1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,640 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,640 --> 00:00:33,000 Speaker 1: a little thing we like to call the after party. 6 00:00:33,200 --> 00:00:35,200 Speaker 1: This is the show after the show, the party after 7 00:00:35,240 --> 00:00:37,120 Speaker 1: the party, the bridge to get from one full episode 8 00:00:37,120 --> 00:00:40,040 Speaker 1: of Disgraceland to the other. The backyard, to dig into 9 00:00:40,080 --> 00:00:42,920 Speaker 1: the dirt, our mission to uncover the truth, to confront 10 00:00:42,920 --> 00:00:46,240 Speaker 1: the myth, to reclaim the story. On this bonus episode, 11 00:00:46,280 --> 00:00:49,159 Speaker 1: we're discussing the wild arrests, setups, and true crimes that 12 00:00:49,240 --> 00:00:52,640 Speaker 1: happened during holiday season's past for music history. In the 13 00:00:52,680 --> 00:00:55,320 Speaker 1: exclusive portion, we dive into the way in which Diddy 14 00:00:55,440 --> 00:00:59,360 Speaker 1: allegedly avoided serving hard time for one of those holiday 15 00:00:59,360 --> 00:01:02,320 Speaker 1: true crimes. We share with you something pretty awesome that 16 00:01:02,360 --> 00:01:04,360 Speaker 1: happened to us here in disgrace Land this past week, 17 00:01:04,480 --> 00:01:06,960 Speaker 1: and we get into your emails, comments, dms, and as 18 00:01:07,000 --> 00:01:10,040 Speaker 1: always a whole lot of rosie. This is the podcast 19 00:01:10,080 --> 00:01:13,360 Speaker 1: for the musically obsessed, the outsiders, the independent thinkers who 20 00:01:13,360 --> 00:01:15,360 Speaker 1: know that the best history is a history that gets 21 00:01:15,360 --> 00:01:18,119 Speaker 1: buried disgrace Lands, where I tell the stories they didn't 22 00:01:18,120 --> 00:01:20,360 Speaker 1: want told, the kind you'll end up telling someone else. 23 00:01:20,400 --> 00:01:31,080 Speaker 1: All Right, disc goes, Let's get into it. Merry Christmas, 24 00:01:31,120 --> 00:01:33,720 Speaker 1: Happy Honeka. I hope everyone's having a great holiday season, 25 00:01:33,760 --> 00:01:36,480 Speaker 1: however you celebrate, all right, listen, I'm late and putting 26 00:01:36,480 --> 00:01:38,840 Speaker 1: my Christmas list together this year. But it's a different 27 00:01:38,920 --> 00:01:41,520 Speaker 1: kind of list. It's not a list of what I 28 00:01:41,560 --> 00:01:44,200 Speaker 1: want for Christmas. It's not a list of my favorite 29 00:01:44,280 --> 00:01:47,360 Speaker 1: Christmas songs. It's not a list of my favorite unintentional 30 00:01:47,440 --> 00:01:50,600 Speaker 1: Christmas songs, though more on that later. It's a list, 31 00:01:51,360 --> 00:01:55,200 Speaker 1: a ranked list of true crimes from music history that 32 00:01:55,320 --> 00:01:59,760 Speaker 1: happened during the holidays. Now, you'd be surprised how many 33 00:01:59,760 --> 00:02:02,680 Speaker 1: of the stories that we cover here in Disgraceslam that 34 00:02:02,880 --> 00:02:06,559 Speaker 1: happened around the holiday season. It's way more than I thought. 35 00:02:07,080 --> 00:02:09,799 Speaker 1: Pretty shocking, actually. But I have a theory. You've heard 36 00:02:09,840 --> 00:02:12,600 Speaker 1: the phrase the devil finds work for idle hands to 37 00:02:12,639 --> 00:02:15,520 Speaker 1: do well. I prefer one that is slightly similar but 38 00:02:15,639 --> 00:02:19,520 Speaker 1: means the same thing. Idle hands are the devil's workshop. 39 00:02:20,160 --> 00:02:23,760 Speaker 1: One could also say that music history is the devil's workshop, 40 00:02:24,240 --> 00:02:28,120 Speaker 1: and the workshop gets real busy around the holidays, with 41 00:02:28,160 --> 00:02:30,160 Speaker 1: all those rock stars sitting around at home without the 42 00:02:30,200 --> 00:02:33,840 Speaker 1: structure of the road board to death by domesticity, just 43 00:02:34,000 --> 00:02:36,960 Speaker 1: itching to get themselves into trouble. The holidays are the 44 00:02:36,960 --> 00:02:41,440 Speaker 1: perfect time for rockstar true crime, as the record shows. 45 00:02:41,960 --> 00:02:45,800 Speaker 1: So here's a list, ranked, of course, of some of 46 00:02:45,840 --> 00:02:50,240 Speaker 1: the more outrageous crimes committed in music history. Not all outrageous, 47 00:02:50,240 --> 00:02:54,639 Speaker 1: I'm just interesting right around the holiday season. Okay, So many, 48 00:02:54,680 --> 00:02:56,800 Speaker 1: of course have been covered, like I said in detail 49 00:02:56,880 --> 00:03:00,639 Speaker 1: here in DISGRACELANMD, but most without calling out the relative 50 00:03:00,800 --> 00:03:05,399 Speaker 1: holiday spirit until now. Number ten comes from an artist 51 00:03:05,480 --> 00:03:08,800 Speaker 1: that we've yet to cover but definitely will at some point. 52 00:03:09,200 --> 00:03:12,639 Speaker 1: DMX now December fifteenth, two thousand and two, during a 53 00:03:12,720 --> 00:03:17,360 Speaker 1: run of his career where running into authorities for all 54 00:03:17,440 --> 00:03:21,280 Speaker 1: kinds of stuff, everything spanning weapons charges to animal cruelty, 55 00:03:21,880 --> 00:03:26,480 Speaker 1: DMX was arrested a couple weeks before Christmas for burying 56 00:03:26,560 --> 00:03:30,000 Speaker 1: his five four to eleven size seven in girls into 57 00:03:30,040 --> 00:03:33,280 Speaker 1: the gas pedal and burning one hundred and four miles 58 00:03:33,280 --> 00:03:36,760 Speaker 1: and an hour down the highway. I don't know that 59 00:03:36,840 --> 00:03:39,120 Speaker 1: I've ever gone I've never pushed it that fast. I 60 00:03:39,160 --> 00:03:41,040 Speaker 1: pushed it pretty fast sometimes, but I don't think I've 61 00:03:41,040 --> 00:03:45,040 Speaker 1: ever been just under one oh five. I hope not. Anyways. Anyhow, 62 00:03:45,120 --> 00:03:48,920 Speaker 1: speeding was the least of DMX's problems that Christmas. He 63 00:03:49,040 --> 00:03:53,360 Speaker 1: was also arrested for driving an unregistered vehicle without a 64 00:03:53,400 --> 00:03:57,000 Speaker 1: license on top of everything else DMX was up to. 65 00:03:57,160 --> 00:04:00,520 Speaker 1: He was sentenced to seventy days in jail event for 66 00:04:00,560 --> 00:04:03,080 Speaker 1: that incident. And there's a whole bunch of other stuff 67 00:04:03,080 --> 00:04:06,840 Speaker 1: the DMX got in trouble for the DMX story. To me, 68 00:04:06,880 --> 00:04:10,440 Speaker 1: it's a very sad story, and I don't yet know 69 00:04:10,560 --> 00:04:12,560 Speaker 1: how to tell it, but I know that we will 70 00:04:13,000 --> 00:04:14,600 Speaker 1: at some point here in disgrace, and I got to 71 00:04:14,600 --> 00:04:16,520 Speaker 1: find a different way of telling it than that doc 72 00:04:16,600 --> 00:04:18,560 Speaker 1: that came out a couple of years ago. That's what's 73 00:04:18,600 --> 00:04:22,240 Speaker 1: been holding me out anyhow. Number nine, Joan Bias, you 74 00:04:22,279 --> 00:04:25,440 Speaker 1: can't accuse Bob Dylan's girlfriend of being idle during the 75 00:04:25,440 --> 00:04:29,360 Speaker 1: holidays back in nineteen sixty seven, because on December nineteenth, 76 00:04:29,640 --> 00:04:32,320 Speaker 1: Joan Bias, I kid about the Bob Dylan girlfriend thing. 77 00:04:32,360 --> 00:04:35,120 Speaker 1: I'm not a huge I don't like Joe Bias. There, 78 00:04:35,200 --> 00:04:36,800 Speaker 1: I said it, but I don't. I don't mean to 79 00:04:36,920 --> 00:04:39,799 Speaker 1: just you know, discredit her as being Bob Dylan's girlfriend. 80 00:04:39,839 --> 00:04:43,640 Speaker 1: I understand how important she is in music history, and 81 00:04:43,720 --> 00:04:47,000 Speaker 1: I actually think that Joe Bias, for whatever reason, doesn't 82 00:04:47,040 --> 00:04:51,480 Speaker 1: get enough. I don't want to say credit. I guess credit. 