WEBVTT - Episode 2: Breaking Big

0:00:14.000 --> 0:00:17.239
<v Speaker 1>I'm barely keeping my head up in my arms from twitching. Here.

0:00:17.280 --> 0:00:20.160
<v Speaker 1>It is last family dinner before I started my new

0:00:20.200 --> 0:00:22.799
<v Speaker 1>school and after pulling an all night with Marcos. So

0:00:22.880 --> 0:00:24.960
<v Speaker 1>the first episode of our pode can drop right away.

0:00:25.720 --> 0:00:28.240
<v Speaker 1>I accidentally took an adder all instead of my climbing pin.

0:00:29.000 --> 0:00:31.920
<v Speaker 1>I am wired. My inner freak out has been going

0:00:31.960 --> 0:00:37.920
<v Speaker 1>strong all day. Yo, Reuben jay z or Nas. Oh God,

0:00:38.040 --> 0:00:42.160
<v Speaker 1>this game again for the million times He's trying to relate.

0:00:42.240 --> 0:00:46.080
<v Speaker 1>But come on, dad, this game is so ancient. We'll

0:00:46.080 --> 0:00:51.320
<v Speaker 1>try one on me. Okay, Inderson, Pack of Future. Okay,

0:00:51.320 --> 0:00:53.800
<v Speaker 1>I don't know who those people are. Oh do they

0:00:53.840 --> 0:00:57.280
<v Speaker 1>have beef? No? This is just so he has to

0:00:57.280 --> 0:01:01.360
<v Speaker 1>pick between artists from this decade. Okay, okay, fine, point

0:01:01.400 --> 0:01:04.840
<v Speaker 1>taker and your old man is old. So are you

0:01:04.880 --> 0:01:09.840
<v Speaker 1>ready ready for school? First Stand, Washington Stand Academy? No nerves,

0:01:10.160 --> 0:01:14.320
<v Speaker 1>Oh yeah, no, I don't know. I guess I don't

0:01:14.319 --> 0:01:17.640
<v Speaker 1>know when I get there. Nerves. They don't know the

0:01:17.680 --> 0:01:21.120
<v Speaker 1>half of it. I'm on my last one. You know

0:01:21.160 --> 0:01:23.200
<v Speaker 1>that feeling when you have a secret and all you

0:01:23.200 --> 0:01:24.679
<v Speaker 1>want to do is talk about it, but at the

0:01:24.720 --> 0:01:26.280
<v Speaker 1>same time, all you want to do is keep it

0:01:26.319 --> 0:01:29.520
<v Speaker 1>to yourself. That's how I'm feeling right now. But the podcast,

0:01:30.000 --> 0:01:33.759
<v Speaker 1>it's out there, live on the internet. All I can

0:01:33.760 --> 0:01:35.839
<v Speaker 1>think about is finding out how many listeners we school?

0:01:36.760 --> 0:01:40.959
<v Speaker 1>How is last night at Marcus? Here we go? Now

0:01:41.040 --> 0:01:43.720
<v Speaker 1>I gotta lie. What if one of the co workers

0:01:43.720 --> 0:01:45.840
<v Speaker 1>saw me in the city last night. What if they

0:01:45.840 --> 0:01:47.840
<v Speaker 1>spoke to Marco's parents and found out we went to

0:01:47.880 --> 0:01:50.160
<v Speaker 1>the city. What if this is a trap? I can

0:01:50.240 --> 0:01:53.040
<v Speaker 1>feel that judgment already, even as they smile at me,

0:01:53.320 --> 0:01:55.760
<v Speaker 1>trying to coax me out of my shell. I can

0:01:55.840 --> 0:01:59.400
<v Speaker 1>hear my mom called the podcast a little project or

0:01:59.600 --> 0:02:03.000
<v Speaker 1>a little hobby. She has a way of belittling anything

0:02:03.000 --> 0:02:05.160
<v Speaker 1>outside her hopes and dreams of me attending college and

0:02:05.280 --> 0:02:08.280
<v Speaker 1>entering in the corporate America. Their vision of my future

0:02:08.320 --> 0:02:11.480
<v Speaker 1>is so specific it feels like a straight jacket. But

0:02:11.560 --> 0:02:13.560
<v Speaker 1>I can't seem like I'm bursting at the seams right now.

0:02:15.760 --> 0:02:20.200
<v Speaker 1>It's fun. He's staying in bene watching Netflix. Oh that

0:02:20.280 --> 0:02:25.120
<v Speaker 1>sounds nice. Oh okay, no signs of entrapman. They just

0:02:25.160 --> 0:02:27.600
<v Speaker 1>want to know what I'm up to. But I'm barely

0:02:27.600 --> 0:02:31.120
<v Speaker 1>holding together. It's been an endless weekend and they cannot

0:02:31.200 --> 0:02:36.360
<v Speaker 1>know about it. What movies did you watch? Uh? Just

0:02:36.600 --> 0:02:42.320
<v Speaker 1>some comedies, old stuff, House Party, Friday, Half bab You know,

0:02:42.960 --> 0:02:48.200
<v Speaker 1>Dave Chappelle is hilarious. You know who's going on school now?

0:02:49.120 --> 0:02:51.280
<v Speaker 1>I remember when I was in college, my buddies and

0:02:51.280 --> 0:02:56.040
<v Speaker 1>I used to smoke, watch Half Baked. It's fun times,

0:02:56.280 --> 0:02:58.639
<v Speaker 1>It's good for you and Marco best butts to the end.

0:02:59.400 --> 0:03:02.360
<v Speaker 1>Oh and so out of touch. They don't even know it.

0:03:03.240 --> 0:03:06.200
<v Speaker 1>My dad used to smoke. It drives me nuts that

0:03:06.320 --> 0:03:08.680
<v Speaker 1>I get words of encouragement for my life about staying

0:03:08.720 --> 0:03:11.160
<v Speaker 1>in and watching stoner movies, but I can't trust them

0:03:11.160 --> 0:03:13.200
<v Speaker 1>to react. Similarly, if I tell them the truth about

0:03:13.240 --> 0:03:16.480
<v Speaker 1>my much more ambitious plans, it's worse because I'm freaking

0:03:16.480 --> 0:03:20.640
<v Speaker 1>out inside and they can't even tell. It's like I

0:03:20.639 --> 0:03:22.520
<v Speaker 1>don't want them to know, and I'm mad at them

0:03:22.520 --> 0:03:24.400
<v Speaker 1>for not seeing through the light. At the same time,

0:03:25.360 --> 0:03:27.240
<v Speaker 1>and now I felt a way guilt for being so

0:03:27.280 --> 0:03:30.799
<v Speaker 1>annoyed at than when I'm the one hiding something and

0:03:31.040 --> 0:03:34.040
<v Speaker 1>come on, you know, no phones at the table. I

0:03:34.080 --> 0:03:36.080
<v Speaker 1>try to still a glance of the notification when I

0:03:36.120 --> 0:03:40.040
<v Speaker 1>go to Sidnce my phone the Texas from Marco. My bad?

