1 00:00:00,040 --> 00:00:04,520 Speaker 1: Plenty. I Heart Radio, now number one for podcasting, presents 2 00:00:04,559 --> 00:00:07,120 Speaker 1: Sunday Night Podcast. Every Sunday, we played one of the 3 00:00:07,160 --> 00:00:09,479 Speaker 1: most played and most listen to and most share podcasts 4 00:00:09,480 --> 00:00:11,559 Speaker 1: of the week from a two hundred and fifty thousand 5 00:00:11,600 --> 00:00:14,040 Speaker 1: podcasts available in the free I Heart Radio app. Find 6 00:00:14,080 --> 00:00:16,680 Speaker 1: your next favorite podcast on I Heart Radio. This week 7 00:00:16,840 --> 00:00:22,280 Speaker 1: is The Breakfast Club thirty more. Everybody is day Envy 8 00:00:22,480 --> 00:00:25,400 Speaker 1: angela Ye Sholoman, the guy. We are the Breakfast Club. 9 00:00:25,400 --> 00:00:29,680 Speaker 1: We got a special guest in the building. Up well, 10 00:00:30,040 --> 00:00:32,879 Speaker 1: I'm back out. I'm back in the Breakfast Club. Early well. 11 00:00:32,960 --> 00:00:34,640 Speaker 1: Part of the world you're in right now? Fifth, because 12 00:00:34,680 --> 00:00:36,760 Speaker 1: I know it's not America. Yeah, I'm in Prague. I'm 13 00:00:36,800 --> 00:00:40,279 Speaker 1: in Prague. Okay, Okay, Tech Republic. I don't even want 14 00:00:40,320 --> 00:00:42,519 Speaker 1: you to see me in America no more, shann I 15 00:00:42,520 --> 00:00:44,040 Speaker 1: want you to see me when I'm outside of the 16 00:00:44,080 --> 00:00:49,480 Speaker 1: country because they treat me so much better. You gotta 17 00:00:49,520 --> 00:00:51,560 Speaker 1: see me out there. I did the Old two Arena 18 00:00:51,680 --> 00:00:54,000 Speaker 1: last night, sold out, and then getting tonight I do 19 00:00:54,040 --> 00:00:57,200 Speaker 1: it again. Wow. And in the midst of all that, 20 00:00:57,560 --> 00:01:00,720 Speaker 1: a whole bunch of we're going on here. Absolutely, you 21 00:01:00,720 --> 00:01:02,760 Speaker 1: know this, this is like my day job, you know 22 00:01:02,960 --> 00:01:07,280 Speaker 1: that other stuff. You know. Really, I'm a full time producer, 23 00:01:07,840 --> 00:01:11,039 Speaker 1: you know, so I got the they coming um actually 24 00:01:11,120 --> 00:01:16,080 Speaker 1: tomorrow the Florida's Twins podcast is Surviving El Chapo. Yeah, 25 00:01:16,120 --> 00:01:18,320 Speaker 1: this is the first time they spoken about this, right, 26 00:01:19,040 --> 00:01:22,600 Speaker 1: first time they spoke. And then they're like, I came 27 00:01:22,640 --> 00:01:24,560 Speaker 1: across them the ill things. I came across them in 28 00:01:24,560 --> 00:01:27,320 Speaker 1: two thousand and four at the height they get rich 29 00:01:27,319 --> 00:01:30,200 Speaker 1: to die trying. Um, one of one of the dudes 30 00:01:30,200 --> 00:01:33,440 Speaker 1: and Bucks Entourbrise decided to leave the hotel and go 31 00:01:33,480 --> 00:01:36,600 Speaker 1: to competing green projects because he wants the party I wanted. 32 00:01:38,920 --> 00:01:40,920 Speaker 1: He had the spinner. Did you want to spind the piece? 33 00:01:40,959 --> 00:01:44,479 Speaker 1: They were all for the piece, so you got roll 34 00:01:44,560 --> 00:01:46,479 Speaker 1: for that. The Twins. They got it to the Twins 35 00:01:46,520 --> 00:01:48,720 Speaker 1: because they that's who would have the money to buy that. 36 00:01:49,200 --> 00:01:52,320 Speaker 1: And then Jay Floridas he got the piece back to 37 00:01:52,400 --> 00:01:55,080 Speaker 1: me because just to create the relationship, he brought the 38 00:01:55,080 --> 00:01:58,720 Speaker 1: piece back. He stole it from Buck's Boy. Yeah. Then 39 00:01:58,800 --> 00:02:02,200 Speaker 1: then he got back to me through Gobby. Gobby, but 40 00:02:02,480 --> 00:02:04,680 Speaker 1: he's looking at us at the time on the speifican 41 00:02:05,040 --> 00:02:06,640 Speaker 1: and he had a relationship with him. And then that's 42 00:02:06,680 --> 00:02:08,680 Speaker 1: how you got the piece backs. I wonder what a 43 00:02:08,680 --> 00:02:10,320 Speaker 1: project like that? What makes you say, you know what, 44 00:02:10,320 --> 00:02:12,360 Speaker 1: I'm gonna take it to a podcast as a posed, 45 00:02:12,480 --> 00:02:15,640 Speaker 1: developing it as a show or film. Now it's developing 46 00:02:15,919 --> 00:02:19,600 Speaker 1: as it's the new narcles. Okay, what I do so 47 00:02:19,800 --> 00:02:21,560 Speaker 1: I mean is I'm making a podcast so they can 48 00:02:21,560 --> 00:02:24,079 Speaker 1: hear it. Because you don't do anything destroying the story 49 00:02:24,120 --> 00:02:28,040 Speaker 1: by informing an audience, like we how many great feature 50 00:02:28,040 --> 00:02:30,320 Speaker 1: films were books that you read before you got a 51 00:02:30,360 --> 00:02:33,399 Speaker 1: chance to see the film. So we make the podcast. 52 00:02:33,520 --> 00:02:37,400 Speaker 1: I got the document series coming, and then the actually 53 00:02:37,560 --> 00:02:40,200 Speaker 1: scripted series is on the way forward. Why not? And 54 00:02:40,480 --> 00:02:42,360 Speaker 1: it's like making It's like you're making so much money 55 00:02:42,360 --> 00:02:45,200 Speaker 1: off one piece of content. Yeah, and then when you 56 00:02:45,200 --> 00:02:46,760 Speaker 1: can get it in the early stages when they have 57 00:02:46,960 --> 00:02:50,520 Speaker 1: never said anything like technically it's o Chapo is the 58 00:02:50,520 --> 00:02:54,320 Speaker 1: biggest drug like that. That's Look, they've moved one hundred 59 00:02:54,360 --> 00:02:57,760 Speaker 1: and thirty tons of cocaine and hurrold damn for the 60 00:02:57,919 --> 00:03:00,840 Speaker 1: for the organization. So if you look when you say that, 61 00:03:00,880 --> 00:03:03,760 Speaker 1: I was like when you you were selling trucks, I 62 00:03:03,880 --> 00:03:10,200 Speaker 1: was doing something different. You look at it like that, 63 00:03:10,440 --> 00:03:15,080 Speaker 1: you go, wait no, because Sharlomige, that ground level stuff 64 00:03:15,080 --> 00:03:18,040 Speaker 1: that we was involved in in these environments, in the neighborhoods, 65 00:03:18,280 --> 00:03:20,560 Speaker 1: when you and that level. The first time that they 66 00:03:20,560 --> 00:03:22,799 Speaker 1: asked for some work for them, they had to sell 67 00:03:22,919 --> 00:03:25,440 Speaker 1: for three and they gave them five. So you could 68 00:03:25,480 --> 00:03:28,360 Speaker 1: have caught You would have got life your first transaction. 