WEBVTT - Round Seven!

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<v Speaker 1>Hi Will, How are you doing today?

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<v Speaker 2>I am day three of the flu, which has nicely

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<v Speaker 2>settled in my stomach, which is fun.

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<v Speaker 1>Settled in your stomach? Where did it start?

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<v Speaker 2>It started? It's so funny. It started in my legs.

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<v Speaker 2>I start, I thought my legs are super achy and sore,

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<v Speaker 2>and I thought that it was from running. And then

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<v Speaker 2>I had oysters, which I almost never do, so then

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<v Speaker 2>I thought I had food poisoning, and then it's just

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<v Speaker 2>been three or four days of just solid flu.

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<v Speaker 3>So yeah, no, it was it started in your legs,

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<v Speaker 3>Like is this like that sounds like something that happens

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<v Speaker 3>with like the day of polio, right.

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<v Speaker 4>Is that?

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<v Speaker 2>No, it started just my legs being super sore and achy.

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<v Speaker 2>That was the first kind of symptom that I had.

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<v Speaker 2>And then I was just kind of aching everywhere, and

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<v Speaker 2>then yeah, it's been it's been fun.

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<v Speaker 1>That's not fun.

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<v Speaker 2>I'm sorry. So how are you?

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<v Speaker 1>I'm fine?

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<v Speaker 2>Yeah. Forever reason I get up and run out of

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<v Speaker 2>the room as we're recording, that's the only reason why.

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<v Speaker 2>It has nothing to do with you. Because you look

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<v Speaker 2>beautiful today, well you always look beautiful, but look are

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<v Speaker 2>you all done up?

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<v Speaker 1>I am all gussied up you are.

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<v Speaker 2>I won't ask why in case it's something that you're

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<v Speaker 2>not allowed to talk about, but it looks like it's

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<v Speaker 2>an interview.

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<v Speaker 3>It's an interview I think for some Israeli talk show

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<v Speaker 3>or something, so that's fun. But yeah, I mean there's

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<v Speaker 3>two Christie's, as you know Will, there's the makeup Christie

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<v Speaker 3>and then there's just normal Christie.

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<v Speaker 1>But makeup Christie is a whole other level.

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<v Speaker 2>I would argue there's more than two from how long

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<v Speaker 2>I've known you, but that's but those are the two

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<v Speaker 2>that you present. But I've known several Christie, like there

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<v Speaker 2>are several Wills. I think that's I think that's normal

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<v Speaker 2>of most people. I think that's normal for most people.

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<v Speaker 2>But we are all here once again for this super

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<v Speaker 2>awesome contest. The voice actor.

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<v Speaker 3>Over the weekend, I saw the Mario brother movie, the

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<v Speaker 3>Super Mario Brother Movie.

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<v Speaker 2>How was it look I thought of you.

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<v Speaker 3>I thought of what we originally had said about the

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<v Speaker 3>general conflict of celebrities sort of coming into the space

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<v Speaker 3>of the animation world. And I tried to be as

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<v Speaker 3>like non biased as possible, because as a voice actor,

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<v Speaker 3>I think you your mind tends to go there.

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<v Speaker 5>Sure, And like I think that I think that these

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<v Speaker 5>actors who are approaching these characters are aware of how

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<v Speaker 5>they are taking the jobs from other people, because it.

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<v Speaker 1>Seems to me that they are making more of.

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<v Speaker 3>An effort to act, you know what I mean, not

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<v Speaker 3>just like portray themselves. Sure, but it definitely seems like

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<v Speaker 3>it almost seems like in tandem with the casting itself

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<v Speaker 3>saying to themselves, well, we do need to make sure

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<v Speaker 3>that this because there's so much criticism from the fans.

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<v Speaker 2>Yeah, you know that.

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<v Speaker 3>I think they answer to the fans, and the fans

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<v Speaker 3>are the ones that are so you know, almost like

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<v Speaker 3>they police the community too right that they want the

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<v Speaker 3>top quality, They want the top quality voice talent. And

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<v Speaker 3>I don't even think they care if that's really you know,

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<v Speaker 3>a celebrity actor or not.

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<v Speaker 2>No, they don't at all. They want the best they

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<v Speaker 2>can do. And as I've said, every actor, you know,

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<v Speaker 2>a list actor, to the people that are just you know,

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<v Speaker 2>really trying to get there, everybody should try voiceover because

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<v Speaker 2>it's a ton of fun. So I'm not saying that,

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<v Speaker 2>you know, somebody shouldn't go and be a void, but

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<v Speaker 2>I think as an a list actor, you you have

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<v Speaker 2>the power to say, Hey, I definitely will do this role,

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<v Speaker 2>but I want to make sure at least fifty percent

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<v Speaker 2>of the cast are just voiceover actors and that's how

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<v Speaker 2>everybody works. So but speaking of that, we're gonna find

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<v Speaker 2>the next one. We are in the middle of finding

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<v Speaker 2>the next big one on the Super Awesome Contest to

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<v Speaker 2>find the next Big Voice Actor. You know, we always

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<v Speaker 2>like to start with our thank you shout outs, and

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<v Speaker 2>we certainly want to think everybody who's helped make this

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<v Speaker 2>contest possible. From our friends over at Prime Video, our

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<v Speaker 2>friends over ceesd are friends over at Critical Role, don't

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<v Speaker 2>forget the check out season two of Vox mocking at

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<v Speaker 2>Out Now are our friends at iHeart everybody, our parent

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<v Speaker 2>company at iHeart everybody who's really worked and helped to

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<v Speaker 2>make this happen. We are getting great feedback from the fans.

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<v Speaker 2>A friend of mine who does another podcast called mash Matters,

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<v Speaker 2>which I love so much, which is just all about

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<v Speaker 2>and I've actually gone on and just talked about mash.

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<v Speaker 2>Can you believe that he hit me up the other

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<v Speaker 2>day with a picture of him listening to episode four

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<v Speaker 2>of the contest, and he just wrote he said, I

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<v Speaker 2>cannot believe how emotionally invested in this I am. He's like,

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<v Speaker 2>this is such a great show and I'm so emotionally

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<v Speaker 2>invested in the contest. I cannot wait to see who wins.

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<v Speaker 2>So shout out to Ryan Patrick for listening to the

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<v Speaker 2>podcast and loving it. And I think people are invested

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<v Speaker 2>and they want to know who's going to win. And

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<v Speaker 2>that me too.

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<v Speaker 4>Me too.

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<v Speaker 2>We've had some amazing, amazing, amazing celebrity guest judges come

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<v Speaker 2>in and today is no exception. Who do we have

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<v Speaker 2>joining us once again, Christy.

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<v Speaker 3>Well, I'm really excited that we have Brock Powell on

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<v Speaker 3>today with us. They are going to be an amazing judge.

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<v Speaker 2>Yeah, they've been on before and Brock was an awesome

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<v Speaker 2>judge in the past, so well, an awesome guest in

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<v Speaker 2>the past, and we asked them to join us and

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<v Speaker 2>here they are, so I can't wait. We should bring

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<v Speaker 2>them on. Hey, Hey, Brock, Brock, thank you so much

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<v Speaker 2>for joining us as our celebrity guest judge today. This

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<v Speaker 2>is the super awesome contest to become the next big

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<v Speaker 2>Voice actor. We are really excited that you're here.

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<v Speaker 6>I am so so stoked to help.

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<v Speaker 4>Judge feels like a weird word, but to adjudicate, I

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<v Speaker 4>guess adjudicate feels less scared.

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<v Speaker 2>Adjudicator, Okay, a judicator you're helping to adjudicate. I like

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<v Speaker 2>judge because I think it's as exactly what it is.

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<v Speaker 2>You are judging who's going to be next. And by

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<v Speaker 2>the way, whoever you don't vote for going through is

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<v Speaker 2>not going to be a fan of yours anymore. That's

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<v Speaker 2>just how it works. That's it, that's it done. That's

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<v Speaker 2>actually not how it is. We've got the best contestants

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<v Speaker 2>in the world. One of the things we talk about

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<v Speaker 2>is that it's been so hard for us to adjudicate.

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<v Speaker 2>I will use that word, because everybody's so good. You know,

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<v Speaker 2>we went from forty two hundred down to sixteen, and

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<v Speaker 2>we said right from the beginning that the sixteen that

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<v Speaker 2>made the finals, all of them could be signed. I

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<v Speaker 2>mean really all of them could be signed. So it's

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<v Speaker 2>we've been picking has been really really difficult. I mean

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<v Speaker 2>really really difficult. There are some people that obviously they

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<v Speaker 2>it's like the other contestant kind of runs into a

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<v Speaker 2>buzzsaw because they're so good. But it's rare most weeks.

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<v Speaker 2>It's really really close.

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<v Speaker 4>Yeah. Wow, Well I'm I'm just I'm so excited to

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<v Speaker 4>be here and I can't wait to hear and see

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<v Speaker 4>what we what. We haven't started that, so it's going

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<v Speaker 4>to be great.

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<v Speaker 2>Well, we're going to jump right into it. So I

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<v Speaker 2>don't know if you've been listening, but so what we're

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<v Speaker 2>doing this for this first round to get to the

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<v Speaker 2>from the Sweet sixteen, which is a name I came

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<v Speaker 2>up with, to the Elite Eight, which is another name

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<v Speaker 2>I came up with, you go to the Final four.

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<v Speaker 1>I didn't catch.

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<v Speaker 2>By the way, for everybody out there, these are all

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<v Speaker 2>basketball terms for March madness. I came up with none

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<v Speaker 2>of this, but hilarious going from the Sweet sixteen to

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<v Speaker 2>the Elite Eight. The first game we are going to

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<v Speaker 2>play is we play a game called by the Numbers.

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<v Speaker 2>So what we're going to be doing is we bring

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<v Speaker 2>our contestants on and brack. If it's okay with you,

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<v Speaker 2>you are going to be picking random numbers from four categories.

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<v Speaker 2>The categories that we have are size, what are you, age,

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<v Speaker 2>and a wacky attribute. With the numbers that you pick,

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<v Speaker 2>a character will be created and the contestants will have to.

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<v Speaker 2>They've been given two lines of dialogue that we're written.

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<v Speaker 2>They've had a night to study these two lines of dialogue.

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<v Speaker 2>We will go through a couple characters with these two

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<v Speaker 2>lines of dialogue, and then the third round and final

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<v Speaker 2>round is a line they have not yet seen. So

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<v Speaker 2>it is a cold reading with a new character that

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<v Speaker 2>we've created. It is a ton of fun. It leads

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<v Speaker 2>to some nutty and wacky voices, and it really is

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<v Speaker 2>a blast to kind of see kind of who is

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<v Speaker 2>doing what and where? So we can't we love it?

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<v Speaker 4>No, this is great, And I mean, yeah, I have

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<v Speaker 4>been listening and it sounds like you've been covering all

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<v Speaker 4>the principles of what you know we voice actors deal

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<v Speaker 4>with like on the job all the time. And I'm excited.

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<v Speaker 2>Let's throw them in here we go. So, I think

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<v Speaker 2>our first contestant, we don't know who came in first.

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<v Speaker 2>We always like to see who came in first, and

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<v Speaker 2>I think our first contestant usually pops up here. Yes,

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<v Speaker 2>our first contestant is going to be Paul from Pennsylvania. Yay,

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<v Speaker 2>Hey Paul, how are you hi?

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<v Speaker 4>I'm good.

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<v Speaker 2>Oh, listen to that voice right off the bast I

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<v Speaker 2>love that.

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<v Speaker 1>Thank you, my goodness.

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<v Speaker 2>So, Paul, welcome to the super awesome Contests to become

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<v Speaker 2>the next big voice actor. Congratulations on making the top sixteen.

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<v Speaker 7>Thank you so much.

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<v Speaker 2>It's who look at that? I'm telling you that is crazy.

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<v Speaker 2>I'm well, this is Christy and our celebrity guest judge

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<v Speaker 2>for the day is a guest adjudicator, is what we're calling.

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<v Speaker 2>That is Brock Powell, and Brock you know, is from

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<v Speaker 2>Hamster and Gretel and a whole bunch of other stuff.

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<v Speaker 2>So Brock is a voiceover actor extraordinary and they're going

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<v Speaker 2>to be helping us out today with the whole rounds

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<v Speaker 2>and everything going on and playing Round one, which is

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<v Speaker 2>of course called by the numbers. But before we get

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<v Speaker 2>into that, Paul, can you tell us a little bit

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<v Speaker 2>about your journey. What made you decide to take a

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<v Speaker 2>shot at becoming a voiceover actor?

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<v Speaker 7>Sure? Sure, So. I was a theater kid in high

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<v Speaker 7>school and I still remember the moment that I knew

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<v Speaker 7>performing was was the career path for me what I

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<v Speaker 7>wanted to do. So I decided to pursue musical theater.

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<v Speaker 7>Took steps to pursue that. I auditioned for colleges. First

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<v Speaker 7>time didn't go so well. Second time got into a

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<v Speaker 7>good school, and while I was there, I became more

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<v Speaker 7>aware of a voiceover as a potential career path and

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<v Speaker 7>it really intrigued me, you know. And around the same time,

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<v Speaker 7>I also I found critical role and all the voice

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<v Speaker 7>actors on there are sure so inspiring.

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<v Speaker 2>So here you are.

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<v Speaker 7>Yeah, it was for me.

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<v Speaker 1>I'm sorry, is this your real voice? I can't believe it.

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<v Speaker 2>Wow, huh, that is awesome. All right, Paul, Well you

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<v Speaker 2>were awesome. You were here first, so we started by

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<v Speaker 2>introducing you, but we are going to now introduce our

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<v Speaker 2>second guest. We will be back to you to start

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<v Speaker 2>round one. Do you have your two lines of dialogue?

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<v Speaker 4>Yes?

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<v Speaker 2>I do, all right, perfectly. We'll be right back with

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<v Speaker 2>you in one second. Paul, Thank you so much.

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<v Speaker 4>Wow.

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<v Speaker 2>Well, guys, I almost wish we weren't playing by the

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<v Speaker 2>numbers this week and we were, you know, playing our

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<v Speaker 2>next game, which I'm not going to tell you what

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<v Speaker 2>that is, but we'll get into that later. But wow,

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<v Speaker 2>how about that rock? What do you think of that?

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<v Speaker 2>Right off the bat?

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<v Speaker 8>First impressions, Well, one, I think the natural voice, in

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<v Speaker 8>the natural instrument of an act is always super important,

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<v Speaker 8>but the personality is always what we're looking for.

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<v Speaker 6>And Paul just seems like such a sweet human being, So.

0:11:01.400 --> 0:11:05.920
<v Speaker 4>Can he also narrate my life exactly exactly?

0:11:06.280 --> 0:11:12.240
<v Speaker 2>Brock wakes up in the morning, exactly this morning, they

0:11:12.320 --> 0:11:16.200
<v Speaker 2>walked to the bathroom. Yeah, no, that's perfect. Love that

0:11:16.280 --> 0:11:19.160
<v Speaker 2>all right. Let's bring in our second contestant. Who is

0:11:19.280 --> 0:11:25.560
<v Speaker 2>Haley from Texas? From Austin, Texas, No way, yes, which

0:11:25.559 --> 0:11:26.320
<v Speaker 2>I think we know.

0:11:26.480 --> 0:11:27.040
<v Speaker 1>Is my neighbor.

0:11:28.679 --> 0:11:30.400
<v Speaker 2>Hi, Haley, how are you.

0:11:32.240 --> 0:11:35.200
<v Speaker 4>Esa? I know?

0:11:35.520 --> 0:11:35.720
<v Speaker 9>Hi?

0:11:36.600 --> 0:11:38.880
<v Speaker 10>I saw I saw you post somewhere about like a

0:11:39.320 --> 0:11:42.000
<v Speaker 10>nail place recently, and I was like, I've always wanted

0:11:42.040 --> 0:11:42.520
<v Speaker 10>to go there.

0:11:42.760 --> 0:11:45.360
<v Speaker 1>Oh, you should definitely go there. Look at look at

0:11:46.400 --> 0:11:49.560
<v Speaker 1>the merged very cool. Yes I do. I do my

0:11:49.679 --> 0:11:52.160
<v Speaker 1>own at the moment. But they're gorgeous.

0:11:52.360 --> 0:11:56.360
<v Speaker 10>They're they're not as fun and fabulous as like flowers.

0:11:56.520 --> 0:11:58.040
<v Speaker 2>I would show you my nails, but you would think

0:11:58.080 --> 0:12:02.040
<v Speaker 2>there was something wrong with me us. Haley, welcome to

0:12:02.080 --> 0:12:02.480
<v Speaker 2>the show.

0:12:04.520 --> 0:12:05.120
<v Speaker 11>Thank you.

0:12:05.480 --> 0:12:09.079
<v Speaker 2>I'm well. That's Christy and Brock Powell is our celebrity

0:12:09.120 --> 0:12:12.040
<v Speaker 2>adjudicator for the day. They have said adjudicator because that

0:12:12.200 --> 0:12:14.439
<v Speaker 2>is the way we have to go from now on.

0:12:14.559 --> 0:12:18.080
<v Speaker 1>I love it's like coming up, there's an adjudicator and.

0:12:18.840 --> 0:12:23.320
<v Speaker 6>It's very john Wick girl. Absolutely, it makes.

0:12:23.080 --> 0:12:27.240
<v Speaker 10>You sound very like like it's it's legit.

0:12:28.000 --> 0:12:29.880
<v Speaker 2>It also took some of it. It takes some of

0:12:29.960 --> 0:12:34.480
<v Speaker 2>the what did you call it? It was the I

0:12:34.480 --> 0:12:36.960
<v Speaker 2>don't know, the onus off of like you're you're not

0:12:37.200 --> 0:12:42.600
<v Speaker 2>judging somebody, You're helping to move them to the next and.

0:12:44.760 --> 0:12:46.280
<v Speaker 6>Yeah about momentum.

0:12:46.280 --> 0:12:48.960
<v Speaker 4>But also, my powdered wig is at the drag cleaners,

0:12:48.960 --> 0:12:52.199
<v Speaker 4>so if it was here, I would absolutely be a judge.

0:12:52.559 --> 0:12:56.080
<v Speaker 2>Is that is that? How do you actually dry clean

0:12:56.080 --> 0:12:57.520
<v Speaker 2>a powdered wig? Is that how that works?

0:12:58.600 --> 0:12:59.959
<v Speaker 4>Well, maybe that's why it's taking so long.

0:13:00.080 --> 0:13:00.440
<v Speaker 2>That could be.

0:13:02.120 --> 0:13:03.080
<v Speaker 1>Wouldn't that just get.

0:13:03.960 --> 0:13:09.640
<v Speaker 2>I have no welcome and congratulations now before we get

0:13:09.640 --> 0:13:12.679
<v Speaker 2>into round one very quickly, what made you want to

0:13:12.720 --> 0:13:13.760
<v Speaker 2>become a voiceover actor?

0:13:14.720 --> 0:13:17.040
<v Speaker 1>Well, I I sort of do.

0:13:18.520 --> 0:13:20.400
<v Speaker 10>Regular acting, which is a horrible way putting it, but

0:13:20.440 --> 0:13:23.560
<v Speaker 10>I've done stage acting for my whole life.

0:13:24.720 --> 0:13:26.360
<v Speaker 9>They've been living in the UK.

0:13:26.320 --> 0:13:28.760
<v Speaker 1>For the last like decade or so, and.

0:13:28.720 --> 0:13:32.640
<v Speaker 10>I've been doing immersive theater and cabaret over there, and

0:13:32.679 --> 0:13:38.040
<v Speaker 10>then you know the apocalypse hit and theater had to

0:13:38.040 --> 0:13:40.480
<v Speaker 10>close down, and not only that, but I lost my visa,

0:13:40.840 --> 0:13:42.800
<v Speaker 10>so I had to come back to the US.

0:13:43.120 --> 0:13:46.400
<v Speaker 11>And come up with something to do.

