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Speaker 1: Welcome to pod meets Twirl, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance, don't want

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Speaker 1: to dance, and have now seen five episodes of Dancing

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Speaker 1: with the Stars. But since our best friend Danielle has

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Speaker 1: joined the cast for season thirty four, we're going all in.

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Speaker 1: We are Wilfredell and Ryder Strong aka the two dudes

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Speaker 1: standing next to Topanga aka daniel Fishal's backup aka the

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Speaker 1: Daniettes Hi Will Hi Rider. How was it being a

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Speaker 1: dan Yete in person?

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Speaker 2: The in person dan Yete is definitely different than the

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Speaker 2: non in person dan Yete. So for the experience of

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Speaker 2: Dancing with the Stars, it's wonderful to go there. I

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Speaker 2: mean the vibe, the energy, getting to see everybody from

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Speaker 2: the cast, it was so much fun. I had the

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Speaker 2: best eat in the house, like early, the best seat

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Speaker 2: of the house. It was the greatest thing in the world.

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Speaker 1: You were to see we were last time right like.

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Speaker 2: No, so we were in the second we were in

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Speaker 2: the second row. I was on the floor this time,

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Speaker 2: I was in Gensen seat. Remember where Jensen was sitting

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Speaker 2: where It's like that one right there. So everybody's walking

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Speaker 2: by me, I was, I'm in every shot I was.

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Speaker 2: It was like there was three shots. It was the

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Speaker 2: dancers and me. But to see the actual dancing, it's

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Speaker 2: better on TV interesting because you can't. There's times where

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Speaker 2: I was like, ooh, that dance didn't look that good,

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Speaker 2: and then I watched on TV it was like, oh no,

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Speaker 2: that wasn't bad. So again, as an experience, it's like

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Speaker 2: a sporting event. You know, you go see a professional

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Speaker 2: basketball game or a football game. You go for the

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Speaker 2: entire experience. If you want to actually see what's happening

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Speaker 2: in the game, better you watch it on TV.

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Speaker 3: So that's that's what I felt.

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Speaker 2: But I got me, got to hang out with Alex

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Speaker 2: and Trina and Rusty and Betsy and Bill and Bonnie

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Speaker 2: and it was a ton of fun. And you see

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Speaker 2: all the stars. Dennis Quaid is there, and you know,

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Speaker 2: I talked to Grant Show from uh the Grant Show

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Speaker 2: was on mel Rose Place forever and he and I

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Speaker 2: did a show together. But when I did an episode

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Speaker 2: of True Blue when I was eleven, so I haven't

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Speaker 2: seen this guy since I was eleven years old.

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Speaker 3: He's like high fiving me but pretending to remember me.

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Speaker 3: It was really sweet.

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Speaker 2: So I mean again for the experience, and like we

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Speaker 2: talked about the first time dressing up, and you know,

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Speaker 2: this time because we were quote unquote celebrities. We weren't

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Speaker 2: just Danielle's friends. We were backstage in the VIP area,

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Speaker 2: so we're meeting all the dancers and all this stuff. Yeah,

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Speaker 2: so get rid.

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Speaker 3: Of rider, you get better, better benefits. So it was,

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Speaker 3: it was great.

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Speaker 2: But you were very much missed for not by me

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Speaker 2: so much, but everybody else really missed you quite a bit.

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Speaker 2: So so Justine and everybody. Betsy looks stunning, Trina looks stunning.

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Speaker 2: Alex days Are is the single coolest human being that

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Speaker 2: I've ever met in my life, of course. And then

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Speaker 2: there's Rusty, who sitting next to Rusty at this at

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Speaker 2: times was like sitting next to you at things like this,

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Speaker 2: where Rusty's like, there's an awful lot of clapping. Wait,

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Speaker 2: oh wait, we're standing again.

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Speaker 1: People really seem to care about it.

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Speaker 3: And then he's like asking me stuff. He's like, okay,

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Speaker 3: why why why? Now? Why did that matter?

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Speaker 2: I was like, well, I think because she's the host

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Speaker 2: and she hasn't danced in a while, Okay, And so

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Speaker 2: all of a sudden, I was the Dancing with the

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Speaker 2: Stars expert, which was weird. Yes, so I I was,

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Speaker 2: you know, helping, helping Rusty kind of figure everything out

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Speaker 2: as we all Right.

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Speaker 1: Well, I'm really curious to hear how the perspective changed

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Speaker 1: based on being in the room versus because I'm always

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Speaker 1: shocked by like watching it on TV and you see

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Speaker 1: like what you think is the best dance, and then

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Speaker 1: a cust of the audience and there's just sort of

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Speaker 1: like tepid gold class yeah, claps going on, and then

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Speaker 1: the advice versa where you're like, that was okay, but

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Speaker 1: everyone's on their feet.

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Speaker 2: I'm like, how was it in the room? Oh my god,

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Speaker 2: Well I can tell you in the room, I was

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Speaker 2: angry at home.

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Speaker 3: I was furious.

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Speaker 2: So we'll get into that. Okay, Oh, calling some doubt today.

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Speaker 1: Okay. Well, the theme for the episode was Dedication Night.

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Speaker 1: Quite a swing from Disney to Dedication.

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Speaker 3: Yeah, it's Dedication kind of different.

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Speaker 1: My god. It went from like fun and games to

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Speaker 1: like tears, death sadness. But for me, man, this episode

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Speaker 1: was just by far the coolest in terms of the dancing.

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Speaker 1: The dance agree with you, It was so emotional and

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Speaker 1: it felt personal, and.

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Speaker 2: I was just like, yes, so, and I thought some

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Speaker 2: of the prettiest dances we've seen all season were absolutely

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Speaker 2: I mean there was a couple dances where it was like, wow,

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Speaker 2: I don't know anything about dance. I don't particularly like dance,

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Speaker 2: and I could watch that for a long time.

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Speaker 1: Yes, yep, I felt the same way, man, Ye all right,

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Speaker 1: So we started off with Andy Richter and Emma Slater.

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Speaker 1: Andy dedicated it to his daughter Cornelia, the cutest ador

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Speaker 1: thing in the world, and this, you know, immediately I

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Speaker 1: was like, this is a great way to start the night.

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Speaker 1: You know, Andy's clearly on the bottom in terms of dancing,

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Speaker 1: but who cares. It was so fun and to his credit,

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Speaker 1: like I finally felt like his legs were not holding

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Speaker 1: him back the way it had been in other weeks.

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Speaker 1: I was watching his feet and I was like, he's committing,

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Speaker 1: He's going for it. And I also think something about,

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Speaker 1: you know, caring about his daughter being there. You could

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Speaker 1: tell all this energy was on her, which is a

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Speaker 1: good place to be, I think, getting out of his

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Speaker 1: own head having fun. I thought this was lovely, But yeah,

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Speaker 1: it's very, very different from what came after in terms

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Speaker 1: of you know, complexity of the dance moves and all

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Speaker 1: that stuff. So Andy's just hanging on by charm. He's

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Speaker 1: hanging on by charm.

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Speaker 2: He also the judges were like carry in was like,

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Speaker 2: I see the progress. I actually see you dancing now,

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Speaker 2: this is great. The scores weren't reflective, but they were

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Speaker 2: all very positive about Andy and his dance journey. Let's

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Speaker 2: keep that in mind as we move forward. That totally

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Speaker 2: Andy and his dance journey. Very very positive about Andy

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Speaker 2: and everything that he's doing.

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Speaker 1: Right, but he did achieve like a fluidity that he

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Speaker 1: hadn't achieved. Agree, So he was dancing.

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Speaker 3: He was dancing.

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Speaker 1: Yes, six is across the board again, Yeah, which is

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Speaker 1: kind of his standard thing right now. Who was the

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Speaker 1: extra judge this week? I didn't quite understand.

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Speaker 3: It was the blonde lady. What the blonde lady?

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Speaker 4: Yeah, dancing Kim Johnson was a professional on Dancing with

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Speaker 4: the Stars years ago.

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Speaker 2: There you go, That's what I was gonna say, gotcha

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Speaker 2: professional blond lady Kim. It's Kim with a y too,

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Speaker 2: which puts it to a whole different Yeah, yeah scenario.

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Speaker 1: Well, she was great. I liked hearing some new new

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Speaker 1: voice in there.

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Speaker 3: Yes, I agree.

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Speaker 1: Yeah. So all right, So Andy.

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Speaker 3: And I have I have a question for you with this.

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Speaker 2: Now he's getting all sixes every week, do you think

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Speaker 2: at this point it's working to his benefit to be

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Speaker 2: getting lower scores because people are like, come on, you

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Speaker 2: keep giving him six this, I'm going to vote for him.

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Speaker 1: Yep. Yeah, I mean we're still in the zone of

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Speaker 1: like there are the professional dancers who are clearly going

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Speaker 1: to be the top three, top four or five who

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Speaker 1: are not stars, right, sorry, Like I was watching this

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Speaker 1: with a friend who had never seen the show before

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Speaker 1: is an actor, and he was like, he was like,

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Speaker 1: all right, so they're gonna start with Andy, and they're

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Speaker 1: gonna put Danielle near the back of the lineup because

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Speaker 1: those are the only actual stars. It's left and dance.

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Speaker 1: And I was like, well, I kind of you know

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Speaker 1: everyone they are celebrities, I guess, but you know they

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Speaker 1: the TikTok dancers. I'm totally with you now that I'm like,

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Speaker 1: but you're a dancer, like this is what you do,

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Speaker 1: or you're you're a Mormon wife who dances. Correct, That's

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Speaker 1: not the same thing as being an actor who dances.

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Speaker 1: Or an entertainer in some other capacity who dances. It's

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Speaker 1: so it seems a little Yeah, I guess it's two

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Speaker 1: different shows. It's just two different shows.

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Speaker 2: And I also think they can't change the title, but

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Speaker 2: they should moving forward to something like Celebrity Dance Contest

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Speaker 2: because it's not you're not none, they're not stars, they're celebrities.

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Speaker 3: And again that's fine.

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Speaker 2: The word celebrity is different now and TikTok celebrity is

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Speaker 2: a thing and Instagram celebrities totally understand that reality show

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Speaker 2: celebrity is a thing, not.

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Speaker 1: Stars dancing with the influencers.

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Speaker 3: Oh there go love it all right.

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Speaker 1: And then we went into Robert Irwin and Whitney. Yeah, dude, dude,

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Speaker 1: this was just tears for me from start to finish.

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Speaker 1: I couldn't I couldn't control it. I was like, yeah,

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Speaker 1: you know, you know. We talked about how Robert started

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Speaker 1: off kind of too strong and had to kind of

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Speaker 1: pull it back a little bit and be more technical,

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Speaker 1: and then I just blew it out of the water.

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Speaker 2: This was better than his first dance, which I think

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Speaker 2: is difficult to say, but there's something that this is where,

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Speaker 2: this is where being at the show really benefits you

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Speaker 2: because I got to witness something that no one else

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Speaker 2: got to see. So during he's sitting down on the stage,

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Speaker 2: he's facing forward in his start position, and then there's

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Speaker 2: his dance partner, Whitney behind him, who's stunning and amazing

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Speaker 2: and incredible, and they're playing the pre show package behind

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Speaker 2: him and all of us in the audience are watching

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Speaker 2: the pre show package.

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Speaker 3: She knows he can't.

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Speaker 2: Hear this because of the dance there to do, so

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Speaker 2: she's kneeling behind him covering his ears. Wow, because she

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Speaker 2: did not want him to hear his mom talking and

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Speaker 2: lose it emotionally. So she's holding onto him from behind

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Speaker 2: and covering both his ears, and he's like muttering to himself.

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Speaker 2: He's like he's like saying something to himself, and she's like,

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Speaker 2: stay focused, you just don't get up. And so that

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Speaker 2: going to the show for things like that is really

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Speaker 2: cool because again I am literally three feet away from them,

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Speaker 2: I'm six inches from the stage, and he's muttering to

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Speaker 2: himself and she's just holding his ears as we're all

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Speaker 2: already crying watching the package and literally thinking to myself,

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Speaker 2: oh my god, that's brilliant. You can't I'm not letting

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Speaker 2: you hear this. I'm not letting you hear anything I say.

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Speaker 2: It was a really incredible moment. And then the dance

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Speaker 2: started and it was just so there's a moment in

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Speaker 2: the dance where he they're both on the ground and

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Speaker 2: they both I'm going to use a term that I

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Speaker 2: think it is, but I don't know what it is,

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Speaker 2: they bridge up. So he kind of bridges up and

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Speaker 2: he's directly in front of me and I'm a foot away,

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Speaker 2: two feet away at most, and his face, his eyes

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Speaker 2: are distant, and they're away.

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Speaker 3: He doesn't see the audience. I can tell.

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Speaker 2: It's like watching in this actor in the zone. He

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Speaker 2: was just in the moment, and I just had this

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Speaker 2: shiver and I was like, oh my god. It was

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Speaker 2: He was a professional dancer that night, telling exactly the

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Speaker 2: story he wanted.

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Speaker 3: That was amazing to me. That truly was amazing to me.

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Speaker 1: Yeah. So this was a contemporary dance, which is a

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Speaker 1: category I don't think we've seen up until tonight. I

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Speaker 1: don't think so, right, But it was the majority of

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Speaker 1: the dances were contemporary, which I guess means free for all,

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Speaker 1: just expressive dancing, more sort of storytelling, and man, I

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Speaker 1: love this. I it's more of a contemporary dance person

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Speaker 1: because it's all about the story you're telling. It's all

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Speaker 1: about the expressiveness of your body to the music, and

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Speaker 1: I love it and I agree. Just the majority of

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Speaker 1: the dances tonight we're contemporary, obviously, because they wanted to

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Speaker 1: tell their sort of personal.

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Speaker 3: Now, I have a question for producer Tara. Producer, Tar,

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Speaker 3: are you there?

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Speaker 2: Yes, Okay, So you know an awful lot about Dancing

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Speaker 2: with the Stars, and I'm curious about this. Are they

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Speaker 2: told the dance style they're going to do or do

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Speaker 2: they get to pick the dance style they want?

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Speaker 5: They're usually told what they're going to do. They're given

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Speaker 5: the style.

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Speaker 2: That's really what I figured because and we'll get to it.

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Speaker 2: I figured Danielle on a night like this would not

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Speaker 2: have picked the jive.

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Speaker 1: Interesting. I thought they got to be, you know, because

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Speaker 1: they have.

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Speaker 5: They have a say in their songs based on the theme.

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Speaker 5: To a certain extent. I think there's also like limitations.

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Speaker 4: I don't know too much behind the scenes, but I

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Speaker 4: know they are given their dance style.

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Speaker 1: That's what I figured, and they can only do every

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Speaker 1: dance style once in the course of the st can.

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Speaker 5: Do you can do it twice.

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Speaker 4: Sometimes they're given like sometimes it is like a redemption

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Speaker 4: where it's like, oh, we're going to do the jive again.

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Speaker 5: Yeah, the line in week nine for.

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Speaker 4: Example, Okay, okay, same style twice.

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Speaker 3: Okay.

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Speaker 2: Because I figured if you could pick what you wanted

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Speaker 2: for tonight, everyone everybody would have picked something like the

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Speaker 2: contemporary to tell a story.

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Speaker 3: Yeah, because it yeah, it was. It was breathtaking.

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Speaker 1: For lack of a better, amazing thing. I was tens

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Speaker 1: across the board. Just give it to him. What's a tense?

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Speaker 1: What what's a ten? Is my question?

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Speaker 2: What's a ten?

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Speaker 1: I guess maybe they don't even give tens until like,

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Speaker 1: you know, right, I think that's what it is, fifteen

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Speaker 1: or whatever.

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Speaker 2: But this is where the judging really started to piss

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Speaker 2: me off. One judge in particular, wo yeah.

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Speaker 1: Well because it was a carry anne with an eight.

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Speaker 1: An eight, I don't know. I mean, I'm not technically

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Speaker 1: savvy enough to see what he possibly could have done better.

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Speaker 2: Right, But the three other judges are, and they all

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Speaker 2: gave it nine.

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Speaker 1: I know, I know.

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Speaker 3: So yeah, this is.

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Speaker 2: Where I started to go, like, I think some people

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Speaker 2: have their favorites. I think they are overly harsh on

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Speaker 2: people they don't like and overly generous with people they do.

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Speaker 3: And I really saw that with Carrie Inn.

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Speaker 1: It's it's human judging, right, yeah, I mean that's the

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Speaker 1: thing supposed to They're not robots. They're supposed to be

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Speaker 1: responding from human plays.

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Speaker 2: So that's why the umpires in baseball need to say

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Speaker 2: human beings, because their flaws are part of the game.

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Speaker 1: I get, yes, you know, and that's I mean. I

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Speaker 1: also just by the time he was talking afterwards to

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Speaker 1: the judges and they're all just hugging. Bruno can't even

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Speaker 1: keep it together, and they're hugging each other. I'm just

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Speaker 1: sitting there at home, like you know, tears streaming. I

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Speaker 1: was watching with my parents and and you know, they

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Speaker 1: had only seen the first episode when and now, and

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Speaker 1: they were like, oh wow, and we were all just

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Speaker 1: so emotional. I was like, I can't even judge the

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Speaker 1: dance anymore. That was just so beautiful, and like, you know,

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Speaker 1: the idea that of course he you know, he could

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Speaker 1: have dedicated it to his dad, right, I mean, that's like,

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Speaker 1: but by dedicating it to his mom, it was such

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Speaker 1: an even more beautiful message really like honors his dad,

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Speaker 1: but also is like cele brainon the person who has

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Speaker 1: actually been with him the last you know, however many years.