69 00:03:28,440 --> 00:03:31,359 Speaker 1: You would have got life. Damn, you gotta caught five. 70 00:03:31,440 --> 00:03:34,280 Speaker 1: He though. So they're pretty much but their life is 71 00:03:34,320 --> 00:03:37,520 Speaker 1: online the entire time. Everybody wants to know where you're going. Fifth, 72 00:03:37,600 --> 00:03:41,240 Speaker 1: you left Stars, left Stars high and dry. Yeah, you 73 00:03:41,280 --> 00:03:44,280 Speaker 1: know what in between towns because I got three different 74 00:03:44,320 --> 00:03:47,320 Speaker 1: offenses I'm looking at now. But Charlomign, I'm gonna tell 75 00:03:47,320 --> 00:03:50,160 Speaker 1: you the difference is even my relationships at Ryder's Gate, 76 00:03:50,640 --> 00:03:52,600 Speaker 1: I've been consistent. I sold the last thing that I 77 00:03:52,640 --> 00:03:55,440 Speaker 1: pitched to them. My Soul Stars picked it up them 78 00:03:56,560 --> 00:03:59,440 Speaker 1: in that time period, like I got four new shows up. 79 00:04:00,320 --> 00:04:02,160 Speaker 1: You know what I'm saying that we got the proper 80 00:04:02,280 --> 00:04:06,440 Speaker 1: players with NV and you know the show. He just 81 00:04:06,560 --> 00:04:13,680 Speaker 1: in it. So when you see when you see the counterparts, 82 00:04:13,760 --> 00:04:16,880 Speaker 1: you understand how everything else works away from the entertainment, 83 00:04:16,920 --> 00:04:19,480 Speaker 1: because that's the interesting parts of that show. To me, 84 00:04:19,680 --> 00:04:22,239 Speaker 1: and their kids because it did like the Royal family, 85 00:04:22,240 --> 00:04:25,600 Speaker 1: you got like five, we got a whole team and Chili. Yeah, 86 00:04:25,640 --> 00:04:27,600 Speaker 1: that's why you know, you know, that's why Seesar got 87 00:04:27,600 --> 00:04:31,920 Speaker 1: the BBL three years ago because he knew eventually he 88 00:04:32,000 --> 00:04:46,360 Speaker 1: got he did, didn't they get? Its been in development 89 00:04:46,400 --> 00:04:48,440 Speaker 1: for you guys for a while. So what was the 90 00:04:49,000 --> 00:04:51,640 Speaker 1: first ederation and how did that evolve for you guys 91 00:04:51,680 --> 00:04:54,200 Speaker 1: to get that picked up? Plays? That was what we 92 00:04:54,240 --> 00:04:56,760 Speaker 1: went through. A didn't war that show like that? It 93 00:04:56,839 --> 00:04:59,920 Speaker 1: was multiple networks that were excited about it. And then 94 00:05:00,000 --> 00:05:04,480 Speaker 1: and of course when you see what kind of draw 95 00:05:04,720 --> 00:05:08,520 Speaker 1: that they have NBA as with with with even the 96 00:05:08,600 --> 00:05:11,239 Speaker 1: cars show, with the seminars by real estate and stuff 97 00:05:11,279 --> 00:05:15,359 Speaker 1: like that, then it looks way more significant than a 98 00:05:15,440 --> 00:05:17,280 Speaker 1: show that you just came with this concept and you 99 00:05:17,400 --> 00:05:19,760 Speaker 1: got this person. It's a personality that's gonna be on 100 00:05:19,839 --> 00:05:22,359 Speaker 1: it when they see it's already drawing that many people 101 00:05:22,440 --> 00:05:25,680 Speaker 1: to it, and and it's already so so well established, 102 00:05:25,680 --> 00:05:28,400 Speaker 1: like they don't we don't have to take any properties. 103 00:05:28,440 --> 00:05:30,560 Speaker 1: These are all properties that they actually owned in their 104 00:05:30,640 --> 00:05:34,359 Speaker 1: business with it, So it's like the coolest way was 105 00:05:34,360 --> 00:05:37,360 Speaker 1: was figuring out the format for it to keep it entertaining, 106 00:05:37,400 --> 00:05:40,600 Speaker 1: away from it being just a real estate show. It's 107 00:05:40,640 --> 00:05:43,880 Speaker 1: going to have a show about their families while doing 108 00:05:43,920 --> 00:05:49,279 Speaker 1: real estate. Dope, do you have an idea where you're going? Now? 109 00:05:49,360 --> 00:05:51,799 Speaker 1: You know what? It's getting good, it's getting really interesting 110 00:05:51,839 --> 00:05:55,360 Speaker 1: because look, Charlotte, when when you start to see look 111 00:05:55,360 --> 00:05:58,640 Speaker 1: even I'm on a on the board for the Motion 112 00:05:58,680 --> 00:06:02,320 Speaker 1: Picture Television Fun and I'm doing that everybody, all of 113 00:06:02,360 --> 00:06:04,640 Speaker 1: the heads of the studios are there Schartness the night 114 00:06:04,680 --> 00:06:07,680 Speaker 1: before the Emmage party and You're like, I get a 115 00:06:07,720 --> 00:06:09,520 Speaker 1: chance to jump out on that and that fun. That's 116 00:06:09,560 --> 00:06:12,400 Speaker 1: my party. Now that that's my you know how you 117 00:06:13,839 --> 00:06:17,600 Speaker 1: James brunch war. Okay, so mine just before the Emmies 118 00:06:17,839 --> 00:06:21,080 Speaker 1: before so I'll do that there and then um so 119 00:06:21,160 --> 00:06:23,520 Speaker 1: it's a lot of fun. Just I have relationships now 120 00:06:24,160 --> 00:06:26,919 Speaker 1: with the heads of the studios and so many different 121 00:06:26,920 --> 00:06:30,679 Speaker 1: networks that I've been that I familiarize myself with while 122 00:06:31,839 --> 00:06:34,760 Speaker 1: coming with these different projects, and then the success rated 123 00:06:34,800 --> 00:06:36,960 Speaker 1: so high that they just it's the right way. I 124 00:06:37,040 --> 00:06:39,680 Speaker 1: think one of the unwritten laws of power is to 125 00:06:40,520 --> 00:06:42,800 Speaker 1: appear not to need anything. And because they know I 126 00:06:42,839 --> 00:06:45,120 Speaker 1: don't need to sell the show to see it the 127 00:06:45,200 --> 00:06:47,600 Speaker 1: right way, and then they buy the show because it's 128 00:06:48,120 --> 00:06:50,440 Speaker 1: the presentation is like, this is an opportunity for us 129 00:06:50,440 --> 00:06:52,520 Speaker 1: to have a hit together, not I don't need you 130 00:06:52,600 --> 00:06:56,480 Speaker 1: to do this show. When people are pitching themselves or 131 00:06:56,520 --> 00:06:59,159 Speaker 1: pitching the idea that, you know, kind of just points 132 00:06:59,160 --> 00:07:01,800 Speaker 1: of desperation, they're trying to sell you something, you know, 133 00:07:01,839 --> 00:07:04,320 Speaker 1: like trying to hustle you a little fit. You know, 134 00:07:05,960 --> 00:07:08,080 Speaker 1: that's his answer. He's not telling you where he's going 135 00:07:08,839 --> 00:07:10,960 Speaker 1: all of that. I will be back to tell you 136 00:07:11,000 --> 00:07:14,280 Speaker 1: exactly what's happening. But I just got multiple balls in there. 