0:13:46.400 --> 0:13:52.080
<v Speaker 10>That you know, was artistically fulfilling and maybe at some

0:13:52.120 --> 0:13:54.600
<v Speaker 10>point made some money. And voiceover had always been in

0:13:54.600 --> 0:13:56.560
<v Speaker 10>the back of my head because I'm a video game

0:13:56.679 --> 0:13:59.839
<v Speaker 10>kid and an animation kid, as I'm sure probably all

0:13:59.880 --> 0:14:03.040
<v Speaker 10>of was involved in this R because it's wonderful, of course,

0:14:03.840 --> 0:14:05.600
<v Speaker 10>and I had done a couple of classes and stuff

0:14:05.600 --> 0:14:08.040
<v Speaker 10>in the past, and I have all the equipment for singing,

0:14:08.520 --> 0:14:10.800
<v Speaker 10>so I just went you know what. It had been

0:14:10.840 --> 0:14:13.960
<v Speaker 10>in my head as like a when the time comes,

0:14:13.960 --> 0:14:16.040
<v Speaker 10>when I have a minute, when I'm settled, I'll look

0:14:16.080 --> 0:14:19.000
<v Speaker 10>into t VO. And then finally the world had kind

0:14:19.000 --> 0:14:21.240
<v Speaker 10>of stopped and I was like, well, now's the time.

0:14:21.400 --> 0:14:23.920
<v Speaker 10>So I took a couple more classes, and I sent

0:14:23.960 --> 0:14:27.520
<v Speaker 10>out a bunch of auditions on ACX to do audiobook narration.

0:14:29.240 --> 0:14:30.400
<v Speaker 9>I said, I think I sent out.

0:14:30.320 --> 0:14:32.640
<v Speaker 10>Like nine auditions and I booked like eight of them,

0:14:32.640 --> 0:14:34.560
<v Speaker 10>and I was like, okay, well, there's the next year

0:14:34.600 --> 0:14:37.480
<v Speaker 10>of my life learning how to do audio books. So

0:14:38.280 --> 0:14:40.280
<v Speaker 10>that was sort of what I did for a while,

0:14:40.320 --> 0:14:43.880
<v Speaker 10>and now I'm loving it and really ready to kind

0:14:43.880 --> 0:14:47.200
<v Speaker 10>of do the the even more funds.

0:14:47.400 --> 0:14:49.320
<v Speaker 2>Right, but you're not refled, right, you don't have you

0:14:49.360 --> 0:14:51.200
<v Speaker 2>don't have a rep. Okay, good, so then you can

0:14:51.240 --> 0:14:53.520
<v Speaker 2>come into the contest, which is good. Don't worry.

0:14:53.640 --> 0:14:56.400
<v Speaker 10>I read I read the rules like I've only been

0:14:56.440 --> 0:14:58.520
<v Speaker 10>here in the US for a couple of years, back

0:14:58.520 --> 0:14:59.680
<v Speaker 10>in the US for a couple years, and I haven't

0:14:59.680 --> 0:15:01.800
<v Speaker 10>actually been worked professionally over here.

0:15:02.000 --> 0:15:04.880
<v Speaker 2>Okay, Well, here we go, Well welcome, Here we go,

0:15:05.040 --> 0:15:07.480
<v Speaker 2>and your fellow contestant actually got here first, so we

0:15:07.520 --> 0:15:09.640
<v Speaker 2>are going to be starting with them, but we will

0:15:09.680 --> 0:15:11.440
<v Speaker 2>come right back to you for round one. Do you

0:15:11.440 --> 0:15:12.440
<v Speaker 2>have your two lines ready?

0:15:12.960 --> 0:15:13.560
<v Speaker 12>All right there?

0:15:13.640 --> 0:15:24.359
<v Speaker 2>All right, here we go. We'll be right back with you, Haley.

0:15:24.480 --> 0:15:28.680
<v Speaker 2>Here we go. We're bringing Paul back in, all right,

0:15:29.320 --> 0:15:33.000
<v Speaker 2>and we are going to be starting round one. There

0:15:33.040 --> 0:15:38.240
<v Speaker 2>he is, okay, Paul, Round one, Round one of are

0:15:38.320 --> 0:15:40.640
<v Speaker 2>wonderful by the numbers contest, as you know, Paul. For

0:15:40.680 --> 0:15:44.480
<v Speaker 2>everybody out there listening, we are going to be selecting,

0:15:44.520 --> 0:15:46.000
<v Speaker 2>and by we I mean Brock is going to be

0:15:46.080 --> 0:15:50.080
<v Speaker 2>selecting a character for you based on four different categories. Size,

0:15:50.120 --> 0:15:53.080
<v Speaker 2>what are you age and a wacky attribute? And then

0:15:53.120 --> 0:15:56.960
<v Speaker 2>you will read the line of dialogue in the character created. So, Brock,

0:15:57.000 --> 0:15:59.880
<v Speaker 2>if you would please a number between one and six.

0:16:01.480 --> 0:16:02.560
<v Speaker 4>We're gonna go with five.

0:16:02.960 --> 0:16:07.000
<v Speaker 2>Well, five, And now a number between one and twelve.

0:16:08.080 --> 0:16:08.920
<v Speaker 6>We're gonna go too.

0:16:10.080 --> 0:16:12.080
<v Speaker 2>And a number between one and seven.

0:16:14.920 --> 0:16:16.200
<v Speaker 6>Ooh three.

0:16:17.160 --> 0:16:20.320
<v Speaker 2>And finally, please a number between one and eleven.

0:16:21.680 --> 0:16:24.360
<v Speaker 4>All right, Paul, we're gonna go to eleven.

0:16:25.800 --> 0:16:27.960
<v Speaker 1>Okay, Christy, what are we ready for this?

0:16:28.200 --> 0:16:31.760
<v Speaker 3>You're a tiny cat who's ten years old and you're

0:16:31.800 --> 0:16:36.160
<v Speaker 3>an athletic coach. Oh okay, so you're an athletic coach,

0:16:36.480 --> 0:16:39.360
<v Speaker 3>you're ten years old and you're a tiny cat.

0:16:41.160 --> 0:16:41.520
<v Speaker 7>All right?

0:16:43.680 --> 0:16:46.880
<v Speaker 1>Anything before this? Just let him go for it.

0:16:46.960 --> 0:16:52.760
<v Speaker 2>I think we just let him go break your break

0:16:52.800 --> 0:16:56.040
<v Speaker 2>your voice, Paul, line one, at your pleasure, please.

0:16:55.920 --> 0:17:10.240
<v Speaker 7>All right, lather rinse, repeat, lather rinse repeat. It's been

0:17:10.560 --> 0:17:17.399
<v Speaker 7>three weeks in this shower. Someone.

0:17:20.800 --> 0:17:23.040
<v Speaker 2>Okay, Brock, do you have any notes?

0:17:23.800 --> 0:17:26.479
<v Speaker 4>Okay? So off the bat? Some risks.

0:17:26.520 --> 0:17:28.720
<v Speaker 6>I love the tape, but since it's a cat, maybe.

0:17:28.520 --> 0:17:33.840
<v Speaker 4>It's riskers like whiskers. I do a lot of creature work,

0:17:33.880 --> 0:17:37.240
<v Speaker 4>and so I really appreciate when someone takes the because

0:17:37.240 --> 0:17:40.800
<v Speaker 4>a lot of animals talking. Animation obviously really kind of

0:17:41.119 --> 0:17:44.680
<v Speaker 4>hard to watch a show without any talking at all.

0:17:45.119 --> 0:17:47.320
<v Speaker 4>But I love when we pepper in the things that

0:17:47.359 --> 0:17:50.800
<v Speaker 4>make the animal the animal, and so the vocalizations were

0:17:50.840 --> 0:17:54.280
<v Speaker 4>really great, really great choice there. And also just the

0:17:54.359 --> 0:17:56.760
<v Speaker 4>cadence of the voice felt very cat like to me,

0:17:57.280 --> 0:17:59.480
<v Speaker 4>in the way that we have quite a few cats

0:17:59.480 --> 0:18:01.600
<v Speaker 4>at our house, and so the way the cats often

0:18:02.119 --> 0:18:04.359
<v Speaker 4>you know, perr and the ebb and the flow. It

0:18:04.400 --> 0:18:07.840
<v Speaker 4>felt very flowy. So that was the first thing. The

0:18:07.880 --> 0:18:13.159
<v Speaker 4>second thing was I loved the risk of taking the

0:18:13.200 --> 0:18:15.359
<v Speaker 4>pitch up because obviously we're thinking ten year old and

0:18:15.400 --> 0:18:19.520
<v Speaker 4>we're thinking tiny. I think it was a great choice

0:18:20.359 --> 0:18:22.080
<v Speaker 4>if you, if you were to have a second take

0:18:22.160 --> 0:18:24.320
<v Speaker 4>or a second opportunity. One thing that's always kind of

0:18:24.320 --> 0:18:28.200
<v Speaker 4>interesting is taking so ten years old in human years

0:18:28.359 --> 0:18:31.320
<v Speaker 4>maybe different than ten years old in catyres, because a

0:18:31.320 --> 0:18:33.720
<v Speaker 4>ten year old cat is actually kind of old, right,

0:18:33.920 --> 0:18:37.680
<v Speaker 4>So there might be an opportunity to do something kind

0:18:37.680 --> 0:18:40.560
<v Speaker 4>of unexpected, which is always what I think as artists

0:18:40.560 --> 0:18:43.919
<v Speaker 4>we're looking to do, which is to entertain and surprise ourselves.

0:18:44.800 --> 0:18:48.399
<v Speaker 4>But overall, I really loved the interpretation of the first pass,

0:18:48.480 --> 0:18:50.120
<v Speaker 4>and I thought it was really really fun.

0:18:50.600 --> 0:18:54.000
<v Speaker 2>Christy, Well, are you going to say no?

0:18:54.119 --> 0:18:57.240
<v Speaker 3>That's why I wanted to say something before, But I'm

0:18:57.280 --> 0:19:02.399
<v Speaker 3>glad we waited it. It is a recurring concept of

0:19:02.760 --> 0:19:05.760
<v Speaker 3>ten years old. Do you play it in animal years

0:19:05.880 --> 0:19:07.439
<v Speaker 3>or do you play it in the actual or do

0:19:07.440 --> 0:19:08.080
<v Speaker 3>you play it for real?

0:19:08.160 --> 0:19:11.040
<v Speaker 1>But you know, and we always say, you make the

0:19:11.200 --> 0:19:11.800
<v Speaker 1>as actors.

0:19:11.840 --> 0:19:16.679
<v Speaker 3>You make the bold choice, and it's showing people that

0:19:16.720 --> 0:19:19.639
<v Speaker 3>you can go big is great because then you can

0:19:19.680 --> 0:19:22.320
<v Speaker 3>always scale back, right. It's a lot harder for them

0:19:22.359 --> 0:19:24.760
<v Speaker 3>to pull it out of you. But I mean, I

0:19:25.400 --> 0:19:29.080
<v Speaker 3>personally loved that. I even loved the hiss at the end.

0:19:29.200 --> 0:19:32.560
<v Speaker 3>Usually we have the curaks our contestants to incorporate that,

0:19:33.680 --> 0:19:35.479
<v Speaker 3>and I mean I almost wonder if he did. I mean,

0:19:35.520 --> 0:19:38.200
<v Speaker 3>are we doing another take two for him? It would

0:19:38.240 --> 0:19:40.040
<v Speaker 3>just be for fun. I would think for him to

0:19:40.080 --> 0:19:42.720
<v Speaker 3>really lean into the cat part of it.

0:19:42.800 --> 0:19:44.880
<v Speaker 1>But I think it was great.

0:19:44.960 --> 0:19:46.639
<v Speaker 2>The only thing I would add is, and I know this,

0:19:46.720 --> 0:19:48.359
<v Speaker 2>I don't even know how I would give this note.

0:19:48.400 --> 0:19:49.880
<v Speaker 2>I would just add I'd like to hear a little

0:19:49.920 --> 0:19:53.560
<v Speaker 2>bit more of the athletic coach h That's right.

0:19:53.680 --> 0:19:54.800
<v Speaker 1>I totally forgot about that.

0:19:54.840 --> 0:19:56.720
<v Speaker 2>I don't even know how you would incorporate that, but

0:19:56.720 --> 0:19:57.920
<v Speaker 2>I'd love to hear a little bit more of the

0:19:57.920 --> 0:20:00.800
<v Speaker 2>athletic coach. But that being said, I like the rest

0:20:00.800 --> 0:20:02.440
<v Speaker 2>of the notes too. But it was a great first

0:20:02.440 --> 0:20:04.840
<v Speaker 2>Take good choices, and let's give you another pass and

0:20:04.840 --> 0:20:09.359
<v Speaker 2>see what happens. So Paul Uh once again, line one,

0:20:09.359 --> 0:20:14.560
<v Speaker 2>actual pleasure, lather.

0:20:14.920 --> 0:20:21.119
<v Speaker 7>Rinse, repeat, lava, rinse repeat. It's been three weeks in

0:20:21.200 --> 0:20:21.800
<v Speaker 7>this shower.

0:20:22.880 --> 0:20:23.919
<v Speaker 13>Someone helped me.

0:20:29.119 --> 0:20:32.120
<v Speaker 2>That was great, good choices. We will be right back

0:20:32.119 --> 0:20:37.720
<v Speaker 2>with your really good adjustments.

0:20:37.760 --> 0:20:41.000
<v Speaker 1>I thought he's got the confidence too. I think he

0:20:41.160 --> 0:20:41.480
<v Speaker 1>must be.

0:20:42.200 --> 0:20:45.640
<v Speaker 3>Both of them seem very confident and capable, and that's

0:20:45.680 --> 0:20:46.360
<v Speaker 3>really wonderful.

0:20:46.359 --> 0:20:47.359
<v Speaker 2>You can tell us from theater.

0:20:48.359 --> 0:20:52.200
<v Speaker 4>Absolutely yeah. Background really really helps, and I hope everyone

0:20:52.240 --> 0:20:54.600
<v Speaker 4>listening at home, you know, at least with these two

0:20:54.600 --> 0:20:57.440
<v Speaker 4>contestants today, and you have that stage theatrical background.

0:20:58.920 --> 0:21:01.280
<v Speaker 6>But what's interesting is where you come from theater.

0:21:01.400 --> 0:21:04.760
<v Speaker 4>I find often in the medium of voiceover, people forget

0:21:04.760 --> 0:21:06.600
<v Speaker 4>how much heavy lifting you have to do because you're

0:21:07.040 --> 0:21:10.520
<v Speaker 4>creating the set and your scene partner and your costume,

0:21:11.320 --> 0:21:13.560
<v Speaker 4>and so you're looking to create all those vocal dynamics

0:21:13.600 --> 0:21:14.520
<v Speaker 4>that when you're on.

0:21:14.480 --> 0:21:17.679
<v Speaker 6>The stage you just have to worry about projecting just

0:21:17.800 --> 0:21:18.480
<v Speaker 6>one elements.

0:21:19.080 --> 0:21:19.399
<v Speaker 1>Right.

0:21:19.920 --> 0:21:22.119
<v Speaker 4>So the second take, I really noticed that there was

0:21:22.160 --> 0:21:24.720
<v Speaker 4>a little more movement, and especially well when you had mentioned,

0:21:25.760 --> 0:21:28.200
<v Speaker 4>oh hey, let's just there's this fun bit with the

0:21:28.960 --> 0:21:33.480
<v Speaker 4>athletic coach. I feel like you nailed that. I thought, yeah, absolutely, yeah,

0:21:33.520 --> 0:21:35.959
<v Speaker 4>and the kind of and and I find when you

0:21:36.000 --> 0:21:39.960
<v Speaker 4>have three things to focus on, that's a lot to juggle,

0:21:40.040 --> 0:21:43.360
<v Speaker 4>especially for an audition, right, So I usually picked two.

0:21:43.560 --> 0:21:46.119
<v Speaker 4>So if I were to do do two takes just

0:21:46.160 --> 0:21:51.159
<v Speaker 4>like Paul did, I would focus on my interpretation of

0:21:51.200 --> 0:21:54.119
<v Speaker 4>the age and my interpretation of the situation. And the

0:21:54.160 --> 0:21:58.359
<v Speaker 4>second one I might lean more into my extrapolation of Okay,

0:21:58.480 --> 0:22:01.000
<v Speaker 4>what was my peach like in school?

0:22:01.040 --> 0:22:01.280
<v Speaker 2>Sure?

0:22:01.440 --> 0:22:04.560
<v Speaker 4>Or like what or what would be the funniest coaching

0:22:04.640 --> 0:22:05.800
<v Speaker 4>job a cat could have?

0:22:06.560 --> 0:22:08.320
<v Speaker 6>And there was something about to me.

0:22:08.560 --> 0:22:11.280
<v Speaker 4>Paul's version of the second one was definitely coaching water polo.

0:22:11.520 --> 0:22:13.639
<v Speaker 6>And I could hear it. I could hear this frustration

0:22:14.400 --> 0:22:15.440
<v Speaker 6>of you know, I'm a cat.

0:22:15.960 --> 0:22:17.000
<v Speaker 4>I think that's good time.

0:22:17.359 --> 0:22:20.240
<v Speaker 2>Well, let's see a tough act to follow. Let's see

0:22:20.200 --> 0:22:23.360
<v Speaker 2>you bring Haley in from round number one here and

0:22:23.440 --> 0:22:27.320
<v Speaker 2>see where we can go from there. Haley, how are you?

0:22:27.560 --> 0:22:30.840
<v Speaker 2>We are here for round number one and Brock is

0:22:30.880 --> 0:22:34.160
<v Speaker 2>going to be picking your character for you. So Brock,

0:22:34.240 --> 0:22:36.560
<v Speaker 2>if you would please a number between one.

0:22:36.560 --> 0:22:40.080
<v Speaker 4>And six okay, let's go too.

0:22:41.320 --> 0:22:46.919
<v Speaker 2>And now a number between one and twelve. Nine, and

0:22:46.960 --> 0:22:52.560
<v Speaker 2>now a number between one and seven six sick stick,

0:22:53.359 --> 0:23:02.600
<v Speaker 2>and finally a number between one and eleven please. Oh Christine,

0:23:02.720 --> 0:23:03.200
<v Speaker 2>I like this.

0:23:03.520 --> 0:23:08.920
<v Speaker 3>Okay, You're a sixty year old, proper British alien who

0:23:09.119 --> 0:23:15.439
<v Speaker 3>is big. So you are a big alien who is

0:23:15.560 --> 0:23:19.440
<v Speaker 3>sixty years old and who has a proper British accent.

0:23:19.920 --> 0:23:21.960
<v Speaker 2>I wonder how that's going to work you having lived

0:23:22.000 --> 0:23:24.280
<v Speaker 2>in England for as long as you did, no.

0:23:24.400 --> 0:23:26.560
<v Speaker 10>Right, it would be all all of my friends in

0:23:26.600 --> 0:23:27.600
<v Speaker 10>England if I don't do this.

0:23:27.680 --> 0:23:32.639
<v Speaker 2>Well, are you ready, Haley?

0:23:32.840 --> 0:23:33.719
<v Speaker 9>Yes, I am, thank you.

0:23:34.000 --> 0:23:37.360
<v Speaker 2>Okay, so line number one please at your pleasure.

0:23:38.920 --> 0:23:44.760
<v Speaker 11>Lovat repeat lava.

0:23:45.160 --> 0:23:49.359
<v Speaker 9>It's been Rick in the shower someone.

0:23:50.240 --> 0:23:51.880
<v Speaker 4>Oh what.

0:23:56.400 --> 0:23:57.359
<v Speaker 2>Brock any notes?

