1 00:00:01,360 --> 00:00:08,760 Speaker 1: So in the absolutely seminal work of two thousand two, uh, 2 00:00:08,840 --> 00:00:13,720 Speaker 1: a movie called eight Mile came together starring famed White 3 00:00:13,840 --> 00:00:18,360 Speaker 1: rapper Eminem. Now I'm saying white rapper just just for funnies, 4 00:00:18,560 --> 00:00:23,640 Speaker 1: because had he not been easily one of the greatest 5 00:00:23,680 --> 00:00:33,479 Speaker 1: rappers to ever rap rapping, there's that just undeniable ki influences, cadences. Now, 6 00:00:33,520 --> 00:00:36,280 Speaker 1: some of y'all are a little young, so you you, 7 00:00:36,280 --> 00:00:39,200 Speaker 1: you may not really appreciate. You may only know moms spaghetti, 8 00:00:39,360 --> 00:00:42,400 Speaker 1: moms spaghetti. You may only know the of course some 9 00:00:42,479 --> 00:00:45,760 Speaker 1: world torn dropping the four tours over the floor boards, 10 00:00:46,600 --> 00:00:48,960 Speaker 1: getting divorced and divorce at the same time as Harrison 11 00:00:49,000 --> 00:00:53,600 Speaker 1: Ford and tinking panting, panting, panting, wall panickin. You're using 12 00:00:53,680 --> 00:00:58,400 Speaker 1: way too many napkins, bapkins flapping flapping around like a bathkin. 13 00:00:58,480 --> 00:01:02,880 Speaker 1: You may only know Meme Eminem. But in the art 14 00:01:02,960 --> 00:01:08,760 Speaker 1: of rap, in the time that he came and even 15 00:01:08,920 --> 00:01:15,840 Speaker 1: up to now, his track record, his catalog, his ability 16 00:01:15,959 --> 00:01:20,360 Speaker 1: to just the mastery of the art and skill of rap, 17 00:01:20,400 --> 00:01:23,840 Speaker 1: he's he's really there's there's not really you can't. He 18 00:01:23,880 --> 00:01:26,200 Speaker 1: may not be your thing, which is what I'm trying 19 00:01:26,200 --> 00:01:29,000 Speaker 1: to get out he may not be your thing. Maybe 20 00:01:29,000 --> 00:01:31,440 Speaker 1: what you like, just like some people don't like sushi. 21 00:01:31,800 --> 00:01:34,080 Speaker 1: I disagree with those people. They are wrong, but some 22 00:01:34,120 --> 00:01:38,400 Speaker 1: people don't like sushi. But it is when you have 23 00:01:38,480 --> 00:01:44,080 Speaker 1: someone who is a an absolute prodigy, Mastery, Michelin, star, 24 00:01:44,840 --> 00:01:49,040 Speaker 1: sushi chef, it is what it is. They're objectively Eminem 25 00:01:49,080 --> 00:01:52,240 Speaker 1: what my argument is, take it from prop Eminem is 26 00:01:52,400 --> 00:01:56,920 Speaker 1: objectively one of the top five rappers to ever rap. 27 00:01:58,880 --> 00:02:04,680 Speaker 1: Just I know, trust me. But in this work eight Mile, 28 00:02:04,960 --> 00:02:08,080 Speaker 1: which in hindsight's a little funny, you know, growing up 29 00:02:08,120 --> 00:02:10,320 Speaker 1: in the mean streets of Detroit, which is not funny, 30 00:02:10,400 --> 00:02:13,120 Speaker 1: and them streets are actually very mean, but their music 31 00:02:13,160 --> 00:02:16,160 Speaker 1: scene was thriving, like there's no other way around that. 32 00:02:16,520 --> 00:02:18,840 Speaker 1: Detroit all the way back to Motown. Detroit has given 33 00:02:18,919 --> 00:02:20,560 Speaker 1: us some of the greatest music in the world. Anyway, 34 00:02:20,600 --> 00:02:22,960 Speaker 1: their underground scene and I've got to perform at this 35 00:02:23,000 --> 00:02:26,040 Speaker 1: place which was super dupe. But St. Andrew's Hall upstairs 36 00:02:26,040 --> 00:02:29,520 Speaker 1: and then downstairs is the famous scene at the end 37 00:02:29,560 --> 00:02:33,240 Speaker 1: where he's rapping two overshook ones and loosely based on 38 00:02:33,320 --> 00:02:35,400 Speaker 1: his life living in a trailer park and he's trying 39 00:02:35,400 --> 00:02:37,000 Speaker 1: to get a record deal and break it to the 40 00:02:37,040 --> 00:02:41,480 Speaker 1: industry and has this one major battle. And in this battle, 41 00:02:41,520 --> 00:02:44,880 Speaker 1: he's just knocking off local rappers left and right, you know, 42 00:02:45,040 --> 00:02:47,840 Speaker 1: and the cheddar Bob of the world. And anyway, at 43 00:02:47,880 --> 00:02:50,680 Speaker 1: the end of it, he wins the battle and he 44 00:02:50,760 --> 00:02:57,440 Speaker 1: goes home, but he wins over this room full of 45 00:02:57,440 --> 00:03:01,480 Speaker 1: black people. And as he's taken out crew after crew 46 00:03:01,520 --> 00:03:05,600 Speaker 1: and rapper after wrapper, he uh then just has to 47 00:03:05,639 --> 00:03:08,200 Speaker 1: go back to work because underground wrap don't pay. This 48 00:03:08,280 --> 00:03:13,080 Speaker 1: is pre you are l and grind time before any 49 00:03:13,160 --> 00:03:16,680 Speaker 1: YouTube channels for rap battles. I'm quoting myself in that 50 00:03:17,480 --> 00:03:19,760 Speaker 1: you can go back and listen to my work excellent record. 51 00:03:19,960 --> 00:03:23,680 Speaker 1: I'm not saying I'm excellent, but there's an album called excellent, 52 00:03:23,880 --> 00:03:26,639 Speaker 1: and the title track is called excellent. And I say 53 00:03:26,840 --> 00:03:29,080 Speaker 1: he with low standards, don't get no mics on the 54 00:03:29,160 --> 00:03:31,320 Speaker 1: stage as I stand on to battle where the stakes 55 00:03:31,320 --> 00:03:33,200 Speaker 1: where the rights to keep the mic for a couple 56 00:03:33,320 --> 00:03:37,200 Speaker 1: more bars. No YouTube channels for rap battles of cash prizes, 57 00:03:37,360 --> 00:03:42,200 Speaker 1: just keeping your cool when heat rises. So anyway, there's 58 00:03:42,200 --> 00:03:44,880 Speaker 1: no ten thousand dollar pots. It wasn't until like the 59 00:03:45,040 --> 00:03:46,960 Speaker 1: end of my time in the battle rap scene where 60 00:03:46,960 --> 00:03:49,400 Speaker 1: you would win a chance to do a song with Dre. 61 00:03:49,600 --> 00:03:52,080 Speaker 1: You know what I'm saying. Anyway, Uh, that wasn't the scene. 62 00:03:52,080 --> 00:03:54,520 Speaker 1: We can that what that scene that y'all know about, 63 00:03:54,520 --> 00:03:58,040 Speaker 1: where you write the you get to do the acapella 64 00:03:58,240 --> 00:04:01,480 Speaker 1: right then write the three minute verse. You get three 65 00:04:01,520 --> 00:04:03,280 Speaker 1: months to prepare. I didn't come from that. You had 66 00:04:03,280 --> 00:04:04,840 Speaker 1: to come off the head. You don't know who you 67 00:04:04,920 --> 00:04:06,680 Speaker 1: was battling, and you got to do anyway. So this 68 00:04:06,720 --> 00:04:08,800 Speaker 1: scene was supposed to be that any completely wins over 69 00:04:08,840 --> 00:04:12,920 Speaker 1: the crowd, and it was absolutely incredible and encouraged. White 70 00:04:12,960 --> 00:04:15,320 Speaker 1: rappers are everywhere to think that they could actually do this. 71 00:04:19,040 --> 00:04:22,320 Speaker 1: The problem is, this would be the corniest movie ever 72 00:04:22,520 --> 00:04:26,120 Speaker 1: if Eminem was not the most amazing rapper ever. Like it. 73 00:04:27,640 --> 00:04:29,599 Speaker 1: I can't stress this enough. How good of a rapper 74 00:04:29,640 --> 00:04:34,400 Speaker 1: Eminem is that being said, Like I said, I come 75 00:04:34,440 --> 00:04:38,719 Speaker 1: from the battle rap scene. It don't really be working 76 00:04:38,800 --> 00:04:42,159 Speaker 1: like that, Fam. You don't ever really went over the crowd. 