WEBVTT - #265 - Remembering Eddie Van Halen with Steve Gorman (Black Crowes/Trigger Hippy) + Alan Jackson Passed On Zac Brown Band’s ‘Chicken Fried’ + Kassi Ashton on Her New Song and Getting 3 Million Views on TikTok

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<v Speaker 1>Welcome to Episode Too six five. Here we go, we'll

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<v Speaker 1>talk about Eddie van Halen with Steve Gorman. Listen, I

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<v Speaker 1>needed to have a little Eddie van Halen lesson. I mean,

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<v Speaker 1>I know some van Halen songs. Here are the top

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<v Speaker 1>five streaming van Halen songs. And this is because Eddie

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<v Speaker 1>van Halen died this last week, and so Steve Gorman

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<v Speaker 1>is also on the Black Crows. Here you go. Number five,

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<v Speaker 1>ain't talking about love all right? Number four Hot for Teacher,

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<v Speaker 1>you know that one. I know that one too. Number

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<v Speaker 1>three Running with the Devil. Number two Panama. You know

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<v Speaker 1>this one, hey, Emma, get stuck in your head. And

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<v Speaker 1>then obviously the number one is massive. I think everybody

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<v Speaker 1>knows this jump, right, everybody knows that one, but van

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<v Speaker 1>Halen massive. But I just missed them in my life.

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<v Speaker 1>So this was an interesting interview coming up. The thing

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<v Speaker 1>about this Too jump was van Halen's one and only

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<v Speaker 1>number one. As big as massive as they are, it

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<v Speaker 1>was just harder to get a number one back then.

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<v Speaker 1>Just in general, their most famous song jump, which is

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<v Speaker 1>that number one streamer, took only one day to finish

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<v Speaker 1>and went to the top of the billboard. Hot one

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<v Speaker 1>hundred and got him a Grammy nomination. Eddie played the

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<v Speaker 1>guitar solo on Michael Jackson's Beat It, So if you

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<v Speaker 1>listen to that song, that's Eddie van Halen shredding on it.

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<v Speaker 1>Eddie also began on the drums. He couldn't read sheet music,

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<v Speaker 1>which is pretty crazy. Is to beat it right here.

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<v Speaker 1>And then he also had serious stage fright, which is

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<v Speaker 1>crazy because the guy played arena's massive places. It's always

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<v Speaker 1>crazy when you hear like the the White Stripes. She

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<v Speaker 1>apparently had so much stage fright that they couldn't even

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<v Speaker 1>play at times. It isn't that crazy to think about. So,

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<v Speaker 1>and also Alex and Eddie were the only two consistent members.

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<v Speaker 1>David Lee Roth was a singer. Michael Anthony was the

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<v Speaker 1>announced Sammy Hey Gar Gary Sharone, so that's crazy. And

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<v Speaker 1>they switched lead singers, which and we're as successful with

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<v Speaker 1>a different lead singer, which is nuts. So we'll talk

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<v Speaker 1>about that with Steve Gorman on the way my New

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<v Speaker 1>Music Top five this week, Here we go. Travis has

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<v Speaker 1>a new album coming out. I love Travis the Band,

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<v Speaker 1>and so I haven't heard it yet. I'm gonna listen

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<v Speaker 1>to it. Today. But you know, some of this is

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<v Speaker 1>stuff I haven't been able to spend time with, but

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<v Speaker 1>stuff that I look forward to as well. But Travis

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<v Speaker 1>has a new song out. But Travis has a new

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<v Speaker 1>But Travis has a new record out. You may know

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<v Speaker 1>Travis for Why does It Always rain on Me? Is

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<v Speaker 1>it because I lied when I was seventeen? Do you

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<v Speaker 1>know that song? You know? I've only heard him because

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<v Speaker 1>you talk about it, you know, sing sing sings, But

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<v Speaker 1>I love you bring They haven't had that song in

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<v Speaker 1>the office, unlike the first season when Jim puts his

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<v Speaker 1>earphone into Palm's ear and she's like, what are you

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<v Speaker 1>listening to? And it's Travis sing Anyway, Travis has a

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<v Speaker 1>new album out today. Um, Mike, you just played one

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<v Speaker 1>of their songs for me. Yeah, that's what's called Valentine.

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<v Speaker 1>Travis Denning has a new song out called good Years

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<v Speaker 1>that's at number four. Holling All Them good A CDC

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<v Speaker 1>announced they're releasing a new album called Power Up. It's

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<v Speaker 1>their first album in six years. They put out a

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<v Speaker 1>new song called shot in the Dark. Hey, speaking of

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<v Speaker 1>bands who change lead singers and think about that. But

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<v Speaker 1>they went from Bond Scott who died in the seventies.

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<v Speaker 1>He choked on his own vomit because you know he

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<v Speaker 1>was a big drinker, if I'm right about this, and

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<v Speaker 1>then they switched to Brian Johnson, who is the singer.

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<v Speaker 1>Now there's only been a few of those bands to

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<v Speaker 1>do that. A C d C did it. I'm not

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<v Speaker 1>looking at notes here, so um A C d C

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<v Speaker 1>did it. Obviously, Van Halen did it, and Genesis did it.

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<v Speaker 1>It was Peter Gabriel and then they went on a

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<v Speaker 1>search and they ended up hiring their drummer to do it.

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<v Speaker 1>To move forward, but just Phil Collins, which is insane.

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<v Speaker 1>Whole other topic. Cassie Ashton has a new song out

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<v Speaker 1>called Black Motorcycle. Here's a clip of that and she

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<v Speaker 1>will be on later to talk about that song. And

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<v Speaker 1>then Super Pumped Brother's Osborne have a new album out

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<v Speaker 1>called Skeletons Love These Guys. Here's a new song called

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<v Speaker 1>Lightning Up. Who'll keep because we'll be more new albums,

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<v Speaker 1>Blue Oyster, Colt Jackson, Brown, Dire Straits, The Doors, Dang,

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<v Speaker 1>a lot of old bands right there in a row.

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<v Speaker 1>It's like classic rock radio new album Wait, five Finger Death, Punch, Punch,

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<v Speaker 1>Lincoln Park's Hybrid Theory Anniversary Sad Day. He's got a

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<v Speaker 1>whole box set coming out. Do you know said slow song? Yeah,

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<v Speaker 1>it's my bubble bet song. Uh. In the Music News

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<v Speaker 1>before we get into some interviews, Johnny Nash, who had

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<v Speaker 1>I Can See Clearly Now, died at eighty years old.

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<v Speaker 1>Bright Bright, Bright, Sunshine Day. It's a jam. People still

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<v Speaker 1>know that song, hey, because of commercials or movies. But

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<v Speaker 1>I bet that song made him a bunch of money.

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<v Speaker 1>Machine Gun Kelly just earned his first number one album

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<v Speaker 1>and it was his rock album. Right. Did you like

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<v Speaker 1>this like? It's like right up my alley? It's pump punk? Huh?

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<v Speaker 1>Did he do some stuff with Blake one eighty two

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<v Speaker 1>for this? Travis Barker produced the whole thing and he

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<v Speaker 1>played drums on it. Did Little Wayne try to do

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<v Speaker 1>a punk thing? Like a rock punk thing too? It

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<v Speaker 1>was just more just straight up rock, but one very good.

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<v Speaker 1>It wasn't good. He tried to play guitar, and you

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<v Speaker 1>can't play a guitar? Can Machine Gun Kelly he played

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<v Speaker 1>with a guitar on it? No? I mean can he?

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<v Speaker 1>I know he made basic stuff, but nothing crazy. Coachella

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<v Speaker 1>might already postponed again for April one to next October.

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<v Speaker 1>They just keep kicking the can, which they should. So

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<v Speaker 1>if you're going to go to Coachella and then Dolly

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<v Speaker 1>Parton's Playboy cover for seventy birthday, is this happening yet?

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<v Speaker 1>Not yet? Okay? I knew they were talking about it,

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<v Speaker 1>I didn't know if they confirmed it. But and also

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<v Speaker 1>she wouldn't have to be naked on it. They wouldn't

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<v Speaker 1>want her naked. I don't think she was naked on

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<v Speaker 1>the original. I don't. I don't know. Maybe so naked stuff.

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<v Speaker 1>I have no idea. I don't even look next stuff

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<v Speaker 1>on the internet because I'm praying computer is gonna get

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<v Speaker 1>virus because like when Marion did it, she wasn't really naked.

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<v Speaker 1>Is it just kind of naked, kind of imagination naked

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<v Speaker 1>where you use your imagination because they're almost naked. I

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<v Speaker 1>guess so I think you just I don't know. All right,

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<v Speaker 1>there you that's the releases I'm looking forward to, and

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<v Speaker 1>the new music that is out there you go. That's

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<v Speaker 1>the releases I'm looking forward to, and some new music

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<v Speaker 1>news from this week. All right, thank you, guys, let's

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<v Speaker 1>get going. Joining me now is Steve Gorman, who was

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<v Speaker 1>the drummer and the Black Crows, who now plays with

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<v Speaker 1>Trigger Hippie. And before we talk about some of the

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<v Speaker 1>Black Crow stuff in your book, I saw your tweet Steven.

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<v Speaker 1>It was talking about Eddie van Halen, which is kind

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<v Speaker 1>of why I have you here. And you say there

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<v Speaker 1>will be many many words written and spoken about Eddie

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<v Speaker 1>van Halen over the next few days, weeks, months, and years.

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<v Speaker 1>Those millions of words will never come close to expressing

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<v Speaker 1>what he meant to rock music, what he meant to guitarists,

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<v Speaker 1>and what he meant to the guitar itself. That's a

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<v Speaker 1>pretty powerful statement, Mr Gorman. What did Eddie in remind

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<v Speaker 1>me to rock music? Well, I think it's it's pretty simple.

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<v Speaker 1>You can say that he and Jimmy Hendrix are the

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<v Speaker 1>two guys that truly and and only or the two

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<v Speaker 1>guys that moved the needle, you know, for the guitar itself.

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<v Speaker 1>I mean Hendrick came out of a blue space, uh

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<v Speaker 1>scene and took the playing and the tones he could

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<v Speaker 1>get to a new place. But that evan Halen really

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<v Speaker 1>almost came in from another country, another planet, I should

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<v Speaker 1>say another He's like an alien life for him. I

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<v Speaker 1>mean he was a virtue of sick player obviously, but

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<v Speaker 1>he he reinvented what what you could do with the guitar.