83 00:04:52,160 --> 00:04:54,800 Speaker 1: I feel like we don't we don't understand fully how 84 00:04:54,880 --> 00:04:59,200 Speaker 1: big Joan Biaz was because Bob Dylan is caught up 85 00:04:59,200 --> 00:05:02,400 Speaker 1: in her story and she ends up in his shadow, 86 00:05:02,440 --> 00:05:07,279 Speaker 1: and he's massive. But she was an enormous star before 87 00:05:07,480 --> 00:05:11,600 Speaker 1: Dylan came along, and was after Dylan's split as well. 88 00:05:12,360 --> 00:05:15,520 Speaker 1: But for whatever reason, you know, maybe it's like I said, 89 00:05:15,560 --> 00:05:17,880 Speaker 1: the Dylan shadow thing. Whatever the reason is, it's we 90 00:05:17,880 --> 00:05:20,039 Speaker 1: don't think of it that way anymore. I don't know why. 91 00:05:20,800 --> 00:05:22,600 Speaker 1: We just kind of forget about it, you know, we 92 00:05:22,720 --> 00:05:24,640 Speaker 1: just kind of, Oh, that's John Bias anyhow. Joe Bias 93 00:05:24,680 --> 00:05:31,160 Speaker 1: nineteen sixty seven, also John Bias. This guess is absolutely stunning, beautiful, 94 00:05:31,800 --> 00:05:36,920 Speaker 1: And even though I don't like Joan Bias's music, her voice, 95 00:05:36,960 --> 00:05:40,640 Speaker 1: you can't you can't argue with how, I guess compelling 96 00:05:41,760 --> 00:05:45,599 Speaker 1: an artist she was, and she captivated not just the 97 00:05:45,600 --> 00:05:50,560 Speaker 1: American public, but she captivated men like John Lennon, for example, 98 00:05:50,680 --> 00:05:53,919 Speaker 1: Johnny Cash, all kinds of guys who were just blown 99 00:05:53,960 --> 00:05:59,080 Speaker 1: away by John Bias. Anyhow, nineteen sixty seven, like I said, 100 00:05:59,480 --> 00:06:02,080 Speaker 1: she was not resting during the holiday season, she was 101 00:06:02,400 --> 00:06:07,400 Speaker 1: arrested for leading an anti war, anti Vietnam War sit 102 00:06:07,520 --> 00:06:10,640 Speaker 1: in in Oakland, California, at an Army induction center. Joan 103 00:06:10,720 --> 00:06:14,400 Speaker 1: was putting in work during that holiday off time, unlike 104 00:06:15,279 --> 00:06:18,440 Speaker 1: Number eight Chuck Berry, who was fucking around in the 105 00:06:18,440 --> 00:06:20,520 Speaker 1: worst possible way, or one of the worst possible ways. 106 00:06:20,520 --> 00:06:23,240 Speaker 1: A couple of days before Christmas in nineteen fifty nine, 107 00:06:23,279 --> 00:06:27,200 Speaker 1: when Chuck was arrested in Saint Louis, Missouri for transporting 108 00:06:27,240 --> 00:06:31,560 Speaker 1: a fourteen year old girl across state lines for immoral purposes, 109 00:06:31,680 --> 00:06:36,200 Speaker 1: a crime known as the Man Act. Chuck Berry was 110 00:06:36,240 --> 00:06:40,360 Speaker 1: sentenced to five years hard time in federal prison. Chuck 111 00:06:40,400 --> 00:06:43,520 Speaker 1: appealed that sentence, and Santa smiled upon the Rock and 112 00:06:43,640 --> 00:06:46,360 Speaker 1: Roll pioneer and reduced his sentence to just three years. 113 00:06:46,440 --> 00:06:48,680 Speaker 1: Chuck ended up serving just twenty months. You know, I've 114 00:06:48,720 --> 00:06:51,240 Speaker 1: done a lot of work on Chuck Berry. We did 115 00:06:51,279 --> 00:06:54,160 Speaker 1: that chuck Berry episode, but there's also an expanded version 116 00:06:54,200 --> 00:06:57,640 Speaker 1: of that story in my book, and I don't think 117 00:06:57,680 --> 00:07:02,359 Speaker 1: the Christmas of it all ever really came into the story. Apologies, 118 00:07:02,400 --> 00:07:06,920 Speaker 1: if you can hear my the faint, the faint yelp 119 00:07:07,080 --> 00:07:09,120 Speaker 1: and shout of my kids. They're out in the front 120 00:07:09,200 --> 00:07:12,360 Speaker 1: yard here playing baseball, and you know what, it's Christmas break. 121 00:07:12,360 --> 00:07:15,480 Speaker 1: I can't, I can't, can't squash their spirit, all right? 122 00:07:15,520 --> 00:07:17,960 Speaker 1: Moving on from Chuck Berry at number eight, number seven. 123 00:07:18,160 --> 00:07:23,360 Speaker 1: In early December nineteen seventy three, as The Who were 124 00:07:23,360 --> 00:07:26,240 Speaker 1: wrapping up their tour in time to return home for 125 00:07:26,320 --> 00:07:31,960 Speaker 1: the holidays, they celebrated the performance of a particularly explosive 126 00:07:32,000 --> 00:07:38,640 Speaker 1: show in Montreal by destroying in epic fashion. They're suite 127 00:07:38,800 --> 00:07:43,840 Speaker 1: at the Hotel Bonaventure. Now, before allays said and done, 128 00:07:45,120 --> 00:07:47,320 Speaker 1: this is Look, this has been documented elsewhere, but it's 129 00:07:47,320 --> 00:07:50,200 Speaker 1: still shocking to me. And I didn't really get into 130 00:07:50,240 --> 00:07:53,040 Speaker 1: it in the Who Who episodes that we've that we've produced, 131 00:07:53,520 --> 00:07:55,760 Speaker 1: because it's just it's just such a part of rock 132 00:07:55,760 --> 00:07:58,160 Speaker 1: and roll lore. But let's fuck it, let's do it 133 00:07:58,320 --> 00:08:03,320 Speaker 1: before all was said and done. Okay, after this after 134 00:08:03,400 --> 00:08:07,800 Speaker 1: show party, this after party, after the Who show in Montreal, 135 00:08:08,080 --> 00:08:10,800 Speaker 1: they're back at the Hotel ponn Adventure and they decide 136 00:08:10,800 --> 00:08:13,200 Speaker 1: they're so excited. They're so pumped, they're so blitz on 137 00:08:13,240 --> 00:08:16,240 Speaker 1: whatever they're taking that they're going to destroy the hotel suite, 138 00:08:16,240 --> 00:08:19,360 Speaker 1: which you know, back in nineteen seventy three wasn't as 139 00:08:20,040 --> 00:08:23,320 Speaker 1: wrote as it is now for rock stars. But anyhow, 140 00:08:24,440 --> 00:08:26,600 Speaker 1: after all of a sudden, don sofas had been rocketed 141 00:08:26,640 --> 00:08:29,520 Speaker 1: out of the hotel suites windows, a television set ended 142 00:08:29,600 --> 00:08:33,080 Speaker 1: up in the pool, Pete Townsend's blood somehow was splattered 143 00:08:33,120 --> 00:08:36,360 Speaker 1: across the art on the hotel suite's walls, and Pete, 144 00:08:36,440 --> 00:08:39,760 Speaker 1: Keith Moon, and John Entwhistle were all hauled into jail 145 00:08:40,320 --> 00:08:43,280 Speaker 1: by the local police and in the end let go 146 00:08:43,400 --> 00:08:46,520 Speaker 1: and just ordered to pay damages. And with all that activity, 147 00:08:46,520 --> 00:08:48,199 Speaker 1: that who still made it to their gig in Boston 148 00:08:48,200 --> 00:08:53,160 Speaker 1: in time the next night before eventually breaking for the holidays. 149 00:08:53,200 --> 00:08:56,640 Speaker 1: So a little bit of epic rock star debauchery there 150 00:08:56,640 --> 00:08:59,160 Speaker 1: from the holidays. I'd heard that story before, I did 151 00:08:59,160 --> 00:09:01,839 Speaker 1: not know it took place during the holiday season number six, 152 00:09:02,559 --> 00:09:05,040 Speaker 1: just after celebrating the New Year's holiday in two thousand 153 00:09:05,080 --> 00:09:08,280 Speaker 1: and eight, Lil Wayne Lowayne, you might remember back from 154 00:09:08,480 --> 00:09:13,040 Speaker 1: season six, season seven of Disgray Sand, was arrested in 155 00:09:13,160 --> 00:09:15,920 Speaker 1: Arizona after his tour bus was raided. He was given 156 00:09:15,960 --> 00:09:20,080 Speaker 1: probation for that charge, probation to be completed once his 157 00:09:20,280 --> 00:09:23,920 Speaker 1: stay in prison was finished. I know it's all very confusing. 158 00:09:24,320 --> 00:09:25,880 Speaker 1: You can hear about it all in Our Little Wayne 159 00:09:25,880 --> 00:09:28,280 Speaker 1: episode number five. We just talked about this one. Trey, 160 00:09:28,280 --> 00:09:31,480 Speaker 1: anastagio of the Fish as the kids call them, was 161 00:09:31,559 --> 00:09:34,280 Speaker 1: arrested just before Christmas in two thousand and six while 162 00:09:34,559 --> 00:09:37,960 Speaker 1: whipping down the road, blitzed on prescription meds and charged 163 00:09:38,000 --> 00:09:40,920 Speaker 1: with heroin possession, an event that no doubt made for 164 00:09:40,960 --> 00:09:44,760 Speaker 1: a tense Christmas around the Fish camp that year. Trey 165 00:09:44,800 --> 00:09:47,520 Speaker 1: eventually pleaded guilty in avoided prison time, and got clean, 166 00:09:47,720 --> 00:09:51,120 Speaker 1: and continues to perform with the Fish and without the heroin. 