1 00:00:01,080 --> 00:00:03,520 Speaker 1: Hey, time travelers. This has Head the Iron Horn, co 2 00:00:03,640 --> 00:00:07,440 Speaker 1: creator of Nikki Fixes Time Mix Up. Next, be kind 3 00:00:07,480 --> 00:00:10,200 Speaker 1: and rewind to the nineties for a most epic episode 4 00:00:10,200 --> 00:00:13,240 Speaker 1: of Nicki Fix. But first, a quick word from our sponsor, 5 00:00:18,360 --> 00:00:21,720 Speaker 1: Iron Horn's Epic productions, and I Heart Radio present Nikki 6 00:00:21,800 --> 00:00:35,640 Speaker 1: Fixes Time mix How is this possible? What are you 7 00:00:35,640 --> 00:00:39,559 Speaker 1: going to get around watching anime for the rest of 8 00:00:39,600 --> 00:00:45,920 Speaker 1: your life? I name this is the argument we had 9 00:00:46,000 --> 00:00:49,519 Speaker 1: right before I ran away to the rink for your 10 00:00:51,600 --> 00:00:55,320 Speaker 1: flicking a name for myself? When your time getting around here? 11 00:00:56,440 --> 00:01:00,560 Speaker 1: I'm not yet. Maybe if I starting out, I couldn't 12 00:01:00,640 --> 00:01:07,120 Speaker 1: beloved every game, I couldn't care about you that letting 13 00:01:07,160 --> 00:01:11,000 Speaker 1: everything move on the door sun, drop of it. Oh, 14 00:01:11,480 --> 00:01:14,400 Speaker 1: let's go. We don't have wanted to get the crap 15 00:01:14,400 --> 00:01:17,880 Speaker 1: about other than this been it in week. His business 16 00:01:17,959 --> 00:01:20,920 Speaker 1: is dead. I bet he had over the lirement bathing 17 00:01:21,040 --> 00:01:24,240 Speaker 1: and he over got the retrop of her work around here? 18 00:01:24,760 --> 00:01:28,720 Speaker 1: What do you think paid for all? Man? I never 19 00:01:28,840 --> 00:01:44,720 Speaker 1: asked for can read? I will good the webber's doing this. 20 00:01:45,000 --> 00:01:48,040 Speaker 1: I don't want to play this game anymore. Just give 21 00:01:48,080 --> 00:01:50,440 Speaker 1: me the guitar string so I can go back to 22 00:01:50,560 --> 00:02:07,440 Speaker 1: my time. What is that property of w n f 23 00:02:08,000 --> 00:02:17,040 Speaker 1: X Radio, one Main Street, Old Bridge, New Jersey. I 24 00:02:17,080 --> 00:02:48,880 Speaker 1: gotta get to the radio station I can find. Are 25 00:02:48,960 --> 00:02:53,600 Speaker 1: you sure about this, Nicky? There's a lot of people here. 26 00:02:54,320 --> 00:02:57,320 Speaker 1: I think we should go. Dan. We're miles away from 27 00:02:57,320 --> 00:03:00,720 Speaker 1: New Jersey. No one knows you here. This is a 28 00:03:00,760 --> 00:03:06,880 Speaker 1: safe space. I promise it's not that. Well, okay, it's 29 00:03:06,880 --> 00:03:09,720 Speaker 1: a little bit of that, but it's also that I'm 30 00:03:09,760 --> 00:03:12,120 Speaker 1: not sure how Kevin is going to react when he 31 00:03:12,160 --> 00:03:18,000 Speaker 1: sees me. It's gonna blow his mind. Trust me. There 32 00:03:18,040 --> 00:03:22,280 Speaker 1: are a lot of people here. Can you see him, Nikki. 33 00:03:22,960 --> 00:03:26,400 Speaker 1: I appreciate your help, but maybe I should go back 34 00:03:26,440 --> 00:03:29,520 Speaker 1: over the bridge to where I both. I mean, Dan, 35 00:03:30,520 --> 00:03:34,280 Speaker 1: you and Kevin have something really great going on, and 36 00:03:34,360 --> 00:03:37,400 Speaker 1: sometimes adult ng means stepping out of your comfort zone 37 00:03:37,440 --> 00:03:41,520 Speaker 1: to fight for what's important to you. I sound like 38 00:03:41,560 --> 00:03:46,080 Speaker 1: my parents. Thank you so much. You're right. This is 39 00:03:46,160 --> 00:03:50,200 Speaker 1: just also confusing, and I don't think I could have 40 00:03:50,240 --> 00:03:54,680 Speaker 1: done this alone. So thank you for being here. You know, 41 00:03:55,320 --> 00:03:59,320 Speaker 1: there's something so familiar about you, but I can't put 42 00:03:59,360 --> 00:04:04,320 Speaker 1: my finger on it. It's like constant dejah boom. I 43 00:04:04,400 --> 00:04:09,800 Speaker 1: feel the exact same way. Wait, I see keV over there. Oh, 44 00:04:10,080 --> 00:04:25,800 Speaker 1: oh my gosh, that's keV. Is he wearing purple leather pants? 