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<v Speaker 1>And the fact of the matter is this like Hendricks,

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<v Speaker 1>but even to a greater degree. Anybody that tries to

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<v Speaker 1>play like Eddie van Halen, it just sounds like a mime,

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<v Speaker 1>a mimic. They it's like Rich Little doing Johnny Carson. Okay, yeah,

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<v Speaker 1>that kind of sounds like him. But there's nothing nobody's

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<v Speaker 1>ever been able to do what Eddie van Halen did

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<v Speaker 1>and make it feel a certain way, you know what

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<v Speaker 1>I mean that he's just a and he was that

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<v Speaker 1>way at twenty two. I mean, this is this is

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<v Speaker 1>not a guy like It's not like David Blaine's magic

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<v Speaker 1>tricks where he gets bigger and better every year. He

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<v Speaker 1>started with card tricks that other people did first. Ed

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<v Speaker 1>evan Halen hit the ground running. With van Halen one

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<v Speaker 1>playing an instrument have been around for centuries, unlike anybody

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<v Speaker 1>else has ever done. I mean, he was on the

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<v Speaker 1>mount Rushmore of great guitar players at two years old,

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<v Speaker 1>and then and then he stuck around for another forty years,

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<v Speaker 1>still playing unlike anybody before or since. So I just

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<v Speaker 1>think that in terms of, you know, sheer unique mindset

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<v Speaker 1>and ambition combined with just great talent obviously, but but

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<v Speaker 1>also a phenomenal work ethic. I mean, he's just a

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<v Speaker 1>complete unicorn in every sense of the word. How would

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<v Speaker 1>you describe his guitar sound? And I say that I

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<v Speaker 1>know what I think of it, but I wasn't. I

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<v Speaker 1>just missed van Halen like I came around right as

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<v Speaker 1>you guys were blowing up, honestly, so that for me,

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<v Speaker 1>the van Halen was slightly classic rock, slightly old rock

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<v Speaker 1>to me as a nineties kid, so as someone because

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<v Speaker 1>you're just a few years older than I am. But

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<v Speaker 1>how would you describe his guitar sound of someone who

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<v Speaker 1>was in it and living it? In love in van Halen? Well,

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<v Speaker 1>I can tell this. I was thirteen years old the

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<v Speaker 1>first time I heard van Halen, and I remember it.

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<v Speaker 1>I remember where I was, I remember who I was with.

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<v Speaker 1>It was going home from school and Hopkinsville, Kentucky. You

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<v Speaker 1>really got me their Kinks, you know, like their cover

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<v Speaker 1>of the Kink song came on the radio and and

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<v Speaker 1>it was playing already, and I said, hey, Mom, turning

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<v Speaker 1>that up. It was me and my mom and my

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<v Speaker 1>friend Brook Lawton, the three of us in a car,

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<v Speaker 1>and she turned it up and I my first thought

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<v Speaker 1>was that must be like a live version of the

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<v Speaker 1>Kinks song. And I was thinking, like, they don't. They

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<v Speaker 1>don't rock that hard, do they. But when it hit

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<v Speaker 1>that solo, and then by the time the song ended,

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<v Speaker 1>I realized, well, that does that's not Ray Davy singing.

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<v Speaker 1>This is clearly a cover version, But what on earth

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<v Speaker 1>is this? And it was like making my the hair

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<v Speaker 1>on the back of my next stand up. This isn't

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<v Speaker 1>a time when I thought punk rock was the coolest

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<v Speaker 1>thing in the world. And the truth is Van Halen

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<v Speaker 1>was more punk than the Punks because they were truly

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<v Speaker 1>breaking down a bunch of barriers, if you will, or

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<v Speaker 1>they were going in their own sort of way. You know,

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<v Speaker 1>there hadn't been a band like Van Halen since Led

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<v Speaker 1>Zeppelin in terms of rock. Band hits the ground running

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<v Speaker 1>at full steam and it obliterates everything in their path

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<v Speaker 1>in a certain sense. And to me, Van Halen just sound.

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<v Speaker 1>It sounded like what California was in my head, you know.

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<v Speaker 1>As soon as I realized, as soon as I heard

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<v Speaker 1>about them there from l A. And as soon as

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<v Speaker 1>I saw David Lee Roth and then as soon as

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<v Speaker 1>I heard more than you know, the next thing I

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<v Speaker 1>heard was eruption, you know, the guitar solo. And you know,

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<v Speaker 1>hearing just two pieces of their first album and seeing

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<v Speaker 1>what they look like, it just it felt brand new

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<v Speaker 1>and it already felt like they're gonna be around forever.

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<v Speaker 1>You just knew from the jump. And this is me

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<v Speaker 1>as a thirteen year old kid who was obsessed with music.

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<v Speaker 1>This band is one of the all timers. Like, there's

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<v Speaker 1>nothing like this, and they all have the chops and

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<v Speaker 1>the other thing too. As long as I'm just rambling incessantly,

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<v Speaker 1>Heny van Halen is a great rhythm player. It wasn't

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<v Speaker 1>just about the solos. He led the band rhythmically. And

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<v Speaker 1>he's also it needs to be noted, not that it's

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<v Speaker 1>not obvious. He's a hell of a songwriter. I mean

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<v Speaker 1>he really was. As I said before, he's a true unicorn.

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<v Speaker 1>I mean, just just nothing like it. What does this

0:12:17.240 --> 0:12:23.520
<v Speaker 1>sound like to you? It sounds frequent and right in

0:12:24.040 --> 0:12:26.040
<v Speaker 1>like righting the zone you know when you're when you're

0:12:26.040 --> 0:12:28.160
<v Speaker 1>playing something that you're in the same key that's one thing.

0:12:28.160 --> 0:12:30.160
<v Speaker 1>Because I listen, I play a little bit. I don't

0:12:30.240 --> 0:12:32.000
<v Speaker 1>play even as good as my friends who are real

0:12:32.040 --> 0:12:37.200
<v Speaker 1>life musicians, but it's perfect frequency and and not frequency

0:12:37.280 --> 0:12:39.520
<v Speaker 1>is in the tone or the but as much because

0:12:39.520 --> 0:12:41.720
<v Speaker 1>it's a lot. I mean, Brad Paisley plays, I know

0:12:41.720 --> 0:12:43.760
<v Speaker 1>it's Brad Paisley because I hear the chicken picking. I

0:12:43.800 --> 0:12:46.680
<v Speaker 1>hear he has a very distinct sound. And again I

0:12:46.720 --> 0:12:48.960
<v Speaker 1>didn't catch van Halen as it was kind of happening

0:12:48.960 --> 0:12:51.800
<v Speaker 1>in my childhood. But when I hear a van Halen song,

0:12:51.840 --> 0:12:53.480
<v Speaker 1>even if I it's I don't know who it is.

0:12:53.520 --> 0:12:55.720
<v Speaker 1>If I just hear the guitar part, I hear the

0:12:55.800 --> 0:12:59.920
<v Speaker 1>Eddie van Halen because I how fast he shreds. By

0:13:00.400 --> 0:13:03.199
<v Speaker 1>the pattern that he does it, you can just tell

0:13:03.320 --> 0:13:07.320
<v Speaker 1>by by by his fingers and it's kind of again

0:13:07.360 --> 0:13:09.520
<v Speaker 1>it's hard to explain when you ask about music, but

0:13:10.000 --> 0:13:12.959
<v Speaker 1>that's what I think about. And I try to always

0:13:12.960 --> 0:13:15.680
<v Speaker 1>try to, uh prepare analogies. And most of the people

0:13:15.760 --> 0:13:19.720
<v Speaker 1>listen to this podcast here between twenty two to forty,

0:13:19.840 --> 0:13:23.280
<v Speaker 1>and if you were to make an analogy to another band,

0:13:23.320 --> 0:13:26.280
<v Speaker 1>it's gonna be tough, because listen van Halen was massive,

0:13:26.360 --> 0:13:31.360
<v Speaker 1>But who later on had the kind of um impact

0:13:31.880 --> 0:13:37.280
<v Speaker 1>or reflected the mass listening that van Halen had well,

0:13:37.400 --> 0:13:41.800
<v Speaker 1>and just what what band can we look at now

0:13:41.960 --> 0:13:43.800
<v Speaker 1>or in the last ten years and see, Okay, well,

0:13:43.840 --> 0:13:45.560
<v Speaker 1>that's how big van Halen was to the people that

0:13:45.600 --> 0:13:50.400
<v Speaker 1>were the kids in the eighties. Well, van Halen hit

0:13:50.400 --> 0:13:52.600
<v Speaker 1>in the late seventies. Ten years later he had Guns

0:13:52.600 --> 0:13:56.040
<v Speaker 1>and Roses. Six years after that, you had Nirvana and

0:13:56.120 --> 0:13:58.800
<v Speaker 1>Pearl Jam. As far as what it is in the

0:13:58.920 --> 0:14:03.120
<v Speaker 1>two thousands, honestly, I wouldn't know. I I haven't. I

0:14:03.160 --> 0:14:06.360
<v Speaker 1>haven't seen any young band that to me have have

0:14:06.360 --> 0:14:09.760
<v Speaker 1>have broken new ground or gone anywhere with playing. The

0:14:09.800 --> 0:14:12.360
<v Speaker 1>other thing about Eddie van Halen you gotta recognize is,

0:14:12.880 --> 0:14:15.640
<v Speaker 1>you know, that's the that's the beginning of the end

0:14:15.679 --> 0:14:19.119
<v Speaker 1>of music being played with human hands on wooden instruments.

0:14:19.240 --> 0:14:21.840
<v Speaker 1>I mean, as a general rule, there's still great rock

0:14:21.880 --> 0:14:23.760
<v Speaker 1>and roll music being made today, but for the last

0:14:23.800 --> 0:14:28.000
<v Speaker 1>twenty thirty years, electronic music has has lived side by side.

0:14:28.720 --> 0:14:32.720
<v Speaker 1>Um you know, computer generated beat driven music has lived

0:14:32.760 --> 0:14:35.040
<v Speaker 1>side by side with rock and rolling in fact overtaken it.

0:14:35.120 --> 0:14:38.560
<v Speaker 1>So when Eddie van Halen broke through, that was still

0:14:38.600 --> 0:14:42.320
<v Speaker 1>just what everybody did. They played instruments, and he's the

0:14:42.360 --> 0:14:44.680
<v Speaker 1>guy showed up. You know what is it the mountain?

0:14:44.720 --> 0:14:46.920
<v Speaker 1>Gladwell says, you need ten thousand hours to be great

0:14:46.960 --> 0:14:50.000
<v Speaker 1>at something. He showed up like a hundred thousand hours.

0:14:50.200 --> 0:14:53.200
<v Speaker 1>And and there hasn't been a musician in the world

0:14:53.200 --> 0:14:57.520
<v Speaker 1>of rock music in the last thirty I can't think

0:14:57.560 --> 0:15:01.320
<v Speaker 1>of a single person you say, set the higher genre

0:15:01.400 --> 0:15:04.560
<v Speaker 1>on it here. I mean Eddie van Halen literally did that.