167 00:09:51,200 --> 00:09:53,280 Speaker 1: So there you go. That's number five, Number four on 168 00:09:53,320 --> 00:09:56,680 Speaker 1: New Year's Eve. This is my favorite one on because 169 00:09:56,720 --> 00:10:00,400 Speaker 1: it's so fucked up. On New Year's Eve, nineteen forty eight, Holiday, 170 00:10:00,400 --> 00:10:02,599 Speaker 1: who I Love Okay, one of my favorite singers and 171 00:10:03,160 --> 00:10:05,800 Speaker 1: just I don't care. One of the greatest vocalists of 172 00:10:05,920 --> 00:10:10,480 Speaker 1: all time, Billy Holiday was caught up in a club 173 00:10:10,559 --> 00:10:13,280 Speaker 1: melee a brawl and charged with assault with the deadly 174 00:10:13,320 --> 00:10:16,600 Speaker 1: weapon on three counts. This is on New Year's Eve 175 00:10:16,960 --> 00:10:20,400 Speaker 1: nineteen forty eight. Now, on the day of her hearing, 176 00:10:20,920 --> 00:10:24,000 Speaker 1: she heads up to San Francisco to perform for a 177 00:10:24,040 --> 00:10:26,760 Speaker 1: sold out crowd at a club which the name is 178 00:10:26,880 --> 00:10:31,360 Speaker 1: escaping Me. While staying, however, in the San Francisco hotel, 179 00:10:31,440 --> 00:10:34,560 Speaker 1: Mark Twain, I can't forget that name. Billy was then, 180 00:10:35,080 --> 00:10:37,720 Speaker 1: so this is New Year's Day. Billy was then the 181 00:10:37,800 --> 00:10:44,120 Speaker 1: target of a just despicably shameful FBI raid and I 182 00:10:44,200 --> 00:10:46,679 Speaker 1: believe set up by her manager, which is a whole 183 00:10:46,720 --> 00:10:50,280 Speaker 1: other story. Billy was charged with opium possession and her 184 00:10:50,320 --> 00:10:53,280 Speaker 1: career speeds to an end quickly after this, and her 185 00:10:53,320 --> 00:10:59,200 Speaker 1: demise is just horrifically sad. But in a weird twist, 186 00:11:00,200 --> 00:11:05,880 Speaker 1: that notorious publicity for the arrest and the brawl a 187 00:11:06,000 --> 00:11:08,120 Speaker 1: fueled ticket sales for the rest of her tour. So 188 00:11:08,160 --> 00:11:11,040 Speaker 1: she got a little you know, New Year's Holiday bonus 189 00:11:11,040 --> 00:11:14,520 Speaker 1: for Billie Holiday there, who no doubt likely needed it 190 00:11:14,559 --> 00:11:16,360 Speaker 1: given all that was going on at the time in 191 00:11:16,400 --> 00:11:19,520 Speaker 1: her life. Number three in December nineteen ninety nine at 192 00:11:19,520 --> 00:11:21,680 Speaker 1: the club Kitcat in New York. You know this one. 193 00:11:21,920 --> 00:11:25,360 Speaker 1: Beyonce's husband jay Z back before he was Beyonce's husband 194 00:11:25,640 --> 00:11:30,880 Speaker 1: was busted for stabbing Lance on Rivera. Remarkably, somehow, jay 195 00:11:30,960 --> 00:11:34,960 Speaker 1: Z only got probation for stabbing a dude. Santa doesn't 196 00:11:35,000 --> 00:11:38,040 Speaker 1: fucking a round with no dirt on jay Z's shoulder, 197 00:11:38,440 --> 00:11:40,760 Speaker 1: is what I'm saying now. Number two not to be 198 00:11:40,800 --> 00:11:44,200 Speaker 1: outdone by his rival jay Z. A couple weeks later, 199 00:11:44,280 --> 00:11:47,840 Speaker 1: Sean Puff Daddy Combs was busted two days after Christmas 200 00:11:47,840 --> 00:11:50,920 Speaker 1: following a shooting in a different New York City club. 201 00:11:51,880 --> 00:11:55,319 Speaker 1: Puffy as he was known then, was charged with criminal 202 00:11:55,360 --> 00:12:00,199 Speaker 1: possession of a weapon and stolen property, but eventually eat 203 00:12:00,240 --> 00:12:03,560 Speaker 1: the charge. Now a lot of theories about how Sean 204 00:12:03,640 --> 00:12:09,120 Speaker 1: Combs avoided a guilty charge here and he avoided going 205 00:12:09,160 --> 00:12:12,960 Speaker 1: to prison. Lots of lots of smoke out there. Some 206 00:12:13,040 --> 00:12:15,520 Speaker 1: of it is more than smoke, I think. Anyways, we're 207 00:12:15,520 --> 00:12:17,880 Speaker 1: gonna get into these theories in the exclusive section of 208 00:12:17,920 --> 00:12:20,040 Speaker 1: the after Party for All Access members coming up in 209 00:12:20,080 --> 00:12:23,720 Speaker 1: a bit. But first number one on our list, Number 210 00:12:23,760 --> 00:12:28,679 Speaker 1: one country singer Merle Haggard, whose voice rivals Billy Holidays 211 00:12:28,960 --> 00:12:31,320 Speaker 1: in my estimation, I actually think, and this is because 212 00:12:31,320 --> 00:12:33,560 Speaker 1: I've been listening to a ton of Merle Haggard lately, 213 00:12:33,640 --> 00:12:38,640 Speaker 1: I think Merle Haggard has surpassed George Jones in my 214 00:12:38,720 --> 00:12:42,160 Speaker 1: opinion as far as country singers go, just you know, 215 00:12:42,200 --> 00:12:47,320 Speaker 1: subjectively my fave. I'm not saying that Merle Haggard is 216 00:12:47,360 --> 00:12:49,120 Speaker 1: the greatest country singing you know. Whatever. You might have 217 00:12:49,160 --> 00:12:50,480 Speaker 1: your if you might think it's George, you might think 218 00:12:50,480 --> 00:12:54,400 Speaker 1: it's Willie, Johnny whoever. But for me it was George 219 00:12:54,480 --> 00:12:57,200 Speaker 1: Jones for most of my life. But there's just something 220 00:12:57,240 --> 00:13:01,680 Speaker 1: about Merle that has has got me hooked lately. The richness, 221 00:13:02,640 --> 00:13:06,199 Speaker 1: the depth of that voice. I envy it, I really do, 222 00:13:06,880 --> 00:13:09,440 Speaker 1: and I just can't get enough of it. Anyways, Merle 223 00:13:09,559 --> 00:13:13,800 Speaker 1: was busted on Christmas Day for knocking over a restaurant 224 00:13:13,800 --> 00:13:16,360 Speaker 1: the night before in an armed robbery, and this was 225 00:13:16,400 --> 00:13:19,600 Speaker 1: an event that led Merle to do hard time at 226 00:13:19,640 --> 00:13:22,960 Speaker 1: San Quentin and eventually to getting serious about his musical 227 00:13:23,000 --> 00:13:25,960 Speaker 1: career after he saw Johnny Cash perform live at San Quentin, 228 00:13:26,840 --> 00:13:31,079 Speaker 1: and ultimately this all led to Merle Haggard writing one 229 00:13:31,120 --> 00:13:34,560 Speaker 1: of the greatest Christmas songs of all time, if we 230 00:13:34,679 --> 00:13:38,640 Speaker 1: make it through December, a song I'm proud to say 231 00:13:39,120 --> 00:13:43,200 Speaker 1: that my seven year old now loves. We've been listening 232 00:13:43,200 --> 00:13:46,280 Speaker 1: to It's actually there's a Merl Christmas album. We've been 233 00:13:46,320 --> 00:13:48,440 Speaker 1: listening to the whole album a lot lately, and that 234 00:13:48,520 --> 00:13:51,040 Speaker 1: might have something to do with why Merle Haggard is 235 00:13:51,120 --> 00:13:53,640 Speaker 1: number one on my list here. And the numbering doesn't matter. 236 00:13:53,679 --> 00:13:56,720 Speaker 1: The ranking doesn't matter. These are all fascinating stories that 237 00:13:56,760 --> 00:13:59,640 Speaker 1: you can tell this Christmas while you're hanging out with 238 00:13:59,679 --> 00:14:01,800 Speaker 1: your fans. You know, it gets to the later part 239 00:14:01,840 --> 00:14:04,600 Speaker 1: of the day. Football is, you know, not as interesting 240 00:14:04,640 --> 00:14:07,000 Speaker 1: as it was earlier. You know, you're all kind of 241 00:14:07,000 --> 00:14:09,040 Speaker 1: you get to get a little turkey hangover, maybe you 242 00:14:09,040 --> 00:14:11,000 Speaker 1: get a little a little too much bourbon in you, 243 00:14:11,120 --> 00:14:13,120 Speaker 1: whatever it is, and you need something alive and up 244 00:14:13,120 --> 00:14:14,880 Speaker 1: the party. You can go to any one of these 245 00:14:14,920 --> 00:14:17,600 Speaker 1: stories and there will be relevance, of course because of 246 00:14:17,640 --> 00:14:20,480 Speaker 1: the holidays, and you know, you'll, you know, you might 247 00:14:20,480 --> 00:14:23,920 Speaker 1: be a little entertaining yourself telling these stories of you know, 248 00:14:24,080 --> 00:14:28,840 Speaker 1: massively transgressive entertainers. This list could easily have been a 249 00:14:28,880 --> 00:14:30,960 Speaker 1: top twenty, maybe even a top fifty. I don't know. 250 00:14:31,000 --> 00:14:34,360 Speaker 1: I didn't mention holiday season arrests for a ton of 251 00:14:34,400 --> 00:14:39,840 Speaker 1: disgraceland artists, Jas Brown, Jim Morrison, Sam Cook, gig Allen. 