0:23:58.960 --> 0:24:02.880
<v Speaker 4>I mean, I love the choice to do the kind

0:24:02.880 --> 0:24:05.560
<v Speaker 4>of glottal placement because you know, there's so many versions

0:24:05.600 --> 0:24:07.640
<v Speaker 4>of the British accent, and I'm a big monted Python

0:24:07.680 --> 0:24:11.960
<v Speaker 4>fan and that's sort of like very time. Yeah, that's

0:24:12.040 --> 0:24:15.119
<v Speaker 4>absolutely such a great caricature. I feel like doesn't get

0:24:15.240 --> 0:24:19.200
<v Speaker 4>us used enough. I love the risk taking. I loved

0:24:19.400 --> 0:24:22.320
<v Speaker 4>the you know I could. I always try to picture

0:24:22.320 --> 0:24:25.760
<v Speaker 4>the character when someone's performing. So that alien had a

0:24:25.800 --> 0:24:28.520
<v Speaker 4>couple arms and some loofahs and was definitely you know,

0:24:29.960 --> 0:24:31.320
<v Speaker 4>conditioning and shampooing.

0:24:31.640 --> 0:24:32.440
<v Speaker 6>I thought it was great.

0:24:32.520 --> 0:24:35.520
<v Speaker 4>My only note would be for a second take. I'd

0:24:35.560 --> 0:24:37.879
<v Speaker 4>love to hear some more. When I think big, I

0:24:37.920 --> 0:24:39.000
<v Speaker 4>want to hear something that.

0:24:38.920 --> 0:24:43.280
<v Speaker 14>Feels like fills the room a little more, you know,

0:24:43.359 --> 0:24:45.440
<v Speaker 14>so maybe taking it in the direction of a Judy

0:24:45.560 --> 0:24:49.120
<v Speaker 14>Dantra Helen Mirren, just a big presence, like a very

0:24:49.160 --> 0:24:49.600
<v Speaker 14>over the.

0:24:49.520 --> 0:24:52.840
<v Speaker 9>Top, absolutely something like that.

0:24:53.840 --> 0:24:56.119
<v Speaker 1>Yeah, Christie, Yeah, I loved.

0:24:56.200 --> 0:24:58.880
<v Speaker 3>I loved the glottle thing too, But you would you

0:24:58.920 --> 0:25:03.320
<v Speaker 3>could also if you're doing the Judy Dench opera singer type,

0:25:03.480 --> 0:25:07.560
<v Speaker 3>you know, big woman, you could not be confined to

0:25:07.880 --> 0:25:10.560
<v Speaker 3>just that to show us that you're an alien. I

0:25:10.560 --> 0:25:13.520
<v Speaker 3>don't know if it's Sometimes people will improve like beat

0:25:13.520 --> 0:25:14.720
<v Speaker 3>boops if they're.

0:25:14.440 --> 0:25:16.680
<v Speaker 1>You know, a robe or you know could.

0:25:16.880 --> 0:25:19.520
<v Speaker 3>We love seeing the bold choices because it shows us

0:25:19.560 --> 0:25:21.880
<v Speaker 3>your range and we know, we.

0:25:21.840 --> 0:25:26.199
<v Speaker 1>Know you have it, so show us, show us please, I.

0:25:26.160 --> 0:25:28.280
<v Speaker 2>Would say, yeah, I would say just play. I liked

0:25:28.320 --> 0:25:29.679
<v Speaker 2>all your choices. I just want to see you take

0:25:29.680 --> 0:25:33.400
<v Speaker 2>another sing in it. Frankly, all right, So Haley, here

0:25:33.440 --> 0:25:36.320
<v Speaker 2>we go somewhere completely different anyway, whatever you want to do,

0:25:36.800 --> 0:25:39.640
<v Speaker 2>it's completely up to you. So line number one again,

0:25:39.680 --> 0:25:41.040
<v Speaker 2>please at your pleasure.

0:25:44.080 --> 0:25:58.800
<v Speaker 9>Repet It has been three weeks in this show. Someone, Oh,

0:25:59.000 --> 0:25:59.560
<v Speaker 9>that was great.

0:25:59.560 --> 0:26:03.040
<v Speaker 2>We'll be right back with you. Thank you, man, oh man,

0:26:04.160 --> 0:26:04.680
<v Speaker 2>good job.

0:26:05.800 --> 0:26:09.920
<v Speaker 3>This could be flipping hard. This could be a tough week, honestly,

0:26:10.160 --> 0:26:13.480
<v Speaker 3>chrise summer. We had a tough one with Kree, right, yeah,

0:26:13.600 --> 0:26:14.439
<v Speaker 3>was that our tough and.

0:26:14.880 --> 0:26:17.640
<v Speaker 1>This one's tough too. I mean they're all tough. Everyone's amazing.

0:26:17.760 --> 0:26:20.160
<v Speaker 2>Yeah, this could be really tough, though some are.

0:26:20.000 --> 0:26:23.320
<v Speaker 3>More ready right because we did such a large papering

0:26:23.520 --> 0:26:26.520
<v Speaker 3>of how many candidates we had. These are two folks

0:26:26.560 --> 0:26:29.640
<v Speaker 3>that truly could be working beside us.

0:26:29.840 --> 0:26:30.000
<v Speaker 13>Right.

0:26:30.400 --> 0:26:32.360
<v Speaker 2>It's also one of those things where you I look

0:26:32.400 --> 0:26:34.400
<v Speaker 2>at it like they could also be doing different things

0:26:34.440 --> 0:26:37.399
<v Speaker 2>because she could go out and easily do exactly what

0:26:37.440 --> 0:26:39.400
<v Speaker 2>she just did. You know, a character like that where

0:26:39.440 --> 0:26:41.080
<v Speaker 2>he could go out and be the next voice of

0:26:41.320 --> 0:26:45.440
<v Speaker 2>Hyundai or Toyota or something. So they could be doing

0:26:45.440 --> 0:26:48.280
<v Speaker 2>two completely separate things in the voiceover industry and both

0:26:48.320 --> 0:26:53.160
<v Speaker 2>be incredibly successful doing it. So it leads to leads.

0:26:52.960 --> 0:26:55.520
<v Speaker 3>To I'm glad you're here today because I do feel

0:26:55.520 --> 0:26:58.800
<v Speaker 3>like that you're judicating has been really nuanced in a

0:26:58.840 --> 0:27:02.080
<v Speaker 3>way that is really helpful to when we're going to

0:27:02.119 --> 0:27:05.000
<v Speaker 3>be going to move forward with this decision. Obviously, range

0:27:05.040 --> 0:27:09.720
<v Speaker 3>is really important, but like like you said, personality is

0:27:09.760 --> 0:27:12.120
<v Speaker 3>a big thing, but they both have great personalities.

0:27:12.440 --> 0:27:16.280
<v Speaker 4>Yeah, right, so great personalities, And then the other thing

0:27:16.880 --> 0:27:18.960
<v Speaker 4>for those playing at home, direct ability is always the

0:27:18.960 --> 0:27:21.080
<v Speaker 4>big thing, and acting.

0:27:21.240 --> 0:27:23.280
<v Speaker 2>They can both, Yes, they can.

0:27:23.200 --> 0:27:25.600
<v Speaker 4>Both act, and they can take directions super well and

0:27:25.640 --> 0:27:28.720
<v Speaker 4>extrapolate upon the direction, which is always the thing that

0:27:28.760 --> 0:27:31.040
<v Speaker 4>you think are like, oh, well, if someone takes direction better,

0:27:31.080 --> 0:27:34.000
<v Speaker 4>I'm always going to lean towards choosing that person. But

0:27:34.040 --> 0:27:36.160
<v Speaker 4>they both took the direction and ran with it, which

0:27:36.200 --> 0:27:37.000
<v Speaker 4>is what you look for.

0:27:37.880 --> 0:27:41.600
<v Speaker 2>So yeah, well here's what I would ask right now.

0:27:41.640 --> 0:27:43.359
<v Speaker 2>I don't think one is leading over the other, but

0:27:43.400 --> 0:27:45.600
<v Speaker 2>that's my own opinion. Does anybody else have one who says, hey,

0:27:45.640 --> 0:27:47.479
<v Speaker 2>this person is slightly better than the other because right

0:27:47.480 --> 0:27:50.440
<v Speaker 2>now I have them tied tied so far.

0:27:50.720 --> 0:27:52.400
<v Speaker 6>Yeah, I think we're pretty neck and neck to be honest.

0:27:52.400 --> 0:27:55.560
<v Speaker 2>Okay, all right, let's move on to round too and

0:27:55.600 --> 0:27:58.240
<v Speaker 2>see what we got here. So let's bring Paul back in.

0:27:58.920 --> 0:28:04.640
<v Speaker 2>This is here we go. Hey, Paul, welcome back.

0:28:06.840 --> 0:28:07.040
<v Speaker 15>Hi.

0:28:07.720 --> 0:28:09.280
<v Speaker 2>We are moving on too, right.

0:28:09.760 --> 0:28:12.440
<v Speaker 1>It doesn't get on every time he does.

0:28:12.480 --> 0:28:12.560
<v Speaker 2>Not.

0:28:12.640 --> 0:28:15.679
<v Speaker 3>I get like shivers in my money than you.

0:28:16.640 --> 0:28:20.280
<v Speaker 4>Yeah, my noise canceling headphone, My entire skull is like

0:28:21.119 --> 0:28:21.399
<v Speaker 4>it is.

0:28:23.080 --> 0:28:26.040
<v Speaker 2>Okay, So we are moving onto line number two, and

0:28:26.160 --> 0:28:29.359
<v Speaker 2>once again, Brock is going to pick your character for you. So, Brock,

0:28:29.400 --> 0:28:31.720
<v Speaker 2>if you would please a number between one and six.

0:28:33.200 --> 0:28:34.040
<v Speaker 4>Let's go two.

0:28:35.800 --> 0:28:37.240
<v Speaker 2>You did that last round. Let's pick a different one.

0:28:37.280 --> 0:28:41.960
<v Speaker 4>Oh we did. I'm so sorry. Uh let's go one.

0:28:42.720 --> 0:28:46.200
<v Speaker 2>Uh huh that's and work. And now number between one

0:28:46.200 --> 0:28:48.600
<v Speaker 2>and twelve. Uh.

0:28:49.040 --> 0:28:49.320
<v Speaker 4>Ten.

0:28:50.640 --> 0:28:52.640
<v Speaker 2>And now a number between one and seven.

0:28:53.240 --> 0:28:55.120
<v Speaker 4>It's really good. Seven.

0:28:56.520 --> 0:28:59.560
<v Speaker 2>And now a number between one and eleven. A.

0:29:01.680 --> 0:29:04.400
<v Speaker 1>Oh wow, this is a good one. Are you ready

0:29:04.400 --> 0:29:04.680
<v Speaker 1>for this?

0:29:05.400 --> 0:29:05.760
<v Speaker 7>Yes?

0:29:05.800 --> 0:29:11.960
<v Speaker 1>You are a giant giant robot. Robot ninety five years old.

0:29:12.240 --> 0:29:14.400
<v Speaker 7>Ninety five years old.

0:29:15.320 --> 0:29:16.320
<v Speaker 9>Wait, what was that last one.

0:29:16.320 --> 0:29:19.800
<v Speaker 3>Oh, yes, you've been stuck in traffic for six hours?

0:29:24.200 --> 0:29:26.320
<v Speaker 2>All right, so Paul, you got a ninety five year

0:29:26.360 --> 0:29:30.080
<v Speaker 2>old giant robot who's been stuck in traffic for six hours.

0:29:30.160 --> 0:29:31.880
<v Speaker 2>Line number two, at your pleasure.

0:29:33.720 --> 0:29:40.719
<v Speaker 7>We are now to the mixing portion of the recipe.

0:29:41.480 --> 0:29:54.040
<v Speaker 7>You'll notice that I have used fish gots instead of sugar. Gotcha.

0:29:54.880 --> 0:29:57.600
<v Speaker 7>That was a mistake. So let's go ahead and throw

0:29:58.120 --> 0:30:01.640
<v Speaker 7>this all.

0:30:03.680 --> 0:30:04.560
<v Speaker 1>That was crazy.

0:30:04.680 --> 0:30:07.360
<v Speaker 2>That was a crazy take any notes.

0:30:08.640 --> 0:30:12.640
<v Speaker 4>I mean, you definitely nailed like iron giant asque, big

0:30:12.720 --> 0:30:17.960
<v Speaker 4>booming robot. I'm picturing some you know, in a way

0:30:18.000 --> 0:30:22.960
<v Speaker 4>too tiny car. I would love to hear something that

0:30:23.120 --> 0:30:25.480
<v Speaker 4>honors It can almost be difficult when we do something

0:30:25.520 --> 0:30:29.080
<v Speaker 4>like this because you're we're throwing so many random spices

0:30:29.120 --> 0:30:33.080
<v Speaker 4>onto some text and maybe doesn't match. But I think

0:30:33.080 --> 0:30:36.760
<v Speaker 4>you have the ability to make the text connect a

0:30:36.760 --> 0:30:41.080
<v Speaker 4>little more. So maybe we could play it like the

0:30:41.120 --> 0:30:43.480
<v Speaker 4>giant robot has lost his mind, or he's been in

0:30:43.520 --> 0:30:47.520
<v Speaker 4>traffic so long, he's uh, you know, now has a

0:30:47.560 --> 0:30:50.120
<v Speaker 4>camera aperture, and he's doing a cooking show in the car.

0:30:50.560 --> 0:30:53.160
<v Speaker 4>So I think we can combine all those things and

0:30:53.200 --> 0:30:55.680
<v Speaker 4>also make it clear of why the text is happening,

0:30:56.640 --> 0:30:59.640
<v Speaker 4>and that might speed up the speech a little bit,

0:31:00.120 --> 0:31:03.240
<v Speaker 4>which I love the choice of the monotone automaton, but

0:31:03.320 --> 0:31:05.000
<v Speaker 4>I think that the character might be able to have

0:31:05.040 --> 0:31:08.120
<v Speaker 4>a little more personality, a little more connectedness.

0:31:08.400 --> 0:31:09.680
<v Speaker 7>Okay, I mean, if.

0:31:09.600 --> 0:31:12.120
<v Speaker 3>You've heard what AI can do these days with like

0:31:12.280 --> 0:31:15.040
<v Speaker 3>they do all the different voices and they simulate them.

0:31:15.200 --> 0:31:18.000
<v Speaker 3>I actually think that what we think of as like

0:31:18.120 --> 0:31:21.880
<v Speaker 3>the serie voice and stuff is definitely changing.

0:31:22.040 --> 0:31:25.160
<v Speaker 1>Right, so I wouldn't be feel as restrained to the.

0:31:25.600 --> 0:31:29.120
<v Speaker 3>Typical robot voice. But because also too, it's like not

0:31:29.240 --> 0:31:32.440
<v Speaker 3>doing Yeah, that's I don't I don't want to overdirect.

0:31:32.800 --> 0:31:33.320
<v Speaker 4>That's great.

0:31:33.400 --> 0:31:34.880
<v Speaker 1>I like like what Rock said.

0:31:35.160 --> 0:31:35.400
<v Speaker 4>I do.

0:31:35.480 --> 0:31:37.000
<v Speaker 2>I agree with what Brox said. I think we need

0:31:37.040 --> 0:31:39.160
<v Speaker 2>to hear a little more stuck in traffic, And by

0:31:39.200 --> 0:31:42.640
<v Speaker 2>that I mean maybe he's starting to short circuit a

0:31:42.640 --> 0:31:43.000
<v Speaker 2>little bit.

0:31:43.080 --> 0:31:45.640
<v Speaker 1>Yes, literally, what happens if.

0:31:45.560 --> 0:31:47.320
<v Speaker 2>There is a short circuit in there? So let's give

0:31:47.320 --> 0:31:50.080
<v Speaker 2>it one more try line too, at your pleasure.

0:31:52.880 --> 0:31:56.400
<v Speaker 7>We are now to the mixing portion of the recipe.

0:31:57.200 --> 0:32:00.560
<v Speaker 7>You'll notice that I have have have have have have

0:32:00.920 --> 0:32:11.160
<v Speaker 7>used fish guts instead of sugar. That was a mistake,

0:32:11.960 --> 0:32:16.200
<v Speaker 7>So let's go ahead and just throw all this out.

0:32:17.760 --> 0:32:18.680
<v Speaker 4>That's terrifying.

0:32:19.080 --> 0:32:20.240
<v Speaker 1>That was terrifying to me.

0:32:20.360 --> 0:32:20.720
<v Speaker 4>I don't know.

0:32:20.760 --> 0:32:23.440
<v Speaker 2>I loved it. Good adjustments though, loved it.

0:32:23.520 --> 0:32:25.800
<v Speaker 6>Yeah, great copy and paste too. That was really fun.

0:32:26.320 --> 0:32:27.920
<v Speaker 2>Thank you very much. We'll be right back with you

0:32:28.000 --> 0:32:28.600
<v Speaker 2>for round three.

0:32:28.920 --> 0:32:30.280
<v Speaker 7>All right, thank you very much.

0:32:31.480 --> 0:32:34.800
<v Speaker 1>I mean, his voice is butter it is, it really is.

0:32:34.920 --> 0:32:36.760
<v Speaker 2>I mean it, and he's got the acting. So that's

0:32:36.760 --> 0:32:38.800
<v Speaker 2>where it's one of those things where it's there's times

0:32:38.800 --> 0:32:40.640
<v Speaker 2>where we play this game for him.

0:32:40.680 --> 0:32:40.840
<v Speaker 6>Though.

0:32:40.920 --> 0:32:42.640
<v Speaker 3>That was a challenging round, and you know, because it

0:32:42.680 --> 0:32:44.960
<v Speaker 3>was a giant character, I kind of thought he would.

0:32:44.760 --> 0:32:46.240
<v Speaker 1>Really bring it home more.

0:32:46.800 --> 0:32:48.880
<v Speaker 3>But you know, like you said, I think it is

0:32:48.920 --> 0:32:51.480
<v Speaker 3>difficult to like shake yourself out of just the narration

0:32:52.120 --> 0:32:52.600
<v Speaker 3>like this.

0:32:52.520 --> 0:32:53.760
<v Speaker 1>Is what I did really well.

0:32:53.920 --> 0:32:57.840
<v Speaker 2>So yeah, I felt like that for the first time. Yeah,

0:32:57.880 --> 0:33:00.520
<v Speaker 2>for the first time. I felt like in that round

0:33:00.520 --> 0:33:03.520
<v Speaker 2>the acting was lacking just a little bit. Some of

0:33:03.520 --> 0:33:05.040
<v Speaker 2>the pauses were a little too long, some of the

0:33:05.120 --> 0:33:07.560
<v Speaker 2>choices were a little off, But that does not change

0:33:07.600 --> 0:33:11.800
<v Speaker 2>the fact that his voice is phenomenal. It's really I mean,

0:33:11.840 --> 0:33:14.120
<v Speaker 2>it's just it's really really good. And when you have

0:33:14.280 --> 0:33:17.200
<v Speaker 2>that kind of instrument going in and he obviously has

0:33:17.240 --> 0:33:19.280
<v Speaker 2>the basics of the acting down. He really does. It's

0:33:19.320 --> 0:33:21.440
<v Speaker 2>just that round. I didn't think it was great, but

0:33:23.040 --> 0:33:25.400
<v Speaker 2>the choices that he then took in the direction that

0:33:25.440 --> 0:33:27.000
<v Speaker 2>he then took took it in a different direction, and

0:33:27.040 --> 0:33:29.280
<v Speaker 2>I thought it was I thought it was good. I mean,

0:33:30.080 --> 0:33:31.520
<v Speaker 2>I just want to hear him. I just want to

0:33:31.520 --> 0:33:33.200
<v Speaker 2>hear this guy. Do ad read though, I mean all

0:33:33.280 --> 0:33:37.400
<v Speaker 2>day or movie announcing, because it's I mean, how do

0:33:37.440 --> 0:33:40.000
<v Speaker 2>you not want this guy announcing the next Marvel film?

0:33:40.080 --> 0:33:42.840
<v Speaker 2>Souh such a good voice, but.

0:33:43.240 --> 0:33:45.760
<v Speaker 3>I'm like he needs to be like Disney rides, you know,

0:33:45.960 --> 0:33:48.200
<v Speaker 3>like please get off of the you know exit.