0:03:40.280 --> 0:03:43.360
<v Speaker 1>Who was it? Just a text from Marco. They can

0:03:43.360 --> 0:03:47.040
<v Speaker 1>tell I'm distracting that I'm not sharing everything, but I

0:03:47.080 --> 0:03:49.240
<v Speaker 1>know they won't pry. They'll chalk it up the good

0:03:49.240 --> 0:03:52.480
<v Speaker 1>old fashioned teenage rebellion. And they know as well as

0:03:52.520 --> 0:03:54.080
<v Speaker 1>I do that Marco and I are trying to figure

0:03:54.080 --> 0:03:55.880
<v Speaker 1>out what our friendship looks like now that we're going

0:03:55.920 --> 0:03:58.240
<v Speaker 1>to separate schools. I'll tell you what looks like. You're

0:03:58.240 --> 0:04:03.600
<v Speaker 1>about done with Danna. You can be excused. Thank God,

0:04:05.000 --> 0:04:07.600
<v Speaker 1>I do not need to be told twice. I thank

0:04:07.680 --> 0:04:09.720
<v Speaker 1>them both and rush up the stairs to my room,

0:04:09.720 --> 0:04:13.400
<v Speaker 1>slamming the door behind me. I blast my own music

0:04:13.440 --> 0:04:15.840
<v Speaker 1>and whip out my phone, eager for the latest news

0:04:16.520 --> 0:04:21.600
<v Speaker 1>and Yo downloads in less than twenty four hours. I

0:04:21.800 --> 0:04:26.640
<v Speaker 1>told you this was gonna be big ship. That's an audience.

0:04:27.160 --> 0:04:31.039
<v Speaker 1>This is gonna catch on, like for real enough that

0:04:31.080 --> 0:04:35.000
<v Speaker 1>we can score more interviews, maybe even advertisers. My mouth

0:04:35.080 --> 0:04:38.559
<v Speaker 1>is literally hanging open. I can feel my jangling nerves

0:04:38.600 --> 0:04:41.719
<v Speaker 1>light up inside of me. Whether I'm ready or not,

0:04:43.200 --> 0:05:01.600
<v Speaker 1>here comes the break. The numbers are un believable. An

0:05:01.640 --> 0:05:04.320
<v Speaker 1>audience this big, so fast, was not what I was expecting.

0:05:05.320 --> 0:05:08.080
<v Speaker 1>I feel excited and worried at the same time. This

0:05:08.160 --> 0:05:10.039
<v Speaker 1>must have been how Ice j J fishing Shiggy felt

0:05:10.040 --> 0:05:12.479
<v Speaker 1>when then my feelings dance blew up. I need to

0:05:12.480 --> 0:05:15.400
<v Speaker 1>talk to Mark about what all this means, what's next?

0:05:16.000 --> 0:05:18.080
<v Speaker 1>I keep telling myself we were just doing this for fun.

0:05:18.839 --> 0:05:22.520
<v Speaker 1>That episode was just testing the water, but that was

0:05:22.600 --> 0:05:24.960
<v Speaker 1>just a way of calming my own nerves. This is

0:05:24.960 --> 0:05:32.320
<v Speaker 1>happening faster than I thought. Yo, twelve thousand in a day.

0:05:32.720 --> 0:05:35.560
<v Speaker 1>That's crazy, man, right right, It's not just people who

0:05:35.560 --> 0:05:38.240
<v Speaker 1>saw it in my feet either. It's Novellas fans. They

0:05:38.279 --> 0:05:40.640
<v Speaker 1>found it and sped around everywhere. I'm surprised it even

0:05:40.640 --> 0:05:43.600
<v Speaker 1>blew up so quick. So what do we do now?

0:05:44.240 --> 0:05:46.000
<v Speaker 1>All right? I set up an email link til here

0:05:46.040 --> 0:05:48.160
<v Speaker 1>comes to break account in the episode description, and I

0:05:48.160 --> 0:05:50.520
<v Speaker 1>already got a message from ma Seo guns pressed people.

0:05:51.920 --> 0:05:53.599
<v Speaker 1>He's a nice New York rapper. He wants to be

0:05:53.600 --> 0:05:55.800
<v Speaker 1>our next guest. Are you free to do a phone

0:05:55.800 --> 0:05:58.240
<v Speaker 1>interview tomorrow? You gotta keep booking these if you want

0:05:58.240 --> 0:06:02.040
<v Speaker 1>to post regularly and build the phone man, So tomorrow,

0:06:02.800 --> 0:06:05.240
<v Speaker 1>I mean, yes, yes, yes, I can make it work.

0:06:06.279 --> 0:06:10.400
<v Speaker 1>Bad strike while is hard and all that. Right, God damn,

0:06:10.440 --> 0:06:12.800
<v Speaker 1>my parents are calling for we'll talk tomorrow. Man sleep,

0:06:12.839 --> 0:06:21.920
<v Speaker 1>bro you earned it, Mr podcast host. Ye Sleep. There's

0:06:22.040 --> 0:06:24.440
<v Speaker 1>no way I'm sleeping after that news, and I've been

0:06:24.480 --> 0:06:27.800
<v Speaker 1>on a two day tear. I'm practically delirious right now.

