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Speaker 1: Rereadings at bien Veniels, Fellow seekers of the dark.

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Speaker 2: I'm Danny Threne.

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Speaker 1: Welcome to nocturnal tales from the Shadow. By the enchanted

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Speaker 1: frames of this fire, we transcend time and space to

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Speaker 1: enter the darkest depths of the Latin American imagination, legend

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Speaker 1: and lore, passed down through the years and retold with

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Speaker 1: a twist.

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Speaker 2: Tonight's inspiration comes from Guatemala, where the folks say young

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Speaker 2: women may sometimes find themselves visited by a tall man

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Speaker 2: dressed in black, big white brimed.

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Speaker 3: Hat, silver spur boots.

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Speaker 2: He sings beneath their window and pulls them into his spell.

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Speaker 4: But tonight that legend has traveled.

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Speaker 2: To the miss soaked town of the Pacific Northwest.

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Speaker 5: Okay, all right, come on in betta.

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Speaker 4: Thank you.

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Speaker 5: Take a seat.

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Speaker 6: Oh okay, surprise, you're choosing the left side of the couch.

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Speaker 5: Interesting.

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Speaker 7: I know I always sit on the right side. I

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Speaker 7: guess it's sort of stuck.

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Speaker 5: That is your spot. But what has gotten you unstuck today?

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Speaker 5: I don't know. Can I make a few observations please?

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Speaker 6: So first, it's been almost one year to the day

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Speaker 6: that you started your sobriety journey.

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Speaker 5: Oh, my God, you're right, it's huge.

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Speaker 6: And maybe moving from the right side of the couch

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Speaker 6: to the left is your psyche's way of telling us

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Speaker 6: that something major has shifted in you. Maybe, just maybe

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Speaker 6: something wants to be acknowledged by us in the room today.

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Speaker 7: Actually, yes, there is something I wanted to tell you about. God,

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Speaker 7: I feel like a teenager.

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Speaker 8: Okay, so spill it.

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Speaker 5: What is it?

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Speaker 7: Well, I met someone, Carmen, It's crazy. He's straight out

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Speaker 7: of a dream.

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Speaker 5: You met someone bt, Oh this is big? Wow? Wow?

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Speaker 5: How did you to me?

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Speaker 7: So? My best friend Luis dragged me to this weird

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Speaker 7: little open mic night over on Hawthorne. Okay, they only

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Speaker 7: serve mocktails, very Portland. So it was his attempt to,

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Speaker 7: you know, have a night out without the booze, the

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Speaker 7: booz booz. It was a sweet gesture, but to be honest,

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Speaker 7: I was so bored. Just a lot of amateurs now.

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Speaker 9: Roses red like my blood when when I lead violets,

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Speaker 9: blue like my lips when I forget to breathe. Love

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Speaker 9: is the ghost that.

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Speaker 10: I text in my in my sleep.

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Speaker 11: What okay, everybody, let's hear it for Bobby.

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Speaker 7: You see, though I don't know how much more of

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Speaker 7: this I can take?

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Speaker 12: Just pretend it's a comedy show.

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Speaker 4: Okay, shit, girl.

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Speaker 12: Don't be obvious, but we have a catch behind you

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Speaker 12: by the bar. Tll mysterious dressed in black boots for days. Okay,

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Speaker 12: and that happens. Looks like Zoro and Dracula had a

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Speaker 12: god little baby, hot goth baby.

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Speaker 7: Shut up. You're gonna make me spill my compata Sunrise

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Speaker 7: or whatever this is.

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Speaker 12: You better not, because he is definitely making eyes at you.

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Speaker 9: You guys ready for some more?

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Speaker 7: Next up, we have last.

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Speaker 10: Oh he's going to stay.

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Speaker 13: I dedicate this song for the.

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Speaker 4: Blood.

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Speaker 7: Wow?

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Speaker 5: Why is the.

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Speaker 13: Gray to my song?

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Speaker 4: Very bread to my show?

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Speaker 7: He's really good?

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Speaker 12: Oh she's done for.

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Speaker 5: Ah too?

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Speaker 13: Me bhm.

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Speaker 14: So so.

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Speaker 7: He looked into my eyes the entire night. I don't

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Speaker 7: even know how to explain it. It felt like there

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Speaker 7: was nobody else in the room.

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Speaker 8: That all.

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Speaker 5: It sounds very intense.

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Speaker 7: Yeah, it was in the best way, and it only

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Speaker 7: got better.

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Speaker 5: All right, Well tell me tell me, m.

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Speaker 7: M oh, what's wrong?

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Speaker 15: Tiger?

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Speaker 7: Are you hungry? Why? Okay, I'm gonna go shack Okay.

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Speaker 3: M h.

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Speaker 14: What are you doing here? It's the middle of the night.

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Speaker 4: I couldn't sleep. I kept thinking about your voice. Yes,

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Speaker 4: I need to see you. Can I come in?

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Speaker 14: Mmm?

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Speaker 7: Yes, but only if you can climb through my window.

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Speaker 16: Okay, I was kidding, Tiger, don't be mean.

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Speaker 7: It's just my friend.

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Speaker 4: It's that dull. I am a friend.

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Speaker 7: A friend. I want to kiss.

