WEBVTT - Pod Meets Twirl'd: DWTS 3405

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<v Speaker 1>Welcome to pod meets Twirl, the Dancing with the Stars

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<v Speaker 1>recap hosted by two guys who can't dance, don't want

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<v Speaker 1>to dance, and have now seen five episodes of Dancing

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<v Speaker 1>with the Stars. But since our best friend Danielle has

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<v Speaker 1>joined the cast for season thirty four, we're going all in.

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<v Speaker 1>We are Wilfredell and Ryder Strong aka the two dudes

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<v Speaker 1>standing next to Topanga aka daniel Fishal's backup aka the

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<v Speaker 1>Daniettes Hi Will Hi Rider. How was it being a

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<v Speaker 1>dan Yete in person?

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<v Speaker 2>The in person dan Yete is definitely different than the

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<v Speaker 2>non in person dan Yete. So for the experience of

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<v Speaker 2>Dancing with the Stars, it's wonderful to go there. I

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<v Speaker 2>mean the vibe, the energy, getting to see everybody from

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<v Speaker 2>the cast, it was so much fun. I had the

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<v Speaker 2>best eat in the house, like early, the best seat

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<v Speaker 2>of the house. It was the greatest thing in the world.

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<v Speaker 1>You were to see we were last time right like.

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<v Speaker 2>No, so we were in the second we were in

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<v Speaker 2>the second row. I was on the floor this time,

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<v Speaker 2>I was in Gensen seat. Remember where Jensen was sitting

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<v Speaker 2>where It's like that one right there. So everybody's walking

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<v Speaker 2>by me, I was, I'm in every shot I was.

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<v Speaker 2>It was like there was three shots. It was the

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<v Speaker 2>dancers and me. But to see the actual dancing, it's

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<v Speaker 2>better on TV interesting because you can't. There's times where

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<v Speaker 2>I was like, ooh, that dance didn't look that good,

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<v Speaker 2>and then I watched on TV it was like, oh no,

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<v Speaker 2>that wasn't bad. So again, as an experience, it's like

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<v Speaker 2>a sporting event. You know, you go see a professional

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<v Speaker 2>basketball game or a football game. You go for the

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<v Speaker 2>entire experience. If you want to actually see what's happening

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<v Speaker 2>in the game, better you watch it on TV.

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<v Speaker 3>So that's that's what I felt.

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<v Speaker 2>But I got me, got to hang out with Alex

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<v Speaker 2>and Trina and Rusty and Betsy and Bill and Bonnie

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<v Speaker 2>and it was a ton of fun. And you see

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<v Speaker 2>all the stars. Dennis Quaid is there, and you know,

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<v Speaker 2>I talked to Grant Show from uh the Grant Show

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<v Speaker 2>was on mel Rose Place forever and he and I

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<v Speaker 2>did a show together. But when I did an episode

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<v Speaker 2>of True Blue when I was eleven, so I haven't

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<v Speaker 2>seen this guy since I was eleven years old.

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<v Speaker 3>He's like high fiving me but pretending to remember me.

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<v Speaker 3>It was really sweet.

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<v Speaker 2>So I mean again for the experience, and like we

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<v Speaker 2>talked about the first time dressing up, and you know,

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<v Speaker 2>this time because we were quote unquote celebrities. We weren't

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<v Speaker 2>just Danielle's friends. We were backstage in the VIP area,

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<v Speaker 2>so we're meeting all the dancers and all this stuff. Yeah,

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<v Speaker 2>so get rid.

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<v Speaker 3>Of rider, you get better, better benefits. So it was,

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<v Speaker 3>it was great.

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<v Speaker 2>But you were very much missed for not by me

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<v Speaker 2>so much, but everybody else really missed you quite a bit.

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<v Speaker 2>So so Justine and everybody. Betsy looks stunning, Trina looks stunning.

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<v Speaker 2>Alex days Are is the single coolest human being that

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<v Speaker 2>I've ever met in my life, of course. And then

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<v Speaker 2>there's Rusty, who sitting next to Rusty at this at

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<v Speaker 2>times was like sitting next to you at things like this,

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<v Speaker 2>where Rusty's like, there's an awful lot of clapping. Wait,

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<v Speaker 2>oh wait, we're standing again.

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<v Speaker 1>People really seem to care about it.

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<v Speaker 3>And then he's like asking me stuff. He's like, okay,

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<v Speaker 3>why why why? Now? Why did that matter?

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<v Speaker 2>I was like, well, I think because she's the host

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<v Speaker 2>and she hasn't danced in a while, Okay, And so

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<v Speaker 2>all of a sudden, I was the Dancing with the

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<v Speaker 2>Stars expert, which was weird. Yes, so I I was,

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<v Speaker 2>you know, helping, helping Rusty kind of figure everything out

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<v Speaker 2>as we all Right.

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<v Speaker 1>Well, I'm really curious to hear how the perspective changed

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<v Speaker 1>based on being in the room versus because I'm always

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<v Speaker 1>shocked by like watching it on TV and you see

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<v Speaker 1>like what you think is the best dance, and then

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<v Speaker 1>a cust of the audience and there's just sort of

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<v Speaker 1>like tepid gold class yeah, claps going on, and then

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<v Speaker 1>the advice versa where you're like, that was okay, but

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<v Speaker 1>everyone's on their feet.

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<v Speaker 2>I'm like, how was it in the room? Oh my god,

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<v Speaker 2>Well I can tell you in the room, I was

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<v Speaker 2>angry at home.

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<v Speaker 3>I was furious.

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<v Speaker 2>So we'll get into that. Okay, Oh, calling some doubt today.

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<v Speaker 1>Okay. Well, the theme for the episode was Dedication Night.

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<v Speaker 1>Quite a swing from Disney to Dedication.

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<v Speaker 3>Yeah, it's Dedication kind of different.

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<v Speaker 1>My god. It went from like fun and games to

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<v Speaker 1>like tears, death sadness. But for me, man, this episode

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<v Speaker 1>was just by far the coolest in terms of the dancing.

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<v Speaker 1>The dance agree with you, It was so emotional and

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<v Speaker 1>it felt personal, and.

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<v Speaker 2>I was just like, yes, so, and I thought some

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<v Speaker 2>of the prettiest dances we've seen all season were absolutely

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<v Speaker 2>I mean there was a couple dances where it was like, wow,

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<v Speaker 2>I don't know anything about dance. I don't particularly like dance,

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<v Speaker 2>and I could watch that for a long time.

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<v Speaker 1>Yes, yep, I felt the same way, man, Ye all right,

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<v Speaker 1>So we started off with Andy Richter and Emma Slater.

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<v Speaker 1>Andy dedicated it to his daughter Cornelia, the cutest ador

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<v Speaker 1>thing in the world, and this, you know, immediately I

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<v Speaker 1>was like, this is a great way to start the night.

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<v Speaker 1>You know, Andy's clearly on the bottom in terms of dancing,

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<v Speaker 1>but who cares. It was so fun and to his credit,

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<v Speaker 1>like I finally felt like his legs were not holding

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<v Speaker 1>him back the way it had been in other weeks.

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<v Speaker 1>I was watching his feet and I was like, he's committing,

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<v Speaker 1>He's going for it. And I also think something about,

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<v Speaker 1>you know, caring about his daughter being there. You could

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<v Speaker 1>tell all this energy was on her, which is a

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<v Speaker 1>good place to be, I think, getting out of his

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<v Speaker 1>own head having fun. I thought this was lovely, But yeah,

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<v Speaker 1>it's very, very different from what came after in terms

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<v Speaker 1>of you know, complexity of the dance moves and all

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<v Speaker 1>that stuff. So Andy's just hanging on by charm. He's

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<v Speaker 1>hanging on by charm.

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<v Speaker 2>He also the judges were like carry in was like,

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<v Speaker 2>I see the progress. I actually see you dancing now,

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<v Speaker 2>this is great. The scores weren't reflective, but they were

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<v Speaker 2>all very positive about Andy and his dance journey. Let's

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<v Speaker 2>keep that in mind as we move forward. That totally

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<v Speaker 2>Andy and his dance journey. Very very positive about Andy

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<v Speaker 2>and everything that he's doing.

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<v Speaker 1>Right, but he did achieve like a fluidity that he

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<v Speaker 1>hadn't achieved. Agree, So he was dancing.

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<v Speaker 3>He was dancing.

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<v Speaker 1>Yes, six is across the board again, Yeah, which is

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<v Speaker 1>kind of his standard thing right now. Who was the

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<v Speaker 1>extra judge this week? I didn't quite understand.

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<v Speaker 3>It was the blonde lady. What the blonde lady?

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<v Speaker 4>Yeah, dancing Kim Johnson was a professional on Dancing with

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<v Speaker 4>the Stars years ago.

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<v Speaker 2>There you go, That's what I was gonna say, gotcha

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<v Speaker 2>professional blond lady Kim. It's Kim with a y too,

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<v Speaker 2>which puts it to a whole different Yeah, yeah scenario.

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<v Speaker 1>Well, she was great. I liked hearing some new new

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<v Speaker 1>voice in there.

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<v Speaker 3>Yes, I agree.

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<v Speaker 1>Yeah. So all right, So Andy.

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<v Speaker 3>And I have I have a question for you with this.

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<v Speaker 2>Now he's getting all sixes every week, do you think

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<v Speaker 2>at this point it's working to his benefit to be

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<v Speaker 2>getting lower scores because people are like, come on, you

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<v Speaker 2>keep giving him six this, I'm going to vote for him.

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<v Speaker 1>Yep. Yeah, I mean we're still in the zone of

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<v Speaker 1>like there are the professional dancers who are clearly going

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<v Speaker 1>to be the top three, top four or five who

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<v Speaker 1>are not stars, right, sorry, Like I was watching this

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<v Speaker 1>with a friend who had never seen the show before

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<v Speaker 1>is an actor, and he was like, he was like,

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<v Speaker 1>all right, so they're gonna start with Andy, and they're

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<v Speaker 1>gonna put Danielle near the back of the lineup because

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<v Speaker 1>those are the only actual stars. It's left and dance.

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<v Speaker 1>And I was like, well, I kind of you know

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<v Speaker 1>everyone they are celebrities, I guess, but you know they

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<v Speaker 1>the TikTok dancers. I'm totally with you now that I'm like,

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<v Speaker 1>but you're a dancer, like this is what you do,

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<v Speaker 1>or you're you're a Mormon wife who dances. Correct, That's

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<v Speaker 1>not the same thing as being an actor who dances.

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<v Speaker 1>Or an entertainer in some other capacity who dances. It's

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<v Speaker 1>so it seems a little Yeah, I guess it's two

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<v Speaker 1>different shows. It's just two different shows.

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<v Speaker 2>And I also think they can't change the title, but

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<v Speaker 2>they should moving forward to something like Celebrity Dance Contest

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<v Speaker 2>because it's not you're not none, they're not stars, they're celebrities.

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<v Speaker 3>And again that's fine.

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<v Speaker 2>The word celebrity is different now and TikTok celebrity is

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<v Speaker 2>a thing and Instagram celebrities totally understand that reality show

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<v Speaker 2>celebrity is a thing, not.

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<v Speaker 1>Stars dancing with the influencers.

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<v Speaker 3>Oh there go love it all right.

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<v Speaker 1>And then we went into Robert Irwin and Whitney. Yeah, dude, dude,

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<v Speaker 1>this was just tears for me from start to finish.

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<v Speaker 1>I couldn't I couldn't control it. I was like, yeah,

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<v Speaker 1>you know, you know. We talked about how Robert started

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<v Speaker 1>off kind of too strong and had to kind of

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<v Speaker 1>pull it back a little bit and be more technical,

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<v Speaker 1>and then I just blew it out of the water.

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<v Speaker 2>This was better than his first dance, which I think

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<v Speaker 2>is difficult to say, but there's something that this is where,

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<v Speaker 2>this is where being at the show really benefits you

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<v Speaker 2>because I got to witness something that no one else

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<v Speaker 2>got to see. So during he's sitting down on the stage,

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<v Speaker 2>he's facing forward in his start position, and then there's

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<v Speaker 2>his dance partner, Whitney behind him, who's stunning and amazing

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<v Speaker 2>and incredible, and they're playing the pre show package behind

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<v Speaker 2>him and all of us in the audience are watching

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<v Speaker 2>the pre show package.

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<v Speaker 3>She knows he can't.

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<v Speaker 2>Hear this because of the dance there to do, so

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<v Speaker 2>she's kneeling behind him covering his ears. Wow, because she

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<v Speaker 2>did not want him to hear his mom talking and

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<v Speaker 2>lose it emotionally. So she's holding onto him from behind

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<v Speaker 2>and covering both his ears, and he's like muttering to himself.

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<v Speaker 2>He's like he's like saying something to himself, and she's like,

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<v Speaker 2>stay focused, you just don't get up. And so that

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<v Speaker 2>going to the show for things like that is really

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<v Speaker 2>cool because again I am literally three feet away from them,

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<v Speaker 2>I'm six inches from the stage, and he's muttering to

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<v Speaker 2>himself and she's just holding his ears as we're all

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<v Speaker 2>already crying watching the package and literally thinking to myself,

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<v Speaker 2>oh my god, that's brilliant. You can't I'm not letting

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<v Speaker 2>you hear this. I'm not letting you hear anything I say.

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<v Speaker 2>It was a really incredible moment. And then the dance

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<v Speaker 2>started and it was just so there's a moment in

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<v Speaker 2>the dance where he they're both on the ground and

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<v Speaker 2>they both I'm going to use a term that I

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<v Speaker 2>think it is, but I don't know what it is,

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<v Speaker 2>they bridge up. So he kind of bridges up and

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<v Speaker 2>he's directly in front of me and I'm a foot away,

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<v Speaker 2>two feet away at most, and his face, his eyes

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<v Speaker 2>are distant, and they're away.

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<v Speaker 3>He doesn't see the audience. I can tell.

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<v Speaker 2>It's like watching in this actor in the zone. He

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<v Speaker 2>was just in the moment, and I just had this

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<v Speaker 2>shiver and I was like, oh my god. It was

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<v Speaker 2>He was a professional dancer that night, telling exactly the

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<v Speaker 2>story he wanted.

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<v Speaker 3>That was amazing to me. That truly was amazing to me.

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<v Speaker 1>Yeah. So this was a contemporary dance, which is a

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<v Speaker 1>category I don't think we've seen up until tonight. I

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<v Speaker 1>don't think so, right, But it was the majority of

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<v Speaker 1>the dances were contemporary, which I guess means free for all,

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<v Speaker 1>just expressive dancing, more sort of storytelling, and man, I

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<v Speaker 1>love this. I it's more of a contemporary dance person

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<v Speaker 1>because it's all about the story you're telling. It's all

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<v Speaker 1>about the expressiveness of your body to the music, and

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<v Speaker 1>I love it and I agree. Just the majority of

0:11:01.600 --> 0:11:04.240
<v Speaker 1>the dances tonight we're contemporary, obviously, because they wanted to

0:11:04.559 --> 0:11:06.480
<v Speaker 1>tell their sort of personal.

0:11:06.200 --> 0:11:09.760
<v Speaker 3>Now, I have a question for producer Tara. Producer, Tar,

0:11:09.760 --> 0:11:10.240
<v Speaker 3>are you there?

0:11:10.600 --> 0:11:13.000
<v Speaker 2>Yes, Okay, So you know an awful lot about Dancing

0:11:13.000 --> 0:11:16.560
<v Speaker 2>with the Stars, and I'm curious about this. Are they

0:11:16.920 --> 0:11:20.560
<v Speaker 2>told the dance style they're going to do or do

0:11:20.679 --> 0:11:22.880
<v Speaker 2>they get to pick the dance style they want?

0:11:23.920 --> 0:11:26.040
<v Speaker 5>They're usually told what they're going to do. They're given

0:11:26.120 --> 0:11:26.600
<v Speaker 5>the style.

0:11:27.040 --> 0:11:31.319
<v Speaker 2>That's really what I figured because and we'll get to it.

0:11:31.679 --> 0:11:35.080
<v Speaker 2>I figured Danielle on a night like this would not

0:11:35.120 --> 0:11:36.000
<v Speaker 2>have picked the jive.

0:11:37.800 --> 0:11:40.920
<v Speaker 1>Interesting. I thought they got to be, you know, because

0:11:40.920 --> 0:11:41.120
<v Speaker 1>they have.

0:11:42.080 --> 0:11:45.760
<v Speaker 5>They have a say in their songs based on the theme.

0:11:46.400 --> 0:11:49.240
<v Speaker 5>To a certain extent. I think there's also like limitations.

0:11:49.280 --> 0:11:51.440
<v Speaker 4>I don't know too much behind the scenes, but I

0:11:51.480 --> 0:11:53.240
<v Speaker 4>know they are given their dance style.

0:11:53.360 --> 0:11:55.320
<v Speaker 1>That's what I figured, and they can only do every

0:11:55.360 --> 0:11:57.800
<v Speaker 1>dance style once in the course of the st can.

0:11:57.760 --> 0:11:58.760
<v Speaker 5>Do you can do it twice.

0:11:58.760 --> 0:12:01.040
<v Speaker 4>Sometimes they're given like sometimes it is like a redemption

0:12:01.520 --> 0:12:03.480
<v Speaker 4>where it's like, oh, we're going to do the jive again.

0:12:04.040 --> 0:12:06.040
<v Speaker 5>Yeah, the line in week nine for.

0:12:06.000 --> 0:12:09.360
<v Speaker 4>Example, Okay, okay, same style twice.

0:12:09.600 --> 0:12:09.840
<v Speaker 3>Okay.

0:12:09.840 --> 0:12:12.200
<v Speaker 2>Because I figured if you could pick what you wanted

0:12:12.240 --> 0:12:16.000
<v Speaker 2>for tonight, everyone everybody would have picked something like the

0:12:16.040 --> 0:12:17.440
<v Speaker 2>contemporary to tell a story.

0:12:17.640 --> 0:12:21.360
<v Speaker 3>Yeah, because it yeah, it was. It was breathtaking.

0:12:21.480 --> 0:12:24.160
<v Speaker 1>For lack of a better, amazing thing. I was tens

0:12:24.160 --> 0:12:26.520
<v Speaker 1>across the board. Just give it to him. What's a tense?

0:12:27.840 --> 0:12:30.160
<v Speaker 1>What what's a ten? Is my question?

0:12:30.280 --> 0:12:30.840
<v Speaker 2>What's a ten?

0:12:31.120 --> 0:12:33.400
<v Speaker 1>I guess maybe they don't even give tens until like,

0:12:33.640 --> 0:12:35.640
<v Speaker 1>you know, right, I think that's what it is, fifteen

0:12:35.720 --> 0:12:36.079
<v Speaker 1>or whatever.

