1 00:00:03,400 --> 00:00:10,400 Speaker 1: Motherfucking mini yourself. Many episode, motherfucking mini yourself. 2 00:00:13,720 --> 00:00:17,599 Speaker 2: Oh my life. I had to fight. I had to 3 00:00:17,600 --> 00:00:20,799 Speaker 2: fight my daddy, I had to fight my brothers. I 4 00:00:21,000 --> 00:00:24,560 Speaker 2: had to fight my cousins and my uncles. But I 5 00:00:24,880 --> 00:00:27,760 Speaker 2: never thought I'd have to fight in my own house. 6 00:00:28,080 --> 00:00:31,800 Speaker 2: I loves Harpoe, I truly do. But I kill him 7 00:00:31,880 --> 00:00:35,200 Speaker 2: dead for I let him beat me again. There it is, there, 8 00:00:35,280 --> 00:00:35,919 Speaker 2: it is. 9 00:00:36,200 --> 00:00:40,040 Speaker 3: Little mamas and gentiles alike, Welcome to another phenomenal mini 10 00:00:40,080 --> 00:00:41,680 Speaker 3: episode of My Mama Told. 11 00:00:41,560 --> 00:00:45,559 Speaker 4: Me, the podcast where we dive deep into the pockets 12 00:00:45,560 --> 00:00:47,720 Speaker 4: of black conspiracy theories. 13 00:00:47,800 --> 00:00:50,800 Speaker 3: And we finally worked to prove the theories that you 14 00:00:50,960 --> 00:00:54,360 Speaker 3: the listener have at home. It's a motherfucking mini episode. 15 00:00:54,880 --> 00:00:57,720 Speaker 4: Let's go. I think we should open it up and 16 00:00:57,800 --> 00:01:01,520 Speaker 4: not two songs anymore in the beginning. This is Yeah. 17 00:01:02,040 --> 00:01:03,320 Speaker 4: I think we. 18 00:01:03,200 --> 00:01:10,080 Speaker 3: Really can challenge ourselves to find some new, exciting, dangerous territory. 19 00:01:10,400 --> 00:01:13,119 Speaker 4: Yeah, I got some moves. I just rewatched Baby Boy. 20 00:01:14,000 --> 00:01:18,600 Speaker 4: I'm ready to go. Okay, somebody had a b T night. 21 00:01:18,760 --> 00:01:26,880 Speaker 4: I like that. It's always playing. It is a good 22 00:01:26,959 --> 00:01:28,120 Speaker 4: ass movie. I read. 23 00:01:28,280 --> 00:01:31,679 Speaker 3: I saw somebody commented this the other day because it 24 00:01:31,800 --> 00:01:33,920 Speaker 3: was like a Twitter take of somebody. 25 00:01:33,520 --> 00:01:36,119 Speaker 4: Being like, baby Boy ain't nothing but this movie and this. 26 00:01:36,200 --> 00:01:39,720 Speaker 3: Movie, and the the way that people sort of treat 27 00:01:39,760 --> 00:01:42,440 Speaker 3: baby Boy as if it's like a run of the mall, 28 00:01:42,680 --> 00:01:47,800 Speaker 3: Likehood Movie is one hundred percent incorrect. It is a 29 00:01:47,840 --> 00:01:51,600 Speaker 3: great film that just so happened to be starring a 30 00:01:51,760 --> 00:01:56,720 Speaker 3: genuine psychopath. But it is a phenomenal film. 31 00:01:56,920 --> 00:01:58,960 Speaker 4: It feels like that's why people play it out like 32 00:01:59,000 --> 00:02:01,600 Speaker 4: they really try to. Yeah, like people really try to 33 00:02:01,640 --> 00:02:04,600 Speaker 4: downgrade it is not a good film, and it's like 34 00:02:05,160 --> 00:02:09,040 Speaker 4: wonderfully acted, it's beautifully shot, Like it's a great movie. 35 00:02:09,080 --> 00:02:11,440 Speaker 4: I don't understand why people have so much hate for it. 36 00:02:11,960 --> 00:02:17,880 Speaker 3: Yeah, it's got a cool message that isn't like overly sappy, 37 00:02:18,000 --> 00:02:22,720 Speaker 3: but also does like leave levels of hope inside of it, 38 00:02:22,840 --> 00:02:25,600 Speaker 3: you know what I mean. Like it it isn't it 39 00:02:25,639 --> 00:02:29,080 Speaker 3: isn't about creating false solutions, but it is sort of 40 00:02:29,160 --> 00:02:32,360 Speaker 3: about creating a sense that, like everything in the Hood 41 00:02:32,440 --> 00:02:35,799 Speaker 3: doesn't have to be just dire and deadly, you know 42 00:02:35,840 --> 00:02:39,960 Speaker 3: what I mean. Like, there's it, truly is it? People 43 00:02:40,000 --> 00:02:43,680 Speaker 3: give Jody no space like he wasn't nineteen? Was he 44 00:02:43,720 --> 00:02:44,639 Speaker 3: supposed to be nineteen? 45 00:02:44,680 --> 00:02:46,760 Speaker 4: In that movie. That's what I read when I was 46 00:02:46,760 --> 00:02:48,720 Speaker 4: looking at people talking about it online. 47 00:02:49,520 --> 00:02:53,880 Speaker 3: WHOA, that's crazy, And this is once again it's just 48 00:02:53,919 --> 00:02:56,120 Speaker 3: I got this from threads, which I only go on 49 00:02:56,200 --> 00:02:59,360 Speaker 3: threads when I'm like not feeling good or whatever. 50 00:03:00,560 --> 00:03:03,760 Speaker 4: Threats. People were saying. Jody was supposed to be nineteen 51 00:03:04,120 --> 00:03:09,080 Speaker 4: an event was supposed to be like twenty three, twenty four. Whoa, 52 00:03:11,120 --> 00:03:14,560 Speaker 4: which to me is like damn and his brother just died. 53 00:03:14,840 --> 00:03:17,880 Speaker 3: That makes sense that she would be older. 54 00:03:18,240 --> 00:03:18,560 Speaker 4: I could. 55 00:03:18,800 --> 00:03:21,160 Speaker 3: I could see that, and that he would be younger. 56 00:03:21,520 --> 00:03:26,200 Speaker 4: He looked forty, so that's hard to make with him 57 00:03:26,240 --> 00:03:30,600 Speaker 4: being nineteen. He is a dark skinned man. Tyresee always 58 00:03:30,639 --> 00:03:33,720 Speaker 4: looked like that. That's true. He's seen Tyresee at nineteen. 59 00:03:33,800 --> 00:03:36,480 Speaker 4: He looks like ty resaid whatever he is right now. 60 00:03:36,840 --> 00:03:40,160 Speaker 4: He was in the my Way video. He was in 61 00:03:40,200 --> 00:03:42,040 Speaker 4: those Coca Cola nemesis. 