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Speaker 4: Your hair.

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Speaker 13: It's so long, so beautiful, like a river at night.

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Speaker 13: Let me braid it for you.

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Speaker 7: I let him braid my hair. I don't even let

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Speaker 7: my mother do that. His hands were so gentle and firm.

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Speaker 7: At the same time, we stayed up all nights talking talking.

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Speaker 17: M mom, what is it?

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Speaker 7: I was streaming.

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Speaker 10: I thought you were dead, Bronica. It's almost noon. You

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Speaker 10: haven't moved, you know.

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Speaker 17: Oh wow, mihah, you braided your hair. My little Puda,

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Speaker 17: all grown up.

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Speaker 7: I'm twenty five, mom.

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Speaker 17: So you're still my baby. You know you got your

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Speaker 17: grandmother's hair, thick and dark like mine, but your father's skin.

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Speaker 10: I s so see my getting ghita.

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Speaker 7: I hate it when you call me that.

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Speaker 10: You didn't sleep well.

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Speaker 17: Did you you look like a raccoon?

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Speaker 5: Jeez?

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Speaker 7: Thanks a lot.

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Speaker 17: What I'm just making an observation. I lift some cafecito

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Speaker 17: in the kitchen.

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Speaker 7: Ye love you, mom.

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Speaker 11: Hi, good morning, my princess. Tell me do you have

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Speaker 11: plans tonight?

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Speaker 7: Tonight? I can't. I have my an a meeting.

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Speaker 11: Please beat me by the river. I need to see you.

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Speaker 7: I can't.

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Speaker 11: Who needs an when you have Lazaro?

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Speaker 7: Fine, I'll do it. How do I feel like I'm

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Speaker 7: in a fairy tale with you? Is it bad that

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Speaker 7: I don't regret not going to NA tonight?

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Speaker 4: Do you know what?

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Speaker 1: I think?

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Speaker 13: That stuff is like a cult for weak people who

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Speaker 13: need something to cling to at all. Seriously, when I

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Speaker 13: look into your eyes, I don't see an addict. I

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Speaker 13: see a strong, beautiful woman who makes her own decisions.

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Speaker 7: Okay, that's It's very sweet of you.

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Speaker 14: M hmm.

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Speaker 7: It's like shit text from Louise. He's asking why, mister

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Speaker 7: n A. Is it okay if I call him real quick?

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Speaker 7: So who doesn't worry?

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Speaker 13: It'll We are here together beneath the stars, in this

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Speaker 13: sake moment that we'll never hold again. We need to

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Speaker 13: protect these moments. Put your phone away in.

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Speaker 7: My moment it's Luise.

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Speaker 13: Take on other people's worries. Breathe with me, Take a

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Speaker 13: deep breath, Holy, come to four now release for one, two, three, four.

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Speaker 7: Okay, I'm here with you.

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Speaker 4: If you want to go for a swim.

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Speaker 7: Jeff Right, it's October and an organ nobody swims. It's

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Speaker 7: freezing and oh it's sort of embarrassing. But I can't.

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Speaker 4: I can't swim, So then I'll teach you the coldest

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Speaker 4: part of the beauty. It wakes the soul.

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Speaker 13: Nobody can see us, but the moon don't be shy.

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Speaker 7: Okay, exactly freezing.

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Speaker 5: I can't.

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Speaker 4: You Just take my hand deep.

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Speaker 18: Sweet to me, you can do I can't.

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Speaker 7: I was drowning.

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Speaker 13: I would never let that happen. You surrendered to the river,

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Speaker 13: that's all. Look yow isn't cheap beautiful?

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Speaker 6: So things moved pretty fast between you and Lasaro. Maybe

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Speaker 6: too fast.

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Speaker 7: Not with him, he's he's different.

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Speaker 6: Yes, he's very romantic with you. Are you familiar with

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Speaker 6: the concept of love bombing?

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Speaker 7: Oh, it's not like that at all. Lats of time.

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Speaker 7: I was just old school, you know. He just really

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Speaker 7: sees me for who I am and makes me feel

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Speaker 7: like I belong somewhere.

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Speaker 6: That's that's powerful to feel seen, especially when you've spent

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Speaker 6: your life feeling in between.

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Speaker 5: Has your mom met him.

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Speaker 7: Uh, yeah, of course she likes him a lot.

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Speaker 5: That's wonderful. And your NA meetings, how are they going?

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Speaker 3: Oh?

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Speaker 7: Good, Yeah, they've they've been they've been good.

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Speaker 6: You're tired. You mentioned staying up all night. Is this

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Speaker 6: a pattern with you too?

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Speaker 7: I mean, we love the night. I've been feeling so

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Speaker 7: inspired by all the different sounds and the moon, and

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Speaker 7: since meeting him, I guess, I guess I don't just

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Speaker 7: I don't need as much sleep, as much sleep, as

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Speaker 7: much sleep. Maybe we should sleep, my love, it's.

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Speaker 4: So late, you know, we don't need as much sleep

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Speaker 4: as they say.

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Speaker 13: The night feeds us in waste the daytime cat, but

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Speaker 13: we have to learn to stay awake.

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Speaker 4: Let me show you something.