0:15:04.720 --> 0:15:08.880
<v Speaker 1>He he obliterated what it meant to be a great

0:15:08.880 --> 0:15:11.400
<v Speaker 1>guitar player. For a few years. It really set off

0:15:11.400 --> 0:15:14.560
<v Speaker 1>the equilibrium of the music industry. I mean, he's he's

0:15:14.720 --> 0:15:18.280
<v Speaker 1>he was a genuine earthquake, much the same way ten

0:15:18.360 --> 0:15:20.880
<v Speaker 1>years earlier Jimi Hendricks had been. And that's the only

0:15:20.920 --> 0:15:22.520
<v Speaker 1>two that come to mind that you could say had

0:15:22.560 --> 0:15:25.640
<v Speaker 1>that kind of impact. I heard somebody else today say that,

0:15:26.240 --> 0:15:30.120
<v Speaker 1>you know, the two greatest, most significant chiefs the technology

0:15:30.160 --> 0:15:31.920
<v Speaker 1>in the second half of the twenty century, where the

0:15:31.960 --> 0:15:34.920
<v Speaker 1>electric guitar and the television. And as soon as the

0:15:35.000 --> 0:15:37.200
<v Speaker 1>Jump video hit hit the airways, all of a sudden,

0:15:37.240 --> 0:15:39.920
<v Speaker 1>Eddie van Halen was in control of both. You know,

0:15:40.000 --> 0:15:41.960
<v Speaker 1>when you take a gally that and put him on

0:15:42.120 --> 0:15:45.600
<v Speaker 1>MTV in those videos. Man, forget it. There was just

0:15:45.680 --> 0:15:47.680
<v Speaker 1>nobody that could They could touch him and come close

0:15:47.760 --> 0:15:51.160
<v Speaker 1>and listen. I'm a drummer. And you mentioned Brad Paisley.

0:15:51.560 --> 0:15:53.800
<v Speaker 1>Pasked Brad Paisley with Eddie van Halen and a lot

0:15:53.880 --> 0:15:57.080
<v Speaker 1>of the great country players of today, Keith Urban and

0:15:57.480 --> 0:16:00.360
<v Speaker 1>all sorts of players. They grew up listening to Van

0:16:00.360 --> 0:16:03.000
<v Speaker 1>Halen records. You know, there's there's not as big a

0:16:03.080 --> 0:16:04.880
<v Speaker 1>landscape for a guy to play a guitar and get

0:16:04.880 --> 0:16:07.240
<v Speaker 1>a paycheck in in the world of rock music as

0:16:07.280 --> 0:16:09.080
<v Speaker 1>there is in country music. And there's a lot of

0:16:09.600 --> 0:16:11.840
<v Speaker 1>a lot of guys who were making a lot of

0:16:11.840 --> 0:16:13.920
<v Speaker 1>money playing guitar and country music right now. I grew

0:16:14.000 --> 0:16:16.960
<v Speaker 1>up listening to rock records first, and and of all

0:16:17.000 --> 0:16:19.400
<v Speaker 1>those guys that he was always he was always the guy.

0:16:19.440 --> 0:16:21.800
<v Speaker 1>He's always been the gold standard. Don't have a chance

0:16:21.880 --> 0:16:24.000
<v Speaker 1>to meet Eddie or any of the guys of an Halen.

0:16:24.920 --> 0:16:27.800
<v Speaker 1>I met David Lee Roth several times, but he's the

0:16:27.840 --> 0:16:31.600
<v Speaker 1>only the Pete Angelis who managed the Black Crows. He

0:16:31.720 --> 0:16:35.320
<v Speaker 1>started with Van Halen as their creative director from before

0:16:35.320 --> 0:16:38.160
<v Speaker 1>they had a record deal. He was. He directed all

0:16:38.200 --> 0:16:42.120
<v Speaker 1>their videos, he designed all their lights, he played a

0:16:42.160 --> 0:16:46.040
<v Speaker 1>big part in their stage for Soon. He was, creatively speaking,

0:16:46.120 --> 0:16:50.000
<v Speaker 1>very much a member of that organization and and in

0:16:50.080 --> 0:16:53.840
<v Speaker 1>the David Lee Roth era. You know, was was thought

0:16:53.880 --> 0:16:55.680
<v Speaker 1>of by a lot of people as the fifth member

0:16:55.680 --> 0:16:57.680
<v Speaker 1>of Van Halen. So I know an awful lot about

0:16:57.680 --> 0:17:00.400
<v Speaker 1>that story through Pete. I met Dave in the early

0:17:00.480 --> 0:17:03.720
<v Speaker 1>nineties several times. But I know, I I know a

0:17:03.800 --> 0:17:06.160
<v Speaker 1>lot of people who've worked with Van Halen over the years.

0:17:06.200 --> 0:17:09.160
<v Speaker 1>I mean, I've heard enough stories and here enough things

0:17:09.200 --> 0:17:14.600
<v Speaker 1>to have a fairly consistent sense of of Eddie's work ethic,

0:17:15.760 --> 0:17:18.080
<v Speaker 1>uh and of all the things that motivated him and

0:17:18.160 --> 0:17:20.800
<v Speaker 1>drove him to be what he was. You know, the

0:17:20.840 --> 0:17:23.760
<v Speaker 1>Black Crows were, and I've told you this into your

0:17:23.800 --> 0:17:26.959
<v Speaker 1>face as well. Black Crows to me were instrumental in

0:17:27.000 --> 0:17:31.520
<v Speaker 1>my just music upbringing. And you know, it was the

0:17:31.800 --> 0:17:34.320
<v Speaker 1>bands that you mentioned, which were the grunge bands, but

0:17:34.359 --> 0:17:37.240
<v Speaker 1>the Black Crows felt a little bit like it was

0:17:37.560 --> 0:17:41.199
<v Speaker 1>like dirty rock in the South a little bit. It

0:17:41.280 --> 0:17:43.639
<v Speaker 1>was kind of a bit of what it felt like

0:17:43.640 --> 0:17:45.200
<v Speaker 1>to me is you're trying to describe music and stuff,

0:17:45.200 --> 0:17:46.760
<v Speaker 1>but that's what the Black Crows felt like around that

0:17:46.840 --> 0:17:48.640
<v Speaker 1>same time where I was like, man, I kind of

0:17:49.000 --> 0:17:52.280
<v Speaker 1>actually identify with this rock music a little more. And

0:17:52.280 --> 0:17:54.560
<v Speaker 1>then you know, as you grow up and you start

0:17:54.640 --> 0:17:56.320
<v Speaker 1>to look back and listen to the music, and you

0:17:56.359 --> 0:17:58.479
<v Speaker 1>put out a book I Gotta and I and I

0:17:58.520 --> 0:18:00.320
<v Speaker 1>was looking through the book when you put it out.

0:18:01.240 --> 0:18:03.879
<v Speaker 1>How much crap did you get into for sharing some

0:18:03.960 --> 0:18:08.520
<v Speaker 1>of those stories with the about those guys? Uh? None,

0:18:08.680 --> 0:18:11.240
<v Speaker 1>who's gonna mess with me? Did they anyone reach out

0:18:11.240 --> 0:18:13.280
<v Speaker 1>to you privately go like, come on, dude, wh are

0:18:13.280 --> 0:18:17.600
<v Speaker 1>you gonna be a douche? No? Oh no, There's only

0:18:17.640 --> 0:18:20.320
<v Speaker 1>two people that would probably be offended with anything I wrote.

0:18:20.359 --> 0:18:22.200
<v Speaker 1>The problem with my book is that it felt true.

0:18:22.800 --> 0:18:25.600
<v Speaker 1>So if anybody's gonna say anything to me, especially the

0:18:25.640 --> 0:18:28.960
<v Speaker 1>to the two people that you're referring to, my former partners,

0:18:28.960 --> 0:18:33.240
<v Speaker 1>the brothers Robinson, they've spent their lives uh, spitting out

0:18:33.400 --> 0:18:35.119
<v Speaker 1>as much as they couldn't have thought they could that

0:18:35.240 --> 0:18:38.320
<v Speaker 1>we're honest, We're honest, we're honest. So it's kind of

0:18:38.359 --> 0:18:42.040
<v Speaker 1>hard to build a you know, a reputation on I

0:18:42.520 --> 0:18:44.479
<v Speaker 1>call it like I see it. And then when somebody

0:18:44.520 --> 0:18:46.320
<v Speaker 1>does the same thing, you have a problem with it.

0:18:46.920 --> 0:18:48.639
<v Speaker 1>So I've not heard a word from either one, and

0:18:48.680 --> 0:18:51.000
<v Speaker 1>I can't imagine I ever will the book. You gotta

0:18:51.080 --> 0:18:53.359
<v Speaker 1>check it out. It's called Hard to Handle. The Life

0:18:53.400 --> 0:18:56.400
<v Speaker 1>and Death of the Black Crows's memoir came out May

0:18:56.480 --> 0:18:58.880
<v Speaker 1>of this year, so it came out during the pandemic,

0:18:58.920 --> 0:19:01.280
<v Speaker 1>which the paper the paper back came out, and yeah,

0:19:01.800 --> 0:19:03.879
<v Speaker 1>it's been out for over years in hard book the

0:19:04.280 --> 0:19:06.560
<v Speaker 1>paper but you couldn't you couldn't like do a new

0:19:06.600 --> 0:19:08.479
<v Speaker 1>book tour on it. When I did my paper you know,

0:19:08.640 --> 0:19:12.240
<v Speaker 1>my books paperback was like a whole new level because

0:19:12.280 --> 0:19:14.480
<v Speaker 1>it was distributed. It was a little cheaper to distribute,

0:19:14.560 --> 0:19:16.720
<v Speaker 1>so they put more out. You got to do press again.

0:19:16.720 --> 0:19:18.280
<v Speaker 1>But because the pandemic, I felt like you kind of

0:19:18.280 --> 0:19:20.520
<v Speaker 1>missed out on that. You feel that way, Well, I

0:19:20.560 --> 0:19:22.240
<v Speaker 1>got I did. I mean I did it. I had

0:19:22.240 --> 0:19:25.800
<v Speaker 1>a decent run. I mean from September through I guess

0:19:25.840 --> 0:19:28.239
<v Speaker 1>the last event I did was in February, so you know,

0:19:28.320 --> 0:19:31.600
<v Speaker 1>I mean I did a around twenty book events. It

0:19:31.680 --> 0:19:34.359
<v Speaker 1>certainly would have been the problem for me as it

0:19:34.400 --> 0:19:37.760
<v Speaker 1>turned out, I said, it's a problem. I had just

0:19:37.800 --> 0:19:40.280
<v Speaker 1>started my new radio show at the same right around

0:19:40.320 --> 0:19:42.439
<v Speaker 1>the same time, and it wasn't as easy for me

0:19:42.480 --> 0:19:45.359
<v Speaker 1>to just jump and hit the circuit right away, you know,

0:19:45.480 --> 0:19:49.040
<v Speaker 1>just come flying out of the gate. So, uh, it

0:19:49.080 --> 0:19:51.480
<v Speaker 1>wasn't as coordinated as as it could have been, I guess.

