing to do with nothing.

1639
01:15:18,880 --> 01:15:20,200
Speaker 3: I don't think. I just hate. I don't.

1640
01:15:20,439 --> 01:15:21,960
Speaker 5: That's when I get turned. I just say when it

1641
01:15:21,960 --> 01:15:23,840
Speaker 5: looks like I'm yelling at a woman like, I hate

1642
01:15:23,840 --> 01:15:25,120
Speaker 5: that because I'm definitely.

1643
01:15:24,880 --> 01:15:27,400
Speaker 3: Not yelling at the marriage like. That's it's the moment yelling.

1644
01:15:27,640 --> 01:15:30,200
Speaker 3: Yelling at a woman with like intent to yell at

1645
01:15:30,200 --> 01:15:33,880
Speaker 3: her is a problem. Having a podcast argument about music.

1646
01:15:34,080 --> 01:15:37,559
Speaker 3: Isn't this how everyone else grew up? Yeah? This is

1647
01:15:37,600 --> 01:15:40,280
Speaker 3: how you talk when you're debating about ship. I would

1648
01:15:40,320 --> 01:15:41,880
Speaker 3: have grew I grew worse. My sister would have throw

1649
01:15:41,920 --> 01:15:48,320
Speaker 3: some ship at me. By now, mother and we all

1650
01:15:48,320 --> 01:15:57,599
Speaker 3: getting over Honeycombs and oh man, maybe maybe our generation

1651
01:15:57,800 --> 01:16:00,280
Speaker 3: is the problem. But I think that's how I think

1652
01:16:00,280 --> 01:16:02,479
Speaker 3: it's healthy to talk that way. I do if everyone knows,

1653
01:16:02,479 --> 01:16:03,880
Speaker 3: we not going there.

1654
01:16:04,040 --> 01:16:05,400
Speaker 5: But you know, you know, you know, a therapist is

1655
01:16:05,400 --> 01:16:07,519
Speaker 5: gonna reach out to damaras Vietnam and like, do you

1656
01:16:07,560 --> 01:16:09,840
Speaker 5: want to talk? That was a little aggressive the way

1657
01:16:09,840 --> 01:16:11,559
Speaker 5: mall spoke to you. Do you want to I would

1658
01:16:11,600 --> 01:16:13,559
Speaker 5: love some free therapy. I need it badly. Yeah, but

1659
01:16:13,560 --> 01:16:14,880
Speaker 5: don't be in there talking about the way I talk

1660
01:16:14,920 --> 01:16:17,640
Speaker 5: to you, talk about them niggas, talk about.

1661
01:16:18,680 --> 01:16:30,719
Speaker 3: Yo, you fucking cool like a sorry, yeah, I'm sorry?

1662
01:16:30,920 --> 01:16:33,360
Speaker 3: What that would be an insane I hope to god

1663
01:16:33,400 --> 01:16:36,920
Speaker 3: we never get to that world. But sitting in on

1664
01:16:37,040 --> 01:16:39,360
Speaker 3: your friend's therapy session would be the funniest thing to watch.

1665
01:16:39,680 --> 01:16:41,880
Speaker 3: That'd be the funniest content ever to sit in on

1666
01:16:41,920 --> 01:16:46,559
Speaker 3: your therapy session. Our brains are content and situate. You

1667
01:16:46,560 --> 01:16:50,439
Speaker 3: can't wait what you've been through? What like, oh nah,

1668
01:16:50,640 --> 01:16:53,360
Speaker 3: hell no, you can't unring a bell? No, no, no, no,

1669
01:16:53,400 --> 01:16:55,000
Speaker 3: I don't want to sit on nobody's therapy.

1670
01:16:55,120 --> 01:16:55,200
Speaker 7: No.

1671
01:16:56,520 --> 01:16:58,120
Speaker 1: You know what's so funny is that me and Rory

1672
01:16:58,120 --> 01:17:01,000
Speaker 1: have been so forthcoming about like the traumatic ship that

1673
01:17:01,040 --> 01:17:02,920
Speaker 1: we've been through. If y'all was just sitting on like

1674
01:17:02,960 --> 01:17:05,040
Speaker 1: a therapy session, you'd be like, dad bothered you.

