WEBVTT - Jonathan Del Arco Meets World

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<v Speaker 1>I don't think I told you guys about this at all,

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<v Speaker 1>and I guess, you know, why would I. But I

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<v Speaker 1>had this situation and then it kind of it changed

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<v Speaker 1>last week, and so I thought I would share this

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<v Speaker 1>story because it actually ends up being kind of a

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<v Speaker 1>in a roundabout way of very pod meats world ish story.

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<v Speaker 2>I was.

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<v Speaker 3>So I did this movie when I was eleven, called

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<v Speaker 3>Benefit of the Doubt.

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<v Speaker 2>Do you guys this? Of course, so I shot this movie.

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<v Speaker 1>I was like my first big job. I went off

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<v Speaker 1>to page Arizona. Donald Sutherland is in it. Amy Irving

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<v Speaker 1>played my mom. Christopher McDonald.

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<v Speaker 2>Do you guys know him. He's a great doctor. So

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<v Speaker 2>I'm not ago.

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<v Speaker 1>So it was like, you know, I was the only

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<v Speaker 1>kid on set. I was out in Arizona for I

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<v Speaker 1>don't know, like three months.

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<v Speaker 2>I'm horrible in the movie.

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<v Speaker 1>I like really struggled as it after I didn't, you know,

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<v Speaker 1>I just didn't know what was going on. But I

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<v Speaker 1>had so much fun. Of course, like out there in

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<v Speaker 1>the desert, I was, you know, getting to shoot guns.

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<v Speaker 1>I pull a gun a Donald's otherland. At one point

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<v Speaker 1>we had all these boat chase scenes, you know, and

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<v Speaker 1>behind the scenes, I'm like reading Stephen King, and I

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<v Speaker 1>first tried about Edward Abbey became like this great touchstone

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<v Speaker 1>activist writer that I love.

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<v Speaker 4>Eleven year old writers Disneyland.

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<v Speaker 2>Oh yeah, exactly nice.

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<v Speaker 1>And there were these there are these caves that we

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<v Speaker 1>shot at called Antelope Canyon, which is these slot caves

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<v Speaker 1>that are these beautif It's like they're open at the

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<v Speaker 1>top so the sunlight streams down. You've seen them in

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<v Speaker 1>like every commercial or whatever. So we actually shut down

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<v Speaker 1>and went there and shot. So last summer, I ended

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<v Speaker 1>up in Page, Arizona on my road trip with Alex

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<v Speaker 1>and Indy, and we went to the canyons and I

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<v Speaker 1>was like, oh my god, I shot a movie here, guys.

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<v Speaker 3>And we did the whole tour and it's beautiful.

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<v Speaker 1>And then we're hanging out in Page, like on the

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<v Speaker 1>street corner and we're walking down and you know, this

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<v Speaker 1>tiny town in the corner of Lake Powell, and I

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<v Speaker 1>start recognizing things. I'm like, oh my god, Oh my god,

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<v Speaker 1>there's the there's the movie theater. It's like I saw

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<v Speaker 1>Wayne's World in that movie theater. Like I remember, we

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<v Speaker 1>had the whole theater to ourselves. We were laughing and

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<v Speaker 1>I had so much fun. And then like I'm like,

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<v Speaker 1>wait a minute, Wait a minute, there's there's ice cream.

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<v Speaker 1>And we go around the corner and there's like this

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<v Speaker 1>ice cream shop and I'm like, wait, they have frybread.

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<v Speaker 1>I know they have like Indian frybread, and like, sure enough,

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<v Speaker 1>I asked be on the counter. We get frybred and

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<v Speaker 1>I'm like all these memories start and I and I

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<v Speaker 1>get this like weird crawling sensation in the back of

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<v Speaker 1>my mind. I was like, it wasn't it wasn't just

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<v Speaker 1>me and my mom and I was the only kid

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<v Speaker 1>in the movie.

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<v Speaker 3>I was like, who was my pal? Like who was

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<v Speaker 3>my friend?

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<v Speaker 1>I watched Wayne's World We got Frybred, like with this

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<v Speaker 1>person I had this like face and I was like,

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<v Speaker 1>oh my god, Connie. And I had totally forgotten about

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<v Speaker 1>this woman, Connie, who was my best friend. And I'm like, wait,

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<v Speaker 1>she was like twenty five and she was the second AD.

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<v Speaker 1>Her name was Connie Hoy and she did you know,

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<v Speaker 1>so as a second AD, she was the person who

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<v Speaker 1>would have been kind of in charge of like getting

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<v Speaker 1>me for my trailer. But she was my friend, like

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<v Speaker 1>I just I and I had totally forgotten that.

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<v Speaker 2>This person existed.

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<v Speaker 1>I was like, we spent the entire shoot hanging out,

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<v Speaker 1>and she was like, you know, I looked at her

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<v Speaker 1>as like, you know, my peer, which is.

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<v Speaker 2>Just so funny.

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<v Speaker 1>And I was like, why did this twenty five year

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<v Speaker 1>old woman spend so much? Like she was so giving

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<v Speaker 1>and so awesome, and I was like, and the last

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<v Speaker 1>time I'd seen her was at the premiere of the

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<v Speaker 1>movie and she was pregnant and I had never seen

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<v Speaker 1>her since. And so I'm sitting there having all these

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<v Speaker 1>memories flooded. I'm like, I gotta find Connie.

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<v Speaker 2>Yeah, So I.

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<v Speaker 1>Pick up my phone, pick up my phone. I'm on

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<v Speaker 1>the corner page in Indian and Alex were like, let's go.

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<v Speaker 1>And I'm like, no, no, no, no. So I do the

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<v Speaker 1>research and I find her. I find like an email address.

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<v Speaker 1>I send her a letter. I'm like, hey, I don't

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<v Speaker 1>know if you remember, but like, thank you, like you

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<v Speaker 1>were like my friend. And I had all these positive

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<v Speaker 1>and I you know, and within a couple hours.

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<v Speaker 2>She wrote me back and it was like oh.

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<v Speaker 1>And I So we kept writing letters and texting, and

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<v Speaker 1>then when I got back to La I went and

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<v Speaker 1>met her for sushi and it was amazing. It was like,

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<v Speaker 1>she's exactly the same. Of course, she's much older. She

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<v Speaker 1>went on to not only raise her kid, but she

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<v Speaker 1>married a guy that she worked with on her next

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<v Speaker 1>movie who already had kids, and she raised them and

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<v Speaker 1>she it was just like and it was exactly the same,

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<v Speaker 1>Like we just fell right back into our friendship. And

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<v Speaker 1>she had gone on to become a producer. She worked

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<v Speaker 1>on like all these legendary films from the nineties, like

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<v Speaker 1>Jim Jarmusch films, I don't know if you guys know him,

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<v Speaker 1>like a classic. He did the movie dead Man with

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<v Speaker 1>Johnny Depp, and like, she worked on that, and she just,

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<v Speaker 1>you know, she's got a film buff obviously, So we

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<v Speaker 1>started connecting on all the things she's worked on. Anyway,

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<v Speaker 1>it was great to reconnect. And then we just have

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<v Speaker 1>been in touch and like sending you know, messages every

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<v Speaker 1>once in a while. And then of course Donald Sutherland

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<v Speaker 1>died and when that happened, she texted me and we

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<v Speaker 1>were like, and so I had this plan to when

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<v Speaker 1>I was on this road trip this summer. We were

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<v Speaker 1>texting and I was like, oh, when I get back,

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<v Speaker 1>you know, She's like, I'm going to take you out.

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<v Speaker 3>To lunch and return the favor and catch up again.

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<v Speaker 1>And then last week I'm in the I'm out in

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<v Speaker 1>the desert with friends and I get this weird email

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<v Speaker 1>from somebody I don't know who's like, hey, I'm trying

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<v Speaker 1>to find writer.

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<v Speaker 3>Connie died.

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<v Speaker 1>Yeah, And it was like just this sudden you know,

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<v Speaker 1>oh what Like I was just texting, so yeah, it's like, uh,

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<v Speaker 1>and you know, this guy Adam, who was a lifelong

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<v Speaker 1>friend of hers, is writing to me and he's like, yeah,

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<v Speaker 1>she I didn't know how any of your contact infos,

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<v Speaker 1>so he's like finding me through Instagram and whatnot. He's like, because,

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<v Speaker 1>but I just, you know, I want to let you

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<v Speaker 1>know and if you want to come to the memorial.

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<v Speaker 1>And Connie was really you know, affected by your letter

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<v Speaker 1>and like she really really croudy, like had told everybody

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<v Speaker 1>in her life, you know, like hey, like look this

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<v Speaker 1>kid that I worked with remembered me and yeah, just

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<v Speaker 1>you know, it's one of those things, like so much

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<v Speaker 1>of what we've been doing on this podcast has been this,

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<v Speaker 1>you know, like going back and reconnecting with people that

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<v Speaker 1>really we took for granted. And then also I just

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<v Speaker 1>think about how the industry takes these people for granted,

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<v Speaker 1>you know, like when we have especially as a kid,

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<v Speaker 1>but when you work on a film, you know, whether

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<v Speaker 1>it's good or bad, it's a lived experience of crewe

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<v Speaker 1>people and people that dedicate their lives and just are

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<v Speaker 1>the unsung heroes, you know, whether it's Addie dis Stefano

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<v Speaker 1>or David Combs or you know, and like their name

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<v Speaker 1>might not even be in the end credits, you know,

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<v Speaker 1>and yet they make the entire thing possible, and they

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<v Speaker 1>it's a collaborative art form. And they also changed the

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<v Speaker 1>lives of you know, little eleven year old kids who

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<v Speaker 1>are totally lost and confused about what they're doing.

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<v Speaker 2>And yeah, so I just.

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<v Speaker 1>You know, I wanted to give a shout out to

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<v Speaker 1>Connie Hoy, Connie Maverick Hoy who passed away and just really.

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<v Speaker 2>Changed my life.

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<v Speaker 3>Was super positive influence, so sweet.

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<v Speaker 4>That's so sweet, and you know, you're right. It ties

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<v Speaker 4>in so well with what we've been doing with the podcast.

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<v Speaker 4>And it's such a great reminder too that like when

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<v Speaker 4>you do have a memory of somebody and they positively

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<v Speaker 4>impacted you in some way doing the little bit of work,

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<v Speaker 4>it takes if possible to find them and let them

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<v Speaker 4>know is so important because you know, you obviously thoroughly

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<v Speaker 4>enjoyed reconnecting with her, and she enjoyed reconnecting with you,

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<v Speaker 4>but you would have also never known how much should

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<v Speaker 4>impacted her until her friend told you, like, wow, she

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<v Speaker 4>was so proud that this kid she had worked with

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<v Speaker 4>thirty years later is you know, reaching out to her

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<v Speaker 4>to reconnect. So, you know, letting somebody know what they

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<v Speaker 4>mean to you or what they meant to you, even

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<v Speaker 4>if it was for a really short period of time

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<v Speaker 4>in your life. You know, how long were you working

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<v Speaker 4>on that movie?

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<v Speaker 2>Yeah, like three months?

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<v Speaker 5>Right?

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<v Speaker 4>Yeah, you know, three months?

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<v Speaker 2>Three months of your life again, you know, and I.

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<v Speaker 4>Saw again and yet you went out of your way

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<v Speaker 4>and it turned into a beautiful friendship now as adults,

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<v Speaker 4>and unfortunately was cut short. But it's never too late

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<v Speaker 4>to reach out until somebody when they met.

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<v Speaker 1>Yeah, let people know, you know, and like, and that's

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<v Speaker 1>what's so great about the internet, right, Like, that's the

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<v Speaker 1>benefit is that we can find each other. We can't

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<v Speaker 1>you know, people don't just get lost. We can all

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<v Speaker 1>find each other. But yeah, it's a yeah, I'm really sad,

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<v Speaker 1>but I'm also really glad that I did at least

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<v Speaker 1>get to have that moment when and it was, you know, amazing.

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<v Speaker 1>The friendship was right back there.

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<v Speaker 3>Oh right, you're still just as cool.

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<v Speaker 6>It's one of those things where, whether you believe in fate,

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<v Speaker 6>whether they don't believe in fate, you easily could have

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<v Speaker 6>thought about her again after she had already passed away. Yeah,

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<v Speaker 6>and you wouldn't have had that opportunity, but you didn't something.

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<v Speaker 6>You were in the right place at the right time,

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<v Speaker 6>and you had the memory and you were able to reconnect.

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<v Speaker 2>And I don't know whether you believe.

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<v Speaker 6>In higher powers, fate, whatever you want to call it,

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<v Speaker 6>something somewhere needed you guys to get together again.

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<v Speaker 2>Yeah, at least one more time. So yeah, that's very cool.

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<v Speaker 4>Thank you for sharing with us, writer, and I love

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<v Speaker 4>you both very much.

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<v Speaker 2>I love you. I love you too.

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<v Speaker 4>Welcome to Pod meets World. I'm Danielle Fischel, I'm.

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<v Speaker 2>Right or Strong, and I'm Wilfordell.

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<v Speaker 4>Seasons four and five of Boy Meets World are unique

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<v Speaker 4>for many reasons, and one of those reasons makes booking

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<v Speaker 4>the rewatch podcast thirty years later a slightly more difficult task.

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<v Speaker 4>Gone are the days of rapid fire of up and

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<v Speaker 4>coming young names like Carrie Russell, Lindsay Price and Will

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<v Speaker 4>Esti's for every episode, making way for actors who were

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<v Speaker 4>a little on the older side, say Paul Gleeson, the

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<v Speaker 4>guys from the Love Boat, Soopy Sales, Buddy Hackett, and

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<v Speaker 4>the incomparable Phil Leads. I know he looked young, but

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<v Speaker 4>he was in fact old Phil.

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<v Speaker 2>No, he was not.