252 00:14:40,280 --> 00:14:43,880 Speaker 1: I'm sure with more research into the Disgraceland archive, I 253 00:14:43,880 --> 00:14:46,960 Speaker 1: could have pulled out a ton more the holidays in 254 00:14:47,120 --> 00:14:52,520 Speaker 1: music history the Devil's workshop as demonstrated by Disgraceland. When 255 00:14:52,520 --> 00:14:54,560 Speaker 1: we get back, I'm going to play something that's sure 256 00:14:54,600 --> 00:14:56,920 Speaker 1: to blow your mind. And then we're also going to 257 00:14:56,960 --> 00:15:20,600 Speaker 1: get into your calls, voicemails, an texts. All right, we 258 00:15:20,680 --> 00:15:23,200 Speaker 1: are back, and before we get into your voicemails, text 259 00:15:23,440 --> 00:15:27,040 Speaker 1: and more, I wanted to mention that one of my 260 00:15:27,120 --> 00:15:30,600 Speaker 1: favorite disgrace Land stories is available for you guys right 261 00:15:30,600 --> 00:15:33,520 Speaker 1: now in the feed, and that is the Christmas story 262 00:15:33,520 --> 00:15:36,520 Speaker 1: on the death of one of Elvis Presley's favorite singers, 263 00:15:36,560 --> 00:15:40,120 Speaker 1: Memphis own Johnny Ace. And if you're looking for something 264 00:15:40,160 --> 00:15:44,160 Speaker 1: to do, this is you know, you know, get round 265 00:15:44,160 --> 00:15:47,320 Speaker 1: the tree here on Christmas, fire up the old disgrace 266 00:15:47,400 --> 00:15:50,800 Speaker 1: Land feed and get into the Christmas fives. This is 267 00:15:50,840 --> 00:15:57,000 Speaker 1: a dark but fascinating story and it's absolutely a holiday story. 268 00:15:57,040 --> 00:16:00,200 Speaker 1: Johnny Ace in the myth of Johnny Ace and his 269 00:16:00,240 --> 00:16:04,760 Speaker 1: death on Christmas Day was most definitely an influence on 270 00:16:04,880 --> 00:16:06,840 Speaker 1: an artist that I think most of us know and love. 271 00:16:07,400 --> 00:16:10,840 Speaker 1: Lou Reid from the Velvet Underground now Lou just like 272 00:16:10,880 --> 00:16:14,040 Speaker 1: those who spread the false myth of Johnny Ace's death 273 00:16:14,240 --> 00:16:18,280 Speaker 1: after the Johnny Ace Christmas tragedy, lou Reid himself was 274 00:16:18,320 --> 00:16:23,520 Speaker 1: about as unreliable a narrator as is possible to find 275 00:16:24,080 --> 00:16:27,480 Speaker 1: in rock and roll history. So because of that, we 276 00:16:27,520 --> 00:16:28,960 Speaker 1: thought it was a good time of year to bring 277 00:16:29,000 --> 00:16:31,920 Speaker 1: Lou back into the feed with our unreliable take on 278 00:16:32,040 --> 00:16:35,960 Speaker 1: the Lou Reed origin story. These two lou Read episodes 279 00:16:36,040 --> 00:16:40,160 Speaker 1: are I'm just gonna say it, they're fucking weird. Man. 280 00:16:40,640 --> 00:16:43,400 Speaker 1: I was reading a bunch of Raymond Chandler books at 281 00:16:43,440 --> 00:16:48,000 Speaker 1: the time, because Lou Reid was heavily influenced by Raymond Chandler, 282 00:16:48,800 --> 00:16:50,680 Speaker 1: and I had just had my head buried in that 283 00:16:51,000 --> 00:16:54,960 Speaker 1: massive book of Lou Reed lyrics, and I was obviously 284 00:16:55,840 --> 00:16:59,480 Speaker 1: reading and watching a ton of Lou Reed interviews where 285 00:16:59,480 --> 00:17:04,320 Speaker 1: Lou is basically just lying through all of them about himself. 286 00:17:05,200 --> 00:17:08,000 Speaker 1: So what you hear in these two episodes is a 287 00:17:08,040 --> 00:17:10,600 Speaker 1: result of me taking all of that in and kind 288 00:17:10,640 --> 00:17:17,480 Speaker 1: of channeling Lou as an unreliable narrator into this storytelling. 289 00:17:17,800 --> 00:17:20,760 Speaker 1: And you know, it's weird, but it's fun. And they're 290 00:17:20,760 --> 00:17:23,959 Speaker 1: produced in an excellent way. If I just I'm very 291 00:17:23,960 --> 00:17:26,600 Speaker 1: proud of the job that the Double Elvis team did 292 00:17:27,240 --> 00:17:29,800 Speaker 1: with these stories. So those are going to be available 293 00:17:29,920 --> 00:17:36,080 Speaker 1: in the archive coming up right right after this, right yeah. 294 00:17:36,480 --> 00:17:40,160 Speaker 1: Next week, we of course keep the holiday vibes alive 295 00:17:40,320 --> 00:17:42,560 Speaker 1: with our episode on Derek and the Dominoes, those Dominoes 296 00:17:42,600 --> 00:17:46,240 Speaker 1: being Dwayne Allmon and Eric Clapton and one Jim Gordon, 297 00:17:46,280 --> 00:17:50,400 Speaker 1: and we tell this story of violent schizophrenia in conjunction 298 00:17:50,520 --> 00:17:52,960 Speaker 1: with the story of the Lost and Family Murders, which 299 00:17:53,040 --> 00:17:56,480 Speaker 1: happened on Christmas Day back in nineteen twenty nine and 300 00:17:56,680 --> 00:18:00,159 Speaker 1: was immortalized in song in the Great Murder Ballad The 301 00:18:00,200 --> 00:18:03,440 Speaker 1: Loss and Family Murder by the Carolina Buddies and later 302 00:18:03,560 --> 00:18:06,760 Speaker 1: popularized by Doc Watson. If you're from the American South, 303 00:18:07,520 --> 00:18:10,440 Speaker 1: if you're a true crime fan, if you're from North 304 00:18:10,560 --> 00:18:14,320 Speaker 1: or South Carolina, if you love Clapton, the Almonds, or 305 00:18:14,600 --> 00:18:16,600 Speaker 1: are a drummer and want to hear about one of 306 00:18:16,640 --> 00:18:21,119 Speaker 1: the greatest drummers of all time and his slip into madness, 307 00:18:21,160 --> 00:18:23,960 Speaker 1: then you are going to want to listen to this episode. 308 00:18:24,000 --> 00:18:25,560 Speaker 1: If you are any of those things, and even if 309 00:18:25,600 --> 00:18:29,320 Speaker 1: you're not all right, let's hear from you guys, because 310 00:18:29,440 --> 00:18:31,639 Speaker 1: you know it's been about a week and you know 311 00:18:31,680 --> 00:18:34,880 Speaker 1: we haven't checked in. Charlie checked in from the nine 312 00:18:34,920 --> 00:18:35,560 Speaker 1: to one to two. 313 00:18:36,840 --> 00:18:40,719 Speaker 2: Yo, Jake, this is Charlie calling it from Georgia. All right. 314 00:18:40,720 --> 00:18:41,360 Speaker 2: So here's the thing. 315 00:18:42,160 --> 00:18:44,160 Speaker 3: I think it goes out saying that you and your 316 00:18:44,160 --> 00:18:47,000 Speaker 3: team and everyone that listens to the show knows what 317 00:18:47,080 --> 00:18:50,359 Speaker 3: an awesome podcast that Disgraceland is. But I wanted to 318 00:18:50,359 --> 00:18:54,480 Speaker 3: take this opportunity to take you two reasons why specifically 319 00:18:54,480 --> 00:18:55,480 Speaker 3: love the show personally. 320 00:18:55,680 --> 00:18:56,000 Speaker 2: Okay. 321 00:18:56,119 --> 00:18:59,920 Speaker 3: Number one, it's not about race, or politics or religion 322 00:19:00,040 --> 00:19:02,320 Speaker 3: of all the other horspreneur that we use to tear 323 00:19:02,320 --> 00:19:05,160 Speaker 3: each other apart day after day. No, it's a show 324 00:19:05,200 --> 00:19:07,840 Speaker 3: that has a great host, all right, that tells great 325 00:19:07,840 --> 00:19:09,280 Speaker 3: stories about great. 326 00:19:09,119 --> 00:19:11,439 Speaker 2: Artists that make the great music that we all know 327 00:19:11,520 --> 00:19:13,480 Speaker 2: and love. And at the end of the day, that's 328 00:19:13,520 --> 00:19:16,400 Speaker 2: what unifies us. Okay. Number two is. 329 00:19:16,840 --> 00:19:18,480 Speaker 3: I know I'm not alone when I say this, but 330 00:19:18,520 --> 00:19:22,159 Speaker 3: I think the best part about the show are the introductions, Okay, 331 00:19:22,200 --> 00:19:25,359 Speaker 3: and listening to you go and why what I play 332 00:19:25,400 --> 00:19:25,879 Speaker 3: you that. 333 00:19:25,960 --> 00:19:28,720 Speaker 2: Specific slice of such and such cheese? Could I afford? 334 00:19:28,760 --> 00:19:29,400 Speaker 1: It? 335 00:19:29,520 --> 00:19:31,320 Speaker 2: Just cracks me up every single time. 336 00:19:31,359 --> 00:19:31,560 Speaker 4: Man. 337 00:19:31,680 --> 00:19:33,680 Speaker 3: I love it, and I wish you guys the best 338 00:19:33,720 --> 00:19:36,080 Speaker 3: of the luck and I who success you could possibly handle. 339 00:19:36,240 --> 00:19:38,080 Speaker 3: And again, thank you so much for a great show. 340 00:19:38,240 --> 00:19:40,600 Speaker 2: All right, man, Peace, Charlie. 