137 00:07:14,280 --> 00:07:16,680 Speaker 1: And look, at the same time, I need those networks 138 00:07:16,720 --> 00:07:19,520 Speaker 1: that I think this is a strong possibility that I 139 00:07:19,600 --> 00:07:22,200 Speaker 1: will to buy and move the projects that I have 140 00:07:22,280 --> 00:07:25,640 Speaker 1: with them forward. The free I Heart Radio app has 141 00:07:25,640 --> 00:07:29,280 Speaker 1: over two hundred and fifty thousand podcasts to explode. Yes, 142 00:07:29,320 --> 00:07:31,720 Speaker 1: this is the Breakfast Club thirty part of Sunday Night 143 00:07:31,760 --> 00:07:34,760 Speaker 1: podcast on I Heart Radio. We're still kicking it with fifty. Ye. 144 00:07:35,040 --> 00:07:37,160 Speaker 1: All right, let's also talk about yea other series, Hip 145 00:07:37,240 --> 00:07:41,360 Speaker 1: Hop Homicides. That one sounds fascinating. Yeah, so I don't 146 00:07:41,400 --> 00:07:44,200 Speaker 1: want that that one specifically, you know, that's that's gonna 147 00:07:44,240 --> 00:07:46,800 Speaker 1: hit home with us because it's just the culture. Even 148 00:07:46,800 --> 00:07:50,560 Speaker 1: if you're not when you report it, you kind of 149 00:07:50,720 --> 00:07:53,560 Speaker 1: have information on people that you're not interested, Like you 150 00:07:53,600 --> 00:07:57,600 Speaker 1: don't particularly like that artist enough to follow that artist, 151 00:07:57,640 --> 00:08:00,840 Speaker 1: but you still know we still culturally are aware of 152 00:08:00,960 --> 00:08:03,720 Speaker 1: things happening, you know what I mean. And when you 153 00:08:03,760 --> 00:08:06,640 Speaker 1: get into the homicide side of it's so many, you 154 00:08:06,720 --> 00:08:09,120 Speaker 1: know how many. It's like seven hundred homicide the hip 155 00:08:09,160 --> 00:08:12,720 Speaker 1: hop because the new artists they come, they're still in 156 00:08:12,720 --> 00:08:16,920 Speaker 1: the street. It's the whole what would have been street 157 00:08:16,960 --> 00:08:20,480 Speaker 1: cultures and now it's like the drill scene, drill music, 158 00:08:20,800 --> 00:08:23,480 Speaker 1: all of that's happening. So so many artists that get 159 00:08:23,520 --> 00:08:26,320 Speaker 1: knocked off before they actually get to the point they're 160 00:08:26,320 --> 00:08:30,600 Speaker 1: really recognizable artists. We started with the artists that we 161 00:08:30,800 --> 00:08:32,559 Speaker 1: TV pick, but I looked at it like it was 162 00:08:32,600 --> 00:08:36,360 Speaker 1: a true Prime show. So it was like Charlomagne if 163 00:08:36,360 --> 00:08:38,360 Speaker 1: it was when I'm watching First forty eight or or 164 00:08:38,400 --> 00:08:41,040 Speaker 1: when I'm watching Forensic Files, I don't care who it is. 165 00:08:41,080 --> 00:08:44,439 Speaker 1: I'm just looking at the details of the scenario and imagining, 166 00:08:44,960 --> 00:08:47,920 Speaker 1: like what happened, Like I'm trying to figure out what 167 00:08:48,040 --> 00:08:50,760 Speaker 1: happened before they tell them. Yeah, I think they think 168 00:08:50,760 --> 00:08:52,839 Speaker 1: that's going to people love about hip hop homicide when 169 00:08:52,840 --> 00:08:54,720 Speaker 1: they see it, especially people that's not up the culture. 170 00:08:55,000 --> 00:08:57,240 Speaker 1: I think they're going to be shocked that so many 171 00:08:57,240 --> 00:09:00,920 Speaker 1: of these rappers talk about the ship that they that 172 00:09:01,040 --> 00:09:04,760 Speaker 1: they're actually going through. Look, I would say, I try 173 00:09:04,800 --> 00:09:06,640 Speaker 1: not to say nothing. The DA might play in court 174 00:09:07,679 --> 00:09:09,800 Speaker 1: on two thousand and three in the records, right, and 175 00:09:09,840 --> 00:09:14,600 Speaker 1: then when they go now, it's crazier because they're almost 176 00:09:15,160 --> 00:09:19,480 Speaker 1: say specific they're talking about a crime was committed. Look, 177 00:09:19,480 --> 00:09:21,480 Speaker 1: as much as you you say no, this is art 178 00:09:21,520 --> 00:09:24,280 Speaker 1: and you don't, you got four of them using lyrics 179 00:09:24,280 --> 00:09:27,920 Speaker 1: against the people when when in you know, situations, it's 180 00:09:28,040 --> 00:09:32,240 Speaker 1: tough when it's blatantly said, this directly relates to this, 181 00:09:33,040 --> 00:09:34,959 Speaker 1: you know what I'm saying. And then they got to 182 00:09:35,000 --> 00:09:37,160 Speaker 1: have better sense than that. They can't can't do that, 183 00:09:37,840 --> 00:09:42,760 Speaker 1: you know what I mean. Garsia to BMF now too. Yeah, yeah, 184 00:09:42,800 --> 00:09:45,200 Speaker 1: she's working on the BMF series. And then you know 185 00:09:45,240 --> 00:09:48,080 Speaker 1: City girls up like a mouth? Did you do that? 186 00:09:48,200 --> 00:09:52,960 Speaker 1: Just no, no, no, that was a that was ahead 187 00:09:53,000 --> 00:09:56,960 Speaker 1: of the thing with Daphne. Don't like that, but y'all, man, 188 00:09:56,960 --> 00:09:58,640 Speaker 1: I ain't kissed in the mouth. In ten years. Man, 189 00:09:58,720 --> 00:10:08,200 Speaker 1: somebody gotta kiss up beautiful. You know, I didn't know, 190 00:10:08,320 --> 00:10:11,400 Speaker 1: like for real, for real, you know, like it ain't 191 00:10:11,440 --> 00:10:14,319 Speaker 1: one of those situations where you know that they had us, 192 00:10:14,840 --> 00:10:17,480 Speaker 1: like they'll still go back to the baby mother and 193 00:10:17,520 --> 00:10:19,320 Speaker 1: hang out with the baby mother and stuff like that. Nah. 194 00:10:19,360 --> 00:10:23,120 Speaker 1: That that's and that was not like a relationship than anywhere. 195 00:10:23,160 --> 00:10:26,079 Speaker 1: It was more like an arrangement, you know. And the 196 00:10:26,280 --> 00:10:29,800 Speaker 1: look scis my boy. I almost named him a champion 197 00:10:30,200 --> 00:10:33,160 Speaker 1: because of me and Floyd's relationship. He kept asking me 198 00:10:33,240 --> 00:10:36,080 Speaker 1: to come back to Vegas and then he'll go bring 199 00:10:36,120 --> 00:10:37,800 Speaker 1: bring death, And I'm like, why, he said, so we 200 00:10:37,800 --> 00:10:40,360 Speaker 1: can leave forward with the Jackson, we can go, you know, 201 00:10:40,480 --> 00:10:43,240 Speaker 1: champion out four or five girls his girlfriends right there, 202 00:10:44,280 --> 00:10:46,559 Speaker 1: I'm saying, so he just needs a reason for them 203 00:10:46,559 --> 00:10:47,800 Speaker 1: to be out of the way so we can go 204 00:10:47,840 --> 00:10:51,400 Speaker 1: through everything else. And that kept her around consistent enough 205 00:10:51,440 --> 00:10:54,199 Speaker 1: for that happen for us to a little guy. But 206 00:10:54,280 --> 00:10:56,520 Speaker 1: he's a blessing, like I love him to death and 207 00:10:56,559 --> 00:10:58,959 Speaker 1: that this is the only thing where do you leave 208 00:10:59,000 --> 00:11:01,520 Speaker 1: the money? Yeah, yeah, yeah, yeah, yeah, I saw you 209 00:11:01,559 --> 00:11:05,480 Speaker 1: saw you got to say your spirits. Yeah, And I 210 00:11:05,559 --> 00:11:08,160 Speaker 1: put it even that that company, explaining to run later, 211 00:11:08,760 --> 00:11:10,720 Speaker 1: you know, to develop it and get it going and 212 00:11:10,760 --> 00:11:13,120 Speaker 1: then I'll go off to something else and do some 213 00:11:13,160 --> 00:11:15,760 Speaker 1: other things out. Yeah, you got to collabor with the 214 00:11:15,760 --> 00:11:18,360 Speaker 1: Texans and the Kings and the Rockets and the Astros 215 00:11:18,400 --> 00:11:21,120 Speaker 1: where they carry the liquid, they carry the brands and 