WEBVTT - Gang Shit

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<v Speaker 1>You're listening to Waiting on Reparations, a production of I

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<v Speaker 1>Heart Radio, Do Do Uh, We're waiting No reparations, were

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<v Speaker 1>waiting reparations. Hurry up. My head is spending around like

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<v Speaker 1>a merry goat. Tell him you can sound it like

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<v Speaker 1>chick herera on the carery yoke. But it's not that

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<v Speaker 1>jack and chair we coke. It's the caressene the aero

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<v Speaker 1>so dropping in there, he's cold. Another brother, Maddy was

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<v Speaker 1>barely grown, Mama stopping like the bottom octive of a baperitone.

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<v Speaker 1>Watching is the bearer on the cops, so that it

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<v Speaker 1>ain't have been flare up the blocks, Egg, you better

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<v Speaker 1>prepare yourself. We keep the monitor past the binoculous dropping

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<v Speaker 1>pair of scope. We're sending in Leslie Nope, front of

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<v Speaker 1>the auspices of robbing hood. We got no other option.

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<v Speaker 1>Take a portion of the part distributed to the barrio

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<v Speaker 1>marching in the Congress, taking down across America. Pay homage

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<v Speaker 1>to the god of the rob should you motherfucking wrappers

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<v Speaker 1>like a clover in time black version of Optimus Prime.

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<v Speaker 1>But my product design served the last person with a

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<v Speaker 1>sign of R nine. I'm leaving y'all into twine and

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<v Speaker 1>you caught in a bond. This mad topics to find

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<v Speaker 1>though when I'm under ground to the cheers, fade away

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<v Speaker 1>and it's time to retire. I'm painting the yash you're

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<v Speaker 1>hoping with, dying of fire and ships make believe and

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<v Speaker 1>what I'm busting sun I play for keeps you bumps

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<v Speaker 1>and nothing but a bunch of motherfucking waste the beats.

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<v Speaker 1>I'm a beast on stage. You're on a vacant streets,

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<v Speaker 1>stepping a cipher and they bowl with that. You're making speed.

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<v Speaker 1>I knock them down. Shakepeare's with a lot of style,

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<v Speaker 1>box of mouth, giving you faking tears and crocking dials

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<v Speaker 1>and you crack smoking. I'm only half choking. I'm baanging.

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<v Speaker 1>You're the bat poking. Get your back broken dope. My

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<v Speaker 1>name's Dope night and we are waiting on reparations. Hurry

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<v Speaker 1>up and we are back again for another episode. How

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<v Speaker 1>are you doing? I'm fine, only I'm just tripping because,

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<v Speaker 1>like so earlier today I saw my psychiatrist all the

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<v Speaker 1>little scummels because zoom once you know, skype or whatever,

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<v Speaker 1>and I was talking about, you know, the upcoming wave

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<v Speaker 1>of evictions and the waning of the protests and the

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<v Speaker 1>unemployment benefits running out in Congress not getting shit enough

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<v Speaker 1>about working people to like pass anything to help us.

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<v Speaker 1>And he was like, well, do you think your medication

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<v Speaker 1>is working? And I'm like, does it fucking sound like it?

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<v Speaker 1>You hear the tone in my voice as I describe

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<v Speaker 1>the horror with which I am surveying the world. And

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<v Speaker 1>it's just an interesting moment where he was like, Oh,

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<v Speaker 1>you're right. I guess there's nothing really I can do

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<v Speaker 1>to help you because the world is a fucking hou escape.

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<v Speaker 1>Have a good day. That'll be two fifty bucks. You're welcome.

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<v Speaker 1>It's ridiculous that it's like the first thing that he

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<v Speaker 1>would think to say is do you want some drugs?

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<v Speaker 1>Or are you taking your drugs? But if you draw

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<v Speaker 1>to the dress artist, like do you what the fund?

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<v Speaker 1>Do you think? Now? I feel you though? Like, um,

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<v Speaker 1>for real, I got hit by like a wave of

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<v Speaker 1>depression like a few days ago where I was just down,

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<v Speaker 1>like for two days straight. And it was just because

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<v Speaker 1>you know, normally, since you know, you know, the whole

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<v Speaker 1>deal is like when you make music independently and when

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<v Speaker 1>you when you're like an independent artist, you're always thinking

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<v Speaker 1>like two or three steps ahead if you're smart, you

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<v Speaker 1>know what I mean. You think you're thinking about what

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<v Speaker 1>you're gonna be doing, you know, five months from now.

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<v Speaker 1>And it's just like with everything going on, it's just

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<v Speaker 1>been it's been hard to have that sort of vision

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<v Speaker 1>like and envisioning like the future like that. So it

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<v Speaker 1>was just putting me down. But I didn't had to

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<v Speaker 1>start working on the episode that kind of brought me up.

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<v Speaker 1>So here we are. Here we are yeah, um, oh

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<v Speaker 1>you know what else did happened? Yeah? So um. Earlier

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<v Speaker 1>this week, the police Department here at Athens release the

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<v Speaker 1>result of their internal investigation about their conduct the night

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<v Speaker 1>of May thirty one, which was the big march that

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<v Speaker 1>I led and then a bunch of my friends got

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<v Speaker 1>to your guests and shot with Leslie's ammunitions and the

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<v Speaker 1>fun What do you think they fucking found? I'm assuming

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<v Speaker 1>they didn't do anything wrong. According to that, we investigated

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<v Speaker 1>ourselves and found we did no wrongdoing. And it's so

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<v Speaker 1>funny because like at first they didn't admit that they

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<v Speaker 1>used like bean backgrounds, and now they admit they did.

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<v Speaker 1>They claimed that like protesters were hiding like bricks in

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<v Speaker 1>their tents and they were going to fucking throw with

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<v Speaker 1>the cops. And now they admit the no bricks were

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<v Speaker 1>found on the folks they arrested, And it's like they're

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<v Speaker 1>admitting to all these lies in this report that supposed

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<v Speaker 1>to it was all of any wrongdoing, because because they

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<v Speaker 1>conducted at their own investor, it doesn't even make sense

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<v Speaker 1>that they did anyone do an investigation on themselves like that.

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<v Speaker 1>It's like have you ever have you ever read the

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<v Speaker 1>comic folk Watchman? No haven't, or there's like, yeah, yeah

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<v Speaker 1>exactly the film, Yeah yeah, but who watches The Watchman?

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<v Speaker 1>I mean like it's it's on some street level ship

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<v Speaker 1>of like nobody snitch exactly. But I mean that's just

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<v Speaker 1>how it is, Just like any sort of like gang

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<v Speaker 1>er organized group where everyone's looking out for each other

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<v Speaker 1>and no one's gonna there. They look at everybody else's

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<v Speaker 1>being the outsiders, and they look at themselves as being like,

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<v Speaker 1>you know, the inner circle, and they don't deviate outside

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<v Speaker 1>that quote unquote family. So yeah, first rule of five clubs.

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<v Speaker 1>You don't talk about five club They don't fucking say

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<v Speaker 1>ship to nobody to turn in their own under any circumstances.

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<v Speaker 1>What does that sound like to you? Sounds like a

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<v Speaker 1>fucking gang to me, gang gang gang gang gang gang gang.

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<v Speaker 1>That brings us to our topic afterday. Before we get

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<v Speaker 1>on that, let me give a shout out to the

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<v Speaker 1>homie One Cosby out of Cincinnati, Ohio. He's the one

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<v Speaker 1>who's provided the beach for today. That's One Cosby at

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<v Speaker 1>one Cosby on Instagram. So go check him out in

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<v Speaker 1>holler med him for some beats because he's got some fire.

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<v Speaker 1>All right. Yeah, I think when you look at the

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<v Speaker 1>history and then of police saying look at the history

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<v Speaker 1>of gangs, there's so many parallels and moments of intersection,

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<v Speaker 1>uh that kind of spring up. And so I mean,

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<v Speaker 1>at this point it's almost like, you know, we say

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<v Speaker 1>it all the time, and that's what this episode is about.

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<v Speaker 1>But at this point it's kind of even a cliche

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<v Speaker 1>the comparison of police to gangs, because it's like something

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<v Speaker 1>that everybody pretty much accepts for this point especially. And

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<v Speaker 1>when I talk about parallels, I'm not talking about like

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<v Speaker 1>a linkage between like police budgets and like crime rates,

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<v Speaker 1>because nationally that has not been found to exists, but

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<v Speaker 1>rather the way the parallels culture, culture and the way

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<v Speaker 1>they operate. Yeah, and a touch on that we're gonna

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<v Speaker 1>be talking with hip hop and spoken word artists propaganda

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<v Speaker 1>who's the co host and hosts, respectively of the Behind

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<v Speaker 1>the Police and Hood Politics podcasts? But um, how did

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<v Speaker 1>we end up here? Like, how do we end up

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<v Speaker 1>with what we have as a centralized police force in America?

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<v Speaker 1>Policing in the United States mirror the development of policing

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<v Speaker 1>in England. One informal form it took was referred to

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<v Speaker 1>as watch or private for profit policing. Yeah, so the

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<v Speaker 1>watch system was made up on like community volunteers, but

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<v Speaker 1>the main duty of warning incoming danger, so between like

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<v Speaker 1>like sixty six and sev hundred um. A similar night

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<v Speaker 1>watch was created in Boston, New York and Philadelphia. Now,

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<v Speaker 1>the night Watch wasn't really that effective at controlling crime

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<v Speaker 1>because for the most part, those guys were drinking and

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<v Speaker 1>falling asleep while they were on duty, and most volunteers

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<v Speaker 1>were trying to avoid military service. And we're drafted into

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<v Speaker 1>service by their town or we're performing watch dudis is punishment.

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<v Speaker 1>Another system was the constable system official law enforcement officers.

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<v Speaker 1>They were paid a fee for warrants they served. Constables

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<v Speaker 1>had a bunch of non law enforcement jobs as well,

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<v Speaker 1>including land surveyors and weights and measure inspectors. And then

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<v Speaker 1>in the South, policing had its roots and slave patrols,

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<v Speaker 1>a squads of white volunteers given the green light to

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<v Speaker 1>enforce laws related to slavery, capturing and returning escape slaves,

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<v Speaker 1>calling slave rebellions, and enforcing plantation rules with harsh and

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<v Speaker 1>often statistic punishments. The first slave patrol was in modern

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<v Speaker 1>day South Carolina in seventeen o four, and they had

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<v Speaker 1>three primary functions to chase, down, apprehend, and return slaves

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<v Speaker 1>to their owners, To provide a form of organized terror

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<v Speaker 1>to deter slave revolts, and to maintain a form of

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<v Speaker 1>discipline for slave workers who were subject to plantation justice

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<v Speaker 1>outside of the law if they violated any plantation rules.

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<v Speaker 1>After the Civil War, these vigilante groups merged in the

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<v Speaker 1>modern Southern police departments, mainly as a way of controlling

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<v Speaker 1>freed former slaves who are now working in the agricultural

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<v Speaker 1>cast system, enforcing a set of racist government policies called

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<v Speaker 1>the Black Codes, designed to deny ead black people equal

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<v Speaker 1>rights and access to the political system The codes also

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<v Speaker 1>restricted traveling and housing. In eighteen sixty eight, the Black

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<v Speaker 1>Codes were rendered illegal about the Fourteenth Amendment, but within

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<v Speaker 1>twenty years Jim Crow segregation laws got around that ever

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<v Speaker 1>adopted across the South, and enforcement of those laws so

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<v Speaker 1>put it in the hands of Gusts fucking who. The

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<v Speaker 1>in the eighteen thirties is when the idea of a

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<v Speaker 1>centralized municipal police department first emerged in the United States.

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<v Speaker 1>And it's really funny because I got an arguments with

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<v Speaker 1>people on Instagram about this because on four the July

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<v Speaker 1>I posted about the fact that you know, we're celebrating

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<v Speaker 1>this holiday about the founding of our country, and in

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<v Speaker 1>seventeen seventy six, the police as we know it did

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<v Speaker 1>not exist in America, and for the majority of human history, indeed,

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<v Speaker 1>policing as an institution, as the centralized municipal police department

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<v Speaker 1>that you know I read to the eighteen thirties did

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<v Speaker 1>not exist throughout human society. And so when we talk

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<v Speaker 1>about abolition, etcetera, we're really talking about in a sense,

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<v Speaker 1>getting back to our roots of like other forms of

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<v Speaker 1>accountability and other forms of um UH security and public

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<v Speaker 1>safety through like community based like, you know, not just

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<v Speaker 1>seeing your neighbors, not not not sorry, not just watching

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<v Speaker 1>your neighbors, but like seeing them for who they are

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<v Speaker 1>and understanding them, understanding them. Yeah, and so um, I mean,

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<v Speaker 1>does I feel like that's what a lot of this

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<v Speaker 1>moment and what's going on is about, is about like

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<v Speaker 1>completely changing people's whole way of looking at stuff, you know,

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<v Speaker 1>more so than just necessarily reforming an institution. Yeah. No,

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<v Speaker 1>I think I think the idea of like even you know,

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<v Speaker 1>defunding the police or police abolition requires us to stop

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<v Speaker 1>outsourcing all of our problems to the state. It asks

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<v Speaker 1>a lot more of us as private citizens to you know,

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<v Speaker 1>be a and like surveying the conditions on our street,

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<v Speaker 1>not just for crime to occur, but crime prevenge strategies

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<v Speaker 1>and making sure our neighbors have everything they need. I mean,

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<v Speaker 1>we could talk about expanding the quote unquote welfare state

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<v Speaker 1>as a way to deter crime, but ultimately it does

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<v Speaker 1>do think it comes down to like mutual aid and

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<v Speaker 1>like mutual accountability on the community level, and like the

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<v Speaker 1>responsibility that requires of us. People are like I don't

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<v Speaker 1>have to do all that ship. I want to make

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<v Speaker 1>sure my neighbors got fucking cheerios and fucking milk. Well,

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<v Speaker 1>I mean, the thing is like a and this is

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<v Speaker 1>I guess it's kind of where, you know, not growing

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<v Speaker 1>up here kind of comes into perspective for me. But

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<v Speaker 1>it's just like, I don't know how if you know

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<v Speaker 1>that there are people who are hungry, Like, how do

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<v Speaker 1>you walk around it like thinking that there shouldn't or

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<v Speaker 1>won't be crime of some sort, Like you think people

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<v Speaker 1>are just gonna like starve. I mean, I know it's

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<v Speaker 1>all relative, like everybody's definition of what they're but if

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<v Speaker 1>you we all live this life in America knowing that

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<v Speaker 1>it's unfair and it's unequal and a lot of people

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<v Speaker 1>have it harder than other people, we're gonna what do

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<v Speaker 1>you think is going to happen? I'm not saying that

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<v Speaker 1>that's right, I'm saying, what do you expect to happen?

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<v Speaker 1>You know? Yeah, I was helping organized folks UM as

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<v Speaker 1>a part of the National uh Strike for Black Lives

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<v Speaker 1>where SCIU and Teamsters and the Poor People's Campaign and

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<v Speaker 1>other UM allied organizations across the country were encouraging workers

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<v Speaker 1>to walk off the job. And how I was explaining,

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<v Speaker 1>like what this what relevance. This held for the moment

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<v Speaker 1>that we're in is that economic justice is racial justice.

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<v Speaker 1>In a world without crimes of survival, are reliance upon

0:12:41.520 --> 0:12:46.160
<v Speaker 1>institution of policing is greatly decreased, some might even argue eliminated.