0:06:28.279 --> 0:06:31.480
<v Speaker 1>I can't even sit down. I immediately begin pacing around

0:06:31.520 --> 0:06:33.200
<v Speaker 1>my room thinking of how I'm going to record this

0:06:33.240 --> 0:06:38.080
<v Speaker 1>interview without my parents figuring it out. Maybe use the basement, No, no, no, no,

0:06:38.200 --> 0:06:41.799
<v Speaker 1>my classes. Yeah, better sound protection. And I need questions

0:06:41.800 --> 0:06:45.000
<v Speaker 1>from macyr Guns. Not the obvious stuff the other interviewers

0:06:45.040 --> 0:06:48.560
<v Speaker 1>are asking, you know, the basics, who's your biggest influences,

0:06:48.600 --> 0:06:51.400
<v Speaker 1>what's your next project? No way, I have to dig

0:06:51.480 --> 0:06:54.520
<v Speaker 1>deeper and ask questions about things that matter, you know,

0:06:55.240 --> 0:06:58.480
<v Speaker 1>about their family and and fears, the stuff that our

0:06:58.480 --> 0:07:08.159
<v Speaker 1>listeners can relate to. Oh shit, we have listeners. Mom,

0:07:08.360 --> 0:07:12.000
<v Speaker 1>you sure you don't want to come downstairs or a dessert? Yeah,

0:07:12.040 --> 0:07:17.040
<v Speaker 1>I'm good, Thanks, Okay, see you in the morning. My

0:07:17.120 --> 0:07:19.480
<v Speaker 1>son thinks he's too cool for mom's apple pie with

0:07:19.720 --> 0:07:25.880
<v Speaker 1>cream damn vibe killer. I can't blame her for trying,

0:07:26.000 --> 0:07:28.640
<v Speaker 1>but there's too much going on with me now that

0:07:28.720 --> 0:07:31.680
<v Speaker 1>she and dad just wouldn't understand. Now that I'm pursuing

0:07:31.680 --> 0:07:34.760
<v Speaker 1>internet fame on my own. I feel like our relationship

0:07:34.800 --> 0:07:36.920
<v Speaker 1>is harmed by their reaction when I went viral before

0:07:38.200 --> 0:07:40.400
<v Speaker 1>the twittiness and my limbs from the midstime that of

0:07:40.440 --> 0:07:44.200
<v Speaker 1>all his fating, and I'm crashing down hard. It's dawning

0:07:44.240 --> 0:07:46.000
<v Speaker 1>on me that I'm being funneled into this new stem

0:07:46.080 --> 0:07:48.920
<v Speaker 1>school to keep my future on the safe, predictable path.

0:07:49.680 --> 0:07:53.120
<v Speaker 1>To them. I've been the obedient son, taking the transference stride,

0:07:53.600 --> 0:07:56.480
<v Speaker 1>not doing anything out of the ordinary. But I become

0:07:56.520 --> 0:07:59.440
<v Speaker 1>distant and making here comes to break with Marco is

0:07:59.480 --> 0:08:02.240
<v Speaker 1>already turning out to be out of the ordinary. It's

0:08:02.240 --> 0:08:04.120
<v Speaker 1>flirting with the same kind of future that had them

0:08:04.160 --> 0:08:07.800
<v Speaker 1>so confused and rattled back in my buying days. I

0:08:07.880 --> 0:08:10.160
<v Speaker 1>started to feel dizzy. I think back to the Navey

0:08:10.280 --> 0:08:13.080
<v Speaker 1>Jolie interview and what was their advice to kids trying

0:08:13.080 --> 0:08:18.240
<v Speaker 1>to get their parents support, keep your grades up? Even

0:08:18.280 --> 0:08:24.480
<v Speaker 1>better advice for me starting at a new school and all. So,

0:08:24.520 --> 0:08:26.080
<v Speaker 1>I take a deep breath and turn to one of

0:08:26.080 --> 0:08:28.040
<v Speaker 1>the coping mechanisms that I've been taught for dealing with

0:08:28.080 --> 0:08:41.960
<v Speaker 1>this dress. I decided to meditate. I'm not a very

0:08:42.040 --> 0:08:45.679
<v Speaker 1>well practiced meditator. I'm usually too amped up to settle

0:08:45.760 --> 0:08:48.520
<v Speaker 1>down like that and stop thinking. But even if I'm

0:08:48.520 --> 0:08:51.040
<v Speaker 1>still experiencing racing thoughts while I closed my eyes and

0:08:51.080 --> 0:09:01.160
<v Speaker 1>focus on my breathing, the practice helps m. I feel

0:09:01.160 --> 0:09:12.000
<v Speaker 1>the pressure in my chest lighting up. I remind myself

0:09:12.040 --> 0:09:15.720
<v Speaker 1>to let the thoughts speed past me without latching onto them,

0:09:15.720 --> 0:09:18.120
<v Speaker 1>to be mindful but not caught up in all the

0:09:18.160 --> 0:09:30.040
<v Speaker 1>contents of my mind. It's a lot harder than it sounds.

0:09:30.080 --> 0:09:32.199
<v Speaker 1>The first wave of thoughts is happily about the interview,

0:09:32.880 --> 0:09:35.800
<v Speaker 1>figuring out where to record it, what questions I should ask.

0:09:36.520 --> 0:09:39.160
<v Speaker 1>Those thoughts are pleasant, and letting them drift past me

0:09:39.240 --> 0:09:42.320
<v Speaker 1>is nice too. It makes me feel like I'm accomplishing something,

0:09:42.360 --> 0:09:52.760
<v Speaker 1>even in my passive state. The second wave of thoughts

0:09:52.800 --> 0:09:56.000
<v Speaker 1>is a thorn of your family stuff. I imagine my

0:09:56.040 --> 0:09:59.839
<v Speaker 1>mom and dad finding out them blowing their tops how

0:10:00.000 --> 0:10:03.439
<v Speaker 1>and You're not gonna tell us about this, You're shutting

0:10:03.440 --> 0:10:07.320
<v Speaker 1>this account down right away. Man. I can't help but

0:10:07.360 --> 0:10:09.959
<v Speaker 1>cling onto these starts and feel my own anger. Even

0:10:10.000 --> 0:10:12.040
<v Speaker 1>though I'm just imagining it, it feels real to me.

0:10:12.600 --> 0:10:15.520
<v Speaker 1>I have so many unresolved frustrations from when they shut

0:10:15.520 --> 0:10:17.880
<v Speaker 1>down my fine account. But I was too young to

0:10:17.960 --> 0:10:19.959
<v Speaker 1>understand them then, and it's been too long to flip

0:10:19.960 --> 0:10:23.959
<v Speaker 1>out on him about it now. It's like this landmine

0:10:23.960 --> 0:10:26.840
<v Speaker 1>of emotional damage buried in our family history, and I'm

0:10:26.960 --> 0:10:30.200
<v Speaker 1>dancing around it trying to make this podcast. I kept

0:10:30.200 --> 0:10:32.280
<v Speaker 1>beginning to explain what I'm doing to them until I'm

0:10:32.360 --> 0:10:35.120
<v Speaker 1>less angry at the thought of it. Kind of diffused

0:10:35.120 --> 0:10:38.960
<v Speaker 1>this land mind somehow. Eventually I'm able to let these

0:10:39.000 --> 0:10:47.720
<v Speaker 1>thoughts pass from my mind too. I can feel the younger.