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Speaker 14: What h.

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Speaker 7: Oo velvet bouch mysterious?

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Speaker 4: What is that sugar?

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Speaker 13: Okay, harvested under the full moon, never exposed to sunlight.

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Speaker 4: Here, Open your mouth.

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Speaker 7: Mm hmmm mmmmm, so sweet but earthy somehow.

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Speaker 13: Close your eyes.

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Speaker 4: What do you feel?

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Speaker 7: I feel awake but also heavy. I don't know, but

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Speaker 7: it feels good. What is this magic sugar?

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Speaker 4: Mm hmm okay, just the magic of the moonlight.

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Speaker 3: Keep it with you.

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Speaker 13: Eat a little each night and you'll stay away together,

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Speaker 13: we feel everything.

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Speaker 4: The night has.

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Speaker 7: To Okay, I like that.

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Speaker 10: I like that, Vito, miha lit miha?

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Speaker 7: What is it?

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Speaker 10: M m mikha? Are you okay? You been't sleeping all day?

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Speaker 7: You look like I know raccoon. You said that last time.

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Speaker 14: I'm just tired.

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Speaker 7: Okay, your hands feel cold? I'm fine. Mom?

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Speaker 10: Where were you last night? You didn't come home until morning?

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Speaker 7: Is that what? Louise?

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Speaker 10: Are you still going to your meetings?

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Speaker 14: What?

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Speaker 5: Of course?

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Speaker 10: Why would you ask me that.

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Speaker 7: I have to get this?

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Speaker 10: Oh?

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Speaker 19: Who is that?

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Speaker 7: It's just a friend. Can I have some privacy?

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Speaker 5: Please? Sure?

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Speaker 10: Miha?

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Speaker 11: Hi mea Moore PRINCESSA how would you like to go

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Speaker 11: to a cabin with me next week? One midnight of

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Speaker 11: the eclipse?

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Speaker 3: Ooh a cabin?

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Speaker 7: Where is it?

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Speaker 11: It's a secret? Pack a bag for three days and

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Speaker 11: don't tell anyone.

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Speaker 7: Ooh secrets? How romantic? I can't wait.

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Speaker 5: Okay, okay, okay.

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Speaker 6: I I am glad to hear your feelings so inspired, Vetro,

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Speaker 6: But I wonder if that inspiration might also be pulling

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00:16:33,840 --> 00:16:36,800
Speaker 6: you out of balance. You've worked hard for your stability,

234
00:16:36,840 --> 00:16:39,560
Speaker 6: and I'd hate to see you lose that hope.

235
00:16:39,800 --> 00:16:43,080
Speaker 7: I'm not losing anything. I'm gaining so much. I feel

236
00:16:43,080 --> 00:16:45,200
Speaker 7: more loved and alive than ever.

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00:16:50,000 --> 00:16:53,720
Speaker 6: Well, there's our time, so same time next Friday.

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00:16:54,000 --> 00:16:57,800
Speaker 7: Actually, lass it on. I are going away for the eclipse.

239
00:16:59,400 --> 00:16:59,800
Speaker 5: Where you go?

240
00:17:00,480 --> 00:17:03,480
Speaker 7: It's a surprise, laws, it'll like surprises.

241
00:17:16,080 --> 00:17:18,480
Speaker 10: Mm hmm, I guess they packed the right shoes.

242
00:17:20,680 --> 00:17:21,680
Speaker 4: You're looking perfect?

243
00:17:23,800 --> 00:17:26,240
Speaker 7: Is this the cabin? I?

244
00:17:26,280 --> 00:17:28,480
Speaker 4: You don't like it?

245
00:17:28,480 --> 00:17:30,320
Speaker 7: It's it's an abandoned.

246
00:17:29,760 --> 00:17:37,320
Speaker 4: House exactly, a place owned by nobody. Like weed and insects.

247
00:17:38,080 --> 00:17:43,600
Speaker 4: It's perfect and tonight it's ours after you, my lady?

248
00:17:44,760 --> 00:17:45,439
Speaker 8: Is this is this?

249
00:17:45,480 --> 00:17:46,159
Speaker 10: It im legal?

250
00:17:46,720 --> 00:17:48,920
Speaker 7: That'd be like an airbnber or something.

251
00:17:51,080 --> 00:17:57,640
Speaker 10: H What does that smell?

252
00:17:58,720 --> 00:18:00,480
Speaker 3: It's like rotten eggs or something.

253
00:18:00,840 --> 00:18:03,439
Speaker 10: God, you don't make something dying here, do you?

254
00:18:04,840 --> 00:18:08,679
Speaker 13: I'm sure of it. It's the cycle of life, maam.

255
00:18:09,000 --> 00:18:13,600
Speaker 13: Rats raccoons they too have to die somewhere. But it's

256
00:18:13,680 --> 00:18:20,679
Speaker 13: nothing to fear. The smell of death. It opens the

257
00:18:20,720 --> 00:18:25,400
Speaker 13: senses if you let it. Society has become so sterile.

258
00:18:30,440 --> 00:18:32,480
Speaker 7: Wow, cats really hate you.

259
00:18:32,960 --> 00:18:35,080
Speaker 4: They are jealous creatures.