62 00:03:42,120 --> 00:03:44,360 Speaker 3: Yeah, in the my Way video, and he did look 63 00:03:44,520 --> 00:03:48,160 Speaker 3: a lot older than Usher. But but I could have 64 00:03:48,240 --> 00:03:50,680 Speaker 3: bought him being nineteen in that video. I did not 65 00:03:50,760 --> 00:03:53,600 Speaker 3: buy him being nineteen and baby boy, but that's okay. 66 00:03:53,760 --> 00:03:57,960 Speaker 3: The performance outshined his age. Yeah, everybody, everybody acted their 67 00:03:58,000 --> 00:04:01,200 Speaker 3: ass off. Everybody really went crazy in them. Snoop was 68 00:04:01,240 --> 00:04:01,720 Speaker 3: really good. 69 00:04:02,120 --> 00:04:06,720 Speaker 4: Snoop was great, Ving Raims Omar Gooding, That's that's the 70 00:04:06,760 --> 00:04:07,320 Speaker 4: best thing. 71 00:04:07,200 --> 00:04:11,400 Speaker 3: He ever did a guy. I'm gonna be honest with you. 72 00:04:11,840 --> 00:04:14,560 Speaker 3: It changed my whole perspective of what Omar Gooding could do. 73 00:04:15,160 --> 00:04:15,600 Speaker 4: Mm hmm. 74 00:04:16,320 --> 00:04:19,159 Speaker 3: I was like, oh, Omar Goodness, Uh, he's a talent. 75 00:04:19,760 --> 00:04:21,560 Speaker 4: Before that, I just thought he was the dumb guy 76 00:04:21,600 --> 00:04:26,480 Speaker 4: and smart guy. 77 00:04:27,160 --> 00:04:29,240 Speaker 3: He was a great and smart guy. But but I 78 00:04:29,279 --> 00:04:33,000 Speaker 3: didn't see a lot of upward mobility from that performance. 79 00:04:33,080 --> 00:04:36,200 Speaker 4: But then nobody. You didn't feel like anybody was gonna 80 00:04:36,200 --> 00:04:41,040 Speaker 4: get out from Smart Guy, even though it was a 81 00:04:41,080 --> 00:04:45,600 Speaker 4: star studed cast. Jason Weaver went crazy in essence at Kins, 82 00:04:45,720 --> 00:04:48,120 Speaker 4: everybody was the dad. I don't know that guy's name. 83 00:04:52,040 --> 00:04:54,159 Speaker 3: No, I agree, it didn't feel like they were about 84 00:04:54,200 --> 00:04:55,720 Speaker 3: to make it out of there, but it did feel 85 00:04:55,760 --> 00:05:00,640 Speaker 3: like everybody shrined in in their role. Guy was a 86 00:05:00,760 --> 00:05:04,640 Speaker 3: solid It was a solid lineup to start to finish. 87 00:05:04,839 --> 00:05:05,039 Speaker 1: Yeah. 88 00:05:05,040 --> 00:05:08,160 Speaker 4: I really like that show. Kyla Pratt was in there everybody, 89 00:05:08,360 --> 00:05:11,039 Speaker 4: that's true. Yeah, Beyonce was in there looking as old 90 00:05:11,040 --> 00:05:17,600 Speaker 4: as she does now, which was weird. Anyway, I love 91 00:05:17,640 --> 00:05:20,000 Speaker 4: Smart Guy. Yeah, we don't talk about a. 92 00:05:19,920 --> 00:05:26,839 Speaker 3: Smart guy because drum world, please, we got voicemails. We 93 00:05:26,839 --> 00:05:29,600 Speaker 3: we have been we've been telling people that that we 94 00:05:29,640 --> 00:05:32,839 Speaker 3: want you guys to call us, call us now we say, 95 00:05:32,920 --> 00:05:35,560 Speaker 3: and and you did. You called us and some of 96 00:05:35,600 --> 00:05:38,440 Speaker 3: their calls were insane and some of your calls were 97 00:05:38,520 --> 00:05:41,680 Speaker 3: very sweet. But we want to listen to voicemail together 98 00:05:41,760 --> 00:05:44,400 Speaker 3: today and maybe unpack a conspiracy that one of you, 99 00:05:44,480 --> 00:05:46,800 Speaker 3: the little Mama, was left on our on our phone. 100 00:05:46,960 --> 00:05:50,960 Speaker 4: So that's the plan. Yeah, I'm very excited about this 101 00:05:51,080 --> 00:05:51,680 Speaker 4: term for us. 102 00:05:52,400 --> 00:05:55,640 Speaker 3: It's it's really cool. I I it's groundbreaking ship that 103 00:05:55,640 --> 00:05:56,599 Speaker 3: we're doing right now. 104 00:05:57,120 --> 00:06:00,680 Speaker 4: Something at least a nasty one. One day, they are 105 00:06:00,720 --> 00:06:01,720 Speaker 4: gonna leave a nasty one. 106 00:06:01,720 --> 00:06:04,240 Speaker 3: I wish you wouldn't encourage them as much as you 107 00:06:04,240 --> 00:06:07,280 Speaker 3: you seem to be doing. But yeah, that's that's inevitable. 108 00:06:07,320 --> 00:06:13,720 Speaker 3: I agree, it's so bad. You're really bugging you keep 109 00:06:14,000 --> 00:06:21,000 Speaker 3: telling them you got it chill. But that's here we go. 110 00:06:21,080 --> 00:06:23,200 Speaker 3: We got a voicemail. I don't even know who's from 111 00:06:24,160 --> 00:06:26,560 Speaker 3: this person. Maybe they said their name. They said us 112 00:06:26,640 --> 00:06:29,080 Speaker 3: a lot of voicemails, so maybe they said their name 113 00:06:29,080 --> 00:06:32,599 Speaker 3: in a different voicemail. But fucking I'm not going back anyway. 114 00:06:32,800 --> 00:06:34,800 Speaker 3: We'll play it now, all. 115 00:06:34,800 --> 00:06:37,640 Speaker 5: Right, last time calling in because I know I called 116 00:06:37,720 --> 00:06:42,120 Speaker 5: y'all so much. But my conspiracy theory is that plastic 117 00:06:42,240 --> 00:06:48,159 Speaker 5: surgeons try to give people the Beyonce face, like subconsciously. 118 00:06:49,440 --> 00:06:53,799 Speaker 5: I see people who get plastic surgery and right before 119 00:06:53,960 --> 00:06:59,600 Speaker 5: they go too far, they literally have Beyonce's like cheekbone 120 00:07:00,160 --> 00:07:03,800 Speaker 5: or the structure. Like maybe it's because I like Beyonce, 121 00:07:03,960 --> 00:07:07,840 Speaker 5: but there's some things to this, starting with Kim Kardashian 122 00:07:08,040 --> 00:07:12,000 Speaker 5: in her plastic surgery, which subsequently leads to all her 123 00:07:12,040 --> 00:07:17,760 Speaker 5: sister's plastic surgeries. It's all like just Beyonce's face and 124 00:07:18,000 --> 00:07:21,760 Speaker 5: just being like, Okay, I kind of want this, all. 125 00:07:21,760 --> 00:07:27,840 Speaker 3: Right, It's it's Beyonce's face. Is the question at hand? 126 00:07:28,040 --> 00:07:33,880 Speaker 3: Is this somehow secretly plastic surgeons saying they want they 127 00:07:33,920 --> 00:07:37,320 Speaker 3: want to make people look like Beyonce subconsciously? 