0:12:36.280 --> 0:12:38.559
<v Speaker 2>But this is where the judging really started to piss

0:12:38.559 --> 0:12:41.839
<v Speaker 2>me off. One judge in particular, wo yeah.

0:12:41.600 --> 0:12:43.760
<v Speaker 1>Well because it was a carry anne with an eight.

0:12:44.800 --> 0:12:48.119
<v Speaker 1>An eight, I don't know. I mean, I'm not technically

0:12:48.160 --> 0:12:52.160
<v Speaker 1>savvy enough to see what he possibly could have done better.

0:12:52.040 --> 0:12:55.040
<v Speaker 2>Right, But the three other judges are, and they all

0:12:55.080 --> 0:12:55.800
<v Speaker 2>gave it nine.

0:12:56.040 --> 0:12:57.000
<v Speaker 1>I know, I know.

0:12:57.640 --> 0:12:58.800
<v Speaker 3>So yeah, this is.

0:12:58.720 --> 0:13:02.320
<v Speaker 2>Where I started to go, like, I think some people

0:13:02.480 --> 0:13:08.040
<v Speaker 2>have their favorites. I think they are overly harsh on

0:13:08.080 --> 0:13:11.679
<v Speaker 2>people they don't like and overly generous with people they do.

0:13:11.800 --> 0:13:13.480
<v Speaker 3>And I really saw that with Carrie Inn.

0:13:13.559 --> 0:13:15.480
<v Speaker 1>It's it's human judging, right, yeah, I mean that's the

0:13:15.480 --> 0:13:18.400
<v Speaker 1>thing supposed to They're not robots. They're supposed to be

0:13:18.440 --> 0:13:20.000
<v Speaker 1>responding from human plays.

0:13:20.520 --> 0:13:23.520
<v Speaker 2>So that's why the umpires in baseball need to say

0:13:23.600 --> 0:13:26.000
<v Speaker 2>human beings, because their flaws are part of the game.

0:13:26.040 --> 0:13:28.520
<v Speaker 1>I get, yes, you know, and that's I mean. I

0:13:28.559 --> 0:13:31.560
<v Speaker 1>also just by the time he was talking afterwards to

0:13:31.600 --> 0:13:34.160
<v Speaker 1>the judges and they're all just hugging. Bruno can't even

0:13:34.200 --> 0:13:36.640
<v Speaker 1>keep it together, and they're hugging each other. I'm just

0:13:36.679 --> 0:13:39.520
<v Speaker 1>sitting there at home, like you know, tears streaming. I

0:13:39.559 --> 0:13:42.440
<v Speaker 1>was watching with my parents and and you know, they

0:13:42.880 --> 0:13:46.080
<v Speaker 1>had only seen the first episode when and now, and

0:13:46.080 --> 0:13:48.360
<v Speaker 1>they were like, oh wow, and we were all just

0:13:48.440 --> 0:13:50.480
<v Speaker 1>so emotional. I was like, I can't even judge the

0:13:50.559 --> 0:13:53.200
<v Speaker 1>dance anymore. That was just so beautiful, and like, you know,

0:13:53.240 --> 0:13:56.600
<v Speaker 1>the idea that of course he you know, he could

0:13:56.600 --> 0:13:59.120
<v Speaker 1>have dedicated it to his dad, right, I mean, that's like,

0:13:59.440 --> 0:14:01.920
<v Speaker 1>but by dedicating it to his mom, it was such

0:14:01.920 --> 0:14:05.640
<v Speaker 1>an even more beautiful message really like honors his dad,

0:14:05.679 --> 0:14:08.520
<v Speaker 1>but also is like cele brainon the person who has

0:14:08.840 --> 0:14:12.120
<v Speaker 1>actually been with him the last you know, however many years.

0:14:12.640 --> 0:14:15.080
<v Speaker 3>Yeah, it was amazing. Again. If I wasn't dead inside,

0:14:15.120 --> 0:14:16.280
<v Speaker 3>which we all know that I am, I.

0:14:16.200 --> 0:14:17.800
<v Speaker 1>Saw you would have been I would have cried at this.

0:14:17.960 --> 0:14:20.040
<v Speaker 3>Yeah I didn't would all right.

0:14:20.080 --> 0:14:22.520
<v Speaker 2>So Sue was a mess by the way there and

0:14:22.760 --> 0:14:23.880
<v Speaker 2>watching it again last night.

0:14:24.200 --> 0:14:25.840
<v Speaker 1>Yeah, trying to keep it together. I was just like

0:14:25.880 --> 0:14:26.680
<v Speaker 1>trying to take notes.

0:14:27.520 --> 0:14:31.000
<v Speaker 3>Yeah, it was gorgeous. Everything about it was amazing.

0:14:31.360 --> 0:14:35.480
<v Speaker 1>Yeah. So then we went to uh, Elaine and Alan,

0:14:37.160 --> 0:14:38.720
<v Speaker 1>which was I mean, that's a tough act to follow,

0:14:38.840 --> 0:14:40.840
<v Speaker 1>by the way, No Jensen.

0:14:41.160 --> 0:14:42.920
<v Speaker 2>Jensen literally leaned over to me and he's like, I'm

0:14:42.920 --> 0:14:44.520
<v Speaker 2>so glad Daniel did not have to go next.

0:14:44.720 --> 0:14:47.200
<v Speaker 3>Yeah, it's true, that's a tough act to follow.

0:14:48.000 --> 0:14:51.200
<v Speaker 1>So Elaine and Alan. Elaine dedicated her dance to her

0:14:51.280 --> 0:14:54.880
<v Speaker 1>best friend and the parent Trap co star Lisa and Walter.

0:14:55.600 --> 0:14:57.560
<v Speaker 1>I thought this was so fun. I love seeing the

0:14:57.600 --> 0:15:01.880
<v Speaker 1>pre show package and their friendship, and then I thought

0:15:01.880 --> 0:15:04.840
<v Speaker 1>the dance was really fun. Yeah me too, you know

0:15:05.400 --> 0:15:08.040
<v Speaker 1>it was it felt like a play. Yeah, do you

0:15:08.040 --> 0:15:10.120
<v Speaker 1>know what I mean and remind you again. She's very

0:15:10.600 --> 0:15:14.800
<v Speaker 1>musical theory, and in this case they did a foxtrot,

0:15:14.880 --> 0:15:17.840
<v Speaker 1>so it had its sort of ballroom dance component, but

0:15:17.960 --> 0:15:22.200
<v Speaker 1>all the switching partners and like really involved Lisa in

0:15:22.240 --> 0:15:24.120
<v Speaker 1>a way that you know, a lot of the people

0:15:24.120 --> 0:15:26.480
<v Speaker 1>when they were doing their dedication they didn't involve their

0:15:26.520 --> 0:15:29.400
<v Speaker 1>dedicated person as much. In this case, I was like, wow,

0:15:29.560 --> 0:15:32.200
<v Speaker 1>she's like dancing with them, and I thought it was

0:15:32.240 --> 0:15:32.800
<v Speaker 1>super fun.

0:15:33.280 --> 0:15:35.600
<v Speaker 2>And his spinning in between the two of them and

0:15:35.640 --> 0:15:37.400
<v Speaker 2>like grabbing the one of them then grabbing the other,

0:15:37.440 --> 0:15:39.600
<v Speaker 2>than the three of them together, it really flowed well.

0:15:39.840 --> 0:15:41.360
<v Speaker 3>The choreography was great for this.

0:15:41.320 --> 0:15:43.520
<v Speaker 1>But this is hard to follow the emotionality of.

0:15:43.480 --> 0:15:46.360
<v Speaker 2>The hugely hard but maybe exactly what we needed, like

0:15:46.440 --> 0:15:50.640
<v Speaker 2>a little lighthearted friends dancing around totally different style of

0:15:50.640 --> 0:15:51.480
<v Speaker 2>ballroom dance.

0:15:51.800 --> 0:15:53.520
<v Speaker 3>It was probably perfect at the time.

0:15:53.880 --> 0:15:57.760
<v Speaker 1>Yeah, they got eight, seven, seven and eight. Now so

0:15:58.760 --> 0:16:00.960
<v Speaker 1>here this is where I agree with you that carry

0:16:00.960 --> 0:16:03.080
<v Speaker 1>Anne giving an eight to Robert and Whitney and then

0:16:03.080 --> 0:16:04.840
<v Speaker 1>an eight to Elaine and Allen. I was like, where

0:16:04.840 --> 0:16:05.640
<v Speaker 1>are you coming from?

0:16:05.760 --> 0:16:07.840
<v Speaker 2>Yeah, I know, it's like, well, how are you picking?

0:16:07.880 --> 0:16:10.120
<v Speaker 2>Are you just randomly picking numbers? Like, what do you do?

0:16:10.720 --> 0:16:12.600
<v Speaker 1>No, I just you know, she was going from some

0:16:12.640 --> 0:16:14.960
<v Speaker 1>sort of I don't know, it's a different place, right,

0:16:16.240 --> 0:16:18.480
<v Speaker 1>yeah it was, you know, but this was great. This

0:16:18.640 --> 0:16:21.000
<v Speaker 1>was fine, like I said, just kind of hard to

0:16:21.040 --> 0:16:23.840
<v Speaker 1>follow the previous dance, so I I you know, but

0:16:23.880 --> 0:16:27.480
<v Speaker 1>I think any other night, this probably was Elaine's one

0:16:27.480 --> 0:16:29.920
<v Speaker 1>of Elaine's best dances, right, like, compared to all her

0:16:30.000 --> 0:16:30.560
<v Speaker 1>other stuff.

0:16:30.680 --> 0:16:31.320
<v Speaker 3>I think so too.

0:16:31.360 --> 0:16:34.880
<v Speaker 2>I think they also again keep in mind eight seven

0:16:35.000 --> 0:16:37.760
<v Speaker 2>seven eight, and we're very positive with their remarks. I

0:16:37.760 --> 0:16:40.080
<v Speaker 2>think Kim gave one kind of maybe do this with

0:16:40.120 --> 0:16:42.680
<v Speaker 2>your hand, but other than that, they're all like, this

0:16:42.760 --> 0:16:43.240
<v Speaker 2>is it.

0:16:43.360 --> 0:16:45.040
<v Speaker 1>Was just with the pen in her hand.

0:16:45.160 --> 0:16:47.280
<v Speaker 2>No, no, no, the pen was later. This was this was

0:16:48.200 --> 0:16:51.640
<v Speaker 2>interesting your your like your hand and around oh right,

0:16:51.680 --> 0:16:54.720
<v Speaker 2>the way she holding his shoulder, holding his shoulder and yeah,

0:16:55.040 --> 0:16:55.640
<v Speaker 2>so that's.

0:16:55.520 --> 0:16:57.680
<v Speaker 1>The kind of stuff I have no idea and.

0:16:57.640 --> 0:17:00.640
<v Speaker 2>Give a great great criticism where I'm like, we again,

0:17:00.760 --> 0:17:02.680
<v Speaker 2>you're right, we don't know any of that. So sitting

0:17:02.720 --> 0:17:04.240
<v Speaker 2>there and listening to like, oh wow, if you just

0:17:04.280 --> 0:17:07.480
<v Speaker 2>move your hand like this, this changes super cool. Yeah,

0:17:07.520 --> 0:17:11.600
<v Speaker 2>really cool, but very positive feedback. Yeah, eat that in

0:17:11.680 --> 0:17:12.320
<v Speaker 2>mind again.

0:17:12.880 --> 0:17:17.520
<v Speaker 1>Okay, I love where we're going, all right. Next up

0:17:17.640 --> 0:17:25.399
<v Speaker 1>was Whitney and Mark. This was just amazing. I found

0:17:25.400 --> 0:17:28.439
<v Speaker 1>this so fascinating from a story point of view and

0:17:28.560 --> 0:17:31.080
<v Speaker 1>from a dancing point of view, and how those two

0:17:31.160 --> 0:17:37.240
<v Speaker 1>things were sort of merged because here she is, you know,

0:17:37.400 --> 0:17:39.760
<v Speaker 1>doing a dance that dedicated to her husband, who has

0:17:39.800 --> 0:17:42.560
<v Speaker 1>allowed her to do things like Dancing with the Stars

0:17:42.920 --> 0:17:44.959
<v Speaker 1>right and been her support system taking care of their

0:17:45.000 --> 0:17:48.480
<v Speaker 1>kids in La, while she's you know, rehearsing all day

0:17:48.520 --> 0:17:51.800
<v Speaker 1>every day with her you know, dance professional partner, Mark.

0:17:52.320 --> 0:17:54.920
<v Speaker 1>And so the way that they incorporated her husband as

0:17:55.080 --> 0:18:00.199
<v Speaker 1>basically a professional dancer doing everything with her, and and

0:18:00.240 --> 0:18:03.320
<v Speaker 1>then you know, sort of taking Mark's place at times,

0:18:03.359 --> 0:18:06.159
<v Speaker 1>and then Mark coming in. I thought this was so

0:18:06.359 --> 0:18:09.480
<v Speaker 1>cool because it was like we're watching them dance out

0:18:09.800 --> 0:18:14.000
<v Speaker 1>the dynamic of Dancing with the Stars. It was like wow,

0:18:14.040 --> 0:18:17.520
<v Speaker 1>like you feel like separated, you know, because you're so busy,

0:18:17.600 --> 0:18:20.320
<v Speaker 1>and then you're involving him. But this is also my

0:18:20.440 --> 0:18:23.159
<v Speaker 1>worst nightmare, Like if my wife was on a dancing

0:18:23.160 --> 0:18:25.240
<v Speaker 1>show and she was like, I want to dedicate it

0:18:25.280 --> 0:18:26.800
<v Speaker 1>to you, and you also have to do all the

0:18:26.880 --> 0:18:27.840
<v Speaker 1>dance you will.

0:18:28.359 --> 0:18:29.960
<v Speaker 2>Yo, But he did it.

0:18:30.240 --> 0:18:33.000
<v Speaker 1>I love this guy. I was like, dude, you permitted.

0:18:33.000 --> 0:18:37.000
<v Speaker 2>I love the concept. I thought the execution. There were

0:18:37.040 --> 0:18:40.320
<v Speaker 2>times they were all off right, and I mean clearly

0:18:41.000 --> 0:18:43.000
<v Speaker 2>off to where I noticed it.

0:18:43.440 --> 0:18:46.720
<v Speaker 1>Right. Well, they talked about her, you know, jumping out

0:18:46.760 --> 0:18:49.440
<v Speaker 1>of sync. Right, yeah, but here's the thing about them

0:18:49.680 --> 0:18:51.480
<v Speaker 1>ending out of sync. But here's the thing that I

0:18:51.560 --> 0:18:56.480
<v Speaker 1>kept thinking, Okay, she has been very technically good every

0:18:56.480 --> 0:19:00.159
<v Speaker 1>other dance, right, She's never been off time. Isn't the

0:19:00.160 --> 0:19:02.480
<v Speaker 1>fact that she was out of sync with her professional

0:19:02.560 --> 0:19:06.000
<v Speaker 1>dancing partner more of an indication of exactly the story

0:19:06.000 --> 0:19:07.840
<v Speaker 1>they were trying to tell, which is that she was

0:19:07.880 --> 0:19:10.639
<v Speaker 1>probably more concerned about her husband's dancing and she was

0:19:10.680 --> 0:19:13.040
<v Speaker 1>more committed to whether he was going to be doing

0:19:13.080 --> 0:19:16.160
<v Speaker 1>a good job than her own dancing, which only furthers

0:19:16.200 --> 0:19:18.800
<v Speaker 1>the story, which is that she's dedicating the night to him.

0:19:18.800 --> 0:19:19.440
<v Speaker 1>Do you know what I mean?

0:19:19.520 --> 0:19:22.880
<v Speaker 2>I think it was on purpose, but that wasn't done

0:19:22.920 --> 0:19:24.080
<v Speaker 2>on purpose, But I don't care.

0:19:24.200 --> 0:19:26.840
<v Speaker 1>I felt it like emotionally, I was like, you're messing

0:19:26.920 --> 0:19:29.639
<v Speaker 1>up because you're concerned about your husband, which is the

0:19:29.680 --> 0:19:30.720
<v Speaker 1>whole point of this dance.

0:19:30.920 --> 0:19:34.520
<v Speaker 2>That's but the more points I thought it was beautiful.

0:19:34.880 --> 0:19:38.720
<v Speaker 1>I thought it was like a beauty up. I don't.

0:19:38.800 --> 0:19:40.919
<v Speaker 2>I mean, that's like I just know.

0:19:41.040 --> 0:19:43.840
<v Speaker 1>But just in my mind, my analytical mind, I was like,

0:19:43.920 --> 0:19:45.720
<v Speaker 1>you know what that you know what that says? That

0:19:45.800 --> 0:19:48.360
<v Speaker 1>says that she cares about exactly what she says.

0:19:48.400 --> 0:19:50.920
<v Speaker 2>She cares if they were out of sync on purpose

0:19:51.080 --> 0:19:54.560
<v Speaker 2>to show the storyline, but they were, she was just out.

0:19:55.200 --> 0:19:57.280
<v Speaker 1>But you know what I'm saying, and I think it's

0:19:57.640 --> 0:19:59.840
<v Speaker 1>that's so sweet, actually beautiful.

0:20:00.680 --> 0:20:05.720
<v Speaker 2>She's a wonderful professional dancer working with another professional dancer.

0:20:06.000 --> 0:20:08.960
<v Speaker 2>But if you're gonna judge her like everybody else, which

0:20:09.000 --> 0:20:14.320
<v Speaker 2>they aren't, then she messed up. Yeah, okay, so if

0:20:14.359 --> 0:20:17.560
<v Speaker 2>you mess up, how does Carrie Anne give that a

0:20:17.760 --> 0:20:22.560
<v Speaker 2>nine with a clear mess up? When Robert Irwins was

0:20:22.760 --> 0:20:27.359
<v Speaker 2>flawless and that got an eight. That's when you're just going, okay,

0:20:27.359 --> 0:20:28.639
<v Speaker 2>there's no there's no rhyme or.

0:20:28.640 --> 0:20:29.480
<v Speaker 3>Reason to any of this.

0:20:29.800 --> 0:20:31.919
<v Speaker 2>Like, it's just I like you, so I'm going to

0:20:31.960 --> 0:20:33.600
<v Speaker 2>give you a higher score. Maybe I don't like you

0:20:33.600 --> 0:20:35.679
<v Speaker 2>that much. I'm gonna get it. There doesn't seem to

0:20:35.680 --> 0:20:36.919
<v Speaker 2>be anything behind any of it.