0:33:48.920 --> 0:33:53.080
<v Speaker 4>Yeah, well you can do. That was the interesting thing though,

0:33:53.120 --> 0:33:56.840
<v Speaker 4>like we gave him a robot and it almost for

0:33:57.040 --> 0:33:59.240
<v Speaker 4>that second round that almost hurt him a little bit

0:33:59.360 --> 0:34:02.200
<v Speaker 4>because it was so in the wheelhouse of oh I

0:34:02.200 --> 0:34:05.120
<v Speaker 4>should be able to do this because I have this instrument,

0:34:05.560 --> 0:34:08.040
<v Speaker 4>and I think, you know, it's so easy for us

0:34:08.080 --> 0:34:09.440
<v Speaker 4>to sit here and be like, oh, here's the choice

0:34:09.480 --> 0:34:11.319
<v Speaker 4>I would have made. This is so hard and so

0:34:11.400 --> 0:34:12.480
<v Speaker 4>difficult man.

0:34:12.280 --> 0:34:15.480
<v Speaker 2>To imagine being at home crazy.

0:34:15.440 --> 0:34:17.560
<v Speaker 4>You know, because we do work from home and we

0:34:17.600 --> 0:34:21.240
<v Speaker 4>record and often you know, you'll be recording for Disney

0:34:21.280 --> 0:34:25.040
<v Speaker 4>or Marvel or whoever, and it's stressful. It's just it.

0:34:25.200 --> 0:34:27.920
<v Speaker 4>It can be really hard. So I have all.

0:34:29.239 --> 0:34:31.800
<v Speaker 6>Just all the respect for Paul and everybody because.

0:34:31.600 --> 0:34:34.920
<v Speaker 4>I think everyone's doing great to what we're really listening

0:34:35.000 --> 0:34:36.719
<v Speaker 4>for is that acting. So that I think that third

0:34:36.760 --> 0:34:38.239
<v Speaker 4>round is going to be the make or break for

0:34:38.360 --> 0:34:40.520
<v Speaker 4>me with my with my selection for Paul.

0:34:40.560 --> 0:34:42.640
<v Speaker 2>Well let's see, let's see, yeah we still have. We

0:34:42.680 --> 0:34:44.360
<v Speaker 2>still got round two with Haley, so let's see if

0:34:44.360 --> 0:34:47.000
<v Speaker 2>somebody just can just run away with it. But so

0:34:47.080 --> 0:34:50.399
<v Speaker 2>far they're both great. So here we go. Let's bring

0:34:50.440 --> 0:34:56.520
<v Speaker 2>Haley back in. Hi, Haley, I think you're muted. Oh no,

0:34:56.560 --> 0:34:58.399
<v Speaker 2>there you are. Now you're good. Oh you just made

0:34:58.400 --> 0:35:01.000
<v Speaker 2>it see with your acting and you made you said hello,

0:35:01.120 --> 0:35:04.799
<v Speaker 2>but you say, there you go. So here we go

0:35:04.880 --> 0:35:08.920
<v Speaker 2>with round two, line too and Brock, if you would

0:35:08.920 --> 0:35:10.799
<v Speaker 2>please a number between one and six?

0:35:11.480 --> 0:35:13.560
<v Speaker 4>Yes, I think I have not picked three for this

0:35:13.600 --> 0:35:14.480
<v Speaker 4>one yet, have I three?

0:35:14.560 --> 0:35:15.120
<v Speaker 2>No?

0:35:15.280 --> 0:35:16.000
<v Speaker 4>Three?

0:35:16.520 --> 0:35:18.200
<v Speaker 2>And now a number between one and twelve?

0:35:19.719 --> 0:35:21.360
<v Speaker 4>Uh eight?

0:35:22.520 --> 0:35:30.080
<v Speaker 2>And now a number between one and seven five, and

0:35:30.200 --> 0:35:32.320
<v Speaker 2>finally a number between one and eleven.

0:35:34.440 --> 0:35:34.720
<v Speaker 4>Two.

0:35:36.040 --> 0:35:39.080
<v Speaker 2>Oh you go Christaves, what have we got?

0:35:40.080 --> 0:35:46.120
<v Speaker 3>You're a medium fish who's thirty years old and is Scottish.

0:35:46.719 --> 0:35:49.640
<v Speaker 12>I feel like there's something happening here that, like the

0:35:49.640 --> 0:35:51.720
<v Speaker 12>world knows that I should just get all.

0:35:51.560 --> 0:35:52.960
<v Speaker 9>The accent ones.

0:35:54.960 --> 0:35:57.440
<v Speaker 1>Appreciate that.

0:35:57.840 --> 0:35:58.240
<v Speaker 9>Thanks.

0:35:58.480 --> 0:36:01.000
<v Speaker 2>There you go, right in your wheelhouse.

0:36:04.760 --> 0:36:07.400
<v Speaker 9>Menada and Dolly had a baby.

0:36:09.680 --> 0:36:11.720
<v Speaker 6>A medium fish, A medium.

0:36:11.320 --> 0:36:14.760
<v Speaker 1>Fish, medium fish fish, and she's.

0:36:14.640 --> 0:36:18.720
<v Speaker 2>Thirty A thirty year old medium sized fish at Scottish obviously.

0:36:19.800 --> 0:36:20.959
<v Speaker 9>A Scottish law.

0:36:21.520 --> 0:36:23.360
<v Speaker 4>There you go it.

0:36:23.520 --> 0:36:29.080
<v Speaker 2>So line number two nine, number nine, number two actually.

0:36:29.320 --> 0:36:34.399
<v Speaker 1>Really well will good job, right, good job. No, she's

0:36:34.440 --> 0:36:35.520
<v Speaker 1>actually quite fierce.

0:36:35.560 --> 0:36:44.320
<v Speaker 11>Then all the way, okay, we are now to the

0:36:44.480 --> 0:36:46.239
<v Speaker 11>mixing portion of the recipe.

0:36:46.440 --> 0:36:51.640
<v Speaker 12>You'll notice that I've used fish guts instead of sugar.

0:36:53.520 --> 0:36:55.200
<v Speaker 9>Okay, no, that was a mistake. So let's just go

0:36:55.239 --> 0:36:56.840
<v Speaker 9>ahead and throw all this away.

0:36:56.800 --> 0:36:59.680
<v Speaker 12>And again, Okay, that sounds like cannibally some of the

0:37:00.040 --> 0:37:01.799
<v Speaker 12>get to buy wants that really do they.

0:37:05.520 --> 0:37:06.520
<v Speaker 2>Brock any notes?

0:37:08.320 --> 0:37:08.920
<v Speaker 4>So funny?

0:37:09.160 --> 0:37:10.680
<v Speaker 6>I really, I really love it.

0:37:11.120 --> 0:37:15.719
<v Speaker 4>I the only thing I want to think of, like

0:37:15.840 --> 0:37:17.920
<v Speaker 4>a little a little more, just to keep your reads different,

0:37:17.920 --> 0:37:20.480
<v Speaker 4>because we heard what you did in the first round

0:37:20.560 --> 0:37:24.080
<v Speaker 4>was awesome. I would love to, and doesn't necessarily mean

0:37:24.080 --> 0:37:26.239
<v Speaker 4>the timber thing like you have to go higher, but

0:37:26.280 --> 0:37:28.360
<v Speaker 4>I would love to because you you just did a

0:37:28.360 --> 0:37:30.880
<v Speaker 4>sixty five year old alien, So I would love to

0:37:30.920 --> 0:37:34.359
<v Speaker 4>hear a more clear delineation of what a thirty year

0:37:34.400 --> 0:37:37.640
<v Speaker 4>old fish sounds like. I'm thinking, like, you know, a younger,

0:37:37.719 --> 0:37:39.440
<v Speaker 4>more unsure of themselves.

0:37:38.960 --> 0:37:39.879
<v Speaker 6>Kind of kind of thing.

0:37:41.360 --> 0:37:43.800
<v Speaker 4>I love the cannibalism ad lib. I am.

0:37:44.480 --> 0:37:46.920
<v Speaker 6>I'm crazy for improv. I think your prov is so

0:37:47.000 --> 0:37:49.359
<v Speaker 6>important because it could shore you move in the.

0:37:49.360 --> 0:37:52.120
<v Speaker 4>Character, right, yeah, and you get the character. So I

0:37:52.160 --> 0:37:53.360
<v Speaker 4>would just love to hear some more.

0:37:53.760 --> 0:37:55.239
<v Speaker 1>Just so go further in there.

0:37:55.280 --> 0:37:57.920
<v Speaker 2>Okay, great, I think so Christy will Christy?

0:37:58.560 --> 0:38:02.080
<v Speaker 3>I think that's I think I really to almost like

0:38:02.200 --> 0:38:04.719
<v Speaker 3>expand on what Brock was just saying about her being

0:38:04.760 --> 0:38:08.520
<v Speaker 3>like this thirty year old certain sort of more uncertain

0:38:08.719 --> 0:38:12.839
<v Speaker 3>of herself. It's it's I know what you're saying, Rock,

0:38:12.960 --> 0:38:14.879
<v Speaker 3>but I also wonder if she knows what you're saying.

0:38:14.880 --> 0:38:16.280
<v Speaker 1>Do you know what they're saying?

0:38:17.440 --> 0:38:21.439
<v Speaker 10>I think the idea that the last one so sort

0:38:21.440 --> 0:38:24.080
<v Speaker 10>of just just play less. I tend to play sort

0:38:24.080 --> 0:38:29.840
<v Speaker 10>of foot forward powerful characters, so to kind of play

0:38:29.920 --> 0:38:30.399
<v Speaker 10>more of a.

0:38:32.920 --> 0:38:34.080
<v Speaker 6>Does she made a mistake?

0:38:34.560 --> 0:38:39.400
<v Speaker 4>Yeah, imper energy, you know, like not worldly if you

0:38:39.480 --> 0:38:41.480
<v Speaker 4>are in a Scottish lock and you don't really know

0:38:41.640 --> 0:38:48.799
<v Speaker 4>you're in this little lake the world, right and maybe and.

0:38:48.800 --> 0:38:51.600
<v Speaker 3>Maybe it's more too like you're you're you're really just

0:38:52.120 --> 0:38:55.480
<v Speaker 3>improv improvising the cooking and then you and then the

0:38:55.480 --> 0:38:57.520
<v Speaker 3>fish cuts is more of a surprise. You're like, oh,

0:38:57.920 --> 0:38:59.719
<v Speaker 3>this is what I've got. Well, we're yeah, and you're

0:38:59.760 --> 0:39:01.640
<v Speaker 3>almost it's like, we're not gonna do that. We're gonna

0:39:01.640 --> 0:39:02.160
<v Speaker 3>throw it all the way.

0:39:02.200 --> 0:39:02.680
<v Speaker 4>I like that.

0:39:02.920 --> 0:39:03.400
<v Speaker 1>I like that.

0:39:03.480 --> 0:39:03.680
<v Speaker 4>Yeah.

0:39:04.800 --> 0:39:08.400
<v Speaker 2>Okay, so you're saying less less lady Mary more made

0:39:08.719 --> 0:39:09.919
<v Speaker 2>scullery maid kind of thing.

0:39:10.840 --> 0:39:12.200
<v Speaker 4>Yeah, I think so exactly.

0:39:14.560 --> 0:39:17.560
<v Speaker 10>It's the pilot episode of a cooking show, not season fourteen.

0:39:19.360 --> 0:39:20.799
<v Speaker 1>We're not sure it's going to get picked up.

0:39:20.960 --> 0:39:23.320
<v Speaker 2>Perfect. I say, just take another swing and see what happens,

0:39:23.320 --> 0:39:24.280
<v Speaker 2>Haley at your pleasure.

0:39:24.760 --> 0:39:30.960
<v Speaker 11>Okay, okay, we are known to the mixing portion of

0:39:31.040 --> 0:39:35.440
<v Speaker 11>the recipe. Oh you'll notice that that you've done, Oh no,

0:39:37.239 --> 0:39:42.719
<v Speaker 11>fish cuts instead of sugar. Well, sorry, cramb all, that

0:39:42.960 --> 0:39:43.520
<v Speaker 11>was a mistake.

0:39:43.600 --> 0:39:45.319
<v Speaker 9>Let's just throw all this gus.

0:39:49.040 --> 0:39:52.399
<v Speaker 2>That was great. We will be right back with you. Job.

0:39:53.360 --> 0:39:54.640
<v Speaker 4>Good job. Wow.

0:39:54.840 --> 0:39:58.359
<v Speaker 2>See that to me was that showed a different level

0:39:58.360 --> 0:40:02.960
<v Speaker 2>of acting. Frankly, you know, just he was great.

0:40:03.680 --> 0:40:05.920
<v Speaker 4>I don't want to say blows the other performance out

0:40:05.920 --> 0:40:07.839
<v Speaker 4>of the water, but I'm just going for the pun.

0:40:07.920 --> 0:40:10.160
<v Speaker 4>I'm not saying literally no.

0:40:10.000 --> 0:40:11.759
<v Speaker 2>But no, but it is now Paul is really good.

0:40:11.760 --> 0:40:13.520
<v Speaker 2>He's got that if he's got the instrument. I mean,

0:40:13.680 --> 0:40:16.200
<v Speaker 2>nobody could say he does not have the instrument, but

0:40:17.280 --> 0:40:20.640
<v Speaker 2>the improv the confidence, I mean, that's all the stuff.

0:40:20.640 --> 0:40:22.239
<v Speaker 2>That's not to say Paul is in confidence, because he

0:40:22.239 --> 0:40:26.120
<v Speaker 2>certainly is. But she's got this open kind of working

0:40:26.200 --> 0:40:28.839
<v Speaker 2>with you to find the character kind of vibe. I mean, again,

0:40:28.880 --> 0:40:31.480
<v Speaker 2>we're looking for somebody. We've always said Brock that the

0:40:31.560 --> 0:40:34.080
<v Speaker 2>second they win could be in the recording booth with

0:40:34.080 --> 0:40:34.960
<v Speaker 2>one of us the next day.

0:40:36.120 --> 0:40:39.760
<v Speaker 4>So I think the thing that that again every round,

0:40:39.880 --> 0:40:42.520
<v Speaker 4>I'm kind of getting more of a vocabulary of what

0:40:42.560 --> 0:40:45.080
<v Speaker 4>I think I'm looking for. And tell me if this

0:40:45.120 --> 0:40:47.239
<v Speaker 4>is what if you guys agree with this. A sense

0:40:47.280 --> 0:40:50.239
<v Speaker 4>of ease because it isn't just about confidence. It's also

0:40:50.280 --> 0:40:53.920
<v Speaker 4>the sense of like you're capable, but you're not cocky.

0:40:54.000 --> 0:40:56.360
<v Speaker 4>It's a very fine line and we all kind of

0:40:56.400 --> 0:40:59.160
<v Speaker 4>right line of just be easy to work with and

0:40:59.239 --> 0:41:00.759
<v Speaker 4>poacities and beauties.

0:41:02.480 --> 0:41:03.319
<v Speaker 6>Yeah, Hailey was.

0:41:03.239 --> 0:41:05.359
<v Speaker 4>Funny and also the pop culture reference thing I would

0:41:05.360 --> 0:41:08.560
<v Speaker 4>say in sessions that I've directed and been directed in

0:41:10.160 --> 0:41:13.280
<v Speaker 4>one of the common denominators is we talk in pop culture.

0:41:13.360 --> 0:41:16.279
<v Speaker 4>We're making cartoons, and the scripts that we're reading are

0:41:16.320 --> 0:41:19.040
<v Speaker 4>often going to be like, oh, it's like Indiana Jones

0:41:19.080 --> 0:41:20.879
<v Speaker 4>and this and so if you don't watch a lot

0:41:20.880 --> 0:41:23.000
<v Speaker 4>of movies, and this is for everyone listening at home,

0:41:23.200 --> 0:41:24.920
<v Speaker 4>and you don't watch a lot of TV and you

0:41:24.960 --> 0:41:28.279
<v Speaker 4>want to get into voiceover, this is the time. This

0:41:28.320 --> 0:41:30.160
<v Speaker 4>is the time to cross off Lord of the Rings

0:41:30.160 --> 0:41:32.600
<v Speaker 4>and Back to the Future and all those like outlier

0:41:32.680 --> 0:41:34.520
<v Speaker 4>nerdy things, because they come up with a lot.

0:41:35.320 --> 0:41:37.560
<v Speaker 2>Yeah, no, it's a to me. It was you know,

0:41:37.600 --> 0:41:40.319
<v Speaker 2>it was just the second round. She just kind of

0:41:40.400 --> 0:41:43.040
<v Speaker 2>edged out the acting a little bit straight up.

0:41:43.440 --> 0:41:45.440
<v Speaker 1>Yeah, that was pretty pretty wonderful to see that.

0:41:45.640 --> 0:41:48.359
<v Speaker 2>Great adjustments. Now that being said, the characters were also

0:41:48.360 --> 0:41:51.880
<v Speaker 2>picking for her are right in her wheelhouse, whereas the

0:41:51.880 --> 0:41:54.719
<v Speaker 2>ones it does. Whereas the ones we're picking for Paul,

0:41:54.760 --> 0:41:59.680
<v Speaker 2>it's like, you know, it aren't as perfectly suited for him,

0:41:59.800 --> 0:42:03.080
<v Speaker 2>as you know if it was, Hey, you're now a

0:42:03.120 --> 0:42:06.239
<v Speaker 2>fifty five year old suave man who is the movie announcer.

0:42:06.280 --> 0:42:07.600
<v Speaker 2>And then the line starts.

0:42:07.320 --> 0:42:08.080
<v Speaker 4>Within a world.

0:42:08.120 --> 0:42:10.080
<v Speaker 2>He's gonna come off as the greatest thing in the world.

0:42:10.400 --> 0:42:12.200
<v Speaker 2>So there's a lot of different factors that we have

0:42:12.239 --> 0:42:13.960
<v Speaker 2>to put in there. But let's go to round three

0:42:14.200 --> 0:42:16.719
<v Speaker 2>and see what happens. So bring let's bring Paul back

0:42:16.719 --> 0:42:21.080
<v Speaker 2>in for round three. Hey, Paul, how are you hie goill?

0:42:21.120 --> 0:42:21.839
<v Speaker 7>Doing pretty good?

0:42:22.040 --> 0:42:24.640
<v Speaker 2>All right? So here we are with round three. Now,

0:42:24.680 --> 0:42:27.200
<v Speaker 2>if you will look at your chat, you will see

0:42:27.239 --> 0:42:28.920
<v Speaker 2>a new line being sent in for you. Do you

0:42:28.920 --> 0:42:29.200
<v Speaker 2>see it?

0:42:29.200 --> 0:42:30.560
<v Speaker 4>There? Uh?

0:42:30.760 --> 0:42:33.439
<v Speaker 7>Yes, I do? Okay, perfect, move this into a better

0:42:33.440 --> 0:42:34.320
<v Speaker 7>place on my screen.

0:42:34.719 --> 0:42:37.400
<v Speaker 2>There you go, and while you take a moment with it,

0:42:37.520 --> 0:42:39.160
<v Speaker 2>we're gonna pick your character for you. And by we,

0:42:39.280 --> 0:42:40.920
<v Speaker 2>I mean Brock because we have nothing to do with this.

0:42:41.000 --> 0:42:43.280
<v Speaker 2>It's all Brocks, so you can blame them for.

0:42:43.200 --> 0:42:45.120
<v Speaker 1>Everything he's adjudicating. It's all him.

0:42:45.360 --> 0:42:46.720
<v Speaker 4>It's all audicator.

0:42:50.080 --> 0:42:52.960
<v Speaker 2>All right, Brock, here we go, if you would please,

0:42:55.680 --> 0:42:58.000
<v Speaker 2>there we go a number between one and six.

0:42:58.760 --> 0:43:00.520
<v Speaker 4>All right, and then we'll just so know, am I

0:43:00.560 --> 0:43:03.000
<v Speaker 4>trying to avoid any of the numbers I called.