128 00:07:37,440 --> 00:07:42,040 Speaker 4: She says, I don't think it is that subconscious, is 129 00:07:42,040 --> 00:07:45,400 Speaker 4: what I will say to this one. I think that 130 00:07:45,480 --> 00:07:48,960 Speaker 4: there is always a beauty standard at the time that 131 00:07:49,520 --> 00:07:53,640 Speaker 4: directly aligns with the celebrity, and you see fallout from 132 00:07:53,680 --> 00:07:57,040 Speaker 4: that that people want to look like that person. I 133 00:07:57,080 --> 00:07:59,680 Speaker 4: think that if you went back to whatever decade you 134 00:07:59,680 --> 00:08:02,200 Speaker 4: would say she was the most on top, you would 135 00:08:02,200 --> 00:08:05,000 Speaker 4: see people trying to look like Diana Ross. I don't 136 00:08:05,000 --> 00:08:07,520 Speaker 4: think it's new. I think that the means to make 137 00:08:07,560 --> 00:08:12,280 Speaker 4: yourself look like that person right have gone have gotten 138 00:08:12,280 --> 00:08:15,480 Speaker 4: more advanced, and that's why we see so many people. 139 00:08:15,640 --> 00:08:18,000 Speaker 4: I mean, Nick, you live in LA. How many Kim 140 00:08:18,080 --> 00:08:21,800 Speaker 4: Kardashians do you know in La? Like that? Shit's crazy? 141 00:08:22,480 --> 00:08:27,240 Speaker 3: Yeah, no, I agree, I one hundred percent agree with you. 142 00:08:27,280 --> 00:08:30,840 Speaker 3: I think this is just the baddest bitch on the 143 00:08:30,880 --> 00:08:35,240 Speaker 3: planet by far. And so it's like, all right, well, yeah, 144 00:08:35,240 --> 00:08:38,520 Speaker 3: everybody's going to use her as the standard of beauty, 145 00:08:39,400 --> 00:08:43,720 Speaker 3: including other very wealthy women who want to mirror that. 146 00:08:43,840 --> 00:08:46,719 Speaker 3: And I think a fair amount of what the Kardashians 147 00:08:47,640 --> 00:08:52,320 Speaker 3: are doing is blackfishing and sort of like wanting to 148 00:08:53,240 --> 00:08:56,439 Speaker 3: create this image that they are more quote unquote ethnic 149 00:08:56,920 --> 00:09:01,520 Speaker 3: than they probably appear just off of their own fucking 150 00:09:01,640 --> 00:09:06,120 Speaker 3: original genetic makeup. And so I think, yeah, they go like, well, 151 00:09:06,120 --> 00:09:09,360 Speaker 3: who's a black woman who looks like a black woman. 152 00:09:09,400 --> 00:09:12,040 Speaker 3: I think Beyonce very much looks like a black woman, 153 00:09:12,400 --> 00:09:16,960 Speaker 3: but with euro centric enough features that it does not 154 00:09:17,120 --> 00:09:21,080 Speaker 3: offend white eyes. You know what I mean, Like it 155 00:09:21,200 --> 00:09:25,080 Speaker 3: is not right. I understand what you're saying completely, Yeah, 156 00:09:25,080 --> 00:09:27,679 Speaker 3: it's not. I think there are black women who we 157 00:09:27,720 --> 00:09:31,360 Speaker 3: go are very beautiful, but are also more of a 158 00:09:31,440 --> 00:09:35,960 Speaker 3: polarizing conversation for white people, you know what I mean, 159 00:09:36,480 --> 00:09:40,080 Speaker 3: Like Takarl Williams comes to mind where I go like, god, 160 00:09:40,320 --> 00:09:40,760 Speaker 3: damn it. 161 00:09:41,679 --> 00:09:46,240 Speaker 4: Yeah, or it's just like no, it's just nuts. 162 00:09:46,360 --> 00:09:50,200 Speaker 3: But like white people ain't necessarily gonna have or Takar Jones, 163 00:09:50,240 --> 00:09:52,160 Speaker 3: that's who it is. Ta Carl Williams is a comedian. 164 00:09:52,320 --> 00:09:52,880 Speaker 4: It's awesome. 165 00:09:53,200 --> 00:09:55,839 Speaker 3: Yeah, but Ta Carl Jones is the one that I'm 166 00:09:55,880 --> 00:09:58,800 Speaker 3: thinking of. But but yeah, I think it is more 167 00:09:58,840 --> 00:10:02,920 Speaker 3: of a h a debate for white people, whereas like 168 00:10:03,000 --> 00:10:07,800 Speaker 3: Beyonce is more objective for white people as a beauty standard. 169 00:10:08,480 --> 00:10:13,960 Speaker 4: Right, and that man, I'm sorry I looked up to Carl. Still, 170 00:10:17,160 --> 00:10:23,719 Speaker 4: if you want to do the show. No. I think 171 00:10:23,760 --> 00:10:26,320 Speaker 4: the scary thing in that though, is you wonder what 172 00:10:26,600 --> 00:10:30,760 Speaker 4: happens when the trend shifts, Like I wonder that a 173 00:10:30,800 --> 00:10:34,679 Speaker 4: lot about like women who went out and got large 174 00:10:34,679 --> 00:10:37,960 Speaker 4: fake breasts in the nineties. Yeah, you know what I'm saying, 175 00:10:38,080 --> 00:10:41,320 Speaker 4: And then as the cultural pendulum kind of swung to 176 00:10:41,400 --> 00:10:44,760 Speaker 4: something different, you're left in this thing that was really 177 00:10:44,800 --> 00:10:47,240 Speaker 4: served you well at one point, but then now you 178 00:10:47,280 --> 00:10:50,120 Speaker 4: look kind of dated and it seems like, well to me, 179 00:10:50,200 --> 00:10:51,200 Speaker 4: that's sort of the worry. 180 00:10:51,920 --> 00:10:53,800 Speaker 3: It's funny you should bring that up, because I was 181 00:10:53,840 --> 00:10:59,400 Speaker 3: literally just listening to a Daily episode about that exact issue. 182 00:10:59,480 --> 00:11:01,880 Speaker 3: They were saying that, like, we are in the middle 183 00:11:01,920 --> 00:11:06,839 Speaker 3: of a swing towards smaller breasts, that like, women are 184 00:11:07,679 --> 00:11:11,520 Speaker 3: in much larger numbers now getting breast reductions in fact, 185 00:11:11,920 --> 00:11:16,680 Speaker 3: because like big old titties number one are a massive 186 00:11:16,800 --> 00:11:21,000 Speaker 3: burden physically and come with a larger cost socially, but 187 00:11:21,040 --> 00:11:24,840 Speaker 3: they also are not in style the same way that 188 00:11:24,880 --> 00:11:27,360 Speaker 3: they used to be. And so there's like a bunch 189 00:11:27,360 --> 00:11:30,800 Speaker 3: of women getting breast reductions and it does make you think, 190 00:11:30,920 --> 00:11:34,040 Speaker 3: like how much of these plastic surgeries are going to 191 00:11:34,240 --> 00:11:40,040 Speaker 3: age over