77 00:04:42,720 --> 00:04:45,320 Speaker 1: It just you got your whole crew the air cheer. 78 00:04:45,360 --> 00:04:50,000 Speaker 1: They listen, this ain't Eminem, Fam, This ain't look it. 79 00:04:50,120 --> 00:04:52,280 Speaker 1: You have to be the greatest rapper in the world 80 00:04:52,320 --> 00:04:57,679 Speaker 1: for this to happen. Listen, this ain't a mile. Let's 81 00:04:57,760 --> 00:05:19,440 Speaker 1: talk about televised debates, y'all. Hood Polo tis welcome, Welcome, welcome, welcome, welcome. 82 00:05:19,520 --> 00:05:23,240 Speaker 1: In this season of midterms, hopefully you've watched a number 83 00:05:23,279 --> 00:05:26,719 Speaker 1: of like local debates, um, and maybe you didn't watch them, 84 00:05:26,720 --> 00:05:29,599 Speaker 1: maybe you uh just saw the clips the next day, 85 00:05:31,360 --> 00:05:33,880 Speaker 1: and those clips oftentimes tend to go a long way. 86 00:05:33,960 --> 00:05:37,800 Speaker 1: My man JB out in Au Oklahoma City, shout out 87 00:05:37,920 --> 00:05:39,919 Speaker 1: j B and okay see and everything he's doing on 88 00:05:39,960 --> 00:05:43,480 Speaker 1: the East Side project, it's just absolutely incredible. At some 89 00:05:43,520 --> 00:05:45,200 Speaker 1: point I'm gonna bring him in here just to talk 90 00:05:45,240 --> 00:05:47,800 Speaker 1: about what he's doing because it is the epitome of 91 00:05:48,920 --> 00:05:54,960 Speaker 1: what we want to see and why we do this pod. Anyway, Um, 92 00:05:55,120 --> 00:05:57,000 Speaker 1: that was a sip of coffee because I keep it real. 93 00:05:57,560 --> 00:06:01,080 Speaker 1: The Cliffy showed was from their gouvernatory a race where 94 00:06:01,120 --> 00:06:05,600 Speaker 1: this man that was running was basically trying to make 95 00:06:05,640 --> 00:06:11,920 Speaker 1: a point about being aspirational, and he was essentially saying, listen, 96 00:06:12,160 --> 00:06:13,880 Speaker 1: when you run a company and you say you're gonna 97 00:06:13,880 --> 00:06:17,760 Speaker 1: be the top ten company in the world, it's it's 98 00:06:17,760 --> 00:06:21,240 Speaker 1: not like a literal thing, it's it's aspirational, like and 99 00:06:21,600 --> 00:06:24,200 Speaker 1: you know me being the government. You know, Oklahoma being 100 00:06:24,240 --> 00:06:28,080 Speaker 1: the top ten state. We're not gonna be that, but 101 00:06:28,240 --> 00:06:32,000 Speaker 1: it's aspirational. I was like, Fam, you said, what now, 102 00:06:33,600 --> 00:06:40,320 Speaker 1: so hold up in in a debate to get elected. 103 00:06:40,800 --> 00:06:44,279 Speaker 1: You just this the people that's supposed to choose you 104 00:06:44,760 --> 00:06:46,599 Speaker 1: by being like, y'all ain't gonna ever be no top 105 00:06:46,600 --> 00:06:48,359 Speaker 1: ten you ain't never you ain't never no, but you 106 00:06:48,360 --> 00:06:51,120 Speaker 1: ain't in nobody's top ten list. We'll never be there. 107 00:06:51,560 --> 00:06:54,320 Speaker 1: I just want us to work as if we might 108 00:06:54,400 --> 00:06:58,159 Speaker 1: one day. I was like, Fam, you gotta write this 109 00:06:58,160 --> 00:07:03,200 Speaker 1: stuff down before you start talking. Every once in a 110 00:07:03,200 --> 00:07:06,120 Speaker 1: while when you freestyle, and I'm gonna be real, like again, 111 00:07:06,160 --> 00:07:08,720 Speaker 1: I come from battle wrap. I come from freestyle. Every 112 00:07:08,760 --> 00:07:12,480 Speaker 1: once in a while when you get sometimes you black out. 113 00:07:13,000 --> 00:07:16,080 Speaker 1: There's been moments that I'm like, you come to at 114 00:07:16,120 --> 00:07:19,320 Speaker 1: the end. It's just I it's like, what when people 115 00:07:19,320 --> 00:07:22,120 Speaker 1: talk about flow state, like I didn't realize that. We 116 00:07:22,120 --> 00:07:23,960 Speaker 1: didn't obviously we didn't know what that was called. But 117 00:07:24,040 --> 00:07:28,760 Speaker 1: we were accessing flow state every night because there's a 118 00:07:28,920 --> 00:07:33,960 Speaker 1: there is a moment where you start feeling like a man. 119 00:07:34,000 --> 00:07:35,800 Speaker 1: Before I recorded this, I should have brought in some 120 00:07:35,840 --> 00:07:38,920 Speaker 1: of the homies you start feeling like in your head 121 00:07:38,920 --> 00:07:42,400 Speaker 1: you're three and four lines ahead of what's coming out 122 00:07:42,400 --> 00:07:45,120 Speaker 1: of your mouth. I'm already connecting the dot. I'm four 123 00:07:45,120 --> 00:07:47,480 Speaker 1: bars ahead of you of what's coming out of my mouth. 124 00:07:47,520 --> 00:07:50,600 Speaker 1: I didn't already connected those dots. I've already thought about 125 00:07:50,600 --> 00:07:53,640 Speaker 1: the patterns, like when you're good at it, and the 126 00:07:53,680 --> 00:07:55,560 Speaker 1: extent for which you could be good at it is 127 00:07:55,640 --> 00:07:58,000 Speaker 1: your mastery of the ability to do that. And then 128 00:07:58,040 --> 00:08:01,120 Speaker 1: sometimes my homeboy pad side and talks about this sometimes 129 00:08:02,560 --> 00:08:05,360 Speaker 1: and I've experienced it. You just black out. You couldn't 130 00:08:05,400 --> 00:08:08,160 Speaker 1: ask me to tell you what I just said. I 131 00:08:08,200 --> 00:08:11,880 Speaker 1: don't remember it. It's just the moment gets so intense, 132 00:08:12,280 --> 00:08:15,760 Speaker 1: everything clear, It's like everything fires. The moment slows down. 133 00:08:15,800 --> 00:08:18,320 Speaker 1: You feel like you're again. I come from the time 134 00:08:18,320 --> 00:08:21,760 Speaker 1: where it's there's an instrumental playing and you just I 135 00:08:21,800 --> 00:08:25,520 Speaker 1: couldn't get off beat if I tried, and what's coming 136 00:08:25,520 --> 00:08:28,840 Speaker 1: out of my mouth, I'm so in the moment. You're 137 00:08:28,960 --> 00:08:33,280 Speaker 1: so locked in that it's like I couldn't fall off 138 00:08:33,320 --> 00:08:35,880 Speaker 1: if I tried. I have another friend where you you 139 00:08:35,920 --> 00:08:38,960 Speaker 1: have to cut him off because he won't stop. It's 140 00:08:39,000 --> 00:08:43,599 Speaker 1: just you you lock in, which is why it's I 141 00:08:43,640 --> 00:08:45,200 Speaker 1: have a hard time to understand if he rappers who 142 00:08:45,240 --> 00:08:47,080 Speaker 1: say they came freestyle, because I just didn't come from that, 143 00:08:47,160 --> 00:08:49,199 Speaker 1: Like that was something that It's like a basketball player 144 00:08:49,200 --> 00:08:51,280 Speaker 1: that can't dribble. It's just a part of the game. 145 