1 00:00:00,240 --> 00:00:02,840 Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I 2 00:00:02,880 --> 00:00:04,640 Speaker 1: am your host Movie Mike. Today I want to share 3 00:00:04,640 --> 00:00:09,160 Speaker 1: with you my top ten best voice acting in animated movies. 4 00:00:09,240 --> 00:00:12,520 Speaker 1: You saw the news last week that sadly James Earl 5 00:00:12,640 --> 00:00:16,959 Speaker 1: Jones passed away, a n iconic legendary actor with the 6 00:00:17,040 --> 00:00:21,840 Speaker 1: most powerful voice in Hollywood, a true legend. We're gonna 7 00:00:21,840 --> 00:00:24,200 Speaker 1: honor him, and we're gonna also talk about more actors 8 00:00:24,239 --> 00:00:28,480 Speaker 1: who have delivered just amazing performances in animated movies. Only 9 00:00:28,960 --> 00:00:30,680 Speaker 1: in the movie Review, we'll be talking about a new 10 00:00:30,720 --> 00:00:34,200 Speaker 1: horror movie starring James McAvoy called Speak No Evil, Full 11 00:00:34,280 --> 00:00:37,760 Speaker 1: On Go in Spooky Season as we head into October, 12 00:00:37,800 --> 00:00:39,879 Speaker 1: and in the Trailer Park, we'll kick it back to 13 00:00:39,960 --> 00:00:43,400 Speaker 1: animation and talk about Peace by Piece, which is the 14 00:00:43,520 --> 00:00:46,920 Speaker 1: lego adaptation of Pharrell. So thank you for being here, 15 00:00:47,000 --> 00:00:49,360 Speaker 1: thank you for being subscribed, Shout out to the Monday 16 00:00:49,360 --> 00:00:52,120 Speaker 1: Morning Movie crew. And now let's talk movies. 17 00:00:52,440 --> 00:00:55,640 Speaker 2: In a world where everyone and their mother has a podcast, 18 00:00:56,160 --> 00:01:00,400 Speaker 2: one man stands to infiltrate the ears of listeners never 19 00:01:00,440 --> 00:01:04,440 Speaker 2: before in a movie podcast, a man with so much 20 00:01:04,520 --> 00:01:09,720 Speaker 2: movie knowledge, he's basically like a walking IMTB with glasses 21 00:01:10,040 --> 00:01:12,040 Speaker 2: from the Nashville podcast Networks. 22 00:01:12,080 --> 00:01:15,400 Speaker 3: This is Movie Mike's Movie podcast. 23 00:01:15,800 --> 00:01:16,320 Speaker 4: James L. 24 00:01:16,400 --> 00:01:19,520 Speaker 1: Jones passed away last week. He was ninety three years old. 25 00:01:19,520 --> 00:01:22,280 Speaker 1: He was the voice in Mufasa Zimba's dad in The 26 00:01:22,360 --> 00:01:25,880 Speaker 1: Lion King in both animated movie from nineteen ninety four 27 00:01:25,959 --> 00:01:27,240 Speaker 1: and the live action remake. 28 00:01:27,480 --> 00:01:29,560 Speaker 4: He was also the voice of Darth Vader. 29 00:01:29,680 --> 00:01:31,480 Speaker 1: If he only did those two roles, he would be 30 00:01:31,680 --> 00:01:35,200 Speaker 1: a legend already. But he was also the dad in 31 00:01:35,240 --> 00:01:38,520 Speaker 1: Coming to America. He was Terence's man in Field of Dreams. 32 00:01:38,800 --> 00:01:41,840 Speaker 1: He had an amazing performance even though it was a 33 00:01:41,880 --> 00:01:45,039 Speaker 1: smaller role in the Sandlot, and that was one that 34 00:01:45,160 --> 00:01:48,600 Speaker 1: hit me in a different way as far as celebrity deaths. 35 00:01:48,680 --> 00:01:50,880 Speaker 1: I saw it posted and he just kind of punched 36 00:01:50,880 --> 00:01:53,280 Speaker 1: me in the gut. He was a pillar in the 37 00:01:53,320 --> 00:01:56,480 Speaker 1: movie industry. So I wanted to do this episode to 38 00:01:56,640 --> 00:02:01,360 Speaker 1: honor his legacy and talk about some other accomplishments in 39 00:02:01,400 --> 00:02:04,680 Speaker 1: animation when it comes to voice acting, which is still 40 00:02:05,160 --> 00:02:08,840 Speaker 1: mind blowing to me that there is no oscar for 41 00:02:08,960 --> 00:02:11,520 Speaker 1: voice acting, and a lot of people argue that if 42 00:02:11,560 --> 00:02:14,760 Speaker 1: they made one, it would lessen the impact of winning 43 00:02:14,840 --> 00:02:18,440 Speaker 1: an Oscar, because if you're winning an Oscar for voice acting, 44 00:02:18,480 --> 00:02:22,280 Speaker 1: therefore it takes away from Best Actor, Best Actress supporting. 45 00:02:22,440 --> 00:02:26,080 Speaker 1: I think that is ridiculous. I think so much work 46 00:02:26,160 --> 00:02:31,360 Speaker 1: goes into voicing animated movies that people don't realize. And 47 00:02:31,400 --> 00:02:33,400 Speaker 1: I think the reason it's lessened a little bit is 48 00:02:33,400 --> 00:02:37,800 Speaker 1: because sometimes actors will just take voice acting roles and 49 00:02:37,840 --> 00:02:42,120 Speaker 1: not really give a whole lot of dynamic range in 50 00:02:42,200 --> 00:02:44,800 Speaker 1: their voice. They're like, I'm a celebrity already, I'm gonna 51 00:02:44,840 --> 00:02:48,000 Speaker 1: do this because it's easy and I get paid. But 52 00:02:48,080 --> 00:02:52,280 Speaker 1: there are other instances where actors go above and be 53 00:02:52,560 --> 00:02:56,080 Speaker 1: on to at times alter their voice so they are 54 00:02:56,080 --> 00:03:00,440 Speaker 1: completely unrecognizable, which I guess sometimes movie exactly with not 55 00:03:00,560 --> 00:03:03,040 Speaker 1: like that because you're paying for the A list star, 56 00:03:03,120 --> 00:03:05,720 Speaker 1: we want it to sound like that person. But that 57 00:03:05,919 --> 00:03:09,400 Speaker 1: is the entire reason that voice acting exists. That is 58 00:03:09,480 --> 00:03:12,560 Speaker 1: why it is so significant. And there are other cases 59 00:03:12,960 --> 00:03:15,799 Speaker 1: where an actor just has a great voice on their 60 00:03:15,880 --> 00:03:17,639 Speaker 1: own and they don't really have to do a whole 61 00:03:17,680 --> 00:03:21,040 Speaker 1: lot to change it. But because they are such great actors, 62 00:03:21,080 --> 00:03:24,560 Speaker 1: they still put in the emphasis and the range of 63 00:03:24,600 --> 00:03:28,040 Speaker 1: emotion that they would if they were on screen and 64 00:03:28,200 --> 00:03:30,919 Speaker 1: just because they're in recording booth doesn't take away from 65 00:03:31,000 --> 00:03:32,000 Speaker 1: that same practice. 66 00:03:32,000 --> 00:03:33,240 Speaker 4: So that is why I decided to. 67 00:03:33,200 --> 00:03:37,760 Speaker 1: Come to you with my top ten best voice acting 68 00:03:37,840 --> 00:03:41,280 Speaker 1: in animated movies only, so not looking at anything live action, 69 00:03:41,880 --> 00:03:44,440 Speaker 1: not even word. There's a character who's animated and there 70 00:03:44,440 --> 00:03:48,480 Speaker 1: are humans. This is pure animation. Although it will range 71 00:03:48,520 --> 00:03:52,000 Speaker 1: in different types of animated movies, We're only focusing on 72 00:03:52,120 --> 00:03:55,920 Speaker 1: animated movies for this list. Kicking it off with number ten, 73 00:03:56,440 --> 00:04:00,360 Speaker 1: I have Trey Parker's performance in Bigger, Longer and un Cut, 74 00:04:00,360 --> 00:04:03,560 Speaker 1: which is the South Park movie from nineteen ninety nine. 75 00:04:04,120 --> 00:04:07,760 Speaker 1: Trey Parker is just one of my favorite minds in 76 00:04:07,800 --> 00:04:12,080 Speaker 1: Hollywood in animation, and I think he goes unrecognized a 77 00:04:12,120 --> 00:04:14,560 Speaker 1: lot because a lot of people just associating with South 78 00:04:14,600 --> 00:04:18,520 Speaker 1: Park being an overly vulgar show. But if you look 79 00:04:18,560 --> 00:04:22,039 Speaker 1: at the significance of his impact in TV with South 80 00:04:22,080 --> 00:04:26,000 Speaker 1: Park alone, but also in movies, who has consistently been 81 00:04:26,120 --> 00:04:29,279 Speaker 1: pushing the barriers on what you can do in film 82 00:04:29,360 --> 00:04:32,479 Speaker 1: in a movie, and I think the biggest test to 83 00:04:32,520 --> 00:04:35,880 Speaker 1: that was in nineteen ninety nine with the South Park movie, 84 00:04:36,480 --> 00:04:40,920 Speaker 1: which at the time was just seen as the ultimate 85 00:04:40,960 --> 00:04:43,080 Speaker 1: thing that you could not watch as a kid because 86 00:04:43,120 --> 00:04:45,960 Speaker 1: how bad it was. And I love the story that 87 00:04:46,000 --> 00:04:49,839 Speaker 1: went into this movie that also mirrored a lot of parents' 88 00:04:50,200 --> 00:04:54,120 Speaker 1: worries about kids watching that TV show. Because what this 89 00:04:54,240 --> 00:04:56,920 Speaker 1: plot does in the movie is it follows the four 90 00:04:56,960 --> 00:04:59,520 Speaker 1: main kids who want to see this movie by Terrence 91 00:04:59,520 --> 00:05:02,520 Speaker 1: and Phila, who are these two animated characters who, just 92 00:05:02,640 --> 00:05:03,240 Speaker 1: like south. 93 00:05:03,040 --> 00:05:06,239 Speaker 4: Park, are very vulgar and over the top. 94 00:05:06,720 --> 00:05:09,320 Speaker 1: And then by them watching this movie, they are now 95 00:05:09,360 --> 00:05:11,760 Speaker 1: exposed to cursing, and they curse all the time. So 96 00:05:11,800 --> 00:05:14,559 Speaker 1: they go from being innocent kids to being these little 97 00:05:15,279 --> 00:05:18,520 Speaker 1: vocal terrors, and then of course it escalates from there. 98 00:05:18,800 --> 00:05:20,960 Speaker 1: But why I put Trey Parker on my list is 99 00:05:21,000 --> 00:05:24,119 Speaker 1: because he voices four of the main characters in south Park. 100 00:05:24,400 --> 00:05:27,080 Speaker 1: He does two of the main kids, Stan Marsh and 101 00:05:27,200 --> 00:05:31,400 Speaker 1: Eric Cartman. He also does Stand's dad Randy mister Garrison. 102 00:05:31,520 --> 00:05:35,760 Speaker 1: He also does in this movie Gregory Mulnead mister Mackie, 103 00:05:35,800 --> 00:05:38,840 Speaker 1: Philip from Terrence and Phillip and Moore, and doing that 104 00:05:38,880 --> 00:05:41,840 Speaker 1: many voices is just impressive in itself. Here's just a 105 00:05:41,839 --> 00:05:44,040 Speaker 1: little bit of his performance as Cartman in the south 106 00:05:44,080 --> 00:05:44,600 Speaker 1: Park movie. 107 00:05:45,279 --> 00:05:46,320 Speaker 3: Somebody Doesn't Dark. 108 00:05:46,560 --> 00:05:49,719 Speaker 4: I can't say the KNA. What are you guys doing here? 109 00:05:51,920 --> 00:05:52,120 Speaker 5: Dead? 110 00:05:52,520 --> 00:05:56,760 Speaker 1: Yeah, So what they do with their voice is they 111 00:05:56,800 --> 00:05:59,640 Speaker 1: do manipulate it a little bit because obviously they are 112 00:05:59,720 --> 00:06:03,840 Speaker 1: grown adults and in order to sound like kids, they pitch. 113 00:06:03,640 --> 00:06:05,760 Speaker 4: It up just a couple of octaves. 