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Speaker 1: It's the Best Bits of the Week with Morgan Number two.

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Speaker 1: What's Up, y'all? It's the Best Bits of the Week show.

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Speaker 1: I'm Morgan number two, so happy to have y'all hanging

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Speaker 1: out with me, whether it's a weekend or a weekday

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Speaker 1: or whenever you decide to listen to this. In case

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Speaker 1: you are a first time listener, what I do is

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Speaker 1: take the best seven bits from the week based on

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Speaker 1: y'all's engagement from online phone calls, text messages, emails, basically everything.

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Speaker 1: Y'all send in and decide which ones are the best

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Speaker 1: from the week, and I count them down from seven

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Speaker 1: to one. But my favorite part is bringing on another

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Speaker 1: show member and we talk about some of the segments

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Speaker 1: that happened. Plus sometimes we just talk about a lot

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Speaker 1: of random things going on in the world, because why not.

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Speaker 1: And this week I'm bringing on Abby. What's Up? Abby? Hello?

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Speaker 1: Al excided this is your first time by yourself on

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Speaker 1: my podcast. We're totally gonna get to know you and

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Speaker 1: I may make you sing a little too. Oh good? Yeah, Okay,

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Speaker 1: I mean about Britney listeners who don't know. She had

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Speaker 1: tried out American Idol. She came to Nashville to pursue

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Speaker 1: a career as an artist, So why not have her

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Speaker 1: sing a little? Right? I'm right. I think that's that's

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Speaker 1: how this is gonna go. So let's get started, because

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Speaker 1: I know you guys want to hear this. It is

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Speaker 1: prom season, so naturally we had to talk about prom

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Speaker 1: and all of our crazy awkward stories. My story was

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Speaker 1: that I spent my senior prom and a tornado shelter

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Speaker 1: because a tornado touchdown in true Kansas fashion, right, I mean,

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Speaker 1: why not? You and I are both from Kansas, so

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Speaker 1: I can I feel you on that one? You feel

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Speaker 1: me in the tornado pain. But do you have any

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Speaker 1: crazy like proms stories that you remember? Yeah? I do, Actually, okay,

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Speaker 1: let's hear them. Okay, I'll do my most embarrassing one.

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Speaker 1: Oh I love embarrassing stories. Oh yeah. So it was

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Speaker 1: my junior year, okay, and I just went with a

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Speaker 1: guy friend like he wasn't my boyfriend or anything. And

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Speaker 1: when you go into prom, you have to walk downstairs, right, okay,

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Speaker 1: and so everybody's basically at the bottom kind of watching

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Speaker 1: you go downstairs. So it's kind of like a ballroom

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Speaker 1: entrance kind of. Yeah. Yeah, yeah, it's like this grand

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Speaker 1: entrance where everybody's watch like on this Cinderella story where

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Speaker 1: she walks in. Yeah, kind of like that. You hope

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Speaker 1: it is like that, but mine. So I get to

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Speaker 1: the bottom and like the bottom of the stairs, the

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Speaker 1: last five steps kind of turn and so they get thinner,

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Speaker 1: and so right when I got to that step, I

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Speaker 1: missed it and I fell down the rest of the stairs.

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Speaker 1: Did you really your dress or any No? I actually didn't.

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Speaker 1: I mean, that's graceful if you ask me, I know,

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Speaker 1: did anybody like say anything? Do you Did everybody see it? Yeah?

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Speaker 1: Everyone saw it. Yeah. I looked up and literally everybody

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Speaker 1: was looking and I just heard like, oh it was

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Speaker 1: really yeah, but no laughs. It was more of like,

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Speaker 1: oh I feel for her. Yeah no, I mean yeah,

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Speaker 1: there really weren't any laughs. And then my day I

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Speaker 1: don't even remember. I kind of like blacked out because

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Speaker 1: I was like that did not just happen? Like how

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Speaker 1: why did would that happen on my prom? You know?

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Speaker 1: But he just helped me up and it was fine

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Speaker 1: and hey whatever, Yeah I had a strapped his dress

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Speaker 1: on too, so oh and that could situation no luckily,

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Speaker 1: but yeah, that's so good. Why would that. So yeah,

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Speaker 1: there's my Okay, okay, crazy prom. Sure, I mean that's

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Speaker 1: definitely up there. Do you have other ones? So my

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Speaker 1: sophomore year, I got invited by a junior and you

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Speaker 1: know how it's like a big deal. Yeah, when you're

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Speaker 1: a sophomore, you just want to go to prom. Yes,

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Speaker 1: And so this guy he was super shy and he

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Speaker 1: like never talked at all, Like we had never spoken

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Speaker 1: before this, so he asked me to prom out of nowhere,

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Speaker 1: and I was like, oh, okay, like sure, we didn't

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Speaker 1: even know who he is, just kind of an idea

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Speaker 1: because of school, right yeah, I mean he I would

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Speaker 1: just see him around, but I had no idea. We

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Speaker 1: had never talked, and so it was just out of

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Speaker 1: nowhere that he invited me. But some of my other

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Speaker 1: friends that were sophomores got invited to and so it

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Speaker 1: was just like really fun and everything. And I know,

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Speaker 1: like an after prom, I know you said you had

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Speaker 1: a bouncy house, right, yes, that's like what we had

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Speaker 1: to Yeah, And so I just remember like going off

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Speaker 1: with my friends and like an hour later, I'm like, wait,

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Speaker 1: where are our dates? And we like ditched our dates? Well,

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Speaker 1: like we didn't mean to, but like all the girlfriends

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Speaker 1: ended up going to prom together. They got in through

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Speaker 1: a dude and they left, and that's I feel so bad.

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Speaker 1: When I look back at I was like, I would

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Speaker 1: not mean to do that, but I was like, we

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Speaker 1: should probably check on where they are. It isn't a

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Speaker 1: big deal as a freshman or sophomore to get to

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Speaker 1: go to problem because our high school is the same way.

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Speaker 1: You only went if you were a junior or senior.

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Speaker 1: And people had hit me up because I posted like

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Speaker 1: a TikTok of me trying on all my old prom dress.

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Speaker 1: I saw that and while I'm so impressed, you can

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Speaker 1: fit in all them and cute. To be fair, I

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Speaker 1: wasn't breathing half the die I was shooting those videos.

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Speaker 1: But um, but people were hitting me up and I

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Speaker 1: was like, yeah, I mean, I always dated older guys

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Speaker 1: and it was kind of my fault because I would

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Speaker 1: end up with really bad dudes. But I would somehow

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Speaker 1: get to get a prom freshman and sophomore years because

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Speaker 1: I get dating older guys and that's how I always

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Speaker 1: got in. Then junior senior year, I you know, I

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Speaker 1: had the handle on it. It It was my turn. You're like,

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Speaker 1: I got it. Wait you asked no, no, no, I

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Speaker 1: was dating guys like you at least get to go

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Speaker 1: even if you weren't. I think both of them. I

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Speaker 1: was dating like guys in my class at the time.

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Speaker 1: I want to say that. But also I think I

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Speaker 1: ended up going to like six different problems. Did you

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Speaker 1: really owe at different schools? Yeah, yeah, that's that's fun. Well,

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Speaker 1: so like my my boyfriend my freshman year was a senior,

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Speaker 1: and so we went to his prom. But then also

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Speaker 1: I had a guy friend who went to a different school,

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Speaker 1: so I went with him. Like I just had a

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Speaker 1: lot of good guy friends and girlfriends. But I had

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Speaker 1: a lot of good guy friends. So like when prom

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Speaker 1: came around, I was like, yeah, I love to dress up.

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Speaker 1: Like if I could go to a ball every weekend,

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Speaker 1: I would because that's so far in the same way

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Speaker 1: it's like trying on dresses. I loved that I could

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Speaker 1: do it now if there's something different about like not

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Speaker 1: dressing up for like a night on the town, it's

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Speaker 1: like dressing up for an event. It just gives you

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Speaker 1: like this really like sparkly royalty feeling, and you're like,

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Speaker 1: I love that because it's like the bigger and better

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Speaker 1: the dresses, like you try to make it bigger and better,

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Speaker 1: like all of yours had all like sequins and all that,

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Speaker 1: and that's acceptable. You're literally like one upping yourself all

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Speaker 1: the time, is what it is? Right? Yeah? I mean

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Speaker 1: I feel like I could have missed my calling and

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Speaker 1: like royalty or something, because I would have loved to

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Speaker 1: get dressed up all the time. You still can, it's

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Speaker 1: not too late. Yeah. Is there like a royal princes

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Speaker 1: out there that I don't know about? Hello? Are you

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Speaker 1: listening right now? Because Morgan? Well, so, yeah, anybody anybody

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Speaker 1: out there? Um, sophomore, junior, and senior year? You went, yes, yeah,

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Speaker 1: I do get freshman year, not freshman year out and

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Speaker 1: then there wasn't anything too exciting senior year. Really, did

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Speaker 1: you guys have party buses? Because party buses were huge

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Speaker 1: when I was in high school. No, you never want

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Speaker 1: to party bus. No, Oh my gosh, we always took

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Speaker 1: party buses too. Prom and after prom. Serious. Well, so

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Speaker 1: I went to a public school. I mean that's not

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Speaker 1: you know, I didn't go into anything crazy but lake.

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Speaker 1: It was just part of the um, I guess thing

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Speaker 1: passed down from the other classes. And they'd always do

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Speaker 1: party buses. And I had a sister that was two

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Speaker 1: years older, so everything she did, I was like, I

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Speaker 1: want to do that. So when it became time for me,

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Speaker 1: I was like, we're doing party buses. Yeah, And it

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Speaker 1: just kind of became this thing, like we'd even have

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Speaker 1: party buses for our birthdays, Like that's just kind of

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Speaker 1: what you did for little really all of high school

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Speaker 1: for anything. We did like a limo before homecoming one time,

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Speaker 1: but that's like, you know, we did not do that

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Speaker 1: for promis so crazy, and we literally both were in

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Speaker 1: the same city. Yeah, my schools, but right, well, mine

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Speaker 1: was a private school and we were like college prep,

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Speaker 1: so a lot of the kids, they're like, it was

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Speaker 1: all studying. I'm like serious about So it was kind

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Speaker 1: of I mean, we did have the party party ears,

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Speaker 1: but like I think that basically because I did not

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Speaker 1: that way as far as my school, I don't know. Yeah, no,

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Speaker 1: that's fair. Well, and honestly, party buses were kind of

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Speaker 1: taboo in a way because like you're dancing, you know,

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Speaker 1: probably to them, grinding you're not supposed to be doing

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Speaker 1: at that age or whatever, So maybe that was part

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Speaker 1: of it too, But yeah, well, and it's funny too

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Speaker 1: as an adult being in Nashville and senial, like the

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Speaker 1: crazy party busses and I'm like, hey, I used to

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Speaker 1: love those as a kid. I wouldn't do him Now

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Speaker 1: as an adult, I must like somebody gets me really drunk.

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Speaker 1: You wouldn't. I mean it looks so fun. They look fun.

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Speaker 1: Maybe it's the post pandemic me talking, but like, yeah,

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Speaker 1: I feel like it's wrong to do right now. So

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Speaker 1: maybe when like we're back to normal, I'll be like, Okay, yeah,

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Speaker 1: i'd want to go do it. I know. I feel

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Speaker 1: like you would want to do those. I mean, yeah,

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Speaker 1: I do love dancing. Do you like going dancing? Like

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Speaker 1: when this is opening back up, are you ready to

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Speaker 1: go dancing? M yeah, that's like my favorite thing. I

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Speaker 1: used to go all the time, like on Demembrium, like

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Speaker 1: South and all those places. Do you remember South? Okay,

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Speaker 1: I would go to Still there. And I think things

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Speaker 1: are starting with everything, Like I think this weekend, every

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Speaker 1: restriction is lifted in Nashville. I'm crazy it's gonna get

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Speaker 1: It feels weird too, because I'm like, are we doing

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Speaker 1: something wrong? Are we gonna get in trouble for being out?

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Speaker 1: Here and doing things. But I mean I'm excited about that.

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Speaker 1: I am too. What is it one thing you're really

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Speaker 1: excited to do post pandemic? I mean concerts, because I

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Speaker 1: feel like that's all I did, you know. I mean,

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Speaker 1: in you two, we're always going to shows and everything,

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Speaker 1: and it's just weird when I mean we would go

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Speaker 1: on weeknights too, yeah, you know, like music. Yes, And

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Speaker 1: so now I'm just trying to like adjust what do

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Speaker 1: I do. And I've actually gotten really good at just

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Speaker 1: sitting on the couch and like watching you know, like

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Speaker 1: the YouTube live shows they've done. I'm like, oh, I

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Speaker 1: kind of like this, right. Do you feel like I

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Speaker 1: feel like I have significantly added to my age with

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Speaker 1: the pandemic, Like, oh, now I don't want to socialize. Yes,

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Speaker 1: I thought it was just me. I was like, there's

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Speaker 1: something wrong with me, Like I lost my ability to

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Speaker 1: socialize with people, yes, and just talk to them. You know,

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Speaker 1: people will be like, hey, let's go do something. I'm like,

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Speaker 1: I don't think that's allowed yet, even though I well

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Speaker 1: well know that we could do it. I just don't

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Speaker 1: want to. Yeah, I'm still using the pandemic as an excuse.

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Speaker 1: It's technically you know the lights at the end of

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Speaker 1: the tunnel. Yeah, there's not going to be an excuse.

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Speaker 1: What's our next excuse? We don't have one. I literally

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Speaker 1: don't have one. I feel like you're better than me though,

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Speaker 1: when you go to the gym. I'm still scared to

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Speaker 1: even go to the gym, but I'm doing it. We

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Speaker 1: can go together because you and I both boxed together,

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Speaker 1: said we can go. I can get you back to

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Speaker 1: your place. Okay, good. I'm not as good as you,

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Speaker 1: but I'm compared to you. No. Hey, that stress relief

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Speaker 1: of boxing is amazing, so is There's nothing like it.

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Speaker 1: I mean when you like, imagine it's like someone you're

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Speaker 1: mad at. I don't know, have you ever done that? Yes,

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Speaker 1: it's all kinds of like anger that you didn't even

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Speaker 1: realize you had. And I didn't realize how much I

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Speaker 1: needed it until Like sometimes I'll be stuck working or

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Speaker 1: something's going on and I can't get there, and I'm like, no,

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Speaker 1: like I have to go because this is better for

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Speaker 1: my mental health and my productivity. If I go for

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Speaker 1: an hour to myself and just punch a bag, it

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Speaker 1: really is like everything about me has significantly gotten better.

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Speaker 1: Because I make sure that's a priority. See that's good.

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Speaker 1: It's not even I mean the physical benefits are wonderful,

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Speaker 1: Like I feel really in great shape, but like mentally,

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Speaker 1: I'm just in a better place. I feel like every

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Speaker 1: time you leave, that's like that was the best feeling.

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Speaker 1: I'm just like, I feel so accomplished. I got all

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Speaker 1: my anger out. I don't anymore. I just you know,

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Speaker 1: punched a bag. I know. No, that's so true though,

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Speaker 1: it really is. Well, we'll get into some more Nashville recommendations,

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Speaker 1: but first you guys can hear all of our crazy

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Speaker 1: awkward stories from prom, you know, like ten plus years ago,

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Speaker 1: number seven. Here we are again. Prom season. Are they

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Speaker 1: having proms? For the most part? Some places are, but

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Speaker 1: I've heard of some places completely canceling it. Prom going here.

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Speaker 1: Yeah my prom, I had two of them. Did you

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Speaker 1: guys have junior end senior prom? No. We were a

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Speaker 1: small school, so you know, for me, I think we

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Speaker 1: needed both classes to make a full prom. You know,

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Speaker 1: we had fifty five kids in my graduating class, I think,

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Speaker 1: and we were one of the biggest classes at my

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Speaker 1: school in a long time, so junior prom was fine.

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Speaker 1: I went with a girl who went to Jesseville. I

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Speaker 1: think she's just like, yo, oh go, it'd be fun

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Speaker 1: to go. I think she was a tenth grade round

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Speaker 1: eleventh grader, no big deal. Took her home afterward, like

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Speaker 1: to her house. Oh yeah, yeah, I'm taking anybody to

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Speaker 1: my house. And I didn't take her home. Yeah yeah.

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Speaker 1: Good point, good point, good point. I was such a loser.

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Speaker 1: I thought that was just known dropped her off. My

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Speaker 1: senior year, there was a girl at church and I

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Speaker 1: was like, Oh, I'm gonna ask her. She didn't go

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Speaker 1: to my school. She went to Jessville too. Everybody went

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Speaker 1: to Jesseville, and so I was like, I'm gonna ask her.

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Speaker 1: And so we were in the same youth group and

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Speaker 1: Sunday school class for all of my time in Mountain Pine,

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Speaker 1: from like sixth grade all the way to my senior

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Speaker 1: year of high school. And her parents were big parts

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Speaker 1: of the church and I really liked them, and I

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Speaker 1: was like, I'm gonna ask her to go to prom,

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Speaker 1: and so I got I called her and I hated

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Speaker 1: calling girls on the phone. I was not good at it.

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Speaker 1: Nobody really wanted to talk to me. I was like hey,

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Speaker 1: And so I got her on and I kept her

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Speaker 1: on the phone for like an hour. There was nothing

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Speaker 1: to what's up? Its school good? What are you learning?

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Speaker 1: Just drug it out and then finally I was like, well,

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Speaker 1: I guess I'll go and she was like okay. She

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Speaker 1: had no idea why I called her, and I was like, hey,

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Speaker 1: so would you want to go to prom at the

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Speaker 1: very end of the call, and she was like what.

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Speaker 1: I was like, I don't know if you're busy, but

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Speaker 1: we have a prom coming up? Would you want to go?

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Speaker 1: And she was like a guess. And so I wasn't

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Speaker 1: sold that she would. Her heart was in it anyway.

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Speaker 1: I felt like since she was in church with me,

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Speaker 1: she felt like she had to say yes because God'd

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Speaker 1: be mad at her if she didn't. And so she went,

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Speaker 1: and so I was like, all right. I was all

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Speaker 1: nervous for weeks. I was nervous. Got the tucks and

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Speaker 1: I decided to go blank tucks, a white bow tie

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Speaker 1: with a white vest. I like like a total tool,

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Speaker 1: you know, I was total total to one percent. Though

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Speaker 1: now my luck was not good, and so I was

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Speaker 1: so nervous and I was like, okay, so I take

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Speaker 1: her to prom and we gather early. I think we're

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Speaker 1: one of the first one or two couples there. Can

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Speaker 1: you know me? I like to get places on time. Yes,

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Speaker 1: we have to wait in land for pictures. Did the

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Speaker 1: pictures dance? It's fine, eight you know, had a good time.

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Speaker 1: And then when it was over, everybody was like, Hey,

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Speaker 1: we're going over to this guy's house, big, big after

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Speaker 1: prom party. And she was like, oh, that's cool. And

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Speaker 1: I was like, I don't want to fe comfortable going

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Speaker 1: to a party, and she was like okay. So as

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Speaker 1: soon as prom was over, put her on the old

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Speaker 1: subaru over. It was like ten forty five, dropped off, nothing,

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Speaker 1: no smooching, went to bed. That was it. That was

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Speaker 1: the whole It was awkward, from the phone call to

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Speaker 1: get in there early, to take in her home right afterward.

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Speaker 1: Did y'all dance a little bit? But mostly if I danced,

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Speaker 1: I went like dancing my guy friends. I don't know

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Speaker 1: why this whole thing feels weird now talking about it.

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Speaker 1: I was just an awkward guy and so it never

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Speaker 1: it never worked out for me, and then we always

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Speaker 1: we always had prom. We never really talked much after

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Speaker 1: that either, but it was really awkward. I was really

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Speaker 1: hoping that was gonna be my first role you know,

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Speaker 1: remember first role shot. I think we all did what

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Speaker 1: he was doing. Now, well, Darth asked that song. What's doing?

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Speaker 1: I don't know, but it's pretty you're prom I The

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Speaker 1: only really awkward thing I can think of was that

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Speaker 1: I didn't get asked to prom. So, oh, that's that's

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Speaker 1: so you didn't go. No, I asked somebody. I ended

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Speaker 1: up asking my ex boyfriend. We had broken up, but

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Speaker 1: he was a junior and I was a senior. So

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Speaker 1: not only that I took a junior and I was

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Speaker 1: a senior and I had to ask him, and I

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Speaker 1: remember going over to his house because I was so Yeah,

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Speaker 1: I was just embarrassed and self conscious about it. But

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Speaker 1: I mean, given that I had dated him before, I

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Speaker 1: felt okay ish about it. But I remember vividly clear

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Speaker 1: his day going over to his house and having to

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Speaker 1: tell him that I didn't have a date to com

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Speaker 1: and if he wanted to go with me, that'd be awesome,

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Speaker 1: And he did. He went with me. M yeah, did

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Speaker 1: you give it a cutoff to when no one asked?

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Speaker 1: I don't know, because I'm wondering when you finally give

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Speaker 1: up that no one's going to ask. Oh, I did not.

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Speaker 1: All my friends had been asked. Everybody in my grade

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Speaker 1: had a game because I had. Everybody in my group

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Speaker 1: had a date. I don't know. It wasn't some random

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Speaker 1: guy at school. You knew that you'd be like, Hey,

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Speaker 1: why don't we go? This would be fun. Nope, they

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Speaker 1: had dates. I already had a date. And then that

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Speaker 1: was my most recent boyfriend that I had broken up with,

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Speaker 1: was this guy. So I took him and did you

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Speaker 1: have fun? Yeah? We had so much fun, Like he's fun.

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Speaker 1: So it was good. But that was the only the

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Speaker 1: night was great. We had like a lot of like

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Speaker 1: our friends had a big party. Like everything was perfect

353
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Speaker 1: about prom, except for the fact that I didn't get asked.

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Speaker 1: What were you saying? Happened to your niece? Well, she

355
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Speaker 1: just had her prom and she wore her dress. She

356
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Speaker 1: looked beautiful her dress like she I guess she felt

357
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Speaker 1: like she wanted to wear those like inserts, like those

358
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Speaker 1: chicken cutlets like on area, yes, which was not necessary,

359
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Speaker 1: but she did it anyway, and I guess they fell

360
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Speaker 1: out when she was on the dance floor and then

361
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Speaker 1: her friends started throwing them around, and then she the

362
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Speaker 1: next morning she went out into the driveway and they

363
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Speaker 1: were stuck to her windshield. Somebody picked up. She's like, well,

364
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Speaker 1: maybe people won't know that they were mine. And then

365
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Speaker 1: when she went out to her car, they were stuck

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Speaker 1: to the windshield. Were they doing that to me? I

367
00:16:47,280 --> 00:16:49,640
Speaker 1: think that they were just like, oh, Adeline, Chugen, gutlets

368
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Speaker 1: and third on there. No, I don't think it was

369
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Speaker 1: a mean thing, but I don't you never know. I mean, kids,

370
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Speaker 1: she was acting like it was a playful, funny thing,

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Speaker 1: but then you never know. I worry that I wonder

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Speaker 1: if part of hers a little embarrassed, but you know,

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Speaker 1: I mean, I was just pumped that she even got

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Speaker 1: to have a prom because they had to wear masks.

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Speaker 1: Oh that's tough. You take it off for the picture

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00:17:12,160 --> 00:17:14,439
Speaker 1: at least, oh for sure, Okay, but then yeah, they

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Speaker 1: had to mask it up. Wow, I'd have been getting

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Speaker 1: out of there going to a party even I would

379
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Speaker 1: have been again at the party. They went to a

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Speaker 1: party and she said they played water pong, like beer pong,

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Speaker 1: butt with water and she still wears it was water. Well,

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Speaker 1: I didn't go to the party because it wasn't water pot.

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Speaker 1: Most awkward thinking about prom Eddie we'll see. Mine's kind

384
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Speaker 1: of weird. Like. So, I'd gotten in trouble about two

385
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Speaker 1: weeks before Prom. I already had my date and everything,

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Speaker 1: and my parents said, you're not going. I did something

387
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Speaker 1: pretty bad and they're like, you're not going to prom.

388
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Speaker 1: And your parents were shutting you down from prom? Yes,

389
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Speaker 1: what did you do? I threw a party without them

390
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Speaker 1: knowing they and I got busted at my house and

391
00:17:49,720 --> 00:17:51,760
Speaker 1: that shut you down from prom? Yes, And so my

392
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Speaker 1: dad was like, he's not going, and my mom's like,

393
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Speaker 1: please come on. Finally I begged them. They said, yes,

394
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Speaker 1: but you cannot go to Mexico. I was raised seven

395
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Speaker 1: north of Mexico. It was a thing prom night to

396
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Speaker 1: go have dinner like you were twenty one years old

397
00:18:04,640 --> 00:18:07,160
Speaker 1: in Mexico, order all you want, drink all you want,

398
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Speaker 1: and then go to prom. That was just legal there.

399
00:18:09,320 --> 00:18:11,080
Speaker 1: Well yeah, I mean, you can beat twelve years old

400
00:18:11,080 --> 00:18:13,840
Speaker 1: and it's legal there. So they said don't go to

401
00:18:13,880 --> 00:18:17,119
Speaker 1: Mexico Prom night. I get my date. All my friends like,

402
00:18:17,160 --> 00:18:20,040
Speaker 1: we're going to Mexico. So we go to the restaurant

403
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Speaker 1: and I'm big shot. Walking to the restaurant. The first

404
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Speaker 1: two people I see when I walk into the restaurant

405
00:18:24,880 --> 00:18:27,680
Speaker 1: all my dad's best friends, and I'm like, oh, what,

406
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Speaker 1: You've gotta be kidding me. And they look at me

407
00:18:29,920 --> 00:18:33,600
Speaker 1: like what are you doing here? And they were so cool.

408
00:18:33,640 --> 00:18:36,280
Speaker 1: They said, you know what, enjoy the rest of your night.

409
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Speaker 1: Don't worry, we won't tell your dad you're here liars.

410
00:18:39,560 --> 00:18:42,480
Speaker 1: Because the next day I woke up my dad said,

411
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Speaker 1: how was Mexico? So that was my big trouble for that.

412
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Speaker 1: Of course, it's all was grounded for another month after that,

413
00:18:47,800 --> 00:18:51,920
Speaker 1: another month. Yeah, this was bad. Wow, okay, lunch box.

414
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Speaker 1: I mean, there's nothing really awkward about prom when your

415
00:18:54,160 --> 00:18:56,399
Speaker 1: name prom king, there's nothing really awkward about it. Everybody

416
00:18:56,400 --> 00:18:58,200
Speaker 1: loves you. You're the center of attention. People want to

417
00:18:58,200 --> 00:19:00,720
Speaker 1: be around you. That's how my win went up on

418
00:19:00,720 --> 00:19:03,719
Speaker 1: stage got that crown. I still wear it to this day.

419
00:19:04,240 --> 00:19:08,359
Speaker 1: He's not joking for you. It was really good. I

420
00:19:08,400 --> 00:19:11,000
Speaker 1: didn't have any awkward moments. But my senior prom I

421
00:19:11,080 --> 00:19:13,840
Speaker 1: ended up in a tornado shelter because a tornado touched down.

422
00:19:14,119 --> 00:19:16,879
Speaker 1: That's outside of our prom. That's pretty cool. Yeah, so

423
00:19:16,920 --> 00:19:18,880
Speaker 1: we spent like an hour and a half in It's

424
00:19:18,920 --> 00:19:22,400
Speaker 1: a good story, right, No, we were sitting in the gym.

425
00:19:22,480 --> 00:19:25,000
Speaker 1: Altogether there was thankfully like a little bouncy house and

426
00:19:25,080 --> 00:19:27,440
Speaker 1: there for the after prom, and so we basically were

427
00:19:27,440 --> 00:19:29,600
Speaker 1: just in our dresses hanging in the bouncy house, waiting

428
00:19:29,640 --> 00:19:32,920
Speaker 1: for the tornado to pass. That's a fun story, better

429
00:19:32,920 --> 00:19:36,200
Speaker 1: than mine. Yeah, okay, I'll drop you off. Okay, we're

430
00:19:36,240 --> 00:19:40,640
Speaker 1: first here. It's the best Bits of the week, with

431
00:19:40,720 --> 00:19:46,520
Speaker 1: Morgan number two coming in at number six. This week,

432
00:19:47,040 --> 00:19:50,560
Speaker 1: we ate the world smelliest fruit, well I did, okay

433
00:19:50,680 --> 00:19:54,680
Speaker 1: spoiler alert. The show brought out the spinning wheel and

434
00:19:55,040 --> 00:19:58,359
Speaker 1: somebody had to eat the world's smelliest fruit, which is

435
00:19:58,400 --> 00:20:01,119
Speaker 1: a Durian. I think how you pronounce that? Right? I

436
00:20:01,920 --> 00:20:03,840
Speaker 1: never heard of it. I know apparently it's like from

437
00:20:03,840 --> 00:20:07,320
Speaker 1: Southeast Asia. It's a very like delicacy kind of thing there.

438
00:20:07,440 --> 00:20:10,800
Speaker 1: But it looks so strange, like looks out of this world. Different.

