1 00:00:05,280 --> 00:00:07,680 Speaker 1: Hey, this is Serd and Samantha. Welcome stuff. I never 2 00:00:07,720 --> 00:00:20,759 Speaker 1: told you protection of iHeartRadio, and we are back with 3 00:00:21,000 --> 00:00:26,560 Speaker 1: our classic miniseries run of our Last of Us episodes 4 00:00:26,600 --> 00:00:30,840 Speaker 1: that we did when the show was premiering last year. 5 00:00:30,960 --> 00:00:38,319 Speaker 1: I think time feels so but I have been, as 6 00:00:38,360 --> 00:00:42,120 Speaker 1: you listeners know, if you've been regularly tuning in, things 7 00:00:42,159 --> 00:00:45,360 Speaker 1: have been busy for us. Things have been busy, a 8 00:00:45,360 --> 00:00:51,199 Speaker 1: little chaotic. We did go to Seattle, and when I 9 00:00:51,240 --> 00:00:54,320 Speaker 1: got back, of course, one of the first things I 10 00:00:54,360 --> 00:00:57,000 Speaker 1: did was start playing the Last of Us two again, 11 00:00:57,080 --> 00:01:01,880 Speaker 1: which takes place in Seattle, and Samantha and her partner 12 00:01:02,000 --> 00:01:05,920 Speaker 1: have been getting a lot of just screenshots. 13 00:01:05,000 --> 00:01:10,640 Speaker 2: From me, like, look, fantastic, it's that place, it's this place, 14 00:01:11,080 --> 00:01:12,520 Speaker 2: it is that place you went without me. 15 00:01:15,000 --> 00:01:20,880 Speaker 1: Well only a few of them are that, but one specifically. Yes, yes, 16 00:01:21,040 --> 00:01:23,120 Speaker 1: the theater and the aquarium, the big ones. 17 00:01:23,160 --> 00:01:25,479 Speaker 2: But no, no, I'm thinking about us going without you. 18 00:01:26,200 --> 00:01:32,080 Speaker 1: Oh all right, well the toll is though. Now you 19 00:01:32,120 --> 00:01:34,200 Speaker 1: have to play that part with me and tell me 20 00:01:34,240 --> 00:01:35,200 Speaker 1: how accurate it is. 21 00:01:35,560 --> 00:01:39,480 Speaker 3: Oh okay, Well, we're trying to do this Sunday Sunday Sunday, 22 00:01:39,560 --> 00:01:41,399 Speaker 3: and I guess we're going to have to run through 23 00:01:41,440 --> 00:01:43,560 Speaker 3: a little bit of Last of Us because as we 24 00:01:43,600 --> 00:01:46,240 Speaker 3: do or don't do this Sunday Sunday Sunday feel like 25 00:01:46,240 --> 00:01:48,600 Speaker 3: we add on to the traditions, and Last of Us 26 00:01:48,680 --> 00:01:51,200 Speaker 3: does make SENSEI last time. 27 00:01:51,000 --> 00:01:52,560 Speaker 2: You came through, we did turn it on for you, 28 00:01:52,600 --> 00:01:53,160 Speaker 2: and you cried. 29 00:01:54,120 --> 00:01:57,000 Speaker 1: I cried so hard I ended up hurting my ears. 30 00:01:59,640 --> 00:02:04,480 Speaker 1: But that's what part of loving something sad is. But 31 00:02:04,680 --> 00:02:08,000 Speaker 1: there is one section, and it's pretty early on where 32 00:02:08,040 --> 00:02:10,640 Speaker 1: a lot of those those things we went to see are, 33 00:02:11,080 --> 00:02:13,480 Speaker 1: so I already have it kind of planned if we 34 00:02:13,680 --> 00:02:18,440 Speaker 1: do it part we need to play this section in 35 00:02:18,480 --> 00:02:23,359 Speaker 1: episode six, Ken is when they reach Jackson and they 36 00:02:23,400 --> 00:02:26,760 Speaker 1: reunite with Joel's brother Tommy, and they kind of see 37 00:02:26,800 --> 00:02:31,200 Speaker 1: the whole town. This is a big This town is 38 00:02:31,240 --> 00:02:35,519 Speaker 1: a big part of the second one, and already the 39 00:02:35,520 --> 00:02:38,920 Speaker 1: way it's set up, that's how it looks in the 40 00:02:38,960 --> 00:02:44,640 Speaker 1: second game. So this episode, when you're seeing where Tommy 41 00:02:44,720 --> 00:02:49,839 Speaker 1: lives and all of that Maria lives, that is very 42 00:02:49,840 --> 00:02:53,880 Speaker 1: important to the second game. So I'll say that, I'll 43 00:02:53,919 --> 00:03:06,000 Speaker 1: say that, yes, well, please enjoy this classic episod. Hey 44 00:03:06,040 --> 00:03:08,720 Speaker 1: this Sanny and Samantha and welcome to Stephan never told 45 00:03:08,760 --> 00:03:20,720 Speaker 1: you a protection of iHeartRadio. And here we are with 46 00:03:21,040 --> 00:03:26,120 Speaker 1: our part six. We love our special The Last of Us, 47 00:03:26,280 --> 00:03:29,880 Speaker 1: a mini series where we recap and react to the 48 00:03:30,200 --> 00:03:34,280 Speaker 1: HBO Max series The Last of Us, based on the 49 00:03:34,360 --> 00:03:37,600 Speaker 1: twenty thirteen game of which I am a huge fan. 50 00:03:38,360 --> 00:03:41,320 Speaker 1: We are not the official podcast, and in fact, somebody 51 00:03:41,480 --> 00:03:43,400 Speaker 1: texted me the other day and was like, I heard 52 00:03:43,400 --> 00:03:45,040 Speaker 1: this on the podcast and I was like, oh really, 53 00:03:45,080 --> 00:03:47,960 Speaker 1: I didn't know that. They're like, oh, it's not your podcast. 54 00:03:48,000 --> 00:03:52,920 Speaker 1: I was like, all right, well thanks, but yes, we 55 00:03:52,960 --> 00:03:56,800 Speaker 1: are not the official podcast, but we are one that 56 00:03:56,840 --> 00:04:00,000 Speaker 1: I think has some good points and some good thoughts. 57 00:03:59,680 --> 00:04:02,960 Speaker 2: And some fun times. We have fun times, we do. 58 00:04:03,120 --> 00:04:08,680 Speaker 1: Indeed, this is mini series. We are doing it one 59 00:04:08,720 --> 00:04:13,360 Speaker 1: week after the most recent episode airs, so this is 60 00:04:13,400 --> 00:04:18,040 Speaker 1: one week after episode six, which is called Kin and 61 00:04:18,160 --> 00:04:21,760 Speaker 1: there are nine episodes of this series. So the final episode, 62 00:04:22,360 --> 00:04:25,960 Speaker 1: probably unless we do a two parter, which is possible, 63 00:04:26,320 --> 00:04:30,160 Speaker 1: will be March nineteenth, because the finale of the show 64 00:04:30,520 --> 00:04:34,640 Speaker 1: is March twelfth, So after that we will go back 65 00:04:34,680 --> 00:04:38,080 Speaker 1: to our regularly scheduled programming slash my Happy Hours, which 66 00:04:38,080 --> 00:04:44,480 Speaker 1: have been moved all about for the Saturday episodes. Also, 67 00:04:44,640 --> 00:04:48,320 Speaker 1: there will be spoilers for the first six episodes of 68 00:04:48,400 --> 00:04:52,440 Speaker 1: the series. Samantha is my guardian and making sure I 69 00:04:52,520 --> 00:04:57,960 Speaker 1: don't spoil the whole thing. And this one's gonna be tough. 70 00:04:58,040 --> 00:05:00,680 Speaker 1: This one's tough, I'm gonna say, but I think we 71 00:05:00,720 --> 00:05:01,200 Speaker 1: can do it. 72 00:05:01,279 --> 00:05:03,240 Speaker 2: I think we can do it. We got this, we 73 00:05:03,320 --> 00:05:03,680 Speaker 2: got this. 74 00:05:04,000 --> 00:05:06,880 Speaker 3: Yeah, all right, are you ready for my wonderful recap? 75 00:05:07,440 --> 00:05:10,200 Speaker 1: Samantha gives the best recaps. I am so ready. 76 00:05:10,400 --> 00:05:14,119 Speaker 3: Right so again, because this is an HBO Max show. 77 00:05:14,320 --> 00:05:17,719 Speaker 3: Just as a reminder of content warning, there's violence and 78 00:05:17,760 --> 00:05:23,120 Speaker 3: sadness and trauma all throughout, which is right up. Annie's Allie, 79 00:05:23,480 --> 00:05:28,320 Speaker 3: that is what she loves. And yes, so if you 80 00:05:28,400 --> 00:05:33,720 Speaker 3: haven't watched the six episode six pause, go watch come back, Yes, 81 00:05:34,000 --> 00:05:38,400 Speaker 3: because my explanation is so good, it's like you're watching 82 00:05:38,480 --> 00:05:41,920 Speaker 3: it as I'm speaking about I'm sure sure, Okay, So 83 00:05:42,480 --> 00:05:46,279 Speaker 3: we are back with Ellie and Joel, who all of 84 00:05:46,279 --> 00:05:48,960 Speaker 3: a sudden we come into a picture of a cabin. 85 00:05:49,320 --> 00:05:53,320 Speaker 3: Dude someone someone is walking with rabbits. There was a 86 00:05:53,360 --> 00:05:55,160 Speaker 3: lot of conversations that happened, by the way, at our 87 00:05:55,160 --> 00:05:56,720 Speaker 3: place about the rabbits. We're not gonna tell you why, 88 00:05:56,760 --> 00:05:59,120 Speaker 3: but there were conversations just so you know. And then 89 00:05:59,440 --> 00:06:04,080 Speaker 3: we walk in and you see the character's name is Florence, 90 00:06:04,800 --> 00:06:08,400 Speaker 3: a Native woman who is just chilling in her chair 91 00:06:08,800 --> 00:06:11,520 Speaker 3: while Joel is sitting next to her or does he 92 00:06:11,560 --> 00:06:15,040 Speaker 3: say no, he comes out. He comes out with a gun. 93 00:06:15,080 --> 00:06:18,240 Speaker 3: It is like a rut row, and we find out 94 00:06:18,240 --> 00:06:20,640 Speaker 3: that Joel's trying to get information, trying to figure out 95 00:06:20,640 --> 00:06:23,440 Speaker 3: where they are exactly because they need to find Tommy, 96 00:06:23,880 --> 00:06:25,640 Speaker 3: and then trying to figure out, you know, where it's 97 00:06:25,680 --> 00:06:27,839 Speaker 3: the closest area to any headquarters. 