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Speaker 1: Hi Will, How are you doing today?

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Speaker 2: I am day three of the flu, which has nicely

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Speaker 2: settled in my stomach, which is fun.

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Speaker 1: Settled in your stomach? Where did it start?

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Speaker 2: It started? It's so funny. It started in my legs.

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Speaker 2: I start, I thought my legs are super achy and sore,

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Speaker 2: and I thought that it was from running. And then

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Speaker 2: I had oysters, which I almost never do, so then

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Speaker 2: I thought I had food poisoning, and then it's just

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Speaker 2: been three or four days of just solid flu.

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Speaker 3: So yeah, no, it was it started in your legs,

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Speaker 3: Like is this like that sounds like something that happens

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Speaker 3: with like the day of polio, right.

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Speaker 4: Is that?

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Speaker 2: No, it started just my legs being super sore and achy.

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Speaker 2: That was the first kind of symptom that I had.

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Speaker 2: And then I was just kind of aching everywhere, and

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Speaker 2: then yeah, it's been it's been fun.

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Speaker 1: That's not fun.

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Speaker 2: I'm sorry. So how are you?

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Speaker 1: I'm fine?

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Speaker 2: Yeah. Forever reason I get up and run out of

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Speaker 2: the room as we're recording, that's the only reason why.

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Speaker 2: It has nothing to do with you. Because you look

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Speaker 2: beautiful today, well you always look beautiful, but look are

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Speaker 2: you all done up?

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Speaker 1: I am all gussied up you are.

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Speaker 2: I won't ask why in case it's something that you're

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Speaker 2: not allowed to talk about, but it looks like it's

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Speaker 2: an interview.

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Speaker 3: It's an interview I think for some Israeli talk show

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Speaker 3: or something, so that's fun. But yeah, I mean there's

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Speaker 3: two Christie's, as you know Will, there's the makeup Christie

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Speaker 3: and then there's just normal Christie.

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Speaker 1: But makeup Christie is a whole other level.

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Speaker 2: I would argue there's more than two from how long

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Speaker 2: I've known you, but that's but those are the two

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Speaker 2: that you present. But I've known several Christie, like there

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Speaker 2: are several Wills. I think that's I think that's normal

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Speaker 2: of most people. I think that's normal for most people.

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Speaker 2: But we are all here once again for this super

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Speaker 2: awesome contest. The voice actor.

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Speaker 3: Over the weekend, I saw the Mario brother movie, the

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Speaker 3: Super Mario Brother Movie.

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Speaker 2: How was it look I thought of you.

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Speaker 3: I thought of what we originally had said about the

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Speaker 3: general conflict of celebrities sort of coming into the space

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Speaker 3: of the animation world. And I tried to be as

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Speaker 3: like non biased as possible, because as a voice actor,

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Speaker 3: I think you your mind tends to go there.

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Speaker 5: Sure, And like I think that I think that these

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Speaker 5: actors who are approaching these characters are aware of how

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Speaker 5: they are taking the jobs from other people, because it.

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Speaker 1: Seems to me that they are making more of.

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Speaker 3: An effort to act, you know what I mean, not

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Speaker 3: just like portray themselves. Sure, but it definitely seems like

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Speaker 3: it almost seems like in tandem with the casting itself

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Speaker 3: saying to themselves, well, we do need to make sure

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Speaker 3: that this because there's so much criticism from the fans.

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Speaker 2: Yeah, you know that.

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Speaker 3: I think they answer to the fans, and the fans

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Speaker 3: are the ones that are so you know, almost like

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Speaker 3: they police the community too right that they want the

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Speaker 3: top quality, They want the top quality voice talent. And

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Speaker 3: I don't even think they care if that's really you know,

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Speaker 3: a celebrity actor or not.

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Speaker 2: No, they don't at all. They want the best they

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Speaker 2: can do. And as I've said, every actor, you know,

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Speaker 2: a list actor, to the people that are just you know,

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Speaker 2: really trying to get there, everybody should try voiceover because

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Speaker 2: it's a ton of fun. So I'm not saying that,

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Speaker 2: you know, somebody shouldn't go and be a void, but

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Speaker 2: I think as an a list actor, you you have

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Speaker 2: the power to say, Hey, I definitely will do this role,

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Speaker 2: but I want to make sure at least fifty percent

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Speaker 2: of the cast are just voiceover actors and that's how

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Speaker 2: everybody works. So but speaking of that, we're gonna find

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Speaker 2: the next one. We are in the middle of finding

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Speaker 2: the next big one on the Super Awesome Contest to

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Speaker 2: find the next Big Voice Actor. You know, we always

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Speaker 2: like to start with our thank you shout outs, and

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Speaker 2: we certainly want to think everybody who's helped make this

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Speaker 2: contest possible. From our friends over at Prime Video, our

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Speaker 2: friends over ceesd are friends over at Critical Role, don't

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Speaker 2: forget the check out season two of Vox mocking at

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Speaker 2: Out Now are our friends at iHeart everybody, our parent

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Speaker 2: company at iHeart everybody who's really worked and helped to

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Speaker 2: make this happen. We are getting great feedback from the fans.

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Speaker 2: A friend of mine who does another podcast called mash Matters,

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Speaker 2: which I love so much, which is just all about

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Speaker 2: and I've actually gone on and just talked about mash.

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Speaker 2: Can you believe that he hit me up the other

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Speaker 2: day with a picture of him listening to episode four

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Speaker 2: of the contest, and he just wrote he said, I

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Speaker 2: cannot believe how emotionally invested in this I am. He's like,

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Speaker 2: this is such a great show and I'm so emotionally

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Speaker 2: invested in the contest. I cannot wait to see who wins.

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Speaker 2: So shout out to Ryan Patrick for listening to the

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Speaker 2: podcast and loving it. And I think people are invested

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Speaker 2: and they want to know who's going to win. And

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Speaker 2: that me too.

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Speaker 4: Me too.

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Speaker 2: We've had some amazing, amazing, amazing celebrity guest judges come

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Speaker 2: in and today is no exception. Who do we have

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Speaker 2: joining us once again, Christy.

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Speaker 3: Well, I'm really excited that we have Brock Powell on

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Speaker 3: today with us. They are going to be an amazing judge.

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Speaker 2: Yeah, they've been on before and Brock was an awesome

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Speaker 2: judge in the past, so well, an awesome guest in

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Speaker 2: the past, and we asked them to join us and

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Speaker 2: here they are, so I can't wait. We should bring

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Speaker 2: them on. Hey, Hey, Brock, Brock, thank you so much

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Speaker 2: for joining us as our celebrity guest judge today. This

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Speaker 2: is the super awesome contest to become the next big

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Speaker 2: Voice actor. We are really excited that you're here.

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Speaker 6: I am so so stoked to help.

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Speaker 4: Judge feels like a weird word, but to adjudicate, I

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Speaker 4: guess adjudicate feels less scared.

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Speaker 2: Adjudicator, Okay, a judicator you're helping to adjudicate. I like

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Speaker 2: judge because I think it's as exactly what it is.

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Speaker 2: You are judging who's going to be next. And by

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Speaker 2: the way, whoever you don't vote for going through is

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Speaker 2: not going to be a fan of yours anymore. That's

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Speaker 2: just how it works. That's it, that's it done. That's

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Speaker 2: actually not how it is. We've got the best contestants

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Speaker 2: in the world. One of the things we talk about

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Speaker 2: is that it's been so hard for us to adjudicate.

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Speaker 2: I will use that word, because everybody's so good. You know,

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Speaker 2: we went from forty two hundred down to sixteen, and

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Speaker 2: we said right from the beginning that the sixteen that

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Speaker 2: made the finals, all of them could be signed. I

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Speaker 2: mean really all of them could be signed. So it's

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Speaker 2: we've been picking has been really really difficult. I mean

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Speaker 2: really really difficult. There are some people that obviously they

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Speaker 2: it's like the other contestant kind of runs into a

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Speaker 2: buzzsaw because they're so good. But it's rare most weeks.

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Speaker 2: It's really really close.

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Speaker 4: Yeah. Wow, Well I'm I'm just I'm so excited to

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Speaker 4: be here and I can't wait to hear and see

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Speaker 4: what we what. We haven't started that, so it's going

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Speaker 4: to be great.

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Speaker 2: Well, we're going to jump right into it. So I

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Speaker 2: don't know if you've been listening, but so what we're

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Speaker 2: doing this for this first round to get to the

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Speaker 2: from the Sweet sixteen, which is a name I came

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Speaker 2: up with, to the Elite Eight, which is another name

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Speaker 2: I came up with, you go to the Final four.

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Speaker 1: I didn't catch.

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Speaker 2: By the way, for everybody out there, these are all

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Speaker 2: basketball terms for March madness. I came up with none

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Speaker 2: of this, but hilarious going from the Sweet sixteen to

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Speaker 2: the Elite Eight. The first game we are going to

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Speaker 2: play is we play a game called by the Numbers.

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Speaker 2: So what we're going to be doing is we bring

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Speaker 2: our contestants on and brack. If it's okay with you,

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Speaker 2: you are going to be picking random numbers from four categories.

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Speaker 2: The categories that we have are size, what are you, age,

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Speaker 2: and a wacky attribute. With the numbers that you pick,

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Speaker 2: a character will be created and the contestants will have to.

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Speaker 2: They've been given two lines of dialogue that we're written.

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Speaker 2: They've had a night to study these two lines of dialogue.

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Speaker 2: We will go through a couple characters with these two

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Speaker 2: lines of dialogue, and then the third round and final

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Speaker 2: round is a line they have not yet seen. So

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Speaker 2: it is a cold reading with a new character that

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Speaker 2: we've created. It is a ton of fun. It leads

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Speaker 2: to some nutty and wacky voices, and it really is

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Speaker 2: a blast to kind of see kind of who is

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Speaker 2: doing what and where? So we can't we love it?

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Speaker 4: No, this is great, And I mean, yeah, I have

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Speaker 4: been listening and it sounds like you've been covering all

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Speaker 4: the principles of what you know we voice actors deal

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Speaker 4: with like on the job all the time. And I'm excited.

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Speaker 2: Let's throw them in here we go. So, I think

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Speaker 2: our first contestant, we don't know who came in first.

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Speaker 2: We always like to see who came in first, and

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Speaker 2: I think our first contestant usually pops up here. Yes,

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Speaker 2: our first contestant is going to be Paul from Pennsylvania. Yay,

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Speaker 2: Hey Paul, how are you hi?

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Speaker 4: I'm good.

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Speaker 2: Oh, listen to that voice right off the bast I

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Speaker 2: love that.

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Speaker 1: Thank you, my goodness.

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Speaker 2: So, Paul, welcome to the super awesome Contests to become

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Speaker 2: the next big voice actor. Congratulations on making the top sixteen.

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Speaker 7: Thank you so much.

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Speaker 2: It's who look at that? I'm telling you that is crazy.

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Speaker 2: I'm well, this is Christy and our celebrity guest judge

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Speaker 2: for the day is a guest adjudicator, is what we're calling.

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Speaker 2: That is Brock Powell, and Brock you know, is from

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Speaker 2: Hamster and Gretel and a whole bunch of other stuff.

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Speaker 2: So Brock is a voiceover actor extraordinary and they're going

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Speaker 2: to be helping us out today with the whole rounds

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Speaker 2: and everything going on and playing Round one, which is

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Speaker 2: of course called by the numbers. But before we get

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Speaker 2: into that, Paul, can you tell us a little bit

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Speaker 2: about your journey. What made you decide to take a

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Speaker 2: shot at becoming a voiceover actor?

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Speaker 7: Sure? Sure, So. I was a theater kid in high

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Speaker 7: school and I still remember the moment that I knew

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Speaker 7: performing was was the career path for me what I

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Speaker 7: wanted to do. So I decided to pursue musical theater.

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Speaker 7: Took steps to pursue that. I auditioned for colleges. First

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Speaker 7: time didn't go so well. Second time got into a

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Speaker 7: good school, and while I was there, I became more

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Speaker 7: aware of a voiceover as a potential career path and

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Speaker 7: it really intrigued me, you know. And around the same time,

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Speaker 7: I also I found critical role and all the voice

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Speaker 7: actors on there are sure so inspiring.

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Speaker 2: So here you are.

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Speaker 7: Yeah, it was for me.

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Speaker 1: I'm sorry, is this your real voice? I can't believe it.

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Speaker 2: Wow, huh, that is awesome. All right, Paul, Well you

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Speaker 2: were awesome. You were here first, so we started by

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Speaker 2: introducing you, but we are going to now introduce our

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Speaker 2: second guest. We will be back to you to start

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Speaker 2: round one. Do you have your two lines of dialogue?

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Speaker 4: Yes?

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Speaker 2: I do, all right, perfectly. We'll be right back with

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Speaker 2: you in one second. Paul, Thank you so much.

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Speaker 4: Wow.

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Speaker 2: Well, guys, I almost wish we weren't playing by the

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Speaker 2: numbers this week and we were, you know, playing our

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Speaker 2: next game, which I'm not going to tell you what

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Speaker 2: that is, but we'll get into that later. But wow,

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Speaker 2: how about that rock? What do you think of that?

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Speaker 2: Right off the bat?

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Speaker 8: First impressions, Well, one, I think the natural voice, in

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Speaker 8: the natural instrument of an act is always super important,

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Speaker 8: but the personality is always what we're looking for.

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Speaker 6: And Paul just seems like such a sweet human being, So.

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Speaker 4: Can he also narrate my life exactly exactly?

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Speaker 2: Brock wakes up in the morning, exactly this morning, they

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Speaker 2: walked to the bathroom. Yeah, no, that's perfect. Love that

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Speaker 2: all right. Let's bring in our second contestant. Who is

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Speaker 2: Haley from Texas? From Austin, Texas, No way, yes, which

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Speaker 2: I think we know.

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Speaker 1: Is my neighbor.

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Speaker 2: Hi, Haley, how are you.

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Speaker 4: Esa? I know?

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Speaker 9: Hi?

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Speaker 10: I saw I saw you post somewhere about like a

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Speaker 10: nail place recently, and I was like, I've always wanted

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Speaker 10: to go there.

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Speaker 1: Oh, you should definitely go there. Look at look at

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Speaker 1: the merged very cool. Yes I do. I do my

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Speaker 1: own at the moment. But they're gorgeous.

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Speaker 10: They're they're not as fun and fabulous as like flowers.

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Speaker 2: I would show you my nails, but you would think

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Speaker 2: there was something wrong with me us. Haley, welcome to

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Speaker 2: the show.

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Speaker 11: Thank you.

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Speaker 2: I'm well. That's Christy and Brock Powell is our celebrity

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Speaker 2: adjudicator for the day. They have said adjudicator because that

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Speaker 2: is the way we have to go from now on.

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Speaker 1: I love it's like coming up, there's an adjudicator and.

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Speaker 6: It's very john Wick girl. Absolutely, it makes.

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Speaker 10: You sound very like like it's it's legit.

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Speaker 2: It also took some of it. It takes some of

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Speaker 2: the what did you call it? It was the I

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Speaker 2: don't know, the onus off of like you're you're not

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Speaker 2: judging somebody, You're helping to move them to the next and.

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Speaker 6: Yeah about momentum.

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Speaker 4: But also, my powdered wig is at the drag cleaners,

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Speaker 4: so if it was here, I would absolutely be a judge.

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Speaker 2: Is that is that? How do you actually dry clean

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Speaker 2: a powdered wig? Is that how that works?

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Speaker 4: Well, maybe that's why it's taking so long.

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Speaker 2: That could be.

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Speaker 1: Wouldn't that just get.

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Speaker 2: I have no welcome and congratulations now before we get

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Speaker 2: into round one very quickly, what made you want to

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Speaker 2: become a voiceover actor?

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Speaker 1: Well, I I sort of do.

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Speaker 10: Regular acting, which is a horrible way putting it, but

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Speaker 10: I've done stage acting for my whole life.

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Speaker 9: They've been living in the UK.

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Speaker 1: For the last like decade or so, and.

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Speaker 10: I've been doing immersive theater and cabaret over there, and

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Speaker 10: then you know the apocalypse hit and theater had to

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Speaker 10: close down, and not only that, but I lost my visa,

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Speaker 10: so I had to come back to the US.

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Speaker 11: And come up with something to do.

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Speaker 10: That you know, was artistically fulfilling and maybe at some

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Speaker 10: point made some money. And voiceover had always been in

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Speaker 10: the back of my head because I'm a video game

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Speaker 10: kid and an animation kid, as I'm sure probably all

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Speaker 10: of was involved in this R because it's wonderful, of course,

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Speaker 10: and I had done a couple of classes and stuff

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Speaker 10: in the past, and I have all the equipment for singing,

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Speaker 10: so I just went you know what. It had been

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Speaker 10: in my head as like a when the time comes,

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Speaker 10: when I have a minute, when I'm settled, I'll look

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Speaker 10: into t VO. And then finally the world had kind

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Speaker 10: of stopped and I was like, well, now's the time.

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Speaker 10: So I took a couple more classes, and I sent

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Speaker 10: out a bunch of auditions on ACX to do audiobook narration.

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Speaker 9: I said, I think I sent out.

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Speaker 10: Like nine auditions and I booked like eight of them,

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Speaker 10: and I was like, okay, well, there's the next year

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Speaker 10: of my life learning how to do audio books. So

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Speaker 10: that was sort of what I did for a while,

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Speaker 10: and now I'm loving it and really ready to kind

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Speaker 10: of do the the even more funds.

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Speaker 2: Right, but you're not refled, right, you don't have you

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Speaker 2: don't have a rep. Okay, good, so then you can

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Speaker 2: come into the contest, which is good. Don't worry.

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Speaker 10: I read I read the rules like I've only been

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Speaker 10: here in the US for a couple of years, back

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Speaker 10: in the US for a couple years, and I haven't

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Speaker 10: actually been worked professionally over here.

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Speaker 2: Okay, Well, here we go, Well welcome, Here we go,

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Speaker 2: and your fellow contestant actually got here first, so we

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Speaker 2: are going to be starting with them, but we will

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Speaker 2: come right back to you for round one. Do you

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Speaker 2: have your two lines ready?

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Speaker 12: All right there?

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Speaker 2: All right, here we go. We'll be right back with you, Haley.

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Speaker 2: Here we go. We're bringing Paul back in, all right,

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Speaker 2: and we are going to be starting round one. There

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Speaker 2: he is, okay, Paul, Round one, Round one of are

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Speaker 2: wonderful by the numbers contest, as you know, Paul. For

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Speaker 2: everybody out there listening, we are going to be selecting,

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Speaker 2: and by we I mean Brock is going to be

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Speaker 2: selecting a character for you based on four different categories. Size,

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Speaker 2: what are you age and a wacky attribute? And then

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Speaker 2: you will read the line of dialogue in the character created. So, Brock,

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Speaker 2: if you would please a number between one and six.