0:43:02.840 --> 0:43:05.800
<v Speaker 2>Before, if you can, great, we'd like to not repeat

0:43:05.840 --> 0:43:08.479
<v Speaker 2>if possible, but that is completely up to you. You're

0:43:08.560 --> 0:43:13.720
<v Speaker 2>the adjudicator. My friend he was one.

0:43:13.840 --> 0:43:21.280
<v Speaker 8>Yeah, so let's do sixty, and now numbers one through.

0:43:21.160 --> 0:43:23.640
<v Speaker 4>Twelve, one through twelve. Let's go.

0:43:25.040 --> 0:43:28.400
<v Speaker 2>Three, and now, if you would please, the number between

0:43:28.400 --> 0:43:35.839
<v Speaker 2>one and seven one, and finally a number between one

0:43:35.920 --> 0:43:41.600
<v Speaker 2>and eleven. Keen. Interesting, Christy, what.

0:43:41.520 --> 0:43:43.319
<v Speaker 1>Do you You've had this? I feel like we've had

0:43:43.360 --> 0:43:44.440
<v Speaker 1>this pairing before.

0:43:44.239 --> 0:43:45.839
<v Speaker 2>Have we? We had this combo? Here we go?

0:43:46.000 --> 0:43:48.719
<v Speaker 1>Not on this episode, not on this episode.

0:43:48.920 --> 0:43:55.960
<v Speaker 3>So all right, you you will be a microscopic mouse

0:43:57.080 --> 0:44:01.080
<v Speaker 3>who is ancient and you're a free of your own shadow.

0:44:02.880 --> 0:44:06.719
<v Speaker 2>Okay, that seems to lend itself perfectly to the baritone

0:44:06.719 --> 0:44:10.040
<v Speaker 2>in your voice. I'm gonna tell you, Paul, you've walked

0:44:10.040 --> 0:44:12.719
<v Speaker 2>into some characters today that are very difficult for you.

0:44:13.640 --> 0:44:15.960
<v Speaker 2>That is obviously the nature of guessing the character. But

0:44:16.040 --> 0:44:17.680
<v Speaker 2>I just have to say that out loud, because there

0:44:17.680 --> 0:44:21.000
<v Speaker 2>are some that probably are not perfectly situated to where

0:44:21.040 --> 0:44:25.040
<v Speaker 2>you are in your tambourister. Yeah, we will. We will

0:44:25.080 --> 0:44:26.840
<v Speaker 2>go from there, and that's you never know what characters

0:44:26.840 --> 0:44:28.200
<v Speaker 2>are going to be reading for and that's part of

0:44:28.360 --> 0:44:29.160
<v Speaker 2>part of what it is.

0:44:29.200 --> 0:44:33.520
<v Speaker 7>So it's when you subvert expectations exactly exactly.

0:44:34.080 --> 0:44:37.200
<v Speaker 2>So line three, please at your pleasure.

0:44:38.600 --> 0:44:43.080
<v Speaker 15>If you remove one wheel from a tricycle, you get

0:44:43.080 --> 0:44:46.920
<v Speaker 15>a bicycle. But what happens when you remove one wheel

0:44:46.920 --> 0:44:54.439
<v Speaker 15>from a bicycle? Man, no one's thought of that. Wait,

0:44:55.560 --> 0:45:04.160
<v Speaker 15>you in a cycle again? I said, anything, Rock, you

0:45:04.160 --> 0:45:04.520
<v Speaker 15>go first?

0:45:04.600 --> 0:45:06.600
<v Speaker 4>You're no, No, Christy, please please please.

0:45:06.840 --> 0:45:09.279
<v Speaker 3>No, Honestly mine, just like I had to say it

0:45:09.320 --> 0:45:11.319
<v Speaker 3>because I just think that was so there and it

0:45:11.400 --> 0:45:13.759
<v Speaker 3>was so fun and the acting was really it was

0:45:13.800 --> 0:45:19.239
<v Speaker 3>really good. What I'm looking for personally would be you

0:45:19.920 --> 0:45:22.319
<v Speaker 3>removing the spaces in between all of those moments so

0:45:22.360 --> 0:45:25.440
<v Speaker 3>that it flows like almost fifty percent faster.

0:45:26.680 --> 0:45:28.239
<v Speaker 1>Yeah, that's it. That's all I'm looking for.

0:45:28.280 --> 0:45:30.360
<v Speaker 3>But everything else was fun, and I just want to

0:45:30.400 --> 0:45:32.439
<v Speaker 3>see that from you, great Rock.

0:45:33.600 --> 0:45:36.640
<v Speaker 4>I felt very George Carlin inspired, So I'm obviously on

0:45:36.680 --> 0:45:39.200
<v Speaker 4>board with that. That was really great. I was very

0:45:39.239 --> 0:45:43.000
<v Speaker 4>surprised by the interpretation I get.

0:45:43.080 --> 0:45:44.400
<v Speaker 6>I think it's a great choice.

0:45:45.080 --> 0:45:46.840
<v Speaker 4>The only thing I would say, and this might be

0:45:46.840 --> 0:45:49.440
<v Speaker 4>a different direction than than you know, resonates with you.

0:45:49.440 --> 0:45:51.520
<v Speaker 4>Paul and I always say go with your gut, don't

0:45:51.560 --> 0:45:53.279
<v Speaker 4>you know, take the direction as best you as best

0:45:53.360 --> 0:45:56.000
<v Speaker 4>you can, but go through gut. I would love to

0:45:56.040 --> 0:46:00.520
<v Speaker 4>hear a little more like Dumbledoreian kind of ancient Chriscot.

0:46:02.320 --> 0:46:04.239
<v Speaker 4>So I want to play on that a little more

0:46:04.239 --> 0:46:07.680
<v Speaker 4>because I think you have this almost like this guy

0:46:07.880 --> 0:46:10.840
<v Speaker 4>is pretending to be wise, which is like, you know,

0:46:11.120 --> 0:46:13.800
<v Speaker 4>like basically he's reciting the big Mac recipe and be

0:46:13.880 --> 0:46:15.759
<v Speaker 4>like have you ever thought about the system? See? So

0:46:15.880 --> 0:46:19.560
<v Speaker 4>it's like I don't know. So maybe something like that

0:46:19.560 --> 0:46:21.600
<v Speaker 4>would be fun to hear on the second take. But again,

0:46:21.800 --> 0:46:22.359
<v Speaker 4>go with your guy.

0:46:23.640 --> 0:46:26.640
<v Speaker 2>You are a critical role fan, so I will say, Gandalf,

0:46:28.239 --> 0:46:31.239
<v Speaker 2>go a little more Gandalf. That being said, also, I

0:46:31.320 --> 0:46:33.400
<v Speaker 2>think we lost a little afraid of your own shadow.

0:46:33.760 --> 0:46:35.839
<v Speaker 7>Oh right, right, right, right, right right right.

0:46:36.840 --> 0:46:39.000
<v Speaker 2>So I know, and again again it's one of those

0:46:39.000 --> 0:46:40.840
<v Speaker 2>things where a lot of times you can't throw in

0:46:40.880 --> 0:46:43.560
<v Speaker 2>everything that that that the numbers give you. You just can't.

0:46:43.840 --> 0:46:48.120
<v Speaker 2>You can't do tiny little ancient mouse that is also afraid.

0:46:48.120 --> 0:46:50.320
<v Speaker 2>I mean, sometimes you just can't do all the things.

0:46:50.600 --> 0:46:53.239
<v Speaker 2>So I liked the choice you made, frankly, but I

0:46:53.280 --> 0:46:55.200
<v Speaker 2>think let's see if you can just switch it up

0:46:55.239 --> 0:46:57.479
<v Speaker 2>for the second round. I thought the first take was great.

0:46:58.400 --> 0:47:00.799
<v Speaker 2>Let's see what you can do with the second take,

0:47:00.840 --> 0:47:02.719
<v Speaker 2>and I see if you can play a little bit

0:47:02.760 --> 0:47:07.879
<v Speaker 2>more of if Gandolf was really really scared, and see

0:47:07.880 --> 0:47:10.000
<v Speaker 2>if we go from there and at your pleasure.

0:47:10.400 --> 0:47:15.359
<v Speaker 13>Okay, if you'll remove one wheel from a tricycle, you'll

0:47:15.400 --> 0:47:20.120
<v Speaker 13>get a bicycle. But what happens when you remove one

0:47:20.120 --> 0:47:26.839
<v Speaker 13>wheel bicycle? Hm, no one's thought of that. Oh wait,

0:47:27.320 --> 0:47:32.320
<v Speaker 13>you in a cycle? Okay he said anything.

0:47:34.239 --> 0:47:37.200
<v Speaker 2>That was great? Thank you so much, Paul. We will

0:47:37.200 --> 0:47:40.759
<v Speaker 2>be right back with you. That second read was I mean,

0:47:41.000 --> 0:47:42.680
<v Speaker 2>you know who he reminds me of a little bit,

0:47:42.800 --> 0:47:45.000
<v Speaker 2>but well, you know he's a critical role fan. So

0:47:45.239 --> 0:47:48.120
<v Speaker 2>but that second read really reminded me of Travis Willingham.

0:47:48.239 --> 0:47:49.880
<v Speaker 4>That was the first thing I thought of when he

0:47:49.960 --> 0:47:51.400
<v Speaker 4>jumped into that was Travis.

0:47:51.440 --> 0:47:52.520
<v Speaker 2>He sounded like Travis.

0:47:52.760 --> 0:47:55.720
<v Speaker 4>Yeah, great, great direction, by the way, Well you really canct.

0:47:55.920 --> 0:48:00.000
<v Speaker 4>I thought the Gandalf Touchstowe was real obviously really resonated. Yeah,

0:48:00.080 --> 0:48:02.840
<v Speaker 4>and it shows the power of something when you know

0:48:02.880 --> 0:48:04.960
<v Speaker 4>both the director and the actor are on the same page.

0:48:05.400 --> 0:48:07.680
<v Speaker 4>Because he got the nuance of what you were looking for.

0:48:07.680 --> 0:48:11.399
<v Speaker 2>I thought, yeah, he switched it up. It was man,

0:48:11.440 --> 0:48:13.160
<v Speaker 2>that second take I thought was really good. They're just

0:48:13.160 --> 0:48:19.360
<v Speaker 2>so differently. I didn't really, I didn't really no, Okay, okay.

0:48:19.200 --> 0:48:22.880
<v Speaker 1>I wasn't. I kind of I don't know. Let's just okay.

0:48:23.320 --> 0:48:25.759
<v Speaker 2>No, no, no, that's that's fair. I mean, you gotta no,

0:48:26.160 --> 0:48:27.040
<v Speaker 2>I mean, this is what we're.

0:48:27.280 --> 0:48:29.120
<v Speaker 3>You know why because he didn't take my note, but

0:48:29.120 --> 0:48:30.960
<v Speaker 3>he took your guys his notes. But it's not because

0:48:30.960 --> 0:48:32.680
<v Speaker 3>I care about him taking my note. What I cared

0:48:32.719 --> 0:48:35.799
<v Speaker 3>most about was seeing him act in a fluid motion.

0:48:36.880 --> 0:48:38.719
<v Speaker 3>And so obviously with animation, we can cut it up

0:48:38.719 --> 0:48:40.239
<v Speaker 3>any way we want. And I think if we were

0:48:40.239 --> 0:48:43.320
<v Speaker 3>to cut that up in studio and push it all together,

0:48:43.600 --> 0:48:46.160
<v Speaker 3>they would have probably erased some of the breathing in

0:48:46.239 --> 0:48:49.239
<v Speaker 3>between it, you know. And he did do better than

0:48:49.280 --> 0:48:52.440
<v Speaker 3>the first time around, but he also it's still not

0:48:52.480 --> 0:48:55.000
<v Speaker 3>as fluid. And that's what's standing out to me about

0:48:55.000 --> 0:48:57.600
<v Speaker 3>the other contestant is just how fluid her acting is.

0:48:58.719 --> 0:49:01.040
<v Speaker 2>I know, I don't disagree. I don't don't necessarily disagree

0:49:01.040 --> 0:49:04.320
<v Speaker 2>with you. He's you know, she does have an ease

0:49:04.719 --> 0:49:09.480
<v Speaker 2>about her dialogue. The way she's coming off he uh,

0:49:10.160 --> 0:49:12.680
<v Speaker 2>I loved. What I loved about the second take was

0:49:12.719 --> 0:49:15.120
<v Speaker 2>taking the direction, uh with the with the last one

0:49:15.120 --> 0:49:16.719
<v Speaker 2>that Paul did, because I do think he switched it

0:49:16.800 --> 0:49:19.480
<v Speaker 2>up and went the gandolf route, which is exactly what

0:49:19.520 --> 0:49:21.440
<v Speaker 2>we asked for. But no, I don't. I don't disagree

0:49:21.480 --> 0:49:23.880
<v Speaker 2>with what you're saying, necessarily, Christy, that she does have.

0:49:23.920 --> 0:49:26.800
<v Speaker 2>There's there's a fluidity to her cadence.

0:49:26.880 --> 0:49:29.520
<v Speaker 3>That is Brock had mentioned that earlier too, some sort

0:49:29.560 --> 0:49:31.120
<v Speaker 3>of a fluidity, right, yeah.

0:49:31.360 --> 0:49:33.239
<v Speaker 6>So well, the connectiveness.

0:49:33.280 --> 0:49:35.839
<v Speaker 4>Yeah, I'm excited to hear Haley's last one here. Let's see.

0:49:37.320 --> 0:49:38.440
<v Speaker 2>Yeah, let's see what Haley.

0:49:38.520 --> 0:49:38.959
<v Speaker 4>Let's see.

0:49:39.000 --> 0:49:40.840
<v Speaker 16>I think she's got this slight edge right now, but

0:49:40.920 --> 0:49:54.120
<v Speaker 16>who knows. Yeah, alright, let's bring Haley back in. Oh no,

0:49:54.440 --> 0:49:56.200
<v Speaker 16>it's we won't even get into that yet.

0:49:56.960 --> 0:49:57.200
<v Speaker 4>A couple.

0:49:58.760 --> 0:50:01.480
<v Speaker 2>That's the least of it. So yes, we're getting there.

0:50:01.560 --> 0:50:05.560
<v Speaker 2>Let's bring Haley back. I don't think Brock nos did

0:50:05.560 --> 0:50:07.399
<v Speaker 2>you hear I'm like day four of a stomach flu

0:50:07.520 --> 0:50:08.080
<v Speaker 2>So it's been.

0:50:08.040 --> 0:50:09.759
<v Speaker 4>Fund I'm so sorry.

0:50:09.800 --> 0:50:12.600
<v Speaker 2>It's fine. I blame Haley. Oh wait here she is.

0:50:13.040 --> 0:50:17.160
<v Speaker 1>Yes, yes, I'm sorry.

0:50:17.200 --> 0:50:18.280
<v Speaker 9>I gave you fish cut cookies.

0:50:18.400 --> 0:50:21.759
<v Speaker 2>You did it happened, all right, Haley. We are in

0:50:21.880 --> 0:50:26.120
<v Speaker 2>round three now, and if you will look at your comments.

0:50:26.160 --> 0:50:28.520
<v Speaker 2>You got your get in your chat. You got the line.

0:50:28.680 --> 0:50:32.879
<v Speaker 2>Uh huh, read it now immediately. No, I'm kidding, while

0:50:32.920 --> 0:50:35.000
<v Speaker 2>you while you take a second with it. We are

0:50:35.040 --> 0:50:37.799
<v Speaker 2>going to have Brock pick your character. Brock, if you

0:50:37.840 --> 0:50:40.279
<v Speaker 2>would please a number between one and six.

0:50:42.800 --> 0:50:44.040
<v Speaker 6>I don't think we've done six yet.

0:50:44.080 --> 0:50:46.080
<v Speaker 3>That we've done six yet, not for her, but we

0:50:46.120 --> 0:50:48.200
<v Speaker 3>did it in the last round, but not for her,

0:50:48.280 --> 0:50:48.719
<v Speaker 3>so that work?

0:50:49.320 --> 0:50:52.960
<v Speaker 1>Yeah, right, okay, right, that actually is helpful to be honest.

0:50:53.160 --> 0:50:55.360
<v Speaker 2>And number between one and twelve?

0:50:57.560 --> 0:51:01.000
<v Speaker 4>Oh boy, nine, we've done nine in this one.

0:51:01.080 --> 0:51:01.640
<v Speaker 2>We have none?

0:51:01.840 --> 0:51:02.120
<v Speaker 1>Yes?

0:51:02.280 --> 0:51:02.799
<v Speaker 2>Did we? Oh?

0:51:02.880 --> 0:51:03.359
<v Speaker 4>Yes we did?

0:51:03.440 --> 0:51:04.160
<v Speaker 2>Yes, we did.

0:51:04.840 --> 0:51:06.280
<v Speaker 4>What I meant to say was seven.

0:51:06.840 --> 0:51:09.120
<v Speaker 2>Yes, we have not done. There we go and now

0:51:09.239 --> 0:51:10.560
<v Speaker 2>number between one and seven.

0:51:12.200 --> 0:51:12.880
<v Speaker 6>Uh four?

0:51:14.440 --> 0:51:17.440
<v Speaker 2>And finally a number between one and eleven.

0:51:19.920 --> 0:51:22.400
<v Speaker 4>Uh have we done three?

0:51:23.200 --> 0:51:23.480
<v Speaker 2>No?

0:51:24.200 --> 0:51:24.680
<v Speaker 3>We have?

0:51:26.719 --> 0:51:30.719
<v Speaker 2>Oh, Haley, Haley keeps keeps getting these How is that

0:51:30.800 --> 0:51:31.520
<v Speaker 2>you possible?

0:51:31.960 --> 0:51:35.400
<v Speaker 1>Okay, answer Brock? Is that your final answer?

0:51:35.800 --> 0:51:38.200
<v Speaker 2>It? We're sticking with that because I want to hear it.

0:51:39.160 --> 0:51:42.640
<v Speaker 1>All right, I'm cool, all right, you are all right,

0:51:43.400 --> 0:51:44.960
<v Speaker 1>So I'm cool with it. It's lucky, all right.

0:51:45.400 --> 0:51:49.160
<v Speaker 3>You're a microscopic flower that's fifteen years old and German.

0:51:52.200 --> 0:51:55.799
<v Speaker 2>Thanks Roy all the accents. You keep getting all the

0:51:55.840 --> 0:51:56.600
<v Speaker 2>accents I.

0:51:56.520 --> 0:51:59.000
<v Speaker 9>Know, which is great. Actually, just a little sidebar. I'm

0:51:59.040 --> 0:52:00.360
<v Speaker 9>in my D and D campaig right now.

0:52:00.400 --> 0:52:02.759
<v Speaker 10>I'm playing a change link specifically because I wanted to

0:52:02.760 --> 0:52:05.359
<v Speaker 10>have a bunch of different like character faces that had

0:52:05.400 --> 0:52:07.719
<v Speaker 10>different accents in it. So it's just been like I've

0:52:07.719 --> 0:52:12.319
<v Speaker 10>spent the last year just practicing a bunch of different accents.

0:52:12.680 --> 0:52:16.239
<v Speaker 2>So you're welcome once again. What is it again, Christy A.

0:52:16.719 --> 0:52:21.480
<v Speaker 3>You are a microscopic flower, she's fifteen years old, and

0:52:22.480 --> 0:52:23.440
<v Speaker 3>yeah she's German.

0:52:24.239 --> 0:52:27.600
<v Speaker 2>Here we go, Haley, line three, at your pleasure.

0:52:28.920 --> 0:52:32.840
<v Speaker 12>If you rumble from the tricycle, you get a bicycle.

0:52:33.560 --> 0:52:39.000
<v Speaker 12>But what happened then you'll remove one wheel from a bicycle.

0:52:39.160 --> 0:52:41.800
<v Speaker 9>Hat No one thought about that.

0:52:43.920 --> 0:52:47.160
<v Speaker 12>Oh wait, it's no forget.

0:52:47.200 --> 0:52:53.400
<v Speaker 2>Don't said anything, brockety notes.

