WEBVTT - Kevin Reilly

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<v Speaker 1>I am Kevin Riley was the president of ENDBC Entertainment

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<v Speaker 1>through the entire first chapter of the American version of

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<v Speaker 1>The Office. Hello peeps, welcome, We're at it again. This

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<v Speaker 1>is The Office deep Dive, and I am your host,

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<v Speaker 1>Brian bond Gartner. Today you will be listening to my

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<v Speaker 1>interview with Kevin Riley. Who's Kevin Riley? Why are you

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<v Speaker 1>interviewing him? I don't even remember his name from the credits. Well,

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<v Speaker 1>that's true, Kevin Riley was not in the credits for

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<v Speaker 1>the show because Kevin Riley was even more powerful than that.

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<v Speaker 1>Kevin Riley was the NBC executive that was responsible for

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<v Speaker 1>bringing The Office to the air. If it were not

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<v Speaker 1>for Kevin Riley, the Office would have been canceled after

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<v Speaker 1>six episodes. Kevin staked his reputation on our show, and

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<v Speaker 1>he fought for us every step of the way. And

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<v Speaker 1>by the way, Kevin is responsible for shows, not just

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<v Speaker 1>The Office. Kevin was a network executive behind such shows

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<v Speaker 1>as Saved by the Bell, e r Law and Freaking Order,

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<v Speaker 1>The Shield, Niptuck Rescue Me. Then after the Office, he

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<v Speaker 1>went on to develop shows like Thirty Rock, Friday Night Lights, Glee,

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<v Speaker 1>New Girl, Bob's Burgers, the Mindy Project. I'm gonna stop,

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<v Speaker 1>But my point is we all owe Kevin a gigantic

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<v Speaker 1>thank you for giving us not just the office but

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<v Speaker 1>also like of our favorite TV shows. So on that note,

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<v Speaker 1>I present to you the Man behind the Curtain, Kevin Riley.

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<v Speaker 1>Bubble and Squeak. I love it. Bubble and squeak, Bubble

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<v Speaker 1>and Squeaker cookie, every moment left over from the nabb before.

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<v Speaker 1>Very great to see you. It's been so long, are

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<v Speaker 1>you Are you putting this whole thing together? I'm putting

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<v Speaker 1>this whole time. I did not know that I love it,

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<v Speaker 1>you know, I just didn't connect. As Ben caught me

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<v Speaker 1>in between meetings and he said of the podcast that

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<v Speaker 1>I realized and then I love that you're doing it.

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<v Speaker 1>It's actually perfect, by the way, I never even connected

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<v Speaker 1>to this moment. You also have like a great podcast

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<v Speaker 1>voice too. You done voice over over there I've done

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<v Speaker 1>more recently. You can get in there and do what

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<v Speaker 1>you need to. No, No, you're fine. I've been told

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<v Speaker 1>this a while and it's my cadence. Most sleep of

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<v Speaker 1>my real book is that I sound like Tom Hanks.

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<v Speaker 1>So there's a no, there's this is actually true. I know,

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<v Speaker 1>I never I've never know, now that you say it, yes,

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<v Speaker 1>I have. That then describes it as um a smoky,

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<v Speaker 1>potentially whiskey laden version of Tom Hanks's voice. Um, but

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<v Speaker 1>I'll take it whatever. Um. So yeah, I mean we've

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<v Speaker 1>it's been amazing. I mean so much that I have learned,

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<v Speaker 1>and you obviously so important, and especially these early years.

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<v Speaker 1>So I want to take you back. So you join

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<v Speaker 1>f X in two thousand and you're there through three

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<v Speaker 1>through two thousand three, right in this actual building, which

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<v Speaker 1>is crazy coming in in this build looking in. Yeah,

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<v Speaker 1>this building was a sort of fox outpost. It really,

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<v Speaker 1>it was the New World Television building. It was really

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<v Speaker 1>a crappy building. Yes, in fact, it hasn't been really

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<v Speaker 1>improved that they put a little veneer on it. But

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<v Speaker 1>at the time, I mean, my rug, I had left

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<v Speaker 1>these beautiful offices in my previous job. My my, my

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<v Speaker 1>rug had a giant stain in the middle. It was

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<v Speaker 1>literally a hole in the wall in my office. And

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<v Speaker 1>I said to the office manager. She said, hey, anything,

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<v Speaker 1>we can do whatever you need, just let me know

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<v Speaker 1>and we'll get it for you. And they said, you know,

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<v Speaker 1>you think I get two chairs that match and she said, no,

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<v Speaker 1>I'm sorry, we can't do that. That's where it was.

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<v Speaker 1>But then things really took off. Yea, um, so Ben

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<v Speaker 1>was telling me that you had well. Nick grab was

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<v Speaker 1>your development executives and he apparently was a big fan

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<v Speaker 1>of the British version of the Office. And now when

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<v Speaker 1>did you become aware of the British version of the office.

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<v Speaker 1>I had heard of it, But Nick has always had

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<v Speaker 1>a good nose for sort of what's next. He was

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<v Speaker 1>the guy always looked to like is this sound cool? Yeah, okay, great,

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<v Speaker 1>I think it's cool too, you know. And so it

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<v Speaker 1>was one of those where I had kind of heard

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<v Speaker 1>about it, like yeah, I thought this, I think this

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<v Speaker 1>thing is something. And he came seeing it and talking

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<v Speaker 1>to Bed we can get it, and it's we gotta

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<v Speaker 1>have it. And now did you meet with Ben while

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<v Speaker 1>you were at f X. No, we never did. Really.

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<v Speaker 1>What it was is I was in the middle of

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<v Speaker 1>that transition where it was three magical years of f

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<v Speaker 1>X with a lot of things happening. This is on

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<v Speaker 1>the heels of winning all awards with the Shield and

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<v Speaker 1>Niptuck and Rescue Me was being cast and Russo's first

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<v Speaker 1>project Lucky was here and it was just a lot happening,

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<v Speaker 1>and this would have tucked right in, so it was

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<v Speaker 1>a perfect effect show. But my contract was up. I

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<v Speaker 1>was in the middle of a lot of negotiations and

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<v Speaker 1>it looked like I'm going back to NBC at this point.

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<v Speaker 1>And that's when I start talking to Ben because I'm like,

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<v Speaker 1>you know, look, I'm not maybe not staying it, but

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<v Speaker 1>if I go, I'd like to take this with me

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<v Speaker 1>out the door. And you know, wisely, I think Ben

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<v Speaker 1>smelled the opportunity would have made a great effect show,

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<v Speaker 1>but just from a value perspective, I think he was like, well,

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<v Speaker 1>that's that's better. So we kind of then went quiet

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<v Speaker 1>on it and just sort of sat on it. Okay,

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<v Speaker 1>So then he started meeting with you once you had gone,

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<v Speaker 1>uh to NBC. Yeah, we had kind of wink winked

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<v Speaker 1>like I'll see you over there. But at that point

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<v Speaker 1>then it picked up momentum. I was going that happened

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<v Speaker 1>pretty quick, and we need to take it over to him.

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<v Speaker 1>And you made a deal there, so you pick up

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<v Speaker 1>the pilot. Now you've got to find somebody to run it,

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<v Speaker 1>and you start meeting with with show runners to run it.

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<v Speaker 1>What were your initial instincts about Greg? Well, Greg, he

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<v Speaker 1>certainly from the get go had my respect. I mean,

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<v Speaker 1>he's known as a very thorough for a couple of things.

