1 00:00:06,720 --> 00:00:10,959 Speaker 1: A woman recently asked how I could hear good conscious 2 00:00:11,119 --> 00:00:14,560 Speaker 1: when an instruction book or murder. Some of this you 3 00:00:14,600 --> 00:00:16,759 Speaker 1: can figure it out without a book, and you couldn't. 4 00:00:17,000 --> 00:00:18,720 Speaker 1: Some of it is bordering on you know what, do 5 00:00:18,760 --> 00:00:22,000 Speaker 1: we really want to tell people this because it's I 6 00:00:22,040 --> 00:00:26,439 Speaker 1: feel no responsibility. I have no ethical responsibility for the 7 00:00:26,560 --> 00:00:29,840 Speaker 1: misuse of information. You know, how do you go after 8 00:00:29,920 --> 00:00:33,040 Speaker 1: a book? I don't care what it says. This ship 9 00:00:33,280 --> 00:00:36,919 Speaker 1: cannot be protected by the First Amendment. There will be 10 00:00:37,080 --> 00:00:42,879 Speaker 1: always someone who is agreed by the content of someone's speech. 11 00:00:44,200 --> 00:00:48,519 Speaker 1: The books published are very unlikely to be the cause 12 00:00:49,440 --> 00:00:58,840 Speaker 1: of criminal conduct, murder, mayhem. When have you? She was saying, 13 00:00:58,880 --> 00:01:02,120 Speaker 1: if something ever happened is to me, it's Lawrence Horne. 14 00:01:02,560 --> 00:01:05,800 Speaker 1: And we laughed about it. We're like Millie, he's crazy, 15 00:01:05,920 --> 00:01:09,360 Speaker 1: but he's not that crazy. He was with Halic. She 16 00:01:09,440 --> 00:01:12,400 Speaker 1: was in Montgomery County Police and the FBI, and he 17 00:01:12,440 --> 00:01:16,360 Speaker 1: called Lawrence right in front of you. At the time 18 00:01:16,360 --> 00:01:21,959 Speaker 1: that you married Willie Murray, did you love her? No? 19 00:01:27,319 --> 00:01:32,039 Speaker 1: After several years or or decades, the families that deal 20 00:01:32,080 --> 00:01:36,360 Speaker 1: with this type of horndous trauma are constantly dealing with 21 00:01:36,720 --> 00:01:46,480 Speaker 1: the fallout. It never goes away. I first thought this 22 00:01:46,520 --> 00:01:49,440 Speaker 1: was a podcast about a book, a murder manual for 23 00:01:49,480 --> 00:01:53,200 Speaker 1: want to be Hitman. I mean it is, But the 24 00:01:53,280 --> 00:01:55,840 Speaker 1: very first phone call I made when I started reporting 25 00:01:56,160 --> 00:02:00,320 Speaker 1: was to Tiffany Horn, Lawrence and Millie's oldest daughter. Over 26 00:02:00,360 --> 00:02:02,920 Speaker 1: the last fifteen years of making radio, I find most 27 00:02:02,960 --> 00:02:05,280 Speaker 1: people want to be heard, They want to know their 28 00:02:05,320 --> 00:02:07,960 Speaker 1: story matters, and they just like to know they'll be remembered. 29 00:02:09,560 --> 00:02:13,040 Speaker 1: But when I first spoke with Tiffany, she was immediately hesitant. 30 00:02:13,520 --> 00:02:16,760 Speaker 1: Actually hesitant doesn't do her reaction justice. When I started 31 00:02:16,800 --> 00:02:19,079 Speaker 1: to explain that I'd want the experience to be meaningful 32 00:02:19,120 --> 00:02:23,040 Speaker 1: for her, she just thought I was being patronizing. This 33 00:02:23,120 --> 00:02:25,640 Speaker 1: was a woman who's been through hell and some days 34 00:02:25,760 --> 00:02:28,440 Speaker 1: is still there. She had to want to do this, 35 00:02:29,080 --> 00:02:30,480 Speaker 1: and she had to know I wasn't going to burn 36 00:02:30,560 --> 00:02:33,520 Speaker 1: her like other journalists had. She told me she was 37 00:02:33,560 --> 00:02:35,680 Speaker 1: once on a talk show and they surprised her by 38 00:02:35,720 --> 00:02:40,240 Speaker 1: inviting a hit man on stage. Can you imagine. So 39 00:02:40,280 --> 00:02:42,639 Speaker 1: in our last episode, I want to talk about a 40 00:02:42,720 --> 00:02:46,120 Speaker 1: dynamic that's right at the core of many true crime podcasts, 41 00:02:46,760 --> 00:02:52,720 Speaker 1: the one between the journalist and a survivor. It's a 42 00:02:52,760 --> 00:02:57,200 Speaker 1: relationship filled with all these unexamined obligations and limitations and expectations. 43 00:02:57,720 --> 00:03:00,760 Speaker 1: It's a balancing act. Over of course of the last 44 00:03:00,760 --> 00:03:03,360 Speaker 1: two years getting to know Tiffany and learning how to 45 00:03:03,360 --> 00:03:06,920 Speaker 1: speak to her, how best to listen. This process informed 46 00:03:07,000 --> 00:03:10,160 Speaker 1: every step along the way, and We've come a very 47 00:03:10,240 --> 00:03:32,119 Speaker 1: long way from where we started. I'm Jasmine Morris from 48 00:03:32,120 --> 00:03:35,400 Speaker 1: My Heart Radio and hit Home Media. This is hit Man. 49 00:03:53,040 --> 00:03:55,840 Speaker 1: Tiffany and I had months of phone conversations before we 50 00:03:55,880 --> 00:03:58,800 Speaker 1: first met in two thousand eighteen. We'd try to meet, 51 00:03:58,880 --> 00:04:01,320 Speaker 1: but plans would fall through, and when we finally nailed 52 00:04:01,360 --> 00:04:03,560 Speaker 1: down a date, I immediately booked