98 00:06:27,920 --> 00:06:28,600 Speaker 2: What's going on? 99 00:06:28,680 --> 00:06:32,120 Speaker 3: Essentially, that's what he says, and we have this great 100 00:06:32,200 --> 00:06:36,120 Speaker 3: banter that this low key banter that's happening between Florence 101 00:06:36,120 --> 00:06:38,799 Speaker 3: and the other character is Marlin, who, by the way, 102 00:06:38,880 --> 00:06:42,359 Speaker 3: we just discovered that they were together in an old 103 00:06:42,560 --> 00:06:46,280 Speaker 3: nineties sitcom called The Northern Exposure, which I remember. I 104 00:06:46,279 --> 00:06:48,640 Speaker 3: did not watch, but I remember because it was really 105 00:06:48,640 --> 00:06:52,080 Speaker 3: big for five years. Apparently this was like a mini 106 00:06:52,120 --> 00:06:54,880 Speaker 3: reunion for the two of them, And I really feel 107 00:06:54,920 --> 00:06:55,320 Speaker 3: like this is. 108 00:06:55,279 --> 00:06:58,840 Speaker 2: For those nineties adults who know if you know, you. 109 00:06:58,920 --> 00:07:03,040 Speaker 3: Know, yeah, And I also feel like there's low key, 110 00:07:03,120 --> 00:07:06,480 Speaker 3: like if anybody's gonna survive an apocalypse, it's the indigenous 111 00:07:06,480 --> 00:07:09,480 Speaker 3: people of this area. I think they're right, but whatever, 112 00:07:10,440 --> 00:07:13,080 Speaker 3: So we have this fun banter that happens between the 113 00:07:13,080 --> 00:07:15,960 Speaker 3: two of them. All of a sudden, She's like, she's 114 00:07:15,960 --> 00:07:17,800 Speaker 3: got a good he's got a gun, and there's a girl. 115 00:07:18,120 --> 00:07:20,560 Speaker 3: And then Ellie kind OF's like hey, and he and 116 00:07:20,600 --> 00:07:22,560 Speaker 3: then Joel's like stay up there. And she comes down 117 00:07:22,720 --> 00:07:25,480 Speaker 3: and everybody's like, what's happening? But there they all have 118 00:07:25,960 --> 00:07:28,880 Speaker 3: sit down. Turns out that Florence made them soup. They 119 00:07:28,880 --> 00:07:31,840 Speaker 3: were very hungry, they were very thankful. And the dude 120 00:07:31,880 --> 00:07:33,920 Speaker 3: Marlin's like, what why did you make them soup? 121 00:07:35,680 --> 00:07:36,000 Speaker 1: Cold? 122 00:07:36,560 --> 00:07:40,720 Speaker 3: It's cold, they're here, Why wouldn't I He's like, why 123 00:07:40,760 --> 00:07:42,320 Speaker 3: didn't you get the gun? She goes because it's way 124 00:07:42,320 --> 00:07:46,600 Speaker 3: over there. It's fine. So wonderful moment, and we do 125 00:07:46,680 --> 00:07:50,520 Speaker 3: discover through this conversation that this area is kind of barren, 126 00:07:50,760 --> 00:07:53,120 Speaker 3: not a lot of infected because it's pretty much just 127 00:07:53,200 --> 00:07:57,240 Speaker 3: too far out, not enough civilization, and not a lot 128 00:07:57,280 --> 00:07:57,960 Speaker 3: of supplies. 129 00:07:58,040 --> 00:07:58,960 Speaker 2: All of these things. 130 00:08:00,200 --> 00:08:02,680 Speaker 3: They do say that it is the River of Death, 131 00:08:03,040 --> 00:08:05,280 Speaker 3: they call it, and that the only thing they know 132 00:08:05,400 --> 00:08:07,760 Speaker 3: is when people go out. They don't come back, and 133 00:08:07,760 --> 00:08:09,440 Speaker 3: they're but dead bodies everywhere. 134 00:08:09,680 --> 00:08:10,120 Speaker 2: Don't go. 135 00:08:10,960 --> 00:08:14,160 Speaker 3: He does give them the area they're at. He doesn't 136 00:08:14,200 --> 00:08:17,200 Speaker 3: know a tommy. They don't even know about fireflies. They 137 00:08:17,240 --> 00:08:22,160 Speaker 3: think it's hilarious. They're like, there are people that are fireflies. Hilarious, 138 00:08:22,240 --> 00:08:27,679 Speaker 3: there are firefly people. And so they go on together. 139 00:08:28,520 --> 00:08:31,960 Speaker 3: Ellie steals a rabbit, and as they're in a cave 140 00:08:32,120 --> 00:08:35,439 Speaker 3: together trying to stay warm, she's like, man, I should 141 00:08:35,440 --> 00:08:36,640 Speaker 3: have taken two rabbits. 142 00:08:37,080 --> 00:08:37,840 Speaker 2: All these things. 143 00:08:37,880 --> 00:08:41,319 Speaker 3: They have a whole conversation about He's going to be 144 00:08:41,360 --> 00:08:45,480 Speaker 3: a sheep farmer, that's what he said. Being he tries 145 00:08:45,520 --> 00:08:47,280 Speaker 3: to get her to go to sleep. He says he's 146 00:08:47,280 --> 00:08:49,920 Speaker 3: gonna keep watch, but he of course falls asleep and 147 00:08:50,040 --> 00:08:52,920 Speaker 3: to only see that Ellie's awake and has the gun. 148 00:08:53,280 --> 00:08:55,800 Speaker 3: She had taken the second shift. He's like, wake me up. 149 00:08:55,840 --> 00:08:58,199 Speaker 3: She's like, you weren't awake. Of course I wouldn't take 150 00:08:58,200 --> 00:08:59,720 Speaker 3: the second shift. And he's like, well, next time, wake 151 00:08:59,760 --> 00:09:02,280 Speaker 3: me because you can't be doing this. I have to 152 00:09:02,280 --> 00:09:04,320 Speaker 3: take care of you. She's like, you then stay awake. 153 00:09:04,880 --> 00:09:07,280 Speaker 3: In a story, So they move on. They shoot it 154 00:09:07,320 --> 00:09:09,640 Speaker 3: off into the water to see like towards the water, 155 00:09:09,720 --> 00:09:12,120 Speaker 3: if anybody's gonna come towards them, they think they're safe. 156 00:09:12,160 --> 00:09:13,199 Speaker 2: They go to the second part. 157 00:09:13,280 --> 00:09:15,200 Speaker 3: She's like, wait, what if this is a rever death 158 00:09:15,240 --> 00:09:17,160 Speaker 3: And then all of a sudden they are surrounded. 159 00:09:16,760 --> 00:09:18,600 Speaker 2: By pretty much cowboys. I'm just going with. 160 00:09:18,480 --> 00:09:21,280 Speaker 3: That, and they're like, oh no, what's happening. They've got 161 00:09:21,360 --> 00:09:23,600 Speaker 3: a dog. This dog stiffs out the infected. 162 00:09:24,040 --> 00:09:26,520 Speaker 2: Oh scary moment. Scary moment. And during these times, by 163 00:09:26,520 --> 00:09:30,480 Speaker 2: the way, Joel's having panic attacks. This is fairly new. 164 00:09:30,600 --> 00:09:32,000 Speaker 2: I did not see this in the video game. 165 00:09:32,040 --> 00:09:34,240 Speaker 3: I guess you can't really play that in the video game, 166 00:09:34,840 --> 00:09:38,680 Speaker 3: but we see this here. So he's having panic attacks. 167 00:09:38,840 --> 00:09:41,600 Speaker 3: At this point, he's thinking, oh no, Ellie's gonna get eaten. 168 00:09:41,840 --> 00:09:42,280 Speaker 2: Oh no. 169 00:09:42,679 --> 00:09:45,000 Speaker 3: But then everything turns out okay. She's having a good 170 00:09:45,000 --> 00:09:48,640 Speaker 3: time with the dog. She loves dogs. Here anyway, moving on, 171 00:09:49,640 --> 00:09:52,440 Speaker 3: and so then we see him talking to them and 172 00:09:52,440 --> 00:09:54,320 Speaker 3: they're like, what do you want. We'll let you pass 173 00:09:54,400 --> 00:09:56,720 Speaker 3: if you do these things, or you need to move along, 174 00:09:57,000 --> 00:09:59,000 Speaker 3: and then he's like, I'm trying to find Tommy. And 175 00:09:59,040 --> 00:10:00,960 Speaker 3: then we see this woman come up and more like 176 00:10:01,160 --> 00:10:03,600 Speaker 3: oh and she's like, oh, how do you know Tommy? 177 00:10:03,960 --> 00:10:04,880 Speaker 2: And then they go. 178 00:10:05,000 --> 00:10:10,040 Speaker 3: Into this wonderful town, very western looking and has all 179 00:10:10,520 --> 00:10:15,320 Speaker 3: electricity and supplies and children and happiness is kind of odd, 180 00:10:15,800 --> 00:10:17,679 Speaker 3: and we find out that Tommy is. 181 00:10:17,679 --> 00:10:19,160 Speaker 2: There, holy crap. 182 00:10:19,320 --> 00:10:22,440 Speaker 3: And the person who led them as a woman named Maria. 183 00:10:22,920 --> 00:10:26,080 Speaker 3: We don't know the significance, but she seems to know Joel. 184 00:10:26,960 --> 00:10:30,320 Speaker 3: Here they take Ellie to get cleaned up while Joel 185 00:10:30,360 --> 00:10:32,880 Speaker 3: sits and talks to Tommy and Maria. 186 00:10:33,640 --> 00:10:36,400 Speaker 2: We here we also discover them Maria's his wife. 187 00:10:36,760 --> 00:10:40,079 Speaker 3: And because Joel is Joel, he can't be happy for anybody. 188 00:10:40,280 --> 00:10:44,680 Speaker 3: And Joel Ellie is like, well, congratulations, and here she's 189 00:10:44,720 --> 00:10:47,559 Speaker 3: like telling them congratulations, and of course he does the 190 00:10:47,920 --> 00:10:49,920 Speaker 3: voice of congratulations. 191 00:10:50,600 --> 00:10:51,520 Speaker 2: And that's how we move on. 192 00:10:51,679 --> 00:10:54,560 Speaker 3: And then we see that the children of this town 193 00:10:55,360 --> 00:10:58,199 Speaker 3: is finding Ellie odd because she is very loud, outspoken 194 00:10:58,240 --> 00:11:00,080 Speaker 3: and cursing and all these things. 