1 00:00:04,360 --> 00:00:07,760 Speaker 1: Welcome to the Therapy for Black Girls podcast, where we 2 00:00:07,840 --> 00:00:12,119 Speaker 1: discussed all things mental health, personal development, and all the 3 00:00:12,160 --> 00:00:15,120 Speaker 1: small decisions we can make to become the best possible 4 00:00:15,240 --> 00:00:19,520 Speaker 1: versions of ourselves. I'm your host, Dr Joy Harden Bradford, 5 00:00:19,800 --> 00:00:24,640 Speaker 1: a licensed psychologist in Atlanta, Georgia. To get more information 6 00:00:24,920 --> 00:00:28,920 Speaker 1: and resources, visit the website at Therapy for Black Girls 7 00:00:29,000 --> 00:00:31,800 Speaker 1: dot com. And while I hope you love listening to 8 00:00:32,240 --> 00:00:35,159 Speaker 1: and learning from the podcast, it is not meant to 9 00:00:35,200 --> 00:00:38,400 Speaker 1: be a substitute for a relationship with a licensed mental 10 00:00:38,400 --> 00:00:48,600 Speaker 1: health professional. Hey y'all, thanks so much for joining me 11 00:00:48,640 --> 00:00:52,840 Speaker 1: for session twenty four of the Therapy for Black Girls podcast. So, 12 00:00:52,880 --> 00:00:56,120 Speaker 1: if you follow me on social media or if you're 13 00:00:56,160 --> 00:00:58,680 Speaker 1: a part of the Therapy for Black Girls Thrive tribe 14 00:00:58,720 --> 00:01:02,080 Speaker 1: on Facebook, the you know that I'm a huge fan 15 00:01:02,280 --> 00:01:05,640 Speaker 1: of the HBO show Insecure. UM. You may have heard 16 00:01:05,680 --> 00:01:10,960 Speaker 1: my recaps with the Extraordinary Negroes podcast shout out to them. UM. 17 00:01:11,000 --> 00:01:13,440 Speaker 1: So I'm just a huge fan of HBO Insecure. I 18 00:01:13,480 --> 00:01:17,000 Speaker 1: think that it highlights a lot of issues that twenty 19 00:01:17,160 --> 00:01:21,840 Speaker 1: and thirty something um black people deal with, UM and 20 00:01:21,880 --> 00:01:24,480 Speaker 1: a lot of the things that I typically see in 21 00:01:24,560 --> 00:01:27,240 Speaker 1: therapy sessions when I'm working with clients. So I just 22 00:01:27,280 --> 00:01:30,520 Speaker 1: think it's a very cool show. UM. I enjoy some 23 00:01:30,600 --> 00:01:34,000 Speaker 1: of the concepts, and really what I love most is 24 00:01:34,040 --> 00:01:37,520 Speaker 1: that it sparked such conversation UM and so I think 25 00:01:37,560 --> 00:01:40,520 Speaker 1: important conversations that we need to be having. So I'm 26 00:01:40,560 --> 00:01:43,280 Speaker 1: a huge fan. So you know that I had to 27 00:01:43,520 --> 00:01:47,440 Speaker 1: give you an episode of my thoughts about the finale UM, 28 00:01:47,440 --> 00:01:49,800 Speaker 1: and it definitely was quite the show. So we got 29 00:01:49,800 --> 00:01:52,680 Speaker 1: a forty five minute episode this week to end off 30 00:01:52,680 --> 00:01:56,960 Speaker 1: season two. And first, I just think that the entire 31 00:01:57,640 --> 00:02:00,640 Speaker 1: show is shot beautifully, but it felt like in particular, 32 00:02:00,760 --> 00:02:04,880 Speaker 1: this season finale was just shot incredibly beautiful. UM. Everybody 33 00:02:04,960 --> 00:02:07,920 Speaker 1: always looks gorgeous. And you may have seen on social 34 00:02:07,960 --> 00:02:11,840 Speaker 1: media a video going around that talks to Um, the 35 00:02:11,880 --> 00:02:16,359 Speaker 1: photography director, about the different UM techniques and strategy she 36 00:02:16,520 --> 00:02:20,359 Speaker 1: uses to shoot black people. So that's been pretty cool. UM. 37 00:02:20,400 --> 00:02:24,640 Speaker 1: I also really enjoyed the way they framed the episode 38 00:02:24,800 --> 00:02:27,360 Speaker 1: in terms of thirty days with each of the three 39 00:02:27,400 --> 00:02:30,880 Speaker 1: main characters. So we start off with thirty days with Lawrence, 40 00:02:30,960 --> 00:02:34,959 Speaker 1: then thirty days with Molly, and then thirty days with Issa, 41 00:02:35,160 --> 00:02:38,880 Speaker 1: and I think it really highlighted like how connected our 42 00:02:38,919 --> 00:02:42,840 Speaker 1: lives are even when we don't know it, and really 43 00:02:43,280 --> 00:02:47,760 Speaker 1: highlighted UM how scenes can look really differently depending on 44 00:02:47,840 --> 00:02:52,079 Speaker 1: your advantage point. So the episode was called Hell of 45 00:02:52,160 --> 00:02:55,799 Speaker 1: Perspectives because depending on who you were in this narrative, 46 00:02:56,280 --> 00:02:59,040 Speaker 1: the scene played out very differently. So I thought it 47 00:02:59,160 --> 00:03:02,320 Speaker 1: was very cool they had um started out with the 48 00:03:02,400 --> 00:03:05,200 Speaker 1: marathon that and you didn't even know that they all 49 00:03:05,240 --> 00:03:08,079 Speaker 1: were in attendance, and they obviously didn't even know that 50 00:03:08,120 --> 00:03:10,560 Speaker 1: they would be all in attendance, But then you see 51 00:03:10,560 --> 00:03:14,560 Speaker 1: them kind of making eye contact suddenly, um or not 52 00:03:14,560 --> 00:03:17,160 Speaker 1: not eye contact, but they would see each other without 53 00:03:17,160 --> 00:03:19,160 Speaker 1: the other