260
00:18:35,880 --> 00:18:39,400
Speaker 13: When they see a man with a beautiful woman, they

261
00:18:39,440 --> 00:18:40,240
Speaker 13: can't stand it.

262
00:18:41,880 --> 00:18:44,080
Speaker 4: Come, I want to show you something.

263
00:18:50,240 --> 00:18:54,200
Speaker 7: What is this room. So many candles?

264
00:18:55,880 --> 00:18:56,879
Speaker 3: Is that an altar?

265
00:18:57,320 --> 00:18:58,720
Speaker 4: It's for you?

266
00:19:05,440 --> 00:19:07,760
Speaker 14: No way, How did you do that?

267
00:19:07,800 --> 00:19:09,960
Speaker 7: How'd you light them without even touching them?

268
00:19:10,320 --> 00:19:12,359
Speaker 4: The moon taught me no.

269
00:19:12,680 --> 00:19:16,320
Speaker 7: Seriously, are they electric candles or something? How are you

270
00:19:16,400 --> 00:19:16,920
Speaker 7: doing this?

271
00:19:18,640 --> 00:19:24,359
Speaker 13: Please just sitah Mar. I have a very special song

272
00:19:24,520 --> 00:19:25,560
Speaker 13: I want to play for you.

273
00:19:26,040 --> 00:19:29,200
Speaker 7: Okay, you're full of surprises.

274
00:19:30,720 --> 00:19:34,320
Speaker 4: This song, it's very old and old song.

275
00:19:35,160 --> 00:19:40,640
Speaker 7: Lovers, there's an owl in the house.

276
00:19:41,480 --> 00:19:45,280
Speaker 4: Close your eyes, have more. Just listen to this song.

277
00:19:46,560 --> 00:19:46,960
Speaker 7: Let it in.

278
00:19:50,760 --> 00:20:03,919
Speaker 14: Love? Why it is them? To my song?

279
00:20:05,480 --> 00:20:09,399
Speaker 13: Grey a fresh to my.

280
00:20:13,520 --> 00:20:15,439
Speaker 1: B is the.

281
00:20:18,240 --> 00:20:19,679
Speaker 5: Widest, the.

282
00:20:22,200 --> 00:20:24,159
Speaker 10: Bye er too.

283
00:20:27,560 --> 00:20:31,080
Speaker 13: By, and so.

284
00:20:37,080 --> 00:20:40,000
Speaker 10: I feel I feel sizzier.

285
00:20:41,119 --> 00:20:42,240
Speaker 3: So I know this song.

286
00:20:43,880 --> 00:20:44,639
Speaker 7: I trumps of it.

287
00:20:45,600 --> 00:20:47,640
Speaker 5: No, it was a nightmare.

288
00:20:47,760 --> 00:20:48,080
Speaker 7: I was.

289
00:20:48,600 --> 00:20:50,280
Speaker 5: My mouth was fool.

290
00:20:50,080 --> 00:20:51,919
Speaker 13: Full of what was it?

291
00:20:52,000 --> 00:20:52,240
Speaker 14: Food?

292
00:20:53,800 --> 00:20:54,200
Speaker 11: Dirt?

293
00:20:55,040 --> 00:20:58,560
Speaker 7: It was full of dirt.

294
00:20:59,720 --> 00:21:03,840
Speaker 2: It's sleep now, my love our red one of the case.

295
00:21:14,119 --> 00:21:18,160
Speaker 5: There there? Where did you just go? Then?

296
00:21:19,280 --> 00:21:22,199
Speaker 6: You you seem to dissociate a bit. You were humming something.

297
00:21:22,840 --> 00:21:24,800
Speaker 7: Oh sorry, I must have zoned out.

298
00:21:26,119 --> 00:21:28,480
Speaker 5: That's okay. How did your trip go?

299
00:21:29,440 --> 00:21:29,960
Speaker 7: What trip?

300
00:21:31,040 --> 00:21:33,399
Speaker 5: The surprise Lazaro Land for you?

301
00:21:33,760 --> 00:21:39,800
Speaker 15: Oh right, Honestly, it's all kind of a blur. I

302
00:21:39,840 --> 00:21:46,680
Speaker 15: can't really remember. Yeah, everything feels really that'd be tell

303
00:21:46,680 --> 00:21:47,800
Speaker 15: me about what you're going on?

304
00:21:47,880 --> 00:21:48,240
Speaker 2: Going on?

305
00:21:53,800 --> 00:21:58,600
Speaker 10: Okay, little why are you eating?

306
00:21:59,200 --> 00:22:01,040
Speaker 7: I'm just not very hungry tonight.

307
00:22:01,760 --> 00:22:04,560
Speaker 17: Sorry, Momham we need to talk.

308
00:22:06,000 --> 00:22:07,840
Speaker 10: I found this in your room.

309
00:22:07,840 --> 00:22:10,879
Speaker 7: Mom, you went there my stuff? That that's mine? What

310
00:22:11,200 --> 00:22:14,800
Speaker 7: is it? It's just sugar, mom, it's organic they harvested

311
00:22:14,880 --> 00:22:15,480
Speaker 7: under the moon.

312
00:22:16,520 --> 00:22:17,760
Speaker 10: This isn't sugar.