195 00:11:00,240 --> 00:11:01,560 Speaker 2: Like what who are you? 196 00:11:02,040 --> 00:11:06,240 Speaker 3: They are very intrigued and they have to explain. Maria 197 00:11:06,320 --> 00:11:10,000 Speaker 3: explains that the kids aren't used to kids like you. 198 00:11:10,559 --> 00:11:12,719 Speaker 3: That's how I leave it. There might have been a 199 00:11:12,760 --> 00:11:15,240 Speaker 3: cameo by someone that I didn't realize was there. But 200 00:11:15,320 --> 00:11:19,160 Speaker 3: maybe we're moving on there. We go on to see 201 00:11:19,240 --> 00:11:22,560 Speaker 3: that Tommy and Joel go to a bar to have 202 00:11:22,600 --> 00:11:26,640 Speaker 3: a conversation while Ellie is being cleaned up, takes a shower, 203 00:11:27,000 --> 00:11:30,559 Speaker 3: gets some new clothes. There's a hoodie that and he's 204 00:11:30,679 --> 00:11:33,440 Speaker 3: very fond of that she wore for the viewing. 205 00:11:33,480 --> 00:11:36,160 Speaker 2: That looks exactly like it so it doesn't zip up. 206 00:11:36,480 --> 00:11:43,840 Speaker 1: Sorry, yes, well in a game, it doesn't. Okay, good 207 00:11:43,880 --> 00:11:45,120 Speaker 1: to note I did. 208 00:11:45,280 --> 00:11:50,360 Speaker 3: I got very We're sure it's worth hundreds of thousands 209 00:11:50,360 --> 00:11:50,800 Speaker 3: of dollars. 210 00:11:51,960 --> 00:11:53,079 Speaker 2: But then we find. 211 00:11:52,800 --> 00:11:55,880 Speaker 3: Out during the bar at the bar scene, like he's like, 212 00:11:56,000 --> 00:11:58,120 Speaker 3: we gotta go, why are you here, Let's leave. I 213 00:11:58,320 --> 00:12:02,040 Speaker 3: came to rescue, you know, being funny. And then it 214 00:12:02,120 --> 00:12:06,600 Speaker 3: turns out Tommy is expecting a kid. Maria's pregnant rot Roe, 215 00:12:06,760 --> 00:12:09,120 Speaker 3: which is a deviation from the game, just an fyi, 216 00:12:09,920 --> 00:12:14,720 Speaker 3: and so that's like he doesn't say congratulations, nothing, and 217 00:12:14,800 --> 00:12:16,240 Speaker 3: Tommy's like, I hope I make a good father, and 218 00:12:16,240 --> 00:12:17,640 Speaker 3: he was like, I guess we'll find out. 219 00:12:18,200 --> 00:12:20,200 Speaker 2: Not cool, bro, Not cool. 220 00:12:21,000 --> 00:12:23,920 Speaker 3: We go back to Ellie, who is all clean and refreshed, 221 00:12:23,960 --> 00:12:26,839 Speaker 3: and we see this layout of clothes for her again, 222 00:12:26,960 --> 00:12:29,400 Speaker 3: that hoodie we just talked about and a diva cup 223 00:12:29,760 --> 00:12:30,440 Speaker 3: very important. 224 00:12:30,480 --> 00:12:32,520 Speaker 2: I really like that detail BT dubs. 225 00:12:33,200 --> 00:12:36,120 Speaker 3: She comes downstairs and this is Tommy and Maria's place, 226 00:12:36,480 --> 00:12:38,800 Speaker 3: and we see a little shrine with the name Sarah 227 00:12:38,840 --> 00:12:42,480 Speaker 3: and Kevin, and if you know, you know that Sarah 228 00:12:42,679 --> 00:12:46,280 Speaker 3: is Joel's kid, and so they Tommy obviously put that there, and. 229 00:12:46,240 --> 00:12:49,520 Speaker 2: We find out that Kevin is u Maria's kid who 230 00:12:49,600 --> 00:12:50,000 Speaker 2: had died. 231 00:12:50,960 --> 00:12:53,720 Speaker 3: At this point, she kind of has a banter moment 232 00:12:53,800 --> 00:12:56,600 Speaker 3: with Ellie which Ellie is like, thanks for the weird gift, 233 00:12:56,600 --> 00:12:58,800 Speaker 3: the diva cup, and She's like, she'll let you want 234 00:12:58,840 --> 00:13:03,560 Speaker 3: it someday. Is a good gaus her nice purple thick jacket. 235 00:13:04,320 --> 00:13:07,400 Speaker 3: Apparently Ellie doesn't like purple. I don't know, she just 236 00:13:07,559 --> 00:13:12,280 Speaker 3: is very purple. And then she talks about Kevin being 237 00:13:12,480 --> 00:13:16,240 Speaker 3: Maria's son, and then morning and then Maria kind of 238 00:13:16,480 --> 00:13:19,640 Speaker 3: eLink does does talk about Sarah to her to Ellie 239 00:13:19,679 --> 00:13:21,760 Speaker 3: because Ellie had no idea, she didn't even know who 240 00:13:21,760 --> 00:13:23,360 Speaker 3: she was, that he even had a kid. 241 00:13:23,440 --> 00:13:24,720 Speaker 2: So she gets that information. 242 00:13:25,040 --> 00:13:27,640 Speaker 3: She gets a haircut as well, find out that Maria 243 00:13:27,720 --> 00:13:30,600 Speaker 3: was an attorney once upon a time, but she really 244 00:13:30,640 --> 00:13:31,440 Speaker 3: liked cutting hair. 245 00:13:32,120 --> 00:13:33,559 Speaker 2: All of these things and then it was you. 246 00:13:33,520 --> 00:13:37,840 Speaker 3: Know, made a conversation about alluding to Joel's past not 247 00:13:37,920 --> 00:13:42,320 Speaker 3: being great, but Ellie's like, I know, don't worry about it. 248 00:13:42,360 --> 00:13:44,080 Speaker 3: I can take care of myself, and then she takes 249 00:13:44,080 --> 00:13:46,920 Speaker 3: her to the movie. So we're guessing at this point 250 00:13:46,920 --> 00:13:49,200 Speaker 3: in time the accus he probably didn't have all of 251 00:13:49,240 --> 00:13:51,640 Speaker 3: those types of things. So this was neat to see. 252 00:13:51,760 --> 00:13:55,000 Speaker 3: Whatever movie was playing, though sounded really awful. I don't know, 253 00:13:56,400 --> 00:13:59,520 Speaker 3: by the way, if you're watching on in this theater 254 00:13:59,600 --> 00:14:01,959 Speaker 3: scene and there's a girl that she said next to 255 00:14:02,120 --> 00:14:03,920 Speaker 3: was the one that was giving her weird looks or 256 00:14:04,120 --> 00:14:07,280 Speaker 3: was watching her closely and was weirded out by at 257 00:14:07,320 --> 00:14:10,319 Speaker 3: the beginning, and when she first comes in, you need 258 00:14:10,360 --> 00:14:14,280 Speaker 3: to know her. Gona say that, okay, And so at 259 00:14:14,280 --> 00:14:18,200 Speaker 3: this point in time, Tommy's trying to find Joel because 260 00:14:18,240 --> 00:14:20,840 Speaker 3: Joel of course disappears because Joel is Joel being sad 261 00:14:20,920 --> 00:14:24,920 Speaker 3: murdered at and Joel is in I guess, uh, what's 262 00:14:25,040 --> 00:14:27,840 Speaker 3: a shoe or player of plays trying to repair his boots. 263 00:14:27,960 --> 00:14:29,960 Speaker 3: But Tommy comes and gives them a new pair and 264 00:14:29,960 --> 00:14:32,200 Speaker 3: he's like, I got you this, and they have a 265 00:14:32,240 --> 00:14:36,400 Speaker 3: real upfront conversation and here we find Joel freaking out, 266 00:14:36,440 --> 00:14:39,400 Speaker 3: thinking that he's pretty much getting too old, afraid that 267 00:14:39,440 --> 00:14:41,400 Speaker 3: he's going to get her killed, and afraid that he's 268 00:14:41,400 --> 00:14:44,160 Speaker 3: going to see another person, another child die who he 269 00:14:44,600 --> 00:14:48,040 Speaker 3: regards and loves dearly. So he's trying to get Tommy 270 00:14:48,320 --> 00:14:50,560 Speaker 3: to go and take Ellie. 271 00:14:50,600 --> 00:14:52,720 Speaker 2: After Joel reveals. 272 00:14:52,320 --> 00:14:54,760 Speaker 3: That she is immune, tells him everything that happened through 273 00:14:54,760 --> 00:14:57,120 Speaker 3: in the past and all these things and how important 274 00:14:57,120 --> 00:14:59,480 Speaker 3: it is, and it finally admits a test died. But 275 00:14:59,560 --> 00:15:02,280 Speaker 3: by the way, at the very beginning, Tommy's like house tests, 276 00:15:02,320 --> 00:15:04,000 Speaker 3: and of course jop is like. 277 00:15:03,920 --> 00:15:07,400 Speaker 2: Oh, it's fine, what the hell and moving. 278 00:15:07,120 --> 00:15:10,920 Speaker 3: On, And so it is decided that Tommy will take 279 00:15:10,960 --> 00:15:16,920 Speaker 3: her to the hospital to the fireflies. Unbeknownst to them, 280 00:15:17,280 --> 00:15:19,720 Speaker 3: Ellie had been listening. So when he goes to the 281 00:15:19,800 --> 00:15:23,520 Speaker 3: house where they are staying currently, Ellie says. 282 00:15:23,320 --> 00:15:24,680 Speaker 2: You know, why didn't you just ditch me? 283 00:15:25,280 --> 00:15:27,280 Speaker 3: And this scene plays out which we do see this 284 00:15:27,400 --> 00:15:31,200 Speaker 3: line by line I believe in the game, in which 285 00:15:31,240 --> 00:15:33,520 Speaker 3: he's just like, you know, I didn't trust anyone. You're 286 00:15:33,560 --> 00:15:36,560 Speaker 3: the only one. I've lost so money people, and he's like, 287 00:15:36,600 --> 00:15:39,920 Speaker 3: you don't know, law stop talking about Sarah. 288 00:15:39,200 --> 00:15:40,160 Speaker 2: And he's wrong. 289 00:15:40,280 --> 00:15:43,600 Speaker 3: By the way, he's wrong that just because you have 290 00:15:43,720 --> 00:15:47,040 Speaker 3: lost some daughter doesn't negate anybody else's loss, just to 291 00:15:47,080 --> 00:15:48,760 Speaker 3: go ahead and put that out there. So he's like, 292 00:15:48,800 --> 00:15:50,920 Speaker 3: I don't want to do, you know, put you in danger. 