Speaker 1: Plenty. I Heart Radio, now number one for podcasting, presents
Speaker 1: Sunday Night Podcast. Every Sunday, we played one of the
Speaker 1: most played and most listen to and most share podcasts
Speaker 1: of the week from a two hundred and fifty thousand
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Speaker 1: your next favorite podcast on I Heart Radio. This week
Speaker 1: is The Breakfast Club thirty more. Everybody is day Envy
Speaker 1: angela Ye Sholoman, the guy. We are the Breakfast Club.
Speaker 1: We got a special guest in the building. Up well,
Speaker 1: I'm back out. I'm back in the Breakfast Club. Early well.
Speaker 1: Part of the world you're in right now? Fifth, because
Speaker 1: I know it's not America. Yeah, I'm in Prague. I'm
Speaker 1: in Prague. Okay, Okay, Tech Republic. I don't even want
Speaker 1: you to see me in America no more, shann I
Speaker 1: want you to see me when I'm outside of the
Speaker 1: country because they treat me so much better. You gotta
Speaker 1: see me out there. I did the Old two Arena
Speaker 1: last night, sold out, and then getting tonight I do
Speaker 1: it again. Wow. And in the midst of all that,
Speaker 1: a whole bunch of we're going on here. Absolutely, you
Speaker 1: know this, this is like my day job, you know
Speaker 1: that other stuff. You know. Really, I'm a full time producer,
Speaker 1: you know, so I got the they coming um actually
Speaker 1: tomorrow the Florida's Twins podcast is Surviving El Chapo. Yeah,
Speaker 1: this is the first time they spoken about this, right,
Speaker 1: first time they spoke. And then they're like, I came
Speaker 1: across them the ill things. I came across them in
Speaker 1: two thousand and four at the height they get rich
Speaker 1: to die trying. Um, one of one of the dudes
Speaker 1: and Bucks Entourbrise decided to leave the hotel and go
Speaker 1: to competing green projects because he wants the party I wanted.
Speaker 1: He had the spinner. Did you want to spind the piece?
Speaker 1: They were all for the piece, so you got roll
Speaker 1: for that. The Twins. They got it to the Twins
Speaker 1: because they that's who would have the money to buy that.
Speaker 1: And then Jay Floridas he got the piece back to
Speaker 1: me because just to create the relationship, he brought the
Speaker 1: piece back. He stole it from Buck's Boy. Yeah. Then
Speaker 1: then he got back to me through Gobby. Gobby, but
Speaker 1: he's looking at us at the time on the speifican
Speaker 1: and he had a relationship with him. And then that's
Speaker 1: how you got the piece backs. I wonder what a
Speaker 1: project like that? What makes you say, you know what,
Speaker 1: I'm gonna take it to a podcast as a posed,
Speaker 1: developing it as a show or film. Now it's developing
Speaker 1: as it's the new narcles. Okay, what I do so
Speaker 1: I mean is I'm making a podcast so they can
Speaker 1: hear it. Because you don't do anything destroying the story
Speaker 1: by informing an audience, like we how many great feature
Speaker 1: films were books that you read before you got a
Speaker 1: chance to see the film. So we make the podcast.
Speaker 1: I got the document series coming, and then the actually
Speaker 1: scripted series is on the way forward. Why not? And
Speaker 1: it's like making It's like you're making so much money
Speaker 1: off one piece of content. Yeah, and then when you
Speaker 1: can get it in the early stages when they have
Speaker 1: never said anything like technically it's o Chapo is the
Speaker 1: biggest drug like that. That's Look, they've moved one hundred
Speaker 1: and thirty tons of cocaine and hurrold damn for the
Speaker 1: for the organization. So if you look when you say that,
Speaker 1: I was like when you you were selling trucks, I
Speaker 1: was doing something different. You look at it like that,
Speaker 1: you go, wait no, because Sharlomige, that ground level stuff
Speaker 1: that we was involved in in these environments, in the neighborhoods,
Speaker 1: when you and that level. The first time that they
Speaker 1: asked for some work for them, they had to sell
Speaker 1: for three and they gave them five. So you could
Speaker 1: have caught You would have got life your first transaction.
Speaker 1: You would have got life. Damn, you gotta caught five.