00:08:51,520 --> 00:08:54,520 Speaker 1: I know things have changed. See I'm old school. Everybody 146 00:08:54,520 --> 00:08:56,120 Speaker 1: don't work like me, you know what I'm saying. But 147 00:08:56,160 --> 00:08:59,559 Speaker 1: that's that's where I came from, right, and the melody 148 00:08:59,559 --> 00:09:01,520 Speaker 1: in the case into the words and the styles, like 149 00:09:01,559 --> 00:09:03,800 Speaker 1: it all had to be together. Now when you think 150 00:09:03,840 --> 00:09:06,480 Speaker 1: about like Southern trap rap or like drill music or 151 00:09:06,480 --> 00:09:09,439 Speaker 1: stuff like that, like it's all vibe, you know what 152 00:09:09,480 --> 00:09:12,640 Speaker 1: I'm saying, it's just gotta feel aggressive. And a lot 153 00:09:12,679 --> 00:09:14,720 Speaker 1: of them dudes do go in there in freestyle songs 154 00:09:14,800 --> 00:09:18,120 Speaker 1: like rain Drops, jop Talps, Cooking U Feather the crup pot. 155 00:09:18,720 --> 00:09:21,520 Speaker 1: That's the girls thought thought like, if that's vibe, like 156 00:09:21,559 --> 00:09:24,079 Speaker 1: you were just feeling good, it don't have to make sense, 157 00:09:24,440 --> 00:09:26,679 Speaker 1: you know what I'm saying. It does, but it doesn't 158 00:09:26,720 --> 00:09:28,760 Speaker 1: have to. It just has to feel right. I didn't 159 00:09:28,800 --> 00:09:31,959 Speaker 1: come from that. You had to bar out you feel me. 160 00:09:33,679 --> 00:09:36,640 Speaker 1: But then there are other times when you're in that 161 00:09:36,679 --> 00:09:39,960 Speaker 1: flow state and something ridiculous comes out of you about 162 00:09:40,760 --> 00:09:44,280 Speaker 1: and you're like, oh what just wait, what did I 163 00:09:44,320 --> 00:09:47,560 Speaker 1: just say? And what was so funny? And not funny 164 00:09:47,600 --> 00:09:50,360 Speaker 1: but like sad from that time is like hip hop 165 00:09:50,679 --> 00:09:55,800 Speaker 1: historically has been very homophobic. So unfortunately a lot of 166 00:09:55,800 --> 00:10:03,320 Speaker 1: the battle phrases were about calling the other person gay 167 00:10:03,440 --> 00:10:08,040 Speaker 1: to our shame, you know, That's what the scene was like. 168 00:10:08,120 --> 00:10:11,960 Speaker 1: But when you when you black out and your freestyle 169 00:10:12,040 --> 00:10:20,440 Speaker 1: and some of the things that you're saying are rather gay. Yeah, 170 00:10:20,559 --> 00:10:24,760 Speaker 1: and and it's and at the at the time, unfortunately 171 00:10:24,840 --> 00:10:27,880 Speaker 1: we would it was it's I'm saying this to our 172 00:10:27,920 --> 00:10:30,320 Speaker 1: shame at the time, those things will come out of 173 00:10:30,320 --> 00:10:32,880 Speaker 1: our mouth and you would catch yourself like, you know, 174 00:10:34,040 --> 00:10:36,880 Speaker 1: bend over, nigger, I turned you to a prostitute. Get 175 00:10:36,960 --> 00:10:41,280 Speaker 1: putting that grass like it's like word, I mean, that's like, 176 00:10:41,800 --> 00:10:45,079 Speaker 1: I mean, you're suppressing stuff, you know what I'm saying. 177 00:10:45,320 --> 00:10:47,719 Speaker 1: But the point I'm trying to make is sometimes it 178 00:10:47,800 --> 00:10:49,520 Speaker 1: comes out of your mouth in a way that it 179 00:10:49,559 --> 00:10:55,320 Speaker 1: wasn't supposed to come out of your mouth. And I 180 00:10:55,360 --> 00:10:57,040 Speaker 1: feel like that's what happened with a Oh boy, Like 181 00:10:57,080 --> 00:10:59,000 Speaker 1: maybe you're not as doub with a freestyle as you 182 00:10:59,000 --> 00:11:01,040 Speaker 1: think you are. You should have thought that through. You 183 00:11:01,040 --> 00:11:03,840 Speaker 1: should have random bars in front of you. Anyway, the 184 00:11:03,920 --> 00:11:08,520 Speaker 1: point is all I know about that that debate was 185 00:11:08,600 --> 00:11:17,880 Speaker 1: that clip. Okay, some might ask at least some people 186 00:11:18,040 --> 00:11:22,319 Speaker 1: have asked me this, why do you even televise debates? 187 00:11:22,440 --> 00:11:28,480 Speaker 1: Especially after the debacle of the two thousand sixteen elections 188 00:11:28,480 --> 00:11:37,320 Speaker 1: that were just absurd. They were just like these screaming matches. 189 00:11:38,240 --> 00:11:40,160 Speaker 1: You're not answering the question. And I don't know if 190 00:11:40,160 --> 00:11:42,000 Speaker 1: you remember in two thousand and sixteen when there was 191 00:11:42,080 --> 00:11:48,120 Speaker 1: count them eleven people running for the Republican See, it's like, 192 00:11:48,160 --> 00:11:50,240 Speaker 1: you can't get no word in. There's no way for you, 193 00:11:50,640 --> 00:11:54,920 Speaker 1: there's no way for you to like get your bars off. 194 00:11:54,920 --> 00:11:57,200 Speaker 1: You can't get your bars. There's two many people and 195 00:11:57,200 --> 00:11:59,760 Speaker 1: and we're talking over each other. We're just trying to 196 00:11:59,800 --> 00:12:07,720 Speaker 1: get singers, and like nobody's convincing anyone. This is why 197 00:12:07,760 --> 00:12:38,920 Speaker 1: I bring up battle rap. Now. I come from a 198 00:12:38,960 --> 00:12:42,240 Speaker 1: scene and and please follow me when I say all this. 199 00:12:42,440 --> 00:12:47,760 Speaker 1: I come from a scene where this is early internet, 200 00:12:47,840 --> 00:12:51,040 Speaker 1: so Internet didn't rule the world. I am probably a 201 00:12:51,040 --> 00:12:54,720 Speaker 1: lot older than a lot of y'all. Um, Well maybe 202 00:12:54,720 --> 00:12:56,600 Speaker 1: not a lot older. You know what I'm saying. But 203 00:12:56,760 --> 00:12:59,040 Speaker 1: hip hop, the type of hip hop we existed in 204 00:12:59,760 --> 00:13:04,280 Speaker 1: it was really a clandestined sort of thing. We were 205 00:13:05,120 --> 00:13:12,520 Speaker 1: the scene. While like perfect example, when Doggie Style dropped 206 00:13:12,679 --> 00:13:25,240 Speaker 1: the Snoop Dogs record and single Snooke Dog Dog in 207 00:13:25,280 --> 00:13:29,040 Speaker 1: the same city in Los Angeles, so did a song 208 00:13:29,080 --> 00:13:31,560 Speaker 1: called Passing Me By from a group called the Far Side. 209 00:13:34,080 --> 00:13:36,760 Speaker 1: And I can still wrap that song from top to bottom. 210 00:13:36,840 --> 00:13:38,880 Speaker 1: Near my younger days, I used to support a shack. 