1 00:00:02,240 --> 00:00:06,600 Speaker 1: Welcome to Episode Too six five. Here we go, we'll 2 00:00:06,640 --> 00:00:09,719 Speaker 1: talk about Eddie van Halen with Steve Gorman. Listen, I 3 00:00:09,760 --> 00:00:12,840 Speaker 1: needed to have a little Eddie van Halen lesson. I mean, 4 00:00:12,880 --> 00:00:15,360 Speaker 1: I know some van Halen songs. Here are the top 5 00:00:15,400 --> 00:00:19,040 Speaker 1: five streaming van Halen songs. And this is because Eddie 6 00:00:19,079 --> 00:00:22,280 Speaker 1: van Halen died this last week, and so Steve Gorman 7 00:00:22,320 --> 00:00:24,440 Speaker 1: is also on the Black Crows. Here you go. Number five, 8 00:00:24,800 --> 00:00:32,600 Speaker 1: ain't talking about love all right? Number four Hot for Teacher, 9 00:00:35,880 --> 00:00:39,360 Speaker 1: you know that one. I know that one too. Number 10 00:00:39,400 --> 00:00:50,320 Speaker 1: three Running with the Devil. Number two Panama. You know 11 00:00:50,400 --> 00:00:54,320 Speaker 1: this one, hey, Emma, get stuck in your head. And 12 00:00:54,320 --> 00:00:57,280 Speaker 1: then obviously the number one is massive. I think everybody 13 00:00:57,320 --> 00:01:06,160 Speaker 1: knows this jump, right, everybody knows that one, but van 14 00:01:06,200 --> 00:01:09,319 Speaker 1: Halen massive. But I just missed them in my life. 15 00:01:09,360 --> 00:01:12,920 Speaker 1: So this was an interesting interview coming up. The thing 16 00:01:12,920 --> 00:01:16,119 Speaker 1: about this Too jump was van Halen's one and only 17 00:01:16,200 --> 00:01:18,480 Speaker 1: number one. As big as massive as they are, it 18 00:01:18,560 --> 00:01:20,160 Speaker 1: was just harder to get a number one back then. 19 00:01:20,640 --> 00:01:23,840 Speaker 1: Just in general, their most famous song jump, which is 20 00:01:23,959 --> 00:01:26,679 Speaker 1: that number one streamer, took only one day to finish 21 00:01:27,120 --> 00:01:28,560 Speaker 1: and went to the top of the billboard. Hot one 22 00:01:28,600 --> 00:01:31,960 Speaker 1: hundred and got him a Grammy nomination. Eddie played the 23 00:01:32,000 --> 00:01:36,640 Speaker 1: guitar solo on Michael Jackson's Beat It, So if you 24 00:01:36,720 --> 00:01:39,720 Speaker 1: listen to that song, that's Eddie van Halen shredding on it. 25 00:01:41,080 --> 00:01:44,679 Speaker 1: Eddie also began on the drums. He couldn't read sheet music, 26 00:01:45,080 --> 00:01:49,080 Speaker 1: which is pretty crazy. Is to beat it right here. 27 00:01:51,400 --> 00:01:53,440 Speaker 1: And then he also had serious stage fright, which is 28 00:01:53,440 --> 00:01:58,960 Speaker 1: crazy because the guy played arena's massive places. It's always 29 00:01:58,960 --> 00:02:02,080 Speaker 1: crazy when you hear like the the White Stripes. She 30 00:02:02,800 --> 00:02:05,400 Speaker 1: apparently had so much stage fright that they couldn't even 31 00:02:05,400 --> 00:02:08,960 Speaker 1: play at times. It isn't that crazy to think about. So, 32 00:02:09,120 --> 00:02:11,800 Speaker 1: and also Alex and Eddie were the only two consistent members. 33 00:02:12,120 --> 00:02:15,280 Speaker 1: David Lee Roth was a singer. Michael Anthony was the 34 00:02:15,360 --> 00:02:20,440 Speaker 1: announced Sammy Hey Gar Gary Sharone, so that's crazy. And 35 00:02:20,480 --> 00:02:24,160 Speaker 1: they switched lead singers, which and we're as successful with 36 00:02:24,200 --> 00:02:27,480 Speaker 1: a different lead singer, which is nuts. So we'll talk 37 00:02:27,520 --> 00:02:30,240 Speaker 1: about that with Steve Gorman on the way my New 38 00:02:30,320 --> 00:02:35,919 Speaker 1: Music Top five this week, Here we go. Travis has 39 00:02:35,919 --> 00:02:38,480 Speaker 1: a new album coming out. I love Travis the Band, 40 00:02:39,240 --> 00:02:41,280 Speaker 1: and so I haven't heard it yet. I'm gonna listen 41 00:02:41,320 --> 00:02:42,960 Speaker 1: to it. Today. But you know, some of this is 42 00:02:43,120 --> 00:02:45,760 Speaker 1: stuff I haven't been able to spend time with, but 43 00:02:46,120 --> 00:02:48,440 Speaker 1: stuff that I look forward to as well. But Travis 44 00:02:48,480 --> 00:02:51,079 Speaker 1: has a new song out. But Travis has a new 45 00:02:51,480 --> 00:02:53,920 Speaker 1: But Travis has a new record out. You may know 46 00:02:54,000 --> 00:02:58,040 Speaker 1: Travis for Why does It Always rain on Me? Is 47 00:02:58,040 --> 00:03:00,600 Speaker 1: it because I lied when I was seventeen? Do you 48 00:03:00,639 --> 00:03:03,040 Speaker 1: know that song? You know? I've only heard him because 49 00:03:03,040 --> 00:03:06,160 Speaker 1: you talk about it, you know, sing sing sings, But 50 00:03:06,280 --> 00:03:08,799 Speaker 1: I love you bring They haven't had that song in 51 00:03:08,880 --> 00:03:11,600 Speaker 1: the office, unlike the first season when Jim puts his 52 00:03:11,680 --> 00:03:14,080 Speaker 1: earphone into Palm's ear and she's like, what are you 53 00:03:14,120 --> 00:03:16,840 Speaker 1: listening to? And it's Travis sing Anyway, Travis has a 54 00:03:16,840 --> 00:03:19,000 Speaker 1: new album out today. Um, Mike, you just played one 55 00:03:19,040 --> 00:03:26,480 Speaker 1: of their songs for me. Yeah, that's what's called Valentine. 56 00:03:27,280 --> 00:03:30,040 Speaker 1: Travis Denning has a new song out called good Years 57 00:03:30,480 --> 00:03:38,560 Speaker 1: that's at number four. Holling All Them good A CDC 58 00:03:38,600 --> 00:03:41,000 Speaker 1: announced they're releasing a new album called Power Up. It's 59 00:03:41,040 --> 00:03:43,440 Speaker 1: their first album in six years. They put out a 60 00:03:43,440 --> 00:03:48,760 Speaker 1: new song called shot in the Dark. Hey, speaking of 61 00:03:48,800 --> 00:03:52,720 Speaker 1: bands who change lead singers and think about that. But 62 00:03:52,800 --> 00:03:54,920 Speaker 1: they went from Bond Scott who died in the seventies. 63 00:03:54,920 --> 00:03:57,240 Speaker 1: He choked on his own vomit because you know he 64 00:03:57,320 --> 00:04:01,040 Speaker 1: was a big drinker, if I'm right about this, and 65 00:04:01,080 --> 00:04:03,120 Speaker 1: then they switched to Brian Johnson, who is the singer. 66 00:04:03,160 --> 00:04:05,200 Speaker 1: Now there's only been a few of those bands to 67 00:04:05,280 --> 00:04:06,920 Speaker 1: do that. A C d C did it. I'm not 68 00:04:06,920 --> 00:04:09,280 Speaker 1: looking at notes here, so um A C d C 69 00:04:09,440 --> 00:04:12,280 Speaker 1: did it. Obviously, Van Halen did it, and Genesis did it. 70 00:04:13,000 --> 00:04:15,040 Speaker 1: It was Peter Gabriel and then they went on a 71 00:04:15,080 --> 00:04:17,200 Speaker 1: search and they ended up hiring their drummer to do it. 72 00:04:17,279 --> 00:04:20,920 Speaker 1: To move forward, but just Phil Collins, which is insane. 73 00:04:21,560 --> 00:04:25,880 Speaker 1: Whole other topic. Cassie Ashton has a new song out 74 00:04:25,880 --> 00:04:34,960 Speaker 1: called Black Motorcycle. Here's a clip of that and she 75 00:04:35,000 --> 00:04:37,039 Speaker 1: will be on later to talk about that song. And 76 00:04:37,080 --> 00:04:40,880 Speaker 1: then Super Pumped Brother's Osborne have a new album out 77 00:04:40,920 --> 00:04:43,920 Speaker 1: called Skeletons Love These Guys. Here's a new song called 78 00:04:44,000 --> 00:04:58,760 Speaker 1: Lightning Up. Who'll keep because we'll be more new albums, 79 00:04:59,240 --> 00:05:02,839 Speaker 1: Blue Oyster, Colt Jackson, Brown, Dire Straits, The Doors, Dang, 80 00:05:02,880 --> 00:05:04,200 Speaker 1: a lot of old bands right there in a row. 81 00:05:04,960 --> 00:05:09,080 Speaker 1: It's like classic rock radio new album Wait, five Finger Death, Punch, Punch, 82 00:05:09,760 --> 00:05:14,680 Speaker 1: Lincoln Park's Hybrid Theory Anniversary Sad Day. He's got a 83 00:05:14,720 --> 00:05:19,320 Speaker 1: whole box set coming out. Do you know said slow song? Yeah, 84 00:05:19,520 --> 00:05:22,960 Speaker 1: it's my bubble bet song. Uh. In the Music News 85 00:05:23,000 --> 00:05:26,200 Speaker 1: before we get into some interviews, Johnny Nash, who had 86 00:05:26,240 --> 00:05:29,320 Speaker 1: I Can See Clearly Now, died at eighty years old. 87 00:05:30,000 --> 00:05:35,440 Speaker 1: Bright Bright, Bright, Sunshine Day. It's a jam. People still 88 00:05:35,520 --> 00:05:39,760 Speaker 1: know that song, hey, because of commercials or movies. But 89 00:05:39,800 --> 00:05:42,039 Speaker 1: I bet that song made him a bunch of money. 90 00:05:42,600 --> 00:05:44,960 Speaker 1: Machine Gun Kelly just earned his first number one album 91 00:05:45,240 --> 00:05:48,479 Speaker 1: and it was his rock album. Right. Did you like 92 00:05:48,600 --> 00:05:52,560 Speaker 1: this like? It's like right up my alley? It's pump punk? Huh? 93 00:05:52,640 --> 00:05:54,200 Speaker 1: Did he do some stuff with Blake one eighty two 94 00:05:54,240 --> 00:05:56,280 Speaker 1: for this? Travis Barker produced the whole thing and he 95 00:05:56,279 --> 00:05:59,440 Speaker 1: played drums on it. Did Little Wayne try to do 96 00:05:59,480 --> 00:06:01,640 Speaker 1: a punk thing? Like a rock punk thing too? It 97 00:06:01,760 --> 00:06:04,800 Speaker 1: was just more just straight up rock, but one very good. 98 00:06:05,240 --> 00:06:06,760 Speaker 1: It wasn't good. He tried to play guitar, and you 99 00:06:06,760 --> 00:06:10,520 Speaker 1: can't play a guitar? Can Machine Gun Kelly he played 100 00:06:10,520 --> 00:06:12,760 Speaker 1: with a guitar on it? No? I mean can he? 101 00:06:12,920 --> 00:06:16,320 Speaker 1: I know he made basic stuff, but nothing crazy. Coachella 102 00:06:16,400 --> 00:06:20,400 Speaker 1: might already postponed again for April one to next October. 103 00:06:20,640 --> 00:06:24,200 Speaker 1: They just keep kicking the can, which they should. So 104 00:06:24,240 --> 00:06:26,559 Speaker 1: if you're going to go to Coachella and then Dolly 105 00:06:26,600 --> 00:06:30,479 Speaker 1: Parton's Playboy cover for seventy birthday, is this happening yet? 106 00:06:30,640 --> 00:06:32,800 Speaker 1: Not yet? Okay? I knew they were talking about it, 107 00:06:32,839 --> 00:06:35,560 Speaker 1: I didn't know if they confirmed it. But and also 108 00:06:35,640 --> 00:06:38,080 Speaker 1: she wouldn't have to be naked on it. They wouldn't 109 00:06:38,080 --> 00:06:39,240 Speaker 1: want her naked. I don't think she was naked on 110 00:06:39,240 --> 00:06:42,840 Speaker 1: the original. I don't. I don't know. Maybe so naked stuff. 