216 00:11:22,280 --> 00:11:24,320 Speaker 1: in the inn pass today it came out in the 217 00:11:24,320 --> 00:11:28,199 Speaker 1: in the paces with their official coneyak and champagne. Wow. 218 00:11:29,040 --> 00:11:35,479 Speaker 1: So I'm going across that there, the Rockets, the Texans, 219 00:11:35,520 --> 00:11:37,560 Speaker 1: the Astros, the all of Houston. You know what I mean, 220 00:11:37,600 --> 00:11:40,160 Speaker 1: because I just got out there. I was at a 221 00:11:40,200 --> 00:11:43,040 Speaker 1: focus there right quick. They get that together and then um, 222 00:11:43,120 --> 00:11:48,559 Speaker 1: I went to Sacramento, Kings, different spots in that. It's 223 00:11:48,600 --> 00:11:50,400 Speaker 1: cool to be coming around full circle. But you know, 224 00:11:50,480 --> 00:11:52,600 Speaker 1: like when the league is it's very tough for you 225 00:11:52,640 --> 00:11:56,200 Speaker 1: to meet what they feel like it's sufficient standard wise 226 00:11:56,760 --> 00:12:00,440 Speaker 1: the person Now, I was constantly putting out yeal and 227 00:12:00,480 --> 00:12:04,199 Speaker 1: it was the old fifty six content. It would be 228 00:12:04,240 --> 00:12:07,000 Speaker 1: afraid to do business with me on that level. And 229 00:12:07,040 --> 00:12:09,920 Speaker 1: then you know when they don't see that coming up 230 00:12:09,920 --> 00:12:13,200 Speaker 1: as much and they just see it doesn't read in 231 00:12:13,360 --> 00:12:18,680 Speaker 1: state that crazy. Yeah, yeah, yeah, you got everything. Yeah, 232 00:12:19,000 --> 00:12:21,160 Speaker 1: you think he's gonna have a hard time dealing with 233 00:12:21,200 --> 00:12:25,599 Speaker 1: business from that one, dealing with manufacturers, companies and all that. Yeah. Yeah, 234 00:12:25,640 --> 00:12:28,800 Speaker 1: because look, when you personalize when things people, when the 235 00:12:28,920 --> 00:12:31,920 Speaker 1: things hit people personally, they are affected by it personally. 236 00:12:31,960 --> 00:12:34,840 Speaker 1: So they're using their personal judgment with what they want 237 00:12:34,840 --> 00:12:36,680 Speaker 1: to work who they would want to work with, who not. 238 00:12:37,400 --> 00:12:41,000 Speaker 1: And when you like you say things that it affects 239 00:12:41,000 --> 00:12:43,080 Speaker 1: people in the different ways to man. It's like like 240 00:12:43,120 --> 00:12:46,000 Speaker 1: when I tell even when the boy what's thing came 241 00:12:46,040 --> 00:12:48,040 Speaker 1: around the sixth nine, I was saying, if you got 242 00:12:48,040 --> 00:12:49,719 Speaker 1: a problem, have a problem with the person you have 243 00:12:49,800 --> 00:12:53,680 Speaker 1: a problem with, don't have a problem with all Chicago, Right, 244 00:12:54,960 --> 00:12:57,920 Speaker 1: you see what I'm saying, And then that what he's saying, 245 00:12:58,720 --> 00:13:01,520 Speaker 1: it's really broad, so you really don't know who you 246 00:13:01,600 --> 00:13:05,080 Speaker 1: started beefit just now like who really is affected by it? 247 00:13:05,080 --> 00:13:07,640 Speaker 1: And feel and dislike you for saying that and saying 248 00:13:08,280 --> 00:13:12,640 Speaker 1: just tided you being around here anyway. Yeah, Yeah, that's 249 00:13:12,760 --> 00:13:14,640 Speaker 1: the forty a lot of policy. Don't don't offend the 250 00:13:14,640 --> 00:13:18,199 Speaker 1: wrong person. Yeah, it don't take much. Yeah, people are 251 00:13:19,120 --> 00:13:23,040 Speaker 1: and positions that they can't block what you got coming. Now. 252 00:13:23,240 --> 00:13:26,920 Speaker 1: One person that offended you was his whole penal enhancement situation. 253 00:13:27,640 --> 00:13:32,199 Speaker 1: Yeah yeah, so Angelo, I've been working with this jum 254 00:13:32,360 --> 00:13:35,120 Speaker 1: for the whole time. I'm gonna say it was this 255 00:13:35,240 --> 00:13:36,960 Speaker 1: a new one. They're gonna tell me it's the new 256 00:13:37,000 --> 00:13:41,720 Speaker 1: one then, like like what you say, No, no, I'm 257 00:13:41,800 --> 00:13:44,679 Speaker 1: gonna get them, gonna get It's like the terror Marie thing. Man, 258 00:13:44,679 --> 00:13:48,760 Speaker 1: it's for you do that. It's not about money, it's 259 00:13:48,760 --> 00:13:53,080 Speaker 1: about you making that mistake, blatant mistake. See what I'm saying. 260 00:13:53,080 --> 00:13:56,000 Speaker 1: And there's other people then I'm sure that I'm not 261 00:13:56,040 --> 00:13:58,560 Speaker 1: sure what they've done, but I know floor Rider didn't know. 262 00:13:58,679 --> 00:14:01,000 Speaker 1: You gotta face you, bro. You see what I'm saying. 263 00:14:05,000 --> 00:14:08,079 Speaker 1: Oh yeah, yeah, okay, okay, got a facial waiting. And 264 00:14:08,360 --> 00:14:12,000 Speaker 1: they think that somehow that that was compensation by them 265 00:14:12,000 --> 00:14:15,520 Speaker 1: being able to utilize you. However, they feel, oh gotcha 266 00:14:15,600 --> 00:14:18,760 Speaker 1: get what you're saying. Got you what comes? So you 267 00:14:18,880 --> 00:14:24,800 Speaker 1: put pen pen of enhancement. I'm gonna see you. Definitely, 268 00:14:25,400 --> 00:14:27,600 Speaker 1: you need to kind of figure out when you scratch 269 00:14:27,680 --> 00:14:30,160 Speaker 1: that money together before everybody's in trouble. We saw a 270 00:14:30,160 --> 00:14:32,800 Speaker 1: biblicult fox came in your defense. What she wanna lie? 271 00:14:32,920 --> 00:14:38,520 Speaker 1: She wanta lie? But you know, it could be a 272 00:14:38,520 --> 00:14:40,680 Speaker 1: win out the way because now people know about this 273 00:14:40,680 --> 00:14:43,280 Speaker 1: this enhancement surgery, they could do that they might not 274 00:14:43,320 --> 00:14:47,160 Speaker 1: have known before. And so she could think they're thinking 275 00:14:47,240 --> 00:14:49,760 Speaker 1: that I'm I'm directed them to do it like I've 276 00:14:49,800 --> 00:14:54,200 Speaker 1: got it. That's wrong, don't do that. It made Charlotte 277 00:14:54,240 --> 00:14:56,040 Speaker 1: mayn't want to go because when we first saw and 278 00:14:56,080 --> 00:14:59,040 Speaker 1: reported off, I just asked about the consultation. I didn't want. 279 00:14:59,120 --> 00:15:02,680 Speaker 1: I'm not saying I want. You know how many guys 280 00:15:02,720 --> 00:15:04,560 Speaker 1: were like, yo, I didn't even know you could do that, 281 00:15:04,800 --> 00:15:06,680 Speaker 1: even though we know it's a law student and you 282 00:15:06,680 --> 00:15:09,240 Speaker 1: didn't get it done. The fact that it exists now 283 00:15:09,240 --> 00:15:12,560 Speaker 1: people know. I never even heard anyone successfully doing that. 284 00:15:14,600 --> 00:15:18,640 Speaker 1: I've heard of guys have had a lot of money 285 00:15:18,680 --> 00:15:23,240 Speaker 1: when did that? And died? Oh wow, Yeah tried todn'hance 286 00:15:23,280 --> 00:15:25,240 