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<v Speaker 4>I'm surprised to have to tell you that easy. Many

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<v Speaker 4>of these stars, each leaving undeniable contributions to the legacy

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<v Speaker 4>of our show, are no longer with us. So when

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<v Speaker 4>a scene stealing guest star that was our age pops

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<v Speaker 4>up on screen these days, we'd jump at the chance

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<v Speaker 4>to talk to them. And today's guest is just that

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<v Speaker 4>he's so cool. His first acting job after moving from

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<v Speaker 4>Uruguay at the age of ten was on Miami Vice.

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<v Speaker 4>Oh not great. He'd quickly book roles on TV mainstays

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<v Speaker 4>like The Wonder Years and Blossom, and eventually inserting himself

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<v Speaker 4>into the Star Trek canon as the Borg Drone Hugh

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<v Speaker 4>on Star Trek the Next Generation, a role he reprised

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<v Speaker 4>two other times for the franchise He's been on and

0:11:02.840 --> 0:11:06.200
<v Speaker 4>off Broadway, studying acting from New York to Harvard, eventually

0:11:06.200 --> 0:11:10.199
<v Speaker 4>appearing on Nip Tuck as the unforgettable character Sophia Lopez,

0:11:10.480 --> 0:11:14.520
<v Speaker 4>a transgender patient who's come to McNamara Troy for a procedure.

0:11:14.920 --> 0:11:17.960
<v Speaker 4>He's also appeared on twenty four and The Sopranos, and

0:11:18.200 --> 0:11:21.160
<v Speaker 4>was a series regular on The Closer and its spinoff,

0:11:21.280 --> 0:11:25.520
<v Speaker 4>Major Crimes. He's a political, environmental, and gay rights activist

0:11:25.800 --> 0:11:29.360
<v Speaker 4>who has worked for five presidential campaigns and was awarded

0:11:29.400 --> 0:11:33.400
<v Speaker 4>the twenty thirteen Visibility Award from the Human Rights Campaign.

0:11:33.840 --> 0:11:36.640
<v Speaker 4>But today we are talking to him about one appearance

0:11:36.679 --> 0:11:40.280
<v Speaker 4>he made back in nineteen ninety seven as Nunzio, the

0:11:40.400 --> 0:11:43.600
<v Speaker 4>handsome waiter at El Coyote who just wants to dance

0:11:43.640 --> 0:11:46.760
<v Speaker 4>with Tapanga. Oh and he has a connection to one

0:11:46.760 --> 0:11:50.600
<v Speaker 4>of us that might just blow your mind. Welcome to

0:11:50.640 --> 0:11:53.920
<v Speaker 4>pod meets World, the wonderful Jonathan Delarco.

0:11:57.960 --> 0:12:02.640
<v Speaker 5>My god, yeah.

0:12:02.520 --> 0:12:06.120
<v Speaker 4>Oh, my goodness, it happens to the best of us.

0:12:06.200 --> 0:12:07.760
<v Speaker 4>Thirty years later, here we are.

0:12:08.520 --> 0:12:08.720
<v Speaker 2>Wow.

0:12:08.720 --> 0:12:11.959
<v Speaker 5>How strange is that.

0:12:12.160 --> 0:12:14.520
<v Speaker 4>It's so good to see you. Thank you so much

0:12:14.640 --> 0:12:18.120
<v Speaker 4>for being here. You you without even knowing it, you

0:12:18.200 --> 0:12:20.559
<v Speaker 4>joined a little bit of a club on our podcast

0:12:20.679 --> 0:12:24.440
<v Speaker 4>for what we call perfect drive Bys. It's a guest

0:12:24.480 --> 0:12:27.960
<v Speaker 4>star who swung in for one episode, gave it all

0:12:28.040 --> 0:12:31.680
<v Speaker 4>you had, and it was just absolutely wonderful, So.

0:12:31.679 --> 0:12:34.679
<v Speaker 2>We would kill it, killed it left giving.

0:12:34.480 --> 0:12:36.920
<v Speaker 4>You your flowers. What an episode?

0:12:36.640 --> 0:12:38.559
<v Speaker 2>You're the whole episode.

0:12:38.559 --> 0:12:42.360
<v Speaker 5>It's a yes, I just free watched it because I'm like, literally,

0:12:42.440 --> 0:12:48.640
<v Speaker 5>I hadn't seen it since it aired, right, and I'm like, Wow,

0:12:48.720 --> 0:12:52.560
<v Speaker 5>they let me do those dance moves. That's really d.

0:12:54.440 --> 0:12:55.840
<v Speaker 4>You're so glad they did it?

0:12:55.880 --> 0:12:58.920
<v Speaker 2>Was you know, I love it?

0:12:58.960 --> 0:13:00.000
<v Speaker 4>You even talking third part?

0:13:00.679 --> 0:13:05.880
<v Speaker 5>Yeah, exactly so. And I was so much older than

0:13:05.920 --> 0:13:09.360
<v Speaker 5>you guys, that's no way, no dude, I was like

0:13:09.400 --> 0:13:09.960
<v Speaker 5>twenty nine.

0:13:11.280 --> 0:13:12.840
<v Speaker 4>Really okay, I wouldn't.

0:13:12.880 --> 0:13:13.680
<v Speaker 2>I did not know.

0:13:14.280 --> 0:13:18.040
<v Speaker 5>All these days we have a twenty nine year old

0:13:18.080 --> 0:13:19.840
<v Speaker 5>actor being well.

0:13:19.960 --> 0:13:22.360
<v Speaker 4>You know what's funny is that you were then almost

0:13:22.440 --> 0:13:24.000
<v Speaker 4>the same age as Trina.

0:13:24.240 --> 0:13:26.720
<v Speaker 2>Yeah right right, yeah, yeah.

0:13:26.240 --> 0:13:28.479
<v Speaker 4>Trina I think was like twenty seven or twenty.

0:13:28.200 --> 0:13:30.960
<v Speaker 1>Eight, and she and I were actually making out all

0:13:31.000 --> 0:13:31.400
<v Speaker 1>the time.

0:13:31.640 --> 0:13:34.760
<v Speaker 5>Yeah, like you would all be arrested.

0:13:34.360 --> 0:13:38.640
<v Speaker 4>Now, it's so funny. Well, before we jump in and

0:13:38.720 --> 0:13:40.920
<v Speaker 4>talk about Nunzio, I wanted to get a little bit

0:13:40.920 --> 0:13:44.520
<v Speaker 4>into your origin story. We know you were born in Uruguay.

0:13:44.800 --> 0:13:47.920
<v Speaker 4>Is that where the idea for becoming an actor was born?

0:13:49.120 --> 0:13:52.800
<v Speaker 5>I mean kind of. I was always a performer when

0:13:52.800 --> 0:13:55.520
<v Speaker 5>I was a little kid, and I would do like

0:13:55.559 --> 0:14:01.320
<v Speaker 5>poppet shows and dirty jokes at my uncle's bar, like

0:14:01.640 --> 0:14:05.120
<v Speaker 5>you know, the tips. And I was always just not

0:14:05.240 --> 0:14:07.440
<v Speaker 5>kind of an odd kid when I was little. And

0:14:07.480 --> 0:14:10.000
<v Speaker 5>then we moved to the US when I was ten,

0:14:10.960 --> 0:14:15.079
<v Speaker 5>and so I was immediately the odd man. I mean

0:14:15.120 --> 0:14:17.400
<v Speaker 5>I didn't speak English and I had a weird really

0:14:17.840 --> 0:14:22.000
<v Speaker 5>already I was ten, so I had this like weird voice,

0:14:22.040 --> 0:14:25.480
<v Speaker 5>and I spoke very little English, and I learned English

0:14:25.560 --> 0:14:27.880
<v Speaker 5>watching TV over over one summer.

0:14:27.840 --> 0:14:30.840
<v Speaker 2>Oh man, And what are your watching? Do you remember

0:14:30.840 --> 0:14:32.320
<v Speaker 2>what you were watching to learn English?

0:14:32.480 --> 0:14:37.200
<v Speaker 5>I watched what was on Brady Bunch. We're talking like

0:14:37.480 --> 0:14:43.200
<v Speaker 5>seventy six, so Brady Bunch Days, Lucy Happy Days, Gilligan's Island,

0:14:44.360 --> 0:14:46.720
<v Speaker 5>all shows that were like big hits.

0:14:46.600 --> 0:14:48.479
<v Speaker 2>Classic Mark and Mindy.

0:14:49.160 --> 0:14:54.000
<v Speaker 5>I watched some British like Benny Hill, some really British comedy,

0:14:54.640 --> 0:14:57.440
<v Speaker 5>and I like learned English in two months.

0:14:57.680 --> 0:14:59.920
<v Speaker 3>That's amazing. And you have no accent like you.

0:15:00.280 --> 0:15:03.040
<v Speaker 5>It was. So, what's weird is I grew up in Portchester,

0:15:03.160 --> 0:15:06.680
<v Speaker 5>New York, and all the kids talk like this. Oh

0:15:07.480 --> 0:15:09.440
<v Speaker 5>I didn't I talk like a kid'.

0:15:11.400 --> 0:15:11.600
<v Speaker 3>You do?

0:15:11.760 --> 0:15:14.800
<v Speaker 6>You have what TV actors called a non regional diction,

0:15:15.520 --> 0:15:17.200
<v Speaker 6>so you can be from everywhere.

0:15:17.280 --> 0:15:18.960
<v Speaker 2>That's what that's what you want to be. Oh god,

0:15:19.000 --> 0:15:19.520
<v Speaker 2>So that was the.

0:15:19.480 --> 0:15:22.440
<v Speaker 5>Iguish I learned. And then I really because of watching TV,

0:15:22.640 --> 0:15:24.920
<v Speaker 5>I was like, I think that that's my vibe, Like

0:15:25.320 --> 0:15:28.560
<v Speaker 5>I could do that. And then yeah, so I became

0:15:28.600 --> 0:15:30.840
<v Speaker 5>you know, I lived near New York, so Broadway was

0:15:30.920 --> 0:15:34.600
<v Speaker 5>kind of always there, and I think I was like

0:15:34.640 --> 0:15:37.760
<v Speaker 5>maybe fourteen when I saw Matthew Broderick win a Tony

0:15:38.680 --> 0:15:42.720
<v Speaker 5>and I watched him win the award and I was like,

0:15:42.760 --> 0:15:44.040
<v Speaker 5>I could play that. I mean I didn't know what

0:15:44.040 --> 0:15:46.560
<v Speaker 5>the part was, but saw him and I was like, well,

0:15:46.560 --> 0:15:48.560
<v Speaker 5>I could do what he's doing. And then I went

0:15:48.560 --> 0:15:52.640
<v Speaker 5>ahead and did just like for all the places he

0:15:52.680 --> 0:15:55.280
<v Speaker 5>had done and like picked up the scraps and along

0:15:55.320 --> 0:15:56.240
<v Speaker 5>the way. Yeah.

0:15:56.280 --> 0:15:58.720
<v Speaker 4>And so what did your parents think about the stream

0:15:58.760 --> 0:15:59.920
<v Speaker 4>you had and pursuing it.

0:16:00.440 --> 0:16:03.520
<v Speaker 5>My mom and dad were like super dreamer people, like

0:16:03.600 --> 0:16:06.240
<v Speaker 5>they they like my dad moved here when he was

0:16:06.600 --> 0:16:09.600
<v Speaker 5>made there. I had older parents, so they moved to

0:16:09.640 --> 0:16:12.200
<v Speaker 5>the States when my dad was already in his fifties,

0:16:12.240 --> 0:16:15.240
<v Speaker 5>so like my age and like maybe a little younger

0:16:15.240 --> 0:16:17.680
<v Speaker 5>than I am now. My mom was younger than him,

0:16:17.680 --> 0:16:19.880
<v Speaker 5>she was in her forties, and he like uprooted the

0:16:19.960 --> 0:16:23.560
<v Speaker 5>family and like moved and so okay, and he was.

0:16:23.760 --> 0:16:28.200
<v Speaker 5>So they were always very adventurous, my dad in particular,

0:16:28.880 --> 0:16:32.480
<v Speaker 5>and they just encouraged it. They were like, go do it.

0:16:32.520 --> 0:16:33.960
<v Speaker 5>I don't know, I mean they were very like hands

0:16:34.040 --> 0:16:37.280
<v Speaker 5>off parents in a way. They were not helicoptery at all,

0:16:37.560 --> 0:16:40.360
<v Speaker 5>maybe because they were older. You know, if you want

0:16:40.400 --> 0:16:42.000
<v Speaker 5>to do that, go do that. You seem pretty good

0:16:42.000 --> 0:16:46.240
<v Speaker 5>at it. So they they were good. They were really

0:16:46.240 --> 0:16:50.000
<v Speaker 5>good about it. My mom when my sag unionship bo

0:16:50.160 --> 0:16:54.880
<v Speaker 5>car for it at the time. So yeah, I had

0:16:54.880 --> 0:16:58.320
<v Speaker 5>a really supportive family. I wasn't a kid actor, but

0:16:58.760 --> 0:17:02.880
<v Speaker 5>super weird because I looked really really young, played kid

0:17:03.000 --> 0:17:05.800
<v Speaker 5>rolls until I was I think your Show was probably

0:17:05.840 --> 0:17:08.000
<v Speaker 5>the last I think it was. I think it was

0:17:08.040 --> 0:17:11.280
<v Speaker 5>the last time casting was like you're not twenty nine, right,

0:17:13.400 --> 0:17:15.920
<v Speaker 5>It got weird. I mean I was, you know what,

0:17:16.000 --> 0:17:18.320
<v Speaker 5>I mean, and that was I mean, I was playing

0:17:18.320 --> 0:17:20.040
<v Speaker 5>a little older than you guys, but not much.

0:17:20.119 --> 0:17:23.000
<v Speaker 4>Yeah yeah, you were a manager of the restaurants. You

0:17:23.040 --> 0:17:23.800
<v Speaker 4>were early.