111 00:06:43,400 --> 00:06:46,839 Speaker 1: I have no idea. I don't even look next stuff 112 00:06:46,839 --> 00:06:48,400 Speaker 1: on the internet because I'm praying computer is gonna get 113 00:06:48,480 --> 00:06:51,280 Speaker 1: virus because like when Marion did it, she wasn't really naked. 114 00:06:51,880 --> 00:06:54,960 Speaker 1: Is it just kind of naked, kind of imagination naked 115 00:06:54,960 --> 00:06:57,039 Speaker 1: where you use your imagination because they're almost naked. I 116 00:06:57,080 --> 00:06:59,599 Speaker 1: guess so I think you just I don't know. All right, 117 00:06:59,640 --> 00:07:03,000 Speaker 1: there you that's the releases I'm looking forward to, and 118 00:07:03,080 --> 00:07:05,560 Speaker 1: the new music that is out there you go. That's 119 00:07:05,600 --> 00:07:07,600 Speaker 1: the releases I'm looking forward to, and some new music 120 00:07:07,600 --> 00:07:09,680 Speaker 1: news from this week. All right, thank you, guys, let's 121 00:07:09,720 --> 00:07:15,360 Speaker 1: get going. Joining me now is Steve Gorman, who was 122 00:07:15,440 --> 00:07:18,240 Speaker 1: the drummer and the Black Crows, who now plays with 123 00:07:18,320 --> 00:07:20,880 Speaker 1: Trigger Hippie. And before we talk about some of the 124 00:07:20,880 --> 00:07:24,480 Speaker 1: Black Crow stuff in your book, I saw your tweet Steven. 125 00:07:24,600 --> 00:07:26,240 Speaker 1: It was talking about Eddie van Halen, which is kind 126 00:07:26,240 --> 00:07:28,440 Speaker 1: of why I have you here. And you say there 127 00:07:28,440 --> 00:07:30,920 Speaker 1: will be many many words written and spoken about Eddie 128 00:07:30,960 --> 00:07:33,440 Speaker 1: van Halen over the next few days, weeks, months, and years. 129 00:07:33,720 --> 00:07:36,920 Speaker 1: Those millions of words will never come close to expressing 130 00:07:36,920 --> 00:07:39,440 Speaker 1: what he meant to rock music, what he meant to guitarists, 131 00:07:39,640 --> 00:07:41,920 Speaker 1: and what he meant to the guitar itself. That's a 132 00:07:41,920 --> 00:07:44,720 Speaker 1: pretty powerful statement, Mr Gorman. What did Eddie in remind 133 00:07:44,760 --> 00:07:47,600 Speaker 1: me to rock music? Well, I think it's it's pretty simple. 134 00:07:47,880 --> 00:07:49,800 Speaker 1: You can say that he and Jimmy Hendrix are the 135 00:07:49,840 --> 00:07:54,040 Speaker 1: two guys that truly and and only or the two 136 00:07:54,080 --> 00:07:56,560 Speaker 1: guys that moved the needle, you know, for the guitar itself. 137 00:07:56,560 --> 00:08:00,600 Speaker 1: I mean Hendrick came out of a blue space, uh 138 00:08:00,720 --> 00:08:04,000 Speaker 1: scene and took the playing and the tones he could 139 00:08:04,040 --> 00:08:07,360 Speaker 1: get to a new place. But that evan Halen really 140 00:08:07,360 --> 00:08:10,720 Speaker 1: almost came in from another country, another planet, I should 141 00:08:10,720 --> 00:08:12,960 Speaker 1: say another He's like an alien life for him. I 142 00:08:13,000 --> 00:08:16,720 Speaker 1: mean he was a virtue of sick player obviously, but 143 00:08:16,920 --> 00:08:20,440 Speaker 1: he he reinvented what what you could do with the guitar. 144 00:08:20,640 --> 00:08:24,360 Speaker 1: And the fact of the matter is this like Hendricks, 145 00:08:24,360 --> 00:08:26,880 Speaker 1: but even to a greater degree. Anybody that tries to 146 00:08:26,920 --> 00:08:30,160 Speaker 1: play like Eddie van Halen, it just sounds like a mime, 147 00:08:30,640 --> 00:08:34,120 Speaker 1: a mimic. They it's like Rich Little doing Johnny Carson. Okay, yeah, 148 00:08:34,160 --> 00:08:37,720 Speaker 1: that kind of sounds like him. But there's nothing nobody's 149 00:08:37,720 --> 00:08:39,719 Speaker 1: ever been able to do what Eddie van Halen did 150 00:08:39,720 --> 00:08:42,200 Speaker 1: and make it feel a certain way, you know what 151 00:08:42,200 --> 00:08:44,240 Speaker 1: I mean that he's just a and he was that 152 00:08:44,280 --> 00:08:46,720 Speaker 1: way at twenty two. I mean, this is this is 153 00:08:46,720 --> 00:08:48,959 Speaker 1: not a guy like It's not like David Blaine's magic 154 00:08:49,000 --> 00:08:51,280 Speaker 1: tricks where he gets bigger and better every year. He 155 00:08:51,360 --> 00:08:54,400 Speaker 1: started with card tricks that other people did first. Ed 156 00:08:54,400 --> 00:08:58,320 Speaker 1: evan Halen hit the ground running. With van Halen one 157 00:08:58,960 --> 00:09:02,280 Speaker 1: playing an instrument have been around for centuries, unlike anybody 158 00:09:02,280 --> 00:09:05,160 Speaker 1: else has ever done. I mean, he was on the 159 00:09:05,200 --> 00:09:09,360 Speaker 1: mount Rushmore of great guitar players at two years old, 160 00:09:09,760 --> 00:09:12,880 Speaker 1: and then and then he stuck around for another forty years, 161 00:09:12,920 --> 00:09:16,480 Speaker 1: still playing unlike anybody before or since. So I just 162 00:09:16,559 --> 00:09:23,239 Speaker 1: think that in terms of, you know, sheer unique mindset 163 00:09:23,320 --> 00:09:27,920 Speaker 1: and ambition combined with just great talent obviously, but but 164 00:09:28,000 --> 00:09:30,480 Speaker 1: also a phenomenal work ethic. I mean, he's just a 165 00:09:30,520 --> 00:09:33,800 Speaker 1: complete unicorn in every sense of the word. How would 166 00:09:33,840 --> 00:09:36,880 Speaker 1: you describe his guitar sound? And I say that I 167 00:09:37,240 --> 00:09:39,760 Speaker 1: know what I think of it, but I wasn't. I 168 00:09:40,000 --> 00:09:43,600 Speaker 1: just missed van Halen like I came around right as 169 00:09:43,640 --> 00:09:47,199 Speaker 1: you guys were blowing up, honestly, so that for me, 170 00:09:47,320 --> 00:09:51,440 Speaker 1: the van Halen was slightly classic rock, slightly old rock 171 00:09:51,640 --> 00:09:55,440 Speaker 1: to me as a nineties kid, so as someone because 172 00:09:55,440 --> 00:09:56,599 Speaker 1: you're just a few years older than I am. But 173 00:09:56,640 --> 00:09:58,760 Speaker 1: how would you describe his guitar sound of someone who 174 00:09:58,840 --> 00:10:01,360 Speaker 1: was in it and living it? In love in van Halen? Well, 175 00:10:01,400 --> 00:10:03,360 Speaker 1: I can tell this. I was thirteen years old the 176 00:10:03,400 --> 00:10:05,560 Speaker 1: first time I heard van Halen, and I remember it. 177 00:10:05,640 --> 00:10:07,800 Speaker 1: I remember where I was, I remember who I was with. 178 00:10:08,400 --> 00:10:12,320 Speaker 1: It was going home from school and Hopkinsville, Kentucky. You 179 00:10:12,400 --> 00:10:15,520 Speaker 1: really got me their Kinks, you know, like their cover 180 00:10:15,600 --> 00:10:18,679 Speaker 1: of the Kink song came on the radio and and 181 00:10:18,880 --> 00:10:21,360 Speaker 1: it was playing already, and I said, hey, Mom, turning 182 00:10:21,360 --> 00:10:22,840 Speaker 1: that up. It was me and my mom and my 183 00:10:22,880 --> 00:10:24,960 Speaker 1: friend Brook Lawton, the three of us in a car, 184 00:10:25,760 --> 00:10:27,920 Speaker 1: and she turned it up and I my first thought 185 00:10:28,000 --> 00:10:30,960 Speaker 1: was that must be like a live version of the 186 00:10:31,040 --> 00:10:33,199 Speaker 1: Kinks song. And I was thinking, like, they don't. They 187 00:10:33,200 --> 00:10:35,760 Speaker 1: don't rock that hard, do they. But when it hit 188 00:10:35,800 --> 00:10:38,240 Speaker 1: that solo, and then by the time the song ended, 189 00:10:38,679 --> 00:10:41,160 Speaker 1: I realized, well, that does that's not Ray Davy singing. 190 00:10:41,200 --> 00:10:44,640 Speaker 1: This is clearly a cover version, But what on earth 191 00:10:44,840 --> 00:10:47,319 Speaker 1: is this? And it was like making my the hair 192 00:10:47,360 --> 00:10:49,120 Speaker 1: on the back of my next stand up. This isn't 193 00:10:49,120 --> 00:10:51,360 Speaker 1: a time when I thought punk rock was the coolest 194 00:10:51,360 --> 00:10:54,319 Speaker 1: thing in the world. And the truth is Van Halen 195 00:10:55,120 --> 00:10:58,000 Speaker 1: was more punk than the Punks because they were truly 196 00:10:58,080 --> 00:11:01,319 Speaker 1: breaking down a bunch of barriers, if you will, or 197 00:11:01,320 --> 00:11:03,480 Speaker 1: they were going in their own sort of way. You know, 198 00:11:03,880 --> 00:11:06,040 Speaker 1: there hadn't been a band like Van Halen since Led 199 00:11:06,120 --> 00:11:10,120 Speaker 1: Zeppelin in terms of rock. Band hits the ground running 200 00:11:10,120 --> 00:11:13,680 Speaker 1: at full steam and it obliterates everything in their path 201 00:11:13,800 --> 00:11:17,880 Speaker 1: in a certain sense. And to me, Van Halen just sound. 202 00:11:17,960 --> 00:11:21,760 Speaker 1: It sounded like what California was in my head, you know. 203 00:11:21,800 --> 00:11:23,559 Speaker 1: As soon as I realized, as soon as I heard 204 00:11:23,559 --> 00:11:25,600 Speaker 1: about them there from l A. And as soon as 205 00:11:25,640 --> 00:11:28,040 Speaker 1: I saw David Lee Roth and then as soon as 206 00:11:28,080 --> 00:11:29,920 Speaker 1: I heard more than you know, the next thing I 207 00:11:30,000 --> 00:11:34,320 Speaker 1: heard was eruption, you know, the guitar solo. And you know, 208 00:11:34,920 --> 00:11:38,400 Speaker 1: hearing just two pieces of their first album and seeing 209 00:11:38,440 --> 00:11:41,840 Speaker 1: what they look like, it just it felt brand new 210 00:11:42,000 --> 00:11:44,800 Speaker 1: and it already felt like they're gonna be around forever. 211 00:11:44,960 --> 00:11:47,320 Speaker 1: You just knew from the jump. And this is me 212 00:11:47,360 --> 00:11:50,200 Speaker 1: as a thirteen year old kid who was obsessed with music. 