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Speaker 3: Yeah, it was amazing. Again. If I wasn't dead inside,

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Speaker 3: which we all know that I am, I.

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Speaker 1: Saw you would have been I would have cried at this.

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Speaker 3: Yeah I didn't would all right.

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Speaker 2: So Sue was a mess by the way there and

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Speaker 2: watching it again last night.

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Speaker 1: Yeah, trying to keep it together. I was just like

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Speaker 1: trying to take notes.

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Speaker 3: Yeah, it was gorgeous. Everything about it was amazing.

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Speaker 1: Yeah. So then we went to uh, Elaine and Alan,

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Speaker 1: which was I mean, that's a tough act to follow,

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Speaker 1: by the way, No Jensen.

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Speaker 2: Jensen literally leaned over to me and he's like, I'm

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Speaker 2: so glad Daniel did not have to go next.

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Speaker 3: Yeah, it's true, that's a tough act to follow.

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Speaker 1: So Elaine and Alan. Elaine dedicated her dance to her

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Speaker 1: best friend and the parent Trap co star Lisa and Walter.

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Speaker 1: I thought this was so fun. I love seeing the

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Speaker 1: pre show package and their friendship, and then I thought

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Speaker 1: the dance was really fun. Yeah me too, you know

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Speaker 1: it was it felt like a play. Yeah, do you

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Speaker 1: know what I mean and remind you again. She's very

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Speaker 1: musical theory, and in this case they did a foxtrot,

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Speaker 1: so it had its sort of ballroom dance component, but

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Speaker 1: all the switching partners and like really involved Lisa in

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Speaker 1: a way that you know, a lot of the people

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Speaker 1: when they were doing their dedication they didn't involve their

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Speaker 1: dedicated person as much. In this case, I was like, wow,

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Speaker 1: she's like dancing with them, and I thought it was

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Speaker 1: super fun.

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Speaker 2: And his spinning in between the two of them and

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Speaker 2: like grabbing the one of them then grabbing the other,

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Speaker 2: than the three of them together, it really flowed well.

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Speaker 3: The choreography was great for this.

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Speaker 1: But this is hard to follow the emotionality of.

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Speaker 2: The hugely hard but maybe exactly what we needed, like

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Speaker 2: a little lighthearted friends dancing around totally different style of

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Speaker 2: ballroom dance.

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Speaker 3: It was probably perfect at the time.

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Speaker 1: Yeah, they got eight, seven, seven and eight. Now so

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Speaker 1: here this is where I agree with you that carry

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Speaker 1: Anne giving an eight to Robert and Whitney and then

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Speaker 1: an eight to Elaine and Allen. I was like, where

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Speaker 1: are you coming from?

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Speaker 2: Yeah, I know, it's like, well, how are you picking?

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Speaker 2: Are you just randomly picking numbers? Like, what do you do?

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Speaker 1: No, I just you know, she was going from some

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Speaker 1: sort of I don't know, it's a different place, right,

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Speaker 1: yeah it was, you know, but this was great. This

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Speaker 1: was fine, like I said, just kind of hard to

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Speaker 1: follow the previous dance, so I I you know, but

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Speaker 1: I think any other night, this probably was Elaine's one

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Speaker 1: of Elaine's best dances, right, like, compared to all her

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Speaker 1: other stuff.

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Speaker 3: I think so too.

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Speaker 2: I think they also again keep in mind eight seven

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Speaker 2: seven eight, and we're very positive with their remarks. I

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Speaker 2: think Kim gave one kind of maybe do this with

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Speaker 2: your hand, but other than that, they're all like, this

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Speaker 2: is it.

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Speaker 1: Was just with the pen in her hand.

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Speaker 2: No, no, no, the pen was later. This was this was

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Speaker 2: interesting your your like your hand and around oh right,

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Speaker 2: the way she holding his shoulder, holding his shoulder and yeah,

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Speaker 2: so that's.

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Speaker 1: The kind of stuff I have no idea and.

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Speaker 2: Give a great great criticism where I'm like, we again,

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Speaker 2: you're right, we don't know any of that. So sitting

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Speaker 2: there and listening to like, oh wow, if you just

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Speaker 2: move your hand like this, this changes super cool. Yeah,

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Speaker 2: really cool, but very positive feedback. Yeah, eat that in

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Speaker 2: mind again.

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Speaker 1: Okay, I love where we're going, all right. Next up

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Speaker 1: was Whitney and Mark. This was just amazing. I found

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Speaker 1: this so fascinating from a story point of view and

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Speaker 1: from a dancing point of view, and how those two

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Speaker 1: things were sort of merged because here she is, you know,

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Speaker 1: doing a dance that dedicated to her husband, who has

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Speaker 1: allowed her to do things like Dancing with the Stars

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Speaker 1: right and been her support system taking care of their

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Speaker 1: kids in La, while she's you know, rehearsing all day

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Speaker 1: every day with her you know, dance professional partner, Mark.

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Speaker 1: And so the way that they incorporated her husband as

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Speaker 1: basically a professional dancer doing everything with her, and and

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Speaker 1: then you know, sort of taking Mark's place at times,

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Speaker 1: and then Mark coming in. I thought this was so

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Speaker 1: cool because it was like we're watching them dance out

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Speaker 1: the dynamic of Dancing with the Stars. It was like wow,

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Speaker 1: like you feel like separated, you know, because you're so busy,

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Speaker 1: and then you're involving him. But this is also my

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Speaker 1: worst nightmare, Like if my wife was on a dancing

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Speaker 1: show and she was like, I want to dedicate it

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Speaker 1: to you, and you also have to do all the

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Speaker 1: dance you will.

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Speaker 2: Yo, But he did it.

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Speaker 1: I love this guy. I was like, dude, you permitted.

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Speaker 2: I love the concept. I thought the execution. There were

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Speaker 2: times they were all off right, and I mean clearly

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Speaker 2: off to where I noticed it.

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Speaker 1: Right. Well, they talked about her, you know, jumping out

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Speaker 1: of sync. Right, yeah, but here's the thing about them

401
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Speaker 1: ending out of sync. But here's the thing that I

402
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Speaker 1: kept thinking, Okay, she has been very technically good every

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Speaker 1: other dance, right, She's never been off time. Isn't the

404
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Speaker 1: fact that she was out of sync with her professional

405
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Speaker 1: dancing partner more of an indication of exactly the story

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Speaker 1: they were trying to tell, which is that she was

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Speaker 1: probably more concerned about her husband's dancing and she was

408
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Speaker 1: more committed to whether he was going to be doing

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Speaker 1: a good job than her own dancing, which only furthers

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Speaker 1: the story, which is that she's dedicating the night to him.

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Speaker 1: Do you know what I mean?

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Speaker 2: I think it was on purpose, but that wasn't done

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Speaker 2: on purpose, But I don't care.

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Speaker 1: I felt it like emotionally, I was like, you're messing

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Speaker 1: up because you're concerned about your husband, which is the

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Speaker 1: whole point of this dance.

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Speaker 2: That's but the more points I thought it was beautiful.

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Speaker 1: I thought it was like a beauty up. I don't.

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Speaker 2: I mean, that's like I just know.

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Speaker 1: But just in my mind, my analytical mind, I was like,

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Speaker 1: you know what that you know what that says? That

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Speaker 1: says that she cares about exactly what she says.

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Speaker 2: She cares if they were out of sync on purpose

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Speaker 2: to show the storyline, but they were, she was just out.

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Speaker 1: But you know what I'm saying, and I think it's

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Speaker 1: that's so sweet, actually beautiful.

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Speaker 2: She's a wonderful professional dancer working with another professional dancer.

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Speaker 2: But if you're gonna judge her like everybody else, which

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Speaker 2: they aren't, then she messed up. Yeah, okay, so if

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Speaker 2: you mess up, how does Carrie Anne give that a

431
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Speaker 2: nine with a clear mess up? When Robert Irwins was

432
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Speaker 2: flawless and that got an eight. That's when you're just going, okay,

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Speaker 2: there's no there's no rhyme or.

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Speaker 3: Reason to any of this.

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Speaker 2: Like, it's just I like you, so I'm going to

436
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Speaker 2: give you a higher score. Maybe I don't like you

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Speaker 2: that much. I'm gonna get it. There doesn't seem to

438
00:20:35,680 --> 00:20:36,919
Speaker 2: be anything behind any of it.

439
00:20:36,960 --> 00:20:38,600
Speaker 1: Well what about this? What about this? Because I would

440
00:20:38,600 --> 00:20:41,040
Speaker 1: have given it a nine too. Personally, I think that

441
00:20:41,119 --> 00:20:44,560
Speaker 1: there's there's something to be said for the challenge you

442
00:20:44,600 --> 00:20:48,439
Speaker 1: give yourself, right and like you know, in gymnastics, if

443
00:20:48,440 --> 00:20:51,320
Speaker 1: you do the technical triple backflip versus a double backflip,

444
00:20:51,359 --> 00:20:55,080
Speaker 1: if you pull off a poorly done triple backflip, you

445
00:20:55,160 --> 00:20:56,960
Speaker 1: did you get a higher score? Maybe? Do you know

446
00:20:57,000 --> 00:20:59,199
Speaker 1: what I'm saying? Like, no, sure, of course, And I

447
00:20:59,240 --> 00:21:02,199
Speaker 1: think maybe difficult to shout yes. And I think that

448
00:21:02,200 --> 00:21:04,760
Speaker 1: there's something to be said for the difficulty of involving

449
00:21:05,160 --> 00:21:08,919
Speaker 1: a non dancing husband as much as she did and

450
00:21:08,920 --> 00:21:11,760
Speaker 1: and committing to that. And maybe is the yes because

451
00:21:11,760 --> 00:21:13,479
Speaker 1: she could have played it safe. She could have just

452
00:21:13,760 --> 00:21:16,600
Speaker 1: right her husband, show up and bowed to him, you know,

453
00:21:16,920 --> 00:21:19,680
Speaker 1: and then done an amazing but instead she took on

454
00:21:20,359 --> 00:21:21,760
Speaker 1: this huge challenge.

455
00:21:21,880 --> 00:21:24,920
Speaker 2: I'm not saying she did not deserve a nine. I'm

456
00:21:24,960 --> 00:21:26,439
Speaker 2: saying Robert deserved it.

457
00:21:27,040 --> 00:21:32,040
Speaker 1: Mark Ballat like agree, nailed it, no problem tonight with choreography,

458
00:21:32,080 --> 00:21:34,639
Speaker 1: tonight with the because contemporary so much more wide open

459
00:21:34,680 --> 00:21:36,480
Speaker 1: and expressive, and I live beautiful.

460
00:21:36,480 --> 00:21:39,840
Speaker 2: Also, I don't disagree. I'm I'm not saying she deserved

461
00:21:39,840 --> 00:21:43,399
Speaker 2: a lower score. I'm saying the scoring makes no sense

462
00:21:43,960 --> 00:21:47,320
Speaker 2: if he gets an eight for a flawless thing and

463
00:21:47,359 --> 00:21:50,160
Speaker 2: she gets a nine when there's a clear mistake, right

464
00:21:50,359 --> 00:21:52,840
Speaker 2: that even a neophyte like myself can go, Wow, that

465
00:21:52,880 --> 00:21:53,600
Speaker 2: wasn't even close.

466
00:21:53,840 --> 00:21:55,840
Speaker 1: But the other judges also gave eight. So this was

467
00:21:55,880 --> 00:21:57,560
Speaker 1: the highest score of the season at this point in

468
00:21:57,600 --> 00:21:57,920
Speaker 1: the night.

469
00:21:58,359 --> 00:22:01,600
Speaker 3: Oh gave nine. It was it was for nines, right, no, no, no, no, no, no,

470
00:22:01,760 --> 00:22:02,960
Speaker 3: it's nine eight.

471
00:22:03,520 --> 00:22:06,000
Speaker 1: That's right. So they were all pretty high, like nobody

472
00:22:06,160 --> 00:22:09,639
Speaker 1: you know, it's but again, why what is Carrie Anne

473
00:22:09,680 --> 00:22:13,600
Speaker 1: seeing to where during Roberts it's three nines and she

474
00:22:13,640 --> 00:22:15,520
Speaker 1: gives an eight and this time it's one nine and

475
00:22:15,560 --> 00:22:16,119
Speaker 1: three eighths?

476
00:22:16,160 --> 00:22:18,520
Speaker 2: Like are the three of them wrong? And she's right,

477
00:22:20,080 --> 00:22:22,560
Speaker 2: I don't know. I just don't get the scoring. That's

478
00:22:22,600 --> 00:22:24,679
Speaker 2: what it comes down to. I don't get the scoring,

479
00:22:24,720 --> 00:22:26,120
Speaker 2: and I don't get a lot of the feedback.

480
00:22:26,320 --> 00:22:27,840
Speaker 1: She said at one point in the night that she

481
00:22:27,960 --> 00:22:32,280
Speaker 1: doesn't have kids. Right, yes, okay, to Robert is doing

482
00:22:32,320 --> 00:22:35,119
Speaker 1: to dance about his mother, it's that he's doing a

483
00:22:35,200 --> 00:22:37,640
Speaker 1: dance about her as a dance about her husband and partnership.

484
00:22:37,800 --> 00:22:40,200
Speaker 1: Because of the inverse scores, right, they got She gave

485
00:22:40,280 --> 00:22:42,560
Speaker 1: eight and then they gave they gave nines to Robert

486
00:22:42,960 --> 00:22:45,000
Speaker 1: and then this case she gave nine and they gave eight.

487
00:22:45,040 --> 00:22:47,119
Speaker 2: But I don't think Sarrenk has kids either, and he's

488
00:22:47,160 --> 00:22:49,080
Speaker 2: he's you know, well but going.

489
00:22:48,960 --> 00:22:50,639
Speaker 1: Probably danced with Roberts.

490
00:22:50,880 --> 00:22:52,680
Speaker 3: Yeah, he was like part of the he's like.

491
00:22:52,680 --> 00:22:54,280
Speaker 1: He said, he's like part of the family. I'm so

492
00:22:54,359 --> 00:22:54,760
Speaker 1: proud of you.

493
00:22:54,840 --> 00:22:57,159
Speaker 3: But apparently his wife is pregnant. So that's gotta be

494
00:22:57,280 --> 00:22:57,600
Speaker 3: there you.

495
00:22:57,600 --> 00:23:04,200
Speaker 1: Go, there, you go. Next up Jen Affleck and Yan

496
00:23:05,040 --> 00:23:08,199
Speaker 1: and she dedicated her dance to her mom Maria. This

497
00:23:08,359 --> 00:23:12,760
Speaker 1: was the Viennese waltz. You know, this was again a

498
00:23:12,800 --> 00:23:16,639
Speaker 1: tough act to follow. Yeah, I thought this was fine.

499
00:23:17,520 --> 00:23:19,320
Speaker 1: I kind of like a Viennese waltz. I don't know

500
00:23:19,320 --> 00:23:20,640
Speaker 1: what that is, but I kind of liked.

501
00:23:20,600 --> 00:23:22,159
Speaker 3: This different than a Viennese coffee, which is what.

502
00:23:22,320 --> 00:23:26,640
Speaker 1: Yeah. And I wasn't sure about any of the technicality

503
00:23:26,720 --> 00:23:29,040
Speaker 1: regarding this dance, you know, because it wasn't contemporary. It's

504
00:23:29,080 --> 00:23:30,679
Speaker 1: like I sort of have to reset my brain of

505
00:23:30,680 --> 00:23:32,480
Speaker 1: like what am I judging? What am I you know,

506
00:23:32,520 --> 00:23:36,040
Speaker 1: thinking about? And I don't know, it seemed great, you know.

507
00:23:36,280 --> 00:23:38,800
Speaker 2: But here's here's what I'm gonna say, and it's gonna

508
00:23:38,800 --> 00:23:40,800
Speaker 2: sound mean, and I swear to God, I don't mean

509
00:23:40,840 --> 00:23:42,840
Speaker 2: it to come off as mean in any way, shape

510
00:23:42,880 --> 00:23:44,399
Speaker 2: or form. It's just how I feel because it happened

511
00:23:44,400 --> 00:23:48,639
Speaker 2: again last night. She was totally fine. I constantly forget

512
00:23:48,680 --> 00:23:51,919
Speaker 2: she's on the show. Yeah, Like she pops on and

513
00:23:51,960 --> 00:23:54,400
Speaker 2: I'm like, oh, that's right, she's on the show, right.

514
00:23:54,440 --> 00:23:56,480
Speaker 2: And I'm not saying that as to be mean to her.

515
00:23:56,480 --> 00:24:01,640
Speaker 2: She's just a little bit forgettable everything else going on

516
00:24:01,720 --> 00:24:04,320
Speaker 2: around her, and she seems like a perfectly lovely person,

517
00:24:04,359 --> 00:24:07,960
Speaker 2: and her story is very captivating, and the dance was fine.

518
00:24:08,040 --> 00:24:10,320
Speaker 2: But even as I'm sitting here, I saw it live

519
00:24:10,560 --> 00:24:12,360
Speaker 2: and I saw it last night on TV, and I

520
00:24:12,480 --> 00:24:14,640
Speaker 2: kind of can't remember what it was right.