0:20:36.960 --> 0:20:38.600
<v Speaker 1>Well what about this? What about this? Because I would

0:20:38.600 --> 0:20:41.040
<v Speaker 1>have given it a nine too. Personally, I think that

0:20:41.119 --> 0:20:44.560
<v Speaker 1>there's there's something to be said for the challenge you

0:20:44.600 --> 0:20:48.439
<v Speaker 1>give yourself, right and like you know, in gymnastics, if

0:20:48.440 --> 0:20:51.320
<v Speaker 1>you do the technical triple backflip versus a double backflip,

0:20:51.359 --> 0:20:55.080
<v Speaker 1>if you pull off a poorly done triple backflip, you

0:20:55.160 --> 0:20:56.960
<v Speaker 1>did you get a higher score? Maybe? Do you know

0:20:57.000 --> 0:20:59.199
<v Speaker 1>what I'm saying? Like, no, sure, of course, And I

0:20:59.240 --> 0:21:02.199
<v Speaker 1>think maybe difficult to shout yes. And I think that

0:21:02.200 --> 0:21:04.760
<v Speaker 1>there's something to be said for the difficulty of involving

0:21:05.160 --> 0:21:08.919
<v Speaker 1>a non dancing husband as much as she did and

0:21:08.920 --> 0:21:11.760
<v Speaker 1>and committing to that. And maybe is the yes because

0:21:11.760 --> 0:21:13.479
<v Speaker 1>she could have played it safe. She could have just

0:21:13.760 --> 0:21:16.600
<v Speaker 1>right her husband, show up and bowed to him, you know,

0:21:16.920 --> 0:21:19.680
<v Speaker 1>and then done an amazing but instead she took on

0:21:20.359 --> 0:21:21.760
<v Speaker 1>this huge challenge.

0:21:21.880 --> 0:21:24.920
<v Speaker 2>I'm not saying she did not deserve a nine. I'm

0:21:24.960 --> 0:21:26.439
<v Speaker 2>saying Robert deserved it.

0:21:27.040 --> 0:21:32.040
<v Speaker 1>Mark Ballat like agree, nailed it, no problem tonight with choreography,

0:21:32.080 --> 0:21:34.639
<v Speaker 1>tonight with the because contemporary so much more wide open

0:21:34.680 --> 0:21:36.480
<v Speaker 1>and expressive, and I live beautiful.

0:21:36.480 --> 0:21:39.840
<v Speaker 2>Also, I don't disagree. I'm I'm not saying she deserved

0:21:39.840 --> 0:21:43.399
<v Speaker 2>a lower score. I'm saying the scoring makes no sense

0:21:43.960 --> 0:21:47.320
<v Speaker 2>if he gets an eight for a flawless thing and

0:21:47.359 --> 0:21:50.160
<v Speaker 2>she gets a nine when there's a clear mistake, right

0:21:50.359 --> 0:21:52.840
<v Speaker 2>that even a neophyte like myself can go, Wow, that

0:21:52.880 --> 0:21:53.600
<v Speaker 2>wasn't even close.

0:21:53.840 --> 0:21:55.840
<v Speaker 1>But the other judges also gave eight. So this was

0:21:55.880 --> 0:21:57.560
<v Speaker 1>the highest score of the season at this point in

0:21:57.600 --> 0:21:57.920
<v Speaker 1>the night.

0:21:58.359 --> 0:22:01.600
<v Speaker 3>Oh gave nine. It was it was for nines, right, no, no, no, no, no, no,

0:22:01.760 --> 0:22:02.960
<v Speaker 3>it's nine eight.

0:22:03.520 --> 0:22:06.000
<v Speaker 1>That's right. So they were all pretty high, like nobody

0:22:06.160 --> 0:22:09.639
<v Speaker 1>you know, it's but again, why what is Carrie Anne

0:22:09.680 --> 0:22:13.600
<v Speaker 1>seeing to where during Roberts it's three nines and she

0:22:13.640 --> 0:22:15.520
<v Speaker 1>gives an eight and this time it's one nine and

0:22:15.560 --> 0:22:16.119
<v Speaker 1>three eighths?

0:22:16.160 --> 0:22:18.520
<v Speaker 2>Like are the three of them wrong? And she's right,

0:22:20.080 --> 0:22:22.560
<v Speaker 2>I don't know. I just don't get the scoring. That's

0:22:22.600 --> 0:22:24.679
<v Speaker 2>what it comes down to. I don't get the scoring,

0:22:24.720 --> 0:22:26.120
<v Speaker 2>and I don't get a lot of the feedback.

0:22:26.320 --> 0:22:27.840
<v Speaker 1>She said at one point in the night that she

0:22:27.960 --> 0:22:32.280
<v Speaker 1>doesn't have kids. Right, yes, okay, to Robert is doing

0:22:32.320 --> 0:22:35.119
<v Speaker 1>to dance about his mother, it's that he's doing a

0:22:35.200 --> 0:22:37.640
<v Speaker 1>dance about her as a dance about her husband and partnership.

0:22:37.800 --> 0:22:40.200
<v Speaker 1>Because of the inverse scores, right, they got She gave

0:22:40.280 --> 0:22:42.560
<v Speaker 1>eight and then they gave they gave nines to Robert

0:22:42.960 --> 0:22:45.000
<v Speaker 1>and then this case she gave nine and they gave eight.

0:22:45.040 --> 0:22:47.119
<v Speaker 2>But I don't think Sarrenk has kids either, and he's

0:22:47.160 --> 0:22:49.080
<v Speaker 2>he's you know, well but going.

0:22:48.960 --> 0:22:50.639
<v Speaker 1>Probably danced with Roberts.

0:22:50.880 --> 0:22:52.680
<v Speaker 3>Yeah, he was like part of the he's like.

0:22:52.680 --> 0:22:54.280
<v Speaker 1>He said, he's like part of the family. I'm so

0:22:54.359 --> 0:22:54.760
<v Speaker 1>proud of you.

0:22:54.840 --> 0:22:57.159
<v Speaker 3>But apparently his wife is pregnant. So that's gotta be

0:22:57.280 --> 0:22:57.600
<v Speaker 3>there you.

0:22:57.600 --> 0:23:04.200
<v Speaker 1>Go, there, you go. Next up Jen Affleck and Yan

0:23:05.040 --> 0:23:08.199
<v Speaker 1>and she dedicated her dance to her mom Maria. This

0:23:08.359 --> 0:23:12.760
<v Speaker 1>was the Viennese waltz. You know, this was again a

0:23:12.800 --> 0:23:16.639
<v Speaker 1>tough act to follow. Yeah, I thought this was fine.

0:23:17.520 --> 0:23:19.320
<v Speaker 1>I kind of like a Viennese waltz. I don't know

0:23:19.320 --> 0:23:20.640
<v Speaker 1>what that is, but I kind of liked.

0:23:20.600 --> 0:23:22.159
<v Speaker 3>This different than a Viennese coffee, which is what.

0:23:22.320 --> 0:23:26.640
<v Speaker 1>Yeah. And I wasn't sure about any of the technicality

0:23:26.720 --> 0:23:29.040
<v Speaker 1>regarding this dance, you know, because it wasn't contemporary. It's

0:23:29.080 --> 0:23:30.679
<v Speaker 1>like I sort of have to reset my brain of

0:23:30.680 --> 0:23:32.480
<v Speaker 1>like what am I judging? What am I you know,

0:23:32.520 --> 0:23:36.040
<v Speaker 1>thinking about? And I don't know, it seemed great, you know.

0:23:36.280 --> 0:23:38.800
<v Speaker 2>But here's here's what I'm gonna say, and it's gonna

0:23:38.800 --> 0:23:40.800
<v Speaker 2>sound mean, and I swear to God, I don't mean

0:23:40.840 --> 0:23:42.840
<v Speaker 2>it to come off as mean in any way, shape

0:23:42.880 --> 0:23:44.399
<v Speaker 2>or form. It's just how I feel because it happened

0:23:44.400 --> 0:23:48.639
<v Speaker 2>again last night. She was totally fine. I constantly forget

0:23:48.680 --> 0:23:51.919
<v Speaker 2>she's on the show. Yeah, Like she pops on and

0:23:51.960 --> 0:23:54.400
<v Speaker 2>I'm like, oh, that's right, she's on the show, right.

0:23:54.440 --> 0:23:56.480
<v Speaker 2>And I'm not saying that as to be mean to her.

0:23:56.480 --> 0:24:01.640
<v Speaker 2>She's just a little bit forgettable everything else going on

0:24:01.720 --> 0:24:04.320
<v Speaker 2>around her, and she seems like a perfectly lovely person,

0:24:04.359 --> 0:24:07.960
<v Speaker 2>and her story is very captivating, and the dance was fine.

0:24:08.040 --> 0:24:10.320
<v Speaker 2>But even as I'm sitting here, I saw it live

0:24:10.560 --> 0:24:12.360
<v Speaker 2>and I saw it last night on TV, and I

0:24:12.480 --> 0:24:14.640
<v Speaker 2>kind of can't remember what it was right.

0:24:15.080 --> 0:24:18.160
<v Speaker 1>But imagine if she was an actor from a sitcom

0:24:18.359 --> 0:24:20.320
<v Speaker 1>or had done a show that you would watched, she'd

0:24:20.359 --> 0:24:23.880
<v Speaker 1>be brilliant. That's the thing from me, from our point

0:24:23.880 --> 0:24:25.520
<v Speaker 1>of view, I don't know who she is until we

0:24:25.520 --> 0:24:27.560
<v Speaker 1>started watching the show, and I don't know if she

0:24:27.680 --> 0:24:30.920
<v Speaker 1>has the kind of career that like someone like Danielle

0:24:31.000 --> 0:24:33.680
<v Speaker 1>does or Andy Richter, you know, where you're like watching

0:24:33.800 --> 0:24:36.080
<v Speaker 1>somebody who you can be involved with as a person

0:24:36.600 --> 0:24:39.320
<v Speaker 1>do something very difficult. In this case, I'm like, you're

0:24:39.359 --> 0:24:42.920
<v Speaker 1>a mom of many children and you just had a kid.

0:24:43.040 --> 0:24:44.760
<v Speaker 1>That's cool. But yeah, you're right, I don't have a

0:24:44.800 --> 0:24:46.760
<v Speaker 1>personal connection to her. I don't know when she does

0:24:46.760 --> 0:24:50.520
<v Speaker 1>a good technical dance because she didn't choose as like,

0:24:50.680 --> 0:24:52.480
<v Speaker 1>you know, is her mom, which was great, Yeah, but

0:24:52.480 --> 0:24:56.080
<v Speaker 1>it didn't draw me in the same way emotionally story

0:24:56.080 --> 0:24:58.840
<v Speaker 1>wise that the previous dance. Who I also, I don't

0:24:58.880 --> 0:25:01.800
<v Speaker 1>know who Whitney is before this show, but that story

0:25:01.920 --> 0:25:03.600
<v Speaker 1>and the way she was able to convey it with

0:25:03.640 --> 0:25:05.880
<v Speaker 1>the dance between her and her husband really drew me in.

0:25:06.240 --> 0:25:07.280
<v Speaker 1>So it really stood out.

0:25:07.880 --> 0:25:09.880
<v Speaker 2>Yeah, I just it was fine. It was fine, and

0:25:10.000 --> 0:25:12.359
<v Speaker 2>I'm sure she's perfectly lovely. I've just just kind of

0:25:12.400 --> 0:25:13.040
<v Speaker 2>lost in the pack.

0:25:13.240 --> 0:25:15.200
<v Speaker 1>But I think exactly, and I think she's probably gonna

0:25:15.200 --> 0:25:18.520
<v Speaker 1>be in the bottom. I think, so I think this,

0:25:18.640 --> 0:25:21.159
<v Speaker 1>you know, this was a chance for her to potentially

0:25:21.240 --> 0:25:25.120
<v Speaker 1>really involve us in and make her her story more memorable,

0:25:25.160 --> 0:25:26.960
<v Speaker 1>and instead it was like, she did a good technical

0:25:27.040 --> 0:25:30.400
<v Speaker 1>dance and it was great, So we'll see, we'll see.

0:25:30.480 --> 0:25:33.879
<v Speaker 1>I mean, I was really kind of like annoyed that

0:25:33.880 --> 0:25:35.520
<v Speaker 1>they didn't do any eliminations this week.

0:25:36.320 --> 0:25:37.560
<v Speaker 2>I'm so glad it didn't happen.

0:25:37.600 --> 0:25:38.399
<v Speaker 3>Oh go I was.

0:25:38.680 --> 0:25:42.760
<v Speaker 2>I was a nervous wreck. Yeah, I'm sitting there watching

0:25:42.760 --> 0:25:44.920
<v Speaker 2>them all. They're three feet from me. They don't know

0:25:44.960 --> 0:25:47.360
<v Speaker 2>if they're going home. When she finally finished, I said

0:25:47.359 --> 0:25:50.399
<v Speaker 2>to Danielle, you can't. I know this is not about me,

0:25:50.480 --> 0:25:52.080
<v Speaker 2>but you can't do this to me anymore. I don't

0:25:52.080 --> 0:25:52.840
<v Speaker 2>know if I'm gonna able to.

0:25:52.800 --> 0:25:53.439
<v Speaker 3>Make it through the end.

0:25:53.520 --> 0:25:57.439
<v Speaker 2>Like it's so, I'm sitting there like shaking with anticipation.

0:25:57.520 --> 0:25:59.080
<v Speaker 3>Oh it was awful. It was awful.

0:25:59.600 --> 0:26:02.239
<v Speaker 1>Yeah, but why do you think they didn't do it

0:26:02.280 --> 0:26:04.119
<v Speaker 1>just because it was so emotional? They didn't want to

0:26:04.200 --> 0:26:05.440
<v Speaker 1>judge anybody based.

0:26:05.200 --> 0:26:07.720
<v Speaker 2>On I think it's one of those things. And producer

0:26:08.080 --> 0:26:09.440
<v Speaker 2>Taram I have said this to me. I don't know

0:26:09.440 --> 0:26:11.480
<v Speaker 2>if somebody said this mean it's true. It's like they

0:26:11.480 --> 0:26:14.119
<v Speaker 2>don't want to send you home on the possibility that

0:26:14.160 --> 0:26:16.720
<v Speaker 2>it was your husband or your wife or your mom

0:26:16.800 --> 0:26:19.760
<v Speaker 2>that made the mistake right where it's like, you know, hey,

0:26:19.840 --> 0:26:21.640
<v Speaker 2>how do you judge somebody who dances with a five

0:26:21.720 --> 0:26:23.760
<v Speaker 2>year old girl and say the dance wasn't any good.

0:26:23.960 --> 0:26:26.520
<v Speaker 3>It's so true, so you can't you can't, Like, so

0:26:26.600 --> 0:26:26.920
<v Speaker 3>do they?

0:26:27.040 --> 0:26:29.639
<v Speaker 1>But they do Dedication Night every season? Do they always

0:26:29.680 --> 0:26:30.440
<v Speaker 1>avoid elimination?

0:26:30.520 --> 0:26:32.600
<v Speaker 2>That's what I asked too, And I think they kind

0:26:32.600 --> 0:26:35.800
<v Speaker 2>of don't, you know, don't do anything, because Jensen said

0:26:35.800 --> 0:26:37.280
<v Speaker 2>to me is like, I was so nervous. I go,

0:26:37.320 --> 0:26:38.480
<v Speaker 2>who do you think is gonna go? He's like, oh,

0:26:38.480 --> 0:26:40.480
<v Speaker 2>we're ninety nine percent sure no one's going home tonight.

0:26:40.520 --> 0:26:40.960
<v Speaker 3>I was like what.

0:26:41.440 --> 0:26:44.000
<v Speaker 2>He's like, yeah, Dedication Night. They don't normally send anybody home,

0:26:44.000 --> 0:26:45.840
<v Speaker 2>but they didn't know. And then as they start reading

0:26:45.840 --> 0:26:48.600
<v Speaker 2>the results, he's like, maybe we're wrong, And I was like,

0:26:48.640 --> 0:26:52.200
<v Speaker 2>oh god, so, but no, I think that's kind of

0:26:52.200 --> 0:26:53.520
<v Speaker 2>the norm that they don't send anybody.

0:26:53.560 --> 0:26:55.960
<v Speaker 5>Well, this was also the first year that the person

0:26:56.000 --> 0:27:01.880
<v Speaker 5>they're dedicating to is actually involved, really there, Yeah, these

0:27:01.920 --> 0:27:02.480
<v Speaker 5>years like.

0:27:02.480 --> 0:27:06.400
<v Speaker 4>You didn't have you didn't have like Lisa and Alisa

0:27:06.400 --> 0:27:09.120
<v Speaker 4>and Walter doing a full dance, or you didn't have.

0:27:10.040 --> 0:27:12.440
<v Speaker 1>So yeah, that's why they want to do it. They couldn't.

0:27:13.160 --> 0:27:15.520
<v Speaker 4>They could have like if like if Andy went home

0:27:15.960 --> 0:27:19.800
<v Speaker 4>and his daughter, you know, she's awful.

0:27:19.960 --> 0:27:22.600
<v Speaker 2>It's like, how do you I can't believe you got

0:27:22.600 --> 0:27:25.040
<v Speaker 2>me kicked off of Dancing with the Stars, you tiny

0:27:25.080 --> 0:27:28.520
<v Speaker 2>little girl, like mom, you did exactly.

0:27:29.000 --> 0:27:30.600
<v Speaker 3>So they kind of go, we're gonna have be have

0:27:30.600 --> 0:27:31.440
<v Speaker 3>a big emotional night.

0:27:31.480 --> 0:27:34.560
<v Speaker 2>Then we'll yeah, now are they gonna do it? I

0:27:34.560 --> 0:27:36.399
<v Speaker 2>wonder if they're gonna do it like they do sometimes

0:27:36.440 --> 0:27:39.160
<v Speaker 2>on some of these reality shows that I'll watch where

0:27:39.400 --> 0:27:42.159
<v Speaker 2>they won't eliminate anybody, and then the next week they

0:27:42.200 --> 0:27:43.200
<v Speaker 2>eliminate limit it too.

0:27:44.440 --> 0:27:48.280
<v Speaker 4>But also in the past we've had like different finales

0:27:48.280 --> 0:27:50.959
<v Speaker 4>where there's been a finale with five, there's been a

0:27:50.960 --> 0:27:55.000
<v Speaker 4>finale with four, so there's been in a finale with three.

0:27:55.280 --> 0:27:57.760
<v Speaker 5>So you actually don't even know what they're gonna do.

0:27:57.840 --> 0:27:59.560
<v Speaker 4>You don't know if there's gonna be a double elimination

0:27:59.640 --> 0:28:01.200
<v Speaker 4>at some point before the finale.