45 00:04:25,800 --> 00:04:39,440 Speaker 1: How you said sick? Wait him? Oh my gosh, dude, 46 00:04:39,960 --> 00:04:47,039 Speaker 1: you can't, Jenny, can you take over? Absolutely? Girl? Oh 47 00:04:47,080 --> 00:04:51,840 Speaker 1: my god, he's coming over. What do I do yourself? Dan? 48 00:04:52,080 --> 00:04:54,760 Speaker 1: What are you doing here? I thought this morning you 49 00:04:54,760 --> 00:04:59,159 Speaker 1: said you weren't coming. I'm here and who's this? Oh? 50 00:04:59,480 --> 00:05:04,160 Speaker 1: When you for and nicky ye, nicky mom a fixed 51 00:05:04,240 --> 00:05:09,320 Speaker 1: must be so pleased. No, no, no, no, no, no, no, 52 00:05:09,320 --> 00:05:12,680 Speaker 1: no no no, I'm just a friend from the rank. 53 00:05:13,240 --> 00:05:20,800 Speaker 1: Oh well, my apologies, keb. Can we talk? Is that 54 00:05:20,800 --> 00:05:24,799 Speaker 1: while you're here to talk? Can I just be here? 55 00:05:25,680 --> 00:05:28,960 Speaker 1: Be supportive of a cause I believe in. Look, I'm 56 00:05:28,960 --> 00:05:32,120 Speaker 1: sorry if I'm being harsh standing. He really is good 57 00:05:32,160 --> 00:05:35,559 Speaker 1: to see you here. I totally cried this morning wishing 58 00:05:35,560 --> 00:05:40,359 Speaker 1: you were with me. Yeah, I cried too. I don't 59 00:05:40,360 --> 00:05:42,440 Speaker 1: want you to not be in my life me neither. 60 00:05:42,960 --> 00:05:47,880 Speaker 1: I'm just still figuring myself out. Well you're here. That's 61 00:05:47,920 --> 00:05:52,960 Speaker 1: a start. Oh this is amazing. Wait what are you 62 00:05:53,040 --> 00:05:55,720 Speaker 1: doing here again? Mickey has a favor to ask of us. 63 00:05:55,880 --> 00:05:58,840 Speaker 1: She approached me about a festival she's organized. Oh, yeah, 64 00:05:59,120 --> 00:06:02,360 Speaker 1: what sort of festival. It's a music festival. We're raising 65 00:06:02,360 --> 00:06:06,680 Speaker 1: money to save the rink. You'll remember the rank. Of course, 66 00:06:07,080 --> 00:06:10,440 Speaker 1: we had our first date there, first kiss there. The 67 00:06:10,600 --> 00:06:19,640 Speaker 1: rink really does mean something to you, guys. Wow, mind blown? Okay, Well, 68 00:06:20,480 --> 00:06:23,440 Speaker 1: I thought maybe the Odeon could get back together for 69 00:06:23,520 --> 00:06:28,800 Speaker 1: a performance to help about Ben. I thought we broke up. 70 00:06:29,839 --> 00:06:33,280 Speaker 1: I'm sorry about that, but maybe working on a couple 71 00:06:33,320 --> 00:06:36,680 Speaker 1: of Odeon songs together. Honestly, I think maybe it's a 72 00:06:36,800 --> 00:06:40,760 Speaker 1: terrible idea. I mean, some of our worst arguments started 73 00:06:40,800 --> 00:06:46,640 Speaker 1: as band names. Yeah. True, but also some of our 74 00:06:46,680 --> 00:06:50,280 Speaker 1: best moments were being out there on stage singing our 75 00:06:50,360 --> 00:06:54,640 Speaker 1: songs in front of every one together. So what you're 76 00:06:54,720 --> 00:06:58,120 Speaker 1: saying is the only way you feel good about being 77 00:06:58,160 --> 00:07:02,520 Speaker 1: seen together is when you're on stage. Plastic day. I 78 00:07:02,520 --> 00:07:05,359 Speaker 1: don't think that's what he meant. I think excuse me, 79 00:07:05,440 --> 00:07:08,840 Speaker 1: NICKI don't try to get involved in this. Dan has 80 00:07:08,839 --> 00:07:11,120 Speaker 1: some issues he's got to deal with still before he 81 00:07:11,160 --> 00:07:13,920 Speaker 1: tries to get me all entangled in his weird scenario. 82 00:07:14,080 --> 00:07:16,560 Speaker 1: Wanting to live a normal life in the suburbs is 83 00:07:16,600 --> 00:07:20,080 Speaker 1: not a weird scenario is for us. Why do you 84 00:07:20,080 --> 00:07:22,360 Speaker 1: think all these people are here. What do you think 85 00:07:22,360 --> 00:07:26,440 Speaker 1: I'm yelling into that megaphone about guys. What? No, it's 86 00:07:26,480 --> 00:07:29,280 Speaker 1: not like that. You you aren't like this. Nice to 87 00:07:29,320 --> 00:07:32,280 Speaker 1: meet you, Nikki, and good luck with the concert. I'm 88 00:07:32,360 --> 00:07:34,920 Speaker 1: going back to the parade where I can be myself 89 00:07:35,080 --> 00:07:40,120 Speaker 1: and not have to hide. Oh you've changed, keV. Ever 90 00:07:40,160 --> 00:07:42,520 Speaker 1: since you moved to the city. I can barely recognize. 91 00:07:42,680 --> 00:07:49,200 Speaker 1: I am more me than ever. I knew it was 92 00:07:49,240 --> 00:07:54,360 Speaker 1: a mistake to come here going home. See you later, Nikki. 93 00:07:54,960 --> 00:08:01,920 Speaker 1: Damn no, hang on, we can fix this, keV. A 94 00:08:01,960 --> 00:08:27,120 Speaker 1: lot of this is all wrong. One cola, please on 95 00:08:27,240 --> 00:08:32,559 Speaker 1: Ben's tab, Liam l Dog just the guy I wanted 96 00:08:32,600 --> 00:08:35,319 Speaker 1: to talk to. Did you sort out the porta potties? 