0:10:48.640 --> 0:10:51.680
<v Speaker 1>That's okay. I just I don't want to be caught

0:10:51.720 --> 0:10:54.360
<v Speaker 1>up in it, running in circles in my own head,

0:10:55.280 --> 0:10:58.400
<v Speaker 1>pink punking back and forth between my excitement and my frustration.

0:10:59.600 --> 0:11:04.880
<v Speaker 1>M hm see. I can only sit and meditate for

0:11:04.920 --> 0:11:08.720
<v Speaker 1>a few minutes at a time. Like I said, not

0:11:09.080 --> 0:11:13.960
<v Speaker 1>very good at it, but it was enough panic attack

0:11:14.000 --> 0:11:16.120
<v Speaker 1>fades and to keep it at bay for the rest

0:11:16.160 --> 0:11:18.160
<v Speaker 1>of the night. I turned the right in my interview questions,

0:11:18.760 --> 0:11:24.120
<v Speaker 1>researching my subject the work. Tomorrow's phone call with Maze

0:11:24.160 --> 0:11:29.040
<v Speaker 1>your guns be here before I know it, and I'm

0:11:29.040 --> 0:11:55.120
<v Speaker 1>gonna crash hard any oh. I jumped up from my

0:11:55.160 --> 0:11:58.520
<v Speaker 1>desk hours later, woken up by light peeking through the windows.

0:11:59.559 --> 0:12:03.120
<v Speaker 1>Mhm it I finally crashed from my pill mix up.

0:12:03.640 --> 0:12:07.520
<v Speaker 1>No time is it at six o'clock? Damn? I have

0:12:07.600 --> 0:12:09.840
<v Speaker 1>to interview Mazie this afternoon, and I haven't done any

0:12:09.880 --> 0:12:13.120
<v Speaker 1>prep in my foggy half a week state. It only

0:12:13.160 --> 0:12:18.440
<v Speaker 1>occurs to me now, shit, I have school today. The

0:12:18.440 --> 0:12:20.360
<v Speaker 1>whole wee can has been such a blur, and I've

0:12:20.360 --> 0:12:22.840
<v Speaker 1>been so caught up in Here comes the break. I

0:12:22.960 --> 0:12:25.880
<v Speaker 1>rush around my room, putting together a bag and stuffing

0:12:25.880 --> 0:12:29.839
<v Speaker 1>it with notebooks, pencils, all the usual crack. There was

0:12:29.880 --> 0:12:32.559
<v Speaker 1>an orientation packet that came in the mail. I'll need that.

0:12:33.280 --> 0:12:35.679
<v Speaker 1>Where did I put it? I pull it out from

0:12:35.679 --> 0:12:37.240
<v Speaker 1>the drawer of folders, where I must have thrown it

0:12:37.320 --> 0:12:39.839
<v Speaker 1>weeks ago. That's about right for the amount of head

0:12:39.840 --> 0:12:42.520
<v Speaker 1>space that I've given school lately. I feel like I've

0:12:42.520 --> 0:12:45.439
<v Speaker 1>been on an autopilot in my own life. I passed

0:12:45.480 --> 0:12:48.160
<v Speaker 1>for a beat not taking the welled photo of the

0:12:48.200 --> 0:12:52.680
<v Speaker 1>STEM campus, complete with stock photography full of smiling multicultural

0:12:52.720 --> 0:12:57.480
<v Speaker 1>students photoshopped across the front page. Uh, I can barely

0:12:57.480 --> 0:13:01.319
<v Speaker 1>stand and look at it. Reminds me of my frustration

0:13:01.400 --> 0:13:06.480
<v Speaker 1>with my parents. Now I'm headed to the belly of

0:13:06.520 --> 0:13:10.440
<v Speaker 1>the beast book or t itself, and I'm gonna have

0:13:10.480 --> 0:13:12.400
<v Speaker 1>to find time to do my interview prep during the

0:13:12.400 --> 0:13:15.320
<v Speaker 1>school day. The first school day of the new year

0:13:15.400 --> 0:13:24.640
<v Speaker 1>in an entirely new school, off with my backpack loaded,

0:13:25.000 --> 0:13:26.640
<v Speaker 1>I grabbed some toasts from the kitchen and hit the

0:13:26.679 --> 0:13:31.439
<v Speaker 1>train station. I can't forget to make my transfer. I

0:13:31.520 --> 0:13:33.160
<v Speaker 1>make it's a home room, just in time to bust

0:13:33.160 --> 0:13:35.199
<v Speaker 1>out my notepad and pull up some Amazing Your Guns

0:13:35.280 --> 0:13:38.559
<v Speaker 1>music on my phone for inspiration, but not enough time

0:13:38.600 --> 0:13:41.160
<v Speaker 1>to actually get any work done. They all rings the

0:13:41.240 --> 0:13:44.040
<v Speaker 1>first period. I cram everything back in my bag and

0:13:44.120 --> 0:13:47.600
<v Speaker 1>keep an eye towards study hall. I gotta admit it.

0:13:48.360 --> 0:13:50.160
<v Speaker 1>I don't know if it's the fresh green juices that

0:13:50.200 --> 0:13:54.280
<v Speaker 1>they make in the cofeteria, the fab labs, or recording studios,

0:13:54.320 --> 0:13:58.320
<v Speaker 1>but this school is a vibe. The teachers here are

0:13:58.360 --> 0:14:02.760
<v Speaker 1>progressive there y'all and woke. That helps make classes less

0:14:02.760 --> 0:14:05.880
<v Speaker 1>of a snooze, and the lectures and conversations are more

0:14:05.920 --> 0:14:10.640
<v Speaker 1>than interesting, they're actually invigorating. But Mrs Donnelly, isn't it

0:14:10.720 --> 0:14:15.160
<v Speaker 1>also true with the democratization of the news perception, they're uh,

0:14:16.120 --> 0:14:18.720
<v Speaker 1>this is cute girl with locks of my audio lab class.

0:14:19.320 --> 0:14:21.000
<v Speaker 1>I catch your size and me yet While the teacher

0:14:21.040 --> 0:14:24.760
<v Speaker 1>goes on about the semester long project. For a first day,

0:14:24.880 --> 0:14:30.320
<v Speaker 1>this is going pretty well. Accept the interview. Prep bell

0:14:30.440 --> 0:14:33.800
<v Speaker 1>rings again for study hall. Finally I got a chance

0:14:33.840 --> 0:14:35.840
<v Speaker 1>to sit with my notepad and headphones and write out

0:14:35.880 --> 0:14:40.520
<v Speaker 1>my questions. The day is almost over, but not for me.