0:17:23.680 --> 0:17:27.320
<v Speaker 6>Twenty Yeah yeah, but you just make it weird to

0:17:27.359 --> 0:17:28.800
<v Speaker 6>go dancing with the girl from high school.

0:17:28.840 --> 0:17:31.919
<v Speaker 5>I guess it does. Maybe on set too, I was like,

0:17:32.080 --> 0:17:34.600
<v Speaker 5>I know, like, what was I going to talk to

0:17:34.600 --> 0:17:37.680
<v Speaker 5>you guys about. You know, I mean, first of all,

0:17:37.720 --> 0:17:40.040
<v Speaker 5>I was gay and out and like going to clubs

0:17:40.080 --> 0:17:42.760
<v Speaker 5>as a game man, So like, I'm going to talk

0:17:42.800 --> 0:17:47.720
<v Speaker 5>to the kids about that. Let me talk about nothing.

0:17:47.880 --> 0:17:52.280
<v Speaker 5>I have nothing in common. That's I mean, my girl,

0:17:52.440 --> 0:17:52.639
<v Speaker 5>you know.

0:17:53.200 --> 0:17:56.720
<v Speaker 4>Yeah, that's so funny. I love that. Even then for yourself,

0:17:56.720 --> 0:17:58.400
<v Speaker 4>you're like, I think this is the last time I'm

0:17:58.400 --> 0:17:59.440
<v Speaker 4>going to audition for.

0:18:00.119 --> 0:18:03.560
<v Speaker 5>Nature and then it didn't work for like forever. You guys,

0:18:03.680 --> 0:18:09.280
<v Speaker 5>baby faces probably know what I'm talking about. That weird

0:18:09.359 --> 0:18:11.719
<v Speaker 5>twilight zone of like you look like a kid, but

0:18:11.760 --> 0:18:12.600
<v Speaker 5>you're really a man.

0:18:12.760 --> 0:18:17.040
<v Speaker 4>And we right in your intro we mentioned that your

0:18:17.119 --> 0:18:20.720
<v Speaker 4>first big TV job was on Miami Vice, And I'm

0:18:20.760 --> 0:18:23.840
<v Speaker 4>not sure there's a cooler show to debut or cool

0:18:24.600 --> 0:18:25.240
<v Speaker 4>Which episode?

0:18:25.240 --> 0:18:25.880
<v Speaker 2>Which episode?

0:18:25.880 --> 0:18:26.240
<v Speaker 5>What did you do?

0:18:26.280 --> 0:18:27.840
<v Speaker 2>Which episode was Paul.

0:18:27.960 --> 0:18:31.040
<v Speaker 5>I remember my first gig. It was called God's Work.

0:18:31.640 --> 0:18:34.960
<v Speaker 5>It was it was the first episode I think on

0:18:35.040 --> 0:18:39.160
<v Speaker 5>television that dealt with AIDS, which was like major taboo

0:18:39.240 --> 0:18:45.040
<v Speaker 5>at the time. And Issie Morales played a character whose

0:18:45.160 --> 0:18:47.800
<v Speaker 5>I think his lover was sick and like some church

0:18:48.520 --> 0:18:52.480
<v Speaker 5>like hospice place. I was this punk kid who was

0:18:52.520 --> 0:18:56.359
<v Speaker 5>like graffeiting the church. I don't know. I was like

0:18:56.600 --> 0:18:58.639
<v Speaker 5>not a good guy. I was like a brady kid.

0:19:00.080 --> 0:19:01.880
<v Speaker 5>That was my first gid. I was crazy.

0:19:02.200 --> 0:19:03.160
<v Speaker 4>And how old were you then?

0:19:04.160 --> 0:19:10.960
<v Speaker 5>So I must have been twenty two, twenty two, okay, yeah, anyway,

0:19:11.359 --> 0:19:13.160
<v Speaker 5>and you got to work with you, you know.

0:19:13.240 --> 0:19:15.320
<v Speaker 6>And you got to work with Isi Morales and with

0:19:15.400 --> 0:19:17.400
<v Speaker 6>Don Johnson and with the whole I mean everybody.

0:19:18.080 --> 0:19:19.439
<v Speaker 2>Yeah, so cool.

0:19:19.600 --> 0:19:22.639
<v Speaker 5>Yeah. I gotated by Tubbs, you know. So I was,

0:19:23.840 --> 0:19:27.600
<v Speaker 5>I know, crazy, It's best And I got that because

0:19:28.040 --> 0:19:30.399
<v Speaker 5>the director of that had come to see me in

0:19:30.440 --> 0:19:33.600
<v Speaker 5>a play and thought I was interesting and took me

0:19:33.640 --> 0:19:37.040
<v Speaker 5>out to lunch. And it was a female director. Janelized

0:19:37.320 --> 0:19:40.720
<v Speaker 5>she still works a ton brilliant director. She took me

0:19:40.760 --> 0:19:42.080
<v Speaker 5>out to lunch. She's like, I think you're a really

0:19:42.119 --> 0:19:45.400
<v Speaker 5>interesting actor. Blah blah blah. You should audition for this,

0:19:45.400 --> 0:19:47.720
<v Speaker 5>this and that next thing. I know, I'm getting an offer.

0:19:47.720 --> 0:19:49.600
<v Speaker 5>I mean, I'm a kid, I'm a young actor getting

0:19:49.600 --> 0:19:51.680
<v Speaker 5>an offer to go do Miami Vice. And I arrived

0:19:51.720 --> 0:19:54.480
<v Speaker 5>at wardrobe and she's there and I'm like, oh my god,

0:19:54.480 --> 0:19:55.680
<v Speaker 5>what are you doing here? She's like, how do you

0:19:55.720 --> 0:19:56.520
<v Speaker 5>think you got the job?

0:20:00.119 --> 0:20:04.040
<v Speaker 4>That's so cool, that's amazing. So that's how you find yourself.

0:20:04.040 --> 0:20:06.320
<v Speaker 4>Then moving to LA in your early twenties and you

0:20:06.359 --> 0:20:09.520
<v Speaker 4>get to appear on some great shows Wonder Years, Blossom,

0:20:10.000 --> 0:20:14.919
<v Speaker 4>but it's Star Trek as Borg Drone Hugh. That's just

0:20:14.960 --> 0:20:17.520
<v Speaker 4>such a big breakout for you. Did you know anything

0:20:17.520 --> 0:20:19.520
<v Speaker 4>about Star Trek when you auditioned.

0:20:19.440 --> 0:20:21.679
<v Speaker 5>Yeah, I did, because well, I watched. One of the

0:20:21.680 --> 0:20:25.120
<v Speaker 5>shows I watched and learn English from was the original series. Yes,

0:20:25.720 --> 0:20:27.320
<v Speaker 5>I would stay up late at night and I was

0:20:27.359 --> 0:20:31.479
<v Speaker 5>on at the time in reruns, so I was a

0:20:31.600 --> 0:20:34.080
<v Speaker 5>fan of the original series. And then I tested for

0:20:34.119 --> 0:20:39.000
<v Speaker 5>the role that Will Wheaton got on Next Gens Okay Rusher,

0:20:39.080 --> 0:20:41.199
<v Speaker 5>So while I was in New York, I tested from

0:20:41.280 --> 0:20:44.119
<v Speaker 5>New York for that role. So I was really familiar

0:20:44.240 --> 0:20:47.199
<v Speaker 5>with the world, but I had not watched it and

0:20:47.280 --> 0:20:50.120
<v Speaker 5>I didn't know, I didn't know I had a fandom,

0:20:50.440 --> 0:20:52.160
<v Speaker 5>you know what I mean. I wasn't aware of that

0:20:52.280 --> 0:20:56.040
<v Speaker 5>part of it. And also you remember like back then

0:20:56.119 --> 0:20:59.240
<v Speaker 5>it was like if you weren't a syndicated show, it

0:20:59.320 --> 0:21:02.920
<v Speaker 5>wasn't like cool. Yeah, it was led to the thing

0:21:03.040 --> 0:21:05.920
<v Speaker 5>like you guys like syndicate. So I was like, it's

0:21:05.920 --> 0:21:08.080
<v Speaker 5>a syndicated show, Like who cares? I mean I didn't

0:21:08.240 --> 0:21:09.720
<v Speaker 5>he cares, but I didn't think he was going to

0:21:09.800 --> 0:21:10.320
<v Speaker 5>have No.

0:21:10.440 --> 0:21:12.440
<v Speaker 2>It's so crazy to think about, you know.

0:21:12.720 --> 0:21:12.880
<v Speaker 6>Yeah.

0:21:13.200 --> 0:21:16.439
<v Speaker 5>Yeah, it was like filmmaking. It was like grant, you know,

0:21:17.520 --> 0:21:23.760
<v Speaker 5>you had a patina not as fancy as.

0:21:23.200 --> 0:21:24.520
<v Speaker 2>So you were. You were a board.

0:21:24.600 --> 0:21:26.640
<v Speaker 3>Did you have to do a bunch of makeup and

0:21:26.720 --> 0:21:27.639
<v Speaker 3>all that kind of stuff?

0:21:27.720 --> 0:21:30.479
<v Speaker 5>Oh? Oh yeah, I was in heavy, heavy duty makeup.

0:21:30.840 --> 0:21:32.440
<v Speaker 6>And was it still Mike Was it Mike west Moore

0:21:32.480 --> 0:21:33.760
<v Speaker 6>that was doing the makeup there at the time?

0:21:34.040 --> 0:21:36.640
<v Speaker 5>Yeah? Yeah. Did you do the Startork two?

0:21:37.000 --> 0:21:38.879
<v Speaker 2>No? I know, I wish no.

0:21:39.000 --> 0:21:42.800
<v Speaker 6>I did what I did a pilot for National Geographic

0:21:42.800 --> 0:21:44.520
<v Speaker 6>when I was fifteen, and one of the things I'd do.

0:21:44.560 --> 0:21:47.040
<v Speaker 6>They flew me out to Hollywood and I interviewed everyone

0:21:47.080 --> 0:21:49.240
<v Speaker 6>on Star Trek and then they Mike Westmore brought me

0:21:49.280 --> 0:21:50.840
<v Speaker 6>into the chair and made me up like a Romulin

0:21:51.560 --> 0:21:53.439
<v Speaker 6>and then I just got to hang out and interview

0:21:53.480 --> 0:21:56.080
<v Speaker 6>everybody like as I'm dressed like a Romulin. I Also,

0:21:56.080 --> 0:21:58.440
<v Speaker 6>I've been friends with Wheaton since we were like thirteen,

0:21:59.119 --> 0:22:00.560
<v Speaker 6>so I kind of knew that whole world.

0:22:00.560 --> 0:22:02.280
<v Speaker 2>But you go there, I mean, it's exactly what you're saying.

0:22:02.320 --> 0:22:04.680
<v Speaker 6>You go to boy Mets World, and yes, we were network,

0:22:04.720 --> 0:22:07.000
<v Speaker 6>but you go to stage two and there's boy Mets World.

0:22:07.520 --> 0:22:10.040
<v Speaker 6>You went to see Star Trek. It was like seven

0:22:10.160 --> 0:22:12.720
<v Speaker 6>stages worth of stuff. Yeah, and they were took over

0:22:12.760 --> 0:22:14.359
<v Speaker 6>the Paramount lot. It was everywhere.

0:22:14.480 --> 0:22:16.760
<v Speaker 5>Yeah, they had they had they seemed like seven I

0:22:16.760 --> 0:22:18.800
<v Speaker 5>think they got they had three permanent ones.

0:22:19.000 --> 0:22:19.400
<v Speaker 2>Was it three?

0:22:19.480 --> 0:22:19.520
<v Speaker 5>That?

0:22:19.640 --> 0:22:19.880
<v Speaker 2>Okay?

0:22:20.200 --> 0:22:22.360
<v Speaker 5>You know there were more because there were other If

0:22:22.400 --> 0:22:25.840
<v Speaker 5>you went there when they were doing uh, deep Space nine,

0:22:25.880 --> 0:22:29.520
<v Speaker 5>they had an entire Yeah, they pretty much owned Paramount.

0:22:29.880 --> 0:22:31.399
<v Speaker 4>You have an action figure.

0:22:31.840 --> 0:22:33.080
<v Speaker 5>You know, it's so stupid.

0:22:33.400 --> 0:22:36.360
<v Speaker 2>It's it's the best. It's stupid, it's the best.

0:22:36.680 --> 0:22:40.600
<v Speaker 5>It's really weird. But conventions, you guys know this because

0:22:40.680 --> 0:22:42.000
<v Speaker 5>like your ship is right.

0:22:42.359 --> 0:22:45.040
<v Speaker 4>Yeah, but you know, listen, no matter how large our

0:22:45.200 --> 0:22:49.639
<v Speaker 4>cult audience has become nothing is touching Star Trek. So, like,

0:22:50.040 --> 0:22:54.120
<v Speaker 4>what is your favorite fan story of someone recognizing their

0:22:54.160 --> 0:22:55.160
<v Speaker 4>favorite drone?

0:22:55.840 --> 0:22:59.040
<v Speaker 5>Oh my god, I had weird ones. I had like

0:22:59.080 --> 0:23:05.040
<v Speaker 5>a weird Japanese stalker that made all of me. Yeah,

0:23:05.320 --> 0:23:07.640
<v Speaker 5>but she like got the hint that I wasn't interested.

0:23:07.720 --> 0:23:10.800
<v Speaker 5>She definitely some intimate time with the board.

0:23:11.320 --> 0:23:12.439
<v Speaker 2>Wow.

0:23:12.840 --> 0:23:17.240
<v Speaker 5>But most of them have been really sweet. I love

0:23:17.440 --> 0:23:21.520
<v Speaker 5>like going to a convention now and having like little kids.

