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Speaker 1: Wake that ass up in the morning.

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Speaker 2: Breakfast Club Morning.

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Speaker 3: Everybody's d j Envy Jess hilarious, Charlamage the guy. We

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Speaker 3: are the Breakfast Club Justics on maternity leave. So Laura

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Speaker 3: la Ross is filling in, and we got our niece

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Speaker 3: with us today, Nyla, big Nyla. All right, And we

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Speaker 3: got a special guest in the building. We have October London.

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Speaker 2: Welcome brother.

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Speaker 4: Good morning, sir, Good morning. How do you feeling.

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Speaker 1: I feel good? Feel good? Man?

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Speaker 4: Is it hard to put on the double vestitude and

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Speaker 4: time stumble in the morning? Not at all.

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Speaker 1: I actually love it. YEA fresh look, very fresh, Yeah

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Speaker 1: for sure. Sometimes I sleeping on the bus.

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Speaker 2: Now you're signed to death row Yeah with snoop.

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Speaker 3: Yeah, now talk about how you got the deal and

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Speaker 3: how he heard you and how that all came together.

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Speaker 2: I don't know.

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Speaker 1: Yeahah, so I was actually on my way to graduating

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Speaker 1: truck driving school truck and school truck and school. No,

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Speaker 1: I quit right before.

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Speaker 4: Some time.

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Speaker 1: Yeah, I was a.

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Speaker 4: Lot of trucks. I just don't like how they drive.

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Speaker 1: Yeah, it's a lot to it. But I was about

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Speaker 1: to I didn't. I didn't do it because I end

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Speaker 1: up linking up with Jazzy Fay. I ended up, you know,

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Speaker 1: linking up with him through a friend of a friend,

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Speaker 1: and I got his number and I text him like, Yo,

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Speaker 1: I got these records, you know, blah blah blah blah.

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Speaker 1: But I was sending them records. There were rap records,

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Speaker 1: their records for future, there records for all these other artists.

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Speaker 2: You were producing.

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Speaker 1: Yeah, yeah, I was producing, you know. I was writing

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Speaker 1: them all oh yeah, yeah, putting hooks on them. And

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Speaker 1: I happened to just kind of sneak in one of

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Speaker 1: my songs that I did call color Blind that had

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Speaker 1: that kind of Marvin lane, and I sent it to him.

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Speaker 1: I just waited, and he hit me back and was like, Yo,

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Speaker 1: you got some you got some heat, you know, linking

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Speaker 1: up with somebody. He didn't tell me who it was.

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Speaker 1: He was like, I'm not gonna tell you who it

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Speaker 1: is or anything like that, but I'm looking over with somebody,

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Speaker 1: like really important legend in the game. I might play

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Speaker 1: it for him. I was like, oh, awesome, cool, Yeah, yeah,

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Speaker 1: you know it's I've been through the Ringer, you know,

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Speaker 1: so I'm like, all right, cool, whatever, whatever, you know.

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Speaker 1: So I kept going back to school all that kind

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Speaker 1: of stuff as far as trucking and and come. But

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Speaker 1: we kept you know, conversation on and off. So that

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Speaker 1: was like that was like December when I got to

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Speaker 1: talk to him first. So fast forward to about February

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Speaker 1: and he hit me up and he was like, Yo,

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Speaker 1: you remember I told you I was gonna play your

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Speaker 1: records for someone. I was like yeah. He was like,

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Speaker 1: I'm gonna have him call you or we're gonna call

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Speaker 1: you together and you can talk to him and he can,

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Speaker 1: you know, tell you what's up. I was like, all right, cool,

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Speaker 1: this was twenty sixteen now, yeah, up to sixteen. And

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Speaker 1: the night before the Super Bowl, he hit me up

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Speaker 1: and was like, yo, I got that person online. Hold

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Speaker 1: on this second and he was with him and he

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Speaker 1: was like, yeah, it's the big homie Snoop dog Man.

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Speaker 1: I'm a big fan. I was like, Oh, how did

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Speaker 1: you feel? I honestly, I was like this, this has

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Speaker 1: gotta be a joke. I was like, you know, at

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Speaker 1: that point, I'm like, nah, this can't be real. And

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Speaker 1: yeah it was. It was real. And he was like, Yo,

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Speaker 1: I'm gonna fly you out. Me and Jazzy gonna link

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Speaker 1: up talk about you know, how we're gonna do this.

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Speaker 1: We're gonna do it together, said okay, cool, And a

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Speaker 1: couple of days after that, he was like, yeah, we're

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Speaker 1: gonna fly you out around March, so you know there

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Speaker 1: in March sixteen two, and I was around that's when

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Speaker 1: I met him.

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Speaker 4: But why why why just throw away to see the

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Speaker 4: l dream? We need a lot more true? Shut up? Man?

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Speaker 4: But I mean he was right there, man, he was.

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Speaker 1: I was right there, But I don't know, it just wasn't.

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Speaker 1: It wasn't. It wasn't for me at that. I mean,

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Speaker 1: I'm not gonna pass up opportunity.

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Speaker 4: I'm actually I guess the question I'm really asking about

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Speaker 4: is just faith, Like, how does your discernment say, Man,

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Speaker 4: even though I've been doing this for so long and

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Speaker 4: I'm right there, I'm gonna have faith in this situation

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Speaker 4: over here to pool coming through?

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Speaker 1: I don't know. I I believe in God. So I

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Speaker 1: just kind of was going off for him, and I

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Speaker 1: really was like, no, this is gonna be messed up.

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Speaker 1: You need to go stick with this due to nine

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Speaker 1: to five. It's just gonna be another obstacle. You're not

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Speaker 1: gonna make it the same thing I've been doing for years.

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Speaker 1: At this point, I've been oh, it's about to be on.

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Speaker 1: Oh now it's not happening. No, it's about to be

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Speaker 1: on always. I've done that several times over. So at

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Speaker 1: first I was kind of skeptical. I was like, man,

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Speaker 1: you're gonna go out here. He was gonna hear your music.

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Speaker 1: It's gonna say, okay, cool, You're gonna do one song.

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Speaker 1: It's not gonna go nowhere. What I'm thinking a million things,

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Speaker 1: And it just happened, you know, it just we got there,

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Speaker 1: me and him click. You know, me and him both

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Speaker 1: are libras. So we did one song. He played one beat.

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Speaker 1: He's like, yo, I want you to hear this track.

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Speaker 1: He played it got it's called top Down. I think

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Speaker 1: it's out still and uh. He played that record and

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Speaker 1: I instantly started, you know, writing to it, and I

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Speaker 1: had a hook really quick, and he was like, damn, okay,

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Speaker 1: all right. He's like going to studio and you know,

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Speaker 1: record it, went in there, recorded it, he put his

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Speaker 1: verse on there. He's like, all right, let me do

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Speaker 1: something else. Put it another beat and I did that

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Speaker 1: one really quick and he was like, okay, so you

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Speaker 1: got a little work ethic and then me and him

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Speaker 1: for the next six months, maybe three to six months,

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Speaker 1: just back and forth working at ch' like work ethic

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Speaker 1: because he was like, okay, you you're for real.

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Speaker 5: How did your family feel about you being like, oh, okay,

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Speaker 5: I was this close, but I'm gonna just go over

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Speaker 5: here and do this thing because they've been riding a

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Speaker 5: ways with you.

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Speaker 4: Yeah.

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Speaker 1: Yeah, they've been riding and raised with me for a

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Speaker 1: long time. But they've been really supportive. Family, friends, everybody's

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Speaker 1: been supportive. I don't know how many times I've called

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Speaker 1: my boy Jamie, but.

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Speaker 2: They in the business.

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Speaker 4: Though.

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Speaker 2: Your mom's the singer of your dad.

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Speaker 1: My dad was. My dad was in the business. Yeah,

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Speaker 1: my dad was in the business. He toured and you know,

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Speaker 1: with Earth Wind and Fire and all that kind probably

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Speaker 1: opening up for him something like that, but it never

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Speaker 1: really reached this level. So he's a static, gotcha.

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Speaker 5: So that's where your soul for like, your household was

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Speaker 5: full of music. Absolutely, I hear it in all this time.

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Speaker 4: Absolutely. Yeah.

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Speaker 1: I grew up on before even listening to even rapper,

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Speaker 1: even Snooper any thing. I was listening to Earth Wind

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Speaker 1: and Fire, I was listening to confunction.

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Speaker 4: I was just not.

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Speaker 1: You know, so many artists. Frankie Beverly rest in peace.

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Speaker 4: You know.

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Speaker 1: So I've been listening to old school for a while,

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Speaker 1: and then I started listening to jazz and I started

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Speaker 1: getting into that more, a little bit of Miles Davis.

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Speaker 1: So as far as music goes, I'm all across the board.

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Speaker 6: Now, where were you before you got the call to

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Speaker 6: go to LA Because how does the truck driver connect

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Speaker 6: with Jazzy fay Well?

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Speaker 1: I mean, you know, it was just because my boy

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Speaker 1: knew somebody that knew something.

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Speaker 4: It was.

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Speaker 1: It was that whole you gotta know somebody kind of

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Speaker 1: aspect to it. So, you know, my boy DeMarco Black

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Speaker 1: called me and was like, Yo, come over to the house.

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Speaker 1: I got this contact. I was like, all right, Cool.

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Speaker 1: I was like, I really don't want to do this. Man,

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Speaker 1: I'm doing this. I'm about to do this nine to

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Speaker 1: five things. Man, I'm tired. I don't want to you know.

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Speaker 1: I went over there. I was like, okay, cool, let's

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Speaker 1: let's make this call. And then we ended up making

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Speaker 1: the call in it it just worked out.

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Speaker 6: Were you doing all of this in Indiana or did

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Speaker 6: you like venture out to another Yeah.

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Speaker 1: I was doing all this in South Bend, Indiana.

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Speaker 4: Yeah, South Bend, Indiana. That's where Mayor Pete used to be.

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Speaker 4: That's right.

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Speaker 1: Yeah, yeah, he gave me a proclamation before he dipped

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Speaker 1: out office.

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Speaker 4: What kind of time that must be, like a progressive

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Speaker 4: time if they elected the first well I don't know

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Speaker 4: if he's the first game man. He had to be

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Speaker 4: the first game man in South Bend, right.

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Speaker 1: Yeah, I mean it's up. Yeah, you have Notre Dame.

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Speaker 1: I live for the cross street from Notre Dame, so yeah,

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Speaker 1: so you have that. But yeah, it's a college town.

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Speaker 1: You know, it's not too small and it's not it's

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Speaker 1: not a big town at all.

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Speaker 4: But yeah, he gave you what a key to the city.

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Speaker 1: No, no, he gave me the option. He said, either

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Speaker 1: I can give you the key to the city, because

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Speaker 1: he had heard Colorblind and saw where I was going

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Speaker 1: with it. And it's not South Bend. It's definitely not

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Speaker 1: musically inclined at all. It's more sports. It's Notre Dame.

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Speaker 1: Or it's cold, so it's all that kind of stuff.

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Speaker 1: So he was like, you can either a Keida city

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Speaker 1: you can have the proclamation. I was like, okay, Well,

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Speaker 1: was the key to the city can open up, but

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Speaker 1: it's like, you know nothing, but you can have this proclamation.