114 00:06:05,960 --> 00:06:08,400 Speaker 1: But for the most part, he can do that voice 115 00:06:08,440 --> 00:06:11,840 Speaker 1: on his own without any alterations, and it is fascinating 116 00:06:11,880 --> 00:06:14,880 Speaker 1: to watch. If you've never seen the documentary Six Days 117 00:06:14,880 --> 00:06:18,320 Speaker 1: to Air, which is all about their process on making 118 00:06:18,360 --> 00:06:20,400 Speaker 1: the TV show. A lot of behind the scenes of 119 00:06:20,440 --> 00:06:24,039 Speaker 1: them recording the voices because they would be working on 120 00:06:24,120 --> 00:06:26,839 Speaker 1: an episode in one week that had to come out 121 00:06:26,880 --> 00:06:30,400 Speaker 1: in six days, so you see how stressful it is 122 00:06:30,440 --> 00:06:33,320 Speaker 1: for them to have to write it, record it animated, 123 00:06:33,400 --> 00:06:35,320 Speaker 1: make a bunch of changes. And I think that is 124 00:06:35,360 --> 00:06:37,719 Speaker 1: the main reason that they do so many of the voices, 125 00:06:37,800 --> 00:06:39,000 Speaker 1: is because they just need. 126 00:06:38,839 --> 00:06:40,080 Speaker 4: To be around all the time. 127 00:06:40,520 --> 00:06:44,440 Speaker 1: So it's also astonishing to me that at the same 128 00:06:44,520 --> 00:06:46,880 Speaker 1: time that they were making this movie, they were also 129 00:06:46,960 --> 00:06:50,320 Speaker 1: working on the TV show. So it is a fascinating 130 00:06:50,400 --> 00:06:53,640 Speaker 1: process and that is why I put Trey Parker in 131 00:06:53,760 --> 00:06:57,039 Speaker 1: South Park, Bigger, Longer, and Uncut at number ten. At 132 00:06:57,160 --> 00:07:01,040 Speaker 1: number nine, I have Shamik Moore as my Miles Morales 133 00:07:01,040 --> 00:07:03,000 Speaker 1: in both of the End of the Spider Verse and 134 00:07:03,080 --> 00:07:06,000 Speaker 1: across the Spider Verse movies, and for the most part, 135 00:07:06,040 --> 00:07:08,560 Speaker 1: when we think about Spider Man and the best Spider 136 00:07:08,600 --> 00:07:11,040 Speaker 1: Man of all time, we always go to the live 137 00:07:11,080 --> 00:07:14,640 Speaker 1: action ones, even though there have been different iterations not 138 00:07:14,760 --> 00:07:17,480 Speaker 1: only in the movies but also in the TV shows. 139 00:07:17,920 --> 00:07:21,560 Speaker 1: But you probably think of Toby Maguire, Andrew Garfield and 140 00:07:21,600 --> 00:07:25,880 Speaker 1: Tom Holland before you think of Shamik Moore. And Shamik 141 00:07:25,960 --> 00:07:28,560 Speaker 1: Moore is somebody that I first discovered when I watched 142 00:07:28,600 --> 00:07:31,920 Speaker 1: a coming of age movie called Dope back in twenty fifteen, 143 00:07:31,960 --> 00:07:34,640 Speaker 1: which is a fantastic I would actually put it in 144 00:07:34,720 --> 00:07:37,440 Speaker 1: my top five coming of age movies of all time. 145 00:07:37,920 --> 00:07:40,160 Speaker 1: And it was because of that movie that a few 146 00:07:40,240 --> 00:07:42,600 Speaker 1: years later he got a call from some of the 147 00:07:42,640 --> 00:07:45,560 Speaker 1: people working on Spider Man into the Spider Verse, and 148 00:07:45,600 --> 00:07:48,120 Speaker 1: they got in touch with this team that they potentially 149 00:07:48,160 --> 00:07:50,400 Speaker 1: wanted him to be Miles Morales in this movie that 150 00:07:50,440 --> 00:07:53,480 Speaker 1: they were working on, and they had him send a 151 00:07:53,600 --> 00:07:56,400 Speaker 1: voice note and that ended up being his audition to 152 00:07:56,440 --> 00:07:59,840 Speaker 1: be Spider Man, and he became Miles Morales. 153 00:07:59,280 --> 00:08:02,280 Speaker 4: After that I would have still loved to have. 154 00:08:02,160 --> 00:08:06,320 Speaker 1: Seen Donald Glover aka a childish Gambino to voice the character. 155 00:08:06,600 --> 00:08:09,360 Speaker 1: But you cannot deny how great of a performer that 156 00:08:09,400 --> 00:08:12,320 Speaker 1: Shamik Moore is, and he is somebody now that I'll 157 00:08:12,320 --> 00:08:15,400 Speaker 1: see him do interviews and I can only picture Miles 158 00:08:15,440 --> 00:08:19,000 Speaker 1: Morales as he is talking. Here's one of my favorite 159 00:08:19,000 --> 00:08:23,000 Speaker 1: deliveries of his as Miles Morales in across the Spider Verse. 160 00:08:23,400 --> 00:08:27,240 Speaker 6: Everyone keeps telling me how mad story is supposed to go. 161 00:08:28,560 --> 00:08:30,880 Speaker 3: Nah, I'm gonna do my own game. 162 00:08:33,000 --> 00:08:36,040 Speaker 1: And I think that is a true example of voice 163 00:08:36,120 --> 00:08:39,959 Speaker 1: acting being taken up a level because you are not 164 00:08:40,160 --> 00:08:42,600 Speaker 1: just reading lines off of a page. I can feel 165 00:08:42,600 --> 00:08:45,400 Speaker 1: his performance in that moment, and that was such a 166 00:08:45,440 --> 00:08:48,920 Speaker 1: significant part of this movie that the emotion is not 167 00:08:49,200 --> 00:08:52,000 Speaker 1: lost because it is animated. In that moment right there 168 00:08:52,000 --> 00:08:55,080 Speaker 1: that I just played, I was completely unaware that I 169 00:08:55,160 --> 00:08:57,960 Speaker 1: was watching something animated, And in this case, I attributed 170 00:08:57,960 --> 00:09:01,240 Speaker 1: it to the amazing animation style that is just so 171 00:09:02,000 --> 00:09:04,679 Speaker 1: encompassing and really engulfs you in this world. 172 00:09:05,040 --> 00:09:05,880 Speaker 4: But also it. 173 00:09:05,800 --> 00:09:11,800 Speaker 1: Has fantastic acting between Shamik Moore, Oscar Isaac, Jake Johnson, 174 00:09:12,120 --> 00:09:16,640 Speaker 1: Hayley Steinfeld, Brian Tyree Henry. This movie goes above and 175 00:09:16,679 --> 00:09:19,520 Speaker 1: beyond in its voice acting. But at number nine I 176 00:09:19,559 --> 00:09:22,800 Speaker 1: have Shamik Moore as Miles Morales in both of the 177 00:09:22,840 --> 00:09:25,880 Speaker 1: Spider Verse movies. At number eight, I'm going with George 178 00:09:25,920 --> 00:09:30,480 Speaker 1: Clooney as Mister Fox in Fantastic Mister Fox. This is 179 00:09:30,559 --> 00:09:34,520 Speaker 1: my favorite animated Wes Anderson movie. And this is one 180 00:09:34,520 --> 00:09:37,520 Speaker 1: of those examples of actors I was talking about earlier 181 00:09:37,520 --> 00:09:39,640 Speaker 1: who are just great actors and they're gonna put their 182 00:09:39,679 --> 00:09:43,280 Speaker 1: all into her performance, whether it be live action or animated. 183 00:09:43,880 --> 00:09:47,160 Speaker 1: And George Clooney I wouldn't watch in a movie, say 184 00:09:47,240 --> 00:09:51,200 Speaker 1: like The Oceans movies, or even him as Batman and think, ah, 185 00:09:51,240 --> 00:09:54,559 Speaker 1: he has a great, fantastic voice, but it is undeniable 186 00:09:54,640 --> 00:09:57,400 Speaker 1: that he is a great actor, one of the best 187 00:09:57,480 --> 00:10:01,120 Speaker 1: in our lifetime. But this movie really changed how I 188 00:10:01,160 --> 00:10:04,600 Speaker 1: saw him as an actor by completely rounding out all 189 00:10:04,679 --> 00:10:08,240 Speaker 1: his capabilities of not only being able to be a 190 00:10:08,280 --> 00:10:12,520 Speaker 1: great fantastic lead while on screen, but having that exact 191 00:10:12,559 --> 00:10:16,080 Speaker 1: same effect when you only hear his voice. And also 192 00:10:16,320 --> 00:10:19,960 Speaker 1: just to play such a unique stop motion Fox, you 193 00:10:20,040 --> 00:10:22,559 Speaker 1: had to have somebody like George Clooney and the rest 194 00:10:22,600 --> 00:10:25,079 Speaker 1: of this amazing cast to really pull it off. Here's 195 00:10:25,080 --> 00:10:27,960 Speaker 1: my favorite example of his performance as mister Fox in 196 00:10:28,120 --> 00:10:29,440 Speaker 1: Fantastic Mister Fox. 197 00:10:29,600 --> 00:10:31,640 Speaker 4: Honey, I'm seven, non Fox years old now. 198 00:10:31,679 --> 00:10:33,720 Speaker 5: My father died at seven and a half. I don't 199 00:10:33,760 --> 00:10:36,160 Speaker 5: want to live in a hole anymore, and I'm gonna 200 00:10:36,200 --> 00:10:39,719 Speaker 5: do something about it. 201 00:10:42,120 --> 00:10:45,280 Speaker 1: And not only do you have George Clooney in this 202 00:10:45,400 --> 00:10:48,880 Speaker 1: Wes Anderson movie, you also get the entire list of 203 00:10:48,960 --> 00:10:53,240 Speaker 1: reoccurring actors from Wes Anderson movies, with Bill Murray, Jason Schwartzman, 204 00:10:53,320 --> 00:10:57,400 Speaker 1: Meryl Streep, Owen Wilson, Willem Dafoe, and it's so fun 205 00:10:57,400 --> 00:11:01,600 Speaker 1: to hear George Clooney behind them in this adaptation of 206 00:11:01,600 --> 00:11:04,800 Speaker 1: a role doll story. I also wanted to include this 207 00:11:05,200 --> 00:11:07,680 Speaker 1: movie on my list because I feel sometimes stop motion 208 00:11:07,800 --> 00:11:10,559 Speaker 1: doesn't get the credit it deserves in the world of 209 00:11:10,600 --> 00:11:13,720 Speaker 1: animation because it has such a unique style, and to 210 00:11:13,800 --> 00:11:16,400 Speaker 1: some people it's a little bit off putting because it 211 00:11:16,440 --> 00:11:20,120 Speaker 1: doesn't have that same flow. It's not as pretty as 212 00:11:20,320 --> 00:11:23,640 Speaker 1: all of the other styles of animation. But I've always 213 00:11:23,679 --> 00:11:27,079 Speaker 1: just been instantly drawn to it because of the handmade 214 00:11:27,240 --> 00:11:30,160 Speaker 1: quality that it has. It feels like something you can touch. 215 00:11:30,520 --> 00:11:34,200 Speaker 1: I love the fur on mister Fox that moves throughout, 216 00:11:34,360 --> 00:11:36,120 Speaker 1: and that is a really hard thing to do when 217 00:11:36,160 --> 00:11:37,960 Speaker 1: it comes to stop motion, because they have to move 218 00:11:38,040 --> 00:11:40,559 Speaker 1: all these little hairs and all these. 219 00:11:40,400 --> 00:11:42,200 Speaker 4: Little positions to get it just right. 220 00:11:42,760 --> 00:11:46,360 Speaker 1: But this movie feels alive in its animation, and it 221 00:11:46,440 --> 00:11:50,079 Speaker 1: has the voice acting at an entirely different level than 222 00:11:50,160 --> 00:11:53,600 Speaker 1: I would expect in anything animation. To have this elite 223 00:11:53,760 --> 00:11:58,400 Speaker 1: level of talent behind the mic Oscar nominated Oscar winning 224 00:11:58,520 --> 00:12:02,200 Speaker 1: talent all in ste this movie and only made for 225 00:12:02,240 --> 00:12:05,280 Speaker 1: a mere forty million dollars. That's why I included at 226 00:12:05,360 --> 00:12:09,280 Speaker 1: number eight George Clooney as mister Fox. At number seven, 227 00:12:09,640 --> 00:12:14,160 Speaker 1: I have Steve Carell as grew in the Despicable Me franchise. 228 00:12:14,559 --> 00:12:16,760 Speaker 1: And Steve Carell is somebody who I would say just 229 00:12:16,880 --> 00:12:19,520 Speaker 1: has a funny voice on his own. If you look 230 00:12:19,559 --> 00:12:22,800 Speaker 1: at clips of the office, he is very animated in 231 00:12:22,840 --> 00:12:25,360 Speaker 1: his delivery, even going back to forty year old Virgin. 232 00:12:25,800 --> 00:12:28,960 Speaker 1: He has this comedic range just in his voice that 233 00:12:29,040 --> 00:12:31,719 Speaker 1: he could easily just have went into the booth for 234 00:12:31,800 --> 00:12:35,640 Speaker 1: Despicable Me and just done his normal regular voice and 235 00:12:35,720 --> 00:12:38,480 Speaker 1: it would have worked. But would it have been as 236 00:12:38,640 --> 00:12:42,360 Speaker 1: memorable if he didn't completely change it and turning to Grow, 237 00:12:42,880 --> 00:12:46,400 Speaker 1: which has this very obscure super villain accident. 238 00:12:46,480 --> 00:12:47,200 Speaker 4: I don't think so. 239 00:12:47,840 --> 00:12:51,280 Speaker 1: Would it have sparked an entire franchise if he didn't 240 00:12:51,320 --> 00:12:55,520 Speaker 1: give the performance that he did completely altering the voice 241 00:12:55,520 --> 00:12:58,000 Speaker 1: we know as Steve Carell. Here's just a little bit 242 00:12:58,080 --> 00:12:59,880 Speaker 1: of his voice, indespicable me Won. 243 00:13:00,520 --> 00:13:01,440 Speaker 3: We are going to. 244 00:13:01,559 --> 00:13:04,600 Speaker 4: Steal ja this for a thing? 