WEBVTT - Bonus Episode: Heart Issues and Hurricanes

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<v Speaker 1>Hey, discos, need a little more Disgraceland in your life,

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<v Speaker 1>just to touch to get you through. Yeah, me too.

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<v Speaker 1>This is the podcast that comes after the podcast. Welcome

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<v Speaker 1>to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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<v Speaker 1>a little thing we like to call the after party.

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<v Speaker 1>This is the show after the show, the party after

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<v Speaker 1>the party, the bridge to get you from one full

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<v Speaker 1>episode of Disgraceland to the other, the backyard to dig

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<v Speaker 1>into the dirt. On this bonus episode, we are talking

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<v Speaker 1>about this week's subject of the Disgraceland full episode, Brandon

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<v Speaker 1>Lee from the excellent movie The Crow with the most

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<v Speaker 1>excellent soundtrack, more from the Sean Combe story, and some

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<v Speaker 1>special announcements from the world of Disgraceland. And of course

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<v Speaker 1>we are diving into your voicemails, text and more. As always,

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<v Speaker 1>a whole lot of rosie. All right, disc goes, let's

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<v Speaker 1>get into it, and they say there's a heaven for

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<v Speaker 1>those who will wait. Some say it's better, but I

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<v Speaker 1>say it. I'd rather laugh with the sinners than cry

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<v Speaker 1>with the saints. The sinners are much more fun. You

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<v Speaker 1>know that only the good die young. That, of course

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<v Speaker 1>is Billy Joel from his nineteen seventy eight hit Only

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<v Speaker 1>the Good Die Young. Brandon Lee, the subject of this

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<v Speaker 1>week's Disgraceland after Party, died young at twenty eight years old.

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<v Speaker 1>By all accounts, Brandon Lee was one of the good ones.

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<v Speaker 1>His father, Bruce Lee, died young too, at the age

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<v Speaker 1>of thirty two years old. Lisa Lopez, Bob Marley, Amy Winehouse,

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<v Speaker 1>Nipsey Hustle, all previous Disgraceland subjects, they all died young,

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<v Speaker 1>and despite being complicated and sometimes protic individuals, I believe

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<v Speaker 1>them all to be good at heart. Other disgrace on subjects,

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<v Speaker 1>some real bastards are either still breathing or lived long,

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<v Speaker 1>full lives. Jerry Lee, Lewis, Big Lurch, var Vicinus, Ike Turner,

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<v Speaker 1>to name just a few. They of course not good people.

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<v Speaker 1>They were or are bad bad men. But Billy Joel

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<v Speaker 1>was onto something. Though that statement only the Good die young,

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<v Speaker 1>it isn't absolute. Tupac secure in the Notorious Big They died, okay.

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<v Speaker 1>Tupac was twenty five, Biggie was just twenty four. I'm

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<v Speaker 1>not saying either were good. Tupac especially was at times

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<v Speaker 1>a horrendous human being and Biggie had his issues too,

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<v Speaker 1>but still they were young men. Had they lived, you

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<v Speaker 1>can make the case that they could have probably redeemed themselves.

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<v Speaker 1>Who knows. Twenty four and twenty five far too young

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<v Speaker 1>to go though. Okay, Tupac and Biggie had a lot

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<v Speaker 1>in common. They were, of course friends, then famously enemies,

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<v Speaker 1>and now a part of the same unsolved murder mystery

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<v Speaker 1>conspiracy theory. They also shared a common friend at one

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<v Speaker 1>time anyway, and Sean Puff Daddy Ditty Comb's Biggie was

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<v Speaker 1>Ditty's meal ticket, the start that helped Ditty than Puffy

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<v Speaker 1>forever Shawn Combs to launch his career into the stratosphere,

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<v Speaker 1>and Tupac was if we're to believe the recent theories

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<v Speaker 1>floating around TikTok, Tupac was allegedly Sean Combs is lover.

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<v Speaker 1>I'm emphasizing allegedly because as far as I can tell,

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<v Speaker 1>this is just a rumor. That said, I'm not discounting it.

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<v Speaker 1>There is a credible source alleging that at the very

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<v Speaker 1>least Seawn Combs up until the right now, is and

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<v Speaker 1>always has been obsessed with Tupac. It should be noted

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<v Speaker 1>that there are less credible sources claiming right now that

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<v Speaker 1>Tupac's family has hired new legal representation to investigate Ditty's

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<v Speaker 1>involvement in Tupac's death. But again, like I said, less

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<v Speaker 1>credible sources, I'm not so sure Sean Combs killed Tupac.

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<v Speaker 1>It's just too neat, tidy of an ending. It's too Hollywood.

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<v Speaker 1>But a lot of other presumed good people in Shawn

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<v Speaker 1>Combs's orbit have died young ish, and it's kind of

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<v Speaker 1>weird and worth mentioning, Okay. Kim Porter, Shawn Combs's girlfriend,

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<v Speaker 1>the mother of three of his children, and former Uptown

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<v Speaker 1>Records employee and co worker of Shawn Combs. She died

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<v Speaker 1>some would say, very mysteriously at the age of forty

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<v Speaker 1>eight from pneumonia back in twenty eighteen. Andre Herrel, founder

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<v Speaker 1>of Uptown Records, the label where Diddy and kim Porter

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<v Speaker 1>started out. He died back in twenty twenty, a healthy

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<v Speaker 1>man from sudden heart problems. Uptown Records artists Heavy D

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<v Speaker 1>remember Heavy D in the Boys Heavy D. He died

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<v Speaker 1>back in twenty eleven from a pulmonary embolism. After Seawn

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<v Speaker 1>Combs and Andre Pharrell had a vicious falling out. Combs,

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<v Speaker 1>of course, then went on to start bad Boy Records,

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<v Speaker 1>where he signed, among other artists, Craig Mack. Craig Mack

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<v Speaker 1>died in twenty eighteen at the age of just forty seven.

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<v Speaker 1>Like Andre Harrell from Heart Problems, bad Boy artist Black Rob,

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<v Speaker 1>he died in twenty twenty one from cardiac arrest. Okay,

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<v Speaker 1>there's a lot of conjecture around the deaths of all

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<v Speaker 1>these music industry professionals and artists connected to Sean Combs. Now,

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<v Speaker 1>lots of people die from heart problems, lots of people

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<v Speaker 1>die young. But given the individual that we are talking

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<v Speaker 1>about here, Sean Combs, Diddy, this amount of people, all

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<v Speaker 1>whom were financially entangled one way or another with Sean

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<v Speaker 1>Combs VIA's record label business, you have to pause to wonder. Okay,

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<v Speaker 1>it's pretty pretty I'm channeling my inner Larry David. It's

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<v Speaker 1>just too damn coincidental. And I'm not saying that there's

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<v Speaker 1>some grand conspiracy at play here. I'm saying that this

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<v Speaker 1>deserves a little more research, a little more than I've

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<v Speaker 1>been able to give it. I have seen, I have

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<v Speaker 1>seen this conspiracy theory pop up numerous times on TikTok,

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<v Speaker 1>Jaguar right is all over it, but I have seen

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<v Speaker 1>nothing to substantiate it. I've seen nothing that actually ties

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<v Speaker 1>a thread of credible sourcing through all of this. It

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<v Speaker 1>makes me go, hmm, there's something there. There's motive, there's intent,

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<v Speaker 1>there's will, all that stuff. I have not seen any

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<v Speaker 1>of that yet. I've only seen, like I said, conjecture.

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<v Speaker 1>But still, I'm a grown man with my big boy

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<v Speaker 1>pants on. Okay, I'm not going to shy from a

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<v Speaker 1>conspiracy theory just because it's a conspiracy theory. At the

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<v Speaker 1>same time, I'm not going to promote it as being fact. This,

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<v Speaker 1>despite there not being any proof that I've seen yet,

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<v Speaker 1>deserves a little more research. So I'm going to dive

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<v Speaker 1>into this for you guys, and I will report back.

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<v Speaker 1>And I'm not sure how I'm gonna do that. Maybe

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<v Speaker 1>I'll do it in an afterparty. Maybe there'll be a

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<v Speaker 1>full episode on this. I'm not sure, but something's coming.

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<v Speaker 1>I'm going to look into this a little more fully. Okay.

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<v Speaker 1>Like I said, lots of conjecture around the deaths of

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<v Speaker 1>all these music industry professionals and artists connected to Combs.

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<v Speaker 1>Lots of people like I said, they die from heart problems,

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<v Speaker 1>they die young. I'm going to get into these desks

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<v Speaker 1>and the weeks. But I'm also I'm very compelled by

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<v Speaker 1>this one. Here the allegation surrounding Diddy jay z in

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<v Speaker 1>the death of Kathy White aka Becky with the Good Hair,

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<v Speaker 1>who died Okay, another one dying young while pregnant at

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<v Speaker 1>just the age of twenty eight suddenly from a brain aneurysm.

