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Speaker 1: We are back with a new installation of New Rory

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Speaker 1: and Mall. I'm all that's Rory.

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Speaker 2: Oh did we start? Oh my bad?

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Speaker 1: What are you doing?

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Speaker 2: I was just getting adjusted and then he's making me

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Speaker 2: nervous because he's standing up. I don't like when everyone

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Speaker 2: sitting down and one person stands up.

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Speaker 1: You don't like. That just makes me nervous, I feel you. Yeah,

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Speaker 1: the police usually do that when they knock at your door.

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Speaker 2: I mean, don't do the jail post that you feel

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Speaker 2: you look like an undercover cop.

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Speaker 3: You definitely dress well, all the respect.

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Speaker 1: Okay, it's opened already.

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Speaker 2: I'm sure the people.

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Speaker 1: That's a federal Uh, that's a federal crime opening someone's

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Speaker 1: if for.

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Speaker 4: Everybody that's on our audio adventure and our video adventure.

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Speaker 1: Yes, this is Rory opening a late Christmas gift, I

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Speaker 1: mean birthday gift from one of his beloved fans.

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Speaker 2: This is an all ages show. Why does this say

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Speaker 2: and a nude?

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Speaker 5: Well, just look at that stuff first.

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Speaker 1: Let me we'll give me the nude. Let me let

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Speaker 1: me make sure it's not anthrax in the story. Does that?

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Speaker 2: Because I don't want to pass nudes because that's not

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Speaker 2: that's not is it?

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Speaker 1: A real nude.

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Speaker 2: I don't know.

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Speaker 1: Look at it.

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Speaker 3: Well, all due respect, any woman sings.

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Speaker 1: Dude picture like a real picture, I think that's fly.

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Speaker 4: It might be a dude painting, like a painting of

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Speaker 4: a nude, like a nude strip.

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Speaker 5: That would be funny.

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Speaker 3: That would be so describe in detail what you're looking at.

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Speaker 2: It says on the back, told you I deliver you

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Speaker 2: some hose for your birthday. Enjoy with this smiley faced

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Speaker 2: tongue out. That's real. First of all, I don't know

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Speaker 2: who this is. So you're telling me that you were

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Speaker 2: going to deliver me the hose. Maybe no one ever

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Speaker 2: told me that.

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Speaker 1: Now you're look in the box, it might be a

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Speaker 1: hole in there somewhere.

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Speaker 2: Well, as my mom said, you always have to read

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Speaker 2: the card first. Just opened the present, very rude training.

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Speaker 1: It's it's, it's it says a lot they thought about

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Speaker 1: the gift.

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Speaker 3: She didn't put her name on the box.

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Speaker 2: It's Rachel.

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Speaker 1: Her name is Rachel.

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Speaker 2: Here's hoping. Oh I get it hoping. But she spelled

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Speaker 2: it with like a hoe hole ping say you have

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Speaker 2: a happy horrific birthday. What pasted already? And it wasn't horrific?

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Speaker 3: There were actually no hose around not.

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Speaker 1: There might be one in here. We got to keep

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Speaker 1: going through the box.

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Speaker 2: Well, she got me a hose, like an actual hose.

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Speaker 2: Here's the thing. I have a hose, but my new

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Speaker 2: spot doesn't I need like a hose thing you always

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Speaker 2: need my roof. But I mean, yeah, here's the host.

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Speaker 1: I get it.

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Speaker 5: You got the hose Did you see that she circled

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Speaker 5: hose on the thing?

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Speaker 2: Is this a guardening to referred to as a hoe?

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Speaker 3: Yeah?

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Speaker 2: Yeah, Why can you use this because I have plants.

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Speaker 1: You keep that in the car in case somebody gets

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Speaker 1: a little lippy in traffic.

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Speaker 2: I do have something in the car.

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Speaker 1: They got a little You gotta keep something in the cattle.

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Speaker 2: When you get in my car.

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Speaker 1: You can see when they get a little lippy at

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Speaker 1: the red lighters, like just hold that easy reach, just

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Speaker 1: hold that up at the window, like listen, pile.

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Speaker 2: I mean, I appreciate that the comedy. I'm mean, she

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Speaker 2: didn't have to go all the way to Low's to

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Speaker 2: get this.

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Speaker 1: But that's that's that's the funniest part. I do appreciate

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Speaker 1: she sent you a hoe and a hoe.

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Speaker 5: She circled hose on every product.

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Speaker 1: That's creative though, that's a lot.

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Speaker 4: He's just he did just buy a house, so I

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Speaker 4: feel like that is stuff that he could use.

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Speaker 2: The hoe I could really use with the rake and

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Speaker 2: a hoe and a piece of fertile ground. Yeah, that's

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Speaker 2: a song in elementary school. You had to be there

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Speaker 2: in the nineties. Is this her?

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Speaker 3: Yes, that's her?

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Speaker 2: Oh ship A real news, that's a real news, A

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Speaker 2: fire one though very tasteful in artsy like, was this

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Speaker 2: professionally done?

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Speaker 1: I guess So who took the picture.

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Speaker 2: Said something? I found that out. I was always wondering

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Speaker 2: on the back. I was one of those insecure guys

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Speaker 2: that would be like, she's not taking those photos by

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Speaker 2: herself on vacation. No, they are. I didn't know that

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Speaker 2: they have. They have tripods and times they have now

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Speaker 2: when it's all kind of shit going, just as soon

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Speaker 2: they had a boyfriend. I saw something where they have

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Speaker 2: an actual uh drone. Those are natural No, I don't know,

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Speaker 2: quality titties.

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Speaker 1: Some quality. Can you look in the back of the sign?

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Speaker 1: Put an autograph on the So you.

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Speaker 2: Guys have seen this news? You literally just pulled it

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Speaker 2: out and yeah right there, just just happy belated.

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Speaker 1: Okay, So she knew something new and just put happy

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Speaker 1: belated Birthday on the back of it. I thought that

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Speaker 1: was going to be the real poem.

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Speaker 2: No a titties of the poem.

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Speaker 1: Okay, well, thank you, Rachel, nice titty Rachel, nice titty Rach.

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Speaker 1: That's called nice titty Rach, Rach.

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Speaker 2: I appreciate that. I did not receive any birthday nudes,

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Speaker 2: So that just makes me feel like somebody.

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Speaker 1: That's the only news real life pictures. Yeah, we gotta,

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Speaker 1: we gotta, we gotta up this ship. We gotta.

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Speaker 2: But I didn't like anyone didn't.

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Speaker 3: You're not supposed to ask news for my birthday.

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Speaker 1: But just like you, once they know what you're born,

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Speaker 1: you're supposed to just wake up with the titties in

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Speaker 1: your face.

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Speaker 2: But y'all got it like that. I don't have it

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Speaker 2: like that.

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Speaker 1: You clearly got it like that. She sent you a

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Speaker 1: hole usps.

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Speaker 3: It was priority, Matle.

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Speaker 1: She wanted them titties to get to you. Overnight. The titties, Yeah,

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Speaker 1: she definitely overnighted the twat.

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Speaker 2: The titt is not in this photogra She didn't show

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Speaker 2: the twat from when.

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Speaker 1: She gave you.

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Speaker 2: It's black and white, black.

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Speaker 1: And white nudes are the best. I don't know if

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Speaker 1: anybody knows that black and white pictures are great, but

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Speaker 1: black and white dudes, Oh god.

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Speaker 2: Hold on, I just peak because I don't want you

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Speaker 2: to see it, because I don't know if that's that's you.

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Speaker 2: Shouldn't do that with women's nudes that are intended for

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Speaker 2: one person, shouldn't show them because that's coin. Well, you're

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Speaker 2: a woman. She's had a typewriter. This is like the

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Speaker 2: classiest nude.

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Speaker 1: Wait, what do you mean?

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Speaker 2: I thought she's had like a real typewriter.

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Speaker 1: So that means she's a she's a fucking psycho. She

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Speaker 1: took each letter from the newspaper and yeah, together this.

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Speaker 2: Is this is gonna be a ransom note eventually. Yeah,

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Speaker 2: she's gonna kidnap me when I find her on IG Like, hey,

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Speaker 2: let's link this is going. Oh that was nice.

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Speaker 5: Well there you go. Now you guys can introduce yourselves

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Speaker 5: to who you are.

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Speaker 1: Welcome to another I'm mister Rachel. Welcome to another edition

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Speaker 1: of the New Rory and mal Show. I am all

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Speaker 1: that's Rory. Uh, that's Rory. This is that's so Rory.

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Speaker 2: That's really funny.

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Speaker 3: That's so sorry, it's the bitches. I can see.

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Speaker 1: I'm trying to welcome people to the show, and I'm

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Speaker 1: pretty sure we're scaring them off. So let's let's try

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Speaker 1: it again. Welcome to a new episode of New Rory.

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Speaker 1: Mal I am all. This is Rory.

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Speaker 2: That's the Raven is just a perfect example of women

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Speaker 2: manifesting all the bad things. Women love a good manifest

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Speaker 2: and see where it gets them every time.

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Speaker 1: It's a it's a new thing going on that I'm

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Speaker 1: seeing a lot of the women talk about now. It's

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Speaker 1: called the soft life. They're manifesting a soft life for themselves.

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Speaker 1: They've had too much harder, too much, too much hard time,

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Speaker 1: too much, too much rough times. They're trying to the

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Speaker 1: ladies are trying to get past the rough times. They're

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Speaker 1: trying to get more into a softer world, a softer

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Speaker 1: zone where it's a peace, it's a love, it's you know,

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Speaker 1: whatever they deem to be quality of life.

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Speaker 3: Do you really want me to explain the soft life

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Speaker 3: to you?

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Speaker 2: Because if they're the hard time, that's what it is, right,

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Speaker 2: It's it's a peace.

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Speaker 1: It's about peace of mind. It's about a little bit

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Speaker 1: more than that.

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Speaker 2: It's about we don't.

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Speaker 1: Want to do the lab their mind, body, and soul.

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Speaker 4: We don't want to do the liver anymore. We don't

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Speaker 4: want to work super hard. We don't want to work hard.

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Speaker 2: All you've been doing is we want to rough.

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Speaker 4: We want to be taken care of. We want nannies,

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Speaker 4: we want fucking maids, we want pilates and brunch, and

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Speaker 4: we don't want to split bills. That was what the

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Speaker 4: soft life is. We're taking our time, we're breathing, We're

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Speaker 4: not running around the whole.

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Speaker 1: Can always find a way to just like give a

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Speaker 1: new word for like just slanging pussy.

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Speaker 2: Look much is another word for lazy holp.

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Speaker 1: Yeah, that's just like it's like, no, go out there,

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Speaker 1: shake that ass, get that money, you know what I'm saying,

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Speaker 1: and provide for yourself, but not as well.

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Speaker 2: Did you see how Tamari's worded that we no longer

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Speaker 2: want to do these things like they've done those things. Yeah,

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Speaker 2: Like no, what is this reparations for your mother and grandmother?

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Speaker 1: Like that about y'all just got here twenty years ago?

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Speaker 1: Like what are y'all talking about? What hard life have

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Speaker 1: women had? Like honestly, like a lot of these young

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Speaker 1: women that are like twenty seven. What hard life did

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Speaker 1: they have? Some of them, half of them don't have kids.

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Speaker 1: Half of them don't know what it is to get

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Speaker 1: the kids up, get them to school, prepare lunch, pick

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Speaker 1: them up from school, drop them off to basketball practice,

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Speaker 1: soccer practice.

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Speaker 2: Like with two jobs.

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Speaker 1: Yeah, so what is the hard life? Like you tied of,

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Speaker 1: like not being able to keep a relationship.

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Speaker 3: No, it has nothing to do with men. It has

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Speaker 3: nothing to do with that.

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Speaker 1: Okay, it sounds like it has everything to do with literally,

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Speaker 1: who's going to fund this soft right?

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Speaker 3: It has a lot. It has a lot to do

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Speaker 3: with we live in a capitalistic, a capital society, and

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Speaker 3: whenever they start talk about capitalists, because no, we work,

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Speaker 3: first of all humans period work really really, really really hard.

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Speaker 3: We work not all humans.

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Speaker 1: Everything is lazy fucks, we know something.

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Speaker 3: But most people are busting their ass.

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Speaker 4: And so women who are like I want the soft life,

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Speaker 4: It's like I don't want to be Russian to work

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Speaker 4: and then working super hard and then Russian home and

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Speaker 4: trying to make dinner and trying to do all these things.

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Speaker 4: Like it's just take I'm taking the time, I'm taking

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Speaker 4: the breaths, and I'm just enjoying.

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Speaker 1: Okay, you're breathing. Okay, they want to breathe.

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Speaker 2: Let's go, let's even go with it. I agree that

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Speaker 2: can get rough. Who is going to do society needs

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Speaker 2: to continue on. Who is supposed to fill those roles plenty,

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Speaker 2: So hold on, We're supposed to provide all the bread,

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Speaker 2: then take care of the kids. They do like, what

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Speaker 2: do you do?

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Speaker 1: That's not it's not what they're What you're saying is

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Speaker 1: women want to do nothing. They want to have a

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Speaker 1: nanny to take care of the kids, take care of

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Speaker 1: the house. They want to have a housekeeper. They don't

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Speaker 1: want to clean plenty of other nicks. They want to

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Speaker 1: go to pilates and go get a fraplatte.

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Speaker 3: There's plenty of your nations that run nations.

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Speaker 1: When they starting about capitalism and nations.

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Speaker 4: God, we have a long ass work day. Our work

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Speaker 4: day does not need to be this long. It's just

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Speaker 4: for women though, it's not just for women's for people period.

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Speaker 3: Y'all don't okay, so we could be, but y'all don't

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Speaker 3: want to fucking soft like Rory. You out of all

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Speaker 3: people you maybe mall, you do not want a soft life.

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Speaker 2: You read this off.

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Speaker 1: But for man, what does a soft life look like?

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Speaker 1: For men?

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Speaker 3: You live a pretty soft life.

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Speaker 1: Mom, Okay, but what does it look like though?

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Speaker 4: It looks like you come here, you record, you go

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Speaker 4: visit your friends, you have dinner, you go home, you

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Speaker 4: smoke your weed, you sit, kick your feet up, juice,

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Speaker 4: you are living a soft life.

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Speaker 1: Yeah, but I also have been doing this ship twice

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Speaker 1: a week, sometimes three times a week, every week for

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Speaker 1: six years.

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Speaker 3: Okay, but you make room in your life to make

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Speaker 3: sure that you're not working yourself to exhaustion.

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Speaker 1: Right, Okay, but I work myself to that place. Though.

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Speaker 2: Yeah, it took time. It was hardly able to have

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Speaker 2: this soft.

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Speaker 1: It was a hard life, broad life.

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Speaker 5: Yeah.

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Speaker 1: But I'm just saying a lot of these women that

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Speaker 1: I see a saying it's a young twenty three, twenty

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Speaker 1: four to twenty five. It's like you just thoughted, you

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Speaker 1: just finished high school six years ago. You should either

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Speaker 1: be just finishing college or still studying, Like, so, what

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Speaker 1: hard life? You don't want to go to school, you

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Speaker 1: don't want to study, you don't want to work a

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Speaker 1: nine to five? Like, what hard life?

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Speaker 2: And even if you're still figuring that shit out, that's cool,

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Speaker 2: but don't Your solution shouldn't be I don't want to

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Speaker 2: do anything and have everything given to me.

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Speaker 3: That's not what the soft life is about.

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Speaker 1: It's not about it's just about not working.

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Speaker 3: Every day, not working yourself to exhaustion.

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Speaker 1: Okay, all right, you can understand.

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Speaker 4: You're feminine energy, not always being masculine and all like, yeah,

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Speaker 4: just you.

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Speaker 2: Know why women are full of shit because they want

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Speaker 2: that right for all women. What about the nanny? She

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Speaker 2: can't have the soft.

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Speaker 1: Life now taking my kids clean my house.

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Speaker 2: So you got it's not for all women, it's just

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Speaker 2: for you.

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Speaker 1: It's a partnership with the girl in the nanny in

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Speaker 1: the housekeeper. Yes, so what happens when the nanny wants

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Speaker 1: women are good?

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Speaker 2: Bro?

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Speaker 1: Women Women will find a way to say these, come

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Speaker 1: up with these phrases and make men feel like ship

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Speaker 1: because it's like, well, why do I even have an art?

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Speaker 3: Why are you internalizing that when it has nothing to.

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Speaker 1: Do with you.

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Speaker 2: No, I'm not saying it has anything to do with

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Speaker 2: no man to do this stuff that you don't want

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Speaker 2: to do anymore.

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Speaker 1: That's what I'm saying. Are doing it the nanny, the housekeeper,

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Speaker 1: and so a male nanny. Uh no, well no, I

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Speaker 1: don't think there are male nanny they yes, for sure,

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Speaker 1: really yeah.

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Speaker 2: But I'm saying if all women deservennis.

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Speaker 1: Now, I grew up with man. He doesn't take care

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Speaker 1: of kids. He takes care of Manuela taking care of

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Speaker 1: his kids. He dare come to take care of your right?

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Speaker 1: You know what?

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Speaker 2: How is this off life? You guys were just telling

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Speaker 2: me about this? Is this on Instagram? Is this?

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Speaker 1: I've been seeing it for months.

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Speaker 2: I haven't seen it at all.

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Speaker 1: Like a lot of women, they put, you know, when

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Speaker 1: they go on to vacation, they get you know, they

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Speaker 1: get videos of the water crashing into the shore and

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Speaker 1: then they post. You know, the soft life is what

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Speaker 1: I'm manifesting for myself. I no longer want to be

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Speaker 1: you know, stressed. I no longer want to be intoxic relationships.

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Speaker 1: Whatch you I can understand, I know that being done

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Speaker 1: with all of those types of things, but you know,

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Speaker 1: I just don't the whole you know, not working hard.

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Speaker 1: I think you should even even if you are are

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Speaker 1: in a position where you have a partner, you have

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Speaker 1: a husband, or you know, somebody that makes a great

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Speaker 1: living for themselves and they take care of you. They

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Speaker 1: want to die. I feel like as a woman, you

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Speaker 1: should always want something to do every day for yourself

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Speaker 1: and build, like work hard, even if it's a start

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Speaker 1: of business or you know, start some type of company, charity, organization, whatever,

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Speaker 1: just something to give back, to do something, because you

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Speaker 1: don't it sounds good being able to just wake up

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Speaker 1: every day and not do nothing relaxed. That's boring, and

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Speaker 1: that gets that gets boring, doesn't sound very fulfilliate. You're like,

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Speaker 1: you're gonna want to purpose, right, cool, Right, You're gonna

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Speaker 1: want a purpose. You're gonna want to wake up every

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Speaker 1: day and look forward to doing something and seeing something

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Speaker 1: come to fruition that you've actually built. So I mean

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Speaker 1: it's good for your mental health. It just keeps you

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Speaker 1: looking forward to do something. But I do understand that

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Speaker 1: people don't want to work hard every day and they

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Speaker 1: don't want to we none of us do. Nobody wants

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Speaker 1: to get up every day and have to go do

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Speaker 1: something that number one day dread doing.

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Speaker 2: And I don't think that you are here to do

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Speaker 2: that to begin get that.

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Speaker 1: I understand that part. But you should always be working

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Speaker 1: at something and doing something. I think you just need

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Speaker 1: to figure out what your passions are and not work hard,

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Speaker 1: work smart. Yeah, like I know you don't want to

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Speaker 1: work hard.

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Speaker 2: Well oiled machines don't.

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Speaker 4: Ground should always be working towards something. Why do you

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Speaker 4: think it's not okay for you to just exist for

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Speaker 4: a little while.

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Speaker 2: Just because that's working always towards something. It doesn't have

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Speaker 2: to be a labor or something, no career.

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Speaker 1: Just something, just something that keeps your mind moving and

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Speaker 1: your mind you know, uh, building your strength mentally, and

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Speaker 1: and just because it makes you feel good when you

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Speaker 1: accomplish something, when you start the task and you end it.

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Speaker 1: It's just it's just a feeling that you get like

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Speaker 1: you you completed something, you accomplish something. So I think

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Speaker 1: every day you should want to accomplish something and work

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Speaker 1: towards something bigger than just yourself.

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Speaker 2: And rest rest is still working, yeah if the rest

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Speaker 2: has a purpose for something.

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Speaker 1: Else, Like you're resting because you were working.

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Speaker 2: Like team No, sleep is the dumbest movement ever. You

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Speaker 2: sleeping rest, And that's part of working.

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Speaker 1: But I do wish for a soft life for every

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Speaker 1: woman that may be having a hard life. Let me

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Speaker 1: say that I do wish that you know, a lot

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Speaker 1: of women have more time for themselves to relax and

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Speaker 1: just enjoy life a little more. Absolutely, I'm not. I'm not,

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Speaker 1: you know, I'm having fun with the whole soft light thing,

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Speaker 1: but I do. I know a lot of women that

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Speaker 1: work hard, that are single mothers, that have, you know,

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Speaker 1: a lot of shit on their plate every single day.

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Speaker 1: So for women like that, absolutely, I.

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Speaker 3: Wish to be a single mom to work hard. For

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Speaker 3: you to respect their the hustle, well.

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Speaker 1: Because single mothers are there. I mean, if you don't

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Speaker 1: have kids and you're working hard, that's because you just

384
00:15:41,280 --> 00:15:43,440
Speaker 1: have a job somebody. But when you have imagine having

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Speaker 1: a job and then having kids on top of that,

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Speaker 1: like if you.

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Speaker 3: Have no kids, No, I couldn't imagine. That's why I

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00:15:47,680 --> 00:15:48,320
Speaker 3: don't have any This.

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Speaker 1: Is what I'm saying. So, yeah, those women, in particular,

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Speaker 1: the single moms that are take raising kids soft life,

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Speaker 1: Please for them, And like I said, for all women,

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Speaker 1: anybody that wishes manifesting for a soft life, I hope

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Speaker 1: that you achieved that.

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Speaker 3: Well, I'm manifesting for my soft life. I want to

395
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Speaker 3: move to d C And commute to work. Is that

396
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Speaker 3: okay with you? Guys?

397
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Speaker 1: That doesn't sound like a soft life's in d C.

398
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Speaker 2: Yeah, Well, I love d C. I would love Chocolate.

399
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Speaker 1: City, Chocolate Cities.

400
00:16:17,160 --> 00:16:18,760
Speaker 2: I love it because the mass wants to brunch and

401
00:16:18,800 --> 00:16:19,680
Speaker 2: they have the best brunches.

402
00:16:20,280 --> 00:16:22,320
Speaker 1: Well, if Themaras then went down there on U Street

403
00:16:22,320 --> 00:16:24,840
Speaker 1: and found her African that said, he's gonna, you know,

404
00:16:25,600 --> 00:16:27,760
Speaker 1: change her life. Put on a jet tomorrow and that's.

405
00:16:28,400 --> 00:16:30,480
Speaker 2: But don't don't fall into that trap that people in

406
00:16:30,480 --> 00:16:31,000
Speaker 2: their twenties do.

407
00:16:31,080 --> 00:16:34,840
Speaker 1: African who they visit? They visit an African engineer, engineer.

408
00:16:34,880 --> 00:16:35,880
Speaker 1: You know what Africans love to say.

409
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Speaker 4: I've been saying since I was a kid that I

410
00:16:38,200 --> 00:16:40,160
Speaker 4: have a lot of family in the Maryland, DC area,

411
00:16:40,200 --> 00:16:42,720
Speaker 4: and I always wanted to raise my kids there because

412
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Speaker 4: there's just it has the highest concentration of black millionaires

413
00:16:45,720 --> 00:16:48,080
Speaker 4: and it's just like there's black people everywhere.

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Speaker 2: It's a beautiful area and it's gorgeous.

415
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Speaker 1: You know what else was in DC? What heroin.

416
00:16:54,480 --> 00:16:54,600
Speaker 6: Here?

417
00:16:55,520 --> 00:17:00,000
Speaker 1: Yeah? Biden running amok. Have you seen what they do?

418
00:17:00,560 --> 00:17:02,160
Speaker 2: They're walking them because it's very easily.

419
00:17:02,280 --> 00:17:05,000
Speaker 1: Yeah, like they're fucking tearing this country, this ship.

420
00:17:05,119 --> 00:17:06,280
Speaker 2: Have you wheel chairing them up?

421
00:17:06,359 --> 00:17:08,720
Speaker 1: Have you seen Kamala and Joey. What they're doing? Oh god,

422
00:17:09,119 --> 00:17:12,040
Speaker 1: they're there. Uh what else is in d C? Uh

423
00:17:12,640 --> 00:17:14,920
Speaker 1: one of the highest crime rates, probably the.

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Speaker 5: Last one of the highest homeless, one.

425
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Speaker 1: Of the highest homeless for really yeah, oh yeah, DC

426
00:17:20,520 --> 00:17:22,879
Speaker 1: homes people they sleep like at Monbo Sauce. That's there. Oh,

427
00:17:22,920 --> 00:17:25,639
Speaker 1: Mambo Sauce is definitely there. So that's a that's a plus.

428
00:17:26,040 --> 00:17:27,520
Speaker 1: But I like d C. I always d C has

429
00:17:27,520 --> 00:17:28,840
Speaker 1: always been one of my favorite cities.

430
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Speaker 3: I love the townhouses. I love the way it looks

431
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Speaker 3: like I can see myself like.

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Speaker 1: You you went to Georgetown. You was in Georgetown. You

433
00:17:34,920 --> 00:17:37,000
Speaker 1: wasn't You wasn't in d C. You drove through Georgetown.

434
00:17:37,000 --> 00:17:40,040
Speaker 1: You know this is it looks like the Huxtables live

435
00:17:40,119 --> 00:17:42,399
Speaker 1: over here. Yeah. The south there, Yeah, I know we

436
00:17:42,520 --> 00:17:44,399
Speaker 1: used that by the waterfront, the wharf, what do they

437
00:17:44,400 --> 00:17:46,800
Speaker 1: call that down there? The war the wharf and all

438
00:17:46,800 --> 00:17:48,160
Speaker 1: of that. I know where he was in. No, go

439
00:17:48,200 --> 00:17:50,359
Speaker 1: to d C, d C, go a little deeper in

440
00:17:50,440 --> 00:17:50,840
Speaker 1: the city.

441
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Speaker 2: D C is the best city that I think in

442
00:17:53,640 --> 00:17:56,399
Speaker 2: the United States that hides the hood. Oh yeah, they

443
00:17:56,440 --> 00:17:58,080
Speaker 2: hi the hood better than anyone.

444
00:17:58,119 --> 00:17:58,760
Speaker 1: Yeah, they have to.

445
00:17:58,920 --> 00:18:00,560
Speaker 2: Like even you know when you go to other cities.

446
00:18:00,640 --> 00:18:02,560
Speaker 2: Usually by the airport. The hood is over there, so

447
00:18:02,640 --> 00:18:04,240
Speaker 2: like you kind of no matter what, have to see

448
00:18:04,240 --> 00:18:06,800
Speaker 2: the hood. DC's airports like on the water.

449
00:18:06,920 --> 00:18:10,160
Speaker 1: Yeah, gone beautiful. And as soon as you leave the airport,

450
00:18:10,560 --> 00:18:12,879
Speaker 1: it's the White House is right there on your left. Yeah,

451
00:18:13,000 --> 00:18:16,080
Speaker 1: the National Monument is right there. There's the Great Lawn,

452
00:18:16,119 --> 00:18:18,680
Speaker 1: what they called the Great Lawn. So many lawn is there? Well,

453
00:18:18,800 --> 00:18:22,080
Speaker 1: great manicure to you know, every blade of grass is

454
00:18:22,119 --> 00:18:23,120
Speaker 1: even all year round.

455
00:18:23,160 --> 00:18:25,960
Speaker 2: I've taken the wrong left in downtown Atlanta, be like, well,

456
00:18:26,119 --> 00:18:29,879
Speaker 2: I'm in the hood. I feel like dco DC. You

457
00:18:29,920 --> 00:18:31,440
Speaker 2: have to, I feel like, intentionally go there.

458
00:18:31,480 --> 00:18:31,680
Speaker 1: Yeah.

459
00:18:31,720 --> 00:18:34,240
Speaker 2: It's it's a once you're in it, it's hard to

460
00:18:34,240 --> 00:18:34,560
Speaker 2: get out of.

461
00:18:34,680 --> 00:18:37,000
Speaker 1: Yeah. D C is like once you're driving straight for

462
00:18:37,040 --> 00:18:39,439
Speaker 1: too long, Yeah, you gotta make a couple of turns.

463
00:18:39,680 --> 00:18:41,240
Speaker 1: If you drive straight for too long, are you gonna

464
00:18:41,240 --> 00:18:43,480
Speaker 1: start to see some ship? That's just how DC is designed.

465
00:18:43,680 --> 00:18:45,960
Speaker 1: The roundabouts are the weirdest shit ever. I hate the

466
00:18:46,040 --> 00:18:48,320
Speaker 1: roundabouts in DC. It's like, make it right at the

467
00:18:48,359 --> 00:18:51,320
Speaker 1: second roundabout. It's like a right, It's five roundabouts in

468
00:18:51,359 --> 00:18:52,280
Speaker 1: front of me. Where am I going?

469
00:18:52,600 --> 00:18:55,199
Speaker 2: Well, I mean it's designed like the Masonic symbol. But

470
00:18:55,200 --> 00:18:55,959
Speaker 2: that's need to heard with her.

471
00:18:57,000 --> 00:18:58,840
Speaker 3: Oh another conspiracy episode.

472
00:18:58,920 --> 00:18:59,920
Speaker 1: No, that's next week.

473
00:19:00,119 --> 00:19:01,720
Speaker 2: Just look at the map. No, get it to Mason

474
00:19:02,320 --> 00:19:04,320
Speaker 2: with you. There's no reason for a city like shape

475
00:19:04,320 --> 00:19:04,560
Speaker 2: that way.

476
00:19:04,880 --> 00:19:07,200
Speaker 1: I'm with you, bro, I'm with you. But yeah, DC,

477
00:19:07,320 --> 00:19:08,639
Speaker 1: I love DC. Domeristy.

478
00:19:08,680 --> 00:19:09,640
Speaker 3: Yeah, will let me commute.

479
00:19:09,960 --> 00:19:11,200
Speaker 1: I mean, it's up to you if you feel like

480
00:19:11,240 --> 00:19:12,400
Speaker 1: that's something you want to do. Yeah.

481
00:19:12,840 --> 00:19:15,840
Speaker 2: See here's another thing with DC in New York. It's

482
00:19:15,880 --> 00:19:18,280
Speaker 2: one of those that you don't realize how far it

483
00:19:18,320 --> 00:19:19,360
Speaker 2: is until you do the drive.

484
00:19:19,400 --> 00:19:19,560
Speaker 1: You go.

485
00:19:19,680 --> 00:19:21,639
Speaker 2: I forgot how fucking far DC is. Yeah, because when

486
00:19:21,640 --> 00:19:23,000
Speaker 2: you're in New York's like, let me just shoot over

487
00:19:23,000 --> 00:19:23,320
Speaker 2: to DC.

488
00:19:23,560 --> 00:19:26,400
Speaker 1: It's not Philly and it's it's father. It can take

489
00:19:26,400 --> 00:19:28,119
Speaker 1: you five six hours. Yeah, when you have to be

490
00:19:28,200 --> 00:19:30,720
Speaker 1: in the city for something, hm, you sought to feel

491
00:19:30,760 --> 00:19:33,320
Speaker 1: it like, especially if you're driving from DC that turnpike,

492
00:19:33,800 --> 00:19:35,120
Speaker 1: running the traffic, you.

493
00:19:35,040 --> 00:19:37,159
Speaker 2: Get to Maryland, you get to Baltimore, you're all right

494
00:19:37,160 --> 00:19:38,800
Speaker 2: almost there, it's like, oh wait, this is another hour

495
00:19:38,880 --> 00:19:39,600
Speaker 2: I know, yeah.

496
00:19:39,440 --> 00:19:41,960
Speaker 1: And then it turns even Yeah. But yeah, if you

497
00:19:42,000 --> 00:19:43,880
Speaker 1: if you feel like you could do that, commute absolutely,

498
00:19:43,960 --> 00:19:46,199
Speaker 1: DC is I like, I love DC. I'm all joke aside,

499
00:19:46,520 --> 00:19:47,399
Speaker 1: one of my favorite cities.

500
00:19:47,440 --> 00:19:48,720
Speaker 2: Just don't be one of those people in their twenties

501
00:19:48,720 --> 00:19:50,520
Speaker 2: that goes to a city a few weekends and it's

502
00:19:50,560 --> 00:19:52,520
Speaker 2: like I need to move here. It's like, nah, you

503
00:19:52,600 --> 00:19:54,920
Speaker 2: just saw you saw weekend DC. You ain't see Monday

504
00:19:54,960 --> 00:19:55,640
Speaker 2: through Thursday DC.

505
00:19:55,720 --> 00:19:57,320
Speaker 1: Yeah, it gets a little, but you have family there,

506
00:19:57,359 --> 00:19:59,080
Speaker 1: so I'm pretty sure you're good as long as you have.

507
00:19:59,480 --> 00:20:01,479
Speaker 1: I think move into cities where you already have some

508
00:20:01,600 --> 00:20:04,720
Speaker 1: type of base and foundation of your people there. I

509
00:20:04,760 --> 00:20:06,479
Speaker 1: think that helps and you'll figure it out from there

510
00:20:06,520 --> 00:20:09,280
Speaker 1: because then now you know where to go for certain things.

511
00:20:09,880 --> 00:20:11,480
Speaker 3: My best friend lives in the Sticks. It was like

512
00:20:11,560 --> 00:20:13,840
Speaker 3: nice and quiet. It was like country but not country.

513
00:20:14,080 --> 00:20:17,000
Speaker 1: If you can live like that in DC in those areas.

514
00:20:16,920 --> 00:20:20,560
Speaker 2: Beauty County is great, beautiful, that's food is great, beautiful.

515
00:20:20,680 --> 00:20:24,760
Speaker 1: But don't go to that way because it's the niggas

516
00:20:24,760 --> 00:20:25,080
Speaker 1: is there.

517
00:20:25,480 --> 00:20:28,040
Speaker 2: Like remember when South I started to hit and everyone's like,

518
00:20:28,119 --> 00:20:29,720
Speaker 2: remember one's south By hit and it was like I think,

519
00:20:29,720 --> 00:20:32,040
Speaker 2: I think I'm gonna make that move to Austin. It's like, no,

520
00:20:32,119 --> 00:20:34,080
Speaker 2: you saw Sixth Street during south By.