245 00:13:12,200 --> 00:13:16,839 Speaker 3: He's fine it Wald, who give me whatever I want? 246 00:13:17,200 --> 00:13:17,599 Speaker 3: Other than that? 247 00:13:18,200 --> 00:13:23,400 Speaker 4: And I will be tried to sculling of all time. 248 00:13:26,640 --> 00:13:30,319 Speaker 3: That's what I'm talking bout. 249 00:13:31,120 --> 00:13:36,240 Speaker 1: So it's this vaguely Eastern European accent, and at times 250 00:13:36,280 --> 00:13:39,840 Speaker 1: he talks a mile a minute. Perfectly fits the character 251 00:13:39,960 --> 00:13:43,080 Speaker 1: design of Grow, which I think that is the method 252 00:13:43,120 --> 00:13:45,400 Speaker 1: that a lot of actors do, is they get the 253 00:13:45,440 --> 00:13:48,640 Speaker 1: sketch of the character and think, what does this person 254 00:13:48,720 --> 00:13:51,520 Speaker 1: sound like? I know that sounds so basic, but that's 255 00:13:51,559 --> 00:13:53,880 Speaker 1: really what you have to do to give the performance 256 00:13:53,920 --> 00:13:56,400 Speaker 1: that matches the actual character, and not just oh I 257 00:13:56,440 --> 00:13:59,240 Speaker 1: have this voice that I normally do, maybe it'll work 258 00:13:59,280 --> 00:14:02,559 Speaker 1: here A number seven. I have Steve Carell as Grew 259 00:14:03,000 --> 00:14:07,480 Speaker 1: indespicable me one, two, three, and four at number six. 260 00:14:07,960 --> 00:14:11,480 Speaker 1: I have Jeremy Iron's voicing Scar in The Lion King 261 00:14:11,559 --> 00:14:15,680 Speaker 1: from nineteen ninety four. Scar was a villain that I 262 00:14:15,760 --> 00:14:18,280 Speaker 1: hated as a kid and also feared a little bit, 263 00:14:18,360 --> 00:14:21,840 Speaker 1: even though he was an animated character. But that was 264 00:14:21,920 --> 00:14:26,880 Speaker 1: largely due to Jeremy Iron's performance creating this menacing character 265 00:14:26,920 --> 00:14:31,320 Speaker 1: who had a really low tone, very menacing, very ominous, 266 00:14:31,400 --> 00:14:34,040 Speaker 1: and at times this level of rage that would just 267 00:14:34,240 --> 00:14:37,000 Speaker 1: shout out. And that is the same level of acting 268 00:14:37,040 --> 00:14:40,120 Speaker 1: that you would expect in a live action movie. Best scene, 269 00:14:40,240 --> 00:14:43,080 Speaker 1: hands down, when it comes to Scar in The Lion 270 00:14:43,160 --> 00:14:46,400 Speaker 1: King has to be the fight between him and Simba 271 00:14:46,440 --> 00:14:48,840 Speaker 1: at the very end of the movie. And this scene 272 00:14:48,880 --> 00:14:50,960 Speaker 1: by Jeremy Iron still gives me chills. 273 00:14:51,640 --> 00:14:57,080 Speaker 5: Now, this looks on me. Where have I seen this? 274 00:14:57,200 --> 00:15:01,960 Speaker 5: Beforn to me? Wo sight of him? 275 00:15:02,200 --> 00:15:05,400 Speaker 4: This is just the way your father looked before he died. 276 00:15:05,480 --> 00:15:11,400 Speaker 4: Oh no, he has my little secret. 277 00:15:13,040 --> 00:15:19,280 Speaker 5: Guilt falser. 278 00:15:19,920 --> 00:15:22,760 Speaker 1: I mean that tone in his voice right there is 279 00:15:23,080 --> 00:15:28,160 Speaker 1: my little secret I can't like. Oh my gosh, that 280 00:15:28,200 --> 00:15:30,640 Speaker 1: still gives me choked. But Jeremy Irons took it a 281 00:15:30,680 --> 00:15:34,560 Speaker 1: step above in The Lion King. I have him at 282 00:15:34,640 --> 00:15:38,560 Speaker 1: number six. Ass Scar at number five, getting into the 283 00:15:38,600 --> 00:15:41,280 Speaker 1: top five. Now would it be a top five if 284 00:15:41,320 --> 00:15:44,760 Speaker 1: I didn't include one of my favorite animated movies of 285 00:15:44,800 --> 00:15:48,120 Speaker 1: all time, my hands down favorite Disney movie of all 286 00:15:48,200 --> 00:15:52,960 Speaker 1: time at number five. I have Chris Sanders ass Stitch 287 00:15:53,480 --> 00:15:56,840 Speaker 1: in Leelo and Stitch. So not only is he the 288 00:15:56,960 --> 00:15:59,240 Speaker 1: voice of Stitch in this movie, he is also the 289 00:15:59,280 --> 00:16:02,720 Speaker 1: creator of Li Lo and Stitch, which is getting a 290 00:16:02,800 --> 00:16:06,680 Speaker 1: live action movie next summer that I'm actually excited for. 291 00:16:07,280 --> 00:16:10,320 Speaker 1: I think the character design a Stitch actually translates pretty 292 00:16:10,320 --> 00:16:12,720 Speaker 1: well into live action, but I can't wait to see 293 00:16:13,000 --> 00:16:15,680 Speaker 1: the full trailer to that. But I didn't just include 294 00:16:15,720 --> 00:16:18,600 Speaker 1: it on my list because it is my favorite Disney movie. 295 00:16:19,120 --> 00:16:22,320 Speaker 1: I put it on here because you think about the 296 00:16:22,480 --> 00:16:25,880 Speaker 1: actual energy it takes to voice Stitch in this movie 297 00:16:25,960 --> 00:16:27,840 Speaker 1: and the toll that it actually took. 298 00:16:27,640 --> 00:16:28,240 Speaker 4: On his voice. 299 00:16:28,240 --> 00:16:32,040 Speaker 1: Because the more you do the voice of Stitch, the 300 00:16:32,080 --> 00:16:34,920 Speaker 1: more it shreds your vocal cords. He has to go 301 00:16:34,960 --> 00:16:39,520 Speaker 1: into this weird, nasally mischievous voice that does a number 302 00:16:39,840 --> 00:16:42,400 Speaker 1: when you're just sitting in a vocal mood, take after 303 00:16:42,520 --> 00:16:44,960 Speaker 1: take trying to get it perfect. And if you think 304 00:16:44,960 --> 00:16:47,840 Speaker 1: about the times that Stitch speaks in this movie. It 305 00:16:47,920 --> 00:16:51,080 Speaker 1: is often a little burst of energy like. 306 00:16:51,040 --> 00:16:55,920 Speaker 4: This one now much. 307 00:16:55,840 --> 00:16:59,520 Speaker 1: Fare and the one time that he really had to 308 00:16:59,600 --> 00:17:03,120 Speaker 1: dig in to his soul and actually have a little 309 00:17:03,120 --> 00:17:06,560 Speaker 1: bit of acting on his part, which you don't really 310 00:17:06,640 --> 00:17:09,400 Speaker 1: look at the character of Stitch and think, oh, he's 311 00:17:09,400 --> 00:17:11,600 Speaker 1: gonna have to give a really great performance. And that 312 00:17:11,720 --> 00:17:15,480 Speaker 1: is the hard thing about some animated characters that have 313 00:17:15,600 --> 00:17:18,800 Speaker 1: a very unique voice, but you think are you going 314 00:17:18,840 --> 00:17:22,080 Speaker 1: to be able to carry that throughout an entire film. 315 00:17:22,400 --> 00:17:24,919 Speaker 1: An example I think of this was during the Super 316 00:17:24,920 --> 00:17:28,240 Speaker 1: Mario Brothers movie, where everybody was outraged about Chris Pratt 317 00:17:28,320 --> 00:17:32,240 Speaker 1: voicing Mario. They wanted the original actor who did Mario 318 00:17:32,320 --> 00:17:35,199 Speaker 1: in the video games. But the problem with that is 319 00:17:36,119 --> 00:17:39,520 Speaker 1: in the video games you only hear Mario talking for 320 00:17:39,640 --> 00:17:42,359 Speaker 1: seconds at a time. He has some catchphrases here and there, 321 00:17:42,800 --> 00:17:46,160 Speaker 1: but is that going to carry out through an entire movie. 322 00:17:46,320 --> 00:17:49,919 Speaker 1: You're probably gonna get sick of it in ten, maybe 323 00:17:50,000 --> 00:17:52,600 Speaker 1: twenty minutes. So that is why they went with Chris Pratt, 324 00:17:52,800 --> 00:17:55,960 Speaker 1: and it actually worked pretty well in that movie. Leelo 325 00:17:56,040 --> 00:17:59,679 Speaker 1: and Stitch would have been along those same lines. I 326 00:17:59,720 --> 00:18:02,240 Speaker 1: don't thing you could have this same type of movie 327 00:18:02,320 --> 00:18:05,280 Speaker 1: if Stitch had to speak as much as Leelo, but 328 00:18:05,320 --> 00:18:09,720 Speaker 1: he speaks in these very quick bursts that when they happen, 329 00:18:10,600 --> 00:18:13,960 Speaker 1: they are so memorable and so great and so much 330 00:18:14,040 --> 00:18:18,480 Speaker 1: fun that it's almost like in monster movies, where you 331 00:18:18,520 --> 00:18:21,280 Speaker 1: don't see the monster a whole lot, but it adds 332 00:18:21,320 --> 00:18:24,000 Speaker 1: to his impact. So every time Stitch opens his mouth 333 00:18:24,119 --> 00:18:27,560 Speaker 1: is very significant. And then later in the film, the 334 00:18:27,600 --> 00:18:30,120 Speaker 1: scene where he gets captured and they're gonna take him back, 335 00:18:30,200 --> 00:18:32,960 Speaker 1: he actually has to act a little bit, and you 336 00:18:33,080 --> 00:18:36,159 Speaker 1: really get the range of Chris Sanders here having to 337 00:18:36,160 --> 00:18:38,280 Speaker 1: take this character that has just been in these little 338 00:18:38,359 --> 00:18:41,640 Speaker 1: fits and outbursts and really hone it in and give 339 00:18:41,720 --> 00:18:42,359 Speaker 1: up performance. 340 00:18:42,600 --> 00:18:43,439 Speaker 4: Here's that moment. 341 00:18:44,119 --> 00:18:49,399 Speaker 6: This is my family. I found it all on my own. 342 00:18:50,640 --> 00:18:58,320 Speaker 6: That's little and broken but still good. Yeah, still Grudt. 343 00:18:59,040 --> 00:19:02,320 Speaker 4: Still gets me every single time. Just for that scene. 344 00:19:02,560 --> 00:19:05,840 Speaker 1: I've put Chris Sanders at number five as Stitch and 345 00:19:05,920 --> 00:19:08,640 Speaker 1: Lilo and Stitch, and I can't wait for his new movie, 346 00:19:08,680 --> 00:19:11,160 Speaker 1: The Wild Robot to come out later this month on 347 00:19:11,200 --> 00:19:16,520 Speaker 1: September twenty seventh. At number four, I have Tom Hanks 348 00:19:16,560 --> 00:19:20,600 Speaker 1: voicing Woody in the Toy Story franchise one two three, 349 00:19:20,640 --> 00:19:23,480 Speaker 1: and four and soon to be five, six, seven, eight, nine, 350 00:19:23,520 --> 00:19:27,119 Speaker 1: and ten. And Tom Hanks is one of those people who, 351 00:19:27,280 --> 00:19:30,680 Speaker 1: unlike George Clooney, I do watch him in movies and thinks, man, 352 00:19:30,680 --> 00:19:33,560 Speaker 1: he has just a great voice, because not only does 353 00:19:33,600 --> 00:19:38,080 Speaker 1: he have great facial expressions and mannerisms and just a 354 00:19:38,119 --> 00:19:41,360 Speaker 1: great presence on screen, he has a voice with. 355 00:19:41,400 --> 00:19:42,440 Speaker 4: A lot of range. 356 00:19:43,040 --> 00:19:47,040 Speaker 1: Particularly when Tom Hanks gets excited is my favorite thing, 357 00:19:47,840 --> 00:19:50,040 Speaker 1: and not often do we get it. But when he 358 00:19:50,080 --> 00:19:54,120 Speaker 1: gets angry is also really great. But he usually doesn't 359 00:19:54,160 --> 00:19:56,760 Speaker 1: really play characters that get angry a whole lot. He 360 00:19:56,920 --> 00:20:00,160 Speaker 1: is primarily the good guy in movies. Whenever he as 361 00:20:00,200 --> 00:20:02,760 Speaker 1: a villain, it's like, oh weird Tom Hanks as a villain. 362 00:20:03,280 --> 00:20:06,600 Speaker 1: But I think this particular moment in Toy Story one 363 00:20:07,160 --> 00:20:10,400 Speaker 1: where he is fighting with buzz Lightyear and shows how 364 00:20:10,480 --> 00:20:14,400 Speaker 1: much control he has with his voice to really make 365 00:20:14,440 --> 00:20:17,960 Speaker 1: you feel that emotion. Here's the scene I'm talking about. 366 00:20:18,320 --> 00:20:20,320 Speaker 4: What what are you talking about? 