person seeing them. So I thought that that 54 00:03:19,240 --> 00:03:21,240 Speaker 1: was really cool or really playful way to kind of 55 00:03:21,280 --> 00:03:25,200 Speaker 1: start off this finale. So I've watched the episode twice 56 00:03:25,240 --> 00:03:27,280 Speaker 1: now because it felt like it was that good and 57 00:03:27,320 --> 00:03:30,240 Speaker 1: I feel like I needed to, um, really kind of 58 00:03:30,240 --> 00:03:33,120 Speaker 1: pay more close attention to some of the things that 59 00:03:33,160 --> 00:03:36,360 Speaker 1: were going on and really wanted to kind of highlight 60 00:03:36,840 --> 00:03:39,560 Speaker 1: um four different things that I have been mulling over 61 00:03:40,120 --> 00:03:42,760 Speaker 1: that feel like some key lessons that we can take 62 00:03:42,800 --> 00:03:45,080 Speaker 1: from this episode to really kind of apply or at 63 00:03:45,160 --> 00:03:48,800 Speaker 1: least discussed in our own lives. So the very first 64 00:03:48,840 --> 00:03:52,760 Speaker 1: one was Molly goes back to therapy. Yea, so you 65 00:03:52,840 --> 00:03:55,400 Speaker 1: know that I have been itching to see Molly back 66 00:03:55,400 --> 00:03:58,119 Speaker 1: in the therapist office. Um. If you listen to our 67 00:03:58,200 --> 00:04:01,920 Speaker 1: earlier podcast episode with Esther Boykin, you know we did 68 00:04:01,960 --> 00:04:04,080 Speaker 1: a mock therapy session with what it might look like 69 00:04:04,160 --> 00:04:06,840 Speaker 1: if Molly did actually go to therapy. So I'm very 70 00:04:06,840 --> 00:04:09,760 Speaker 1: excited that she actually did go back to therapy. Um. 71 00:04:09,760 --> 00:04:11,560 Speaker 1: We see in one of the early scenes that she 72 00:04:11,720 --> 00:04:14,360 Speaker 1: is back in Dr Pine's office, and it looks as 73 00:04:14,400 --> 00:04:17,200 Speaker 1: if that it looks as if this has um her 74 00:04:17,240 --> 00:04:20,240 Speaker 1: first session since we last saw her. Um. You know, 75 00:04:20,320 --> 00:04:22,320 Speaker 1: she made the comment that she felt like Dr Pine 76 00:04:22,360 --> 00:04:24,440 Speaker 1: was getting all in her business and kind of projecting 77 00:04:24,480 --> 00:04:27,560 Speaker 1: things onto her, which I don't think was accurate, but 78 00:04:27,680 --> 00:04:30,359 Speaker 1: completely valid for her to feel that way. UM. So 79 00:04:30,440 --> 00:04:32,599 Speaker 1: it feels like they picked right picked up right where 80 00:04:32,600 --> 00:04:35,440 Speaker 1: they left off in terms of discussing how Molly was 81 00:04:35,480 --> 00:04:38,200 Speaker 1: shooting all over herself. So that's a playful little turn 82 00:04:38,279 --> 00:04:41,080 Speaker 1: we kind of throw around. UM, when clients come in 83 00:04:41,120 --> 00:04:44,279 Speaker 1: talking about all of the things that should be happening 84 00:04:44,279 --> 00:04:47,320 Speaker 1: in their lives as as opposed to what actually is 85 00:04:47,360 --> 00:04:50,600 Speaker 1: happening in their lives. And my friend and colleague Annie Wright, 86 00:04:50,640 --> 00:04:54,280 Speaker 1: who is a psychotherapist in Berkeley, California, UM wrote an 87 00:04:54,279 --> 00:04:56,359 Speaker 1: excellent article that I will link to, of course in 88 00:04:56,400 --> 00:04:58,279 Speaker 1: the show notes. You can find that at Therapy for 89 00:04:58,320 --> 00:05:01,840 Speaker 1: Black Girls dot com back slash Session twenty four UM 90 00:05:01,920 --> 00:05:04,920 Speaker 1: about two steps we can take to stop shooting on ourselves, 91 00:05:05,200 --> 00:05:08,200 Speaker 1: So make sure you check that out. So the therapist 92 00:05:08,279 --> 00:05:11,640 Speaker 1: and Molly are exploring her feelings about Quentin um not 93 00:05:11,720 --> 00:05:13,760 Speaker 1: being the type of guy that she should be with. 94 00:05:13,839 --> 00:05:16,840 Speaker 1: He's not typically who she is attracted to, and the 95 00:05:16,839 --> 00:05:19,720 Speaker 1: therapist challenges her to kind of consider getting out of 96 00:05:19,720 --> 00:05:22,440 Speaker 1: the shop and consider living in the could, which was 97 00:05:22,480 --> 00:05:26,400 Speaker 1: a cute little therapist catchphrase. UM, and I didn't realize 98 00:05:26,400 --> 00:05:27,880 Speaker 1: that the first time I watched it, but when I 99 00:05:27,920 --> 00:05:30,680 Speaker 1: rewatched it, I realized that the very next scene that 100 00:05:30,720 --> 00:05:34,160 Speaker 1: we see is the scene where Molly and Quentin end 101 00:05:34,240 --> 00:05:36,960 Speaker 1: up sleeping together. So I feel like she took the 102 00:05:36,960 --> 00:05:40,640 Speaker 1: therapist words pretty literally. And I think the therapist really 103 00:05:40,720 --> 00:05:43,719 Speaker 1: was just kind of inviting her to consider maybe giving 104 00:05:43,760 --> 00:05:46,240 Speaker 1: Quentin a chance to kind of see, UM, if she 105 00:05:46,320 --> 00:05:49,640 Speaker 1: continued spending time with him, what might develop. So she 106 00:05:49,760 --> 00:05:52,520 Speaker 1: really took that literally. And then the very next scene 107 00:05:52,560 --> 00:05:54,919 Speaker 1: we see