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Speaker 4: We're gonna go with five.

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Speaker 2: Well, five, And now a number between one and twelve.

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Speaker 6: We're gonna go too.

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Speaker 2: And a number between one and seven.

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Speaker 6: Ooh three.

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Speaker 2: And finally, please a number between one and eleven.

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Speaker 4: All right, Paul, we're gonna go to eleven.

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Speaker 1: Okay, Christy, what are we ready for this?

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Speaker 3: You're a tiny cat who's ten years old and you're

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Speaker 3: an athletic coach. Oh okay, so you're an athletic coach,

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Speaker 3: you're ten years old and you're a tiny cat.

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Speaker 7: All right?

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Speaker 1: Anything before this? Just let him go for it.

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Speaker 2: I think we just let him go break your break

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Speaker 2: your voice, Paul, line one, at your pleasure, please.

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Speaker 7: All right, lather rinse, repeat, lather rinse repeat. It's been

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Speaker 7: three weeks in this shower. Someone.

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Speaker 2: Okay, Brock, do you have any notes?

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Speaker 4: Okay? So off the bat? Some risks.

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Speaker 6: I love the tape, but since it's a cat, maybe.

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Speaker 4: It's riskers like whiskers. I do a lot of creature work,

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Speaker 4: and so I really appreciate when someone takes the because

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Speaker 4: a lot of animals talking. Animation obviously really kind of

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Speaker 4: hard to watch a show without any talking at all.

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Speaker 4: But I love when we pepper in the things that

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Speaker 4: make the animal the animal, and so the vocalizations were

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Speaker 4: really great, really great choice there. And also just the

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Speaker 4: cadence of the voice felt very cat like to me,

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Speaker 4: in the way that we have quite a few cats

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Speaker 4: at our house, and so the way the cats often

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Speaker 4: you know, perr and the ebb and the flow. It

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Speaker 4: felt very flowy. So that was the first thing. The

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Speaker 4: second thing was I loved the risk of taking the

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Speaker 4: pitch up because obviously we're thinking ten year old and

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Speaker 4: we're thinking tiny. I think it was a great choice

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Speaker 4: if you, if you were to have a second take

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Speaker 4: or a second opportunity. One thing that's always kind of

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Speaker 4: interesting is taking so ten years old in human years

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Speaker 4: maybe different than ten years old in catyres, because a

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Speaker 4: ten year old cat is actually kind of old, right,

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Speaker 4: So there might be an opportunity to do something kind

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Speaker 4: of unexpected, which is always what I think as artists

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Speaker 4: we're looking to do, which is to entertain and surprise ourselves.

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Speaker 4: But overall, I really loved the interpretation of the first pass,

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Speaker 4: and I thought it was really really fun.

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Speaker 2: Christy, Well, are you going to say no?

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Speaker 3: That's why I wanted to say something before, But I'm

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Speaker 3: glad we waited it. It is a recurring concept of

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Speaker 3: ten years old. Do you play it in animal years

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Speaker 3: or do you play it in the actual or do

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Speaker 3: you play it for real?

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Speaker 1: But you know, and we always say, you make the

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Speaker 1: as actors.

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Speaker 3: You make the bold choice, and it's showing people that

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Speaker 3: you can go big is great because then you can

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Speaker 3: always scale back, right. It's a lot harder for them

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Speaker 3: to pull it out of you. But I mean, I

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Speaker 3: personally loved that. I even loved the hiss at the end.

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Speaker 3: Usually we have the curaks our contestants to incorporate that,

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Speaker 3: and I mean I almost wonder if he did. I mean,

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Speaker 3: are we doing another take two for him? It would

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Speaker 3: just be for fun. I would think for him to

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Speaker 3: really lean into the cat part of it.

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Speaker 1: But I think it was great.

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Speaker 2: The only thing I would add is, and I know this,

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Speaker 2: I don't even know how I would give this note.

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Speaker 2: I would just add I'd like to hear a little

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Speaker 2: bit more of the athletic coach h That's right.

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Speaker 1: I totally forgot about that.

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Speaker 2: I don't even know how you would incorporate that, but

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Speaker 2: I'd love to hear a little bit more of the

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Speaker 2: athletic coach. But that being said, I like the rest

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Speaker 2: of the notes too. But it was a great first

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Speaker 2: Take good choices, and let's give you another pass and

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Speaker 2: see what happens. So Paul Uh once again, line one,

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Speaker 2: actual pleasure, lather.

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Speaker 7: Rinse, repeat, lava, rinse repeat. It's been three weeks in

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Speaker 7: this shower.

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Speaker 13: Someone helped me.

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Speaker 2: That was great, good choices. We will be right back

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Speaker 2: with your really good adjustments.

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Speaker 1: I thought he's got the confidence too. I think he

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Speaker 1: must be.

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Speaker 3: Both of them seem very confident and capable, and that's

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Speaker 3: really wonderful.

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Speaker 2: You can tell us from theater.

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Speaker 4: Absolutely yeah. Background really really helps, and I hope everyone

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Speaker 4: listening at home, you know, at least with these two

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Speaker 4: contestants today, and you have that stage theatrical background.

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Speaker 6: But what's interesting is where you come from theater.

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Speaker 4: I find often in the medium of voiceover, people forget

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Speaker 4: how much heavy lifting you have to do because you're

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Speaker 4: creating the set and your scene partner and your costume,

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Speaker 4: and so you're looking to create all those vocal dynamics

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Speaker 4: that when you're on.

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Speaker 6: The stage you just have to worry about projecting just

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Speaker 6: one elements.

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Speaker 1: Right.

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Speaker 4: So the second take, I really noticed that there was

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Speaker 4: a little more movement, and especially well when you had mentioned,

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Speaker 4: oh hey, let's just there's this fun bit with the

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Speaker 4: athletic coach. I feel like you nailed that. I thought, yeah, absolutely, yeah,

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Speaker 4: and the kind of and and I find when you

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Speaker 4: have three things to focus on, that's a lot to juggle,

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Speaker 4: especially for an audition, right, So I usually picked two.

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Speaker 4: So if I were to do do two takes just

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Speaker 4: like Paul did, I would focus on my interpretation of

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Speaker 4: the age and my interpretation of the situation. And the

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Speaker 4: second one I might lean more into my extrapolation of Okay,

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Speaker 4: what was my peach like in school?

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Speaker 2: Sure?

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Speaker 4: Or like what or what would be the funniest coaching

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Speaker 4: job a cat could have?

442
00:22:06,560 --> 00:22:08,320
Speaker 6: And there was something about to me.

443
00:22:08,560 --> 00:22:11,280
Speaker 4: Paul's version of the second one was definitely coaching water polo.

444
00:22:11,520 --> 00:22:13,639
Speaker 6: And I could hear it. I could hear this frustration

445
00:22:14,400 --> 00:22:15,440
Speaker 6: of you know, I'm a cat.

446
00:22:15,960 --> 00:22:17,000
Speaker 4: I think that's good time.

447
00:22:17,359 --> 00:22:20,240
Speaker 2: Well, let's see a tough act to follow. Let's see

448
00:22:20,200 --> 00:22:23,360
Speaker 2: you bring Haley in from round number one here and

449
00:22:23,440 --> 00:22:27,320
Speaker 2: see where we can go from there. Haley, how are you?

450
00:22:27,560 --> 00:22:30,840
Speaker 2: We are here for round number one and Brock is

451
00:22:30,880 --> 00:22:34,160
Speaker 2: going to be picking your character for you. So Brock,

452
00:22:34,240 --> 00:22:36,560
Speaker 2: if you would please a number between one.

453
00:22:36,560 --> 00:22:40,080
Speaker 4: And six okay, let's go too.

454
00:22:41,320 --> 00:22:46,919
Speaker 2: And now a number between one and twelve. Nine, and

455
00:22:46,960 --> 00:22:52,560
Speaker 2: now a number between one and seven six sick stick,

456
00:22:53,359 --> 00:23:02,600
Speaker 2: and finally a number between one and eleven please. Oh Christine,

457
00:23:02,720 --> 00:23:03,200
Speaker 2: I like this.

458
00:23:03,520 --> 00:23:08,920
Speaker 3: Okay, You're a sixty year old, proper British alien who

459
00:23:09,119 --> 00:23:15,439
Speaker 3: is big. So you are a big alien who is

460
00:23:15,560 --> 00:23:19,440
Speaker 3: sixty years old and who has a proper British accent.

461
00:23:19,920 --> 00:23:21,960
Speaker 2: I wonder how that's going to work you having lived

462
00:23:22,000 --> 00:23:24,280
Speaker 2: in England for as long as you did, no.

463
00:23:24,400 --> 00:23:26,560
Speaker 10: Right, it would be all all of my friends in

464
00:23:26,600 --> 00:23:27,600
Speaker 10: England if I don't do this.

465
00:23:27,680 --> 00:23:32,639
Speaker 2: Well, are you ready, Haley?

466
00:23:32,840 --> 00:23:33,719
Speaker 9: Yes, I am, thank you.

467
00:23:34,000 --> 00:23:37,360
Speaker 2: Okay, so line number one please at your pleasure.

468
00:23:38,920 --> 00:23:44,760
Speaker 11: Lovat repeat lava.

469
00:23:45,160 --> 00:23:49,359
Speaker 9: It's been Rick in the shower someone.

470
00:23:50,240 --> 00:23:51,880
Speaker 4: Oh what.

471
00:23:56,400 --> 00:23:57,359
Speaker 2: Brock any notes?

472
00:23:58,960 --> 00:24:02,880
Speaker 4: I mean, I love the choice to do the kind

473
00:24:02,880 --> 00:24:05,560
Speaker 4: of glottal placement because you know, there's so many versions

474
00:24:05,600 --> 00:24:07,640
Speaker 4: of the British accent, and I'm a big monted Python

475
00:24:07,680 --> 00:24:11,960
Speaker 4: fan and that's sort of like very time. Yeah, that's

476
00:24:12,040 --> 00:24:15,119
Speaker 4: absolutely such a great caricature. I feel like doesn't get

477
00:24:15,240 --> 00:24:19,200
Speaker 4: us used enough. I love the risk taking. I loved

478
00:24:19,400 --> 00:24:22,320
Speaker 4: the you know I could. I always try to picture

479
00:24:22,320 --> 00:24:25,760
Speaker 4: the character when someone's performing. So that alien had a

480
00:24:25,800 --> 00:24:28,520
Speaker 4: couple arms and some loofahs and was definitely you know,

481
00:24:29,960 --> 00:24:31,320
Speaker 4: conditioning and shampooing.

482
00:24:31,640 --> 00:24:32,440
Speaker 6: I thought it was great.

483
00:24:32,520 --> 00:24:35,520
Speaker 4: My only note would be for a second take. I'd

484
00:24:35,560 --> 00:24:37,879
Speaker 4: love to hear some more. When I think big, I

485
00:24:37,920 --> 00:24:39,000
Speaker 4: want to hear something that.

486
00:24:38,920 --> 00:24:43,280
Speaker 14: Feels like fills the room a little more, you know,

487
00:24:43,359 --> 00:24:45,440
Speaker 14: so maybe taking it in the direction of a Judy

488
00:24:45,560 --> 00:24:49,120
Speaker 14: Dantra Helen Mirren, just a big presence, like a very

489
00:24:49,160 --> 00:24:49,600
Speaker 14: over the.

490
00:24:49,520 --> 00:24:52,840
Speaker 9: Top, absolutely something like that.

491
00:24:53,840 --> 00:24:56,119
Speaker 1: Yeah, Christie, Yeah, I loved.

492
00:24:56,200 --> 00:24:58,880
Speaker 3: I loved the glottle thing too, But you would you

493
00:24:58,920 --> 00:25:03,320
Speaker 3: could also if you're doing the Judy Dench opera singer type,

494
00:25:03,480 --> 00:25:07,560
Speaker 3: you know, big woman, you could not be confined to

495
00:25:07,880 --> 00:25:10,560
Speaker 3: just that to show us that you're an alien. I

496
00:25:10,560 --> 00:25:13,520
Speaker 3: don't know if it's Sometimes people will improve like beat

497
00:25:13,520 --> 00:25:14,720
Speaker 3: boops if they're.

498
00:25:14,440 --> 00:25:16,680
Speaker 1: You know, a robe or you know could.

499
00:25:16,880 --> 00:25:19,520
Speaker 3: We love seeing the bold choices because it shows us

500
00:25:19,560 --> 00:25:21,880
Speaker 3: your range and we know, we.

501
00:25:21,840 --> 00:25:26,199
Speaker 1: Know you have it, so show us, show us please, I.

502
00:25:26,160 --> 00:25:28,280
Speaker 2: Would say, yeah, I would say just play. I liked

503
00:25:28,320 --> 00:25:29,679
Speaker 2: all your choices. I just want to see you take

504
00:25:29,680 --> 00:25:33,400
Speaker 2: another sing in it. Frankly, all right, So Haley, here

505
00:25:33,440 --> 00:25:36,320
Speaker 2: we go somewhere completely different anyway, whatever you want to do,

506
00:25:36,800 --> 00:25:39,640
Speaker 2: it's completely up to you. So line number one again,

507
00:25:39,680 --> 00:25:41,040
Speaker 2: please at your pleasure.

508
00:25:44,080 --> 00:25:58,800
Speaker 9: Repet It has been three weeks in this show. Someone, Oh,

509
00:25:59,000 --> 00:25:59,560
Speaker 9: that was great.

510
00:25:59,560 --> 00:26:03,040
Speaker 2: We'll be right back with you. Thank you, man, oh man,

511
00:26:04,160 --> 00:26:04,680
Speaker 2: good job.

512
00:26:05,800 --> 00:26:09,920
Speaker 3: This could be flipping hard. This could be a tough week, honestly,

513
00:26:10,160 --> 00:26:13,480
Speaker 3: chrise summer. We had a tough one with Kree, right, yeah,

514
00:26:13,600 --> 00:26:14,439
Speaker 3: was that our tough and.

515
00:26:14,880 --> 00:26:17,640
Speaker 1: This one's tough too. I mean they're all tough. Everyone's amazing.

516
00:26:17,760 --> 00:26:20,160
Speaker 2: Yeah, this could be really tough, though some are.

517
00:26:20,000 --> 00:26:23,320
Speaker 3: More ready right because we did such a large papering

518
00:26:23,520 --> 00:26:26,520
Speaker 3: of how many candidates we had. These are two folks

519
00:26:26,560 --> 00:26:29,640
Speaker 3: that truly could be working beside us.

520
00:26:29,840 --> 00:26:30,000
Speaker 13: Right.

521
00:26:30,400 --> 00:26:32,360
Speaker 2: It's also one of those things where you I look

522
00:26:32,400 --> 00:26:34,400
Speaker 2: at it like they could also be doing different things

523
00:26:34,440 --> 00:26:37,399
Speaker 2: because she could go out and easily do exactly what

524
00:26:37,440 --> 00:26:39,400
Speaker 2: she just did. You know, a character like that where

525
00:26:39,440 --> 00:26:41,080
Speaker 2: he could go out and be the next voice of

526
00:26:41,320 --> 00:26:45,440
Speaker 2: Hyundai or Toyota or something. So they could be doing

527
00:26:45,440 --> 00:26:48,280
Speaker 2: two completely separate things in the voiceover industry and both

528
00:26:48,320 --> 00:26:53,160
Speaker 2: be incredibly successful doing it. So it leads to leads.

529
00:26:52,960 --> 00:26:55,520
Speaker 3: To I'm glad you're here today because I do feel

530
00:26:55,520 --> 00:26:58,800
Speaker 3: like that you're judicating has been really nuanced in a

531
00:26:58,840 --> 00:27:02,080
Speaker 3: way that is really helpful to when we're going to

532
00:27:02,119 --> 00:27:05,000
Speaker 3: be going to move forward with this decision. Obviously, range

533
00:27:05,040 --> 00:27:09,720
Speaker 3: is really important, but like like you said, personality is

534
00:27:09,760 --> 00:27:12,120
Speaker 3: a big thing, but they both have great personalities.

535
00:27:12,440 --> 00:27:16,280
Speaker 4: Yeah, right, so great personalities, And then the other thing

536
00:27:16,880 --> 00:27:18,960
Speaker 4: for those playing at home, direct ability is always the

537
00:27:18,960 --> 00:27:21,080
Speaker 4: big thing, and acting.

538
00:27:21,240 --> 00:27:23,280
Speaker 2: They can both, Yes, they can.

539
00:27:23,200 --> 00:27:25,600
Speaker 4: Both act, and they can take directions super well and

540
00:27:25,640 --> 00:27:28,720
Speaker 4: extrapolate upon the direction, which is always the thing that

541
00:27:28,760 --> 00:27:31,040
Speaker 4: you think are like, oh, well, if someone takes direction better,

542
00:27:31,080 --> 00:27:34,000
Speaker 4: I'm always going to lean towards choosing that person. But

543
00:27:34,040 --> 00:27:36,160
Speaker 4: they both took the direction and ran with it, which

544
00:27:36,200 --> 00:27:37,000
Speaker 4: is what you look for.

545
00:27:37,880 --> 00:27:41,600
Speaker 2: So yeah, well here's what I would ask right now.

546
00:27:41,640 --> 00:27:43,359
Speaker 2: I don't think one is leading over the other, but

547
00:27:43,400 --> 00:27:45,600
Speaker 2: that's my own opinion. Does anybody else have one who says, hey,

548
00:27:45,640 --> 00:27:47,479
Speaker 2: this person is slightly better than the other because right

549
00:27:47,480 --> 00:27:50,440
Speaker 2: now I have them tied tied so far.

550
00:27:50,720 --> 00:27:52,400
Speaker 6: Yeah, I think we're pretty neck and neck to be honest.

551
00:27:52,400 --> 00:27:55,560
Speaker 2: Okay, all right, let's move on to round too and

552
00:27:55,600 --> 00:27:58,240
Speaker 2: see what we got here. So let's bring Paul back in.

553
00:27:58,920 --> 00:28:04,640
Speaker 2: This is here we go. Hey, Paul, welcome back.

554
00:28:06,840 --> 00:28:07,040
Speaker 15: Hi.

555
00:28:07,720 --> 00:28:09,280
Speaker 2: We are moving on too, right.

556
00:28:09,760 --> 00:28:12,440
Speaker 1: It doesn't get on every time he does.

557
00:28:12,480 --> 00:28:12,560
Speaker 2: Not.

558
00:28:12,640 --> 00:28:15,679
Speaker 3: I get like shivers in my money than you.

559
00:28:16,640 --> 00:28:20,280
Speaker 4: Yeah, my noise canceling headphone, My entire skull is like

560
00:28:21,119 --> 00:28:21,399
Speaker 4: it is.

