WEBVTT - Daredevil: Born Again Episode 4

0:00:00.240 --> 0:00:04.040
<v Speaker 1>Worrying. Today's episode Canad spoilers for the fourth episode of

0:00:04.120 --> 0:00:22.239
<v Speaker 1>Daredevil Board again on Disney Plus. Hello, my name is

0:00:22.280 --> 0:00:25.720
<v Speaker 1>jas Conception and I'm Rosey Night and welcome back to

0:00:25.880 --> 0:00:28.720
<v Speaker 1>x ray Visions, a podcast where we dive Dee, the

0:00:28.880 --> 0:00:31.840
<v Speaker 1>Dear famborite shows, movies, comics of pop culture. Coming to

0:00:31.880 --> 0:00:35.680
<v Speaker 1>you from Myra podcast, where we're bringing you three episodes

0:00:35.720 --> 0:00:38.120
<v Speaker 1>a week every Tuesday, Wednesday and Thursday, plus news on

0:00:38.159 --> 0:00:38.840
<v Speaker 1>the weekends.

0:00:39.400 --> 0:00:43.320
<v Speaker 2>In today's episode Bread, we're talking about dead Evil bort

0:00:43.360 --> 0:00:46.800
<v Speaker 2>a good episode one oh four Bread. How'd you feel

0:00:46.800 --> 0:00:47.279
<v Speaker 2>about that?

0:00:47.880 --> 0:00:52.559
<v Speaker 3>Bread? And a reminder that our book for this month

0:00:52.760 --> 0:00:55.640
<v Speaker 3>is The Merchant and the Alchemist Gate, the first short

0:00:55.680 --> 0:01:00.560
<v Speaker 3>story in Ted Chang's amazing short story collection Exhalations. Very

0:01:00.600 --> 0:01:02.080
<v Speaker 3>happy to see how many of you have picked this

0:01:02.120 --> 0:01:05.080
<v Speaker 3>one up, so find yourself a copy and read along

0:01:05.240 --> 0:01:08.200
<v Speaker 3>before our episode on March twenty fifth. If you want

0:01:08.200 --> 0:01:10.280
<v Speaker 3>to send us any questions, you can put them in

0:01:10.280 --> 0:01:13.920
<v Speaker 3>the discord or email us official XRV pod at gmail

0:01:13.959 --> 0:01:14.720
<v Speaker 3>dot com.

0:01:16.319 --> 0:01:22.639
<v Speaker 1>We start with Hector's effects getting bagged up his white

0:01:22.640 --> 0:01:27.240
<v Speaker 1>tiger suit his magic ambulance. Matt takes charge of the

0:01:27.280 --> 0:01:30.759
<v Speaker 1>stuff and goes to the Emmy. He gets the cause

0:01:30.760 --> 0:01:33.800
<v Speaker 1>of death, single gunshot went to the head. And then

0:01:34.000 --> 0:01:36.839
<v Speaker 1>Hector's niece Angela shows up, and she is, of course

0:01:36.959 --> 0:01:41.400
<v Speaker 1>very angry. She believes, and I think Matt believes us well,

0:01:41.560 --> 0:01:46.280
<v Speaker 1>that this is a dirty cop operation. Understanding Matt, Yeah,

0:01:46.319 --> 0:01:50.040
<v Speaker 1>that they were pissed they lost the case and so

0:01:50.080 --> 0:01:53.279
<v Speaker 1>they took matters into their hands. That's certainly what she believes,

0:01:53.280 --> 0:01:57.160
<v Speaker 1>and I think Matt thinks that's possible as well, considering

0:01:57.160 --> 0:02:00.640
<v Speaker 1>that they did try to kill him, try to kill

0:02:00.680 --> 0:02:04.240
<v Speaker 1>the witness recently. So Matt tells her, listen, I'll look

0:02:04.280 --> 0:02:04.640
<v Speaker 1>into it.

0:02:04.760 --> 0:02:06.760
<v Speaker 3>I was just gonna say, I do think it's interesting

0:02:06.960 --> 0:02:11.200
<v Speaker 3>we properly meet Angela here in the comics. Angela does

0:02:11.240 --> 0:02:14.720
<v Speaker 3>become the next generation of White Tiger. I would be

0:02:14.760 --> 0:02:16.720
<v Speaker 3>interesting if we could see her in some kind of

0:02:16.720 --> 0:02:21.920
<v Speaker 3>Young Avengers type situation in the comics that Alex Malieve

0:02:22.800 --> 0:02:25.799
<v Speaker 3>Brian Michael benistetevil stuff that is definitely like a big

0:02:26.320 --> 0:02:30.240
<v Speaker 3>influence on this From the late nineties, that is where

0:02:30.280 --> 0:02:33.359
<v Speaker 3>she first appeared in issue fifty eight of volume two,

0:02:33.600 --> 0:02:37.120
<v Speaker 3>she was much like sexier and a more classic kind

0:02:37.160 --> 0:02:41.359
<v Speaker 3>of adult superhero. But I do think that there is

0:02:41.400 --> 0:02:44.800
<v Speaker 3>an interesting connection here to other street level heroes because

0:02:44.840 --> 0:02:49.920
<v Speaker 3>of the heroic legacy of kind of the White Tiger

0:02:50.280 --> 0:02:53.520
<v Speaker 3>comes from Kunlun, and so I do think there's some

0:02:53.639 --> 0:02:57.880
<v Speaker 3>kind of interesting connections here, and I would be very

0:02:58.800 --> 0:03:02.200
<v Speaker 3>intrigued to see them at adapt this in a different

0:03:02.320 --> 0:03:04.079
<v Speaker 3>way that does not rely on her being kind of

0:03:04.120 --> 0:03:07.080
<v Speaker 3>a federal agent, and it's more about her youthfulness. Also,

0:03:07.080 --> 0:03:09.520
<v Speaker 3>I did feel like when Matt was hugging her, he

0:03:09.600 --> 0:03:14.040
<v Speaker 3>was kind of very much putting the suit and the

0:03:14.080 --> 0:03:16.560
<v Speaker 3>magical amula and the bag near her. So maybe we'll

0:03:16.560 --> 0:03:19.080
<v Speaker 3>see that, not in this season, but maybe maybe Dana

0:03:19.160 --> 0:03:21.560
<v Speaker 3>was season two, maybe a future Marvel project.

0:03:22.160 --> 0:03:22.959
<v Speaker 2>Yeah, cool to see.

0:03:23.000 --> 0:03:25.560
<v Speaker 3>I'm happy to potentially see the legacy of White Tiger

0:03:25.600 --> 0:03:26.000
<v Speaker 3>carry on.

0:03:26.880 --> 0:03:29.680
<v Speaker 1>We see in a short scene right after his Muse,

0:03:30.080 --> 0:03:35.640
<v Speaker 1>the series of Killer Muse carrying what is a victim,

0:03:35.920 --> 0:03:40.360
<v Speaker 1>certainly a victim his leaders into the subway tunnels where

0:03:41.280 --> 0:03:45.760
<v Speaker 1>the Muse will carry out his gast really work. Meanwhile, Dan,

0:03:47.000 --> 0:03:50.600
<v Speaker 1>assistant assistant to the Mayor, Dan is just out partying

0:03:50.640 --> 0:03:53.680
<v Speaker 1>with Bebe and at first you're like, why is beebe

0:03:53.800 --> 0:03:56.320
<v Speaker 1>partying with this guy? And then you realize that Bebe

0:03:56.600 --> 0:03:58.640
<v Speaker 1>is just pumping this guy for information.

0:03:58.720 --> 0:04:03.600
<v Speaker 3>He is getting absolutely played on, like a whole different level.

0:04:04.040 --> 0:04:06.800
<v Speaker 3>And throughout this kind of great sequence you really get

0:04:06.840 --> 0:04:10.920
<v Speaker 3>to see how Boebe is kind of manipulating him for

0:04:11.040 --> 0:04:12.560
<v Speaker 3>what she believes to be the bag.