0:14:41.440 --> 0:14:44.360
<v Speaker 1>The bell rings one last time, but I've still got

0:14:44.400 --> 0:14:46.360
<v Speaker 1>the interview with head of me. I have to get

0:14:46.360 --> 0:14:48.560
<v Speaker 1>home fast enough to record this in my closet before

0:14:48.600 --> 0:14:51.720
<v Speaker 1>mom calls me down for dinner. For school out, I

0:14:51.840 --> 0:14:54.080
<v Speaker 1>book it for the train station and make my way

0:14:54.080 --> 0:14:56.880
<v Speaker 1>back out too far rockaway. The train rides at the

0:14:56.960 --> 0:14:59.120
<v Speaker 1>end of the line has never felt longer and more

0:14:59.200 --> 0:15:02.680
<v Speaker 1>drawn out. When I'm finally off the subway, I rushed

0:15:02.720 --> 0:15:05.640
<v Speaker 1>back home through the door and straight up the stairs.

0:15:08.840 --> 0:15:11.960
<v Speaker 1>Finally a breather, I paused for a minute and take

0:15:12.000 --> 0:15:15.480
<v Speaker 1>the whole day in. I'm loving this podcast work so far,

0:15:15.600 --> 0:15:18.960
<v Speaker 1>but it's definitely already putting a strain on my attention

0:15:19.000 --> 0:15:21.800
<v Speaker 1>and energy for my family and school work. Mom and

0:15:21.880 --> 0:15:25.000
<v Speaker 1>Dad are gonna notice eventually. I guess I'll just have

0:15:25.080 --> 0:15:27.520
<v Speaker 1>to play it off and struggling to adjusting my new school.

0:15:28.840 --> 0:15:31.000
<v Speaker 1>Of course, that plan is complicated by the fact that

0:15:31.640 --> 0:15:35.880
<v Speaker 1>I'm actually enjoying my new school so far. But I

0:15:35.880 --> 0:15:38.840
<v Speaker 1>guess it'll do for a cover story with a little

0:15:38.880 --> 0:15:40.960
<v Speaker 1>bit more time on my hands. I started symboling my

0:15:41.000 --> 0:15:44.080
<v Speaker 1>closet studio, shoving all the hanging shirts to one side,

0:15:44.480 --> 0:15:47.640
<v Speaker 1>awkwardly squeezing my desk chair until it fits inside the closet.

0:15:48.280 --> 0:15:51.400
<v Speaker 1>For now, we're still pretty bootleg quality. I'll record the

0:15:51.400 --> 0:15:53.560
<v Speaker 1>call on my phone and send Marco the audio file.

0:15:54.240 --> 0:15:56.840
<v Speaker 1>I checked the time and the views coming up close.

0:15:57.680 --> 0:16:03.760
<v Speaker 1>Fifteen minutes, grubing your Hey, mom, you shot right up

0:16:03.760 --> 0:16:08.680
<v Speaker 1>the stairs. Is everything okay? Can I come in? I

0:16:08.760 --> 0:16:11.320
<v Speaker 1>hate that she asked if she can come in and

0:16:11.320 --> 0:16:14.800
<v Speaker 1>then opens the door without a response. It's a small thing,

0:16:14.840 --> 0:16:17.520
<v Speaker 1>but speaks to the lack of freedom and privacy I

0:16:17.520 --> 0:16:20.200
<v Speaker 1>have in this house. Of course, it gets under my skin.

0:16:21.080 --> 0:16:23.360
<v Speaker 1>I freeze up, hoping she doesn't see the chair in

0:16:23.400 --> 0:16:26.120
<v Speaker 1>my closet, and masts, what's up? Your father's making short rips.

0:16:26.160 --> 0:16:29.240
<v Speaker 1>You want to hear how your first day went. Great's

0:16:29.280 --> 0:16:34.320
<v Speaker 1>dinner almost ready? Fifteen minutes, half an hour tops okay,

0:16:34.480 --> 0:16:37.760
<v Speaker 1>oh man, that's gonna overlap with the interview. I'm really

0:16:37.760 --> 0:16:40.200
<v Speaker 1>gonna have to keep it tight. Text me when it's ready.

0:16:40.560 --> 0:16:43.880
<v Speaker 1>That should keep from accidentally interrupting an interview. I see

0:16:43.920 --> 0:16:47.040
<v Speaker 1>a flicker of concern passed through my mom's eyes, and

0:16:47.080 --> 0:16:49.720
<v Speaker 1>I get it. I've been running around like a madman

0:16:49.840 --> 0:16:52.360
<v Speaker 1>for the past four days. I'm just starting to book

0:16:52.360 --> 0:16:54.680
<v Speaker 1>of t and I'm keeping here. It comes to break

0:16:54.720 --> 0:16:58.080
<v Speaker 1>from her. Her spidy sense is going on, but she

0:16:58.120 --> 0:17:05.760
<v Speaker 1>doesn't push. Not now I will, and she walks away.

0:17:06.400 --> 0:17:09.560
<v Speaker 1>I feel a fresh wave of anger, but this time

0:17:09.560 --> 0:17:13.720
<v Speaker 1>it set myself. I'm mad at her and my dad

0:17:13.760 --> 0:17:15.640
<v Speaker 1>that I can't talk to them about here comes to break.

0:17:15.880 --> 0:17:18.480
<v Speaker 1>Sure angry they shut down my first shot at the

0:17:18.480 --> 0:17:21.480
<v Speaker 1>internet family. We never really talked about it. I'm mad

0:17:21.480 --> 0:17:23.359
<v Speaker 1>they transferred me to the STEMP school and I just

0:17:23.359 --> 0:17:26.240
<v Speaker 1>went along with it. I'm just all around piste off

0:17:26.280 --> 0:17:27.720
<v Speaker 1>and I don't know how to express any of it

0:17:27.800 --> 0:17:32.280
<v Speaker 1>to them. It's just a shitty situation all around. But

0:17:32.400 --> 0:17:36.080
<v Speaker 1>I not theres something else about my reaction. I'm not panicking.

0:17:36.920 --> 0:17:39.440
<v Speaker 1>I've got an interview coming up any minute. I spent

0:17:39.480 --> 0:17:42.119
<v Speaker 1>the days scrambling at school and mom and dad are

0:17:42.160 --> 0:17:47.639
<v Speaker 1>knocking down the door, and yet I'm excited. I feel good.