293 00:15:51,040 --> 00:15:53,440 Speaker 3: This is for you. And then when he gets mad, 294 00:15:53,560 --> 00:15:56,480 Speaker 3: he pushes her away and walks out, and she's sad. 295 00:15:56,560 --> 00:15:59,280 Speaker 3: And by the way, that diary scene does happen also 296 00:15:59,360 --> 00:16:00,920 Speaker 3: in the game, because she's like, oh, that is all 297 00:16:00,960 --> 00:16:04,680 Speaker 3: they worried about is boys and matching clothes. That's so odd. 298 00:16:05,760 --> 00:16:08,760 Speaker 3: And so we come into the morning, she's sitting waiting. 299 00:16:08,840 --> 00:16:11,400 Speaker 3: Tommy comes to get her. They go to for the horses. 300 00:16:11,640 --> 00:16:13,760 Speaker 3: Joel was sitting there with a horse and he's like, well, 301 00:16:13,800 --> 00:16:15,880 Speaker 3: I was trying to steal a horse, and which Tommy's like, 302 00:16:15,880 --> 00:16:17,800 Speaker 3: we would have given you a horse, but you know, 303 00:16:17,920 --> 00:16:20,360 Speaker 3: Joel is Joel, and so he's like, you know, I've 304 00:16:20,360 --> 00:16:22,360 Speaker 3: been sitting here for thirty minutes, and she's like, what 305 00:16:22,360 --> 00:16:24,040 Speaker 3: does that mean. He's like, you know, I'm going to 306 00:16:24,080 --> 00:16:25,520 Speaker 3: give you a choice, and she's like, yeah, let's go, 307 00:16:25,680 --> 00:16:27,600 Speaker 3: me and you, Me and you. So they hop on 308 00:16:28,040 --> 00:16:30,960 Speaker 3: they ride off the horse together and I believe they 309 00:16:30,960 --> 00:16:33,160 Speaker 3: talked about a baby horse that's shimmer. 310 00:16:33,440 --> 00:16:35,280 Speaker 1: Shimmer, Yeah, Shimmer. 311 00:16:34,920 --> 00:16:37,120 Speaker 2: Sticks around y'all, just because you need to know. 312 00:16:38,200 --> 00:16:40,160 Speaker 3: All these animals are not really important, but there are 313 00:16:40,200 --> 00:16:43,200 Speaker 3: like they use these neighbor I mean, like it could 314 00:16:43,200 --> 00:16:45,480 Speaker 3: have been anything, like if they had diverted from those, 315 00:16:45,480 --> 00:16:47,600 Speaker 3: it wouldn't have been a big deal. But they holding 316 00:16:47,640 --> 00:16:50,560 Speaker 3: close to the game, but putting these even like animal 317 00:16:51,320 --> 00:16:54,280 Speaker 3: as the actual ones. So be, and we move on 318 00:16:54,360 --> 00:16:57,360 Speaker 3: and they're riding and they get to the hospital. But 319 00:16:57,400 --> 00:17:00,000 Speaker 3: in between this they're having a lot of like interactions 320 00:17:00,040 --> 00:17:01,880 Speaker 3: that he tries to teach her how to use the gun, 321 00:17:02,400 --> 00:17:05,119 Speaker 3: talks about how he what he really wants in the future, and. 322 00:17:05,200 --> 00:17:09,080 Speaker 2: Not being a sheep hurting farmer. So it was really sweet. 323 00:17:09,119 --> 00:17:11,800 Speaker 3: You see them really getting close at this point. 324 00:17:12,520 --> 00:17:16,000 Speaker 2: And then we come to the hospital. Oh there's no guards. 325 00:17:16,080 --> 00:17:18,600 Speaker 3: They go in and we him see him pick up 326 00:17:18,600 --> 00:17:21,639 Speaker 3: a note, which finally that's in the game. He picks 327 00:17:21,680 --> 00:17:24,280 Speaker 3: up the notes to show that they had all left. 328 00:17:24,320 --> 00:17:28,600 Speaker 3: They'd abandoned very quickly because something had happened. And so 329 00:17:28,880 --> 00:17:31,920 Speaker 3: also she sees animals like monkeys, which is like that's 330 00:17:31,920 --> 00:17:34,360 Speaker 3: the thing which we've all had the debate about like, well, 331 00:17:34,400 --> 00:17:37,160 Speaker 3: can the monkeys be can the animals be infected? 332 00:17:37,600 --> 00:17:40,600 Speaker 2: I guess not? Moving on, and. 333 00:17:40,560 --> 00:17:43,240 Speaker 3: They hear noises more monkeys, and then they look outside 334 00:17:43,280 --> 00:17:46,800 Speaker 3: and realize, oh, raiders. So they try to sneak away, 335 00:17:47,200 --> 00:17:49,440 Speaker 3: even though I think their horse has already been spotted. 336 00:17:49,520 --> 00:17:52,200 Speaker 3: But as they do, someone comes running to attack Joel. 337 00:17:52,600 --> 00:17:56,000 Speaker 3: They get into a fight. Joel brace's neck real gruesome, 338 00:17:56,880 --> 00:17:59,600 Speaker 3: turns around and oh my god, he's been stabbed. We 339 00:17:59,640 --> 00:18:02,399 Speaker 3: see the apparently he didn't feel it. And then the 340 00:18:02,440 --> 00:18:05,240 Speaker 3: rest of the crew come out running. All they get 341 00:18:05,240 --> 00:18:07,800 Speaker 3: in the horse to run away. She fired some shots. 342 00:18:08,080 --> 00:18:10,399 Speaker 3: They think they got away, and the last thing we 343 00:18:10,440 --> 00:18:15,240 Speaker 3: see is Joel falling off the horse, in which she's 344 00:18:15,280 --> 00:18:17,480 Speaker 3: begging him that she doesn't know what she's going to 345 00:18:17,560 --> 00:18:20,159 Speaker 3: do alone. She can't survive alone, and for him to 346 00:18:20,240 --> 00:18:25,120 Speaker 3: open his eyes in the story, yeah, and and he's 347 00:18:25,160 --> 00:18:25,840 Speaker 3: crying a lot. 348 00:18:25,720 --> 00:18:31,720 Speaker 1: As It was funny because again we watched these together 349 00:18:32,440 --> 00:18:34,480 Speaker 1: and I got the question beforehand, like what is the 350 00:18:34,560 --> 00:18:38,439 Speaker 1: cry scale? And I was like, well, I feel like 351 00:18:38,520 --> 00:18:40,240 Speaker 1: it was going to count. It was going to depend 352 00:18:40,320 --> 00:18:43,920 Speaker 1: on how much they leaned into their what I called 353 00:18:43,960 --> 00:18:46,200 Speaker 1: the come to Jesus moment, which, by the way, Samantha 354 00:18:46,240 --> 00:18:48,080 Speaker 1: knows I was very annoying about it, but I called 355 00:18:48,080 --> 00:18:48,840 Speaker 1: what was gonna. 356 00:18:49,640 --> 00:18:53,960 Speaker 3: So I've gotten a few techs since then telling me 357 00:18:54,280 --> 00:18:54,880 Speaker 3: she called it. 358 00:18:55,080 --> 00:19:16,800 Speaker 1: I definitely yeah. So excellent. Recamp is always Samantha. There 359 00:19:16,920 --> 00:19:20,479 Speaker 1: is a lot to cover in this one, and just 360 00:19:20,560 --> 00:19:28,280 Speaker 1: to reiterate, there's only three episodes left, so we're moving 361 00:19:28,359 --> 00:19:31,520 Speaker 1: very quickly. We're moving very very quickly. A lot of 362 00:19:31,520 --> 00:19:33,719 Speaker 1: the things that I want to talk about overarching I'm 363 00:19:33,760 --> 00:19:36,560 Speaker 1: going to do in the final part whatever episodes we 364 00:19:36,600 --> 00:19:39,480 Speaker 1: do of the last episode, but just because I don't 365 00:19:39,480 --> 00:19:42,119 Speaker 1: want to spoil it, but so keep that in mind. 366 00:19:42,840 --> 00:19:45,040 Speaker 1: I did want to say the game, the first game 367 00:19:45,119 --> 00:19:49,160 Speaker 1: is split into seasons. Summer. It starts in summer. It's 368 00:19:49,160 --> 00:19:51,920 Speaker 1: the longest season. Winter is the third season, which is 369 00:19:51,920 --> 00:19:54,880 Speaker 1: where we are now. It's the scariest season in my opinion, 370 00:19:56,160 --> 00:19:58,280 Speaker 1: but we'll see if people feel like that. But the 371 00:19:58,320 --> 00:20:01,400 Speaker 1: seasons do get progressively short, so summer is the longest 372 00:20:01,440 --> 00:20:05,360 Speaker 1: and then fall, and so it's moving quickly. I did 373 00:20:05,400 --> 00:20:08,439 Speaker 1: want to call out the grumpy couple, Florence and Marlin. 374 00:20:08,880 --> 00:20:13,240 Speaker 1: They were excellent, amazing, yes, and I saw so many headlines. 375 00:20:13,760 --> 00:20:16,600 Speaker 1: So the next day I woke up really early and 376 00:20:16,680 --> 00:20:20,480 Speaker 1: I was just like reading headlines about that episode, and 377 00:20:20,560 --> 00:20:22,240 Speaker 1: so many were like I would just watch a whole 378 00:20:22,240 --> 00:20:30,080 Speaker 1: show that was just then. Agreed, Agreed, they were so good. 379 00:20:31,119 --> 00:20:34,440 Speaker 1: This is This is definitely a turning point with Joel 380 00:20:34,480 --> 00:20:38,800 Speaker 1: and Ellie's relationship in terms of like coming to coming 381 00:20:38,800 --> 00:20:42,600 Speaker 1: to terms with what they're going to be moving forward, 382 00:20:43,119 --> 00:20:48,080 Speaker 1: and uh, throughout is kind of this theme of like 383 00:20:48,560 --> 00:20:52,160 Speaker 1: Ellie asking Joel to teach her things and then eventually 384 00:20:52,240 --> 00:20:56,199 Speaker 1: Joel finally teaching her those things, like teaching her at 385 00:20:56,240 --> 00:21:01,320 Speaker 1: a hunt, teaching her how to shoot, all of that stuff. Certainly, 386 00:21:02,640 --> 00:21:08,760 Speaker 1: Jackson was cool to see a place that works, as 387 00:21:08,800 --> 00:21:11,400 Speaker 1: Ellie says, a place that works. And Marie and Maria 388 00:21:11,440 --> 00:21:13,879 Speaker 1: is one of my very favorites. She's played by Rutina 389 00:21:13,960 --> 00:21:16,720 Speaker 1: Elson in this from True Blood. 