97 00:08:35,840 --> 00:08:40,199 Speaker 1: That's always the hard one. Uh, yeah, totally. Everything is 98 00:08:40,280 --> 00:08:44,040 Speaker 1: going Uh it's just great. Okay, good because I have 99 00:08:44,160 --> 00:08:46,720 Speaker 1: my hands full with Toto's rider. I need a dozen 100 00:08:46,760 --> 00:08:50,000 Speaker 1: Magnolia's and black vases. Well, look, good luck with that. 101 00:08:50,640 --> 00:08:53,560 Speaker 1: I'm going to start to hit that list and do 102 00:08:53,720 --> 00:08:58,520 Speaker 1: my own. Errand yeah, sure, yeah, oh gosh, that's the publicist. 103 00:08:58,920 --> 00:09:00,800 Speaker 1: I gotta run, but I'm counting on you to make 104 00:09:00,840 --> 00:09:03,080 Speaker 1: sure you have all the production stuff sorted. Catch you 105 00:09:03,120 --> 00:09:09,560 Speaker 1: on the flip side stead uh huh liam Oh hey, Bobby, 106 00:09:09,720 --> 00:09:12,560 Speaker 1: how's your conquering of all the games in the arcade 107 00:09:12,600 --> 00:09:16,600 Speaker 1: coming along? Oh? I still have to beat Gallagha any 108 00:09:16,679 --> 00:09:19,160 Speaker 1: luck on the string. I followed that address for time tone, 109 00:09:19,720 --> 00:09:25,160 Speaker 1: but when I got there it was this big radio antenna. Then, well, 110 00:09:25,800 --> 00:09:29,800 Speaker 1: things gotta a little weird. I guess time missions aren't 111 00:09:29,840 --> 00:09:34,640 Speaker 1: so easy. Yeah, and my feet are killing me. Man, 112 00:09:34,640 --> 00:09:36,480 Speaker 1: what I would give to be able to call an 113 00:09:36,600 --> 00:09:40,559 Speaker 1: uber or a lift or something. You seem a little 114 00:09:40,600 --> 00:09:45,920 Speaker 1: out of it, are you okay? Yeah? I'm just still processing, 115 00:09:46,760 --> 00:09:49,200 Speaker 1: and I now have to get across town to this 116 00:09:49,440 --> 00:09:52,760 Speaker 1: radio station that owns the antenna. I know what's connected 117 00:09:52,800 --> 00:09:56,040 Speaker 1: to the time tone strings. I'm just not exactly sure. 118 00:09:56,080 --> 00:10:01,520 Speaker 1: How well, Hey, what are you do right now? You 119 00:10:01,600 --> 00:10:04,840 Speaker 1: just totally come with me? Oh well, I still have 120 00:10:04,920 --> 00:10:08,000 Speaker 1: to finish printing this zine I made to promote our 121 00:10:08,080 --> 00:10:11,040 Speaker 1: save the Rink event. Here. Take a look. I sold 122 00:10:11,040 --> 00:10:18,680 Speaker 1: some ads in everything. You made this with nineties technology? Yeah, 123 00:10:18,840 --> 00:10:22,040 Speaker 1: and I kind of enjoyed the process. Definitely took longer 124 00:10:22,080 --> 00:10:26,000 Speaker 1: to do it analog, but it, I don't know, felt 125 00:10:26,360 --> 00:10:32,600 Speaker 1: different better. Bobby, This is totally amazing. Thanks. I really 126 00:10:32,640 --> 00:10:35,720 Speaker 1: like just making a bunch of copies and giving them 127 00:10:35,760 --> 00:10:39,800 Speaker 1: to people and then that's it. No comments, no like counters, 128 00:10:39,800 --> 00:10:44,000 Speaker 1: no hashtags, no doom scrolling, no algorithm telling you what 129 00:10:44,080 --> 00:10:48,319 Speaker 1: to click on next, exactly. I probably couldn't have imagined 130 00:10:48,360 --> 00:10:52,000 Speaker 1: life without social media before, but now that we're here, 131 00:10:52,720 --> 00:10:55,120 Speaker 1: I kind of like it. One thing that I like. 132 00:10:56,040 --> 00:10:59,360 Speaker 1: I went to all these music stores and record stores 133 00:10:59,440 --> 00:11:04,600 Speaker 1: looking for those strings, and not one person knew who 134 00:11:04,640 --> 00:11:07,880 Speaker 1: I was. No one tried to be fake friends with 135 00:11:07,920 --> 00:11:10,280 Speaker 1: me because they wanted to get to my dad. No 136 00:11:10,320 --> 00:11:13,040 Speaker 1: one slipped me their USB with their songs to try 137 00:11:13,040 --> 00:11:16,160 Speaker 1: and get a deal. They just took me as a 138 00:11:16,160 --> 00:11:21,240 Speaker 1: guy looking for guitar strings. I guess I always assumed 139 00:11:21,320 --> 00:11:24,760 Speaker 1: having Dante Diamond as your dad would be amazing. Nicky 140 00:11:24,840 --> 00:11:27,920 Speaker 1: and I spend so much time trying to be special. 141 00:11:28,760 --> 00:11:32,520 Speaker 1: I never imagined would it be like to never be normal? 142 00:11:33,000 --> 00:11:36,720 Speaker 1: And here I can just be me. It's always been 143 00:11:36,760 --> 00:11:42,440 Speaker 1: hard for me to make real friends. Well, I'm your friend, Bobby. 