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<v Speaker 1>Number one, all those years on King of the Hill, Yes,

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<v Speaker 1>which was a show I loved, and I know Greg

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<v Speaker 1>from everybody I knew respect it said Greg was the

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<v Speaker 1>real deal. And then secondly Conan, who I now subsequently

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<v Speaker 1>have gotten you know, known for decades at this point.

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<v Speaker 1>But I knew that they had come up together and

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<v Speaker 1>we're both close college friends and had comedy background together,

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<v Speaker 1>and I just so I don't think we really ever

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<v Speaker 1>that wasn't really ever sell for me. Yeah, I wondered

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<v Speaker 1>if because he hadn't come from you know, live action scripted,

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<v Speaker 1>if there was any concern about that, or you just

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<v Speaker 1>met with him and you knew, as most people do

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<v Speaker 1>who meet Greg that you know. Yeah, it's just that

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<v Speaker 1>quiet confidence, you know, where you know when he says

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<v Speaker 1>things like the same show with ten percent, hope you're okay,

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<v Speaker 1>I think we're I think we're good to go here.

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<v Speaker 1>That like mad like that, not a professor, but a genius. Yeah,

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<v Speaker 1>I mean, you know, but early on, when you're trying

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<v Speaker 1>to have this give and take conversation. You know, Greg

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<v Speaker 1>is a man of few words and sometimes you know,

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<v Speaker 1>kind of just sort of drifts off all together and

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<v Speaker 1>you and we kind of left haging there. Okay, So

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<v Speaker 1>early on it took me a while to get the

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<v Speaker 1>rhythm of you know, he's not a guy where you're

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<v Speaker 1>kind of, you know, hitting it back all over the

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<v Speaker 1>net with some top spin on it. Like I think

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<v Speaker 1>Greig got that. How involved were you specifically, obviously you

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<v Speaker 1>had final say, but in in the casting, how involved

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<v Speaker 1>were you and choosing the people? Well, the casting is

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<v Speaker 1>something you ultimately have approval over at the network because

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<v Speaker 1>it's it's really everything at the end of the day.

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<v Speaker 1>I mean, you got to get the script right. But

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<v Speaker 1>the script right, with the wrong casting, you know, you're

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<v Speaker 1>you're dead, especially in comedy. And this was a in

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<v Speaker 1>some ways of fantasy casting process because first of all,

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<v Speaker 1>we were out of cycle, you know, so we didn't

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<v Speaker 1>have to do this in the shotgun old pilot season

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<v Speaker 1>lock and load. You know, you've got five minutes to

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<v Speaker 1>cast it. We had months and months to do it.

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<v Speaker 1>And I have to say, I don't know how many

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<v Speaker 1>they went through. I was never privy to how many

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<v Speaker 1>came in, but all I know is, you know, the

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<v Speaker 1>trickiest one obviously was Michael, and it came down to

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<v Speaker 1>Bob Oton kirk uh and who's the that we end

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<v Speaker 1>up casting in? What was this? CORRELLI? Yeah, how did

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<v Speaker 1>that work out? And so, you know, and I'd known

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<v Speaker 1>Bob back from the Mr. Show days my former company

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<v Speaker 1>H brill Stein Entertainment. We produced Mr. Show. And you know,

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<v Speaker 1>I thought Bob was a major talent, and by the way,

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<v Speaker 1>I had a great take on the character, a different one.

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<v Speaker 1>So my involvement is I saw every audition for every

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<v Speaker 1>character and they were just fantastic. You know. By the

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<v Speaker 1>sometimes this process can be really a struggle. You know,

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<v Speaker 1>someone who brings it in and they go we found

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<v Speaker 1>the guy, and you look at it and you go,

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<v Speaker 1>this is this the guy you're talking about? All right? Boy,

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<v Speaker 1>I am just not seeing it. We had none of those.

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<v Speaker 1>I mean every time I was like, well, that's the guy.

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<v Speaker 1>Then Jennet came in, Oh my god, that's her, and

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<v Speaker 1>it was just right from the get go. I think

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<v Speaker 1>everybody just made decisions and had a nudget in their

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<v Speaker 1>own direction and it was a blast. And then guys

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<v Speaker 1>like you, you know, who were just coming out of

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<v Speaker 1>nowhere where wait, wait, where this guy come from? This

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<v Speaker 1>is fantastic. How on board were you with the idea

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<v Speaker 1>of total unknowns? I mean Steve had you know, had

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<v Speaker 1>Bruce Almighty? I had no, Well, he like Steve. I

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<v Speaker 1>had done multiple busted pilots with Steve and several bad

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<v Speaker 1>series that he had co starred in or been in.

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<v Speaker 1>He was always funny, and this goes back to the

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<v Speaker 1>Dana Carvey Show with he Colbert and I mean it

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<v Speaker 1>was it's got It's got its own little weird cult.

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<v Speaker 1>Following there was like a Netflix special about it, and

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<v Speaker 1>at that time I was like, Wow, that guy Corrill

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<v Speaker 1>is funny and he was always good. But it was

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<v Speaker 1>always good in a bad thing, you know, or something

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<v Speaker 1>that was okay but didn't take off. Actually, during the

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<v Speaker 1>casting process when we were considering Steve, Stacy Snyder called

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<v Speaker 1>me up. Was running Universal Pictures at the time, and

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<v Speaker 1>that was our sister company. The feature side. He was

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<v Speaker 1>doing forty year Old Virgin and she said, I'm gonna

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<v Speaker 1>send you some dailies. You should see them. And I

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<v Speaker 1>was like, wow, this is a whole another gear for

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<v Speaker 1>this guy. And I don't want to say that was

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<v Speaker 1>what sealed because, by the way, at that point, who

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<v Speaker 1>knows what that movie is getting. It's not like, oh,

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<v Speaker 1>he's already a star, we'll just plug him in. And

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<v Speaker 1>then it was just one of those kids met kind

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<v Speaker 1>of things where it was just the right move. Okay,

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<v Speaker 1>so you meet Greg, all these cast members, it gets

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<v Speaker 1>picked up to a pilot. How has that received at NBC?

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<v Speaker 1>It wasn't you know, it wasn't shown widely. Um. David

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<v Speaker 1>Kissinger was running the studio at the time, was also

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<v Speaker 1>really an advocate and passionate for this, and he was

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<v Speaker 1>a co conspirator with me, but it was still delivered

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<v Speaker 1>it to me, and I would just say it was

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<v Speaker 1>very slow. I was like, Okay, I can see the

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<v Speaker 1>show in there, but but man, we are defying people's

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<v Speaker 1>patients here. Like editorially, it needed a lot of sculpting.

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<v Speaker 1>You could see the comedy, you could see the characters.

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<v Speaker 1>That was not a concern. Those are one of the

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<v Speaker 1>big eases. Oh no, we've got wrong people, or this

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<v Speaker 1>guy is not delivering she's terrible. No, that was not

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<v Speaker 1>the issue. What was working. What was working, But you

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<v Speaker 1>know that narrative was sort of going. And I would

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<v Speaker 1>say one of the biggest things I had to work

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<v Speaker 1>with Greg on is was just looking in network television.