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Speaker 1: And I was like yeah, yeah. I was like, well,

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Speaker 1: I mean I knew, but I was just like I

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Speaker 1: was kind of being you know, I wasn't like, yeah,

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Speaker 1: what door is, like what is this? Are you you know? What?

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Speaker 1: Am I getting out for this? And he was like no,

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Speaker 1: it's just you know. I was like no. I was like, no,

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Speaker 1: I'm good ilamation.

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Speaker 4: Yeah.

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Speaker 2: I was just let it just go.

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Speaker 4: A great dude, piece a great dude.

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Speaker 1: Yeah yeah, no, No, he's good. He's good. So it

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Speaker 1: was like the proclamation you have your own day and

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Speaker 1: they have to celebrate you for the rest of your

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Speaker 1: life on this day. And I was like, I'll take that.

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Speaker 2: Now. You signed to death Row?

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Speaker 3: Was were you nervous to sign the death or because

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Speaker 3: this was the relaunch of death Row and I'm sure

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Speaker 3: you know, with with icons like pop and Snoop and

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Speaker 3: DPG and all that, I'm sure people were assuming the

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Speaker 3: first one was gonna be a rapper, right, a.

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Speaker 2: Hardcore rapper, but it was it was you. Was you

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Speaker 2: nervous at all?

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Speaker 1: Absolutely? Yeah, I just knew. I was in the room

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Speaker 1: when he was finishing the call like deals done, okay?

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Speaker 4: Cool.

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Speaker 1: I was like, bad, oh, this is gonna be dope

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Speaker 1: for you, man, you know, gonna find some dope wrapper

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Speaker 1: out of La or somewhere like that. And he was like, no, no, no,

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Speaker 1: it's gonna be you. I'm like, what, like that don't

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Speaker 1: even make sense. This is a gangst the rap label.

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Speaker 1: Like I thought we was doing this other thing. He's like, no, no, no,

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Speaker 1: You're gonna be the flagship for death Row.

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Speaker 2: I was like, I've been learning how to cut well

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Speaker 2: yeah like that.

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Speaker 1: You know, I'm working on it. But I'm just like, man,

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Speaker 1: I don't know if that's gonna work out, but it's snoop.

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Speaker 1: You kind of roll with that and it worked out.

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Speaker 1: It was just we're like, we're gonna put out this

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Speaker 1: R and B album. Whatever this R and B album

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Speaker 1: is gonna be. We didn't figure out what it was.

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Speaker 1: He knows I'm a multi genre artist, so he's like,

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Speaker 1: we're gonna figure it out along the way, but you're

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Speaker 1: gonna be the first person that we put out.

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Speaker 6: Your death Row like legacy. Like Doctor Dre or Sugar

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Speaker 6: like commented on your work.

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Speaker 1: Uh yeah, Doctor Dre has for sure. Yeah, yeah, I've

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Speaker 1: been in the studio with doctor Dre several times. I'm

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Speaker 1: actually on the new uh drean Snoop album that's coming

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Speaker 1: out this year.

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Speaker 4: Missionary.

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Speaker 1: Yeah, missionary crazy title.

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Speaker 4: I love it.

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Speaker 1: I love it. So I've I've been able to hear

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Speaker 1: that whole album in full, and that album sounds incredible,

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Speaker 1: by the way, So shout out to Dreams.

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Speaker 4: So on that level, is it? Because you knows a

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Speaker 4: lot of expectation Dre and Snoop, they're saying, is to

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Speaker 4: follow up the doggy starts, a lot of expectation.

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Speaker 1: It's it's amazing.

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Speaker 4: It meets the mark.

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Speaker 1: Yeah, it hits the mark definitely. So you know, Dre

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Speaker 1: Dre definitely loves my music. I've played the other stuff too,

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Speaker 1: but he really loves and even that track that I'm

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Speaker 1: on is very Marvin gay esque because he you know,

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Speaker 1: he loves Marvel.

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Speaker 4: Now I'm being nosy.

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Speaker 5: Is the project cohesais?

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Speaker 4: Like?

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Speaker 6: Is there a message with a missionary or like I.

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Speaker 1: Don't want to give too much?

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Speaker 4: Yeah?

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Speaker 1: I don't want to give too much. I don't want

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Speaker 1: to you know, I don't need Drake calling me.

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Speaker 4: I do not need that. What happened with the Marvin

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Speaker 4: gate wasn't Dre doing the mark what they were doing

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Speaker 4: a Marvin Gaatee movie and he was doing the soundtrack.

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Speaker 4: Were you involved in that?

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Speaker 1: Yeah, yeah, that's what I heard. I heard that there

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Speaker 1: was a soundtrack or something like that, or a movie,

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Speaker 1: but I don't know where it was going. And I

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Speaker 1: think I was going to be a part of that.

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Speaker 1: But I haven't really heard anything on this. I don't know.

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Speaker 4: When you put out the Rebirth of Marvin, I thought

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Speaker 4: you was a bug.

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Speaker 1: I know I saw it.

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Speaker 4: I saw it because I felt like you was putting

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Speaker 4: too much pressure on yourself, because when you compare yourself

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Speaker 4: the mythical kind and the ghosts like Marvin, that's an

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Speaker 4: impossible bar to reach. So what was your mindset? I

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Speaker 4: know you put that up.

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Speaker 1: I didn't that album was not supposed to come out.

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Speaker 1: That album was that. I wasn't trying to be Marvin,

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Speaker 1: not trying to fill his shoes. I'm not trying to

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Speaker 1: do any of that. That's not what I was trying

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Speaker 1: to do. Like I said, I'm a multi genre artists.

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Speaker 4: I just go off of vibes.

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Speaker 1: So if I'm feeling oh today, I'm gonna do pop today,

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Speaker 1: then I'm gonna go in the studio, probably knock out

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Speaker 1: a whole pop album real quick, and I'm gonna ahead

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Speaker 1: and set the side because that's what I'm feeling. So

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Speaker 1: I go off of feeling, you know, feeling the music

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Speaker 1: and what I'm you know, what I'm feeling at that time.

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Speaker 1: So I was in the studio and if you've been

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Speaker 1: to snoops compound, he plays music twenty four hours a day,

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Speaker 1: seven days a week through the hallways. And at that

295
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Speaker 1: time I was in the studio just going through stuff

296
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Speaker 1: and trying to figure out what track I was gonna

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Speaker 1: do next, and uh, Marvin played like three four times,

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Speaker 1: so then instantly in my head, I'm already in that zone.

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Speaker 1: So I was like, okay, cool. Then Snoop sent over

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Speaker 1: a track and I was like, oh, this is dope.

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Speaker 1: And then I started doing it and I was like, oh,

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Speaker 1: it sounds a little bit Marvin, but I'm just gonna

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Speaker 1: keep doing it.

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Speaker 4: Whatever.

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Speaker 1: Liked it so much, so I was like, I'm gonna

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Speaker 1: do another track, and then Snoop came in and was like, Yo,

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Speaker 1: this is really dope. Let me know when you know

308
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Speaker 1: finished with it, because he knows I like to work

309
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Speaker 1: and like, I like to work in spurts, so I

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Speaker 1: don't do just one track and go to next. Like

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Speaker 1: I'm like, well, if I've done too, I might as

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Speaker 1: well do eight more and make it an album. And

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Speaker 1: I just put it up a bunch of records, just

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Speaker 1: put up. I finished the record in like a week.

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Speaker 1: Rebirth of Marvin was done the week. I pretty much

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Speaker 1: freestyled the whole thing as far as freestyle, and I

317
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Speaker 1: know it's different, but it's like going up to the

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Speaker 1: mic and just kind of saying what I feel. Did

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Speaker 1: that Like Back to Your Place was done in an hour.

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Speaker 1: My Holland Drive was done the hour. Both of those

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Speaker 1: went number one. So that's how I do all of

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Speaker 1: my music. So I put it away. I was like,

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Speaker 1: all right, that was fun. I was in that Marvin

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Speaker 1: Lane Gray, let me put aside. Now let me get

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Speaker 1: on this Brice and Tiller lane real quick, because that's

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Speaker 1: what I wanted to put out. That's what I thought

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Speaker 1: Dog wanted me to do, and that's not what happened.

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Speaker 1: Dog came in and it was like, what you're doing.

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Speaker 1: I'm like, oh, I'm just putting it up. I'm gonna

330
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Speaker 1: start on this. He was like no, no, no, no, no,

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Speaker 1: no no, we're putting this out like no, nobody want

332
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Speaker 1: to hear Old School right now. It's like, trust me,

333
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Speaker 1: this is the lane is open, nobody's doing it right now.

334
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Speaker 1: Let's just do it all right. Cool, but it sounds

335
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Speaker 1: a little bit like Marvin. It's like, no, I don't

336
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Speaker 1: worry about that. I'm like, they're gonna chew me. They're

337
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Speaker 1: gonna chew my ass up. So you know, we started

338
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Speaker 1: sitting with the album back to Your we put it out.

339
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Speaker 1: We didn't even pick a single. We let the audience pick.

340
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Speaker 1: They picked back to Your Place. They picked mahaland drive.

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Speaker 4: You know many girls that I know that love back

342
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Speaker 4: to You for real?

343
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Speaker 5: Yes, that song is I didn't even I forget what

344
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Speaker 5: I was playing, but I think it might have been

345
00:12:34,400 --> 00:12:36,120
Speaker 5: made me on Instagram. But that song. I was like,

346
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Speaker 5: what is this song? I was telling Envy that like

347
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Speaker 5: that is how I found you because of the song.

348
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Speaker 5: I didn't know who you were. And then I heard

349
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Speaker 5: the song and I was like, who is october Line?

350
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Speaker 5: I started googling. I'm like death Row like it just.

351
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Speaker 4: All of it.

352
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Speaker 5: Yeah, but it made me I was so interested. I'm like, Okay,

353
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Speaker 5: if death Row is going to go for this type

354
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Speaker 5: of sonic sound, he has to be talented. So it

355
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Speaker 5: made me want to listen to more cause it just

356
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Speaker 5: was completely different than what I thought it would be.

357
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Speaker 5: But I know that, like some people did have things

358
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Speaker 5: to say, but a lot of people love the music

359
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Speaker 5: because it sounds good. But I know that Zola gret

360
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Speaker 5: Ziola Gay, who was Marvin Gay's sister, she had made

361
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Speaker 5: some comments that she liked the music, but she did

362
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Speaker 5: say that she was just confused why you would want

363
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Speaker 5: to sound like another person and not do original songs?

364
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Speaker 5: Like what do you get out of it? Did you

365
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Speaker 5: get to have a conversation with her.

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Speaker 1: Family or yeah? I did? You know she was when

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Speaker 1: she was mad as hell at me, which I knew

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Speaker 1: that was going to happen. And I was like, you know,

369
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Speaker 1: and Dog wanted the name it Rebirth of Marvin. I

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Speaker 1: did not. I was like, let's just call it the rebirth.

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Speaker 1: I tried to push towards that, but you know, I'm following.