0:12:46.480 --> 0:12:49.880
<v Speaker 1>And so when we address those economic justice issues of

0:12:50.080 --> 0:12:54.640
<v Speaker 1>people having those foundation foundational needs met UM so that

0:12:54.679 --> 0:12:58.599
<v Speaker 1>they can thrive UM through you know, living wage employment

0:12:58.720 --> 0:13:01.000
<v Speaker 1>or through strong social safe being, it that helps them

0:13:01.080 --> 0:13:05.600
<v Speaker 1>gain UM and keep meaningful employment, we won't have to

0:13:05.760 --> 0:13:08.240
<v Speaker 1>we won't have to worry about you know, homies down

0:13:08.240 --> 0:13:12.280
<v Speaker 1>here fighting outside the homeless shelter. But anyway, I'm sorry,

0:13:12.280 --> 0:13:16.559
<v Speaker 1>I got a little bit off time. UM. So police

0:13:16.559 --> 0:13:20.160
<v Speaker 1>have only existed in America for like a little little

0:13:20.200 --> 0:13:24.440
<v Speaker 1>shy have two hundred years. UM. One reason that they

0:13:24.480 --> 0:13:27.160
<v Speaker 1>first emerged was that cities were growing and with the

0:13:27.240 --> 0:13:29.280
<v Speaker 1>US no longer being a collection of small cities and

0:13:29.360 --> 0:13:33.240
<v Speaker 1>rural towns, with urbanization occurring at a pace that made

0:13:33.280 --> 0:13:36.720
<v Speaker 1>the watching constable systems no longer good enough to stop

0:13:36.760 --> 0:13:39.800
<v Speaker 1>this disorder. They had to transition to something more centralized.

0:13:40.240 --> 0:13:45.600
<v Speaker 1>And we'll come back to that word disorder, but yeah,

0:13:45.800 --> 0:13:49.480
<v Speaker 1>the general public disorder was more visible and less easily

0:13:49.520 --> 0:13:52.440
<v Speaker 1>controlled in growing urban centers than it had been in

0:13:52.520 --> 0:13:56.400
<v Speaker 1>rural areas. Increasing crime and visible vice, you know, public

0:13:56.440 --> 0:14:01.400
<v Speaker 1>drunkenness and sometimes prostitution. Mob violence, for particularly violence directed

0:14:01.440 --> 0:14:05.720
<v Speaker 1>at immigrants and African Americans took place frequently, um, but

0:14:05.800 --> 0:14:08.040
<v Speaker 1>there is no evidence that there was like a crime

0:14:08.120 --> 0:14:10.240
<v Speaker 1>way back then that made them say, hey, we gotta

0:14:10.480 --> 0:14:14.400
<v Speaker 1>start a centralized police force. Like that's not really what

0:14:14.440 --> 0:14:16.920
<v Speaker 1>was going on. Yeah, I think the keyword here is

0:14:17.040 --> 0:14:21.880
<v Speaker 1>visible vice because I think Alexandria Cossio Cortez in a

0:14:21.960 --> 0:14:24.880
<v Speaker 1>recent interview was talking about how what folks and this

0:14:24.920 --> 0:14:27.080
<v Speaker 1>has been contested by abolitionists, but like we was talking

0:14:27.120 --> 0:14:31.040
<v Speaker 1>about how folks uh need to think of defunding the

0:14:31.080 --> 0:14:35.040
<v Speaker 1>police as advocating for black communities to be police like

0:14:35.040 --> 0:14:39.560
<v Speaker 1>white communities. Are white communities where visible vice is not

0:14:39.680 --> 0:14:42.000
<v Speaker 1>so much of an issue. People aren' drinking down the

0:14:42.000 --> 0:14:45.320
<v Speaker 1>street corner or standing out, you know, up by the

0:14:45.360 --> 0:14:50.080
<v Speaker 1>stop sign hooking, because they're doing these things behind closed

0:14:50.120 --> 0:14:53.320
<v Speaker 1>doors on private properties, whether or not seen, and thus

0:14:53.360 --> 0:15:03.000
<v Speaker 1>it kind of keeps this image of public order. Kentucky

0:15:03.080 --> 0:15:06.800
<v Speaker 1>University criminologist Gary Potter and his paper The History of

0:15:06.800 --> 0:15:10.520
<v Speaker 1>policing in the United States stated more than crime. Modern

0:15:10.560 --> 0:15:13.240
<v Speaker 1>police forces in the United States emerges a response to

0:15:13.360 --> 0:15:17.440
<v Speaker 1>quote disorder will constitute social and public order depends largely

0:15:17.480 --> 0:15:19.880
<v Speaker 1>on who is defining those terms, and in the cities

0:15:19.880 --> 0:15:23.840
<v Speaker 1>of the nineteenth century America, they were defined by mercantile interests,

0:15:23.840 --> 0:15:27.520
<v Speaker 1>whose taxes and political influence supported the development of bureaucratic

0:15:27.520 --> 0:15:31.560
<v Speaker 1>policing institutions. These economic interests had a greater interest in

0:15:31.640 --> 0:15:35.680
<v Speaker 1>social control than crime control. Private and for profit policing

0:15:35.800 --> 0:15:39.080
<v Speaker 1>was to disorganize and to crime specific inform To fulfill

0:15:39.160 --> 0:15:42.840
<v Speaker 1>these needs, the emerging commercial elites needed a mechanism to

0:15:43.000 --> 0:15:46.400
<v Speaker 1>ensure a stable and orderly workforce, a stable and orderly

0:15:46.480 --> 0:15:49.600
<v Speaker 1>environment to conductive business, and the maintenance of what they

0:15:49.640 --> 0:15:53.520
<v Speaker 1>referred to as the collective good. These mercantile interests also

0:15:53.600 --> 0:15:57.520
<v Speaker 1>wanted to divest themselves the cost of protecting their own enterprises,

0:15:57.680 --> 0:16:03.960
<v Speaker 1>transferring those costs from the private sector to the state. Hey,

0:16:03.960 --> 0:16:06.360
<v Speaker 1>so we got a special guest today, Oh yes we do.

0:16:07.000 --> 0:16:11.920
<v Speaker 1>Who is that? We have? Jason Emmanuel Petty, or known

0:16:12.120 --> 0:16:16.520
<v Speaker 1>to the world as a propaganda games the same amount

0:16:16.560 --> 0:16:19.320
<v Speaker 1>of jail time. It's eighteen of cocaine, but eight say

0:16:19.400 --> 0:16:23.040
<v Speaker 1>the same thing. It's crooked, stay eat known kind and

0:16:23.400 --> 0:16:27.080
<v Speaker 1>must worsnd instead of celebrating shine and hip hop and

0:16:27.120 --> 0:16:31.320
<v Speaker 1>spoken word artists and poet from Los Angeles, California and

0:16:31.400 --> 0:16:34.960
<v Speaker 1>the co host up behind the police and politics prop

0:16:35.120 --> 0:16:37.080
<v Speaker 1>How are you today? I'm all right man. You know

0:16:37.120 --> 0:16:39.800
<v Speaker 1>you gave a full government though YO said, I didn't

0:16:39.840 --> 0:16:44.840
<v Speaker 1>need to put the fans just watching. You know what

0:16:44.840 --> 0:16:49.160
<v Speaker 1>I'm talking about. I don't really talking about the police. No,

0:16:49.360 --> 0:16:52.040
<v Speaker 1>we're good. I'm all good man. We uh we um

0:16:52.320 --> 0:16:55.400
<v Speaker 1>on a personal note, or like the house we're renting,

0:16:55.480 --> 0:16:58.760
<v Speaker 1>we're looking into buying, so which is super dope, which

0:16:58.800 --> 0:17:01.840
<v Speaker 1>means now I have an office uh over here like

0:17:01.920 --> 0:17:05.359
<v Speaker 1>not recording in my bedroom with my like daughter taking

0:17:05.359 --> 0:17:07.439
<v Speaker 1>her nap right on the other side of the wall.

0:17:07.480 --> 0:17:10.560
<v Speaker 1>You know what I'm saying. Yeah, So tell us a

0:17:10.560 --> 0:17:12.840
<v Speaker 1>little bit about yourself for folks that may not be

0:17:12.920 --> 0:17:16.560
<v Speaker 1>familiar with their work. Yeah, yeah, How would you describe yourself?

0:17:16.960 --> 0:17:21.120
<v Speaker 1>Man um Almo Tall drink of walk Nona. I am

0:17:21.400 --> 0:17:24.399
<v Speaker 1>south central Los Angeles, you know, born and bred in

0:17:24.560 --> 0:17:28.800
<v Speaker 1>l A, moved around the cornucopia Los Angeles. Um, I

0:17:28.800 --> 0:17:33.360
<v Speaker 1>don't know how familiar listeners are. But like Sand Valley, Whittier,

0:17:33.520 --> 0:17:35.600
<v Speaker 1>Long Beach, I've lived in pretty much all of it.

0:17:36.040 --> 0:17:38.879
<v Speaker 1>Lived in i E. For a little bit. Um My

0:17:39.200 --> 0:17:43.120
<v Speaker 1>Uh moms from d C. Dad from Texas. My father

0:17:43.200 --> 0:17:46.600
<v Speaker 1>was a black panther. Uh. Fell in love with hip

0:17:46.600 --> 0:17:51.240
<v Speaker 1>hop at in Lamart Park in l A. And Um.

0:17:51.280 --> 0:17:54.520
<v Speaker 1>I went to college for illustration and in their cultural studies,

0:17:54.640 --> 0:17:56.879
<v Speaker 1>and then I went on to get a masters in

0:17:56.960 --> 0:18:00.119
<v Speaker 1>social science. I taught history for six years. Um. And

0:18:00.160 --> 0:18:02.440
<v Speaker 1>I was just a hardcore battle rapper the whole time,

0:18:02.640 --> 0:18:04.840
<v Speaker 1>you know. And then uh, yeah, you know what I'm saying.

0:18:04.880 --> 0:18:09.040
<v Speaker 1>Fell in love of poetry in college. Um and in

0:18:09.080 --> 0:18:13.320
<v Speaker 1>our story right right yeah, and uh and just kind

0:18:13.320 --> 0:18:15.320
<v Speaker 1>of been like you know, there was a moment where

0:18:15.359 --> 0:18:16.879
<v Speaker 1>I had to make a decision as far as like

0:18:17.000 --> 0:18:19.280
<v Speaker 1>was I gonna continue in the education to be a

0:18:19.320 --> 0:18:23.400
<v Speaker 1>teacher or like you know, those opportunities were arising. It's

0:18:23.480 --> 0:18:25.720
<v Speaker 1>kind of funny story, I don't I know, ya ya

0:18:25.840 --> 0:18:29.320
<v Speaker 1>yr listeners to appreciate it. Like I was crew I

0:18:29.440 --> 0:18:34.040
<v Speaker 1>was with was Was We produced album on Caress one, um,

0:18:34.760 --> 0:18:39.280
<v Speaker 1>and he was going to take us on tour. So

0:18:39.320 --> 0:18:44.040
<v Speaker 1>I was like, yo, I'm out this job. The teachers

0:18:44.080 --> 0:18:50.359
<v Speaker 1>didn't take me to shot and uh and it wasn't

0:18:50.359 --> 0:18:54.600
<v Speaker 1>my shot, but but it was an amazing experience. You

0:18:54.640 --> 0:18:56.040
<v Speaker 1>know what I'm saying that I'll never forget it. But

0:18:56.119 --> 0:18:58.480
<v Speaker 1>either way, that was Like I I left the classroom

0:18:58.520 --> 0:19:00.639
<v Speaker 1>around that time and then, um, yeah, I kind of

0:19:00.640 --> 0:19:03.000
<v Speaker 1>been doing music and poetry and sort of activism. I

0:19:03.000 --> 0:19:04.840
<v Speaker 1>come from my activist family. Like I said, my father

0:19:04.920 --> 0:19:06.840
<v Speaker 1>was a Panthers, So I kind of came from that

0:19:06.920 --> 0:19:08.840
<v Speaker 1>already and just kind of been doing that of a since.

0:19:09.359 --> 0:19:11.800
<v Speaker 1>So what so what was his involvement with the Panthers,

0:19:11.840 --> 0:19:14.560
<v Speaker 1>Like was he an organizer? Was he? Like? Yeah, so

0:19:14.560 --> 0:19:16.120
<v Speaker 1>I know they did a lot of different kinds of things,

0:19:16.280 --> 0:19:21.080
<v Speaker 1>Like yeah, so Pops was after school tutor and he

0:19:21.160 --> 0:19:25.320
<v Speaker 1>was doing like some of the some of the the bussing,

0:19:25.400 --> 0:19:29.399
<v Speaker 1>the transfers things. My father was at the watch chapter

0:19:29.560 --> 0:19:31.159
<v Speaker 1>forty one and Central down here and the one that

0:19:31.359 --> 0:19:33.800
<v Speaker 1>went the CIA bottle, the one with one of the

0:19:33.840 --> 0:19:37.680
<v Speaker 1>ones that c Yeah, so yeah, he was a part

0:19:37.720 --> 0:19:41.640
<v Speaker 1>of He was a part of the the after school tutoring.

0:19:41.720 --> 0:19:44.080
<v Speaker 1>My dad. You know, after he came back from Vietnam,

0:19:44.160 --> 0:19:48.439
<v Speaker 1>he was a went on to to go to u C.

0:19:48.600 --> 0:19:52.080
<v Speaker 1>L A And get his Afro Studies degree in sociology.

0:19:52.119 --> 0:19:54.520
<v Speaker 1>So my father was very intelligent man. And UM, so

0:19:54.680 --> 0:19:57.520
<v Speaker 1>his big thing was like education is the way, so

0:19:57.560 --> 0:20:00.000
<v Speaker 1>he that was that was that was where he participated

0:20:00.040 --> 0:20:03.359
<v Speaker 1>the most, was in the after school tutoring. And how

0:20:03.440 --> 0:20:07.159
<v Speaker 1>has like the how have those activist roots influenced the

0:20:07.200 --> 0:20:10.160
<v Speaker 1>way you move in the world. Man, It's it's like

0:20:10.320 --> 0:20:14.440
<v Speaker 1>it's hard to not see the need and it's hard

0:20:14.480 --> 0:20:18.280
<v Speaker 1>to not see you know, sort of a a a

0:20:18.400 --> 0:20:23.880
<v Speaker 1>much more sort of intersectional kind of like a very

0:20:23.920 --> 0:20:29.240
<v Speaker 1>disinclusive understanding of what you know, interlocking systems of the

0:20:29.320 --> 0:20:33.640
<v Speaker 1>justice look like how to have advocacy across different borders

0:20:33.640 --> 0:20:37.240
<v Speaker 1>and different lines. Um. Because of again the way that

0:20:37.359 --> 0:20:42.840
<v Speaker 1>like I was taught to even understand power and how

0:20:42.920 --> 0:20:47.520
<v Speaker 1>you interface with power and how power uh interfaces with

0:20:47.520 --> 0:20:50.840
<v Speaker 1>with the population. You know, it was just because of

0:20:50.880 --> 0:20:54.840
<v Speaker 1>that sort of like like I said, like very well

0:20:54.920 --> 0:20:57.679
<v Speaker 1>read activism that like my father had. It's like you

0:20:57.800 --> 0:21:00.000
<v Speaker 1>just you were you were able to see it every everywhere.