439
00:20:11,720 --> 00:20:13,480
Speaker 1: But I had to eat it. Yeah, I need to

440
00:20:13,520 --> 00:20:16,359
Speaker 1: know what what was that light? Yeah? Because I saw

441
00:20:16,400 --> 00:20:19,720
Speaker 1: it and it was disgusting looking up close. I will say,

442
00:20:19,760 --> 00:20:22,800
Speaker 1: like the taste, like this is one of those situations

443
00:20:22,800 --> 00:20:25,959
Speaker 1: where you cannot judge a book by its cover, because

444
00:20:26,000 --> 00:20:29,560
Speaker 1: the taste was amazing and I've read online about it

445
00:20:29,560 --> 00:20:32,080
Speaker 1: and apparently like people turned it into ice cream and

446
00:20:32,119 --> 00:20:34,199
Speaker 1: like make all of these things. I've and I totally

447
00:20:34,200 --> 00:20:36,960
Speaker 1: get it because it reminds me and I tried to

448
00:20:37,119 --> 00:20:39,600
Speaker 1: tried to make up the word on the show banana

449
00:20:39,840 --> 00:20:42,680
Speaker 1: like a pineapple and a banana, Yeah, because it has

450
00:20:42,720 --> 00:20:45,160
Speaker 1: like the creamy texture of a banana, but it's sweetness

451
00:20:45,160 --> 00:20:47,399
Speaker 1: of a pineapple and then like a yogurt kind of

452
00:20:47,440 --> 00:20:52,639
Speaker 1: cream as well. That sounds like a right smoothies or

453
00:20:52,720 --> 00:20:56,679
Speaker 1: ice cream. But like, I am such a texture person

454
00:20:57,000 --> 00:21:02,439
Speaker 1: with food person. I'm a texture with food and so

455
00:21:02,600 --> 00:21:04,399
Speaker 1: like looking at it, I was like I was getting

456
00:21:04,400 --> 00:21:06,920
Speaker 1: myself grossed out over nothing because I was just looking

457
00:21:06,920 --> 00:21:10,119
Speaker 1: at and grabbing it and it just like, honestly, it

458
00:21:10,200 --> 00:21:12,560
Speaker 1: looked like so many gross things in my mind, like

459
00:21:12,760 --> 00:21:15,240
Speaker 1: INSFW things, and I was just like, I cannot think

460
00:21:15,400 --> 00:21:17,399
Speaker 1: this way. I just have to like grab it and

461
00:21:17,480 --> 00:21:20,080
Speaker 1: not think. So it hit my mouth. I wanted to

462
00:21:20,119 --> 00:21:23,640
Speaker 1: not like it, but I liked it, and I would

463
00:21:23,720 --> 00:21:26,000
Speaker 1: encourage other people to get it. Although we learned that

464
00:21:26,080 --> 00:21:28,520
Speaker 1: it's twenty seven dollars a pop to get a Durian.

465
00:21:28,640 --> 00:21:30,480
Speaker 1: That's a lot, but it's bigger than I thought too.

466
00:21:30,560 --> 00:21:32,680
Speaker 1: For a fruit, I mean it's pretty big. I would

467
00:21:32,720 --> 00:21:35,520
Speaker 1: say it's the size of a small watermelon. Yeah, but

468
00:21:35,600 --> 00:21:37,359
Speaker 1: then it's spiky. Also, don't touch it. I tried to

469
00:21:37,359 --> 00:21:40,960
Speaker 1: hold one for a photo and the buddy it's like

470
00:21:41,000 --> 00:21:43,880
Speaker 1: a pineapple in that sense. But yeah, it was so strange.

471
00:21:44,000 --> 00:21:46,479
Speaker 1: So there's that, and you know in this next segment

472
00:21:46,640 --> 00:21:50,400
Speaker 1: we relive all of that. But Abby, have you ever

473
00:21:50,480 --> 00:21:52,639
Speaker 1: had a food and you're like, this is terrible? I

474
00:21:52,680 --> 00:21:55,000
Speaker 1: will never eat this again. I just don't like seafood,

475
00:21:55,160 --> 00:21:58,080
Speaker 1: all of it, like fish or anything. So I mean

476
00:21:58,119 --> 00:22:04,080
Speaker 1: I cut out so much of everything, like seaweed, diet everything. Yeah,

477
00:22:04,160 --> 00:22:08,600
Speaker 1: I mean fish, like calamari, anything that swims. I just

478
00:22:08,600 --> 00:22:12,520
Speaker 1: don't like it. Like anything that smells bad too. That's why. Yeah,

479
00:22:12,600 --> 00:22:14,320
Speaker 1: with that, like did the smell bother you on that?

480
00:22:14,560 --> 00:22:16,639
Speaker 1: It wasn't a smell as a texture though, which is

481
00:22:16,640 --> 00:22:19,719
Speaker 1: also why I don't eat seafood. Okay, yeah, so we're similar.

482
00:22:20,680 --> 00:22:23,639
Speaker 1: Here's a smell. Mine's texture. Well, the like shrimp, I

483
00:22:23,680 --> 00:22:25,720
Speaker 1: can't do that because of the texture. It's like the

484
00:22:27,040 --> 00:22:31,960
Speaker 1: don't I was saying, I do. Yeah, Okay, it's like

485
00:22:32,000 --> 00:22:35,360
Speaker 1: the smell and texture if they're both growth. I'm probably

486
00:22:35,359 --> 00:22:37,400
Speaker 1: not gonna eat it, and so I'm with you too.

487
00:22:37,440 --> 00:22:39,719
Speaker 1: And a lot of people like really love seafood as

488
00:22:39,760 --> 00:22:41,920
Speaker 1: part of like a main diet, which is crazy too,

489
00:22:41,960 --> 00:22:43,840
Speaker 1: I know, and I know it's healthy, you know, it

490
00:22:43,880 --> 00:22:47,720
Speaker 1: has hyperte ive sushi. Could never get into sushi. I

491
00:22:47,720 --> 00:22:49,879
Speaker 1: don't like seaweed. I love the parts of like I

492
00:22:49,920 --> 00:22:52,840
Speaker 1: could eat a vegetarian sushi, but the seaweed part. I

493
00:22:53,119 --> 00:22:56,600
Speaker 1: don't like seaweed. I learned that I like tried it

494
00:22:56,640 --> 00:22:58,479
Speaker 1: and I was like, what is this green stuff? And

495
00:22:58,480 --> 00:23:00,600
Speaker 1: what did you seaweed? What did you have it? As

496
00:23:00,640 --> 00:23:03,080
Speaker 1: like I've tried the tried you know, like they have

497
00:23:03,080 --> 00:23:05,119
Speaker 1: at Trader Joe's. It's like the dried strips of it

498
00:23:05,240 --> 00:23:07,320
Speaker 1: or whatever. That's how I've tried it, and I didn't

499
00:23:07,359 --> 00:23:09,240
Speaker 1: like it. No, we were at oh and this is

500
00:23:09,240 --> 00:23:10,879
Speaker 1: probably where I I should have like actually gone to

501
00:23:10,960 --> 00:23:12,679
Speaker 1: like a sushi restaurant, but we were at like a

502
00:23:12,760 --> 00:23:15,560
Speaker 1: payway kind of place and they had sushi, and I

503
00:23:15,680 --> 00:23:18,240
Speaker 1: never you know, when people find out that I don't

504
00:23:18,240 --> 00:23:20,240
Speaker 1: eat meat or that I haven't done like eating a

505
00:23:20,280 --> 00:23:22,359
Speaker 1: lot of seafood, they're always like, oh, let's dare Morigan

506
00:23:22,400 --> 00:23:24,320
Speaker 1: to eat something that was one of these scenarios, and

507
00:23:24,359 --> 00:23:27,800
Speaker 1: I had to eat sushi and I hated it. I

508
00:23:27,840 --> 00:23:29,359
Speaker 1: was like, I do not like this, but I like

509
00:23:29,520 --> 00:23:32,360
Speaker 1: like rice and avocado and carrots and things that are

510
00:23:32,400 --> 00:23:35,120
Speaker 1: in sushi. I know, but I don't like seaweed, which

511
00:23:35,160 --> 00:23:37,720
Speaker 1: is what like hold it together right right? Okay, we're

512
00:23:37,800 --> 00:23:40,800
Speaker 1: like those like little you know when they make um,

513
00:23:40,920 --> 00:23:42,840
Speaker 1: you know, a crab rag rooon. But it's like the

514
00:23:42,920 --> 00:23:45,360
Speaker 1: rice paper. Yeah, do you know what I'm talking about?

515
00:23:45,440 --> 00:23:48,040
Speaker 1: That's like clear and you I don't like that, Oh

516
00:23:48,080 --> 00:23:51,320
Speaker 1: you don't why? I don't know a texture. It feels

517
00:23:51,320 --> 00:23:55,879
Speaker 1: like I'm eating like, yes, like a dried like a

518
00:23:55,960 --> 00:24:01,240
Speaker 1: tissue paper, but like possible. It is weird. It's just

519
00:24:01,400 --> 00:24:04,320
Speaker 1: very strange that you would eat something like wraps it

520
00:24:04,440 --> 00:24:08,440
Speaker 1: like paper, and I'm just very bizarre. Okay, so seaweed

521
00:24:08,480 --> 00:24:10,159
Speaker 1: is there something else? Is there? Like a food that

522
00:24:10,240 --> 00:24:14,520
Speaker 1: you like? Really can't eat green olives? I can't do olives.

523
00:24:14,520 --> 00:24:16,560
Speaker 1: Green olives. I feel olives in general, I feel like

524
00:24:16,600 --> 00:24:18,520
Speaker 1: are a popular one that like you either love it

525
00:24:18,640 --> 00:24:21,640
Speaker 1: or you hate it. I could eat like a whole

526
00:24:21,640 --> 00:24:25,200
Speaker 1: bowl of them. Oh really, you could. Green olives. Yeah,

527
00:24:25,240 --> 00:24:27,800
Speaker 1: green olives, black olives olve olves. Okay, I like like

528
00:24:27,840 --> 00:24:30,359
Speaker 1: black black olives, not green. But you won't be drinking

529
00:24:30,359 --> 00:24:33,720
Speaker 1: a dirty martini atime. No, I'm all ill and spicy,

530
00:24:33,960 --> 00:24:38,080
Speaker 1: no spicy things, yeah okay, And so what's like the

531
00:24:38,119 --> 00:24:42,880
Speaker 1: spiciest you can go? Like a mild salsa. Sure, I'm

532
00:24:42,920 --> 00:24:45,879
Speaker 1: such a whimp. I have the most like bland taste

533
00:24:45,880 --> 00:24:49,080
Speaker 1: palate ever. I mean, I have like chicken salads. It's

534
00:24:49,280 --> 00:24:51,400
Speaker 1: kind of boring. I should probably step up my game

535
00:24:51,440 --> 00:24:53,200
Speaker 1: because I don't like a lot of food, you know,

536
00:24:53,359 --> 00:24:55,720
Speaker 1: that's okay. I'd rather have a bland taste because I

537
00:24:55,720 --> 00:24:57,480
Speaker 1: feel like I eat all the time because I don't

538
00:24:57,480 --> 00:25:00,359
Speaker 1: have a blandais I wish I did sometimes. Are there

539
00:25:00,359 --> 00:25:04,800
Speaker 1: any anything you don't like? Cilantro? That's about it? And

540
00:25:04,880 --> 00:25:06,800
Speaker 1: which is really weird thing to not like, but like

541
00:25:06,840 --> 00:25:09,160
Speaker 1: whenever it's on there, it's just spicy and not really

542
00:25:09,200 --> 00:25:12,040
Speaker 1: like spicy things, and Cilantro always like kicks it up

543
00:25:12,040 --> 00:25:14,240
Speaker 1: a notch. Yeah, I can see that. I don't like

544
00:25:14,280 --> 00:25:16,959
Speaker 1: it either, because it has a strong flavor, like you

545
00:25:16,960 --> 00:25:18,960
Speaker 1: can tell if they're like, oh there's you can tell

546
00:25:18,960 --> 00:25:21,159
Speaker 1: it's in there. Oh, somebody tries. There's no cilantro on that.

547
00:25:21,160 --> 00:25:26,000
Speaker 1: I'm like, yes, I can tell it from a Malloway yeah, okay,

548
00:25:26,040 --> 00:25:28,399
Speaker 1: So but Nashville too, we have so many places to

549
00:25:28,400 --> 00:25:30,919
Speaker 1: eat in here. And last week when I had lunchbogs On,

550
00:25:31,000 --> 00:25:34,760
Speaker 1: we talked about some favorite Nashville spots. So we're gonna

551
00:25:34,760 --> 00:25:37,680
Speaker 1: start doing some Nashville recommendations because everybody's gonna start coming here,

552
00:25:38,240 --> 00:25:41,479
Speaker 1: you know with post COVID life. What would be your

553
00:25:41,520 --> 00:25:47,760
Speaker 1: top three Nashville restaurant recommendations? So I always go to

554
00:25:47,800 --> 00:25:51,119
Speaker 1: the same places. And I love Chewies, which is not Nashville,

555
00:25:51,520 --> 00:25:55,320
Speaker 1: so I'm sorry, I know no, but Hattie Bees love it.

556
00:25:55,520 --> 00:25:58,280
Speaker 1: I mean, that's always on the list. That's super popular.

557
00:25:58,440 --> 00:26:01,240
Speaker 1: I'm trying to think what others like I I go,

558
00:26:01,960 --> 00:26:04,600
Speaker 1: They're not They're all chains. I'm so boring. Oh that's

559
00:26:04,600 --> 00:26:07,120
Speaker 1: a that's a Kansas thing. We come from chains. That's why,

560
00:26:07,880 --> 00:26:09,920
Speaker 1: like I really do just go to the same places.

561
00:26:10,200 --> 00:26:16,240
Speaker 1: Um have you ever been to um Cocoa's Italian Kitchen? No,

562
00:26:16,920 --> 00:26:19,160
Speaker 1: I've heard it's good. Is this so good? So this

563
00:26:19,280 --> 00:26:22,760
Speaker 1: little mom and pop shop like very authentic Italian? And yes,

564
00:26:22,840 --> 00:26:26,199
Speaker 1: I know I say it time weird I always have

565
00:26:26,280 --> 00:26:30,280
Speaker 1: to preface that, but it has like not only does

566
00:26:30,280 --> 00:26:35,119
Speaker 1: it have like authentic Italian food that has like pasta, pizza, sandwiches, salads,

567
00:26:35,440 --> 00:26:38,199
Speaker 1: literally everything that you could get. And then they have

568
00:26:38,280 --> 00:26:41,240
Speaker 1: this little side that you can walk in. You could

569
00:26:41,240 --> 00:26:45,359
Speaker 1: get gelato, you can get homemade chocolates, you could get

570
00:26:45,760 --> 00:26:48,919
Speaker 1: um in this little section that's like a little Italian

571
00:26:50,160 --> 00:26:52,840
Speaker 1: farmer's market for lack of a better term, and you

572
00:26:52,880 --> 00:26:54,840
Speaker 1: just buy a bunch of stuff to make Italian home

573
00:26:54,880 --> 00:26:57,639
Speaker 1: if you wanted to. And it's all authentic. What I

574
00:26:57,680 --> 00:26:59,720
Speaker 1: didn't know that you just like a world. They have

575
00:26:59,720 --> 00:27:02,760
Speaker 1: a little like patio too that you can go sit uncover.

576
00:27:02,840 --> 00:27:05,280
Speaker 1: They even have bags that you can throw there. It's

577
00:27:05,320 --> 00:27:08,040
Speaker 1: just like a really cool spot over and with West Nashville.

578
00:27:08,200 --> 00:27:11,000
Speaker 1: Oh my gosh, So I need to go. I know,

579
00:27:12,040 --> 00:27:14,160
Speaker 1: I have this feeling abby that we need to get

580
00:27:14,160 --> 00:27:17,200
Speaker 1: you out in it now. I know, no, but really

581
00:27:17,480 --> 00:27:19,360
Speaker 1: I feel like the past year and there's so much

582
00:27:19,400 --> 00:27:22,520
Speaker 1: new stuff. Probably since I haven't been on like a year,

583
00:27:22,560 --> 00:27:26,240
Speaker 1: I've been really okay, So maybe not restaurants, but you

584
00:27:26,320 --> 00:27:29,199
Speaker 1: do love to go out to bars, So what about bars?

585
00:27:29,320 --> 00:27:34,680
Speaker 1: Top three bars? Top three bars? Um like on Broadway anywhere, Okay,

586
00:27:34,720 --> 00:27:37,160
Speaker 1: I like Jason Aldean's on Broadway. I think it's fine,

587
00:27:37,240 --> 00:27:39,840
Speaker 1: great spot. Yeah, because there's different floors. You know you

588
00:27:39,840 --> 00:27:43,639
Speaker 1: can that top top floors. Yeah, free pandemic happen. I

589
00:27:43,640 --> 00:27:46,160
Speaker 1: don't know what it's like now, Yes, I know this

590
00:27:46,280 --> 00:27:48,160
Speaker 1: is more I guess a restaurant of a blue Moon.

591
00:27:48,560 --> 00:27:50,600
Speaker 1: It's on the river and it's kind of by where

592
00:27:50,800 --> 00:27:52,600
Speaker 1: Raymond is gonna be so mad that you just gave

593
00:27:52,640 --> 00:27:54,480
Speaker 1: away his spot, I know, should I not? Should we

594
00:27:54,480 --> 00:27:57,040
Speaker 1: bleep this out? No, it's a good spot. It's really

595
00:27:57,040 --> 00:27:59,000
Speaker 1: cool and it definitely is a local spot for no.

596
00:27:59,240 --> 00:28:01,240
Speaker 1: I love it and it has gotten really popular. I

597
00:28:01,359 --> 00:28:06,200
Speaker 1: was on the lake yeah, wait, Zon River, Cumberland. Yeah,

598
00:28:06,200 --> 00:28:09,560
Speaker 1: well it's not water pretty yeah, but last year doesn't matter.

599
00:28:09,760 --> 00:28:11,560
Speaker 1: But last time I went, the wait was an hour

600
00:28:11,600 --> 00:28:14,240
Speaker 1: and a half. Yes, so I probably shouldn't have said that,

601
00:28:14,400 --> 00:28:17,960
Speaker 1: but also three hours now. But I also love brew

602
00:28:18,040 --> 00:28:21,600
Speaker 1: House West. I always go there and they have bushwhackers.

603
00:28:21,600 --> 00:28:23,360
Speaker 1: I don't know, have you ever had a bushwhacker? Yes?

604
00:28:23,400 --> 00:28:26,560
Speaker 1: I loves will put you on your butt. Yeah they will.

605
00:28:26,720 --> 00:28:28,800
Speaker 1: They're danger a little ice cream blow with a whole

606
00:28:28,840 --> 00:28:30,600
Speaker 1: lot of alcohol that you don't even know what's have

607
00:28:30,640 --> 00:28:33,359
Speaker 1: no idea. You're like, oh, this is so good. Is

608
00:28:33,359 --> 00:28:35,919
Speaker 1: there even alcohol in here? Yes? But I love it there.

609
00:28:35,920 --> 00:28:37,200
Speaker 1: It's kind of like a kind of a hole in

610
00:28:37,240 --> 00:28:39,200
Speaker 1: the wall. It's like a biker bar kind of yeah.

611
00:28:39,200 --> 00:28:41,479
Speaker 1: You know, like, well, and there's really casual. Is that

612
00:28:41,800 --> 00:28:44,520
Speaker 1: a different one than brew house in Midtown? Then yeah,

613
00:28:44,560 --> 00:28:46,800
Speaker 1: Broadway Brewhouse. They're all going to have the same minute. Okay,

614
00:28:46,880 --> 00:28:49,400
Speaker 1: it's just called like Broadway Brewhouse. There's one in Midtown,

615
00:28:49,840 --> 00:28:53,320
Speaker 1: but your favorite one is the one in the West Side.

616
00:28:53,680 --> 00:28:55,720
Speaker 1: It's just more like chill casual, and it's kind of

617
00:28:55,760 --> 00:28:58,040
Speaker 1: like only locals really go to it because more of

618
00:28:58,080 --> 00:29:00,360
Speaker 1: the tourists go to the one like downtown. And since

619
00:29:00,400 --> 00:29:02,520
Speaker 1: we're sticking with the West Side, another cool spot over

620
00:29:02,560 --> 00:29:05,520
Speaker 1: there is the Tailgate Brewery. Like the first location. Yeah,

621
00:29:05,560 --> 00:29:08,920
Speaker 1: they have this entire outside area. It's a brewery, so

622
00:29:08,920 --> 00:29:12,920
Speaker 1: you're drinking beer. But also like they have, um they've

623
00:29:12,960 --> 00:29:16,640
Speaker 1: implemented like a mac and cheese truck within their food menu.

624
00:29:16,720 --> 00:29:18,760
Speaker 1: Would excuse me, I was just there and I did

625
00:29:18,880 --> 00:29:20,920
Speaker 1: not know about this. So if you look on their menu,

626
00:29:21,080 --> 00:29:24,000
Speaker 1: you can get like cheese fries that also mac and cheese.

627
00:29:24,680 --> 00:29:28,480
Speaker 1: What okay, mind blowing, like so yummy. And they also

628
00:29:28,480 --> 00:29:31,000
Speaker 1: added like a little dessert shop out there. I did

629
00:29:31,000 --> 00:29:33,320
Speaker 1: see that. It's like sweet what is it sweet and three?

630
00:29:33,440 --> 00:29:36,680
Speaker 1: Or yeah yes, I think so. Yeah. So like you

631
00:29:36,680 --> 00:29:39,200
Speaker 1: can go get beers, you can get food which they

632
00:29:39,200 --> 00:29:42,000
Speaker 1: have really good pizzas too, or like this you know

633
00:29:42,080 --> 00:29:45,600
Speaker 1: Mac and cheese little collaboration they did with a food truck,

634
00:29:45,720 --> 00:29:48,000
Speaker 1: or you can get sweets and you can bring your dogs.

635
00:29:48,120 --> 00:29:50,320
Speaker 1: Like it's just a perfect spot. Yeah. Last time we

636
00:29:50,360 --> 00:29:52,719
Speaker 1: were there there was trivia and everybody had dogs. I

637
00:29:52,760 --> 00:29:56,360
Speaker 1: was like, I'm in heaven because everybody all the best

638
00:29:56,360 --> 00:30:00,280
Speaker 1: places in West Now, Like the reality is there's so

639
00:30:00,280 --> 00:30:03,080
Speaker 1: many great places. But like West Nashville is up and

640
00:30:03,120 --> 00:30:05,880
Speaker 1: coming and it has some really cool spots and kind

641
00:30:05,880 --> 00:30:07,440
Speaker 1: of where we live, I kind of stay more in

642
00:30:07,480 --> 00:30:10,280
Speaker 1: my area. But what are your favorites like in Nashville.

643
00:30:10,440 --> 00:30:13,200
Speaker 1: No that I mean, I keep sharing like a bunch

644
00:30:13,240 --> 00:30:15,240
Speaker 1: of them, and I'm like, wow, I haven't realized how

645
00:30:15,280 --> 00:30:18,160
Speaker 1: many places that I have eaten and it's Naville. So

646
00:30:18,200 --> 00:30:20,959
Speaker 1: I need to get on your level then, because I'm behind. Well,

647
00:30:21,000 --> 00:30:22,800
Speaker 1: I try to every time if somebody wants me to

648
00:30:22,800 --> 00:30:24,400
Speaker 1: go out to eat. I'm like, we're trying somewhere new,

649
00:30:24,840 --> 00:30:27,920
Speaker 1: because I like try to keep trying. And then when

650
00:30:27,960 --> 00:30:30,240
Speaker 1: I've like done all of the new places, I'm like, Okay,

651
00:30:30,240 --> 00:30:31,960
Speaker 1: I can go back to my favorites because now I

652
00:30:32,040 --> 00:30:34,960
Speaker 1: have an idea of what's all out there, right. But

653
00:30:35,000 --> 00:30:37,080
Speaker 1: it's really hard to do that in Nashville because there's

654
00:30:37,120 --> 00:30:38,800
Speaker 1: so many. There are so many, I think that's what

655
00:30:38,840 --> 00:30:41,840
Speaker 1: it is. It gets overwhelming because there's just so many

656
00:30:41,880 --> 00:30:44,520
Speaker 1: that are good. You're not really gonna go wrong. It matter.

657
00:30:44,680 --> 00:30:46,640
Speaker 1: Another place on the West Side that I really love,

658
00:30:46,720 --> 00:30:49,000
Speaker 1: and there's one of these in a few different places

659
00:30:49,040 --> 00:30:51,520
Speaker 1: in Nashville, but I love the West location is mL

660
00:30:51,640 --> 00:30:55,680
Speaker 1: Rose good beer. I've heard that, really great burgers. I

661
00:30:55,720 --> 00:30:58,400
Speaker 1: personally love their sweepotata waffle fries in their homemade ranch.

662
00:30:59,160 --> 00:31:01,240
Speaker 1: I get those or their case it is, and I

663
00:31:01,400 --> 00:31:02,800
Speaker 1: drink a bunch of beer and I bring Remy on

664
00:31:02,800 --> 00:31:05,840
Speaker 1: the patio. It's like my favorite spot. Yeah, clearly, I

665
00:31:05,920 --> 00:31:07,880
Speaker 1: spent a lot of time with patio. For me, what's

666
00:31:07,880 --> 00:31:10,880
Speaker 1: wrong with that? Ah? That's the best I know. So

667
00:31:11,080 --> 00:31:14,320
Speaker 1: there you have it. There's so many Nashville recommendations for

668
00:31:14,400 --> 00:31:16,840
Speaker 1: y'all downtown and on the West Side and you know

669
00:31:17,280 --> 00:31:19,680
Speaker 1: even more. And plus I mean we always post it

670
00:31:19,760 --> 00:31:22,160
Speaker 1: on so you know, on Instagram and all the things.

671
00:31:22,200 --> 00:31:24,920
Speaker 1: Make sure you follow us, you know, because they're there too.

672
00:31:25,280 --> 00:31:28,080
Speaker 1: But here's the segment of us trying to figure out

673
00:31:28,120 --> 00:31:30,880
Speaker 1: who's going to eat the world smelliest fruit. Sorry for

674
00:31:30,920 --> 00:31:35,120
Speaker 1: the spoiler alert. It's wonderful number six right, this is

675
00:31:35,160 --> 00:31:37,880
Speaker 1: the world smelliest fruit. I smelled it before the break it.

676
00:31:37,880 --> 00:31:42,360
Speaker 1: It surprisingly was as bad as advertised because I thought, okay,

677
00:31:42,400 --> 00:31:46,160
Speaker 1: we're gonna do a bit. Well, I wink wink, is stinky,

678
00:31:46,320 --> 00:31:47,960
Speaker 1: but no, it's it's bad in my eyes water a

679
00:31:48,000 --> 00:31:51,440
Speaker 1: little bit. It's called a durian. It's a spiky, odorous

680
00:31:51,480 --> 00:31:55,320
Speaker 1: fruit native to Southeast Asia. And how this came about

681
00:31:55,400 --> 00:31:57,520
Speaker 1: is I was given an article from the show called

682
00:31:57,520 --> 00:32:01,280
Speaker 1: would You Eat It? And they had a chef, a

683
00:32:01,400 --> 00:32:04,800
Speaker 1: kid who's seven, and a dog all eat this as

684
00:32:04,800 --> 00:32:06,600
Speaker 1: a bit to see what they thought. And I thought

685
00:32:06,680 --> 00:32:07,800
Speaker 1: it sound like a great bit for us too. I

686
00:32:07,840 --> 00:32:09,720
Speaker 1: don't even know this food existed. It does look like

687
00:32:09,720 --> 00:32:12,560
Speaker 1: a sea creature, it doesn't. It's all spiky. Yes, um,

688
00:32:12,600 --> 00:32:16,360
Speaker 1: so we have a wheel here? Oh, there. It is.

689
00:32:16,640 --> 00:32:19,600
Speaker 1: All of our names are on the wheel. If it

690
00:32:19,720 --> 00:32:22,160
Speaker 1: lands on you the first time, you can buy your

691
00:32:22,160 --> 00:32:25,440
Speaker 1: way off the wheel fifty bucks and that will be

692
00:32:25,440 --> 00:32:29,880
Speaker 1: a charitable contribution to Saint Jude. Wow. But the second

693
00:32:29,920 --> 00:32:31,400
Speaker 1: person that it lands on, if you don't want to

694
00:32:31,400 --> 00:32:35,360
Speaker 1: buy your way out, has to actually eat it. Okay, hey,

695
00:32:35,560 --> 00:32:37,640
Speaker 1: let Amy smell at scoob, but if you'll walk it

696
00:32:37,640 --> 00:32:43,080
Speaker 1: over to her, I'm is it sharp pokey? Yeah, it

697
00:32:43,160 --> 00:32:47,720
Speaker 1: is okay, Scooba seats walking into Amy. Don't just take

698
00:32:47,720 --> 00:32:50,880
Speaker 1: a small way, just go look that go. I mean,

699
00:32:50,920 --> 00:32:56,000
Speaker 1: it looks like a brain that is scross and it

700
00:32:56,080 --> 00:32:59,760
Speaker 1: looks gross. It smells like there's nothing sweaty sock that's

701
00:32:59,800 --> 00:33:03,960
Speaker 1: been and forgotten about. That's what the Internet said, like

702
00:33:04,000 --> 00:33:06,440
Speaker 1: a sucks freaking like, oh I forgot that was there

703
00:33:06,440 --> 00:33:09,520
Speaker 1: and I worked out this does smell like that. Yeah, yeah,

704
00:33:09,720 --> 00:33:12,080
Speaker 1: you wanna take a little sniffy, Yeah I do, sniffy whiffy.

705
00:33:12,320 --> 00:33:15,880
Speaker 1: Gotta go to it now. It looks like a museum exhibit.

706
00:33:15,920 --> 00:33:20,920
Speaker 1: We're walking up to it the inside, like, I don't

707
00:33:21,040 --> 00:33:26,800
Speaker 1: Eddie's all up in there. That's right, Eddie had COVID.