341 00:19:40,680 --> 00:19:43,119 Speaker 1: I appreciate the message. Thank you man, thanks for spreading 342 00:19:43,119 --> 00:19:46,159 Speaker 1: a little holiday, little Christmas cheer. I hope you and 343 00:19:46,200 --> 00:19:49,840 Speaker 1: your family are doing all right. Peace and love and 344 00:19:50,200 --> 00:19:52,239 Speaker 1: much more cheese coming my man. That's all I get 345 00:19:52,320 --> 00:19:56,080 Speaker 1: to say, specific slices of cheese. All right, Matt, let's 346 00:19:56,119 --> 00:19:59,560 Speaker 1: go to the seven three one. 347 00:20:00,240 --> 00:20:03,040 Speaker 4: That was the end of the seventry one. Just following 348 00:20:03,119 --> 00:20:06,520 Speaker 4: up on the video podcast of you and Zets talking 349 00:20:06,520 --> 00:20:10,520 Speaker 4: about the Christmas songs. The band was politically incorrect disdaining 350 00:20:10,560 --> 00:20:14,480 Speaker 4: your voice for Baby It's Code Outside, But right after 351 00:20:14,520 --> 00:20:16,760 Speaker 4: that you kind of understood the whole earth of kid 352 00:20:17,400 --> 00:20:20,760 Speaker 4: sultry performance. The thing with Baby It's Code Outside is 353 00:20:20,800 --> 00:20:24,800 Speaker 4: the same thing in the performances sometimes, like on television, 354 00:20:24,880 --> 00:20:27,919 Speaker 4: different things. The man would block the door kind of 355 00:20:27,960 --> 00:20:30,159 Speaker 4: keep it from going out, and I think that's what 356 00:20:30,359 --> 00:20:33,399 Speaker 4: led to some of the backlash, more so than just 357 00:20:33,440 --> 00:20:35,640 Speaker 4: the lyrics of the song. I'm not saying one hundred 358 00:20:35,640 --> 00:20:37,560 Speaker 4: percent agree with it. But I also could see the 359 00:20:37,560 --> 00:20:39,800 Speaker 4: point in the me through movement this song coming out 360 00:20:39,800 --> 00:20:42,600 Speaker 4: of Christmas kind of a bad timing situation, not that 361 00:20:42,680 --> 00:20:45,520 Speaker 4: it was a new song, but playing them again, and 362 00:20:45,600 --> 00:20:47,840 Speaker 4: a lot of it was the performance. The man blocking 363 00:20:47,880 --> 00:20:50,199 Speaker 4: the door not allowing her to leave. It did give 364 00:20:50,240 --> 00:20:52,960 Speaker 4: a little cringe factor not gonna lie and those very 365 00:20:53,000 --> 00:20:55,720 Speaker 4: depending on who performed it. So I think that might 366 00:20:55,800 --> 00:20:57,840 Speaker 4: play into it just as well as earth a Kid 367 00:20:58,280 --> 00:21:01,280 Speaker 4: be Infective's girl can hit it, you know what I'm saying. 368 00:21:01,560 --> 00:21:05,159 Speaker 4: So anyway, just following up on that definitely, so like, uh, 369 00:21:05,320 --> 00:21:08,320 Speaker 4: there's a little a little of that in there and 370 00:21:08,440 --> 00:21:11,240 Speaker 4: not be why pease enjoy your holidays? 371 00:21:11,520 --> 00:21:16,359 Speaker 1: Ah seven three one great great call. I didn't realize this. 372 00:21:16,680 --> 00:21:20,520 Speaker 1: I did not understand that. Uh, And I totally see it. 373 00:21:21,200 --> 00:21:23,880 Speaker 1: You know, there were TV performances of this song baby 374 00:21:23,920 --> 00:21:26,040 Speaker 1: It's Cold outside back in the day, and I can 375 00:21:26,119 --> 00:21:28,400 Speaker 1: I can, as you're describing it, I can see them 376 00:21:28,440 --> 00:21:32,520 Speaker 1: hamming it up and kind of acting it out and dramatizing, 377 00:21:32,720 --> 00:21:34,920 Speaker 1: and with that visual, I can see the thing being 378 00:21:34,920 --> 00:21:37,760 Speaker 1: a little more I can see the problem with it 379 00:21:37,760 --> 00:21:40,879 Speaker 1: a little bit more clearly. However, anyway you cut it, 380 00:21:41,280 --> 00:21:45,720 Speaker 1: baby it's cold outside, politically correct, politically incorrect, however you 381 00:21:45,800 --> 00:21:48,760 Speaker 1: view it. It's a fantastic song. Appreciate this little bit 382 00:21:48,760 --> 00:21:51,879 Speaker 1: of information here though, seven three one, Thank you all 383 00:21:51,960 --> 00:21:55,119 Speaker 1: right over on the text machine four one six, I 384 00:21:55,160 --> 00:21:57,360 Speaker 1: love this text four to one six right saying, Hey, 385 00:21:57,840 --> 00:22:00,719 Speaker 1: how about Christmas albums that don't exist but should, like 386 00:22:00,760 --> 00:22:04,320 Speaker 1: the Smiths, Maybe songs such as Christmas Is Over or 387 00:22:04,640 --> 00:22:07,920 Speaker 1: The Last Star I shall see. How about Santa will 388 00:22:07,960 --> 00:22:11,679 Speaker 1: not Arrive? Happy Christmas? It may be my last away 389 00:22:11,720 --> 00:22:15,440 Speaker 1: in a manger and it is cold there. This guy's 390 00:22:15,440 --> 00:22:19,320 Speaker 1: got a whole track listing for a fake Smith's Christmas album. 391 00:22:19,359 --> 00:22:22,360 Speaker 1: This is fantastic. It goes on the present I cannot 392 00:22:22,440 --> 00:22:27,840 Speaker 1: give the present I cannot give. That's a RC song 393 00:22:27,920 --> 00:22:36,080 Speaker 1: man Christmas, Christmas for Caligula, this Charming Elf, and last 394 00:22:36,080 --> 00:22:40,040 Speaker 1: but not least, Shoplifters of the world unite on Boxing Day, 395 00:22:40,119 --> 00:22:43,280 Speaker 1: Merry Christmas, Happy Honukah, and rock a rolla four one 396 00:22:43,400 --> 00:22:46,680 Speaker 1: six You text in any time you want. That was amazing. 397 00:22:46,920 --> 00:22:50,880 Speaker 1: Appreciate you. We had this whole thing going last week. Guys. 398 00:22:51,040 --> 00:22:53,760 Speaker 1: We made a mix and an unintentional Christmas mix that's 399 00:22:53,800 --> 00:22:56,600 Speaker 1: available for you to hear on Spotify if you're following 400 00:22:56,600 --> 00:22:59,800 Speaker 1: a Disgrace sampot or if you're in on the chat. 401 00:23:00,160 --> 00:23:02,560 Speaker 1: If you're in with us, this goes in Patreon. I 402 00:23:02,600 --> 00:23:04,640 Speaker 1: posted the link up there. You can find the link 403 00:23:04,680 --> 00:23:07,880 Speaker 1: to the mix the playlist very very easily. Get another 404 00:23:07,920 --> 00:23:13,439 Speaker 1: one here. Another suggestion for untraditional Christmas songs. This one, 405 00:23:13,520 --> 00:23:16,359 Speaker 1: the five Awight says an interesting Christmas song or a 406 00:23:16,440 --> 00:23:19,480 Speaker 1: version of a Christmas song. I believe it was the 407 00:23:19,480 --> 00:23:21,800 Speaker 1: band Weezer, Oh Holy Night, and it was in a 408 00:23:21,840 --> 00:23:25,040 Speaker 1: sitcom show called Raising Hope. That's when I first heard it, 409 00:23:25,080 --> 00:23:28,680 Speaker 1: and I was like, oh shit, love that five Await 410 00:23:28,960 --> 00:23:31,560 Speaker 1: Thank You two four eight writes in on the same 411 00:23:31,640 --> 00:23:35,000 Speaker 1: topic the Last Days of December. It's an obscure, neo 412 00:23:35,160 --> 00:23:38,280 Speaker 1: synthpop song from an obscure band on an even more 413 00:23:38,280 --> 00:23:41,240 Speaker 1: obscure Christmas compilation. It's one of the prettiest songs I've 414 00:23:41,240 --> 00:23:43,960 Speaker 1: ever heard, and one of the best things about December 415 00:23:44,240 --> 00:23:46,080 Speaker 1: is that I get to go play it again and again. 416 00:23:46,400 --> 00:23:49,400 Speaker 1: Here's too many more Decembers. Two four eight. Love That 417 00:23:50,119 --> 00:23:54,959 Speaker 1: Ish wants an episode on Paris Hilton, Sorry on Lionel 418 00:23:55,040 --> 00:23:58,440 Speaker 1: Richie and we work our way in through the gateway 419 00:23:58,520 --> 00:24:03,679 Speaker 1: of Nicole Richie in Paris, Hilton Ish. I like this idea. 420 00:24:04,760 --> 00:24:07,080 Speaker 1: I think there's a lot that I think. Lana Richie 421 00:24:07,080 --> 00:24:10,640 Speaker 1: has an autobiography as of as of recently recent as 422 00:24:10,640 --> 00:24:14,200 Speaker 1: of recently as of lately recently published. Yeah, yah yay, 423 00:24:14,440 --> 00:24:17,560 Speaker 1: I need more coffee that I'm just interested in reading 424 00:24:17,560 --> 00:24:19,760 Speaker 1: as a as a fan and learning more. I bet 425 00:24:19,800 --> 00:24:22,080 Speaker 1: he's got a great perspective. The guy's been around forever. 426 00:24:22,200 --> 00:24:26,200 Speaker 1: So ish you know, you might get your wish ish okay, 427 00:24:26,680 --> 00:24:31,639 Speaker 1: Christmas wish for ish. Unintentional holiday songs, now, this is 428 00:24:31,680 --> 00:24:37,480 Speaker 1: different from non traditional Christmas or holiday songs. Unintentional I 429 00:24:37,520 --> 00:24:40,040 Speaker 1: forget who was on Patreon brought up in the Ghetto 430 00:24:40,240 --> 00:24:44,199 Speaker 1: as being an unintentional Christmas song by Elvis Presley and 431 00:24:44,240 --> 00:24:47,000 Speaker 1: I can hear it. So we had a little convo 432 00:24:47,040 --> 00:24:49,080 Speaker 1: going on Patreon about that, and some folks chimed in. 433 00:24:49,160 --> 00:24:52,120 Speaker 1: Joni Mitchell's River has Christmas imagery, but I don't think 434 00:24:52,119 --> 00:24:54,240 Speaker 1: it classifies as a Christmas song. But I think it 435 00:24:54,280 --> 00:24:56,000 Speaker 1: should or no, she says, I think it could go 436 00:24:56,080 --> 00:24:59,359 Speaker 1: either way. That's christy kay. I don't know that song, KRISTI, 437 00:24:59,359 --> 00:25:02,360 Speaker 1: but I'm gonna check out. Michael Murphy writes in Apollo 438 00:25:02,480 --> 00:25:06,720 Speaker 1: one hundred Joy, a disco fied version of Jayhu Joy 439 00:25:06,760 --> 00:25:12,399 Speaker 1: of man's desiring? Is that drive like Jay Hum? Michael 440 00:25:12,400 --> 00:25:15,879 Speaker 1: has a bunch here human sexual response from Boston, Land 441 00:25:16,119 --> 00:25:19,920 Speaker 1: of the Glass Pine Cones. Wow, never heard that Ben 442 00:25:20,000 --> 00:25:24,520 Speaker 1: Folds five Brick as a Christmas song. Michael could have 443 00:25:24,600 --> 00:25:29,400 Speaker 1: started and stopped his list with this next recommendation here 444 00:25:29,440 --> 00:25:33,359 Speaker 1: for an unintentional Christmas song, and it just perfectly embodies 445 00:25:33,400 --> 00:25:37,199 Speaker 1: this concept. It is a long December by counting crows. 