367 00:20:21,160 --> 00:20:26,280 Speaker 3: You are toy, You weren't the real buzz light You're 368 00:20:26,840 --> 00:20:28,240 Speaker 3: you're an accent fig yard. 369 00:20:28,600 --> 00:20:31,159 Speaker 4: You are a child plaything. 370 00:20:32,080 --> 00:20:33,400 Speaker 3: Oh yeah, well, good. 371 00:20:33,200 --> 00:20:36,879 Speaker 1: Ridden Sillney because you hear him getting mad, but it 372 00:20:37,040 --> 00:20:39,280 Speaker 1: also has a comedic tone to it. 373 00:20:39,320 --> 00:20:41,120 Speaker 4: I don't know what he gets really frustrated. 374 00:20:41,720 --> 00:20:45,439 Speaker 1: That is just voice acting at its finest, and the 375 00:20:45,560 --> 00:20:47,560 Speaker 1: range he has with what you a loan to make 376 00:20:47,600 --> 00:20:50,520 Speaker 1: you laugh, to make you feel something there that maybe 377 00:20:50,560 --> 00:20:52,840 Speaker 1: has a little bit more of a tone of anger, 378 00:20:53,240 --> 00:20:56,160 Speaker 1: but then also to make you feel that sadness. The 379 00:20:56,280 --> 00:21:00,480 Speaker 1: ending of Toy Story three so long, partner, Ah, that 380 00:21:00,600 --> 00:21:02,920 Speaker 1: is so good. I can't believe that they almost made 381 00:21:03,480 --> 00:21:06,480 Speaker 1: Woody a ventriloquist doll in Toy Story. That was the 382 00:21:06,520 --> 00:21:09,560 Speaker 1: original design of the character. Then they thought, oh, this 383 00:21:09,640 --> 00:21:12,480 Speaker 1: looks a little bit too freaky, and they decided to 384 00:21:12,560 --> 00:21:15,439 Speaker 1: change Woody and make them a cowboy instead, because, Ah, 385 00:21:15,760 --> 00:21:19,000 Speaker 1: kids would probably be more inclined to want to play 386 00:21:19,000 --> 00:21:22,360 Speaker 1: with a cowboy than a creepy ventriloquist doll. I think 387 00:21:22,400 --> 00:21:24,760 Speaker 1: if we would have been the ventriloquist, it would have 388 00:21:24,880 --> 00:21:27,679 Speaker 1: reminded me of Slappy from Goosebumps, and I would have 389 00:21:27,680 --> 00:21:30,879 Speaker 1: been terrified. Every kid in the nineties would have been terrified, 390 00:21:30,960 --> 00:21:33,800 Speaker 1: and Toy Story probably would have tanked. So I'm glad 391 00:21:33,880 --> 00:21:36,360 Speaker 1: they switched Woody to be a cowboy. 392 00:21:36,160 --> 00:21:36,880 Speaker 4: At number three. 393 00:21:37,080 --> 00:21:41,000 Speaker 1: I have Eddie Murphy voicing Donkey in the Shrek films, 394 00:21:41,040 --> 00:21:43,840 Speaker 1: which they are coming out with a new Shrek movie, 395 00:21:43,880 --> 00:21:45,600 Speaker 1: not for a couple of years. I think it's supposed 396 00:21:45,640 --> 00:21:48,600 Speaker 1: to come out July first, twenty twenty six. I kind 397 00:21:48,600 --> 00:21:51,640 Speaker 1: of forgot about Shrek four, one, two, and three. 398 00:21:51,520 --> 00:21:52,359 Speaker 4: Were so big. 399 00:21:52,760 --> 00:21:55,639 Speaker 1: Four it came a little bit later, so I feel 400 00:21:55,680 --> 00:21:58,399 Speaker 1: like my excitement was a little bit watered down to 401 00:21:58,480 --> 00:22:01,960 Speaker 1: the fact that Shrek four it exists. But even more 402 00:22:02,000 --> 00:22:05,040 Speaker 1: so than Mike Myers's performance as Shrek, I think the 403 00:22:05,119 --> 00:22:09,080 Speaker 1: true standout star is Eddie Murphy along the same lines 404 00:22:09,119 --> 00:22:12,400 Speaker 1: of Tom Hanks. Eddie also has such great control over 405 00:22:12,440 --> 00:22:14,679 Speaker 1: his voice. But the reason I rank him just a 406 00:22:14,760 --> 00:22:17,959 Speaker 1: little bit higher is because I think Eddie Murphy on 407 00:22:18,000 --> 00:22:21,520 Speaker 1: his own is just funnier. He has the stand up experience, 408 00:22:21,880 --> 00:22:25,080 Speaker 1: he has all the characters he played on SNL, and 409 00:22:25,119 --> 00:22:28,040 Speaker 1: I think he was born to do comedy and I 410 00:22:28,080 --> 00:22:30,919 Speaker 1: wouldn't have thought that his best work would come in 411 00:22:31,000 --> 00:22:34,679 Speaker 1: the world of animation. But he is just so dynamic 412 00:22:34,800 --> 00:22:38,240 Speaker 1: as Donkey. This is still hands down my favorite performance 413 00:22:38,240 --> 00:22:39,880 Speaker 1: of his out of any of the movies. 414 00:22:40,720 --> 00:22:45,080 Speaker 3: Night Only, Oh It's gonna be fun. We can see 415 00:22:45,160 --> 00:22:48,040 Speaker 3: m late swapping manless stars and in the morning, I'm 416 00:22:48,040 --> 00:22:53,720 Speaker 3: making waffles, we do a sleep outside. 417 00:22:55,440 --> 00:22:57,400 Speaker 4: Oh well, I guess that's cool. 418 00:22:57,800 --> 00:22:59,400 Speaker 7: I mean I don't know you and you don't know me, 419 00:22:59,480 --> 00:23:01,399 Speaker 7: so I guess as sad as best you know. 420 00:23:03,080 --> 00:23:07,600 Speaker 1: Yeahcho, that clip right there encompasses everything, the comedy, the sadness, 421 00:23:07,640 --> 00:23:11,280 Speaker 1: the range of Adie Murphy. Steven Spielberg actually bought the 422 00:23:11,359 --> 00:23:13,639 Speaker 1: rights to the book that Shrek is based on. Even 423 00:23:13,680 --> 00:23:16,399 Speaker 1: though Shrek is just a big parody of all the 424 00:23:16,440 --> 00:23:18,720 Speaker 1: Disney fairy tales and that's kind of what these movies 425 00:23:18,800 --> 00:23:22,800 Speaker 1: served as in the two thousands, but he originally wanted 426 00:23:22,840 --> 00:23:25,439 Speaker 1: to make a little bit more of a traditional animated film, 427 00:23:25,680 --> 00:23:27,800 Speaker 1: and he wanted Bill Murray to be the voice of 428 00:23:27,840 --> 00:23:30,360 Speaker 1: Shrek and Steve Martin to be the voice of Donkey. 429 00:23:30,880 --> 00:23:32,480 Speaker 1: I think that would have been fine, but it would 430 00:23:32,520 --> 00:23:36,159 Speaker 1: have had a much different just overall feeling, and no 431 00:23:36,320 --> 00:23:38,840 Speaker 1: way that Steve Martin would have done as good a 432 00:23:38,920 --> 00:23:42,040 Speaker 1: job as Donkey. And the other casting change that they 433 00:23:42,160 --> 00:23:47,080 Speaker 1: had was Chris Farley was actually originally going to be Shrek, 434 00:23:47,400 --> 00:23:50,520 Speaker 1: and there's test footage with him. Even the character of 435 00:23:50,600 --> 00:23:53,639 Speaker 1: Shrek is modeled to look like Chris Farley. If you 436 00:23:53,680 --> 00:23:56,400 Speaker 1: look at them side by side, which the design did 437 00:23:56,560 --> 00:24:00,159 Speaker 1: change from the first iteration, it kind of resembles what 438 00:24:00,240 --> 00:24:02,440 Speaker 1: Chris Farley look like. And I think it was a 439 00:24:02,560 --> 00:24:06,920 Speaker 1: role that Chris Farley was really interested in doing because 440 00:24:07,000 --> 00:24:10,280 Speaker 1: he was seen for the majority of his career as 441 00:24:10,320 --> 00:24:12,720 Speaker 1: being the big dumb, fat guy. And as a former 442 00:24:12,760 --> 00:24:15,840 Speaker 1: big dumb, fat guy, I know what kind of an 443 00:24:15,840 --> 00:24:19,000 Speaker 1: impact that can have on you. Where you have been 444 00:24:19,040 --> 00:24:22,080 Speaker 1: celebrated for all the wacky things you do, falling down, 445 00:24:22,200 --> 00:24:26,240 Speaker 1: getting hurt, saying ridiculous things. Sometimes you just want somebody 446 00:24:26,280 --> 00:24:29,520 Speaker 1: to take you seriously. And I think Shrek was going 447 00:24:29,560 --> 00:24:32,040 Speaker 1: to be that for him. And if you listen to 448 00:24:32,080 --> 00:24:36,080 Speaker 1: this clip of him and Eddie Murphy doing some early 449 00:24:36,200 --> 00:24:39,680 Speaker 1: lines with some very rough animations, you can really hear 450 00:24:39,720 --> 00:24:40,560 Speaker 1: that in his voice. 451 00:24:41,000 --> 00:24:43,520 Speaker 3: Oh this is one of those onion things. 452 00:24:43,880 --> 00:24:46,840 Speaker 4: No, this is one of those drop it and leave 453 00:24:46,880 --> 00:24:48,560 Speaker 4: me alone things. 454 00:24:48,920 --> 00:24:50,360 Speaker 3: Well, why don't you want to talk about him? 455 00:24:50,480 --> 00:24:51,959 Speaker 4: Why do you want to talk about it? 456 00:24:52,040 --> 00:24:53,280 Speaker 3: Why you answer the question with a question? 457 00:24:53,280 --> 00:24:55,160 Speaker 4: Why are you asking questions I don't want to answer? 458 00:24:55,200 --> 00:24:56,560 Speaker 3: Why are you I'm not blocking? 459 00:24:56,680 --> 00:24:56,800 Speaker 5: Then? 460 00:24:56,800 --> 00:24:58,480 Speaker 3: Why do you have problems expressing your wonts? 461 00:24:58,720 --> 00:24:59,200 Speaker 5: I don't. 462 00:24:59,600 --> 00:25:02,840 Speaker 4: I you just shut up, see no problem. 463 00:25:02,840 --> 00:25:04,200 Speaker 3: You're just displacing your anger. 464 00:25:04,240 --> 00:25:05,640 Speaker 4: Believe me, it's properly placed. 465 00:25:05,680 --> 00:25:07,600 Speaker 3: You're really mad. Whoever did this to you? No one 466 00:25:07,640 --> 00:25:10,120 Speaker 3: did anything to me. Yes, yes, someone hurts you so bad. 467 00:25:10,119 --> 00:25:12,600 Speaker 3: Someone hurts you many years ago. Leave my parents out of. 468 00:25:12,560 --> 00:25:13,640 Speaker 2: This right through. 469 00:25:14,040 --> 00:25:17,520 Speaker 1: And I would have paid to see that movie more 470 00:25:17,560 --> 00:25:19,720 Speaker 1: so than I would have paid to see Mike Myers version, 471 00:25:19,760 --> 00:25:22,320 Speaker 1: even though that is the version we know and love. 472 00:25:22,960 --> 00:25:25,240 Speaker 1: But he has like this weird iron accent that I 473 00:25:25,240 --> 00:25:27,800 Speaker 1: think is still an interesting choice on Shrek. So that's 474 00:25:27,800 --> 00:25:30,159 Speaker 1: why I didn't include Mike Myers on this list. I 475 00:25:30,240 --> 00:25:33,199 Speaker 1: included Eddie Murphy. But if you would have had the 476 00:25:33,280 --> 00:25:37,360 Speaker 1: version with Chris Farley and Eddie Murphy, I think Chris 477 00:25:37,400 --> 00:25:39,720 Speaker 1: Farley would be on this list just from that performance alone, 478 00:25:39,760 --> 00:25:42,439 Speaker 1: and again that is very raw, but you hear that 479 00:25:43,400 --> 00:25:47,080 Speaker 1: real acting ability in his voice and also him getting 480 00:25:47,080 --> 00:25:49,800 Speaker 1: angry there is like classic Chris Farley. I think that 481 00:25:49,840 --> 00:25:52,160 Speaker 1: would have been amazing. But on the list at number 482 00:25:52,200 --> 00:25:56,639 Speaker 1: three is Eddie Murphy as Donkey in Shrek. At number 483 00:25:56,640 --> 00:25:59,120 Speaker 1: two is one that also hits me in the gut 484 00:25:59,320 --> 00:26:02,280 Speaker 1: was another so death that was just oh my gosh 485 00:26:02,920 --> 00:26:05,199 Speaker 1: kind of rock me and also one that I just 486 00:26:05,240 --> 00:26:07,760 Speaker 1: go back and think about and gets sad because of 487 00:26:07,880 --> 00:26:11,159 Speaker 1: how great of an actor he was on screen, but 488 00:26:11,440 --> 00:26:14,240 Speaker 1: even a better actor in my opinion when it came 489 00:26:14,320 --> 00:26:15,520 Speaker 1: to his voice acting. 490 00:26:15,920 --> 00:26:18,360 Speaker 4: At number two, I have Robin. 491 00:26:18,080 --> 00:26:21,840 Speaker 1: Williams voicing the Genie in Aladdin back in nineteen ninety two. 492 00:26:22,520 --> 00:26:27,040 Speaker 1: The best part about this performance is that the filmmakers 493 00:26:27,080 --> 00:26:30,480 Speaker 1: allowed him to improvise almost all of his performance. 