708
00:33:27,720 --> 00:33:29,640
Speaker 1: No I smell the hint of it. And what I

709
00:33:29,680 --> 00:33:31,800
Speaker 1: smell does smell kind of like dirty. We forgot you

710
00:33:31,840 --> 00:33:33,360
Speaker 1: don't have all your smell back. I have to get

711
00:33:33,400 --> 00:33:36,000
Speaker 1: my nose in it. Should Eddie be taking off the board? No,

712
00:33:36,160 --> 00:33:40,000
Speaker 1: I can taste. I can still taste, but the taste

713
00:33:40,040 --> 00:33:43,720
Speaker 1: in the scary part. I mean it smelled terrible. I

714
00:33:43,720 --> 00:33:45,280
Speaker 1: just had to get my nose in it. Okay, here

715
00:33:45,280 --> 00:33:48,040
Speaker 1: we go this first spin of the wheel. You can

716
00:33:48,080 --> 00:33:49,880
Speaker 1: buy your way out of it. Ready, here we go,

717
00:33:50,320 --> 00:33:59,280
Speaker 1: let's spin. Come on, come on, yes, oh Mike d

718
00:33:59,440 --> 00:34:02,680
Speaker 1: all right, my enjoy d Will you be buying your

719
00:34:02,680 --> 00:34:04,240
Speaker 1: way out of it? Are you gonna eat the Dorian?

720
00:34:06,160 --> 00:34:10,279
Speaker 1: I will eat it? Oh okay, who is that? How

721
00:34:10,280 --> 00:34:12,600
Speaker 1: you say it? A Dorian? A Durian? So how do

722
00:34:12,640 --> 00:34:14,920
Speaker 1: you eat? It? Is already cut? Yeah? You just now,

723
00:34:15,440 --> 00:34:17,040
Speaker 1: I open up the lip. You just will go in

724
00:34:17,080 --> 00:34:20,960
Speaker 1: there and that's disgusting. So there's seed pockets and there's

725
00:34:21,000 --> 00:34:23,680
Speaker 1: multiple different fruits and eat seed pocket. I peeled back

726
00:34:23,719 --> 00:34:26,160
Speaker 1: the limp. You can help us, Yeah, sure, we'll probably

727
00:34:26,160 --> 00:34:29,759
Speaker 1: do this with more than one person. Why you just

728
00:34:29,800 --> 00:34:32,759
Speaker 1: said we spend the wheel once and someone eat? Come on, man,

729
00:34:33,440 --> 00:34:36,240
Speaker 1: you're now you're making it totally different amy in life?

730
00:34:36,800 --> 00:34:39,600
Speaker 1: What sometimes you have to pivot? Yeah, I understand that

731
00:34:39,640 --> 00:34:43,239
Speaker 1: it's a situational Oh okay, we have this thing. Can

732
00:34:43,280 --> 00:34:46,279
Speaker 1: you see it on camera? Now? What does he do?

733
00:34:46,320 --> 00:34:49,840
Speaker 1: Does he need to fork? Yeah? You just grab with

734
00:34:49,840 --> 00:34:55,600
Speaker 1: your hand. Oh looks disgusting. It looked like inside of

735
00:34:55,600 --> 00:34:58,560
Speaker 1: a pumpkin. Yeah or all good description. It looks like

736
00:34:58,600 --> 00:35:01,399
Speaker 1: a scrambled egg. Almost. It is yellow like a scrambled egg,

737
00:35:01,440 --> 00:35:03,960
Speaker 1: but pumpkin texture instead. I'm pumpkin, all right, Mike grabbing go.

738
00:35:04,080 --> 00:35:06,400
Speaker 1: Oh he's thinking about changing his mind. You have your

739
00:35:06,400 --> 00:35:08,359
Speaker 1: Do you want to buy out of it? I mean

740
00:35:08,400 --> 00:35:11,760
Speaker 1: I kind of do. Now, this looks disgusting. I didn't

741
00:35:11,800 --> 00:35:13,239
Speaker 1: see the inside of it. I thought it was just

742
00:35:13,280 --> 00:35:16,040
Speaker 1: gonna look like fruit. No, it looks like an alien.

743
00:35:17,000 --> 00:35:18,840
Speaker 1: Do you want to buy out of it? You know?

744
00:35:18,960 --> 00:35:23,080
Speaker 1: If I still can't, I would like to buy at all. Right,

745
00:35:23,160 --> 00:35:28,160
Speaker 1: held on it fifty bucks to saint you. If I

746
00:35:28,280 --> 00:35:30,239
Speaker 1: still can't, I want to buy out of it in

747
00:35:30,320 --> 00:35:33,400
Speaker 1: the second spin. Get to buy out? No, okay, I

748
00:35:33,480 --> 00:35:35,600
Speaker 1: tell you what seconds make about for one hundred bush

749
00:35:36,880 --> 00:35:41,160
Speaker 1: Hey it is? What is? There's a fundraiser? Here we go,

750
00:35:42,280 --> 00:35:48,239
Speaker 1: let's stand that. Oh my gosh, please no, come on,

751
00:35:48,440 --> 00:35:57,440
Speaker 1: come on, no, come on, no, no, it's me. I

752
00:35:57,480 --> 00:36:02,640
Speaker 1: will buy out of it. I'll come on tape, I know,

753
00:36:02,960 --> 00:36:04,400
Speaker 1: but I will buy now saying you just made one

754
00:36:04,480 --> 00:36:06,560
Speaker 1: hundred fifty bucks. But think about the people listening. They

755
00:36:06,600 --> 00:36:08,200
Speaker 1: want to they want to hear you eat it. The

756
00:36:08,239 --> 00:36:09,920
Speaker 1: next one to buy out of it is one hundred

757
00:36:09,920 --> 00:36:12,440
Speaker 1: and fifty dollars to shut it down. This is already

758
00:36:12,440 --> 00:36:18,759
Speaker 1: out of control. All right, here we go. Let's no, no, no, no,

759
00:36:18,800 --> 00:36:21,760
Speaker 1: come on, come on please please world, please, world, please, world,

760
00:36:22,200 --> 00:36:32,319
Speaker 1: keep gold like what I don't have, honor downation. Take

761
00:36:32,320 --> 00:36:36,520
Speaker 1: it to the face. Take it to the face, take

762
00:36:36,920 --> 00:36:41,920
Speaker 1: the face. Take it to the face. All right, this

763
00:36:42,000 --> 00:36:46,239
Speaker 1: is it is the world. Smellys fruit stick your nose

764
00:36:46,280 --> 00:36:49,440
Speaker 1: in there. You smell it. Oh yeah, it does not

765
00:36:49,520 --> 00:36:53,919
Speaker 1: smell good. Just that piece right there, got that piece

766
00:36:54,360 --> 00:36:58,160
Speaker 1: like an alien. Pull it out of it. It's so slimy.

767
00:36:58,719 --> 00:37:00,479
Speaker 1: How big of a piece do you want to eat? Bones?

768
00:37:01,200 --> 00:37:06,040
Speaker 1: That's good, she's getting a chunk o eat it. Take

769
00:37:06,080 --> 00:37:07,879
Speaker 1: it to the face to take it to the face.

770
00:37:09,840 --> 00:37:15,160
Speaker 1: Oh what if it's amazing? Oh she likes it. Okay,

771
00:37:16,160 --> 00:37:22,600
Speaker 1: it turns like a pineapple like a banana but has

772
00:37:23,640 --> 00:37:28,760
Speaker 1: so it smells bad, it looks bad, but it tastes good. Wow.

773
00:37:29,280 --> 00:37:32,040
Speaker 1: Oh man, y'all just spent one hundred fifty dollars for

774
00:37:32,080 --> 00:37:37,560
Speaker 1: a banana we donated. Yeah, it's like creamy countries like yogurt.

775
00:37:38,000 --> 00:37:41,080
Speaker 1: Yeah like it. Oh yeah, it doesn't look good, like

776
00:37:41,200 --> 00:37:44,000
Speaker 1: don't look at it does eat it blindly. That's what

777
00:37:44,080 --> 00:37:51,200
Speaker 1: Caitlin doesn't mean. It doesn't like Yeah, She's like, man,

778
00:37:51,600 --> 00:37:54,640
Speaker 1: that's where do you buy this? Scoopa, Steve. You can

779
00:37:54,640 --> 00:37:56,960
Speaker 1: buy this any like Asian market like ninety nine. Ranch

780
00:37:57,040 --> 00:37:59,239
Speaker 1: is very popular in the West Coast, any kind of

781
00:37:59,239 --> 00:38:01,400
Speaker 1: world marketplace? Where'd you get here? I got to hear

782
00:38:01,400 --> 00:38:03,200
Speaker 1: at k W World on it just like in the

783
00:38:03,200 --> 00:38:05,360
Speaker 1: West Side pace work in my place. Yeah, they're expensive.

784
00:38:05,400 --> 00:38:08,640
Speaker 1: This was twenty seven dollars one fruit. So it's a delicacy.

785
00:38:08,680 --> 00:38:11,160
Speaker 1: These are like usually five dollars a pound. So this

786
00:38:10,960 --> 00:38:14,160
Speaker 1: is this is a smaller Durian. Wow, didn't it? Yeah,

787
00:38:14,200 --> 00:38:17,160
Speaker 1: so it's really good. Okay, Well so we learned it

788
00:38:17,239 --> 00:38:20,799
Speaker 1: smells awful. Yeah, but it tastes pretty good. Okay, Well

789
00:38:20,840 --> 00:38:22,839
Speaker 1: you can't get enough now? Yeah, I kind of want

790
00:38:22,840 --> 00:38:24,520
Speaker 1: to eat the whole thing and Mike, we lost money,

791
00:38:24,520 --> 00:38:27,279
Speaker 1: Well you you need to because it was twenty seven dollars. Yeah,

792
00:38:27,320 --> 00:38:31,239
Speaker 1: don't let him, don't let him buy that go to waste. Yeah,

793
00:38:31,239 --> 00:38:35,000
Speaker 1: it's the best bits of the week with Morgan. Number two,

794
00:38:36,800 --> 00:38:40,520
Speaker 1: this week, Bobby talked about the debate he's kind of

795
00:38:40,520 --> 00:38:42,959
Speaker 1: been having with himself. He's about to have a father

796
00:38:43,040 --> 00:38:45,480
Speaker 1: in law with his fiance Caitlin after they get married,

797
00:38:45,960 --> 00:38:48,239
Speaker 1: and while he doesn't really know what to call his

798
00:38:48,280 --> 00:38:51,759
Speaker 1: father in law because his first name doesn't feel right

799
00:38:51,880 --> 00:38:54,640
Speaker 1: and mister you know whatever also doesn't feel right, and

800
00:38:55,239 --> 00:38:57,719
Speaker 1: dad is definitely not up his alley. So you can

801
00:38:57,760 --> 00:39:00,720
Speaker 1: hear Bobby talk about why he's been feel this way,

802
00:39:00,719 --> 00:39:03,319
Speaker 1: why the words love and dad have always been hard

803
00:39:03,360 --> 00:39:05,960
Speaker 1: for him, and it's all related to a caller who

804
00:39:06,040 --> 00:39:08,680
Speaker 1: called in and relates to Bobby with this. So I

805
00:39:08,760 --> 00:39:10,640
Speaker 1: kind of an emotional but also a really cool segment

806
00:39:10,680 --> 00:39:13,359
Speaker 1: because Bobby talks a lot about his past and how

807
00:39:13,400 --> 00:39:17,279
Speaker 1: he's feeling with things right now. Number five, let's go

808
00:39:17,320 --> 00:39:22,000
Speaker 1: over to a DIA in Wisconsin. Yeah, how are you? Yeah,

809
00:39:22,080 --> 00:39:26,080
Speaker 1: good morning studio. Just had to call because I can

810
00:39:26,120 --> 00:39:30,279
Speaker 1: relate Bobby to not having like dad in your vocabulary

811
00:39:31,920 --> 00:39:36,359
Speaker 1: completely resonates with me. My dad was unfortunately killed when

812
00:39:36,360 --> 00:39:39,960
Speaker 1: I was five in a logging accident, and so I

813
00:39:40,000 --> 00:39:46,279
Speaker 1: don't remember using that word for me. And I'm now

814
00:39:47,080 --> 00:39:50,040
Speaker 1: forty eight, I'm married. I've known my father in law

815
00:39:50,640 --> 00:39:54,520
Speaker 1: for eighteen years, and every now and then I'll try

816
00:39:54,800 --> 00:39:57,919
Speaker 1: and it just seems so taboo for me to call

817
00:39:58,040 --> 00:40:01,040
Speaker 1: him dad because I just don't use the word. Like

818
00:40:01,400 --> 00:40:03,840
Speaker 1: my husband is a great dad. I use it, and

819
00:40:04,200 --> 00:40:07,040
Speaker 1: you know, relationship to him, and like when we're talking

820
00:40:07,040 --> 00:40:09,040
Speaker 1: to one another, we're like, hey, Dad, what about this.

821
00:40:09,080 --> 00:40:12,400
Speaker 1: When we're talking about the kids, that's completely comfortable because

822
00:40:12,440 --> 00:40:15,600
Speaker 1: he's their dad. But for me, it's just like I

823
00:40:15,640 --> 00:40:18,000
Speaker 1: just can't use it, even at forty eight, Like I can't.

824
00:40:18,040 --> 00:40:21,080
Speaker 1: It's just it's so strange to use. So I get

825
00:40:21,080 --> 00:40:23,560
Speaker 1: where you're coming from, like not knowing what to call

826
00:40:23,680 --> 00:40:26,200
Speaker 1: him and his dad a thing like or you call

827
00:40:26,239 --> 00:40:28,080
Speaker 1: him by his first name because you know he's gonna

828
00:40:28,080 --> 00:40:29,600
Speaker 1: be your father in law and you want to have

829
00:40:29,640 --> 00:40:33,879
Speaker 1: a connection, and yeah, it's I don't really call my

830
00:40:34,120 --> 00:40:36,359
Speaker 1: father in law by his first name all the time either,

831
00:40:36,440 --> 00:40:38,680
Speaker 1: So it's just it's kind of a weird dance Yeah,

832
00:40:38,760 --> 00:40:41,520
Speaker 1: let let's pull back the onion for a second. That's

833
00:40:41,560 --> 00:40:43,400
Speaker 1: a good point. I never called anybody dad in my

834
00:40:43,400 --> 00:40:45,279
Speaker 1: whole life, so that were that is just a weird

835
00:40:45,320 --> 00:40:47,200
Speaker 1: thing to come out of my mouth. It was like

836
00:40:47,239 --> 00:40:49,080
Speaker 1: the L word until I was able to finally say

837
00:40:49,120 --> 00:40:50,400
Speaker 1: it to Kaitlin now said all the time to ill

838
00:40:50,400 --> 00:40:52,880
Speaker 1: lover all the time love. Yeah, I never said it

839
00:40:52,920 --> 00:40:56,040
Speaker 1: to anybody, and so I just I wouldn't. Now I

840
00:40:56,080 --> 00:40:58,520
Speaker 1: can say it to I'm just like Santa Claus with

841
00:40:58,560 --> 00:41:00,359
Speaker 1: it with a big old bagalo of I just out

842
00:41:00,320 --> 00:41:01,880
Speaker 1: all over the place. Or maybe you'll get that way

843
00:41:01,960 --> 00:41:05,200
Speaker 1: with dad totally. I don't know about totally. I don't

844
00:41:05,239 --> 00:41:07,000
Speaker 1: know that that's the case because I don't have I

845
00:41:07,040 --> 00:41:08,799
Speaker 1: don't feel like I had a dad, and I don't

846
00:41:08,840 --> 00:41:12,160
Speaker 1: feel like Arkansas Keith was close to that. But I

847
00:41:12,200 --> 00:41:14,719
Speaker 1: was a teenager when my mom married him, so I

848
00:41:14,760 --> 00:41:16,399
Speaker 1: was kind of wire. He came in at a good

849
00:41:16,400 --> 00:41:20,120
Speaker 1: point to help me eat food, you know, like really

850
00:41:20,160 --> 00:41:21,920
Speaker 1: like I got three meals a day once we were

851
00:41:21,960 --> 00:41:24,839
Speaker 1: with Arkansas Keith. But I don't think I ever used

852
00:41:24,880 --> 00:41:26,200
Speaker 1: the word, and so I don't know that I will

853
00:41:26,239 --> 00:41:29,279
Speaker 1: ever call my future father in law dad but I

854
00:41:29,280 --> 00:41:30,640
Speaker 1: don't feel like I can call him by his first

855
00:41:30,680 --> 00:41:33,600
Speaker 1: name because that feels disrespectful. And then I don't feel

856
00:41:33,600 --> 00:41:35,440
Speaker 1: like I can call him mister because that feels too formal.

857
00:41:35,680 --> 00:41:40,120
Speaker 1: Just mister. No. Yeah, but I don't know how long

858
00:41:40,160 --> 00:41:41,640
Speaker 1: you're going to be able to keep up. Hey man,

859
00:41:43,400 --> 00:41:46,000
Speaker 1: Hey man, you're gonna eat that? Hey man? How you

860
00:41:46,040 --> 00:41:47,719
Speaker 1: know it's sometimes I just look him in the eye.

861
00:41:48,680 --> 00:41:49,960
Speaker 1: But do you ever have to call him on the

862
00:41:50,000 --> 00:41:52,759
Speaker 1: phone stare him? Yeah, but he answers, he knows it's me.

863
00:41:52,880 --> 00:41:56,120
Speaker 1: Oh and hey, yeah, hey, look what's up? Don't forget

864
00:41:56,200 --> 00:41:58,640
Speaker 1: I asked him to marry Kaitlin on the phone. Yeah.

865
00:41:59,200 --> 00:42:01,359
Speaker 1: It lives in Oklahoma. And I was like, hey, broum,

866
00:42:01,880 --> 00:42:04,160
Speaker 1: mine have a marry old daughter. Is it just the

867
00:42:04,200 --> 00:42:07,440
Speaker 1: word dad? Can you call him pops? I don't think

868
00:42:07,480 --> 00:42:10,719
Speaker 1: I would call anybody anything. Okay, so it's not just

869
00:42:10,760 --> 00:42:12,960
Speaker 1: the word. But maybe when I'm a dad it'd be different.

870
00:42:13,719 --> 00:42:15,600
Speaker 1: Maybe that opens up. Yeah, because you're gonna be dad.

871
00:42:16,360 --> 00:42:18,200
Speaker 1: You and you call your father on law dad? Yes,

872
00:42:18,320 --> 00:42:20,279
Speaker 1: so dude, not when my dad's around, But if it's

873
00:42:20,280 --> 00:42:22,200
Speaker 1: just me and him, Hey dad, Um, how does the

874
00:42:22,239 --> 00:42:23,840
Speaker 1: shirt look at me? He's look good? Is that is

875
00:42:23,840 --> 00:42:25,880
Speaker 1: that weird? No? I love it. I think that Eddie's

876
00:42:26,040 --> 00:42:28,440
Speaker 1: in the minority with that. I could be wrong, but

877
00:42:28,760 --> 00:42:30,600
Speaker 1: based on a pole in this room lunchbox, and I

878
00:42:30,600 --> 00:42:36,080
Speaker 1: don't do that, no chance, no, no, no, No, Eddie's

879
00:42:36,120 --> 00:42:38,040
Speaker 1: in the minority. I mean I've also known him for

880
00:42:38,120 --> 00:42:40,160
Speaker 1: more than twenty years, so I mean he's been at

881
00:42:40,239 --> 00:42:42,120
Speaker 1: one point. Did you start to do that after we

882
00:42:42,160 --> 00:42:44,080
Speaker 1: got married? Right after? Yeah, I would say like a

883
00:42:44,120 --> 00:42:45,880
Speaker 1: year after we got mad. Was it uncomfortable for them too?

884
00:42:45,960 --> 00:42:48,960
Speaker 1: He's like, wait, I'm not your dad? No? Uh? And

885
00:42:49,040 --> 00:42:51,080
Speaker 1: in the phone it's dad number two. That's that's what

886
00:42:51,160 --> 00:42:56,319
Speaker 1: he's under. And then also my mother in law, she's mama, Wow, Mama.

887
00:42:57,520 --> 00:43:02,560
Speaker 1: Does your oldest son still call you daddy sometimes at thirteen? Yeah,

888
00:43:02,600 --> 00:43:05,160
Speaker 1: but it's crazy. My little foster baby he called me dad,

889
00:43:06,800 --> 00:43:09,319
Speaker 1: not daddy. Every other kid calls me daddy in the

890
00:43:09,360 --> 00:43:12,000
Speaker 1: house except my little foster baby, who's too Raymond. No,

891
00:43:12,080 --> 00:43:14,319
Speaker 1: what you call your mother in law mom? No? I

892
00:43:14,440 --> 00:43:16,360
Speaker 1: believe I've done that before, joking around, and she's like,

893
00:43:16,360 --> 00:43:21,560
Speaker 1: don't call me mom, Maybe try mama, because are you

894
00:43:21,600 --> 00:43:23,640
Speaker 1: close to them? I'm very close to him, but they're

895
00:43:23,640 --> 00:43:25,719
Speaker 1: funny like that, and they're just like, I mean, she's

896
00:43:25,719 --> 00:43:27,680
Speaker 1: not my mom, and her dad is a very manly

897
00:43:27,680 --> 00:43:29,120
Speaker 1: man and he's not gonna let me call him dad.

898
00:43:29,239 --> 00:43:30,960
Speaker 1: Do you call him by their first name or do

899
00:43:31,000 --> 00:43:33,120
Speaker 1: you call him mister? Yes, you do those first names

900
00:43:33,120 --> 00:43:36,919
Speaker 1: out there right at him. That's what I do you do? Yeah, yeah,

901
00:43:36,960 --> 00:43:39,560
Speaker 1: I don't. I'm like, sometimes I'm just mumble a sound

902
00:43:39,760 --> 00:43:41,280
Speaker 1: to get him to look. I can do with my dogs,

903
00:43:41,640 --> 00:43:43,799
Speaker 1: Like if I need Stanley, I'll be like, if I

904
00:43:43,880 --> 00:43:46,520
Speaker 1: need Stanley, I'll be like Stanley, I'll look at me

905
00:43:46,560 --> 00:43:48,280
Speaker 1: and I'll be like, hey, do this. And so sometimes

906
00:43:48,320 --> 00:43:52,640
Speaker 1: I'll be like take a little and then he looks

907
00:43:53,960 --> 00:43:55,560
Speaker 1: and I'm like, hey, so I'm gonna go Chick fil A.

908
00:43:56,680 --> 00:43:58,759
Speaker 1: That's that's the awkward it is. It's the way I

909
00:43:58,760 --> 00:44:01,759
Speaker 1: lived my life. Well, thank you for your calling your story,

910
00:44:02,080 --> 00:44:04,239
Speaker 1: d We appreciate that. Any advice you'd like to give me,

911
00:44:04,440 --> 00:44:05,960
Speaker 1: you know, just go with your gut and maybe you

912
00:44:06,000 --> 00:44:08,560
Speaker 1: want to sometime sit down and have a conversation. If

913
00:44:08,560 --> 00:44:12,480
Speaker 1: he's like an open communicator, maybe you guys can just

914
00:44:12,520 --> 00:44:14,120
Speaker 1: have a conversation, like, you know, I want to be

915
00:44:14,120 --> 00:44:16,279
Speaker 1: able to you have a title. I just don't know

916
00:44:16,320 --> 00:44:19,279
Speaker 1: what you're comfortable with because I call him by his

917
00:44:19,360 --> 00:44:21,000
Speaker 1: first name. Oh he said that, Yeah, but I don't

918
00:44:21,000 --> 00:44:24,400
Speaker 1: feel comfortable doing it. Why that's easting too well? And

919
00:44:24,440 --> 00:44:28,399
Speaker 1: then and then he's also got like two first names. Well,

920
00:44:28,400 --> 00:44:31,480
Speaker 1: it's got like Jim Bob. Well, no, if someone's name

921
00:44:31,520 --> 00:44:33,680
Speaker 1: was like Dan and Danny, some people call him Danny.

922
00:44:33,680 --> 00:44:35,160
Speaker 1: It's it's not his name. Some people call him Dan.

923
00:44:35,280 --> 00:44:36,719
Speaker 1: Oh don't even know. I don't even know which was

924
00:44:36,800 --> 00:44:38,520
Speaker 1: named to call him. But I thought you just said

925
00:44:38,560 --> 00:44:39,960
Speaker 1: he told you what to call him. Yeah, but it

926
00:44:39,960 --> 00:44:42,480
Speaker 1: doesn't feel right. Okay, I'm waiting for the moment to

927
00:44:42,520 --> 00:44:45,359
Speaker 1: be right, all right, So for now I'll go good game.

928
00:44:47,120 --> 00:44:50,440
Speaker 1: Yeah you all right, Thank you very much for your call.

929
00:44:50,480 --> 00:44:56,160
Speaker 1: We really appreciate that you all right, bybye, A great day, guy.

930
00:44:56,320 --> 00:45:00,160
Speaker 1: It's the best bits of the week with Morgan number two.

931
00:45:01,920 --> 00:45:04,120
Speaker 1: It's always a fun week when we have somebody like

932
00:45:04,320 --> 00:45:06,839
Speaker 1: Keith Urban on the show. He came in this week

933
00:45:06,920 --> 00:45:09,799
Speaker 1: not only talked about his new tattoo and his collaboration

934
00:45:09,880 --> 00:45:12,279
Speaker 1: with Taylor Swift, but he also performed some of his

935
00:45:12,320 --> 00:45:15,520
Speaker 1: biggest hits, God Whispered Your Name you'll think of me.

936
00:45:15,600 --> 00:45:19,239
Speaker 1: I mean, just him and a guitar. And that's why

937
00:45:19,280 --> 00:45:20,960
Speaker 1: you get to listen to when Keith Urban comes in

938
00:45:21,000 --> 00:45:23,759
Speaker 1: the studio. It's so cool and he's such a down

939
00:45:23,800 --> 00:45:26,759
Speaker 1: to earth guy. So if you missed this interview, make

940
00:45:26,800 --> 00:45:28,799
Speaker 1: sure you listen to it now, but then also go

941
00:45:28,840 --> 00:45:31,239
Speaker 1: to Bobby Bones dot com and watch his performance and

942
00:45:31,360 --> 00:45:33,480
Speaker 1: the interview again because it's all good and it's Keith

943
00:45:33,560 --> 00:45:38,400
Speaker 1: Urban number four. The Friday Morning Conversation with Keith Urban.

944
00:45:39,480 --> 00:45:42,399
Speaker 1: Weird being up here. Yeah, you're definitely on display. Thank

945
00:45:42,400 --> 00:45:45,719
Speaker 1: you for being on display, Keith Urban. Yes, how you been?

946
00:45:46,040 --> 00:45:48,359
Speaker 1: I've been good. How you have you been traveling at all?

947
00:45:48,560 --> 00:45:50,480
Speaker 1: We've been back and forward a little bit. Yeah, does

948
00:45:50,520 --> 00:45:52,040
Speaker 1: that mean too? Because I saw that you were doing

949
00:45:52,080 --> 00:45:54,839
Speaker 1: the voice again in Australia. That's that's a long back

950
00:45:54,880 --> 00:45:57,000
Speaker 1: and forth though. I came back and said we were

951
00:45:57,040 --> 00:46:00,719
Speaker 1: there in July. End of July when started a film

952
00:46:00,760 --> 00:46:02,839
Speaker 1: down there, which was a couple of months, and then

953
00:46:02,920 --> 00:46:08,720
Speaker 1: she had a film in Ireland in November, and then

954
00:46:08,800 --> 00:46:12,239
Speaker 1: we were back in Australia for Christmas and then I

955
00:46:12,280 --> 00:46:15,000
Speaker 1: started the Voice down there in February, but it was

956
00:46:15,000 --> 00:46:17,200
Speaker 1: only eight weeks, so we were done by middle of

957
00:46:17,320 --> 00:46:20,600
Speaker 1: March and pretty much middle of April, and then we

958
00:46:20,640 --> 00:46:23,600
Speaker 1: came over and I did the ACMs. What do you

959
00:46:23,680 --> 00:46:26,960
Speaker 1: do when you're on set with your wife and she's shooting?

960
00:46:27,000 --> 00:46:28,480
Speaker 1: Do you just hang out in the trailer or do

961
00:46:28,520 --> 00:46:30,279
Speaker 1: you go and walk through the woods and writing music?

962
00:46:32,280 --> 00:46:35,520
Speaker 1: Because there's so many COVID protocols in place that you

963
00:46:35,600 --> 00:46:38,120
Speaker 1: can't just rock up there anymore, not right now anyway,

964
00:46:38,160 --> 00:46:39,960
Speaker 1: So you just get a hotel where she is or

965
00:46:39,960 --> 00:46:42,080
Speaker 1: do you even do you just not see her? The

966
00:46:42,160 --> 00:46:45,319
Speaker 1: Belfast turnaround was really quick, so we didn't go and

967
00:46:45,320 --> 00:46:47,160
Speaker 1: then she so she was there and back pretty quick.

968
00:46:47,840 --> 00:46:49,880
Speaker 1: In your home lifestyle, because you do have two A

969
00:46:50,040 --> 00:46:53,000
Speaker 1: list celebrity superstars, do you have any chores? Like do

970
00:46:53,040 --> 00:46:55,880
Speaker 1: you have to actually do a chore? Like what is it?

971
00:46:56,000 --> 00:46:57,640
Speaker 1: What is a chore you have to do around the house?

972
00:46:57,840 --> 00:47:01,239
Speaker 1: Just taking out garbage and fixing things at break and

973
00:47:01,280 --> 00:47:04,000
Speaker 1: they always break? Can you fix things like I can

974
00:47:04,000 --> 00:47:05,880
Speaker 1: fix a lot more than I used to. When you

975
00:47:05,920 --> 00:47:07,920
Speaker 1: go to Australia, you have to do two weeks quarantine.

976
00:47:08,560 --> 00:47:11,480
Speaker 1: And we were at our place and I'm talking like

977
00:47:11,560 --> 00:47:15,319
Speaker 1: where nobody can come in or out for two weeks

978
00:47:15,360 --> 00:47:18,879
Speaker 1: hardcore completely locked down. Two police officers at the gate,

979
00:47:19,040 --> 00:47:21,839
Speaker 1: no way government police officers making sure you don't leave

980
00:47:21,920 --> 00:47:23,680
Speaker 1: or no one comes in both twenty four hours a

981
00:47:23,760 --> 00:47:26,160
Speaker 1: day for two weeks, and you have to do tele

982
00:47:26,239 --> 00:47:29,400
Speaker 1: medicine check ins every day, so you basically face timing

983
00:47:29,840 --> 00:47:33,319
Speaker 1: with your GP and showing everybody taking their attempts and

984
00:47:33,400 --> 00:47:37,120
Speaker 1: showing the result every day. It's crazy, but it works. Yeah, right.