time as trends sort of shift, which is sad. Also, 192 00:11:40,440 --> 00:11:44,200 Speaker 3: do big titties ever really go out of style? That's 193 00:11:44,240 --> 00:11:46,400 Speaker 3: where I start to call bullshit, And I'll. 194 00:11:46,280 --> 00:11:48,960 Speaker 4: Be honest in the magazine, sure, or like at the 195 00:11:49,000 --> 00:11:52,400 Speaker 4: highest levels of whatever you deem to be fashion, but 196 00:11:52,520 --> 00:11:54,640 Speaker 4: like I feel like I don't know. There could still 197 00:11:54,640 --> 00:11:57,559 Speaker 4: be a lady in Chicago with huge titties and it's cool. 198 00:11:58,040 --> 00:11:59,840 Speaker 3: And listen, I'm still gonna be a big fan of 199 00:11:59,840 --> 00:12:00,840 Speaker 3: that lady, you know what. 200 00:12:00,800 --> 00:12:04,960 Speaker 4: I mean exact, I don't think sure not be courted 201 00:12:05,120 --> 00:12:05,360 Speaker 4: for that. 202 00:12:06,040 --> 00:12:08,680 Speaker 3: It's it's one of those things that I think fashion 203 00:12:09,480 --> 00:12:12,720 Speaker 3: repeatedly does where they claim that this thing is bad, 204 00:12:12,840 --> 00:12:14,840 Speaker 3: or this thing is out of style, or this is 205 00:12:14,880 --> 00:12:17,240 Speaker 3: not the way that women are or people are in 206 00:12:17,320 --> 00:12:21,080 Speaker 3: general anymore. That it's completely fabricated by a bunch of 207 00:12:21,080 --> 00:12:24,040 Speaker 3: people who are not basing this off of sexuality. They're 208 00:12:24,080 --> 00:12:27,400 Speaker 3: basing it off of like trends and their intention to 209 00:12:27,520 --> 00:12:28,840 Speaker 3: sell items. 210 00:12:28,440 --> 00:12:30,840 Speaker 4: Do you know what I mean. So it's like silhouettes, and. 211 00:12:31,520 --> 00:12:34,160 Speaker 3: So you're making a bunch of clothes that don't require 212 00:12:34,200 --> 00:12:36,559 Speaker 3: a bra anymore, or at least look worse when you 213 00:12:36,679 --> 00:12:39,080 Speaker 3: have a bra. And so you tell everybody that like 214 00:12:39,160 --> 00:12:41,840 Speaker 3: little tits are in when in fact little tits saying 215 00:12:42,160 --> 00:12:45,000 Speaker 3: anymore in other than for the people who feel like 216 00:12:45,040 --> 00:12:48,240 Speaker 3: they need that physically to take that off of their 217 00:12:48,400 --> 00:12:50,400 Speaker 3: you know what I mean, off of their person, But 218 00:12:50,520 --> 00:12:53,680 Speaker 3: like little tits aren't, They're they're not out I'm a 219 00:12:53,679 --> 00:12:56,760 Speaker 3: big fan of those two. But it isn't just like, oh, 220 00:12:56,840 --> 00:12:59,679 Speaker 3: the world decided that this has changed. It's a bunch 221 00:12:59,679 --> 00:13:02,760 Speaker 3: of people in charge of a magazine that are telling 222 00:13:02,840 --> 00:13:04,400 Speaker 3: us this right. 223 00:13:04,320 --> 00:13:06,800 Speaker 4: Right, right right right? Yeah, that is that is a 224 00:13:07,200 --> 00:13:09,440 Speaker 4: that is a very odd thing because yeah, Bay just 225 00:13:09,440 --> 00:13:12,360 Speaker 4: typed in the chat everyone wants to be heroin chic again, 226 00:13:12,679 --> 00:13:15,960 Speaker 4: and you're like the fact that that it's again begs 227 00:13:15,960 --> 00:13:19,160 Speaker 4: the question how for how long? Right? Yeah? 228 00:13:19,160 --> 00:13:19,240 Speaker 1: One? 229 00:13:20,280 --> 00:13:22,920 Speaker 4: And I think you just got to chill because big 230 00:13:23,000 --> 00:13:27,040 Speaker 4: titties will get cool again. I truly think, I truly 231 00:13:27,040 --> 00:13:31,440 Speaker 4: think everyone hits the zeitgeist in like a perfect way 232 00:13:31,720 --> 00:13:34,760 Speaker 4: at one point in their life. And if you just 233 00:13:34,800 --> 00:13:38,280 Speaker 4: go fast to who you are at some point and 234 00:13:38,320 --> 00:13:40,840 Speaker 4: you don't know when it is and you can't control that, 235 00:13:41,200 --> 00:13:43,280 Speaker 4: it might not be when you're It might for some 236 00:13:43,360 --> 00:13:46,360 Speaker 4: poor people. Who is that little boy? On on on 237 00:13:46,360 --> 00:13:48,720 Speaker 4: on Tim and Tuoman Taylor? Who is that little boy? 238 00:13:49,480 --> 00:13:52,880 Speaker 4: And Taylor Thomas he fucked up. He got that ship 239 00:13:52,960 --> 00:13:56,080 Speaker 4: from eleven to fifteen. But he hit it, Yeah, he 240 00:13:56,160 --> 00:13:56,760 Speaker 4: hit it hard. 241 00:13:57,240 --> 00:14:00,000 Speaker 3: He was but like he was, he was the state 242 00:14:00,240 --> 00:14:03,440 Speaker 3: or of beauty in our country before Beyonce. 243 00:14:06,559 --> 00:14:12,400 Speaker 4: It was like Halie McBeal and was gorgeous symbol. Baby, 244 00:14:12,440 --> 00:14:16,800 Speaker 4: he was sym symbol. He was not not the musical 245 00:14:16,840 --> 00:14:20,200 Speaker 4: Simba that was Jason Waver of The Smart Eye. 246 00:14:20,280 --> 00:14:20,560 Speaker 1: Again. 247 00:14:21,240 --> 00:14:26,160 Speaker 4: Yeah, but I do think that everyone hits that it's 248 00:14:26,240 --> 00:14:28,600 Speaker 4: hard though, because you gotta worry if you can't like 249 00:14:29,280 --> 00:14:31,760 Speaker 4: strike while the iron's hot, you know, well. 250 00:14:31,640 --> 00:14:35,360 Speaker 3: That's I think that's where it becomes this complicated thing, Right, 251 00:14:35,520 --> 00:14:39,240 Speaker 3: Is that like striking while the iron's hot, or feeling 252 00:14:40,400 --> 00:14:43,680 Speaker 3: so out of place in the body that you have 253 00:14:44,160 --> 00:14:48,120 Speaker 3: that you're not willing to wait out the changes and trends, 254 00:14:48,200 --> 00:14:51,440 Speaker 3: right that, Like, if you are made to believe by media, 255 00:14:51,720 --> 00:14:55,160 Speaker 3: by the people around you that your body is somehow incorrect, 256 00:14:55,400 --> 00:14:57,240 Speaker 3: then you start to desire something else. 257 00:14:57,560 --> 00:15:00,320 Speaker 4: Hence all these women in the eighties and nineties. 