521
00:20:34,400 --> 00:20:35,840
Speaker 1: Yeah, Austin is beautiful.

522
00:20:35,840 --> 00:20:36,440
Speaker 2: Though it's great.

523
00:20:36,480 --> 00:20:38,280
Speaker 1: I loved s It's a beautiful I actually, but I

524
00:20:38,359 --> 00:20:40,520
Speaker 1: like to visit in as I would love to live there.

525
00:20:40,920 --> 00:20:43,720
Speaker 1: I like it. It's a techie city. You got your night life,

526
00:20:43,720 --> 00:20:45,640
Speaker 1: you got your people, you got your culture, you got

527
00:20:45,640 --> 00:20:47,959
Speaker 1: your arts against district and all of that.

528
00:20:48,160 --> 00:20:50,000
Speaker 2: I think I could do that with so many cities

529
00:20:50,040 --> 00:20:52,679
Speaker 2: for like a month. That's really I don't know if

530
00:20:52,680 --> 00:20:56,160
Speaker 2: it's fear or comfortable comfortability with New York that I'm

531
00:20:56,200 --> 00:20:58,280
Speaker 2: just like, I know for a fact I could be

532
00:20:58,359 --> 00:21:02,199
Speaker 2: here forever and be okay. Oh Like there's months that

533
00:21:02,240 --> 00:21:03,800
Speaker 2: I hate New York. There's months I love New York.

534
00:21:03,960 --> 00:21:04,200
Speaker 1: Yeah.

535
00:21:04,280 --> 00:21:07,000
Speaker 2: I feel like if I go to Miami, I would

536
00:21:07,040 --> 00:21:09,040
Speaker 2: love it for a month, Well, I would no longer

537
00:21:09,119 --> 00:21:09,720
Speaker 2: want to be there.

538
00:21:09,800 --> 00:21:11,760
Speaker 1: The soft life for men Rory would be for us

539
00:21:11,760 --> 00:21:14,600
Speaker 1: to have Houston homes and condos and different cities and

540
00:21:14,640 --> 00:21:17,200
Speaker 1: states that we can just spend two months here and

541
00:21:17,280 --> 00:21:18,720
Speaker 1: go and spend two months there.

542
00:21:18,560 --> 00:21:21,679
Speaker 2: Instead of working for all those condos and other places.

543
00:21:21,720 --> 00:21:24,480
Speaker 2: I'm just gonna go by the beach. I'm gonna manifest it,

544
00:21:24,960 --> 00:21:26,480
Speaker 2: and then that all.

545
00:21:26,400 --> 00:21:28,840
Speaker 1: My wishes in like a bottle. I've always wanted to

546
00:21:28,840 --> 00:21:30,560
Speaker 1: do this. I'm put all my wishes in a bottle

547
00:21:31,200 --> 00:21:33,680
Speaker 1: and throw them out to the sea and just wait

548
00:21:33,720 --> 00:21:36,720
Speaker 1: for the universe to return what I asked for, and

549
00:21:36,760 --> 00:21:37,840
Speaker 1: I just in an abundance.

550
00:21:38,040 --> 00:21:41,359
Speaker 2: I feel like, even though I've contributed nothing to society,

551
00:21:41,480 --> 00:21:43,639
Speaker 2: I feel like I deserve.

552
00:21:43,359 --> 00:21:46,159
Speaker 1: I deserve a soft life. Yeah, yeah, God damn. It

553
00:21:46,160 --> 00:21:48,560
Speaker 1: makes soft life equal for men too. It's not just

554
00:21:48,600 --> 00:21:52,800
Speaker 1: the woman thing. It's for men too. Masculine heterosexual men

555
00:21:53,040 --> 00:21:55,640
Speaker 1: deserve a soft life as well as just want.

556
00:21:55,560 --> 00:21:57,960
Speaker 2: To solve masculinity. I just want to live in it.

557
00:21:58,480 --> 00:22:01,440
Speaker 1: Do you want to? You want to live in your maskuline?

558
00:22:01,560 --> 00:22:05,480
Speaker 2: That sounds it actually sounds like actually sounds like a charge.

559
00:22:05,960 --> 00:22:07,920
Speaker 3: And dress your feminist side, because we all have one

560
00:22:07,960 --> 00:22:08,960
Speaker 3: ever dress.

561
00:22:09,040 --> 00:22:09,840
Speaker 2: Feminists at all time.

562
00:22:09,920 --> 00:22:11,159
Speaker 1: What's your feminist? Say?

563
00:22:11,200 --> 00:22:12,200
Speaker 5: What is your feminist?

564
00:22:12,480 --> 00:22:12,680
Speaker 7: Uh?

565
00:22:12,960 --> 00:22:17,040
Speaker 1: The closest I've gotten to addressing my feminine side is skincare, Like,

566
00:22:17,600 --> 00:22:18,240
Speaker 1: is that feminine?

567
00:22:18,280 --> 00:22:18,480
Speaker 2: Though?

568
00:22:19,000 --> 00:22:20,800
Speaker 3: No, that's just hygiene.

569
00:22:20,119 --> 00:22:22,400
Speaker 1: But I think it's I think it's I think it's

570
00:22:22,440 --> 00:22:24,320
Speaker 1: being more in touch with your feminine side.

571
00:22:24,320 --> 00:22:28,040
Speaker 2: Though, like in skincare, I wouldn't put directly into hygiene.

572
00:22:28,080 --> 00:22:30,800
Speaker 2: Like a dude could shower constantly and be a clean guy,

573
00:22:30,880 --> 00:22:33,320
Speaker 2: but isn't into skincare. He just throws lows on his.

574
00:22:33,240 --> 00:22:38,200
Speaker 1: Face, manure, pedicure. That's like being in touch, right, Yeah, yeah, yeah,

575
00:22:38,880 --> 00:22:42,040
Speaker 1: I've I've been manifesting this soft life for men. I've

576
00:22:42,040 --> 00:22:44,480
Speaker 1: been trying to lead this brigade, you know what I mean,

577
00:22:44,640 --> 00:22:47,280
Speaker 1: And I've been met with like nothing but restraint and

578
00:22:47,400 --> 00:22:49,439
Speaker 1: men thinking I'm gay because I get a manicure, and

579
00:22:49,440 --> 00:22:51,840
Speaker 1: I'm just like me too long, What the fuck? I'm

580
00:22:51,880 --> 00:22:54,280
Speaker 1: trying to give men a soft We deserve a soft life.

581
00:22:54,280 --> 00:22:54,720
Speaker 1: God damn it.

582
00:22:54,800 --> 00:22:57,680
Speaker 2: You know what's so toxic about women and them wanting

583
00:22:57,840 --> 00:23:00,600
Speaker 2: us to embrace our feminine side. Any Time I've like

584
00:23:00,720 --> 00:23:03,560
Speaker 2: talked skincare with a girl or like she'll be at

585
00:23:03,560 --> 00:23:06,240
Speaker 2: the house and see my skincare, retine or all the

586
00:23:06,280 --> 00:23:10,000
Speaker 2: stuff I have in my medicine cabinet, They're like, oh,

587
00:23:10,080 --> 00:23:13,359
Speaker 2: you must fuck mad bitches snow all this? Oh my god,

588
00:23:13,640 --> 00:23:16,200
Speaker 2: Like your what girl taught you this? I'm like, wait,

589
00:23:16,240 --> 00:23:17,560
Speaker 2: why can't what girl taught you?

590
00:23:18,160 --> 00:23:19,880
Speaker 1: Google? Everyone has YouTube.

591
00:23:20,240 --> 00:23:22,080
Speaker 2: You can also go to Sephora and talk to a

592
00:23:22,160 --> 00:23:27,639
Speaker 2: specialist a woman or you can also go to your dermatologist. Yeah,

593
00:23:27,720 --> 00:23:29,600
Speaker 2: look up, my dermatologist.

594
00:23:28,920 --> 00:23:31,280
Speaker 1: Is a man. I wish a soft life of Rory

595
00:23:31,320 --> 00:23:31,920
Speaker 1: and his skin.

596
00:23:32,040 --> 00:23:33,119
Speaker 2: Yeah a because it.

597
00:23:33,359 --> 00:23:36,720
Speaker 1: Man should not have alligator skin. We should have soft skin.

598
00:23:36,840 --> 00:23:40,760
Speaker 1: We should fucking exfoliate just like women do. We should moisturize,

599
00:23:40,800 --> 00:23:42,880
Speaker 1: We should tone you know what I mean?

600
00:23:42,960 --> 00:23:44,639
Speaker 3: Like we can you guys get waxed?

601
00:23:44,840 --> 00:23:45,720
Speaker 5: Only think that should start?

602
00:23:46,119 --> 00:23:47,160
Speaker 2: Where would I get waxed?

603
00:23:47,520 --> 00:23:49,240
Speaker 3: You think you have a harry back, Ory, I don't

604
00:23:49,280 --> 00:23:49,479
Speaker 3: it all?

605
00:23:49,520 --> 00:23:51,040
Speaker 2: Actually, really, that's not even.

606
00:23:51,119 --> 00:23:52,679
Speaker 1: That's sick to look at. Rory said, you like you

607
00:23:52,680 --> 00:23:56,959
Speaker 1: have a hairy back. A hairy back. Nah, man, Come well,

608
00:23:57,000 --> 00:23:58,200
Speaker 1: you can't say that about my guy.

609
00:23:58,440 --> 00:24:01,160
Speaker 2: No, Luckily I don't, because I would probably feel insecure

610
00:24:01,200 --> 00:24:02,080
Speaker 2: about a hairy aspect.

611
00:24:02,200 --> 00:24:05,439
Speaker 1: I can't. I've never gotten waxed. Now. A friend of

612
00:24:05,440 --> 00:24:08,560
Speaker 1: mine she tested it on like my arm, just to

613
00:24:08,560 --> 00:24:12,119
Speaker 1: show me how like painful it was. From that day forward,

614
00:24:12,160 --> 00:24:13,119
Speaker 1: I salute any woman.

615
00:24:13,320 --> 00:24:16,040
Speaker 4: Oh yeah, imagine putting it on your balls.

616
00:24:16,680 --> 00:24:19,680
Speaker 1: John ever get sugared? Huh sugared?

617
00:24:19,800 --> 00:24:20,359
Speaker 2: I know a girl like?

618
00:24:20,480 --> 00:24:21,360
Speaker 1: Is that less painful?

619
00:24:21,560 --> 00:24:23,760
Speaker 5: No, it's more painful, yes, but it takes out more

620
00:24:23,800 --> 00:24:25,720
Speaker 5: hair though, it's.

621
00:24:25,440 --> 00:24:27,520
Speaker 1: Not a super hairy guy though, Like I don't. I

622
00:24:27,560 --> 00:24:29,000
Speaker 1: got the little manscape clippers.

623
00:24:29,080 --> 00:24:31,760
Speaker 5: Yeah, but like a nice Brazilian for you, I don't need.

624
00:24:31,960 --> 00:24:34,119
Speaker 1: I'm not when I go to Brazil, I'll get a

625
00:24:34,119 --> 00:24:36,040
Speaker 1: Brazilian woman. But I'm not getting a Brazilian wax.

626
00:24:36,040 --> 00:24:38,560
Speaker 2: I'm cool and I clean it up that but going

627
00:24:38,760 --> 00:24:40,360
Speaker 2: balds like you know.

628
00:24:40,400 --> 00:24:43,840
Speaker 3: It, make sure Johnson looks bigger.

629
00:24:42,800 --> 00:24:46,000
Speaker 2: I don't need to look like a fucking porn star

630
00:24:46,119 --> 00:24:46,680
Speaker 2: or a little boy.

631
00:24:46,840 --> 00:24:50,680
Speaker 1: Yeah, listen, man, that's just so crazy that Devara said

632
00:24:50,680 --> 00:24:54,240
Speaker 1: that though we just let that Johnson looked bigger, didn't

633
00:24:54,320 --> 00:24:56,679
Speaker 1: want to address it. Yo. You know how crazy that is?

634
00:24:58,800 --> 00:25:03,679
Speaker 2: Yo? Speaking of feminine embracing my femininity, yesterday I went

635
00:25:03,720 --> 00:25:04,800
Speaker 2: to go take a bath right.

636
00:25:06,720 --> 00:25:07,600
Speaker 1: Side washing.

637
00:25:08,800 --> 00:25:10,720
Speaker 2: Well, you know, I did the whole thing right.

638
00:25:10,800 --> 00:25:14,880
Speaker 1: You like candles when you take it. Yeah, okay, I put.

639
00:25:14,680 --> 00:25:17,480
Speaker 2: The Ebsen salt, lavender ebs salt and then doctor tells,

640
00:25:17,560 --> 00:25:20,600
Speaker 2: Doctor tells, of course, I gotta get the doctor tills.

641
00:25:20,000 --> 00:25:20,160
Speaker 5: Yeah.

642
00:25:21,160 --> 00:25:22,240
Speaker 1: I was talking to my bath.

643
00:25:22,359 --> 00:25:24,399
Speaker 2: Have my little bath bomb from Lush and you know

644
00:25:24,480 --> 00:25:27,520
Speaker 2: some bubble bath right, just really getting to know yourself.

645
00:25:27,520 --> 00:25:29,879
Speaker 2: And I look over on the side of my my

646
00:25:30,040 --> 00:25:34,359
Speaker 2: soap tub, and it's like this fucking dark ass like

647
00:25:34,640 --> 00:25:37,320
Speaker 2: chunks up against the wall and on the floor like

648
00:25:37,440 --> 00:25:38,040
Speaker 2: spread out.

649
00:25:38,040 --> 00:25:39,760
Speaker 1: Who should your floor?

650
00:25:40,480 --> 00:25:43,840
Speaker 2: I'm saying, length like this? And then I see at

651
00:25:43,840 --> 00:25:49,800
Speaker 2: the end there's a body wash container tipped over and

652
00:25:49,880 --> 00:25:52,439
Speaker 2: all the soap had run from besides right, And then

653
00:25:52,480 --> 00:25:56,080
Speaker 2: I started thinking, who was the last person to use

654
00:25:56,160 --> 00:25:56,920
Speaker 2: my soap tub?

655
00:25:57,680 --> 00:26:00,000
Speaker 3: Guy, it wasn't me. You put everything?

656
00:26:00,760 --> 00:26:02,399
Speaker 2: He just no, no, no, I'm saying it.

657
00:26:04,080 --> 00:26:04,639
Speaker 3: Was not me.

658
00:26:06,320 --> 00:26:07,879
Speaker 2: You were the last.

659
00:26:07,560 --> 00:26:09,959
Speaker 1: One, now, mind you.

660
00:26:10,200 --> 00:26:10,879
Speaker 2: I took a picture.

661
00:26:10,920 --> 00:26:13,040
Speaker 3: I spoke to Rory all weekend. You think he mentioned

662
00:26:13,040 --> 00:26:13,440
Speaker 3: this at all?

663
00:26:13,480 --> 00:26:17,199
Speaker 1: He wasted me noticed it yesterday. Yeah, see, because you know,

664
00:26:17,240 --> 00:26:19,080
Speaker 1: you don't really notice things in your bathroom, like laying

665
00:26:19,080 --> 00:26:21,720
Speaker 1: in your tub. You can look around and it wasn't me.

666
00:26:21,920 --> 00:26:24,480
Speaker 2: This doesn't do it justice. Small, but like it was

667
00:26:24,760 --> 00:26:29,199
Speaker 2: all the way on the back, just nasty and all

668
00:26:29,480 --> 00:26:34,320
Speaker 2: all fucking dried up, and I don't see I don't

669
00:26:34,440 --> 00:26:37,880
Speaker 2: use this. That's body wash. That was from your guest bathroom.

670
00:26:38,480 --> 00:26:41,680
Speaker 3: That was I'm so sorry. You know I didn't knock

671
00:26:41,720 --> 00:26:42,439
Speaker 3: it over on purpose.

672
00:26:42,920 --> 00:26:45,600
Speaker 2: For days? You know, hey, that was your birthday?

673
00:26:45,600 --> 00:26:46,160
Speaker 7: Was a month ago.

674
00:26:46,280 --> 00:26:49,199
Speaker 2: But he just wished, Okay, well that ship has been

675
00:26:49,200 --> 00:26:49,640
Speaker 2: sitting there.

676
00:26:49,640 --> 00:26:52,320
Speaker 3: Oh yeah, no I haven't. I didn't. I didn't know

677
00:26:52,440 --> 00:26:53,800
Speaker 3: when I when I dog sat.

678
00:26:53,840 --> 00:26:57,280
Speaker 2: I didn't because the marriage uses my guest bathroom and

679
00:26:57,280 --> 00:27:00,240
Speaker 2: I keep soaping there obviously for guests, and it doesn't

680
00:27:00,280 --> 00:27:03,560
Speaker 2: leave the guest bathroom. Somehow it ended up in my

681
00:27:03,680 --> 00:27:07,240
Speaker 2: master bathroom next to the tub, spilled everywhere.

682
00:27:07,359 --> 00:27:08,760
Speaker 3: That was what I know. That was.

683
00:27:08,840 --> 00:27:11,320
Speaker 2: That was from allowed to say master bathroom.

684
00:27:11,440 --> 00:27:13,600
Speaker 1: What do they call You shouldn't use the word owners owners.

685
00:27:13,640 --> 00:27:16,400
Speaker 1: The biggest bedroom owners is crazy owners quarters.

686
00:27:16,680 --> 00:27:18,600
Speaker 3: They say the master bedroom and the master.

687
00:27:18,560 --> 00:27:20,000
Speaker 1: They don't know. They don't say no more. I just

688
00:27:20,040 --> 00:27:22,320
Speaker 1: feel like master I shouldn't come out of like like

689
00:27:22,440 --> 00:27:25,040
Speaker 1: real realtors don't. They don't really say that no more,

690
00:27:25,200 --> 00:27:28,560
Speaker 1: but really, nah, they don't listen. We live in a

691
00:27:28,600 --> 00:27:30,480
Speaker 1: crazy world. A lot of things are just not politically

692
00:27:30,520 --> 00:27:31,280
Speaker 1: correct anymore.

693
00:27:31,359 --> 00:27:34,359
Speaker 3: Well, I mean it does have a racist history, so of.

694
00:27:34,280 --> 00:27:36,080
Speaker 1: Course I get it. I understand, but I mean I

695
00:27:36,080 --> 00:27:38,640
Speaker 1: don't see the owner's quarters. Owner's quarters.

696
00:27:39,040 --> 00:27:40,679
Speaker 2: That almost sounds worse.

697
00:27:40,840 --> 00:27:41,760
Speaker 1: Owners quarters.

698
00:27:42,400 --> 00:27:44,640
Speaker 2: That's kind of like when I found out the correct

699
00:27:45,080 --> 00:27:47,159
Speaker 2: term is little people. I felt like that was more demeaning,

700
00:27:47,280 --> 00:27:49,359
Speaker 2: and I didn't want to use it to war feels

701
00:27:49,359 --> 00:27:51,200
Speaker 2: worse too, is way worse than dwarf.

702
00:27:51,280 --> 00:27:52,879
Speaker 1: Sounds like a fucking Disney on ice.

703
00:27:52,960 --> 00:27:54,920
Speaker 2: Collect can't why can't they just be a person?

704
00:27:55,040 --> 00:27:55,960
Speaker 1: Can't do that?

705
00:27:56,800 --> 00:27:58,440
Speaker 2: Well, I don't want to call them a little person either.

706
00:27:58,600 --> 00:28:04,520
Speaker 1: I feel like all them, let's name what's her name? Yeah,

707
00:28:04,600 --> 00:28:06,119
Speaker 1: like and I don't know what her name is?

708
00:28:06,160 --> 00:28:08,240
Speaker 4: Like, Well, if you say no, he can't ride that

709
00:28:08,400 --> 00:28:10,480
Speaker 4: ride because he's, uh, he's.

710
00:28:10,320 --> 00:28:10,800
Speaker 2: Too short for the.

711
00:28:12,400 --> 00:28:15,119
Speaker 1: Meet the height requirement. Yeah, I was, he might slip

712
00:28:15,119 --> 00:28:17,960
Speaker 1: out of the fucking harness, like save his life. Yeah,

713
00:28:17,960 --> 00:28:18,320
Speaker 1: I get it.

714
00:28:18,359 --> 00:28:20,760
Speaker 2: I worked on a terrible reality show which I've talked

715
00:28:20,800 --> 00:28:25,320
Speaker 2: about a few times with Derek Carr, the comedian, and

716
00:28:26,119 --> 00:28:28,240
Speaker 2: one time we're shooting in Washington Square Park and we

717
00:28:28,320 --> 00:28:29,800
Speaker 2: had I'm going to use the correct term, even though

718
00:28:29,800 --> 00:28:31,680
Speaker 2: I don't like it, we had little people were part

719
00:28:31,800 --> 00:28:32,920
Speaker 2: of the sketches we were.

720
00:28:32,800 --> 00:28:34,040
Speaker 1: Doing that day m hm.

721
00:28:34,080 --> 00:28:38,720
Speaker 2: And this wasn't progressive to quite progressive times yet, so

722
00:28:38,760 --> 00:28:40,680
Speaker 2: everyone really didn't know what the proper term was. We

723
00:28:40,680 --> 00:28:42,680
Speaker 2: just knew we could not use the word midget. So

724
00:28:42,880 --> 00:28:45,600
Speaker 2: on the radio, constantly they were saying, does anyone have

725
00:28:45,640 --> 00:28:47,200
Speaker 2: eyes on our special guests?

726
00:28:48,320 --> 00:28:49,280
Speaker 1: That's worse.

727
00:28:50,120 --> 00:28:52,200
Speaker 2: I was like, why God, I don't think this is

728
00:28:52,240 --> 00:28:55,960
Speaker 2: the right way. Can we get the special guests over here?

729
00:28:58,360 --> 00:29:00,480
Speaker 1: It's so because you don't want to offend no body,

730
00:29:00,520 --> 00:29:02,640
Speaker 1: so it gets awkward because you don't know what to say.

731
00:29:02,720 --> 00:29:07,680
Speaker 2: They were the only guests there. Yeah, so where are

732
00:29:07,680 --> 00:29:08,360
Speaker 2: movies special?

733
00:29:08,400 --> 00:29:10,520
Speaker 1: Where are our guests? Does anybody have eyes on our guests?

734
00:29:10,560 --> 00:29:12,320
Speaker 2: Also, it was only three of them and we knew

735
00:29:12,360 --> 00:29:12,960
Speaker 2: their names.

736
00:29:13,240 --> 00:29:13,680
Speaker 1: Yeah.

737
00:29:13,800 --> 00:29:17,920
Speaker 2: So I think sometimes we just make things awkward because

738
00:29:18,360 --> 00:29:23,720
Speaker 2: overly woke people and they get like too nervous and

739
00:29:23,760 --> 00:29:27,120
Speaker 2: become more offensive. I feel like they overthink it and

740
00:29:27,160 --> 00:29:30,400
Speaker 2: then they come across as someone that says very special guests,

741
00:29:30,400 --> 00:29:33,320
Speaker 2: like you're being more condescending and you don't realize it.

742
00:29:33,480 --> 00:29:35,640
Speaker 2: Why don't you just talk on an equal level, right

743
00:29:35,720 --> 00:29:38,120
Speaker 2: instead of trying to feel like this woke. I think

744
00:29:38,200 --> 00:29:43,000
Speaker 2: they're above us, they're better than us.

745
00:29:43,000 --> 00:29:45,640
Speaker 1: Oh man. But yeah, soft life for men, Soft life

746
00:29:45,680 --> 00:29:46,120
Speaker 1: for women?

747
00:29:47,000 --> 00:29:49,160
Speaker 2: Shout out to that' so Raven shout out to that.

748
00:29:49,240 --> 00:29:51,400
Speaker 1: So Raven, I just love to see when the women

749
00:29:51,400 --> 00:29:54,040
Speaker 1: get behind a a new.

750
00:29:54,040 --> 00:29:56,560
Speaker 2: Like excuse not to do anything.

751
00:29:56,760 --> 00:29:58,560
Speaker 1: Yeah, it's just like a whole new thing out of

752
00:29:58,560 --> 00:30:01,440
Speaker 1: soft live. But I do like the idea of that. Like, okay,

753
00:30:01,640 --> 00:30:04,160
Speaker 1: I'm with the soft life thing. Everybody should have a

754
00:30:04,160 --> 00:30:06,440
Speaker 1: lot of time to relax and take care of themselves

755
00:30:06,520 --> 00:30:08,960
Speaker 1: and just you know, enjoy life. So I'm not mad

756
00:30:09,000 --> 00:30:10,959
Speaker 1: at that. It's just it's just interesting how women are

757
00:30:10,960 --> 00:30:14,360
Speaker 1: saying they want to acquire this this acquire Yeah, they do.

758
00:30:14,440 --> 00:30:16,640
Speaker 1: How they want to acquire this soft life. It's like

759
00:30:16,720 --> 00:30:17,880
Speaker 1: they want to just manifest it.

760
00:30:18,080 --> 00:30:19,400
Speaker 2: You know who doesn't give a fun Sometimes you.

761
00:30:19,360 --> 00:30:21,360
Speaker 1: Gotta put in work so you can manifest all you want.

762
00:30:21,960 --> 00:30:23,800
Speaker 1: But sometimes you got to put in the work to

763
00:30:24,040 --> 00:30:27,600
Speaker 1: acquire that soft life in you know, the later years.

764
00:30:27,600 --> 00:30:29,720
Speaker 2: You know who doesn't give a fuck about soft life?

765
00:30:30,200 --> 00:30:33,520
Speaker 1: The bills con Edison, Yeah, those don't care how soft

766
00:30:33,520 --> 00:30:34,000
Speaker 1: your life is.

767
00:30:34,000 --> 00:30:36,640
Speaker 2: Fam you the loan I took off my mortgage, Like, hey,

768
00:30:36,640 --> 00:30:40,440
Speaker 2: I've been going through some things. Yeah, okay, we're going

769
00:30:40,520 --> 00:30:41,240
Speaker 2: to be taking this as well.

770
00:30:41,280 --> 00:30:43,600
Speaker 1: We're going through your files and you owe us some money.

771
00:30:43,480 --> 00:30:45,160
Speaker 2: So you know your off life on the street.

772
00:30:45,200 --> 00:30:47,080
Speaker 1: Yeah, that's a fact. Very soft life on the street.

773
00:30:47,080 --> 00:30:48,880
Speaker 1: You don't got to worry about nothing step for getting

774
00:30:48,920 --> 00:30:52,440
Speaker 1: killed while you sleep. But damn yeah, you know it's

775
00:30:52,440 --> 00:30:53,960
Speaker 1: crazy out in New York. They'll be doing some wild

776
00:30:53,960 --> 00:30:55,360
Speaker 1: ship to the homeless. It's crazy.

777
00:30:55,400 --> 00:30:56,560
Speaker 2: What is Raven Simone doing?

778
00:30:57,280 --> 00:31:05,680
Speaker 3: Chilling making TikTok wife? Oh nice, she's a yeah she's at.

779
00:31:04,760 --> 00:31:07,840
Speaker 2: Now did we ever get into uh like what happened?

780
00:31:08,880 --> 00:31:12,400
Speaker 2: Like Jesus stud Yes, they want to look into the

781
00:31:12,440 --> 00:31:15,440
Speaker 2: creators of that show of like all the casts kind

782
00:31:15,440 --> 00:31:20,360
Speaker 2: of having their moments of breakdowns. I mean Orlando Brown,

783
00:31:20,760 --> 00:31:23,520
Speaker 2: which I feel like I saw a recent interview where

784
00:31:23,560 --> 00:31:26,440
Speaker 2: he seemed like he was great and coherent. He didn't

785
00:31:26,440 --> 00:31:28,040
Speaker 2: way better than he seemed like he was doing good,

786
00:31:28,040 --> 00:31:30,520
Speaker 2: which I like because I didn't like when when of

787
00:31:30,560 --> 00:31:32,400
Speaker 2: course I laughed at the first clip like everyone else,

788
00:31:32,400 --> 00:31:34,000
Speaker 2: but then everyone just started putting a camera on him

789
00:31:34,040 --> 00:31:36,320
Speaker 2: and exploiting his mental breakdowns. I ain't like that ship.

790
00:31:36,400 --> 00:31:39,080
Speaker 5: What you know when they do people so bad in

791
00:31:39,120 --> 00:31:42,360
Speaker 5: their wiki pages, like their first picture, like that's a

792
00:31:42,360 --> 00:31:43,920
Speaker 5: crazy picture of Orlando Brown.

793
00:31:44,800 --> 00:31:47,400
Speaker 2: I mean that might be on the set of that sort.

794
00:31:49,040 --> 00:31:51,720
Speaker 5: Kyle Massey, I don't know what he's up to or

795
00:31:51,720 --> 00:31:53,600
Speaker 5: the last time outside of Corey in the house, I

796
00:31:53,600 --> 00:31:55,920
Speaker 5: remember that. No, Yeah, Cory in the House was like

797
00:31:55,920 --> 00:31:57,120
Speaker 5: a spin off of that story.

798
00:31:57,320 --> 00:32:02,520
Speaker 1: Man, do we feel like child Stars are Like, do

799
00:32:02,560 --> 00:32:07,440
Speaker 1: we have enough evidence to say that Child Stars is

800
00:32:07,480 --> 00:32:08,440
Speaker 1: a bad thing?

801
00:32:09,080 --> 00:32:09,920
Speaker 2: I would say so.

802
00:32:10,080 --> 00:32:14,160
Speaker 1: Yeah, more kids, like because you got to think about it,

803
00:32:14,200 --> 00:32:17,000
Speaker 1: a lot of these kids are you know, when they're

804
00:32:17,040 --> 00:32:18,960
Speaker 1: young and they become you know, they're the cute, adorable

805
00:32:19,000 --> 00:32:22,440
Speaker 1: kids on TV, their work schedule becomes not a soft

806
00:32:22,480 --> 00:32:23,720
Speaker 1: life at all. For these kids.

807
00:32:24,040 --> 00:32:28,640
Speaker 2: Yeah, you get results like Michael Jackson. I was just

808
00:32:28,640 --> 00:32:31,240
Speaker 2: gonna say that, well, talent, but they might get a

809
00:32:31,360 --> 00:32:32,320
Speaker 2: fucked up individual.

810
00:32:32,680 --> 00:32:35,960
Speaker 1: Yeah. So do we feel like because even when I

811
00:32:35,960 --> 00:32:38,280
Speaker 1: look at movies or shows and I see like an infant,

812
00:32:38,360 --> 00:32:42,520
Speaker 1: a baby, just a little weird to have a baby

813
00:32:42,560 --> 00:32:45,320
Speaker 1: on set, and it's like, you know what I mean,

814
00:32:45,360 --> 00:32:47,160
Speaker 1: Like it's like this baby is working, like this is

815
00:32:47,200 --> 00:32:49,920
Speaker 1: like you call it what you want, you're getting, Yeah,

816
00:32:49,960 --> 00:32:52,520
Speaker 1: And it's so it's kind of like we're the parents

817
00:32:52,520 --> 00:32:54,600
Speaker 1: that just decided, you know what, take our newborn.

818
00:32:54,640 --> 00:32:57,440
Speaker 2: And let's just I was watching them, that's so funny.

819
00:32:57,440 --> 00:32:59,080
Speaker 2: Brought that up. I was watching I think it's called

820
00:32:59,240 --> 00:33:01,800
Speaker 2: Candy on who really good fucking.

821
00:33:01,520 --> 00:33:05,960
Speaker 1: Series, and that's what I like her j Jessica Biel.

822
00:33:06,000 --> 00:33:08,600
Speaker 2: So they're going into uh, I won't give away too much,

823
00:33:08,680 --> 00:33:10,400
Speaker 2: but it's to the child actor thing. They're going into

824
00:33:10,520 --> 00:33:13,320
Speaker 2: the funeral for the woman that was murdered and her

825
00:33:13,400 --> 00:33:16,080
Speaker 2: daughter is walking in and when I say this child

826
00:33:16,160 --> 00:33:21,240
Speaker 2: actor gave a fucking Oscar winning cry down the fucking

827
00:33:21,360 --> 00:33:24,680
Speaker 2: church aisle to the casket, I was like, Meryl Streep,

828
00:33:24,680 --> 00:33:27,080
Speaker 2: who this fucking six year old just bodied this cry?

829
00:33:27,400 --> 00:33:30,960
Speaker 2: And then I started thinking, is that going to fuck

830
00:33:31,000 --> 00:33:34,479
Speaker 2: that girl up? Eventually? To be able to have that

831
00:33:34,600 --> 00:33:38,040
Speaker 2: young sponge mind to teach her. And I'm sure she

832
00:33:38,120 --> 00:33:40,320
Speaker 2: has natural talent as well, but to be able to

833
00:33:40,360 --> 00:33:43,480
Speaker 2: do that on Q with a brain that's still developing

834
00:33:43,960 --> 00:33:44,760
Speaker 2: might suck her up.

835
00:33:44,760 --> 00:33:46,800
Speaker 1: And a long yeah, six years old, that's like that's

836
00:33:46,840 --> 00:33:49,880
Speaker 1: a little you know, we don't look at it what

837
00:33:50,400 --> 00:33:52,320
Speaker 1: they're crying. And he's like, okay, cool, but like you said,

838
00:33:52,320 --> 00:33:53,360
Speaker 1: that can be a traumatic thing.

839
00:33:53,880 --> 00:33:54,960
Speaker 2: She was too good at it.

840
00:33:55,880 --> 00:33:57,480
Speaker 1: Yeah, I don't know how I feel about that, man,

841
00:33:57,800 --> 00:33:59,360
Speaker 1: you know, somebody to do it well.

842
00:33:59,400 --> 00:34:02,239
Speaker 2: I'm also we have evidence that a child stars end

843
00:34:02,320 --> 00:34:04,080
Speaker 2: up a little fucked up, you know, we have even

844
00:34:04,120 --> 00:34:07,040
Speaker 2: more evidence how fucking profitable they are. Oh yeah, so

845
00:34:07,080 --> 00:34:07,840
Speaker 2: it's not gonna stop.

846
00:34:07,880 --> 00:34:10,720
Speaker 5: Do you see all the Olsen Twin movies there were Yeah,

847
00:34:10,880 --> 00:34:12,879
Speaker 5: that was crazy and now they're I mean, I don't

848
00:34:12,920 --> 00:34:14,160
Speaker 5: know what they're up to now, but they ain't.

849
00:34:14,160 --> 00:34:16,160
Speaker 1: Look they've made a lot of money.

850
00:34:16,160 --> 00:34:17,000
Speaker 5: They made a lot of money.

