1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,600 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,800 --> 00:00:33,600 Speaker 1: a little thing we like to call the after party. 6 00:00:34,000 --> 00:00:36,240 Speaker 1: This is the show after the show, the party after 7 00:00:36,240 --> 00:00:37,960 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,000 --> 00:00:41,200 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:41,320 --> 00:00:44,440 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:44,479 --> 00:00:47,599 Speaker 1: about this week's subject of the Disgraceland full episode, Brandon 11 00:00:47,720 --> 00:00:50,800 Speaker 1: Lee from the excellent movie The Crow with the most 12 00:00:50,880 --> 00:00:54,240 Speaker 1: excellent soundtrack, more from the Sean Combe story, and some 13 00:00:54,320 --> 00:00:57,120 Speaker 1: special announcements from the world of Disgraceland. And of course 14 00:00:57,160 --> 00:01:00,640 Speaker 1: we are diving into your voicemails, text and more. As always, 15 00:01:00,680 --> 00:01:03,840 Speaker 1: a whole lot of rosie. All right, disc goes, let's 16 00:01:04,160 --> 00:01:19,039 Speaker 1: get into it, and they say there's a heaven for 17 00:01:19,080 --> 00:01:21,640 Speaker 1: those who will wait. Some say it's better, but I 18 00:01:21,760 --> 00:01:24,760 Speaker 1: say it. I'd rather laugh with the sinners than cry 19 00:01:24,800 --> 00:01:28,120 Speaker 1: with the saints. The sinners are much more fun. You 20 00:01:28,200 --> 00:01:31,720 Speaker 1: know that only the good die young. That, of course 21 00:01:31,920 --> 00:01:34,720 Speaker 1: is Billy Joel from his nineteen seventy eight hit Only 22 00:01:34,760 --> 00:01:37,800 Speaker 1: the Good Die Young. Brandon Lee, the subject of this 23 00:01:37,840 --> 00:01:41,720 Speaker 1: week's Disgraceland after Party, died young at twenty eight years old. 24 00:01:41,720 --> 00:01:44,559 Speaker 1: By all accounts, Brandon Lee was one of the good ones. 25 00:01:45,080 --> 00:01:47,800 Speaker 1: His father, Bruce Lee, died young too, at the age 26 00:01:47,800 --> 00:01:52,240 Speaker 1: of thirty two years old. Lisa Lopez, Bob Marley, Amy Winehouse, 27 00:01:52,360 --> 00:01:56,520 Speaker 1: Nipsey Hustle, all previous Disgraceland subjects, they all died young, 28 00:01:57,120 --> 00:02:01,640 Speaker 1: and despite being complicated and sometimes protic individuals, I believe 29 00:02:01,680 --> 00:02:05,520 Speaker 1: them all to be good at heart. Other disgrace on subjects, 30 00:02:05,520 --> 00:02:08,920 Speaker 1: some real bastards are either still breathing or lived long, 31 00:02:09,040 --> 00:02:12,960 Speaker 1: full lives. Jerry Lee, Lewis, Big Lurch, var Vicinus, Ike Turner, 32 00:02:13,200 --> 00:02:16,160 Speaker 1: to name just a few. They of course not good people. 33 00:02:16,480 --> 00:02:21,320 Speaker 1: They were or are bad bad men. But Billy Joel 34 00:02:21,840 --> 00:02:25,079 Speaker 1: was onto something. Though that statement only the Good die young, 35 00:02:25,480 --> 00:02:30,560 Speaker 1: it isn't absolute. Tupac secure in the Notorious Big They died, okay. 36 00:02:30,600 --> 00:02:34,280 Speaker 1: Tupac was twenty five, Biggie was just twenty four. I'm 37 00:02:34,320 --> 00:02:37,160 Speaker 1: not saying either were good. Tupac especially was at times 38 00:02:37,200 --> 00:02:40,200 Speaker 1: a horrendous human being and Biggie had his issues too, 39 00:02:40,240 --> 00:02:43,840 Speaker 1: but still they were young men. Had they lived, you 40 00:02:43,880 --> 00:02:47,680 Speaker 1: can make the case that they could have probably redeemed themselves. 41 00:02:47,720 --> 00:02:50,240 Speaker 1: Who knows. Twenty four and twenty five far too young 42 00:02:50,320 --> 00:02:53,000 Speaker 1: to go though. Okay, Tupac and Biggie had a lot 43 00:02:53,200 --> 00:02:57,880 Speaker 1: in common. They were, of course friends, then famously enemies, 44 00:02:58,000 --> 00:03:01,280 Speaker 1: and now a part of the same unsolved murder mystery 45 00:03:01,320 --> 00:03:05,919 Speaker 1: conspiracy theory. They also shared a common friend at one 46 00:03:05,960 --> 00:03:10,560 Speaker 1: time anyway, and Sean Puff Daddy Ditty Comb's Biggie was 47 00:03:10,880 --> 00:03:14,240 Speaker 1: Ditty's meal ticket, the start that helped Ditty than Puffy 48 00:03:14,320 --> 00:03:18,679 Speaker 1: forever Shawn Combs to launch his career into the stratosphere, 49 00:03:18,720 --> 00:03:21,919 Speaker 1: and Tupac was if we're to believe the recent theories 50 00:03:21,919 --> 00:03:25,920 Speaker 1: floating around TikTok, Tupac was allegedly Sean Combs is lover. 51 00:03:26,400 --> 00:03:30,200 Speaker 1: I'm emphasizing allegedly because as far as I can tell, 52 00:03:30,320 --> 00:03:33,360 Speaker 1: this is just a rumor. That said, I'm not discounting it. 53 00:03:33,800 --> 00:03:35,800 Speaker 1: There is a credible source alleging that at the very 54 00:03:35,880 --> 00:03:39,840 Speaker 1: least Seawn Combs up until the right now, is and 55 00:03:39,880 --> 00:03:44,240 Speaker 1: always has been obsessed with Tupac. It should be noted 56 00:03:44,240 --> 00:03:46,280 Speaker 1: that there are less credible sources claiming right now that 57 00:03:46,320 --> 00:03:49,520 Speaker 1: Tupac's family has hired new legal representation to investigate Ditty's 58 00:03:49,520 --> 00:03:52,640 Speaker 1: involvement in Tupac's death. But again, like I said, less 59 00:03:52,840 --> 00:03:57,600 Speaker 1: credible sources, I'm not so sure Sean Combs killed Tupac. 60 00:03:57,720 --> 00:04:02,960 Speaker 1: It's just too neat, tidy of an ending. It's too Hollywood. 61 00:04:03,560 --> 00:04:08,200 Speaker 1: But a lot of other presumed good people in Shawn 62 00:04:08,240 --> 00:04:13,000 Speaker 1: Combs's orbit have died young ish, and it's kind of 63 00:04:13,000 --> 00:04:17,080 Speaker 1: weird and worth mentioning, Okay. Kim Porter, Shawn Combs's girlfriend, 64 00:04:17,240 --> 00:04:19,919 Speaker 1: the mother of three of his children, and former Uptown 65 00:04:19,960 --> 00:04:23,080 Speaker 1: Records employee and co worker of Shawn Combs. She died 66 00:04:23,120 --> 00:04:25,880 Speaker 1: some would say, very mysteriously at the age of forty 67 00:04:25,960 --> 00:04:30,400 Speaker 1: eight from pneumonia back in twenty eighteen. Andre Herrel, founder 68 00:04:30,440 --> 00:04:33,119 Speaker 1: of Uptown Records, the label where Diddy and kim Porter 69 00:04:33,240 --> 00:04:36,400 Speaker 1: started out. He died back in twenty twenty, a healthy 70 00:04:36,480 --> 00:04:40,440 Speaker 1: man from sudden heart problems. Uptown Records artists Heavy D 71 00:04:40,560 --> 00:04:42,640 Speaker 1: remember Heavy D in the Boys Heavy D. He died 72 00:04:42,920 --> 00:04:47,559 Speaker 1: back in twenty eleven from a pulmonary embolism. After Seawn 73 00:04:47,680 --> 00:04:51,520 Speaker 1: Combs and Andre Pharrell had a vicious falling out. Combs, 74 00:04:51,520 --> 00:04:54,320 Speaker 1: of course, then went on to start bad Boy Records, 75 00:04:54,320 --> 00:04:57,560 Speaker 1: where he signed, among other artists, Craig Mack. Craig Mack 76 00:04:57,720 --> 00:05:01,080 Speaker 1: died in twenty eighteen at the age of just forty seven. 77 00:05:01,760 --> 00:05:05,880 Speaker 1: Like Andre Harrell from Heart Problems, bad Boy artist Black Rob, 78 00:05:06,080 --> 00:05:10,160 Speaker 1: he died in twenty twenty one from cardiac arrest. Okay, 79 00:05:10,640 --> 00:05:13,400 Speaker 1: there's a lot of conjecture around the deaths of all 80 00:05:13,480 --> 00:05:17,680 Speaker 1: these music industry professionals and artists connected to Sean Combs. Now, 81 00:05:17,760 --> 00:05:21,120 Speaker 1: lots of people die from heart problems, lots of people 82 00:05:21,200 --> 00:05:24,240 Speaker 1: die young. But given the individual that we are talking 83 00:05:24,240 --> 00:05:28,719 Speaker 1: about here, Sean Combs, Diddy, this amount of people, all 84 00:05:28,800 --> 00:05:31,440 Speaker 1: whom were financially entangled one way or another with Sean 85 00:05:31,480 --> 00:05:36,560 Speaker 1: Combs VIA's record label business, you have to pause to wonder. Okay, 86 00:05:36,680 --> 00:05:43,159 Speaker 1: it's pretty pretty I'm channeling my inner Larry David. It's 87 00:05:43,240 --> 00:05:47,560 Speaker 1: just too damn coincidental. And I'm not saying that there's 88 00:05:47,560 --> 00:05:50,039 Speaker 1: some grand conspiracy at play here. I'm saying that this 89 00:05:50,160 --> 00:05:53,400 Speaker 1: deserves a little more research, a little more than I've 90 00:05:53,440 --> 00:05:56,760 Speaker 1: been able to give it. I have seen, I have 91 00:05:56,880 --> 00:06:00,000 Speaker 1: seen this conspiracy theory pop up numerous times on TikTok, 92 00:06:00,080 --> 00:06:02,480 Speaker 1: Jaguar right is all over it, but I have seen 93 00:06:02,560 --> 00:06:06,000 Speaker 1: nothing to substantiate it. I've seen nothing that actually ties 94 00:06:06,120 --> 00:06:10,280 Speaker 1: a thread of credible sourcing through all of this. It 95 00:06:10,320 --> 00:06:14,000 Speaker 1: makes me go, hmm, there's something there. There's motive, there's intent, 96 00:06:14,240 --> 00:06:16,840 Speaker 1: there's will, all that stuff. I have not seen any 97 00:06:16,880 --> 00:06:19,440 Speaker 1: of that yet. I've only seen, like I said, conjecture. 