1675
01:17:07,240 --> 01:17:07,760
Speaker 3: What made you?

1676
01:17:08,160 --> 01:17:09,880
Speaker 2: I know what happened to you when you were five?

1677
01:17:10,000 --> 01:17:15,680
Speaker 3: Yeah, that's what made you crazy as hell. That's why

1678
01:17:15,720 --> 01:17:18,920
Speaker 3: we had that kid conversation the other day. No, no,

1679
01:17:19,040 --> 01:17:21,000
Speaker 3: you're not. You're not You're not staying home for a

1680
01:17:21,040 --> 01:17:22,760
Speaker 3: mental health day. Not raising a kid.

1681
01:17:23,000 --> 01:17:25,839
Speaker 2: H Internet h o up BT dubs.

1682
01:17:26,080 --> 01:17:26,719
Speaker 3: Oh did they?

1683
01:17:26,800 --> 01:17:27,040
Speaker 1: Yeah?

1684
01:17:27,120 --> 01:17:29,559
Speaker 3: What they say the who BC dubs BT dubs by

1685
01:17:29,600 --> 01:17:33,000
Speaker 3: the way, Oh yeah, it used to be btwe.

1686
01:17:33,320 --> 01:17:35,600
Speaker 1: They say how you're such always such a big advocator

1687
01:17:35,600 --> 01:17:38,280
Speaker 1: for mental health and then like but like they also

1688
01:17:38,280 --> 01:17:40,599
Speaker 1: say that you're supposed to be your child's safe space.

1689
01:17:40,720 --> 01:17:44,559
Speaker 1: Like the point is not to praise your child need.

1690
01:17:44,439 --> 01:17:45,920
Speaker 3: A mental health day from school.

1691
01:17:46,600 --> 01:17:49,879
Speaker 1: I'm sorry, I'm with you, not a three year old thirteen.

1692
01:17:49,960 --> 01:17:52,439
Speaker 1: Maybe we were talking about it, like even in high school.

1693
01:17:52,479 --> 01:17:54,080
Speaker 1: They were saying, when it's like when you raise your

1694
01:17:54,160 --> 01:17:56,160
Speaker 1: kid as if like the real world isn't like this,

1695
01:17:56,200 --> 01:17:57,720
Speaker 1: It's like, yeah, I know one day I'm going to

1696
01:17:57,760 --> 01:17:59,960
Speaker 1: have to get into the real world in my household

1697
01:18:00,040 --> 01:18:01,760
Speaker 1: where I'm growing up with my parents. This should be

1698
01:18:01,760 --> 01:18:03,960
Speaker 1: my safe space. You can prepare me for the real world.

1699
01:18:04,000 --> 01:18:07,519
Speaker 1: Why not treating me like shit and ignoring my mental

1700
01:18:07,520 --> 01:18:08,080
Speaker 1: health for.

1701
01:18:08,000 --> 01:18:11,880
Speaker 3: The real Mars three, We're not okaying about right, And

1702
01:18:12,040 --> 01:18:14,280
Speaker 3: this is why I hate. I was extremely clear in

1703
01:18:14,360 --> 01:18:17,559
Speaker 3: everything that I said. If you are using a mental

1704
01:18:17,600 --> 01:18:20,479
Speaker 3: health day, I said, I think high school can be awful,

1705
01:18:20,560 --> 01:18:23,679
Speaker 3: especially with women bullying. If that's the case, of course,

1706
01:18:23,840 --> 01:18:26,439
Speaker 3: let's talk about this. Mar will always have a safe space.