521
00:24:15,080 --> 00:24:18,160
Speaker 1: But imagine if she was an actor from a sitcom

522
00:24:18,359 --> 00:24:20,320
Speaker 1: or had done a show that you would watched, she'd

523
00:24:20,359 --> 00:24:23,880
Speaker 1: be brilliant. That's the thing from me, from our point

524
00:24:23,880 --> 00:24:25,520
Speaker 1: of view, I don't know who she is until we

525
00:24:25,520 --> 00:24:27,560
Speaker 1: started watching the show, and I don't know if she

526
00:24:27,680 --> 00:24:30,920
Speaker 1: has the kind of career that like someone like Danielle

527
00:24:31,000 --> 00:24:33,680
Speaker 1: does or Andy Richter, you know, where you're like watching

528
00:24:33,800 --> 00:24:36,080
Speaker 1: somebody who you can be involved with as a person

529
00:24:36,600 --> 00:24:39,320
Speaker 1: do something very difficult. In this case, I'm like, you're

530
00:24:39,359 --> 00:24:42,920
Speaker 1: a mom of many children and you just had a kid.

531
00:24:43,040 --> 00:24:44,760
Speaker 1: That's cool. But yeah, you're right, I don't have a

532
00:24:44,800 --> 00:24:46,760
Speaker 1: personal connection to her. I don't know when she does

533
00:24:46,760 --> 00:24:50,520
Speaker 1: a good technical dance because she didn't choose as like,

534
00:24:50,680 --> 00:24:52,480
Speaker 1: you know, is her mom, which was great, Yeah, but

535
00:24:52,480 --> 00:24:56,080
Speaker 1: it didn't draw me in the same way emotionally story

536
00:24:56,080 --> 00:24:58,840
Speaker 1: wise that the previous dance. Who I also, I don't

537
00:24:58,880 --> 00:25:01,800
Speaker 1: know who Whitney is before this show, but that story

538
00:25:01,920 --> 00:25:03,600
Speaker 1: and the way she was able to convey it with

539
00:25:03,640 --> 00:25:05,880
Speaker 1: the dance between her and her husband really drew me in.

540
00:25:06,240 --> 00:25:07,280
Speaker 1: So it really stood out.

541
00:25:07,880 --> 00:25:09,880
Speaker 2: Yeah, I just it was fine. It was fine, and

542
00:25:10,000 --> 00:25:12,359
Speaker 2: I'm sure she's perfectly lovely. I've just just kind of

543
00:25:12,400 --> 00:25:13,040
Speaker 2: lost in the pack.

544
00:25:13,240 --> 00:25:15,200
Speaker 1: But I think exactly, and I think she's probably gonna

545
00:25:15,200 --> 00:25:18,520
Speaker 1: be in the bottom. I think, so I think this,

546
00:25:18,640 --> 00:25:21,159
Speaker 1: you know, this was a chance for her to potentially

547
00:25:21,240 --> 00:25:25,120
Speaker 1: really involve us in and make her her story more memorable,

548
00:25:25,160 --> 00:25:26,960
Speaker 1: and instead it was like, she did a good technical

549
00:25:27,040 --> 00:25:30,400
Speaker 1: dance and it was great, So we'll see, we'll see.

550
00:25:30,480 --> 00:25:33,879
Speaker 1: I mean, I was really kind of like annoyed that

551
00:25:33,880 --> 00:25:35,520
Speaker 1: they didn't do any eliminations this week.

552
00:25:36,320 --> 00:25:37,560
Speaker 2: I'm so glad it didn't happen.

553
00:25:37,600 --> 00:25:38,399
Speaker 3: Oh go I was.

554
00:25:38,680 --> 00:25:42,760
Speaker 2: I was a nervous wreck. Yeah, I'm sitting there watching

555
00:25:42,760 --> 00:25:44,920
Speaker 2: them all. They're three feet from me. They don't know

556
00:25:44,960 --> 00:25:47,360
Speaker 2: if they're going home. When she finally finished, I said

557
00:25:47,359 --> 00:25:50,399
Speaker 2: to Danielle, you can't. I know this is not about me,

558
00:25:50,480 --> 00:25:52,080
Speaker 2: but you can't do this to me anymore. I don't

559
00:25:52,080 --> 00:25:52,840
Speaker 2: know if I'm gonna able to.

560
00:25:52,800 --> 00:25:53,439
Speaker 3: Make it through the end.

561
00:25:53,520 --> 00:25:57,439
Speaker 2: Like it's so, I'm sitting there like shaking with anticipation.

562
00:25:57,520 --> 00:25:59,080
Speaker 3: Oh it was awful. It was awful.

563
00:25:59,600 --> 00:26:02,239
Speaker 1: Yeah, but why do you think they didn't do it

564
00:26:02,280 --> 00:26:04,119
Speaker 1: just because it was so emotional? They didn't want to

565
00:26:04,200 --> 00:26:05,440
Speaker 1: judge anybody based.

566
00:26:05,200 --> 00:26:07,720
Speaker 2: On I think it's one of those things. And producer

567
00:26:08,080 --> 00:26:09,440
Speaker 2: Taram I have said this to me. I don't know

568
00:26:09,440 --> 00:26:11,480
Speaker 2: if somebody said this mean it's true. It's like they

569
00:26:11,480 --> 00:26:14,119
Speaker 2: don't want to send you home on the possibility that

570
00:26:14,160 --> 00:26:16,720
Speaker 2: it was your husband or your wife or your mom

571
00:26:16,800 --> 00:26:19,760
Speaker 2: that made the mistake right where it's like, you know, hey,

572
00:26:19,840 --> 00:26:21,640
Speaker 2: how do you judge somebody who dances with a five

573
00:26:21,720 --> 00:26:23,760
Speaker 2: year old girl and say the dance wasn't any good.

574
00:26:23,960 --> 00:26:26,520
Speaker 3: It's so true, so you can't you can't, Like, so

575
00:26:26,600 --> 00:26:26,920
Speaker 3: do they?

576
00:26:27,040 --> 00:26:29,639
Speaker 1: But they do Dedication Night every season? Do they always

577
00:26:29,680 --> 00:26:30,440
Speaker 1: avoid elimination?

578
00:26:30,520 --> 00:26:32,600
Speaker 2: That's what I asked too, And I think they kind

579
00:26:32,600 --> 00:26:35,800
Speaker 2: of don't, you know, don't do anything, because Jensen said

580
00:26:35,800 --> 00:26:37,280
Speaker 2: to me is like, I was so nervous. I go,

581
00:26:37,320 --> 00:26:38,480
Speaker 2: who do you think is gonna go? He's like, oh,

582
00:26:38,480 --> 00:26:40,480
Speaker 2: we're ninety nine percent sure no one's going home tonight.

583
00:26:40,520 --> 00:26:40,960
Speaker 3: I was like what.

584
00:26:41,440 --> 00:26:44,000
Speaker 2: He's like, yeah, Dedication Night. They don't normally send anybody home,

585
00:26:44,000 --> 00:26:45,840
Speaker 2: but they didn't know. And then as they start reading

586
00:26:45,840 --> 00:26:48,600
Speaker 2: the results, he's like, maybe we're wrong, And I was like,

587
00:26:48,640 --> 00:26:52,200
Speaker 2: oh god, so, but no, I think that's kind of

588
00:26:52,200 --> 00:26:53,520
Speaker 2: the norm that they don't send anybody.

589
00:26:53,560 --> 00:26:55,960
Speaker 5: Well, this was also the first year that the person

590
00:26:56,000 --> 00:27:01,880
Speaker 5: they're dedicating to is actually involved, really there, Yeah, these

591
00:27:01,920 --> 00:27:02,480
Speaker 5: years like.

592
00:27:02,480 --> 00:27:06,400
Speaker 4: You didn't have you didn't have like Lisa and Alisa

593
00:27:06,400 --> 00:27:09,120
Speaker 4: and Walter doing a full dance, or you didn't have.

594
00:27:10,040 --> 00:27:12,440
Speaker 1: So yeah, that's why they want to do it. They couldn't.

595
00:27:13,160 --> 00:27:15,520
Speaker 4: They could have like if like if Andy went home

596
00:27:15,960 --> 00:27:19,800
Speaker 4: and his daughter, you know, she's awful.

597
00:27:19,960 --> 00:27:22,600
Speaker 2: It's like, how do you I can't believe you got

598
00:27:22,600 --> 00:27:25,040
Speaker 2: me kicked off of Dancing with the Stars, you tiny

599
00:27:25,080 --> 00:27:28,520
Speaker 2: little girl, like mom, you did exactly.

600
00:27:29,000 --> 00:27:30,600
Speaker 3: So they kind of go, we're gonna have be have

601
00:27:30,600 --> 00:27:31,440
Speaker 3: a big emotional night.

602
00:27:31,480 --> 00:27:34,560
Speaker 2: Then we'll yeah, now are they gonna do it? I

603
00:27:34,560 --> 00:27:36,399
Speaker 2: wonder if they're gonna do it like they do sometimes

604
00:27:36,440 --> 00:27:39,160
Speaker 2: on some of these reality shows that I'll watch where

605
00:27:39,400 --> 00:27:42,159
Speaker 2: they won't eliminate anybody, and then the next week they

606
00:27:42,200 --> 00:27:43,200
Speaker 2: eliminate limit it too.

607
00:27:44,440 --> 00:27:48,280
Speaker 4: But also in the past we've had like different finales

608
00:27:48,280 --> 00:27:50,959
Speaker 4: where there's been a finale with five, there's been a

609
00:27:50,960 --> 00:27:55,000
Speaker 4: finale with four, so there's been in a finale with three.

610
00:27:55,280 --> 00:27:57,760
Speaker 5: So you actually don't even know what they're gonna do.

611
00:27:57,840 --> 00:27:59,560
Speaker 4: You don't know if there's gonna be a double elimination

612
00:27:59,640 --> 00:28:01,200
Speaker 4: at some point before the finale.

613
00:28:01,400 --> 00:28:03,880
Speaker 3: Okay, oh my god, it's is just I can't do it.

614
00:28:04,200 --> 00:28:07,280
Speaker 2: That's what the Stars sponsored by Adavan. I can't.

615
00:28:07,320 --> 00:28:09,280
Speaker 3: I can't do this anymore. God.

616
00:28:21,960 --> 00:28:26,320
Speaker 1: Jen and Jan got eight seven seven seven.

617
00:28:29,320 --> 00:28:31,400
Speaker 3: Yeah, yeah, yeah, yeah.

618
00:28:31,640 --> 00:28:33,000
Speaker 1: In fact, a little nice.

619
00:28:33,000 --> 00:28:34,800
Speaker 2: I thought maybe could have been seven.

620
00:28:34,960 --> 00:28:38,040
Speaker 1: My assumption is that the technicality of the Viennese waltz

621
00:28:38,120 --> 00:28:40,520
Speaker 1: was was good in order to be maybe yeah, maybe

622
00:28:40,880 --> 00:28:47,680
Speaker 1: maybe all right, next up Dylan Ephron and Daniella. He

623
00:28:47,760 --> 00:28:52,200
Speaker 1: dedicated it to his little sister Olivia, who's tiny, so cute.

624
00:28:52,560 --> 00:28:54,280
Speaker 1: But she talked in the pre show package. I was like,

625
00:28:54,320 --> 00:28:56,520
Speaker 1: why does she talk like a thirty five year old woman?

626
00:28:57,560 --> 00:28:59,320
Speaker 1: Did you notice that? I was like, no, Oh, this

627
00:28:59,440 --> 00:29:04,760
Speaker 1: kid she had such like oh my god, this kid's

628
00:29:04,840 --> 00:29:07,040
Speaker 1: like God, it was so cute. I was like, oh

629
00:29:07,120 --> 00:29:09,280
Speaker 1: my gosh, she's Yeah, there's something about the way she spoke.

630
00:29:09,320 --> 00:29:13,240
Speaker 1: I was like, you're you're you're not five? Yeah, yeah,

631
00:29:13,240 --> 00:29:15,760
Speaker 1: maybe a kid acting just runs in the jeans. It

632
00:29:15,960 --> 00:29:16,960
Speaker 1: was pretty incredible.

633
00:29:17,920 --> 00:29:20,600
Speaker 2: He is so likable, it's horrible.

634
00:29:21,240 --> 00:29:23,680
Speaker 1: Yeah, dude, this was I mean, like I didn't think

635
00:29:23,680 --> 00:29:26,240
Speaker 1: it could get better than Robert or when No. I mean,

636
00:29:26,360 --> 00:29:29,360
Speaker 1: I've said since the beginning, Daniella is the best dancer

637
00:29:29,360 --> 00:29:32,280
Speaker 1: in the whole bunch. And this was insane. Like there

638
00:29:32,280 --> 00:29:34,400
Speaker 1: were moments in this dance where it felt like she

639
00:29:34,760 --> 00:29:37,560
Speaker 1: wasn't a human being. It was like she was flying

640
00:29:37,680 --> 00:29:40,480
Speaker 1: around him. It was like she had this like magical

641
00:29:40,600 --> 00:29:42,960
Speaker 1: flight ability. It was like she was levitating.

642
00:29:43,160 --> 00:29:45,560
Speaker 2: It was insane, it was magic.

643
00:29:45,640 --> 00:29:47,160
Speaker 1: I was like, yeah, it felt like she had put

644
00:29:47,200 --> 00:29:50,720
Speaker 1: on like a magical dress that was like lifting it

645
00:29:50,840 --> 00:29:53,120
Speaker 1: up and throwing her. I was like, and then he

646
00:29:53,240 --> 00:29:55,720
Speaker 1: was just so stable and like when they did the

647
00:29:55,760 --> 00:29:59,760
Speaker 1: big lift, I was like, oh my god, this is yeah,

648
00:29:59,760 --> 00:30:02,280
Speaker 1: this this is incredible. Yeah, he's also in the room.

649
00:30:02,600 --> 00:30:04,240
Speaker 3: It was that good. It started.

650
00:30:04,280 --> 00:30:08,480
Speaker 2: So during rehearsal, he did the uh Like they were

651
00:30:08,520 --> 00:30:10,719
Speaker 2: just kind of running around the stage like everybody kind

652
00:30:10,720 --> 00:30:12,280
Speaker 2: of runs around the stage. They're kind of practicing a

653
00:30:12,320 --> 00:30:15,280
Speaker 2: little bit, and the two of them just had this

654
00:30:15,360 --> 00:30:17,360
Speaker 2: quick burst of speed where they did the giant burst

655
00:30:17,360 --> 00:30:18,640
Speaker 2: in the twist and soon and I looked at each

656
00:30:18,640 --> 00:30:21,640
Speaker 2: other like, what the hell was that? And then the

657
00:30:21,720 --> 00:30:24,320
Speaker 2: dance started and it was so good. And the little

658
00:30:24,320 --> 00:30:26,280
Speaker 2: girl runs right off like if you watch the thing,

659
00:30:26,360 --> 00:30:28,959
Speaker 2: she runs right to me, Like she literally runs right

660
00:30:29,120 --> 00:30:30,960
Speaker 2: right and falls right in front of me. She jumps

661
00:30:30,960 --> 00:30:32,240
Speaker 2: off the stage and falls. It was the cutest thing.

662
00:30:32,400 --> 00:30:33,760
Speaker 2: She like got up with the giggle. Was the cutest

663
00:30:33,800 --> 00:30:37,720
Speaker 2: thing in the world. But he is also to me

664
00:30:38,800 --> 00:30:43,520
Speaker 2: exactly what this show is about. Whereas you go watch

665
00:30:43,560 --> 00:30:46,960
Speaker 2: his first episode and he's likable and personable, but he's

666
00:30:47,000 --> 00:30:49,640
Speaker 2: stiff and doesn't know what he's doing. He's like a

667
00:30:49,800 --> 00:30:53,800
Speaker 2: dancer now. I mean, he looked so good out there.

668
00:30:54,040 --> 00:30:58,000
Speaker 2: He's obviously out of his own head. He's enjoying learning

669
00:30:58,080 --> 00:31:00,360
Speaker 2: the techniques, and the two of them together are just

670
00:31:00,400 --> 00:31:01,000
Speaker 2: shredding it.

671
00:31:01,000 --> 00:31:01,560
Speaker 3: It's great.

672
00:31:01,960 --> 00:31:04,360
Speaker 2: Hey, I still think Robert Irwin is in the number

673
00:31:04,360 --> 00:31:06,600
Speaker 2: one position. I think I think he solidified it with

674
00:31:06,640 --> 00:31:08,920
Speaker 2: this week. But I think Dylan's a real.

675
00:31:08,760 --> 00:31:10,120
Speaker 3: Close second at this point.

676
00:31:10,320 --> 00:31:10,560
Speaker 1: Yep.

677
00:31:10,880 --> 00:31:13,120
Speaker 2: That's I mean, that's my I think he's just he

678
00:31:13,280 --> 00:31:17,080
Speaker 2: was so good and she was adorable, and it was

679
00:31:17,360 --> 00:31:19,560
Speaker 2: just this was this was kind of a magical moment

680
00:31:19,640 --> 00:31:20,080
Speaker 2: of the night.