144 00:11:42,520 --> 00:11:47,760 Speaker 1: Did you draw this? Is this all of us? Yeah? 145 00:11:48,360 --> 00:11:52,840 Speaker 1: See that's you, me, Nikki and there's Ben and the 146 00:11:52,920 --> 00:11:59,040 Speaker 1: Rank in the background. Your incredible, I mean I didn't 147 00:11:59,040 --> 00:12:05,880 Speaker 1: know you could draw. Thanks. Um, I have about fifty 148 00:12:05,920 --> 00:12:08,079 Speaker 1: copies that still need to be folded and stapled. If 149 00:12:08,120 --> 00:12:13,720 Speaker 1: you want to help, I mean, man, I wish I could. 150 00:12:14,200 --> 00:12:21,640 Speaker 1: But you know what, if you help me out when 151 00:12:21,679 --> 00:12:24,600 Speaker 1: we get back, then I'll have time to come to 152 00:12:24,640 --> 00:12:37,600 Speaker 1: the radio station with you. Seriously sure, let's go, Hey, 153 00:12:37,640 --> 00:12:41,000 Speaker 1: Nicky stands. Want to uncover more epic time travel secrets? 154 00:12:41,400 --> 00:12:44,600 Speaker 1: Head to e ep universe on Instagram and TikTok for 155 00:12:44,640 --> 00:12:48,240 Speaker 1: more totally twisty details. More Nicki fix is up next, 156 00:12:48,440 --> 00:12:57,199 Speaker 1: But first a quick word from our sponsor. Hey, Time Travelers, 157 00:12:57,400 --> 00:13:01,200 Speaker 1: Welcome back. Want to uncover more totally twis dtime travel secrets. 158 00:13:01,480 --> 00:13:04,240 Speaker 1: Had to e ep universe dot com to learn more, 159 00:13:15,520 --> 00:13:23,679 Speaker 1: keV wait up, Oh Hi, it's Nicky right. Look, I'm sorry. No, 160 00:13:23,920 --> 00:13:33,480 Speaker 1: I'm sorry. Dan and I they're seriously unsettled issues between us. Really. Yeah. 161 00:13:33,800 --> 00:13:36,319 Speaker 1: When he told me about his college plans, that that 162 00:13:36,440 --> 00:13:38,880 Speaker 1: he was staying home in New Jersey, it made me 163 00:13:38,880 --> 00:13:43,760 Speaker 1: feel like, I don't know, stuck. There's a whole world 164 00:13:44,000 --> 00:13:47,240 Speaker 1: waiting outside of Old Bridge, tell me about it. I 165 00:13:47,280 --> 00:13:49,960 Speaker 1: felt like when he decided to not come to New 166 00:13:50,040 --> 00:13:53,280 Speaker 1: York with me he was giving up on us, like 167 00:13:53,360 --> 00:13:56,000 Speaker 1: he couldn't have cared less about me, about the band, 168 00:13:56,360 --> 00:14:00,240 Speaker 1: about anything. But he does care. You must see that. 169 00:14:00,840 --> 00:14:02,720 Speaker 1: It was pretty bold of him to just come up 170 00:14:02,720 --> 00:14:06,000 Speaker 1: to me like nothing happened. Oh, Kevin, I'm sorry. That 171 00:14:06,120 --> 00:14:09,240 Speaker 1: was all my idea. I thought, if I could get 172 00:14:09,240 --> 00:14:12,400 Speaker 1: the band for the fundraiser, then you guys would talk 173 00:14:12,800 --> 00:14:15,640 Speaker 1: and see how you're perfect for each other. It's not 174 00:14:15,760 --> 00:14:20,160 Speaker 1: your fault. Nicky Dan needs to figure himself out before 175 00:14:20,160 --> 00:14:23,840 Speaker 1: he can really be with someone else. He's so easily swayed, 176 00:14:23,920 --> 00:14:28,000 Speaker 1: easily convinced of things. He never trusts his instincts and 177 00:14:28,160 --> 00:14:32,920 Speaker 1: is always second guessing himself. It's just hard to try 178 00:14:32,920 --> 00:14:35,960 Speaker 1: and commit to someone like that. Really, I would have 179 00:14:36,000 --> 00:14:44,320 Speaker 1: thought the opposite. Dan seems so sensible and steady, sensible, No, 180 00:14:44,320 --> 00:14:47,840 Speaker 1: no way. He makes the worst decisions. I mean I'd 181 00:14:47,880 --> 00:14:53,400 Speaker 1: have to agree, but for totally different reasons. Look, Nikki, 182 00:14:53,760 --> 00:14:56,680 Speaker 1: you seem like a nice person, and I would love 183 00:14:56,720 --> 00:15:00,400 Speaker 1: to help save the rink. But look around. I have 184 00:15:00,480 --> 00:15:03,360 Speaker 1: a whole life waiting for me to live it. I 185 00:15:03,400 --> 00:15:08,040 Speaker 1: get that, and I think Dan sees it too. He's 186 00:15:08,080 --> 00:15:12,120 Speaker 1: just anxious. Can you meet us at the corner in 187 00:15:12,120 --> 00:15:16,840 Speaker 1: fifteen minutes. I'm sure, Nicky see you there, and Hey, 188 00:15:16,480 --> 00:15:19,920 Speaker 1: I'm sorry you saw us fighting, but I am glad 189 00:15:19,960 --> 00:15:23,400 Speaker 1: you brought Dan here today. There's hope yet, keV. I'm 190 00:15:23,440 --> 00:15:30,000 Speaker 1: ready for you. Guys. Come on, Dan, you've both had 191 00:15:30,040 --> 00:15:33,000 Speaker 1: a chance to cool off. He really wants to talk. 192 00:15:34,160 --> 00:15:39,720 Speaker 1: He clearly hates he does not see there he is. Oh, 193 00:15:39,760 --> 00:15:42,920 Speaker 1: my chest feels all tight. That unbuttoned a couple of buttons. 