258 00:15:00,280 --> 00:15:02,600 Speaker 3: Wanting to get the big fake t tits in the 259 00:15:02,880 --> 00:15:03,480 Speaker 3: first place. 260 00:15:04,000 --> 00:15:05,560 Speaker 4: And so one of the things that. 261 00:15:05,480 --> 00:15:09,320 Speaker 3: The the thing I was listening to was saying the 262 00:15:09,360 --> 00:15:12,520 Speaker 3: podcast I was listening to was that more than ever, 263 00:15:12,720 --> 00:15:17,040 Speaker 3: gen Z is real down for plastic surgery. They're real like, nah, whatever, 264 00:15:17,120 --> 00:15:20,200 Speaker 3: we don't but they're not looking at it as a 265 00:15:20,200 --> 00:15:24,360 Speaker 3: reflection of responding to like the male gaze. They look 266 00:15:24,400 --> 00:15:27,680 Speaker 3: at it as like their own autonomy, where they go like, no, 267 00:15:27,880 --> 00:15:31,520 Speaker 3: this is my way of just activating who I want 268 00:15:31,560 --> 00:15:35,240 Speaker 3: to be, not just because some dude told me this 269 00:15:35,320 --> 00:15:36,560 Speaker 3: is what we like. 270 00:15:37,480 --> 00:15:43,640 Speaker 4: Yeah, that's tough. That's tough. It's hard for me to 271 00:15:43,720 --> 00:15:49,240 Speaker 4: get behind elective surgery in a major way. Mmmm, just 272 00:15:49,280 --> 00:15:51,960 Speaker 4: like because because you like how the world is, how 273 00:15:52,040 --> 00:15:56,440 Speaker 4: much resources it takes, you know what I'm saying. Yeah, 274 00:15:56,520 --> 00:15:58,600 Speaker 4: and no matter where you go, there you're at. But like, 275 00:15:58,640 --> 00:16:01,480 Speaker 4: I'm glad that they find freedom in that. And I 276 00:16:01,560 --> 00:16:04,600 Speaker 4: might have a very antiquated view of it, but it 277 00:16:04,680 --> 00:16:06,920 Speaker 4: does to me feel like if you need surgery to 278 00:16:06,960 --> 00:16:09,720 Speaker 4: be yourself, I don't know if that's a hole that 279 00:16:09,800 --> 00:16:15,240 Speaker 4: gets filled always sometimes you know, Yeah, I worry, I 280 00:16:15,360 --> 00:16:19,080 Speaker 4: worry less, and that's not a great solution to a problem. 281 00:16:19,160 --> 00:16:22,360 Speaker 3: I feel like I worry less about even it being 282 00:16:22,480 --> 00:16:25,360 Speaker 3: the solution to the problem because maybe it is for you, 283 00:16:25,440 --> 00:16:28,760 Speaker 3: and and I don't want to presume I don't want 284 00:16:28,800 --> 00:16:31,840 Speaker 3: to make that choice for you, but I do worry that, 285 00:16:32,040 --> 00:16:35,800 Speaker 3: like there might have been another solution if you explored 286 00:16:35,880 --> 00:16:39,520 Speaker 3: in a different way, right, And so I think I 287 00:16:39,560 --> 00:16:42,960 Speaker 3: think I for plastic surgery in particular. I go, if 288 00:16:42,960 --> 00:16:46,000 Speaker 3: that's what you want, baby girl or a baby boy, whatever, 289 00:16:46,360 --> 00:16:47,440 Speaker 3: that's what you should go do. 290 00:16:47,600 --> 00:16:49,160 Speaker 4: And there's no shame in that. 291 00:16:49,440 --> 00:16:51,720 Speaker 3: On the flip side, I bet you there was another 292 00:16:51,800 --> 00:16:55,640 Speaker 3: way into that same feeling if you were able to 293 00:16:55,960 --> 00:17:00,440 Speaker 3: get past some of the esthetic blockage that's sitting in 294 00:17:00,480 --> 00:17:00,960 Speaker 3: front of you. 295 00:17:01,600 --> 00:17:05,280 Speaker 4: Right. So, yeah, I don't We're so smart. Yeah we 296 00:17:05,359 --> 00:17:10,280 Speaker 4: sound great. This is this isn't gonna come off problematic 297 00:17:10,440 --> 00:17:13,359 Speaker 4: at all. Let's just talk. This is what women should 298 00:17:13,359 --> 00:17:14,800 Speaker 4: do into their bodies surgically. 299 00:17:16,560 --> 00:17:20,360 Speaker 3: Buddy, I know for sure this won't age poorly at all. 300 00:17:20,680 --> 00:17:24,399 Speaker 3: We are gonna this conversation is going to stand the 301 00:17:24,480 --> 00:17:25,240 Speaker 3: test of time. 302 00:17:27,119 --> 00:17:33,240 Speaker 4: Yeah, my mama told me. 303 00:17:33,400 --> 00:17:38,000 Speaker 3: Presents the Start to Steal Tour. We're very excited about it. Yeah, 304 00:17:38,000 --> 00:17:40,800 Speaker 3: I'm not about to bite my tongue. We want to 305 00:17:40,880 --> 00:17:43,720 Speaker 3: sell it out and the dates are coming up fast, 306 00:17:43,760 --> 00:17:45,520 Speaker 3: and so if you live in one of these areas, 307 00:17:45,520 --> 00:17:47,800 Speaker 3: we want you to buy your tickets now. It's all 308 00:17:47,840 --> 00:17:52,800 Speaker 3: available on our instagrams, on our websites, on our link tree. 309 00:17:53,040 --> 00:17:53,159 Speaker 1: No. 310 00:17:53,160 --> 00:17:57,560 Speaker 3: Remember seventeenth, We're in San Francisco, December fifth. We're in Denver, 311 00:17:58,480 --> 00:18:02,480 Speaker 3: December twelfth, were in c and December fifteenth, you're closing 312 00:18:02,480 --> 00:18:06,160 Speaker 3: it out in Portland, Oregon. We want y'all to come out. 313 00:18:06,200 --> 00:18:09,080 Speaker 3: We want y'all to kick it. We will be doing 314 00:18:09,119 --> 00:18:13,040 Speaker 3: our coveted live show with special guests with just me 315 00:18:13,080 --> 00:18:15,560 Speaker 3: and David. Depending on the city, it'll be a great 316 00:18:15,600 --> 00:18:18,679 Speaker 3: time all that meet and greets. You think Chris Brown 317 00:18:18,760 --> 00:18:20,240 Speaker 3: has a good meet and greet. 318 00:18:20,640 --> 00:18:23,200 Speaker 4: Bro let's been clear. 