681
00:31:20,120 --> 00:31:22,680
Speaker 1: And I think the match of Dylan and Daniella too

682
00:31:22,760 --> 00:31:26,800
Speaker 1: is really key. Like he's bringing exactly the right energy

683
00:31:27,200 --> 00:31:29,479
Speaker 1: for her form of dance. Like they're just working so

684
00:31:29,640 --> 00:31:31,880
Speaker 1: well together and you can tell they just get along

685
00:31:32,000 --> 00:31:35,320
Speaker 1: and they're on the same page. And yeah, I thought

686
00:31:35,360 --> 00:31:37,880
Speaker 1: this was I mean, you cut nines across the board

687
00:31:38,160 --> 00:31:41,080
Speaker 1: and rightfully so, I mean it would beat the best

688
00:31:41,120 --> 00:31:42,959
Speaker 1: score of the season. Yeah, yeah, it was.

689
00:31:43,000 --> 00:31:43,560
Speaker 3: It was great.

690
00:31:43,760 --> 00:31:47,080
Speaker 2: I mean it great, And he is just again, he's

691
00:31:47,240 --> 00:31:50,560
Speaker 2: so he's got this infectious smile about it. Where I

692
00:31:50,600 --> 00:31:52,080
Speaker 2: told you we were got to be in the VIP

693
00:31:52,200 --> 00:31:55,280
Speaker 2: section backstage while we didn't meet him. I just didn't

694
00:31:55,320 --> 00:31:57,120
Speaker 2: want to mess with any of the dancers or any

695
00:31:57,120 --> 00:31:58,120
Speaker 2: of that kind of stuff. You don't want to get

696
00:31:58,120 --> 00:32:00,640
Speaker 2: in anybody's head. Danielle of course, is running around saying everybody,

697
00:32:00,640 --> 00:32:03,680
Speaker 2: and she's just has such poise it's horrifying. But I

698
00:32:03,800 --> 00:32:06,440
Speaker 2: just kept seeing Dylan around the area. He smiles the

699
00:32:06,480 --> 00:32:09,720
Speaker 2: whole time he was. It wasn't like he's not putting

700
00:32:09,760 --> 00:32:12,200
Speaker 2: this on. He's just got a giant smile and a

701
00:32:12,240 --> 00:32:12,800
Speaker 2: good dude.

702
00:32:13,680 --> 00:32:16,320
Speaker 1: And committing to the challenge that he's been faced with

703
00:32:16,480 --> 00:32:17,200
Speaker 1: and working.

704
00:32:17,760 --> 00:32:21,120
Speaker 2: It's great, killing it and killing it. Yeah, he's so likable.

705
00:32:21,360 --> 00:32:23,840
Speaker 2: That's why every reality show wants him. And people are

706
00:32:23,880 --> 00:32:27,000
Speaker 2: just gonna start throwing money at this guy because it's like,

707
00:32:27,040 --> 00:32:29,120
Speaker 2: please please wrap my product, please do this.

708
00:32:29,080 --> 00:32:29,520
Speaker 1: Please do that.

709
00:32:29,520 --> 00:32:31,760
Speaker 3: Because he's just so damn likable, you know.

710
00:32:31,800 --> 00:32:34,960
Speaker 1: And also he's clearly physically capable in a way, like

711
00:32:35,000 --> 00:32:37,640
Speaker 1: I mean, he's been rock climbing, he's younger, he's just

712
00:32:37,880 --> 00:32:41,360
Speaker 1: he clearly can can rise to this challenge physically in

713
00:32:41,400 --> 00:32:42,240
Speaker 1: a way that like.

714
00:32:42,360 --> 00:32:43,320
Speaker 2: Andy Richter can't.

715
00:32:43,680 --> 00:32:46,880
Speaker 1: Right, It's like, yeah, that's fine, but like he's becoming

716
00:32:46,960 --> 00:32:50,520
Speaker 1: a professional dancer in the course of this, which is understandable.

717
00:32:50,560 --> 00:32:53,040
Speaker 2: Like he seems like one of those yeah, like one

718
00:32:53,080 --> 00:32:55,280
Speaker 2: of those guys where if there's he'll be good at

719
00:32:55,360 --> 00:32:58,160
Speaker 2: anything that physicality is involved in. He's that guy where

720
00:32:58,200 --> 00:33:00,080
Speaker 2: it's like, I've never shot a bow and arrow in

721
00:33:00,120 --> 00:33:01,360
Speaker 2: my life, and by the end of the day, I'm

722
00:33:01,440 --> 00:33:03,200
Speaker 2: hitting the bulls eye nine out of ten times. He

723
00:33:03,240 --> 00:33:05,400
Speaker 2: seems like that kind of got up to me and

724
00:33:05,440 --> 00:33:07,040
Speaker 2: he's he's just yeah, he's killing it.

725
00:33:07,280 --> 00:33:10,360
Speaker 1: Then we had Julianne, the host, do a dance with

726
00:33:10,400 --> 00:33:12,719
Speaker 1: the other professional dancers, which is good to see. I

727
00:33:12,800 --> 00:33:14,640
Speaker 1: was like, oh, it was like yeah.

728
00:33:15,160 --> 00:33:16,080
Speaker 2: And this is where Rusty.

729
00:33:16,720 --> 00:33:18,600
Speaker 3: Rusty leaned over and he's like why why, Why is

730
00:33:18,600 --> 00:33:19,800
Speaker 3: everybody excited? What's going on?

731
00:33:19,800 --> 00:33:20,440
Speaker 1: Why do we care?

732
00:33:20,760 --> 00:33:23,640
Speaker 2: And I'm like, well, Julianne's the host, and so he said,

733
00:33:23,640 --> 00:33:24,960
Speaker 2: He's like, who's on. I'm like, oh, she's the host,

734
00:33:24,960 --> 00:33:26,240
Speaker 2: and I don't think she's dancing in a while. So

735
00:33:26,240 --> 00:33:27,120
Speaker 2: she's gonna dance with the.

736
00:33:27,120 --> 00:33:29,680
Speaker 3: Whole kind of troup. And he's like, oh, right, oh, okay,

737
00:33:29,640 --> 00:33:30,200
Speaker 3: that makes sense.

738
00:33:30,040 --> 00:33:31,920
Speaker 2: Because are we standing again. I'm like, I don't know.

739
00:33:31,960 --> 00:33:33,240
Speaker 2: I think we'll probably stand.

740
00:33:33,000 --> 00:33:36,560
Speaker 3: And clap, I think, so you should care, you should

741
00:33:36,560 --> 00:33:38,560
Speaker 3: care y He was just like, why is there? Why

742
00:33:38,560 --> 00:33:39,760
Speaker 3: does everybody care? What am I missing?

743
00:33:40,080 --> 00:33:40,160
Speaker 2: So?

744
00:33:40,520 --> 00:33:42,120
Speaker 3: But yeah, it was. It was cool to see her dance,

745
00:33:42,120 --> 00:33:43,440
Speaker 3: and she's obviously phenomenal.

746
00:33:43,480 --> 00:33:45,120
Speaker 2: I mean I had no idea because I'd never seen

747
00:33:45,160 --> 00:33:47,280
Speaker 2: her dance before except in that movie exactly, but this

748
00:33:47,360 --> 00:33:48,120
Speaker 2: is she was great.

749
00:33:48,640 --> 00:33:49,480
Speaker 3: So yeah, it was.

750
00:33:49,720 --> 00:33:53,479
Speaker 2: It was cool to watch five incredibly beautiful women in

751
00:33:53,600 --> 00:33:56,760
Speaker 2: really beautiful flowing dresses doing a really really beautiful dance.

752
00:33:56,760 --> 00:33:59,520
Speaker 2: I mean aesthetically, there was nothing that was not pleasing

753
00:33:59,520 --> 00:34:01,760
Speaker 2: about watch live or on TV.

754
00:34:03,400 --> 00:34:07,400
Speaker 1: Next up was Jordan and Ezra your favorite but some

755
00:34:07,440 --> 00:34:08,840
Speaker 1: of your favorites, right man?

756
00:34:09,200 --> 00:34:09,560
Speaker 3: Really?

757
00:34:09,719 --> 00:34:12,880
Speaker 1: Yeah? I just love her. Yeah, you know, I just

758
00:34:12,920 --> 00:34:16,920
Speaker 1: think that she's because she could like so easily. Like

759
00:34:16,960 --> 00:34:19,560
Speaker 1: even my dad, who hadn't seen anything since the first episode,

760
00:34:19,680 --> 00:34:22,320
Speaker 1: was like, isn't she a gymnast? Shouldn't she be like

761
00:34:22,360 --> 00:34:25,319
Speaker 1: flipping around? And I was like, no, she's she's trying

762
00:34:25,360 --> 00:34:28,640
Speaker 1: to do something different here, you know. And for me,

763
00:34:28,760 --> 00:34:31,520
Speaker 1: what's really struck, like what's really struck me about Jordan

764
00:34:31,719 --> 00:34:34,880
Speaker 1: is like when they stand next to each other, you

765
00:34:34,920 --> 00:34:37,720
Speaker 1: can see this height difference that's just insane, right crazy,

766
00:34:37,719 --> 00:34:40,960
Speaker 1: But when they're dancing, it never occurs to me. And

767
00:34:41,000 --> 00:34:45,360
Speaker 1: what I was watching her this time, Her arms are incredible.

768
00:34:45,400 --> 00:34:48,600
Speaker 1: She's using her arms compared to how she started, she

769
00:34:48,760 --> 00:34:52,680
Speaker 1: is now making She's accentuating every one of her moves perfectly.

770
00:34:52,760 --> 00:34:55,239
Speaker 1: And that's not a gymnast thing. I mean, obviously it's

771
00:34:55,520 --> 00:34:57,560
Speaker 1: a strength thing, but it's an elegance. It's a and

772
00:34:57,880 --> 00:35:00,680
Speaker 1: I think the judges called it her musicality that's getting better.

773
00:35:00,800 --> 00:35:05,239
Speaker 1: And I'm like, yes, because she clearly has the physical capability,

774
00:35:05,400 --> 00:35:07,759
Speaker 1: but you know, to be able to be expressive with

775
00:35:07,800 --> 00:35:12,239
Speaker 1: your arms and to tell a story and to you know,

776
00:35:12,440 --> 00:35:16,280
Speaker 1: just not to just be a dancer. It was incredible. Yeah,

777
00:35:16,280 --> 00:35:18,520
Speaker 1: so I thought this was great. I love seeing her

778
00:35:18,600 --> 00:35:22,759
Speaker 1: dad involved and like, yeah, she did more than half

779
00:35:22,800 --> 00:35:23,800
Speaker 1: the dance with her dad.

780
00:35:24,480 --> 00:35:26,360
Speaker 2: Yeah. I found this again. I liked the story. I

781
00:35:26,480 --> 00:35:26,719
Speaker 2: like her.

782
00:35:26,800 --> 00:35:29,320
Speaker 3: I found this a little boring if I'm honest.

783
00:35:29,719 --> 00:35:31,359
Speaker 2: Yeah, with all the other stuff we kind of saw

784
00:35:31,360 --> 00:35:32,880
Speaker 2: in the night, I was kind of like, Okay, it

785
00:35:32,960 --> 00:35:36,040
Speaker 2: was a dance, Like it wasn't bad certainly technically was

786
00:35:36,040 --> 00:35:39,080
Speaker 2: was very pretty. She's so graceful, the way she moves

787
00:35:39,280 --> 00:35:42,440
Speaker 2: She obviously is completely in touch with every aspect of

788
00:35:42,480 --> 00:35:44,839
Speaker 2: her body and knows how to move it, and I

789
00:35:44,960 --> 00:35:47,080
Speaker 2: just I found it a little just a little bit

790
00:35:47,080 --> 00:35:48,520
Speaker 2: boring for me this week.

791
00:35:48,560 --> 00:35:50,320
Speaker 1: All right, So you would have it got eight's across

792
00:35:50,320 --> 00:35:51,319
Speaker 1: the board, you would have given it.

793
00:35:51,320 --> 00:35:56,200
Speaker 2: Less No, No, probably not, because the technicality was there.

794
00:35:56,239 --> 00:35:57,759
Speaker 2: I probably would have given it the same score, but

795
00:35:57,800 --> 00:35:59,600
Speaker 2: it was just a little kind of forgettable for me

796
00:35:59,680 --> 00:36:01,879
Speaker 2: this week, right right, Yeah, I don't think I would

797
00:36:01,880 --> 00:36:03,120
Speaker 2: have changed the score. I don't think it was it

798
00:36:03,200 --> 00:36:05,479
Speaker 2: deserved a seven. I think it deserved eights across the board.

799
00:36:05,680 --> 00:36:08,360
Speaker 2: I think that's that's right about where she would definitely

800
00:36:08,440 --> 00:36:11,880
Speaker 2: was not Dylan. She definitely was not Robert so I

801
00:36:12,040 --> 00:36:16,080
Speaker 2: who is exactly Yeah, exactly exactly. Well Whitney, you know,

802
00:36:16,440 --> 00:36:19,480
Speaker 2: or you know, any given week, you never know. So

803
00:36:19,560 --> 00:36:22,120
Speaker 2: it's one of those things where, yeah, this one to

804
00:36:22,160 --> 00:36:23,879
Speaker 2: me was a little like Okay, there was a dance.

805
00:36:24,480 --> 00:36:27,239
Speaker 1: Yeah, the judges commented on how much of a risk

806
00:36:27,280 --> 00:36:29,480
Speaker 1: it was to involve her dad as much as they did,

807
00:36:30,520 --> 00:36:33,480
Speaker 1: and I appreciated that too. It was like, yeah, like

808
00:36:33,560 --> 00:36:36,920
Speaker 1: this is cool for Ezra to you know, because he

809
00:36:36,960 --> 00:36:40,120
Speaker 1: got emotional the pre show packets his father, and so

810
00:36:40,160 --> 00:36:42,120
Speaker 1: I found it super interesting that he was like, you

811
00:36:42,160 --> 00:36:44,040
Speaker 1: know what, I'm gonna let this be there the thing

812
00:36:44,239 --> 00:36:47,239
Speaker 1: and let this guy, who you know, isn't part of

813
00:36:47,239 --> 00:36:50,799
Speaker 1: the competition kind of take over and just be a

814
00:36:50,920 --> 00:36:57,640
Speaker 1: dad in the dance itself. And similar to the Whitney's

815
00:36:57,800 --> 00:36:59,799
Speaker 1: story with her husband, it was like, Oh, the dance

816
00:36:59,840 --> 00:37:02,239
Speaker 1: it's self is kind of telling the story of this

817
00:37:02,320 --> 00:37:05,280
Speaker 1: relationship in a way that is really beautiful.

818
00:37:06,040 --> 00:37:08,359
Speaker 2: By the way, before we go any further, who would

819
00:37:08,440 --> 00:37:09,600
Speaker 2: you dedicate your dance to?

820
00:37:12,239 --> 00:37:15,080
Speaker 1: I mean, is there a way that I could not dance?

821
00:37:15,200 --> 00:37:19,879
Speaker 2: But you you wake up in your hell and you've

822
00:37:19,920 --> 00:37:21,120
Speaker 2: got dedication night.

823
00:37:22,239 --> 00:37:23,640
Speaker 3: Who do you dedicate it to?

824
00:37:24,400 --> 00:37:26,760
Speaker 1: I have no idea. Do you have an answer?

825
00:37:27,000 --> 00:37:28,799
Speaker 3: Yeah, I mean I would. I would certainly dedicate to

826
00:37:28,800 --> 00:37:29,160
Speaker 3: my wife.

827
00:37:30,400 --> 00:37:32,839
Speaker 2: Yeah, but see I also don't have children, I don't,

828
00:37:32,880 --> 00:37:37,000
Speaker 2: you know, so it's like physically wouldn't be able to

829
00:37:37,040 --> 00:37:40,160
Speaker 2: do it, so it would be yeah, I would.

830
00:37:40,280 --> 00:37:41,400
Speaker 3: I would dedicate it to Susan.

831
00:37:41,800 --> 00:37:46,320
Speaker 1: I mean, Indy does. He is actually a very good dancer.

832
00:37:47,280 --> 00:37:49,600
Speaker 1: He doesn't do it, but when he dances, it's like

833
00:37:49,640 --> 00:37:51,759
Speaker 1: he's good. Oh my god, dude, like you should be

834
00:37:51,800 --> 00:37:53,960
Speaker 1: doing this all the time, so that could be fun,

835
00:37:54,040 --> 00:37:56,240
Speaker 1: just to dedicate something to him and let him go crazy.

836
00:37:56,440 --> 00:37:59,640
Speaker 1: Alex is also a very good dancer. Yeah Alex, Alex

837
00:37:59,680 --> 00:37:59,880
Speaker 1: has this.

838
00:38:00,360 --> 00:38:01,439
Speaker 3: She'd make you look bad.

839
00:38:02,200 --> 00:38:05,440
Speaker 1: Yeah, she probably won. But one of the things I

840
00:38:05,480 --> 00:38:07,799
Speaker 1: love about my wife more than anything is that she

841
00:38:07,960 --> 00:38:12,279
Speaker 1: has the ability to, like almost every wedding we go to,

842
00:38:12,760 --> 00:38:16,520
Speaker 1: at some point she gets the entire dance floor to

843
00:38:16,640 --> 00:38:20,160
Speaker 1: do an interpretive dance with her like she does. It's

844
00:38:20,239 --> 00:38:21,279
Speaker 1: it's the greatest thing ever.

845
00:38:21,400 --> 00:38:22,680
Speaker 2: Did she do that at my wedding?