313
00:22:18,359 --> 00:22:21,560
Speaker 17: It's there and smells road and I'm going to throw

314
00:22:21,560 --> 00:22:22,240
Speaker 17: it away.

315
00:22:22,960 --> 00:22:26,680
Speaker 3: No sacred, but I can get it.

316
00:22:27,520 --> 00:22:28,240
Speaker 10: I'll give it to you.

317
00:22:29,240 --> 00:22:30,240
Speaker 7: How do you know his name?

318
00:22:31,000 --> 00:22:31,080
Speaker 14: What?

319
00:22:31,359 --> 00:22:32,119
Speaker 10: Louise told me?

320
00:22:32,200 --> 00:22:35,880
Speaker 17: Everything he says, you stop calling him and you stop

321
00:22:35,960 --> 00:22:37,280
Speaker 17: going to meeting till every since.

322
00:22:37,080 --> 00:22:38,600
Speaker 10: You met this Lassattle guy?

323
00:22:38,800 --> 00:22:39,520
Speaker 5: Who is he?

324
00:22:39,720 --> 00:22:45,439
Speaker 7: I can't believe this. Where are you going? None of

325
00:22:45,480 --> 00:22:46,160
Speaker 7: your business?

326
00:22:46,680 --> 00:22:53,760
Speaker 5: You don't have a jacket, Louise.

327
00:22:54,160 --> 00:22:56,480
Speaker 7: I can't believe you talked to my mom behind my back.

328
00:22:56,960 --> 00:22:58,040
Speaker 18: I didn't know what else to do.

329
00:22:58,119 --> 00:23:02,960
Speaker 14: I'm worried about you. I'm worried that lot was hurting you.

330
00:23:02,960 --> 00:23:06,480
Speaker 7: You're just jealous. You don't understand what we have.

331
00:23:07,119 --> 00:23:08,320
Speaker 12: Don't sound like yourself.

332
00:23:09,080 --> 00:23:24,960
Speaker 20: Fuck you, Louise, unless I know I feel like everyone every.

333
00:23:24,880 --> 00:23:31,880
Speaker 13: Day, people just get in the way of what you're becoming.

334
00:23:32,960 --> 00:23:34,800
Speaker 7: He just doesn't understand.

335
00:23:37,440 --> 00:23:42,200
Speaker 4: Let me. I want to show him how much I

336
00:23:42,560 --> 00:23:43,080
Speaker 4: love you.

337
00:23:44,920 --> 00:23:47,440
Speaker 10: You do that for me, anything for me?

338
00:23:47,560 --> 00:23:58,439
Speaker 3: Mid sessions?

339
00:23:58,640 --> 00:23:58,960
Speaker 10: Please?

340
00:24:00,520 --> 00:24:01,320
Speaker 3: What the fuck?

341
00:24:01,960 --> 00:24:02,320
Speaker 18: Beta?

342
00:24:04,320 --> 00:24:08,600
Speaker 12: Hello, No way, I'm not going in there?

343
00:24:08,800 --> 00:24:09,119
Speaker 13: Better?

344
00:24:10,960 --> 00:24:16,800
Speaker 7: Fuck?

345
00:24:17,760 --> 00:24:18,080
Speaker 14: Fuck?

346
00:24:20,400 --> 00:24:21,520
Speaker 10: Oh my god?

347
00:24:22,800 --> 00:24:23,480
Speaker 21: Am I here?

348
00:24:24,080 --> 00:24:24,320
Speaker 1: Oh?

349
00:24:24,440 --> 00:24:24,680
Speaker 6: Hell?

350
00:24:24,880 --> 00:24:27,639
Speaker 3: No, Bettle, I'm here?

351
00:24:28,440 --> 00:24:29,000
Speaker 14: What is that.

352
00:24:33,760 --> 00:24:34,280
Speaker 13: They got?

353
00:24:34,320 --> 00:24:34,600
Speaker 14: It's you?

354
00:24:35,080 --> 00:24:36,760
Speaker 5: What the fuck is this place?

355
00:24:36,800 --> 00:24:39,440
Speaker 3: Is this some kind of prank? I thought we were gonna.

356
00:24:39,200 --> 00:24:45,040
Speaker 8: Talk shit, Bettle, mettal why aren't you moving?

357
00:24:47,240 --> 00:24:47,520
Speaker 4: Hello?

358
00:24:47,720 --> 00:24:50,120
Speaker 3: Wish? What's wrong with her?

359
00:24:50,960 --> 00:24:53,760
Speaker 4: She says, sleep, don't wake her, but.

360
00:24:53,840 --> 00:24:55,000
Speaker 5: Her eyes are open.

361
00:24:55,359 --> 00:24:56,520
Speaker 3: What did you do to her?

362
00:24:58,680 --> 00:24:59,960
Speaker 14: That is no?

363
00:25:00,000 --> 00:25:01,000
Speaker 13: I love your concern.

364
00:25:01,680 --> 00:25:02,960
Speaker 5: I'm probably nine one one.

365
00:25:03,680 --> 00:25:06,880
Speaker 4: I'm afraid not.

366
00:25:17,440 --> 00:25:20,040
Speaker 10: Veto wake up little Wake up?