Speaker 1: He though. So they're pretty much but their life is
Speaker 1: online the entire time. Everybody wants to know where you're going. Fifth,
Speaker 1: you left Stars, left Stars high and dry. Yeah, you
Speaker 1: know what in between towns because I got three different
Speaker 1: offenses I'm looking at now. But Charlomign, I'm gonna tell
Speaker 1: you the difference is even my relationships at Ryder's Gate,
Speaker 1: I've been consistent. I sold the last thing that I
Speaker 1: pitched to them. My Soul Stars picked it up them
Speaker 1: in that time period, like I got four new shows up.
Speaker 1: You know what I'm saying that we got the proper
Speaker 1: players with NV and you know the show. He just
Speaker 1: in it. So when you see when you see the counterparts,
Speaker 1: you understand how everything else works away from the entertainment,
Speaker 1: because that's the interesting parts of that show. To me,
Speaker 1: and their kids because it did like the Royal family,
Speaker 1: you got like five, we got a whole team and Chili. Yeah,
Speaker 1: that's why you know, you know, that's why Seesar got
Speaker 1: the BBL three years ago because he knew eventually he
Speaker 1: got he did, didn't they get? Its been in development
Speaker 1: for you guys for a while. So what was the
Speaker 1: first ederation and how did that evolve for you guys
Speaker 1: to get that picked up? Plays? That was what we
Speaker 1: went through. A didn't war that show like that? It
Speaker 1: was multiple networks that were excited about it. And then
Speaker 1: and of course when you see what kind of draw
Speaker 1: that they have NBA as with with with even the
Speaker 1: cars show, with the seminars by real estate and stuff
Speaker 1: like that, then it looks way more significant than a
Speaker 1: show that you just came with this concept and you
Speaker 1: got this person. It's a personality that's gonna be on
Speaker 1: it when they see it's already drawing that many people
Speaker 1: to it, and and it's already so so well established,
Speaker 1: like they don't we don't have to take any properties.
Speaker 1: These are all properties that they actually owned in their
Speaker 1: business with it, So it's like the coolest way was
Speaker 1: was figuring out the format for it to keep it entertaining,
Speaker 1: away from it being just a real estate show. It's
Speaker 1: going to have a show about their families while doing
Speaker 1: real estate. Dope, do you have an idea where you're going? Now?
Speaker 1: You know what? It's getting good, it's getting really interesting
Speaker 1: because look, Charlotte, when when you start to see look
Speaker 1: even I'm on a on the board for the Motion
Speaker 1: Picture Television Fun and I'm doing that everybody, all of
Speaker 1: the heads of the studios are there Schartness the night
Speaker 1: before the Emmage party and You're like, I get a
Speaker 1: chance to jump out on that and that fun. That's
Speaker 1: my party. Now that that's my you know how you
Speaker 1: James brunch war. Okay, so mine just before the Emmies
Speaker 1: before so I'll do that there and then um so
Speaker 1: it's a lot of fun. Just I have relationships now
Speaker 1: with the heads of the studios and so many different
Speaker 1: networks that I've been that I familiarize myself with while
Speaker 1: coming with these different projects, and then the success rated
Speaker 1: so high that they just it's the right way. I
Speaker 1: think one of the unwritten laws of power is to
Speaker 1: appear not to need anything. And because they know I
Speaker 1: don't need to sell the show to see it the
Speaker 1: right way, and then they buy the show because it's
Speaker 1: the presentation is like, this is an opportunity for us
Speaker 1: to have a hit together, not I don't need you
Speaker 1: to do this show. When people are pitching themselves or
Speaker 1: pitching the idea that, you know, kind of just points
Speaker 1: of desperation, they're trying to sell you something, you know,
Speaker 1: like trying to hustle you a little fit. You know,
Speaker 1: that's his answer. He's not telling you where he's going
Speaker 1: all of that. I will be back to tell you
Speaker 1: exactly what's happening. But I just got multiple balls in there.
Speaker 1: And look, at the same time, I need those networks
Speaker 1: that I think this is a strong possibility that I
Speaker 1: will to buy and move the projects that I have
Speaker 1: with them forward. The free I Heart Radio app has
Speaker 1: over two hundred and fifty thousand podcasts to explode. Yes,
Speaker 1: this is the Breakfast Club thirty part of Sunday Night
Speaker 1: podcast on I Heart Radio. We're still kicking it with fifty. Ye.