851
00:34:17,040 --> 00:34:19,640
Speaker 1: But I think just socially, people become very awkward when

852
00:34:19,640 --> 00:34:23,279
Speaker 1: they're child stars. Obviously we have we can pretty much

853
00:34:24,000 --> 00:34:27,520
Speaker 1: every one of the child stars that we know. It's

854
00:34:27,560 --> 00:34:29,320
Speaker 1: just like, I don't know, I think we need to

855
00:34:29,360 --> 00:34:30,080
Speaker 1: look more into that.

856
00:34:30,680 --> 00:34:30,839
Speaker 7: Well.

857
00:34:30,840 --> 00:34:31,839
Speaker 2: I mean that was a big part of the King

858
00:34:31,920 --> 00:34:36,359
Speaker 2: Richard movie when all the tennis coaches were pissed that.

859
00:34:36,400 --> 00:34:38,520
Speaker 2: He was just like, would cancel practice. We're going to

860
00:34:38,520 --> 00:34:41,120
Speaker 2: Disney World, They're gonna go to school like they're gonna

861
00:34:41,120 --> 00:34:43,719
Speaker 2: be kids. I'm not gonna have them fucking cracked out

862
00:34:43,719 --> 00:34:47,040
Speaker 2: like these other tennis players that turn pro at sixteen.

863
00:34:47,560 --> 00:34:50,239
Speaker 1: Yeah, it's it's we gotta you know, because a lot

864
00:34:50,239 --> 00:34:52,960
Speaker 1: of these things have just been kind of like the

865
00:34:53,040 --> 00:34:55,600
Speaker 1: norm for years. It's been going on, and you know,

866
00:34:55,719 --> 00:34:58,200
Speaker 1: parents have kids and I'm gonna put my daughter in modeling,

867
00:34:58,280 --> 00:35:00,920
Speaker 1: gonna put it into acting, gonna put her beauty Patterson

868
00:35:01,040 --> 00:35:02,799
Speaker 1: and that's you know, that beauty paget.

869
00:35:04,000 --> 00:35:05,240
Speaker 2: Whatever plus everything.

870
00:35:05,239 --> 00:35:07,440
Speaker 1: You know, I understand that, you know, you feel like

871
00:35:07,480 --> 00:35:09,080
Speaker 1: you have a kid, and you you know, sometimes you

872
00:35:09,080 --> 00:35:12,280
Speaker 1: see your kid like we have relatives, our nieces, our nephews,

873
00:35:12,280 --> 00:35:14,279
Speaker 1: our cousins, and we're like, yo, this kid has a

874
00:35:14,280 --> 00:35:16,359
Speaker 1: lot of personality. You can tell from a young age.

875
00:35:16,560 --> 00:35:20,640
Speaker 1: Some kids just have a lot of personality. But sometimes

876
00:35:20,680 --> 00:35:23,400
Speaker 1: when a kid is just really good at something that young,

877
00:35:24,040 --> 00:35:26,799
Speaker 1: I think the parents, you know, it's kind of like, well,

878
00:35:26,960 --> 00:35:28,839
Speaker 1: while he has it or while she has it, let's

879
00:35:29,160 --> 00:35:31,359
Speaker 1: keep pushing them and let's keep moving forward, and let's

880
00:35:31,440 --> 00:35:34,479
Speaker 1: keep sending them to you know, to set to act.

881
00:35:34,480 --> 00:35:38,480
Speaker 1: And it's just like, but what about this kid being

882
00:35:38,520 --> 00:35:40,560
Speaker 1: a kid? Though, Like right now this kid is working.

883
00:35:41,000 --> 00:35:42,640
Speaker 1: Hold on what you want? This is work for this kid.

884
00:35:42,680 --> 00:35:44,279
Speaker 1: This kid has to be on set at a certain time.

885
00:35:44,640 --> 00:35:46,399
Speaker 1: This kid has a you know, if it's a young

886
00:35:46,440 --> 00:35:48,800
Speaker 1: tennis player, he has to practice, he has to travel

887
00:35:48,840 --> 00:35:50,680
Speaker 1: for for games, exhibition matches.

888
00:35:51,320 --> 00:35:52,160
Speaker 3: They usually love it.

889
00:35:52,200 --> 00:35:52,799
Speaker 2: Who loves it?

890
00:35:53,200 --> 00:35:56,000
Speaker 3: The kids? Almost every child star I met have said

891
00:35:56,120 --> 00:35:57,520
Speaker 3: has said that as they were kids.

892
00:35:57,719 --> 00:36:01,279
Speaker 1: Child starts getting met this This is this is this

893
00:36:01,360 --> 00:36:03,040
Speaker 1: is the dog You don't know how you know what.

894
00:36:03,160 --> 00:36:06,160
Speaker 3: Let me retract my statement, not that i've met, but

895
00:36:06,200 --> 00:36:08,279
Speaker 3: that i've that they've come out and said that.

896
00:36:09,400 --> 00:36:11,719
Speaker 1: Well kids, because it's fun to them. Yeah, at a

897
00:36:11,760 --> 00:36:14,680
Speaker 1: young age, I can see how kids it's like, you know,

898
00:36:14,719 --> 00:36:17,120
Speaker 1: they it's a lifetime opportunity. Yeah, it's like you you know,

899
00:36:17,160 --> 00:36:18,839
Speaker 1: you're acting. And like I said, a lot of these

900
00:36:18,880 --> 00:36:21,560
Speaker 1: kids have a lot of personality. They they they belong

901
00:36:21,680 --> 00:36:23,600
Speaker 1: on a stage. You can just tell with certain kids

902
00:36:23,640 --> 00:36:25,840
Speaker 1: like this kid just has it. But I think you

903
00:36:26,120 --> 00:36:29,160
Speaker 1: as parents, it's very important to keep a balance. Yeah,

904
00:36:29,560 --> 00:36:31,239
Speaker 1: of like you're listen, We're not doing none of this

905
00:36:31,280 --> 00:36:33,399
Speaker 1: for a while. I'm gonna go to school, We're gonna

906
00:36:33,440 --> 00:36:36,080
Speaker 1: you know, travel, We're gonna be around family, kids, friends,

907
00:36:36,120 --> 00:36:38,160
Speaker 1: you know whatever. Just to keep it kind of a

908
00:36:38,200 --> 00:36:41,399
Speaker 1: balance of life and work. Like it's okay to work

909
00:36:41,400 --> 00:36:43,279
Speaker 1: and love something to be passionate, but like I said,

910
00:36:43,320 --> 00:36:45,879
Speaker 1: soft life, like enjoy it, you know, enjoy just being

911
00:36:45,920 --> 00:36:48,600
Speaker 1: able to just be around people and travel and experience

912
00:36:48,640 --> 00:36:51,600
Speaker 1: the world and see different cultures and things like that,

913
00:36:51,640 --> 00:36:53,160
Speaker 1: because you know, you get caught up in this world

914
00:36:53,239 --> 00:36:56,799
Speaker 1: of just performing performing performing or you know being an

915
00:36:56,840 --> 00:36:59,640
Speaker 1: athlete and just you know, working out, training and then

916
00:36:59,800 --> 00:37:01,160
Speaker 1: you know, playing your sport.

917
00:37:01,239 --> 00:37:03,000
Speaker 5: It's like you've get to you don't even get a

918
00:37:03,000 --> 00:37:04,040
Speaker 5: time to really process.

919
00:37:04,360 --> 00:37:06,160
Speaker 1: Yeah, you don't. You don't even You lose and you

920
00:37:06,200 --> 00:37:07,839
Speaker 1: lose sight of who you are as a person. Now

921
00:37:07,880 --> 00:37:09,600
Speaker 1: you become who they want you to be.

922
00:37:09,680 --> 00:37:11,359
Speaker 2: I can speak from experience, and I think my mother

923
00:37:11,480 --> 00:37:15,279
Speaker 2: balanced it well with me and my child fame. I

924
00:37:15,680 --> 00:37:19,040
Speaker 2: try to keep it under wraps. This one time I modeled.

925
00:37:20,040 --> 00:37:22,440
Speaker 2: It's like an ll bean mm hmm. And like I

926
00:37:22,480 --> 00:37:24,640
Speaker 2: was in one of the photos and like cause a

927
00:37:24,680 --> 00:37:27,640
Speaker 2: lot of pandemonium in my life and I got recognized

928
00:37:27,680 --> 00:37:29,279
Speaker 2: in the street. It was just I'm just glad my

929
00:37:29,320 --> 00:37:30,440
Speaker 2: mom was really good at bounce.

930
00:37:30,600 --> 00:37:31,640
Speaker 1: Yeah.

931
00:37:31,840 --> 00:37:33,960
Speaker 2: Right now, now that I think about it, that might

932
00:37:33,960 --> 00:37:36,680
Speaker 2: have been child slave labor because I did a whole

933
00:37:36,719 --> 00:37:40,360
Speaker 2: My mom knew somebody, yeah for whatever magazine hole campaign

934
00:37:40,440 --> 00:37:43,319
Speaker 2: and they needed. And it was just one picture the

935
00:37:43,480 --> 00:37:45,520
Speaker 2: actual real model that was modeling the clothes. It was

936
00:37:45,520 --> 00:37:48,520
Speaker 2: like Mom's on the go for like sports, like you

937
00:37:48,520 --> 00:37:51,719
Speaker 2: can wear this to the basketball game, so that they

938
00:37:51,800 --> 00:37:54,000
Speaker 2: dressed me up in like a little league outfit and

939
00:37:54,040 --> 00:37:56,279
Speaker 2: she was like picking me up in her like Ann

940
00:37:56,360 --> 00:37:57,200
Speaker 2: Taylor laftsuit.

941
00:37:58,719 --> 00:38:01,920
Speaker 1: Do we have a picture was in we need to

942
00:38:01,920 --> 00:38:02,239
Speaker 1: find us.

943
00:38:03,600 --> 00:38:05,400
Speaker 2: It's in my mother's house. She actually has it framed.

944
00:38:05,400 --> 00:38:08,160
Speaker 1: Okay, yeah, we can definitely get I'll.

945
00:38:07,920 --> 00:38:12,000
Speaker 2: Ask her on the way out of ship. But now

946
00:38:12,040 --> 00:38:14,400
Speaker 2: in retrospect, now that I know about like union laws

947
00:38:14,400 --> 00:38:17,000
Speaker 2: and yah, and I've been on sets. It was about

948
00:38:17,000 --> 00:38:19,319
Speaker 2: an eight hour day and I got paid with two

949
00:38:19,400 --> 00:38:20,160
Speaker 2: movie tickets.

950
00:38:20,520 --> 00:38:21,240
Speaker 5: That's crazy.

951
00:38:21,239 --> 00:38:22,520
Speaker 1: Oh man, they got you for cheap.

952
00:38:22,920 --> 00:38:25,360
Speaker 2: They got you for cheap, or they paid me and

953
00:38:25,360 --> 00:38:26,600
Speaker 2: my mom never let me see that money.

954
00:38:27,160 --> 00:38:29,800
Speaker 1: Oh yeah, that's definitely probably yeh, that's definitely what happened.

955
00:38:30,480 --> 00:38:33,839
Speaker 2: No, they might have said exposure. Well what I got

956
00:38:33,840 --> 00:38:34,680
Speaker 2: paid with an exposure?

957
00:38:34,880 --> 00:38:36,759
Speaker 1: Parents? And I get it, you know parents, they just

958
00:38:36,800 --> 00:38:38,480
Speaker 1: want to put their kids in something and keep them

959
00:38:38,480 --> 00:38:40,759
Speaker 1: active and keep them busy and you know, set them

960
00:38:40,800 --> 00:38:44,640
Speaker 1: up for soft life if you will. But yeah, you

961
00:38:44,680 --> 00:38:46,720
Speaker 1: gotta be careful, man, because a lot of these child stars,

962
00:38:46,719 --> 00:38:48,520
Speaker 1: you look at them when they get older, it's just

963
00:38:48,600 --> 00:38:51,840
Speaker 1: always some ship of course d u I and you

964
00:38:51,880 --> 00:38:56,520
Speaker 1: know depression and drug addict and it's like, yo, this

965
00:38:56,680 --> 00:38:58,600
Speaker 1: was like a really sweet kid at one point, like

966
00:38:58,640 --> 00:38:59,320
Speaker 1: what happened.

967
00:38:59,800 --> 00:39:05,640
Speaker 2: I'm mean, you gave them money, attention, fame, lifestyle and

968
00:39:05,840 --> 00:39:08,120
Speaker 2: career path that's already fucked up as is, and then

969
00:39:08,160 --> 00:39:11,160
Speaker 2: you say figure it out, thirteen year old, you'll be fine.

970
00:39:11,680 --> 00:39:14,200
Speaker 1: But does it happen when like they lose that fame.

971
00:39:14,320 --> 00:39:16,160
Speaker 1: You think that's when the smidal happens, when they're not

972
00:39:16,200 --> 00:39:17,960
Speaker 1: as in demand as they were as a child. I

973
00:39:17,960 --> 00:39:19,480
Speaker 1: think that's a lot of people don't know how to

974
00:39:19,680 --> 00:39:22,000
Speaker 1: handle that. Like, Damn, as a kid, I was fucking working,

975
00:39:22,920 --> 00:39:24,719
Speaker 1: you know all the time. Now as an adult, I

976
00:39:24,719 --> 00:39:26,480
Speaker 1: can't get cast it for anything naturally.

977
00:39:26,480 --> 00:39:30,080
Speaker 2: I think that heightens it. But they're exposed to it

978
00:39:30,160 --> 00:39:33,360
Speaker 2: at the height of their success, like Lindsay lohanle you

979
00:39:33,360 --> 00:39:34,600
Speaker 2: can tell you when she was a kid, she was

980
00:39:34,680 --> 00:39:36,319
Speaker 2: up in parties with people, was doing coke and shit

981
00:39:36,360 --> 00:39:39,080
Speaker 2: when she was thirteen fourteen, Like, she's exposed to those

982
00:39:39,480 --> 00:39:42,799
Speaker 2: habits at that time. And obviously those habits when things

983
00:39:42,840 --> 00:39:46,640
Speaker 2: are going fucked up, get even worse. So yeah, around

984
00:39:46,680 --> 00:39:49,880
Speaker 2: you're in Hollywood, that's a devil worshiping place.

985
00:39:50,560 --> 00:39:53,640
Speaker 5: Of course, they come about like Nickelodeon and Disney stars

986
00:39:54,200 --> 00:39:56,760
Speaker 5: like I feel like they really are always having eyes

987
00:39:56,800 --> 00:39:58,080
Speaker 5: on them no matter what, like.

988
00:39:58,120 --> 00:40:04,160
Speaker 2: Raven mm hm, rest in peace, Lee Thompson, famous Jet Jackson. Yes,

989
00:40:04,280 --> 00:40:09,200
Speaker 2: he even had a great career after his childhood shit.

990
00:40:09,920 --> 00:40:12,120
Speaker 2: And of course I'm not going to just automatically say

991
00:40:12,120 --> 00:40:14,040
Speaker 2: it had to do with him being a child star,

992
00:40:14,200 --> 00:40:16,239
Speaker 2: but obviously he had some mental issues and I just

993
00:40:16,239 --> 00:40:21,160
Speaker 2: don't think child fame kind of helped him in dealing

994
00:40:21,160 --> 00:40:23,360
Speaker 2: with those things and unfortunately killed himself.

995
00:40:23,840 --> 00:40:26,600
Speaker 1: Yeah, that was And you know it's funny. I saw

996
00:40:26,680 --> 00:40:30,560
Speaker 1: him maybe like six months before that, at with Dina's

997
00:40:30,600 --> 00:40:34,920
Speaker 1: dad on a twenty third is that Chelsea Chelsea Dinah. Yeah,

998
00:40:35,040 --> 00:40:37,040
Speaker 1: saw him at Chelsea Diner on twenty thirty, like maybe

999
00:40:37,040 --> 00:40:39,440
Speaker 1: like six months before that happened. Then they got the

1000
00:40:39,440 --> 00:40:40,560
Speaker 1: news that he committed suicide.

1001
00:40:40,600 --> 00:40:43,680
Speaker 2: That was like damn yes, wild And I mean I

1002
00:40:43,680 --> 00:40:46,200
Speaker 2: think he tried to do like the normal life too.

1003
00:40:46,320 --> 00:40:48,120
Speaker 2: He went to USC. I know, he's my frat brother.

1004
00:40:48,120 --> 00:40:51,120
Speaker 2: That's why I like know weird college details about him.

1005
00:40:51,120 --> 00:40:53,200
Speaker 2: But I think he tried to do the regular shit

1006
00:40:53,320 --> 00:40:56,640
Speaker 2: after the child fame shit. He gave it an attempt,

1007
00:40:56,680 --> 00:40:58,680
Speaker 2: but who knows after that.

1008
00:40:58,719 --> 00:41:00,640
Speaker 5: I can only imagine there's just such a conditioning they

1009
00:41:00,719 --> 00:41:04,400
Speaker 5: do that's before you're the problem, before you're a conditioner.

1010
00:41:04,600 --> 00:41:06,560
Speaker 5: Because I don't know if you guys have seen just

1011
00:41:06,600 --> 00:41:09,520
Speaker 5: other stars right when they turniteat like Miley Cyrus, they

1012
00:41:09,600 --> 00:41:12,319
Speaker 5: turn eighteen, they switch up their whole ship, or at

1013
00:41:12,400 --> 00:41:13,560
Speaker 5: least marketing wise, they do.

1014
00:41:13,960 --> 00:41:16,080
Speaker 2: Yeah, you know, well, it depends where they want to go.

1015
00:41:17,360 --> 00:41:19,560
Speaker 2: I mean, we even see it. Let's hope it in

1016
00:41:19,600 --> 00:41:21,880
Speaker 2: a healthy way. I haven't seen it otherwise. But what

1017
00:41:21,880 --> 00:41:23,799
Speaker 2: the fuck do we know to talk about Chloe all

1018
00:41:23,800 --> 00:41:25,680
Speaker 2: the time. They had to get her out of this

1019
00:41:25,800 --> 00:41:31,440
Speaker 2: child fame shit, So let's make her a fucking real woman. Yeah,

1020
00:41:31,480 --> 00:41:32,920
Speaker 2: I'm not saying she isn't one, but like as far

1021
00:41:32,960 --> 00:41:34,759
Speaker 2: as how they're marketed, like this is a grown woman

1022
00:41:35,239 --> 00:41:39,600
Speaker 2: that sexual et cetera. That's what they have to do,

1023
00:41:39,640 --> 00:41:42,920
Speaker 2: and sometimes that's done in a marketing way, and sometimes

1024
00:41:42,920 --> 00:41:45,120
Speaker 2: that she just done on your fucking own. And now

1025
00:41:45,160 --> 00:41:48,440
Speaker 2: you're Lindsay Lohan running a fucking muck in Long Island

1026
00:41:48,520 --> 00:41:54,000
Speaker 2: in Manhattan with access, money and enablers around you.

1027
00:41:55,000 --> 00:41:57,800
Speaker 1: Well, prayers to all childhood stars that are now adults

1028
00:41:57,800 --> 00:42:00,200
Speaker 1: that are having problems, real life problem.

1029
00:42:00,560 --> 00:42:02,560
Speaker 4: One day, if you guys get a chance to look

1030
00:42:02,560 --> 00:42:05,960
Speaker 4: into Drew Barrymore's story. It's like it's crazy, like she

1031
00:42:06,400 --> 00:42:09,240
Speaker 4: used to be in like Studio fifty four at like nine,

1032
00:42:09,800 --> 00:42:11,960
Speaker 4: where her mother was like encouraging her to like dance

1033
00:42:12,000 --> 00:42:14,480
Speaker 4: with like young men and stuff like that. She was

1034
00:42:14,719 --> 00:42:18,200
Speaker 4: hooked on drugs and alcohol by thirteen, tried to kill

1035
00:42:18,200 --> 00:42:22,600
Speaker 4: herself by fourteen and was hospitalized like crazy, like they

1036
00:42:22,719 --> 00:42:23,800
Speaker 4: just had her like out.

1037
00:42:23,640 --> 00:42:25,759
Speaker 3: His studio fifty four at nine years old. Bro the

1038
00:42:25,880 --> 00:42:26,719
Speaker 3: Studio fifty four.

1039
00:42:26,960 --> 00:42:28,080
Speaker 1: Yes, well that's.

1040
00:42:27,960 --> 00:42:29,920
Speaker 3: Just chilling regularly like they knew her as a.

1041
00:42:29,920 --> 00:42:31,759
Speaker 2: Right, I don't care that you was in ET, like

1042
00:42:32,560 --> 00:42:37,200
Speaker 2: get this little yeah phone home, like now, seriously, she's

1043
00:42:37,239 --> 00:42:38,240
Speaker 2: an ET, right, yeah.

1044
00:42:38,480 --> 00:42:39,919
Speaker 3: Yeah, five, she's an ET.

1045
00:42:40,160 --> 00:42:48,200
Speaker 1: Crazy Yeah. So what music were you listening to this week?

1046
00:42:48,239 --> 00:42:49,400
Speaker 1: And Rory, if any at all.

1047
00:42:49,640 --> 00:42:52,280
Speaker 2: I was still on Kendrick. I do want to revisit.

1048
00:42:52,719 --> 00:42:58,000
Speaker 2: Not that one week is the determining factor of replay value,

1049
00:43:00,160 --> 00:43:02,520
Speaker 2: but with how heavy that album is and that narrative

1050
00:43:02,560 --> 00:43:05,200
Speaker 2: and the things that he was talking about, there are

1051
00:43:05,280 --> 00:43:07,520
Speaker 2: there are songs on there that you listen to on

1052
00:43:07,520 --> 00:43:11,320
Speaker 2: that first listen and we're blown away but probably won't

1053
00:43:11,320 --> 00:43:13,319
Speaker 2: go back to listen to again.

1054
00:43:13,440 --> 00:43:16,040
Speaker 1: I'm still listening to the album, I think it's sounding

1055
00:43:16,160 --> 00:43:20,080
Speaker 1: better as as the days past. There's a lot I've

1056
00:43:20,080 --> 00:43:22,040
Speaker 1: seen people saying a lot of songs that have replay vack.

1057
00:43:22,120 --> 00:43:23,480
Speaker 1: I don't know what songs listen to. I think for

1058
00:43:23,520 --> 00:43:26,080
Speaker 1: all the time. As replay value, I think die Hard,

1059
00:43:26,080 --> 00:43:31,080
Speaker 1: I think Rich Rich Spirit is crazy, Purple Hearts with somewhat.

1060
00:43:30,719 --> 00:43:32,920
Speaker 2: And Uh Savior has a lot of replay.

1061
00:43:33,200 --> 00:43:35,800
Speaker 1: Savior is crazy. Hill with Kodak is crazy.

1062
00:43:36,000 --> 00:43:38,800
Speaker 2: I feel like out of like the really heavier records,

1063
00:43:38,960 --> 00:43:42,240
Speaker 2: father Time might be the one with the most replay value,

1064
00:43:42,480 --> 00:43:45,840
Speaker 2: like Obviously we Cry Together. I don't think that was

1065
00:43:45,880 --> 00:43:47,359
Speaker 2: meant for replay value to begin with.

1066
00:43:47,400 --> 00:43:49,400
Speaker 1: But Rich Spirit is the one I think to me

1067
00:43:49,480 --> 00:43:52,640
Speaker 1: that's definitely like heavy replay value.

1068
00:43:53,160 --> 00:43:55,600
Speaker 2: Like Auntie's Iris and Mother I Sober, I Love. I

1069
00:43:55,680 --> 00:43:57,920
Speaker 2: just have to be in the right space for those.

1070
00:43:57,960 --> 00:44:00,400
Speaker 2: They're not as universal as the other album.

1071
00:44:00,480 --> 00:44:03,719
Speaker 1: The album still sounds amazing, Yeah, for sure. Every day

1072
00:44:03,719 --> 00:44:06,400
Speaker 1: I've been I've been playing the album every day. It's

1073
00:44:06,480 --> 00:44:11,600
Speaker 1: just an amazing album. The Savior record, I think, is

1074
00:44:11,640 --> 00:44:13,279
Speaker 1: the next one that's gonna really take off.

1075
00:44:14,400 --> 00:44:16,920
Speaker 2: I agree. I'm curious to see what they do post

1076
00:44:17,239 --> 00:44:20,560
Speaker 2: promo with videos and everything that Dave and Kendrick want

1077
00:44:20,560 --> 00:44:23,120
Speaker 2: to do. But I still love it. I did see

1078
00:44:23,160 --> 00:44:24,400
Speaker 2: people complaining because that's.

1079
00:44:24,280 --> 00:44:24,920
Speaker 1: Just what people do.

1080
00:44:25,800 --> 00:44:28,120
Speaker 2: I mean everyone, you guys were prisoners of the moment.

1081
00:44:28,400 --> 00:44:29,919
Speaker 2: How do you like it now? I'm like, I still

1082
00:44:29,960 --> 00:44:32,520
Speaker 2: like it, But I do see some point of there

1083
00:44:32,560 --> 00:44:33,080
Speaker 2: being a few.

1084
00:44:33,600 --> 00:44:36,000
Speaker 1: I still stand behind what I said. It's a classic

1085
00:44:36,080 --> 00:44:38,880
Speaker 1: album to me. I don't think I don't this is

1086
00:44:39,400 --> 00:44:41,680
Speaker 1: this is something that I think a lot of people

1087
00:44:41,719 --> 00:44:45,160
Speaker 1: are gonna look at him like, okay, like he's definitely

1088
00:44:45,239 --> 00:44:50,600
Speaker 1: want the artist that is in a whole other league.

1089
00:44:50,719 --> 00:44:53,560
Speaker 1: He's not. We can't. A lot of artists can't do

1090
00:44:53,600 --> 00:44:54,760
Speaker 1: what Kendrick did with this album.

1091
00:44:54,800 --> 00:44:55,239
Speaker 2: Of course not.

1092
00:44:55,280 --> 00:44:56,879
Speaker 1: They can't make the songs he did. I think that

1093
00:44:57,320 --> 00:44:59,120
Speaker 1: the way he talked about therapy or the things he

1094
00:44:59,120 --> 00:45:01,600
Speaker 1: talked about we talked about already therapy and you know,

1095
00:45:01,640 --> 00:45:04,880
Speaker 1: addressing family trauma and things like that, I think he

1096
00:45:04,960 --> 00:45:07,239
Speaker 1: did it in a way. The Savior record, he named

1097
00:45:07,280 --> 00:45:08,920
Speaker 1: all of these people that we look up to. You

1098
00:45:08,960 --> 00:45:11,360
Speaker 1: know that he's not your savior, like Lectrick. Even the

1099
00:45:11,400 --> 00:45:13,399
Speaker 1: bar he said Tupac is dead, like you gotta lift

1100
00:45:13,440 --> 00:45:16,560
Speaker 1: for yourself, like it's like, you know, what do you

1101
00:45:16,600 --> 00:45:18,040
Speaker 1: know what I mean? Like it's like shit like that,

1102
00:45:18,080 --> 00:45:20,520
Speaker 1: like stop looking up to these people that you think

1103
00:45:20,520 --> 00:45:22,480
Speaker 1: are your saviors. Like it starts with you, like you

1104
00:45:22,520 --> 00:45:25,080
Speaker 1: gotta make change, you gotta do the right shit, you

1105
00:45:25,080 --> 00:45:26,959
Speaker 1: know what I mean. So I think that the album

1106
00:45:27,080 --> 00:45:29,560
Speaker 1: is great. I think it's aging very well. I think

1107
00:45:29,560 --> 00:45:31,239
Speaker 1: there's still a bunch of records that are gonna take

1108
00:45:31,239 --> 00:45:32,000
Speaker 1: off from this album.

1109
00:45:32,080 --> 00:45:34,760
Speaker 2: I just think people are listening with Damn Ears because

1110
00:45:34,880 --> 00:45:37,920
Speaker 2: Damn was every record could stand alone, or you could

1111
00:45:37,920 --> 00:45:40,400
Speaker 2: listen to it all the way through, super up tempo

1112
00:45:40,440 --> 00:45:43,440
Speaker 2: and a lot of stuff. This is just not that,

1113
00:45:44,280 --> 00:45:46,920
Speaker 2: and you can't listen to it with Damn Ears. Yeah,

1114
00:45:47,360 --> 00:45:48,920
Speaker 2: and they're two completely different albums.

1115
00:45:49,000 --> 00:45:51,520
Speaker 1: I was listening to the to the Hit Girl album

1116
00:45:51,600 --> 00:45:52,520
Speaker 1: Dreazy and hit Boy.

1117
00:45:52,880 --> 00:45:54,840
Speaker 2: Shout out to Dreezy and hit Boy super.

1118
00:45:54,600 --> 00:45:58,880
Speaker 1: Dope project In Touch with Jeremiah is probably one of

1119
00:45:58,960 --> 00:46:02,720
Speaker 1: my favorites on it. Jesus, it's good to see Dreazy

1120
00:46:03,560 --> 00:46:06,080
Speaker 1: uh and and and in the studio working with a

1121
00:46:06,080 --> 00:46:08,200
Speaker 1: producer like hit Boy. For I always felt like DRez

1122
00:46:08,360 --> 00:46:11,799
Speaker 1: was one of the most talented artists UH in the game.

1123
00:46:12,360 --> 00:46:14,520
Speaker 1: She had the record I loved years ago with t

1124
00:46:14,680 --> 00:46:15,960
Speaker 1: Pain that was super hard.

1125
00:46:17,200 --> 00:46:19,120
Speaker 2: She raped, she sings fire.

1126
00:46:19,600 --> 00:46:21,440
Speaker 1: I think she's super super dope. So it's good to

1127
00:46:21,480 --> 00:46:24,319
Speaker 1: see her with a producer like hit Boy locking on

1128
00:46:24,360 --> 00:46:27,839
Speaker 1: a project, create a sound, yeah, and you know, and

1129
00:46:27,840 --> 00:46:29,440
Speaker 1: and put it out because you know, to me, I

1130
00:46:29,480 --> 00:46:30,799
Speaker 1: think that's what a lot of artists need to do.

1131
00:46:30,800 --> 00:46:33,200
Speaker 1: They need to sit with the right producers and find

1132
00:46:33,200 --> 00:46:35,560
Speaker 1: their sound, find what they sound like, fine with their

1133
00:46:36,280 --> 00:46:39,080
Speaker 1: their core is, and and and and and work on that.

1134
00:46:39,160 --> 00:46:42,200
Speaker 1: And I think obviously hit Boys, you know, easily the

1135
00:46:42,600 --> 00:46:45,200
Speaker 1: hottest producer in the game right now. So to see

1136
00:46:45,239 --> 00:46:46,960
Speaker 1: DRez getting the studio and put a project out with

1137
00:46:47,040 --> 00:46:48,440
Speaker 1: hit Boy was dope. I didn't even know that that

1138
00:46:48,560 --> 00:46:49,520
Speaker 1: was coming, honestly.

1139
00:46:49,320 --> 00:46:51,640
Speaker 2: Neither until they started doing the promo. That's what I

1140
00:46:51,640 --> 00:46:53,880
Speaker 2: think Drez's been missing because they've I don't want to

1141
00:46:53,880 --> 00:46:57,239
Speaker 2: say single chasing, but you could tell the major has

1142
00:46:57,280 --> 00:47:00,440
Speaker 2: been trying to like find and I think she's too

1143
00:47:00,480 --> 00:47:04,200
Speaker 2: talented for the let's search for a single ship. Of

1144
00:47:04,280 --> 00:47:07,600
Speaker 2: course that can work, but she needs to actually lock

1145
00:47:07,680 --> 00:47:09,799
Speaker 2: in and get a body of work and work a

1146
00:47:09,840 --> 00:47:13,960
Speaker 2: record that the fans pick, like what's the best record

1147
00:47:14,160 --> 00:47:16,040
Speaker 2: off this full project, then we'll work that one.

1148
00:47:16,560 --> 00:47:19,800
Speaker 1: Hit Girl Dreazy shout out to Dreezy, shout out to

1149
00:47:19,840 --> 00:47:22,960
Speaker 1: hit Boy super Dope project. If you haven't downloaded it yet,

1150
00:47:22,960 --> 00:47:24,359
Speaker 1: I think you should take it up and check it out.

1151
00:47:24,400 --> 00:47:24,920
Speaker 1: You like that.

1152
00:47:25,320 --> 00:47:27,000
Speaker 2: I saw the Marlin Craft album which I told you

1153
00:47:27,080 --> 00:47:27,560
Speaker 2: last episode.

1154
00:47:27,600 --> 00:47:28,640
Speaker 1: Marlon Kraft checked that out.

1155
00:47:28,880 --> 00:47:31,839
Speaker 2: Yeah, that that you can listen to with Kendrick. It's

1156
00:47:31,840 --> 00:47:35,160
Speaker 2: a good and I wouldn't have found that if it

1157
00:47:35,200 --> 00:47:41,239
Speaker 2: wasn't for you. He could like rap for real and

1158
00:47:41,280 --> 00:47:44,839
Speaker 2: it doesn't come off. He's like the perfect mix where

1159
00:47:44,840 --> 00:47:47,480
Speaker 2: it's not too logically like, it's not too like he

1160
00:47:47,680 --> 00:47:50,360
Speaker 2: could really really wrap. It's like, calm down. There's still

1161
00:47:51,280 --> 00:47:54,040
Speaker 2: some human aspect to him rapping really well, if that

1162
00:47:54,080 --> 00:47:57,640
Speaker 2: makes sense. So step up from Jack Carlow as far

1163
00:47:57,680 --> 00:47:59,800
Speaker 2: as bars, but I'm not saying. I know Jack is

1164
00:47:59,800 --> 00:48:03,040
Speaker 2: making song songs and probably might dumbash it down. Marlin

1165
00:48:03,120 --> 00:48:04,839
Speaker 2: is a perfect mix to that, like he can make

1166
00:48:04,920 --> 00:48:05,680
Speaker 2: records and really rap.

1167
00:48:05,680 --> 00:48:07,319
Speaker 1: I want to start a white on white crime for

1168
00:48:07,360 --> 00:48:09,439
Speaker 1: you real quick. I'm staying out of his beef all.

1169
00:48:09,400 --> 00:48:12,480
Speaker 2: Right, because that's how they're gonna compare. I'm I'm realistic.

1170
00:48:13,600 --> 00:48:18,480
Speaker 1: Rush with Jack Carler. Oh this is that hard? Yeah?

1171
00:48:18,640 --> 00:48:20,960
Speaker 1: Is that difficult Curly versus Curly? He just asked, I'm

1172
00:48:20,960 --> 00:48:21,759
Speaker 1: just trying to figure it out.