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<v Speaker 1>You had to get through act breaks, you had to

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<v Speaker 1>go sell toothpaste in the middle, and so I'd say, like,

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<v Speaker 1>you know, Greg, we just sort of trail off here

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<v Speaker 1>on these act breaks, and you know, we lose the

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<v Speaker 1>narrative thread and that's kind of fun, but we gotta

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<v Speaker 1>we gotta sculptu. I think Greg went back and this

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<v Speaker 1>is really, I think where we've forged Dart relationship, because

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<v Speaker 1>it could have been brutal, and at least I thought

0:13:05.280 --> 0:13:07.600
<v Speaker 1>it was a creatively fun thing. I think he did

0:13:07.640 --> 0:13:10.439
<v Speaker 1>four team cuts of the pilot. It may have been sixteen,

0:13:10.480 --> 0:13:12.880
<v Speaker 1>you'd have to ask Greg, but it was double digits

0:13:13.640 --> 0:13:18.120
<v Speaker 1>and really, really, and that's where I saw really his

0:13:18.280 --> 0:13:22.200
<v Speaker 1>true gift that he could find find it and he

0:13:22.280 --> 0:13:23.840
<v Speaker 1>knew where it was and he could hunt for it

0:13:23.840 --> 0:13:26.439
<v Speaker 1>in everyone. It was just Sharper and Sharper and Sharper,

0:13:26.480 --> 0:13:29.360
<v Speaker 1>and you could I could just see it, right, Yeah, wow,

0:13:29.520 --> 0:13:32.720
<v Speaker 1>And so they that we had time again, had this

0:13:32.840 --> 0:13:35.840
<v Speaker 1>been done in pilot season, these are the vagaries of

0:13:35.840 --> 0:13:37.960
<v Speaker 1>the whole thing. Had this been done, even with my

0:13:38.000 --> 0:13:41.200
<v Speaker 1>support and love. Had we had only the time, had

0:13:41.240 --> 0:13:44.280
<v Speaker 1>this been the usual way pilot season was down, You

0:13:44.480 --> 0:13:48.720
<v Speaker 1>shot in sometime April, you had a sometimes days to editive,

0:13:48.720 --> 0:13:50.280
<v Speaker 1>not weeks, because you had to go deliver it and

0:13:50.280 --> 0:13:51.920
<v Speaker 1>test it and do this thing and then boom and

0:13:51.920 --> 0:13:54.440
<v Speaker 1>then screen it. You know, sometimes many of these pilots

0:13:54.440 --> 0:13:57.240
<v Speaker 1>are screened off of two cuts. If we had done

0:13:57.280 --> 0:14:02.719
<v Speaker 1>that dead Dead again, I loved it, and I was like, wow,

0:14:02.880 --> 0:14:05.240
<v Speaker 1>when this names work and we had time to do

0:14:05.280 --> 0:14:08.720
<v Speaker 1>the work. So now we were sitting the other part

0:14:08.760 --> 0:14:10.800
<v Speaker 1>when you were playing the system was you didn't want

0:14:10.800 --> 0:14:13.240
<v Speaker 1>to be into early. You want to hit a sweet

0:14:13.240 --> 0:14:16.600
<v Speaker 1>spot when they're dying to see something new and maybe

0:14:16.600 --> 0:14:19.600
<v Speaker 1>you've got a shot just psychically, oh here's something. We

0:14:19.600 --> 0:14:21.280
<v Speaker 1>could be the next thing, and you kind of get

0:14:21.320 --> 0:14:23.160
<v Speaker 1>in there and you don't want to be the leading edge.

0:14:23.160 --> 0:14:25.160
<v Speaker 1>You don't want to be the last one. And this

0:14:25.240 --> 0:14:28.080
<v Speaker 1>thing just sat and sat and sad, sad, and as

0:14:28.120 --> 0:14:31.360
<v Speaker 1>it got exposed through the system, let's just say there

0:14:31.400 --> 0:14:37.840
<v Speaker 1>the system wasn't overly responsive. Yeah, I mean, look the

0:14:37.880 --> 0:14:42.600
<v Speaker 1>network at that point, had you know I had started

0:14:42.640 --> 0:14:45.320
<v Speaker 1>my career at NBC, I was there for six of

0:14:45.360 --> 0:14:49.200
<v Speaker 1>the great years coming up, the heyday of NBC, the

0:14:49.280 --> 0:14:51.280
<v Speaker 1>great and great things we're in a tart to cover

0:14:51.400 --> 0:14:53.480
<v Speaker 1>in the network. I remember looking at his office and

0:14:53.480 --> 0:14:55.000
<v Speaker 1>at some point it done to me, I don't wonder

0:14:55.000 --> 0:14:57.520
<v Speaker 1>if I could ever have that job. And now I

0:14:57.560 --> 0:14:59.920
<v Speaker 1>came back and got his job and was sitting in

0:15:00.200 --> 0:15:03.920
<v Speaker 1>in his office and literally, you know, I closed the

0:15:03.960 --> 0:15:05.880
<v Speaker 1>door and I had a moment. I looked up and

0:15:05.960 --> 0:15:11.200
<v Speaker 1>I I felt so great and about and just amazing.

0:15:11.200 --> 0:15:13.640
<v Speaker 1>I'm sitting literally at Brandon's desk, looking at the monitors

0:15:13.640 --> 0:15:15.200
<v Speaker 1>on the wall, and then I had this sinking feeling

0:15:15.200 --> 0:15:19.440
<v Speaker 1>that I made a horrible, horrible mistake, which it was

0:15:20.080 --> 0:15:23.520
<v Speaker 1>because the wheels were coming off the momentum. It turn.

0:15:24.320 --> 0:15:27.880
<v Speaker 1>I came in telling everybody we need a new breath

0:15:27.920 --> 0:15:31.480
<v Speaker 1>of fresh air, and this place is in trouble. And

0:15:31.680 --> 0:15:34.640
<v Speaker 1>after decades of winning, a lot of the ethos inside

0:15:34.680 --> 0:15:37.520
<v Speaker 1>the building was we know what we're doing, and it

0:15:37.600 --> 0:15:40.040
<v Speaker 1>was a little like who is this guy? And I

0:15:40.080 --> 0:15:43.400
<v Speaker 1>also didn't learn the concept of corporate buy in. You know,

0:15:43.520 --> 0:15:46.280
<v Speaker 1>when you come into a company really anywhere, you know

0:15:46.280 --> 0:15:47.880
<v Speaker 1>it's not a new different on a team. You know,

0:15:47.920 --> 0:15:50.120
<v Speaker 1>if a coach takes over team. You gotta win over

0:15:50.200 --> 0:15:52.280
<v Speaker 1>people's comments like all right, we'll follow you, we'll listen.

0:15:52.400 --> 0:15:55.440
<v Speaker 1>You can't just come in now. Once people are bottomed

0:15:55.440 --> 0:15:58.080
<v Speaker 1>out and are desperate, you got a shot. But until

0:15:58.160 --> 0:16:01.240
<v Speaker 1>that happens. And so I came in thinking things like

0:16:01.280 --> 0:16:03.240
<v Speaker 1>the office, like this is exactly what we need to do,

0:16:03.320 --> 0:16:06.440
<v Speaker 1>and just a lot of people were like, no, no,

0:16:06.640 --> 0:16:10.560
<v Speaker 1>we need the next version of that's sexy single girl

0:16:10.600 --> 0:16:14.200
<v Speaker 1>in New York who's lives with some friends, and they're like, no, no,

0:16:14.320 --> 0:16:17.480
<v Speaker 1>we really don't. There was still this sort of thing

0:16:17.560 --> 0:16:20.880
<v Speaker 1>that lived on in the building post friends of you know, no, no,

0:16:20.920 --> 0:16:23.840
<v Speaker 1>we want funny, but they're gonna be sexy too, right,

0:16:23.960 --> 0:16:26.160
<v Speaker 1>I mean, we need that, And that had just made

0:16:26.200 --> 0:16:28.560
<v Speaker 1>its way into comedy, which was never part of comedy,