0:04:12.560 --> 0:04:15.040
<v Speaker 1>Right, so you know she's getting on him. You know,

0:04:15.160 --> 0:04:18.200
<v Speaker 1>Dan's like, well, I can't I can't drink, I can't

0:04:18.200 --> 0:04:20.440
<v Speaker 1>do ketymine tonight because I have to go.

0:04:21.440 --> 0:04:22.000
<v Speaker 2>I have to go.

0:04:22.160 --> 0:04:24.280
<v Speaker 3>I know I had a young writer on this ship.

0:04:24.760 --> 0:04:28.040
<v Speaker 3>Kevin dropped like that was that was really guys. Let

0:04:28.120 --> 0:04:30.720
<v Speaker 3>me just say Kennyman has been around. Kean has been

0:04:30.720 --> 0:04:32.000
<v Speaker 3>around since the nineties.

0:04:32.120 --> 0:04:33.360
<v Speaker 1>Like, K holes are a thing.

0:04:33.640 --> 0:04:34.800
<v Speaker 2>K holes are real.

0:04:34.880 --> 0:04:37.360
<v Speaker 1>If you were out in the streets in the nineties

0:04:37.360 --> 0:04:40.880
<v Speaker 1>and two thousands K holes were there, you've been falling into.

0:04:41.160 --> 0:04:45.039
<v Speaker 1>So bb is getting on him for what you know,

0:04:45.080 --> 0:04:47.039
<v Speaker 1>you could be on the on call for the mayor

0:04:47.080 --> 0:04:50.719
<v Speaker 1>at all hours. You have more people Wilson, Fisk and

0:04:50.800 --> 0:04:54.719
<v Speaker 1>Dannis like, well, you don't understand. We've got this huge

0:04:54.760 --> 0:04:59.840
<v Speaker 1>thing coming with the port. Wilson has this whole recycling center.

0:05:00.279 --> 0:05:04.400
<v Speaker 1>He plans to take the city recycling in garbage over

0:05:04.520 --> 0:05:07.279
<v Speaker 1>to the private sector and like make it more efficient.

0:05:07.279 --> 0:05:09.680
<v Speaker 1>He's going to hire contractors. It's great idea. He's going

0:05:09.720 --> 0:05:12.360
<v Speaker 1>to turn the port into this whole garbage recycling cent

0:05:12.880 --> 0:05:16.520
<v Speaker 1>I think it's brilliant. And meanwhile Bbie is trying to

0:05:16.600 --> 0:05:19.239
<v Speaker 1>keep Dan out so he can.

0:05:19.120 --> 0:05:22.360
<v Speaker 2>Keep Yeah in fun.

0:05:23.040 --> 0:05:27.040
<v Speaker 1>But Dan decides to leave. Matt gets a call from Kirsten.

0:05:27.200 --> 0:05:30.360
<v Speaker 1>She tells him we've got your your next case. It's

0:05:30.600 --> 0:05:32.760
<v Speaker 1>a gentleman by the name of Leroy Bradford. He was

0:05:32.800 --> 0:05:40.360
<v Speaker 1>arrested for shoplifting some stuff from a local board data fiddle, faddle,

0:05:40.440 --> 0:05:45.520
<v Speaker 1>and we're taking this pro bonum at therapy. Heather asks

0:05:45.640 --> 0:05:48.719
<v Speaker 1>Fisk and Vanessa listen. I know this is tough, but

0:05:48.800 --> 0:05:50.279
<v Speaker 1>I think it's time, and I think it's time to

0:05:50.320 --> 0:05:54.919
<v Speaker 1>just discuss the affair with Adam and Fisk does not

0:05:55.040 --> 0:05:58.760
<v Speaker 1>want to, but Vanessa is like, I've been waiting for

0:05:58.800 --> 0:06:01.400
<v Speaker 1>this because, let me tell you, Adam's hands. He was

0:06:01.400 --> 0:06:04.839
<v Speaker 1>an artist. He had these strong hands.

0:06:04.560 --> 0:06:08.760
<v Speaker 2>It's creative way. I don't know why she's him up

0:06:08.839 --> 0:06:12.440
<v Speaker 2>like that, like that was never gonna end well for you.

0:06:12.720 --> 0:06:14.839
<v Speaker 2>Oh Adam, babe, he's.

0:06:14.720 --> 0:06:17.440
<v Speaker 1>Such a talented artist. And Fisk is like me, I

0:06:17.560 --> 0:06:21.200
<v Speaker 1>never thought about cheated Vanessa. Ever, by the way, I believe,

0:06:21.240 --> 0:06:24.520
<v Speaker 1>I believe, I believe, I'm one hundred percent believe it.

0:06:24.560 --> 0:06:26.880
<v Speaker 2>There's nobody more fable to his wife and the in

0:06:27.600 --> 0:06:28.360
<v Speaker 2>fiction or.

0:06:28.360 --> 0:06:32.040
<v Speaker 3>Reality that the world's biggest wife guy like, no question,

0:06:32.120 --> 0:06:32.960
<v Speaker 3>one hundred million.

0:06:33.720 --> 0:06:36.039
<v Speaker 1>And Vanessa, meanwhile, I was saying, well, whatever the case

0:06:36.080 --> 0:06:36.840
<v Speaker 1>may be, you were not.

0:06:36.880 --> 0:06:39.599
<v Speaker 2>Here, you were you left me, and that was the betrayal.

0:06:39.960 --> 0:06:43.240
<v Speaker 1>Yes, you didn't know if you were dead. I don't

0:06:43.240 --> 0:06:45.680
<v Speaker 1>know if you were alive. It was like no contact.

0:06:46.040 --> 0:06:48.480
<v Speaker 1>You were just off the face of the earth. And

0:06:48.520 --> 0:06:51.200
<v Speaker 1>it reminded her of her dad, who was a traveling

0:06:51.279 --> 0:06:57.279
<v Speaker 1>businessman habitually cheating on her mom. And Vanessa says, She's like,

0:06:58.200 --> 0:07:02.120
<v Speaker 1>you know, I'm concerned that Wilson could hurt Adam, and

0:07:02.600 --> 0:07:08.000
<v Speaker 1>Wilson then admits to having quote a dialogue, just a dialogue,

0:07:09.520 --> 0:07:13.920
<v Speaker 1>dialogue with him, totally fine, just a conversation, no violence.

0:07:13.960 --> 0:07:16.400
<v Speaker 1>He says, like, I'm not that guy anymore. And then

0:07:16.440 --> 0:07:18.840
<v Speaker 1>after the session, Heather, picking up on the vibes I think,

0:07:19.000 --> 0:07:24.880
<v Speaker 1>very responsibly takes vanessa'side as like are you safe? Do

0:07:24.920 --> 0:07:26.360
<v Speaker 1>you feel safe? For you fine? And she's like, no,

0:07:26.480 --> 0:07:27.040
<v Speaker 1>I'm fine.

0:07:27.360 --> 0:07:29.040
<v Speaker 2>Yeah, I like that. She is a web.

0:07:29.080 --> 0:07:32.000
<v Speaker 3>Vanessa's like, look, the reason I had an affair is

0:07:32.040 --> 0:07:35.239
<v Speaker 3>because there's many things that my husband would do, terrible things,

0:07:35.240 --> 0:07:36.880
<v Speaker 3>extreme things, illegal things.

0:07:36.920 --> 0:07:39.320
<v Speaker 2>And she's like, but and me, he just can't do it.

0:07:39.360 --> 0:07:44.800
<v Speaker 3>I'm away wife. Guy like, it's not gonna happen, Heather.

0:07:45.200 --> 0:07:49.040
<v Speaker 3>I appreciate your good parraprising hair, but I gotta say

0:07:49.440 --> 0:07:53.280
<v Speaker 3>you're putting yourself in that cross hairs. Wilson Fisk is

0:07:53.280 --> 0:07:54.360
<v Speaker 3>not gonna want to hear about that.

0:07:54.480 --> 0:07:55.040
<v Speaker 2>I'm sorry.