her actually sleeping with him. So again I 108 00:05:54,920 --> 00:05:57,440 Speaker 1: think she was very literal and taking the therapist advice, 109 00:05:57,680 --> 00:05:59,960 Speaker 1: when I think the therapist really was just inviting her 110 00:06:00,040 --> 00:06:02,960 Speaker 1: to consider what her her life might look like if 111 00:06:02,960 --> 00:06:08,320 Speaker 1: she stopped placing all of these perhaps unrealistic expectations on herself, 112 00:06:08,640 --> 00:06:10,800 Speaker 1: um and if she just kind of allow things to 113 00:06:12,120 --> 00:06:16,080 Speaker 1: um unfold naturally. And I think, even if it is 114 00:06:16,120 --> 00:06:19,000 Speaker 1: not related to us dating different people, I think that 115 00:06:19,040 --> 00:06:22,480 Speaker 1: a lot of us have um ideas about what our 116 00:06:22,520 --> 00:06:26,760 Speaker 1: life should look like, so to speak, um so society's 117 00:06:26,839 --> 00:06:29,480 Speaker 1: expectations of what a black woman's life should look like, 118 00:06:29,760 --> 00:06:32,240 Speaker 1: our parents ideas about what our lives should look like. 119 00:06:32,600 --> 00:06:35,080 Speaker 1: And I think a lot of times we don't actually 120 00:06:35,760 --> 00:06:40,520 Speaker 1: um sit with ourselves to discover what we actually want, 121 00:06:40,800 --> 00:06:43,440 Speaker 1: you know, So we kind of have this either invisible 122 00:06:43,560 --> 00:06:46,360 Speaker 1: or visible. Sometimes we have actually written it out UM 123 00:06:46,440 --> 00:06:49,880 Speaker 1: plan for our lives and don't really kind of check 124 00:06:49,920 --> 00:06:52,359 Speaker 1: in to see where did this plan come from? Is 125 00:06:52,400 --> 00:06:55,520 Speaker 1: this something that feels true to my core or is 126 00:06:55,560 --> 00:06:57,960 Speaker 1: this something that I have developed because it is what 127 00:06:58,160 --> 00:07:01,280 Speaker 1: should be happening for life. So I think we can 128 00:07:01,360 --> 00:07:04,040 Speaker 1: learn that lesson from this scene in this interaction with 129 00:07:04,080 --> 00:07:07,320 Speaker 1: Molly and Quentin and the therapist in that UM to 130 00:07:07,480 --> 00:07:09,960 Speaker 1: challenge ourselves about what are the show that we have 131 00:07:10,080 --> 00:07:13,600 Speaker 1: in our lives. The second issue I'd like to highlight 132 00:07:13,680 --> 00:07:17,480 Speaker 1: related to the season finale was related to black girl friendships. 133 00:07:17,760 --> 00:07:19,720 Speaker 1: So shout out to all of the sisters who have 134 00:07:19,800 --> 00:07:24,080 Speaker 1: wrote like incredibly amazing articles talking about the way that 135 00:07:24,520 --> 00:07:28,400 Speaker 1: Insecure really highlights black girl friendships. UM. I definitely will 136 00:07:28,440 --> 00:07:30,559 Speaker 1: link a couple of those in the show notes because 137 00:07:30,600 --> 00:07:34,280 Speaker 1: I think that they really UM give you more information 138 00:07:34,320 --> 00:07:38,200 Speaker 1: about why it feels like this show in particular is 139 00:07:38,200 --> 00:07:41,920 Speaker 1: so important in the way that it highlights friendships. So 140 00:07:42,400 --> 00:07:45,720 Speaker 1: I love that since they had that huge fallout last 141 00:07:45,760 --> 00:07:48,160 Speaker 1: season when they were calling each other out at that 142 00:07:48,520 --> 00:07:51,520 Speaker 1: fundraiser before we got y'all, it looks like they have 143 00:07:51,640 --> 00:07:55,280 Speaker 1: now chosen Malibu as their code word for when they 144 00:07:55,320 --> 00:07:58,040 Speaker 1: want to be honest with one another without hurting the 145 00:07:58,040 --> 00:08:00,600 Speaker 1: other person's feelings. So it's kind of they will say 146 00:08:00,640 --> 00:08:04,440 Speaker 1: malibu and then say what they're really thinking. UM, And 147 00:08:04,600 --> 00:08:07,080 Speaker 1: I think that that fight that they had last season 148 00:08:07,960 --> 00:08:10,240 Speaker 1: happened in large part because they had been sitting on 149 00:08:10,360 --> 00:08:13,920 Speaker 1: hurt feelings and observations about one another that had not 150 00:08:14,080 --> 00:08:17,520 Speaker 1: been shared. So they have this fight and then they 151 00:08:17,600 --> 00:08:19,760 Speaker 1: just kind of unleash all of these thoughts and feelings 152 00:08:19,840 --> 00:08:23,000 Speaker 1: that they have been holding to themselves, and it feels 153 00:08:23,040 --> 00:08:25,760 Speaker 1: like they aren't holding onto these thoughts and resentments anymore 154 00:08:26,240 --> 00:08:30,200 Speaker 1: and instead are using malibu to mark when, um, they 155 00:08:30,240 --> 00:08:32,480 Speaker 1: have something to say in the moment that they seriously 156 00:08:32,480 --> 00:08:34,960 Speaker 1: want the other person to consider. And I think that 157 00:08:35,040 --> 00:08:38,280 Speaker 1: this is actually a great strategy, and those people, those 158 00:08:38,280 --> 00:08:42,360 Speaker 1: therapists and clinicians who do couples work, UM probably use 159 00:08:42,960 --> 00:08:46,640 Speaker 1: interventions that are similar