0:17:48.119 --> 0:17:49.600
<v Speaker 1>It's not like it was at the show the other

0:17:49.720 --> 0:17:51.879
<v Speaker 1>night when I almost had a panic attack at the door.

0:17:52.920 --> 0:17:58.200
<v Speaker 1>I'm exhilarated. This podcast is good for me. Now, I've

0:17:58.200 --> 0:18:00.160
<v Speaker 1>just got to keep it growing under the radar long

0:18:00.280 --> 0:18:02.080
<v Speaker 1>enough that my parents can't shut it down when the

0:18:02.080 --> 0:18:07.720
<v Speaker 1>truth comes out there. It is our second interview calling

0:18:07.760 --> 0:18:13.199
<v Speaker 1>me personally. Here comes to break, episode two. Here we go.

0:18:16.200 --> 0:18:25.600
<v Speaker 1>We'll be right back and now back to the show.

0:18:31.840 --> 0:18:35.200
<v Speaker 1>So tell our listeners, who is Mazio Guns? What is

0:18:35.240 --> 0:18:37.960
<v Speaker 1>your music about? Oh? Yeah, Like we don't see stuff

0:18:38.000 --> 0:18:39.400
<v Speaker 1>like well I'm from like we see the same thing

0:18:39.440 --> 0:18:42.040
<v Speaker 1>like you can come outside from East New York too,

0:18:42.280 --> 0:18:47.240
<v Speaker 1>called cousinuinning this down? Feel me is that's murders and

0:18:47.240 --> 0:18:49.679
<v Speaker 1>all of that. So I'll just be doing it for that.

0:18:49.800 --> 0:18:51.920
<v Speaker 1>Like the show, people like you ain't got it? Did?

0:18:52.000 --> 0:18:55.119
<v Speaker 1>This gets more to liftedness stuff. So that's why I

0:18:55.240 --> 0:18:57.720
<v Speaker 1>kind of come over the way I do with my music.

0:18:58.240 --> 0:19:01.240
<v Speaker 1>I'm only twenty years old, so I haven't seen a

0:19:01.320 --> 0:19:03.680
<v Speaker 1>lot and it's just like certain ways you can't that

0:19:03.800 --> 0:19:05.879
<v Speaker 1>coming from one from it East New York. You can't

0:19:05.880 --> 0:19:07.600
<v Speaker 1>move with a certain way of the carless you know

0:19:07.720 --> 0:19:10.480
<v Speaker 1>the stuff at one time and it's over do the

0:19:10.560 --> 0:19:13.119
<v Speaker 1>room thing and may cast you a lot, feel me.

0:19:13.160 --> 0:19:16.840
<v Speaker 1>So we can't move crazy anyway. So that just come

0:19:16.920 --> 0:19:18.959
<v Speaker 1>with it. You just learned that as be growing up,

0:19:19.240 --> 0:19:22.240
<v Speaker 1>I ain't gonna front sometimes I do begin quote up

0:19:22.320 --> 0:19:24.960
<v Speaker 1>a little mix up and all that, but I'll be

0:19:25.000 --> 0:19:27.399
<v Speaker 1>having people around me let me. Thank God, like I

0:19:27.400 --> 0:19:29.800
<v Speaker 1>got the people around me that boys keep me on focus.

0:19:29.920 --> 0:19:32.119
<v Speaker 1>But when they come to stuff like that. You know,

0:19:32.200 --> 0:19:34.840
<v Speaker 1>everybody want to be a rapper. Everybody want to do

0:19:34.960 --> 0:19:37.119
<v Speaker 1>something like but you want to be let But when

0:19:37.119 --> 0:19:38.880
<v Speaker 1>they kind of meet, that's what I really doing any

0:19:38.920 --> 0:19:41.520
<v Speaker 1>kind of music that's me all the way I feel that,

0:19:41.560 --> 0:19:43.040
<v Speaker 1>I feel that you know what it really is about

0:19:43.040 --> 0:19:45.520
<v Speaker 1>the people around you, and can you speak a little

0:19:45.560 --> 0:19:48.040
<v Speaker 1>more to your circle of trust? You know those people

0:19:48.080 --> 0:19:50.080
<v Speaker 1>around you when they come to that. But as the

0:19:50.160 --> 0:19:52.440
<v Speaker 1>artist and the artist part coming a longest, it's crazy

0:19:52.480 --> 0:19:55.320
<v Speaker 1>because and be a lot of love. People that never

0:19:55.400 --> 0:19:58.159
<v Speaker 1>showed you love before start to show you. Like when

0:19:58.160 --> 0:20:01.840
<v Speaker 1>we start getting up the hood, right, I'd be like, damn,

0:20:01.880 --> 0:20:04.639
<v Speaker 1>I was the same person before even I was doing

0:20:04.680 --> 0:20:06.959
<v Speaker 1>the same ship before, so why charging me? Someone love now?

0:20:07.200 --> 0:20:08.520
<v Speaker 1>People that have been with me, A lot of people

0:20:08.520 --> 0:20:10.800
<v Speaker 1>have been with me. And then iwas down. I wass broke,

0:20:10.840 --> 0:20:13.520
<v Speaker 1>I wass I have money? I spent on my money.

0:20:13.520 --> 0:20:15.960
<v Speaker 1>They have the more money, so they know what's up

0:20:16.080 --> 0:20:19.240
<v Speaker 1>is genuinely ain't faking it, you see me vice versa

0:20:19.880 --> 0:20:22.080
<v Speaker 1>what she set up? Like, do you most to record

0:20:22.080 --> 0:20:24.720
<v Speaker 1>a studio or do you have a set up at home? Now,

0:20:24.760 --> 0:20:28.040
<v Speaker 1>I'll be in the studio four seven. I don't like

0:20:28.160 --> 0:20:30.000
<v Speaker 1>being outside the studio because when I'm outside of the

0:20:30.000 --> 0:20:32.520
<v Speaker 1>studio it's easy for me to get in trouble. So

0:20:32.560 --> 0:20:34.359
<v Speaker 1>I like being in the studio like a lot myself

0:20:34.359 --> 0:20:37.639
<v Speaker 1>in the studio. But before I really started being on

0:20:37.680 --> 0:20:40.159
<v Speaker 1>some studio ship, I was recording all my studs in

0:20:40.160 --> 0:20:42.399
<v Speaker 1>the crib. No I still got as soon that's coming out,

0:20:42.440 --> 0:20:44.119
<v Speaker 1>that's from the crib. That's crazy. But yeah, I used

0:20:44.119 --> 0:20:46.720
<v Speaker 1>to recording my room save me living at my mown.