0:21:00.200 --> 0:21:02.880
<v Speaker 1>And then secondly, just being from l A, like I

0:21:02.920 --> 0:21:04.760
<v Speaker 1>was on the east side of South Central. I know

0:21:04.800 --> 0:21:07.520
<v Speaker 1>it's a lot of directions, but um, on the east

0:21:07.520 --> 0:21:10.560
<v Speaker 1>side of South Central. It bordered the Latino community, so

0:21:10.600 --> 0:21:14.760
<v Speaker 1>we're we're butting up against UM. Like the next street

0:21:14.800 --> 0:21:18.119
<v Speaker 1>over was an area called Huntington Park, which I mean

0:21:18.160 --> 0:21:20.119
<v Speaker 1>there's no signs in English in Huntington Park, you know

0:21:20.119 --> 0:21:23.239
<v Speaker 1>what I'm saying. So like I I lived on this

0:21:23.359 --> 0:21:27.560
<v Speaker 1>like borderlands to where I just I understood the immigrant

0:21:27.600 --> 0:21:31.560
<v Speaker 1>the you know, specifically the Mexican American immigrant UM experience

0:21:32.040 --> 0:21:35.760
<v Speaker 1>UM and could just see so many like I'm like

0:21:36.160 --> 0:21:39.320
<v Speaker 1>they that's the same ship, Like they're doing that, you

0:21:39.320 --> 0:21:40.840
<v Speaker 1>know what I'm saying. So it was just hard to

0:21:40.960 --> 0:21:43.520
<v Speaker 1>not It's hard to not notice it. And realized that

0:21:43.600 --> 0:21:45.600
<v Speaker 1>like a lot of our work where we was doing

0:21:45.920 --> 0:21:47.840
<v Speaker 1>and what my father was doing for the black community

0:21:47.960 --> 0:21:50.760
<v Speaker 1>was like yo, like y'all could do this too, Like

0:21:50.840 --> 0:21:53.000
<v Speaker 1>y'all need this to you know what I'm saying. And UM.

0:21:53.960 --> 0:21:57.239
<v Speaker 1>So that like sort of intersectional understanding I think kind

0:21:57.280 --> 0:21:59.840
<v Speaker 1>of came from having that lord like activists like father,

0:22:00.040 --> 0:22:02.720
<v Speaker 1>know what I'm saying. Are there any like areas where

0:22:02.760 --> 0:22:05.920
<v Speaker 1>you're hip hop and your activism like intersect I mean

0:22:06.000 --> 0:22:08.760
<v Speaker 1>the whole time, Like that's the funny part. Like again,

0:22:09.440 --> 0:22:12.600
<v Speaker 1>you know, I the wing of hip hop I fell

0:22:12.640 --> 0:22:15.639
<v Speaker 1>in love with. And I know that's another similarity because

0:22:15.680 --> 0:22:17.760
<v Speaker 1>I saw the song as y'all chose for this episode.

0:22:18.200 --> 0:22:24.080
<v Speaker 1>It's like, you know, I grew up going to you know, Uh,

0:22:24.240 --> 0:22:25.879
<v Speaker 1>I don't know how familiar you are with just like

0:22:25.920 --> 0:22:31.800
<v Speaker 1>the l A Rap scene as far as like good Life, Yeah, yeah, yeah,

0:22:31.840 --> 0:22:34.040
<v Speaker 1>I grew up going to that. Like I was too young,

0:22:34.160 --> 0:22:35.840
<v Speaker 1>So I was too young for the Good Life. I

0:22:35.880 --> 0:22:39.320
<v Speaker 1>snuck in snug right, but it was a healthfu cafe.

0:22:39.359 --> 0:22:41.239
<v Speaker 1>So it's like, I mean, so what for people who

0:22:41.359 --> 0:22:43.280
<v Speaker 1>might not know what that is? What is? What is?

0:22:43.920 --> 0:22:46.399
<v Speaker 1>So the Good Life wasn't wasn't open mic sort of

0:22:46.440 --> 0:22:49.679
<v Speaker 1>like workshop that evolved into sort of this battle scene,

0:22:49.840 --> 0:22:52.960
<v Speaker 1>but you couldn't curse. Yeah, it was very clean. You

0:22:53.000 --> 0:22:56.639
<v Speaker 1>couldn't curse because of uh sort of our our our

0:22:57.080 --> 0:22:59.400
<v Speaker 1>kind of patriarch of that area, like the Mert Park

0:23:00.119 --> 0:23:03.080
<v Speaker 1>is the sort of like l A's Harlem, so a

0:23:03.160 --> 0:23:06.159
<v Speaker 1>lot of like activism, old jazz, like a lot of

0:23:06.160 --> 0:23:08.680
<v Speaker 1>the sixties stuff. It was right on Cranshaw Boulevard again,

0:23:08.680 --> 0:23:14.480
<v Speaker 1>which is like Black Renaissance areas of Los Angeles. Um,

0:23:14.520 --> 0:23:17.320
<v Speaker 1>so it was already a community that was like there,

0:23:17.760 --> 0:23:20.840
<v Speaker 1>our elders were activists, Our elders were like you know,

0:23:21.160 --> 0:23:23.240
<v Speaker 1>were these So if hip hop was going to be

0:23:23.240 --> 0:23:27.440
<v Speaker 1>born there, it was gonna look like where we were

0:23:27.440 --> 0:23:29.960
<v Speaker 1>born in, you know what I'm saying. So freestyle fellowship.

0:23:30.320 --> 0:23:33.080
<v Speaker 1>So these were like my heroes, you know, um yeah,

0:23:33.160 --> 0:23:35.600
<v Speaker 1>so yeah, so freestyle fellowship. Like I mean I saw,

0:23:36.240 --> 0:23:39.240
<v Speaker 1>you know, I saw, I saw. I remember seeing Corrupt

0:23:39.359 --> 0:23:41.520
<v Speaker 1>and Snow you know what I'm saying. I remember seeing

0:23:41.520 --> 0:23:43.840
<v Speaker 1>these guys come to these open mics. I remember people

0:23:44.200 --> 0:23:46.879
<v Speaker 1>flying in. I the Juice and Supernatural battle like that

0:23:47.000 --> 0:23:51.040
<v Speaker 1>was was that blow? You know what I'm saying. So like, yeah,

0:23:51.200 --> 0:23:54.320
<v Speaker 1>so we saw these things. I remember, you know a

0:23:54.520 --> 0:23:57.040
<v Speaker 1>Unity which was over on the American Miracle Montains do

0:23:57.080 --> 0:23:58.640
<v Speaker 1>with all these like l A deep cuts, but like,

0:23:59.200 --> 0:24:04.240
<v Speaker 1>uh that's where are when when M battled this guy

0:24:04.320 --> 0:24:07.359
<v Speaker 1>named Otherwise you know, for this for this event that

0:24:07.440 --> 0:24:09.960
<v Speaker 1>like Drey saw him at like and lost, you know,

0:24:10.320 --> 0:24:12.560
<v Speaker 1>like that particular battle he lost, you know what I'm saying.

0:24:12.600 --> 0:24:16.119
<v Speaker 1>But like you know, the Rhyme Fest battles, like all

0:24:16.160 --> 0:24:20.560
<v Speaker 1>these different like moments, all these people were all already

0:24:20.640 --> 0:24:24.040
<v Speaker 1>their hip hop was already an active protests so if

0:24:24.080 --> 0:24:27.159
<v Speaker 1>that's sort of the primortal suit that I kind of

0:24:27.200 --> 0:24:30.800
<v Speaker 1>came from. It was like this is what I knew.

0:24:31.080 --> 0:24:32.399
<v Speaker 1>You know what I'm saying, this is this is what

0:24:32.480 --> 0:24:35.080
<v Speaker 1>I understood. I you know, we were in l A.

0:24:35.160 --> 0:24:37.600
<v Speaker 1>But like, like if you saw the good documentary, like

0:24:37.680 --> 0:24:41.000
<v Speaker 1>we all weren't we all weren't defunk, Like we all weren't.

0:24:41.400 --> 0:24:43.639
<v Speaker 1>We all came from everybody there, there's a bunch of

0:24:43.640 --> 0:24:46.640
<v Speaker 1>different flavors. Yeah, you know, we all came from ganghoods,

0:24:46.720 --> 0:24:51.320
<v Speaker 1>but like we didn't all we weren't all gangs. So yeah,

0:24:51.359 --> 0:24:53.199
<v Speaker 1>so that's kind of like that stuff really saying to me.

0:24:54.320 --> 0:24:58.639
<v Speaker 1>So transitioning, Like, so you've been a hip hop artist

0:24:58.680 --> 0:25:00.639
<v Speaker 1>and an activist for all these years. How did you

0:25:00.680 --> 0:25:03.080
<v Speaker 1>get into the podcast game? Because you're the you know,

0:25:03.119 --> 0:25:07.280
<v Speaker 1>you're the coast of the Behind the Police podcast. Also

0:25:07.320 --> 0:25:09.080
<v Speaker 1>you got the Hood Politics podcast. So how did you

0:25:09.080 --> 0:25:11.720
<v Speaker 1>get into that? Dude? I So I started as I

0:25:11.760 --> 0:25:14.399
<v Speaker 1>started doing music, and you know, and the type of

0:25:14.480 --> 0:25:16.080
<v Speaker 1>music I was doing, I was getting a lot of

0:25:16.080 --> 0:25:20.399
<v Speaker 1>like speaking opportunities, um, and then sort of you know,

0:25:21.160 --> 0:25:23.639
<v Speaker 1>I wrote a few op eds for you know, a

0:25:23.680 --> 0:25:28.000
<v Speaker 1>couple couple of outlets and people started saying, Yo, you

0:25:28.000 --> 0:25:30.200
<v Speaker 1>should do a podcast, you do a podcast podcast. And

0:25:30.480 --> 0:25:34.280
<v Speaker 1>at the time, I was like, man, about what man, Like,

0:25:34.320 --> 0:25:36.720
<v Speaker 1>you know what I'm saying? Like I don't. I don't

0:25:36.720 --> 0:25:37.960
<v Speaker 1>know what you want me to say. You know what

0:25:37.960 --> 0:25:39.920
<v Speaker 1>I'm saying it? Who's really going to tune in weekly?

0:25:40.440 --> 0:25:42.080
<v Speaker 1>You feel me? And at the time, like when it

0:25:42.119 --> 0:25:45.840
<v Speaker 1>first started, I was like, well, I'm an artist. I

0:25:45.880 --> 0:25:47.760
<v Speaker 1>don't have you know what I'm saying, Like, you know,

0:25:47.800 --> 0:25:50.479
<v Speaker 1>you have these like lofty ideas of not understanding like

0:25:50.560 --> 0:25:53.359
<v Speaker 1>multiple streams of income all this stuff and just what

0:25:53.480 --> 0:25:57.719
<v Speaker 1>a what abroad like fully developed artists you could be.

0:25:57.760 --> 0:26:00.919
<v Speaker 1>So anyway, I got offered a show that me and

0:26:00.960 --> 0:26:02.840
<v Speaker 1>my wife actually started doing. It was called The Red

0:26:02.840 --> 0:26:06.119
<v Speaker 1>Couch Podcast UM, which was where it originally started. I

0:26:06.160 --> 0:26:08.320
<v Speaker 1>was offered by this this magazine called Relevant. They were

0:26:08.400 --> 0:26:11.919
<v Speaker 1>launching this like whole podcast network. They wanted me to

0:26:11.920 --> 0:26:15.600
<v Speaker 1>be like the flagship UM, and so they were the

0:26:15.600 --> 0:26:18.200
<v Speaker 1>ones that were like, you can write, you can do

0:26:18.680 --> 0:26:22.560
<v Speaker 1>whatever you want, and I didn't. I was like, I

0:26:22.600 --> 0:26:28.560
<v Speaker 1>don't uh about what you know what I'm saying? So

0:26:28.560 --> 0:26:31.359
<v Speaker 1>so so memo, I just kind of made up the podcast.

0:26:31.400 --> 0:26:33.200
<v Speaker 1>You know what, I'm saying, and then out of that

0:26:33.320 --> 0:26:36.879
<v Speaker 1>groo hood politics, because that pub politics at first was

0:26:36.960 --> 0:26:41.359
<v Speaker 1>just a section in the broader. It was just one

0:26:41.440 --> 0:26:43.720
<v Speaker 1>of the bits in Red Couch, you know what I'm saying,

0:26:43.880 --> 0:26:47.560
<v Speaker 1>And then it kind of took its own life and

0:26:47.560 --> 0:26:49.919
<v Speaker 1>and was just people were tuning in just for the

0:26:49.920 --> 0:26:52.480
<v Speaker 1>first twenty minutes of the show, you know, just for

0:26:52.520 --> 0:26:56.240
<v Speaker 1>the red just for the hood politics section, and then

0:26:56.560 --> 0:26:58.600
<v Speaker 1>tune it out. And then other people were tuning in

0:26:58.680 --> 0:27:00.439
<v Speaker 1>for the last forty because they just wanted to hear

0:27:00.480 --> 0:27:03.320
<v Speaker 1>my wife talk because she's brilliant in her own right,

0:27:03.440 --> 0:27:06.440
<v Speaker 1>you know actually and more right, she's PhD and a

0:27:06.600 --> 0:27:12.240
<v Speaker 1>policy and social context is brilliant. This is gonna be

0:27:12.320 --> 0:27:15.920
<v Speaker 1>the hardest thing you do in your life. I'm surprised

0:27:15.920 --> 0:27:21.879
<v Speaker 1>our marriage last. Yes, uh and she almost is funny

0:27:21.880 --> 0:27:23.320
<v Speaker 1>at the end of that, she almost didn't want to

0:27:23.320 --> 0:27:26.480
<v Speaker 1>like go through the like the ceremony and like walking

0:27:26.480 --> 0:27:30.080
<v Speaker 1>across the stage. I was like, girl, I'm walking across

0:27:30.240 --> 0:27:34.320
<v Speaker 1>if you're not gonna walk an walk like that was

0:27:34.359 --> 0:27:38.560
<v Speaker 1>the hardest thing. I can't believe it anyway. Uh so yeah,

0:27:38.640 --> 0:27:42.040
<v Speaker 1>so so, so it became like for me, podcasting was

0:27:42.080 --> 0:27:45.760
<v Speaker 1>just like this like creative, uh way to get ideas

0:27:45.800 --> 0:27:48.240
<v Speaker 1>out that I didn't have sort of like my identity

0:27:48.320 --> 0:27:50.880
<v Speaker 1>so wrapped up into like I did with like hip

0:27:50.920 --> 0:27:53.720
<v Speaker 1>hop poetry. Like so it was like this could just

0:27:53.760 --> 0:27:56.520
<v Speaker 1>be I could just like the pressure was off, you

0:27:56.520 --> 0:27:58.280
<v Speaker 1>know what I'm saying, because I just feel like I didn't.

0:27:59.520 --> 0:28:02.200
<v Speaker 1>I didn't. This wasn't this wasn't the air I breathe.

0:28:02.560 --> 0:28:06.320
<v Speaker 1>And then it kind of like took on a life

0:28:06.320 --> 0:28:08.320
<v Speaker 1>of its own and now it's like, dude, I really

0:28:08.320 --> 0:28:12.080
<v Speaker 1>love like podcasting. And then Behind the Police thing was

0:28:12.119 --> 0:28:17.040
<v Speaker 1>like legit just a d M. Like, yes, I was

0:28:17.119 --> 0:28:21.720
<v Speaker 1>following you know Robert show. His show was just you know,

0:28:21.800 --> 0:28:24.000
<v Speaker 1>I don't even familiar with the show show Behind the Bastards.