390 00:21:17,240 --> 00:21:20,840 Speaker 3: Yes, we were very excited to see her because it's 391 00:21:20,880 --> 00:21:23,280 Speaker 3: been I mean, she's been in several successful shows since then, 392 00:21:23,320 --> 00:21:27,399 Speaker 3: but we always love an icon coming back. So having 393 00:21:27,440 --> 00:21:29,000 Speaker 3: her being a part of the show, which I did 394 00:21:29,000 --> 00:21:33,480 Speaker 3: not expect. I knew about Nick Offerman and Melanie from Yellowjacket, 395 00:21:33,800 --> 00:21:37,960 Speaker 3: but I did not know that Routina was going to 396 00:21:38,000 --> 00:21:40,120 Speaker 3: be on this I am very excited to see her 397 00:21:40,240 --> 00:21:42,800 Speaker 3: and I will fight anyone who does not like her. 398 00:21:42,840 --> 00:21:44,640 Speaker 2: As Maria, she. 399 00:21:44,680 --> 00:21:49,000 Speaker 1: Was amazing and yeah, in the show, she's like kind 400 00:21:49,040 --> 00:21:52,480 Speaker 1: of like Sarah, a very white, blonde, blue eyed. So 401 00:21:52,560 --> 00:21:55,879 Speaker 1: this was a nice change of pace and like, she 402 00:21:56,000 --> 00:21:59,000 Speaker 1: did an excellent, excellent job. And Maria is one of 403 00:21:59,000 --> 00:22:01,439 Speaker 1: my very favorites. And she is another example of women 404 00:22:02,040 --> 00:22:05,399 Speaker 1: in this game series in the show being a leader, 405 00:22:05,440 --> 00:22:09,159 Speaker 1: like continuing to be these leaders even though she says, 406 00:22:09,200 --> 00:22:13,160 Speaker 1: like you know, we're democratically elected, which they are in Jackson. 407 00:22:13,280 --> 00:22:16,600 Speaker 1: She is like a very driving force, right and she's 408 00:22:16,840 --> 00:22:21,560 Speaker 1: very very respected in Jackson. And you do get a 409 00:22:21,560 --> 00:22:23,440 Speaker 1: lot more of her backstory than you do in the game, 410 00:22:23,520 --> 00:22:29,000 Speaker 1: like being the lawyer, the attorney, having a kid, all 411 00:22:29,040 --> 00:22:32,240 Speaker 1: of those things. It's kind of interesting because in the 412 00:22:32,280 --> 00:22:36,720 Speaker 1: game she uh, the game kind of plays out differently 413 00:22:36,760 --> 00:22:40,760 Speaker 1: with how the whole like I'm giving you Elie, Tommy, 414 00:22:40,800 --> 00:22:46,320 Speaker 1: please take her wherein like he convinces Tommy like, oh, 415 00:22:46,440 --> 00:22:48,879 Speaker 1: you have to take care. You care about this stuff. 416 00:22:48,880 --> 00:22:50,760 Speaker 1: I don't. We're going to talk more about the changes 417 00:22:50,760 --> 00:22:53,520 Speaker 1: they made with Joel's character in a second way like 418 00:22:54,520 --> 00:22:57,199 Speaker 1: and then Maria yelling at Joel like if he dies 419 00:22:57,320 --> 00:23:01,720 Speaker 1: and it's on you again, there's no old child's That 420 00:23:01,920 --> 00:23:05,800 Speaker 1: was an introduction, like Maria being pregnant was new for 421 00:23:05,880 --> 00:23:08,280 Speaker 1: the show. I still thought it was really interesting that 422 00:23:08,320 --> 00:23:11,280 Speaker 1: they included, like, be careful who you put your faith in. 423 00:23:11,359 --> 00:23:15,320 Speaker 1: That was Maria's advice right to Ellie after they sort 424 00:23:15,320 --> 00:23:20,919 Speaker 1: of had this contentious early a conversation about Joel, and 425 00:23:20,960 --> 00:23:23,480 Speaker 1: she doesn't trust Joel with Tommy that like in the game, 426 00:23:23,560 --> 00:23:26,000 Speaker 1: she doesn't in the show she doesn't. She knows about 427 00:23:26,040 --> 00:23:31,160 Speaker 1: the past that they had and it's not that she's 428 00:23:31,160 --> 00:23:35,080 Speaker 1: in any way like cruel, she just doesn't trust him. 429 00:23:35,200 --> 00:23:37,480 Speaker 3: She doesn't trust right, Well, if you've made up this 430 00:23:37,840 --> 00:23:42,400 Speaker 3: town which is flowing lovely and like nobody's out for themselves, 431 00:23:42,960 --> 00:23:46,400 Speaker 3: which and then you have someone who comes in who 432 00:23:46,520 --> 00:23:49,040 Speaker 3: still kind of has that mentality of being out you 433 00:23:49,080 --> 00:23:53,080 Speaker 3: don't know, because it only takes one bad faith move, 434 00:23:53,800 --> 00:23:56,600 Speaker 3: and if he's takes something from somebody, if he destroy something, 435 00:23:56,680 --> 00:24:00,000 Speaker 3: or if you less you know, those things can really 436 00:24:00,119 --> 00:24:02,800 Speaker 3: disrupt sore you. Bringing in someone who has a reputation 437 00:24:03,840 --> 00:24:06,959 Speaker 3: for doing whatever he needs to do to survive versus 438 00:24:07,000 --> 00:24:09,959 Speaker 3: helping a community survive, I would be weary doo. 439 00:24:11,119 --> 00:24:15,080 Speaker 1: Yeah, and it's not easy to make a place like 440 00:24:15,119 --> 00:24:19,199 Speaker 1: this in this apocalypse. And we'll also talk about this 441 00:24:19,200 --> 00:24:20,800 Speaker 1: more in the second but like we get kind of 442 00:24:20,840 --> 00:24:24,840 Speaker 1: a glimpse of Joel and Tommy's past and it's not pretty. 443 00:24:25,040 --> 00:24:28,160 Speaker 1: And I think that she's, you know, heard these conversations 444 00:24:28,200 --> 00:24:34,800 Speaker 1: with her husband about what went down, and is just 445 00:24:34,920 --> 00:24:38,159 Speaker 1: kind of being cautious with Ellie, like, hey, maybe you know, 446 00:24:39,320 --> 00:24:42,680 Speaker 1: just just have questions, just be a little be a 447 00:24:42,760 --> 00:24:47,159 Speaker 1: little wary about this. Also, yeah, the Diva cup. I 448 00:24:47,359 --> 00:24:52,400 Speaker 1: cannot tell you how many articles I was reading giggling 449 00:24:52,440 --> 00:24:56,359 Speaker 1: in my room, your room that I was staying yes 450 00:24:57,160 --> 00:25:01,720 Speaker 1: and about what is a diva cup? Because like CNN 451 00:25:01,760 --> 00:25:04,239 Speaker 1: wrote a whole article like are you confused about what 452 00:25:04,280 --> 00:25:06,200 Speaker 1: that item was? Here's what it is? 453 00:25:07,400 --> 00:25:08,680 Speaker 2: Wrong gosh. 454 00:25:09,000 --> 00:25:11,560 Speaker 3: Yeah, And I love that because you know our listeners 455 00:25:11,560 --> 00:25:14,040 Speaker 3: that y'all know exactly what it is. We've talked about 456 00:25:14,040 --> 00:25:16,040 Speaker 3: it for years, has been around for years, and yeah, 457 00:25:16,119 --> 00:25:17,879 Speaker 3: I was like, oh, that's that it would be the 458 00:25:17,920 --> 00:25:21,639 Speaker 3: smart way to go for that type of emergency. And 459 00:25:21,680 --> 00:25:23,639 Speaker 3: I'm really glad for the first time we see it 460 00:25:23,720 --> 00:25:25,600 Speaker 3: being addressed instead of. 461 00:25:25,560 --> 00:25:26,520 Speaker 1: Just being like everything's fine. 462 00:25:26,520 --> 00:25:28,240 Speaker 2: Women's bodies don't work like that. Stop it. 463 00:25:28,640 --> 00:25:32,120 Speaker 1: Mm hmmm. Well, I love that they did it. They 464 00:25:32,119 --> 00:25:34,920 Speaker 1: didn't know, like even with the Tampons in episode three, 465 00:25:34,960 --> 00:25:37,320 Speaker 1: they didn't a way where Elliott has like no shame 466 00:25:37,359 --> 00:25:40,119 Speaker 1: about it, right, you know, She's in front of this 467 00:25:40,200 --> 00:25:43,000 Speaker 1: kind of like manly man dude Joel and she's like, 468 00:25:43,520 --> 00:25:46,160 Speaker 1: I found this treasure of Tampon's, Like she doesn't care. 469 00:25:47,160 --> 00:25:51,919 Speaker 1: And Craig Mason, who's like the showrunner creator for television, 470 00:25:52,000 --> 00:25:56,720 Speaker 1: he said, when the pandemic first started, uh, he like 471 00:25:56,800 --> 00:26:00,000 Speaker 1: called his wife and was like, what do I get? Uh, 472 00:26:00,280 --> 00:26:03,520 Speaker 1: Tampon's pass dip, Like what do I do? Because he's 473 00:26:03,560 --> 00:26:06,720 Speaker 1: got daughters as well. Uh, And he thought like that 474 00:26:06,760 --> 00:26:10,479 Speaker 1: should be more represented and more normalized in something like 475 00:26:10,520 --> 00:26:13,360 Speaker 1: this where it is something she would need, Like it's. 476 00:26:14,480 --> 00:26:18,200 Speaker 3: Right, we heart normalizing periods. 