a flight to d C, 53 00:04:03,960 --> 00:04:06,440 Speaker 1: got a hotel room near Tiffany's home, and waited for 54 00:04:06,480 --> 00:04:09,520 Speaker 1: her there. I was excited to finally meet her, to 55 00:04:09,600 --> 00:04:12,120 Speaker 1: be able to sit down across from her, look her 56 00:04:12,160 --> 00:04:15,440 Speaker 1: in the eye, and have a conversation. After all the 57 00:04:15,480 --> 00:04:18,960 Speaker 1: recording equipment was set up, the furniture rearranged, she called 58 00:04:19,000 --> 00:04:21,120 Speaker 1: to say she wasn't going to make it. She was 59 00:04:21,160 --> 00:04:25,200 Speaker 1: having car troubles. I could tell she was unsure, wondering 60 00:04:25,200 --> 00:04:27,800 Speaker 1: if this was all even worth it, But she did 61 00:04:27,800 --> 00:04:31,480 Speaker 1: eventually show up, so Tiffy and let's just start with 62 00:04:31,720 --> 00:04:34,880 Speaker 1: you saying your name and like who you are in 63 00:04:34,920 --> 00:04:40,719 Speaker 1: relation to this story? Like who are you? I mean, 64 00:04:40,960 --> 00:04:43,800 Speaker 1: I don't know. I just feel like I'm myself. So 65 00:04:43,880 --> 00:04:46,080 Speaker 1: that's hard. Do you see what I'm saying? Yeah, totally. 66 00:04:46,279 --> 00:04:50,360 Speaker 1: I'd just like to know how people see themselves within. Yeah, 67 00:04:50,600 --> 00:04:54,480 Speaker 1: that's the thing. I have different facets and yeah, it's 68 00:04:54,560 --> 00:04:57,440 Speaker 1: kind of the perfect example of how our relationship evolved. 69 00:04:57,680 --> 00:05:00,839 Speaker 1: I'd ask a question, she'd question it, but we'd eventually 70 00:05:00,839 --> 00:05:04,880 Speaker 1: find our way. Why are you sitting here with me today? 71 00:05:06,440 --> 00:05:08,960 Speaker 1: I did do this podcast because I felt like there 72 00:05:09,000 --> 00:05:11,479 Speaker 1: were some things that I've never had a chance to 73 00:05:11,520 --> 00:05:15,200 Speaker 1: talk about, and I can't have these conversations really with anyone. 74 00:05:15,720 --> 00:05:17,839 Speaker 1: One of the things she's told me over and over 75 00:05:18,400 --> 00:05:20,720 Speaker 1: is how lonely it is to be her. I think 76 00:05:20,720 --> 00:05:23,880 Speaker 1: that's why Tiffany ultimately did talk to me. She hadn't 77 00:05:23,920 --> 00:05:28,240 Speaker 1: had anyone listened before, really listen. Pushed through her apprehension. 78 00:05:28,360 --> 00:05:32,440 Speaker 1: Anxiety and grief sometimes disguised as anger. You become almost 79 00:05:32,440 --> 00:05:35,880 Speaker 1: like a pariah, and and it's too painful for people 80 00:05:35,960 --> 00:05:38,360 Speaker 1: to want to deal with. So even if you were 81 00:05:38,360 --> 00:05:42,240 Speaker 1: the victim, you kind of become ostracized and on the 82 00:05:42,279 --> 00:05:46,080 Speaker 1: outside of just society in some ways. But even after 83 00:05:46,120 --> 00:05:48,560 Speaker 1: Tiffany agreed to talk to me, she let me in 84 00:05:48,600 --> 00:05:51,800 Speaker 1: a little and then pull away. At one point, after 85 00:05:51,839 --> 00:05:53,920 Speaker 1: one of our interviews, I was walking her to her 86 00:05:53,960 --> 00:05:57,640 Speaker 1: car and she seemed nervous. She then stopped me in 87 00:05:57,680 --> 00:06:00,400 Speaker 1: the parking garage, turned to me and said, I have 88 00:06:00,440 --> 00:06:04,240 Speaker 1: to ask you something, point blank, so direct, and then 89 00:06:04,279 --> 00:06:06,320 Speaker 1: she asked me if I was related to the author 90 00:06:06,360 --> 00:06:10,400 Speaker 1: of hit Man. I was taken it back. It sounds 91 00:06:10,400 --> 00:06:14,200 Speaker 1: far fetched until you think about the manipulation she's experienced 92 00:06:14,200 --> 00:06:16,719 Speaker 1: in her life, mostly at the hands of her own father, 93 00:06:17,040 --> 00:06:20,960 Speaker 1: Lawrence Horn, the man behind so many of Motown's greatest hits, 94 00:06:21,360 --> 00:06:25,000 Speaker 1: who also engineered a hit on his own family. My 95 00:06:25,080 --> 00:06:27,200 Speaker 1: kids have a joke and they say, I think everyone's 96 00:06:27,240 --> 00:06:31,360 Speaker 1: a psychopath, and that has to do with your experiences 97 00:06:31,360 --> 00:06:40,880 Speaker 1: with your dad. Yeah, the gift that keeps giving. Try 98 00:06:40,920 --> 00:06:44,320 Speaker 1: to remember everything that happened around the murders, like when 99 00:06:44,360 --> 00:06:47,120 Speaker 1: detectives believe Lawrence was trying to scout his ex wife's 100 00:06:47,160 --> 00:06:50,039 Speaker 1: house he wasn't allowed in, and he was asking which 101 00:06:50,120 --> 00:07:01,200 Speaker 1: room Trevor slept in, which one of right up there. 102 00:07:02,800 --> 00:07:06,279 Speaker 1: Even the night before the murders, he called Tiffany trying 103 00:07:06,320 --> 00:07:08,960 Speaker 1: to get information on where her mom and sister would be. 104 00:07:09,760 --> 00:07:12,160 Speaker 1: He put this on his own daughter, and it's a 105 00:07:12,200 --> 00:07:14,800 Speaker 1: lot to carry. I had been so terrified of that 106 00:07:14,880 --> 00:07:18,480 Speaker 1: man that he would come after me, even in ways 107 00:07:18,560 --> 00:07:21,840 Speaker 1: like maybe hiring someone to pretend to be a boyfriend. 