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Speaker 1: You know, at this point, I'm like, okay, all right,

373
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Speaker 1: you know, Dog has a plan. I'm just gonna go

374
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Speaker 1: with it. He's been right this whole time. I've been

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Speaker 1: with him for a long time, I know him. Let's

376
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Speaker 1: just do that, and we called it Rebirth and Marvin

377
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Speaker 1: because that's what he wanted to Tyler. And then yeah,

378
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Speaker 1: she was not happy about that because she was like, yeah,

379
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Speaker 1: you can sing, that's great, but you sound like my

380
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Speaker 1: brother a little bit and it's freaking me out. And

381
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Speaker 1: I was like, that's cool. I just wish she at

382
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Speaker 1: that point she didn't go, you know, on wax and

383
00:14:01,880 --> 00:14:04,120
Speaker 1: say also stuff that, yeah, and just I wish he

384
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Speaker 1: just would have called me or called dog or somebody

385
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Speaker 1: like that, because then people got on her that love

386
00:14:09,240 --> 00:14:11,000
Speaker 1: my music, that loved back to your place, So then

387
00:14:11,040 --> 00:14:13,840
Speaker 1: they attacked her, and I'm like, we have to stop this.

388
00:14:13,960 --> 00:14:15,720
Speaker 1: But then, you know, we end up getting on a

389
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Speaker 1: call together, me and a few of the other family

390
00:14:18,240 --> 00:14:21,200
Speaker 1: members and they were like, we completely support you. We

391
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Speaker 1: understand now that you're not trying to be Marvin. You

392
00:14:23,640 --> 00:14:25,640
Speaker 1: don't even want to fill his shoes or anything like that.

393
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Speaker 1: You were just in a vibe and I was like,

394
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Speaker 1: that's what I've been trying to tell everyone, Like, that's

395
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Speaker 1: not me. I was just feeling something.

396
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Speaker 3: For people that never heard you, right, because we introduced

397
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Speaker 3: you to some people that might not never heard you listening.

398
00:14:36,760 --> 00:14:39,080
Speaker 3: Some people might think that you are a mimicking artist,

399
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Speaker 3: right because you just said I was in a Marvin

400
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Speaker 3: zone and then I was in a Brison zone.

401
00:14:42,640 --> 00:14:42,800
Speaker 2: Yeah.

402
00:14:42,880 --> 00:14:45,000
Speaker 4: Yeah, So even on the new album, it's like old

403
00:14:45,080 --> 00:14:47,000
Speaker 4: sounds like Kelly a little bit announcement.

404
00:14:47,080 --> 00:14:48,960
Speaker 3: So who is our toolber London? And where what does

405
00:14:49,000 --> 00:14:50,920
Speaker 3: the sound come from? Because when I when I first heard,

406
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Speaker 3: I thought it was like, well, that's his voice. He

407
00:14:52,120 --> 00:14:54,480
Speaker 3: can't change his voice. It sounds like Marvin. He sounds

408
00:14:54,520 --> 00:14:56,720
Speaker 3: like Marvin. But who is our toober London?

409
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Speaker 4: Then?

410
00:14:57,120 --> 00:15:00,560
Speaker 1: Yeah, October one is okay. So this new album, Overnights,

411
00:15:00,960 --> 00:15:03,320
Speaker 1: it's more of a transitional album. It's getting out of

412
00:15:03,320 --> 00:15:05,640
Speaker 1: that lane. I'm finally being like, okay, guys, let's get

413
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Speaker 1: away from this. When it's when you start the album,

414
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Speaker 1: you know you have you have touch on Me and

415
00:15:11,600 --> 00:15:14,080
Speaker 1: all those records like that, and then yeah, like you said,

416
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Speaker 1: R Kelly's been you know, my top number one artist

417
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Speaker 1: because I mean the writing style, I mean, come on,

418
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Speaker 1: it's Kels. Then once you get towards the end of

419
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Speaker 1: the album where you have the big record called time,

420
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Speaker 1: that's me. You know what I'm saying, like those records,

421
00:15:28,240 --> 00:15:30,720
Speaker 1: that's me like enjoying myself. And then the third album

422
00:15:30,720 --> 00:15:33,040
Speaker 1: obviously when I whenever I do that, then you're gonna

423
00:15:33,040 --> 00:15:34,880
Speaker 1: get all of me. But right now, it's just kind

424
00:15:34,880 --> 00:15:37,320
Speaker 1: of showing people that I can do these waves and

425
00:15:37,360 --> 00:15:41,120
Speaker 1: I know that we're missing this sound. I'm not necessarily

426
00:15:41,160 --> 00:15:44,280
Speaker 1: taken from everybody. I just have been listening to everybody

427
00:15:44,400 --> 00:15:47,160
Speaker 1: so much like Kels and Ronald Ezy and all that.

428
00:15:47,200 --> 00:15:49,320
Speaker 1: I just take this a little bit, put it here,

429
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Speaker 1: but I don't really take from them. I'm just taking

430
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Speaker 1: that vibe to give you that vibe, give you that

431
00:15:54,080 --> 00:15:56,760
Speaker 1: love and that pain, and that that you know what

432
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Speaker 1: you feel, what we've been feeling for years.

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Speaker 5: So this is a transition project.

434
00:16:01,600 --> 00:16:05,200
Speaker 6: I still feel like sonically production kind of sounds cohesive.

435
00:16:05,240 --> 00:16:07,880
Speaker 6: Do you have like a built in team that you

436
00:16:07,960 --> 00:16:09,760
Speaker 6: worked with or did you decide to work with new

437
00:16:09,760 --> 00:16:10,840
Speaker 6: people for this project?

438
00:16:11,040 --> 00:16:14,200
Speaker 1: I mean usually usually, and Snoop will tell you usually,

439
00:16:14,200 --> 00:16:17,680
Speaker 1: I do everything myself, like I I write, I produce,

440
00:16:18,400 --> 00:16:22,080
Speaker 1: I mix, I master, I engineer myself because I'm like

441
00:16:22,240 --> 00:16:24,400
Speaker 1: I gotta get it done right now, Like I feel

442
00:16:24,440 --> 00:16:25,720
Speaker 1: something I need to get done. I don't want to

443
00:16:26,160 --> 00:16:28,120
Speaker 1: sit here and be like, oh, hey, engineer, what's up.

444
00:16:28,640 --> 00:16:30,440
Speaker 1: I can be there at four o'clock. No, no, no, no,

445
00:16:30,440 --> 00:16:32,720
Speaker 1: I gotta feel this now. So I learned to do

446
00:16:32,760 --> 00:16:36,720
Speaker 1: all this stuff on my own, so I do on

447
00:16:36,800 --> 00:16:39,720
Speaker 1: this album on October nights. I teamed up with producers

448
00:16:39,720 --> 00:16:45,240
Speaker 1: like Jeff Giddy poo Bear. I got with Babyface, you know,

449
00:16:45,280 --> 00:16:48,120
Speaker 1: obviously Snoop executive produced the album as well, and I

450
00:16:48,120 --> 00:16:49,680
Speaker 1: got with my my homie Superfly.

451
00:16:49,800 --> 00:16:51,400
Speaker 4: Also everybody knows Superfly, so.

452
00:16:51,440 --> 00:16:54,280
Speaker 1: Yeah, legend in the game, so he came through put

453
00:16:54,280 --> 00:16:57,880
Speaker 1: his spin on it as well, and it came out

454
00:16:57,920 --> 00:16:59,760
Speaker 1: really It came out really well because we had kind

455
00:16:59,760 --> 00:17:02,480
Speaker 1: of went through a thing where I submitted, like this album,

456
00:17:02,480 --> 00:17:04,560
Speaker 1: You're like, all right, let's change this, let's put horns here,

457
00:17:04,640 --> 00:17:06,760
Speaker 1: let's do this, and it just turned.

458
00:17:06,560 --> 00:17:07,240
Speaker 4: Out so beautiful.

459
00:17:07,280 --> 00:17:07,600
Speaker 1: I love it.

460
00:17:07,600 --> 00:17:10,040
Speaker 4: I would love to know what the Babyfath sessions were like,

461
00:17:10,080 --> 00:17:12,439
Speaker 4: because I know Baby Faith, he didn't want you to

462
00:17:12,480 --> 00:17:15,959
Speaker 4: come in on nothing except for you. I'm sure what

463
00:17:16,040 --> 00:17:16,840
Speaker 4: was that energy? Like?

464
00:17:17,280 --> 00:17:18,119
Speaker 1: It was good energy.

465
00:17:18,119 --> 00:17:18,320
Speaker 4: Man.

466
00:17:18,359 --> 00:17:20,280
Speaker 1: We pulled up, he was just ready to get down

467
00:17:20,320 --> 00:17:23,320
Speaker 1: to business. Like immediately there was no, oh, let's kick

468
00:17:23,359 --> 00:17:25,560
Speaker 1: it in chill, let's eat, let's have a little breakfast

469
00:17:25,600 --> 00:17:27,680
Speaker 1: and all. He was just like, are you ready. I'm like, yeah,

470
00:17:27,760 --> 00:17:30,600
Speaker 1: let's go in there. And we did the session. We

471
00:17:30,680 --> 00:17:33,000
Speaker 1: knocked it out. It didn't even take all day. Really,

472
00:17:33,200 --> 00:17:34,920
Speaker 1: he went to writing it. I just let him do

473
00:17:35,000 --> 00:17:37,359
Speaker 1: his thing, because you know, you're in front of a legend.

474
00:17:37,359 --> 00:17:39,080
Speaker 1: I'm not trying to be like, well, I do this,

475
00:17:39,119 --> 00:17:40,320
Speaker 1: and I'm not about to do it. I'm about to

476
00:17:40,320 --> 00:17:41,920
Speaker 1: sit here and what you need me to do give

477
00:17:41,960 --> 00:17:44,440
Speaker 1: me a lot of coaching, like yeah, I mean yeah,

478
00:17:44,480 --> 00:17:46,960
Speaker 1: he did. Man in the lab. We actually, yeah, it

479
00:17:47,000 --> 00:17:49,119
Speaker 1: was a lot. I'm not gonna okay, I can't. I

480
00:17:49,119 --> 00:17:50,840
Speaker 1: can't hold you. It was a lot. And he knows

481
00:17:50,880 --> 00:17:52,760
Speaker 1: it was a lot because I was like, oh, it

482
00:17:52,800 --> 00:17:55,520
Speaker 1: was funny because we were doing the takes. He was like, oh, okay,

483
00:17:55,560 --> 00:17:57,159
Speaker 1: let's do this first take of this and I do

484
00:17:57,200 --> 00:17:59,359
Speaker 1: the line. I was re card, let's do it again.

485
00:18:00,160 --> 00:18:00,639
Speaker 4: The line.

486
00:18:00,800 --> 00:18:03,440
Speaker 1: I'm like, okay, that second one's perfect. We're good. That's

487
00:18:03,440 --> 00:18:04,920
Speaker 1: what I want to say. We're good.

488
00:18:04,960 --> 00:18:05,280
Speaker 4: Let's go.

489
00:18:05,400 --> 00:18:07,359
Speaker 1: Let's go to the next sign. He's like, nah, let's

490
00:18:07,359 --> 00:18:13,720
Speaker 1: do it again and again. I'm like, okay, all right, okay, cool, I.