like to this. So the whole 160 00:08:46,720 --> 00:08:51,840 Speaker 1: point is that, UM, you want to say things in 161 00:08:51,880 --> 00:08:54,440 Speaker 1: the moment when your feelings have been hurt by a 162 00:08:54,480 --> 00:08:57,040 Speaker 1: friend or a partner. You don't want to let months 163 00:08:57,080 --> 00:09:00,240 Speaker 1: and months go by where people are offending you, are 164 00:09:00,280 --> 00:09:03,760 Speaker 1: crossing boundaries with you, and you don't say anything. So 165 00:09:03,800 --> 00:09:07,199 Speaker 1: saying things in the moment is much more effective than 166 00:09:07,240 --> 00:09:10,400 Speaker 1: having a silly fight about something completely and unrelated and 167 00:09:10,440 --> 00:09:14,680 Speaker 1: then unleashing month's worth of wrath and wrongdoings that you 168 00:09:14,720 --> 00:09:17,040 Speaker 1: have been collecting related to your friend or your partner. 169 00:09:17,440 --> 00:09:20,120 Speaker 1: In the field, we call this kitchen sinking. So It's like, 170 00:09:20,200 --> 00:09:22,360 Speaker 1: when you have this fight, you just throw everything into 171 00:09:22,400 --> 00:09:24,840 Speaker 1: the kitchen sink, which is not at all effective because 172 00:09:24,840 --> 00:09:28,760 Speaker 1: then you lose focus of what was the main issue, 173 00:09:28,840 --> 00:09:32,000 Speaker 1: like what was really going on today that you wanted 174 00:09:32,040 --> 00:09:34,679 Speaker 1: to discuss. So it's not fair. It typically is not 175 00:09:34,720 --> 00:09:36,960 Speaker 1: effective for you to just kind of throw all of 176 00:09:36,960 --> 00:09:40,439 Speaker 1: these different things at your partner when you're upset. It's 177 00:09:40,520 --> 00:09:43,120 Speaker 1: much more effective to actually stay focus on what the 178 00:09:43,160 --> 00:09:46,240 Speaker 1: infraction is that day. So having a little catch phrase 179 00:09:46,280 --> 00:09:48,360 Speaker 1: like malibu, now that probably won't be your word, but 180 00:09:48,440 --> 00:09:50,080 Speaker 1: you can come up with something that works for you 181 00:09:50,080 --> 00:09:52,440 Speaker 1: and your friend or your partner. Um, having a little 182 00:09:52,480 --> 00:09:55,400 Speaker 1: catch phrase allows you to kind of slow down the conversation, 183 00:09:55,720 --> 00:09:59,000 Speaker 1: to stop in the moment, and really be very intentional 184 00:09:59,080 --> 00:10:03,200 Speaker 1: and immediate in addressing your feelings. So I thought that 185 00:10:03,280 --> 00:10:06,240 Speaker 1: they did a very nice job of highlighting especially in 186 00:10:06,280 --> 00:10:10,000 Speaker 1: this episode UM Black Girl Friendships UM, which was also 187 00:10:10,040 --> 00:10:12,880 Speaker 1: really nice that we saw kind of towards the end, Um, 188 00:10:12,920 --> 00:10:16,880 Speaker 1: it looks like they or Easter probably has discovered that 189 00:10:16,880 --> 00:10:19,600 Speaker 1: she will not be able to afford this Morocco trip 190 00:10:19,640 --> 00:10:22,680 Speaker 1: that they had been planning. So then Molly Um kind 191 00:10:22,720 --> 00:10:26,600 Speaker 1: of decorates her apartment in this elaborate Morocco theme and 192 00:10:26,640 --> 00:10:29,760 Speaker 1: has you know, food brought in and decorations and things 193 00:10:29,760 --> 00:10:31,880 Speaker 1: like that to kind of have a little piece of 194 00:10:31,880 --> 00:10:34,439 Speaker 1: Morocco in the home. UM. So I thought that that 195 00:10:34,600 --> 00:10:37,520 Speaker 1: was a nice kind of fitting way to kind of 196 00:10:37,840 --> 00:10:40,840 Speaker 1: see us UM sending them off for their friendship in 197 00:10:40,840 --> 00:10:44,440 Speaker 1: this season finale. So the third issue that I wanted 198 00:10:44,480 --> 00:10:47,120 Speaker 1: to address related to the season finale that I think 199 00:10:47,160 --> 00:10:49,200 Speaker 1: we can apply to our lives, or at least think 200 00:10:49,240 --> 00:10:53,080 Speaker 1: more about, is the lives we tell ourselves about closure. 201 00:10:53,760 --> 00:10:56,320 Speaker 1: So the scene that you saw with Easa and Lawrence 202 00:10:56,320 --> 00:10:59,360 Speaker 1: in the kitchen, this is what everybody dreams about when 203 00:10:59,360 --> 00:11:01,840 Speaker 1: they say they want to have closure after a breakup 204 00:11:02,160 --> 00:11:05,440 Speaker 1: and these This is the thing that Hollywood does really well, 205 00:11:05,760 --> 00:11:08,280 Speaker 1: but the rest of us not so much. So typically 206 00:11:08,640 --> 00:11:13,000 Speaker 1: real life closure conversations, if they happen, don't look as 207 00:11:13,040 --> 00:11:18,480 Speaker 1: eloquent and um put together and balanced as this one did. 208 00:11:19,440 --> 00:11:21,840 Speaker 1: So typically when we are saying that we want closure, 209 00:11:22,160 --> 00:11:24,400 Speaker 1: it's just another excuse to see our X who were 210 00:11:24,440 --> 00:11:27,680 Speaker 1: really not over and it usually ends with everybody naked. 