0:52:54.480 --> 0:52:59.200
<v Speaker 4>My one note, Haley is I love the character interpretation.

0:52:59.280 --> 0:53:01.800
<v Speaker 4>I don't have any note. It's about the composition. I

0:53:01.880 --> 0:53:05.719
<v Speaker 4>think it's really really fun. I want to hear the

0:53:05.920 --> 0:53:07.719
<v Speaker 4>because you're in the scene with two other people or

0:53:07.760 --> 0:53:10.400
<v Speaker 4>several other characters. And there's a beat there that I

0:53:10.400 --> 0:53:13.880
<v Speaker 4>think we're not hitting, which is, uh, you know, a bicycle,

0:53:14.000 --> 0:53:16.040
<v Speaker 4>a tricycle becomes a bicycle, and a bicycle becomes what

0:53:16.040 --> 0:53:19.120
<v Speaker 4>would it loses a tire? So they're on the oh unicycle,

0:53:19.160 --> 0:53:22.360
<v Speaker 4>forget I said that, So invent the line before. Who's

0:53:22.360 --> 0:53:25.320
<v Speaker 4>saying who's saying that? What's your relationship with that character?

0:53:25.400 --> 0:53:27.120
<v Speaker 4>I want to hear a little reaction to someone going

0:53:29.680 --> 0:53:32.920
<v Speaker 4>and so you can so that. And again, because we

0:53:33.120 --> 0:53:36.840
<v Speaker 4>got our own scene partners, this is a really really pivotal.

0:53:36.520 --> 0:53:37.120
<v Speaker 6>Beat for me.

0:53:37.560 --> 0:53:40.239
<v Speaker 2>Yeah, gotcha, Christy, No.

0:53:40.400 --> 0:53:40.680
<v Speaker 4>I don't.

0:53:40.719 --> 0:53:42.960
<v Speaker 3>I really just listen to Brock at this point because

0:53:43.160 --> 0:53:44.440
<v Speaker 3>he's got great direction.

0:53:45.400 --> 0:53:49.440
<v Speaker 2>Sweet, I uh for the second take, and I thought

0:53:49.480 --> 0:53:51.640
<v Speaker 2>the first one was great. I'd like to and I'm

0:53:51.640 --> 0:53:53.520
<v Speaker 2>going to make since you said these are in your wheelhouse,

0:53:53.560 --> 0:53:56.160
<v Speaker 2>I'd like to push the German accent a little bit farther,

0:53:56.560 --> 0:54:00.200
<v Speaker 2>even even farther. Yeah, that's what I would like to say.

0:54:00.560 --> 0:54:04.240
<v Speaker 2>So let's see what she'll do with that. So line three.

0:54:04.320 --> 0:54:07.040
<v Speaker 3>Wait, wait, wait, okay, I have no Okay, So I

0:54:07.120 --> 0:54:10.759
<v Speaker 3>feel like we're very heady with her, and I know

0:54:10.840 --> 0:54:14.080
<v Speaker 3>Brock said the composition of it, your character was really good.

0:54:14.160 --> 0:54:16.799
<v Speaker 3>So Brock, maybe you can push back on me on this,

0:54:16.920 --> 0:54:19.920
<v Speaker 3>but I wasn't getting the fifteen year old girl a

0:54:19.960 --> 0:54:22.040
<v Speaker 3>part of that, and we've heard a lot of range

0:54:22.040 --> 0:54:23.799
<v Speaker 3>from her so far, but it would be really great

0:54:23.800 --> 0:54:27.000
<v Speaker 3>to hear that.

0:54:27.000 --> 0:54:29.520
<v Speaker 2>That's also that's also important because if you can go

0:54:29.600 --> 0:54:31.920
<v Speaker 2>in and you can nail teenage girl or younger girl

0:54:32.200 --> 0:54:34.480
<v Speaker 2>or younger person, we should even say it's not just

0:54:34.480 --> 0:54:38.640
<v Speaker 2>a girl boy anything. That's all that will. You know,

0:54:39.280 --> 0:54:42.760
<v Speaker 2>we are all friends with people who have phenomenal careers

0:54:42.800 --> 0:54:45.000
<v Speaker 2>and they've never played anybody over the age of twelve,

0:54:45.600 --> 0:54:49.759
<v Speaker 2>so you know, it seems yeah, so yeah, it's that.

0:54:49.960 --> 0:54:53.160
<v Speaker 2>I think Christy's right if we can hear teenage person,

0:54:54.000 --> 0:54:55.919
<v Speaker 2>because even if it comes off as a teenage boy,

0:54:55.960 --> 0:54:59.120
<v Speaker 2>it doesn't mean I want to hear teenage right and

0:54:59.520 --> 0:55:01.840
<v Speaker 2>push the accent a little farther. Let's see what you can.

0:55:01.719 --> 0:55:02.000
<v Speaker 7>Do with that.

0:55:02.080 --> 0:55:09.120
<v Speaker 12>Okay, Okay, so be super truman and like a teenage Yeah,

0:55:09.520 --> 0:55:11.880
<v Speaker 12>like you're from Berlin, Like you're from Berlin, you know

0:55:12.040 --> 0:55:13.200
<v Speaker 12>absolutely everything.

0:55:13.719 --> 0:55:15.279
<v Speaker 2>Okay, perfect, let's give that a shot.

0:55:15.360 --> 0:55:19.840
<v Speaker 12>Go ahead, So if you're remove one feel from the tricycle,

0:55:20.239 --> 0:55:21.480
<v Speaker 12>you get a bicycle.

0:55:21.560 --> 0:55:26.640
<v Speaker 9>Yeah, everybody knows this. But but what happens.

0:55:26.400 --> 0:55:30.719
<v Speaker 12>When you remove one deal from a bicycle. No one

0:55:30.800 --> 0:55:31.920
<v Speaker 12>knows about that, have they?

0:55:32.120 --> 0:55:34.600
<v Speaker 7>N Oh?

0:55:35.280 --> 0:55:36.840
<v Speaker 9>But but.

0:55:39.320 --> 0:55:39.480
<v Speaker 2>Yeah?

0:55:39.520 --> 0:55:42.000
<v Speaker 11>No, Okay, fine, forget to said anything, forget it.

0:55:44.280 --> 0:55:46.440
<v Speaker 2>Thank you very much, Haley. We'll be right back with you.

0:55:49.560 --> 0:55:51.239
<v Speaker 2>Who This is gonna be a tough one.

0:55:51.600 --> 0:55:52.759
<v Speaker 1>I hate my life right now.

0:55:52.880 --> 0:55:55.319
<v Speaker 2>I hate my life too. And I think paul Is

0:55:56.080 --> 0:55:58.000
<v Speaker 2>is really good. And I think this is one of

0:55:58.000 --> 0:56:00.480
<v Speaker 2>those weeks where had maybe he been up again somebody

0:56:00.480 --> 0:56:02.560
<v Speaker 2>it is my opinion now, just talking for me, had

0:56:02.560 --> 0:56:04.879
<v Speaker 2>he been up against somebody else, he might have moved

0:56:04.880 --> 0:56:06.759
<v Speaker 2>forward the way.

0:56:07.040 --> 0:56:10.360
<v Speaker 1>Can we please do a tie if it's a tie.

0:56:10.880 --> 0:56:14.240
<v Speaker 2>If it's a tie, I don't think this was Frankly,

0:56:14.320 --> 0:56:16.960
<v Speaker 2>I think I think first round was. I think she

0:56:17.400 --> 0:56:19.359
<v Speaker 2>started to edge forward in round two, and I think

0:56:19.400 --> 0:56:22.759
<v Speaker 2>by now I think I think she's just a better

0:56:22.760 --> 0:56:25.839
<v Speaker 2>actor at this point. I could be wrong, but that

0:56:25.960 --> 0:56:26.560
<v Speaker 2>I mean.

0:56:27.360 --> 0:56:30.239
<v Speaker 4>Well, you're not, You're not wrong. The other thing is

0:56:30.480 --> 0:56:32.759
<v Speaker 4>it is such a gamble and and I think for

0:56:32.840 --> 0:56:38.360
<v Speaker 4>everyone listening and you know, competing as borice actors in general,

0:56:38.680 --> 0:56:40.919
<v Speaker 4>it is a luck of the draw. You just don't

0:56:40.960 --> 0:56:42.680
<v Speaker 4>know sometimes what you're going to get. And I will

0:56:42.680 --> 0:56:45.719
<v Speaker 4>say it really quick aside super super fast. I saw

0:56:45.760 --> 0:56:48.000
<v Speaker 4>a very famous voice actor who I love very much

0:56:48.000 --> 0:56:49.920
<v Speaker 4>of court work together. I think we both worked with

0:56:51.280 --> 0:56:54.239
<v Speaker 4>Their name rhymes with Hark Mammal and there was a

0:56:54.280 --> 0:56:58.440
<v Speaker 4>session where something had happened on a casting level, and

0:56:58.480 --> 0:57:00.919
<v Speaker 4>you know, we get utility roles sometimes and we get

0:57:00.920 --> 0:57:04.680
<v Speaker 4>handed parts and someone needs to cover something. I watched

0:57:04.719 --> 0:57:10.840
<v Speaker 4>Mark Park go through a one hour session voicing a

0:57:10.960 --> 0:57:15.720
<v Speaker 4>seven year old Newsy like a little New Yorker seven year.

0:57:15.560 --> 0:57:16.720
<v Speaker 6>Old Newsy character.

0:57:16.960 --> 0:57:20.480
<v Speaker 4>And when you see a master struggle with something that

0:57:20.600 --> 0:57:24.480
<v Speaker 4>sometimes we just it's not in our wheelhouse and to

0:57:24.520 --> 0:57:26.920
<v Speaker 4>be able to push through it and have the grace,

0:57:27.000 --> 0:57:30.120
<v Speaker 4>and that's the big thing I will say watching Paul

0:57:30.160 --> 0:57:33.120
<v Speaker 4>to day, I have so much respect for He went

0:57:33.200 --> 0:57:35.120
<v Speaker 4>for it. I didn't ever feel like like he didn't

0:57:35.160 --> 0:57:37.200
<v Speaker 4>push back. He wasn't like, hey could maybe brock pick

0:57:37.240 --> 0:57:39.080
<v Speaker 4>some other numbers because they don't know what they're doing.

0:57:40.480 --> 0:57:42.960
<v Speaker 4>He just ran with it and I and you know,

0:57:43.240 --> 0:57:46.360
<v Speaker 4>to that end, I think Paul's going to have a career.

0:57:47.000 --> 0:57:50.040
<v Speaker 2>His voice is so good, I mean, is so good.

0:57:50.160 --> 0:57:54.760
<v Speaker 2>How do you not want this guy reading every fantasy novel?

0:57:54.840 --> 0:57:57.400
<v Speaker 2>I want that voice reading every fantasy novel that I read.

0:57:57.600 --> 0:58:00.640
<v Speaker 2>Want I want to hear him selling me. I'm gonna.

0:58:00.640 --> 0:58:03.720
<v Speaker 2>I mean, it was just he's he's great, but I

0:58:03.760 --> 0:58:07.280
<v Speaker 2>see exactly he's really his voice is so I mean

0:58:07.360 --> 0:58:10.280
<v Speaker 2>that instrument. You can't teach that, because you know you

0:58:10.320 --> 0:58:13.880
<v Speaker 2>are talking about Hark, But working you can say Mark,

0:58:13.960 --> 0:58:15.959
<v Speaker 2>I think we can say Mark Hamill. Working with Mark

0:58:16.960 --> 0:58:20.720
<v Speaker 2>it is watching a masterclass. I mean, he's absolutely phenomenal.

0:58:21.520 --> 0:58:23.720
<v Speaker 2>And there's times where you get phenomenal people that it's

0:58:23.800 --> 0:58:26.200
<v Speaker 2>just you're just wrong for the character. It happens all

0:58:26.280 --> 0:58:29.920
<v Speaker 2>the time. You know, the first two weeks of Back

0:58:29.920 --> 0:58:32.120
<v Speaker 2>to the Future we're shot with Eric Stultz. Eric Stultz

0:58:32.160 --> 0:58:37.000
<v Speaker 2>is a phenomenal actor. He just wasn't Marty McFly. That's okay.

0:58:37.240 --> 0:58:41.480
<v Speaker 2>So you know, Paul is is very you know, is

0:58:41.680 --> 0:58:45.720
<v Speaker 2>very very very very very good. Do we need to

0:58:45.760 --> 0:58:50.280
<v Speaker 2>go to a to a tiebreaker? Would you would you

0:58:50.360 --> 0:58:51.640
<v Speaker 2>like to do Chris Christy, do you want to go

0:58:51.680 --> 0:58:52.280
<v Speaker 2>to a tiebreaker?

0:58:52.280 --> 0:58:53.640
<v Speaker 9>I'll do it.

0:58:53.960 --> 0:58:55.280
<v Speaker 2>Well, I'm just saying, do you want to go to

0:58:55.320 --> 0:58:57.280
<v Speaker 2>a tiebreaker? Do you think we need a tiebreaker this week.

0:58:57.440 --> 0:58:59.680
<v Speaker 2>I do Okay, well, if you do that, the.

0:58:59.640 --> 0:59:01.400
<v Speaker 1>Folks, I think at the folks at home.

0:59:01.440 --> 0:59:04.120
<v Speaker 3>I think Brock is fantastic at weighing in on these things,

0:59:04.680 --> 0:59:06.600
<v Speaker 3>and I think that the folks at home deserve a

0:59:06.600 --> 0:59:09.520
<v Speaker 3>tiebreaker because I think if they're listening to him and

0:59:09.560 --> 0:59:10.320
<v Speaker 3>they're saying he's.

0:59:10.200 --> 0:59:12.120
<v Speaker 2>So good, I don't disagree he's so good.

0:59:12.120 --> 0:59:12.880
<v Speaker 1>He's so good.

0:59:12.960 --> 0:59:14.680
<v Speaker 3>I just want them to know that we did what

0:59:14.760 --> 0:59:16.959
<v Speaker 3>we could. And this has been something that we haven't

0:59:17.040 --> 0:59:20.840
<v Speaker 3>quite employed yet because we've had a couple near missive

0:59:20.920 --> 0:59:23.480
<v Speaker 3>and not near miss, but near near things. So I

0:59:23.520 --> 0:59:25.720
<v Speaker 3>just wanted to do it. Let's do it as a

0:59:25.720 --> 0:59:27.480
<v Speaker 3>as a an experimentation.

0:59:28.080 --> 0:59:31.560
<v Speaker 2>No, I have no problem with that whatsoever. I really don't.

0:59:32.440 --> 0:59:36.200
<v Speaker 2>Paul is administered so good. Yeah, I'll set it up.

0:59:36.680 --> 0:59:38.240
<v Speaker 1>I'll even be honest with him.

0:59:38.760 --> 0:59:40.680
<v Speaker 3>I don't know what I would say to him though,

0:59:40.720 --> 0:59:43.080
<v Speaker 3>as as a sort of a helper in this moment.

0:59:43.160 --> 0:59:45.840
<v Speaker 1>Do you have any idea how I could help him, Like.

0:59:46.000 --> 0:59:47.400
<v Speaker 2>Well, let's bring him in and let's talk to him

0:59:47.720 --> 0:59:50.480
<v Speaker 2>and we'll say we're going to a tiebreaker challenge here. Okay, yeah,

0:59:50.520 --> 0:59:50.840
<v Speaker 2>all right.

0:59:52.560 --> 0:59:54.280
<v Speaker 1>I wonder if they should pick the number.

0:59:54.360 --> 0:59:56.560
<v Speaker 2>They're gonna But now here we go. All right, Hey, Paul,

0:59:56.600 --> 0:59:57.120
<v Speaker 2>how are you.

0:59:59.040 --> 0:59:59.920
<v Speaker 7>Patiently waiting?

1:00:00.520 --> 1:00:04.080
<v Speaker 2>I know exactly all right. So here's the thing. We're

1:00:04.120 --> 1:00:05.680
<v Speaker 2>going to be completely and totally honest with you.

1:00:05.720 --> 1:00:06.040
<v Speaker 13>All right.

1:00:08.160 --> 1:00:13.040
<v Speaker 2>We love your voice, We absolutely love your voice. You're

1:00:13.880 --> 1:00:18.680
<v Speaker 2>a good actor. You've made some interesting choices. Your fellow

1:00:18.680 --> 1:00:22.160
<v Speaker 2>contestant is a very strong actor as well. For the

1:00:22.160 --> 1:00:25.800
<v Speaker 2>first time ever, we're going into something that Christie created

1:00:25.880 --> 1:00:28.400
<v Speaker 2>as we were creating the show, which is we're going

1:00:28.480 --> 1:00:32.760
<v Speaker 2>to go to a tiebreaker. Okay, okay, Christy created the

1:00:33.000 --> 1:00:34.880
<v Speaker 2>tongue Twister tiebreaker challenge.

1:00:35.440 --> 1:00:37.520
<v Speaker 7>Okay, So we.

1:00:37.360 --> 1:00:39.400
<v Speaker 2>Are going to be creating the character for you. Well,

1:00:39.520 --> 1:00:41.960
<v Speaker 2>Brock is going to be creating a character for you,

1:00:42.080 --> 1:00:45.640
<v Speaker 2>just like we did. And then you are going to

1:00:45.640 --> 1:00:49.200
<v Speaker 2>pick a number between one and five, and you are

1:00:49.240 --> 1:00:51.120
<v Speaker 2>going to decide your own fate just like D and D.

1:00:51.240 --> 1:00:52.720
<v Speaker 2>My friend, it's gonna be on the it's gonna be

1:00:52.800 --> 1:00:54.200
<v Speaker 2>it's going to be for you to roll the dice.

1:00:54.400 --> 1:00:57.720
<v Speaker 2>So here's what I would say to you, and then

1:00:57.720 --> 1:01:00.120
<v Speaker 2>I'm going to throw it to my fellow a to

1:01:00.200 --> 1:01:05.520
<v Speaker 2>caters again, you can't teach the voice you have it's phenomenal.

1:01:05.600 --> 1:01:07.920
<v Speaker 2>We were talking about how I want I want you

1:01:08.400 --> 1:01:11.640
<v Speaker 2>to narrate every book that I read. I want you

1:01:11.680 --> 1:01:17.600
<v Speaker 2>to sell products. It's wonderful. Your acting's good, but some

1:01:17.680 --> 1:01:20.040
<v Speaker 2>of the choices you make, some sometimes come off as

1:01:20.080 --> 1:01:23.600
<v Speaker 2>maybe a little slow. So it's the cadence can be

1:01:24.080 --> 1:01:28.440
<v Speaker 2>a little drawn out, and so your fellow contestant is

1:01:28.440 --> 1:01:32.200
<v Speaker 2>a little more fluid. That being said, your voice is

1:01:32.240 --> 1:01:35.480
<v Speaker 2>so good that we want to go to a tiebreaker

1:01:35.520 --> 1:01:38.400
<v Speaker 2>to see what happens from there. Okay, okay, so I

1:01:38.440 --> 1:01:38.880
<v Speaker 2>want to see you.

1:01:40.760 --> 1:01:42.680
<v Speaker 3>I want to see you really good, like have fun

1:01:42.760 --> 1:01:47.000
<v Speaker 3>with it in a way that doesn't feel so yeah,

1:01:47.320 --> 1:01:49.560
<v Speaker 3>I want you to have fun with whatever this is.

1:01:49.600 --> 1:01:52.120
<v Speaker 3>And I do think that the tongue twister is meant

1:01:52.120 --> 1:01:53.960
<v Speaker 3>to do that, is meant to sort of shock you

1:01:54.000 --> 1:01:56.400
<v Speaker 3>into being Okay, I'm gonna have fun with this, rather

1:01:56.440 --> 1:01:58.640
<v Speaker 3>than get don't. I would warn you not to get

1:01:59.000 --> 1:02:01.760
<v Speaker 3>stuck on the words. And these are also not like

1:02:01.880 --> 1:02:02.960
<v Speaker 3>horrible tongue twisters.