0:16:28.680 --> 0:16:32.000
<v Speaker 1>you know. I mean comedy was like funny period. And

0:16:32.440 --> 0:16:36.000
<v Speaker 1>uh so that was still a little bit in the

0:16:36.000 --> 0:16:37.960
<v Speaker 1>wind of like wait a manune, this is a group

0:16:38.000 --> 0:16:41.000
<v Speaker 1>of misfits. So this kind of just seemed like the

0:16:41.040 --> 0:16:45.960
<v Speaker 1>opposite of at least what everyone thought we needed. Right, well,

0:16:46.000 --> 0:16:51.080
<v Speaker 1>I it's so fascinating the idea of we had this opportunity,

0:16:51.080 --> 0:16:54.760
<v Speaker 1>we were handed this jewel this great idea, this show

0:16:54.920 --> 0:16:58.480
<v Speaker 1>from London, and everybody just kind of wanted to do

0:16:58.600 --> 0:17:01.720
<v Speaker 1>the best that we could, to do something different, which

0:17:01.760 --> 0:17:04.760
<v Speaker 1>is what you're talking about. You're up against this old

0:17:04.800 --> 0:17:07.080
<v Speaker 1>guard and and people who have done it in a

0:17:07.119 --> 0:17:11.160
<v Speaker 1>certain way. And Greg was saying, no, we're gonna have writers.

0:17:11.400 --> 0:17:13.479
<v Speaker 1>We're gonna have writers act in the show right now.

0:17:13.640 --> 0:17:16.320
<v Speaker 1>We're gonna not have a wall that we can move

0:17:16.359 --> 0:17:18.960
<v Speaker 1>because we're a documentary, right and we're going to hire

0:17:19.160 --> 0:17:22.439
<v Speaker 1>actors that are not that are me unknown. Even the

0:17:22.520 --> 0:17:24.679
<v Speaker 1>stupid debates over the Doctor, I had to listen to

0:17:24.720 --> 0:17:29.800
<v Speaker 1>opinions of people saying, you know, Americans associate documentaries with

0:17:29.960 --> 0:17:35.520
<v Speaker 1>heaviness and non commercial. It's just an obstructive format to

0:17:35.640 --> 0:17:39.040
<v Speaker 1>most Americans, and you're doing a comedy through that format

0:17:39.480 --> 0:17:42.280
<v Speaker 1>by its nature. And I'm just listening, Oh my god, really,

0:17:42.280 --> 0:17:44.919
<v Speaker 1>and I'm some of these people they were professionals, but

0:17:44.960 --> 0:17:47.520
<v Speaker 1>I'm just thinking, what do you know? And what are

0:17:47.520 --> 0:17:51.439
<v Speaker 1>you talking about? Right? But how confident were you that

0:17:51.520 --> 0:17:53.879
<v Speaker 1>it could translate to a broadcast audience because yeah, at

0:17:53.920 --> 0:17:58.720
<v Speaker 1>the time, single camera, mock documentary, no laugh track, nothing

0:17:58.760 --> 0:18:01.119
<v Speaker 1>like that was on network Talible. Yeah, what I felt

0:18:01.359 --> 0:18:04.480
<v Speaker 1>all along for a minute. One is an office comedy

0:18:04.560 --> 0:18:07.560
<v Speaker 1>is a staple of television, So yeah, the form is different,

0:18:07.600 --> 0:18:11.520
<v Speaker 1>the tone is certainly different. The leads attitude is really different.

0:18:11.880 --> 0:18:14.080
<v Speaker 1>But at the end of the day, you're not gonna

0:18:14.080 --> 0:18:16.360
<v Speaker 1>look at going I don't understand what what is it?

0:18:16.640 --> 0:18:19.399
<v Speaker 1>They're in an office and I always clung to that

0:18:19.440 --> 0:18:21.960
<v Speaker 1>all the way through. But that it's just one of

0:18:22.000 --> 0:18:24.000
<v Speaker 1>the things I just loved about it. I love the

0:18:24.000 --> 0:18:26.760
<v Speaker 1>outpost in the middle of nowhere. I love the the

0:18:26.800 --> 0:18:30.040
<v Speaker 1>boss who's in this island, who is free to just

0:18:30.160 --> 0:18:34.320
<v Speaker 1>run rough shot over everybody, And uh, Jim, I can't

0:18:34.320 --> 0:18:36.440
<v Speaker 1>remember the exact line. Maybe you do in the pilot,

0:18:36.480 --> 0:18:38.199
<v Speaker 1>you know where they say, you know, describe what you

0:18:38.240 --> 0:18:42.200
<v Speaker 1>do and he's like, well, what's paper products and processing?

0:18:42.240 --> 0:18:45.119
<v Speaker 1>And we moved the skids into thing And I'm just

0:18:45.320 --> 0:18:49.560
<v Speaker 1>I'm boring myself out. Is that for me embodied the

0:18:49.600 --> 0:18:52.840
<v Speaker 1>whole show, you know, like, wait, we don't actually even

0:18:52.840 --> 0:18:55.080
<v Speaker 1>know why we come to work or what we really

0:18:55.080 --> 0:18:59.000
<v Speaker 1>accomplished every day, right right? So I was told it

0:18:59.119 --> 0:19:01.680
<v Speaker 1>was the worst testing show in the history of NBC.

0:19:01.920 --> 0:19:03.760
<v Speaker 1>I don't know it was the worst testing, but it was.

0:19:03.880 --> 0:19:08.280
<v Speaker 1>It was bad. The worst testing that maybe made it.

0:19:08.280 --> 0:19:10.480
<v Speaker 1>It was certainly in that pack, I mean, of the

0:19:10.520 --> 0:19:13.399
<v Speaker 1>ones that made it. It was it was really down there, right,

0:19:14.119 --> 0:19:17.479
<v Speaker 1>So what was the idea behind giving five more episodes? Like?

0:19:17.960 --> 0:19:20.840
<v Speaker 1>Did you have to fight to get those five? Yeah?

0:19:21.080 --> 0:19:23.280
<v Speaker 1>First of all, and at this point two things happened

0:19:23.280 --> 0:19:24.640
<v Speaker 1>through the course of the show for me, and I'll

0:19:24.640 --> 0:19:26.560
<v Speaker 1>give you this the first part. At this point, I'm thinking,

0:19:27.280 --> 0:19:32.560
<v Speaker 1>I really think the rebuild of NBC is going to happen,

0:19:33.160 --> 0:19:35.080
<v Speaker 1>and this is going to be one of those pieces.

0:19:35.640 --> 0:19:38.440
<v Speaker 1>And I looked at the rest of the platiff stuff

0:19:38.480 --> 0:19:41.760
<v Speaker 1>we had, which was ship So it's not like I go, Wow,

0:19:41.800 --> 0:19:43.920
<v Speaker 1>I got ten other great things. I just said, look,

0:19:44.280 --> 0:19:46.960
<v Speaker 1>this is going to be a slog, but this is good.