Speaker 1: himself in that way. And I'm like, dah, so you 287 00:15:25,360 --> 00:15:27,720 Speaker 1: was you had everything else going and he was trying 288 00:15:27,720 --> 00:15:31,680 Speaker 1: to fix that and all up. Damn. I Heeart Radio 289 00:15:31,920 --> 00:15:35,040 Speaker 1: for podcast Discovery. This is the Breakfast Club thirty Yeah 290 00:15:35,800 --> 00:15:38,640 Speaker 1: we go. Your chance to hear the biggest trending podcast 291 00:15:38,720 --> 00:15:40,560 Speaker 1: each week from the free I Heart Radio app we're 292 00:15:40,560 --> 00:15:42,880 Speaker 1: still kicking it with fifty Charlomagne. You got the BMF 293 00:15:42,960 --> 00:15:47,000 Speaker 1: dot coming um this Sunday, October twenty third. That's gonna 294 00:15:47,000 --> 00:15:49,640 Speaker 1: be on Stars. Like, why why are doc now? Like 295 00:15:49,680 --> 00:15:52,000 Speaker 1: we didn't see in the first season. Yeah, do you 296 00:15:52,040 --> 00:15:54,960 Speaker 1: know tell me that that was shot where they could 297 00:15:54,960 --> 00:15:59,600 Speaker 1: have put it in the hole the six month gap? Yeah, 298 00:15:59,720 --> 00:16:03,200 Speaker 1: so um, but there were timing for it to be seen. 299 00:16:03,560 --> 00:16:07,440 Speaker 1: So the Doctor series will come up, and the night 300 00:16:07,480 --> 00:16:10,560 Speaker 1: that the Finality is on, that will be the night 301 00:16:10,600 --> 00:16:14,240 Speaker 1: that BMF season two commits. Also, when the Doctor comes 302 00:16:14,240 --> 00:16:18,000 Speaker 1: out this Saturday at midnight, she's the two stars. Wow, 303 00:16:18,440 --> 00:16:20,760 Speaker 1: that's when it starts. And then when the Finality shows 304 00:16:20,840 --> 00:16:24,200 Speaker 1: up that evening the Finality is is the evening the 305 00:16:25,200 --> 00:16:29,440 Speaker 1: MF scripted series committed. Wow, you got so much going on. 306 00:16:29,520 --> 00:16:31,600 Speaker 1: Raising Kenan is one of my favorite shows to watch 307 00:16:31,680 --> 00:16:35,200 Speaker 1: right now. So I just want to say the actor 308 00:16:35,240 --> 00:16:37,400 Speaker 1: who plays like a young fifty, he sounds like you 309 00:16:37,480 --> 00:16:40,280 Speaker 1: for real, He does that, he slurs words, he does 310 00:16:40,360 --> 00:16:42,720 Speaker 1: everything in the way. I'm like, good, he pays he's 311 00:16:42,760 --> 00:16:45,640 Speaker 1: where he worked on that, like because you don't really 312 00:16:45,680 --> 00:16:48,080 Speaker 1: talk like that. Oh he does? Okay, Because I was wondering. 313 00:16:48,080 --> 00:16:50,440 Speaker 1: I was like, he really sound like this now, I 314 00:16:50,640 --> 00:16:53,160 Speaker 1: really did. He really plays attention to him college, Like, 315 00:16:53,200 --> 00:16:55,800 Speaker 1: y'all gotta say, because to look at the interviews in 316 00:16:55,880 --> 00:16:58,360 Speaker 1: here where I say things a little different and then 317 00:16:58,920 --> 00:17:01,080 Speaker 1: he go, you say this like this or like that, 318 00:17:01,120 --> 00:17:02,840 Speaker 1: and like when I'm on set and I'm like, yeah, 319 00:17:02,880 --> 00:17:04,359 Speaker 1: you did it right the first time or when you 320 00:17:04,400 --> 00:17:06,879 Speaker 1: did it. You know. It's gad about all these shows. 321 00:17:06,880 --> 00:17:09,000 Speaker 1: It really does elevate a lot of the people on 322 00:17:09,040 --> 00:17:11,080 Speaker 1: them to a higher status. A lot of them have 323 00:17:11,200 --> 00:17:14,200 Speaker 1: been in things but maybe not had like a starring role. 324 00:17:14,280 --> 00:17:17,760 Speaker 1: But I see like how much its elevated people. Malcolm Mayze, 325 00:17:18,200 --> 00:17:20,040 Speaker 1: you know, he did an amazing job. And I know 326 00:17:20,119 --> 00:17:22,560 Speaker 1: he's done. He's been in multiple things, but for this, 327 00:17:22,560 --> 00:17:24,919 Speaker 1: this is a huge role now. And he was He 328 00:17:25,040 --> 00:17:29,439 Speaker 1: was amazing in Softball, you know, and I worked with 329 00:17:29,520 --> 00:17:32,000 Speaker 1: him in that film before we got him to come 330 00:17:32,040 --> 00:17:35,119 Speaker 1: back and him and like Russell Hornsby was in Good 331 00:17:35,200 --> 00:17:37,240 Speaker 1: Rich to Die trying with me, I'm getting a chance 332 00:17:37,280 --> 00:17:39,879 Speaker 1: to get the guys that I always like like to 333 00:17:39,920 --> 00:17:43,120 Speaker 1: work with and put them in projects that are really 334 00:17:43,119 --> 00:17:45,240 Speaker 1: exciting projects to get them to the next level. And 335 00:17:45,280 --> 00:17:49,760 Speaker 1: then when when things look We've made the biggest live 336 00:17:49,800 --> 00:17:54,520 Speaker 1: events connected to television programming, so it gives us an advantage. 337 00:17:54,560 --> 00:17:56,680 Speaker 1: Like we do. I do the premier at Radio City 338 00:17:56,720 --> 00:17:59,439 Speaker 1: Music Hall or at Master School Gardener or like in 339 00:17:59,480 --> 00:18:03,280 Speaker 1: Atlanta in the shit outdoors because of the COVID stuff, 340 00:18:03,480 --> 00:18:05,800 Speaker 1: you know what I mean. And but it's a big 341 00:18:05,920 --> 00:18:08,879 Speaker 1: enough event that I can bring all of the I 342 00:18:08,880 --> 00:18:10,760 Speaker 1: could kind of use my juice call like and have 343 00:18:10,840 --> 00:18:14,040 Speaker 1: everybody come out and do a little something because the 344 00:18:14,520 --> 00:18:18,000 Speaker 1: event is already sold out, everything's already set up. They 345 00:18:18,080 --> 00:18:21,440 Speaker 1: just come rock you know. You know Fiel, everybody wants 346 00:18:21,480 --> 00:18:24,560 Speaker 1: to know is there a possibility of of you? You know, 347 00:18:24,720 --> 00:18:27,359 Speaker 1: actually your son, Your son wants to sit down with you. No, 348 00:18:27,480 --> 00:18:31,280 Speaker 1: he doesn't see Solomn. You would call me. You don't 349 00:18:31,280 --> 00:18:34,960 Speaker 1: call TMZ to say you want to sit down. M 350 00:18:35,160 --> 00:18:38,160 Speaker 1: think about it, man. You know he wants some attention, 351 00:18:39,280 --> 00:18:40,760 Speaker 1: and it's okay. You can't have as much of that 352 00:18:40,880 --> 00:18:45,080 Speaker 1: as you more. You know, it's just like you, he's 353 00:18:45,119 --> 00:18:47,960 Speaker 1: been trained to believe what you see him say in 354 00:18:47,960 --> 00:18:50,520 Speaker 1: an event in that interview that what are you saying? 355 00:18:50,560 --> 00:18:53,280 Speaker 1: He's been trained to believe that for a long time, 356 00:18:53,680 --> 00:18:56,359 Speaker 1: like You don't just wake up and say, oh, well, 357 00:18:56,400 --> 00:18:59,199 Speaker 1: I don't believe what I've been believing forever. You know 358 00:18:59,200 --> 00:19:03,440 Speaker 1: what I mean, Like when I said that that he's entitled, 359 00:19:03,800 --> 00:19:05,959 Speaker 1: really it's his mom's from title, but it's been filtered. 