1173
00:48:22,239 --> 00:48:23,880
Speaker 2: I think Russ is more wavy here than he does.

1174
00:48:24,239 --> 00:48:27,640
Speaker 2: I agree, Curly. I think this is very simple, very

1175
00:48:27,680 --> 00:48:29,719
Speaker 2: obviously Russ and Yeah, I think it's Russ and I don't

1176
00:48:29,800 --> 00:48:32,920
Speaker 2: think it's close. But I don't. I don't know if

1177
00:48:32,920 --> 00:48:35,440
Speaker 2: it's a fair comparison for them to outside of just

1178
00:48:35,480 --> 00:48:36,080
Speaker 2: being white.

1179
00:48:36,239 --> 00:48:37,560
Speaker 1: Why is it not a fair comparison.

1180
00:48:37,600 --> 00:48:41,120
Speaker 2: They're two totally different artists with totally different objectives, with

1181
00:48:41,200 --> 00:48:48,040
Speaker 2: totally different careers. Uh, yeah, how they angled. I'm just

1182
00:48:48,800 --> 00:48:51,080
Speaker 2: are different. And it's not a slight to Jack at all.

1183
00:48:51,800 --> 00:48:54,879
Speaker 1: From the artistry. I'm not talking about everything around the music.

1184
00:48:54,880 --> 00:48:57,799
Speaker 2: I'm talking about Oh then then then I'm then it's

1185
00:48:57,800 --> 00:48:59,919
Speaker 2: even easier for me. And this is again a slight

1186
00:49:00,360 --> 00:49:04,319
Speaker 2: to Jack. I think there's gonna be drastic improvement with him,

1187
00:49:04,360 --> 00:49:05,640
Speaker 2: and I see what he's trying to do, and I

1188
00:49:05,680 --> 00:49:07,279
Speaker 2: see why he had to make the album that he made,

1189
00:49:07,520 --> 00:49:10,400
Speaker 2: because I feel like he's rapped better than it was

1190
00:49:10,400 --> 00:49:12,480
Speaker 2: a good album. It was. It was for the younger generation.

1191
00:49:13,080 --> 00:49:15,880
Speaker 2: It was the perfect I have my coming out party

1192
00:49:15,920 --> 00:49:18,840
Speaker 2: first album. I feel Jack has rapped way better before

1193
00:49:19,440 --> 00:49:21,560
Speaker 2: than he has on this album. But I get why

1194
00:49:21,560 --> 00:49:24,240
Speaker 2: he did it. Now, you're saying just from an artistry standpoint,

1195
00:49:24,280 --> 00:49:30,239
Speaker 2: yet Russ's Russ is an extremely underrated writer. He can

1196
00:49:30,280 --> 00:49:34,560
Speaker 2: wrap his ass off, he could sing, he could make beats. Yeah,

1197
00:49:34,600 --> 00:49:37,360
Speaker 2: I was, It's just a way different.

1198
00:49:37,800 --> 00:49:39,760
Speaker 1: I was just listening to both of them over the weekend.

1199
00:49:39,800 --> 00:49:42,560
Speaker 1: I was listening to Jack's album, and I was listening

1200
00:49:42,600 --> 00:49:45,279
Speaker 1: to Russ's, uh, the one he just put out and

1201
00:49:45,280 --> 00:49:48,279
Speaker 1: the one before that Chomp too. And I'm listening and

1202
00:49:48,280 --> 00:49:52,480
Speaker 1: I'm like, I wonder how many people like Jack more

1203
00:49:52,480 --> 00:49:56,200
Speaker 1: than they like Russ. It's just an interesting thing.

1204
00:49:56,280 --> 00:49:57,480
Speaker 2: Well, Jack is more likable.

1205
00:49:58,920 --> 00:50:02,400
Speaker 1: Well, I think I think that Russ is because Russ

1206
00:50:02,440 --> 00:50:05,799
Speaker 1: has created his own world and his own bubble that

1207
00:50:05,880 --> 00:50:08,200
Speaker 1: he operates and he does. He's not He's an independent artist.

1208
00:50:08,800 --> 00:50:11,440
Speaker 1: He runs his own company and shit like that. He

1209
00:50:11,480 --> 00:50:15,680
Speaker 1: doesn't really look to the machine. He doesn't go after

1210
00:50:15,680 --> 00:50:18,400
Speaker 1: the big name producers like that. He doesn't, you know

1211
00:50:18,400 --> 00:50:19,799
Speaker 1: what I mean, Like, he does a lot of shit

1212
00:50:19,880 --> 00:50:23,239
Speaker 1: in house. I think that with Jack is on the

1213
00:50:23,320 --> 00:50:26,480
Speaker 1: complete opposite side of that, he's had the Pharrelle production

1214
00:50:26,680 --> 00:50:29,040
Speaker 1: and you know, all of the big features and things

1215
00:50:29,120 --> 00:50:32,520
Speaker 1: like that. But just listening to them too, I was like,

1216
00:50:32,520 --> 00:50:34,800
Speaker 1: I wonder how many people feel like like like Jack

1217
00:50:35,520 --> 00:50:36,399
Speaker 1: more than they like well.

1218
00:50:36,480 --> 00:50:40,040
Speaker 2: Jack has been marketed whether he's I'm sure he's a

1219
00:50:40,040 --> 00:50:42,120
Speaker 2: good dude. I'm sure he's a good person. A few

1220
00:50:42,120 --> 00:50:45,880
Speaker 2: interactions of having him, he's very nice. He's been marketed

1221
00:50:45,960 --> 00:50:48,960
Speaker 2: as the sweetheart as well, like this really nice guy

1222
00:50:49,560 --> 00:50:55,440
Speaker 2: that doesn't fuck with anybody. And Russ unintentionally has marketed himself,

1223
00:50:55,560 --> 00:50:57,480
Speaker 2: which we talked. I talked with him like have you

1224
00:50:57,560 --> 00:51:00,680
Speaker 2: ever thought that maybe it's your delivery and which maybe

1225
00:51:00,960 --> 00:51:05,760
Speaker 2: it's your face that upsets people coming from you. He's

1226
00:51:06,560 --> 00:51:07,520
Speaker 2: positioned himself.

1227
00:51:07,960 --> 00:51:08,480
Speaker 1: He likes that.

1228
00:51:08,600 --> 00:51:12,759
Speaker 2: Actually, I think I don't think he intentionally set out

1229
00:51:12,840 --> 00:51:15,920
Speaker 2: for this. I think he believes hold hardly everything he's

1230
00:51:15,920 --> 00:51:19,080
Speaker 2: saying about the music business, and I agree with him.

1231
00:51:19,360 --> 00:51:22,120
Speaker 2: I think he thought because he's saying the truth and

1232
00:51:22,160 --> 00:51:26,360
Speaker 2: the right things, it would be received well. And instead

1233
00:51:27,040 --> 00:51:30,399
Speaker 2: people sometimes get more mad at the messenger and don't

1234
00:51:30,440 --> 00:51:32,560
Speaker 2: listen to the message because like, why are you saying that?

1235
00:51:33,160 --> 00:51:33,239
Speaker 1: So?

1236
00:51:34,360 --> 00:51:36,560
Speaker 2: And he comes up. He talks. I won't to say aggressive,

1237
00:51:36,600 --> 00:51:39,680
Speaker 2: but he comes off abrasive and in many cases, so

1238
00:51:39,719 --> 00:51:40,960
Speaker 2: I don't think he's set out to be like I

1239
00:51:40,960 --> 00:51:42,560
Speaker 2: want to be a villain. I don't think Russ wants that.

1240
00:51:42,600 --> 00:51:46,040
Speaker 2: I think Russ wants to be liked. He just which

1241
00:51:46,080 --> 00:51:48,640
Speaker 2: I suffer from too say the right thing in the

1242
00:51:48,680 --> 00:51:51,120
Speaker 2: wrong way and you kind of come across as an asshole.

1243
00:51:52,719 --> 00:51:55,919
Speaker 2: Whereas Jack I think has been positioned and is really

1244
00:51:55,920 --> 00:51:59,160
Speaker 2: well of becoming this extremely nice guy. Everyone likes him.

1245
00:51:59,200 --> 00:52:00,640
Speaker 2: If youve got a problem with Jack to something wrong

1246
00:52:00,680 --> 00:52:05,719
Speaker 2: with you type shit. So they're different in that regard.

1247
00:52:05,880 --> 00:52:09,799
Speaker 1: Yeah, I think they are different. I think as as

1248
00:52:09,840 --> 00:52:12,640
Speaker 1: an artist I like Russ. Russ's music a little more.

1249
00:52:13,000 --> 00:52:15,600
Speaker 1: I think Jack is very talented, and I think that

1250
00:52:15,640 --> 00:52:18,279
Speaker 1: he will have a great, a great career. But I

1251
00:52:18,320 --> 00:52:20,040
Speaker 1: think as of right now, I think I like Russ.

1252
00:52:20,160 --> 00:52:20,960
Speaker 1: I like Russ Moore.

1253
00:52:21,280 --> 00:52:22,720
Speaker 2: Russ is also my age, right.

1254
00:52:23,719 --> 00:52:26,799
Speaker 1: Russ is like thirty yeah, two thirty three maybe.

1255
00:52:26,560 --> 00:52:29,200
Speaker 2: Which is probably why I relate more twenty nine, okay

1256
00:52:29,239 --> 00:52:31,680
Speaker 2: with twenty nine, because Jack is what twenty three, twenty four?

1257
00:52:32,560 --> 00:52:33,920
Speaker 1: Damn, Russ ain't even thirty eight.

1258
00:52:34,680 --> 00:52:37,439
Speaker 2: But there is that gap from twenty four to twenty nine,

1259
00:52:37,880 --> 00:52:39,839
Speaker 2: whether you know it or not, is a huge gap

1260
00:52:39,960 --> 00:52:42,840
Speaker 2: as far as life perspective. Yeah, so I get like

1261
00:52:43,800 --> 00:52:47,200
Speaker 2: I probably identify and relate to a lot more of

1262
00:52:47,200 --> 00:52:48,399
Speaker 2: the shit that Russ is saying.

1263
00:52:48,520 --> 00:52:51,319
Speaker 5: Right, that's what Jack is like age demographic wise, Jack

1264
00:52:51,400 --> 00:52:55,200
Speaker 5: is definitely a very now artist, tik talk, heavy everything.

1265
00:52:56,520 --> 00:52:57,120
Speaker 2: But I didn't like that.

1266
00:52:57,160 --> 00:52:59,440
Speaker 1: You try to don't pin us against each other, right,

1267
00:53:00,040 --> 00:53:02,600
Speaker 1: if that's what this cultures been throwing you against each other.

1268
00:53:04,320 --> 00:53:05,680
Speaker 2: Don't don't divide in concress.

1269
00:53:05,719 --> 00:53:08,000
Speaker 1: Oh yeah, don't mean. I just try to just asking

1270
00:53:08,040 --> 00:53:09,640
Speaker 1: the questions. Man, I just want to know how many

1271
00:53:09,680 --> 00:53:12,520
Speaker 1: people feel like Jack might be a better rapper than Russ. So,

1272
00:53:12,600 --> 00:53:14,400
Speaker 1: you know, just just like to see what's going on

1273
00:53:14,480 --> 00:53:15,799
Speaker 1: out there, what the conversations are.

1274
00:53:16,960 --> 00:53:18,239
Speaker 2: You know. It does happen to me a lot in

1275
00:53:18,360 --> 00:53:21,080
Speaker 2: this this music industry, not even like the work part of,

1276
00:53:21,120 --> 00:53:25,000
Speaker 2: but just like the culture itself, and that it makes me.

1277
00:53:25,840 --> 00:53:28,200
Speaker 2: And they're gonna say, I have white guilt, makes me

1278
00:53:28,280 --> 00:53:30,640
Speaker 2: hate a lot of white people because I'll be out

1279
00:53:31,160 --> 00:53:33,960
Speaker 2: and like I'll be probably the only white person in

1280
00:53:34,040 --> 00:53:37,200
Speaker 2: the venue, and then like another one will come in

1281
00:53:37,560 --> 00:53:40,239
Speaker 2: and like speak like, Yo, we gotta like stick together, bro,

1282
00:53:40,400 --> 00:53:40,799
Speaker 2: And I'm like.

1283
00:53:41,239 --> 00:53:44,120
Speaker 1: I don't even know you. You know you don't have yo, Yo?

1284
00:53:44,200 --> 00:53:44,520
Speaker 1: What's up?

1285
00:53:44,520 --> 00:53:44,600
Speaker 7: Bro?

1286
00:53:44,680 --> 00:53:46,560
Speaker 2: Y'all? Hear a lot about you, like yeah, and it's

1287
00:53:46,560 --> 00:53:48,719
Speaker 2: a It has a weird undertone where I'm like, I

1288
00:53:49,480 --> 00:53:51,960
Speaker 2: don't know you think I'll stick with my friend. He

1289
00:53:52,040 --> 00:53:52,759
Speaker 2: just happens to be black.

1290
00:53:52,760 --> 00:53:56,720
Speaker 1: I don't know you. That's hilarious. A Little Baby tweeted

1291
00:53:56,800 --> 00:53:58,879
Speaker 1: that his album is coming in July.

1292
00:53:59,360 --> 00:54:01,200
Speaker 2: I saw that with question mark on the actual date.

1293
00:54:01,480 --> 00:54:04,439
Speaker 1: Yeah, I'm looking forward to that. I think that Little

1294
00:54:04,480 --> 00:54:07,839
Speaker 1: Baby is he's the artist that's at that point where

1295
00:54:08,480 --> 00:54:12,319
Speaker 1: he is getting ready to take the next step up. Yeah,

1296
00:54:12,640 --> 00:54:16,279
Speaker 1: in his career, I think he's obviously the hottest, if not,

1297
00:54:16,719 --> 00:54:18,480
Speaker 1: if not the hottest, he's one of the hottest rappers

1298
00:54:18,560 --> 00:54:21,200
Speaker 1: right now. He's been killing everything in all his features.

1299
00:54:23,000 --> 00:54:24,439
Speaker 1: The record he put out, I think in a Minute?

1300
00:54:24,520 --> 00:54:24,640
Speaker 7: Is that?

1301
00:54:24,840 --> 00:54:26,160
Speaker 1: Is that what it's called? In a minute?

1302
00:54:26,640 --> 00:54:28,799
Speaker 2: That's the first question. That's her book.

1303
00:54:30,120 --> 00:54:31,399
Speaker 3: Why is everybody my booth?

1304
00:54:32,040 --> 00:54:35,040
Speaker 1: He's your little baby, he's your little baby, my little bit.

1305
00:54:35,719 --> 00:54:37,600
Speaker 3: I like little Baby, but yeah, that's not that's.

1306
00:54:37,560 --> 00:54:40,000
Speaker 1: Jada Man In a Minute yeah, in a minute. He

1307
00:54:40,080 --> 00:54:43,520
Speaker 1: absolutely floated all over that fucking track. So I want

1308
00:54:43,520 --> 00:54:45,160
Speaker 1: to hear a Little Baby's gonna do. I think that

1309
00:54:45,280 --> 00:54:48,080
Speaker 1: he has all of the everything is a line for

1310
00:54:48,160 --> 00:54:50,360
Speaker 1: him right now to take off and become a superstar.

1311
00:54:50,800 --> 00:54:52,759
Speaker 2: I mean, his last album was it two or three

1312
00:54:52,840 --> 00:54:55,800
Speaker 2: years ago? Was one of my favorite the year of

1313
00:54:55,920 --> 00:54:58,400
Speaker 2: that year. I think that was twenty twenty nineteen.

1314
00:54:58,640 --> 00:54:59,839
Speaker 1: What's his last twenty.

1315
00:55:02,280 --> 00:55:04,759
Speaker 2: I think it was in Yeah, My turn My urn

1316
00:55:04,840 --> 00:55:07,080
Speaker 2: was twenty twenty, I think, so, yeah, that was one

1317
00:55:07,120 --> 00:55:08,040
Speaker 2: of my favorite of that year.

1318
00:55:08,160 --> 00:55:11,120
Speaker 1: But so yeah, I'm looking forward to to what Little

1319
00:55:11,160 --> 00:55:13,239
Speaker 1: Baby does. Like I said, he has everything aligned for

1320
00:55:13,360 --> 00:55:16,480
Speaker 1: him right now. You know, he's he's the he's the

1321
00:55:16,560 --> 00:55:17,480
Speaker 1: go to guy right now.

1322
00:55:17,960 --> 00:55:20,879
Speaker 2: I mean, I'm nervous about this release with everything. That's

1323
00:55:21,280 --> 00:55:23,000
Speaker 2: not to say he's connected to any of it all,

1324
00:55:23,080 --> 00:55:26,640
Speaker 2: but he is connected as far as friendship and cruise.

1325
00:55:26,760 --> 00:55:29,279
Speaker 2: With everything that's happening in Atlanta right now, clearly that

1326
00:55:29,320 --> 00:55:31,120
Speaker 2: shit is not for play play.

1327
00:55:31,400 --> 00:55:35,759
Speaker 1: Yeah, it's getting serious. It's getting serious. As the week's pass,

1328
00:55:35,800 --> 00:55:38,360
Speaker 1: we're getting more and more information. It was just reported today,

1329
00:55:38,440 --> 00:55:43,920
Speaker 1: I think that they denied Gunner's bail and his court date.

1330
00:55:44,040 --> 00:55:48,920
Speaker 1: His next court date has been set for January, January ninth,

1331
00:55:49,040 --> 00:55:52,279
Speaker 1: twenty twenty three. Yeah, somebody reporting again, this is just

1332
00:55:52,320 --> 00:55:54,960
Speaker 1: somebody reporting on Twitter. She was just in the court

1333
00:55:54,960 --> 00:55:57,640
Speaker 1: where judge denied bond for Gunner and said his trial

1334
00:55:57,760 --> 00:56:00,399
Speaker 1: date for January ninth, twenty twenty three. Prosecutors ledged Wise

1335
00:56:00,480 --> 00:56:02,560
Speaker 1: Cell as a gang, not just a record label. They

1336
00:56:02,560 --> 00:56:05,640
Speaker 1: also led Gunner serves and command and a command role.

1337
00:56:06,239 --> 00:56:10,480
Speaker 1: More to come for Billboard. So yeah, man, it's unfortunate

1338
00:56:10,600 --> 00:56:13,000
Speaker 1: what's going on right now with you know, with the

1339
00:56:13,160 --> 00:56:15,600
Speaker 1: with the young guys and with Gunna and Thug and

1340
00:56:16,280 --> 00:56:17,160
Speaker 1: the whole Wise Cell.

1341
00:56:17,200 --> 00:56:19,880
Speaker 2: Prayers to them and what's gunn is exact charge though,

1342
00:56:19,880 --> 00:56:21,719
Speaker 2: because I know it's different than thugs, I feel like

1343
00:56:21,760 --> 00:56:24,239
Speaker 2: it was lesser. It wasn't just a straight up rico.

1344
00:56:25,120 --> 00:56:28,280
Speaker 1: Well no, they're all under the rico charge.

1345
00:56:29,040 --> 00:56:31,920
Speaker 5: But he charged with a single count of conspiracy to

1346
00:56:32,000 --> 00:56:35,319
Speaker 5: violate Georgia's recordeer influence and corrupt organizations.

1347
00:56:35,360 --> 00:56:37,840
Speaker 2: Okay, yeah, so one count of rico. Yeah, but what

1348
00:56:38,040 --> 00:56:38,960
Speaker 2: and what's under that rico?

1349
00:56:39,600 --> 00:56:43,760
Speaker 5: I guess Yeah, there's in the fifty six count indictment,

1350
00:56:43,920 --> 00:56:45,360
Speaker 5: So there's fifty six other counts for.

1351
00:56:45,640 --> 00:56:50,080
Speaker 2: Well, I know that they have the lawyer can appeal

1352
00:56:50,560 --> 00:56:53,920
Speaker 2: for bond again. I think before January Curious wants to

1353
00:56:53,960 --> 00:56:55,920
Speaker 2: get more of the discovery, it'll be easier for him

1354
00:56:55,920 --> 00:56:57,840
Speaker 2: to get bond. As far as what he did in

1355
00:56:57,880 --> 00:56:58,360
Speaker 2: the ricos.

1356
00:56:59,040 --> 00:57:01,560
Speaker 1: The sentiment, I'm gonna beyond alleged. This shit looks bad.

1357
00:57:01,680 --> 00:57:02,279
Speaker 2: That's very bad.

1358
00:57:02,680 --> 00:57:06,000
Speaker 1: This ship looks really really bad, man. And it's fucked

1359
00:57:06,080 --> 00:57:09,319
Speaker 1: up because you're talking about some talented artists. You're talking

1360
00:57:09,360 --> 00:57:12,960
Speaker 1: about some very successful artists that employ a lot of people,

1361
00:57:13,120 --> 00:57:14,960
Speaker 1: that take care of a lot of people.

1362
00:57:14,880 --> 00:57:19,640
Speaker 2: Families, Like why he's not a flight risk, Yeah, but

1363
00:57:19,720 --> 00:57:21,720
Speaker 2: it's just what you could put up for bonds like

1364
00:57:21,840 --> 00:57:23,640
Speaker 2: he's But that's what that's.

1365
00:57:23,600 --> 00:57:26,800
Speaker 1: You know, listen, man, this this justice system, you know,

1366
00:57:26,840 --> 00:57:28,280
Speaker 1: it's we don't even got to talk about that.

1367
00:57:28,760 --> 00:57:31,480
Speaker 2: But it's just you know, And if they're saying and this,

1368
00:57:31,680 --> 00:57:35,000
Speaker 2: I don't think it's true at all that Gunner would

1369
00:57:35,000 --> 00:57:39,560
Speaker 2: be the one telling people to go murder people. If

1370
00:57:39,640 --> 00:57:43,440
Speaker 2: that's why there would deny bail, Because he could order

1371
00:57:43,520 --> 00:57:45,600
Speaker 2: someone to do something, He could do that from jail too,

1372
00:57:45,840 --> 00:57:49,120
Speaker 2: So like, what is the purpose of not allowing him bail?

1373
00:57:50,160 --> 00:57:54,160
Speaker 2: To continue to at least run his company for so

1374
00:57:54,240 --> 00:57:56,240
Speaker 2: many other people until January.

1375
00:57:56,440 --> 00:57:58,600
Speaker 1: Yeah, but if they feel like this company is a

1376
00:57:58,720 --> 00:58:03,520
Speaker 1: criminal or organization, what company are they letting you out

1377
00:58:03,560 --> 00:58:05,959
Speaker 1: to run? You know what I'm saying. So it's it's listen,

1378
00:58:06,200 --> 00:58:07,960
Speaker 1: it's it's it's bad. You know what I mean. It's

1379
00:58:08,000 --> 00:58:10,360
Speaker 1: no way. We can't dance around it. We can't. This

1380
00:58:10,600 --> 00:58:13,440
Speaker 1: situation is fucking terrible. It's a bad It's one of

1381
00:58:13,640 --> 00:58:16,480
Speaker 1: the worst fifty cent he tweeted it. He put out

1382
00:58:16,480 --> 00:58:18,240
Speaker 1: he would rather catch a homicide case in the catch

1383
00:58:18,360 --> 00:58:20,120
Speaker 1: Rico charge. Yeah, you know what I mean, Like, this

1384
00:58:20,280 --> 00:58:21,760
Speaker 1: is not something to play with. This is not a

1385
00:58:21,920 --> 00:58:22,720
Speaker 1: this is not a joke.

1386
00:58:22,920 --> 00:58:24,080
Speaker 2: It's to prove lesson Rico.

1387
00:58:24,400 --> 00:58:27,360
Speaker 1: Yeah, like this is, this is this is this is

1388
00:58:27,440 --> 00:58:29,520
Speaker 1: gonna get a lot worse before it gets any better. Like,

1389
00:58:29,560 --> 00:58:31,280
Speaker 1: you know, we just got to be honest with ourselves,

1390
00:58:31,400 --> 00:58:35,200
Speaker 1: like we've seen this before, and you know, it's it's

1391
00:58:35,240 --> 00:58:37,760
Speaker 1: just a fucked up situation. Because again it's it's people

1392
00:58:37,840 --> 00:58:40,440
Speaker 1: that you know, we support and we like, and you know,

1393
00:58:40,600 --> 00:58:43,280
Speaker 1: we in our culture that we just look at and

1394
00:58:43,320 --> 00:58:45,160
Speaker 1: we say, Okay, these dudes are talented and they're having

1395
00:58:45,160 --> 00:58:47,960
Speaker 1: a lot of success, but you know, it's being alleged

1396
00:58:48,000 --> 00:58:50,280
Speaker 1: that it's a criminal organization and all these other things.

1397
00:58:50,360 --> 00:58:53,400
Speaker 1: And now they you know, they've been investigating for years.

1398
00:58:53,560 --> 00:58:56,040
Speaker 1: Is everything that's being reported is that they've been following

1399
00:58:56,120 --> 00:58:59,400
Speaker 1: these these guys and they have Obviously somebody is is

1400
00:58:59,480 --> 00:59:02,600
Speaker 1: telling somebody's giving them information that cops don't do a

1401
00:59:02,680 --> 00:59:04,640
Speaker 1: great job. People just do a great job at telling

1402
00:59:04,840 --> 00:59:07,200
Speaker 1: we know cop cops want this soft like, yeah, they

1403
00:59:07,240 --> 00:59:10,960
Speaker 1: want to investigation. They get you in a room and

1404
00:59:10,960 --> 00:59:12,960
Speaker 1: they tell you, listen, you're gonna do thirty years. And

1405
00:59:13,040 --> 00:59:14,960
Speaker 1: if you're a guy that you know you were just

1406
00:59:15,000 --> 00:59:17,360
Speaker 1: hanging around these guys every now and then and you

1407
00:59:17,440 --> 00:59:18,840
Speaker 1: went to a couple of shows, which you know, you

1408
00:59:19,080 --> 00:59:21,760
Speaker 1: got a regular little job and you just decided to

1409
00:59:21,840 --> 00:59:24,919
Speaker 1: you know, do some wild ship at night, they gonna

1410
00:59:24,920 --> 00:59:26,240
Speaker 1: put you in a room and say, okay, listen, you're

1411
00:59:26,240 --> 00:59:29,080
Speaker 1: gonna go do these thirty years they're not doing. We

1412
00:59:29,160 --> 00:59:30,880
Speaker 1: know how this goes. We all we all from these

1413
00:59:30,880 --> 00:59:33,720
Speaker 1: same communities, these neighborhoods. We've had people involved with with

1414
00:59:33,880 --> 00:59:36,800
Speaker 1: with federal cases. We have family members involved with cases.

1415
00:59:36,880 --> 00:59:39,040
Speaker 1: Before we know how this should go. They're gonna tell

1416
00:59:39,040 --> 00:59:41,760
Speaker 1: you never gonna see your family again. And you know

1417
00:59:41,800 --> 00:59:44,000
Speaker 1: what's gonna start happening. People gonna start cooperating, they're gonna

1418
00:59:44,000 --> 00:59:46,320
Speaker 1: start talking, they're gonna start telling, and then before you

1419
00:59:46,440 --> 00:59:49,240
Speaker 1: know it, everything falls down. Everybody's in prison doing a

1420
00:59:49,280 --> 00:59:52,240
Speaker 1: whole bunch of time. And it's unfortunate because you have

1421
00:59:52,520 --> 00:59:56,520
Speaker 1: people attached to this ship that's super successful, that's super talented,

1422
00:59:56,600 --> 00:59:58,960
Speaker 1: that you know, it's it's you know, so so to

1423
00:59:59,000 --> 01:00:01,600
Speaker 1: think that they're gonna be taking away from their families

1424
01:00:01,640 --> 01:00:03,960
Speaker 1: and there you know, their their loved ones and their

1425
01:00:04,000 --> 01:00:06,440
Speaker 1: employees and you know the people that they staff, and

1426
01:00:06,520 --> 01:00:08,160
Speaker 1: this is it's fucked up, man.

1427
01:00:08,240 --> 01:00:10,680
Speaker 2: And if nobody then that's when they add the family

1428
01:00:10,720 --> 01:00:12,800
Speaker 2: and oh, you sent your money, sent your mother thirty

1429
01:00:12,880 --> 01:00:17,200
Speaker 2: k Now she's not so your mom's gonna do a bit.

1430
01:00:17,840 --> 01:00:17,920
Speaker 7: Bro.

1431
01:00:18,120 --> 01:00:20,440
Speaker 1: Listen, let me tell you something, man, it's this is

1432
01:00:20,560 --> 01:00:22,720
Speaker 1: not something that's not going to be taken lightly.

1433
01:00:22,800 --> 01:00:23,520
Speaker 2: She's doing time too.

1434
01:00:23,840 --> 01:00:26,600
Speaker 1: This is a very very serious, uh serious situation that

1435
01:00:27,280 --> 01:00:29,680
Speaker 1: these guys are in. And you know, I'm praying for

1436
01:00:29,760 --> 01:00:31,360
Speaker 1: the best for them. I hope for the best for them,

1437
01:00:32,400 --> 01:00:34,440
Speaker 1: but you know, it's it's a fucked up position. Man,

1438
01:00:34,440 --> 01:00:35,800
Speaker 1: it's a fucked up situation to be in.

1439
01:00:36,240 --> 01:00:39,720
Speaker 5: Can we talk about how the Demarus defense is she defense? Yeah,

1440
01:00:40,280 --> 01:00:45,640
Speaker 5: well she's a woman, so that's immediately detective. Yeah, Detective Demeris.

1441
01:00:45,320 --> 01:00:47,920
Speaker 3: Please explain to your listeners because you know, I'm from

1442
01:00:47,960 --> 01:00:50,280
Speaker 3: the I don't play all that FED ship, So how

1443
01:00:50,320 --> 01:00:51,280
Speaker 3: am we.

1444
01:00:51,400 --> 01:00:54,160
Speaker 2: Don't think you're actually an officer of the law. All right,

1445
01:00:54,360 --> 01:00:56,160
Speaker 2: but yeah, you have you have FED tendencies.

1446
01:00:56,320 --> 01:00:59,000
Speaker 1: Well, Demarus came in here with an interesting thing. She

1447
01:00:59,200 --> 01:01:02,320
Speaker 1: asked us a question, said, Hey, guys just like that too. Hey,

1448
01:01:02,400 --> 01:01:05,960
Speaker 1: guys like me, have you ever had a number that

1449
01:01:06,160 --> 01:01:09,080
Speaker 1: wasn't in your phone? Call you and you just take

1450
01:01:09,120 --> 01:01:11,120
Speaker 1: the number and put it in zell a cash app

1451
01:01:11,120 --> 01:01:14,200
Speaker 1: and then the name pops up. And then Rory looked

1452
01:01:14,200 --> 01:01:16,360
Speaker 1: at me with a look that I haven't seen since

1453
01:01:17,800 --> 01:01:21,760
Speaker 1: maybe the look on Kasasoci's face when we.

1454
01:01:25,680 --> 01:01:28,400
Speaker 2: Like, you just gave me this look like holy shit,

1455
01:01:29,000 --> 01:01:31,680
Speaker 2: like when man discovered fire? Yeah, Like, how the fuck

1456
01:01:32,240 --> 01:01:35,720
Speaker 2: did we never think? Like women are fucking detectives in

1457
01:01:35,840 --> 01:01:36,439
Speaker 2: every since.

1458
01:01:36,600 --> 01:01:38,600
Speaker 1: I think it's in their DNA. I think women just

1459
01:01:38,680 --> 01:01:43,440
Speaker 1: have this ability to detect, to investigate, to find the

1460
01:01:43,600 --> 01:01:47,880
Speaker 1: answers without even really giving it any thought. It's just

1461
01:01:48,000 --> 01:01:52,040
Speaker 1: like an automatic thing where they just find out the truth.

1462
01:01:52,240 --> 01:01:55,560
Speaker 2: And I've googled numbers before. Yeah it doesn't work. No,

1463
01:01:55,840 --> 01:01:58,640
Speaker 2: and I'm not doing that to pay twenty the.

1464
01:01:58,640 --> 01:02:01,480
Speaker 1: Furthest men go is what area code is? Four one six?

1465
01:02:02,160 --> 01:02:04,520
Speaker 1: That's the closest man we stopped right there. We asked

1466
01:02:04,560 --> 01:02:06,520
Speaker 1: for the area code. Every guy gets this phone Google,

1467
01:02:06,800 --> 01:02:08,480
Speaker 1: Oh it's Toronto, you know what I mean? Like it's

1468
01:02:08,560 --> 01:02:09,560
Speaker 1: like we don't know.

1469
01:02:09,840 --> 01:02:12,240
Speaker 2: And actually know. Sometimes I go step further. If I

1470
01:02:12,760 --> 01:02:15,400
Speaker 2: get the area code, I will ask someone either from

1471
01:02:15,440 --> 01:02:17,800
Speaker 2: there or in my group chat Yo, does anyone have

1472
01:02:17,880 --> 01:02:21,240
Speaker 2: this number in their phone, like in their address book?

1473
01:02:22,120 --> 01:02:24,280
Speaker 1: Let me see your phone and your dollar number to see.

1474
01:02:24,240 --> 01:02:26,520
Speaker 2: If it pops up. Yeah, but even then I don't

1475
01:02:26,520 --> 01:02:29,520
Speaker 2: care that much. Right, that's so obvious and brilliant to

1476
01:02:29,640 --> 01:02:33,280
Speaker 2: just type it in to Venmo or zell or cash app.

1477
01:02:34,360 --> 01:02:36,840
Speaker 1: How did you When did you discover that you had

1478
01:02:36,880 --> 01:02:39,680
Speaker 1: this ability to take the number and put it into

1479
01:02:39,800 --> 01:02:43,479
Speaker 1: cash Appazela and just with Twitter and if you zeld

1480
01:02:43,520 --> 01:02:44,200
Speaker 1: them by accident.

1481
01:02:44,600 --> 01:02:46,480
Speaker 4: It's kind of like a girl thing, like we just

1482
01:02:46,560 --> 01:02:49,240
Speaker 4: I don't know. It's kind of like information shared amongst girls.

1483
01:02:49,400 --> 01:02:51,120
Speaker 4: Like one day You're just like, who the fuck is

1484
01:02:51,160 --> 01:02:53,240
Speaker 4: this texting me? Like some girl was like something like

1485
01:02:53,360 --> 01:02:56,000
Speaker 4: text me some weird shit whatever or some guy and

1486
01:02:56,080 --> 01:02:57,600
Speaker 4: my sister was like just putting it.