1707
01:18:26,880 --> 01:18:28,880
Speaker 3: But if you're using some mental I need a mental

1708
01:18:28,880 --> 01:18:30,759
Speaker 3: health No, you just don't feel like going to school,

1709
01:18:30,880 --> 01:18:34,719
Speaker 3: which is we don't feel like there's a difference there,

1710
01:18:35,120 --> 01:18:38,479
Speaker 3: And I'm saying that's not how life works. We're all

1711
01:18:38,520 --> 01:18:40,080
Speaker 3: gonna have to get up and do things that we

1712
01:18:40,200 --> 01:18:43,599
Speaker 3: don't like to better ourselves. And the more you take

1713
01:18:44,760 --> 01:18:47,160
Speaker 3: those days when you just feel sluggish and don't feel

1714
01:18:47,160 --> 01:18:49,120
Speaker 3: like doing it is just going to put you in

1715
01:18:49,160 --> 01:18:53,080
Speaker 3: a pattern to be more sluggish and a bum. Yeah,

1716
01:18:53,280 --> 01:18:56,320
Speaker 3: I'm not if Amar is actually having a mental health day,

1717
01:18:56,360 --> 01:18:58,880
Speaker 3: It's like, Daddy, these little girls are picking on me.

1718
01:19:00,320 --> 01:19:01,840
Speaker 3: I don't even want to go there. They're saying these

1719
01:19:01,840 --> 01:19:04,360
Speaker 3: foul things. But of course, if I'm going to principal

1720
01:19:04,400 --> 01:19:06,639
Speaker 3: and I'm finding the fathers of all those little ass

1721
01:19:06,680 --> 01:19:09,840
Speaker 3: girls and we're gonna have a little sit down. But nah,

1722
01:19:09,840 --> 01:19:11,639
Speaker 3: you're not about to just be like, Yo, I'm tired,

1723
01:19:11,640 --> 01:19:13,439
Speaker 3: I don't feel like going to school. That's not a

1724
01:19:13,479 --> 01:19:18,360
Speaker 3: mental health day. No, that's no, it's not you're gonna

1725
01:19:18,360 --> 01:19:21,000
Speaker 3: get your ass. It's not trauma. That's not like, get.

1726
01:19:20,800 --> 01:19:22,400
Speaker 5: Your ass off this house. And my mother just said,

1727
01:19:22,400 --> 01:19:24,360
Speaker 5: you're gonna get out of here. You ain't got to

1728
01:19:24,360 --> 01:19:25,720
Speaker 5: go to that school. You canna get the fuck off.

1729
01:19:26,479 --> 01:19:28,160
Speaker 3: Bro. I didn't even want I say what I'm going.

1730
01:19:28,280 --> 01:19:29,880
Speaker 3: I said when I didn't feel like going to school,

1731
01:19:29,920 --> 01:19:31,920
Speaker 3: and me and my friends used to skip. Not to

1732
01:19:31,960 --> 01:19:34,960
Speaker 3: say we did anything productive, but at least that taught

1733
01:19:34,960 --> 01:19:36,280
Speaker 3: me a lot about life as well. When I was

1734
01:19:36,320 --> 01:19:38,840
Speaker 3: skipping school by myself, with my friends and from the

1735
01:19:38,880 --> 01:19:40,480
Speaker 3: Truth school.

1736
01:19:41,080 --> 01:19:43,960
Speaker 5: You never even realize how fast day goes by when

1737
01:19:43,960 --> 01:19:48,560
Speaker 5: you skip to school. Yeo, yo, already three o'clock.

1738
01:19:48,479 --> 01:19:51,000
Speaker 3: Radio was go to school, get the slice, come back

1739
01:19:51,000 --> 01:19:52,439
Speaker 3: to sh We ain't do ship.

1740
01:19:53,000 --> 01:19:54,600
Speaker 5: You could have took your ass right to school, but

1741
01:19:55,920 --> 01:19:59,640
Speaker 5: having we ain't doing goddamn thing all day, we did nothing.

1742
01:20:00,040 --> 01:20:01,880
Speaker 3: It was the allure of just not being there, yeah,

1743
01:20:03,000 --> 01:20:06,519
Speaker 3: and just knowing, like all right, they all sitting in

1744
01:20:06,520 --> 01:20:08,280
Speaker 3: there right now, pussy.

1745
01:20:08,439 --> 01:20:09,640
Speaker 5: There needs to be like a dedic you know how

1746
01:20:09,640 --> 01:20:12,519
Speaker 5: they have like dedicated spaces for like heroin addicts to

1747
01:20:12,520 --> 01:20:15,000
Speaker 5: shoot up. It needs to be like dedicated spaces for

1748
01:20:15,080 --> 01:20:15,920
Speaker 5: kids that cut school.