0:07:57.720 --> 0:07:59.840
<v Speaker 1>Let's go to Akick cat Break and then we'll be

0:08:00.080 --> 0:08:17.960
<v Speaker 1>right back after a word for Worces. Yeah, and we're

0:08:17.960 --> 0:08:21.960
<v Speaker 1>Matt Matt at the police station meets his client, Leroy Bradford.

0:08:22.040 --> 0:08:24.520
<v Speaker 1>Mister Bradford is not impressed with Matt. He does not.

0:08:24.800 --> 0:08:28.160
<v Speaker 1>He's thinking, I got a blind lawyer. They gave me

0:08:28.200 --> 0:08:30.840
<v Speaker 1>a bad lawyer. I can't believe this. He denies stealing

0:08:30.840 --> 0:08:33.839
<v Speaker 1>the fiddle Fattle. Matt is like, there's a lot of evidence,

0:08:34.440 --> 0:08:37.840
<v Speaker 1>and Bradford is like, well, I paid for it last week,

0:08:37.880 --> 0:08:40.120
<v Speaker 1>and Matt's like, that's not how it works. There's a

0:08:40.240 --> 0:08:42.600
<v Speaker 1>fun line here where Bradford's like, could it have been

0:08:42.600 --> 0:08:46.120
<v Speaker 1>a scroll? And Matt is like no, and then Bradford's like, listen,

0:08:46.160 --> 0:08:50.199
<v Speaker 1>I'm not taking a place, so you need to go actually.

0:08:49.840 --> 0:08:50.440
<v Speaker 2>Do your job.

0:08:51.120 --> 0:08:54.040
<v Speaker 1>So Matt mat, Yeah, Matt goes to the DA and

0:08:54.120 --> 0:08:57.240
<v Speaker 1>turns on the I am handsome Matt Murdock charm dude.

0:08:57.480 --> 0:09:00.480
<v Speaker 3>The way that women just fall for him in this

0:09:00.559 --> 0:09:02.640
<v Speaker 3>show is maybe the most comics accurate thing.

0:09:02.720 --> 0:09:06.960
<v Speaker 1>I love yes, because yes, very comic.

0:09:07.240 --> 0:09:11.280
<v Speaker 4>In the comics, like women love Matt murdocc and yeah,

0:09:11.320 --> 0:09:15.040
<v Speaker 4>he is literally like flirting with a woman trying to

0:09:15.080 --> 0:09:17.440
<v Speaker 4>get which you know what, use your flirtation skills for

0:09:17.480 --> 0:09:18.640
<v Speaker 4>good whatever, But it.

0:09:18.640 --> 0:09:20.600
<v Speaker 2>Is so funny this sequence.

0:09:20.640 --> 0:09:23.839
<v Speaker 3>You're just like, Okay, I guess you are charming her.

0:09:24.000 --> 0:09:24.760
<v Speaker 2>You're doing it.

0:09:25.400 --> 0:09:28.040
<v Speaker 1>Yeah. He At one point he's like says something about

0:09:28.200 --> 0:09:31.680
<v Speaker 1>he references dating life, and she's like, I think I'd

0:09:31.679 --> 0:09:33.520
<v Speaker 1>like to know more, she says, or something like that.

0:09:35.040 --> 0:09:37.600
<v Speaker 2>He's like he's like, uh, you know, my other senses

0:09:37.640 --> 0:09:40.120
<v Speaker 2>are heightened, and she's like, well, I would like to

0:09:40.160 --> 0:09:42.240
<v Speaker 2>know that. And also he's like okay.

0:09:42.679 --> 0:09:45.480
<v Speaker 3>He's like, you're gonna be harsh to me on Latvian

0:09:45.600 --> 0:09:49.200
<v Speaker 3>Heritage Day, the day of your heritage, and she was

0:09:49.280 --> 0:09:50.240
<v Speaker 3>like what how do you know?

0:09:50.360 --> 0:09:50.480
<v Speaker 2>So?

0:09:50.559 --> 0:09:51.439
<v Speaker 1>How do you know that?

0:09:51.520 --> 0:09:52.120
<v Speaker 2>How do you know that?

0:09:52.200 --> 0:09:56.720
<v Speaker 3>Also, fantastic exposition there for because later that will become

0:09:56.720 --> 0:09:57.360
<v Speaker 3>a blot point.

0:09:57.400 --> 0:09:59.720
<v Speaker 2>But yeah, just such a fun scene. And he does

0:09:59.720 --> 0:10:00.680
<v Speaker 2>a good job charming.

0:10:01.320 --> 0:10:03.960
<v Speaker 1>So he gets ten days served, not probation, but ten

0:10:04.040 --> 0:10:08.400
<v Speaker 1>days served, which you know, I think all parties agreed

0:10:08.480 --> 0:10:09.600
<v Speaker 1>like this is pretty good.

0:10:09.679 --> 0:10:11.920
<v Speaker 3>It was meant to be thirty five days and then

0:10:12.000 --> 0:10:13.840
<v Speaker 3>Matt got it down and really it would just be

0:10:13.880 --> 0:10:16.240
<v Speaker 3>a few days, so it seems like wet time.

0:10:16.200 --> 0:10:19.280
<v Speaker 1>Served with the current time served. He runs into dirty

0:10:19.280 --> 0:10:22.760
<v Speaker 1>cock Powell and all but accuses Powell and friends of

0:10:22.840 --> 0:10:26.240
<v Speaker 1>murdering murdering Hector Ayala, but Powell denies it, and Matt

0:10:26.240 --> 0:10:28.280
<v Speaker 1>can tell from his heartbeat that he's telling the truth.

0:10:30.360 --> 0:10:34.080
<v Speaker 1>Powell dirty cock Powell then threatens Matt with disbarment and

0:10:34.120 --> 0:10:37.199
<v Speaker 1>a beating, and Matt says, okay, well the first one

0:10:37.240 --> 0:10:38.560
<v Speaker 1>I don't think you can do. In the second one,

0:10:38.640 --> 0:10:39.080
<v Speaker 1>bring more.

0:10:39.000 --> 0:10:42.440
<v Speaker 3>Guys, dude, that's such a good line. When he was like,

0:10:42.800 --> 0:10:45.080
<v Speaker 3>I guess you'll have to bring more than the last time, is.

0:10:45.080 --> 0:10:46.559
<v Speaker 2>Like I beat the shower of two of you.

0:10:46.800 --> 0:10:49.880
<v Speaker 1>WHOA Yeah, incredible obsessed I Love You got a red

0:10:49.880 --> 0:10:53.480
<v Speaker 1>hook where Fisk is showing his team his plans for

0:10:53.520 --> 0:10:57.840
<v Speaker 1>the privatization of the port. Fisk doesn't care about the

0:10:57.880 --> 0:11:00.440
<v Speaker 1>red tape and all the city council stuff and all

0:11:00.480 --> 0:11:02.680
<v Speaker 1>the okay is that they need to get He's just like,

0:11:02.760 --> 0:11:06.640
<v Speaker 1>let's just do it. Sheila's like, well, shouldn't we think

0:11:06.679 --> 0:11:09.280
<v Speaker 1>smaller because we've got this mob war that's like kind

0:11:09.280 --> 0:11:15.119
<v Speaker 1>of brewing, and we need to start like a construction

0:11:15.280 --> 0:11:20.400
<v Speaker 1>project with some panels and some studies first to show

0:11:20.480 --> 0:11:23.880
<v Speaker 1>that you're serious to the city, and we need to

0:11:23.920 --> 0:11:26.840
<v Speaker 1>get this on the docket of the public advocate. And

0:11:26.880 --> 0:11:28.040
<v Speaker 1>Fiscus like, okay, do it.

0:11:28.320 --> 0:11:31.120
<v Speaker 2>Yeah, He's like, okay, it sounds realistic. Like I'm gonna

0:11:31.120 --> 0:11:31.880
<v Speaker 2>wait for this show.

0:11:32.400 --> 0:11:36.320
<v Speaker 1>Buck Cashman warns Fisk meanwhile that you know, Sheila's right

0:11:36.360 --> 0:11:38.679
<v Speaker 1>about that mafia ward, it's going to be a problem.