0:19:51.520 --> 0:19:53.720
<v Speaker 1>But you know, the book has legs, like any book

0:19:53.800 --> 0:19:56.400
<v Speaker 1>for people they care about the band, it's always gonna

0:19:56.400 --> 0:19:59.600
<v Speaker 1>be there, and uh, you know that's it is it

0:19:59.760 --> 0:20:03.080
<v Speaker 1>we to every night, travel play, be super close of

0:20:03.119 --> 0:20:07.000
<v Speaker 1>folks when you absolutely cannot stand them. No, you learn

0:20:07.040 --> 0:20:10.359
<v Speaker 1>how to compartmentalize that compartmentalize that stuff really early, you know,

0:20:10.560 --> 0:20:14.520
<v Speaker 1>actually looking back, I mean, but but it didn't start

0:20:14.600 --> 0:20:17.320
<v Speaker 1>where we couldn't stand each other. The band started thickest feeds,

0:20:17.400 --> 0:20:19.600
<v Speaker 1>you know what I mean. It was like we were

0:20:20.600 --> 0:20:23.280
<v Speaker 1>kids who agreed on a dream and we put everything

0:20:23.280 --> 0:20:26.360
<v Speaker 1>we had behind it. And it takes years before anyone's

0:20:26.400 --> 0:20:28.200
<v Speaker 1>willing to stick their head up out of the sand

0:20:28.200 --> 0:20:30.200
<v Speaker 1>and go, hey, I think I'm kind of miserable, or

0:20:30.320 --> 0:20:32.879
<v Speaker 1>I think I don't trust you anymore. It's a long

0:20:33.080 --> 0:20:35.920
<v Speaker 1>long time before, at least it wasn't on the case

0:20:35.960 --> 0:20:39.280
<v Speaker 1>of the Black Crows, before we all felt comfortable saying

0:20:39.320 --> 0:20:42.440
<v Speaker 1>those things or even admitting them to ourselves is really

0:20:42.440 --> 0:20:45.680
<v Speaker 1>the first step. Um. You know, there's an awful lot

0:20:45.720 --> 0:20:47.240
<v Speaker 1>of there's a lot of love, and there's a lot

0:20:47.240 --> 0:20:50.360
<v Speaker 1>of betrayal, and there's a lot of fear and loathing

0:20:50.359 --> 0:20:53.479
<v Speaker 1>and insecurity and arrogance and all those sort of things

0:20:53.520 --> 0:20:56.560
<v Speaker 1>just on kind of hyper drive in a band like ours.

0:20:56.680 --> 0:21:00.399
<v Speaker 1>And so by the time you were able to admit

0:21:00.440 --> 0:21:03.119
<v Speaker 1>to yourself this isn't what I was hoping for, you

0:21:03.280 --> 0:21:05.920
<v Speaker 1>figured out how to play and just about any circumstance,

0:21:05.920 --> 0:21:08.560
<v Speaker 1>in any situation, and if the band is still good,

0:21:09.080 --> 0:21:11.600
<v Speaker 1>then you tell yourself, well, hey man, you know, look

0:21:11.640 --> 0:21:13.080
<v Speaker 1>at what we just did on stage for two and

0:21:13.080 --> 0:21:15.760
<v Speaker 1>a half hours. It's worth it, you know, whatever else

0:21:15.880 --> 0:21:17.320
<v Speaker 1>is going on, it's worth it to be in a

0:21:17.320 --> 0:21:20.080
<v Speaker 1>band like this. Do you guys have any bands that

0:21:20.119 --> 0:21:22.640
<v Speaker 1>you hated like that you saw playing and not because

0:21:22.680 --> 0:21:25.119
<v Speaker 1>they weren't good, but because just as people, you were like,

0:21:25.160 --> 0:21:26.800
<v Speaker 1>they're not for us and we don't want to be

0:21:26.840 --> 0:21:29.800
<v Speaker 1>friends with them. Yeah. Oh well, well my band was

0:21:29.840 --> 0:21:32.000
<v Speaker 1>the worst at having a long list of bands we

0:21:32.000 --> 0:21:35.240
<v Speaker 1>didn't get along with. I mean, I'm a pretty agreeable dude.

0:21:35.280 --> 0:21:37.520
<v Speaker 1>I get along with just about anybody, but my partners

0:21:37.520 --> 0:21:40.639
<v Speaker 1>weren't that way, and as a band, our reputation was

0:21:40.680 --> 0:21:43.880
<v Speaker 1>definitely a bit stand office. I mean, we either It's

0:21:43.920 --> 0:21:46.320
<v Speaker 1>like the mindset of the Black Crows was we either

0:21:46.400 --> 0:21:48.359
<v Speaker 1>love you or we have no time for you. Not

0:21:48.400 --> 0:21:51.280
<v Speaker 1>necessarily hated you, but you know, if if we didn't

0:21:51.280 --> 0:21:53.240
<v Speaker 1>embrace what you did, it was kind of like, yeah,

0:21:53.280 --> 0:21:56.879
<v Speaker 1>whatever I mean. Um, you know, there there were there

0:21:56.880 --> 0:21:59.000
<v Speaker 1>were some amusing things over the years. I'm trying to

0:21:59.000 --> 0:22:01.480
<v Speaker 1>think if there was. When Shaking money Maker came out,

0:22:01.520 --> 0:22:04.199
<v Speaker 1>we got lumped in with Slaughter and skid Row and

0:22:04.240 --> 0:22:06.119
<v Speaker 1>a lot of bands that we had no regard for,

0:22:06.200 --> 0:22:09.760
<v Speaker 1>and we did cross paths with those guys sometimes, and

0:22:10.720 --> 0:22:13.720
<v Speaker 1>we were, for better or worse, one of the few

0:22:13.760 --> 0:22:17.720
<v Speaker 1>bands who would actually look at some other band and go, dude,

0:22:17.720 --> 0:22:19.040
<v Speaker 1>I don't want to talk to you, I don't like

0:22:19.080 --> 0:22:22.000
<v Speaker 1>your music. I think you're a clown. Just just leaves.

0:22:22.080 --> 0:22:23.880
<v Speaker 1>This isn't gonna be good for you. You know, we

0:22:23.880 --> 0:22:27.080
<v Speaker 1>we we actually acted like that to other bands in

0:22:27.119 --> 0:22:30.000
<v Speaker 1>the early days. Um, it was kind of funny to

0:22:30.080 --> 0:22:31.800
<v Speaker 1>us too. You know, we all grew up watching Bill

0:22:31.880 --> 0:22:33.679
<v Speaker 1>Murray movies. We were all just trying to be like

0:22:33.720 --> 0:22:35.840
<v Speaker 1>that guy in stripes, but in a rock band on

0:22:35.920 --> 0:22:39.320
<v Speaker 1>a certain sense. But then you know, it's weird to

0:22:39.320 --> 0:22:41.159
<v Speaker 1>open up a magazine and see a band that you

0:22:41.200 --> 0:22:43.720
<v Speaker 1>can't stand right next to you. And like, back in

0:22:43.720 --> 0:22:45.840
<v Speaker 1>those days, you'd see rock mags and it would be

0:22:46.240 --> 0:22:50.680
<v Speaker 1>readers pull our two favorite bands, Warrant and the Black Crows,

0:22:50.760 --> 0:22:55.159
<v Speaker 1>and we'd be like, what were weaz with Warrant? You know,

0:22:55.160 --> 0:22:57.760
<v Speaker 1>And I look back now and I don't care about Warrant.

0:22:57.920 --> 0:23:00.000
<v Speaker 1>I wish those guys well, I don't care about any

0:23:00.040 --> 0:23:04.040
<v Speaker 1>these fans. But when you're three and you get your

0:23:04.040 --> 0:23:06.080
<v Speaker 1>first shot at it, man, you take everything a little

0:23:06.080 --> 0:23:07.960
<v Speaker 1>too seriously, or at least we did. You know a

0:23:08.000 --> 0:23:10.840
<v Speaker 1>lot of my buds who are artists now and mostly

0:23:11.200 --> 0:23:13.200
<v Speaker 1>a few years ago before they started to settle down.

0:23:13.600 --> 0:23:17.360
<v Speaker 1>But people would girls would reach out to them through

0:23:17.400 --> 0:23:19.760
<v Speaker 1>direct message on Instagram and so then that's how they

0:23:19.760 --> 0:23:21.920
<v Speaker 1>would link up. That's how they would meet later and

0:23:21.960 --> 0:23:24.840
<v Speaker 1>they would do whatever they do later on. How back

0:23:24.880 --> 0:23:28.600
<v Speaker 1>in the nineties would you guys meet the chicks that

0:23:28.720 --> 0:23:33.200
<v Speaker 1>you would hang out with each Sydney. You know, this

0:23:33.280 --> 0:23:36.720
<v Speaker 1>is the sad truth about the Black Crows. Um that

0:23:36.840 --> 0:23:39.959
<v Speaker 1>was hardly a priority for us as a band. Um,

0:23:40.000 --> 0:23:43.080
<v Speaker 1>you know, for me, I mean I've been with the

0:23:43.119 --> 0:23:46.640
<v Speaker 1>same moment since the end of I'm you know, I'm

0:23:46.760 --> 0:23:53.240
<v Speaker 1>thirty years last month in a monogamous relationship. So but

0:23:53.240 --> 0:23:55.280
<v Speaker 1>but you know, if if I have to think back

0:23:55.280 --> 0:23:57.679
<v Speaker 1>to before that, when we were on the road, it

0:23:57.760 --> 0:23:59.440
<v Speaker 1>was just like it was when you're a local band.

0:23:59.480 --> 0:24:01.440
<v Speaker 1>You just show up and meet somebody in the town

0:24:01.960 --> 0:24:04.720
<v Speaker 1>and move on. It wasn't a question of there was

0:24:04.760 --> 0:24:09.160
<v Speaker 1>no thought to uh. I know, bands that that that

0:24:09.240 --> 0:24:12.159
<v Speaker 1>was sort of their raisin day after, you know, like

0:24:12.200 --> 0:24:13.720
<v Speaker 1>they hit the road and it was just a matter

0:24:13.760 --> 0:24:16.800
<v Speaker 1>of surround themselves with women at all times. The truth

0:24:16.960 --> 0:24:19.080
<v Speaker 1>is just you know, of all the things about the

0:24:19.080 --> 0:24:21.320
<v Speaker 1>Black Crows that made no sense, one thing that made

0:24:21.320 --> 0:24:23.440
<v Speaker 1>a lot of sense was we were obsessed with being

0:24:24.040 --> 0:24:26.400
<v Speaker 1>a great live band. And we got on the bus

0:24:26.440 --> 0:24:28.840
<v Speaker 1>at the end of the night and everybody was drinking

0:24:28.840 --> 0:24:31.560
<v Speaker 1>and everybody was smoking weed in the early days before

0:24:31.600 --> 0:24:34.880
<v Speaker 1>harder drugs moved into the scene. But we were listening

0:24:34.880 --> 0:24:37.680
<v Speaker 1>to live bootlegs instead of partying in the dressing room

0:24:37.720 --> 0:24:40.760
<v Speaker 1>with girls. We were literally we would record our shows

0:24:40.800 --> 0:24:44.120
<v Speaker 1>and listen back that night and and talk about where

0:24:44.160 --> 0:24:47.360
<v Speaker 1>a jam could have gone farther, or where we went

0:24:47.440 --> 0:24:49.359
<v Speaker 1>too far, or how do how do we get the

0:24:49.440 --> 0:24:54.360
<v Speaker 1>rhythm section to carry this interim section between these two songs.