0:28:24.040 --> 0:28:25.920
<v Speaker 1>I was just yeah, I was just a fan of it,

0:28:26.160 --> 0:28:28.600
<v Speaker 1>and so I started following him and we started like

0:28:28.920 --> 0:28:30.879
<v Speaker 1>chopping it up back and forth, cracking jokes, and then

0:28:30.920 --> 0:28:32.720
<v Speaker 1>I did a show on the Panthers with him, like

0:28:32.760 --> 0:28:35.240
<v Speaker 1>he again direct messaged me like hey, because he said

0:28:35.280 --> 0:28:36.880
<v Speaker 1>he was working on one, and I was like, oh yeah,

0:28:36.920 --> 0:28:38.959
<v Speaker 1>my dad was a panther. So then he direct messaged

0:28:39.000 --> 0:28:40.400
<v Speaker 1>me and was like, hey, you want to be on

0:28:40.440 --> 0:28:43.440
<v Speaker 1>the show, And I was like, yeah, well let me

0:28:43.600 --> 0:28:45.320
<v Speaker 1>so I imped it that called my pops to be like,

0:28:45.440 --> 0:28:47.440
<v Speaker 1>let me make sure I have like my timeline. I

0:28:47.440 --> 0:28:51.320
<v Speaker 1>don't want to make a fool of myself on this thing. So, um,

0:28:51.440 --> 0:28:53.280
<v Speaker 1>so we did the show. The show, like you know,

0:28:53.360 --> 0:28:55.920
<v Speaker 1>the numbers were pretty good. And then he had later

0:28:55.960 --> 0:28:58.200
<v Speaker 1>on had this idea about the behind the Police thing

0:28:58.280 --> 0:28:59.920
<v Speaker 1>and was like, eight, do you want to like calls

0:29:00.040 --> 0:29:01.880
<v Speaker 1>with this? This would mean it was legit, just a

0:29:01.960 --> 0:29:05.600
<v Speaker 1>direct message. It's good to know that, like you can

0:29:05.640 --> 0:29:11.560
<v Speaker 1>still like that could happen anyone with the social media,

0:29:11.680 --> 0:29:21.240
<v Speaker 1>democratized information, democratized relationship making like it happen anybody. But yeah,

0:29:21.360 --> 0:29:24.160
<v Speaker 1>talk to us a little bit about, um some topics

0:29:24.200 --> 0:29:26.239
<v Speaker 1>that come up on her politics, and then we'll talk

0:29:26.240 --> 0:29:28.560
<v Speaker 1>a little bit about some of the highlights for you

0:29:28.680 --> 0:29:31.080
<v Speaker 1>from being a part of Behind the Police. Yeah. So

0:29:31.240 --> 0:29:34.640
<v Speaker 1>her politics is it's based on a really basic premise

0:29:34.880 --> 0:29:41.200
<v Speaker 1>of if if you survived inner city in any city

0:29:41.200 --> 0:29:47.800
<v Speaker 1>in America, if you understood gang life, you understand geo politics. Hell,

0:29:47.880 --> 0:29:50.480
<v Speaker 1>if you if you survived the eighth grade, you know

0:29:50.480 --> 0:29:54.280
<v Speaker 1>what I'm saying, you understand geo politics. Because I honestly

0:29:54.280 --> 0:29:57.320
<v Speaker 1>believe politics is just gangbanging in nice suits, like it's

0:29:57.760 --> 0:30:01.360
<v Speaker 1>it's the same. So what I wanted to do with

0:30:01.400 --> 0:30:04.880
<v Speaker 1>this pod is take whether it's like hot takes from

0:30:04.920 --> 0:30:07.760
<v Speaker 1>just like the current events of the current zygeist, or

0:30:07.800 --> 0:30:11.880
<v Speaker 1>it's like, you know, continual threads, like you know, whether

0:30:11.920 --> 0:30:16.520
<v Speaker 1>it's America's like involvement in the Middle East or what

0:30:16.520 --> 0:30:18.760
<v Speaker 1>what the hell of colde War is? Or how do

0:30:18.800 --> 0:30:22.400
<v Speaker 1>you explain sanctions and tearraffs, and like all these things

0:30:22.440 --> 0:30:27.920
<v Speaker 1>that um, you know, are are are have its own language,

0:30:27.920 --> 0:30:30.719
<v Speaker 1>have its own like you know, vocabulary and stuff like that,

0:30:30.760 --> 0:30:33.360
<v Speaker 1>and like people like you and me are oftentimes, especially

0:30:33.400 --> 0:30:35.880
<v Speaker 1>if you ain't got no like you know, self fixes

0:30:35.920 --> 0:30:38.200
<v Speaker 1>at the Indian names, you ain't gonna like degrees and nothing,

0:30:38.200 --> 0:30:40.400
<v Speaker 1>you kind of feel like these people are like smarter

0:30:40.480 --> 0:30:41.959
<v Speaker 1>than you, like you know what I'm saying, Like you

0:30:42.000 --> 0:30:45.239
<v Speaker 1>can't like I'm not welcoming to this conversation. And what

0:30:45.280 --> 0:30:47.360
<v Speaker 1>I wanted to do with this pod was be like, actually,

0:30:47.400 --> 0:30:50.080
<v Speaker 1>you understand this stuff very well. You know, you've been

0:30:50.120 --> 0:30:53.480
<v Speaker 1>living at your whole your whole life, especially from the hood.

0:30:53.600 --> 0:30:57.680
<v Speaker 1>So I say all that. For example, let's say we

0:30:57.680 --> 0:31:07.240
<v Speaker 1>were talking about Let's just say we were talking about sanctions, right, Um,

0:31:07.280 --> 0:31:11.040
<v Speaker 1>so China's you know, trying to I don't know you

0:31:11.360 --> 0:31:13.560
<v Speaker 1>was losing the tariff war and we was gonna sanction

0:31:13.680 --> 0:31:17.160
<v Speaker 1>uh China, China, this YadA YadA, like what was going

0:31:17.160 --> 0:31:18.560
<v Speaker 1>through all this stuff? And just might say, well, what

0:31:18.600 --> 0:31:21.120
<v Speaker 1>the hell is the sanction? And I'm like, well, it

0:31:21.160 --> 0:31:25.240
<v Speaker 1>kind of works like this. Let's just say, um, you,

0:31:25.400 --> 0:31:29.760
<v Speaker 1>Mariah are the plug, right, so you got all the weight,

0:31:29.960 --> 0:31:34.560
<v Speaker 1>It's all in your hands, right, And um, you know,

0:31:36.160 --> 0:31:40.720
<v Speaker 1>I don't know your little cousin Pookie, right, he lived

0:31:40.760 --> 0:31:44.120
<v Speaker 1>on the other side of town, and he wants to

0:31:44.160 --> 0:31:48.880
<v Speaker 1>sell your weight, right well, and so so Fookie over

0:31:48.920 --> 0:31:52.680
<v Speaker 1>there with the Mariah with the Mariah Waite, right. But

0:31:53.600 --> 0:31:55.920
<v Speaker 1>Pooky's neighborhood gets to be like wait wait, wait, wait,

0:31:55.960 --> 0:31:58.440
<v Speaker 1>wait wait wait, hold up, we produce our own weight.

0:31:59.000 --> 0:32:01.840
<v Speaker 1>You're not allowed to. We got our own plug over here.

0:32:01.880 --> 0:32:04.200
<v Speaker 1>You can't just be selling. You can just be selling

0:32:04.240 --> 0:32:07.120
<v Speaker 1>to my neighborhood like this, right. And if you are,

0:32:07.760 --> 0:32:10.600
<v Speaker 1>then like I'm I'm feeling like I'm attached you for this,

0:32:10.680 --> 0:32:13.200
<v Speaker 1>Like then I need for you need to run back

0:32:13.200 --> 0:32:15.480
<v Speaker 1>to this block. If you're finna sell over here. Right,

0:32:15.560 --> 0:32:19.200
<v Speaker 1>So at the end of the day, your cousin trying

0:32:19.200 --> 0:32:22.200
<v Speaker 1>to sell your weed in his neighborhood, but his neighborhood

0:32:22.240 --> 0:32:26.320
<v Speaker 1>not allowing him to sell unless he pays, you know

0:32:26.360 --> 0:32:29.040
<v Speaker 1>what I'm saying. So I'm like, that's like, so you

0:32:29.080 --> 0:32:32.160
<v Speaker 1>know that's already know this stuff. You already know how

0:32:32.160 --> 0:32:34.200
<v Speaker 1>this works. It's just new vocals and they dress it

0:32:34.240 --> 0:32:37.240
<v Speaker 1>up in language that's unfamiliar, but the processes themselves are

0:32:37.280 --> 0:32:41.400
<v Speaker 1>incredibly familiar. Already you already know it. Right. We all

0:32:41.440 --> 0:32:44.400
<v Speaker 1>know a Kim jongle. We all know one. We're all knowing.

0:32:44.560 --> 0:32:47.000
<v Speaker 1>It's it's your little It's it's a little brother who's

0:32:47.040 --> 0:32:49.920
<v Speaker 1>just mad that his big brother always gets to shine.

0:32:49.920 --> 0:32:54.160
<v Speaker 1>And you can't never say nothing to him because he's

0:32:54.320 --> 0:32:56.760
<v Speaker 1>he's always ready to scrap. And if just in the

0:32:56.800 --> 0:32:58.440
<v Speaker 1>way to handle that dude, and you know he ain't

0:32:58.440 --> 0:33:00.080
<v Speaker 1>gonna throw the punch, You're not gonna really do. He

0:33:00.160 --> 0:33:02.240
<v Speaker 1>just talking a lot of ships, just yell at the time.

0:33:02.320 --> 0:33:04.680
<v Speaker 1>He just always talking ship. So you're just like, yo,

0:33:04.880 --> 0:33:07.600
<v Speaker 1>the best way to deal with him is to be like, Okay,

0:33:07.640 --> 0:33:10.800
<v Speaker 1>it's your world, big it's your world. Dog. No nobody

0:33:10.840 --> 0:33:13.440
<v Speaker 1>wanted with you you good? You good? Can you just

0:33:13.520 --> 0:33:16.959
<v Speaker 1>chill though? Right? And then and then and then his

0:33:16.960 --> 0:33:20.200
<v Speaker 1>his big brother, which would be South Korea, being like, y'all,

0:33:20.200 --> 0:33:24.480
<v Speaker 1>can't don't rile this one because I gotta go home.

0:33:25.400 --> 0:33:28.080
<v Speaker 1>And at some point and at some point if he

0:33:28.160 --> 0:33:31.000
<v Speaker 1>does lose it, he's gonna listen on me first, he's

0:33:31.000 --> 0:33:33.719
<v Speaker 1>gonna lose it on me, So y'all need to chill. Like,

0:33:34.240 --> 0:33:36.040
<v Speaker 1>so I had a question. So it's it's funny that,

0:33:36.160 --> 0:33:39.960
<v Speaker 1>like you draw that comparison between geo politics and hood

0:33:39.960 --> 0:33:43.320
<v Speaker 1>politics and things. So do you see any you know,

0:33:43.440 --> 0:33:45.880
<v Speaker 1>people always talk about how the police are the biggest gang.

0:33:46.960 --> 0:33:48.840
<v Speaker 1>There's a couple of songs that we're gonna be talking

0:33:48.840 --> 0:33:51.320
<v Speaker 1>about where you know, people make reference to that. So

0:33:51.400 --> 0:33:54.960
<v Speaker 1>like what's your opinion on like just that parallel or

0:33:55.000 --> 0:33:58.920
<v Speaker 1>that analogy between like police and them just being another

0:33:58.960 --> 0:34:01.800
<v Speaker 1>gang on the street like the other game. I mean,

0:34:02.080 --> 0:34:05.800
<v Speaker 1>it couldn't be more accurate, like especially when you go

0:34:05.840 --> 0:34:08.239
<v Speaker 1>into like the stuff like just the history of the police.

0:34:09.040 --> 0:34:13.080
<v Speaker 1>I just don't know, I have no I can't see

0:34:13.080 --> 0:34:18.279
<v Speaker 1>any distinction from a historical perspective, and then also from

0:34:18.280 --> 0:34:22.160
<v Speaker 1>my own experience, it's like, Okay, if I'm gonna talk

0:34:22.200 --> 0:34:27.920
<v Speaker 1>about just my own experience in inner city Los Angeles.

0:34:29.440 --> 0:34:33.240
<v Speaker 1>If i turned down a particular street and I'm walking

0:34:33.280 --> 0:34:36.759
<v Speaker 1>home with my new like no, my new Jordan's new

0:34:36.840 --> 0:34:39.279
<v Speaker 1>Air Force ones, and I turn a corner coming home

0:34:39.320 --> 0:34:45.160
<v Speaker 1>from school with a backpack, and I catch some boys

0:34:45.160 --> 0:34:48.799
<v Speaker 1>in blue. Whether they crips or cops, it don't make

0:34:48.840 --> 0:34:51.920
<v Speaker 1>no difference, right if I if they come around that corner,

0:34:52.560 --> 0:34:55.680
<v Speaker 1>one of them is gonna flag me down, like hey, hey, hey, hey, Hony,

0:34:55.680 --> 0:34:57.839
<v Speaker 1>where are you going? You know, it's like here we go.

0:34:58.760 --> 0:35:01.040
<v Speaker 1>I'm going who who, Where you stay at? Where your

0:35:01.080 --> 0:35:04.400
<v Speaker 1>where your grandma stay? What you're doing on the street? Right? Um,

0:35:04.440 --> 0:35:08.400
<v Speaker 1>I'm just I'm just cutting through the that's my my

0:35:08.520 --> 0:35:10.880
<v Speaker 1>family bank, this stay from there? Yea, yeah, You're like,

0:35:10.880 --> 0:35:12.440
<v Speaker 1>oh where were you from? You know what I'm saying

0:35:12.480 --> 0:35:14.800
<v Speaker 1>that you started going to ask me all these questions interrogations,

0:35:14.960 --> 0:35:18.320
<v Speaker 1>and and my only way out of this is either

0:35:18.719 --> 0:35:22.200
<v Speaker 1>I'm gonna catch a fade or I have to hand

0:35:22.280 --> 0:35:26.680
<v Speaker 1>over equipment. Right So I'm like, or I'm gonna be

0:35:26.760 --> 0:35:28.960
<v Speaker 1>in trouble. I'm like, Okay, that's that's street loss, Like

0:35:29.040 --> 0:35:31.839
<v Speaker 1>all right, this what's gonna happen. I'm gonna henna, right,

0:35:31.920 --> 0:35:33.880
<v Speaker 1>I'm here, gonna run my backpack and run my shoes

0:35:34.000 --> 0:35:35.560
<v Speaker 1>or I have to be like I'll die for this.

0:35:36.440 --> 0:35:39.160
<v Speaker 1>And I said always, I have to answer this dude, like, listen,

0:35:39.239 --> 0:35:42.600
<v Speaker 1>I would die for my backpack. You know it's stupid,

0:35:42.960 --> 0:35:45.880
<v Speaker 1>but it's like that's those were the rules. So if

0:35:45.920 --> 0:35:48.400
<v Speaker 1>I come around the corner and it's the cops, who hey,

0:35:48.480 --> 0:35:49.920
<v Speaker 1>hey sir, how are you doing young man? What do

0:35:49.960 --> 0:35:52.600
<v Speaker 1>you we? Are you doing here? Really really can't see

0:35:52.600 --> 0:35:54.719
<v Speaker 1>your idea? Where do you live? I'm like, I'm having

0:35:54.719 --> 0:35:58.239
<v Speaker 1>the same scenario. Where'd you get those shoes? Yeah? Did

0:35:58.239 --> 0:36:00.080
<v Speaker 1>you do? You steal them? Maybe somebody got them? And

0:36:00.120 --> 0:36:02.040
<v Speaker 1>I'm like what I even asked me, like no, my

0:36:02.120 --> 0:36:06.120
<v Speaker 1>both my parents were right, Okay, well you've seen the

0:36:06.160 --> 0:36:11.400
<v Speaker 1>fifth description of someone that was causing trouble on this street.