367
00:25:20,600 --> 00:25:20,879
Speaker 7: Mom?

368
00:25:21,080 --> 00:25:21,720
Speaker 6: What's wrong?

369
00:25:21,800 --> 00:25:26,440
Speaker 10: I'm sleeping in the hospital. He's not waking up.

370
00:25:26,680 --> 00:25:27,520
Speaker 7: What well?

371
00:25:27,840 --> 00:25:28,960
Speaker 10: Did you see him last night?

372
00:25:29,080 --> 00:25:30,960
Speaker 7: No? We had to fight on the phone. That's that's

373
00:25:30,960 --> 00:25:32,000
Speaker 7: the last thing I remember.

374
00:25:33,040 --> 00:25:34,280
Speaker 3: We have to go. Let's go.

375
00:25:36,800 --> 00:25:39,919
Speaker 15: Luis was unconscious when I got to the hospital. They

376
00:25:39,920 --> 00:25:42,960
Speaker 15: don't know if he'll ever wake up. There's no explanation

377
00:25:43,080 --> 00:25:44,840
Speaker 15: for it.

378
00:25:44,920 --> 00:25:49,359
Speaker 6: The lack of resolution, the guilt and uncertainty. Oh, veto

379
00:25:49,520 --> 00:25:53,600
Speaker 6: that is an enormous burden to carry, it is.

380
00:25:54,760 --> 00:25:58,679
Speaker 15: It's really sad, but life is just like that, you know.

381
00:25:59,560 --> 00:26:02,480
Speaker 15: We just have to accept that everything comes and goes.

382
00:26:03,440 --> 00:26:03,640
Speaker 3: Well.

383
00:26:03,720 --> 00:26:07,480
Speaker 6: Yes, but Louise has been your best friend since childhood.

384
00:26:07,480 --> 00:26:15,160
Speaker 6: It's it's important to grieve, Verro.

385
00:26:16,480 --> 00:26:20,080
Speaker 15: Louise and I were starting to drift apart. Last A

386
00:26:20,200 --> 00:26:22,119
Speaker 15: says not to dwell on what we can't change.

387
00:26:25,000 --> 00:26:28,600
Speaker 6: I have to be honest with you, Verro. I've noticed

388
00:26:28,600 --> 00:26:31,760
Speaker 6: a change in you since that strip with Lazaro. I'd

389
00:26:31,800 --> 00:26:34,400
Speaker 6: like you to try and see if you can remember anything,

390
00:26:34,800 --> 00:26:36,520
Speaker 6: anything at all about that weekend.

391
00:26:38,480 --> 00:26:41,200
Speaker 5: It's all a blur. Okay, Well, are.

392
00:26:41,080 --> 00:26:45,360
Speaker 6: There any fragments or sense impressions, anything at all?

393
00:26:47,440 --> 00:26:47,960
Speaker 15: There was.

394
00:26:49,880 --> 00:26:53,160
Speaker 5: An owl, I think, okay, an owl?

395
00:26:54,320 --> 00:26:54,879
Speaker 10: Candles?

396
00:26:55,520 --> 00:26:57,280
Speaker 7: Huh, lots of candles?

397
00:26:58,320 --> 00:26:59,280
Speaker 5: Anything else?

398
00:27:01,000 --> 00:27:03,760
Speaker 7: I'm feeling a little tired, that's okay.

399
00:27:04,720 --> 00:27:07,240
Speaker 5: Listen, this situation with Louise.

400
00:27:07,920 --> 00:27:10,840
Speaker 6: It's traumatic, even if you don't feel it right now,

401
00:27:10,880 --> 00:27:15,000
Speaker 6: it deserves to be processed. I'm glad you're not letting

402
00:27:15,040 --> 00:27:18,960
Speaker 6: it weigh you down, but grief needs time and space.

403
00:27:20,000 --> 00:27:22,719
Speaker 6: I think it might help to spend some time alone

404
00:27:23,359 --> 00:27:28,159
Speaker 6: away from Lazarro, just to make space to really feel

405
00:27:28,200 --> 00:27:28,840
Speaker 6: this loss.

406
00:27:29,760 --> 00:27:36,600
Speaker 5: Is that something you'd be willing to try vit all?

407
00:27:37,119 --> 00:27:40,720
Speaker 7: Yeah, okay, I can try.

408
00:27:41,160 --> 00:27:42,720
Speaker 5: That's a good stuff.

409
00:27:50,200 --> 00:27:53,479
Speaker 14: Hello, you've reached Vettel and assistant Louise.

410
00:27:53,880 --> 00:28:04,240
Speaker 12: If you're getting this message.

411
00:28:00,000 --> 00:28:01,560
Speaker 7: Gave me a message. I'll get back to you as

412
00:28:01,560 --> 00:28:02,440
Speaker 7: soon as possible.

413
00:28:02,600 --> 00:28:03,000
Speaker 3: Bye.

414
00:28:04,600 --> 00:28:07,800
Speaker 6: Hi Veto, This is Carmen. I am calling to check in.

415
00:28:08,760 --> 00:28:11,120
Speaker 6: You missed your session today and I'm worried about you.