846
00:38:22,800 --> 00:38:24,560
Speaker 1: I don't know if she did. It's one of the

847
00:38:24,600 --> 00:38:26,759
Speaker 1: funniest things. And it starts off as comedy. She always

848
00:38:26,760 --> 00:38:28,799
Speaker 1: starts off as comedy. It's like she's kind of going

849
00:38:28,840 --> 00:38:31,319
Speaker 1: crazy and everybody's like, what is she doing? And by

850
00:38:31,360 --> 00:38:34,920
Speaker 1: the end she's usually involved the bride and the groom

851
00:38:35,200 --> 00:38:38,680
Speaker 1: and she gets everybody following her lead doing like time

852
00:38:38,719 --> 00:38:41,399
Speaker 1: after time as an interpretive dance, and it's like it's

853
00:38:41,440 --> 00:38:44,880
Speaker 1: half jokey, half ironic, but it's also very good and

854
00:38:44,920 --> 00:38:46,920
Speaker 1: it's and she's never planned, she does not have a

855
00:38:47,000 --> 00:38:50,520
Speaker 1: choreograph routine. She's feeling it and it's just so fun.

856
00:38:50,880 --> 00:38:53,360
Speaker 1: It works every time, and like, I just, I just

857
00:38:53,440 --> 00:38:55,320
Speaker 1: And of course I never joined in, but I'm always

858
00:38:55,360 --> 00:38:58,120
Speaker 1: just sitting back watching so proud and in love with

859
00:38:58,200 --> 00:39:00,840
Speaker 1: her expressive capabilities, you know, because she's an artist. She

860
00:39:00,880 --> 00:39:03,840
Speaker 1: can she can sing, she can act, and she can dance,

861
00:39:03,880 --> 00:39:05,759
Speaker 1: and she just does it and she brings it in

862
00:39:05,800 --> 00:39:07,600
Speaker 1: this way. So maybe I would dedicate it to her

863
00:39:07,680 --> 00:39:10,359
Speaker 1: just to let her do.

864
00:39:10,400 --> 00:39:12,759
Speaker 2: I remember her dancing at wedding, and I remember her

865
00:39:12,840 --> 00:39:15,200
Speaker 2: dancing at my wedding, but I don't remember the interpretive dancing.

866
00:39:15,239 --> 00:39:16,200
Speaker 3: So that's that's awesome.

867
00:39:16,239 --> 00:39:18,799
Speaker 1: Yeah, No, it's she She usually takes the stage for

868
00:39:18,840 --> 00:39:21,359
Speaker 1: a moment and gets everybody go. It's so fun to

869
00:39:21,360 --> 00:39:36,439
Speaker 1: watch her. It's it's an incredible skill, all right. Next

870
00:39:36,480 --> 00:39:41,520
Speaker 1: up was Scott Hoying and Riley, and he dedicated his

871
00:39:41,600 --> 00:39:44,760
Speaker 1: dance to his husband Mark. They announced that they're having

872
00:39:44,760 --> 00:39:50,480
Speaker 1: a baby, which amazing news. Yep, what a way to

873
00:39:50,520 --> 00:39:51,600
Speaker 1: pull on our heart strings.

874
00:39:51,680 --> 00:39:52,680
Speaker 3: Oh it's got brilliant.

875
00:39:54,920 --> 00:39:56,640
Speaker 2: Although I might I might have saved it for a

876
00:39:56,680 --> 00:39:59,680
Speaker 2: week where they are kicking people off. I might have

877
00:39:59,680 --> 00:40:01,279
Speaker 2: saved I don't know if they knew or not, but

878
00:40:01,320 --> 00:40:03,279
Speaker 2: I might have saved that announcement for a week when

879
00:40:03,320 --> 00:40:04,399
Speaker 2: when people are going home.

880
00:40:04,480 --> 00:40:07,280
Speaker 1: Yeah, you know, No, it was a good move, good move, Scott,

881
00:40:07,800 --> 00:40:12,680
Speaker 1: I see you. I thought, you know this this like

882
00:40:12,680 --> 00:40:14,600
Speaker 1: I've talked about how he should be wearing a suit.

883
00:40:14,640 --> 00:40:17,560
Speaker 1: He was wearing a sparkly suit. I loved their sparkles together.

884
00:40:17,680 --> 00:40:20,399
Speaker 1: I thought that was looked great. But this was hard

885
00:40:20,400 --> 00:40:23,160
Speaker 1: to follow. You know, you've had so much yep, more

886
00:40:23,200 --> 00:40:27,360
Speaker 1: expressive contemporary dancing going on. This felt a little traditional,

887
00:40:27,640 --> 00:40:29,680
Speaker 1: felt a little like yeah, sure, but he's come a

888
00:40:29,680 --> 00:40:33,239
Speaker 1: long way, like we've talked about. Yes, So I thought

889
00:40:33,400 --> 00:40:36,520
Speaker 1: this was great and a little bit of a cheat

890
00:40:36,680 --> 00:40:37,840
Speaker 1: to sing at the beginning.

891
00:40:38,120 --> 00:40:40,400
Speaker 3: And I didn't like the singing at the beginning. I

892
00:40:40,400 --> 00:40:42,600
Speaker 3: thought it was a little ante.

893
00:40:42,719 --> 00:40:44,200
Speaker 1: I was like, you got a great voice, and this

894
00:40:44,280 --> 00:40:46,480
Speaker 1: is awesome, but it's not a singing show.

895
00:40:46,760 --> 00:40:48,319
Speaker 2: Yeah, it was a little much for me, just the

896
00:40:48,320 --> 00:40:50,440
Speaker 2: whole I'm singing right to you for a song that

897
00:40:50,480 --> 00:40:53,440
Speaker 2: he wrote to him, and it's like, okay, I get it,

898
00:40:53,480 --> 00:40:55,439
Speaker 2: but it's like this is a bit it's a bit.

899
00:40:55,400 --> 00:40:58,080
Speaker 1: Much for me that I know. Yeah, I've also been

900
00:40:58,120 --> 00:41:00,759
Speaker 1: at weddings where people sing to each other at the

901
00:41:00,800 --> 00:41:03,600
Speaker 1: altar and it's the same sort of like, okay, this

902
00:41:03,680 --> 00:41:05,720
Speaker 1: is this is either should be a very private moment

903
00:41:05,920 --> 00:41:07,640
Speaker 1: or a very public moment. When you try and do

904
00:41:07,719 --> 00:41:10,000
Speaker 1: both at the same time, it's like it misses on

905
00:41:10,080 --> 00:41:13,080
Speaker 1: both counts. Yeah, maybe because you're like, this is really personal,

906
00:41:13,120 --> 00:41:15,640
Speaker 1: then I should look away or just listen to it

907
00:41:15,760 --> 00:41:18,000
Speaker 1: or something. And if it's really public, then don't be

908
00:41:18,080 --> 00:41:19,879
Speaker 1: so emotional and looking into I don't know, I get

909
00:41:19,880 --> 00:41:20,399
Speaker 1: a little like.

910
00:41:20,440 --> 00:41:20,800
Speaker 3: I get you.

911
00:41:20,960 --> 00:41:23,480
Speaker 2: It's a little just a little cringe. The singing was

912
00:41:23,480 --> 00:41:26,879
Speaker 2: a little cringey. Love the outfits, Yes, they're obviously very

913
00:41:26,960 --> 00:41:29,480
Speaker 2: much in love with each other, which shows and that's great.

914
00:41:29,840 --> 00:41:31,879
Speaker 2: And the dance was again this I put this again

915
00:41:31,920 --> 00:41:33,480
Speaker 2: with kind of the Jordan one. For me, it was

916
00:41:33,520 --> 00:41:35,839
Speaker 2: like it was fine, it was very much in the middle.

917
00:41:35,880 --> 00:41:38,160
Speaker 2: I thought of what we saw tonight, I think you're right.

918
00:41:38,200 --> 00:41:42,160
Speaker 2: After some of the dances we've seen tough act to follow.

919
00:41:42,000 --> 00:41:44,200
Speaker 1: I feel like, yeah, I feel like everybody should have

920
00:41:44,200 --> 00:41:48,279
Speaker 1: done contemporary, like across the boarder. If this many people

921
00:41:48,280 --> 00:41:51,280
Speaker 1: are gonna do it, then everybody should be completely free

922
00:41:51,320 --> 00:41:55,600
Speaker 1: to just do an emotional storytelling dance. And it's because

923
00:41:55,640 --> 00:41:59,120
Speaker 1: every time somebody did a traditional dance like including Danielle,

924
00:41:59,120 --> 00:42:01,319
Speaker 1: which we'll get to if it was like, well, come on,

925
00:42:01,480 --> 00:42:04,320
Speaker 1: like they're still playing it. They're playing a different competition,

926
00:42:04,400 --> 00:42:05,880
Speaker 1: do you know what I mean. They're in a different

927
00:42:05,960 --> 00:42:08,840
Speaker 1: thing and they're doing that really well. But because of

928
00:42:08,880 --> 00:42:11,680
Speaker 1: everything else that's happening tonight, it's like, oh God, like

929
00:42:11,719 --> 00:42:12,440
Speaker 1: they don't stand it.

930
00:42:12,480 --> 00:42:16,360
Speaker 2: Yeah, I don't get why, and I can understand both arguments.

931
00:42:16,400 --> 00:42:19,920
Speaker 2: But if I was running the show, everybody would do

932
00:42:19,960 --> 00:42:22,240
Speaker 2: the Fox trot on one night. Everybody would do contemporary

933
00:42:22,280 --> 00:42:25,320
Speaker 2: one night everybody, and then you're judging everybody can't.

934
00:42:25,200 --> 00:42:29,200
Speaker 1: Judge them accordingly because you could see the same. Dude,

935
00:42:29,239 --> 00:42:31,600
Speaker 1: that makes so much sense to me. I agree, that

936
00:42:31,719 --> 00:42:35,239
Speaker 1: is a great call. I wish they just yeah, like

937
00:42:35,480 --> 00:42:38,720
Speaker 1: as opposed to like picking themes like Disney or whatever.

938
00:42:39,280 --> 00:42:39,440
Speaker 3: Night.

939
00:42:39,640 --> 00:42:43,319
Speaker 1: Yes it's Fox. Yes, that is what I would learn

940
00:42:43,320 --> 00:42:48,160
Speaker 1: more about the dances to be able to compare them exactly. Brilliant. Yeah,

941
00:42:48,200 --> 00:42:49,760
Speaker 1: well take over, takeover.

942
00:42:50,160 --> 00:42:51,600
Speaker 3: That's what you want is meet over.

943
00:42:54,239 --> 00:42:58,160
Speaker 1: I've got some changes, all right. Then someone named Danielle

944
00:42:58,200 --> 00:43:02,839
Speaker 1: Fischle danced and she brought some co star, some guy.

945
00:43:03,200 --> 00:43:05,520
Speaker 2: Yeah, she brought the guy who was the voice of

946
00:43:05,640 --> 00:43:06,600
Speaker 2: Kit in night rider.

947
00:43:06,800 --> 00:43:09,040
Speaker 3: Oh, that's what he's most he's most known for.

948
00:43:09,160 --> 00:43:10,160
Speaker 1: Okay, that makes sense.

949
00:43:10,440 --> 00:43:11,080
Speaker 3: Captain cool?

950
00:43:11,080 --> 00:43:12,400
Speaker 2: What was his name? Captain amazing?

951
00:43:12,440 --> 00:43:13,520
Speaker 3: What was it in the fifties?

952
00:43:13,560 --> 00:43:14,279
Speaker 2: Who did he play?

953
00:43:15,000 --> 00:43:15,880
Speaker 1: Captain Fantastic?

954
00:43:16,080 --> 00:43:16,879
Speaker 2: Is that what it was? Yeah?

955
00:43:18,000 --> 00:43:18,560
Speaker 3: Something like that.

956
00:43:18,719 --> 00:43:24,719
Speaker 1: Yeah, oh Bill, Oh my god. Yeah, this is obviously

957
00:43:25,360 --> 00:43:28,320
Speaker 1: very close to our heart.

958
00:43:27,320 --> 00:43:27,480
Speaker 2: Yea.

959
00:43:28,600 --> 00:43:32,080
Speaker 1: So this was great to see. But again, do we

960
00:43:32,200 --> 00:43:35,960
Speaker 1: a jive? A high energy jive after we've been crying

961
00:43:36,000 --> 00:43:38,479
Speaker 1: over Robert Irwin? I was like, this is gonna be hard.

962
00:43:39,280 --> 00:43:43,279
Speaker 2: Yeah, that's okay for hard. Wait a second, we did

963
00:43:43,280 --> 00:43:44,080
Speaker 2: we say what Scott?

964
00:43:44,160 --> 00:43:44,879
Speaker 3: What Scott got?

965
00:43:44,880 --> 00:43:49,400
Speaker 1: Scott got seven eight seven eight, which seemed very kind.

966
00:43:49,480 --> 00:43:51,480
Speaker 2: Yeah, I agree, it could have been it could have

967
00:43:51,480 --> 00:43:53,200
Speaker 2: been seven or all sevens.

968
00:43:53,200 --> 00:43:55,040
Speaker 3: I agree, okay, right, yeah.

969
00:43:54,920 --> 00:43:59,239
Speaker 1: Danielle, Danielle, it's I don't know if I love the

970
00:43:59,360 --> 00:44:01,439
Speaker 1: choice to dance to the boy Its World theme song

971
00:44:01,560 --> 00:44:05,080
Speaker 1: just because I'm so sick of it. For me, it

972
00:44:05,200 --> 00:44:07,319
Speaker 1: just gets stuck in my head. But also there were

973
00:44:07,360 --> 00:44:12,640
Speaker 1: more lyrics. Do you think these were these lyrics? Were?

974
00:44:13,000 --> 00:44:13,120
Speaker 2: No?

975
00:44:13,200 --> 00:44:14,800
Speaker 1: There were something? Stop?

976
00:44:15,160 --> 00:44:15,440
Speaker 3: Really?

977
00:44:15,760 --> 00:44:18,319
Speaker 1: I was yeah. I was like, oh, because I think

978
00:44:18,320 --> 00:44:21,280
Speaker 1: there's a full version of the song out there. Yeah, yeah,

979
00:44:21,280 --> 00:44:22,919
Speaker 1: so they must have. It was like hearing the rest

980
00:44:22,920 --> 00:44:25,399
Speaker 1: of the Cheers song, which is very bizarre, by the way,

981
00:44:25,760 --> 00:44:27,560
Speaker 1: the full Cheers song. Yeah, there's like a whole cross

982
00:44:27,600 --> 00:44:31,279
Speaker 1: dressing thing. It's like, what what's happening. I don't know

983
00:44:31,320 --> 00:44:33,319
Speaker 1: this and I know this song really well, but I.

984
00:44:33,320 --> 00:44:36,240
Speaker 2: The song to mash is literally called suicide is Painless,

985
00:44:37,320 --> 00:44:39,239
Speaker 2: so it's yeah, yeah, it's.

986
00:44:39,120 --> 00:44:42,000
Speaker 1: Great, but I just couldn't, you know. The second it started.

987
00:44:42,040 --> 00:44:43,839
Speaker 1: I just kept thinking of all, you know, the joke

988
00:44:43,880 --> 00:44:45,759
Speaker 1: that we do on our podcast every week, which is

989
00:44:45,760 --> 00:44:48,160
Speaker 1: like when we have like the super dramatic, awful moment,

990
00:44:48,239 --> 00:44:53,760
Speaker 1: And then I just felt kind of like that coming

991
00:44:53,800 --> 00:44:57,000
Speaker 1: out of all these emotional expressive dances to be like

992
00:44:57,320 --> 00:45:00,520
Speaker 1: and it's fun time out of the school yard. But

993
00:45:00,600 --> 00:45:03,080
Speaker 1: it was. It was she brought so much energy again,

994
00:45:03,280 --> 00:45:06,799
Speaker 1: like last week, Danielle is committing to the technicality of

995
00:45:06,800 --> 00:45:10,040
Speaker 1: the dance and the form of the dance and like

996
00:45:10,080 --> 00:45:10,799
Speaker 1: that feet work.

997
00:45:10,880 --> 00:45:11,040
Speaker 6: Man.

998
00:45:11,080 --> 00:45:13,279
Speaker 1: I was just like, great, do it, go for it.

999
00:45:13,400 --> 00:45:15,359
Speaker 2: This is one that I needed. That when I saw

1000
00:45:15,360 --> 00:45:16,839
Speaker 2: it on the stage, I was like, ah, I don't

1001
00:45:16,880 --> 00:45:19,399
Speaker 2: know how good that was, Like it didn't look bad,

1002
00:45:19,400 --> 00:45:21,200
Speaker 2: but I was like because he couldn't really see. And

1003
00:45:21,200 --> 00:45:23,120
Speaker 2: then when I saw it back at home, I was like, oh,

1004
00:45:23,120 --> 00:45:26,560
Speaker 2: she was great. You know, she definitely she was high energy.

1005
00:45:26,719 --> 00:45:29,400
Speaker 2: She looked great. He's dressed like Cory, She's dressed like

1006
00:45:29,600 --> 00:45:31,000
Speaker 2: ag O, her hair is crimped.

1007
00:45:31,440 --> 00:45:33,040
Speaker 3: It like it hit all the feels.