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<v Speaker 1>Wasn't heart related, brain aneurysm. I'm going to look into

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<v Speaker 1>this as well. This is this is incredibly salacious, and

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<v Speaker 1>I'm going to report back to you guys on what

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<v Speaker 1>I can find. As always, I will give you the

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<v Speaker 1>straight dirt on the sour, saying, Okay, who I think

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<v Speaker 1>is credible, who I think is not credible? And why

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<v Speaker 1>now I'm talking about these deaths because like it or not,

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<v Speaker 1>they're part of the Shawan Combs story, which is vast,

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<v Speaker 1>and this story is unfurling at in real time and

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<v Speaker 1>it's coming. It's all coming to light publicly. He's not

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<v Speaker 1>even near trial yet. Every day new news breaks, and

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<v Speaker 1>I suspect that by the time you hear this episode,

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<v Speaker 1>more news will have broken on Seawan Combs, perhaps rendering

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<v Speaker 1>this particular subject that I'm discussing with you right now,

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<v Speaker 1>the deaths around Combs. Perhaps new news breaks before you

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<v Speaker 1>hear this that renders this subject to be a little

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<v Speaker 1>less relevant. I say this because I'm recording this bonus

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<v Speaker 1>episode for you early. I'm recording on Tuesday. I usually

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<v Speaker 1>do it on Wednesday, get it out to you on Thursday,

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<v Speaker 1>so that I can be as close to the episode

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<v Speaker 1>as possible in the information while you're hearing it. However,

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<v Speaker 1>some of you may have heard there's a massive hurricane

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<v Speaker 1>coming my way. I'm in Florida and I need tomorrow Wednesday,

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<v Speaker 1>of the day I would normally record this episode to

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<v Speaker 1>you know, basically, hunker down and good chance I'm going

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<v Speaker 1>to lose power, So you're getting it now. I hope

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<v Speaker 1>everyone else there who's a little more fully in the

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<v Speaker 1>line of the hurricane. I hope you guys are getting

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<v Speaker 1>out of dodge. I hope you're safe. But anyways, that's

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<v Speaker 1>why I think there might be a chance of what

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<v Speaker 1>I'm saying to you now being a little less relevant

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<v Speaker 1>by the time you hear it to days later because

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<v Speaker 1>of the hurricane. And we know this Shaan Combs story

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<v Speaker 1>is a hurricane. Nothing is going to stop it. There's

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<v Speaker 1>been some news over the last week since we last talked.

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<v Speaker 1>The big news I suspect that we're going to get

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<v Speaker 1>in the coming days though, in the coming weeks is

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<v Speaker 1>the story that I mentioned last week with the quote

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<v Speaker 1>unquote more high profile individual featured in the sex video

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<v Speaker 1>with Combs. If you recall, attorney Aerial Mitchell Kid has

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<v Speaker 1>claimed publicly that the owners of this video of the

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<v Speaker 1>alleged more high profile participant, has been shopping a catch

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<v Speaker 1>and kill deal. Well, now this news has developed slightly.

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<v Speaker 1>An Aerial Mitchell Kid again, the attorney. She's back on

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<v Speaker 1>News Nation and she's making this news Okay, that the

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<v Speaker 1>high profile person in the video is trying to catch

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<v Speaker 1>and kill this themselves, trying to purchase this, but they

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<v Speaker 1>are bidding for ownership of the video. They are bidding

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<v Speaker 1>against two major news networks to gain control of this

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<v Speaker 1>video to keep it from coming out. Okay, we shall see.

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<v Speaker 1>Even if this is an A list celebrity on the video,

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<v Speaker 1>who really cares? Okay, it's not against a law to

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<v Speaker 1>have sex. It's not against a lot to have sex

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<v Speaker 1>on video, even if you're a very short, very funny

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<v Speaker 1>comedian who not only stars in commercials with Lebron James,

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<v Speaker 1>but who also MC's Diddy Parties and Tom Brady Roasi.

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<v Speaker 1>Even if you're that guy, it's not illegal to have sex. Okay.

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<v Speaker 1>So if you show up on this video, if your

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<v Speaker 1>heart gets broken and you show up on this video,

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<v Speaker 1>perhaps even if you're having sex with Sean Combs in

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<v Speaker 1>this video, end of the day, who really cares? Now,

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<v Speaker 1>if there's a miner in the room, if there's a

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<v Speaker 1>miner in this video with you, well then you're fucked. Okay.

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<v Speaker 1>You got more than a broken heart to worry about,

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<v Speaker 1>all right. And if you were to then say, I

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<v Speaker 1>don't know, die young of say a sudden heart issue,

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<v Speaker 1>I'm not so sure Billy Joel will be singing you

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<v Speaker 1>any songs. Right, You get what I'm saying here, all right?

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<v Speaker 1>Switching gears, we have an episode on the band The

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<v Speaker 1>Cramps coming next week. And uh, as you're listening, guys,

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<v Speaker 1>you'll hear that this is a story about a rock

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<v Speaker 1>and roll band, a real rock and roll band, real

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<v Speaker 1>rock and roll, not rock rock and roll. You'll hear

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<v Speaker 1>the difference in the episode. And when you're listening to

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<v Speaker 1>this episode, please be thinking about what band, what what

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<v Speaker 1>band out there made the greatest rock and roll of

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<v Speaker 1>all time? Gotta be a band, and I'm not talking

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<v Speaker 1>about rock music. I get into the difference. I get

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<v Speaker 1>into the difference and definition between rock and roll and

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<v Speaker 1>rock in the episode. I don't want to do it here, okay,

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<v Speaker 1>but just no rock and roll down, dirty fun, guitar

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<v Speaker 1>driven music for teenagers, music that makes you feel like

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<v Speaker 1>a teenager, okay, So loosely based on that definition, I

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<v Speaker 1>guess what band, in your estimation made the greatest rock

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<v Speaker 1>and roll music of all time? And why? I already

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<v Speaker 1>know my answer. It's a pretty basic one, but I

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<v Speaker 1>want to know your answer. So hit me back six

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<v Speaker 1>one seven, nine oh six sixty six three eight voicemail

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<v Speaker 1>on tech at Disgrace Lampod on the socials, Disgrace Lampod

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<v Speaker 1>at gmail dot com on email, and I will answer

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<v Speaker 1>answer you guys here in the next after Party Bonus episode.

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<v Speaker 1>But right now, let me take a quick break back

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<v Speaker 1>in the flash with some of your voicemails and texts

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<v Speaker 1>and dms from last week. All right, guys, A couple

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<v Speaker 1>of announcements the live stream event that we had scheduled

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<v Speaker 1>for Wednesday night, October ninth. It was, of course postponed

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<v Speaker 1>due to the hurricane. I was unable to live stream

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<v Speaker 1>live in the storm here in Florida. Tickets are being

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<v Speaker 1>refunded as it's unclear due to travel that I have

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<v Speaker 1>coming up, some other issues that we have going on,

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<v Speaker 1>when we're gonna be able to set up another date.

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<v Speaker 1>I'd rather just get you guys your bread back into

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<v Speaker 1>your pockets. You can do what you will with it,

0:13:02.240 --> 0:13:05.840
<v Speaker 1>and we'll do something around this story later in the

0:13:05.880 --> 0:13:10.280
<v Speaker 1>future at a to be determined time and place. All Right,

0:13:10.320 --> 0:13:11.920
<v Speaker 1>I am excited to get you guys this story, the

0:13:11.960 --> 0:13:16.120
<v Speaker 1>Tom DeLong story of government disclosure, government conspiracy ufology all

0:13:16.200 --> 0:13:19.000
<v Speaker 1>that when we do, you will be the first to know.

0:13:19.120 --> 0:13:21.600
<v Speaker 1>You'll be the first to know of the date, the venue, etc.

0:13:21.920 --> 0:13:23.960
<v Speaker 1>But until then, like I said, you got your bread back.

0:13:24.200 --> 0:13:25.960
<v Speaker 1>You can do with the what you want. Apologies to

0:13:25.960 --> 0:13:29.080
<v Speaker 1>those of you guys who bought tickets. I truly appreciate

0:13:29.120 --> 0:13:31.240
<v Speaker 1>the support, and if you were looking forward to this

0:13:31.280 --> 0:13:33.000
<v Speaker 1>event as much as I was, I just want to

0:13:33.040 --> 0:13:35.680
<v Speaker 1>say there was literally nothing that we could do about this.

0:13:36.200 --> 0:13:38.480
<v Speaker 1>It was a scheduled on the wrong day, October ninth.

0:13:38.600 --> 0:13:41.840
<v Speaker 1>Can't control the weather, but just wanted to voice my

0:13:42.160 --> 0:13:46.480
<v Speaker 1>gratitude to you guys. And yeah, we'll have something special

0:13:46.520 --> 0:13:49.959
<v Speaker 1>coming up for you guys soon. Okay, another couple updates.

0:13:50.000 --> 0:13:55.160
<v Speaker 1>We have tweaked our podcast episode release schedule very slightly.