561
00:28:23,080 --> 00:28:26,040
Speaker 2: Okay, So we are moving onto line number two, and

562
00:28:26,160 --> 00:28:29,359
Speaker 2: once again, Brock is going to pick your character for you. So, Brock,

563
00:28:29,400 --> 00:28:31,720
Speaker 2: if you would please a number between one and six.

564
00:28:33,200 --> 00:28:34,040
Speaker 4: Let's go two.

565
00:28:35,800 --> 00:28:37,240
Speaker 2: You did that last round. Let's pick a different one.

566
00:28:37,280 --> 00:28:41,960
Speaker 4: Oh we did. I'm so sorry. Uh let's go one.

567
00:28:42,720 --> 00:28:46,200
Speaker 2: Uh huh that's and work. And now number between one

568
00:28:46,200 --> 00:28:48,600
Speaker 2: and twelve. Uh.

569
00:28:49,040 --> 00:28:49,320
Speaker 4: Ten.

570
00:28:50,640 --> 00:28:52,640
Speaker 2: And now a number between one and seven.

571
00:28:53,240 --> 00:28:55,120
Speaker 4: It's really good. Seven.

572
00:28:56,520 --> 00:28:59,560
Speaker 2: And now a number between one and eleven. A.

573
00:29:01,680 --> 00:29:04,400
Speaker 1: Oh wow, this is a good one. Are you ready

574
00:29:04,400 --> 00:29:04,680
Speaker 1: for this?

575
00:29:05,400 --> 00:29:05,760
Speaker 7: Yes?

576
00:29:05,800 --> 00:29:11,960
Speaker 1: You are a giant giant robot. Robot ninety five years old.

577
00:29:12,240 --> 00:29:14,400
Speaker 7: Ninety five years old.

578
00:29:15,320 --> 00:29:16,320
Speaker 9: Wait, what was that last one.

579
00:29:16,320 --> 00:29:19,800
Speaker 3: Oh, yes, you've been stuck in traffic for six hours?

580
00:29:24,200 --> 00:29:26,320
Speaker 2: All right, so Paul, you got a ninety five year

581
00:29:26,360 --> 00:29:30,080
Speaker 2: old giant robot who's been stuck in traffic for six hours.

582
00:29:30,160 --> 00:29:31,880
Speaker 2: Line number two, at your pleasure.

583
00:29:33,720 --> 00:29:40,719
Speaker 7: We are now to the mixing portion of the recipe.

584
00:29:41,480 --> 00:29:54,040
Speaker 7: You'll notice that I have used fish gots instead of sugar. Gotcha.

585
00:29:54,880 --> 00:29:57,600
Speaker 7: That was a mistake. So let's go ahead and throw

586
00:29:58,120 --> 00:30:01,640
Speaker 7: this all.

587
00:30:03,680 --> 00:30:04,560
Speaker 1: That was crazy.

588
00:30:04,680 --> 00:30:07,360
Speaker 2: That was a crazy take any notes.

589
00:30:08,640 --> 00:30:12,640
Speaker 4: I mean, you definitely nailed like iron giant asque, big

590
00:30:12,720 --> 00:30:17,960
Speaker 4: booming robot. I'm picturing some you know, in a way

591
00:30:18,000 --> 00:30:22,960
Speaker 4: too tiny car. I would love to hear something that

592
00:30:23,120 --> 00:30:25,480
Speaker 4: honors It can almost be difficult when we do something

593
00:30:25,520 --> 00:30:29,080
Speaker 4: like this because you're we're throwing so many random spices

594
00:30:29,120 --> 00:30:33,080
Speaker 4: onto some text and maybe doesn't match. But I think

595
00:30:33,080 --> 00:30:36,760
Speaker 4: you have the ability to make the text connect a

596
00:30:36,760 --> 00:30:41,080
Speaker 4: little more. So maybe we could play it like the

597
00:30:41,120 --> 00:30:43,480
Speaker 4: giant robot has lost his mind, or he's been in

598
00:30:43,520 --> 00:30:47,520
Speaker 4: traffic so long, he's uh, you know, now has a

599
00:30:47,560 --> 00:30:50,120
Speaker 4: camera aperture, and he's doing a cooking show in the car.

600
00:30:50,560 --> 00:30:53,160
Speaker 4: So I think we can combine all those things and

601
00:30:53,200 --> 00:30:55,680
Speaker 4: also make it clear of why the text is happening,

602
00:30:56,640 --> 00:30:59,640
Speaker 4: and that might speed up the speech a little bit,

603
00:31:00,120 --> 00:31:03,240
Speaker 4: which I love the choice of the monotone automaton, but

604
00:31:03,320 --> 00:31:05,000
Speaker 4: I think that the character might be able to have

605
00:31:05,040 --> 00:31:08,120
Speaker 4: a little more personality, a little more connectedness.

606
00:31:08,400 --> 00:31:09,680
Speaker 7: Okay, I mean, if.

607
00:31:09,600 --> 00:31:12,120
Speaker 3: You've heard what AI can do these days with like

608
00:31:12,280 --> 00:31:15,040
Speaker 3: they do all the different voices and they simulate them.

609
00:31:15,200 --> 00:31:18,000
Speaker 3: I actually think that what we think of as like

610
00:31:18,120 --> 00:31:21,880
Speaker 3: the serie voice and stuff is definitely changing.

611
00:31:22,040 --> 00:31:25,160
Speaker 1: Right, so I wouldn't be feel as restrained to the.

612
00:31:25,600 --> 00:31:29,120
Speaker 3: Typical robot voice. But because also too, it's like not

613
00:31:29,240 --> 00:31:32,440
Speaker 3: doing Yeah, that's I don't I don't want to overdirect.

614
00:31:32,800 --> 00:31:33,320
Speaker 4: That's great.

615
00:31:33,400 --> 00:31:34,880
Speaker 1: I like like what Rock said.

616
00:31:35,160 --> 00:31:35,400
Speaker 4: I do.

617
00:31:35,480 --> 00:31:37,000
Speaker 2: I agree with what Brox said. I think we need

618
00:31:37,040 --> 00:31:39,160
Speaker 2: to hear a little more stuck in traffic, And by

619
00:31:39,200 --> 00:31:42,640
Speaker 2: that I mean maybe he's starting to short circuit a

620
00:31:42,640 --> 00:31:43,000
Speaker 2: little bit.

621
00:31:43,080 --> 00:31:45,640
Speaker 1: Yes, literally, what happens if.

622
00:31:45,560 --> 00:31:47,320
Speaker 2: There is a short circuit in there? So let's give

623
00:31:47,320 --> 00:31:50,080
Speaker 2: it one more try line too, at your pleasure.

624
00:31:52,880 --> 00:31:56,400
Speaker 7: We are now to the mixing portion of the recipe.

625
00:31:57,200 --> 00:32:00,560
Speaker 7: You'll notice that I have have have have have have

626
00:32:00,920 --> 00:32:11,160
Speaker 7: used fish guts instead of sugar. That was a mistake,

627
00:32:11,960 --> 00:32:16,200
Speaker 7: So let's go ahead and just throw all this out.

628
00:32:17,760 --> 00:32:18,680
Speaker 4: That's terrifying.

629
00:32:19,080 --> 00:32:20,240
Speaker 1: That was terrifying to me.

630
00:32:20,360 --> 00:32:20,720
Speaker 4: I don't know.

631
00:32:20,760 --> 00:32:23,440
Speaker 2: I loved it. Good adjustments though, loved it.

632
00:32:23,520 --> 00:32:25,800
Speaker 6: Yeah, great copy and paste too. That was really fun.

633
00:32:26,320 --> 00:32:27,920
Speaker 2: Thank you very much. We'll be right back with you

634
00:32:28,000 --> 00:32:28,600
Speaker 2: for round three.

635
00:32:28,920 --> 00:32:30,280
Speaker 7: All right, thank you very much.

636
00:32:31,480 --> 00:32:34,800
Speaker 1: I mean, his voice is butter it is, it really is.

637
00:32:34,920 --> 00:32:36,760
Speaker 2: I mean it, and he's got the acting. So that's

638
00:32:36,760 --> 00:32:38,800
Speaker 2: where it's one of those things where it's there's times

639
00:32:38,800 --> 00:32:40,640
Speaker 2: where we play this game for him.

640
00:32:40,680 --> 00:32:40,840
Speaker 6: Though.

641
00:32:40,920 --> 00:32:42,640
Speaker 3: That was a challenging round, and you know, because it

642
00:32:42,680 --> 00:32:44,960
Speaker 3: was a giant character, I kind of thought he would.

643
00:32:44,760 --> 00:32:46,240
Speaker 1: Really bring it home more.

644
00:32:46,800 --> 00:32:48,880
Speaker 3: But you know, like you said, I think it is

645
00:32:48,920 --> 00:32:51,480
Speaker 3: difficult to like shake yourself out of just the narration

646
00:32:52,120 --> 00:32:52,600
Speaker 3: like this.

647
00:32:52,520 --> 00:32:53,760
Speaker 1: Is what I did really well.

648
00:32:53,920 --> 00:32:57,840
Speaker 2: So yeah, I felt like that for the first time. Yeah,

649
00:32:57,880 --> 00:33:00,520
Speaker 2: for the first time. I felt like in that round

650
00:33:00,520 --> 00:33:03,520
Speaker 2: the acting was lacking just a little bit. Some of

651
00:33:03,520 --> 00:33:05,040
Speaker 2: the pauses were a little too long, some of the

652
00:33:05,120 --> 00:33:07,560
Speaker 2: choices were a little off, But that does not change

653
00:33:07,600 --> 00:33:11,800
Speaker 2: the fact that his voice is phenomenal. It's really I mean,

654
00:33:11,840 --> 00:33:14,120
Speaker 2: it's just it's really really good. And when you have

655
00:33:14,280 --> 00:33:17,200
Speaker 2: that kind of instrument going in and he obviously has

656
00:33:17,240 --> 00:33:19,280
Speaker 2: the basics of the acting down. He really does. It's

657
00:33:19,320 --> 00:33:21,440
Speaker 2: just that round. I didn't think it was great, but

658
00:33:23,040 --> 00:33:25,400
Speaker 2: the choices that he then took in the direction that

659
00:33:25,440 --> 00:33:27,000
Speaker 2: he then took took it in a different direction, and

660
00:33:27,040 --> 00:33:29,280
Speaker 2: I thought it was I thought it was good. I mean,

661
00:33:30,080 --> 00:33:31,520
Speaker 2: I just want to hear him. I just want to

662
00:33:31,520 --> 00:33:33,200
Speaker 2: hear this guy. Do ad read though, I mean all

663
00:33:33,280 --> 00:33:37,400
Speaker 2: day or movie announcing, because it's I mean, how do

664
00:33:37,440 --> 00:33:40,000
Speaker 2: you not want this guy announcing the next Marvel film?

665
00:33:40,080 --> 00:33:42,840
Speaker 2: Souh such a good voice, but.

666
00:33:43,240 --> 00:33:45,760
Speaker 3: I'm like he needs to be like Disney rides, you know,

667
00:33:45,960 --> 00:33:48,200
Speaker 3: like please get off of the you know exit.

668
00:33:48,920 --> 00:33:53,080
Speaker 4: Yeah, well you can do. That was the interesting thing though,

669
00:33:53,120 --> 00:33:56,840
Speaker 4: like we gave him a robot and it almost for

670
00:33:57,040 --> 00:33:59,240
Speaker 4: that second round that almost hurt him a little bit

671
00:33:59,360 --> 00:34:02,200
Speaker 4: because it was so in the wheelhouse of oh I

672
00:34:02,200 --> 00:34:05,120
Speaker 4: should be able to do this because I have this instrument,

673
00:34:05,560 --> 00:34:08,040
Speaker 4: and I think, you know, it's so easy for us

674
00:34:08,080 --> 00:34:09,440
Speaker 4: to sit here and be like, oh, here's the choice

675
00:34:09,480 --> 00:34:11,319
Speaker 4: I would have made. This is so hard and so

676
00:34:11,400 --> 00:34:12,480
Speaker 4: difficult man.

677
00:34:12,280 --> 00:34:15,480
Speaker 2: To imagine being at home crazy.

678
00:34:15,440 --> 00:34:17,560
Speaker 4: You know, because we do work from home and we

679
00:34:17,600 --> 00:34:21,240
Speaker 4: record and often you know, you'll be recording for Disney

680
00:34:21,280 --> 00:34:25,040
Speaker 4: or Marvel or whoever, and it's stressful. It's just it.

681
00:34:25,200 --> 00:34:27,920
Speaker 4: It can be really hard. So I have all.

682
00:34:29,239 --> 00:34:31,800
Speaker 6: Just all the respect for Paul and everybody because.

683
00:34:31,600 --> 00:34:34,920
Speaker 4: I think everyone's doing great to what we're really listening

684
00:34:35,000 --> 00:34:36,719
Speaker 4: for is that acting. So that I think that third

685
00:34:36,760 --> 00:34:38,239
Speaker 4: round is going to be the make or break for

686
00:34:38,360 --> 00:34:40,520
Speaker 4: me with my with my selection for Paul.

687
00:34:40,560 --> 00:34:42,640
Speaker 2: Well let's see, let's see, yeah we still have. We

688
00:34:42,680 --> 00:34:44,360
Speaker 2: still got round two with Haley, so let's see if

689
00:34:44,360 --> 00:34:47,000
Speaker 2: somebody just can just run away with it. But so

690
00:34:47,080 --> 00:34:50,399
Speaker 2: far they're both great. So here we go. Let's bring

691
00:34:50,440 --> 00:34:56,520
Speaker 2: Haley back in. Hi, Haley, I think you're muted. Oh no,

692
00:34:56,560 --> 00:34:58,399
Speaker 2: there you are. Now you're good. Oh you just made

693
00:34:58,400 --> 00:35:01,000
Speaker 2: it see with your acting and you made you said hello,

694
00:35:01,120 --> 00:35:04,799
Speaker 2: but you say, there you go. So here we go

695
00:35:04,880 --> 00:35:08,920
Speaker 2: with round two, line too and Brock, if you would

696
00:35:08,920 --> 00:35:10,799
Speaker 2: please a number between one and six?

697
00:35:11,480 --> 00:35:13,560
Speaker 4: Yes, I think I have not picked three for this

698
00:35:13,600 --> 00:35:14,480
Speaker 4: one yet, have I three?

699
00:35:14,560 --> 00:35:15,120
Speaker 2: No?

700
00:35:15,280 --> 00:35:16,000
Speaker 4: Three?

701
00:35:16,520 --> 00:35:18,200
Speaker 2: And now a number between one and twelve?

702
00:35:19,719 --> 00:35:21,360
Speaker 4: Uh eight?

703
00:35:22,520 --> 00:35:30,080
Speaker 2: And now a number between one and seven five, and

704
00:35:30,200 --> 00:35:32,320
Speaker 2: finally a number between one and eleven.

705
00:35:34,440 --> 00:35:34,720
Speaker 4: Two.

706
00:35:36,040 --> 00:35:39,080
Speaker 2: Oh you go Christaves, what have we got?

707
00:35:40,080 --> 00:35:46,120
Speaker 3: You're a medium fish who's thirty years old and is Scottish.

708
00:35:46,719 --> 00:35:49,640
Speaker 12: I feel like there's something happening here that, like the

709
00:35:49,640 --> 00:35:51,720
Speaker 12: world knows that I should just get all.

710
00:35:51,560 --> 00:35:52,960
Speaker 9: The accent ones.

711
00:35:54,960 --> 00:35:57,440
Speaker 1: Appreciate that.

712
00:35:57,840 --> 00:35:58,240
Speaker 9: Thanks.

713
00:35:58,480 --> 00:36:01,000
Speaker 2: There you go, right in your wheelhouse.

714
00:36:04,760 --> 00:36:07,400
Speaker 9: Menada and Dolly had a baby.

715
00:36:09,680 --> 00:36:11,720
Speaker 6: A medium fish, A medium.

716
00:36:11,320 --> 00:36:14,760
Speaker 1: Fish, medium fish fish, and she's.

717
00:36:14,640 --> 00:36:18,720
Speaker 2: Thirty A thirty year old medium sized fish at Scottish obviously.

718
00:36:19,800 --> 00:36:20,959
Speaker 9: A Scottish law.

719
00:36:21,520 --> 00:36:23,360
Speaker 4: There you go it.

720
00:36:23,520 --> 00:36:29,080
Speaker 2: So line number two nine, number nine, number two actually.

721
00:36:29,320 --> 00:36:34,399
Speaker 1: Really well will good job, right, good job. No, she's

722
00:36:34,440 --> 00:36:35,520
Speaker 1: actually quite fierce.

723
00:36:35,560 --> 00:36:44,320
Speaker 11: Then all the way, okay, we are now to the

724
00:36:44,480 --> 00:36:46,239
Speaker 11: mixing portion of the recipe.

725
00:36:46,440 --> 00:36:51,640
Speaker 12: You'll notice that I've used fish guts instead of sugar.

726
00:36:53,520 --> 00:36:55,200
Speaker 9: Okay, no, that was a mistake. So let's just go

727
00:36:55,239 --> 00:36:56,840
Speaker 9: ahead and throw all this away.

728
00:36:56,800 --> 00:36:59,680
Speaker 12: And again, Okay, that sounds like cannibally some of the

729
00:37:00,040 --> 00:37:01,799
Speaker 12: get to buy wants that really do they.

730
00:37:05,520 --> 00:37:06,520
Speaker 2: Brock any notes?

731
00:37:08,320 --> 00:37:08,920
Speaker 4: So funny?

732
00:37:09,160 --> 00:37:10,680
Speaker 6: I really, I really love it.

733
00:37:11,120 --> 00:37:15,719
Speaker 4: I the only thing I want to think of, like

734
00:37:15,840 --> 00:37:17,920
Speaker 4: a little a little more, just to keep your reads different,

735
00:37:17,920 --> 00:37:20,480
Speaker 4: because we heard what you did in the first round

736
00:37:20,560 --> 00:37:24,080
Speaker 4: was awesome. I would love to, and doesn't necessarily mean

737
00:37:24,080 --> 00:37:26,239
Speaker 4: the timber thing like you have to go higher, but

738
00:37:26,280 --> 00:37:28,360
Speaker 4: I would love to because you you just did a

739
00:37:28,360 --> 00:37:30,880
Speaker 4: sixty five year old alien, So I would love to

740
00:37:30,920 --> 00:37:34,359
Speaker 4: hear a more clear delineation of what a thirty year

741
00:37:34,400 --> 00:37:37,640
Speaker 4: old fish sounds like. I'm thinking, like, you know, a younger,

742
00:37:37,719 --> 00:37:39,440
Speaker 4: more unsure of themselves.

743
00:37:38,960 --> 00:37:39,879
Speaker 6: Kind of kind of thing.

744
00:37:41,360 --> 00:37:43,800
Speaker 4: I love the cannibalism ad lib. I am.