0:11:39.120 --> 0:11:41.880
<v Speaker 1>Leroy argues with Matt he's not happy about the ten days.

0:11:41.920 --> 0:11:45.600
<v Speaker 1>He wants probation still, and Matt is like, listen, this

0:11:45.720 --> 0:11:48.080
<v Speaker 1>is as good as it gets. And then Leroy goes

0:11:48.760 --> 0:11:53.440
<v Speaker 1>on a impassioned monologue about just how difficult it is

0:11:53.480 --> 0:11:55.520
<v Speaker 1>to be entangled in the legal system. And be poor,

0:11:55.520 --> 0:11:57.080
<v Speaker 1>and Matt is like, Okay, you're right. Yeah.

0:11:57.120 --> 0:11:58.960
<v Speaker 3>It was good because I like the way that Matt

0:11:59.120 --> 0:12:02.319
<v Speaker 3>kind of Matt was still full of like the vim

0:12:02.440 --> 0:12:05.439
<v Speaker 3>and vigor of charming a lady and getting it down,

0:12:05.640 --> 0:12:08.160
<v Speaker 3>and to Matt it's just kind of paperwork. And then

0:12:08.200 --> 0:12:10.920
<v Speaker 3>he has the pal interaction where he's feeling pretty good

0:12:11.160 --> 0:12:13.160
<v Speaker 3>and then goes back to Leora and he's like, h

0:12:13.200 --> 0:12:16.320
<v Speaker 3>shouldn't this be like a thank you counselor, and they

0:12:16.360 --> 0:12:18.440
<v Speaker 3>were is like fuck you, Like I'm gonna tell.

0:12:18.320 --> 0:12:22.960
<v Speaker 1>You like this is I'm actually eating some stealing.

0:12:22.640 --> 0:12:25.520
<v Speaker 3>Some fucking fiddle battle. He's like, they cut my benefits off.

0:12:25.720 --> 0:12:28.200
<v Speaker 3>I thought that was such a great sequence and I

0:12:28.280 --> 0:12:30.600
<v Speaker 3>kind of loved how at the end Matt just had

0:12:30.600 --> 0:12:34.040
<v Speaker 3>to be like, yep, you're right. And the kind of

0:12:34.080 --> 0:12:38.800
<v Speaker 3>realization and recognition of what Matt can't do within the

0:12:39.000 --> 0:12:40.440
<v Speaker 3>kind of system was really good.

0:12:41.360 --> 0:12:44.800
<v Speaker 1>Fisk goes on his meat mayor Fisk Handshake tour to

0:12:45.000 --> 0:12:48.600
<v Speaker 1>like local schools and then, as you mentioned, the Latvian

0:12:49.160 --> 0:12:52.760
<v Speaker 1>the New York Latvian Association, where at every stop they're singing,

0:12:52.800 --> 0:12:55.800
<v Speaker 1>we built this city to Wilson Fisk, and he is

0:12:55.840 --> 0:12:58.960
<v Speaker 1>becoming more and more well, he's stream while the BB

0:12:59.160 --> 0:13:05.640
<v Speaker 1>report dropped it's skating peace with uh you know, Intel

0:13:05.800 --> 0:13:11.320
<v Speaker 1>sourced directly from assistant to the Mayor Dan about how

0:13:11.679 --> 0:13:15.680
<v Speaker 1>Mayor Fisk plans to use tech companies to undercut the

0:13:15.760 --> 0:13:19.199
<v Speaker 1>Department of Sanitation as as part of his plan for

0:13:19.240 --> 0:13:22.480
<v Speaker 1>Red Hook. And this is the result again of Dan

0:13:22.640 --> 0:13:28.480
<v Speaker 1>blabbing while on Kendeman and alcohol. Fisk is really really

0:13:28.520 --> 0:13:30.920
<v Speaker 1>really pissed. There's an all hands meeting. Dan takes full

0:13:30.960 --> 0:13:33.560
<v Speaker 1>responsibility and says, looks and I was drunk, I was

0:13:33.559 --> 0:13:36.640
<v Speaker 1>in a k hole. Is like, maybe you shouldn't tell

0:13:36.679 --> 0:13:40.520
<v Speaker 1>me about that part of it, and then he basically

0:13:40.600 --> 0:13:44.120
<v Speaker 1>is like listen, I will do I am your loyal soldier.

0:13:44.200 --> 0:13:46.560
<v Speaker 1>I will kiss your feet, I will do whatever it

0:13:46.720 --> 0:13:52.360
<v Speaker 1>takes to make you happy. And then Wilson Fisk is like, well, okay, fine.

0:13:53.240 --> 0:13:55.440
<v Speaker 2>Yeah, but he's like, boh, if you do it again,

0:13:55.480 --> 0:13:58.200
<v Speaker 2>I'll kill you. But I will literally kill you.

0:13:58.240 --> 0:14:02.520
<v Speaker 3>Also interesting evolution hip because Sheila and Fisk I definitely

0:14:02.720 --> 0:14:05.480
<v Speaker 3>was not sure about her place in the Fisk administration,

0:14:05.840 --> 0:14:10.720
<v Speaker 3>but because she takes responsibility and says, hey, whatever Dan did, like,

0:14:10.760 --> 0:14:12.840
<v Speaker 3>blame it on me. It's not on him, like I'll

0:14:12.880 --> 0:14:15.360
<v Speaker 3>take the full Suddenly, Fisk is like, wait a minute.

0:14:15.440 --> 0:14:17.840
<v Speaker 3>These are two people who I think I'm gonna have

0:14:17.920 --> 0:14:20.760
<v Speaker 3>on my team and see how this goes. Also, I

0:14:20.840 --> 0:14:24.760
<v Speaker 3>love that Phoebe's headline was just mad garbage and then

0:14:24.880 --> 0:14:29.560
<v Speaker 3>he keeps it. He's like, maya garbage like garbage man

0:14:29.680 --> 0:14:32.680
<v Speaker 3>like bb that she was catching it gone to his

0:14:32.760 --> 0:14:34.320
<v Speaker 3>skim babe, like good job.

0:14:35.680 --> 0:14:38.520
<v Speaker 1>At night. Matt goes to the site of Hector's murder

0:14:38.680 --> 0:14:42.400
<v Speaker 1>and using his heightened senses, figures out where the shellcasing

0:14:42.920 --> 0:14:46.200
<v Speaker 1>would have rolled and he finds it, and he finds

0:14:46.200 --> 0:14:49.160
<v Speaker 1>that it's engraved with a Punisher logo. So Matt goes

0:14:49.200 --> 0:14:53.520
<v Speaker 1>to see Frank at Frank's hideout, which Matt. I love

0:14:53.600 --> 0:14:55.400
<v Speaker 1>that Matt knows where it is.

0:14:55.600 --> 0:14:59.160
<v Speaker 3>Yeah, He's just like this motherfucker is like a Janita somewhere,

0:14:59.160 --> 0:15:00.600
<v Speaker 3>and Matt's like, where he is.

0:15:00.680 --> 0:15:02.200
<v Speaker 2>That's my pal, that's my friend.

0:15:02.320 --> 0:15:20.440
<v Speaker 5>Let's go to a quick break and we've right back. Yeah,

0:15:20.480 --> 0:15:21.120
<v Speaker 5>and we're back.

0:15:21.480 --> 0:15:25.240
<v Speaker 1>So at the Punisher's hideout, which is like in the

0:15:25.320 --> 0:15:28.800
<v Speaker 1>bowels of some buildings somewhere where I think you're right,

0:15:28.880 --> 0:15:32.920
<v Speaker 1>he's either working at day job as a janitor or

0:15:34.240 --> 0:15:38.680
<v Speaker 1>his is being hidden by janitarial staff or something.

0:15:38.480 --> 0:15:43.720
<v Speaker 3>Because he's like a janet's jumpsuit. But also the place

0:15:43.800 --> 0:15:45.680
<v Speaker 3>is just full of like AK forty seven.