Speaker 1: All right, let's also talk about yea other series, Hip
Speaker 1: Hop Homicides. That one sounds fascinating. Yeah, so I don't
Speaker 1: want that that one specifically, you know, that's that's gonna
Speaker 1: hit home with us because it's just the culture. Even
Speaker 1: if you're not when you report it, you kind of
Speaker 1: have information on people that you're not interested, Like you
Speaker 1: don't particularly like that artist enough to follow that artist,
Speaker 1: but you still know we still culturally are aware of
Speaker 1: things happening, you know what I mean. And when you
Speaker 1: get into the homicide side of it's so many, you
Speaker 1: know how many. It's like seven hundred homicide the hip
Speaker 1: hop because the new artists they come, they're still in
Speaker 1: the street. It's the whole what would have been street
Speaker 1: cultures and now it's like the drill scene, drill music,
Speaker 1: all of that's happening. So so many artists that get
Speaker 1: knocked off before they actually get to the point they're
Speaker 1: really recognizable artists. We started with the artists that we
Speaker 1: TV pick, but I looked at it like it was
Speaker 1: a true Prime show. So it was like Charlomagne if
Speaker 1: it was when I'm watching First forty eight or or
Speaker 1: when I'm watching Forensic Files, I don't care who it is.
Speaker 1: I'm just looking at the details of the scenario and imagining,
Speaker 1: like what happened, Like I'm trying to figure out what
Speaker 1: happened before they tell them. Yeah, I think they think
Speaker 1: that's going to people love about hip hop homicide when
Speaker 1: they see it, especially people that's not up the culture.
Speaker 1: I think they're going to be shocked that so many
Speaker 1: of these rappers talk about the ship that they that
Speaker 1: they're actually going through. Look, I would say, I try
Speaker 1: not to say nothing. The DA might play in court
Speaker 1: on two thousand and three in the records, right, and
Speaker 1: then when they go now, it's crazier because they're almost
Speaker 1: say specific they're talking about a crime was committed. Look,
Speaker 1: as much as you you say no, this is art
Speaker 1: and you don't, you got four of them using lyrics
Speaker 1: against the people when when in you know, situations, it's
Speaker 1: tough when it's blatantly said, this directly relates to this,
Speaker 1: you know what I'm saying. And then they got to
Speaker 1: have better sense than that. They can't can't do that,
Speaker 1: you know what I mean. Garsia to BMF now too. Yeah, yeah,
Speaker 1: she's working on the BMF series. And then you know
Speaker 1: City girls up like a mouth? Did you do that?
Speaker 1: Just no, no, no, that was a that was ahead
Speaker 1: of the thing with Daphne. Don't like that, but y'all, man,
Speaker 1: I ain't kissed in the mouth. In ten years. Man,
Speaker 1: somebody gotta kiss up beautiful. You know, I didn't know,
Speaker 1: like for real, for real, you know, like it ain't
Speaker 1: one of those situations where you know that they had us,
Speaker 1: like they'll still go back to the baby mother and
Speaker 1: hang out with the baby mother and stuff like that. Nah.
Speaker 1: That that's and that was not like a relationship than anywhere.
Speaker 1: It was more like an arrangement, you know. And the
Speaker 1: look scis my boy. I almost named him a champion
Speaker 1: because of me and Floyd's relationship. He kept asking me
Speaker 1: to come back to Vegas and then he'll go bring
Speaker 1: bring death, And I'm like, why, he said, so we
Speaker 1: can leave forward with the Jackson, we can go, you know,
Speaker 1: champion out four or five girls his girlfriends right there,
Speaker 1: I'm saying, so he just needs a reason for them
Speaker 1: to be out of the way so we can go
Speaker 1: through everything else. And that kept her around consistent enough
Speaker 1: for that happen for us to a little guy. But
Speaker 1: he's a blessing, like I love him to death and
Speaker 1: that this is the only thing where do you leave
Speaker 1: the money? Yeah, yeah, yeah, yeah, yeah, I saw you
Speaker 1: saw you got to say your spirits. Yeah, And I
Speaker 1: put it even that that company, explaining to run later,
Speaker 1: you know, to develop it and get it going and
Speaker 1: then I'll go off to something else and do some
Speaker 1: other things out. Yeah, you got to collabor with the
Speaker 1: Texans and the Kings and the Rockets and the Astros
Speaker 1: where they carry the liquid, they carry the brands and
Speaker 1: in the inn pass today it came out in the
Speaker 1: in the paces with their official coneyak and champagne. Wow.