98 00:06:19,480 --> 00:06:23,160 Speaker 1: But still, I'm a grown man with my big boy 99 00:06:23,200 --> 00:06:25,800 Speaker 1: pants on. Okay, I'm not going to shy from a 100 00:06:25,839 --> 00:06:29,680 Speaker 1: conspiracy theory just because it's a conspiracy theory. At the 101 00:06:29,680 --> 00:06:33,080 Speaker 1: same time, I'm not going to promote it as being fact. This, 102 00:06:34,360 --> 00:06:36,440 Speaker 1: despite there not being any proof that I've seen yet, 103 00:06:36,520 --> 00:06:39,080 Speaker 1: deserves a little more research. So I'm going to dive 104 00:06:39,120 --> 00:06:40,920 Speaker 1: into this for you guys, and I will report back. 105 00:06:40,960 --> 00:06:42,240 Speaker 1: And I'm not sure how I'm gonna do that. Maybe 106 00:06:42,240 --> 00:06:43,640 Speaker 1: I'll do it in an afterparty. Maybe there'll be a 107 00:06:43,680 --> 00:06:45,880 Speaker 1: full episode on this. I'm not sure, but something's coming. 108 00:06:46,120 --> 00:06:48,920 Speaker 1: I'm going to look into this a little more fully. Okay. 109 00:06:49,000 --> 00:06:51,480 Speaker 1: Like I said, lots of conjecture around the deaths of 110 00:06:51,560 --> 00:06:54,159 Speaker 1: all these music industry professionals and artists connected to Combs. 111 00:06:54,240 --> 00:06:56,800 Speaker 1: Lots of people like I said, they die from heart problems, 112 00:06:56,800 --> 00:06:59,680 Speaker 1: they die young. I'm going to get into these desks 113 00:06:59,680 --> 00:07:03,080 Speaker 1: and the weeks. But I'm also I'm very compelled by 114 00:07:03,080 --> 00:07:07,400 Speaker 1: this one. Here the allegation surrounding Diddy jay z in 115 00:07:07,480 --> 00:07:10,600 Speaker 1: the death of Kathy White aka Becky with the Good Hair, 116 00:07:10,800 --> 00:07:14,960 Speaker 1: who died Okay, another one dying young while pregnant at 117 00:07:15,000 --> 00:07:18,200 Speaker 1: just the age of twenty eight suddenly from a brain aneurysm. 118 00:07:18,280 --> 00:07:21,160 Speaker 1: Wasn't heart related, brain aneurysm. I'm going to look into 119 00:07:21,200 --> 00:07:25,000 Speaker 1: this as well. This is this is incredibly salacious, and 120 00:07:25,040 --> 00:07:26,640 Speaker 1: I'm going to report back to you guys on what 121 00:07:26,680 --> 00:07:28,720 Speaker 1: I can find. As always, I will give you the 122 00:07:28,800 --> 00:07:31,760 Speaker 1: straight dirt on the sour, saying, Okay, who I think 123 00:07:31,800 --> 00:07:34,480 Speaker 1: is credible, who I think is not credible? And why 124 00:07:35,200 --> 00:07:38,680 Speaker 1: now I'm talking about these deaths because like it or not, 125 00:07:38,840 --> 00:07:41,680 Speaker 1: they're part of the Shawan Combs story, which is vast, 126 00:07:42,040 --> 00:07:45,360 Speaker 1: and this story is unfurling at in real time and 127 00:07:45,800 --> 00:07:49,760 Speaker 1: it's coming. It's all coming to light publicly. He's not 128 00:07:49,800 --> 00:07:53,840 Speaker 1: even near trial yet. Every day new news breaks, and 129 00:07:53,920 --> 00:07:56,960 Speaker 1: I suspect that by the time you hear this episode, 130 00:07:57,000 --> 00:08:00,880 Speaker 1: more news will have broken on Seawan Combs, perhaps rendering 131 00:08:01,320 --> 00:08:04,480 Speaker 1: this particular subject that I'm discussing with you right now, 132 00:08:05,040 --> 00:08:09,040 Speaker 1: the deaths around Combs. Perhaps new news breaks before you 133 00:08:09,120 --> 00:08:12,880 Speaker 1: hear this that renders this subject to be a little 134 00:08:12,960 --> 00:08:16,840 Speaker 1: less relevant. I say this because I'm recording this bonus 135 00:08:16,840 --> 00:08:19,280 Speaker 1: episode for you early. I'm recording on Tuesday. I usually 136 00:08:19,320 --> 00:08:21,160 Speaker 1: do it on Wednesday, get it out to you on Thursday, 137 00:08:21,200 --> 00:08:22,800 Speaker 1: so that I can be as close to the episode 138 00:08:22,800 --> 00:08:25,880 Speaker 1: as possible in the information while you're hearing it. However, 139 00:08:26,080 --> 00:08:28,440 Speaker 1: some of you may have heard there's a massive hurricane 140 00:08:28,840 --> 00:08:33,880 Speaker 1: coming my way. I'm in Florida and I need tomorrow Wednesday, 141 00:08:33,880 --> 00:08:36,520 Speaker 1: of the day I would normally record this episode to 142 00:08:37,400 --> 00:08:41,080 Speaker 1: you know, basically, hunker down and good chance I'm going 143 00:08:41,120 --> 00:08:43,280 Speaker 1: to lose power, So you're getting it now. I hope 144 00:08:43,320 --> 00:08:46,320 Speaker 1: everyone else there who's a little more fully in the 145 00:08:46,360 --> 00:08:50,040 Speaker 1: line of the hurricane. I hope you guys are getting 146 00:08:50,080 --> 00:08:53,439 Speaker 1: out of dodge. I hope you're safe. But anyways, that's 147 00:08:53,440 --> 00:08:55,520 Speaker 1: why I think there might be a chance of what 148 00:08:55,559 --> 00:08:58,200 Speaker 1: I'm saying to you now being a little less relevant 149 00:08:58,200 --> 00:09:01,839 Speaker 1: by the time you hear it to days later because 150 00:09:01,880 --> 00:09:04,520 Speaker 1: of the hurricane. And we know this Shaan Combs story 151 00:09:04,679 --> 00:09:07,640 Speaker 1: is a hurricane. Nothing is going to stop it. There's 152 00:09:07,679 --> 00:09:10,240 Speaker 1: been some news over the last week since we last talked. 153 00:09:10,440 --> 00:09:12,760 Speaker 1: The big news I suspect that we're going to get 154 00:09:12,760 --> 00:09:15,680 Speaker 1: in the coming days though, in the coming weeks is 155 00:09:15,679 --> 00:09:17,200 Speaker 1: the story that I mentioned last week with the quote 156 00:09:17,280 --> 00:09:20,160 Speaker 1: unquote more high profile individual featured in the sex video 157 00:09:20,280 --> 00:09:25,719 Speaker 1: with Combs. If you recall, attorney Aerial Mitchell Kid has 158 00:09:25,760 --> 00:09:28,880 Speaker 1: claimed publicly that the owners of this video of the 159 00:09:29,280 --> 00:09:33,800 Speaker 1: alleged more high profile participant, has been shopping a catch 160 00:09:33,880 --> 00:09:38,240 Speaker 1: and kill deal. Well, now this news has developed slightly. 161 00:09:38,320 --> 00:09:41,480 Speaker 1: An Aerial Mitchell Kid again, the attorney. She's back on 162 00:09:41,559 --> 00:09:44,360 Speaker 1: News Nation and she's making this news Okay, that the 163 00:09:44,440 --> 00:09:48,040 Speaker 1: high profile person in the video is trying to catch 164 00:09:48,040 --> 00:09:50,920 Speaker 1: and kill this themselves, trying to purchase this, but they 165 00:09:50,920 --> 00:09:54,679 Speaker 1: are bidding for ownership of the video. They are bidding 166 00:09:54,800 --> 00:09:57,400 Speaker 1: against two major news networks to gain control of this 167 00:09:57,480 --> 00:10:01,760 Speaker 1: video to keep it from coming out. Okay, we shall see. 168 00:10:02,480 --> 00:10:05,120 Speaker 1: Even if this is an A list celebrity on the video, 169 00:10:05,280 --> 00:10:08,160 Speaker 1: who really cares? Okay, it's not against a law to 170 00:10:08,160 --> 00:10:09,840 Speaker 1: have sex. It's not against a lot to have sex 171 00:10:09,840 --> 00:10:14,120 Speaker 1: on video, even if you're a very short, very funny 172 00:10:14,120 --> 00:10:18,040 Speaker 1: comedian who not only stars in commercials with Lebron James, 173 00:10:18,080 --> 00:10:22,480 Speaker 1: but who also MC's Diddy Parties and Tom Brady Roasi. 174 00:10:22,520 --> 00:10:25,559 Speaker 1: Even if you're that guy, it's not illegal to have sex. Okay. 175 00:10:25,600 --> 00:10:27,920 Speaker 1: So if you show up on this video, if your 176 00:10:27,960 --> 00:10:30,600 Speaker 1: heart gets broken and you show up on this video, 177 00:10:31,480 --> 00:10:34,839 Speaker 1: perhaps even if you're having sex with Sean Combs in 178 00:10:34,880 --> 00:10:38,800 Speaker 1: this video, end of the day, who really cares? Now, 179 00:10:39,360 --> 00:10:41,520 Speaker 1: if there's a miner in the room, if there's a 180 00:10:41,520 --> 00:10:47,520 Speaker 1: miner in this video with you, well then you're fucked. Okay. 181 00:10:48,040 --> 00:10:49,760 Speaker 1: You got more than a broken heart to worry about, 182 00:10:49,880 --> 00:10:52,719 Speaker 1: all right. And if you were to then say, I 183 00:10:52,720 --> 00:10:55,880 Speaker 1: don't know, die young of say a sudden heart issue, 184 00:10:56,200 --> 00:10:58,319 Speaker 1: I'm not so sure Billy Joel will be singing you 185 00:10:58,880 --> 00:11:01,520 Speaker 1: any songs. Right, You get what I'm saying here, all right? 