494 00:26:30,920 --> 00:26:33,439 Speaker 4: In those initial recordings. 495 00:26:33,000 --> 00:26:36,439 Speaker 1: He had about fifty two different types of characters in 496 00:26:36,480 --> 00:26:39,240 Speaker 1: different ways that he portrayed the Genie, which he transforms 497 00:26:39,240 --> 00:26:42,280 Speaker 1: into different characters throughout the movie doing all these funny things. 498 00:26:42,800 --> 00:26:45,280 Speaker 1: The filmmakers had to go and just pick out which 499 00:26:45,280 --> 00:26:48,320 Speaker 1: were the funniest bits to use. That is the best 500 00:26:48,359 --> 00:26:53,240 Speaker 1: way to get an amazing performance from an actor who 501 00:26:53,359 --> 00:26:56,560 Speaker 1: has the comedic abilities like Robin Williams. Youah to just 502 00:26:56,640 --> 00:26:59,879 Speaker 1: let him run and do whatever they want, and that 503 00:27:00,160 --> 00:27:02,920 Speaker 1: is what you get from Robin Williams as the Genie, 504 00:27:02,960 --> 00:27:06,399 Speaker 1: who I would say is a masterclass on how to 505 00:27:06,480 --> 00:27:10,880 Speaker 1: do comedic work in voice acting. It has his signature wit, 506 00:27:11,280 --> 00:27:14,760 Speaker 1: that rapid fire delivery, talking a mile a minute, and 507 00:27:14,800 --> 00:27:19,920 Speaker 1: that endless range of voices and impressions that Robin Williams 508 00:27:20,000 --> 00:27:22,560 Speaker 1: was known for. Here is the scene where he was 509 00:27:22,600 --> 00:27:24,560 Speaker 1: first introduced in Aladdin. 510 00:27:24,720 --> 00:27:28,680 Speaker 7: Ten thousand years will give you such a crick and then. 511 00:27:28,720 --> 00:27:30,439 Speaker 4: Net hang on a second? 512 00:27:31,440 --> 00:27:33,440 Speaker 1: Whoa, whoa? 513 00:27:33,720 --> 00:27:35,520 Speaker 4: Does it feel good to be out of there? 514 00:27:36,400 --> 00:27:38,359 Speaker 1: Tell you nice to be back, ladies and gentlemen, Hi, 515 00:27:38,440 --> 00:27:39,120 Speaker 1: where are you're from? 516 00:27:39,160 --> 00:27:39,800 Speaker 4: What's your name? 517 00:27:41,119 --> 00:27:41,560 Speaker 6: Aladdin? 518 00:27:42,040 --> 00:27:42,399 Speaker 8: Laden? 519 00:27:42,680 --> 00:27:42,960 Speaker 2: Hello? 520 00:27:43,000 --> 00:27:43,320 Speaker 5: Aladden? 521 00:27:43,400 --> 00:27:45,040 Speaker 4: Nice to have you on the show. Can we call 522 00:27:45,080 --> 00:27:47,000 Speaker 4: you al or maybe just didn't? I'll have about a 523 00:27:47,080 --> 00:27:51,920 Speaker 4: lot of it sounds like, hey, boy, listen. 524 00:27:51,640 --> 00:27:56,000 Speaker 1: To that chaotic nature of Robin Williams just being all 525 00:27:56,000 --> 00:27:59,320 Speaker 1: over the place. That is somebody who I see you 526 00:27:59,440 --> 00:28:02,960 Speaker 1: just having fun, really taking the role seriously, even though 527 00:28:02,960 --> 00:28:03,919 Speaker 1: it sounds like he's not. 528 00:28:04,119 --> 00:28:06,280 Speaker 4: It sounds like him being totally ridiculous. 529 00:28:06,800 --> 00:28:10,360 Speaker 1: But that is the true nature and the true legacy 530 00:28:10,440 --> 00:28:14,480 Speaker 1: that Robin Williams has left behind. Rip I have him 531 00:28:14,520 --> 00:28:18,359 Speaker 1: at number two as the genie in Aladdin before we 532 00:28:18,440 --> 00:28:20,439 Speaker 1: get to number one. I do have a lot of 533 00:28:20,480 --> 00:28:24,240 Speaker 1: honorable mentions because my list just ran longer and longer 534 00:28:24,280 --> 00:28:26,480 Speaker 1: as I was trying to pick apart all these best 535 00:28:26,720 --> 00:28:28,080 Speaker 1: performance in animation. 536 00:28:28,760 --> 00:28:30,600 Speaker 4: I also had Vin Diesel as the. 537 00:28:30,600 --> 00:28:34,960 Speaker 1: Iron Giant in The Iron Giant, which is an underrated 538 00:28:35,040 --> 00:28:38,000 Speaker 1: animated film. I thought Ben Diesel did a great job 539 00:28:38,000 --> 00:28:40,240 Speaker 1: in that and is also probably the reason he got 540 00:28:40,280 --> 00:28:43,600 Speaker 1: the voice Groot in the Guardians of the Galaxy movies. 541 00:28:43,680 --> 00:28:46,840 Speaker 1: I also have Mark Hamill as the Joker in Mask 542 00:28:46,920 --> 00:28:49,880 Speaker 1: of the Phantasm, which is the animated Batman movie from 543 00:28:49,960 --> 00:28:52,920 Speaker 1: the nineties. You always think about all of the live 544 00:28:52,960 --> 00:28:55,160 Speaker 1: action Jokers. I don't know why it sounded like I 545 00:28:55,200 --> 00:28:59,560 Speaker 1: was from New York there the live action Jokers, but 546 00:28:59,640 --> 00:29:03,000 Speaker 1: Mark animal has truly delivered some of the best performances 547 00:29:03,080 --> 00:29:06,320 Speaker 1: as the character in the animated world. You also have 548 00:29:06,400 --> 00:29:10,440 Speaker 1: Kristen Bell and Frozen ed Asner and up Phyllis Smith, 549 00:29:10,480 --> 00:29:13,719 Speaker 1: who I think does an amazing job and Inside Out Too, 550 00:29:13,800 --> 00:29:16,000 Speaker 1: which also has just a lot of great voice acting 551 00:29:16,080 --> 00:29:19,040 Speaker 1: in both parts one and parts two. I thought about 552 00:29:19,040 --> 00:29:22,440 Speaker 1: putting Pat and Oswald as rad Atuwey from two thousand 553 00:29:22,480 --> 00:29:26,120 Speaker 1: and seven. John Lucazamo as Sid in ice Age is 554 00:29:26,240 --> 00:29:30,000 Speaker 1: also great, and one that really surprised me was Will 555 00:29:30,120 --> 00:29:33,680 Speaker 1: Arnett voicing Batman in the Lego Batman movie. That one 556 00:29:33,880 --> 00:29:37,480 Speaker 1: almost made my list, but at number one. The entire 557 00:29:37,680 --> 00:29:43,920 Speaker 1: inspiration behind this episode is James Earl Jones as Mufasa. 558 00:29:43,560 --> 00:29:44,600 Speaker 4: In The Lion King. 559 00:29:44,960 --> 00:29:48,840 Speaker 1: He was cast as Mufasa because of his deep, powerful, 560 00:29:49,000 --> 00:29:52,320 Speaker 1: booming voice that was similar to that of a lion's roar. 561 00:29:52,880 --> 00:29:56,200 Speaker 1: James Earl Jones, much like Mufasa in this movie, really 562 00:29:56,240 --> 00:30:01,480 Speaker 1: commands your attention, making you feel every time Mufasa gave 563 00:30:01,560 --> 00:30:04,640 Speaker 1: advice to Simba. And as I was pulling some of 564 00:30:04,680 --> 00:30:08,000 Speaker 1: these examples for this episode, it kind of hit me 565 00:30:09,080 --> 00:30:14,320 Speaker 1: how Mufasa's death in that movie now kind of mirrors 566 00:30:14,320 --> 00:30:18,280 Speaker 1: some of how I feel about him passing in real life. 567 00:30:18,560 --> 00:30:20,880 Speaker 1: And I got a little emotional listening back to some 568 00:30:20,960 --> 00:30:23,400 Speaker 1: of these clips, like this one in the opening scene 569 00:30:23,400 --> 00:30:23,880 Speaker 1: of the movie. 570 00:30:24,600 --> 00:30:29,800 Speaker 5: Look simpler. Everything the light touches is our kingdom. 571 00:30:30,120 --> 00:30:30,719 Speaker 8: Wow. 572 00:30:31,960 --> 00:30:35,960 Speaker 5: A king's time as ruler rises and falls like the sun. 573 00:30:36,640 --> 00:30:40,160 Speaker 5: One day, Simba, the sun will set on my time 574 00:30:40,200 --> 00:30:43,880 Speaker 5: here and will rise with you as the new king. 575 00:30:44,280 --> 00:30:46,200 Speaker 4: What about that shadowy please. 576 00:30:46,200 --> 00:30:49,480 Speaker 5: That's beyond all borders. You must never go there, Simba. 577 00:30:49,640 --> 00:30:51,600 Speaker 4: And I thought, a king can do whatever he wants. 578 00:30:51,920 --> 00:30:54,960 Speaker 5: This more to being kingdom getting your way all the time. 579 00:30:55,320 --> 00:30:58,520 Speaker 1: Yes, more, I mean they're him talking about once his 580 00:30:58,600 --> 00:31:02,400 Speaker 1: time is done, or this scene wherever Simba got in 581 00:31:02,440 --> 00:31:04,520 Speaker 1: trouble and he had to give some advice to him. 582 00:31:04,520 --> 00:31:08,120 Speaker 5: Again, Simba, I'm very disappointed in you. 583 00:31:08,120 --> 00:31:09,160 Speaker 3: You could have been killed. 584 00:31:09,560 --> 00:31:13,120 Speaker 5: You deliberately disobeyed me, and what's worse, you put Na 585 00:31:13,320 --> 00:31:13,880 Speaker 5: in danger. 586 00:31:15,480 --> 00:31:17,560 Speaker 1: I was just trying to be brave like you. 587 00:31:18,440 --> 00:31:24,000 Speaker 5: I'm only brave when I have to be Simba, being 588 00:31:24,120 --> 00:31:27,240 Speaker 5: brave doesn't mean you go looking for trouble. 589 00:31:28,080 --> 00:31:31,479 Speaker 1: I didn't realize how many lessons this movie taught me 590 00:31:31,560 --> 00:31:34,120 Speaker 1: as a kid. Oh, it's hit me right now. And 591 00:31:34,160 --> 00:31:38,360 Speaker 1: then later after he passes away and he emerges in 592 00:31:38,440 --> 00:31:41,840 Speaker 1: the clouds to Simba giving him even more advice. I 593 00:31:41,840 --> 00:31:43,840 Speaker 1: didn't realize how much advice he gave to Simba. 594 00:31:45,640 --> 00:31:50,640 Speaker 5: Who you are. You are my son and the one 595 00:31:50,760 --> 00:31:56,280 Speaker 5: true key. Remember who you are. 596 00:31:57,560 --> 00:32:04,280 Speaker 3: No, please don't leave father, don't leave me. 597 00:32:08,080 --> 00:32:09,680 Speaker 4: I'm gonna hear that in my sleep tonight. 598 00:32:09,840 --> 00:32:13,400 Speaker 1: Remember who you are and that's why I have him 599 00:32:13,440 --> 00:32:14,360 Speaker 1: at number. 600 00:32:14,080 --> 00:32:16,520 Speaker 4: One, my dad. Don't we eat the antelope? 601 00:32:16,760 --> 00:32:20,440 Speaker 5: Yes, similar, But let me explain. When we die, our 602 00:32:20,520 --> 00:32:24,160 Speaker 5: bodies become the grass, and the antelope eat the grass, 603 00:32:25,160 --> 00:32:29,400 Speaker 5: and so we are all connected in the great circle 604 00:32:29,560 --> 00:32:30,200 Speaker 5: of life. 605 00:32:30,640 --> 00:32:38,720 Speaker 4: Rip James Earl Jones. You are now the grass. Let's 606 00:32:38,720 --> 00:32:41,880 Speaker 4: get into it now. A spoiler free movie review. 607 00:32:42,080 --> 00:32:44,960 Speaker 1: Of Speak No Evil, not to be confused with See 608 00:32:44,960 --> 00:32:47,680 Speaker 1: No Evil. Hear No Evil one of my favorite eighties 609 00:32:47,760 --> 00:32:51,840 Speaker 1: movies with Richard Pryor and Gene Wilder. Also not to 610 00:32:51,880 --> 00:32:55,480 Speaker 1: be confused with See No Evil from two thousand and six, 611 00:32:55,640 --> 00:32:59,000 Speaker 1: one of the first WWE movie starring Kin the Wrestler, 612 00:32:59,000 --> 00:33:01,600 Speaker 1: who was one of my favorite it's growing up. This 613 00:33:01,720 --> 00:33:05,640 Speaker 1: movie is completely different, although it is a remake of 614 00:33:05,680 --> 00:33:08,840 Speaker 1: a twenty twenty two Danish movie with the same name, 615 00:33:08,920 --> 00:33:12,479 Speaker 1: Speak No Evil. The movie stars James McAvoy, who I 616 00:33:12,600 --> 00:33:17,120 Speaker 1: believe and have been saying he is a very underappreciated 617 00:33:17,160 --> 00:33:21,440 Speaker 1: actor from director James Watkins. That also stars McKenzie Davis, 618 00:33:21,800 --> 00:33:26,000 Speaker 1: who I really enjoyed and happiest season and I feel 619 00:33:26,040 --> 00:33:29,320 Speaker 1: like she really fits into a suspense thriller movie like this. 620 00:33:29,840 --> 00:33:31,880 Speaker 1: Them two together was probably my favorite part of this 621 00:33:32,040 --> 00:33:35,280 Speaker 1: entire movie. But what the movie is about. You have 622 00:33:35,360 --> 00:33:39,760 Speaker 1: this family they get invited to spend a weekend now 623 00:33:39,920 --> 00:33:44,240 Speaker 1: in the countryside. They meet this couple on vacation having 624 00:33:44,320 --> 00:33:48,640 Speaker 1: fancy dinners staying at a fancy resort and they're going 625 00:33:48,640 --> 00:33:51,960 Speaker 1: through some things as a couple. They have an eleven 626 00:33:52,040 --> 00:33:55,880 Speaker 1: year old daughter who has this attachment to this stuffed animal. 