1487
01:02:57,840 --> 01:02:59,160
Speaker 3: No, my sister did it. She's like, I put it

1488
01:02:59,200 --> 01:03:00,680
Speaker 3: in cash app. This is her name.

1489
01:03:00,760 --> 01:03:03,760
Speaker 1: And this is do women have. Do y'all have like

1490
01:03:03,840 --> 01:03:08,000
Speaker 1: annual meetings amongst each other where y'all just like give

1491
01:03:08,080 --> 01:03:11,000
Speaker 1: this information of like, okay, this is this is how

1492
01:03:11,080 --> 01:03:15,720
Speaker 1: we can move the female uh community forward in our

1493
01:03:16,560 --> 01:03:19,440
Speaker 1: journey through relationships and dealing with men and their bullshit.

1494
01:03:20,760 --> 01:03:21,680
Speaker 3: Every Sunday.

1495
01:03:23,600 --> 01:03:25,880
Speaker 1: We just eat yeah and drink and we asked. We

1496
01:03:25,960 --> 01:03:28,720
Speaker 1: talk about the game. You know, Jimmy Butler performed well

1497
01:03:28,800 --> 01:03:31,280
Speaker 1: last night. Uh. We talk about maybe what we got

1498
01:03:31,320 --> 01:03:33,320
Speaker 1: going on in the week. You know, we don't sit

1499
01:03:33,400 --> 01:03:36,000
Speaker 1: down and say the Lord we talked about God. Maybe

1500
01:03:36,120 --> 01:03:38,320
Speaker 1: put that in there on a Sunday that works, But

1501
01:03:38,480 --> 01:03:42,000
Speaker 1: we just we don't ever say how can we as

1502
01:03:42,200 --> 01:03:49,560
Speaker 1: men together become better at dealing with women and the

1503
01:03:49,680 --> 01:03:50,480
Speaker 1: things that we have.

1504
01:03:50,760 --> 01:03:53,440
Speaker 3: Every time a future album come out, no.

1505
01:03:57,240 --> 01:03:59,919
Speaker 2: More guys do he's y'all toxic?

1506
01:04:00,320 --> 01:04:00,480
Speaker 7: Yeah?

1507
01:04:00,560 --> 01:04:02,720
Speaker 1: Yeah, he's not ours Like we look at future like

1508
01:04:03,320 --> 01:04:05,080
Speaker 1: this is real. This is a real thing that with us. Man,

1509
01:04:05,120 --> 01:04:07,760
Speaker 1: look at future like, Okay, you might be a little

1510
01:04:07,760 --> 01:04:10,160
Speaker 1: more emotional than when we thought dog super emotional. You

1511
01:04:10,320 --> 01:04:12,480
Speaker 1: might love your bitches more than we thought we thought

1512
01:04:12,560 --> 01:04:15,640
Speaker 1: Future was just gang gang hose hose holes. Future love

1513
01:04:15,720 --> 01:04:16,240
Speaker 1: his bitch.

1514
01:04:16,120 --> 01:04:19,040
Speaker 2: And gang Future love his bitch, get children.

1515
01:04:19,120 --> 01:04:21,400
Speaker 1: Yeah, yeah, he love his bitches. He if I hit

1516
01:04:21,440 --> 01:04:22,919
Speaker 1: you once, you still in my way, said you still

1517
01:04:22,920 --> 01:04:25,880
Speaker 1: my trophy collection. You're still in my collection. That was sick,

1518
01:04:25,960 --> 01:04:26,960
Speaker 1: by the way, And I feel like.

1519
01:04:27,000 --> 01:04:32,200
Speaker 2: Men at brunch anything in regards to women is dude

1520
01:04:32,240 --> 01:04:34,200
Speaker 2: will tell us like, nah, she's crazy, bro, you gotta

1521
01:04:34,280 --> 01:04:34,520
Speaker 2: leave her.

1522
01:04:34,960 --> 01:04:38,000
Speaker 1: That's as far as all Yo ass got fat. Like

1523
01:04:38,120 --> 01:04:40,480
Speaker 1: we stopped right there, like we don't say yo, listen, man,

1524
01:04:40,920 --> 01:04:43,920
Speaker 1: if you know she they're storing names, they're storing the

1525
01:04:43,960 --> 01:04:46,760
Speaker 1: guy's names under this we don't ever have that information

1526
01:04:46,880 --> 01:04:49,520
Speaker 1: for each other. Like we just stop at y'all ass

1527
01:04:49,640 --> 01:04:52,240
Speaker 1: getting fat, or she's she fucking with this new dude,

1528
01:04:52,280 --> 01:04:54,720
Speaker 1: Like we might go there like she's talking to homeboy now,

1529
01:04:54,760 --> 01:04:57,560
Speaker 1: like okay, that's you know, yeah he was bugging Yeah,

1530
01:04:57,680 --> 01:04:59,440
Speaker 1: like she said she tweeted some shit the other day,

1531
01:04:59,440 --> 01:05:01,480
Speaker 1: like yo, she trip, and like, well, look at this picture.

1532
01:05:01,720 --> 01:05:04,120
Speaker 2: This is the second time I've learned something with phones

1533
01:05:04,440 --> 01:05:07,480
Speaker 2: from women accidentally. Last time was last year.

1534
01:05:07,560 --> 01:05:07,680
Speaker 1: Right.

1535
01:05:08,600 --> 01:05:10,240
Speaker 2: I was talking with this girl and we were about

1536
01:05:10,320 --> 01:05:13,720
Speaker 2: to leave her crib and she's like, oh fuck. I

1537
01:05:13,840 --> 01:05:16,160
Speaker 2: told my friend I couldn't hang out tonight. She asked

1538
01:05:16,200 --> 01:05:19,280
Speaker 2: me to like, she has my location, so like, I

1539
01:05:19,320 --> 01:05:21,480
Speaker 2: can't go out with you, and she see because we

1540
01:05:21,560 --> 01:05:23,040
Speaker 2: check each other's location all the time, and I told

1541
01:05:23,080 --> 01:05:23,760
Speaker 2: her that I had to stay in.

1542
01:05:23,960 --> 01:05:25,320
Speaker 3: She said it was leave her iPad at home.

1543
01:05:26,520 --> 01:05:27,240
Speaker 1: She switched.

1544
01:05:27,560 --> 01:05:31,480
Speaker 2: She switched her location to her iPad and left her

1545
01:05:31,560 --> 01:05:35,680
Speaker 2: iPad in her home and then walked out of her

1546
01:05:35,760 --> 01:05:39,880
Speaker 2: crib with her phone. Unlocatable I was.

1547
01:05:40,040 --> 01:05:42,360
Speaker 1: I didn't even know unlocatable was a word. Neither did I.

1548
01:05:42,480 --> 01:05:44,000
Speaker 1: I just found it out. Good job.

1549
01:05:44,320 --> 01:05:47,680
Speaker 2: And then months down the line, I had her location

1550
01:05:48,520 --> 01:05:50,400
Speaker 2: and she had the nerve to say to me, but

1551
01:05:50,520 --> 01:05:52,520
Speaker 2: you've had my location the whole time. Where would I

1552
01:05:52,560 --> 01:05:53,200
Speaker 2: be this line?

1553
01:05:53,400 --> 01:05:53,600
Speaker 1: Said?

1554
01:05:53,640 --> 01:05:56,919
Speaker 2: I just I watched you for nest your own best

1555
01:05:56,920 --> 01:06:00,840
Speaker 2: friend in this. I know I'm expendable, Like you will

1556
01:06:00,880 --> 01:06:05,840
Speaker 2: do that to me immediately. Wow, I never blew my mind.

1557
01:06:07,120 --> 01:06:09,520
Speaker 1: Women see. And I think that's why men are hurt

1558
01:06:09,600 --> 01:06:13,480
Speaker 1: more when they find out about their women cheating, because

1559
01:06:13,640 --> 01:06:18,000
Speaker 1: it's so much thought and so much like, you know,

1560
01:06:18,280 --> 01:06:20,560
Speaker 1: they just make sure they cross all their t's and

1561
01:06:20,680 --> 01:06:24,880
Speaker 1: dot all their o's. It's just like women cheat and

1562
01:06:25,040 --> 01:06:28,560
Speaker 1: you will never know until, like you find out everything.

1563
01:06:28,600 --> 01:06:30,520
Speaker 1: It's not how you find out a peace. Yeah, when

1564
01:06:30,560 --> 01:06:32,480
Speaker 1: you find out a woman's cheating on you, you know

1565
01:06:32,640 --> 01:06:35,120
Speaker 1: the entire landscape of the cheating.

1566
01:06:35,240 --> 01:06:38,440
Speaker 2: Well, I just think men were more naive and immature,

1567
01:06:38,560 --> 01:06:41,160
Speaker 2: like we really believe in Santa Claus. That's why it

1568
01:06:41,240 --> 01:06:43,919
Speaker 2: hurts so much when you find out that this fat

1569
01:06:43,960 --> 01:06:45,960
Speaker 2: white man didn't go down the chimney. It's like, but

1570
01:06:46,120 --> 01:06:49,439
Speaker 2: my whole life, yeah, this way really it's not true.

1571
01:06:50,320 --> 01:06:53,600
Speaker 2: That's how we look at women and monogamy because we

1572
01:06:54,080 --> 01:06:57,720
Speaker 2: think we are raised to think women are actually despite

1573
01:06:58,280 --> 01:07:01,200
Speaker 2: society's norms, that women are somewhat better than us when

1574
01:07:01,200 --> 01:07:03,959
Speaker 2: it comes to relationships and they're more loyal, they don't cheat,

1575
01:07:04,520 --> 01:07:07,400
Speaker 2: the women aren't supposed to have mad partners, like, so

1576
01:07:07,480 --> 01:07:09,560
Speaker 2: we get that conditioned in our heads, so we're not

1577
01:07:09,640 --> 01:07:13,000
Speaker 2: like they're actually human beings. Yeah, right, that would do

1578
01:07:13,120 --> 01:07:15,400
Speaker 2: the same shitty ship that we do. Right, So it

1579
01:07:15,800 --> 01:07:17,600
Speaker 2: just stings a little bit, more like, nah, you're not

1580
01:07:17,680 --> 01:07:18,360
Speaker 2: supposed to do that?

1581
01:07:18,560 --> 01:07:20,520
Speaker 1: Yeah, wow, it hurts.

1582
01:07:21,600 --> 01:07:23,360
Speaker 3: Got What the fuck did I have to do with this?

1583
01:07:23,800 --> 01:07:25,440
Speaker 1: What are they talking about at the Rock Brunch? A

1584
01:07:25,520 --> 01:07:27,680
Speaker 1: rock nation, bro? I feel like the Rock Brunch should

1585
01:07:27,680 --> 01:07:29,959
Speaker 1: have covered this over the French toast and the fruit.

1586
01:07:30,280 --> 01:07:31,000
Speaker 2: You heard lemonade.

1587
01:07:31,960 --> 01:07:34,240
Speaker 5: It was talked about French shops, fruit and lemonade.

1588
01:07:35,520 --> 01:07:37,200
Speaker 1: Women. Boy, I'll tell you man, that's.

1589
01:07:37,040 --> 01:07:39,800
Speaker 2: Why you need more women friends, because I learned these things.

1590
01:07:40,040 --> 01:07:42,720
Speaker 3: I pray I catch you whispering, and I pray you

1591
01:07:42,840 --> 01:07:45,000
Speaker 3: catch me listening like y'all don't y'all was a listening

1592
01:07:45,080 --> 01:07:45,880
Speaker 3: the lemonade like that.

1593
01:07:46,240 --> 01:07:48,800
Speaker 1: No, that was pretty vib bars. We listened to it,

1594
01:07:48,840 --> 01:07:50,960
Speaker 1: but we didn't break down. See even that was cold.

1595
01:07:51,720 --> 01:07:53,200
Speaker 1: That was you had We had to de code that.

1596
01:07:53,320 --> 01:07:55,840
Speaker 1: Men couldn't just get that off the top. You had

1597
01:07:55,880 --> 01:07:59,840
Speaker 1: to code that. It's like, oh, okay, I get it.

1598
01:08:00,800 --> 01:08:02,560
Speaker 1: Women pay attention to everything.

1599
01:08:02,680 --> 01:08:04,160
Speaker 4: I had a cool question for men, since I got

1600
01:08:04,200 --> 01:08:07,560
Speaker 4: so many questions for me, Why why y'all start being

1601
01:08:07,640 --> 01:08:08,520
Speaker 4: mean when y'all cheating?

1602
01:08:09,640 --> 01:08:11,280
Speaker 3: Men be so mean when they cheating.

1603
01:08:12,240 --> 01:08:13,800
Speaker 4: Like they get an attitude and ship, they get some

1604
01:08:13,840 --> 01:08:15,520
Speaker 4: new pussy, and they got a little a little funk,

1605
01:08:15,560 --> 01:08:16,240
Speaker 4: and they walk.

1606
01:08:16,120 --> 01:08:19,200
Speaker 2: Like disrupting my cheating. Yeah, you don't care about I love.

1607
01:08:19,160 --> 01:08:22,920
Speaker 1: Her, that's why you're still here, Like, dump me already,

1608
01:08:23,040 --> 01:08:26,080
Speaker 1: Like that's why men are mad when they cheat. They

1609
01:08:26,200 --> 01:08:28,320
Speaker 1: in love with the other one. You still here trying

1610
01:08:28,360 --> 01:08:30,759
Speaker 1: to make use No, I'm over this. Dump me already

1611
01:08:30,920 --> 01:08:33,000
Speaker 1: so I don't like the bad guy. Yeah, dump me,

1612
01:08:33,439 --> 01:08:35,680
Speaker 1: break up with me, get your ship, get out so

1613
01:08:35,800 --> 01:08:37,080
Speaker 1: I can live happily ever after.

1614
01:08:37,000 --> 01:08:40,280
Speaker 2: With my girlfriend. And then just the same thing to her.

1615
01:08:40,760 --> 01:08:42,599
Speaker 1: It's the cycle of life. It just keeps on giving,

1616
01:08:42,760 --> 01:08:45,040
Speaker 1: Like we keep living, we keep cheating, is that true?

1617
01:08:45,080 --> 01:08:46,960
Speaker 3: Though it happens.

1618
01:08:48,680 --> 01:08:51,439
Speaker 4: And they get a little, they start feeling themselves more

1619
01:08:51,760 --> 01:08:52,680
Speaker 4: women do the same thing.

1620
01:08:53,520 --> 01:08:55,280
Speaker 1: Yeah, y'all may not see because this is and this

1621
01:08:55,360 --> 01:08:57,479
Speaker 1: is where it hurts the guys the most. This is

1622
01:08:57,520 --> 01:09:00,720
Speaker 1: where it hurts us. Y'all may not have acted on

1623
01:09:01,000 --> 01:09:04,240
Speaker 1: the cheat yet, but you know you for sure gonna

1624
01:09:04,240 --> 01:09:07,240
Speaker 1: give him that pussy soon. And then y'all start acting

1625
01:09:07,360 --> 01:09:10,760
Speaker 1: all like you know, like like yeah, I mean, if

1626
01:09:10,800 --> 01:09:13,680
Speaker 1: you want to go out ahead, you want to go

1627
01:09:13,720 --> 01:09:15,800
Speaker 1: to that, right whatever, that's my bag.

1628
01:09:15,880 --> 01:09:18,160
Speaker 3: I'd be like, you know, if I asked for something

1629
01:09:18,200 --> 01:09:19,240
Speaker 3: and you funk around saying.

1630
01:09:19,080 --> 01:09:23,800
Speaker 1: No, right, but that's that's that's fucked up. Like women,

1631
01:09:23,840 --> 01:09:26,280
Speaker 1: y'all can't. Y'all should do that. Y'all shouldn't. Y'all can't.

1632
01:09:26,400 --> 01:09:29,240
Speaker 1: Y'all can't go y'all can't because that's cheating too. Like

1633
01:09:29,320 --> 01:09:31,719
Speaker 1: if you if you ask your boyfriend or your husband

1634
01:09:31,800 --> 01:09:35,080
Speaker 1: or somebody whatever your something with the car scenario, Yeah,

1635
01:09:35,120 --> 01:09:37,280
Speaker 1: like if you asking for something and he'd be like, nah,

1636
01:09:37,320 --> 01:09:40,240
Speaker 1: I really can't do it, like going to get it

1637
01:09:40,280 --> 01:09:44,240
Speaker 1: from another guy, that's yo, bro, that's a different level

1638
01:09:44,320 --> 01:09:46,280
Speaker 1: of hurt to a guy like that, right there is

1639
01:09:46,400 --> 01:09:50,200
Speaker 1: like like we're like, I didn't get that for you,

1640
01:09:50,320 --> 01:09:51,120
Speaker 1: Like where you got that from?

1641
01:09:51,360 --> 01:09:51,479
Speaker 5: Right?

1642
01:09:52,880 --> 01:09:54,120
Speaker 1: And he's like, I'm not, like I got it for

1643
01:09:54,200 --> 01:09:58,719
Speaker 1: myself because she she knows, she knows the thousand dollars purchase.

1644
01:09:58,760 --> 01:10:00,439
Speaker 1: You did not get that for yourself his name.

1645
01:10:01,400 --> 01:10:03,960
Speaker 2: But I still feel like part of the Santa Claus

1646
01:10:04,680 --> 01:10:07,680
Speaker 2: coming out thing can happen outside of your relationship. Like

1647
01:10:08,000 --> 01:10:10,720
Speaker 2: there's been times I've been innocently talking to a girl

1648
01:10:11,160 --> 01:10:13,919
Speaker 2: a harmless flirt here and there, and she's loyal, faithful,

1649
01:10:14,520 --> 01:10:17,040
Speaker 2: all that shit says she has a man cool, nothing

1650
01:10:17,120 --> 01:10:21,080
Speaker 2: never goes over the line. But the moment they break up,

1651
01:10:21,640 --> 01:10:24,160
Speaker 2: it's like I was just put on the back burner

1652
01:10:24,280 --> 01:10:27,439
Speaker 2: in case the breakup happens, and then within forty eight

1653
01:10:27,520 --> 01:10:31,040
Speaker 2: hours the line is being crossed, and I'm sitting there like,

1654
01:10:32,360 --> 01:10:35,519
Speaker 2: is this kind of cheating? Because like, because you was,

1655
01:10:36,040 --> 01:10:38,000
Speaker 2: you might as well go do it if you want

1656
01:10:38,080 --> 01:10:40,680
Speaker 2: to do it, but aren't doing it because I just

1657
01:10:40,680 --> 01:10:41,559
Speaker 2: would feel weird.

1658
01:10:41,680 --> 01:10:42,599
Speaker 1: There's just one text away.

1659
01:10:42,640 --> 01:10:47,400
Speaker 2: Honestly, Yeah, I don't know if i'd like that my girl.

1660
01:10:47,760 --> 01:10:50,960
Speaker 2: If it happens, cool, but like you have the one

1661
01:10:51,120 --> 01:10:54,800
Speaker 2: already sitting that the dick in the glass box to

1662
01:10:54,880 --> 01:10:56,400
Speaker 2: break open in case of emergency.

1663
01:10:56,400 --> 01:11:00,479
Speaker 1: Shit, if your girls show up with a rolex on

1664
01:11:01,560 --> 01:11:04,640
Speaker 1: I'm shooting to you said you're shooting. Somebody can't do that.

1665
01:11:05,160 --> 01:11:06,040
Speaker 2: I'm gonna get it a praise.

1666
01:11:08,360 --> 01:11:12,000
Speaker 1: You're like, why, I'm gonna whoop your ass? But why

1667
01:11:12,080 --> 01:11:13,720
Speaker 1: y'all always got to fix your head now that you

1668
01:11:13,800 --> 01:11:15,240
Speaker 1: got to roles on what.

1669
01:11:18,400 --> 01:11:18,840
Speaker 3: They have to ad?

1670
01:11:19,160 --> 01:11:20,240
Speaker 2: They always are dating.

1671
01:11:21,720 --> 01:11:23,559
Speaker 1: With that hand though, Yeah, Like it's like why y'all

1672
01:11:23,560 --> 01:11:24,760
Speaker 1: always have to fix your hair with the.

1673
01:11:24,840 --> 01:11:26,479
Speaker 2: Same reason their neck hurt every time they get in

1674
01:11:26,520 --> 01:11:30,519
Speaker 2: the rolls. I've never like, I've never you never drove in.

1675
01:11:30,560 --> 01:11:31,200
Speaker 1: The car like this.

1676
01:11:32,160 --> 01:11:33,360
Speaker 2: It can't systems.

1677
01:11:34,200 --> 01:11:34,680
Speaker 1: It was like this.

1678
01:11:35,240 --> 01:11:37,240
Speaker 2: Now you's so they don't.

1679
01:11:37,080 --> 01:11:37,799
Speaker 1: Even take pictures.

1680
01:11:38,080 --> 01:11:39,559
Speaker 2: Now your head looked like t I's.

1681
01:11:39,439 --> 01:11:43,720
Speaker 1: Had ye yeah, yeah, yeah, y'all. Women, y'all are oh y'all,

1682
01:11:44,160 --> 01:11:45,680
Speaker 1: y'all know how to y'all know how to hit men

1683
01:11:45,760 --> 01:11:48,120
Speaker 1: with it hurt. Y'all know how to sting a man

1684
01:11:48,680 --> 01:11:50,680
Speaker 1: like y'all know how to hit that that button with

1685
01:11:51,080 --> 01:11:53,920
Speaker 1: like I'm gonna sunk his whole existence up with this

1686
01:11:54,040 --> 01:11:57,519
Speaker 1: one ball right here. M it's fucked up. Hendri cand

1687
01:11:57,600 --> 01:11:59,880
Speaker 1: dressed that on the album too, like using that ship

1688
01:12:00,120 --> 01:12:02,200
Speaker 1: like hurt people like women know how to say ship

1689
01:12:02,280 --> 01:12:04,519
Speaker 1: like it's like boom like. Of course, if I told

1690
01:12:04,560 --> 01:12:06,000
Speaker 1: you that, I cried, like if you have a cry,

1691
01:12:06,080 --> 01:12:07,880
Speaker 1: you cry in front of you have your cryding front

1692
01:12:07,880 --> 01:12:10,880
Speaker 1: of women. Of course, when you crying for the woman,

1693
01:12:11,040 --> 01:12:13,040
Speaker 1: is that like a clear indicator that you love this woman?

1694
01:12:13,120 --> 01:12:14,040
Speaker 1: Like trust this woman?

1695
01:12:14,400 --> 01:12:19,160
Speaker 2: Uh yeah, I would say so, there's there's definitely a

1696
01:12:19,240 --> 01:12:21,840
Speaker 2: level of trust and vulnerability that I hope you don't

1697
01:12:21,840 --> 01:12:25,519
Speaker 2: throw back in my face eventually. Yeah, but it's happened.

1698
01:12:26,160 --> 01:12:27,559
Speaker 3: If a girl does that, that's evil.

1699
01:12:27,640 --> 01:12:31,160
Speaker 1: Like I'm y'all are evil. That's how women are fucking.

1700
01:12:33,240 --> 01:12:35,719
Speaker 1: I've seen some ship. I'm just like, oh my god,

1701
01:12:35,880 --> 01:12:38,880
Speaker 1: that's crazy that she would do that. Like y'all brain

1702
01:12:39,040 --> 01:12:41,160
Speaker 1: just works on a different freak. I'm telling you men,

1703
01:12:41,520 --> 01:12:45,000
Speaker 1: we don't have that. We do more like physical like

1704
01:12:45,040 --> 01:12:47,599
Speaker 1: we'll go cheat with a girl with if you had

1705
01:12:47,600 --> 01:12:49,559
Speaker 1: a flat ass, she had a fat ass. Now they

1706
01:12:49,600 --> 01:12:51,880
Speaker 1: would do ship like that, but y'all do it.

1707
01:12:52,000 --> 01:12:52,800
Speaker 3: You don't think that hurts.

1708
01:12:53,680 --> 01:12:56,160
Speaker 1: We know it hurts. But it's a certain level of

1709
01:12:56,320 --> 01:13:01,280
Speaker 1: evil that women possess where it's like, yo, I confided

1710
01:13:01,360 --> 01:13:04,400
Speaker 1: in you, like I really like was vulnerable in front

1711
01:13:04,400 --> 01:13:06,920
Speaker 1: of you, and then you took that information, put it

1712
01:13:07,000 --> 01:13:10,719
Speaker 1: in a box, stored it in your mental and unlocked

1713
01:13:10,720 --> 01:13:12,760
Speaker 1: it and threw it at me when you knew I

1714
01:13:12,920 --> 01:13:16,640
Speaker 1: was at my weakest, like and like that crushed me.

1715
01:13:16,720 --> 01:13:20,200
Speaker 1: Like y'all know how to like break a man's spirit,

1716
01:13:20,439 --> 01:13:27,840
Speaker 1: like niggas don't. She is never me baby, women they

1717
01:13:28,000 --> 01:13:29,640
Speaker 1: see us see this. I never cried in front of.

1718
01:13:32,320 --> 01:13:34,600
Speaker 4: You have to let men be emotionally vulnerable. You have

1719
01:13:34,680 --> 01:13:38,400
Speaker 4: to let boys, especially teenage boys and young boys growing up,

1720
01:13:38,680 --> 01:13:41,640
Speaker 4: be emotionally vulnerable because what happens is men don't know

1721
01:13:41,720 --> 01:13:44,600
Speaker 4: how to They don't know how to express sadness. What

1722
01:13:44,720 --> 01:13:48,400
Speaker 4: they express instead is anger because anger is defined. Anger

1723
01:13:48,479 --> 01:13:51,160
Speaker 4: is quote unquote masculine. So it's kay to punch a wall,

1724
01:13:51,240 --> 01:13:53,280
Speaker 4: for sure, it's okay to throw things, it's o kay

1725
01:13:53,320 --> 01:13:55,439
Speaker 4: to curse and scream, but it's not okay to cry

1726
01:13:55,479 --> 01:13:57,560
Speaker 4: when in all reality, they're not angry. They're sad and

1727
01:13:57,600 --> 01:13:59,800
Speaker 4: they're hurt and they want to cry, and that just

1728
01:14:00,000 --> 01:14:02,840
Speaker 4: fuel toxic masculinity. And I don't think that that's okay

1729
01:14:02,880 --> 01:14:04,599
Speaker 4: at all. I want my partner to be okay crying

1730
01:14:04,640 --> 01:14:06,760
Speaker 4: in front of me. If something happens and you can't

1731
01:14:06,840 --> 01:14:09,640
Speaker 4: cry in front of me, then then I'm looking at

1732
01:14:09,680 --> 01:14:11,559
Speaker 4: that as a reflect Why can't you cry even if

1733
01:14:11,600 --> 01:14:13,320
Speaker 4: you can't cry in front of me, Why can't you cry?

1734
01:14:13,840 --> 01:14:14,800
Speaker 3: Like what's going on with.

1735
01:14:14,840 --> 01:14:17,519
Speaker 1: You that you have me cry crying the shower so

1736
01:14:17,600 --> 01:14:19,519
Speaker 1: you can't see it and we can't see it because

1737
01:14:19,520 --> 01:14:21,719
Speaker 1: it's the water crying the shower, like when we're taking

1738
01:14:21,960 --> 01:14:23,400
Speaker 1: when we were like, why you be in there taking

1739
01:14:23,439 --> 01:14:25,120
Speaker 1: a shower for so you in there jerking off. No,

1740
01:14:25,240 --> 01:14:27,719
Speaker 1: I'm crying. I'm fucking hurting and then crying.

1741
01:14:29,080 --> 01:14:32,719
Speaker 2: They kill me for this question. But it's just a question, Mariice.

1742
01:14:32,760 --> 01:14:36,360
Speaker 2: How much do you think women play into toxic masculinity

1743
01:14:36,400 --> 01:14:37,040
Speaker 2: and its existence?

1744
01:14:37,120 --> 01:14:42,400
Speaker 3: Oh so much, so much. We're we're all, we are

1745
01:14:42,560 --> 01:14:44,880
Speaker 3: all like that is all of our issues. That's not

1746
01:14:45,000 --> 01:14:47,400
Speaker 3: just a man issue. That's not just a man issue

1747
01:14:47,800 --> 01:14:50,200
Speaker 3: because so many women raising their sons, like stop crying,

1748
01:14:50,240 --> 01:14:51,439
Speaker 3: like old bitch, that ship.

1749
01:14:54,240 --> 01:14:58,960
Speaker 2: It happens with you, their own fucking boyfriend. And so

1750
01:14:59,040 --> 01:15:00,719
Speaker 2: if we get in a fight and I start crying

1751
01:15:00,960 --> 01:15:03,640
Speaker 2: and like, I'm very vulnerable about how much you hurt me.

1752
01:15:04,600 --> 01:15:07,280
Speaker 2: A lot of women, especially from the era we grew up,

1753
01:15:07,320 --> 01:15:08,960
Speaker 2: and I'm not saying so much now because people are

1754
01:15:09,320 --> 01:15:11,519
Speaker 2: trying to change. Well, look at you, like, look at

1755
01:15:11,560 --> 01:15:13,040
Speaker 2: my weak ass. But this is why I can't be

1756
01:15:13,120 --> 01:15:15,360
Speaker 2: with him, look as weak ass. But if I start

1757
01:15:15,520 --> 01:15:18,280
Speaker 2: punching walls, throwing ship and get angry and run out

1758
01:15:18,280 --> 01:15:20,840
Speaker 2: of the house, there's toxic gas. Women be like I

1759
01:15:20,880 --> 01:15:21,920
Speaker 2: got turned on when you did that.

1760
01:15:22,240 --> 01:15:25,439
Speaker 3: Yeah, yeah, that No, that's so it's like, I won't

1761
01:15:25,479 --> 01:15:27,519
Speaker 3: do that. I want I'll leave.

1762
01:15:27,880 --> 01:15:28,599
Speaker 1: That's in Germany?

1763
01:15:28,680 --> 01:15:28,760
Speaker 3: Right?

1764
01:15:28,760 --> 01:15:32,400
Speaker 1: Where was that? Stockholm is in? Uh? Germany? I believe,

1765
01:15:32,800 --> 01:15:34,559
Speaker 1: I don't know. I believe Stockholm is in Germany.

1766
01:15:35,120 --> 01:15:37,960
Speaker 3: When you when you're you fall in love with your captor, and.

1767
01:15:38,000 --> 01:15:39,519
Speaker 2: That's not so much what I'm saying. I'm saying that

1768
01:15:39,680 --> 01:15:44,800
Speaker 2: women uh get turned on and reward quote unquote real

1769
01:15:44,880 --> 01:15:47,640
Speaker 2: masculinity rather than vulnerability. You look like a weak man.

1770
01:15:47,640 --> 01:15:49,160
Speaker 2: I don't want some weak pussy that's going to be

1771
01:15:49,200 --> 01:15:50,040
Speaker 2: crying in my shoulder.

1772
01:15:50,120 --> 01:15:51,200
Speaker 1: Like what am I the dude?

1773
01:15:51,240 --> 01:15:51,360
Speaker 2: Now?

1774
01:15:51,439 --> 01:15:52,479
Speaker 3: What they wanted to strong?

1775
01:15:52,920 --> 01:15:53,160
Speaker 1: Anger?

1776
01:15:53,240 --> 01:15:53,280
Speaker 3: You?

1777
01:15:53,360 --> 01:15:53,559
Speaker 1: Crying?

1778
01:15:54,560 --> 01:15:54,720
Speaker 3: Yeah?

1779
01:15:54,760 --> 01:15:59,599
Speaker 5: Definitely crying from before? Yes, yeah, why I'm just asking.

1780
01:15:59,640 --> 01:16:00,720
Speaker 1: I just want I just like to get to know

1781
01:16:00,840 --> 01:16:02,320
Speaker 1: what the guys in front of me.

1782
01:16:02,360 --> 01:16:04,080
Speaker 3: I felt even more in love with him instantly.

1783
01:16:04,280 --> 01:16:04,719
Speaker 1: Absolutely.

1784
01:16:04,880 --> 01:16:06,559
Speaker 2: It took me to my late twenties to do it, though,

1785
01:16:07,280 --> 01:16:08,800
Speaker 2: talk about that de mariage.

1786
01:16:09,400 --> 01:16:12,720
Speaker 4: Not because I know that, because vulnerability isn't my strong suit.

1787
01:16:12,800 --> 01:16:15,400
Speaker 4: So we can't both not be sitting her crying because

1788
01:16:15,439 --> 01:16:17,880
Speaker 4: his one of his issues with me was you don't cry?

1789
01:16:18,200 --> 01:16:19,160
Speaker 1: What was he crying about?

1790
01:16:19,760 --> 01:16:22,559
Speaker 3: That's something that's life life.

1791
01:16:22,840 --> 01:16:24,519
Speaker 2: You know what I'm saying, like in front of her,

1792
01:16:24,600 --> 01:16:25,160
Speaker 2: not in front of us.

1793
01:16:25,600 --> 01:16:27,920
Speaker 1: I know I don't want to see him crying, but

1794
01:16:28,000 --> 01:16:30,400
Speaker 1: I just like to know, like what is something that, like,

1795
01:16:30,880 --> 01:16:32,759
Speaker 1: what did you cry in front of your girlfriend?

1796
01:16:32,800 --> 01:16:34,880
Speaker 2: Both not telling you. I didn't cry in front of you, No,

1797
01:16:35,000 --> 01:16:37,920
Speaker 2: but you can't tell you. Obviously, it was a very

1798
01:16:38,000 --> 01:16:40,519
Speaker 2: big thing because I don't just cry in front of

1799
01:16:40,600 --> 01:16:43,799
Speaker 2: women like it took me also to my late twenties

1800
01:16:43,840 --> 01:16:45,920
Speaker 2: to even be comfortable enough to do so. But it

1801
01:16:46,000 --> 01:16:47,360
Speaker 2: was a major thing. It was like I stubbed my

1802
01:16:47,479 --> 01:16:48,360
Speaker 2: toe like it.

1803
01:16:49,439 --> 01:16:51,840
Speaker 1: Like I would hope, I would hope and pray that's

1804
01:16:54,800 --> 01:16:56,240
Speaker 1: the nails gonna fall off.

1805
01:17:01,160 --> 01:17:02,800
Speaker 2: How am I gonna go to roots picnic like this?

1806
01:17:03,920 --> 01:17:05,680
Speaker 1: I can't within my birking stocks now.

1807
01:17:07,600 --> 01:17:11,720
Speaker 3: I don't have anything to weary a nigga.

1808
01:17:11,520 --> 01:17:12,640
Speaker 1: Cry because he ain't got nothing to.