108 00:07:21,840 --> 00:07:24,720 Speaker 1: I mean, I had fantasies like this, So it was 109 00:07:24,840 --> 00:07:26,640 Speaker 1: really hard for me to trust a lot of people. 110 00:07:26,800 --> 00:07:30,120 Speaker 1: And if I felt that they did anything weird around 111 00:07:30,160 --> 00:07:32,720 Speaker 1: my family, I was I was done with them because 112 00:07:32,760 --> 00:07:35,800 Speaker 1: I just I didn't know how far he would go. 113 00:07:41,120 --> 00:07:45,240 Speaker 1: In the years after the murders, Tiffany really struggled. There's 114 00:07:45,280 --> 00:07:48,880 Speaker 1: times that I've been just at the end of my robe. 115 00:07:49,520 --> 00:07:52,120 Speaker 1: I wouldn't say suicidal, but there were times when I 116 00:07:52,160 --> 00:07:56,800 Speaker 1: was really close to it, especially like two years ago, 117 00:07:56,920 --> 00:07:59,880 Speaker 1: like it was bad. Having my kids saved me. They 118 00:08:00,000 --> 00:08:04,400 Speaker 1: were my angels. They made my life so fulfilling even 119 00:08:04,440 --> 00:08:07,800 Speaker 1: with all the pain. Tiffany tries every day to rise 120 00:08:07,800 --> 00:08:10,440 Speaker 1: above what's happened to her. But despite all the trauma 121 00:08:10,480 --> 00:08:14,120 Speaker 1: she's endured, this did not break her, and this next 122 00:08:14,120 --> 00:08:17,760 Speaker 1: story proves that in the spring of two thousand twelve, 123 00:08:18,160 --> 00:08:22,440 Speaker 1: sixteen years after Lawrence Horn had been convicted, Tiffany discovered 124 00:08:22,440 --> 00:08:24,880 Speaker 1: that her dad had been transferred to a maximum security 125 00:08:24,920 --> 00:08:29,120 Speaker 1: prison five minutes away from her house in Maryland. She'd 126 00:08:29,200 --> 00:08:31,920 Speaker 1: driven by this prison so many times and wondered if 127 00:08:31,920 --> 00:08:35,040 Speaker 1: he was there. One day, a family friend who ministered 128 00:08:35,040 --> 00:08:39,360 Speaker 1: at the prison confirmed her hunch. Tiffany doesn't trust people, 129 00:08:39,840 --> 00:08:42,680 Speaker 1: but she does seem to trust the universe. She looks 130 00:08:42,720 --> 00:08:45,920 Speaker 1: for cues and acts on them. So I felt like 131 00:08:45,960 --> 00:08:48,840 Speaker 1: that was a sign. I was like, Okay, I'm gonna 132 00:08:48,880 --> 00:08:51,640 Speaker 1: have to go up there. After stalling for two years, 133 00:08:52,240 --> 00:08:55,199 Speaker 1: she finally made that five minute drive. I sat in 134 00:08:55,240 --> 00:08:57,520 Speaker 1: the parking lot and just like, can I do this? 135 00:08:58,120 --> 00:09:00,080 Speaker 1: Do I really have the strength to do this? And 136 00:09:00,120 --> 00:09:03,000 Speaker 1: I felt like, you know what, you're here, It's not 137 00:09:03,080 --> 00:09:05,240 Speaker 1: an accident that this is so close to your home. 138 00:09:05,880 --> 00:09:09,280 Speaker 1: She sat there for what she says felt like an eternity. 139 00:09:09,720 --> 00:09:12,240 Speaker 1: Then she pulled herself out of her seat, walked into 140 00:09:12,240 --> 00:09:16,959 Speaker 1: the facility and tried to find her dad. There were 141 00:09:17,000 --> 00:09:19,160 Speaker 1: so many demons and so many things that I had 142 00:09:19,200 --> 00:09:22,520 Speaker 1: been battling, so much rage that had been building inside me. 143 00:09:22,559 --> 00:09:24,760 Speaker 1: It was important for me to to let that go 144 00:09:25,400 --> 00:09:30,080 Speaker 1: and to face him. I wanted to really settle with 145 00:09:30,200 --> 00:09:32,240 Speaker 1: him and look him in his eye and also just 146 00:09:32,720 --> 00:09:35,040 Speaker 1: see my dad again, like I wanted to be that 147 00:09:35,120 --> 00:09:36,880 Speaker 1: little girl that I used to be and just look 148 00:09:36,920 --> 00:09:41,280 Speaker 1: at him that way instead of as this monster. Tiffany 149 00:09:41,280 --> 00:09:44,120 Speaker 1: speaks so highly of her father. Back then, he told 150 00:09:44,120 --> 00:09:46,160 Speaker 1: her how to listen to music, they'd go to movies 151 00:09:46,200 --> 00:09:48,760 Speaker 1: together and take ski trips. And She's not the only 152 00:09:48,760 --> 00:09:51,720 Speaker 1: one who remembers Lawrence this way. Everyone I spoke with 153 00:09:51,760 --> 00:09:55,160 Speaker 1: who worked with him at Motown describe him as this charismatic, funny, 154 00:09:55,440 --> 00:09:58,640 Speaker 1: quiet and kind man. It's hard to see him as 155 00:09:58,679 --> 00:10:02,440 Speaker 1: the same person. So as Tiffany was telling me this story, 156 00:10:02,920 --> 00:10:05,000 Speaker 1: I was at first in awe of her. I mean, 157 00:10:05,080 --> 00:10:07,280 Speaker 1: the amount of courage it must have taken it is 158 00:10:07,320 --> 00:10:11,000 