416
00:28:11,160 --> 00:28:19,439
Speaker 6: Please please just call me when you can. Hi Blar,

417
00:28:19,920 --> 00:28:24,159
Speaker 6: this is Carmen Montoya, your daughter Pharaoh's therapist. I'm sorry

418
00:28:24,160 --> 00:28:26,920
Speaker 6: to bother you, but she missed today's session without notice.

419
00:28:27,400 --> 00:28:29,560
Speaker 6: I've been a little concerned about her well being and

420
00:28:29,680 --> 00:28:32,960
Speaker 6: you were listed as one of her emergency contacts. Can

421
00:28:33,000 --> 00:28:36,520
Speaker 6: you please call me back at five zero three.

422
00:28:36,560 --> 00:28:39,160
Speaker 7: Hi, Carmen Betro, I'm so sorry.

423
00:28:39,240 --> 00:28:39,600
Speaker 10: I'm late.

424
00:28:39,920 --> 00:28:44,840
Speaker 5: You made it. Please please sit down. That O, what

425
00:28:45,160 --> 00:28:45,880
Speaker 5: is going on?

426
00:28:46,160 --> 00:28:48,960
Speaker 7: Moved out of my mom's house. It was time. The

427
00:28:49,000 --> 00:28:51,320
Speaker 7: situation was becoming very toxic.

428
00:28:54,600 --> 00:28:57,920
Speaker 17: You're not sleeping, you're not eating, You're you're wasting away.

429
00:28:58,080 --> 00:29:01,240
Speaker 7: You're always judging me, smuting me. I'm not your little

430
00:29:01,280 --> 00:29:03,480
Speaker 7: girl anymore. Yes, Hodo is that man.

431
00:29:03,640 --> 00:29:07,080
Speaker 10: Isn't it done something to you? I just don't recognize

432
00:29:07,080 --> 00:29:07,600
Speaker 10: you anymore.

433
00:29:07,640 --> 00:29:11,680
Speaker 7: Maybe you never did. Please, I'm out of your nose.

434
00:29:12,400 --> 00:29:14,560
Speaker 7: You can't live here anymore. I hate you.

435
00:29:22,120 --> 00:29:35,959
Speaker 22: Ol A Mika, please come home, Please, Taka, I know,

436
00:29:36,080 --> 00:29:36,600
Speaker 22: I know.

437
00:29:38,000 --> 00:29:38,200
Speaker 7: More.

438
00:29:40,000 --> 00:29:47,480
Speaker 10: Veto will come back, I promise you. Vetto is that you?

439
00:29:49,720 --> 00:29:55,640
Speaker 10: Who's there? It's you? What have you done to my daughter?

440
00:30:01,600 --> 00:30:02,520
Speaker 10: I know who you are.

441
00:30:04,080 --> 00:30:05,040
Speaker 8: I heard of you.

442
00:30:06,480 --> 00:30:16,760
Speaker 4: How do you.

443
00:30:29,040 --> 00:30:32,160
Speaker 5: So you've cut ties completely with your mother?

444
00:30:32,280 --> 00:30:32,440
Speaker 14: Then?

445
00:30:33,520 --> 00:30:34,360
Speaker 7: At least for now?

446
00:30:35,600 --> 00:30:39,480
Speaker 5: And Lazarro, did you take any space? Like we talked about?

447
00:30:39,560 --> 00:30:41,440
Speaker 7: There's no space between us.

448
00:30:41,560 --> 00:30:50,080
Speaker 5: Carmen, I am. I'm sorry to have to ask you this.

449
00:30:51,160 --> 00:30:52,240
Speaker 5: Have you been using again?

450
00:30:53,120 --> 00:30:56,160
Speaker 7: I remembered what happened on the weekend away? Do you

451
00:30:56,200 --> 00:30:56,640
Speaker 7: want to know?

452
00:30:57,640 --> 00:31:00,280
Speaker 5: Yes? Please tell me?

453
00:31:07,080 --> 00:31:08,600
Speaker 4: Black is.

454
00:31:11,760 --> 00:31:16,240
Speaker 21: Why is the ray.

455
00:31:18,480 --> 00:31:20,000
Speaker 4: To my song?

456
00:31:21,800 --> 00:31:23,960
Speaker 13: Ray?

457
00:31:23,960 --> 00:31:35,640
Speaker 21: Bread to my soul? Black is the ear? Why is

458
00:31:36,000 --> 00:31:39,400
Speaker 21: them wye.

459
00:31:39,720 --> 00:31:40,280
Speaker 14: Here to.

460
00:31:43,880 --> 00:31:47,760
Speaker 4: B and soul?

461
00:31:50,400 --> 00:31:51,480
Speaker 5: It was the third night?

462
00:31:52,680 --> 00:31:54,040
Speaker 4: Do you bind yourself to me?

463
00:31:54,720 --> 00:32:01,880
Speaker 7: Yes? My love, body, body and soul.

464
00:32:02,360 --> 00:32:05,320
Speaker 23: I felt him reaching on my braid. He took it

465
00:32:05,360 --> 00:32:11,160
Speaker 23: in his hand and it came alive. It was my

466
00:32:11,320 --> 00:32:16,560
Speaker 23: soul writhing in my braid like a fat wax snake.