186 00:11:01,520 --> 00:11:04,000 Speaker 1: Switching gears, we have an episode on the band The 187 00:11:04,040 --> 00:11:08,240 Speaker 1: Cramps coming next week. And uh, as you're listening, guys, 188 00:11:08,240 --> 00:11:11,280 Speaker 1: you'll hear that this is a story about a rock 189 00:11:11,360 --> 00:11:15,240 Speaker 1: and roll band, a real rock and roll band, real 190 00:11:15,400 --> 00:11:18,400 Speaker 1: rock and roll, not rock rock and roll. You'll hear 191 00:11:18,440 --> 00:11:20,720 Speaker 1: the difference in the episode. And when you're listening to 192 00:11:20,720 --> 00:11:24,120 Speaker 1: this episode, please be thinking about what band, what what 193 00:11:24,280 --> 00:11:27,120 Speaker 1: band out there made the greatest rock and roll of 194 00:11:27,160 --> 00:11:29,400 Speaker 1: all time? Gotta be a band, and I'm not talking 195 00:11:29,440 --> 00:11:32,199 Speaker 1: about rock music. I get into the difference. I get 196 00:11:32,200 --> 00:11:34,240 Speaker 1: into the difference and definition between rock and roll and 197 00:11:34,320 --> 00:11:37,000 Speaker 1: rock in the episode. I don't want to do it here, okay, 198 00:11:37,000 --> 00:11:39,640 Speaker 1: but just no rock and roll down, dirty fun, guitar 199 00:11:39,760 --> 00:11:42,320 Speaker 1: driven music for teenagers, music that makes you feel like 200 00:11:42,320 --> 00:11:45,040 Speaker 1: a teenager, okay, So loosely based on that definition, I 201 00:11:45,040 --> 00:11:49,240 Speaker 1: guess what band, in your estimation made the greatest rock 202 00:11:49,320 --> 00:11:52,200 Speaker 1: and roll music of all time? And why? I already 203 00:11:52,200 --> 00:11:55,040 Speaker 1: know my answer. It's a pretty basic one, but I 204 00:11:55,080 --> 00:11:57,240 Speaker 1: want to know your answer. So hit me back six 205 00:11:57,360 --> 00:11:59,720 Speaker 1: one seven, nine oh six sixty six three eight voicemail 206 00:11:59,720 --> 00:12:03,440 Speaker 1: on tech at Disgrace Lampod on the socials, Disgrace Lampod 207 00:12:03,520 --> 00:12:07,520 Speaker 1: at gmail dot com on email, and I will answer 208 00:12:07,880 --> 00:12:10,720 Speaker 1: answer you guys here in the next after Party Bonus episode. 209 00:12:10,720 --> 00:12:12,640 Speaker 1: But right now, let me take a quick break back 210 00:12:12,640 --> 00:12:14,959 Speaker 1: in the flash with some of your voicemails and texts 211 00:12:14,960 --> 00:12:38,199 Speaker 1: and dms from last week. All right, guys, A couple 212 00:12:38,240 --> 00:12:40,880 Speaker 1: of announcements the live stream event that we had scheduled 213 00:12:40,920 --> 00:12:44,920 Speaker 1: for Wednesday night, October ninth. It was, of course postponed 214 00:12:45,080 --> 00:12:47,920 Speaker 1: due to the hurricane. I was unable to live stream 215 00:12:48,080 --> 00:12:50,600 Speaker 1: live in the storm here in Florida. Tickets are being 216 00:12:50,679 --> 00:12:54,000 Speaker 1: refunded as it's unclear due to travel that I have 217 00:12:54,040 --> 00:12:56,200 Speaker 1: coming up, some other issues that we have going on, 218 00:12:56,559 --> 00:12:58,040 Speaker 1: when we're gonna be able to set up another date. 219 00:12:58,080 --> 00:13:00,560 Speaker 1: I'd rather just get you guys your bread back into 220 00:13:00,600 --> 00:13:02,160 Speaker 1: your pockets. You can do what you will with it, 221 00:13:02,240 --> 00:13:05,840 Speaker 1: and we'll do something around this story later in the 222 00:13:05,880 --> 00:13:10,280 Speaker 1: future at a to be determined time and place. All Right, 223 00:13:10,320 --> 00:13:11,920 Speaker 1: I am excited to get you guys this story, the 224 00:13:11,960 --> 00:13:16,120 Speaker 1: Tom DeLong story of government disclosure, government conspiracy ufology all 225 00:13:16,200 --> 00:13:19,000 Speaker 1: that when we do, you will be the first to know. 226 00:13:19,120 --> 00:13:21,600 Speaker 1: You'll be the first to know of the date, the venue, etc. 227 00:13:21,920 --> 00:13:23,960 Speaker 1: But until then, like I said, you got your bread back. 228 00:13:24,200 --> 00:13:25,960 Speaker 1: You can do with the what you want. Apologies to 229 00:13:25,960 --> 00:13:29,080 Speaker 1: those of you guys who bought tickets. I truly appreciate 230 00:13:29,120 --> 00:13:31,240 Speaker 1: the support, and if you were looking forward to this 231 00:13:31,280 --> 00:13:33,000 Speaker 1: event as much as I was, I just want to 232 00:13:33,040 --> 00:13:35,680 Speaker 1: say there was literally nothing that we could do about this. 233 00:13:36,200 --> 00:13:38,480 Speaker 1: It was a scheduled on the wrong day, October ninth. 234 00:13:38,600 --> 00:13:41,840 Speaker 1: Can't control the weather, but just wanted to voice my 235 00:13:42,160 --> 00:13:46,480 Speaker 1: gratitude to you guys. And yeah, we'll have something special 236 00:13:46,520 --> 00:13:49,959 Speaker 1: coming up for you guys soon. Okay, another couple updates. 237 00:13:50,000 --> 00:13:55,160 Speaker 1: We have tweaked our podcast episode release schedule very slightly. 238 00:13:55,200 --> 00:13:57,800 Speaker 1: You may have noticed that our full new episodes. I 239 00:13:57,880 --> 00:13:59,440 Speaker 1: talked to you guys about this. I asked you what 240 00:13:59,480 --> 00:14:03,320 Speaker 1: you thought. I received zero negative feedback on this for 241 00:14:03,400 --> 00:14:06,280 Speaker 1: what we're planning on doing. So you may have noticed 242 00:14:06,280 --> 00:14:08,200 Speaker 1: that our new full episodes, like the Brandon Lee episode 243 00:14:08,200 --> 00:14:10,760 Speaker 1: that you just got this week, like the Cramps episode 244 00:14:10,760 --> 00:14:12,319 Speaker 1: that you're going to be getting next week. These new 245 00:14:12,320 --> 00:14:16,160 Speaker 1: full episodes are now being released on Mondays after party 246 00:14:16,160 --> 00:14:18,840 Speaker 1: bonus episodes like this one here that you're listening to, 247 00:14:19,000 --> 00:14:22,720 Speaker 1: They're coming on Thursdays as usual. And Rewinds of course 248 00:14:22,800 --> 00:14:27,400 Speaker 1: released on Friday. All right, so Monday, Thursday Friday, that's 249 00:14:27,400 --> 00:14:30,760 Speaker 1: the release schedule. Now I mentioned the Cramps episode. I 250 00:14:30,800 --> 00:14:34,160 Speaker 1: cannot wait for you to hear this Cramps episode. It's 251 00:14:35,040 --> 00:14:38,080 Speaker 1: an instant favorite of mine. Okay, it's coming to you Monday. 252 00:14:38,640 --> 00:14:40,360 Speaker 1: I really hope you dig it. I want to hear 253 00:14:40,400 --> 00:14:43,960 Speaker 1: your comments. We're so inspired by everything we're doing here 254 00:14:44,040 --> 00:14:48,120 Speaker 1: in this dark and spooky October here, Halloween and Disgraceland 255 00:14:48,120 --> 00:14:50,320 Speaker 1: has turned into my favorite time of the year. Somehow, 256 00:14:50,320 --> 00:14:52,560 Speaker 1: I was never Halloween guy until I started this podcast. 257 00:14:52,840 --> 00:14:54,280 Speaker 1: But listen, we got a lot, a lot of great 258 00:14:54,280 --> 00:14:57,040 Speaker 1: episodes coming your way. We've got a Poltergeist Curse episode 259 00:14:57,040 --> 00:14:59,760 Speaker 1: coming next week, I'm sorry, the week after the Cramps episode. 