985
00:47:37,520 --> 00:47:40,640
Speaker 1: But the point of that was, man, things break. We

986
00:47:40,680 --> 00:47:42,560
Speaker 1: have a house. It's like one hundred and twenty years old.

987
00:47:43,360 --> 00:47:45,720
Speaker 1: Things break. I can't get anybody to come and fix anything.

988
00:47:46,280 --> 00:47:50,400
Speaker 1: I learned a lot about everywhere with your live show.

989
00:47:50,440 --> 00:47:52,360
Speaker 1: I wonder if anything is going to be different now,

990
00:47:52,400 --> 00:47:53,960
Speaker 1: because that's when you play it many times and you're

991
00:47:54,000 --> 00:47:56,600
Speaker 1: just fantastic live. But there's there's a part where you

992
00:47:56,680 --> 00:47:59,800
Speaker 1: run into the crowd and there are people everywhere around

993
00:47:59,840 --> 00:48:02,080
Speaker 1: you and they're all spitting on you and you're spitting

994
00:48:02,120 --> 00:48:03,520
Speaker 1: on them. I mean, that's a big, big part of

995
00:48:03,520 --> 00:48:05,840
Speaker 1: the show, the Keith having spitfest. It's making me question

996
00:48:05,880 --> 00:48:08,960
Speaker 1: my whole pass right now. But are you does that

997
00:48:09,040 --> 00:48:10,560
Speaker 1: change it all for you for a bit when you

998
00:48:10,600 --> 00:48:12,319
Speaker 1: go back live you're still hopping out in the crowd.

999
00:48:12,360 --> 00:48:13,960
Speaker 1: It's going to change a lot for everybody. I think

1000
00:48:13,960 --> 00:48:15,920
Speaker 1: it's some in some degree. And yet at the same time,

1001
00:48:15,960 --> 00:48:18,000
Speaker 1: I almost wonder if if you know, at some point

1002
00:48:18,000 --> 00:48:20,319
Speaker 1: it's just going to be very much like it was

1003
00:48:20,560 --> 00:48:22,200
Speaker 1: at some point, I don't I don't know why it

1004
00:48:22,200 --> 00:48:25,319
Speaker 1: would radically change. At some point, it's going to be

1005
00:48:25,400 --> 00:48:27,719
Speaker 1: like it was. That's that's my feeling. Did you get

1006
00:48:27,719 --> 00:48:29,640
Speaker 1: a new tattoo? Do you new tattoo? Yeah? I got

1007
00:48:29,719 --> 00:48:31,680
Speaker 1: one in my hand. I think I saw it at

1008
00:48:31,680 --> 00:48:33,920
Speaker 1: the ACMs for the first time. When did you get that?

1009
00:48:34,000 --> 00:48:36,480
Speaker 1: And what is that exactly? It's just well it's sort

1010
00:48:36,480 --> 00:48:39,920
Speaker 1: of a Polynesian type design. I guess that hurt on

1011
00:48:39,960 --> 00:48:43,880
Speaker 1: the hand. Yeah, that looks extremely painful. Do you go

1012
00:48:43,920 --> 00:48:45,000
Speaker 1: in and just go I want to get this on

1013
00:48:45,040 --> 00:48:47,440
Speaker 1: my hand? I know what I want. Or do you

1014
00:48:47,440 --> 00:48:48,880
Speaker 1: walk into the shop and go show me what you

1015
00:48:48,960 --> 00:48:51,400
Speaker 1: got this guy who had never worked with before just

1016
00:48:51,400 --> 00:48:54,160
Speaker 1: short of freehanded with with a pan. You let someone

1017
00:48:54,239 --> 00:48:57,360
Speaker 1: freehanded tattoo on you with a pan first of all, okay,

1018
00:48:57,560 --> 00:49:00,120
Speaker 1: and then I liked it and when we committed to it,

1019
00:49:01,360 --> 00:49:03,080
Speaker 1: and do you have someone come to your house or

1020
00:49:03,080 --> 00:49:05,000
Speaker 1: where you are and give you tattoos. I got half

1021
00:49:05,000 --> 00:49:06,759
Speaker 1: of this at my house, in the other half at

1022
00:49:06,800 --> 00:49:10,279
Speaker 1: his work. Somebody it maybe someone on the show saw

1023
00:49:10,320 --> 00:49:12,279
Speaker 1: you at the mall before Pandemic walking around the mall

1024
00:49:13,080 --> 00:49:14,600
Speaker 1: and they were like, we saw Keith Thurban at the mall.

1025
00:49:14,640 --> 00:49:16,520
Speaker 1: Were like, you know, there's no chance you saw Keith

1026
00:49:16,520 --> 00:49:18,839
Speaker 1: Thurbell walking around the mall. Do you ever walk around

1027
00:49:18,880 --> 00:49:24,200
Speaker 1: the mall? Yeah? I was actually Christmas shopping when Taylor

1028
00:49:24,640 --> 00:49:26,680
Speaker 1: Swift texted me and say she had sees songs she

1029
00:49:27,080 --> 00:49:28,480
Speaker 1: was going to record and what I want to sing

1030
00:49:28,480 --> 00:49:30,319
Speaker 1: on a couple. I was literally in the food court

1031
00:49:30,880 --> 00:49:34,560
Speaker 1: at the mall getting reading this text, going on, all right,

1032
00:49:34,600 --> 00:49:37,239
Speaker 1: I send me the songs and I sat down, put

1033
00:49:37,280 --> 00:49:40,880
Speaker 1: my little apods in was listening to these unreleased Swifty

1034
00:49:41,000 --> 00:49:44,560
Speaker 1: songs and uh, it was crazy. The whole environment was

1035
00:49:44,560 --> 00:49:47,439
Speaker 1: was bizarre, watching everyone walk around the food court while

1036
00:49:47,440 --> 00:49:49,920
Speaker 1: listening to these songs. So she sent you the songs

1037
00:49:50,440 --> 00:49:51,960
Speaker 1: what I have heard and I have friends that have

1038
00:49:52,040 --> 00:49:55,759
Speaker 1: worked in that camp a bit that it's so secretive.

1039
00:49:56,120 --> 00:49:58,080
Speaker 1: Sometimes they will have someone come and bring you the

1040
00:49:58,080 --> 00:49:59,719
Speaker 1: song and play you the song and then leave right

1041
00:49:59,760 --> 00:50:01,759
Speaker 1: But she just sent them to you over text. Yeah,

1042
00:50:01,880 --> 00:50:04,600
Speaker 1: she trust you that much. Yeah, should you be trusted

1043
00:50:04,640 --> 00:50:07,719
Speaker 1: that much? She should? Yeah? Yeah absolutely. And he's sitting

1044
00:50:07,719 --> 00:50:09,880
Speaker 1: there thinking like, if any of these people shopping right

1045
00:50:09,880 --> 00:50:11,560
Speaker 1: now knew what I was listening to, that's what I

1046
00:50:11,640 --> 00:50:14,720
Speaker 1: think breaking out. Yeah, But also I'm thinking Keith Urban's

1047
00:50:14,719 --> 00:50:17,160
Speaker 1: in the food court. It doesn't matter what he's listening to.

1048
00:50:17,239 --> 00:50:19,640
Speaker 1: He's just hanging out in the food court. Yeah. Yeah. Um,

1049
00:50:19,640 --> 00:50:21,800
Speaker 1: you were a part of Fearless with Taylor. Does she

1050
00:50:21,880 --> 00:50:23,400
Speaker 1: text you or call you and go, hey, will you

1051
00:50:23,400 --> 00:50:26,200
Speaker 1: do this? And what's that the text she texted me? Yeah?

1052
00:50:26,239 --> 00:50:29,680
Speaker 1: And is it instant yes? Um, instant curiosity for sure.

1053
00:50:29,719 --> 00:50:32,319
Speaker 1: I definitely wanted to hear the songs, and I love

1054
00:50:32,360 --> 00:50:35,200
Speaker 1: the fact that both songs were unreleased. If you don't mind,

1055
00:50:35,239 --> 00:50:37,040
Speaker 1: I know you're sitting there with a guitar, would you

1056
00:50:37,040 --> 00:50:40,000
Speaker 1: play the new one that you do with Pink? Oh? Okay? Uh?

1057
00:50:41,880 --> 00:50:43,879
Speaker 1: Because I tell you why, it's we you know it's

1058
00:50:43,920 --> 00:50:46,279
Speaker 1: getting played a lot. And I sometimes when I hear

1059
00:50:46,320 --> 00:50:47,719
Speaker 1: I just it stays in my ear. It's one of

1060
00:50:47,719 --> 00:50:50,040
Speaker 1: those ear worms, it doesn't leave. And when you were

1061
00:50:50,080 --> 00:50:51,279
Speaker 1: coming in, I was like, I wonder if keiths to

1062
00:50:51,320 --> 00:50:53,399
Speaker 1: play the new one? Um? Yeah, I mean you want

1063
00:50:53,400 --> 00:50:55,640
Speaker 1: to sing the high? Oh yeah, I was gonna see

1064
00:50:55,640 --> 00:50:58,399
Speaker 1: if you wanted me to be pin You don't want

1065
00:50:58,440 --> 00:51:02,440
Speaker 1: me to do that, right? Yeah? Uh okay, something like

1066
00:51:02,480 --> 00:51:16,400
Speaker 1: a so all don't acoustigan. Don't remember much about it

1067
00:51:16,520 --> 00:51:21,000
Speaker 1: last night, woke the bone and couch soon arrest, saw

1068
00:51:21,040 --> 00:51:24,800
Speaker 1: the living room through this bloodshot as a man goes.

1069
00:51:24,840 --> 00:51:30,160
Speaker 1: So baby didn't like that I came home late for him.

1070
00:51:30,239 --> 00:51:33,759
Speaker 1: But it's a Friday, babe, and I've been working hard.

1071
00:51:34,120 --> 00:51:36,719
Speaker 1: Can't you give me some space? That is shouting out?

1072
00:51:36,760 --> 00:51:43,680
Speaker 1: Oh my god? Who yeah? Who? Yeah? I go out

1073
00:51:43,760 --> 00:51:45,920
Speaker 1: with some new friends, but it just makes me missing

1074
00:51:46,080 --> 00:51:51,720
Speaker 1: more more singing. I mean, I spend all My honey

1075
00:51:51,760 --> 00:51:55,600
Speaker 1: is drinking it on my I don't run it. And

1076
00:51:55,920 --> 00:52:01,440
Speaker 1: this Martin sat He's staring at my phone and not

1077
00:52:01,719 --> 00:52:05,280
Speaker 1: the sick and gift And where did I go wrong?

1078
00:52:05,480 --> 00:52:14,200
Speaker 1: I know, I'm proud good. I haven't want to many

1079
00:52:14,760 --> 00:52:16,560
Speaker 1: when you write or when this song gets to you

1080
00:52:16,640 --> 00:52:18,960
Speaker 1: and you're going, okay, we're gonna cut this. Was it

1081
00:52:19,640 --> 00:52:22,400
Speaker 1: proposed as a duet or was that it was written

1082
00:52:22,440 --> 00:52:24,920
Speaker 1: as a duet Because some songs aren't and it's like,

1083
00:52:24,960 --> 00:52:27,279
Speaker 1: I think this feels better, but yeah, did you have

1084
00:52:27,360 --> 00:52:30,160
Speaker 1: pink and mind to start? I was hoping she'd love

1085
00:52:30,239 --> 00:52:32,839
Speaker 1: the song. Yeah, And I'd never recorded anything with her,

1086
00:52:33,040 --> 00:52:36,640
Speaker 1: so she would just sort of always on my big

1087
00:52:36,680 --> 00:52:39,520
Speaker 1: wig wish list to try and find something. I thought

1088
00:52:39,520 --> 00:52:41,440
Speaker 1: maybe one day we'd write something. But this song came

1089
00:52:41,480 --> 00:52:44,239
Speaker 1: along and felt it felt right. Has they one ever

1090
00:52:44,280 --> 00:52:47,640
Speaker 1: turned you down? Oh? Sure, absolutely, tell us all, oh

1091
00:52:47,680 --> 00:52:53,160
Speaker 1: you're talking musically now. You said you don't have to

1092
00:52:53,200 --> 00:52:54,640
Speaker 1: tell us who, but you would send a song off ago.

1093
00:52:54,680 --> 00:52:56,200
Speaker 1: I think this sounds great, and they just are like, yeah,

1094
00:52:56,200 --> 00:52:59,400
Speaker 1: it's not for me. Oh sure, absolutely, yeah, because sometimes

1095
00:52:59,400 --> 00:53:02,080
Speaker 1: it's just not It doesn't it doesn't suit. Can you

1096
00:53:02,120 --> 00:53:03,719
Speaker 1: in your mind when you play guitar, can you hear

1097
00:53:03,760 --> 00:53:07,160
Speaker 1: any melody and just recreate it with your hands? Bobby

1098
00:53:07,239 --> 00:53:16,080
Speaker 1: boot Boot boo, Wow, that's crazy. At what point? At

1099
00:53:16,120 --> 00:53:18,600
Speaker 1: what point does that happen in your brain when you're

1100
00:53:18,680 --> 00:53:21,440
Speaker 1: learning guitar or was it naturally in you? I don't know.

1101
00:53:21,600 --> 00:53:25,239
Speaker 1: I think maybe naturally to begin with. And I'm in

1102
00:53:25,280 --> 00:53:27,759
Speaker 1: my head always playing. I realized even when I was

1103
00:53:27,760 --> 00:53:29,600
Speaker 1: in I was terrible at school. I realized why because

1104
00:53:29,600 --> 00:53:31,720
Speaker 1: I was always playing guitar. I didn't need a guitar

1105
00:53:31,800 --> 00:53:33,680
Speaker 1: to play guitar. I was playing it in my head

1106
00:53:33,840 --> 00:53:37,680
Speaker 1: like all the time. When you hear a song, could

1107
00:53:37,719 --> 00:53:40,520
Speaker 1: you go home? Like one of our jingles goes, this

1108
00:53:40,760 --> 00:53:43,279
Speaker 1: is the Bobby Boon Show. Could you go yeah? I

1109
00:53:43,280 --> 00:53:46,799
Speaker 1: got that? No, probably just like you know exactly where

1110
00:53:46,800 --> 00:53:53,080
Speaker 1: it is, right, yes, prove it? This is the that's

1111
00:53:53,120 --> 00:53:56,279
Speaker 1: so that's like a space alien. So here's here are

1112
00:53:56,280 --> 00:53:59,200
Speaker 1: my skills, my interplanetary skills, and we just can't identify

1113
00:53:59,640 --> 00:54:03,000
Speaker 1: that's what that is right there. I don't speak any

1114
00:54:03,000 --> 00:54:06,399
Speaker 1: of the languages but English in this Keith Urban is here.

1115
00:54:06,760 --> 00:54:08,480
Speaker 1: I'm sure there are so many people that come to

1116
00:54:08,480 --> 00:54:10,600
Speaker 1: you and go, hey, what is it? Cap or cat?

1117
00:54:11,160 --> 00:54:13,520
Speaker 1: And you'll think of me, yeah right, yeah, right from

1118
00:54:13,560 --> 00:54:17,960
Speaker 1: the beginning, And the answer is cat. Take your cat? Yeah,

1119
00:54:18,120 --> 00:54:21,160
Speaker 1: key with the t cat. Yeah he doesn't want the cat,

1120
00:54:21,360 --> 00:54:25,200
Speaker 1: right it? Cat feels a little angrier? Would we agree

1121
00:54:25,200 --> 00:54:27,799
Speaker 1: with that? Yeah? Like a cat? Yeah? Yeah, I put

1122
00:54:27,880 --> 00:54:29,480
Speaker 1: up with the damn cat the whole time. You can

1123
00:54:29,480 --> 00:54:32,160
Speaker 1: take it now, Yeah take a cat. Okay, So as

1124
00:54:32,200 --> 00:54:33,919
Speaker 1: long as everybody knows, would you mind playing a little

1125
00:54:33,960 --> 00:54:49,560
Speaker 1: bit of that for us. Okay, woke up putty this

1126
00:54:49,800 --> 00:54:55,560
Speaker 1: morning around for me the moon shin and brad stead

1127
00:54:55,600 --> 00:55:01,680
Speaker 1: lot song in a state, lubots over my head and

1128
00:55:01,880 --> 00:55:07,160
Speaker 1: try to catch some sleeping parts us kept keeping me.

1129
00:55:07,280 --> 00:55:14,080
Speaker 1: You eat you ever since you found yourself in someone

1130
00:55:14,160 --> 00:55:18,240
Speaker 1: else's arms, I've been trying the best to get along.

1131
00:55:19,120 --> 00:55:24,200
Speaker 1: That suitcase is nothing there to seep, Ticket Cat. Oh,

1132
00:55:24,239 --> 00:55:27,080
Speaker 1: I ain't sang the wrong words. You psyched me out, Bobby.

1133
00:55:27,719 --> 00:55:30,080
Speaker 1: I was thinking as a cattercaple of a sudden like

1134
00:55:30,960 --> 00:55:35,480
Speaker 1: shake your bacads. Take your freedom, seek your memories that

1135
00:55:35,719 --> 00:55:40,239
Speaker 1: don't me. Take your space and know your reasons what

1136
00:55:40,480 --> 00:55:44,040
Speaker 1: you think to me here it is ticket Cat and

1137
00:55:44,200 --> 00:55:48,440
Speaker 1: leave my sueto because we got not the lift to ever.

1138
00:55:49,280 --> 00:55:52,879
Speaker 1: In fact, I'm feeling whole lot better, as you can tell.

1139
00:55:52,920 --> 00:55:54,759
Speaker 1: I haven't sang a song in a long time. Hey,

1140
00:55:54,960 --> 00:55:57,520
Speaker 1: So what advice do you give me? Is I'm about

1141
00:55:57,520 --> 00:56:00,600
Speaker 1: to get married? What is the what's not where? Advice?

1142
00:56:00,760 --> 00:56:04,839
Speaker 1: What is marriage? I only know it works from mine

1143
00:56:05,480 --> 00:56:08,439
Speaker 1: and it'll end up being like my marriage advice, which

1144
00:56:08,480 --> 00:56:11,520
Speaker 1: is not at all what it is. Everyone's going to

1145
00:56:11,520 --> 00:56:14,400
Speaker 1: figure out their own dance, right. Every couple just figures

1146
00:56:14,400 --> 00:56:17,400
Speaker 1: out their own dance. They really do. I mean, what

1147
00:56:17,440 --> 00:56:19,759
Speaker 1: works for someone doesn't work for someone else, did it

1148
00:56:19,880 --> 00:56:24,000
Speaker 1: you at one point do a show, fly across, have

1149
00:56:24,239 --> 00:56:27,120
Speaker 1: like Nicole's birthday with her for a day, and then

1150
00:56:27,160 --> 00:56:29,640
Speaker 1: fly all the way back across again. That's a legendary

1151
00:56:29,719 --> 00:56:32,359
Speaker 1: Keith Urban story. No, she was having an ultrasound because

1152
00:56:32,400 --> 00:56:36,560
Speaker 1: she was pregnant and she was shooting the film called Australia,

1153
00:56:37,160 --> 00:56:41,200
Speaker 1: a Basloman film, and it was being shot in Australia, obviously,

1154
00:56:41,200 --> 00:56:44,640
Speaker 1: and I was touring here in the States, and she

1155
00:56:44,719 --> 00:56:46,759
Speaker 1: was going in for an ultrasound, and I was like, well,

1156
00:56:46,760 --> 00:56:50,160
Speaker 1: I got this three day period in between, because you

1157
00:56:50,280 --> 00:56:52,399
Speaker 1: lose a day when you fly down, So you leave

1158
00:56:52,400 --> 00:56:54,040
Speaker 1: her on a Monday, you get there on a Wednesday,

1159
00:56:54,440 --> 00:57:00,040
Speaker 1: and we were playing on the Thursday night somewhere. So

1160
00:57:00,160 --> 00:57:04,000
Speaker 1: I took off on Monday from here, landed Wednesday in

1161
00:57:04,040 --> 00:57:07,160
Speaker 1: the morning, went and had the ultrasound with neck. We

1162
00:57:07,239 --> 00:57:08,880
Speaker 1: had lunch, and then I got on the plane and

1163
00:57:08,920 --> 00:57:13,279
Speaker 1: flew back like that afternoon. Were you so dehydrated? That

1164
00:57:13,360 --> 00:57:16,000
Speaker 1: is such a long flight. It's the most bizarre question.

1165
00:57:16,400 --> 00:57:18,800
Speaker 1: I mean, because when I fly anywhere, I get off

1166
00:57:18,800 --> 00:57:22,160
Speaker 1: and I'm just like, I'm so dehydra that I've flown

1167
00:57:22,200 --> 00:57:25,640
Speaker 1: to Australia. Right, that is the longest flight ever been

1168
00:57:25,680 --> 00:57:27,640
Speaker 1: on in my life. It's a long one. I realized

1169
00:57:27,680 --> 00:57:30,360
Speaker 1: that you travel a lot when I was telling somebody

1170
00:57:30,920 --> 00:57:32,400
Speaker 1: a couple of years ago. I was talking about what

1171
00:57:32,440 --> 00:57:34,320
Speaker 1: we're doing and I said, we're gonna do this, this, this,

1172
00:57:34,640 --> 00:57:36,200
Speaker 1: and then I'm going to pop down to Australia. And

1173
00:57:36,240 --> 00:57:38,560
Speaker 1: they went, wait, wait, wait, did you just say pop

1174
00:57:38,800 --> 00:57:41,200
Speaker 1: down to Australia. And I'm like yeah, and they go,

1175
00:57:41,480 --> 00:57:43,120
Speaker 1: you know you travel a lot when you use the

1176
00:57:43,160 --> 00:57:46,880
Speaker 1: phrase pop down to Australia. Yeah, it is a long flight.

1177
00:57:46,920 --> 00:57:48,960
Speaker 1: It's a long flight. Yeah. Who is it that you

1178
00:57:49,040 --> 00:57:51,240
Speaker 1: hear right now that you're like, dam I'm so inspired

1179
00:57:51,280 --> 00:57:53,600
Speaker 1: by this because your guy who's always searching out you know,

1180
00:57:53,880 --> 00:57:56,160
Speaker 1: great new sound, great new music. Who is it that

1181
00:57:56,280 --> 00:57:57,840
Speaker 1: now you're like, man, I'm kind of on this right

1182
00:57:57,840 --> 00:57:59,640
Speaker 1: now listening to it because you came here once and

1183
00:57:59,720 --> 00:58:01,760
Speaker 1: you you teld me about Hobo. Now I became a

1184
00:58:01,840 --> 00:58:03,200
Speaker 1: I became a big fan of U S. I was

1185
00:58:03,240 --> 00:58:04,880
Speaker 1: just I was texting you pictures like that, Man, this

1186
00:58:04,920 --> 00:58:07,000
Speaker 1: song is great. Oh that's cool, Yeah, who is it now?

1187
00:58:07,240 --> 00:58:09,200
Speaker 1: I feel like I'm waiting for that thing right now.

1188
00:58:09,320 --> 00:58:11,840
Speaker 1: Do you think that the situation we're coming out of

1189
00:58:12,920 --> 00:58:16,480
Speaker 1: kind of has everyone everyone on hold or or as

1190
00:58:16,520 --> 00:58:19,520
Speaker 1: stifled creativity or has created a different kind of sound,

1191
00:58:19,600 --> 00:58:21,720
Speaker 1: Like any of your favorite arts putting out in music

1192
00:58:21,760 --> 00:58:24,120
Speaker 1: that they made during the pandemic at all, I would

1193
00:58:24,200 --> 00:58:25,800
Speaker 1: imagine a lot of what we're hearing right now is

1194
00:58:25,840 --> 00:58:31,480
Speaker 1: made during that period. Um, that's a that's a good question. Um,

1195
00:58:32,560 --> 00:58:34,080
Speaker 1: you know, I think it's going to run the gamut

1196
00:58:34,160 --> 00:58:39,160
Speaker 1: from songs you know about that situation. We have a

1197
00:58:39,160 --> 00:58:41,920
Speaker 1: single that now called out the Cage, which was written

1198
00:58:41,920 --> 00:58:44,320
Speaker 1: in that time, but it's it's about breaking out, but

1199
00:58:44,320 --> 00:58:47,400
Speaker 1: it's not just about that, UM think. I think it's

1200
00:58:47,400 --> 00:58:49,480
Speaker 1: going to run the gamut of everything. A lot of escape,

1201
00:58:49,520 --> 00:58:51,960
Speaker 1: a lot of sadness, a lot of joy, a lot

1202
00:58:52,000 --> 00:58:54,400
Speaker 1: of hope, a lot of fear. I mean, there's a

1203
00:58:54,400 --> 00:58:56,560
Speaker 1: lot of trauma in a lot of people right now,

1204
00:58:56,680 --> 00:58:59,960
Speaker 1: really undercurrent and just a desire for things get back.

1205
00:59:00,200 --> 00:59:02,520
Speaker 1: If I'm remembering correctly from listening to your record, out

1206
00:59:02,520 --> 00:59:07,880
Speaker 1: of the Cage is that's a that's a pretty fast yeah,

1207
00:59:07,920 --> 00:59:09,919
Speaker 1: like that song's got a lot of energy to it, right, Yeah.

1208
00:59:09,920 --> 00:59:13,320
Speaker 1: I took a sort of big inspiration from a lot

1209
00:59:13,360 --> 00:59:16,959
Speaker 1: of the nineties English house beat stuff, you know, Fat

1210
00:59:16,960 --> 00:59:20,000
Speaker 1: Boy Slam, Prodigy, And I'm like, if I could take

1211
00:59:20,080 --> 00:59:22,360
Speaker 1: that rhythm and put it into my world, what would

1212
00:59:22,360 --> 00:59:25,360
Speaker 1: it sound like we wrote that song. That's interesting too

1213
00:59:25,440 --> 00:59:29,200
Speaker 1: that you can find inspiration in older stuff as well,

1214
00:59:29,600 --> 00:59:31,680
Speaker 1: Like right there, I mean, you're you're talking about two

1215
00:59:31,720 --> 00:59:34,080
Speaker 1: artists I listened to fifteen years ago. Yeah, fat Boy

1216
00:59:34,080 --> 00:59:37,040
Speaker 1: Slam and Prodigy. Yeah, I mean is that an energy

1217
00:59:37,040 --> 00:59:39,320
Speaker 1: in those records? And you would agree with it. I'm

1218
00:59:39,320 --> 00:59:41,440
Speaker 1: sure there's an energy in those records that is just

1219
00:59:41,720 --> 00:59:44,440
Speaker 1: oh my god, it's exhilarating. It makes you want to

1220
00:59:44,480 --> 00:59:48,000
Speaker 1: either run, fight, break something, or I don't know something

1221
00:59:48,040 --> 00:59:51,160
Speaker 1: we're gonna you know, we're runna naked through the quadrant

1222
00:59:51,160 --> 00:59:58,680
Speaker 1: for sure. Interesting. Have you ever done that? Uh? Well,

1223
00:59:58,840 --> 01:00:01,640
Speaker 1: moving on, no on that, But that song makes you

1224
01:00:01,640 --> 01:00:03,840
Speaker 1: want to do that maybe a little bit. We'll see.

1225
01:00:03,920 --> 01:00:06,600
Speaker 1: Keith urban is here. How about we wrapper what's your

1226
01:00:06,600 --> 01:00:09,040
Speaker 1: marriage advice? But I have none. I don't know what's

1227
01:00:09,040 --> 01:00:12,560
Speaker 1: your engaged advice? Then? Have you learned through your engagement?

1228
01:00:12,600 --> 01:00:16,240
Speaker 1: Bobby Bones? I have literally learned that it is not

1229
01:00:16,400 --> 01:00:21,600
Speaker 1: about all about me anymore, because yeah, right, and it's

1230
01:00:21,640 --> 01:00:24,560
Speaker 1: taken me this long to learn it, and sometimes she's

1231
01:00:24,560 --> 01:00:28,000
Speaker 1: had to crowbar me into situation. She's had to give

1232
01:00:28,080 --> 01:00:30,200
Speaker 1: me one example of a situation. Well, it's it's just

1233
01:00:30,240 --> 01:00:31,680
Speaker 1: not all my life. Can't be selfish all the time

1234
01:00:31,680 --> 01:00:34,320
Speaker 1: about my life all the time and mine and you know,

1235
01:00:34,400 --> 01:00:36,200
Speaker 1: even some stuff that I used to just come on

1236
01:00:36,320 --> 01:00:39,840
Speaker 1: and be extremely public about. Now my life is our life, right,

1237
01:00:40,000 --> 01:00:42,320
Speaker 1: and I have to think about her too before I

1238
01:00:42,360 --> 01:00:45,600
Speaker 1: just am and am revealing certain things. Yeah, so on

1239
01:00:45,680 --> 01:00:51,920
Speaker 1: that aspect, but also making time to cultivate a relationship

1240
01:00:52,120 --> 01:00:53,920
Speaker 1: because I will just work. I will wake up in

1241
01:00:53,920 --> 01:00:55,920
Speaker 1: the morning, I'll flip open my laptop and I will

1242
01:00:55,920 --> 01:00:57,760
Speaker 1: spend all day working and then I will go to sleep.