0:24:54.440 --> 0:24:57.119
<v Speaker 1>I mean, we were we were obsessed with that in

0:24:57.119 --> 0:24:59.040
<v Speaker 1>the earliest days. And I think a lot of bands

0:24:59.040 --> 0:25:02.200
<v Speaker 1>at the road and they're already sort of fully formed.

0:25:02.359 --> 0:25:04.280
<v Speaker 1>We we were making it up as we went. Like

0:25:04.320 --> 0:25:06.359
<v Speaker 1>our first album came out, we hit the road in

0:25:06.400 --> 0:25:08.840
<v Speaker 1>support of it, and we've never played more than four

0:25:08.920 --> 0:25:10.679
<v Speaker 1>nights in a row in our life. And suddenly we

0:25:10.680 --> 0:25:13.960
<v Speaker 1>went on tour for twenty months. We had never toured before.

0:25:14.680 --> 0:25:16.800
<v Speaker 1>We already had a song on the rock charts before

0:25:16.840 --> 0:25:19.600
<v Speaker 1>we'd ever toured, so we felt like we had a lot.

0:25:19.760 --> 0:25:21.399
<v Speaker 1>We had to make up a lot of ground. You know,

0:25:21.440 --> 0:25:23.960
<v Speaker 1>we were we were coming from behind from the jump,

0:25:24.720 --> 0:25:28.680
<v Speaker 1>and you know, individually, I'm sure members of the band

0:25:28.720 --> 0:25:31.639
<v Speaker 1>were doing whatever they could with women, but as a

0:25:31.720 --> 0:25:35.440
<v Speaker 1>band scene, we never had a groupie vibe ever. There

0:25:35.480 --> 0:25:38.119
<v Speaker 1>was never The word on the street was never the

0:25:38.160 --> 0:25:40.119
<v Speaker 1>black crows are looking for women. It was always the

0:25:40.160 --> 0:25:43.480
<v Speaker 1>black crowsters looking for drugs, if anything. And two more

0:25:43.480 --> 0:25:45.280
<v Speaker 1>things to talk to you about. The first thing is

0:25:46.040 --> 0:25:48.000
<v Speaker 1>in the heyday, when you guys are just knocking them out.

0:25:48.600 --> 0:25:52.359
<v Speaker 1>Who is the most famous fan that came up to you? Guys?

0:25:52.359 --> 0:25:54.080
<v Speaker 1>I was like, I'm just such a die hard fan.

0:25:54.200 --> 0:25:56.920
<v Speaker 1>We're like, holy crap, that's that's crazy because you're awesome.

0:25:58.520 --> 0:26:00.359
<v Speaker 1>That's a good question. We had a lot of app leats.

0:26:00.400 --> 0:26:02.080
<v Speaker 1>There was a lot of pro athletes, you know, a

0:26:02.119 --> 0:26:05.120
<v Speaker 1>lot of dudes just you know, football players and basketball players.

0:26:05.720 --> 0:26:08.680
<v Speaker 1>Um as far as like you know, a movie star

0:26:09.080 --> 0:26:11.639
<v Speaker 1>or man. I'm trying to think, I mean, because the

0:26:11.680 --> 0:26:14.399
<v Speaker 1>ones we were most impressed with were just other musicians.

0:26:14.440 --> 0:26:17.120
<v Speaker 1>Like the first time we met Malcolm and Angus Young

0:26:17.119 --> 0:26:18.840
<v Speaker 1>of a C d C. They were like, just a

0:26:18.880 --> 0:26:21.479
<v Speaker 1>proper band. You guys are great, we love your record.

0:26:21.920 --> 0:26:26.240
<v Speaker 1>I mean that meant more than that's way bigger Julia

0:26:26.320 --> 0:26:29.879
<v Speaker 1>Roberts coming up to you, or David Duchovny from the

0:26:30.040 --> 0:26:31.879
<v Speaker 1>X Files or I'm just trying to think of people

0:26:31.880 --> 0:26:35.000
<v Speaker 1>that we cost. You know, it's nice, but we really

0:26:35.040 --> 0:26:36.679
<v Speaker 1>were the band that, like, you know, we opened for

0:26:36.760 --> 0:26:40.399
<v Speaker 1>Robert Plant on our first tour for six weeks and

0:26:40.520 --> 0:26:43.000
<v Speaker 1>the first show was at Red Rocks and he burst

0:26:43.040 --> 0:26:46.240
<v Speaker 1>into our dressing room to go, hey, guys, I'm so

0:26:46.359 --> 0:26:48.520
<v Speaker 1>glad you're here. I love the record, and I mean,

0:26:48.520 --> 0:26:51.479
<v Speaker 1>there's no coming. There's nothing better than that, literally, nothing

0:26:51.600 --> 0:26:55.000
<v Speaker 1>like Robert Plant knows our name. What kind of weird

0:26:55.080 --> 0:26:57.560
<v Speaker 1>world are we in all of a sudden, so famous

0:26:57.600 --> 0:26:59.920
<v Speaker 1>person that wasn't in the music would have been a

0:27:00.119 --> 0:27:02.680
<v Speaker 1>long you know, way way back in second place behind

0:27:02.680 --> 0:27:04.840
<v Speaker 1>those kind of things. Well, and I want to end

0:27:04.840 --> 0:27:07.080
<v Speaker 1>on this because we started talking about Eddie van Halen

0:27:07.119 --> 0:27:09.480
<v Speaker 1>where you know, Eddie and his brother were the two

0:27:09.520 --> 0:27:13.080
<v Speaker 1>constants in van Halen the band. They switched out lead singers,

0:27:13.119 --> 0:27:16.679
<v Speaker 1>you know, two wildly successful another you know, when the

0:27:16.680 --> 0:27:19.159
<v Speaker 1>gay from Extreme came over not so much. But I

0:27:19.200 --> 0:27:21.119
<v Speaker 1>think you know that band had kind of aged a

0:27:21.119 --> 0:27:22.520
<v Speaker 1>bit as well. So I don't know that it was

0:27:22.560 --> 0:27:25.760
<v Speaker 1>his fault exactly, but if and you can speak on

0:27:25.800 --> 0:27:29.200
<v Speaker 1>the power of Eddie and his brother and and and

0:27:29.240 --> 0:27:30.919
<v Speaker 1>then being the force of that band. But but to

0:27:30.920 --> 0:27:33.080
<v Speaker 1>start it off with this, you know, could the Black

0:27:33.119 --> 0:27:36.960
<v Speaker 1>Crows have switched lead singers and and continue to move

0:27:37.000 --> 0:27:42.840
<v Speaker 1>on um? And how hard is that to do? Uh? Well, well,

0:27:43.040 --> 0:27:45.159
<v Speaker 1>I mean yes, the Black Crows could have switched out

0:27:45.200 --> 0:27:48.679
<v Speaker 1>Chris Robinson at some point and still managed to find career,

0:27:48.960 --> 0:27:54.120
<v Speaker 1>if that's what we were concerned with, maintaining a career. Yeah,

0:27:54.160 --> 0:27:55.879
<v Speaker 1>we could have found a singer that could act like

0:27:55.880 --> 0:27:58.880
<v Speaker 1>a frontman, and we could have brought in outside writers

0:27:58.920 --> 0:28:00.600
<v Speaker 1>to write songs that were sure or to be hit.

0:28:01.240 --> 0:28:04.840
<v Speaker 1>But every element, everything about how we went about being

0:28:04.880 --> 0:28:09.720
<v Speaker 1>the Black Prows, none of it was guided by those thoughts.

0:28:09.720 --> 0:28:13.600
<v Speaker 1>So really, I mean on paper, yes, of course, in reality,

0:28:13.680 --> 0:28:17.199
<v Speaker 1>not a chance. I mean, Chris was the engine that drove,

0:28:17.840 --> 0:28:20.600
<v Speaker 1>that motivated or you know, he he led the band

0:28:20.600 --> 0:28:24.040
<v Speaker 1>for better and oftentimes for worse, wherever we were going,

0:28:24.320 --> 0:28:28.719
<v Speaker 1>and his inspiration it was the guiding light. And oftentimes

0:28:28.760 --> 0:28:31.120
<v Speaker 1>I would say, like I wish he had been inspired

0:28:31.280 --> 0:28:34.560
<v Speaker 1>somewhere else or by something else. It was difficult, but

0:28:34.640 --> 0:28:36.520
<v Speaker 1>it was just the reality of that band. I can't

0:28:36.520 --> 0:28:40.200
<v Speaker 1>imagine how we would have functioned with somebody else, because

0:28:40.600 --> 0:28:42.880
<v Speaker 1>you know, it's like the Almond Brothers. They did very

0:28:42.880 --> 0:28:45.200
<v Speaker 1>well without Dwayne Almond, but there was a vacuum that

0:28:45.240 --> 0:28:48.719
<v Speaker 1>everybody tried to fill. They were successful, but the essence

0:28:48.720 --> 0:28:51.280
<v Speaker 1>of what made that band so special was gone forever.

0:28:52.040 --> 0:28:53.960
<v Speaker 1>If if if, that is, if something had happened to

0:28:54.000 --> 0:28:56.160
<v Speaker 1>Chris in the nineties. There's no way you can replace that.

0:28:56.200 --> 0:28:59.120
<v Speaker 1>We could have been a functioning band, certainly, and like

0:28:59.120 --> 0:29:00.960
<v Speaker 1>I said, we may have and successful, but it would

0:29:01.000 --> 0:29:03.680
<v Speaker 1>not have been the same thing. And and you know,

0:29:03.720 --> 0:29:07.720
<v Speaker 1>because Chris was the catalyst. He wasn't responsible for He's

0:29:07.760 --> 0:29:10.200
<v Speaker 1>not singularly responsible for any of it, but he was.

0:29:10.320 --> 0:29:12.719
<v Speaker 1>You know, you have to recognize what the catalyst is

0:29:13.200 --> 0:29:15.480
<v Speaker 1>and it was him. Dwane Allman was the catalyst for

0:29:15.480 --> 0:29:18.360
<v Speaker 1>the Olmer Brothers, not Greg Almond. Noel Gallagher is the

0:29:18.400 --> 0:29:22.160
<v Speaker 1>catalyst and Oasis. Could they have worked without Lamb, sure,

0:29:22.360 --> 0:29:24.480
<v Speaker 1>but it would have been very different. It wouldn't have

0:29:24.520 --> 0:29:26.840
<v Speaker 1>been the same. And that's the case in the Black

0:29:26.880 --> 0:29:29.120
<v Speaker 1>Crows for sure. Well how about van Halen, you got

0:29:29.200 --> 0:29:32.520
<v Speaker 1>I mean, it's all about Eddie, It's all about it.