0:20:47.119 --> 0:20:48.600
<v Speaker 1>Now I feel like that got a lot to do

0:20:48.640 --> 0:20:50.679
<v Speaker 1>with how I found my sound because I was engineering

0:20:50.760 --> 0:20:53.320
<v Speaker 1>my own stuff for a little minute. So once I

0:20:53.359 --> 0:20:55.119
<v Speaker 1>got back in the studio and I started recording what

0:20:55.119 --> 0:20:57.080
<v Speaker 1>engine is like, I know how I want everything to sound.

0:20:57.400 --> 0:21:00.200
<v Speaker 1>I got pinpoint where this go, where that go off?

0:21:00.200 --> 0:21:02.720
<v Speaker 1>Like that. I've heard you have an archive music you

0:21:02.800 --> 0:21:05.480
<v Speaker 1>make but don't have a release. How many songs do

0:21:05.480 --> 0:21:07.840
<v Speaker 1>you think you've written? Yo, I ain't even go a lit.

0:21:09.320 --> 0:21:12.720
<v Speaker 1>I probably got right now, like at this moment. That's

0:21:12.760 --> 0:21:14.720
<v Speaker 1>crazy that you asked me that, because I just was

0:21:14.800 --> 0:21:20.240
<v Speaker 1>thinking about that at this moment. I probably got gotta say,

0:21:20.760 --> 0:21:24.880
<v Speaker 1>like seven hundred songs you got just got to beat. However,

0:21:24.880 --> 0:21:27.080
<v Speaker 1>I'm feeling at the moment I say I've failed come

0:21:27.240 --> 0:21:30.399
<v Speaker 1>or something. You mix it master the case may be,

0:21:30.760 --> 0:21:33.480
<v Speaker 1>but I would saying, listen to it. If I like it,

0:21:33.880 --> 0:21:35.800
<v Speaker 1>I'll put it. I got like my sertain folders, so

0:21:35.880 --> 0:21:38.040
<v Speaker 1>I got my favorite folders. Then I got the I'll

0:21:38.080 --> 0:21:41.280
<v Speaker 1>go back to a folder. Yeah, these times I'll just

0:21:41.320 --> 0:21:44.000
<v Speaker 1>do a hook and lead a verse open and then

0:21:44.040 --> 0:21:45.840
<v Speaker 1>put it in the acount folder and then go back

0:21:45.840 --> 0:21:47.639
<v Speaker 1>to it probably like three months later, and then put

0:21:47.680 --> 0:21:51.040
<v Speaker 1>it verse only and then they come out fired. So mean,

0:21:51.200 --> 0:21:53.320
<v Speaker 1>just like a little work process that I got seven

0:21:53.359 --> 0:21:57.280
<v Speaker 1>hundred songs. That is a lot, man, And your track

0:21:57.359 --> 0:22:00.240
<v Speaker 1>whispers in my head. You say the voices in your head,

0:22:00.280 --> 0:22:03.080
<v Speaker 1>maybe the demons. I think we all have inner critics.

0:22:03.640 --> 0:22:05.800
<v Speaker 1>So how do you cork with the voices in your head? Well,

0:22:05.800 --> 0:22:08.080
<v Speaker 1>we all got a demon that we fight. My dealers

0:22:08.080 --> 0:22:10.199
<v Speaker 1>really get the streets and stuff and choose the room.

0:22:10.240 --> 0:22:12.359
<v Speaker 1>Bet we were right, because you could want to do

0:22:12.400 --> 0:22:15.800
<v Speaker 1>it right and the only thing is for you to

0:22:15.840 --> 0:22:17.760
<v Speaker 1>go home. I got a lot. A lot of people

0:22:18.080 --> 0:22:20.360
<v Speaker 1>don't really talk about it like that, but I don't

0:22:20.359 --> 0:22:23.560
<v Speaker 1>really care though, but I do it anxiety too. Sometimes

0:22:23.600 --> 0:22:25.439
<v Speaker 1>I gotta be a move like I gotta shake my

0:22:25.560 --> 0:22:27.080
<v Speaker 1>leg or something like that when I go to sleep.

0:22:27.119 --> 0:22:28.960
<v Speaker 1>Me for me, because I didn't been through mad ship

0:22:29.000 --> 0:22:31.720
<v Speaker 1>for me, took him out, get shot at like you

0:22:31.760 --> 0:22:34.920
<v Speaker 1>should like that's gonna through crazy ship for me? Voches

0:22:34.960 --> 0:22:37.000
<v Speaker 1>in my head. I did that like at a crazy time.

0:22:37.080 --> 0:22:38.720
<v Speaker 1>That's why I couldn't make it out because I really

0:22:38.720 --> 0:22:41.240
<v Speaker 1>wanted to get out the log. It's like, damn, I'm

0:22:41.280 --> 0:22:44.640
<v Speaker 1>tired of that ship. Last question, what do you want

0:22:44.680 --> 0:22:47.200
<v Speaker 1>your legacy to be a legacy to day? I want

0:22:47.200 --> 0:22:50.560
<v Speaker 1>to be don't one that people think about and be

0:22:50.680 --> 0:22:54.000
<v Speaker 1>like he really stood on his ground, he really knew

0:22:54.000 --> 0:22:56.680
<v Speaker 1>what he wanted to do and did it and put

0:22:57.600 --> 0:23:00.359
<v Speaker 1>that before anything. He really put a hunt sending the

0:23:00.400 --> 0:23:06.080
<v Speaker 1>way he did and change the atmosphere around this music ship.

0:23:06.160 --> 0:23:10.720
<v Speaker 1>Like anybody, not even music, just life period like that.

0:23:10.840 --> 0:23:13.280
<v Speaker 1>Anybody feel like they could do something, just put a

0:23:13.680 --> 0:23:17.800
<v Speaker 1>percent into it and do it. All of adversities, all

0:23:17.840 --> 0:23:21.359
<v Speaker 1>the obstacles and all of that. For me, just stick

0:23:21.440 --> 0:23:23.159
<v Speaker 1>through it, like if that's really what you want to do,

0:23:23.280 --> 0:23:27.280
<v Speaker 1>give it your heart and whatever achievements that come out

0:23:27.280 --> 0:23:30.600
<v Speaker 1>of that. For me, that's just yellow Wolf for staying

0:23:30.640 --> 0:23:33.040
<v Speaker 1>loyal to what you were, laev In, staying with what

0:23:33.080 --> 0:23:34.760
<v Speaker 1>you're staying on. That's what I want people to give

0:23:34.840 --> 0:23:37.480
<v Speaker 1>me for Like yo, Now it was our interview and

0:23:37.680 --> 0:23:40.359
<v Speaker 1>Mazeo has blessed us with a fresh track to break

0:23:40.400 --> 0:23:42.800
<v Speaker 1>for you right here on here it comes to break

0:23:43.359 --> 0:23:46.520
<v Speaker 1>as always. You know the drill that's coming right up.