213 00:11:50,920 --> 00:11:53,200 Speaker 1: This band is one of the all timers. Like, there's 214 00:11:53,240 --> 00:11:56,240 Speaker 1: nothing like this, and they all have the chops and 215 00:11:56,280 --> 00:11:58,720 Speaker 1: the other thing too. As long as I'm just rambling incessantly, 216 00:11:59,200 --> 00:12:02,560 Speaker 1: Heny van Halen is a great rhythm player. It wasn't 217 00:12:02,640 --> 00:12:05,880 Speaker 1: just about the solos. He led the band rhythmically. And 218 00:12:05,920 --> 00:12:08,679 Speaker 1: he's also it needs to be noted, not that it's 219 00:12:08,720 --> 00:12:10,960 Speaker 1: not obvious. He's a hell of a songwriter. I mean 220 00:12:11,400 --> 00:12:15,240 Speaker 1: he really was. As I said before, he's a true unicorn. 221 00:12:15,280 --> 00:12:17,199 Speaker 1: I mean, just just nothing like it. What does this 222 00:12:17,240 --> 00:12:23,520 Speaker 1: sound like to you? It sounds frequent and right in 223 00:12:24,040 --> 00:12:26,040 Speaker 1: like righting the zone you know when you're when you're 224 00:12:26,040 --> 00:12:28,160 Speaker 1: playing something that you're in the same key that's one thing. 225 00:12:28,160 --> 00:12:30,160 Speaker 1: Because I listen, I play a little bit. I don't 226 00:12:30,240 --> 00:12:32,000 Speaker 1: play even as good as my friends who are real 227 00:12:32,040 --> 00:12:37,200 Speaker 1: life musicians, but it's perfect frequency and and not frequency 228 00:12:37,280 --> 00:12:39,520 Speaker 1: is in the tone or the but as much because 229 00:12:39,520 --> 00:12:41,720 Speaker 1: it's a lot. I mean, Brad Paisley plays, I know 230 00:12:41,720 --> 00:12:43,760 Speaker 1: it's Brad Paisley because I hear the chicken picking. I 231 00:12:43,800 --> 00:12:46,680 Speaker 1: hear he has a very distinct sound. And again I 232 00:12:46,720 --> 00:12:48,960 Speaker 1: didn't catch van Halen as it was kind of happening 233 00:12:48,960 --> 00:12:51,800 Speaker 1: in my childhood. But when I hear a van Halen song, 234 00:12:51,840 --> 00:12:53,480 Speaker 1: even if I it's I don't know who it is. 235 00:12:53,520 --> 00:12:55,720 Speaker 1: If I just hear the guitar part, I hear the 236 00:12:55,800 --> 00:12:59,920 Speaker 1: Eddie van Halen because I how fast he shreds. By 237 00:13:00,400 --> 00:13:03,199 Speaker 1: the pattern that he does it, you can just tell 238 00:13:03,320 --> 00:13:07,320 Speaker 1: by by by his fingers and it's kind of again 239 00:13:07,360 --> 00:13:09,520 Speaker 1: it's hard to explain when you ask about music, but 240 00:13:10,000 --> 00:13:12,959 Speaker 1: that's what I think about. And I try to always 241 00:13:12,960 --> 00:13:15,680 Speaker 1: try to, uh prepare analogies. And most of the people 242 00:13:15,760 --> 00:13:19,720 Speaker 1: listen to this podcast here between twenty two to forty, 243 00:13:19,840 --> 00:13:23,280 Speaker 1: and if you were to make an analogy to another band, 244 00:13:23,320 --> 00:13:26,280 Speaker 1: it's gonna be tough, because listen van Halen was massive, 245 00:13:26,360 --> 00:13:31,360 Speaker 1: But who later on had the kind of um impact 246 00:13:31,880 --> 00:13:37,280 Speaker 1: or reflected the mass listening that van Halen had well, 247 00:13:37,400 --> 00:13:41,800 Speaker 1: and just what what band can we look at now 248 00:13:41,960 --> 00:13:43,800 Speaker 1: or in the last ten years and see, Okay, well, 249 00:13:43,840 --> 00:13:45,560 Speaker 1: that's how big van Halen was to the people that 250 00:13:45,600 --> 00:13:50,400 Speaker 1: were the kids in the eighties. Well, van Halen hit 251 00:13:50,400 --> 00:13:52,600 Speaker 1: in the late seventies. Ten years later he had Guns 252 00:13:52,600 --> 00:13:56,040 Speaker 1: and Roses. Six years after that, you had Nirvana and 253 00:13:56,120 --> 00:13:58,800 Speaker 1: Pearl Jam. As far as what it is in the 254 00:13:58,920 --> 00:14:03,120 Speaker 1: two thousands, honestly, I wouldn't know. I I haven't. I 255 00:14:03,160 --> 00:14:06,360 Speaker 1: haven't seen any young band that to me have have 256 00:14:06,360 --> 00:14:09,760 Speaker 1: have broken new ground or gone anywhere with playing. The 257 00:14:09,800 --> 00:14:12,360 Speaker 1: other thing about Eddie van Halen you gotta recognize is, 258 00:14:12,880 --> 00:14:15,640 Speaker 1: you know, that's the that's the beginning of the end 259 00:14:15,679 --> 00:14:19,119 Speaker 1: of music being played with human hands on wooden instruments. 260 00:14:19,240 --> 00:14:21,840 Speaker 1: I mean, as a general rule, there's still great rock 261 00:14:21,880 --> 00:14:23,760 Speaker 1: and roll music being made today, but for the last 262 00:14:23,800 --> 00:14:28,000 Speaker 1: twenty thirty years, electronic music has has lived side by side. 263 00:14:28,720 --> 00:14:32,720 Speaker 1: Um you know, computer generated beat driven music has lived 264 00:14:32,760 --> 00:14:35,040 Speaker 1: side by side with rock and rolling in fact overtaken it. 265 00:14:35,120 --> 00:14:38,560 Speaker 1: So when Eddie van Halen broke through, that was still 266 00:14:38,600 --> 00:14:42,320 Speaker 1: just what everybody did. They played instruments, and he's the 267 00:14:42,360 --> 00:14:44,680 Speaker 1: guy showed up. You know what is it the mountain? 268 00:14:44,720 --> 00:14:46,920 Speaker 1: Gladwell says, you need ten thousand hours to be great 269 00:14:46,960 --> 00:14:50,000 Speaker 1: at something. He showed up like a hundred thousand hours. 270 00:14:50,200 --> 00:14:53,200 Speaker 1: And and there hasn't been a musician in the world 271 00:14:53,200 --> 00:14:57,520 Speaker 1: of rock music in the last thirty I can't think 272 00:14:57,560 --> 00:15:01,320 Speaker 1: of a single person you say, set the higher genre 273 00:15:01,400 --> 00:15:04,560 Speaker 1: on it here. I mean Eddie van Halen literally did that. 274 00:15:04,720 --> 00:15:08,880 Speaker 1: He he obliterated what it meant to be a great 275 00:15:08,880 --> 00:15:11,400 Speaker 1: guitar player. For a few years. It really set off 276 00:15:11,400 --> 00:15:14,560 Speaker 1: the equilibrium of the music industry. I mean, he's he's 277 00:15:14,720 --> 00:15:18,280 Speaker 1: he was a genuine earthquake, much the same way ten 278 00:15:18,360 --> 00:15:20,880 Speaker 1: years earlier Jimi Hendricks had been. And that's the only 279 00:15:20,920 --> 00:15:22,520 Speaker 1: two that come to mind that you could say had 280 00:15:22,560 --> 00:15:25,640 Speaker 1: that kind of impact. I heard somebody else today say that, 281 00:15:26,240 --> 00:15:30,120 Speaker 1: you know, the two greatest, most significant chiefs the technology 282 00:15:30,160 --> 00:15:31,920 Speaker 1: in the second half of the twenty century, where the 283 00:15:31,960 --> 00:15:34,920 Speaker 1: electric guitar and the television. And as soon as the 284 00:15:35,000 --> 00:15:37,200 Speaker 1: Jump video hit hit the airways, all of a sudden, 285 00:15:37,240 --> 00:15:39,920 Speaker 1: Eddie van Halen was in control of both. You know, 286 00:15:40,000 --> 00:15:41,960 Speaker 1: when you take a gally that and put him on 287 00:15:42,120 --> 00:15:45,600 Speaker 1: MTV in those videos. Man, forget it. There was just 288 00:15:45,680 --> 00:15:47,680 Speaker 1: nobody that could They could touch him and come close 289 00:15:47,760 --> 00:15:51,160 Speaker 1: and listen. I'm a drummer. And you mentioned Brad Paisley. 290 00:15:51,560 --> 00:15:53,800 Speaker 1: Pasked Brad Paisley with Eddie van Halen and a lot 291 00:15:53,880 --> 00:15:57,080 Speaker 1: of the great country players of today, Keith Urban and 292 00:15:57,480 --> 00:16:00,360 Speaker 1: all sorts of players. They grew up listening to Van 293 00:16:00,360 --> 00:16:03,000 Speaker 1: Halen records. You know, there's there's not as big a 294 00:16:03,080 --> 00:16:04,880 Speaker 1: landscape for a guy to play a guitar and get 295 00:16:04,880 --> 00:16:07,240 Speaker 1: a paycheck in in the world of rock music as 296 00:16:07,280 --> 00:16:09,080 Speaker 1: there is in country music. And there's a lot of 297 00:16:09,600 --> 00:16:11,840 Speaker 1: a lot of guys who were making a lot of 298 00:16:11,840 --> 00:16:13,920 Speaker 1: money playing guitar and country music right now. I grew 299 00:16:14,000 --> 00:16:16,960 Speaker 1: up listening to rock records first, and and of all 300 00:16:17,000 --> 00:16:19,400 Speaker 1: those guys that he was always he was always the guy. 301 00:16:19,440 --> 00:16:21,800 Speaker 1: He's always been the gold standard. Don't have a chance 302 00:16:21,880 --> 00:16:24,000 Speaker 1: to meet Eddie or any of the guys of an Halen. 303 00:16:24,920 --> 00:16:27,800 Speaker 1: I met David Lee Roth several times, but he's the 304 00:16:27,840 --> 00:16:31,600 Speaker 1: only the Pete Angelis who managed the Black Crows. He 305 00:16:31,720 --> 00:16:35,320 Speaker 1: started with Van Halen as their creative director from before 306 00:16:35,320 --> 00:16:38,160 Speaker 1: they had a record deal. He was. He directed all 307 00:16:38,200 --> 00:16:42,120 Speaker 1: their videos, he designed all their lights, he played a 308 00:16:42,160 --> 00:16:46,040 Speaker 1: big part in their stage for Soon. He was, creatively speaking, 309 00:16:46,120 --> 00:16:50,000 Speaker 1: very much a member of that organization and and in 310 00:16:50,080 --> 00:16:53,840 Speaker 1: the David Lee Roth era. You know, was was thought 311 00:16:53,880 --> 00:16:55,680 Speaker 1: of by a lot of people as the fifth member 312 00:16:55,680 --> 00:16:57,680 Speaker 1: of Van Halen. So I know an awful lot about 313 00:16:57,680 --> 00:17:00,400 Speaker 1: that story through Pete. I met Dave in the early 314 00:17:00,480 --> 00:17:03,720 Speaker 1: nineties several times. But I know, I I know a 315 00:17:03,800 --> 00:17:06,160 Speaker 1: lot of people who've worked with Van Halen over the years. 