211 00:11:28,080 --> 00:11:30,439 Speaker 1: So when we say we want closure, we're typically looking 212 00:11:30,480 --> 00:11:33,240 Speaker 1: for this other person, our X to give us permission 213 00:11:33,280 --> 00:11:36,200 Speaker 1: to move on. And in the case of East and Lawrence, 214 00:11:36,400 --> 00:11:38,560 Speaker 1: it did look like they both felt better after the 215 00:11:38,600 --> 00:11:40,960 Speaker 1: conversation and we're able to move on to the next 216 00:11:41,000 --> 00:11:44,760 Speaker 1: stage of the relationship being over. So at the very end, 217 00:11:44,800 --> 00:11:49,560 Speaker 1: you see, um, she gets a friend request from Lawrence again, 218 00:11:50,520 --> 00:11:52,920 Speaker 1: you know, So it feels like they had this conversation, 219 00:11:53,000 --> 00:11:55,080 Speaker 1: they both were able to kind of share how they 220 00:11:55,760 --> 00:11:58,400 Speaker 1: felt like they were wrong at different things, and then 221 00:11:58,440 --> 00:12:01,360 Speaker 1: it feels like they were able to move on. But 222 00:12:01,440 --> 00:12:05,600 Speaker 1: I wonder what happens if the convo hadn't happened, and 223 00:12:05,600 --> 00:12:08,800 Speaker 1: what if the convo doesn't happen in your life? Um? 224 00:12:08,800 --> 00:12:10,920 Speaker 1: And I saw a lot of people comment about feeling 225 00:12:10,920 --> 00:12:15,000 Speaker 1: triggered by this particular scene just because either you have 226 00:12:15,200 --> 00:12:18,360 Speaker 1: had a similar conversation or you wish you had a 227 00:12:18,400 --> 00:12:20,600 Speaker 1: conversation like this to kind of get some closure on 228 00:12:20,600 --> 00:12:23,679 Speaker 1: a relationship. And so how can you get closure if 229 00:12:23,720 --> 00:12:26,800 Speaker 1: you don't have an incredible writer like Ray scripting out 230 00:12:26,800 --> 00:12:29,280 Speaker 1: a scene like this for you. So you can create 231 00:12:29,400 --> 00:12:32,760 Speaker 1: what I typically call your own closure ritual. Um. So 232 00:12:32,800 --> 00:12:34,440 Speaker 1: the first step in this would be to write a 233 00:12:34,480 --> 00:12:37,240 Speaker 1: letter addressing all the things you wish you could say 234 00:12:37,280 --> 00:12:39,600 Speaker 1: to your ex. So in this scene, we saw them 235 00:12:39,640 --> 00:12:42,240 Speaker 1: both except responsibility for how they thought they could have 236 00:12:42,240 --> 00:12:45,720 Speaker 1: been better in the relationship. What about um you want 237 00:12:45,720 --> 00:12:48,479 Speaker 1: to talk about? What about the ending of your relationship? 238 00:12:48,559 --> 00:12:51,480 Speaker 1: Can you accept responsibility for? So we saw them do 239 00:12:51,520 --> 00:12:54,360 Speaker 1: a pretty good job of accepting responsibility for the different 240 00:12:54,400 --> 00:12:56,800 Speaker 1: ways they may not have held up their end of 241 00:12:56,840 --> 00:12:59,120 Speaker 1: the bargain in the relationship. So you want to think 242 00:12:59,160 --> 00:13:02,160 Speaker 1: about in your own relationship, what in what ways did 243 00:13:02,160 --> 00:13:03,800 Speaker 1: you not show up or do what you may be 244 00:13:03,920 --> 00:13:08,200 Speaker 1: needed to do to keep the relationship moving. You also 245 00:13:08,280 --> 00:13:10,679 Speaker 1: want to discuss how you felt wrong in the relationship 246 00:13:11,080 --> 00:13:12,959 Speaker 1: and anything else you would want to say to your 247 00:13:12,960 --> 00:13:16,040 Speaker 1: ex if you could have this conversation with him. The 248 00:13:16,080 --> 00:13:18,840 Speaker 1: trick with this letter is to stay focused on what 249 00:13:18,920 --> 00:13:20,880 Speaker 1: you would like to say. I don't want you to 250 00:13:20,920 --> 00:13:23,680 Speaker 1: get caught up in what the other person might say, etcetera. 251 00:13:24,120 --> 00:13:26,280 Speaker 1: This is an opportunity for you to get your thoughts 252 00:13:26,360 --> 00:13:29,360 Speaker 1: and feelings out, so stay focused on you don't get 253 00:13:29,360 --> 00:13:31,400 Speaker 1: too caught up in well if they say this, and 254 00:13:31,480 --> 00:13:34,520 Speaker 1: I'm gonna say this. Stay strictly focused on what you 255 00:13:34,520 --> 00:13:36,120 Speaker 1: would like to get out and what you want to 256 00:13:36,120 --> 00:13:39,040 Speaker 1: get off your chest. The second step in the closure 257 00:13:39,120 --> 00:13:42,880 Speaker 1: ritual would be if you have a therapist you're working with, 258 00:13:43,160 --> 00:13:45,640 Speaker 1: and if not, this might be a great time to 259 00:13:45,679 --> 00:13:48,720 Speaker 1: look into getting one. UM you process the letter and 260 00:13:48,760 --> 00:13:52,440 Speaker 1: what comes up for you with your therapist. So really 261 00:13:52,920 --> 00:13:55,960 Speaker 1: maybe even sharing the letter with your therapists um are 262 00:13:55,960 --> 00:13:58,720 Speaker 1: reading portions of it out loud, could be really helpful 263 00:13:59,080 --> 00:14:01,520 Speaker 1: so that you can and begin to get some closure 264 00:14:01,559 --> 00:14:05,400 Speaker 1: around in what ways you were responsible maybe for the 265 00:14:05,480 --> 00:14:07,640 Speaker 1: end of the relationship, and end in what ways you 266 00:14:07,679 --> 00:14:10,479 Speaker 1: were not responsible. So I think a lot of times 267 00:14:10,640 --> 00:14:14,160 Speaker 1: after a breakup, because we don't typically have access to 268 00:14:14,200 --> 00:14:17,280 Speaker 1: the X in these kinds of kinds of conversations, we 269 00:14:17,640 --> 00:14:19,920 Speaker 1: try to take on a lot of blame for the 270 00:14:20,000 --> 00:14:23,560 Speaker 1: ending of the relationship on ourselves, when that's not really accurate. 