1809
01:17:15,280 --> 01:17:16,439
Speaker 2: Fuck it, I'm not even going out.

1810
01:17:16,640 --> 01:17:17,759
Speaker 1: I'm not even going anymore.

1811
01:17:17,760 --> 01:17:19,680
Speaker 2: I can't do this on a white t's get the

1812
01:17:19,720 --> 01:17:20,880
Speaker 2: fut I.

1813
01:17:20,960 --> 01:17:23,080
Speaker 3: Made T shirts and get the funk out on day

1814
01:17:23,360 --> 01:17:23,880
Speaker 3: like yo.

1815
01:17:25,040 --> 01:17:26,960
Speaker 1: Now, I'm just trying to figure out what men would

1816
01:17:26,960 --> 01:17:28,960
Speaker 1: be crying like if it's not nothing like you know you.

1817
01:17:29,040 --> 01:17:31,240
Speaker 3: Listen to kend We were having a we were having

1818
01:17:31,240 --> 01:17:34,320
Speaker 3: a conversation. You know, child you know, things happen in

1819
01:17:34,400 --> 01:17:37,320
Speaker 3: childhood and in life. It is sad ship happens.

1820
01:17:37,479 --> 01:17:39,680
Speaker 1: No, for sure, I get that, but I just I

1821
01:17:40,200 --> 01:17:43,040
Speaker 1: just know how it is for you know, for a

1822
01:17:43,160 --> 01:17:44,800
Speaker 1: man to cry in front of a woman, that's a

1823
01:17:44,920 --> 01:17:47,479
Speaker 1: different level of vulnerability. And I know obviously I know

1824
01:17:47,600 --> 01:17:50,920
Speaker 1: men crying. But I'm joking. Man, I've never unfortunate. I

1825
01:17:50,920 --> 01:17:52,840
Speaker 1: don't know if it's unfortunate, but no, I've never cried

1826
01:17:52,880 --> 01:17:55,600
Speaker 1: in front of him. Something to do. But yes, I

1827
01:17:55,640 --> 01:17:58,160
Speaker 1: would say, and I'm not not crying if I had to,

1828
01:17:58,439 --> 01:18:00,240
Speaker 1: if it was ever something I felt like I needed

1829
01:18:00,280 --> 01:18:01,800
Speaker 1: to crime for, I would that heavy.

1830
01:18:01,840 --> 01:18:02,839
Speaker 2: That would be unfortunate.

1831
01:18:04,439 --> 01:18:07,599
Speaker 1: Yeah, when I cry, it's nasty cry. It's not. Yeah,

1832
01:18:07,600 --> 01:18:11,200
Speaker 1: it's just nasty cry when I cry because you've all look.

1833
01:18:11,080 --> 01:18:13,200
Speaker 3: Like he let the snot just hang like by older David.

1834
01:18:13,400 --> 01:18:15,280
Speaker 2: Because he's been suppressing it for so long and it

1835
01:18:15,360 --> 01:18:16,040
Speaker 2: finally comes out.

1836
01:18:16,200 --> 01:18:18,040
Speaker 1: No, I'm not. It's nothing I'm suppressing. If I'm not,

1837
01:18:18,560 --> 01:18:19,360
Speaker 1: I'm getting it to.

1838
01:18:19,360 --> 01:18:22,320
Speaker 2: It's thirty years of SnO sitting there waiting.

1839
01:18:22,680 --> 01:18:25,040
Speaker 1: I haven't really touched. I blow my nose every day, Noah,

1840
01:18:25,080 --> 01:18:27,519
Speaker 1: But I just I just know that that's a very uh,

1841
01:18:27,760 --> 01:18:30,200
Speaker 1: that's a very vulnerable thing for a man to cry

1842
01:18:30,200 --> 01:18:31,559
Speaker 1: in front of a woman. So I was just asking,

1843
01:18:31,680 --> 01:18:34,040
Speaker 1: you know, just asking you if you if.

1844
01:18:33,920 --> 01:18:35,600
Speaker 3: You can't, if you feel like you can't cry in

1845
01:18:35,600 --> 01:18:37,360
Speaker 3: front of your woman, And that's a conversation.

1846
01:18:37,520 --> 01:18:38,960
Speaker 1: I would. I would cry in front of my woman,

1847
01:18:39,000 --> 01:18:39,439
Speaker 1: but I didn't.

1848
01:18:39,479 --> 01:18:40,360
Speaker 2: Never for yourself.

1849
01:18:40,520 --> 01:18:41,720
Speaker 3: For yourself, yeah, a lot of it.

1850
01:18:41,800 --> 01:18:43,880
Speaker 4: But you like, I can't cry in front of people,

1851
01:18:44,040 --> 01:18:47,360
Speaker 4: period unless I'm like happy crying, Like I'm a happy crier.

1852
01:18:47,439 --> 01:18:49,680
Speaker 4: But if my life's like in distress, I'm like, nah,

1853
01:18:49,840 --> 01:18:52,040
Speaker 4: like I'm depressed as fuck because I'm like I'm just

1854
01:18:52,080 --> 01:18:52,920
Speaker 4: sitting here laughing.

1855
01:18:53,120 --> 01:18:54,880
Speaker 2: I've been with women that I could probably cry in

1856
01:18:54,880 --> 01:18:56,120
Speaker 2: front of it, but I wasn't ready to cry in

1857
01:18:56,160 --> 01:18:56,599
Speaker 2: front of a woman.

1858
01:18:56,760 --> 01:19:00,000
Speaker 1: Yeah, so how you stopped it? Yeah, yeah, it's your tongue,

1859
01:19:00,040 --> 01:19:00,679
Speaker 1: go to the bathroom.

1860
01:19:00,840 --> 01:19:06,680
Speaker 2: Just I mind, you've had a male childhood. We know

1861
01:19:06,760 --> 01:19:09,920
Speaker 2: how to stop our feelings pretty quickly since we was kids.

1862
01:19:09,760 --> 01:19:11,600
Speaker 1: Of Rory just put on the motion or just that

1863
01:19:11,720 --> 01:19:13,760
Speaker 1: West Coast love and.

1864
01:19:17,520 --> 01:19:17,560
Speaker 5: Know.

1865
01:19:24,160 --> 01:19:26,599
Speaker 2: But you know, you you've definitely learned from a kid

1866
01:19:26,840 --> 01:19:29,200
Speaker 2: how to stop yourself from crying and bury your emotions

1867
01:19:29,240 --> 01:19:29,880
Speaker 2: when things have happened.

1868
01:19:30,040 --> 01:19:33,479
Speaker 1: You just got to breathe heavy, exactly. Yeah, not breathe breathe.

1869
01:19:33,640 --> 01:19:36,400
Speaker 1: You gotta breathe for certain, to breath heavy, breathe heavy.

1870
01:19:36,560 --> 01:19:38,880
Speaker 1: We're breathing right now. We get mad at get mad

1871
01:19:38,920 --> 01:19:40,559
Speaker 1: at anything in the room. We just start staring at

1872
01:19:40,600 --> 01:19:42,639
Speaker 1: it all. Up your fist, you know, anything to stop

1873
01:19:42,680 --> 01:19:43,640
Speaker 1: the water from coming out of.

1874
01:19:43,640 --> 01:19:46,000
Speaker 2: You, for sure, you tighten up your cheek bones.

1875
01:19:46,640 --> 01:19:49,160
Speaker 1: Yeah, I'm not you crying. No, I'm not crying now.

1876
01:19:49,160 --> 01:19:52,120
Speaker 1: It's beef with him like you look like you cry.

1877
01:19:51,960 --> 01:19:58,280
Speaker 2: And ask you look at my hospital. That's how I

1878
01:19:58,400 --> 01:19:58,640
Speaker 2: love it.

1879
01:19:58,880 --> 01:20:00,360
Speaker 1: I love it, love it.

1880
01:20:03,160 --> 01:20:04,920
Speaker 2: That's the truth though, That's how that went when he

1881
01:20:05,000 --> 01:20:05,320
Speaker 2: was a kid.

1882
01:20:06,000 --> 01:20:08,760
Speaker 4: Real shits. I feel so bad for you guys. It's

1883
01:20:08,840 --> 01:20:10,960
Speaker 4: just and then there's so many like we can't get

1884
01:20:11,000 --> 01:20:13,559
Speaker 4: into that of all the negative connotations that go into

1885
01:20:14,200 --> 01:20:16,720
Speaker 4: even the words we refer to men or boys when

1886
01:20:16,760 --> 01:20:17,679
Speaker 4: they are getting emotional.

1887
01:20:18,160 --> 01:20:22,479
Speaker 3: Pussy bitch, pull your pennies. It's all women related, like

1888
01:20:22,600 --> 01:20:26,080
Speaker 3: women are soft, and it's all usually and violent referring

1889
01:20:26,160 --> 01:20:29,280
Speaker 3: to the vagina in a violent way, connecting it to women.

1890
01:20:29,720 --> 01:20:32,679
Speaker 3: It's just a very terrible and you can Yeah.

1891
01:20:33,000 --> 01:20:36,400
Speaker 4: If the vagina in a violent way, you ever realize

1892
01:20:36,439 --> 01:20:38,360
Speaker 4: that that a lot of the ways men talk about vagina,

1893
01:20:38,400 --> 01:20:39,679
Speaker 4: it's all very violent beating.

1894
01:20:40,320 --> 01:20:42,479
Speaker 3: Yeah, I'm gonna beat it up. I'm gonna fuck that up.

1895
01:20:43,439 --> 01:20:45,280
Speaker 3: That I miss my point?

1896
01:20:46,160 --> 01:20:50,479
Speaker 1: Yeah, asked for that, not the words, bro, Women don't

1897
01:20:50,520 --> 01:20:52,439
Speaker 1: ask you to kill a pussy. I see.

1898
01:20:52,520 --> 01:20:54,439
Speaker 2: I think all of I think all of society, not

1899
01:20:54,640 --> 01:20:57,000
Speaker 2: just men. I think in general. Yes, the words we

1900
01:20:57,200 --> 01:21:00,519
Speaker 2: use when it comes to pussy, it's very violent, like

1901
01:21:00,640 --> 01:21:05,479
Speaker 2: even down there was most of my teenage years to

1902
01:21:05,840 --> 01:21:09,640
Speaker 2: mid twenties, was you I killed? Oh yeah, I get

1903
01:21:09,800 --> 01:21:10,160
Speaker 2: not killed.

1904
01:21:10,520 --> 01:21:12,040
Speaker 5: Michelle Hope, she's a very big av.

1905
01:21:13,040 --> 01:21:16,880
Speaker 3: I tore that that should It's never anything loving or

1906
01:21:17,240 --> 01:21:19,639
Speaker 3: like affectionate. It's always love.

1907
01:21:19,560 --> 01:21:20,719
Speaker 1: Making and it's fucking.

1908
01:21:20,880 --> 01:21:24,519
Speaker 2: But also I've quote unquote torn that up while it

1909
01:21:24,760 --> 01:21:28,120
Speaker 2: was very intimate and slow, and I didn't tear it up.

1910
01:21:28,160 --> 01:21:30,040
Speaker 2: It was actually great sex and I didn't tear it up.

1911
01:21:30,040 --> 01:21:31,639
Speaker 2: But then I say, you I tore that up, right, Yeah,

1912
01:21:31,760 --> 01:21:34,320
Speaker 2: it's like you know, you actually softly penetrated me till

1913
01:21:34,320 --> 01:21:38,040
Speaker 2: I came. You actually did a beautiful experience there.

1914
01:21:39,000 --> 01:21:40,880
Speaker 1: You know, the way you rubbed my clitoris was I've

1915
01:21:40,920 --> 01:21:42,680
Speaker 1: never felt you were so gentle with it.

1916
01:21:42,880 --> 01:21:46,320
Speaker 5: Yeah yeah, wait so afterwards you literally said, I tore

1917
01:21:46,400 --> 01:21:46,680
Speaker 5: that up.

1918
01:21:47,280 --> 01:21:48,360
Speaker 3: Yeah, it's the way.

1919
01:21:48,439 --> 01:21:51,920
Speaker 2: It's just them's point.

1920
01:21:51,960 --> 01:21:52,599
Speaker 1: It is weird.

1921
01:21:53,080 --> 01:21:54,160
Speaker 2: Tours are fucking violent.

1922
01:21:57,720 --> 01:22:00,639
Speaker 1: Hey, asking the girl I tore it up right is sick.

1923
01:22:00,800 --> 01:22:04,840
Speaker 1: You can't ask you need you ask about a lot

1924
01:22:04,880 --> 01:22:07,120
Speaker 1: of you though most times and most times you didn't know.

1925
01:22:07,439 --> 01:22:08,920
Speaker 1: So you're asking about a lot of you, like I

1926
01:22:09,000 --> 01:22:10,360
Speaker 1: tore it up right, asking if they can.

1927
01:22:10,800 --> 01:22:11,960
Speaker 2: Yeah, but you have to do it in like a

1928
01:22:12,040 --> 01:22:15,559
Speaker 2: funny way that if she says otherwise, it's okay because

1929
01:22:15,560 --> 01:22:16,880
Speaker 2: you said it kind of sarcastically.

1930
01:22:17,000 --> 01:22:17,160
Speaker 5: Yeah.

1931
01:22:17,720 --> 01:22:19,600
Speaker 2: But then sometimes with the sarcast and you'll get like

1932
01:22:19,840 --> 01:22:21,680
Speaker 2: a real answer and you'll feel good that you did

1933
01:22:21,760 --> 01:22:23,160
Speaker 2: tear it up. Yeah, So you always gotta be like

1934
01:22:23,360 --> 01:22:28,080
Speaker 2: he tore it up. So what get walking different.

1935
01:22:28,040 --> 01:22:31,280
Speaker 1: Walk talking about amongst each other that they would love

1936
01:22:31,360 --> 01:22:33,240
Speaker 1: to hear men speak.

1937
01:22:33,040 --> 01:22:35,599
Speaker 2: To like in the morning half half most because.

1938
01:22:35,400 --> 01:22:36,880
Speaker 1: Y'all want the soft life, which so we need to

1939
01:22:36,880 --> 01:22:38,200
Speaker 1: be more soft without to.

1940
01:22:38,320 --> 01:22:40,400
Speaker 3: Most women don't even know that that's a problem. They wouldn't.

1941
01:22:40,400 --> 01:22:42,120
Speaker 3: They would hear it the same way you guys heard them,

1942
01:22:42,160 --> 01:22:42,400
Speaker 3: like huh.

1943
01:22:42,439 --> 01:22:44,320
Speaker 4: I never really paid attention to that because it's a

1944
01:22:44,360 --> 01:22:46,479
Speaker 4: societal thing. It's not just a man thing. That's a

1945
01:22:46,520 --> 01:22:49,560
Speaker 4: societal thing, the same way we put on toxic masculinity

1946
01:22:49,600 --> 01:22:51,120
Speaker 4: for men and just be like, stop acting like a bit,

1947
01:22:51,160 --> 01:22:53,280
Speaker 4: stop acting like a pussy, stop acting like a girl,

1948
01:22:53,680 --> 01:22:56,160
Speaker 4: pull your skirt up, take your tampon out. It's like

1949
01:22:56,240 --> 01:22:59,160
Speaker 4: you all, any time anybody has an emotions, you refer

1950
01:22:59,280 --> 01:23:03,040
Speaker 4: to it as a womanly thing when all humans have emotions,

1951
01:23:03,120 --> 01:23:06,840
Speaker 4: and also women aren't like like, I don't know.

1952
01:23:06,920 --> 01:23:08,599
Speaker 3: It's just hard to explain. It's weird.

1953
01:23:09,120 --> 01:23:12,880
Speaker 1: So so the phrase y'all would prefer uh did you?

1954
01:23:13,000 --> 01:23:14,960
Speaker 1: And you would prefer for a man to ask you,

1955
01:23:15,080 --> 01:23:15,840
Speaker 1: did you enjoy it?

1956
01:23:17,040 --> 01:23:17,320
Speaker 7: Did you?

1957
01:23:17,760 --> 01:23:21,200
Speaker 1: Are you? Are you satisfied? Did you? Did you climbax?

1958
01:23:21,880 --> 01:23:23,960
Speaker 3: If you have to ask, then you should.

1959
01:23:24,240 --> 01:23:25,639
Speaker 1: I'm just saying, but I'm just trying to figure out

1960
01:23:25,680 --> 01:23:27,320
Speaker 1: how it will be a better van curious if she

1961
01:23:27,360 --> 01:23:29,160
Speaker 1: did or not, I would not. I just want to

1962
01:23:29,160 --> 01:23:30,599
Speaker 1: know it will be a better way for man, because,

1963
01:23:30,600 --> 01:23:32,800
Speaker 1: like you said, it's it's very violent, like I beat

1964
01:23:32,840 --> 01:23:35,160
Speaker 1: the pussy up, I killed that pussy, or I fucked

1965
01:23:35,160 --> 01:23:37,880
Speaker 1: the ship out of her, and yeah, yeah, yeah, we

1966
01:23:37,960 --> 01:23:42,759
Speaker 1: need to move into a more softer I like wordes

1967
01:23:42,800 --> 01:23:45,360
Speaker 1: that I penetrated you slowly until the seagulls came home.

1968
01:23:45,560 --> 01:23:48,920
Speaker 2: I don't know something, but that's but that's why this

1969
01:23:49,080 --> 01:23:52,520
Speaker 2: almost full circle with women being responsible for toxic masculinity

1970
01:23:52,600 --> 01:23:55,360
Speaker 2: and the soft life. Yeah, because they want all these

1971
01:23:55,400 --> 01:23:58,120
Speaker 2: things given to them and they won't have to work.

1972
01:23:58,520 --> 01:24:01,880
Speaker 2: We would have to do that providing she wanted to

1973
01:24:01,960 --> 01:24:06,120
Speaker 2: use capitalism. Let's take that example. There's no room for

1974
01:24:06,240 --> 01:24:09,839
Speaker 2: emotion in this capitalistic world when it comes to providing.

1975
01:24:11,680 --> 01:24:13,720
Speaker 2: So you're asking for a man to be vulnerable. You're

1976
01:24:13,760 --> 01:24:16,280
Speaker 2: asking this and that you want to be the soft

1977
01:24:16,360 --> 01:24:17,760
Speaker 2: life all this, but then you also want a man

1978
01:24:17,800 --> 01:24:20,920
Speaker 2: to be vulnerable but provide. It's very hard to be

1979
01:24:21,080 --> 01:24:25,000
Speaker 2: vulnerable and emotional when all day you've had to live

1980
01:24:25,040 --> 01:24:27,679
Speaker 2: in a capitalistic society that does not allow for emotions

1981
01:24:27,720 --> 01:24:31,160
Speaker 2: when it comes to success. So I just don't think

1982
01:24:31,200 --> 01:24:34,639
Speaker 2: women this body. No, y'all want the buffet life.

1983
01:24:34,640 --> 01:24:36,360
Speaker 3: Well, why do y'all? Why do y'all think that y'all

1984
01:24:36,360 --> 01:24:37,840
Speaker 3: are the only ones that have to turn off your

1985
01:24:37,880 --> 01:24:38,559
Speaker 3: emotions and the work.

1986
01:24:38,720 --> 01:24:39,880
Speaker 2: I don't think so. I actually think women have to

1987
01:24:39,920 --> 01:24:41,840
Speaker 2: turn them off more. But I'm saying as far as

1988
01:24:41,920 --> 01:24:47,120
Speaker 2: tech toxic masculinity, we're so much more okay with turning

1989
01:24:47,160 --> 01:24:49,439
Speaker 2: our emotions off. And we've been taught our whole lives anyway,

1990
01:24:49,520 --> 01:24:51,280
Speaker 2: so it is much easier for us to do. So

1991
01:24:52,000 --> 01:24:53,920
Speaker 2: just don't ask me when I get home why I'm

1992
01:24:53,960 --> 01:24:58,639
Speaker 2: not that vulnerable when women are part of a reason

1993
01:24:58,680 --> 01:25:01,800
Speaker 2: for toxic masculinity. Capitalism is part of it. And you

1994
01:25:01,880 --> 01:25:04,000
Speaker 2: want me to succeed and provide for you, and the

1995
01:25:04,120 --> 01:25:05,920
Speaker 2: best way to do that in this society is not

1996
01:25:06,000 --> 01:25:06,719
Speaker 2: to have any emotions.

1997
01:25:08,160 --> 01:25:08,840
Speaker 3: Yeah, sure, if.

1998
01:25:08,720 --> 01:25:10,360
Speaker 4: You're going to have a pisod where you need to learn,

1999
01:25:10,360 --> 01:25:11,840
Speaker 4: if you're going to have a partner, and on top

2000
01:25:11,880 --> 01:25:14,679
Speaker 4: of that, if you're gonna have any type of healthy

2001
01:25:15,000 --> 01:25:17,120
Speaker 4: mental which you need to have a partner, so that

2002
01:25:17,200 --> 01:25:18,720
Speaker 4: goes in hand in hand. You're gonna have to learn

2003
01:25:18,760 --> 01:25:19,160
Speaker 4: to balance.

2004
01:25:19,200 --> 01:25:20,320
Speaker 5: But I don't think he means that in the sense

2005
01:25:20,360 --> 01:25:21,880
Speaker 5: of like a partner that he's in like he knows.

2006
01:25:21,920 --> 01:25:23,880
Speaker 5: I'm pretty sure that war research for a partner or

2007
01:25:23,880 --> 01:25:25,960
Speaker 5: any of y'all, well, search for a partner that they

2008
01:25:26,040 --> 01:25:28,400
Speaker 5: know that you're not the provider period of.

2009
01:25:28,479 --> 01:25:29,040
Speaker 1: That for sure.

2010
01:25:29,160 --> 01:25:31,040
Speaker 2: But I'm going off the soft life thing, not by

2011
01:25:31,080 --> 01:25:32,400
Speaker 2: the personal in.

2012
01:25:32,400 --> 01:25:35,000
Speaker 5: The sense of again going back to capitalism. Providing for

2013
01:25:35,120 --> 01:25:37,080
Speaker 5: a person, that's all they're looking for, and I guess

2014
01:25:37,160 --> 01:25:37,720
Speaker 5: exchange to.

2015
01:25:37,720 --> 01:25:38,280
Speaker 1: It for what.

2016
01:25:39,400 --> 01:25:42,719
Speaker 2: Yeah, it's just it's very difficult to ask your partner

2017
01:25:43,200 --> 01:25:48,080
Speaker 2: to provide and also be extremely vulnerable when they walk

2018
01:25:48,160 --> 01:25:51,280
Speaker 2: into the door when outside, if you want them to provide,

2019
01:25:51,880 --> 01:25:53,280
Speaker 2: they can't have that ability.

2020
01:25:53,520 --> 01:25:54,360
Speaker 1: Wasn't that the shit though?

2021
01:25:54,400 --> 01:25:56,640
Speaker 5: Back then, like in the fifties sixties, that was just

2022
01:25:56,720 --> 01:25:58,439
Speaker 5: kind of like the housewife.

2023
01:25:57,920 --> 01:26:00,400
Speaker 2: And then yeah, and the stereotype would be a man

2024
01:26:00,479 --> 01:26:04,200
Speaker 2: would work his fucking brain away and then come home

2025
01:26:04,360 --> 01:26:05,760
Speaker 2: and take it out on his wife and beat the

2026
01:26:05,760 --> 01:26:07,559
Speaker 2: ship out of her because he's been turning his emotions

2027
01:26:07,600 --> 01:26:09,479
Speaker 2: off all day, doesn't know how to channel them, and

2028
01:26:09,640 --> 01:26:13,200
Speaker 2: like Jamara said, it's instead of crying, it turns to anger,

2029
01:26:13,280 --> 01:26:15,680
Speaker 2: and anger turns to violence, right, So he takes his

2030
01:26:15,920 --> 01:26:20,960
Speaker 2: entire day out on the housewife. That sucks. That's there's

2031
01:26:21,240 --> 01:26:24,719
Speaker 2: a term for for these, They're called wife beaters because

2032
01:26:24,720 --> 01:26:27,280
Speaker 2: when you get home like it's not funny, but that's

2033
01:26:27,360 --> 01:26:29,800
Speaker 2: that's where they come from. And in my house we

2034
01:26:29,840 --> 01:26:32,559
Speaker 2: call them husband beaters. Why because it's funny.

2035
01:26:35,800 --> 01:26:36,559
Speaker 1: I like a woman and a.

2036
01:26:36,560 --> 01:26:41,360
Speaker 2: Wife beater and a wife beaters with no bra Yes, yeah,

2037
01:26:41,479 --> 01:26:42,200
Speaker 2: that's the one for me.

2038
01:26:42,600 --> 01:26:44,000
Speaker 3: Chef's kiss that gets me.

2039
01:26:45,560 --> 01:26:51,000
Speaker 2: When they have the husband beater on. Come beat it up, babe, yeah, babe,

2040
01:26:51,680 --> 01:26:55,519
Speaker 2: come ill right, come beat me up. Wow, you guys

2041
01:26:55,520 --> 01:26:56,080
Speaker 2: are problematic.

2042
01:26:57,800 --> 01:26:59,519
Speaker 3: But that I think that that was a good conversation.

2043
01:26:59,640 --> 01:27:01,920
Speaker 3: And I think that all of us as humans can

2044
01:27:02,000 --> 01:27:04,000
Speaker 3: just be more aware of the things that we say

2045
01:27:04,040 --> 01:27:04,639
Speaker 3: and be more.

2046
01:27:04,520 --> 01:27:07,720
Speaker 1: Aware, be softer, be more caring, be more gentle with.

2047
01:27:07,840 --> 01:27:09,760
Speaker 3: Each other, be more communicative as well.

2048
01:27:10,080 --> 01:27:12,240
Speaker 1: Yeah, talk, let's talk about it. Let's let's let's get

2049
01:27:12,240 --> 01:27:14,720
Speaker 1: to let's get to how we really feel about things. Let's,

2050
01:27:14,760 --> 01:27:18,120
Speaker 1: you know, have these conversations of that are awkward. To

2051
01:27:18,160 --> 01:27:20,280
Speaker 1: make them not awkward, you know what I mean.

2052
01:27:20,479 --> 01:27:22,960
Speaker 3: Allow room for men to emotions, whether you're raising a

2053
01:27:23,040 --> 01:27:26,040
Speaker 3: man as far as like raising a child, or whether

2054
01:27:26,080 --> 01:27:26,519
Speaker 3: you're inter.

2055
01:27:26,640 --> 01:27:29,160
Speaker 1: And men cry in front of your women. Yeah, when

2056
01:27:29,200 --> 01:27:30,720
Speaker 1: she comes home, just be sitting on the couch and

2057
01:27:30,800 --> 01:27:34,559
Speaker 1: just be crying. Fuck it, because she just changes whatever

2058
01:27:34,640 --> 01:27:36,680
Speaker 1: she was coming in the house with. Whatever bullshit she

2059
01:27:36,800 --> 01:27:38,599
Speaker 1: was going to come at you with, it totally throws

2060
01:27:38,640 --> 01:27:40,599
Speaker 1: it off track. Now she's just wondering why her man

2061
01:27:41,000 --> 01:27:42,040
Speaker 1: is sitting at home crying.

2062
01:27:42,200 --> 01:27:44,240
Speaker 2: And if you can't cry, I don't know, watch Rudy

2063
01:27:44,360 --> 01:27:45,360
Speaker 2: right before she comes home.

2064
01:27:46,320 --> 01:27:48,040
Speaker 1: I challenge you not to cry when they put him

2065
01:27:48,040 --> 01:27:52,200
Speaker 1: in the game. When they challenge every man, I challenge

2066
01:27:52,240 --> 01:27:54,960
Speaker 1: every man watching or listening to this show to watch

2067
01:27:55,040 --> 01:27:57,880
Speaker 1: Rudy and not cry when they sub them into the game.

2068
01:27:57,960 --> 01:28:01,839
Speaker 2: When the groundskeeper starts doing the Oh my god, that's work,

2069
01:28:04,080 --> 01:28:06,799
Speaker 2: no pun intended. When the groundskeeper.

2070
01:28:08,640 --> 01:28:14,519
Speaker 1: The water works, you can't shut it off, Rory, No.

2071
01:28:15,880 --> 01:28:16,800
Speaker 2: He works so hard.

2072
01:28:16,920 --> 01:28:17,080
Speaker 7: Man.

2073
01:28:17,160 --> 01:28:18,280
Speaker 2: You don't know what Rudy went through.

2074
01:28:19,800 --> 01:28:23,559
Speaker 1: He deserves the soft life. Rudy deserved the soft life.

2075
01:28:23,640 --> 01:28:27,120
Speaker 2: Rudy was stupid. Rudy was a dumb ass.

2076
01:28:27,320 --> 01:28:28,400
Speaker 5: I was Rudy a dumb ass?

2077
01:28:28,800 --> 01:28:28,960
Speaker 3: Yo.

2078
01:28:29,960 --> 01:28:31,080
Speaker 1: The water works.

2079
01:28:32,400 --> 01:28:36,120
Speaker 2: Man, all right, it got him a degree from Notre Dame,

2080
01:28:36,800 --> 01:28:40,599
Speaker 2: so I guess it was worth that. In cool, cool

2081
01:28:41,000 --> 01:28:43,680
Speaker 2: pride and all that, we all know the guy that's.

2082
01:28:43,200 --> 01:28:45,560
Speaker 1: Still living in high school and the water Works is

2083
01:28:45,720 --> 01:28:50,439
Speaker 1: hilarious because it's true though, Like I mean, you want

2084
01:28:50,439 --> 01:28:52,200
Speaker 1: to know why that's funny. I never forget the first

2085
01:28:52,200 --> 01:28:57,360
Speaker 1: time I watched Rudy great story, great movie, and it's

2086
01:28:57,520 --> 01:29:00,559
Speaker 1: it's a fact that when he subbed amits to the game,

2087
01:29:01,200 --> 01:29:03,840
Speaker 1: you just got emotional, like and.

2088
01:29:04,680 --> 01:29:07,240
Speaker 2: By the way, it was at the exact time you

2089
01:29:07,400 --> 01:29:08,200
Speaker 2: changed the channel.

2090
01:29:10,840 --> 01:29:11,200
Speaker 1: Yeah it was.

2091
01:29:11,240 --> 01:29:13,200
Speaker 2: It wasn't a good game. It's a blowout. Throw the

2092
01:29:13,240 --> 01:29:15,479
Speaker 2: subs in. They even had to convince him to throw

2093
01:29:15,479 --> 01:29:16,879
Speaker 2: the subs in when it was a blowout.

2094
01:29:18,160 --> 01:29:18,320
Speaker 3: Yo.

2095
01:29:18,640 --> 01:29:22,760
Speaker 1: Man, the waterworks is hilarious. Man, yeah, man, cry in

2096
01:29:22,800 --> 01:29:25,120
Speaker 1: front of your girl. Man, fuck you man, Like I

2097
01:29:25,320 --> 01:29:27,240
Speaker 1: I get. Let's a play a national Isn't it like

2098
01:29:27,680 --> 01:29:30,800
Speaker 1: a thing in like uh Asian countries where they have

2099
01:29:30,960 --> 01:29:33,640
Speaker 1: to cry, because I've been seeing videos of like men

2100
01:29:33,840 --> 01:29:34,360
Speaker 1: just crying.

2101
01:29:34,800 --> 01:29:35,880
Speaker 2: But where do you get your news from?

2102
01:29:37,080 --> 01:29:38,880
Speaker 1: Like no, it's like somebody when like some one of

2103
01:29:38,920 --> 01:29:43,680
Speaker 1: the leaders of the country passes away, they have to cry. Well,

2104
01:29:43,760 --> 01:29:44,719
Speaker 1: what he's talking about?

2105
01:29:44,840 --> 01:29:46,160
Speaker 2: That called communism?

2106
01:29:49,080 --> 01:29:50,720
Speaker 1: We need that here. I think we should. I think

2107
01:29:50,760 --> 01:29:53,519
Speaker 1: everybody should have to cry like shirt like one day

2108
01:29:53,560 --> 01:29:56,760
Speaker 1: out of the month. I guarantee you, like it would

2109
01:29:56,760 --> 01:29:58,760
Speaker 1: be so much, so much good will come from that.

2110
01:29:58,920 --> 01:30:01,080
Speaker 5: Well, National crime Days June twenty fourth, But.

2111
01:30:01,160 --> 01:30:02,240
Speaker 2: Who, like, who are we crying for?

2112
01:30:02,400 --> 01:30:04,519
Speaker 1: It was a National Crying Day four?

2113
01:30:04,640 --> 01:30:06,600
Speaker 3: Oh my fucking god, I can't wait. I think I

2114
01:30:06,680 --> 01:30:07,479
Speaker 3: have that day off too.

2115
01:30:07,640 --> 01:30:09,760
Speaker 5: That was a day June twenty four.

2116
01:30:09,920 --> 01:30:11,320
Speaker 2: That's geminis right, that makes sense.

2117
01:30:14,880 --> 01:30:16,240
Speaker 1: National crying Day is what?

2118
01:30:16,560 --> 01:30:19,160
Speaker 2: What? What political leader will we be crying for?

2119
01:30:20,439 --> 01:30:20,639
Speaker 1: Joe?

2120
01:30:20,960 --> 01:30:22,599
Speaker 2: Do you think you guys would have stormed the capitol

2121
01:30:22,640 --> 01:30:24,880
Speaker 2: if all those men like cried the day before and

2122
01:30:24,960 --> 01:30:28,519
Speaker 2: just kind of got their emotions out. That was suppressed

2123
01:30:28,560 --> 01:30:33,280
Speaker 2: white let out like crying. Yeah, white straight white men

2124
01:30:33,360 --> 01:30:35,519
Speaker 2: are under attack. Well, and no one will listen to me.

2125
01:30:37,000 --> 01:30:38,320
Speaker 3: You're the minority in this country.

2126
01:30:38,400 --> 01:30:40,519
Speaker 2: Now. I think they were crying when they just did

2127
01:30:40,600 --> 01:30:42,200
Speaker 2: that instead of storming the capitol.

2128
01:30:42,240 --> 01:30:44,280
Speaker 1: I think they were crying when they stormed the Capitol,

2129
01:30:44,800 --> 01:30:45,360
Speaker 1: but they had.

2130
01:30:45,320 --> 01:30:47,280
Speaker 2: Made white white war cries.

2131
01:30:47,520 --> 01:30:50,040
Speaker 1: Yeah, they were crying. There was a cry. They were

2132
01:30:50,080 --> 01:30:53,160
Speaker 1: crying for help, cautious cries, crying for a fair vote,

2133
01:30:53,200 --> 01:30:54,519
Speaker 1: like yeah, I don't know what they were crying for.