316 00:17:06,200 --> 00:17:09,160 Speaker 1: I mean, I've heard enough stories and here enough things 317 00:17:09,200 --> 00:17:14,600 Speaker 1: to have a fairly consistent sense of of Eddie's work ethic, 318 00:17:15,760 --> 00:17:18,080 Speaker 1: uh and of all the things that motivated him and 319 00:17:18,160 --> 00:17:20,800 Speaker 1: drove him to be what he was. You know, the 320 00:17:20,840 --> 00:17:23,760 Speaker 1: Black Crows were, and I've told you this into your 321 00:17:23,800 --> 00:17:26,959 Speaker 1: face as well. Black Crows to me were instrumental in 322 00:17:27,000 --> 00:17:31,520 Speaker 1: my just music upbringing. And you know, it was the 323 00:17:31,800 --> 00:17:34,320 Speaker 1: bands that you mentioned, which were the grunge bands, but 324 00:17:34,359 --> 00:17:37,240 Speaker 1: the Black Crows felt a little bit like it was 325 00:17:37,560 --> 00:17:41,199 Speaker 1: like dirty rock in the South a little bit. It 326 00:17:41,280 --> 00:17:43,639 Speaker 1: was kind of a bit of what it felt like 327 00:17:43,640 --> 00:17:45,200 Speaker 1: to me is you're trying to describe music and stuff, 328 00:17:45,200 --> 00:17:46,760 Speaker 1: but that's what the Black Crows felt like around that 329 00:17:46,840 --> 00:17:48,640 Speaker 1: same time where I was like, man, I kind of 330 00:17:49,000 --> 00:17:52,280 Speaker 1: actually identify with this rock music a little more. And 331 00:17:52,280 --> 00:17:54,560 Speaker 1: then you know, as you grow up and you start 332 00:17:54,640 --> 00:17:56,320 Speaker 1: to look back and listen to the music, and you 333 00:17:56,359 --> 00:17:58,479 Speaker 1: put out a book I Gotta and I and I 334 00:17:58,520 --> 00:18:00,320 Speaker 1: was looking through the book when you put it out. 335 00:18:01,240 --> 00:18:03,879 Speaker 1: How much crap did you get into for sharing some 336 00:18:03,960 --> 00:18:08,520 Speaker 1: of those stories with the about those guys? Uh? None, 337 00:18:08,680 --> 00:18:11,240 Speaker 1: who's gonna mess with me? Did they anyone reach out 338 00:18:11,240 --> 00:18:13,280 Speaker 1: to you privately go like, come on, dude, wh are 339 00:18:13,280 --> 00:18:17,600 Speaker 1: you gonna be a douche? No? Oh no, There's only 340 00:18:17,640 --> 00:18:20,320 Speaker 1: two people that would probably be offended with anything I wrote. 341 00:18:20,359 --> 00:18:22,200 Speaker 1: The problem with my book is that it felt true. 342 00:18:22,800 --> 00:18:25,600 Speaker 1: So if anybody's gonna say anything to me, especially the 343 00:18:25,640 --> 00:18:28,960 Speaker 1: to the two people that you're referring to, my former partners, 344 00:18:28,960 --> 00:18:33,240 Speaker 1: the brothers Robinson, they've spent their lives uh, spitting out 345 00:18:33,400 --> 00:18:35,119 Speaker 1: as much as they couldn't have thought they could that 346 00:18:35,240 --> 00:18:38,320 Speaker 1: we're honest, We're honest, we're honest. So it's kind of 347 00:18:38,359 --> 00:18:42,040 Speaker 1: hard to build a you know, a reputation on I 348 00:18:42,520 --> 00:18:44,479 Speaker 1: call it like I see it. And then when somebody 349 00:18:44,520 --> 00:18:46,320 Speaker 1: does the same thing, you have a problem with it. 350 00:18:46,920 --> 00:18:48,639 Speaker 1: So I've not heard a word from either one, and 351 00:18:48,680 --> 00:18:51,000 Speaker 1: I can't imagine I ever will the book. You gotta 352 00:18:51,080 --> 00:18:53,359 Speaker 1: check it out. It's called Hard to Handle. The Life 353 00:18:53,400 --> 00:18:56,400 Speaker 1: and Death of the Black Crows's memoir came out May 354 00:18:56,480 --> 00:18:58,880 Speaker 1: of this year, so it came out during the pandemic, 355 00:18:58,920 --> 00:19:01,280 Speaker 1: which the paper the paper back came out, and yeah, 356 00:19:01,800 --> 00:19:03,879 Speaker 1: it's been out for over years in hard book the 357 00:19:04,280 --> 00:19:06,560 Speaker 1: paper but you couldn't you couldn't like do a new 358 00:19:06,600 --> 00:19:08,479 Speaker 1: book tour on it. When I did my paper you know, 359 00:19:08,640 --> 00:19:12,240 Speaker 1: my books paperback was like a whole new level because 360 00:19:12,280 --> 00:19:14,480 Speaker 1: it was distributed. It was a little cheaper to distribute, 361 00:19:14,560 --> 00:19:16,720 Speaker 1: so they put more out. You got to do press again. 362 00:19:16,720 --> 00:19:18,280 Speaker 1: But because the pandemic, I felt like you kind of 363 00:19:18,280 --> 00:19:20,520 Speaker 1: missed out on that. You feel that way, Well, I 364 00:19:20,560 --> 00:19:22,240 Speaker 1: got I did. I mean I did it. I had 365 00:19:22,240 --> 00:19:25,800 Speaker 1: a decent run. I mean from September through I guess 366 00:19:25,840 --> 00:19:28,239 Speaker 1: the last event I did was in February, so you know, 367 00:19:28,320 --> 00:19:31,600 Speaker 1: I mean I did a around twenty book events. It 368 00:19:31,680 --> 00:19:34,359 Speaker 1: certainly would have been the problem for me as it 369 00:19:34,400 --> 00:19:37,760 Speaker 1: turned out, I said, it's a problem. I had just 370 00:19:37,800 --> 00:19:40,280 Speaker 1: started my new radio show at the same right around 371 00:19:40,320 --> 00:19:42,439 Speaker 1: the same time, and it wasn't as easy for me 372 00:19:42,480 --> 00:19:45,359 Speaker 1: to just jump and hit the circuit right away, you know, 373 00:19:45,480 --> 00:19:49,040 Speaker 1: just come flying out of the gate. So, uh, it 374 00:19:49,080 --> 00:19:51,480 Speaker 1: wasn't as coordinated as as it could have been, I guess. 375 00:19:51,520 --> 00:19:53,720 Speaker 1: But you know, the book has legs, like any book 376 00:19:53,800 --> 00:19:56,400 Speaker 1: for people they care about the band, it's always gonna 377 00:19:56,400 --> 00:19:59,600 Speaker 1: be there, and uh, you know that's it is it 378 00:19:59,760 --> 00:20:03,080 Speaker 1: we to every night, travel play, be super close of 379 00:20:03,119 --> 00:20:07,000 Speaker 1: folks when you absolutely cannot stand them. No, you learn 380 00:20:07,040 --> 00:20:10,359 Speaker 1: how to compartmentalize that compartmentalize that stuff really early, you know, 381 00:20:10,560 --> 00:20:14,520 Speaker 1: actually looking back, I mean, but but it didn't start 382 00:20:14,600 --> 00:20:17,320 Speaker 1: where we couldn't stand each other. The band started thickest feeds, 383 00:20:17,400 --> 00:20:19,600 Speaker 1: you know what I mean. It was like we were 384 00:20:20,600 --> 00:20:23,280 Speaker 1: kids who agreed on a dream and we put everything 385 00:20:23,280 --> 00:20:26,360 Speaker 1: we had behind it. And it takes years before anyone's 386 00:20:26,400 --> 00:20:28,200 Speaker 1: willing to stick their head up out of the sand 387 00:20:28,200 --> 00:20:30,200 Speaker 1: and go, hey, I think I'm kind of miserable, or 388 00:20:30,320 --> 00:20:32,879 Speaker 1: I think I don't trust you anymore. It's a long 389 00:20:33,080 --> 00:20:35,920 Speaker 1: long time before, at least it wasn't on the case 390 00:20:35,960 --> 00:20:39,280 Speaker 1: of the Black Crows, before we all felt comfortable saying 391 00:20:39,320 --> 00:20:42,440 Speaker 1: those things or even admitting them to ourselves is really 392 00:20:42,440 --> 00:20:45,680 Speaker 1: the first step. Um. You know, there's an awful lot 393 00:20:45,720 --> 00:20:47,240 Speaker 1: of there's a lot of love, and there's a lot 394 00:20:47,240 --> 00:20:50,360 Speaker 1: of betrayal, and there's a lot of fear and loathing 395 00:20:50,359 --> 00:20:53,479 Speaker 1: and insecurity and arrogance and all those sort of things 396 00:20:53,520 --> 00:20:56,560 Speaker 1: just on kind of hyper drive in a band like ours. 397 00:20:56,680 --> 00:21:00,399 Speaker 1: And so by the time you were able to admit 398 00:21:00,440 --> 00:21:03,119 Speaker 1: to yourself this isn't what I was hoping for, you 399 00:21:03,280 --> 00:21:05,920 Speaker 1: figured out how to play and just about any circumstance, 400 00:21:05,920 --> 00:21:08,560 Speaker 1: in any situation, and if the band is still good, 401 00:21:09,080 --> 00:21:11,600 Speaker 1: then you tell yourself, well, hey man, you know, look 402 00:21:11,640 --> 00:21:13,080 Speaker 1: at what we just did on stage for two and 403 00:21:13,080 --> 00:21:15,760 Speaker 1: a half hours. It's worth it, you know, whatever else 404 00:21:15,880 --> 00:21:17,320 Speaker 1: is going on, it's worth it to be in a 405 00:21:17,320 --> 00:21:20,080 Speaker 1: band like this. Do you guys have any bands that 406 00:21:20,119 --> 00:21:22,640 Speaker 1: you hated like that you saw playing and not because 407 00:21:22,680 --> 00:21:25,119 Speaker 1: they weren't good, but because just as people, you were like, 408 00:21:25,160 --> 00:21:26,800 Speaker 1: they're not for us and we don't want to be 409 00:21:26,840 --> 00:21:29,800 Speaker 1: friends with them. Yeah. Oh well, well my band was 410 00:21:29,840 --> 00:21:32,000 Speaker 1: the worst at having a long list of bands we 411 00:21:32,000 --> 00:21:35,240 Speaker 1: didn't get along with. I mean, I'm a pretty agreeable dude. 412 00:21:35,280 --> 00:21:37,520 Speaker 1: I get along with just about anybody, but my partners 413 00:21:37,520 --> 00:21:40,639 Speaker 1: weren't that way, and as a band, our reputation was 414 00:21:40,680 --> 00:21:43,880 Speaker 1: definitely a bit stand office. I mean, we either It's 415 00:21:43,920 --> 00:21:46,320 Speaker 1: like the mindset of the Black Crows was we either 416 00:21:46,400 --> 00:21:48,359 Speaker 1: love you or we have no time for you. Not 417 00:21:48,400 --> 00:21:51,280 Speaker 1: necessarily hated you, but you know, if if we didn't 418 00:21:51,280 --> 00:21:53,240 Speaker 1: embrace what you did, it was kind of like, yeah, 419 00:21:53,280 --> 00:21:56,879 Speaker 1: whatever I mean. Um, you know, there there were there 420 00:21:56,880 --> 00:21:59,000 Speaker 1: were some amusing things over the years. I'm trying to 421 00:21:59,000 --> 00:22:01,480 Speaker 1: think if there was. When Shaking money Maker came out, 422 00:22:01,520 --> 00:22:04,199 Speaker 1: we got lumped in with Slaughter and skid Row and 423 00:22:04,240 --> 00:22:06,119 Speaker 1: a lot of bands that we had no regard for, 424 00:22:06,200 --> 00:22:09,760 Speaker 1: and we did cross paths with those guys sometimes, and 425 00:22:10,720 --> 00:22:13,720 Speaker 1: we were, for better or worse, one of the few 426 00:22:13,760 --> 00:22:17,720 Speaker 1: bands who would actually look at some other band and go, dude, 427 00:22:17,720 --> 00:22:19,040 Speaker 1: I don't want to talk to you, I don't like 428 00:22:19,080 --> 00:22:22,000 Speaker 1: your music. I think you're a clown. Just just leaves. 