260 00:15:00,120 --> 00:15:02,240 Speaker 1: We have the story of the Exorcist coming after that. 261 00:15:02,480 --> 00:15:05,040 Speaker 1: We've got a creepy episode on Harry Houdini coming in 262 00:15:05,080 --> 00:15:08,200 Speaker 1: the All Access feed this month, and and rewind episodes 263 00:15:08,200 --> 00:15:11,240 Speaker 1: on Black Sabbath, Ozzy Osbourne, Robert Johnson in one of 264 00:15:11,280 --> 00:15:14,240 Speaker 1: my all time phase of course, the Misfits. Okay, final 265 00:15:14,280 --> 00:15:17,360 Speaker 1: bit of housekeeping, we have our book club meeting virtually 266 00:15:17,440 --> 00:15:20,080 Speaker 1: on October twenty ninth, where we will be reading and 267 00:15:20,120 --> 00:15:23,200 Speaker 1: discussing while discussing the book we read, which is The Exorcist, 268 00:15:23,480 --> 00:15:25,600 Speaker 1: one of the best books that I've ever read. This 269 00:15:25,640 --> 00:15:29,200 Speaker 1: book club is happening one day after our Exorcist episode 270 00:15:29,240 --> 00:15:31,720 Speaker 1: comes out, so that should make it even extra fun 271 00:15:31,800 --> 00:15:35,200 Speaker 1: and spooky. The Exorcist book club discussion goes down on 272 00:15:35,240 --> 00:15:38,640 Speaker 1: October twenty ninth, just a couple days before Halloween. Pumped 273 00:15:38,680 --> 00:15:40,120 Speaker 1: on this. So if you're looking for something cool to 274 00:15:40,160 --> 00:15:42,960 Speaker 1: do this Halloween, Thean get in on our book club. 275 00:15:43,160 --> 00:15:45,800 Speaker 1: All right, Okay, I have a confession to make. I lied. 276 00:15:45,880 --> 00:15:47,680 Speaker 1: I have one more piece of news for you. Okay. 277 00:15:47,720 --> 00:15:51,280 Speaker 1: We have new dark and spooky October merchandise coming your 278 00:15:51,320 --> 00:15:54,200 Speaker 1: way next week that we created in collaboration with a 279 00:15:54,240 --> 00:15:58,560 Speaker 1: great artist named Spencer Alexander. These new Disgrace Sland merch items. Guys, 280 00:15:58,800 --> 00:16:02,000 Speaker 1: we're doing two shirts fucking awesome. One is inspired by 281 00:16:02,040 --> 00:16:04,720 Speaker 1: Black Sabbath Okay, the other is inspired by the Cramps, 282 00:16:05,320 --> 00:16:07,200 Speaker 1: and we're doing it a bit different with these items. 283 00:16:07,240 --> 00:16:10,400 Speaker 1: We're only doing a limited release, okay. These shirts will 284 00:16:10,400 --> 00:16:13,120 Speaker 1: be available to purchase as a drop next week and 285 00:16:13,160 --> 00:16:15,600 Speaker 1: they're only gonna be available for one week and one 286 00:16:15,640 --> 00:16:17,840 Speaker 1: week only, and then they're going by bye. Okay, keep 287 00:16:17,840 --> 00:16:20,800 Speaker 1: an eye on our Instagram and our ex account at 288 00:16:20,840 --> 00:16:23,600 Speaker 1: the Gray Sam Pod, and of course our website to 289 00:16:23,680 --> 00:16:26,680 Speaker 1: view the items. I'm gonna send them out. They look great, 290 00:16:26,720 --> 00:16:29,360 Speaker 1: they look fantastic, The designs are awesome. You guys are 291 00:16:29,400 --> 00:16:32,040 Speaker 1: gonna be stoked. And again that's coming next week and 292 00:16:32,080 --> 00:16:35,120 Speaker 1: those items are only going to be available for one 293 00:16:35,120 --> 00:16:37,560 Speaker 1: week's time. Okay, all right, enough for me. Let's hear 294 00:16:37,560 --> 00:16:39,200 Speaker 1: from you, guys six one seven nine O six six 295 00:16:39,320 --> 00:16:42,160 Speaker 1: six three eight Send me a text or a voicemail 296 00:16:42,400 --> 00:16:44,680 Speaker 1: just like this caller from the nine to seventy. 297 00:16:45,120 --> 00:16:49,960 Speaker 2: Hey Drake, this is the show from Lowell for Wilmington. 298 00:16:50,120 --> 00:16:55,000 Speaker 2: So mass Joesus Gurly Lou. My answer to your question 299 00:16:55,080 --> 00:16:58,480 Speaker 2: from the last after party about who the good dying 300 00:16:58,600 --> 00:17:03,120 Speaker 2: young is the actor Anton Yelchin. I don't think enough 301 00:17:03,160 --> 00:17:08,640 Speaker 2: people think about him or like recognize how awesome he 302 00:17:08,800 --> 00:17:12,399 Speaker 2: was and in my heart continues to be. He also 303 00:17:12,680 --> 00:17:14,800 Speaker 2: had the same birthday as me, so I had a 304 00:17:14,840 --> 00:17:17,879 Speaker 2: soft spot for him. But also the way he died 305 00:17:18,160 --> 00:17:21,240 Speaker 2: was like the most fucking insane and tragic thing. His 306 00:17:22,080 --> 00:17:26,359 Speaker 2: fucking jeep rolled down the driveway because like it had 307 00:17:26,440 --> 00:17:30,280 Speaker 2: like some sort of parking break fanism issue, and it 308 00:17:30,400 --> 00:17:32,919 Speaker 2: rolled down the driveway and pin him against his mailbox. 309 00:17:33,080 --> 00:17:38,720 Speaker 2: So he died agonizing and flow and just like one 310 00:17:38,760 --> 00:17:41,600 Speaker 2: of the worst things I could possibly imagine. You know, 311 00:17:41,680 --> 00:17:44,080 Speaker 2: there was no fucking reason for that to happen, So 312 00:17:44,560 --> 00:17:48,760 Speaker 2: I remained devastated and also, come on, guys, Anton gave 313 00:17:48,840 --> 00:17:51,960 Speaker 2: us the green room, like, please put the respect on 314 00:17:52,040 --> 00:17:55,800 Speaker 2: this Sand's name. See, he died way too young and 315 00:17:55,840 --> 00:18:00,720 Speaker 2: way too soon, and I will probably never get over it. 316 00:18:01,680 --> 00:18:04,359 Speaker 1: Thanks Michelle. I am one of those people who I 317 00:18:04,359 --> 00:18:05,840 Speaker 1: don't know who the hell you're talking about, how to 318 00:18:05,840 --> 00:18:07,879 Speaker 1: look them up? And yes I can. This is the 319 00:18:07,920 --> 00:18:13,320 Speaker 1: way the death. My gosh, damn, that is brutal. That 320 00:18:13,440 --> 00:18:16,639 Speaker 1: is brutal. I have many thoughts. I need to collect 321 00:18:16,640 --> 00:18:19,720 Speaker 1: myself though, and learn more about this and think about 322 00:18:19,760 --> 00:18:22,040 Speaker 1: it a little bit more. My first thought this is 323 00:18:22,119 --> 00:18:23,800 Speaker 1: I'm just gonna be real with you. My first thought 324 00:18:23,840 --> 00:18:26,560 Speaker 1: was I should do an episode on this, because this 325 00:18:26,680 --> 00:18:28,879 Speaker 1: cause of death is insane and I would love to 326 00:18:28,920 --> 00:18:31,560 Speaker 1: write about it. Anyone ever watched Six Feet Under. I 327 00:18:31,560 --> 00:18:34,240 Speaker 1: loved that show. I loved how they opened every episode, 328 00:18:34,280 --> 00:18:36,320 Speaker 1: how they had that kind of cold open bit and 329 00:18:36,359 --> 00:18:38,480 Speaker 1: it was all just a different cause of death. I 330 00:18:38,520 --> 00:18:41,000 Speaker 1: found that to be fascinating. That's that's what your story 331 00:18:41,040 --> 00:18:43,760 Speaker 1: reminded me of, Michelle. All right, let's check in with 332 00:18:43,880 --> 00:18:46,520 Speaker 1: Christina here in the nine to one seven. 333 00:18:47,119 --> 00:18:52,760 Speaker 3: Thank Callings from Brooklyn in regard to a transformer who 334 00:18:52,800 --> 00:18:57,800 Speaker 3: has left way too early. Absolutely hands down, Adam out 335 00:18:58,119 --> 00:19:02,720 Speaker 3: from the Beastie Boys MCA. So it was an incredible person, 336 00:19:02,920 --> 00:19:09,560 Speaker 3: incredible performer and a tremendously impact my childhood and youth 337 00:19:09,800 --> 00:19:17,040 Speaker 3: and first person to affect me when they had passed 338 00:19:17,200 --> 00:19:18,400 Speaker 3: absolutely too soon. 339 00:19:18,600 --> 00:19:21,959 Speaker 1: Thank you, great one. Christina. I didn't, I don't. I 340 00:19:22,080 --> 00:19:24,720 Speaker 1: don't know why yau MC eight did pop into my 341 00:19:24,760 --> 00:19:28,639 Speaker 1: head when I pose this question, but kind of the 342 00:19:28,640 --> 00:19:33,800 Speaker 1: perfect example that you're providing here, and Christina, I'm thinking 343 00:19:33,800 --> 00:19:36,320 Speaker 1: about doing a Beastie Boys episode. It's one of these 344 00:19:36,320 --> 00:19:38,920 Speaker 1: things where I'm going to be a complete hypocrite every 345 00:19:38,920 --> 00:19:41,040 Speaker 1: time someone requests an episode and I'm like, yeah, well, 346 00:19:41,080 --> 00:19:45,199 Speaker 1: what's the crime. It's Disgraceland's what's the crime at the 347 00:19:45,200 --> 00:19:46,720 Speaker 1: core of it? So I can make it true crime 348 00:19:46,880 --> 00:19:48,440 Speaker 1: and make it work on our side of the street. 