Speaker 1: just astounding. Second, I was hoping the story would end 159 00:10:11,000 --> 00:10:14,560 Speaker 1: with some sense of closure for her. She'd worked with 160 00:10:14,600 --> 00:10:17,960 Speaker 1: a restorative justice and reconciliation program in Maryland, also known 161 00:10:18,000 --> 00:10:20,400 Speaker 1: as Victim of Fender Dialogue, and had the support of 162 00:10:20,400 --> 00:10:23,880 Speaker 1: a therapist, but when she visited him this time, she 163 00:10:23,960 --> 00:10:26,920 Speaker 1: was going to be alone with him. There were no therapists, 164 00:10:27,080 --> 00:10:29,920 Speaker 1: no counselors. It was just the two of them, like 165 00:10:30,000 --> 00:10:32,840 Speaker 1: the old days. He was still in a wheelchair. He 166 00:10:32,880 --> 00:10:36,839 Speaker 1: looked even worse. His glasses were askewed. I think he 167 00:10:36,880 --> 00:10:39,040 Speaker 1: had like tape on his glasses. I mean, it just 168 00:10:39,160 --> 00:10:44,080 Speaker 1: it broke my heart. Lawrence was sick, he'd been battling cancer. 169 00:10:45,000 --> 00:10:47,560 Speaker 1: A flood of empathy washed over me, and I just 170 00:10:47,720 --> 00:10:53,040 Speaker 1: I felt bad for him. I did. I felt instantaneously. 171 00:10:53,120 --> 00:10:56,600 Speaker 1: It's like, wow, this is awful, you know, and this 172 00:10:56,720 --> 00:11:00,400 Speaker 1: is really what it comes down to. This is this 173 00:11:00,440 --> 00:11:02,440 Speaker 1: is what happened to you because of the choices you 174 00:11:02,480 --> 00:11:04,760 Speaker 1: made and you didn't have to go down that road. 175 00:11:05,200 --> 00:11:09,960 Speaker 1: But instead of feeling like satisfaction, I felt horrible. I 176 00:11:10,000 --> 00:11:13,200 Speaker 1: really wanted to talk to him in a kind and 177 00:11:13,320 --> 00:11:16,960 Speaker 1: gentle way, like I wasn't coming at him aggressively or angry. 178 00:11:17,720 --> 00:11:20,760 Speaker 1: That wasn't what I was there for. I just said, 179 00:11:20,800 --> 00:11:23,040 Speaker 1: you know, I want you to know I forgive you. 180 00:11:23,040 --> 00:11:26,200 Speaker 1: You told him that you forgave him. Yeah, did he like? 181 00:11:26,800 --> 00:11:30,600 Speaker 1: He teared up a little bit. He did. We had 182 00:11:30,640 --> 00:11:33,800 Speaker 1: some moments. One of the first things he said was 183 00:11:33,880 --> 00:11:35,880 Speaker 1: that he owed me a debt, and a lot of 184 00:11:35,880 --> 00:11:39,640 Speaker 1: it seemed like rambling, but I think that was kind 185 00:11:39,679 --> 00:11:43,640 Speaker 1: of his way of admitting that he had taken something 186 00:11:43,960 --> 00:11:47,080 Speaker 1: from me and my sister. There was hope for a 187 00:11:47,120 --> 00:11:50,680 Speaker 1: few minutes in the Hollywood version of this story. Maybe 188 00:11:50,720 --> 00:11:53,599 Speaker 1: Lawrence gets emotional, Maybe he finally owns up to the 189 00:11:53,600 --> 00:11:56,640 Speaker 1: pain he's caused. Maybe the unconditional love of a daughter 190 00:11:56,840 --> 00:12:01,000 Speaker 1: proves overwhelming even for him. But this is in Hollywood. 191 00:12:01,160 --> 00:12:06,800 Speaker 1: It's a prison in Maryland. He went into the manipulations 192 00:12:06,880 --> 00:12:10,280 Speaker 1: and the denials, and he said things that he knew 193 00:12:10,280 --> 00:12:12,480 Speaker 1: would be hurtful. I think he made a dig at 194 00:12:12,480 --> 00:12:14,680 Speaker 1: my mother to like everyone thought she was so beautiful, 195 00:12:14,679 --> 00:12:17,200 Speaker 1: but I didn't think that it was awful, and I 196 00:12:17,280 --> 00:12:19,640 Speaker 1: just I was like, this is just a sick man. 197 00:12:19,800 --> 00:12:23,920 Speaker 1: And he maintained his innocence until he died, right, And 198 00:12:24,080 --> 00:12:26,600 Speaker 1: he really couldn't believe that I believe that he did it. 199 00:12:27,080 --> 00:12:28,640 Speaker 1: And he even said to me, how could you think 200 00:12:28,679 --> 00:12:34,880 Speaker 1: I'd do that to your brother. While Lawrence didn't give 201 00:12:34,880 --> 00:12:37,600 Speaker 1: Tiffany what I hoped he'd give her, she did come 202 00:12:37,600 --> 00:12:41,480 Speaker 1: away with something. I also had to be honest with 203 00:12:41,520 --> 00:12:45,120 Speaker 1: myself about who this man was, and that the man 204 00:12:45,160 --> 00:12:49,640 Speaker 1: of my childhood, the father of my childhood. You know, 205 00:12:49,800 --> 00:12:54,679 Speaker 1: this larger than life character. This superhero maybe never even existed. 206 00:12:55,840 --> 00:12:58,640 Speaker 1: It must be so complicated also loving someone who could 207 00:12:58,679 --> 00:13:01,360 Speaker 1: do something like that. But it's taught me a lot 208 00:13:01,440 --> 00:13:04,440 Speaker 1: about love, that you can love people even if they've 209 00:13:04,520 --> 00:13:09,120 Speaker 1: hurt you. It actually makes you the better person because 210 00:13:09,480 --> 00:13:17,640 Speaker 1: you're loving unconditionally. Lawrence Horn died a few years later 211 00:13:18,160 --> 00:13:21,760 Speaker 1: in two thousand seventeen while serving his sentence in just 212 00:13:21,920 --> 00:13:26,720 Speaker 1: a prison. But even with her father's death, despite her 213 00:13:26,720 --> 00:13:29,880 Speaker 1: many attempts to connect with him beforehand, this is just 214 00:13:30,000 --> 00:13:33,160 Speaker 1: one part of Tiffany's story that will never be resolved. 