0:29:32.640 --> 0:29:36.000
<v Speaker 1>I mean, you know, it's a sect, but honestly lives

0:29:36.080 --> 0:29:38.640
<v Speaker 1>upland could have worked if Robert Plant had checked out

0:29:38.640 --> 0:29:41.120
<v Speaker 1>after a couple of records. That's Jimmy Hendrick, I mean

0:29:41.240 --> 0:29:44.479
<v Speaker 1>Jimmy Hendricks, that's Jimmy Page's band. That was his baby.

0:29:44.680 --> 0:29:48.840
<v Speaker 1>He envisioned that whole thing. When you have a guy

0:29:48.920 --> 0:29:52.400
<v Speaker 1>like Eddie van Halen, Uh, you know, David Lee Ross.

0:29:52.440 --> 0:29:55.680
<v Speaker 1>For the people that don't know or don't remember from

0:29:55.720 --> 0:30:00.160
<v Speaker 1>seventy eight to eighties nine, he was a of your

0:30:00.240 --> 0:30:02.600
<v Speaker 1>rock stars. There wasn't a planet. Eddie van Halen really

0:30:02.640 --> 0:30:05.960
<v Speaker 1>wasn't a rock star. He married a TV star. He

0:30:06.040 --> 0:30:07.880
<v Speaker 1>did a lot of drugs, but he did drugs and

0:30:07.960 --> 0:30:10.080
<v Speaker 1>just went to his room and wrote songs. You know,

0:30:10.120 --> 0:30:13.040
<v Speaker 1>he wasn't a party He wasn't partying to be partying.

0:30:13.400 --> 0:30:15.640
<v Speaker 1>He was just an addict at the end of the

0:30:15.720 --> 0:30:18.680
<v Speaker 1>day who was obsessed with making music and doing it

0:30:18.760 --> 0:30:21.040
<v Speaker 1>his own way. And he was the guy. You know,

0:30:21.120 --> 0:30:24.680
<v Speaker 1>it's it speaks to what we said at the beginning,

0:30:24.720 --> 0:30:27.960
<v Speaker 1>like just what a complete unicorn he was. That the

0:30:28.000 --> 0:30:31.000
<v Speaker 1>band that you know that you could have David Lee

0:30:31.080 --> 0:30:34.520
<v Speaker 1>Roth as your front man and still people went to

0:30:34.520 --> 0:30:36.480
<v Speaker 1>see Van Halen and he would do a ten or

0:30:36.520 --> 0:30:40.000
<v Speaker 1>eleven minute guitar solo on stage alone. Do you know

0:30:40.040 --> 0:30:43.720
<v Speaker 1>how long ten minutes is? No one went to the bathroom,

0:30:43.960 --> 0:30:47.680
<v Speaker 1>That's what everybody was there for. And he's just just

0:30:47.760 --> 0:30:50.320
<v Speaker 1>a totally No rules that any other band ever had

0:30:50.360 --> 0:30:53.160
<v Speaker 1>to operate under apply to Van Halen, and that's because

0:30:53.200 --> 0:30:56.160
<v Speaker 1>of Eddie van Halen. There he is Steve Gorman. You

0:30:56.160 --> 0:30:58.080
<v Speaker 1>can check out the book Hard to Handle the Life

0:30:58.080 --> 0:31:00.400
<v Speaker 1>and Death of the Black Crows and Memoir, which paperback

0:31:00.440 --> 0:31:04.000
<v Speaker 1>came out in You can also follow on Instagram at

0:31:04.040 --> 0:31:07.680
<v Speaker 1>Steve Understore Underscore Gorman Underscore. You had to get both

0:31:07.680 --> 0:31:10.600
<v Speaker 1>those underscores in there. I got both of them. Man,

0:31:10.760 --> 0:31:12.800
<v Speaker 1>I can't relate to the Instagram game. All the Steve

0:31:12.800 --> 0:31:16.760
<v Speaker 1>Gorman versions were taking and then Trigger Hippie plays drums

0:31:16.760 --> 0:31:19.440
<v Speaker 1>and Trigger Hippie so check that? What what what's Trigger

0:31:19.480 --> 0:31:22.640
<v Speaker 1>Hippie up to? Well? I mean, like everybody else, we're

0:31:22.680 --> 0:31:25.040
<v Speaker 1>just waiting. You know. We put a record out last Fall,

0:31:25.120 --> 0:31:28.200
<v Speaker 1>Full Circle and then some and we were out touring.

0:31:28.240 --> 0:31:31.560
<v Speaker 1>I mean again, we were on the road September to

0:31:31.840 --> 0:31:35.440
<v Speaker 1>March pretty consistently, and uh, I think our last gig

0:31:35.480 --> 0:31:37.800
<v Speaker 1>was March seventh, and then, like everybody else, now we're

0:31:37.840 --> 0:31:40.400
<v Speaker 1>just on the sidelines wait for somebody to wave a

0:31:40.480 --> 0:31:43.080
<v Speaker 1>green flag. Yeah. Well, I appreciate the time. I appreciate

0:31:43.120 --> 0:31:45.440
<v Speaker 1>you talking about uh Eddie van Halen how much he

0:31:45.480 --> 0:31:47.520
<v Speaker 1>meant to you and rock music and then catching up

0:31:47.520 --> 0:31:48.959
<v Speaker 1>on the Black Crows. I hope you have a good day, man.

0:31:49.000 --> 0:31:56.480
<v Speaker 1>Thank you again, Yeah, thank you brother, pick here. Bobby

0:31:56.520 --> 0:32:01.840
<v Speaker 1>and Eddie's music school is now in session, up in

0:32:01.920 --> 0:32:04.840
<v Speaker 1>the morning and out to food. All right, Eddie is

0:32:04.880 --> 0:32:06.680
<v Speaker 1>here with me, Eddie, what are you gonna teach us today?

0:32:06.720 --> 0:32:08.640
<v Speaker 1>All right? So you know Chicken Fried by Zack Brown

0:32:08.680 --> 0:32:13.040
<v Speaker 1>Band right to me. This is the song that Zack

0:32:13.080 --> 0:32:16.040
<v Speaker 1>Brown Band is known for. This kicked off their huge career.

0:32:16.600 --> 0:32:19.600
<v Speaker 1>It's their song, but at one time it almost wasn't.

0:32:19.840 --> 0:32:22.560
<v Speaker 1>So it was written by Zach and someone else. But

0:32:23.040 --> 0:32:25.400
<v Speaker 1>and they recorded as a band in two thousand and six.

0:32:26.040 --> 0:32:27.960
<v Speaker 1>But then they stopped it. They say, hey, radio, pull

0:32:28.040 --> 0:32:31.840
<v Speaker 1>this because there's interest from someone else. Alan Jackson is

0:32:31.840 --> 0:32:35.080
<v Speaker 1>thinking about recording this and putting this out. So they

0:32:35.120 --> 0:32:36.960
<v Speaker 1>put a hold on it. They said, all right, stop it.

0:32:37.040 --> 0:32:39.280
<v Speaker 1>Alan sat on it for a little bit and then said, guys,

0:32:39.520 --> 0:32:41.240
<v Speaker 1>I'm just not gonna do it. I'm not feeling it.

0:32:41.280 --> 0:32:44.120
<v Speaker 1>And do you want another reason why? He said, recently

0:32:44.520 --> 0:32:47.760
<v Speaker 1>I had songs like about corn bread and chicken. I

0:32:47.800 --> 0:32:50.800
<v Speaker 1>had a Bolognian one of my songs, and it just

0:32:50.920 --> 0:32:53.160
<v Speaker 1>food is happening right now a lot of my albums.

0:32:53.160 --> 0:32:55.360
<v Speaker 1>I'm gonna stay away from chicken Fried. I don't want

0:32:55.360 --> 0:32:57.440
<v Speaker 1>to be known as the food guy. So he turned

0:32:57.440 --> 0:32:59.920
<v Speaker 1>it down. Zach Brown Band said okay, fine, we'll keep it,

0:33:00.040 --> 0:33:03.720
<v Speaker 1>and now this is their jam of course. Pretty interesting. Yeah,

0:33:03.720 --> 0:33:06.360
<v Speaker 1>that is pretty cool. I can't think of the Zach

0:33:06.440 --> 0:33:09.880
<v Speaker 1>Brown band with Bologney in it. I know, he yeah,

0:33:09.880 --> 0:33:13.560
<v Speaker 1>the Alan Jackson song, I know, the the corn bread,

0:33:13.880 --> 0:33:17.440
<v Speaker 1>corn bread and chicken, yeah where I come from. Yeah,

0:33:17.840 --> 0:33:24.360
<v Speaker 1>but where's the Bologney song? Mike? When you google Allan Jackson? Oh,

0:33:25.040 --> 0:33:27.160
<v Speaker 1>I still like bologny. I don't even know that song.

0:33:27.600 --> 0:33:29.959
<v Speaker 1>Must be an album cut, Alan, and we don't know

0:33:30.000 --> 0:33:31.920
<v Speaker 1>that song. You could have gone with chicken fried? Dude?

0:33:32.040 --> 0:33:36.200
<v Speaker 1>Was that a single? Really? I don't know that song.

0:33:36.360 --> 0:33:39.480
<v Speaker 1>I don't either, but but you know what I do,

0:33:39.520 --> 0:33:42.040
<v Speaker 1>we have. I still like Bologny in the system. You

0:33:42.040 --> 0:33:44.600
<v Speaker 1>know what I thought too, is really things that we

0:33:44.640 --> 0:33:47.560
<v Speaker 1>don't care about. Like if if Alan would have put

0:33:47.560 --> 0:33:50.000
<v Speaker 1>out chicken fried and he had cornbread and chicken and

0:33:50.040 --> 0:33:53.280
<v Speaker 1>the Bologney song, I don't think we would care too much.

0:33:53.440 --> 0:33:55.920
<v Speaker 1>We wouldn't even probably think about calling him the food guy.

0:33:56.200 --> 0:33:58.239
<v Speaker 1>But in his mind, it's a brand, and he's like,

0:33:58.320 --> 0:34:01.640
<v Speaker 1>I can't be known as a food guy, especially fried chicken.

0:34:02.000 --> 0:34:08.279
<v Speaker 1>They's satellite communication. I know this all long distance, Yeah,

0:34:07.400 --> 0:34:12.800
<v Speaker 1>I just didn't know it's called It's like I still

0:34:13.080 --> 0:34:16.719
<v Speaker 1>like maloney white bread, Yeah of course, yeah, yeah, yeah,

0:34:16.760 --> 0:34:21.239
<v Speaker 1>I know it's all willing, good enough. Don't embrace it

0:34:21.640 --> 0:34:26.399
<v Speaker 1>like I should. Wouldn't want to go back even if

0:34:26.480 --> 0:34:30.960
<v Speaker 1>by here we go, here's the chorus. But I still

0:34:31.560 --> 0:34:37.560
<v Speaker 1>like a brand and that's colonial white bread with mustard.