0:23:22.640 --> 0:23:25.399
<v Speaker 5>That was in England maybe last year, and this like

0:23:25.960 --> 0:23:29.680
<v Speaker 5>cute little eight year old seven year old kid came

0:23:29.760 --> 0:23:32.520
<v Speaker 5>up and told them told me I was his favorite character,

0:23:32.760 --> 0:23:36.320
<v Speaker 5>and just like I don't give you your grandfather. I mean,

0:23:36.359 --> 0:23:39.679
<v Speaker 5>it's so weird that they just yeah, you know, and

0:23:39.720 --> 0:23:42.560
<v Speaker 5>it's a weird per set like that. That's so weird

0:23:42.560 --> 0:23:44.000
<v Speaker 5>what we do, isn't it That it just kind of

0:23:44.040 --> 0:23:47.760
<v Speaker 5>lives on and people Yeah, same, you know, it's amazing.

0:23:47.800 --> 0:23:50.320
<v Speaker 6>Well, Jean Luke Picard wasn't even happy that Doctor Crusher

0:23:50.320 --> 0:23:52.879
<v Speaker 6>brought you onto this onto the Enterprise in the first place,

0:23:52.960 --> 0:23:55.600
<v Speaker 6>so I mean it is what it is.

0:23:55.640 --> 0:23:57.720
<v Speaker 5>At this point, I got to actually work with him

0:23:57.720 --> 0:23:59.320
<v Speaker 5>again on Picard.

0:23:59.480 --> 0:24:03.119
<v Speaker 2>So nice. Yeah, that's so cool, brilliant actor.

0:24:03.359 --> 0:24:05.879
<v Speaker 4>Well, I have one more question for you before we

0:24:05.960 --> 0:24:10.240
<v Speaker 4>jump into El Coyote from Boy Meets World. During our research,

0:24:10.520 --> 0:24:14.560
<v Speaker 4>we learned that you and the Strong family actually go

0:24:14.880 --> 0:24:18.680
<v Speaker 4>way back. Is it true that you played the role

0:24:18.880 --> 0:24:22.000
<v Speaker 4>of Adam Larson on a little show called The Mommies

0:24:23.040 --> 0:24:23.720
<v Speaker 4>the pilot?

0:24:24.160 --> 0:24:28.040
<v Speaker 5>What and it trade sent me? What they did to

0:24:28.040 --> 0:24:29.760
<v Speaker 5>me sent me straight to therapy.

0:24:30.840 --> 0:24:34.000
<v Speaker 4>We talk about this so much of how this happened.

0:24:34.080 --> 0:24:38.840
<v Speaker 5>Yeah, it was messed up. I got the Mommies. It

0:24:39.000 --> 0:24:40.639
<v Speaker 5>was do you remember do you remember? I don't You

0:24:40.640 --> 0:24:42.720
<v Speaker 5>guys probably don't remember that they were these women that

0:24:42.920 --> 0:24:47.119
<v Speaker 5>had NBC had given them this great platform. They were

0:24:47.160 --> 0:24:50.680
<v Speaker 5>on TV. They gave every opportunity to launch the series

0:24:50.720 --> 0:24:53.280
<v Speaker 5>and it was like a buzz buzz buzz and I

0:24:53.320 --> 0:24:57.760
<v Speaker 5>got cat kid. I was old. I mean I was

0:24:57.840 --> 0:25:00.879
<v Speaker 5>like not a kid, and you know, director would be like,

0:25:00.920 --> 0:25:04.280
<v Speaker 5>could you make that sound younger? And I was like, means,

0:25:04.800 --> 0:25:07.600
<v Speaker 5>so I get cast. They filmed the pilot. It was

0:25:07.640 --> 0:25:12.840
<v Speaker 5>all exciting before the obviously the Internet and that summer

0:25:13.400 --> 0:25:16.160
<v Speaker 5>it gets picked up. But I don't but I don't

0:25:16.160 --> 0:25:17.800
<v Speaker 5>know what that means as a kid, right, you don't

0:25:18.280 --> 0:25:20.639
<v Speaker 5>as a young person. You're like, I don't know what

0:25:20.680 --> 0:25:23.080
<v Speaker 5>it means. I didn't get picked up yet. And then

0:25:23.119 --> 0:25:26.520
<v Speaker 5>they air all the ads with me in it. All

0:25:26.520 --> 0:25:29.000
<v Speaker 5>the ads are like aired. I'm like in every clip,

0:25:29.080 --> 0:25:31.639
<v Speaker 5>all my friends are calling me from New York. Dude,

0:25:31.680 --> 0:25:34.920
<v Speaker 5>I saw your ad for your TV show. I'm like, yeah,

0:25:34.920 --> 0:25:38.000
<v Speaker 5>I don't doing it anymore. And it was because I

0:25:38.040 --> 0:25:40.760
<v Speaker 5>think your brother had a deal something they were I

0:25:40.800 --> 0:25:43.000
<v Speaker 5>think they cast me waiting to see if your brother's

0:25:43.000 --> 0:25:47.000
<v Speaker 5>deal had fallen through or whatever. Oh and then I

0:25:47.040 --> 0:25:49.600
<v Speaker 5>worked with you and that was a funny, like sort

0:25:49.640 --> 0:25:53.080
<v Speaker 5>of full circle. But yeah, no, that was that was rough.

0:25:53.160 --> 0:25:55.760
<v Speaker 5>I was like, I'm doing it because this was like

0:25:55.800 --> 0:25:59.240
<v Speaker 5>the first, the first thing I ever and I think

0:25:59.280 --> 0:26:01.639
<v Speaker 5>the only thing I've ever were gotten fired from. Or

0:26:03.400 --> 0:26:06.520
<v Speaker 5>it's super crushing. I mean, it's it makes you like

0:26:06.640 --> 0:26:11.639
<v Speaker 5>doubt everything you're doing. Yeah, yeah, why am I bad?

0:26:11.840 --> 0:26:12.880
<v Speaker 5>And all that.

0:26:13.440 --> 0:26:14.679
<v Speaker 2>Yeah, it's so hard with acting.

0:26:14.720 --> 0:26:17.760
<v Speaker 1>You just you can't help it, take it personally right,

0:26:17.760 --> 0:26:20.600
<v Speaker 1>because it feels it's you. It's your voice, it's your body,

0:26:20.640 --> 0:26:22.399
<v Speaker 1>it's your face, and it's just you can't help but

0:26:22.400 --> 0:26:25.320
<v Speaker 1>be like, well I could have done it right. But

0:26:25.359 --> 0:26:28.800
<v Speaker 1>it's like the reality is, of course it's it's not you, right, Like,

0:26:28.880 --> 0:26:31.800
<v Speaker 1>the reality is it's not personal and it's not about you,

0:26:31.840 --> 0:26:33.800
<v Speaker 1>and you're just too old or they're not right for

0:26:33.920 --> 0:26:34.200
<v Speaker 1>the part.

0:26:34.320 --> 0:26:36.600
<v Speaker 3>But you can't help it. I mean, especially at that age,

0:26:36.640 --> 0:26:37.960
<v Speaker 3>it's just so crushing.

0:26:37.720 --> 0:26:40.200
<v Speaker 5>Ow and you know you guys know, like you get

0:26:40.240 --> 0:26:42.280
<v Speaker 5>like the dangling of they show you, like what the

0:26:42.320 --> 0:26:48.119
<v Speaker 5>contract is, change, I'm gonna travel, I'm gonna have a

0:26:48.119 --> 0:26:51.120
<v Speaker 5>great life, and then it's like nuts so fast. So

0:26:51.320 --> 0:26:54.280
<v Speaker 5>I gave up on pilots at that point. I decided

0:26:54.320 --> 0:26:58.399
<v Speaker 5>pilots were just just like not the best way in

0:26:58.560 --> 0:27:02.280
<v Speaker 5>the door. Well, like just getting a guest spot that

0:27:02.359 --> 0:27:05.880
<v Speaker 5>becomes something else is usually a much better trajectory.

0:27:06.320 --> 0:27:08.840
<v Speaker 6>I mean, it's bad enough to be replaced, which I

0:27:08.960 --> 0:27:11.800
<v Speaker 6>think ninety nine percent of actors have had happened.

0:27:12.840 --> 0:27:15.800
<v Speaker 2>But when they then go and use the clips that

0:27:15.880 --> 0:27:19.440
<v Speaker 2>you're really messed up. That's not cool at all. It's

0:27:19.480 --> 0:27:20.800
<v Speaker 2>like that's just taking it.

0:27:20.760 --> 0:27:23.360
<v Speaker 5>To another union, got them taken down. I think, yeah

0:27:24.119 --> 0:27:27.480
<v Speaker 5>for it, but it was just humiliating, yeah right, I

0:27:27.480 --> 0:27:30.680
<v Speaker 5>mean it's excited that you were. It'd be like showing

0:27:30.720 --> 0:27:33.200
<v Speaker 5>the gallery shoot with you in it on a billboard

0:27:33.800 --> 0:27:38.280
<v Speaker 5>in it, right, Yeah, I never met your brother. I

0:27:38.720 --> 0:27:41.520
<v Speaker 5>never I never hung out with that circle after that.

0:27:41.960 --> 0:27:44.359
<v Speaker 1>Yeah, well showed in last didn't didn't you?

0:27:46.320 --> 0:27:47.440
<v Speaker 5>It wasn't my good show.

0:27:47.520 --> 0:27:49.760
<v Speaker 2>But no, he was. He was pretty unhappy.

0:27:49.800 --> 0:27:51.800
<v Speaker 1>It was, you know, because all the part ended up

0:27:51.840 --> 0:27:53.679
<v Speaker 1>just being him making out with a girl like that

0:27:53.760 --> 0:27:56.240
<v Speaker 1>was the recurring joke is that he's always just hanging

0:27:56.320 --> 0:27:58.920
<v Speaker 1>around and it was just a nothing, thankless part.

0:27:58.960 --> 0:28:01.560
<v Speaker 2>He was. He was not happy, but whatever.

0:28:13.600 --> 0:28:15.520
<v Speaker 4>I want to talk Boy Meets World with you. Yes,

0:28:16.320 --> 0:28:18.640
<v Speaker 4>do you remember auditioning for Boy Meets World?

0:28:19.480 --> 0:28:21.840
<v Speaker 5>I don't, you know, you have to remember. For you guys,

0:28:21.880 --> 0:28:23.760
<v Speaker 5>the show is like a big chunk of your life.

0:28:23.800 --> 0:28:28.320
<v Speaker 5>For me, it was a yeah, I feel like I

0:28:28.400 --> 0:28:32.320
<v Speaker 5>remember so the really handsome guy that got like said

0:28:32.400 --> 0:28:36.920
<v Speaker 5>the other role. I remember him coming in the Sergia

0:28:37.160 --> 0:28:40.480
<v Speaker 5>Sergia so we both auditioned and I remember and he

0:28:40.560 --> 0:28:42.480
<v Speaker 5>was I'm short, he was really tall and handsome, and

0:28:42.520 --> 0:28:44.400
<v Speaker 5>I was like, well, that guy's gonna get it, like

0:28:44.640 --> 0:28:47.000
<v Speaker 5>that's like a noe brainer. And he goes and you

0:28:47.080 --> 0:28:50.840
<v Speaker 5>hear through the door laughs, and then I just remember,

0:28:51.960 --> 0:28:54.640
<v Speaker 5>you know, so many of these sitcoms are like you

0:28:54.720 --> 0:28:58.920
<v Speaker 5>know tropes, right of the stereotypical he was like the

0:28:58.960 --> 0:29:03.480
<v Speaker 5>stereotypical lover, but kind of a sweet guy Nunzio, right,

0:29:03.560 --> 0:29:05.680
<v Speaker 5>that he helps the boys and all that. Yeah, So

0:29:05.760 --> 0:29:08.680
<v Speaker 5>I just like so totally leaned into that sort of

0:29:08.720 --> 0:29:12.960
<v Speaker 5>self love, right, And I remember they just died. They

0:29:13.000 --> 0:29:16.480
<v Speaker 5>just thought it was so funny. So it felt good

0:29:16.520 --> 0:29:18.479
<v Speaker 5>because you were in the room and they were just

0:29:18.600 --> 0:29:22.480
<v Speaker 5>cracking up, right, So that's all I remember about it.

0:29:22.600 --> 0:29:24.680
<v Speaker 5>It's definitely in the room. It was not self tape.

0:29:25.280 --> 0:29:28.640
<v Speaker 4>Right exactly before you audition, did you know anything about

0:29:28.640 --> 0:29:30.640
<v Speaker 4>Boy Meets World? Had you ever seen the show? I

0:29:30.640 --> 0:29:32.360
<v Speaker 4>know you mentioned you were twenty nine and we were

0:29:32.360 --> 0:29:35.920
<v Speaker 4>obviously on Friday nights and probably not watching the show.

0:29:35.960 --> 0:29:40.239
<v Speaker 2>That creepy watching, look right, you were not aware of it?

0:29:40.280 --> 0:29:44.080
<v Speaker 5>Well, I was in acting school and I was I

0:29:44.120 --> 0:29:47.520
<v Speaker 5>was taking acting classes and we were all doing Shakespeare

0:29:47.560 --> 0:29:51.560
<v Speaker 5>and you know whatever, Chuck Off and what. I think.

0:29:51.560 --> 0:29:54.000
<v Speaker 5>We watched Friends and like they were the more adult

0:29:54.040 --> 0:29:57.520
<v Speaker 5>shows that we were into. So, I mean, I knew

0:29:57.520 --> 0:29:59.520
<v Speaker 5>it was out there because it was a hit, you know,

0:29:59.560 --> 0:30:02.360
<v Speaker 5>we I knew the hits, right, and getting job like

0:30:02.400 --> 0:30:09.360
<v Speaker 5>that was always great. But I didn't watch it wasn't Yeah,

0:30:10.000 --> 0:30:10.440
<v Speaker 5>so what do.