Speaker 1: So I'm going across that there, the Rockets, the Texans,
Speaker 1: the Astros, the all of Houston. You know what I mean,
Speaker 1: because I just got out there. I was at a
Speaker 1: focus there right quick. They get that together and then um,
Speaker 1: I went to Sacramento, Kings, different spots in that. It's
Speaker 1: cool to be coming around full circle. But you know,
Speaker 1: like when the league is it's very tough for you
Speaker 1: to meet what they feel like it's sufficient standard wise
Speaker 1: the person Now, I was constantly putting out yeal and
Speaker 1: it was the old fifty six content. It would be
Speaker 1: afraid to do business with me on that level. And
Speaker 1: then you know when they don't see that coming up
Speaker 1: as much and they just see it doesn't read in
Speaker 1: state that crazy. Yeah, yeah, yeah, you got everything. Yeah,
Speaker 1: you think he's gonna have a hard time dealing with
Speaker 1: business from that one, dealing with manufacturers, companies and all that. Yeah. Yeah,
Speaker 1: because look, when you personalize when things people, when the
Speaker 1: things hit people personally, they are affected by it personally.
Speaker 1: So they're using their personal judgment with what they want
Speaker 1: to work who they would want to work with, who not.
Speaker 1: And when you like you say things that it affects
Speaker 1: people in the different ways to man. It's like like
Speaker 1: when I tell even when the boy what's thing came
Speaker 1: around the sixth nine, I was saying, if you got
Speaker 1: a problem, have a problem with the person you have
Speaker 1: a problem with, don't have a problem with all Chicago, Right,
Speaker 1: you see what I'm saying, And then that what he's saying,
Speaker 1: it's really broad, so you really don't know who you
Speaker 1: started beefit just now like who really is affected by it?
Speaker 1: And feel and dislike you for saying that and saying
Speaker 1: just tided you being around here anyway. Yeah, Yeah, that's
Speaker 1: the forty a lot of policy. Don't don't offend the
Speaker 1: wrong person. Yeah, it don't take much. Yeah, people are
Speaker 1: and positions that they can't block what you got coming. Now.
Speaker 1: One person that offended you was his whole penal enhancement situation.
Speaker 1: Yeah yeah, so Angelo, I've been working with this jum
Speaker 1: for the whole time. I'm gonna say it was this
Speaker 1: a new one. They're gonna tell me it's the new
Speaker 1: one then, like like what you say, No, no, I'm
Speaker 1: gonna get them, gonna get It's like the terror Marie thing. Man,
Speaker 1: it's for you do that. It's not about money, it's
Speaker 1: about you making that mistake, blatant mistake. See what I'm saying.
Speaker 1: And there's other people then I'm sure that I'm not
Speaker 1: sure what they've done, but I know floor Rider didn't know.
Speaker 1: You gotta face you, bro. You see what I'm saying.
Speaker 1: Oh yeah, yeah, okay, okay, got a facial waiting. And
Speaker 1: they think that somehow that that was compensation by them
Speaker 1: being able to utilize you. However, they feel, oh gotcha
Speaker 1: get what you're saying. Got you what comes? So you
Speaker 1: put pen pen of enhancement. I'm gonna see you. Definitely,
Speaker 1: you need to kind of figure out when you scratch
Speaker 1: that money together before everybody's in trouble. We saw a
Speaker 1: biblicult fox came in your defense. What she wanna lie?
Speaker 1: She wanta lie? But you know, it could be a
Speaker 1: win out the way because now people know about this
Speaker 1: this enhancement surgery, they could do that they might not
Speaker 1: have known before. And so she could think they're thinking
Speaker 1: that I'm I'm directed them to do it like I've
Speaker 1: got it. That's wrong, don't do that. It made Charlotte
Speaker 1: mayn't want to go because when we first saw and
Speaker 1: reported off, I just asked about the consultation. I didn't want.
Speaker 1: I'm not saying I want. You know how many guys
Speaker 1: were like, yo, I didn't even know you could do that,
Speaker 1: even though we know it's a law student and you
Speaker 1: didn't get it done. The fact that it exists now
Speaker 1: people know. I never even heard anyone successfully doing that.