429 00:22:22,080 --> 00:22:23,880 Speaker 1: This isn't gonna be good for you. You know, we 430 00:22:23,880 --> 00:22:27,080 Speaker 1: we we actually acted like that to other bands in 431 00:22:27,119 --> 00:22:30,000 Speaker 1: the early days. Um, it was kind of funny to 432 00:22:30,080 --> 00:22:31,800 Speaker 1: us too. You know, we all grew up watching Bill 433 00:22:31,880 --> 00:22:33,679 Speaker 1: Murray movies. We were all just trying to be like 434 00:22:33,720 --> 00:22:35,840 Speaker 1: that guy in stripes, but in a rock band on 435 00:22:35,920 --> 00:22:39,320 Speaker 1: a certain sense. But then you know, it's weird to 436 00:22:39,320 --> 00:22:41,159 Speaker 1: open up a magazine and see a band that you 437 00:22:41,200 --> 00:22:43,720 Speaker 1: can't stand right next to you. And like, back in 438 00:22:43,720 --> 00:22:45,840 Speaker 1: those days, you'd see rock mags and it would be 439 00:22:46,240 --> 00:22:50,680 Speaker 1: readers pull our two favorite bands, Warrant and the Black Crows, 440 00:22:50,760 --> 00:22:55,159 Speaker 1: and we'd be like, what were weaz with Warrant? You know, 441 00:22:55,160 --> 00:22:57,760 Speaker 1: And I look back now and I don't care about Warrant. 442 00:22:57,920 --> 00:23:00,000 Speaker 1: I wish those guys well, I don't care about any 443 00:23:00,040 --> 00:23:04,040 Speaker 1: these fans. But when you're three and you get your 444 00:23:04,040 --> 00:23:06,080 Speaker 1: first shot at it, man, you take everything a little 445 00:23:06,080 --> 00:23:07,960 Speaker 1: too seriously, or at least we did. You know a 446 00:23:08,000 --> 00:23:10,840 Speaker 1: lot of my buds who are artists now and mostly 447 00:23:11,200 --> 00:23:13,200 Speaker 1: a few years ago before they started to settle down. 448 00:23:13,600 --> 00:23:17,360 Speaker 1: But people would girls would reach out to them through 449 00:23:17,400 --> 00:23:19,760 Speaker 1: direct message on Instagram and so then that's how they 450 00:23:19,760 --> 00:23:21,920 Speaker 1: would link up. That's how they would meet later and 451 00:23:21,960 --> 00:23:24,840 Speaker 1: they would do whatever they do later on. How back 452 00:23:24,880 --> 00:23:28,600 Speaker 1: in the nineties would you guys meet the chicks that 453 00:23:28,720 --> 00:23:33,200 Speaker 1: you would hang out with each Sydney. You know, this 454 00:23:33,280 --> 00:23:36,720 Speaker 1: is the sad truth about the Black Crows. Um that 455 00:23:36,840 --> 00:23:39,959 Speaker 1: was hardly a priority for us as a band. Um, 456 00:23:40,000 --> 00:23:43,080 Speaker 1: you know, for me, I mean I've been with the 457 00:23:43,119 --> 00:23:46,640 Speaker 1: same moment since the end of I'm you know, I'm 458 00:23:46,760 --> 00:23:53,240 Speaker 1: thirty years last month in a monogamous relationship. So but 459 00:23:53,240 --> 00:23:55,280 Speaker 1: but you know, if if I have to think back 460 00:23:55,280 --> 00:23:57,679 Speaker 1: to before that, when we were on the road, it 461 00:23:57,760 --> 00:23:59,440 Speaker 1: was just like it was when you're a local band. 462 00:23:59,480 --> 00:24:01,440 Speaker 1: You just show up and meet somebody in the town 463 00:24:01,960 --> 00:24:04,720 Speaker 1: and move on. It wasn't a question of there was 464 00:24:04,760 --> 00:24:09,160 Speaker 1: no thought to uh. I know, bands that that that 465 00:24:09,240 --> 00:24:12,159 Speaker 1: was sort of their raisin day after, you know, like 466 00:24:12,200 --> 00:24:13,720 Speaker 1: they hit the road and it was just a matter 467 00:24:13,760 --> 00:24:16,800 Speaker 1: of surround themselves with women at all times. The truth 468 00:24:16,960 --> 00:24:19,080 Speaker 1: is just you know, of all the things about the 469 00:24:19,080 --> 00:24:21,320 Speaker 1: Black Crows that made no sense, one thing that made 470 00:24:21,320 --> 00:24:23,440 Speaker 1: a lot of sense was we were obsessed with being 471 00:24:24,040 --> 00:24:26,400 Speaker 1: a great live band. And we got on the bus 472 00:24:26,440 --> 00:24:28,840 Speaker 1: at the end of the night and everybody was drinking 473 00:24:28,840 --> 00:24:31,560 Speaker 1: and everybody was smoking weed in the early days before 474 00:24:31,600 --> 00:24:34,880 Speaker 1: harder drugs moved into the scene. But we were listening 475 00:24:34,880 --> 00:24:37,680 Speaker 1: to live bootlegs instead of partying in the dressing room 476 00:24:37,720 --> 00:24:40,760 Speaker 1: with girls. We were literally we would record our shows 477 00:24:40,800 --> 00:24:44,120 Speaker 1: and listen back that night and and talk about where 478 00:24:44,160 --> 00:24:47,360 Speaker 1: a jam could have gone farther, or where we went 479 00:24:47,440 --> 00:24:49,359 Speaker 1: too far, or how do how do we get the 480 00:24:49,440 --> 00:24:54,360 Speaker 1: rhythm section to carry this interim section between these two songs. 481 00:24:54,440 --> 00:24:57,119 Speaker 1: I mean, we were we were obsessed with that in 482 00:24:57,119 --> 00:24:59,040 Speaker 1: the earliest days. And I think a lot of bands 483 00:24:59,040 --> 00:25:02,200 Speaker 1: at the road and they're already sort of fully formed. 484 00:25:02,359 --> 00:25:04,280 Speaker 1: We we were making it up as we went. Like 485 00:25:04,320 --> 00:25:06,359 Speaker 1: our first album came out, we hit the road in 486 00:25:06,400 --> 00:25:08,840 Speaker 1: support of it, and we've never played more than four 487 00:25:08,920 --> 00:25:10,679 Speaker 1: nights in a row in our life. And suddenly we 488 00:25:10,680 --> 00:25:13,960 Speaker 1: went on tour for twenty months. We had never toured before. 489 00:25:14,680 --> 00:25:16,800 Speaker 1: We already had a song on the rock charts before 490 00:25:16,840 --> 00:25:19,600 Speaker 1: we'd ever toured, so we felt like we had a lot. 491 00:25:19,760 --> 00:25:21,399 Speaker 1: We had to make up a lot of ground. You know, 492 00:25:21,440 --> 00:25:23,960 Speaker 1: we were we were coming from behind from the jump, 493 00:25:24,720 --> 00:25:28,680 Speaker 1: and you know, individually, I'm sure members of the band 494 00:25:28,720 --> 00:25:31,639 Speaker 1: were doing whatever they could with women, but as a 495 00:25:31,720 --> 00:25:35,440 Speaker 1: band scene, we never had a groupie vibe ever. There 496 00:25:35,480 --> 00:25:38,119 Speaker 1: was never The word on the street was never the 497 00:25:38,160 --> 00:25:40,119 Speaker 1: black crows are looking for women. It was always the 498 00:25:40,160 --> 00:25:43,480 Speaker 1: black crowsters looking for drugs, if anything. And two more 499 00:25:43,480 --> 00:25:45,280 Speaker 1: things to talk to you about. The first thing is 500 00:25:46,040 --> 00:25:48,000 Speaker 1: in the heyday, when you guys are just knocking them out. 501 00:25:48,600 --> 00:25:52,359 Speaker 1: Who is the most famous fan that came up to you? Guys? 502 00:25:52,359 --> 00:25:54,080 Speaker 1: I was like, I'm just such a die hard fan. 503 00:25:54,200 --> 00:25:56,920 Speaker 1: We're like, holy crap, that's that's crazy because you're awesome. 504 00:25:58,520 --> 00:26:00,359 Speaker 1: That's a good question. We had a lot of app leats. 505 00:26:00,400 --> 00:26:02,080 Speaker 1: There was a lot of pro athletes, you know, a 506 00:26:02,119 --> 00:26:05,120 Speaker 1: lot of dudes just you know, football players and basketball players. 507 00:26:05,720 --> 00:26:08,680 Speaker 1: Um as far as like you know, a movie star 508 00:26:09,080 --> 00:26:11,639 Speaker 1: or man. I'm trying to think, I mean, because the 509 00:26:11,680 --> 00:26:14,399 Speaker 1: ones we were most impressed with were just other musicians. 510 00:26:14,440 --> 00:26:17,120 Speaker 1: Like the first time we met Malcolm and Angus Young 511 00:26:17,119 --> 00:26:18,840 Speaker 1: of a C d C. They were like, just a 512 00:26:18,880 --> 00:26:21,479 Speaker 1: proper band. You guys are great, we love your record. 513 00:26:21,920 --> 00:26:26,240 Speaker 1: I mean that meant more than that's way bigger Julia 514 00:26:26,320 --> 00:26:29,879 Speaker 1: Roberts coming up to you, or David Duchovny from the 515 00:26:30,040 --> 00:26:31,879 Speaker 1: X Files or I'm just trying to think of people 516 00:26:31,880 --> 00:26:35,000 Speaker 1: that we cost. You know, it's nice, but we really 517 00:26:35,040 --> 00:26:36,679 Speaker 1: were the band that, like, you know, we opened for 518 00:26:36,760 --> 00:26:40,399 Speaker 1: Robert Plant on our first tour for six weeks and 519 00:26:40,520 --> 00:26:43,000 Speaker 1: the first show was at Red Rocks and he burst 520 00:26:43,040 --> 00:26:46,240 Speaker 1: into our dressing room to go, hey, guys, I'm so 521 00:26:46,359 --> 00:26:48,520 Speaker 1: glad you're here. I love the record, and I mean, 522 00:26:48,520 --> 00:26:51,479 Speaker 1: there's no coming. There's nothing better than that, literally, nothing 523 00:26:51,600 --> 00:26:55,000 Speaker 1: like Robert Plant knows our name. What kind of weird 524 00:26:55,080 --> 00:26:57,560 Speaker 1: world are we in all of a sudden, so famous 525 00:26:57,600 --> 00:26:59,920 Speaker 1: person that wasn't in the music would have been a 526 00:27:00,119 --> 00:27:02,680 Speaker 1: long you know, way way back in second place behind 527 00:27:02,680 --> 00:27:04,840 Speaker 1: those kind of things. Well, and I want to end 528 00:27:04,840 --> 00:27:07,080 Speaker 1: on this because we started talking about Eddie van Halen 529 00:27:07,119 --> 00:27:09,480 Speaker 1: where you know, Eddie and his brother were the two 530 00:27:09,520 --> 00:27:13,080 Speaker 1: constants in van Halen the band. They switched out lead singers, 531 00:27:13,119 --> 00:27:16,679 Speaker 1: you know, two wildly successful another you know, when the 532 00:27:16,680 --> 00:27:19,159 Speaker 1: gay from Extreme came over not so much. But I 533 00:27:19,200 --> 00:27:21,119 Speaker 1: think you know that band had kind of aged a 534 00:27:21,119 --> 00:27:22,520 Speaker 1: bit as well. So I don't know that it was 535 00:27:22,560 --> 00:27:25,760 Speaker 1: his fault exactly, but if and you can speak on 536 00:27:25,800 --> 00:27:29,200 Speaker 1: the power of Eddie and his brother and and and 537 00:27:29,240 --> 00:27:30,919 Speaker 1: then being the force of that band. But but to 538 00:27:30,920 --> 00:27:33,080 Speaker 1: start it off with this, you know, could the Black 539 00:27:33,119 --> 00:27:36,960 Speaker 1: Crows have switched lead singers and and continue to move 540 00:27:37,000 --> 00:27:42,840 Speaker 1: on um? And how hard is that to do? Uh? Well, well, 541 00:27:43,040 --> 00:27:45,159 Speaker 1: I mean yes, the Black Crows could have switched out 542 00:27:45,200 --> 00:27:48,679 Speaker 1: Chris Robinson at some point and still managed to find career, 543 00:27:48,960 --> 00:27:54,120 Speaker 1: if that's what we were concerned with, maintaining a career. Yeah, 544 00:27:54,160 --> 00:27:55,879 Speaker 1: we could have found a singer that could act like 545 00:27:55,880 --> 00:27:58,880 Speaker 1: a frontman, and we could have brought in outside writers 546 00:27:58,920 --> 00:28:00,600 Speaker 1: to write songs that were sure or to be hit. 547 00:28:01,240 --> 00:28:04,840 Speaker 1: But every element, everything about how we went about being 548 00:28:04,880 --> 00:28:09,720 Speaker 1: the Black Prows, none of it was guided by those thoughts. 