627 00:33:55,920 --> 00:33:57,920 Speaker 1: They're trying to get her to grow up. So a 628 00:33:57,960 --> 00:34:02,480 Speaker 1: lot of family dynamics going on. Obviously, why they went 629 00:34:02,520 --> 00:34:05,120 Speaker 1: on vacation was trying to relax and get away from that. 630 00:34:05,720 --> 00:34:08,799 Speaker 1: And then they meet this couple. They hang out. You know, 631 00:34:09,000 --> 00:34:12,040 Speaker 1: sometimes you go on vacation, you have these vacation friends, 632 00:34:12,880 --> 00:34:15,520 Speaker 1: and this movie is kind of about letting all the 633 00:34:15,600 --> 00:34:20,120 Speaker 1: intrusives ons win. And even though you have everything in 634 00:34:20,160 --> 00:34:23,400 Speaker 1: your body telling you not to do something, you're shutting 635 00:34:23,400 --> 00:34:26,719 Speaker 1: that off and you're saying, why not, Let's do it. 636 00:34:26,880 --> 00:34:28,839 Speaker 1: Because they go on vacation, they have a good time. 637 00:34:29,160 --> 00:34:33,799 Speaker 1: And then this couple, James McAvoy and his partner, they 638 00:34:33,800 --> 00:34:35,960 Speaker 1: send him a postcard and say, hey, we were serious 639 00:34:36,000 --> 00:34:37,960 Speaker 1: about that. Come out to the countryside, come hang out 640 00:34:37,960 --> 00:34:41,040 Speaker 1: with us, disconnect from your life in the city. You'll 641 00:34:41,080 --> 00:34:44,560 Speaker 1: love it. And they decide, you know what, let's go. 642 00:34:45,520 --> 00:34:47,560 Speaker 1: There are a lot of moments in this movie. 643 00:34:47,480 --> 00:34:50,200 Speaker 4: Where they're just like, all right, let's go, let's do it. 644 00:34:50,280 --> 00:34:51,680 Speaker 4: Let's not think about it. 645 00:34:51,680 --> 00:34:53,960 Speaker 1: It's one of those movies when you're watching it, you're like, 646 00:34:54,239 --> 00:34:57,080 Speaker 1: you idiot, don't do that. I think that's also what 647 00:34:57,200 --> 00:35:00,160 Speaker 1: added to some of the enjoyment in the theater while 648 00:35:00,200 --> 00:35:03,239 Speaker 1: watching this movie, because I don't necessarily believe it's a 649 00:35:03,280 --> 00:35:06,360 Speaker 1: movie you have to rush to the theater to watch, because. 650 00:35:06,120 --> 00:35:07,880 Speaker 4: It's not really a horror movie. 651 00:35:08,000 --> 00:35:10,799 Speaker 1: Everything that happens in this movie could happen in real life, 652 00:35:10,840 --> 00:35:13,680 Speaker 1: and maybe sometimes that makes it scarier than a traditional 653 00:35:13,880 --> 00:35:15,840 Speaker 1: what you would think of as a horror movie, because 654 00:35:16,160 --> 00:35:20,000 Speaker 1: the only really scary force in this is James McAvoy's 655 00:35:20,040 --> 00:35:24,280 Speaker 1: character being maniacal, and that could really happen, probably happens 656 00:35:24,320 --> 00:35:27,200 Speaker 1: every day more than you think. There wasn't anything about 657 00:35:27,200 --> 00:35:30,560 Speaker 1: it that the big screen enhanced. The only thing that 658 00:35:30,800 --> 00:35:33,560 Speaker 1: made it a little bit more enjoyable was the fact 659 00:35:33,600 --> 00:35:37,040 Speaker 1: that it was, at least in my theater relatively full, 660 00:35:37,360 --> 00:35:40,080 Speaker 1: and I went to an early showing and there were 661 00:35:40,080 --> 00:35:42,720 Speaker 1: a lot of people in the audience reacting. And sometimes 662 00:35:42,719 --> 00:35:45,239 Speaker 1: I like that, sometimes I don't, but with a movie 663 00:35:45,400 --> 00:35:48,239 Speaker 1: like this to hear people talking and being like oh no, no, no, 664 00:35:48,239 --> 00:35:50,719 Speaker 1: don't do it, or laughing too, because I think if 665 00:35:50,719 --> 00:35:53,200 Speaker 1: this was a movie that I watched at home. There 666 00:35:53,239 --> 00:35:55,759 Speaker 1: are some dead pan comedy moments that kind of come 667 00:35:55,800 --> 00:36:00,320 Speaker 1: out of nowhere, very dry, not too intentional. But because 668 00:36:00,360 --> 00:36:03,640 Speaker 1: of the audience reaction, I found myself laughing and enjoying 669 00:36:04,160 --> 00:36:06,080 Speaker 1: certain parts of this movie that if I were watching 670 00:36:06,120 --> 00:36:09,520 Speaker 1: it at home, I might not have had that same reaction. 671 00:36:09,880 --> 00:36:12,080 Speaker 1: But I do believe if this was a movie I 672 00:36:12,160 --> 00:36:14,480 Speaker 1: watched at home on a Friday night with all the 673 00:36:14,560 --> 00:36:18,319 Speaker 1: lights off, nobody else home, it maybe would have been 674 00:36:18,320 --> 00:36:21,520 Speaker 1: a little bit scarier, just because I think, oh man, again, 675 00:36:21,760 --> 00:36:25,480 Speaker 1: everything in this movie could actually happen if you encounter 676 00:36:25,560 --> 00:36:28,080 Speaker 1: some people that are a little sketchy, a little weird. 677 00:36:28,960 --> 00:36:31,680 Speaker 1: That is exactly what James McAvoy and his partner are 678 00:36:31,719 --> 00:36:34,200 Speaker 1: in this movie. If you've ever hung out with people 679 00:36:34,239 --> 00:36:36,560 Speaker 1: that just take a joke a little bit too far 680 00:36:37,000 --> 00:36:39,440 Speaker 1: and just make you feel a little bit uncomfortable, where 681 00:36:40,200 --> 00:36:42,400 Speaker 1: if I were to play a joke on you, the 682 00:36:42,480 --> 00:36:44,360 Speaker 1: payoff would be in like five seconds. 683 00:36:44,480 --> 00:36:46,400 Speaker 4: I'd make a joke and be like, I'm just kidding 684 00:36:46,800 --> 00:36:47,400 Speaker 4: real quick. 685 00:36:47,800 --> 00:36:50,520 Speaker 1: In this case, in this movie, they just keep going 686 00:36:50,560 --> 00:36:54,680 Speaker 1: for like thirty a minute, two minutes too long, where 687 00:36:54,680 --> 00:36:57,560 Speaker 1: it feels so uncomfortable that you can't tell if they 688 00:36:57,600 --> 00:37:00,960 Speaker 1: are joking, you can't tell if they are actually being 689 00:37:01,160 --> 00:37:06,000 Speaker 1: just jerks, and it comes off as very unsettling, And 690 00:37:06,080 --> 00:37:09,080 Speaker 1: there are cringe worthy moments in this movie, just because 691 00:37:09,160 --> 00:37:12,520 Speaker 1: it really allows you to kind of stew in that 692 00:37:12,760 --> 00:37:16,359 Speaker 1: uneasiness of being in a situation where you don't really 693 00:37:16,360 --> 00:37:20,799 Speaker 1: feel comfortable with these people who are so dominant and 694 00:37:21,080 --> 00:37:24,680 Speaker 1: very opinionated and very in your face. They can't let 695 00:37:24,719 --> 00:37:27,280 Speaker 1: one thing go. They just keep pounding you and pounding 696 00:37:27,320 --> 00:37:30,360 Speaker 1: you and pounding you until you feel so uncomfortable that 697 00:37:30,440 --> 00:37:32,680 Speaker 1: you want to scream at them. I think I did 698 00:37:32,800 --> 00:37:35,880 Speaker 1: enjoy that aspect of the character development, of just seeing 699 00:37:36,200 --> 00:37:39,520 Speaker 1: the couple on one side, with Mackenzie Davis really being 700 00:37:39,520 --> 00:37:43,360 Speaker 1: the dominant force there. I thought she was so charming 701 00:37:43,440 --> 00:37:45,960 Speaker 1: and I really want to see her in more suspense 702 00:37:46,080 --> 00:37:47,040 Speaker 1: and horror movies. 703 00:37:47,080 --> 00:37:47,720 Speaker 4: I think she's. 704 00:37:47,800 --> 00:37:50,320 Speaker 1: Probably make a great lead in a full on horror 705 00:37:50,400 --> 00:37:53,319 Speaker 1: slasher movie, because you had a really great presence to 706 00:37:53,360 --> 00:37:58,560 Speaker 1: her and her personality clashing against James McAvoy's personality was 707 00:37:58,640 --> 00:38:02,320 Speaker 1: just this very uny tention. And there are some things 708 00:38:02,320 --> 00:38:04,200 Speaker 1: that both of their characters do that you have to 709 00:38:04,200 --> 00:38:06,520 Speaker 1: be like, come on, why would you do that? But again, 710 00:38:06,640 --> 00:38:08,840 Speaker 1: in a movie like this, if a person said no 711 00:38:08,920 --> 00:38:11,799 Speaker 1: to things, you wouldn't have a movie. If they decided, nah, 712 00:38:11,920 --> 00:38:14,200 Speaker 1: let's not go hang out with them on the country side, 713 00:38:14,360 --> 00:38:18,360 Speaker 1: you wouldn't have a movie. So everything in your being 714 00:38:18,480 --> 00:38:22,120 Speaker 1: is good to think these people are dumb for allowing 715 00:38:22,200 --> 00:38:25,560 Speaker 1: certain things to happen, for saying yes to things. So 716 00:38:25,680 --> 00:38:29,280 Speaker 1: if you're somebody who watches horror movies or suspenseful movies 717 00:38:29,280 --> 00:38:32,120 Speaker 1: and think that is stupid, I hate them. 718 00:38:32,200 --> 00:38:34,000 Speaker 4: I want to turn this off. This might not be 719 00:38:34,080 --> 00:38:34,839 Speaker 4: the movie for you. 720 00:38:35,200 --> 00:38:39,040 Speaker 1: But if you like laughing at people's expense and think, oh, 721 00:38:39,120 --> 00:38:42,000 Speaker 1: I'm glad I'm not in that situation, I think this 722 00:38:42,320 --> 00:38:45,200 Speaker 1: is a pretty fun and decent watch, and I ended 723 00:38:45,280 --> 00:38:47,759 Speaker 1: up enjoying it a lot more than I was expecting to. 724 00:38:48,200 --> 00:38:50,440 Speaker 1: The real main reason I decided to go watch this 725 00:38:50,520 --> 00:38:54,120 Speaker 1: movie is because they've pounded that trailer in my head 726 00:38:54,360 --> 00:38:58,960 Speaker 1: every movie I've seen for the last at least two months, 727 00:38:59,480 --> 00:39:02,000 Speaker 1: I've seen this trailer, and I thought that I was 728 00:39:02,040 --> 00:39:04,680 Speaker 1: at a point where the trailers really don't affect me 729 00:39:04,680 --> 00:39:07,839 Speaker 1: a whole lot. I'm gonna go see what I want 730 00:39:07,880 --> 00:39:10,520 Speaker 1: to go see. I kind of know what's gonna be 731 00:39:10,600 --> 00:39:13,879 Speaker 1: good and what's gonna be bad, and very rarely does 732 00:39:13,880 --> 00:39:16,960 Speaker 1: a trailer sway me. But this movie had the perfect 733 00:39:16,960 --> 00:39:20,080 Speaker 1: trailer that really enticed you to want to see it, 734 00:39:21,080 --> 00:39:24,840 Speaker 1: very well produced, and just had that hmm, I'm curious 735 00:39:24,880 --> 00:39:28,479 Speaker 1: about that movie after watching the trailer. So it really 736 00:39:28,520 --> 00:39:30,279 Speaker 1: worked on me. And I'm somebody who goes to the 737 00:39:30,280 --> 00:39:33,399 Speaker 1: movie theater every single week, and I could imagine if 738 00:39:33,440 --> 00:39:35,600 Speaker 1: you went in the last two to three months and 739 00:39:35,640 --> 00:39:38,520 Speaker 1: saw this trailer, you would see it and think maybe 740 00:39:38,520 --> 00:39:41,120 Speaker 1: I have to come back for that one. So movie 741 00:39:41,120 --> 00:39:44,080 Speaker 1: trailers in their most traditional sense, I think work. I 742 00:39:44,080 --> 00:39:46,520 Speaker 1: think they spent all the money on promotion just making 743 00:39:46,520 --> 00:39:49,400 Speaker 1: sure that people saw this trailer, because it was beaten 744 00:39:49,440 --> 00:39:52,360 Speaker 1: to my brain that I was really just going to 745 00:39:52,400 --> 00:39:54,480 Speaker 1: see it because I was like, all right, I'll go 746 00:39:54,560 --> 00:39:57,239 Speaker 1: see it. Shut up, stop playing the trailer, and then 747 00:39:57,280 --> 00:40:00,000 Speaker 1: I was like, Okay, this is actually pretty good and enjoyable. 