194 00:15:43,880 --> 00:15:50,800 Speaker 1: What hey, Kevin over here? Hi Nicky, Hi Dan, Dan, 195 00:15:51,680 --> 00:15:57,720 Speaker 1: do you want to say something? keV. I'm so glad 196 00:15:57,760 --> 00:16:01,760 Speaker 1: you're here, and I love seeing this side of you 197 00:16:01,880 --> 00:16:05,520 Speaker 1: and that this is who you are. I just felt 198 00:16:05,560 --> 00:16:08,480 Speaker 1: like you being so excited to get out of Old 199 00:16:08,520 --> 00:16:13,120 Speaker 1: Bridge was like you rejecting me, because I really do 200 00:16:13,320 --> 00:16:19,080 Speaker 1: like it there. Yes, I don't hate New Jersey and 201 00:16:19,920 --> 00:16:23,680 Speaker 1: I don't hate you. Old Bridge isn't going anywhere, and 202 00:16:24,440 --> 00:16:28,040 Speaker 1: it will always be our hometown, and who knows, maybe 203 00:16:28,080 --> 00:16:31,080 Speaker 1: we could wind up back there someday. But I want 204 00:16:31,120 --> 00:16:32,680 Speaker 1: to see what's out there in the rest of the 205 00:16:32,720 --> 00:16:40,560 Speaker 1: world while I'm still young. I get it, and I 206 00:16:40,600 --> 00:16:45,560 Speaker 1: hope you have a really good time. But what I'd 207 00:16:45,560 --> 00:16:49,400 Speaker 1: really love is for you to come see it with me. Yeah, 208 00:16:49,640 --> 00:16:56,200 Speaker 1: I understand. Wait what, well, you really aren't trying to 209 00:16:56,240 --> 00:16:59,880 Speaker 1: get rid of me? Of course? Not stop, Dan, listen 210 00:17:00,040 --> 00:17:07,920 Speaker 1: that it's okay, I'm here, It's okay. I just I'm 211 00:17:08,080 --> 00:17:11,159 Speaker 1: so sorry brow everything went down when you left for 212 00:17:11,200 --> 00:17:14,560 Speaker 1: New York. I was under so much pressure to not 213 00:17:14,720 --> 00:17:18,400 Speaker 1: screw up my life. That's what my mom was always 214 00:17:18,400 --> 00:17:21,200 Speaker 1: saying to me. I want to be with you, keV. 215 00:17:22,320 --> 00:17:26,400 Speaker 1: I love you. I'll do whatever it takes. I love 216 00:17:26,440 --> 00:17:34,000 Speaker 1: you too. Would you come out so we could be 217 00:17:34,040 --> 00:17:39,320 Speaker 1: together publicly? For real? Even that, I'll even tell my 218 00:17:39,359 --> 00:17:43,000 Speaker 1: mom if you'll be there with me, I'd be happy 219 00:17:43,080 --> 00:17:52,600 Speaker 1: to m M and I want to give the odeon 220 00:17:52,760 --> 00:17:58,720 Speaker 1: another shot. This is so exciting. Okay, I'm into Nikki. 221 00:17:59,040 --> 00:18:01,879 Speaker 1: You can count us in for the show. We're gonna 222 00:18:01,920 --> 00:18:05,280 Speaker 1: help you save the rink. I almost forgot that's what 223 00:18:05,359 --> 00:18:10,800 Speaker 1: I was here for. Amazing, Thank you. Now, how about 224 00:18:10,800 --> 00:18:13,439 Speaker 1: we joined back up with the Pride March and celebrate 225 00:18:14,160 --> 00:18:19,480 Speaker 1: this is a momentous day. I feel I don't know 226 00:18:19,960 --> 00:18:31,960 Speaker 1: a million pounds like. I am so proud of you. M. 227 00:18:40,200 --> 00:18:44,920 Speaker 1: Can I help you? Yeah? Is this w n f 228 00:18:45,280 --> 00:18:50,840 Speaker 1: X shurance Honey? Great? Can you tell me if you 229 00:18:50,920 --> 00:18:54,399 Speaker 1: have any guitars around here that use time tone? Seven 230 00:18:54,480 --> 00:18:59,440 Speaker 1: gage strings of who? What? Now? We play music here? 231 00:19:00,000 --> 00:19:02,600 Speaker 1: Out of request? Call the line? Come on, we have 232 00:19:03,119 --> 00:19:06,480 Speaker 1: I don't think this is the place. No, no, it 233 00:19:06,560 --> 00:19:09,400 Speaker 1: has to be. I've been walking all over and they 234 00:19:09,560 --> 00:19:12,560 Speaker 1: have to know about it here. Hey, what's the fuss 235 00:19:12,560 --> 00:19:15,439 Speaker 1: out here? I can hear you from the broadcast. Sorry, 236 00:19:15,800 --> 00:19:18,320 Speaker 1: so these kids are going on about something called time tune? 237 00:19:18,520 --> 00:19:22,920 Speaker 1: Have you ever heard of it? Oh? No, we're so sorry. Uh. 238 00:19:23,040 --> 00:19:25,520 Speaker 1: You see, it's really important that we find some time 239 00:19:25,560 --> 00:19:28,480 Speaker 1: tone strings. And my friend was up at the antenna 240 00:19:28,720 --> 00:19:32,400 Speaker 1: and saw the sign that pointed him here. We came 241 00:19:32,400 --> 00:19:35,520 Speaker 1: by to ask antenna. Nobody ever goes up there? Is that? 242 00:19:35,600 --> 00:19:39,120 Speaker 1: Maybe that weird hippie lady? Listen, you two should get going. 