549 00:28:09,720 --> 00:28:13,600 Speaker 1: So really, I mean on paper, yes, of course, in reality, 550 00:28:13,680 --> 00:28:17,199 Speaker 1: not a chance. I mean, Chris was the engine that drove, 551 00:28:17,840 --> 00:28:20,600 Speaker 1: that motivated or you know, he he led the band 552 00:28:20,600 --> 00:28:24,040 Speaker 1: for better and oftentimes for worse, wherever we were going, 553 00:28:24,320 --> 00:28:28,719 Speaker 1: and his inspiration it was the guiding light. And oftentimes 554 00:28:28,760 --> 00:28:31,120 Speaker 1: I would say, like I wish he had been inspired 555 00:28:31,280 --> 00:28:34,560 Speaker 1: somewhere else or by something else. It was difficult, but 556 00:28:34,640 --> 00:28:36,520 Speaker 1: it was just the reality of that band. I can't 557 00:28:36,520 --> 00:28:40,200 Speaker 1: imagine how we would have functioned with somebody else, because 558 00:28:40,600 --> 00:28:42,880 Speaker 1: you know, it's like the Almond Brothers. They did very 559 00:28:42,880 --> 00:28:45,200 Speaker 1: well without Dwayne Almond, but there was a vacuum that 560 00:28:45,240 --> 00:28:48,719 Speaker 1: everybody tried to fill. They were successful, but the essence 561 00:28:48,720 --> 00:28:51,280 Speaker 1: of what made that band so special was gone forever. 562 00:28:52,040 --> 00:28:53,960 Speaker 1: If if if, that is, if something had happened to 563 00:28:54,000 --> 00:28:56,160 Speaker 1: Chris in the nineties. There's no way you can replace that. 564 00:28:56,200 --> 00:28:59,120 Speaker 1: We could have been a functioning band, certainly, and like 565 00:28:59,120 --> 00:29:00,960 Speaker 1: I said, we may have and successful, but it would 566 00:29:01,000 --> 00:29:03,680 Speaker 1: not have been the same thing. And and you know, 567 00:29:03,720 --> 00:29:07,720 Speaker 1: because Chris was the catalyst. He wasn't responsible for He's 568 00:29:07,760 --> 00:29:10,200 Speaker 1: not singularly responsible for any of it, but he was. 569 00:29:10,320 --> 00:29:12,719 Speaker 1: You know, you have to recognize what the catalyst is 570 00:29:13,200 --> 00:29:15,480 Speaker 1: and it was him. Dwane Allman was the catalyst for 571 00:29:15,480 --> 00:29:18,360 Speaker 1: the Olmer Brothers, not Greg Almond. Noel Gallagher is the 572 00:29:18,400 --> 00:29:22,160 Speaker 1: catalyst and Oasis. Could they have worked without Lamb, sure, 573 00:29:22,360 --> 00:29:24,480 Speaker 1: but it would have been very different. It wouldn't have 574 00:29:24,520 --> 00:29:26,840 Speaker 1: been the same. And that's the case in the Black 575 00:29:26,880 --> 00:29:29,120 Speaker 1: Crows for sure. Well how about van Halen, you got 576 00:29:29,200 --> 00:29:32,520 Speaker 1: I mean, it's all about Eddie, It's all about it. 577 00:29:32,640 --> 00:29:36,000 Speaker 1: I mean, you know, it's a sect, but honestly lives 578 00:29:36,080 --> 00:29:38,640 Speaker 1: upland could have worked if Robert Plant had checked out 579 00:29:38,640 --> 00:29:41,120 Speaker 1: after a couple of records. That's Jimmy Hendrick, I mean 580 00:29:41,240 --> 00:29:44,479 Speaker 1: Jimmy Hendricks, that's Jimmy Page's band. That was his baby. 581 00:29:44,680 --> 00:29:48,840 Speaker 1: He envisioned that whole thing. When you have a guy 582 00:29:48,920 --> 00:29:52,400 Speaker 1: like Eddie van Halen, Uh, you know, David Lee Ross. 583 00:29:52,440 --> 00:29:55,680 Speaker 1: For the people that don't know or don't remember from 584 00:29:55,720 --> 00:30:00,160 Speaker 1: seventy eight to eighties nine, he was a of your 585 00:30:00,240 --> 00:30:02,600 Speaker 1: rock stars. There wasn't a planet. Eddie van Halen really 586 00:30:02,640 --> 00:30:05,960 Speaker 1: wasn't a rock star. He married a TV star. He 587 00:30:06,040 --> 00:30:07,880 Speaker 1: did a lot of drugs, but he did drugs and 588 00:30:07,960 --> 00:30:10,080 Speaker 1: just went to his room and wrote songs. You know, 589 00:30:10,120 --> 00:30:13,040 Speaker 1: he wasn't a party He wasn't partying to be partying. 590 00:30:13,400 --> 00:30:15,640 Speaker 1: He was just an addict at the end of the 591 00:30:15,720 --> 00:30:18,680 Speaker 1: day who was obsessed with making music and doing it 592 00:30:18,760 --> 00:30:21,040 Speaker 1: his own way. And he was the guy. You know, 593 00:30:21,120 --> 00:30:24,680 Speaker 1: it's it speaks to what we said at the beginning, 594 00:30:24,720 --> 00:30:27,960 Speaker 1: like just what a complete unicorn he was. That the 595 00:30:28,000 --> 00:30:31,000 Speaker 1: band that you know that you could have David Lee 596 00:30:31,080 --> 00:30:34,520 Speaker 1: Roth as your front man and still people went to 597 00:30:34,520 --> 00:30:36,480 Speaker 1: see Van Halen and he would do a ten or 598 00:30:36,520 --> 00:30:40,000 Speaker 1: eleven minute guitar solo on stage alone. Do you know 599 00:30:40,040 --> 00:30:43,720 Speaker 1: how long ten minutes is? No one went to the bathroom, 600 00:30:43,960 --> 00:30:47,680 Speaker 1: That's what everybody was there for. And he's just just 601 00:30:47,760 --> 00:30:50,320 Speaker 1: a totally No rules that any other band ever had 602 00:30:50,360 --> 00:30:53,160 Speaker 1: to operate under apply to Van Halen, and that's because 603 00:30:53,200 --> 00:30:56,160 Speaker 1: of Eddie van Halen. There he is Steve Gorman. You 604 00:30:56,160 --> 00:30:58,080 Speaker 1: can check out the book Hard to Handle the Life 605 00:30:58,080 --> 00:31:00,400 Speaker 1: and Death of the Black Crows and Memoir, which paperback 606 00:31:00,440 --> 00:31:04,000 Speaker 1: came out in You can also follow on Instagram at 607 00:31:04,040 --> 00:31:07,680 Speaker 1: Steve Understore Underscore Gorman Underscore. You had to get both 608 00:31:07,680 --> 00:31:10,600 Speaker 1: those underscores in there. I got both of them. Man, 609 00:31:10,760 --> 00:31:12,800 Speaker 1: I can't relate to the Instagram game. All the Steve 610 00:31:12,800 --> 00:31:16,760 Speaker 1: Gorman versions were taking and then Trigger Hippie plays drums 611 00:31:16,760 --> 00:31:19,440 Speaker 1: and Trigger Hippie so check that? What what what's Trigger 612 00:31:19,480 --> 00:31:22,640 Speaker 1: Hippie up to? Well? I mean, like everybody else, we're 613 00:31:22,680 --> 00:31:25,040 Speaker 1: just waiting. You know. We put a record out last Fall, 614 00:31:25,120 --> 00:31:28,200 Speaker 1: Full Circle and then some and we were out touring. 615 00:31:28,240 --> 00:31:31,560 Speaker 1: I mean again, we were on the road September to 616 00:31:31,840 --> 00:31:35,440 Speaker 1: March pretty consistently, and uh, I think our last gig 617 00:31:35,480 --> 00:31:37,800 Speaker 1: was March seventh, and then, like everybody else, now we're 618 00:31:37,840 --> 00:31:40,400 Speaker 1: just on the sidelines wait for somebody to wave a 619 00:31:40,480 --> 00:31:43,080 Speaker 1: green flag. Yeah. Well, I appreciate the time. I appreciate 620 00:31:43,120 --> 00:31:45,440 Speaker 1: you talking about uh Eddie van Halen how much he 621 00:31:45,480 --> 00:31:47,520 Speaker 1: meant to you and rock music and then catching up 622 00:31:47,520 --> 00:31:48,959 Speaker 1: on the Black Crows. I hope you have a good day, man. 623 00:31:49,000 --> 00:31:56,480 Speaker 1: Thank you again, Yeah, thank you brother, pick here. Bobby 624 00:31:56,520 --> 00:32:01,840 Speaker 1: and Eddie's music school is now in session, up in 625 00:32:01,920 --> 00:32:04,840 Speaker 1: the morning and out to food. All right, Eddie is 626 00:32:04,880 --> 00:32:06,680 Speaker 1: here with me, Eddie, what are you gonna teach us today? 627 00:32:06,720 --> 00:32:08,640 Speaker 1: All right? So you know Chicken Fried by Zack Brown 628 00:32:08,680 --> 00:32:13,040 Speaker 1: Band right to me. This is the song that Zack 629 00:32:13,080 --> 00:32:16,040 Speaker 1: Brown Band is known for. This kicked off their huge career. 630 00:32:16,600 --> 00:32:19,600 Speaker 1: It's their song, but at one time it almost wasn't. 631 00:32:19,840 --> 00:32:22,560 Speaker 1: So it was written by Zach and someone else. But 632 00:32:23,040 --> 00:32:25,400 Speaker 1: and they recorded as a band in two thousand and six. 633 00:32:26,040 --> 00:32:27,960 Speaker 1: But then they stopped it. They say, hey, radio, pull 634 00:32:28,040 --> 00:32:31,840 Speaker 1: this because there's interest from someone else. Alan Jackson is 635 00:32:31,840 --> 00:32:35,080 Speaker 1: thinking about recording this and putting this out. So they 636 00:32:35,120 --> 00:32:36,960 Speaker 1: put a hold on it. They said, all right, stop it. 637 00:32:37,040 --> 00:32:39,280 Speaker 1: Alan sat on it for a little bit and then said, guys, 638 00:32:39,520 --> 00:32:41,240 Speaker 1: I'm just not gonna do it. I'm not feeling it. 639 00:32:41,280 --> 00:32:44,120 Speaker 1: And do you want another reason why? He said, recently 640 00:32:44,520 --> 00:32:47,760 Speaker 1: I had songs like about corn bread and chicken. I 641 00:32:47,800 --> 00:32:50,800 Speaker 1: had a Bolognian one of my songs, and it just 642 00:32:50,920 --> 00:32:53,160 Speaker 1: food is happening right now a lot of my albums. 