211 00:13:39,640 --> 00:13:41,560 Speaker 1: When I went to school. I carried lunch in a 212 00:13:41,640 --> 00:13:43,640 Speaker 1: bag with an apple for my teacher. That would fill 213 00:13:43,679 --> 00:13:47,040 Speaker 1: up too much time. But anyway, with my name last 214 00:13:47,240 --> 00:13:49,800 Speaker 1: on the looking glass and seen her yesterday, but still 215 00:13:49,840 --> 00:13:53,079 Speaker 1: I had the letter pass Do for Dirt Dirt or 216 00:13:54,080 --> 00:13:59,920 Speaker 1: Cheekie's Oh Pasting Me By a good film. You can 217 00:14:00,000 --> 00:14:03,600 Speaker 1: watches the Elements documentary. It's about this, the other scene 218 00:14:03,600 --> 00:14:06,520 Speaker 1: of l a hip hop. A lot of my friends 219 00:14:06,520 --> 00:14:08,480 Speaker 1: are in that, and it was about what else was 220 00:14:08,480 --> 00:14:11,280 Speaker 1: happening in Los Angeles. So while DJ Quick and Snoop 221 00:14:11,320 --> 00:14:15,240 Speaker 1: Dogg and dog Pan what's happening so was dialectic people's 222 00:14:15,240 --> 00:14:17,440 Speaker 1: Far Side ending up in the Bay. People like Soul 223 00:14:17,480 --> 00:14:19,680 Speaker 1: is a mischief and I need three to infinity gift 224 00:14:19,720 --> 00:14:25,560 Speaker 1: to gab you know, uh Visionaries, Uh Freestyle Fellowship. You know, 225 00:14:25,920 --> 00:14:28,520 Speaker 1: this whole other world Ski Low. You know, I wish 226 00:14:28,520 --> 00:14:30,480 Speaker 1: I was a little bit taller. I wish I was 227 00:14:30,520 --> 00:14:33,280 Speaker 1: about he come from that scene, right, So there was 228 00:14:33,280 --> 00:14:39,520 Speaker 1: this whole other area of Los Angeles that was doing 229 00:14:39,560 --> 00:14:43,760 Speaker 1: a different type of hip hop, right and out of 230 00:14:43,800 --> 00:14:48,320 Speaker 1: that was like m where I would show up at 231 00:14:48,400 --> 00:14:53,480 Speaker 1: weekly open mics and battles and DJs and some some 232 00:14:53,560 --> 00:14:55,240 Speaker 1: of them were always battles, some of them were just 233 00:14:55,280 --> 00:14:58,240 Speaker 1: like those are even a spot called Building Box, you 234 00:14:58,280 --> 00:15:01,480 Speaker 1: know where you just you're we're playing past the mic 235 00:15:01,840 --> 00:15:04,720 Speaker 1: and uh event called Project Blowed in this area called 236 00:15:04,760 --> 00:15:07,280 Speaker 1: the Mert Park and the Crenshaw District, you know, where 237 00:15:07,360 --> 00:15:09,440 Speaker 1: you would stand outside on the street corner and you 238 00:15:09,560 --> 00:15:13,440 Speaker 1: just freestyle until the sun came up. It's a great childhood, 239 00:15:13,680 --> 00:15:16,480 Speaker 1: you know. But then Elements itself, like Elements was like 240 00:15:16,520 --> 00:15:20,760 Speaker 1: the Playoffs. It was like it was cutthroat in a 241 00:15:20,800 --> 00:15:22,440 Speaker 1: way that it's like like, think of it like this. 242 00:15:22,600 --> 00:15:26,920 Speaker 1: It's a single elimination tournament. You know, you sign up 243 00:15:26,920 --> 00:15:29,880 Speaker 1: on the list of battle and when you're sometimes your 244 00:15:29,920 --> 00:15:32,440 Speaker 1: friends would sign you up on it, just be like, 245 00:15:32,480 --> 00:15:34,280 Speaker 1: oh dang, I wouldn't even try to do it, but anyway, 246 00:15:34,280 --> 00:15:40,480 Speaker 1: you gotta get up there and do it. And out 247 00:15:40,520 --> 00:15:44,080 Speaker 1: of that came things like the Blaze Battle that was 248 00:15:44,200 --> 00:15:48,480 Speaker 1: on HBO, and then I was in a documentary called 249 00:15:48,520 --> 00:15:51,680 Speaker 1: The Battle for l a about l a battle rap scene. 250 00:15:52,360 --> 00:15:55,040 Speaker 1: And then out of that you get stuff like eight Mile, 251 00:15:55,520 --> 00:15:59,800 Speaker 1: you know, which was a movie that's about the Detroit scene, right, 252 00:16:00,520 --> 00:16:02,440 Speaker 1: and then later on you get like the King of 253 00:16:02,440 --> 00:16:04,040 Speaker 1: the Dots in grind Times, where you can build a 254 00:16:04,080 --> 00:16:06,400 Speaker 1: whole industry around that, where people are like athletes, like 255 00:16:06,400 --> 00:16:08,840 Speaker 1: battle raps. They're like T threes to me, like those 256 00:16:08,880 --> 00:16:12,640 Speaker 1: are those are evolved versions of what I came from. 257 00:16:12,640 --> 00:16:14,520 Speaker 1: I can't do what they do. I've hung my mic 258 00:16:14,600 --> 00:16:16,360 Speaker 1: up when it comes to the battle rap stuff. Now 259 00:16:16,400 --> 00:16:19,080 Speaker 1: off the head. I might serve these foods, but for 260 00:16:19,160 --> 00:16:20,880 Speaker 1: what they do now, I can't do what they do. 261 00:16:22,400 --> 00:16:25,960 Speaker 1: This is a long way to say that in that scene, 262 00:16:28,800 --> 00:16:31,840 Speaker 1: what you find is and we would travel like you would. 263 00:16:32,560 --> 00:16:35,320 Speaker 1: You would show up like Elements was one night, Blowed 264 00:16:35,400 --> 00:16:38,440 Speaker 1: was another night. There was a spot called Foundation, which 265 00:16:38,520 --> 00:16:41,080 Speaker 1: was another night. There was one called Chain reaction, which 266 00:16:41,120 --> 00:16:43,040 Speaker 1: was a whole other night. So four and five nights 267 00:16:43,080 --> 00:16:45,160 Speaker 1: a week, we were all over the town in different places, 268 00:16:45,200 --> 00:16:48,560 Speaker 1: and each of those places had like their hometown heroes, 269 00:16:48,640 --> 00:16:51,520 Speaker 1: you know what I'm saying, had their locals uh elements. 270 00:16:51,560 --> 00:16:54,200 Speaker 1: There was a guy named Dotted Line who is in 271 00:16:54,280 --> 00:16:57,160 Speaker 1: the documentary. There was a story where he which happened. 272 00:16:57,160 --> 00:17:00,000 Speaker 1: He battled five dog from tribe call quest. Just because 273 00:17:00,120 --> 00:17:01,920 Speaker 1: you have a big name, at least when it comes 274 00:17:01,920 --> 00:17:03,600 Speaker 1: to l a on me and you get a pass here, 275 00:17:04,000 --> 00:17:07,440 Speaker 1: you got to prove yourself right, which is the point 276 00:17:07,440 --> 00:17:12,119 Speaker 1: I'm trying to get at. So in this area, in 277 00:17:12,160 --> 00:17:18,840 Speaker 1: this scene, you usually if you're on the list, even 278 00:17:18,880 --> 00:17:21,440 Speaker 1: if it's like planning like I'm a battist foreman, service food, 279 00:17:23,000 --> 00:17:32,439 Speaker 1: the crowd is the X factor. Follow me. If the 280 00:17:32,480 --> 00:17:36,400 Speaker 1: crowd just decides they like one guy, if you bring 281 00:17:36,560 --> 00:17:40,479 Speaker 1: enough of your homies there and they just cheer leading, 282 00:17:42,119 --> 00:17:46,680 Speaker 1: there's nothing the other person can say. It don't matter 283 00:17:46,880 --> 00:17:49,960 Speaker 1: even if this person's there's you know the meme of 284 00:17:49,960 --> 00:17:52,600 Speaker 1: the guy that like of the guy's going like but 285 00:17:52,640 --> 00:17:55,000 Speaker 1: I'm not a rapper, and all of his friends are 286 00:17:55,040 --> 00:17:58,399 Speaker 1: like going crazy, you know, after he drops his boss, 287 00:17:58,440 --> 00:18:03,239 Speaker 1: but I'm not a rapper. You flow show mo and 288 00:18:03,280 --> 00:18:09,120 Speaker 1: everybody behind like really, in some ways it was more 289 00:18:09,240 --> 00:18:12,520 Speaker 1: like that, you're not gonna defeat this dude unless you 290 00:18:12,600 --> 00:18:16,480 Speaker 1: was a purist. Most of the time. If he brings, 291 00:18:16,600 --> 00:18:19,960 Speaker 1: if she brings her whole squad, her whole crew, they 292 00:18:20,000 --> 00:18:21,600 Speaker 1: whole crew. If they whole crew is there and their 293 00:18:21,640 --> 00:18:24,679 Speaker 1: whole crew loud enough, the other person can't get their 294 00:18:24,720 --> 00:18:27,399 Speaker 1: bars off. And sometimes the hope is to get into 295 00:18:27,440 --> 00:18:31,040 Speaker 1: the other person's head enough to where the crowd has 296 00:18:31,119 --> 00:18:33,919 Speaker 1: just turned against them and they're still laughing at the 297 00:18:34,000 --> 00:18:39,840 Speaker 1: lines from the other guy. What you saw an eight 298 00:18:39,880 --> 00:18:47,520 Speaker 1: mile is something that I gotta tell you it rarely happens. 