745
00:37:44,480 --> 00:37:46,920
Speaker 6: I'm crazy for improv. I think your prov is so

746
00:37:47,000 --> 00:37:49,359
Speaker 6: important because it could shore you move in the.

747
00:37:49,360 --> 00:37:52,120
Speaker 4: Character, right, yeah, and you get the character. So I

748
00:37:52,160 --> 00:37:53,360
Speaker 4: would just love to hear some more.

749
00:37:53,760 --> 00:37:55,239
Speaker 1: Just so go further in there.

750
00:37:55,280 --> 00:37:57,920
Speaker 2: Okay, great, I think so Christy will Christy?

751
00:37:58,560 --> 00:38:02,080
Speaker 3: I think that's I think I really to almost like

752
00:38:02,200 --> 00:38:04,719
Speaker 3: expand on what Brock was just saying about her being

753
00:38:04,760 --> 00:38:08,520
Speaker 3: like this thirty year old certain sort of more uncertain

754
00:38:08,719 --> 00:38:12,839
Speaker 3: of herself. It's it's I know what you're saying, Rock,

755
00:38:12,960 --> 00:38:14,879
Speaker 3: but I also wonder if she knows what you're saying.

756
00:38:14,880 --> 00:38:16,280
Speaker 1: Do you know what they're saying?

757
00:38:17,440 --> 00:38:21,439
Speaker 10: I think the idea that the last one so sort

758
00:38:21,440 --> 00:38:24,080
Speaker 10: of just just play less. I tend to play sort

759
00:38:24,080 --> 00:38:29,840
Speaker 10: of foot forward powerful characters, so to kind of play

760
00:38:29,920 --> 00:38:30,399
Speaker 10: more of a.

761
00:38:32,920 --> 00:38:34,080
Speaker 6: Does she made a mistake?

762
00:38:34,560 --> 00:38:39,400
Speaker 4: Yeah, imper energy, you know, like not worldly if you

763
00:38:39,480 --> 00:38:41,480
Speaker 4: are in a Scottish lock and you don't really know

764
00:38:41,640 --> 00:38:48,799
Speaker 4: you're in this little lake the world, right and maybe and.

765
00:38:48,800 --> 00:38:51,600
Speaker 3: Maybe it's more too like you're you're you're really just

766
00:38:52,120 --> 00:38:55,480
Speaker 3: improv improvising the cooking and then you and then the

767
00:38:55,480 --> 00:38:57,520
Speaker 3: fish cuts is more of a surprise. You're like, oh,

768
00:38:57,920 --> 00:38:59,719
Speaker 3: this is what I've got. Well, we're yeah, and you're

769
00:38:59,760 --> 00:39:01,640
Speaker 3: almost it's like, we're not gonna do that. We're gonna

770
00:39:01,640 --> 00:39:02,160
Speaker 3: throw it all the way.

771
00:39:02,200 --> 00:39:02,680
Speaker 4: I like that.

772
00:39:02,920 --> 00:39:03,400
Speaker 1: I like that.

773
00:39:03,480 --> 00:39:03,680
Speaker 4: Yeah.

774
00:39:04,800 --> 00:39:08,400
Speaker 2: Okay, so you're saying less less lady Mary more made

775
00:39:08,719 --> 00:39:09,919
Speaker 2: scullery maid kind of thing.

776
00:39:10,840 --> 00:39:12,200
Speaker 4: Yeah, I think so exactly.

777
00:39:14,560 --> 00:39:17,560
Speaker 10: It's the pilot episode of a cooking show, not season fourteen.

778
00:39:19,360 --> 00:39:20,799
Speaker 1: We're not sure it's going to get picked up.

779
00:39:20,960 --> 00:39:23,320
Speaker 2: Perfect. I say, just take another swing and see what happens,

780
00:39:23,320 --> 00:39:24,280
Speaker 2: Haley at your pleasure.

781
00:39:24,760 --> 00:39:30,960
Speaker 11: Okay, okay, we are known to the mixing portion of

782
00:39:31,040 --> 00:39:35,440
Speaker 11: the recipe. Oh you'll notice that that you've done, Oh no,

783
00:39:37,239 --> 00:39:42,719
Speaker 11: fish cuts instead of sugar. Well, sorry, cramb all, that

784
00:39:42,960 --> 00:39:43,520
Speaker 11: was a mistake.

785
00:39:43,600 --> 00:39:45,319
Speaker 9: Let's just throw all this gus.

786
00:39:49,040 --> 00:39:52,399
Speaker 2: That was great. We will be right back with you. Job.

787
00:39:53,360 --> 00:39:54,640
Speaker 4: Good job. Wow.

788
00:39:54,840 --> 00:39:58,359
Speaker 2: See that to me was that showed a different level

789
00:39:58,360 --> 00:40:02,960
Speaker 2: of acting. Frankly, you know, just he was great.

790
00:40:03,680 --> 00:40:05,920
Speaker 4: I don't want to say blows the other performance out

791
00:40:05,920 --> 00:40:07,839
Speaker 4: of the water, but I'm just going for the pun.

792
00:40:07,920 --> 00:40:10,160
Speaker 4: I'm not saying literally no.

793
00:40:10,000 --> 00:40:11,759
Speaker 2: But no, but it is now Paul is really good.

794
00:40:11,760 --> 00:40:13,520
Speaker 2: He's got that if he's got the instrument. I mean,

795
00:40:13,680 --> 00:40:16,200
Speaker 2: nobody could say he does not have the instrument, but

796
00:40:17,280 --> 00:40:20,640
Speaker 2: the improv the confidence, I mean, that's all the stuff.

797
00:40:20,640 --> 00:40:22,239
Speaker 2: That's not to say Paul is in confidence, because he

798
00:40:22,239 --> 00:40:26,120
Speaker 2: certainly is. But she's got this open kind of working

799
00:40:26,200 --> 00:40:28,839
Speaker 2: with you to find the character kind of vibe. I mean, again,

800
00:40:28,880 --> 00:40:31,480
Speaker 2: we're looking for somebody. We've always said Brock that the

801
00:40:31,560 --> 00:40:34,080
Speaker 2: second they win could be in the recording booth with

802
00:40:34,080 --> 00:40:34,960
Speaker 2: one of us the next day.

803
00:40:36,120 --> 00:40:39,760
Speaker 4: So I think the thing that that again every round,

804
00:40:39,880 --> 00:40:42,520
Speaker 4: I'm kind of getting more of a vocabulary of what

805
00:40:42,560 --> 00:40:45,080
Speaker 4: I think I'm looking for. And tell me if this

806
00:40:45,120 --> 00:40:47,239
Speaker 4: is what if you guys agree with this. A sense

807
00:40:47,280 --> 00:40:50,239
Speaker 4: of ease because it isn't just about confidence. It's also

808
00:40:50,280 --> 00:40:53,920
Speaker 4: the sense of like you're capable, but you're not cocky.

809
00:40:54,000 --> 00:40:56,360
Speaker 4: It's a very fine line and we all kind of

810
00:40:56,400 --> 00:40:59,160
Speaker 4: right line of just be easy to work with and

811
00:40:59,239 --> 00:41:00,759
Speaker 4: poacities and beauties.

812
00:41:02,480 --> 00:41:03,319
Speaker 6: Yeah, Hailey was.

813
00:41:03,239 --> 00:41:05,359
Speaker 4: Funny and also the pop culture reference thing I would

814
00:41:05,360 --> 00:41:08,560
Speaker 4: say in sessions that I've directed and been directed in

815
00:41:10,160 --> 00:41:13,280
Speaker 4: one of the common denominators is we talk in pop culture.

816
00:41:13,360 --> 00:41:16,279
Speaker 4: We're making cartoons, and the scripts that we're reading are

817
00:41:16,320 --> 00:41:19,040
Speaker 4: often going to be like, oh, it's like Indiana Jones

818
00:41:19,080 --> 00:41:20,879
Speaker 4: and this and so if you don't watch a lot

819
00:41:20,880 --> 00:41:23,000
Speaker 4: of movies, and this is for everyone listening at home,

820
00:41:23,200 --> 00:41:24,920
Speaker 4: and you don't watch a lot of TV and you

821
00:41:24,960 --> 00:41:28,279
Speaker 4: want to get into voiceover, this is the time. This

822
00:41:28,320 --> 00:41:30,160
Speaker 4: is the time to cross off Lord of the Rings

823
00:41:30,160 --> 00:41:32,600
Speaker 4: and Back to the Future and all those like outlier

824
00:41:32,680 --> 00:41:34,520
Speaker 4: nerdy things, because they come up with a lot.

825
00:41:35,320 --> 00:41:37,560
Speaker 2: Yeah, no, it's a to me. It was you know,

826
00:41:37,600 --> 00:41:40,319
Speaker 2: it was just the second round. She just kind of

827
00:41:40,400 --> 00:41:43,040
Speaker 2: edged out the acting a little bit straight up.

828
00:41:43,440 --> 00:41:45,440
Speaker 1: Yeah, that was pretty pretty wonderful to see that.

829
00:41:45,640 --> 00:41:48,359
Speaker 2: Great adjustments. Now that being said, the characters were also

830
00:41:48,360 --> 00:41:51,880
Speaker 2: picking for her are right in her wheelhouse, whereas the

831
00:41:51,880 --> 00:41:54,719
Speaker 2: ones it does. Whereas the ones we're picking for Paul,

832
00:41:54,760 --> 00:41:59,680
Speaker 2: it's like, you know, it aren't as perfectly suited for him,

833
00:41:59,800 --> 00:42:03,080
Speaker 2: as you know if it was, Hey, you're now a

834
00:42:03,120 --> 00:42:06,239
Speaker 2: fifty five year old suave man who is the movie announcer.

835
00:42:06,280 --> 00:42:07,600
Speaker 2: And then the line starts.

836
00:42:07,320 --> 00:42:08,080
Speaker 4: Within a world.

837
00:42:08,120 --> 00:42:10,080
Speaker 2: He's gonna come off as the greatest thing in the world.

838
00:42:10,400 --> 00:42:12,200
Speaker 2: So there's a lot of different factors that we have

839
00:42:12,239 --> 00:42:13,960
Speaker 2: to put in there. But let's go to round three

840
00:42:14,200 --> 00:42:16,719
Speaker 2: and see what happens. So bring let's bring Paul back

841
00:42:16,719 --> 00:42:21,080
Speaker 2: in for round three. Hey, Paul, how are you hie goill?

842
00:42:21,120 --> 00:42:21,839
Speaker 7: Doing pretty good?

843
00:42:22,040 --> 00:42:24,640
Speaker 2: All right? So here we are with round three. Now,

844
00:42:24,680 --> 00:42:27,200
Speaker 2: if you will look at your chat, you will see

845
00:42:27,239 --> 00:42:28,920
Speaker 2: a new line being sent in for you. Do you

846
00:42:28,920 --> 00:42:29,200
Speaker 2: see it?

847
00:42:29,200 --> 00:42:30,560
Speaker 4: There? Uh?

848
00:42:30,760 --> 00:42:33,439
Speaker 7: Yes, I do? Okay, perfect, move this into a better

849
00:42:33,440 --> 00:42:34,320
Speaker 7: place on my screen.

850
00:42:34,719 --> 00:42:37,400
Speaker 2: There you go, and while you take a moment with it,

851
00:42:37,520 --> 00:42:39,160
Speaker 2: we're gonna pick your character for you. And by we,

852
00:42:39,280 --> 00:42:40,920
Speaker 2: I mean Brock because we have nothing to do with this.

853
00:42:41,000 --> 00:42:43,280
Speaker 2: It's all Brocks, so you can blame them for.

854
00:42:43,200 --> 00:42:45,120
Speaker 1: Everything he's adjudicating. It's all him.

855
00:42:45,360 --> 00:42:46,720
Speaker 4: It's all audicator.

856
00:42:50,080 --> 00:42:52,960
Speaker 2: All right, Brock, here we go, if you would please,

857
00:42:55,680 --> 00:42:58,000
Speaker 2: there we go a number between one and six.

858
00:42:58,760 --> 00:43:00,520
Speaker 4: All right, and then we'll just so know, am I

859
00:43:00,560 --> 00:43:03,000
Speaker 4: trying to avoid any of the numbers I called.

860
00:43:02,840 --> 00:43:05,800
Speaker 2: Before, if you can, great, we'd like to not repeat

861
00:43:05,840 --> 00:43:08,479
Speaker 2: if possible, but that is completely up to you. You're

862
00:43:08,560 --> 00:43:13,720
Speaker 2: the adjudicator. My friend he was one.

863
00:43:13,840 --> 00:43:21,280
Speaker 8: Yeah, so let's do sixty, and now numbers one through.

864
00:43:21,160 --> 00:43:23,640
Speaker 4: Twelve, one through twelve. Let's go.

865
00:43:25,040 --> 00:43:28,400
Speaker 2: Three, and now, if you would please, the number between

866
00:43:28,400 --> 00:43:35,839
Speaker 2: one and seven one, and finally a number between one

867
00:43:35,920 --> 00:43:41,600
Speaker 2: and eleven. Keen. Interesting, Christy, what.

868
00:43:41,520 --> 00:43:43,319
Speaker 1: Do you You've had this? I feel like we've had

869
00:43:43,360 --> 00:43:44,440
Speaker 1: this pairing before.

870
00:43:44,239 --> 00:43:45,839
Speaker 2: Have we? We had this combo? Here we go?

871
00:43:46,000 --> 00:43:48,719
Speaker 1: Not on this episode, not on this episode.

872
00:43:48,920 --> 00:43:55,960
Speaker 3: So all right, you you will be a microscopic mouse

873
00:43:57,080 --> 00:44:01,080
Speaker 3: who is ancient and you're a free of your own shadow.

874
00:44:02,880 --> 00:44:06,719
Speaker 2: Okay, that seems to lend itself perfectly to the baritone

875
00:44:06,719 --> 00:44:10,040
Speaker 2: in your voice. I'm gonna tell you, Paul, you've walked

876
00:44:10,040 --> 00:44:12,719
Speaker 2: into some characters today that are very difficult for you.

877
00:44:13,640 --> 00:44:15,960
Speaker 2: That is obviously the nature of guessing the character. But

878
00:44:16,040 --> 00:44:17,680
Speaker 2: I just have to say that out loud, because there

879
00:44:17,680 --> 00:44:21,000
Speaker 2: are some that probably are not perfectly situated to where

880
00:44:21,040 --> 00:44:25,040
Speaker 2: you are in your tambourister. Yeah, we will. We will

881
00:44:25,080 --> 00:44:26,840
Speaker 2: go from there, and that's you never know what characters

882
00:44:26,840 --> 00:44:28,200
Speaker 2: are going to be reading for and that's part of

883
00:44:28,360 --> 00:44:29,160
Speaker 2: part of what it is.

884
00:44:29,200 --> 00:44:33,520
Speaker 7: So it's when you subvert expectations exactly exactly.

885
00:44:34,080 --> 00:44:37,200
Speaker 2: So line three, please at your pleasure.

886
00:44:38,600 --> 00:44:43,080
Speaker 15: If you remove one wheel from a tricycle, you get

887
00:44:43,080 --> 00:44:46,920
Speaker 15: a bicycle. But what happens when you remove one wheel

888
00:44:46,920 --> 00:44:54,439
Speaker 15: from a bicycle? Man, no one's thought of that. Wait,

889
00:44:55,560 --> 00:45:04,160
Speaker 15: you in a cycle again? I said, anything, Rock, you

890
00:45:04,160 --> 00:45:04,520
Speaker 15: go first?

891
00:45:04,600 --> 00:45:06,600
Speaker 4: You're no, No, Christy, please please please.

892
00:45:06,840 --> 00:45:09,279
Speaker 3: No, Honestly mine, just like I had to say it

893
00:45:09,320 --> 00:45:11,319
Speaker 3: because I just think that was so there and it

894
00:45:11,400 --> 00:45:13,759
Speaker 3: was so fun and the acting was really it was

895
00:45:13,800 --> 00:45:19,239
Speaker 3: really good. What I'm looking for personally would be you

896
00:45:19,920 --> 00:45:22,319
Speaker 3: removing the spaces in between all of those moments so

897
00:45:22,360 --> 00:45:25,440
Speaker 3: that it flows like almost fifty percent faster.

898
00:45:26,680 --> 00:45:28,239
Speaker 1: Yeah, that's it. That's all I'm looking for.

899
00:45:28,280 --> 00:45:30,360
Speaker 3: But everything else was fun, and I just want to

900
00:45:30,400 --> 00:45:32,439
Speaker 3: see that from you, great Rock.

901
00:45:33,600 --> 00:45:36,640
Speaker 4: I felt very George Carlin inspired, So I'm obviously on

902
00:45:36,680 --> 00:45:39,200
Speaker 4: board with that. That was really great. I was very

903
00:45:39,239 --> 00:45:43,000
Speaker 4: surprised by the interpretation I get.

904
00:45:43,080 --> 00:45:44,400
Speaker 6: I think it's a great choice.

905
00:45:45,080 --> 00:45:46,840
Speaker 4: The only thing I would say, and this might be

906
00:45:46,840 --> 00:45:49,440
Speaker 4: a different direction than than you know, resonates with you.

907
00:45:49,440 --> 00:45:51,520
Speaker 4: Paul and I always say go with your gut, don't

908
00:45:51,560 --> 00:45:53,279
Speaker 4: you know, take the direction as best you as best

909
00:45:53,360 --> 00:45:56,000
Speaker 4: you can, but go through gut. I would love to

910
00:45:56,040 --> 00:46:00,520
Speaker 4: hear a little more like Dumbledoreian kind of ancient Chriscot.

911
00:46:02,320 --> 00:46:04,239
Speaker 4: So I want to play on that a little more

912
00:46:04,239 --> 00:46:07,680
Speaker 4: because I think you have this almost like this guy

913
00:46:07,880 --> 00:46:10,840
Speaker 4: is pretending to be wise, which is like, you know,

914
00:46:11,120 --> 00:46:13,800
Speaker 4: like basically he's reciting the big Mac recipe and be

915
00:46:13,880 --> 00:46:15,759
Speaker 4: like have you ever thought about the system? See? So

916
00:46:15,880 --> 00:46:19,560
Speaker 4: it's like I don't know. So maybe something like that

917
00:46:19,560 --> 00:46:21,600
Speaker 4: would be fun to hear on the second take. But again,

918
00:46:21,800 --> 00:46:22,359
Speaker 4: go with your guy.

919
00:46:23,640 --> 00:46:26,640
Speaker 2: You are a critical role fan, so I will say, Gandalf,

920
00:46:28,239 --> 00:46:31,239
Speaker 2: go a little more Gandalf. That being said, also, I

921
00:46:31,320 --> 00:46:33,400
Speaker 2: think we lost a little afraid of your own shadow.