Speaker 1: I've heard of guys have had a lot of money
Speaker 1: when did that? And died? Oh wow, Yeah tried todn'hance
Speaker 1: himself in that way. And I'm like, dah, so you
Speaker 1: was you had everything else going and he was trying
Speaker 1: to fix that and all up. Damn. I Heeart Radio
Speaker 1: for podcast Discovery. This is the Breakfast Club thirty Yeah
Speaker 1: we go. Your chance to hear the biggest trending podcast
Speaker 1: each week from the free I Heart Radio app we're
Speaker 1: still kicking it with fifty Charlomagne. You got the BMF
Speaker 1: dot coming um this Sunday, October twenty third. That's gonna
Speaker 1: be on Stars. Like, why why are doc now? Like
Speaker 1: we didn't see in the first season. Yeah, do you
Speaker 1: know tell me that that was shot where they could
Speaker 1: have put it in the hole the six month gap? Yeah,
Speaker 1: so um, but there were timing for it to be seen.
Speaker 1: So the Doctor series will come up, and the night
Speaker 1: that the Finality is on, that will be the night
Speaker 1: that BMF season two commits. Also, when the Doctor comes
Speaker 1: out this Saturday at midnight, she's the two stars. Wow,
Speaker 1: that's when it starts. And then when the Finality shows
Speaker 1: up that evening the Finality is is the evening the
Speaker 1: MF scripted series committed. Wow, you got so much going on.
Speaker 1: Raising Kenan is one of my favorite shows to watch
Speaker 1: right now. So I just want to say the actor
Speaker 1: who plays like a young fifty, he sounds like you
Speaker 1: for real, He does that, he slurs words, he does
Speaker 1: everything in the way. I'm like, good, he pays he's
Speaker 1: where he worked on that, like because you don't really
Speaker 1: talk like that. Oh he does? Okay, Because I was wondering.
Speaker 1: I was like, he really sound like this now, I
Speaker 1: really did. He really plays attention to him college, Like,
Speaker 1: y'all gotta say, because to look at the interviews in
Speaker 1: here where I say things a little different and then
Speaker 1: he go, you say this like this or like that,
Speaker 1: and like when I'm on set and I'm like, yeah,
Speaker 1: you did it right the first time or when you
Speaker 1: did it. You know. It's gad about all these shows.
Speaker 1: It really does elevate a lot of the people on
Speaker 1: them to a higher status. A lot of them have
Speaker 1: been in things but maybe not had like a starring role.
Speaker 1: But I see like how much its elevated people. Malcolm Mayze,
Speaker 1: you know, he did an amazing job. And I know
Speaker 1: he's done. He's been in multiple things, but for this,
Speaker 1: this is a huge role now. And he was He
Speaker 1: was amazing in Softball, you know, and I worked with
Speaker 1: him in that film before we got him to come
Speaker 1: back and him and like Russell Hornsby was in Good
Speaker 1: Rich to Die trying with me, I'm getting a chance
Speaker 1: to get the guys that I always like like to
Speaker 1: work with and put them in projects that are really
Speaker 1: exciting projects to get them to the next level. And
Speaker 1: then when when things look We've made the biggest live
Speaker 1: events connected to television programming, so it gives us an advantage.
Speaker 1: Like we do. I do the premier at Radio City
Speaker 1: Music Hall or at Master School Gardener or like in
Speaker 1: Atlanta in the shit outdoors because of the COVID stuff,
Speaker 1: you know what I mean. And but it's a big
Speaker 1: enough event that I can bring all of the I
Speaker 1: could kind of use my juice call like and have
Speaker 1: everybody come out and do a little something because the
Speaker 1: event is already sold out, everything's already set up. They
Speaker 1: just come rock you know. You know Fiel, everybody wants
Speaker 1: to know is there a possibility of of you? You know,
Speaker 1: actually your son, Your son wants to sit down with you. No,
Speaker 1: he doesn't see Solomn. You would call me. You don't
Speaker 1: call TMZ to say you want to sit down. M
Speaker 1: think about it, man. You know he wants some attention,
Speaker 1: and it's okay. You can't have as much of that
Speaker 1: as you more. You know, it's just like you, he's
Speaker 1: been trained to believe what you see him say in
Speaker 1: an event in that interview that what are you saying?