0:19:47.160 --> 0:19:49.040
<v Speaker 1>This is just good, and we're gonna go with We're

0:19:49.040 --> 0:19:53.919
<v Speaker 1>gonna start with greatness. And first of all, I have

0:19:54.400 --> 0:19:57.560
<v Speaker 1>noted this before, but for the way the stupid pilot

0:19:57.680 --> 0:20:00.399
<v Speaker 1>screening process used to work at these broadcasts at works

0:20:00.480 --> 0:20:04.040
<v Speaker 1>was everybody would fly out, and the East Coast guys

0:20:04.119 --> 0:20:06.639
<v Speaker 1>and the heads of sports and the heads of affiliate

0:20:06.680 --> 0:20:10.520
<v Speaker 1>relations and sales and research and all the all the

0:20:10.520 --> 0:20:13.399
<v Speaker 1>middle aged white guys would fly out and sit in

0:20:13.440 --> 0:20:16.640
<v Speaker 1>the room and you know, tell stories, and then you'd

0:20:16.720 --> 0:20:19.360
<v Speaker 1>rotate around and screen all the pilots, and people would

0:20:19.440 --> 0:20:21.400
<v Speaker 1>rank them and put numbers on them, and then you'd

0:20:21.440 --> 0:20:23.920
<v Speaker 1>come in and debate and decide, and you'd have to

0:20:24.000 --> 0:20:26.440
<v Speaker 1>kind of hear all of that. Now, when things are

0:20:26.440 --> 0:20:27.760
<v Speaker 1>going well and you have a hot hand of the

0:20:27.760 --> 0:20:30.040
<v Speaker 1>present entertainment, you go through that process, but they are

0:20:30.080 --> 0:20:33.439
<v Speaker 1>either not pushing back on you, or you have the

0:20:33.440 --> 0:20:35.720
<v Speaker 1>ability to go, well, that's great, Brian, thanks, thanks for that.

0:20:35.720 --> 0:20:38.960
<v Speaker 1>That's fantastic input, and then just go ignore it. But

0:20:39.280 --> 0:20:42.960
<v Speaker 1>when the network starts to get on wobbly legs and

0:20:43.400 --> 0:20:46.840
<v Speaker 1>I had not again established credibility, people knew me, they

0:20:46.880 --> 0:20:48.479
<v Speaker 1>liked me, they're recruited me for the job. But at

0:20:48.520 --> 0:20:53.760
<v Speaker 1>this point I seem to be now uh, advocating for

0:20:53.920 --> 0:20:57.280
<v Speaker 1>things that don't look like what they're supposed to look like.

0:20:58.040 --> 0:21:01.680
<v Speaker 1>And this is identified as a problem early on, and

0:21:02.040 --> 0:21:06.760
<v Speaker 1>so that gave other players more power to come up

0:21:06.800 --> 0:21:09.200
<v Speaker 1>and say, let me tell you why this isn't gonna work,

0:21:09.240 --> 0:21:11.280
<v Speaker 1>and then they had the research. Now, so we come

0:21:11.280 --> 0:21:13.440
<v Speaker 1>out of this pilot screening process and every room is

0:21:13.480 --> 0:21:15.800
<v Speaker 1>giving it. You know, ten is the best zero, we're

0:21:15.800 --> 0:21:17.920
<v Speaker 1>going to give it a point five, you know, or

0:21:18.080 --> 0:21:22.040
<v Speaker 1>or one. You know. Well, nobody likes it except one room.

0:21:22.080 --> 0:21:23.880
<v Speaker 1>I go down, and honestly, it was the only room

0:21:23.880 --> 0:21:27.000
<v Speaker 1>I was interested in. The room filled with the assistance

0:21:27.520 --> 0:21:31.840
<v Speaker 1>and the associates and all the young people, and that

0:21:31.960 --> 0:21:33.840
<v Speaker 1>was the biggest rumor. Actually they were at like forty

0:21:33.920 --> 0:21:36.400
<v Speaker 1>people in there, and I go in and they said,

0:21:36.440 --> 0:21:38.520
<v Speaker 1>what do you guys think? And I remember they take

0:21:38.560 --> 0:21:41.720
<v Speaker 1>away is this not only is this the best thing

0:21:41.760 --> 0:21:45.040
<v Speaker 1>we've done, it's the only thing we would watch that

0:21:45.080 --> 0:21:47.360
<v Speaker 1>you're making, and it's kind of the only thing we'd

0:21:47.400 --> 0:21:50.000
<v Speaker 1>watch and what's currently on the air. And I was like,

0:21:50.080 --> 0:21:52.760
<v Speaker 1>thank you very much, that's all I need to know. Wow,

0:21:54.160 --> 0:21:57.160
<v Speaker 1>And like unequivocally that room was we are in even

0:21:57.240 --> 0:22:00.920
<v Speaker 1>with the first pilot, still hadn't It hadn't even become

0:22:00.960 --> 0:22:02.800
<v Speaker 1>the show it was. They just could they were it,

0:22:02.920 --> 0:22:04.400
<v Speaker 1>and I knew it was going to be the young

0:22:04.440 --> 0:22:06.760
<v Speaker 1>audience that we're going to cling to, but that meant

0:22:06.760 --> 0:22:09.640
<v Speaker 1>nothing still in selling it. It still wasn't the five

0:22:09.640 --> 0:22:12.399
<v Speaker 1>episodes order. And also Greg, look, Greg had made some

0:22:12.440 --> 0:22:14.359
<v Speaker 1>money on King of the Hill, so he was willing

0:22:14.400 --> 0:22:16.480
<v Speaker 1>if he had if he had fought and said I

0:22:16.520 --> 0:22:19.520
<v Speaker 1>want to he he cut his rate. He was willing

0:22:19.560 --> 0:22:21.520
<v Speaker 1>to take the shorter order. He could have stood on

0:22:21.520 --> 0:22:23.560
<v Speaker 1>principle and said I'm not doing it. I'm not doing

0:22:23.640 --> 0:22:26.480
<v Speaker 1>six and you know, I'm on a d cents on

0:22:26.520 --> 0:22:27.840
<v Speaker 1>the dollar and that, and then it would have been dead.

0:22:28.320 --> 0:22:30.280
<v Speaker 1>But he he loved it, and he was willing to

0:22:30.280 --> 0:22:32.840
<v Speaker 1>take the short And that's really basically all I could

0:22:32.880 --> 0:22:38.240
<v Speaker 1>cobble out was that initial six episode mid season order, right,

0:22:38.760 --> 0:22:41.720
<v Speaker 1>I love that story. And and a side note, I'm

0:22:41.720 --> 0:22:44.119
<v Speaker 1>sure you don't know this, but like on the set,

0:22:44.440 --> 0:22:46.520
<v Speaker 1>I was the I was kind of the business. Like

0:22:46.760 --> 0:22:50.439
<v Speaker 1>the business of television really interested me. So we aired

0:22:50.440 --> 0:22:52.480
<v Speaker 1>on Thursday nights or whatever, and we would be in

0:22:52.520 --> 0:22:54.159
<v Speaker 1>the makeup trailer and I would be going through the

0:22:54.240 --> 0:22:57.479
<v Speaker 1>numbers and and giving perspective as to why the numbers

0:22:57.560 --> 0:23:00.399
<v Speaker 1>might be where they are, how they were related the

0:23:00.480 --> 0:23:04.000
<v Speaker 1>night before. But March Madness is on right now, so

0:23:04.160 --> 0:23:06.240
<v Speaker 1>it's going to be like that was just that was

0:23:06.280 --> 0:23:08.359
<v Speaker 1>what interested me so well. There certainly wasn't a lot

0:23:08.400 --> 0:23:12.120
<v Speaker 1>of good news in those numbers. There were those first

0:23:12.160 --> 0:23:16.480
<v Speaker 1>six episodes. It First of all, the network had very

0:23:16.520 --> 0:23:19.440
<v Speaker 1>little momentum. You know, if this were still the days

0:23:19.440 --> 0:23:22.040
<v Speaker 1>where we had big shows, we could have parked it

0:23:22.119 --> 0:23:25.840
<v Speaker 1>in between. It might have been protected. But at this