243 00:19:39,440 --> 00:19:42,960 Speaker 1: I'm about to go back on a one more thing. Uh. 244 00:19:43,040 --> 00:19:46,840 Speaker 1: We're organizing a concert to save the rink. I love 245 00:19:46,840 --> 00:19:49,119 Speaker 1: it if the radio station would maybe buy an ad 246 00:19:49,200 --> 00:19:53,720 Speaker 1: for this zine I'm making for the show The Millennium Rink. Yeah, 247 00:19:54,040 --> 00:19:56,639 Speaker 1: we're helping Ben raise money to buy the building before 248 00:19:56,640 --> 00:20:01,040 Speaker 1: it gets bulldozed. Bud, that's insane. I do know one 249 00:20:01,040 --> 00:20:03,600 Speaker 1: way to boost your signal. Why don't you kids committed 250 00:20:03,600 --> 00:20:06,280 Speaker 1: the broadcast boom. I'm about to jump into the community 251 00:20:06,280 --> 00:20:08,399 Speaker 1: segment and hey, do you want to talk about the 252 00:20:08,400 --> 00:20:11,160 Speaker 1: fundraiser on air? Plenty of people would love to hear 253 00:20:11,200 --> 00:20:17,320 Speaker 1: about it. Yeah, I don't know, that's pretty complied. Yes, 254 00:20:18,359 --> 00:20:22,159 Speaker 1: we need the publicity. Liam, all right, come on in. 255 00:20:22,400 --> 00:20:29,960 Speaker 1: I'm about to jump back on air. You're listening to 256 00:20:30,080 --> 00:20:33,240 Speaker 1: the King's Court with your host, boss O King on 257 00:20:33,520 --> 00:20:37,560 Speaker 1: w n f X eight nine point seven FM. I 258 00:20:37,680 --> 00:20:40,760 Speaker 1: have here in the studio the organizers of a righteous 259 00:20:40,760 --> 00:20:44,639 Speaker 1: event to help save the Millennium Rink. Now I didn't 260 00:20:44,680 --> 00:20:50,040 Speaker 1: know the rink was in trouble, no, uh sir, I 261 00:20:50,080 --> 00:20:53,679 Speaker 1: mean I can tell you it is very fresh news 262 00:20:54,200 --> 00:20:57,160 Speaker 1: and we're putting the event together quickly to help our 263 00:20:57,240 --> 00:21:01,479 Speaker 1: friend Ben keep Millennium Rink open for another generation. We 264 00:21:01,600 --> 00:21:04,680 Speaker 1: don't want it to get torn down, torn down. That 265 00:21:04,720 --> 00:21:07,480 Speaker 1: would be terrible for the town. I know I'd hate 266 00:21:07,520 --> 00:21:10,040 Speaker 1: to see it go. In fact, my parents met there 267 00:21:10,119 --> 00:21:13,280 Speaker 1: back in the fifties. So what are you planning for 268 00:21:13,320 --> 00:21:16,800 Speaker 1: the event? Some great live bands and music and fun 269 00:21:16,880 --> 00:21:21,800 Speaker 1: for the whole family, and uh a skating contest groups 270 00:21:21,920 --> 00:21:26,640 Speaker 1: and solo with prizes this weekend at the rink. Tickets 271 00:21:26,640 --> 00:21:29,080 Speaker 1: at the door. But it's a fundraiser, so donations of 272 00:21:29,119 --> 00:21:33,080 Speaker 1: any amount are greatly appreciated. And I've got a customed 273 00:21:33,119 --> 00:21:37,360 Speaker 1: guitar that my friend is playing. And well if anyone 274 00:21:37,440 --> 00:21:41,119 Speaker 1: knows out there where to find time tones, I repeat, uh, 275 00:21:41,359 --> 00:21:44,840 Speaker 1: time to tone guitar strings. Yes, of course, come on 276 00:21:44,880 --> 00:21:48,600 Speaker 1: out to the Millennium Rink and help save this legendary 277 00:21:48,640 --> 00:21:52,879 Speaker 1: cornerstone of the community. Thanks. I didn't get your names. 278 00:21:53,000 --> 00:21:56,800 Speaker 1: I'm Bobby and this is Liam, and thank you. And 279 00:21:57,720 --> 00:22:05,879 Speaker 1: now here's a new track from the Seventh Dimension that 280 00:22:06,000 --> 00:22:09,880 Speaker 1: was great. Listen kids, whatever we can do to help. Wow, 281 00:22:10,359 --> 00:22:13,159 Speaker 1: thank you so much. Oh h, do you mind if 282 00:22:13,200 --> 00:22:15,720 Speaker 1: I leave some copies of my scene at the station. 