0:28:01.400 --> 0:28:03.880
<v Speaker 3>Okay, oh my god, it's is just I can't do it.

0:28:04.200 --> 0:28:07.280
<v Speaker 2>That's what the Stars sponsored by Adavan. I can't.

0:28:07.320 --> 0:28:09.280
<v Speaker 3>I can't do this anymore. God.

0:28:21.960 --> 0:28:26.320
<v Speaker 1>Jen and Jan got eight seven seven seven.

0:28:29.320 --> 0:28:31.400
<v Speaker 3>Yeah, yeah, yeah, yeah.

0:28:31.640 --> 0:28:33.000
<v Speaker 1>In fact, a little nice.

0:28:33.000 --> 0:28:34.800
<v Speaker 2>I thought maybe could have been seven.

0:28:34.960 --> 0:28:38.040
<v Speaker 1>My assumption is that the technicality of the Viennese waltz

0:28:38.120 --> 0:28:40.520
<v Speaker 1>was was good in order to be maybe yeah, maybe

0:28:40.880 --> 0:28:47.680
<v Speaker 1>maybe all right, next up Dylan Ephron and Daniella. He

0:28:47.760 --> 0:28:52.200
<v Speaker 1>dedicated it to his little sister Olivia, who's tiny, so cute.

0:28:52.560 --> 0:28:54.280
<v Speaker 1>But she talked in the pre show package. I was like,

0:28:54.320 --> 0:28:56.520
<v Speaker 1>why does she talk like a thirty five year old woman?

0:28:57.560 --> 0:28:59.320
<v Speaker 1>Did you notice that? I was like, no, Oh, this

0:28:59.440 --> 0:29:04.760
<v Speaker 1>kid she had such like oh my god, this kid's

0:29:04.840 --> 0:29:07.040
<v Speaker 1>like God, it was so cute. I was like, oh

0:29:07.120 --> 0:29:09.280
<v Speaker 1>my gosh, she's Yeah, there's something about the way she spoke.

0:29:09.320 --> 0:29:13.240
<v Speaker 1>I was like, you're you're you're not five? Yeah, yeah,

0:29:13.240 --> 0:29:15.760
<v Speaker 1>maybe a kid acting just runs in the jeans. It

0:29:15.960 --> 0:29:16.960
<v Speaker 1>was pretty incredible.

0:29:17.920 --> 0:29:20.600
<v Speaker 2>He is so likable, it's horrible.

0:29:21.240 --> 0:29:23.680
<v Speaker 1>Yeah, dude, this was I mean, like I didn't think

0:29:23.680 --> 0:29:26.240
<v Speaker 1>it could get better than Robert or when No. I mean,

0:29:26.360 --> 0:29:29.360
<v Speaker 1>I've said since the beginning, Daniella is the best dancer

0:29:29.360 --> 0:29:32.280
<v Speaker 1>in the whole bunch. And this was insane. Like there

0:29:32.280 --> 0:29:34.400
<v Speaker 1>were moments in this dance where it felt like she

0:29:34.760 --> 0:29:37.560
<v Speaker 1>wasn't a human being. It was like she was flying

0:29:37.680 --> 0:29:40.480
<v Speaker 1>around him. It was like she had this like magical

0:29:40.600 --> 0:29:42.960
<v Speaker 1>flight ability. It was like she was levitating.

0:29:43.160 --> 0:29:45.560
<v Speaker 2>It was insane, it was magic.

0:29:45.640 --> 0:29:47.160
<v Speaker 1>I was like, yeah, it felt like she had put

0:29:47.200 --> 0:29:50.720
<v Speaker 1>on like a magical dress that was like lifting it

0:29:50.840 --> 0:29:53.120
<v Speaker 1>up and throwing her. I was like, and then he

0:29:53.240 --> 0:29:55.720
<v Speaker 1>was just so stable and like when they did the

0:29:55.760 --> 0:29:59.760
<v Speaker 1>big lift, I was like, oh my god, this is yeah,

0:29:59.760 --> 0:30:02.280
<v Speaker 1>this this is incredible. Yeah, he's also in the room.

0:30:02.600 --> 0:30:04.240
<v Speaker 3>It was that good. It started.

0:30:04.280 --> 0:30:08.480
<v Speaker 2>So during rehearsal, he did the uh Like they were

0:30:08.520 --> 0:30:10.719
<v Speaker 2>just kind of running around the stage like everybody kind

0:30:10.720 --> 0:30:12.280
<v Speaker 2>of runs around the stage. They're kind of practicing a

0:30:12.320 --> 0:30:15.280
<v Speaker 2>little bit, and the two of them just had this

0:30:15.360 --> 0:30:17.360
<v Speaker 2>quick burst of speed where they did the giant burst

0:30:17.360 --> 0:30:18.640
<v Speaker 2>in the twist and soon and I looked at each

0:30:18.640 --> 0:30:21.640
<v Speaker 2>other like, what the hell was that? And then the

0:30:21.720 --> 0:30:24.320
<v Speaker 2>dance started and it was so good. And the little

0:30:24.320 --> 0:30:26.280
<v Speaker 2>girl runs right off like if you watch the thing,

0:30:26.360 --> 0:30:28.959
<v Speaker 2>she runs right to me, Like she literally runs right

0:30:29.120 --> 0:30:30.960
<v Speaker 2>right and falls right in front of me. She jumps

0:30:30.960 --> 0:30:32.240
<v Speaker 2>off the stage and falls. It was the cutest thing.

0:30:32.400 --> 0:30:33.760
<v Speaker 2>She like got up with the giggle. Was the cutest

0:30:33.800 --> 0:30:37.720
<v Speaker 2>thing in the world. But he is also to me

0:30:38.800 --> 0:30:43.520
<v Speaker 2>exactly what this show is about. Whereas you go watch

0:30:43.560 --> 0:30:46.960
<v Speaker 2>his first episode and he's likable and personable, but he's

0:30:47.000 --> 0:30:49.640
<v Speaker 2>stiff and doesn't know what he's doing. He's like a

0:30:49.800 --> 0:30:53.800
<v Speaker 2>dancer now. I mean, he looked so good out there.

0:30:54.040 --> 0:30:58.000
<v Speaker 2>He's obviously out of his own head. He's enjoying learning

0:30:58.080 --> 0:31:00.360
<v Speaker 2>the techniques, and the two of them together are just

0:31:00.400 --> 0:31:01.000
<v Speaker 2>shredding it.

0:31:01.000 --> 0:31:01.560
<v Speaker 3>It's great.

0:31:01.960 --> 0:31:04.360
<v Speaker 2>Hey, I still think Robert Irwin is in the number

0:31:04.360 --> 0:31:06.600
<v Speaker 2>one position. I think I think he solidified it with

0:31:06.640 --> 0:31:08.920
<v Speaker 2>this week. But I think Dylan's a real.

0:31:08.760 --> 0:31:10.120
<v Speaker 3>Close second at this point.

0:31:10.320 --> 0:31:10.560
<v Speaker 1>Yep.

0:31:10.880 --> 0:31:13.120
<v Speaker 2>That's I mean, that's my I think he's just he

0:31:13.280 --> 0:31:17.080
<v Speaker 2>was so good and she was adorable, and it was

0:31:17.360 --> 0:31:19.560
<v Speaker 2>just this was this was kind of a magical moment

0:31:19.640 --> 0:31:20.080
<v Speaker 2>of the night.

0:31:20.120 --> 0:31:22.680
<v Speaker 1>And I think the match of Dylan and Daniella too

0:31:22.760 --> 0:31:26.800
<v Speaker 1>is really key. Like he's bringing exactly the right energy

0:31:27.200 --> 0:31:29.479
<v Speaker 1>for her form of dance. Like they're just working so

0:31:29.640 --> 0:31:31.880
<v Speaker 1>well together and you can tell they just get along

0:31:32.000 --> 0:31:35.320
<v Speaker 1>and they're on the same page. And yeah, I thought

0:31:35.360 --> 0:31:37.880
<v Speaker 1>this was I mean, you cut nines across the board

0:31:38.160 --> 0:31:41.080
<v Speaker 1>and rightfully so, I mean it would beat the best

0:31:41.120 --> 0:31:42.959
<v Speaker 1>score of the season. Yeah, yeah, it was.

0:31:43.000 --> 0:31:43.560
<v Speaker 3>It was great.

0:31:43.760 --> 0:31:47.080
<v Speaker 2>I mean it great, And he is just again, he's

0:31:47.240 --> 0:31:50.560
<v Speaker 2>so he's got this infectious smile about it. Where I

0:31:50.600 --> 0:31:52.080
<v Speaker 2>told you we were got to be in the VIP

0:31:52.200 --> 0:31:55.280
<v Speaker 2>section backstage while we didn't meet him. I just didn't

0:31:55.320 --> 0:31:57.120
<v Speaker 2>want to mess with any of the dancers or any

0:31:57.120 --> 0:31:58.120
<v Speaker 2>of that kind of stuff. You don't want to get

0:31:58.120 --> 0:32:00.640
<v Speaker 2>in anybody's head. Danielle of course, is running around saying everybody,

0:32:00.640 --> 0:32:03.680
<v Speaker 2>and she's just has such poise it's horrifying. But I

0:32:03.800 --> 0:32:06.440
<v Speaker 2>just kept seeing Dylan around the area. He smiles the

0:32:06.480 --> 0:32:09.720
<v Speaker 2>whole time he was. It wasn't like he's not putting

0:32:09.760 --> 0:32:12.200
<v Speaker 2>this on. He's just got a giant smile and a

0:32:12.240 --> 0:32:12.800
<v Speaker 2>good dude.

0:32:13.680 --> 0:32:16.320
<v Speaker 1>And committing to the challenge that he's been faced with

0:32:16.480 --> 0:32:17.200
<v Speaker 1>and working.

0:32:17.760 --> 0:32:21.120
<v Speaker 2>It's great, killing it and killing it. Yeah, he's so likable.

0:32:21.360 --> 0:32:23.840
<v Speaker 2>That's why every reality show wants him. And people are

0:32:23.880 --> 0:32:27.000
<v Speaker 2>just gonna start throwing money at this guy because it's like,

0:32:27.040 --> 0:32:29.120
<v Speaker 2>please please wrap my product, please do this.

0:32:29.080 --> 0:32:29.520
<v Speaker 1>Please do that.

0:32:29.520 --> 0:32:31.760
<v Speaker 3>Because he's just so damn likable, you know.

0:32:31.800 --> 0:32:34.960
<v Speaker 1>And also he's clearly physically capable in a way, like

0:32:35.000 --> 0:32:37.640
<v Speaker 1>I mean, he's been rock climbing, he's younger, he's just

0:32:37.880 --> 0:32:41.360
<v Speaker 1>he clearly can can rise to this challenge physically in

0:32:41.400 --> 0:32:42.240
<v Speaker 1>a way that like.

0:32:42.360 --> 0:32:43.320
<v Speaker 2>Andy Richter can't.

0:32:43.680 --> 0:32:46.880
<v Speaker 1>Right, It's like, yeah, that's fine, but like he's becoming

0:32:46.960 --> 0:32:50.520
<v Speaker 1>a professional dancer in the course of this, which is understandable.

0:32:50.560 --> 0:32:53.040
<v Speaker 2>Like he seems like one of those yeah, like one

0:32:53.080 --> 0:32:55.280
<v Speaker 2>of those guys where if there's he'll be good at

0:32:55.360 --> 0:32:58.160
<v Speaker 2>anything that physicality is involved in. He's that guy where

0:32:58.200 --> 0:33:00.080
<v Speaker 2>it's like, I've never shot a bow and arrow in

0:33:00.120 --> 0:33:01.360
<v Speaker 2>my life, and by the end of the day, I'm

0:33:01.440 --> 0:33:03.200
<v Speaker 2>hitting the bulls eye nine out of ten times. He

0:33:03.240 --> 0:33:05.400
<v Speaker 2>seems like that kind of got up to me and

0:33:05.440 --> 0:33:07.040
<v Speaker 2>he's he's just yeah, he's killing it.

0:33:07.280 --> 0:33:10.360
<v Speaker 1>Then we had Julianne, the host, do a dance with

0:33:10.400 --> 0:33:12.719
<v Speaker 1>the other professional dancers, which is good to see. I

0:33:12.800 --> 0:33:14.640
<v Speaker 1>was like, oh, it was like yeah.

0:33:15.160 --> 0:33:16.080
<v Speaker 2>And this is where Rusty.

0:33:16.720 --> 0:33:18.600
<v Speaker 3>Rusty leaned over and he's like why why, Why is

0:33:18.600 --> 0:33:19.800
<v Speaker 3>everybody excited? What's going on?

0:33:19.800 --> 0:33:20.440
<v Speaker 1>Why do we care?

0:33:20.760 --> 0:33:23.640
<v Speaker 2>And I'm like, well, Julianne's the host, and so he said,

0:33:23.640 --> 0:33:24.960
<v Speaker 2>He's like, who's on. I'm like, oh, she's the host,

0:33:24.960 --> 0:33:26.240
<v Speaker 2>and I don't think she's dancing in a while. So

0:33:26.240 --> 0:33:27.120
<v Speaker 2>she's gonna dance with the.

0:33:27.120 --> 0:33:29.680
<v Speaker 3>Whole kind of troup. And he's like, oh, right, oh, okay,

0:33:29.640 --> 0:33:30.200
<v Speaker 3>that makes sense.

0:33:30.040 --> 0:33:31.920
<v Speaker 2>Because are we standing again. I'm like, I don't know.

0:33:31.960 --> 0:33:33.240
<v Speaker 2>I think we'll probably stand.

0:33:33.000 --> 0:33:36.560
<v Speaker 3>And clap, I think, so you should care, you should

0:33:36.560 --> 0:33:38.560
<v Speaker 3>care y He was just like, why is there? Why

0:33:38.560 --> 0:33:39.760
<v Speaker 3>does everybody care? What am I missing?

0:33:40.080 --> 0:33:40.160
<v Speaker 2>So?

0:33:40.520 --> 0:33:42.120
<v Speaker 3>But yeah, it was. It was cool to see her dance,

0:33:42.120 --> 0:33:43.440
<v Speaker 3>and she's obviously phenomenal.

0:33:43.480 --> 0:33:45.120
<v Speaker 2>I mean I had no idea because I'd never seen

0:33:45.160 --> 0:33:47.280
<v Speaker 2>her dance before except in that movie exactly, but this

0:33:47.360 --> 0:33:48.120
<v Speaker 2>is she was great.

0:33:48.640 --> 0:33:49.480
<v Speaker 3>So yeah, it was.

0:33:49.720 --> 0:33:53.479
<v Speaker 2>It was cool to watch five incredibly beautiful women in

0:33:53.600 --> 0:33:56.760
<v Speaker 2>really beautiful flowing dresses doing a really really beautiful dance.

0:33:56.760 --> 0:33:59.520
<v Speaker 2>I mean aesthetically, there was nothing that was not pleasing

0:33:59.520 --> 0:34:01.760
<v Speaker 2>about watch live or on TV.

0:34:03.400 --> 0:34:07.400
<v Speaker 1>Next up was Jordan and Ezra your favorite but some

0:34:07.440 --> 0:34:08.840
<v Speaker 1>of your favorites, right man?

0:34:09.200 --> 0:34:09.560
<v Speaker 3>Really?

0:34:09.719 --> 0:34:12.880
<v Speaker 1>Yeah? I just love her. Yeah, you know, I just

0:34:12.920 --> 0:34:16.920
<v Speaker 1>think that she's because she could like so easily. Like

0:34:16.960 --> 0:34:19.560
<v Speaker 1>even my dad, who hadn't seen anything since the first episode,

0:34:19.680 --> 0:34:22.320
<v Speaker 1>was like, isn't she a gymnast? Shouldn't she be like

0:34:22.360 --> 0:34:25.319
<v Speaker 1>flipping around? And I was like, no, she's she's trying

0:34:25.360 --> 0:34:28.640
<v Speaker 1>to do something different here, you know. And for me,

0:34:28.760 --> 0:34:31.520
<v Speaker 1>what's really struck, like what's really struck me about Jordan

0:34:31.719 --> 0:34:34.880
<v Speaker 1>is like when they stand next to each other, you

0:34:34.920 --> 0:34:37.720
<v Speaker 1>can see this height difference that's just insane, right crazy,

0:34:37.719 --> 0:34:40.960
<v Speaker 1>But when they're dancing, it never occurs to me. And

0:34:41.000 --> 0:34:45.360
<v Speaker 1>what I was watching her this time, Her arms are incredible.

0:34:45.400 --> 0:34:48.600
<v Speaker 1>She's using her arms compared to how she started, she

0:34:48.760 --> 0:34:52.680
<v Speaker 1>is now making She's accentuating every one of her moves perfectly.

0:34:52.760 --> 0:34:55.239
<v Speaker 1>And that's not a gymnast thing. I mean, obviously it's

0:34:55.520 --> 0:34:57.560
<v Speaker 1>a strength thing, but it's an elegance. It's a and

0:34:57.880 --> 0:35:00.680
<v Speaker 1>I think the judges called it her musicality that's getting better.

0:35:00.800 --> 0:35:05.239
<v Speaker 1>And I'm like, yes, because she clearly has the physical capability,

0:35:05.400 --> 0:35:07.759
<v Speaker 1>but you know, to be able to be expressive with

0:35:07.800 --> 0:35:12.239
<v Speaker 1>your arms and to tell a story and to you know,

0:35:12.440 --> 0:35:16.280
<v Speaker 1>just not to just be a dancer. It was incredible. Yeah,

0:35:16.280 --> 0:35:18.520
<v Speaker 1>so I thought this was great. I love seeing her

0:35:18.600 --> 0:35:22.759
<v Speaker 1>dad involved and like, yeah, she did more than half

0:35:22.800 --> 0:35:23.800
<v Speaker 1>the dance with her dad.

0:35:24.480 --> 0:35:26.360
<v Speaker 2>Yeah. I found this again. I liked the story. I

0:35:26.480 --> 0:35:26.719
<v Speaker 2>like her.

0:35:26.800 --> 0:35:29.320
<v Speaker 3>I found this a little boring if I'm honest.

0:35:29.719 --> 0:35:31.359
<v Speaker 2>Yeah, with all the other stuff we kind of saw

0:35:31.360 --> 0:35:32.880
<v Speaker 2>in the night, I was kind of like, Okay, it

0:35:32.960 --> 0:35:36.040
<v Speaker 2>was a dance, Like it wasn't bad certainly technically was

0:35:36.040 --> 0:35:39.080
<v Speaker 2>was very pretty. She's so graceful, the way she moves

0:35:39.280 --> 0:35:42.440
<v Speaker 2>She obviously is completely in touch with every aspect of

0:35:42.480 --> 0:35:44.839
<v Speaker 2>her body and knows how to move it, and I

0:35:44.960 --> 0:35:47.080
<v Speaker 2>just I found it a little just a little bit

0:35:47.080 --> 0:35:48.520
<v Speaker 2>boring for me this week.