0:13:55.200 --> 0:13:57.800
<v Speaker 1>You may have noticed that our full new episodes. I

0:13:57.880 --> 0:13:59.440
<v Speaker 1>talked to you guys about this. I asked you what

0:13:59.480 --> 0:14:03.320
<v Speaker 1>you thought. I received zero negative feedback on this for

0:14:03.400 --> 0:14:06.280
<v Speaker 1>what we're planning on doing. So you may have noticed

0:14:06.280 --> 0:14:08.200
<v Speaker 1>that our new full episodes, like the Brandon Lee episode

0:14:08.200 --> 0:14:10.760
<v Speaker 1>that you just got this week, like the Cramps episode

0:14:10.760 --> 0:14:12.319
<v Speaker 1>that you're going to be getting next week. These new

0:14:12.320 --> 0:14:16.160
<v Speaker 1>full episodes are now being released on Mondays after party

0:14:16.160 --> 0:14:18.840
<v Speaker 1>bonus episodes like this one here that you're listening to,

0:14:19.000 --> 0:14:22.720
<v Speaker 1>They're coming on Thursdays as usual. And Rewinds of course

0:14:22.800 --> 0:14:27.400
<v Speaker 1>released on Friday. All right, so Monday, Thursday Friday, that's

0:14:27.400 --> 0:14:30.760
<v Speaker 1>the release schedule. Now I mentioned the Cramps episode. I

0:14:30.800 --> 0:14:34.160
<v Speaker 1>cannot wait for you to hear this Cramps episode. It's

0:14:35.040 --> 0:14:38.080
<v Speaker 1>an instant favorite of mine. Okay, it's coming to you Monday.

0:14:38.640 --> 0:14:40.360
<v Speaker 1>I really hope you dig it. I want to hear

0:14:40.400 --> 0:14:43.960
<v Speaker 1>your comments. We're so inspired by everything we're doing here

0:14:44.040 --> 0:14:48.120
<v Speaker 1>in this dark and spooky October here, Halloween and Disgraceland

0:14:48.120 --> 0:14:50.320
<v Speaker 1>has turned into my favorite time of the year. Somehow,

0:14:50.320 --> 0:14:52.560
<v Speaker 1>I was never Halloween guy until I started this podcast.

0:14:52.840 --> 0:14:54.280
<v Speaker 1>But listen, we got a lot, a lot of great

0:14:54.280 --> 0:14:57.040
<v Speaker 1>episodes coming your way. We've got a Poltergeist Curse episode

0:14:57.040 --> 0:14:59.760
<v Speaker 1>coming next week, I'm sorry, the week after the Cramps episode.

0:15:00.120 --> 0:15:02.240
<v Speaker 1>We have the story of the Exorcist coming after that.

0:15:02.480 --> 0:15:05.040
<v Speaker 1>We've got a creepy episode on Harry Houdini coming in

0:15:05.080 --> 0:15:08.200
<v Speaker 1>the All Access feed this month, and and rewind episodes

0:15:08.200 --> 0:15:11.240
<v Speaker 1>on Black Sabbath, Ozzy Osbourne, Robert Johnson in one of

0:15:11.280 --> 0:15:14.240
<v Speaker 1>my all time phase of course, the Misfits. Okay, final

0:15:14.280 --> 0:15:17.360
<v Speaker 1>bit of housekeeping, we have our book club meeting virtually

0:15:17.440 --> 0:15:20.080
<v Speaker 1>on October twenty ninth, where we will be reading and

0:15:20.120 --> 0:15:23.200
<v Speaker 1>discussing while discussing the book we read, which is The Exorcist,

0:15:23.480 --> 0:15:25.600
<v Speaker 1>one of the best books that I've ever read. This

0:15:25.640 --> 0:15:29.200
<v Speaker 1>book club is happening one day after our Exorcist episode

0:15:29.240 --> 0:15:31.720
<v Speaker 1>comes out, so that should make it even extra fun

0:15:31.800 --> 0:15:35.200
<v Speaker 1>and spooky. The Exorcist book club discussion goes down on

0:15:35.240 --> 0:15:38.640
<v Speaker 1>October twenty ninth, just a couple days before Halloween. Pumped

0:15:38.680 --> 0:15:40.120
<v Speaker 1>on this. So if you're looking for something cool to

0:15:40.160 --> 0:15:42.960
<v Speaker 1>do this Halloween, Thean get in on our book club.

0:15:43.160 --> 0:15:45.800
<v Speaker 1>All right, Okay, I have a confession to make. I lied.

0:15:45.880 --> 0:15:47.680
<v Speaker 1>I have one more piece of news for you. Okay.

0:15:47.720 --> 0:15:51.280
<v Speaker 1>We have new dark and spooky October merchandise coming your

0:15:51.320 --> 0:15:54.200
<v Speaker 1>way next week that we created in collaboration with a

0:15:54.240 --> 0:15:58.560
<v Speaker 1>great artist named Spencer Alexander. These new Disgrace Sland merch items. Guys,

0:15:58.800 --> 0:16:02.000
<v Speaker 1>we're doing two shirts fucking awesome. One is inspired by

0:16:02.040 --> 0:16:04.720
<v Speaker 1>Black Sabbath Okay, the other is inspired by the Cramps,

0:16:05.320 --> 0:16:07.200
<v Speaker 1>and we're doing it a bit different with these items.

0:16:07.240 --> 0:16:10.400
<v Speaker 1>We're only doing a limited release, okay. These shirts will

0:16:10.400 --> 0:16:13.120
<v Speaker 1>be available to purchase as a drop next week and

0:16:13.160 --> 0:16:15.600
<v Speaker 1>they're only gonna be available for one week and one

0:16:15.640 --> 0:16:17.840
<v Speaker 1>week only, and then they're going by bye. Okay, keep

0:16:17.840 --> 0:16:20.800
<v Speaker 1>an eye on our Instagram and our ex account at

0:16:20.840 --> 0:16:23.600
<v Speaker 1>the Gray Sam Pod, and of course our website to

0:16:23.680 --> 0:16:26.680
<v Speaker 1>view the items. I'm gonna send them out. They look great,

0:16:26.720 --> 0:16:29.360
<v Speaker 1>they look fantastic, The designs are awesome. You guys are

0:16:29.400 --> 0:16:32.040
<v Speaker 1>gonna be stoked. And again that's coming next week and

0:16:32.080 --> 0:16:35.120
<v Speaker 1>those items are only going to be available for one

0:16:35.120 --> 0:16:37.560
<v Speaker 1>week's time. Okay, all right, enough for me. Let's hear

0:16:37.560 --> 0:16:39.200
<v Speaker 1>from you, guys six one seven nine O six six

0:16:39.320 --> 0:16:42.160
<v Speaker 1>six three eight Send me a text or a voicemail

0:16:42.400 --> 0:16:44.680
<v Speaker 1>just like this caller from the nine to seventy.

0:16:45.120 --> 0:16:49.960
<v Speaker 2>Hey Drake, this is the show from Lowell for Wilmington.

0:16:50.120 --> 0:16:55.000
<v Speaker 2>So mass Joesus Gurly Lou. My answer to your question

0:16:55.080 --> 0:16:58.480
<v Speaker 2>from the last after party about who the good dying

0:16:58.600 --> 0:17:03.120
<v Speaker 2>young is the actor Anton Yelchin. I don't think enough

0:17:03.160 --> 0:17:08.640
<v Speaker 2>people think about him or like recognize how awesome he

0:17:08.800 --> 0:17:12.399
<v Speaker 2>was and in my heart continues to be. He also

0:17:12.680 --> 0:17:14.800
<v Speaker 2>had the same birthday as me, so I had a

0:17:14.840 --> 0:17:17.879
<v Speaker 2>soft spot for him. But also the way he died

0:17:18.160 --> 0:17:21.240
<v Speaker 2>was like the most fucking insane and tragic thing. His

0:17:22.080 --> 0:17:26.359
<v Speaker 2>fucking jeep rolled down the driveway because like it had

0:17:26.440 --> 0:17:30.280
<v Speaker 2>like some sort of parking break fanism issue, and it

0:17:30.400 --> 0:17:32.919
<v Speaker 2>rolled down the driveway and pin him against his mailbox.

0:17:33.080 --> 0:17:38.720
<v Speaker 2>So he died agonizing and flow and just like one

0:17:38.760 --> 0:17:41.600
<v Speaker 2>of the worst things I could possibly imagine. You know,

0:17:41.680 --> 0:17:44.080
<v Speaker 2>there was no fucking reason for that to happen, So

0:17:44.560 --> 0:17:48.760
<v Speaker 2>I remained devastated and also, come on, guys, Anton gave

0:17:48.840 --> 0:17:51.960
<v Speaker 2>us the green room, like, please put the respect on

0:17:52.040 --> 0:17:55.800
<v Speaker 2>this Sand's name. See, he died way too young and

0:17:55.840 --> 0:18:00.720
<v Speaker 2>way too soon, and I will probably never get over it.