0:30:10.400 --> 0:30:12.920
<v Speaker 4>You remember from filming that week? And we promise you

0:30:12.960 --> 0:30:16.200
<v Speaker 4>no story is too small or too detailed, just whatever

0:30:16.240 --> 0:30:17.280
<v Speaker 4>you remember about the way.

0:30:17.320 --> 0:30:22.800
<v Speaker 5>I remember. So, I remember being like these kids number one.

0:30:22.880 --> 0:30:26.600
<v Speaker 5>I was like, they're all kids number one. The girls

0:30:26.640 --> 0:30:29.520
<v Speaker 5>were great, like I had like I was, I navigate

0:30:29.520 --> 0:30:34.720
<v Speaker 5>the girls great. The boys were like completely out of control.

0:30:34.760 --> 0:30:38.160
<v Speaker 5>I remember the boys were just like crazy, like teenagery,

0:30:38.480 --> 0:30:40.920
<v Speaker 5>you know, like I don't know what was happening that week.

0:30:41.600 --> 0:30:44.520
<v Speaker 5>It was like a hormonal I don't know what was

0:30:44.640 --> 0:30:46.120
<v Speaker 5>I think there were a couple of girls in the

0:30:46.200 --> 0:30:49.240
<v Speaker 5>show too that were like eights or something.

0:30:49.240 --> 0:30:50.719
<v Speaker 4>I don't know if it was Sonia and Cookie.

0:30:51.080 --> 0:30:53.480
<v Speaker 5>It was like a sort of like a boy thing

0:30:53.640 --> 0:30:55.920
<v Speaker 5>to like sort of show off with the girls. I

0:30:55.920 --> 0:30:58.320
<v Speaker 5>don't remember. But there was an older the director was

0:30:58.360 --> 0:30:59.200
<v Speaker 5>this older dude.

0:30:59.520 --> 0:31:02.320
<v Speaker 2>Yeah, and you guys.

0:31:02.080 --> 0:31:04.480
<v Speaker 5>Were like relent, like you tease him and whatever. The

0:31:04.480 --> 0:31:07.040
<v Speaker 5>boys would be like funny with him. Hey. I remember

0:31:07.120 --> 0:31:10.200
<v Speaker 5>him turning to me and going, I'm sorry, he's like

0:31:12.360 --> 0:31:14.640
<v Speaker 5>kids like, no, I I get it.

0:31:14.640 --> 0:31:15.760
<v Speaker 2>I got it.

0:31:17.560 --> 0:31:20.240
<v Speaker 5>Always really out of control that week, and the kids.

0:31:20.080 --> 0:31:21.800
<v Speaker 2>Is always on. We were always on.

0:31:22.280 --> 0:31:24.360
<v Speaker 1>We had so much energy and I think back I

0:31:24.440 --> 0:31:25.880
<v Speaker 1>must have been just exhausting.

0:31:25.960 --> 0:31:26.560
<v Speaker 2>Oh my god.

0:31:27.120 --> 0:31:30.560
<v Speaker 5>Yeah, so yeah, no connectivity there For me, it was like.

0:31:33.000 --> 0:31:35.400
<v Speaker 4>Can you get me the second you need me, and

0:31:35.480 --> 0:31:36.600
<v Speaker 4>not a moment before.

0:31:37.560 --> 0:31:40.760
<v Speaker 5>Also at that age, and you're playing like a peer

0:31:40.840 --> 0:31:44.120
<v Speaker 5>of like celeric kids that are stars, right, that have

0:31:44.160 --> 0:31:46.440
<v Speaker 5>been a show forever, And all my friends are like

0:31:46.520 --> 0:31:50.560
<v Speaker 5>starving actors. You know, there's a very different aesthetic, like

0:31:50.600 --> 0:31:53.120
<v Speaker 5>it's a young actor than to like the working kids

0:31:53.160 --> 0:31:56.560
<v Speaker 5>are a different world. You guys lived in your yeah

0:31:57.160 --> 0:32:00.440
<v Speaker 5>in a way, right, Yeah, sure, But I was reading

0:32:00.440 --> 0:32:03.440
<v Speaker 5>some stuff about like the challenges too. I mean I

0:32:03.480 --> 0:32:07.320
<v Speaker 5>can't imagine being a kid actor on a sitcomb in

0:32:07.360 --> 0:32:10.880
<v Speaker 5>those days. It must have been so weird to have.

0:32:12.160 --> 0:32:14.760
<v Speaker 5>I don't know that all the expectations they you must

0:32:14.760 --> 0:32:16.400
<v Speaker 5>have had thrust upon you.

0:32:16.520 --> 0:32:18.320
<v Speaker 4>Yeah, yeah, yeah, for sure.

0:32:18.440 --> 0:32:18.880
<v Speaker 1>Yeah.

0:32:18.960 --> 0:32:19.160
<v Speaker 2>Yeah.

0:32:19.200 --> 0:32:20.880
<v Speaker 1>It was an easy job in some ways, right, Like

0:32:20.920 --> 0:32:23.400
<v Speaker 1>compared to shooting single camera or shooting film. It was

0:32:23.440 --> 0:32:25.720
<v Speaker 1>a great schedule and we were always laughing, We were

0:32:25.720 --> 0:32:28.560
<v Speaker 1>always having fun. But yeah, certainly like the fame and

0:32:28.320 --> 0:32:30.920
<v Speaker 1>the pressure and you know, we just didn't know what

0:32:30.960 --> 0:32:32.920
<v Speaker 1>we were doing, just were clueless.

0:32:32.960 --> 0:32:35.920
<v Speaker 5>You know and all like the thing to remember too. Like,

0:32:36.000 --> 0:32:38.200
<v Speaker 5>I bet a lot of people that are watching now

0:32:38.200 --> 0:32:42.280
<v Speaker 5>don't realize that all those shows were run by straight

0:32:42.360 --> 0:32:47.719
<v Speaker 5>man men very specific ideas about what was funny, Yes,

0:32:47.920 --> 0:32:52.040
<v Speaker 5>I wasn't offensive, or was you know, very very interesting.

0:32:52.040 --> 0:32:54.160
<v Speaker 5>I mean definitely, Like I was saying, like the tropes

0:32:54.200 --> 0:32:56.920
<v Speaker 5>of being Latino. I mean, I get into it to

0:32:56.920 --> 0:32:59.280
<v Speaker 5>be able to get the gigs, but there was a

0:32:59.320 --> 0:33:02.200
<v Speaker 5>ton of I mean not your show, but other com

0:33:02.320 --> 0:33:05.560
<v Speaker 5>I did were like the racism was sort of inherent

0:33:05.640 --> 0:33:11.240
<v Speaker 5>in the writing. You know, yeah, teryotypical you know, Latino thing,

0:33:11.440 --> 0:33:15.360
<v Speaker 5>or the stereototypical woman thing, or want to young what

0:33:15.400 --> 0:33:18.720
<v Speaker 5>are young boys like? You know, it's funny when you

0:33:18.760 --> 0:33:22.160
<v Speaker 5>watch stuff and even like Friends, Oh yeah, Friends, and

0:33:22.200 --> 0:33:24.680
<v Speaker 5>you're like, they just make a homophobic joke, and you're like, right,

0:33:24.920 --> 0:33:25.520
<v Speaker 5>they totally did.

0:33:26.320 --> 0:33:28.480
<v Speaker 2>They did a whole homophobic episodes of Friends.

0:33:28.720 --> 0:33:30.880
<v Speaker 5>Yeah, and you're like, wow, there was a game writer

0:33:30.920 --> 0:33:34.240
<v Speaker 5>around the show too, and you're like that's really interesting. Yeah.

0:33:34.520 --> 0:33:36.440
<v Speaker 4>We've talked about it a lot for Boy Meets World too,

0:33:36.440 --> 0:33:39.880
<v Speaker 4>because there were actually, surprisingly, we've been pleasantly surprised that

0:33:39.920 --> 0:33:45.240
<v Speaker 4>there were quite a few very progressive episodes and progressive

0:33:45.280 --> 0:33:48.000
<v Speaker 4>scenes and progressive thinking, and then every now and then

0:33:48.440 --> 0:33:50.600
<v Speaker 4>you get one in there and you're like, this whole

0:33:50.640 --> 0:33:55.960
<v Speaker 4>episode is tinged with toxic masculinity or homophobia, like and

0:33:55.960 --> 0:33:59.400
<v Speaker 4>it's hard to parse through which one it is. You know, Yeah,

0:33:59.400 --> 0:34:02.320
<v Speaker 4>it's you know, the time it was brought UCTs up

0:34:02.360 --> 0:34:04.280
<v Speaker 4>their time, and we can't go back and change them.

0:34:04.320 --> 0:34:06.600
<v Speaker 4>But it is interesting to notice, and it's and it's

0:34:06.640 --> 0:34:09.840
<v Speaker 4>important to recognize and be able to acknowledge it and say,

0:34:10.200 --> 0:34:12.680
<v Speaker 4>we don't do that anymore, and we're you know, it's

0:34:12.760 --> 0:34:14.560
<v Speaker 4>nice to to see that.

0:34:14.600 --> 0:34:17.520
<v Speaker 5>Change and jump. I guess too. You guys don't forget.

0:34:17.520 --> 0:34:20.480
<v Speaker 5>But the audience listening, they had a crank, like what

0:34:20.600 --> 0:34:23.719
<v Speaker 5>twenty five episodes a year. Yeah, at some point you're

0:34:23.760 --> 0:34:25.279
<v Speaker 5>just going, is this funny or not? Right?

0:34:25.680 --> 0:34:26.560
<v Speaker 2>Yeah? Exactly?

0:34:26.800 --> 0:34:27.040
<v Speaker 5>Yeah.

0:34:27.239 --> 0:34:30.440
<v Speaker 4>So yeah, Well the dance that's in this episode has

0:34:30.480 --> 0:34:33.239
<v Speaker 4>gone viral a few times over the Oh yeah, it

0:34:33.280 --> 0:34:36.240
<v Speaker 4>goes viral every every couple of years. It's so funny.

0:34:37.040 --> 0:34:40.120
<v Speaker 4>What do you remember from the hot stuff dance routine

0:34:40.520 --> 0:34:41.160
<v Speaker 4>in the nightclub?

0:34:41.280 --> 0:34:44.560
<v Speaker 5>I remember getting into like that little tight thing with

0:34:44.600 --> 0:34:48.560
<v Speaker 5>like a change. Yeah, all my hair was ridiculously long.

0:34:48.600 --> 0:34:50.320
<v Speaker 2>I mean I still have long hair, but that it

0:34:50.360 --> 0:34:50.879
<v Speaker 2>looked great.

0:34:51.200 --> 0:34:56.080
<v Speaker 5>That was ridiculously long. But I remember then not playing

0:34:56.080 --> 0:34:58.080
<v Speaker 5>any music for us to dance. Do you remember that?

0:34:58.480 --> 0:35:00.839
<v Speaker 2>They were, oh, of course, And I was.

0:35:00.800 --> 0:35:04.920
<v Speaker 5>Like, I'm sorry, I've never you know. That was like

0:35:05.360 --> 0:35:09.279
<v Speaker 5>a live tape situation, like we're supposed to dance to nothing.

0:35:09.120 --> 0:35:09.680
<v Speaker 4>No music.

0:35:10.040 --> 0:35:11.920
<v Speaker 5>I was like, so what will it be be? They're like,

0:35:11.960 --> 0:35:15.319
<v Speaker 5>we don't know yet we have the music. That's what

0:35:15.400 --> 0:35:18.600
<v Speaker 5>I remember thinking this, this feels super awkward.

0:35:18.840 --> 0:35:21.440
<v Speaker 4>That's another thing we've talked about the amount of episodes

0:35:21.480 --> 0:35:24.360
<v Speaker 4>where we have music playing and somebody's supposed to be dancing,

0:35:24.400 --> 0:35:26.839
<v Speaker 4>and we've talked about do you remember how awful those

0:35:26.960 --> 0:35:30.279
<v Speaker 4>always were because you have nothing to dance too, and

0:35:30.360 --> 0:35:32.080
<v Speaker 4>yet you're either supposed to look like you're a good

0:35:32.120 --> 0:35:33.880
<v Speaker 4>dancer or a bad dancer, but you don't know what

0:35:33.920 --> 0:35:37.040
<v Speaker 4>the sound is going to be, and it's just so uncomfortable, especially.

0:35:36.719 --> 0:35:38.360
<v Speaker 3>When it's a whole room with people because they have

0:35:38.440 --> 0:35:39.600
<v Speaker 3>all these background actors.

0:35:39.800 --> 0:35:43.040
<v Speaker 1>Yes, they're happy to do Yeah, everybody's doing their own rhythm,

0:35:43.160 --> 0:35:43.959
<v Speaker 1>like what are we doing?

0:35:44.719 --> 0:35:45.239
<v Speaker 2>Yeah?

0:35:47.360 --> 0:35:47.880
<v Speaker 5>Situation.

0:35:48.560 --> 0:35:50.560
<v Speaker 4>Do people in your life know that you were on

0:35:50.640 --> 0:35:53.279
<v Speaker 4>Boy Meets World? Have you ever been recognized for Boy

0:35:53.280 --> 0:35:53.800
<v Speaker 4>Meets World?

0:35:54.120 --> 0:35:57.160
<v Speaker 5>So it's something super weird happened. Maybe like fifteen years ago.

0:35:57.600 --> 0:36:03.080
<v Speaker 5>I was doing a play that was like an education play.