491
00:18:13,680 --> 00:18:14,040
Speaker 4: Will do it.

492
00:18:14,040 --> 00:18:15,359
Speaker 1: And he's like, all right, cool, now you're ready to

493
00:18:15,400 --> 00:18:16,760
Speaker 1: really do it. I'm like, I thought we're.

494
00:18:16,600 --> 00:18:17,080
Speaker 4: Just doing it.

495
00:18:17,680 --> 00:18:19,080
Speaker 1: I thought that was it. He was like, oh no,

496
00:18:19,080 --> 00:18:20,680
Speaker 1: I wasn't recording at all. I was just making sure

497
00:18:20,680 --> 00:18:21,800
Speaker 1: you were on top of it.

498
00:18:21,920 --> 00:18:23,320
Speaker 4: I thought the classes get made though.

499
00:18:23,480 --> 00:18:26,320
Speaker 1: I'm like, okay, cool. So see, and that's I'm not

500
00:18:26,480 --> 00:18:28,880
Speaker 1: used to that. I'm used to, like I said, back

501
00:18:28,880 --> 00:18:31,399
Speaker 1: to your place one take boom. The first sign, it

502
00:18:31,480 --> 00:18:33,400
Speaker 1: was just boom, boom, boom. I just make it quickly.

503
00:18:33,440 --> 00:18:36,720
Speaker 1: And even when I told him that, he was like, yeah, no, impossible, Like, no,

504
00:18:36,960 --> 00:18:38,920
Speaker 1: that's how I do my record. So he was like, oh,

505
00:18:38,960 --> 00:18:42,080
Speaker 1: so I'm really at this point, you know, like putting

506
00:18:42,119 --> 00:18:43,960
Speaker 1: you through it. I was like, yeah, but it's cool, man,

507
00:18:43,960 --> 00:18:46,280
Speaker 1: it's all good. I'm ready to learn.

508
00:18:46,359 --> 00:18:49,200
Speaker 4: It's all good. Did you ever think in your life

509
00:18:49,240 --> 00:18:51,440
Speaker 4: did you probably signed the Ovial or did you ever

510
00:18:51,440 --> 00:18:52,840
Speaker 4: want to sign an Ovial? Yeah?

511
00:18:53,040 --> 00:18:56,320
Speaker 1: I did absolutely. I'm a fan of Drake, so yeah,

512
00:18:56,359 --> 00:18:59,400
Speaker 1: I definitely wanted to. I remember having conversations with Snoop like, hey,

513
00:19:00,119 --> 00:19:02,040
Speaker 1: you know who he should go to? Man, I should

514
00:19:02,040 --> 00:19:03,439
Speaker 1: do some records. Wan let me go over and go

515
00:19:03,440 --> 00:19:05,280
Speaker 1: to Drake. He's like, yeah, yeah, no, for sure, Yeah,

516
00:19:05,280 --> 00:19:06,840
Speaker 1: I'll call him all right cool? And then I wait

517
00:19:06,880 --> 00:19:13,200
Speaker 1: and Kendrick all that up? Man, Kendrick, that's a whole

518
00:19:13,200 --> 00:19:15,960
Speaker 1: other thing. Yeah, but I like them both.

519
00:19:16,000 --> 00:19:16,920
Speaker 5: Why did you ask that?

520
00:19:18,320 --> 00:19:18,720
Speaker 4: October?

521
00:19:19,680 --> 00:19:21,520
Speaker 1: Yeah? So I wanted to be that, you know, I

522
00:19:21,560 --> 00:19:24,080
Speaker 1: was like, oh, October birthdays ten seventeen, this would be

523
00:19:24,119 --> 00:19:24,720
Speaker 1: perfect fit.

524
00:19:25,040 --> 00:19:26,120
Speaker 5: But or Gucci.

525
00:19:27,400 --> 00:19:30,120
Speaker 1: Gucci is ten seven. Yeah, yeah that's right, that's right.

526
00:19:30,160 --> 00:19:31,600
Speaker 1: But Snoop is a great, great fit.

527
00:19:31,640 --> 00:19:31,800
Speaker 4: Man.

528
00:19:31,840 --> 00:19:34,639
Speaker 1: I just love, I really love. I'm actually a happy artist.

529
00:19:34,760 --> 00:19:36,760
Speaker 1: Like I talked to so many artists that are just

530
00:19:36,840 --> 00:19:41,040
Speaker 1: so unhappy and depressed, and you know, it's like they

531
00:19:41,080 --> 00:19:43,240
Speaker 1: have people over their shoulders all the time, and that's

532
00:19:43,280 --> 00:19:45,919
Speaker 1: not what happens at death throw Snoopers Like, hey, how

533
00:19:45,920 --> 00:19:48,560
Speaker 1: are you feeling this week? I'm feeling like a pop record?

534
00:19:48,680 --> 00:19:51,560
Speaker 1: All right, cool, call me when it's done. That's it.

535
00:19:52,080 --> 00:19:56,000
Speaker 1: There's no stress about it. There's no ah, we shouldn't

536
00:19:56,040 --> 00:19:57,600
Speaker 1: do that, Let's do it.

537
00:19:58,160 --> 00:20:00,640
Speaker 6: Being someone who has done it all for so long,

538
00:20:00,720 --> 00:20:04,080
Speaker 6: Like for yourself, what was the transition like having to

539
00:20:04,200 --> 00:20:06,919
Speaker 6: take the lead of like other people with your vision?

540
00:20:07,240 --> 00:20:10,600
Speaker 1: Tough, very because I've just been, like you said, I've

541
00:20:10,640 --> 00:20:16,120
Speaker 1: been doing this for so long, learning, doing this engineering thing,

542
00:20:16,280 --> 00:20:19,639
Speaker 1: doing the mixing, doing all this stuff, and I'm just like, Okay,

543
00:20:19,640 --> 00:20:21,440
Speaker 1: I can get this done. Because I look at a

544
00:20:21,480 --> 00:20:23,560
Speaker 1: lot of artists it's like, oh yeah, I really want

545
00:20:23,840 --> 00:20:26,760
Speaker 1: Shade to drop another album. It's like, oh, eight years later,

546
00:20:27,480 --> 00:20:31,159
Speaker 1: I don't like it doesn't in my head because I

547
00:20:31,359 --> 00:20:33,040
Speaker 1: just taught myself. In my head, I'm like, it'll take

548
00:20:33,119 --> 00:20:36,920
Speaker 1: that much. So and now look at other arts too,

549
00:20:36,960 --> 00:20:40,159
Speaker 1: and I'm like, well, you got all the resources, you

550
00:20:40,200 --> 00:20:43,040
Speaker 1: have everybody's number in your phone. Why isn't your album

551
00:20:43,040 --> 00:20:46,199
Speaker 1: getting done quicker? Like why aren't you? Maybe they're not

552
00:20:46,240 --> 00:20:47,600
Speaker 1: in the zone. Maybe they're getting pressured.

553
00:20:47,640 --> 00:20:48,040
Speaker 4: I don't know.

554
00:20:48,160 --> 00:20:50,359
Speaker 1: I just like I said, I'm a happy artist, so

555
00:20:50,400 --> 00:20:55,639
Speaker 1: I'm not pressured by anything. I'm financially stable, like I'm good.

556
00:20:56,160 --> 00:20:57,600
Speaker 1: So I can go in the studio right now and

557
00:20:57,600 --> 00:20:59,120
Speaker 1: be like, okay, cool, you need all right, I'll work

558
00:20:59,160 --> 00:21:01,040
Speaker 1: on the third album right now, or I work on

559
00:21:01,080 --> 00:21:03,160
Speaker 1: a country record, I work on a pot whatever. Because

560
00:21:03,200 --> 00:21:06,159
Speaker 1: he that's what helps me make great R and B

561
00:21:06,400 --> 00:21:10,000
Speaker 1: is by switching genres, taking a break because I don't

562
00:21:10,040 --> 00:21:11,800
Speaker 1: want to. I don't want to be Marvin. So let

563
00:21:11,800 --> 00:21:13,119
Speaker 1: me not get too heavy in that back. Let me

564
00:21:13,119 --> 00:21:14,679
Speaker 1: go over here to country real quick and write this

565
00:21:14,720 --> 00:21:16,600
Speaker 1: real quick and just take a break and then go

566
00:21:16,640 --> 00:21:17,560
Speaker 1: over here to something else.

567
00:21:17,600 --> 00:21:20,159
Speaker 2: I was tour with Maxwell and Jazmine Sullivan.

568
00:21:20,280 --> 00:21:24,360
Speaker 1: Amazing, amazing, two great artists. Me and Max World close. Man,

569
00:21:24,560 --> 00:21:26,520
Speaker 1: He's just a really great dude, Like he's been making

570
00:21:26,520 --> 00:21:30,600
Speaker 1: sure everybody's taking care of and just been amazing. The

571
00:21:30,600 --> 00:21:35,760
Speaker 1: crowd is just absolutely just I like, I'm in awe

572
00:21:36,040 --> 00:21:39,359
Speaker 1: of they saying word for word even my stuff, you know,

573
00:21:39,440 --> 00:21:41,560
Speaker 1: and me opening up for them like I did my

574
00:21:41,600 --> 00:21:45,080
Speaker 1: first tour in January, which sold out majority of the tour,

575
00:21:45,720 --> 00:21:47,280
Speaker 1: and they were singing it. Then I was like, I

576
00:21:47,320 --> 00:21:49,040
Speaker 1: don't know if they're gonna do it this time. They're

577
00:21:49,080 --> 00:21:51,720
Speaker 1: doing it this time as well. That you said even

578
00:21:51,760 --> 00:21:55,880
Speaker 1: my stuff, Yeah no, because I just in my head,

579
00:21:55,880 --> 00:21:58,560
Speaker 1: I'm just still this dude in Soubin, Indiana that's trying

580
00:21:58,560 --> 00:22:01,240
Speaker 1: to make it. I'm still like I'm going to the

581
00:22:01,280 --> 00:22:04,119
Speaker 1: studio just trying to Oh man, I really hope they

582
00:22:04,200 --> 00:22:07,880
Speaker 1: like it. I still have that So the slighting poster syndrome, Yeah,

583
00:22:08,080 --> 00:22:10,400
Speaker 1: I'm just like, I'm like, man, there's there's no way.

584
00:22:10,440 --> 00:22:12,000
Speaker 1: I don't think they're gonna like this. I don't think

585
00:22:12,160 --> 00:22:13,840
Speaker 1: snoops heard me say. I don't think they're gonna like

586
00:22:13,880 --> 00:22:16,080
Speaker 1: this one hundred times over. I did not think they're

587
00:22:16,080 --> 00:22:17,639
Speaker 1: gonna like Rebirth of Marvin. I don't think they're going

588
00:22:17,680 --> 00:22:18,159
Speaker 1: to go back.

589
00:22:18,000 --> 00:22:18,480
Speaker 4: To your place.