360 00:19:06,480 --> 00:19:09,400 Speaker 1: Say when I told you I was giving out half 361 00:19:09,400 --> 00:19:11,520 Speaker 1: a million hours a year, they go to the paperwork, 362 00:19:11,560 --> 00:19:12,800 Speaker 1: they see it half a million out of a year. 363 00:19:13,440 --> 00:19:16,439 Speaker 1: At that point, she still was expecting more. This is 364 00:19:16,440 --> 00:19:19,200 Speaker 1: why I took at a jowd sport. You don't usually 365 00:19:19,200 --> 00:19:21,679 Speaker 1: sign up to job sport like I took myself to 366 00:19:21,760 --> 00:19:24,960 Speaker 1: John Support because she wasn't understanding and that will Almo 367 00:19:25,000 --> 00:19:26,800 Speaker 1: already give you more that he's supposed to get it. 368 00:19:27,040 --> 00:19:29,240 Speaker 1: Then when it turns into the sixty seven hundred, that's 369 00:19:29,240 --> 00:19:32,560 Speaker 1: not enough and it's never gonna be enough. But remember 370 00:19:32,640 --> 00:19:34,560 Speaker 1: me constantly coming to you and talking to you about 371 00:19:34,600 --> 00:19:36,400 Speaker 1: she don't want to what need to get a job? 372 00:19:36,800 --> 00:19:39,560 Speaker 1: She didn't hear me. Yeah, you used to always say 373 00:19:40,440 --> 00:19:42,480 Speaker 1: he's almost eighteen, the child suport is gonna be up. 374 00:19:42,760 --> 00:19:44,480 Speaker 1: I'm gonna be up soon. And you don't see it 375 00:19:44,520 --> 00:19:47,520 Speaker 1: because that's not real to them. They just live in 376 00:19:47,600 --> 00:19:49,760 Speaker 1: the moment, like and it's It's fine, I'll take care 377 00:19:49,760 --> 00:19:51,720 Speaker 1: of it on the next thing when it comes, the 378 00:19:51,760 --> 00:19:54,760 Speaker 1: next the next checks coming in every month. Like, I 379 00:19:54,800 --> 00:19:57,960 Speaker 1: don't feel the pressure that or resentment that men feel 380 00:19:58,440 --> 00:20:02,000 Speaker 1: with chow support because I take care of it. Winning 381 00:20:02,000 --> 00:20:05,439 Speaker 1: the problem type. I mean, I took the money and 382 00:20:05,520 --> 00:20:08,240 Speaker 1: moved it to account that year, so on the books 383 00:20:08,480 --> 00:20:10,399 Speaker 1: that was an expense for that year. And then the 384 00:20:10,440 --> 00:20:14,240 Speaker 1: next year I didn't feel that financially anymore, and it 385 00:20:14,280 --> 00:20:17,040 Speaker 1: was like David was receiving it every month. But I 386 00:20:17,080 --> 00:20:19,200 Speaker 1: had already put that money, so I already took the 387 00:20:19,320 --> 00:20:22,959 Speaker 1: loss on that year. So later if you're not, if 388 00:20:22,960 --> 00:20:26,359 Speaker 1: you're not having years they bringing the same kind of money, 389 00:20:26,720 --> 00:20:29,240 Speaker 1: it may affect you more later, I mean, if your 390 00:20:29,280 --> 00:20:31,280 Speaker 1: career slows down if you're not you know, like, I 391 00:20:31,320 --> 00:20:33,600 Speaker 1: just didn't want that to be an issue at any point, 392 00:20:33,600 --> 00:20:36,800 Speaker 1: so I just took care of it. Sided the situation 393 00:20:36,840 --> 00:20:42,560 Speaker 1: when I have good communications with like and for him 394 00:20:42,280 --> 00:20:45,520 Speaker 1: his arm his arnesome and make it easier for me 395 00:20:45,560 --> 00:20:48,320 Speaker 1: because I don't really like with moms like that, so 396 00:20:48,359 --> 00:20:52,760 Speaker 1: but we have been able to share and raise him, 397 00:20:54,000 --> 00:20:56,000 Speaker 1: you know what I'm saying. No real fighting as like 398 00:20:56,080 --> 00:20:59,760 Speaker 1: that In New Guard outside of you. You would think 399 00:21:00,119 --> 00:21:03,240 Speaker 1: that public situation, there is nothing else there and problem 400 00:21:04,480 --> 00:21:06,600 Speaker 1: you know, most most young men grow up and they 401 00:21:06,640 --> 00:21:09,040 Speaker 1: realized that, you know, they was only getting one side 402 00:21:09,040 --> 00:21:12,400 Speaker 1: of the story, usually from the mother. So that's that's 403 00:21:12,400 --> 00:21:13,960 Speaker 1: when they want to, you know, go go talk to 404 00:21:14,000 --> 00:21:17,280 Speaker 1: the pops and the like. Damn have that relationship kind 405 00:21:17,280 --> 00:21:21,959 Speaker 1: of it kind of happened, and Raising Canan, yeah, you know, 406 00:21:22,119 --> 00:21:25,600 Speaker 1: Raising Cannon was was like, it's really really like him. 407 00:21:25,720 --> 00:21:28,040 Speaker 1: Mister kidd has been sheltered, and he looks and he's 408 00:21:28,080 --> 00:21:31,399 Speaker 1: excited by ghosts. He's wearing the suit stuff and you 409 00:21:31,480 --> 00:21:34,600 Speaker 1: don't really understand who ghost it. You see what I'm saying. 410 00:21:34,760 --> 00:21:38,239 Speaker 1: They can in the jail to to make that. And 411 00:21:38,240 --> 00:21:40,199 Speaker 1: he wanted to get his business back, and he's just 412 00:21:40,240 --> 00:21:42,679 Speaker 1: allowing him the opportunity to do deal with that. So 413 00:21:42,680 --> 00:21:45,800 Speaker 1: he would deserve everything that he did for him, you 414 00:21:45,840 --> 00:21:48,600 Speaker 1: see what I'm saying in that character. But when you 415 00:21:48,640 --> 00:21:51,800 Speaker 1: look at to this point, when you if you mailed 416 00:21:51,880 --> 00:21:55,000 Speaker 1: someone a million dollars right and have zero respect for you, 417 00:21:55,920 --> 00:21:57,560 Speaker 1: how much you think you got to give them before 418 00:21:57,560 --> 00:22:03,440 Speaker 1: they have a little bit? Damn, it's not gonna the relationship. 419 00:22:03,480 --> 00:22:07,720 Speaker 1: I don't think that works. So you so you would 420 00:22:07,720 --> 00:22:10,280 Speaker 1: never be open to it now, I don't think the 421 00:22:10,320 --> 00:22:13,000 Speaker 1: relationship works. I'm not looking for a long time telling 422 00:22:13,040 --> 00:22:16,040 Speaker 1: me I've I've been running behind him. I went places 423 00:22:16,080 --> 00:22:19,440 Speaker 1: that he went, and he left the place. You see 424 00:22:19,440 --> 00:22:21,439 Speaker 1: what I'm saying. And then there's a I went to 425 00:22:21,640 --> 00:22:24,920 Speaker 1: uh in the text messages without if y'all get a 426 00:22:25,000 --> 00:22:26,960 Speaker 1: chance to look at him, that's me talking to his 427 00:22:27,040 --> 00:22:30,280 Speaker 1: mother because his mother's texting me through his fault. You 428 00:22:30,320 --> 00:22:32,359 Speaker 1: see what I'm saying. So I said that, I said 429 00:22:33,000 --> 00:22:36,280 Speaker 1: knowing that this is hard responding to me, and it 430 00:22:36,320 --> 00:22:39,200 Speaker 1: looks a little rough for him from what I'm saying 431 00:22:39,200 --> 00:22:42,159 Speaker 1: to him. But it's the circumstances of Look, what's the 432 00:22:42,200 --> 00:22:44,639 Speaker 1: penalty of if you're not following the order? All you 433 00:22:44,680 --> 00:22:48,000 Speaker 1: do is go back to court. Yeah, she never got 434 00:22:48,040 --> 00:22:51,600 Speaker 1: a job. What is the penalty. There's no penalty, fault. 