0:36:11.520 --> 0:36:14.799
<v Speaker 1>So I need to see what's in your backpack? What's this?

0:36:14.880 --> 0:36:17.640
<v Speaker 1>And I'm like, it's the same scenario. You are gonna

0:36:17.760 --> 0:36:20.040
<v Speaker 1>go through my stuff. I'm about to get search and

0:36:20.080 --> 0:36:23.120
<v Speaker 1>if I don't keep it cool, I'm gonna catch a faith.

0:36:23.360 --> 0:36:26.880
<v Speaker 1>So I'm like, I just don't and y'all not gonna

0:36:26.880 --> 0:36:29.040
<v Speaker 1>say nothing about each other even if somebody is out

0:36:29.080 --> 0:36:32.120
<v Speaker 1>of line, because I mean, I mean, the thing I

0:36:32.280 --> 0:36:35.440
<v Speaker 1>was kind of difference is that the police police the

0:36:35.480 --> 0:36:40.840
<v Speaker 1>gang supposedly, but nobody polices the police. Nobody policing him. Listen,

0:36:41.120 --> 0:36:43.800
<v Speaker 1>listen on one of the episodes at My Homeboy, Bamboo,

0:36:43.840 --> 0:36:47.319
<v Speaker 1>he's part of Soule Assassins, even famili but like, yeah,

0:36:47.400 --> 0:36:51.040
<v Speaker 1>so yeah, so Bamboo was talking about like, man, there

0:36:51.080 --> 0:36:53.719
<v Speaker 1>are times that like and I was asking him, like

0:36:53.760 --> 0:36:55.520
<v Speaker 1>if he had any like if you remember any of

0:36:55.560 --> 0:36:57.319
<v Speaker 1>the little hot heads in his in his life, in

0:36:57.360 --> 0:36:59.719
<v Speaker 1>his hood that would get everybody in trouble, and he

0:36:59.840 --> 0:37:03.600
<v Speaker 1>was like, yes, it was my own cousin. So like,

0:37:04.080 --> 0:37:05.880
<v Speaker 1>you know, you all sitting you all sitting down, you

0:37:05.920 --> 0:37:08.440
<v Speaker 1>are sitting down like mone of your own business. And

0:37:08.480 --> 0:37:11.399
<v Speaker 1>then this fool starts mouthing off, which is basically which

0:37:11.440 --> 0:37:15.200
<v Speaker 1>is basically what happened with with um, with us shooting Sulamani. Right,

0:37:15.360 --> 0:37:19.759
<v Speaker 1>It's like somebody started mouthing off, right, you know. And

0:37:19.800 --> 0:37:21.520
<v Speaker 1>so he was like, yeah, that's what happened. Somebody starts

0:37:21.520 --> 0:37:23.360
<v Speaker 1>mouthing off, The homeboy starts mouthing off, and then he

0:37:23.400 --> 0:37:25.960
<v Speaker 1>turns back at you and he's like, hey, hey, we

0:37:26.080 --> 0:37:28.319
<v Speaker 1>got beef with these fools, like y'all the enemy being

0:37:28.360 --> 0:37:29.879
<v Speaker 1>a ride and it's like, no, no, no no, no, no, no,

0:37:29.880 --> 0:37:34.640
<v Speaker 1>no way, but we have who is we fool? Like

0:37:35.160 --> 0:37:38.360
<v Speaker 1>you you're the one that started stacking on this fool,

0:37:38.440 --> 0:37:41.080
<v Speaker 1>just like you're I'm sitting here in the taco you

0:37:41.120 --> 0:37:43.440
<v Speaker 1>were banging on homie. So now, but you know what,

0:37:43.480 --> 0:37:45.439
<v Speaker 1>Am I gonna say that in public? Hell no, I'm

0:37:45.440 --> 0:37:48.560
<v Speaker 1>gonna go ride like because that's my squad. And that's

0:37:48.760 --> 0:37:53.520
<v Speaker 1>so like you have that same exact mentality, the same rules,

0:37:53.680 --> 0:37:56.360
<v Speaker 1>even even though you see a guy that you're like,

0:37:56.440 --> 0:37:58.279
<v Speaker 1>this man is completely out of line. I mean, that's

0:37:58.320 --> 0:38:00.359
<v Speaker 1>what we're watching in the news right now. We all

0:38:00.440 --> 0:38:03.640
<v Speaker 1>know killers of Brianna Taylor, we all know the killers

0:38:03.640 --> 0:38:06.120
<v Speaker 1>of Joyce. Everybody there know they were out of line.

0:38:06.719 --> 0:38:11.040
<v Speaker 1>Right anybody's gonna say nothing because it's good ship. You're

0:38:11.080 --> 0:38:14.480
<v Speaker 1>not gonna say nothing, I know because I wouldn't if

0:38:14.520 --> 0:38:17.000
<v Speaker 1>this was my hood. I'm not. I mean, I'm gonna

0:38:17.040 --> 0:38:19.840
<v Speaker 1>checking when we get you, feel me, But I'm not

0:38:19.840 --> 0:38:23.160
<v Speaker 1>gonna check him in public. And that's what I feel like.

0:38:23.280 --> 0:38:27.839
<v Speaker 1>Cops don't really understand that like they would if if

0:38:27.880 --> 0:38:31.840
<v Speaker 1>they would just check themselves, they probably would be given

0:38:32.160 --> 0:38:34.719
<v Speaker 1>a lot more benefit of doubt about stuff. It would

0:38:34.719 --> 0:38:37.960
<v Speaker 1>be so much easier for the just on their on

0:38:38.000 --> 0:38:42.600
<v Speaker 1>their behalf, Like this isn't like on the yes, when

0:38:42.600 --> 0:38:44.239
<v Speaker 1>I think about, they were to come up with like

0:38:44.280 --> 0:38:46.880
<v Speaker 1>a rule amongst themselves and they're like, alright, look guys,

0:38:47.440 --> 0:38:52.160
<v Speaker 1>all right, for every tenth person, for every tenth unarmed

0:38:52.200 --> 0:38:54.640
<v Speaker 1>person that gets shot, we're all going to agree that

0:38:54.640 --> 0:38:57.040
<v Speaker 1>that one's bad. If they would, even if they would

0:38:57.120 --> 0:39:04.719
<v Speaker 1>even give that ground system, few people wouldn't. It wouldn't right.

0:39:05.280 --> 0:39:07.480
<v Speaker 1>I think about, Like I think about again, Like the

0:39:07.520 --> 0:39:11.040
<v Speaker 1>street part is like at some point one of the

0:39:11.080 --> 0:39:14.399
<v Speaker 1>shot callers are gonna come from jail, right, so one

0:39:14.440 --> 0:39:16.600
<v Speaker 1>of the ogs are gonna be like, all right, Parliament,

0:39:16.880 --> 0:39:18.160
<v Speaker 1>you know what I'm saying. And I know that's what

0:39:18.200 --> 0:39:21.399
<v Speaker 1>happened in l A. That's why drive by stopped. It's

0:39:21.480 --> 0:39:26.280
<v Speaker 1>because the O g s made the call from prison

0:39:26.400 --> 0:39:28.160
<v Speaker 1>like hey, this is and I hate to say it,

0:39:28.200 --> 0:39:30.040
<v Speaker 1>but they were like, look, this is just not g

0:39:31.040 --> 0:39:32.400
<v Speaker 1>Like you can't just what are you doing? Like you

0:39:32.400 --> 0:39:35.040
<v Speaker 1>can't just draw you hitting innocent people like this is ridiculous,

0:39:35.480 --> 0:39:38.560
<v Speaker 1>you know what I'm saying. And that was because the

0:39:38.600 --> 0:39:41.040
<v Speaker 1>gang checked the game, like you know what I'm saying, like,

0:39:41.080 --> 0:39:42.960
<v Speaker 1>and if you have somebody in your hood that's mouthing

0:39:43.000 --> 0:39:46.560
<v Speaker 1>off like like you know, Bamboo's cousin, there was always

0:39:47.320 --> 0:39:49.600
<v Speaker 1>a big homie I could call and be like, Hey,

0:39:50.760 --> 0:39:52.839
<v Speaker 1>I don't know what's up with this fool like. Look,

0:39:53.160 --> 0:39:56.359
<v Speaker 1>I mean we we handled it like we went down there.

0:39:56.440 --> 0:39:58.880
<v Speaker 1>We did we had to do, but like this fool

0:39:58.960 --> 0:40:00.960
<v Speaker 1>like he set us like we didn't. We didn't have

0:40:01.040 --> 0:40:03.840
<v Speaker 1>to have this problem because guy was like hollering and

0:40:03.880 --> 0:40:05.759
<v Speaker 1>then that dude's gonna check him and be like all right,

0:40:05.800 --> 0:40:08.000
<v Speaker 1>tell uncle, you know what I'm saying. So like like

0:40:08.000 --> 0:40:11.719
<v Speaker 1>like you said, like there is it's weird, but there

0:40:11.800 --> 0:40:16.160
<v Speaker 1>is an infrastructure in some way with just like street it. Yeah.

0:40:16.480 --> 0:40:19.360
<v Speaker 1>So I learned a lot from behind the police about

0:40:20.280 --> 0:40:23.600
<v Speaker 1>how police unions kind of operate to shield folks from

0:40:23.600 --> 0:40:26.440
<v Speaker 1>accountability and keep folks on the job, to sort of

0:40:26.480 --> 0:40:29.120
<v Speaker 1>close the ranks up in these ways. Did was there

0:40:29.120 --> 0:40:32.799
<v Speaker 1>anything else from you're working on that show that really

0:40:32.840 --> 0:40:34.560
<v Speaker 1>stuck out to you as like a highlight of like

0:40:34.600 --> 0:40:36.600
<v Speaker 1>a piece of history, you learned about the way police

0:40:36.640 --> 0:40:40.839
<v Speaker 1>operate that was new to you. Yeah. I think that,

0:40:40.920 --> 0:40:46.319
<v Speaker 1>like the things that really stuck out to me was

0:40:46.400 --> 0:40:50.040
<v Speaker 1>like the difference between what was happening in the North

0:40:50.080 --> 0:40:53.120
<v Speaker 1>and what was happening in the South, and then how

0:40:53.160 --> 0:40:55.719
<v Speaker 1>they were different, but how they were interconnected, like you know,

0:40:56.080 --> 0:40:59.400
<v Speaker 1>the the the north, you know, was what the research

0:40:59.400 --> 0:41:01.520
<v Speaker 1>that we saw was, like it was really about like

0:41:01.600 --> 0:41:04.880
<v Speaker 1>protecting sort of like property, right, Yeah, the first police

0:41:05.000 --> 0:41:08.000
<v Speaker 1>departments came about to break up like labor strikes and

0:41:08.080 --> 0:41:11.680
<v Speaker 1>to like capital, and they were operating something in the

0:41:11.680 --> 0:41:14.920
<v Speaker 1>South with slave patrols that turned into police departments protecting

0:41:14.920 --> 0:41:18.160
<v Speaker 1>capital in a different way. Yeah, exactly, so that the

0:41:18.200 --> 0:41:24.719
<v Speaker 1>capital was just humans. Yeah, you know. Uh so, so

0:41:24.760 --> 0:41:29.920
<v Speaker 1>I think that like that sort of like differences and

0:41:30.200 --> 0:41:33.719
<v Speaker 1>sort of like the mind bender. It was when you

0:41:33.840 --> 0:41:40.759
<v Speaker 1>had sort of like labor unions striking and then the

0:41:41.880 --> 0:41:48.960
<v Speaker 1>company's hiring free black people. That's like what do you

0:41:49.080 --> 0:41:52.360
<v Speaker 1>like saying, Well, I don't know what to say about

0:41:52.400 --> 0:41:55.759
<v Speaker 1>this one, because because and and then and it's like

0:41:55.800 --> 0:41:59.400
<v Speaker 1>how that stoked so many like even even a divide

0:41:59.440 --> 0:42:02.000
<v Speaker 1>even for are between poor people in general. You know

0:42:02.000 --> 0:42:04.600
<v Speaker 1>what I'm saying, but like and and it's like, dude,

0:42:04.600 --> 0:42:06.879
<v Speaker 1>how do you how do you untangle that? Like these

0:42:06.920 --> 0:42:09.200
<v Speaker 1>are these are free slaves that are just like, yo,

0:42:09.480 --> 0:42:11.239
<v Speaker 1>you mean to tell me you're gonna pay me to work?

0:42:11.360 --> 0:42:14.640
<v Speaker 1>That sounds great, you know what I'm saying, And and

0:42:14.800 --> 0:42:17.560
<v Speaker 1>being like and there and from their perspective, not even

0:42:17.680 --> 0:42:21.360
<v Speaker 1>understanding why anyone would possibly strike, like why would you

0:42:22.200 --> 0:42:23.879
<v Speaker 1>why would you do that? You know what I mean?

0:42:24.120 --> 0:42:28.160
<v Speaker 1>And um, just that that jugs the position. Just that

0:42:28.280 --> 0:42:30.720
<v Speaker 1>moment in history I think was like the most like

0:42:31.680 --> 0:42:33.560
<v Speaker 1>the one I didn't know it. And then too it

0:42:33.680 --> 0:42:35.760
<v Speaker 1>was just like dude, like you you can't, Like history

0:42:35.840 --> 0:42:42.320
<v Speaker 1>is just so man, girls, it's so entangled and twisted. Yeah.