748 00:40:00,440 --> 00:40:02,520 Speaker 1: I do think there's a little bit of a threshold 749 00:40:02,560 --> 00:40:06,040 Speaker 1: for a movie like this, even if it did everything perfect, 750 00:40:06,239 --> 00:40:09,800 Speaker 1: I still don't think the formula of this movie and 751 00:40:09,920 --> 00:40:12,560 Speaker 1: it being something that I've kind of already seen before. 752 00:40:13,239 --> 00:40:16,080 Speaker 1: Also with it being a remake, in my head it 753 00:40:16,120 --> 00:40:19,719 Speaker 1: would peak at about a four. Overall, the story on 754 00:40:19,840 --> 00:40:24,319 Speaker 1: its own it's probably a three. I haven't seen the 755 00:40:24,360 --> 00:40:27,319 Speaker 1: original Danish film, but I can only imagine that it 756 00:40:27,400 --> 00:40:30,080 Speaker 1: was so much better than this one because this happens 757 00:40:30,080 --> 00:40:33,319 Speaker 1: a lot. A movie does well in another country and 758 00:40:33,400 --> 00:40:36,640 Speaker 1: instead of pushing that movie here, they're just like, let's 759 00:40:36,640 --> 00:40:39,000 Speaker 1: remake it and give it to an American audience. 760 00:40:39,320 --> 00:40:41,680 Speaker 4: So I feel like that is probably the better movie here. 761 00:40:41,719 --> 00:40:43,879 Speaker 1: So I'm definitely gonna check that out now that I've 762 00:40:43,920 --> 00:40:47,040 Speaker 1: been exposed to the story. But what really drives this 763 00:40:47,080 --> 00:40:50,520 Speaker 1: movie to another level and shows you how important it 764 00:40:50,719 --> 00:40:55,000 Speaker 1: is to cast the right actor is James McAvoy's performance. 765 00:40:55,520 --> 00:40:59,520 Speaker 1: He earns his paycheck every single movie that he is in, 766 00:40:59,840 --> 00:41:02,520 Speaker 1: and I think it was after watching Split, where he's 767 00:41:02,520 --> 00:41:05,520 Speaker 1: playing different characters with different personalities. 768 00:41:05,920 --> 00:41:08,440 Speaker 4: That movie really solidified. 769 00:41:07,800 --> 00:41:10,040 Speaker 1: Him in my mind as Oh, he can really do 770 00:41:10,120 --> 00:41:12,480 Speaker 1: it all, and when he's on screen, it is just 771 00:41:12,560 --> 00:41:15,480 Speaker 1: so commanding, and he does the exact same thing in 772 00:41:15,520 --> 00:41:18,839 Speaker 1: this movie. Because this character is so dominant, is this 773 00:41:19,000 --> 00:41:21,080 Speaker 1: force to be reckoned with, And it would not have 774 00:41:21,120 --> 00:41:23,080 Speaker 1: been the same movie if it was not him in 775 00:41:23,160 --> 00:41:26,680 Speaker 1: that role. The entire cast just worked really well together 776 00:41:27,120 --> 00:41:29,239 Speaker 1: that took what could have been just otherwise kind of 777 00:41:29,280 --> 00:41:32,640 Speaker 1: a throwaway movie to put out in September and really 778 00:41:32,680 --> 00:41:35,759 Speaker 1: made it something noteworthy. So this movie really proved to 779 00:41:35,800 --> 00:41:38,200 Speaker 1: me that it does matter who you cast, even if 780 00:41:38,239 --> 00:41:40,840 Speaker 1: you have a great story already that has worked in 781 00:41:40,880 --> 00:41:43,759 Speaker 1: another country, unless you get that right cast for an 782 00:41:43,760 --> 00:41:47,360 Speaker 1: American audience, it's not going to work. Because it was 783 00:41:47,400 --> 00:41:51,359 Speaker 1: the performances that really drove this movie home. Because on 784 00:41:51,520 --> 00:41:55,759 Speaker 1: surface level, there's nothing too outlandish or too crazy or 785 00:41:55,800 --> 00:41:58,360 Speaker 1: anything that comes out of left field that really. 786 00:41:58,120 --> 00:41:59,760 Speaker 4: Captivates you as the viewer. 787 00:42:00,200 --> 00:42:03,040 Speaker 1: But it's all the tension that James McAvoy's character in 788 00:42:03,080 --> 00:42:06,640 Speaker 1: particular really creates and really makes you want to see 789 00:42:06,640 --> 00:42:09,680 Speaker 1: this movie from beginning to end. The movie is right 790 00:42:09,800 --> 00:42:12,839 Speaker 1: under an hour and fifty minutes, which if they would 791 00:42:12,880 --> 00:42:14,319 Speaker 1: have cut it off a little bit and made it 792 00:42:14,360 --> 00:42:16,719 Speaker 1: a straight ninety minute movie, I think it would have 793 00:42:16,800 --> 00:42:19,320 Speaker 1: packed a little bit more of a punch. This movie 794 00:42:19,480 --> 00:42:22,880 Speaker 1: was made for a relatively low budget fifteen million dollars. 795 00:42:22,960 --> 00:42:25,960 Speaker 1: It opened to about eleven point five million dollars, so 796 00:42:26,080 --> 00:42:28,480 Speaker 1: I think it's going to make its money back in 797 00:42:28,520 --> 00:42:32,239 Speaker 1: its theatrical run, although again I still don't think it's 798 00:42:32,239 --> 00:42:34,839 Speaker 1: a movie you have to see in theaters. I still 799 00:42:34,840 --> 00:42:36,799 Speaker 1: think if you streamed it at home, turned off all 800 00:42:36,800 --> 00:42:40,040 Speaker 1: the lights, silence your cell phone, and completely allow yourself 801 00:42:40,520 --> 00:42:44,040 Speaker 1: to take in this movie and create that same vibe 802 00:42:44,080 --> 00:42:46,520 Speaker 1: at your house, I think the same kind of energy 803 00:42:46,560 --> 00:42:49,680 Speaker 1: will come across of you, probably feeling a little bit 804 00:42:49,719 --> 00:42:52,480 Speaker 1: more freaked out. The only thing you'd probably miss out 805 00:42:52,520 --> 00:42:56,319 Speaker 1: on is that audience commentary if you're into that, and 806 00:42:56,360 --> 00:42:59,160 Speaker 1: if you're not, then you're perfectly fine watching this movie 807 00:42:59,200 --> 00:42:59,600 Speaker 1: at home. 808 00:43:00,080 --> 00:43:01,759 Speaker 4: Or Speak No Evil a. 809 00:43:01,840 --> 00:43:04,440 Speaker 1: Very surprising score for me, a lot higher than I 810 00:43:04,440 --> 00:43:05,600 Speaker 1: thought I was going to give it. 811 00:43:05,719 --> 00:43:07,760 Speaker 4: I give it three point five out of five. 812 00:43:08,120 --> 00:43:15,479 Speaker 2: Tesla's It's time to head down to movie Mike Traylor Paul. 813 00:43:16,400 --> 00:43:19,960 Speaker 1: I love it when people think outside the box. I 814 00:43:20,120 --> 00:43:24,000 Speaker 1: hate using the term thinking outside the box because you're 815 00:43:24,040 --> 00:43:26,799 Speaker 1: trying to describe something that is creative and that it's 816 00:43:26,840 --> 00:43:29,680 Speaker 1: one of the most cliche things you can say. But 817 00:43:29,800 --> 00:43:32,680 Speaker 1: this movie is thinking outside the box. I'm talking about 818 00:43:32,719 --> 00:43:36,720 Speaker 1: Pharrell's new documentary called Piece by Piece. He is telling 819 00:43:36,760 --> 00:43:40,920 Speaker 1: his story with lego pieces, and I just think that 820 00:43:41,000 --> 00:43:44,320 Speaker 1: it's such a fantastic idea from when I saw the trailer, 821 00:43:45,440 --> 00:43:49,680 Speaker 1: because oftentimes, when it comes to documentaries, I'll even put 822 00:43:49,719 --> 00:43:54,719 Speaker 1: biopics in this same category regarding musicians. It always has 823 00:43:54,840 --> 00:43:59,200 Speaker 1: the same format and it becomes very formulaic. That's why 824 00:43:59,320 --> 00:44:02,480 Speaker 1: I just lean towards not watching a whole lot of biopics. 825 00:44:02,880 --> 00:44:06,560 Speaker 1: But I think this is a truly novel idea because 826 00:44:06,560 --> 00:44:10,560 Speaker 1: something as simple as a documentary could be so self serving, 827 00:44:10,960 --> 00:44:15,640 Speaker 1: but Pharrell is flipping that around and making his story 828 00:44:15,760 --> 00:44:19,720 Speaker 1: a fun, family friendly movie. Because this movie is rated PG, 829 00:44:20,080 --> 00:44:23,479 Speaker 1: it's coming out on October first. Before I get into 830 00:44:23,480 --> 00:44:26,399 Speaker 1: more details about piece by piece, here's just a little 831 00:44:26,440 --> 00:44:28,640 Speaker 1: bit of the really fun, colorful trailer. 832 00:44:28,800 --> 00:44:30,719 Speaker 4: Hey how you doing man? You know it'd be cool 833 00:44:30,920 --> 00:44:36,560 Speaker 4: is if we told my story with Lego pieces. Seriously, yes, 834 00:44:37,040 --> 00:44:38,680 Speaker 4: Lego just be open. 835 00:44:39,320 --> 00:44:42,160 Speaker 8: When I was a kid, I knew I was different 836 00:44:42,680 --> 00:44:45,880 Speaker 8: and people would say, oh, that's an odd child, and 837 00:44:45,920 --> 00:44:48,759 Speaker 8: that crushed my spirit to all I cared about was 838 00:44:48,760 --> 00:44:51,920 Speaker 8: making my own music, but people just said no, I 839 00:44:52,040 --> 00:44:53,720 Speaker 8: wasn't ready. 840 00:44:54,040 --> 00:44:56,200 Speaker 1: So this movie is going to be just that. His 841 00:44:56,320 --> 00:44:59,600 Speaker 1: story from childhood in Virginia to his success in the 842 00:44:59,680 --> 00:45:04,480 Speaker 1: music in fashion industry. It's going to feature interviews with 843 00:45:04,600 --> 00:45:08,600 Speaker 1: Gwen Stefani, Kendrick Lamar, Timberland, Bust the Rhymes, Jay Z, 844 00:45:09,000 --> 00:45:12,160 Speaker 1: and Snoop Dogg. The thing about all these interviews in here, 845 00:45:12,480 --> 00:45:15,759 Speaker 1: Normally in a traditional documentary, you know you're shooting, you're 846 00:45:15,760 --> 00:45:17,600 Speaker 1: filming them. They know exactly what it's going to be 847 00:45:17,719 --> 00:45:20,279 Speaker 1: used for. When it came to conducting all of these 848 00:45:20,320 --> 00:45:23,480 Speaker 1: interviews with all these great antidotes about working with Pharrell, 849 00:45:23,920 --> 00:45:26,400 Speaker 1: they didn't tell them that it was going to be 850 00:45:26,560 --> 00:45:29,320 Speaker 1: a Lego movie. And Farrell said they did this because 851 00:45:29,360 --> 00:45:32,440 Speaker 1: if they told them that, it would have an influence 852 00:45:32,600 --> 00:45:36,000 Speaker 1: on the stories they told, especially ones that maybe weren't 853 00:45:36,000 --> 00:45:38,040 Speaker 1: asked family friendly. They would think, oh, this is going 854 00:45:38,120 --> 00:45:40,360 Speaker 1: to be for kids. Instead, they did the interviews and 855 00:45:40,400 --> 00:45:43,759 Speaker 1: then afterwards told them about it. I love in the 856 00:45:43,840 --> 00:45:46,759 Speaker 1: trailer Snoop Dogg talking about working with Pharrell on Drop 857 00:45:46,800 --> 00:45:49,080 Speaker 1: It Like It's Hot, and I think that probably really 858 00:45:49,120 --> 00:45:51,600 Speaker 1: helped keep the authenticity and you can feel that in 859 00:45:51,680 --> 00:45:55,760 Speaker 1: the trailer. But then it looks completely different than anything 860 00:45:55,800 --> 00:45:57,560 Speaker 1: I've seen before because it. 861 00:45:57,719 --> 00:46:00,239 Speaker 4: Very much resembles all the Lego movies that we know. 862 00:46:00,280 --> 00:46:03,880 Speaker 1: In Love the Batman, Lego movie, the original Lego movie, 863 00:46:04,239 --> 00:46:07,000 Speaker 1: and now they even have a Lego line coming out 864 00:46:07,000 --> 00:46:11,120 Speaker 1: with Pharrell. It is a fantastic tie in. And I 865 00:46:11,200 --> 00:46:13,279 Speaker 1: wanted to share this on the trailer part because even 866 00:46:13,320 --> 00:46:16,040 Speaker 1: though it is a documentary, I don't normally talk about 867 00:46:16,040 --> 00:46:19,440 Speaker 1: documentaries a whole lot. I think this is the bridge 868 00:46:19,520 --> 00:46:23,520 Speaker 1: to another level, because if you can make a documentary 869 00:46:23,680 --> 00:46:28,040 Speaker 1: like this, why not make a full on feature film 870 00:46:28,160 --> 00:46:31,560 Speaker 1: in the style of Lego or even just animated. I 871 00:46:31,600 --> 00:46:34,520 Speaker 1: think that would really create, at least for me, more 872 00:46:34,600 --> 00:46:37,759 Speaker 1: curiosity to see more biopicks. We've had a couple of 873 00:46:37,800 --> 00:46:40,839 Speaker 1: biopicks come out recently that just tanked, and they were 874 00:46:41,280 --> 00:46:45,640 Speaker 1: iconic musicians, the Amy Winehouse movie, the Bob Marley movie. 