349 00:19:49,800 --> 00:19:51,320 Speaker 1: And I don't have an answer to that my own 350 00:19:51,400 --> 00:19:53,159 Speaker 1: question when it comes to the Beastie Boys. But I 351 00:19:53,240 --> 00:19:56,479 Speaker 1: just love the Beastie Boys so much that I want 352 00:19:56,520 --> 00:19:58,000 Speaker 1: to figure out a way to do this. I want 353 00:19:58,040 --> 00:20:00,639 Speaker 1: to figure out a way to write about that. And 354 00:20:00,680 --> 00:20:02,480 Speaker 1: I know there's got to be something there. There's got 355 00:20:02,520 --> 00:20:06,320 Speaker 1: to be something, some sort of crazy transgression, if not 356 00:20:06,400 --> 00:20:08,639 Speaker 1: a crime that I can use to anchor this story, 357 00:20:08,640 --> 00:20:10,520 Speaker 1: and so I'm looking into that. Christine in the nine 358 00:20:10,600 --> 00:20:13,440 Speaker 1: one seven. Thanks for bringing up yelp. I appreciate it 359 00:20:13,880 --> 00:20:18,840 Speaker 1: all right, Matt, Let's do one more voicemail here. Let's 360 00:20:18,920 --> 00:20:21,520 Speaker 1: check in with the two six. 361 00:20:22,720 --> 00:20:25,120 Speaker 4: Jake was going on, Brother Tony from the two six. 362 00:20:25,720 --> 00:20:28,800 Speaker 4: Just listening to the Brandon Lee episode. Believe it or not, 363 00:20:29,119 --> 00:20:32,359 Speaker 4: you know me being from the TUTI six. I actually 364 00:20:32,440 --> 00:20:37,080 Speaker 4: went to Brandon and Bruce's final resting place a year 365 00:20:37,720 --> 00:20:42,040 Speaker 4: after Brandon was tragically killed, and I'm I didn't even 366 00:20:42,080 --> 00:20:45,080 Speaker 4: put it all together until years later that I had 367 00:20:45,119 --> 00:20:48,000 Speaker 4: went because I went with a daycamp group of mind. 368 00:20:48,119 --> 00:20:52,240 Speaker 4: But it was so surreal to see it. And at 369 00:20:52,240 --> 00:20:55,679 Speaker 4: that time, Bruce Lee's headstone had it has a picture 370 00:20:55,680 --> 00:20:58,040 Speaker 4: on it now, but at that time that part had 371 00:20:58,119 --> 00:21:01,280 Speaker 4: been stolen because who would do is they would come 372 00:21:01,320 --> 00:21:04,040 Speaker 4: into the cemetery and they would take that part off 373 00:21:04,080 --> 00:21:06,600 Speaker 4: and they would sell it on the black market. So 374 00:21:06,680 --> 00:21:09,600 Speaker 4: now it's been bolted down. Another thing I wanted to 375 00:21:09,600 --> 00:21:11,199 Speaker 4: talk to you about real quick was last week to 376 00:21:11,200 --> 00:21:15,920 Speaker 4: tra have stid episode. Brother. I was in Vegas when 377 00:21:15,960 --> 00:21:19,000 Speaker 4: that happened, and I remember when I put the gist 378 00:21:19,000 --> 00:21:21,760 Speaker 4: of it together because I was going for another concert 379 00:21:22,000 --> 00:21:24,840 Speaker 4: even though that happened in Houston. I remember I texted 380 00:21:24,920 --> 00:21:27,439 Speaker 4: my friend who was coming in to meet me in Vegas, 381 00:21:27,480 --> 00:21:30,879 Speaker 4: and I said, Hey, we're treading very carefully at this 382 00:21:31,000 --> 00:21:33,360 Speaker 4: concert tonight that we're going to, so you can bet 383 00:21:33,400 --> 00:21:35,680 Speaker 4: your last moneys. When I saw ghost Face with ak 384 00:21:35,720 --> 00:21:40,240 Speaker 4: One and Jizza at that show, I was looking at 385 00:21:40,440 --> 00:21:42,879 Speaker 4: for all the exits. But thankfully we had a great time. 386 00:21:43,000 --> 00:21:45,560 Speaker 4: And you know, I said, it's a respectful nobody was 387 00:21:45,680 --> 00:21:49,159 Speaker 4: hurt anyway, doing what you do. Much love, talk to 388 00:21:49,200 --> 00:21:50,280 Speaker 4: you later, Tony. 389 00:21:50,320 --> 00:21:52,040 Speaker 1: Thank you for the call. Thank you for the insight 390 00:21:52,080 --> 00:21:54,240 Speaker 1: into Bruce's grave. That's a wild story. I had no 391 00:21:54,320 --> 00:21:56,000 Speaker 1: idea what was the part that was stolen though you 392 00:21:56,000 --> 00:21:58,080 Speaker 1: didn't mention that the part of the grave. Hit me 393 00:21:58,160 --> 00:21:59,640 Speaker 1: back and let me know. And I'm also I'm happy 394 00:21:59,640 --> 00:22:02,920 Speaker 1: to hear the Vegas show, though it was filled with anxiety, 395 00:22:03,640 --> 00:22:06,600 Speaker 1: did not go off like Astorworld. All right, thanks Tony. 396 00:22:06,600 --> 00:22:08,480 Speaker 1: All right, let's do some text guys. There are so 397 00:22:08,520 --> 00:22:11,000 Speaker 1: many texts, Like I said, so many texts. I just 398 00:22:11,000 --> 00:22:13,879 Speaker 1: first of all, thank you, second of all, know that 399 00:22:13,920 --> 00:22:15,720 Speaker 1: I'm reading them. If I'm not responding to all of 400 00:22:15,720 --> 00:22:19,000 Speaker 1: them here in the after party, and if I'm not 401 00:22:19,600 --> 00:22:22,760 Speaker 1: responding via text, just know that I read them all, okay, 402 00:22:23,880 --> 00:22:26,600 Speaker 1: and I'm just stoked on the engagement. So this one 403 00:22:26,640 --> 00:22:28,359 Speaker 1: comes from the seven oh three. Hey, Jake, this is 404 00:22:28,440 --> 00:22:30,680 Speaker 1: Mary from the seven oh three. It's a long one, Mary, 405 00:22:30,680 --> 00:22:32,320 Speaker 1: so I'm going to read part of it. Mary says. 406 00:22:32,320 --> 00:22:34,159 Speaker 1: I listened to the Travis Scott episode as well as 407 00:22:34,160 --> 00:22:36,640 Speaker 1: the Bonus episode, although for that one I was more 408 00:22:36,680 --> 00:22:40,280 Speaker 1: curious about your take on the additional charges for Sean Combs. Anyhow, 409 00:22:40,359 --> 00:22:42,879 Speaker 1: I wholeheartedly agree with you on your opinion of Travis 410 00:22:42,880 --> 00:22:46,840 Speaker 1: Scott being completely selfish and greedy. It actually brought back 411 00:22:46,880 --> 00:22:49,120 Speaker 1: a memory of when I saw Eminem and DC back 412 00:22:49,160 --> 00:22:51,480 Speaker 1: in two thousand and two. The crab is becoming out 413 00:22:51,480 --> 00:22:53,760 Speaker 1: of control and people were likely in danger of being trampled, 414 00:22:53,920 --> 00:22:56,280 Speaker 1: so he told everybody to stop, and if they didn't, 415 00:22:56,359 --> 00:22:59,040 Speaker 1: he was leaving the stage. Now I read that part 416 00:22:59,080 --> 00:23:03,000 Speaker 1: of Mary's text because Eminem, before this is all said 417 00:23:03,040 --> 00:23:05,600 Speaker 1: and done, now listen to you guys who are super 418 00:23:05,600 --> 00:23:11,440 Speaker 1: disgrace sandheads. You know I have a complicated history with Eminem. Anyways, Eminem, 419 00:23:11,880 --> 00:23:14,680 Speaker 1: we did an Eminem episode, and I you know how 420 00:23:14,680 --> 00:23:16,480 Speaker 1: I do that bit at the beginning of every episode 421 00:23:16,560 --> 00:23:20,639 Speaker 1: where I'm like, and they made great music, blah blah blah. Well, 422 00:23:20,640 --> 00:23:23,439 Speaker 1: I said Eminem did not make great music. And I 423 00:23:23,480 --> 00:23:25,880 Speaker 1: did it in part because I truly felt that way 424 00:23:25,880 --> 00:23:28,400 Speaker 1: at the time, and also in part because I really 425 00:23:28,480 --> 00:23:31,040 Speaker 1: wanted to fuck with Eminem's fans, who I know are 426 00:23:31,119 --> 00:23:34,280 Speaker 1: very precious, and there's nothing I like more than fucking 427 00:23:34,320 --> 00:23:37,600 Speaker 1: with precious fans of musicians, because everyone really needs to 428 00:23:37,640 --> 00:23:40,280 Speaker 1: just lighten up a notch. In twenty twenty four or 429 00:23:40,280 --> 00:23:44,320 Speaker 1: whenever this went live, anyhow, I've since grown into an 430 00:23:44,359 --> 00:23:48,200 Speaker 1: Eminem fan, largely because of my kids. I can't believe 431 00:23:48,440 --> 00:23:50,760 Speaker 1: I went as far as I did when I said that, 432 00:23:50,880 --> 00:23:53,080 Speaker 1: even it's not entirely because of all the shit I 433 00:23:53,080 --> 00:23:55,720 Speaker 1: got from everybody, but just came to that realization on 434 00:23:55,720 --> 00:23:58,080 Speaker 1: my own. But more importantly, I think when this Diddy 435 00:23:58,160 --> 00:24:01,280 Speaker 1: story is set and on that Eminem is going to 436 00:24:01,280 --> 00:24:04,840 Speaker 1: be part of this, and not in a bad way. 437 00:24:04,960 --> 00:24:06,520 Speaker 1: There's a lot of things that have popped off in 438 00:24:06,560 --> 00:24:08,399 Speaker 1: the last few years where Eminem has been on the 439 00:24:08,480 --> 00:24:11,239 Speaker 1: right side of the argument, and this don't take this 440 00:24:11,240 --> 00:24:14,320 Speaker 1: as a blanket endorsement of everything Eminem has said or 441 00:24:14,359 --> 00:24:16,120 Speaker 1: done in the past. That's not what this is. I'm 442 00:24:16,160 --> 00:24:18,359 Speaker 1: just like, the guy raises my eyebrows every now and then. 443 00:24:18,400 --> 00:24:20,520 Speaker 1: That's all I'm saying. I'm like, huh, I agree with 444 00:24:20,560 --> 00:24:23,240 Speaker 1: this guy, and he said some very interesting things about 445 00:24:23,520 --> 00:24:26,720 Speaker 1: Diddy and guys. You got to know, I want to 446 00:24:26,720 --> 00:24:29,600 Speaker 1: get into him here, but I could make every single 447 00:24:29,600 --> 00:24:32,080 Speaker 1: after party episode about Shawn Combs, and I'm trying really 448 00:24:32,080 --> 00:24:34,199 Speaker 1: hard not to do that. But this is one of 449 00:24:34,240 --> 00:24:37,679 Speaker 1: those one of those wormholes that I kind of want 450 00:24:37,720 --> 00:24:39,560 Speaker 1: to dig through a little bit and get more information 451 00:24:39,640 --> 00:24:42,400 Speaker 1: for you guys. So anyways that you know, the seven 452 00:24:42,560 --> 00:24:44,760 Speaker 1: or three brought