0:23:25.880 --> 0:23:28.439
<v Speaker 1>point in mid season the network kind of went from

0:23:28.520 --> 0:23:31.480
<v Speaker 1>bad to worse. During the year, we were beginning to

0:23:31.560 --> 0:23:36.160
<v Speaker 1>just grind down. Uh that by the by marches, like

0:23:36.600 --> 0:23:39.240
<v Speaker 1>people a kind of established what they're liking and not liking,

0:23:39.280 --> 0:23:43.600
<v Speaker 1>and we bring the show on and it premier. There

0:23:43.640 --> 0:23:45.879
<v Speaker 1>were definitely there were reviewers that liked it that I

0:23:45.880 --> 0:23:47.760
<v Speaker 1>claimed I I will say Bill Carter from New York

0:23:47.760 --> 0:23:51.480
<v Speaker 1>Times from minute one. Bill Carter said, this is the

0:23:51.560 --> 0:23:54.600
<v Speaker 1>best show I've seen in years, and I love it

0:23:54.680 --> 0:23:56.919
<v Speaker 1>and I'm in And he was a huge advocate for you.

0:24:15.320 --> 0:24:17.520
<v Speaker 1>Do you think that there was any impact so after

0:24:17.560 --> 0:24:21.439
<v Speaker 1>the initial six that were given originally, now the ratings

0:24:21.440 --> 0:24:23.760
<v Speaker 1>were better. That second year we had My name is

0:24:23.800 --> 0:24:27.000
<v Speaker 1>earle Yes. That show ended up because that show came

0:24:27.000 --> 0:24:30.240
<v Speaker 1>out hot, we tucked it in behind I remember, and

0:24:30.280 --> 0:24:32.560
<v Speaker 1>it was around Christmas time. I literally was like a

0:24:32.640 --> 0:24:35.520
<v Speaker 1>Christmas gift to me where and you know, we had

0:24:35.560 --> 0:24:38.240
<v Speaker 1>done the deal with Apple if you remember, early on

0:24:38.400 --> 0:24:42.600
<v Speaker 1>the early iPhone ads or iTunes ads rather featured it

0:24:42.600 --> 0:24:45.080
<v Speaker 1>in the stores, and then Steve had had the movie

0:24:45.080 --> 0:24:48.280
<v Speaker 1>it hit, So I'm saying, wait, wait a minute, here,

0:24:48.440 --> 0:24:51.359
<v Speaker 1>wait a minute, we're getting a little Steve's now becoming

0:24:51.400 --> 0:24:54.240
<v Speaker 1>a thing. And look at that where iTunes is going

0:24:54.280 --> 0:24:57.240
<v Speaker 1>to be a thing, and we're they like us, and

0:24:57.280 --> 0:25:00.520
<v Speaker 1>we're starting to get little pockets of support and people

0:25:00.520 --> 0:25:03.119
<v Speaker 1>are starting to talk about it. And I remember waking

0:25:03.240 --> 0:25:04.879
<v Speaker 1>up and at this point, I'm really beginning to be

0:25:04.960 --> 0:25:07.399
<v Speaker 1>on the ropes. And I wake up one morning in

0:25:07.560 --> 0:25:11.760
<v Speaker 1>like um going into the holidays, and the show actually grew,

0:25:12.280 --> 0:25:16.800
<v Speaker 1>It actually grew, and its stabilized. It was a respectable rating,

0:25:17.160 --> 0:25:20.359
<v Speaker 1>and I honestly, I think I don't admit it, but

0:25:20.400 --> 0:25:22.639
<v Speaker 1>I might have teared up. I mean I really might

0:25:22.680 --> 0:25:25.920
<v Speaker 1>have teared up. Right well, we were certainly at the time,

0:25:25.960 --> 0:25:28.240
<v Speaker 1>I mean when we was sort of like this this

0:25:28.440 --> 0:25:31.200
<v Speaker 1>confluence of events, as you said, with forty year old

0:25:31.240 --> 0:25:34.920
<v Speaker 1>virgin Um. Suddenly there's Apple stores and our pictures are

0:25:35.040 --> 0:25:38.639
<v Speaker 1>are on these new things called, you know, the iPod video,

0:25:39.119 --> 0:25:42.760
<v Speaker 1>and we're suddenly the number one show on iTunes. I

0:25:42.800 --> 0:25:45.520
<v Speaker 1>feel like from the beginning you had the foresight that

0:25:46.000 --> 0:25:47.760
<v Speaker 1>you know, the way that that ratings happened with the

0:25:47.840 --> 0:25:51.600
<v Speaker 1>Nielsen boxes. They're looking at households. No one's looking at colleges,

0:25:52.119 --> 0:25:54.520
<v Speaker 1>no one's looking at dorms in college. There was the

0:25:54.640 --> 0:25:58.240
<v Speaker 1>larger thing of what I felt culturally is it was

0:25:58.280 --> 0:26:01.720
<v Speaker 1>the canary in the coal mine for where we are today. Look,

0:26:01.720 --> 0:26:04.959
<v Speaker 1>there's always been a generational turning of the page where

0:26:05.000 --> 0:26:07.359
<v Speaker 1>you know, the young people are want the next thing.

0:26:08.080 --> 0:26:11.040
<v Speaker 1>I could see that happening, which is the sensibility. But

0:26:11.240 --> 0:26:15.080
<v Speaker 1>then something that really the powers that we were passing

0:26:15.080 --> 0:26:19.720
<v Speaker 1>by is the platform itself, the viewing experience itself. It

0:26:19.800 --> 0:26:21.399
<v Speaker 1>ended up being a really smart thing, like, you know what,

0:26:21.480 --> 0:26:24.479
<v Speaker 1>let's get out in front with this thing that seems

0:26:24.520 --> 0:26:27.440
<v Speaker 1>to be where it's headed, and that's where young people

0:26:27.480 --> 0:26:29.959
<v Speaker 1>wanted to see it. Well, also that you put it

0:26:30.000 --> 0:26:32.679
<v Speaker 1>on my Space the week before it premiered, like you

0:26:32.720 --> 0:26:36.440
<v Speaker 1>were already using whatever platform we could get it out

0:26:36.480 --> 0:26:39.720
<v Speaker 1>on and just or you know, either legally or illegally.

0:26:39.720 --> 0:26:41.479
<v Speaker 1>I don't even know where it was getting passed around,

0:26:42.400 --> 0:26:46.520
<v Speaker 1>but it was clear something was happening. Right. Um, So

0:26:46.560 --> 0:26:49.480
<v Speaker 1>you talk about iTunes, you know, the video iPod on

0:26:49.480 --> 0:26:52.000
<v Speaker 1>this Christmas episode and it's the first one that goes

0:26:52.000 --> 0:26:54.680
<v Speaker 1>over ten million. There was something else that happened during

0:26:54.680 --> 0:27:02.120
<v Speaker 1>this time. The webisodes, the original online content on NBC. Yeah, yeah,

0:27:02.320 --> 0:27:06.520
<v Speaker 1>and again we these were early days of you know,

0:27:06.600 --> 0:27:10.120
<v Speaker 1>this webisode thing was starting to bubble up, and some

0:27:10.119 --> 0:27:13.679
<v Speaker 1>shows were doing them mostly really pretty lame, to be honest,

0:27:14.240 --> 0:27:18.240
<v Speaker 1>But then ours actually weren't lame, right. We did the

0:27:18.000 --> 0:27:22.399
<v Speaker 1>The Accountants, which was Oscar and Angela and um and

0:27:22.440 --> 0:27:25.960
<v Speaker 1>they were becoming a thing and ended up winning and yeah,

0:27:26.800 --> 0:27:30.320
<v Speaker 1>which was that was another amazing thing, and so that

0:27:30.600 --> 0:27:34.520
<v Speaker 1>this kind of content wasn't crappy ancillary thing. In fact,

0:27:34.680 --> 0:27:37.080
<v Speaker 1>Greg would have now never allowed it to happen because

0:27:37.080 --> 0:27:41.000
<v Speaker 1>he just wouldn't. He just wouldn't endorse that. But the

0:27:41.040 --> 0:27:42.960
<v Speaker 1>fact that you're like, wow, these things are really good

0:27:43.000 --> 0:27:45.840
<v Speaker 1>and people love these and it's becoming a way to

0:27:45.880 --> 0:27:50.359
<v Speaker 1>stay attached to that, and I just I couldn't nobody

0:27:50.359 --> 0:27:54.200
<v Speaker 1>could have really predicted that the changes that ultimately came.