0:23:46.840 --> 0:23:49.320
<v Speaker 1>This is mask On time to get your listening on

0:23:49.680 --> 0:23:57.440
<v Speaker 1>and now an exclusive track from Mazio guns here we

0:23:57.480 --> 0:24:13.640
<v Speaker 1>are my secual. No, he don't so alone. I'm sorry.

0:24:13.840 --> 0:24:18.760
<v Speaker 1>I touch on me and kiss on you. I got

0:24:18.800 --> 0:24:23.120
<v Speaker 1>some things that we can do and sweet you so alone,

0:24:23.119 --> 0:24:28.000
<v Speaker 1>I'm slily kiss on me. I'm gonna touch on you.

0:24:28.600 --> 0:24:31.600
<v Speaker 1>I got something, then we can do it. Sneak you

0:24:32.359 --> 0:24:35.200
<v Speaker 1>doing new things and go skirts girt. I mean you know,

0:24:35.359 --> 0:24:37.479
<v Speaker 1>but she know to make it work work, I mean

0:24:37.600 --> 0:24:40.520
<v Speaker 1>head it off from picking up there and don't normal

0:24:40.680 --> 0:24:43.879
<v Speaker 1>up back on my up bergain. I can't bearing open bridges.

0:24:43.920 --> 0:24:47.960
<v Speaker 1>I'm curving. I still shooting mental like a turban and

0:24:48.200 --> 0:24:51.520
<v Speaker 1>on the parkway swerving and didn't got a bed and

0:24:51.600 --> 0:24:57.800
<v Speaker 1>it's worth so alone, Mama. Sorry, I touch on me,

0:24:58.280 --> 0:25:01.600
<v Speaker 1>kiss on you, talk to some things that we can do,

0:25:01.880 --> 0:25:08.000
<v Speaker 1>and sneak you so long. I'm sorry, Just soon me,

0:25:08.200 --> 0:25:11.240
<v Speaker 1>I'm gonna touch on you. I've got something there. We

0:25:11.480 --> 0:25:15.399
<v Speaker 1>can do it me because that's gotta coming back like

0:25:15.520 --> 0:25:17.840
<v Speaker 1>I add it. I don't, mama, never been in love

0:25:17.920 --> 0:25:21.280
<v Speaker 1>with the says you know you're only going over the baggage.

0:25:21.440 --> 0:25:24.200
<v Speaker 1>All these other kisses on my phone, bringing baggage because

0:25:24.240 --> 0:25:26.440
<v Speaker 1>in near don't know when she wore for the fashion

0:25:26.640 --> 0:25:28.960
<v Speaker 1>anything she want o, Mamma know she can't have it.

0:25:29.280 --> 0:25:31.160
<v Speaker 1>And nice jetty to me, you don't know when she's

0:25:31.200 --> 0:25:33.960
<v Speaker 1>passing and she'll patting on the loation he got me

0:25:34.000 --> 0:25:38.240
<v Speaker 1>in my song to me not to the sordy. I

0:25:38.320 --> 0:25:41.879
<v Speaker 1>touch on me ps soon you pok got some things

0:25:41.920 --> 0:25:46.560
<v Speaker 1>that we can do with meat and so along. I'm sorry,

0:25:48.600 --> 0:25:51.680
<v Speaker 1>it's so me. I'm gonna touch on you. I got

0:25:51.680 --> 0:26:17.600
<v Speaker 1>something there we can do it. Sneak you Here Comes

0:26:17.600 --> 0:26:20.080
<v Speaker 1>to Break is produced by Double Elvis and partnership with

0:26:20.119 --> 0:26:23.800
<v Speaker 1>I Heart Radio Executive produced by Deaf Jam Recordings Executive

0:26:23.840 --> 0:26:27.159
<v Speaker 1>produced by and starring Asanti Black Is Ruben, Produced by

0:26:27.240 --> 0:26:31.760
<v Speaker 1>Danielle Perkins who plays Janelle, Bobby cs is Marco, Christopher V.

0:26:31.960 --> 0:26:35.600
<v Speaker 1>Edwards as Dad, Raymie Cornell is Mom, and Taylor Bettenson.

0:26:35.800 --> 0:26:39.040
<v Speaker 1>Written by Taylor Bettenson and the Kia Hill Artist Interviews

0:26:39.040 --> 0:26:43.320
<v Speaker 1>conducted by Nikia Hill, directed by Christopher V. Edwards, mixed

0:26:43.359 --> 0:26:46.359
<v Speaker 1>and edited by Matt Ta Hainey. Sound recording by Colin

0:26:46.400 --> 0:26:50.720
<v Speaker 1>Fleming Music Elements and production by Ryan's Breaker. Additional production

0:26:50.720 --> 0:26:54.359
<v Speaker 1>support by Jamie Demons. Executive produced by Jake Brennan and

0:26:54.400 --> 0:26:58.560
<v Speaker 1>Grady Sadler for Double Elvis. Special thanks to Oren Rosenbaum,

0:26:58.560 --> 0:27:03.240
<v Speaker 1>Shelby Shankman, say Aaron Kaine and Jordan Guerilla, United Talent Agency,

0:27:03.480 --> 0:27:07.920
<v Speaker 1>Beck Comedian Marketing, Barack Muffett and Universal Music Group, Rich Isaacson,

0:27:08.200 --> 0:27:13.479
<v Speaker 1>lind Gonzalez, Charlene Thomas, Marissa Pizarro Gabriel to Serrierio, Jessica

0:27:13.600 --> 0:27:17.720
<v Speaker 1>Manarino and Narya Fleming at deaf Jam Recordings and Conald Burn,

0:27:18.040 --> 0:27:21.840
<v Speaker 1>Carrie Lieberman, Will Pearson, Noel Brown and the entire I

0:27:21.920 --> 0:27:24.760
<v Speaker 1>Heeart Media team to hear bonus content, meet the cast,

0:27:24.880 --> 0:27:26.800
<v Speaker 1>and go behind the scenes of Here It Comes to Break.

0:27:26.960 --> 0:27:29.919
<v Speaker 1>Follow with double Elvis on Instagram or visit double elvis

0:27:29.960 --> 0:27:54.360
<v Speaker 1>dot com.