477 00:26:18,480 --> 00:26:18,920 Speaker 2: Come on. 478 00:26:19,640 --> 00:26:21,320 Speaker 1: I love how she like picks it up and it 479 00:26:21,400 --> 00:26:24,080 Speaker 1: is like gross, but she's not like really grossed out 480 00:26:24,080 --> 00:26:25,400 Speaker 1: by it. She's kind of like, oh. 481 00:26:25,920 --> 00:26:27,480 Speaker 3: I mean I think we all did that in the 482 00:26:27,520 --> 00:26:29,600 Speaker 3: first time reaction to a divak, I was like, what 483 00:26:29,720 --> 00:26:30,000 Speaker 3: is this? 484 00:26:30,880 --> 00:26:31,879 Speaker 2: Oh? I don't like, oh. 485 00:26:31,760 --> 00:26:37,560 Speaker 4: Wait, you know it's like a right you Oh okay, 486 00:26:37,920 --> 00:26:39,879 Speaker 4: that's the reaction you have with the depicut thatt fart 487 00:26:39,920 --> 00:26:42,760 Speaker 4: because you don't realize how really well functioning it is. 488 00:26:43,720 --> 00:26:47,560 Speaker 1: Right well, it's true. It's just such a like fun 489 00:26:48,600 --> 00:26:51,760 Speaker 1: kind of interaction of you know, because it's not like 490 00:26:51,840 --> 00:26:56,640 Speaker 1: it's the most fun process at all. But but it's 491 00:26:56,760 --> 00:26:59,440 Speaker 1: nice to see a character be like, oh gross, but nice, 492 00:26:59,480 --> 00:26:59,880 Speaker 1: that's good. 493 00:27:00,200 --> 00:27:00,560 Speaker 3: I have it. 494 00:27:01,800 --> 00:27:06,119 Speaker 1: Yeah, And I also read that they put they made 495 00:27:06,520 --> 00:27:09,280 Speaker 1: the font that said menstrual solution on the front of 496 00:27:09,320 --> 00:27:11,199 Speaker 1: it larger so that people could read it. 497 00:27:11,480 --> 00:27:12,040 Speaker 2: I love it. 498 00:27:12,160 --> 00:27:15,240 Speaker 1: And yeah, coognized and said we do this all the 499 00:27:15,280 --> 00:27:18,760 Speaker 1: time and shows with things like guns where we never 500 00:27:18,800 --> 00:27:20,960 Speaker 1: explained how to load them or we never explain and 501 00:27:21,000 --> 00:27:22,720 Speaker 1: do that. Why do we have to explain what a 502 00:27:22,760 --> 00:27:27,840 Speaker 1: deep cup is to people? Which I love? Yeah, okay, 503 00:27:28,680 --> 00:27:30,440 Speaker 1: then I'm just going to run through some quick things 504 00:27:30,440 --> 00:27:32,520 Speaker 1: and if you've like played the games, are looked up 505 00:27:32,520 --> 00:27:34,159 Speaker 1: spoilers and you'll know what I'm talking about. But if 506 00:27:34,200 --> 00:27:36,919 Speaker 1: you haven't, then just keep it in the back of 507 00:27:36,920 --> 00:27:37,879 Speaker 1: your head or forget it. 508 00:27:38,359 --> 00:27:40,520 Speaker 3: You can forget it because it doesn't come around it's 509 00:27:40,560 --> 00:27:41,160 Speaker 3: not important. 510 00:27:41,200 --> 00:27:42,399 Speaker 2: It's just m. 511 00:27:44,080 --> 00:27:47,560 Speaker 1: Because there were a lot of Easter eggs in this one. 512 00:27:47,600 --> 00:27:52,840 Speaker 1: This was a like Easter egg packed episode. Dina, Oh 513 00:27:52,920 --> 00:27:55,359 Speaker 1: my goodness. I was so excited the next day. It 514 00:27:55,440 --> 00:27:56,920 Speaker 1: was like this first thing I've said to you, I 515 00:27:56,960 --> 00:28:04,439 Speaker 1: think shimmered a horse the jacket of the hoodie and 516 00:28:04,480 --> 00:28:08,040 Speaker 1: then the ranch was sheep. And also Joel saying like, 517 00:28:08,119 --> 00:28:11,080 Speaker 1: actually I'd like to be a musician. Yes, because in 518 00:28:11,119 --> 00:28:13,720 Speaker 1: the first episode we did, I was like the guitar. 519 00:28:13,960 --> 00:28:16,200 Speaker 2: The guitar. Yes, we don't. 520 00:28:16,440 --> 00:28:18,680 Speaker 3: I guess we don't have too many flashbacks of him 521 00:28:18,840 --> 00:28:21,160 Speaker 3: happy times. We just have the one of like how 522 00:28:21,200 --> 00:28:23,000 Speaker 3: it began, right. 523 00:28:23,280 --> 00:28:27,399 Speaker 1: Yeah, yeah, Well this brings us to kind of the 524 00:28:27,480 --> 00:28:30,200 Speaker 1: changes they've made with Joel's character in the show, which 525 00:28:30,240 --> 00:28:32,679 Speaker 1: I get why they made them, and I'll have my 526 00:28:32,800 --> 00:28:37,080 Speaker 1: thoughts in the final episode maybe or maybe the next one, 527 00:28:37,119 --> 00:28:41,320 Speaker 1: who knows, But they've made him softer. He's a he 528 00:28:41,520 --> 00:28:48,480 Speaker 1: is not nearly a soft are as open with his emotions, 529 00:28:48,600 --> 00:28:50,480 Speaker 1: which some of you listening you've never played the game, 530 00:28:50,520 --> 00:28:50,920 Speaker 1: I'd be. 531 00:28:50,840 --> 00:28:54,000 Speaker 2: Like, what we never see him cry no? 532 00:28:54,400 --> 00:28:59,600 Speaker 1: And that scene where he's like in front of Tommy 533 00:28:59,640 --> 00:29:03,240 Speaker 1: and cry no, never in a million years would have happened. 534 00:29:03,240 --> 00:29:06,280 Speaker 2: And we see him have regrets, yes, but never crying. 535 00:29:06,040 --> 00:29:08,360 Speaker 1: Yes, and even that when which we'll talk about in 536 00:29:08,360 --> 00:29:10,560 Speaker 1: a second because it's like famous, but this they're big 537 00:29:10,600 --> 00:29:14,560 Speaker 1: blowout with Ellie and Joel that he's even he's much 538 00:29:14,600 --> 00:29:18,600 Speaker 1: harsher in that in the game. But he doesn't that 539 00:29:18,720 --> 00:29:22,760 Speaker 1: we see he doesn't have panic attacks in the game. 540 00:29:23,120 --> 00:29:28,880 Speaker 1: I will say they do have a really good which 541 00:29:29,040 --> 00:29:30,960 Speaker 1: if you don't care about spoilers, we've talked about in 542 00:29:30,960 --> 00:29:33,160 Speaker 1: past episodes about the Last of Us. They do have 543 00:29:33,200 --> 00:29:37,640 Speaker 1: a really good depiction of trauma in these games. But 544 00:29:37,880 --> 00:29:42,080 Speaker 1: like this whole fear of failure, he's kind of freezing 545 00:29:42,200 --> 00:29:46,200 Speaker 1: up his like fear that his heart will stop. They 546 00:29:46,240 --> 00:29:51,960 Speaker 1: don't really explore that and his character he is, I mean, 547 00:29:52,040 --> 00:29:56,640 Speaker 1: like the trauma is always apparent. It's just he deals 548 00:29:56,680 --> 00:30:00,480 Speaker 1: with it in the very cut off way of I 549 00:30:00,520 --> 00:30:05,040 Speaker 1: will not befriend you. Child's all right, Like I think 550 00:30:06,160 --> 00:30:08,480 Speaker 1: a very sad murder dad, right. 551 00:30:08,440 --> 00:30:10,080 Speaker 2: Sad murder dad. I feel like too. 552 00:30:10,200 --> 00:30:13,760 Speaker 3: As the relationship developed in the game, you don't really 553 00:30:13,800 --> 00:30:17,160 Speaker 3: see that flip as easily it just like you see 554 00:30:17,160 --> 00:30:20,280 Speaker 3: the flip in the show we saw the flip. Of course, 555 00:30:20,320 --> 00:30:23,200 Speaker 3: it always happens at the most inopportune time. You were 556 00:30:23,200 --> 00:30:26,720 Speaker 3: getting too comfortable, audience, This is not going to end well, 557 00:30:26,960 --> 00:30:30,760 Speaker 3: and we just saw that with the ending on this episode, 558 00:30:32,040 --> 00:30:34,280 Speaker 3: which is what made you cry. But like all of 559 00:30:34,320 --> 00:30:37,320 Speaker 3: those things like that, we don't see that. I don't 560 00:30:37,320 --> 00:30:38,840 Speaker 3: feel like I built that up in the game. Maybe 561 00:30:38,840 --> 00:30:40,280 Speaker 3: it was just because it was I was watching it 562 00:30:40,320 --> 00:30:42,760 Speaker 3: as a game, but it didn't feel like that there 563 00:30:42,800 --> 00:30:45,080 Speaker 3: was a huge, like big moment. It just kind of 564 00:30:45,080 --> 00:30:50,240 Speaker 3: gradually happens, and we don't notice it until like when 565 00:30:50,240 --> 00:30:53,560 Speaker 3: he gets protective right right. 566 00:30:53,560 --> 00:30:57,480 Speaker 1: So in the game, which if you care about spoilers 567 00:30:57,480 --> 00:30:58,840 Speaker 1: in the game, this isn't much different. But if you 568 00:30:58,880 --> 00:31:03,640 Speaker 1: care about them, now the time to go. In the game, 569 00:31:03,680 --> 00:31:06,400 Speaker 1: he kind of like Ellie and Joel have their big fight. 570 00:31:06,800 --> 00:31:09,120 Speaker 1: She runs away, which he didn't do in the show. 571 00:31:09,280 --> 00:31:12,640 Speaker 1: She runs away, Tommy and Joel have to go find her. 572 00:31:14,640 --> 00:31:18,960 Speaker 1: They have their whole fight and it's not resolved, and 573 00:31:19,000 --> 00:31:23,440 Speaker 1: then Joel just kind of decides like he's just just 574 00:31:23,520 --> 00:31:26,120 Speaker 1: kind of like, Okay, I'll take her. You know what, 575 00:31:26,240 --> 00:31:33,640 Speaker 1: your wife scares me, I'll take her. That's what he says. 576 00:31:33,680 --> 00:31:36,760 Speaker 1: But there's not Yeah, there's not that big like moment 577 00:31:36,840 --> 00:31:41,320 Speaker 1: or confession from him all. It just sort of happens 578 00:31:41,360 --> 00:31:45,400 Speaker 1: something else that I noticed. And we've talked about this 579 00:31:45,440 --> 00:31:49,680 Speaker 1: in previous episodes too. They've definitely made it more realistic 580 00:31:49,680 --> 00:31:52,240 Speaker 1: in terms of like the affects your body would feel 581 00:31:53,720 --> 00:31:56,040 Speaker 1: living in this world and especially as you get older. 