590
00:22:18,600 --> 00:22:20,639
Speaker 1: What I was like, No, there's no way. I was like,

591
00:22:21,200 --> 00:22:23,960
Speaker 1: this ain't this ain't hot right now, and they love it,

592
00:22:24,000 --> 00:22:26,000
Speaker 1: and I'm like, okay, So that's why I like letting

593
00:22:26,000 --> 00:22:26,919
Speaker 1: the people decide for you.

594
00:22:27,000 --> 00:22:29,240
Speaker 4: Let the real quick, you let the You were kind

595
00:22:29,240 --> 00:22:32,280
Speaker 4: of letting the trends of R and B guide you

596
00:22:32,320 --> 00:22:35,560
Speaker 4: as opposed to what traditional R and B is, because

597
00:22:35,600 --> 00:22:38,000
Speaker 4: you make to me traditional R and B. But you thought,

598
00:22:38,040 --> 00:22:40,440
Speaker 4: because of the way people make R and B now,

599
00:22:40,480 --> 00:22:42,520
Speaker 4: they don't want to hear this tradition exactly.

600
00:22:42,600 --> 00:22:43,600
Speaker 1: That's exactly what I was thinking.

601
00:22:46,720 --> 00:22:48,920
Speaker 4: You wanted to redo bitches ain't ship but holding tricks

602
00:22:49,359 --> 00:22:54,360
Speaker 4: R and B? Right, you know? Yeah?

603
00:22:55,400 --> 00:23:04,920
Speaker 1: Actually yeah, I think that was gone. I send you,

604
00:23:04,920 --> 00:23:07,040
Speaker 1: I'm gonna send you something broke through.

605
00:23:07,080 --> 00:23:08,679
Speaker 5: Like when I heard it, I was like, who is

606
00:23:08,720 --> 00:23:10,439
Speaker 5: I thought you honestly I thought you were like an

607
00:23:10,480 --> 00:23:13,639
Speaker 5: older guy, like somebody. I really was so surprised. I

608
00:23:13,680 --> 00:23:15,399
Speaker 5: was like, what is this song? And then I just

609
00:23:15,560 --> 00:23:17,760
Speaker 5: kept hearing it. So to hear that you didn't even

610
00:23:17,760 --> 00:23:19,800
Speaker 5: think that we were gonna like it, I'm like, that

611
00:23:19,880 --> 00:23:21,760
Speaker 5: is insane. I'm so happy that you didn't get in

612
00:23:21,760 --> 00:23:22,520
Speaker 5: your own way.

613
00:23:22,440 --> 00:23:25,080
Speaker 6: No, no, no, definitely would like to add that. I

614
00:23:25,119 --> 00:23:27,840
Speaker 6: went to that show at Barclay's. The mic was on,

615
00:23:28,160 --> 00:23:30,159
Speaker 6: and that was really impressive too, because a lot of

616
00:23:30,240 --> 00:23:33,879
Speaker 6: people vocally live don't hit like the actual record.

617
00:23:34,119 --> 00:23:37,720
Speaker 1: Yeah. Yeah, now the mics were on. Man Max is on,

618
00:23:37,840 --> 00:23:39,760
Speaker 1: Japan's ownline is on, and I make sure I let

619
00:23:39,760 --> 00:23:42,679
Speaker 1: people know like I'm not I'm not an auto tuned artist.

620
00:23:43,040 --> 00:23:45,320
Speaker 1: I had my face when T Pain came out. I

621
00:23:45,440 --> 00:23:49,480
Speaker 1: was everything. I have a list of albums in my heart,

622
00:23:49,160 --> 00:23:53,840
Speaker 1: drop everything, so TA Pain it's ridiculous, you know what

623
00:23:53,840 --> 00:23:55,520
Speaker 1: I'm saying. So I was like, oh, this is it, Boom,

624
00:23:55,560 --> 00:23:57,600
Speaker 1: I'm gonna do this, you know, I'm gonna get on

625
00:23:57,720 --> 00:24:00,840
Speaker 1: like doing this, and that time where like ten times

626
00:24:00,840 --> 00:24:03,320
Speaker 1: over like oh okay, nope, that didn't work out. Oh

627
00:24:03,359 --> 00:24:05,400
Speaker 1: I got this meeting with nevermind that didn't work out.

628
00:24:05,480 --> 00:24:07,920
Speaker 5: So this is really random, but speaking of like trying

629
00:24:07,920 --> 00:24:10,280
Speaker 5: to like things not working out, you were on Empire.

630
00:24:10,800 --> 00:24:11,600
Speaker 1: I was on Empire.

631
00:24:11,640 --> 00:24:14,240
Speaker 5: Yeah, and then you were so you did. I've read

632
00:24:14,240 --> 00:24:16,280
Speaker 5: about it. You were doing really well. They were talking

633
00:24:16,280 --> 00:24:17,960
Speaker 5: about making you a bigger character Empire.

634
00:24:18,160 --> 00:24:22,080
Speaker 1: Yeah, and all the Jesse, the Jesse smallest stuff happened.

635
00:24:30,400 --> 00:24:33,159
Speaker 5: That we didn't know about. When you walk in, I'm like,

636
00:24:33,200 --> 00:24:35,400
Speaker 5: I know. He was pissed that one is so perfect

637
00:24:35,400 --> 00:24:35,639
Speaker 5: for you.

638
00:24:38,760 --> 00:24:41,840
Speaker 1: Come home man, No, I mean yeah, I thought it was.

639
00:24:42,040 --> 00:24:44,320
Speaker 1: That was my first time doing any type of acting.

640
00:24:44,600 --> 00:24:47,040
Speaker 1: Snoop was like, y'all, I'm gonna we're gonna add you

641
00:24:47,080 --> 00:24:47,840
Speaker 1: to Empire.

642
00:24:48,280 --> 00:24:49,560
Speaker 4: Like, no, I can't act.

643
00:24:49,800 --> 00:24:52,200
Speaker 1: He was like, yeah you can't. No, I can't, man,

644
00:24:52,280 --> 00:24:54,760
Speaker 1: that's not my lane. I'm just come on man. And

645
00:24:54,800 --> 00:24:56,919
Speaker 1: I went on, come on, man, and I went on

646
00:24:56,960 --> 00:24:59,119
Speaker 1: there and and did it. And the director was like,

647
00:24:59,119 --> 00:24:59,920
Speaker 1: how long you've been acting?

648
00:25:00,040 --> 00:25:00,679
Speaker 4: I was like today.

649
00:25:00,760 --> 00:25:03,200
Speaker 1: He was like, I think we should sit down and talk.

650
00:25:03,880 --> 00:25:07,359
Speaker 1: I'm like, okay, this is the thing. I still think

651
00:25:07,400 --> 00:25:10,720
Speaker 1: I'm dreaming. So I'm like, there's no way even being

652
00:25:10,760 --> 00:25:12,679
Speaker 1: on here to breakfast. I've been watching y'all for a

653
00:25:12,680 --> 00:25:15,640
Speaker 1: long time. It's like like, just as I was sitting

654
00:25:15,680 --> 00:25:18,240
Speaker 1: in the background, I was just like, damn, this is

655
00:25:18,280 --> 00:25:20,520
Speaker 1: really happening. So that's how I kind of felt on Empire.

656
00:25:20,960 --> 00:25:25,359
Speaker 1: So then when Jesse mess it up for me, as soon.

657
00:25:25,240 --> 00:25:28,040
Speaker 7: As I as soon as I turned on the news,

658
00:25:28,119 --> 00:25:34,040
Speaker 7: I'm like sh I was like, come on, come on, Maine,

659
00:25:34,880 --> 00:25:35,760
Speaker 7: come on, Maine.

660
00:25:36,680 --> 00:25:38,000
Speaker 1: Don't do me like that, skinny.

661
00:25:38,920 --> 00:25:41,520
Speaker 4: It's interesting, right because these are the type of stories

662
00:25:41,760 --> 00:25:44,760
Speaker 4: when you really really take off, everybody's be like, damn,

663
00:25:44,800 --> 00:25:46,160
Speaker 4: this guy came out of know it. But you've been

664
00:25:46,160 --> 00:25:47,399
Speaker 4: with Snoopsince.

665
00:25:48,880 --> 00:25:51,560
Speaker 1: Just doing background stuff, like doing you know, when I

666
00:25:51,560 --> 00:25:52,960
Speaker 1: first got with him, he was like, Yo, I'm about

667
00:25:52,960 --> 00:25:55,159
Speaker 1: to go on tour. Once you come on tour with me.

668
00:25:55,720 --> 00:25:58,200
Speaker 1: So me doing a small crowd, it didn't start off

669
00:25:58,200 --> 00:26:01,400
Speaker 1: that way. It started off with fifty people. So now

670
00:26:01,400 --> 00:26:03,560
Speaker 1: when I'm doing this just been at Max. Max is

671
00:26:03,600 --> 00:26:07,439
Speaker 1: like you're really comfortable and says I'm like yeah, I'm like,

672
00:26:08,040 --> 00:26:11,560
Speaker 1: small crowds make me anxious. Really small crowds. If I'm

673
00:26:11,600 --> 00:26:14,639
Speaker 1: in a crowd of like a hundred, I'm like I

674
00:26:14,640 --> 00:26:17,720
Speaker 1: can hear everybody's thoughts like that, nigg ain't hitting a

675
00:26:17,720 --> 00:26:19,760
Speaker 1: note like that, and you know, like he sound a

676
00:26:19,800 --> 00:26:23,600
Speaker 1: little dry today, you know, So doing that kind of

677
00:26:23,760 --> 00:26:27,680
Speaker 1: just molded me to be a better performer. So doing

678
00:26:27,720 --> 00:26:29,560
Speaker 1: that and then now coming on this tour where it's

679
00:26:29,640 --> 00:26:33,600
Speaker 1: you know, tens twenty thousand people, it just feels feels

680
00:26:33,640 --> 00:26:36,240
Speaker 1: normal to me. And being with Snoops in twenty sixteen,

681
00:26:36,240 --> 00:26:38,560
Speaker 1: I've just been doing that, been touring with him several

682
00:26:38,640 --> 00:26:45,320
Speaker 1: times overseas everything and just doing like the all the

683
00:26:45,400 --> 00:26:47,560
Speaker 1: stuff with him and Martha Stewart, Like I did the

684
00:26:47,600 --> 00:26:49,919
Speaker 1: song for the Him and Mont Stewart show, the Cooking

685
00:26:49,960 --> 00:26:52,600
Speaker 1: with Mark, you know, and I did that record, and

686
00:26:52,640 --> 00:26:55,119
Speaker 1: then all his albums from twenty sixteen I've been on.

687
00:26:55,280 --> 00:26:57,840
Speaker 1: I've been doing backgrounds or I've been doing hooks. So

688
00:26:57,920 --> 00:27:00,000
Speaker 1: I've just been chilling and really caking up.

689
00:27:00,160 --> 00:27:03,480
Speaker 4: Is October London. Trust his own talent, not not not

690
00:27:03,840 --> 00:27:06,879
Speaker 4: his ability to I guess sound like others, but do

691
00:27:06,920 --> 00:27:09,520
Speaker 4: you trust your own Absolutely.