0:27:54.680 --> 0:27:58.600
<v Speaker 1>The weird thing for me having been at NBC and

0:27:58.640 --> 0:28:02.640
<v Speaker 1>good go back, in my heart of hearts, I still

0:28:02.680 --> 0:28:06.959
<v Speaker 1>believed and it is you know NBC, I mean network television.

0:28:07.560 --> 0:28:11.160
<v Speaker 1>The year I started in it came or came out

0:28:11.200 --> 0:28:14.159
<v Speaker 1>here to get into show. If You Go Back was

0:28:14.200 --> 0:28:16.760
<v Speaker 1>the first year that the Wall Street analysts were beginning

0:28:16.760 --> 0:28:19.960
<v Speaker 1>to declare network television the dinosaur. So it's death had

0:28:20.000 --> 0:28:23.920
<v Speaker 1>been premier for you because cable was statistically on the rise. Now,

0:28:23.960 --> 0:28:27.320
<v Speaker 1>obviously decades and decades and decades of billions of dollars

0:28:27.320 --> 0:28:31.760
<v Speaker 1>and tremendous cultural impact was created. So I still believed

0:28:32.160 --> 0:28:35.960
<v Speaker 1>that this platform of NBC, which it did, was still

0:28:36.000 --> 0:28:40.520
<v Speaker 1>a great place to nurture incredible television. With that said,

0:28:41.120 --> 0:28:44.120
<v Speaker 1>I think the powers that were there still were believing

0:28:44.160 --> 0:28:47.680
<v Speaker 1>that it was just one show away from coming back.

0:28:48.080 --> 0:28:50.960
<v Speaker 1>And in my heart, I said, guys, it's never coming back.

0:28:51.160 --> 0:28:53.280
<v Speaker 1>That was the thing that I knew. It is never

0:28:53.320 --> 0:28:56.640
<v Speaker 1>going to be what it was, and you have to

0:28:57.080 --> 0:29:01.080
<v Speaker 1>find what that new thing is, and this show is

0:29:01.160 --> 0:29:04.640
<v Speaker 1>built for that. Whatever that new thing is, this show

0:29:04.720 --> 0:29:07.360
<v Speaker 1>is built for that. But even the tone, the scrappy,

0:29:07.440 --> 0:29:10.320
<v Speaker 1>kind of like bleak looking doc you that tone allowed

0:29:10.320 --> 0:29:12.840
<v Speaker 1>you to then make a webisode out of it. Some

0:29:12.920 --> 0:29:14.640
<v Speaker 1>shows you in a webisode you're like, well, that's not

0:29:14.720 --> 0:29:17.800
<v Speaker 1>the drama I watched, and that's so that's a really cheap,

0:29:17.840 --> 0:29:19.960
<v Speaker 1>bad version. Well this just felt very organic that like,

0:29:20.000 --> 0:29:21.360
<v Speaker 1>well we make it the same way we make the

0:29:21.360 --> 0:29:25.280
<v Speaker 1>show right right, right right, and that felt very viral

0:29:25.400 --> 0:29:28.280
<v Speaker 1>and very you know of the web. And again we

0:29:28.280 --> 0:29:30.920
<v Speaker 1>were just fumbling our way through. But you got the

0:29:31.000 --> 0:29:33.920
<v Speaker 1>young audience, they just knew it and caught on. And

0:29:34.160 --> 0:29:38.959
<v Speaker 1>so that's why it thrived, and that's what ultimately the

0:29:39.000 --> 0:29:41.280
<v Speaker 1>culture and the landscape has caught up for this thing

0:29:41.320 --> 0:29:45.400
<v Speaker 1>to then just have this next surge of life. So

0:29:45.480 --> 0:29:48.080
<v Speaker 1>you were talking about, I'm gonna show you a picture

0:29:48.360 --> 0:29:52.000
<v Speaker 1>from August September of two thousand and six. Yeah, I

0:29:52.000 --> 0:29:54.360
<v Speaker 1>have the picture of my office. Yeah, and it's a

0:29:54.400 --> 0:29:58.920
<v Speaker 1>picture of Kevin being picked up by Rain and John

0:29:59.480 --> 0:30:04.040
<v Speaker 1>Um and the look on your face and us winning

0:30:04.640 --> 0:30:07.560
<v Speaker 1>the Primetime Emmy for Best Comedy. Oh my god, what

0:30:07.640 --> 0:30:11.120
<v Speaker 1>a night, huh And what a night and just your

0:30:11.160 --> 0:30:14.960
<v Speaker 1>courage too to have stuck with the show and getting

0:30:14.960 --> 0:30:18.800
<v Speaker 1>recognized now for that must have been pretty special. Amazing.

0:30:19.200 --> 0:30:21.520
<v Speaker 1>You know that that that expression on my face is

0:30:21.560 --> 0:30:24.080
<v Speaker 1>for me because I did ultimately get fired, so did

0:30:24.280 --> 0:30:27.680
<v Speaker 1>save my job. But I will say that it Uh,

0:30:28.000 --> 0:30:30.000
<v Speaker 1>you know, I got into this business all I ever

0:30:30.000 --> 0:30:31.360
<v Speaker 1>want to do as a kid. I no idea what

0:30:31.400 --> 0:30:32.640
<v Speaker 1>it was. I didn't even know how to get in.

0:30:32.680 --> 0:30:35.960
<v Speaker 1>I didn't even know what I wanted to do. But

0:30:36.120 --> 0:30:39.560
<v Speaker 1>those are the kind of moments that are rare where

0:30:39.560 --> 0:30:42.719
<v Speaker 1>you're going, we're doing good work with good people, and

0:30:42.760 --> 0:30:45.719
<v Speaker 1>they're all doing it for the right reasons, and you know,

0:30:45.840 --> 0:30:50.040
<v Speaker 1>the like defying the odds and then having that moment

0:30:50.080 --> 0:30:54.400
<v Speaker 1>of recognition with people who are also then so gracious. Look,

0:30:54.440 --> 0:30:56.520
<v Speaker 1>I've worked with really talented people who some people are

0:30:56.560 --> 0:31:00.360
<v Speaker 1>really talent, they're not so great to crazy and this

0:31:00.480 --> 0:31:03.080
<v Speaker 1>was just a really special thing. You know that. The

0:31:03.200 --> 0:31:05.959
<v Speaker 1>tricky thing about Joe business is a lot of times, uh,

0:31:06.040 --> 0:31:07.760
<v Speaker 1>you know, you don't want to meet your heroes because

0:31:08.200 --> 0:31:10.600
<v Speaker 1>what goes on behind the cameras is not really what