299 00:18:49,200 --> 00:18:51,640 Speaker 1: I maybe can count on one hand, and I'm when 300 00:18:51,680 --> 00:19:07,480 Speaker 1: I tell you from ages sixteen, two wenty five, maybe 301 00:19:10,640 --> 00:19:14,879 Speaker 1: something like that. So for maybe even younger than sixt fifteen, 302 00:19:14,960 --> 00:19:20,360 Speaker 1: maybe maybe fifteen fifteen. So for ten years of my life, 303 00:19:20,400 --> 00:19:23,680 Speaker 1: that is what we did, whether it was somebody's garage 304 00:19:24,040 --> 00:19:28,560 Speaker 1: or at the open mics, or traveling across how I 305 00:19:28,960 --> 00:19:31,440 Speaker 1: ditched school to go to Arrival High School to battle 306 00:19:31,440 --> 00:19:34,359 Speaker 1: some dude at lunch like this is the this is 307 00:19:34,400 --> 00:19:39,040 Speaker 1: what we get. I can count on one hand that 308 00:19:40,720 --> 00:19:44,240 Speaker 1: what you saw an eight mile happens. You don't win 309 00:19:44,320 --> 00:19:51,960 Speaker 1: the crowd over unless you are eating this food. You 310 00:19:52,160 --> 00:19:58,040 Speaker 1: have to be eminem level exceptional. It just there has 311 00:19:58,080 --> 00:20:01,679 Speaker 1: been times where I know for a fact I'm serving 312 00:20:01,720 --> 00:20:04,040 Speaker 1: this food, you know what I'm saying, But I'm at 313 00:20:04,080 --> 00:20:07,399 Speaker 1: his school as it just don't matter, Like I'm out 314 00:20:07,400 --> 00:20:08,919 Speaker 1: of school. He got his armies, like I can't get 315 00:20:08,960 --> 00:20:10,880 Speaker 1: these bars off. This fool even looked at me later 316 00:20:10,920 --> 00:20:14,520 Speaker 1: it was like, I know, you know, we were scared. 317 00:20:15,000 --> 00:20:17,119 Speaker 1: I never forget. He was like, now everybody knew you 318 00:20:17,160 --> 00:20:19,840 Speaker 1: was gonna win, So we just did this to like 319 00:20:20,880 --> 00:20:23,919 Speaker 1: try to make you so that you wouldn't but of 320 00:20:23,960 --> 00:20:28,360 Speaker 1: course you want, you know, like and it was part 321 00:20:28,359 --> 00:20:33,399 Speaker 1: of the game, you know now. Um that being said, 322 00:20:34,560 --> 00:20:37,800 Speaker 1: and the things like like an elements, you become weeklies, 323 00:20:37,920 --> 00:20:39,960 Speaker 1: right you you so you become regulars. You know, you're 324 00:20:40,000 --> 00:20:42,600 Speaker 1: there every week and you're kind of battling the same people. 325 00:20:42,640 --> 00:20:44,400 Speaker 1: It's the same home he's in. Like sometimes you win, 326 00:20:44,480 --> 00:20:47,000 Speaker 1: sometimes you lose. Sometimes you you know, you get taken out. 327 00:20:47,040 --> 00:20:49,040 Speaker 1: Other times you take them out, you know what I mean. 328 00:20:49,040 --> 00:20:51,359 Speaker 1: And you just you get on streaks and it was dope, 329 00:20:51,440 --> 00:20:55,040 Speaker 1: you know what I mean? Uh, but that's because the 330 00:20:55,160 --> 00:20:59,800 Speaker 1: crowd knows and loves both of us. Does that make 331 00:21:00,000 --> 00:21:05,720 Speaker 1: it's It's very rare that someone could come into Los 332 00:21:05,720 --> 00:21:10,440 Speaker 1: Angeles an attempt to battle one of our rappers. Unless 333 00:21:10,600 --> 00:21:16,639 Speaker 1: they were incredible. You just don't. You don't win over there. Listen, 334 00:21:16,800 --> 00:21:26,439 Speaker 1: this ain't eight miles that ship don't happen. You feel me? 335 00:21:30,920 --> 00:21:34,200 Speaker 1: I feel like this is the same what televised debates 336 00:21:35,200 --> 00:22:11,840 Speaker 1: back after this? Yeah, all right, we're back. So I 337 00:22:11,920 --> 00:22:14,600 Speaker 1: bring all that up to say this. When you turn 338 00:22:14,680 --> 00:22:21,920 Speaker 1: on your television for clips, whether it's CNN or Fox 339 00:22:21,960 --> 00:22:24,720 Speaker 1: News or whatever the case may be, of these air 340 00:22:25,080 --> 00:22:30,200 Speaker 1: town hall meetings, you know, air debates between candidates, whether 341 00:22:30,240 --> 00:22:37,560 Speaker 1: it's local or um you know, national, you're probably thinking 342 00:22:37,640 --> 00:22:40,480 Speaker 1: most people are like everybody else, they haven't already decided. 343 00:22:40,760 --> 00:22:44,560 Speaker 1: They just want to see if they're do got bars 344 00:22:45,320 --> 00:22:48,400 Speaker 1: or if you want to see if you're just looking 345 00:22:48,480 --> 00:22:53,640 Speaker 1: for something to to go oh at, which is just battling, right, 346 00:22:53,880 --> 00:22:57,840 Speaker 1: and you're hoping the person that you're not feeling just 347 00:22:57,960 --> 00:23:01,080 Speaker 1: has whack bars and don't a something. But there you 348 00:23:01,080 --> 00:23:03,200 Speaker 1: know what, but you know what, they they team gonna 349 00:23:03,200 --> 00:23:06,840 Speaker 1: do day team gonna find the clips of day person 350 00:23:06,920 --> 00:23:11,760 Speaker 1: dropping bars and then your team gonna find clips yo 351 00:23:11,880 --> 00:23:14,720 Speaker 1: person dropping bars, Or you're gonna be one of those 352 00:23:14,760 --> 00:23:16,640 Speaker 1: like bitter fans that are like, man, this fool ain't 353 00:23:16,640 --> 00:23:18,480 Speaker 1: even giving bars. You so much better than this. Why 354 00:23:18,480 --> 00:23:20,160 Speaker 1: do you main't give them the bars? He was out 355 00:23:20,160 --> 00:23:22,840 Speaker 1: here just lacking. Man, Come on, why you keeping for 356 00:23:22,880 --> 00:23:24,840 Speaker 1: this stuff? Man? Not say to say the joints? Say 357 00:23:24,880 --> 00:23:27,560 Speaker 1: the joint you know. Um, if it's like a three 358 00:23:27,640 --> 00:23:30,040 Speaker 1: or four person battle, you like dog no, but homie 359 00:23:30,080 --> 00:23:33,120 Speaker 1: over here was listen. That's when you're like, look, you're 360 00:23:33,160 --> 00:23:34,879 Speaker 1: not giving no love to my g over here in 361 00:23:34,920 --> 00:23:36,960 Speaker 1: the corner. That fool giving y'all heat. You're here with 362 00:23:37,000 --> 00:23:39,200 Speaker 1: this fool said, ain't nobody paying this food no attention? 