283 00:22:16,320 --> 00:22:18,640 Speaker 1: It's all about the event in case other DJs want 284 00:22:18,640 --> 00:22:21,119 Speaker 1: to talk about it too, Sure thing, leave them in 285 00:22:21,160 --> 00:22:24,720 Speaker 1: the mailboxes by the door. Hey. Also, someone called in 286 00:22:24,800 --> 00:22:26,879 Speaker 1: while you were on the air. They were talking about 287 00:22:26,920 --> 00:22:30,040 Speaker 1: those time tone strings that the kids mentioned. Said they'd 288 00:22:30,040 --> 00:22:33,520 Speaker 1: bring them to the show with the ring. Wait what 289 00:22:33,280 --> 00:22:36,199 Speaker 1: what what was their name? Did they say anything else? No, 290 00:22:36,640 --> 00:22:38,520 Speaker 1: not really. They said they would be at the big 291 00:22:38,520 --> 00:22:42,359 Speaker 1: show and would make sure to personally deliver them to 292 00:22:42,480 --> 00:22:48,000 Speaker 1: Liam mccowski after the headlining act performs. I didn't say 293 00:22:48,119 --> 00:22:52,040 Speaker 1: my last name on air, did I? Okay, I gotta 294 00:22:52,040 --> 00:22:54,000 Speaker 1: get back. Oh wait, do you think you'd want to 295 00:22:54,040 --> 00:22:57,360 Speaker 1: do a DJ set at the fundraiser? Yeah? Absolutely, I'll 296 00:22:57,400 --> 00:22:59,440 Speaker 1: be there. Set it up with the Shauna, and I'll 297 00:22:59,480 --> 00:23:04,440 Speaker 1: see you. It's this weekend and the mailboxes are right there. 298 00:23:04,960 --> 00:23:11,200 Speaker 1: Thank you. I can't believe we were just on the air. 299 00:23:12,280 --> 00:23:14,480 Speaker 1: I mean, it goes against everything that I have in 300 00:23:14,560 --> 00:23:17,800 Speaker 1: my mental time travel manual. Everybody who knows what the 301 00:23:17,880 --> 00:23:21,639 Speaker 1: rules are anyway, Hey, look at this. There's a mailbox 302 00:23:21,720 --> 00:23:26,000 Speaker 1: here for b to Stephano. That's my mom's maiden name, 303 00:23:26,720 --> 00:23:30,080 Speaker 1: Bianca to Stefano. She has a show called The Daily 304 00:23:30,119 --> 00:23:34,399 Speaker 1: Morning Show. My mom is a radio DJ. Well maybe 305 00:23:34,400 --> 00:23:37,000 Speaker 1: that's why you're such a natural on air. I'm gonna 306 00:23:37,040 --> 00:23:39,760 Speaker 1: put a copy of the zine in her mailbox, like 307 00:23:39,800 --> 00:23:43,680 Speaker 1: a way of saying hello, I love you. Maybe she'll 308 00:23:43,720 --> 00:23:51,879 Speaker 1: even read it. That'd be a trip. Bobby, get some 309 00:23:51,960 --> 00:23:56,800 Speaker 1: skates on and come join me. I'm god dang last, 310 00:23:58,119 --> 00:24:02,320 Speaker 1: I'll be so sad to see you. You go, Nikki, 311 00:24:02,960 --> 00:24:06,720 Speaker 1: I just had the best day, Me too, But you 312 00:24:06,800 --> 00:24:10,440 Speaker 1: go first found a band at the record store magazine 313 00:24:10,760 --> 00:24:14,240 Speaker 1: and did an interview on the college radio station to 314 00:24:14,320 --> 00:24:18,760 Speaker 1: promote the show. That's amazing. What about you? Oh you 315 00:24:18,840 --> 00:24:21,920 Speaker 1: know I only got my teenage dads to unbreak up 316 00:24:22,359 --> 00:24:29,560 Speaker 1: in band and its relationship. No way, way, it's squeeze 317 00:24:30,000 --> 00:24:38,360 Speaker 1: a baking powder. Hey what are we giggling about? Flower? 318 00:24:38,920 --> 00:24:40,600 Speaker 1: But I don't get it. Did you hear what Bobby 319 00:24:40,680 --> 00:24:45,240 Speaker 1: did today? Um? Yes, because I was there at least 320 00:24:45,240 --> 00:24:48,399 Speaker 1: at the radio station. Did you know how good Bobby 321 00:24:48,520 --> 00:24:53,640 Speaker 1: is on a I need to talk to come back you. 322 00:24:54,920 --> 00:24:59,520 Speaker 1: Team meeting all right, put your skates on. Team meeting 323 00:24:59,640 --> 00:25:03,240 Speaker 1: is on the rank. Uh. He looks like cartoon steam 324 00:25:03,280 --> 00:25:06,960 Speaker 1: is about to burst out of his ears. Wait, I 325 00:25:07,080 --> 00:25:10,840 Speaker 1: almost forgot the best part. I found someone that's going 326 00:25:10,880 --> 00:25:15,159 Speaker 1: to bring time tone strings to the show. We're going home? 327 00:25:15,480 --> 00:25:19,000 Speaker 1: You know that rank. It's all coming together. I'm on 328 00:25:19,119 --> 00:25:24,439 Speaker 1: skates now, happy. Yes, so good news. I met with 329 00:25:24,480 --> 00:25:27,400 Speaker 1: the manager at the top forty station, you know, Pop 330 00:25:27,480 --> 00:25:30,200 Speaker 1: one O two, and they made this slick ad that's 331 00:25:30,240 --> 00:25:34,440 Speaker 1: already running on air, and they have a stage and storage. 332 00:25:34,480 --> 00:25:37,040 Speaker 1: They're going to loan us. What's the update from the 333 00:25:37,080 --> 00:25:40,919 Speaker 1: rest of you. The odeon is in, so are Bustle 334 00:25:41,040 --> 00:25:46,119 Speaker 1: King from w NFX and Jeremy Kane from the record store. Leah, 335 00:25:46,280 --> 00:25:50,439 Speaker 1: how about you? What's the four one one? I'm fine? Thanks? No, 336 00:25:51,160 --> 00:25:55,840 Speaker 1: how's the progress report? Concessions, porta potties? I assume those 337 00:25:55,880 --> 00:25:58,800 Speaker 1: are taken care of. Have you moved on to security lights? 