0:18:01.680 --> 0:18:04.359
<v Speaker 1>Thanks Michelle. I am one of those people who I

0:18:04.359 --> 0:18:05.840
<v Speaker 1>don't know who the hell you're talking about, how to

0:18:05.840 --> 0:18:07.879
<v Speaker 1>look them up? And yes I can. This is the

0:18:07.920 --> 0:18:13.320
<v Speaker 1>way the death. My gosh, damn, that is brutal. That

0:18:13.440 --> 0:18:16.639
<v Speaker 1>is brutal. I have many thoughts. I need to collect

0:18:16.640 --> 0:18:19.720
<v Speaker 1>myself though, and learn more about this and think about

0:18:19.760 --> 0:18:22.040
<v Speaker 1>it a little bit more. My first thought this is

0:18:22.119 --> 0:18:23.800
<v Speaker 1>I'm just gonna be real with you. My first thought

0:18:23.840 --> 0:18:26.560
<v Speaker 1>was I should do an episode on this, because this

0:18:26.680 --> 0:18:28.879
<v Speaker 1>cause of death is insane and I would love to

0:18:28.920 --> 0:18:31.560
<v Speaker 1>write about it. Anyone ever watched Six Feet Under. I

0:18:31.560 --> 0:18:34.240
<v Speaker 1>loved that show. I loved how they opened every episode,

0:18:34.280 --> 0:18:36.320
<v Speaker 1>how they had that kind of cold open bit and

0:18:36.359 --> 0:18:38.480
<v Speaker 1>it was all just a different cause of death. I

0:18:38.520 --> 0:18:41.000
<v Speaker 1>found that to be fascinating. That's that's what your story

0:18:41.040 --> 0:18:43.760
<v Speaker 1>reminded me of, Michelle. All right, let's check in with

0:18:43.880 --> 0:18:46.520
<v Speaker 1>Christina here in the nine to one seven.

0:18:47.119 --> 0:18:52.760
<v Speaker 3>Thank Callings from Brooklyn in regard to a transformer who

0:18:52.800 --> 0:18:57.800
<v Speaker 3>has left way too early. Absolutely hands down, Adam out

0:18:58.119 --> 0:19:02.720
<v Speaker 3>from the Beastie Boys MCA. So it was an incredible person,

0:19:02.920 --> 0:19:09.560
<v Speaker 3>incredible performer and a tremendously impact my childhood and youth

0:19:09.800 --> 0:19:17.040
<v Speaker 3>and first person to affect me when they had passed

0:19:17.200 --> 0:19:18.400
<v Speaker 3>absolutely too soon.

0:19:18.600 --> 0:19:21.959
<v Speaker 1>Thank you, great one. Christina. I didn't, I don't. I

0:19:22.080 --> 0:19:24.720
<v Speaker 1>don't know why yau MC eight did pop into my

0:19:24.760 --> 0:19:28.639
<v Speaker 1>head when I pose this question, but kind of the

0:19:28.640 --> 0:19:33.800
<v Speaker 1>perfect example that you're providing here, and Christina, I'm thinking

0:19:33.800 --> 0:19:36.320
<v Speaker 1>about doing a Beastie Boys episode. It's one of these

0:19:36.320 --> 0:19:38.920
<v Speaker 1>things where I'm going to be a complete hypocrite every

0:19:38.920 --> 0:19:41.040
<v Speaker 1>time someone requests an episode and I'm like, yeah, well,

0:19:41.080 --> 0:19:45.199
<v Speaker 1>what's the crime. It's Disgraceland's what's the crime at the

0:19:45.200 --> 0:19:46.720
<v Speaker 1>core of it? So I can make it true crime

0:19:46.880 --> 0:19:48.440
<v Speaker 1>and make it work on our side of the street.

0:19:49.800 --> 0:19:51.320
<v Speaker 1>And I don't have an answer to that my own

0:19:51.400 --> 0:19:53.159
<v Speaker 1>question when it comes to the Beastie Boys. But I

0:19:53.240 --> 0:19:56.479
<v Speaker 1>just love the Beastie Boys so much that I want

0:19:56.520 --> 0:19:58.000
<v Speaker 1>to figure out a way to do this. I want

0:19:58.040 --> 0:20:00.639
<v Speaker 1>to figure out a way to write about that. And

0:20:00.680 --> 0:20:02.480
<v Speaker 1>I know there's got to be something there. There's got

0:20:02.520 --> 0:20:06.320
<v Speaker 1>to be something, some sort of crazy transgression, if not

0:20:06.400 --> 0:20:08.639
<v Speaker 1>a crime that I can use to anchor this story,

0:20:08.640 --> 0:20:10.520
<v Speaker 1>and so I'm looking into that. Christine in the nine

0:20:10.600 --> 0:20:13.440
<v Speaker 1>one seven. Thanks for bringing up yelp. I appreciate it

0:20:13.880 --> 0:20:18.840
<v Speaker 1>all right, Matt, Let's do one more voicemail here. Let's

0:20:18.920 --> 0:20:21.520
<v Speaker 1>check in with the two six.

0:20:22.720 --> 0:20:25.120
<v Speaker 4>Jake was going on, Brother Tony from the two six.

0:20:25.720 --> 0:20:28.800
<v Speaker 4>Just listening to the Brandon Lee episode. Believe it or not,

0:20:29.119 --> 0:20:32.359
<v Speaker 4>you know me being from the TUTI six. I actually

0:20:32.440 --> 0:20:37.080
<v Speaker 4>went to Brandon and Bruce's final resting place a year

0:20:37.720 --> 0:20:42.040
<v Speaker 4>after Brandon was tragically killed, and I'm I didn't even

0:20:42.080 --> 0:20:45.080
<v Speaker 4>put it all together until years later that I had

0:20:45.119 --> 0:20:48.000
<v Speaker 4>went because I went with a daycamp group of mind.

0:20:48.119 --> 0:20:52.240
<v Speaker 4>But it was so surreal to see it. And at

0:20:52.240 --> 0:20:55.679
<v Speaker 4>that time, Bruce Lee's headstone had it has a picture

0:20:55.680 --> 0:20:58.040
<v Speaker 4>on it now, but at that time that part had

0:20:58.119 --> 0:21:01.280
<v Speaker 4>been stolen because who would do is they would come

0:21:01.320 --> 0:21:04.040
<v Speaker 4>into the cemetery and they would take that part off

0:21:04.080 --> 0:21:06.600
<v Speaker 4>and they would sell it on the black market. So

0:21:06.680 --> 0:21:09.600
<v Speaker 4>now it's been bolted down. Another thing I wanted to

0:21:09.600 --> 0:21:11.199
<v Speaker 4>talk to you about real quick was last week to

0:21:11.200 --> 0:21:15.920
<v Speaker 4>tra have stid episode. Brother. I was in Vegas when

0:21:15.960 --> 0:21:19.000
<v Speaker 4>that happened, and I remember when I put the gist

0:21:19.000 --> 0:21:21.760
<v Speaker 4>of it together because I was going for another concert

0:21:22.000 --> 0:21:24.840
<v Speaker 4>even though that happened in Houston. I remember I texted

0:21:24.920 --> 0:21:27.439
<v Speaker 4>my friend who was coming in to meet me in Vegas,

0:21:27.480 --> 0:21:30.879
<v Speaker 4>and I said, Hey, we're treading very carefully at this

0:21:31.000 --> 0:21:33.360
<v Speaker 4>concert tonight that we're going to, so you can bet

0:21:33.400 --> 0:21:35.680
<v Speaker 4>your last moneys. When I saw ghost Face with ak

0:21:35.720 --> 0:21:40.240
<v Speaker 4>One and Jizza at that show, I was looking at

0:21:40.440 --> 0:21:42.879
<v Speaker 4>for all the exits. But thankfully we had a great time.

0:21:43.000 --> 0:21:45.560
<v Speaker 4>And you know, I said, it's a respectful nobody was

0:21:45.680 --> 0:21:49.159
<v Speaker 4>hurt anyway, doing what you do. Much love, talk to

0:21:49.200 --> 0:21:50.280
<v Speaker 4>you later, Tony.

0:21:50.320 --> 0:21:52.040
<v Speaker 1>Thank you for the call. Thank you for the insight

0:21:52.080 --> 0:21:54.240
<v Speaker 1>into Bruce's grave. That's a wild story. I had no

0:21:54.320 --> 0:21:56.000
<v Speaker 1>idea what was the part that was stolen though you

0:21:56.000 --> 0:21:58.080
<v Speaker 1>didn't mention that the part of the grave. Hit me

0:21:58.160 --> 0:21:59.640
<v Speaker 1>back and let me know. And I'm also I'm happy

0:21:59.640 --> 0:22:02.920
<v Speaker 1>to hear the Vegas show, though it was filled with anxiety,

0:22:03.640 --> 0:22:06.600
<v Speaker 1>did not go off like Astorworld. All right, thanks Tony.

0:22:06.600 --> 0:22:08.480
<v Speaker 1>All right, let's do some text guys. There are so

0:22:08.520 --> 0:22:11.000
<v Speaker 1>many texts, Like I said, so many texts. I just

0:22:11.000 --> 0:22:13.879
<v Speaker 1>first of all, thank you, second of all, know that

0:22:13.920 --> 0:22:15.720
<v Speaker 1>I'm reading them. If I'm not responding to all of

0:22:15.720 --> 0:22:19.000
<v Speaker 1>them here in the after party, and if I'm not

0:22:19.600 --> 0:22:22.760
<v Speaker 1>responding via text, just know that I read them all, okay,

0:22:23.880 --> 0:22:26.600
<v Speaker 1>and I'm just stoked on the engagement. So this one

0:22:26.640 --> 0:22:28.359
<v Speaker 1>comes from the seven oh three. Hey, Jake, this is

0:22:28.440 --> 0:22:30.680
<v Speaker 1>Mary from the seven oh three. It's a long one, Mary,

0:22:30.680 --> 0:22:32.320
<v Speaker 1>so I'm going to read part of it. Mary says.