0:35:48.560 --> 0:35:50.320
<v Speaker 1>All right, So you would have it got eight's across

0:35:50.320 --> 0:35:51.319
<v Speaker 1>the board, you would have given it.

0:35:51.320 --> 0:35:56.200
<v Speaker 2>Less No, No, probably not, because the technicality was there.

0:35:56.239 --> 0:35:57.759
<v Speaker 2>I probably would have given it the same score, but

0:35:57.800 --> 0:35:59.600
<v Speaker 2>it was just a little kind of forgettable for me

0:35:59.680 --> 0:36:01.879
<v Speaker 2>this week, right right, Yeah, I don't think I would

0:36:01.880 --> 0:36:03.120
<v Speaker 2>have changed the score. I don't think it was it

0:36:03.200 --> 0:36:05.479
<v Speaker 2>deserved a seven. I think it deserved eights across the board.

0:36:05.680 --> 0:36:08.360
<v Speaker 2>I think that's that's right about where she would definitely

0:36:08.440 --> 0:36:11.880
<v Speaker 2>was not Dylan. She definitely was not Robert so I

0:36:12.040 --> 0:36:16.080
<v Speaker 2>who is exactly Yeah, exactly exactly. Well Whitney, you know,

0:36:16.440 --> 0:36:19.480
<v Speaker 2>or you know, any given week, you never know. So

0:36:19.560 --> 0:36:22.120
<v Speaker 2>it's one of those things where, yeah, this one to

0:36:22.160 --> 0:36:23.879
<v Speaker 2>me was a little like Okay, there was a dance.

0:36:24.480 --> 0:36:27.239
<v Speaker 1>Yeah, the judges commented on how much of a risk

0:36:27.280 --> 0:36:29.480
<v Speaker 1>it was to involve her dad as much as they did,

0:36:30.520 --> 0:36:33.480
<v Speaker 1>and I appreciated that too. It was like, yeah, like

0:36:33.560 --> 0:36:36.920
<v Speaker 1>this is cool for Ezra to you know, because he

0:36:36.960 --> 0:36:40.120
<v Speaker 1>got emotional the pre show packets his father, and so

0:36:40.160 --> 0:36:42.120
<v Speaker 1>I found it super interesting that he was like, you

0:36:42.160 --> 0:36:44.040
<v Speaker 1>know what, I'm gonna let this be there the thing

0:36:44.239 --> 0:36:47.239
<v Speaker 1>and let this guy, who you know, isn't part of

0:36:47.239 --> 0:36:50.799
<v Speaker 1>the competition kind of take over and just be a

0:36:50.920 --> 0:36:57.640
<v Speaker 1>dad in the dance itself. And similar to the Whitney's

0:36:57.800 --> 0:36:59.799
<v Speaker 1>story with her husband, it was like, Oh, the dance

0:36:59.840 --> 0:37:02.239
<v Speaker 1>it's self is kind of telling the story of this

0:37:02.320 --> 0:37:05.280
<v Speaker 1>relationship in a way that is really beautiful.

0:37:06.040 --> 0:37:08.359
<v Speaker 2>By the way, before we go any further, who would

0:37:08.440 --> 0:37:09.600
<v Speaker 2>you dedicate your dance to?

0:37:12.239 --> 0:37:15.080
<v Speaker 1>I mean, is there a way that I could not dance?

0:37:15.200 --> 0:37:19.879
<v Speaker 2>But you you wake up in your hell and you've

0:37:19.920 --> 0:37:21.120
<v Speaker 2>got dedication night.

0:37:22.239 --> 0:37:23.640
<v Speaker 3>Who do you dedicate it to?

0:37:24.400 --> 0:37:26.760
<v Speaker 1>I have no idea. Do you have an answer?

0:37:27.000 --> 0:37:28.799
<v Speaker 3>Yeah, I mean I would. I would certainly dedicate to

0:37:28.800 --> 0:37:29.160
<v Speaker 3>my wife.

0:37:30.400 --> 0:37:32.839
<v Speaker 2>Yeah, but see I also don't have children, I don't,

0:37:32.880 --> 0:37:37.000
<v Speaker 2>you know, so it's like physically wouldn't be able to

0:37:37.040 --> 0:37:40.160
<v Speaker 2>do it, so it would be yeah, I would.

0:37:40.280 --> 0:37:41.400
<v Speaker 3>I would dedicate it to Susan.

0:37:41.800 --> 0:37:46.320
<v Speaker 1>I mean, Indy does. He is actually a very good dancer.

0:37:47.280 --> 0:37:49.600
<v Speaker 1>He doesn't do it, but when he dances, it's like

0:37:49.640 --> 0:37:51.759
<v Speaker 1>he's good. Oh my god, dude, like you should be

0:37:51.800 --> 0:37:53.960
<v Speaker 1>doing this all the time, so that could be fun,

0:37:54.040 --> 0:37:56.240
<v Speaker 1>just to dedicate something to him and let him go crazy.

0:37:56.440 --> 0:37:59.640
<v Speaker 1>Alex is also a very good dancer. Yeah Alex, Alex

0:37:59.680 --> 0:37:59.880
<v Speaker 1>has this.

0:38:00.360 --> 0:38:01.439
<v Speaker 3>She'd make you look bad.

0:38:02.200 --> 0:38:05.440
<v Speaker 1>Yeah, she probably won. But one of the things I

0:38:05.480 --> 0:38:07.799
<v Speaker 1>love about my wife more than anything is that she

0:38:07.960 --> 0:38:12.279
<v Speaker 1>has the ability to, like almost every wedding we go to,

0:38:12.760 --> 0:38:16.520
<v Speaker 1>at some point she gets the entire dance floor to

0:38:16.640 --> 0:38:20.160
<v Speaker 1>do an interpretive dance with her like she does. It's

0:38:20.239 --> 0:38:21.279
<v Speaker 1>it's the greatest thing ever.

0:38:21.400 --> 0:38:22.680
<v Speaker 2>Did she do that at my wedding?

0:38:22.800 --> 0:38:24.560
<v Speaker 1>I don't know if she did. It's one of the

0:38:24.600 --> 0:38:26.759
<v Speaker 1>funniest things. And it starts off as comedy. She always

0:38:26.760 --> 0:38:28.799
<v Speaker 1>starts off as comedy. It's like she's kind of going

0:38:28.840 --> 0:38:31.319
<v Speaker 1>crazy and everybody's like, what is she doing? And by

0:38:31.360 --> 0:38:34.920
<v Speaker 1>the end she's usually involved the bride and the groom

0:38:35.200 --> 0:38:38.680
<v Speaker 1>and she gets everybody following her lead doing like time

0:38:38.719 --> 0:38:41.399
<v Speaker 1>after time as an interpretive dance, and it's like it's

0:38:41.440 --> 0:38:44.880
<v Speaker 1>half jokey, half ironic, but it's also very good and

0:38:44.920 --> 0:38:46.920
<v Speaker 1>it's and she's never planned, she does not have a

0:38:47.000 --> 0:38:50.520
<v Speaker 1>choreograph routine. She's feeling it and it's just so fun.

0:38:50.880 --> 0:38:53.360
<v Speaker 1>It works every time, and like, I just, I just

0:38:53.440 --> 0:38:55.320
<v Speaker 1>And of course I never joined in, but I'm always

0:38:55.360 --> 0:38:58.120
<v Speaker 1>just sitting back watching so proud and in love with

0:38:58.200 --> 0:39:00.840
<v Speaker 1>her expressive capabilities, you know, because she's an artist. She

0:39:00.880 --> 0:39:03.840
<v Speaker 1>can she can sing, she can act, and she can dance,

0:39:03.880 --> 0:39:05.759
<v Speaker 1>and she just does it and she brings it in

0:39:05.800 --> 0:39:07.600
<v Speaker 1>this way. So maybe I would dedicate it to her

0:39:07.680 --> 0:39:10.359
<v Speaker 1>just to let her do.

0:39:10.400 --> 0:39:12.759
<v Speaker 2>I remember her dancing at wedding, and I remember her

0:39:12.840 --> 0:39:15.200
<v Speaker 2>dancing at my wedding, but I don't remember the interpretive dancing.

0:39:15.239 --> 0:39:16.200
<v Speaker 3>So that's that's awesome.

0:39:16.239 --> 0:39:18.799
<v Speaker 1>Yeah, No, it's she She usually takes the stage for

0:39:18.840 --> 0:39:21.359
<v Speaker 1>a moment and gets everybody go. It's so fun to

0:39:21.360 --> 0:39:36.439
<v Speaker 1>watch her. It's it's an incredible skill, all right. Next

0:39:36.480 --> 0:39:41.520
<v Speaker 1>up was Scott Hoying and Riley, and he dedicated his

0:39:41.600 --> 0:39:44.760
<v Speaker 1>dance to his husband Mark. They announced that they're having

0:39:44.760 --> 0:39:50.480
<v Speaker 1>a baby, which amazing news. Yep, what a way to

0:39:50.520 --> 0:39:51.600
<v Speaker 1>pull on our heart strings.

0:39:51.680 --> 0:39:52.680
<v Speaker 3>Oh it's got brilliant.

0:39:54.920 --> 0:39:56.640
<v Speaker 2>Although I might I might have saved it for a

0:39:56.680 --> 0:39:59.680
<v Speaker 2>week where they are kicking people off. I might have

0:39:59.680 --> 0:40:01.279
<v Speaker 2>saved I don't know if they knew or not, but

0:40:01.320 --> 0:40:03.279
<v Speaker 2>I might have saved that announcement for a week when

0:40:03.320 --> 0:40:04.399
<v Speaker 2>when people are going home.

0:40:04.480 --> 0:40:07.280
<v Speaker 1>Yeah, you know, No, it was a good move, good move, Scott,

0:40:07.800 --> 0:40:12.680
<v Speaker 1>I see you. I thought, you know this this like

0:40:12.680 --> 0:40:14.600
<v Speaker 1>I've talked about how he should be wearing a suit.

0:40:14.640 --> 0:40:17.560
<v Speaker 1>He was wearing a sparkly suit. I loved their sparkles together.

0:40:17.680 --> 0:40:20.399
<v Speaker 1>I thought that was looked great. But this was hard

0:40:20.400 --> 0:40:23.160
<v Speaker 1>to follow. You know, you've had so much yep, more

0:40:23.200 --> 0:40:27.360
<v Speaker 1>expressive contemporary dancing going on. This felt a little traditional,

0:40:27.640 --> 0:40:29.680
<v Speaker 1>felt a little like yeah, sure, but he's come a

0:40:29.680 --> 0:40:33.239
<v Speaker 1>long way, like we've talked about. Yes, So I thought

0:40:33.400 --> 0:40:36.520
<v Speaker 1>this was great and a little bit of a cheat

0:40:36.680 --> 0:40:37.840
<v Speaker 1>to sing at the beginning.

0:40:38.120 --> 0:40:40.400
<v Speaker 3>And I didn't like the singing at the beginning. I

0:40:40.400 --> 0:40:42.600
<v Speaker 3>thought it was a little ante.

0:40:42.719 --> 0:40:44.200
<v Speaker 1>I was like, you got a great voice, and this

0:40:44.280 --> 0:40:46.480
<v Speaker 1>is awesome, but it's not a singing show.

0:40:46.760 --> 0:40:48.319
<v Speaker 2>Yeah, it was a little much for me, just the

0:40:48.320 --> 0:40:50.440
<v Speaker 2>whole I'm singing right to you for a song that

0:40:50.480 --> 0:40:53.440
<v Speaker 2>he wrote to him, and it's like, okay, I get it,

0:40:53.480 --> 0:40:55.439
<v Speaker 2>but it's like this is a bit it's a bit.

0:40:55.400 --> 0:40:58.080
<v Speaker 1>Much for me that I know. Yeah, I've also been

0:40:58.120 --> 0:41:00.759
<v Speaker 1>at weddings where people sing to each other at the

0:41:00.800 --> 0:41:03.600
<v Speaker 1>altar and it's the same sort of like, okay, this

0:41:03.680 --> 0:41:05.720
<v Speaker 1>is this is either should be a very private moment

0:41:05.920 --> 0:41:07.640
<v Speaker 1>or a very public moment. When you try and do

0:41:07.719 --> 0:41:10.000
<v Speaker 1>both at the same time, it's like it misses on

0:41:10.080 --> 0:41:13.080
<v Speaker 1>both counts. Yeah, maybe because you're like, this is really personal,

0:41:13.120 --> 0:41:15.640
<v Speaker 1>then I should look away or just listen to it

0:41:15.760 --> 0:41:18.000
<v Speaker 1>or something. And if it's really public, then don't be

0:41:18.080 --> 0:41:19.879
<v Speaker 1>so emotional and looking into I don't know, I get

0:41:19.880 --> 0:41:20.399
<v Speaker 1>a little like.

0:41:20.440 --> 0:41:20.800
<v Speaker 3>I get you.

0:41:20.960 --> 0:41:23.480
<v Speaker 2>It's a little just a little cringe. The singing was

0:41:23.480 --> 0:41:26.879
<v Speaker 2>a little cringey. Love the outfits, Yes, they're obviously very

0:41:26.960 --> 0:41:29.480
<v Speaker 2>much in love with each other, which shows and that's great.

0:41:29.840 --> 0:41:31.879
<v Speaker 2>And the dance was again this I put this again

0:41:31.920 --> 0:41:33.480
<v Speaker 2>with kind of the Jordan one. For me, it was

0:41:33.520 --> 0:41:35.839
<v Speaker 2>like it was fine, it was very much in the middle.

0:41:35.880 --> 0:41:38.160
<v Speaker 2>I thought of what we saw tonight, I think you're right.

0:41:38.200 --> 0:41:42.160
<v Speaker 2>After some of the dances we've seen tough act to follow.

0:41:42.000 --> 0:41:44.200
<v Speaker 1>I feel like, yeah, I feel like everybody should have

0:41:44.200 --> 0:41:48.279
<v Speaker 1>done contemporary, like across the boarder. If this many people

0:41:48.280 --> 0:41:51.280
<v Speaker 1>are gonna do it, then everybody should be completely free

0:41:51.320 --> 0:41:55.600
<v Speaker 1>to just do an emotional storytelling dance. And it's because

0:41:55.640 --> 0:41:59.120
<v Speaker 1>every time somebody did a traditional dance like including Danielle,

0:41:59.120 --> 0:42:01.319
<v Speaker 1>which we'll get to if it was like, well, come on,

0:42:01.480 --> 0:42:04.320
<v Speaker 1>like they're still playing it. They're playing a different competition,

0:42:04.400 --> 0:42:05.880
<v Speaker 1>do you know what I mean. They're in a different

0:42:05.960 --> 0:42:08.840
<v Speaker 1>thing and they're doing that really well. But because of

0:42:08.880 --> 0:42:11.680
<v Speaker 1>everything else that's happening tonight, it's like, oh God, like

0:42:11.719 --> 0:42:12.440
<v Speaker 1>they don't stand it.

0:42:12.480 --> 0:42:16.360
<v Speaker 2>Yeah, I don't get why, and I can understand both arguments.

0:42:16.400 --> 0:42:19.920
<v Speaker 2>But if I was running the show, everybody would do

0:42:19.960 --> 0:42:22.240
<v Speaker 2>the Fox trot on one night. Everybody would do contemporary

0:42:22.280 --> 0:42:25.320
<v Speaker 2>one night everybody, and then you're judging everybody can't.

0:42:25.200 --> 0:42:29.200
<v Speaker 1>Judge them accordingly because you could see the same. Dude,

0:42:29.239 --> 0:42:31.600
<v Speaker 1>that makes so much sense to me. I agree, that

0:42:31.719 --> 0:42:35.239
<v Speaker 1>is a great call. I wish they just yeah, like

0:42:35.480 --> 0:42:38.720
<v Speaker 1>as opposed to like picking themes like Disney or whatever.

0:42:39.280 --> 0:42:39.440
<v Speaker 3>Night.

0:42:39.640 --> 0:42:43.319
<v Speaker 1>Yes it's Fox. Yes, that is what I would learn

0:42:43.320 --> 0:42:48.160
<v Speaker 1>more about the dances to be able to compare them exactly. Brilliant. Yeah,

0:42:48.200 --> 0:42:49.760
<v Speaker 1>well take over, takeover.

0:42:50.160 --> 0:42:51.600
<v Speaker 3>That's what you want is meet over.

0:42:54.239 --> 0:42:58.160
<v Speaker 1>I've got some changes, all right. Then someone named Danielle

0:42:58.200 --> 0:43:02.839
<v Speaker 1>Fischle danced and she brought some co star, some guy.

0:43:03.200 --> 0:43:05.520
<v Speaker 2>Yeah, she brought the guy who was the voice of

0:43:05.640 --> 0:43:06.600
<v Speaker 2>Kit in night rider.

0:43:06.800 --> 0:43:09.040
<v Speaker 3>Oh, that's what he's most he's most known for.

0:43:09.160 --> 0:43:10.160
<v Speaker 1>Okay, that makes sense.

0:43:10.440 --> 0:43:11.080
<v Speaker 3>Captain cool?

0:43:11.080 --> 0:43:12.400
<v Speaker 2>What was his name? Captain amazing?

0:43:12.440 --> 0:43:13.520
<v Speaker 3>What was it in the fifties?

0:43:13.560 --> 0:43:14.279
<v Speaker 2>Who did he play?

0:43:15.000 --> 0:43:15.880
<v Speaker 1>Captain Fantastic?

0:43:16.080 --> 0:43:16.879
<v Speaker 2>Is that what it was? Yeah?

0:43:18.000 --> 0:43:18.560
<v Speaker 3>Something like that.

0:43:18.719 --> 0:43:24.719
<v Speaker 1>Yeah, oh Bill, Oh my god. Yeah, this is obviously

0:43:25.360 --> 0:43:28.320
<v Speaker 1>very close to our heart.

0:43:27.320 --> 0:43:27.480
<v Speaker 2>Yea.

0:43:28.600 --> 0:43:32.080
<v Speaker 1>So this was great to see. But again, do we

0:43:32.200 --> 0:43:35.960
<v Speaker 1>a jive? A high energy jive after we've been crying

0:43:36.000 --> 0:43:38.479
<v Speaker 1>over Robert Irwin? I was like, this is gonna be hard.

0:43:39.280 --> 0:43:43.279
<v Speaker 2>Yeah, that's okay for hard. Wait a second, we did

0:43:43.280 --> 0:43:44.080
<v Speaker 2>we say what Scott?