2134
01:30:54,840 --> 01:30:57,040
Speaker 2: The Caucus mountain cry, the Caucus mountain.

2135
01:30:57,080 --> 01:30:59,800
Speaker 1: That is hilarious. Yeah, but I challenge every any man.

2136
01:31:00,120 --> 01:31:02,479
Speaker 1: That's funny to watch Rudy and not cry when they

2137
01:31:02,520 --> 01:31:05,519
Speaker 1: subed him in the game. It's impossible, man, you have

2138
01:31:05,640 --> 01:31:09,200
Speaker 1: that's that's like whoever that part of the movie, that's

2139
01:31:09,360 --> 01:31:12,160
Speaker 1: just man cry of time, Like, ladies, just just leave,

2140
01:31:12,720 --> 01:31:14,400
Speaker 1: just leave us alone with Rudy for a minute and

2141
01:31:14,439 --> 01:31:15,519
Speaker 1: let us get out thoughts together.

2142
01:31:15,640 --> 01:31:15,920
Speaker 7: What is it?

2143
01:31:16,000 --> 01:31:20,880
Speaker 2: Brian song? What's what's the other one? Brian Piccolo? I

2144
01:31:21,000 --> 01:31:23,240
Speaker 2: tear up at that one at the speech at the end.

2145
01:31:24,080 --> 01:31:24,680
Speaker 1: Look that one up.

2146
01:31:24,680 --> 01:31:25,519
Speaker 2: That's another football.

2147
01:31:25,880 --> 01:31:27,040
Speaker 1: I didn't I never seen that one.

2148
01:31:28,200 --> 01:31:29,840
Speaker 5: I was gonna ask you guys, what movies I've made,

2149
01:31:29,920 --> 01:31:30,839
Speaker 5: y'all tear.

2150
01:31:31,200 --> 01:31:34,240
Speaker 1: I told you when Rafael got jumped and Ninja Turtles,

2151
01:31:34,280 --> 01:31:38,439
Speaker 1: I cried. I think the first time I think I

2152
01:31:38,479 --> 01:31:41,559
Speaker 1: remembering watching the movie I was young was corn Bread

2153
01:31:41,600 --> 01:31:43,880
Speaker 1: Earl and me when they killed corn Bread, when the

2154
01:31:43,920 --> 01:31:46,400
Speaker 1: police killed corn Bread. I cried at that part.

2155
01:31:46,720 --> 01:31:47,240
Speaker 3: Titanic.

2156
01:31:48,560 --> 01:31:53,920
Speaker 2: Titanic, Titanic, you cry watching the titan I cried for masculinity.

2157
01:31:55,600 --> 01:31:56,519
Speaker 1: That door was big enough.

2158
01:31:57,720 --> 01:31:58,439
Speaker 3: It definitely was.

2159
01:31:58,800 --> 01:32:06,120
Speaker 2: It was mad space on that I've slept with two

2160
01:32:06,200 --> 01:32:09,479
Speaker 2: women in a college dorm bed comfortably. You could have

2161
01:32:09,520 --> 01:32:11,760
Speaker 2: fit on that fucking door. Matter of fact, you could

2162
01:32:11,760 --> 01:32:12,639
Speaker 2: have cuddled on the door.

2163
01:32:12,840 --> 01:32:14,920
Speaker 1: Yeah. Jack didn't have to die, It didn't have to

2164
01:32:14,960 --> 01:32:15,360
Speaker 1: go like that.

2165
01:32:15,479 --> 01:32:17,680
Speaker 2: But she was a piece of ship, so she was

2166
01:32:17,920 --> 01:32:18,280
Speaker 2: in the sea.

2167
01:32:19,320 --> 01:32:21,519
Speaker 1: Yeah, she was a cheater.

2168
01:32:22,320 --> 01:32:25,040
Speaker 2: She went against her family, then the new dude she

2169
01:32:25,120 --> 01:32:26,680
Speaker 2: even portrayed, and then the.

2170
01:32:26,800 --> 01:32:29,520
Speaker 3: New dude was beating her. So do you want to retract.

2171
01:32:29,400 --> 01:32:32,200
Speaker 2: Talking about her? Her husband? She cheated on Jack being

2172
01:32:32,240 --> 01:32:34,439
Speaker 2: the new dude she portrayed him. She fucking left him

2173
01:32:34,479 --> 01:32:36,400
Speaker 2: in the freezing ocean when he could have easily climbed

2174
01:32:36,400 --> 01:32:38,400
Speaker 2: on that fucking door. That was then all of a sudden, Now,

2175
01:32:38,400 --> 01:32:40,880
Speaker 2: all of a sudden, once he dies, she knows how

2176
01:32:40,880 --> 01:32:41,880
Speaker 2: to blow a fucking whistle.

2177
01:32:42,439 --> 01:32:46,040
Speaker 1: Yeah, she she gone the strength to blow until they

2178
01:32:46,120 --> 01:32:46,439
Speaker 1: hurt her.

2179
01:32:46,800 --> 01:32:49,679
Speaker 2: And then after all that, instead of maybe thinking about

2180
01:32:49,760 --> 01:32:52,240
Speaker 2: Jack's family and like maybe he got relatives, let me

2181
01:32:52,320 --> 01:32:54,479
Speaker 2: just throw this fucking diamond that the whole world is

2182
01:32:54,520 --> 01:32:57,320
Speaker 2: looking for into the ocean. Jack's family maybe could have

2183
01:32:57,360 --> 01:32:57,840
Speaker 2: used a pension?

2184
01:32:57,960 --> 01:32:59,479
Speaker 5: Did She had it the whole time and that's why

2185
01:32:59,520 --> 01:33:00,920
Speaker 5: they got her for And then.

2186
01:33:00,840 --> 01:33:02,120
Speaker 2: She moved on and had mad kids.

2187
01:33:03,560 --> 01:33:06,759
Speaker 1: What a life. Jack's bones is somewhere at the bottom

2188
01:33:06,800 --> 01:33:08,599
Speaker 1: of the Atlantic. That's is definitely the sintegrated.

2189
01:33:08,920 --> 01:33:10,519
Speaker 2: Oh, we have to add to the conspiracy list for

2190
01:33:10,560 --> 01:33:15,240
Speaker 2: the episode. Uh, the Titanic did not actually sink. I

2191
01:33:15,280 --> 01:33:15,960
Speaker 2: looked into that one.

2192
01:33:16,320 --> 01:33:18,960
Speaker 1: No, I think we saw it. We saw footage of it.

2193
01:33:19,080 --> 01:33:22,720
Speaker 2: That was again Stephen Spielberg. That was his verse. That

2194
01:33:22,800 --> 01:33:25,240
Speaker 2: wasn't a documentary like Leo wasn't really on the boat.

2195
01:33:25,479 --> 01:33:27,840
Speaker 1: No, no, the real Titanic.

2196
01:33:28,120 --> 01:33:30,799
Speaker 2: They didn't have drones at that time, the real Titanic,

2197
01:33:31,240 --> 01:33:32,200
Speaker 2: Rose didn't have a go prol on.

2198
01:33:32,439 --> 01:33:35,920
Speaker 1: So do you We'll say definite the conspiracy topic.

2199
01:33:36,520 --> 01:33:39,559
Speaker 2: I'll to intro it to then go to the next episode.

2200
01:33:40,720 --> 01:33:43,360
Speaker 2: They switched the boats and that wasn't really No, a

2201
01:33:43,400 --> 01:33:47,479
Speaker 2: boat did sink, but it wasn't the Titanic. They renamed

2202
01:33:47,479 --> 01:33:51,640
Speaker 2: another boat the Titanic. Okay, yeah, it's not really like

2203
01:33:51,720 --> 01:33:55,760
Speaker 2: a conspiracy that like affects anyone's lives because everyone did die.

2204
01:33:57,000 --> 01:33:59,560
Speaker 2: Like does it matter that it was painted Titanic or not?

2205
01:33:59,640 --> 01:34:01,280
Speaker 2: But yes, that wasn't the real Titanic.

2206
01:34:01,720 --> 01:34:08,040
Speaker 1: Got you? Uh? May twenty first, Biggie's Birthday. Yes, Biggie

2207
01:34:08,040 --> 01:34:12,519
Speaker 1: would have turned fifty this past this past Saturday. Happy Birthday,

2208
01:34:12,560 --> 01:34:15,960
Speaker 1: to Biggie Small's uh so in a honor of Biggie Uh,

2209
01:34:16,400 --> 01:34:18,920
Speaker 1: May twenty firth has May twenty first has been named

2210
01:34:19,400 --> 01:34:20,800
Speaker 1: Big Day in New York City.

2211
01:34:21,760 --> 01:34:23,840
Speaker 2: Should have been quicker than that, but I'm happy happy

2212
01:34:23,840 --> 01:34:26,639
Speaker 2: they did. And it's Saint James and they called Notorious

2213
01:34:26,680 --> 01:34:28,760
Speaker 2: big Way. I haven't really been over there, and I'm

2214
01:34:28,840 --> 01:34:31,840
Speaker 2: not sure it should be though default or Saint James

2215
01:34:31,880 --> 01:34:34,840
Speaker 2: should be. Yeah, but I heard they shut down Saint

2216
01:34:34,920 --> 01:34:38,400
Speaker 2: James on Saturday between Gates and UH and Fulton Dope

2217
01:34:38,920 --> 01:34:41,280
Speaker 2: so and uh shout out to CJ. I I didn't

2218
01:34:41,280 --> 01:34:44,080
Speaker 2: realize CJ follows the new Roya Moulpage. I was CJ

2219
01:34:44,200 --> 01:34:46,280
Speaker 2: at the at the Monogram. It's funny because CJ.

2220
01:34:46,439 --> 01:34:49,559
Speaker 1: We was talking. Shout out to c J. Wallace Biggie

2221
01:34:49,600 --> 01:34:51,080
Speaker 1: Son for those that don't know. We was at the

2222
01:34:51,160 --> 01:34:53,960
Speaker 1: Monogram dinner and he was talking and so mad I

2223
01:34:54,000 --> 01:34:55,960
Speaker 1: missed that old shit man and he was talking. We

2224
01:34:56,040 --> 01:34:58,360
Speaker 1: were talking, kicking it, and he told me that he

2225
01:34:58,520 --> 01:35:01,600
Speaker 1: never been to Madison Square Garden and he never been

2226
01:35:01,680 --> 01:35:04,760
Speaker 1: to a Yankee game. And I was blown away by that.

2227
01:35:04,920 --> 01:35:08,400
Speaker 1: I was like, there's no way Biggie's Sun has never

2228
01:35:08,479 --> 01:35:10,240
Speaker 1: been the Master Square Guard and I would have never

2229
01:35:10,360 --> 01:35:12,400
Speaker 1: thought that. I would have never And granted he did

2230
01:35:12,479 --> 01:35:15,120
Speaker 1: grow up on the West Coast and in Atlanta, I believe,

2231
01:35:16,280 --> 01:35:18,040
Speaker 1: so I understand he didn't spend a lot of time

2232
01:35:18,120 --> 01:35:21,559
Speaker 1: New York. But still it's like, feel Biggie's son, that's crime.

2233
01:35:21,920 --> 01:35:25,640
Speaker 1: Biggie's son should definitely have been to Yankee Stadium and

2234
01:35:25,760 --> 01:35:26,200
Speaker 1: to Masters.

2235
01:35:26,680 --> 01:35:29,640
Speaker 2: So I was a pitch or done a sweepstakes with

2236
01:35:29,720 --> 01:35:30,200
Speaker 2: the found.

2237
01:35:30,000 --> 01:35:33,400
Speaker 1: Shop, absolutely absolutely something right, Yeah, so I got to

2238
01:35:33,439 --> 01:35:36,200
Speaker 1: take It's funny because I was going to take him.

2239
01:35:36,800 --> 01:35:39,600
Speaker 1: Uh Friday, I text him and I said, Yo, what

2240
01:35:39,640 --> 01:35:42,400
Speaker 1: are you doing? But the game got rained out one

2241
01:35:42,640 --> 01:35:46,360
Speaker 1: and he said they had the party Friday night. He

2242
01:35:46,400 --> 01:35:48,920
Speaker 1: said Little Kim had put together the party for a

2243
01:35:48,960 --> 01:35:51,400
Speaker 1: BIG's birthday, so he couldn't go. But I think he's

2244
01:35:51,400 --> 01:35:53,080
Speaker 1: still here. So I think I want to take him

2245
01:35:53,120 --> 01:35:54,080
Speaker 1: this week to a Yankee game.

2246
01:35:54,120 --> 01:35:56,479
Speaker 2: I feel offended them more always sneaky Lincoln c J.

2247
01:35:56,560 --> 01:35:57,400
Speaker 2: And didn't even tell him.

2248
01:35:57,280 --> 01:35:58,920
Speaker 1: No, we didn't know, we didn't link. But I was

2249
01:35:58,960 --> 01:36:02,639
Speaker 1: going to the Yankee game. The Monogram dinner was Monday,

2250
01:36:03,479 --> 01:36:04,720
Speaker 1: so I just thought about it when he said it,

2251
01:36:04,720 --> 01:36:06,080
Speaker 1: and I was like I'm already going to the game.

2252
01:36:06,120 --> 01:36:08,840
Speaker 1: I was like, nah, I got a biggie son has

2253
01:36:08,920 --> 01:36:10,439
Speaker 1: to go to a Yankee game, or at least just

2254
01:36:10,479 --> 01:36:12,800
Speaker 1: gonna put him in. He'd been to the Barclayers though

2255
01:36:12,800 --> 01:36:14,519
Speaker 1: he said he'd been in a bar plays, I would hope. So, yeah,

2256
01:36:14,560 --> 01:36:15,400
Speaker 1: he's been to Barclays.

2257
01:36:15,400 --> 01:36:17,920
Speaker 2: He's never been to His dad is hanging in the

2258
01:36:18,000 --> 01:36:18,519
Speaker 2: rafters there.

2259
01:36:18,760 --> 01:36:20,240
Speaker 1: I mean, I you know, I told him. I was

2260
01:36:20,280 --> 01:36:22,880
Speaker 1: like bro Madison Square, like I went.

2261
01:36:22,800 --> 01:36:26,080
Speaker 2: To the first park because when Jade did those I

2262
01:36:26,120 --> 01:36:28,599
Speaker 2: think it was seven days, seven shows. Barclay's the first opening.

2263
01:36:29,200 --> 01:36:31,000
Speaker 2: I went to the first night, like the first night

2264
01:36:31,040 --> 01:36:34,000
Speaker 2: it opened for the j concert, and I did love

2265
01:36:34,360 --> 01:36:38,240
Speaker 2: that there was no intro. Hove just played Juicy m

2266
01:36:38,439 --> 01:36:40,719
Speaker 2: just so Juicy could be the first record ever played

2267
01:36:40,800 --> 01:36:41,479
Speaker 2: at the bar plays.

2268
01:36:41,800 --> 01:36:41,840
Speaker 3: Like.

2269
01:36:41,920 --> 01:36:43,680
Speaker 2: I thought that was ill that hoped it wasn't like

2270
01:36:44,080 --> 01:36:46,920
Speaker 2: some fucking like intro, like let's start with Juicy, then

2271
01:36:46,920 --> 01:36:48,840
Speaker 2: I'll get into now he just you'll just hit play.

2272
01:36:49,280 --> 01:36:51,160
Speaker 2: Just let Juicy rock, and this is how we're starting

2273
01:36:51,160 --> 01:36:51,599
Speaker 2: the bar plays.

2274
01:36:51,720 --> 01:36:54,960
Speaker 1: Yeah, I think I think that that is the only

2275
01:36:55,000 --> 01:36:56,280
Speaker 1: way you would open that building.

2276
01:36:56,400 --> 01:36:59,360
Speaker 2: And then after that, Big Daddy came came out dancers.

2277
01:36:59,400 --> 01:36:59,679
Speaker 1: Everything.

2278
01:36:59,720 --> 01:37:01,680
Speaker 2: I was like, is this is Brooklyn, this is I'm

2279
01:37:01,760 --> 01:37:05,040
Speaker 2: happy Hole gave that moment to Big and Kane.

2280
01:37:04,880 --> 01:37:07,160
Speaker 1: And he gets it. You know, people say what they

2281
01:37:07,200 --> 01:37:09,759
Speaker 1: want about Jay, but he he pays us into the details.

2282
01:37:09,800 --> 01:37:12,840
Speaker 1: He understands the importance of little things like that. That

2283
01:37:12,960 --> 01:37:13,519
Speaker 1: means so much.

2284
01:37:14,000 --> 01:37:15,760
Speaker 2: And I'm not really the ig guy. I just saw

2285
01:37:15,800 --> 01:37:17,919
Speaker 2: when it said at the bottom when I clicked CJ's

2286
01:37:18,400 --> 01:37:20,559
Speaker 2: page on Saturday because everyone was just posting a bunch

2287
01:37:20,560 --> 01:37:22,599
Speaker 2: of shit, and I saw it follows new Roy and maaw.

2288
01:37:22,760 --> 01:37:24,519
Speaker 2: Then I clicked his followers, which I don't do, and

2289
01:37:24,520 --> 01:37:27,720
Speaker 2: I feel weird even talking about that. CJ follows all

2290
01:37:27,840 --> 01:37:31,559
Speaker 2: the fucking ill, weirdo alternative R and B underground artists

2291
01:37:31,600 --> 01:37:34,040
Speaker 2: that I do. I was like, this is like CJ

2292
01:37:34,200 --> 01:37:36,240
Speaker 2: knows about him, this ship is. It was weird, and

2293
01:37:36,280 --> 01:37:38,720
Speaker 2: I thought it was ill that he has like a

2294
01:37:38,800 --> 01:37:41,680
Speaker 2: completely different taso. I'm sure of course he loves his

2295
01:37:41,880 --> 01:37:42,599
Speaker 2: post music.

2296
01:37:42,920 --> 01:37:45,720
Speaker 1: Was into jazz things that nobody He's into.

2297
01:37:45,600 --> 01:37:49,320
Speaker 2: Some some weirdo shit like me. I thought that was dope.

2298
01:37:49,760 --> 01:37:52,200
Speaker 1: Yeah, So shout out to the Willace family. Shout out

2299
01:37:52,200 --> 01:37:56,880
Speaker 1: to uh, you know, his kids, his mom, everybody man.

2300
01:37:57,640 --> 01:37:59,559
Speaker 1: That was big for them to name May twenty, first

2301
01:37:59,640 --> 01:38:03,280
Speaker 1: Big Day in New York City and Happy Birthday at

2302
01:38:03,280 --> 01:38:05,639
Speaker 1: Biggie Smalls. I was mad. I didn't get to I didn't.

2303
01:38:06,040 --> 01:38:07,800
Speaker 1: I totally forgot that they were giving away the Metro

2304
01:38:07,920 --> 01:38:12,960
Speaker 1: cards at certain train stations in Brooklyn to commemorate Biggie's

2305
01:38:13,120 --> 01:38:16,679
Speaker 1: fiftieth birthday. But then I saw the videos online. Those

2306
01:38:16,760 --> 01:38:19,320
Speaker 1: lines were absolutely ridiculous, and I was like, you know what,

2307
01:38:19,760 --> 01:38:21,479
Speaker 1: mall wouldn't have waited on those lines. I would have

2308
01:38:21,560 --> 01:38:23,760
Speaker 1: done what I usually do, went to the person in

2309
01:38:23,840 --> 01:38:25,360
Speaker 1: the front and just say you listen, I'll give you

2310
01:38:25,520 --> 01:38:28,559
Speaker 1: one hundred dollars. Yeah, I'm not waiting on this line.

2311
01:38:28,600 --> 01:38:30,400
Speaker 1: The line was wrapped around the inside of the station,

2312
01:38:30,560 --> 01:38:33,479
Speaker 1: outside of the station down the block. I love big.

2313
01:38:33,800 --> 01:38:38,000
Speaker 1: I was And then half of those kids were like,

2314
01:38:38,320 --> 01:38:41,160
Speaker 1: you don't even know, you don't know, you didn't know, Elvis,

2315
01:38:41,680 --> 01:38:43,439
Speaker 1: you know what I mean. Like it's just like like move,

2316
01:38:43,720 --> 01:38:45,280
Speaker 1: get out the way. I don't even know what this is.

2317
01:38:45,400 --> 01:38:48,360
Speaker 1: But either way, I thought the mt did a great job,

2318
01:38:49,280 --> 01:38:52,000
Speaker 1: excuse me, of saluting Biggie on his fiftieth birthday. I

2319
01:38:52,000 --> 01:38:53,880
Speaker 1: thought that was really dope, mad, I didn't get a

2320
01:38:54,120 --> 01:38:55,840
Speaker 1: metro card. I'm sure I find one online for like

2321
01:38:55,920 --> 01:38:57,600
Speaker 1: a thousand dollars that they're trying to resell them for.

2322
01:38:57,960 --> 01:38:59,680
Speaker 3: Don't do that, all because I want my kids to

2323
01:39:00,120 --> 01:39:03,120
Speaker 3: back Biggie the same way I grew up to respect

2324
01:39:03,240 --> 01:39:05,560
Speaker 3: him the same way my death. Like, I want that

2325
01:39:05,840 --> 01:39:08,040
Speaker 3: because my kid's gonna think Michaels still alive until like

2326
01:39:08,040 --> 01:39:08,400
Speaker 3: the no.

2327
01:39:08,400 --> 01:39:09,640
Speaker 1: No, no, I get that. I get that.

2328
01:39:10,000 --> 01:39:10,960
Speaker 2: I think that's what he's saying.

2329
01:39:11,040 --> 01:39:13,679
Speaker 1: No, that's not what I'm saying. I listen to his music,

2330
01:39:14,320 --> 01:39:16,840
Speaker 1: look at his video, study his lyricism and all of that.

2331
01:39:17,000 --> 01:39:19,960
Speaker 1: His art his artistry, for sure, But things like that,

2332
01:39:20,120 --> 01:39:22,000
Speaker 1: we know they just getting that going to the machine,

2333
01:39:22,080 --> 01:39:23,720
Speaker 1: getting ten of them to flip them on lineine, we

2334
01:39:23,840 --> 01:39:24,080
Speaker 1: know what.

2335
01:39:24,120 --> 01:39:25,559
Speaker 2: They respect the hype Beasts.

2336
01:39:25,560 --> 01:39:25,840
Speaker 1: They don't.

2337
01:39:26,760 --> 01:39:30,080
Speaker 2: It could have been anybody's picture on there, but because

2338
01:39:30,080 --> 01:39:33,360
Speaker 2: it was the moment in the hype Beast birthday, let's

2339
01:39:33,400 --> 01:39:33,960
Speaker 2: go do that.

2340
01:39:34,360 --> 01:39:35,640
Speaker 1: And that's all I was mad. I was just like,

2341
01:39:35,880 --> 01:39:38,559
Speaker 1: I'm you know, I'm glad I didn't. But either way,

2342
01:39:39,160 --> 01:39:41,519
Speaker 1: happy birthday to Biggie Smalls, who would have been fifty

2343
01:39:42,320 --> 01:39:47,519
Speaker 1: on Saturday. Diddy and Jay were on spaces, Twitter spaces

2344
01:39:48,400 --> 01:39:50,200
Speaker 1: and uh, you know, to just talk about you know,

2345
01:39:50,280 --> 01:39:54,680
Speaker 1: Biggie and his birthday and everything like that, and did

2346
01:39:54,760 --> 01:39:57,599
Speaker 1: he gave Jays flowers and said, you know, he stepped

2347
01:39:57,680 --> 01:40:01,360
Speaker 1: up after the untimely death of and Tupac and he

2348
01:40:01,520 --> 01:40:03,639
Speaker 1: filled He filled their shoes.

2349
01:40:03,800 --> 01:40:09,080
Speaker 2: Is pretty much with do you agree that, amongst others.

2350
01:40:11,200 --> 01:40:13,839
Speaker 1: Filled their shoes? I don't think you can feel Biggie

2351
01:40:14,040 --> 01:40:16,040
Speaker 1: or poc shoes. Let me just say that I don't

2352
01:40:16,040 --> 01:40:18,920
Speaker 1: think that, you know, I definitely know that that Jay

2353
01:40:19,040 --> 01:40:21,280
Speaker 1: wasn't trying to fill nobody's shoes. I think Ja was

2354
01:40:21,280 --> 01:40:25,920
Speaker 1: gonna be Jay no matter what. But I do understand

2355
01:40:25,920 --> 01:40:28,280
Speaker 1: what Diddy was saying. It's kind of like these two

2356
01:40:28,320 --> 01:40:30,800
Speaker 1: big pillars that we had had in our culture gone

2357
01:40:31,920 --> 01:40:35,720
Speaker 1: and you after them. You became the guy that we

2358
01:40:35,840 --> 01:40:39,160
Speaker 1: looked at in the culture like, Okay, he's one of

2359
01:40:39,200 --> 01:40:42,120
Speaker 1: the pillars. And for years it's been that for Ja,

2360
01:40:42,200 --> 01:40:44,160
Speaker 1: He's been one of the pillars of hip hop and

2361
01:40:44,200 --> 01:40:48,519
Speaker 1: the culture music business. He made it real for people

2362
01:40:48,560 --> 01:40:51,360
Speaker 1: to understand that you can have a talent, and you know,

2363
01:40:51,479 --> 01:40:54,240
Speaker 1: you can have a dream, and you know you can

2364
01:40:54,439 --> 01:40:56,719
Speaker 1: you can see it through you can you can achieve

2365
01:40:56,800 --> 01:40:59,200
Speaker 1: these goals? You can be from these communities, these projects

2366
01:40:59,640 --> 01:41:01,760
Speaker 1: with all of this, you know, these these obstacles that

2367
01:41:01,920 --> 01:41:04,840
Speaker 1: that life throws at you, you can clear these hurdles,

2368
01:41:04,880 --> 01:41:06,599
Speaker 1: you can get around these obstacles, and you can still

2369
01:41:06,600 --> 01:41:08,840
Speaker 1: get to your goals and become, you know, one of

2370
01:41:08,880 --> 01:41:10,960
Speaker 1: the biggest people with influences in your culture.

2371
01:41:11,080 --> 01:41:13,000
Speaker 3: Do you think was always gonna be whole or do

2372
01:41:13,080 --> 01:41:14,680
Speaker 3: you think things would be.

2373
01:41:14,680 --> 01:41:16,800
Speaker 1: Different if Big was still a live No, I mean

2374
01:41:16,880 --> 01:41:19,320
Speaker 1: things would yes, things would be different, both would be

2375
01:41:19,520 --> 01:41:21,360
Speaker 1: but yeah, both both of those are truth. Things would

2376
01:41:21,400 --> 01:41:23,920
Speaker 1: be different, and Jay was still going to be Jay

2377
01:41:24,040 --> 01:41:28,000
Speaker 1: no matter what. I just think that his talent was undeniable,

2378
01:41:28,800 --> 01:41:29,160
Speaker 1: is uh.

2379
01:41:30,360 --> 01:41:32,680
Speaker 2: And even to say that, because I do all. I

2380
01:41:32,680 --> 01:41:35,639
Speaker 2: always hate when people say that type of shit because

2381
01:41:35,720 --> 01:41:39,160
Speaker 2: let's deal with what actually happened. But even volume one,

2382
01:41:39,240 --> 01:41:43,280
Speaker 2: it's not like Big died and then Hove was Hove

2383
01:41:43,400 --> 01:41:46,519
Speaker 2: at volume one, because that's not He wasn't really Hove

2384
01:41:46,680 --> 01:41:49,000
Speaker 2: till volume two. Yeah, I'm not saying the name.

2385
01:41:48,880 --> 01:41:50,840
Speaker 1: But like, yeah, that's when he took off, That's when

2386
01:41:50,880 --> 01:41:51,479
Speaker 1: his career took off.

2387
01:41:51,520 --> 01:41:55,200
Speaker 2: Till hard knocked life. He still wasn't like some what

2388
01:41:55,400 --> 01:41:58,360
Speaker 2: Big was. So yeah, it's not like, oh, Big died

2389
01:41:58,400 --> 01:42:01,439
Speaker 2: and then everyone's just like, well, you're the new guy perform.

2390
01:42:02,040 --> 01:42:03,560
Speaker 1: It wasn't. And I don't like when people do that.

2391
01:42:03,640 --> 01:42:05,840
Speaker 1: I think it's just stupid. Both but both things are true.

2392
01:42:05,920 --> 01:42:08,240
Speaker 2: Yes, he did nas as well.

2393
01:42:08,640 --> 01:42:11,200
Speaker 3: I only asked because of the line and to push

2394
01:42:11,240 --> 01:42:11,720
Speaker 3: your t song.

2395
01:42:11,800 --> 01:42:14,320
Speaker 1: You know, I'll get it. Yeah, But because he hears that,

2396
01:42:14,439 --> 01:42:15,600
Speaker 1: he hears that a lot. He's been here in his

2397
01:42:15,640 --> 01:42:18,320
Speaker 1: whole career. Like, you know, it's like I was gonna

2398
01:42:18,320 --> 01:42:20,799
Speaker 1: be me no matter what, because I was as always

2399
01:42:20,880 --> 01:42:23,920
Speaker 1: and only me. But I do understand what Diddy was

2400
01:42:23,960 --> 01:42:26,600
Speaker 1: saying by saying, you know, you stepped up and you

2401
01:42:26,680 --> 01:42:28,720
Speaker 1: know you became the guy that we all looked up to,

2402
01:42:28,840 --> 01:42:31,519
Speaker 1: and that really pushed the culture in a whole different,

2403
01:42:31,880 --> 01:42:33,320
Speaker 1: uh direction.

2404
01:42:34,960 --> 01:42:39,000
Speaker 6: You know, Big Ampip and like just pushing forward. That's

2405
01:42:39,160 --> 01:42:41,439
Speaker 6: just me being the student of the game and loving

2406
01:42:41,479 --> 01:42:43,280
Speaker 6: the game and loving the culture and just wanting to

2407
01:42:43,320 --> 01:42:46,640
Speaker 6: push the culture forward. And for me, that's that was

2408
01:42:46,720 --> 01:42:49,800
Speaker 6: the challenge that I was faced with. And you know,

2409
01:42:50,280 --> 01:42:53,960
Speaker 6: that's a void, that's a big void that ain't you know,

2410
01:42:54,240 --> 01:42:56,479
Speaker 6: other stepped in and field filled it as well not

2411
01:42:56,680 --> 01:43:00,360
Speaker 6: just myself, but it was that's a big boy. That's

2412
01:43:00,439 --> 01:43:03,760
Speaker 6: that's that's that's the two that's the two pillars right there.

2413
01:43:04,200 --> 01:43:07,920
Speaker 6: Imagine that within within the year, six months, six months apart.

2414
01:43:09,720 --> 01:43:12,920
Speaker 8: Yeah, I mean, come on, man, yo ya I want

2415
01:43:13,160 --> 01:43:16,439
Speaker 8: I want to say, bro, you feel them shoes though

2416
01:43:17,479 --> 01:43:20,280
Speaker 8: you feel you came in and you you you know

2417
01:43:20,280 --> 01:43:20,679
Speaker 8: what I'm saying.

2418
01:43:20,720 --> 01:43:22,960
Speaker 7: So we definitely get thanks for you, you know what

2419
01:43:22,960 --> 01:43:26,880
Speaker 7: I'm saying, because you definitely, you know, came in and

2420
01:43:27,200 --> 01:43:30,360
Speaker 7: I just know how much big like like really looked

2421
01:43:30,439 --> 01:43:31,679
Speaker 7: up to Jay, you know what I'm saying.

2422
01:43:32,160 --> 01:43:35,599
Speaker 8: As far as like like they looked up to each other,

2423
01:43:36,320 --> 01:43:38,320
Speaker 8: you know what I'm saying, They looked up to each other.

2424
01:43:40,280 --> 01:43:43,280
Speaker 7: And yeah, that that is crazy.

2425
01:43:43,320 --> 01:43:46,080
Speaker 8: You have to step into the shoes of like two

2426
01:43:46,200 --> 01:43:50,320
Speaker 8: people because that's all it was really was those two people.

2427
01:43:50,520 --> 01:43:53,720
Speaker 7: And they had like the game, they had things on

2428
01:43:53,880 --> 01:43:56,680
Speaker 7: lock Hole was coming, you know what I'm saying, But like,

2429
01:43:57,439 --> 01:44:00,840
Speaker 7: you know, it was like these two cats was just

2430
01:44:00,960 --> 01:44:02,960
Speaker 7: so big, you know what I'm saying.

2431
01:44:03,800 --> 01:44:06,000
Speaker 8: And then so it's like to have all of that,

2432
01:44:06,400 --> 01:44:10,240
Speaker 8: like you know, come on you and have that responsibility

2433
01:44:10,800 --> 01:44:13,600
Speaker 8: to keep this ship fly and keep the art of

2434
01:44:13,720 --> 01:44:16,400
Speaker 8: it going, you know what I'm saying, because I think

2435
01:44:16,479 --> 01:44:19,599
Speaker 8: Hole really kept the you know, not you know, code

2436
01:44:19,720 --> 01:44:22,360
Speaker 8: kept the art of it going and was able to

2437
01:44:22,439 --> 01:44:24,839
Speaker 8: take where they was at and take.

2438
01:44:24,720 --> 01:44:27,240
Speaker 7: It, you know what I'm saying, take it even highest.

2439
01:44:28,600 --> 01:44:33,360
Speaker 1: They look. Yeah, So that was dope for for Diddy

2440
01:44:33,439 --> 01:44:36,760
Speaker 1: to say that. And you know, give hold his quote

2441
01:44:36,800 --> 01:44:39,559
Speaker 1: unquote flowers for sure. And you know, after that whole

2442
01:44:39,760 --> 01:44:45,639
Speaker 1: traumatic losing a big yeah, like crazy times. But Jay

2443
01:44:45,720 --> 01:44:49,759
Speaker 1: definitely became the guy and he definitely took the culture

2444
01:44:49,800 --> 01:44:52,360
Speaker 1: to to new levels and you know, like all across

2445
01:44:52,360 --> 01:44:56,360
Speaker 1: the board musically, business and culture influence and you know,

2446
01:44:56,520 --> 01:44:58,160
Speaker 1: just around the world and things he's doing, you know,

2447
01:44:58,240 --> 01:45:01,200
Speaker 1: with different organizations and you know, now him and his

2448
01:45:01,280 --> 01:45:04,519
Speaker 1: wife Beyonce doing amazing things. Like it's just you know,

2449
01:45:04,560 --> 01:45:07,519
Speaker 1: when you look back at it, it's just it's like

2450
01:45:07,640 --> 01:45:09,960
Speaker 1: where he started his message and things he was saying,

2451
01:45:10,760 --> 01:45:13,519
Speaker 1: watching him grow and become a man and a family

2452
01:45:13,600 --> 01:45:14,560
Speaker 1: man and a businessman.