643 00:32:53,160 --> 00:32:55,360 Speaker 1: I'm gonna stay away from chicken Fried. I don't want 644 00:32:55,360 --> 00:32:57,440 Speaker 1: to be known as the food guy. So he turned 645 00:32:57,440 --> 00:32:59,920 Speaker 1: it down. Zach Brown Band said okay, fine, we'll keep it, 646 00:33:00,040 --> 00:33:03,720 Speaker 1: and now this is their jam of course. Pretty interesting. Yeah, 647 00:33:03,720 --> 00:33:06,360 Speaker 1: that is pretty cool. I can't think of the Zach 648 00:33:06,440 --> 00:33:09,880 Speaker 1: Brown band with Bologney in it. I know, he yeah, 649 00:33:09,880 --> 00:33:13,560 Speaker 1: the Alan Jackson song, I know, the the corn bread, 650 00:33:13,880 --> 00:33:17,440 Speaker 1: corn bread and chicken, yeah where I come from. Yeah, 651 00:33:17,840 --> 00:33:24,360 Speaker 1: but where's the Bologney song? Mike? When you google Allan Jackson? Oh, 652 00:33:25,040 --> 00:33:27,160 Speaker 1: I still like bologny. I don't even know that song. 653 00:33:27,600 --> 00:33:29,959 Speaker 1: Must be an album cut, Alan, and we don't know 654 00:33:30,000 --> 00:33:31,920 Speaker 1: that song. You could have gone with chicken fried? Dude? 655 00:33:32,040 --> 00:33:36,200 Speaker 1: Was that a single? Really? I don't know that song. 656 00:33:36,360 --> 00:33:39,480 Speaker 1: I don't either, but but you know what I do, 657 00:33:39,520 --> 00:33:42,040 Speaker 1: we have. I still like Bologny in the system. You 658 00:33:42,040 --> 00:33:44,600 Speaker 1: know what I thought too, is really things that we 659 00:33:44,640 --> 00:33:47,560 Speaker 1: don't care about. Like if if Alan would have put 660 00:33:47,560 --> 00:33:50,000 Speaker 1: out chicken fried and he had cornbread and chicken and 661 00:33:50,040 --> 00:33:53,280 Speaker 1: the Bologney song, I don't think we would care too much. 662 00:33:53,440 --> 00:33:55,920 Speaker 1: We wouldn't even probably think about calling him the food guy. 663 00:33:56,200 --> 00:33:58,239 Speaker 1: But in his mind, it's a brand, and he's like, 664 00:33:58,320 --> 00:34:01,640 Speaker 1: I can't be known as a food guy, especially fried chicken. 665 00:34:02,000 --> 00:34:08,279 Speaker 1: They's satellite communication. I know this all long distance, Yeah, 666 00:34:07,400 --> 00:34:12,800 Speaker 1: I just didn't know it's called It's like I still 667 00:34:13,080 --> 00:34:16,719 Speaker 1: like maloney white bread, Yeah of course, yeah, yeah, yeah, 668 00:34:16,760 --> 00:34:21,239 Speaker 1: I know it's all willing, good enough. Don't embrace it 669 00:34:21,640 --> 00:34:26,399 Speaker 1: like I should. Wouldn't want to go back even if 670 00:34:26,480 --> 00:34:30,960 Speaker 1: by here we go, here's the chorus. But I still 671 00:34:31,560 --> 00:34:37,560 Speaker 1: like a brand and that's colonial white bread with mustard. 672 00:34:38,680 --> 00:34:42,799 Speaker 1: Love it. Not the best for me healthwise, no, but 673 00:34:43,120 --> 00:34:46,040 Speaker 1: love it. But Alan Jackson did say in retrospect, I 674 00:34:46,040 --> 00:34:51,399 Speaker 1: should have recorded that. Yeah, how about this my version 675 00:34:51,440 --> 00:34:53,360 Speaker 1: of music school. I want to talk about Chris Stapleton's 676 00:34:53,440 --> 00:34:56,279 Speaker 1: number one songs as a songwriter. So he only has 677 00:34:56,320 --> 00:35:00,160 Speaker 1: one number one as a singer artist, which is ok 678 00:35:00,160 --> 00:35:03,360 Speaker 1: in Halos, which at two thousand one number one or 679 00:35:03,360 --> 00:35:06,680 Speaker 1: two thousand eighteen millionaire, was only a number two. Woh, 680 00:35:06,680 --> 00:35:10,600 Speaker 1: I didn't know that. But that's his only radio number 681 00:35:10,600 --> 00:35:12,839 Speaker 1: one Broken Halos. His album has been number one forever. 682 00:35:12,840 --> 00:35:14,600 Speaker 1: It was number one in a lot of weeks. But 683 00:35:14,719 --> 00:35:18,480 Speaker 1: he's had several number ones as just a songwriter more 684 00:35:18,600 --> 00:35:21,560 Speaker 1: than as being an artist. So I thought we'd look 685 00:35:21,560 --> 00:35:26,360 Speaker 1: at his country number one's Josh Turner your Man, just 686 00:35:26,560 --> 00:35:31,040 Speaker 1: to be you that video and Chris came in before 687 00:35:31,239 --> 00:35:32,640 Speaker 1: he was a big deal. We set him on the 688 00:35:32,680 --> 00:35:34,840 Speaker 1: show a lot and he played this because he was 689 00:35:34,920 --> 00:35:37,359 Speaker 1: songwriter Chris Stapleton's It's got millions of yous on our 690 00:35:37,360 --> 00:35:40,080 Speaker 1: YouTube channel, Chris Stapleton doing your Man, and it was 691 00:35:40,200 --> 00:35:43,520 Speaker 1: very different than Josh Turner's version because Chris sings higher 692 00:35:43,880 --> 00:35:47,680 Speaker 1: and angrier and angrier. Right, So, yeah, there you go. 693 00:35:47,800 --> 00:35:50,319 Speaker 1: That was a number one for Josh Turner. Another one 694 00:35:50,360 --> 00:35:59,160 Speaker 1: is Thomas Rhett Crash and Burn and if I'm not 695 00:35:59,239 --> 00:36:01,040 Speaker 1: in Spake and Bone, I think he's singing in the 696 00:36:01,040 --> 00:36:04,640 Speaker 1: background the song. He said, Oh yeah, I'm right there, yeah, 697 00:36:04,760 --> 00:36:09,320 Speaker 1: doing background vocals and I again, if I'm not mistaking, 698 00:36:09,440 --> 00:36:12,480 Speaker 1: I think he's doing the wh Yeah. We asked him that. 699 00:36:12,760 --> 00:36:14,399 Speaker 1: I was like, hey, is that the Chain Gang song? 700 00:36:14,560 --> 00:36:16,319 Speaker 1: They were like, no, that's me because do you know 701 00:36:16,440 --> 00:36:19,360 Speaker 1: chain Gang song? He goes on the Chang Gang. He goes, 702 00:36:19,400 --> 00:36:25,080 Speaker 1: that's the sound of them and working on the Chain Gang. 703 00:36:26,120 --> 00:36:31,520 Speaker 1: Know ye Never Wanted Nothing More by Kenny Chesney Nothing Moved, 704 00:36:33,360 --> 00:36:39,560 Speaker 1: Nothing Move, released in two thousand seven. He wrote that 705 00:36:39,640 --> 00:36:42,880 Speaker 1: I didn't know that he wrote comeback song by Darius Rucker. 706 00:36:43,280 --> 00:36:47,760 Speaker 1: Because I didn't know. This is such a damn. Stapleton 707 00:36:47,800 --> 00:36:50,000 Speaker 1: has written two songs with Darius over the years. This 708 00:36:50,040 --> 00:36:52,040 Speaker 1: one got him a number one spot on the charts, 709 00:36:52,760 --> 00:36:55,200 Speaker 1: which is pretty cool. I wonder if Chris ever plays 710 00:36:55,239 --> 00:36:59,200 Speaker 1: these songs live. Probably not now. I bet he did 711 00:36:59,280 --> 00:37:01,080 Speaker 1: early when he is a songwriter. Don't have a bunch 712 00:37:01,080 --> 00:37:03,959 Speaker 1: of hits now. People want to hear his songs for sure, yes, 713 00:37:04,560 --> 00:37:05,960 Speaker 1: but I would love to hear him sing this one. 714 00:37:06,640 --> 00:37:09,280 Speaker 1: The best thing that I had going by Brad Paisley. 715 00:37:10,239 --> 00:37:23,600 Speaker 1: This is way back in the day. So number one 716 00:37:23,719 --> 00:37:29,000 Speaker 1: as one, number one as an artist, the five five 717 00:37:29,040 --> 00:37:32,400 Speaker 1: as a songwriters, so six total. Pretty cool. That's awesome. 718 00:37:32,640 --> 00:37:34,319 Speaker 1: He's got new music. I think that two songs out 719 00:37:34,400 --> 00:37:36,400 Speaker 1: right now. He has the one that we play, but 720 00:37:36,440 --> 00:37:38,560 Speaker 1: then he has another one called Cold. Yeah, the one 721 00:37:38,600 --> 00:37:41,120 Speaker 1: we play is really good. I like it. Well start again, 722 00:37:41,320 --> 00:37:44,759 Speaker 1: begin again? What's that starting over? Yeah? Yeah? I mean 723 00:37:44,760 --> 00:37:47,120 Speaker 1: everybody loves Chris Stapleton. There's one thing we can agree 724 00:37:47,120 --> 00:37:51,239 Speaker 1: on in this country. We all love. Everybody loves Chris Stapleton. Eddie, 725 00:37:51,239 --> 00:37:54,480 Speaker 1: tell me about your podcast, Sore Loses podcast me lunch 726 00:37:54,520 --> 00:37:59,000 Speaker 1: Box and Raimundo and we talk sports guy stuff. We 727 00:37:59,080 --> 00:38:00,879 Speaker 1: get on each other's nerve, but then we make each 728 00:38:00,880 --> 00:38:03,120 Speaker 1: other laugh. So it's a good podcast. Check it out. 729 00:38:03,160 --> 00:38:06,000 Speaker 1: You like sports or idiots, that's exactly what he's playing 730 00:38:06,000 --> 00:38:09,200 Speaker 1: out Fred. Check out the Sore Losers podcast. All right, 731 00:38:09,200 --> 00:38:11,919 Speaker 1: thank you very much, Cassie. How are you? I'm good? 732 00:38:11,920 --> 00:38:14,480 Speaker 1: How are you? I'm real good. I was looking at 733 00:38:14,520 --> 00:38:17,120 Speaker 1: your Instagram the other day, which just fascinated with the 734 00:38:17,360 --> 00:38:19,880 Speaker 1: clothes that you make. That's a whole side topic. But 735 00:38:21,400 --> 00:38:23,480 Speaker 1: and you had a motorcycle with you and you were like, man, 736 00:38:23,560 --> 00:38:26,960 Speaker 1: this is such a natural endorsement for me to have 737 00:38:27,040 --> 00:38:28,839 Speaker 1: or the record label to have. And then I saw 738 00:38:28,880 --> 00:38:31,440 Speaker 1: you put out a song that was, you know, basically 739 00:38:31,440 --> 00:38:33,880 Speaker 1: in that same vein, which is Black Motorcycle, which came 740 00:38:33,920 --> 00:38:39,319 Speaker 1: out on Wednesday. So I guess you grew up with motorcycles. Yes, 741 00:38:39,400 --> 00:38:43,240 Speaker 1: I did. I My dad had one to my entire life, 742 00:38:43,239 --> 00:38:45,279 Speaker 1: and he always took me up from my mom's house 743 00:38:45,320 --> 00:38:48,160 Speaker 1: on one. And I grew up on their bikes, like 744 00:38:48,160 --> 00:38:51,400 Speaker 1: when had trails throughout a whole bomb. So that was 745 00:38:51,440 --> 00:38:54,160 Speaker 1: just you couldn't keep me off of them, so you 746 00:38:54,280 --> 00:38:59,799 Speaker 1: like to drive them or ride on them. Um, Now, 747 00:39:00,000 --> 00:39:01,759 Speaker 1: now that I'm old enough that I had my life Sinse. 748 00:39:01,760 --> 00:39:04,560 Speaker 1: I definitely drive, and I drove dirt bikes, but growing 749 00:39:04,640 --> 00:39:08,719 Speaker 1: up I was on debt the entire childhood. Did they 750 00:39:08,800 --> 00:39:13,920 Speaker 1: give you a free Harley for this? Um? No, no, no, 751 00:39:14,280 --> 00:39:17,160 Speaker 1: but I'll call my That would make my entire life 752 00:39:17,360 --> 00:39:19,520 Speaker 1: that happen. Yeah. Well, I love that you put the 753 00:39:19,560 --> 00:39:21,160 Speaker 1: song out on a Wednesday too. Is there a theory 754 00:39:21,400 --> 00:39:23,920 Speaker 1: for you behind putting out music on a Wednesday instead 755 00:39:23,960 --> 00:39:26,640 Speaker 1: of the standard put it out on a Friday. I 756 00:39:26,680 --> 00:39:29,240 Speaker 1: wanted to kind of avoid the crowd of a Friday 757 00:39:29,280 --> 00:39:31,720 Speaker 1: because I know it's just a music fan when Friday 758 00:39:31,840 --> 00:39:34,560 Speaker 1: rules around, Like, I'm trying to get through all the 759 00:39:34,640 --> 00:39:36,239 Speaker 1: music that I want to get to, and you know, 760 00:39:36,360 --> 00:39:39,080 Speaker 1: our lives are fast paced, we're all busy, and it's 761 00:39:39,080 --> 00:39:41,279 Speaker 1: really hard to do that. So I thought, I really 762 00:39:41,280 --> 00:39:43,319 Speaker 1: loved my favorite armies came out there and saw on 763 00:39:43,320 --> 00:39:46,000 Speaker 1: a Wednesday, so that I had time to digestic for 764 00:39:46,120 --> 00:39:49,160 Speaker 1: everything else hit. So I thought, why not do that myself? 