0:43:44.160 --> 0:43:44.879
<v Speaker 3>What Scott got?

0:43:44.880 --> 0:43:49.400
<v Speaker 1>Scott got seven eight seven eight, which seemed very kind.

0:43:49.480 --> 0:43:51.480
<v Speaker 2>Yeah, I agree, it could have been it could have

0:43:51.480 --> 0:43:53.200
<v Speaker 2>been seven or all sevens.

0:43:53.200 --> 0:43:55.040
<v Speaker 3>I agree, okay, right, yeah.

0:43:54.920 --> 0:43:59.239
<v Speaker 1>Danielle, Danielle, it's I don't know if I love the

0:43:59.360 --> 0:44:01.439
<v Speaker 1>choice to dance to the boy Its World theme song

0:44:01.560 --> 0:44:05.080
<v Speaker 1>just because I'm so sick of it. For me, it

0:44:05.200 --> 0:44:07.319
<v Speaker 1>just gets stuck in my head. But also there were

0:44:07.360 --> 0:44:12.640
<v Speaker 1>more lyrics. Do you think these were these lyrics? Were?

0:44:13.000 --> 0:44:13.120
<v Speaker 2>No?

0:44:13.200 --> 0:44:14.800
<v Speaker 1>There were something? Stop?

0:44:15.160 --> 0:44:15.440
<v Speaker 3>Really?

0:44:15.760 --> 0:44:18.319
<v Speaker 1>I was yeah. I was like, oh, because I think

0:44:18.320 --> 0:44:21.280
<v Speaker 1>there's a full version of the song out there. Yeah, yeah,

0:44:21.280 --> 0:44:22.919
<v Speaker 1>so they must have. It was like hearing the rest

0:44:22.920 --> 0:44:25.399
<v Speaker 1>of the Cheers song, which is very bizarre, by the way,

0:44:25.760 --> 0:44:27.560
<v Speaker 1>the full Cheers song. Yeah, there's like a whole cross

0:44:27.600 --> 0:44:31.279
<v Speaker 1>dressing thing. It's like, what what's happening. I don't know

0:44:31.320 --> 0:44:33.319
<v Speaker 1>this and I know this song really well, but I.

0:44:33.320 --> 0:44:36.240
<v Speaker 2>The song to mash is literally called suicide is Painless,

0:44:37.320 --> 0:44:39.239
<v Speaker 2>so it's yeah, yeah, it's.

0:44:39.120 --> 0:44:42.000
<v Speaker 1>Great, but I just couldn't, you know. The second it started.

0:44:42.040 --> 0:44:43.839
<v Speaker 1>I just kept thinking of all, you know, the joke

0:44:43.880 --> 0:44:45.759
<v Speaker 1>that we do on our podcast every week, which is

0:44:45.760 --> 0:44:48.160
<v Speaker 1>like when we have like the super dramatic, awful moment,

0:44:48.239 --> 0:44:53.760
<v Speaker 1>And then I just felt kind of like that coming

0:44:53.800 --> 0:44:57.000
<v Speaker 1>out of all these emotional expressive dances to be like

0:44:57.320 --> 0:45:00.520
<v Speaker 1>and it's fun time out of the school yard. But

0:45:00.600 --> 0:45:03.080
<v Speaker 1>it was. It was she brought so much energy again,

0:45:03.280 --> 0:45:06.799
<v Speaker 1>like last week, Danielle is committing to the technicality of

0:45:06.800 --> 0:45:10.040
<v Speaker 1>the dance and the form of the dance and like

0:45:10.080 --> 0:45:10.799
<v Speaker 1>that feet work.

0:45:10.880 --> 0:45:11.040
<v Speaker 6>Man.

0:45:11.080 --> 0:45:13.279
<v Speaker 1>I was just like, great, do it, go for it.

0:45:13.400 --> 0:45:15.359
<v Speaker 2>This is one that I needed. That when I saw

0:45:15.360 --> 0:45:16.839
<v Speaker 2>it on the stage, I was like, ah, I don't

0:45:16.880 --> 0:45:19.399
<v Speaker 2>know how good that was, Like it didn't look bad,

0:45:19.400 --> 0:45:21.200
<v Speaker 2>but I was like because he couldn't really see. And

0:45:21.200 --> 0:45:23.120
<v Speaker 2>then when I saw it back at home, I was like, oh,

0:45:23.120 --> 0:45:26.560
<v Speaker 2>she was great. You know, she definitely she was high energy.

0:45:26.719 --> 0:45:29.400
<v Speaker 2>She looked great. He's dressed like Cory, She's dressed like

0:45:29.600 --> 0:45:31.000
<v Speaker 2>ag O, her hair is crimped.

0:45:31.440 --> 0:45:33.040
<v Speaker 3>It like it hit all the feels.

0:45:33.080 --> 0:45:36.600
<v Speaker 2>You got Bill Daniels there, who you know again is

0:45:37.200 --> 0:45:39.759
<v Speaker 2>a super old man who just wants to be there

0:45:39.800 --> 0:45:43.520
<v Speaker 2>for us for things, who's just so sweet. But it

0:45:43.640 --> 0:45:46.839
<v Speaker 2>was it felt out of place tonight. And that's why

0:45:46.880 --> 0:45:49.719
<v Speaker 2>I'm asking who got to pick what? Because for them

0:45:49.760 --> 0:45:51.920
<v Speaker 2>to be like, hey, you're all gonna do these beautiful

0:45:51.960 --> 0:45:55.760
<v Speaker 2>contemporary dances, Danielle, you're doing the jive, it's like, yeah, okay,

0:45:56.520 --> 0:46:00.160
<v Speaker 2>really it just seems like whoever got the jive that night?

0:46:00.280 --> 0:46:02.280
<v Speaker 2>It's gonna seem like it's out of place.

0:46:02.960 --> 0:46:03.240
<v Speaker 1>Yeah.

0:46:03.440 --> 0:46:04.480
<v Speaker 2>So I also.

0:46:04.360 --> 0:46:07.480
<v Speaker 1>Wondered, I also, as much as you know, obviously, like

0:46:08.400 --> 0:46:10.759
<v Speaker 1>I understand the connection to Bill and I understand the

0:46:10.760 --> 0:46:13.680
<v Speaker 1>connection to Boybet's world, I wonder if this is really

0:46:13.719 --> 0:46:17.280
<v Speaker 1>what she needed in terms of, you know, like everyone

0:46:17.360 --> 0:46:20.719
<v Speaker 1>knows her as to bank like this this was a

0:46:20.800 --> 0:46:24.480
<v Speaker 1>chance for her to open up another aspect of Danielle's

0:46:24.480 --> 0:46:27.120
<v Speaker 1>real life and to dedicate it to somebody like her

0:46:27.200 --> 0:46:30.959
<v Speaker 1>husband or her kids or you know. And the fact

0:46:30.960 --> 0:46:32.759
<v Speaker 1>that she didn't do that, I was like, that's kind

0:46:32.760 --> 0:46:35.160
<v Speaker 1>of a risk, Like it's sort of jubbling down on

0:46:35.200 --> 0:46:38.520
<v Speaker 1>what she's already known for coming into this competition, right,

0:46:38.640 --> 0:46:41.359
<v Speaker 1>And it's not saying, there's this whole aspect of my life,

0:46:41.360 --> 0:46:43.960
<v Speaker 1>which is what everybody else did, right. Everybody else is like,

0:46:44.080 --> 0:46:49.000
<v Speaker 1>you know me as singer, you know me as Mormon housewived,

0:46:49.000 --> 0:46:51.040
<v Speaker 1>if you know me as these other things, and here's

0:46:51.040 --> 0:46:53.279
<v Speaker 1>a chance for me to showcase an aspect of my

0:46:53.640 --> 0:46:55.640
<v Speaker 1>life that you don't know and dedicate it to somebody.

0:46:55.640 --> 0:46:58.320
<v Speaker 1>From that and by choosing Bill, which I totally understand

0:46:58.360 --> 0:47:00.120
<v Speaker 1>why she did, I mean, of course known him, but

0:47:00.719 --> 0:47:02.480
<v Speaker 1>I was like, is that gonna be a that's kind

0:47:02.480 --> 0:47:05.160
<v Speaker 1>of a risk. That's doubling down on what everyone already

0:47:05.200 --> 0:47:06.480
<v Speaker 1>knows you as to Penguin.

0:47:06.239 --> 0:47:09.279
<v Speaker 2>Right, and wonder too though maybe she didn't have any

0:47:09.280 --> 0:47:12.040
<v Speaker 2>other options. I mean maybe maybe it's one of those

0:47:12.040 --> 0:47:14.440
<v Speaker 2>things where it's like maybe her husband doesn't want to

0:47:14.480 --> 0:47:16.000
<v Speaker 2>dance with her, she doesn't want to put her kids

0:47:16.000 --> 0:47:18.239
<v Speaker 2>on camera. I mean, there could be It could be

0:47:18.280 --> 0:47:20.399
<v Speaker 2>one of those things where it's like, who knows what

0:47:20.440 --> 0:47:22.480
<v Speaker 2>she wanted to do. Maybe it was like I'm dedicating

0:47:22.480 --> 0:47:23.920
<v Speaker 2>to my mom or my dad and they're like, well,

0:47:24.320 --> 0:47:26.439
<v Speaker 2>I don't want to be on camera, in which case

0:47:26.480 --> 0:47:28.560
<v Speaker 2>you would then kind of go, Okay, what do I

0:47:28.600 --> 0:47:31.760
<v Speaker 2>have left? Right? And then it's like, God, Bill Daniels,

0:47:31.760 --> 0:47:33.920
<v Speaker 2>Oh my God, bring the house down with Bill Daniels,

0:47:33.920 --> 0:47:36.200
<v Speaker 2>which is a great choice. But to me, it wasn't

0:47:36.200 --> 0:47:40.160
<v Speaker 2>about Bill or boy. It was about the style of

0:47:40.280 --> 0:47:44.759
<v Speaker 2>dance on this night just seemed out of place, right,

0:47:45.040 --> 0:47:48.000
<v Speaker 2>and so, and then we'll get to the judging, which

0:47:48.000 --> 0:47:51.319
<v Speaker 2>to me, I was infuriated when I got home, when

0:47:51.360 --> 0:47:54.040
<v Speaker 2>I watched it again. I do not know how they're

0:47:54.120 --> 0:47:57.040
<v Speaker 2>judging Danielle. I do not think it's fair how they're

0:47:57.080 --> 0:47:59.759
<v Speaker 2>judging it. It seems like they have two categories they have.

0:48:00.680 --> 0:48:03.759
<v Speaker 2>They have people that were celebrities that have had no

0:48:03.880 --> 0:48:06.799
<v Speaker 2>dance experience whatsoever, that they're praising their journey and really

0:48:06.840 --> 0:48:07.960
<v Speaker 2>telling them how great they are.

0:48:08.239 --> 0:48:08.680
<v Speaker 3>And then the.

0:48:08.600 --> 0:48:12.080
<v Speaker 2>People that have serious dance competition and they're judging them

0:48:12.120 --> 0:48:14.239
<v Speaker 2>a little more harshly. And I feel like they put

0:48:14.320 --> 0:48:16.360
<v Speaker 2>Danielle in that category for some reason.

0:48:16.920 --> 0:48:18.839
<v Speaker 3>Well I don't know why that is.

0:48:19.160 --> 0:48:22.360
<v Speaker 1>I think early on, because she's an actor and because

0:48:22.360 --> 0:48:26.120
<v Speaker 1>she's so likable, I think that they put the pressure

0:48:26.200 --> 0:48:28.239
<v Speaker 1>on her to say, you need to learn how to

0:48:28.280 --> 0:48:31.960
<v Speaker 1>technically dance, right, And so she's been doing that and

0:48:32.000 --> 0:48:33.719
<v Speaker 1>I think she did that last week, and she did

0:48:33.760 --> 0:48:36.160
<v Speaker 1>that this week. And I think what's interesting is that

0:48:36.239 --> 0:48:42.600
<v Speaker 1>everybody else, almost everybody else, decided to draw into story

0:48:42.640 --> 0:48:46.960
<v Speaker 1>and expressibility this week, and so I feel like she's

0:48:47.120 --> 0:48:50.200
<v Speaker 1>out of step now in some way with where the

0:48:50.320 --> 0:48:52.959
<v Speaker 1>arc of the show a little bit, because now she's

0:48:52.960 --> 0:48:54.880
<v Speaker 1>still trying to say, like, I can do this, I

0:48:54.920 --> 0:48:57.640
<v Speaker 1>can do the technical thing, when actually, like I would

0:48:57.640 --> 0:48:59.840
<v Speaker 1>love to see Danielle cut loose with a more emotion

0:49:00.160 --> 0:49:01.960
<v Speaker 1>expressive dance, and I hope, you know.

0:49:02.080 --> 0:49:03.600
<v Speaker 2>Well, I think she'll be able to do that with

0:49:03.680 --> 0:49:05.839
<v Speaker 2>contemporary I hope. That's not what I mean.

0:49:06.400 --> 0:49:06.680
<v Speaker 3>I mean.

0:49:06.719 --> 0:49:09.080
<v Speaker 2>It seems like Andy gets up there and does a

0:49:09.200 --> 0:49:11.320
<v Speaker 2>dance and they're like, man, we can see your progress.

0:49:11.320 --> 0:49:13.319
<v Speaker 3>You're doing great. Ellen gets up there and does a dance.

0:49:13.360 --> 0:49:15.840
<v Speaker 2>He's also an actress but has huge dance experience, and

0:49:15.880 --> 0:49:18.879
<v Speaker 2>they're like, man, your journey's going so well, daniel gets

0:49:18.960 --> 0:49:20.640
<v Speaker 2>up there and does that, and they're like, here's everything

0:49:20.680 --> 0:49:23.160
<v Speaker 2>you're doing wrong, right, And I'm like, wait a second,

0:49:23.400 --> 0:49:26.360
<v Speaker 2>why is everybody criticizing her for everything she's done? And

0:49:26.360 --> 0:49:29.160
<v Speaker 2>everybody else gets this, you are so amazing.

0:49:29.239 --> 0:49:32.480
<v Speaker 1>But I think part of it is that she presents

0:49:32.600 --> 0:49:35.279
<v Speaker 1>as so capable, you know, just as a person, as

0:49:35.320 --> 0:49:38.480
<v Speaker 1>a personality, she sure, and she also presents younger than

0:49:38.520 --> 0:49:40.640
<v Speaker 1>she actually is, do you know what I mean? Like

0:49:40.680 --> 0:49:42.600
<v Speaker 1>you look at somebody like Andy, you look at you,

0:49:42.640 --> 0:49:46.120
<v Speaker 1>look at your your The reality is she is older

0:49:46.160 --> 0:49:49.759
<v Speaker 1>than Jen, she's older than you know, these other ye

0:49:49.960 --> 0:49:52.440
<v Speaker 1>like she's in her forties, but she doesn't look like it,

0:49:52.480 --> 0:49:55.040
<v Speaker 1>like Danielle looks like you know, like they even said,

0:49:55.320 --> 0:49:57.799
<v Speaker 1>you still look exactly like you did as a teenager, right.

0:49:57.880 --> 0:50:00.360
<v Speaker 1>And so I think that there's this expectation that she's

0:50:00.600 --> 0:50:02.720
<v Speaker 1>you know, and she hasn't leaned into like her identity

0:50:02.760 --> 0:50:05.359
<v Speaker 1>as a mom as much. She hasn't leaned into her story.

0:50:05.440 --> 0:50:09.080
<v Speaker 2>But she also drink. She never danced before, I know,

0:50:09.400 --> 0:50:11.359
<v Speaker 2>so why is she not in that category? And it's

0:50:11.360 --> 0:50:13.919
<v Speaker 2>not likely that carry In at one point says to her, look,

0:50:13.960 --> 0:50:16.800
<v Speaker 2>I've got to tell you all your dances are starting

0:50:16.840 --> 0:50:20.520
<v Speaker 2>to look the same. But that's not on Danielle. She's

0:50:20.520 --> 0:50:24.880
<v Speaker 2>not choreographing the dances. That's on Pasha and so and

0:50:24.920 --> 0:50:27.239
<v Speaker 2>she goes, oh, you know this is also for you, Pasha. No,

0:50:27.680 --> 0:50:30.920
<v Speaker 2>it's not also for Pasha. That's one hundred percent on Pasha.

0:50:30.960 --> 0:50:35.719
<v Speaker 2>A I don't necessarily agree, but she's criticizing Danielle for

0:50:35.840 --> 0:50:39.600
<v Speaker 2>something that Danielle has nothing to do with, and so

0:50:39.680 --> 0:50:41.400
<v Speaker 2>it's like, you know, Danielle, your dances are really so

0:50:41.520 --> 0:50:43.759
<v Speaker 2>you gotta be careful. They're starting to look the same. Well,

0:50:43.800 --> 0:50:47.279
<v Speaker 2>I'm sorry, am I choreographing the dances too? I wasn't

0:50:47.280 --> 0:50:49.560
<v Speaker 2>aware that was part of my job description. So I

0:50:49.880 --> 0:50:52.279
<v Speaker 2>was starting to get pissed. Where it's like everybody else

0:50:52.280 --> 0:50:55.200
<v Speaker 2>gets this, man, you are great and I love everything

0:50:55.239 --> 0:50:57.960
<v Speaker 2>you're doing. And then Danielle gets up there and everybody's like, Okay,

0:50:58.160 --> 0:50:59.839
<v Speaker 2>you need to hold your hands like this and if

0:50:59.880 --> 0:51:01.719
<v Speaker 2>you do this, you gotta do this, and wow, they're

0:51:01.760 --> 0:51:03.960
<v Speaker 2>starting to look the same. But wait a second, why

0:51:03.960 --> 0:51:06.799
<v Speaker 2>are they treating her so differently? And last night to

0:51:06.880 --> 0:51:09.959
<v Speaker 2>me really bracketed that it seemed like she is being

0:51:10.000 --> 0:51:12.799
<v Speaker 2>treated differently than basically everybody else in the show.

0:51:12.880 --> 0:51:15.000
<v Speaker 1>I think because I you know, I think that last

0:51:15.040 --> 0:51:18.960
<v Speaker 1>week she did a high energy fun number and this

0:51:19.000 --> 0:51:23.600
<v Speaker 1>week she did a high energy fun number, and I think,

0:51:23.960 --> 0:51:29.200
<v Speaker 1>like I said, she did not deepen her uh her

0:51:29.600 --> 0:51:32.360
<v Speaker 1>character in a way. You know, it was like everyone

0:51:32.400 --> 0:51:34.719
<v Speaker 1>knows her as Topanga and she went back and did that.