922
00:46:33,760 --> 00:46:35,839
Speaker 7: Oh right, right, right, right, right right right.

923
00:46:36,840 --> 00:46:39,000
Speaker 2: So I know, and again again it's one of those

924
00:46:39,000 --> 00:46:40,840
Speaker 2: things where a lot of times you can't throw in

925
00:46:40,880 --> 00:46:43,560
Speaker 2: everything that that that the numbers give you. You just can't.

926
00:46:43,840 --> 00:46:48,120
Speaker 2: You can't do tiny little ancient mouse that is also afraid.

927
00:46:48,120 --> 00:46:50,320
Speaker 2: I mean, sometimes you just can't do all the things.

928
00:46:50,600 --> 00:46:53,239
Speaker 2: So I liked the choice you made, frankly, but I

929
00:46:53,280 --> 00:46:55,200
Speaker 2: think let's see if you can just switch it up

930
00:46:55,239 --> 00:46:57,479
Speaker 2: for the second round. I thought the first take was great.

931
00:46:58,400 --> 00:47:00,799
Speaker 2: Let's see what you can do with the second take,

932
00:47:00,840 --> 00:47:02,719
Speaker 2: and I see if you can play a little bit

933
00:47:02,760 --> 00:47:07,879
Speaker 2: more of if Gandolf was really really scared, and see

934
00:47:07,880 --> 00:47:10,000
Speaker 2: if we go from there and at your pleasure.

935
00:47:10,400 --> 00:47:15,359
Speaker 13: Okay, if you'll remove one wheel from a tricycle, you'll

936
00:47:15,400 --> 00:47:20,120
Speaker 13: get a bicycle. But what happens when you remove one

937
00:47:20,120 --> 00:47:26,839
Speaker 13: wheel bicycle? Hm, no one's thought of that. Oh wait,

938
00:47:27,320 --> 00:47:32,320
Speaker 13: you in a cycle? Okay he said anything.

939
00:47:34,239 --> 00:47:37,200
Speaker 2: That was great? Thank you so much, Paul. We will

940
00:47:37,200 --> 00:47:40,759
Speaker 2: be right back with you. That second read was I mean,

941
00:47:41,000 --> 00:47:42,680
Speaker 2: you know who he reminds me of a little bit,

942
00:47:42,800 --> 00:47:45,000
Speaker 2: but well, you know he's a critical role fan. So

943
00:47:45,239 --> 00:47:48,120
Speaker 2: but that second read really reminded me of Travis Willingham.

944
00:47:48,239 --> 00:47:49,880
Speaker 4: That was the first thing I thought of when he

945
00:47:49,960 --> 00:47:51,400
Speaker 4: jumped into that was Travis.

946
00:47:51,440 --> 00:47:52,520
Speaker 2: He sounded like Travis.

947
00:47:52,760 --> 00:47:55,720
Speaker 4: Yeah, great, great direction, by the way, Well you really canct.

948
00:47:55,920 --> 00:48:00,000
Speaker 4: I thought the Gandalf Touchstowe was real obviously really resonated. Yeah,

949
00:48:00,080 --> 00:48:02,840
Speaker 4: and it shows the power of something when you know

950
00:48:02,880 --> 00:48:04,960
Speaker 4: both the director and the actor are on the same page.

951
00:48:05,400 --> 00:48:07,680
Speaker 4: Because he got the nuance of what you were looking for.

952
00:48:07,680 --> 00:48:11,399
Speaker 2: I thought, yeah, he switched it up. It was man,

953
00:48:11,440 --> 00:48:13,160
Speaker 2: that second take I thought was really good. They're just

954
00:48:13,160 --> 00:48:19,360
Speaker 2: so differently. I didn't really, I didn't really no, Okay, okay.

955
00:48:19,200 --> 00:48:22,880
Speaker 1: I wasn't. I kind of I don't know. Let's just okay.

956
00:48:23,320 --> 00:48:25,759
Speaker 2: No, no, no, that's that's fair. I mean, you gotta no,

957
00:48:26,160 --> 00:48:27,040
Speaker 2: I mean, this is what we're.

958
00:48:27,280 --> 00:48:29,120
Speaker 3: You know why because he didn't take my note, but

959
00:48:29,120 --> 00:48:30,960
Speaker 3: he took your guys his notes. But it's not because

960
00:48:30,960 --> 00:48:32,680
Speaker 3: I care about him taking my note. What I cared

961
00:48:32,719 --> 00:48:35,799
Speaker 3: most about was seeing him act in a fluid motion.

962
00:48:36,880 --> 00:48:38,719
Speaker 3: And so obviously with animation, we can cut it up

963
00:48:38,719 --> 00:48:40,239
Speaker 3: any way we want. And I think if we were

964
00:48:40,239 --> 00:48:43,320
Speaker 3: to cut that up in studio and push it all together,

965
00:48:43,600 --> 00:48:46,160
Speaker 3: they would have probably erased some of the breathing in

966
00:48:46,239 --> 00:48:49,239
Speaker 3: between it, you know. And he did do better than

967
00:48:49,280 --> 00:48:52,440
Speaker 3: the first time around, but he also it's still not

968
00:48:52,480 --> 00:48:55,000
Speaker 3: as fluid. And that's what's standing out to me about

969
00:48:55,000 --> 00:48:57,600
Speaker 3: the other contestant is just how fluid her acting is.

970
00:48:58,719 --> 00:49:01,040
Speaker 2: I know, I don't disagree. I don't don't necessarily disagree

971
00:49:01,040 --> 00:49:04,320
Speaker 2: with you. He's you know, she does have an ease

972
00:49:04,719 --> 00:49:09,480
Speaker 2: about her dialogue. The way she's coming off he uh,

973
00:49:10,160 --> 00:49:12,680
Speaker 2: I loved. What I loved about the second take was

974
00:49:12,719 --> 00:49:15,120
Speaker 2: taking the direction, uh with the with the last one

975
00:49:15,120 --> 00:49:16,719
Speaker 2: that Paul did, because I do think he switched it

976
00:49:16,800 --> 00:49:19,480
Speaker 2: up and went the gandolf route, which is exactly what

977
00:49:19,520 --> 00:49:21,440
Speaker 2: we asked for. But no, I don't. I don't disagree

978
00:49:21,480 --> 00:49:23,880
Speaker 2: with what you're saying, necessarily, Christy, that she does have.

979
00:49:23,920 --> 00:49:26,800
Speaker 2: There's there's a fluidity to her cadence.

980
00:49:26,880 --> 00:49:29,520
Speaker 3: That is Brock had mentioned that earlier too, some sort

981
00:49:29,560 --> 00:49:31,120
Speaker 3: of a fluidity, right, yeah.

982
00:49:31,360 --> 00:49:33,239
Speaker 6: So well, the connectiveness.

983
00:49:33,280 --> 00:49:35,839
Speaker 4: Yeah, I'm excited to hear Haley's last one here. Let's see.

984
00:49:37,320 --> 00:49:38,440
Speaker 2: Yeah, let's see what Haley.

985
00:49:38,520 --> 00:49:38,959
Speaker 4: Let's see.

986
00:49:39,000 --> 00:49:40,840
Speaker 16: I think she's got this slight edge right now, but

987
00:49:40,920 --> 00:49:54,120
Speaker 16: who knows. Yeah, alright, let's bring Haley back in. Oh no,

988
00:49:54,440 --> 00:49:56,200
Speaker 16: it's we won't even get into that yet.

989
00:49:56,960 --> 00:49:57,200
Speaker 4: A couple.

990
00:49:58,760 --> 00:50:01,480
Speaker 2: That's the least of it. So yes, we're getting there.

991
00:50:01,560 --> 00:50:05,560
Speaker 2: Let's bring Haley back. I don't think Brock nos did

992
00:50:05,560 --> 00:50:07,399
Speaker 2: you hear I'm like day four of a stomach flu

993
00:50:07,520 --> 00:50:08,080
Speaker 2: So it's been.

994
00:50:08,040 --> 00:50:09,759
Speaker 4: Fund I'm so sorry.

995
00:50:09,800 --> 00:50:12,600
Speaker 2: It's fine. I blame Haley. Oh wait here she is.

996
00:50:13,040 --> 00:50:17,160
Speaker 1: Yes, yes, I'm sorry.

997
00:50:17,200 --> 00:50:18,280
Speaker 9: I gave you fish cut cookies.

998
00:50:18,400 --> 00:50:21,759
Speaker 2: You did it happened, all right, Haley. We are in

999
00:50:21,880 --> 00:50:26,120
Speaker 2: round three now, and if you will look at your comments.

1000
00:50:26,160 --> 00:50:28,520
Speaker 2: You got your get in your chat. You got the line.

1001
00:50:28,680 --> 00:50:32,879
Speaker 2: Uh huh, read it now immediately. No, I'm kidding, while

1002
00:50:32,920 --> 00:50:35,000
Speaker 2: you while you take a second with it. We are

1003
00:50:35,040 --> 00:50:37,799
Speaker 2: going to have Brock pick your character. Brock, if you

1004
00:50:37,840 --> 00:50:40,279
Speaker 2: would please a number between one and six.

1005
00:50:42,800 --> 00:50:44,040
Speaker 6: I don't think we've done six yet.

1006
00:50:44,080 --> 00:50:46,080
Speaker 3: That we've done six yet, not for her, but we

1007
00:50:46,120 --> 00:50:48,200
Speaker 3: did it in the last round, but not for her,

1008
00:50:48,280 --> 00:50:48,719
Speaker 3: so that work?

1009
00:50:49,320 --> 00:50:52,960
Speaker 1: Yeah, right, okay, right, that actually is helpful to be honest.

1010
00:50:53,160 --> 00:50:55,360
Speaker 2: And number between one and twelve?

1011
00:50:57,560 --> 00:51:01,000
Speaker 4: Oh boy, nine, we've done nine in this one.

1012
00:51:01,080 --> 00:51:01,640
Speaker 2: We have none?

1013
00:51:01,840 --> 00:51:02,120
Speaker 1: Yes?

1014
00:51:02,280 --> 00:51:02,799
Speaker 2: Did we? Oh?

1015
00:51:02,880 --> 00:51:03,359
Speaker 4: Yes we did?

1016
00:51:03,440 --> 00:51:04,160
Speaker 2: Yes, we did.

1017
00:51:04,840 --> 00:51:06,280
Speaker 4: What I meant to say was seven.

1018
00:51:06,840 --> 00:51:09,120
Speaker 2: Yes, we have not done. There we go and now

1019
00:51:09,239 --> 00:51:10,560
Speaker 2: number between one and seven.

1020
00:51:12,200 --> 00:51:12,880
Speaker 6: Uh four?

1021
00:51:14,440 --> 00:51:17,440
Speaker 2: And finally a number between one and eleven.

1022
00:51:19,920 --> 00:51:22,400
Speaker 4: Uh have we done three?

1023
00:51:23,200 --> 00:51:23,480
Speaker 2: No?

1024
00:51:24,200 --> 00:51:24,680
Speaker 3: We have?

1025
00:51:26,719 --> 00:51:30,719
Speaker 2: Oh, Haley, Haley keeps keeps getting these How is that

1026
00:51:30,800 --> 00:51:31,520
Speaker 2: you possible?

1027
00:51:31,960 --> 00:51:35,400
Speaker 1: Okay, answer Brock? Is that your final answer?

1028
00:51:35,800 --> 00:51:38,200
Speaker 2: It? We're sticking with that because I want to hear it.

1029
00:51:39,160 --> 00:51:42,640
Speaker 1: All right, I'm cool, all right, you are all right,

1030
00:51:43,400 --> 00:51:44,960
Speaker 1: So I'm cool with it. It's lucky, all right.

1031
00:51:45,400 --> 00:51:49,160
Speaker 3: You're a microscopic flower that's fifteen years old and German.

1032
00:51:52,200 --> 00:51:55,799
Speaker 2: Thanks Roy all the accents. You keep getting all the

1033
00:51:55,840 --> 00:51:56,600
Speaker 2: accents I.

1034
00:51:56,520 --> 00:51:59,000
Speaker 9: Know, which is great. Actually, just a little sidebar. I'm

1035
00:51:59,040 --> 00:52:00,360
Speaker 9: in my D and D campaig right now.

1036
00:52:00,400 --> 00:52:02,759
Speaker 10: I'm playing a change link specifically because I wanted to

1037
00:52:02,760 --> 00:52:05,359
Speaker 10: have a bunch of different like character faces that had

1038
00:52:05,400 --> 00:52:07,719
Speaker 10: different accents in it. So it's just been like I've

1039
00:52:07,719 --> 00:52:12,319
Speaker 10: spent the last year just practicing a bunch of different accents.

1040
00:52:12,680 --> 00:52:16,239
Speaker 2: So you're welcome once again. What is it again, Christy A.

1041
00:52:16,719 --> 00:52:21,480
Speaker 3: You are a microscopic flower, she's fifteen years old, and

1042
00:52:22,480 --> 00:52:23,440
Speaker 3: yeah she's German.

1043
00:52:24,239 --> 00:52:27,600
Speaker 2: Here we go, Haley, line three, at your pleasure.

1044
00:52:28,920 --> 00:52:32,840
Speaker 12: If you rumble from the tricycle, you get a bicycle.

1045
00:52:33,560 --> 00:52:39,000
Speaker 12: But what happened then you'll remove one wheel from a bicycle.

1046
00:52:39,160 --> 00:52:41,800
Speaker 9: Hat No one thought about that.

1047
00:52:43,920 --> 00:52:47,160
Speaker 12: Oh wait, it's no forget.

1048
00:52:47,200 --> 00:52:53,400
Speaker 2: Don't said anything, brockety notes.

1049
00:52:54,480 --> 00:52:59,200
Speaker 4: My one note, Haley is I love the character interpretation.

1050
00:52:59,280 --> 00:53:01,800
Speaker 4: I don't have any note. It's about the composition. I

1051
00:53:01,880 --> 00:53:05,719
Speaker 4: think it's really really fun. I want to hear the

1052
00:53:05,920 --> 00:53:07,719
Speaker 4: because you're in the scene with two other people or

1053
00:53:07,760 --> 00:53:10,400
Speaker 4: several other characters. And there's a beat there that I

1054
00:53:10,400 --> 00:53:13,880
Speaker 4: think we're not hitting, which is, uh, you know, a bicycle,

1055
00:53:14,000 --> 00:53:16,040
Speaker 4: a tricycle becomes a bicycle, and a bicycle becomes what

1056
00:53:16,040 --> 00:53:19,120
Speaker 4: would it loses a tire? So they're on the oh unicycle,

1057
00:53:19,160 --> 00:53:22,360
Speaker 4: forget I said that, So invent the line before. Who's

1058
00:53:22,360 --> 00:53:25,320
Speaker 4: saying who's saying that? What's your relationship with that character?

1059
00:53:25,400 --> 00:53:27,120
Speaker 4: I want to hear a little reaction to someone going

1060
00:53:29,680 --> 00:53:32,920
Speaker 4: and so you can so that. And again, because we

1061
00:53:33,120 --> 00:53:36,840
Speaker 4: got our own scene partners, this is a really really pivotal.

1062
00:53:36,520 --> 00:53:37,120
Speaker 6: Beat for me.

1063
00:53:37,560 --> 00:53:40,239
Speaker 2: Yeah, gotcha, Christy, No.

1064
00:53:40,400 --> 00:53:40,680
Speaker 4: I don't.

1065
00:53:40,719 --> 00:53:42,960
Speaker 3: I really just listen to Brock at this point because

1066
00:53:43,160 --> 00:53:44,440
Speaker 3: he's got great direction.

1067
00:53:45,400 --> 00:53:49,440
Speaker 2: Sweet, I uh for the second take, and I thought

1068
00:53:49,480 --> 00:53:51,640
Speaker 2: the first one was great. I'd like to and I'm

1069
00:53:51,640 --> 00:53:53,520
Speaker 2: going to make since you said these are in your wheelhouse,

1070
00:53:53,560 --> 00:53:56,160
Speaker 2: I'd like to push the German accent a little bit farther,

1071
00:53:56,560 --> 00:54:00,200
Speaker 2: even even farther. Yeah, that's what I would like to say.

1072
00:54:00,560 --> 00:54:04,240
Speaker 2: So let's see what she'll do with that. So line three.

1073
00:54:04,320 --> 00:54:07,040
Speaker 3: Wait, wait, wait, okay, I have no Okay, So I

1074
00:54:07,120 --> 00:54:10,759
Speaker 3: feel like we're very heady with her, and I know

1075
00:54:10,840 --> 00:54:14,080
Speaker 3: Brock said the composition of it, your character was really good.

1076
00:54:14,160 --> 00:54:16,799
Speaker 3: So Brock, maybe you can push back on me on this,

1077
00:54:16,920 --> 00:54:19,920
Speaker 3: but I wasn't getting the fifteen year old girl a

1078
00:54:19,960 --> 00:54:22,040
Speaker 3: part of that, and we've heard a lot of range

1079
00:54:22,040 --> 00:54:23,799
Speaker 3: from her so far, but it would be really great

1080
00:54:23,800 --> 00:54:27,000
Speaker 3: to hear that.

1081
00:54:27,000 --> 00:54:29,520
Speaker 2: That's also that's also important because if you can go

1082
00:54:29,600 --> 00:54:31,920
Speaker 2: in and you can nail teenage girl or younger girl

1083
00:54:32,200 --> 00:54:34,480
Speaker 2: or younger person, we should even say it's not just

1084
00:54:34,480 --> 00:54:38,640
Speaker 2: a girl boy anything. That's all that will. You know,

1085
00:54:39,280 --> 00:54:42,760
Speaker 2: we are all friends with people who have phenomenal careers

1086
00:54:42,800 --> 00:54:45,000
Speaker 2: and they've never played anybody over the age of twelve,

1087
00:54:45,600 --> 00:54:49,759
Speaker 2: so you know, it seems yeah, so yeah, it's that.

1088
00:54:49,960 --> 00:54:53,160
Speaker 2: I think Christy's right if we can hear teenage person,

1089
00:54:54,000 --> 00:54:55,919
Speaker 2: because even if it comes off as a teenage boy,

1090
00:54:55,960 --> 00:54:59,120
Speaker 2: it doesn't mean I want to hear teenage right and

1091
00:54:59,520 --> 00:55:01,840
Speaker 2: push the accent a little farther. Let's see what you can.

1092
00:55:01,719 --> 00:55:02,000
Speaker 7: Do with that.

1093
00:55:02,080 --> 00:55:09,120
Speaker 12: Okay, Okay, so be super truman and like a teenage Yeah,

1094
00:55:09,520 --> 00:55:11,880
Speaker 12: like you're from Berlin, Like you're from Berlin, you know

1095
00:55:12,040 --> 00:55:13,200
Speaker 12: absolutely everything.

1096
00:55:13,719 --> 00:55:15,279
Speaker 2: Okay, perfect, let's give that a shot.