338 00:25:59,200 --> 00:26:03,280 Speaker 1: Have you found a green room trailer? Yeah? About that? 339 00:26:04,160 --> 00:26:13,040 Speaker 1: I well, I think it's like the meme. Well, I 340 00:26:13,920 --> 00:26:16,400 Speaker 1: well a nerd and all the rest of you get 341 00:26:16,480 --> 00:26:21,800 Speaker 1: over here. Now, why not one but two radio stations 342 00:26:21,840 --> 00:26:25,480 Speaker 1: talking about a show here this weekend? And why did 343 00:26:25,520 --> 00:26:27,520 Speaker 1: someone just show up with a twelve ft long Boa 344 00:26:27,600 --> 00:26:31,040 Speaker 1: Constrictor and tell me it's for the band? Well, and 345 00:26:31,080 --> 00:26:33,320 Speaker 1: then asked me if I have permission to be back 346 00:26:33,359 --> 00:26:36,640 Speaker 1: here in my own rank. It's just the band's writer. 347 00:26:37,000 --> 00:26:40,080 Speaker 1: No big deal, I promise I have it all taken 348 00:26:40,119 --> 00:26:44,520 Speaker 1: care of. And writer, what writer? What band? I didn't 349 00:26:44,520 --> 00:26:47,680 Speaker 1: approve any of this. We knew you'd be skeptical. But 350 00:26:47,920 --> 00:26:51,240 Speaker 1: once you see everything we've put together, just let us 351 00:26:51,280 --> 00:26:53,919 Speaker 1: show you the whole plan. You'll love it. No, too 352 00:26:54,040 --> 00:26:56,800 Speaker 1: late for that. I don't care. None of this is 353 00:26:56,840 --> 00:26:59,040 Speaker 1: what this rink is about and if you haven't figured 354 00:26:59,040 --> 00:27:01,560 Speaker 1: that out by now, I don't think you ever will. 355 00:27:02,080 --> 00:27:31,560 Speaker 1: What are you saying? Then? The soul is all iron 356 00:27:31,600 --> 00:27:35,160 Speaker 1: Horn's Epic Productions and I Heart Radio present Nikki Fixes 357 00:27:35,240 --> 00:27:39,560 Speaker 1: Time Mix created an executive produced by Heather Ironhorn and 358 00:27:39,600 --> 00:27:44,680 Speaker 1: Adam staff Arroni. Executive produced by iHeart Radio head writer 359 00:27:45,000 --> 00:27:52,040 Speaker 1: Cecil Castellucci, Writers Blue Beckford Barrel, Louis Cornfeld, Natalia Yancheck, 360 00:27:52,440 --> 00:27:57,360 Speaker 1: and Adam staff Arroni. Directed by Rebecca Cunningham, with performances 361 00:27:57,359 --> 00:28:01,080 Speaker 1: by Judy Allie Lee as Nicky fix To, Lea Romina 362 00:28:01,160 --> 00:28:05,840 Speaker 1: as Bobby, Joshua Evans as Liam Tyler, Kayes as Dante Diamond, 363 00:28:05,880 --> 00:28:11,520 Speaker 1: and Leonard and Baron Bass as Ben. Additional voices more Vincent, 364 00:28:11,880 --> 00:28:17,400 Speaker 1: Caleb Yen, David Shattraw, Leith Walshlegger, and Scott Hoffman as 365 00:28:17,400 --> 00:28:22,520 Speaker 1: Record Shop Clerk. Post sound by Chapter four Sound supervision 366 00:28:22,560 --> 00:28:27,280 Speaker 1: and sound design by Sarah Giblaska. Assistant sound editing by 367 00:28:27,359 --> 00:28:32,600 Speaker 1: Andrew Berger, Natalie Escudero and Zachary Spiser. Music composed by 368 00:28:32,920 --> 00:28:38,320 Speaker 1: Murray A Lightburn. Lyrics by Natalia Yancheck and Murray A Lightburn. 369 00:28:39,000 --> 00:28:44,680 Speaker 1: Produced by Arupe Sana Kaila, Development writer Scott Hoffman, Development 370 00:28:44,720 --> 00:28:50,840 Speaker 1: executive Gregg Lockard, line producer Anna Stipko, Production coordinator and 371 00:28:50,880 --> 00:28:56,640 Speaker 1: script supervisor Laura Martin, Operations Laura Kauffman, Marketing and Publicity, 372 00:28:56,840 --> 00:29:02,960 Speaker 1: Jesse Post Digital Marketing, Jennifer Gennaro, Social Media Ashley Lynn 373 00:29:03,040 --> 00:29:08,520 Speaker 1: Nicole Creative direction and designed by Ryan McCann. A special 374 00:29:08,560 --> 00:29:12,960 Speaker 1: thank you to The Shadow Unicorn, Iron Horn's Epic Productions 375 00:29:13,000 --> 00:29:22,160 Speaker 1: and I Heart Radio present Nicky Fixes, Time Mix, Hey, 376 00:29:22,200 --> 00:29:26,280 Speaker 1: Time Travelers. Check out more incredible adventures at ep universe 377 00:29:26,360 --> 00:29:29,400 Speaker 1: dot com. Dig into the secrets of time travel or 378 00:29:29,440 --> 00:29:32,720 Speaker 1: explore our other shows, Lethal It a tig Toah's Mystery, 379 00:29:33,200 --> 00:29:36,480 Speaker 1: See You in Your Nightmares, Daughters of DC, and more,