0:15:45.840 --> 0:15:46.480
<v Speaker 2>There's a gun.

0:15:46.600 --> 0:15:49.720
<v Speaker 3>Everywhere, Like it's really like no one's like coming in

0:15:49.760 --> 0:15:52.160
<v Speaker 3>and being like yea, yeah, this guy's the super nothing

0:15:52.240 --> 0:15:53.280
<v Speaker 3>wrong here, like no.

0:15:53.360 --> 0:15:56.120
<v Speaker 1>Yeah, nobody's like no, nobody's coming down there to be like, hey,

0:15:56.240 --> 0:16:00.360
<v Speaker 1>my radiator is the work, like clearly because he's and

0:16:00.400 --> 0:16:03.080
<v Speaker 1>it's not just the guns and the ammo, but he's

0:16:03.120 --> 0:16:06.120
<v Speaker 1>got like a whole one wall is just like a

0:16:06.200 --> 0:16:09.760
<v Speaker 1>board of like targets, like full of people like he's

0:16:09.800 --> 0:16:13.720
<v Speaker 1>gonna kill yeah, And Matt and Frank pick up right

0:16:13.720 --> 0:16:17.560
<v Speaker 1>where they left off from their previous interactions, arguing about,

0:16:18.000 --> 0:16:20.000
<v Speaker 1>you know, in a philosophical way about the nature of

0:16:20.000 --> 0:16:22.200
<v Speaker 1>the work they do. Man, it's like, you know, I

0:16:22.280 --> 0:16:24.800
<v Speaker 1>kind of need your help, and the city in fact

0:16:24.800 --> 0:16:29.000
<v Speaker 1>needs your help, Like couldn't you start doing more like

0:16:29.080 --> 0:16:31.560
<v Speaker 1>crime fighting stuff? And Frank is like fuck that shit,

0:16:32.120 --> 0:16:35.600
<v Speaker 1>And then he's like, by the way, have you seen this?

0:16:35.760 --> 0:16:37.640
<v Speaker 1>And then he shows him the bullet casing. I love that.

0:16:37.680 --> 0:16:39.560
<v Speaker 1>Matt immediately knows it's not Frank.

0:16:39.360 --> 0:16:41.880
<v Speaker 3>Yeah, I know, I thought that was really great where

0:16:41.920 --> 0:16:44.720
<v Speaker 3>it was like they already kind of had this recognition

0:16:44.800 --> 0:16:49.200
<v Speaker 3>of these, you know, to quote them bullshit famboys. Yeah,

0:16:49.240 --> 0:16:52.680
<v Speaker 3>like that's that's something that has been going on, exists,

0:16:52.840 --> 0:16:55.320
<v Speaker 3>And both of them are awhere like it wasn't him, Like,

0:16:55.360 --> 0:16:56.760
<v Speaker 3>that's not what Frank does.

0:16:57.240 --> 0:16:58.880
<v Speaker 1>So Matt's like, you know some of those fan boys

0:16:58.920 --> 0:17:01.920
<v Speaker 1>or cops, and Frank's like, okay, what's that. That's not

0:17:02.000 --> 0:17:06.439
<v Speaker 1>my problem. Frank is completely uninterested in doing crime fighting stuff.

0:17:06.920 --> 0:17:08.880
<v Speaker 1>And then he turns the tables. He says, like, why

0:17:08.920 --> 0:17:10.920
<v Speaker 1>did you really come here? What's the real reason? I

0:17:11.000 --> 0:17:14.600
<v Speaker 1>think you came here? Because you want permission from me

0:17:14.760 --> 0:17:17.000
<v Speaker 1>the guy who actually kills the bad guys to kill

0:17:17.000 --> 0:17:21.560
<v Speaker 1>the bad guy, the bad guy being Dexter Bullseye, who

0:17:21.680 --> 0:17:25.120
<v Speaker 1>killed your good friend Foggy say his name? Why don't

0:17:25.119 --> 0:17:27.159
<v Speaker 1>why can't you even talk about Foggy? Why you know,

0:17:27.160 --> 0:17:30.080
<v Speaker 1>why are you not? Like? What about what about Fogster?

0:17:30.320 --> 0:17:34.760
<v Speaker 2>What his name name?

0:17:35.359 --> 0:17:40.080
<v Speaker 1>Matt breaks down, gets very upset, punches Frank and then

0:17:40.320 --> 0:17:44.680
<v Speaker 1>apologizes and he's like listen in a very an almost

0:17:44.720 --> 0:17:53.480
<v Speaker 1>like frantic, tearful, emotional explosion, says Dax cat Life. He

0:17:53.560 --> 0:17:57.399
<v Speaker 1>got multiple life terms. The system worked, but it's clear

0:17:57.480 --> 0:18:00.200
<v Speaker 1>that like the way he's saying it, he doesn't even really.

0:18:00.160 --> 0:18:01.879
<v Speaker 2>No, and he's like crying.

0:18:02.680 --> 0:18:04.399
<v Speaker 3>I thought this sequence was so good, and I had

0:18:04.480 --> 0:18:07.240
<v Speaker 3>to say it builds on something that I think this

0:18:07.320 --> 0:18:12.800
<v Speaker 3>show is doing immensely well, which is recognizing and accepting

0:18:13.160 --> 0:18:17.040
<v Speaker 3>the past of the Netflix shows but not letting them

0:18:17.280 --> 0:18:21.080
<v Speaker 3>overtake whatever this new kind of vision they have is.

0:18:21.240 --> 0:18:25.919
<v Speaker 3>Because you know, obviously Foggy IRFP to that man, he's dead. Karen,

0:18:25.960 --> 0:18:28.320
<v Speaker 3>we've barely seen her. She's in San Francisco now, and

0:18:28.359 --> 0:18:33.119
<v Speaker 3>now we get this really great interaction between Matt and Frank,

0:18:33.240 --> 0:18:35.120
<v Speaker 3>and you know what, we might never see Frank again

0:18:35.160 --> 0:18:35.720
<v Speaker 3>this season.

0:18:35.920 --> 0:18:38.639
<v Speaker 2>You never know. And I kind of love.

0:18:39.320 --> 0:18:43.680
<v Speaker 3>How self assured they are in making sure that if

0:18:43.680 --> 0:18:45.520
<v Speaker 3>these people are here, it's not just for a cameo.

0:18:45.720 --> 0:18:47.840
<v Speaker 2>It's part of this wider journey that Matt is on.

0:18:48.160 --> 0:18:51.720
<v Speaker 2>And you know what, Frank's not wrong. Also, Matt kills

0:18:51.720 --> 0:18:52.600
<v Speaker 2>people all the time.

0:18:52.680 --> 0:18:57.639
<v Speaker 3>I'm sorry, I don't believe it traumatic, not canonically, but

0:18:57.720 --> 0:19:00.000
<v Speaker 3>like in the show when we see the traumatic bris

0:19:00.160 --> 0:19:00.960
<v Speaker 3>injuries he's given.

0:19:01.280 --> 0:19:03.480
<v Speaker 2>For sure, but no, no, but I love this.

0:19:03.800 --> 0:19:06.560
<v Speaker 3>I think it's the strongest part about the Punisher and

0:19:06.760 --> 0:19:09.760
<v Speaker 3>dead evil stuff they set up before and it was great.

0:19:09.800 --> 0:19:12.639
<v Speaker 3>And I think that this also, you know, in a

0:19:13.040 --> 0:19:17.800
<v Speaker 3>writing kind of success, but also in the power of

0:19:18.080 --> 0:19:23.520
<v Speaker 3>Charlie Cox's performance. This is directly throwing back to that

0:19:23.680 --> 0:19:28.119
<v Speaker 3>moment where we see des get life and Matt looks

0:19:28.200 --> 0:19:31.240
<v Speaker 3>like furious in the court room. It's almost because it's

0:19:31.240 --> 0:19:34.159
<v Speaker 3>like it's not enough, you know, for him. So I

0:19:34.200 --> 0:19:35.480
<v Speaker 3>think that that is going.