up Mary brought up the Travis Scott 453 00:24:44,800 --> 00:24:46,639 Speaker 1: thing with Eminem, and I thought that was a good 454 00:24:46,680 --> 00:24:48,359 Speaker 1: way for me to connect the two. Let's do another 455 00:24:48,359 --> 00:24:50,480 Speaker 1: text here, this one from the three to ZHO four, 456 00:24:50,720 --> 00:24:53,080 Speaker 1: also on the subject of Diddy. Three oh four rights, 457 00:24:53,119 --> 00:24:55,320 Speaker 1: I want to disgrace san T shirt that says that's 458 00:24:55,359 --> 00:24:59,560 Speaker 1: a lot of fucking baby oil. That's not a bad idea. 459 00:25:00,760 --> 00:25:02,960 Speaker 1: That's not a bad idea. Eight five six Rights and 460 00:25:03,080 --> 00:25:05,520 Speaker 1: listening to your after party and your response to Steven 461 00:25:06,200 --> 00:25:08,760 Speaker 1: reminded me of a young e mackay. Hey, Steven, well, 462 00:25:08,760 --> 00:25:11,000 Speaker 1: at least I'm trying. What the fuck have you done? 463 00:25:11,200 --> 00:25:13,639 Speaker 1: That's Mark from the eight five six. He's referencing a 464 00:25:13,760 --> 00:25:17,520 Speaker 1: Minor Threat lyric from the song in My Eyes, and 465 00:25:18,320 --> 00:25:20,880 Speaker 1: I feel like I lost some punk rock credibility because 466 00:25:20,880 --> 00:25:24,320 Speaker 1: when I said that last week's episode to Stephen, I 467 00:25:24,840 --> 00:25:29,200 Speaker 1: should have known I was paraphrasing Ia mackay from Minor 468 00:25:29,280 --> 00:25:32,520 Speaker 1: Threat and in my Eyes I was literally roommates with 469 00:25:32,600 --> 00:25:35,199 Speaker 1: the guys in the band in my Eyes back in 470 00:25:35,240 --> 00:25:38,640 Speaker 1: the day. I should have got that one. Fuck. I'm sorry, Mark. 471 00:25:38,720 --> 00:25:41,200 Speaker 1: Good catch though eight to eight Rights and the Crow 472 00:25:41,320 --> 00:25:43,280 Speaker 1: has been my favorite movie since I've seen it in 473 00:25:43,320 --> 00:25:45,800 Speaker 1: theaters while a senior in high school. For the question 474 00:25:45,840 --> 00:25:48,359 Speaker 1: of the week, of course, i'd say Brandon Lee. You 475 00:25:48,359 --> 00:25:50,560 Speaker 1: can see the range in the few actual scenes he 476 00:25:50,640 --> 00:25:52,560 Speaker 1: is in in the Crow, and Heath Ledger comes to mind. 477 00:25:52,600 --> 00:25:54,360 Speaker 1: You're right, and they're both similar to me. They both 478 00:25:54,400 --> 00:25:57,719 Speaker 1: occupy the same sort of space in my head. Good text, 479 00:25:57,800 --> 00:26:00,840 Speaker 1: eight to eight, I appreciate it. Do one more here, 480 00:26:00,960 --> 00:26:02,840 Speaker 1: one more? In the text from the nine to one six, 481 00:26:02,880 --> 00:26:05,199 Speaker 1: it comes from Brook who writes saying, Hey, Jake, just 482 00:26:05,200 --> 00:26:06,960 Speaker 1: wanted to let you know I've been listening to Keith 483 00:26:07,080 --> 00:26:10,680 Speaker 1: Jarrett The Rich and the Poor non stop on repeat 484 00:26:11,040 --> 00:26:13,240 Speaker 1: since you recommend it. It's so good Brooke from the 485 00:26:13,320 --> 00:26:15,280 Speaker 1: nine to one six Brook. You got it, Brook, I 486 00:26:15,320 --> 00:26:17,320 Speaker 1: got another one for you, Hank type for one second, 487 00:26:17,359 --> 00:26:20,119 Speaker 1: let me check this out. This is this other Keith 488 00:26:20,359 --> 00:26:23,360 Speaker 1: Jarrett album that I've been onto in the last couple 489 00:26:23,400 --> 00:26:25,600 Speaker 1: of days. I think I mentioned that The con Concert 490 00:26:25,800 --> 00:26:29,400 Speaker 1: a couple episodes ago, but there's also this record called 491 00:26:29,440 --> 00:26:32,640 Speaker 1: Belonging by Keith Jarrett that is also incredible. That one, 492 00:26:33,000 --> 00:26:35,400 Speaker 1: the Belonging one, is more like what you're hearing on 493 00:26:35,480 --> 00:26:38,000 Speaker 1: that song The Rich and the Poor con Concert is 494 00:26:38,080 --> 00:26:42,800 Speaker 1: solo piano. I believe the entire thing, and Belonging is 495 00:26:43,000 --> 00:26:46,399 Speaker 1: him with the little I think it's a quartet like 496 00:26:46,520 --> 00:26:48,440 Speaker 1: he has in The Rich and the Poor six one 497 00:26:48,480 --> 00:26:50,800 Speaker 1: seven nine oh six six six three eight. Hit me 498 00:26:50,880 --> 00:26:53,440 Speaker 1: up on voicemail, hit me up on text at Disgrace 499 00:26:53,480 --> 00:26:56,919 Speaker 1: slampod on the DMS. Our buddy Chris on It writes 500 00:26:56,960 --> 00:27:01,000 Speaker 1: in via Facebook regarding the Crow soundtrack, which we discuss, 501 00:27:01,080 --> 00:27:03,520 Speaker 1: of course, in this week's full episode on Brandon Lee. 502 00:27:03,840 --> 00:27:08,359 Speaker 1: Maybe the best movie soundtrack I've heard. That's a bold statement. 503 00:27:08,440 --> 00:27:11,880 Speaker 1: Chris appreciate it, though, what else we got here? Teresa 504 00:27:11,960 --> 00:27:14,800 Speaker 1: Hamley writes in Oh Jesus Christ, I'm about to listen 505 00:27:14,840 --> 00:27:19,640 Speaker 1: to this. Holy shit. Ah, Teresa, you talk about one 506 00:27:19,640 --> 00:27:21,560 Speaker 1: of our episodes, and she writes it, I love this 507 00:27:21,720 --> 00:27:24,800 Speaker 1: version of After Midnight. You rock, Jake Lowell. I can't 508 00:27:24,840 --> 00:27:27,359 Speaker 1: sleep without your podcast. You got it, Teresa. We're gonna 509 00:27:27,400 --> 00:27:29,280 Speaker 1: keep pumping them out so you keep getting those eight 510 00:27:29,320 --> 00:27:31,679 Speaker 1: hours eight hours a night. Teresa, do you do the 511 00:27:31,720 --> 00:27:34,160 Speaker 1: eight hours or you do about six or seven? Where 512 00:27:34,160 --> 00:27:36,399 Speaker 1: are you at? The older I get, the more sleep 513 00:27:36,400 --> 00:27:37,639 Speaker 1: I need, I get to say. I don't know what 514 00:27:37,640 --> 00:27:40,600 Speaker 1: it's like for you guys, but I just it's so important. 515 00:27:40,760 --> 00:27:43,040 Speaker 1: It's so important for the brain power, the physical stuff 516 00:27:43,080 --> 00:27:45,280 Speaker 1: I can get through. It's not a drag on me 517 00:27:45,320 --> 00:27:47,480 Speaker 1: physically so much as it is just on making the 518 00:27:47,520 --> 00:27:49,399 Speaker 1: brain work in the morning in the way that I 519 00:27:49,440 --> 00:27:53,160 Speaker 1: needed to work. Okay, let's see Disgrace Lampod at gmail 520 00:27:53,200 --> 00:27:55,480 Speaker 1: dot com. That's how you email me at Disgrace Lampod. 521 00:27:55,520 --> 00:27:58,040 Speaker 1: That's how you send me some dms. I'll do emails 522 00:27:58,040 --> 00:28:00,240 Speaker 1: in a second. We do a couple more dms here. 523 00:28:00,440 --> 00:28:03,920 Speaker 1: This one comes from listener Joshua. Matthew Blevin says, Hey, 524 00:28:04,000 --> 00:28:07,520 Speaker 1: listening to Brandon Lee episode and just a warning, blanks 525 00:28:07,600 --> 00:28:10,680 Speaker 1: are dangerous at close range. I know more than one 526 00:28:10,720 --> 00:28:12,880 Speaker 1: actor in the past, thinking blanks were safe, have killed 527 00:28:12,920 --> 00:28:15,719 Speaker 1: themselves playing around the guns that fire blanks. The firearm 528 00:28:15,760 --> 00:28:20,200 Speaker 1: safety rule should always apply when handling any type of firearms. Recently, 529 00:28:20,240 --> 00:28:22,840 Speaker 1: Airsoft has been making guns that have a fake muzzle 530 00:28:22,880 --> 00:28:25,240 Speaker 1: flash and smoke, and this is probably gonna make movies 531 00:28:25,240 --> 00:28:26,400 Speaker 1: with guns a lot safer. 