446 00:25:37,320 --> 00:25:42,520 Speaker 1: I mean, come on, love this tune. Haven't talked about 447 00:25:42,520 --> 00:25:47,280 Speaker 1: it at all this holiday season could have It's just smashing, 448 00:25:47,560 --> 00:25:52,760 Speaker 1: absolutely fabulous. Great TV show by the way, absolutely fabulous. Okay, 449 00:25:53,240 --> 00:25:55,679 Speaker 1: maybe next year we'll do more on this topic. I 450 00:25:55,720 --> 00:25:58,600 Speaker 1: really like it because it's hard. You know, my brain 451 00:25:58,680 --> 00:26:00,879 Speaker 1: just doesn't go to like ten exam this. You got 452 00:26:00,920 --> 00:26:03,480 Speaker 1: to think about it for a minute. Unintentional Christmas song 453 00:26:03,560 --> 00:26:06,160 Speaker 1: songs that weren't intended to be Christmas, but somehow I've 454 00:26:06,760 --> 00:26:10,159 Speaker 1: ended up representing the holiday season for us. Anyways, I 455 00:26:10,240 --> 00:26:12,520 Speaker 1: love this idea, and perhaps we'll do more of it 456 00:26:12,680 --> 00:26:19,240 Speaker 1: next year. Over on Instagram, let's see here Sam Dullivan 457 00:26:19,440 --> 00:26:24,000 Speaker 1: commented which membership tier is This film should be played 458 00:26:24,040 --> 00:26:27,360 Speaker 1: loud available to This will definitely persuade me to sign 459 00:26:27,440 --> 00:26:32,120 Speaker 1: up for Patreon, even if it's only for you guys, Well, 460 00:26:32,200 --> 00:26:34,320 Speaker 1: you can just sign up and have it be only 461 00:26:34,359 --> 00:26:36,200 Speaker 1: for us in Patreon. That's how it works. You can 462 00:26:36,200 --> 00:26:38,800 Speaker 1: support us a number of different levels. A ten dollars 463 00:26:38,800 --> 00:26:41,160 Speaker 1: tier is going to get you our new video podcasts 464 00:26:41,200 --> 00:26:43,800 Speaker 1: that you asked about. This film should be played loud. 465 00:26:44,600 --> 00:26:47,800 Speaker 1: It's going to get you ad free listening. It's going 466 00:26:47,880 --> 00:26:52,320 Speaker 1: to also get you extra exclusive content every month, the 467 00:26:52,359 --> 00:26:57,480 Speaker 1: mini episode, the bonus section of this bonus episode, the 468 00:26:57,600 --> 00:27:01,880 Speaker 1: video version of these bonus episodes, and it's also you're 469 00:27:01,880 --> 00:27:04,560 Speaker 1: going to unlock the opportunity to meet with me and 470 00:27:04,680 --> 00:27:08,639 Speaker 1: fellow discos twice a year to get on a zoom 471 00:27:08,760 --> 00:27:12,440 Speaker 1: and figure out what episodes we're going to be covering. 472 00:27:12,600 --> 00:27:15,600 Speaker 1: There is also a whole bunch more Patreon dot com, 473 00:27:15,600 --> 00:27:18,680 Speaker 1: slash Disgrace and actually just go to disgraceandpod dot com. 474 00:27:18,720 --> 00:27:20,240 Speaker 1: Right there in the home page you can sign up 475 00:27:20,359 --> 00:27:21,960 Speaker 1: for Patreon. You can get a link to sign up. 476 00:27:22,760 --> 00:27:25,160 Speaker 1: Hope to see it in the chat over in Patreon dude, 477 00:27:25,160 --> 00:27:27,920 Speaker 1: with all the other with all the other discos. Now 478 00:27:28,040 --> 00:27:30,480 Speaker 1: I'm gonna take a quick break, and when I come back, 479 00:27:31,560 --> 00:27:33,760 Speaker 1: I got to lay this this thing on you, guys, 480 00:27:33,800 --> 00:27:37,320 Speaker 1: this thing that happened this past week that was pretty awesome. 481 00:27:37,320 --> 00:27:38,600 Speaker 1: You might have heard of it, you might not have. 482 00:27:38,720 --> 00:27:40,200 Speaker 1: Either way, we're going to get into it back in 483 00:27:40,240 --> 00:27:59,440 Speaker 1: the flash, all right, guys. So the other night, I'm 484 00:27:59,520 --> 00:28:03,320 Speaker 1: up in my eleven year old's bedroom. It's just after dinner, 485 00:28:03,480 --> 00:28:06,879 Speaker 1: and I'm using his stereo, his double cassette recorder to 486 00:28:06,960 --> 00:28:12,800 Speaker 1: try and dub these cassettes of this holiday mix that 487 00:28:13,520 --> 00:28:16,800 Speaker 1: I had made for a bunch of my friends. And 488 00:28:17,000 --> 00:28:19,720 Speaker 1: it's a Christmas mix, all stuff from mine and my 489 00:28:19,760 --> 00:28:26,960 Speaker 1: wife's Christmas vinyl collection. And anyhow I'm putting the mix together. 490 00:28:27,040 --> 00:28:30,000 Speaker 1: I'm fighting with this crappy little stereo because my my 491 00:28:30,119 --> 00:28:35,520 Speaker 1: double cassette recorder had broken previously wasn't working, So now 492 00:28:35,520 --> 00:28:37,760 Speaker 1: I'm using his, and he has a really shitty stereo. 493 00:28:37,920 --> 00:28:40,280 Speaker 1: It's not his fault. I bought it for him, and 494 00:28:40,840 --> 00:28:43,280 Speaker 1: I'm trying to get the thing to work. I'm super frustrated, 495 00:28:43,600 --> 00:28:45,840 Speaker 1: you know, trying to do this thing. It's supposed to 496 00:28:45,840 --> 00:28:47,200 Speaker 1: be easy it's suposed to be fun like it was 497 00:28:47,240 --> 00:28:49,120 Speaker 1: when I was a kid. It's not fun. It's paying 498 00:28:49,200 --> 00:28:51,480 Speaker 1: the ass. It's a pain in the ass to make mixtapes, 499 00:28:51,640 --> 00:28:54,800 Speaker 1: it really is. I'm so spoiled. We're also spoiled by 500 00:28:54,800 --> 00:28:56,720 Speaker 1: the by the ease with which we can put together 501 00:28:56,760 --> 00:28:59,320 Speaker 1: digital playlists. I'm in here, you know. Here's the thing 502 00:28:59,320 --> 00:29:03,040 Speaker 1: about making a making a cassette tape, you know, dubbing cassettes. 503 00:29:03,840 --> 00:29:06,440 Speaker 1: How the hell did we write the track listings on 504 00:29:06,480 --> 00:29:11,040 Speaker 1: those tapes? How did we fit the song and the 505 00:29:11,160 --> 00:29:16,479 Speaker 1: artist in one in fifty percent of the size of 506 00:29:16,520 --> 00:29:22,200 Speaker 1: the cassette tape? Insert It's impossible, absolutely impossible. So I'm 507 00:29:22,240 --> 00:29:25,080 Speaker 1: super frustrated trying to do this. My wife yells up, 508 00:29:25,680 --> 00:29:28,840 Speaker 1: She's like, hey, my aunt Anne just just texted me 509 00:29:29,920 --> 00:29:32,680 Speaker 1: and she told me that Disgraceland was just on Jeopardy. 510 00:29:33,560 --> 00:29:37,560 Speaker 1: And I'm going, that's not true. She's she's She's wrong. 511 00:29:38,480 --> 00:29:41,760 Speaker 1: At least it wasn't, you know, the podcast Disgraceland. Maybe 512 00:29:41,760 --> 00:29:44,000 Speaker 1: they just said the word or something. That's what I 513 00:29:44,040 --> 00:29:50,120 Speaker 1: was thinking. And I go back to being frustrated, and 514 00:29:50,200 --> 00:29:54,320 Speaker 1: about five minutes later, I get a text from Abvi'spivick, 515 00:29:54,360 --> 00:29:59,320 Speaker 1: who Aviy does all the great illustrations for disgrace Land 516 00:29:59,320 --> 00:30:02,680 Speaker 1: and has since we launched the show. And Abby lives 517 00:30:02,880 --> 00:30:06,120 Speaker 1: in somewhere in New York City. And I get this 518 00:30:07,320 --> 00:30:11,280 Speaker 1: text from Avi. He's like, pretty cool man, Disgraceland on Jeopardy. 