1008
00:45:33,080 --> 00:45:36,600
Speaker 2: You got Bill Daniels there, who you know again is

1009
00:45:37,200 --> 00:45:39,759
Speaker 2: a super old man who just wants to be there

1010
00:45:39,800 --> 00:45:43,520
Speaker 2: for us for things, who's just so sweet. But it

1011
00:45:43,640 --> 00:45:46,839
Speaker 2: was it felt out of place tonight. And that's why

1012
00:45:46,880 --> 00:45:49,719
Speaker 2: I'm asking who got to pick what? Because for them

1013
00:45:49,760 --> 00:45:51,920
Speaker 2: to be like, hey, you're all gonna do these beautiful

1014
00:45:51,960 --> 00:45:55,760
Speaker 2: contemporary dances, Danielle, you're doing the jive, it's like, yeah, okay,

1015
00:45:56,520 --> 00:46:00,160
Speaker 2: really it just seems like whoever got the jive that night?

1016
00:46:00,280 --> 00:46:02,280
Speaker 2: It's gonna seem like it's out of place.

1017
00:46:02,960 --> 00:46:03,240
Speaker 1: Yeah.

1018
00:46:03,440 --> 00:46:04,480
Speaker 2: So I also.

1019
00:46:04,360 --> 00:46:07,480
Speaker 1: Wondered, I also, as much as you know, obviously, like

1020
00:46:08,400 --> 00:46:10,759
Speaker 1: I understand the connection to Bill and I understand the

1021
00:46:10,760 --> 00:46:13,680
Speaker 1: connection to Boybet's world, I wonder if this is really

1022
00:46:13,719 --> 00:46:17,280
Speaker 1: what she needed in terms of, you know, like everyone

1023
00:46:17,360 --> 00:46:20,719
Speaker 1: knows her as to bank like this this was a

1024
00:46:20,800 --> 00:46:24,480
Speaker 1: chance for her to open up another aspect of Danielle's

1025
00:46:24,480 --> 00:46:27,120
Speaker 1: real life and to dedicate it to somebody like her

1026
00:46:27,200 --> 00:46:30,959
Speaker 1: husband or her kids or you know. And the fact

1027
00:46:30,960 --> 00:46:32,759
Speaker 1: that she didn't do that, I was like, that's kind

1028
00:46:32,760 --> 00:46:35,160
Speaker 1: of a risk, Like it's sort of jubbling down on

1029
00:46:35,200 --> 00:46:38,520
Speaker 1: what she's already known for coming into this competition, right,

1030
00:46:38,640 --> 00:46:41,359
Speaker 1: And it's not saying, there's this whole aspect of my life,

1031
00:46:41,360 --> 00:46:43,960
Speaker 1: which is what everybody else did, right. Everybody else is like,

1032
00:46:44,080 --> 00:46:49,000
Speaker 1: you know me as singer, you know me as Mormon housewived,

1033
00:46:49,000 --> 00:46:51,040
Speaker 1: if you know me as these other things, and here's

1034
00:46:51,040 --> 00:46:53,279
Speaker 1: a chance for me to showcase an aspect of my

1035
00:46:53,640 --> 00:46:55,640
Speaker 1: life that you don't know and dedicate it to somebody.

1036
00:46:55,640 --> 00:46:58,320
Speaker 1: From that and by choosing Bill, which I totally understand

1037
00:46:58,360 --> 00:47:00,120
Speaker 1: why she did, I mean, of course known him, but

1038
00:47:00,719 --> 00:47:02,480
Speaker 1: I was like, is that gonna be a that's kind

1039
00:47:02,480 --> 00:47:05,160
Speaker 1: of a risk. That's doubling down on what everyone already

1040
00:47:05,200 --> 00:47:06,480
Speaker 1: knows you as to Penguin.

1041
00:47:06,239 --> 00:47:09,279
Speaker 2: Right, and wonder too though maybe she didn't have any

1042
00:47:09,280 --> 00:47:12,040
Speaker 2: other options. I mean maybe maybe it's one of those

1043
00:47:12,040 --> 00:47:14,440
Speaker 2: things where it's like maybe her husband doesn't want to

1044
00:47:14,480 --> 00:47:16,000
Speaker 2: dance with her, she doesn't want to put her kids

1045
00:47:16,000 --> 00:47:18,239
Speaker 2: on camera. I mean, there could be It could be

1046
00:47:18,280 --> 00:47:20,399
Speaker 2: one of those things where it's like, who knows what

1047
00:47:20,440 --> 00:47:22,480
Speaker 2: she wanted to do. Maybe it was like I'm dedicating

1048
00:47:22,480 --> 00:47:23,920
Speaker 2: to my mom or my dad and they're like, well,

1049
00:47:24,320 --> 00:47:26,439
Speaker 2: I don't want to be on camera, in which case

1050
00:47:26,480 --> 00:47:28,560
Speaker 2: you would then kind of go, Okay, what do I

1051
00:47:28,600 --> 00:47:31,760
Speaker 2: have left? Right? And then it's like, God, Bill Daniels,

1052
00:47:31,760 --> 00:47:33,920
Speaker 2: Oh my God, bring the house down with Bill Daniels,

1053
00:47:33,920 --> 00:47:36,200
Speaker 2: which is a great choice. But to me, it wasn't

1054
00:47:36,200 --> 00:47:40,160
Speaker 2: about Bill or boy. It was about the style of

1055
00:47:40,280 --> 00:47:44,759
Speaker 2: dance on this night just seemed out of place, right,

1056
00:47:45,040 --> 00:47:48,000
Speaker 2: and so, and then we'll get to the judging, which

1057
00:47:48,000 --> 00:47:51,319
Speaker 2: to me, I was infuriated when I got home, when

1058
00:47:51,360 --> 00:47:54,040
Speaker 2: I watched it again. I do not know how they're

1059
00:47:54,120 --> 00:47:57,040
Speaker 2: judging Danielle. I do not think it's fair how they're

1060
00:47:57,080 --> 00:47:59,759
Speaker 2: judging it. It seems like they have two categories they have.

1061
00:48:00,680 --> 00:48:03,759
Speaker 2: They have people that were celebrities that have had no

1062
00:48:03,880 --> 00:48:06,799
Speaker 2: dance experience whatsoever, that they're praising their journey and really

1063
00:48:06,840 --> 00:48:07,960
Speaker 2: telling them how great they are.

1064
00:48:08,239 --> 00:48:08,680
Speaker 3: And then the.

1065
00:48:08,600 --> 00:48:12,080
Speaker 2: People that have serious dance competition and they're judging them

1066
00:48:12,120 --> 00:48:14,239
Speaker 2: a little more harshly. And I feel like they put

1067
00:48:14,320 --> 00:48:16,360
Speaker 2: Danielle in that category for some reason.

1068
00:48:16,920 --> 00:48:18,839
Speaker 3: Well I don't know why that is.

1069
00:48:19,160 --> 00:48:22,360
Speaker 1: I think early on, because she's an actor and because

1070
00:48:22,360 --> 00:48:26,120
Speaker 1: she's so likable, I think that they put the pressure

1071
00:48:26,200 --> 00:48:28,239
Speaker 1: on her to say, you need to learn how to

1072
00:48:28,280 --> 00:48:31,960
Speaker 1: technically dance, right, And so she's been doing that and

1073
00:48:32,000 --> 00:48:33,719
Speaker 1: I think she did that last week, and she did

1074
00:48:33,760 --> 00:48:36,160
Speaker 1: that this week. And I think what's interesting is that

1075
00:48:36,239 --> 00:48:42,600
Speaker 1: everybody else, almost everybody else, decided to draw into story

1076
00:48:42,640 --> 00:48:46,960
Speaker 1: and expressibility this week, and so I feel like she's

1077
00:48:47,120 --> 00:48:50,200
Speaker 1: out of step now in some way with where the

1078
00:48:50,320 --> 00:48:52,959
Speaker 1: arc of the show a little bit, because now she's

1079
00:48:52,960 --> 00:48:54,880
Speaker 1: still trying to say, like, I can do this, I

1080
00:48:54,920 --> 00:48:57,640
Speaker 1: can do the technical thing, when actually, like I would

1081
00:48:57,640 --> 00:48:59,840
Speaker 1: love to see Danielle cut loose with a more emotion

1082
00:49:00,160 --> 00:49:01,960
Speaker 1: expressive dance, and I hope, you know.

1083
00:49:02,080 --> 00:49:03,600
Speaker 2: Well, I think she'll be able to do that with

1084
00:49:03,680 --> 00:49:05,839
Speaker 2: contemporary I hope. That's not what I mean.

1085
00:49:06,400 --> 00:49:06,680
Speaker 3: I mean.

1086
00:49:06,719 --> 00:49:09,080
Speaker 2: It seems like Andy gets up there and does a

1087
00:49:09,200 --> 00:49:11,320
Speaker 2: dance and they're like, man, we can see your progress.

1088
00:49:11,320 --> 00:49:13,319
Speaker 3: You're doing great. Ellen gets up there and does a dance.

1089
00:49:13,360 --> 00:49:15,840
Speaker 2: He's also an actress but has huge dance experience, and

1090
00:49:15,880 --> 00:49:18,879
Speaker 2: they're like, man, your journey's going so well, daniel gets

1091
00:49:18,960 --> 00:49:20,640
Speaker 2: up there and does that, and they're like, here's everything

1092
00:49:20,680 --> 00:49:23,160
Speaker 2: you're doing wrong, right, And I'm like, wait a second,

1093
00:49:23,400 --> 00:49:26,360
Speaker 2: why is everybody criticizing her for everything she's done? And

1094
00:49:26,360 --> 00:49:29,160
Speaker 2: everybody else gets this, you are so amazing.

1095
00:49:29,239 --> 00:49:32,480
Speaker 1: But I think part of it is that she presents

1096
00:49:32,600 --> 00:49:35,279
Speaker 1: as so capable, you know, just as a person, as

1097
00:49:35,320 --> 00:49:38,480
Speaker 1: a personality, she sure, and she also presents younger than

1098
00:49:38,520 --> 00:49:40,640
Speaker 1: she actually is, do you know what I mean? Like

1099
00:49:40,680 --> 00:49:42,600
Speaker 1: you look at somebody like Andy, you look at you,

1100
00:49:42,640 --> 00:49:46,120
Speaker 1: look at your your The reality is she is older

1101
00:49:46,160 --> 00:49:49,759
Speaker 1: than Jen, she's older than you know, these other ye

1102
00:49:49,960 --> 00:49:52,440
Speaker 1: like she's in her forties, but she doesn't look like it,

1103
00:49:52,480 --> 00:49:55,040
Speaker 1: like Danielle looks like you know, like they even said,

1104
00:49:55,320 --> 00:49:57,799
Speaker 1: you still look exactly like you did as a teenager, right.

1105
00:49:57,880 --> 00:50:00,360
Speaker 1: And so I think that there's this expectation that she's

1106
00:50:00,600 --> 00:50:02,720
Speaker 1: you know, and she hasn't leaned into like her identity

1107
00:50:02,760 --> 00:50:05,359
Speaker 1: as a mom as much. She hasn't leaned into her story.

1108
00:50:05,440 --> 00:50:09,080
Speaker 2: But she also drink. She never danced before, I know,

1109
00:50:09,400 --> 00:50:11,359
Speaker 2: so why is she not in that category? And it's

1110
00:50:11,360 --> 00:50:13,919
Speaker 2: not likely that carry In at one point says to her, look,

1111
00:50:13,960 --> 00:50:16,800
Speaker 2: I've got to tell you all your dances are starting

1112
00:50:16,840 --> 00:50:20,520
Speaker 2: to look the same. But that's not on Danielle. She's

1113
00:50:20,520 --> 00:50:24,880
Speaker 2: not choreographing the dances. That's on Pasha and so and

1114
00:50:24,920 --> 00:50:27,239
Speaker 2: she goes, oh, you know this is also for you, Pasha. No,

1115
00:50:27,680 --> 00:50:30,920
Speaker 2: it's not also for Pasha. That's one hundred percent on Pasha.

1116
00:50:30,960 --> 00:50:35,719
Speaker 2: A I don't necessarily agree, but she's criticizing Danielle for

1117
00:50:35,840 --> 00:50:39,600
Speaker 2: something that Danielle has nothing to do with, and so

1118
00:50:39,680 --> 00:50:41,400
Speaker 2: it's like, you know, Danielle, your dances are really so

1119
00:50:41,520 --> 00:50:43,759
Speaker 2: you gotta be careful. They're starting to look the same. Well,

1120
00:50:43,800 --> 00:50:47,279
Speaker 2: I'm sorry, am I choreographing the dances too? I wasn't

1121
00:50:47,280 --> 00:50:49,560
Speaker 2: aware that was part of my job description. So I

1122
00:50:49,880 --> 00:50:52,279
Speaker 2: was starting to get pissed. Where it's like everybody else

1123
00:50:52,280 --> 00:50:55,200
Speaker 2: gets this, man, you are great and I love everything

1124
00:50:55,239 --> 00:50:57,960
Speaker 2: you're doing. And then Danielle gets up there and everybody's like, Okay,

1125
00:50:58,160 --> 00:50:59,839
Speaker 2: you need to hold your hands like this and if

1126
00:50:59,880 --> 00:51:01,719
Speaker 2: you do this, you gotta do this, and wow, they're

1127
00:51:01,760 --> 00:51:03,960
Speaker 2: starting to look the same. But wait a second, why

1128
00:51:03,960 --> 00:51:06,799
Speaker 2: are they treating her so differently? And last night to

1129
00:51:06,880 --> 00:51:09,959
Speaker 2: me really bracketed that it seemed like she is being

1130
00:51:10,000 --> 00:51:12,799
Speaker 2: treated differently than basically everybody else in the show.

1131
00:51:12,880 --> 00:51:15,000
Speaker 1: I think because I you know, I think that last

1132
00:51:15,040 --> 00:51:18,960
Speaker 1: week she did a high energy fun number and this

1133
00:51:19,000 --> 00:51:23,600
Speaker 1: week she did a high energy fun number, and I think,

1134
00:51:23,960 --> 00:51:29,200
Speaker 1: like I said, she did not deepen her uh her

1135
00:51:29,600 --> 00:51:32,360
Speaker 1: character in a way. You know, it was like everyone

1136
00:51:32,400 --> 00:51:34,719
Speaker 1: knows her as Topanga and she went back and did that.

1137
00:51:34,840 --> 00:51:37,440
Speaker 1: So I think that's more what as much as like

1138
00:51:37,480 --> 00:51:39,359
Speaker 1: I don't think I don't think the dance looks the same,

1139
00:51:39,400 --> 00:51:41,799
Speaker 1: but I think she's starting to feel the same. Like

1140
00:51:41,840 --> 00:51:43,840
Speaker 1: I think that it is starting to feel like what

1141
00:51:43,960 --> 00:51:46,719
Speaker 1: else you got? Let's you know, because I think Danielle's

1142
00:51:46,800 --> 00:51:48,799
Speaker 1: been like, I'm going to prove that I can do

1143
00:51:48,880 --> 00:51:52,080
Speaker 1: these technical dances, and I think she's been doing that,

1144
00:51:52,320 --> 00:51:54,880
Speaker 1: and I think now it's time for her to just

1145
00:51:54,920 --> 00:51:57,360
Speaker 1: express herself a little bit more in another aspect. And

1146
00:51:57,719 --> 00:52:00,560
Speaker 1: and I don't know, so I feel like that's the nope,

1147
00:52:00,640 --> 00:52:01,160
Speaker 1: you know what I mean.

1148
00:52:01,239 --> 00:52:03,600
Speaker 2: I mean, I don't disagree, but if we've already established

1149
00:52:03,600 --> 00:52:05,120
Speaker 2: and we're not sure we're right, but we think we are.

1150
00:52:05,440 --> 00:52:07,960
Speaker 2: That they don't pick the dance style they're gonna do

1151
00:52:08,040 --> 00:52:12,600
Speaker 2: that week, then you and they're not choreographing, then you

1152
00:52:12,640 --> 00:52:15,200
Speaker 2: can't be like, you've done two high energy dances in

1153
00:52:15,239 --> 00:52:16,879
Speaker 2: the row and they kind of look the same. Okay, Well,

1154
00:52:16,920 --> 00:52:20,319
Speaker 2: then neither that Neither those criticisms are on Danielle. If

1155
00:52:20,320 --> 00:52:22,960
Speaker 2: she's not picking the style and she's not choreographing it,

1156
00:52:23,239 --> 00:52:25,960
Speaker 2: then you've got to judge her on actually dancing. And

1157
00:52:26,000 --> 00:52:29,680
Speaker 2: I thought the actual dancing deserved way better than what

1158
00:52:29,800 --> 00:52:33,400
Speaker 2: she got. Should she have gotten nines across the board? No,

1159
00:52:33,520 --> 00:52:36,279
Speaker 2: she was not Dylan, she was not Robert, of course not.

1160
00:52:36,640 --> 00:52:39,040
Speaker 2: But you cannot tell me that when some people were

1161
00:52:39,040 --> 00:52:41,560
Speaker 2: getting eight seven, eight seven, that their dances were that

1162
00:52:41,680 --> 00:52:45,640
Speaker 2: much better than Danielle's. It just it seems like they're

1163
00:52:45,680 --> 00:52:48,839
Speaker 2: praising everybody else and then telling Danielle everything she's done wrong.

1164
00:52:48,960 --> 00:52:51,480
Speaker 2: And that's really that got to me last night because

1165
00:52:51,480 --> 00:52:53,560
Speaker 2: and again we're biased, and I'm like, you were my

1166
00:52:53,560 --> 00:52:55,799
Speaker 2: best friend, and I don't like that. So I know

1167
00:52:55,880 --> 00:52:58,400
Speaker 2: that I'm a little agro when it comes to that stuff,

1168
00:52:58,440 --> 00:53:01,160
Speaker 2: but I really felt it last night, especially when I

1169
00:53:01,160 --> 00:53:01,799
Speaker 2: watched it back.