0:51:34.840 --> 0:51:37.440
<v Speaker 1>So I think that's more what as much as like

0:51:37.480 --> 0:51:39.359
<v Speaker 1>I don't think I don't think the dance looks the same,

0:51:39.400 --> 0:51:41.799
<v Speaker 1>but I think she's starting to feel the same. Like

0:51:41.840 --> 0:51:43.840
<v Speaker 1>I think that it is starting to feel like what

0:51:43.960 --> 0:51:46.719
<v Speaker 1>else you got? Let's you know, because I think Danielle's

0:51:46.800 --> 0:51:48.799
<v Speaker 1>been like, I'm going to prove that I can do

0:51:48.880 --> 0:51:52.080
<v Speaker 1>these technical dances, and I think she's been doing that,

0:51:52.320 --> 0:51:54.880
<v Speaker 1>and I think now it's time for her to just

0:51:54.920 --> 0:51:57.360
<v Speaker 1>express herself a little bit more in another aspect. And

0:51:57.719 --> 0:52:00.560
<v Speaker 1>and I don't know, so I feel like that's the nope,

0:52:00.640 --> 0:52:01.160
<v Speaker 1>you know what I mean.

0:52:01.239 --> 0:52:03.600
<v Speaker 2>I mean, I don't disagree, but if we've already established

0:52:03.600 --> 0:52:05.120
<v Speaker 2>and we're not sure we're right, but we think we are.

0:52:05.440 --> 0:52:07.960
<v Speaker 2>That they don't pick the dance style they're gonna do

0:52:08.040 --> 0:52:12.600
<v Speaker 2>that week, then you and they're not choreographing, then you

0:52:12.640 --> 0:52:15.200
<v Speaker 2>can't be like, you've done two high energy dances in

0:52:15.239 --> 0:52:16.879
<v Speaker 2>the row and they kind of look the same. Okay, Well,

0:52:16.920 --> 0:52:20.319
<v Speaker 2>then neither that Neither those criticisms are on Danielle. If

0:52:20.320 --> 0:52:22.960
<v Speaker 2>she's not picking the style and she's not choreographing it,

0:52:23.239 --> 0:52:25.960
<v Speaker 2>then you've got to judge her on actually dancing. And

0:52:26.000 --> 0:52:29.680
<v Speaker 2>I thought the actual dancing deserved way better than what

0:52:29.800 --> 0:52:33.400
<v Speaker 2>she got. Should she have gotten nines across the board? No,

0:52:33.520 --> 0:52:36.279
<v Speaker 2>she was not Dylan, she was not Robert, of course not.

0:52:36.640 --> 0:52:39.040
<v Speaker 2>But you cannot tell me that when some people were

0:52:39.040 --> 0:52:41.560
<v Speaker 2>getting eight seven, eight seven, that their dances were that

0:52:41.680 --> 0:52:45.640
<v Speaker 2>much better than Danielle's. It just it seems like they're

0:52:45.680 --> 0:52:48.839
<v Speaker 2>praising everybody else and then telling Danielle everything she's done wrong.

0:52:48.960 --> 0:52:51.480
<v Speaker 2>And that's really that got to me last night because

0:52:51.480 --> 0:52:53.560
<v Speaker 2>and again we're biased, and I'm like, you were my

0:52:53.560 --> 0:52:55.799
<v Speaker 2>best friend, and I don't like that. So I know

0:52:55.880 --> 0:52:58.400
<v Speaker 2>that I'm a little agro when it comes to that stuff,

0:52:58.440 --> 0:53:01.160
<v Speaker 2>but I really felt it last night, especially when I

0:53:01.160 --> 0:53:01.799
<v Speaker 2>watched it back.

0:53:02.360 --> 0:53:05.440
<v Speaker 1>All Right, she got seven seven seven and an eight,

0:53:05.960 --> 0:53:06.440
<v Speaker 1>and did.

0:53:06.320 --> 0:53:09.800
<v Speaker 2>You see did you watch her as there's telling her scores? Yeah,

0:53:09.880 --> 0:53:12.040
<v Speaker 2>it was sad to me because she was like trying

0:53:12.040 --> 0:53:14.160
<v Speaker 2>to hold it together, and I feel like it was

0:53:14.200 --> 0:53:15.439
<v Speaker 2>a little unfair that night.

0:53:15.560 --> 0:53:18.640
<v Speaker 1>So right, yeah, well she gave it her all, she

0:53:19.000 --> 0:53:21.600
<v Speaker 1>didn't give it her all. And knowing Danielle, she's going

0:53:21.680 --> 0:53:24.799
<v Speaker 1>to take this criticism and come back next week. I mean,

0:53:24.960 --> 0:53:28.600
<v Speaker 1>luckily there was no elimination, right, she did not get eliminated,

0:53:28.600 --> 0:53:29.560
<v Speaker 1>So she's got another shot.

0:53:29.880 --> 0:53:33.120
<v Speaker 2>Well, now she'll have to choreograph herund dances apparently what

0:53:33.120 --> 0:53:36.440
<v Speaker 2>they're asking for, and as just every week as we do.

0:53:36.520 --> 0:53:39.400
<v Speaker 2>Because you know that I have an encyclopedic knowledge of

0:53:39.400 --> 0:53:40.000
<v Speaker 2>everything dance.

0:53:40.080 --> 0:53:44.120
<v Speaker 3>This is, of course Wills his dude of dance. This

0:53:44.160 --> 0:53:44.920
<v Speaker 3>one is sponsored.

0:53:45.000 --> 0:53:46.239
<v Speaker 2>I told you I'm doing a new thing where I'm

0:53:46.239 --> 0:53:49.799
<v Speaker 2>trying to find uh up and coming companies and try

0:53:49.840 --> 0:53:51.960
<v Speaker 2>to give them a little bit, you know, extra.

0:53:51.800 --> 0:53:53.080
<v Speaker 1>Boost, a little boots.

0:53:53.040 --> 0:53:56.160
<v Speaker 2>So there is a small watch company called Rolex that

0:53:56.760 --> 0:53:57.880
<v Speaker 2>I think makes a nice product.

0:53:57.920 --> 0:53:59.080
<v Speaker 3>If they wanted to send me one, I could.

0:53:59.080 --> 0:54:01.840
<v Speaker 1>So you sure it's for Alexa, It might be it

0:54:01.880 --> 0:54:02.359
<v Speaker 1>might be Rolee.

0:54:02.440 --> 0:54:04.480
<v Speaker 2>You're right again, I don't know anything about the company,

0:54:04.560 --> 0:54:09.160
<v Speaker 2>So the X could be silent, but the jive, I

0:54:09.160 --> 0:54:11.400
<v Speaker 2>don't know if you're aware of this Rider, but originated

0:54:11.400 --> 0:54:13.600
<v Speaker 2>as an African American dance in the early nineteen thirties,

0:54:13.640 --> 0:54:16.520
<v Speaker 2>emerging from swing dances like the Lindy Hop and the Jitterbug,

0:54:16.920 --> 0:54:21.200
<v Speaker 2>and gained public recognition through cab Callaway. American gis brought

0:54:21.239 --> 0:54:22.840
<v Speaker 2>the dance to Europe during World War II, where it

0:54:22.840 --> 0:54:25.600
<v Speaker 2>evolved with variations, became popular in Britain in France before

0:54:25.680 --> 0:54:28.799
<v Speaker 2>being standardized as a competitive ballroom dance and adopted as

0:54:28.840 --> 0:54:31.279
<v Speaker 2>one of the five International Latin Dances in nineteen sixty eight.

0:54:32.080 --> 0:54:36.320
<v Speaker 1>Has not been a new ballroom style since like the sixties.

0:54:36.560 --> 0:54:38.400
<v Speaker 1>Has anybody is there like this new.

0:54:38.600 --> 0:54:41.240
<v Speaker 3>There's got well contemporary probably, but I guess that's not ballroom.

0:54:41.440 --> 0:54:45.040
<v Speaker 1>No that I'm curious, like if anybody's inventing a new

0:54:45.239 --> 0:54:47.799
<v Speaker 1>version of a ballroom dance, like because I feel like

0:54:47.840 --> 0:54:50.399
<v Speaker 1>every time you do these histories, it's like basically kind

0:54:50.400 --> 0:54:53.839
<v Speaker 1>of slops in the nineteen thirties, that's where the last

0:54:53.840 --> 0:54:56.360
<v Speaker 1>time people were inventing new ballroom dances.

0:54:57.000 --> 0:54:59.600
<v Speaker 2>So there is no single newest ballroom dance, but rather

0:54:59.680 --> 0:55:03.400
<v Speaker 2>new t friends are emerging, most notably fusion dance that

0:55:03.440 --> 0:55:06.759
<v Speaker 2>makes which blends traditional ballroom styles with other genres like

0:55:06.800 --> 0:55:07.839
<v Speaker 2>contemporary hip hop.

0:55:08.000 --> 0:55:09.799
<v Speaker 1>Yeah that makes sense.

0:55:10.800 --> 0:55:13.520
<v Speaker 3>All right, right at my fingertips.

0:55:13.080 --> 0:55:18.760
<v Speaker 1>Right there, just amazing. All right, Alex and Val again

0:55:18.920 --> 0:55:24.399
<v Speaker 1>went contemporary, and uh, I thought this was great. Yeah,

0:55:24.440 --> 0:55:27.719
<v Speaker 1>you know, it's it's you mean, she's just clearly in

0:55:27.760 --> 0:55:30.319
<v Speaker 1>that category of like Europe, you're a dancer, Yeah, you

0:55:30.480 --> 0:55:34.480
<v Speaker 1>get it, and it's it's it's way less, it's way

0:55:34.560 --> 0:55:39.080
<v Speaker 1>less compelling as a reality reality show journey to watch

0:55:39.080 --> 0:55:41.680
<v Speaker 1>her dance. It's it's it's wonderful to watch her dance, Like, yeah,

0:55:41.680 --> 0:55:44.080
<v Speaker 1>they're great, they're great dance. But yeah, it's a little

0:55:44.120 --> 0:55:45.960
<v Speaker 1>hard for me to be invested because I'm like, well,

0:55:46.000 --> 0:55:49.640
<v Speaker 1>you're just great, you can do this, Like, but.

0:55:49.719 --> 0:55:52.000
<v Speaker 2>Yet you were invested in Whitney. So do you think

0:55:52.040 --> 0:55:55.839
<v Speaker 2>it's just the story that happened this week that made

0:55:55.840 --> 0:55:58.560
<v Speaker 2>you so invested in that, because again, same kind of journey.

0:55:58.920 --> 0:56:03.400
<v Speaker 1>Yeah, that's true, that's true. I guess. I guess I

0:56:03.440 --> 0:56:07.279
<v Speaker 1>feel like I've seen Whitney struggle a little bit more,

0:56:07.440 --> 0:56:11.200
<v Speaker 1>whereas like Alex seems like she's been prepping for this

0:56:11.719 --> 0:56:14.319
<v Speaker 1>right ready to go, and it's just like, let me

0:56:14.360 --> 0:56:17.719
<v Speaker 1>showcase my dancing ability, which is also lovely it's just

0:56:18.000 --> 0:56:20.439
<v Speaker 1>is it Dancing with the Stars? You know, I'm not Yeah,

0:56:20.440 --> 0:56:22.840
<v Speaker 1>you're right. I guess I was a little less invested

0:56:22.880 --> 0:56:25.399
<v Speaker 1>in the like the younger Sister storyline for instance this week,

0:56:25.560 --> 0:56:28.880
<v Speaker 1>which is also it was great. Yeah, no, this was

0:56:28.960 --> 0:56:31.600
<v Speaker 1>this was lovely and I mean it was nice. Yeah,

0:56:32.320 --> 0:56:35.839
<v Speaker 1>it flew very nice, dance gorgeous, Yeah, very pretty. There

0:56:35.880 --> 0:56:39.000
<v Speaker 1>was this moment during the judging where I think it

0:56:39.040 --> 0:56:41.680
<v Speaker 1>was Derek said something about the negativity happening tonight.

0:56:41.880 --> 0:56:45.280
<v Speaker 2>Yes, what was that all about? So there's different rumors.

0:56:45.360 --> 0:56:47.920
<v Speaker 2>There's rumors online that he was actually that was a

0:56:47.960 --> 0:56:50.320
<v Speaker 2>shot across the bow at Carrie Anne for some of

0:56:50.360 --> 0:56:52.840
<v Speaker 2>the stuff, some of the judging she's been doing. Okay,

0:56:52.840 --> 0:56:55.960
<v Speaker 2>there's other rumors that it is about just stuff online

0:56:56.000 --> 0:56:59.200
<v Speaker 2>about is Dancing with the Stars too much professional dancers

0:56:59.320 --> 0:57:03.000
<v Speaker 2>versus non professional dancers. So that now that I've googled

0:57:03.080 --> 0:57:04.840
<v Speaker 2>Dancing with the Stars three times, of course it's the

0:57:04.880 --> 0:57:07.160
<v Speaker 2>only thing that shows up in my algorithm. So there's

0:57:07.200 --> 0:57:09.080
<v Speaker 2>all there's all these things, but that's the one I

0:57:09.080 --> 0:57:11.480
<v Speaker 2>heard this morning is maybe Derek was taking a shot

0:57:11.480 --> 0:57:11.799
<v Speaker 2>at care.

0:57:12.239 --> 0:57:14.720
<v Speaker 1>I didn't understand it because I was just like, actually,

0:57:14.840 --> 0:57:17.480
<v Speaker 1>like the night, as far as a viewer went, was

0:57:17.560 --> 0:57:21.040
<v Speaker 1>so emotional and supportive and everybody was crying and hugging

0:57:21.080 --> 0:57:23.560
<v Speaker 1>each other. I was like, what negativity is he referring to?

0:57:23.560 --> 0:57:25.040
<v Speaker 1>And then I was wondering if it was something in

0:57:25.080 --> 0:57:27.720
<v Speaker 1>the room, like somebody say, I don't know.

0:57:27.880 --> 0:57:29.600
<v Speaker 2>I asked Jensen and he was like, I don't know.

0:57:29.640 --> 0:57:31.320
<v Speaker 2>I guess there's just been stuff in the news or something.

0:57:31.360 --> 0:57:33.720
<v Speaker 4>So yeah, because I was someone who was there, we

0:57:33.720 --> 0:57:35.520
<v Speaker 4>were all like what is he talking about?

0:57:35.640 --> 0:57:37.919
<v Speaker 5>Like watching in the back and we're like what.

0:57:38.040 --> 0:57:40.240
<v Speaker 4>And then I asked Jensen and he was like, I

0:57:40.240 --> 0:57:43.360
<v Speaker 4>think he meant this week like just people being negative

0:57:43.360 --> 0:57:45.160
<v Speaker 4>on social media about.

0:57:45.640 --> 0:57:48.360
<v Speaker 5>Other dance, like you know, the judging.

0:57:48.000 --> 0:57:48.480
<v Speaker 1>And all that.

0:57:48.600 --> 0:57:50.760
<v Speaker 4>But in the moment we were all confused too.

0:57:50.800 --> 0:57:53.080
<v Speaker 1>Yeah, okay, because it really felt like it was like,

0:57:53.120 --> 0:57:54.960
<v Speaker 1>what are you talking about, dude? Like this the night

0:57:55.000 --> 0:57:58.560
<v Speaker 1>has been probably for me, some of the best dancing

0:57:58.760 --> 0:58:01.560
<v Speaker 1>of the whole show, I agree, and the most entertaining,

0:58:02.000 --> 0:58:05.120
<v Speaker 1>and everybody seemed so loving and supportive, like it didn't

0:58:05.360 --> 0:58:07.000
<v Speaker 1>I don't know it was. It was a bizarre thing

0:58:07.040 --> 0:58:08.800
<v Speaker 1>to say. I was like, all we've done is like

0:58:08.880 --> 0:58:12.040
<v Speaker 1>celebrate people's families and partners and like this is awesome,

0:58:12.160 --> 0:58:14.040
<v Speaker 1>Like I don't so, I don't know. It was a weird,

0:58:14.080 --> 0:58:16.840
<v Speaker 1>weird comment that kind of threw me off. Yeah, but yes,

0:58:16.960 --> 0:58:21.280
<v Speaker 1>Alex and Vow were great. Yeah, they danced to Coldplay.

0:58:22.160 --> 0:58:23.880
<v Speaker 2>Oh, by the way, what did Danielle get me? Danielle

0:58:23.880 --> 0:58:25.920
<v Speaker 2>got three seven and a first eight. We forgot to

0:58:26.000 --> 0:58:26.800
<v Speaker 2>say that, which is.

0:58:26.760 --> 0:58:28.600
<v Speaker 1>No, I think I said it, but okay, maybe not

0:58:28.800 --> 0:58:29.280
<v Speaker 1>maybe not.

0:58:29.320 --> 0:58:31.840
<v Speaker 2>First date is she was very excited with that, and

0:58:31.840 --> 0:58:35.760
<v Speaker 2>and it might not have been it was totally deserved

0:58:35.800 --> 0:58:37.840
<v Speaker 2>to get an eight, by the way, especially all the

0:58:37.840 --> 0:58:38.600
<v Speaker 2>other dances going.

0:58:38.640 --> 0:58:40.560
<v Speaker 1>I guess when I look at Scott's scores, which were

0:58:40.560 --> 0:58:43.040
<v Speaker 1>two eights and two sevens, I'm like, Danielle could have

0:58:43.040 --> 0:58:43.680
<v Speaker 1>gotten another eight.

0:58:43.880 --> 0:58:46.560
<v Speaker 2>Absolutely. That's what I'm saying is I don't get the scoring.

0:58:46.880 --> 0:58:49.120
<v Speaker 1>The two of them are having sort of equivalent journeys,

0:58:49.120 --> 0:58:51.920
<v Speaker 1>I think, where they're both like trying to prove something.

0:58:52.040 --> 0:58:54.160
<v Speaker 1>You know, they're both artists who can express themselves in

0:58:54.200 --> 0:58:56.680
<v Speaker 1>other forms, trying to prove that they can do the

0:58:56.800 --> 0:59:01.919
<v Speaker 1>dancing thing, you know, the technical parts, and they Yeah,

0:59:02.240 --> 0:59:03.520
<v Speaker 1>but I think her own category.

0:59:03.640 --> 0:59:06.000
<v Speaker 2>But I think she's better than he is as a dancer,

0:59:06.080 --> 0:59:08.200
<v Speaker 2>I think has shown more than he is as a dancer.

0:59:08.480 --> 0:59:10.520
<v Speaker 2>She's more fluid than he is as a dancer, and

0:59:10.560 --> 0:59:12.680
<v Speaker 2>I think overall he's has higher scores than her.