519 00:30:11,680 --> 00:30:15,040 Speaker 1: I'm like what Now, I'm like, you're you're kidding? What? 520 00:30:15,600 --> 00:30:18,640 Speaker 1: Because now I'm thinking, I'm thinking two things. I'm thinking 521 00:30:18,640 --> 00:30:21,479 Speaker 1: it's real and wow, this is really freaking cool. Like 522 00:30:21,560 --> 00:30:24,440 Speaker 1: I loved, I love Jeopardy. I don't watch it every night, 523 00:30:24,480 --> 00:30:26,840 Speaker 1: but I've watched it a lot throughout my life and it's, 524 00:30:27,000 --> 00:30:29,920 Speaker 1: you know, obviously a huge part of the fabric of 525 00:30:29,960 --> 00:30:32,440 Speaker 1: our culture. So of course I'm like, this is amazing. 526 00:30:32,640 --> 00:30:34,720 Speaker 1: But then I'm also just thinking, like, wait a minute, 527 00:30:35,840 --> 00:30:38,360 Speaker 1: don't don't Shouldn't they have given me a heads up 528 00:30:38,440 --> 00:30:40,719 Speaker 1: if this was real, I'd know it was gonna happen, 529 00:30:41,320 --> 00:30:43,000 Speaker 1: And of course I had no heads up, So that 530 00:30:43,120 --> 00:30:46,440 Speaker 1: I text Matt and Zeth, who you guys know obviously, 531 00:30:47,120 --> 00:30:49,680 Speaker 1: and I know I just something without even asking. I'm 532 00:30:49,680 --> 00:30:52,560 Speaker 1: assuming that Matt Bowden is like the biggest Jeopardy fan 533 00:30:52,640 --> 00:30:57,240 Speaker 1: on the planet, and uh, I'm thinking if anybody watches 534 00:30:57,280 --> 00:31:01,400 Speaker 1: this every night, it's him, and yeah, he's super fan. 535 00:31:01,440 --> 00:31:04,400 Speaker 1: But these guys aren't watching TV. They're doing whatever. Neither 536 00:31:04,440 --> 00:31:06,800 Speaker 1: of them know what's up, and I think they're both 537 00:31:06,880 --> 00:31:09,360 Speaker 1: kind of like. As I'm texting them, my thought thinking 538 00:31:09,440 --> 00:31:11,959 Speaker 1: is like, dude, you're out of your freaking mind. Then 539 00:31:12,200 --> 00:31:15,640 Speaker 1: my sister, my little sister, who's like hours from going 540 00:31:15,680 --> 00:31:19,600 Speaker 1: into labor, texts me and she's like, we're watching it, 541 00:31:19,640 --> 00:31:23,320 Speaker 1: and they saw it. They actually like had the clip 542 00:31:23,360 --> 00:31:26,280 Speaker 1: and they sent it. And turns out it aired up 543 00:31:26,320 --> 00:31:30,400 Speaker 1: in the Northeast an hour before it aired where I'm at, 544 00:31:30,560 --> 00:31:34,120 Speaker 1: so I was able to actually watch it, tape it 545 00:31:34,760 --> 00:31:37,520 Speaker 1: and with my two sons, who didn't know what the 546 00:31:37,560 --> 00:31:39,440 Speaker 1: hell was going on but thought it was pretty cool, 547 00:31:39,480 --> 00:31:42,400 Speaker 1: as did my wife. And I don't know why, you know, 548 00:31:42,440 --> 00:31:43,880 Speaker 1: I don't know why I think this is such a 549 00:31:43,880 --> 00:31:47,240 Speaker 1: special thing. I've been the show has been mentioned on 550 00:31:47,360 --> 00:31:51,120 Speaker 1: you know, other stuff that's as big, arguably, I guess 551 00:31:51,200 --> 00:31:52,800 Speaker 1: or I don't know, part of the culture, but this 552 00:31:52,840 --> 00:31:55,320 Speaker 1: is something about Jeopardy. It's been around forever since I 553 00:31:55,360 --> 00:31:58,320 Speaker 1: was a little kid, and it's just, like I said, 554 00:31:58,400 --> 00:32:01,040 Speaker 1: such a fabric of our culture. It really made me 555 00:32:01,120 --> 00:32:05,520 Speaker 1: happy that our show Disgraceland was mentioned. And we're going 556 00:32:05,560 --> 00:32:07,120 Speaker 1: to play the clip for you guys right now so 557 00:32:07,160 --> 00:32:10,560 Speaker 1: you can you can hear this. It was quick, of course, Matt, 558 00:32:11,600 --> 00:32:15,200 Speaker 1: go ahead and play this for the Peeps podcast before 559 00:32:15,200 --> 00:32:19,920 Speaker 1: ahead here as it focuses on music and misdeeds. Disgraceland 560 00:32:20,000 --> 00:32:22,520 Speaker 1: discussed the May through July twenty twenty five trial. 561 00:32:22,320 --> 00:32:23,120 Speaker 2: Of this rap modal. 562 00:32:23,920 --> 00:32:28,680 Speaker 1: Chris who is did yes? John Colmes, all right, guys, 563 00:32:28,760 --> 00:32:33,080 Speaker 1: that's Disgraceland as part of the question in Jeopardy and 564 00:32:33,160 --> 00:32:36,440 Speaker 1: the answer was, of course Sean Combs, who we will 565 00:32:36,480 --> 00:32:40,760 Speaker 1: be talking about in the exclusive section of this after party. 566 00:32:41,080 --> 00:32:43,800 Speaker 1: Going to be doing that with Zeth as I as 567 00:32:43,840 --> 00:32:46,480 Speaker 1: I typically do, typically do the exclusive sections of the 568 00:32:46,480 --> 00:32:49,240 Speaker 1: after party with Zeth, And like I mentioned before, guys, 569 00:32:49,240 --> 00:32:51,080 Speaker 1: if you signed up to become a Patreon member, you're 570 00:32:51,120 --> 00:32:54,040 Speaker 1: going to get access to that exclusive content plus other 571 00:32:54,080 --> 00:32:57,120 Speaker 1: bonus content, including the mini episodes that are released pretty 572 00:32:57,160 --> 00:32:59,640 Speaker 1: much every week, and also our new video podcasts. This 573 00:32:59,640 --> 00:33:02,440 Speaker 1: film should be played loud. You also get ad free 574 00:33:02,440 --> 00:33:06,160 Speaker 1: listening of all Disgraceland and hollywood Land episodes, So go 575 00:33:06,200 --> 00:33:08,800 Speaker 1: to disgrace landpod dot com. To sign up to become 576 00:33:08,800 --> 00:33:11,960 Speaker 1: a Patreon member. Got a lot going on in hollywood Land. 577 00:33:11,960 --> 00:33:14,360 Speaker 1: I mentioned Zeth and the show that he helms hollywood Land. 578 00:33:14,480 --> 00:33:17,840 Speaker 1: We did these special features for the holiday season. We 579 00:33:17,920 --> 00:33:21,120 Speaker 1: did two of them on Christmas films. I did one, 580 00:33:21,320 --> 00:33:24,360 Speaker 1: Matt did one, and we got one coming up on 581 00:33:24,480 --> 00:33:27,320 Speaker 1: New Year's Films, which I think are going to be into. 582 00:33:27,360 --> 00:33:32,480 Speaker 1: These are fun discussions. I get to indulge my fandom 583 00:33:32,600 --> 00:33:35,680 Speaker 1: of film history, and Zeth, of course, is the real 584 00:33:35,760 --> 00:33:39,440 Speaker 1: expert here. Matt give the people a little taste of 585 00:33:40,280 --> 00:33:41,840 Speaker 1: I don't know. I just pick one of the special 586 00:33:41,840 --> 00:33:44,520 Speaker 1: features here from the holidays, and guys, if you aren't 587 00:33:44,560 --> 00:33:46,800 Speaker 1: subscribed to hollywood Land, get over to that feed and 588 00:33:46,840 --> 00:33:47,960 Speaker 1: subscribe now. 589 00:33:48,480 --> 00:33:51,120 Speaker 5: Okay. So a couple of movies here that I think 590 00:33:51,200 --> 00:33:54,160 Speaker 5: are connected by the fact that they both have very 591 00:33:54,200 --> 00:33:57,840 Speaker 5: pivotal scenes that play out during New Year's Eve parties 592 00:33:58,240 --> 00:34:02,680 Speaker 5: are Boogie Nights and Godfather Part two. Boogie Knights has 593 00:34:03,400 --> 00:34:06,200 Speaker 5: this New Year's E party that takes us from the 594 00:34:06,240 --> 00:34:08,920 Speaker 5: decade of the seventies into the eighties, from film to video. 595 00:34:09,680 --> 00:34:11,920 Speaker 5: It's the beginning of the end. There's a good Fellow's 596 00:34:11,920 --> 00:34:14,040 Speaker 5: camp for this. You know, the moment where there's no 597 00:34:14,080 --> 00:34:17,440 Speaker 5: turning back with the story. You've been seduced by the lifestyle, 598 00:34:17,800 --> 00:34:19,520 Speaker 5: and then all of a sudden, you know, William H. 599 00:34:19,560 --> 00:34:21,520 Speaker 5: Macy puts a gun to his head and blows his 600 00:34:21,560 --> 00:34:25,120 Speaker 5: brains out, and the now you're paying for that lifestyle, right. 601 00:34:25,840 --> 00:34:28,360 Speaker 5: And then The Godfather too, of course, has this iconic 602 00:34:28,440 --> 00:34:31,000 Speaker 5: New Year's Eve party scene in Cuba, which is the 603 00:34:31,000 --> 00:34:33,400 Speaker 5: moment where Michael tells Fredo he knows that he was 604 00:34:33,400 --> 00:34:34,880 Speaker 5: the one that betrayed him. What do you want to 605 00:34:34,880 --> 00:34:36,560 Speaker 5: talk about first, boog Knights. 