1170
00:53:02,360 --> 00:53:05,440
Speaker 1: All Right, she got seven seven seven and an eight,

1171
00:53:05,960 --> 00:53:06,440
Speaker 1: and did.

1172
00:53:06,320 --> 00:53:09,800
Speaker 2: You see did you watch her as there's telling her scores? Yeah,

1173
00:53:09,880 --> 00:53:12,040
Speaker 2: it was sad to me because she was like trying

1174
00:53:12,040 --> 00:53:14,160
Speaker 2: to hold it together, and I feel like it was

1175
00:53:14,200 --> 00:53:15,439
Speaker 2: a little unfair that night.

1176
00:53:15,560 --> 00:53:18,640
Speaker 1: So right, yeah, well she gave it her all, she

1177
00:53:19,000 --> 00:53:21,600
Speaker 1: didn't give it her all. And knowing Danielle, she's going

1178
00:53:21,680 --> 00:53:24,799
Speaker 1: to take this criticism and come back next week. I mean,

1179
00:53:24,960 --> 00:53:28,600
Speaker 1: luckily there was no elimination, right, she did not get eliminated,

1180
00:53:28,600 --> 00:53:29,560
Speaker 1: So she's got another shot.

1181
00:53:29,880 --> 00:53:33,120
Speaker 2: Well, now she'll have to choreograph herund dances apparently what

1182
00:53:33,120 --> 00:53:36,440
Speaker 2: they're asking for, and as just every week as we do.

1183
00:53:36,520 --> 00:53:39,400
Speaker 2: Because you know that I have an encyclopedic knowledge of

1184
00:53:39,400 --> 00:53:40,000
Speaker 2: everything dance.

1185
00:53:40,080 --> 00:53:44,120
Speaker 3: This is, of course Wills his dude of dance. This

1186
00:53:44,160 --> 00:53:44,920
Speaker 3: one is sponsored.

1187
00:53:45,000 --> 00:53:46,239
Speaker 2: I told you I'm doing a new thing where I'm

1188
00:53:46,239 --> 00:53:49,799
Speaker 2: trying to find uh up and coming companies and try

1189
00:53:49,840 --> 00:53:51,960
Speaker 2: to give them a little bit, you know, extra.

1190
00:53:51,800 --> 00:53:53,080
Speaker 1: Boost, a little boots.

1191
00:53:53,040 --> 00:53:56,160
Speaker 2: So there is a small watch company called Rolex that

1192
00:53:56,760 --> 00:53:57,880
Speaker 2: I think makes a nice product.

1193
00:53:57,920 --> 00:53:59,080
Speaker 3: If they wanted to send me one, I could.

1194
00:53:59,080 --> 00:54:01,840
Speaker 1: So you sure it's for Alexa, It might be it

1195
00:54:01,880 --> 00:54:02,359
Speaker 1: might be Rolee.

1196
00:54:02,440 --> 00:54:04,480
Speaker 2: You're right again, I don't know anything about the company,

1197
00:54:04,560 --> 00:54:09,160
Speaker 2: So the X could be silent, but the jive, I

1198
00:54:09,160 --> 00:54:11,400
Speaker 2: don't know if you're aware of this Rider, but originated

1199
00:54:11,400 --> 00:54:13,600
Speaker 2: as an African American dance in the early nineteen thirties,

1200
00:54:13,640 --> 00:54:16,520
Speaker 2: emerging from swing dances like the Lindy Hop and the Jitterbug,

1201
00:54:16,920 --> 00:54:21,200
Speaker 2: and gained public recognition through cab Callaway. American gis brought

1202
00:54:21,239 --> 00:54:22,840
Speaker 2: the dance to Europe during World War II, where it

1203
00:54:22,840 --> 00:54:25,600
Speaker 2: evolved with variations, became popular in Britain in France before

1204
00:54:25,680 --> 00:54:28,799
Speaker 2: being standardized as a competitive ballroom dance and adopted as

1205
00:54:28,840 --> 00:54:31,279
Speaker 2: one of the five International Latin Dances in nineteen sixty eight.

1206
00:54:32,080 --> 00:54:36,320
Speaker 1: Has not been a new ballroom style since like the sixties.

1207
00:54:36,560 --> 00:54:38,400
Speaker 1: Has anybody is there like this new.

1208
00:54:38,600 --> 00:54:41,240
Speaker 3: There's got well contemporary probably, but I guess that's not ballroom.

1209
00:54:41,440 --> 00:54:45,040
Speaker 1: No that I'm curious, like if anybody's inventing a new

1210
00:54:45,239 --> 00:54:47,799
Speaker 1: version of a ballroom dance, like because I feel like

1211
00:54:47,840 --> 00:54:50,399
Speaker 1: every time you do these histories, it's like basically kind

1212
00:54:50,400 --> 00:54:53,839
Speaker 1: of slops in the nineteen thirties, that's where the last

1213
00:54:53,840 --> 00:54:56,360
Speaker 1: time people were inventing new ballroom dances.

1214
00:54:57,000 --> 00:54:59,600
Speaker 2: So there is no single newest ballroom dance, but rather

1215
00:54:59,680 --> 00:55:03,400
Speaker 2: new t friends are emerging, most notably fusion dance that

1216
00:55:03,440 --> 00:55:06,759
Speaker 2: makes which blends traditional ballroom styles with other genres like

1217
00:55:06,800 --> 00:55:07,839
Speaker 2: contemporary hip hop.

1218
00:55:08,000 --> 00:55:09,799
Speaker 1: Yeah that makes sense.

1219
00:55:10,800 --> 00:55:13,520
Speaker 3: All right, right at my fingertips.

1220
00:55:13,080 --> 00:55:18,760
Speaker 1: Right there, just amazing. All right, Alex and Val again

1221
00:55:18,920 --> 00:55:24,399
Speaker 1: went contemporary, and uh, I thought this was great. Yeah,

1222
00:55:24,440 --> 00:55:27,719
Speaker 1: you know, it's it's you mean, she's just clearly in

1223
00:55:27,760 --> 00:55:30,319
Speaker 1: that category of like Europe, you're a dancer, Yeah, you

1224
00:55:30,480 --> 00:55:34,480
Speaker 1: get it, and it's it's it's way less, it's way

1225
00:55:34,560 --> 00:55:39,080
Speaker 1: less compelling as a reality reality show journey to watch

1226
00:55:39,080 --> 00:55:41,680
Speaker 1: her dance. It's it's it's wonderful to watch her dance, Like, yeah,

1227
00:55:41,680 --> 00:55:44,080
Speaker 1: they're great, they're great dance. But yeah, it's a little

1228
00:55:44,120 --> 00:55:45,960
Speaker 1: hard for me to be invested because I'm like, well,

1229
00:55:46,000 --> 00:55:49,640
Speaker 1: you're just great, you can do this, Like, but.

1230
00:55:49,719 --> 00:55:52,000
Speaker 2: Yet you were invested in Whitney. So do you think

1231
00:55:52,040 --> 00:55:55,839
Speaker 2: it's just the story that happened this week that made

1232
00:55:55,840 --> 00:55:58,560
Speaker 2: you so invested in that, because again, same kind of journey.

1233
00:55:58,920 --> 00:56:03,400
Speaker 1: Yeah, that's true, that's true. I guess. I guess I

1234
00:56:03,440 --> 00:56:07,279
Speaker 1: feel like I've seen Whitney struggle a little bit more,

1235
00:56:07,440 --> 00:56:11,200
Speaker 1: whereas like Alex seems like she's been prepping for this

1236
00:56:11,719 --> 00:56:14,319
Speaker 1: right ready to go, and it's just like, let me

1237
00:56:14,360 --> 00:56:17,719
Speaker 1: showcase my dancing ability, which is also lovely it's just

1238
00:56:18,000 --> 00:56:20,439
Speaker 1: is it Dancing with the Stars? You know, I'm not Yeah,

1239
00:56:20,440 --> 00:56:22,840
Speaker 1: you're right. I guess I was a little less invested

1240
00:56:22,880 --> 00:56:25,399
Speaker 1: in the like the younger Sister storyline for instance this week,

1241
00:56:25,560 --> 00:56:28,880
Speaker 1: which is also it was great. Yeah, no, this was

1242
00:56:28,960 --> 00:56:31,600
Speaker 1: this was lovely and I mean it was nice. Yeah,

1243
00:56:32,320 --> 00:56:35,839
Speaker 1: it flew very nice, dance gorgeous, Yeah, very pretty. There

1244
00:56:35,880 --> 00:56:39,000
Speaker 1: was this moment during the judging where I think it

1245
00:56:39,040 --> 00:56:41,680
Speaker 1: was Derek said something about the negativity happening tonight.

1246
00:56:41,880 --> 00:56:45,280
Speaker 2: Yes, what was that all about? So there's different rumors.

1247
00:56:45,360 --> 00:56:47,920
Speaker 2: There's rumors online that he was actually that was a

1248
00:56:47,960 --> 00:56:50,320
Speaker 2: shot across the bow at Carrie Anne for some of

1249
00:56:50,360 --> 00:56:52,840
Speaker 2: the stuff, some of the judging she's been doing. Okay,

1250
00:56:52,840 --> 00:56:55,960
Speaker 2: there's other rumors that it is about just stuff online

1251
00:56:56,000 --> 00:56:59,200
Speaker 2: about is Dancing with the Stars too much professional dancers

1252
00:56:59,320 --> 00:57:03,000
Speaker 2: versus non professional dancers. So that now that I've googled

1253
00:57:03,080 --> 00:57:04,840
Speaker 2: Dancing with the Stars three times, of course it's the

1254
00:57:04,880 --> 00:57:07,160
Speaker 2: only thing that shows up in my algorithm. So there's

1255
00:57:07,200 --> 00:57:09,080
Speaker 2: all there's all these things, but that's the one I

1256
00:57:09,080 --> 00:57:11,480
Speaker 2: heard this morning is maybe Derek was taking a shot

1257
00:57:11,480 --> 00:57:11,799
Speaker 2: at care.

1258
00:57:12,239 --> 00:57:14,720
Speaker 1: I didn't understand it because I was just like, actually,

1259
00:57:14,840 --> 00:57:17,480
Speaker 1: like the night, as far as a viewer went, was

1260
00:57:17,560 --> 00:57:21,040
Speaker 1: so emotional and supportive and everybody was crying and hugging

1261
00:57:21,080 --> 00:57:23,560
Speaker 1: each other. I was like, what negativity is he referring to?

1262
00:57:23,560 --> 00:57:25,040
Speaker 1: And then I was wondering if it was something in

1263
00:57:25,080 --> 00:57:27,720
Speaker 1: the room, like somebody say, I don't know.

1264
00:57:27,880 --> 00:57:29,600
Speaker 2: I asked Jensen and he was like, I don't know.

1265
00:57:29,640 --> 00:57:31,320
Speaker 2: I guess there's just been stuff in the news or something.

1266
00:57:31,360 --> 00:57:33,720
Speaker 4: So yeah, because I was someone who was there, we

1267
00:57:33,720 --> 00:57:35,520
Speaker 4: were all like what is he talking about?

1268
00:57:35,640 --> 00:57:37,919
Speaker 5: Like watching in the back and we're like what.

1269
00:57:38,040 --> 00:57:40,240
Speaker 4: And then I asked Jensen and he was like, I

1270
00:57:40,240 --> 00:57:43,360
Speaker 4: think he meant this week like just people being negative

1271
00:57:43,360 --> 00:57:45,160
Speaker 4: on social media about.

1272
00:57:45,640 --> 00:57:48,360
Speaker 5: Other dance, like you know, the judging.

1273
00:57:48,000 --> 00:57:48,480
Speaker 1: And all that.

1274
00:57:48,600 --> 00:57:50,760
Speaker 4: But in the moment we were all confused too.

1275
00:57:50,800 --> 00:57:53,080
Speaker 1: Yeah, okay, because it really felt like it was like,

1276
00:57:53,120 --> 00:57:54,960
Speaker 1: what are you talking about, dude? Like this the night

1277
00:57:55,000 --> 00:57:58,560
Speaker 1: has been probably for me, some of the best dancing

1278
00:57:58,760 --> 00:58:01,560
Speaker 1: of the whole show, I agree, and the most entertaining,

1279
00:58:02,000 --> 00:58:05,120
Speaker 1: and everybody seemed so loving and supportive, like it didn't

1280
00:58:05,360 --> 00:58:07,000
Speaker 1: I don't know it was. It was a bizarre thing

1281
00:58:07,040 --> 00:58:08,800
Speaker 1: to say. I was like, all we've done is like

1282
00:58:08,880 --> 00:58:12,040
Speaker 1: celebrate people's families and partners and like this is awesome,

1283
00:58:12,160 --> 00:58:14,040
Speaker 1: Like I don't so, I don't know. It was a weird,

1284
00:58:14,080 --> 00:58:16,840
Speaker 1: weird comment that kind of threw me off. Yeah, but yes,

1285
00:58:16,960 --> 00:58:21,280
Speaker 1: Alex and Vow were great. Yeah, they danced to Coldplay.

1286
00:58:22,160 --> 00:58:23,880
Speaker 2: Oh, by the way, what did Danielle get me? Danielle

1287
00:58:23,880 --> 00:58:25,920
Speaker 2: got three seven and a first eight. We forgot to

1288
00:58:26,000 --> 00:58:26,800
Speaker 2: say that, which is.

1289
00:58:26,760 --> 00:58:28,600
Speaker 1: No, I think I said it, but okay, maybe not

1290
00:58:28,800 --> 00:58:29,280
Speaker 1: maybe not.

1291
00:58:29,320 --> 00:58:31,840
Speaker 2: First date is she was very excited with that, and

1292
00:58:31,840 --> 00:58:35,760
Speaker 2: and it might not have been it was totally deserved

1293
00:58:35,800 --> 00:58:37,840
Speaker 2: to get an eight, by the way, especially all the

1294
00:58:37,840 --> 00:58:38,600
Speaker 2: other dances going.

1295
00:58:38,640 --> 00:58:40,560
Speaker 1: I guess when I look at Scott's scores, which were

1296
00:58:40,560 --> 00:58:43,040
Speaker 1: two eights and two sevens, I'm like, Danielle could have

1297
00:58:43,040 --> 00:58:43,680
Speaker 1: gotten another eight.

1298
00:58:43,880 --> 00:58:46,560
Speaker 2: Absolutely. That's what I'm saying is I don't get the scoring.

1299
00:58:46,880 --> 00:58:49,120
Speaker 1: The two of them are having sort of equivalent journeys,

1300
00:58:49,120 --> 00:58:51,920
Speaker 1: I think, where they're both like trying to prove something.

1301
00:58:52,040 --> 00:58:54,160
Speaker 1: You know, they're both artists who can express themselves in

1302
00:58:54,200 --> 00:58:56,680
Speaker 1: other forms, trying to prove that they can do the

1303
00:58:56,800 --> 00:59:01,919
Speaker 1: dancing thing, you know, the technical parts, and they Yeah,

1304
00:59:02,240 --> 00:59:03,520
Speaker 1: but I think her own category.

1305
00:59:03,640 --> 00:59:06,000
Speaker 2: But I think she's better than he is as a dancer,

1306
00:59:06,080 --> 00:59:08,200
Speaker 2: I think has shown more than he is as a dancer.

1307
00:59:08,480 --> 00:59:10,520
Speaker 2: She's more fluid than he is as a dancer, and

1308
00:59:10,560 --> 00:59:12,680
Speaker 2: I think overall he's has higher scores than her.

1309
00:59:12,720 --> 00:59:28,800
Speaker 1: I agree in it. Yep, all right, Alex and Val

1310
00:59:29,000 --> 00:59:32,720
Speaker 1: they were eight nine nine and was it an I

1311
00:59:32,720 --> 00:59:35,080
Speaker 1: actually didn't write this down. Was it a nine? The

1312
00:59:35,120 --> 00:59:35,960
Speaker 1: final three?

1313
00:59:36,080 --> 00:59:37,160
Speaker 3: Nine in an? Eight? Is that right?

1314
00:59:37,560 --> 00:59:41,160
Speaker 1: Anyway? Very high score. And then we went into the

1315
00:59:41,160 --> 00:59:42,880
Speaker 1: elimination which was No.

1316
00:59:42,920 --> 00:59:43,080
Speaker 3: One.

1317
00:59:43,520 --> 00:59:44,520
Speaker 1: Yeah, but he's happy.

1318
00:59:44,720 --> 00:59:47,520
Speaker 3: Still nerve racking. Oh my god. I was watching Danielle

1319
00:59:47,600 --> 00:59:49,960
Speaker 3: on his day and she was just holding it together.

1320
00:59:50,280 --> 00:59:54,400
Speaker 1: Yeah, well, so nerve wracking. It's so obvious that there's

1321
00:59:54,440 --> 00:59:58,040
Speaker 1: like the top five and a bottom five, you know,

1322
00:59:58,080 --> 01:00:01,040
Speaker 1: like there's no question anymore, Like we've seen the sort

1323
01:00:01,080 --> 01:00:06,040
Speaker 1: of so unfortunately, like it's going to take somebody sort

1324
01:00:06,080 --> 01:00:10,439
Speaker 1: of breaking out of that lower five to really doing

1325
01:00:10,440 --> 01:00:13,800
Speaker 1: something stand out next week in order to even be

1326
01:00:13,880 --> 01:00:17,160
Speaker 1: in the competition with people like Robert Erwin and Whitney.