582 00:31:57,440 --> 00:32:00,480 Speaker 1: And Joel certainly has some internalized ableism, because he was 583 00:32:00,480 --> 00:32:02,320 Speaker 1: talking about like, you know, if I had just been 584 00:32:02,360 --> 00:32:05,000 Speaker 1: able to hurt this person here, this person but I'm deaf, 585 00:32:05,760 --> 00:32:09,000 Speaker 1: if I could have just moved faster, but I'm old, 586 00:32:09,240 --> 00:32:12,880 Speaker 1: I'm weak. He says, all I've ever done is fail 587 00:32:13,360 --> 00:32:17,640 Speaker 1: kind of just like really this thing hanging over him 588 00:32:17,720 --> 00:32:21,760 Speaker 1: that he's not good enough to protect this, to protect 589 00:32:21,800 --> 00:32:24,640 Speaker 1: this person, and he does. He doesn't do this in 590 00:32:24,680 --> 00:32:26,280 Speaker 1: the game either, but he kind of has a moment 591 00:32:26,280 --> 00:32:29,520 Speaker 1: where he's like, if I fail Ellie, like this is it. 592 00:32:29,680 --> 00:32:34,880 Speaker 1: She's like the possible cure for humankind. So this is 593 00:32:34,920 --> 00:32:37,120 Speaker 1: a huge deal and I need someone else who is 594 00:32:37,160 --> 00:32:39,960 Speaker 1: better than me to take it on, Like he's like 595 00:32:40,040 --> 00:32:43,360 Speaker 1: feeling that weight. You also see a lot of kind 596 00:32:43,400 --> 00:32:48,640 Speaker 1: of the Ghost of Sarah, the Specter of Sarah his 597 00:32:48,760 --> 00:32:52,560 Speaker 1: daughter hanging over this whole thing, like there's a flashback 598 00:32:52,640 --> 00:32:54,960 Speaker 1: where he thinks it's some of the flashback, but he 599 00:32:54,960 --> 00:32:59,760 Speaker 1: thinks he sees Sarah as an adult with a child 600 00:33:00,120 --> 00:33:02,200 Speaker 1: of her own, and it's like, oh, that's what I 601 00:33:02,240 --> 00:33:07,840 Speaker 1: could have had. Yeah. You see him kind of lying 602 00:33:07,880 --> 00:33:13,120 Speaker 1: about tests when him and Tommy have their confrontation about 603 00:33:13,200 --> 00:33:22,440 Speaker 1: like what Joel did to protect Tommy. Tommy says, life 604 00:33:22,440 --> 00:33:24,280 Speaker 1: stopped for you. It doesn't have to stop from me, 605 00:33:24,560 --> 00:33:28,040 Speaker 1: and kind of referencing the watch which stopped and he 606 00:33:28,080 --> 00:33:32,360 Speaker 1: still wears when Sarah got shot and died. You do 607 00:33:32,520 --> 00:33:38,160 Speaker 1: have Ellie learning about Sarah for the first time in 608 00:33:38,200 --> 00:33:41,120 Speaker 1: the game. It's a photograph she finds and him just 609 00:33:41,160 --> 00:33:44,520 Speaker 1: being totally unwilling to talk to her about it, not 610 00:33:44,600 --> 00:33:47,280 Speaker 1: wanting to deal with it. I did think it was 611 00:33:47,320 --> 00:33:51,200 Speaker 1: interesting in the kind of you know, behind the scenes 612 00:33:51,680 --> 00:33:55,320 Speaker 1: interview at the end where they were talking about the 613 00:33:55,360 --> 00:33:59,480 Speaker 1: differences between how Maria handled the loss of her child Kevin, 614 00:33:59,560 --> 00:34:02,960 Speaker 1: and how all handled the loss of Sarah, and also 615 00:34:03,000 --> 00:34:07,120 Speaker 1: the similarities of Ellie and Joel and how they handle 616 00:34:07,200 --> 00:34:09,080 Speaker 1: loss because Ellie is kind of like, Hey, I'm sorry 617 00:34:09,080 --> 00:34:12,400 Speaker 1: for your loss, but I've lost people too, so that's interesting. 618 00:34:13,880 --> 00:34:14,000 Speaker 3: Uh. 619 00:34:14,360 --> 00:34:16,480 Speaker 1: But yeah, you also did. We did get to this 620 00:34:16,560 --> 00:34:20,759 Speaker 1: big Tommy reunion, and one of the things about that 621 00:34:20,880 --> 00:34:24,279 Speaker 1: is Joel's been so concerned about you know, Tommy, and 622 00:34:24,320 --> 00:34:26,719 Speaker 1: he's like, I gotta go save them, and it turns 623 00:34:26,800 --> 00:34:32,160 Speaker 1: out Tommy's doing well. He's doing like quite well. You 624 00:34:32,239 --> 00:34:37,120 Speaker 1: do get some hints at they're very very dark past, uh, 625 00:34:37,160 --> 00:34:40,919 Speaker 1: And there are a couple of like in like more 626 00:34:40,960 --> 00:34:43,080 Speaker 1: Easter eggs, like the stealth kill as you were talking 627 00:34:43,120 --> 00:34:46,320 Speaker 1: about when he breaks that guy's neck. When Joel breaks 628 00:34:46,320 --> 00:34:48,839 Speaker 1: that guy's neck, that's how you stealth's kill on the game. 629 00:34:48,920 --> 00:34:51,600 Speaker 1: And then also the map trick that they do at 630 00:34:51,640 --> 00:34:52,120 Speaker 1: the beginning. 631 00:34:53,719 --> 00:34:56,680 Speaker 2: Oh oh, that's right, I forgot that that scene. 632 00:34:56,800 --> 00:34:59,080 Speaker 3: I do remember them being like at the very beginning, 633 00:34:59,160 --> 00:35:01,839 Speaker 3: like she told me, if yours is different, you're dead. 634 00:35:02,680 --> 00:35:04,000 Speaker 2: Yeah, it does happen in the game. 635 00:35:04,520 --> 00:35:22,319 Speaker 1: It does, indeed. Uh. And then yes, the come to 636 00:35:22,480 --> 00:35:26,319 Speaker 1: Jesus moment. Like throughout this episode, as I said, like 637 00:35:26,360 --> 00:35:30,000 Speaker 1: you see kind of Ellie being like, hey, if she says, 638 00:35:30,120 --> 00:35:34,399 Speaker 1: if you're dead, I'm to Joel, and then they have 639 00:35:34,560 --> 00:35:38,080 Speaker 1: this huge fight which kind of cracked me up. But 640 00:35:38,200 --> 00:35:41,160 Speaker 1: in the post interview thing. They were saying, it's the 641 00:35:41,200 --> 00:35:43,400 Speaker 1: most famous scene in the game. I guess, so, I 642 00:35:43,400 --> 00:35:47,960 Speaker 1: mean it stuck with me. Yeah, but it is exactly 643 00:35:48,080 --> 00:35:51,520 Speaker 1: almost exactly like you can watch us side by side 644 00:35:52,800 --> 00:35:56,040 Speaker 1: like the game, but where Ellie's like essentially like, admit 645 00:35:56,160 --> 00:35:58,040 Speaker 1: you wanted to leave me this whole time. You've wanted 646 00:35:58,080 --> 00:36:02,480 Speaker 1: to dish me this whole time, not Sarah like if 647 00:36:02,520 --> 00:36:05,920 Speaker 1: you can say anything you want, but you're the only 648 00:36:05,920 --> 00:36:08,359 Speaker 1: one who hasn't left me, and if you do, I'm 649 00:36:08,360 --> 00:36:10,200 Speaker 1: just gonna be more afraid. Like, don't say it's better 650 00:36:10,239 --> 00:36:12,960 Speaker 1: for me. I will say, if you get a chance, 651 00:36:13,600 --> 00:36:16,040 Speaker 1: you should look at the posters and stuff in the 652 00:36:16,120 --> 00:36:17,640 Speaker 1: room she's in, because it's the room of like a 653 00:36:17,640 --> 00:36:20,880 Speaker 1: teenage girl before the pandemic, and there's like a like 654 00:36:21,480 --> 00:36:25,000 Speaker 1: list of hottest boys, like at least posters from things. 655 00:36:25,400 --> 00:36:29,080 Speaker 1: But in the game you see Ellie constantly confused about 656 00:36:30,120 --> 00:36:34,000 Speaker 1: things like that where she finds this like modeling poster 657 00:36:34,160 --> 00:36:36,759 Speaker 1: and she's like, why did women feel like they had 658 00:36:36,800 --> 00:36:38,520 Speaker 1: to be so thin? That doesn't make sense. I would 659 00:36:38,520 --> 00:36:40,759 Speaker 1: give anything to have food and not be worried about this. 660 00:36:42,360 --> 00:36:46,920 Speaker 1: The vampire romance movies, she doesn't get so that was 661 00:36:47,000 --> 00:36:50,400 Speaker 1: kind of a fun little nod to that. Well no, 662 00:36:50,480 --> 00:36:55,880 Speaker 1: and after the show thing, they cuignized and said, like, 663 00:36:55,960 --> 00:37:00,799 Speaker 1: you know, Joel makes Ellie feel less afraid, but she 664 00:37:01,040 --> 00:37:04,520 Speaker 1: makes him feel more afraid because it's something you can 665 00:37:04,600 --> 00:37:08,200 Speaker 1: lose that he's experienced before. And we also get to 666 00:37:08,239 --> 00:37:10,400 Speaker 1: see Ellie's fear of ending up alone, which is her 667 00:37:10,440 --> 00:37:13,600 Speaker 1: greatest fear kind of playing out. I did think it 668 00:37:13,600 --> 00:37:16,240 Speaker 1: was interesting because when Joel's like, you deserve a choice, 669 00:37:16,320 --> 00:37:18,719 Speaker 1: like I think you'd be better off with Tommy, but 670 00:37:18,760 --> 00:37:21,080 Speaker 1: if you want to go with me, and she's immediately like, yes, 671 00:37:21,160 --> 00:37:24,319 Speaker 1: let's go, And that wasn't in the game either. He 672 00:37:24,440 --> 00:37:27,440 Speaker 1: just kind of was like, get all the worse right, 673 00:37:27,840 --> 00:37:31,640 Speaker 1: We're going together. And then yeah, you do get to 674 00:37:31,640 --> 00:37:36,000 Speaker 1: see kind of this montage of them bonding, of him 675 00:37:36,000 --> 00:37:39,280 Speaker 1: teaching her things, of him opening up finally about like, actually, 676 00:37:39,280 --> 00:37:41,440 Speaker 1: I'd rather than be a singer if I can be anything. 