0:34:38.680 --> 0:34:42.799
<v Speaker 1>Love it. Not the best for me healthwise, no, but

0:34:43.120 --> 0:34:46.040
<v Speaker 1>love it. But Alan Jackson did say in retrospect, I

0:34:46.040 --> 0:34:51.399
<v Speaker 1>should have recorded that. Yeah, how about this my version

0:34:51.440 --> 0:34:53.360
<v Speaker 1>of music school. I want to talk about Chris Stapleton's

0:34:53.440 --> 0:34:56.279
<v Speaker 1>number one songs as a songwriter. So he only has

0:34:56.320 --> 0:35:00.160
<v Speaker 1>one number one as a singer artist, which is ok

0:35:00.160 --> 0:35:03.360
<v Speaker 1>in Halos, which at two thousand one number one or

0:35:03.360 --> 0:35:06.680
<v Speaker 1>two thousand eighteen millionaire, was only a number two. Woh,

0:35:06.680 --> 0:35:10.600
<v Speaker 1>I didn't know that. But that's his only radio number

0:35:10.600 --> 0:35:12.839
<v Speaker 1>one Broken Halos. His album has been number one forever.

0:35:12.840 --> 0:35:14.600
<v Speaker 1>It was number one in a lot of weeks. But

0:35:14.719 --> 0:35:18.480
<v Speaker 1>he's had several number ones as just a songwriter more

0:35:18.600 --> 0:35:21.560
<v Speaker 1>than as being an artist. So I thought we'd look

0:35:21.560 --> 0:35:26.360
<v Speaker 1>at his country number one's Josh Turner your Man, just

0:35:26.560 --> 0:35:31.040
<v Speaker 1>to be you that video and Chris came in before

0:35:31.239 --> 0:35:32.640
<v Speaker 1>he was a big deal. We set him on the

0:35:32.680 --> 0:35:34.840
<v Speaker 1>show a lot and he played this because he was

0:35:34.920 --> 0:35:37.359
<v Speaker 1>songwriter Chris Stapleton's It's got millions of yous on our

0:35:37.360 --> 0:35:40.080
<v Speaker 1>YouTube channel, Chris Stapleton doing your Man, and it was

0:35:40.200 --> 0:35:43.520
<v Speaker 1>very different than Josh Turner's version because Chris sings higher

0:35:43.880 --> 0:35:47.680
<v Speaker 1>and angrier and angrier. Right, So, yeah, there you go.

0:35:47.800 --> 0:35:50.319
<v Speaker 1>That was a number one for Josh Turner. Another one

0:35:50.360 --> 0:35:59.160
<v Speaker 1>is Thomas Rhett Crash and Burn and if I'm not

0:35:59.239 --> 0:36:01.040
<v Speaker 1>in Spake and Bone, I think he's singing in the

0:36:01.040 --> 0:36:04.640
<v Speaker 1>background the song. He said, Oh yeah, I'm right there, yeah,

0:36:04.760 --> 0:36:09.320
<v Speaker 1>doing background vocals and I again, if I'm not mistaking,

0:36:09.440 --> 0:36:12.480
<v Speaker 1>I think he's doing the wh Yeah. We asked him that.

0:36:12.760 --> 0:36:14.399
<v Speaker 1>I was like, hey, is that the Chain Gang song?

0:36:14.560 --> 0:36:16.319
<v Speaker 1>They were like, no, that's me because do you know

0:36:16.440 --> 0:36:19.360
<v Speaker 1>chain Gang song? He goes on the Chang Gang. He goes,

0:36:19.400 --> 0:36:25.080
<v Speaker 1>that's the sound of them and working on the Chain Gang.

0:36:26.120 --> 0:36:31.520
<v Speaker 1>Know ye Never Wanted Nothing More by Kenny Chesney Nothing Moved,

0:36:33.360 --> 0:36:39.560
<v Speaker 1>Nothing Move, released in two thousand seven. He wrote that

0:36:39.640 --> 0:36:42.880
<v Speaker 1>I didn't know that he wrote comeback song by Darius Rucker.

0:36:43.280 --> 0:36:47.760
<v Speaker 1>Because I didn't know. This is such a damn. Stapleton

0:36:47.800 --> 0:36:50.000
<v Speaker 1>has written two songs with Darius over the years. This

0:36:50.040 --> 0:36:52.040
<v Speaker 1>one got him a number one spot on the charts,

0:36:52.760 --> 0:36:55.200
<v Speaker 1>which is pretty cool. I wonder if Chris ever plays

0:36:55.239 --> 0:36:59.200
<v Speaker 1>these songs live. Probably not now. I bet he did

0:36:59.280 --> 0:37:01.080
<v Speaker 1>early when he is a songwriter. Don't have a bunch

0:37:01.080 --> 0:37:03.959
<v Speaker 1>of hits now. People want to hear his songs for sure, yes,

0:37:04.560 --> 0:37:05.960
<v Speaker 1>but I would love to hear him sing this one.

0:37:06.640 --> 0:37:09.280
<v Speaker 1>The best thing that I had going by Brad Paisley.

0:37:10.239 --> 0:37:23.600
<v Speaker 1>This is way back in the day. So number one

0:37:23.719 --> 0:37:29.000
<v Speaker 1>as one, number one as an artist, the five five

0:37:29.040 --> 0:37:32.400
<v Speaker 1>as a songwriters, so six total. Pretty cool. That's awesome.

0:37:32.640 --> 0:37:34.319
<v Speaker 1>He's got new music. I think that two songs out

0:37:34.400 --> 0:37:36.400
<v Speaker 1>right now. He has the one that we play, but

0:37:36.440 --> 0:37:38.560
<v Speaker 1>then he has another one called Cold. Yeah, the one

0:37:38.600 --> 0:37:41.120
<v Speaker 1>we play is really good. I like it. Well start again,

0:37:41.320 --> 0:37:44.759
<v Speaker 1>begin again? What's that starting over? Yeah? Yeah? I mean

0:37:44.760 --> 0:37:47.120
<v Speaker 1>everybody loves Chris Stapleton. There's one thing we can agree

0:37:47.120 --> 0:37:51.239
<v Speaker 1>on in this country. We all love. Everybody loves Chris Stapleton. Eddie,

0:37:51.239 --> 0:37:54.480
<v Speaker 1>tell me about your podcast, Sore Loses podcast me lunch

0:37:54.520 --> 0:37:59.000
<v Speaker 1>Box and Raimundo and we talk sports guy stuff. We

0:37:59.080 --> 0:38:00.879
<v Speaker 1>get on each other's nerve, but then we make each

0:38:00.880 --> 0:38:03.120
<v Speaker 1>other laugh. So it's a good podcast. Check it out.

0:38:03.160 --> 0:38:06.000
<v Speaker 1>You like sports or idiots, that's exactly what he's playing

0:38:06.000 --> 0:38:09.200
<v Speaker 1>out Fred. Check out the Sore Losers podcast. All right,

0:38:09.200 --> 0:38:11.919
<v Speaker 1>thank you very much, Cassie. How are you? I'm good?

0:38:11.920 --> 0:38:14.480
<v Speaker 1>How are you? I'm real good. I was looking at

0:38:14.520 --> 0:38:17.120
<v Speaker 1>your Instagram the other day, which just fascinated with the

0:38:17.360 --> 0:38:19.880
<v Speaker 1>clothes that you make. That's a whole side topic. But

0:38:21.400 --> 0:38:23.480
<v Speaker 1>and you had a motorcycle with you and you were like, man,

0:38:23.560 --> 0:38:26.960
<v Speaker 1>this is such a natural endorsement for me to have

0:38:27.040 --> 0:38:28.839
<v Speaker 1>or the record label to have. And then I saw

0:38:28.880 --> 0:38:31.440
<v Speaker 1>you put out a song that was, you know, basically

0:38:31.440 --> 0:38:33.880
<v Speaker 1>in that same vein, which is Black Motorcycle, which came

0:38:33.920 --> 0:38:39.319
<v Speaker 1>out on Wednesday. So I guess you grew up with motorcycles. Yes,

0:38:39.400 --> 0:38:43.240
<v Speaker 1>I did. I My dad had one to my entire life,

0:38:43.239 --> 0:38:45.279
<v Speaker 1>and he always took me up from my mom's house

0:38:45.320 --> 0:38:48.160
<v Speaker 1>on one. And I grew up on their bikes, like

0:38:48.160 --> 0:38:51.400
<v Speaker 1>when had trails throughout a whole bomb. So that was

0:38:51.440 --> 0:38:54.160
<v Speaker 1>just you couldn't keep me off of them, so you

0:38:54.280 --> 0:38:59.799
<v Speaker 1>like to drive them or ride on them. Um, Now,

0:39:00.000 --> 0:39:01.759
<v Speaker 1>now that I'm old enough that I had my life Sinse.

0:39:01.760 --> 0:39:04.560
<v Speaker 1>I definitely drive, and I drove dirt bikes, but growing

0:39:04.640 --> 0:39:08.719
<v Speaker 1>up I was on debt the entire childhood. Did they

0:39:08.800 --> 0:39:13.920
<v Speaker 1>give you a free Harley for this? Um? No, no, no,

0:39:14.280 --> 0:39:17.160
<v Speaker 1>but I'll call my That would make my entire life

0:39:17.360 --> 0:39:19.520
<v Speaker 1>that happen. Yeah. Well, I love that you put the

0:39:19.560 --> 0:39:21.160
<v Speaker 1>song out on a Wednesday too. Is there a theory

0:39:21.400 --> 0:39:23.920
<v Speaker 1>for you behind putting out music on a Wednesday instead

0:39:23.960 --> 0:39:26.640
<v Speaker 1>of the standard put it out on a Friday. I

0:39:26.680 --> 0:39:29.240
<v Speaker 1>wanted to kind of avoid the crowd of a Friday

0:39:29.280 --> 0:39:31.720
<v Speaker 1>because I know it's just a music fan when Friday

0:39:31.840 --> 0:39:34.560
<v Speaker 1>rules around, Like, I'm trying to get through all the

0:39:34.640 --> 0:39:36.239
<v Speaker 1>music that I want to get to, and you know,

0:39:36.360 --> 0:39:39.080
<v Speaker 1>our lives are fast paced, we're all busy, and it's

0:39:39.080 --> 0:39:41.279
<v Speaker 1>really hard to do that. So I thought, I really

0:39:41.280 --> 0:39:43.319
<v Speaker 1>loved my favorite armies came out there and saw on

0:39:43.320 --> 0:39:46.000
<v Speaker 1>a Wednesday, so that I had time to digestic for

0:39:46.120 --> 0:39:49.160
<v Speaker 1>everything else hit. So I thought, why not do that myself?