692
00:27:10,000 --> 00:27:13,720
Speaker 1: I've been doing it for a while, so I know

693
00:27:13,800 --> 00:27:16,160
Speaker 1: exactly what I can do. I have so much stuff

694
00:27:16,160 --> 00:27:18,199
Speaker 1: in the hard drive that I can't wait to drop,

695
00:27:18,640 --> 00:27:21,240
Speaker 1: Like it makes me anxious. Even being on the bus

696
00:27:21,280 --> 00:27:24,080
Speaker 1: this whole tour, I'm just listening to the records, and

697
00:27:24,080 --> 00:27:25,840
Speaker 1: everybody gets together and we listen to all the records

698
00:27:25,880 --> 00:27:28,400
Speaker 1: and we're just like, yo, this is really just the

699
00:27:28,440 --> 00:27:30,920
Speaker 1: starting point, Like they have no idea what's to come?

700
00:27:31,640 --> 00:27:33,480
Speaker 4: You know? Can we play a record with.

701
00:27:35,200 --> 00:27:39,000
Speaker 6: I was gonna say, I know you're involved on the

702
00:27:39,200 --> 00:27:40,640
Speaker 6: Doggie Land for kids.

703
00:27:40,800 --> 00:27:42,000
Speaker 1: Yeah, talk to me.

704
00:27:41,960 --> 00:27:43,639
Speaker 5: About what do you exactly do you do?

705
00:27:43,880 --> 00:27:47,080
Speaker 1: Yeah? Yeah, yeah, no, I've been what I'm saying. So,

706
00:27:47,240 --> 00:27:48,920
Speaker 1: you know, Snep's been looking out for a long time.

707
00:27:50,240 --> 00:27:52,400
Speaker 1: Snoop came in the studio one day or one night

708
00:27:52,440 --> 00:27:54,959
Speaker 1: and was like, hey, what do you think about doing

709
00:27:55,000 --> 00:27:57,760
Speaker 1: a kids record? And I was like, yeah, that's fine,

710
00:27:57,800 --> 00:28:00,320
Speaker 1: whatever I can do that. I made one kids record.

711
00:28:00,880 --> 00:28:02,600
Speaker 1: He came back in the studio, let me hear what

712
00:28:02,640 --> 00:28:04,800
Speaker 1: you got played it. He was like, Joe, can you

713
00:28:04,840 --> 00:28:06,879
Speaker 1: do anohing like that? I was like, yeah, of course.

714
00:28:07,760 --> 00:28:10,800
Speaker 1: This time I called my son on FaceTime. My son's

715
00:28:10,800 --> 00:28:14,560
Speaker 1: seven h and I was like, hey, I need you

716
00:28:14,560 --> 00:28:16,800
Speaker 1: to add some vocals to this, you know. He was

717
00:28:16,840 --> 00:28:17,720
Speaker 1: like okay, Dad.

718
00:28:17,920 --> 00:28:18,119
Speaker 4: You know.

719
00:28:18,560 --> 00:28:20,320
Speaker 1: And this time we did a record called brush Brush.

720
00:28:21,600 --> 00:28:23,919
Speaker 1: So we ended up doing that and Snoop came in.

721
00:28:23,960 --> 00:28:25,119
Speaker 1: He was like, who is the kid. I was like,

722
00:28:25,119 --> 00:28:28,520
Speaker 1: it's my son, said nephew. He was like, oh, like, okay, cool,

723
00:28:28,520 --> 00:28:31,320
Speaker 1: I think we should do an album. All right, cool,

724
00:28:31,359 --> 00:28:32,840
Speaker 1: give me till tomorrow because I'm quick.

725
00:28:32,880 --> 00:28:34,520
Speaker 2: I'm like me tomorrow.

726
00:28:36,040 --> 00:28:36,399
Speaker 4: Album.

727
00:28:37,040 --> 00:28:39,160
Speaker 1: Yeah. Color when we came out in twenty sixteen. We

728
00:28:39,240 --> 00:28:40,880
Speaker 1: came out when I uh Me and Snoop came out

729
00:28:40,920 --> 00:28:42,880
Speaker 1: with Color Blind. I did eighteen songs in two or

730
00:28:42,880 --> 00:28:45,280
Speaker 1: three days. I got myself sick, and he was like,

731
00:28:45,280 --> 00:28:46,480
Speaker 1: all right, you need to go back to the hotel.

732
00:28:47,200 --> 00:28:49,960
Speaker 1: Like because I was like, no, one shot, you get

733
00:28:49,960 --> 00:28:52,360
Speaker 1: one shot, and that was my one shot. I'm knocking

734
00:28:52,400 --> 00:28:54,760
Speaker 1: out eight to this, so I'm very I knock him

735
00:28:54,760 --> 00:28:58,360
Speaker 1: out really quick. So he was like okay, cool. So

736
00:28:58,360 --> 00:29:00,680
Speaker 1: I knocked out the album and then he called Claude

737
00:29:00,680 --> 00:29:03,000
Speaker 1: Brooks and he was like, yo, I got an idea

738
00:29:03,040 --> 00:29:06,080
Speaker 1: for a show. Let's call it Doggie Lanb. And now

739
00:29:06,120 --> 00:29:09,800
Speaker 1: I'm I'm the co creator of Doggy Lanb. I am

740
00:29:09,920 --> 00:29:12,680
Speaker 1: the voice of Woofie and I do the music.

741
00:29:12,920 --> 00:29:13,400
Speaker 2: That's dope.

742
00:29:13,640 --> 00:29:15,320
Speaker 4: Yeah, you don't see this type of artist development. The

743
00:29:15,320 --> 00:29:17,600
Speaker 4: more you don't see people just like working with an

744
00:29:17,680 --> 00:29:19,920
Speaker 4: artist every step of the way, you know.

745
00:29:20,720 --> 00:29:22,200
Speaker 2: And then most artists went it right away.

746
00:29:22,280 --> 00:29:24,440
Speaker 3: Remember he been saying to twenty sixteen, most arts would

747
00:29:24,520 --> 00:29:26,239
Speaker 3: left the twenty seventeen it was like, I ain't popping yet.

748
00:29:26,280 --> 00:29:27,880
Speaker 2: I'm gone, Yeah, you've seen the vision.

749
00:29:27,960 --> 00:29:30,440
Speaker 1: Absolutely, yeah, I saw the vision. But Snooper tell you

750
00:29:30,480 --> 00:29:32,640
Speaker 1: I gave him a hard time too. Yeah, absolutely, I

751
00:29:32,720 --> 00:29:34,520
Speaker 1: mean yeah, I get you.

752
00:29:34,680 --> 00:29:36,800
Speaker 3: The artist popping was like, yo, that could have been

753
00:29:36,800 --> 00:29:38,920
Speaker 3: that should have been me, Bryceon Tailler.

754
00:29:40,520 --> 00:29:42,640
Speaker 1: I wouldn't say Bryceon Taller. Brightcetilla came out of nowhere

755
00:29:42,680 --> 00:29:44,360
Speaker 1: to me, and I was like, oh, this is dope.

756
00:29:44,600 --> 00:29:47,800
Speaker 1: I'm actually a fan of Bryson Teler. I don't know

757
00:29:47,840 --> 00:29:50,000
Speaker 1: what artists came up. I know one artist that made

758
00:29:50,080 --> 00:29:53,560
Speaker 1: me actually kind of pissed me off, to be honest,

759
00:29:53,920 --> 00:29:55,800
Speaker 1: and that was and that and I'll tell you the

760
00:29:55,800 --> 00:29:59,840
Speaker 1: story why. So it's two thousand and four, who was popping?

761
00:29:59,840 --> 00:30:02,240
Speaker 1: Who just came out with just gotta make it.

762
00:30:02,240 --> 00:30:03,320
Speaker 2: He's got to make trace.

763
00:30:03,360 --> 00:30:04,120
Speaker 4: Ye all day.

764
00:30:04,160 --> 00:30:06,960
Speaker 1: He got the braids, I got the braids. Light skinned.

765
00:30:07,000 --> 00:30:09,400
Speaker 1: I'm light skinned. And my boy Travis looked at me

766
00:30:09,440 --> 00:30:11,840
Speaker 1: and was like, damn, you don't let this nigga eat

767
00:30:11,880 --> 00:30:13,840
Speaker 1: you up like that. And he just walked away, and

768
00:30:13,880 --> 00:30:18,080
Speaker 1: ever since then, I've just Paul definitely a pause pause moment.

769
00:30:18,120 --> 00:30:21,480
Speaker 3: Sorry, he should have paused the back door before with

770
00:30:21,520 --> 00:30:22,600
Speaker 3: the key, but keep going.

771
00:30:22,920 --> 00:30:29,400
Speaker 2: Ye missed it, but ahead he missed it.

772
00:30:29,520 --> 00:30:33,840
Speaker 1: So so at that point I was like, okay, cool.

773
00:30:33,920 --> 00:30:37,239
Speaker 1: It made me competitive. So I'm super super competitive. Like

774
00:30:37,560 --> 00:30:39,760
Speaker 1: I've been on I'm not gonna say the artists, but

775
00:30:40,080 --> 00:30:43,200
Speaker 1: I've been on different shows where you know, it's several

776
00:30:43,280 --> 00:30:46,479
Speaker 1: artists on this show and they'll do certain things, and

777
00:30:46,560 --> 00:30:48,320
Speaker 1: I'll go in the back room and I'll put on

778
00:30:48,360 --> 00:30:51,280
Speaker 1: Michael Jordan's last dance and I'll sit there for about

779
00:30:51,320 --> 00:30:53,000
Speaker 1: a good thirty forty minutes watch that, and I'll go

780
00:30:53,000 --> 00:30:56,960
Speaker 1: out there and compete. Yep, everything's a competition. Dark Snoop

781
00:30:57,000 --> 00:31:00,360
Speaker 1: will consistently like, it's not a competition, man, you don't

782
00:31:00,400 --> 00:31:02,240
Speaker 1: have to be like, you know, I be so hard.

783
00:31:02,480 --> 00:31:05,000
Speaker 1: So I'm like, nah, you see the high note he did? No, No,

784
00:31:05,200 --> 00:31:06,000
Speaker 1: I can't let him live.

785
00:31:07,080 --> 00:31:07,719
Speaker 2: I love that, though.

786
00:31:07,920 --> 00:31:11,400
Speaker 4: How exhausting was it working with tyres You.

787
00:31:11,400 --> 00:31:14,160
Speaker 1: Know, Tyrese is a is a great friend of mine.

788
00:31:14,600 --> 00:31:18,360
Speaker 4: He's a great guy. He's a great guy, great existent

789
00:31:18,440 --> 00:31:18,760
Speaker 4: at all.

790
00:31:18,880 --> 00:31:22,840
Speaker 1: He just he's passionate. He's just a passionate person. He

791
00:31:22,880 --> 00:31:25,200
Speaker 1: puts he literally wears his heart on his sleeve and

792
00:31:25,200 --> 00:31:26,160
Speaker 1: you gotta give it to him.

793
00:31:26,200 --> 00:31:30,120
Speaker 4: Sure, but how exhausting was it working in the studio

794
00:31:30,440 --> 00:31:32,680
Speaker 4: we all know him, like, like I just want to know,

795
00:31:33,600 --> 00:31:36,240
Speaker 4: like Bedroom Bully, how long did it take y'all to

796
00:31:36,240 --> 00:31:37,880
Speaker 4: make that record? That didn't take a day?