1243
01:00:57,800 --> 01:01:00,760
Speaker 1: My final movement is my laptop down. But there are

1244
01:01:00,800 --> 01:01:03,080
Speaker 1: now important things that I have to invest myself in

1245
01:01:03,120 --> 01:01:07,479
Speaker 1: for the future, not financially but relationship wise. And so

1246
01:01:07,760 --> 01:01:09,400
Speaker 1: that has been the biggest thing, is this can't be

1247
01:01:09,480 --> 01:01:13,280
Speaker 1: as selfish anymore, not about giving, but about as a

1248
01:01:13,320 --> 01:01:16,040
Speaker 1: person to another person. Yes, and I've been inspired by

1249
01:01:16,080 --> 01:01:17,360
Speaker 1: your story. And when she has an ultra sound I'm

1250
01:01:17,360 --> 01:01:19,439
Speaker 1: gonna go another country on purpose, fly over to see

1251
01:01:19,480 --> 01:01:21,680
Speaker 1: her and then leave just so I can be like

1252
01:01:21,960 --> 01:01:24,880
Speaker 1: this is what Keith Urban Tommy, I wouldn't know, you

1253
01:01:24,920 --> 01:01:27,960
Speaker 1: wouldn't do that, but yeah, you're right. I mean, that's it,

1254
01:01:28,000 --> 01:01:31,800
Speaker 1: isn't it. It's like putting. Putting to us first is

1255
01:01:31,840 --> 01:01:34,680
Speaker 1: the breakthrough. One of the songs that we listen to

1256
01:01:34,720 --> 01:01:36,480
Speaker 1: a lot, and I've told you this privately, that God

1257
01:01:36,480 --> 01:01:39,040
Speaker 1: Whispered Your Name is that that song reminds me of

1258
01:01:39,040 --> 01:01:42,000
Speaker 1: her and I when we hear it, I'm like this

1259
01:01:42,320 --> 01:01:43,960
Speaker 1: and it's kind of one of our songs, like one

1260
01:01:44,040 --> 01:01:47,120
Speaker 1: of our top three or four songs that remind us

1261
01:01:47,120 --> 01:01:50,160
Speaker 1: of being together. And so as you leave, would you

1262
01:01:50,160 --> 01:01:51,960
Speaker 1: mind playing a little bit of God Whispered Your Name? Sure?

1263
01:02:07,760 --> 01:02:12,920
Speaker 1: I was so cold and most nothing seemed to ring true.

1264
01:02:14,520 --> 01:02:21,320
Speaker 1: I couldn't bear the cross everything I've been through, and

1265
01:02:21,760 --> 01:02:27,960
Speaker 1: each day I knew I needed change, but there was

1266
01:02:28,080 --> 01:02:34,520
Speaker 1: no way, no way. And then got a Whisper your

1267
01:02:34,600 --> 01:02:40,720
Speaker 1: Name and that's when everything changed. Look came out of

1268
01:02:40,720 --> 01:02:47,360
Speaker 1: the rain, talk about being save with Sertainly, I want

1269
01:02:47,360 --> 01:02:54,680
Speaker 1: to live more than ever. I'm never gonna be the same.

1270
01:02:55,840 --> 01:03:03,200
Speaker 1: When Ky whispered by his name. Boy. I like that ding.

1271
01:03:03,680 --> 01:03:05,520
Speaker 1: Where is that on the fret? Where it's like when

1272
01:03:06,120 --> 01:03:11,440
Speaker 1: ing the U? Oh nice? One day I want to

1273
01:03:11,440 --> 01:03:16,360
Speaker 1: do that. Yes, yeah, that's cool. I'm left handed. One

1274
01:03:16,520 --> 01:03:20,600
Speaker 1: here's and I will rast, I will. I'll wrap on

1275
01:03:20,640 --> 01:03:23,200
Speaker 1: this story once. And you may not remember this. I

1276
01:03:23,240 --> 01:03:24,960
Speaker 1: was doing some work for a CMA fest and we

1277
01:03:24,960 --> 01:03:26,840
Speaker 1: were underneath you and I were shooting some stuff and

1278
01:03:26,880 --> 01:03:28,320
Speaker 1: I had my guitar and I was doing some dopey

1279
01:03:28,320 --> 01:03:30,200
Speaker 1: stuff with people, and you were like, let me see

1280
01:03:30,200 --> 01:03:31,800
Speaker 1: your guitar. I played left handed, and you were like,

1281
01:03:31,840 --> 01:03:33,600
Speaker 1: I don't think I've ever played left handed. And then

1282
01:03:33,640 --> 01:03:35,240
Speaker 1: you you got It. Took you, like I don't know,

1283
01:03:35,280 --> 01:03:37,160
Speaker 1: ten seconds of you to talk to your fingers and

1284
01:03:37,200 --> 01:03:39,240
Speaker 1: your brain, and you kind of reversed everything and then

1285
01:03:39,280 --> 01:03:41,760
Speaker 1: you instantly were ten times the left handed guitar player

1286
01:03:41,760 --> 01:03:43,400
Speaker 1: that I've ever tried to be. I don't know about that.

1287
01:03:43,880 --> 01:03:45,600
Speaker 1: What I do know, though, is that when I was

1288
01:03:47,120 --> 01:03:50,800
Speaker 1: about fifteen, I fell up my bike and broke my

1289
01:03:51,000 --> 01:03:54,880
Speaker 1: left arm. And my duo that I was in was

1290
01:03:54,920 --> 01:03:56,720
Speaker 1: competing in the Talent Quest and we've made it through

1291
01:03:56,760 --> 01:04:00,240
Speaker 1: to the semifinals and the semifinals were like on the

1292
01:04:00,280 --> 01:04:02,480
Speaker 1: weekend coming up, and I just broke them off. So

1293
01:04:02,480 --> 01:04:05,880
Speaker 1: it's in a cast. I couldn't bend my fingers under

1294
01:04:05,920 --> 01:04:08,160
Speaker 1: the strings. I was so frustrated, but I realized I

1295
01:04:08,160 --> 01:04:10,080
Speaker 1: could put my hand over the top of the guitar,

1296
01:04:10,320 --> 01:04:12,240
Speaker 1: so I figured, I'll just play the chords like this

1297
01:04:17,640 --> 01:04:22,800
Speaker 1: I can, and I haven't learned the whole song like

1298
01:04:23,720 --> 01:04:25,280
Speaker 1: we made it through the semis. I think, out of

1299
01:04:25,280 --> 01:04:29,680
Speaker 1: sheer pity, did you lose because you couldn't play normal,

1300
01:04:30,560 --> 01:04:33,240
Speaker 1: wonderful guitar? Do you think there? What did you lose?

1301
01:04:33,240 --> 01:04:35,240
Speaker 1: You said you made at the semifinals. Did you lose

1302
01:04:35,280 --> 01:04:38,440
Speaker 1: because you didn't have your entire guitar hand? Uh? No,

1303
01:04:38,520 --> 01:04:40,120
Speaker 1: I just think we weren't very good. You weren't very

1304
01:04:40,160 --> 01:04:43,320
Speaker 1: good man sadly all right? And then you know who

1305
01:04:43,320 --> 01:04:46,800
Speaker 1: won though, you two? You two won the great Yeah,

1306
01:04:46,800 --> 01:04:49,520
Speaker 1: but you're duo, Like do you know where that person is? Now? No?

1307
01:04:51,760 --> 01:04:57,000
Speaker 1: All right, and we'll end on that alright. One song

1308
01:04:57,040 --> 01:04:58,880
Speaker 1: I wanted to play for you that it's really important. Okay,

1309
01:04:58,920 --> 01:05:03,320
Speaker 1: love it, but I thought it kind of fits you

1310
01:05:03,360 --> 01:05:07,720
Speaker 1: as well, you know, busted flattened that and rouge waiting

1311
01:05:07,800 --> 01:05:12,880
Speaker 1: for a train. Feeling near is fitted as my jeans.

1312
01:05:15,400 --> 01:05:19,800
Speaker 1: Bibby Bones thumbed the diesel down just before it rain

1313
01:05:21,360 --> 01:05:27,160
Speaker 1: took a sol away and New won't leans. I pulled

1314
01:05:27,240 --> 01:05:31,720
Speaker 1: my harpoon out of my dirt air red Bantam and

1315
01:05:31,920 --> 01:05:37,480
Speaker 1: was blowing side while Bybby Bones sang the blue with

1316
01:05:37,760 --> 01:05:41,920
Speaker 1: them when she by boost snapping time and Bobby's half

1317
01:05:42,000 --> 01:05:46,000
Speaker 1: kind of kind of stone grin slash smile. We sang

1318
01:05:46,040 --> 01:05:51,680
Speaker 1: every song that driving New and the Wedn' sang. Freedom

1319
01:05:51,720 --> 01:05:56,840
Speaker 1: is just another word for nothing left to lose and

1320
01:05:56,960 --> 01:06:03,080
Speaker 1: nothing ain't worth nothing, but it's free war about feeling good.

1321
01:06:03,160 --> 01:06:10,400
Speaker 1: Woozy's low when he's feeling good was good enough for me?

1322
01:06:11,280 --> 01:06:14,600
Speaker 1: This is where he nine checks himself good enough for me?

1323
01:06:14,680 --> 01:06:19,000
Speaker 1: And Bobby Bones McGhee wild, I mean you play that

1324
01:06:19,000 --> 01:06:21,240
Speaker 1: song and this Jannis Choplin wild that she never got

1325
01:06:21,240 --> 01:06:23,560
Speaker 1: to experience that success, the fame of that song, that

1326
01:06:23,680 --> 01:06:26,120
Speaker 1: she's game because she died before all of it. Merely

1327
01:06:26,160 --> 01:06:29,960
Speaker 1: all of her success came after that. Just tragic. Do

1328
01:06:29,960 --> 01:06:31,880
Speaker 1: you have you had you learned to play that song

1329
01:06:31,920 --> 01:06:33,840
Speaker 1: at home? This is then you play like normally you

1330
01:06:33,920 --> 01:06:36,400
Speaker 1: played at my cover band. Yeah, back in the day

1331
01:06:36,720 --> 01:06:39,000
Speaker 1: many times. Such a good song, Keith, great song, Keith

1332
01:06:39,080 --> 01:06:40,800
Speaker 1: Urban is here, we love you, thank you for coming in.

1333
01:06:40,800 --> 01:06:45,000
Speaker 1: We're gonna play Bobby Bones. It's the best bits of

1334
01:06:45,000 --> 01:06:50,280
Speaker 1: the week with Morgan. Number two. We found out this

1335
01:06:50,320 --> 01:06:53,800
Speaker 1: week on this show that Amy might be getting scammed

1336
01:06:53,840 --> 01:06:58,480
Speaker 1: with a cat's situation. So that's a whole story in itself.

1337
01:06:58,720 --> 01:07:03,320
Speaker 1: But Abby, have you ever been scammed before? I actually have,

1338
01:07:03,480 --> 01:07:08,120
Speaker 1: and it's been um like tickets online when you're trying. Yeah,

1339
01:07:08,160 --> 01:07:12,000
Speaker 1: I feel like that's out big thing. Yeah, yes, uh okay,

1340
01:07:12,000 --> 01:07:15,280
Speaker 1: So what happened? So I think it was Craigslist, I think,

1341
01:07:15,320 --> 01:07:18,960
Speaker 1: And I'm usually very I try to make sure because

1342
01:07:19,000 --> 01:07:21,640
Speaker 1: I know if it doesn't sound legit, if something sketchy,

1343
01:07:21,640 --> 01:07:24,400
Speaker 1: I'm like, okay, well like if it sounds to be true,

1344
01:07:25,280 --> 01:07:29,480
Speaker 1: nor for the part right, And I usually don't like

1345
01:07:29,520 --> 01:07:31,320
Speaker 1: to go to craigslist. I think I was kind of desperate.

1346
01:07:31,320 --> 01:07:33,200
Speaker 1: I don't even remember what concert it was, but I

1347
01:07:33,240 --> 01:07:35,360
Speaker 1: was desperate to get these tickets and they were like

1348
01:07:35,400 --> 01:07:37,840
Speaker 1: a pretty good price. So we had it all set

1349
01:07:37,920 --> 01:07:40,960
Speaker 1: up and they wanted PayPal, which is of course sketchy,

1350
01:07:41,120 --> 01:07:43,840
Speaker 1: but they sent me a picture of it and I

1351
01:07:44,000 --> 01:07:46,560
Speaker 1: was like, oh, okay, this looks legit, like it looks good,

1352
01:07:46,600 --> 01:07:49,280
Speaker 1: and then I zoomed in and they just like changed

1353
01:07:49,360 --> 01:07:52,600
Speaker 1: the seat numbers so they had had an original one.

1354
01:07:53,000 --> 01:07:55,680
Speaker 1: And then they you could see the editing like it

1355
01:07:55,720 --> 01:07:57,880
Speaker 1: was in a different font, and I was like, Okay,

1356
01:07:57,880 --> 01:08:00,640
Speaker 1: this is not real. They're just passing different you know,

1357
01:08:00,720 --> 01:08:02,919
Speaker 1: making new ones. Did you end up paying for them?

1358
01:08:03,000 --> 01:08:05,400
Speaker 1: I luckily know because I called them out. I was like,

1359
01:08:05,560 --> 01:08:09,560
Speaker 1: nice editing, like you're a stammer, and they didn't respond,

1360
01:08:09,840 --> 01:08:12,040
Speaker 1: so I caught it. Yeah, Oh my gosh, this is

1361
01:08:12,120 --> 01:08:14,120
Speaker 1: kind of a PSA, like make sure you really like

1362
01:08:14,320 --> 01:08:16,960
Speaker 1: look over our tickets if you're buying them from like

1363
01:08:17,000 --> 01:08:20,640
Speaker 1: a fourth party. Right, that's so sketchy. I know how

1364
01:08:20,880 --> 01:08:24,040
Speaker 1: people do that too, Like I really don't you feel

1365
01:08:24,080 --> 01:08:26,800
Speaker 1: good about that exactly. That's what I'm trying to think,

1366
01:08:27,000 --> 01:08:29,160
Speaker 1: especially something that's like happy as concerts and you just

1367
01:08:29,200 --> 01:08:32,479
Speaker 1: come in with your nonsense of meaning to people. I

1368
01:08:32,680 --> 01:08:35,080
Speaker 1: know it's not cool and they probably don't even know

1369
01:08:35,120 --> 01:08:36,920
Speaker 1: who it is. That's the thing is, they probably don't

1370
01:08:36,920 --> 01:08:38,639
Speaker 1: even know who's playing. They just want to make money,

1371
01:08:38,680 --> 01:08:41,680
Speaker 1: you know. Well, so this this wants me to know

1372
01:08:42,400 --> 01:08:45,559
Speaker 1: how much have you ever paid for concert tickets? O man,

1373
01:08:46,400 --> 01:08:48,439
Speaker 1: for like a set of him, not like all across

1374
01:08:48,439 --> 01:08:51,120
Speaker 1: the board, because gosh knows that's a lot, but like

1375
01:08:51,280 --> 01:08:53,880
Speaker 1: one set of tickets. How much does the most you

1376
01:08:53,960 --> 01:08:57,679
Speaker 1: think you've ever paid? Well, I went to a show

1377
01:08:58,000 --> 01:09:03,559
Speaker 1: in California and it was the Eagles. It was very yeah,

1378
01:09:03,600 --> 01:09:06,080
Speaker 1: it was and actually wasn't that much. It was probably

1379
01:09:06,080 --> 01:09:08,080
Speaker 1: I would say three hundred. It was a two day

1380
01:09:08,160 --> 01:09:11,040
Speaker 1: deal and it was like three hundred. Oh, you're making

1381
01:09:11,040 --> 01:09:14,479
Speaker 1: me why I'm scared? What I spent so much money

1382
01:09:14,520 --> 01:09:16,479
Speaker 1: on para of tickets? I know, I feel like I

1383
01:09:16,560 --> 01:09:19,720
Speaker 1: haven't spent as much as I've heard some people open

1384
01:09:20,080 --> 01:09:22,320
Speaker 1: it's so bad for a pair of tickets and this

1385
01:09:22,479 --> 01:09:24,200
Speaker 1: like makes me cringe, but like it was the best

1386
01:09:24,240 --> 01:09:27,200
Speaker 1: concert ever. I desperately wanted to see Bruno Mars for

1387
01:09:27,240 --> 01:09:30,519
Speaker 1: my birthday, okay, and they sold out online really quickly

1388
01:09:30,520 --> 01:09:32,559
Speaker 1: when I tried to buy them, because sometimes you can

1389
01:09:32,640 --> 01:09:35,000
Speaker 1: get them and sometimes it's really hard, right, couldn't get

1390
01:09:35,000 --> 01:09:38,120
Speaker 1: them with Bruno Mars, So when I went to look

1391
01:09:38,160 --> 01:09:42,759
Speaker 1: to buy them, he's been like eight hundred dollars okay, okay,

1392
01:09:42,800 --> 01:09:46,200
Speaker 1: And I was even contemplating almost spending like a thousand dollars.

1393
01:09:46,240 --> 01:09:48,120
Speaker 1: I wanted to see Bruno Mars so bad. I did,

1394
01:09:48,200 --> 01:09:50,479
Speaker 1: and I bought them not one thousand dollars one, but

1395
01:09:50,520 --> 01:09:53,280
Speaker 1: I went up a few and I bought uh, like

1396
01:09:53,320 --> 01:09:58,439
Speaker 1: seven hundred dollars worth. It was brutal and I really

1397
01:09:58,479 --> 01:10:01,519
Speaker 1: bit the bullet on it, but so worth it, Yeah,

1398
01:10:01,520 --> 01:10:03,640
Speaker 1: I was gonna say, but I'm yes, I'm sure it

1399
01:10:03,640 --> 01:10:06,000
Speaker 1: was worth it, Yes, because like I also don't know

1400
01:10:06,160 --> 01:10:07,840
Speaker 1: like when I may ever get the chance to see

1401
01:10:07,920 --> 01:10:09,880
Speaker 1: him again, if he like it was kind of one

1402
01:10:09,880 --> 01:10:12,599
Speaker 1: of those artists, which I bet is kind of the

1403
01:10:12,600 --> 01:10:15,600
Speaker 1: case with Eagles and Fleetwood Mac because it could potentially

1404
01:10:15,600 --> 01:10:18,120
Speaker 1: do something. You never know. Artists come back and you

1405
01:10:18,160 --> 01:10:20,839
Speaker 1: just never know if they're really done. But like Bruno

1406
01:10:21,000 --> 01:10:22,880
Speaker 1: kept talking about like not coming back, and I was like,

1407
01:10:22,960 --> 01:10:25,200
Speaker 1: I have to see Bruno, and he kept saying it

1408
01:10:25,240 --> 01:10:26,880
Speaker 1: was his last tour, and I was like, I have

1409
01:10:27,000 --> 01:10:30,880
Speaker 1: to go to this concert. But I for days after that,

1410
01:10:31,000 --> 01:10:33,040
Speaker 1: like was like, why did I spend that much? Funny

1411
01:10:33,080 --> 01:10:35,760
Speaker 1: on two, No, I support it because yeah, I saw

1412
01:10:35,800 --> 01:10:36,920
Speaker 1: his show too. I don't know if it was the

1413
01:10:36,960 --> 01:10:38,880
Speaker 1: same one, but it was. That's like one of my

1414
01:10:38,920 --> 01:10:42,559
Speaker 1: top five concerts today. He puts on a heck of

1415
01:10:42,600 --> 01:10:45,120
Speaker 1: a show. Yeah, he's a dance I mean just like

1416
01:10:45,439 --> 01:10:47,840
Speaker 1: I mean I was like sitting there mesmerized. I mean

1417
01:10:47,880 --> 01:10:50,240
Speaker 1: I was soaking in my four hundred dollar ticket. I

1418
01:10:50,280 --> 01:10:52,240
Speaker 1: was sitting there. You're like, I will enjoy this. I'm

1419
01:10:52,280 --> 01:10:55,000
Speaker 1: not going to the bathroom, not leaving. And I've seen

1420
01:10:55,080 --> 01:10:57,360
Speaker 1: every minute of the mother I even have like chills.

1421
01:10:57,400 --> 01:10:59,599
Speaker 1: I'm literally talking about that and it was really good.

1422
01:10:59,600 --> 01:11:02,640
Speaker 1: Consists so good. Yeah, but that's the thing, like you

1423
01:11:02,640 --> 01:11:05,200
Speaker 1: don't want to miss, Like, don't it's not a good idea,

1424
01:11:05,280 --> 01:11:07,080
Speaker 1: like to wait because you never know, Like if some

1425
01:11:07,160 --> 01:11:10,320
Speaker 1: of your favorite comes to town, I just recommend just go. Well,

1426
01:11:10,320 --> 01:11:12,599
Speaker 1: you're better off just to buy them if you can,

1427
01:11:13,320 --> 01:11:16,400
Speaker 1: and then sell them if for some reason something comes up. Right,

1428
01:11:16,520 --> 01:11:18,200
Speaker 1: I'm always one of those people as long as like

1429
01:11:18,280 --> 01:11:20,640
Speaker 1: you can get money out of it, like buy it

1430
01:11:20,680 --> 01:11:23,720
Speaker 1: and you can kind of figure it out. But oh,

1431
01:11:23,800 --> 01:11:25,920
Speaker 1: it's so hard and people. I am just really scared

1432
01:11:25,960 --> 01:11:28,240
Speaker 1: for ticket scammers again because I have a feeling it's

1433
01:11:28,240 --> 01:11:30,800
Speaker 1: gonna get worse this year with concerts coming back and

1434
01:11:30,840 --> 01:11:32,840
Speaker 1: everybody being excited, and of course it's going to be

1435
01:11:33,240 --> 01:11:36,120
Speaker 1: a huge money maker. Again. I will only do that

1436
01:11:36,200 --> 01:11:39,280
Speaker 1: again if I actually am meeting them like with passion

1437
01:11:39,280 --> 01:11:41,240
Speaker 1: in person. Yeah, because I just don't trust like the

1438
01:11:41,280 --> 01:11:44,200
Speaker 1: overth which also, if you're buying stuff from Craigslist in person,

1439
01:11:44,240 --> 01:11:46,880
Speaker 1: and please make sure somebody is that's the thing, because

1440
01:11:46,880 --> 01:11:49,519
Speaker 1: you could get scammed in real life too, right. Have

1441
01:11:49,640 --> 01:11:52,920
Speaker 1: you ever been scammed in real life? Um? I mean

1442
01:11:52,920 --> 01:11:54,360
Speaker 1: that's real life, but you know what I mean, like

1443
01:11:54,439 --> 01:11:57,800
Speaker 1: in person? No, luckily, huh, like they haven't shown up

1444
01:11:57,840 --> 01:12:00,200
Speaker 1: or something that's never been calfish. I've never been calfish. Oh,

1445
01:12:00,280 --> 01:12:05,240
Speaker 1: actually I haven't scanaling on dating apps. Yeah what yeah? Okay,

1446
01:12:05,880 --> 01:12:10,439
Speaker 1: gosh so um oh well it's it's a long, bad

1447
01:12:10,600 --> 01:12:12,760
Speaker 1: dating story. Actually it was my first online date I

1448
01:12:12,840 --> 01:12:16,760
Speaker 1: had ever gone on in Nashville, and I remember I

1449
01:12:16,800 --> 01:12:19,120
Speaker 1: asked him what kind of data was gonna be on

1450
01:12:19,200 --> 01:12:21,320
Speaker 1: because I didn't know how to dress like more cashual,

1451
01:12:21,600 --> 01:12:23,160
Speaker 1: you know, and he was like, well, it's gonna be

1452
01:12:23,200 --> 01:12:25,559
Speaker 1: a fourth step date I'm gonna take. We're gonna meet

1453
01:12:25,560 --> 01:12:28,120
Speaker 1: somewhere like safe where you're like well lit, you know,

1454
01:12:28,400 --> 01:12:31,200
Speaker 1: and then I'm gonna take you to like the speakeasy

1455
01:12:31,240 --> 01:12:34,120
Speaker 1: type bara. We're gonna go get ice cream and then

1456
01:12:34,160 --> 01:12:36,200
Speaker 1: I'm gonna take you to the best view of Nashville.

1457
01:12:36,240 --> 01:12:38,600
Speaker 1: And I was like, is this how dating is not?

1458
01:12:38,840 --> 01:12:43,000
Speaker 1: This is awesome and like this yeah, And so I

1459
01:12:43,080 --> 01:12:46,439
Speaker 1: remember we met in Printer's Alley. You know, it's downtown Nashville,

1460
01:12:46,439 --> 01:12:48,880
Speaker 1: which is a really cool spot off Broadway. Yeah. Yeah,

1461
01:12:48,920 --> 01:12:51,639
Speaker 1: and it's like well lit, there's bars, um, it's really cool,

1462
01:12:51,680 --> 01:12:55,679
Speaker 1: like historic. And so I remember we met it opposite

1463
01:12:55,720 --> 01:12:58,519
Speaker 1: sides of the alley. Okay, it sounds in the beginning

1464
01:12:58,520 --> 01:13:01,760
Speaker 1: of a rom gomb Yes, it's like a movie. And

1465
01:13:02,120 --> 01:13:04,599
Speaker 1: I remember it just like went into slow motion and

1466
01:13:04,640 --> 01:13:06,640
Speaker 1: we're like walking towards each other. The hair is like,

1467
01:13:06,880 --> 01:13:08,400
Speaker 1: I mean, my hair is like blowing in the wind.

1468
01:13:08,400 --> 01:13:10,479
Speaker 1: And I was like, he does not look like his picture,

1469
01:13:11,160 --> 01:13:15,000
Speaker 1: Like he doesn't not at all. No, No, And I

1470
01:13:15,120 --> 01:13:16,640
Speaker 1: this was I didn't know what to do. This was

1471
01:13:16,680 --> 01:13:18,479
Speaker 1: my first like online date, Like what do you do?

1472
01:13:18,960 --> 01:13:20,599
Speaker 1: And so I just kind of went with it and

1473
01:13:21,160 --> 01:13:24,919
Speaker 1: it ended up it did not work out a four steps.

1474
01:13:25,200 --> 01:13:27,120
Speaker 1: We did not make it to step three because the

1475
01:13:27,160 --> 01:13:29,800
Speaker 1: others like took too long. It was a disaster. It

1476
01:13:29,840 --> 01:13:32,720
Speaker 1: was it was not going long. Was this date it

1477
01:13:32,800 --> 01:13:36,080
Speaker 1: was probably like three hours because we started at one there.

1478
01:13:36,080 --> 01:13:40,360
Speaker 1: A three hour date was somebody that catfish. Yes, my

1479
01:13:40,400 --> 01:13:43,400
Speaker 1: first one. I was young and naive. I was like,

1480
01:13:43,560 --> 01:13:45,599
Speaker 1: what are you supposed to do? I God, I'm crazing

1481
01:13:45,720 --> 01:13:48,599
Speaker 1: even thinking about it. What would you do? I don't know?

1482
01:13:48,640 --> 01:13:50,479
Speaker 1: I mean I was, oh my gosh, like maybe because

1483
01:13:50,479 --> 01:13:52,280
Speaker 1: they're like the first part and then just be like hey,

1484
01:13:52,320 --> 01:13:54,200
Speaker 1: like I'm sorry, like this all sounded agree but like

1485
01:13:54,240 --> 01:13:57,040
Speaker 1: I gotta go. Yeah, I think about this every day.

1486
01:13:57,160 --> 01:13:59,519
Speaker 1: Actually I look back and I'm like, that was terrible.

1487
01:13:59,560 --> 01:14:03,920
Speaker 1: I inge because it's so uncomfortable. Yeah, because we went

1488
01:14:03,960 --> 01:14:08,519
Speaker 1: to that speakeasy, which is actually Patterson House, have you yes? Yes, okay,

1489
01:14:08,640 --> 01:14:13,960
Speaker 1: I will never go back. Yeah, which to like, speakeasies

1490
01:14:13,960 --> 01:14:15,760
Speaker 1: are hard on a first date. They're really it's a

1491
01:14:15,800 --> 01:14:19,240
Speaker 1: really cool idea, but one the setting is very dark

1492
01:14:20,120 --> 01:14:24,000
Speaker 1: and to the drinks are very strong. Yeah, Like a

1493
01:14:24,080 --> 01:14:26,760
Speaker 1: speakeasy style is like a different kind of drink than

1494
01:14:26,800 --> 01:14:29,360
Speaker 1: just like a normal bar. They're they're adding different things.

1495
01:14:29,760 --> 01:14:32,599
Speaker 1: Every time I leave a speakeasy, I am not well

1496
01:14:32,640 --> 01:14:36,680
Speaker 1: after like one drink. So I don't feel like we

1497
01:14:36,720 --> 01:14:39,120
Speaker 1: should be going on dates at least like maybe the

1498
01:14:39,120 --> 01:14:42,000
Speaker 1: first two to a speakeasy exactly, feel like that's not

1499
01:14:42,040 --> 01:14:45,679
Speaker 1: a safe place for like someone you don't know. Yes,

1500
01:14:46,000 --> 01:14:50,400
Speaker 1: I learned, ye safe bet now definitely no, but I'll

1501
01:14:50,400 --> 01:14:52,840
Speaker 1: tell you how it ended, Okay, how to end? So

1502
01:14:53,800 --> 01:14:59,200
Speaker 1: he ended up getting us three drinks each speakeasy you have, Okay,

1503
01:14:59,240 --> 01:15:03,160
Speaker 1: this is just getting works as Okay, yes, everyone, do

1504
01:15:03,240 --> 01:15:07,200
Speaker 1: not do this, like, don't do this on a first date. Yea,

1505
01:15:07,880 --> 01:15:10,280
Speaker 1: Luckily I ate so, like I wasn't out of control,

1506
01:15:10,320 --> 01:15:12,160
Speaker 1: but I would. That's just not smart to do on

1507
01:15:12,200 --> 01:15:14,840
Speaker 1: a first date, is to drink that much. Anyway, So

1508
01:15:15,280 --> 01:15:17,439
Speaker 1: after we left, his bill was like eighty dollars because

1509
01:15:17,439 --> 01:15:20,360
Speaker 1: they're expensive. Yeah, speakeasies are very expensive as well, which

1510
01:15:20,400 --> 01:15:24,880
Speaker 1: makes people feel guilty and again, just bad scenario, right, yeah, okay,

1511
01:15:24,960 --> 01:15:26,920
Speaker 1: So I basically told him after that I'm not interested

1512
01:15:26,960 --> 01:15:29,160
Speaker 1: in a second date. I appreciate it. He's a great guy,

1513
01:15:29,240 --> 01:15:31,880
Speaker 1: but I just don't see it going anywhere. Wait, you

1514
01:15:31,920 --> 01:15:33,760
Speaker 1: went on a second date? No, I didn't know, That's

1515
01:15:33,760 --> 01:15:35,599
Speaker 1: what I'm saying. I said, I don't want you again.