1097
00:55:15,360 --> 00:55:19,840
Speaker 12: Go ahead, So if you're remove one feel from the tricycle,

1098
00:55:20,239 --> 00:55:21,480
Speaker 12: you get a bicycle.

1099
00:55:21,560 --> 00:55:26,640
Speaker 9: Yeah, everybody knows this. But but what happens.

1100
00:55:26,400 --> 00:55:30,719
Speaker 12: When you remove one deal from a bicycle. No one

1101
00:55:30,800 --> 00:55:31,920
Speaker 12: knows about that, have they?

1102
00:55:32,120 --> 00:55:34,600
Speaker 7: N Oh?

1103
00:55:35,280 --> 00:55:36,840
Speaker 9: But but.

1104
00:55:39,320 --> 00:55:39,480
Speaker 2: Yeah?

1105
00:55:39,520 --> 00:55:42,000
Speaker 11: No, Okay, fine, forget to said anything, forget it.

1106
00:55:44,280 --> 00:55:46,440
Speaker 2: Thank you very much, Haley. We'll be right back with you.

1107
00:55:49,560 --> 00:55:51,239
Speaker 2: Who This is gonna be a tough one.

1108
00:55:51,600 --> 00:55:52,759
Speaker 1: I hate my life right now.

1109
00:55:52,880 --> 00:55:55,319
Speaker 2: I hate my life too. And I think paul Is

1110
00:55:56,080 --> 00:55:58,000
Speaker 2: is really good. And I think this is one of

1111
00:55:58,000 --> 00:56:00,480
Speaker 2: those weeks where had maybe he been up again somebody

1112
00:56:00,480 --> 00:56:02,560
Speaker 2: it is my opinion now, just talking for me, had

1113
00:56:02,560 --> 00:56:04,879
Speaker 2: he been up against somebody else, he might have moved

1114
00:56:04,880 --> 00:56:06,759
Speaker 2: forward the way.

1115
00:56:07,040 --> 00:56:10,360
Speaker 1: Can we please do a tie if it's a tie.

1116
00:56:10,880 --> 00:56:14,240
Speaker 2: If it's a tie, I don't think this was Frankly,

1117
00:56:14,320 --> 00:56:16,960
Speaker 2: I think I think first round was. I think she

1118
00:56:17,400 --> 00:56:19,359
Speaker 2: started to edge forward in round two, and I think

1119
00:56:19,400 --> 00:56:22,759
Speaker 2: by now I think I think she's just a better

1120
00:56:22,760 --> 00:56:25,839
Speaker 2: actor at this point. I could be wrong, but that

1121
00:56:25,960 --> 00:56:26,560
Speaker 2: I mean.

1122
00:56:27,360 --> 00:56:30,239
Speaker 4: Well, you're not, You're not wrong. The other thing is

1123
00:56:30,480 --> 00:56:32,759
Speaker 4: it is such a gamble and and I think for

1124
00:56:32,840 --> 00:56:38,360
Speaker 4: everyone listening and you know, competing as borice actors in general,

1125
00:56:38,680 --> 00:56:40,919
Speaker 4: it is a luck of the draw. You just don't

1126
00:56:40,960 --> 00:56:42,680
Speaker 4: know sometimes what you're going to get. And I will

1127
00:56:42,680 --> 00:56:45,719
Speaker 4: say it really quick aside super super fast. I saw

1128
00:56:45,760 --> 00:56:48,000
Speaker 4: a very famous voice actor who I love very much

1129
00:56:48,000 --> 00:56:49,920
Speaker 4: of court work together. I think we both worked with

1130
00:56:51,280 --> 00:56:54,239
Speaker 4: Their name rhymes with Hark Mammal and there was a

1131
00:56:54,280 --> 00:56:58,440
Speaker 4: session where something had happened on a casting level, and

1132
00:56:58,480 --> 00:57:00,919
Speaker 4: you know, we get utility roles sometimes and we get

1133
00:57:00,920 --> 00:57:04,680
Speaker 4: handed parts and someone needs to cover something. I watched

1134
00:57:04,719 --> 00:57:10,840
Speaker 4: Mark Park go through a one hour session voicing a

1135
00:57:10,960 --> 00:57:15,720
Speaker 4: seven year old Newsy like a little New Yorker seven year.

1136
00:57:15,560 --> 00:57:16,720
Speaker 6: Old Newsy character.

1137
00:57:16,960 --> 00:57:20,480
Speaker 4: And when you see a master struggle with something that

1138
00:57:20,600 --> 00:57:24,480
Speaker 4: sometimes we just it's not in our wheelhouse and to

1139
00:57:24,520 --> 00:57:26,920
Speaker 4: be able to push through it and have the grace,

1140
00:57:27,000 --> 00:57:30,120
Speaker 4: and that's the big thing I will say watching Paul

1141
00:57:30,160 --> 00:57:33,120
Speaker 4: to day, I have so much respect for He went

1142
00:57:33,200 --> 00:57:35,120
Speaker 4: for it. I didn't ever feel like like he didn't

1143
00:57:35,160 --> 00:57:37,200
Speaker 4: push back. He wasn't like, hey could maybe brock pick

1144
00:57:37,240 --> 00:57:39,080
Speaker 4: some other numbers because they don't know what they're doing.

1145
00:57:40,480 --> 00:57:42,960
Speaker 4: He just ran with it and I and you know,

1146
00:57:43,240 --> 00:57:46,360
Speaker 4: to that end, I think Paul's going to have a career.

1147
00:57:47,000 --> 00:57:50,040
Speaker 2: His voice is so good, I mean, is so good.

1148
00:57:50,160 --> 00:57:54,760
Speaker 2: How do you not want this guy reading every fantasy novel?

1149
00:57:54,840 --> 00:57:57,400
Speaker 2: I want that voice reading every fantasy novel that I read.

1150
00:57:57,600 --> 00:58:00,640
Speaker 2: Want I want to hear him selling me. I'm gonna.

1151
00:58:00,640 --> 00:58:03,720
Speaker 2: I mean, it was just he's he's great, but I

1152
00:58:03,760 --> 00:58:07,280
Speaker 2: see exactly he's really his voice is so I mean

1153
00:58:07,360 --> 00:58:10,280
Speaker 2: that instrument. You can't teach that, because you know you

1154
00:58:10,320 --> 00:58:13,880
Speaker 2: are talking about Hark, But working you can say Mark,

1155
00:58:13,960 --> 00:58:15,959
Speaker 2: I think we can say Mark Hamill. Working with Mark

1156
00:58:16,960 --> 00:58:20,720
Speaker 2: it is watching a masterclass. I mean, he's absolutely phenomenal.

1157
00:58:21,520 --> 00:58:23,720
Speaker 2: And there's times where you get phenomenal people that it's

1158
00:58:23,800 --> 00:58:26,200
Speaker 2: just you're just wrong for the character. It happens all

1159
00:58:26,280 --> 00:58:29,920
Speaker 2: the time. You know, the first two weeks of Back

1160
00:58:29,920 --> 00:58:32,120
Speaker 2: to the Future we're shot with Eric Stultz. Eric Stultz

1161
00:58:32,160 --> 00:58:37,000
Speaker 2: is a phenomenal actor. He just wasn't Marty McFly. That's okay.

1162
00:58:37,240 --> 00:58:41,480
Speaker 2: So you know, Paul is is very you know, is

1163
00:58:41,680 --> 00:58:45,720
Speaker 2: very very very very very good. Do we need to

1164
00:58:45,760 --> 00:58:50,280
Speaker 2: go to a to a tiebreaker? Would you would you

1165
00:58:50,360 --> 00:58:51,640
Speaker 2: like to do Chris Christy, do you want to go

1166
00:58:51,680 --> 00:58:52,280
Speaker 2: to a tiebreaker?

1167
00:58:52,280 --> 00:58:53,640
Speaker 9: I'll do it.

1168
00:58:53,960 --> 00:58:55,280
Speaker 2: Well, I'm just saying, do you want to go to

1169
00:58:55,320 --> 00:58:57,280
Speaker 2: a tiebreaker? Do you think we need a tiebreaker this week.

1170
00:58:57,440 --> 00:58:59,680
Speaker 2: I do Okay, well, if you do that, the.

1171
00:58:59,640 --> 00:59:01,400
Speaker 1: Folks, I think at the folks at home.

1172
00:59:01,440 --> 00:59:04,120
Speaker 3: I think Brock is fantastic at weighing in on these things,

1173
00:59:04,680 --> 00:59:06,600
Speaker 3: and I think that the folks at home deserve a

1174
00:59:06,600 --> 00:59:09,520
Speaker 3: tiebreaker because I think if they're listening to him and

1175
00:59:09,560 --> 00:59:10,320
Speaker 3: they're saying he's.

1176
00:59:10,200 --> 00:59:12,120
Speaker 2: So good, I don't disagree he's so good.

1177
00:59:12,120 --> 00:59:12,880
Speaker 1: He's so good.

1178
00:59:12,960 --> 00:59:14,680
Speaker 3: I just want them to know that we did what

1179
00:59:14,760 --> 00:59:16,959
Speaker 3: we could. And this has been something that we haven't

1180
00:59:17,040 --> 00:59:20,840
Speaker 3: quite employed yet because we've had a couple near missive

1181
00:59:20,920 --> 00:59:23,480
Speaker 3: and not near miss, but near near things. So I

1182
00:59:23,520 --> 00:59:25,720
Speaker 3: just wanted to do it. Let's do it as a

1183
00:59:25,720 --> 00:59:27,480
Speaker 3: as a an experimentation.

1184
00:59:28,080 --> 00:59:31,560
Speaker 2: No, I have no problem with that whatsoever. I really don't.

1185
00:59:32,440 --> 00:59:36,200
Speaker 2: Paul is administered so good. Yeah, I'll set it up.

1186
00:59:36,680 --> 00:59:38,240
Speaker 1: I'll even be honest with him.

1187
00:59:38,760 --> 00:59:40,680
Speaker 3: I don't know what I would say to him though,

1188
00:59:40,720 --> 00:59:43,080
Speaker 3: as as a sort of a helper in this moment.

1189
00:59:43,160 --> 00:59:45,840
Speaker 1: Do you have any idea how I could help him, Like.

1190
00:59:46,000 --> 00:59:47,400
Speaker 2: Well, let's bring him in and let's talk to him

1191
00:59:47,720 --> 00:59:50,480
Speaker 2: and we'll say we're going to a tiebreaker challenge here. Okay, yeah,

1192
00:59:50,520 --> 00:59:50,840
Speaker 2: all right.

1193
00:59:52,560 --> 00:59:54,280
Speaker 1: I wonder if they should pick the number.

1194
00:59:54,360 --> 00:59:56,560
Speaker 2: They're gonna But now here we go. All right, Hey, Paul,

1195
00:59:56,600 --> 00:59:57,120
Speaker 2: how are you.

1196
00:59:59,040 --> 00:59:59,920
Speaker 7: Patiently waiting?

1197
01:00:00,520 --> 01:00:04,080
Speaker 2: I know exactly all right. So here's the thing. We're

1198
01:00:04,120 --> 01:00:05,680
Speaker 2: going to be completely and totally honest with you.

1199
01:00:05,720 --> 01:00:06,040
Speaker 13: All right.

1200
01:00:08,160 --> 01:00:13,040
Speaker 2: We love your voice, We absolutely love your voice. You're

1201
01:00:13,880 --> 01:00:18,680
Speaker 2: a good actor. You've made some interesting choices. Your fellow

1202
01:00:18,680 --> 01:00:22,160
Speaker 2: contestant is a very strong actor as well. For the

1203
01:00:22,160 --> 01:00:25,800
Speaker 2: first time ever, we're going into something that Christie created

1204
01:00:25,880 --> 01:00:28,400
Speaker 2: as we were creating the show, which is we're going

1205
01:00:28,480 --> 01:00:32,760
Speaker 2: to go to a tiebreaker. Okay, okay, Christy created the

1206
01:00:33,000 --> 01:00:34,880
Speaker 2: tongue Twister tiebreaker challenge.

1207
01:00:35,440 --> 01:00:37,520
Speaker 7: Okay, So we.

1208
01:00:37,360 --> 01:00:39,400
Speaker 2: Are going to be creating the character for you. Well,

1209
01:00:39,520 --> 01:00:41,960
Speaker 2: Brock is going to be creating a character for you,

1210
01:00:42,080 --> 01:00:45,640
Speaker 2: just like we did. And then you are going to

1211
01:00:45,640 --> 01:00:49,200
Speaker 2: pick a number between one and five, and you are

1212
01:00:49,240 --> 01:00:51,120
Speaker 2: going to decide your own fate just like D and D.

1213
01:00:51,240 --> 01:00:52,720
Speaker 2: My friend, it's gonna be on the it's gonna be

1214
01:00:52,800 --> 01:00:54,200
Speaker 2: it's going to be for you to roll the dice.

1215
01:00:54,400 --> 01:00:57,720
Speaker 2: So here's what I would say to you, and then

1216
01:00:57,720 --> 01:01:00,120
Speaker 2: I'm going to throw it to my fellow a to

1217
01:01:00,200 --> 01:01:05,520
Speaker 2: caters again, you can't teach the voice you have it's phenomenal.

1218
01:01:05,600 --> 01:01:07,920
Speaker 2: We were talking about how I want I want you

1219
01:01:08,400 --> 01:01:11,640
Speaker 2: to narrate every book that I read. I want you

1220
01:01:11,680 --> 01:01:17,600
Speaker 2: to sell products. It's wonderful. Your acting's good, but some

1221
01:01:17,680 --> 01:01:20,040
Speaker 2: of the choices you make, some sometimes come off as

1222
01:01:20,080 --> 01:01:23,600
Speaker 2: maybe a little slow. So it's the cadence can be

1223
01:01:24,080 --> 01:01:28,440
Speaker 2: a little drawn out, and so your fellow contestant is

1224
01:01:28,440 --> 01:01:32,200
Speaker 2: a little more fluid. That being said, your voice is

1225
01:01:32,240 --> 01:01:35,480
Speaker 2: so good that we want to go to a tiebreaker

1226
01:01:35,520 --> 01:01:38,400
Speaker 2: to see what happens from there. Okay, okay, so I

1227
01:01:38,440 --> 01:01:38,880
Speaker 2: want to see you.

1228
01:01:40,760 --> 01:01:42,680
Speaker 3: I want to see you really good, like have fun

1229
01:01:42,760 --> 01:01:47,000
Speaker 3: with it in a way that doesn't feel so yeah,

1230
01:01:47,320 --> 01:01:49,560
Speaker 3: I want you to have fun with whatever this is.

1231
01:01:49,600 --> 01:01:52,120
Speaker 3: And I do think that the tongue twister is meant

1232
01:01:52,120 --> 01:01:53,960
Speaker 3: to do that, is meant to sort of shock you

1233
01:01:54,000 --> 01:01:56,400
Speaker 3: into being Okay, I'm gonna have fun with this, rather

1234
01:01:56,440 --> 01:01:58,640
Speaker 3: than get don't. I would warn you not to get

1235
01:01:59,000 --> 01:02:01,760
Speaker 3: stuck on the words. And these are also not like

1236
01:02:01,880 --> 01:02:02,960
Speaker 3: horrible tongue twisters.

1237
01:02:03,000 --> 01:02:07,880
Speaker 2: They're just a pretty horrible So no, no, no, If

1238
01:02:07,880 --> 01:02:10,120
Speaker 2: they're gonna choose one, they're gonna choose one each and

1239
01:02:10,120 --> 01:02:12,720
Speaker 2: they get to pick themselves. But first we're gonna pick

1240
01:02:12,760 --> 01:02:15,320
Speaker 2: your character for you like we normally would, And by

1241
01:02:15,360 --> 01:02:16,160
Speaker 2: we I mean Brock.

1242
01:02:16,760 --> 01:02:17,960
Speaker 1: Paul, You've never done this too.

1243
01:02:17,960 --> 01:02:19,480
Speaker 2: This is the first time, this is the first time

1244
01:02:19,480 --> 01:02:22,680
Speaker 2: it's ever come down this to this. So, Brock, if

1245
01:02:22,680 --> 01:02:25,640
Speaker 2: you would please one more time, a number between one

1246
01:02:25,640 --> 01:02:26,000
Speaker 2: and six.

1247
01:02:26,800 --> 01:02:29,760
Speaker 4: Okay, let's see one that we haven't done yet, one

1248
01:02:29,760 --> 01:02:30,120
Speaker 4: and six.

1249
01:02:30,360 --> 01:02:35,800
Speaker 3: Uh yeah, with him, you've done a lot of higher numbers,

1250
01:02:36,120 --> 01:02:39,040
Speaker 3: and you've done number one, and you've done one for him.

1251
01:02:39,280 --> 01:02:43,040
Speaker 2: Okay, so let's do two o two, all right? Now,

1252
01:02:43,160 --> 01:02:44,320
Speaker 2: number between one and twelve?

1253
01:02:46,480 --> 01:02:47,120
Speaker 6: Let's do three?

1254
01:02:48,640 --> 01:02:50,360
Speaker 1: I think we've done. Did we do that for him?

1255
01:02:50,400 --> 01:02:50,800
Speaker 1: Right now?

1256
01:02:51,600 --> 01:02:53,160
Speaker 2: Actually? You know what, why don't we stop this? I'm

1257
01:02:53,160 --> 01:02:55,360
Speaker 2: gonna stop this right now? Yeah, if we're gonna do

1258
01:02:55,560 --> 01:02:58,360
Speaker 2: if we're gonna do a tiebreaker challenge, why don't we

1259
01:02:58,400 --> 01:03:00,720
Speaker 2: not let fate decide? Why don't we, as judges picked

1260
01:03:00,760 --> 01:03:03,240
Speaker 2: the best possible character we can for.

1261
01:03:03,960 --> 01:03:05,520
Speaker 6: I would love to do that.

1262
01:03:05,680 --> 01:03:09,280
Speaker 2: Give Paul his best opportunity to do that. So would

1263
01:03:09,320 --> 01:03:11,680
Speaker 2: we all agree that it's a bigger character it is.

1264
01:03:11,720 --> 01:03:13,439
Speaker 1: It's either one or two, giant or big.

1265
01:03:13,520 --> 01:03:17,680
Speaker 2: Okay, So Paul, you're either giant or big size wise, okay, right,

1266
01:03:19,080 --> 01:03:28,680
Speaker 2: why don't we say something like a number? What a racehorse?

1267
01:03:29,920 --> 01:03:32,560
Speaker 1: A dog, dog or a racehorse?

1268
01:03:33,920 --> 01:03:36,080
Speaker 2: A robot works? We could do robot again, we could

1269
01:03:36,120 --> 01:03:37,440
Speaker 2: do alien. What about alien?

1270
01:03:37,600 --> 01:03:38,240
Speaker 1: Like that for him?