Speaker 1: He's been trained to believe that for a long time,
Speaker 1: like You don't just wake up and say, oh, well,
Speaker 1: I don't believe what I've been believing forever. You know
Speaker 1: what I mean, Like when I said that that he's entitled,
Speaker 1: really it's his mom's from title, but it's been filtered.
Speaker 1: Say when I told you I was giving out half
Speaker 1: a million hours a year, they go to the paperwork,
Speaker 1: they see it half a million out of a year.
Speaker 1: At that point, she still was expecting more. This is
Speaker 1: why I took at a jowd sport. You don't usually
Speaker 1: sign up to job sport like I took myself to
Speaker 1: John Support because she wasn't understanding and that will Almo
Speaker 1: already give you more that he's supposed to get it.
Speaker 1: Then when it turns into the sixty seven hundred, that's
Speaker 1: not enough and it's never gonna be enough. But remember
Speaker 1: me constantly coming to you and talking to you about
Speaker 1: she don't want to what need to get a job?
Speaker 1: She didn't hear me. Yeah, you used to always say
Speaker 1: he's almost eighteen, the child suport is gonna be up.
Speaker 1: I'm gonna be up soon. And you don't see it
Speaker 1: because that's not real to them. They just live in
Speaker 1: the moment, like and it's It's fine, I'll take care
Speaker 1: of it on the next thing when it comes, the
Speaker 1: next the next checks coming in every month. Like, I
Speaker 1: don't feel the pressure that or resentment that men feel
Speaker 1: with chow support because I take care of it. Winning
Speaker 1: the problem type. I mean, I took the money and
Speaker 1: moved it to account that year, so on the books
Speaker 1: that was an expense for that year. And then the
Speaker 1: next year I didn't feel that financially anymore, and it
Speaker 1: was like David was receiving it every month. But I
Speaker 1: had already put that money, so I already took the
Speaker 1: loss on that year. So later if you're not, if
Speaker 1: you're not having years they bringing the same kind of money,
Speaker 1: it may affect you more later, I mean, if your
Speaker 1: career slows down if you're not you know, like, I
Speaker 1: just didn't want that to be an issue at any point,
Speaker 1: so I just took care of it. Sided the situation
Speaker 1: when I have good communications with like and for him
Speaker 1: his arm his arnesome and make it easier for me
Speaker 1: because I don't really like with moms like that, so
Speaker 1: but we have been able to share and raise him,
Speaker 1: you know what I'm saying. No real fighting as like
Speaker 1: that In New Guard outside of you. You would think
Speaker 1: that public situation, there is nothing else there and problem
Speaker 1: you know, most most young men grow up and they
Speaker 1: realized that, you know, they was only getting one side
Speaker 1: of the story, usually from the mother. So that's that's
Speaker 1: when they want to, you know, go go talk to
Speaker 1: the pops and the like. Damn have that relationship kind
Speaker 1: of it kind of happened, and Raising Canan, yeah, you know,
Speaker 1: Raising Cannon was was like, it's really really like him.
Speaker 1: Mister kidd has been sheltered, and he looks and he's
Speaker 1: excited by ghosts. He's wearing the suit stuff and you
Speaker 1: don't really understand who ghost it. You see what I'm saying.
Speaker 1: They can in the jail to to make that. And
Speaker 1: he wanted to get his business back, and he's just
Speaker 1: allowing him the opportunity to do deal with that. So
Speaker 1: he would deserve everything that he did for him, you
Speaker 1: see what I'm saying in that character. But when you
Speaker 1: look at to this point, when you if you mailed
Speaker 1: someone a million dollars right and have zero respect for you,
Speaker 1: how much you think you got to give them before
Speaker 1: they have a little bit? Damn, it's not gonna the relationship.
Speaker 1: I don't think that works. So you so you would
Speaker 1: never be open to it now, I don't think the
Speaker 1: relationship works. I'm not looking for a long time telling
Speaker 1: me I've I've been running behind him. I went places
Speaker 1: that he went, and he left the place. You see
Speaker 1: what I'm saying. And then there's a I went to
Speaker 1: uh in the text messages without if y'all get a
Speaker 1: chance to look at him, that's me talking to his
Speaker 1: mother because his mother's texting me through his fault. You
Speaker 1: see what I'm saying. So I said that, I said
Speaker 1: knowing that this is hard responding to me, and it
Speaker 1: looks a little rough for him from what I'm saying
Speaker 1: to him. But it's the circumstances of Look, what's the
Speaker 1: penalty of if you're not following the order? All you
Speaker 1: do is go back to court. Yeah, she never got
Speaker 1: a job. What is the penalty. There's no penalty, fault.