0:42:42.360 --> 0:42:44.960
<v Speaker 1>I had been aware of the way that like the

0:42:45.040 --> 0:42:47.880
<v Speaker 1>white and black working class have been kind of pitted

0:42:47.880 --> 0:42:50.680
<v Speaker 1>against each other to protect capital and how that is

0:42:50.760 --> 0:42:54.000
<v Speaker 1>like kind of hampered label labor struggles, particularly in the

0:42:54.000 --> 0:42:56.480
<v Speaker 1>South historically, but I did not know about that particular

0:42:56.560 --> 0:43:01.480
<v Speaker 1>piece of the history. Yeah, am, people sort of like

0:43:01.640 --> 0:43:06.560
<v Speaker 1>came and undermine the moment. She's you know, and it's

0:43:06.600 --> 0:43:09.920
<v Speaker 1>like I just like, you can't. It just reminded me

0:43:09.960 --> 0:43:12.200
<v Speaker 1>of like, I know, it's trivial. But it just reminds

0:43:12.239 --> 0:43:17.879
<v Speaker 1>me of like the the Breaking Bad series to where

0:43:17.920 --> 0:43:21.000
<v Speaker 1>you're like, I don't know whose side I'm on, you

0:43:21.040 --> 0:43:23.040
<v Speaker 1>know what I'm saying, Like when you're whether it's like

0:43:23.080 --> 0:43:28.319
<v Speaker 1>Walter or Skyler, I'm like, I, damn, I don't know

0:43:28.840 --> 0:43:31.359
<v Speaker 1>because I I don't know, you know what I'm saying. Yeah,

0:43:31.400 --> 0:43:35.160
<v Speaker 1>So it really like it really it really threw that section,

0:43:35.239 --> 0:43:37.080
<v Speaker 1>like really threw me for a loop. And then it

0:43:37.200 --> 0:43:40.239
<v Speaker 1>was like, but one of the takeaways I really appreciated

0:43:40.280 --> 0:43:45.200
<v Speaker 1>about this event is like or that that series is

0:43:45.280 --> 0:43:49.040
<v Speaker 1>that all of those things that poor people or people

0:43:49.080 --> 0:43:52.600
<v Speaker 1>of color and specifically black people have kind of just

0:43:53.000 --> 0:43:57.879
<v Speaker 1>known but had no receipts for. I feel like, yo,

0:43:58.080 --> 0:44:02.600
<v Speaker 1>you're not crazy. You know what I'm saying. Here here

0:44:02.800 --> 0:44:06.960
<v Speaker 1>is eight hours of receiving you know that. Like so

0:44:07.120 --> 0:44:11.080
<v Speaker 1>I just I appreciate like Robert, like Robert was like, man,

0:44:11.160 --> 0:44:12.719
<v Speaker 1>I mean he did the lord's work for this one,

0:44:12.719 --> 0:44:15.920
<v Speaker 1>like he did he did I mean the the lifting

0:44:16.160 --> 0:44:18.839
<v Speaker 1>of the receipt of the of the research, you know,

0:44:19.040 --> 0:44:23.239
<v Speaker 1>and um yeah, I just get like that feeling of

0:44:23.280 --> 0:44:25.840
<v Speaker 1>being like, listen, we have something we've given to the

0:44:25.880 --> 0:44:30.480
<v Speaker 1>culture that's gone staying. You know, let's go, that's here forever,

0:44:30.880 --> 0:44:40.520
<v Speaker 1>you know. So now, so for today, we're gonna look

0:44:40.560 --> 0:44:42.800
<v Speaker 1>at something well known and something less well known songs

0:44:42.920 --> 0:44:48.800
<v Speaker 1>addressing the police. In specific, I wanted to pick songs

0:44:48.880 --> 0:44:52.800
<v Speaker 1>that were more or less about police corruption, the first

0:44:52.880 --> 0:45:00.120
<v Speaker 1>being J Dells The police ste Business. Okay, so do

0:45:00.160 --> 0:45:03.399
<v Speaker 1>you what are your thoughts about the police prob I mean,

0:45:03.640 --> 0:45:06.600
<v Speaker 1>first of all, I just I'm already like a Dilla nerd,

0:45:06.840 --> 0:45:11.000
<v Speaker 1>you know, So there's that, right, Uh. I think like

0:45:11.600 --> 0:45:13.719
<v Speaker 1>I think that the interest of that one or the

0:45:13.760 --> 0:45:16.000
<v Speaker 1>one of the things so interesting about about this particular

0:45:16.080 --> 0:45:17.960
<v Speaker 1>song is like you know, the backstory you heard the

0:45:17.960 --> 0:45:22.000
<v Speaker 1>backstory about it that like you know, he he was

0:45:22.760 --> 0:45:26.240
<v Speaker 1>apparently he was working on an album for Busta Rhymes

0:45:27.000 --> 0:45:30.640
<v Speaker 1>and his basement got rated, you know, at mom Duke's house,

0:45:30.719 --> 0:45:32.920
<v Speaker 1>you know what I'm saying, Like you like call his

0:45:32.960 --> 0:45:35.960
<v Speaker 1>basement got raided. They destroyed page, they destroyed, like, he

0:45:36.040 --> 0:45:38.920
<v Speaker 1>destroyed so much stuff. So that night he made that

0:45:38.960 --> 0:45:41.879
<v Speaker 1>song because the police just like rated his mom's house

0:45:42.040 --> 0:45:45.640
<v Speaker 1>because they heard something, you know what I'm saying. So,

0:45:46.320 --> 0:45:49.560
<v Speaker 1>and Dilla being who he is, like you know, in

0:45:49.600 --> 0:45:51.680
<v Speaker 1>the beginning stades of this lupus and just all this

0:45:51.680 --> 0:45:54.520
<v Speaker 1>stuff was happening, like so like the backstory behind this

0:45:54.640 --> 0:45:57.880
<v Speaker 1>song for me makes it even that much more like no,

0:45:59.440 --> 0:46:01.799
<v Speaker 1>not dilla, you know what I'm saying. It's like it's

0:46:01.840 --> 0:46:05.480
<v Speaker 1>like it's like fresh, it's fresh, palpable anger, like that

0:46:05.520 --> 0:46:07.640
<v Speaker 1>should just happen. Yeah, and you can hear to me,

0:46:07.680 --> 0:46:09.480
<v Speaker 1>it's like you could hear that in this song that

0:46:09.600 --> 0:46:14.000
<v Speaker 1>it's like it's very it's definitely angry. Yeah, definitely, it's

0:46:14.080 --> 0:46:17.880
<v Speaker 1>definitely a reaction. Yeah, this just happened, you know what

0:46:17.920 --> 0:46:21.120
<v Speaker 1>I'm saying. And yeah, so for me, it's like that's

0:46:21.120 --> 0:46:26.400
<v Speaker 1>why it's always been such a like um, such a

0:46:27.640 --> 0:46:30.520
<v Speaker 1>stickler for me. And it's just like you know you

0:46:30.560 --> 0:46:32.239
<v Speaker 1>obviously we had the n W A one, but like

0:46:32.280 --> 0:46:34.520
<v Speaker 1>this was so like it was such a B boy

0:46:34.600 --> 0:46:37.200
<v Speaker 1>swing because it was della and it became for me

0:46:38.040 --> 0:46:40.279
<v Speaker 1>more more of an anthem. Even on my l A

0:46:40.320 --> 0:46:43.200
<v Speaker 1>Boy that song came. And then also around the around

0:46:43.239 --> 0:46:45.680
<v Speaker 1>like the time that I was coming up, at some

0:46:45.719 --> 0:46:48.799
<v Speaker 1>point they ended up using the instrumental for this for

0:46:48.920 --> 0:46:51.440
<v Speaker 1>some anime. I'm trying to remember what it was. Was

0:46:51.440 --> 0:46:57.279
<v Speaker 1>it Sam? Was it Samurai Champloo. I can, like, when

0:46:57.280 --> 0:47:00.120
<v Speaker 1>I really listened to it, I can hear the like

0:47:00.200 --> 0:47:02.000
<v Speaker 1>I don't remember, Yeah, I'll go back and find out.

0:47:02.000 --> 0:47:03.239
<v Speaker 1>But it was one of those joints I used to

0:47:03.280 --> 0:47:05.680
<v Speaker 1>play on adults swim. But I just remember, like you would.

0:47:05.840 --> 0:47:07.480
<v Speaker 1>You would hear it because all of my own homies

0:47:07.520 --> 0:47:09.959
<v Speaker 1>were watching that that show, so you would hear that beat.

0:47:10.000 --> 0:47:12.160
<v Speaker 1>And then b boys would always break two. And then

0:47:12.200 --> 0:47:14.239
<v Speaker 1>I remember the first time I heard the first time

0:47:14.239 --> 0:47:16.239
<v Speaker 1>I heard the song and heard the lyrics and it

0:47:16.320 --> 0:47:20.560
<v Speaker 1>I was like, oh, the songs like about something hearing

0:47:20.560 --> 0:47:24.239
<v Speaker 1>the instrumental for years. Yeah, No, this was definitely like

0:47:24.360 --> 0:47:27.319
<v Speaker 1>you know, the Cipher song. You know what I'm saying

0:47:27.360 --> 0:47:30.960
<v Speaker 1>that Little Groovers would just like you know, hit the hit,

0:47:31.000 --> 0:47:32.359
<v Speaker 1>the hit the middle of the start going to start

0:47:32.360 --> 0:47:34.080
<v Speaker 1>from doing a freestyle dance because it because it's just

0:47:34.120 --> 0:47:37.719
<v Speaker 1>so just that first those first eight ball first eight

0:47:37.760 --> 0:47:41.640
<v Speaker 1>like bars are just so big, you know. All right,

0:47:41.680 --> 0:47:46.520
<v Speaker 1>I'm next. We got Big l The Enemy featuring Cat

0:47:46.640 --> 0:47:49.640
<v Speaker 1>y'all want so bad you want to frisk me and

0:47:49.800 --> 0:47:53.640
<v Speaker 1>sold the old kind of names, trying to hurt dude,

0:47:53.640 --> 0:47:56.520
<v Speaker 1>just mad because I'm with y'all. Cat so I think

0:47:56.840 --> 0:48:00.560
<v Speaker 1>I think the theme, the overall theme for that one,

0:48:01.360 --> 0:48:06.520
<v Speaker 1>it kind of is like, um, you know, we're we're legit.

0:48:06.640 --> 0:48:10.520
<v Speaker 1>Now we're successful, so we're not really like committing crimes anymore.

0:48:10.560 --> 0:48:14.239
<v Speaker 1>But Big L. Shoos is like convey that message like

0:48:14.360 --> 0:48:18.600
<v Speaker 1>almost entirely through his interaction with police, and like how

0:48:18.800 --> 0:48:22.080
<v Speaker 1>that harassment is carried on from before he was famous

0:48:22.080 --> 0:48:24.839
<v Speaker 1>to now being famous. It's just like dual consciousness, right,

0:48:24.840 --> 0:48:28.040
<v Speaker 1>It's like, Okay, so we you know, we understand, you know,

0:48:28.640 --> 0:48:34.359
<v Speaker 1>I mean, you know, crack sales isn't good, Like this

0:48:34.440 --> 0:48:36.839
<v Speaker 1>wasn't this wasn't good for us, you know. But at

0:48:36.840 --> 0:48:39.640
<v Speaker 1>the same time, you know, we understand that you know,

0:48:39.719 --> 0:48:42.560
<v Speaker 1>this stuff didn't happen in the vacuum, you know, and

0:48:42.560 --> 0:48:47.800
<v Speaker 1>and and and it wasn't necessarily the desired route for everyone,

0:48:48.000 --> 0:48:49.880
<v Speaker 1>you know, just like trying to figure out what's the

0:48:49.880 --> 0:48:51.120
<v Speaker 1>best way to do this, and then when you get

0:48:51.120 --> 0:48:53.279
<v Speaker 1>to a place to where you're like, okay, I could

0:48:53.280 --> 0:48:55.960
<v Speaker 1>put these were you know, these were crimes of survival.

0:48:56.080 --> 0:48:59.799
<v Speaker 1>They were nobody scrubbing them clean, not saying that these

0:48:59.800 --> 0:49:02.800
<v Speaker 1>were bad things, you know, done, but but raut of

0:49:02.840 --> 0:49:07.719
<v Speaker 1>it now, you know, and just that letdown of like

0:49:08.640 --> 0:49:14.719
<v Speaker 1>but it's it's but it's you can't save you. Yes,

0:49:14.960 --> 0:49:17.680
<v Speaker 1>it's the same. I'm still seeing the same you know.

0:49:18.280 --> 0:49:22.200
<v Speaker 1>Um the yeah, like the hard part of being like

0:49:24.440 --> 0:49:31.200
<v Speaker 1>I I remember, it's like you we can't clean up enough,

0:49:31.760 --> 0:49:33.520
<v Speaker 1>you know what I'm saying, Like you can't. There's no

0:49:34.200 --> 0:49:39.160
<v Speaker 1>this is not respectable. Respectability a policy and you get

0:49:38.960 --> 0:49:42.520
<v Speaker 1>bit by dogs and fire holes and being whip yeah,

0:49:42.560 --> 0:49:45.920
<v Speaker 1>and it's like you're saying thing, We're like, uh, class

0:49:46.480 --> 0:49:50.000
<v Speaker 1>you know, we have all these class aspirations um as

0:49:50.080 --> 0:49:52.160
<v Speaker 1>hip hop artists, Like it's a part of our class

0:49:52.160 --> 0:49:54.680
<v Speaker 1>aspiration is a part of our culture. But these things

0:49:54.760 --> 0:49:59.239
<v Speaker 1>can't can't save you because ultimately of the streets on you,

0:49:59.760 --> 0:50:02.520
<v Speaker 1>when you roll down the street, when you know, get

0:50:02.520 --> 0:50:05.120
<v Speaker 1>pulled over, they're gonna immediately be like where's it gunn

0:50:05.120 --> 0:50:08.600
<v Speaker 1>at are you selling rocks? Like all of these kinds

0:50:08.640 --> 0:50:11.080
<v Speaker 1>of things, They're going to be scared the same way

0:50:11.120 --> 0:50:13.200
<v Speaker 1>and have the same sort of reaction in the rational

0:50:13.239 --> 0:50:16.920
<v Speaker 1>fear and ship like yeah, yeah. What I think about

0:50:17.000 --> 0:50:19.000
<v Speaker 1>when I listen to the song is like I feel

0:50:19.040 --> 0:50:24.319
<v Speaker 1>like if it's like it's um, how do I say this,

0:50:25.080 --> 0:50:27.600
<v Speaker 1>Like there's a lot of interesting ways that hip hop

0:50:27.680 --> 0:50:32.759
<v Speaker 1>access like journalism for conditions on the ground, for people

0:50:32.800 --> 0:50:35.200
<v Speaker 1>of color. And you know, you have a lot of

0:50:35.200 --> 0:50:38.600
<v Speaker 1>songs that sort of impressionistic lee capture like life on

0:50:38.640 --> 0:50:40.920
<v Speaker 1>the streets in terms of like what you see in

0:50:40.960 --> 0:50:44.319
<v Speaker 1>your surroundings, people standing out on the street, corner altercations

0:50:44.360 --> 0:50:46.279
<v Speaker 1>going down, things that are happening in your home. And

0:50:46.280 --> 0:50:48.759
<v Speaker 1>then you have this other kind of sub genre. It's

0:50:48.760 --> 0:50:50.520
<v Speaker 1>funny that you brought up like, oh, this is jay

0:50:50.560 --> 0:50:52.520
<v Speaker 1>Z before jay Z, because I think like nine of

0:50:52.560 --> 0:50:56.239
<v Speaker 1>the Problems has a very similar um structure as this

0:50:56.280 --> 0:50:58.560
<v Speaker 1>song in terms of like it being an anecdote of

0:50:58.600 --> 0:51:01.960
<v Speaker 1>a personal account of of an interaction with police, and

0:51:02.000 --> 0:51:06.400
<v Speaker 1>this is very common encounter of like specifically getting like

0:51:06.480 --> 0:51:10.160
<v Speaker 1>pulled over and like you know, asked all these questions

0:51:10.200 --> 0:51:11.600
<v Speaker 1>and like you were talking about at the beginning, like

0:51:11.880 --> 0:51:18.440
<v Speaker 1>well your mama say that, like um, and so I

0:51:18.560 --> 0:51:20.720
<v Speaker 1>love one day to like take a look at songs

0:51:20.760 --> 0:51:24.160
<v Speaker 1>in this like I don't know the subcategory, this classification

0:51:24.560 --> 0:51:27.120
<v Speaker 1>of these like personal accounts of this kind of interaction

0:51:27.239 --> 0:51:30.879
<v Speaker 1>because similar to like Shakespeare had its sonnets, and then

0:51:30.880 --> 0:51:32.880
<v Speaker 1>you know, it's like love poems, et cetera. And this

0:51:33.000 --> 0:51:35.440
<v Speaker 1>is like a special kind of hip hop song that

0:51:35.600 --> 0:51:43.440
<v Speaker 1>you see over and over again. Oh can we can

0:51:43.480 --> 0:51:47.040
<v Speaker 1>we just take one second just to comment on just

0:51:47.120 --> 0:51:50.840
<v Speaker 1>how ill that big L versus? I mean, boyd, this

0:51:51.040 --> 0:51:53.200
<v Speaker 1>this ship just makes you want to like, Yo, why

0:51:53.239 --> 0:51:56.120
<v Speaker 1>am I rapping? Yeah? All right? Our next song is

0:51:56.200 --> 0:52:02.680
<v Speaker 1>karus one Sound of the Police? What would you be

0:52:02.760 --> 0:52:07.360
<v Speaker 1>doing that? I got the same. This is so dope.