319 00:18:23,720 --> 00:18:29,119 Speaker 3: I'll take a weird picture with you for free. 320 00:18:30,240 --> 00:18:33,320 Speaker 4: These conversations are necessary though, because I do feel like 321 00:18:33,359 --> 00:18:38,520 Speaker 4: sometimes these things, the technology and whatnot, outpaces people having 322 00:18:38,600 --> 00:18:41,040 Speaker 4: true feelings about it, and then you get to this 323 00:18:41,080 --> 00:18:43,760 Speaker 4: point where you don't know where the culture's at, you know, 324 00:18:43,840 --> 00:18:46,640 Speaker 4: you know what I mean. So it's like it does 325 00:18:46,720 --> 00:18:49,840 Speaker 4: feel and I think that's why people get so caught 326 00:18:49,920 --> 00:18:52,600 Speaker 4: up one way or another within the culture wars, right 327 00:18:53,040 --> 00:18:55,320 Speaker 4: because it's like, wait, this just happened. I don't even 328 00:18:55,359 --> 00:18:55,679 Speaker 4: get it. 329 00:18:55,960 --> 00:18:58,199 Speaker 3: I think also, we don't give enough credit to how 330 00:18:58,280 --> 00:19:02,000 Speaker 3: much these culture wars are dictated by a small swath 331 00:19:02,080 --> 00:19:04,600 Speaker 3: of people. One of the things that they talked about 332 00:19:04,720 --> 00:19:08,520 Speaker 3: in that in that podcast is that three quarters of 333 00:19:08,640 --> 00:19:13,240 Speaker 3: plastic surgeons are men, men who for a long time 334 00:19:13,320 --> 00:19:16,440 Speaker 3: were responding to women saying I want a breast reduction 335 00:19:16,760 --> 00:19:19,600 Speaker 3: by being like, well, your husband won't like that, or 336 00:19:19,720 --> 00:19:23,640 Speaker 3: like that that I actually like the way this curves 337 00:19:23,800 --> 00:19:27,439 Speaker 3: or shaping. Literally there was like a this is fucked up, 338 00:19:27,440 --> 00:19:28,200 Speaker 3: but there was like. 339 00:19:28,119 --> 00:19:33,520 Speaker 4: A would be like, no, I actually like big as 340 00:19:36,880 --> 00:19:43,919 Speaker 4: why did I come here? Cool? 341 00:19:44,000 --> 00:19:44,240 Speaker 3: Man? 342 00:19:45,640 --> 00:19:46,520 Speaker 4: I don't. 343 00:19:48,880 --> 00:19:53,679 Speaker 3: For me, I don't, but that's dope for you. That 344 00:19:53,880 --> 00:19:56,720 Speaker 3: One of the things that's craziest is that there actually 345 00:19:56,880 --> 00:20:01,320 Speaker 3: was like this peer reviewed journal article, well, basically a 346 00:20:01,359 --> 00:20:06,639 Speaker 3: doctor describes in detail the perfect shape of a breast, 347 00:20:07,200 --> 00:20:11,280 Speaker 3: like this is the ideal breast that all plastic surgeons 348 00:20:11,280 --> 00:20:15,440 Speaker 3: should be working towards, and basically like presenting this as 349 00:20:15,520 --> 00:20:18,720 Speaker 3: this is what we should be crafting, which is insane 350 00:20:18,880 --> 00:20:22,160 Speaker 3: because bodies come in so many different shapes and forms 351 00:20:22,359 --> 00:20:25,880 Speaker 3: that even the ideal quote unquote ideal breast might look 352 00:20:26,440 --> 00:20:29,640 Speaker 3: nuts on a lady that ain't built like that. 353 00:20:30,440 --> 00:20:36,000 Speaker 4: Right, and by who's yeah, it's it's regulating bodies in 354 00:20:36,000 --> 00:20:40,720 Speaker 4: that way. It's so crazy. Yeah on, And it's like, 355 00:20:40,800 --> 00:20:42,840 Speaker 4: come on, man. Some people like long titties. 356 00:20:43,800 --> 00:20:47,200 Speaker 3: Some people like that for sure, some people like short titties, 357 00:20:49,520 --> 00:20:52,639 Speaker 3: and the rest Yeah, some people like it when they 358 00:20:52,720 --> 00:20:54,119 Speaker 3: hang down and they can pick it up and put 359 00:20:54,119 --> 00:20:55,359 Speaker 3: it to their ear like a telephone. 360 00:20:55,880 --> 00:21:02,000 Speaker 4: Uh. Do your titties hang low any time? In the nut? 361 00:21:02,200 --> 00:21:05,879 Speaker 4: Can you tie them in a bow? Shout out to jibs. 362 00:21:06,080 --> 00:21:06,199 Speaker 1: Uh? 363 00:21:09,359 --> 00:21:13,399 Speaker 3: But no, I think to the greater to the greater 364 00:21:13,560 --> 00:21:18,440 Speaker 3: point of whether or not plastic surgeons are making people 365 00:21:18,480 --> 00:21:21,760 Speaker 3: look like Beyonce, I think they're probably asking these plastic 366 00:21:21,800 --> 00:21:26,120 Speaker 3: surgeons on some sub subconscious level to make them look 367 00:21:26,160 --> 00:21:29,280 Speaker 3: like Beyonce, or in a very straight up level, to 368 00:21:29,320 --> 00:21:31,280 Speaker 3: make them look like Beyonce. And I think we're all 369 00:21:31,320 --> 00:21:34,240 Speaker 3: working from the same palette In a lot of ways. 370 00:21:34,560 --> 00:21:37,240 Speaker 3: We go this is this is the standard of beauty. 371 00:21:37,520 --> 00:21:39,640 Speaker 3: Therefore I will do my best to make you look 372 00:21:39,720 --> 00:21:42,040 Speaker 3: like that, even if that's not what you're supposed to 373 00:21:42,119 --> 00:21:42,480 Speaker 3: look like. 374 00:21:43,040 --> 00:21:47,320 Speaker 4: Yeah, yeah, definitely. I feel like within this the conspiracy 375 00:21:47,400 --> 00:21:51,119 Speaker 4: is not within the plastic surgeons. It's kind of society 376 00:21:51,160 --> 00:21:51,639 Speaker 4: at large. 377 00:21:52,320 --> 00:21:55,919 Speaker 3: Yeah, we all want to look like Beyonce, and we 378 00:21:55,960 --> 00:21:59,360 Speaker 3: should maybe reflect on whether that's a healthy approach. 379 00:22:00,560 --> 00:22:01,560 Speaker 4: Yeah exactly. 380 00:22:02,480 --> 00:22:04,600 Speaker 3: But that said, if you want to look like Beyonce 381 00:22:04,720 --> 00:22:07,040 Speaker 3: and you know how to do it, God bless you, 382 00:22:07,160 --> 00:22:08,159 Speaker 3: because you just do. 383 00:22:08,280 --> 00:22:12,840 Speaker 4: I know. Yeah, and trust me, you're not gonna pop 384 00:22:12,880 --> 00:22:15,399 Speaker 4: out looking like Beyonce in your life is gonna get worse. 385 00:22:18,480 --> 00:22:22,440 Speaker 4: You're gonna see some improvements. You're definitely gonna see some results. 