Speaker 1: They're gonna tell me to pay my lawyer, to pay
Speaker 1: her lawyer. That's real, to pay for everything every time
Speaker 1: you go do it, and there's no penalty because she
Speaker 1: doesn't have anything outside of what they're saying is support
Speaker 1: for the job. So what did they do? They're not
Speaker 1: gonna tell her to pay for and she just continue
Speaker 1: the same energy you see there has been there the
Speaker 1: whole time. Look, you told about the kid. That's not
Speaker 1: even a kid. He's twenty five years old. No, my
Speaker 1: issue wasn't sixteen, Angela. They wanted to charge me as
Speaker 1: an adult. Then you see what I'm saying. So you
Speaker 1: look and you go, whenn't you gonna figure it out front?
Speaker 1: Like they act like they got money. You ain't got
Speaker 1: no money. Ain't no money there. The house that they
Speaker 1: stayed in the Atlanta while he was out there foreclosed
Speaker 1: on him before they left, as the child support wasn't complete.
Speaker 1: Mismanager the money that you was being stale. They'll look
Speaker 1: and keep making reference to that point that they have money.
Speaker 1: That was the point that you was around me. But
Speaker 1: they don't don't have no Now that he was in
Speaker 1: Queens working in Vanity. He's a hooka boy, you see
Speaker 1: what I'm saying. So while he's there or or the
Speaker 1: hookah watermelon hooker you see him, wouldn't go get it.
Speaker 1: But by the way, fifth, you are the person who
Speaker 1: said have a baby by me baby being a millionaire,
Speaker 1: so that's your fault. Yeah, this is after I got
Speaker 1: the numbers back, what was gonna happen if you do?
Speaker 1: I said, what, that's crazy. We appreciate you checking in
Speaker 1: and we're waiting to hear that announcement to see where
Speaker 1: you're going. Man, it's all love. Man, it's gonna be good.
Speaker 1: You know that. You should. I think you who's who
Speaker 1: we airing your podcast? Don't think I don't cut my
Speaker 1: ears everywhere. I'm all on the street on everything. I'm
Speaker 1: think attention to everything like this. If we gotta figure
Speaker 1: something now, definitely, I would love to you. I tell
Speaker 1: people all the time, fifty one of the biggest people
Speaker 1: out here moving in television, and for whatever reason, it
Speaker 1: don't feel like Hollywood has given you that recognition. But
Speaker 1: it's not too many people doing it like you're doing
Speaker 1: it black all white. But then our culture they'll see
Speaker 1: who's making things get done, you know what I'm saying,
Speaker 1: and then how how it moves name Now, I don't
Speaker 1: need trophies, man, I got got enough of them with
Speaker 1: the music. It's just to get more done. It's then
Speaker 1: like I got twenty six shows right now. Yeah, that
Speaker 1: next deal gonna be like eleven figures. They're gonna have
Speaker 1: to pay all. I ain't going I ain't even gonna
Speaker 1: do it. I'd be like this, No, I'm I like
Speaker 1: it here by myself, and then I'll build the studios
Speaker 1: and everything else. I'll start making them myself instead of
Speaker 1: giving them to them. First. Appreciate you fiveth Yeah, when
Speaker 1: you're back in New York, you gotta come up definitely.
Speaker 1: I come up there right nearly. All right, fifty said,
Speaker 1: it's the Breakfast Club lording. The free I Heart Radio
Speaker 1: app has over two hundred and fifty thousand podcasts to explode. Yes,
Speaker 1: this is the Breakfast Club thirty, part of Sunday Night
Speaker 1: podcast on I Heart Radio. I was born to Donkey.
Speaker 1: It's the Donkey of the Death Starts, Sloman the Devil,
Speaker 1: the Breakfast Club. Yeah. Talking today from Monday, October seventeenth,
Speaker 1: goes to members of a group called Just Stop Oil.