1:02:03.000 --> 1:02:07.880
<v Speaker 2>They're just a pretty horrible So no, no, no, If

1:02:07.880 --> 1:02:10.120
<v Speaker 2>they're gonna choose one, they're gonna choose one each and

1:02:10.120 --> 1:02:12.720
<v Speaker 2>they get to pick themselves. But first we're gonna pick

1:02:12.760 --> 1:02:15.320
<v Speaker 2>your character for you like we normally would, And by

1:02:15.360 --> 1:02:16.160
<v Speaker 2>we I mean Brock.

1:02:16.760 --> 1:02:17.960
<v Speaker 1>Paul, You've never done this too.

1:02:17.960 --> 1:02:19.480
<v Speaker 2>This is the first time, this is the first time

1:02:19.480 --> 1:02:22.680
<v Speaker 2>it's ever come down this to this. So, Brock, if

1:02:22.680 --> 1:02:25.640
<v Speaker 2>you would please one more time, a number between one

1:02:25.640 --> 1:02:26.000
<v Speaker 2>and six.

1:02:26.800 --> 1:02:29.760
<v Speaker 4>Okay, let's see one that we haven't done yet, one

1:02:29.760 --> 1:02:30.120
<v Speaker 4>and six.

1:02:30.360 --> 1:02:35.800
<v Speaker 3>Uh yeah, with him, you've done a lot of higher numbers,

1:02:36.120 --> 1:02:39.040
<v Speaker 3>and you've done number one, and you've done one for him.

1:02:39.280 --> 1:02:43.040
<v Speaker 2>Okay, so let's do two o two, all right? Now,

1:02:43.160 --> 1:02:44.320
<v Speaker 2>number between one and twelve?

1:02:46.480 --> 1:02:47.120
<v Speaker 6>Let's do three?

1:02:48.640 --> 1:02:50.360
<v Speaker 1>I think we've done. Did we do that for him?

1:02:50.400 --> 1:02:50.800
<v Speaker 1>Right now?

1:02:51.600 --> 1:02:53.160
<v Speaker 2>Actually? You know what, why don't we stop this? I'm

1:02:53.160 --> 1:02:55.360
<v Speaker 2>gonna stop this right now? Yeah, if we're gonna do

1:02:55.560 --> 1:02:58.360
<v Speaker 2>if we're gonna do a tiebreaker challenge, why don't we

1:02:58.400 --> 1:03:00.720
<v Speaker 2>not let fate decide? Why don't we, as judges picked

1:03:00.760 --> 1:03:03.240
<v Speaker 2>the best possible character we can for.

1:03:03.960 --> 1:03:05.520
<v Speaker 6>I would love to do that.

1:03:05.680 --> 1:03:09.280
<v Speaker 2>Give Paul his best opportunity to do that. So would

1:03:09.320 --> 1:03:11.680
<v Speaker 2>we all agree that it's a bigger character it is.

1:03:11.720 --> 1:03:13.439
<v Speaker 1>It's either one or two, giant or big.

1:03:13.520 --> 1:03:17.680
<v Speaker 2>Okay, So Paul, you're either giant or big size wise, okay, right,

1:03:19.080 --> 1:03:28.680
<v Speaker 2>why don't we say something like a number? What a racehorse?

1:03:29.920 --> 1:03:32.560
<v Speaker 1>A dog, dog or a racehorse?

1:03:33.920 --> 1:03:36.080
<v Speaker 2>A robot works? We could do robot again, we could

1:03:36.120 --> 1:03:37.440
<v Speaker 2>do alien. What about alien?

1:03:37.600 --> 1:03:38.240
<v Speaker 1>Like that for him?

1:03:38.520 --> 1:03:39.560
<v Speaker 6>I know I would do racehorse?

1:03:40.040 --> 1:03:43.960
<v Speaker 2>Racehorse? Okay, you're a big racehorse. Let's keep it in

1:03:43.960 --> 1:03:46.280
<v Speaker 2>your wheelhouse. You're thirty years old. You want to do sixty?

1:03:46.600 --> 1:03:50.520
<v Speaker 2>Say thirty? Keep keep a natural register? Okay, uh, thirty

1:03:50.560 --> 1:03:52.760
<v Speaker 2>because we heard we heard kind of gandolf, so we

1:03:52.800 --> 1:03:54.440
<v Speaker 2>heard like a little older, which is nice.

1:03:55.440 --> 1:03:59.600
<v Speaker 1>And do you do do you do accents?

1:04:00.360 --> 1:04:01.439
<v Speaker 7>Yes? Yes I do?

1:04:01.800 --> 1:04:04.600
<v Speaker 2>What's your favorite one? You prefer British, Scottish?

1:04:04.680 --> 1:04:05.000
<v Speaker 8>German?

1:04:10.400 --> 1:04:11.000
<v Speaker 4>You do Southern?

1:04:11.080 --> 1:04:11.680
<v Speaker 6>Is there Southern?

1:04:11.680 --> 1:04:11.960
<v Speaker 4>On there?

1:04:12.640 --> 1:04:15.120
<v Speaker 2>No? No, but we can again. We want to get

1:04:15.120 --> 1:04:16.240
<v Speaker 2>Paul the best opportunity.

1:04:16.240 --> 1:04:21.800
<v Speaker 7>We'll let you create your character. Let's go with Southern.

1:04:22.000 --> 1:04:27.160
<v Speaker 2>Sure, Southern. Okay, you are a big Southern racehorse who

1:04:27.200 --> 1:04:31.000
<v Speaker 2>is between thirty and sixty years old. Your choice, and

1:04:31.040 --> 1:04:34.360
<v Speaker 2>now here you go, Paul, if you would please a

1:04:34.440 --> 1:04:37.680
<v Speaker 2>number between one and five, have fun with it.

1:04:39.720 --> 1:04:41.080
<v Speaker 7>Let's go with five.

1:04:42.400 --> 1:04:43.040
<v Speaker 4>Okay.

1:04:44.040 --> 1:04:45.120
<v Speaker 7>I don't like that reaction.

1:04:48.680 --> 1:04:50.280
<v Speaker 2>We will write it up in the chat for you.

1:04:50.320 --> 1:04:54.080
<v Speaker 2>But your tongue, twister is I wish to wash my

1:04:54.280 --> 1:05:03.800
<v Speaker 2>Irish wristwatch. Okay, and so as a Southern big race horse.

1:05:04.880 --> 1:05:09.520
<v Speaker 2>All right, all right, ready, mm hmmm, at your pleasure.

1:05:12.520 --> 1:05:15.040
<v Speaker 9>I wish to wash myris wistwatch.

1:05:15.720 --> 1:05:18.120
<v Speaker 7>Wish to wash my wrist watch.

1:05:23.520 --> 1:05:25.360
<v Speaker 2>Thank you so much, Paul. We're not even gonna do

1:05:25.400 --> 1:05:27.600
<v Speaker 2>notes this round. Everybody's gonna get a couple of times.

1:05:27.680 --> 1:05:29.200
<v Speaker 2>Appreciate that. We'll be right back with you.

1:05:29.760 --> 1:05:30.200
<v Speaker 13>Thank you.

1:05:32.840 --> 1:05:35.360
<v Speaker 2>That was pretty good. That was pretty good.

1:05:35.800 --> 1:05:37.800
<v Speaker 1>He's yeah, he's got spirit.

1:05:38.880 --> 1:05:39.200
<v Speaker 7>All right.

1:05:39.280 --> 1:05:42.000
<v Speaker 2>Let's just go right into he did have fun with that.

1:05:42.080 --> 1:05:50.400
<v Speaker 2>Let's go right into Haley. Yeah, Hey, Haley, are you

1:05:50.480 --> 1:05:52.000
<v Speaker 2>did you actually say hello? Are you muted?

1:05:52.320 --> 1:05:55.680
<v Speaker 9>I did? Actually my microphone just has a I guess.

1:05:55.760 --> 1:05:59.320
<v Speaker 2>Okay, So we're we're playing the honesty game today. Okay.

1:05:59.520 --> 1:06:00.400
<v Speaker 9>That's always a good game.

1:06:00.600 --> 1:06:01.600
<v Speaker 2>It's a good game to play.

1:06:03.000 --> 1:06:04.280
<v Speaker 4>Everybody win everybody.

1:06:04.320 --> 1:06:10.160
<v Speaker 2>Yeah, we wish this particularly. I wish your fellow contestant.

1:06:10.440 --> 1:06:12.680
<v Speaker 2>You and your fellow contestant are both phenomenal. You really

1:06:12.720 --> 1:06:17.160
<v Speaker 2>are this week. He has an amazing voice. You have

1:06:17.240 --> 1:06:20.680
<v Speaker 2>an incredible voice. The spirit, it's everything for both of you,

1:06:20.800 --> 1:06:22.160
<v Speaker 2>is really good. We want to make sure you both

1:06:22.200 --> 1:06:24.800
<v Speaker 2>have an opportunity. So for the first time ever, we

1:06:24.880 --> 1:06:27.720
<v Speaker 2>have gone to what Christy has invented before we've started

1:06:27.720 --> 1:06:31.280
<v Speaker 2>this game and we've never used before, which is the

1:06:31.400 --> 1:06:37.520
<v Speaker 2>tongue twister tiebreaker challenge. Oh no, yes, So we are

1:06:37.880 --> 1:06:41.200
<v Speaker 2>going to essentially let We're gonna help, but we're going

1:06:41.240 --> 1:06:43.360
<v Speaker 2>to essentially let you kind of pick your character with

1:06:43.440 --> 1:06:48.400
<v Speaker 2>some parameters, okay, and then we are going to have

1:06:48.480 --> 1:06:50.520
<v Speaker 2>you pick a number between one and five, which will

1:06:50.520 --> 1:06:54.360
<v Speaker 2>then give you your tongue twister and you can say it

1:06:54.440 --> 1:06:56.160
<v Speaker 2>then a couple times, and then we're going to make

1:06:56.200 --> 1:07:01.720
<v Speaker 2>our decision. Okay, Okay, So, uh, is there a size

1:07:01.880 --> 1:07:03.920
<v Speaker 2>kind of creature that you would want to do?

1:07:05.400 --> 1:07:09.600
<v Speaker 10>I mean, I feel like I haven't really lent into

1:07:12.240 --> 1:07:14.720
<v Speaker 10>I haven't really lent into any of the like sizes,

1:07:14.840 --> 1:07:18.240
<v Speaker 10>particularly if I'm honest this past. Okay, So either one

1:07:18.240 --> 1:07:21.040
<v Speaker 10>of the extremes, either either something really big or really small.

1:07:21.120 --> 1:07:22.280
<v Speaker 10>Probably either one.

1:07:22.560 --> 1:07:25.920
<v Speaker 2>Let's do really big, you know, let's see, let's try that.

1:07:26.080 --> 1:07:30.760
<v Speaker 2>And then is there a specific type of creature you

1:07:30.800 --> 1:07:35.840
<v Speaker 2>would like to be Let's do for instance, I'm just

1:07:35.880 --> 1:07:37.240
<v Speaker 2>gonna I'm gonna flat out tell you some of the

1:07:37.280 --> 1:07:40.240
<v Speaker 2>other ones that haven't been picked. Nobody. Nobody picked teddy Bear,

1:07:40.920 --> 1:07:46.560
<v Speaker 2>nobody picked merr person. Okay, we've done there, a bug,

1:07:46.880 --> 1:07:49.600
<v Speaker 2>a flower, a fish, an alien. We've done with you.

1:07:50.120 --> 1:07:51.240
<v Speaker 2>But is there one that we've done?

1:07:51.240 --> 1:07:51.720
<v Speaker 9>A robot?

1:07:51.880 --> 1:07:53.040
<v Speaker 10>Have we done the robot yet?

1:07:54.040 --> 1:07:55.600
<v Speaker 2>I don't think you did the robot? Would you like

1:07:55.600 --> 1:07:56.560
<v Speaker 2>to be sure?

1:07:56.600 --> 1:07:58.240
<v Speaker 10>Let's go if we're doing tongue twister, I'm just trying

1:07:58.240 --> 1:08:01.040
<v Speaker 10>to kick myself out and do something that might that's fair.

1:08:01.240 --> 1:08:07.200
<v Speaker 2>You're a big lit robot. How about an age? Uh,

1:08:07.280 --> 1:08:08.720
<v Speaker 2>you know what, No, I'm going to pick an age

1:08:08.720 --> 1:08:11.320
<v Speaker 2>for you. You seem to have been doing a lot

1:08:11.320 --> 1:08:14.240
<v Speaker 2>of the younger ages. Let's go older. Okay, so let's

1:08:14.280 --> 1:08:19.000
<v Speaker 2>go between you know, sixty and ancient. Ohkury sounds good.

1:08:19.520 --> 1:08:22.200
<v Speaker 2>And now how about an attribute? Is there something that

1:08:22.240 --> 1:08:24.640
<v Speaker 2>you have not showcased yet that you'd like to a

1:08:24.640 --> 1:08:27.840
<v Speaker 2>different dialect or something else you'd like to do, something

1:08:27.880 --> 1:08:28.840
<v Speaker 2>that's in your real house.

1:08:29.160 --> 1:08:30.160
<v Speaker 1>Let's see.

1:08:32.439 --> 1:08:36.000
<v Speaker 10>But like a I haven't done I mean, I feel

1:08:36.000 --> 1:08:38.040
<v Speaker 10>like I've only just done accents, so I should maybe

1:08:38.040 --> 1:08:39.920
<v Speaker 10>do one of the other ones if to.

1:08:39.920 --> 1:08:45.800
<v Speaker 2>Be fair, right, good call. So let's see something like hypothermic.

1:08:46.920 --> 1:08:49.960
<v Speaker 1>You just the lottery, just lost the love of your life.

1:08:50.160 --> 1:08:55.320
<v Speaker 10>Oh, that's kind of funny. Let's do a sad robot. Okay, perfect,

1:08:55.479 --> 1:09:02.800
<v Speaker 10>Let's do a big saddle rod. That's a great battle before.

1:09:01.880 --> 1:09:05.160
<v Speaker 2>You're a big saddle robot. Who's between sixty and ancient?

1:09:06.000 --> 1:09:08.920
<v Speaker 2>And now to pick your own fate, Haley, a number

1:09:08.960 --> 1:09:09.920
<v Speaker 2>between one and five.

1:09:10.360 --> 1:09:12.640
<v Speaker 10>I think, considering I have so many tattoos of the

1:09:12.720 --> 1:09:14.720
<v Speaker 10>number three, I think it would be wrong with me

1:09:14.760 --> 1:09:15.599
<v Speaker 10>to not choose three.

1:09:15.920 --> 1:09:17.840
<v Speaker 2>Three is fine. We will write it up in the chat.

1:09:17.880 --> 1:09:19.840
<v Speaker 2>But it is a very classic How much Wood would

1:09:19.840 --> 1:09:21.479
<v Speaker 2>would chuck chuck? If it would chuck? Could chuck?

1:09:21.520 --> 1:09:21.800
<v Speaker 4>Would?

1:09:21.920 --> 1:09:22.120
<v Speaker 2>Oh?

1:09:22.400 --> 1:09:23.080
<v Speaker 1>Classy?

1:09:23.960 --> 1:09:26.719
<v Speaker 11>Yeah, a big robot?

1:09:27.800 --> 1:09:30.400
<v Speaker 1>Are you ready as as I'll everbee?

1:09:30.560 --> 1:09:32.360
<v Speaker 2>All right, Haley, We're just we're gonna stay silent if

1:09:32.360 --> 1:09:34.040
<v Speaker 2>you want to do it a couple times in a row.

1:09:34.000 --> 1:09:36.160
<v Speaker 1>Just straight through, no notes.

1:09:36.160 --> 1:09:38.559
<v Speaker 2>We're not going to give anybody any notes, and we

1:09:38.600 --> 1:09:40.479
<v Speaker 2>will go from there, so at your pleasure.

1:09:42.880 --> 1:09:45.479
<v Speaker 9>Oh much, would would I would chock chock?

1:09:45.640 --> 1:09:46.880
<v Speaker 1>If I would chock?

1:09:47.560 --> 1:09:47.600
<v Speaker 4>What?

1:09:48.640 --> 1:09:48.880
<v Speaker 9>Sure?

1:09:49.880 --> 1:09:49.920
<v Speaker 6>What?

1:09:50.800 --> 1:09:52.840
<v Speaker 3>H m hm hm hm.

1:09:56.800 --> 1:09:59.240
<v Speaker 9>Oh much Wood would would chock chock?

1:10:00.040 --> 1:10:00.120
<v Speaker 2>What?

1:10:00.840 --> 1:10:01.120
<v Speaker 9>Shock?

1:10:02.200 --> 1:10:02.439
<v Speaker 4>Shock?

1:10:06.160 --> 1:10:08.880
<v Speaker 2>Thank you very much, Thank you all right, we'll be

1:10:08.920 --> 1:10:09.479
<v Speaker 2>right back with you.

1:10:10.960 --> 1:10:16.320
<v Speaker 4>I mean, Brock, Well, the adjudicator does believe there's a

1:10:16.360 --> 1:10:20.280
<v Speaker 4>clear there's a clear winner here. I thought Paul did

1:10:20.280 --> 1:10:24.479
<v Speaker 4>an amazing job throughout. We obviously all had kind of

1:10:24.640 --> 1:10:26.960
<v Speaker 4>the same concerns and things that we were hoping we

1:10:27.280 --> 1:10:33.880
<v Speaker 4>could hear that fluidity, that connectiveness, and Paul can act.

1:10:34.200 --> 1:10:36.400
<v Speaker 4>And I think it just really highlights that the instruments

1:10:36.439 --> 1:10:38.519
<v Speaker 4>not enough on its own. But to me, the clear

1:10:38.520 --> 1:10:42.519
<v Speaker 4>winner is Haley. You have the range, you had.

1:10:42.720 --> 1:10:46.080
<v Speaker 6>Surprising choices, risk taking, direct ability.

1:10:45.720 --> 1:10:48.040
<v Speaker 4>And kind of everything I'm looking for when I'm working

1:10:48.080 --> 1:10:49.880
<v Speaker 4>with another actor and the kind of actor I always

1:10:49.880 --> 1:10:50.559
<v Speaker 4>try to want to be.

1:10:52.439 --> 1:10:53.800
<v Speaker 6>Really Brock.

1:10:53.880 --> 1:10:54.759
<v Speaker 1>You have the instrument.

1:10:54.960 --> 1:10:57.160
<v Speaker 3>You know, Brock has the instrument when it comes to

1:10:57.200 --> 1:10:59.960
<v Speaker 3>Brock for those of you listening at home, he can

1:11:00.080 --> 1:11:03.280
<v Speaker 3>and be all the characters and that you've never even

1:11:03.320 --> 1:11:06.759
<v Speaker 3>thought of. And so if somebody who has an instrument

1:11:07.040 --> 1:11:10.680
<v Speaker 3>knows that directability is so much, so important, then I'm

1:11:10.720 --> 1:11:13.000
<v Speaker 3>going to defer to to Haley being the winner.

1:11:13.600 --> 1:11:17.560
<v Speaker 2>I don't disagree. I think I think Paul is phenomenal.

1:11:17.600 --> 1:11:20.760
<v Speaker 2>He's got a great voice. I think uh he will work.

1:11:20.880 --> 1:11:22.720
<v Speaker 2>I think he's he's got to work a little bit

1:11:22.760 --> 1:11:25.560
<v Speaker 2>on that. But she could, she could get into a

1:11:25.560 --> 1:11:29.400
<v Speaker 2>booth today, and that's and that's the thing. Yeah, Yeah,

1:11:29.400 --> 1:11:31.160
<v Speaker 2>she could step into a booth today. She really could.

1:11:31.160 --> 1:11:34.120
<v Speaker 2>So I I I'm glad we did the tiebreaker challenge.

1:11:34.560 --> 1:11:36.559
<v Speaker 2>I think it was necessary. I wanted to give Paul

1:11:36.560 --> 1:11:38.439
<v Speaker 2>as much of an opportunity as possible because you can't

1:11:38.479 --> 1:11:42.400
<v Speaker 2>teach that voice. I mean you can't, and hopefully for him, right.