0:19:35.400 --> 0:19:38.280
<v Speaker 2>To be a huge part of where we go from here.

0:19:39.040 --> 0:19:41.760
<v Speaker 1>I also think to your previous point about like do

0:19:41.840 --> 0:19:43.679
<v Speaker 1>this does this show have the chops? I think that

0:19:43.760 --> 0:19:49.399
<v Speaker 1>this conversation shows that they continue to have the chops.

0:19:48.440 --> 0:19:55.280
<v Speaker 1>The Punisher is it is a character because of his

0:19:55.440 --> 0:19:58.480
<v Speaker 1>use of guns, because of the fact that his symbol

0:19:58.640 --> 0:20:02.160
<v Speaker 1>in real life has been a opted by cops. Is

0:20:02.400 --> 0:20:06.840
<v Speaker 1>complicated and I think the Netflix series was maybe not

0:20:06.960 --> 0:20:11.199
<v Speaker 1>ready to deal with that reality, and this show is

0:20:11.280 --> 0:20:18.040
<v Speaker 1>dealing with it in a very well rounded, clear eyed way,

0:20:18.040 --> 0:20:24.280
<v Speaker 1>complex way that I think is really interesting. Like I

0:20:24.320 --> 0:20:28.280
<v Speaker 1>could listen to these guys argue for the entire episode.

0:20:28.320 --> 0:20:31.040
<v Speaker 1>I think this is I think it's a really interesting

0:20:31.080 --> 0:20:35.280
<v Speaker 1>conversation about the nature of heroism in this world. That

0:20:35.560 --> 0:20:40.480
<v Speaker 1>night over wine, Fisk tells Vanessa, whoa wait, we should

0:20:40.520 --> 0:20:41.159
<v Speaker 1>get back together.

0:20:41.880 --> 0:20:42.520
<v Speaker 2>We should do it.

0:20:43.040 --> 0:20:43.639
<v Speaker 3>We should do it.

0:20:43.960 --> 0:20:48.000
<v Speaker 2>I love I would never do anything to hurt.

0:20:49.040 --> 0:20:53.400
<v Speaker 3>You specifically, but other people I would have many times.

0:20:53.760 --> 0:20:55.920
<v Speaker 2>Has got me a big problem for us. Actually.

0:20:56.760 --> 0:21:00.360
<v Speaker 1>Matt, meanwhile, having date night of his own, he comes

0:21:00.400 --> 0:21:02.720
<v Speaker 1>home to find Heather is there. She was worried about

0:21:02.800 --> 0:21:05.679
<v Speaker 1>him because he was out crime fighting or whatever, you know,

0:21:05.760 --> 0:21:09.560
<v Speaker 1>like investigating and doing what he was. They have this

0:21:09.640 --> 0:21:14.879
<v Speaker 1>wonderful again the writing really good, this wonderful, real, real

0:21:15.040 --> 0:21:18.760
<v Speaker 1>feeling exchange where she's like, you know, it's I know

0:21:18.840 --> 0:21:22.639
<v Speaker 1>that you can handle yourself, but also it's like, because

0:21:22.640 --> 0:21:25.000
<v Speaker 1>you're blind, this other side of me comes out. It's like,

0:21:25.080 --> 0:21:28.320
<v Speaker 1>weirdly that's protective. I'm not that person, but I worry about.

0:21:28.160 --> 0:21:30.400
<v Speaker 3>You, and I like, I really like the moment where

0:21:30.400 --> 0:21:32.879
<v Speaker 3>she's like, if you're just out doing your thing and

0:21:32.960 --> 0:21:34.639
<v Speaker 3>I'm doing my thing, I'm not worried.

0:21:34.680 --> 0:21:36.160
<v Speaker 2>But the moment I stay.

0:21:35.920 --> 0:21:39.480
<v Speaker 3>Over and you don't come back, suddenly I'm like, wait,

0:21:39.560 --> 0:21:41.840
<v Speaker 3>what happened? Did he walk into traffic? Like she says

0:21:41.880 --> 0:21:44.560
<v Speaker 3>all this early silly stuff, but there's so much truth

0:21:44.720 --> 0:21:47.720
<v Speaker 3>it feels real. I have to say, Look, it's kind

0:21:47.720 --> 0:21:52.040
<v Speaker 3>of interesting to see, you know, a superhero show where

0:21:52.080 --> 0:21:55.000
<v Speaker 3>the morals and the kind of relationships are often very

0:21:55.000 --> 0:21:58.679
<v Speaker 3>black and white, very This is a very situation ship type.

0:21:59.320 --> 0:22:00.520
<v Speaker 2>Yeah, being to a.

0:22:00.480 --> 0:22:03.600
<v Speaker 3>Relationship where it's like this, you know, he's flotting with

0:22:03.640 --> 0:22:06.600
<v Speaker 3>the other women. He is, you know, still probably got

0:22:06.640 --> 0:22:09.440
<v Speaker 3>feelings for Karen, but this woman's staying in his house,

0:22:09.480 --> 0:22:12.439
<v Speaker 3>she's thinking about it. Just felt very real to me,

0:22:12.600 --> 0:22:14.879
<v Speaker 3>in the same way that that Matt and Frank conversation

0:22:15.040 --> 0:22:17.320
<v Speaker 3>felt real. I think the writers in this show just

0:22:17.600 --> 0:22:18.480
<v Speaker 3>keep delivering.

0:22:18.640 --> 0:22:22.280
<v Speaker 1>They've done a great job. Matt puts on the charm

0:22:22.840 --> 0:22:27.680
<v Speaker 1>and the pair have the kind of fully satisfying love

0:22:27.720 --> 0:22:30.960
<v Speaker 1>making session that you don't often see, even suggested on

0:22:31.040 --> 0:22:34.400
<v Speaker 1>Disney Plus, and this is certainly suggested. This is certainly

0:22:34.440 --> 0:22:38.000
<v Speaker 1>suggested here. Matt, unable to sleep after goes to the

0:22:38.080 --> 0:22:41.200
<v Speaker 1>roof to visit his Dearedevil stuff. He's got his whole

0:22:41.240 --> 0:22:44.320
<v Speaker 1>like Dearedevil. Yeah, he's got like many masques.

0:22:44.359 --> 0:22:46.439
<v Speaker 2>It's his little dad devil back cave.

0:22:47.280 --> 0:22:49.480
<v Speaker 3>He kind of goes through and I feel like there's

0:22:49.520 --> 0:22:52.760
<v Speaker 3>this I just felt like they do a really good

0:22:52.880 --> 0:22:57.879
<v Speaker 3>job of kind of spending time with him. He looks

0:22:57.920 --> 0:23:00.000
<v Speaker 3>at all the different masks, he looks at the differ

0:23:00.040 --> 0:23:02.320
<v Speaker 3>from versions of the suit. He's kind of having that

0:23:02.760 --> 0:23:05.720
<v Speaker 3>conversation in his head of which hero do you want

0:23:05.760 --> 0:23:07.359
<v Speaker 3>to be? And they don't need a voice over, they

0:23:07.359 --> 0:23:09.880
<v Speaker 3>don't need to tell you. It's just so clear by

0:23:10.440 --> 0:23:13.119
<v Speaker 3>by what he's doing. And it's really interesting.

0:23:13.280 --> 0:23:15.639
<v Speaker 1>I also love the I mean, this is a small point,

0:23:15.680 --> 0:23:21.439
<v Speaker 1>but like the dichotomy of Frank underground Matt above ground

0:23:21.480 --> 0:23:24.040
<v Speaker 1>on the roof, like they both have their little store

0:23:24.119 --> 0:23:28.920
<v Speaker 1>rooms of stuff but in different places, like kind of

0:23:29.240 --> 0:23:33.680
<v Speaker 1>mirroring their status as heroes and anti heroes. And so

0:23:33.720 --> 0:23:35.760
<v Speaker 1>Matt goes to his stuff and then he trains a

0:23:35.760 --> 0:23:37.680
<v Speaker 1>little bit clearly, Yeah, training.