1327
01:00:17,200 --> 01:00:19,120
Speaker 1: I mean, these these people are just and dying.

1328
01:00:19,240 --> 01:00:21,480
Speaker 2: Yeah, they're they're they're breaking away from the pack. They're

1329
01:00:21,480 --> 01:00:26,280
Speaker 2: definitely breaking. And again, I do not mind if my

1330
01:00:26,480 --> 01:00:29,960
Speaker 2: best friend is in the bottom. If she's treated exactly

1331
01:00:30,000 --> 01:00:32,080
Speaker 2: the same way as everybody else, right.

1332
01:00:31,920 --> 01:00:34,240
Speaker 3: That's all I care about. Just treat everybody the same.

1333
01:00:34,480 --> 01:00:38,000
Speaker 2: During the show, it just seemed like this episode especially,

1334
01:00:38,280 --> 01:00:40,560
Speaker 2: she was treated differently, and I just don't know why.

1335
01:00:41,080 --> 01:00:41,680
Speaker 3: That's all it is.

1336
01:00:41,720 --> 01:00:44,160
Speaker 2: That's again, if if you it's the the old equivalent

1337
01:00:44,200 --> 01:00:45,600
Speaker 2: of what your parents used to say to you, I

1338
01:00:45,600 --> 01:00:47,360
Speaker 2: don't care if you get a d if you really

1339
01:00:47,400 --> 01:00:49,640
Speaker 2: tried your hardest. And it's one of those things where

1340
01:00:49,680 --> 01:00:51,840
Speaker 2: I just treat her like everybody else, and I felt

1341
01:00:51,880 --> 01:00:52,440
Speaker 2: like they haven't.

1342
01:00:53,160 --> 01:00:56,640
Speaker 1: Well, I wonder how much they know that she's getting

1343
01:00:56,640 --> 01:00:58,880
Speaker 1: in a lot of the popular vote potentially, Yeah maybe,

1344
01:00:58,920 --> 01:01:01,520
Speaker 1: And I mean they're saying that this is the highest

1345
01:01:01,560 --> 01:01:05,160
Speaker 1: voting season of dancing. But still ever, that's we'll just

1346
01:01:05,200 --> 01:01:06,640
Speaker 1: call that the Tapenga effect.

1347
01:01:06,880 --> 01:01:07,680
Speaker 2: Yeah, I love it.

1348
01:01:08,080 --> 01:01:10,440
Speaker 1: You know. I think that I and I wonder how

1349
01:01:10,520 --> 01:01:13,880
Speaker 1: much that's you know, influencing their harsher criticism because they're like, well,

1350
01:01:14,360 --> 01:01:16,640
Speaker 1: she could be getting a huge popular vote, and therefore

1351
01:01:16,680 --> 01:01:18,880
Speaker 1: they're you know, trying to balance that out a little bit.

1352
01:01:19,520 --> 01:01:20,280
Speaker 3: I don't know, I don't know.

1353
01:01:20,320 --> 01:01:24,080
Speaker 2: I saw two or three pretty big influencers that always

1354
01:01:24,120 --> 01:01:27,200
Speaker 2: do stuff about Dancing with the Stars, and two of

1355
01:01:27,240 --> 01:01:31,600
Speaker 2: them had Danielle number three as top three as Top

1356
01:01:31,640 --> 01:01:35,760
Speaker 2: three had her they had they had h Robert number one,

1357
01:01:35,880 --> 01:01:37,680
Speaker 2: Dylan number two, and Danielle.

1358
01:01:37,400 --> 01:01:38,320
Speaker 3: Number three, two of them.

1359
01:01:38,320 --> 01:01:38,800
Speaker 1: Interesting.

1360
01:01:39,000 --> 01:01:41,840
Speaker 2: So I'm curious what Maybe maybe the American people are

1361
01:01:41,840 --> 01:01:45,040
Speaker 2: seeing something way different than the judges are, and who

1362
01:01:45,080 --> 01:01:46,040
Speaker 2: knows what's going to happen.

1363
01:01:46,360 --> 01:01:49,560
Speaker 1: Yeah, all right, you got a question for me?

1364
01:01:50,160 --> 01:01:54,360
Speaker 2: I do, But first, uh, first I want to talk

1365
01:01:54,360 --> 01:01:57,040
Speaker 2: to you a little bit so we know that, uh,

1366
01:01:57,320 --> 01:01:59,560
Speaker 2: we are doing something called the strong incentive, which is

1367
01:01:59,680 --> 01:02:01,880
Speaker 2: what to take to get right or strong to be

1368
01:02:01,960 --> 01:02:05,160
Speaker 2: a contestant on Dancing with the Stars. We have now

1369
01:02:05,200 --> 01:02:08,760
Speaker 2: offered cash and prizes, probably close to the two million

1370
01:02:08,800 --> 01:02:10,640
Speaker 2: dollar mark. But one thing you've got, a no writer,

1371
01:02:10,920 --> 01:02:17,200
Speaker 2: is that life has consequences. So I'm gonna need you

1372
01:02:17,240 --> 01:02:21,120
Speaker 2: to pick a random number between one and four three

1373
01:02:21,640 --> 01:02:27,480
Speaker 2: three three. You picked, you have lost the five hundred

1374
01:02:27,480 --> 01:02:30,800
Speaker 2: thousand dollars. It is no longer on the table anymore.

1375
01:02:30,840 --> 01:02:32,520
Speaker 3: Oh, my friend, the.

1376
01:02:32,480 --> 01:02:36,320
Speaker 2: Will giveth and the will take it away. So yes,

1377
01:02:37,160 --> 01:02:39,560
Speaker 2: originally five hundred thousand dollars showed up to your house

1378
01:02:39,600 --> 01:02:45,600
Speaker 2: and you released the hounds. Then we had a sprinter van,

1379
01:02:45,880 --> 01:02:48,240
Speaker 2: beautiful sprinter van, three hundred thousand dollars value.

1380
01:02:48,360 --> 01:02:50,640
Speaker 3: You said no, and you release the hounds yet again.

1381
01:02:51,160 --> 01:02:55,120
Speaker 2: Then they someone found Sean's leather jacket, original leather jacket,

1382
01:02:55,200 --> 01:02:57,600
Speaker 2: and you wavered a bit, but nope, still weren't interested.

1383
01:02:57,840 --> 01:02:59,960
Speaker 2: And then last week I went for the soft underbell,

1384
01:03:00,440 --> 01:03:02,280
Speaker 2: which you're going to do again this week, where you

1385
01:03:02,320 --> 01:03:05,280
Speaker 2: had your og magic cards with a black Lotus card

1386
01:03:05,600 --> 01:03:10,200
Speaker 2: thrown in. But now because indifference has consequence, the five

1387
01:03:10,280 --> 01:03:11,000
Speaker 2: hundred grand.

1388
01:03:10,880 --> 01:03:11,480
Speaker 3: Is off the table.

1389
01:03:11,520 --> 01:03:15,000
Speaker 2: So we now have just the jacket, the magic cards

1390
01:03:15,040 --> 01:03:17,520
Speaker 2: with the black Lotus, and the sprinter van. This week,

1391
01:03:19,400 --> 01:03:22,400
Speaker 2: somebody shows up at your house with a Manila envelope,

1392
01:03:22,960 --> 01:03:25,800
Speaker 2: one of those specialty sealed envelopes that you have to

1393
01:03:25,840 --> 01:03:28,000
Speaker 2: sign for. You grab the pen, you write right or strong,

1394
01:03:28,040 --> 01:03:30,040
Speaker 2: and you quickly cross it out, because we know how

1395
01:03:30,080 --> 01:03:35,120
Speaker 2: you like to sign an autograph. You opened the pat

1396
01:03:35,240 --> 01:03:36,960
Speaker 2: you open the little the little thing, the little Millima

1397
01:03:37,280 --> 01:03:40,200
Speaker 2: Manila envelope, and you slide out a paper. You read

1398
01:03:40,240 --> 01:03:45,240
Speaker 2: the paper and it is a deed oh No to Coffeecats,

1399
01:03:45,680 --> 01:03:47,720
Speaker 2: which is opening again in Sebastopool.

1400
01:03:48,080 --> 01:03:49,360
Speaker 3: Its original spot.

1401
01:03:50,200 --> 01:03:55,240
Speaker 6: You have the opportunity to have an entire new generation

1402
01:03:55,480 --> 01:03:58,680
Speaker 6: of young hippie kids who like to read poetry and

1403
01:03:58,720 --> 01:04:03,840
Speaker 6: play magic, the original spot of coffeecats, and it is yours.

1404
01:04:04,520 --> 01:04:10,400
Speaker 2: If you would only go on dancing with the stars.

1405
01:04:11,600 --> 01:04:13,600
Speaker 1: That's a really good one, right. You know why that's

1406
01:04:13,600 --> 01:04:15,960
Speaker 1: a really good one because it's not only personal and

1407
01:04:16,040 --> 01:04:19,040
Speaker 1: goes back to like my but I've always loved community

1408
01:04:19,760 --> 01:04:22,920
Speaker 1: and the idea of like having a gathering space, and

1409
01:04:23,520 --> 01:04:27,880
Speaker 1: I also love coffee, and I could to provide what

1410
01:04:28,000 --> 01:04:30,800
Speaker 1: I got from that community and that sense of space.

1411
01:04:30,960 --> 01:04:33,480
Speaker 1: And you know, also I did open mic there. I

1412
01:04:33,520 --> 01:04:35,080
Speaker 1: have friends who did open mic nights.

1413
01:04:35,120 --> 01:04:38,120
Speaker 2: There all comes back rider and it's yours.

1414
01:04:39,040 --> 01:04:40,400
Speaker 1: I mean, what if I say yes, then it's the

1415
01:04:40,440 --> 01:04:41,080
Speaker 1: segment over.

1416
01:04:42,280 --> 01:04:44,360
Speaker 3: I mean again, would you say yes? Is this what

1417
01:04:44,400 --> 01:04:44,919
Speaker 3: it would take?

1418
01:04:46,160 --> 01:04:50,000
Speaker 1: I mean, I really, I really love I've always loved

1419
01:04:50,000 --> 01:04:52,560
Speaker 1: the idea of like having you know, being a part

1420
01:04:52,600 --> 01:04:56,280
Speaker 1: of But then I think about owning a restaurant, owning

1421
01:04:56,360 --> 01:05:01,320
Speaker 1: a responsibility also responsibility these that come with it, And

1422
01:05:01,360 --> 01:05:03,440
Speaker 1: I lost the five hundred thousand dollars which could have

1423
01:05:03,480 --> 01:05:07,000
Speaker 1: helped hire those people to help me run it. And

1424
01:05:07,040 --> 01:05:11,439
Speaker 1: it's not a bookstore. It's just a coffee shop. Oh God,

1425
01:05:11,440 --> 01:05:16,120
Speaker 1: that's tough, though, that was like, that's like that. God,

1426
01:05:16,160 --> 01:05:19,680
Speaker 1: But could I handle the embarrassment of doing the show.

1427
01:05:19,920 --> 01:05:21,680
Speaker 3: With all the social media stuff attached?

1428
01:05:21,880 --> 01:05:24,560
Speaker 1: I would, Oh God, I feel like I would ruin

1429
01:05:25,360 --> 01:05:31,040
Speaker 1: all my like integrity in order to be on Dance

1430
01:05:31,120 --> 01:05:33,280
Speaker 1: with the Stars. That I wouldn't be able to have

1431
01:05:33,320 --> 01:05:39,560
Speaker 1: an authentic relationship with coffeecats back in Sebastball. God, damn it.

1432
01:05:39,600 --> 01:05:46,680
Speaker 1: Will I don't know. I'm genuinely torn the how much

1433
01:05:46,720 --> 01:05:49,240
Speaker 1: were the magic cards worth? I could sell the magic cards.

1434
01:05:48,960 --> 01:05:50,720
Speaker 2: The magic car well, I think the I don't know

1435
01:05:50,720 --> 01:05:52,320
Speaker 2: what your original deck would be worth. There probably be

1436
01:05:52,360 --> 01:05:54,080
Speaker 2: some bangers in there, but the black BoatUS I think

1437
01:05:54,080 --> 01:05:55,520
Speaker 2: the last one sold for six hundred grand.

1438
01:05:56,120 --> 01:05:57,880
Speaker 1: Okay, so I still have some cash?

1439
01:05:58,000 --> 01:06:04,480
Speaker 2: Oh yeah, God, I think I might do it. Seriously.

1440
01:06:05,400 --> 01:06:07,480
Speaker 2: Did we find it already in week five?

1441
01:06:10,360 --> 01:06:13,920
Speaker 1: I don't know. I mean I think I could I

1442
01:06:14,000 --> 01:06:15,880
Speaker 1: change it to a bookstore? Could I? Could I make.

1443
01:06:15,760 --> 01:06:17,640
Speaker 2: It it's your original coffee? Well?

1444
01:06:17,680 --> 01:06:19,320
Speaker 3: I mean again, it's yours and you can do whatever

1445
01:06:19,360 --> 01:06:19,680
Speaker 3: you want.

1446
01:06:19,720 --> 01:06:23,560
Speaker 7: Okay, No, okay, If I'm gonna say it's original coffee

1447
01:06:23,560 --> 01:06:26,200
Speaker 7: cats if you have to be original coffee cats, and

1448
01:06:26,280 --> 01:06:29,480
Speaker 7: I can't also make it into like the but man,

1449
01:06:29,920 --> 01:06:31,640
Speaker 7: that's close, that's close.

1450
01:06:32,360 --> 01:06:34,880
Speaker 1: I honestly like, I've always thought that, like, oh, it

1451
01:06:34,880 --> 01:06:36,320
Speaker 1: would be fun to own a place like that. But

1452
01:06:36,400 --> 01:06:38,880
Speaker 1: I talked to anybody who's worked in the restaurant industry

1453
01:06:38,960 --> 01:06:41,800
Speaker 1: and it sounds like hell yeah, you know, concluding my

1454
01:06:41,840 --> 01:06:45,400
Speaker 1: wife who spent years in the restaurant and like, so yeah,

1455
01:06:45,440 --> 01:06:48,560
Speaker 1: I'm gonna say no. As much as I want that

1456
01:06:48,600 --> 01:06:51,040
Speaker 1: space back, and I would love to provide a community space,

1457
01:06:51,080 --> 01:06:53,240
Speaker 1: it would I would rather be a bookstore that has

1458
01:06:53,320 --> 01:06:57,400
Speaker 1: coffee as opposed to a coffee shop that that serves food.

1459
01:06:57,480 --> 01:06:58,600
Speaker 1: So I'm gonna sry.

1460
01:06:58,840 --> 01:06:59,520
Speaker 3: Okay, there you go.

1461
01:06:59,560 --> 01:07:02,040
Speaker 2: Also, keep in mind, now every week that you say no,

1462
01:07:02,480 --> 01:07:03,880
Speaker 2: you're gonna lose something else.

1463
01:07:03,680 --> 01:07:05,480
Speaker 1: That's on it. That's fair. I think that's fair. I

1464
01:07:05,480 --> 01:07:07,640
Speaker 1: think that keeps it, keeps it. Yeah, there you go,

1465
01:07:07,720 --> 01:07:10,280
Speaker 1: and it's going to be random if that stays on though,

1466
01:07:11,560 --> 01:07:14,280
Speaker 1: Oh yeah, that's gonna be hard. It's getting hard. Man.

1467
01:07:14,680 --> 01:07:16,200
Speaker 1: That's a good one.

1468
01:07:16,800 --> 01:07:18,440
Speaker 3: Good job, Thank you, thank you.

1469
01:07:19,040 --> 01:07:22,680
Speaker 1: Oh man. All right, that's it for this episode of

1470
01:07:22,680 --> 01:07:25,440
Speaker 1: Pod meets Tworld. Join us next week as we continue

1471
01:07:25,480 --> 01:07:28,920
Speaker 1: watching season thirty four of Dancing with the Stars. We

1472
01:07:29,000 --> 01:07:31,800
Speaker 1: may not know a quick step from a quick snack,

1473
01:07:32,080 --> 01:07:35,200
Speaker 1: but we know what we learned way back in Phoenie's class.

1474
01:07:35,520 --> 01:07:40,120
Speaker 1: Danielle Fischel is the star of the show. Pod Meats

1475
01:07:40,120 --> 01:07:43,000
Speaker 1: World is an iHeart podcast producer hosted by Danielle Fischl,

1476
01:07:43,040 --> 01:07:46,760
Speaker 1: Wilfredell and Ryder Strong executive producers Jensen Karp and Amy

1477
01:07:46,760 --> 01:07:52,000
Speaker 1: Sugarman Executive in charge of production, Danielle Romo, producer and editor, Tarasubash, producer,

1478
01:07:52,080 --> 01:07:55,320
Speaker 1: Maddie Moore, engineer and boy Mets World superman Easton Allen.

1479
01:07:55,440 --> 01:07:58,560
Speaker 1: Our theme song is by Kyle Morton of Typhoon. Follow

1480
01:07:58,640 --> 01:08:01,480
Speaker 1: us on Instagram at podme World Show or email us

1481
01:08:01,520 --> 01:08:04,160
Speaker 1: at Hodby's World Show at gmail dot com.

1482
01:08:07,040 --> 01:08:07,320
Speaker 2: MHM