1749
01:20:16,520 --> 01:20:19,160
Speaker 2: Uh noa's cutting school is a legal technically.

1750
01:20:20,160 --> 01:20:23,600
Speaker 5: So shooting so shooting drugs, so shooting arrow with But

1751
01:20:23,640 --> 01:20:25,960
Speaker 5: they need to give us space, like listen, right, at

1752
01:20:26,040 --> 01:20:28,559
Speaker 5: least give us a space where kids can come, maybe

1753
01:20:28,560 --> 01:20:31,200
Speaker 5: work on some homework or maybe study some shit.

1754
01:20:31,720 --> 01:20:36,000
Speaker 3: Like I'm skipping sounds like some one Domini shit, you

1755
01:20:36,000 --> 01:20:36,840
Speaker 3: know what I'm saying, Like.

1756
01:20:38,400 --> 01:20:40,920
Speaker 5: Kids are just outside in the park fucking smoking weed

1757
01:20:41,000 --> 01:20:42,880
Speaker 5: while they're supposed to be in school, like shit like that.

1758
01:20:42,760 --> 01:20:44,880
Speaker 3: Like then you caught skipping school because you went to

1759
01:20:44,960 --> 01:20:45,559
Speaker 3: the safe space.

1760
01:20:45,760 --> 01:20:47,880
Speaker 5: Yeah, you know, but I'm saying, like you're not in school,

1761
01:20:47,880 --> 01:20:49,600
Speaker 5: but like you're still in a place where it's like

1762
01:20:49,680 --> 01:20:49,960
Speaker 5: you know.

1763
01:20:50,280 --> 01:20:52,040
Speaker 3: In the words of it sounds like one of those

1764
01:20:52,160 --> 01:20:53,040
Speaker 3: entrapment things like.

1765
01:20:53,000 --> 01:20:54,880
Speaker 5: My mom used to say, y'all, rather y'all smoke weed

1766
01:20:54,960 --> 01:20:56,799
Speaker 5: in here than to be on the fucking roof smoking

1767
01:20:56,800 --> 01:20:59,479
Speaker 5: weed or be in the staircase smoking weed and somebody

1768
01:20:59,560 --> 01:21:01,640
Speaker 5: call the Copshen y'all understand the thirst, Like, I know

1769
01:21:01,720 --> 01:21:03,439
Speaker 5: y'all smoking in might as well be in this fucking house.

1770
01:21:03,439 --> 01:21:05,679
Speaker 3: Will y'all safe? Yeah, but at that point they're gonna

1771
01:21:05,960 --> 01:21:07,599
Speaker 3: be like, once y'all get here, all right, we're gonna

1772
01:21:07,600 --> 01:21:08,360
Speaker 3: take you out of school.

1773
01:21:10,000 --> 01:21:10,920
Speaker 2: Does that work though?

1774
01:21:11,240 --> 01:21:12,880
Speaker 1: Because I remember my dad was like, I want your

1775
01:21:12,920 --> 01:21:15,599
Speaker 1: first drink to like, I'd rather give you your first

1776
01:21:15,640 --> 01:21:18,080
Speaker 1: drink here, So if you know, like he thought it

1777
01:21:18,120 --> 01:21:19,800
Speaker 1: was my first drink, it wasn't, but I'd rather give

1778
01:21:19,800 --> 01:21:21,600
Speaker 1: you your first drink here so that if you have

1779
01:21:21,640 --> 01:21:23,840
Speaker 1: a reaction like you're safe or anything like that and

1780
01:21:24,360 --> 01:21:26,160
Speaker 1: keeps you out of trouble. But like, it ain't really

1781
01:21:26,240 --> 01:21:27,559
Speaker 1: keep me out that much trouble.

1782
01:21:27,840 --> 01:21:28,120
Speaker 6: Is that?

1783
01:21:28,400 --> 01:21:28,519
Speaker 7: Very?