363 00:23:39,440 --> 00:23:44,520 Speaker 1: You know? So you're essentially already went in the way 364 00:23:44,520 --> 00:23:47,359 Speaker 1: that most crowds go in at battles, which has already 365 00:23:47,359 --> 00:23:51,600 Speaker 1: got our person. I'm a cheerlead for my dude, like 366 00:23:51,720 --> 00:23:55,119 Speaker 1: my homie on the list. I got my homie back. Now, 367 00:23:55,200 --> 00:23:57,639 Speaker 1: if my homie gets served, am I gonna say something 368 00:23:58,000 --> 00:24:01,320 Speaker 1: to the rest of y'all? No, do I really think 369 00:24:01,359 --> 00:24:02,919 Speaker 1: they got served? Or I'm gonna try to find a 370 00:24:02,960 --> 00:24:05,359 Speaker 1: way to be like, I don't know, it's close now. Me, 371 00:24:05,520 --> 00:24:09,560 Speaker 1: I'm a purist. If the homy got served, they got served, right. 372 00:24:11,359 --> 00:24:19,040 Speaker 1: But in our politics, do you know any peers. I 373 00:24:19,040 --> 00:24:24,480 Speaker 1: don't know nobody that would be honest and will be like, nah, 374 00:24:24,600 --> 00:24:27,960 Speaker 1: you're tripping dog, that's my dog. But they now, they're 375 00:24:28,000 --> 00:24:31,440 Speaker 1: bugging out right most of the time. And I'm pretty 376 00:24:31,480 --> 00:24:35,240 Speaker 1: sure your perception is mine is we already know who 377 00:24:35,240 --> 00:24:39,200 Speaker 1: your person is. You just trying to get ammo on him, 378 00:24:39,320 --> 00:24:42,480 Speaker 1: or you just trying to get ammo on why the 379 00:24:42,560 --> 00:24:47,359 Speaker 1: other person is whack. Now, granted, the ship show that 380 00:24:47,520 --> 00:24:51,760 Speaker 1: was debates was like I ain't never seen nothing like that. 381 00:24:51,760 --> 00:24:58,280 Speaker 1: That was bizarre, right, But this isn't the nineteen sixties 382 00:24:58,280 --> 00:25:04,920 Speaker 1: and nineteen fifties where these debates were, at least from 383 00:25:04,960 --> 00:25:10,840 Speaker 1: my perspective, way here in much more cerebral, much more academic, 384 00:25:11,119 --> 00:25:13,760 Speaker 1: and like like you had to you had to know 385 00:25:13,840 --> 00:25:15,879 Speaker 1: what the hell you was talking about. That just doesn't 386 00:25:15,880 --> 00:25:18,840 Speaker 1: seem like now in this age of two minute one 387 00:25:18,880 --> 00:25:21,879 Speaker 1: minute clips. You know what I'm saying, You just trying 388 00:25:21,880 --> 00:25:24,280 Speaker 1: to get your punch lines off. That's why I say 389 00:25:24,320 --> 00:25:25,800 Speaker 1: this is battle rap. You're trying to get your punch 390 00:25:25,840 --> 00:25:28,159 Speaker 1: lines off. You ain't gotta put together no bars. You 391 00:25:28,200 --> 00:25:31,400 Speaker 1: ain't gotta have to like seven you know, the the 392 00:25:31,440 --> 00:25:35,359 Speaker 1: octuplet you feel me unless you really into that, unless 393 00:25:35,359 --> 00:25:37,240 Speaker 1: you are a nerd, like you're a battle rap nerdy. 394 00:25:37,280 --> 00:25:40,720 Speaker 1: You want to catch the octuplets, you know, wrap like 395 00:25:40,920 --> 00:25:44,439 Speaker 1: common sense or common uh jay z bar. Truthfully, I 396 00:25:44,480 --> 00:25:47,520 Speaker 1: want to rhyme like common Sense, but I did five mill. 397 00:25:47,600 --> 00:25:50,359 Speaker 1: I ain't been rhyming like Commons since it's a disk 398 00:25:50,400 --> 00:25:53,160 Speaker 1: on Common because Common was one of those clever, clever 399 00:25:53,320 --> 00:25:56,800 Speaker 1: rappers who would say stuff like, swell, does my child 400 00:25:56,840 --> 00:25:59,840 Speaker 1: now a milk? Like sim relax, don't have cinemax because 401 00:25:59,880 --> 00:26:02,920 Speaker 1: my cables pirated. Bug out with the rhymes. Try to swat, 402 00:26:03,000 --> 00:26:05,280 Speaker 1: I'll get fly with it. To my comp I'm a 403 00:26:05,320 --> 00:26:07,960 Speaker 1: ton I get amped like Watson a riot, you know, 404 00:26:09,119 --> 00:26:13,439 Speaker 1: to my competition, I'm a ton I get amped like 405 00:26:13,560 --> 00:26:16,840 Speaker 1: Watts in a riot. The Watts riots anyway. Anyway. Then 406 00:26:16,920 --> 00:26:22,320 Speaker 1: he's like, you know these four parts word plays, nobody's 407 00:26:22,359 --> 00:26:27,240 Speaker 1: here for that. They want to like turned your mama 408 00:26:27,359 --> 00:26:33,560 Speaker 1: into it and veal let's go. The point I'm making 409 00:26:33,840 --> 00:26:38,640 Speaker 1: is you've already decided who your dog is, who your 410 00:26:38,640 --> 00:26:42,639 Speaker 1: winner is. So then the question is what are the 411 00:26:42,720 --> 00:26:49,160 Speaker 1: debates for, if not for most of us at least 412 00:26:49,160 --> 00:26:53,320 Speaker 1: as we think who we've already decided. Like, listen, ain't 413 00:26:53,320 --> 00:26:56,080 Speaker 1: no whe in the world, I'm voting Republican or you've 414 00:26:56,080 --> 00:27:00,200 Speaker 1: already decided, ain't in the world I'm voting Democrat. Who 415 00:27:00,240 --> 00:27:08,280 Speaker 1: is this for? What's for the undecided? To what you 416 00:27:08,320 --> 00:27:15,120 Speaker 1: would say, really, how many people undecided? Even if it's 417 00:27:15,160 --> 00:27:18,239 Speaker 1: at least or the independent voter. It's like a lot 418 00:27:18,280 --> 00:27:20,360 Speaker 1: of people, you know, they say they don't like politics. 419 00:27:20,440 --> 00:27:22,120 Speaker 1: I don't want to get into It's like, no, dude, 420 00:27:22,200 --> 00:27:24,119 Speaker 1: I'm not political. A lot of people said I'm not political, 421 00:27:24,160 --> 00:27:26,760 Speaker 1: which is a political statement, but I'm not really political. 422 00:27:26,960 --> 00:27:29,080 Speaker 1: I don't wanna. What they mean is they're not partisan. 423 00:27:29,400 --> 00:27:31,640 Speaker 1: That's what they mean by that. You know they don't 424 00:27:31,640 --> 00:27:38,959 Speaker 1: want to get into partisan politics, right, but you already know, well, 425 00:27:39,000 --> 00:27:41,239 Speaker 1: I know I'm never gonna vote Democrat. Or you're like, well, 426 00:27:41,280 --> 00:27:43,760 Speaker 1: I already know I'm never gonna vote Republican. There's no 427 00:27:43,760 --> 00:27:45,439 Speaker 1: way in the world I could support this party. Well, 428 00:27:45,440 --> 00:27:53,119 Speaker 1: then that's partisan. But this news might shock you that 429 00:27:54,600 --> 00:27:59,520 Speaker 1: half the voters in America if the polls had stand 430 00:27:59,600 --> 00:28:06,800 Speaker 1: up that like post stand up are undecided And monthly 431 00:28:06,800 --> 00:28:11,200 Speaker 1: reports from UH you could look at um. This is 432 00:28:11,240 --> 00:28:14,960 Speaker 1: called the World Population Review and in the Party Affiliation 433 00:28:15,000 --> 00:28:17,679 Speaker 1: on the Gallant Pole history, they're all saying this like 434 00:28:17,760 --> 00:28:22,879 Speaker 1: at least it's how many voters who identify as Democrat, 435 00:28:23,000 --> 00:28:28,080 Speaker 1: a Republican or independent is actually