797
00:31:38,120 --> 00:31:41,800
Speaker 1: Not with him, I don't know how long it took him.

798
00:31:42,080 --> 00:31:44,720
Speaker 1: You know how long it took me. So he sent

799
00:31:45,240 --> 00:31:46,920
Speaker 1: he sent the record to me and was like, I

800
00:31:47,000 --> 00:31:48,960
Speaker 1: got this record. He called me, So, I got this record.

801
00:31:48,960 --> 00:31:52,440
Speaker 1: I think you'd be great on it. It's very secret Garden.

802
00:31:52,880 --> 00:31:54,840
Speaker 1: I was like, okay, bad, just just send it. I

803
00:31:54,840 --> 00:31:56,440
Speaker 1: was in the lab already sent the beat and I

804
00:31:56,480 --> 00:31:59,080
Speaker 1: was like, yo, this is dope. And he had a

805
00:31:59,080 --> 00:32:01,320
Speaker 1: little bit of his vocals on it, and I was like, okay, cool.

806
00:32:02,080 --> 00:32:04,560
Speaker 1: So really I wanted him to do his vocals first

807
00:32:04,880 --> 00:32:07,280
Speaker 1: because the competitive part. And then I was like, no,

808
00:32:07,320 --> 00:32:09,719
Speaker 1: I don't worry, Abu. You know it's Tyree's I ain't tripping,

809
00:32:09,800 --> 00:32:12,080
Speaker 1: you know, we brothers. I went in and put my

810
00:32:12,120 --> 00:32:13,960
Speaker 1: part on there, then he put his part on there,

811
00:32:13,960 --> 00:32:16,160
Speaker 1: and that was it. But it took me, you know,

812
00:32:16,360 --> 00:32:18,080
Speaker 1: thirty minutes knocked that out. I don't know how long

813
00:32:18,120 --> 00:32:20,400
Speaker 1: it took him to get his knocked out, but for me,

814
00:32:20,480 --> 00:32:22,440
Speaker 1: it was it was nothing but bedroom billy is. And

815
00:32:22,480 --> 00:32:24,400
Speaker 1: that's on the album too, it's on his AMMI.

816
00:32:25,040 --> 00:32:26,360
Speaker 4: When you do a song like that, do you feel

817
00:32:26,440 --> 00:32:29,360
Speaker 4: pressure always deliver to a woman sexually?

818
00:32:29,680 --> 00:32:35,040
Speaker 1: Absolutely? Absolutely? I love cars and women period.

819
00:32:35,560 --> 00:32:38,320
Speaker 6: Did you guys make this record before after you almost

820
00:32:38,360 --> 00:32:39,400
Speaker 6: burned his house down?

821
00:32:39,680 --> 00:32:40,960
Speaker 1: That's just what I was after.

822
00:32:41,120 --> 00:32:46,080
Speaker 5: This was after the person that almost burnt his house

823
00:32:46,120 --> 00:32:47,560
Speaker 5: down to sitting right behind.

824
00:32:47,360 --> 00:32:51,480
Speaker 4: No, yeah, this was the house in l a uh No.

825
00:32:51,560 --> 00:32:58,120
Speaker 1: Atlanta, Atlanta's Atlanta. What happened, Bernard Hooka.

826
00:32:55,960 --> 00:32:59,720
Speaker 3: That's the only way you burned the house down?

827
00:32:59,760 --> 00:32:59,960
Speaker 4: Now with.

828
00:33:02,400 --> 00:33:05,720
Speaker 1: A right, because you know, we were listening to some

829
00:33:05,840 --> 00:33:08,960
Speaker 1: music and we're all, you know, drinking, except for Tyres

830
00:33:09,040 --> 00:33:14,400
Speaker 1: because Tyres don't drink, and uh my boy Jamie was

831
00:33:15,080 --> 00:33:16,920
Speaker 1: listening to the music. He got hyped up and he

832
00:33:17,000 --> 00:33:18,960
Speaker 1: was just like, whoa, you know this that just the

833
00:33:19,000 --> 00:33:21,280
Speaker 1: records gonna be crazy. And he got up and he

834
00:33:21,400 --> 00:33:24,520
Speaker 1: knocked it over and nobody noticed that first, and I turned,

835
00:33:24,560 --> 00:33:26,560
Speaker 1: I looked and I was like I saw security moving

836
00:33:26,600 --> 00:33:28,600
Speaker 1: really fast. One of the security guys moving really fast.

837
00:33:28,760 --> 00:33:30,640
Speaker 1: He started patting on the floor and I'm like, what

838
00:33:30,680 --> 00:33:32,480
Speaker 1: the hell is he doing? Stinky leg or something, don't

839
00:33:32,480 --> 00:33:34,880
Speaker 1: know what the hell he's doing. I was just like, okay, cool, alright.

840
00:33:34,920 --> 00:33:36,800
Speaker 1: I guess he's feeling the record. And I look, I'm like, oh,

841
00:33:37,040 --> 00:33:39,920
Speaker 1: oh oh the rugs on fire, his vultron rugs on fire.

842
00:33:39,960 --> 00:33:42,200
Speaker 1: I was like, oh nice. So he's trying to put

843
00:33:42,200 --> 00:33:44,480
Speaker 1: that out, grabbing the coals off the thing and all that,

844
00:33:44,880 --> 00:33:46,840
Speaker 1: and Jamie felt bad and Tyrese gives him give him

845
00:33:46,840 --> 00:33:47,480
Speaker 1: ship every time.

846
00:33:47,720 --> 00:33:49,280
Speaker 2: What flavor was the hookah, damn it.

847
00:33:49,800 --> 00:33:53,280
Speaker 1: I don't even know. I don't know. It might have

848
00:33:53,360 --> 00:33:57,080
Speaker 1: been like mango buried cream or something.

849
00:33:56,480 --> 00:33:59,520
Speaker 5: And that yard almost brun that house down, lingo buried.

850
00:34:00,040 --> 00:34:02,840
Speaker 1: Oh right, that is not a good way to go out.

851
00:34:03,240 --> 00:34:06,440
Speaker 1: So you know, every every time tyree sees Jamie's like,

852
00:34:06,480 --> 00:34:09,520
Speaker 1: he can't come in my house, he can't come out.

853
00:34:09,320 --> 00:34:11,520
Speaker 1: So yeah, he be a carver, but you know he

854
00:34:11,600 --> 00:34:12,919
Speaker 1: lets them in anyway, so it's good.

855
00:34:13,040 --> 00:34:15,440
Speaker 4: Not a song. Time Did you have wedding song in

856
00:34:15,520 --> 00:34:16,480
Speaker 4: mind when you wrote that?

857
00:34:16,800 --> 00:34:18,560
Speaker 1: Absolutely? Absolutely?

858
00:34:18,719 --> 00:34:18,839
Speaker 4: So?

859
00:34:19,360 --> 00:34:25,759
Speaker 1: Time actually is we are in twenty twenty four, so

860
00:34:26,040 --> 00:34:28,600
Speaker 1: that was done in eight. So what do we It's fifteen, fifteen,

861
00:34:28,680 --> 00:34:31,040
Speaker 1: sixteen years in the game. It's been sitting in my

862
00:34:31,080 --> 00:34:34,439
Speaker 1: hard drive for fifteen sixteen years. So that's an old song,

863
00:34:34,680 --> 00:34:37,000
Speaker 1: old song that me and my one of my best friends,

864
00:34:37,040 --> 00:34:42,440
Speaker 1: Mike Letter out of Miami, we did that record, and yeah,

865
00:34:43,080 --> 00:34:46,040
Speaker 1: I played it for a dog. I think I played

866
00:34:46,040 --> 00:34:48,600
Speaker 1: it maybe four or five six times, and he remembers

867
00:34:48,640 --> 00:34:51,040
Speaker 1: and then doesn't remember, but he remembered. At this time,

868
00:34:51,080 --> 00:34:52,560
Speaker 1: he was like, yeah, we should put this on the album.

869
00:34:53,080 --> 00:34:54,879
Speaker 1: And I loved it because I've been waiting to put

870
00:34:54,920 --> 00:34:57,480
Speaker 1: that album out because it's just a beautiful ballad.

871
00:34:57,920 --> 00:34:59,799
Speaker 4: We didn't do nothing to it, you just that's how

872
00:34:59,800 --> 00:34:59,920
Speaker 4: it was.

873
00:35:00,040 --> 00:35:03,759
Speaker 1: Record remixed, Yeah, yeah, remix, and we added, uh, we

874
00:35:03,800 --> 00:35:05,880
Speaker 1: added some organ to it. Superfly came in and added

875
00:35:05,880 --> 00:35:08,560
Speaker 1: like little little little things to you know, a little splashes.

876
00:35:08,600 --> 00:35:10,840
Speaker 1: But other than that same record when you wrote.

877
00:35:10,680 --> 00:35:12,040
Speaker 4: That, in a way, what was your mind? That was

878
00:35:12,040 --> 00:35:15,640
Speaker 4: there somebody you wanted to marry or somebody you wanted.

879
00:35:14,880 --> 00:35:17,200
Speaker 1: Nah, I was a I was a sap man back

880
00:35:17,280 --> 00:35:20,319
Speaker 1: in eight, so I was doing everything I possibly could

881
00:35:20,320 --> 00:35:24,160
Speaker 1: to you know, I was doing I was doing the most.

882
00:35:24,680 --> 00:35:27,759
Speaker 7: I was sad, but ain't nothing wrong, like like a

883
00:35:27,960 --> 00:35:29,320
Speaker 7: kind of like you know, I was sucker.

884
00:35:29,400 --> 00:35:31,640
Speaker 1: You know what I'm saying, what's wrong with that? Nothing

885
00:35:31,680 --> 00:35:32,200
Speaker 1: wrong with it?

886
00:35:32,280 --> 00:35:34,640
Speaker 4: But you know you would tell a woman stuff like that.

887
00:35:34,640 --> 00:35:35,759
Speaker 4: I want to spend the rest of my life.

888
00:35:35,880 --> 00:35:40,440
Speaker 1: Oh my god, I had poems and ship nothing's wrong

889
00:35:40,480 --> 00:35:40,680
Speaker 1: with it.

890
00:35:42,560 --> 00:35:44,440
Speaker 5: You was texting the poems or you were like mail them.

891
00:35:44,440 --> 00:35:45,399
Speaker 5: I feel like you would mail them.

892
00:35:45,480 --> 00:35:46,719
Speaker 1: I was, I was, I was.

893
00:35:50,200 --> 00:35:51,200
Speaker 5: I'm just asking.

894
00:35:50,960 --> 00:35:52,759
Speaker 4: Depending how old you are after era we come from,

895
00:35:52,800 --> 00:35:55,799
Speaker 4: We come from that. You know you go with me? Yes? No,

896
00:35:55,960 --> 00:35:57,120
Speaker 4: maybe I just want.