0:23:37.400 --> 0:23:41.359
<v Speaker 2>With his like cool mace or something like. It was

0:23:41.400 --> 0:23:43.400
<v Speaker 2>like it was like it was like a chain.

0:23:43.320 --> 0:23:47.800
<v Speaker 3>And Uppi and chain and yeah, Rabba as very finish him,

0:23:48.200 --> 0:23:51.440
<v Speaker 3>almost very kill Bill, very kill Bill. Also as well,

0:23:51.600 --> 0:23:56.399
<v Speaker 3>another great kind of dichotomy and reflection here which has

0:23:56.440 --> 0:23:58.960
<v Speaker 3>been going on throughout the show is kind of Vanessa

0:23:59.119 --> 0:24:03.400
<v Speaker 3>and Fisk and their closed off relationship, their lack of honesty,

0:24:03.440 --> 0:24:05.240
<v Speaker 3>and then we get see Matt and head that having

0:24:05.240 --> 0:24:08.600
<v Speaker 3>this real honest conversation. And then as Matt is training,

0:24:08.600 --> 0:24:11.320
<v Speaker 3>we kind of cut back to Fisk and see how

0:24:11.320 --> 0:24:13.200
<v Speaker 3>he deals with his issues.

0:24:14.520 --> 0:24:18.399
<v Speaker 1>So we go to Fisk, who is one thing I've noticed.

0:24:19.160 --> 0:24:21.240
<v Speaker 1>I think that one of the ways and I think

0:24:21.240 --> 0:24:25.600
<v Speaker 1>this is so smart that they are marking the evolution

0:24:25.720 --> 0:24:28.159
<v Speaker 1>of Wilson Fisk from guy trying to be just the

0:24:28.200 --> 0:24:32.000
<v Speaker 1>straight up mayor to the kingpin again, is his food

0:24:32.119 --> 0:24:33.400
<v Speaker 1>is getting more opulent.

0:24:35.200 --> 0:24:38.399
<v Speaker 2>At the beginning, he's just eating like a little plain, a.

0:24:40.280 --> 0:24:43.600
<v Speaker 1>Little strip of something and some vegetables on the side,

0:24:43.640 --> 0:24:45.880
<v Speaker 1>and it's a very small and now we see him

0:24:46.440 --> 0:24:52.399
<v Speaker 1>digging into like this pile of pasta with sausage laid

0:24:52.440 --> 0:24:55.480
<v Speaker 1>over the top. It looks really good. And he's down

0:24:55.480 --> 0:24:59.359
<v Speaker 1>in his basement eating next to a cage in which

0:24:59.400 --> 0:25:01.080
<v Speaker 1>he keeps Adam.

0:25:03.680 --> 0:25:08.200
<v Speaker 3>Well, this answers our question why he did somebody kept

0:25:08.240 --> 0:25:10.359
<v Speaker 3>in prison. We were right about that, but I have

0:25:10.440 --> 0:25:12.280
<v Speaker 3>to say I thought it was just gonna be a

0:25:12.320 --> 0:25:12.959
<v Speaker 3>gang Bossel.

0:25:13.160 --> 0:25:16.040
<v Speaker 2>I did not perceive that. I did not know.

0:25:16.359 --> 0:25:18.840
<v Speaker 3>I did not see that coming. It's clear Adam's been

0:25:18.840 --> 0:25:23.720
<v Speaker 3>there for a long time. Adam is beauty, he's I

0:25:23.720 --> 0:25:26.000
<v Speaker 3>don't know if his hands are looking great, and Wilson's

0:25:26.080 --> 0:25:29.199
<v Speaker 3>just sitting there eat opulent, eating his little dinner, just

0:25:29.240 --> 0:25:30.359
<v Speaker 3>looking at him like.

0:25:30.600 --> 0:25:32.879
<v Speaker 2>Yes, you shouldn't have slept with my wife.

0:25:33.400 --> 0:25:38.200
<v Speaker 1>I'm like sorry, And Adam is clearly starving as well, Yeah, yeah,

0:25:38.240 --> 0:25:42.000
<v Speaker 1>I need food, like and he's like, yeah, it's just

0:25:42.040 --> 0:25:44.040
<v Speaker 1>because like eating this big pile of pasta.

0:25:44.119 --> 0:25:45.320
<v Speaker 2>He's like, not happening for you.

0:25:45.520 --> 0:25:48.880
<v Speaker 3>And also as well, obviously a great point here, which

0:25:49.000 --> 0:25:53.320
<v Speaker 3>is like Wilson's idea of what it means to be

0:25:53.520 --> 0:25:57.760
<v Speaker 3>honest to Vanessa and be open is never gonna really

0:25:58.200 --> 0:26:00.240
<v Speaker 3>lead to anything positive.

0:26:00.119 --> 0:26:00.600
<v Speaker 1>That's right.

0:26:00.840 --> 0:26:03.080
<v Speaker 2>But say, I did think it was.

0:26:03.080 --> 0:26:10.720
<v Speaker 3>Pretty hilarious when in the moment of the therapy where

0:26:10.800 --> 0:26:14.840
<v Speaker 3>Vanessa and Fisk were both being asked by Heather like

0:26:14.960 --> 0:26:18.160
<v Speaker 3>where's Adam now, you know, they both say I don't

0:26:18.160 --> 0:26:20.960
<v Speaker 3>know exactly the same time. So I'm also like, hey,

0:26:20.960 --> 0:26:22.640
<v Speaker 3>I don't know, maybe this is what gets them off.

0:26:22.680 --> 0:26:25.679
<v Speaker 3>Maybe Adam's down there like maybe this was the compromise.

0:26:26.080 --> 0:26:28.160
<v Speaker 2>You're not gonna kill him, but you can keep him prisoner.

0:26:28.240 --> 0:26:28.600
<v Speaker 2>I don't know.

0:26:28.640 --> 0:26:31.359
<v Speaker 3>Those two are really messed up, But Wilson, you gotta

0:26:31.359 --> 0:26:34.720
<v Speaker 3>get this has gotta stop. You gotta I guess i'd

0:26:34.720 --> 0:26:36.359
<v Speaker 3>say let him go, but that's never gonna happen.

0:26:36.359 --> 0:26:36.879
<v Speaker 2>So you've got to.

0:26:38.280 --> 0:26:44.720
<v Speaker 1>Happen, Wilson is. I mean, you're exactly right in that.

0:26:44.960 --> 0:26:48.040
<v Speaker 1>I think this is his version of telling the truth,

0:26:48.080 --> 0:26:52.320
<v Speaker 1>which is like this very legalistic. Well, I'm not that

0:26:52.400 --> 0:26:55.400
<v Speaker 1>guy anymore. There's been no violence, which is like, clearly

0:26:55.920 --> 0:26:59.320
<v Speaker 1>you've been beating on the guy. But like, but he

0:26:59.760 --> 0:27:00.159
<v Speaker 1>said he.

0:27:00.119 --> 0:27:01.080
<v Speaker 2>Wouldn't kill them.

0:27:01.480 --> 0:27:07.479
<v Speaker 1>Yeah, he's alive still, So yeah, Wilson clearly still the

0:27:07.480 --> 0:27:10.439
<v Speaker 1>man he always was. Then we go to the subway

0:27:10.480 --> 0:27:15.600
<v Speaker 1>tunnels where Muse is draining the blood of a victim

0:27:16.280 --> 0:27:19.240
<v Speaker 1>for use in his street art. This is how Muse

0:27:19.320 --> 0:27:22.439
<v Speaker 1>paints his murals using the blood of his victims. Then

0:27:22.480 --> 0:27:25.840
<v Speaker 1>we cut to the credits. Another great episode.

0:27:25.440 --> 0:27:29.119
<v Speaker 2>Of Okay, so is Muse?

0:27:29.320 --> 0:27:31.280
<v Speaker 3>Now we've kind of gotten about I look at the mosque,

0:27:31.280 --> 0:27:33.480
<v Speaker 3>which I love this design. I think it looks great.

0:27:34.119 --> 0:27:34.720
<v Speaker 2>Is Muse?