1271
01:03:38,520 --> 01:03:39,560
Speaker 6: I know I would do racehorse?

1272
01:03:40,040 --> 01:03:43,960
Speaker 2: Racehorse? Okay, you're a big racehorse. Let's keep it in

1273
01:03:43,960 --> 01:03:46,280
Speaker 2: your wheelhouse. You're thirty years old. You want to do sixty?

1274
01:03:46,600 --> 01:03:50,520
Speaker 2: Say thirty? Keep keep a natural register? Okay, uh, thirty

1275
01:03:50,560 --> 01:03:52,760
Speaker 2: because we heard we heard kind of gandolf, so we

1276
01:03:52,800 --> 01:03:54,440
Speaker 2: heard like a little older, which is nice.

1277
01:03:55,440 --> 01:03:59,600
Speaker 1: And do you do do you do accents?

1278
01:04:00,360 --> 01:04:01,439
Speaker 7: Yes? Yes I do?

1279
01:04:01,800 --> 01:04:04,600
Speaker 2: What's your favorite one? You prefer British, Scottish?

1280
01:04:04,680 --> 01:04:05,000
Speaker 8: German?

1281
01:04:10,400 --> 01:04:11,000
Speaker 4: You do Southern?

1282
01:04:11,080 --> 01:04:11,680
Speaker 6: Is there Southern?

1283
01:04:11,680 --> 01:04:11,960
Speaker 4: On there?

1284
01:04:12,640 --> 01:04:15,120
Speaker 2: No? No, but we can again. We want to get

1285
01:04:15,120 --> 01:04:16,240
Speaker 2: Paul the best opportunity.

1286
01:04:16,240 --> 01:04:21,800
Speaker 7: We'll let you create your character. Let's go with Southern.

1287
01:04:22,000 --> 01:04:27,160
Speaker 2: Sure, Southern. Okay, you are a big Southern racehorse who

1288
01:04:27,200 --> 01:04:31,000
Speaker 2: is between thirty and sixty years old. Your choice, and

1289
01:04:31,040 --> 01:04:34,360
Speaker 2: now here you go, Paul, if you would please a

1290
01:04:34,440 --> 01:04:37,680
Speaker 2: number between one and five, have fun with it.

1291
01:04:39,720 --> 01:04:41,080
Speaker 7: Let's go with five.

1292
01:04:42,400 --> 01:04:43,040
Speaker 4: Okay.

1293
01:04:44,040 --> 01:04:45,120
Speaker 7: I don't like that reaction.

1294
01:04:48,680 --> 01:04:50,280
Speaker 2: We will write it up in the chat for you.

1295
01:04:50,320 --> 01:04:54,080
Speaker 2: But your tongue, twister is I wish to wash my

1296
01:04:54,280 --> 01:05:03,800
Speaker 2: Irish wristwatch. Okay, and so as a Southern big race horse.

1297
01:05:04,880 --> 01:05:09,520
Speaker 2: All right, all right, ready, mm hmmm, at your pleasure.

1298
01:05:12,520 --> 01:05:15,040
Speaker 9: I wish to wash myris wistwatch.

1299
01:05:15,720 --> 01:05:18,120
Speaker 7: Wish to wash my wrist watch.

1300
01:05:23,520 --> 01:05:25,360
Speaker 2: Thank you so much, Paul. We're not even gonna do

1301
01:05:25,400 --> 01:05:27,600
Speaker 2: notes this round. Everybody's gonna get a couple of times.

1302
01:05:27,680 --> 01:05:29,200
Speaker 2: Appreciate that. We'll be right back with you.

1303
01:05:29,760 --> 01:05:30,200
Speaker 13: Thank you.

1304
01:05:32,840 --> 01:05:35,360
Speaker 2: That was pretty good. That was pretty good.

1305
01:05:35,800 --> 01:05:37,800
Speaker 1: He's yeah, he's got spirit.

1306
01:05:38,880 --> 01:05:39,200
Speaker 7: All right.

1307
01:05:39,280 --> 01:05:42,000
Speaker 2: Let's just go right into he did have fun with that.

1308
01:05:42,080 --> 01:05:50,400
Speaker 2: Let's go right into Haley. Yeah, Hey, Haley, are you

1309
01:05:50,480 --> 01:05:52,000
Speaker 2: did you actually say hello? Are you muted?

1310
01:05:52,320 --> 01:05:55,680
Speaker 9: I did? Actually my microphone just has a I guess.

1311
01:05:55,760 --> 01:05:59,320
Speaker 2: Okay, So we're we're playing the honesty game today. Okay.

1312
01:05:59,520 --> 01:06:00,400
Speaker 9: That's always a good game.

1313
01:06:00,600 --> 01:06:01,600
Speaker 2: It's a good game to play.

1314
01:06:03,000 --> 01:06:04,280
Speaker 4: Everybody win everybody.

1315
01:06:04,320 --> 01:06:10,160
Speaker 2: Yeah, we wish this particularly. I wish your fellow contestant.

1316
01:06:10,440 --> 01:06:12,680
Speaker 2: You and your fellow contestant are both phenomenal. You really

1317
01:06:12,720 --> 01:06:17,160
Speaker 2: are this week. He has an amazing voice. You have

1318
01:06:17,240 --> 01:06:20,680
Speaker 2: an incredible voice. The spirit, it's everything for both of you,

1319
01:06:20,800 --> 01:06:22,160
Speaker 2: is really good. We want to make sure you both

1320
01:06:22,200 --> 01:06:24,800
Speaker 2: have an opportunity. So for the first time ever, we

1321
01:06:24,880 --> 01:06:27,720
Speaker 2: have gone to what Christy has invented before we've started

1322
01:06:27,720 --> 01:06:31,280
Speaker 2: this game and we've never used before, which is the

1323
01:06:31,400 --> 01:06:37,520
Speaker 2: tongue twister tiebreaker challenge. Oh no, yes, So we are

1324
01:06:37,880 --> 01:06:41,200
Speaker 2: going to essentially let We're gonna help, but we're going

1325
01:06:41,240 --> 01:06:43,360
Speaker 2: to essentially let you kind of pick your character with

1326
01:06:43,440 --> 01:06:48,400
Speaker 2: some parameters, okay, and then we are going to have

1327
01:06:48,480 --> 01:06:50,520
Speaker 2: you pick a number between one and five, which will

1328
01:06:50,520 --> 01:06:54,360
Speaker 2: then give you your tongue twister and you can say it

1329
01:06:54,440 --> 01:06:56,160
Speaker 2: then a couple times, and then we're going to make

1330
01:06:56,200 --> 01:07:01,720
Speaker 2: our decision. Okay, Okay, So, uh, is there a size

1331
01:07:01,880 --> 01:07:03,920
Speaker 2: kind of creature that you would want to do?

1332
01:07:05,400 --> 01:07:09,600
Speaker 10: I mean, I feel like I haven't really lent into

1333
01:07:12,240 --> 01:07:14,720
Speaker 10: I haven't really lent into any of the like sizes,

1334
01:07:14,840 --> 01:07:18,240
Speaker 10: particularly if I'm honest this past. Okay, So either one

1335
01:07:18,240 --> 01:07:21,040
Speaker 10: of the extremes, either either something really big or really small.

1336
01:07:21,120 --> 01:07:22,280
Speaker 10: Probably either one.

1337
01:07:22,560 --> 01:07:25,920
Speaker 2: Let's do really big, you know, let's see, let's try that.

1338
01:07:26,080 --> 01:07:30,760
Speaker 2: And then is there a specific type of creature you

1339
01:07:30,800 --> 01:07:35,840
Speaker 2: would like to be Let's do for instance, I'm just

1340
01:07:35,880 --> 01:07:37,240
Speaker 2: gonna I'm gonna flat out tell you some of the

1341
01:07:37,280 --> 01:07:40,240
Speaker 2: other ones that haven't been picked. Nobody. Nobody picked teddy Bear,

1342
01:07:40,920 --> 01:07:46,560
Speaker 2: nobody picked merr person. Okay, we've done there, a bug,

1343
01:07:46,880 --> 01:07:49,600
Speaker 2: a flower, a fish, an alien. We've done with you.

1344
01:07:50,120 --> 01:07:51,240
Speaker 2: But is there one that we've done?

1345
01:07:51,240 --> 01:07:51,720
Speaker 9: A robot?

1346
01:07:51,880 --> 01:07:53,040
Speaker 10: Have we done the robot yet?

1347
01:07:54,040 --> 01:07:55,600
Speaker 2: I don't think you did the robot? Would you like

1348
01:07:55,600 --> 01:07:56,560
Speaker 2: to be sure?

1349
01:07:56,600 --> 01:07:58,240
Speaker 10: Let's go if we're doing tongue twister, I'm just trying

1350
01:07:58,240 --> 01:08:01,040
Speaker 10: to kick myself out and do something that might that's fair.

1351
01:08:01,240 --> 01:08:07,200
Speaker 2: You're a big lit robot. How about an age? Uh,

1352
01:08:07,280 --> 01:08:08,720
Speaker 2: you know what, No, I'm going to pick an age

1353
01:08:08,720 --> 01:08:11,320
Speaker 2: for you. You seem to have been doing a lot

1354
01:08:11,320 --> 01:08:14,240
Speaker 2: of the younger ages. Let's go older. Okay, so let's

1355
01:08:14,280 --> 01:08:19,000
Speaker 2: go between you know, sixty and ancient. Ohkury sounds good.

1356
01:08:19,520 --> 01:08:22,200
Speaker 2: And now how about an attribute? Is there something that

1357
01:08:22,240 --> 01:08:24,640
Speaker 2: you have not showcased yet that you'd like to a

1358
01:08:24,640 --> 01:08:27,840
Speaker 2: different dialect or something else you'd like to do, something

1359
01:08:27,880 --> 01:08:28,840
Speaker 2: that's in your real house.

1360
01:08:29,160 --> 01:08:30,160
Speaker 1: Let's see.

1361
01:08:32,439 --> 01:08:36,000
Speaker 10: But like a I haven't done I mean, I feel

1362
01:08:36,000 --> 01:08:38,040
Speaker 10: like I've only just done accents, so I should maybe

1363
01:08:38,040 --> 01:08:39,920
Speaker 10: do one of the other ones if to.

1364
01:08:39,920 --> 01:08:45,800
Speaker 2: Be fair, right, good call. So let's see something like hypothermic.

1365
01:08:46,920 --> 01:08:49,960
Speaker 1: You just the lottery, just lost the love of your life.

1366
01:08:50,160 --> 01:08:55,320
Speaker 10: Oh, that's kind of funny. Let's do a sad robot. Okay, perfect,

1367
01:08:55,479 --> 01:09:02,800
Speaker 10: Let's do a big saddle rod. That's a great battle before.

1368
01:09:01,880 --> 01:09:05,160
Speaker 2: You're a big saddle robot. Who's between sixty and ancient?

1369
01:09:06,000 --> 01:09:08,920
Speaker 2: And now to pick your own fate, Haley, a number

1370
01:09:08,960 --> 01:09:09,920
Speaker 2: between one and five.

1371
01:09:10,360 --> 01:09:12,640
Speaker 10: I think, considering I have so many tattoos of the

1372
01:09:12,720 --> 01:09:14,720
Speaker 10: number three, I think it would be wrong with me

1373
01:09:14,760 --> 01:09:15,599
Speaker 10: to not choose three.

1374
01:09:15,920 --> 01:09:17,840
Speaker 2: Three is fine. We will write it up in the chat.

1375
01:09:17,880 --> 01:09:19,840
Speaker 2: But it is a very classic How much Wood would

1376
01:09:19,840 --> 01:09:21,479
Speaker 2: would chuck chuck? If it would chuck? Could chuck?

1377
01:09:21,520 --> 01:09:21,800
Speaker 4: Would?

1378
01:09:21,920 --> 01:09:22,120
Speaker 2: Oh?

1379
01:09:22,400 --> 01:09:23,080
Speaker 1: Classy?

1380
01:09:23,960 --> 01:09:26,719
Speaker 11: Yeah, a big robot?

1381
01:09:27,800 --> 01:09:30,400
Speaker 1: Are you ready as as I'll everbee?

1382
01:09:30,560 --> 01:09:32,360
Speaker 2: All right, Haley, We're just we're gonna stay silent if

1383
01:09:32,360 --> 01:09:34,040
Speaker 2: you want to do it a couple times in a row.

1384
01:09:34,000 --> 01:09:36,160
Speaker 1: Just straight through, no notes.

1385
01:09:36,160 --> 01:09:38,559
Speaker 2: We're not going to give anybody any notes, and we

1386
01:09:38,600 --> 01:09:40,479
Speaker 2: will go from there, so at your pleasure.

1387
01:09:42,880 --> 01:09:45,479
Speaker 9: Oh much, would would I would chock chock?

1388
01:09:45,640 --> 01:09:46,880
Speaker 1: If I would chock?

1389
01:09:47,560 --> 01:09:47,600
Speaker 4: What?

1390
01:09:48,640 --> 01:09:48,880
Speaker 9: Sure?

1391
01:09:49,880 --> 01:09:49,920
Speaker 6: What?

1392
01:09:50,800 --> 01:09:52,840
Speaker 3: H m hm hm hm.

1393
01:09:56,800 --> 01:09:59,240
Speaker 9: Oh much Wood would would chock chock?

1394
01:10:00,040 --> 01:10:00,120
Speaker 2: What?

1395
01:10:00,840 --> 01:10:01,120
Speaker 9: Shock?

1396
01:10:02,200 --> 01:10:02,439
Speaker 4: Shock?

1397
01:10:06,160 --> 01:10:08,880
Speaker 2: Thank you very much, Thank you all right, we'll be

1398
01:10:08,920 --> 01:10:09,479
Speaker 2: right back with you.

1399
01:10:10,960 --> 01:10:16,320
Speaker 4: I mean, Brock, Well, the adjudicator does believe there's a

1400
01:10:16,360 --> 01:10:20,280
Speaker 4: clear there's a clear winner here. I thought Paul did

1401
01:10:20,280 --> 01:10:24,479
Speaker 4: an amazing job throughout. We obviously all had kind of

1402
01:10:24,640 --> 01:10:26,960
Speaker 4: the same concerns and things that we were hoping we

1403
01:10:27,280 --> 01:10:33,880
Speaker 4: could hear that fluidity, that connectiveness, and Paul can act.

1404
01:10:34,200 --> 01:10:36,400
Speaker 4: And I think it just really highlights that the instruments

1405
01:10:36,439 --> 01:10:38,519
Speaker 4: not enough on its own. But to me, the clear

1406
01:10:38,520 --> 01:10:42,519
Speaker 4: winner is Haley. You have the range, you had.

1407
01:10:42,720 --> 01:10:46,080
Speaker 6: Surprising choices, risk taking, direct ability.

1408
01:10:45,720 --> 01:10:48,040
Speaker 4: And kind of everything I'm looking for when I'm working

1409
01:10:48,080 --> 01:10:49,880
Speaker 4: with another actor and the kind of actor I always

1410
01:10:49,880 --> 01:10:50,559
Speaker 4: try to want to be.

1411
01:10:52,439 --> 01:10:53,800
Speaker 6: Really Brock.

1412
01:10:53,880 --> 01:10:54,759
Speaker 1: You have the instrument.

1413
01:10:54,960 --> 01:10:57,160
Speaker 3: You know, Brock has the instrument when it comes to

1414
01:10:57,200 --> 01:10:59,960
Speaker 3: Brock for those of you listening at home, he can

1415
01:11:00,080 --> 01:11:03,280
Speaker 3: and be all the characters and that you've never even

1416
01:11:03,320 --> 01:11:06,759
Speaker 3: thought of. And so if somebody who has an instrument

1417
01:11:07,040 --> 01:11:10,680
Speaker 3: knows that directability is so much, so important, then I'm

1418
01:11:10,720 --> 01:11:13,000
Speaker 3: going to defer to to Haley being the winner.

1419
01:11:13,600 --> 01:11:17,560
Speaker 2: I don't disagree. I think I think Paul is phenomenal.

1420
01:11:17,600 --> 01:11:20,760
Speaker 2: He's got a great voice. I think uh he will work.

1421
01:11:20,880 --> 01:11:22,720
Speaker 2: I think he's he's got to work a little bit

1422
01:11:22,760 --> 01:11:25,560
Speaker 2: on that. But she could, she could get into a

1423
01:11:25,560 --> 01:11:29,400
Speaker 2: booth today, and that's and that's the thing. Yeah, Yeah,

1424
01:11:29,400 --> 01:11:31,160
Speaker 2: she could step into a booth today. She really could.

1425
01:11:31,160 --> 01:11:34,120
Speaker 2: So I I I'm glad we did the tiebreaker challenge.

1426
01:11:34,560 --> 01:11:36,559
Speaker 2: I think it was necessary. I wanted to give Paul

1427
01:11:36,560 --> 01:11:38,439
Speaker 2: as much of an opportunity as possible because you can't

1428
01:11:38,479 --> 01:11:42,400
Speaker 2: teach that voice. I mean you can't, and hopefully for him, right.

1429
01:11:44,120 --> 01:11:45,599
Speaker 4: A full fair shot he did.

1430
01:11:46,800 --> 01:11:49,040
Speaker 2: So we're all in agreement. Then let's let's bring in Paul,

1431
01:11:49,080 --> 01:11:52,360
Speaker 2: unfortunately and give him the bad news. Not it?

1432
01:11:52,560 --> 01:11:53,240
Speaker 1: Not it?

1433
01:11:55,880 --> 01:12:00,479
Speaker 2: Hey, Paul, how are you good? So, first of all,

1434
01:12:00,520 --> 01:12:04,240
Speaker 2: congratulations I'm making the top sixteen and for making the

1435
01:12:04,240 --> 01:12:08,680
Speaker 2: first ever tiebreaker challenge. This was really really hard for us.

1436
01:12:08,800 --> 01:12:12,160
Speaker 2: It really was, still is it still is. We are

1437
01:12:12,240 --> 01:12:14,160
Speaker 2: on the fence about this one for a lot of reasons.

1438
01:12:14,240 --> 01:12:19,720
Speaker 2: Your voice is just phenomenal. We really love it. Unfortunately,

1439
01:12:19,760 --> 01:12:20,920
Speaker 2: this is as far as you're going to go in

1440
01:12:21,000 --> 01:12:25,720
Speaker 2: the contest. But man, please don't stop, because you know

1441
01:12:26,360 --> 01:12:29,400
Speaker 2: somebody's going to hear this, some agent somewhere, somebody's going

1442
01:12:29,439 --> 01:12:32,960
Speaker 2: to hear this and say I have to sign that voice.