435 00:22:51,600 --> 00:22:53,640 Speaker 1: They're gonna tell me to pay my lawyer, to pay 436 00:22:53,680 --> 00:22:57,800 Speaker 1: her lawyer. That's real, to pay for everything every time 437 00:22:57,880 --> 00:23:00,639 Speaker 1: you go do it, and there's no penalty because she 438 00:23:00,680 --> 00:23:03,080 Speaker 1: doesn't have anything outside of what they're saying is support 439 00:23:03,119 --> 00:23:06,159 Speaker 1: for the job. So what did they do? They're not 440 00:23:06,200 --> 00:23:08,640 Speaker 1: gonna tell her to pay for and she just continue 441 00:23:08,680 --> 00:23:10,399 Speaker 1: the same energy you see there has been there the 442 00:23:10,400 --> 00:23:12,960 Speaker 1: whole time. Look, you told about the kid. That's not 443 00:23:13,040 --> 00:23:15,680 Speaker 1: even a kid. He's twenty five years old. No, my 444 00:23:15,800 --> 00:23:18,720 Speaker 1: issue wasn't sixteen, Angela. They wanted to charge me as 445 00:23:18,720 --> 00:23:21,920 Speaker 1: an adult. Then you see what I'm saying. So you 446 00:23:22,280 --> 00:23:26,800 Speaker 1: look and you go, whenn't you gonna figure it out front? 447 00:23:26,960 --> 00:23:28,639 Speaker 1: Like they act like they got money. You ain't got 448 00:23:28,680 --> 00:23:32,320 Speaker 1: no money. Ain't no money there. The house that they 449 00:23:32,359 --> 00:23:34,639 Speaker 1: stayed in the Atlanta while he was out there foreclosed 450 00:23:34,720 --> 00:23:38,840 Speaker 1: on him before they left, as the child support wasn't complete. 451 00:23:38,880 --> 00:23:41,960 Speaker 1: Mismanager the money that you was being stale. They'll look 452 00:23:42,040 --> 00:23:44,359 Speaker 1: and keep making reference to that point that they have money. 453 00:23:44,400 --> 00:23:47,359 Speaker 1: That was the point that you was around me. But 454 00:23:47,440 --> 00:23:49,040 Speaker 1: they don't don't have no Now that he was in 455 00:23:49,119 --> 00:23:52,200 Speaker 1: Queens working in Vanity. He's a hooka boy, you see 456 00:23:52,200 --> 00:23:54,840 Speaker 1: what I'm saying. So while he's there or or the 457 00:23:54,920 --> 00:23:57,639 Speaker 1: hookah watermelon hooker you see him, wouldn't go get it. 458 00:24:00,480 --> 00:24:02,120 Speaker 1: But by the way, fifth, you are the person who 459 00:24:02,119 --> 00:24:03,960 Speaker 1: said have a baby by me baby being a millionaire, 460 00:24:04,000 --> 00:24:06,040 Speaker 1: so that's your fault. Yeah, this is after I got 461 00:24:06,040 --> 00:24:11,919 Speaker 1: the numbers back, what was gonna happen if you do? 462 00:24:12,440 --> 00:24:17,119 Speaker 1: I said, what, that's crazy. We appreciate you checking in 463 00:24:17,280 --> 00:24:19,080 Speaker 1: and we're waiting to hear that announcement to see where 464 00:24:19,080 --> 00:24:22,760 Speaker 1: you're going. Man, it's all love. Man, it's gonna be good. 465 00:24:23,040 --> 00:24:26,600 Speaker 1: You know that. You should. I think you who's who 466 00:24:26,720 --> 00:24:28,679 Speaker 1: we airing your podcast? Don't think I don't cut my 467 00:24:28,680 --> 00:24:34,040 Speaker 1: ears everywhere. I'm all on the street on everything. I'm 468 00:24:34,320 --> 00:24:37,400 Speaker 1: think attention to everything like this. If we gotta figure 469 00:24:37,440 --> 00:24:41,920 Speaker 1: something now, definitely, I would love to you. I tell 470 00:24:41,960 --> 00:24:43,800 Speaker 1: people all the time, fifty one of the biggest people 471 00:24:43,800 --> 00:24:46,840 Speaker 1: out here moving in television, and for whatever reason, it 472 00:24:46,920 --> 00:24:49,400 Speaker 1: don't feel like Hollywood has given you that recognition. But 473 00:24:50,040 --> 00:24:52,080 Speaker 1: it's not too many people doing it like you're doing 474 00:24:52,080 --> 00:24:56,200 Speaker 1: it black all white. But then our culture they'll see 475 00:24:56,200 --> 00:24:58,440 Speaker 1: who's making things get done, you know what I'm saying, 476 00:24:58,440 --> 00:25:00,440 Speaker 1: and then how how it moves name Now, I don't 477 00:25:00,480 --> 00:25:02,800 Speaker 1: need trophies, man, I got got enough of them with 478 00:25:02,800 --> 00:25:05,880 Speaker 1: the music. It's just to get more done. It's then 479 00:25:05,960 --> 00:25:09,560 Speaker 1: like I got twenty six shows right now. Yeah, that 480 00:25:09,600 --> 00:25:13,560 Speaker 1: next deal gonna be like eleven figures. They're gonna have 481 00:25:13,600 --> 00:25:15,200 Speaker 1: to pay all. I ain't going I ain't even gonna 482 00:25:15,200 --> 00:25:17,359 Speaker 1: do it. I'd be like this, No, I'm I like 483 00:25:17,480 --> 00:25:22,040 Speaker 1: it here by myself, and then I'll build the studios 484 00:25:22,040 --> 00:25:24,399 Speaker 1: and everything else. I'll start making them myself instead of 485 00:25:24,400 --> 00:25:27,920 Speaker 1: giving them to them. First. Appreciate you fiveth Yeah, when 486 00:25:27,920 --> 00:25:30,080 Speaker 1: you're back in New York, you gotta come up definitely. 487 00:25:30,119 --> 00:25:33,760 Speaker 1: I come up there right nearly. All right, fifty said, 488 00:25:33,840 --> 00:25:37,040 Speaker 1: it's the Breakfast Club lording. The free I Heart Radio 489 00:25:37,080 --> 00:25:41,000 Speaker 1: app has over two hundred and fifty thousand podcasts to explode. Yes, 490 00:25:41,160 --> 00:25:43,560 Speaker 1: this is the Breakfast Club thirty, part of Sunday Night 491 00:25:43,600 --> 00:25:48,479 Speaker 1: podcast on I Heart Radio. I was born to Donkey. 492 00:25:48,680 --> 00:26:01,040 Speaker 1: It's the Donkey of the Death Starts, Sloman the Devil, 493 00:26:03,480 --> 00:26:07,200 Speaker 1: the Breakfast Club. Yeah. Talking today from Monday, October seventeenth, 494 00:26:07,240 --> 00:26:09,560 Speaker 1: goes to members of a group called Just Stop Oil. 495 00:26:09,640 --> 00:26:12,119 Speaker 1: Who is Just Stop Oil. They are a bunch of 496 00:26:12,160 --> 00:26:16,280 Speaker 1: climate protesters and they protect They protest the extraction and 497 00:26:16,440 --> 00:26:20,440 Speaker 1: use of fossil fuels. Noble cause, very honorable. It's really 498 00:26:20,440 --> 00:26:23,520 Speaker 1: amazing to me how God gave us everything we needed 499 00:26:23,520 --> 00:26:25,880 Speaker 1: to survive and thrive here on this third rock from 500 00:26:25,880 --> 00:26:27,520 Speaker 1: the Sun, and we have found a way to mess 501 00:26:27,520 --> 00:26:30,320 Speaker 1: it up. Okay, we don't. We don't. We didn't take 502 00:26:30,320 --> 00:26:32,119 Speaker 1: care to earth, so watching the earth take care of us. 503 00:26:32,119 --> 00:26:35,560 Speaker 1: So I appreciate these organizations like just Stop Oil. I 504 00:26:35,600 --> 00:26:40,200 Speaker 1: appreciate their attempts to save us from themselves. But protests 505 00:26:40,200 --> 00:26:43,920 Speaker 1: have to make sense, and this protest makes absolutely no sense. 