1516
01:15:35,800 --> 01:15:38,280
Speaker 1: When he asked me, Okay, when he asked you later

1517
01:15:38,360 --> 01:15:40,960
Speaker 1: like over text or something. Yeah, yeah, He's like, oh,

1518
01:15:41,000 --> 01:15:42,600
Speaker 1: I can't wait for the next day, and I was

1519
01:15:42,640 --> 01:15:45,479
Speaker 1: just like, yeah, that's when I said that. And he

1520
01:15:45,560 --> 01:15:47,519
Speaker 1: texted me a few, like a few days later and

1521
01:15:47,560 --> 01:15:49,519
Speaker 1: he was like, you know what sucks. I spent eighty

1522
01:15:49,560 --> 01:15:51,800
Speaker 1: dollars on my own money on someone that doesn't have

1523
01:15:51,880 --> 01:15:55,280
Speaker 1: an imagination to go on a second date. It was

1524
01:15:55,320 --> 01:15:57,800
Speaker 1: a whole thing. What Yeah, there was a lot during

1525
01:15:57,800 --> 01:16:00,240
Speaker 1: the day. This could be yeah, this could be its

1526
01:16:00,240 --> 01:16:03,040
Speaker 1: own podcast to date, so we won't. We'll get into

1527
01:16:03,120 --> 01:16:06,160
Speaker 1: that another time, but yeah, it was just a lot.

1528
01:16:07,040 --> 01:16:11,479
Speaker 1: I don't understand where guys think that yelling at a

1529
01:16:11,520 --> 01:16:14,880
Speaker 1: girl after they reject them or vice versa. I've seen

1530
01:16:14,920 --> 01:16:18,200
Speaker 1: girls do it too, is a good idea. I know.

1531
01:16:18,200 --> 01:16:21,040
Speaker 1: It's not going to change somebody's mind, right, they're feeling

1532
01:16:21,040 --> 01:16:23,240
Speaker 1: the way that they're feeling, and yes, it sucks to

1533
01:16:23,280 --> 01:16:27,000
Speaker 1: be rejected, absolutely, but that doesn't give you the right

1534
01:16:27,040 --> 01:16:29,519
Speaker 1: to get mad at somebody for how they feel. I know,

1535
01:16:29,600 --> 01:16:32,479
Speaker 1: And I was honest, that's the thing I didn't go.

1536
01:16:32,120 --> 01:16:34,320
Speaker 1: Didn't go straight up. You're like, hey, this is how

1537
01:16:34,360 --> 01:16:37,400
Speaker 1: I feel, and yes it sucks, but again, why you

1538
01:16:37,439 --> 01:16:39,519
Speaker 1: don't take somebody to speak easy on a first date,

1539
01:16:39,800 --> 01:16:42,000
Speaker 1: and I don't want that many drinks. I'm gonna give

1540
01:16:42,040 --> 01:16:45,160
Speaker 1: everybody approach it right now. If you are dating, you

1541
01:16:45,200 --> 01:16:48,559
Speaker 1: don't even get dinner. It's either coffee or it is

1542
01:16:48,640 --> 01:16:51,960
Speaker 1: one drink at a dive bar or like you know,

1543
01:16:52,000 --> 01:16:55,439
Speaker 1: like a public dive bar. It doesn't cost a lot,

1544
01:16:55,720 --> 01:16:58,800
Speaker 1: you don't have to feel guilty if nothing happens, and

1545
01:16:59,000 --> 01:17:01,439
Speaker 1: you get to know what that person is like enough

1546
01:17:01,479 --> 01:17:03,519
Speaker 1: if you want to go on a second date, which yes,

1547
01:17:03,600 --> 01:17:05,840
Speaker 1: in most instances, I do believe you should always go

1548
01:17:05,880 --> 01:17:07,880
Speaker 1: on a second date. Not in this instance, not how

1549
01:17:07,920 --> 01:17:13,760
Speaker 1: I feel as the most, but like why I love

1550
01:17:13,840 --> 01:17:16,720
Speaker 1: the idea of like a really romantic first date, but

1551
01:17:16,760 --> 01:17:20,800
Speaker 1: that's very like movie life. That's not real life, right,

1552
01:17:20,880 --> 01:17:22,719
Speaker 1: And if somebody takes me on like a very romantic

1553
01:17:22,800 --> 01:17:26,440
Speaker 1: date on the first one, and I don't feel connected

1554
01:17:26,479 --> 01:17:29,439
Speaker 1: to them in a way, and then I feel bad

1555
01:17:29,479 --> 01:17:30,760
Speaker 1: and I'm like, Okay, I have to go on a

1556
01:17:30,800 --> 01:17:33,200
Speaker 1: second date because I feel bad. That's not helping anybody.

1557
01:17:33,280 --> 01:17:35,760
Speaker 1: I know, it's not. That's what I said. Yeah, I

1558
01:17:35,840 --> 01:17:37,040
Speaker 1: was like, you want to spend more money, but you're

1559
01:17:37,040 --> 01:17:39,320
Speaker 1: gonna get mad at me about Like he's really gonna

1560
01:17:39,320 --> 01:17:43,200
Speaker 1: be mad after the second date. Yeah, so you know,

1561
01:17:43,320 --> 01:17:46,599
Speaker 1: give people grace one when they like, I will always

1562
01:17:46,600 --> 01:17:48,639
Speaker 1: give people grace as long as like they're not ghosting

1563
01:17:48,640 --> 01:17:50,920
Speaker 1: when it goes to me like best or off, like

1564
01:17:51,120 --> 01:17:55,599
Speaker 1: you deserve whatever's coming out. You didn't have the reasoning

1565
01:17:55,640 --> 01:17:59,040
Speaker 1: to at least tell me this. But as as someone

1566
01:17:59,080 --> 01:18:02,600
Speaker 1: who's been in these situations, you and me both, sometimes

1567
01:18:02,840 --> 01:18:06,320
Speaker 1: it feels better to goes because you don't get somebody

1568
01:18:06,400 --> 01:18:08,719
Speaker 1: yelling at you for no reason for how you feel.

1569
01:18:08,880 --> 01:18:11,200
Speaker 1: I know which a is a red flag in itself.

1570
01:18:11,400 --> 01:18:14,280
Speaker 1: It is like you learned a red flag right there.

1571
01:18:14,800 --> 01:18:16,880
Speaker 1: He did say, I get this response all the time.

1572
01:18:17,320 --> 01:18:18,840
Speaker 1: He was like, I don't know what I'm doing wrong,

1573
01:18:18,840 --> 01:18:20,439
Speaker 1: but I want to change. Did you ever mentioned to

1574
01:18:20,520 --> 01:18:25,479
Speaker 1: him that like he catfish you. No, I know I

1575
01:18:25,560 --> 01:18:28,639
Speaker 1: didn't because he did other things during the day that

1576
01:18:28,640 --> 01:18:30,680
Speaker 1: it was just too weird. I was like, this is

1577
01:18:30,800 --> 01:18:33,120
Speaker 1: so strange. Yeah, it was way too close to me

1578
01:18:33,160 --> 01:18:36,000
Speaker 1: by the way he was like red. Yeah, he was

1579
01:18:36,040 --> 01:18:38,519
Speaker 1: just all in. So basically just all the red flags. Yeah,

1580
01:18:39,080 --> 01:18:46,080
Speaker 1: that was the least at this point. Yeah, Oh my god,

1581
01:18:46,160 --> 01:18:48,120
Speaker 1: sounds bad. But okay, well, I feel like we're going

1582
01:18:48,160 --> 01:18:50,559
Speaker 1: to need more updates on your your dating life when

1583
01:18:50,600 --> 01:18:53,080
Speaker 1: I bring you on again. But this I got sent

1584
01:18:53,200 --> 01:18:55,599
Speaker 1: with this, Like, wow, that was a lot. I don't

1585
01:18:55,600 --> 01:18:59,600
Speaker 1: even know how bad. Yeah, tell me about you know,

1586
01:19:00,439 --> 01:19:02,280
Speaker 1: you win, you take the cake. This is how we

1587
01:19:02,400 --> 01:19:07,200
Speaker 1: end there. Okay, so here's Amy getting scammed of a

1588
01:19:07,240 --> 01:19:11,559
Speaker 1: cat situation. But I hope you also enjoyed Abby talking

1589
01:19:11,600 --> 01:19:14,640
Speaker 1: about getting scammed not only once with concert tickets but

1590
01:19:14,680 --> 01:19:18,040
Speaker 1: also a catfish, which is yes as scam. So here

1591
01:19:18,080 --> 01:19:24,520
Speaker 1: we go. Oh my gosh, Okay, there we go number three.

1592
01:19:24,720 --> 01:19:26,799
Speaker 1: All right, so the question is is Amy getting scammed

1593
01:19:26,800 --> 01:19:28,680
Speaker 1: out of money? Take us back to the beginning here.

1594
01:19:28,840 --> 01:19:32,040
Speaker 1: So my daughter was gifted a cat for Christmas. The

1595
01:19:32,040 --> 01:19:34,080
Speaker 1: thing is, we had to get a very specific cat,

1596
01:19:34,280 --> 01:19:38,360
Speaker 1: and so we found this person that makes this hypoallergenic.

1597
01:19:38,520 --> 01:19:41,160
Speaker 1: Like it's a certified, like legit thing. It's not like

1598
01:19:41,200 --> 01:19:45,400
Speaker 1: a you know, weird pet shop, like, it's a certified breeder.

1599
01:19:45,479 --> 01:19:49,160
Speaker 1: So I thought I found online and they're in Louisiana,

1600
01:19:49,240 --> 01:19:51,639
Speaker 1: and you had to send a deposit because the cat

1601
01:19:51,640 --> 01:19:54,280
Speaker 1: hadn't been born yet. And then once the cat was

1602
01:19:54,320 --> 01:19:56,600
Speaker 1: born and then they weaned it off the mother, we

1603
01:19:56,640 --> 01:19:59,920
Speaker 1: would get it right. So in February. Took a while

1604
01:20:00,479 --> 01:20:03,160
Speaker 1: to figure that out, but in February we finally sent

1605
01:20:03,200 --> 01:20:05,599
Speaker 1: the deposit. I had to send like a money order

1606
01:20:05,680 --> 01:20:12,000
Speaker 1: thingy oh, first down order. That's how crackless scams starts,

1607
01:20:12,080 --> 01:20:14,639
Speaker 1: send the money order. I had to send money. And

1608
01:20:14,680 --> 01:20:18,240
Speaker 1: then so my sister's allergic to cats, were super excited

1609
01:20:18,240 --> 01:20:20,800
Speaker 1: about it. My daughter wants this very specific thing. We've

1610
01:20:20,800 --> 01:20:22,960
Speaker 1: been waiting forever. We finally got a note that the

1611
01:20:23,000 --> 01:20:26,640
Speaker 1: cat was born, and we were so pumped. But they're like,

1612
01:20:26,720 --> 01:20:28,240
Speaker 1: then you're going to need to send the rest of

1613
01:20:28,280 --> 01:20:30,360
Speaker 1: the money. And we're like, well, can we see a

1614
01:20:30,360 --> 01:20:32,840
Speaker 1: picture of like the cats or the cat or what

1615
01:20:32,880 --> 01:20:35,160
Speaker 1: do you have? Then we get a note that the

1616
01:20:35,200 --> 01:20:40,040
Speaker 1: cat that had been reserved for us died. Oh of course,

1617
01:20:40,520 --> 01:20:42,519
Speaker 1: so now we have to wait for the next cat,

1618
01:20:42,560 --> 01:20:44,280
Speaker 1: which they have all your money, by the way, not

1619
01:20:44,400 --> 01:20:46,040
Speaker 1: all of it, they just still have the deposit. I

1620
01:20:46,120 --> 01:20:48,640
Speaker 1: hadn't sent the rest yet because I wanted like a

1621
01:20:48,720 --> 01:20:51,880
Speaker 1: picture or video or something. Plus I don't know I'm

1622
01:20:51,880 --> 01:20:54,599
Speaker 1: supposed to drive to Louisiana get the cat or something.

1623
01:20:55,280 --> 01:20:58,680
Speaker 1: They don't ship it, so I am like trying to

1624
01:20:58,720 --> 01:21:00,880
Speaker 1: figure all of it out and horse my daughter is

1625
01:21:00,960 --> 01:21:04,280
Speaker 1: so excited, thinks a cat's coming. Now the cat's dead,

1626
01:21:04,720 --> 01:21:06,640
Speaker 1: so I have to tell her we're not getting the

1627
01:21:06,680 --> 01:21:09,920
Speaker 1: cat right now. It died. She's like, what, Apparently the

1628
01:21:09,960 --> 01:21:13,519
Speaker 1: mom sat on the cat or something or laid on

1629
01:21:13,560 --> 01:21:16,000
Speaker 1: it and then it couldn't breathe. That was the one

1630
01:21:16,040 --> 01:21:19,360
Speaker 1: cat that was reserved for us. So now they say

1631
01:21:19,920 --> 01:21:22,800
Speaker 1: we can get on a list for another cat in

1632
01:21:22,880 --> 01:21:24,880
Speaker 1: two to three months. They don't know how long. And

1633
01:21:24,920 --> 01:21:26,519
Speaker 1: so now in two to three months, what is that

1634
01:21:26,520 --> 01:21:28,559
Speaker 1: going to be like in law? Now we're looking at

1635
01:21:28,600 --> 01:21:33,760
Speaker 1: like August or September. We could go adopt a cat,

1636
01:21:33,840 --> 01:21:36,120
Speaker 1: but we have an adopted dog that has a lot

1637
01:21:36,120 --> 01:21:38,040
Speaker 1: of issues. You have to have a special kind of

1638
01:21:38,080 --> 01:21:41,600
Speaker 1: cat because your dogs. I've rescued a cat before. My

1639
01:21:41,720 --> 01:21:43,960
Speaker 1: dog is very sick. She does have an anxiety and

1640
01:21:44,040 --> 01:21:46,840
Speaker 1: emotional issues. And then my sister is allergic. So there's

1641
01:21:46,840 --> 01:21:49,880
Speaker 1: this specific kind of cat that we're all about getting

1642
01:21:49,920 --> 01:21:52,320
Speaker 1: and that it's like really calm in which we need

1643
01:21:52,360 --> 01:21:54,040
Speaker 1: a calm cat. If I go and rescue a cat,

1644
01:21:54,120 --> 01:21:57,080
Speaker 1: it could be bad for our dog. So that is

1645
01:21:57,080 --> 01:21:59,120
Speaker 1: the situation we're in, and I'm pretty sure that we're

1646
01:21:59,120 --> 01:22:01,880
Speaker 1: getting scammed. And my deposit is lost. Well, what are

1647
01:22:01,880 --> 01:22:05,240
Speaker 1: you gonna do now? I'm still waiting. I've still requested

1648
01:22:05,320 --> 01:22:07,599
Speaker 1: a photo in a video, So I'll give you an update.

1649
01:22:07,640 --> 01:22:10,840
Speaker 1: Cat no of like at least the litter of the cat,

1650
01:22:10,920 --> 01:22:13,639
Speaker 1: like the mama cat, the dad cat, like, show me something.

1651
01:22:13,760 --> 01:22:16,439
Speaker 1: Can you find them on Facebook? Like this company? Yeah?

1652
01:22:16,479 --> 01:22:18,920
Speaker 1: I mean they say they're a legit. They have a website,

1653
01:22:19,160 --> 01:22:22,240
Speaker 1: everything that I don't know. This could be part of

1654
01:22:22,280 --> 01:22:24,759
Speaker 1: their thing, and they could be skilled. You know, people

1655
01:22:24,760 --> 01:22:27,599
Speaker 1: across all across the country. Last week's cat quote unquote

1656
01:22:27,640 --> 01:22:32,040
Speaker 1: died and then they got all these deposits. If this

1657
01:22:32,080 --> 01:22:35,080
Speaker 1: has happened to you or if you know anything about this,

1658
01:22:35,240 --> 01:22:40,000
Speaker 1: caller Tipline eight seven seven seventy seven, Bob. I mean

1659
01:22:40,120 --> 01:22:42,120
Speaker 1: it gets to the point I might say the person's

1660
01:22:42,240 --> 01:22:46,320
Speaker 1: name and oh because I oh, no, I don't want

1661
01:22:46,320 --> 01:22:49,320
Speaker 1: to bully, but at this point it's really bizarre that

1662
01:22:49,400 --> 01:22:53,840
Speaker 1: I have no Maybe Lunchbox we gets sued, it'd be

1663
01:22:53,840 --> 01:22:56,320
Speaker 1: a whole thing. Oh, lunch Box will call them. Yeah, okay,

1664
01:22:56,560 --> 01:22:58,040
Speaker 1: their number. And if you're out there and this is

1665
01:22:58,080 --> 01:23:00,360
Speaker 1: you know about this scam or if it's real, haul us,

1666
01:23:00,400 --> 01:23:02,840
Speaker 1: we'd love to hear you. You don't put two Okay, Yes,

1667
01:23:02,880 --> 01:23:04,519
Speaker 1: and I have talked to a lot of friends that

1668
01:23:04,560 --> 01:23:06,760
Speaker 1: are into I just want to give this disclaimer two

1669
01:23:06,960 --> 01:23:09,640
Speaker 1: that I am for adopting and rescuing. This was just

1670
01:23:09,680 --> 01:23:13,559
Speaker 1: a special circumstance and the way we're going about it

1671
01:23:12,720 --> 01:23:16,360
Speaker 1: is is well is well received in the adopted and

1672
01:23:16,880 --> 01:23:20,240
Speaker 1: rescuing community. Okay, because these cats are already born, it's

1673
01:23:20,240 --> 01:23:22,599
Speaker 1: through a respectable breeder that also might be a scammer,

1674
01:23:24,000 --> 01:23:28,320
Speaker 1: which then are they a respectable breeder at all? Sam,

1675
01:23:28,560 --> 01:23:33,519
Speaker 1: There's no cats anywhere, So it's the best bits of

1676
01:23:33,560 --> 01:23:38,559
Speaker 1: the week with Morgan number two coming in at number two.

1677
01:23:38,600 --> 01:23:43,040
Speaker 1: This week, we've brought back blind karaoke. Eddie Amy Lunchbox

1678
01:23:43,080 --> 01:23:46,000
Speaker 1: competed against each other and we even had a showdown.

1679
01:23:46,240 --> 01:23:49,080
Speaker 1: But since I have Abby on this weekend, I wanted

1680
01:23:49,160 --> 01:23:52,040
Speaker 1: her to sing a little blind karaoke. She is our

1681
01:23:52,160 --> 01:23:54,240
Speaker 1: star singer on the show. I mean, she's the one

1682
01:23:54,240 --> 01:23:57,880
Speaker 1: that wants to pursue being an artist. So Abby, are

1683
01:23:57,920 --> 01:24:01,120
Speaker 1: you ready for some blind karaoke? I guess I am. Okay,

1684
01:24:01,160 --> 01:24:04,160
Speaker 1: you told me. Miranda Lambert, Shania Twain, and Kelsey Vallerini

1685
01:24:04,200 --> 01:24:06,679
Speaker 1: are your favorites that you like to say. I love them.

1686
01:24:06,720 --> 01:24:19,280
Speaker 1: So let's start with some Shania Twain. Oh okay, oh yeah,

1687
01:24:19,320 --> 01:24:25,519
Speaker 1: here we go. Any man, my better be proud of me,

1688
01:24:25,760 --> 01:24:29,280
Speaker 1: even when a mommy stupid love me. I can be

1689
01:24:29,600 --> 01:24:32,280
Speaker 1: me for a date, that's fine, but you better be

1690
01:24:32,600 --> 01:24:37,680
Speaker 1: all time. Any man, mind's end and disagree when I

1691
01:24:37,760 --> 01:24:41,400
Speaker 1: say another woman's looking better than me. When I got

1692
01:24:41,439 --> 01:24:45,080
Speaker 1: that's the wrong way, I get it. Burn it's like, oh,

1693
01:24:45,080 --> 01:24:48,679
Speaker 1: I like, oh you gott it. And if I changed

1694
01:24:48,760 --> 01:24:59,320
Speaker 1: my mind a million time, I'm gonna hear I'm saying yeah, yeah, yeah,

1695
01:24:59,360 --> 01:25:08,160
Speaker 1: I like it. And any man that don't walk all right?

1696
01:25:08,520 --> 01:25:12,479
Speaker 1: That was Shania tuy I mean, I'm your one man

1697
01:25:12,560 --> 01:25:14,760
Speaker 1: band ever here clubbing for you. Thank you. I was

1698
01:25:14,800 --> 01:25:17,160
Speaker 1: walking you down, okay, I thought it was great. How

1699
01:25:17,160 --> 01:25:19,160
Speaker 1: do you feel well? I messed up the words. I

1700
01:25:19,200 --> 01:25:21,599
Speaker 1: had the wrong verse at the beginning, but you did

1701
01:25:21,760 --> 01:25:25,080
Speaker 1: really good there, like you had that those main parts

1702
01:25:25,120 --> 01:25:27,479
Speaker 1: of it. It's hard and your voice is beautiful. Oh,

1703
01:25:27,600 --> 01:25:30,400
Speaker 1: thank you. I know if you don't know words in

1704
01:25:30,479 --> 01:25:32,479
Speaker 1: front of you whatsoever. We're gonna follow that up with

1705
01:25:32,600 --> 01:25:39,519
Speaker 1: some Miranda Lambert ray hit it. I like this one

1706
01:25:43,560 --> 01:25:50,760
Speaker 1: henty boom two three on my feet. No, then on,

1707
01:25:50,960 --> 01:25:54,920
Speaker 1: it's a wilde wrong, a little old man. I got

1708
01:25:55,000 --> 01:26:01,639
Speaker 1: two miles too. He makes me and if I'm round,

1709
01:26:01,720 --> 01:26:06,639
Speaker 1: we're hid it straight for him. I'm going home. Hello,

1710
01:26:06,920 --> 01:26:09,800
Speaker 1: my shackle without the door. A lot of cigare man,

1711
01:26:10,400 --> 01:26:13,040
Speaker 1: he wants to fall. Well, now he's gone and he

1712
01:26:13,120 --> 01:26:16,640
Speaker 1: ain't seeing me crazy again, stop my face and he

1713
01:26:16,680 --> 01:26:20,040
Speaker 1: shoot me like a graga. No that's not a real man.

1714
01:26:20,560 --> 01:26:22,840
Speaker 1: I'm want to show him a little girls are made

1715
01:26:22,960 --> 01:26:29,320
Speaker 1: up pant one that's like my go to don't do

1716
01:26:29,720 --> 01:26:32,320
Speaker 1: that one? I mean, which one? Did you feel better about?

1717
01:26:32,520 --> 01:26:35,040
Speaker 1: This one? For sure? That's your go to karaokee song.

1718
01:26:35,080 --> 01:26:37,880
Speaker 1: And I chose I chose these songs, I know, and

1719
01:26:38,120 --> 01:26:40,080
Speaker 1: that was your go to one? Yeah, oh, thank you,

1720
01:26:40,200 --> 01:26:42,000
Speaker 1: good job. Oh I love it. Okay, if we would

1721
01:26:42,040 --> 01:26:44,000
Speaker 1: have done it Kelsey Ballerini one, which one would you

1722
01:26:44,040 --> 01:26:46,519
Speaker 1: have chose? I like singing Peter pan Oh, but it's

1723
01:26:46,560 --> 01:26:50,160
Speaker 1: kind of slower and that's a high one too. Yeah. Okay.

1724
01:26:50,200 --> 01:26:53,760
Speaker 1: So you're still pursuing being an artist, right, Oh, that's

1725
01:26:53,840 --> 01:26:55,880
Speaker 1: kind of was put on the back burner right now

1726
01:26:56,320 --> 01:26:58,280
Speaker 1: while you're working for the show. You're kind of yeah.

1727
01:26:58,439 --> 01:26:59,840
Speaker 1: I mean, I would love to be in a group.

1728
01:26:59,880 --> 01:27:02,560
Speaker 1: I think that'd be so fun. I love harmonizing like

1729
01:27:02,680 --> 01:27:05,240
Speaker 1: a lady. A group would be so fun. So some

1730
01:27:05,320 --> 01:27:08,519
Speaker 1: other guys or lack runaway June style with other females,

1731
01:27:08,800 --> 01:27:12,040
Speaker 1: either one, but probably more with the guys. Okay, but

1732
01:27:12,479 --> 01:27:16,120
Speaker 1: that's kind of yeah what I'm thinking. I mean, we

1733
01:27:16,280 --> 01:27:18,559
Speaker 1: have you on the show. We have Eddie who's really good,

1734
01:27:18,640 --> 01:27:21,599
Speaker 1: and Bobby who has his own band. So I feel

1735
01:27:21,640 --> 01:27:23,600
Speaker 1: like there's something that could happen with that. I don't know,

1736
01:27:23,880 --> 01:27:26,800
Speaker 1: maybe they will maybe a collap yeah, maybe you never know.

1737
01:27:27,720 --> 01:27:30,320
Speaker 1: I like it, but I loved your singing. You did

1738
01:27:30,800 --> 01:27:33,519
Speaker 1: well from the judge table, which is literally just me.

1739
01:27:33,880 --> 01:27:36,040
Speaker 1: You get ten out of ten. It was beautiful. Thanks.

1740
01:27:36,040 --> 01:27:39,400
Speaker 1: I'm so proud of you. Thanks, Thanks for singing for us.

1741
01:27:39,520 --> 01:27:42,479
Speaker 1: All Right, well, y'all can hear the blind karaoke segment.

1742
01:27:42,600 --> 01:27:45,320
Speaker 1: Get a lot of laughs in Abby just brought your

1743
01:27:45,400 --> 01:27:48,960
Speaker 1: weekend to full party mode because now I want to

1744
01:27:49,000 --> 01:27:52,919
Speaker 1: go hit up a karaoke bar. Number two at karaoke

1745
01:27:53,080 --> 01:27:56,519
Speaker 1: company Singing Machine just release a list of the most

1746
01:27:56,600 --> 01:27:59,639
Speaker 1: popular karaoke songs and songs everybody should know. So We've

1747
01:27:59,640 --> 01:28:02,360
Speaker 1: got seven songs in a hat here. We'll have three performers, Amy,

1748
01:28:02,439 --> 01:28:05,800
Speaker 1: Lunchbox and Eddie. All right, whoa, we will see you

1749
01:28:05,960 --> 01:28:09,800
Speaker 1: pull through as the champion blind karaoke singer. Wow, ray

1750
01:28:09,880 --> 01:28:11,880
Speaker 1: me you we're gonna be the judges. All right, all right, okay,

1751
01:28:12,200 --> 01:28:16,080
Speaker 1: all right up, first, Lunchbox, of the seven songs, do

1752
01:28:16,120 --> 01:28:17,479
Speaker 1: you want to know what they are? And me just pulling?

1753
01:28:17,720 --> 01:28:19,040
Speaker 1: I'd like to know what they are so I can

1754
01:28:19,120 --> 01:28:20,679
Speaker 1: kind of have an idea of what I'm getting into.

1755
01:28:20,760 --> 01:28:22,120
Speaker 1: But if you want to just pull it, pull it,

1756
01:28:22,200 --> 01:28:24,920
Speaker 1: I don't care. I knock every song out of the park. Okay.

1757
01:28:25,240 --> 01:28:28,840
Speaker 1: He will be singing blind karaoke meaning no words. He says,

1758
01:28:28,920 --> 01:28:31,160
Speaker 1: to go with what he fills in his heart. Man,

1759
01:28:31,479 --> 01:28:35,160
Speaker 1: Old Town Road, Little nas X, Gosh, I don't heard

1760
01:28:35,200 --> 01:28:37,360
Speaker 1: that one before. He's gonna walk over have a performance.

1761
01:28:37,400 --> 01:28:41,600
Speaker 1: Mike in the studio. He's putting the headphones on. So

1762
01:28:41,840 --> 01:28:44,080
Speaker 1: we have the karaoke version and you will sing it.

1763
01:28:44,160 --> 01:28:45,680
Speaker 1: You'll have one minute of performing and if you don't

1764
01:28:45,720 --> 01:28:47,320
Speaker 1: know the words, which you probably won't, you just keep going.

1765
01:28:47,800 --> 01:28:50,320
Speaker 1: Don't even know how it starts. Now check this out.

1766
01:28:50,360 --> 01:28:52,040
Speaker 1: We're gonna put reverb on your voices like we do

1767
01:28:52,080 --> 01:28:55,120
Speaker 1: our artists. Oh night, So just talk normal, lunchbox. Hello, Hello,

1768
01:28:55,280 --> 01:28:59,439
Speaker 1: how are you doing today? This is lunchbox here. Wha yeah,

1769
01:29:00,960 --> 01:29:04,280
Speaker 1: sound like Tim mcgrawl. You don't know? Okay, are we ready?