271 00:14:23,840 --> 00:14:26,120 Speaker 1: So I think having written out all of your thoughts 272 00:14:26,120 --> 00:14:28,720 Speaker 1: and getting everything off your chest in this letter and 273 00:14:28,720 --> 00:14:31,160 Speaker 1: then having an opportunity to talk with it, talk with 274 00:14:31,200 --> 00:14:34,280 Speaker 1: your therapist about it, can really help you see what 275 00:14:34,360 --> 00:14:36,440 Speaker 1: was your stuff and what was not your stuff, so 276 00:14:36,480 --> 00:14:39,080 Speaker 1: you take responsibility for that which was yours and you 277 00:14:39,160 --> 00:14:41,840 Speaker 1: leave everything else in the therapist office. So I think 278 00:14:41,840 --> 00:14:46,200 Speaker 1: it can be a very powerful experience. The third step 279 00:14:46,520 --> 00:14:48,760 Speaker 1: after you have processed with your therapist, and this may 280 00:14:48,800 --> 00:14:52,040 Speaker 1: be more than one session. Um. There's no not necessarily 281 00:14:52,040 --> 00:14:54,600 Speaker 1: a time limit on how long this might take, but 282 00:14:54,760 --> 00:14:56,720 Speaker 1: you know it probably will be at least a couple 283 00:14:56,720 --> 00:14:59,520 Speaker 1: of the sessions because you typically only have forty five 284 00:14:59,680 --> 00:15:01,760 Speaker 1: fifty in it, so it may take some time to 285 00:15:01,840 --> 00:15:03,960 Speaker 1: kind of get through the letter depending on what you write, 286 00:15:03,960 --> 00:15:05,800 Speaker 1: So don't think it will be a one session kind 287 00:15:05,800 --> 00:15:09,640 Speaker 1: of thing. So the third step, when you're ready and 288 00:15:09,720 --> 00:15:12,040 Speaker 1: when you have kind of processed, all you can with 289 00:15:12,080 --> 00:15:15,440 Speaker 1: a therapist UM is to either shred or burn the letter. 290 00:15:16,080 --> 00:15:19,160 Speaker 1: So this can help signify that you really are ready 291 00:15:19,200 --> 00:15:21,880 Speaker 1: to move past this stage of the breakup. So this 292 00:15:21,960 --> 00:15:24,760 Speaker 1: doesn't necessarily mean that you won't still think about your 293 00:15:24,760 --> 00:15:27,160 Speaker 1: ex or feel sad from time to time, but it 294 00:15:27,200 --> 00:15:29,520 Speaker 1: does mean that you are ready to kind of reclaim 295 00:15:29,600 --> 00:15:32,880 Speaker 1: the power is having over you. So again, don't think 296 00:15:32,920 --> 00:15:35,520 Speaker 1: that burning or shredding this letter is going to say like, Okay, 297 00:15:35,560 --> 00:15:38,400 Speaker 1: this person is magically disappeared from my life. As great 298 00:15:38,400 --> 00:15:41,160 Speaker 1: as that might be, that won't be the case, um, 299 00:15:41,160 --> 00:15:43,640 Speaker 1: but it does kind of signify, I think, to you 300 00:15:43,800 --> 00:15:46,360 Speaker 1: and the universe that you really are ready to kind 301 00:15:46,360 --> 00:15:48,880 Speaker 1: of move forward from this stage. So you've kind of 302 00:15:48,920 --> 00:15:51,320 Speaker 1: gotten all your thoughts out on paper, you've processed it 303 00:15:51,360 --> 00:15:54,960 Speaker 1: with a objective third party, and now you're ready to 304 00:15:55,000 --> 00:15:56,760 Speaker 1: kind of release it. So I think it can be 305 00:15:56,800 --> 00:15:59,840 Speaker 1: a very powerful ritual. So if you have tried something 306 00:15:59,840 --> 00:16:02,400 Speaker 1: like this, or if you're thinking about UM doing something 307 00:16:02,440 --> 00:16:05,520 Speaker 1: like this, I definitely would love to hear how this goes, 308 00:16:05,720 --> 00:16:09,040 Speaker 1: or UM you know what your experiences or something like 309 00:16:09,080 --> 00:16:11,720 Speaker 1: this are, or if you have a different kind of 310 00:16:12,160 --> 00:16:15,000 Speaker 1: UM break up closure ritual that you have developed for 311 00:16:15,000 --> 00:16:17,400 Speaker 1: yourself or your friends have done, then I'd love to 312 00:16:17,440 --> 00:16:20,160 Speaker 1: hear that too. You can definitely share that with us 313 00:16:20,200 --> 00:16:22,320 Speaker 1: either in the Facebook group, you can find that at 314 00:16:22,360 --> 00:16:26,040 Speaker 1: Therapy for Black Girls dot com, backslash tribe, or you 315 00:16:26,080 --> 00:16:30,160 Speaker 1: can use the hashtag tb G in session on Twitter 316 00:16:30,720 --> 00:16:34,040 Speaker 1: or Instagram and let me know what your closure rituals 317 00:16:34,080 --> 00:16:37,800 Speaker 1: look like. And then the final scene that I had 318 00:16:37,840 --> 00:16:42,720 Speaker 1: to absolutely talk about UM was the flashforward scene. So 319 00:16:43,160 --> 00:16:45,320 