Speaker 1: Who is Just Stop Oil. They are a bunch of
Speaker 1: climate protesters and they protect They protest the extraction and
Speaker 1: use of fossil fuels. Noble cause, very honorable. It's really
Speaker 1: amazing to me how God gave us everything we needed
Speaker 1: to survive and thrive here on this third rock from
Speaker 1: the Sun, and we have found a way to mess
Speaker 1: it up. Okay, we don't. We don't. We didn't take
Speaker 1: care to earth, so watching the earth take care of us.
Speaker 1: So I appreciate these organizations like just Stop Oil. I
Speaker 1: appreciate their attempts to save us from themselves. But protests
Speaker 1: have to make sense, and this protest makes absolutely no sense.
Speaker 1: Let's go to ABC News for the report. Police two
Speaker 1: protesters who are arrested for vanalizing a masterpiece by Van
Speaker 1: Gogh at the National Gallery in London. Climate activists throwing
Speaker 1: but authorities say appeared to be tomato soup on Van
Speaker 1: Gogh's famous Sunflowers painting, then gluing their hands to the wall.
Speaker 1: The painting, protected by glasses, was not damaged. How in
Speaker 1: the hell does vandalism of a van Go equate to
Speaker 1: a protest of the use of fossil fuels? Score me,
Speaker 1: I don't know. I was pouring two cans of tomato
Speaker 1: soup on a van go painting a protest. The painting
Speaker 1: was protected by glass who didn't suffer any damages, so
Speaker 1: what was the point. Then they decided to glue their
Speaker 1: hands to the wall just under the van Go What
Speaker 1: is worth more? Are our life? One? Of the protesters said,
Speaker 1: is it worth more than food? Worth more than justice?
Speaker 1: The activists yelled, adding, are you more concerned about the
Speaker 1: protection of a painting or the protection of our planet
Speaker 1: in people? Great question. I personally care about the protection
Speaker 1: of our planet in people. But I can see a
Speaker 1: security guard who works there at the National Gallery right
Speaker 1: now in that moment, cared more about the protection of
Speaker 1: that painting. So you, my friends, are under arrest for vandalism. Okay,
Speaker 1: The activists said they use soup to show that the
Speaker 1: cost of living, the cost of living crisis is part
Speaker 1: of the cost of oil crisis. She said fuel is
Speaker 1: unaffordable with the millions of cold, hungry families, and being
Speaker 1: that fuel is so high, it mix it to where
Speaker 1: they can't even afford to heat a tent of soup. Interesting, well,
Speaker 1: instead of wasting that soup pouring pouring in on the van, go,
Speaker 1: how about donate the soup to those same families you
Speaker 1: say can't even afford a tennis soup. Huh, just the thought. Now,
Speaker 1: this is a thing where a lot of members of
Speaker 1: the Just Stop Oil team are gluing their hands the
Speaker 1: frames of famous paintings, and I am here to tell you,
Speaker 1: it's all a waste of glue. Okay. I know that
Speaker 1: you think you are bringing attention to this situation, and
Speaker 1: you are, but not for the right reason. See, here's
Speaker 1: the thing. If you want people to care, then you
Speaker 1: have to damage something a mass majority of people care about. Okay,
Speaker 1: Van Goes. I mean that's for the bougie and elite
Speaker 1: of the world. You gotta attempt to damage something that
Speaker 1: a massive amount of people use and care about. Go
Speaker 1: damage a Chick fil A or something, all right, Glue
Speaker 1: yourself to a count of a Chick fil A and
Speaker 1: keep everyone from getting that number one with cheese. Okay,
Speaker 1: you damage and glue yourself to something that's more than that,
Speaker 1: more than a niche group of people care about. Glue
Speaker 1: yourself to Nby's cheeks. Okay. I'm sure somebody will pay
Speaker 1: attention then. And I understand the Van Goal is one
Speaker 1: of the most valuable paintings in the world, and it's
Speaker 1: worth a lot. But I don't think a mass majority
Speaker 1: of people care about that level of aliticism. Okay, damaging
Speaker 1: a Van Goal and more of a protest against capitalism.
Speaker 1: Maybe I don't know. I just know that the more
Speaker 1: I talk about this, the more I forget what the
Speaker 1: hell they were protesting to begin with, and that is
Speaker 1: the point. Please give the members of the group, just
Speaker 1: stop oil the biggest he had to think these protests
Speaker 1: a little. I think I'm through a little bit more.
Speaker 1: That's all all right, Well, thank you for that. Donket
Speaker 1: to day our radio Sunday Night podcast. Listen every week
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