0:36:04.000 --> 0:36:05.719
<v Speaker 5>It was called Books to Life. You can bring a

0:36:07.239 --> 0:36:10.319
<v Speaker 5>book to life essentially for the school system. And I

0:36:10.400 --> 0:36:13.160
<v Speaker 5>was performing this gang, this play about La Gangs of

0:36:13.160 --> 0:36:15.879
<v Speaker 5>all things. It was like a one man show. And

0:36:15.960 --> 0:36:19.680
<v Speaker 5>the kids, the Latino kids from like the barrio in

0:36:19.800 --> 0:36:27.080
<v Speaker 5>downtown La totally call me out Edmundzio. They're like, what

0:36:27.239 --> 0:36:32.120
<v Speaker 5>is happening? Like, yo, that's news too. I was like, what, yo,

0:36:32.239 --> 0:36:33.600
<v Speaker 5>you got old? You know what I mean?

0:36:34.120 --> 0:36:36.960
<v Speaker 4>Oh my god.

0:36:36.000 --> 0:36:37.759
<v Speaker 5>Like watched it thinking it was like a.

0:36:37.800 --> 0:36:39.640
<v Speaker 2>Year now of course, well.

0:36:39.840 --> 0:36:44.239
<v Speaker 5>Aged twenty years at the time. Yeah, I'm much older now.

0:36:44.400 --> 0:36:47.800
<v Speaker 4>Thank you, thank you for the commment.

0:36:48.320 --> 0:36:51.360
<v Speaker 5>So, but it's weird recause your show. It's kids new kids,

0:36:51.360 --> 0:36:53.840
<v Speaker 5>watch it right, yes.

0:36:53.200 --> 0:36:56.759
<v Speaker 4>Yes, yes, And it always is shocking to me when

0:36:56.880 --> 0:36:59.399
<v Speaker 4>it's you know, an eleven year old who's like, oh

0:36:59.440 --> 0:37:02.840
<v Speaker 4>my gosh y, yeah, so funny.

0:37:03.800 --> 0:37:06.640
<v Speaker 5>It's interesting, right, all our sort of paths.

0:37:06.800 --> 0:37:07.200
<v Speaker 2>Yeah, yep.

0:37:07.920 --> 0:37:10.240
<v Speaker 4>It's so great now that there are so many different

0:37:10.480 --> 0:37:14.000
<v Speaker 4>opportunities and avenues for actors to make a living in

0:37:14.040 --> 0:37:17.759
<v Speaker 4>other ways because it was so it was so much

0:37:17.800 --> 0:37:20.279
<v Speaker 4>harder back then. It was like the you know, even

0:37:20.320 --> 0:37:22.960
<v Speaker 4>now talking about being able to do conventions, how great

0:37:23.000 --> 0:37:27.919
<v Speaker 4>have conventions been for people to help make it make us,

0:37:28.040 --> 0:37:30.239
<v Speaker 4>you know, make us a living in between the times

0:37:30.280 --> 0:37:32.759
<v Speaker 4>when you're booking jobs. It's like we didn't used to

0:37:32.800 --> 0:37:33.600
<v Speaker 4>have those options.

0:37:33.880 --> 0:37:36.480
<v Speaker 5>Yeah, no, I agree. I mean I I because of

0:37:36.480 --> 0:37:38.759
<v Speaker 5>Star Trek. I was doing conventions even when I did

0:37:38.800 --> 0:37:42.880
<v Speaker 5>your show, because it exists in the seventies. But conventions

0:37:42.920 --> 0:37:46.520
<v Speaker 5>now like every show has their own yep, yeah, their

0:37:46.560 --> 0:37:48.920
<v Speaker 5>own sort of thing. So yeah, it's fun too. I

0:37:48.960 --> 0:37:52.400
<v Speaker 5>mean I always wonder, like when you it must be

0:37:52.520 --> 0:37:55.120
<v Speaker 5>weird for you guys to have had like this huge

0:37:55.160 --> 0:37:59.040
<v Speaker 5>success so young. One of you said in some quote

0:37:59.080 --> 0:38:02.200
<v Speaker 5>I read, it's weird like you the first line of

0:38:02.239 --> 0:38:06.480
<v Speaker 5>your obituaries already written. That really kind of made me think,

0:38:06.600 --> 0:38:10.080
<v Speaker 5>like that's kind of wild. Because with Star Trek, I'm

0:38:10.120 --> 0:38:12.360
<v Speaker 5>also like, god, I hope that's not the first line.

0:38:12.080 --> 0:38:16.440
<v Speaker 5>They Yeah, like I big, so that I can you know,

0:38:17.080 --> 0:38:19.480
<v Speaker 5>like not that I hate it, but it's like you

0:38:19.560 --> 0:38:24.680
<v Speaker 5>don't want to be identified as something did so long ago, right.

0:38:24.120 --> 0:38:26.239
<v Speaker 2>Right, Well, I mean you're on the Sopranos, for God's sakes.

0:38:26.239 --> 0:38:28.439
<v Speaker 2>I mean that was the huge show which we didn't

0:38:28.440 --> 0:38:29.800
<v Speaker 2>get to talk about, which I would love to have

0:38:29.840 --> 0:38:30.239
<v Speaker 2>talked about.

0:38:30.680 --> 0:38:33.319
<v Speaker 4>What we will talk about it Moranos a little bit. Okay,

0:38:33.400 --> 0:38:34.320
<v Speaker 4>let's talk Sopranos.

0:38:34.320 --> 0:38:35.360
<v Speaker 2>Go for it. Well, what was it like to be

0:38:35.400 --> 0:38:36.040
<v Speaker 2>on Sopranos?

0:38:36.840 --> 0:38:44.239
<v Speaker 5>Was like going into the mob? Was it really the

0:38:44.280 --> 0:38:47.319
<v Speaker 5>priests and the Sopranos? And I actually self taped that

0:38:47.320 --> 0:38:49.400
<v Speaker 5>out of la So I never auditioned for it, and

0:38:49.440 --> 0:38:51.120
<v Speaker 5>that was self tape. Wasn't even a thing then. But

0:38:52.239 --> 0:38:56.080
<v Speaker 5>I got to New York, they got me, They drove

0:38:56.120 --> 0:38:58.600
<v Speaker 5>me to Jersey. I got through hair and makeup and

0:38:58.640 --> 0:39:01.760
<v Speaker 5>into my priests got and we were in an Italian

0:39:01.760 --> 0:39:05.200
<v Speaker 5>neighborhood shooting on location. Well, they all acted like I

0:39:05.239 --> 0:39:08.959
<v Speaker 5>was a priest. They were all like your father thought.

0:39:09.040 --> 0:39:10.759
<v Speaker 5>I mean, they were so reverential.

0:39:10.960 --> 0:39:12.680
<v Speaker 4>Let me tell, let me tell our dear listeners, so

0:39:12.719 --> 0:39:14.680
<v Speaker 4>they know what we're talking about. You played Father Jose

0:39:14.920 --> 0:39:17.760
<v Speaker 4>of Saint Eliza's Church, the Keeper of the Saints hat,

0:39:18.160 --> 0:39:21.320
<v Speaker 4>and you had a very intense scene with Polly Walnuts.

0:39:21.400 --> 0:39:25.960
<v Speaker 5>Yeah, who showed up hair already done. You didn't touch

0:39:26.920 --> 0:39:29.879
<v Speaker 5>Oh I love that. Shut up camera ready. You didn't

0:39:29.920 --> 0:39:32.680
<v Speaker 5>touch his hair on his face? I did. It Definitely

0:39:32.680 --> 0:39:35.480
<v Speaker 5>felt like it felt very real, is all I'm going

0:39:35.560 --> 0:39:39.719
<v Speaker 5>to say. Like everyone very legitimately like you were walking

0:39:39.760 --> 0:39:42.239
<v Speaker 5>into the show. It didn't feel like a bunch of

0:39:42.360 --> 0:39:46.520
<v Speaker 5>actors sitting around to you know, be asking about whatever

0:39:46.640 --> 0:39:46.960
<v Speaker 5>it was.

0:39:47.040 --> 0:39:49.160
<v Speaker 4>It was just like your time on Boy Meets World.

0:39:49.239 --> 0:39:55.400
<v Speaker 6>Yes, very similar, very similar, very.

0:39:54.320 --> 0:40:00.800
<v Speaker 5>It was superb subversion. Let Yeah, apparently priests very popular

0:40:00.840 --> 0:40:03.719
<v Speaker 5>in the mob, so all one messed with me. They

0:40:03.719 --> 0:40:06.600
<v Speaker 5>were a little scared that I would put some kind

0:40:06.600 --> 0:40:10.680
<v Speaker 5>of hecks on them or sometimes the power of the collar.

0:40:10.960 --> 0:40:13.719
<v Speaker 4>Yes, I also want to talk to you after you

0:40:13.880 --> 0:40:16.799
<v Speaker 4>totally killed it on our show. You ended up in

0:40:16.800 --> 0:40:19.719
<v Speaker 4>two thousand and three on Ryan Murphy's Nip Tuck, and

0:40:19.760 --> 0:40:23.839
<v Speaker 4>you played a trans woman, Sophia Lopez, in an emotional

0:40:23.920 --> 0:40:26.239
<v Speaker 4>three episode arc where you visit the doctor to have

0:40:26.320 --> 0:40:30.719
<v Speaker 4>your Adams apple shaved down. It was incredibly early to

0:40:30.800 --> 0:40:33.720
<v Speaker 4>play a transgender character on television and it is such

0:40:33.840 --> 0:40:36.640
<v Speaker 4>a memorable role. What was that experience like for you?

0:40:37.080 --> 0:40:39.840
<v Speaker 5>So that show was so I didn't work since I

0:40:39.920 --> 0:40:41.960
<v Speaker 5>finished when I I think your show was the last

0:40:41.960 --> 0:40:45.480
<v Speaker 5>thing I did until I did. No, I did your show,

0:40:45.480 --> 0:40:47.239
<v Speaker 5>and then I didn't work for several years. I had

0:40:48.160 --> 0:40:52.800
<v Speaker 5>and then I did. My manager, who's also my husband,

0:40:53.040 --> 0:40:59.000
<v Speaker 5>got me. He's like, do something like, please work tiny

0:40:59.160 --> 0:41:03.280
<v Speaker 5>role in a pighilt of a transgender character. The pilot

0:41:03.360 --> 0:41:06.080
<v Speaker 5>was called First Monday. It's like, you do this part.

0:41:06.120 --> 0:41:08.399
<v Speaker 5>You should just try And I'm like, oh, I don't

0:41:08.400 --> 0:41:11.480
<v Speaker 5>know what, what even is that? So I did this

0:41:11.560 --> 0:41:13.759
<v Speaker 5>little role as a transgender character. It's like, oh, I

0:41:13.760 --> 0:41:16.160
<v Speaker 5>could totally play that. Because back then they weren't that

0:41:16.280 --> 0:41:21.080
<v Speaker 5>that's not a topic that was explored. Gender actors existed

0:41:21.480 --> 0:41:24.640
<v Speaker 5>in the theater world, but they were not in the industry.

0:41:25.320 --> 0:41:27.200
<v Speaker 5>It wasn't like there was a ton of people that

0:41:27.239 --> 0:41:29.360
<v Speaker 5>were being considered for these roles. And if you could,

0:41:29.760 --> 0:41:32.000
<v Speaker 5>I'm a character actor, so if you could become something

0:41:32.040 --> 0:41:36.279
<v Speaker 5>physically different, why not. And then the nip Talk role

0:41:36.360 --> 0:41:39.319
<v Speaker 5>came along and it was like nip Talk was just

0:41:39.600 --> 0:41:43.880
<v Speaker 5>it broke the mole on everything. They just did whatever

0:41:43.920 --> 0:41:47.240
<v Speaker 5>they wanted to. Ryan did whatever he wanted to, and

0:41:47.400 --> 0:41:49.920
<v Speaker 5>so yeah, it was definitely, I mean, it's a role

0:41:49.960 --> 0:41:53.160
<v Speaker 5>I couldn't play now, obviously because there are transgender actors

0:41:53.320 --> 0:41:57.479
<v Speaker 5>playing there, but back then there really weren't that many.

0:41:57.600 --> 0:41:59.920
<v Speaker 5>So I feel really lucky I got to play her.

0:42:00.080 --> 0:42:01.320
<v Speaker 5>She was an amazing character.

0:42:01.920 --> 0:42:03.480
<v Speaker 4>I was wondering if you could talk to us a

0:42:03.520 --> 0:42:07.200
<v Speaker 4>little bit about the differences and opportunities for gay actors

0:42:07.400 --> 0:42:09.839
<v Speaker 4>comparing the nineties and now.

0:42:11.080 --> 0:42:13.400
<v Speaker 5>I mean, I was totally in the closet in the

0:42:13.480 --> 0:42:17.040
<v Speaker 5>nineties as an actor. I wasn't out, Like I wouldn't

0:42:17.080 --> 0:42:18.920
<v Speaker 5>come to set and talk to you about my husband

0:42:19.040 --> 0:42:23.400
<v Speaker 5>or my life would yeah, matter of fact, the comics

0:42:23.600 --> 0:42:27.720
<v Speaker 5>and I was also kind of like young heart throbby

0:42:27.840 --> 0:42:30.080
<v Speaker 5>type of vibe and so like the comics of the

0:42:30.120 --> 0:42:32.120
<v Speaker 5>warm up would be like there's a girl here who

0:42:32.200 --> 0:42:34.160
<v Speaker 5>wants to know if you've got a girlfriend. That kind

0:42:34.160 --> 0:42:36.880
<v Speaker 5>of thing happened to be at Mommies and completely was

0:42:36.960 --> 0:42:39.279
<v Speaker 5>like why what do I do? I don't want to

0:42:39.320 --> 0:42:41.600
<v Speaker 5>lie about who I am. It was very complicated. It

0:42:41.680 --> 0:42:43.759
<v Speaker 5>was like about who I am, but I don't want

0:42:43.800 --> 0:42:45.120
<v Speaker 5>to come out and I don't want it to be

0:42:45.160 --> 0:42:48.960
<v Speaker 5>this thing. And there were normal people, you know. Definitely

0:42:49.040 --> 0:42:50.960
<v Speaker 5>I couldn't have played any of the parts I played

0:42:50.960 --> 0:42:55.319
<v Speaker 5>in the sitcoms, right right? That really changed, you know that.