0:59:12.720 --> 0:59:28.800
<v Speaker 1>I agree in it. Yep, all right, Alex and Val

0:59:29.000 --> 0:59:32.720
<v Speaker 1>they were eight nine nine and was it an I

0:59:32.720 --> 0:59:35.080
<v Speaker 1>actually didn't write this down. Was it a nine? The

0:59:35.120 --> 0:59:35.960
<v Speaker 1>final three?

0:59:36.080 --> 0:59:37.160
<v Speaker 3>Nine in an? Eight? Is that right?

0:59:37.560 --> 0:59:41.160
<v Speaker 1>Anyway? Very high score. And then we went into the

0:59:41.160 --> 0:59:42.880
<v Speaker 1>elimination which was No.

0:59:42.920 --> 0:59:43.080
<v Speaker 3>One.

0:59:43.520 --> 0:59:44.520
<v Speaker 1>Yeah, but he's happy.

0:59:44.720 --> 0:59:47.520
<v Speaker 3>Still nerve racking. Oh my god. I was watching Danielle

0:59:47.600 --> 0:59:49.960
<v Speaker 3>on his day and she was just holding it together.

0:59:50.280 --> 0:59:54.400
<v Speaker 1>Yeah, well, so nerve wracking. It's so obvious that there's

0:59:54.440 --> 0:59:58.040
<v Speaker 1>like the top five and a bottom five, you know,

0:59:58.080 --> 1:00:01.040
<v Speaker 1>like there's no question anymore, Like we've seen the sort

1:00:01.080 --> 1:00:06.040
<v Speaker 1>of so unfortunately, like it's going to take somebody sort

1:00:06.080 --> 1:00:10.439
<v Speaker 1>of breaking out of that lower five to really doing

1:00:10.440 --> 1:00:13.800
<v Speaker 1>something stand out next week in order to even be

1:00:13.880 --> 1:00:17.160
<v Speaker 1>in the competition with people like Robert Erwin and Whitney.

1:00:17.200 --> 1:00:19.120
<v Speaker 1>I mean, these these people are just and dying.

1:00:19.240 --> 1:00:21.480
<v Speaker 2>Yeah, they're they're they're breaking away from the pack. They're

1:00:21.480 --> 1:00:26.280
<v Speaker 2>definitely breaking. And again, I do not mind if my

1:00:26.480 --> 1:00:29.960
<v Speaker 2>best friend is in the bottom. If she's treated exactly

1:00:30.000 --> 1:00:32.080
<v Speaker 2>the same way as everybody else, right.

1:00:31.920 --> 1:00:34.240
<v Speaker 3>That's all I care about. Just treat everybody the same.

1:00:34.480 --> 1:00:38.000
<v Speaker 2>During the show, it just seemed like this episode especially,

1:00:38.280 --> 1:00:40.560
<v Speaker 2>she was treated differently, and I just don't know why.

1:00:41.080 --> 1:00:41.680
<v Speaker 3>That's all it is.

1:00:41.720 --> 1:00:44.160
<v Speaker 2>That's again, if if you it's the the old equivalent

1:00:44.200 --> 1:00:45.600
<v Speaker 2>of what your parents used to say to you, I

1:00:45.600 --> 1:00:47.360
<v Speaker 2>don't care if you get a d if you really

1:00:47.400 --> 1:00:49.640
<v Speaker 2>tried your hardest. And it's one of those things where

1:00:49.680 --> 1:00:51.840
<v Speaker 2>I just treat her like everybody else, and I felt

1:00:51.880 --> 1:00:52.440
<v Speaker 2>like they haven't.

1:00:53.160 --> 1:00:56.640
<v Speaker 1>Well, I wonder how much they know that she's getting

1:00:56.640 --> 1:00:58.880
<v Speaker 1>in a lot of the popular vote potentially, Yeah maybe,

1:00:58.920 --> 1:01:01.520
<v Speaker 1>And I mean they're saying that this is the highest

1:01:01.560 --> 1:01:05.160
<v Speaker 1>voting season of dancing. But still ever, that's we'll just

1:01:05.200 --> 1:01:06.640
<v Speaker 1>call that the Tapenga effect.

1:01:06.880 --> 1:01:07.680
<v Speaker 2>Yeah, I love it.

1:01:08.080 --> 1:01:10.440
<v Speaker 1>You know. I think that I and I wonder how

1:01:10.520 --> 1:01:13.880
<v Speaker 1>much that's you know, influencing their harsher criticism because they're like, well,

1:01:14.360 --> 1:01:16.640
<v Speaker 1>she could be getting a huge popular vote, and therefore

1:01:16.680 --> 1:01:18.880
<v Speaker 1>they're you know, trying to balance that out a little bit.

1:01:19.520 --> 1:01:20.280
<v Speaker 3>I don't know, I don't know.

1:01:20.320 --> 1:01:24.080
<v Speaker 2>I saw two or three pretty big influencers that always

1:01:24.120 --> 1:01:27.200
<v Speaker 2>do stuff about Dancing with the Stars, and two of

1:01:27.240 --> 1:01:31.600
<v Speaker 2>them had Danielle number three as top three as Top

1:01:31.640 --> 1:01:35.760
<v Speaker 2>three had her they had they had h Robert number one,

1:01:35.880 --> 1:01:37.680
<v Speaker 2>Dylan number two, and Danielle.

1:01:37.400 --> 1:01:38.320
<v Speaker 3>Number three, two of them.

1:01:38.320 --> 1:01:38.800
<v Speaker 1>Interesting.

1:01:39.000 --> 1:01:41.840
<v Speaker 2>So I'm curious what Maybe maybe the American people are

1:01:41.840 --> 1:01:45.040
<v Speaker 2>seeing something way different than the judges are, and who

1:01:45.080 --> 1:01:46.040
<v Speaker 2>knows what's going to happen.

1:01:46.360 --> 1:01:49.560
<v Speaker 1>Yeah, all right, you got a question for me?

1:01:50.160 --> 1:01:54.360
<v Speaker 2>I do, But first, uh, first I want to talk

1:01:54.360 --> 1:01:57.040
<v Speaker 2>to you a little bit so we know that, uh,

1:01:57.320 --> 1:01:59.560
<v Speaker 2>we are doing something called the strong incentive, which is

1:01:59.680 --> 1:02:01.880
<v Speaker 2>what to take to get right or strong to be

1:02:01.960 --> 1:02:05.160
<v Speaker 2>a contestant on Dancing with the Stars. We have now

1:02:05.200 --> 1:02:08.760
<v Speaker 2>offered cash and prizes, probably close to the two million

1:02:08.800 --> 1:02:10.640
<v Speaker 2>dollar mark. But one thing you've got, a no writer,

1:02:10.920 --> 1:02:17.200
<v Speaker 2>is that life has consequences. So I'm gonna need you

1:02:17.240 --> 1:02:21.120
<v Speaker 2>to pick a random number between one and four three

1:02:21.640 --> 1:02:27.480
<v Speaker 2>three three. You picked, you have lost the five hundred

1:02:27.480 --> 1:02:30.800
<v Speaker 2>thousand dollars. It is no longer on the table anymore.

1:02:30.840 --> 1:02:32.520
<v Speaker 3>Oh, my friend, the.

1:02:32.480 --> 1:02:36.320
<v Speaker 2>Will giveth and the will take it away. So yes,

1:02:37.160 --> 1:02:39.560
<v Speaker 2>originally five hundred thousand dollars showed up to your house

1:02:39.600 --> 1:02:45.600
<v Speaker 2>and you released the hounds. Then we had a sprinter van,

1:02:45.880 --> 1:02:48.240
<v Speaker 2>beautiful sprinter van, three hundred thousand dollars value.

1:02:48.360 --> 1:02:50.640
<v Speaker 3>You said no, and you release the hounds yet again.

1:02:51.160 --> 1:02:55.120
<v Speaker 2>Then they someone found Sean's leather jacket, original leather jacket,

1:02:55.200 --> 1:02:57.600
<v Speaker 2>and you wavered a bit, but nope, still weren't interested.

1:02:57.840 --> 1:02:59.960
<v Speaker 2>And then last week I went for the soft underbell,

1:03:00.440 --> 1:03:02.280
<v Speaker 2>which you're going to do again this week, where you

1:03:02.320 --> 1:03:05.280
<v Speaker 2>had your og magic cards with a black Lotus card

1:03:05.600 --> 1:03:10.200
<v Speaker 2>thrown in. But now because indifference has consequence, the five

1:03:10.280 --> 1:03:11.000
<v Speaker 2>hundred grand.

1:03:10.880 --> 1:03:11.480
<v Speaker 3>Is off the table.

1:03:11.520 --> 1:03:15.000
<v Speaker 2>So we now have just the jacket, the magic cards

1:03:15.040 --> 1:03:17.520
<v Speaker 2>with the black Lotus, and the sprinter van. This week,

1:03:19.400 --> 1:03:22.400
<v Speaker 2>somebody shows up at your house with a Manila envelope,

1:03:22.960 --> 1:03:25.800
<v Speaker 2>one of those specialty sealed envelopes that you have to

1:03:25.840 --> 1:03:28.000
<v Speaker 2>sign for. You grab the pen, you write right or strong,

1:03:28.040 --> 1:03:30.040
<v Speaker 2>and you quickly cross it out, because we know how

1:03:30.080 --> 1:03:35.120
<v Speaker 2>you like to sign an autograph. You opened the pat

1:03:35.240 --> 1:03:36.960
<v Speaker 2>you open the little the little thing, the little Millima

1:03:37.280 --> 1:03:40.200
<v Speaker 2>Manila envelope, and you slide out a paper. You read

1:03:40.240 --> 1:03:45.240
<v Speaker 2>the paper and it is a deed oh No to Coffeecats,

1:03:45.680 --> 1:03:47.720
<v Speaker 2>which is opening again in Sebastopool.

1:03:48.080 --> 1:03:49.360
<v Speaker 3>Its original spot.

1:03:50.200 --> 1:03:55.240
<v Speaker 6>You have the opportunity to have an entire new generation

1:03:55.480 --> 1:03:58.680
<v Speaker 6>of young hippie kids who like to read poetry and

1:03:58.720 --> 1:04:03.840
<v Speaker 6>play magic, the original spot of coffeecats, and it is yours.

1:04:04.520 --> 1:04:10.400
<v Speaker 2>If you would only go on dancing with the stars.

1:04:11.600 --> 1:04:13.600
<v Speaker 1>That's a really good one, right. You know why that's

1:04:13.600 --> 1:04:15.960
<v Speaker 1>a really good one because it's not only personal and

1:04:16.040 --> 1:04:19.040
<v Speaker 1>goes back to like my but I've always loved community

1:04:19.760 --> 1:04:22.920
<v Speaker 1>and the idea of like having a gathering space, and

1:04:23.520 --> 1:04:27.880
<v Speaker 1>I also love coffee, and I could to provide what

1:04:28.000 --> 1:04:30.800
<v Speaker 1>I got from that community and that sense of space.

1:04:30.960 --> 1:04:33.480
<v Speaker 1>And you know, also I did open mic there. I

1:04:33.520 --> 1:04:35.080
<v Speaker 1>have friends who did open mic nights.

1:04:35.120 --> 1:04:38.120
<v Speaker 2>There all comes back rider and it's yours.

1:04:39.040 --> 1:04:40.400
<v Speaker 1>I mean, what if I say yes, then it's the

1:04:40.440 --> 1:04:41.080
<v Speaker 1>segment over.

1:04:42.280 --> 1:04:44.360
<v Speaker 3>I mean again, would you say yes? Is this what

1:04:44.400 --> 1:04:44.919
<v Speaker 3>it would take?

1:04:46.160 --> 1:04:50.000
<v Speaker 1>I mean, I really, I really love I've always loved

1:04:50.000 --> 1:04:52.560
<v Speaker 1>the idea of like having you know, being a part

1:04:52.600 --> 1:04:56.280
<v Speaker 1>of But then I think about owning a restaurant, owning

1:04:56.360 --> 1:05:01.320
<v Speaker 1>a responsibility also responsibility these that come with it, And

1:05:01.360 --> 1:05:03.440
<v Speaker 1>I lost the five hundred thousand dollars which could have

1:05:03.480 --> 1:05:07.000
<v Speaker 1>helped hire those people to help me run it. And

1:05:07.040 --> 1:05:11.439
<v Speaker 1>it's not a bookstore. It's just a coffee shop. Oh God,

1:05:11.440 --> 1:05:16.120
<v Speaker 1>that's tough, though, that was like, that's like that. God,

1:05:16.160 --> 1:05:19.680
<v Speaker 1>But could I handle the embarrassment of doing the show.

1:05:19.920 --> 1:05:21.680
<v Speaker 3>With all the social media stuff attached?

1:05:21.880 --> 1:05:24.560
<v Speaker 1>I would, Oh God, I feel like I would ruin

1:05:25.360 --> 1:05:31.040
<v Speaker 1>all my like integrity in order to be on Dance

1:05:31.120 --> 1:05:33.280
<v Speaker 1>with the Stars. That I wouldn't be able to have

1:05:33.320 --> 1:05:39.560
<v Speaker 1>an authentic relationship with coffeecats back in Sebastball. God, damn it.

1:05:39.600 --> 1:05:46.680
<v Speaker 1>Will I don't know. I'm genuinely torn the how much

1:05:46.720 --> 1:05:49.240
<v Speaker 1>were the magic cards worth? I could sell the magic cards.

1:05:48.960 --> 1:05:50.720
<v Speaker 2>The magic car well, I think the I don't know

1:05:50.720 --> 1:05:52.320
<v Speaker 2>what your original deck would be worth. There probably be

1:05:52.360 --> 1:05:54.080
<v Speaker 2>some bangers in there, but the black BoatUS I think

1:05:54.080 --> 1:05:55.520
<v Speaker 2>the last one sold for six hundred grand.

1:05:56.120 --> 1:05:57.880
<v Speaker 1>Okay, so I still have some cash?

1:05:58.000 --> 1:06:04.480
<v Speaker 2>Oh yeah, God, I think I might do it. Seriously.

1:06:05.400 --> 1:06:07.480
<v Speaker 2>Did we find it already in week five?

1:06:10.360 --> 1:06:13.920
<v Speaker 1>I don't know. I mean I think I could I

1:06:14.000 --> 1:06:15.880
<v Speaker 1>change it to a bookstore? Could I? Could I make.

1:06:15.760 --> 1:06:17.640
<v Speaker 2>It it's your original coffee? Well?

1:06:17.680 --> 1:06:19.320
<v Speaker 3>I mean again, it's yours and you can do whatever

1:06:19.360 --> 1:06:19.680
<v Speaker 3>you want.

1:06:19.720 --> 1:06:23.560
<v Speaker 7>Okay, No, okay, If I'm gonna say it's original coffee

1:06:23.560 --> 1:06:26.200
<v Speaker 7>cats if you have to be original coffee cats, and

1:06:26.280 --> 1:06:29.480
<v Speaker 7>I can't also make it into like the but man,

1:06:29.920 --> 1:06:31.640
<v Speaker 7>that's close, that's close.

1:06:32.360 --> 1:06:34.880
<v Speaker 1>I honestly like, I've always thought that, like, oh, it

1:06:34.880 --> 1:06:36.320
<v Speaker 1>would be fun to own a place like that. But

1:06:36.400 --> 1:06:38.880
<v Speaker 1>I talked to anybody who's worked in the restaurant industry

1:06:38.960 --> 1:06:41.800
<v Speaker 1>and it sounds like hell yeah, you know, concluding my

1:06:41.840 --> 1:06:45.400
<v Speaker 1>wife who spent years in the restaurant and like, so yeah,

1:06:45.440 --> 1:06:48.560
<v Speaker 1>I'm gonna say no. As much as I want that

1:06:48.600 --> 1:06:51.040
<v Speaker 1>space back, and I would love to provide a community space,

1:06:51.080 --> 1:06:53.240
<v Speaker 1>it would I would rather be a bookstore that has

1:06:53.320 --> 1:06:57.400
<v Speaker 1>coffee as opposed to a coffee shop that that serves food.

1:06:57.480 --> 1:06:58.600
<v Speaker 1>So I'm gonna sry.

1:06:58.840 --> 1:06:59.520
<v Speaker 3>Okay, there you go.

1:06:59.560 --> 1:07:02.040
<v Speaker 2>Also, keep in mind, now every week that you say no,

1:07:02.480 --> 1:07:03.880
<v Speaker 2>you're gonna lose something else.

1:07:03.680 --> 1:07:05.480
<v Speaker 1>That's on it. That's fair. I think that's fair. I

1:07:05.480 --> 1:07:07.640
<v Speaker 1>think that keeps it, keeps it. Yeah, there you go,

1:07:07.720 --> 1:07:10.280
<v Speaker 1>and it's going to be random if that stays on though,

1:07:11.560 --> 1:07:14.280
<v Speaker 1>Oh yeah, that's gonna be hard. It's getting hard. Man.

1:07:14.680 --> 1:07:16.200
<v Speaker 1>That's a good one.

1:07:16.800 --> 1:07:18.440
<v Speaker 3>Good job, Thank you, thank you.

1:07:19.040 --> 1:07:22.680
<v Speaker 1>Oh man. All right, that's it for this episode of

1:07:22.680 --> 1:07:25.440
<v Speaker 1>Pod meets Tworld. Join us next week as we continue

1:07:25.480 --> 1:07:28.920
<v Speaker 1>watching season thirty four of Dancing with the Stars. We

1:07:29.000 --> 1:07:31.800
<v Speaker 1>may not know a quick step from a quick snack,

1:07:32.080 --> 1:07:35.200
<v Speaker 1>but we know what we learned way back in Phoenie's class.

1:07:35.520 --> 1:07:40.120
<v Speaker 1>Danielle Fischel is the star of the show. Pod Meats

1:07:40.120 --> 1:07:43.000
<v Speaker 1>World is an iHeart podcast producer hosted by Danielle Fischl,

1:07:43.040 --> 1:07:46.760
<v Speaker 1>Wilfredell and Ryder Strong executive producers Jensen Karp and Amy

1:07:46.760 --> 1:07:52.000
<v Speaker 1>Sugarman Executive in charge of production, Danielle Romo, producer and editor, Tarasubash, producer,

1:07:52.080 --> 1:07:55.320
<v Speaker 1>Maddie Moore, engineer and boy Mets World superman Easton Allen.

1:07:55.440 --> 1:07:58.560
<v Speaker 1>Our theme song is by Kyle Morton of Typhoon. Follow

1:07:58.640 --> 1:08:01.480
<v Speaker 1>us on Instagram at podme World Show or email us

1:08:01.520 --> 1:08:04.160
<v Speaker 1>at Hodby's World Show at gmail dot com.

1:08:07.040 --> 1:08:07.320
<v Speaker 2>MHM