0:22:32.320 --> 0:22:34.159
<v Speaker 1>I listened to the Travis Scott episode as well as

0:22:34.160 --> 0:22:36.640
<v Speaker 1>the Bonus episode, although for that one I was more

0:22:36.680 --> 0:22:40.280
<v Speaker 1>curious about your take on the additional charges for Sean Combs. Anyhow,

0:22:40.359 --> 0:22:42.879
<v Speaker 1>I wholeheartedly agree with you on your opinion of Travis

0:22:42.880 --> 0:22:46.840
<v Speaker 1>Scott being completely selfish and greedy. It actually brought back

0:22:46.880 --> 0:22:49.120
<v Speaker 1>a memory of when I saw Eminem and DC back

0:22:49.160 --> 0:22:51.480
<v Speaker 1>in two thousand and two. The crab is becoming out

0:22:51.480 --> 0:22:53.760
<v Speaker 1>of control and people were likely in danger of being trampled,

0:22:53.920 --> 0:22:56.280
<v Speaker 1>so he told everybody to stop, and if they didn't,

0:22:56.359 --> 0:22:59.040
<v Speaker 1>he was leaving the stage. Now I read that part

0:22:59.080 --> 0:23:03.000
<v Speaker 1>of Mary's text because Eminem, before this is all said

0:23:03.040 --> 0:23:05.600
<v Speaker 1>and done, now listen to you guys who are super

0:23:05.600 --> 0:23:11.440
<v Speaker 1>disgrace sandheads. You know I have a complicated history with Eminem. Anyways, Eminem,

0:23:11.880 --> 0:23:14.680
<v Speaker 1>we did an Eminem episode, and I you know how

0:23:14.680 --> 0:23:16.480
<v Speaker 1>I do that bit at the beginning of every episode

0:23:16.560 --> 0:23:20.639
<v Speaker 1>where I'm like, and they made great music, blah blah blah. Well,

0:23:20.640 --> 0:23:23.439
<v Speaker 1>I said Eminem did not make great music. And I

0:23:23.480 --> 0:23:25.880
<v Speaker 1>did it in part because I truly felt that way

0:23:25.880 --> 0:23:28.400
<v Speaker 1>at the time, and also in part because I really

0:23:28.480 --> 0:23:31.040
<v Speaker 1>wanted to fuck with Eminem's fans, who I know are

0:23:31.119 --> 0:23:34.280
<v Speaker 1>very precious, and there's nothing I like more than fucking

0:23:34.320 --> 0:23:37.600
<v Speaker 1>with precious fans of musicians, because everyone really needs to

0:23:37.640 --> 0:23:40.280
<v Speaker 1>just lighten up a notch. In twenty twenty four or

0:23:40.280 --> 0:23:44.320
<v Speaker 1>whenever this went live, anyhow, I've since grown into an

0:23:44.359 --> 0:23:48.200
<v Speaker 1>Eminem fan, largely because of my kids. I can't believe

0:23:48.440 --> 0:23:50.760
<v Speaker 1>I went as far as I did when I said that,

0:23:50.880 --> 0:23:53.080
<v Speaker 1>even it's not entirely because of all the shit I

0:23:53.080 --> 0:23:55.720
<v Speaker 1>got from everybody, but just came to that realization on

0:23:55.720 --> 0:23:58.080
<v Speaker 1>my own. But more importantly, I think when this Diddy

0:23:58.160 --> 0:24:01.280
<v Speaker 1>story is set and on that Eminem is going to

0:24:01.280 --> 0:24:04.840
<v Speaker 1>be part of this, and not in a bad way.

0:24:04.960 --> 0:24:06.520
<v Speaker 1>There's a lot of things that have popped off in

0:24:06.560 --> 0:24:08.399
<v Speaker 1>the last few years where Eminem has been on the

0:24:08.480 --> 0:24:11.239
<v Speaker 1>right side of the argument, and this don't take this

0:24:11.240 --> 0:24:14.320
<v Speaker 1>as a blanket endorsement of everything Eminem has said or

0:24:14.359 --> 0:24:16.120
<v Speaker 1>done in the past. That's not what this is. I'm

0:24:16.160 --> 0:24:18.359
<v Speaker 1>just like, the guy raises my eyebrows every now and then.

0:24:18.400 --> 0:24:20.520
<v Speaker 1>That's all I'm saying. I'm like, huh, I agree with

0:24:20.560 --> 0:24:23.240
<v Speaker 1>this guy, and he said some very interesting things about

0:24:23.520 --> 0:24:26.720
<v Speaker 1>Diddy and guys. You got to know, I want to

0:24:26.720 --> 0:24:29.600
<v Speaker 1>get into him here, but I could make every single

0:24:29.600 --> 0:24:32.080
<v Speaker 1>after party episode about Shawn Combs, and I'm trying really

0:24:32.080 --> 0:24:34.199
<v Speaker 1>hard not to do that. But this is one of

0:24:34.240 --> 0:24:37.679
<v Speaker 1>those one of those wormholes that I kind of want

0:24:37.720 --> 0:24:39.560
<v Speaker 1>to dig through a little bit and get more information

0:24:39.640 --> 0:24:42.400
<v Speaker 1>for you guys. So anyways that you know, the seven

0:24:42.560 --> 0:24:44.760
<v Speaker 1>or three brought up Mary brought up the Travis Scott

0:24:44.800 --> 0:24:46.639
<v Speaker 1>thing with Eminem, and I thought that was a good

0:24:46.680 --> 0:24:48.359
<v Speaker 1>way for me to connect the two. Let's do another

0:24:48.359 --> 0:24:50.480
<v Speaker 1>text here, this one from the three to ZHO four,

0:24:50.720 --> 0:24:53.080
<v Speaker 1>also on the subject of Diddy. Three oh four rights,

0:24:53.119 --> 0:24:55.320
<v Speaker 1>I want to disgrace san T shirt that says that's

0:24:55.359 --> 0:24:59.560
<v Speaker 1>a lot of fucking baby oil. That's not a bad idea.

0:25:00.760 --> 0:25:02.960
<v Speaker 1>That's not a bad idea. Eight five six Rights and

0:25:03.080 --> 0:25:05.520
<v Speaker 1>listening to your after party and your response to Steven

0:25:06.200 --> 0:25:08.760
<v Speaker 1>reminded me of a young e mackay. Hey, Steven, well,

0:25:08.760 --> 0:25:11.000
<v Speaker 1>at least I'm trying. What the fuck have you done?

0:25:11.200 --> 0:25:13.639
<v Speaker 1>That's Mark from the eight five six. He's referencing a

0:25:13.760 --> 0:25:17.520
<v Speaker 1>Minor Threat lyric from the song in My Eyes, and

0:25:18.320 --> 0:25:20.880
<v Speaker 1>I feel like I lost some punk rock credibility because

0:25:20.880 --> 0:25:24.320
<v Speaker 1>when I said that last week's episode to Stephen, I

0:25:24.840 --> 0:25:29.200
<v Speaker 1>should have known I was paraphrasing Ia mackay from Minor

0:25:29.280 --> 0:25:32.520
<v Speaker 1>Threat and in my Eyes I was literally roommates with

0:25:32.600 --> 0:25:35.199
<v Speaker 1>the guys in the band in my Eyes back in

0:25:35.240 --> 0:25:38.640
<v Speaker 1>the day. I should have got that one. Fuck. I'm sorry, Mark.

0:25:38.720 --> 0:25:41.200
<v Speaker 1>Good catch though eight to eight Rights and the Crow

0:25:41.320 --> 0:25:43.280
<v Speaker 1>has been my favorite movie since I've seen it in

0:25:43.320 --> 0:25:45.800
<v Speaker 1>theaters while a senior in high school. For the question

0:25:45.840 --> 0:25:48.359
<v Speaker 1>of the week, of course, i'd say Brandon Lee. You

0:25:48.359 --> 0:25:50.560
<v Speaker 1>can see the range in the few actual scenes he

0:25:50.640 --> 0:25:52.560
<v Speaker 1>is in in the Crow, and Heath Ledger comes to mind.