very surprising. In monthly 436 00:28:28,119 --> 00:28:31,960 Speaker 1: reports says on an average of more than of voters 437 00:28:32,080 --> 00:28:36,240 Speaker 1: identify themselves as independent. Now when you say independent, a 438 00:28:36,280 --> 00:28:44,040 Speaker 1: lot of times what they mean is undecided. Another investigation 439 00:28:44,040 --> 00:28:47,880 Speaker 1: I'm reading right here, this this section from World Population 440 00:28:48,680 --> 00:28:51,760 Speaker 1: Review dot com. It says, in many cases these numbers 441 00:28:51,800 --> 00:28:55,280 Speaker 1: can be viewed as undecided voters who may often choose 442 00:28:55,400 --> 00:28:59,640 Speaker 1: independent when in limbo. By contrast, the number of people 443 00:28:59,680 --> 00:29:05,840 Speaker 1: who claire as Republicans or Democrat typically hovers around yes. 444 00:29:06,400 --> 00:29:13,200 Speaker 1: That means voters who identify as independent voters outpaced both 445 00:29:14,120 --> 00:29:18,520 Speaker 1: those who declare themselves as Democrat and Republican. This is 446 00:29:18,560 --> 00:29:23,840 Speaker 1: what I'm telling you, They just loud. When I tell 447 00:29:23,880 --> 00:29:28,760 Speaker 1: you you in that room you're battling, you just got 448 00:29:28,840 --> 00:29:33,400 Speaker 1: loud cheerleaders. And that's what the Democrat and Republican parties 449 00:29:33,400 --> 00:29:37,560 Speaker 1: has convinced us is that they more of him. They are, 450 00:29:37,640 --> 00:29:43,480 Speaker 1: of course the most powerful, but they're not the most numerous. 451 00:29:44,920 --> 00:29:48,680 Speaker 1: It's really not that many of y'all in this room. 452 00:29:48,760 --> 00:29:56,040 Speaker 1: You just loud. These numbers aren't an abarition. I mean, 453 00:29:56,040 --> 00:29:58,120 Speaker 1: this is all the statistics, go back all the way 454 00:29:58,160 --> 00:30:04,360 Speaker 1: to two thousand four. The thing is, we've let the 455 00:30:04,600 --> 00:30:13,640 Speaker 1: cap fool us, and they know it. This ship is 456 00:30:13,680 --> 00:30:18,360 Speaker 1: not set in stone. These people are out here trying 457 00:30:18,400 --> 00:30:22,400 Speaker 1: to recruit as many of the undecided as they can. 458 00:30:22,840 --> 00:30:25,080 Speaker 1: You know why because if you want their team, they 459 00:30:25,120 --> 00:30:32,600 Speaker 1: already got you. Because most of us have said what 460 00:30:32,680 --> 00:30:36,600 Speaker 1: we said, which is, I mean, I don't like this nigga, 461 00:30:36,640 --> 00:30:38,720 Speaker 1: But ain't nowhere in the world I'm voting for no Republicans. 462 00:30:38,760 --> 00:30:41,840 Speaker 1: You have already said that I don't like this nigga. 463 00:30:41,880 --> 00:30:46,640 Speaker 1: Ain't why in the world the important Democrat Because we're like, well, 464 00:30:46,680 --> 00:30:49,080 Speaker 1: if these are choices, and how many times have you 465 00:30:49,120 --> 00:30:51,440 Speaker 1: been in a conversation where you tried to critique one 466 00:30:51,480 --> 00:30:54,560 Speaker 1: side and then they'll go, well, well, well what about 467 00:30:54,600 --> 00:30:56,400 Speaker 1: these fools? And you're like, I'm not even talking about 468 00:30:56,400 --> 00:30:59,840 Speaker 1: them fools. I'm not saying they are any better. I'm 469 00:30:59,880 --> 00:31:02,600 Speaker 1: just critiquing this one thing. Well, it's either this or that. 470 00:31:02,680 --> 00:31:05,240 Speaker 1: It's like, dude, you know what they know is that 471 00:31:05,320 --> 00:31:09,400 Speaker 1: it's not we're in a two party system. But what 472 00:31:09,480 --> 00:31:17,560 Speaker 1: the numbers say? That blew my mind. So when I 473 00:31:17,560 --> 00:31:20,080 Speaker 1: look at these debates and I'm like, while y'all acting 474 00:31:20,120 --> 00:31:22,240 Speaker 1: like this eight man, you ain't gonna win, nobody turns 475 00:31:22,240 --> 00:31:29,400 Speaker 1: out I was wrong. There's somebody in the back that's like, oh, 476 00:31:29,520 --> 00:31:50,080 Speaker 1: Danny kind of got a point there. So the question 477 00:31:50,120 --> 00:31:53,560 Speaker 1: really is that every politician is asking, and why you 478 00:31:53,600 --> 00:31:56,400 Speaker 1: put on these debates is how do you get your 479 00:31:56,400 --> 00:31:59,720 Speaker 1: hands on them independent voters? How do you get your 480 00:31:59,760 --> 00:32:02,560 Speaker 1: hands on him? Undecided? What do I need to tell you? 481 00:32:03,040 --> 00:32:06,760 Speaker 1: What do you need to see bad about the other side, 482 00:32:07,000 --> 00:32:10,040 Speaker 1: about the other person? How can I convince you there's 483 00:32:10,080 --> 00:32:14,720 Speaker 1: no third choice? How can I convince you that my 484 00:32:14,800 --> 00:32:16,520 Speaker 1: bars are greater than yours? So what I'm gonna do 485 00:32:16,640 --> 00:32:18,440 Speaker 1: is I'm just gonna throw as many bars as I 486 00:32:18,480 --> 00:32:21,240 Speaker 1: can at you in these small bites and small clips, 487 00:32:21,440 --> 00:32:23,160 Speaker 1: and at least when you see us head to head, 488 00:32:23,200 --> 00:32:25,160 Speaker 1: you could be like, dangle, Yeah, he got a point there. 489 00:32:25,240 --> 00:32:26,840 Speaker 1: Dang he got a point there. That's why you air 490 00:32:26,920 --> 00:32:32,280 Speaker 1: these things. You air him for the news tomorrow, right, 491 00:32:33,600 --> 00:32:36,960 Speaker 1: So what does that mean to us? Here's what it 492 00:32:37,000 --> 00:32:40,440 Speaker 1: means to us. And this is what like I cannot 493 00:32:40,480 --> 00:32:47,320 Speaker 1: stress enough. It's that these people running for office are 494 00:32:47,440 --> 00:32:50,520 Speaker 1: more aware of the power you have than you are. 495 00:32:52,040 --> 00:32:54,720 Speaker 1: Let that sink in day, more aware of the power 496 00:32:54,800 --> 00:33:18,640 Speaker 1: that you have than you are. I used to battle rap. 497 00:33:19,200 --> 00:33:22,960 Speaker 1: I know what kind I know. I can spit. Listen, 498 00:33:24,520 --> 00:33:27,800 Speaker 1: I pound mix. I do a lot of like conscious 499 00:33:27,800 --> 00:33:33,400 Speaker 1: and uplifting and positive music. But if you need me 500 00:33:33,480 --> 00:33:36,440 Speaker 1: to just get my bars off. You don't want to 501 00:33:36,440 --> 00:33:43,080 Speaker 1: see propaganda. Your boy got bars. But I'll tell you what. 502 00:33:44,720 --> 00:33:47,959 Speaker 1: You sent me to battle down in New Orleans, I'm 503 00:33:48,000 --> 00:33:55,200 Speaker 1: gonna lose because the crowd matters. You sent me to 504 00:33:55,240 --> 00:33:59,040 Speaker 1: battle down in Texas. I'm probably gonna lose. You know why, 505 00:33:59,080 --> 00:34:10,560 Speaker 1: because the crowd old matters. Yeah, these politicians know that. 506 00:34:11,960 --> 00:34:15,759 Speaker 1: So what I want you to know is, listen, I 507 00:34:15,800 --> 00:34:18,279 Speaker 1: don't believe our liberation is in the hands of any 508 00:34:18,320 --> 00:34:21,080 Speaker 1: of these political parties. I think a two party system 509 00:34:21,160 --> 00:34:24,479 Speaker 1: is our demise. It's and and it's because they're really 510 00:34:24,480 --> 00:34:27,440 Speaker 1: good at convincing us that there is only two parties. 