0:42:55.400 --> 0:42:57.920
<v Speaker 5>I mean it definitely since Wooling Grace kind of opened

0:42:57.960 --> 0:43:01.640
<v Speaker 5>the door. Now I just audition for whatever. There's no

0:43:02.400 --> 0:43:07.520
<v Speaker 5>I don't they There's a lot less pigeonholing of gay

0:43:07.520 --> 0:43:11.040
<v Speaker 5>actors now. I think we have a much bigger spectrum

0:43:11.040 --> 0:43:13.200
<v Speaker 5>of what we can play, and there's more gay characters

0:43:13.480 --> 0:43:16.640
<v Speaker 5>that are written in fun I got for a lot

0:43:16.680 --> 0:43:18.520
<v Speaker 5>of gay characters because there's a lot of women. There's

0:43:18.520 --> 0:43:21.239
<v Speaker 5>a lot of Latino characters now that are way more

0:43:21.280 --> 0:43:24.520
<v Speaker 5>complex than they used to be. Back in our day

0:43:24.560 --> 0:43:27.160
<v Speaker 5>of the nineties, you had you either like the Latin

0:43:27.239 --> 0:43:30.960
<v Speaker 5>lover as Latin lover or like a gang kid in

0:43:30.960 --> 0:43:35.400
<v Speaker 5>a drama, right right. That was like the two options.

0:43:35.640 --> 0:43:38.120
<v Speaker 5>And then it's changed, you know. I mean, I played

0:43:38.480 --> 0:43:41.120
<v Speaker 5>a gay Latino doctor who was a foreigner for like

0:43:41.320 --> 0:43:44.080
<v Speaker 5>ten years on a show. Just go like, oh the

0:43:44.120 --> 0:43:45.800
<v Speaker 5>moles thrown out. It's much more.

0:43:46.160 --> 0:43:48.840
<v Speaker 4>Free, you know. So that's great.

0:43:49.440 --> 0:43:52.440
<v Speaker 6>I'm sorry, from a business standpoint, when you're married to

0:43:52.480 --> 0:43:54.480
<v Speaker 6>your manager, do you still have to give him fifteen percent?

0:43:55.560 --> 0:43:58.280
<v Speaker 5>It's worse than that because when we have bites, he goes.

0:43:58.400 --> 0:44:01.600
<v Speaker 5>You know, if we get divorced, I get six and

0:44:01.680 --> 0:44:09.400
<v Speaker 5>the ten. So it's actually like a deal because I

0:44:09.440 --> 0:44:14.000
<v Speaker 5>one hundred percent make and work for it. Where's my

0:44:14.040 --> 0:44:16.279
<v Speaker 5>appointment to such and such and I need this done

0:44:16.280 --> 0:44:17.879
<v Speaker 5>and yeah, one hundred percent.

0:44:18.120 --> 0:44:19.440
<v Speaker 4>How long have you guys been married?

0:44:19.800 --> 0:44:22.480
<v Speaker 5>Thirty well married legally since two thousand and eight, but

0:44:22.480 --> 0:44:24.080
<v Speaker 5>we've been up together over thirty years.

0:44:24.480 --> 0:44:25.440
<v Speaker 4>Wow, do you.

0:44:25.440 --> 0:44:25.959
<v Speaker 2>Have any kid?

0:44:25.960 --> 0:44:28.200
<v Speaker 4>He were you guys together when you did Boy Meets World?

0:44:28.719 --> 0:44:33.840
<v Speaker 5>Yeah, one hundred Yeah, that's amazing. We don't have kids.

0:44:34.160 --> 0:44:36.880
<v Speaker 5>I'm not a fan of children. I like dogs. Okay,

0:44:37.400 --> 0:44:37.839
<v Speaker 5>there you go.

0:44:38.040 --> 0:44:40.320
<v Speaker 2>Yeah, well too well to do parents.

0:44:41.800 --> 0:44:43.239
<v Speaker 5>So yeah, no kid.

0:44:43.360 --> 0:44:45.319
<v Speaker 4>I at least appreciate that you know you don't like

0:44:45.400 --> 0:44:48.760
<v Speaker 4>kids and then didn't have them and decided after thank you.

0:44:48.880 --> 0:44:51.720
<v Speaker 5>Kids. Unlike the Pied Piper, kids like love.

0:44:51.600 --> 0:44:53.160
<v Speaker 2>Me, will same with me.

0:44:53.680 --> 0:44:55.600
<v Speaker 5>They says that, I'm like, get away from your kids.

0:44:55.640 --> 0:45:00.640
<v Speaker 5>You're bothering me that same way, but they love me.

0:45:00.800 --> 0:45:03.680
<v Speaker 5>I love kids, and like, I love kids if they're cool,

0:45:03.840 --> 0:45:06.600
<v Speaker 5>like they're just little people to me. They're either little

0:45:06.640 --> 0:45:09.000
<v Speaker 5>people or they're little all jerks.

0:45:09.080 --> 0:45:12.040
<v Speaker 4>Right, Yeah, so sometimes they're sometimes they're both.

0:45:12.160 --> 0:45:14.879
<v Speaker 5>Sometimes they're both. I just don't need that in my life.

0:45:15.040 --> 0:45:18.080
<v Speaker 5>You know, Yeah, I don't have that gene. So, but

0:45:18.200 --> 0:45:20.160
<v Speaker 5>I have lots of friends with kids, lots of gay

0:45:20.200 --> 0:45:24.439
<v Speaker 5>friends with kids. That's a whole other topic, the whole

0:45:24.480 --> 0:45:30.240
<v Speaker 5>subversion of gay people the kids anywhere.

0:45:31.239 --> 0:45:33.640
<v Speaker 4>Yeah, they yeah, they really halt your life for a

0:45:33.680 --> 0:45:37.200
<v Speaker 4>little bit. Yep, it's true. So on top of being

0:45:37.239 --> 0:45:40.200
<v Speaker 4>on the Closer and Major Crimes and Picard and Station

0:45:40.400 --> 0:45:44.759
<v Speaker 4>nineteen last year, you also somehow find time to be

0:45:44.840 --> 0:45:48.680
<v Speaker 4>a vital voice for so many important causes, most notably

0:45:48.719 --> 0:45:52.360
<v Speaker 4>for the LGBTQ plus community. And you've worked on three

0:45:52.520 --> 0:45:56.960
<v Speaker 4>presidential campaigns, spoken for anti bullying initiatives, You've taken up

0:45:57.080 --> 0:46:01.440
<v Speaker 4>environmental issues, and you were a celebrity surrogate for Obama's

0:46:01.480 --> 0:46:06.600
<v Speaker 4>twenty twelve campaigns. First, how do you have the time

0:46:06.840 --> 0:46:07.640
<v Speaker 4>to be so great?

0:46:07.920 --> 0:46:10.000
<v Speaker 2>He doesn't have kids? He does have kids.

0:46:12.520 --> 0:46:16.600
<v Speaker 4>You're right, You've already answered that one. And then secondly,

0:46:17.000 --> 0:46:19.440
<v Speaker 4>what is it that makes you want to speak up

0:46:19.520 --> 0:46:21.480
<v Speaker 4>for things that are so important to you?

0:46:21.719 --> 0:46:24.120
<v Speaker 5>Well, we could add fourth campaign because I'm a surrogate

0:46:24.160 --> 0:46:25.719
<v Speaker 5>for a comma.

0:46:25.440 --> 0:46:26.840
<v Speaker 4>Like Kamala Harris.

0:46:27.160 --> 0:46:31.400
<v Speaker 5>Okay, great, So I think something happens for human beings.

0:46:31.440 --> 0:46:34.400
<v Speaker 5>I read this somewhere like the stages of being a human.

0:46:34.520 --> 0:46:37.120
<v Speaker 5>A good human is you get to a stage where

0:46:37.160 --> 0:46:39.840
<v Speaker 5>like you need to give back. Yeah, usually people have

0:46:39.880 --> 0:46:42.160
<v Speaker 5>a kid, like in their thirties or whatever. I think

0:46:42.239 --> 0:46:46.160
<v Speaker 5>at that stage, my giving back was like community, you know,

0:46:46.440 --> 0:46:50.640
<v Speaker 5>and yeah, make some sort of causes. That's how I like.

0:46:50.760 --> 0:46:53.680
<v Speaker 5>I actually love it just as much as being an actor.

0:46:53.840 --> 0:46:57.520
<v Speaker 5>It's really campaigning and working on like something that's bigger

0:46:57.560 --> 0:47:01.240
<v Speaker 5>than you. And yeah, money for kids that are getting

0:47:01.239 --> 0:47:05.560
<v Speaker 5>bullied or you know, just things that are seemingly unfair

0:47:05.600 --> 0:47:08.279
<v Speaker 5>in the world. Try to educate people. So for me,

0:47:08.480 --> 0:47:11.319
<v Speaker 5>like it's I love finding time for that because that's

0:47:11.719 --> 0:47:17.600
<v Speaker 5>really really a fun fulfilling aspect that sometimes acting doesn't

0:47:17.600 --> 0:47:19.959
<v Speaker 5>give me. Right, I think that the industry doesn't really

0:47:19.960 --> 0:47:22.520
<v Speaker 5>have an opportunity. I mean, you know everyone in a

0:47:22.560 --> 0:47:25.160
<v Speaker 5>while you do work as an actor that feels significant,

0:47:25.560 --> 0:47:29.000
<v Speaker 5>but that's kind of rare. But with with sort of

0:47:29.080 --> 0:47:33.080
<v Speaker 5>all the social stuff and politics, I understand it and

0:47:33.160 --> 0:47:35.239
<v Speaker 5>I speak it, you know what I mean, I get it.

0:47:35.719 --> 0:47:37.440
<v Speaker 5>So I feel like it's a talent I have that

0:47:37.480 --> 0:47:41.000
<v Speaker 5>I want to like use, for want of a better word,

0:47:41.080 --> 0:47:45.279
<v Speaker 5>for the good of all right, So it's exciting. It's

0:47:45.280 --> 0:47:49.440
<v Speaker 5>an exciting world, the world of politics. It has the

0:47:49.560 --> 0:47:52.480
<v Speaker 5>potential to change so many lives. I think that I

0:47:52.560 --> 0:47:54.560
<v Speaker 5>don't really understand me. A lot of people are so

0:47:54.640 --> 0:47:57.720
<v Speaker 5>turned off by politics, and yeah, we have a flawed

0:47:57.719 --> 0:48:00.319
<v Speaker 5>system and there's just a lot wrong with it, but

0:48:00.360 --> 0:48:03.719
<v Speaker 5>there's a lot that without it wouldn't get done right.

0:48:04.239 --> 0:48:08.640
<v Speaker 5>So yeah, I'm a real big believer in voting and

0:48:09.320 --> 0:48:12.879
<v Speaker 5>getting people to be engaged and not give up. You know,

0:48:13.000 --> 0:48:14.800
<v Speaker 5>because at the end of the day, we kind of

0:48:14.840 --> 0:48:18.280
<v Speaker 5>hold the keys to the car, so if we all

0:48:18.840 --> 0:48:22.839
<v Speaker 5>exercise that power, we would have a much I think

0:48:22.840 --> 0:48:26.279
<v Speaker 5>we think. I believe most people are pretty great. You know,

0:48:27.320 --> 0:48:30.480
<v Speaker 5>we all like got together and really decided what was important.

0:48:31.160 --> 0:48:34.560
<v Speaker 5>We would actually agree more than we think. You know.

0:48:35.040 --> 0:48:37.719
<v Speaker 1>Wow, I'm so impressed by your optimism that you that

0:48:37.760 --> 0:48:39.160
<v Speaker 1>you've been able to maintain it, because I feel like

0:48:39.200 --> 0:48:41.600
<v Speaker 1>when people go into politics or activism, you can so

0:48:41.719 --> 0:48:44.120
<v Speaker 1>quickly turn bitter, you know, or just feel like you're

0:48:44.120 --> 0:48:46.040
<v Speaker 1>always fighting and against something.

0:48:46.040 --> 0:48:47.200
<v Speaker 2>But it sounds like you're really.

0:48:47.400 --> 0:48:49.960
<v Speaker 5>There's a lot of disappointment and a lot of you

0:48:50.000 --> 0:48:52.240
<v Speaker 5>want to hit your head against the wall and you're

0:48:53.120 --> 0:48:57.640
<v Speaker 5>not understand this. Well, it just takes time, and you know,

0:48:57.680 --> 0:49:01.360
<v Speaker 5>it just it's we're really big country guys, you know,

0:49:02.160 --> 0:49:04.719
<v Speaker 5>I mean every state it's its own little country. And

0:49:04.800 --> 0:49:07.520
<v Speaker 5>I think it's hard to find common ground. But I've

0:49:07.560 --> 0:49:10.560
<v Speaker 5>seen good enough. I've seen there's more of us that

0:49:10.560 --> 0:49:13.440
<v Speaker 5>are on the same page than we think. It was.

0:49:13.480 --> 0:49:15.560
<v Speaker 6>It Churchill who said that democracy is the worst form

0:49:15.560 --> 0:49:17.200
<v Speaker 6>of government except for all the others.

0:49:17.280 --> 0:49:19.280
<v Speaker 2>Exactly, and I think that's absolutely true.

0:49:19.360 --> 0:49:21.680
<v Speaker 6>So it's you know, it's you've got a lot of

0:49:21.680 --> 0:49:22.880
<v Speaker 6>people with a lot of opinions.