0:52:07.520 --> 0:52:10.640
<v Speaker 1>Like the parallel between with the overseer and the officer.

0:52:11.600 --> 0:52:13.880
<v Speaker 1>Ye was the one thing I'll say, do you want

0:52:13.920 --> 0:52:16.640
<v Speaker 1>to talk about the stupid? That is a stupid? Was

0:52:16.680 --> 0:52:20.800
<v Speaker 1>the one overseer one on the plantation officer I patrolling

0:52:20.840 --> 0:52:24.640
<v Speaker 1>all the nation, overseer could stop you, what what you're doing?

0:52:26.080 --> 0:52:30.439
<v Speaker 1>Officer of a point, just when he's pursuing. It didn't

0:52:30.520 --> 0:52:33.040
<v Speaker 1>hit me until it didn't hit me until I was

0:52:33.480 --> 0:52:37.319
<v Speaker 1>much older, when he was going oversee you, oversee you.

0:52:37.640 --> 0:52:44.480
<v Speaker 1>Obviously obviously the officer was a special back then You're like,

0:52:44.520 --> 0:52:48.839
<v Speaker 1>oh did you caress what's that? Yeah? I was like,

0:52:48.920 --> 0:52:51.319
<v Speaker 1>oh he's the greatest. Yeah, I didn't remember what he

0:52:51.320 --> 0:52:54.280
<v Speaker 1>did that. I was like, oh yeah, this is yeah,

0:52:54.440 --> 0:52:57.600
<v Speaker 1>Oh there was um. Recently, I think just the other day,

0:52:57.680 --> 0:53:02.440
<v Speaker 1>Kanye West put out a new song, and um, the

0:53:02.440 --> 0:53:04.960
<v Speaker 1>beginning of it had it was like a recording of

0:53:05.000 --> 0:53:09.040
<v Speaker 1>his mother reciting the lyrics for the song. Yeah, it's

0:53:09.080 --> 0:53:13.440
<v Speaker 1>really Yeah, do you want to go into the next one? Oh?

0:53:13.480 --> 0:53:15.200
<v Speaker 1>I mean do we need to be what else? What

0:53:15.239 --> 0:53:17.960
<v Speaker 1>about this one? I mean it's it's you know, it

0:53:18.080 --> 0:53:21.640
<v Speaker 1>is your officer thing. And then he kind of puts

0:53:21.680 --> 0:53:24.280
<v Speaker 1>it in it's like historical contacts with like the lineage

0:53:24.280 --> 0:53:26.800
<v Speaker 1>of police went. At the end, He's like, my grandfather

0:53:26.840 --> 0:53:28.759
<v Speaker 1>had to deal with the cops, my great grandfather had

0:53:28.800 --> 0:53:31.319
<v Speaker 1>to deal with the cops, my great great grandfather had

0:53:31.360 --> 0:53:33.000
<v Speaker 1>to deal with the cops, and then my great great

0:53:33.000 --> 0:53:37.720
<v Speaker 1>great great winner gotta stop totally. And I think, uh again,

0:53:37.760 --> 0:53:44.719
<v Speaker 1>like you know, so so Dila's you know, Dealer's the

0:53:44.760 --> 0:53:52.560
<v Speaker 1>police was more around my adulthood to where I understood

0:53:52.560 --> 0:53:55.280
<v Speaker 1>what was happening. You know, the sound of the police

0:53:55.320 --> 0:53:57.440
<v Speaker 1>like that was more of my childhood. So I didn't

0:53:57.440 --> 0:54:00.920
<v Speaker 1>really really understand what he was saying. You know what

0:54:00.920 --> 0:54:04.040
<v Speaker 1>I'm I mean, I got it because I knew, like

0:54:04.520 --> 0:54:06.680
<v Speaker 1>I knew I liked the police, you know what I'm saying. No,

0:54:06.760 --> 0:54:09.960
<v Speaker 1>I feel that heavy. Like to me, it's like, um

0:54:10.160 --> 0:54:12.439
<v Speaker 1>like Sound of the Police, Like when I was a kid,

0:54:12.480 --> 0:54:14.879
<v Speaker 1>it was kind of like a movie almost right where

0:54:14.880 --> 0:54:16.200
<v Speaker 1>you knew it was kind of you knew it was

0:54:16.239 --> 0:54:18.480
<v Speaker 1>based on real ship, but there was like a certain

0:54:18.840 --> 0:54:22.640
<v Speaker 1>disconnect from it, whereas like the Dealership, like I was

0:54:22.680 --> 0:54:25.319
<v Speaker 1>in my twenties when that was going on, that ship

0:54:25.400 --> 0:54:28.640
<v Speaker 1>was like actually happening to me, like exactly, that's what

0:54:28.680 --> 0:54:30.320
<v Speaker 1>I was saying. Yeah, I was like, it wasn't happening

0:54:30.360 --> 0:54:32.200
<v Speaker 1>to me with care Us doing it, But when Dealer

0:54:32.320 --> 0:54:34.200
<v Speaker 1>was doing it, I was like, yeah, I got Yes,

0:54:34.480 --> 0:54:36.280
<v Speaker 1>I got the perfect like the Sound of the Police

0:54:36.840 --> 0:54:41.560
<v Speaker 1>is Godfather and J Deller's The Police as good Fellas

0:54:42.160 --> 0:54:49.120
<v Speaker 1>than perfect. All Right, I'm next. You got looking to

0:54:49.239 --> 0:54:56.200
<v Speaker 1>the eyes of the Ship. We should be on the

0:54:56.239 --> 0:55:00.120
<v Speaker 1>p I think this one might be a unique long

0:55:00.200 --> 0:55:04.560
<v Speaker 1>hip hop songs for the perspective perspective, Yeah, I mean

0:55:04.600 --> 0:55:09.239
<v Speaker 1>definitely for now. I think I have heard some other

0:55:09.280 --> 0:55:11.759
<v Speaker 1>songs where people were rapping from the perspective of the

0:55:11.800 --> 0:55:15.440
<v Speaker 1>cop but this is definitely a standout one of the crop,

0:55:15.520 --> 0:55:19.200
<v Speaker 1>that's for sure. It gets so personal. Wake up in

0:55:19.200 --> 0:55:22.919
<v Speaker 1>the morning, kiss my wife, goodbye, hug my kids, telling

0:55:23.000 --> 0:55:26.480
<v Speaker 1>my love and mom out hit the ride, like kind

0:55:26.480 --> 0:55:29.520
<v Speaker 1>of like it's a little uncomfortable, I think, given the

0:55:29.560 --> 0:55:33.279
<v Speaker 1>current discourse of like you know, like be within the

0:55:33.360 --> 0:55:35.879
<v Speaker 1>labor movement or trying to kick cops out, and like

0:55:36.000 --> 0:55:39.040
<v Speaker 1>the violence that we see on social media and the news,

0:55:39.760 --> 0:55:41.959
<v Speaker 1>um and then the like a thin blue line people

0:55:41.960 --> 0:55:43.840
<v Speaker 1>want to bring up like oh, they have a family

0:55:43.880 --> 0:55:45.799
<v Speaker 1>and they not kids. But like it's really hard to

0:55:45.800 --> 0:55:49.720
<v Speaker 1>put yourself actually into that mind frame of like someone

0:55:49.760 --> 0:55:55.640
<v Speaker 1>that could perpetrate such just ability. Yeah, it makes it

0:55:55.719 --> 0:55:59.640
<v Speaker 1>it's more nuanced picture of the situation. Yeah, and that's

0:55:59.640 --> 0:56:04.680
<v Speaker 1>what makes to disconnect so much harder to swallow when

0:56:04.680 --> 0:56:08.080
<v Speaker 1>you're like, yeah, exactly, you have a family, you have children,

0:56:08.160 --> 0:56:13.280
<v Speaker 1>You understand how how broken you would be to lose

0:56:13.320 --> 0:56:17.719
<v Speaker 1>someone like this, Like you understand, don't you understand? Like

0:56:17.840 --> 0:56:19.719
<v Speaker 1>you know what I'm saying. So it's like so then

0:56:19.760 --> 0:56:22.319
<v Speaker 1>you have to walk away and go okay. So my

0:56:22.400 --> 0:56:25.360
<v Speaker 1>only conclusion is you don't see us as human, you

0:56:25.440 --> 0:56:27.120
<v Speaker 1>know what I mean, Like, because you just told me

0:56:27.160 --> 0:56:29.880
<v Speaker 1>you've got a family and children, so you understand. Yeah.

0:56:29.960 --> 0:56:32.600
<v Speaker 1>And one of the things I learned, like in working

0:56:32.600 --> 0:56:35.480
<v Speaker 1>in local government. You know, when I came into it

0:56:35.640 --> 0:56:39.120
<v Speaker 1>with this um mindset that like, okay, it's me versus

0:56:39.120 --> 0:56:41.560
<v Speaker 1>the enemy, which is all these conservatives that are perpetrating

0:56:41.560 --> 0:56:44.520
<v Speaker 1>off its white supremacy. And then you get there and

0:56:44.560 --> 0:56:47.719
<v Speaker 1>they're like, oh, I like your blazer, what's up. I'm like, hey,

0:56:47.719 --> 0:56:49.440
<v Speaker 1>would you like to get a beer in this afternoon?

0:56:49.520 --> 0:56:52.880
<v Speaker 1>And like really nice, cordial and polite people who seem

0:56:53.000 --> 0:56:55.799
<v Speaker 1>very normal, And it's very disarming for disarming, and you

0:56:55.840 --> 0:56:59.560
<v Speaker 1>canna forget the mission because people are like normal in

0:56:59.719 --> 0:57:01.880
<v Speaker 1>terms out and it makes it harder to focus on

0:57:01.880 --> 0:57:05.640
<v Speaker 1>the fact that like not just how you convey yourself

0:57:05.719 --> 0:57:08.640
<v Speaker 1>in terms of niceties, but actually what you do with

0:57:08.680 --> 0:57:11.880
<v Speaker 1>like the policies that you either create or you operate under,

0:57:12.200 --> 0:57:16.080
<v Speaker 1>how you enact, like your you know, form part of

0:57:16.160 --> 0:57:19.680
<v Speaker 1>systems that are oppressive. Like that's the judge of character,

0:57:19.840 --> 0:57:22.920
<v Speaker 1>not not whether or not like oh, they kissed his

0:57:22.960 --> 0:57:26.080
<v Speaker 1>wife goodbye and like you know, wave to the focus

0:57:26.160 --> 0:57:28.720
<v Speaker 1>the doughnut shop on his way to work. It's it's

0:57:28.760 --> 0:57:32.520
<v Speaker 1>this other things like that have to be disaggregated from

0:57:32.960 --> 0:57:36.840
<v Speaker 1>the civility that like creates this sheen over the whole,

0:57:37.760 --> 0:57:41.080
<v Speaker 1>the whole scheme of operation sometimes and it makes it

0:57:41.120 --> 0:57:46.560
<v Speaker 1>harder to like, uh effectively critique how are these things? Uh?

0:57:46.680 --> 0:57:48.840
<v Speaker 1>How do they say it's operate? How these things work? Well?

0:57:48.920 --> 0:57:52.200
<v Speaker 1>Thinking like another? You know one of the I guess

0:57:54.680 --> 0:57:57.520
<v Speaker 1>in citious, sinister lee ingenious things about Like the way

0:57:57.600 --> 0:58:00.760
<v Speaker 1>some of these like racist systems work is they're kind

0:58:00.760 --> 0:58:04.200
<v Speaker 1>of established to the point where they don't necessarily need

0:58:04.960 --> 0:58:07.440
<v Speaker 1>like bad actors in order to operate, you know what

0:58:07.440 --> 0:58:12.120
<v Speaker 1>I mean. Like it can like systemic racism can operate

0:58:12.200 --> 0:58:16.040
<v Speaker 1>without individual racism being present, you know what I mean. Right,

0:58:16.080 --> 0:58:19.640
<v Speaker 1>So for example, it's like it's like the scheme the

0:58:19.720 --> 0:58:23.320
<v Speaker 1>motives operandi is like to over police a black community.

0:58:23.760 --> 0:58:26.640
<v Speaker 1>You're not like going out and specific like in all

0:58:26.680 --> 0:58:29.320
<v Speaker 1>the people you encounter in that neighborhood are black. You're

0:58:29.320 --> 0:58:31.600
<v Speaker 1>not like, oh, I'm not specifically targeting anyone. It's just

0:58:31.680 --> 0:58:34.040
<v Speaker 1>everyone I you know, have countered that day and that

0:58:34.120 --> 0:58:35.760
<v Speaker 1>was doing your crime. I brought them down. But the

0:58:35.800 --> 0:58:38.600
<v Speaker 1>system has already put you in that scenario where if

0:58:38.640 --> 0:58:42.520
<v Speaker 1>you operate according to the standard procedure, the outcomes are

0:58:42.520 --> 0:58:45.800
<v Speaker 1>going to be racist, no matter if you're buying kids

0:58:46.440 --> 0:58:49.320
<v Speaker 1>ice cream, cones or like posing for selfie is what

0:58:49.440 --> 0:58:52.840
<v Speaker 1>the b ball court with whoever inherently with the way

0:58:52.880 --> 0:58:56.400
<v Speaker 1>that the policy operates to put you in that area

0:58:56.480 --> 0:59:00.280
<v Speaker 1>the first place, is inherently a tool of oppression. Is

0:59:00.400 --> 0:59:03.400
<v Speaker 1>the biggest, The biggest takeaway I think of our series

0:59:03.440 --> 0:59:06.040
<v Speaker 1>of the Behind the Police series is that like the

0:59:06.560 --> 0:59:10.480
<v Speaker 1>racism has taken on a life of its own. And

0:59:10.600 --> 0:59:12.680
<v Speaker 1>I think that that's the part that's hard when it's

0:59:12.680 --> 0:59:16.760
<v Speaker 1>hard to communicate when we like, listen, I'm not talking

0:59:16.800 --> 0:59:20.000
<v Speaker 1>about your uncle Dave, who's a great guy. Like that's

0:59:20.000 --> 0:59:22.160
<v Speaker 1>not who I'm talking about, you know, And they're like, well,

0:59:22.200 --> 0:59:26.080
<v Speaker 1>who are you talking about? It's like, no, okay, how

0:59:26.120 --> 0:59:29.360
<v Speaker 1>do you like? I don't. I just don't understand why

0:59:31.040 --> 0:59:33.320
<v Speaker 1>it's a system, you know what I'm saying. And and

0:59:33.160 --> 0:59:35.240
<v Speaker 1>and that is the most insidious part, like you said,

0:59:35.320 --> 0:59:40.600
<v Speaker 1>is that like the the system of policing, no matter

0:59:40.720 --> 0:59:45.840
<v Speaker 1>how many good apples you put into it for you

0:59:45.920 --> 0:59:50.160
<v Speaker 1>to survive in this system, you can't stay a good

0:59:50.200 --> 0:59:54.800
<v Speaker 1>apple because because the system is bad, you know. Um

0:59:55.040 --> 0:59:58.360
<v Speaker 1>and yeah, yeah, So I think that that's like so

0:59:58.400 --> 1:00:01.840
<v Speaker 1>important for the discussion and the discourse around like abolition

1:00:02.160 --> 1:00:07.160
<v Speaker 1>and um, you know, uh, just criminal justice as a whole,

1:00:07.360 --> 1:00:10.800
<v Speaker 1>like we obviously we focus specifically on policing, but the

1:00:11.040 --> 1:00:14.480
<v Speaker 1>whole thing to where it's like, yeah, there's probably you're

1:00:14.520 --> 1:00:16.400
<v Speaker 1>you're right, there's a ton of good cops, there's a

1:00:16.440 --> 1:00:20.240
<v Speaker 1>ton of good judges. You're missing the point though, you know,

1:00:20.320 --> 1:00:22.360
<v Speaker 1>and that's and it's it. But it's it's like if

1:00:22.400 --> 1:00:24.880
<v Speaker 1>you are like function in the world, like you said,

1:00:24.920 --> 1:00:28.480
<v Speaker 1>of just niceties and that there is a which I

1:00:28.560 --> 1:00:35.680
<v Speaker 1>found from just understanding like from a sociological perspective, you know,

1:00:36.480 --> 1:00:39.320
<v Speaker 1>where the conservative movement in America is trying to get to,

1:00:39.600 --> 1:00:43.400
<v Speaker 1>or at least in the West, you know, conservative liberal

1:00:43.440 --> 1:00:46.240
<v Speaker 1>their transitive verbs. So it's like, you know, you're conserving

1:00:46.320 --> 1:00:49.200
<v Speaker 1>what like liberal liberal, you know, liberating from what. So

1:00:49.200 --> 1:00:51.400
<v Speaker 1>I'm not going to say all conservatives are this, but

1:00:51.840 --> 1:00:55.760
<v Speaker 1>the direction that the conservative movement in America is going

1:00:55.800 --> 1:00:58.320
<v Speaker 1>to is at the end of the day, they have

1:00:58.440 --> 1:01:04.040
<v Speaker 1>an ideal as to how society should look and work.