532 00:28:26,960 --> 00:28:27,159 Speaker 3: You know. 533 00:28:27,280 --> 00:28:30,040 Speaker 1: One thing that Joshua's reminding me of here that we 534 00:28:30,080 --> 00:28:32,120 Speaker 1: didn't talk about is the film Rust and the Alec 535 00:28:32,160 --> 00:28:35,159 Speaker 1: Baldwin thing, and perhaps there's an episode there. I went 536 00:28:35,200 --> 00:28:37,480 Speaker 1: to see David Spade the other night do a live 537 00:28:37,560 --> 00:28:41,280 Speaker 1: set and he was talking about how they're finishing the 538 00:28:41,280 --> 00:28:43,920 Speaker 1: film Rust, and he had some really funny things to 539 00:28:43,920 --> 00:28:46,280 Speaker 1: say about it. But it reminded me this Alec Baldwin 540 00:28:46,320 --> 00:28:49,640 Speaker 1: stories is completely just dropped out of my head, and 541 00:28:50,000 --> 00:28:52,240 Speaker 1: I think it's an interesting one and I think perhaps 542 00:28:52,240 --> 00:28:54,520 Speaker 1: it could make for a good episode, And you know, 543 00:28:54,560 --> 00:28:57,120 Speaker 1: it's obviously connected to this Brandon Lee topic that we're 544 00:28:57,160 --> 00:28:59,960 Speaker 1: talking about real quick shout out to Justin g Over 545 00:29:00,160 --> 00:29:02,240 Speaker 1: on Instagram, my buddy who sends me a whole bunch 546 00:29:02,240 --> 00:29:04,520 Speaker 1: of great content. He's going through a rough time right 547 00:29:04,560 --> 00:29:07,120 Speaker 1: now with his job. Justin. I hope it turns around 548 00:29:07,160 --> 00:29:10,320 Speaker 1: for you. If it doesn't, you know, just listen to 549 00:29:10,320 --> 00:29:12,280 Speaker 1: some Johnny Paycheck. I'm gonna take a quick break. I'll 550 00:29:12,280 --> 00:29:30,520 Speaker 1: be back in a flash with some emails and reviews. Okay, 551 00:29:30,560 --> 00:29:33,000 Speaker 1: dis Gray sand pod at gmail dot com. You guys 552 00:29:33,000 --> 00:29:35,920 Speaker 1: want to hit me up? Grayson Schmidt writes in Garage 553 00:29:36,240 --> 00:29:39,760 Speaker 1: lull Man and sends in a video with the correct 554 00:29:39,800 --> 00:29:44,200 Speaker 1: way to pronounce that word that I can never pronounce correctly. Grayson, 555 00:29:44,920 --> 00:29:47,000 Speaker 1: thanks for your email. I appreciate that you took the 556 00:29:47,080 --> 00:29:51,280 Speaker 1: time to send that in. I really do. I can't 557 00:29:51,280 --> 00:29:53,640 Speaker 1: tell if you're making fun of me because I have 558 00:29:53,680 --> 00:29:56,560 Speaker 1: a I don't know. I don't want to call it 559 00:29:56,560 --> 00:29:58,800 Speaker 1: a speech impediment, but I've clearly got a problem with 560 00:29:58,800 --> 00:30:00,600 Speaker 1: this word. I've been open about it, you know. I 561 00:30:00,960 --> 00:30:04,080 Speaker 1: try to try to face my problems head on, Grayson. 562 00:30:04,280 --> 00:30:06,600 Speaker 1: You know, I try to really just kind of figure 563 00:30:06,600 --> 00:30:09,320 Speaker 1: out what's going on, you know, I diagnose the issue 564 00:30:09,320 --> 00:30:12,120 Speaker 1: and then try to deal with it. If you're making 565 00:30:12,120 --> 00:30:14,200 Speaker 1: fun of me, though, I don't know what that says 566 00:30:14,240 --> 00:30:16,760 Speaker 1: about you. Never mind me anyhow. Disgracing Pod at gmail 567 00:30:16,760 --> 00:30:17,960 Speaker 1: dot com. You guys want to hit me up, you 568 00:30:17,960 --> 00:30:20,200 Speaker 1: want to support the show, You're more than welcome to 569 00:30:20,200 --> 00:30:21,520 Speaker 1: You know how to do it. You can leave a 570 00:30:21,520 --> 00:30:23,200 Speaker 1: review for the show. Okay, you can do that on 571 00:30:23,240 --> 00:30:25,800 Speaker 1: Apple Podcasts. You can do that on Spotify. If you 572 00:30:25,920 --> 00:30:28,600 Speaker 1: leave a review and I read it here on the pod, 573 00:30:29,240 --> 00:30:32,440 Speaker 1: you get some free merch T shirt. You know whatever. 574 00:30:32,440 --> 00:30:35,040 Speaker 1: We go lying around. Okay, a couple of you emailed in. 575 00:30:35,240 --> 00:30:37,479 Speaker 1: We've been in contact. Going to get back at you shortly. 576 00:30:37,520 --> 00:30:39,080 Speaker 1: You're gonna get some sizes. It's gonna get you some 577 00:30:39,280 --> 00:30:41,840 Speaker 1: some merch in the mail, guys, Apple Podcasts. Leave a 578 00:30:41,880 --> 00:30:44,880 Speaker 1: review helps with the discovery of the show. I really 579 00:30:44,920 --> 00:30:46,960 Speaker 1: appreciate it. Same goes for Spotify. Or you can just 580 00:30:47,000 --> 00:30:49,800 Speaker 1: comment on any of the shows, any of the episodes. 581 00:30:49,840 --> 00:30:51,760 Speaker 1: Excuse me that we have in the Disgrace Land feed 582 00:30:51,840 --> 00:30:55,840 Speaker 1: on Spotify. That helps us well. Speaking of Spotify, Miya 583 00:30:56,120 --> 00:30:59,520 Speaker 1: or Maya not sure how to pronounce it. The using 584 00:30:59,600 --> 00:31:03,640 Speaker 1: name here is weird. It's Maya parentheses. Mgk's version rights. 585 00:31:03,840 --> 00:31:06,880 Speaker 1: This is crazy. I love that these episodes are about 586 00:31:06,880 --> 00:31:09,080 Speaker 1: people I've actually heard of. Well, of course they are 587 00:31:09,680 --> 00:31:14,080 Speaker 1: mia parentheses mgk's version. Thanks for shouting us out on Spotify. 588 00:31:14,280 --> 00:31:17,440 Speaker 1: Get in touch and you, my friend, can get some merch. 589 00:31:17,640 --> 00:31:20,960 Speaker 1: I will send it your way. Diane M. Montahue writes 590 00:31:21,000 --> 00:31:23,640 Speaker 1: in Hey, thank you so much for this episode. I've 591 00:31:23,720 --> 00:31:26,080 Speaker 1: watched that movie one hundred times. Diane's talking about the 592 00:31:26,120 --> 00:31:28,920 Speaker 1: Crow and cried each time. Your form of storytelling is 593 00:31:29,000 --> 00:31:31,600 Speaker 1: exactly what this story needed. As a matter of fact, 594 00:31:31,640 --> 00:31:33,840 Speaker 1: it's perfect for all the stories you tell. Your podcast 595 00:31:33,960 --> 00:31:35,600 Speaker 1: is one of my favorites. Gotta go. Gotta go watch 596 00:31:35,680 --> 00:31:38,120 Speaker 1: The Crow again right now. See ya, Diane, Thank you. 597 00:31:38,280 --> 00:31:40,080 Speaker 1: Get in touch. Hit me up to s Grace Stampod 598 00:31:40,160 --> 00:31:42,960 Speaker 1: at gmail dot com. We work on getting some merch 599 00:31:43,040 --> 00:31:47,560 Speaker 1: out to you over on Apple Podcasts. Cinderella Yelly. She 600 00:31:47,720 --> 00:31:52,560 Speaker 1: writes in yes exclamation point five stars. A lifelong lover 601 00:31:52,680 --> 00:31:55,760 Speaker 1: of musical history, thank you for this podcast. It's brilliant, 602 00:31:55,840 --> 00:31:57,720 Speaker 1: well written, well told, a treat for the ears. It 603 00:31:57,800 --> 00:31:59,920 Speaker 1: keeps you coming back from more incredible stories about incredible 604 00:32:00,040 --> 00:32:01,880 Speaker 1: artist that you normally would know about. Thank you, Jake, 605 00:32:02,120 --> 00:32:05,360 Speaker 1: keeping coming you got it. Cinderelli Yelli, great user name. 606 00:32:05,400 --> 00:32:07,040 Speaker 1: Get in touch with us Cinderella y Elly, and we 607 00:32:07,120 --> 00:32:09,400 Speaker 1: will get you some merch. All right, Disgray sampod at 608 00:32:09,520 --> 00:32:12,160 Speaker 1: gmail dot com. Guys, leave a review, We really, really 609 00:32:12,240 --> 00:32:15,120 Speaker 1: really appreciate it. Now for this episode, I try to 610 00:32:15,200 --> 00:32:17,120 Speaker 1: steer clear. Oh, I got into the ditty stuff a 611 00:32:17,120 --> 00:32:18,760 Speaker 1: little bit, but I tried to not turn the B 612 00:32:18,920 --> 00:32:22,280 Speaker 1: block into an entire piece of ditty content. I'm not 613 00:32:22,360 --> 00:32:26,040 Speaker 1: sure I succeeded. Like I said, this Diddy stuff is 614 00:32:26,320 --> 00:32:29,560 Speaker 1: hard to put down, it's hard to ignore. There's a 615 00:32:29,640 --> 00:32:32,480 Speaker 1: lot here to discuss. Every single one of these bonus episodes. 616 00:32:32,520 --> 00:32:35,040 Speaker 1: I could spend the whole thing talking about Diddy, but 617 00:32:35,120 --> 00:32:37,360 Speaker 1: I'm not going to do that. I am not going 618 00:32:37,520 --> 00:32:40,360 Speaker 1: to do that. I am, however, in the all access 619 00:32:40,440 --> 00:32:42,760 Speaker 1: portion of this podcast, I am going to talk a 620 00:32:42,840 --> 00:32:45,400 Speaker 1: little bit more about ditty. All right, that's gonna happen 621 00:32:45,920 --> 00:32:48,239 Speaker 1: just after this. You guys, you're like, what's the all 622 00:32:48,320 --> 00:32:49,960 Speaker 1: access Well, if you don't know, you should know. You 623 00:32:50,000 --> 00:32:51,560 Speaker 1: should know by now, but maybe you're new when you 624 00:32:51,640 --> 00:32:53,160 Speaker 1: don't know. If you want to be an all access 625 00:32:53,200 --> 00:32:55,160 Speaker 1: member of Disgrace Sland, all you got to do is 626 00:32:55,200 --> 00:32:59,360 Speaker 1: go to Disgrace slampod dot com slash membership, and once 627 00:32:59,400 --> 00:33:01,800 Speaker 1: you're a member, you get all of our episodes ad free, 628 00:33:02,000 --> 00:33:06,040 Speaker 1: and you also get access to the bonus section of 629 00:33:06,160 --> 00:33:09,800 Speaker 1: the after party episode here. Okay, that's coming up very shortly. 