606 00:34:36,360 --> 00:34:37,759 Speaker 1: Well, I want to talk about both of them. I 607 00:34:37,760 --> 00:34:39,400 Speaker 1: want to make this point that one of them seems 608 00:34:39,400 --> 00:34:40,960 Speaker 1: like a New Year's movie and the other one does not. 609 00:34:41,360 --> 00:34:43,480 Speaker 1: And I feel like it goes to what I was 610 00:34:43,480 --> 00:34:46,840 Speaker 1: saying earlier where Boogie Nights it does. I don't know, 611 00:34:47,239 --> 00:34:49,640 Speaker 1: it just feels like they make they reinforced the New 612 00:34:49,719 --> 00:34:53,560 Speaker 1: Year's piece of it more than in Godfather. Godfather, It's 613 00:34:53,600 --> 00:34:56,480 Speaker 1: just part of this massive you use the word set 614 00:34:56,560 --> 00:35:00,240 Speaker 1: piece earlier, and certainly the party for Batista, that's all 615 00:35:00,320 --> 00:35:03,239 Speaker 1: you know. It's yeah, it's New Year's and feels it's 616 00:35:03,239 --> 00:35:07,440 Speaker 1: just everything kind of seems the drama is paying off 617 00:35:07,560 --> 00:35:11,720 Speaker 1: so fully in that scene, everything between Michael and Fredo 618 00:35:12,160 --> 00:35:15,960 Speaker 1: and Michael's plan is coming to fruition or starting to 619 00:35:16,080 --> 00:35:20,440 Speaker 1: the mechanics anyways of it, and the drama almost seems 620 00:35:20,480 --> 00:35:25,279 Speaker 1: like it's too big for the New Year's scenery piece 621 00:35:25,320 --> 00:35:27,440 Speaker 1: of it. So maybe that's why I never really think 622 00:35:27,480 --> 00:35:30,640 Speaker 1: of that movie as a New Year's movie. Great movie obviously, 623 00:35:31,000 --> 00:35:34,919 Speaker 1: Whereas with Boogie Knights, they're set in this New Year's 624 00:35:34,960 --> 00:35:39,799 Speaker 1: Eve party and the drama that unfolds there is more 625 00:35:39,840 --> 00:35:43,040 Speaker 1: of a surprise, perhaps more of a shocking turn that 626 00:35:43,080 --> 00:35:45,839 Speaker 1: you're not expecting. You can kind of and Godfather too, 627 00:35:45,880 --> 00:35:49,640 Speaker 1: you can kind of see what Michael's working up to. 628 00:35:49,800 --> 00:35:51,920 Speaker 1: He kind of knows this is gonna happen. He doesn't 629 00:35:51,920 --> 00:35:54,040 Speaker 1: set Fredo up, but he's kind of fishing to get 630 00:35:54,040 --> 00:35:57,640 Speaker 1: the information from Fredo because he already suspects him. Somewhat 631 00:35:57,920 --> 00:35:59,920 Speaker 1: does the audience kind of being brought along even if 632 00:35:59,960 --> 00:36:02,560 Speaker 1: you don't realize it. The Little Bill thing in Boogie Nights, 633 00:36:02,560 --> 00:36:04,440 Speaker 1: the first time I watched it was a total shock. 634 00:36:04,840 --> 00:36:08,120 Speaker 5: Absolutely, It was up until that point like you were laughing, 635 00:36:08,920 --> 00:36:10,840 Speaker 5: and you've been laughing at Little Bill every time he 636 00:36:10,880 --> 00:36:13,799 Speaker 5: turns around. His wife's like going to town with some guy, 637 00:36:13,840 --> 00:36:16,680 Speaker 5: and there's a whole group of people watching and it's 638 00:36:17,080 --> 00:36:19,399 Speaker 5: and he's sort of like the butt of the joke. 639 00:36:19,840 --> 00:36:23,120 Speaker 1: All Right, guys, that's the Hollywood Lamb podcast available for 640 00:36:23,200 --> 00:36:26,120 Speaker 1: you right now in the Hollywood Land Feed on whichever 641 00:36:26,239 --> 00:36:30,000 Speaker 1: podcast app you use. Go subscribe now if you're not already. 642 00:36:30,239 --> 00:36:47,440 Speaker 1: We'll be back right after this. All right, guys, we 643 00:36:47,520 --> 00:36:49,320 Speaker 1: are back. And you know, we always talk about the 644 00:36:49,400 --> 00:36:51,160 Speaker 1: archive here at the top of the E block, and 645 00:36:51,280 --> 00:36:55,479 Speaker 1: in this episode, gosh, we mentioned probably I think ten 646 00:36:55,719 --> 00:36:59,640 Speaker 1: artists that are from our archive. Matt will hand cherry 647 00:36:59,640 --> 00:37:04,520 Speaker 1: pick a selection of those artists. He'll provide the episode 648 00:37:04,560 --> 00:37:07,440 Speaker 1: information in the show notes of this after party if 649 00:37:07,440 --> 00:37:09,439 Speaker 1: you want to go check any of those stories out. 650 00:37:09,480 --> 00:37:12,440 Speaker 1: And I definitely encourage you to dig into the two 651 00:37:12,560 --> 00:37:17,680 Speaker 1: hundred and fifty five plus episode archive of Disgraceland if 652 00:37:17,680 --> 00:37:20,800 Speaker 1: you're a new listener and get some of that archive 653 00:37:20,920 --> 00:37:23,200 Speaker 1: action in your life. All Right, I get to get 654 00:37:23,200 --> 00:37:24,960 Speaker 1: out of here. I got to go to the gym. 655 00:37:25,400 --> 00:37:28,080 Speaker 1: Then I gotta wrap a ton of presents. I think 656 00:37:28,120 --> 00:37:31,800 Speaker 1: I'm gonna watch someone emailed Zeth. I saw this email 657 00:37:31,800 --> 00:37:36,080 Speaker 1: in the inbox mentioned Beautiful Girls as a Christmas movie, 658 00:37:36,120 --> 00:37:40,440 Speaker 1: and I never think of that Timothy Hutton Natalie Portman 659 00:37:40,560 --> 00:37:43,200 Speaker 1: film as a Christmas movie, but it absolutely is. And 660 00:37:43,239 --> 00:37:45,640 Speaker 1: I think I'm going to put that on tonight while 661 00:37:45,680 --> 00:37:49,359 Speaker 1: I'm wrapping gifts later on. And if you haven't seen 662 00:37:49,400 --> 00:37:51,759 Speaker 1: Beautiful Girls, there you go. There's a little recommendation for you, 663 00:37:52,080 --> 00:37:54,560 Speaker 1: all right. Number one, this week our episode on Johnny 664 00:37:54,560 --> 00:37:56,680 Speaker 1: Ace and Elvis Presley that is available for you right now. 665 00:37:56,800 --> 00:38:00,000 Speaker 1: Get the Christmas tragedy vibes there. Number two rewind episodes 666 00:38:00,080 --> 00:38:02,800 Speaker 1: on lou Reed coming this week right after this after party. 667 00:38:02,880 --> 00:38:05,720 Speaker 1: Number three Derek and the Dominoes happen to next week 668 00:38:05,840 --> 00:38:09,239 Speaker 1: with the Loss and Family Christmas Murder. Number four Zeth 669 00:38:09,360 --> 00:38:11,320 Speaker 1: is going to give you those Hollywood and crime vibes 670 00:38:11,320 --> 00:38:13,600 Speaker 1: and Hollywood lands, so make sure you're subscribe. Number five, 671 00:38:13,880 --> 00:38:17,320 Speaker 1: this film should be played loud. Our new episode on Goodfellas. 672 00:38:17,320 --> 00:38:18,759 Speaker 1: You've got to be a Patreon member to cop that, 673 00:38:18,840 --> 00:38:20,840 Speaker 1: so go to disgrace lampod dot com to sign up. 674 00:38:20,920 --> 00:38:23,359 Speaker 1: Number six six one, seven, nine oh six six sixty 675 00:38:23,360 --> 00:38:25,600 Speaker 1: three eight. Your voice keeps us digging into the dark 676 00:38:25,600 --> 00:38:28,319 Speaker 1: corners of music history, so keep calling, texting, with your 677 00:38:28,320 --> 00:38:30,239 Speaker 1: answers to this week's question of the week, or with 678 00:38:30,360 --> 00:38:33,080 Speaker 1: whatever else you want to talk about. Number seven, don't 679 00:38:33,080 --> 00:38:35,880 Speaker 1: forget this goes. This isn't just content. It's a community, 680 00:38:35,920 --> 00:38:39,400 Speaker 1: a community of the obsessed. And no one cares about music, books, 681 00:38:39,440 --> 00:38:42,240 Speaker 1: records in the crime and grime that ties them all together, 682 00:38:42,280 --> 00:38:44,600 Speaker 1: like you do. And well that's a disgrace. 683 00:38:44,239 --> 00:38:44,600 Speaker 5: All right. 684 00:38:45,000 --> 00:38:48,960 Speaker 1: Joan Biez was arrested on December nineteenth, nineteen sixty seven, 685 00:38:49,040 --> 00:38:51,920 Speaker 1: and yere's what America was listening to on that day, 686 00:38:52,200 --> 00:38:58,319 Speaker 1: according to the Billboard Charts. Number one Daydream Believer The 687 00:38:58,400 --> 00:39:04,399 Speaker 1: Monkeys last week one weeks on chart six peak position one, 688 00:39:05,040 --> 00:39:08,480 Speaker 1: number two. I Heard It through the Grapevine. Gladys Knight 689 00:39:08,520 --> 00:39:12,640 Speaker 1: and the Pips last week two weeks on chart ten, 690 00:39:13,040 --> 00:39:19,240 Speaker 1: peak position two, number three, Hello Goodbye the Beatles last 691 00:39:19,239 --> 00:39:22,759 Speaker 1: week in the Miracles weeks on chart four weeks on 692 00:39:22,880 --> 00:39:28,000 Speaker 1: position number four. And my second last emotion last week 693 00:39:28,000 --> 00:39:32,080 Speaker 1: Smokey Robinson in the Miracles last week four last weeks 694 00:39:32,080 --> 00:39:38,040 Speaker 1: on chart eight numbers peak position number five. Woman Woman 695 00:39:38,520 --> 00:39:55,680 Speaker 1: Gary Pucket. Quit talking and start mixing