386 00:22:23,280 --> 00:22:26,000 Speaker 4: I think people are gonna talk a little differently to you. 387 00:22:27,560 --> 00:22:29,480 Speaker 4: They're not going to push you around down at the 388 00:22:29,520 --> 00:22:39,520 Speaker 4: post office anymore. Where's that check? 389 00:22:39,840 --> 00:22:43,320 Speaker 3: I don't know my man, My male man looks like Beyonesly. 390 00:22:43,359 --> 00:22:46,840 Speaker 4: I'm not got lost, they got lost, gaty. I gotta 391 00:22:46,840 --> 00:22:50,560 Speaker 4: buy him two Christmas presents? Now? Do you buy your 392 00:22:50,560 --> 00:22:54,040 Speaker 4: male man a Christmas present? Fuck? No, yeah, me either. 393 00:22:54,720 --> 00:22:57,480 Speaker 3: I hate my male lady's cuts. 394 00:22:57,800 --> 00:23:03,440 Speaker 4: I whoa. I can't stand this bitch, damn for real. 395 00:23:04,240 --> 00:23:08,680 Speaker 3: Yeah, she's she's rude, and she never says hello, and 396 00:23:08,680 --> 00:23:11,920 Speaker 3: and she shows up late almost every day. But sometimes 397 00:23:11,920 --> 00:23:16,600 Speaker 3: she's delivering at like eight at night. So like if 398 00:23:16,600 --> 00:23:18,600 Speaker 3: I needed mail, I'm just fucked. 399 00:23:19,040 --> 00:23:21,280 Speaker 4: Do you know what I mean? You gotta you gotta 400 00:23:21,520 --> 00:23:23,520 Speaker 4: because you're waiting for those sag after checks. 401 00:23:23,520 --> 00:23:25,840 Speaker 3: You know what I mean, Bro, I got cast I 402 00:23:25,880 --> 00:23:29,439 Speaker 3: got checks, the cash. She'll be showing up at like 403 00:23:29,520 --> 00:23:33,240 Speaker 3: eight at night, leaving leaving, Uh, she'll leave packages on 404 00:23:33,280 --> 00:23:35,040 Speaker 3: the porch and not ring the door, but you know 405 00:23:35,080 --> 00:23:36,960 Speaker 3: what I mean, not even indicating like, oh, you have 406 00:23:37,000 --> 00:23:40,240 Speaker 3: a package, It'll just like put it out. And then 407 00:23:40,280 --> 00:23:43,240 Speaker 3: because you show up so late, now it's out overnight. 408 00:23:43,960 --> 00:23:46,520 Speaker 3: My sh it's just outside because you give a. 409 00:23:48,680 --> 00:23:49,280 Speaker 6: Wow. 410 00:23:50,520 --> 00:23:53,720 Speaker 4: Man, my guy's cool. You're like a gay guys. He's pretty, 411 00:23:53,720 --> 00:23:57,720 Speaker 4: he's like hip damn yeah. But then he's like so hip. 412 00:23:57,800 --> 00:23:59,480 Speaker 4: Sometimes I try to talk to him and he doesn't 413 00:23:59,480 --> 00:24:01,199 Speaker 4: want to talk to me because I have like a 414 00:24:01,200 --> 00:24:03,600 Speaker 4: little beestro table out front, so I'll be out the 415 00:24:03,680 --> 00:24:04,640 Speaker 4: side when he comes out. 416 00:24:04,880 --> 00:24:15,120 Speaker 6: Sometimes he sees you out there and he goes, hey, man, 417 00:24:15,240 --> 00:24:16,040 Speaker 6: what's up guy? 418 00:24:19,640 --> 00:24:22,800 Speaker 4: I can't talk today. I gotta And also I in 419 00:24:22,840 --> 00:24:25,720 Speaker 4: the world. My sense of humor completely leaves me, so like, 420 00:24:26,160 --> 00:24:28,240 Speaker 4: I'm not saying funny stuff like I am on here. 421 00:24:28,280 --> 00:24:37,240 Speaker 3: I'm just like, can I just say it is so 422 00:24:37,359 --> 00:24:40,080 Speaker 3: cathartic to hear you say that, because I feel the 423 00:24:40,200 --> 00:24:41,160 Speaker 3: exact same way. 424 00:24:41,240 --> 00:24:45,360 Speaker 4: I'm not. Really, I'm not being funny. I'm not nailing it. 425 00:24:45,440 --> 00:24:47,639 Speaker 3: Most of the time when I'm talking to people, I 426 00:24:47,840 --> 00:24:52,000 Speaker 3: just be having ordinary conversations and then they go, what 427 00:24:52,040 --> 00:24:53,800 Speaker 3: are you doing? I go, I'm a comedian and they 428 00:24:53,840 --> 00:24:58,360 Speaker 3: go all right, and I just feel like I'm I'm 429 00:24:58,400 --> 00:25:01,240 Speaker 3: a fraud most the I. 430 00:25:01,440 --> 00:25:04,480 Speaker 4: This is me at my peak because I can harness 431 00:25:04,520 --> 00:25:07,560 Speaker 4: it in to the hour or two hours that we 432 00:25:07,640 --> 00:25:10,280 Speaker 4: have to do this, and then I spent my low. 433 00:25:10,520 --> 00:25:13,840 Speaker 4: I'm not funny, man. I wish you could talk to 434 00:25:13,880 --> 00:25:16,000 Speaker 4: my girl about how unfunny I am in the house. 435 00:25:16,560 --> 00:25:22,520 Speaker 4: Damn sound brother. It's like puns and like stupid. I 436 00:25:22,600 --> 00:25:24,760 Speaker 4: make stupid jo this is this just happened to me. 437 00:25:25,240 --> 00:25:27,760 Speaker 4: I make terrible jokes to her. And the other day 438 00:25:27,840 --> 00:25:32,040 Speaker 4: she was like, can you just stop shortening ship because 439 00:25:32,119 --> 00:25:34,200 Speaker 4: I know that that's a douchebag thing to set do. 440 00:25:34,760 --> 00:25:36,960 Speaker 4: And in my head I was like, oh, that's so funny. 441 00:25:37,200 --> 00:25:39,639 Speaker 4: So I do it, but it's not ironic if you 442 00:25:39,680 --> 00:25:41,920 Speaker 4: do it all the time anymore. Yeah, on you once 443 00:25:41,960 --> 00:25:45,320 Speaker 4: you've done it more than twice. This is just who 444 00:25:45,320 --> 00:25:48,640 Speaker 4: you are, right. And I got an audition for this 445 00:25:48,720 --> 00:25:52,720 Speaker 4: show and they the character was a douchebag and all 446 00:25:52,760 --> 00:25:55,720 Speaker 4: he did was shorten everything he said in the audition 447 00:25:56,200 --> 00:25:58,560 Speaker 4: self described douchebag. And I was like, oh. 448 00:25:58,320 --> 00:26:00,280 Speaker 3: Man, I'm gonna do that. 449 00:26:00,640 --> 00:26:03,800 Speaker 4: No, no, no, I was like, oh man, she's roll now. 450 00:26:04,880 --> 00:26:07,240 Speaker 4: It was the mirror you needed held up to you 451 00:26:07,760 --> 00:26:12,399 Speaker 4: exactly because my sense of humor is not great within 452 00:26:12,520 --> 00:26:15,640 Speaker 4: any a lot of other aspects. It's it's it's it's 453 00:26:15,680 --> 00:26:16,400 Speaker 4: not I get it. 454 00:26:16,800 --> 00:26:21,840 Speaker 3: I've I've put everything I can into comedy, Like I 455 00:26:21,880 --> 00:26:27,199 Speaker 3: sink every fucking day into comedy, so much so that 456 00:26:27,320 --> 00:26:29,600 Speaker 3: I drain myself dry. 457 00:26:30,760 --> 00:26:35,360 Speaker 4: Nothing. I got nothing. That's why it sucks so bad 458 00:26:35,400 --> 00:26:38,440 Speaker 4: when my comedy doesn't do good. I'm like, fuck, I'm 459 00:26:38,440 --> 00:26:39,520 Speaker 4: gonna kill myself. 