0:25:52.600 --> 0:25:54.360
<v Speaker 1>You're right, and they're both similar to me. They both

0:25:54.400 --> 0:25:57.719
<v Speaker 1>occupy the same sort of space in my head. Good text,

0:25:57.800 --> 0:26:00.840
<v Speaker 1>eight to eight, I appreciate it. Do one more here,

0:26:00.960 --> 0:26:02.840
<v Speaker 1>one more? In the text from the nine to one six,

0:26:02.880 --> 0:26:05.199
<v Speaker 1>it comes from Brook who writes saying, Hey, Jake, just

0:26:05.200 --> 0:26:06.960
<v Speaker 1>wanted to let you know I've been listening to Keith

0:26:07.080 --> 0:26:10.680
<v Speaker 1>Jarrett The Rich and the Poor non stop on repeat

0:26:11.040 --> 0:26:13.240
<v Speaker 1>since you recommend it. It's so good Brooke from the

0:26:13.320 --> 0:26:15.280
<v Speaker 1>nine to one six Brook. You got it, Brook, I

0:26:15.320 --> 0:26:17.320
<v Speaker 1>got another one for you, Hank type for one second,

0:26:17.359 --> 0:26:20.119
<v Speaker 1>let me check this out. This is this other Keith

0:26:20.359 --> 0:26:23.360
<v Speaker 1>Jarrett album that I've been onto in the last couple

0:26:23.400 --> 0:26:25.600
<v Speaker 1>of days. I think I mentioned that The con Concert

0:26:25.800 --> 0:26:29.400
<v Speaker 1>a couple episodes ago, but there's also this record called

0:26:29.440 --> 0:26:32.640
<v Speaker 1>Belonging by Keith Jarrett that is also incredible. That one,

0:26:33.000 --> 0:26:35.400
<v Speaker 1>the Belonging one, is more like what you're hearing on

0:26:35.480 --> 0:26:38.000
<v Speaker 1>that song The Rich and the Poor con Concert is

0:26:38.080 --> 0:26:42.800
<v Speaker 1>solo piano. I believe the entire thing, and Belonging is

0:26:43.000 --> 0:26:46.399
<v Speaker 1>him with the little I think it's a quartet like

0:26:46.520 --> 0:26:48.440
<v Speaker 1>he has in The Rich and the Poor six one

0:26:48.480 --> 0:26:50.800
<v Speaker 1>seven nine oh six six six three eight. Hit me

0:26:50.880 --> 0:26:53.440
<v Speaker 1>up on voicemail, hit me up on text at Disgrace

0:26:53.480 --> 0:26:56.919
<v Speaker 1>slampod on the DMS. Our buddy Chris on It writes

0:26:56.960 --> 0:27:01.000
<v Speaker 1>in via Facebook regarding the Crow soundtrack, which we discuss,

0:27:01.080 --> 0:27:03.520
<v Speaker 1>of course, in this week's full episode on Brandon Lee.

0:27:03.840 --> 0:27:08.359
<v Speaker 1>Maybe the best movie soundtrack I've heard. That's a bold statement.

0:27:08.440 --> 0:27:11.880
<v Speaker 1>Chris appreciate it, though, what else we got here? Teresa

0:27:11.960 --> 0:27:14.800
<v Speaker 1>Hamley writes in Oh Jesus Christ, I'm about to listen

0:27:14.840 --> 0:27:19.640
<v Speaker 1>to this. Holy shit. Ah, Teresa, you talk about one

0:27:19.640 --> 0:27:21.560
<v Speaker 1>of our episodes, and she writes it, I love this

0:27:21.720 --> 0:27:24.800
<v Speaker 1>version of After Midnight. You rock, Jake Lowell. I can't

0:27:24.840 --> 0:27:27.359
<v Speaker 1>sleep without your podcast. You got it, Teresa. We're gonna

0:27:27.400 --> 0:27:29.280
<v Speaker 1>keep pumping them out so you keep getting those eight

0:27:29.320 --> 0:27:31.679
<v Speaker 1>hours eight hours a night. Teresa, do you do the

0:27:31.720 --> 0:27:34.160
<v Speaker 1>eight hours or you do about six or seven? Where

0:27:34.160 --> 0:27:36.399
<v Speaker 1>are you at? The older I get, the more sleep

0:27:36.400 --> 0:27:37.639
<v Speaker 1>I need, I get to say. I don't know what

0:27:37.640 --> 0:27:40.600
<v Speaker 1>it's like for you guys, but I just it's so important.

0:27:40.760 --> 0:27:43.040
<v Speaker 1>It's so important for the brain power, the physical stuff

0:27:43.080 --> 0:27:45.280
<v Speaker 1>I can get through. It's not a drag on me

0:27:45.320 --> 0:27:47.480
<v Speaker 1>physically so much as it is just on making the

0:27:47.520 --> 0:27:49.399
<v Speaker 1>brain work in the morning in the way that I

0:27:49.440 --> 0:27:53.160
<v Speaker 1>needed to work. Okay, let's see Disgrace Lampod at gmail

0:27:53.200 --> 0:27:55.480
<v Speaker 1>dot com. That's how you email me at Disgrace Lampod.

0:27:55.520 --> 0:27:58.040
<v Speaker 1>That's how you send me some dms. I'll do emails

0:27:58.040 --> 0:28:00.240
<v Speaker 1>in a second. We do a couple more dms here.

0:28:00.440 --> 0:28:03.920
<v Speaker 1>This one comes from listener Joshua. Matthew Blevin says, Hey,

0:28:04.000 --> 0:28:07.520
<v Speaker 1>listening to Brandon Lee episode and just a warning, blanks

0:28:07.600 --> 0:28:10.680
<v Speaker 1>are dangerous at close range. I know more than one

0:28:10.720 --> 0:28:12.880
<v Speaker 1>actor in the past, thinking blanks were safe, have killed

0:28:12.920 --> 0:28:15.719
<v Speaker 1>themselves playing around the guns that fire blanks. The firearm

0:28:15.760 --> 0:28:20.200
<v Speaker 1>safety rule should always apply when handling any type of firearms. Recently,

0:28:20.240 --> 0:28:22.840
<v Speaker 1>Airsoft has been making guns that have a fake muzzle

0:28:22.880 --> 0:28:25.240
<v Speaker 1>flash and smoke, and this is probably gonna make movies

0:28:25.240 --> 0:28:26.400
<v Speaker 1>with guns a lot safer.

0:28:26.960 --> 0:28:27.159
<v Speaker 3>You know.

0:28:27.280 --> 0:28:30.040
<v Speaker 1>One thing that Joshua's reminding me of here that we

0:28:30.080 --> 0:28:32.120
<v Speaker 1>didn't talk about is the film Rust and the Alec

0:28:32.160 --> 0:28:35.159
<v Speaker 1>Baldwin thing, and perhaps there's an episode there. I went

0:28:35.200 --> 0:28:37.480
<v Speaker 1>to see David Spade the other night do a live

0:28:37.560 --> 0:28:41.280
<v Speaker 1>set and he was talking about how they're finishing the

0:28:41.280 --> 0:28:43.920
<v Speaker 1>film Rust, and he had some really funny things to

0:28:43.920 --> 0:28:46.280
<v Speaker 1>say about it. But it reminded me this Alec Baldwin

0:28:46.320 --> 0:28:49.640
<v Speaker 1>stories is completely just dropped out of my head, and

0:28:50.000 --> 0:28:52.240
<v Speaker 1>I think it's an interesting one and I think perhaps

0:28:52.240 --> 0:28:54.520
<v Speaker 1>it could make for a good episode, And you know,

0:28:54.560 --> 0:28:57.120
<v Speaker 1>it's obviously connected to this Brandon Lee topic that we're

0:28:57.160 --> 0:28:59.960
<v Speaker 1>talking about real quick shout out to Justin g Over

0:29:00.160 --> 0:29:02.240
<v Speaker 1>on Instagram, my buddy who sends me a whole bunch

0:29:02.240 --> 0:29:04.520
<v Speaker 1>of great content. He's going through a rough time right

0:29:04.560 --> 0:29:07.120
<v Speaker 1>now with his job. Justin. I hope it turns around

0:29:07.160 --> 0:29:10.320
<v Speaker 1>for you. If it doesn't, you know, just listen to

0:29:10.320 --> 0:29:12.280
<v Speaker 1>some Johnny Paycheck. I'm gonna take a quick break. I'll

0:29:12.280 --> 0:29:30.520
<v Speaker 1>be back in a flash with some emails and reviews. Okay,

0:29:30.560 --> 0:29:33.000
<v Speaker 1>dis Gray sand pod at gmail dot com. You guys

0:29:33.000 --> 0:29:35.920
<v Speaker 1>want to hit me up? Grayson Schmidt writes in Garage

0:29:36.240 --> 0:29:39.760
<v Speaker 1>lull Man and sends in a video with the correct

0:29:39.800 --> 0:29:44.200
<v Speaker 1>way to pronounce that word that I can never pronounce correctly. Grayson,

0:29:44.920 --> 0:29:47.000
<v Speaker 1>thanks for your email. I appreciate that you took the

0:29:47.080 --> 0:29:51.280
<v Speaker 1>time to send that in. I really do. I can't

0:29:51.280 --> 0:29:53.640
<v Speaker 1>tell if you're making fun of me because I have

0:29:53.680 --> 0:29:56.560
<v Speaker 1>a I don't know. I don't want to call it

0:29:56.560 --> 0:29:58.800
<v Speaker 1>a speech impediment, but I've clearly got a problem with

0:29:58.800 --> 0:30:00.600
<v Speaker 1>this word. I've been open about it, you know. I

0:30:00.960 --> 0:30:04.080
<v Speaker 1>try to try to face my problems head on, Grayson.