1770
01:29:04,360 --> 01:29:09,559
Speaker 1: Raymond from what? When he starts singing, he'll have sixty seconds. Hey,

1771
01:29:09,800 --> 01:29:16,439
Speaker 1: I'm a cowboy. I got a cowboy best off horse,

1772
01:29:17,720 --> 01:29:21,559
Speaker 1: and I'm gonna go down to that old town road

1773
01:29:22,880 --> 01:29:28,599
Speaker 1: in the back wood, the good Kentucky and the old

1774
01:29:29,120 --> 01:29:32,559
Speaker 1: town road. Oh what do you know? I ain't Billy Ray,

1775
01:29:33,120 --> 01:29:39,559
Speaker 1: Billy Ray. Come on, Dawn, Yeah, take it, breaking her room,

1776
01:29:40,000 --> 01:29:45,400
Speaker 1: I take it braking, come in like a raging my name,

1777
01:29:45,520 --> 01:29:49,240
Speaker 1: little know, the hoppy hot, hoppy hot, Give me something

1778
01:29:49,280 --> 01:29:54,720
Speaker 1: to reader, boa man my nose to run. Do you

1779
01:29:54,800 --> 01:29:56,880
Speaker 1: know how the song goes at all? No? You know

1780
01:29:57,040 --> 01:29:59,760
Speaker 1: like I'm gonna take my horse to the all time.

1781
01:30:00,000 --> 01:30:07,599
Speaker 1: No he didn't. You know you did a Miley Cyrus

1782
01:30:08,000 --> 01:30:12,479
Speaker 1: shout out. Let's go over to the judges. It's one

1783
01:30:12,520 --> 01:30:15,680
Speaker 1: through ten, Raymundo, how do you think, lunchbox did? I

1784
01:30:15,840 --> 01:30:18,360
Speaker 1: give him a four for continuing to sings, but he

1785
01:30:18,479 --> 01:30:20,639
Speaker 1: never nailed any of the lyrics. He wasn't on beat,

1786
01:30:21,760 --> 01:30:23,600
Speaker 1: made it able to listen to. But a four is

1787
01:30:23,600 --> 01:30:27,320
Speaker 1: all I can do. Morgan, Yeah, I give him a five,

1788
01:30:27,640 --> 01:30:30,160
Speaker 1: mostly just because of the dance moves, but besides that,

1789
01:30:30,280 --> 01:30:34,920
Speaker 1: there were no words in some random pelvic thrust. I said, yeah,

1790
01:30:34,920 --> 01:30:37,599
Speaker 1: I give you a two. Oh my gosh, we've heard

1791
01:30:37,680 --> 01:30:40,639
Speaker 1: the song. If you would only went I'm gonna take

1792
01:30:40,840 --> 01:30:43,120
Speaker 1: my host to the town road, I'd be like, Okay,

1793
01:30:43,120 --> 01:30:45,599
Speaker 1: at least he kind of knows he didn't. So total

1794
01:30:45,720 --> 01:30:49,559
Speaker 1: score eleven, All right, give it up a lunchbox blind,

1795
01:30:49,560 --> 01:30:54,519
Speaker 1: carry on the eleven? How was that audio? Is it?

1796
01:30:54,600 --> 01:30:56,920
Speaker 1: Did it sound good? I thought it sounded awesome. Okay,

1797
01:30:56,960 --> 01:31:02,360
Speaker 1: just making sure it sounded awesome. I mean reverbi him up.

1798
01:31:02,439 --> 01:31:05,000
Speaker 1: Next is Eddie? Oh boy, Eddie, you're ready? And I

1799
01:31:05,040 --> 01:31:07,120
Speaker 1: would have nailed that last one. Of course you wouldn't.

1800
01:31:07,400 --> 01:31:12,519
Speaker 1: Oh yeah, you have top karaoke songs as by the

1801
01:31:12,640 --> 01:31:17,759
Speaker 1: Karaoke Company. You have Taylor Swept, shake it off. Oh okay,

1802
01:31:18,040 --> 01:31:19,760
Speaker 1: I think I can do it. I think I can

1803
01:31:19,800 --> 01:31:21,320
Speaker 1: do Is it really? Yeah? I can just say shake

1804
01:31:21,320 --> 01:31:25,840
Speaker 1: it off? On hundred time. Let's go, every one on

1805
01:31:25,960 --> 01:31:29,880
Speaker 1: your beat? Oh did I miss I missed the start?

1806
01:31:30,439 --> 01:31:32,880
Speaker 1: I missed the start. Can we start it over? Nope?

1807
01:31:35,120 --> 01:31:43,160
Speaker 1: That again. I get on my beat, I stay out.

1808
01:31:45,320 --> 01:31:51,640
Speaker 1: There's nothing in my brain and people say bad. I

1809
01:31:51,920 --> 01:31:59,080
Speaker 1: keep moving, won't stop, can't stop moving, keep song, boozing,

1810
01:32:00,160 --> 01:32:04,479
Speaker 1: sae feet. Everything's gonna be all right. And the hate

1811
01:32:04,600 --> 01:32:08,240
Speaker 1: is gonna hate hat, and the ship is gonna shake

1812
01:32:08,400 --> 01:32:11,240
Speaker 1: chick chake shake shake, and the movie is gonna make

1813
01:32:12,479 --> 01:32:16,920
Speaker 1: me shake it off, shake it off. B is gonna

1814
01:32:17,000 --> 01:32:20,960
Speaker 1: break break break, break break, and the big is gonna big, big, big,

1815
01:32:21,120 --> 01:32:24,679
Speaker 1: big big, And I'm just gonna shake, shake, shake, hike, shake,

1816
01:32:25,120 --> 01:32:30,800
Speaker 1: shake it up, shake it off. Lighting on my feet,

1817
01:32:31,880 --> 01:32:40,719
Speaker 1: that's what people eat. I didn't even sleep time. Yeah, okay,

1818
01:32:40,880 --> 01:32:42,519
Speaker 1: have one minute for when you start. I feel good

1819
01:32:42,560 --> 01:32:45,640
Speaker 1: about that. Okay. It's harder when you don't have words. Right.

1820
01:32:46,080 --> 01:32:49,600
Speaker 1: That's really good though, And you did well, Morgan. What

1821
01:32:49,720 --> 01:32:52,920
Speaker 1: do you give Eddie? The enthusiasm was there, but I

1822
01:32:53,000 --> 01:32:56,120
Speaker 1: felt like I was watching like a rock start. Yeah,

1823
01:32:56,280 --> 01:32:59,880
Speaker 1: onna v Taylor Swift. But I still give you a

1824
01:32:59,880 --> 01:33:03,280
Speaker 1: seven because you nailed a lot of the ray. I

1825
01:33:03,360 --> 01:33:06,800
Speaker 1: can't wait for Bobby Fest in September. Eddie is a performer.

1826
01:33:07,000 --> 01:33:09,000
Speaker 1: I thought he did really well. Stand on beat. That

1827
01:33:09,120 --> 01:33:12,080
Speaker 1: was entertaining. I would pay to watch that. That's what

1828
01:33:12,120 --> 01:33:15,599
Speaker 1: I'm sorry about your number. Give him a seven? Maybe

1829
01:33:16,600 --> 01:33:19,240
Speaker 1: I give you a six. Six Yeah, I thought maybe

1830
01:33:19,240 --> 01:33:20,920
Speaker 1: you would know a few more words. Really, I didn't

1831
01:33:20,920 --> 01:33:23,519
Speaker 1: expect you to get them, all right. Baker fake fake baker, rake, bake,

1832
01:33:24,200 --> 01:33:27,040
Speaker 1: kake eat a Kate Kate Kate. Yeah. I give you

1833
01:33:27,120 --> 01:33:30,560
Speaker 1: a six. A total score of twenty for Eddie, all right, table,

1834
01:33:31,439 --> 01:33:33,040
Speaker 1: Do you want to hear the rest of the songs? Ammy,

1835
01:33:33,080 --> 01:33:39,759
Speaker 1: that's in your drawing? Bohemian Rhapsody, Shallow Lady, Got go Home? Yeah, okay,

1836
01:33:41,080 --> 01:33:44,360
Speaker 1: Sweet Caroline niel Die get that you do well? I

1837
01:33:44,479 --> 01:33:50,080
Speaker 1: feel like, yeah, sweet yeah, Party in the USA. I

1838
01:33:50,240 --> 01:33:52,479
Speaker 1: know that's the easy one. All right. Here we go

1839
01:33:53,000 --> 01:33:54,519
Speaker 1: the land and you're not gonna get that one. Am

1840
01:33:54,720 --> 01:34:01,320
Speaker 1: your song is, that's right, Boheenian Rapsity, Queen. This is tough. Yeah,

1841
01:34:01,360 --> 01:34:03,360
Speaker 1: it's tough. I think you're gonna nail this with Amy.

1842
01:34:04,200 --> 01:34:07,200
Speaker 1: This your jay. Hey, don't don't cry, you can do this.

1843
01:34:07,520 --> 01:34:10,280
Speaker 1: Don't you wear a queen shirt? No, she did have

1844
01:34:10,280 --> 01:34:11,479
Speaker 1: a queen shirt. She got all their bands that she

1845
01:34:11,520 --> 01:34:14,760
Speaker 1: doesn't know, but not queens. All right, Amy, you have

1846
01:34:14,880 --> 01:34:17,640
Speaker 1: sixty seconds of blind karaoke e there is um I

1847
01:34:17,720 --> 01:34:19,680
Speaker 1: helped Lunchbox with this intro. I'll give you six. You

1848
01:34:19,720 --> 01:34:31,519
Speaker 1: have six seconds to tell your intro. Mama just killed

1849
01:34:31,640 --> 01:34:38,280
Speaker 1: a man, put the trigger on my head, pulled the trigger.

1850
01:34:38,560 --> 01:34:47,960
Speaker 1: Now she stand, Mama, DoD has just begun and no

1851
01:34:48,280 --> 01:35:03,240
Speaker 1: we're just snly come sht queen, Mama, I'm so sad gone.

1852
01:35:04,360 --> 01:35:13,200
Speaker 1: I really wish you'd come back to live. Mamma carry on, oh,

1853
01:35:13,479 --> 01:35:22,840
Speaker 1: because nothing really matters without you, Mama, mamma, Oh, just

1854
01:35:23,200 --> 01:35:30,720
Speaker 1: killed man? Good? Oh man, that's pretty good. That's not mad,

1855
01:35:31,760 --> 01:35:37,120
Speaker 1: it's pretty good. Um ray, Yeah, Eddie was slightly better,

1856
01:35:37,200 --> 01:35:38,800
Speaker 1: So I gotta give Amy a six. It was a

1857
01:35:39,120 --> 01:35:42,200
Speaker 1: very very difficult song. She did well, but not as

1858
01:35:42,240 --> 01:35:47,400
Speaker 1: good as Eddie. Six. How are you? I mean, I

1859
01:35:47,560 --> 01:35:50,000
Speaker 1: feel like she nailed it for not knowing like what

1860
01:35:50,200 --> 01:35:52,320
Speaker 1: she was doing. She took the mic off, so I

1861
01:35:52,439 --> 01:35:54,599
Speaker 1: mean I was moved. I give her a nate Wow, wow,

1862
01:35:55,040 --> 01:35:57,720
Speaker 1: huh okay, I thought it was as good as Eddie.

1863
01:35:57,720 --> 01:36:00,719
Speaker 1: I give you a six. Oh thanks? Is that a tie?

1864
01:36:01,120 --> 01:36:04,360
Speaker 1: She wins? Wait wins? Is Morgan gave her more than

1865
01:36:04,439 --> 01:36:13,439
Speaker 1: me Eddie? Mike what twenty. It's a it's a time. Okay, Eddie,

1866
01:36:13,920 --> 01:36:16,800
Speaker 1: your song quickly is come on? Please let me get

1867
01:36:16,880 --> 01:36:20,639
Speaker 1: up there, Sweet Caroline, Oh God, that's gonna be good.

1868
01:36:22,400 --> 01:36:27,120
Speaker 1: Here we go, hit it, Raimondo. All right, this is

1869
01:36:27,200 --> 01:36:34,960
Speaker 1: for all the people in Boston. Let's go. I'm taking

1870
01:36:35,000 --> 01:36:44,080
Speaker 1: the MinC off too. Where to begin? I may not

1871
01:36:44,400 --> 01:36:49,519
Speaker 1: know this song, but I'm gonna hummet the best that

1872
01:36:49,720 --> 01:36:58,600
Speaker 1: I can. Yeah, thank you. Where can I start? I

1873
01:36:58,880 --> 01:37:04,000
Speaker 1: love the world than my heart, but this song won't

1874
01:37:04,120 --> 01:37:12,200
Speaker 1: come to my brain. Oh but I see hands come on,

1875
01:37:13,600 --> 01:37:30,840
Speaker 1: touching hands reaching out, touching meching you we Carola ba

1876
01:37:31,120 --> 01:37:38,120
Speaker 1: ba by. Life never seems so good. Saga, Saga, Sagod

1877
01:37:38,280 --> 01:37:43,080
Speaker 1: time Sam And he's such a performer. Amy, you're up.

1878
01:37:43,160 --> 01:37:45,759
Speaker 1: You have. Miley Cyrus parted in the USA Film Championship.

1879
01:37:45,800 --> 01:37:47,240
Speaker 1: We're just gonna pick who we think did the best

1880
01:37:47,240 --> 01:37:49,360
Speaker 1: for the Championship. Here we go for the Championship, and

1881
01:37:49,560 --> 01:37:55,800
Speaker 1: Amy Miley Cyrus parted in the USA Here we go.

1882
01:38:01,600 --> 01:38:04,599
Speaker 1: I hummed up the plane at La with my dream

1883
01:38:04,680 --> 01:38:08,200
Speaker 1: and a cat again. Welcome to the land of Fay.

1884
01:38:08,240 --> 01:38:13,040
Speaker 1: Nextes am, I gonna fit in. Everybody's here, and I'm

1885
01:38:13,080 --> 01:38:16,000
Speaker 1: humming into the cab. I don't know where I'm gonna go,

1886
01:38:16,160 --> 01:38:21,160
Speaker 1: but I'm sad so famous. Am I gonna get famous?

1887
01:38:21,720 --> 01:38:25,200
Speaker 1: Welcome to the Land of facts? Swoo, am I gonna

1888
01:38:25,240 --> 01:38:29,040
Speaker 1: fit in? And a jay Z song was on and

1889
01:38:29,160 --> 01:38:32,320
Speaker 1: a jay Zing BM was on. Put on my hands

1890
01:38:32,360 --> 01:38:39,320
Speaker 1: out jay Z song up to playing the song, but

1891
01:38:39,479 --> 01:38:44,559
Speaker 1: as like, again, what in the US? Like? Yeah, doing

1892
01:38:44,720 --> 01:38:48,040
Speaker 1: the diss like you on my hand? All right there? Shit,

1893
01:38:50,320 --> 01:38:54,280
Speaker 1: I don't know, guys, close one. You gotta pick a

1894
01:38:54,320 --> 01:38:59,800
Speaker 1: one out there. Sorry. And he was good, right, he

1895
01:38:59,880 --> 01:39:01,760
Speaker 1: was great, hands down. He was my guy from the

1896
01:39:01,800 --> 01:39:04,040
Speaker 1: start to finish. Eddie killed it, so I'm talking about

1897
01:39:04,240 --> 01:39:07,280
Speaker 1: y Yeah. I really wanted to love it, but I

1898
01:39:07,360 --> 01:39:14,800
Speaker 1: have to go with Eddie. All your fans out there, Eddie, hey,

1899
01:39:14,880 --> 01:39:16,760
Speaker 1: thank you so much. You can catch me at the Applebeans.

1900
01:39:16,800 --> 01:39:19,280
Speaker 1: I did karaoke every Wednesday, come on out, Oh nice?

1901
01:39:19,400 --> 01:39:23,479
Speaker 1: All right there, it's the best bits of the week

1902
01:39:24,280 --> 01:39:28,800
Speaker 1: with Morgan number two. It was a really fun week

1903
01:39:28,880 --> 01:39:32,479
Speaker 1: to start our show with Joe Nichols. I mean so

1904
01:39:32,640 --> 01:39:35,760
Speaker 1: many people were raised on Joe Nichols music. I was like,

1905
01:39:35,920 --> 01:39:37,880
Speaker 1: I think I was ten years old when I started

1906
01:39:38,080 --> 01:39:42,240
Speaker 1: hearing his first hits, and I loved everything he put out.

1907
01:39:42,280 --> 01:39:45,000
Speaker 1: So when he came onto the show this week, it

1908
01:39:45,160 --> 01:39:46,920
Speaker 1: was such a cool moment because not only did he

1909
01:39:47,000 --> 01:39:49,280
Speaker 1: perform some of those really massive hits, but he talked

1910
01:39:49,320 --> 01:39:51,800
Speaker 1: about him and so many other things. And I just

1911
01:39:51,880 --> 01:39:54,040
Speaker 1: want you all to know that this might be like

1912
01:39:54,120 --> 01:39:56,880
Speaker 1: one of my favorite interviews. But all the nostalgia, you know,

1913
01:39:57,040 --> 01:39:59,640
Speaker 1: two thousands, nineties country everybody loves all those things, and

1914
01:39:59,760 --> 01:40:02,200
Speaker 1: this is exactly one of those interviews. So if you

1915
01:40:02,360 --> 01:40:05,599
Speaker 1: missed it, watch Joe Nichols on Bobby Bones dot Com.

1916
01:40:05,760 --> 01:40:09,519
Speaker 1: His interview, his performance, everything. He was really great. But

1917
01:40:09,760 --> 01:40:14,160
Speaker 1: here it is right now, Bobby interviewing Joe Nichols number

1918
01:40:14,240 --> 01:40:18,360
Speaker 1: one on the Bobby Bones Show. Now, Joe Nichols, how

1919
01:40:18,400 --> 01:40:20,479
Speaker 1: are you, buddy? I'm good man, how are you? It's

1920
01:40:20,479 --> 01:40:22,160
Speaker 1: good to see you know. There's a lot of your

1921
01:40:22,240 --> 01:40:24,599
Speaker 1: music plays at my house right now all the time.

1922
01:40:24,680 --> 01:40:27,519
Speaker 1: I think maybe a month or so ago, my fiance

1923
01:40:27,760 --> 01:40:31,080
Speaker 1: was singing one of your songs, maybe it was broken Heartsville.

1924
01:40:31,080 --> 01:40:32,600
Speaker 1: She knew everywhere to it, and I was like, well,

1925
01:40:32,640 --> 01:40:33,840
Speaker 1: we need to record this, and then she's like, oh,

1926
01:40:33,880 --> 01:40:36,600
Speaker 1: I know everyd Joe Nichols song and so even on

1927
01:40:36,760 --> 01:40:39,439
Speaker 1: Instagram last week she was dancing with the bulldog and

1928
01:40:39,560 --> 01:40:42,320
Speaker 1: it was too maybe it was the Broken Heartsville on

1929
01:40:42,360 --> 01:40:44,560
Speaker 1: Instagram too, So she's the biggest fan. I was like,

1930
01:40:44,600 --> 01:40:46,559
Speaker 1: I know, I've known Joe for ten years at this point,

1931
01:40:47,040 --> 01:40:49,120
Speaker 1: and so she was gonna come up here today and

1932
01:40:49,200 --> 01:40:51,200
Speaker 1: meet you. That didn't work out, so she sends her

1933
01:40:51,240 --> 01:40:53,840
Speaker 1: best all right, well, thank you my best back, and

1934
01:40:53,960 --> 01:40:56,720
Speaker 1: that was that was a really good week because I

1935
01:40:56,800 --> 01:41:00,439
Speaker 1: got more text from friends over that Instagram post, like

1936
01:41:00,520 --> 01:41:02,479
Speaker 1: when y'all don't pay attention to me unless Bobby Bones

1937
01:41:02,479 --> 01:41:05,479
Speaker 1: says what's up? It wasn't even me with her. So

1938
01:41:05,680 --> 01:41:08,080
Speaker 1: Joe Nichols is here. We're gonna talk about the new

1939
01:41:08,120 --> 01:41:11,000
Speaker 1: song coming up in a second, which, by the way,

1940
01:41:11,080 --> 01:41:14,200
Speaker 1: home Run is the new track. And I feel like

1941
01:41:14,680 --> 01:41:16,559
Speaker 1: you're kind of back. I han't seen you in a while,

1942
01:41:16,640 --> 01:41:17,960
Speaker 1: Like is this like, hey, I'm kind of putting the

1943
01:41:18,000 --> 01:41:20,000
Speaker 1: foot back in the water, like let's do it again. Yeah,

1944
01:41:20,080 --> 01:41:21,880
Speaker 1: you know that a song like this kind of is

1945
01:41:22,439 --> 01:41:24,679
Speaker 1: good timing. You know, it's a re entry. Like you said,

1946
01:41:24,800 --> 01:41:26,559
Speaker 1: it's been a little while since I've been on radio,

1947
01:41:27,320 --> 01:41:30,120
Speaker 1: and uh, man, if I could, I could use a

1948
01:41:30,160 --> 01:41:32,400
Speaker 1: home run right now. I mean, we can all use

1949
01:41:32,439 --> 01:41:34,680
Speaker 1: a hit, but it's sure would be good timing. I

1950
01:41:34,720 --> 01:41:37,640
Speaker 1: don't know that seems like a good message, certainly with

1951
01:41:37,800 --> 01:41:40,360
Speaker 1: the world being crazy the last year and a half,

1952
01:41:40,400 --> 01:41:43,960
Speaker 1: two years. Uh, getting back to some stuff that's real feel,

1953
01:41:43,960 --> 01:41:45,680
Speaker 1: it's real good. Let me play a club of this

1954
01:41:45,720 --> 01:41:47,800
Speaker 1: home run, Raymo, you got that over there? Sign my

1955
01:41:47,960 --> 01:41:54,080
Speaker 1: head off South Sun. I'll be touching bass with the

1956
01:41:54,320 --> 01:42:04,320
Speaker 1: bass all places I've been way two gone sends where

1957
01:42:04,400 --> 01:42:11,080
Speaker 1: I've come. You gotta get out and do some shows now. Yeah, man,

1958
01:42:11,200 --> 01:42:13,160
Speaker 1: second half of the year, it's looking like it's opening

1959
01:42:13,320 --> 01:42:14,840
Speaker 1: up quite a bit. You know, there's a lot of

1960
01:42:14,920 --> 01:42:17,240
Speaker 1: states that are opening, so h a lot of venues,

1961
01:42:17,280 --> 01:42:19,320
Speaker 1: Thank goodness. I'm seen a lot of the smaller venues

1962
01:42:19,360 --> 01:42:21,960
Speaker 1: and the medium sized venues that are able to kind

1963
01:42:22,000 --> 01:42:24,000
Speaker 1: of get back up a little training wheels with him.

1964
01:42:24,000 --> 01:42:26,400
Speaker 1: So it's uh, it's looking good. Man. Joe has so

1965
01:42:26,520 --> 01:42:28,200
Speaker 1: many hits, Like he goes out and he plays songs

1966
01:42:28,200 --> 01:42:31,760
Speaker 1: and you're like, dang, I know I've word of that song. Hey,

1967
01:42:31,840 --> 01:42:34,559
Speaker 1: I even have hits that people didn't realize. I've had

1968
01:42:34,600 --> 01:42:36,160
Speaker 1: people come up to me after the show and go

1969
01:42:36,240 --> 01:42:39,840
Speaker 1: why didn't you play the baby and the Baby or

1970
01:42:39,840 --> 01:42:41,800
Speaker 1: any other Blakes or some beach. I get that one

1971
01:42:41,800 --> 01:42:46,240
Speaker 1: all the time too, so people think that the heads right, Like,

1972
01:42:46,360 --> 01:42:48,400
Speaker 1: I don't sing that the next show. Maybe I'll do

1973
01:42:48,479 --> 01:42:50,400
Speaker 1: it then. But like when you when you look back at,

1974
01:42:50,520 --> 01:42:54,599
Speaker 1: for example, Broken Heartsville two thousand and two, Yeah, isn't

1975
01:42:54,600 --> 01:42:57,200
Speaker 1: that crazy? It's almost for twenty years, I know, man,

1976
01:42:57,240 --> 01:43:00,040
Speaker 1: I've had a I've had a lot of story in

1977
01:43:00,160 --> 01:43:02,519
Speaker 1: between two thousand and two and here, and a lot

1978
01:43:02,560 --> 01:43:04,200
Speaker 1: of it I wouldn't like to get into. But now

1979
01:43:04,280 --> 01:43:07,800
Speaker 1: it's it's been it's been a crazy fast you know,

1980
01:43:08,160 --> 01:43:10,760
Speaker 1: nineteen years. I guess it's been crazy. Man. I've been

1981
01:43:10,920 --> 01:43:13,960
Speaker 1: very fortunate. I saw a tweet from somebody one time

1982
01:43:14,000 --> 01:43:18,200
Speaker 1: that said I have more comebacks than the mcribb. That's

1983
01:43:18,439 --> 01:43:20,880
Speaker 1: that's great. Can't even be mad at that. That's that's good.

1984
01:43:21,240 --> 01:43:23,360
Speaker 1: Would you? I know you have a guitar up here

1985
01:43:23,360 --> 01:43:24,800
Speaker 1: and you're your player here. How are you? By the way?

1986
01:43:24,800 --> 01:43:27,000
Speaker 1: You good? Good? Yeah? What's your name? I'm Brian, Hey, Brian,

1987
01:43:27,040 --> 01:43:29,120
Speaker 1: good to meet you. Would you give us just a

1988
01:43:29,160 --> 01:43:31,320
Speaker 1: little bit like Versting course of Broken Heartsville? Yeah? Man?

1989
01:43:47,040 --> 01:43:57,000
Speaker 1: Or that cowboy I had coming up, sweet talking boorka

1990
01:43:57,400 --> 01:44:08,920
Speaker 1: dung had chimpton seum before I turned around. That girl's gone.

1991
01:44:13,680 --> 01:44:20,599
Speaker 1: All I can say is barchen repum, something strong here

1992
01:44:20,680 --> 01:44:26,400
Speaker 1: shooting passing and kiss my glass sycle. She's happy with

1993
01:44:26,600 --> 01:44:35,080
Speaker 1: him here shooting girl wrecked mind? That ain't you did me?

1994
01:44:38,400 --> 01:44:43,599
Speaker 1: I fainted devil drives a cool devil. I watched him

1995
01:44:43,720 --> 01:44:48,920
Speaker 1: driving away over the hill, not against her will. I've

1996
01:44:49,000 --> 01:44:55,200
Speaker 1: got time to kill down and broken horse. Fill nice

1997
01:44:55,439 --> 01:44:58,640
Speaker 1: love it. Come on, Joe Nichols is here. Thank you.

1998
01:44:58,840 --> 01:45:00,640
Speaker 1: So back in two thousand three, I just kind of

1999
01:45:00,680 --> 01:45:02,120
Speaker 1: looking at this time period for a minute. You were

2000
01:45:02,160 --> 01:45:05,560
Speaker 1: playing the grand Ol Operate and a green brawl was

2001
01:45:05,760 --> 01:45:08,200
Speaker 1: tossed onto the stage and supposedly was the first time

2002
01:45:08,240 --> 01:45:10,080
Speaker 1: that the undergraum I had ever been thrown on the

2003
01:45:10,240 --> 01:45:12,920
Speaker 1: opery stage. And so at what point did you realize

2004
01:45:12,960 --> 01:45:17,000
Speaker 1: the brawl was mine? Do you remember that moment though,

2005
01:45:17,120 --> 01:45:20,120
Speaker 1: I do remember that moment. Yeah, she got her brawl back.

2006
01:45:21,160 --> 01:45:23,760
Speaker 1: She was, I think, a college student here somewhere in

2007
01:45:23,840 --> 01:45:26,479
Speaker 1: town and Vanderbilt, I think, and I remember it being

2008
01:45:26,560 --> 01:45:28,920
Speaker 1: so cool and then realizing, oh, no, him in trouble.

2009
01:45:28,960 --> 01:45:30,400
Speaker 1: This is the opera. I don't gonna go for that

2010
01:45:30,479 --> 01:45:33,200
Speaker 1: behavior here, but some of the old timers thought it

2011
01:45:33,240 --> 01:45:35,600
Speaker 1: was pretty neat too, one of those records that you're like,

2012
01:45:36,080 --> 01:45:38,360
Speaker 1: well I did that, you know, we got number ones

2013
01:45:38,400 --> 01:45:40,960
Speaker 1: and stuff like that. But hey, this guy got a

2014
01:45:41,000 --> 01:45:43,640
Speaker 1: braw phone at him on the opera. You're you're a

2015
01:45:43,680 --> 01:45:46,200
Speaker 1: Grammy nominated artist too, I know, as you joke about

2016
01:45:46,200 --> 01:45:49,320
Speaker 1: people confusing you with Blake, like sometimes people don't realize

2017
01:45:49,600 --> 01:45:52,880
Speaker 1: you were nominated for the Impossible, right, yeah, the impossible.