897
00:35:57,080 --> 00:36:01,279
Speaker 5: To know because we always on line like we missed that,

898
00:36:01,360 --> 00:36:03,360
Speaker 5: like the begging, beg love you, we love you. You

899
00:36:03,440 --> 00:36:06,520
Speaker 5: was doing it and you guys about that back then.

900
00:36:06,600 --> 00:36:08,799
Speaker 1: For some reason, I can't write a single poem.

901
00:36:08,560 --> 00:36:10,319
Speaker 4: Now, just a bouyt.

902
00:36:10,320 --> 00:36:13,760
Speaker 5: What happened, no happening.

903
00:36:13,920 --> 00:36:17,560
Speaker 1: I got my heart broke and then got my heart

904
00:36:17,560 --> 00:36:18,120
Speaker 1: broken again.

905
00:36:18,280 --> 00:36:19,560
Speaker 5: I didn't mean to last.

906
00:36:20,239 --> 00:36:22,160
Speaker 1: It's all right, you're just laughing pain.

907
00:36:22,760 --> 00:36:27,879
Speaker 5: Nobody waited to hear that because that injecting project.

908
00:36:30,920 --> 00:36:31,279
Speaker 1: Have been.

909
00:36:33,280 --> 00:36:33,799
Speaker 4: In the White Man.

910
00:36:33,880 --> 00:36:37,880
Speaker 2: No, she's like white man. O. B.

911
00:36:38,719 --> 00:36:43,040
Speaker 8: Travis Travis Caleb, but your life, so she's willing to

912
00:36:43,080 --> 00:36:46,760
Speaker 8: meet in the middle. Nice, that's but went to Delaware

913
00:36:46,760 --> 00:36:49,800
Speaker 8: State hpc mm.

914
00:36:49,680 --> 00:36:53,920
Speaker 5: Hmm, all right, what you got more question? The sadness

915
00:36:54,040 --> 00:36:58,560
Speaker 5: makes for great music. I mean I was trying to say, even.

916
00:36:58,440 --> 00:37:01,680
Speaker 1: The record of Eternity that got on the Color Purple soundtrack,

917
00:37:01,760 --> 00:37:03,759
Speaker 1: that was a fifteen, sixteen year old record. I did

918
00:37:03,840 --> 00:37:06,600
Speaker 1: Eternity right after me and Mike did Eternity right after Time.

919
00:37:07,120 --> 00:37:09,720
Speaker 6: So Third Shift was a fresh, freshly done record.

920
00:37:09,800 --> 00:37:10,840
Speaker 5: I saw you just preview that?

921
00:37:11,680 --> 00:37:11,879
Speaker 4: Yeah?

922
00:37:12,080 --> 00:37:14,719
Speaker 6: Yeah, was that the bridge or the hook that she

923
00:37:14,880 --> 00:37:17,160
Speaker 6: was playing? Who was in there conducting this?

924
00:37:18,239 --> 00:37:20,000
Speaker 1: What for the whole record for thift?

925
00:37:20,080 --> 00:37:20,279
Speaker 6: Yeah?

926
00:37:20,719 --> 00:37:24,080
Speaker 1: I went to Jeff Giddy and Jeff was like, Yo,

927
00:37:24,160 --> 00:37:25,360
Speaker 1: you want to record it here? I was like no,

928
00:37:25,520 --> 00:37:27,320
Speaker 1: I'm going home. And I flew back home to the

929
00:37:27,320 --> 00:37:30,279
Speaker 1: South Wind. I recorded there and then sent it to

930
00:37:30,360 --> 00:37:33,680
Speaker 1: Dog and Dog was like, Yo, this is something fresh,

931
00:37:33,719 --> 00:37:35,840
Speaker 1: it's something new. And then went back to Jeff Giddy

932
00:37:35,840 --> 00:37:38,640
Speaker 1: and got another track, which is kill Shot. So Kill

933
00:37:38,680 --> 00:37:40,440
Speaker 1: Shot and Third Shift was produced by Jeff Giddy.

934
00:37:40,520 --> 00:37:41,560
Speaker 4: South Ben.

935
00:37:41,800 --> 00:37:45,760
Speaker 1: Absolutely, I'm not if I leave, it's not gonna be anywhere.

936
00:37:45,760 --> 00:37:46,640
Speaker 1: I'm not going to LA.

937
00:37:46,880 --> 00:37:47,879
Speaker 4: I'm not going to New York.

938
00:37:48,719 --> 00:37:50,040
Speaker 1: Miami is my weak spot.

939
00:37:51,200 --> 00:37:53,080
Speaker 4: That's my weak spot. Is it good because he probably

940
00:37:53,080 --> 00:37:55,399
Speaker 4: you probably get grounded when you go home. Yeah.

941
00:37:56,000 --> 00:37:59,359
Speaker 1: Absolutely, I'll get to be around family, friends, like people

942
00:37:59,440 --> 00:38:01,640
Speaker 1: on tour of me, like they're my day ones. Like

943
00:38:02,400 --> 00:38:07,600
Speaker 1: I don't. I feel like I might lose myself if

944
00:38:07,680 --> 00:38:10,759
Speaker 1: I go and move somewhere where I have to be

945
00:38:10,920 --> 00:38:12,960
Speaker 1: seen all the time and red carpet all the time,

946
00:38:13,000 --> 00:38:15,320
Speaker 1: and I feel I just feel like I'm gonna lose myself.

947
00:38:15,360 --> 00:38:17,399
Speaker 1: So I go back home. I can come to New York,

948
00:38:17,440 --> 00:38:19,960
Speaker 1: come kick it for the weekend, come see y'all, and

949
00:38:20,000 --> 00:38:22,360
Speaker 1: then I'm back home. I'm right back home because my

950
00:38:22,480 --> 00:38:25,840
Speaker 1: son is there, goes to a great school there, and

951
00:38:26,239 --> 00:38:28,439
Speaker 1: I just, you know, I like being with my son,

952
00:38:28,920 --> 00:38:31,760
Speaker 1: like chilling being at home, and if I need anything

953
00:38:31,920 --> 00:38:34,560
Speaker 1: or something goes wrong, I'm right there where I need

954
00:38:34,640 --> 00:38:35,840
Speaker 1: to be, so, you know, to.

955
00:38:35,920 --> 00:38:37,719
Speaker 4: Find a question, how does your mom feel about Mama?

956
00:38:38,880 --> 00:38:39,360
Speaker 4: She loved it.

957
00:38:39,719 --> 00:38:42,720
Speaker 1: She loves it because we played it in the studio

958
00:38:42,880 --> 00:38:46,040
Speaker 1: for a bunch of people not too long ago. I

959
00:38:46,080 --> 00:38:48,040
Speaker 1: think that was maybe last month or something like that,

960
00:38:48,600 --> 00:38:50,359
Speaker 1: or maybe soon. I don't know time is flying by,

961
00:38:50,840 --> 00:38:53,200
Speaker 1: but we played it and she gets teary eyed every time.

962
00:38:53,680 --> 00:38:55,360
Speaker 1: And one of the people that were in the studio

963
00:38:55,400 --> 00:38:57,719
Speaker 1: she's like, oh my God, like I love mama so much.

964
00:38:57,880 --> 00:39:00,279
Speaker 1: It's just does your mom know that you know you

965
00:39:00,360 --> 00:39:02,160
Speaker 1: made this record. I was like, she's sitting right behind

966
00:39:02,160 --> 00:39:05,479
Speaker 1: you and she's, oh, you know, so, yeah, the mama.

967
00:39:05,960 --> 00:39:08,040
Speaker 1: I really cannot wait to put that record out. I

968
00:39:08,120 --> 00:39:10,719
Speaker 1: cannot wait because I love the record a lot. And

969
00:39:10,800 --> 00:39:13,400
Speaker 1: I actually did that when Snoop's mom passed.

970
00:39:13,800 --> 00:39:16,480
Speaker 4: Wow, So when the Snoop mom passed with inspiration for

971
00:39:16,520 --> 00:39:17,759
Speaker 4: you to rate that exactly.

972
00:39:17,880 --> 00:39:20,360
Speaker 1: So when Snoop, Yeah, the day after Snoop's mom passed,

973
00:39:20,400 --> 00:39:22,400
Speaker 1: he was in the studio and I was just like,

974
00:39:22,880 --> 00:39:24,719
Speaker 1: I got my boy. I got him and I went

975
00:39:24,760 --> 00:39:26,520
Speaker 1: in there and I just did it. And then I

976
00:39:26,600 --> 00:39:28,040
Speaker 1: was like, yeah, I want you to hear something, and

977
00:39:28,160 --> 00:39:28,760
Speaker 1: I played.

978
00:39:28,520 --> 00:39:30,160
Speaker 2: It for him and he just, you know, broke down.

979
00:39:30,280 --> 00:39:32,560
Speaker 4: And it made you appreciate your mom.

980
00:39:32,480 --> 00:39:36,399
Speaker 1: Still absolutely, absolutely absolutely, So you know, I just think

981
00:39:36,440 --> 00:39:37,880
Speaker 1: it's a great record. I can't wait to drop it.

982
00:39:37,960 --> 00:39:39,279
Speaker 4: And that's one of the reasons you probably don't want

983
00:39:39,280 --> 00:39:39,719
Speaker 4: to leave out.

984
00:39:39,760 --> 00:39:43,560
Speaker 1: Ben Ever, I don't know, I just feel comfortable there people,

985
00:39:43,800 --> 00:39:48,520
Speaker 1: you know, like everybody knows me, I know them. Nobody

986
00:39:48,560 --> 00:39:52,239
Speaker 1: really messes with me there, you know, nobody's messed up

987
00:39:52,239 --> 00:39:54,200
Speaker 1: any of my cars yet, so that's great. So I'm

988
00:39:54,239 --> 00:39:56,560
Speaker 1: pretty good. I'm happy there, you know, as of right now.

989
00:39:56,600 --> 00:39:57,960
Speaker 1: And it's really cheap to live.

990
00:39:58,719 --> 00:39:59,960
Speaker 4: That's the cost of living. To the boy.

991
00:40:00,160 --> 00:40:02,400
Speaker 1: Cost of living is very important. So you know, you

992
00:40:02,520 --> 00:40:04,719
Speaker 1: go do all this and then just go back home

993
00:40:04,800 --> 00:40:05,120
Speaker 1: and chill.

994
00:40:05,160 --> 00:40:07,160
Speaker 2: Come on, you know, but what you want to hear,

995
00:40:07,280 --> 00:40:08,160
Speaker 2: dal what you want to hear?

996
00:40:09,239 --> 00:40:12,719
Speaker 1: Well, she brought up third shift, third shift, so might

997
00:40:12,760 --> 00:40:14,160
Speaker 1: as well play third shift, all right.

998
00:40:14,320 --> 00:40:16,760
Speaker 3: Well, October Nights comes out this Friday, and we appreciate

999
00:40:16,760 --> 00:40:18,480
Speaker 3: you for joining us. You thank you, appreciate it, and

1000
00:40:18,560 --> 00:40:21,080
Speaker 3: let's get into it. It's October London. It's the Breakfast Club.

1001
00:40:21,120 --> 00:40:23,840
Speaker 3: Good morning, wake that ass up in the morning.

1002
00:40:24,000 --> 00:40:24,960
Speaker 4: The Breakfast Club