215 00:13:33,840 --> 00:13:56,280 Speaker 1: It's just not that easy. We'll be right back resolution. 216 00:13:56,840 --> 00:13:59,120 Speaker 1: That's what this is all about, right In a lot 217 00:13:59,120 --> 00:14:02,800 Speaker 1: of true crime story endings are satisfying, almost to a fault. 218 00:14:03,400 --> 00:14:06,880 Speaker 1: The investigation wraps up, the bad guys caught, justice has served, 219 00:14:07,200 --> 00:14:12,160 Speaker 1: the end things are resolved. Over the last two years, 220 00:14:12,280 --> 00:14:15,679 Speaker 1: Tiffany has shared so much and been so vulnerable with me, 221 00:14:16,200 --> 00:14:18,400 Speaker 1: So I found myself wanting to sort of honor her 222 00:14:18,440 --> 00:14:21,440 Speaker 1: with this podcast. I interviewed and got back in touch 223 00:14:21,480 --> 00:14:23,760 Speaker 1: with lots of people from her past, those who had 224 00:14:23,760 --> 00:14:27,600 Speaker 1: a hand in the murder investigations, her dad's former motown colleagues, 225 00:14:27,880 --> 00:14:31,240 Speaker 1: lawyers who fought alongside her family. I even answered this 226 00:14:31,400 --> 00:14:34,320 Speaker 1: unanswerable question of who wrote the book that started all 227 00:14:34,360 --> 00:14:37,560 Speaker 1: of this, And at the same time, I was constantly 228 00:14:37,560 --> 00:14:41,200 Speaker 1: hoping for resolution in a situation that just can't be resolved. 229 00:14:41,800 --> 00:14:50,080 Speaker 1: Tiffany's stories, her traumas, there's no end to them. Tiffany's 230 00:14:50,080 --> 00:14:53,360 Speaker 1: grief is still so present in her life, and certain 231 00:14:53,360 --> 00:14:56,400 Speaker 1: months are really hard for her. March is always tough, 232 00:14:56,560 --> 00:14:59,600 Speaker 1: the month her brother and mother were killed. November brings 233 00:14:59,600 --> 00:15:03,280 Speaker 1: her mom's birthday. In our first phone call, I told 234 00:15:03,320 --> 00:15:05,560 Speaker 1: Tiffany that I didn't want this podcast to be about 235 00:15:05,640 --> 00:15:08,440 Speaker 1: Lawrence Horn. I wanted it to be about the people 236 00:15:08,520 --> 00:15:11,760 Speaker 1: he heard. Tiffany was eighteen years old at the time 237 00:15:11,760 --> 00:15:15,320 Speaker 1: of the murders. When we started talking, she was forty three, 238 00:15:15,640 --> 00:15:18,240 Speaker 1: the same age her mom was when she was killed. 239 00:15:18,680 --> 00:15:21,960 Speaker 1: I'm actually forty four, and the fact that I'm this 240 00:15:22,080 --> 00:15:26,520 Speaker 1: age is because I outlived my mom. On my birthday, 241 00:15:26,560 --> 00:15:29,440 Speaker 1: I kind of had a moment where I felt like, Wow, 242 00:15:30,320 --> 00:15:34,040 Speaker 1: I'm here. I'm literally like older than my mother ever was. 243 00:15:36,200 --> 00:15:38,680 Speaker 1: Tiffany and I talked a lot about her mom. I 244 00:15:38,720 --> 00:15:40,640 Speaker 1: really wanted to get to know Millie through Tiffany and 245 00:15:40,640 --> 00:15:42,800 Speaker 1: her stories and to bring her to life a little 246 00:15:42,800 --> 00:15:45,240 Speaker 1: bit in this podcast. And one of the things I 247 00:15:45,320 --> 00:15:48,000 Speaker 1: learned along the way was that Tiffany's relationship with her 248 00:15:48,040 --> 00:15:51,640 Speaker 1: mom wasn't simple either. Tiffany says she has a strong 249 00:15:51,680 --> 00:15:54,840 Speaker 1: personality like her mom Millie did, so they'd often butt 250 00:15:54,840 --> 00:15:58,240 Speaker 1: heads when she was a teenager. We were starting to 251 00:15:58,320 --> 00:16:01,080 Speaker 1: understand each other more as I got old her. You know, 252 00:16:01,120 --> 00:16:03,240 Speaker 1: I had gone to college. She was proud of her daughter, 253 00:16:03,480 --> 00:16:07,360 Speaker 1: her firstborn. They'd just begun to get close again right 254 00:16:07,360 --> 00:16:10,440 Speaker 1: around the time Milly was murdered, which makes this next 255 00:16:10,440 --> 00:16:15,120 Speaker 1: story even more heartbreaking. I was a college student, so 256 00:16:15,200 --> 00:16:17,080 Speaker 1: we would be up really late at night. I think 257 00:16:17,120 --> 00:16:20,200 Speaker 1: it was probably one in the morning. The boy that 258 00:16:20,320 --> 00:16:22,280 Speaker 1: I was dating at the time, we were on the 259 00:16:22,320 --> 00:16:25,000 Speaker 1: phone and we got into a huge fight, so he 260 00:16:25,120 --> 00:16:28,160 Speaker 1: hung up on me. Everybody would be on a speed 261 00:16:28,160 --> 00:16:30,760 Speaker 1: dial that you talked to all the time. This