467
00:32:17,640 --> 00:32:18,880
Speaker 7: Most all these.

468
00:32:18,600 --> 00:32:21,880
Speaker 15: Big brass scissors with strange markings.

469
00:32:21,360 --> 00:32:28,320
Speaker 23: On the blades, and with those he severed my braid

470
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Speaker 23: and he swallowed it all.

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Speaker 7: I felt my soul leave and something else come in

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00:32:47,800 --> 00:32:51,360
Speaker 7: the next morning. My hair had all grown back, but

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Speaker 7: it was black and coarse, like the hair of a beast.

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Speaker 7: That's how he married me.

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Speaker 5: Vitrole.

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Speaker 6: Do you ever wonder if Lazaro is someone your mind

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00:33:07,160 --> 00:33:10,600
Speaker 6: created to help you cope in the absence of drugs,

478
00:33:10,600 --> 00:33:20,840
Speaker 6: someone who feels real, but maybe, isn't it? What's so funny?

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00:33:21,120 --> 00:33:23,280
Speaker 7: If you don't believe me, you can meet him yourself.

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00:33:24,040 --> 00:33:26,880
Speaker 7: He's on his way as we speak. He's heard so

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00:33:27,080 --> 00:33:28,120
Speaker 7: much about.

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00:33:27,760 --> 00:33:29,560
Speaker 5: You, he's coming here.

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00:33:31,120 --> 00:33:35,680
Speaker 6: This is highly inappropriate, a complete violation of boundaries.

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00:33:35,760 --> 00:33:38,360
Speaker 7: There are no boundaries with last adult. He wanted to

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00:33:38,400 --> 00:33:39,480
Speaker 7: be here when I said.

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Speaker 5: Goodbye, when you said goodbye.

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00:33:41,720 --> 00:33:43,720
Speaker 7: He doesn't think you're good for me anymore.

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00:33:44,040 --> 00:33:47,040
Speaker 6: I'd like to refer you to an inpatient facility.

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Speaker 5: I think that they would listen. What do you hear that?

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Speaker 14: What he's here now?

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Speaker 8: Love at first sight is a real thing, guys, I

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00:34:38,800 --> 00:34:43,839
Speaker 8: hear Verro and her mystery men are very happy these days.

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Speaker 4: Expecting their first litter of demons.

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Speaker 8: See you next time or noctor no Nocturno.

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Speaker 19: Tales from the Shadows was produced by Sonoro in partnership

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Speaker 19: with Ihartzmichael to the Podcast Network. Produced and directed by

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Speaker 19: Luisa Luardo Castillo, developed and produced by Bettina Lopez. Executive

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00:35:15,040 --> 00:35:19,040
Speaker 19: produced by Royal Pearson, Arlene Santana and Leo Gomez for

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00:35:19,120 --> 00:35:24,200
Speaker 19: iHeart and Camilla Victoriano and Jojo Weinstein for Sonoro. This

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00:35:24,280 --> 00:35:29,359
Speaker 19: episode was written by Stefanie Adams Santos. Performances in this

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00:35:29,480 --> 00:35:37,480
Speaker 19: episode by Danny Trejo, Christina vi Adam Breda, Nick Cavet, Rodriguez,

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00:35:38,080 --> 00:35:44,160
Speaker 19: Flor De Maria Chawa, Calizo Brewster, Raymond, Neo Renandez and

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00:35:44,760 --> 00:35:51,960
Speaker 19: Constantine Cascante our supervising producers Catin sa Chaidis. Recording engineering

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00:35:52,040 --> 00:35:56,560
Speaker 19: and sound design by Cassandra Tinagero and Andres Vienna, with

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00:35:56,719 --> 00:36:01,880
Speaker 19: helped by Emiliano Quintanari and Diego Campos. Casting and coordination

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00:36:02,120 --> 00:36:07,359
Speaker 19: by Nick Milanes and Alex Gonzalez. Original song lyrics by

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00:36:07,480 --> 00:36:13,280
Speaker 19: stephan Yadams Santos. Original music by Diego Lopez, Montroy, Benjamin

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00:36:13,320 --> 00:36:19,040
Speaker 19: Dominguez and Emiliano Quintanard. Voices recorded at the Invisible Studios,

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Speaker 19: dg IS Studios, an out Loud Audio in Los Angeles,

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00:36:22,880 --> 00:36:26,000
Speaker 19: the Relic Room in New York, Panoramic Audio in Miami,

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Speaker 19: sab Boom Bank Studios in Houston, and Caddy Sound in

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Speaker 19: Santa Fe, with engineering by Charles Carroll, Sharon Carney, Stephen George,

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00:36:36,800 --> 00:36:43,280
Speaker 19: David Luke, Elli, Gary Forbes, Jody Abbott, Ivan Correas, Ethan Grafton,

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00:36:43,880 --> 00:36:49,640
Speaker 19: Robert Thayer, Brett Tuban, J K. Hurado, Alfredo Funtez, and

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00:36:49,800 --> 00:36:57,640
Speaker 19: Colin Angerwriter. If you're enjoying Octuronal Tales from the Shadows,

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00:36:57,680 --> 00:37:01,520
Speaker 19: please subscribe, read and review our show wherever you're listening