460 00:26:39,840 --> 00:26:48,719 Speaker 3: I did everything, I did everything, I disassociated from the 461 00:26:48,760 --> 00:26:50,160 Speaker 3: horrors of the world for this. 462 00:26:51,760 --> 00:26:57,879 Speaker 4: At least let it work. I ruined my whole personality 463 00:26:57,960 --> 00:26:58,159 Speaker 4: for this. 464 00:26:59,000 --> 00:27:01,520 Speaker 3: Come on, man, I could have been a champion for 465 00:27:01,840 --> 00:27:05,760 Speaker 3: justice and truth and I chose this, So it has 466 00:27:05,840 --> 00:27:10,560 Speaker 3: to work. I think about it all the time of 467 00:27:10,760 --> 00:27:13,280 Speaker 3: like how much I I sort of have to like 468 00:27:14,520 --> 00:27:17,359 Speaker 3: shut down a moral code that I know that I 469 00:27:17,400 --> 00:27:21,400 Speaker 3: believe that I live under actively for the sake of 470 00:27:21,440 --> 00:27:24,879 Speaker 3: getting a joke off or being able to reason with 471 00:27:25,000 --> 00:27:29,959 Speaker 3: a comedic idea that sometimes has like vile undertones. And 472 00:27:29,960 --> 00:27:35,600 Speaker 3: and when it doesn't work, you are you feel like garbage? 473 00:27:36,119 --> 00:27:40,000 Speaker 4: You're such apset guy? Yeah, because you mix those words 474 00:27:40,080 --> 00:27:42,320 Speaker 4: up and then it's like because sometimes it's like a 475 00:27:42,920 --> 00:27:46,520 Speaker 4: you're tiptoeing, especially with the new ship. Man, I don't 476 00:27:46,520 --> 00:27:47,960 Speaker 4: want to go to your stand UPFF to this now. 477 00:27:48,000 --> 00:27:53,200 Speaker 3: I feel like I'm glad I don't spot for tonight, 478 00:27:54,240 --> 00:27:57,320 Speaker 3: but I gotta do hour it be great. Yeah, you'll 479 00:27:57,400 --> 00:28:06,000 Speaker 3: kill it. So, dear caller, our inaugural caller, I would 480 00:28:06,040 --> 00:28:10,480 Speaker 3: say the the beginner caller, we would say that, yes, 481 00:28:11,040 --> 00:28:14,800 Speaker 3: our plastic surgeons are making people look like Beyonce. No, 482 00:28:15,200 --> 00:28:18,960 Speaker 3: it is not subconscious. It is very conscious, and we're 483 00:28:19,000 --> 00:28:22,520 Speaker 3: all maybe needing to spend a little more time thinking 484 00:28:22,560 --> 00:28:24,440 Speaker 3: about why we would. 485 00:28:24,200 --> 00:28:27,760 Speaker 4: Want that as a society. Beautiful. 486 00:28:28,880 --> 00:28:31,200 Speaker 3: All right, Well, you want to tell the people where 487 00:28:31,200 --> 00:28:32,560 Speaker 3: they can find you, what cool. 488 00:28:32,400 --> 00:28:36,720 Speaker 4: Shoes you got? Jokes eighty seven on Instagram, go to 489 00:28:36,800 --> 00:28:40,320 Speaker 4: patreon dot com, backslash David bory g b o r 490 00:28:40,520 --> 00:28:44,160 Speaker 4: I E go buy my motherfucking special Birth of a Nation. 491 00:28:44,280 --> 00:28:48,960 Speaker 4: It's very funny. You're gonna love it, walk your dog 492 00:28:49,080 --> 00:28:52,920 Speaker 4: to it, make love to it. Mm hm oh. It's 493 00:28:52,920 --> 00:28:56,600 Speaker 4: also available on all streaming platforms Spotify, all that shit. 494 00:28:57,360 --> 00:29:04,000 Speaker 4: Yeah all right, that makes more sense to it. 495 00:29:08,680 --> 00:29:12,320 Speaker 3: Yeah, that's fucking crazy you can. You can follow me 496 00:29:12,360 --> 00:29:15,320 Speaker 3: at Langston Kerman on all social media platforms. You can 497 00:29:15,360 --> 00:29:18,560 Speaker 3: watch my special on Netflix it's called Bad Poetry. You 498 00:29:18,560 --> 00:29:21,120 Speaker 3: can watch English Teacher on Hulu and FX. 499 00:29:22,760 --> 00:29:23,640 Speaker 4: That's oh. 500 00:29:23,720 --> 00:29:25,400 Speaker 3: If you want to send us your own drops, your 501 00:29:25,440 --> 00:29:29,120 Speaker 3: own conspiracy theories. If you want to tell us, UH, 502 00:29:29,280 --> 00:29:33,040 Speaker 3: what beauty standards we should shift everything to UH for 503 00:29:33,160 --> 00:29:36,160 Speaker 3: the next wave of plastic surgery. Send it all to 504 00:29:36,240 --> 00:29:39,480 Speaker 3: my Mama pod at gmail dot com. And please like 505 00:29:39,560 --> 00:29:44,240 Speaker 3: this sweet sweet I would say, over zealous caller who 506 00:29:44,480 --> 00:29:47,920 Speaker 3: uh two things a step too far, but but we 507 00:29:47,920 --> 00:29:51,720 Speaker 3: we love her anyway. Send us your own voicemails at 508 00:29:51,800 --> 00:29:54,640 Speaker 3: eight four four Little Moms. We want to hear from 509 00:29:54,720 --> 00:29:59,040 Speaker 3: you at eight four four Little Moms. Call us now 510 00:29:59,480 --> 00:30:03,320 Speaker 3: and and maybe your voicemail will get read on the episode. 511 00:30:03,720 --> 00:30:08,960 Speaker 3: And like subscribe rate review by the merch Say bye 512 00:30:09,200 --> 00:30:12,680 Speaker 3: to your loved ones before you go. Who knows what's 513 00:30:12,720 --> 00:30:13,640 Speaker 3: gonna happen to you? 514 00:30:13,920 --> 00:30:14,440 Speaker 4: Bye, bitch. 515 00:30:18,200 --> 00:30:29,920 Speaker 1: Motherfucking mini episode Mini episode, motherfucking Mini everis motherfucking mini 516 00:30:29,960 --> 00:30:35,840 Speaker 1: episode Mini episode, motherfucking Mini Episode