was 262 00:16:30,800 --> 00:16:35,960 Speaker 1: the big thing in but I mistakenly touched the number 263 00:16:35,960 --> 00:16:39,280 Speaker 1: that would speed down my mother because it was dark. 264 00:16:39,360 --> 00:16:42,360 Speaker 1: I was crying. I was upset. This was March second, 265 00:16:43,960 --> 00:16:47,040 Speaker 1: the night Millie was killed. So I called my mom 266 00:16:47,080 --> 00:16:49,840 Speaker 1: accidentally and I don't realize until she answers the phone 267 00:16:49,880 --> 00:16:52,320 Speaker 1: in a like a really groggy, sleepy voice, but also 268 00:16:52,520 --> 00:16:55,760 Speaker 1: with concern. And so I told her, I'm sorry, like, 269 00:16:55,840 --> 00:16:57,480 Speaker 1: I didn't mean to call you. I got in a 270 00:16:57,560 --> 00:16:59,800 Speaker 1: fight with the guy was dating. And she's like, oh, 271 00:17:00,000 --> 00:17:03,280 Speaker 1: I'm sorry, you know, but it will be okay. And 272 00:17:03,280 --> 00:17:05,159 Speaker 1: I'm like, well, go back to bed. I know you 273 00:17:05,160 --> 00:17:07,119 Speaker 1: have to get up for work in a few hours. 274 00:17:07,160 --> 00:17:10,000 Speaker 1: I'm sorry. I feel bad for calling you, and she 275 00:17:10,119 --> 00:17:13,159 Speaker 1: was really nice about it, um and hung up the phone. 276 00:17:14,880 --> 00:17:18,160 Speaker 1: Tiffany was the last person to speak with her mom 277 00:17:18,200 --> 00:17:21,160 Speaker 1: because this phone call happened within an hour or so 278 00:17:21,280 --> 00:17:24,959 Speaker 1: of the murders. I sometimes used to wonder was he 279 00:17:25,040 --> 00:17:27,840 Speaker 1: already in the house, Like when I called, was he 280 00:17:27,920 --> 00:17:32,600 Speaker 1: in the house already? I mean, it's it's just it's 281 00:17:32,640 --> 00:17:35,800 Speaker 1: awful and it's nightmare inducing. And I used to think, God, 282 00:17:36,040 --> 00:17:39,080 Speaker 1: I wish I could have done something, But what could 283 00:17:39,080 --> 00:17:44,040 Speaker 1: I have done? This was really hard for Tiffany to 284 00:17:44,080 --> 00:17:47,040 Speaker 1: talk about. It didn't even come up until our final interview, 285 00:17:47,920 --> 00:17:49,840 Speaker 1: and it was the only time during many of our 286 00:17:49,880 --> 00:17:54,760 Speaker 1: interviews where she got emotional. It was clear this memory 287 00:17:54,920 --> 00:17:58,000 Speaker 1: still haunts her. There's also something else that kind of 288 00:17:58,000 --> 00:18:00,720 Speaker 1: eats away at her. It's been to a five years 289 00:18:00,720 --> 00:18:02,639 Speaker 1: and my sister and I have not been able to 290 00:18:02,760 --> 00:18:06,359 Speaker 1: organize scattering her ashes. I've actually carried my ashes with 291 00:18:06,440 --> 00:18:09,760 Speaker 1: me to every place I've lived in the last twenty 292 00:18:09,760 --> 00:18:15,280 Speaker 1: five years. In the summer of after the Children's hospital settlement, 293 00:18:15,560 --> 00:18:17,960 Speaker 1: Milly decided to take a trip to St. Martin and 294 00:18:18,040 --> 00:18:20,280 Speaker 1: she brought her family with her, and so it was 295 00:18:20,320 --> 00:18:23,239 Speaker 1: kind of like a girl's trip for her sisters and 296 00:18:23,280 --> 00:18:26,359 Speaker 1: their daughters, only it was all women. You know. We 297 00:18:26,440 --> 00:18:28,320 Speaker 1: had a great time. It was like three or four 298 00:18:28,400 --> 00:18:31,280 Speaker 1: days on this island. They would shop and my mom 299 00:18:31,320 --> 00:18:33,679 Speaker 1: treated herself to tennis bracelet, and she felt kind of 300 00:18:33,680 --> 00:18:36,600 Speaker 1: guilty about it, and I remember saying, no, you deserve 301 00:18:36,640 --> 00:18:39,520 Speaker 1: it because she had gone through all those years of 302 00:18:39,640 --> 00:18:42,640 Speaker 1: you know, the court case, which is you children's hospital, 303 00:18:43,520 --> 00:18:46,840 Speaker 1: just caring for my brother. I felt like she deserved it. 304 00:18:47,760 --> 00:18:50,880 Speaker 1: Tiffany still has that tennis bracelet. And while it didn't 305 00:18:50,920 --> 00:18:53,760 Speaker 1: seem like it at first, this trip ended up being 306 00:18:53,880 --> 00:18:56,840 Speaker 1: far more important than Tiffany or her aunt's even realized 307 00:18:57,720 --> 00:18:59,600 Speaker 1: there was. At one point we were there and I 308 00:18:59,640 --> 00:19:01,879 Speaker 1: think she just felt really at peace and she said, 309 00:19:02,400 --> 00:19:05,280 Speaker 1: if I was to ever die, I want you to 310 00:19:05,400 --> 00:19:08,320 Speaker 1: bring my ashes back here because I love this place. 