Speaker 1: I think that this scene had all of us pretty 320 00:16:45,360 --> 00:16:50,000 Speaker 1: deep in our feelings, myself included, because it was UM 321 00:16:50,040 --> 00:16:54,600 Speaker 1: a classic Issa dream sequence, so you see her imagining 322 00:16:54,640 --> 00:16:57,240 Speaker 1: what it would look like for Lawrence to propose, and 323 00:16:57,280 --> 00:16:59,720 Speaker 1: then for them to get married and get pregnant and 324 00:16:59,800 --> 00:17:02,280 Speaker 1: come home with their new baby, so all of this 325 00:17:02,560 --> 00:17:06,160 Speaker 1: kind of flashes right before her eyes. And I think 326 00:17:06,200 --> 00:17:10,359 Speaker 1: that it was um pretty poignant to me and stood 327 00:17:10,400 --> 00:17:14,040 Speaker 1: out to me, especially because it feels like it was 328 00:17:14,760 --> 00:17:17,800 Speaker 1: very relevant to what I discussed in session sixteen of 329 00:17:17,840 --> 00:17:20,480 Speaker 1: the podcast, So if you haven't listened to that one, 330 00:17:20,480 --> 00:17:22,680 Speaker 1: then you definitely want to check that one out after 331 00:17:22,720 --> 00:17:24,280 Speaker 1: this one. I'll link it in the show notes, so 332 00:17:24,320 --> 00:17:27,159 Speaker 1: it's easy for you to find UM. Because when I 333 00:17:27,240 --> 00:17:29,879 Speaker 1: talked about still holding onto your ex because of what 334 00:17:29,960 --> 00:17:33,680 Speaker 1: they represented, this is what I meant. So we saw 335 00:17:33,880 --> 00:17:36,920 Speaker 1: like this ten second depiction of what this looks like. 336 00:17:37,160 --> 00:17:41,240 Speaker 1: So sometimes we will hold on to a relationship not 337 00:17:41,359 --> 00:17:44,480 Speaker 1: necessarily because it's good for us or because it's what 338 00:17:44,520 --> 00:17:47,520 Speaker 1: we truly want, but it's what will check off these 339 00:17:47,600 --> 00:17:50,719 Speaker 1: boxes and things we think our life should look like. 340 00:17:51,760 --> 00:17:54,480 Speaker 1: So we get caught up and envisioning what the future 341 00:17:54,520 --> 00:17:57,639 Speaker 1: looks like. We sometimes miss thinking about whether this person 342 00:17:57,800 --> 00:18:00,119 Speaker 1: is actually a good partner for us. I and I 343 00:18:00,200 --> 00:18:03,960 Speaker 1: think it was particularly relevant because it really highlighted many 344 00:18:04,000 --> 00:18:06,240 Speaker 1: of the reasons why we have trouble letting go of 345 00:18:06,240 --> 00:18:10,239 Speaker 1: our X after the relationship is over. Now, personally, I 346 00:18:10,359 --> 00:18:13,199 Speaker 1: still don't really think that Issa and Lawrence to make 347 00:18:13,240 --> 00:18:16,720 Speaker 1: a great couple, at least based on what we've seen, um. 348 00:18:16,760 --> 00:18:19,399 Speaker 1: But they do have a lot of history. They really 349 00:18:19,400 --> 00:18:22,000 Speaker 1: love one another, as you heard them share, and they're 350 00:18:22,040 --> 00:18:25,119 Speaker 1: comfortable with one another, and I think that's what often 351 00:18:25,200 --> 00:18:28,480 Speaker 1: keeps us stuck in relationships. So it's a major part 352 00:18:28,480 --> 00:18:30,960 Speaker 1: of why I think Issa cheated in the first place, 353 00:18:31,160 --> 00:18:35,080 Speaker 1: because the relationship really wasn't advancing, but it had been 354 00:18:35,119 --> 00:18:38,119 Speaker 1: a long time. They were comfortable with one another, and 355 00:18:38,160 --> 00:18:40,560 Speaker 1: she didn't really feel like she needed to end it right. 356 00:18:40,640 --> 00:18:44,159 Speaker 1: So I think it's arguable about how good of a 357 00:18:44,160 --> 00:18:47,600 Speaker 1: guy Lawrence is. I've seen debates on that back and forth, UM, 358 00:18:47,880 --> 00:18:50,240 Speaker 1: but I don't think there is any denying that they 359 00:18:50,320 --> 00:18:53,040 Speaker 1: had a lot of history and we're very comfortable with 360 00:18:53,080 --> 00:18:56,200 Speaker 1: one another. Like in each of the scenes where we've 361 00:18:56,240 --> 00:19:00,120 Speaker 1: seen them together, besides that fight they had last week, UM, 362 00:19:00,200 --> 00:19:03,280 Speaker 1: we've seen them kind of continue to playfully banter with 363 00:19:03,320 --> 00:19:06,159 Speaker 1: one another about like the Frank Ocean pillow and what 364 00:19:06,280 --> 00:19:08,760 Speaker 1: happened to her wall um when he was there waiting 365 00:19:08,800 --> 00:19:11,840 Speaker 1: for the couch, so it's it's clear that they still 366 00:19:11,880 --> 00:19:15,360 Speaker 1: have a connection with one another, um and so it 367 00:19:15,400 --> 00:19:19,520 Speaker 1: feels like nothing was necessarily really wrong, and I think 368 00:19:19,560 --> 00:19:22,520 Speaker 1: that's why she didn't in the relationship. And I think, 369 00:19:22,560 --> 00:19:25,080 Speaker 1: if we're honest with ourselves, a lot of us have 370 00:19:25,160 --> 00:19:29,120 Speaker 1: found ourselves in situations like this where nothing's really wrong, 371 00:19:29,480 --> 00:19:32,640 Speaker 1: but nothing's really right either. So I do think that 372 00:19:32,680 --> 00:19:35,000 Speaker 1: this scene in particular can kind of challenge us to 373 00:19:35,920 --> 00:19:39,960 Speaker 1: um think differently about how we're showing up in relationships, 374 00:19:40,040 --> 00:19:41,800 Speaker 1: or to kind of reflect on what has happened in 375 00:19:41,840 --> 00:19:45,879 Speaker 1: the past, so mineus the cheating. I think that breakups 376 00:19:45,960 --> 00:19:48,600 Speaker 1: like Issa and Lawrence that happened even though you both 377 00:19:48,600 --> 00:19:52,200 Speaker 1: still love one another or sometimes the hardest to get over. 378 00:19:53,040 --> 00:19:55,359 Speaker 1: And I think it's a good reminder that sometimes we 379 00:19:55,440 --> 00:19:59,000 Speaker 1: simply need to love other people from a distance, because 380 00:19:59,040 --> 00:20:02,080 Speaker 1: it takes more than just love to have a fulfilling 381 00:20:02,160 --> 00:20:05,680 Speaker 1: relationship and for a relationship to really continue to work. 382 00:20:07,160 --> 00:20:09,679 Speaker 1: So those were my thoughts. Those were kind of like 383 00:20:09,720 --> 00:20:12,800 Speaker 1: the highlights that stood out to me, and the scenes 384 00:20:12,840 --> 00:20:16,760 Speaker 1: and interactions that I thought were most applicable to our 385 00:20:16,800 --> 00:20:18,960 Speaker 1: own lives and things that kind of give us father 386 00:20:19,040 --> 00:20:22,000 Speaker 1: for discussion and reflection, but I would love to hear 387 00:20:22,119 --> 00:20:25,840 Speaker 1: any thoughts that you have, any scenes that felt particularly 388 00:20:25,920 --> 00:20:28,640 Speaker 1: poignant to you that you want to discuss more. UM. 389 00:20:28,640 --> 00:20:32,000 Speaker 1: We already had a pretty lively discussion in the Facebook group, 390 00:20:32,080 --> 00:20:34,720 Speaker 1: so if you want to jump into the Facebook group 391 00:20:34,800 --> 00:20:36,880 Speaker 1: to share your thoughts, I would invite you to do 392 00:20:36,920 --> 00:20:39,440 Speaker 1: that again. You can find that at Therapy for Black 393 00:20:39,440 --> 00:20:42,639 Speaker 1: Girls dot com backslash tribe that's t R I b 394 00:20:42,840 --> 00:20:46,320 Speaker 1: E UM, so we can continue having that conversation. But 395 00:20:46,400 --> 00:20:48,159 Speaker 1: if you don't and you want to to share your 396 00:20:48,200 --> 00:20:52,000 Speaker 1: thoughts on social media, you can find us at on 397 00:20:52,000 --> 00:20:56,080 Speaker 1: Twitter at Therapy for the Number four be Girls, and 398 00:20:56,119 --> 00:20:59,120 Speaker 1: you can find us on Instagram and Facebook at Therapy 399 00:20:59,160 --> 00:21:02,119 Speaker 1: for Black Girl UM, and make sure that you use 400 00:21:02,200 --> 00:21:06,160 Speaker 1: the hashtag tv G in session. I'm definitely really interested 401 00:21:06,200 --> 00:21:09,480 Speaker 1: in hearing um your reflections about the episode, because, like 402 00:21:09,520 --> 00:21:12,480 Speaker 1: I said, I think that it was a really strong episode, 403 00:21:12,480 --> 00:21:14,400 Speaker 1: and I think it still left us with a lot 404 00:21:14,440 --> 00:21:16,800 Speaker 1: of questions, but I do think that they tied some 405 00:21:16,880 --> 00:21:20,359 Speaker 1: things together nicely. So you will notice that I didn't 406 00:21:20,400 --> 00:21:23,520 Speaker 1: talk very much about UM the whole situation with Molly 407 00:21:23,560 --> 00:21:27,760 Speaker 1: and Drow in the situation where we see Issa um 408 00:21:27,840 --> 00:21:31,280 Speaker 1: knocking on Daniel's door at the end um because I 409 00:21:31,320 --> 00:21:33,760 Speaker 1: feel like that could go like a lot of different ways, 410 00:21:34,040 --> 00:21:36,399 Speaker 1: but definitely we can have some of those conversations on 411 00:21:36,440 --> 00:21:39,080 Speaker 1: social media or in the Facebook group if you're interested. 412 00:21:40,280 --> 00:21:42,720 Speaker 1: So please remember that if you are looking for a 413 00:21:42,800 --> 00:21:45,480 Speaker 1: therapist in your neck of the woods, then you can 414 00:21:45,640 --> 00:21:48,520 Speaker 1: um look at our therapist directory. You can find that 415 00:21:48,560 --> 00:21:52,159 Speaker 1: at Therapy for Black Girls dot com backslash directory. And 416 00:21:52,200 --> 00:21:54,280 Speaker 1: if you are a therapist and you would like to 417 00:21:54,520 --> 00:21:57,800 Speaker 1: share your information with the hundreds of black women who 418 00:21:57,840 --> 00:22:01,399 Speaker 1: are looking for a quality therapist in their area, please 419 00:22:01,440 --> 00:22:03,920 Speaker 1: make sure to check out Therapy for Black Girls dot 420 00:22:03,960 --> 00:22:07,760 Speaker 1: com backslash being listed again. All of this information will 421 00:22:07,800 --> 00:22:11,160 Speaker 1: be included in the show notes. So I'm absolutely looking 422 00:22:11,160 --> 00:22:14,560 Speaker 1: forward to hearing your thoughts and looking forward to continue 423 00:22:14,600 --> 00:22:17,640 Speaker 1: this conversation with you all real soon. Take good care, 424 00:22:25,960 --> 00:23:17,320 Speaker 1: actor actor actor Patter