1784
01:21:28,600 --> 01:21:34,599
Speaker 3: Like what I noticed? It's the cool mom. You don't

1785
01:21:34,600 --> 01:21:37,640
Speaker 3: want to be the cool mom to your kid, but

1786
01:21:37,720 --> 01:21:40,680
Speaker 3: everyone in the neighborhood will be better off because you're

1787
01:21:40,720 --> 01:21:42,639
Speaker 3: the cool mom. Like when I went to the cool

1788
01:21:42,680 --> 01:21:44,600
Speaker 3: mom's house. Yeah, we stayed out of trouble because we

1789
01:21:44,640 --> 01:21:48,120
Speaker 3: knew we could drink smoke in their basement and we

1790
01:21:48,120 --> 01:21:50,519
Speaker 3: were fine. We never drove like, we just stayed out

1791
01:21:50,560 --> 01:21:52,160
Speaker 3: of trouble because we had a place to do it.

1792
01:21:53,400 --> 01:21:55,600
Speaker 3: But that's not the house you want your kid to

1793
01:21:55,640 --> 01:22:00,559
Speaker 3: grow up in. It's better for the neighborhoods, but not

1794
01:22:00,600 --> 01:22:01,400
Speaker 3: for your kids.

1795
01:22:01,960 --> 01:22:02,960
Speaker 2: Yeah that makes sense.

1796
01:22:03,720 --> 01:22:06,760
Speaker 1: Your kids prematurely losing their virginity. Oh you knew it

1797
01:22:06,800 --> 01:22:08,800
Speaker 1: was coming. I love I love when you read me.

1798
01:22:08,840 --> 01:22:10,559
Speaker 1: I didn't even know we were going to other other topics.

1799
01:22:10,600 --> 01:22:11,639
Speaker 2: I love when you read me. Yeah.

1800
01:22:12,160 --> 01:22:14,960
Speaker 3: I love when you with the marriage. I love when you.

1801
01:22:14,920 --> 01:22:16,559
Speaker 2: Read I love when you anticipate myneed.

1802
01:22:18,320 --> 01:22:20,320
Speaker 5: That's how she was told that I love nigga, bring

1803
01:22:20,400 --> 01:22:21,880
Speaker 5: the marriage something to eat. I love when you read

1804
01:22:22,000 --> 01:22:25,000
Speaker 5: Can you really y'all love nigga in general?

1805
01:22:25,080 --> 01:22:27,439
Speaker 3: In general? Well, I don't know if a specific guy.

1806
01:22:27,479 --> 01:22:30,519
Speaker 5: I'm just saying, you love when guys fall for you

1807
01:22:31,000 --> 01:22:34,280
Speaker 5: at full star flag to your apenities.

1808
01:22:34,920 --> 01:22:38,120
Speaker 3: Repeat first, Wait.

1809
01:22:37,960 --> 01:22:39,320
Speaker 1: Do we know who's going to the super Bowl? Yeah,

1810
01:22:39,400 --> 01:22:43,160
Speaker 1: yes we do, Patriots and the Seahawks. Okay, rematch of

1811
01:22:43,240 --> 01:22:44,280
Speaker 1: Super Bowl forty nine.

1812
01:22:45,040 --> 01:22:46,680
Speaker 2: Who do y'all think it is gonna win?

1813
01:22:46,800 --> 01:22:46,920
Speaker 1: Oh?

1814
01:22:46,920 --> 01:22:48,599
Speaker 3: No, we're getting in that tomorrow.

1815
01:22:48,760 --> 01:22:49,040
Speaker 2: Okay.

1816
01:22:49,720 --> 01:22:56,800
Speaker 3: Small has to spread them, Hey, yo, spread them, spread them.

1817
01:22:56,880 --> 01:23:00,200
Speaker 3: But we will be back tomorrow. Yeah, We're never the

1818
01:23:00,200 --> 01:23:06,120
Speaker 3: fucking Lady. Never Netflix. We are here forever, for for

1819
01:23:06,120 --> 01:23:08,960
Speaker 3: for we talked to y'all. Soon, be safe, be busched.

1820
01:23:08,960 --> 01:23:14,280
Speaker 3: I'm that cherch Peace. No, Willian No,