311 00:19:09,320 --> 00:19:12,359 Speaker 1: She was very intentional about that, that's what she wanted, 312 00:19:13,080 --> 00:19:14,919 Speaker 1: and my sister was really young at the time, as 313 00:19:14,960 --> 00:19:20,160 Speaker 1: she even remembers her saying that. Last year, Tiffany told 314 00:19:20,160 --> 00:19:21,919 Speaker 1: me she'd like to go back to St. Martin and 315 00:19:22,000 --> 00:19:25,920 Speaker 1: fulfill her mother's wishes. It had been twenty five years 316 00:19:25,960 --> 00:19:29,760 Speaker 1: since her mother's death and it just felt right. A 317 00:19:29,760 --> 00:19:31,960 Speaker 1: few months later, she called me and said she happened 318 00:19:31,960 --> 00:19:33,919 Speaker 1: to be looking up plane tickets and found one that 319 00:19:33,960 --> 00:19:37,320 Speaker 1: was pretty cheap. She wanted to recreate that girl's trip 320 00:19:37,359 --> 00:19:40,879 Speaker 1: her mother planned and booked two tickets, one for herself 321 00:19:41,119 --> 00:19:44,600 Speaker 1: and one for her daughter, Maria. I was excited for 322 00:19:44,640 --> 00:19:47,159 Speaker 1: Tiffany well, I knew it would be better sweet. This 323 00:19:47,200 --> 00:19:50,159 Speaker 1: felt like a moment where maybe she could find some resolution, 324 00:19:50,960 --> 00:19:53,040 Speaker 1: something could come to an end, And so we sent 325 00:19:53,119 --> 00:19:56,360 Speaker 1: them with a microphone to document the trip, and then 326 00:19:56,480 --> 00:19:58,680 Speaker 1: the night they were scheduled to fly out my phone 327 00:19:58,760 --> 00:20:02,880 Speaker 1: rang I could tell him immediately something was wrong. Tiffany 328 00:20:02,920 --> 00:20:05,760 Speaker 1: had tried to open her mother's urn and realized it 329 00:20:05,800 --> 00:20:08,800 Speaker 1: was sealed shut. There was no way she could get 330 00:20:08,840 --> 00:20:11,960 Speaker 1: it open. She had been kind of ambivalent about doing 331 00:20:11,960 --> 00:20:14,760 Speaker 1: this all along, wondering if she wanted to or even 332 00:20:14,800 --> 00:20:17,960 Speaker 1: could do it, so she took this as another sign 333 00:20:18,440 --> 00:20:21,240 Speaker 1: she wasn't ready, but I told her she should still 334 00:20:21,280 --> 00:20:24,359 Speaker 1: go show Maria the island sco about a spot for 335 00:20:24,400 --> 00:20:27,360 Speaker 1: when the time is right. So they went and they 336 00:20:27,359 --> 00:20:30,199 Speaker 1: retraced Tiffany's steps with her mom or she bought that 337 00:20:30,240 --> 00:20:33,320 Speaker 1: tennis bracelet. They went to the beach and Maria got 338 00:20:33,359 --> 00:20:36,960 Speaker 1: to learn some new things about her grandmother. And then 339 00:20:37,080 --> 00:20:41,280 Speaker 1: on their last day there, this is pretty I think 340 00:20:41,359 --> 00:20:47,160 Speaker 1: this might be a nice place for us to do it. Yeah, 341 00:20:47,240 --> 00:20:53,919 Speaker 1: I think this is a good spot. Tiffany and Maria 342 00:20:54,000 --> 00:20:56,240 Speaker 1: also recorded on the car ride home from the airport, 343 00:20:56,960 --> 00:20:59,080 Speaker 1: and when I listened to this after she sent me 344 00:20:59,119 --> 00:21:03,280 Speaker 1: the recordings, it sounded almost like a eulogy for her mom, 345 00:21:03,280 --> 00:21:07,760 Speaker 1: a memorial. Twenty five years later, I realized life is fleeting, 346 00:21:07,840 --> 00:21:12,439 Speaker 1: and it's important to do what makes you happy, what 347 00:21:12,760 --> 00:21:17,120 Speaker 1: really makes your family happy. Just being a single mother 348 00:21:17,160 --> 00:21:19,399 Speaker 1: of three kids, it is hard, but having a special 349 00:21:19,440 --> 00:21:22,359 Speaker 1: needs sin and then she was able to take some 350 00:21:22,480 --> 00:21:25,440 Speaker 1: time to enjoy herself. She didn't care what people thought 351 00:21:26,240 --> 00:21:28,399 Speaker 1: and That's what I kind of lived my life by, like, 352 00:21:28,480 --> 00:21:32,200 Speaker 1: I don't care what people think, because you can't get 353 00:21:32,200 --> 00:21:37,240 Speaker 1: that time back and nough. Tiffany never got to know 354 00:21:37,320 --> 00:21:40,080 Speaker 1: her mother as an adult. There's so much that she 355 00:21:40,160 --> 00:21:42,800 Speaker 1: absorbed as a kid. She's applying to her life now. 356 00:21:43,840 --> 00:21:47,600 Speaker 1: She's a person who really enjoys life, traveling, spending time 357 00:21:47,640 --> 00:21:50,520 Speaker 1: with her family, and building her career. Most of our 358 00:21:50,520 --> 00:21:56,560 Speaker 1: phone conversations involve a lot of laughter. One of my 359 00:21:56,640 --> 00:22:00,439 Speaker 1: favorite scriptures is Isaiah sixty one three and they Sickly. 360 00:22:00,680 --> 00:22:04,240 Speaker 1: It says God gives us beauty for ashes, and I 361 00:22:04,280 --> 00:22:09,679 Speaker 1: honestly feel like the ashes of my family being ruined 362 00:22:09,680 --> 00:22:12,280 Speaker 1: that my dad created. My sister and I were able 363 00:22:12,320 --> 00:22:15,400 Speaker 1: to take those ashes and create something beautiful. And we're 364 00:22:15,440 --> 00:22:20,680 Speaker 1: still creating something beautiful to honor our brother and our mom. 365 00:22:20,720 --> 00:22:23,160 Speaker 1: In one of our earlier episodes, I told you I'd 366 00:22:23,160 --> 00:22:25,240 Speaker 1: called Tiffany to let her know we were focusing on 367 00:22:25,280 --> 00:22:28,439 Speaker 1: her brother, Trevor, and she told me, I put my 368 00:22:28,520 --> 00:22:30,879 Speaker 1: love for him in this box in my heart, and 369 00:22:30,920 --> 00:22:35,680 Speaker 1: I don't open it often because it's too painful. I mean, 370 00:22:35,880 --> 00:22:38,119 Speaker 1: a hit man broke into their quiet home in the 371 00:22:38,119 --> 00:22:41,040 Speaker 1: middle of the night, and smothered an eight year old child. 