630 00:33:09,840 --> 00:33:27,720 Speaker 1: Disgrace sampod dot Com slash Membership. All right, guys, we 631 00:33:27,920 --> 00:33:29,960 Speaker 1: are back. I want to get into the archive here. 632 00:33:30,200 --> 00:33:32,720 Speaker 1: A little bit before I take off, we talked about 633 00:33:32,800 --> 00:33:36,160 Speaker 1: Nipsey Hustle. Okay. That episode is episode number fifty seven, 634 00:33:36,280 --> 00:33:40,960 Speaker 1: release date May twelfth, twenty twenty. Lisa Lefti Lopez was 635 00:33:41,040 --> 00:33:45,160 Speaker 1: mentioned that episode. OG episode from season one, episode six, 636 00:33:45,320 --> 00:33:49,640 Speaker 1: release date April seventeenth, twenty eighteen. If you can believe that, 637 00:33:50,040 --> 00:33:52,680 Speaker 1: Bob Marley was also part of season one, Bob Marley 638 00:33:52,760 --> 00:33:56,000 Speaker 1: was also mentioned in this episode. Bob Marley was episode nine. Okay, 639 00:33:56,120 --> 00:33:58,480 Speaker 1: came out a couple weeks after Lisa left I Lopez. 640 00:33:59,280 --> 00:34:04,400 Speaker 1: That's released date May twenty ninth, two thousand and eighteen. Okay, now, 641 00:34:04,440 --> 00:34:07,760 Speaker 1: back in season one, we did a single episode on 642 00:34:07,960 --> 00:34:12,759 Speaker 1: Tupac and Biggie and my take on that episode, it's 643 00:34:12,800 --> 00:34:14,680 Speaker 1: one of my least favorite episodes. But I invite you 644 00:34:14,760 --> 00:34:16,920 Speaker 1: to listen to it, because the take my point of 645 00:34:17,000 --> 00:34:20,239 Speaker 1: view on that episode I think is original. I just 646 00:34:20,280 --> 00:34:24,440 Speaker 1: think the execution of that episode it's just never I 647 00:34:24,480 --> 00:34:27,359 Speaker 1: could you know, it's fuck You know, when you make 648 00:34:27,400 --> 00:34:29,000 Speaker 1: something you're just like, I can't fucking get it right. 649 00:34:29,080 --> 00:34:31,880 Speaker 1: That's what it was with that episode. Episode ten released 650 00:34:31,960 --> 00:34:35,080 Speaker 1: day June twelfth, twenty eighteen. And my point was that 651 00:34:35,160 --> 00:34:37,320 Speaker 1: the media did it. That the media really just stoked 652 00:34:37,600 --> 00:34:40,239 Speaker 1: the whole East Coast West Coast rivalry to such a 653 00:34:40,320 --> 00:34:43,560 Speaker 1: fever pitch that it resulted in murder. And I'm not 654 00:34:43,880 --> 00:34:47,480 Speaker 1: so sure I believe that anymore. Okay. I was actually 655 00:34:47,520 --> 00:34:49,440 Speaker 1: thinking the other day in light of this whole Diddy thing, 656 00:34:49,480 --> 00:34:51,840 Speaker 1: and in light of the fact that there's this rumor 657 00:34:51,920 --> 00:34:55,719 Speaker 1: that Tupac's family have retained new legal representation to look 658 00:34:55,760 --> 00:34:59,160 Speaker 1: into Sean Combs related to the murder of Tupac, I 659 00:34:59,239 --> 00:35:01,240 Speaker 1: started to think of about what what do I actually 660 00:35:01,320 --> 00:35:04,680 Speaker 1: think about Tupac's murder? What do I actually think about 661 00:35:04,920 --> 00:35:08,800 Speaker 1: Biggie's murder? And after doing that episode that I just mentioned, 662 00:35:09,360 --> 00:35:14,880 Speaker 1: after writing and releasing another two part episode on Tupac Secure, 663 00:35:15,200 --> 00:35:18,719 Speaker 1: episode sixty nine, released on January twenty six, twenty twenty one, 664 00:35:18,800 --> 00:35:22,719 Speaker 1: and episode seventy released on February second, twenty twenty one. 665 00:35:22,800 --> 00:35:27,000 Speaker 1: After those two episodes, I still don't know. And then 666 00:35:27,040 --> 00:35:31,760 Speaker 1: we did two episodes on Biggie Smalls, and those episodes 667 00:35:31,760 --> 00:35:34,680 Speaker 1: are from that same season, that same year. I believe 668 00:35:34,719 --> 00:35:37,760 Speaker 1: that's season eight. Those are released on Those are episodes 669 00:35:37,840 --> 00:35:41,279 Speaker 1: eighty and eighty one, released May eleventh and May twenty fifth, respectively, 670 00:35:41,320 --> 00:35:44,560 Speaker 1: a two part Biggie Smalls episode. I have a bit 671 00:35:44,600 --> 00:35:46,279 Speaker 1: of a theory, but I'm not so sure I believe 672 00:35:46,320 --> 00:35:50,120 Speaker 1: it anymore. And the person who I have sort of 673 00:35:50,239 --> 00:35:55,760 Speaker 1: theorized hunched who may have been involved, I don't actually 674 00:35:56,160 --> 00:35:59,080 Speaker 1: know that I believe that anymore. I really don't, and 675 00:35:59,239 --> 00:36:01,560 Speaker 1: I'd love to talk to that person, and that person 676 00:36:02,160 --> 00:36:05,960 Speaker 1: is not that hard to get to, so I'm thinking 677 00:36:06,000 --> 00:36:09,840 Speaker 1: I might try to do that in relation to this 678 00:36:10,680 --> 00:36:14,000 Speaker 1: Diddy story as well. I am going to go back 679 00:36:14,080 --> 00:36:16,160 Speaker 1: and I'm going to listen to all those Tupac and 680 00:36:16,239 --> 00:36:18,680 Speaker 1: Biggie episodes that I just mentioned, because I really got 681 00:36:18,719 --> 00:36:20,920 Speaker 1: to get my thinking right on this. I think the truth. 682 00:36:21,040 --> 00:36:24,040 Speaker 1: I think we're all just we're way off. We're way off. 683 00:36:24,200 --> 00:36:28,600 Speaker 1: I could be wrong, but that's my current thinking. Anyways, 684 00:36:28,640 --> 00:36:30,480 Speaker 1: all those episodes are there for you to check out. 685 00:36:30,719 --> 00:36:33,960 Speaker 1: We mentioned a ton in this episode here. The archive 686 00:36:34,120 --> 00:36:36,840 Speaker 1: easy to get to obviously. You know you're on Apple Podcasting, 687 00:36:36,840 --> 00:36:39,560 Speaker 1: you're on Spotify. The archives right there, keep scrolling back. 688 00:36:39,640 --> 00:36:42,520 Speaker 1: A real easy way to get to these episodes, though, 689 00:36:42,640 --> 00:36:44,759 Speaker 1: is our website. We have a listen page where we 690 00:36:44,960 --> 00:36:47,920 Speaker 1: literally have every single episode that we've ever released with 691 00:36:48,120 --> 00:36:51,160 Speaker 1: links where you can listen right there. So go check 692 00:36:51,239 --> 00:36:53,000 Speaker 1: that out if you want to get into the disgrace 693 00:36:53,160 --> 00:36:55,719 Speaker 1: Land archive. All right, all right, I just want to 694 00:36:55,719 --> 00:36:57,879 Speaker 1: say thank you for all the calls, all the voicemails, 695 00:36:57,960 --> 00:37:01,600 Speaker 1: the reviews, the dms, all the engagement, the listening. Even 696 00:37:01,600 --> 00:37:03,560 Speaker 1: if you just out there listening silently, you never talk 697 00:37:03,600 --> 00:37:06,040 Speaker 1: to me, and that's the majority of you. Frankly, thank you. 698 00:37:06,239 --> 00:37:08,719 Speaker 1: I appreciate it, I really do. I got to get 699 00:37:08,719 --> 00:37:10,520 Speaker 1: out of here, though, So let's recap number one right 700 00:37:10,560 --> 00:37:13,719 Speaker 1: now in your feed our episode on Brandon Lee number 701 00:37:13,760 --> 00:37:16,880 Speaker 1: two coming tomorrow, a special rewind episode from our archive, 702 00:37:16,960 --> 00:37:19,520 Speaker 1: and we're talking about the Cramps next week and the 703 00:37:19,640 --> 00:37:22,640 Speaker 1: question of the week as it pertains that Cramps episode 704 00:37:22,719 --> 00:37:25,800 Speaker 1: is going to be which rock and roll band is 705 00:37:25,880 --> 00:37:28,560 Speaker 1: the greatest of all time and why okay? Number three 706 00:37:28,600 --> 00:37:30,200 Speaker 1: merch Winners, get in touch. You know who you are. 707 00:37:30,760 --> 00:37:33,600 Speaker 1: Number four book Club coming on October twenty ninth. Start 708 00:37:33,640 --> 00:37:35,560 Speaker 1: reading The Exorcist and get in here with us, all right. 709 00:37:35,680 --> 00:37:38,120 Speaker 1: Number five, Remember no one cares about great storytelling more 710 00:37:38,200 --> 00:37:40,480 Speaker 1: than you do. And well that's a disgrace, all right. 711 00:37:40,520 --> 00:37:43,680 Speaker 1: In honor of this week's episode subject Brandon Lee, me 712 00:37:44,160 --> 00:37:47,240 Speaker 1: reading to you. The Billboard charts from the day Brandon 713 00:37:47,320 --> 00:37:52,799 Speaker 1: Lee died on March thirty first, nineteen ninety three. Number 714 00:37:52,840 --> 00:38:00,320 Speaker 1: one Informer Snow last week one, peak position one weeks 715 00:38:00,360 --> 00:38:04,680 Speaker 1: on chart eleven. Number two Nothing but a g Thang 716 00:38:05,200 --> 00:38:10,920 Speaker 1: Doctor Dre last week three, peak position two weeks on 717 00:38:11,160 --> 00:38:15,000 Speaker 1: charts eight. Number three Freak Me. 718 00:38:15,920 --> 00:38:21,279 Speaker 5: Even last week seven six peak positions three weeks on 719 00:38:21,480 --> 00:38:27,160 Speaker 5: chart peak position number four, A Whole Jewe World, Aladdin 720 00:38:27,239 --> 00:38:32,560 Speaker 5: Step Nothing last week, every two Dre peak positions weeks 721 00:38:32,600 --> 00:38:39,760 Speaker 5: on chart number five John every Woman in Houston last week. 722 00:38:41,120 --> 00:38:48,080 Speaker 1: Positions. Quit talking and start mixing.