0:39:49.200 --> 0:39:51.720
<v Speaker 1>This song? Was it already a song that existed before

0:39:51.800 --> 0:39:54.279
<v Speaker 1>you got Hardy to be a part of it. Yes,

0:39:54.440 --> 0:39:58.560
<v Speaker 1>I wrote this song like three years ago. Huh, And

0:39:58.680 --> 0:40:01.080
<v Speaker 1>so you had it. Did you pitched them, Hey, we

0:40:01.120 --> 0:40:02.279
<v Speaker 1>may put this out if you guys want to be

0:40:02.320 --> 0:40:04.120
<v Speaker 1>a part of it, or we're putting it out, would

0:40:04.160 --> 0:40:06.480
<v Speaker 1>you guys like to be a part of it? Well,

0:40:06.480 --> 0:40:10.000
<v Speaker 1>we we honestly thought about just putting it out, and

0:40:10.040 --> 0:40:15.400
<v Speaker 1>then last year Holy came to my Sensis performance and

0:40:15.400 --> 0:40:18.400
<v Speaker 1>we started on conversations. They knew how big of a

0:40:18.440 --> 0:40:20.600
<v Speaker 1>Harley fan I was. They got to be my dad,

0:40:21.080 --> 0:40:22.880
<v Speaker 1>I got to go up to the museum and tour,

0:40:23.040 --> 0:40:25.280
<v Speaker 1>and then it was it was like a no brainer,

0:40:25.440 --> 0:40:28.640
<v Speaker 1>let's put the song out and announced the partnership. I

0:40:28.680 --> 0:40:30.920
<v Speaker 1>was looking at your your TikTok. You got a TikTok

0:40:31.000 --> 0:40:32.640
<v Speaker 1>that has three point two million views, like one of

0:40:32.680 --> 0:40:34.480
<v Speaker 1>yours is it's one of your friends acting out a

0:40:34.480 --> 0:40:37.959
<v Speaker 1>scene from Harry Potter? Were you first of all, Hey,

0:40:38.000 --> 0:40:40.120
<v Speaker 1>that's awesome to get three million views on a TikTok.

0:40:40.400 --> 0:40:42.560
<v Speaker 1>We did one at the house last week and it's

0:40:42.560 --> 0:40:44.440
<v Speaker 1>got two point four million right now. And I was

0:40:44.440 --> 0:40:45.680
<v Speaker 1>looking at it before I came over. I was like,

0:40:45.719 --> 0:40:47.120
<v Speaker 1>Holy crab, And then I looked at yours and I

0:40:47.160 --> 0:40:50.239
<v Speaker 1>was like, oh, man, Cassie crushed us. But were you

0:40:50.239 --> 0:40:52.839
<v Speaker 1>guys on a train when you did this. Yes, we

0:40:52.840 --> 0:40:55.799
<v Speaker 1>were on a trane in Germany and we didn't think, oh,

0:40:55.920 --> 0:40:58.359
<v Speaker 1>let's make a TikTok. We didn't anything. That was just

0:40:58.440 --> 0:41:02.239
<v Speaker 1>my guitar Jane by guitar player games, just thinking themselves.

0:41:02.320 --> 0:41:04.600
<v Speaker 1>That all happened to record it. And then when I

0:41:04.640 --> 0:41:07.040
<v Speaker 1>was told like, hey, you got a post to two

0:41:07.080 --> 0:41:09.799
<v Speaker 1>talks about making TikTok, that was the perfect one. And

0:41:09.840 --> 0:41:12.279
<v Speaker 1>of course it got like three million years and like

0:41:12.680 --> 0:41:15.520
<v Speaker 1>a couple of days, I think, and I was like, oh,

0:41:15.719 --> 0:41:18.680
<v Speaker 1>all I had to do was high guitar player, and

0:41:18.840 --> 0:41:22.000
<v Speaker 1>so this was the secret all along. I watched your

0:41:22.000 --> 0:41:24.520
<v Speaker 1>tutorial on how to customize your iPhone with the new

0:41:24.640 --> 0:41:28.759
<v Speaker 1>operating system. Yours look obviously because it's you, super cool

0:41:28.760 --> 0:41:31.160
<v Speaker 1>and artsy. Did I see that you helped Marion Morris

0:41:31.200 --> 0:41:33.680
<v Speaker 1>do that on her phone too? Yeah? I did. She

0:41:33.880 --> 0:41:36.719
<v Speaker 1>texted me and I that was the first before I

0:41:36.760 --> 0:41:39.200
<v Speaker 1>made this when I sent her which was like not

0:41:39.360 --> 0:41:41.799
<v Speaker 1>as in depth as the one I posted, and she's like,

0:41:41.840 --> 0:41:45.440
<v Speaker 1>thank you so much, and so she said this is

0:41:45.440 --> 0:41:48.240
<v Speaker 1>still other people this. So I made a full tutorial

0:41:48.360 --> 0:41:50.480
<v Speaker 1>and posted it and it was crazy because people were

0:41:50.480 --> 0:41:53.560
<v Speaker 1>coming me, coming to me with like other questions, and

0:41:53.600 --> 0:41:57.040
<v Speaker 1>I was like, listen, I have no I've just tood

0:41:57.160 --> 0:42:00.600
<v Speaker 1>at customization in anything in life and those than that

0:42:01.000 --> 0:42:04.759
<v Speaker 1>so far. So you just an all around artist, if

0:42:04.760 --> 0:42:07.839
<v Speaker 1>it's music or fashion or even customizing your iPhone. When

0:42:07.880 --> 0:42:09.759
<v Speaker 1>did this start for you? Whenever you had the itch

0:42:09.880 --> 0:42:14.839
<v Speaker 1>to be creative? Oh, as soon as I was old

0:42:14.960 --> 0:42:18.880
<v Speaker 1>enough to realize that can be. I think I didn't

0:42:18.920 --> 0:42:21.280
<v Speaker 1>decide one day that I was going to be creative.

0:42:21.400 --> 0:42:24.080
<v Speaker 1>I just was made that way. My mom would let

0:42:24.120 --> 0:42:28.759
<v Speaker 1>me take my clothes out, literally in kindergarten, and I

0:42:28.760 --> 0:42:31.319
<v Speaker 1>would put dress up close together, and I would watch

0:42:31.400 --> 0:42:34.480
<v Speaker 1>her so and he sang, so I sang, and it

0:42:34.680 --> 0:42:37.279
<v Speaker 1>just kind of came together. And I think as I

0:42:37.320 --> 0:42:41.399
<v Speaker 1>got older, I learned that the best, most rewarding thing

0:42:41.520 --> 0:42:44.120
<v Speaker 1>to me is to see something in on in my

0:42:44.200 --> 0:42:48.120
<v Speaker 1>brain and then you know, bring it to fruition myself.

0:42:48.239 --> 0:42:50.720
<v Speaker 1>That's like the most It makes me happier than anything

0:42:50.719 --> 0:42:54.600
<v Speaker 1>in the world. So I learned every material you can

0:42:54.640 --> 0:42:58.120
<v Speaker 1>do that with. Basically, I saw you building things at

0:42:58.120 --> 0:43:01.319
<v Speaker 1>your house too. How many dy projects, big ones do

0:43:01.320 --> 0:43:05.480
<v Speaker 1>you think you've done this year? Oh? A lot? I

0:43:05.520 --> 0:43:08.000
<v Speaker 1>don't know. I don't know. Maybe oh, I don't know.

0:43:08.040 --> 0:43:10.759
<v Speaker 1>I did my whole kitchen, I did my master bathroom,

0:43:11.520 --> 0:43:16.360
<v Speaker 1>I did my backyard. I did so many outfits, probably

0:43:16.400 --> 0:43:19.080
<v Speaker 1>like curly outfits. I had to stop because that much

0:43:19.080 --> 0:43:21.799
<v Speaker 1>favage is really expensive and I had nowhere to wear them.

0:43:21.880 --> 0:43:24.600
<v Speaker 1>So what was the point? I have to be creative?

0:43:24.640 --> 0:43:28.279
<v Speaker 1>Ook to day. That was sec not losing my mind.

0:43:29.040 --> 0:43:30.640
<v Speaker 1>You talk about your clothes. I brought it up to

0:43:30.680 --> 0:43:33.680
<v Speaker 1>what percentage of your clothes do you make versus what

0:43:33.840 --> 0:43:36.799
<v Speaker 1>you buy? I would say when it comes to like

0:43:36.920 --> 0:43:41.440
<v Speaker 1>performances and like appearances that I do, I would say,

0:43:41.880 --> 0:43:47.160
<v Speaker 1>I of what I wear, I made Wow. Yeah. Do

0:43:47.239 --> 0:43:49.960
<v Speaker 1>you ever gift someone an outfit like, hey, I made

0:43:50.000 --> 0:43:54.960
<v Speaker 1>this for you? Very rarely? I made Marion Morris, so

0:43:55.120 --> 0:43:58.279
<v Speaker 1>we mentioned there. I made her coat for like, a

0:43:58.520 --> 0:44:02.760
<v Speaker 1>very fancy still brocade robe for like when she asked

0:44:02.760 --> 0:44:04.440
<v Speaker 1>me to be on her tour. I made that for her.

0:44:04.600 --> 0:44:07.600
<v Speaker 1>The sleeves were fur lined. And I have made my

0:44:07.680 --> 0:44:10.640
<v Speaker 1>manager a set of look through with LT pajamas. Not

0:44:10.880 --> 0:44:13.759
<v Speaker 1>it is that something that you would like to do,

0:44:14.640 --> 0:44:18.880
<v Speaker 1>because you know people have side deals where side hustles

0:44:18.920 --> 0:44:21.960
<v Speaker 1>and like Rihanna designs clothes or is this just a

0:44:22.000 --> 0:44:25.439
<v Speaker 1>you thing right now. For now, it's a meet thing.

0:44:25.560 --> 0:44:27.959
<v Speaker 1>But it's funny that you bring up Rihanna, because that's

0:44:28.000 --> 0:44:29.600
<v Speaker 1>like when people are like, what do you want to

0:44:29.640 --> 0:44:33.319
<v Speaker 1>do with close eventually? That is a great example like

0:44:33.560 --> 0:44:36.680
<v Speaker 1>music will always lead away, will always be the forefront.

0:44:36.760 --> 0:44:40.400
<v Speaker 1>It's what I love the most. But I wouldn't love

0:44:40.719 --> 0:44:45.120
<v Speaker 1>to have a line one day. Love Cassie Ashton on

0:44:45.280 --> 0:44:50.080
<v Speaker 1>with us. Black Motorcycle came out on Wednesday. You've got

0:44:50.120 --> 0:44:52.200
<v Speaker 1>so many good songs. I'm just such a big fan

0:44:52.239 --> 0:44:55.560
<v Speaker 1>of her entire body of work and you just just

0:44:55.760 --> 0:44:58.480
<v Speaker 1>love what you're doing. Keep it up and thanks for

0:44:58.520 --> 0:44:59.920
<v Speaker 1>spending a few minutes with me, and I hope you

0:45:00.040 --> 0:45:03.280
<v Speaker 1>have a good rest of the week. Thank you you too, Alright,

0:45:03.280 --> 0:45:10.600
<v Speaker 1>Bye Cassie. Bye m