875 00:46:45,360 --> 00:46:47,920 Speaker 4: That we just get the same thing over and over. 876 00:46:47,800 --> 00:46:51,160 Speaker 1: Again, and none of those trailers, none of the casting there, 877 00:46:51,600 --> 00:46:54,760 Speaker 1: really had people wanting to rush to the theaters to watch 878 00:46:54,840 --> 00:46:57,880 Speaker 1: that because you weren't creating a moment, you weren't creating 879 00:46:57,920 --> 00:47:01,520 Speaker 1: any kind of spectacle. For missing out on what made 880 00:47:01,560 --> 00:47:05,040 Speaker 1: these people great, the reason they are so significant in 881 00:47:05,160 --> 00:47:08,520 Speaker 1: music history, the reason that people were drawn to their music, 882 00:47:08,600 --> 00:47:12,280 Speaker 1: drawn to their style, drawn to everything about these artists 883 00:47:12,719 --> 00:47:16,200 Speaker 1: gets ripped away because you're making such a bland movie 884 00:47:16,560 --> 00:47:20,279 Speaker 1: that's just copy and paste. So I feel like with 885 00:47:20,400 --> 00:47:24,720 Speaker 1: Pharrell doing this, maybe it inspires other people to say, 886 00:47:25,000 --> 00:47:28,840 Speaker 1: we don't need to make a full on, normal Hollywood movie. 887 00:47:29,360 --> 00:47:32,480 Speaker 1: Let's look into different genres. Doesn't have to be a 888 00:47:32,600 --> 00:47:36,319 Speaker 1: lego animated movie, but any kind of animated movie I 889 00:47:36,320 --> 00:47:40,080 Speaker 1: think would be way more interesting, especially in the way 890 00:47:40,080 --> 00:47:43,560 Speaker 1: that he is making this movie PG therefore catering to 891 00:47:43,840 --> 00:47:48,239 Speaker 1: a younger audience. Kids who need inspirational figures in their 892 00:47:48,280 --> 00:47:50,840 Speaker 1: life can go and watch a movie like this, be 893 00:47:51,120 --> 00:47:54,839 Speaker 1: entertained by the animation, but also learn about somebody who 894 00:47:54,920 --> 00:47:58,080 Speaker 1: was different as a kid, somebody who may look like 895 00:47:58,160 --> 00:48:00,879 Speaker 1: and resemble them, come from a back like they did, 896 00:48:01,080 --> 00:48:03,680 Speaker 1: And they're getting exposed to Pharrell in a way that 897 00:48:03,840 --> 00:48:06,360 Speaker 1: otherwise maybe they wouldn't have because if it was just 898 00:48:06,400 --> 00:48:09,040 Speaker 1: a full log documentary, why would a kid want to 899 00:48:09,040 --> 00:48:11,120 Speaker 1: go see that? But you throw legos in there, and 900 00:48:11,160 --> 00:48:15,880 Speaker 1: suddenly it becomes interesting, It becomes a spectacle. It becomes 901 00:48:15,920 --> 00:48:18,360 Speaker 1: a reason for maybe a parent who's a fan of 902 00:48:18,400 --> 00:48:20,480 Speaker 1: Pharrell and maybe wants to share a love of his 903 00:48:20,600 --> 00:48:22,359 Speaker 1: music and his artistry with their kid. 904 00:48:22,840 --> 00:48:24,719 Speaker 4: Oh my gosh, that's such a great idea. 905 00:48:25,280 --> 00:48:26,880 Speaker 1: And then it goes back to what I was mentioning 906 00:48:26,920 --> 00:48:30,360 Speaker 1: earlier that they were releasing a Lego collaboration with Pharrell 907 00:48:30,520 --> 00:48:31,440 Speaker 1: to go along. 908 00:48:31,160 --> 00:48:33,759 Speaker 4: With this movie. So it goes full circle there. 909 00:48:33,760 --> 00:48:36,759 Speaker 1: But by the way, I never really got full into 910 00:48:36,880 --> 00:48:40,520 Speaker 1: Legos as a kid, which I guess in the nineties 911 00:48:40,560 --> 00:48:43,840 Speaker 1: and two thousands it didn't really get to that stage 912 00:48:43,880 --> 00:48:47,000 Speaker 1: they are in now where you go to the Lego 913 00:48:47,040 --> 00:48:49,400 Speaker 1: aisle at Target or go to the Lego store and 914 00:48:49,440 --> 00:48:52,360 Speaker 1: they are all these amazing sets you can buy. I 915 00:48:52,400 --> 00:48:54,960 Speaker 1: went into one recently, and the thing that blew my mind. 916 00:48:54,800 --> 00:48:58,359 Speaker 7: Is they are so expensive. Even the smaller ones are 917 00:48:58,400 --> 00:49:03,280 Speaker 7: fifty sixty dollars. The coolest ones are easily one hundred dollars. 918 00:49:03,360 --> 00:49:05,560 Speaker 7: I saw this Avengers tower I wanted to make. 919 00:49:05,560 --> 00:49:07,680 Speaker 1: I think it was like two hundred, maybe even four hundred, 920 00:49:07,760 --> 00:49:08,760 Speaker 1: five hundred dollars. 921 00:49:09,080 --> 00:49:11,040 Speaker 4: Why are Legos so expensive? 922 00:49:11,640 --> 00:49:13,880 Speaker 1: Back in twenty fourteen, the Lego movie had a budget 923 00:49:13,920 --> 00:49:16,719 Speaker 1: of sixty million dollars, which is basically the cost of 924 00:49:16,760 --> 00:49:18,000 Speaker 1: one set of the Lego store. 925 00:49:18,280 --> 00:49:19,839 Speaker 4: I guess that's why I never had him growing up. 926 00:49:20,080 --> 00:49:22,319 Speaker 1: But this movie also reminds me of one of my 927 00:49:22,480 --> 00:49:26,080 Speaker 1: favorite documentary shows called Tales from the Tour Bus by 928 00:49:26,080 --> 00:49:28,359 Speaker 1: Mike Judge. He is the creator of King of the Hill. 929 00:49:28,400 --> 00:49:31,279 Speaker 1: He also did movies like Idiocracy and he would take 930 00:49:31,400 --> 00:49:34,960 Speaker 1: interviews from different people talking about artists. The first season 931 00:49:35,080 --> 00:49:39,480 Speaker 1: is entirely focused on a lot of outlaw country music artists. 932 00:49:39,480 --> 00:49:41,920 Speaker 4: Fantastic series, that is. 933 00:49:41,880 --> 00:49:45,319 Speaker 1: What This Lego movie trailer for Pharrell reminded me of 934 00:49:45,760 --> 00:49:49,080 Speaker 1: the Johnny Paycheck episode and the Billy Joe Shaver episodes 935 00:49:49,080 --> 00:49:51,879 Speaker 1: are probably my favorite from season one. You can check 936 00:49:51,920 --> 00:49:53,879 Speaker 1: that out on the Roku channel. As you can tell, 937 00:49:53,960 --> 00:49:56,719 Speaker 1: I'm a huge fan of animation, so I'm definitely gonna 938 00:49:56,760 --> 00:49:59,040 Speaker 1: check out this movie when it comes out on October first. 939 00:50:00,040 --> 00:50:04,040 Speaker 2: Y was this week's edition of movie Line Tramer. 940 00:50:03,719 --> 00:50:06,520 Speaker 1: Bar and that is gonna do it for another episode 941 00:50:06,560 --> 00:50:07,719 Speaker 1: here of the podcast. 942 00:50:07,760 --> 00:50:09,200 Speaker 4: But before I go, I gotta. 943 00:50:08,960 --> 00:50:11,600 Speaker 1: Give my listeners shout out of the week. You can 944 00:50:11,640 --> 00:50:14,200 Speaker 1: get a listener shout out of the week by commenting 945 00:50:14,200 --> 00:50:16,200 Speaker 1: on my reels on Instagram, on. 946 00:50:16,400 --> 00:50:18,680 Speaker 4: TikTok x Facebook. 947 00:50:18,800 --> 00:50:20,960 Speaker 1: All the links to my socials are always in the 948 00:50:21,040 --> 00:50:25,160 Speaker 1: episode notes. This week. Going over to Instagram shouting out 949 00:50:25,280 --> 00:50:28,640 Speaker 1: Elliott King, who commented on My reel about Beetlejuice and 950 00:50:28,719 --> 00:50:32,040 Speaker 1: talking about last week's episode of eight eighties Movies. I 951 00:50:32,040 --> 00:50:35,840 Speaker 1: think need sequels, Elliott wrote, aren't they giving a sequel 952 00:50:35,840 --> 00:50:39,640 Speaker 1: to the Goonies? Boo my mind that I published that 953 00:50:39,760 --> 00:50:44,759 Speaker 1: episode last Monday at midnight, and later that morning, this 954 00:50:44,880 --> 00:50:48,560 Speaker 1: story dropped from the Sun saying that the original cast 955 00:50:48,640 --> 00:50:52,400 Speaker 1: of Goonies is coming back and returning for a sequel. 956 00:50:52,800 --> 00:50:54,160 Speaker 4: It still hasn't. 957 00:50:53,840 --> 00:50:58,200 Speaker 1: Been fully confirmed at the time of recording this episode. 958 00:50:58,600 --> 00:51:00,959 Speaker 1: If it happens again, I'm gonna my mind. But again, 959 00:51:01,000 --> 00:51:04,600 Speaker 1: the Sun isn't that credible of a source. But I 960 00:51:04,640 --> 00:51:07,480 Speaker 1: think that came out because, like I did with last 961 00:51:07,520 --> 00:51:10,040 Speaker 1: week's episode, I focused on eighties movies because I thought 962 00:51:10,080 --> 00:51:12,600 Speaker 1: the timing was right. I think they did that exact 963 00:51:12,600 --> 00:51:15,880 Speaker 1: same thing putting out that story, and I won't fully 964 00:51:15,920 --> 00:51:19,280 Speaker 1: believe it until I either see the studio or actual 965 00:51:19,320 --> 00:51:21,960 Speaker 1: members of the cast posting about it. It's not real 966 00:51:22,000 --> 00:51:25,200 Speaker 1: in my mind until that happens. Very rarely does it 967 00:51:25,400 --> 00:51:29,040 Speaker 1: get announced from a source like the Sun, So unless 968 00:51:29,080 --> 00:51:32,280 Speaker 1: it's Deadline or the Hollywood Reporter, I'm not fully buying 969 00:51:32,320 --> 00:51:33,120 Speaker 1: that report yet. 970 00:51:33,239 --> 00:51:34,120 Speaker 4: But again, at the. 971 00:51:34,080 --> 00:51:37,280 Speaker 1: Time of recording this, nothing like that has been fully 972 00:51:37,320 --> 00:51:40,760 Speaker 1: confirmed yet, but I appreciate that, Elliott, for you listening 973 00:51:40,800 --> 00:51:43,840 Speaker 1: to last week's episode and also checking me on that. 974 00:51:44,080 --> 00:51:45,640 Speaker 1: But it would be my look to do an entire 975 00:51:45,680 --> 00:51:48,480 Speaker 1: episode surrounding that and then the news drops on a Monday. 976 00:51:48,560 --> 00:51:51,640 Speaker 1: So thank you, Elliott, thank you right now for listening 977 00:51:51,680 --> 00:51:54,880 Speaker 1: wherever you are, and until next time, go out and 978 00:51:54,960 --> 00:51:57,680 Speaker 1: watch good movies and I will talk to you later