0:30:04.280 --> 0:30:06.600
<v Speaker 1>You know, I try to really just kind of figure

0:30:06.600 --> 0:30:09.320
<v Speaker 1>out what's going on, you know, I diagnose the issue

0:30:09.320 --> 0:30:12.120
<v Speaker 1>and then try to deal with it. If you're making

0:30:12.120 --> 0:30:14.200
<v Speaker 1>fun of me, though, I don't know what that says

0:30:14.240 --> 0:30:16.760
<v Speaker 1>about you. Never mind me anyhow. Disgracing Pod at gmail

0:30:16.760 --> 0:30:17.960
<v Speaker 1>dot com. You guys want to hit me up, you

0:30:17.960 --> 0:30:20.200
<v Speaker 1>want to support the show, You're more than welcome to

0:30:20.200 --> 0:30:21.520
<v Speaker 1>You know how to do it. You can leave a

0:30:21.520 --> 0:30:23.200
<v Speaker 1>review for the show. Okay, you can do that on

0:30:23.240 --> 0:30:25.800
<v Speaker 1>Apple Podcasts. You can do that on Spotify. If you

0:30:25.920 --> 0:30:28.600
<v Speaker 1>leave a review and I read it here on the pod,

0:30:29.240 --> 0:30:32.440
<v Speaker 1>you get some free merch T shirt. You know whatever.

0:30:32.440 --> 0:30:35.040
<v Speaker 1>We go lying around. Okay, a couple of you emailed in.

0:30:35.240 --> 0:30:37.479
<v Speaker 1>We've been in contact. Going to get back at you shortly.

0:30:37.520 --> 0:30:39.080
<v Speaker 1>You're gonna get some sizes. It's gonna get you some

0:30:39.280 --> 0:30:41.840
<v Speaker 1>some merch in the mail, guys, Apple Podcasts. Leave a

0:30:41.880 --> 0:30:44.880
<v Speaker 1>review helps with the discovery of the show. I really

0:30:44.920 --> 0:30:46.960
<v Speaker 1>appreciate it. Same goes for Spotify. Or you can just

0:30:47.000 --> 0:30:49.800
<v Speaker 1>comment on any of the shows, any of the episodes.

0:30:49.840 --> 0:30:51.760
<v Speaker 1>Excuse me that we have in the Disgrace Land feed

0:30:51.840 --> 0:30:55.840
<v Speaker 1>on Spotify. That helps us well. Speaking of Spotify, Miya

0:30:56.120 --> 0:30:59.520
<v Speaker 1>or Maya not sure how to pronounce it. The using

0:30:59.600 --> 0:31:03.640
<v Speaker 1>name here is weird. It's Maya parentheses. Mgk's version rights.

0:31:03.840 --> 0:31:06.880
<v Speaker 1>This is crazy. I love that these episodes are about

0:31:06.880 --> 0:31:09.080
<v Speaker 1>people I've actually heard of. Well, of course they are

0:31:09.680 --> 0:31:14.080
<v Speaker 1>mia parentheses mgk's version. Thanks for shouting us out on Spotify.

0:31:14.280 --> 0:31:17.440
<v Speaker 1>Get in touch and you, my friend, can get some merch.

0:31:17.640 --> 0:31:20.960
<v Speaker 1>I will send it your way. Diane M. Montahue writes

0:31:21.000 --> 0:31:23.640
<v Speaker 1>in Hey, thank you so much for this episode. I've

0:31:23.720 --> 0:31:26.080
<v Speaker 1>watched that movie one hundred times. Diane's talking about the

0:31:26.120 --> 0:31:28.920
<v Speaker 1>Crow and cried each time. Your form of storytelling is

0:31:29.000 --> 0:31:31.600
<v Speaker 1>exactly what this story needed. As a matter of fact,

0:31:31.640 --> 0:31:33.840
<v Speaker 1>it's perfect for all the stories you tell. Your podcast

0:31:33.960 --> 0:31:35.600
<v Speaker 1>is one of my favorites. Gotta go. Gotta go watch

0:31:35.680 --> 0:31:38.120
<v Speaker 1>The Crow again right now. See ya, Diane, Thank you.

0:31:38.280 --> 0:31:40.080
<v Speaker 1>Get in touch. Hit me up to s Grace Stampod

0:31:40.160 --> 0:31:42.960
<v Speaker 1>at gmail dot com. We work on getting some merch

0:31:43.040 --> 0:31:47.560
<v Speaker 1>out to you over on Apple Podcasts. Cinderella Yelly. She

0:31:47.720 --> 0:31:52.560
<v Speaker 1>writes in yes exclamation point five stars. A lifelong lover

0:31:52.680 --> 0:31:55.760
<v Speaker 1>of musical history, thank you for this podcast. It's brilliant,

0:31:55.840 --> 0:31:57.720
<v Speaker 1>well written, well told, a treat for the ears. It

0:31:57.800 --> 0:31:59.920
<v Speaker 1>keeps you coming back from more incredible stories about incredible

0:32:00.040 --> 0:32:01.880
<v Speaker 1>artist that you normally would know about. Thank you, Jake,

0:32:02.120 --> 0:32:05.360
<v Speaker 1>keeping coming you got it. Cinderelli Yelli, great user name.

0:32:05.400 --> 0:32:07.040
<v Speaker 1>Get in touch with us Cinderella y Elly, and we

0:32:07.120 --> 0:32:09.400
<v Speaker 1>will get you some merch. All right, Disgray sampod at

0:32:09.520 --> 0:32:12.160
<v Speaker 1>gmail dot com. Guys, leave a review, We really, really

0:32:12.240 --> 0:32:15.120
<v Speaker 1>really appreciate it. Now for this episode, I try to

0:32:15.200 --> 0:32:17.120
<v Speaker 1>steer clear. Oh, I got into the ditty stuff a

0:32:17.120 --> 0:32:18.760
<v Speaker 1>little bit, but I tried to not turn the B

0:32:18.920 --> 0:32:22.280
<v Speaker 1>block into an entire piece of ditty content. I'm not

0:32:22.360 --> 0:32:26.040
<v Speaker 1>sure I succeeded. Like I said, this Diddy stuff is

0:32:26.320 --> 0:32:29.560
<v Speaker 1>hard to put down, it's hard to ignore. There's a

0:32:29.640 --> 0:32:32.480
<v Speaker 1>lot here to discuss. Every single one of these bonus episodes.

0:32:32.520 --> 0:32:35.040
<v Speaker 1>I could spend the whole thing talking about Diddy, but

0:32:35.120 --> 0:32:37.360
<v Speaker 1>I'm not going to do that. I am not going

0:32:37.520 --> 0:32:40.360
<v Speaker 1>to do that. I am, however, in the all access

0:32:40.440 --> 0:32:42.760
<v Speaker 1>portion of this podcast, I am going to talk a

0:32:42.840 --> 0:32:45.400
<v Speaker 1>little bit more about ditty. All right, that's gonna happen

0:32:45.920 --> 0:32:48.239
<v Speaker 1>just after this. You guys, you're like, what's the all

0:32:48.320 --> 0:32:49.960
<v Speaker 1>access Well, if you don't know, you should know. You

0:32:50.000 --> 0:32:51.560
<v Speaker 1>should know by now, but maybe you're new when you

0:32:51.640 --> 0:32:53.160
<v Speaker 1>don't know. If you want to be an all access

0:32:53.200 --> 0:32:55.160
<v Speaker 1>member of Disgrace Sland, all you got to do is

0:32:55.200 --> 0:32:59.360
<v Speaker 1>go to Disgrace slampod dot com slash membership, and once

0:32:59.400 --> 0:33:01.800
<v Speaker 1>you're a member, you get all of our episodes ad free,

0:33:02.000 --> 0:33:06.040
<v Speaker 1>and you also get access to the bonus section of

0:33:06.160 --> 0:33:09.800
<v Speaker 1>the after party episode here. Okay, that's coming up very shortly.

0:33:09.840 --> 0:33:27.720
<v Speaker 1>Disgrace sampod dot Com slash Membership. All right, guys, we

0:33:27.920 --> 0:33:29.960
<v Speaker 1>are back. I want to get into the archive here.

0:33:30.200 --> 0:33:32.720
<v Speaker 1>A little bit before I take off, we talked about

0:33:32.800 --> 0:33:36.160
<v Speaker 1>Nipsey Hustle. Okay. That episode is episode number fifty seven,

0:33:36.280 --> 0:33:40.960
<v Speaker 1>release date May twelfth, twenty twenty. Lisa Lefti Lopez was

0:33:41.040 --> 0:33:45.160
<v Speaker 1>mentioned that episode. OG episode from season one, episode six,

0:33:45.320 --> 0:33:49.640
<v Speaker 1>release date April seventeenth, twenty eighteen. If you can believe that,

0:33:50.040 --> 0:33:52.680
<v Speaker 1>Bob Marley was also part of season one, Bob Marley

0:33:52.760 --> 0:33:56.000
<v Speaker 1>was also mentioned in this episode. Bob Marley was episode nine. Okay,

0:33:56.120 --> 0:33:58.480
<v Speaker 1>came out a couple weeks after Lisa left I Lopez.