0:49:22.960 --> 0:49:25.799
<v Speaker 5>You know, it's completely what they want for themselves or

0:49:25.800 --> 0:49:28.360
<v Speaker 5>for their family or their tribe. I mean think were

0:49:28.440 --> 0:49:32.439
<v Speaker 5>super tribal and we're like oriented like gold, blue, red.

0:49:32.800 --> 0:49:34.319
<v Speaker 5>And at the end of the day, I mean, you know,

0:49:34.600 --> 0:49:37.000
<v Speaker 5>I lived through nine nine to eleven, right we all did.

0:49:37.680 --> 0:49:40.720
<v Speaker 5>Do you remember what that felt like? That was weird

0:49:41.000 --> 0:49:43.600
<v Speaker 5>couple feeling like, oh, that's what it feels like to

0:49:43.600 --> 0:49:49.640
<v Speaker 5>be a united country. Yeah, align for anyone, even if

0:49:49.920 --> 0:49:52.880
<v Speaker 5>I don't agree on my particular issues. Anyone that that

0:49:53.080 --> 0:49:56.920
<v Speaker 5>truly is striving to bring people together as opposed to

0:49:57.400 --> 0:50:01.400
<v Speaker 5>politics of ripping people apart. Is an that now it's

0:50:01.440 --> 0:50:03.520
<v Speaker 5>an actual like strategy, right.

0:50:03.719 --> 0:50:07.120
<v Speaker 2>Sure, well 'or easier to control if we're in little groups.

0:50:07.320 --> 0:50:08.000
<v Speaker 5>One hundred percent.

0:50:08.239 --> 0:50:10.680
<v Speaker 6>So it's you know, it's it's unfortunate, but it's true.

0:50:10.719 --> 0:50:13.320
<v Speaker 6>So it's you know, anything that brings us all together

0:50:13.400 --> 0:50:15.200
<v Speaker 6>scares a lot of people, scares a lot of very

0:50:15.239 --> 0:50:15.920
<v Speaker 6>important people.

0:50:16.400 --> 0:50:17.360
<v Speaker 2>So yeah, but.

0:50:17.280 --> 0:50:20.600
<v Speaker 5>For me, it's actually like being an actor and being

0:50:20.640 --> 0:50:23.239
<v Speaker 5>involved in these things, they all kind of work hand

0:50:23.239 --> 0:50:26.000
<v Speaker 5>in hand, you know, because no matter how famous you

0:50:26.120 --> 0:50:28.920
<v Speaker 5>are not, even if you're on TV a little you

0:50:29.040 --> 0:50:31.800
<v Speaker 5>have really some kind of platform, even if it's a

0:50:31.840 --> 0:50:35.440
<v Speaker 5>small one. So why not like use it for something

0:50:35.560 --> 0:50:36.920
<v Speaker 5>that matters to you? You know?

0:50:37.160 --> 0:50:40.279
<v Speaker 4>Yeah, that's great. Well, I love that. Thank you for

0:50:40.320 --> 0:50:43.319
<v Speaker 4>sharing that with us. We ask this question to a

0:50:43.360 --> 0:50:45.920
<v Speaker 4>lot of our guests that we have forced to watch

0:50:46.040 --> 0:50:50.399
<v Speaker 4>episodes of something they did from the nineties. Looking back,

0:50:50.880 --> 0:50:55.080
<v Speaker 4>if you could tell young Jonathan anything now, what would

0:50:55.120 --> 0:50:55.359
<v Speaker 4>it be?

0:50:58.440 --> 0:51:04.719
<v Speaker 5>Well, that's good. I never thought I was attractive. I

0:51:04.760 --> 0:51:08.960
<v Speaker 5>always felt really awkward and like not attractive. I'd be like,

0:51:09.600 --> 0:51:15.759
<v Speaker 5>you look good, guy, you know you don't not You're

0:51:15.800 --> 0:51:22.160
<v Speaker 5>not the elephant man. You grow up as a as

0:51:22.200 --> 0:51:25.000
<v Speaker 5>an immigrant and as gay, and like hiding so much

0:51:25.000 --> 0:51:30.040
<v Speaker 5>of what you are, you do not. You have a

0:51:30.080 --> 0:51:33.520
<v Speaker 5>weird sense of how you present to the world. And

0:51:33.600 --> 0:51:37.799
<v Speaker 5>even though you get affirmed as a young person, Oh

0:51:37.840 --> 0:51:41.040
<v Speaker 5>you're you're gonna be the handsome whatever, you're this, you're that,

0:51:41.320 --> 0:51:44.040
<v Speaker 5>you still go like, I am still not you know,

0:51:44.920 --> 0:51:45.839
<v Speaker 5>what's your brother's name?

0:51:46.239 --> 0:51:48.759
<v Speaker 4>Strong?

0:51:51.760 --> 0:51:54.000
<v Speaker 5>You know you carried. I mean, I'm sure you all

0:51:54.160 --> 0:51:57.120
<v Speaker 5>have had that experience as actors. Sure, yeah, like I'm

0:51:57.120 --> 0:51:59.640
<v Speaker 5>not as pretty as this one, or I'm not as

0:51:59.360 --> 0:52:01.600
<v Speaker 5>as tall as that guy. Yeah.

0:52:01.800 --> 0:52:04.320
<v Speaker 6>Well it's because we're all actors are just by nature,

0:52:04.320 --> 0:52:05.840
<v Speaker 6>we're horribly insecure people.

0:52:06.080 --> 0:52:06.759
<v Speaker 5>Yeah.

0:52:07.000 --> 0:52:07.400
<v Speaker 2>Yeah, But I.

0:52:07.400 --> 0:52:09.560
<v Speaker 1>Also think it plays into the thing you were talking about,

0:52:09.680 --> 0:52:11.480
<v Speaker 1>you know, right from the beginning, about the trope of

0:52:11.520 --> 0:52:13.760
<v Speaker 1>like the Latin lover. You know, I know my wife

0:52:13.800 --> 0:52:17.319
<v Speaker 1>she's a Latin actress, and the entire first ten years

0:52:17.320 --> 0:52:19.319
<v Speaker 1>of her career, there were only three roles. She would

0:52:19.360 --> 0:52:22.480
<v Speaker 1>play the maid, the prostitute, or the drug addict, and

0:52:22.480 --> 0:52:24.359
<v Speaker 1>it was like that's it, you know, And then then

0:52:24.400 --> 0:52:26.680
<v Speaker 1>everything changed in like ninety eight, when like j lo

0:52:26.840 --> 0:52:29.640
<v Speaker 1>Is suddenly like, oh we could have Latin actresses be leads.

0:52:29.640 --> 0:52:32.640
<v Speaker 1>But also she's always felt this pressure, like constantly the

0:52:32.719 --> 0:52:37.640
<v Speaker 1>roles would be the like vivacious, buxome, Latin, you know,

0:52:37.719 --> 0:52:38.719
<v Speaker 1>goddess sort of thing.

0:52:38.640 --> 0:52:39.640
<v Speaker 3>And she's like, that's not me.

0:52:39.800 --> 0:52:41.440
<v Speaker 2>I'm not physically that person.

0:52:41.480 --> 0:52:43.040
<v Speaker 1>But she'd have to go out for these roles and

0:52:43.080 --> 0:52:45.920
<v Speaker 1>she so she has this like crazy insecurity about her

0:52:45.960 --> 0:52:48.680
<v Speaker 1>looks and it's like, no, you're beautiful, You're just not

0:52:48.800 --> 0:52:52.000
<v Speaker 1>that trope, you know, but it was it was like

0:52:52.000 --> 0:52:54.080
<v Speaker 1>it would actually hurt her career to not be that.

0:52:54.880 --> 0:52:56.560
<v Speaker 1>So I'm impressed like the way that you when you

0:52:56.600 --> 0:52:58.360
<v Speaker 1>talk about this audition for Boymans or the way that

0:52:58.400 --> 0:52:59.759
<v Speaker 1>you kind of turned to that and made it more

0:52:59.800 --> 0:53:03.080
<v Speaker 1>of about like his him owning him, like his his

0:53:03.200 --> 0:53:06.520
<v Speaker 1>confidence being less about like being this sexy guy, more

0:53:06.600 --> 0:53:09.759
<v Speaker 1>just as confident, like self loving. I think you said,

0:53:09.760 --> 0:53:12.200
<v Speaker 1>like I love that that's like, and that spoke to me.

0:53:12.440 --> 0:53:14.440
<v Speaker 5>You remember, he doesn't make the moves on any of

0:53:14.440 --> 0:53:14.759
<v Speaker 5>the girls.

0:53:14.880 --> 0:53:16.000
<v Speaker 2>No, No, he's.

0:53:15.920 --> 0:53:19.520
<v Speaker 4>Actually he's like, you're not feeling Nunzio like I'm feeling.

0:53:20.719 --> 0:53:24.200
<v Speaker 5>Very sweet in that way, datory right in any way.

0:53:25.200 --> 0:53:27.160
<v Speaker 1>And I think they didn't write it that way originally.

0:53:27.160 --> 0:53:28.640
<v Speaker 1>I think that's because you brought.

0:53:28.360 --> 0:53:31.080
<v Speaker 3>That and they were so much better. It's so much better.

0:53:31.640 --> 0:53:35.680
<v Speaker 5>Well it disarms people, right someone. Yeah, and I think

0:53:35.719 --> 0:53:37.600
<v Speaker 5>he needed to be that to get the guys on this,

0:53:37.960 --> 0:53:40.239
<v Speaker 5>you know, yes, like I'm going to help these poor

0:53:40.239 --> 0:53:43.280
<v Speaker 5>American boys.

0:53:44.160 --> 0:53:45.080
<v Speaker 2>Can you hate that guy?

0:53:45.360 --> 0:53:45.640
<v Speaker 5>Great?

0:53:46.920 --> 0:53:49.799
<v Speaker 4>Well, As your former dance partner, I would like to

0:53:49.840 --> 0:53:52.400
<v Speaker 4>say that we are all so proud of you and

0:53:52.480 --> 0:53:55.799
<v Speaker 4>your career and your activism and the impressive roles that

0:53:55.880 --> 0:53:58.640
<v Speaker 4>you have gotten to play. And we thank you so

0:53:58.840 --> 0:54:00.640
<v Speaker 4>much for your time. Thank thank you so much for

0:54:00.680 --> 0:54:01.440
<v Speaker 4>being here with us.

0:54:01.600 --> 0:54:03.640
<v Speaker 5>We're talking to you guys you as well.

0:54:03.760 --> 0:54:04.440
<v Speaker 4>You thank you.

0:54:05.040 --> 0:54:07.600
<v Speaker 5>Take care, take care, bye bye.

0:54:08.440 --> 0:54:14.040
<v Speaker 4>Another perfect drive by guest star actor, A perfect guest

0:54:14.080 --> 0:54:16.440
<v Speaker 4>to have on this podcast. He's so interesting, such a

0:54:16.440 --> 0:54:17.160
<v Speaker 4>great conversation.

0:54:18.080 --> 0:54:20.160
<v Speaker 6>Yeah, and we've talked about this a couple of times,

0:54:20.160 --> 0:54:22.919
<v Speaker 6>but it is so difficult to be a guest star

0:54:23.160 --> 0:54:26.040
<v Speaker 6>on it I now, especially an established show, and to

0:54:26.120 --> 0:54:27.960
<v Speaker 6>come in and you've got.

0:54:28.000 --> 0:54:30.480
<v Speaker 2>What three days maybe total, to.

0:54:30.520 --> 0:54:32.919
<v Speaker 6>Come in and kill it and be you know, you're

0:54:32.920 --> 0:54:35.520
<v Speaker 6>still remembered for a role you played for one week

0:54:35.800 --> 0:54:37.120
<v Speaker 6>twenty five or thirty years ago.

0:54:37.520 --> 0:54:40.040
<v Speaker 2>That's just impressive, it really is. It blows my mind

0:54:40.040 --> 0:54:42.120
<v Speaker 2>that he was with his husband back then. I know,

0:54:42.160 --> 0:54:43.680
<v Speaker 2>I don't think about that. Just think about how much

0:54:43.719 --> 0:54:45.160
<v Speaker 2>our lives have changed.

0:54:45.040 --> 0:54:47.520
<v Speaker 1>Exactly the last year, and he's had the same partner

0:54:47.640 --> 0:54:50.040
<v Speaker 1>since that moment when he was playing amazing character.

0:54:50.400 --> 0:54:52.799
<v Speaker 2>That is like, that's just for me. Such a head

0:54:52.840 --> 0:54:55.120
<v Speaker 2>trip to think about it. So cool, cool, cool.

0:54:55.480 --> 0:54:57.320
<v Speaker 4>Well, thank you all for joining us for this episode

0:54:57.320 --> 0:54:59.319
<v Speaker 4>of Podmeets World. As always, you can follow us on

0:54:59.360 --> 0:55:02.320
<v Speaker 4>Instagram meets World Show. You can send us your emails

0:55:02.360 --> 0:55:05.120
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0:55:05.160 --> 0:55:08.560
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0:55:09.400 --> 0:55:12.760
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0:55:13.040 --> 0:55:14.880
<v Speaker 2>We love you all, pod dismissed.

0:55:16.040 --> 0:55:19.560
<v Speaker 6>Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

0:55:19.640 --> 0:55:23.880
<v Speaker 6>Wilfordell and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman,

0:55:24.160 --> 0:55:27.680
<v Speaker 6>Executive in charge of production, Danielle Romo, producer and editor,

0:55:27.760 --> 0:55:31.560
<v Speaker 6>Tara sudbachsch producer, Maddie Moore, engineer and Boy Meets World

0:55:31.600 --> 0:55:34.480
<v Speaker 6>superfan Easton Allen. Our theme song is by Kyle Morton

0:55:34.520 --> 0:55:36.680
<v Speaker 6>of Typhoon, and you can follow us on Instagram at

0:55:36.680 --> 0:55:40.160
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0:55:40.200 --> 0:55:42.480
<v Speaker 6>dot com.