765 00:39:49,200 --> 00:39:51,720 Speaker 1: This song? Was it already a song that existed before 766 00:39:51,800 --> 00:39:54,279 Speaker 1: you got Hardy to be a part of it. Yes, 767 00:39:54,440 --> 00:39:58,560 Speaker 1: I wrote this song like three years ago. Huh, And 768 00:39:58,680 --> 00:40:01,080 Speaker 1: so you had it. Did you pitched them, Hey, we 769 00:40:01,120 --> 00:40:02,279 Speaker 1: may put this out if you guys want to be 770 00:40:02,320 --> 00:40:04,120 Speaker 1: a part of it, or we're putting it out, would 771 00:40:04,160 --> 00:40:06,480 Speaker 1: you guys like to be a part of it? Well, 772 00:40:06,480 --> 00:40:10,000 Speaker 1: we we honestly thought about just putting it out, and 773 00:40:10,040 --> 00:40:15,400 Speaker 1: then last year Holy came to my Sensis performance and 774 00:40:15,400 --> 00:40:18,400 Speaker 1: we started on conversations. They knew how big of a 775 00:40:18,440 --> 00:40:20,600 Speaker 1: Harley fan I was. They got to be my dad, 776 00:40:21,080 --> 00:40:22,880 Speaker 1: I got to go up to the museum and tour, 777 00:40:23,040 --> 00:40:25,280 Speaker 1: and then it was it was like a no brainer, 778 00:40:25,440 --> 00:40:28,640 Speaker 1: let's put the song out and announced the partnership. I 779 00:40:28,680 --> 00:40:30,920 Speaker 1: was looking at your your TikTok. You got a TikTok 780 00:40:31,000 --> 00:40:32,640 Speaker 1: that has three point two million views, like one of 781 00:40:32,680 --> 00:40:34,480 Speaker 1: yours is it's one of your friends acting out a 782 00:40:34,480 --> 00:40:37,959 Speaker 1: scene from Harry Potter? Were you first of all, Hey, 783 00:40:38,000 --> 00:40:40,120 Speaker 1: that's awesome to get three million views on a TikTok. 784 00:40:40,400 --> 00:40:42,560 Speaker 1: We did one at the house last week and it's 785 00:40:42,560 --> 00:40:44,440 Speaker 1: got two point four million right now. And I was 786 00:40:44,440 --> 00:40:45,680 Speaker 1: looking at it before I came over. I was like, 787 00:40:45,719 --> 00:40:47,120 Speaker 1: Holy crab, And then I looked at yours and I 788 00:40:47,160 --> 00:40:50,239 Speaker 1: was like, oh, man, Cassie crushed us. But were you 789 00:40:50,239 --> 00:40:52,839 Speaker 1: guys on a train when you did this. Yes, we 790 00:40:52,840 --> 00:40:55,799 Speaker 1: were on a trane in Germany and we didn't think, oh, 791 00:40:55,920 --> 00:40:58,359 Speaker 1: let's make a TikTok. We didn't anything. That was just 792 00:40:58,440 --> 00:41:02,239 Speaker 1: my guitar Jane by guitar player games, just thinking themselves. 793 00:41:02,320 --> 00:41:04,600 Speaker 1: That all happened to record it. And then when I 794 00:41:04,640 --> 00:41:07,040 Speaker 1: was told like, hey, you got a post to two 795 00:41:07,080 --> 00:41:09,799 Speaker 1: talks about making TikTok, that was the perfect one. And 796 00:41:09,840 --> 00:41:12,279 Speaker 1: of course it got like three million years and like 797 00:41:12,680 --> 00:41:15,520 Speaker 1: a couple of days, I think, and I was like, oh, 798 00:41:15,719 --> 00:41:18,680 Speaker 1: all I had to do was high guitar player, and 799 00:41:18,840 --> 00:41:22,000 Speaker 1: so this was the secret all along. I watched your 800 00:41:22,000 --> 00:41:24,520 Speaker 1: tutorial on how to customize your iPhone with the new 801 00:41:24,640 --> 00:41:28,759 Speaker 1: operating system. Yours look obviously because it's you, super cool 802 00:41:28,760 --> 00:41:31,160 Speaker 1: and artsy. Did I see that you helped Marion Morris 803 00:41:31,200 --> 00:41:33,680 Speaker 1: do that on her phone too? Yeah? I did. She 804 00:41:33,880 --> 00:41:36,719 Speaker 1: texted me and I that was the first before I 805 00:41:36,760 --> 00:41:39,200 Speaker 1: made this when I sent her which was like not 806 00:41:39,360 --> 00:41:41,799 Speaker 1: as in depth as the one I posted, and she's like, 807 00:41:41,840 --> 00:41:45,440 Speaker 1: thank you so much, and so she said this is 808 00:41:45,440 --> 00:41:48,240 Speaker 1: still other people this. So I made a full tutorial 809 00:41:48,360 --> 00:41:50,480 Speaker 1: and posted it and it was crazy because people were 810 00:41:50,480 --> 00:41:53,560 Speaker 1: coming me, coming to me with like other questions, and 811 00:41:53,600 --> 00:41:57,040 Speaker 1: I was like, listen, I have no I've just tood 812 00:41:57,160 --> 00:42:00,600 Speaker 1: at customization in anything in life and those than that 813 00:42:01,000 --> 00:42:04,759 Speaker 1: so far. So you just an all around artist, if 814 00:42:04,760 --> 00:42:07,839 Speaker 1: it's music or fashion or even customizing your iPhone. When 815 00:42:07,880 --> 00:42:09,759 Speaker 1: did this start for you? Whenever you had the itch 816 00:42:09,880 --> 00:42:14,839 Speaker 1: to be creative? Oh, as soon as I was old 817 00:42:14,960 --> 00:42:18,880 Speaker 1: enough to realize that can be. I think I didn't 818 00:42:18,920 --> 00:42:21,280 Speaker 1: decide one day that I was going to be creative. 819 00:42:21,400 --> 00:42:24,080 Speaker 1: I just was made that way. My mom would let 820 00:42:24,120 --> 00:42:28,759 Speaker 1: me take my clothes out, literally in kindergarten, and I 821 00:42:28,760 --> 00:42:31,319 Speaker 1: would put dress up close together, and I would watch 822 00:42:31,400 --> 00:42:34,480 Speaker 1: her so and he sang, so I sang, and it 823 00:42:34,680 --> 00:42:37,279 Speaker 1: just kind of came together. And I think as I 824 00:42:37,320 --> 00:42:41,399 Speaker 1: got older, I learned that the best, most rewarding thing 825 00:42:41,520 --> 00:42:44,120 Speaker 1: to me is to see something in on in my 826 00:42:44,200 --> 00:42:48,120 Speaker 1: brain and then you know, bring it to fruition myself. 827 00:42:48,239 --> 00:42:50,720 Speaker 1: That's like the most It makes me happier than anything 828 00:42:50,719 --> 00:42:54,600 Speaker 1: in the world. So I learned every material you can 829 00:42:54,640 --> 00:42:58,120 Speaker 1: do that with. Basically, I saw you building things at 830 00:42:58,120 --> 00:43:01,319 Speaker 1: your house too. How many dy projects, big ones do 831 00:43:01,320 --> 00:43:05,480 Speaker 1: you think you've done this year? Oh? A lot? I 832 00:43:05,520 --> 00:43:08,000 Speaker 1: don't know. I don't know. Maybe oh, I don't know. 833 00:43:08,040 --> 00:43:10,759 Speaker 1: I did my whole kitchen, I did my master bathroom, 834 00:43:11,520 --> 00:43:16,360 Speaker 1: I did my backyard. I did so many outfits, probably 835 00:43:16,400 --> 00:43:19,080 Speaker 1: like curly outfits. I had to stop because that much 836 00:43:19,080 --> 00:43:21,799 Speaker 1: favage is really expensive and I had nowhere to wear them. 837 00:43:21,880 --> 00:43:24,600 Speaker 1: So what was the point? I have to be creative? 838 00:43:24,640 --> 00:43:28,279 Speaker 1: Ook to day. That was sec not losing my mind. 839 00:43:29,040 --> 00:43:30,640 Speaker 1: You talk about your clothes. I brought it up to 840 00:43:30,680 --> 00:43:33,680 Speaker 1: what percentage of your clothes do you make versus what 841 00:43:33,840 --> 00:43:36,799 Speaker 1: you buy? I would say when it comes to like 842 00:43:36,920 --> 00:43:41,440 Speaker 1: performances and like appearances that I do, I would say, 843 00:43:41,880 --> 00:43:47,160 Speaker 1: I of what I wear, I made Wow. Yeah. Do 844 00:43:47,239 --> 00:43:49,960 Speaker 1: you ever gift someone an outfit like, hey, I made 845 00:43:50,000 --> 00:43:54,960 Speaker 1: this for you? Very rarely? I made Marion Morris, so 846 00:43:55,120 --> 00:43:58,279 Speaker 1: we mentioned there. I made her coat for like, a 847 00:43:58,520 --> 00:44:02,760 Speaker 1: very fancy still brocade robe for like when she asked 848 00:44:02,760 --> 00:44:04,440 Speaker 1: me to be on her tour. I made that for her. 849 00:44:04,600 --> 00:44:07,600 Speaker 1: The sleeves were fur lined. And I have made my 850 00:44:07,680 --> 00:44:10,640 Speaker 1: manager a set of look through with LT pajamas. Not 851 00:44:10,880 --> 00:44:13,759 Speaker 1: it is that something that you would like to do, 852 00:44:14,640 --> 00:44:18,880 Speaker 1: because you know people have side deals where side hustles 853 00:44:18,920 --> 00:44:21,960 Speaker 1: and like Rihanna designs clothes or is this just a 854 00:44:22,000 --> 00:44:25,439 Speaker 1: you thing right now. For now, it's a meet thing. 855 00:44:25,560 --> 00:44:27,959 Speaker 1: But it's funny that you bring up Rihanna, because that's 856 00:44:28,000 --> 00:44:29,600 Speaker 1: like when people are like, what do you want to 857 00:44:29,640 --> 00:44:33,319 Speaker 1: do with close eventually? That is a great example like 858 00:44:33,560 --> 00:44:36,680 Speaker 1: music will always lead away, will always be the forefront. 859 00:44:36,760 --> 00:44:40,400 Speaker 1: It's what I love the most. But I wouldn't love 860 00:44:40,719 --> 00:44:45,120 Speaker 1: to have a line one day. Love Cassie Ashton on 861 00:44:45,280 --> 00:44:50,080 Speaker 1: with us. Black Motorcycle came out on Wednesday. You've got 862 00:44:50,120 --> 00:44:52,200 Speaker 1: so many good songs. I'm just such a big fan 863 00:44:52,239 --> 00:44:55,560 Speaker 1: of her entire body of work and you just just 864 00:44:55,760 --> 00:44:58,480 Speaker 1: love what you're doing. Keep it up and thanks for 865 00:44:58,520 --> 00:44:59,920 Speaker 1: spending a few minutes with me, and I hope you 866 00:45:00,040 --> 00:45:03,280 Speaker 1: have a good rest of the week. Thank you you too, Alright, 867 00:45:03,280 --> 00:45:10,600 Speaker 1: Bye Cassie. Bye m