0:33:59.280 --> 0:34:04.400
<v Speaker 1>That's released date May twenty ninth, two thousand and eighteen. Okay, now,

0:34:04.440 --> 0:34:07.760
<v Speaker 1>back in season one, we did a single episode on

0:34:07.960 --> 0:34:12.759
<v Speaker 1>Tupac and Biggie and my take on that episode, it's

0:34:12.800 --> 0:34:14.680
<v Speaker 1>one of my least favorite episodes. But I invite you

0:34:14.760 --> 0:34:16.920
<v Speaker 1>to listen to it, because the take my point of

0:34:17.000 --> 0:34:20.239
<v Speaker 1>view on that episode I think is original. I just

0:34:20.280 --> 0:34:24.440
<v Speaker 1>think the execution of that episode it's just never I

0:34:24.480 --> 0:34:27.359
<v Speaker 1>could you know, it's fuck You know, when you make

0:34:27.400 --> 0:34:29.000
<v Speaker 1>something you're just like, I can't fucking get it right.

0:34:29.080 --> 0:34:31.880
<v Speaker 1>That's what it was with that episode. Episode ten released

0:34:31.960 --> 0:34:35.080
<v Speaker 1>day June twelfth, twenty eighteen. And my point was that

0:34:35.160 --> 0:34:37.320
<v Speaker 1>the media did it. That the media really just stoked

0:34:37.600 --> 0:34:40.239
<v Speaker 1>the whole East Coast West Coast rivalry to such a

0:34:40.320 --> 0:34:43.560
<v Speaker 1>fever pitch that it resulted in murder. And I'm not

0:34:43.880 --> 0:34:47.480
<v Speaker 1>so sure I believe that anymore. Okay. I was actually

0:34:47.520 --> 0:34:49.440
<v Speaker 1>thinking the other day in light of this whole Diddy thing,

0:34:49.480 --> 0:34:51.840
<v Speaker 1>and in light of the fact that there's this rumor

0:34:51.920 --> 0:34:55.719
<v Speaker 1>that Tupac's family have retained new legal representation to look

0:34:55.760 --> 0:34:59.160
<v Speaker 1>into Sean Combs related to the murder of Tupac, I

0:34:59.239 --> 0:35:01.240
<v Speaker 1>started to think of about what what do I actually

0:35:01.320 --> 0:35:04.680
<v Speaker 1>think about Tupac's murder? What do I actually think about

0:35:04.920 --> 0:35:08.800
<v Speaker 1>Biggie's murder? And after doing that episode that I just mentioned,

0:35:09.360 --> 0:35:14.880
<v Speaker 1>after writing and releasing another two part episode on Tupac Secure,

0:35:15.200 --> 0:35:18.719
<v Speaker 1>episode sixty nine, released on January twenty six, twenty twenty one,

0:35:18.800 --> 0:35:22.719
<v Speaker 1>and episode seventy released on February second, twenty twenty one.

0:35:22.800 --> 0:35:27.000
<v Speaker 1>After those two episodes, I still don't know. And then

0:35:27.040 --> 0:35:31.760
<v Speaker 1>we did two episodes on Biggie Smalls, and those episodes

0:35:31.760 --> 0:35:34.680
<v Speaker 1>are from that same season, that same year. I believe

0:35:34.719 --> 0:35:37.760
<v Speaker 1>that's season eight. Those are released on Those are episodes

0:35:37.840 --> 0:35:41.279
<v Speaker 1>eighty and eighty one, released May eleventh and May twenty fifth, respectively,

0:35:41.320 --> 0:35:44.560
<v Speaker 1>a two part Biggie Smalls episode. I have a bit

0:35:44.600 --> 0:35:46.279
<v Speaker 1>of a theory, but I'm not so sure I believe

0:35:46.320 --> 0:35:50.120
<v Speaker 1>it anymore. And the person who I have sort of

0:35:50.239 --> 0:35:55.760
<v Speaker 1>theorized hunched who may have been involved, I don't actually

0:35:56.160 --> 0:35:59.080
<v Speaker 1>know that I believe that anymore. I really don't, and

0:35:59.239 --> 0:36:01.560
<v Speaker 1>I'd love to talk to that person, and that person

0:36:02.160 --> 0:36:05.960
<v Speaker 1>is not that hard to get to, so I'm thinking

0:36:06.000 --> 0:36:09.840
<v Speaker 1>I might try to do that in relation to this

0:36:10.680 --> 0:36:14.000
<v Speaker 1>Diddy story as well. I am going to go back

0:36:14.080 --> 0:36:16.160
<v Speaker 1>and I'm going to listen to all those Tupac and

0:36:16.239 --> 0:36:18.680
<v Speaker 1>Biggie episodes that I just mentioned, because I really got

0:36:18.719 --> 0:36:20.920
<v Speaker 1>to get my thinking right on this. I think the truth.

0:36:21.040 --> 0:36:24.040
<v Speaker 1>I think we're all just we're way off. We're way off.

0:36:24.200 --> 0:36:28.600
<v Speaker 1>I could be wrong, but that's my current thinking. Anyways,

0:36:28.640 --> 0:36:30.480
<v Speaker 1>all those episodes are there for you to check out.

0:36:30.719 --> 0:36:33.960
<v Speaker 1>We mentioned a ton in this episode here. The archive

0:36:34.120 --> 0:36:36.840
<v Speaker 1>easy to get to obviously. You know you're on Apple Podcasting,

0:36:36.840 --> 0:36:39.560
<v Speaker 1>you're on Spotify. The archives right there, keep scrolling back.

0:36:39.640 --> 0:36:42.520
<v Speaker 1>A real easy way to get to these episodes, though,

0:36:42.640 --> 0:36:44.759
<v Speaker 1>is our website. We have a listen page where we

0:36:44.960 --> 0:36:47.920
<v Speaker 1>literally have every single episode that we've ever released with

0:36:48.120 --> 0:36:51.160
<v Speaker 1>links where you can listen right there. So go check

0:36:51.239 --> 0:36:53.000
<v Speaker 1>that out if you want to get into the disgrace

0:36:53.160 --> 0:36:55.719
<v Speaker 1>Land archive. All right, all right, I just want to

0:36:55.719 --> 0:36:57.879
<v Speaker 1>say thank you for all the calls, all the voicemails,

0:36:57.960 --> 0:37:01.600
<v Speaker 1>the reviews, the dms, all the engagement, the listening. Even

0:37:01.600 --> 0:37:03.560
<v Speaker 1>if you just out there listening silently, you never talk

0:37:03.600 --> 0:37:06.040
<v Speaker 1>to me, and that's the majority of you. Frankly, thank you.

0:37:06.239 --> 0:37:08.719
<v Speaker 1>I appreciate it, I really do. I got to get

0:37:08.719 --> 0:37:10.520
<v Speaker 1>out of here, though, So let's recap number one right

0:37:10.560 --> 0:37:13.719
<v Speaker 1>now in your feed our episode on Brandon Lee number

0:37:13.760 --> 0:37:16.880
<v Speaker 1>two coming tomorrow, a special rewind episode from our archive,

0:37:16.960 --> 0:37:19.520
<v Speaker 1>and we're talking about the Cramps next week and the

0:37:19.640 --> 0:37:22.640
<v Speaker 1>question of the week as it pertains that Cramps episode

0:37:22.719 --> 0:37:25.800
<v Speaker 1>is going to be which rock and roll band is

0:37:25.880 --> 0:37:28.560
<v Speaker 1>the greatest of all time and why okay? Number three

0:37:28.600 --> 0:37:30.200
<v Speaker 1>merch Winners, get in touch. You know who you are.

0:37:30.760 --> 0:37:33.600
<v Speaker 1>Number four book Club coming on October twenty ninth. Start

0:37:33.640 --> 0:37:35.560
<v Speaker 1>reading The Exorcist and get in here with us, all right.

0:37:35.680 --> 0:37:38.120
<v Speaker 1>Number five, Remember no one cares about great storytelling more

0:37:38.200 --> 0:37:40.480
<v Speaker 1>than you do. And well that's a disgrace, all right.

0:37:40.520 --> 0:37:43.680
<v Speaker 1>In honor of this week's episode subject Brandon Lee, me

0:37:44.160 --> 0:37:47.240
<v Speaker 1>reading to you. The Billboard charts from the day Brandon

0:37:47.320 --> 0:37:52.799
<v Speaker 1>Lee died on March thirty first, nineteen ninety three. Number

0:37:52.840 --> 0:38:00.320
<v Speaker 1>one Informer Snow last week one, peak position one weeks

0:38:00.360 --> 0:38:04.680
<v Speaker 1>on chart eleven. Number two Nothing but a g Thang

0:38:05.200 --> 0:38:10.920
<v Speaker 1>Doctor Dre last week three, peak position two weeks on

0:38:11.160 --> 0:38:15.000
<v Speaker 1>charts eight. Number three Freak Me.

0:38:15.920 --> 0:38:21.279
<v Speaker 5>Even last week seven six peak positions three weeks on

0:38:21.480 --> 0:38:27.160
<v Speaker 5>chart peak position number four, A Whole Jewe World, Aladdin

0:38:27.239 --> 0:38:32.560
<v Speaker 5>Step Nothing last week, every two Dre peak positions weeks

0:38:32.600 --> 0:38:39.760
<v Speaker 5>on chart number five John every Woman in Houston last week.

0:38:41.120 --> 0:38:48.080
<v Speaker 1>Positions. Quit talking and start mixing.