677 00:37:41,600 --> 00:37:46,319 Speaker 1: He even smiled at one point, WHOA. And we're going 678 00:37:46,360 --> 00:37:48,000 Speaker 1: to talk about this more in the next episode. But 679 00:37:48,120 --> 00:37:50,960 Speaker 1: the inspiration of the entire game is kind of We're 680 00:37:51,000 --> 00:37:55,480 Speaker 1: almost at that, and it kind of happens in this mysterious. 681 00:37:55,560 --> 00:37:57,320 Speaker 1: I won't say more, but we'll talk about that in 682 00:37:57,360 --> 00:37:59,919 Speaker 1: the next one, and then we do get to see 683 00:38:00,080 --> 00:38:02,840 Speaker 1: I'm starting, yeah, starting to think of like the future, 684 00:38:02,920 --> 00:38:07,120 Speaker 1: what could it be like post infection where Joel says, 685 00:38:07,200 --> 00:38:09,759 Speaker 1: you know, yeah, once this ranch was sheep and then 686 00:38:09,800 --> 00:38:12,759 Speaker 1: actually no, I want to be a musician, and Ellie says, 687 00:38:12,800 --> 00:38:15,240 Speaker 1: I want to be an astronut and she she brings 688 00:38:15,320 --> 00:38:20,040 Speaker 1: up Sally Ride, which was great, and she is super 689 00:38:20,040 --> 00:38:25,720 Speaker 1: into into space in the in the game, and Sarah 690 00:38:25,800 --> 00:38:30,960 Speaker 1: was also really into that stuff, so there's that. Also, 691 00:38:31,880 --> 00:38:35,960 Speaker 1: the sad song that's playing at the end was the 692 00:38:36,320 --> 00:38:38,919 Speaker 1: Depeche Mode song I'm taking a Ride with my best friend. 693 00:38:38,960 --> 00:38:40,360 Speaker 1: I don't think it's called that, but you do know 694 00:38:40,400 --> 00:38:44,120 Speaker 1: what I'm talking about from the first episode, But they 695 00:38:44,120 --> 00:38:47,400 Speaker 1: did it again and it was Keaigmuizen's daughter and he 696 00:38:47,480 --> 00:38:49,279 Speaker 1: was like, I felt like it would be appropriate where 697 00:38:49,320 --> 00:38:51,719 Speaker 1: because the lyrics are kind of like, I hope he 698 00:38:51,760 --> 00:38:55,560 Speaker 1: never lets me down again, and it's the daughter singing 699 00:38:55,600 --> 00:39:00,279 Speaker 1: it this time, and it's h Also, there was definitely 700 00:39:00,400 --> 00:39:04,719 Speaker 1: a nod to Linda Ronstatz A long long time when 701 00:39:04,840 --> 00:39:07,640 Speaker 1: Tommy Angel were you not If I watched this episode 702 00:39:07,680 --> 00:39:11,640 Speaker 1: like eight times, Yes I have. I don't want to 703 00:39:11,680 --> 00:39:13,200 Speaker 1: say I don't think I'm going to go into this 704 00:39:13,239 --> 00:39:14,759 Speaker 1: too much in this one, but I do want to 705 00:39:14,760 --> 00:39:16,799 Speaker 1: come back to this because I feel like I was 706 00:39:16,960 --> 00:39:21,359 Speaker 1: very interested in what would happen in terms of the 707 00:39:21,400 --> 00:39:26,919 Speaker 1: fandoms between the gamers and people who hadn't played the game, 708 00:39:27,200 --> 00:39:29,880 Speaker 1: who were just watching the show, and I'm I'm starting 709 00:39:29,880 --> 00:39:33,600 Speaker 1: to see it play out. So I do want to 710 00:39:34,040 --> 00:39:37,680 Speaker 1: revisit that it was going to be a movie by 711 00:39:37,719 --> 00:39:39,760 Speaker 1: Sam Ramie. I don't know if I ever said that. 712 00:39:39,760 --> 00:39:40,600 Speaker 2: That's disturbing. 713 00:39:41,320 --> 00:39:44,839 Speaker 1: Yeah, well, and Neil Druckman, the creator of the game, 714 00:39:45,000 --> 00:39:48,279 Speaker 1: was like, no, no, no no. But I just think 715 00:39:48,360 --> 00:39:50,759 Speaker 1: that's interesting given some of the conversations that a're playing 716 00:39:50,760 --> 00:39:54,360 Speaker 1: at right now. Also, I've seen a lot of articles 717 00:39:54,400 --> 00:39:59,560 Speaker 1: written about parasocial relationships about this. We are going to 718 00:39:59,600 --> 00:40:02,520 Speaker 1: come back and talk about that. It is interesting, but 719 00:40:03,440 --> 00:40:07,400 Speaker 1: that's for a later time in the meantime up next. 720 00:40:07,640 --> 00:40:09,840 Speaker 1: If you don't want any spoilers, I'm not gonna spoil it. 721 00:40:09,840 --> 00:40:11,560 Speaker 1: But if you don't want to even watch the trailer, 722 00:40:11,719 --> 00:40:13,719 Speaker 1: if you're that kind of person, then hop on out. 723 00:40:14,200 --> 00:40:18,239 Speaker 1: We're gonna see Riley. If you remember from the first episode, 724 00:40:18,320 --> 00:40:23,360 Speaker 1: Riley was mentioned mentioned again in the second episode, gonna 725 00:40:23,360 --> 00:40:28,560 Speaker 1: see kind of Ellie's past. We're gonna get more puns. 726 00:40:28,800 --> 00:40:31,640 Speaker 1: I believe that to be true. And we are arriving 727 00:40:31,680 --> 00:40:33,920 Speaker 1: at what I think is the scariest point in the game. 728 00:40:34,320 --> 00:40:36,080 Speaker 1: I don't think it'll be the next episode, but we're 729 00:40:36,120 --> 00:40:39,880 Speaker 1: getting there, so that's big exciting it. 730 00:40:39,760 --> 00:40:42,080 Speaker 3: Is, and of course we're just gonna hold our breath 731 00:40:42,160 --> 00:40:43,600 Speaker 3: and hope that everything turns out. 732 00:40:43,600 --> 00:40:51,040 Speaker 1: Okay, hmmm, yeah, well it is an apocalypse game, so 733 00:40:51,040 --> 00:40:52,560 Speaker 1: it I'm. 734 00:40:52,440 --> 00:40:56,920 Speaker 2: Sure more death. There's definitely more death. Yes, What do 735 00:40:56,960 --> 00:40:59,520 Speaker 2: you think on the crying scale would be for the 736 00:40:59,560 --> 00:41:03,600 Speaker 2: next episode? From one to ten? 737 00:41:04,400 --> 00:41:10,160 Speaker 1: Oh? Boy? Uh? I think it depends. I think if 738 00:41:10,160 --> 00:41:12,080 Speaker 1: you're I feel like I need to have two scales 739 00:41:12,120 --> 00:41:13,640 Speaker 1: because I feel like, if you're a crier like me 740 00:41:13,680 --> 00:41:16,080 Speaker 1: who loves the game, I put it at a five 741 00:41:16,160 --> 00:41:21,520 Speaker 1: to six. If you're not, I'd give it a four. Same. 742 00:41:22,800 --> 00:41:25,760 Speaker 1: But it also depends on what they do, because honestly, 743 00:41:25,840 --> 00:41:28,040 Speaker 1: like what they did with Bill and Frank wasn't in 744 00:41:28,120 --> 00:41:30,520 Speaker 1: the game like that, and it made me sup. 745 00:41:30,560 --> 00:41:33,239 Speaker 2: So there's some what's happening there's some flip. 746 00:41:33,360 --> 00:41:35,680 Speaker 1: There are there are some flips. 747 00:41:35,840 --> 00:41:37,560 Speaker 3: I know we're coming to an end, but before we do, 748 00:41:37,640 --> 00:41:42,120 Speaker 3: any would you like to share your favorite punro Will 749 00:41:42,160 --> 00:41:44,160 Speaker 3: Livingstone's pun book. 750 00:41:44,360 --> 00:41:46,400 Speaker 1: This isn't my favorite one. I'll get I'll bring the 751 00:41:46,400 --> 00:41:48,960 Speaker 1: pun book in next time. But one of my favorite 752 00:41:48,960 --> 00:41:53,160 Speaker 1: ones is what did the green grape say to the 753 00:41:53,160 --> 00:42:01,759 Speaker 1: Purple grape? Breathe you idiot? Perfect that's the top of 754 00:42:01,800 --> 00:42:07,759 Speaker 1: my head. Oh my well. Thank you as always to 755 00:42:07,920 --> 00:42:10,359 Speaker 1: everyone going on this journey, whether you've played the game, 756 00:42:10,480 --> 00:42:13,800 Speaker 1: seen the show, none of the above. We are having 757 00:42:13,840 --> 00:42:15,000 Speaker 1: I'm having a great. 758 00:42:14,760 --> 00:42:17,000 Speaker 2: Time, so we have a very time. 759 00:42:17,640 --> 00:42:21,800 Speaker 1: I'm very very excited for the next episode. I'm getting 760 00:42:21,800 --> 00:42:26,239 Speaker 1: more and more, like just so excited every time. So 761 00:42:26,280 --> 00:42:30,160 Speaker 1: this has been so fun. If you have any thoughts, 762 00:42:30,200 --> 00:42:34,640 Speaker 1: any favorite puns, you can send them to us. Our 763 00:42:34,760 --> 00:42:37,800 Speaker 1: email is a Stephania mom Stuff at iHeartMedia dot com. 764 00:42:38,080 --> 00:42:40,480 Speaker 1: You can find us on Twitter at mom Stuff podcast, 765 00:42:40,680 --> 00:42:42,759 Speaker 1: or on Instagram and TikTok, where you can see me 766 00:42:42,800 --> 00:42:46,400 Speaker 1: cry about the last of us. That's Stephmon never told you. 767 00:42:46,400 --> 00:42:49,080 Speaker 1: We're also on YouTube now if that's your thing. Thanks 768 00:42:49,080 --> 00:42:53,600 Speaker 1: as always, your super producer, Chris. Thank you and thanks 769 00:42:53,600 --> 00:42:56,080 Speaker 1: to you for listening stuff Never Told you sproplection of 770 00:42:56,080 --> 00:42:58,120 Speaker 1: iHeart Radio form podcast from my heart Radio. You can 771 00:42:58,160 --> 00:43:00,440 Speaker 1: check out the iHeartRadio, a Apple podcast you listen to 772 00:43:00,480 --> 00:43:01,200 Speaker 1: your favor shows