506 00:26:44,280 --> 00:26:46,480 Speaker 1: Let's go to ABC News for the report. Police two 507 00:26:46,480 --> 00:26:49,520 Speaker 1: protesters who are arrested for vanalizing a masterpiece by Van 508 00:26:49,600 --> 00:26:52,560 Speaker 1: Gogh at the National Gallery in London. Climate activists throwing 509 00:26:52,560 --> 00:26:54,760 Speaker 1: but authorities say appeared to be tomato soup on Van 510 00:26:54,840 --> 00:26:58,119 Speaker 1: Gogh's famous Sunflowers painting, then gluing their hands to the wall. 511 00:26:58,440 --> 00:27:03,280 Speaker 1: The painting, protected by glasses, was not damaged. How in 512 00:27:03,280 --> 00:27:07,000 Speaker 1: the hell does vandalism of a van Go equate to 513 00:27:07,040 --> 00:27:11,359 Speaker 1: a protest of the use of fossil fuels? Score me, 514 00:27:11,400 --> 00:27:13,640 Speaker 1: I don't know. I was pouring two cans of tomato 515 00:27:13,720 --> 00:27:17,439 Speaker 1: soup on a van go painting a protest. The painting 516 00:27:17,480 --> 00:27:19,919 Speaker 1: was protected by glass who didn't suffer any damages, so 517 00:27:20,119 --> 00:27:22,520 Speaker 1: what was the point. Then they decided to glue their 518 00:27:22,520 --> 00:27:25,120 Speaker 1: hands to the wall just under the van Go What 519 00:27:25,480 --> 00:27:29,000 Speaker 1: is worth more? Are our life? One? Of the protesters said, 520 00:27:29,240 --> 00:27:32,000 Speaker 1: is it worth more than food? Worth more than justice? 521 00:27:32,119 --> 00:27:35,320 Speaker 1: The activists yelled, adding, are you more concerned about the 522 00:27:35,359 --> 00:27:38,000 Speaker 1: protection of a painting or the protection of our planet 523 00:27:38,040 --> 00:27:41,840 Speaker 1: in people? Great question. I personally care about the protection 524 00:27:42,040 --> 00:27:44,720 Speaker 1: of our planet in people. But I can see a 525 00:27:44,720 --> 00:27:48,200 Speaker 1: security guard who works there at the National Gallery right 526 00:27:48,200 --> 00:27:50,320 Speaker 1: now in that moment, cared more about the protection of 527 00:27:50,359 --> 00:27:54,520 Speaker 1: that painting. So you, my friends, are under arrest for vandalism. Okay, 528 00:27:54,520 --> 00:27:57,040 Speaker 1: The activists said they use soup to show that the 529 00:27:57,080 --> 00:28:00,800 Speaker 1: cost of living, the cost of living crisis is part 530 00:28:00,800 --> 00:28:03,720 Speaker 1: of the cost of oil crisis. She said fuel is 531 00:28:03,760 --> 00:28:06,880 Speaker 1: unaffordable with the millions of cold, hungry families, and being 532 00:28:06,920 --> 00:28:08,920 Speaker 1: that fuel is so high, it mix it to where 533 00:28:08,920 --> 00:28:13,800 Speaker 1: they can't even afford to heat a tent of soup. Interesting, well, 534 00:28:14,080 --> 00:28:17,040 Speaker 1: instead of wasting that soup pouring pouring in on the van, go, 535 00:28:17,520 --> 00:28:19,800 Speaker 1: how about donate the soup to those same families you 536 00:28:19,800 --> 00:28:23,560 Speaker 1: say can't even afford a tennis soup. Huh, just the thought. Now, 537 00:28:23,600 --> 00:28:26,040 Speaker 1: this is a thing where a lot of members of 538 00:28:26,040 --> 00:28:28,240 Speaker 1: the Just Stop Oil team are gluing their hands the 539 00:28:28,320 --> 00:28:31,119 Speaker 1: frames of famous paintings, and I am here to tell you, 540 00:28:31,280 --> 00:28:33,560 Speaker 1: it's all a waste of glue. Okay. I know that 541 00:28:33,640 --> 00:28:36,159 Speaker 1: you think you are bringing attention to this situation, and 542 00:28:36,280 --> 00:28:38,320 Speaker 1: you are, but not for the right reason. See, here's 543 00:28:38,320 --> 00:28:40,400 Speaker 1: the thing. If you want people to care, then you 544 00:28:40,400 --> 00:28:44,240 Speaker 1: have to damage something a mass majority of people care about. Okay, 545 00:28:44,480 --> 00:28:47,840 Speaker 1: Van Goes. I mean that's for the bougie and elite 546 00:28:47,840 --> 00:28:49,760 Speaker 1: of the world. You gotta attempt to damage something that 547 00:28:49,800 --> 00:28:52,120 Speaker 1: a massive amount of people use and care about. Go 548 00:28:52,280 --> 00:28:54,360 Speaker 1: damage a Chick fil A or something, all right, Glue 549 00:28:54,360 --> 00:28:56,200 Speaker 1: yourself to a count of a Chick fil A and 550 00:28:56,280 --> 00:28:58,920 Speaker 1: keep everyone from getting that number one with cheese. Okay, 551 00:28:59,160 --> 00:29:03,240 Speaker 1: you damage and glue yourself to something that's more than that, 552 00:29:03,360 --> 00:29:05,960 Speaker 1: more than a niche group of people care about. Glue 553 00:29:05,960 --> 00:29:08,520 Speaker 1: yourself to Nby's cheeks. Okay. I'm sure somebody will pay 554 00:29:08,520 --> 00:29:10,640 Speaker 1: attention then. And I understand the Van Goal is one 555 00:29:10,680 --> 00:29:12,440 Speaker 1: of the most valuable paintings in the world, and it's 556 00:29:12,480 --> 00:29:15,800 Speaker 1: worth a lot. But I don't think a mass majority 557 00:29:15,800 --> 00:29:18,960 Speaker 1: of people care about that level of aliticism. Okay, damaging 558 00:29:18,960 --> 00:29:21,400 Speaker 1: a Van Goal and more of a protest against capitalism. 559 00:29:21,400 --> 00:29:23,840 Speaker 1: Maybe I don't know. I just know that the more 560 00:29:23,880 --> 00:29:25,600 Speaker 1: I talk about this, the more I forget what the 561 00:29:25,600 --> 00:29:28,000 Speaker 1: hell they were protesting to begin with, and that is 562 00:29:28,040 --> 00:29:30,840 Speaker 1: the point. Please give the members of the group, just 563 00:29:30,920 --> 00:29:37,280 Speaker 1: stop oil the biggest he had to think these protests 564 00:29:37,280 --> 00:29:39,520 Speaker 1: a little. I think I'm through a little bit more. 565 00:29:39,560 --> 00:29:42,560 Speaker 1: That's all all right, Well, thank you for that. Donket 566 00:29:42,560 --> 00:29:47,320 Speaker 1: to day our radio Sunday Night podcast. Listen every week 567 00:29:47,360 --> 00:29:49,600 Speaker 1: as we play a different podcast, one of the most 568 00:29:49,600 --> 00:29:51,480 Speaker 1: shared and most listened to in the free I heeart 569 00:29:51,560 --> 00:29:53,840 Speaker 1: radio app. This is where you'll hear the podcast people 570 00:29:53,880 --> 00:29:56,160 Speaker 1: will be talking about this week. Here all the episodes 571 00:29:56,200 --> 00:29:58,160 Speaker 1: of the Breakfast Club thirty and there were two hundred 572 00:29:58,160 --> 00:30:01,040 Speaker 1: and fifty thousand others by downloading the free il radio app.