1:11:44.120 --> 1:11:45.599
<v Speaker 4>A full fair shot he did.

1:11:46.800 --> 1:11:49.040
<v Speaker 2>So we're all in agreement. Then let's let's bring in Paul,

1:11:49.080 --> 1:11:52.360
<v Speaker 2>unfortunately and give him the bad news. Not it?

1:11:52.560 --> 1:11:53.240
<v Speaker 1>Not it?

1:11:55.880 --> 1:12:00.479
<v Speaker 2>Hey, Paul, how are you good? So, first of all,

1:12:00.520 --> 1:12:04.240
<v Speaker 2>congratulations I'm making the top sixteen and for making the

1:12:04.240 --> 1:12:08.680
<v Speaker 2>first ever tiebreaker challenge. This was really really hard for us.

1:12:08.800 --> 1:12:12.160
<v Speaker 2>It really was, still is it still is. We are

1:12:12.240 --> 1:12:14.160
<v Speaker 2>on the fence about this one for a lot of reasons.

1:12:14.240 --> 1:12:19.720
<v Speaker 2>Your voice is just phenomenal. We really love it. Unfortunately,

1:12:19.760 --> 1:12:20.920
<v Speaker 2>this is as far as you're going to go in

1:12:21.000 --> 1:12:25.720
<v Speaker 2>the contest. But man, please don't stop, because you know

1:12:26.360 --> 1:12:29.400
<v Speaker 2>somebody's going to hear this, some agent somewhere, somebody's going

1:12:29.439 --> 1:12:32.960
<v Speaker 2>to hear this and say I have to sign that voice.

1:12:34.080 --> 1:12:36.200
<v Speaker 2>This is why we needed the tiebreaker challenge. We've been

1:12:36.200 --> 1:12:39.439
<v Speaker 2>going back and forth, back and forth. Your voice is

1:12:39.520 --> 1:12:45.040
<v Speaker 2>just so good, you can act, and it's we think

1:12:45.040 --> 1:12:47.600
<v Speaker 2>this guy's the limit. We really do. It's just I

1:12:47.600 --> 1:12:49.800
<v Speaker 2>don't even know what else to say. This has been

1:12:49.800 --> 1:12:51.840
<v Speaker 2>so tough on us because from the second you came

1:12:51.840 --> 1:12:53.960
<v Speaker 2>on and said Hi, I'm Paul, we were like, oh, man, like,

1:12:54.600 --> 1:12:58.760
<v Speaker 2>it's just great. So yeah, rock you have anything you

1:12:58.760 --> 1:12:59.800
<v Speaker 2>want to say?

1:13:00.560 --> 1:13:02.360
<v Speaker 6>Yeah, all good things.

1:13:02.880 --> 1:13:07.400
<v Speaker 4>Your voice puts you into competition and similar tones with

1:13:07.560 --> 1:13:10.000
<v Speaker 4>David k and Chris Parnell.

1:13:09.760 --> 1:13:11.799
<v Speaker 2>And Travis and Travis William.

1:13:11.880 --> 1:13:14.200
<v Speaker 4>Travis, that's what answered Travis William.

1:13:14.080 --> 1:13:16.400
<v Speaker 2>Your gand off. The second you started gandoff, I was like,

1:13:16.400 --> 1:13:20.960
<v Speaker 2>that's Travis. It sounds like Travis. So yeah, it was great.

1:13:21.680 --> 1:13:23.160
<v Speaker 4>So we just want to get We just want to

1:13:23.240 --> 1:13:26.080
<v Speaker 4>encourage you to continue again. One of the piece of

1:13:26.080 --> 1:13:28.479
<v Speaker 4>advice I always give that was given to me is

1:13:28.520 --> 1:13:31.120
<v Speaker 4>don't let anyone tell you now and be so be

1:13:31.280 --> 1:13:35.280
<v Speaker 4>so good they can't deny you you are great. Micro

1:13:35.400 --> 1:13:39.519
<v Speaker 4>adjustments might be some of the connectedness and texts. Some

1:13:39.720 --> 1:13:42.960
<v Speaker 4>improv would maybe be really helpful because improv helps you

1:13:43.520 --> 1:13:45.920
<v Speaker 4>with those backgrounds of being able to Okay, great, I'm

1:13:45.960 --> 1:13:50.680
<v Speaker 4>a ham Sandwich and I'm saying you you have the instincts.

1:13:50.760 --> 1:13:53.479
<v Speaker 4>I just want to hear you begin to trust them

1:13:53.479 --> 1:13:55.840
<v Speaker 4>even more. So I wish you all the best of luck,

1:13:56.400 --> 1:13:58.160
<v Speaker 4>and I know I'm going to hear you again something

1:13:59.320 --> 1:13:59.840
<v Speaker 4>well then.

1:13:59.760 --> 1:14:03.000
<v Speaker 3>Chris, I I am sad, you know, I just I

1:14:03.080 --> 1:14:06.920
<v Speaker 3>believe in your talent. And you know this is hard

1:14:06.960 --> 1:14:09.280
<v Speaker 3>for us. You know, we're we're new to this. We're

1:14:09.360 --> 1:14:11.920
<v Speaker 3>usually the ones that are in your position, Paul, and

1:14:11.960 --> 1:14:15.519
<v Speaker 3>so you know we love you and we want you

1:14:15.560 --> 1:14:18.400
<v Speaker 3>to continue to you know, keep going because you know

1:14:18.560 --> 1:14:22.240
<v Speaker 3>we're hoping actually, and we're telling people that are listening

1:14:22.280 --> 1:14:25.080
<v Speaker 3>to this episode, like if you are an agent or manager,

1:14:25.200 --> 1:14:26.160
<v Speaker 3>you have to rep him.

1:14:26.200 --> 1:14:27.240
<v Speaker 1>He is ready to go.

1:14:28.439 --> 1:14:31.000
<v Speaker 3>And yeah, we we really support you and love you,

1:14:31.040 --> 1:14:32.599
<v Speaker 3>and we we we hope.

1:14:32.360 --> 1:14:33.040
<v Speaker 1>The best for you.

1:14:33.800 --> 1:14:36.120
<v Speaker 7>Thank you all very much. This has just been a

1:14:37.160 --> 1:14:39.120
<v Speaker 7>fantastic opportunity. Thank you all.

1:14:39.360 --> 1:14:42.080
<v Speaker 2>Well, it won't be your last, that is absolutely for certain,

1:14:42.160 --> 1:14:43.960
<v Speaker 2>and we will be working together sometime in the future.

1:14:43.960 --> 1:14:45.759
<v Speaker 2>All I guarantee you'll see all of us look forward

1:14:45.800 --> 1:14:47.639
<v Speaker 2>to it. So thank you so much for joining us.

1:14:47.560 --> 1:14:49.640
<v Speaker 6>Paul, thank you.

1:14:49.960 --> 1:14:55.960
<v Speaker 2>Oh I hate that so much. The yeah, let's bring

1:14:56.000 --> 1:14:59.280
<v Speaker 2>in Haley and make her feel bad too. Oh no,

1:14:59.400 --> 1:15:03.040
<v Speaker 2>it's fun parts fun. Yeah, I just don't want to

1:15:03.040 --> 1:15:08.360
<v Speaker 2>tell her that. Oh hey, hi, Hi, Hi, it's this

1:15:08.400 --> 1:15:10.200
<v Speaker 2>has been such a tough episode for us. I mean

1:15:10.280 --> 1:15:12.519
<v Speaker 2>really has just been the toughest episode for us. So

1:15:13.080 --> 1:15:15.400
<v Speaker 2>we've been going back and forth and we came to

1:15:15.479 --> 1:15:19.760
<v Speaker 2>the tiebreaker challenge and your fellow contestant, his voice was

1:15:20.040 --> 1:15:22.400
<v Speaker 2>just so phenomenal. I mean, it's like you heard it. It

1:15:22.479 --> 1:15:25.960
<v Speaker 2>was like butter yeah, but you're going to be moving

1:15:26.000 --> 1:15:30.479
<v Speaker 2>on to the next round. Yeah, yeah. Seriously, he was

1:15:30.600 --> 1:15:33.800
<v Speaker 2>great and it was very very tough take out, but

1:15:33.920 --> 1:15:34.280
<v Speaker 2>you did.

1:15:35.040 --> 1:15:36.040
<v Speaker 1>He does the fake out.

1:15:38.040 --> 1:15:41.320
<v Speaker 2>I know, I get a little bit of joy well after,

1:15:41.600 --> 1:15:44.920
<v Speaker 2>you know, again talking to him, and it hurts so much, so.

1:15:45.400 --> 1:15:46.200
<v Speaker 9>I can imagine it.

1:15:46.360 --> 1:15:48.840
<v Speaker 3>Really, we're going to be an Austin Comic con, so

1:15:48.880 --> 1:15:50.519
<v Speaker 3>you can you can kick him in the shin.

1:15:51.120 --> 1:15:52.479
<v Speaker 1>You can come and kick him in the shin.

1:15:52.600 --> 1:15:56.120
<v Speaker 4>Okay, you guys send me a video from Austin.

1:15:58.280 --> 1:15:59.960
<v Speaker 6>We'll send a little Carboro cutout.

1:16:00.080 --> 1:16:00.880
<v Speaker 2>Good wait is it?

1:16:00.920 --> 1:16:02.479
<v Speaker 1>I feel like I need to go get tickets right now.

1:16:02.520 --> 1:16:05.320
<v Speaker 2>I have no idea we find well find out. My

1:16:05.520 --> 1:16:09.800
<v Speaker 2>congratulations you certainly deserved it was that a Is that

1:16:09.840 --> 1:16:13.000
<v Speaker 2>a D twenty on your chair?

1:16:13.200 --> 1:16:15.559
<v Speaker 9>I make, I make dice. This is my like maker.

1:16:15.920 --> 1:16:18.559
<v Speaker 2>And there you go, yeah, there you go. Nice. Yeah,

1:16:18.640 --> 1:16:22.880
<v Speaker 2>So that's congratulations. You're moving on to the next round.

1:16:23.760 --> 1:16:28.880
<v Speaker 2>So you are in the Elite eight trademark and we

1:16:28.960 --> 1:16:31.599
<v Speaker 2>will see you next episode. This was really a tough

1:16:31.600 --> 1:16:33.519
<v Speaker 2>one for us. This was really really a tough one

1:16:33.520 --> 1:16:33.840
<v Speaker 2>for us.

1:16:34.080 --> 1:16:34.400
<v Speaker 14>Thank you.

1:16:34.400 --> 1:16:37.240
<v Speaker 2>So you certainly earned it. But the competition is getting

1:16:37.520 --> 1:16:41.680
<v Speaker 2>very very steep. So congratulations and prepare yourself for.

1:16:41.640 --> 1:16:43.120
<v Speaker 4>The next round. We'll do.

1:16:43.280 --> 1:16:46.679
<v Speaker 2>Thank you, all right, Thank you, Haley, Bye bye?

1:16:48.240 --> 1:16:48.880
<v Speaker 1>Do I leave?

1:16:49.280 --> 1:16:49.519
<v Speaker 4>Yeah?

1:16:49.680 --> 1:16:50.120
<v Speaker 7>I leave?

1:16:52.840 --> 1:16:57.160
<v Speaker 1>Is so crazy?

1:16:57.840 --> 1:16:59.799
<v Speaker 2>Wow, that was fun. Well, it's nice to make somebody's

1:16:59.840 --> 1:17:01.800
<v Speaker 2>day and I hate doing that, especially some of like Paul.

1:17:01.840 --> 1:17:02.840
<v Speaker 10>It is just so good.

1:17:03.920 --> 1:17:05.000
<v Speaker 2>Oh that one hurt.

1:17:06.400 --> 1:17:08.080
<v Speaker 4>You know. Rejection is part of it, and I think

1:17:08.120 --> 1:17:10.599
<v Speaker 4>it only just helps iron sharp AND's iron I think

1:17:10.640 --> 1:17:13.840
<v Speaker 4>every no is just honestly is just redirection to the

1:17:13.880 --> 1:17:16.439
<v Speaker 4>next Yes, So I think that's a great way.

1:17:16.479 --> 1:17:17.439
<v Speaker 1>I mean, it is a business.

1:17:17.479 --> 1:17:20.519
<v Speaker 3>This business is not an easy business, and the rejection

1:17:20.680 --> 1:17:22.320
<v Speaker 3>has to be something that you can stomach.

1:17:22.400 --> 1:17:23.599
<v Speaker 1>And honestly, you're right.

1:17:23.640 --> 1:17:25.559
<v Speaker 3>I think like if that's if that's going to deter

1:17:25.640 --> 1:17:28.040
<v Speaker 3>any one of these any one of these amazing contestants

1:17:28.040 --> 1:17:31.120
<v Speaker 3>that we have, then then then you know this is not.

1:17:31.360 --> 1:17:33.600
<v Speaker 1>Necessarily the and I don't think it will want to

1:17:33.600 --> 1:17:34.360
<v Speaker 1>dedicate themselves to.

1:17:34.439 --> 1:17:36.120
<v Speaker 2>I don't think it will deter Paul. I think he's

1:17:36.120 --> 1:17:36.640
<v Speaker 2>going to use it.

1:17:36.680 --> 1:17:38.960
<v Speaker 3>I don't think so either to couple people that I

1:17:39.000 --> 1:17:40.400
<v Speaker 3>feel like might actually hang it up.

1:17:40.439 --> 1:17:41.240
<v Speaker 1>But he's not one.

1:17:41.640 --> 1:17:43.160
<v Speaker 2>He's gonna he's gonna go Brock.

1:17:43.400 --> 1:17:44.320
<v Speaker 1>Thank you so much.

1:17:44.360 --> 1:17:48.360
<v Speaker 3>You were a fantastic, fantastic adjudicator.

1:17:50.240 --> 1:17:51.880
<v Speaker 2>We really appreciate it both so much.

1:17:52.439 --> 1:17:55.040
<v Speaker 4>This is just such a joy, and obviously you know

1:17:55.040 --> 1:17:58.360
<v Speaker 4>we all love this so much. It's just this was

1:17:58.439 --> 1:18:00.680
<v Speaker 4>just such a blast. So they thank you, thank you

1:18:00.720 --> 1:18:01.439
<v Speaker 4>both so much.

1:18:01.880 --> 1:18:03.960
<v Speaker 2>Of course, we are so happy to have you. Thank

1:18:04.000 --> 1:18:05.479
<v Speaker 2>you for joining us, and hopefully we'll be able to

1:18:05.479 --> 1:18:06.160
<v Speaker 2>see you again soon.

1:18:06.880 --> 1:18:09.839
<v Speaker 4>Okay, I'll see all soon, Bye bye.

1:18:10.120 --> 1:18:12.599
<v Speaker 2>Well, thank you everybody once again for joining us. Christy

1:18:12.600 --> 1:18:14.360
<v Speaker 2>had to hop off because you know, she's super important

1:18:14.360 --> 1:18:16.479
<v Speaker 2>and does a lot of super cool things. But I

1:18:16.520 --> 1:18:19.000
<v Speaker 2>am wrapping up what turned out to be just such

1:18:19.000 --> 1:18:22.880
<v Speaker 2>a difficult episode of the contest, the Super Awesome Contest

1:18:23.120 --> 1:18:25.919
<v Speaker 2>to become the next Big Voice Actor is emotionally draining

1:18:26.840 --> 1:18:29.000
<v Speaker 2>because man Paul was so good and we had to

1:18:29.000 --> 1:18:30.960
<v Speaker 2>say goodbye to him. So the competition is getting a

1:18:30.960 --> 1:18:34.280
<v Speaker 2>lot stiffer and a lot more difficult. But Haley is

1:18:34.320 --> 1:18:37.519
<v Speaker 2>moving on and rightfully so, and the Elite eight. I

1:18:37.520 --> 1:18:39.000
<v Speaker 2>think we all have one week left and then the

1:18:39.040 --> 1:18:43.240
<v Speaker 2>Elite Eight is finished, so we are definitely getting there.

1:18:43.280 --> 1:18:45.400
<v Speaker 2>Once again. Thank you to everybody who has helped made

1:18:45.439 --> 1:18:48.160
<v Speaker 2>this happen, including all of our friends over there at

1:18:48.160 --> 1:18:54.080
<v Speaker 2>Prime Video Critical Role CESD. iHeart everybody who has just

1:18:54.280 --> 1:18:56.479
<v Speaker 2>stepped up and said, hey, go do your contest and

1:18:56.520 --> 1:18:58.640
<v Speaker 2>find the next awesome voice actor, and that's what we

1:18:58.680 --> 1:19:00.920
<v Speaker 2>are doing. So thank you all again for joining us.

1:19:01.200 --> 1:19:02.680
<v Speaker 2>We will do this one more time next week, and

1:19:02.680 --> 1:19:04.600
<v Speaker 2>then we're moving on to a brand new game with

1:19:04.680 --> 1:19:06.920
<v Speaker 2>all these same contestants that have made it to the

1:19:06.960 --> 1:19:09.200
<v Speaker 2>next round. The games are going to get more difficult,

1:19:09.400 --> 1:19:11.760
<v Speaker 2>the contest is going to get tighter. It is just

1:19:11.880 --> 1:19:14.519
<v Speaker 2>getting crazy and crazy and crazy. So I'm so excited

1:19:14.560 --> 1:19:16.320
<v Speaker 2>you're all here on this journey with us. Thank you

1:19:16.400 --> 1:19:18.040
<v Speaker 2>again so much, Christy. I love you. I hope you're

1:19:18.040 --> 1:19:20.599
<v Speaker 2>out there having fun and I will see you all

1:19:21.000 --> 1:19:23.160
<v Speaker 2>next week, or at least you know, hear you all

1:19:23.200 --> 1:19:24.840
<v Speaker 2>next week, or you'll hear me. I don't know now,

1:19:24.880 --> 1:19:27.600
<v Speaker 2>I'm just rambling. I have the flu anyway. As I

1:19:27.640 --> 1:19:29.080
<v Speaker 2>always like to say, if you think you have what

1:19:29.120 --> 1:19:31.000
<v Speaker 2>it takes to step up to the microphone, then put

1:19:31.000 --> 1:19:33.280
<v Speaker 2>your voices where your mouth is. Thanks everybody. I Hear

1:19:33.360 --> 1:19:36.360
<v Speaker 2>Voices is hosted by Wilfredell and Christy Carlson Romano. Executive

1:19:36.360 --> 1:19:39.200
<v Speaker 2>produced by will Fredell, Brendan Rooney, Amy Sugarman. Our executive

1:19:39.200 --> 1:19:41.600
<v Speaker 2>in charge of production is Danielle Romo, Our producer is

1:19:41.680 --> 1:19:44.719
<v Speaker 2>Lorraine Viriuez, and our editor slash engineer is Brian Burton.

1:19:44.960 --> 1:19:47.479
<v Speaker 2>And that was my announcer voice.

1:19:47.600 --> 1:19:49.640
<v Speaker 17>Some side effects of listening to I Hear Voices are

1:19:49.680 --> 1:19:52.599
<v Speaker 17>sore abs from hilarity, falling down the cocoa melon rabbit hole,

1:19:52.720 --> 1:19:54.919
<v Speaker 17>sneezing due to mass nostalgia, and hugs.

1:19:54.960 --> 1:19:57.080
<v Speaker 2>Follow I Hear Voices wherever you listen to podcasts, so

1:19:57.120 --> 1:19:59.120
<v Speaker 2>you don't miss any of the amazing voices, be.

1:19:59.120 --> 1:20:01.200
<v Speaker 17>Sure to follow us on it Instagram and TikTok At

1:20:01.200 --> 1:20:02.360
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1:20:02.479 --> 1:20:05.600
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1:20:05.680 --> 1:20:06.599
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1:20:06.720 --> 1:20:08.320
<v Speaker 17>Okay, well let's teach you about the Internet.

1:20:08.400 --> 1:20:08.439
<v Speaker 4>The