2453
01:45:14,680 --> 01:45:18,840
Speaker 2: And it's a lot because but at that point, with

2454
01:45:19,240 --> 01:45:22,160
Speaker 2: or without the unfortunate biggest situation when the Beans come

2455
01:45:22,280 --> 01:45:25,559
Speaker 2: ninety eight ninety nine, like Rockefeller was after ninety nine,

2456
01:45:26,040 --> 01:45:29,679
Speaker 2: I think Beans was ninety nine, the first one Rockefeller

2457
01:45:29,800 --> 01:45:34,200
Speaker 2: was in motion of being what it was regardles to

2458
01:45:34,240 --> 01:45:35,040
Speaker 2: what bad Boy was doing.

2459
01:45:35,160 --> 01:45:37,559
Speaker 1: Oh yeah, yeah, that's and that's what Puff said. Jay,

2460
01:45:37,720 --> 01:45:39,559
Speaker 1: you know, he was definitely he was coming, for sure,

2461
01:45:40,000 --> 01:45:43,960
Speaker 1: but pauls but you know it's you know, feeling big

2462
01:45:44,160 --> 01:45:46,720
Speaker 1: and pot shoes is something I don't I don't think

2463
01:45:46,840 --> 01:45:49,720
Speaker 1: will ever be done. But I do understand what what

2464
01:45:49,840 --> 01:45:53,439
Speaker 1: Diddy was saying. It's like Jay definitely, you know, carried

2465
01:45:53,479 --> 01:45:56,560
Speaker 1: that torch and you know he became the biggest, the

2466
01:45:56,640 --> 01:45:59,840
Speaker 1: biggest star in the culture and and just handle himself

2467
01:45:59,880 --> 01:46:01,759
Speaker 1: and carried itself well throughout an entire career.

2468
01:46:02,000 --> 01:46:03,840
Speaker 2: Yeah, and the truth was two thousand, but I know

2469
01:46:03,920 --> 01:46:06,759
Speaker 2: Beans was out in ninety nine. Yeah, February two thousand

2470
01:46:06,800 --> 01:46:09,439
Speaker 2: was on the album Game. Well, I asked you because

2471
01:46:10,000 --> 01:46:13,640
Speaker 2: you were, what sixteen or seventeen when Big and.

2472
01:46:13,680 --> 01:46:15,080
Speaker 1: Poc died, I was a little younger.

2473
01:46:15,120 --> 01:46:18,840
Speaker 2: I was fifteen, so you can obviously speak to that

2474
01:46:18,920 --> 01:46:21,640
Speaker 2: climate way more than the three of us games. What

2475
01:46:21,880 --> 01:46:23,120
Speaker 2: was that like as a teenager?

2476
01:46:24,200 --> 01:46:28,080
Speaker 1: It was weird? I remember, I remember, uh, I remember

2477
01:46:28,080 --> 01:46:32,080
Speaker 1: when Pac died. It was like a shock to everybody

2478
01:46:32,120 --> 01:46:35,160
Speaker 1: because he had got shot and then he died days

2479
01:46:35,200 --> 01:46:37,320
Speaker 1: later in the hospital and then we just kind of

2480
01:46:37,360 --> 01:46:38,920
Speaker 1: got the news that you know, he passed away in

2481
01:46:39,000 --> 01:46:42,880
Speaker 1: the hospital and things like that, and that was that

2482
01:46:42,960 --> 01:46:46,080
Speaker 1: shook everybody up, like, damn Tupac died, like you know,

2483
01:46:46,160 --> 01:46:49,240
Speaker 1: it was. It was definitely a time where even if

2484
01:46:49,280 --> 01:46:51,599
Speaker 1: you know, you know that whole East Coast West coast shit,

2485
01:46:52,240 --> 01:46:54,800
Speaker 1: that wasn't real that, you know, people on the East Coast,

2486
01:46:54,960 --> 01:46:59,519
Speaker 1: you know, we loved Pac, so that hurt us too.

2487
01:46:59,600 --> 01:47:03,120
Speaker 1: When when Pop died Biggie was was different because of

2488
01:47:03,240 --> 01:47:06,720
Speaker 1: the way. First of all, it was so sudden. It was,

2489
01:47:06,760 --> 01:47:10,080
Speaker 1: you know, it was it literally was like I remember

2490
01:47:10,160 --> 01:47:14,559
Speaker 1: going to school and I'm listening I had the CD walkman.

2491
01:47:14,640 --> 01:47:16,160
Speaker 1: I don't remember what I was listening to, but I

2492
01:47:16,200 --> 01:47:16,800
Speaker 1: had a CD walk.

2493
01:47:16,840 --> 01:47:16,920
Speaker 2: Man.

2494
01:47:16,960 --> 01:47:18,960
Speaker 1: I'm almore walking to the train station, you know, you

2495
01:47:19,000 --> 01:47:21,639
Speaker 1: walk past the news stand, you look at newspapers or whatever,

2496
01:47:21,720 --> 01:47:26,400
Speaker 1: and I think the headline was the Rise and Fall

2497
01:47:26,439 --> 01:47:30,200
Speaker 1: of Big And at the time, I thought Biggie may

2498
01:47:30,280 --> 01:47:32,360
Speaker 1: have fell because remember he had the camp I remember

2499
01:47:32,520 --> 01:47:33,880
Speaker 1: from the car because his leg was messed up. So

2500
01:47:33,920 --> 01:47:35,720
Speaker 1: I'm like, damn, Big must have fell, Like you know,

2501
01:47:36,320 --> 01:47:38,680
Speaker 1: heard itself something. It didn't regsit to me that they

2502
01:47:38,720 --> 01:47:41,439
Speaker 1: were saying that yead he died until I got on

2503
01:47:41,600 --> 01:47:46,240
Speaker 1: the train and a lady had the newspaper and she

2504
01:47:46,400 --> 01:47:48,000
Speaker 1: was reading it and she was like, it's so sad

2505
01:47:48,040 --> 01:47:51,040
Speaker 1: that they killed Biggie. And I'm like what, because you

2506
01:47:51,160 --> 01:47:53,599
Speaker 1: remember this happened in California with their three hours behind,

2507
01:47:53,920 --> 01:47:55,719
Speaker 1: and it was late in California because they were taking

2508
01:47:55,760 --> 01:47:58,840
Speaker 1: like the after party, so like our time, seven thirty

2509
01:47:58,880 --> 01:48:01,960
Speaker 1: eight am was probably like around the time where they're

2510
01:48:02,000 --> 01:48:05,160
Speaker 1: probably announced the whole California. Yeah, so you know, for

2511
01:48:05,280 --> 01:48:07,680
Speaker 1: us to be me, I'm walking to the train station like,

2512
01:48:08,720 --> 01:48:11,519
Speaker 1: I'm like, I've seen the paper. I was like, Biggie what, Yeah,

2513
01:48:12,120 --> 01:48:15,120
Speaker 1: it was the craziest shit man. It was like it

2514
01:48:15,240 --> 01:48:17,639
Speaker 1: was unbelievable like that that feeling was like and that's

2515
01:48:18,160 --> 01:48:21,040
Speaker 1: that was the moment where, you know, me being young,

2516
01:48:21,160 --> 01:48:25,400
Speaker 1: I felt like, oh shit, I'm from the East Coast,

2517
01:48:25,400 --> 01:48:27,479
Speaker 1: I'm from the York I can't go to California. I

2518
01:48:27,560 --> 01:48:29,879
Speaker 1: remember feeling that way, like I can't go to California.

2519
01:48:29,920 --> 01:48:33,240
Speaker 1: They hate East Coast people because we were being fed

2520
01:48:33,320 --> 01:48:36,320
Speaker 1: this whole East Coast West Coast beef thing. And then

2521
01:48:38,120 --> 01:48:42,160
Speaker 1: Park is killed and then Biggie is killed in California.

2522
01:48:42,040 --> 01:48:43,439
Speaker 2: It could appear if you're not in the know.

2523
01:48:43,760 --> 01:48:46,200
Speaker 1: Yeah, so I'm like, you know, I'm like, oh shit,

2524
01:48:46,320 --> 01:48:48,920
Speaker 1: they really don't they hate us, like they killed Biggie

2525
01:48:48,920 --> 01:48:50,040
Speaker 1: over it, Like you know what I'm saying. It was just,

2526
01:48:50,720 --> 01:48:53,040
Speaker 1: you know, it was a it was a very very

2527
01:48:54,000 --> 01:48:56,280
Speaker 1: you know, me being fourteen fifteen years old, it was

2528
01:48:56,400 --> 01:48:59,280
Speaker 1: just it was a very weird time, especially when you know,

2529
01:48:59,840 --> 01:49:02,120
Speaker 1: the way we received our information and news back then

2530
01:49:02,240 --> 01:49:05,080
Speaker 1: was so different. You didn't really know what was going on.

2531
01:49:05,240 --> 01:49:06,880
Speaker 1: You didn't know the ins and outs and things like that.

2532
01:49:08,720 --> 01:49:10,360
Speaker 1: But it was it was tough, man, you know. That

2533
01:49:10,520 --> 01:49:13,439
Speaker 1: was definitely something that affected a lot of people. I

2534
01:49:13,479 --> 01:49:15,439
Speaker 1: don't even think to this day that that that shook

2535
01:49:15,520 --> 01:49:18,360
Speaker 1: up the industry in a way where we really don't

2536
01:49:18,760 --> 01:49:21,880
Speaker 1: quite comprehend it yet. But it changed a lot. It

2537
01:49:21,960 --> 01:49:25,040
Speaker 1: definitely changed a lot. And I remember when we got

2538
01:49:25,080 --> 01:49:28,639
Speaker 1: the news that Nipsey had passed. Yeah, and I remember

2539
01:49:28,760 --> 01:49:30,880
Speaker 1: thinking to myself, you know, in a in a in

2540
01:49:30,960 --> 01:49:34,559
Speaker 1: a weird, selfish way. I remember thinking to myself, I'm

2541
01:49:34,640 --> 01:49:37,679
Speaker 1: so glad that this did not happen outside of his hometown.

2542
01:49:39,000 --> 01:49:39,960
Speaker 2: It's weird what you're saying.

2543
01:49:40,000 --> 01:49:41,599
Speaker 1: But I was like, if this would have if if

2544
01:49:41,720 --> 01:49:44,400
Speaker 1: if Nick would have been taken from us and killed

2545
01:49:44,439 --> 01:49:46,920
Speaker 1: like this in another city, I think that would have

2546
01:49:47,000 --> 01:49:50,640
Speaker 1: set off violence and and and and a spree of

2547
01:49:51,360 --> 01:49:54,080
Speaker 1: you know, just two bad things that I don't think

2548
01:49:54,120 --> 01:49:57,360
Speaker 1: anybody would have would have really been ready for, because

2549
01:49:57,920 --> 01:49:59,800
Speaker 1: I remember what it felt like when we lost big

2550
01:50:00,200 --> 01:50:02,200
Speaker 1: and it was a real it was a divide. It

2551
01:50:02,320 --> 01:50:06,000
Speaker 1: was like a real we can't go over there. I'm

2552
01:50:06,040 --> 01:50:07,880
Speaker 1: fifteen thinking this, I'm not going there anyway, you know

2553
01:50:07,880 --> 01:50:10,400
Speaker 1: what I'm saying. But I remember feeling that like, oh shit,

2554
01:50:10,800 --> 01:50:12,560
Speaker 1: we can't go to the West Coast, we can't go

2555
01:50:12,600 --> 01:50:15,200
Speaker 1: to California, like they hate people from New York over there,

2556
01:50:15,240 --> 01:50:16,760
Speaker 1: you know what I mean. Like I really remember feeling

2557
01:50:16,800 --> 01:50:17,439
Speaker 1: like that at this.

2558
01:50:17,600 --> 01:50:21,439
Speaker 3: Time where your brother is traveling like that like a

2559
01:50:21,560 --> 01:50:22,120
Speaker 3: fair for you.

2560
01:50:22,720 --> 01:50:24,439
Speaker 1: Yeah, because I was young, I was, you know, I was,

2561
01:50:24,560 --> 01:50:26,799
Speaker 1: I was, I was, I was still young. I was fourteen,

2562
01:50:26,880 --> 01:50:30,080
Speaker 1: fifteen years old, but you know they were that they

2563
01:50:30,280 --> 01:50:32,439
Speaker 1: because I think they had a they used to do,

2564
01:50:32,520 --> 01:50:34,800
Speaker 1: like I think a ski trip or like they used

2565
01:50:34,840 --> 01:50:37,439
Speaker 1: to do something around that time where they was like

2566
01:50:37,720 --> 01:50:40,600
Speaker 1: they were like out of town somewhere doing something. I

2567
01:50:40,640 --> 01:50:42,720
Speaker 1: don't know if they had like a it was a

2568
01:50:42,760 --> 01:50:44,720
Speaker 1: ski trip or some type of trip where you know

2569
01:50:44,760 --> 01:50:45,879
Speaker 1: that I used to do like bus.

2570
01:50:45,800 --> 01:50:46,519
Speaker 2: Ride and go somewhere.

2571
01:50:46,840 --> 01:50:48,840
Speaker 1: And I remember they had to come back once they

2572
01:50:48,880 --> 01:50:50,880
Speaker 1: got the news that that that Big had died. I

2573
01:50:50,880 --> 01:50:52,920
Speaker 1: remember they had to come back to the city and

2574
01:50:53,360 --> 01:50:55,040
Speaker 1: it was it was It was crazy, man, it was.

2575
01:50:55,160 --> 01:50:58,880
Speaker 1: It was definitely a real The energy over the over

2576
01:50:58,960 --> 01:51:02,160
Speaker 1: the city was very, very like you could tell that

2577
01:51:02,280 --> 01:51:06,160
Speaker 1: everybody felt that because older people loved Big, younger people

2578
01:51:06,240 --> 01:51:07,760
Speaker 1: love Big, you know what I'm saying. He was such

2579
01:51:07,760 --> 01:51:10,040
Speaker 1: a pill in his community. He was a face in

2580
01:51:10,080 --> 01:51:12,519
Speaker 1: his community. Everybody watched him grow up, so you really

2581
01:51:12,560 --> 01:51:15,400
Speaker 1: felt like you was losing one of your own, you

2582
01:51:15,439 --> 01:51:16,760
Speaker 1: know what I mean. And it was just, you know,

2583
01:51:17,960 --> 01:51:19,880
Speaker 1: it's crazy how years later and I always say, like

2584
01:51:20,120 --> 01:51:21,840
Speaker 1: nothing is new under the sun, Like you know, we've

2585
01:51:22,240 --> 01:51:24,519
Speaker 1: we continue to lose so many people in our culture

2586
01:51:24,560 --> 01:51:27,040
Speaker 1: whisk you almost become numb to it and you expect it.

2587
01:51:27,280 --> 01:51:29,920
Speaker 1: It's fucked up. But when people say things like damn,

2588
01:51:29,960 --> 01:51:32,400
Speaker 1: you know, pop Smoke was so young and you know,

2589
01:51:32,720 --> 01:51:34,680
Speaker 1: Nipsey was so young and these things. I'm like, well,

2590
01:51:34,800 --> 01:51:37,920
Speaker 1: pocking Big was only twenty through twenty four, which you know,

2591
01:51:38,120 --> 01:51:39,840
Speaker 1: twenty five years old maybe, And you know, it's like

2592
01:51:39,960 --> 01:51:40,720
Speaker 1: they were young too.

2593
01:51:40,760 --> 01:51:43,920
Speaker 2: These were young men, I've said, because you know, Pocking

2594
01:51:43,960 --> 01:51:47,559
Speaker 2: Big at my age were like, you know, like these

2595
01:51:47,760 --> 01:51:50,400
Speaker 2: figures that because I was six and seven when they

2596
01:51:50,520 --> 01:51:55,280
Speaker 2: both died, or six when they both died, I view

2597
01:51:55,400 --> 01:51:58,559
Speaker 2: them more as like these gods, like they weren't real

2598
01:51:58,640 --> 01:52:02,320
Speaker 2: people type of shit. So when I got to twenty

2599
01:52:02,360 --> 01:52:04,640
Speaker 2: four years old and then twenty five years old is

2600
01:52:04,720 --> 01:52:08,080
Speaker 2: when it finally hit me, like, wait, Big and Pac

2601
01:52:08,120 --> 01:52:13,360
Speaker 2: were kids, Like wait big guy at twenty four, Yeah,

2602
01:52:13,760 --> 01:52:16,040
Speaker 2: I feel like a child at twenty four, Like these

2603
01:52:16,080 --> 01:52:17,640
Speaker 2: were too, because you know, when you have that in

2604
01:52:17,720 --> 01:52:21,360
Speaker 2: your brain of them being like these these rap gods

2605
01:52:21,439 --> 01:52:23,599
Speaker 2: that you never really saw in the flesh or anything

2606
01:52:23,680 --> 01:52:25,559
Speaker 2: like that, you kind of just have in your head

2607
01:52:25,640 --> 01:52:27,800
Speaker 2: that they're older, the way you look at older people. Yeah,

2608
01:52:27,840 --> 01:52:30,360
Speaker 2: and then you get to that age and it's like, oh,

2609
01:52:30,479 --> 01:52:32,240
Speaker 2: Pac was just a twenty five year old while in

2610
01:52:32,360 --> 01:52:33,320
Speaker 2: Vegas the same way I was.

2611
01:52:33,479 --> 01:52:36,680
Speaker 1: Yeah, yeah, it shit, they were young. They were young, man,

2612
01:52:36,720 --> 01:52:38,680
Speaker 1: they were young. They just had a lot of responsibilities

2613
01:52:38,760 --> 01:52:40,960
Speaker 1: on their shoulder, did a whole lot. They did a

2614
01:52:41,000 --> 01:52:42,880
Speaker 1: whole lot in a short time. That's why they're so

2615
01:52:43,040 --> 01:52:44,519
Speaker 1: legendary and so both.

2616
01:52:44,840 --> 01:52:49,599
Speaker 2: Way more intellectual thanh or most twenty four or twenty

2617
01:52:49,640 --> 01:52:51,880
Speaker 2: five year old I know. And that's what's crazy about

2618
01:52:51,920 --> 01:52:52,120
Speaker 2: it too.

2619
01:52:52,160 --> 01:52:55,360
Speaker 1: I think, yeah, you're talking about you know, all those

2620
01:52:55,439 --> 01:52:57,840
Speaker 1: years ago in the nineties. I think a twenty four

2621
01:52:57,880 --> 01:52:59,759
Speaker 1: to twenty five year old in the nineties is different

2622
01:53:00,560 --> 01:53:02,519
Speaker 1: from a twenty four to twenty especially in the the

2623
01:53:02,600 --> 01:53:05,320
Speaker 1: world has changed. Yeah, you know, like just what goes

2624
01:53:05,360 --> 01:53:07,080
Speaker 1: on in the world now. It was a difference. It

2625
01:53:07,200 --> 01:53:10,599
Speaker 1: was more you felt a lot older, You carried yourself

2626
01:53:10,640 --> 01:53:13,320
Speaker 1: a lot more maturely. And the things they were older.

2627
01:53:13,200 --> 01:53:16,560
Speaker 2: They were talking about. Yeah, just it felt as I

2628
01:53:16,720 --> 01:53:20,160
Speaker 2: was getting older that these were just older brains. Yeah,

2629
01:53:20,200 --> 01:53:24,160
Speaker 2: these were people that were way more mature, had lived

2630
01:53:24,200 --> 01:53:26,240
Speaker 2: a long life to be able to have this perspective

2631
01:53:26,320 --> 01:53:27,920
Speaker 2: and this type of intellect. That's why it was so

2632
01:53:28,040 --> 01:53:30,080
Speaker 2: weird when I turned twenty four, like, oh wow, Big

2633
01:53:30,120 --> 01:53:33,479
Speaker 2: died at twenty four. Yeah, I'm stupid. Yeah, yes, it's

2634
01:53:33,560 --> 01:53:34,760
Speaker 2: you know, it's fucked up that.

2635
01:53:34,840 --> 01:53:34,960
Speaker 7: You know.

2636
01:53:35,000 --> 01:53:37,080
Speaker 1: Again, so many years later, we still see it happening,

2637
01:53:38,080 --> 01:53:41,000
Speaker 1: you know, whether we're losing them to you know, the

2638
01:53:41,080 --> 01:53:45,720
Speaker 1: hands of violence or to you know, the justice systems.

2639
01:53:46,160 --> 01:53:48,760
Speaker 1: It's just it's still like, you know, it's fucked up

2640
01:53:48,800 --> 01:53:52,439
Speaker 1: to see our young people in our culture still going

2641
01:53:52,479 --> 01:53:55,040
Speaker 1: through a lot of these things and still falling victim

2642
01:53:55,080 --> 01:53:57,200
Speaker 1: to a lot of the bullshit that we like to

2643
01:53:57,240 --> 01:53:59,360
Speaker 1: glorify a lot of times, you know what I'm saying.

2644
01:53:59,400 --> 01:54:03,679
Speaker 1: But happy birthday at Biggie Smalls, Happy fiftieth birthday. Yeah,

2645
01:54:03,720 --> 01:54:06,600
Speaker 1: Biggie Smalls. Prayers and condolence is still and always to

2646
01:54:06,680 --> 01:54:07,439
Speaker 1: the Wilders family.

2647
01:54:12,720 --> 01:54:12,960
Speaker 3: All right.

2648
01:54:13,000 --> 01:54:14,439
Speaker 2: Yeah, I don't want to end on a surah note,

2649
01:54:14,520 --> 01:54:15,920
Speaker 2: but I don't think it's a sour one.

2650
01:54:15,960 --> 01:54:16,080
Speaker 3: Man.

2651
01:54:17,120 --> 01:54:19,600
Speaker 2: I'm glad. I'm glad everyone can still celebrate BIG's life, so.

2652
01:54:19,760 --> 01:54:22,160
Speaker 1: Absolutely as we should celebrate all of our heroes in

2653
01:54:22,240 --> 01:54:24,560
Speaker 1: our culture, celebrate everybody that has a part in the

2654
01:54:24,640 --> 01:54:26,719
Speaker 1: hand and building this hip hop culture.

2655
01:54:28,520 --> 01:54:30,640
Speaker 2: And we'll go to the Yankee game with CJ. I

2656
01:54:30,680 --> 01:54:33,320
Speaker 2: would like to have J on the pod, not even

2657
01:54:33,400 --> 01:54:34,200
Speaker 2: on some biggie shit.

2658
01:54:34,240 --> 01:54:36,200
Speaker 1: Oh no, we definitely definitely want to do something with CJ.

2659
01:54:36,320 --> 01:54:38,800
Speaker 1: Gotta gotta do something with CJ. I think that is

2660
01:54:38,880 --> 01:54:41,680
Speaker 1: only right. Shout out to Rick Gross. He had his

2661
01:54:41,760 --> 01:54:46,000
Speaker 1: car show in Atlanta over the over the weekend. I

2662
01:54:46,080 --> 01:54:47,640
Speaker 1: saw a lot of people was down there, brought their

2663
01:54:47,680 --> 01:54:48,160
Speaker 1: cars out.

2664
01:54:48,600 --> 01:54:50,040
Speaker 2: If I would have known, I would have brought the MASI.

2665
01:54:50,160 --> 01:54:51,680
Speaker 1: I started to tell you, we should have brought the

2666
01:54:51,720 --> 01:54:55,240
Speaker 1: Mazi down down to the Promise great.

2667
01:54:56,120 --> 01:54:58,280
Speaker 2: I mean, even though Flex is a weirdo to me.

2668
01:54:58,360 --> 01:54:59,880
Speaker 2: Now after that little comment shit he did about me,

2669
01:55:00,080 --> 01:55:02,320
Speaker 2: like the Flex Car Show, does that still happen? I'll

2670
01:55:02,360 --> 01:55:04,480
Speaker 2: definitely put the Manza into the Flex Car Show. I'm

2671
01:55:04,520 --> 01:55:06,920
Speaker 2: not sure I think so, just because I don't think

2672
01:55:06,920 --> 01:55:09,120
Speaker 2: the Maza could make it down to Atlanta. It can

2673
01:55:09,240 --> 01:55:09,440
Speaker 2: make it.

2674
01:55:09,880 --> 01:55:12,240
Speaker 1: Got ship. We gotta ship the Masa down.

2675
01:55:12,280 --> 01:55:12,840
Speaker 2: You're shipping.

2676
01:55:13,680 --> 01:55:16,080
Speaker 1: We put the Mars on the flatbed shipping down Atlanta,

2677
01:55:16,520 --> 01:55:21,080
Speaker 1: the same way did the video and Ross Gate Like yo, listen,

2678
01:55:21,160 --> 01:55:22,000
Speaker 1: brought the toy down here.

2679
01:55:22,080 --> 01:55:23,120
Speaker 2: Just put it on the toy down.

2680
01:55:23,600 --> 01:55:24,640
Speaker 1: Yeah, brought the toy down here.

2681
01:55:24,760 --> 01:55:26,800
Speaker 2: Put it on the toy and the actual definition of it.

2682
01:55:27,760 --> 01:55:29,280
Speaker 1: Put it on the leo. Put it right there next

2683
01:55:29,320 --> 01:55:31,280
Speaker 1: to the seventy two whatever that is, like, put it

2684
01:55:31,360 --> 01:55:31,640
Speaker 1: right there.

2685
01:55:32,200 --> 01:55:34,120
Speaker 3: Trying to take the Maza and come see you man

2686
01:55:34,280 --> 01:55:35,400
Speaker 3: or hit the keys.

2687
01:55:35,160 --> 01:55:37,680
Speaker 1: From me and go crazy, going crazy.

2688
01:55:37,800 --> 01:55:40,680
Speaker 2: You couldn't even keep the soap in the that was

2689
01:55:40,840 --> 01:55:41,840
Speaker 2: mad whatever.

2690
01:55:41,880 --> 01:55:43,880
Speaker 3: You would have a side you mirror, miss it and

2691
01:55:43,960 --> 01:55:47,440
Speaker 3: all kinds of a very good driver, contrary to popular

2692
01:55:47,480 --> 01:55:48,400
Speaker 3: and women can't drive.

2693
01:55:48,480 --> 01:55:50,280
Speaker 1: Believe no, I know a lot of women that can drive.

2694
01:55:50,440 --> 01:55:52,760
Speaker 1: But I just again, I don't care, I know it South.

2695
01:55:53,360 --> 01:55:55,680
Speaker 1: I just hate when female uber drivers pick me up.

2696
01:55:55,720 --> 01:55:59,680
Speaker 1: I don't And it's just I just don't like being

2697
01:55:59,720 --> 01:56:01,720
Speaker 1: show by a woman sitting in the back seat, white woman.

2698
01:56:01,840 --> 01:56:03,920
Speaker 1: It just feels crazy to me, Like I wonder if

2699
01:56:04,000 --> 01:56:05,560
Speaker 1: you let me sit in the front shot down with

2700
01:56:05,600 --> 01:56:08,480
Speaker 1: you all day right out, yeah, all day. But me

2701
01:56:08,600 --> 01:56:11,440
Speaker 1: sitting in the back and like watching a woman follow

2702
01:56:11,520 --> 01:56:13,880
Speaker 1: directions dropping me off somewhere, it's just crazy to me,

2703
01:56:14,000 --> 01:56:15,440
Speaker 1: Like I don't want to, you know what I mean?

2704
01:56:15,520 --> 01:56:17,280
Speaker 3: As long as old school so I get.

2705
01:56:17,480 --> 01:56:19,120
Speaker 1: Yeah, it just it's just a little weird not saying

2706
01:56:19,120 --> 01:56:21,960
Speaker 1: that women can. I know some great women that drive better.

2707
01:56:21,960 --> 01:56:23,800
Speaker 1: I know a lot of men that can't drive. Yes,

2708
01:56:23,880 --> 01:56:26,520
Speaker 1: I know a lot of really really good female drivers.

2709
01:56:26,800 --> 01:56:29,360
Speaker 1: Females y'all a little more heavy on that foot though,

2710
01:56:29,440 --> 01:56:32,160
Speaker 1: like hitting them turns, y'all be living dangerous on them turns.

2711
01:56:32,160 --> 01:56:33,480
Speaker 1: I ain't gonna lie to I learned how to.

2712
01:56:33,520 --> 01:56:35,440
Speaker 3: Drive from need for speed, so I know to break

2713
01:56:35,480 --> 01:56:37,360
Speaker 3: well and then you drive.

2714
01:56:37,400 --> 01:56:39,800
Speaker 1: You shouldn't learn. You shouldn't learn to drive from need

2715
01:56:39,840 --> 01:56:43,320
Speaker 1: for scritt, just put that out there. You shouldn't unlearn that.

2716
01:56:44,200 --> 01:56:46,400
Speaker 2: I hate to ruin all the progress and maturity we

2717
01:56:46,480 --> 01:56:47,880
Speaker 2: made from this episode. But if you're a man, you

2718
01:56:47,920 --> 01:56:48,920
Speaker 2: can't drive, you mad pussy.

2719
01:56:51,040 --> 01:56:53,120
Speaker 1: And this has been another episode of and this this

2720
01:56:53,360 --> 01:56:55,600
Speaker 1: has been another episode of New Rory. Ma I and

2721
01:56:55,680 --> 01:56:59,000
Speaker 1: mall that Rory. Uh, he thinks you're pussy if you

2722
01:56:59,040 --> 01:57:01,040
Speaker 1: don't know how to drive in your man or you're

2723
01:57:01,080 --> 01:57:05,040
Speaker 1: not a man. Blessed for a man, you guys, Hey, yo, Paul. Yeah,

2724
01:57:05,600 --> 01:57:07,680
Speaker 1: And on that note, we will talk to y'all in

2725
01:57:07,800 --> 01:57:11,160
Speaker 1: a few days. Y'all be blessed. They safe stream your

2726
01:57:11,200 --> 01:57:14,480
Speaker 1: favorite artists, Support your favorite artists, support your favorite podcasters.

2727
01:57:14,760 --> 01:57:16,800
Speaker 1: Get tickets to the Roots Picnic if you haven't gotten.

2728
01:57:16,880 --> 01:57:19,640
Speaker 1: Um it's gonna be a great, great weekend and Philadelphia

2729
01:57:19,640 --> 01:57:21,440
Speaker 1: shout out to the Root, Shout out to everybody touching

2730
01:57:21,480 --> 01:57:24,800
Speaker 1: the stage that weekend. Yeah, everybody be safe. Have a

2731
01:57:24,880 --> 01:57:27,160
Speaker 1: great week, whether it's warming up in New York, get

2732
01:57:27,200 --> 01:57:29,080
Speaker 1: out there, have some fun, spend some money.

2733
01:57:30,360 --> 01:57:33,160
Speaker 2: You can hike to Jim Cat.

2734
01:57:33,240 --> 01:57:36,080
Speaker 3: Call these men a yo, shorty and the gray shorts.

2735
01:57:36,160 --> 01:57:37,080
Speaker 3: Yeah you what's up?

2736
01:57:37,640 --> 01:57:40,520
Speaker 2: I will ask you? Then I will ask Eden before

2737
01:57:40,920 --> 01:57:44,000
Speaker 2: we sign off. How does it feel that you spoke

2738
01:57:44,080 --> 01:57:46,520
Speaker 2: to have a selfie with and put your hand over

2739
01:57:46,600 --> 01:57:49,200
Speaker 2: your heart for the future president of the United.

2740
01:57:49,040 --> 01:57:50,160
Speaker 1: States, I feel great.

2741
01:57:50,800 --> 01:57:54,160
Speaker 2: Logan Paul is announcing will be running for office for

2742
01:57:54,240 --> 01:57:57,680
Speaker 2: the US presidency and his vice president will be his brother,

2743
01:57:57,800 --> 01:58:00,160
Speaker 2: Jake Edden will be.

2744
01:58:01,160 --> 01:58:05,920
Speaker 1: What secretary, head of the head of head of the

2745
01:58:06,000 --> 01:58:08,040
Speaker 1: male office in the White House. I don't know. I'll

2746
01:58:08,040 --> 01:58:09,400
Speaker 1: be secretaries to be a male boy.

2747
01:58:10,360 --> 01:58:13,960
Speaker 2: They make more money than us. We have a uh,

2748
01:58:14,600 --> 01:58:17,600
Speaker 2: we have imagine Edding as your press secretary.

2749
01:58:19,360 --> 01:58:21,040
Speaker 5: First of all, why does that well, why what's wrong

2750
01:58:21,080 --> 01:58:21,240
Speaker 5: with that?

2751
01:58:21,880 --> 01:58:24,000
Speaker 1: No? Ed, and you could be like head of like

2752
01:58:25,080 --> 01:58:27,120
Speaker 1: the pick like the photo department. You can take like

2753
01:58:27,160 --> 01:58:28,640
Speaker 1: a bunch of pictures around he's a pig.

2754
01:58:29,280 --> 01:58:32,440
Speaker 2: Yeah, no, No, you could edit their tiktoks from the overall.

2755
01:58:32,560 --> 01:58:33,720
Speaker 1: Yeah, you can do that because you know that you

2756
01:58:33,760 --> 01:58:36,000
Speaker 1: know they're gonna be the first president on TikTok. You

2757
01:58:36,080 --> 01:58:37,960
Speaker 1: know that, so you can you can you can run

2758
01:58:38,000 --> 01:58:40,320
Speaker 1: that department head of social Media market and something like that.

2759
01:58:40,480 --> 01:58:41,800
Speaker 1: They got to make up a new a new term

2760
01:58:41,800 --> 01:58:42,800
Speaker 1: for you. But I think you would be great for

2761
01:58:42,840 --> 01:58:43,160
Speaker 1: the job.

2762
01:58:43,440 --> 01:58:45,680
Speaker 3: DC was giving me Alivia Pope vibes like I was

2763
01:58:45,760 --> 01:58:47,680
Speaker 3: ready to like get into like the.

2764
01:58:48,080 --> 01:58:50,760
Speaker 1: One weeknd in DC. And you know what, this has

2765
01:58:50,800 --> 01:58:55,440
Speaker 1: been another episode of new Don't do it? Listen man,

2766
01:58:55,520 --> 01:58:58,040
Speaker 1: enjoy y'all week I'm that nigga. He's just ginger. We'll

2767
01:58:58,120 --> 01:59:02,320
Speaker 1: talk to y'all soon. Peace, did didn't you? Worrian Moud