0:31:10.640 --> 0:31:13.400
<v Speaker 1>you pictured that group of people to be. In this case,

0:31:13.440 --> 0:31:16.360
<v Speaker 1>I think it really was, you know. I mean, for

0:31:16.400 --> 0:31:20.560
<v Speaker 1>the most part, I would have to say like, yeah, yeah,

0:31:20.720 --> 0:31:25.360
<v Speaker 1>well you the love and respect that everyone who I

0:31:25.400 --> 0:31:28.520
<v Speaker 1>talked to who comes into this room for you and

0:31:28.720 --> 0:31:32.600
<v Speaker 1>your fight to keep it on the air, and we

0:31:32.680 --> 0:31:36.760
<v Speaker 1>all believe being responsible for us having done over two

0:31:36.960 --> 0:31:40.400
<v Speaker 1>d episodes, that's a legacy. I think that. Well, well

0:31:40.440 --> 0:31:43.320
<v Speaker 1>it's so it's you know, life is full of ironies,

0:31:43.360 --> 0:31:48.440
<v Speaker 1>you know, and um, I was always proud of it.

0:31:48.440 --> 0:31:50.280
<v Speaker 1>It did go on to stay on the air, but

0:31:50.440 --> 0:31:54.080
<v Speaker 1>NBC then, you know, they had then invited me to

0:31:54.120 --> 0:31:57.239
<v Speaker 1>no longer do that job. And uh, you know, there

0:31:57.280 --> 0:31:59.200
<v Speaker 1>were crop of shows I put on that I was

0:31:59.280 --> 0:32:01.880
<v Speaker 1>proud of. You know, the thirty Rocks and Front Night

0:32:01.960 --> 0:32:03.920
<v Speaker 1>Lights were on there. Here's we had a crop of

0:32:03.920 --> 0:32:06.880
<v Speaker 1>good shows that kind of for the next ten years.

0:32:07.200 --> 0:32:09.080
<v Speaker 1>You know, this is the thing about The Office, you know,

0:32:09.160 --> 0:32:11.320
<v Speaker 1>the show that that you know was going to be

0:32:11.360 --> 0:32:14.840
<v Speaker 1>a real problem was one of the only things that

0:32:15.040 --> 0:32:20.040
<v Speaker 1>endured that was worth hanging onto through that really brutal

0:32:20.120 --> 0:32:24.320
<v Speaker 1>time for that organization, and and everyone kind of felt like, wow,

0:32:24.400 --> 0:32:27.080
<v Speaker 1>great run, great show, Let's move on. And then you

0:32:27.160 --> 0:32:30.560
<v Speaker 1>get this crazy moment in time where that Canary in

0:32:30.560 --> 0:32:32.920
<v Speaker 1>the coal Mine really happened, which is the show that

0:32:33.000 --> 0:32:36.240
<v Speaker 1>was ahead of its time with the young people who

0:32:36.360 --> 0:32:38.600
<v Speaker 1>said that's the only thing we're gonna watch. Now there's

0:32:38.600 --> 0:32:44.080
<v Speaker 1>a new platform called subscription video on demand, and it

0:32:44.240 --> 0:32:47.120
<v Speaker 1>finds its way to that platform, and those people are

0:32:47.120 --> 0:32:50.080
<v Speaker 1>now in their forties and there's new people coming up

0:32:50.120 --> 0:32:52.200
<v Speaker 1>discovering it for the first time, and this thing has

0:32:52.320 --> 0:32:59.560
<v Speaker 1>this crazy, way bigger now it wasn't any and I

0:32:59.560 --> 0:33:02.680
<v Speaker 1>don't know if you've heard this figure, um, something like

0:33:03.600 --> 0:33:09.080
<v Speaker 1>fifty two point three billion with a B minutes streamed

0:33:09.080 --> 0:33:15.280
<v Speaker 1>on Netflix alone and by pretty much any metric that

0:33:15.360 --> 0:33:18.960
<v Speaker 1>I can figure out, the most watch show in television

0:33:19.320 --> 0:33:22.040
<v Speaker 1>right now, and we haven't filmed in five to six.

0:33:22.080 --> 0:33:26.440
<v Speaker 1>Finally finally won the title, right, it's crazy. Yeah, it's

0:33:26.560 --> 0:33:30.400
<v Speaker 1>finally ended up in the place where it was kind

0:33:30.400 --> 0:33:33.040
<v Speaker 1>of meant to be. All along, Kevin, Thank you again.

0:33:34.880 --> 0:33:38.000
<v Speaker 1>It's so good to see. It's great city crossed me.

0:33:38.040 --> 0:33:40.000
<v Speaker 1>I could I could do two more hours. Oh well,

0:33:40.160 --> 0:33:55.800
<v Speaker 1>thank you so much. Alright, guys, sadly we have to

0:33:55.800 --> 0:33:58.640
<v Speaker 1>say goodbye to Kevin because he has to get back

0:33:58.640 --> 0:34:01.600
<v Speaker 1>to I don't know, saving the next best show on

0:34:01.640 --> 0:34:04.680
<v Speaker 1>television probably Now I have to tell you this. I

0:34:04.720 --> 0:34:07.720
<v Speaker 1>wanted to wait till the end. I had not seen

0:34:08.239 --> 0:34:11.399
<v Speaker 1>Kevin Riley in many, many years when he sat down

0:34:11.440 --> 0:34:13.800
<v Speaker 1>with me to do this interview, and I wasn't sure

0:34:14.280 --> 0:34:17.000
<v Speaker 1>how it was going to go, all right. I didn't

0:34:17.040 --> 0:34:20.120
<v Speaker 1>know how willing he would be to talk about the show.

0:34:21.400 --> 0:34:25.480
<v Speaker 1>But at the end I could not have been happier

0:34:25.920 --> 0:34:30.799
<v Speaker 1>and more touched by his openness, his generosity, and his

0:34:30.880 --> 0:34:35.720
<v Speaker 1>willingness truly to go back to that time in his life.

0:34:36.719 --> 0:34:39.680
<v Speaker 1>So thank you, Kevin for taking the time and for

0:34:39.760 --> 0:34:43.080
<v Speaker 1>being so thoughtful. Um I look forward to seeing you

0:34:43.160 --> 0:34:47.000
<v Speaker 1>again very soon. To the rest of you, thank you

0:34:47.040 --> 0:34:50.279
<v Speaker 1>for listening. I appreciate it and we will. Oh. I

0:34:50.320 --> 0:34:53.960
<v Speaker 1>promise you this. We will be back next week. So

0:34:54.080 --> 0:35:05.120
<v Speaker 1>come join me, yeah the Office. Deep Dive is hosted

0:35:05.160 --> 0:35:09.640
<v Speaker 1>and executive produced by me Brian Baumgartner, alongside our executive

0:35:09.640 --> 0:35:14.360
<v Speaker 1>producer Langley. Our senior producer is Tessa Kramer. Our producer

0:35:14.520 --> 0:35:18.520
<v Speaker 1>is Adam Massias, our associate producer is Emily Carr, and

0:35:18.560 --> 0:35:22.360
<v Speaker 1>our assistant editor is Diego Tapia. My main man in

0:35:22.400 --> 0:35:26.200
<v Speaker 1>the booth is Alec Moore. Our theme song Bubble and

0:35:26.280 --> 0:35:29.480
<v Speaker 1>Squeak performed by my great friend Creed Bratton, and the

0:35:29.520 --> 0:35:32.040
<v Speaker 1>episode was mixed by seth Olandscape