1443
01:12:34,080 --> 01:12:36,200
Speaker 2: This is why we needed the tiebreaker challenge. We've been

1444
01:12:36,200 --> 01:12:39,439
Speaker 2: going back and forth, back and forth. Your voice is

1445
01:12:39,520 --> 01:12:45,040
Speaker 2: just so good, you can act, and it's we think

1446
01:12:45,040 --> 01:12:47,600
Speaker 2: this guy's the limit. We really do. It's just I

1447
01:12:47,600 --> 01:12:49,800
Speaker 2: don't even know what else to say. This has been

1448
01:12:49,800 --> 01:12:51,840
Speaker 2: so tough on us because from the second you came

1449
01:12:51,840 --> 01:12:53,960
Speaker 2: on and said Hi, I'm Paul, we were like, oh, man, like,

1450
01:12:54,600 --> 01:12:58,760
Speaker 2: it's just great. So yeah, rock you have anything you

1451
01:12:58,760 --> 01:12:59,800
Speaker 2: want to say?

1452
01:13:00,560 --> 01:13:02,360
Speaker 6: Yeah, all good things.

1453
01:13:02,880 --> 01:13:07,400
Speaker 4: Your voice puts you into competition and similar tones with

1454
01:13:07,560 --> 01:13:10,000
Speaker 4: David k and Chris Parnell.

1455
01:13:09,760 --> 01:13:11,799
Speaker 2: And Travis and Travis William.

1456
01:13:11,880 --> 01:13:14,200
Speaker 4: Travis, that's what answered Travis William.

1457
01:13:14,080 --> 01:13:16,400
Speaker 2: Your gand off. The second you started gandoff, I was like,

1458
01:13:16,400 --> 01:13:20,960
Speaker 2: that's Travis. It sounds like Travis. So yeah, it was great.

1459
01:13:21,680 --> 01:13:23,160
Speaker 4: So we just want to get We just want to

1460
01:13:23,240 --> 01:13:26,080
Speaker 4: encourage you to continue again. One of the piece of

1461
01:13:26,080 --> 01:13:28,479
Speaker 4: advice I always give that was given to me is

1462
01:13:28,520 --> 01:13:31,120
Speaker 4: don't let anyone tell you now and be so be

1463
01:13:31,280 --> 01:13:35,280
Speaker 4: so good they can't deny you you are great. Micro

1464
01:13:35,400 --> 01:13:39,519
Speaker 4: adjustments might be some of the connectedness and texts. Some

1465
01:13:39,720 --> 01:13:42,960
Speaker 4: improv would maybe be really helpful because improv helps you

1466
01:13:43,520 --> 01:13:45,920
Speaker 4: with those backgrounds of being able to Okay, great, I'm

1467
01:13:45,960 --> 01:13:50,680
Speaker 4: a ham Sandwich and I'm saying you you have the instincts.

1468
01:13:50,760 --> 01:13:53,479
Speaker 4: I just want to hear you begin to trust them

1469
01:13:53,479 --> 01:13:55,840
Speaker 4: even more. So I wish you all the best of luck,

1470
01:13:56,400 --> 01:13:58,160
Speaker 4: and I know I'm going to hear you again something

1471
01:13:59,320 --> 01:13:59,840
Speaker 4: well then.

1472
01:13:59,760 --> 01:14:03,000
Speaker 3: Chris, I I am sad, you know, I just I

1473
01:14:03,080 --> 01:14:06,920
Speaker 3: believe in your talent. And you know this is hard

1474
01:14:06,960 --> 01:14:09,280
Speaker 3: for us. You know, we're we're new to this. We're

1475
01:14:09,360 --> 01:14:11,920
Speaker 3: usually the ones that are in your position, Paul, and

1476
01:14:11,960 --> 01:14:15,519
Speaker 3: so you know we love you and we want you

1477
01:14:15,560 --> 01:14:18,400
Speaker 3: to continue to you know, keep going because you know

1478
01:14:18,560 --> 01:14:22,240
Speaker 3: we're hoping actually, and we're telling people that are listening

1479
01:14:22,280 --> 01:14:25,080
Speaker 3: to this episode, like if you are an agent or manager,

1480
01:14:25,200 --> 01:14:26,160
Speaker 3: you have to rep him.

1481
01:14:26,200 --> 01:14:27,240
Speaker 1: He is ready to go.

1482
01:14:28,439 --> 01:14:31,000
Speaker 3: And yeah, we we really support you and love you,

1483
01:14:31,040 --> 01:14:32,599
Speaker 3: and we we we hope.

1484
01:14:32,360 --> 01:14:33,040
Speaker 1: The best for you.

1485
01:14:33,800 --> 01:14:36,120
Speaker 7: Thank you all very much. This has just been a

1486
01:14:37,160 --> 01:14:39,120
Speaker 7: fantastic opportunity. Thank you all.

1487
01:14:39,360 --> 01:14:42,080
Speaker 2: Well, it won't be your last, that is absolutely for certain,

1488
01:14:42,160 --> 01:14:43,960
Speaker 2: and we will be working together sometime in the future.

1489
01:14:43,960 --> 01:14:45,759
Speaker 2: All I guarantee you'll see all of us look forward

1490
01:14:45,800 --> 01:14:47,639
Speaker 2: to it. So thank you so much for joining us.

1491
01:14:47,560 --> 01:14:49,640
Speaker 6: Paul, thank you.

1492
01:14:49,960 --> 01:14:55,960
Speaker 2: Oh I hate that so much. The yeah, let's bring

1493
01:14:56,000 --> 01:14:59,280
Speaker 2: in Haley and make her feel bad too. Oh no,

1494
01:14:59,400 --> 01:15:03,040
Speaker 2: it's fun parts fun. Yeah, I just don't want to

1495
01:15:03,040 --> 01:15:08,360
Speaker 2: tell her that. Oh hey, hi, Hi, Hi, it's this

1496
01:15:08,400 --> 01:15:10,200
Speaker 2: has been such a tough episode for us. I mean

1497
01:15:10,280 --> 01:15:12,519
Speaker 2: really has just been the toughest episode for us. So

1498
01:15:13,080 --> 01:15:15,400
Speaker 2: we've been going back and forth and we came to

1499
01:15:15,479 --> 01:15:19,760
Speaker 2: the tiebreaker challenge and your fellow contestant, his voice was

1500
01:15:20,040 --> 01:15:22,400
Speaker 2: just so phenomenal. I mean, it's like you heard it. It

1501
01:15:22,479 --> 01:15:25,960
Speaker 2: was like butter yeah, but you're going to be moving

1502
01:15:26,000 --> 01:15:30,479
Speaker 2: on to the next round. Yeah, yeah. Seriously, he was

1503
01:15:30,600 --> 01:15:33,800
Speaker 2: great and it was very very tough take out, but

1504
01:15:33,920 --> 01:15:34,280
Speaker 2: you did.

1505
01:15:35,040 --> 01:15:36,040
Speaker 1: He does the fake out.

1506
01:15:38,040 --> 01:15:41,320
Speaker 2: I know, I get a little bit of joy well after,

1507
01:15:41,600 --> 01:15:44,920
Speaker 2: you know, again talking to him, and it hurts so much, so.

1508
01:15:45,400 --> 01:15:46,200
Speaker 9: I can imagine it.

1509
01:15:46,360 --> 01:15:48,840
Speaker 3: Really, we're going to be an Austin Comic con, so

1510
01:15:48,880 --> 01:15:50,519
Speaker 3: you can you can kick him in the shin.

1511
01:15:51,120 --> 01:15:52,479
Speaker 1: You can come and kick him in the shin.

1512
01:15:52,600 --> 01:15:56,120
Speaker 4: Okay, you guys send me a video from Austin.

1513
01:15:58,280 --> 01:15:59,960
Speaker 6: We'll send a little Carboro cutout.

1514
01:16:00,080 --> 01:16:00,880
Speaker 2: Good wait is it?

1515
01:16:00,920 --> 01:16:02,479
Speaker 1: I feel like I need to go get tickets right now.

1516
01:16:02,520 --> 01:16:05,320
Speaker 2: I have no idea we find well find out. My

1517
01:16:05,520 --> 01:16:09,800
Speaker 2: congratulations you certainly deserved it was that a Is that

1518
01:16:09,840 --> 01:16:13,000
Speaker 2: a D twenty on your chair?

1519
01:16:13,200 --> 01:16:15,559
Speaker 9: I make, I make dice. This is my like maker.

1520
01:16:15,920 --> 01:16:18,559
Speaker 2: And there you go, yeah, there you go. Nice. Yeah,

1521
01:16:18,640 --> 01:16:22,880
Speaker 2: So that's congratulations. You're moving on to the next round.

1522
01:16:23,760 --> 01:16:28,880
Speaker 2: So you are in the Elite eight trademark and we

1523
01:16:28,960 --> 01:16:31,599
Speaker 2: will see you next episode. This was really a tough

1524
01:16:31,600 --> 01:16:33,519
Speaker 2: one for us. This was really really a tough one

1525
01:16:33,520 --> 01:16:33,840
Speaker 2: for us.

1526
01:16:34,080 --> 01:16:34,400
Speaker 14: Thank you.

1527
01:16:34,400 --> 01:16:37,240
Speaker 2: So you certainly earned it. But the competition is getting

1528
01:16:37,520 --> 01:16:41,680
Speaker 2: very very steep. So congratulations and prepare yourself for.

1529
01:16:41,640 --> 01:16:43,120
Speaker 4: The next round. We'll do.

1530
01:16:43,280 --> 01:16:46,679
Speaker 2: Thank you, all right, Thank you, Haley, Bye bye?

1531
01:16:48,240 --> 01:16:48,880
Speaker 1: Do I leave?

1532
01:16:49,280 --> 01:16:49,519
Speaker 4: Yeah?

1533
01:16:49,680 --> 01:16:50,120
Speaker 7: I leave?

1534
01:16:52,840 --> 01:16:57,160
Speaker 1: Is so crazy?

1535
01:16:57,840 --> 01:16:59,799
Speaker 2: Wow, that was fun. Well, it's nice to make somebody's

1536
01:16:59,840 --> 01:17:01,800
Speaker 2: day and I hate doing that, especially some of like Paul.

1537
01:17:01,840 --> 01:17:02,840
Speaker 10: It is just so good.

1538
01:17:03,920 --> 01:17:05,000
Speaker 2: Oh that one hurt.

1539
01:17:06,400 --> 01:17:08,080
Speaker 4: You know. Rejection is part of it, and I think

1540
01:17:08,120 --> 01:17:10,599
Speaker 4: it only just helps iron sharp AND's iron I think

1541
01:17:10,640 --> 01:17:13,840
Speaker 4: every no is just honestly is just redirection to the

1542
01:17:13,880 --> 01:17:16,439
Speaker 4: next Yes, So I think that's a great way.

1543
01:17:16,479 --> 01:17:17,439
Speaker 1: I mean, it is a business.

1544
01:17:17,479 --> 01:17:20,519
Speaker 3: This business is not an easy business, and the rejection

1545
01:17:20,680 --> 01:17:22,320
Speaker 3: has to be something that you can stomach.

1546
01:17:22,400 --> 01:17:23,599
Speaker 1: And honestly, you're right.

1547
01:17:23,640 --> 01:17:25,559
Speaker 3: I think like if that's if that's going to deter

1548
01:17:25,640 --> 01:17:28,040
Speaker 3: any one of these any one of these amazing contestants

1549
01:17:28,040 --> 01:17:31,120
Speaker 3: that we have, then then then you know this is not.

1550
01:17:31,360 --> 01:17:33,600
Speaker 1: Necessarily the and I don't think it will want to

1551
01:17:33,600 --> 01:17:34,360
Speaker 1: dedicate themselves to.

1552
01:17:34,439 --> 01:17:36,120
Speaker 2: I don't think it will deter Paul. I think he's

1553
01:17:36,120 --> 01:17:36,640
Speaker 2: going to use it.

1554
01:17:36,680 --> 01:17:38,960
Speaker 3: I don't think so either to couple people that I

1555
01:17:39,000 --> 01:17:40,400
Speaker 3: feel like might actually hang it up.

1556
01:17:40,439 --> 01:17:41,240
Speaker 1: But he's not one.

1557
01:17:41,640 --> 01:17:43,160
Speaker 2: He's gonna he's gonna go Brock.

1558
01:17:43,400 --> 01:17:44,320
Speaker 1: Thank you so much.

1559
01:17:44,360 --> 01:17:48,360
Speaker 3: You were a fantastic, fantastic adjudicator.

1560
01:17:50,240 --> 01:17:51,880
Speaker 2: We really appreciate it both so much.

1561
01:17:52,439 --> 01:17:55,040
Speaker 4: This is just such a joy, and obviously you know

1562
01:17:55,040 --> 01:17:58,360
Speaker 4: we all love this so much. It's just this was

1563
01:17:58,439 --> 01:18:00,680
Speaker 4: just such a blast. So they thank you, thank you

1564
01:18:00,720 --> 01:18:01,439
Speaker 4: both so much.

1565
01:18:01,880 --> 01:18:03,960
Speaker 2: Of course, we are so happy to have you. Thank

1566
01:18:04,000 --> 01:18:05,479
Speaker 2: you for joining us, and hopefully we'll be able to

1567
01:18:05,479 --> 01:18:06,160
Speaker 2: see you again soon.

1568
01:18:06,880 --> 01:18:09,839
Speaker 4: Okay, I'll see all soon, Bye bye.

1569
01:18:10,120 --> 01:18:12,599
Speaker 2: Well, thank you everybody once again for joining us. Christy

1570
01:18:12,600 --> 01:18:14,360
Speaker 2: had to hop off because you know, she's super important

1571
01:18:14,360 --> 01:18:16,479
Speaker 2: and does a lot of super cool things. But I

1572
01:18:16,520 --> 01:18:19,000
Speaker 2: am wrapping up what turned out to be just such

1573
01:18:19,000 --> 01:18:22,880
Speaker 2: a difficult episode of the contest, the Super Awesome Contest

1574
01:18:23,120 --> 01:18:25,919
Speaker 2: to become the next Big Voice Actor is emotionally draining

1575
01:18:26,840 --> 01:18:29,000
Speaker 2: because man Paul was so good and we had to

1576
01:18:29,000 --> 01:18:30,960
Speaker 2: say goodbye to him. So the competition is getting a

1577
01:18:30,960 --> 01:18:34,280
Speaker 2: lot stiffer and a lot more difficult. But Haley is

1578
01:18:34,320 --> 01:18:37,519
Speaker 2: moving on and rightfully so, and the Elite eight. I

1579
01:18:37,520 --> 01:18:39,000
Speaker 2: think we all have one week left and then the

1580
01:18:39,040 --> 01:18:43,240
Speaker 2: Elite Eight is finished, so we are definitely getting there.

1581
01:18:43,280 --> 01:18:45,400
Speaker 2: Once again. Thank you to everybody who has helped made

1582
01:18:45,439 --> 01:18:48,160
Speaker 2: this happen, including all of our friends over there at

1583
01:18:48,160 --> 01:18:54,080
Speaker 2: Prime Video Critical Role CESD. iHeart everybody who has just

1584
01:18:54,280 --> 01:18:56,479
Speaker 2: stepped up and said, hey, go do your contest and

1585
01:18:56,520 --> 01:18:58,640
Speaker 2: find the next awesome voice actor, and that's what we

1586
01:18:58,680 --> 01:19:00,920
Speaker 2: are doing. So thank you all again for joining us.

1587
01:19:01,200 --> 01:19:02,680
Speaker 2: We will do this one more time next week, and

1588
01:19:02,680 --> 01:19:04,600
Speaker 2: then we're moving on to a brand new game with

1589
01:19:04,680 --> 01:19:06,920
Speaker 2: all these same contestants that have made it to the

1590
01:19:06,960 --> 01:19:09,200
Speaker 2: next round. The games are going to get more difficult,

1591
01:19:09,400 --> 01:19:11,760
Speaker 2: the contest is going to get tighter. It is just

1592
01:19:11,880 --> 01:19:14,519
Speaker 2: getting crazy and crazy and crazy. So I'm so excited

1593
01:19:14,560 --> 01:19:16,320
Speaker 2: you're all here on this journey with us. Thank you

1594
01:19:16,400 --> 01:19:18,040
Speaker 2: again so much, Christy. I love you. I hope you're

1595
01:19:18,040 --> 01:19:20,599
Speaker 2: out there having fun and I will see you all

1596
01:19:21,000 --> 01:19:23,160
Speaker 2: next week, or at least you know, hear you all

1597
01:19:23,200 --> 01:19:24,840
Speaker 2: next week, or you'll hear me. I don't know now,

1598
01:19:24,880 --> 01:19:27,600
Speaker 2: I'm just rambling. I have the flu anyway. As I

1599
01:19:27,640 --> 01:19:29,080
Speaker 2: always like to say, if you think you have what

1600
01:19:29,120 --> 01:19:31,000
Speaker 2: it takes to step up to the microphone, then put

1601
01:19:31,000 --> 01:19:33,280
Speaker 2: your voices where your mouth is. Thanks everybody. I Hear

1602
01:19:33,360 --> 01:19:36,360
Speaker 2: Voices is hosted by Wilfredell and Christy Carlson Romano. Executive

1603
01:19:36,360 --> 01:19:39,200
Speaker 2: produced by will Fredell, Brendan Rooney, Amy Sugarman. Our executive

1604
01:19:39,200 --> 01:19:41,600
Speaker 2: in charge of production is Danielle Romo, Our producer is

1605
01:19:41,680 --> 01:19:44,719
Speaker 2: Lorraine Viriuez, and our editor slash engineer is Brian Burton.

1606
01:19:44,960 --> 01:19:47,479
Speaker 2: And that was my announcer voice.

1607
01:19:47,600 --> 01:19:49,640
Speaker 17: Some side effects of listening to I Hear Voices are

1608
01:19:49,680 --> 01:19:52,599
Speaker 17: sore abs from hilarity, falling down the cocoa melon rabbit hole,

1609
01:19:52,720 --> 01:19:54,919
Speaker 17: sneezing due to mass nostalgia, and hugs.

1610
01:19:54,960 --> 01:19:57,080
Speaker 2: Follow I Hear Voices wherever you listen to podcasts, so

1611
01:19:57,120 --> 01:19:59,120
Speaker 2: you don't miss any of the amazing voices, be.

1612
01:19:59,120 --> 01:20:01,200
Speaker 17: Sure to follow us on it Instagram and TikTok At

1613
01:20:01,200 --> 01:20:02,360
Speaker 17: I Hear Voices podcast.

1614
01:20:02,479 --> 01:20:05,600
Speaker 2: You can also check us out on MySpace, omegle Vine, LimeWire,

1615
01:20:05,680 --> 01:20:06,599
Speaker 2: Hey I'm a napster.

1616
01:20:06,720 --> 01:20:08,320
Speaker 17: Okay, well let's teach you about the Internet.

1617
01:20:08,400 --> 01:20:08,439
Speaker 4: The