1:01:04.680 --> 1:01:06.960
<v Speaker 1>They just happen to believe that they're the arbiters of

1:01:07.000 --> 1:01:09.880
<v Speaker 1>it um whether they know what or whether they know

1:01:09.920 --> 1:01:12.520
<v Speaker 1>they believe it or not. They almost feel like it's

1:01:12.560 --> 1:01:14.200
<v Speaker 1>like I think that's why I like a lot of

1:01:14.240 --> 1:01:17.720
<v Speaker 1>like Western like evangelical sort of like you know, or

1:01:17.760 --> 1:01:23.640
<v Speaker 1>just just religions specifically, would end up leaning conservative because

1:01:24.240 --> 1:01:29.120
<v Speaker 1>they believe there's a transcendent ideal of how society is

1:01:29.160 --> 1:01:32.280
<v Speaker 1>supposed to look. You know what I'm saying, it's transcendent.

1:01:32.280 --> 1:01:34.800
<v Speaker 1>It's like, it's not us, it's it's above us. That's

1:01:34.840 --> 1:01:37.760
<v Speaker 1>the way we're supposed to be. So we should all

1:01:38.480 --> 1:01:40.520
<v Speaker 1>act like we're supposed to act, you know what I mean,

1:01:40.520 --> 1:01:45.560
<v Speaker 1>And we're this is the natural order of things, you know,

1:01:45.640 --> 1:01:48.280
<v Speaker 1>that was given to us by some sort of transcendent

1:01:48.400 --> 1:01:50.760
<v Speaker 1>divine if you want to call it God where you

1:01:50.800 --> 1:01:53.360
<v Speaker 1>wanna call it. At the end of the day, Conservatism,

1:01:53.360 --> 1:01:58.360
<v Speaker 1>at least here believes that there is somewhere out there

1:01:58.400 --> 1:02:02.320
<v Speaker 1>the answer and we need to like and they have

1:02:02.400 --> 1:02:04.440
<v Speaker 1>figured it out. It's like they try to tie it

1:02:04.480 --> 1:02:08.200
<v Speaker 1>towards the natural order and stuff. So going back to

1:02:08.240 --> 1:02:10.000
<v Speaker 1>the song, I didn't want to we don't want to

1:02:10.000 --> 1:02:12.680
<v Speaker 1>take us too far off at tangent. But um, I

1:02:12.720 --> 1:02:16.040
<v Speaker 1>think that this this song definitely the Cyper's Hill Joint.

1:02:16.240 --> 1:02:21.760
<v Speaker 1>It definitely has like of aura of um like fantasy

1:02:21.800 --> 1:02:26.800
<v Speaker 1>and entertainment like purposes towards it. Doesn't seem as serious

1:02:26.840 --> 1:02:30.320
<v Speaker 1>to me as like, for example, have we did. We

1:02:30.400 --> 1:02:33.200
<v Speaker 1>had a song on a few weeks ago by a

1:02:33.280 --> 1:02:37.120
<v Speaker 1>dude named Marlon Kraft, a song called Gangship, and he

1:02:37.200 --> 1:02:39.600
<v Speaker 1>kind of does a similar thing where the first verse

1:02:39.680 --> 1:02:43.040
<v Speaker 1>he dedicates it solely from the perspective of the cop

1:02:43.320 --> 1:02:46.000
<v Speaker 1>and it's very it's much more serious. It doesn't get

1:02:46.080 --> 1:02:48.160
<v Speaker 1>like training day with it, where it's like seems like

1:02:48.160 --> 1:02:51.520
<v Speaker 1>you're listening to like a Jerry Bruckheimer, you know, crime

1:02:51.560 --> 1:02:53.800
<v Speaker 1>thriller or something like that, which I feel the cypers

1:02:53.840 --> 1:02:56.000
<v Speaker 1>Hill song kind of does the Cyper I don't. I don't.

1:02:56.000 --> 1:02:57.920
<v Speaker 1>I don't really take away from the Cyper's Hill song

1:02:57.960 --> 1:03:01.360
<v Speaker 1>that it's like a serious like political statement of a song,

1:03:01.440 --> 1:03:03.720
<v Speaker 1>like a socio political message at all. It's just like

1:03:04.080 --> 1:03:07.520
<v Speaker 1>it's a creative writing exercise and inhabiting a different perspective

1:03:07.920 --> 1:03:09.600
<v Speaker 1>sounds like it sounds like, yeah, he just sounds like

1:03:09.640 --> 1:03:11.800
<v Speaker 1>he was just picking a character to like to do.

1:03:11.960 --> 1:03:14.360
<v Speaker 1>It could have easily been a sanitation worker or like

1:03:14.400 --> 1:03:18.520
<v Speaker 1>a shoe mender or something like a serial killer or something. Yeah.

1:03:18.560 --> 1:03:20.840
<v Speaker 1>In terms of like, oh, the shock value of like

1:03:21.040 --> 1:03:24.200
<v Speaker 1>looking into this different worldview or this different lifestyle for

1:03:24.200 --> 1:03:26.720
<v Speaker 1>a second. And I think be Real's like tone and

1:03:26.840 --> 1:03:29.920
<v Speaker 1>his like lyrical ability at the time of this song,

1:03:30.760 --> 1:03:35.960
<v Speaker 1>like it's hard, it's hard to commute. I don't even

1:03:35.960 --> 1:03:38.560
<v Speaker 1>think if he was trying to be serious, he wasn't

1:03:38.600 --> 1:03:44.880
<v Speaker 1>developed as an artist well enough to to communicate that

1:03:45.000 --> 1:03:47.360
<v Speaker 1>at this moment in his career, you know what I'm saying.

1:03:47.640 --> 1:03:50.600
<v Speaker 1>As he got further along, it was just like, oh,

1:03:50.800 --> 1:03:53.360
<v Speaker 1>like be Real is like we need to cement him

1:03:53.520 --> 1:03:57.400
<v Speaker 1>in in the cannon, you know what I'm saying. Um,

1:03:57.480 --> 1:03:59.120
<v Speaker 1>But I think at the time it was it was

1:03:59.160 --> 1:04:02.280
<v Speaker 1>still just this like Southgate, like you can just kill

1:04:02.880 --> 1:04:06.200
<v Speaker 1>you the fan that the fan that kind of dan,

1:04:06.320 --> 1:04:07.520
<v Speaker 1>you know what I mean. It was just this like

1:04:07.920 --> 1:04:10.400
<v Speaker 1>you know, just this like DJ Muggs just this like

1:04:10.840 --> 1:04:14.920
<v Speaker 1>four by four you know, just ryan pattern that like

1:04:15.000 --> 1:04:17.000
<v Speaker 1>he just had. He hadn't developed it yet, you know

1:04:17.000 --> 1:04:19.480
<v Speaker 1>what I'm saying. Um, So I I want to give

1:04:19.560 --> 1:04:21.160
<v Speaker 1>him that to where it's like same thing because I

1:04:21.160 --> 1:04:22.520
<v Speaker 1>feel the same way. It's like I kind of feel

1:04:22.560 --> 1:04:26.040
<v Speaker 1>like maybe we're getting there, but like I don't know,

1:04:26.080 --> 1:04:29.680
<v Speaker 1>I just it feels a little more lighthearted. Yeah, well

1:04:29.680 --> 1:04:31.560
<v Speaker 1>that's gonna I think that's gonna do it for us

1:04:31.640 --> 1:04:33.840
<v Speaker 1>today for the music discussion. You know, I wanted to

1:04:33.960 --> 1:04:37.480
<v Speaker 1>thank you Propaganda for coming through our show. Hey can

1:04:37.520 --> 1:04:42.280
<v Speaker 1>you tell the people where they can find you? Yeah, yeah, yeah, yeah,

1:04:42.320 --> 1:04:44.400
<v Speaker 1>you can find me at profit Pop. That's all of

1:04:44.440 --> 1:04:49.120
<v Speaker 1>my socials and and uh it's my website to profit

1:04:49.120 --> 1:04:52.120
<v Speaker 1>pop dot com. Uh. There's also a little thing we're

1:04:52.160 --> 1:04:56.479
<v Speaker 1>doing for coffee and black people. Uh it's called which

1:04:56.520 --> 1:05:00.160
<v Speaker 1>is profit pop gotting backslazed Coffee. Uh you know, off,

1:05:00.160 --> 1:05:03.000
<v Speaker 1>you only grow at the equator, right, so like, so

1:05:03.200 --> 1:05:08.120
<v Speaker 1>who liver? So? Uh So we just got a collection

1:05:08.200 --> 1:05:12.320
<v Speaker 1>of like you know, like by poc, like roasters and

1:05:12.560 --> 1:05:16.000
<v Speaker 1>shops that like if you you know, I'm obviously I'm

1:05:16.000 --> 1:05:18.800
<v Speaker 1>a coffee dude. So like just ways to support like

1:05:19.480 --> 1:05:22.360
<v Speaker 1>smaller roasters that are like doing the good work. That's

1:05:22.400 --> 1:05:24.720
<v Speaker 1>what's up. Yeah, Well, thank you so much for coming

1:05:24.760 --> 1:05:28.760
<v Speaker 1>on today. Pleasure. This is the dopest I said yes

1:05:28.800 --> 1:05:30.680
<v Speaker 1>off the strength of the name of the pod, I

1:05:30.760 --> 1:05:33.160
<v Speaker 1>was like, let's go. Yes, I want to be on

1:05:33.200 --> 1:05:37.240
<v Speaker 1>this well ship. We're starting a little tradition of you know,

1:05:37.360 --> 1:05:39.960
<v Speaker 1>spitting bars to open up and close out the show.

1:05:40.080 --> 1:05:44.000
<v Speaker 1>So I think you're gonna be our first guests. Bitter

1:05:44.160 --> 1:05:46.280
<v Speaker 1>with us today, Yo, let's get a beat. Let's get

1:05:46.280 --> 1:05:58.040
<v Speaker 1>this ship popping having me on the show though, yeah

1:05:58.120 --> 1:06:00.360
<v Speaker 1>we does. But let's be downloads and is and blew

1:06:00.440 --> 1:06:02.720
<v Speaker 1>this all we knew red rags of badges are the

1:06:02.760 --> 1:06:05.000
<v Speaker 1>same when it came through, flaming through the gardens, the

1:06:05.120 --> 1:06:07.480
<v Speaker 1>jungles like where you stay at? You don't look famili

1:06:07.480 --> 1:06:10.120
<v Speaker 1>you won't play that home me say that? What's that tat?

1:06:10.280 --> 1:06:12.280
<v Speaker 1>Or you run with that other click right, we've seen

1:06:12.320 --> 1:06:14.919
<v Speaker 1>you the other night. Dug and right, and I'm gonna

1:06:14.960 --> 1:06:17.880
<v Speaker 1>need somebody and the reason you round these parts on set,

1:06:17.920 --> 1:06:20.480
<v Speaker 1>we got the burners on deck. Are we prayed for

1:06:20.600 --> 1:06:23.880
<v Speaker 1>his life like lit lunar me. He didn't call the backup.

1:06:23.920 --> 1:06:26.760
<v Speaker 1>He come, he's far me. Your odds are if you're

1:06:26.800 --> 1:06:29.200
<v Speaker 1>living not far from the hood. They pulled up in

1:06:29.280 --> 1:06:32.640
<v Speaker 1>a squad car to your odds. I'm losing cool up

1:06:32.680 --> 1:06:35.040
<v Speaker 1>and nothing. I'm losing counter of the comics, Jacuzi po

1:06:35.520 --> 1:06:38.000
<v Speaker 1>bumbling into the sound of the samba thunderclouds. The gun

1:06:38.080 --> 1:06:39.720
<v Speaker 1>you got you coughing like what the bear for? You

1:06:39.760 --> 1:06:41.640
<v Speaker 1>wanted to ground them down in vodka mix, but who

1:06:41.680 --> 1:06:43.840
<v Speaker 1>could they not under like a puppy chowling on the

1:06:44.200 --> 1:06:46.720
<v Speaker 1>down park park bitch, let me up, police and take

1:06:46.760 --> 1:06:49.200
<v Speaker 1>seven seats on the park bench. Look me in the eyes.

1:06:49.360 --> 1:06:51.960
<v Speaker 1>What you know about darkness? Please call the police and

1:06:52.040 --> 1:06:55.840
<v Speaker 1>Darren send the squad of cars now while they sit

1:06:55.920 --> 1:06:58.439
<v Speaker 1>in up. I got a bust of Freestyle forty five

1:06:58.560 --> 1:07:00.840
<v Speaker 1>on TV talking like you see now, I'm gonna go

1:07:00.920 --> 1:07:02.960
<v Speaker 1>and cure the world's like I was in green Out.

1:07:03.160 --> 1:07:06.080
<v Speaker 1>I'm not a politician. I'm not a fucking actor. Whatever

1:07:06.160 --> 1:07:08.240
<v Speaker 1>you think of asking, I do it for the rappers.

1:07:08.360 --> 1:07:10.280
<v Speaker 1>I don't got a post piston and I don't have

1:07:10.400 --> 1:07:12.880
<v Speaker 1>a master, So why don't be singing dancing the coolners

1:07:12.920 --> 1:07:15.040
<v Speaker 1>for the crackers. I hope that you don't get a fit.

1:07:15.200 --> 1:07:17.200
<v Speaker 1>Let's take it to just pretend. If you touch my

1:07:17.320 --> 1:07:20.080
<v Speaker 1>microphone the hello through my little friend, I really know

1:07:20.240 --> 1:07:23.520
<v Speaker 1>that it's just too crazy. Waiting on reparations like fun

1:07:23.680 --> 1:07:28.040
<v Speaker 1>you pay me dope Yo. My name is Dope Knife Franca,

1:07:28.240 --> 1:07:31.760
<v Speaker 1>and we are waiting on reparations. See you next week,

1:07:31.880 --> 1:07:34.960
<v Speaker 1>see you next week. Waiting on reparations as a production

1:07:35.000 --> 1:07:38.000
<v Speaker 1>of iHeart Radio. Listen to Waiting on Reparations on the

1:07:38.080 --> 1:07:41.120
<v Speaker 1>i heart Radio, app, Apple Podcasts, or wherever you get

1:07:41.120 --> 1:07:41.800
<v Speaker 1>your podcasts.