0:27:35.240 --> 0:27:38.399
<v Speaker 3>The kids who came to had the Glenns signing and

0:27:38.440 --> 0:27:39.400
<v Speaker 3>said I need help.

0:27:39.520 --> 0:27:43.400
<v Speaker 2>I think so too. I think that's what the kind

0:27:43.440 --> 0:27:44.760
<v Speaker 2>of implication is.

0:27:44.920 --> 0:27:50.400
<v Speaker 1>The energy was like the insistence, the air of desperation.

0:27:51.240 --> 0:27:54.080
<v Speaker 1>It I think clearly it's going to be that.

0:27:55.160 --> 0:27:59.520
<v Speaker 3>I'm very interested to see if because this is again

0:27:59.600 --> 0:28:02.240
<v Speaker 3>taking from the Charles Saw stuff, which we know is

0:28:02.240 --> 0:28:05.159
<v Speaker 3>a really big influence here with a Ronghani legend. You

0:28:05.280 --> 0:28:08.199
<v Speaker 3>probably most recently people know him for doing Bazaka with

0:28:08.280 --> 0:28:09.879
<v Speaker 3>Keanu Reeves and Matt kint.

0:28:10.640 --> 0:28:13.680
<v Speaker 2>This is really interesting stuff because.

0:28:13.400 --> 0:28:18.919
<v Speaker 3>In the comics, Muse is an inhuman and also Muse

0:28:19.040 --> 0:28:24.920
<v Speaker 3>like kills in humans, and this is very much around

0:28:24.960 --> 0:28:28.560
<v Speaker 3>the time that Wilson is rising to powers mayor and

0:28:28.640 --> 0:28:31.359
<v Speaker 3>his establishment of anti vigilante laws, which we are seeing,

0:28:31.400 --> 0:28:31.960
<v Speaker 3>so this all.

0:28:31.920 --> 0:28:34.520
<v Speaker 2>Tracks with the comics. I'm just interested to.

0:28:34.520 --> 0:28:41.200
<v Speaker 3>See if they continue the route of Muse bringing bigger

0:28:41.200 --> 0:28:44.600
<v Speaker 3>and more violent art to life, because he begins, as

0:28:44.600 --> 0:28:48.160
<v Speaker 3>we see here, with this blood mural and they find

0:28:48.200 --> 0:28:50.360
<v Speaker 3>out it has the blood of hundreds of people. But

0:28:50.520 --> 0:28:53.760
<v Speaker 3>next he kind of poses dead in humans. It gets

0:28:53.760 --> 0:28:58.760
<v Speaker 3>a lot more Hannahbalish, and then soon it's a very

0:28:58.880 --> 0:29:01.880
<v Speaker 3>very interesting kind of reveal of what his powers are.

0:29:01.960 --> 0:29:04.959
<v Speaker 3>Essentially a power to be overstimulated, which I think is

0:29:05.000 --> 0:29:07.520
<v Speaker 3>the worst superhero you could ever deal with. But yeah,

0:29:07.600 --> 0:29:14.400
<v Speaker 3>I'm I'm very interested to see what happens because I

0:29:14.440 --> 0:29:19.360
<v Speaker 3>think there could be some interesting routes from the comics

0:29:19.400 --> 0:29:23.080
<v Speaker 3>where kind of Muse and punishes stories intertwine and become

0:29:23.160 --> 0:29:27.840
<v Speaker 3>part of Fisk's anti vigilante kind of stuff. But I'm

0:29:27.920 --> 0:29:30.680
<v Speaker 3>just interested. I didn't think that we would get Muse.

0:29:30.760 --> 0:29:32.080
<v Speaker 3>I know we'd seen him in the trailer, but I

0:29:32.160 --> 0:29:35.200
<v Speaker 3>mean pre that, I just thought, this is a really

0:29:35.320 --> 0:29:40.000
<v Speaker 3>dark storyline, and I think maybe this is where they're

0:29:40.000 --> 0:29:43.280
<v Speaker 3>gonna real Obviously, end of episode three with Hector being

0:29:43.320 --> 0:29:45.800
<v Speaker 3>shot in the head was just as brutal as anything

0:29:45.840 --> 0:29:48.120
<v Speaker 3>you'll see on the Netflix show. But I wonder if

0:29:48.160 --> 0:29:50.000
<v Speaker 3>this is where they're gonna go. Oh, actually, we can

0:29:50.080 --> 0:29:52.920
<v Speaker 3>go even darker, Like we can do something scarier, we

0:29:52.960 --> 0:29:55.400
<v Speaker 3>can kind of Hannibal Lek to this a little bit.

0:29:55.720 --> 0:29:58.760
<v Speaker 3>I'm intrigued. I like mus I was a fan of that.

0:29:58.800 --> 0:30:02.080
<v Speaker 3>There was a lot of plotline around this time that

0:30:02.200 --> 0:30:05.040
<v Speaker 3>was similar. DC also had a hero like a villain

0:30:05.160 --> 0:30:08.680
<v Speaker 3>like this, a kind of our super villain. I'm interested

0:30:08.680 --> 0:30:10.760
<v Speaker 3>to know what that kind of represents, maybe a reaction

0:30:10.840 --> 0:30:11.920
<v Speaker 3>to Banks or something.

0:30:12.000 --> 0:30:14.760
<v Speaker 2>I'm not sure, but yeah, I want to.

0:30:14.720 --> 0:30:16.960
<v Speaker 3>Know where this goes next because it feels like it's

0:30:17.000 --> 0:30:19.560
<v Speaker 3>gonna go really, really dark, but this show has done

0:30:19.560 --> 0:30:22.240
<v Speaker 3>a good job of surprising me and kind of balancing

0:30:22.600 --> 0:30:24.800
<v Speaker 3>the charm of the MCU with the bleakness of the

0:30:24.840 --> 0:30:25.680
<v Speaker 3>Netflix shows.

0:30:26.680 --> 0:30:28.600
<v Speaker 1>In the next few episodes of X ray Vision, we

0:30:28.640 --> 0:30:31.480
<v Speaker 1>have our second book club meeting. Make sure you read

0:30:32.120 --> 0:30:35.920
<v Speaker 1>the wonderful first story in Ted Chang's Exhalation collection of

0:30:35.920 --> 0:30:38.600
<v Speaker 1>short stories. And then on Wednesday we'll be reacting uh

0:30:38.760 --> 0:30:43.920
<v Speaker 1>oh finale season two of Severn's Hopefully it won't be

0:30:43.960 --> 0:30:47.400
<v Speaker 1>another two plus years before we get another fingers Crossed

0:30:47.440 --> 0:30:50.840
<v Speaker 1>season of that. And then Thursday we're gonna react to

0:30:50.880 --> 0:30:53.640
<v Speaker 1>the Double Daredevil drop of episodes one oh five and

0:30:53.800 --> 0:30:55.680
<v Speaker 1>one oh six. That's it for this episode.

0:30:55.720 --> 0:30:59.440
<v Speaker 3>Thant for listening, Thank you for listening, Goodbye, Goodbye read.

0:31:04.920 --> 0:31:07.560
<v Speaker 1>X ray Vision is hosted by Jason Sepcion and Rosie

0:31:07.640 --> 0:31:09.720
<v Speaker 1>Knight and is a production of iHeart Podcasts.

0:31:10.040 --> 0:31:13.640
<v Speaker 3>Our executive producers are Joel Monique and Aaron Kaufman.

0:31:13.880 --> 0:31:15.920
<v Speaker 1>Our supervising producer is Abu Zafar.

0:31:16.280 --> 0:31:20.240
<v Speaker 3>Our producers are Common Laurent Dean Jonathan, and Fay Wax.

0:31:20.360 --> 0:31:23.120
<v Speaker 1>Our theme song is by Brian Vasquez, with alternate theme

0:31:23.200 --> 0:31:24.480
<v Speaker 1>songs by Aaron Kaufman.

0:31:24.640 --> 0:31:28.400
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and Heidi,

0:31:28.680 --> 0:31:29.840
<v Speaker 3>our discord moderator,