372 00:22:41,760 --> 00:22:44,879 Speaker 1: It's really the unthinkable. I could never quite capture the 373 00:22:44,920 --> 00:22:48,040 Speaker 1: full horror of what happened to him. But this was 374 00:22:48,080 --> 00:22:52,120 Speaker 1: Tiffany's reality, this was her family, and even though it's 375 00:22:52,160 --> 00:22:55,840 Speaker 1: so hard for her, she insisted, he deserves to be seen. 376 00:22:56,400 --> 00:22:59,919 Speaker 1: He deserves to be remembered. I do tell people that 377 00:23:00,000 --> 00:23:02,840 Speaker 1: have losses, and it doesn't really matter how the loss happened. 378 00:23:02,840 --> 00:23:06,280 Speaker 1: The loss is. The loss is. You're going to always 379 00:23:06,359 --> 00:23:09,640 Speaker 1: grieve the these people that you love. It's a process. 380 00:23:09,760 --> 00:23:12,800 Speaker 1: I grieve sometimes really hard some days, even all these 381 00:23:12,880 --> 00:23:16,119 Speaker 1: years later, years later. I just want people to know 382 00:23:16,200 --> 00:23:20,080 Speaker 1: that's okay, Like there's not a time limit. There isn't. 383 00:23:20,160 --> 00:23:22,679 Speaker 1: I don't think I'll ever stop grieving my mom and 384 00:23:22,720 --> 00:23:28,840 Speaker 1: my brother never, but you can remember the love that 385 00:23:28,880 --> 00:23:31,760 Speaker 1: they gave you and just try to maybe turn that 386 00:23:31,840 --> 00:23:35,040 Speaker 1: around to you pouring love into the ones that are 387 00:23:35,080 --> 00:23:37,760 Speaker 1: with you right there. You hope you'll see them again, 388 00:23:37,840 --> 00:23:40,280 Speaker 1: but you also have their presence, Like my mom comes 389 00:23:40,320 --> 00:23:43,560 Speaker 1: to me in dreams. I have dreams also about my brother. 390 00:23:44,320 --> 00:23:46,359 Speaker 1: You know. I see things and my kids that remind 391 00:23:46,400 --> 00:23:49,600 Speaker 1: me of both of them, and those are great things. 392 00:23:53,080 --> 00:23:55,040 Speaker 1: One of the things Tiffany told me while making this 393 00:23:55,119 --> 00:23:59,280 Speaker 1: podcast was that she wanted to inspire other women, especially 394 00:23:59,320 --> 00:24:02,560 Speaker 1: Black women, who have gone through horrific trauma and are struggling. 395 00:24:03,640 --> 00:24:05,480 Speaker 1: She said, there's a light at the end of the 396 00:24:05,520 --> 00:24:09,320 Speaker 1: tunnel and God has more in store for us. Tiffany 397 00:24:09,359 --> 00:24:12,399 Speaker 1: wants to give hope to people, something she didn't have 398 00:24:12,560 --> 00:24:17,080 Speaker 1: twenty six years ago. Maybe that's the opposite of hit Man, 399 00:24:17,359 --> 00:24:20,639 Speaker 1: a book that taught people how to hurt people, And 400 00:24:20,720 --> 00:24:25,080 Speaker 1: maybe that is a kind of resolution. After all, she's 401 00:24:25,119 --> 00:24:29,000 Speaker 1: shared her story, all of it with you, millions of people. 402 00:24:29,920 --> 00:24:31,600 Speaker 1: Maybe that means she doesn't have to hold it all 403 00:24:31,600 --> 00:24:36,040 Speaker 1: by herself anymore. At least that's my hope. All of 404 00:24:36,080 --> 00:24:38,080 Speaker 1: this stuff that's lived in her head for so long 405 00:24:38,400 --> 00:24:41,920 Speaker 1: can now live here in this podcast, allowing her to 406 00:24:41,960 --> 00:25:20,560 Speaker 1: set it down for just a minute. Yeah. Hitman is 407 00:25:20,600 --> 00:25:22,919 Speaker 1: a production of I Heart Radio and hit Home Media 408 00:25:23,119 --> 00:25:26,720 Speaker 1: that's produced and reported by me Jasmine Morris. Our supervising 409 00:25:26,720 --> 00:25:30,119 Speaker 1: producer is Michelle Lance. Mark Lotto is our story consultant. 410 00:25:30,480 --> 00:25:33,800 Speaker 1: Executive producers, our main guest at Tikor and me. Mixing 411 00:25:33,800 --> 00:25:37,080 Speaker 1: by Michelle Lance and Josh Ferguson. Our fact checker is 412 00:25:37,160 --> 00:25:41,840 Speaker 1: now sumi Ajisaka. Special thanks to Tristan McNeil, Andrew Goldberg, 413 00:25:41,960 --> 00:25:46,040 Speaker 1: Michael Garofolo, Kendall Waldman and Nathan Morris, and to Michael Blend, 414 00:25:46,200 --> 00:25:49,960 Speaker 1: Will Pearson, Jerry Rowland, connal Byrne and Chuck Bryant Her 415 00:25:49,960 --> 00:25:52,960 Speaker 1: Believing in the show our theme song by Alice McCoy in. 416 00:25:53,040 --> 00:25:56,000 Speaker 1: Additional music written and produced by the students at DIME, 417 00:25:56,400 --> 00:26:07,080 Speaker 1: powered by the Detroit Institute of Music Education to time