511 00:34:28,680 --> 00:34:33,719 Speaker 1: You feel me. Oh look, look they talk about take 512 00:34:33,840 --> 00:34:35,600 Speaker 1: the streets. You talk about crips and bloods. I was like, 513 00:34:35,640 --> 00:34:37,680 Speaker 1: I grow with atos. There's a third option over here. 514 00:34:37,719 --> 00:34:40,160 Speaker 1: You understand what I'm saying. So the point I'm trying 515 00:34:40,160 --> 00:34:44,520 Speaker 1: to make is they would convince you that we are 516 00:34:44,920 --> 00:34:47,879 Speaker 1: the keys to your liberation. My answer is neither one 517 00:34:47,920 --> 00:34:50,160 Speaker 1: of y'all. All the keys to the liberation. The keys 518 00:34:50,200 --> 00:34:53,279 Speaker 1: to our liberation is realizing the power that we collectively 519 00:34:53,400 --> 00:34:57,040 Speaker 1: have as a community. They need what we got and 520 00:34:57,120 --> 00:35:01,120 Speaker 1: they know that more than we know that. You better 521 00:35:01,200 --> 00:35:06,759 Speaker 1: make these people sweat for your vote, make them earn it. 522 00:35:07,800 --> 00:35:10,120 Speaker 1: This let's let's let's make it a mile. Okay, get 523 00:35:10,160 --> 00:35:15,480 Speaker 1: up there and show me your bars. You're following me. Listen. 524 00:35:15,640 --> 00:35:18,600 Speaker 1: Our relationship with with the government. Listen, we're not friends. 525 00:35:20,080 --> 00:35:21,440 Speaker 1: There's something you want me stand up there and act 526 00:35:21,520 --> 00:35:24,839 Speaker 1: like we're friends. Nig We're not friends. This ship is transactional. 527 00:35:26,800 --> 00:35:29,640 Speaker 1: Like you understand what I'm saying, Like like it's a 528 00:35:29,680 --> 00:35:31,880 Speaker 1: T shirt on my website. I don't hate America. I 529 00:35:32,000 --> 00:35:34,200 Speaker 1: just the man she keeps your promises. You haven't made 530 00:35:34,239 --> 00:35:36,800 Speaker 1: promises to me. I need you to uphold your side. 531 00:35:36,920 --> 00:35:42,520 Speaker 1: Our relationship is transactional. Nigga, were not friends. So when 532 00:35:42,520 --> 00:35:44,440 Speaker 1: you get on this camera you want me to choose 533 00:35:44,480 --> 00:35:48,000 Speaker 1: you for your job, I need you to spit that heat. 534 00:35:50,200 --> 00:35:52,000 Speaker 1: And if you're gonna spit that heat, I need to 535 00:35:52,040 --> 00:35:56,400 Speaker 1: be able to see if you false flagging? Nigga, Is 536 00:35:56,440 --> 00:35:58,200 Speaker 1: you really about that? Is you're about I'm gonna run 537 00:35:58,239 --> 00:36:02,160 Speaker 1: your license? You really about that these streets? You're really 538 00:36:02,160 --> 00:36:07,560 Speaker 1: doing this ship you say you're doing. You understand what 539 00:36:07,600 --> 00:36:11,720 Speaker 1: I'm saying. Nigg Listen, I came in here at first, 540 00:36:11,960 --> 00:36:14,800 Speaker 1: change my mind. I may look like I'm on one side, 541 00:36:14,920 --> 00:36:17,239 Speaker 1: just like you make just like you can stand on 542 00:36:17,280 --> 00:36:19,440 Speaker 1: that crowd. Listen. There has been those other times in 543 00:36:19,480 --> 00:36:21,600 Speaker 1: my battle rap career too. You walk into the city, 544 00:36:21,600 --> 00:36:23,680 Speaker 1: you walk into this room, and then niggas just love 545 00:36:23,800 --> 00:36:27,799 Speaker 1: hip hop. So they may believe already because they ain't 546 00:36:27,840 --> 00:36:32,640 Speaker 1: heard me rap yet. You know that they boyfriends served 547 00:36:32,640 --> 00:36:34,600 Speaker 1: me and I'm listening they boy getting their bars off. 548 00:36:34,600 --> 00:36:37,279 Speaker 1: But there's a moment, probably any other athletes understand when 549 00:36:37,320 --> 00:36:39,120 Speaker 1: you realize in the middle of this game, oh You're 550 00:36:39,120 --> 00:36:43,279 Speaker 1: gonna win this. They can't. It's over. These fools can't 551 00:36:43,280 --> 00:36:48,239 Speaker 1: guard me? Are we were about to win this game? Like, 552 00:36:48,360 --> 00:36:50,880 Speaker 1: there is a moment. I remember those moments in battle 553 00:36:50,920 --> 00:36:53,040 Speaker 1: Rap where I was just like, after this dude did 554 00:36:53,080 --> 00:36:57,480 Speaker 1: his first round, I was like, oh, I'm a moth, 555 00:36:57,600 --> 00:37:01,839 Speaker 1: this fool. Oh it's going down, and watch me win 556 00:37:01,920 --> 00:37:08,160 Speaker 1: this crowd over watch. I've won crowds over It's not impossible, 557 00:37:08,239 --> 00:37:14,319 Speaker 1: it's just rare. You have to be listening. I had 558 00:37:14,360 --> 00:37:17,520 Speaker 1: to earn it. So my request to all of us 559 00:37:17,600 --> 00:37:21,759 Speaker 1: listening to this is, Okay, this ain't aight mile, but 560 00:37:21,800 --> 00:37:25,360 Speaker 1: maybe you can make it a mile. Make these fools 561 00:37:25,440 --> 00:37:29,759 Speaker 1: earn it. Did you know that on average? And do 562 00:37:29,840 --> 00:37:39,320 Speaker 1: your googles, maybe on average of registered voters actually vote. 563 00:37:42,040 --> 00:37:50,560 Speaker 1: You're hearing me? So who gets? Who get their choice? 564 00:37:50,719 --> 00:37:53,480 Speaker 1: Or the loud ones? They're not the most of us. 565 00:37:53,560 --> 00:38:13,040 Speaker 1: They just allowed it. Make these fools earn it. Little politics, Yeah, 566 00:38:13,120 --> 00:38:15,680 Speaker 1: this is here. Thing was recorded by me Propaganda and 567 00:38:15,800 --> 00:38:21,680 Speaker 1: East Low Spoil Heights, Los Angeles, California. This smug was mixed, edited, mastered, 568 00:38:21,800 --> 00:38:26,800 Speaker 1: and scored by Matt Ososki. I can totally say his name, guys, 569 00:38:26,840 --> 00:38:29,239 Speaker 1: it was it was a stick. He's won by Matt 570 00:38:29,280 --> 00:38:32,160 Speaker 1: now again because he got to some legal situations with 571 00:38:32,200 --> 00:38:34,560 Speaker 1: the name headlights. Y'all know, comment used to be called 572 00:38:34,600 --> 00:38:37,840 Speaker 1: common sense. You know, tip t I was tipped sometimes 573 00:38:37,840 --> 00:38:41,080 Speaker 1: it happened. Executive produced by the one and only Sophie 574 00:38:41,360 --> 00:38:47,040 Speaker 1: Lichtman or Cool Zone Media and the theme music by 575 00:38:47,040 --> 00:38:49,320 Speaker 1: the one and only Gold Tips, Gold Tips d J 576 00:38:49,520 --> 00:38:52,600 Speaker 1: Shawn p. So y'all just remember listen every time you 577 00:38:52,719 --> 00:38:57,080 Speaker 1: check in. If you understand city living, you understand politics, 578 00:38:57,600 --> 00:39:08,160 Speaker 1: We'll see you'll next week. Partner start to starting post