2018
01:45:53,640 --> 01:45:56,000
Speaker 1: I can name the ones I lost too, and I'm

2019
01:45:56,080 --> 01:46:00,160
Speaker 1: I'm very proud I lost to Johnny Cash, Willie Nelson, Um,

2020
01:46:00,760 --> 01:46:04,240
Speaker 1: the Dixie Chicks, and maybe Vince Gill. How did you

2021
01:46:04,320 --> 01:46:06,559
Speaker 1: lose all four of them? Well, they were two separate

2022
01:46:06,680 --> 01:46:09,240
Speaker 1: years that all at once. But it was like Johnny

2023
01:46:09,280 --> 01:46:12,800
Speaker 1: Cash's last album and he won Album or the Year,

2024
01:46:13,600 --> 01:46:16,360
Speaker 1: and I think baby Vince got Vocal of the Year,

2025
01:46:16,439 --> 01:46:20,120
Speaker 1: Male Vocal of the Year next year. I think Willie

2026
01:46:20,200 --> 01:46:21,720
Speaker 1: Nelson had to how to do that song that he

2027
01:46:21,800 --> 01:46:25,400
Speaker 1: won Song with or Male Vocal Performance, and the Dixie

2028
01:46:25,479 --> 01:46:27,639
Speaker 1: Chicks won I think Album of the Year again. Dang

2029
01:46:28,000 --> 01:46:30,800
Speaker 1: yeah man oh for four for four. But do you

2030
01:46:30,840 --> 01:46:33,000
Speaker 1: feel like four for four and being Grammy nominated, because

2031
01:46:33,000 --> 01:46:34,720
Speaker 1: that's pretty cool too, like where do you sit on

2032
01:46:34,800 --> 01:46:37,719
Speaker 1: that positive or like dang so close? Not to sound cliche,

2033
01:46:37,840 --> 01:46:39,600
Speaker 1: but I was shocked that I was even there. I

2034
01:46:39,760 --> 01:46:41,599
Speaker 1: was really shocked that they putting my face on camera

2035
01:46:41,680 --> 01:46:44,000
Speaker 1: when they were calling the nominees out. I know, it

2036
01:46:44,080 --> 01:46:46,559
Speaker 1: looked like an idiot up there amongst you know, Yoko

2037
01:46:46,640 --> 01:46:48,880
Speaker 1: Owner was sitting over here, and Queen Latifa was sitting

2038
01:46:48,920 --> 01:46:51,840
Speaker 1: over here, and I'm like, I don't think y'all got

2039
01:46:51,880 --> 01:46:54,160
Speaker 1: the right guy. It was just kind of my face

2040
01:46:54,280 --> 01:46:57,160
Speaker 1: and they're like in for album, they put the camera

2041
01:46:57,280 --> 01:46:59,240
Speaker 1: on my face and I'm just looking at the camera, like,

2042
01:47:00,320 --> 01:47:02,680
Speaker 1: is uncomfortable? What about do if I win, I walk

2043
01:47:02,760 --> 01:47:05,719
Speaker 1: upon the stage, I've probably tripped somewhere, you know, probably

2044
01:47:05,800 --> 01:47:07,880
Speaker 1: can't spit words out of my face. Saved my life,

2045
01:47:08,400 --> 01:47:11,599
Speaker 1: I don't know. Probably glad I didn't win. Really, Joe

2046
01:47:11,720 --> 01:47:13,479
Speaker 1: Nichols is here, You're not glad you didn't win. I'm

2047
01:47:13,479 --> 01:47:16,200
Speaker 1: not gonna like now I got a certificate, though, you

2048
01:47:16,240 --> 01:47:18,439
Speaker 1: do get a cert being a nominated artist. And I

2049
01:47:18,520 --> 01:47:21,719
Speaker 1: framed it, yeah, and had it melted into this gold

2050
01:47:21,800 --> 01:47:25,439
Speaker 1: looking Grammy. So it looks like I want to grammy, No,

2051
01:47:25,680 --> 01:47:28,960
Speaker 1: I got a certificate before you recorded? Yeah? Was that?

2052
01:47:29,120 --> 01:47:30,800
Speaker 1: Did someone go ahead? Joe? This is a huge hit?

2053
01:47:31,040 --> 01:47:33,360
Speaker 1: Like what what was that process for when you got

2054
01:47:33,439 --> 01:47:36,200
Speaker 1: that song? When I got that song, I hadn't signed

2055
01:47:36,240 --> 01:47:39,040
Speaker 1: a deal yet, so I was still talking in some

2056
01:47:39,160 --> 01:47:41,120
Speaker 1: early stages with a couple of labels. But I really

2057
01:47:41,240 --> 01:47:43,320
Speaker 1: needed that song to walk in an office with and

2058
01:47:43,400 --> 01:47:46,160
Speaker 1: say here's our here's our beginning of the album. And

2059
01:47:46,560 --> 01:47:49,519
Speaker 1: Mike Ohens, I used to work with a Universal South,

2060
01:47:49,560 --> 01:47:51,439
Speaker 1: found this song. He's a man, this feels like a hit.

2061
01:47:51,960 --> 01:47:54,120
Speaker 1: He said, it's it's a little it's kind of current,

2062
01:47:54,680 --> 01:47:56,280
Speaker 1: and I was like, well, I kind of think we

2063
01:47:56,400 --> 01:47:58,560
Speaker 1: need to be current right now, you know. And he

2064
01:47:58,640 --> 01:48:00,519
Speaker 1: gave me this song like, man, if we can pull

2065
01:48:00,560 --> 01:48:03,280
Speaker 1: that off where it feels big, that's gonna be played

2066
01:48:03,280 --> 01:48:05,000
Speaker 1: on the radio a lot. We give us a little

2067
01:48:05,000 --> 01:48:07,040
Speaker 1: bit of yeah yeah yeah man, yeah yeah he will

2068
01:48:07,080 --> 01:48:22,519
Speaker 1: get yeah yeah, yeah yeah. It was just another night

2069
01:48:22,800 --> 01:48:25,599
Speaker 1: to have you. As she climbed down up of them,

2070
01:48:25,800 --> 01:48:34,160
Speaker 1: bo yeah yeah. As soon as that sundress at the

2071
01:48:34,280 --> 01:48:37,479
Speaker 1: head lights every tail gain away out there, I was

2072
01:48:37,520 --> 01:48:45,040
Speaker 1: like yeah yeah. She started walking over to me like

2073
01:48:45,240 --> 01:48:49,479
Speaker 1: she already knew me. She sat down right beside me

2074
01:48:50,800 --> 01:48:54,320
Speaker 1: and dast if I was here along? And I said,

2075
01:48:54,560 --> 01:48:58,439
Speaker 1: yeah yeah, like I was not the right along to

2076
01:48:58,560 --> 01:49:03,439
Speaker 1: a song on the radio. Oh yeah yeah, how could

2077
01:49:03,479 --> 01:49:08,080
Speaker 1: I say? Whatever you're drinking, that's when I'm drinking. Girl.

2078
01:49:08,160 --> 01:49:12,080
Speaker 1: You're calling it the shots tonight. Whatever you're thinking, that's

2079
01:49:12,120 --> 01:49:15,120
Speaker 1: when I'm thinking. Tell I mean what you got hit

2080
01:49:15,120 --> 01:49:28,400
Speaker 1: in mine? So I can see? Yeah? Yeah, yeah nice.

2081
01:49:28,439 --> 01:49:31,640
Speaker 1: Joe Nichols is here. Hey, what's home? What's home like

2082
01:49:31,760 --> 01:49:33,000
Speaker 1: for you right now? Like? Are you on a farm?

2083
01:49:33,080 --> 01:49:34,640
Speaker 1: You have a bunch of land? Now? I live on

2084
01:49:34,680 --> 01:49:37,280
Speaker 1: a golf course. I'm never mind. I never, in my

2085
01:49:37,400 --> 01:49:39,719
Speaker 1: wildest dreams whatever believe I live on a golf course.

2086
01:49:39,800 --> 01:49:41,640
Speaker 1: But it was is the nicest place we could find it,

2087
01:49:41,680 --> 01:49:46,479
Speaker 1: we could afford. I'm pretty good. Yeah, people ever hit

2088
01:49:46,520 --> 01:49:50,160
Speaker 1: a ball and go That's what Joe Nichols said enough

2089
01:49:50,280 --> 01:49:52,240
Speaker 1: away that it would be really bad. And I think

2090
01:49:52,280 --> 01:49:55,519
Speaker 1: somebody did it on purpose. Yeah, every now and didn't. Man.

2091
01:49:55,600 --> 01:49:57,000
Speaker 1: I get in the golf cart and I have my

2092
01:49:57,040 --> 01:49:58,720
Speaker 1: own golf cart now, which is cool. It's kind of

2093
01:49:58,720 --> 01:50:00,920
Speaker 1: more important than my truck now, But it does have

2094
01:50:01,080 --> 01:50:03,760
Speaker 1: red velvet seating. So but you just said no and

2095
01:50:03,800 --> 01:50:06,000
Speaker 1: then went fancier. He's no, no, not at all. But

2096
01:50:06,000 --> 01:50:09,519
Speaker 1: it is rims and it's uh it's four by four.

2097
01:50:11,240 --> 01:50:13,720
Speaker 1: But I mean that's nothing, Joe. I'm gonna run through

2098
01:50:13,760 --> 01:50:14,920
Speaker 1: some of your clips here. I guess I got a

2099
01:50:14,960 --> 01:50:17,000
Speaker 1: bunch of a bunch of hits on a clip. Let's

2100
01:50:17,040 --> 01:50:19,200
Speaker 1: do a clip of Broken Heartsville, just kind of here's

2101
01:50:19,240 --> 01:50:22,640
Speaker 1: to the best stick and kiss my Glass? Is this

2102
01:50:22,760 --> 01:50:26,200
Speaker 1: the most real questioned song when you play a show? Oh,

2103
01:50:26,880 --> 01:50:30,559
Speaker 1: I think Tequilia is probably m Yeah, good point too,

2104
01:50:30,720 --> 01:50:34,559
Speaker 1: but I think more people talk about that song. Uh,

2105
01:50:34,760 --> 01:50:37,559
Speaker 1: ten year olds to eighty year old say, my favorite

2106
01:50:37,560 --> 01:50:39,720
Speaker 1: song ever was Broken Hartsville. So I think it's one

2107
01:50:39,760 --> 01:50:41,640
Speaker 1: of those that kind of lasts longer than most of

2108
01:50:41,680 --> 01:50:44,400
Speaker 1: my songs. Here's a clip of tequila mixer, Clothes fall off,

2109
01:50:46,280 --> 01:50:50,200
Speaker 1: Clothes fall off? Did this change everything for you? It did?

2110
01:50:50,400 --> 01:50:52,280
Speaker 1: Like you had you had a big hit with Broken Heartsville?

2111
01:50:52,280 --> 01:50:54,759
Speaker 1: But did this song? Was it like boom? Joe Nichols

2112
01:50:54,760 --> 01:50:56,760
Speaker 1: is now here to stay with massive song? Yeah? And

2113
01:50:56,840 --> 01:50:58,200
Speaker 1: it was one of those comebacks. You know, we were

2114
01:50:58,240 --> 01:51:01,240
Speaker 1: coming off of one of those albums that didn't really

2115
01:51:01,320 --> 01:51:03,439
Speaker 1: have a lot of hit hits, you know, had some

2116
01:51:03,680 --> 01:51:06,920
Speaker 1: radio success, but the last single took like fifty weeks

2117
01:51:06,960 --> 01:51:09,920
Speaker 1: to kind of get really any airplay. And uh, and

2118
01:51:10,040 --> 01:51:11,920
Speaker 1: I was like, man, we need a big, strong song.

2119
01:51:12,000 --> 01:51:13,880
Speaker 1: And this came out and just pop sold a lot

2120
01:51:13,920 --> 01:51:15,559
Speaker 1: of records, and all of a sudden, I'm playing at

2121
01:51:16,320 --> 01:51:17,920
Speaker 1: where the Titans play football. I don't know what it's

2122
01:51:17,920 --> 01:51:22,000
Speaker 1: called now stadium. Yeah, playing out there at the CMA

2123
01:51:22,120 --> 01:51:24,560
Speaker 1: Fest and and uh, the crowd knew it and it

2124
01:51:24,680 --> 01:51:27,040
Speaker 1: was pretty good moment. Yeah, that's got changed the game

2125
01:51:27,080 --> 01:51:28,880
Speaker 1: for me. That was one of my comebacks. Give Me

2126
01:51:28,960 --> 01:51:36,120
Speaker 1: That Girl two thousand and nine jam. This one had

2127
01:51:36,160 --> 01:51:38,240
Speaker 1: to be close too. I mean I would say not

2128
01:51:38,479 --> 01:51:42,679
Speaker 1: at but this is a big one. Everybody knows this song, yeah,

2129
01:51:43,400 --> 01:51:44,760
Speaker 1: believe it or not. You know, this is one of

2130
01:51:44,800 --> 01:51:46,599
Speaker 1: those songs that people want me to play at weddings.

2131
01:51:47,000 --> 01:51:49,040
Speaker 1: I'm like, is that a wedding song? Ken? I mean,

2132
01:51:49,760 --> 01:51:52,040
Speaker 1: it's not like a slow dance song or anything. And

2133
01:51:52,120 --> 01:51:56,320
Speaker 1: it's just me check me out playing my single. Uh. Yeah.

2134
01:51:56,360 --> 01:51:58,120
Speaker 1: It was a big songs for my first multi week

2135
01:51:59,080 --> 01:52:01,920
Speaker 1: number one hit, and it was another comeback. It's it

2136
01:52:02,040 --> 01:52:04,200
Speaker 1: was on a lull, you know, after a couple of hits,

2137
01:52:04,280 --> 01:52:06,559
Speaker 1: being gone from radio for a year or two, come

2138
01:52:06,600 --> 01:52:08,720
Speaker 1: back with give Me That Girl and and it kind

2139
01:52:08,760 --> 01:52:11,320
Speaker 1: of kicked it off again. The Impossible was nominated for

2140
01:52:11,400 --> 01:52:18,639
Speaker 1: Best Country Song for a Grammy Unbreakable Watch You're riding

2141
01:52:18,640 --> 01:52:21,280
Speaker 1: it this one? You liked this one? Yes? Yeah, I

2142
01:52:21,360 --> 01:52:24,120
Speaker 1: like everything this is like this is that that that slow?

2143
01:52:24,520 --> 01:52:27,439
Speaker 1: This is the one people should have you play? Yeah, yeah, yeah,

2144
01:52:27,640 --> 01:52:31,600
Speaker 1: yeah not give Me That Girl? Yeah? Uh. Sunny and

2145
01:52:31,680 --> 01:52:45,479
Speaker 1: seventy five from twenty thirteen. Was this another comeback? Yeah? Yeah.

2146
01:52:45,520 --> 01:52:48,000
Speaker 1: This was after another couple of years being away from radio.

2147
01:52:49,080 --> 01:52:51,240
Speaker 1: This was the album that I signed with Red Bow

2148
01:52:51,360 --> 01:52:53,680
Speaker 1: on and where we had yeah and we walked in,

2149
01:52:53,800 --> 01:52:54,960
Speaker 1: like I said, have been a couple of years of

2150
01:52:54,960 --> 01:52:56,720
Speaker 1: being off radio, and we thought for a minute we

2151
01:52:56,800 --> 01:52:59,400
Speaker 1: were gonna put you out first. And the president of

2152
01:52:59,479 --> 01:53:01,560
Speaker 1: label being Brown, He's always been amazing to me, that

2153
01:53:01,600 --> 01:53:04,040
Speaker 1: guy is such a great, great guy to me. He said,

2154
01:53:04,080 --> 01:53:05,960
Speaker 1: why don't you try this out first? I think we

2155
01:53:06,040 --> 01:53:08,320
Speaker 1: can have some success with this. And of course it

2156
01:53:08,439 --> 01:53:10,960
Speaker 1: sounds unlike a lot of my catalog, you know, So

2157
01:53:11,520 --> 01:53:14,160
Speaker 1: we tried it, put it out there, and it popped

2158
01:53:14,320 --> 01:53:16,639
Speaker 1: and it again changed the game again, you know, kind

2159
01:53:16,640 --> 01:53:18,240
Speaker 1: of it kind of gave this a little bit of

2160
01:53:18,360 --> 01:53:21,640
Speaker 1: a catalog, more of a field than just having a

2161
01:53:21,720 --> 01:53:23,560
Speaker 1: few hits. It kind of started having more of a

2162
01:53:24,320 --> 01:53:28,639
Speaker 1: you know, nine ten songs that people would would recognize. Well, listen, Joe,

2163
01:53:28,880 --> 01:53:31,080
Speaker 1: I'm pumped at You're kind of back and you know

2164
01:53:31,120 --> 01:53:32,760
Speaker 1: you're hearing this studio. He's got a new song out.

2165
01:53:32,760 --> 01:53:34,280
Speaker 1: We'll play some more of it now. This is home run.

2166
01:53:34,720 --> 01:53:40,320
Speaker 1: Sign my head up that South sign. I'll be touching

2167
01:53:40,520 --> 01:53:47,439
Speaker 1: bases with two bass all places. What's the worst anyone's

2168
01:53:47,439 --> 01:53:50,240
Speaker 1: ever mispronounced your name on a big stage. I pulled

2169
01:53:50,280 --> 01:53:52,599
Speaker 1: up one of my first shows. I did a radio

2170
01:53:52,720 --> 01:53:56,639
Speaker 1: show at a at a mall in uh in Washington, DC,

2171
01:53:57,600 --> 01:54:03,960
Speaker 1: and it said today only I was a Nicolas. I

2172
01:54:03,960 --> 01:54:05,800
Speaker 1: don't know what's happening, because this always happened like this

2173
01:54:06,040 --> 01:54:08,880
Speaker 1: my first radio tour things. So that was and it

2174
01:54:08,960 --> 01:54:10,880
Speaker 1: was humbling too, because you played in the mall as

2175
01:54:10,920 --> 01:54:13,640
Speaker 1: people were shopping. You know, kind of felt like, oh,

2176
01:54:13,680 --> 01:54:17,280
Speaker 1: we're the piano music in the lounge, right, let me

2177
01:54:17,320 --> 01:54:19,280
Speaker 1: play my new single. Wait before you go in there,

2178
01:54:20,120 --> 01:54:23,960
Speaker 1: stop and listen. Awkward stuff whenever tequila came out, you know,

2179
01:54:24,000 --> 01:54:26,519
Speaker 1: a tequila mixer clothes fault. Did people just throw their

2180
01:54:26,600 --> 01:54:29,360
Speaker 1: clothes at you when you're performing? Like? Was that common? Yeah?

2181
01:54:29,360 --> 01:54:33,760
Speaker 1: I used to. I think probably now it's been around

2182
01:54:33,760 --> 01:54:35,480
Speaker 1: a little while. But when the song was, you know,

2183
01:54:36,080 --> 01:54:39,120
Speaker 1: really hot, getting played a lot, I think people got

2184
01:54:40,000 --> 01:54:42,880
Speaker 1: got loose with their clothes. Man, I had one. It

2185
01:54:43,040 --> 01:54:45,080
Speaker 1: kind of ruined me. This lady threw some panties on

2186
01:54:45,160 --> 01:54:48,040
Speaker 1: stage one time and they were so big I felt

2187
01:54:48,240 --> 01:54:49,960
Speaker 1: I felt like, there's nothing. There's no way you can

2188
01:54:50,040 --> 01:54:52,000
Speaker 1: respond to this because you can't laugh like, ah, there's

2189
01:54:52,000 --> 01:54:54,840
Speaker 1: somebody because you could hurt their feelings. But then I

2190
01:54:54,920 --> 01:54:57,280
Speaker 1: don't know. That kind of ruined me on that, So

2191
01:54:57,400 --> 01:54:59,160
Speaker 1: please keep clothes on because I never know how to

2192
01:54:59,200 --> 01:55:04,040
Speaker 1: take that. Uh well, listen, can you do a little

2193
01:55:04,040 --> 01:55:05,640
Speaker 1: bit of tequila? Yeah? Before we go, we can play

2194
01:55:05,880 --> 01:55:07,800
Speaker 1: me Yeah, tune up over here by the way, shout

2195
01:55:07,840 --> 01:55:10,680
Speaker 1: out your play over. He's yeah, fantastic. This is Brian Sprattlon.

2196
01:55:10,720 --> 01:55:12,960
Speaker 1: He's been with me a long long time. We actually

2197
01:55:13,000 --> 01:55:15,440
Speaker 1: did a lot of that radio stuff together back in

2198
01:55:15,480 --> 01:55:17,760
Speaker 1: two thousand and two and three, and actually goes back

2199
01:55:17,800 --> 01:55:20,160
Speaker 1: before that. We played here in Nashville at Rippy's on

2200
01:55:20,240 --> 01:55:22,240
Speaker 1: there and Fifth and Broadway. What was that like for

2201
01:55:22,360 --> 01:55:23,960
Speaker 1: you back in the day. Did people come in and go, well,

2202
01:55:24,000 --> 01:55:25,840
Speaker 1: you're so good, you should get out off of Fifth

2203
01:55:25,880 --> 01:55:27,640
Speaker 1: and Broadway and be a real star, And you're like, man,

2204
01:55:27,680 --> 01:55:30,560
Speaker 1: I'm trying, but it's hard to get discovered. Yeah. Absolutely,

2205
01:55:30,560 --> 01:55:32,560
Speaker 1: that's exactly how it went. You know. We did good

2206
01:55:32,720 --> 01:55:34,800
Speaker 1: with tips, and there would be a lot of people

2207
01:55:34,920 --> 01:55:37,280
Speaker 1: to come in drunk and say come see me this week,

2208
01:55:37,320 --> 01:55:38,520
Speaker 1: and you get in their office and they go, I

2209
01:55:38,560 --> 01:55:41,480
Speaker 1: don't I remember seeing you. I got some good experience

2210
01:55:41,560 --> 01:55:44,040
Speaker 1: out of those years. I had some great, great times

2211
01:55:44,120 --> 01:55:48,120
Speaker 1: that I remember. How did you get discovered? What was

2212
01:55:48,160 --> 01:55:50,680
Speaker 1: the moment I went in and played for Tony Brown

2213
01:55:50,720 --> 01:55:52,680
Speaker 1: who was at MCA. He's like, I want you to

2214
01:55:52,760 --> 01:55:55,240
Speaker 1: go over to my friends office and play for him.

2215
01:55:55,280 --> 01:55:57,840
Speaker 1: His name is Tim Dubois, and those guys formed a

2216
01:55:57,880 --> 01:55:59,840
Speaker 1: record label, and I was familiar with those guys his

2217
01:56:00,040 --> 01:56:02,840
Speaker 1: tree and that was my first singles, and Speaking of

2218
01:56:03,040 --> 01:56:06,440
Speaker 1: the Impossible had climbed into like the top thirty or

2219
01:56:06,520 --> 01:56:08,520
Speaker 1: top forty, and he's going to radio doing really well.

2220
01:56:08,560 --> 01:56:10,920
Speaker 1: And I was still playing on Broadway because that's the

2221
01:56:10,920 --> 01:56:12,760
Speaker 1: only place I can make money. So you had a

2222
01:56:12,840 --> 01:56:14,160
Speaker 1: song that was on the radio, and you're still you

2223
01:56:14,160 --> 01:56:16,080
Speaker 1: were still playing at the bar, six thirty to nine thirty,

2224
01:56:16,120 --> 01:56:17,720
Speaker 1: still in the bar. Yeah, what were you doing? Covers

2225
01:56:17,760 --> 01:56:19,560
Speaker 1: like crazy? Yeah? Oh yeah, that's all you can do

2226
01:56:19,640 --> 01:56:23,920
Speaker 1: with one. It every thirty minutes. He plays ahead again, though,

2227
01:56:24,520 --> 01:56:26,480
Speaker 1: coming in new crowds. I'm the guy from the radio.

2228
01:56:26,480 --> 01:56:28,320
Speaker 1: I'm not even paying cover. You an't telling that this

2229
01:56:28,520 --> 01:56:30,360
Speaker 1: is my song. You probably heard it seven times a day.

2230
01:56:30,560 --> 01:56:33,200
Speaker 1: All right, Joe Nichols is here. Tequila makes a close

2231
01:56:33,240 --> 01:56:34,640
Speaker 1: fall off, float a little bit of this, and we'll

2232
01:56:34,680 --> 01:56:36,160
Speaker 1: call it today. All right, man, all right, here we go.

2233
01:56:45,200 --> 01:56:48,879
Speaker 1: She said, I'm going now, I'm with my girl friends.

2234
01:56:50,600 --> 01:57:00,480
Speaker 1: Agreed said on the day, Oh have mercy, my home healer.

2235
01:57:00,560 --> 01:57:07,200
Speaker 1: Her makes her clothes along. I should her put an

2236
01:57:07,240 --> 01:57:14,120
Speaker 1: extra on. I know what happens when she dranks was wrong,

2237
01:57:15,960 --> 01:57:20,800
Speaker 1: closets missing, has the bag, she bones get the her

2238
01:57:21,200 --> 01:57:28,480
Speaker 1: makes her clothes along. She'll start by kicking down of

2239
01:57:28,600 --> 01:57:37,520
Speaker 1: her shoes, losing hearing in her drink, leave her jacket

2240
01:57:37,840 --> 01:57:43,920
Speaker 1: in a bathroom storm, drop a contag down the same.

2241
01:57:46,320 --> 01:57:52,720
Speaker 1: Then pantyholes ain't gonna last you long. He's the DJ

2242
01:57:53,040 --> 01:57:58,480
Speaker 1: Push bon Jovi Beyon. She might have come on at

2243
01:57:58,560 --> 01:58:08,280
Speaker 1: a table. Yeah, make sure clothes, Oh, make sure clothes,

2244
01:58:11,200 --> 01:58:17,440
Speaker 1: Oh make sure clones. There n you guys check out

2245
01:58:17,480 --> 01:58:20,880
Speaker 1: his new song home Run. Go follow on Instagram at

2246
01:58:21,000 --> 01:58:26,320
Speaker 1: Joe Nichols, not Jose Nicholas. Yes, at Joe Nichols. Joe.

2247
01:58:26,400 --> 01:58:29,960
Speaker 1: Great to see you. Great job, and we'll see you hopefully,

2248
01:58:29,960 --> 01:58:31,600
Speaker 1: we'll see you when you're making the making the tour

2249
01:58:31,680 --> 01:58:33,760
Speaker 1: for the number one. Yeah, man, go hogs. There is

2250
01:58:33,800 --> 01:58:38,120
Speaker 1: Joe Nichols. Everybody, all right, it's the best Bits of

2251
01:58:38,240 --> 01:58:44,120
Speaker 1: the Week with Morgan number two. That's rab y'all. Thanks

2252
01:58:44,160 --> 01:58:47,000
Speaker 1: for hanging out with me and Abby this weekend. Abby,

2253
01:58:47,080 --> 01:58:50,760
Speaker 1: thanks for hanging out, singing, sharing, dating stories, I mean,

2254
01:58:51,040 --> 01:58:53,200
Speaker 1: all the things. It was so fun. But it was

2255
01:58:53,320 --> 01:58:55,360
Speaker 1: so fun, and I hope you get a record deal

2256
01:58:55,400 --> 01:58:57,240
Speaker 1: out of his best bits. I don't know that anybody

2257
01:58:57,280 --> 01:59:00,320
Speaker 1: that I'm born listens to this podcast like real high

2258
01:59:00,400 --> 01:59:01,960
Speaker 1: up on a level. We have a lot of important

2259
01:59:02,000 --> 01:59:04,680
Speaker 1: listeners and maybe they have some really cool connections. Yes,

2260
01:59:05,080 --> 01:59:07,480
Speaker 1: let's hope send them my way. I'm gonna hope for that,

2261
01:59:07,520 --> 01:59:09,680
Speaker 1: because we do have some really cool listeners. That listen

2262
01:59:09,720 --> 01:59:11,200
Speaker 1: to the show and post about it, And I really

2263
01:59:11,280 --> 01:59:14,400
Speaker 1: appreciate y'all doing that every weekend. And I hope you

2264
01:59:14,480 --> 01:59:18,120
Speaker 1: guys enjoy these And I know you guys may fast

2265
01:59:18,160 --> 01:59:20,880
Speaker 1: forward through the actual bits themselves, but I'm glad you

2266
01:59:21,000 --> 01:59:22,880
Speaker 1: took the time to listen to Abby and I talked

2267
01:59:22,920 --> 01:59:26,760
Speaker 1: to each other. But in case you missed anything else

2268
01:59:26,840 --> 01:59:29,400
Speaker 1: from this week, go ahead over. Bobby Bones dot com

2269
01:59:29,600 --> 01:59:33,080
Speaker 1: has videos, pictures. Yes, there is a picture in video

2270
01:59:33,480 --> 01:59:38,160
Speaker 1: of me eating the world's steakiest fruit, and there's videos

2271
01:59:38,240 --> 01:59:41,640
Speaker 1: of blind karaoke. So follow us Twitter, Instagram, Facebook at

2272
01:59:41,640 --> 01:59:44,680
Speaker 1: Bobbybones Show Plus if you want to and you like

2273
01:59:44,880 --> 01:59:48,400
Speaker 1: dog content, which I should totally preface because apparently somebody

2274
01:59:48,440 --> 01:59:50,080
Speaker 1: out in the world does not like my dog content.

2275
01:59:51,240 --> 01:59:53,160
Speaker 1: If you want to see dog content, you can follow

2276
01:59:53,240 --> 01:59:56,440
Speaker 1: me at web girl Morgan TikTok, Twitter, Instagram, Abby. What's

2277
01:59:56,480 --> 02:00:01,120
Speaker 1: your social media? Abby? Abby dot Anderson one underscore it's

2278
02:00:01,200 --> 02:00:03,840
Speaker 1: the worst social What in the world just happened? Help me?

2279
02:00:05,400 --> 02:00:07,160
Speaker 1: Is that what it is? On all of them? Yeah?

2280
02:00:07,240 --> 02:00:10,240
Speaker 1: Oh that's on Instagram and okay, Twitter is singing Abbey

2281
02:00:10,640 --> 02:00:13,560
Speaker 1: singing Abbey. I haven't changed it, Okay, Well, I'm trying

2282
02:00:13,560 --> 02:00:15,240
Speaker 1: to be a singer. It's still there, right, Yeah. I

2283
02:00:15,320 --> 02:00:17,720
Speaker 1: need to change my Instagram. Yeah, it's terrible. I think

2284
02:00:17,720 --> 02:00:22,760
Speaker 1: we got to work on that. Yea. My whole social

2285
02:00:22,840 --> 02:00:25,640
Speaker 1: media heart just broke. There's a lot of Abby Anderson's.

2286
02:00:25,640 --> 02:00:28,720
Speaker 1: I had to find a ways fair okay, well yeah,

2287
02:00:28,800 --> 02:00:30,960
Speaker 1: follow us, follow all the things. Thanks for hanging out

2288
02:00:31,000 --> 02:00:34,360
Speaker 1: with me. Guys, have a great rest your weekend or

2289
02:00:34,480 --> 02:00:36,720
Speaker 1: week whenever you're listening to this. Bye.